1 00:00:08,245 --> 00:00:15,045 Speaker 1: School of Humans. Hello, welcome to another episode of Cadaver Gals, 2 00:00:15,085 --> 00:00:17,605 Speaker 1: where we talk about the ways people have died throughout 3 00:00:17,645 --> 00:00:21,325 Speaker 1: history to cope with our own mortality. I am your host, Nika, 4 00:00:21,525 --> 00:00:28,645 Speaker 1: along with Taylor. Hi, handle am Gabby. Hi. Cute, cute, 5 00:00:28,845 --> 00:00:33,245 Speaker 1: very simple, highs simple episodes today. You know, nothing too flashy, 6 00:00:33,285 --> 00:00:36,485 Speaker 1: nothing too crazy. It was a little bit crazy. So 7 00:00:36,525 --> 00:00:38,885 Speaker 1: on today's show, we are going to be covering a 8 00:00:38,925 --> 00:00:43,805 Speaker 1: couple of human sacrifices and why Edna Mode was always right. 9 00:00:44,165 --> 00:00:47,725 Speaker 1: No capes, that is just a fact of life. Today's 10 00:00:47,725 --> 00:00:53,805 Speaker 1: content warnings include bodily harm, death, fighting with swords, butts 11 00:00:53,925 --> 00:00:59,245 Speaker 1: or asses as they are colloquially called, drowning, suicide, and 12 00:01:00,845 --> 00:01:04,725 Speaker 1: death of a child. Yeah yeah, okay, great, Yeah that's it. 13 00:01:05,325 --> 00:01:08,565 Speaker 1: That's all though. That's all. So I'm with all that 14 00:01:08,645 --> 00:01:12,445 Speaker 1: being said, let us forge ahead and Q alligator music. 15 00:01:26,205 --> 00:01:29,125 Speaker 1: I'm super excited for this episode. This is just going 16 00:01:29,165 --> 00:01:33,125 Speaker 1: to be amazing. And Gabby, I hear you have a 17 00:01:33,245 --> 00:01:35,805 Speaker 1: very dramatic story you would like to share with us. 18 00:01:36,805 --> 00:01:40,005 Speaker 1: Oh yeah, well I feel kind of bad because I 19 00:01:40,085 --> 00:01:42,685 Speaker 1: know you're going to be talking about human sacrifice later 20 00:01:42,725 --> 00:01:45,125 Speaker 1: and this is like kind of human sacrifice, but like 21 00:01:45,245 --> 00:01:47,405 Speaker 1: kind of not, but it is listed on the human 22 00:01:47,485 --> 00:01:52,845 Speaker 1: sacrifice Wikipedia page, so I still feel like it counts, right, Okay, 23 00:01:52,925 --> 00:01:56,765 Speaker 1: but you told me, I'm pointing a finger. You told 24 00:01:56,805 --> 00:02:01,085 Speaker 1: me to do human sacrifices, I know, And then I 25 00:02:01,165 --> 00:02:04,405 Speaker 1: realized it was slightly different, okay, because basically I'm talking 26 00:02:04,405 --> 00:02:10,005 Speaker 1: about sappuku, which is the ritual suicide by samurai in Japan, 27 00:02:10,605 --> 00:02:13,405 Speaker 1: which in some sense, and the time that I'm talking 28 00:02:13,405 --> 00:02:16,565 Speaker 1: about it right now, which is in like year seventeen hundred, 29 00:02:16,965 --> 00:02:20,485 Speaker 1: it was used more as like a capital punishment, less 30 00:02:20,525 --> 00:02:23,325 Speaker 1: of I mean, it is kind of like sacrificing yourself 31 00:02:23,365 --> 00:02:26,845 Speaker 1: for your honor, you know, because apparently it's more honorable 32 00:02:26,845 --> 00:02:30,845 Speaker 1: to just like, you know, disembowel yourself as opposed to, 33 00:02:30,885 --> 00:02:33,805 Speaker 1: you know, let somebody else do it. So you know, 34 00:02:34,245 --> 00:02:36,765 Speaker 1: it's it is the thing. And as I said, you know, 35 00:02:36,805 --> 00:02:40,245 Speaker 1: everyone's favorite academic source, Wikipedia does list it as a 36 00:02:40,325 --> 00:02:44,925 Speaker 1: human sacrifice, So okay, I don't feel as misled. That's good, Okay, 37 00:02:45,005 --> 00:02:48,005 Speaker 1: I just wanted it to be all tied together. I 38 00:02:48,045 --> 00:02:50,005 Speaker 1: also feel like, do we really need an excuse to 39 00:02:50,005 --> 00:02:53,445 Speaker 1: talk about human sacrifices? Like, do we need know we 40 00:02:53,965 --> 00:02:56,285 Speaker 1: talk about them if they want, you know, just girly 41 00:02:56,405 --> 00:03:03,885 Speaker 1: things human sacrifice. Okay, so sappuku is they think the 42 00:03:03,925 --> 00:03:06,525 Speaker 1: first one maybe was in like eleven than eighty is 43 00:03:06,565 --> 00:03:08,645 Speaker 1: when the first time there's a sippuk who that happened. 44 00:03:08,725 --> 00:03:11,885 Speaker 1: But then they also kind of went into even like 45 00:03:11,925 --> 00:03:15,325 Speaker 1: the nineteen seventies and eighties, like there's still there's a 46 00:03:15,325 --> 00:03:17,285 Speaker 1: lot also, like right after World War Two, there's a 47 00:03:17,325 --> 00:03:20,285 Speaker 1: lot of sippuk who happening because you know, there's a 48 00:03:20,285 --> 00:03:22,685 Speaker 1: bit of a sadness in Japan after World War two 49 00:03:22,845 --> 00:03:27,405 Speaker 1: if you get history history, um, but basically it's when 50 00:03:27,605 --> 00:03:33,365 Speaker 1: uh a samurai will stab themselves in the gut and 51 00:03:33,405 --> 00:03:37,365 Speaker 1: then you know, crank it over and then disembowel themselves 52 00:03:37,845 --> 00:03:40,285 Speaker 1: and then your guts you know, we'll usually maybe fall out, 53 00:03:40,325 --> 00:03:42,245 Speaker 1: but there's also like a big artery in your guts, 54 00:03:42,245 --> 00:03:45,285 Speaker 1: so sometimes you'll be able to slash that and then 55 00:03:45,325 --> 00:03:48,205 Speaker 1: you'll just bleed to death pretty quickly. Wait, so after 56 00:03:48,245 --> 00:03:53,285 Speaker 1: they stab themselves, they like twist the sword. Well you 57 00:03:53,325 --> 00:03:57,325 Speaker 1: can do, I mean there's been various very quick motion Yeah. 58 00:03:57,365 --> 00:04:01,645 Speaker 1: I mean they definitely have more stamina and perseverance than 59 00:04:01,725 --> 00:04:05,485 Speaker 1: I do. You know, so good for them. But yeah, 60 00:04:05,685 --> 00:04:08,365 Speaker 1: there's usually a stabbing or maybe a slashing after or 61 00:04:08,405 --> 00:04:12,045 Speaker 1: a twisting. It just depends on the era. And then 62 00:04:12,125 --> 00:04:14,725 Speaker 1: also there were sometimes where like you would then have 63 00:04:14,765 --> 00:04:17,805 Speaker 1: a buddy who would then chop your head off just 64 00:04:17,885 --> 00:04:19,965 Speaker 1: in case. But then if your buddy didn't chop your 65 00:04:19,965 --> 00:04:22,525 Speaker 1: head off, then they would be forced to do sippuku 66 00:04:22,605 --> 00:04:25,965 Speaker 1: as well. So when you find your head chopping buddy, 67 00:04:26,085 --> 00:04:29,045 Speaker 1: make sure that they're gonna you know, do you write 68 00:04:29,085 --> 00:04:33,205 Speaker 1: you know? So I might select one of you for 69 00:04:33,325 --> 00:04:36,125 Speaker 1: my sappuku just in case it happens. Who would you 70 00:04:36,165 --> 00:04:40,605 Speaker 1: select who? Well? I would Okay, I might do Nico though, 71 00:04:40,685 --> 00:04:44,485 Speaker 1: just because like I feel actually, oh this is hard though, 72 00:04:44,525 --> 00:04:48,325 Speaker 1: because Taylor I feel like would be have very consistent 73 00:04:48,565 --> 00:04:51,685 Speaker 1: aim and it would be probably in the right spot 74 00:04:51,685 --> 00:04:54,685 Speaker 1: where Nico would do it just like really hard but 75 00:04:54,845 --> 00:04:59,725 Speaker 1: also could be effective. Anyway, that's actually very accurate. Yeah, 76 00:04:59,565 --> 00:05:02,605 Speaker 1: our personalities and what you know about us and me, 77 00:05:02,845 --> 00:05:04,885 Speaker 1: I would just if it was me, I would probably 78 00:05:04,925 --> 00:05:07,925 Speaker 1: just miss an accidentally cut my own arm off or something. 79 00:05:08,005 --> 00:05:10,405 Speaker 1: So Gabby would just give herself a paper clip or 80 00:05:10,605 --> 00:05:14,685 Speaker 1: like cut or something like that. Ohe paper paper clip 81 00:05:14,725 --> 00:05:21,285 Speaker 1: cut a paperclip cut. Yeah, okay, yeah, okay, anyway, so okay, 82 00:05:21,325 --> 00:05:23,445 Speaker 1: but so we're going to go back to seventeen hundred 83 00:05:23,445 --> 00:05:26,685 Speaker 1: into feudal Japan. And at this point there were, as 84 00:05:26,885 --> 00:05:29,045 Speaker 1: you know, the Emperor emperor, but he was more just 85 00:05:29,085 --> 00:05:31,365 Speaker 1: like a figurehead. But most of Japan at that point 86 00:05:31,445 --> 00:05:35,205 Speaker 1: was run by the Showgun because they ran the military 87 00:05:35,605 --> 00:05:38,725 Speaker 1: and that gives you all the power apparently, wow wah. 88 00:05:39,285 --> 00:05:42,525 Speaker 1: And then underneath the Showgun were like thirty feudal lords 89 00:05:43,325 --> 00:05:45,685 Speaker 1: and they had all their jobs kind of seemed to suck, 90 00:05:45,725 --> 00:05:49,005 Speaker 1: like they had a lot of responsibilities, and they also 91 00:05:49,685 --> 00:05:52,045 Speaker 1: they had to like split their time between their territory 92 00:05:52,165 --> 00:05:55,525 Speaker 1: that they were feudal lording over and the castle. And 93 00:05:55,565 --> 00:05:57,725 Speaker 1: then they also had to like pay for a lot 94 00:05:57,725 --> 00:06:00,485 Speaker 1: of the stuff themselves because and that was the Shogun's 95 00:06:00,525 --> 00:06:02,005 Speaker 1: trick because he was like, I don't want you to 96 00:06:02,045 --> 00:06:03,845 Speaker 1: ever have enough money so that you could amass an 97 00:06:03,965 --> 00:06:07,405 Speaker 1: army and overtake me, so you're going to be poor. 98 00:06:07,645 --> 00:06:09,765 Speaker 1: And I'm also like, while you're out on your missions 99 00:06:09,765 --> 00:06:13,245 Speaker 1: and shit, I'm gonna keep your family hostage so you 100 00:06:13,285 --> 00:06:16,245 Speaker 1: don't do anything crazy. So it seemed kind of like 101 00:06:16,925 --> 00:06:21,645 Speaker 1: not the best job. It sounds like a toxic relationship. Yeah, 102 00:06:21,685 --> 00:06:26,005 Speaker 1: it's like a really toxic work environment in the Showguns 103 00:06:26,045 --> 00:06:29,365 Speaker 1: castle and what is now Tokyo who was HR at 104 00:06:29,365 --> 00:06:33,805 Speaker 1: the time that they could talk to, um, probably the 105 00:06:33,805 --> 00:06:37,325 Speaker 1: Showgun you know. Oh so just like now, okay, that's fine. Yeah, 106 00:06:37,365 --> 00:06:40,005 Speaker 1: it's like I am the Showgun and I am the HR. 107 00:06:40,205 --> 00:06:44,005 Speaker 1: So yeah, but I also understand, you know, it's also 108 00:06:44,045 --> 00:06:45,805 Speaker 1: a clever way. You know, that's why you should never 109 00:06:45,845 --> 00:06:47,645 Speaker 1: pay people that much, because you never know if they're 110 00:06:47,645 --> 00:06:51,125 Speaker 1: gonna like start an army and like overtake you, hey, 111 00:06:51,245 --> 00:06:53,765 Speaker 1: people that much. Did you just say that? Yeah, I'm 112 00:06:53,845 --> 00:06:56,925 Speaker 1: learning a lot of lessons from history anyway, that makes 113 00:06:57,005 --> 00:06:59,645 Speaker 1: like so much sense for my work. History, Like it's 114 00:06:59,645 --> 00:07:02,565 Speaker 1: all coming together now, thank you got me? Yeah exactly. Yeah. 115 00:07:02,605 --> 00:07:06,205 Speaker 1: So just so we get an understanding of our personal 116 00:07:06,285 --> 00:07:10,605 Speaker 1: over lords. Anyway, there's this one Lord Asano, and he 117 00:07:10,685 --> 00:07:13,205 Speaker 1: was at the palace and he was given the task 118 00:07:13,325 --> 00:07:16,725 Speaker 1: to basically organize a big gas party and some entertainment 119 00:07:16,765 --> 00:07:20,565 Speaker 1: for the Showguns peeps, like some royal family folks, some 120 00:07:20,645 --> 00:07:24,085 Speaker 1: ambassadors and stuff, and they're like, Asano, you make the 121 00:07:24,085 --> 00:07:28,565 Speaker 1: party happen. But unfortunately Asano isn't the best party planner. 122 00:07:29,165 --> 00:07:31,765 Speaker 1: So he goes to this dude named Kira, who is 123 00:07:31,805 --> 00:07:35,165 Speaker 1: a fancy man and a master of ceremonies and he's 124 00:07:35,485 --> 00:07:39,365 Speaker 1: part of the showguns like envoy or whatever. And Asano's like, bro, 125 00:07:39,525 --> 00:07:41,725 Speaker 1: can you please help me plan a party according to 126 00:07:41,765 --> 00:07:43,965 Speaker 1: the rules of the court in the castle and all 127 00:07:44,005 --> 00:07:47,765 Speaker 1: this shit, And Kira's like, yes, I will, but I'm 128 00:07:47,805 --> 00:07:49,845 Speaker 1: also going to be an elitist bitch to you the 129 00:07:49,885 --> 00:07:53,285 Speaker 1: whole time, because wow, you don't know protocols and rules 130 00:07:53,285 --> 00:07:56,165 Speaker 1: and how to make a fancy party. Wow, you're just 131 00:07:56,205 --> 00:08:00,325 Speaker 1: the worst feudal lord. Wow. Anyway, so you know, we 132 00:08:00,365 --> 00:08:03,405 Speaker 1: can see Kira's the fancy man from the city and 133 00:08:03,445 --> 00:08:06,605 Speaker 1: then Asano is the feudal lord from the country, and 134 00:08:06,685 --> 00:08:09,925 Speaker 1: so they're just having some you know, cultural issues between them. 135 00:08:10,085 --> 00:08:14,765 Speaker 1: Their relationships really terrible, and Asana refuses to give Kira 136 00:08:14,965 --> 00:08:17,885 Speaker 1: a monetary gift as well for kind of like helping 137 00:08:17,965 --> 00:08:20,125 Speaker 1: him out with the party, because he's like, bro, this 138 00:08:20,205 --> 00:08:21,685 Speaker 1: is just like your job. You should help me. And 139 00:08:21,725 --> 00:08:23,725 Speaker 1: he's like, nah, you should give me money and gifts. 140 00:08:25,365 --> 00:08:27,725 Speaker 1: But then it gets really fucked up because then at 141 00:08:27,725 --> 00:08:30,285 Speaker 1: one point when they're in the palace. Kira's like, oh 142 00:08:30,325 --> 00:08:33,205 Speaker 1: my god, Asana, my shoes like untied, so like will 143 00:08:33,245 --> 00:08:38,005 Speaker 1: you tie it for me? Wow? Okay, very rude, very 144 00:08:38,085 --> 00:08:42,925 Speaker 1: like intern energy, I know, right. But then Asana's like, ah, yeah, sure, 145 00:08:42,965 --> 00:08:45,725 Speaker 1: I'll tie your shoe for you. But then Kira afterwards 146 00:08:45,805 --> 00:08:49,805 Speaker 1: was like, wow, you tied my shoe wrong. Okay. I 147 00:08:49,845 --> 00:08:53,245 Speaker 1: can't imagine these shoes that they're tying though. For some reason. Yeah, 148 00:08:53,325 --> 00:08:58,245 Speaker 1: it was just you know, like some air Jordans. Yeah, 149 00:08:58,285 --> 00:09:00,485 Speaker 1: I feel like they would be like lace up boots, right, 150 00:09:00,485 --> 00:09:03,405 Speaker 1: they use boots a lot in that time, maybe some 151 00:09:03,565 --> 00:09:05,965 Speaker 1: like with a silken something, you know. I feel like 152 00:09:06,005 --> 00:09:08,125 Speaker 1: they probably because Kiro was a fancy man, so I 153 00:09:08,125 --> 00:09:10,845 Speaker 1: imagined he had very silly like lacy shoes. Like That's 154 00:09:10,845 --> 00:09:14,045 Speaker 1: how I'm imagining them. Lots of places at that point, 155 00:09:14,085 --> 00:09:16,085 Speaker 1: it's hard to tie those shoes. How would you expect 156 00:09:16,085 --> 00:09:18,445 Speaker 1: a country person to know how to tie the fancy 157 00:09:18,485 --> 00:09:21,565 Speaker 1: man's shoes? Tie your own shoes, fancy man, you know. Yeah. 158 00:09:21,645 --> 00:09:24,205 Speaker 1: Also Asano probably has a lot of other great, you 159 00:09:24,245 --> 00:09:27,885 Speaker 1: know characteristics, and sometimes just not being fancy and of 160 00:09:28,605 --> 00:09:31,045 Speaker 1: you know, royalty and not knowing how to host a 161 00:09:31,045 --> 00:09:33,805 Speaker 1: big party like that's not on you, bro, like it 162 00:09:33,965 --> 00:09:37,645 Speaker 1: just Kiro has been really silly. I I empathize though 163 00:09:37,645 --> 00:09:40,085 Speaker 1: with fancy men a little bit because one time I 164 00:09:40,085 --> 00:09:44,685 Speaker 1: asked an intern to run the dishwasher and he literally 165 00:09:44,685 --> 00:09:46,565 Speaker 1: looked at me and said, I don't know how to 166 00:09:46,605 --> 00:09:51,325 Speaker 1: do that, and I was like, big, you're literally that's 167 00:09:51,405 --> 00:09:55,005 Speaker 1: Taylor's favorite word. Fio, figure it out. And it's weird. 168 00:09:55,085 --> 00:09:58,085 Speaker 1: All of our interns have all been feudal lords as well, 169 00:09:58,245 --> 00:10:03,285 Speaker 1: super weird. This is weird. Is this our life? Okay? 170 00:10:03,765 --> 00:10:06,325 Speaker 1: So after this shoe tying in sident, it gets a 171 00:10:06,365 --> 00:10:08,845 Speaker 1: little Asano is a little pissed off, and so what 172 00:10:08,965 --> 00:10:11,565 Speaker 1: he does is he tries to kill Kira because he's 173 00:10:11,565 --> 00:10:15,805 Speaker 1: just really mad in that moment, but he unfortunately he 174 00:10:15,845 --> 00:10:18,485 Speaker 1: gets a dagger and then he goes slashes at Kira, 175 00:10:18,685 --> 00:10:20,205 Speaker 1: but then Kira gets out of the way and he 176 00:10:20,285 --> 00:10:23,485 Speaker 1: just like slashes Kira's face a little bit. But then 177 00:10:23,525 --> 00:10:27,125 Speaker 1: Kira is like wow wow owchee. And then the showgun 178 00:10:27,245 --> 00:10:30,525 Speaker 1: was like, bros, like, you can't be fighting in my palace. 179 00:10:30,805 --> 00:10:33,645 Speaker 1: That's like against the rules. So I'm so sorry Asano. 180 00:10:33,765 --> 00:10:35,565 Speaker 1: I know Kira is a bit of a bit, but 181 00:10:35,725 --> 00:10:38,525 Speaker 1: you're gonna have to do sippuku on yourself right now. 182 00:10:38,525 --> 00:10:42,045 Speaker 1: I'm so sorry, so sorry. But that's nice of it, 183 00:10:42,125 --> 00:10:45,885 Speaker 1: because there's other capital punishments, and you know, sippuku is 184 00:10:45,925 --> 00:10:50,045 Speaker 1: the most honorable of the capital punishments. So he has 185 00:10:50,085 --> 00:10:53,365 Speaker 1: to disembowel him, stab himself, disembowl himself. I don't think 186 00:10:53,405 --> 00:10:55,085 Speaker 1: this is a point in time where they do the 187 00:10:55,125 --> 00:10:58,485 Speaker 1: decapitation part of it. So he just stabbed himself with 188 00:10:58,525 --> 00:11:03,365 Speaker 1: this dagger. Okay. Also, all of his lands and his 189 00:11:03,605 --> 00:11:12,125 Speaker 1: property is confiscated, and everyone's like, damn, this sucks, especially 190 00:11:12,485 --> 00:11:17,725 Speaker 1: Asanos samurai who work underneath him. So the samurai become 191 00:11:18,005 --> 00:11:20,765 Speaker 1: the Ronan. This is the story of the forty seven Ronan, 192 00:11:20,845 --> 00:11:25,365 Speaker 1: and Ronans are basically leaderless samurai and they're like, yo, 193 00:11:25,885 --> 00:11:29,285 Speaker 1: fuck this guy Kira. We want to avenge our lord, 194 00:11:30,285 --> 00:11:33,645 Speaker 1: so let's have make a plan and let's avenge the 195 00:11:33,645 --> 00:11:36,285 Speaker 1: shit out of him by killing this guy Kira. But 196 00:11:36,325 --> 00:11:38,285 Speaker 1: they also want to do it on the DL because 197 00:11:38,285 --> 00:11:40,485 Speaker 1: they don't want to you know, they don't want people 198 00:11:40,525 --> 00:11:42,605 Speaker 1: know about their plan and shit, so they go along 199 00:11:42,605 --> 00:11:45,205 Speaker 1: with it. They're like, yeah, confiscate our land, our money, 200 00:11:45,285 --> 00:11:48,605 Speaker 1: whatever y'all do. Y'all, we're gonna go disperse and like 201 00:11:48,685 --> 00:11:51,285 Speaker 1: be tradesmen and monks for a little bit, but it's 202 00:11:51,285 --> 00:11:53,965 Speaker 1: secretly we're gonna plan an attack on Kira to kill 203 00:11:54,005 --> 00:11:57,645 Speaker 1: this bitch. Okay, And so the leader, I guess they're 204 00:11:57,925 --> 00:12:01,085 Speaker 1: not like real ass feudal lord leader. But the leader 205 00:12:01,125 --> 00:12:05,445 Speaker 1: of this band of forty seven ronan is named Oi. 206 00:12:06,245 --> 00:12:08,605 Speaker 1: And so what he does. He goes to like Kyoto 207 00:12:08,685 --> 00:12:10,445 Speaker 1: for a little bit, and he starts like hanging out 208 00:12:10,445 --> 00:12:12,645 Speaker 1: in brothels and like starts drinking a lot, which might 209 00:12:12,725 --> 00:12:15,445 Speaker 1: because like be out of like sadness and shit, but 210 00:12:15,485 --> 00:12:17,885 Speaker 1: he's also trying to plan this whole thing the whole time. 211 00:12:17,925 --> 00:12:20,605 Speaker 1: You know, it could be stress. You know, I know 212 00:12:20,645 --> 00:12:22,925 Speaker 1: what it's like to plan big things and be stressed 213 00:12:22,965 --> 00:12:25,725 Speaker 1: about it. So maybe that's what you know, leads people 214 00:12:25,765 --> 00:12:30,205 Speaker 1: to drinking, like I empathize, yeah exactly. And then when yeah, 215 00:12:30,285 --> 00:12:32,965 Speaker 1: one time he got so drunk that he was laying 216 00:12:33,005 --> 00:12:36,005 Speaker 1: down the street. I've never done something like that, and 217 00:12:36,125 --> 00:12:39,365 Speaker 1: this other samurai walked by him and was like like 218 00:12:39,485 --> 00:12:40,925 Speaker 1: caked him in the face. He was like, wow, this 219 00:12:41,005 --> 00:12:43,485 Speaker 1: is so embarrassing, my dude, Like you lost your feudal 220 00:12:43,525 --> 00:12:45,285 Speaker 1: lord and now you're like passed out in this or 221 00:12:45,365 --> 00:12:49,245 Speaker 1: ain't me? But then Oishi's like, yeah, but underneath all 222 00:12:49,245 --> 00:12:53,125 Speaker 1: my sadness, I'm still planning revenge, my dude, Okay, this 223 00:12:53,205 --> 00:12:57,125 Speaker 1: is my process. They plan out their plan really well. 224 00:12:57,325 --> 00:13:00,325 Speaker 1: Oishi's son is the sort of the second in command. 225 00:13:00,645 --> 00:13:06,245 Speaker 1: They also had a dude who sneakily married the daughter 226 00:13:06,565 --> 00:13:09,685 Speaker 1: of the dude who built Kira's house so that they 227 00:13:09,685 --> 00:13:11,965 Speaker 1: could get the blue prints of like the house in 228 00:13:12,005 --> 00:13:18,485 Speaker 1: the estate commitment. That's a lot. That's a sneakery that. Okay, 229 00:13:18,525 --> 00:13:21,045 Speaker 1: don't you hate that when people marry you so that 230 00:13:21,085 --> 00:13:24,645 Speaker 1: they can get the blueprints that your father has. I 231 00:13:24,725 --> 00:13:28,085 Speaker 1: hate that. It's the worst can't say that I've ever 232 00:13:28,125 --> 00:13:33,245 Speaker 1: had that happen. No, Taylor, it's relatable. This is our lives, remember, Okay, great, 233 00:13:33,885 --> 00:13:38,685 Speaker 1: all right, So it's December seventeen o two and Oishi 234 00:13:38,965 --> 00:13:43,245 Speaker 1: and his son lead two different groups into Kira's estate. Okay. 235 00:13:43,365 --> 00:13:45,645 Speaker 1: You know, also I want to point out that if 236 00:13:45,685 --> 00:13:48,925 Speaker 1: you want to visualize this, the forty seven ronin you know, 237 00:13:48,925 --> 00:13:50,805 Speaker 1: it's a historical thing that happened. It also became a 238 00:13:50,885 --> 00:13:55,245 Speaker 1: huge legend, but it's also a Kiano Reeves movie. So 239 00:13:56,285 --> 00:13:59,885 Speaker 1: I knew it. I knew there was I literally Keanu 240 00:13:59,965 --> 00:14:01,845 Speaker 1: Reeves pumped in my head when you said that, and 241 00:14:01,885 --> 00:14:04,525 Speaker 1: I thought, why, And that's why because he's in that movie. 242 00:14:04,845 --> 00:14:09,525 Speaker 1: Because yeah, that movie Reeves. Hello, that movie. Listen to me, 243 00:14:10,325 --> 00:14:12,765 Speaker 1: Listen to me if you're listening to this, Keanu Reeves, 244 00:14:13,405 --> 00:14:17,645 Speaker 1: I would like to be a friend. Nothing. Nothing seeming cool, dude, Yeah, 245 00:14:17,645 --> 00:14:22,445 Speaker 1: exactly nothing. Our celebrity shout outs have really taken hold 246 00:14:22,485 --> 00:14:25,565 Speaker 1: well who unfortunately, Okay, I don't want to be some 247 00:14:25,645 --> 00:14:28,365 Speaker 1: you know, crazy persons. That's like I want you to 248 00:14:28,445 --> 00:14:31,365 Speaker 1: ruin my body, Like no, no, I just want us 249 00:14:31,365 --> 00:14:34,925 Speaker 1: to be friends. Is that too much to ask for? Yeah? 250 00:14:35,365 --> 00:14:37,485 Speaker 1: I just want you to chop my head off when 251 00:14:37,525 --> 00:14:42,805 Speaker 1: I come back, Toko. It's no big deal, Okay. People 252 00:14:42,805 --> 00:14:46,565 Speaker 1: are so touchy anyway, So Oishi and his son and 253 00:14:46,605 --> 00:14:49,005 Speaker 1: they lead to different groups, onto Kia's to stay right 254 00:14:49,085 --> 00:14:51,205 Speaker 1: and so the sun he goes to the back door 255 00:14:51,725 --> 00:14:54,525 Speaker 1: and then Oishi goes to the ront door and they 256 00:14:54,565 --> 00:14:57,325 Speaker 1: start fighting because Kira this whole time was like, yo, 257 00:14:57,485 --> 00:14:59,685 Speaker 1: I know they're gonna even though the show gun had 258 00:14:59,725 --> 00:15:03,765 Speaker 1: told them specifically don't seek revenge. He's like, I know 259 00:15:03,845 --> 00:15:06,205 Speaker 1: these dudes are gonna do it, so he like extra 260 00:15:06,245 --> 00:15:10,325 Speaker 1: security basically, you know, makes sense. He was I think 261 00:15:10,325 --> 00:15:11,765 Speaker 1: he was. Kira's a bit of a piece of shit, 262 00:15:11,885 --> 00:15:14,285 Speaker 1: but you know he was still smart. You know, he's 263 00:15:14,285 --> 00:15:18,645 Speaker 1: a fancy smart dude. Anyway, So they attack the Ronan attack. 264 00:15:19,125 --> 00:15:23,245 Speaker 1: They kill sixteen of Kira's men, injured twenty two more. 265 00:15:23,525 --> 00:15:25,565 Speaker 1: They get into the house and they're looking for Kure. 266 00:15:25,645 --> 00:15:28,085 Speaker 1: They're like, where is he? Mean, all they find are 267 00:15:28,085 --> 00:15:30,845 Speaker 1: these crying children and women. You know, they're probably because 268 00:15:30,845 --> 00:15:33,205 Speaker 1: they're under attack, that they're probably stressed. At first, I 269 00:15:33,205 --> 00:15:35,405 Speaker 1: read that and I was like, oh, why were they crying? Though? 270 00:15:35,445 --> 00:15:37,165 Speaker 1: Was that he just like a bad dude who just 271 00:15:37,205 --> 00:15:40,125 Speaker 1: like had all these women and children crying in his house? Maybe, 272 00:15:40,445 --> 00:15:42,725 Speaker 1: but you know they were also there, everyone was being killed, 273 00:15:42,725 --> 00:15:44,885 Speaker 1: so I get it being stressed. So they get to 274 00:15:45,045 --> 00:15:48,285 Speaker 1: keep sure. But they get to Kira's room and he's 275 00:15:48,325 --> 00:15:50,085 Speaker 1: not in there. Oh no. But then they look at 276 00:15:50,085 --> 00:15:52,285 Speaker 1: his bed, they're like it's still kind of warm and 277 00:15:52,405 --> 00:15:55,525 Speaker 1: like turned back. So obviously he was here recently. So 278 00:15:55,605 --> 00:15:57,685 Speaker 1: they go, you know, look around, try to find him, 279 00:15:57,805 --> 00:16:02,005 Speaker 1: and then they find this secret courtyard. Obviously not secret enough, 280 00:16:02,525 --> 00:16:05,605 Speaker 1: and they the Ronan go into the courtyard and then 281 00:16:05,645 --> 00:16:07,525 Speaker 1: there's all these other dudes that they have to fight, 282 00:16:07,605 --> 00:16:10,085 Speaker 1: so they fight them, kill them all ten out of ten. 283 00:16:10,165 --> 00:16:12,205 Speaker 1: Great job. And then there's this one dude in the 284 00:16:12,245 --> 00:16:15,165 Speaker 1: back who's like trying to stab at them, who just 285 00:16:15,245 --> 00:16:17,485 Speaker 1: kind of looks like this frailer dude who doesn't seem 286 00:16:17,525 --> 00:16:20,045 Speaker 1: that tough, and they're like, bro, what are you doing? 287 00:16:20,645 --> 00:16:23,445 Speaker 1: And then Oishi sees the scar on this guy's face 288 00:16:23,445 --> 00:16:25,885 Speaker 1: and he's like, oh my god, that's the scar that 289 00:16:27,245 --> 00:16:33,245 Speaker 1: Asano gave to you. You fancy motherfucker. It's Kira. So 290 00:16:33,285 --> 00:16:37,045 Speaker 1: they finally have him, and then Oishi's like, yo, because 291 00:16:37,045 --> 00:16:39,445 Speaker 1: we're super honorable and we want you to have an 292 00:16:39,445 --> 00:16:43,685 Speaker 1: honorable death, we invite you to do sippuku, okay, And 293 00:16:43,725 --> 00:16:45,605 Speaker 1: so he pulls out a dagger that is the same 294 00:16:45,685 --> 00:16:51,605 Speaker 1: dagger that Asano used to sippuku himself, and he's like, yo, Kira, 295 00:16:51,965 --> 00:16:55,485 Speaker 1: stab yourself with this, okay, I do it. But Kia's like, no, 296 00:16:55,885 --> 00:17:02,925 Speaker 1: you know, one two direct quote um seems seems pausible. 297 00:17:03,165 --> 00:17:05,325 Speaker 1: And then Oishi's kind of like, God, this guy is 298 00:17:05,605 --> 00:17:08,005 Speaker 1: such a drag. He's so boring. So he just you know, 299 00:17:08,085 --> 00:17:12,565 Speaker 1: chops his head off instead, So okay. Anyway, so they 300 00:17:12,605 --> 00:17:14,725 Speaker 1: got what they wanted, but they get at the same time, 301 00:17:14,765 --> 00:17:16,925 Speaker 1: the Showgun was like, guys, I told you not to 302 00:17:16,925 --> 00:17:21,285 Speaker 1: seek revenge my dudes. So then the forty seven rone 303 00:17:21,285 --> 00:17:24,125 Speaker 1: and they turned themselves into the Showgun and he's like, guys, 304 00:17:24,405 --> 00:17:27,725 Speaker 1: I respect y'all. Like I think that's like your loyalty 305 00:17:28,285 --> 00:17:32,325 Speaker 1: to your feudal lord is super admirable. And there's a 306 00:17:32,325 --> 00:17:34,645 Speaker 1: lot of people across Japan who are hearing this story 307 00:17:34,805 --> 00:17:37,245 Speaker 1: and they're really inspired by it, and it's teaching us 308 00:17:37,245 --> 00:17:39,285 Speaker 1: a lot of like moral values about you know, like 309 00:17:39,565 --> 00:17:43,005 Speaker 1: sticking up for your friends and stuff. But unfortunately, I 310 00:17:43,045 --> 00:17:44,565 Speaker 1: am going to have to ask all of you to 311 00:17:44,645 --> 00:17:50,365 Speaker 1: sippuuku yourselves. And they're like, oh, fine, direct quote. They did. 312 00:17:51,245 --> 00:17:54,245 Speaker 1: They did. They all, As you will see in the 313 00:17:54,405 --> 00:17:58,965 Speaker 1: documentary by Keanu Reeves, they do all sipouku themselves, except 314 00:17:59,005 --> 00:18:01,885 Speaker 1: for one dude who has to go on a quest 315 00:18:01,885 --> 00:18:03,725 Speaker 1: to like tell people about what had happened, and then 316 00:18:03,765 --> 00:18:07,565 Speaker 1: the Showgun pardons him after that. But they do that. 317 00:18:07,605 --> 00:18:09,765 Speaker 1: But you know, this has been a story that's gone 318 00:18:09,805 --> 00:18:12,845 Speaker 1: down in history. It's been turned into legends there. It's 319 00:18:12,925 --> 00:18:15,685 Speaker 1: inspired a whole like like a whole genre of theater 320 00:18:15,845 --> 00:18:19,805 Speaker 1: and like puppetry practice. So it's a very well trodden story. 321 00:18:20,245 --> 00:18:22,605 Speaker 1: And I also want to give it up for the ladies, okay, 322 00:18:22,605 --> 00:18:26,805 Speaker 1: because sometimes the brides of samurai will also sappuku themselves, 323 00:18:27,525 --> 00:18:29,645 Speaker 1: you know, to be honorable and shit, and so like 324 00:18:29,765 --> 00:18:33,205 Speaker 1: one of the forty seven Ronins wives did maybe more, 325 00:18:33,245 --> 00:18:35,885 Speaker 1: but just there is one direct account, and you know, 326 00:18:35,965 --> 00:18:37,565 Speaker 1: I felt like she did in a classy way. What 327 00:18:37,605 --> 00:18:39,125 Speaker 1: they would do is in said they would just slit 328 00:18:39,165 --> 00:18:41,365 Speaker 1: their throats. But what they would do is they would 329 00:18:41,565 --> 00:18:43,565 Speaker 1: before they do that, they would tie themselves in a 330 00:18:43,605 --> 00:18:46,285 Speaker 1: way so that when they were found they looked very dignified. 331 00:18:46,325 --> 00:18:48,245 Speaker 1: You know. They would tie themselves up so they would 332 00:18:48,285 --> 00:18:50,925 Speaker 1: look good. You know, because when you're dying, you probably go, like, nan, 333 00:18:51,165 --> 00:18:53,525 Speaker 1: get yourself a little out of sorts. But when they 334 00:18:53,525 --> 00:18:55,245 Speaker 1: would be found, then they'd be like, oh, look, she's 335 00:18:55,285 --> 00:19:02,405 Speaker 1: just like posed. Well you know that's ideal. That's ideal. Okay, yeah, okay, yeah, 336 00:19:02,525 --> 00:19:05,125 Speaker 1: But I think we've all learned our lesson with this story, 337 00:19:05,245 --> 00:19:08,645 Speaker 1: where which specifically is, you know, don't be a dick 338 00:19:08,725 --> 00:19:12,725 Speaker 1: when people ask you to help them plan parties. That's 339 00:19:13,805 --> 00:19:17,245 Speaker 1: the lesson here, right, if someone needs help and they're 340 00:19:17,245 --> 00:19:18,965 Speaker 1: from the country and they don't know the protocol of 341 00:19:19,005 --> 00:19:22,005 Speaker 1: the palace that you live, and just like, be graceful, 342 00:19:22,125 --> 00:19:26,165 Speaker 1: have some kindness, you know. So that is that everyone 343 00:19:26,245 --> 00:19:29,205 Speaker 1: has learned from this story. It's about the ethics of 344 00:19:29,285 --> 00:19:32,405 Speaker 1: party planning. You know. I'm actually going to start on 345 00:19:32,445 --> 00:19:34,725 Speaker 1: boarding someone in the next couple of weeks, and that 346 00:19:34,765 --> 00:19:38,245 Speaker 1: actually is a great reminder, Gabby to be patient and 347 00:19:38,365 --> 00:19:42,285 Speaker 1: to be nice and to you know, just show grace 348 00:19:42,565 --> 00:19:44,845 Speaker 1: as I invite her into the castle, you know what 349 00:19:44,885 --> 00:19:49,485 Speaker 1: I mean, Yeah, castle meeting company. But whatever. Yeah, Gabby, 350 00:19:49,805 --> 00:19:52,885 Speaker 1: that was a lot. I felt like all I could 351 00:19:52,885 --> 00:19:55,965 Speaker 1: see in my mind when you were telling this was 352 00:19:56,005 --> 00:20:02,045 Speaker 1: just like blood and guts everywhere. Yeah, really, I meant sexy. Actually, 353 00:20:02,165 --> 00:20:06,445 Speaker 1: party planning is dangerous, yeah, I mean there was just 354 00:20:06,685 --> 00:20:09,765 Speaker 1: so much blood and guts, so yeah, but there were 355 00:20:09,765 --> 00:20:16,005 Speaker 1: also secret courtyards like yeah that's right, Steria. Well, thank 356 00:20:16,045 --> 00:20:19,085 Speaker 1: you so much Gabby for that. I just love this. 357 00:20:19,205 --> 00:20:22,165 Speaker 1: I love hearing gruesome history stories and I have more, 358 00:20:22,605 --> 00:20:28,605 Speaker 1: so we will be right back. Welcome back. So we 359 00:20:28,725 --> 00:20:34,765 Speaker 1: heard a very gory but sexy samurai story from Gabby recently, 360 00:20:35,165 --> 00:20:38,285 Speaker 1: and I love hearing all of these weird house things 361 00:20:38,285 --> 00:20:41,445 Speaker 1: that happened throughout history and in culture. And a big 362 00:20:41,485 --> 00:20:44,405 Speaker 1: thing that happened for a very long time the people 363 00:20:44,485 --> 00:20:46,645 Speaker 1: used to do and that we do not talk about 364 00:20:46,765 --> 00:20:52,045 Speaker 1: enough is human sacrifices. Yeah, we don't talk about this enough, right, 365 00:20:52,205 --> 00:20:56,245 Speaker 1: Like how crazy are humans? So we have been sacrificing 366 00:20:56,285 --> 00:21:01,445 Speaker 1: people for religious reasons, for superstition, for government or power 367 00:21:01,565 --> 00:21:04,445 Speaker 1: reasons or whatever, or for honor as the samurai did, 368 00:21:04,725 --> 00:21:10,365 Speaker 1: for anything and literally everything since the actual beginning of time. Obviously, 369 00:21:11,085 --> 00:21:13,645 Speaker 1: stories of human sacrifice have been found in the Bible. 370 00:21:14,045 --> 00:21:17,325 Speaker 1: If we remember that guy that Abraham I think or 371 00:21:17,445 --> 00:21:21,125 Speaker 1: something took his son in, No, took his set up 372 00:21:21,165 --> 00:21:25,205 Speaker 1: and then almost all, oh my gosh, I need to read. No, 373 00:21:25,605 --> 00:21:28,285 Speaker 1: the guy took his son up to sacrifice him and 374 00:21:28,325 --> 00:21:30,845 Speaker 1: then God was like, don't and then he was like, 375 00:21:30,845 --> 00:21:33,805 Speaker 1: sacrifice the lamb instead, anyway, or well God was like 376 00:21:33,925 --> 00:21:35,885 Speaker 1: telling him to do it, and then he was like 377 00:21:36,245 --> 00:21:41,245 Speaker 1: psych bro, No, that's kind of direct quote again, Okay, anyway, 378 00:21:41,965 --> 00:21:44,565 Speaker 1: but yeah, stories like these have been found in the Bible, 379 00:21:44,765 --> 00:21:49,485 Speaker 1: in ancient texts like Indiana Jones epic of Gilgamesh. Actually, 380 00:21:49,525 --> 00:21:52,885 Speaker 1: but good one, Gabby in Greek and Roman mythology and 381 00:21:53,045 --> 00:21:56,325 Speaker 1: also yes, in real life mummies. You guys know, I 382 00:21:56,405 --> 00:21:59,885 Speaker 1: freaking love mummies, and specifically I'll be I was going 383 00:21:59,965 --> 00:22:03,845 Speaker 1: to talk about many other human sacrifices, but this one 384 00:22:03,965 --> 00:22:06,085 Speaker 1: has such a story that I would just rather get 385 00:22:06,085 --> 00:22:09,325 Speaker 1: into this specific one that happened in the Shang dynasty 386 00:22:09,405 --> 00:22:12,685 Speaker 1: in China. Do it, man, could they sacrifice people? They 387 00:22:13,525 --> 00:22:17,485 Speaker 1: did that. They knew the assignment and they went for it. 388 00:22:17,605 --> 00:22:21,525 Speaker 1: So the Shang dynasty lasted from sixteen hundred to ten 389 00:22:21,645 --> 00:22:24,885 Speaker 1: forty six BC, and they ruled during the Bronze Age, 390 00:22:25,045 --> 00:22:33,405 Speaker 1: very old times obviously ancient or whatever time ago. I 391 00:22:33,445 --> 00:22:37,205 Speaker 1: wasn't there, Yeah, I wasn't there exactly. It is estimated 392 00:22:37,245 --> 00:22:41,125 Speaker 1: that they sacrificed around thirteen thousand humans over the course 393 00:22:41,165 --> 00:22:46,765 Speaker 1: of around two hundred years. That's it. Oh, I'm kidding, 394 00:22:46,845 --> 00:22:48,565 Speaker 1: that's a lot. I was anna say, that's like a 395 00:22:48,565 --> 00:22:52,125 Speaker 1: lot of people personally, but whatever. There are many sarcasm. 396 00:22:52,965 --> 00:22:55,525 Speaker 1: Well you did so great, which is why I had 397 00:22:55,565 --> 00:23:00,845 Speaker 1: to clarify, not to be a bit but okay, but yeah, 398 00:23:00,885 --> 00:23:04,485 Speaker 1: so there are many sacrificial pits because that's what they're 399 00:23:04,525 --> 00:23:08,685 Speaker 1: called sacrificial pits. It's all over Yink Sue, China, which 400 00:23:08,765 --> 00:23:11,845 Speaker 1: was their capital city at the time. And these pits 401 00:23:12,005 --> 00:23:16,125 Speaker 1: range from small burial sites which have sorry, Taylor, animal 402 00:23:16,245 --> 00:23:21,725 Speaker 1: sacrifice remains rood yeah, okay, well yeah, or like sometimes 403 00:23:21,885 --> 00:23:27,285 Speaker 1: one body, you know, just one though, two massive royal burials, 404 00:23:27,325 --> 00:23:31,205 Speaker 1: and temples which can sometimes have hundreds of corpses that 405 00:23:31,245 --> 00:23:34,365 Speaker 1: were sacrificed there. It's just fascinating to me, how like, 406 00:23:34,405 --> 00:23:37,165 Speaker 1: there are literally so many bodies that were buried and 407 00:23:37,285 --> 00:23:42,205 Speaker 1: now unearthed in this space. Archaeologists found out that these 408 00:23:42,245 --> 00:23:46,205 Speaker 1: were human sacrifices because of this really interesting form of 409 00:23:46,245 --> 00:23:53,525 Speaker 1: writing called oracle bone inscriptions. Oracle bone inscription, you know, 410 00:23:53,765 --> 00:23:55,885 Speaker 1: it sounds like something out of Kingdom Hearts. Did you 411 00:23:55,925 --> 00:23:59,045 Speaker 1: guys ever play that video game? No? Oh my god, 412 00:23:59,685 --> 00:24:02,045 Speaker 1: I was obsessed with it. I loved it so much. 413 00:24:02,685 --> 00:24:05,365 Speaker 1: I was probably like in college when you were playing that. 414 00:24:05,725 --> 00:24:13,045 Speaker 1: That's actually probably true. That's actually probably accurate. Taylor's like, 415 00:24:13,085 --> 00:24:18,885 Speaker 1: in my time, we only had an abacus. No, Tamagotchi's Okay, 416 00:24:19,085 --> 00:24:22,165 Speaker 1: I had Tamagotchi's too. I love Tamagotchi, but has like 417 00:24:22,165 --> 00:24:28,445 Speaker 1: a retro gift. Okay, okay, okay, anyway, so what those are? 418 00:24:28,565 --> 00:24:31,965 Speaker 1: It basically means that, um, a diviner, which I guess 419 00:24:32,165 --> 00:24:37,165 Speaker 1: is like someone who works in the mystical arts or whatever. Um, 420 00:24:37,685 --> 00:24:40,245 Speaker 1: they divine shit. They divine shit exactly. I literally was like, 421 00:24:40,285 --> 00:24:41,885 Speaker 1: what is the definition of this? And that's really all 422 00:24:41,925 --> 00:24:44,925 Speaker 1: I could find. So they would first anoint the bones 423 00:24:45,045 --> 00:24:48,645 Speaker 1: with blood and then carve questions into turtle shells or 424 00:24:48,645 --> 00:24:52,885 Speaker 1: ox bones, like, um, what does the emperor's toothache mean? 425 00:24:53,165 --> 00:24:56,605 Speaker 1: You know? Or we'll re receive good harvests this year? 426 00:24:56,885 --> 00:24:59,765 Speaker 1: And other important things to note on the bone, like, 427 00:25:00,005 --> 00:25:03,565 Speaker 1: for example questions, but also like we are sacrificing Timmy 428 00:25:03,605 --> 00:25:08,125 Speaker 1: today here will it range tomorrow? You know? Question mark? Yes, 429 00:25:08,525 --> 00:25:10,445 Speaker 1: I just wanted to see if it would rain, and 430 00:25:10,485 --> 00:25:13,765 Speaker 1: that's why they sacrifice Timmy, I mean yeah, or like 431 00:25:13,925 --> 00:25:17,285 Speaker 1: other things like will we win the battle tomorrow? Just 432 00:25:17,365 --> 00:25:22,405 Speaker 1: things like that. They get their answer listen. So then 433 00:25:22,685 --> 00:25:25,565 Speaker 1: they would do what it's called pyromancy, which is when 434 00:25:25,605 --> 00:25:29,045 Speaker 1: you do divination, so like occult things or whatever with fire, 435 00:25:29,205 --> 00:25:32,125 Speaker 1: and so basically the diviner would ask the question, you know, 436 00:25:32,125 --> 00:25:34,285 Speaker 1: write it out, write the notes, write the dates, and 437 00:25:34,285 --> 00:25:37,085 Speaker 1: stuff like that right there. Their name as well, very organized, 438 00:25:37,445 --> 00:25:39,205 Speaker 1: and then they would heat the bone with a metal 439 00:25:39,285 --> 00:25:42,245 Speaker 1: rod until it cracked, and then the diviner would interpret 440 00:25:42,285 --> 00:25:45,005 Speaker 1: the cracks the bone made and also write the answer 441 00:25:45,085 --> 00:25:47,525 Speaker 1: on that bone. Sometimes not all the time, but sometimes 442 00:25:47,565 --> 00:25:50,205 Speaker 1: we did write the answer, which I find fascinating. I 443 00:25:50,205 --> 00:25:54,005 Speaker 1: don't know how you can say, oh, like yes we'll 444 00:25:54,085 --> 00:25:57,005 Speaker 1: rain tomorrow based on where this crack happened. People haven't 445 00:25:57,005 --> 00:25:59,925 Speaker 1: figured out yet, like archaeologists haven't figured out how exactly 446 00:25:59,965 --> 00:26:01,885 Speaker 1: they would interpret it. But they would use the cracks 447 00:26:02,405 --> 00:26:07,205 Speaker 1: to interpret over rain. I mean, like it's survival, you know, 448 00:26:07,405 --> 00:26:13,085 Speaker 1: I understand, I understand, Okay, yeah, like just wait, patients, 449 00:26:13,405 --> 00:26:17,125 Speaker 1: I find out oh tomorrow. But maybe maybe that might 450 00:26:17,165 --> 00:26:19,805 Speaker 1: have just been an example tailor and maybe it's not 451 00:26:20,005 --> 00:26:22,925 Speaker 1: exactly with it. I mean, but they definitely did do 452 00:26:22,965 --> 00:26:25,005 Speaker 1: it for the weather because they were so reliant on 453 00:26:25,045 --> 00:26:28,485 Speaker 1: the weather, you know, like back then we couldn't control 454 00:26:28,525 --> 00:26:30,565 Speaker 1: the weather. Now we can, you know, according to the 455 00:26:30,605 --> 00:26:34,365 Speaker 1: CIA puts on damn metal hat, metal tin hat. Anyway, 456 00:26:34,885 --> 00:26:37,645 Speaker 1: I would hate to be sacrificed just for like a 457 00:26:37,845 --> 00:26:41,365 Speaker 1: rain that I'm saying. I want to be one of 458 00:26:41,405 --> 00:26:44,525 Speaker 1: the battle ones. Like I want. That's the kind of 459 00:26:45,245 --> 00:26:48,885 Speaker 1: virgin sac is it? Virgins? Um? No, did not need 460 00:26:48,925 --> 00:26:52,165 Speaker 1: to be specifically virgins. So there were actually there were 461 00:26:52,805 --> 00:26:56,525 Speaker 1: two t Oh, that's very funny, Gabby, because you have sex. 462 00:26:56,925 --> 00:27:02,085 Speaker 1: There were two types of hotel, So there were actually 463 00:27:02,165 --> 00:27:04,565 Speaker 1: two types of sacrifices back then had nothing to do 464 00:27:04,565 --> 00:27:06,805 Speaker 1: with virgins. And it turns out that they would do 465 00:27:07,445 --> 00:27:10,565 Speaker 1: renstion and rank son. Those were the two types of sacrifices, 466 00:27:10,645 --> 00:27:14,085 Speaker 1: so rank son can be translated to human companions, and 467 00:27:14,165 --> 00:27:18,805 Speaker 1: those sacrifices were usually servants or concubines or bodyguards or wives, 468 00:27:19,165 --> 00:27:22,765 Speaker 1: people that the deceased ruler or emperor, because it was 469 00:27:22,845 --> 00:27:25,885 Speaker 1: usually like a high society person that would use renk 470 00:27:25,965 --> 00:27:30,285 Speaker 1: Son sacrifices, people that this person would need in the afterlife. 471 00:27:30,565 --> 00:27:33,445 Speaker 1: And they were usually buried with things as well, so 472 00:27:33,485 --> 00:27:36,405 Speaker 1: it would be like the emperor was buried, and then 473 00:27:36,445 --> 00:27:40,485 Speaker 1: they would obviously kill his wife, his servants, his bodyguard 474 00:27:40,565 --> 00:27:43,405 Speaker 1: and put them all in there with him because he 475 00:27:43,525 --> 00:27:46,925 Speaker 1: needed them. You didn't know how to do anything by himself. Well, 476 00:27:46,965 --> 00:27:50,045 Speaker 1: I mean yes, exactly. Many times this freaked me out. 477 00:27:50,085 --> 00:27:53,605 Speaker 1: Many times they were either buried alive or be headed 478 00:27:53,965 --> 00:27:56,605 Speaker 1: or killed in some other way to follow their master 479 00:27:57,005 --> 00:28:00,765 Speaker 1: into the afterlife. Love that, yeah, buried alive for me? 480 00:28:00,885 --> 00:28:03,685 Speaker 1: Like really got to men. I just oh, I don't 481 00:28:03,725 --> 00:28:07,485 Speaker 1: like that. I don't like that at all. Truly, there 482 00:28:07,565 --> 00:28:10,205 Speaker 1: is no man on earth that I would be buried 483 00:28:10,245 --> 00:28:12,725 Speaker 1: alive for none. Okay. I remember, you're going to get 484 00:28:12,725 --> 00:28:16,685 Speaker 1: a bell, Yeah, exactly, a bell. So if that happens, 485 00:28:16,925 --> 00:28:19,405 Speaker 1: it can ring outside and then we're all gonna ooma 486 00:28:19,525 --> 00:28:24,525 Speaker 1: therma it from the beak in the middle of the casket. Eggs. Actually, 487 00:28:24,565 --> 00:28:28,245 Speaker 1: if you're in a casket, you're just gonna be Dad. Sorry, Okay. 488 00:28:28,925 --> 00:28:32,725 Speaker 1: By like the fifth century BC, this was not as common, 489 00:28:32,845 --> 00:28:36,525 Speaker 1: which is good, and rensin were actually replaced by figurines, 490 00:28:36,565 --> 00:28:40,165 Speaker 1: which is nice, you know, taking weights unnecessary deaths. A 491 00:28:40,325 --> 00:28:44,605 Speaker 1: really great example is actually the Terra Cotta Army, which 492 00:28:44,965 --> 00:28:47,645 Speaker 1: it's like a very extreme example of this because they 493 00:28:47,685 --> 00:28:51,725 Speaker 1: built an entire army, so like eight thousand soldiers, hundreds 494 00:28:51,725 --> 00:28:54,365 Speaker 1: of horses, hundreds of chariots, and they were all built 495 00:28:54,485 --> 00:28:57,685 Speaker 1: to protect the emperor in the afterlife. And they created 496 00:28:57,685 --> 00:29:00,885 Speaker 1: that big mausoleum for the emperor. But the emperor's you know, 497 00:29:01,165 --> 00:29:03,805 Speaker 1: body and casket and all that sort of stuff in 498 00:29:03,845 --> 00:29:07,445 Speaker 1: there and then surrounded him with his army, which I'm 499 00:29:07,445 --> 00:29:11,325 Speaker 1: really happy that rankson was not so much a thing, 500 00:29:11,645 --> 00:29:15,085 Speaker 1: because if it was, they would have killed eight thousand 501 00:29:15,085 --> 00:29:18,725 Speaker 1: people and buried all of them with him. And ye wow, 502 00:29:18,845 --> 00:29:26,445 Speaker 1: Taylor and oh they didn't do anything. But people didn't 503 00:29:26,485 --> 00:29:30,645 Speaker 1: do anything either. Oh my god. That okay, okay, well 504 00:29:31,165 --> 00:29:34,285 Speaker 1: anyway anyway, but yeah, I'm glad that they were able 505 00:29:34,285 --> 00:29:36,845 Speaker 1: to just do the figurines because that would have been 506 00:29:36,885 --> 00:29:39,125 Speaker 1: a lot of death, A lot of death. I mean, 507 00:29:39,165 --> 00:29:41,645 Speaker 1: there was still a lot of death regardless. Because the 508 00:29:41,805 --> 00:29:46,005 Speaker 1: second type of human sacrifice Wrenchian can be translated to 509 00:29:46,165 --> 00:29:52,085 Speaker 1: human offering, and those were not as special slash sacred 510 00:29:52,405 --> 00:29:57,085 Speaker 1: slash nice. They were mostly slaves or prisoners of war 511 00:29:57,485 --> 00:30:01,445 Speaker 1: who were used to sometimes like conscrate a new temple, 512 00:30:01,525 --> 00:30:04,285 Speaker 1: like oh hey, we're opening this temple. Time to sacrifice 513 00:30:04,285 --> 00:30:08,205 Speaker 1: some people because celebration for the temple, or to offer 514 00:30:08,285 --> 00:30:13,125 Speaker 1: sacrifices to ancestors or spirits or ghosts, just like whatever 515 00:30:13,285 --> 00:30:17,765 Speaker 1: non noble sacrifice was needed, they were used. The numbers 516 00:30:17,765 --> 00:30:21,365 Speaker 1: for these sacrifices are her literally insane. One mass burial 517 00:30:21,405 --> 00:30:24,525 Speaker 1: site found over three hundred corpses, which is a lot, 518 00:30:24,845 --> 00:30:27,485 Speaker 1: and archaeologists can tell that these are not noble people 519 00:30:27,565 --> 00:30:31,325 Speaker 1: or anything like that because they were purposely buried like 520 00:30:31,645 --> 00:30:34,965 Speaker 1: cattle basically just kind of like thrown into a pit 521 00:30:35,325 --> 00:30:38,925 Speaker 1: hence you know, sacrificial pit. And many times they were 522 00:30:39,165 --> 00:30:43,645 Speaker 1: beheaded or mutilated before or after death, so their bodies 523 00:30:43,685 --> 00:30:46,885 Speaker 1: were just not treated with respect in the way that 524 00:30:47,205 --> 00:30:50,485 Speaker 1: the nobles, you know were when they were being buried 525 00:30:50,525 --> 00:30:53,885 Speaker 1: with their wives or bodyguards or whatever, which is a lot. 526 00:30:54,045 --> 00:30:58,885 Speaker 1: You know, they sacrifice, Yeah, not not surprising in the least. 527 00:30:58,885 --> 00:31:02,005 Speaker 1: It's actually super I don't know, just like scary and 528 00:31:02,125 --> 00:31:06,045 Speaker 1: uncanny to read about it, because archaeologists like we're going 529 00:31:06,085 --> 00:31:08,805 Speaker 1: through the bones of these people to figure out like 530 00:31:08,805 --> 00:31:10,765 Speaker 1: what they're eating, habits were, and stuff like that, and 531 00:31:10,805 --> 00:31:14,605 Speaker 1: they were like, oh, yeah, they were definitely enslaved and 532 00:31:14,965 --> 00:31:19,205 Speaker 1: kept to toil for you know, the emperors or whatever 533 00:31:19,645 --> 00:31:22,965 Speaker 1: before finally, you know, whenever sacrifice was needed, just like 534 00:31:23,125 --> 00:31:26,045 Speaker 1: grabbing a few of these guys, and and most of 535 00:31:26,085 --> 00:31:28,605 Speaker 1: them were like young men from fifteen to I think 536 00:31:28,645 --> 00:31:31,765 Speaker 1: like thirty five, so that was also like they were 537 00:31:31,805 --> 00:31:34,085 Speaker 1: also many times prisoners of war because that was around 538 00:31:34,325 --> 00:31:38,725 Speaker 1: the age that men would go into armies and battle 539 00:31:38,765 --> 00:31:49,565 Speaker 1: and stuff. So just real disturbing. Yeah, yeah, real disturbing. Yeah. 540 00:31:50,045 --> 00:31:52,405 Speaker 1: A lot of people go to visit that city to 541 00:31:52,445 --> 00:31:55,485 Speaker 1: like see the sacrificial pits. But that feels like a 542 00:31:55,565 --> 00:31:57,885 Speaker 1: lot of intense energy. I don't know if I ever 543 00:31:57,965 --> 00:32:00,045 Speaker 1: want to be a part of or see. Yeah, a 544 00:32:00,125 --> 00:32:05,125 Speaker 1: sacrificial pit has very bad vibes. Bad vibes, bad vibes 545 00:32:05,205 --> 00:32:10,605 Speaker 1: own over here anyway, Taylor, I hope that you have 546 00:32:10,885 --> 00:32:14,685 Speaker 1: a little less of a disturbing story for us, question Mark. 547 00:32:14,685 --> 00:32:16,845 Speaker 1: I mean, maybe you know how I am. I like 548 00:32:17,005 --> 00:32:19,965 Speaker 1: to talk about the person and who they were, and 549 00:32:20,165 --> 00:32:23,725 Speaker 1: like talk less about deaths sometimes, so that's true. Yeah, 550 00:32:23,765 --> 00:32:25,445 Speaker 1: I think you also just sometimes do that as a 551 00:32:25,525 --> 00:32:29,045 Speaker 1: tactic to make it longer. But that's okay, that's okay, 552 00:32:29,285 --> 00:32:31,605 Speaker 1: I think. But it's also like a way to pay 553 00:32:31,685 --> 00:32:34,805 Speaker 1: homage to these people. It's true, It's true, you know, Yeah, 554 00:32:34,885 --> 00:32:37,445 Speaker 1: you're less like me. I like to be like, they 555 00:32:37,565 --> 00:32:40,045 Speaker 1: cut her arms off, they cut her ears off, they 556 00:32:40,085 --> 00:32:44,005 Speaker 1: cut her like, I'm very let's get the girls details. 557 00:32:44,325 --> 00:32:49,045 Speaker 1: She was married for fifty years. Gapy is like, so 558 00:32:49,205 --> 00:32:51,165 Speaker 1: really we're going to talk about this guy. These people 559 00:32:51,285 --> 00:32:54,445 Speaker 1: he's just like stabbed themselves in the stuff exactly exactly, 560 00:32:54,765 --> 00:32:59,045 Speaker 1: And and I'm like, Okay, we're gonna be back in 561 00:32:59,085 --> 00:33:03,165 Speaker 1: the late nineteenth century to early twentieth We're gonna talk 562 00:33:03,205 --> 00:33:07,885 Speaker 1: about is it Dora Duncan whoa which I really like? 563 00:33:07,965 --> 00:33:11,805 Speaker 1: The name is Adora? I think is pretty name. Yes, 564 00:33:11,885 --> 00:33:15,805 Speaker 1: it's so pretty. She was an icon back in the day, 565 00:33:15,925 --> 00:33:19,885 Speaker 1: known for dance. Her mother had a music studio and 566 00:33:20,085 --> 00:33:24,605 Speaker 1: Isadora would teach dancing despite not being classically trained and 567 00:33:24,965 --> 00:33:29,645 Speaker 1: only six years old. Wow, so like this, I think 568 00:33:29,645 --> 00:33:31,525 Speaker 1: that's kind of silly, like the you know, a six 569 00:33:31,645 --> 00:33:34,005 Speaker 1: year old teaching a bunch of people dance. But by ten, 570 00:33:34,885 --> 00:33:37,205 Speaker 1: by the time she was ten, it was like very 571 00:33:37,245 --> 00:33:39,645 Speaker 1: like people were trying to get in her class. It 572 00:33:39,725 --> 00:33:42,325 Speaker 1: was like a very popular thing. I don't know why, 573 00:33:42,365 --> 00:33:45,885 Speaker 1: but it seems relevant to say that she's from San Francisco. Okay, 574 00:33:45,885 --> 00:33:49,205 Speaker 1: where was this? Was this in San Francisco? Yes, so 575 00:33:49,245 --> 00:33:52,205 Speaker 1: she's this all started in San Francisco. But well we'll travel, 576 00:33:52,245 --> 00:33:58,045 Speaker 1: don't you worry a good We'll dance across the country 577 00:33:58,085 --> 00:34:03,685 Speaker 1: in the world exactly. Well, at this time, ballet was 578 00:34:03,765 --> 00:34:07,245 Speaker 1: popular and like by early nineteenth century. That's when it 579 00:34:07,325 --> 00:34:09,645 Speaker 1: evolved to be like what you think about today, where 580 00:34:09,645 --> 00:34:11,805 Speaker 1: they up the point she was in the bell shaped skirts, 581 00:34:11,845 --> 00:34:14,365 Speaker 1: the two twos, but Isadora felt that all of these 582 00:34:14,365 --> 00:34:19,405 Speaker 1: elements were really restrictive and like, you know, messed up, 583 00:34:19,525 --> 00:34:23,125 Speaker 1: Like there's you shouldn't have to like harm yourself to 584 00:34:23,725 --> 00:34:26,965 Speaker 1: restrict yourself to dance. So she kind of developed her 585 00:34:26,965 --> 00:34:31,805 Speaker 1: own version of dance, and she studied sculptures of ancient 586 00:34:31,845 --> 00:34:36,405 Speaker 1: Greece and kind of used that to to like evolve 587 00:34:36,445 --> 00:34:39,605 Speaker 1: how she would dance. So I would say it was 588 00:34:39,645 --> 00:34:43,045 Speaker 1: like more interpretive type dancing. You know. She danced barefoot, 589 00:34:43,045 --> 00:34:48,605 Speaker 1: which was super scandalous. Oh, her dresses were less structured. 590 00:34:48,845 --> 00:34:52,965 Speaker 1: They're like free flowing, both in dance and her daily life. 591 00:34:53,085 --> 00:34:55,925 Speaker 1: You can really see the Greek influence there, Like she 592 00:34:56,445 --> 00:35:00,085 Speaker 1: she really does look like a Greek, Like I love God. 593 00:35:02,165 --> 00:35:05,085 Speaker 1: And what she said about ballet is so true. Ballet 594 00:35:05,165 --> 00:35:09,125 Speaker 1: is extremely restrictive, and yeah, I feel like, I mean, 595 00:35:09,165 --> 00:35:12,485 Speaker 1: like some people thrive, but when I was doing ballet, 596 00:35:12,565 --> 00:35:15,325 Speaker 1: I personally wanted to just throw myself off of a bridge. 597 00:35:15,325 --> 00:35:20,885 Speaker 1: It was the worst. Anyway, Yeah, you're like we got like, oh, oh, 598 00:35:20,925 --> 00:35:26,285 Speaker 1: what a pre what's the word I'm looking for? Oh? 599 00:35:27,365 --> 00:35:29,645 Speaker 1: What are We'll get there. Okay, we'll get there. Don't 600 00:35:29,645 --> 00:35:31,325 Speaker 1: worry about it. If you did not find that word 601 00:35:31,325 --> 00:35:34,125 Speaker 1: and you're a little knoggin, that's okay. Sometimes words don't 602 00:35:34,285 --> 00:35:36,925 Speaker 1: come to my brain. It's ten. I don't blame anyone 603 00:35:37,245 --> 00:35:42,965 Speaker 1: except for cat. Go ahead, Okay, Gabby's holding her cat 604 00:35:43,045 --> 00:35:47,605 Speaker 1: right now. Anyway. So she eventually she traveled the world dancing, 605 00:35:48,125 --> 00:35:52,045 Speaker 1: and she described her style as quote to rediscover the 606 00:35:52,085 --> 00:35:58,485 Speaker 1: beautiful rhythmic motions of the human body. So you know, 607 00:35:59,525 --> 00:36:02,885 Speaker 1: is it? Door also opened many dance studios, first in Berlin, 608 00:36:03,005 --> 00:36:06,045 Speaker 1: another in Russia, the US, like she was like opening 609 00:36:06,085 --> 00:36:12,485 Speaker 1: studios everywhere. Yes, franchise she was, Yes, she really was. 610 00:36:13,285 --> 00:36:16,285 Speaker 1: She toured a lot in the US, France, Germany, South 611 00:36:16,325 --> 00:36:21,045 Speaker 1: America and Russia. She was also known to be a feminist, 612 00:36:21,405 --> 00:36:27,925 Speaker 1: Darwinist and communist lady for then and now. Really let's 613 00:36:27,965 --> 00:36:31,685 Speaker 1: be real. But as we all know, this is Kida 614 00:36:31,765 --> 00:36:37,325 Speaker 1: her gals and not dancing gals. I don't know dancing gals, 615 00:36:37,805 --> 00:36:43,045 Speaker 1: so so a lot of sadness befell poor Isidora. Also 616 00:36:43,085 --> 00:36:45,045 Speaker 1: a side note, she didn't believe in marriage but she 617 00:36:45,125 --> 00:36:49,125 Speaker 1: had two children with two different men who shared similar ideals. 618 00:36:49,125 --> 00:36:51,725 Speaker 1: They were like, we don't need a marriage anyway. One 619 00:36:51,765 --> 00:36:55,325 Speaker 1: day in nineteen thirteen, her two kids, one was six 620 00:36:55,405 --> 00:36:57,405 Speaker 1: the other four were in a car with their nanny 621 00:36:57,485 --> 00:37:01,725 Speaker 1: and chauffeur on their way to new apartment, and they 622 00:37:01,805 --> 00:37:04,245 Speaker 1: drove off a bridge into a river, and her two 623 00:37:04,325 --> 00:37:07,445 Speaker 1: kids in the nanny drowned. Why did they drive the 624 00:37:07,765 --> 00:37:12,645 Speaker 1: bridge just like the cars or something. It wasn't the acid, 625 00:37:12,645 --> 00:37:14,845 Speaker 1: don't I don't know. They didn't say. It was just 626 00:37:14,885 --> 00:37:19,565 Speaker 1: like a tragic accident. Like that's so sad. And the 627 00:37:19,685 --> 00:37:24,845 Speaker 1: chauffeur did survive, which is the guilt. Yeah, but Isadora 628 00:37:25,085 --> 00:37:28,165 Speaker 1: was pretty afraid of cars after this, and like not 629 00:37:28,205 --> 00:37:31,325 Speaker 1: too long after that, she got into an accident and 630 00:37:31,765 --> 00:37:34,765 Speaker 1: in Russia, and she only suffered minor injuries, but like, 631 00:37:35,565 --> 00:37:38,925 Speaker 1: you know, after her kids, Like, I mean, that's pretty traumatic, yeah, 632 00:37:39,285 --> 00:37:42,245 Speaker 1: I would imagine. But she does what she can to 633 00:37:42,365 --> 00:37:45,765 Speaker 1: keep living her life. She begins touring again, although they 634 00:37:45,765 --> 00:37:50,565 Speaker 1: weren't quite as successful. I don't know why, but I 635 00:37:50,605 --> 00:37:56,765 Speaker 1: guess her sadness was too sudden. Oh I shouldn't be 636 00:37:56,845 --> 00:38:00,245 Speaker 1: laughing that that's probably true. Oh yeah, but anyway, along 637 00:38:00,245 --> 00:38:03,085 Speaker 1: her travels, she's in Russia. She meets a man that 638 00:38:03,285 --> 00:38:07,205 Speaker 1: she actually marries, despite hating the idea of marriage. Side note, 639 00:38:07,605 --> 00:38:14,125 Speaker 1: he was seventeen years younger, so get it. He was 640 00:38:14,165 --> 00:38:16,485 Speaker 1: a poet. All of all of her men, they were 641 00:38:16,525 --> 00:38:19,685 Speaker 1: all into the arts. So she's on tour in the 642 00:38:19,765 --> 00:38:23,805 Speaker 1: US as she has been, you know, continuing that journey. 643 00:38:24,605 --> 00:38:26,605 Speaker 1: But this was a time like just before the Cold War, 644 00:38:26,725 --> 00:38:29,405 Speaker 1: and the US was all afraid of Russia and Communism 645 00:38:29,965 --> 00:38:33,925 Speaker 1: and they were accused of being Bolshevik agents, and Isadore 646 00:38:34,125 --> 00:38:37,725 Speaker 1: was like upset, and she was like, um, she says, 647 00:38:38,005 --> 00:38:42,405 Speaker 1: quote goodbye America, I shall never see you again, and 648 00:38:42,525 --> 00:38:48,685 Speaker 1: sure enough she did not. So um, more tragedy happens, 649 00:38:48,805 --> 00:38:53,845 Speaker 1: right right. You know, we're not done because this is 650 00:38:53,925 --> 00:38:58,365 Speaker 1: not dancing gal. If you were dancing gals, it would 651 00:38:58,365 --> 00:39:01,245 Speaker 1: just be happy. We got we gotta find another kidaver 652 00:39:01,805 --> 00:39:05,965 Speaker 1: So Isadore's husband struggled with depression. Shortly after all of 653 00:39:06,005 --> 00:39:11,445 Speaker 1: this nonsense, he kills himself. Oh no, wow, she's yeah, 654 00:39:11,605 --> 00:39:15,285 Speaker 1: so she's sad yet again. She's like, okay, you know 655 00:39:15,325 --> 00:39:18,845 Speaker 1: what traveling for dance is just I need to like 656 00:39:18,965 --> 00:39:22,045 Speaker 1: stay put for a minute. So she's like, Okay, I'm 657 00:39:22,085 --> 00:39:25,885 Speaker 1: going to write a memoir about my life, which she 658 00:39:26,125 --> 00:39:28,165 Speaker 1: felt like she that was kind of like a sellout 659 00:39:28,205 --> 00:39:31,565 Speaker 1: to write for money. She actually was quoted again. I 660 00:39:31,685 --> 00:39:34,405 Speaker 1: she had so many great quotes. I guess she said, 661 00:39:34,765 --> 00:39:37,405 Speaker 1: now I am frightened that some quick accident might happen, 662 00:39:38,245 --> 00:39:45,845 Speaker 1: and while guess what a quick yep, so is it. 663 00:39:45,885 --> 00:39:48,005 Speaker 1: Dora never learned how to drive, I assume because of 664 00:39:48,045 --> 00:39:50,885 Speaker 1: her traumas. But she was like trying to get past this, 665 00:39:51,005 --> 00:39:53,005 Speaker 1: like what a queen trying to get past this. Her 666 00:39:53,085 --> 00:39:56,965 Speaker 1: chauffeur was like teaching her. So she was trying. But 667 00:39:57,085 --> 00:40:00,085 Speaker 1: one day she was in there. Oh. Her chauffeur's nickname 668 00:40:00,125 --> 00:40:05,725 Speaker 1: was Bugatti, which I think that's funny. Um okay, I 669 00:40:05,765 --> 00:40:07,885 Speaker 1: don't know, just got like mentioning that thank you for 670 00:40:07,965 --> 00:40:13,445 Speaker 1: share welcome Bugatti survived. Okay? Cool? Well, yeah, so one 671 00:40:13,485 --> 00:40:16,325 Speaker 1: day she's in the car, Bugatti's driving, and she's with 672 00:40:16,365 --> 00:40:20,125 Speaker 1: the British journalist who's helping her with her memoir, and 673 00:40:20,245 --> 00:40:24,765 Speaker 1: so they're driving along, having a grand old time. They 674 00:40:24,805 --> 00:40:27,405 Speaker 1: were in a convertible and you remember that red scarf 675 00:40:27,405 --> 00:40:33,645 Speaker 1: I mentioned, and all her flowy clothes. Yes, in nineteen 676 00:40:33,725 --> 00:40:37,605 Speaker 1: twenty seven her they were in the car, her scarf 677 00:40:37,725 --> 00:40:40,605 Speaker 1: was flapping away in the wind when it catches on 678 00:40:40,645 --> 00:40:44,245 Speaker 1: the front tire of the vehicle, strangling her and then 679 00:40:44,365 --> 00:40:48,885 Speaker 1: like rips her out of the car and like slams 680 00:40:48,885 --> 00:40:54,125 Speaker 1: her into the ground. So the chauffeur Bugatti slams on 681 00:40:54,165 --> 00:40:57,645 Speaker 1: the brakes and the two of them trying to tangle 682 00:40:57,685 --> 00:41:00,405 Speaker 1: her from the scarf and take her to the nearest hospital, 683 00:41:00,885 --> 00:41:02,765 Speaker 1: which is where they said that she broke her neck 684 00:41:03,485 --> 00:41:10,925 Speaker 1: and died instantly. Oh god, what a freak accident, like 685 00:41:11,645 --> 00:41:14,925 Speaker 1: scarves getting caught in that tire. What the hell? And 686 00:41:14,965 --> 00:41:16,965 Speaker 1: then it's like wrapped in such a way that it 687 00:41:17,285 --> 00:41:19,845 Speaker 1: actually can pull her whole entire body out rather than 688 00:41:19,885 --> 00:41:23,725 Speaker 1: just like rip the scarf or you know, like that's intense. 689 00:41:23,845 --> 00:41:27,245 Speaker 1: I know, that's some strong fabric that she no more 690 00:41:27,365 --> 00:41:32,685 Speaker 1: scarves for me? Yeah, exactly. I this is actually really funny. 691 00:41:32,885 --> 00:41:35,685 Speaker 1: That was one day I was at a just at 692 00:41:35,765 --> 00:41:40,645 Speaker 1: lunch one day with a friend and she had a 693 00:41:40,685 --> 00:41:43,285 Speaker 1: scarf and she like whipped her scarf behind her and 694 00:41:43,325 --> 00:41:45,765 Speaker 1: it like covered this one tet behind her, and it 695 00:41:45,845 --> 00:41:48,645 Speaker 1: was like, really funny. We give heed a woman's head. 696 00:41:49,325 --> 00:41:51,805 Speaker 1: She like whipped her scarf around and it just like 697 00:41:51,885 --> 00:41:57,485 Speaker 1: draped over the woman behind her face. That I've done 698 00:41:57,485 --> 00:41:59,885 Speaker 1: them to people with my long hair. Like I'll be 699 00:41:59,925 --> 00:42:02,565 Speaker 1: like in a dinner and I'll flip my hair and 700 00:42:02,925 --> 00:42:04,805 Speaker 1: it'll like hit someone and I'll be like, well that 701 00:42:04,845 --> 00:42:07,285 Speaker 1: was back when I had long hair, but still I 702 00:42:08,205 --> 00:42:09,765 Speaker 1: I had. That happened once I was working at a 703 00:42:09,845 --> 00:42:15,885 Speaker 1: coffee shop. Oh and this woman flicked her braids over 704 00:42:15,925 --> 00:42:20,485 Speaker 1: and they know they wrapped around my neck. Oh god, 705 00:42:21,845 --> 00:42:26,285 Speaker 1: that's hilarious. Anyway, as we'll get back to Isidora, and 706 00:42:26,365 --> 00:42:29,325 Speaker 1: y'all know how I love famous last words and everything. 707 00:42:30,325 --> 00:42:35,685 Speaker 1: So hers was in French to her friend and said, aka, 708 00:42:35,765 --> 00:42:39,285 Speaker 1: I'm off to love all I think is really pretty 709 00:42:39,325 --> 00:42:42,845 Speaker 1: and sweet. I am like very weirded out at how 710 00:42:42,965 --> 00:42:46,525 Speaker 1: she seemed to just predict these things. Like she was 711 00:42:46,605 --> 00:42:49,125 Speaker 1: such a free spirit. So it's like, you know, very 712 00:42:49,205 --> 00:42:51,645 Speaker 1: much into the arts and in touch with herself. So 713 00:42:51,725 --> 00:42:55,765 Speaker 1: happens when you fuch with the time spectrum. You know, 714 00:42:55,965 --> 00:42:58,485 Speaker 1: she could just see the future. She was the future. 715 00:42:58,525 --> 00:43:02,845 Speaker 1: All time was a plane exactly. Wow. And she danced along, 716 00:43:02,885 --> 00:43:07,405 Speaker 1: get along upon it. Okay, Wow, there are some videos 717 00:43:07,445 --> 00:43:10,245 Speaker 1: of her dancing, and we'll definitely have to put it 718 00:43:10,285 --> 00:43:15,965 Speaker 1: on our social because it's great. Well, Taylor, thank you 719 00:43:16,245 --> 00:43:20,285 Speaker 1: so much for honoring this person by actually talking about 720 00:43:20,325 --> 00:43:23,485 Speaker 1: her life and not just the crazy ass way that 721 00:43:23,525 --> 00:43:25,445 Speaker 1: she died. We can all agree that it's like a 722 00:43:25,485 --> 00:43:27,765 Speaker 1: total freak accident and that's really crazy, and that makes 723 00:43:27,765 --> 00:43:32,405 Speaker 1: me scared of scarves, Scared of scarves and capes. Well, 724 00:43:32,445 --> 00:43:36,805 Speaker 1: I know, yeah, the capes, but are you going to 725 00:43:36,885 --> 00:43:39,245 Speaker 1: get rid of all those capes you have? Well, I'm 726 00:43:39,245 --> 00:43:41,805 Speaker 1: never gonna like dress up for Halloween, but as like 727 00:43:41,885 --> 00:43:45,285 Speaker 1: a superhero with a cape. Well, it reminded me of 728 00:43:45,325 --> 00:43:49,325 Speaker 1: like in The Incredibles when Edna no capes and I 729 00:43:49,405 --> 00:43:52,565 Speaker 1: just you know, no scarves, no capes, no long braides 730 00:43:52,645 --> 00:43:56,365 Speaker 1: for us, you know, very puritan lifestyle living here. I'm 731 00:43:56,405 --> 00:43:59,325 Speaker 1: just gonna wear my hair in a bunch in a 732 00:43:59,365 --> 00:44:03,205 Speaker 1: body suit and hair of budded a body suit that's 733 00:44:03,245 --> 00:44:06,725 Speaker 1: not very pure. But okay, anyway, when we come back, 734 00:44:06,885 --> 00:44:09,245 Speaker 1: I think we're gonna end the episode on an up note. 735 00:44:09,325 --> 00:44:18,485 Speaker 1: So you think I think so? B RB. Hello, welcome back. 736 00:44:19,845 --> 00:44:22,845 Speaker 1: I am so happy about the tangent I'm going on today. 737 00:44:23,645 --> 00:44:26,125 Speaker 1: Taylor and Gabby actually picked this for me, and it 738 00:44:26,165 --> 00:44:29,725 Speaker 1: makes so much sense considering like I am who I am, 739 00:44:30,285 --> 00:44:33,485 Speaker 1: we are learning about the history of the twerque today. Yes, 740 00:44:33,765 --> 00:44:36,405 Speaker 1: because like twerking and dancing. I'm sure Isadora would have 741 00:44:36,445 --> 00:44:38,805 Speaker 1: thought that it was an expression of joy if she 742 00:44:38,845 --> 00:44:43,365 Speaker 1: could have seen tworking back then. So Nika is quite 743 00:44:43,365 --> 00:44:47,205 Speaker 1: the twerker in case anybody couldn't have already guessed that. Also, 744 00:44:47,445 --> 00:44:50,925 Speaker 1: similarly to Isidora, when I go out dancing and I 745 00:44:50,925 --> 00:44:54,365 Speaker 1: know I'm gonna be like shaking us, I do not 746 00:44:54,485 --> 00:44:59,005 Speaker 1: like wearing constructive clothing. I actually don't understand why some 747 00:44:59,165 --> 00:45:04,605 Speaker 1: people go out dancing in like very tight like body 748 00:45:04,645 --> 00:45:07,245 Speaker 1: con dresses, because I just feel like your ass cheeks 749 00:45:07,725 --> 00:45:12,165 Speaker 1: don't clap with those unless it's a specific type of fabric, 750 00:45:12,245 --> 00:45:14,205 Speaker 1: which is a don't I find it at least that 751 00:45:14,205 --> 00:45:15,685 Speaker 1: it's hard to find. So if someone can point me 752 00:45:15,725 --> 00:45:20,165 Speaker 1: in the direction of you know, as fabric but the 753 00:45:20,725 --> 00:45:23,005 Speaker 1: lets your butt move, let me know, because I have 754 00:45:23,085 --> 00:45:26,485 Speaker 1: not found it yet anyway, all that to say, yes, 755 00:45:26,565 --> 00:45:29,285 Speaker 1: I think she would approve so twerking if you don't 756 00:45:29,405 --> 00:45:34,325 Speaker 1: know which whatever no one's judging is essentially tworking as 757 00:45:34,365 --> 00:45:37,045 Speaker 1: a dance move that is um usually in like the 758 00:45:37,045 --> 00:45:38,405 Speaker 1: best way I can describe it, It's like it's a 759 00:45:38,445 --> 00:45:43,285 Speaker 1: squatting position and it involves the twerker basically um throwing 760 00:45:43,365 --> 00:45:47,805 Speaker 1: ass back and forth and like thrusting it to the music, 761 00:45:47,925 --> 00:45:52,205 Speaker 1: thrusting the ass to the music UM and using hips 762 00:45:52,285 --> 00:45:54,565 Speaker 1: and stuff like that, and the music will usually have 763 00:45:54,645 --> 00:45:59,325 Speaker 1: like a strong drum beat or bass. Is that yeah? Okay, 764 00:45:59,405 --> 00:46:04,485 Speaker 1: I mean yes, and sure I've never described I mean 765 00:46:04,965 --> 00:46:07,045 Speaker 1: this is it's the best way I think I can 766 00:46:07,085 --> 00:46:10,565 Speaker 1: describe it at least. Yeah, lots of pelvic movement, you know, 767 00:46:10,845 --> 00:46:12,805 Speaker 1: it really does have to come from the pelvis and 768 00:46:12,885 --> 00:46:15,765 Speaker 1: from the hips anyway. But it's to see that as 769 00:46:15,845 --> 00:46:20,805 Speaker 1: jiggle basically, and I feel like it's mostly a dance 770 00:46:20,845 --> 00:46:23,925 Speaker 1: to dance alone. All there can be a twerker and 771 00:46:23,965 --> 00:46:26,765 Speaker 1: there can be a twerque key who's receiving the twerkue, 772 00:46:27,165 --> 00:46:30,205 Speaker 1: but people who receive the twork don't really do anything 773 00:46:30,565 --> 00:46:32,645 Speaker 1: other than it will be hard to receive the twerkue 774 00:46:32,685 --> 00:46:35,365 Speaker 1: because if it's too close, then you would stop the 775 00:46:35,405 --> 00:46:38,005 Speaker 1: motion of the twerkue, you know. So it does make 776 00:46:38,085 --> 00:46:40,925 Speaker 1: sense as a solo endeavor on the dance floor, but 777 00:46:41,005 --> 00:46:43,605 Speaker 1: not like mostly solo. At first, I thought you meant 778 00:46:43,685 --> 00:46:45,645 Speaker 1: so it is a good move to do when you're 779 00:46:45,685 --> 00:46:48,045 Speaker 1: alone in your house, which I know Nika you do do. 780 00:46:48,285 --> 00:46:52,005 Speaker 1: But I'm I do that. Yes, it's true, but you know, 781 00:46:52,685 --> 00:46:56,165 Speaker 1: do it do it in public? Thank you encouraging everyone. 782 00:46:56,285 --> 00:46:59,765 Speaker 1: I will, I will, Um, we know we know Nika 783 00:47:00,005 --> 00:47:03,125 Speaker 1: tworks in public too. Yeah, don't even worry about me. 784 00:47:03,325 --> 00:47:05,725 Speaker 1: You do not need to motivate me more. I mean 785 00:47:05,725 --> 00:47:08,445 Speaker 1: and I were at Nica's house one day and we 786 00:47:08,445 --> 00:47:10,445 Speaker 1: were like, how long do you think it'll take for 787 00:47:10,565 --> 00:47:19,045 Speaker 1: Nika to start working? And I was like, there she is. 788 00:47:17,925 --> 00:47:23,085 Speaker 1: She is our beautiful daughter. Okay, um, so it's see 789 00:47:23,645 --> 00:47:26,245 Speaker 1: back to the history because we're you know, a very 790 00:47:26,365 --> 00:47:29,565 Speaker 1: very proper on this podcast. It's not like I'm doing 791 00:47:29,645 --> 00:47:33,565 Speaker 1: this podcast right now in an actual bra Wait. I'm sorry, 792 00:47:33,645 --> 00:47:36,125 Speaker 1: I just went into a new dimension where me and 793 00:47:36,165 --> 00:47:40,045 Speaker 1: Taylor are your mother's how it's a different It's like 794 00:47:40,085 --> 00:47:45,885 Speaker 1: we're we are are you proud of mutually? Okay? Sorry, 795 00:47:45,885 --> 00:47:49,165 Speaker 1: now I'm back. I'm back in reality. Sorry, that's like 796 00:47:49,165 --> 00:47:54,765 Speaker 1: our paralleled existence? Is it? Probably is? And Columbian child? 797 00:47:56,925 --> 00:48:01,045 Speaker 1: Was I adopted or something? Or did I? How? Science? 798 00:48:01,285 --> 00:48:06,565 Speaker 1: Science something weird with science happened. Wow, this in this universe. 799 00:48:06,565 --> 00:48:10,685 Speaker 1: It's possible from a failed experiment or a very successful experiment, 800 00:48:10,725 --> 00:48:13,845 Speaker 1: depending on what you guys feel about me. I'll be 801 00:48:13,845 --> 00:48:16,445 Speaker 1: proud of me. Mommy is okay. Um, it seems like 802 00:48:16,565 --> 00:48:20,525 Speaker 1: twerking has the roots in West Africa. Obvious, that makes 803 00:48:20,525 --> 00:48:23,685 Speaker 1: so much sense. Um. There's a type of dancing there, 804 00:48:23,805 --> 00:48:27,045 Speaker 1: specifically in the I hate saying things in French because 805 00:48:27,045 --> 00:48:28,525 Speaker 1: I want to do a full French accent, but it 806 00:48:28,565 --> 00:48:36,445 Speaker 1: sounds silly, the kik you thank you yeah, which the 807 00:48:36,525 --> 00:48:39,165 Speaker 1: Ivory Coast if if we have to say it like that. 808 00:48:39,365 --> 00:48:42,245 Speaker 1: There's a dancing there called the Mapuka dance, and that 809 00:48:42,365 --> 00:48:45,765 Speaker 1: strongly resembles twerking because again it's so focused on the 810 00:48:45,845 --> 00:48:48,805 Speaker 1: hip and the butt movement. There's actually two types of 811 00:48:48,885 --> 00:48:51,885 Speaker 1: mapuka dancing. One is the more traditional that has performed 812 00:48:52,205 --> 00:48:54,765 Speaker 1: ceremonially and you can do in front of your friends 813 00:48:54,765 --> 00:48:57,645 Speaker 1: and family and stuff. And then another is the closest 814 00:48:57,645 --> 00:49:01,005 Speaker 1: one to twerking, which is more suggestive and open, and 815 00:49:01,045 --> 00:49:04,645 Speaker 1: it was actually outlawed in the nineteen eighties when dang 816 00:49:05,085 --> 00:49:07,645 Speaker 1: I love that, yes, Arry suggested, I mean, I don't 817 00:49:07,645 --> 00:49:10,085 Speaker 1: love that for them. But I think it's so cool 818 00:49:10,165 --> 00:49:14,405 Speaker 1: when stuff like dances are outlawed because yeah, freaking crazy, 819 00:49:14,525 --> 00:49:17,445 Speaker 1: like don't move like that, yeah exactly, it's like how 820 00:49:17,445 --> 00:49:22,845 Speaker 1: are you? Okay whatever, It's like footloss but different if 821 00:49:23,125 --> 00:49:28,925 Speaker 1: precisely um footloose, but with a dictatorship. Okay anyway, So 822 00:49:29,085 --> 00:49:31,965 Speaker 1: it became illegal again in the two thousands, but by 823 00:49:32,045 --> 00:49:35,245 Speaker 1: then even the laws couldn't stop it because the dance 824 00:49:35,285 --> 00:49:39,245 Speaker 1: had traveled all the way to New Orleans. So in 825 00:49:39,285 --> 00:49:42,685 Speaker 1: the nineties, bounce music was super popular over there. And 826 00:49:42,965 --> 00:49:47,925 Speaker 1: Nolans Nola, Nola, Nolans. I can't, I can't, Nolans. I'm great, beautiful, 827 00:49:48,365 --> 00:49:50,885 Speaker 1: and bounce music is basically like a style of style 828 00:49:50,925 --> 00:49:52,925 Speaker 1: of hip hop music with a lot of like call 829 00:49:53,045 --> 00:49:57,085 Speaker 1: and response chants and then um. It usually is performed 830 00:49:57,125 --> 00:50:00,285 Speaker 1: like against core samples that as the backing music. That's 831 00:50:00,285 --> 00:50:01,805 Speaker 1: like the best way I can describe it. But just 832 00:50:01,845 --> 00:50:04,845 Speaker 1: look up bounce music. It's really interesting and cool. Um. 833 00:50:04,925 --> 00:50:09,085 Speaker 1: And so the this artist DJ Jubilee released the song 834 00:50:09,125 --> 00:50:14,245 Speaker 1: called do the Jubilee All Okay Yes, and this wasn't 835 00:50:14,245 --> 00:50:17,405 Speaker 1: the nice and in it he uses the word twerk 836 00:50:17,845 --> 00:50:20,645 Speaker 1: multiple times, and that is the first time the word 837 00:50:20,765 --> 00:50:25,525 Speaker 1: is used in music, and etymologists have said it's either 838 00:50:25,685 --> 00:50:31,125 Speaker 1: a combination of to work or twist and jerk. Those 839 00:50:31,165 --> 00:50:33,645 Speaker 1: are the two kind of like where the word twerk 840 00:50:33,845 --> 00:50:36,205 Speaker 1: might come from. Well, I feel like that's all, Like, 841 00:50:36,285 --> 00:50:38,165 Speaker 1: I mean, all of those words combined. I feel like 842 00:50:38,205 --> 00:50:40,605 Speaker 1: that does describe what it twork is, so you know, 843 00:50:40,725 --> 00:50:44,565 Speaker 1: it could be both exactly. Yeah, And that is how 844 00:50:44,605 --> 00:50:47,005 Speaker 1: it came to the US. That is how it got 845 00:50:47,045 --> 00:50:50,805 Speaker 1: started was in bounce music in New Orleans, and then 846 00:50:50,845 --> 00:50:54,285 Speaker 1: it obviously moved into Deep South hip hop, into hip 847 00:50:54,285 --> 00:50:58,765 Speaker 1: hop in general, and then of course it was super 848 00:50:58,845 --> 00:51:01,725 Speaker 1: popularized around the two thousand and tens when a lot 849 00:51:01,765 --> 00:51:05,205 Speaker 1: of white artists started doing it. No one was surprised 850 00:51:05,245 --> 00:51:08,245 Speaker 1: by the US, namely Miley Cyrus at the VMAs. Who 851 00:51:08,965 --> 00:51:11,325 Speaker 1: could forget this as much as we try not, I 852 00:51:12,205 --> 00:51:15,445 Speaker 1: um so yeah, And that is how I got really, 853 00:51:15,445 --> 00:51:18,805 Speaker 1: really really big. I think tworking like it's still a 854 00:51:18,925 --> 00:51:21,525 Speaker 1: thing now, Like we do it and it's great, but 855 00:51:21,605 --> 00:51:25,405 Speaker 1: it's not like the trend dance, you know what I mean? Gabby, 856 00:51:25,765 --> 00:51:28,925 Speaker 1: can can you just imagine for two seconds, Gabby Twerking 857 00:51:29,005 --> 00:51:31,965 Speaker 1: and Taylor tworking. Yeah, in the parallel universe that my 858 00:51:32,005 --> 00:51:34,725 Speaker 1: head lives in my mommy's can twerk and actually talk, 859 00:51:35,845 --> 00:51:39,845 Speaker 1: So yes, I actually can in Plass. It really is 860 00:51:39,885 --> 00:51:44,485 Speaker 1: a place. Sorry that no, no, it's it's you know, 861 00:51:44,525 --> 00:51:47,325 Speaker 1: we'll have to work lessons. It's fine. So that is 862 00:51:48,005 --> 00:51:51,325 Speaker 1: the story. We love it. I still think tworking is 863 00:51:51,325 --> 00:51:54,045 Speaker 1: pretty popular, but I do think the two thousand and tens, 864 00:51:54,045 --> 00:51:56,165 Speaker 1: like that ten year period was when it was like 865 00:51:56,645 --> 00:51:58,885 Speaker 1: everyone was like, what is tworking? Oh my gosh, this 866 00:51:58,925 --> 00:52:01,005 Speaker 1: is so crazy. And now it's more like, oh yeah, 867 00:52:01,165 --> 00:52:04,085 Speaker 1: people do that. That's not and it's like a universal 868 00:52:04,165 --> 00:52:08,405 Speaker 1: dance move white TikTok teens. Yeah, well, I feel like 869 00:52:08,445 --> 00:52:12,605 Speaker 1: TikTok teens are more like very wooden dance movements. Like 870 00:52:12,645 --> 00:52:14,765 Speaker 1: I don't like the dance movements that TikTok teens, so 871 00:52:14,765 --> 00:52:19,365 Speaker 1: I feel like it's very like, yeah, whatever, like just stupid, 872 00:52:19,485 --> 00:52:21,445 Speaker 1: I don't know choreography. But also I might that might 873 00:52:21,525 --> 00:52:24,405 Speaker 1: just age me. Maybe I'm just not in the know 874 00:52:24,685 --> 00:52:28,325 Speaker 1: as much. Whatever. Nika just did a dance by the way, 875 00:52:28,285 --> 00:52:32,685 Speaker 1: yeahs honestly weren't on this call. But I think that 876 00:52:32,965 --> 00:52:36,285 Speaker 1: for this episode, we should all learn to do a 877 00:52:36,285 --> 00:52:39,085 Speaker 1: TikTok dance and do a TikTok together the cadaver gals. 878 00:52:39,805 --> 00:52:45,005 Speaker 1: That sounds all, oh okay, well I can't complate that 879 00:52:45,045 --> 00:52:49,845 Speaker 1: with my current TikTok brands. I'm sorry. Um, oh my god. Okay, Well, 880 00:52:49,885 --> 00:52:52,205 Speaker 1: I'm so glad that we ended this episode bullying me. 881 00:52:52,525 --> 00:52:55,245 Speaker 1: You know, if Ione wants to bully me more, my 882 00:52:55,365 --> 00:52:58,685 Speaker 1: instagram is my name, so go ahead hit me with 883 00:52:58,725 --> 00:53:01,165 Speaker 1: your best shot. Actually, no, just say nice things. I'm 884 00:53:01,165 --> 00:53:05,085 Speaker 1: a very sensitive person. Um. Okay, last thoughts, how do 885 00:53:05,085 --> 00:53:12,925 Speaker 1: we feel? I feel, you know, really inspired to try 886 00:53:13,045 --> 00:53:18,725 Speaker 1: to twork and not wear scarves and probably not disembowel myself. 887 00:53:18,765 --> 00:53:22,205 Speaker 1: I don't want to do that. Actually, okay, that is 888 00:53:22,365 --> 00:53:27,165 Speaker 1: actually am something better than last week when I literally 889 00:53:27,245 --> 00:53:30,725 Speaker 1: was worried for your safety and mental health. So it's great. 890 00:53:31,005 --> 00:53:33,285 Speaker 1: This is a good thing that we're all. Really I 891 00:53:33,365 --> 00:53:38,805 Speaker 1: don't want to disembowel myself anymore. Hey anymore? Okay, Well, 892 00:53:39,365 --> 00:53:42,125 Speaker 1: thanks so much for tuning in. We will see you 893 00:53:42,165 --> 00:53:59,005 Speaker 1: next week. Dagles is a production of School of Humans 894 00:53:59,005 --> 00:54:03,645 Speaker 1: and I Heart Radio. It is edited, hosted, researched, et 895 00:54:03,685 --> 00:54:08,245 Speaker 1: cetera by Gabby Watts, Taylor Church, and Nika Duarte. You 896 00:54:08,285 --> 00:54:11,605 Speaker 1: can Find us on Instagram and Twitter at cadaver Gals, 897 00:54:12,365 --> 00:54:14,565 Speaker 1: and we'll talk about you next week. Vibe