1 00:00:00,160 --> 00:00:03,680 Speaker 1: This is Bloomberg Business Week with Carol mess Error and 2 00:00:03,760 --> 00:00:09,600 Speaker 1: Tim Steneveek on Bloomberg Radio. Come laugh, make com laugh. 3 00:00:10,240 --> 00:00:12,479 Speaker 1: Don't you know everyone wants to laugh? 4 00:00:12,720 --> 00:00:16,759 Speaker 2: Yeah, everybody. Let's make them laugh and laugh a bit more. 5 00:00:17,160 --> 00:00:21,279 Speaker 2: I mean, I gotta say, it's not always easy, considering 6 00:00:21,280 --> 00:00:23,880 Speaker 2: the news flow and the stresses that are out there right. Economic, 7 00:00:23,920 --> 00:00:26,960 Speaker 2: personal are otherwise kind of love that from singing in 8 00:00:27,000 --> 00:00:27,280 Speaker 2: the rain. 9 00:00:28,120 --> 00:00:30,880 Speaker 1: You know what, though, it's actually good to laugh. 10 00:00:31,080 --> 00:00:31,360 Speaker 3: I know. 11 00:00:31,880 --> 00:00:34,479 Speaker 2: Okay, So where is good for us? We are nerds, 12 00:00:34,520 --> 00:00:39,400 Speaker 2: But speak for yourself. The Mayo Clinic points out that 13 00:00:39,440 --> 00:00:42,320 Speaker 2: when it comes to relieving stress, more giggles and gaffaws 14 00:00:42,440 --> 00:00:44,479 Speaker 2: are just what the doctor ordered, noting that a good 15 00:00:44,560 --> 00:00:46,959 Speaker 2: laugh has great short term effects. When you start to laugh, 16 00:00:47,000 --> 00:00:49,519 Speaker 2: it doesn't just lighten your load mentally, it actually induces 17 00:00:49,560 --> 00:00:53,720 Speaker 2: physical changes in your body, including stimulating your organs, soothing tension, 18 00:00:53,760 --> 00:00:56,480 Speaker 2: improving your immune system. So everybody in the control room, 19 00:00:56,680 --> 00:00:58,080 Speaker 2: you better be laughing no more. 20 00:00:58,160 --> 00:01:00,840 Speaker 1: Yeah, I better go to the Comedy Festival. The seventeenth 21 00:01:00,880 --> 00:01:03,440 Speaker 1: annual New York Comedy Festival Yes about to. 22 00:01:03,440 --> 00:01:06,240 Speaker 2: Get underway in early November. A legend in the world 23 00:01:06,240 --> 00:01:09,080 Speaker 2: of comedy is with us today in our studio, Caroline Hirsch, 24 00:01:09,400 --> 00:01:11,800 Speaker 2: founder of Caroline's on Broadway. Of course you know that 25 00:01:11,880 --> 00:01:15,000 Speaker 2: she's here in our Bloomberg Interactive Brokers studio. Welcome, Welcome, 26 00:01:15,040 --> 00:01:17,039 Speaker 2: welcome back. How are you good? 27 00:01:17,080 --> 00:01:19,000 Speaker 3: I'm good. So we have quite the medicine for you. 28 00:01:19,520 --> 00:01:20,880 Speaker 3: The Comedy Festival. 29 00:01:20,959 --> 00:01:22,200 Speaker 1: My voice doesn't usually sound like this. 30 00:01:23,120 --> 00:01:27,280 Speaker 3: Festival number third, the twelfth we've extended this year. We're 31 00:01:27,319 --> 00:01:30,839 Speaker 3: ten days straight, probably about one hundred and fifty shows 32 00:01:30,840 --> 00:01:34,200 Speaker 3: still counting. We're still adding, we're still putting people together, 33 00:01:34,319 --> 00:01:38,240 Speaker 3: so still announcing new shows coming up, twenty two theater shows. 34 00:01:38,360 --> 00:01:40,360 Speaker 3: So we're very very happy, Carolyn. 35 00:01:40,400 --> 00:01:42,360 Speaker 2: I just had family in from Texas, and you know 36 00:01:42,440 --> 00:01:43,640 Speaker 2: what they did. They did a bunch of things around 37 00:01:43,640 --> 00:01:45,319 Speaker 2: New York. It was a short weekend. They went to 38 00:01:45,360 --> 00:01:48,320 Speaker 2: a comedy show. People want to experience things. How did 39 00:01:48,360 --> 00:01:51,720 Speaker 2: you guys think about that? Are you seeing increased demand 40 00:01:51,840 --> 00:01:53,480 Speaker 2: or a lot of demand coming out of the pandemic 41 00:01:53,560 --> 00:01:56,000 Speaker 2: of people just wanting to go to things like comedy shows. 42 00:01:56,080 --> 00:01:57,680 Speaker 3: Well, I think the general people want to go to 43 00:01:57,720 --> 00:02:00,320 Speaker 3: live events, and I think live events are like the 44 00:02:00,360 --> 00:02:03,280 Speaker 3: big thing right now. So look when we put tickets 45 00:02:03,280 --> 00:02:07,000 Speaker 3: on sale. We got a really really robust kind of 46 00:02:07,080 --> 00:02:10,320 Speaker 3: reaction to it. So ticket sales are really really good. 47 00:02:10,600 --> 00:02:11,919 Speaker 1: That's good. 48 00:02:12,080 --> 00:02:13,359 Speaker 3: It's good. It's good for New York. 49 00:02:13,400 --> 00:02:18,480 Speaker 1: Okay at Madison Square Garden. 50 00:02:18,560 --> 00:02:21,880 Speaker 3: Ok. Shane Gillis at Carnegie Hall, Mateo Lange and a 51 00:02:22,080 --> 00:02:26,200 Speaker 3: car Anthony just like all at Carnegie Hall. And you 52 00:02:26,240 --> 00:02:28,480 Speaker 3: know what happens that you know, people go to Carnegie 53 00:02:28,480 --> 00:02:30,920 Speaker 3: Hall and then they'll go to the restaurant across the street. Right. 54 00:02:31,080 --> 00:02:33,480 Speaker 3: So what we do is bring this stimulus to New 55 00:02:33,560 --> 00:02:36,040 Speaker 3: York City, which we're always happy to do, and we 56 00:02:36,120 --> 00:02:37,880 Speaker 3: have a lot of fun with doing it. And then 57 00:02:37,880 --> 00:02:40,600 Speaker 3: we have you know, we we have Britt Goldstein. Do 58 00:02:40,600 --> 00:02:42,880 Speaker 3: you know him from Ted Lasso? So he's doing three 59 00:02:43,040 --> 00:02:44,119 Speaker 3: a lot of him at the beach. 60 00:02:44,160 --> 00:02:45,840 Speaker 2: Wait can we all say what he says? Oh no, 61 00:02:45,919 --> 00:02:46,560 Speaker 2: we can't say. 62 00:02:46,440 --> 00:02:46,880 Speaker 3: That on air? 63 00:02:47,000 --> 00:02:50,880 Speaker 1: Can we You can? You can't, you can't show. 64 00:02:50,760 --> 00:02:52,600 Speaker 2: We do say it a lot of the but go ahead. 65 00:02:53,680 --> 00:02:54,400 Speaker 2: He's so great. 66 00:02:54,639 --> 00:02:56,920 Speaker 3: Yeah. And then we have you know, we we have 67 00:02:57,000 --> 00:03:00,240 Speaker 3: a big event which is Stand Up for Heroes kind 68 00:03:00,240 --> 00:03:03,040 Speaker 3: of opens up the festival this year on November sixth, 69 00:03:03,520 --> 00:03:06,920 Speaker 3: So we have Jimmy Carr there, Tracy Morgan, Rita Wilson 70 00:03:06,960 --> 00:03:14,000 Speaker 3: will be singing, Shane Gillis, Ronnie Chang, John Stewart who's 71 00:03:14,280 --> 00:03:18,600 Speaker 3: a constant there, and also Josh Grobin and John Mellencamp. 72 00:03:18,800 --> 00:03:20,000 Speaker 3: So that is quite a show. 73 00:03:20,040 --> 00:03:22,800 Speaker 1: Are they doing comedy? Are they singing? 74 00:03:23,520 --> 00:03:24,160 Speaker 3: Yeah? This thing? 75 00:03:24,200 --> 00:03:24,480 Speaker 1: Okay? 76 00:03:24,520 --> 00:03:25,639 Speaker 3: This that's oko. 77 00:03:25,720 --> 00:03:27,120 Speaker 2: How do you think about when you put it together? 78 00:03:27,160 --> 00:03:30,560 Speaker 2: Seventeen years and running? Talk to us about like how 79 00:03:30,560 --> 00:03:31,239 Speaker 2: it's evolved. 80 00:03:31,280 --> 00:03:34,400 Speaker 3: Oh, it's nineteen years. Oh forgive me years and seventeen 81 00:03:34,480 --> 00:03:39,720 Speaker 3: years for the standard for heroes, but it's nineteen years. 82 00:03:39,720 --> 00:03:42,480 Speaker 3: Next year we're having a big, big blowout the twentieth 83 00:03:42,560 --> 00:03:44,800 Speaker 3: year in New York City. Wow. You know we start 84 00:03:44,880 --> 00:03:47,720 Speaker 3: the day after we finish year. We start for next year. Actually, 85 00:03:47,960 --> 00:03:51,320 Speaker 3: we're trying to secure venues ready for next year, you know, 86 00:03:51,400 --> 00:03:53,960 Speaker 3: our big shows at Madison Square Garden. So we do 87 00:03:54,040 --> 00:03:55,040 Speaker 3: that constantly. 88 00:03:55,560 --> 00:03:57,760 Speaker 1: You know, it's we don't often because we have a 89 00:03:57,880 --> 00:04:00,800 Speaker 1: global audience here on the program. Really yeah we do. 90 00:04:00,920 --> 00:04:03,840 Speaker 2: I had no idea that's some comedy for you wedding. 91 00:04:04,720 --> 00:04:06,360 Speaker 1: Looking into the control room, you see if you can 92 00:04:06,360 --> 00:04:08,280 Speaker 1: see they're not laughing in there. 93 00:04:08,400 --> 00:04:11,240 Speaker 2: I know to day job. 94 00:04:11,240 --> 00:04:12,440 Speaker 1: But we do, and we you know, we have a 95 00:04:12,520 --> 00:04:15,119 Speaker 1: national audience as well. So why are we talking about 96 00:04:15,160 --> 00:04:16,960 Speaker 1: something here in New York. Well, because a lot of 97 00:04:16,960 --> 00:04:18,760 Speaker 1: people from all over the world and all over the 98 00:04:18,760 --> 00:04:21,160 Speaker 1: country come to this. Talk a little bit about who 99 00:04:21,240 --> 00:04:23,360 Speaker 1: this attracts and and sort of where New York is 100 00:04:23,440 --> 00:04:25,479 Speaker 1: right now in the comedy scene, because you know, there 101 00:04:25,800 --> 00:04:27,960 Speaker 1: are people who are saying, you know, okay, l A is, 102 00:04:28,080 --> 00:04:30,320 Speaker 1: you know, a classic place for comedy. You've got Joe 103 00:04:30,440 --> 00:04:33,279 Speaker 1: Rogan and Austin doing his thing, you know, trying to 104 00:04:33,320 --> 00:04:36,240 Speaker 1: make Austin comedy happen. Where do you stand on all this? 105 00:04:36,960 --> 00:04:38,960 Speaker 3: You know, you can never negate New York. 106 00:04:40,320 --> 00:04:40,640 Speaker 2: You can't. 107 00:04:40,680 --> 00:04:43,480 Speaker 3: You can't take the New York a good New Yorker. No, 108 00:04:43,800 --> 00:04:46,480 Speaker 3: it's here, It's here, It's Here's where it starts. This 109 00:04:46,520 --> 00:04:48,560 Speaker 3: is where you get the creative juices. This is where 110 00:04:48,600 --> 00:04:51,280 Speaker 3: you get the ideas. They you know, the whole thing 111 00:04:51,279 --> 00:04:53,680 Speaker 3: with La was that, you know, which is not so 112 00:04:53,880 --> 00:04:55,880 Speaker 3: quite in fashion right now, is to go out there 113 00:04:55,920 --> 00:04:59,200 Speaker 3: to get your sitcom. That's that's not really happening anymore. Now. 114 00:04:59,200 --> 00:05:01,719 Speaker 1: It's happening the last five months without the writer's strike. 115 00:05:01,760 --> 00:05:03,760 Speaker 3: I can tell you that I guess they're about That's 116 00:05:03,800 --> 00:05:04,200 Speaker 3: a really. 117 00:05:04,080 --> 00:05:06,320 Speaker 2: Good point because you did see a lot of comics 118 00:05:06,600 --> 00:05:08,800 Speaker 2: for a long time, right, get a series and then 119 00:05:08,839 --> 00:05:09,839 Speaker 2: just move to television. 120 00:05:10,000 --> 00:05:12,840 Speaker 3: It's kind of not happening now, the touring that goes 121 00:05:12,880 --> 00:05:15,119 Speaker 3: on when you have a great special that's on TV, 122 00:05:15,640 --> 00:05:18,000 Speaker 3: you take that and you go on the road, and 123 00:05:18,040 --> 00:05:20,880 Speaker 3: that's your millions of dollars that these people, you know, 124 00:05:20,920 --> 00:05:23,440 Speaker 3: comedians are making on the road. When you're selling out 125 00:05:23,680 --> 00:05:26,720 Speaker 3: Beacon Theater's, Carnegie Hall, when you're selling out the Garden, 126 00:05:27,160 --> 00:05:30,320 Speaker 3: this is this is like this is big bucks, you know. 127 00:05:30,360 --> 00:05:33,159 Speaker 3: So it's it's a big, big business for a lot 128 00:05:33,200 --> 00:05:35,400 Speaker 3: of people that have really, you know, made it and 129 00:05:35,400 --> 00:05:36,919 Speaker 3: are able to tour around the country. 130 00:05:36,960 --> 00:05:39,080 Speaker 2: Can we talk about the business of comedy? And I 131 00:05:39,120 --> 00:05:43,120 Speaker 2: think about you know, last December, your iconic club, right, 132 00:05:43,279 --> 00:05:46,920 Speaker 2: you did not renew your lease it's spot in Times Square. 133 00:05:47,000 --> 00:05:47,839 Speaker 2: How hard was that? 134 00:05:49,360 --> 00:05:51,480 Speaker 3: You know? I wanted to stay, and then there was 135 00:05:51,520 --> 00:05:53,400 Speaker 3: a part of me which did not want to stay 136 00:05:53,839 --> 00:05:56,360 Speaker 3: because of the way. And I don't want to put 137 00:05:56,360 --> 00:05:59,680 Speaker 3: down Time Square because I went there thirty years ago 138 00:05:59,680 --> 00:06:02,080 Speaker 3: to build it up and I was part of that, 139 00:06:02,680 --> 00:06:05,960 Speaker 3: the renovation of Times here and the renewal of Times Square, 140 00:06:07,040 --> 00:06:08,720 Speaker 3: So I'm not going to put it down. But things 141 00:06:08,720 --> 00:06:11,560 Speaker 3: were changing there. The city was changing there. I felt 142 00:06:11,600 --> 00:06:17,280 Speaker 3: that after COVID, the whole seascape there was changing. And 143 00:06:17,360 --> 00:06:20,159 Speaker 3: I said, let me step back. I own the brand. 144 00:06:20,400 --> 00:06:22,400 Speaker 3: I want to take the brand. I'm extending it through 145 00:06:22,440 --> 00:06:24,960 Speaker 3: the festival, and then we have other ideas where we're 146 00:06:24,960 --> 00:06:25,520 Speaker 3: going with that. 147 00:06:25,600 --> 00:06:27,800 Speaker 1: Okay, yeah, give us some of those other ideas. 148 00:06:27,839 --> 00:06:30,320 Speaker 3: Yeah, well, you know, we're taking the Carolines brand and 149 00:06:30,400 --> 00:06:32,960 Speaker 3: you know, kind of producing content and putting it out 150 00:06:33,000 --> 00:06:36,599 Speaker 3: there and specials and everything else that we do with 151 00:06:36,680 --> 00:06:38,640 Speaker 3: comedy on a grander scale. 152 00:06:38,720 --> 00:06:40,159 Speaker 1: I mean, it really was the end of an era 153 00:06:40,360 --> 00:06:41,840 Speaker 1: for you not to renew your leaves there. 154 00:06:43,040 --> 00:06:46,440 Speaker 3: Well. Yeah, I was lived thirty years in Times. 155 00:06:46,279 --> 00:06:48,800 Speaker 1: Square, so I mean Time Square changed a lot in 156 00:06:48,880 --> 00:06:50,520 Speaker 1: thirty years, and it changed a lot just in a 157 00:06:50,520 --> 00:06:52,960 Speaker 1: few years because of the pandemic. Talk to us a 158 00:06:53,000 --> 00:06:55,120 Speaker 1: little bit about the you know, what happened and the 159 00:06:55,160 --> 00:06:57,720 Speaker 1: decision making process, and the external factor is there too. 160 00:06:57,839 --> 00:07:01,400 Speaker 3: Okay, So obviously I went to my landlord, I go, listen, 161 00:07:01,440 --> 00:07:04,640 Speaker 3: we need some relief here. You know, things have changed 162 00:07:04,680 --> 00:07:07,240 Speaker 3: a lot, so can you He goes, no, Actually, we 163 00:07:07,360 --> 00:07:09,800 Speaker 3: really want to raise the rent. So I said, oh, 164 00:07:09,960 --> 00:07:11,720 Speaker 3: but you know, there are so many repairs that have 165 00:07:11,760 --> 00:07:13,600 Speaker 3: to be done. I'm here for thirty years, you know, 166 00:07:13,680 --> 00:07:16,760 Speaker 3: air conditioning, electrical work, just things needed to be upgraded. 167 00:07:17,200 --> 00:07:19,680 Speaker 3: And he said, well, that's just what the deal is. 168 00:07:19,840 --> 00:07:22,000 Speaker 3: And I tried very hard to stay there, and then 169 00:07:22,040 --> 00:07:24,080 Speaker 3: I just said, well, I'm out of here now this 170 00:07:24,120 --> 00:07:24,520 Speaker 3: I'm done. 171 00:07:24,520 --> 00:07:26,200 Speaker 1: Did you have other things to do you? Did you 172 00:07:26,200 --> 00:07:27,800 Speaker 1: look for other physical spaces? 173 00:07:28,400 --> 00:07:31,760 Speaker 3: No? But I have to tell you that we had 174 00:07:31,840 --> 00:07:35,560 Speaker 3: so much press when we closed that so many real 175 00:07:35,680 --> 00:07:38,800 Speaker 3: estate developers called me and said I have spaces for 176 00:07:38,880 --> 00:07:40,960 Speaker 3: you and I will help you build it out. 177 00:07:41,240 --> 00:07:42,160 Speaker 2: So why didn't you do it? 178 00:07:42,160 --> 00:07:44,320 Speaker 3: Well, we're in the I'm in the process of taking 179 00:07:44,320 --> 00:07:47,280 Speaker 3: it all in and deciding what the next big move in. 180 00:07:47,720 --> 00:07:49,800 Speaker 3: It's not it'll be four walls, but it'd be something 181 00:07:49,880 --> 00:07:50,400 Speaker 3: very different. 182 00:07:50,520 --> 00:07:51,200 Speaker 2: What a great field. 183 00:07:51,280 --> 00:07:52,240 Speaker 1: That is pretty cool? 184 00:07:52,520 --> 00:07:56,000 Speaker 2: Right? So this is like it to be continued. You'll 185 00:07:56,040 --> 00:07:58,120 Speaker 2: come back in like two months, three months, four weeks. 186 00:07:58,960 --> 00:07:59,720 Speaker 3: A hotel owner. 187 00:08:00,520 --> 00:08:02,120 Speaker 2: No, but that's a really good thing, you know, because 188 00:08:02,200 --> 00:08:06,000 Speaker 2: it's funny. We we look even around our environment and 189 00:08:06,160 --> 00:08:08,920 Speaker 2: the retailers that aren't here anymore, and I remember one 190 00:08:08,960 --> 00:08:11,960 Speaker 2: retailer leaving and he was a pottery barn or Williamson Noman. 191 00:08:12,000 --> 00:08:13,160 Speaker 2: I said, why are you guys leaving? This is a 192 00:08:13,160 --> 00:08:15,520 Speaker 2: great location. They're like, no, it's really expensive for us 193 00:08:15,560 --> 00:08:17,440 Speaker 2: to be here and we just can't afford it. And 194 00:08:17,440 --> 00:08:20,360 Speaker 2: I just think about, you know, whether it's businesses or 195 00:08:20,400 --> 00:08:22,560 Speaker 2: companies that have really been so much a part of 196 00:08:22,600 --> 00:08:25,040 Speaker 2: the NYC fabric and then all of a sudden they 197 00:08:25,040 --> 00:08:25,800 Speaker 2: just can't afford it. 198 00:08:26,080 --> 00:08:29,800 Speaker 3: Well, it's things crazy changed. Things have changed. You know, 199 00:08:29,880 --> 00:08:34,160 Speaker 3: we heard about Target closing, you know, so it's it's 200 00:08:34,240 --> 00:08:37,040 Speaker 3: it's it's it's bad. It's bad. But then again everything's 201 00:08:37,120 --> 00:08:42,400 Speaker 3: kind of shifted online. Things have changed, you know, thank 202 00:08:42,400 --> 00:08:43,840 Speaker 3: god we still have bergdofs here. 203 00:08:45,160 --> 00:08:47,640 Speaker 2: Well, we changed cose new opportunities and like you say, 204 00:08:47,679 --> 00:08:50,400 Speaker 2: there's probably things obviously you can't talk about. But you 205 00:08:50,400 --> 00:08:52,719 Speaker 2: know when things when they talk to you know, when 206 00:08:52,760 --> 00:08:56,160 Speaker 2: you get lemons and make lemonade, like you find new opportunities. 207 00:08:56,320 --> 00:08:58,600 Speaker 2: Caroline is on the show right now. Can I ask 208 00:08:58,600 --> 00:09:02,520 Speaker 2: you what are you you find funny today? Are oh 209 00:09:02,559 --> 00:09:07,120 Speaker 2: my god, oh my god, we need laughter. What do 210 00:09:07,160 --> 00:09:09,000 Speaker 2: you find funny today? You know what it is? 211 00:09:09,120 --> 00:09:11,920 Speaker 3: You know, what I find funny is that it's almost 212 00:09:11,960 --> 00:09:14,640 Speaker 3: the point when a joke is it reaches the point 213 00:09:14,640 --> 00:09:17,840 Speaker 3: where it it is such a great joke that it 214 00:09:17,960 --> 00:09:20,480 Speaker 3: hits the point that it's almost politically not correct. 215 00:09:21,000 --> 00:09:24,080 Speaker 1: And those kind of shows want to talk about those. 216 00:09:23,920 --> 00:09:28,200 Speaker 3: Kind of jokes are brilliant to get to that line. 217 00:09:28,320 --> 00:09:29,640 Speaker 3: Make your point, but not go there. 218 00:09:29,760 --> 00:09:32,400 Speaker 2: Remember where we could say it's a joke people, So 219 00:09:32,679 --> 00:09:35,080 Speaker 2: you can still say that, No you can't. 220 00:09:35,280 --> 00:09:36,120 Speaker 3: It's tough. 221 00:09:36,280 --> 00:09:40,000 Speaker 1: Ye, it doesn't matter if you know Netflix staff walk 222 00:09:40,040 --> 00:09:44,440 Speaker 1: out over, you know your your special, You're still selling 223 00:09:44,440 --> 00:09:47,040 Speaker 1: out arenas across the country. I'm talking about Dave Chappelle here. 224 00:09:47,440 --> 00:09:48,600 Speaker 3: That's truth. Yeah. 225 00:09:48,720 --> 00:09:50,360 Speaker 2: Is it tough for comics today though. 226 00:09:50,320 --> 00:09:53,199 Speaker 3: I don't think so. I just think I just think 227 00:09:53,240 --> 00:09:55,880 Speaker 3: that they need to stay on a steady straight path, 228 00:09:56,160 --> 00:09:59,480 Speaker 3: and I think that they do realize that that things 229 00:09:59,520 --> 00:10:02,400 Speaker 3: could be offensive. And I think that Look, I've seen 230 00:10:02,600 --> 00:10:04,880 Speaker 3: a lot of male comics change a lot of stuff. 231 00:10:04,880 --> 00:10:07,120 Speaker 3: What they used to say, they wouldn't dare say that. 232 00:10:07,320 --> 00:10:09,720 Speaker 3: I mean, they get strangled by every woman in the audience. 233 00:10:10,000 --> 00:10:12,360 Speaker 3: But things have changed like that, and I think people are, 234 00:10:12,800 --> 00:10:15,679 Speaker 3: you know, mindful of other people like that like we 235 00:10:15,679 --> 00:10:17,600 Speaker 3: were just talking before I walked in here talking about 236 00:10:17,720 --> 00:10:20,720 Speaker 3: Don Rickles today. We said, oh my god, he couldn't 237 00:10:20,760 --> 00:10:22,839 Speaker 3: insult people like that today. 238 00:10:23,040 --> 00:10:24,280 Speaker 1: That's a good point. 239 00:10:24,760 --> 00:10:25,560 Speaker 3: It was a joke. 240 00:10:26,120 --> 00:10:28,520 Speaker 2: Don Rickles, d mart and all those guys like you. 241 00:10:28,960 --> 00:10:30,240 Speaker 1: Think self censorship is real. 242 00:10:31,880 --> 00:10:34,520 Speaker 3: I think it. I think it is. I think it is. 243 00:10:35,080 --> 00:10:37,880 Speaker 3: But but to a good self censorship not not anything 244 00:10:37,960 --> 00:10:41,079 Speaker 3: like I think it's good, but but it's that brilliant 245 00:10:41,160 --> 00:10:43,560 Speaker 3: joke that may cross the line but doesn't. And those 246 00:10:43,559 --> 00:10:44,360 Speaker 3: are the greatest. 247 00:10:45,240 --> 00:10:47,880 Speaker 2: Those are the still get away with stuff who can 248 00:10:47,920 --> 00:10:49,440 Speaker 2: really push it. Are there certainly? 249 00:10:49,679 --> 00:10:53,640 Speaker 3: Well, Dave, Dave Schelle can, ali Wan Can. That's a 250 00:10:53,679 --> 00:10:58,400 Speaker 3: woman that can can hit that mark of not crossing 251 00:10:58,440 --> 00:10:59,960 Speaker 3: the line but cross on the line. 252 00:11:00,120 --> 00:11:01,520 Speaker 2: Going my turn, where you're going? 253 00:11:01,679 --> 00:11:05,480 Speaker 1: Okay, go. I want to know your opinion, Caroline, about 254 00:11:05,480 --> 00:11:11,000 Speaker 1: the role of comedy clubs today. Given that there's YouTube, 255 00:11:11,280 --> 00:11:14,640 Speaker 1: there's TikTok. They are all these places where comedians, up 256 00:11:14,679 --> 00:11:17,880 Speaker 1: and coming comedians can post their content and build a 257 00:11:17,920 --> 00:11:18,600 Speaker 1: following there. 258 00:11:19,240 --> 00:11:21,120 Speaker 3: That's a good thing. That's a good thing for clubs 259 00:11:21,440 --> 00:11:24,559 Speaker 3: because when they build the following, then they get booked 260 00:11:24,559 --> 00:11:27,040 Speaker 3: into the club and they make really nice money and 261 00:11:27,080 --> 00:11:30,320 Speaker 3: everybody's happy because they sell out. So it's also still 262 00:11:30,400 --> 00:11:33,400 Speaker 3: that live experience. People still want it. They want to 263 00:11:33,400 --> 00:11:35,719 Speaker 3: go in that room with you and me and all 264 00:11:35,800 --> 00:11:38,440 Speaker 3: laugh together. That's what they want. That's the thing about 265 00:11:38,520 --> 00:11:41,120 Speaker 3: what makes a joke, It's that the community is sitting 266 00:11:41,120 --> 00:11:43,480 Speaker 3: there saying, oh God, that happened to me too, and 267 00:11:43,520 --> 00:11:46,280 Speaker 3: you laugh. So it's all part of that live experience. 268 00:11:46,320 --> 00:11:48,679 Speaker 3: And I'm seeing that with the festival as everything is. 269 00:11:48,840 --> 00:11:52,439 Speaker 3: You know, these everybody in the festival has a terrific 270 00:11:52,720 --> 00:11:55,120 Speaker 3: online following. I mean they millions of people. 271 00:11:55,160 --> 00:11:55,680 Speaker 1: It's a huge thing. 272 00:11:55,880 --> 00:11:58,040 Speaker 3: But they want to go out and see them. The 273 00:11:58,040 --> 00:12:00,400 Speaker 3: same thing that happened when years ago and you had 274 00:12:00,400 --> 00:12:03,720 Speaker 3: that great HBO special that built you up so that 275 00:12:03,760 --> 00:12:06,400 Speaker 3: when you toured around you would sell out, right, So 276 00:12:06,520 --> 00:12:08,479 Speaker 3: that's all money in the bank for the performers. 277 00:12:08,520 --> 00:12:11,320 Speaker 2: The nineteenth annually. How many festival this November. I'm giving 278 00:12:11,360 --> 00:12:14,240 Speaker 2: you a shameless plug. Hey, listen, take us back, because 279 00:12:14,240 --> 00:12:17,520 Speaker 2: you've been doing this a long time. Back in the 280 00:12:17,559 --> 00:12:20,160 Speaker 2: early eighties you began, i mean, Jay Leno, Jerry Seinfeld, 281 00:12:20,160 --> 00:12:24,600 Speaker 2: Pee Herman, Billy Crystal, Robin Williams, Sandra Bernard, I know, Chris, right, 282 00:12:25,000 --> 00:12:27,080 Speaker 2: I know it breaks our heart right, Like these are 283 00:12:27,120 --> 00:12:33,000 Speaker 2: people that were funny like no other and changed I 284 00:12:33,040 --> 00:12:36,640 Speaker 2: think the way we see comedy, enjoy comedy. But in 285 00:12:36,679 --> 00:12:39,000 Speaker 2: the early day, is everyone funny out of the gate? 286 00:12:40,480 --> 00:12:42,760 Speaker 3: Well you see, you know we were just talking about 287 00:12:42,760 --> 00:12:45,240 Speaker 3: Bill Maher So you know Bill started at my little 288 00:12:45,240 --> 00:12:47,800 Speaker 3: club on eighth Avenue. But of course you grow over 289 00:12:47,840 --> 00:12:50,640 Speaker 3: the years, Jerry Seinfeld, you grow over the years. Jay 290 00:12:50,720 --> 00:12:53,200 Speaker 3: Leno grow over the years. But Jay has always still 291 00:12:53,960 --> 00:12:56,079 Speaker 3: been this menshi guy. 292 00:12:56,440 --> 00:12:59,680 Speaker 1: What j tours like Ford is a week now probably. 293 00:12:59,240 --> 00:13:01,920 Speaker 3: Every weekend yea of doing something, you know, And so 294 00:13:02,080 --> 00:13:05,960 Speaker 3: Jerry's eifel you miss every weekend, He's probably somewhere doing 295 00:13:05,960 --> 00:13:07,880 Speaker 3: two or three shows back home again during the week 296 00:13:07,960 --> 00:13:11,640 Speaker 3: and that's really his life because he loves what he's doing. 297 00:13:11,720 --> 00:13:13,920 Speaker 2: What do you remember from these guys in the early days, 298 00:13:15,000 --> 00:13:15,280 Speaker 2: you know. 299 00:13:15,280 --> 00:13:17,280 Speaker 3: We were all so new to it. It was like, 300 00:13:17,440 --> 00:13:19,640 Speaker 3: you know, when I opened Carolines, it was like the 301 00:13:19,640 --> 00:13:22,120 Speaker 3: first headliner club in New York City. It was like 302 00:13:22,160 --> 00:13:24,600 Speaker 3: a yuppie that word yuppie. We're going back to the 303 00:13:24,640 --> 00:13:28,319 Speaker 3: eighties yuppie nightclub that opened up. And it was the 304 00:13:28,440 --> 00:13:30,640 Speaker 3: day It was when David Letterman was at twelve thirty 305 00:13:30,679 --> 00:13:32,960 Speaker 3: at night. Jay Leno would be at my club and 306 00:13:33,000 --> 00:13:35,680 Speaker 3: he'd say like, oh, I'm appearing at Carolines. It gave 307 00:13:35,760 --> 00:13:38,079 Speaker 3: us this national play around the country, and that kind 308 00:13:38,080 --> 00:13:40,040 Speaker 3: of set up the club. And I remember, you know, 309 00:13:40,160 --> 00:13:43,040 Speaker 3: Paul Rubins Peewee Harmon bringing him to New York. I 310 00:13:43,040 --> 00:13:45,800 Speaker 3: have such fond memories of him. And you know, I 311 00:13:46,160 --> 00:13:49,440 Speaker 3: didn't up until he was texting me on my birthday, 312 00:13:49,480 --> 00:13:52,880 Speaker 3: sending me birthday videos up until the end saying listen, 313 00:13:52,920 --> 00:13:55,840 Speaker 3: we need to FaceTime soon. Are you coming to LA. 314 00:13:56,080 --> 00:13:58,640 Speaker 3: I'm not coming to New York. Didn't tell me he 315 00:13:58,520 --> 00:14:01,760 Speaker 3: wasn't feeling well, because I would. We would always, like 316 00:14:01,800 --> 00:14:03,360 Speaker 3: you know, text each other back and forth. And I 317 00:14:03,360 --> 00:14:06,240 Speaker 3: had no idea he was sick. But he brought a 318 00:14:06,280 --> 00:14:09,319 Speaker 3: show to New York. In New York Can they conceived 319 00:14:09,720 --> 00:14:11,920 Speaker 3: Pee Wee's Big Adventure. He was going to ride his 320 00:14:11,960 --> 00:14:15,600 Speaker 3: bike from LA to New York City with this unknown 321 00:14:15,800 --> 00:14:19,320 Speaker 3: director at that time, Tim Burton khunw But you know, 322 00:14:19,400 --> 00:14:23,240 Speaker 3: that's that's what Paul had. He had that creative part 323 00:14:23,280 --> 00:14:25,600 Speaker 3: of him. Those comedians that I worked with from the 324 00:14:25,640 --> 00:14:28,360 Speaker 3: beginning all went on. Look at Jerry and Larry David 325 00:14:28,440 --> 00:14:32,360 Speaker 3: show Seinfeld, Oh my god, earth shattering. You know we 326 00:14:32,400 --> 00:14:35,000 Speaker 3: still say we're just talking about it last night. I 327 00:14:35,040 --> 00:14:37,840 Speaker 3: still turn it on and see an episode I haven't seen. 328 00:14:37,840 --> 00:14:40,800 Speaker 2: Right, so I as make references to Seinfeld. 329 00:14:40,720 --> 00:14:42,840 Speaker 1: I've seen them all. I gotta tell you. Okay, so 330 00:14:42,880 --> 00:14:45,680 Speaker 1: we only have a minute left, Caroline, But comedians who 331 00:14:45,720 --> 00:14:47,600 Speaker 1: have made it love to say that in order for 332 00:14:47,680 --> 00:14:50,640 Speaker 1: comedian to make it, you've got a bomb. Give us 333 00:14:50,640 --> 00:14:53,680 Speaker 1: some stories of some prominent bombs that you've witnessed in 334 00:14:53,680 --> 00:14:54,000 Speaker 1: your pain. 335 00:14:54,120 --> 00:14:56,600 Speaker 3: How about Larry David and he would say, oh, it's 336 00:14:56,640 --> 00:14:59,200 Speaker 3: the audience, they're just terrible. And he didn't do that 337 00:14:59,240 --> 00:15:01,240 Speaker 3: well to twy that. 338 00:15:01,400 --> 00:15:07,280 Speaker 1: All over see, I can see the they're terrible. 339 00:15:07,280 --> 00:15:08,480 Speaker 3: They're terrible. 340 00:15:09,640 --> 00:15:12,640 Speaker 2: I gotta say. And what you've done for women comedians 341 00:15:12,760 --> 00:15:14,600 Speaker 2: right when they were just so far and few, and 342 00:15:14,720 --> 00:15:18,120 Speaker 2: just to see everyone out there today, it's incredible. You 343 00:15:18,200 --> 00:15:21,800 Speaker 2: are incredible. Come back anytime. Let us know the news. 344 00:15:21,800 --> 00:15:24,200 Speaker 2: If you land somewhere, okay, you can share it with us, 345 00:15:24,840 --> 00:15:27,040 Speaker 2: and good luck again. Remind us when the festival. 346 00:15:26,680 --> 00:15:29,080 Speaker 3: Is November third to the twelfth. Go to New York 347 00:15:29,080 --> 00:15:32,040 Speaker 3: Comedy festival dot com and you would be amazed to 348 00:15:32,040 --> 00:15:34,480 Speaker 3: see how many shows are listed there to go see 349 00:15:34,640 --> 00:15:35,560 Speaker 3: and have a great time. 350 00:15:35,880 --> 00:15:38,440 Speaker 2: Thank you so much, Good luck, be well, Caroline Hursh, 351 00:15:38,440 --> 00:15:40,520 Speaker 2: founder of Carolines of Course on Broadway. Here in our 352 00:15:40,520 --> 00:15:44,840 Speaker 2: Bloomberg Interactive Broker Studio, Carol Masser, Tim Stanevek. We're not funny, 353 00:15:44,880 --> 00:15:48,280 Speaker 2: but she is and her lineup. This is Bloemberg