1 00:00:00,960 --> 00:00:04,800 Speaker 1: Call It What It Is with Jessica Capshaw and Camil Lunnington, 2 00:00:05,240 --> 00:00:11,200 Speaker 1: an iHeartRadio podcast. 3 00:00:17,840 --> 00:00:23,000 Speaker 2: Well, Hello, Hello, Hello, Hello Call It crew, and welcome 4 00:00:23,040 --> 00:00:27,120 Speaker 2: to the most depressing episode Call It What It Is. 5 00:00:28,960 --> 00:00:34,360 Speaker 3: I'm already in a bad mood. And I saw that. 6 00:00:34,320 --> 00:00:39,280 Speaker 4: Episode twenty four of season eight, the season finale, was 7 00:00:40,200 --> 00:00:42,519 Speaker 4: you know, in the top five of things that the 8 00:00:42,600 --> 00:00:43,839 Speaker 4: crew wanted us to recap. 9 00:00:43,960 --> 00:00:44,960 Speaker 3: I was so excited. 10 00:00:46,479 --> 00:00:49,640 Speaker 4: I was THRILLI I couldn't wait. I was like, Oh 11 00:00:49,680 --> 00:00:51,960 Speaker 4: my gosh, that's great. So much happened in that episode. 12 00:00:52,040 --> 00:00:55,400 Speaker 4: This is gonna be so dramatic, and oh, it's gonna 13 00:00:55,400 --> 00:00:57,680 Speaker 4: be so much fun to look back on that work. 14 00:00:58,000 --> 00:01:01,160 Speaker 3: And then and then I watched it. 15 00:01:01,760 --> 00:01:05,560 Speaker 2: Yeah, when was the last time you watched that episode? 16 00:01:05,920 --> 00:01:09,040 Speaker 3: Well, while I was rewatching it, I was reminded that 17 00:01:09,160 --> 00:01:10,720 Speaker 3: it turns out I never did. 18 00:01:11,360 --> 00:01:12,920 Speaker 2: Oh you've never seen it. 19 00:01:13,800 --> 00:01:16,039 Speaker 3: Well, after watching and I now know why I didn't 20 00:01:16,080 --> 00:01:16,520 Speaker 3: watch it. 21 00:01:17,720 --> 00:01:20,759 Speaker 2: So I haven't seen it since I started the show. 22 00:01:21,480 --> 00:01:25,840 Speaker 2: So this is like thirteen years ago, and I had 23 00:01:25,920 --> 00:01:31,280 Speaker 2: forgotten all the other parts of it, and probably for 24 00:01:31,360 --> 00:01:34,120 Speaker 2: a reason, for a reason, I was horrified. I thought 25 00:01:34,120 --> 00:01:35,800 Speaker 2: I would watch it over coffee. 26 00:01:35,840 --> 00:01:36,440 Speaker 3: This morning. 27 00:01:37,520 --> 00:01:40,760 Speaker 2: I was like, oh, great, Coomel, why would I can 28 00:01:40,840 --> 00:01:45,319 Speaker 2: do that? Just the worst way to set up my day. 29 00:01:45,840 --> 00:01:47,000 Speaker 2: Let's start with a table read. 30 00:01:47,480 --> 00:01:52,640 Speaker 3: Well again, flood of emotions. It was so depressing, the 31 00:01:52,800 --> 00:01:54,640 Speaker 3: sad stable read of all time. 32 00:01:55,280 --> 00:01:59,080 Speaker 4: Because okay, so here, sorry, in all seriousness, the thing 33 00:01:59,120 --> 00:02:02,960 Speaker 4: that I'm going to say that is maybe controversial, maybe not, 34 00:02:03,160 --> 00:02:05,840 Speaker 4: maybe just reporting from the front lines of my truth. 35 00:02:06,240 --> 00:02:12,680 Speaker 4: This episode was really really sad. It was really sad. 36 00:02:12,800 --> 00:02:15,239 Speaker 4: I found the whole thing very depressing. 37 00:02:16,440 --> 00:02:18,559 Speaker 2: Well, they're wearing a lot of lols. 38 00:02:19,400 --> 00:02:21,079 Speaker 3: I didn't like it at all. 39 00:02:21,680 --> 00:02:23,880 Speaker 2: No, no, I don't like it either. 40 00:02:24,200 --> 00:02:27,080 Speaker 3: I didn't like this episode. You don't need to watch 41 00:02:27,080 --> 00:02:27,480 Speaker 3: it again. 42 00:02:28,160 --> 00:02:30,120 Speaker 2: No, I never want to see this episode again. 43 00:02:31,000 --> 00:02:33,799 Speaker 4: Was the first and last day that I saw episode 44 00:02:34,080 --> 00:02:35,399 Speaker 4: twenty four of season eight. 45 00:02:36,080 --> 00:02:37,400 Speaker 3: Okay, let's start at the table read. 46 00:02:37,760 --> 00:02:41,800 Speaker 4: Even though you know your television shows, your favorites are 47 00:02:41,840 --> 00:02:44,760 Speaker 4: the ones you watch, seem like it's just a foregone 48 00:02:44,800 --> 00:02:47,600 Speaker 4: conclusion that those characters are going to come back every season. 49 00:02:49,000 --> 00:02:51,520 Speaker 4: We are as actors contract players, which means that our 50 00:02:51,520 --> 00:02:55,160 Speaker 4: contract is for that season. So every season that's a 51 00:02:55,200 --> 00:02:57,880 Speaker 4: new season, we actually have to get re hired. 52 00:02:57,960 --> 00:03:00,760 Speaker 3: On some level when you finish. 53 00:03:00,560 --> 00:03:04,960 Speaker 4: The season, no promises, no guarantees that you're coming back. 54 00:03:05,160 --> 00:03:08,000 Speaker 4: You're the last episode of any given season. 55 00:03:08,040 --> 00:03:09,400 Speaker 3: Really could be your last. 56 00:03:10,360 --> 00:03:13,959 Speaker 4: In this particular case, again, we will check Jessica's facts. 57 00:03:15,639 --> 00:03:18,840 Speaker 4: My memory was that there were a lot of people 58 00:03:18,960 --> 00:03:24,320 Speaker 4: up for contract renegotiations, which wasn't just getting wasn't just 59 00:03:24,400 --> 00:03:27,280 Speaker 4: you were getting picked up, and you were actually renegotiating 60 00:03:27,320 --> 00:03:30,560 Speaker 4: the price that you get paid per episode in this year. 61 00:03:30,720 --> 00:03:33,840 Speaker 3: It's my memory that the people that were sort of. 62 00:03:35,400 --> 00:03:37,400 Speaker 4: Hearing the script for the first time at the table read, 63 00:03:37,480 --> 00:03:40,080 Speaker 4: but also understanding that they may not come back the 64 00:03:40,120 --> 00:03:46,120 Speaker 4: next year, ye were myself, Eric Dane. It's my memory 65 00:03:46,120 --> 00:03:48,880 Speaker 4: that Lexi knew she Kyler knew she was leaving. 66 00:03:49,360 --> 00:03:51,880 Speaker 2: I'm not in this episode, so I'm really truly watching 67 00:03:51,920 --> 00:03:55,400 Speaker 2: it as a fan. Yeah did you know that? She 68 00:03:55,600 --> 00:03:58,680 Speaker 2: was going? Yeah, oh you did, Okay, okay. 69 00:03:59,240 --> 00:04:00,720 Speaker 3: And it was super sad. 70 00:04:02,600 --> 00:04:07,160 Speaker 4: And also a sneak attack that actually made me really 71 00:04:07,360 --> 00:04:11,200 Speaker 4: even more sad. And she absolutely crushed the episode and 72 00:04:11,240 --> 00:04:12,120 Speaker 4: I was weeping. 73 00:04:12,920 --> 00:04:20,600 Speaker 2: Kim, Kim, I mean, Kim, I mean, I was a puddle. 74 00:04:21,000 --> 00:04:21,400 Speaker 3: Okay. 75 00:04:21,720 --> 00:04:25,120 Speaker 4: So the episode table read was it was heavy, it 76 00:04:25,160 --> 00:04:26,360 Speaker 4: was a heavy table read. 77 00:04:26,480 --> 00:04:28,040 Speaker 3: It was. It was full of like. 78 00:04:29,520 --> 00:04:33,920 Speaker 4: Uncertainty in terms of could was this your last table read? 79 00:04:34,760 --> 00:04:40,200 Speaker 4: And then I do believe again I completely cross memories here, 80 00:04:40,240 --> 00:04:42,359 Speaker 4: but I do believe that Kim did know that was 81 00:04:42,400 --> 00:04:44,720 Speaker 4: her last little did she know she'd. 82 00:04:44,480 --> 00:04:47,200 Speaker 3: Come back right, so she thought she was leaving. 83 00:04:48,560 --> 00:04:55,080 Speaker 4: And yeah, it was just heavy heavy. 84 00:04:55,120 --> 00:04:58,279 Speaker 2: Were you guys allowed access to the script before the 85 00:04:58,320 --> 00:04:58,880 Speaker 2: table read? 86 00:04:59,560 --> 00:05:01,600 Speaker 4: No, I mean you got to table you know, you 87 00:05:01,640 --> 00:05:03,800 Speaker 4: get to table read time, and there'd be lunch out 88 00:05:03,800 --> 00:05:06,560 Speaker 4: and your scripts would usually be sitting it. You'd grab 89 00:05:06,560 --> 00:05:08,760 Speaker 4: a script or it would be sitting in your little spot, 90 00:05:08,960 --> 00:05:10,600 Speaker 4: and so I think a lot of people would kind 91 00:05:10,640 --> 00:05:12,960 Speaker 4: of like sneaky snake, They'd like, you know, look, yeah, 92 00:05:13,560 --> 00:05:15,880 Speaker 4: but honestly, there's not usually that much time. You're certainly 93 00:05:15,880 --> 00:05:16,760 Speaker 4: not going to read the whole thing. 94 00:05:16,880 --> 00:05:19,400 Speaker 2: So now we get access to scripts ahead of time, 95 00:05:19,480 --> 00:05:24,599 Speaker 2: but back then we we were reading them is sometimes 96 00:05:24,640 --> 00:05:26,600 Speaker 2: for the very first oftentimes for the first time in 97 00:05:26,640 --> 00:05:31,760 Speaker 2: the table read. Oh oh my god. Okay, so that was. 98 00:05:31,760 --> 00:05:33,480 Speaker 3: The table reading. Those were table readvice. 99 00:05:34,160 --> 00:05:38,200 Speaker 2: Let's talk about actually like filming location getting up there. 100 00:05:38,560 --> 00:05:40,479 Speaker 2: Do I remember you telling me you guys filmed a 101 00:05:40,480 --> 00:05:42,000 Speaker 2: big Bear. Is that where you went? 102 00:05:42,880 --> 00:05:45,680 Speaker 3: So we also were not filming on our stage as 103 00:05:45,680 --> 00:05:48,640 Speaker 3: we were filming in Big Beer. Well okay, so again 104 00:05:48,680 --> 00:05:51,400 Speaker 3: I was watching it for the first time. I forgot 105 00:05:51,480 --> 00:05:55,080 Speaker 3: that there was this flip flop. So you start the 106 00:05:55,120 --> 00:05:58,080 Speaker 3: episode and you're kind of like, where am I right? 107 00:05:58,160 --> 00:06:01,680 Speaker 3: You're like, yeah, which, what are we on here? What 108 00:06:01,720 --> 00:06:03,240 Speaker 3: are we watching? What's happening? 109 00:06:03,839 --> 00:06:08,560 Speaker 4: And you're having this flashback of Weber talking to the 110 00:06:08,680 --> 00:06:13,120 Speaker 4: inter about you know, and you're seeing baby all of them, right, 111 00:06:13,200 --> 00:06:16,279 Speaker 4: like baby, great, baby crib. You see all these babies, 112 00:06:16,560 --> 00:06:19,720 Speaker 4: all these baby surgeons, and you're like, wait, what's going on? 113 00:06:20,200 --> 00:06:27,880 Speaker 4: And then it's juxtaposed to the wilderness and this horrible screaming, 114 00:06:28,800 --> 00:06:30,400 Speaker 4: this horrible screaming. 115 00:06:30,560 --> 00:06:34,159 Speaker 3: Who was doing that horrible screaming that was so high 116 00:06:34,200 --> 00:06:36,600 Speaker 3: pitched and annoying and awful? 117 00:06:37,520 --> 00:06:38,000 Speaker 4: That was me? 118 00:06:39,720 --> 00:06:42,200 Speaker 3: I was doing the horrible screaming. 119 00:06:42,480 --> 00:06:46,760 Speaker 2: So I realized it was your horrible screaming. It was 120 00:06:46,880 --> 00:06:49,919 Speaker 2: kind of quickly and then I went into actromode and 121 00:06:49,960 --> 00:06:54,440 Speaker 2: I'm like, how long you actually have to scream for? 122 00:06:55,600 --> 00:06:56,160 Speaker 3: I had to. 123 00:06:56,120 --> 00:07:00,240 Speaker 4: Scream for so long, and I remember that it was 124 00:07:01,040 --> 00:07:06,400 Speaker 4: again I was I am remembering that it was written 125 00:07:06,839 --> 00:07:09,440 Speaker 4: that my screaming was meant to be horrible. It was 126 00:07:09,560 --> 00:07:12,720 Speaker 4: meant to be you could you did not want to 127 00:07:12,760 --> 00:07:13,360 Speaker 4: listen to it. 128 00:07:13,360 --> 00:07:16,120 Speaker 3: It was so horrible. It was so repellent. 129 00:07:16,240 --> 00:07:18,360 Speaker 4: It was like it was it was baked in the 130 00:07:18,440 --> 00:07:20,920 Speaker 4: into the words, into the description that this was the 131 00:07:21,000 --> 00:07:24,200 Speaker 4: kind of scream that was not like, it wasn't even 132 00:07:25,200 --> 00:07:28,120 Speaker 4: I'm feeling pain. It wasn't even it was It was 133 00:07:28,200 --> 00:07:33,160 Speaker 4: just the most annoying, incessant, repetitive screaming, and it was 134 00:07:33,240 --> 00:07:36,400 Speaker 4: high pitched, and all these things add to that. 135 00:07:37,400 --> 00:07:40,360 Speaker 3: I was very pregnant. 136 00:07:41,120 --> 00:07:44,160 Speaker 2: I know, I'm thinking about this for you. First off, 137 00:07:44,200 --> 00:07:50,440 Speaker 2: screaming for that long acting is so exhausting physically, and 138 00:07:50,520 --> 00:07:53,160 Speaker 2: so I I literally was like, damn, how long was 139 00:07:53,200 --> 00:07:55,240 Speaker 2: she screaming for? Because there are a lot of cuts 140 00:07:55,280 --> 00:07:58,560 Speaker 2: in those opening scenes, and then you know, Sandra's like. 141 00:07:59,080 --> 00:08:01,800 Speaker 3: Yet, yeah, Christina is so good in that. Christina is 142 00:08:01,800 --> 00:08:02,120 Speaker 3: so good. 143 00:08:02,240 --> 00:08:03,960 Speaker 4: So yeah, No, I'm doing a lot of I know, 144 00:08:04,000 --> 00:08:05,240 Speaker 4: and I have a lot of I have a lot 145 00:08:05,280 --> 00:08:07,120 Speaker 4: of thoughts about I mean, I don't even know how 146 00:08:07,160 --> 00:08:08,960 Speaker 4: to stay on track here and telling the story. 147 00:08:09,080 --> 00:08:12,360 Speaker 2: I think that we organically like have it go where 148 00:08:12,360 --> 00:08:14,480 Speaker 2: it takes you. I don't you know, like I think 149 00:08:14,520 --> 00:08:18,000 Speaker 2: that we it's a messy episode, so let's be messy. 150 00:08:18,200 --> 00:08:20,200 Speaker 4: So we know that we know that it's we know 151 00:08:20,280 --> 00:08:21,960 Speaker 4: that we know that some people are not going to 152 00:08:21,960 --> 00:08:24,360 Speaker 4: make it out of this episode alive. Literally, We know 153 00:08:24,520 --> 00:08:26,080 Speaker 4: that some actors aren't going to make it back to 154 00:08:26,080 --> 00:08:29,400 Speaker 4: the show literally, and that's where we start this episode. 155 00:08:29,440 --> 00:08:31,960 Speaker 3: And we know we're filming on location, which we never do. 156 00:08:32,040 --> 00:08:33,960 Speaker 3: So there's a lot of you know, there's a lot 157 00:08:33,960 --> 00:08:36,560 Speaker 3: of different things that we just don't normally do. It's 158 00:08:36,600 --> 00:08:39,320 Speaker 3: not part of our usual programming, and we're all a 159 00:08:39,400 --> 00:08:43,199 Speaker 3: little bit not stuck in our ways. 160 00:08:43,200 --> 00:08:46,360 Speaker 4: We're just used to our normal programming, which is, you know, 161 00:08:46,520 --> 00:08:48,280 Speaker 4: we we we live in Los Angeles, we work in 162 00:08:48,280 --> 00:08:50,760 Speaker 4: Los Angeles. A lot of us have families, and so 163 00:08:51,080 --> 00:08:55,200 Speaker 4: going on location meant leaving our families living in a hotel. 164 00:08:56,559 --> 00:08:58,200 Speaker 3: And then also it was. 165 00:08:59,120 --> 00:09:02,760 Speaker 4: It was the last so of the season, which back 166 00:09:02,800 --> 00:09:04,599 Speaker 4: in the day, which you don't even do anymore, I 167 00:09:04,640 --> 00:09:07,280 Speaker 4: mean nobody does anymore, is shoot twenty four episodes. 168 00:09:07,320 --> 00:09:09,600 Speaker 3: So you're at the end of your race. Like if 169 00:09:09,640 --> 00:09:12,280 Speaker 3: you've ever run a marathon, you're at mile twenty six, 170 00:09:12,480 --> 00:09:13,439 Speaker 3: you got point two to go. 171 00:09:14,240 --> 00:09:17,400 Speaker 4: You are exhausted, everything has been taken out of you, 172 00:09:17,440 --> 00:09:20,000 Speaker 4: so we get this really big episode. I do feel 173 00:09:20,040 --> 00:09:23,880 Speaker 4: that it's important to say something and it is positive, 174 00:09:23,880 --> 00:09:25,800 Speaker 4: so I'm going to jump in there with the positive. 175 00:09:26,640 --> 00:09:29,640 Speaker 3: It's a beautifully written script. It's a beautifully written script, 176 00:09:29,679 --> 00:09:31,520 Speaker 3: and it's a tough script. 177 00:09:31,880 --> 00:09:33,920 Speaker 4: And for a show that I think, you know, gets 178 00:09:33,920 --> 00:09:37,000 Speaker 4: a lot of attention for being obviously very emotional but 179 00:09:37,080 --> 00:09:42,280 Speaker 4: also having sort of these equal parts emotion emotional and 180 00:09:42,880 --> 00:09:47,080 Speaker 4: heartbreaking but also heart filling, this was really like a 181 00:09:47,200 --> 00:09:51,240 Speaker 4: very brave show to produce because it was it took. 182 00:09:51,040 --> 00:09:53,160 Speaker 3: A lot out of everyone. 183 00:09:53,320 --> 00:09:56,480 Speaker 4: But I do think it was really well, you know, 184 00:09:56,880 --> 00:09:59,720 Speaker 4: put together, especially because you have to go back and 185 00:09:59,760 --> 00:10:03,880 Speaker 4: forth between the wilderness and the hospital, and the wilderness 186 00:10:03,960 --> 00:10:06,880 Speaker 4: is genuinely You're not watching you know, people who you've 187 00:10:06,920 --> 00:10:09,479 Speaker 4: just met a second ago in a life for death circumstance. 188 00:10:09,520 --> 00:10:12,480 Speaker 3: You're watching you know series regulars that you you were. 189 00:10:12,360 --> 00:10:16,800 Speaker 4: Invested in their whole lives in life and death circumstances. 190 00:10:16,800 --> 00:10:18,920 Speaker 4: And it wasn't I was actually it's snuck up on me. 191 00:10:19,120 --> 00:10:22,400 Speaker 4: I didn't realize that Lexi dies so quickly. I mean 192 00:10:22,480 --> 00:10:25,320 Speaker 4: she dies in the first like half hour. 193 00:10:25,640 --> 00:10:28,960 Speaker 2: No, she died because I stopped. Okay, so I was 194 00:10:29,000 --> 00:10:31,760 Speaker 2: watching this morning Matt came in and he came in 195 00:10:31,920 --> 00:10:35,440 Speaker 2: literally at that moment when she died, and I paused 196 00:10:35,480 --> 00:10:38,160 Speaker 2: it and it said fifteen minutes. He's like, this is 197 00:10:38,200 --> 00:10:41,760 Speaker 2: the first fifteen minutes, and I was like, yes. We 198 00:10:41,760 --> 00:10:46,200 Speaker 2: were also like this is incredible writing because there's a 199 00:10:46,240 --> 00:10:49,440 Speaker 2: whole other show still had so much still to go, 200 00:10:50,040 --> 00:10:54,880 Speaker 2: and they packed that horrible punch fifteen minutes in where 201 00:10:54,880 --> 00:10:59,520 Speaker 2: you're already devastated and then you're like, what where is 202 00:10:59,520 --> 00:11:01,840 Speaker 2: this going now? But I want to know how long 203 00:11:01,880 --> 00:11:04,280 Speaker 2: you were actually having to scream for? Like how long 204 00:11:04,360 --> 00:11:04,520 Speaker 2: was that? 205 00:11:04,559 --> 00:11:06,480 Speaker 4: And I was very I wasn't just kind of pregnant. 206 00:11:06,520 --> 00:11:10,200 Speaker 4: I was I'm probably shooting that in the beginning of May, 207 00:11:10,240 --> 00:11:12,640 Speaker 4: and I had Poppy in June, so I was a 208 00:11:12,679 --> 00:11:14,880 Speaker 4: good you know, seven and a half eight months pregnant. 209 00:11:14,920 --> 00:11:16,800 Speaker 4: I was very pregnant, which is why I'm always covered 210 00:11:16,840 --> 00:11:19,960 Speaker 4: in a jacket too. But I'm screaming for you know. 211 00:11:20,080 --> 00:11:22,920 Speaker 4: I mean, I remember just we would just every setup 212 00:11:22,960 --> 00:11:25,000 Speaker 4: we did, I think that they would get like a 213 00:11:25,120 --> 00:11:29,920 Speaker 4: wild track of me just screaming. But so when when 214 00:11:30,559 --> 00:11:33,160 Speaker 4: you realize that we've had this plane crash, we then 215 00:11:33,240 --> 00:11:36,120 Speaker 4: kind of like the show shows you that there's different 216 00:11:36,280 --> 00:11:40,120 Speaker 4: sectors of plane crash, right, so there's there's you know, 217 00:11:40,240 --> 00:11:44,680 Speaker 4: Christina and Meredith. And also I'm just going to say 218 00:11:44,840 --> 00:11:47,280 Speaker 4: everyone acted their asses off. 219 00:11:47,160 --> 00:11:48,640 Speaker 3: In this episode. 220 00:11:49,040 --> 00:11:51,720 Speaker 2: Everyone was incredible. There's a lot of times when I 221 00:11:51,760 --> 00:11:55,000 Speaker 2: watched the show and I'm like, so incredibly proud to 222 00:11:55,000 --> 00:11:59,160 Speaker 2: be part of it. And after that episode, I was like, damn, 223 00:12:00,160 --> 00:12:03,319 Speaker 2: raise anatomy in the house. 224 00:12:03,920 --> 00:12:07,120 Speaker 4: Oh how about that first shot on Meredith's face and 225 00:12:07,200 --> 00:12:11,400 Speaker 4: she just lets you know everything that's happening without even knowing, yes, 226 00:12:11,440 --> 00:12:15,120 Speaker 4: And then Christina comes in and then I'm screaming. Then 227 00:12:15,200 --> 00:12:17,600 Speaker 4: you you don't know where. Then you realize you need 228 00:12:17,640 --> 00:12:19,400 Speaker 4: to find people, and the people you need to find 229 00:12:19,400 --> 00:12:21,840 Speaker 4: are Alexi and Derek. And then you hear that banging 230 00:12:21,960 --> 00:12:25,160 Speaker 4: and Lexi's grabbed the seat belt and is clanging it 231 00:12:25,200 --> 00:12:29,480 Speaker 4: against the side of the airplane that's broken off and 232 00:12:29,559 --> 00:12:30,600 Speaker 4: landed on top of her. 233 00:12:31,200 --> 00:12:32,360 Speaker 3: So then they find her. 234 00:12:33,160 --> 00:12:35,840 Speaker 4: But then you also establish that I'm there, and I'm 235 00:12:35,880 --> 00:12:37,920 Speaker 4: there with Jerry Pilot. 236 00:12:38,000 --> 00:12:41,480 Speaker 2: Jerry, I know, I love Pilot Jerry, and it's a 237 00:12:41,520 --> 00:12:42,840 Speaker 2: wonderful actor. 238 00:12:44,200 --> 00:12:45,680 Speaker 3: Most of my time with him. 239 00:12:46,600 --> 00:12:50,480 Speaker 4: And you watch Arizona go through this weird hysteria and 240 00:12:50,559 --> 00:12:53,320 Speaker 4: hystericalness where she starts laughing and you're like, why are 241 00:12:53,320 --> 00:12:53,920 Speaker 4: you laughing? 242 00:12:54,760 --> 00:12:57,400 Speaker 3: And then Christina is having to. 243 00:12:57,360 --> 00:13:00,920 Speaker 4: Get her shoulder popped back in because now we found Sloan, 244 00:13:01,400 --> 00:13:03,439 Speaker 4: and Sloan of course is going to go over to 245 00:13:03,480 --> 00:13:07,079 Speaker 4: where Alexi is. But then Meredith still hasn't found Derek. 246 00:13:07,920 --> 00:13:10,320 Speaker 4: And then you find Derek and then you see his 247 00:13:10,559 --> 00:13:12,040 Speaker 4: mangled hand. 248 00:13:12,800 --> 00:13:15,439 Speaker 3: Popping out from the wreckage. 249 00:13:15,640 --> 00:13:21,280 Speaker 2: It's offing, not not the surgeon of the surgeons, like, 250 00:13:21,520 --> 00:13:25,400 Speaker 2: just save the hand. The head can go even, but 251 00:13:25,520 --> 00:13:42,760 Speaker 2: not the hand as a surgeon. Let's talk about because 252 00:13:42,760 --> 00:13:45,960 Speaker 2: it's a really gruesome episode. Okay, let's talk about your 253 00:13:46,040 --> 00:13:55,320 Speaker 2: lag dude. That reveal is is fantastic. What exactly are 254 00:13:55,360 --> 00:13:56,240 Speaker 2: we seeing there? 255 00:13:56,880 --> 00:13:59,480 Speaker 4: We're seeing like some flank steak, is what you're seeing. 256 00:13:59,480 --> 00:14:03,120 Speaker 4: You're seeing like some flank steak that was covering some 257 00:14:05,360 --> 00:14:10,040 Speaker 4: very well made and artistically produced and then overseen by 258 00:14:10,480 --> 00:14:17,480 Speaker 4: our most divine Linda Kline bone and then they dressed 259 00:14:17,600 --> 00:14:18,600 Speaker 4: the bone with them. 260 00:14:19,360 --> 00:14:23,640 Speaker 3: In my memory, steak, it was like different pieces of steak, 261 00:14:23,640 --> 00:14:26,320 Speaker 3: and then we had the blood and then. 262 00:14:27,600 --> 00:14:29,120 Speaker 2: Yeah, oh my god. 263 00:14:29,600 --> 00:14:31,800 Speaker 3: And then I'm I pick up my leg and move 264 00:14:31,840 --> 00:14:38,160 Speaker 3: it no, because it was yeah, it was broken. 265 00:14:38,400 --> 00:14:40,400 Speaker 4: But then you hear her trying to be a doctor 266 00:14:40,400 --> 00:14:41,920 Speaker 4: for Jerry. 267 00:14:42,200 --> 00:14:44,200 Speaker 3: I know, I'm not a very good doctor. She basically 268 00:14:44,240 --> 00:14:45,880 Speaker 3: just tells them to like not move too much. 269 00:14:47,040 --> 00:14:50,160 Speaker 2: Actually, let's talk about that really quick, because I that's 270 00:14:50,160 --> 00:14:52,960 Speaker 2: something that I really think is so great that our 271 00:14:53,000 --> 00:14:57,400 Speaker 2: show does, is where our doctors are doctoring on themselves 272 00:14:57,520 --> 00:15:00,000 Speaker 2: or each other at the same time, which just happens 273 00:15:00,080 --> 00:15:03,920 Speaker 2: throughout the whole episode, right, Yeah, And I just think 274 00:15:03,960 --> 00:15:08,120 Speaker 2: it's such a fun element to write for in the 275 00:15:08,200 --> 00:15:12,160 Speaker 2: chaos of everything. I want to know really quick, just 276 00:15:12,240 --> 00:15:15,480 Speaker 2: like facts again, I know we're like skipping around. How 277 00:15:15,520 --> 00:15:18,760 Speaker 2: many days were you up there filming? Do you remember 278 00:15:20,320 --> 00:15:23,520 Speaker 2: a hundred million? It felt like a week, ninety nine days. 279 00:15:24,000 --> 00:15:27,080 Speaker 3: I think we were there. I think our whole crew. 280 00:15:28,080 --> 00:15:30,000 Speaker 3: I mean, I'm guessing that our whole crew was up 281 00:15:30,040 --> 00:15:32,600 Speaker 3: there for some period of ten days. I definitely remember 282 00:15:32,640 --> 00:15:36,360 Speaker 3: it's ten days. It felt like it, for sure. We 283 00:15:36,360 --> 00:15:37,600 Speaker 3: were there, definitely there more. 284 00:15:37,480 --> 00:15:38,640 Speaker 2: Than a week. 285 00:15:39,280 --> 00:15:42,480 Speaker 3: Yeah, there was a weekend in there. Oh wow. 286 00:15:43,920 --> 00:15:45,520 Speaker 2: Okay, yeah, no, that I. 287 00:15:45,480 --> 00:15:47,960 Speaker 3: Mean really off topic. But I remember Big Bear's kind 288 00:15:48,000 --> 00:15:51,880 Speaker 3: of a place that families go, and I think some 289 00:15:51,960 --> 00:15:54,920 Speaker 3: couples go out there to they ca romantic whatever. 290 00:15:55,240 --> 00:15:56,040 Speaker 2: Yeah. 291 00:15:56,400 --> 00:16:01,840 Speaker 3: I remember my room had a really really large jacuzzie 292 00:16:01,840 --> 00:16:04,680 Speaker 3: bathtub in the middle of it. I remember being pregnant 293 00:16:04,720 --> 00:16:05,560 Speaker 3: and being like, well. 294 00:16:06,840 --> 00:16:09,280 Speaker 2: In the middle of it, Oh my god, like you 295 00:16:09,400 --> 00:16:12,080 Speaker 2: got the honeymoon, sweet, Yeah, I got the honeymoon. Oh 296 00:16:12,160 --> 00:16:15,120 Speaker 2: my god, I love it so much. Okay, okay, yeah, 297 00:16:15,520 --> 00:16:16,880 Speaker 2: so at least you've got to go back to the 298 00:16:16,920 --> 00:16:19,800 Speaker 2: honeymoon sweet have your middle of the room jacuzzie. 299 00:16:20,800 --> 00:16:24,120 Speaker 4: It was so Yeah, I thought it was interesting because again, 300 00:16:24,440 --> 00:16:26,160 Speaker 4: well I hadn't I thought it was interesting because I 301 00:16:26,200 --> 00:16:30,000 Speaker 4: hadn't watched episode twenty three, so I was really coming 302 00:16:30,000 --> 00:16:30,640 Speaker 4: into it cold. 303 00:16:30,720 --> 00:16:32,720 Speaker 3: Yeah, but there was. 304 00:16:33,480 --> 00:16:35,560 Speaker 4: And you're still working with him every day, and it's 305 00:16:35,600 --> 00:16:38,120 Speaker 4: gonna seem like I pick on him. I don't mean to. 306 00:16:40,480 --> 00:16:43,520 Speaker 4: It's just that Kevin is so serious. He just comes 307 00:16:43,560 --> 00:16:46,240 Speaker 4: in with so much seriousness. He is the most serious 308 00:16:46,280 --> 00:16:47,120 Speaker 4: doctor on that show. 309 00:16:48,000 --> 00:16:49,880 Speaker 2: He is very But you know what it is, because 310 00:16:49,920 --> 00:16:50,920 Speaker 2: I I. 311 00:16:51,520 --> 00:16:53,080 Speaker 3: So he's like extra serious. 312 00:16:53,280 --> 00:16:56,160 Speaker 2: I think it's the military edge, right. 313 00:16:56,720 --> 00:16:58,680 Speaker 3: Oh that's right. 314 00:16:59,760 --> 00:17:04,439 Speaker 2: Yeah, it's the it's the military. It's woven into the 315 00:17:04,560 --> 00:17:09,119 Speaker 2: character m although I will say that like in later seasons, 316 00:17:09,240 --> 00:17:15,040 Speaker 2: now he's there's a lot of there's more humor and 317 00:17:15,119 --> 00:17:19,120 Speaker 2: funny moments for Owen Hunt. But back then, oh yeah, 318 00:17:19,160 --> 00:17:21,600 Speaker 2: and especially this episode, Oh. 319 00:17:21,440 --> 00:17:24,640 Speaker 3: My god, Chief Kevin is just. 320 00:17:24,680 --> 00:17:29,400 Speaker 2: Like he's chief in But when we come back. 321 00:17:29,320 --> 00:17:33,840 Speaker 4: To the hospital, we are confronted with not just Kevin mkid, 322 00:17:34,359 --> 00:17:37,960 Speaker 4: we are confronted with Chief Kevin McKidd. 323 00:17:38,320 --> 00:17:40,280 Speaker 3: Yes, which I had forgotten. 324 00:17:41,240 --> 00:17:44,080 Speaker 2: I hadn't watched the previous episodes. I'm just watching this 325 00:17:44,119 --> 00:17:46,800 Speaker 2: episode and I forgot where they are in their messy 326 00:17:47,000 --> 00:17:49,400 Speaker 2: arc of a relationship, and I feel like I need 327 00:17:49,400 --> 00:17:52,400 Speaker 2: to go back to remember, like are they were they 328 00:17:52,520 --> 00:17:55,160 Speaker 2: semi together at this that were they on the They're 329 00:17:55,200 --> 00:17:57,080 Speaker 2: on the outs right right? 330 00:17:57,160 --> 00:17:59,240 Speaker 3: So I agree. I also was like, where are we 331 00:17:59,280 --> 00:17:59,520 Speaker 3: in this? 332 00:17:59,680 --> 00:18:03,359 Speaker 4: But ye watched the episode, you realize he's just lost 333 00:18:03,440 --> 00:18:06,960 Speaker 4: Christina and Christina because remember he paused, he didn't say 334 00:18:06,960 --> 00:18:10,320 Speaker 4: it quick enough that he wouldn't be right. Yes, he's 335 00:18:10,440 --> 00:18:12,800 Speaker 4: lost her because she's going to go and do other things. 336 00:18:13,359 --> 00:18:20,720 Speaker 4: And Teddy meanwhile, has fallen in love with Scott Foley's character. 337 00:18:21,560 --> 00:18:24,560 Speaker 3: So Teddy has lost the love of her life because he. 338 00:18:24,600 --> 00:18:28,639 Speaker 2: Died in ther that they're working in, Yes, and so 339 00:18:29,040 --> 00:18:33,440 Speaker 2: they're now what their friendship is replete and it is 340 00:18:33,640 --> 00:18:34,960 Speaker 2: as really. 341 00:18:35,680 --> 00:18:37,399 Speaker 4: To go back to the fact that they started in 342 00:18:37,400 --> 00:18:40,840 Speaker 4: the military comrades and best friends. And so that's why 343 00:18:40,880 --> 00:18:42,639 Speaker 4: she feels like she can't leave him, is because he's 344 00:18:42,680 --> 00:18:45,119 Speaker 4: already being left by the love of his life. She's 345 00:18:45,160 --> 00:18:47,640 Speaker 4: lost the love of her life, and so she needs 346 00:18:47,680 --> 00:18:52,480 Speaker 4: to hold on to whatever piece of normalcy she can 347 00:18:52,840 --> 00:18:53,960 Speaker 4: and or. 348 00:18:55,480 --> 00:18:57,960 Speaker 3: A sad fairy tale, right. 349 00:18:57,840 --> 00:19:00,560 Speaker 4: Which is that her husband is alive halls of his 350 00:19:00,640 --> 00:19:03,080 Speaker 4: hospital and when she leaves it, she will have lost 351 00:19:03,119 --> 00:19:03,840 Speaker 4: every piece of him. 352 00:19:03,880 --> 00:19:07,840 Speaker 2: It's so that it is, and it is written so well. 353 00:19:07,880 --> 00:19:09,399 Speaker 2: And I have to say, when I was watching the 354 00:19:09,440 --> 00:19:12,440 Speaker 2: scene when she's explaining why she wants to stay, I 355 00:19:12,480 --> 00:19:15,640 Speaker 2: was thinking, she's acting in just a mask and you're 356 00:19:15,720 --> 00:19:18,119 Speaker 2: only seeing her eyes, and that's how you know someone's 357 00:19:18,200 --> 00:19:22,280 Speaker 2: like just a fantastic actor, because her eyes said it 358 00:19:22,480 --> 00:19:25,840 Speaker 2: all everything, And I was like, damn, kim acting her 359 00:19:25,840 --> 00:19:30,199 Speaker 2: butt off in this scene. Did you find the cuts 360 00:19:30,240 --> 00:19:32,760 Speaker 2: back and forth like jarring a little bit? 361 00:19:33,240 --> 00:19:35,000 Speaker 4: I was going to say that that's the thing is that, 362 00:19:35,040 --> 00:19:38,120 Speaker 4: so you leave the wilderness, you come into the hospital, 363 00:19:38,200 --> 00:19:39,680 Speaker 4: you get Chief Hunt. 364 00:19:40,280 --> 00:19:42,160 Speaker 3: You know, he means business. He's so serious. 365 00:19:42,200 --> 00:19:45,480 Speaker 4: Now you're in the you're in the residence lounge and 366 00:19:46,320 --> 00:19:49,159 Speaker 4: that Jesse. I mean he was right. I mean, I 367 00:19:49,160 --> 00:19:53,200 Speaker 4: guess he has he has reason to complain. How many 368 00:19:53,240 --> 00:19:56,800 Speaker 4: times did his shirt come off on the show? Why 369 00:19:56,880 --> 00:19:57,879 Speaker 4: was he always changing? 370 00:19:58,119 --> 00:20:01,679 Speaker 2: You know what? I don't know if she that he 371 00:20:01,840 --> 00:20:05,480 Speaker 2: needed to change my shirts many times a day. 372 00:20:05,640 --> 00:20:08,280 Speaker 4: Multiple if the camera came around the corner, he should 373 00:20:08,320 --> 00:20:08,880 Speaker 4: take off his shirt. 374 00:20:08,920 --> 00:20:11,199 Speaker 2: Evidently he's got to change it. Yeah, he's got to 375 00:20:11,280 --> 00:20:11,879 Speaker 2: change his shirt. 376 00:20:12,000 --> 00:20:15,840 Speaker 3: So he's taking off his shirt. Keviner's coming in. I 377 00:20:15,960 --> 00:20:18,040 Speaker 3: was to talk about, like where are we in the journey? 378 00:20:18,080 --> 00:20:19,240 Speaker 3: I was like, where are they again? 379 00:20:19,359 --> 00:20:21,320 Speaker 4: So I had to remind myself a little bit. But 380 00:20:21,480 --> 00:20:26,480 Speaker 4: now we're back to the wilderness, and now Christina and 381 00:20:26,520 --> 00:20:29,600 Speaker 4: Sloan are at or have found Lexi and they're like, okay. 382 00:20:29,880 --> 00:20:31,840 Speaker 4: I thought it was so crazy when Christina said run 383 00:20:31,880 --> 00:20:33,960 Speaker 4: it down for me, but she's talking about running a. 384 00:20:34,000 --> 00:20:37,080 Speaker 3: Test for her for herself, Like, what's wrong? You do 385 00:20:37,119 --> 00:20:37,760 Speaker 3: the bodies here? 386 00:20:37,920 --> 00:20:39,879 Speaker 2: I know that's what I'm saying. That's what I'm saying. 387 00:20:40,480 --> 00:20:45,320 Speaker 2: It's like the leaning into the fact that their doctors 388 00:20:45,359 --> 00:20:49,560 Speaker 2: and they can do that for themselves is just it 389 00:20:49,680 --> 00:20:53,119 Speaker 2: adds so much fire to like the episode. 390 00:20:53,560 --> 00:20:56,639 Speaker 4: And then you see the characters at different parts of 391 00:20:56,920 --> 00:20:59,640 Speaker 4: the Wilderness journey, but you see all of them go 392 00:20:59,760 --> 00:21:03,800 Speaker 4: through through this stage of grief, which is bargaining, right, 393 00:21:04,000 --> 00:21:08,359 Speaker 4: So Sloan starts bargaining. He's like, I'm gonna it's gonna 394 00:21:08,359 --> 00:21:10,960 Speaker 4: be okay because I'm gonna You're gonna live. You're not, 395 00:21:11,080 --> 00:21:14,520 Speaker 4: oh sorry. And denial he's like, you're gonna be fine, 396 00:21:14,680 --> 00:21:15,960 Speaker 4: Everything's gonna be okay. 397 00:21:16,560 --> 00:21:21,359 Speaker 3: You're not dying. And Lexi knows she's dying. Lexi's fully 398 00:21:21,359 --> 00:21:22,639 Speaker 3: aware that she's dying. O. 399 00:21:23,359 --> 00:21:27,920 Speaker 2: God, I truly needed that. This is gonna sound really bad. 400 00:21:28,560 --> 00:21:31,600 Speaker 2: I needed it to be over because I knew it 401 00:21:31,640 --> 00:21:35,159 Speaker 2: was coming and that I love you and I'm dying 402 00:21:35,240 --> 00:21:39,040 Speaker 2: and hold my hand. I was like, I'm not holding 403 00:21:39,040 --> 00:21:40,680 Speaker 2: her hand, and he doesn't want to hold her hand, 404 00:21:40,720 --> 00:21:42,560 Speaker 2: and then he ends up holding her. He tries to 405 00:21:42,640 --> 00:21:45,800 Speaker 2: lift the plane off her again, and then he goes 406 00:21:45,800 --> 00:21:47,760 Speaker 2: and when he holds her hand again, I just like 407 00:21:47,920 --> 00:21:52,560 Speaker 2: I could not stand it. I just wanted it to 408 00:21:52,600 --> 00:21:54,480 Speaker 2: be done. I was like, this is torture. 409 00:21:55,200 --> 00:21:57,840 Speaker 3: This was my note, it's my favorite. Mark Slanci never. 410 00:21:58,160 --> 00:22:02,120 Speaker 2: Oh yeah, yeah, I would say, I would say. 411 00:22:02,160 --> 00:22:02,280 Speaker 5: So. 412 00:22:02,520 --> 00:22:04,720 Speaker 2: I wonder how many times they had to do that scene. 413 00:22:04,760 --> 00:22:07,240 Speaker 2: I know you probably were. I was there, Oh you were. 414 00:22:07,640 --> 00:22:10,520 Speaker 3: Everybody was talking about it. Everybody was talking about how 415 00:22:10,560 --> 00:22:13,520 Speaker 3: heartbreaking it was. It was very emotional when. 416 00:22:13,480 --> 00:22:18,119 Speaker 4: Kyler had her last take, like the last word, the 417 00:22:18,240 --> 00:22:23,480 Speaker 4: last take, and you know, Eric was really crushing it 418 00:22:23,520 --> 00:22:26,560 Speaker 4: and just doing like giving her everything and she was 419 00:22:26,560 --> 00:22:29,760 Speaker 4: giving him everything, and they were so they really had 420 00:22:29,800 --> 00:22:32,600 Speaker 4: gotten to the point where I think in Storyland we 421 00:22:32,720 --> 00:22:35,639 Speaker 4: all really invested in them being the meant to be. 422 00:22:36,520 --> 00:22:39,680 Speaker 3: Yeah, and you also forget that, well, you don't forget, 423 00:22:39,680 --> 00:22:41,720 Speaker 3: but you're you're running so many stories at the same 424 00:22:41,720 --> 00:22:43,520 Speaker 3: time in your head. Is that. 425 00:22:43,560 --> 00:22:46,600 Speaker 4: Well, Meredith is so obsessed with finding Derek, which of 426 00:22:46,600 --> 00:22:52,200 Speaker 4: course is warranted. Christina, in coming back for supplies, sees 427 00:22:52,240 --> 00:22:56,880 Speaker 4: Meredith and because she's just seen Lexi, she's like, Meredith, you. 428 00:22:57,040 --> 00:22:59,400 Speaker 2: Needed to come, Yeah, you got you got. 429 00:22:59,400 --> 00:23:04,040 Speaker 3: To come see because she knows she's dying. So then Meredith. 430 00:23:05,160 --> 00:23:08,160 Speaker 4: And when she finds out after that commercial break, and 431 00:23:08,320 --> 00:23:11,240 Speaker 4: her wailing and weeping is you know a little bit 432 00:23:11,280 --> 00:23:13,560 Speaker 4: like Arizona's whaling and weeping. 433 00:23:13,640 --> 00:23:17,280 Speaker 3: It's just like from her, it's a whole other general. 434 00:23:17,480 --> 00:23:24,000 Speaker 2: Yeah, like it's that deep. I just yeah, that scene 435 00:23:24,080 --> 00:23:27,320 Speaker 2: is so iconic. And then the fact that Meredith didn't 436 00:23:27,440 --> 00:23:29,840 Speaker 2: she arrives when she's already passed and she didn't get 437 00:23:29,840 --> 00:23:33,040 Speaker 2: to say goodbye, and it's just and we had. 438 00:23:32,880 --> 00:23:34,840 Speaker 3: To film it's worth mentioning. 439 00:23:34,920 --> 00:23:38,200 Speaker 4: We had to film the outside stuff and the wilderness 440 00:23:38,200 --> 00:23:41,240 Speaker 4: stuff and the big bear stuff so much differently than 441 00:23:41,280 --> 00:23:45,920 Speaker 4: we normally film our show because this is a guest technical. 442 00:23:45,960 --> 00:23:50,240 Speaker 3: But in our regular show, we you know, our crew 443 00:23:50,359 --> 00:23:53,640 Speaker 3: and all the all the departments, every single one from 444 00:23:53,720 --> 00:23:57,359 Speaker 3: props to camera to sound. Everybody knows our sets and 445 00:23:57,400 --> 00:24:00,200 Speaker 3: it's a real program. They know where all the things go. Oh, 446 00:24:00,240 --> 00:24:03,359 Speaker 3: they know how to do the thing. And we were 447 00:24:03,560 --> 00:24:06,240 Speaker 3: all in completely unfamiliar territory. 448 00:24:06,400 --> 00:24:10,160 Speaker 4: So we were not laying down, you know, Dolly, We 449 00:24:10,160 --> 00:24:14,520 Speaker 4: were not you know, recording sound in the same way 450 00:24:14,560 --> 00:24:19,359 Speaker 4: because we were competing with birds chirping and airplanes flying 451 00:24:19,440 --> 00:24:23,960 Speaker 4: and sounds that we don't normally compete with, and so everything. 452 00:24:23,400 --> 00:24:29,960 Speaker 3: About it was so much more. My memory was like it. 453 00:24:29,880 --> 00:24:36,680 Speaker 4: Was raw and it was honestly probably influenced by the storytelling. 454 00:24:36,800 --> 00:24:39,600 Speaker 3: It was painful. It was like painful. It was kind 455 00:24:39,600 --> 00:24:40,560 Speaker 3: of aggravating. 456 00:24:40,880 --> 00:24:42,760 Speaker 4: The light would change and then all of a sudden 457 00:24:42,760 --> 00:24:44,919 Speaker 4: they'd have to add things and then you'd have to 458 00:24:44,960 --> 00:24:47,040 Speaker 4: wait and you were covered in blood. 459 00:24:47,240 --> 00:24:49,200 Speaker 2: That was the other thing I was gonna say. The blood. 460 00:24:49,200 --> 00:24:52,160 Speaker 2: People don't understand, like the blood's all sticky. You're probably 461 00:24:52,160 --> 00:24:55,879 Speaker 2: in the dirt with the like that fake blood is 462 00:24:55,960 --> 00:24:59,679 Speaker 2: like glue, and it does get aggravating to have it 463 00:24:59,720 --> 00:25:00,000 Speaker 2: on you. 464 00:25:01,119 --> 00:25:03,760 Speaker 4: So this is the this is the one funny story 465 00:25:03,800 --> 00:25:07,920 Speaker 4: that I have from this episode. We shoot the episode 466 00:25:08,040 --> 00:25:10,320 Speaker 4: and in order to get the blood and stuff, and 467 00:25:10,440 --> 00:25:12,160 Speaker 4: Arizona had quite a lot of stuff on our face. 468 00:25:12,320 --> 00:25:15,320 Speaker 3: Yeah, you would, and in her hair and you would 469 00:25:15,400 --> 00:25:16,960 Speaker 3: have to get or the best way to get it 470 00:25:16,960 --> 00:25:18,000 Speaker 3: at was shaving cream. 471 00:25:18,119 --> 00:25:20,639 Speaker 4: So you'd get shaving cream and you'd just lather it 472 00:25:20,760 --> 00:25:22,719 Speaker 4: up all over and there was something about it that 473 00:25:22,760 --> 00:25:25,920 Speaker 4: would remove that the cookie stuff and. 474 00:25:25,920 --> 00:25:28,080 Speaker 3: So and then a hot towel. So when we were 475 00:25:28,119 --> 00:25:29,840 Speaker 3: shooting and you just go back to your hotel room 476 00:25:29,880 --> 00:25:33,879 Speaker 3: at night, you know, you would take back your shaving 477 00:25:33,920 --> 00:25:36,600 Speaker 3: cream and your hotels and you'd go home and you'd 478 00:25:36,600 --> 00:25:38,240 Speaker 3: do it in your hotel room and you didn't see 479 00:25:38,280 --> 00:25:42,200 Speaker 3: anybody else, and it was done the last day. 480 00:25:42,880 --> 00:25:45,960 Speaker 4: We finished, and we all got in our cars to 481 00:25:46,000 --> 00:25:50,560 Speaker 4: go home. And I have said this before, and I 482 00:25:50,560 --> 00:25:52,600 Speaker 4: think probably even more so in this case. 483 00:25:52,920 --> 00:25:56,439 Speaker 3: You go a little especially after like a highly emotional 484 00:25:56,480 --> 00:26:00,320 Speaker 3: scenes or content, you kind of get nuh when you 485 00:26:00,320 --> 00:26:01,520 Speaker 3: get in your car and you kind of don't want 486 00:26:01,520 --> 00:26:03,920 Speaker 3: to talk to anyone. You just kind of zone no 487 00:26:04,160 --> 00:26:06,560 Speaker 3: and big bears on a big mountain. 488 00:26:06,840 --> 00:26:10,800 Speaker 4: And so I drive home. I'm so pregnant, I'm numb. 489 00:26:10,880 --> 00:26:14,159 Speaker 4: We've finished this long, hard shoot and I'm driving and 490 00:26:14,200 --> 00:26:16,399 Speaker 4: I finally get down to the We get to the 491 00:26:16,440 --> 00:26:18,520 Speaker 4: freeway and I'm driving on the freeway and I hit 492 00:26:18,520 --> 00:26:20,680 Speaker 4: a little bit of traffic and I'm sitting in traffic 493 00:26:20,720 --> 00:26:24,080 Speaker 4: and I'm looking out the window and I'm like processing 494 00:26:24,119 --> 00:26:26,960 Speaker 4: and everything else. And I looked to my left because 495 00:26:27,000 --> 00:26:28,919 Speaker 4: there's a car there, and. 496 00:26:30,240 --> 00:26:31,560 Speaker 2: Don't say you got recognized. 497 00:26:32,160 --> 00:26:38,920 Speaker 3: This woman turns locks eyes with me, and her face 498 00:26:39,320 --> 00:26:43,000 Speaker 3: registers what I look like, which is a like I'm 499 00:26:43,000 --> 00:26:45,879 Speaker 3: in a horror movie, like I've got blood everywhere. 500 00:26:47,520 --> 00:26:52,520 Speaker 4: I'd been completely I mean, she did not know what 501 00:26:52,600 --> 00:26:52,920 Speaker 4: to do. 502 00:26:53,240 --> 00:26:54,760 Speaker 3: I mean I couldn't hear because she was in a car. 503 00:26:54,760 --> 00:26:57,479 Speaker 3: But it was like she screamed, Slash said like do 504 00:26:57,560 --> 00:27:00,400 Speaker 3: you need help? Slash, And there was nothing I could 505 00:27:00,400 --> 00:27:01,240 Speaker 3: actually say. 506 00:27:01,160 --> 00:27:04,640 Speaker 4: Back that would be comforting to her, right, like besides 507 00:27:04,760 --> 00:27:07,480 Speaker 4: rolling down my window asking her to roll down hers, 508 00:27:07,920 --> 00:27:10,400 Speaker 4: and stopping in the middle of a freeway to say, 509 00:27:10,560 --> 00:27:11,400 Speaker 4: oh no, no, don't worry. 510 00:27:11,440 --> 00:27:12,760 Speaker 3: I'm on a TV show. 511 00:27:12,640 --> 00:27:15,639 Speaker 2: Which filmed I was just in a plane crash and 512 00:27:15,640 --> 00:27:18,200 Speaker 2: it's I'm totally fine. My legs come off, but it's like, 513 00:27:18,320 --> 00:27:21,680 Speaker 2: it's totally fine. That's really funny. 514 00:27:21,960 --> 00:27:24,560 Speaker 4: So that woman is out there in the world somewhere 515 00:27:24,800 --> 00:27:27,840 Speaker 4: today and she has some story about and it probably 516 00:27:27,920 --> 00:27:31,440 Speaker 4: is sad, right she probably imagines that, yeah. 517 00:27:31,200 --> 00:27:33,840 Speaker 3: Sad person. But I'm here to tell you that if 518 00:27:33,880 --> 00:27:35,879 Speaker 3: you ever hear this, it was not sad. It was 519 00:27:35,920 --> 00:27:37,040 Speaker 3: just me coming home from work. 520 00:27:39,840 --> 00:27:41,440 Speaker 2: God, I can't believe you drove all. 521 00:27:41,640 --> 00:27:42,760 Speaker 3: Like that anyways. 522 00:27:42,800 --> 00:27:45,800 Speaker 4: Okay, so we go back to the hospital. Kim is 523 00:27:45,840 --> 00:27:49,560 Speaker 4: crushing it. She's doing all that she's doing. I love 524 00:27:49,560 --> 00:27:51,159 Speaker 4: the scene that comes when we come back to the 525 00:27:51,160 --> 00:27:53,520 Speaker 4: World with the Woods again with Christina and Meredith, where 526 00:27:53,840 --> 00:27:56,719 Speaker 4: Christina is so over it and she is like, I 527 00:27:56,760 --> 00:27:59,160 Speaker 4: am over the guns to my head and I'm over 528 00:27:59,280 --> 00:28:01,680 Speaker 4: business and as soon as I get home, I am 529 00:28:01,720 --> 00:28:05,320 Speaker 4: getting the hell away from Seattle, Grace, Mercy, Death, Death, 530 00:28:05,400 --> 00:28:06,240 Speaker 4: I'm out of here. 531 00:28:07,200 --> 00:28:23,600 Speaker 2: That was brilliant. I also we didn't talk about this, 532 00:28:23,720 --> 00:28:27,040 Speaker 2: but I loved at the beginning. God, Sandra's is so 533 00:28:27,119 --> 00:28:30,120 Speaker 2: good in everything. I loved at the beginning how she 534 00:28:30,200 --> 00:28:31,360 Speaker 2: was obsessed with her shoe. 535 00:28:32,080 --> 00:28:33,080 Speaker 3: Yeah, where's my shoe? 536 00:28:33,119 --> 00:28:36,000 Speaker 2: Where's my shoe? I loved that that was like part 537 00:28:36,040 --> 00:28:38,600 Speaker 2: of her chaos makes sense. 538 00:28:38,440 --> 00:28:41,200 Speaker 3: To me the weird way, like when you can't control anything, No, it. 539 00:28:41,160 --> 00:28:44,000 Speaker 2: Does, it totally does, so silly. I thought it was 540 00:28:44,120 --> 00:28:45,080 Speaker 2: fantastic writing. 541 00:28:45,280 --> 00:28:47,520 Speaker 4: And then I also love when she said the whole 542 00:28:47,600 --> 00:28:52,360 Speaker 4: thing about when she was like, because Meredith is still 543 00:28:52,400 --> 00:28:54,360 Speaker 4: looking at her like she's her person and she's gonna 544 00:28:54,440 --> 00:28:57,880 Speaker 4: have some you know, some sage answers of things or 545 00:28:57,880 --> 00:29:01,040 Speaker 4: figure it out, and she's like, I have. 546 00:29:01,080 --> 00:29:03,400 Speaker 3: PTSD and I'm not related. I'm not reliable. 547 00:29:03,760 --> 00:29:10,400 Speaker 6: Yeah no, yeah, yeah yeah, But she's still in the trauma. 548 00:29:09,840 --> 00:29:13,000 Speaker 4: Like she's saying, yeah, I have PTSD, but she's actually 549 00:29:13,600 --> 00:29:14,640 Speaker 4: in the TS part. 550 00:29:16,600 --> 00:29:17,440 Speaker 3: There's no TRD. 551 00:29:18,080 --> 00:29:22,239 Speaker 2: There's so much I know, there's so many elements to like, 552 00:29:22,360 --> 00:29:26,640 Speaker 2: so many people's journey in this episode. It really by 553 00:29:26,640 --> 00:29:29,120 Speaker 2: the way, I think the whole episode's like forty two minutes, 554 00:29:29,160 --> 00:29:32,480 Speaker 2: and it's unreal what you guys pack into that. I do. 555 00:29:32,640 --> 00:29:35,640 Speaker 2: I found it super jarring, the back and forth between 556 00:29:35,680 --> 00:29:40,440 Speaker 2: the hospital and the airplane. And I think that it 557 00:29:40,640 --> 00:29:43,960 Speaker 2: works though, because you're never with you guys long enough 558 00:29:43,960 --> 00:29:48,240 Speaker 2: to sort of get comfortable in your chaos and trauma. 559 00:29:48,400 --> 00:29:51,160 Speaker 2: You're thrown back into the hospital. So by the time 560 00:29:51,280 --> 00:29:54,800 Speaker 2: you're back with you guys, it feels like a slap 561 00:29:54,800 --> 00:29:55,320 Speaker 2: in the face. 562 00:29:55,920 --> 00:29:58,480 Speaker 4: Well yeah, because you go from you go from them 563 00:29:58,800 --> 00:30:04,479 Speaker 4: using a safety pin to close Derek's wound to Weber 564 00:30:04,480 --> 00:30:07,360 Speaker 4: and the o R being like, you kids jazzed about dinner. 565 00:30:07,800 --> 00:30:11,400 Speaker 2: Oh okay, well let's let's talk about that. Because I 566 00:30:11,560 --> 00:30:15,280 Speaker 2: was a resident, I don't remember ever having a duck dinner. 567 00:30:15,800 --> 00:30:16,840 Speaker 3: You didn't get a duck dinner. 568 00:30:16,880 --> 00:30:20,880 Speaker 2: I didn't dare Yeah, I'm wondering where my steak dinner was. 569 00:30:21,560 --> 00:30:23,480 Speaker 4: Well, maybe Krap talked you out of it, because his 570 00:30:23,480 --> 00:30:25,440 Speaker 4: next line was I'll still, I'll give you ten bucks 571 00:30:25,440 --> 00:30:26,800 Speaker 4: to stab me in the face right now. 572 00:30:27,920 --> 00:30:31,400 Speaker 2: This is true. Maybe maybe Joe was told to stay 573 00:30:31,440 --> 00:30:34,000 Speaker 2: home in order to take out This is totally possible. 574 00:30:35,280 --> 00:30:38,360 Speaker 2: Let's talk about Kapner and Avery. 575 00:30:39,560 --> 00:30:43,400 Speaker 3: Oh gosh, I'm in which part? 576 00:30:44,960 --> 00:30:48,840 Speaker 2: Well, let's talk. First off, I feel like I really 577 00:30:48,880 --> 00:30:50,160 Speaker 2: missed our chemistry on the show. 578 00:30:50,760 --> 00:30:53,680 Speaker 3: It really I miss like they looked like babies. 579 00:30:54,120 --> 00:30:57,400 Speaker 2: He did look like little babies. I missed our chemistry 580 00:30:57,400 --> 00:30:57,720 Speaker 2: on the show. 581 00:30:57,800 --> 00:30:59,040 Speaker 3: Wease are you in right now? 582 00:30:59,280 --> 00:30:59,959 Speaker 2: Five hundred? 583 00:31:00,680 --> 00:31:00,800 Speaker 3: No? 584 00:31:00,840 --> 00:31:02,960 Speaker 2: But really twenty we're about to go into twenty two. 585 00:31:03,600 --> 00:31:08,560 Speaker 3: Okay, so that was season eight. It was a very 586 00:31:08,640 --> 00:31:09,520 Speaker 3: long time ago. 587 00:31:10,280 --> 00:31:12,920 Speaker 2: Yeah, that is a very long time fourteen eighteen years ago? 588 00:31:13,080 --> 00:31:16,440 Speaker 2: Fourteen yeah, thirteen, Oh yeah, no, it's a really long 589 00:31:16,480 --> 00:31:19,760 Speaker 2: time ago. Can we talk about their I was wondering 590 00:31:19,760 --> 00:31:23,280 Speaker 2: where they were in their relationship, and I got like 591 00:31:23,320 --> 00:31:25,880 Speaker 2: ap when she started talking about being happy. 592 00:31:26,840 --> 00:31:27,280 Speaker 3: M hmm. 593 00:31:28,200 --> 00:31:30,560 Speaker 2: And then they'd had sex, and the whole virgin thing 594 00:31:30,880 --> 00:31:32,480 Speaker 2: forgot about that, and. 595 00:31:32,400 --> 00:31:36,160 Speaker 4: She really liked having sex with him, but she wasn't happy. 596 00:31:36,200 --> 00:31:37,840 Speaker 4: She wasn't a virgin anymore, and. 597 00:31:37,800 --> 00:31:40,800 Speaker 2: She didn't know who she was. I, you know, someone say, 598 00:31:41,000 --> 00:31:41,880 Speaker 2: she feels her word. 599 00:31:42,040 --> 00:31:43,520 Speaker 3: So now she wasn't even like the dot she was. 600 00:31:43,720 --> 00:31:45,080 Speaker 3: I know, she wasn't a virgin. 601 00:31:45,760 --> 00:31:48,160 Speaker 2: I thought. I just thought it was. I thought Sarah 602 00:31:48,200 --> 00:31:50,320 Speaker 2: did such a good job of that. 603 00:31:50,840 --> 00:31:54,720 Speaker 3: Always does such a good job. They super look like babies. 604 00:31:54,920 --> 00:31:58,520 Speaker 2: I know, I know. Anyway, Okay, okay, let's go back 605 00:31:58,600 --> 00:31:59,520 Speaker 2: to the horror. 606 00:31:59,560 --> 00:32:01,960 Speaker 4: S know, and right before you go into that scene, 607 00:32:02,000 --> 00:32:04,800 Speaker 4: which is so tender and sweet and honest. And both 608 00:32:04,800 --> 00:32:10,000 Speaker 4: of them, I mean, Jesse and Sarah were always really 609 00:32:10,080 --> 00:32:13,480 Speaker 4: good at being honest with each other in their storytelling. 610 00:32:13,520 --> 00:32:14,800 Speaker 3: Like they both showed up. 611 00:32:14,800 --> 00:32:18,800 Speaker 4: They were very it was simple and it was clear, 612 00:32:18,960 --> 00:32:21,800 Speaker 4: and it was honest and so and you lean into 613 00:32:21,840 --> 00:32:24,000 Speaker 4: that as a viewer, you're like, yes, tell me more, 614 00:32:24,920 --> 00:32:29,160 Speaker 4: because they had super high arching storylines, right, I mean, 615 00:32:29,200 --> 00:32:31,120 Speaker 4: she's saying things like I'm not a virgin anymore and 616 00:32:31,120 --> 00:32:34,320 Speaker 4: you're my best friend, and they're big things she's talking about, 617 00:32:34,320 --> 00:32:37,720 Speaker 4: but she's making them so simple and so relatable that 618 00:32:37,800 --> 00:32:41,280 Speaker 4: you and he's really listening and it's you know, it's 619 00:32:41,360 --> 00:32:41,840 Speaker 4: so great. 620 00:32:42,040 --> 00:32:44,320 Speaker 2: I do have to say, also, when you what one 621 00:32:44,480 --> 00:32:47,120 Speaker 2: second on that note that when you come onto the 622 00:32:47,160 --> 00:32:51,560 Speaker 2: show with your intern class, there is a bond that 623 00:32:51,680 --> 00:32:55,280 Speaker 2: happens with that intern class if those actors are able 624 00:32:55,320 --> 00:32:58,120 Speaker 2: to sort of stay around long enough with you, because 625 00:32:58,160 --> 00:33:00,640 Speaker 2: sometimes you know on Grays, you know, we have an 626 00:33:00,640 --> 00:33:04,000 Speaker 2: interurn has to leave and this happens to the other intern. 627 00:33:04,520 --> 00:33:09,360 Speaker 2: And I think that for Sarah and Jessee coming on 628 00:33:09,440 --> 00:33:12,120 Speaker 2: at the same time as that class, like they would 629 00:33:12,160 --> 00:33:14,440 Speaker 2: just bond in a way that you do see in 630 00:33:14,560 --> 00:33:18,320 Speaker 2: other classes too. But that chemistry just sticks around with you, 631 00:33:18,760 --> 00:33:23,600 Speaker 2: regardless of like romantic chemistry, Like the intern chemistry sticks 632 00:33:23,600 --> 00:33:25,240 Speaker 2: around with you. And I was just reminded of that 633 00:33:25,400 --> 00:33:26,200 Speaker 2: watching it. 634 00:33:27,240 --> 00:33:30,040 Speaker 3: Right before you go to that scene I have in 635 00:33:30,080 --> 00:33:31,640 Speaker 3: my notes that I was watching. 636 00:33:32,080 --> 00:33:37,400 Speaker 4: I also saw or noticed that Arizona was kind of 637 00:33:37,400 --> 00:33:42,000 Speaker 4: on her own with Jerry, Like, yeah, she was not 638 00:33:42,400 --> 00:33:47,280 Speaker 4: part of the Meredith, Christina Derek, and she wasn't part 639 00:33:47,320 --> 00:33:51,360 Speaker 4: of the Lexi Sloan. I mean, we tire back in 640 00:33:51,440 --> 00:33:54,120 Speaker 4: at the end with Sloan, but she really was kind 641 00:33:54,120 --> 00:33:59,320 Speaker 4: of on her own, and I felt so bad for her, 642 00:34:00,040 --> 00:34:02,479 Speaker 4: felt so bad for her, just like with that, and 643 00:34:02,880 --> 00:34:06,600 Speaker 4: you know, nobody it wasn't wrong that they weren't, you know, 644 00:34:06,840 --> 00:34:09,400 Speaker 4: ministering to her. They were all bleeding out right, But 645 00:34:11,600 --> 00:34:14,839 Speaker 4: really you didn't know how bad it was for her. 646 00:34:15,000 --> 00:34:16,560 Speaker 4: You know, you see her coughing up a little blood 647 00:34:16,560 --> 00:34:19,880 Speaker 4: and you see the bone, but you're not you're not 648 00:34:20,000 --> 00:34:22,840 Speaker 4: really understanding what's going on. And of course, now that 649 00:34:22,880 --> 00:34:25,080 Speaker 4: we do know what ended up happening, I mean, listen, 650 00:34:25,160 --> 00:34:28,040 Speaker 4: she she gets to live, and that's a really huge thing. 651 00:34:28,800 --> 00:34:32,200 Speaker 4: And she's in big trouble. I mean she's in super 652 00:34:32,239 --> 00:34:33,600 Speaker 4: dupertuper duper big trouble. 653 00:34:33,719 --> 00:34:36,080 Speaker 2: Can I tell him my note on that? Yeah, I 654 00:34:36,120 --> 00:34:39,520 Speaker 2: you're going to laugh. What it's pretty on brand because 655 00:34:39,560 --> 00:34:41,640 Speaker 2: I'm a little slothy. And so I was watching. I 656 00:34:41,680 --> 00:34:45,319 Speaker 2: was like, Jessica got to sit the whole time, and 657 00:34:45,400 --> 00:34:50,759 Speaker 2: I was like, I would have liked that. I like 658 00:34:50,840 --> 00:34:53,600 Speaker 2: that you were sitting, especially pregnant. I'm like wondering if 659 00:34:53,600 --> 00:34:55,680 Speaker 2: they sort of did it on purpose. You couldn't have 660 00:34:55,680 --> 00:34:58,080 Speaker 2: been climbing up and down the hills and there seven 661 00:34:58,080 --> 00:35:00,000 Speaker 2: months pregnant. I'm like, I would have had a little 662 00:35:00,080 --> 00:35:02,120 Speaker 2: pillow yeah under me. 663 00:35:03,320 --> 00:35:04,520 Speaker 3: Oh gosh, they had this. 664 00:35:04,560 --> 00:35:07,600 Speaker 4: Okay, so we would shoot down in this one spot 665 00:35:07,640 --> 00:35:10,000 Speaker 4: there was we shot at the bottom of this hill. 666 00:35:10,040 --> 00:35:12,120 Speaker 4: It was kind of like a ravine where it was 667 00:35:12,160 --> 00:35:14,759 Speaker 4: a little flat where the plane was that Jerry and 668 00:35:14,800 --> 00:35:18,320 Speaker 4: I were sitting at. And of course I'm seven and 669 00:35:18,360 --> 00:35:20,680 Speaker 4: a half eight months pregnant. Nobody wants me walking up 670 00:35:20,719 --> 00:35:24,200 Speaker 4: and down that. But the only way to get around 671 00:35:24,200 --> 00:35:26,120 Speaker 4: that was to get on this thing called the gator 672 00:35:26,640 --> 00:35:29,920 Speaker 4: that was kind of like a souped up golf cart, 673 00:35:29,960 --> 00:35:32,080 Speaker 4: like a golf cart that could go at an incline 674 00:35:32,120 --> 00:35:35,560 Speaker 4: and had you know, rugged tread on the wheels and 675 00:35:35,760 --> 00:35:38,960 Speaker 4: so you know, I mean the first couple of times 676 00:35:39,000 --> 00:35:41,200 Speaker 4: I was that that's kind that they're you know, trying 677 00:35:41,200 --> 00:35:42,560 Speaker 4: to help me out with this gator. 678 00:35:42,800 --> 00:35:45,640 Speaker 3: Yeah, that gear almost put me into labor. 679 00:35:45,800 --> 00:35:50,439 Speaker 2: I mean, it was like, is so stressful. I'd rather 680 00:35:50,520 --> 00:35:52,560 Speaker 2: them like hoist me up, you know when they like 681 00:35:52,640 --> 00:35:56,000 Speaker 2: rescue a horse, you know, you know, a horse. But 682 00:35:56,000 --> 00:35:58,200 Speaker 2: he always say they rescue a horse with the hell gut. 683 00:35:58,320 --> 00:36:00,440 Speaker 2: I would rather be pregnant, just rest you like a 684 00:36:00,480 --> 00:36:03,200 Speaker 2: horse up and down. I don't need the gator. 685 00:36:03,400 --> 00:36:06,399 Speaker 3: Just slide down a sling. I will hold to. 686 00:36:06,520 --> 00:36:14,000 Speaker 6: It, yes, yes, yeah, So finally, I mean truly, I 687 00:36:14,000 --> 00:36:15,680 Speaker 6: don't know that I took more than two rides on 688 00:36:15,719 --> 00:36:20,319 Speaker 6: this gator, and uh, I said, no more gator for. 689 00:36:20,400 --> 00:36:22,759 Speaker 2: Me, and then my stomachs is open. 690 00:36:22,560 --> 00:36:25,520 Speaker 3: To walk it. And I was like, I guess I am. 691 00:36:25,719 --> 00:36:28,919 Speaker 2: You're like I dilated on it. Well. 692 00:36:28,960 --> 00:36:31,520 Speaker 4: Also, I couldn't go into labor and big Bear. I 693 00:36:31,520 --> 00:36:33,719 Speaker 4: mean I could, but it wasn't you know, I wasn't You. 694 00:36:33,680 --> 00:36:37,360 Speaker 2: Couldn't go into labor and take Bear on a mountain. 695 00:36:37,520 --> 00:36:39,120 Speaker 3: But it takes like, I don't know how long to 696 00:36:39,160 --> 00:36:40,880 Speaker 3: get off the mountain. It was. You know, I was 697 00:36:40,880 --> 00:36:44,560 Speaker 3: a little stressed. I was a little stressed and if 698 00:36:44,560 --> 00:36:45,520 Speaker 3: I was losing my job. 699 00:36:46,480 --> 00:36:49,560 Speaker 2: No, this is so stressful. You know what's funny is 700 00:36:49,560 --> 00:36:51,480 Speaker 2: I was watching this thinking about the fact that, like 701 00:36:52,920 --> 00:36:54,880 Speaker 2: you know, you did you didn't know if you were 702 00:36:54,880 --> 00:36:57,200 Speaker 2: going to come back the next season. So therefore, when 703 00:36:57,239 --> 00:37:00,479 Speaker 2: you're acting, I'm I'm thinking, oh, she knows she's gonna 704 00:37:00,520 --> 00:37:03,120 Speaker 2: lose her leg. He was an actress, like, and you didn't. 705 00:37:03,880 --> 00:37:06,160 Speaker 2: I did not. You did not know that that I 706 00:37:06,200 --> 00:37:09,600 Speaker 2: didn't leg injury was going to be what it was. 707 00:37:10,200 --> 00:37:12,759 Speaker 4: No, because I didn't know if I was gonna if 708 00:37:12,760 --> 00:37:14,520 Speaker 4: if my character was that was where she was going 709 00:37:14,560 --> 00:37:16,680 Speaker 4: to meet her end was out there in the wilderness. 710 00:37:16,920 --> 00:37:17,960 Speaker 2: Let's talk about Callie. 711 00:37:18,480 --> 00:37:20,960 Speaker 3: Jerry and I were just going to be yeah, left 712 00:37:21,000 --> 00:37:21,439 Speaker 3: out there. 713 00:37:22,120 --> 00:37:25,239 Speaker 4: Oh my gosh, I know, and Cally is and all 714 00:37:25,280 --> 00:37:27,239 Speaker 4: the Ben and Bailey stuff that's happening. But of course 715 00:37:27,320 --> 00:37:30,520 Speaker 4: the way and again acting their asses off, wonderful storyline, 716 00:37:31,680 --> 00:37:34,360 Speaker 4: hard to really focus on because you're worried about the 717 00:37:34,360 --> 00:37:36,080 Speaker 4: people that are in the wilderness that my diet. 718 00:37:36,400 --> 00:37:39,319 Speaker 2: Well, Callie's in such a good mood and she's so 719 00:37:39,520 --> 00:37:42,440 Speaker 2: happy and she's got the sexy time planned that every 720 00:37:42,520 --> 00:37:44,840 Speaker 2: time she was like I'm in law, I have laundrey, 721 00:37:44,880 --> 00:37:48,640 Speaker 2: I was like, no, Cally, no, I'm like yelling at 722 00:37:48,680 --> 00:37:50,600 Speaker 2: the screen. Don't. 723 00:37:50,920 --> 00:37:52,920 Speaker 4: She is the whole thing where she foreshadows and she's 724 00:37:52,960 --> 00:37:55,800 Speaker 4: like it just takes one minute, I know, and everything 725 00:37:55,840 --> 00:37:58,480 Speaker 4: can change in your life. On the sunate what she 726 00:37:58,520 --> 00:38:01,160 Speaker 4: say about something with that expression with the dime, yeah 727 00:38:01,200 --> 00:38:01,640 Speaker 4: anything I. 728 00:38:01,719 --> 00:38:02,279 Speaker 2: Did a dime. 729 00:38:04,160 --> 00:38:08,840 Speaker 3: Yeah. It was like, oh, Kelly, so she's waiting for everybody, 730 00:38:09,040 --> 00:38:11,439 Speaker 3: she's waiting for her, she's waiting for Arizona to come home, 731 00:38:11,560 --> 00:38:13,640 Speaker 3: and she's gonna have this great Oh that's all land. 732 00:38:14,120 --> 00:38:19,680 Speaker 3: And then also you know Karev and Arizona's friendship again, 733 00:38:19,680 --> 00:38:23,960 Speaker 3: because I was thinking about the fact that it's not 734 00:38:24,000 --> 00:38:26,160 Speaker 3: like she was in the hospital system. She was never 735 00:38:26,200 --> 00:38:28,680 Speaker 3: an island right. There was Calli, there was Karrev, there 736 00:38:28,719 --> 00:38:30,560 Speaker 3: was the whole ecosystem of the hospital. But if you 737 00:38:30,600 --> 00:38:32,120 Speaker 3: put her next to the people who were there from 738 00:38:32,160 --> 00:38:35,120 Speaker 3: the very beginning, like Christina and Meredith and Derek and Sloane, 739 00:38:36,040 --> 00:38:37,640 Speaker 3: she's really not a part of that group. 740 00:38:38,520 --> 00:38:42,120 Speaker 4: So in the wilderness she kind of was, you know, 741 00:38:42,280 --> 00:38:44,839 Speaker 4: left with Jerry. 742 00:38:44,000 --> 00:38:45,480 Speaker 2: You and Jerry you and Jerry And. 743 00:38:46,200 --> 00:38:49,480 Speaker 4: So I did really appreciate on Arizona's behalf. I did 744 00:38:49,480 --> 00:38:53,200 Speaker 4: appreciate when Karev is so mad at her and it 745 00:38:53,239 --> 00:38:55,799 Speaker 4: is like whatever, fuck her, and Callis liked, well, she 746 00:38:55,800 --> 00:38:57,279 Speaker 4: should be mad at you, and she's gonna be mad 747 00:38:57,280 --> 00:38:58,759 Speaker 4: at you and then she's gonna get over it. But 748 00:38:58,800 --> 00:39:01,840 Speaker 4: then he goes in a very coreerb way to leave 749 00:39:02,239 --> 00:39:05,399 Speaker 4: her the message to say like, I know you're mad 750 00:39:05,440 --> 00:39:08,200 Speaker 4: at me, and I know that you think I fucked up, 751 00:39:08,360 --> 00:39:11,680 Speaker 4: but you know you made me and it was your 752 00:39:11,680 --> 00:39:13,959 Speaker 4: belief in me that made me like I am and 753 00:39:14,360 --> 00:39:17,319 Speaker 4: I need to figure out if I'm something when you're 754 00:39:17,320 --> 00:39:20,120 Speaker 4: not there. And I thought that was so just in 755 00:39:20,160 --> 00:39:23,759 Speaker 4: a way that Krev does boils it down to you know, 756 00:39:24,000 --> 00:39:26,080 Speaker 4: could very well sound like an insult, but it's actually 757 00:39:26,200 --> 00:39:27,640 Speaker 4: very loving what he's saying. 758 00:39:27,600 --> 00:39:31,040 Speaker 2: Coming from him. It's all love. I did. I did. 759 00:39:31,040 --> 00:39:34,880 Speaker 2: There's a moment where like he's talking to he's talking 760 00:39:34,920 --> 00:39:38,120 Speaker 2: to Callie and he's like, I'm gonna call her, and 761 00:39:38,160 --> 00:39:41,360 Speaker 2: he calls and then he just like I was watching 762 00:39:41,480 --> 00:39:44,319 Speaker 2: and I've forgotten and I was like, get through to her, 763 00:39:44,640 --> 00:39:46,560 Speaker 2: get through, get through, and he just in the background 764 00:39:46,600 --> 00:39:48,719 Speaker 2: you can see him. He's even like a little out 765 00:39:48,719 --> 00:39:51,279 Speaker 2: of focus him hang up because he can't get through. 766 00:39:51,600 --> 00:39:54,880 Speaker 2: And it's like all these little moments of potential hope 767 00:39:54,920 --> 00:39:57,319 Speaker 2: where you were like, oh, they're gonna get rescued now, 768 00:39:57,360 --> 00:40:00,600 Speaker 2: and this is gonna happen, and it's just it all 769 00:40:00,719 --> 00:40:03,080 Speaker 2: adds into the horror of it all. 770 00:40:03,880 --> 00:40:06,280 Speaker 3: Oh yeah, yep. 771 00:40:07,239 --> 00:40:10,799 Speaker 4: So then I did also remark that I think we're 772 00:40:10,840 --> 00:40:15,479 Speaker 4: like over the halfway mark when Meredith remembers Sola point, 773 00:40:15,640 --> 00:40:17,080 Speaker 4: did you hear the point where she's. 774 00:40:16,960 --> 00:40:18,200 Speaker 3: Like, have I through the episode? 775 00:40:18,239 --> 00:40:21,840 Speaker 4: She's I mean, she's probably doing inventory of her life 776 00:40:22,000 --> 00:40:24,200 Speaker 4: and what is at stake, and she all of a 777 00:40:24,239 --> 00:40:27,600 Speaker 4: sudden says Sola. And again, because I'm not watching in 778 00:40:27,640 --> 00:40:30,640 Speaker 4: them in sequence, I was like, oh, they have a 779 00:40:30,760 --> 00:40:36,920 Speaker 4: kid and they have a kid, I mean Arizona, but 780 00:40:37,000 --> 00:40:40,880 Speaker 4: I mean I just it was I was I was 781 00:40:40,920 --> 00:40:43,440 Speaker 4: brought back to all like the just the domino effect 782 00:40:43,480 --> 00:40:46,160 Speaker 4: and all the consequences that are going to, you know, 783 00:40:46,280 --> 00:40:47,080 Speaker 4: come of. 784 00:40:48,880 --> 00:40:49,800 Speaker 3: If they're not found. 785 00:41:03,800 --> 00:41:05,719 Speaker 4: Oh and then the Mark in Arizona. It's not the 786 00:41:05,719 --> 00:41:08,000 Speaker 4: first time that I've someone I've tried to pray someone alive. 787 00:41:08,040 --> 00:41:10,400 Speaker 4: By the way, this is something that I evidently do 788 00:41:10,560 --> 00:41:14,640 Speaker 4: as an actor. As a what I've just had multiple 789 00:41:14,680 --> 00:41:16,480 Speaker 4: times where I've prayed people back to life. 790 00:41:18,040 --> 00:41:19,919 Speaker 2: Who did you pray back to life in the show? 791 00:41:20,800 --> 00:41:21,600 Speaker 2: I mean, I don't know. 792 00:41:21,640 --> 00:41:22,919 Speaker 3: I just know that I didn't. 793 00:41:23,360 --> 00:41:25,360 Speaker 2: In the episode, did you pray someone back to Mark? 794 00:41:25,520 --> 00:41:26,120 Speaker 3: Mark? Mark? 795 00:41:26,160 --> 00:41:28,880 Speaker 2: He's going yeah, yeah, yeah, yeah, yeah, Like I'm going. 796 00:41:28,719 --> 00:41:31,560 Speaker 3: To meet Lexi. I'm gonna go and yeah, Arizona is like, no, 797 00:41:31,640 --> 00:41:34,640 Speaker 3: you're not, No, You're not. No. Oh, he says, Lexi's 798 00:41:34,680 --> 00:41:36,000 Speaker 3: waiting for me, and she's like no. 799 00:41:35,840 --> 00:41:38,759 Speaker 4: I know, Sophia is waiting for you, and Kelly is 800 00:41:38,760 --> 00:41:40,279 Speaker 4: waiting for you, and you know they have a very 801 00:41:40,360 --> 00:41:42,799 Speaker 4: rocky relationship those two, and so it's kind of a 802 00:41:42,800 --> 00:41:44,400 Speaker 4: big deal. I remember it was a big deal for 803 00:41:44,440 --> 00:41:46,960 Speaker 4: her to say like, I'm waiting for you. And then 804 00:41:47,000 --> 00:41:49,040 Speaker 4: I was a little disoriented because I couldn't figure out 805 00:41:49,080 --> 00:41:50,839 Speaker 4: if it looked like he was laying on her lap. 806 00:41:50,880 --> 00:41:54,399 Speaker 2: And I was like, isn't No, I didn't know he's 807 00:41:54,440 --> 00:41:57,480 Speaker 2: laying all the leg he was laying on the leg. No, 808 00:41:57,480 --> 00:41:58,800 Speaker 2: I didn't think he was laying on the lab. I 809 00:41:59,000 --> 00:42:01,279 Speaker 2: I when you said and I'm waiting for you to 810 00:42:03,400 --> 00:42:07,640 Speaker 2: it was it's hard to describe, honestly, like the feeling 811 00:42:07,680 --> 00:42:10,879 Speaker 2: of it, because it just it's so all of it 812 00:42:10,920 --> 00:42:15,120 Speaker 2: is so emotional. Yeah, and that line was like, oh, 813 00:42:15,160 --> 00:42:16,600 Speaker 2: another stop right in the. 814 00:42:16,560 --> 00:42:17,959 Speaker 3: Heart by now. 815 00:42:18,360 --> 00:42:20,280 Speaker 4: And then you go back to the hospital where again 816 00:42:20,960 --> 00:42:24,720 Speaker 4: Chief Hunt is just really cranky and grumpy, but also 817 00:42:24,960 --> 00:42:27,920 Speaker 4: realizing that he has to do this thing because now 818 00:42:28,960 --> 00:42:33,040 Speaker 4: now she's admitted to him that she's staying for him, 819 00:42:33,320 --> 00:42:36,640 Speaker 4: and he of course realizes she can't stay for him, 820 00:42:36,880 --> 00:42:39,680 Speaker 4: so then he fires her and he's all grumpy and 821 00:42:39,760 --> 00:42:43,719 Speaker 4: mean and fiery and she's like, are you kidding me? 822 00:42:43,880 --> 00:42:49,720 Speaker 2: Like that scene was so good. Absolutely, I will say it. 823 00:42:49,719 --> 00:42:53,560 Speaker 2: It's hard to compete with those scenes where you guys 824 00:42:53,600 --> 00:42:56,239 Speaker 2: are And that was the scene that stood out to 825 00:42:56,239 --> 00:42:59,680 Speaker 2: me that I was like, oh that, like that can 826 00:42:59,719 --> 00:43:02,520 Speaker 2: compet with these scenes because those scenes were so crazy. 827 00:43:04,080 --> 00:43:07,080 Speaker 2: It was so amazing. And she says son of a 828 00:43:07,120 --> 00:43:09,640 Speaker 2: bitch and she walks out and then she comes back. 829 00:43:09,680 --> 00:43:12,400 Speaker 4: It was so when she comes back, she makes me 830 00:43:12,440 --> 00:43:15,800 Speaker 4: cry so hard because you can see on her faith 831 00:43:15,960 --> 00:43:17,880 Speaker 4: by the way, you don't forget in real life. 832 00:43:18,080 --> 00:43:19,719 Speaker 3: She knew she wasn't coming back. 833 00:43:20,440 --> 00:43:21,520 Speaker 2: I know that's hard. 834 00:43:21,920 --> 00:43:23,319 Speaker 3: But when she comes to the. 835 00:43:23,239 --> 00:43:26,040 Speaker 4: Door and you see when she comes back, I felt 836 00:43:26,080 --> 00:43:29,040 Speaker 4: from her it was so clear on her face that 837 00:43:29,200 --> 00:43:35,520 Speaker 4: she was grateful, relieved, sad, she was there were so 838 00:43:35,680 --> 00:43:39,640 Speaker 4: many things going through her character's mind that was like ugh. 839 00:43:39,840 --> 00:43:41,920 Speaker 3: And then he hugs her because he knows. 840 00:43:43,160 --> 00:43:46,080 Speaker 2: I think it's one of my favorite Kim scenes actually, 841 00:43:46,160 --> 00:43:47,400 Speaker 2: like I'd forgotten about. 842 00:43:47,160 --> 00:43:50,040 Speaker 4: It's amazing in this episode's amazing. 843 00:43:51,360 --> 00:43:53,439 Speaker 2: But oh oh, oh, we should talk about too, because 844 00:43:53,440 --> 00:43:55,800 Speaker 2: at first I was like, whoa wait, what's this cut? 845 00:43:56,320 --> 00:44:00,600 Speaker 2: They're going back and forth between the hospital and doing 846 00:44:00,640 --> 00:44:02,440 Speaker 2: it on hymn so you can see like how it 847 00:44:02,480 --> 00:44:06,240 Speaker 2: should be done. That was really cool that first cut away. 848 00:44:06,280 --> 00:44:08,000 Speaker 2: I was like, that's a weird cut, Like why are 849 00:44:08,040 --> 00:44:09,960 Speaker 2: we cutting like that? And then I was like, oh, 850 00:44:10,040 --> 00:44:11,240 Speaker 2: we're going back and forth. 851 00:44:11,280 --> 00:44:15,239 Speaker 4: Genius, genius, super cool, super super cool. 852 00:44:16,400 --> 00:44:18,480 Speaker 3: Yeah, and then I sat there. 853 00:44:18,640 --> 00:44:23,359 Speaker 4: So the episode kind of honestly doesn't end with some 854 00:44:23,480 --> 00:44:24,200 Speaker 4: huge bang. 855 00:44:24,800 --> 00:44:30,920 Speaker 3: It sort of ends and there's no result. 856 00:44:32,080 --> 00:44:33,040 Speaker 2: There's no again. 857 00:44:33,120 --> 00:44:34,719 Speaker 3: Remember go back to the table read where no one 858 00:44:34,760 --> 00:44:35,560 Speaker 3: knows what's gonna happen. 859 00:44:35,600 --> 00:44:39,279 Speaker 4: We were all like and now like, no one had 860 00:44:39,400 --> 00:44:44,600 Speaker 4: any clues. And I do remember being told that the 861 00:44:44,640 --> 00:44:49,719 Speaker 4: writers were deliberately leaving the finale so that should they 862 00:44:49,760 --> 00:44:53,520 Speaker 4: need to wrap it up and say that any one 863 00:44:53,560 --> 00:44:54,239 Speaker 4: of the people. 864 00:44:54,000 --> 00:44:58,239 Speaker 3: In the wilderness that they could, and so. 865 00:44:58,200 --> 00:45:00,520 Speaker 4: You leave them at this like campfire and you have 866 00:45:00,600 --> 00:45:01,600 Speaker 4: the voice over and all that. 867 00:45:01,800 --> 00:45:05,279 Speaker 2: How much do you remember? Did it like really take 868 00:45:05,320 --> 00:45:09,040 Speaker 2: you back if you haven't seen it ever, did it 869 00:45:09,080 --> 00:45:11,320 Speaker 2: really were you like, oh my god. 870 00:45:11,960 --> 00:45:16,040 Speaker 3: Yeah, yeah for sure. Yeah, yeah, all of it, all 871 00:45:16,080 --> 00:45:20,359 Speaker 3: of it. I remember all the face, where all the yeah, 872 00:45:20,400 --> 00:45:23,880 Speaker 3: where all the blood was, where with the jackets. I 873 00:45:23,880 --> 00:45:24,680 Speaker 3: remember the set. 874 00:45:24,760 --> 00:45:26,440 Speaker 4: I remember they'd have to put these things on the 875 00:45:26,440 --> 00:45:27,960 Speaker 4: ground that would be constantly smoking. 876 00:45:28,440 --> 00:45:31,080 Speaker 3: Why because the plane had just crashed. 877 00:45:31,560 --> 00:45:33,719 Speaker 2: Oh oh oh, I understand. I was like, wait what, 878 00:45:34,440 --> 00:45:38,319 Speaker 2: oh yeah, do you remember seeing the set for the 879 00:45:38,360 --> 00:45:41,759 Speaker 2: first time? Like the airplane pieces and being like, oh 880 00:45:41,800 --> 00:45:44,319 Speaker 2: my god, it's really happening. Sometimes when you get to 881 00:45:44,400 --> 00:45:47,080 Speaker 2: see it in real life, you're like, shit. 882 00:45:47,120 --> 00:45:49,839 Speaker 3: It was really. Yeah, it was very It was also 883 00:45:49,920 --> 00:45:53,200 Speaker 3: very hard because again I say again so much, please 884 00:45:53,200 --> 00:45:54,360 Speaker 3: cut out all many agains. 885 00:45:55,840 --> 00:46:02,960 Speaker 4: I remember it personally being a very challenging time because 886 00:46:02,960 --> 00:46:08,160 Speaker 4: there I was so happy and pregnant and excited and 887 00:46:08,200 --> 00:46:12,080 Speaker 4: about to have a baby at the same time that 888 00:46:13,320 --> 00:46:20,239 Speaker 4: I knew that my job might be changing, and that 889 00:46:20,360 --> 00:46:25,520 Speaker 4: I was playing in my set of imaginary circumstances such 890 00:46:25,719 --> 00:46:31,920 Speaker 4: deep grief and fear and hysteria. And I do also 891 00:46:32,040 --> 00:46:37,520 Speaker 4: remember having a moment where I felt, really it was poppy. 892 00:46:37,560 --> 00:46:42,040 Speaker 3: I was pregnant with Poppy. I felt I don't know, 893 00:46:42,160 --> 00:46:44,160 Speaker 3: I need to insert the right word. I'm not sure. 894 00:46:44,480 --> 00:46:47,680 Speaker 3: I felt guilty, I felt worried. I felt thoughtful. I 895 00:46:47,680 --> 00:46:49,000 Speaker 3: felt mindful. 896 00:46:48,640 --> 00:46:53,080 Speaker 4: Of what all of that emotion was doing to the 897 00:46:53,120 --> 00:46:54,480 Speaker 4: little baby inside my meal. 898 00:46:55,120 --> 00:46:58,319 Speaker 2: I was thinking, like the screaming even like I would 899 00:46:58,480 --> 00:47:00,440 Speaker 2: give me he be Gebi's pregnant. 900 00:47:01,160 --> 00:47:04,160 Speaker 3: Yeah, there was no good way to make that all happen, 901 00:47:04,239 --> 00:47:08,880 Speaker 3: you know. That was that was just tough stuff. I then, anyway, 902 00:47:08,920 --> 00:47:09,760 Speaker 3: so I saw we finished. 903 00:47:09,800 --> 00:47:12,160 Speaker 4: I finished the episode and then I sat there and 904 00:47:12,280 --> 00:47:14,200 Speaker 4: you know how your TV just goes on to the 905 00:47:14,239 --> 00:47:17,880 Speaker 4: next episode if you don't do anything. And episode nine, 906 00:47:18,239 --> 00:47:20,799 Speaker 4: the first episode, the first character. 907 00:47:20,480 --> 00:47:22,560 Speaker 2: That you see as you Okay, so I have to 908 00:47:22,560 --> 00:47:25,600 Speaker 2: talk about this because this is it really made me laugh, 909 00:47:25,719 --> 00:47:29,560 Speaker 2: okay because I remember and I said this to Matt 910 00:47:29,840 --> 00:47:31,680 Speaker 2: because he saw the end of it with me, and 911 00:47:31,680 --> 00:47:34,520 Speaker 2: he was like, damn, such a good episode. And I said, 912 00:47:35,239 --> 00:47:38,279 Speaker 2: I remember all those years ago coming on and being 913 00:47:38,480 --> 00:47:42,399 Speaker 2: so excited for my first episode, and you know, all 914 00:47:42,480 --> 00:47:46,680 Speaker 2: the intro and I and I remember being almost confused 915 00:47:46,719 --> 00:47:50,920 Speaker 2: why we weren't immediately embraced as an intern class. You know, 916 00:47:50,920 --> 00:47:54,560 Speaker 2: we're new doctors, Like why aren't you guys all immediately 917 00:47:54,600 --> 00:47:57,920 Speaker 2: in love with us? And then I laughed to myself 918 00:47:57,960 --> 00:48:01,600 Speaker 2: and I thought, literally, there could not have been a 919 00:48:01,719 --> 00:48:09,680 Speaker 2: more annoying probably entrance of a character than me just 920 00:48:09,719 --> 00:48:13,919 Speaker 2: coming Everyone's expecting to like come back and find out 921 00:48:13,920 --> 00:48:16,239 Speaker 2: what happened with the plane crash, and here I am 922 00:48:16,320 --> 00:48:19,279 Speaker 2: coming out of the elevator with my little books and stuff, like, 923 00:48:19,719 --> 00:48:21,680 Speaker 2: you don't want to be the character that comes on 924 00:48:21,880 --> 00:48:24,920 Speaker 2: after the trauma of all these characters that have been 925 00:48:24,920 --> 00:48:26,280 Speaker 2: on the show for so long. 926 00:48:26,800 --> 00:48:30,480 Speaker 4: Is this perhaps maybe a good segue into the tone 927 00:48:30,520 --> 00:48:33,600 Speaker 4: that was on set right around Burgergate. 928 00:48:34,880 --> 00:48:37,399 Speaker 3: I don't know. I mean maybe just a little bit. 929 00:48:37,560 --> 00:48:43,520 Speaker 4: Are we setting a little bit more context because now 930 00:48:43,520 --> 00:48:46,560 Speaker 4: we've identified Yes, that's right. I was the baby that 931 00:48:46,560 --> 00:48:48,920 Speaker 4: I had just had, was poppy, and I'd almost died 932 00:48:48,920 --> 00:48:51,279 Speaker 4: in a plane crash, and you took a picture of 933 00:48:51,280 --> 00:48:52,279 Speaker 4: meeting a burger. 934 00:48:53,640 --> 00:48:55,440 Speaker 3: And you posted it. That's the important part. 935 00:48:55,560 --> 00:48:59,640 Speaker 2: This is true. Yeah. No, it would be more annoying 936 00:48:59,760 --> 00:49:02,759 Speaker 2: to have, you know, a new actor on set that 937 00:49:03,040 --> 00:49:06,520 Speaker 2: is like, Hi, guys, tell us. 938 00:49:06,440 --> 00:49:09,359 Speaker 3: Hey, guys, let's thanks, let's thanks Shanda for the burger truck. 939 00:49:09,840 --> 00:49:13,439 Speaker 2: Listen to be honest. Let's be honest. We all needed 940 00:49:13,480 --> 00:49:15,759 Speaker 2: that burger truck. You guys needed that burger truck. No 941 00:49:15,760 --> 00:49:18,000 Speaker 2: one needed a burger more than Arizona Robin's. 942 00:49:18,320 --> 00:49:20,160 Speaker 3: She just wanted to have her burger in peace. 943 00:49:21,040 --> 00:49:23,600 Speaker 2: She want I get it, I do get it. I'll 944 00:49:23,600 --> 00:49:27,120 Speaker 2: give you, I'll give you. Yeah, have a minute to herself. 945 00:49:27,239 --> 00:49:32,719 Speaker 2: And instead I was like, thanks for the burger truck. Clappy. No, yeah, 946 00:49:32,760 --> 00:49:35,200 Speaker 2: it is annoying. Now in retrospect, I'm giving you a 947 00:49:35,200 --> 00:49:36,880 Speaker 2: little bit of props right now. It is annoying. 948 00:49:37,160 --> 00:49:37,840 Speaker 3: Here's what The. 949 00:49:38,160 --> 00:49:41,520 Speaker 4: Overall note is that I that I will I will 950 00:49:41,800 --> 00:49:45,799 Speaker 4: say this forever because it is true and it's very 951 00:49:45,840 --> 00:49:46,560 Speaker 4: easy to keep. 952 00:49:46,480 --> 00:49:47,200 Speaker 3: Track of the truth. 953 00:49:48,120 --> 00:49:51,799 Speaker 4: Every episode that I've ever done I'm grateful for, and 954 00:49:51,840 --> 00:49:54,880 Speaker 4: I know that it had a reason and a season. 955 00:49:55,600 --> 00:49:58,879 Speaker 4: Revisiting some of them is more enjoyable than others. And 956 00:49:59,400 --> 00:50:02,400 Speaker 4: this particular other episode, which I'm so happy that everyone 957 00:50:02,960 --> 00:50:05,840 Speaker 4: really loves, because I do think it has incredible things 958 00:50:05,840 --> 00:50:06,160 Speaker 4: in it. 959 00:50:06,880 --> 00:50:11,839 Speaker 3: Personally, it was just a little bit more challenging. It 960 00:50:11,880 --> 00:50:14,640 Speaker 3: was challenging to do, and it was challenging to rewatch. 961 00:50:14,920 --> 00:50:17,760 Speaker 2: I actually think it was genius though, to not reveal 962 00:50:18,520 --> 00:50:21,799 Speaker 2: in the premiere episode what had happened and to have 963 00:50:21,880 --> 00:50:26,920 Speaker 2: everybody really wait until episode two of season nine, because 964 00:50:26,920 --> 00:50:29,040 Speaker 2: you get to introduce all these new characters. Whether you 965 00:50:29,120 --> 00:50:32,399 Speaker 2: like us or not, you know we're going to be there. 966 00:50:33,440 --> 00:50:36,200 Speaker 2: But in episode two it was such it was so 967 00:50:36,360 --> 00:50:41,319 Speaker 2: shocking to go back and see what had happened, because 968 00:50:41,360 --> 00:50:44,839 Speaker 2: we really didn't know the fate of anybody and how 969 00:50:44,840 --> 00:50:47,040 Speaker 2: it had all ended until that episode. 970 00:50:47,640 --> 00:50:52,640 Speaker 3: Yeah, but again, it was so it was so hard 971 00:50:52,880 --> 00:50:54,680 Speaker 3: that I remember. I mean, I hate to make this 972 00:50:54,760 --> 00:50:55,680 Speaker 3: like such a downer. 973 00:50:56,520 --> 00:51:00,120 Speaker 2: It's not an upper episode is it's down I remember. 974 00:50:59,800 --> 00:51:05,720 Speaker 4: Being like when when we came back and then because 975 00:51:05,719 --> 00:51:09,319 Speaker 4: Sloan didn't die in the woods, he died in two. 976 00:51:08,960 --> 00:51:16,760 Speaker 3: So yeah, Sloane came back to then film his last scene, 977 00:51:16,840 --> 00:51:20,080 Speaker 3: and it was like, that's sad. It's all sad. 978 00:51:20,200 --> 00:51:24,320 Speaker 2: It's all sad, you know, Yeah, we do sad. We 979 00:51:24,680 --> 00:51:25,760 Speaker 2: do sad really well. 980 00:51:25,960 --> 00:51:29,920 Speaker 4: Arizon Our lost her leg I know, sorry I didn't not. 981 00:51:29,960 --> 00:51:31,320 Speaker 4: Let's not put that at the top of the list. 982 00:51:31,360 --> 00:51:34,279 Speaker 4: We lost Lexi, we lost did. 983 00:51:34,160 --> 00:51:36,960 Speaker 3: We ever find that? What happened to Jerry? Where's Jerry? 984 00:51:37,160 --> 00:51:40,560 Speaker 2: Did Jerry survive? Oh my god? So maybe you need 985 00:51:40,560 --> 00:51:42,200 Speaker 2: to I don't even want to. I think I'm just 986 00:51:42,200 --> 00:51:44,759 Speaker 2: gonna personally watch episode two because I need to. I 987 00:51:44,800 --> 00:51:47,800 Speaker 2: need to remember what happened. But this is kind of amazing. 988 00:51:47,840 --> 00:51:50,840 Speaker 2: Think about this. That was the season finale of eight, 989 00:51:51,239 --> 00:51:53,640 Speaker 2: and then the season finale of nine was the cheating. 990 00:51:53,719 --> 00:51:58,319 Speaker 2: I mean, these are fantastics back to back season finales. 991 00:51:58,960 --> 00:52:02,080 Speaker 4: I know, I know, I know, And it's so funny. 992 00:52:02,160 --> 00:52:04,440 Speaker 4: It'll be for another I'll tell the story another time. 993 00:52:04,480 --> 00:52:07,239 Speaker 4: But remind me to tell you what. Whenever Shanda would 994 00:52:07,239 --> 00:52:10,680 Speaker 4: call me with really great storylines that she was cooking up, 995 00:52:11,719 --> 00:52:15,040 Speaker 4: I would always have the same response, I'll. 996 00:52:14,840 --> 00:52:18,879 Speaker 2: Tell you what I'm not okay, okay, okay, we got 997 00:52:18,880 --> 00:52:19,239 Speaker 2: to know that. 998 00:52:19,680 --> 00:52:21,239 Speaker 3: I'll tell you all. I'll tell you all what I 999 00:52:21,320 --> 00:52:23,319 Speaker 3: used to say. 1000 00:52:23,680 --> 00:52:29,320 Speaker 2: So not your not your favorite episode, but very necessary episode. 1001 00:52:29,640 --> 00:52:34,120 Speaker 3: Uh really appreciated all the high level. 1002 00:52:36,000 --> 00:52:39,960 Speaker 4: Storytelling and performances, but it's just, you know, an overall 1003 00:52:40,000 --> 00:52:40,880 Speaker 4: grade of sadness. 1004 00:52:41,760 --> 00:52:45,439 Speaker 2: Yeah, no, it's I was I was not looking forward 1005 00:52:45,440 --> 00:52:49,480 Speaker 2: to watching it. I was sad, but that was my homework. 1006 00:52:50,120 --> 00:52:51,799 Speaker 2: I didn't want to be taken back there. 1007 00:52:52,880 --> 00:52:54,759 Speaker 4: What does it say about all of you that this 1008 00:52:54,800 --> 00:52:56,719 Speaker 4: is in your top five that you wanted to hear 1009 00:52:56,760 --> 00:52:57,760 Speaker 4: from us about. 1010 00:52:59,560 --> 00:53:03,719 Speaker 2: I know because it is. It is a brilliant episode. 1011 00:53:04,080 --> 00:53:10,279 Speaker 2: It's brilliant and the yeah, it's everyone's fantastic. And I 1012 00:53:10,280 --> 00:53:12,239 Speaker 2: think we have to do a shout out to the 1013 00:53:12,320 --> 00:53:17,600 Speaker 2: crew too, because I'm sure nobody weren't harder in those 1014 00:53:17,920 --> 00:53:21,560 Speaker 2: circumstances than that crew that are there from the beginning 1015 00:53:21,640 --> 00:53:24,080 Speaker 2: to the end of the day, every single day out 1016 00:53:24,080 --> 00:53:26,120 Speaker 2: there in the mountains, making that happen. 1017 00:53:26,880 --> 00:53:28,560 Speaker 3: Every department had to work. 1018 00:53:29,840 --> 00:53:35,080 Speaker 4: Ninety five times harder, everyone from crafty to camera to 1019 00:53:35,320 --> 00:53:38,359 Speaker 4: sound to props to all of it. 1020 00:53:38,480 --> 00:53:40,120 Speaker 2: This is what we want to hear. We want to hear. 1021 00:53:40,400 --> 00:53:42,520 Speaker 2: There's no way for you to be like, oh my god, 1022 00:53:42,600 --> 00:53:46,720 Speaker 2: I just loved that week. It was like really fun. 1023 00:53:47,440 --> 00:53:50,840 Speaker 2: Like nobody's that way. You would sound psychotic. I would 1024 00:53:50,840 --> 00:53:54,200 Speaker 2: expect you to hate filming that week. It's it's you're 1025 00:53:54,200 --> 00:54:00,840 Speaker 2: putting yourself through trauma and the storylines are not nice. 1026 00:54:01,719 --> 00:54:04,279 Speaker 3: Yeah. Yeah, And you know what, I also remember there 1027 00:54:04,400 --> 00:54:07,640 Speaker 3: was a real feeling when we came back for season 1028 00:54:07,719 --> 00:54:10,760 Speaker 3: nine because clearly we know the end of that story. 1029 00:54:10,800 --> 00:54:13,560 Speaker 3: I did get my contract, did get re nude. 1030 00:54:14,400 --> 00:54:19,480 Speaker 4: When I came back for season nine, I felt pretty 1031 00:54:19,880 --> 00:54:23,520 Speaker 4: strongly that there were there was a real division between 1032 00:54:23,560 --> 00:54:25,240 Speaker 4: those who were in the woods and those. 1033 00:54:25,120 --> 00:54:25,560 Speaker 3: Who were not. 1034 00:54:27,040 --> 00:54:29,040 Speaker 2: I mean, I'm not kidding, yeah. 1035 00:54:29,200 --> 00:54:32,160 Speaker 3: Really, I mean, and you know, we didn't we didn't. 1036 00:54:32,440 --> 00:54:35,880 Speaker 4: We weren't there for you know, the blood, sweat and 1037 00:54:36,160 --> 00:54:40,440 Speaker 4: tears that Kim gave or that Chandra gave and those scenes, like, 1038 00:54:40,480 --> 00:54:42,040 Speaker 4: we weren't there for that, so we didn't see it. 1039 00:54:43,160 --> 00:54:45,560 Speaker 4: But no matter what they did on some level, again, 1040 00:54:45,640 --> 00:54:48,239 Speaker 4: it was sort of normal programming. It was what we 1041 00:54:48,239 --> 00:54:50,640 Speaker 4: were used to doing, and what we did in the 1042 00:54:50,640 --> 00:54:58,799 Speaker 4: Woods was so different and so just deeply challenging that 1043 00:54:58,880 --> 00:55:01,120 Speaker 4: I think there was a real like we would refer 1044 00:55:01,200 --> 00:55:03,040 Speaker 4: to it. There would be there would be times in 1045 00:55:03,120 --> 00:55:05,920 Speaker 4: season nine where you know, whether it was Ellen and 1046 00:55:05,960 --> 00:55:08,759 Speaker 4: I or or you know, Sandra and I, well, we'd 1047 00:55:08,760 --> 00:55:09,719 Speaker 4: refer back to it. 1048 00:55:09,719 --> 00:55:12,320 Speaker 2: It would be, yeah, remember the woods. 1049 00:55:12,600 --> 00:55:15,520 Speaker 3: We would recall. We would recall being in the woods. 1050 00:55:15,640 --> 00:55:17,759 Speaker 2: Yeah. It was like it is like the season ninth 1051 00:55:17,760 --> 00:55:22,200 Speaker 2: finale when you're like, you out there, you were out there. 1052 00:55:23,480 --> 00:55:26,000 Speaker 2: It's like, I'm a new actor on the show. I'm 1053 00:55:26,040 --> 00:55:28,520 Speaker 2: so excited to be there. You weren't there. 1054 00:55:30,040 --> 00:55:32,359 Speaker 4: We turned into like the Jack Nicholson a few Good 1055 00:55:32,400 --> 00:55:33,160 Speaker 4: Men moments where. 1056 00:55:33,040 --> 00:55:36,840 Speaker 2: Like you you can't on that wall, you can't handle 1057 00:55:36,920 --> 00:55:40,000 Speaker 2: the woods, you can't. 1058 00:55:39,640 --> 00:55:41,680 Speaker 3: Handle the woods. You don't want to think about me 1059 00:55:41,760 --> 00:55:43,120 Speaker 3: being in the woods, but I have to be in 1060 00:55:43,160 --> 00:55:43,720 Speaker 3: the woods. 1061 00:55:45,200 --> 00:55:49,240 Speaker 4: All the story that just populated the entirety of season nine. 1062 00:55:49,640 --> 00:55:53,560 Speaker 2: I know, and you're like, and April and all those 1063 00:55:53,600 --> 00:55:54,680 Speaker 2: guys are at dinner. 1064 00:55:55,480 --> 00:55:58,080 Speaker 3: And yeah, they're talking about there's slow roasted duck. 1065 00:55:58,440 --> 00:56:01,440 Speaker 2: There's slow roasted duck did like before we go. I 1066 00:56:01,440 --> 00:56:03,200 Speaker 2: have to say I did like the web. It was 1067 00:56:03,280 --> 00:56:06,239 Speaker 2: like I've got one piece of advice and he's like, 1068 00:56:06,239 --> 00:56:08,279 Speaker 2: oh wait, all wait, I'll wait, I'll wait. I'm like, 1069 00:56:08,320 --> 00:56:09,600 Speaker 2: what was it gonna be? 1070 00:56:11,320 --> 00:56:13,280 Speaker 3: Dance? Why was kreb at that dinner? 1071 00:56:14,880 --> 00:56:19,399 Speaker 2: He must have been a resident. He must have still 1072 00:56:19,400 --> 00:56:22,680 Speaker 2: been a residence. In fact, that's why, well he must 1073 00:56:22,680 --> 00:56:25,520 Speaker 2: have been, or because that's why they were waiting. 1074 00:56:25,520 --> 00:56:29,759 Speaker 3: Also, Kepner were not the same resident class as. 1075 00:56:30,280 --> 00:56:35,080 Speaker 2: I know, but they came in as transfers from another hospital. 1076 00:56:35,160 --> 00:56:36,880 Speaker 3: So they were supposed to be the same age. 1077 00:56:36,719 --> 00:56:38,560 Speaker 2: I know, And I never think of them that way either. 1078 00:56:38,600 --> 00:56:43,520 Speaker 2: I always think of the other crew as like further ahead. 1079 00:56:43,640 --> 00:56:45,799 Speaker 4: All right, the one for those of you in our 1080 00:56:45,840 --> 00:56:48,080 Speaker 4: crew that likes to get really forensic about things. 1081 00:56:48,160 --> 00:56:49,400 Speaker 3: I want an analysis. 1082 00:56:50,440 --> 00:56:53,440 Speaker 4: Yeah, we need to know the braindo how it's possible 1083 00:56:53,440 --> 00:56:56,160 Speaker 4: that they're all in the same class, and then their 1084 00:56:56,200 --> 00:56:59,600 Speaker 4: birthdays and their fictional pages. 1085 00:57:00,400 --> 00:57:05,440 Speaker 2: Yes, we need to know out all right. My request 1086 00:57:05,480 --> 00:57:07,879 Speaker 2: to the crew is the next one that you guys 1087 00:57:07,960 --> 00:57:12,480 Speaker 2: vote for, can we make it less traumatic for us 1088 00:57:12,520 --> 00:57:14,120 Speaker 2: to rewatch? Yeah? 1089 00:57:15,239 --> 00:57:17,480 Speaker 3: Yeah, but I don't know if it gets to be 1090 00:57:17,520 --> 00:57:19,400 Speaker 3: the musical episode, because that's a different kind of. 1091 00:57:19,360 --> 00:57:22,160 Speaker 2: Happy, that's a different kind of trauma for you. It's 1092 00:57:22,160 --> 00:57:23,560 Speaker 2: a different kind of trauma for you. 1093 00:57:23,960 --> 00:57:27,600 Speaker 3: All Right. So at the end of the day, I'm 1094 00:57:27,600 --> 00:57:28,400 Speaker 3: glad we did it. 1095 00:57:28,960 --> 00:57:30,960 Speaker 2: I'm glad we did it. Usually when we say it's 1096 00:57:31,000 --> 00:57:32,520 Speaker 2: the end of the episode, I'm a little bit sad. 1097 00:57:32,720 --> 00:57:38,160 Speaker 2: But today I'm a little bit happy. I'm gonna go 1098 00:57:38,240 --> 00:57:39,360 Speaker 2: lay down and cry. 1099 00:57:39,240 --> 00:57:44,200 Speaker 3: For season eight, do you never see you never again? 1100 00:57:45,160 --> 00:57:55,240 Speaker 5: Let's call it the end of the episode. 1101 00:58:00,120 --> 00:58:00,320 Speaker 3: Yeah,