1 00:00:02,520 --> 00:00:05,200 Speaker 1: Well, what's epistey up with the Angela Yee? 2 00:00:05,240 --> 00:00:09,280 Speaker 2: I'm Angela Yee, And today we are honored to have 3 00:00:09,440 --> 00:00:12,119 Speaker 2: Anthony White with us, the artistic director for the Detroit 4 00:00:12,160 --> 00:00:14,600 Speaker 2: Youth Concert Choir and Performing Arts Company. 5 00:00:14,800 --> 00:00:17,040 Speaker 3: Yes, yes, how you doing? 6 00:00:17,360 --> 00:00:18,560 Speaker 1: Oh I'm great. How are you? 7 00:00:18,720 --> 00:00:22,400 Speaker 3: Thanks for having me? I'm fine. I've been wanting to 8 00:00:22,400 --> 00:00:24,880 Speaker 3: meet you alone for a long time. So yeah, I'm 9 00:00:24,880 --> 00:00:25,520 Speaker 3: glad I'm here. 10 00:00:25,640 --> 00:00:28,760 Speaker 2: I'm so listen and you're here because you guys have 11 00:00:29,560 --> 00:00:34,360 Speaker 2: Disney Plus docu saries called choir. Yes, before we start, though, 12 00:00:34,400 --> 00:00:37,360 Speaker 2: I do want to give my condolences. Oh yeah, I 13 00:00:37,400 --> 00:00:38,519 Speaker 2: see you have your Lions. 14 00:00:39,120 --> 00:00:43,080 Speaker 3: Yes, the Lions. Uh yeah, Well, you know we were 15 00:00:43,120 --> 00:00:46,400 Speaker 3: we wanted to hit that Super Bowl real tough and 16 00:00:46,520 --> 00:00:49,599 Speaker 3: maybe we could have got like a little, you know 17 00:00:49,720 --> 00:00:50,760 Speaker 3: spot somewhere. 18 00:00:51,000 --> 00:00:54,040 Speaker 1: I would have been Yeah, I know, but you. 19 00:00:53,960 --> 00:00:58,080 Speaker 3: Know we well we're we're still d y C. 20 00:00:58,360 --> 00:01:00,600 Speaker 2: So let me ask you what would what was it 21 00:01:00,760 --> 00:01:02,080 Speaker 2: like in the city that night? 22 00:01:02,400 --> 00:01:09,319 Speaker 3: Wow? Pandemonium. The city really needed that because for a 23 00:01:09,360 --> 00:01:14,280 Speaker 3: long time, you know, the Lions have been struggling, and 24 00:01:14,360 --> 00:01:16,640 Speaker 3: you know, we were a part of that because we 25 00:01:16,680 --> 00:01:19,080 Speaker 3: did the halftime show. A couple of weeks ago at 26 00:01:19,080 --> 00:01:22,960 Speaker 3: their first playoff game thirty plus year yep, d I see, 27 00:01:23,000 --> 00:01:26,400 Speaker 3: and the city was just crazy. You know, I really 28 00:01:28,080 --> 00:01:33,319 Speaker 3: love that the way people receive the Lions again, just 29 00:01:33,360 --> 00:01:36,240 Speaker 3: the way they receive us to you know, Detroit is 30 00:01:36,280 --> 00:01:38,600 Speaker 3: a real you know all about it. Detroit is a 31 00:01:38,640 --> 00:01:43,520 Speaker 3: real strong city. You know, we love hard. So that's 32 00:01:43,560 --> 00:01:44,920 Speaker 3: pretty much what happened with that. 33 00:01:45,680 --> 00:01:47,560 Speaker 1: You know, the work that you do is so important. 34 00:01:47,560 --> 00:01:50,960 Speaker 2: And I think when people watch this docuseriies and it's 35 00:01:51,000 --> 00:01:54,840 Speaker 2: out now, yes, out now on diny plus all six episodes, 36 00:01:54,880 --> 00:01:57,640 Speaker 2: you can watch and you get so invested in the story. 37 00:01:57,680 --> 00:02:00,919 Speaker 2: And I think it's so interesting talk about the Detroit 38 00:02:00,960 --> 00:02:04,720 Speaker 2: Youth Contac Choir because you guys definitely hit the spotlight 39 00:02:04,760 --> 00:02:07,520 Speaker 2: when you were on America's Got Talent. Yes, that was 40 00:02:07,560 --> 00:02:12,480 Speaker 2: a nationwide, worldwide people recognizing. I mean that was an 41 00:02:12,480 --> 00:02:15,520 Speaker 2: emotional when you guys how many people from the choir 42 00:02:15,600 --> 00:02:17,080 Speaker 2: were on America's Got Talent. 43 00:02:17,240 --> 00:02:21,560 Speaker 3: So we took fifty two young people to LA And 44 00:02:21,639 --> 00:02:24,480 Speaker 3: if it wasn't for Terry Crews hitting that golden buzzer, 45 00:02:24,919 --> 00:02:26,920 Speaker 3: we wouldn't be in the spot that we're in. And 46 00:02:27,000 --> 00:02:30,520 Speaker 3: shout out to Simon and the rest of that panel. 47 00:02:30,720 --> 00:02:35,040 Speaker 3: How we Gabrielle Union was actually on that panel, and Terry, 48 00:02:35,360 --> 00:02:38,799 Speaker 3: I mean they were like having sent for us. 49 00:02:39,000 --> 00:02:42,520 Speaker 2: Terry Crews was like every single one of them represents me, 50 00:02:42,960 --> 00:02:45,640 Speaker 2: yes in history, and I think people felt so connected 51 00:02:45,680 --> 00:02:48,240 Speaker 2: when they saw that, because if you never heard of 52 00:02:48,280 --> 00:02:52,040 Speaker 2: the Detroit Youth continc Choir dyc right, then it was 53 00:02:52,120 --> 00:02:56,040 Speaker 2: like amazing. Even seeing Simon put his fist in the air, he. 54 00:02:56,080 --> 00:02:59,800 Speaker 3: Was like that Simon, all right, yeah, I loved us. 55 00:03:00,560 --> 00:03:04,560 Speaker 3: Simon was actually brought to Tears our last visit on 56 00:03:04,680 --> 00:03:09,399 Speaker 3: agt All Stars. We did thunder right by imagining dragons, 57 00:03:09,639 --> 00:03:13,000 Speaker 3: and he was just like, I'm actually emotional. And when 58 00:03:13,040 --> 00:03:16,040 Speaker 3: he said that, everybody was like, wow, they brought Simon 59 00:03:16,080 --> 00:03:19,600 Speaker 3: and Tears. So that's the power that these young people. 60 00:03:19,360 --> 00:03:23,640 Speaker 2: Have, and let's discuss that because the reason that you 61 00:03:23,680 --> 00:03:27,160 Speaker 2: do what you do right with choir and seeing some 62 00:03:27,200 --> 00:03:30,440 Speaker 2: of these young kids even auditioning or trying to move up, 63 00:03:30,440 --> 00:03:31,880 Speaker 2: because there's three different levels. 64 00:03:31,960 --> 00:03:35,240 Speaker 3: If I'm yes, yeah, we have limelight center stage in 65 00:03:35,320 --> 00:03:35,839 Speaker 3: prime time. 66 00:03:35,920 --> 00:03:37,160 Speaker 1: Everybody want to be prime. 67 00:03:36,960 --> 00:03:38,760 Speaker 3: Timebody want to be prime time. 68 00:03:38,840 --> 00:03:40,320 Speaker 1: But everybody can't be prime time. 69 00:03:40,400 --> 00:03:42,240 Speaker 3: Body can't be Prime time, yes. 70 00:03:42,120 --> 00:03:44,720 Speaker 2: But even seeing the life skills that you get, because 71 00:03:45,000 --> 00:03:47,600 Speaker 2: you've said this in the docu series. This is not 72 00:03:47,760 --> 00:03:50,080 Speaker 2: about you singing for the rest of your life and 73 00:03:50,120 --> 00:03:52,560 Speaker 2: leaving here and becoming a singer. But these are also 74 00:03:52,640 --> 00:03:55,280 Speaker 2: things that you can apply to everyday life. So what 75 00:03:55,320 --> 00:03:58,000 Speaker 2: are some things that the young children who are part 76 00:03:58,040 --> 00:04:00,320 Speaker 2: of DYC can learn for everyday life. 77 00:04:00,440 --> 00:04:04,400 Speaker 3: Well, they can learn. Of course, we do youth development 78 00:04:04,720 --> 00:04:07,960 Speaker 3: so they can learn life skills. We travel a lot, 79 00:04:08,000 --> 00:04:11,400 Speaker 3: we perform a lot. We also do have an educational component, 80 00:04:12,120 --> 00:04:14,720 Speaker 3: you know, we have the college readiness, you know, we 81 00:04:14,760 --> 00:04:17,040 Speaker 3: prepare our young people to go on to college. And 82 00:04:17,160 --> 00:04:21,080 Speaker 3: we also have two music studios in our space so 83 00:04:21,120 --> 00:04:25,440 Speaker 3: they can do their own creation, their own music creation. 84 00:04:26,720 --> 00:04:30,880 Speaker 3: My music director is up in here too, Donelle. You know, 85 00:04:31,160 --> 00:04:34,200 Speaker 3: he records us and we do all of our music 86 00:04:34,240 --> 00:04:36,480 Speaker 3: there as well. And also we do a lot of 87 00:04:36,520 --> 00:04:39,839 Speaker 3: community service. Yes, so these kids get like the whole 88 00:04:39,880 --> 00:04:43,400 Speaker 3: well rounded experience of the performing arts and life. 89 00:04:43,720 --> 00:04:45,719 Speaker 2: And I also think part of it is seen that 90 00:04:46,080 --> 00:04:48,479 Speaker 2: every day is not a great day too. You know, 91 00:04:48,560 --> 00:04:51,360 Speaker 2: sometimes you have to tell them, you know, you didn't 92 00:04:51,400 --> 00:04:54,160 Speaker 2: bring it today, and the kids can get emotional hearing 93 00:04:54,200 --> 00:04:56,280 Speaker 2: things like that. But some people will say kids today 94 00:04:56,279 --> 00:04:59,120 Speaker 2: are so coddled, and but they do need to know, they. 95 00:04:59,000 --> 00:05:01,599 Speaker 3: Do need love though. They need to know for me 96 00:05:02,440 --> 00:05:05,960 Speaker 3: that everything is gonna be all right. Even though some 97 00:05:06,040 --> 00:05:09,360 Speaker 3: of them have a mother and father, you have some 98 00:05:09,400 --> 00:05:12,720 Speaker 3: single parent homes up in there. You know, a lot 99 00:05:12,760 --> 00:05:16,040 Speaker 3: of our kids never even met their father. So when 100 00:05:16,080 --> 00:05:19,320 Speaker 3: they come to rehearsal, I'm the only father that they see. 101 00:05:19,360 --> 00:05:22,920 Speaker 3: I'm the only brother that they see. And the docuseries, 102 00:05:22,960 --> 00:05:26,000 Speaker 3: I just watched it. I did a bench watching thing 103 00:05:26,120 --> 00:05:29,720 Speaker 3: and it was like so emotional reliving some of the 104 00:05:29,720 --> 00:05:31,400 Speaker 3: things that I saw. It was great. 105 00:05:31,480 --> 00:05:33,560 Speaker 2: I know you said a filming this too before COVID 106 00:05:33,880 --> 00:05:37,440 Speaker 2: right or during or during COVID, But but that did 107 00:05:37,520 --> 00:05:39,520 Speaker 2: delay things a little, but it also gave you a 108 00:05:39,600 --> 00:05:43,120 Speaker 2: chance to really get more into some of the stories. 109 00:05:43,200 --> 00:05:46,599 Speaker 3: Yeah, it did, Like even some of the stories of 110 00:05:46,640 --> 00:05:50,080 Speaker 3: these young people that's in this in our choir, Like 111 00:05:50,120 --> 00:05:54,560 Speaker 3: you have a Gwynn Jackson who lost her father to 112 00:05:54,680 --> 00:05:59,120 Speaker 3: gun violence. You also have a couple other kids that 113 00:05:59,680 --> 00:06:03,240 Speaker 3: fell on some hard times and d YC was there 114 00:06:03,720 --> 00:06:07,120 Speaker 3: and actually helped bring them up in their spirits. So 115 00:06:07,720 --> 00:06:12,080 Speaker 3: that's what we're all about and Detroit is so resilient, 116 00:06:12,560 --> 00:06:13,760 Speaker 3: like we bounced. 117 00:06:13,360 --> 00:06:16,320 Speaker 1: Back and you can never count Detroit out. 118 00:06:16,320 --> 00:06:18,200 Speaker 3: You can't count the d you know what I'm saying. 119 00:06:18,560 --> 00:06:22,440 Speaker 3: And it's just great to be in New York. But 120 00:06:22,760 --> 00:06:26,280 Speaker 3: back to the kids. These young people are extraordinary and 121 00:06:26,480 --> 00:06:29,880 Speaker 3: through this docu series, you're going to see what makes 122 00:06:29,880 --> 00:06:30,680 Speaker 3: them extraordinary. 123 00:06:31,000 --> 00:06:33,440 Speaker 2: Now, this is also on the journey to go and 124 00:06:33,440 --> 00:06:35,839 Speaker 2: to perform at Carnegie Hall, which is something that you 125 00:06:35,880 --> 00:06:39,160 Speaker 2: didn't know what was going to happen right when you started. 126 00:06:38,880 --> 00:06:41,560 Speaker 3: Feeling right, I just thought they wanted to see my 127 00:06:41,680 --> 00:06:43,919 Speaker 3: life and stuff like that and what I do with 128 00:06:43,960 --> 00:06:48,520 Speaker 3: the kids. But to add that Carnegie Hall piece to 129 00:06:48,560 --> 00:06:49,640 Speaker 3: it was amazing. 130 00:06:50,680 --> 00:06:52,440 Speaker 2: And what I love about it too is that some 131 00:06:52,520 --> 00:06:54,320 Speaker 2: of these kids when they first get study, they're not 132 00:06:54,360 --> 00:06:55,200 Speaker 2: the best singers. 133 00:06:55,400 --> 00:06:56,680 Speaker 1: No, right, they don't have to. 134 00:06:56,640 --> 00:07:00,440 Speaker 2: Be like a young Variah carry anything like that to 135 00:07:00,480 --> 00:07:02,359 Speaker 2: be in the choir. So what are some of the 136 00:07:02,400 --> 00:07:05,560 Speaker 2: requirements what do you look for to see potential in 137 00:07:05,640 --> 00:07:06,680 Speaker 2: some of these young kids. 138 00:07:06,800 --> 00:07:10,160 Speaker 3: Well, I basically look for character, like they have to 139 00:07:10,160 --> 00:07:13,360 Speaker 3: have great character when they come in to audition, and 140 00:07:13,440 --> 00:07:15,440 Speaker 3: also they have to be able to sing la la 141 00:07:15,560 --> 00:07:17,640 Speaker 3: la la la if you can do la la la. 142 00:07:18,000 --> 00:07:19,000 Speaker 1: I was trying to do it at home. 143 00:07:19,960 --> 00:07:26,720 Speaker 2: Now I cannot, okay, in you in the choir, I'm definitely. 144 00:07:26,680 --> 00:07:29,240 Speaker 3: I mean, all you have to do is and you 145 00:07:29,320 --> 00:07:32,600 Speaker 3: know that's great because Limelight is the beginning piece to 146 00:07:32,640 --> 00:07:33,080 Speaker 3: the puzzle. 147 00:07:33,080 --> 00:07:33,640 Speaker 1: I'm fine with that. 148 00:07:34,560 --> 00:07:39,040 Speaker 3: And you know, just to see people grow from Limelight, right, 149 00:07:39,400 --> 00:07:41,360 Speaker 3: they come from Limelight and they make it up to 150 00:07:41,480 --> 00:07:44,080 Speaker 3: prime time and I just think it's a wonderful system 151 00:07:44,080 --> 00:07:44,440 Speaker 3: we have. 152 00:07:44,920 --> 00:07:46,800 Speaker 1: So why did you even start, DYC. 153 00:07:47,160 --> 00:07:49,640 Speaker 2: Let's talk about you and what made you decide this 154 00:07:49,800 --> 00:07:52,680 Speaker 2: was something that you wanted to do. Because if I'm 155 00:07:52,680 --> 00:07:56,400 Speaker 2: not mistaken, over fifteen hundred students have gone through going. 156 00:07:56,280 --> 00:07:59,240 Speaker 3: Through the program. And okay, So I was twenty years 157 00:07:59,280 --> 00:08:03,320 Speaker 3: old actually singing with the choir that is now Detroit 158 00:08:03,320 --> 00:08:07,560 Speaker 3: Youth Choir was called Detroit Children's Concert Choir and it 159 00:08:07,640 --> 00:08:12,960 Speaker 3: was under the direction of mister Ivory. Right. He said, hey, Anthony, 160 00:08:14,080 --> 00:08:16,480 Speaker 3: I'm moving. I want you to take this choir to 161 00:08:16,520 --> 00:08:19,760 Speaker 3: the next level and it's yours. And I said, I 162 00:08:19,800 --> 00:08:22,320 Speaker 3: don't know, I'm only twenty years old. What do I 163 00:08:22,360 --> 00:08:25,320 Speaker 3: know about business? I took it over and from there 164 00:08:25,440 --> 00:08:27,880 Speaker 3: I started with seven young people because they all left 165 00:08:28,280 --> 00:08:32,440 Speaker 3: after he left except for seven. Now took seven and 166 00:08:32,520 --> 00:08:36,079 Speaker 3: turned it into what is now known as the world's 167 00:08:36,080 --> 00:08:39,960 Speaker 3: greatest the world's greatest youth choir that's out here at DYC. 168 00:08:40,600 --> 00:08:42,320 Speaker 2: How hard is it for you when you get so 169 00:08:42,480 --> 00:08:45,800 Speaker 2: attached to these students, But it is a level of commitment. 170 00:08:45,840 --> 00:08:48,560 Speaker 2: And you know what, it's not just commitment from the students, 171 00:08:48,600 --> 00:08:50,119 Speaker 2: it's also from the families. 172 00:08:50,120 --> 00:08:53,520 Speaker 3: The parents are. The parents is the biggest piece of 173 00:08:53,559 --> 00:08:56,400 Speaker 3: the puzzle. I don't give a lot of shout out 174 00:08:56,440 --> 00:08:58,360 Speaker 3: to them a lot, but I'm going to shout them out. 175 00:08:58,520 --> 00:09:02,080 Speaker 3: Shout out to our DYC parents staff, and we come 176 00:09:02,120 --> 00:09:05,760 Speaker 3: together as a family. So it takes a village literally 177 00:09:06,480 --> 00:09:12,400 Speaker 3: to get these kids on that stage. They are. I mean, 178 00:09:12,440 --> 00:09:16,040 Speaker 3: the parents are so supportive, even though they give me 179 00:09:16,080 --> 00:09:18,760 Speaker 3: the side I sometime because I require so much of 180 00:09:18,800 --> 00:09:22,000 Speaker 3: their time that they're like, oh my god, here we go. 181 00:09:22,400 --> 00:09:24,600 Speaker 3: You got another rehearsal, We got this, we got that. 182 00:09:24,880 --> 00:09:27,480 Speaker 3: But you have to rehearse, you have to practice to 183 00:09:27,559 --> 00:09:28,160 Speaker 3: become better. 184 00:09:28,760 --> 00:09:30,839 Speaker 2: And you know, sometimes because I know students who have 185 00:09:30,920 --> 00:09:33,840 Speaker 2: played like an aau and all of that. Sometimes for 186 00:09:33,920 --> 00:09:37,240 Speaker 2: the parents, if parents aren't as invested or don't have 187 00:09:37,320 --> 00:09:40,720 Speaker 2: the time and the ability to be able to drive here, 188 00:09:40,840 --> 00:09:43,680 Speaker 2: go here. You know, it plays a part, that does 189 00:09:43,720 --> 00:09:45,680 Speaker 2: play a part, and that has to be difficult when 190 00:09:45,760 --> 00:09:49,080 Speaker 2: you know kids really want to participate, but it might 191 00:09:49,120 --> 00:09:52,840 Speaker 2: be some obstacles in order to make that happen. 192 00:09:53,040 --> 00:09:56,320 Speaker 3: And a lot of young people they come from like 193 00:09:56,400 --> 00:10:01,840 Speaker 3: different good neighborhoods, some bad neighborhood Some of them have 194 00:10:01,960 --> 00:10:06,959 Speaker 3: to deal with a parent that's not doing so well financially, 195 00:10:07,440 --> 00:10:10,320 Speaker 3: so they come to d YC for like refuge, right, 196 00:10:10,679 --> 00:10:12,600 Speaker 3: So they'll say, mister White, can you work with us? 197 00:10:12,640 --> 00:10:15,520 Speaker 3: We want our daughter, we want our son, and we 198 00:10:15,520 --> 00:10:18,360 Speaker 3: we were able to work with them, like it caught it. Actually, 199 00:10:18,600 --> 00:10:22,600 Speaker 3: it's a registration fee to be in DYC and once 200 00:10:22,600 --> 00:10:25,680 Speaker 3: they pay that, that's it for the year. So we 201 00:10:25,760 --> 00:10:27,680 Speaker 3: don't do an every week type deal. 202 00:10:28,320 --> 00:10:33,600 Speaker 2: So and it's not ridiculous. It's like one two hundred dollars, yeah, two. 203 00:10:33,520 --> 00:10:36,959 Speaker 3: Hundred dollars a year. And uh, they're responsible for their 204 00:10:37,080 --> 00:10:40,640 Speaker 3: uniforms as well. And that's nothing these days in age 205 00:10:41,640 --> 00:10:44,920 Speaker 3: as far as registration being in the program. So I'll 206 00:10:45,000 --> 00:10:47,360 Speaker 3: try to keep it really affordable for our parents. 207 00:10:47,840 --> 00:10:50,360 Speaker 2: How did you guys, decide which students you wanted to 208 00:10:50,440 --> 00:10:55,480 Speaker 2: focus on because there are so many extraordinary students that 209 00:10:55,559 --> 00:10:55,800 Speaker 2: are there. 210 00:10:55,920 --> 00:10:57,160 Speaker 1: So how did how did that happen? 211 00:10:57,600 --> 00:11:03,679 Speaker 3: Well, it was really the director, Rudy Valdez. He was like, hey, 212 00:11:04,040 --> 00:11:07,800 Speaker 3: point me out, like five kids that have some great stories. 213 00:11:07,920 --> 00:11:10,640 Speaker 3: I gave him five, but I think he went over 214 00:11:10,760 --> 00:11:14,360 Speaker 3: that and he chose some great kids. I know, Ryan 215 00:11:15,160 --> 00:11:21,280 Speaker 3: Bowen's is one of the young men. Kennedy fought, let 216 00:11:21,360 --> 00:11:25,959 Speaker 3: me see Gwynn chie Chi, uh you ch Chi and 217 00:11:26,280 --> 00:11:29,840 Speaker 3: Kayla Roach. That's the main five, but there's some other kids. 218 00:11:31,880 --> 00:11:32,520 Speaker 3: I forgot about. 219 00:11:34,720 --> 00:11:37,959 Speaker 2: Decision because this is a huge time commitment and so 220 00:11:38,360 --> 00:11:41,080 Speaker 2: imagine being a student. And he's like, Okay, those are 221 00:11:41,160 --> 00:11:44,559 Speaker 2: big decisions though, like life decisions. I have basketball here, 222 00:11:45,120 --> 00:11:48,160 Speaker 2: I have d y C here, and they both are 223 00:11:48,240 --> 00:11:51,760 Speaker 2: requiring me, like make a decisions. 224 00:11:50,600 --> 00:11:53,240 Speaker 3: A decision. You know what? It was rough for Azaria. 225 00:11:54,480 --> 00:11:59,640 Speaker 3: She's at Delaware State University right now, and she is extraordinary. 226 00:12:00,400 --> 00:12:03,520 Speaker 3: She's she been with me since she was nine and 227 00:12:04,520 --> 00:12:07,839 Speaker 3: nine to eighteen. I mean, her commitment to d YC 228 00:12:08,080 --> 00:12:15,000 Speaker 3: is extraordinary. And this story, this Docuseriies chronicalized everything of 229 00:12:15,240 --> 00:12:19,199 Speaker 3: her struggles with the basketball. You know, I was supporting 230 00:12:19,240 --> 00:12:22,120 Speaker 3: her with that as well, but I was like, Zar, here, 231 00:12:22,559 --> 00:12:26,040 Speaker 3: you got to choose one. You have to You can't 232 00:12:26,080 --> 00:12:30,320 Speaker 3: put one hundred percent in DYC while you playing basketball, 233 00:12:30,640 --> 00:12:32,640 Speaker 3: or you can't put one hundred percent in basketball while doing. 234 00:12:32,600 --> 00:12:35,040 Speaker 1: D and you also have school and you have school. 235 00:12:35,360 --> 00:12:37,720 Speaker 3: So I mean, that was a little tough for her. 236 00:12:38,240 --> 00:12:40,360 Speaker 3: But she came out of that, she really did, and 237 00:12:40,480 --> 00:12:42,200 Speaker 3: she's she's successful right now. 238 00:12:42,280 --> 00:12:44,240 Speaker 2: So I'm happy for What are some of the other 239 00:12:44,440 --> 00:12:47,480 Speaker 2: great success stories that you've had throughout your years. 240 00:12:47,600 --> 00:12:48,360 Speaker 1: Just give us a couple. 241 00:12:49,240 --> 00:12:53,040 Speaker 3: Uh. We had a girl Ala Stackhouse. She wound up 242 00:12:53,160 --> 00:12:55,320 Speaker 3: on Broadway like in the Book of Mormon. 243 00:12:56,160 --> 00:12:57,079 Speaker 1: Yeah, it's huge. 244 00:12:57,280 --> 00:13:03,120 Speaker 3: She was. She went through DYC. I've had people become lawyers, doctors, 245 00:13:03,240 --> 00:13:06,480 Speaker 3: teachers out of the Detroit Youth Choir. And you wouldn't 246 00:13:06,559 --> 00:13:09,920 Speaker 3: know this just sitting up in rehearsal. I'm just going 247 00:13:10,000 --> 00:13:13,040 Speaker 3: through music and songs and different things. But they take 248 00:13:13,160 --> 00:13:16,559 Speaker 3: what I instruct them to do and apply it to 249 00:13:16,720 --> 00:13:22,000 Speaker 3: the art of teaching the art of being a lawyer 250 00:13:22,200 --> 00:13:25,160 Speaker 3: and a doctor. So they you know, they go on 251 00:13:25,320 --> 00:13:28,040 Speaker 3: and they come back and say, I appreciate you, mister white, 252 00:13:28,280 --> 00:13:30,959 Speaker 3: and I'm only I'm young. I'm like forty four. And 253 00:13:31,480 --> 00:13:35,000 Speaker 3: these young people they have kids too, so they put 254 00:13:35,040 --> 00:13:38,160 Speaker 3: their kids, their child in DYC. So it's kind of 255 00:13:39,120 --> 00:13:41,640 Speaker 3: it's kind of weird to see that, Like your son 256 00:13:41,800 --> 00:13:44,120 Speaker 3: is in the choir now, and I had you when 257 00:13:44,160 --> 00:13:45,480 Speaker 3: you were twelve, you know what I'm saying. 258 00:13:45,559 --> 00:13:48,000 Speaker 2: So it's just the amount of discipline and confidence that 259 00:13:48,120 --> 00:13:50,320 Speaker 2: it takes to be able to get up in front 260 00:13:50,360 --> 00:13:53,240 Speaker 2: of an audience and be prepared an on point. But 261 00:13:53,400 --> 00:13:55,959 Speaker 2: also that's not an easy thing to do, even just 262 00:13:56,040 --> 00:13:57,040 Speaker 2: to get on that stage. 263 00:13:57,240 --> 00:14:01,960 Speaker 3: It's not it's very hard to get on that Carnegie 264 00:14:02,040 --> 00:14:09,199 Speaker 3: stage though. That was scary, but it was joyful, you know. 265 00:14:09,280 --> 00:14:12,760 Speaker 3: I will say it was joyful because we accomplished something 266 00:14:13,640 --> 00:14:17,000 Speaker 3: that a lot of youth choirs haven't done yet, you know, 267 00:14:17,160 --> 00:14:20,400 Speaker 3: being in New York, you know what I'm saying. And 268 00:14:21,320 --> 00:14:23,920 Speaker 3: these kids were crying, See the cameras didn't show that. 269 00:14:24,000 --> 00:14:27,280 Speaker 3: They were actually like it was like, this is our moment, 270 00:14:27,680 --> 00:14:29,880 Speaker 3: you know, and then they were just oh, they was 271 00:14:29,960 --> 00:14:33,440 Speaker 3: breathing and the tears were coming down and it made 272 00:14:33,480 --> 00:14:36,120 Speaker 3: me tear up. And when I walked off that stage, 273 00:14:36,160 --> 00:14:39,800 Speaker 3: I was like it was like something being lifted off 274 00:14:39,840 --> 00:14:42,880 Speaker 3: my back and just to have them do that was extraordinary. 275 00:14:43,160 --> 00:14:45,520 Speaker 1: What do you hope that people who watch this docuseriies 276 00:14:45,560 --> 00:14:46,200 Speaker 1: will get out of it? 277 00:14:48,000 --> 00:14:53,440 Speaker 3: I hope they get get out of our docuseries hope 278 00:14:54,000 --> 00:14:58,400 Speaker 3: struggle how to deal with the young people of today. 279 00:14:59,040 --> 00:15:00,600 Speaker 3: You know a lot of people don't really know how 280 00:15:00,640 --> 00:15:03,960 Speaker 3: to deal with our youth. And what I do. I 281 00:15:04,120 --> 00:15:06,320 Speaker 3: just tell them the truth. I know a lot of 282 00:15:06,320 --> 00:15:09,000 Speaker 3: people don't like the truth, but I'll say, hey, you know, 283 00:15:09,120 --> 00:15:11,360 Speaker 3: you need to work on that, or you're not sounding 284 00:15:11,440 --> 00:15:15,000 Speaker 3: so good today. Choir directors don't really do that because 285 00:15:15,040 --> 00:15:17,120 Speaker 3: they're scared, Oh they're going to go back to their mother, 286 00:15:17,640 --> 00:15:19,760 Speaker 3: you know, father or whatever. But I just going ahead 287 00:15:19,800 --> 00:15:22,800 Speaker 3: to say it. But the young people know that I'm 288 00:15:23,120 --> 00:15:25,880 Speaker 3: doing it out of love. So I want people to 289 00:15:25,960 --> 00:15:29,080 Speaker 3: get love out of this docu series and not so 290 00:15:29,280 --> 00:15:31,640 Speaker 3: much of It's not all about the music, you know 291 00:15:31,760 --> 00:15:33,000 Speaker 3: all the time at all. 292 00:15:33,040 --> 00:15:35,800 Speaker 2: About love, yeah, you know, and the camaraderie too, I think, 293 00:15:36,240 --> 00:15:39,840 Speaker 2: just to see their friendships. Yeah that are that you 294 00:15:39,920 --> 00:15:43,000 Speaker 2: get that developed and some people that are in there 295 00:15:43,040 --> 00:15:43,560 Speaker 2: that are friends. 296 00:15:43,600 --> 00:15:46,240 Speaker 1: And I can't remember her name, but she. 297 00:15:46,400 --> 00:15:51,080 Speaker 2: Was like, listen, if my best friend, Oh yeah, she's 298 00:15:51,200 --> 00:15:55,160 Speaker 2: like if I move up and she doesn't, but she 299 00:15:55,320 --> 00:15:58,480 Speaker 2: move up and I don't, I know. But just to 300 00:15:58,520 --> 00:16:00,680 Speaker 2: see how they also root for each because I think 301 00:16:00,760 --> 00:16:03,000 Speaker 2: that's a great life lesson too right. 302 00:16:03,160 --> 00:16:05,640 Speaker 1: It's not one of us, only one of us can 303 00:16:05,720 --> 00:16:06,480 Speaker 1: make it right. 304 00:16:07,040 --> 00:16:11,200 Speaker 3: And just to know that Detroit is being shown in 305 00:16:11,320 --> 00:16:15,160 Speaker 3: the positive light. I mean, they made the city look beautiful, 306 00:16:15,800 --> 00:16:19,640 Speaker 3: just like Detroit is. And even the place where we rehearse, 307 00:16:19,840 --> 00:16:21,680 Speaker 3: they made that look spectacular. 308 00:16:22,040 --> 00:16:25,640 Speaker 1: If you asked me, Detroit has so many beautiful locations. 309 00:16:25,840 --> 00:16:26,720 Speaker 1: Oh yes, you know. 310 00:16:26,840 --> 00:16:29,360 Speaker 2: And I know sometimes people will say, like I remember 311 00:16:29,400 --> 00:16:32,240 Speaker 2: I posted the building that I have in Midtown and 312 00:16:32,360 --> 00:16:35,240 Speaker 2: there was some people in the comments like, oh, who 313 00:16:35,320 --> 00:16:37,320 Speaker 2: wants to be in Detroit? And I was like, Detroit 314 00:16:37,440 --> 00:16:39,840 Speaker 2: is such an amazing city and if you don't go 315 00:16:40,000 --> 00:16:43,320 Speaker 2: there and get to experience certain things, you know, the food, 316 00:16:43,840 --> 00:16:45,960 Speaker 2: I think, the architecture, the people. 317 00:16:46,160 --> 00:16:50,560 Speaker 3: Oh yeah, and they love you, Angela, Detroit loves you 318 00:16:50,920 --> 00:16:53,200 Speaker 3: and you should just come and pop up at a 319 00:16:53,280 --> 00:16:54,080 Speaker 3: rehearsal one day. 320 00:16:54,280 --> 00:16:56,360 Speaker 2: Yeah, I'm actually you know, I'm back and forth. I'm 321 00:16:56,360 --> 00:16:58,640 Speaker 2: there at least once a month. Yeah, and there's a 322 00:16:58,720 --> 00:16:59,800 Speaker 2: lot of great incentives for. 323 00:17:01,520 --> 00:17:02,240 Speaker 3: Live in the city. 324 00:17:02,320 --> 00:17:04,720 Speaker 1: Yeah, to live in the city, but to also invest 325 00:17:05,359 --> 00:17:06,160 Speaker 1: in Detroit. 326 00:17:05,880 --> 00:17:10,080 Speaker 3: Get your money in Detroit and see it grow, because 327 00:17:10,400 --> 00:17:14,600 Speaker 3: I mean, who would have thought, you know, pouring into 328 00:17:14,680 --> 00:17:19,320 Speaker 3: an organization like us like DYC would actually grow into 329 00:17:19,400 --> 00:17:25,040 Speaker 3: a Disney Right, that's amazing. That's something else. And I 330 00:17:25,200 --> 00:17:28,160 Speaker 3: was telling Donell over there, like what you ever thought 331 00:17:28,280 --> 00:17:31,320 Speaker 3: that we would have been on Disney coming from like 332 00:17:31,400 --> 00:17:36,080 Speaker 3: America's Got talent? Because this young man did the music 333 00:17:36,800 --> 00:17:40,480 Speaker 3: for us for AGT along with their producers. So he 334 00:17:40,680 --> 00:17:42,840 Speaker 3: was up in there working and and we was all 335 00:17:42,920 --> 00:17:45,919 Speaker 3: working together, and that's how we got the Golden buzzer 336 00:17:45,960 --> 00:17:46,399 Speaker 3: and everything. 337 00:17:46,760 --> 00:17:48,679 Speaker 1: And you know what, you don't know either, there's always 338 00:17:48,760 --> 00:17:49,800 Speaker 1: more levels to unlock. 339 00:17:50,320 --> 00:17:54,359 Speaker 2: So it's America's Got talent, it's this Disney Plus series 340 00:17:54,480 --> 00:17:58,560 Speaker 2: Docusaries Choir that's out now, and there's Carnegie Hall, and 341 00:17:58,640 --> 00:18:00,520 Speaker 2: then who knows what that next level about to be? 342 00:18:00,840 --> 00:18:05,159 Speaker 3: Well, we're supposed to be going to Africa there you go, okay, 343 00:18:05,400 --> 00:18:10,080 Speaker 3: and Africa look not Roby, right, So they actually asked 344 00:18:10,160 --> 00:18:13,480 Speaker 3: us to come and do a music festival in April. Yes, 345 00:18:13,680 --> 00:18:17,919 Speaker 3: so we're looking for donations and stuff to help us 346 00:18:17,960 --> 00:18:20,960 Speaker 3: get there. So I want these kids in Africa, so 347 00:18:21,560 --> 00:18:23,360 Speaker 3: if I want them there, or they're going to get there. 348 00:18:23,640 --> 00:18:24,679 Speaker 1: So how can people donate? 349 00:18:24,920 --> 00:18:27,199 Speaker 3: Well, they can go on our website, which is Detroit 350 00:18:27,280 --> 00:18:30,159 Speaker 3: Youth Choir dot org and donate as much as you 351 00:18:30,280 --> 00:18:34,320 Speaker 3: can to their Africa trip because we need it. I know, 352 00:18:34,440 --> 00:18:36,200 Speaker 3: we have to do airline tickets and stuff like. 353 00:18:36,240 --> 00:18:37,000 Speaker 1: That's not a game. 354 00:18:38,040 --> 00:18:39,960 Speaker 2: Good luck to you on that flight with everybody too, 355 00:18:40,000 --> 00:18:44,000 Speaker 2: because that's a long flight. I think, yeah, once I 356 00:18:44,080 --> 00:18:46,280 Speaker 2: went to South Africa that that's the longest spot I've 357 00:18:46,359 --> 00:18:46,840 Speaker 2: ever been on. 358 00:18:47,160 --> 00:18:50,200 Speaker 3: Really, yeah, did you sleeppt. 359 00:18:49,520 --> 00:18:50,280 Speaker 1: The entire time? I? 360 00:18:50,320 --> 00:18:53,400 Speaker 2: Actually, to be honest, I took a sleeping pill really 361 00:18:53,600 --> 00:18:55,960 Speaker 2: and part way through and the guy next to me 362 00:18:56,000 --> 00:18:57,600 Speaker 2: went to stopped talking to me, so I gave him one. 363 00:18:59,040 --> 00:18:59,760 Speaker 3: That's how you do it. 364 00:19:02,480 --> 00:19:04,240 Speaker 1: I said, so do you want one of these? And 365 00:19:04,400 --> 00:19:06,000 Speaker 1: he was like, oh is it? I was like, it's 366 00:19:06,040 --> 00:19:07,800 Speaker 1: from the drug store right here. He took it and 367 00:19:07,880 --> 00:19:08,640 Speaker 1: he was knocked out. 368 00:19:09,200 --> 00:19:09,800 Speaker 3: Knock him out? 369 00:19:09,920 --> 00:19:10,800 Speaker 1: I thank goodness. 370 00:19:11,560 --> 00:19:13,919 Speaker 3: Yeah, I mean, you don't want to talk to nobody 371 00:19:14,000 --> 00:19:17,080 Speaker 3: on the twenty twenty hour flight, not like that. But 372 00:19:17,280 --> 00:19:18,560 Speaker 3: movies I will, Yeah, yes. 373 00:19:19,160 --> 00:19:21,680 Speaker 2: And now when it comes to your own inspirations, yes, 374 00:19:21,800 --> 00:19:24,440 Speaker 2: where do you draw inspiration from for the choir? 375 00:19:24,520 --> 00:19:27,879 Speaker 3: I'm glad you asked that. Actually a choir that was 376 00:19:27,960 --> 00:19:30,720 Speaker 3: here in New York, the Boy's Cry of arlom Oh. Yes, 377 00:19:30,960 --> 00:19:35,200 Speaker 3: they were a big milestone inspiration for me, and the 378 00:19:35,320 --> 00:19:37,840 Speaker 3: kids are tired of me talking about the Boy's Choir. 379 00:19:38,560 --> 00:19:44,360 Speaker 3: And when I saw them perform live back in Detroit, 380 00:19:44,960 --> 00:19:47,240 Speaker 3: I just fell in love with them. I heard them 381 00:19:47,280 --> 00:19:53,040 Speaker 3: on a few soundtracks Malcolm x Glory with Denzel and 382 00:19:53,480 --> 00:19:56,680 Speaker 3: also they were on Jungle Fever and a couple of 383 00:19:56,760 --> 00:19:59,320 Speaker 3: other Spike Lee joints. You know what I'm saying. And 384 00:19:59,440 --> 00:20:01,280 Speaker 3: when I found out of Bottom, I fell in love. 385 00:20:01,960 --> 00:20:06,479 Speaker 3: And that is our true inspiration for the Detroit Youth 386 00:20:06,600 --> 00:20:08,720 Speaker 3: Choir because if you look at us, we have the 387 00:20:08,840 --> 00:20:12,600 Speaker 3: logo just like they had their logo. We always in uniform, 388 00:20:12,960 --> 00:20:16,159 Speaker 3: just like they were always in uniform. So I chose 389 00:20:16,440 --> 00:20:23,000 Speaker 3: that choir to emulate because of their discipline and the culture, 390 00:20:23,440 --> 00:20:26,399 Speaker 3: the culture that they brought to choir because they were dancing, 391 00:20:26,800 --> 00:20:30,280 Speaker 3: singing and everything as well. So I wanted to continue 392 00:20:30,400 --> 00:20:35,480 Speaker 3: that legacy of the Harlem Boys Choir just to give 393 00:20:35,520 --> 00:20:36,040 Speaker 3: them honor. 394 00:20:36,560 --> 00:20:39,239 Speaker 1: Yeah, because you had these kids running working out. They 395 00:20:39,359 --> 00:20:40,760 Speaker 1: have to do all these because. 396 00:20:40,520 --> 00:20:42,920 Speaker 2: That's not an easy task to get out like le stays, 397 00:20:42,920 --> 00:20:43,920 Speaker 2: because they're not just singing. 398 00:20:44,040 --> 00:20:45,080 Speaker 1: They got routines. 399 00:20:46,240 --> 00:20:49,480 Speaker 3: DYC is the whole package. And I would say this 400 00:20:49,600 --> 00:20:52,560 Speaker 3: to everybody, anybody out there that want to join our choir. 401 00:20:54,400 --> 00:20:57,840 Speaker 3: It's like a sport. It's like basketball, it's like football. 402 00:20:58,280 --> 00:21:02,200 Speaker 3: So we do jumping jacks, we we do knee highs. 403 00:21:02,520 --> 00:21:05,760 Speaker 1: You gotta have your wind, you got and you. 404 00:21:05,840 --> 00:21:09,920 Speaker 3: Know, you gotta have that breath right. And even though 405 00:21:10,040 --> 00:21:14,480 Speaker 3: I don't join in with that, I love watching them, 406 00:21:14,720 --> 00:21:18,119 Speaker 3: you know, get there, stammina up because the dancing scene, 407 00:21:18,400 --> 00:21:22,760 Speaker 3: for real, for real is really hard. 408 00:21:23,200 --> 00:21:26,040 Speaker 2: And you know what, the Detroit music scene popping the 409 00:21:26,080 --> 00:21:27,560 Speaker 2: way that it is. I can see a lot of 410 00:21:27,640 --> 00:21:29,680 Speaker 2: Detroit artists being like, we need to work with the 411 00:21:29,760 --> 00:21:31,520 Speaker 2: Detroit A Choir and get them on the album. 412 00:21:31,880 --> 00:21:35,080 Speaker 3: That's what I can't wait. I know we're doing something 413 00:21:35,119 --> 00:21:36,120 Speaker 3: with skill a Baby. 414 00:21:36,200 --> 00:21:36,760 Speaker 1: Get at it. 415 00:21:37,160 --> 00:21:37,720 Speaker 3: I love that. 416 00:21:37,920 --> 00:21:40,000 Speaker 1: I know the kids that I love Still a Baby. 417 00:21:40,040 --> 00:21:42,280 Speaker 2: He's actually been up here and he's been on lip 418 00:21:42,359 --> 00:21:44,760 Speaker 2: service and he works in the same studio I work 419 00:21:44,800 --> 00:21:46,520 Speaker 2: in when I do my podcast. 420 00:21:46,640 --> 00:21:50,320 Speaker 3: Yeah, skill a jumped on the remix the popping that's 421 00:21:50,400 --> 00:21:53,040 Speaker 3: one of our songs. Yes, yeah, and shout out to 422 00:21:53,119 --> 00:21:54,359 Speaker 3: our love that. 423 00:21:54,680 --> 00:21:54,880 Speaker 2: Yeah. 424 00:21:55,000 --> 00:21:59,399 Speaker 3: So our producers de Slate right, he wrote him and 425 00:21:59,560 --> 00:22:03,159 Speaker 3: Buddy is this writing partner. They wrote all of our 426 00:22:03,200 --> 00:22:08,000 Speaker 3: original music. And there's fantastic Mama, we made it. Just 427 00:22:08,160 --> 00:22:10,920 Speaker 3: came out a week ago, and that's that's a big 428 00:22:11,000 --> 00:22:12,280 Speaker 3: I want you to see. I want you to hear 429 00:22:12,320 --> 00:22:12,479 Speaker 3: that out. 430 00:22:12,560 --> 00:22:16,040 Speaker 2: That's gonna be so huge. And you also have songwriters, right, yes, 431 00:22:16,160 --> 00:22:17,200 Speaker 2: our kids. 432 00:22:17,000 --> 00:22:21,879 Speaker 3: Yeah, oh yeah, our students are beautiful songwriters. Actually a 433 00:22:22,000 --> 00:22:23,920 Speaker 3: lot of our songs, a lot of our materials is 434 00:22:23,960 --> 00:22:28,080 Speaker 3: an accumulation of what their thoughts, you know, on paper. 435 00:22:28,720 --> 00:22:32,280 Speaker 3: And also, uh, they write for themselves. So I have 436 00:22:32,359 --> 00:22:36,040 Speaker 3: a lot of artists in our choir as well. Label 437 00:22:36,440 --> 00:22:40,159 Speaker 3: you know that's we already well we got we got 438 00:22:40,280 --> 00:22:41,320 Speaker 3: d YC Productions. 439 00:22:41,560 --> 00:22:44,480 Speaker 1: Yeah, you need to be putting this music out. You 440 00:22:44,640 --> 00:22:46,800 Speaker 1: like Motown over here to New Motown. 441 00:22:47,000 --> 00:22:49,920 Speaker 3: Motown, that's what they call us. They called d YC. 442 00:22:50,320 --> 00:22:52,640 Speaker 3: They say, you guys got it all, you got the factory, 443 00:22:52,720 --> 00:22:53,399 Speaker 3: you got you. 444 00:22:53,480 --> 00:22:54,800 Speaker 2: Do because you know a lot of people don't do 445 00:22:54,960 --> 00:23:00,440 Speaker 2: artists development now, and this really is pretty much artist's development. Yeah, 446 00:23:00,640 --> 00:23:02,680 Speaker 2: these kids are learning a lot of different things that 447 00:23:03,080 --> 00:23:05,720 Speaker 2: most artists are going viral and just sign into a label. 448 00:23:06,080 --> 00:23:08,400 Speaker 2: But right now, this is the preparation the hard work 449 00:23:08,480 --> 00:23:11,080 Speaker 2: that comes with It's a job to be an artist, 450 00:23:11,240 --> 00:23:11,480 Speaker 2: it is. 451 00:23:11,720 --> 00:23:16,240 Speaker 3: And we are the front runners in Detroit to artists development. 452 00:23:16,480 --> 00:23:18,560 Speaker 3: But you know we still have motown there. Yeah yeah, 453 00:23:18,680 --> 00:23:21,960 Speaker 3: but we are like we do it. It's an inquire 454 00:23:22,119 --> 00:23:26,280 Speaker 3: for you know, so even though we don't really concentrate 455 00:23:26,320 --> 00:23:29,920 Speaker 3: on individuals, we do it all together. So a skill 456 00:23:29,960 --> 00:23:32,720 Speaker 3: of Baby or a jay Z or somebody will call 457 00:23:32,880 --> 00:23:34,800 Speaker 3: us and say, hey, we need you on the track, 458 00:23:35,160 --> 00:23:38,040 Speaker 3: you know, so if any artists out there want to 459 00:23:38,040 --> 00:23:39,960 Speaker 3: work with us, we're here. We here. 460 00:23:40,320 --> 00:23:43,399 Speaker 1: Okay, we see a lot of the kids dancing is sexy. 461 00:23:43,240 --> 00:23:50,240 Speaker 3: Red, yeah, sexy red. Yeah. 462 00:23:51,119 --> 00:23:52,840 Speaker 2: But listen, I want to thank you so much for 463 00:23:52,960 --> 00:23:55,440 Speaker 2: taking the time out to come here, because once I 464 00:23:55,480 --> 00:23:57,040 Speaker 2: saw this is coming out, I knew we had to 465 00:23:57,119 --> 00:23:59,280 Speaker 2: have you up here to highlight these students and. 466 00:23:59,320 --> 00:24:01,480 Speaker 1: This beautiful story in the work that you've been doing. 467 00:24:01,520 --> 00:24:04,399 Speaker 2: You need to get your flowers because it is a 468 00:24:04,480 --> 00:24:07,360 Speaker 2: lot that you're doing for these youths, so like literally 469 00:24:07,680 --> 00:24:10,400 Speaker 2: you know, a couple of thousand kids and their families 470 00:24:10,480 --> 00:24:12,520 Speaker 2: have been affected by you, and I know this is 471 00:24:12,600 --> 00:24:13,879 Speaker 2: something that's going to continue on. 472 00:24:14,160 --> 00:24:15,440 Speaker 1: So it's really really dope. 473 00:24:15,600 --> 00:24:17,520 Speaker 3: Thank you, and to be here on way up, it's 474 00:24:17,640 --> 00:24:21,040 Speaker 3: like a dream come true. So I want to thank 475 00:24:21,080 --> 00:24:23,720 Speaker 3: you and give you your flowers as well. Thank you. 476 00:24:23,760 --> 00:24:24,680 Speaker 1: I cannot wait to see y'all. 477 00:24:24,680 --> 00:24:27,320 Speaker 2: Lindy Tray, we're stopping by, come on by, all right, 478 00:24:27,400 --> 00:24:31,440 Speaker 2: make sure y'all watch Choir six part Docusaries all six 479 00:24:31,520 --> 00:24:33,720 Speaker 2: parts coming out. It's out right now on Disney Plus, 480 00:24:33,840 --> 00:24:35,680 Speaker 2: so you can check it out and you're gonna love it. 481 00:24:35,720 --> 00:24:38,720 Speaker 2: You're gonna get a little emotional, I promise you for sure. 482 00:24:38,880 --> 00:24:40,640 Speaker 2: All Right, thank you so much, Anthony White 483 00:24:43,160 --> 00:24:43,320 Speaker 3: Wo