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Speaker 1: Are you leaving?

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Speaker 2: I you wanna way back home?

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Speaker 1: Either way, we want to be there, doesn't matter how

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Speaker 1: much baggage you claim and give us time and they

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Speaker 1: termino and gay.

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Speaker 2: We want to send you off in style.

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Speaker 1: Do you wanna welcome you back home?

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Speaker 3: Tell us all about it.

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Speaker 1: We scared her?

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Speaker 3: Was it fine?

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Speaker 1: Malcorn?

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Speaker 2: Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 2: Do you need to ride? Ride with Karen and Chris?

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Speaker 2: Welcome to Do you need to ride? This is Chris Fairbanks.

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Speaker 1: And this is Karen Kilgariff.

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Speaker 2: We are driving. This is I don't know where the

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Speaker 2: boundary is, but we're right in the middle of Echo

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Speaker 2: Park and Silver Silver Lake, Silver.

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Speaker 1: Lake, Bolvar, Silver Lake Boulevard.

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Speaker 2: And and it is the area featured in the movie

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Speaker 2: Training Day. It is my neighborhood and and I love it.

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Speaker 1: Yeah, it's pretty great.

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Speaker 3: Yeah, this is where all the beautiful hip people are

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Speaker 3: and all the you know, yeah, all that where.

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Speaker 1: The action is.

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Speaker 2: Yeah. I didn't. I didn't know that. When I was

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Speaker 2: leaving Venice Beach, I was moving somewhere where I'd be

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Speaker 2: confronted by my age because I feel like I moved

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Speaker 2: to like the young hip part of town. Yeah. Yeah,

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Speaker 2: but as you can tell, I've adjusted accordingly and I

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Speaker 2: hipped it up.

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Speaker 1: You've definitely stopped crying about it, that's for sure.

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Speaker 4: Yeah.

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Speaker 2: Yeah, I've started cuffing my pants. You dried your eyes, Yes,

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Speaker 2: quit crying because I was getting tears in the cuffs

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Speaker 2: of my pants. Yeah, and yeah, everyone's like, oh, that guy,

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Speaker 2: he must be he's one of our peers. He's our age.

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Speaker 2: They don't know if all these creams at home that

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Speaker 2: I put on.

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Speaker 1: My face, right, you've tricked them all.

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Speaker 2: Look the pedestrians dance on street corners to themselves.

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Speaker 1: Everybody's tiktoking around, ready to be on cameras.

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Speaker 2: Neighborhood is filled with music and laughter. Yes, it's the

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Speaker 2: joyous area.

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Speaker 1: There's the children at a little school.

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Speaker 2: Yeah, and you can hear their laughs often the day

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Speaker 2: stens every morning. That's that's my rooster.

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Speaker 3: I used to I used to live in this neighborhood,

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Speaker 3: very close to where we are, and hearing school bells

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Speaker 3: is actually kind of a fun way to mark time.

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Speaker 1: If you're home on a this one ring, no.

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Speaker 2: Next one, and next one. It will if you had fun.

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Speaker 2: It's this one. It's a street. Yeah, school bells, you

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Speaker 2: know they get mixed reviews. It's it's however, you were

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Speaker 2: traumatized or not traumatized as a child.

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Speaker 3: Right, and if you work in and out of the home,

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Speaker 3: in or out of the home or.

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Speaker 2: Yeah, or like me, have you spent years ringing a

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Speaker 2: bell for a living?

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Speaker 1: Oh you were Santa Claus?

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Speaker 2: Yeah, yeah, I rang bells for the Salvation Army. Is

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Speaker 2: that Reggie's house? He's having some work done.

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Speaker 1: Well, that's a lot of work.

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Speaker 2: That's a nice patio, though I thought it was a

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Speaker 2: pure yeah. No, yeah, you're right. I randomly picked a house,

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Speaker 2: so I think you're probably right.

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Speaker 1: Is that the number we're looking for you?

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Speaker 2: I think Reggie Watts, our guest today, has little windows

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Speaker 2: in its fence. Look at that.

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Speaker 1: You can't say that.

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Speaker 2: Oh right, Reggie Watts has a fence, and I will

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Speaker 2: describe it no further.

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Speaker 1: His garbage cans are all the same as everybody else's.

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Speaker 2: I'm very Yes, there's nothing that is describable about this place.

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Speaker 1: No, yes, except that it used to be my neighborhood.

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Speaker 3: This is where Pete and I lived five doors down,

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Speaker 3: and it's a great neighborhood, except for the police helicopters.

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Speaker 2: What are your thoughts on the band Three Doors Down?

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Speaker 2: I can't remember, nor can I, And like most people,

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Speaker 2: you try and conjure a tune by them and you

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Speaker 2: come up with third eye blind.

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Speaker 1: That's automatically what happens every time.

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Speaker 2: Yeah, yeah, no one can remember now Three Doors Down?

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Speaker 4: Wash?

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Speaker 2: Will you still call me Superman? Oh? It's so funny.

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Speaker 2: Everyone's fascination with Superman, people like Seinfeld and adult man

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Speaker 2: in a Superman shirt is something you still see often

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Speaker 2: true true, which, oddly enough, a Superman shirt on a

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Speaker 2: man is kryptonite to the ladies.

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Speaker 1: Ironically, isn't it ironic? Don't you think there is?

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Speaker 2: I wonder if Alanis feels bad that she didn't know

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Speaker 2: what the word meant when writing that song, because she

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Speaker 2: does now, she sure does. It takes a while, though,

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Speaker 2: in her defense, to understand irony is a complicated thing.

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Speaker 2: People confuse it for coincidence.

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Speaker 3: Well yeah, and also, I think when you're writing a

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Speaker 3: song like that, you just kind of get carried away

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Speaker 3: with the vibe you're coming out with.

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Speaker 2: Yeah, I had the studio vibe.

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Speaker 1: You just don't give a shit that nothing's tracking.

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Speaker 3: Really, yeah, grammatically, let's see if.

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Speaker 2: We're speaking of tracking.

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Speaker 1: I've never put on my blinkers before. Are you seeing it? Oh?

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Speaker 2: Wow, it's just on the little iPad. It's like you're

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Speaker 2: being forced to work on the computer while you drive. Yeah,

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Speaker 2: can you get photoshop on this?

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Speaker 1: Yeah? I've actually put your head on top of the

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Speaker 1: Three Doors Down album and it is.

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Speaker 2: I knew because I always bring that.

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Speaker 1: Band up and you, Oh, do you love to reference them?

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Speaker 2: I want something else to get me through this semi

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Speaker 2: charm type of life. Babe, babe, just lyrics? Do we

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Speaker 2: get sued for just lyrics?

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Speaker 4: No?

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Speaker 1: I think we can talk out lyrics. Jim. Let us know.

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Speaker 1: Jim is the lawyer who clears all our music songs.

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Speaker 2: There is an image of your dash that is very

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Speaker 2: realistic and all white, and it appears to suggest we're

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Speaker 2: being gassed right now.

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Speaker 1: Yeap, like very lightly though.

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Speaker 2: Yes, it's just a light, refreshing gas.

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Speaker 1: Just very beautiful. And then it gets more intense when

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Speaker 1: when you turn the number up.

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Speaker 2: Stop describing my farts. I always turned to a child.

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Speaker 1: You just like it, that's all.

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Speaker 2: I like looking back on life and remembering the way

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Speaker 2: my brain worked back then. I'm nostalgic for it, so

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Speaker 2: I'm very immature.

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Speaker 1: You don't ever have to look back.

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Speaker 3: You can live in the now with your child that

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Speaker 3: I am now fart now is what I'm saying. When

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Speaker 3: I lived here, that house wasn't here. Like many of

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Speaker 3: these houses have been flipped beautifully.

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Speaker 2: Yeah, that house looks like they finished it last week.

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Speaker 1: Yeah, really nice.

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Speaker 2: It's interesting. I always. It's one of those things I

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Speaker 2: like to look at, just knowing full well I probably

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Speaker 2: won't own one anytime soon. I'm okay with.

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Speaker 1: That, though, I mean, no one can these days.

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Speaker 2: I like looking insane, the freedom of knowing that I

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Speaker 2: can pick up and leave my apartment whenever I want.

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Speaker 2: If you know, it's an opportunity if need be, if

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Speaker 2: need be.

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Speaker 1: If you're a traveling man.

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Speaker 2: I'm a lot like an international spy in that way. Yeah,

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Speaker 2: I have nothing holding me back from just going to Berlin.

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Speaker 1: Except your little yellow hat. It's just very high res.

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Speaker 2: This little hat is my favorite hat, Karen, I'm just

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Speaker 2: saying for a spy. Yeah, oh yeah, yeah, you can't

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Speaker 2: be wearing bright colors. As we know, the supplies dabble

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Speaker 2: mostly in earth tones.

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Speaker 1: They have to.

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Speaker 2: They have to blend, yeah, with the foliage and the

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Speaker 2: mauve of the sky.

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Speaker 1: I like the hat though, it looks good.

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Speaker 2: Thank you. I wasn't. I guess I was kind of

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Speaker 2: forcing a compliment, but I appreciate it.

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Speaker 1: Oh, that's okay.

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Speaker 2: It's from the sub Pop store in the Seattle Airport.

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Speaker 4: Uh oh m.

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Speaker 2: I went there. I didn't even have a flight. You

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Speaker 2: just shopped at the airport. Look. I see what new

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Speaker 2: release books there are and cassette tapes they have smart

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Speaker 2: but it is a beautiful store.

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Speaker 3: Subpop really reigns supreme like in the late nineties early aughts,

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Speaker 3: in a way that they deserve to have an airport

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Speaker 3: store now.

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Speaker 2: Yeah, and you people always when I would wear the

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Speaker 2: hat given to me by one of the members of

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Speaker 2: Sleader Kinney, No, yeah, not personally. It was in a

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Speaker 2: bad can the drummer, I'm not I think maybe yes.

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Speaker 1: Did she have a really good bob, like a very

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Speaker 1: solid bangs across?

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Speaker 2: I don't know. I think she was wearing a little

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Speaker 2: yellow hat.

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Speaker 1: Did she have hair like yours? A little curly, a little.

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Speaker 2: Like again, multiple hats every day at this adult podcast camp.

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Speaker 2: But there was a schwag bag from sub pop.

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Speaker 1: Yeah, oh got it?

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Speaker 2: And then I'm like, what bands are still on sub pop?

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Speaker 2: Isn't that a thing of the past. No, so many

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Speaker 2: current great bands are still on sub pop records. Do

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Speaker 2: you think you should go check it out? Listener?

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Speaker 1: Yeah, let's all support them. Yeah, there's a girl from

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Speaker 1: subpop right now?

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Speaker 2: Yeah, you no joke.

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Speaker 1: I think Reggie just pulled into his own driveway, Am

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Speaker 1: I wrong?

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Speaker 4: Look?

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Speaker 1: I believe someone did.

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Speaker 2: Someone did.

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Speaker 1: That's hilarious.

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Speaker 2: What if we just thwarted a burglary.

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Speaker 1: A burg gallery?

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Speaker 2: I think we just thwarted a burglary. Oh God, that

198
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Speaker 2: burglary was in progress until we thwarted it.

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Speaker 1: This burglar pulls up right to the nest camera and

200
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Speaker 1: it's like, hey, if you didn't get my license plate before,

201
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Speaker 1: I'm right in the driveway.

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Speaker 2: You know why they're unsuccessful, bright yellow burglar masks.

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Speaker 1: See I told you, Yeah, it's not.

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Speaker 2: Good for crime. No, you gotta go black. What if

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Speaker 2: he comes in in Reggie's Superman.

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Speaker 1: That's just a whole new vibe from Reggie. Wats that

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Speaker 1: people have never gotten?

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Speaker 2: I've never I've known him pretty well. We do shows

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Speaker 2: together on Christmas and Montana.

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Speaker 1: We're both from Montana.

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Speaker 2: Yes, And I have never seen the emotion of anger

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Speaker 2: God near him, not even near him, which means he

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Speaker 2: doesn't emit it and no one puts it towards him.

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Speaker 1: Huh.

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Speaker 2: Yeah, he's not. He doesn't have a lot of anger

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Speaker 2: in his life.

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Speaker 1: And he speaks multiple languages, which I think is really cool.

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Speaker 2: French, German, American.

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Speaker 1: American English, British English.

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Speaker 2: There's some Spanish in there also. And there are times

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Speaker 2: in his act where, until I saw the info sheet,

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Speaker 2: I thought he was just speaking a language like Gibberish

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Speaker 2: that sounded like French when he was because he's and

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Speaker 2: now I know he's just speaking fluent French. Oh wow

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Speaker 2: during his act. I've seen him do when he does

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Speaker 2: songs during shows German like metal, and it totally sounds

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Speaker 2: like a song on.

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Speaker 1: Him standing on the street way back behind us.

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Speaker 2: It's funny because you're pointing, I guess at a reflection.

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Speaker 2: You're pointing at the mirror. I really thought you were poining.

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Speaker 1: At that sense right there.

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Speaker 2: That's not him standing within the wood grain of that fence.

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Speaker 2: Is it hainating he took drugs? Again? I'm told you

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Speaker 2: we're podcasting not going to.

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Speaker 1: Is he in the wood of the fence.

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Speaker 2: Here we go again. No, that's an owl.

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Speaker 1: Stop it.

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Speaker 2: The only face you will ever find, Okay, ye, perfect

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Speaker 2: in a grain of wood is an owl.

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Speaker 3: I looked out my own rearview mirror instead of trying

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Speaker 3: to look at it at it in yours, and that

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Speaker 3: is absolutely not I think that's a middle aged white

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Speaker 3: lady what I was looking at.

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Speaker 2: Oh. Yes, there's a lot of just people roaming around

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Speaker 2: the car because they're impressed with how well you keep

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Speaker 2: it up.

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Speaker 1: For a black cart. It's pretty green.

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Speaker 2: There isn't a speca dirt. That group over there is saying.

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Speaker 1: All hip, all cool.

250
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Speaker 2: Yeah. Well, if I've ever gotten stinky from anyone, it

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Speaker 2: was that lady.

252
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Speaker 1: This is young supermodel. Yeah, there are.

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Speaker 2: Pretty much any part of town, though you're going to

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Speaker 2: run into this town as lousy with supermodels and.

255
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Speaker 3: Also people that if you get the sink guy from

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Speaker 3: anybody in Los Angeles and it makes you feel bad,

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Speaker 3: go ahead and look at their license plate. That person

258
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Speaker 3: was from New Mexico. So the problem is their own

259
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Speaker 3: right and we must leave it where it is right

260
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Speaker 3: with them.

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Speaker 2: The main problem being they're hiding so many UFOs.

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Speaker 1: They're lying to the government and they're lying to themselves.

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Speaker 2: I was driving with David Hansberger in New Mexico after

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Speaker 2: Doug Mellard's wedding to our friend Flynn and his wife.

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Speaker 2: Now after the wedding, and we just ended up on

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Speaker 2: the UFO The Philadelphia Project. Oh remember that movie. I

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Speaker 2: vaguely remember it, but there were soldiers with guns and

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Speaker 2: giant hangars and we're like, what's in there UFOs? And

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Speaker 2: he said, eh, maybe, and which I take as a yes.

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Speaker 2: The guy with the gun says maybe you know, he's

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Speaker 2: just beaten around the bush.

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Speaker 1: Yeah, he's actually telling you the truth.

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Speaker 2: Yeah. Yeah, so you heard it here first confirmation. Aliens

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Speaker 2: are real and living in New Mexico and they send

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Speaker 2: very symmetrical humans here to be photographed professionally.

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Speaker 1: Yeah, that would make sense.

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Speaker 2: Yeah.

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Speaker 1: Are you saying like show business people.

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Speaker 2: No, I'm saying the girl that just drove by that

280
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Speaker 2: we thought was a model is actually an alien. Oh okay,

281
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Speaker 2: you can tell because they're very symmetrical. Aliens overdo it

282
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Speaker 2: when they make humans and plant them on Earth. They

283
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Speaker 2: make them very symmetrical.

284
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Speaker 1: Yeah, and kind of hypnotic.

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Speaker 2: They got a beauty mark on this bam. It's also

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Speaker 2: on the other cheek.

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Speaker 1: Bam. Yeah, that's just two big moles. It's weird when

288
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Speaker 1: you're waiting because any moment, he could come, any moment,

289
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Speaker 1: and it affects the conversation.

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Speaker 2: You and I don't want to get into anything deep.

291
00:15:18,560 --> 00:15:22,280
Speaker 3: Yeah, I feel like I'm three quarters listening. Would I apologize?

292
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Speaker 1: No?

293
00:15:22,600 --> 00:15:25,680
Speaker 2: No, Well, all I'm doing is tossing out a bunch

294
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Speaker 2: of foul balls because if I hit a homer what

295
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Speaker 2: a was? And Reggie gets in, it's like, can you

296
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Speaker 2: give us a minute? Yeah, because we have to finish.

297
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Speaker 3: We're having a private mode of comedy.

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Speaker 1: You know that's bad hosting.

299
00:15:40,440 --> 00:15:43,840
Speaker 2: Yeah, yeah it is. You got to keep everything very temporary,

300
00:15:44,120 --> 00:15:44,800
Speaker 2: very flippant.

301
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Speaker 1: You got to keep it flexible and fresh. And the

302
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Speaker 1: thing you love to yell, you got to keep it loose, right, like.

303
00:15:54,320 --> 00:15:57,360
Speaker 2: To yell at loose. Yeah, I'd like to yell at

304
00:15:57,360 --> 00:16:01,720
Speaker 2: a joggers. As I passed them, they immediately start stretching.

305
00:16:03,280 --> 00:16:07,680
Speaker 2: Keep it loose, keep it this silly goose. They love it. Yeah. No,

306
00:16:07,680 --> 00:16:10,240
Speaker 2: one's offended when you called a silly goose.

307
00:16:10,600 --> 00:16:12,760
Speaker 1: You know when they're offended is when you shush them.

308
00:16:12,880 --> 00:16:16,200
Speaker 2: Yes, no one likes that, especially when you extend your

309
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Speaker 2: arm and touch your finger.

310
00:16:17,920 --> 00:16:23,120
Speaker 3: To their lives, you physically shush with your finger them.

311
00:16:23,360 --> 00:16:27,520
Speaker 2: Yes, do not physically shush with your finger.

312
00:16:27,320 --> 00:16:30,400
Speaker 1: Them them won't like it.

313
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Speaker 2: Them don't. Well, are we sure we're at the right

314
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Speaker 2: house that I've described in detail, which we've edited out.

315
00:16:38,840 --> 00:16:44,200
Speaker 3: I looked at it in Google three D maps and

316
00:16:44,360 --> 00:16:47,440
Speaker 3: literally counted the houses between my old house and his house.

317
00:16:48,240 --> 00:16:52,320
Speaker 3: So I feel like, if it's not this house, it's

318
00:16:52,520 --> 00:16:56,080
Speaker 3: this house, because so he will either be coming out

319
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Speaker 3: from here or from there.

320
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Speaker 2: Well, I'm currently flying a drone and looking at the

321
00:17:01,760 --> 00:17:05,040
Speaker 2: video and man, your car is.

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Speaker 1: Immaculate, even from the top.

323
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Speaker 2: But I'm very excited me too.

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Speaker 3: I was on the phone with Danielle yesterday morning. Danielle Kramer.

325
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Speaker 3: She runs exactly.

326
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Speaker 2: Right, she's the coo, she is the that's right, and she.

327
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Speaker 1: Oh miss that house.

328
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Speaker 2: They have an electronic door. I guess that's pretty normal.

329
00:17:30,359 --> 00:17:33,199
Speaker 2: That was invented in the mid eighties, kind of standard. Ye,

330
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Speaker 2: not where I come from.

331
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Speaker 3: And in Daniel's backyard she she and are talking going

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Speaker 3: over our morning call, and then she goes, ugh, there's

333
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Speaker 3: a drone in my backyard and there's just like a

334
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Speaker 3: drone hovering over her yard.

335
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Speaker 2: Yeah, it's it's frightening to me that we've just gotten

336
00:17:51,040 --> 00:17:53,400
Speaker 2: used to that. That's so weird because most of them

337
00:17:53,440 --> 00:17:58,200
Speaker 2: have video capabilities. It's not okay, no, because you know

338
00:17:58,280 --> 00:18:01,040
Speaker 2: the person flying that, I got one in on the

339
00:18:01,080 --> 00:18:03,119
Speaker 2: remote and the other man. I'm not even going to

340
00:18:03,160 --> 00:18:04,240
Speaker 2: mention where the other hand is.

341
00:18:04,280 --> 00:18:07,440
Speaker 1: You don't have to. We're talking about drones.

342
00:18:07,680 --> 00:18:10,920
Speaker 2: Yeah, it's in their pocket searching for money to buy

343
00:18:10,920 --> 00:18:14,679
Speaker 2: a better drone. Here and here we are at the

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Speaker 2: perfect ending of whatever we were talking about.

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Speaker 1: That amazing riff jam Yeah, good morning, Yester morning.

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Speaker 4: I am hello.

347
00:18:29,800 --> 00:18:31,520
Speaker 2: I told you we spoke French.

348
00:18:33,119 --> 00:18:33,800
Speaker 1: Reggie Watt.

349
00:18:33,920 --> 00:18:38,320
Speaker 2: Hello, Reggie class my falangies as I offer them to

350
00:18:38,400 --> 00:18:42,280
Speaker 2: you because we are friends. Hi, Michael Falangio, thank you

351
00:18:42,400 --> 00:18:45,879
Speaker 2: for calling me by my new stage name. In the

352
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Speaker 2: car now is our friend Reggie Watts. Hello, Reggie, Hi,

353
00:18:49,720 --> 00:18:51,399
Speaker 2: I'm Reggie. How are you, buddy?

354
00:18:51,560 --> 00:18:53,119
Speaker 4: I'm really good, Reggie.

355
00:18:53,160 --> 00:18:55,880
Speaker 1: Can I just tell you and really quick?

356
00:18:56,040 --> 00:18:57,240
Speaker 2: You know I was going nowhere.

357
00:18:57,359 --> 00:19:01,840
Speaker 3: I used to live in this apartment right here, in

358
00:19:01,840 --> 00:19:05,480
Speaker 3: this in this black building.

359
00:19:06,040 --> 00:19:12,240
Speaker 1: Yes, it was you lived there and worshiped the devil

360
00:19:16,720 --> 00:19:21,360
Speaker 1: and if you watched Twin Peaks, Laura Palmer's mother, Gray Sabriski,

361
00:19:21,560 --> 00:19:23,560
Speaker 1: just walked out of her house. She lives right across

362
00:19:23,600 --> 00:19:24,000
Speaker 1: the street.

363
00:19:24,080 --> 00:19:26,480
Speaker 2: Wow, yes, wait, you just saw.

364
00:19:26,920 --> 00:19:30,280
Speaker 3: Yes, yes, she lived there when I lived there, and

365
00:19:30,400 --> 00:19:32,719
Speaker 3: she would never acknowledge me or talk to me. Her

366
00:19:32,760 --> 00:19:35,359
Speaker 3: husband would say hi, and they but they were both

367
00:19:35,440 --> 00:19:38,280
Speaker 3: obsessed with my cat, and my cat would go and

368
00:19:38,359 --> 00:19:42,679
Speaker 3: lay on their patio and uh, it was almost like

369
00:19:42,720 --> 00:19:44,520
Speaker 3: we shared a cat a little bit. And then one

370
00:19:44,560 --> 00:19:47,000
Speaker 3: time she told me about a documentary she went and saw.

371
00:19:47,440 --> 00:19:49,439
Speaker 3: Other than that, it was like I didn't exist. And

372
00:19:49,480 --> 00:19:52,600
Speaker 3: that was fine with me because I love Gray Sabrinski.

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Speaker 5: That the great Zabrinski also an amazing magician.

374
00:20:00,400 --> 00:20:03,600
Speaker 4: Great to Brecky, that's awesome.

375
00:20:03,680 --> 00:20:07,000
Speaker 5: Wow, yeah, I love that little you know loves in

376
00:20:07,080 --> 00:20:09,879
Speaker 5: this goddamn neighborhood.

377
00:20:12,240 --> 00:20:13,200
Speaker 1: It's so specific.

378
00:20:13,960 --> 00:20:17,000
Speaker 2: Do you think that that person with the black house

379
00:20:17,119 --> 00:20:20,680
Speaker 2: got painted their house black after the jeep or the

380
00:20:20,760 --> 00:20:24,000
Speaker 2: jeep came second, you know that one was in response.

381
00:20:24,080 --> 00:20:27,240
Speaker 5: I think it definitely it was to match the jeep

382
00:20:27,640 --> 00:20:29,679
Speaker 5: we're moving in. And they were like, if that's going

383
00:20:29,720 --> 00:20:32,040
Speaker 5: to be parked in the driveway, which it's going to be,

384
00:20:32,240 --> 00:20:33,400
Speaker 5: then we need to.

385
00:20:34,000 --> 00:20:36,280
Speaker 2: It would be crazy to me if the jeep was

386
00:20:37,040 --> 00:20:40,399
Speaker 2: another color, as was the house any painted both black?

387
00:20:40,480 --> 00:20:43,480
Speaker 2: Because his fingernails were painted black, I would like the

388
00:20:43,480 --> 00:20:47,439
Speaker 2: fingernails to go, Oh, is this your friend?

389
00:20:47,840 --> 00:20:49,400
Speaker 4: Yeah, that's clet Martin's.

390
00:20:49,720 --> 00:20:51,680
Speaker 2: I love Martins.

391
00:20:52,760 --> 00:21:02,000
Speaker 6: Reggie is the the the best at confidently, uh giving

392
00:21:02,800 --> 00:21:07,520
Speaker 6: no information to where it sounds like there definitely is information.

393
00:21:07,840 --> 00:21:10,920
Speaker 2: And if you didn't, it's just you're not paying attention.

394
00:21:11,240 --> 00:21:13,800
Speaker 4: If you missed it, that's that's that's pure truth.

395
00:21:14,040 --> 00:21:17,720
Speaker 1: And club is what kind of a name? What club?

396
00:21:17,800 --> 00:21:23,760
Speaker 5: Mark cud Martins Club? Yeah, he's well, it's for a

397
00:21:24,080 --> 00:21:27,760
Speaker 5: club of Cleb Radaya.

398
00:21:30,160 --> 00:21:30,360
Speaker 1: Ship.

399
00:21:30,440 --> 00:21:32,639
Speaker 3: You're going in there, okay, but you're taking up the

400
00:21:32,680 --> 00:21:33,200
Speaker 3: whole street.

401
00:21:33,280 --> 00:21:34,639
Speaker 1: So what would you like me to do?

402
00:21:35,200 --> 00:21:35,400
Speaker 2: Yeah?

403
00:21:36,119 --> 00:21:39,120
Speaker 4: Go to work together?

404
00:21:39,359 --> 00:21:42,280
Speaker 1: Yeah? Well, have you ever driven on the street before?

405
00:21:42,880 --> 00:21:47,359
Speaker 2: I think we all know that it was the street fault.

406
00:21:47,640 --> 00:21:49,600
Speaker 4: Yeah, it was definitely streetful.

407
00:21:50,119 --> 00:21:51,640
Speaker 2: Because we're on a street with no name.

408
00:21:51,800 --> 00:21:53,200
Speaker 4: Street fault, street fault?

409
00:21:53,400 --> 00:21:54,480
Speaker 1: Whose is it? O?

410
00:21:54,720 --> 00:21:55,680
Speaker 4: G B Y beauty?

411
00:21:55,800 --> 00:22:01,440
Speaker 2: Finally, Reggie, I've always wanted to ask, Yeah, how speaking

412
00:22:01,520 --> 00:22:06,680
Speaker 2: of confidently, speaking gibberish. How did you do? How many

413
00:22:06,920 --> 00:22:10,440
Speaker 2: TED talks have you done? Was it just the one

414
00:22:10,480 --> 00:22:10,880
Speaker 2: I love?

415
00:22:11,800 --> 00:22:12,080
Speaker 4: Well?

416
00:22:12,359 --> 00:22:15,920
Speaker 5: I have the main TED one I did, and then

417
00:22:16,040 --> 00:22:21,000
Speaker 5: I have I did. I think ted X mid Atlantic,

418
00:22:21,600 --> 00:22:26,920
Speaker 5: ted X Full Spectrum and ted ex Doha. You've done

419
00:22:27,080 --> 00:22:28,560
Speaker 5: multiple and ted ex Berlin.

420
00:22:29,080 --> 00:22:31,920
Speaker 2: I want a which one because I've only seen one

421
00:22:31,960 --> 00:22:32,960
Speaker 2: and it blew me away?

422
00:22:33,119 --> 00:22:34,800
Speaker 1: What was it about? May? I ask?

423
00:22:35,960 --> 00:22:36,520
Speaker 2: Exactly?

424
00:22:37,280 --> 00:22:41,080
Speaker 5: Well, they're all just me fucking around on stage really,

425
00:22:41,119 --> 00:22:44,480
Speaker 5: so it's like, yeah, they're not really about anything, but

426
00:22:45,200 --> 00:22:48,720
Speaker 5: you know, it's just me. It's just on stage, yeah,

427
00:22:48,840 --> 00:22:52,040
Speaker 5: talking about whatever I think I'm talking about.

428
00:22:52,760 --> 00:22:56,280
Speaker 2: But you were You were so good and you always

429
00:22:56,400 --> 00:22:58,439
Speaker 2: I've always seen you be good at this, but so

430
00:22:58,560 --> 00:23:03,359
Speaker 2: good at transitioning from one character who's not really saying

431
00:23:03,400 --> 00:23:08,960
Speaker 2: anything to another. It's you were morphing into different people.

432
00:23:09,000 --> 00:23:09,720
Speaker 2: It was so great.

433
00:23:10,160 --> 00:23:13,560
Speaker 5: Yeah, I'm so good at sometimes people call me morph hamil.

434
00:23:16,119 --> 00:23:18,280
Speaker 4: Oh. By the way, the salt and straw on.

435
00:23:18,400 --> 00:23:19,920
Speaker 2: Sunset ice Cream is it.

436
00:23:19,920 --> 00:23:21,879
Speaker 4: Looks like a fucking TGI Friday.

437
00:23:21,920 --> 00:23:24,679
Speaker 5: It's like the design of it, it just looks like

438
00:23:25,400 --> 00:23:27,040
Speaker 5: it's just it's so terrible.

439
00:23:27,760 --> 00:23:30,880
Speaker 4: I can't believe it that like it just I every time.

440
00:23:30,920 --> 00:23:34,040
Speaker 5: Ookay, I'm like, someone consciously decided that that's going to

441
00:23:34,080 --> 00:23:36,359
Speaker 5: be appetizing to the people of silver Lake, which it

442
00:23:36,440 --> 00:23:36,639
Speaker 5: is not.

443
00:23:37,000 --> 00:23:39,480
Speaker 1: Are they doing like license plates on the wall and

444
00:23:39,640 --> 00:23:40,680
Speaker 1: ship lap and stuff?

445
00:23:41,359 --> 00:23:45,119
Speaker 4: I don't know they should be Oh yeah, they got

446
00:23:45,160 --> 00:23:45,960
Speaker 4: that cush.

447
00:23:46,440 --> 00:23:49,719
Speaker 2: When before it opened or right when they opened. Someone

448
00:23:50,400 --> 00:23:53,600
Speaker 2: I was walking by and someone flagged me down and

449
00:23:53,640 --> 00:23:55,920
Speaker 2: said would you like some ice cream? And I thought,

450
00:23:56,040 --> 00:23:58,919
Speaker 2: I'm like, well, surely I'll have to pay for it. Yeah, No,

451
00:24:00,119 --> 00:24:04,439
Speaker 2: tried so many different varieties. Whoa and they refuse to

452
00:24:04,480 --> 00:24:05,240
Speaker 2: take my money.

453
00:24:05,440 --> 00:24:06,720
Speaker 4: That salts and straws.

454
00:24:06,880 --> 00:24:09,040
Speaker 2: Yes, it salts in as well as straws.

455
00:24:10,160 --> 00:24:14,119
Speaker 3: I got a ticket in Larchmont for overstaying my welcome

456
00:24:14,119 --> 00:24:17,800
Speaker 3: in my parking spot, and I also got a second ticket,

457
00:24:18,200 --> 00:24:20,000
Speaker 3: and when I opened it up, it was saltan straw

458
00:24:20,080 --> 00:24:22,560
Speaker 3: saying We're sorry you got a ticket. Here's a thing

459
00:24:22,600 --> 00:24:23,480
Speaker 3: for a free ice cream.

460
00:24:23,560 --> 00:24:24,720
Speaker 4: You're kidding? Serious?

461
00:24:24,800 --> 00:24:28,119
Speaker 1: Yeah? Isn't that good? Like marketing kind of friend making?

462
00:24:28,440 --> 00:24:31,000
Speaker 2: How did they approach the city and they're like, we

463
00:24:31,080 --> 00:24:34,119
Speaker 2: want to have coupons on your tickets and they're like, okay, No.

464
00:24:34,200 --> 00:24:39,119
Speaker 3: It was a separate Living ticket because it basically happened.

465
00:24:38,720 --> 00:24:39,840
Speaker 1: In front of their store.

466
00:24:40,400 --> 00:24:43,439
Speaker 3: So maybe that's some awesome idea somebody came up with

467
00:24:43,480 --> 00:24:46,280
Speaker 3: of like people are so bummed when they get a ticket,

468
00:24:47,000 --> 00:24:51,040
Speaker 3: and so then we can kind of like emphasize with.

469
00:24:50,960 --> 00:24:52,840
Speaker 2: Them, yeah they're making your day.

470
00:24:53,119 --> 00:24:57,040
Speaker 3: Yeah, and say hey, once again, cope with food. And

471
00:24:57,080 --> 00:24:58,360
Speaker 3: I'm like, hell, yes.

472
00:24:58,200 --> 00:25:00,800
Speaker 1: I will watch me do it.

473
00:25:01,119 --> 00:25:05,200
Speaker 5: Wow, that's a very interesting marketing tactic.

474
00:25:05,400 --> 00:25:09,280
Speaker 2: Yeah, Reggie, how much longer do you have as the

475
00:25:09,359 --> 00:25:14,159
Speaker 2: band leader on the current television program you're working?

476
00:25:14,840 --> 00:25:17,080
Speaker 4: I have zero zero.

477
00:25:17,200 --> 00:25:17,680
Speaker 2: It's over.

478
00:25:18,000 --> 00:25:20,440
Speaker 4: Yeah, it's been over for a month now.

479
00:25:20,960 --> 00:25:25,120
Speaker 5: House Free Life, Yeah, it's it's well, I'm really stoked

480
00:25:25,119 --> 00:25:27,080
Speaker 5: that it's I don't have to go there anymore.

481
00:25:27,400 --> 00:25:32,120
Speaker 4: Yeah, for sure, I love that feeling. But it's also.

482
00:25:33,359 --> 00:25:36,119
Speaker 5: You know a little terrifying about like, well, what's next.

483
00:25:36,200 --> 00:25:38,760
Speaker 5: You know, it's the next thing, you know, pitching some stuff,

484
00:25:38,800 --> 00:25:40,879
Speaker 5: but you know, you know how that usually goes.

485
00:25:41,280 --> 00:25:43,679
Speaker 4: So yeah, I don't know.

486
00:25:43,800 --> 00:25:46,200
Speaker 5: I mean, in the meantime, I'm touring a lot and

487
00:25:46,560 --> 00:25:47,439
Speaker 5: stuff like that.

488
00:25:47,440 --> 00:25:49,800
Speaker 2: That's what I wanted the answer to be. Yeah, I

489
00:25:49,840 --> 00:25:51,520
Speaker 2: just want everyone to do stand up.

490
00:25:51,800 --> 00:25:54,520
Speaker 4: Yeah, yeah, yeah, totally Yeah, that's.

491
00:25:54,320 --> 00:25:57,280
Speaker 2: What I want everyone to do. I hope you keep

492
00:25:57,840 --> 00:25:59,200
Speaker 2: pitching and nothing happens.

493
00:25:59,320 --> 00:26:04,159
Speaker 4: Yeah, thank you. Yes, that's so sweet. Yeah, I get it.

494
00:26:03,520 --> 00:26:07,120
Speaker 5: I get it, and I understand it too. That's the thing.

495
00:26:07,200 --> 00:26:08,560
Speaker 5: I totally understand it.

496
00:26:08,800 --> 00:26:12,560
Speaker 3: I was telling Chris because very briefly, for like one

497
00:26:12,600 --> 00:26:16,000
Speaker 3: month I worked there and watched you do your thing,

498
00:26:16,320 --> 00:26:20,480
Speaker 3: and I was telling him how much I liked watching

499
00:26:20,520 --> 00:26:24,160
Speaker 3: you have to do a real, like kind of arguably

500
00:26:24,400 --> 00:26:29,920
Speaker 3: traditional like band leader job and then yet completely were

501
00:26:29,960 --> 00:26:33,560
Speaker 3: yourself and kept your own style and kind of kept

502
00:26:33,560 --> 00:26:36,000
Speaker 3: your own space, which I think is a hard thing

503
00:26:36,040 --> 00:26:38,720
Speaker 3: to do. And I always just like watched you, going like,

504
00:26:39,160 --> 00:26:41,520
Speaker 3: oh cool, because you're like, you know, it's not the

505
00:26:41,560 --> 00:26:44,199
Speaker 3: same as comedy bang bang, It's like it's almost like

506
00:26:44,320 --> 00:26:48,200
Speaker 3: the official CBS version or whatever, but you still were

507
00:26:48,320 --> 00:26:52,040
Speaker 3: you and so hilarious, and I just thought it was cool.

508
00:26:52,520 --> 00:26:54,919
Speaker 5: Oh well, thanks, Yeah, it was fun. It was so

509
00:26:55,080 --> 00:26:57,560
Speaker 5: cool that they were just like, yeah, go for it. Yeah,

510
00:26:57,600 --> 00:26:58,840
Speaker 5: and we're okay with it.

511
00:26:59,040 --> 00:26:59,320
Speaker 1: M h.

512
00:27:00,520 --> 00:27:03,960
Speaker 5: I'm aware that that's not a normal way of proceeding,

513
00:27:04,080 --> 00:27:05,520
Speaker 5: but it was also kind of.

514
00:27:07,119 --> 00:27:14,280
Speaker 2: Telephone and not to be childish again, but I am.

515
00:27:14,640 --> 00:27:17,840
Speaker 2: I just launched my new my new flatulence.

516
00:27:18,160 --> 00:27:18,600
Speaker 4: Oh you did.

517
00:27:18,760 --> 00:27:21,919
Speaker 2: Yeah, we were talking about my old one being childish.

518
00:27:22,200 --> 00:27:26,960
Speaker 2: Oh and this one's more adult contemporary, so excuse me.

519
00:27:27,400 --> 00:27:32,720
Speaker 5: Wow, that's cool, thank you. And it's also like way

520
00:27:32,760 --> 00:27:37,119
Speaker 5: more palatable, thank you. Yeah, yes, which I enjoy I

521
00:27:37,160 --> 00:27:38,160
Speaker 5: enjoyed things.

522
00:27:38,840 --> 00:27:40,399
Speaker 4: Well, I just enjoyed things, thank you.

523
00:27:40,480 --> 00:27:43,000
Speaker 2: Yeah, I've always been I've always accused you of someone

524
00:27:43,040 --> 00:27:43,920
Speaker 2: who enjoyed things.

525
00:27:44,000 --> 00:27:47,600
Speaker 4: Yeah. Yeah, and you're correct, and I love it.

526
00:27:48,040 --> 00:27:49,560
Speaker 2: Where have you been doing stand up?

527
00:27:49,880 --> 00:27:53,080
Speaker 5: I've been doing a lot of just lineup shows, Like

528
00:27:53,119 --> 00:27:56,920
Speaker 5: I'm doing two shows tonight when a Dynasty and one

529
00:27:57,400 --> 00:27:58,040
Speaker 5: somewhere else.

530
00:27:59,080 --> 00:28:01,479
Speaker 2: I noticed you're the Comedy Store the other night. Is

531
00:28:01,480 --> 00:28:04,240
Speaker 2: that somewhere you rarely, like me, have performed.

532
00:28:05,480 --> 00:28:08,119
Speaker 5: Yeah, the Comedy Store is like very rare for me

533
00:28:08,160 --> 00:28:11,120
Speaker 5: to perform at. They've only performed once in the smaller room,

534
00:28:11,240 --> 00:28:13,760
Speaker 5: so it was my first time playing in the big room.

535
00:28:13,800 --> 00:28:15,840
Speaker 5: But also that lineup was just insane.

536
00:28:16,080 --> 00:28:20,080
Speaker 2: Yeah, I appreciated that you appreciated that lineup. Yes, to me,

537
00:28:21,400 --> 00:28:24,760
Speaker 2: you were one of the biggest stars on it. But

538
00:28:24,880 --> 00:28:25,600
Speaker 2: I see the.

539
00:28:25,520 --> 00:28:28,600
Speaker 4: World more realistically.

540
00:28:28,800 --> 00:28:32,120
Speaker 2: Who was on that show? Tiffany our friend Tiffany.

541
00:28:31,760 --> 00:28:38,400
Speaker 5: Yeah, Tiffany Hattish and David Spade and Mark Marin.

542
00:28:38,320 --> 00:28:40,640
Speaker 2: So there was Yeah, I guess there was some people

543
00:28:40,680 --> 00:28:42,000
Speaker 2: that have done some things.

544
00:28:41,880 --> 00:28:46,840
Speaker 5: And Dane Cook, which was interesting really yeah he was.

545
00:28:46,920 --> 00:28:49,400
Speaker 5: I guess the headliner was last Guy and oh and

546
00:28:49,440 --> 00:28:50,120
Speaker 5: then who snuck?

547
00:28:50,240 --> 00:28:51,720
Speaker 4: Oh, Polly Shore snuck in the.

548
00:28:51,920 --> 00:28:56,080
Speaker 2: Oh wow, that's like all the directions comedy.

549
00:28:55,720 --> 00:28:59,880
Speaker 4: Went, I know all the night.

550
00:29:00,120 --> 00:29:05,040
Speaker 5: These like legendary you know comedians. Well, I guess Maren

551
00:29:05,040 --> 00:29:06,280
Speaker 5: would have been a little bit later. He would have

552
00:29:06,280 --> 00:29:07,120
Speaker 5: been like two thousands.

553
00:29:07,160 --> 00:29:10,280
Speaker 4: But no, when I think of he's been working since

554
00:29:10,280 --> 00:29:11,120
Speaker 4: eighty seven.

555
00:29:10,960 --> 00:29:13,760
Speaker 2: Yeah, I think of him in a flowered Cowboys shirt,

556
00:29:14,200 --> 00:29:16,760
Speaker 2: kind of Johnny Carson, like, you're right.

557
00:29:16,680 --> 00:29:16,960
Speaker 4: You're right.

558
00:29:17,040 --> 00:29:18,880
Speaker 5: Yeah, because he used to work the door at the

559
00:29:19,360 --> 00:29:20,800
Speaker 5: Comedy Store in eighty seven.

560
00:29:21,680 --> 00:29:22,640
Speaker 2: How do you know that?

561
00:29:22,800 --> 00:29:26,520
Speaker 4: Because he told me. Okay, that's the only way I know.

562
00:29:28,800 --> 00:29:32,360
Speaker 2: I always whenever I've been in the room with Polly Shore,

563
00:29:32,400 --> 00:29:34,760
Speaker 2: I want to tell him that my dad wrote jokes

564
00:29:34,760 --> 00:29:37,880
Speaker 2: for his dad, But it never comes out of my

565
00:29:37,960 --> 00:29:42,960
Speaker 2: mouth because it seems like it was Uhrt Burfler. No,

566
00:29:43,160 --> 00:29:47,560
Speaker 2: surely Sammy Okay, yeah, who started the comedy store. But

567
00:29:47,600 --> 00:29:52,880
Speaker 2: I guess Kennison, Sammy Kennison, Sure, okay, and uh, he'd

568
00:29:52,880 --> 00:29:54,960
Speaker 2: put on the trench coat and no one knows.

569
00:29:55,280 --> 00:29:55,920
Speaker 4: With White Snake.

570
00:29:56,160 --> 00:29:59,400
Speaker 2: Yes he is in the White Snake video.

571
00:30:00,080 --> 00:30:00,680
Speaker 4: I think he is.

572
00:30:02,080 --> 00:30:04,800
Speaker 2: I just think that's so cool, but I don't I

573
00:30:04,880 --> 00:30:07,960
Speaker 2: still don't let him know because why would I. It

574
00:30:08,120 --> 00:30:10,240
Speaker 2: just seems like I'm bragging about my dad again.

575
00:30:10,640 --> 00:30:12,239
Speaker 4: Yeah, and he'd probably just kind of like, look at

576
00:30:12,280 --> 00:30:12,640
Speaker 4: you weird.

577
00:30:12,960 --> 00:30:13,200
Speaker 2: Yeah.

578
00:30:13,280 --> 00:30:16,120
Speaker 3: Maybe that is a place sometimes where people let you down,

579
00:30:16,160 --> 00:30:18,560
Speaker 3: where you're like, hey, we have a connection, and then

580
00:30:18,600 --> 00:30:19,640
Speaker 3: they're just like, yeah.

581
00:30:19,480 --> 00:30:20,080
Speaker 1: I don't care.

582
00:30:20,440 --> 00:30:21,200
Speaker 4: Yeah, totally.

583
00:30:21,680 --> 00:30:24,760
Speaker 1: That's very la where you're just like it's very common.

584
00:30:24,880 --> 00:30:28,120
Speaker 5: Okay, Well it's it's it's like when people give up

585
00:30:28,440 --> 00:30:31,520
Speaker 5: on the notion of man, like it has such a

586
00:30:31,520 --> 00:30:33,240
Speaker 5: specialized transport vehicle.

587
00:30:33,440 --> 00:30:34,520
Speaker 4: Yeah, it's like a child.

588
00:30:34,760 --> 00:30:36,520
Speaker 2: It's not a big wheeler.

589
00:30:36,640 --> 00:30:39,400
Speaker 4: And then it's got like he's got a walking cane.

590
00:30:39,720 --> 00:30:42,600
Speaker 5: But the walking cane he costing me to custom loop

591
00:30:42,640 --> 00:30:44,040
Speaker 5: at the base of it so that he can just

592
00:30:44,040 --> 00:30:45,720
Speaker 5: put it through the handles and it just like holds

593
00:30:45,760 --> 00:30:46,600
Speaker 5: it there perfectly.

594
00:30:46,720 --> 00:30:48,960
Speaker 2: Anyway, he's got his day all planned out.

595
00:30:49,080 --> 00:30:50,400
Speaker 1: Yes, he's done that before.

596
00:30:50,560 --> 00:30:55,160
Speaker 4: Yeah, he has and he's he's doing it right now. Yeah.

597
00:30:55,240 --> 00:30:57,120
Speaker 5: Yeah, that happens a lot. There's like kind of a

598
00:30:57,120 --> 00:31:00,720
Speaker 5: little bit of a bitterness. Sometimes it comes with what

599
00:31:00,760 --> 00:31:04,000
Speaker 5: I call like the mid nineties road dogs. Yeah, it

600
00:31:04,080 --> 00:31:06,960
Speaker 5: was just a different way of being on the road

601
00:31:06,960 --> 00:31:09,080
Speaker 5: and maybe it still exists or whatever, you know, like

602
00:31:09,200 --> 00:31:14,080
Speaker 5: just like comedians doing stand up, writing jokes, surviving gig

603
00:31:14,160 --> 00:31:18,200
Speaker 5: to gig and kind of like being a little too

604
00:31:18,280 --> 00:31:20,840
Speaker 5: competitive or quasi hostile to one another.

605
00:31:21,040 --> 00:31:22,200
Speaker 2: Yeah, that was the vibe.

606
00:31:22,200 --> 00:31:22,360
Speaker 1: Then.

607
00:31:22,520 --> 00:31:25,680
Speaker 2: That's how Karen talks about it all the time, the

608
00:31:25,760 --> 00:31:30,280
Speaker 2: mid nineties competitive vibe. There's even at the green Room

609
00:31:30,280 --> 00:31:35,360
Speaker 2: in San Antonio. I remember Polly Shore had written something scathing.

610
00:31:35,600 --> 00:31:38,440
Speaker 2: I can't remember what it was, but then years later

611
00:31:39,400 --> 00:31:42,040
Speaker 2: there was an apology that he wrote next to it,

612
00:31:42,120 --> 00:31:44,240
Speaker 2: like sorry, guys, I was going through a lot at

613
00:31:44,240 --> 00:31:47,240
Speaker 2: this point, which I actually appreciated.

614
00:31:47,360 --> 00:31:48,000
Speaker 1: That's funny.

615
00:31:48,080 --> 00:31:50,600
Speaker 2: He's like, I don't even know what I meant by

616
00:31:50,640 --> 00:31:53,960
Speaker 2: saying this, but up on the wall, yeah, on the

617
00:31:54,000 --> 00:31:57,120
Speaker 2: wall that everyone signed. Yeah, there was. There was his

618
00:31:57,240 --> 00:31:59,960
Speaker 2: mean spirited thing and then an apology fifteen years.

619
00:31:59,840 --> 00:32:02,600
Speaker 1: Oga's that's progress.

620
00:32:02,800 --> 00:32:06,480
Speaker 2: Yeah, comedy has progressed, man.

621
00:32:06,920 --> 00:32:10,200
Speaker 5: Yeah, those clubs are I always get so nervous whenever

622
00:32:10,440 --> 00:32:12,600
Speaker 5: I'm like doing like a you know, like a traditional

623
00:32:12,640 --> 00:32:14,160
Speaker 5: stand up club.

624
00:32:14,520 --> 00:32:16,400
Speaker 4: Yeah, I'm always like okay, all.

625
00:32:16,360 --> 00:32:18,280
Speaker 5: Right, all right, all right, all right, all right, because

626
00:32:18,280 --> 00:32:22,440
Speaker 5: I you know, because like usually and most of the

627
00:32:22,480 --> 00:32:24,360
Speaker 5: time I kind of view what I do on stage

628
00:32:24,400 --> 00:32:27,239
Speaker 5: is I'm kind of doing whatever. But then there are

629
00:32:27,400 --> 00:32:32,680
Speaker 5: moments when I go into I'm doing an impression of

630
00:32:32,720 --> 00:32:36,920
Speaker 5: a stand up comedian, right, Like, I'm using all the

631
00:32:37,160 --> 00:32:40,800
Speaker 5: kind of the timing mechanisms, cadence, all that stuff, and

632
00:32:40,840 --> 00:32:44,000
Speaker 5: so I lean more heavily on that and a comedy

633
00:32:44,520 --> 00:32:48,000
Speaker 5: in a comedy place because it's just I don't know,

634
00:32:48,120 --> 00:32:50,000
Speaker 5: it just it makes me feel a little bit more

635
00:32:50,000 --> 00:32:52,160
Speaker 5: comfortable because I'm like, well they'll understand this.

636
00:32:52,640 --> 00:32:53,920
Speaker 4: Yeah.

637
00:32:53,960 --> 00:32:57,000
Speaker 2: And also at the store, would you be able to

638
00:32:57,040 --> 00:32:58,960
Speaker 2: set up any equipment?

639
00:32:59,480 --> 00:32:59,720
Speaker 4: Yeah?

640
00:32:59,760 --> 00:33:02,360
Speaker 5: I I could do that, Yeah for sure in the future.

641
00:33:02,400 --> 00:33:04,440
Speaker 5: I was thinking about it's like the sets are too short,

642
00:33:04,560 --> 00:33:07,600
Speaker 5: and my thing is like, if it's fifteen minutes or less,

643
00:33:08,080 --> 00:33:11,160
Speaker 5: it's not worth me coming up and setting up my stuff.

644
00:33:11,160 --> 00:33:14,520
Speaker 5: If it's like a weirdo comedy night, then maybe because

645
00:33:15,280 --> 00:33:17,000
Speaker 5: it's not that hard to set up, I just have

646
00:33:17,040 --> 00:33:18,920
Speaker 5: to rush up there and then quickly and plug the

647
00:33:18,960 --> 00:33:20,400
Speaker 5: mic and then plug it into a DII and then

648
00:33:20,440 --> 00:33:22,960
Speaker 5: I'm ready to go. But and then also probably have

649
00:33:23,000 --> 00:33:25,600
Speaker 5: a stool, but usually there's always a stool in comedy,

650
00:33:25,640 --> 00:33:26,360
Speaker 5: so that one works out.

651
00:33:26,520 --> 00:33:28,280
Speaker 2: Yeah, yeah, that stool comes with it.

652
00:33:28,280 --> 00:33:29,760
Speaker 4: It's like you have to have that stool.

653
00:33:29,920 --> 00:33:34,320
Speaker 2: Well, I love traditional stand ups Reggie wattson.

654
00:33:33,960 --> 00:33:36,280
Speaker 5: Yeah, it's it's it's fun. But the thing that you

655
00:33:36,360 --> 00:33:37,960
Speaker 5: do that I do notice that I can do. I

656
00:33:38,000 --> 00:33:40,800
Speaker 5: can be a lot more because I'm doing stuff that

657
00:33:40,920 --> 00:33:42,840
Speaker 5: because I can kind of kind of go down a

658
00:33:42,880 --> 00:33:48,360
Speaker 5: wild you know, rabbit shoot. They tend to like weirdly

659
00:33:48,520 --> 00:33:52,960
Speaker 5: kind of sometimes appreciate kind of weirder shit. Yeah, as

660
00:33:52,960 --> 00:33:54,920
Speaker 5: long as it's not too too weird, Like if it

661
00:33:54,920 --> 00:33:58,360
Speaker 5: gets you can lose people. If it gets too weird,

662
00:33:58,440 --> 00:34:00,000
Speaker 5: you have to you know, you have to just be careful.

663
00:34:00,120 --> 00:34:02,240
Speaker 5: But I got lucky. Like when I got up on stage,

664
00:34:02,280 --> 00:34:04,760
Speaker 5: this guy he was sitting at a table right in

665
00:34:04,840 --> 00:34:09,759
Speaker 5: front her husband wife, I assume, and he had this

666
00:34:09,880 --> 00:34:12,719
Speaker 5: coin on the table and I was like, it's like

667
00:34:13,280 --> 00:34:15,200
Speaker 5: I went over to one lady acted like she was

668
00:34:15,200 --> 00:34:16,680
Speaker 5: my friend, and I was like, thank you for coming

669
00:34:16,719 --> 00:34:17,000
Speaker 5: in it.

670
00:34:16,960 --> 00:34:18,000
Speaker 4: Was really difficult whatever.

671
00:34:18,320 --> 00:34:19,719
Speaker 5: And then I go over to the other side of

672
00:34:19,719 --> 00:34:22,000
Speaker 5: the stage and there's this couple sitting there with a

673
00:34:22,040 --> 00:34:23,880
Speaker 5: piece of paper and it has looks like a certificate

674
00:34:23,960 --> 00:34:25,600
Speaker 5: and then there was a coin on it. I was like, well,

675
00:34:25,600 --> 00:34:27,359
Speaker 5: it was like a certificate on there. It's like, what's

676
00:34:27,360 --> 00:34:29,200
Speaker 5: that what's that coin for? And the guy was like

677
00:34:29,440 --> 00:34:33,000
Speaker 5: aa And I was like, oh, okay, it just brings

678
00:34:33,200 --> 00:34:37,480
Speaker 5: with it. Yeah, I'm just like American Airlines pretty cool.

679
00:34:37,920 --> 00:34:38,360
Speaker 4: And then.

680
00:34:41,560 --> 00:34:43,279
Speaker 1: American Airline.

681
00:34:44,239 --> 00:34:49,000
Speaker 4: Celebrating American Airlines. It was so cool. It just like

682
00:34:49,120 --> 00:34:51,120
Speaker 4: so worked out. Everybody was losing it.

683
00:34:51,280 --> 00:34:51,920
Speaker 2: That's great.

684
00:34:52,280 --> 00:34:56,080
Speaker 4: It was like, hey, American Airlines.

685
00:34:59,200 --> 00:35:01,719
Speaker 2: I wonder why hut it out? Is that I don't

686
00:35:01,800 --> 00:35:03,440
Speaker 2: avoid the to drink minimum?

687
00:35:03,480 --> 00:35:05,880
Speaker 5: Maybe yeah, maybe maybe it's there to remind him like

688
00:35:05,960 --> 00:35:07,959
Speaker 5: not to get the drink or something, you know, because

689
00:35:08,000 --> 00:35:09,680
Speaker 5: it's there's a lot of there were a lot of

690
00:35:10,640 --> 00:35:12,560
Speaker 5: I guess I don't know. I don't know if it's

691
00:35:12,560 --> 00:35:15,000
Speaker 5: like because of Mark or you know, like maybe Mark

692
00:35:15,040 --> 00:35:16,319
Speaker 5: has a sober following right.

693
00:35:16,640 --> 00:35:17,880
Speaker 2: More, you signed my chip?

694
00:35:18,000 --> 00:35:24,960
Speaker 4: Yeah, Chip Chips sent chips. It's like ruffles nice. Yeah.

695
00:35:24,960 --> 00:35:26,960
Speaker 5: I don't know, but there seemed to be some kind

696
00:35:26,960 --> 00:35:28,080
Speaker 5: of a sober faction there.

697
00:35:28,280 --> 00:35:32,040
Speaker 2: Yeah, oh for sure. I had Mark signed an empty

698
00:35:32,080 --> 00:35:33,720
Speaker 2: my last bottle of whiskey.

699
00:35:34,120 --> 00:35:36,439
Speaker 4: Oh that's fucking fantastic. Yeah.

700
00:35:36,480 --> 00:35:37,920
Speaker 2: I stopped drinking Reggie.

701
00:35:38,120 --> 00:35:38,560
Speaker 4: Oh you did?

702
00:35:38,600 --> 00:35:41,319
Speaker 2: When did you stop? About five months ago? Oh my god,

703
00:35:41,480 --> 00:35:43,960
Speaker 2: it's too early to be about it.

704
00:35:44,160 --> 00:35:48,000
Speaker 4: Are you like full sober or Cali sober? Full full? Nice?

705
00:35:48,000 --> 00:35:49,040
Speaker 2: But I still eat chicken.

706
00:35:49,520 --> 00:35:52,200
Speaker 4: Okay, that's just that's a good.

707
00:35:54,120 --> 00:35:54,400
Speaker 2: Brand.

708
00:35:54,520 --> 00:35:56,680
Speaker 1: Are you getting ready to go to the comedy store yourself?

709
00:35:56,880 --> 00:35:57,120
Speaker 2: Yeah?

710
00:35:57,200 --> 00:36:00,360
Speaker 5: Yeah, yeah, just put it on the note you have that.

711
00:36:00,440 --> 00:36:02,560
Speaker 5: I see you have that notepad with the stool, Just

712
00:36:02,600 --> 00:36:03,960
Speaker 5: like write it on the note if the.

713
00:36:04,000 --> 00:36:05,520
Speaker 1: Chip guy is sitting in the front.

714
00:36:05,760 --> 00:36:08,719
Speaker 4: Yeah, or I guess you could set it up. You

715
00:36:08,760 --> 00:36:10,880
Speaker 4: could have a friend sit there. It was like a plant.

716
00:36:11,920 --> 00:36:13,200
Speaker 1: I do a play.

717
00:36:13,520 --> 00:36:13,759
Speaker 4: Yeah.

718
00:36:14,280 --> 00:36:17,840
Speaker 2: I When I first, I think I feel like I

719
00:36:17,880 --> 00:36:20,360
Speaker 2: hadn't even met you yet. I'd only seen you at

720
00:36:20,400 --> 00:36:27,080
Speaker 2: like UCB and we were both in Vegas for some festival.

721
00:36:27,320 --> 00:36:29,920
Speaker 2: I think it's where they had the Andy Kaufman Award.

722
00:36:30,160 --> 00:36:32,800
Speaker 4: Oh yeah, that was a stupid idea.

723
00:36:33,080 --> 00:36:38,160
Speaker 2: Yeah, but I remember you being interviewed by someone and

724
00:36:38,600 --> 00:36:41,680
Speaker 2: just overheard you as I was walking past, say that

725
00:36:41,760 --> 00:36:45,359
Speaker 2: you're from Montana, and then I looked at you because

726
00:36:45,400 --> 00:36:48,320
Speaker 2: I already knew who you were as a Los Angeles comedian,

727
00:36:49,080 --> 00:36:52,200
Speaker 2: and I flashed to an image. I still don't know

728
00:36:52,400 --> 00:36:55,600
Speaker 2: if it's something I conjured or not, but I remember

729
00:36:55,640 --> 00:36:57,920
Speaker 2: you as a young person in Great Falls. And I

730
00:36:57,960 --> 00:37:01,520
Speaker 2: still don't know where where I would have been ever, Matthew,

731
00:37:01,520 --> 00:37:05,319
Speaker 2: because I go there at a skateboard. Oh right, right, And

732
00:37:05,520 --> 00:37:08,640
Speaker 2: I know that at some point I saw you or

733
00:37:08,719 --> 00:37:12,719
Speaker 2: Matt you in Great Falls, Montana when I was sixteen

734
00:37:13,400 --> 00:37:13,960
Speaker 2: or something.

735
00:37:14,320 --> 00:37:16,799
Speaker 5: Yes, I mean that sounds because you know a lot

736
00:37:16,800 --> 00:37:19,719
Speaker 5: of my Yes, we have some similar crossover.

737
00:37:20,040 --> 00:37:24,280
Speaker 2: Yeah, yeah, your good friend there, Yeah, older brother?

738
00:37:24,480 --> 00:37:24,719
Speaker 4: Yeah?

739
00:37:24,800 --> 00:37:27,239
Speaker 2: Who is Jeff? Now? Oh, I'm sorry if you call

740
00:37:27,320 --> 00:37:29,120
Speaker 2: him JJ, it's like spitting in his face.

741
00:37:29,360 --> 00:37:30,560
Speaker 4: I probably might to.

742
00:37:34,080 --> 00:37:35,759
Speaker 2: Right now if I see him, I'm going to call

743
00:37:35,840 --> 00:37:38,240
Speaker 2: him JJ. And I know if you know him as

744
00:37:38,320 --> 00:37:38,960
Speaker 2: as JJ.

745
00:37:39,160 --> 00:37:41,439
Speaker 5: Yeah, well, because I think the reason why he doesn't

746
00:37:41,480 --> 00:37:44,400
Speaker 5: want to go by JJ is because he hated J. J.

747
00:37:44,560 --> 00:37:48,200
Speaker 4: Walker Rights as a character.

748
00:37:48,360 --> 00:37:55,560
Speaker 5: No, I don't like that that very tall African American man.

749
00:37:55,640 --> 00:37:59,200
Speaker 1: Yeah, things are not dynamite, Yes, are indeed not.

750
00:38:02,520 --> 00:38:06,280
Speaker 4: I like Dyno Motte but not Dynamite sorry.

751
00:38:06,080 --> 00:38:06,319
Speaker 3: And.

752
00:38:08,440 --> 00:38:10,400
Speaker 4: Fology accepted totally.

753
00:38:10,600 --> 00:38:14,200
Speaker 2: And then you and I got booked over a decade

754
00:38:14,200 --> 00:38:17,920
Speaker 2: ago at the same venue on purpose. It wasn't like

755
00:38:17,960 --> 00:38:20,080
Speaker 2: a double booking, like, oh, what are we going to do?

756
00:38:20,160 --> 00:38:22,920
Speaker 2: I guess get to know each other? Yeah, right, And

757
00:38:23,000 --> 00:38:24,480
Speaker 2: then it's become a tradition.

758
00:38:24,960 --> 00:38:27,080
Speaker 4: That's right, I know. Yeah, they just kind of paired

759
00:38:27,080 --> 00:38:28,080
Speaker 4: it up, right, Is that what they do?

760
00:38:28,440 --> 00:38:31,480
Speaker 2: Yeah? Yeah, I've all of my memories are vague, you know,

761
00:38:31,719 --> 00:38:33,520
Speaker 2: because of that empty whiskey.

762
00:38:33,160 --> 00:38:35,000
Speaker 4: Bellt all I mentioned I got.

763
00:38:35,280 --> 00:38:38,720
Speaker 2: But now Reggie and I do a show around Christmas

764
00:38:38,760 --> 00:38:41,480
Speaker 2: in Missoula every year, and it's become that'd be a

765
00:38:41,480 --> 00:38:44,000
Speaker 2: great show. It is the funnest.

766
00:38:43,640 --> 00:38:45,960
Speaker 4: It's it's so cool. It's really cool.

767
00:38:46,000 --> 00:38:49,360
Speaker 5: And last time we did Bozman Amazula, Yes, which was great.

768
00:38:49,520 --> 00:38:50,480
Speaker 2: Yeah, it was the best.

769
00:38:50,520 --> 00:38:51,120
Speaker 4: Great Falls.

770
00:38:51,239 --> 00:38:54,400
Speaker 5: Yeah, Great Falls was tough because it was like twenty

771
00:38:54,440 --> 00:38:55,640
Speaker 5: eight below and shit.

772
00:38:55,560 --> 00:38:59,799
Speaker 2: And I, as you recall, did not go as I

773
00:38:59,880 --> 00:39:02,400
Speaker 2: was worried about driving in that weather.

774
00:39:02,320 --> 00:39:04,200
Speaker 4: Not making it because you have to come back.

775
00:39:04,400 --> 00:39:08,760
Speaker 5: Yes, it's not like yeah, and there's no flights inside

776
00:39:08,800 --> 00:39:11,040
Speaker 5: of Montana because that would be too convenient.

777
00:39:11,920 --> 00:39:13,600
Speaker 2: When did you move to Great Falls?

778
00:39:15,360 --> 00:39:19,520
Speaker 5: Nineteen seventy six, so most of your life you were there? Yeah,

779
00:39:19,520 --> 00:39:22,280
Speaker 5: I was there from age four to sixteen.

780
00:39:22,680 --> 00:39:25,200
Speaker 2: But prior to that four to eighteen, list all the

781
00:39:25,239 --> 00:39:29,400
Speaker 2: places you lived because your your father was Air Force guy, right.

782
00:39:29,239 --> 00:39:34,280
Speaker 5: My father was in the Force of the Airy space

783
00:39:34,320 --> 00:39:36,120
Speaker 5: for he was a space forester.

784
00:39:36,600 --> 00:39:39,920
Speaker 4: Yeah. This guy is just like, he's like, I'm just

785
00:39:39,960 --> 00:39:40,800
Speaker 4: going to take your.

786
00:39:40,800 --> 00:39:44,120
Speaker 1: Spot real slow and steady in there.

787
00:39:44,040 --> 00:39:47,560
Speaker 5: Buddy, I always I always do that bumper to bumper.

788
00:39:47,640 --> 00:39:51,040
Speaker 5: You're not getting the fuck in there because you're dumb.

789
00:39:51,120 --> 00:39:53,040
Speaker 5: You should get the car behind you, get the space

790
00:39:53,080 --> 00:39:55,240
Speaker 5: behind me. See that's how it feels.

791
00:39:55,239 --> 00:39:57,080
Speaker 4: I'm already ahead of you, so that means you get

792
00:39:57,120 --> 00:39:58,040
Speaker 4: the space behind me.

793
00:39:58,200 --> 00:40:01,320
Speaker 1: Yeah, jerk project, but go ahead.

794
00:40:01,480 --> 00:40:02,960
Speaker 4: Yeah Los Angeles.

795
00:40:03,040 --> 00:40:06,600
Speaker 5: Yeah well yeah, Plus we're filming a podcast.

796
00:40:06,880 --> 00:40:12,000
Speaker 1: Yes, I want to see him chill and uh accessible.

797
00:40:11,600 --> 00:40:16,040
Speaker 2: Yes, but the camera crew chill chilly.

798
00:40:20,360 --> 00:40:22,600
Speaker 1: You know me, I let everybody merge.

799
00:40:22,520 --> 00:40:25,640
Speaker 4: Yeah, I don't care. I'm just like, you know, I'll

800
00:40:25,680 --> 00:40:27,640
Speaker 4: get there for.

801
00:40:27,600 --> 00:40:29,200
Speaker 1: Her to emergency has her own lan.

802
00:40:30,280 --> 00:40:31,640
Speaker 2: Yeah, this person doesn't.

803
00:40:31,920 --> 00:40:35,319
Speaker 5: I use the euro thing for when you communicate for

804
00:40:35,320 --> 00:40:37,719
Speaker 5: someone to do something which is the double double high

805
00:40:37,719 --> 00:40:40,359
Speaker 5: beam like just like and they're like, oh, that means

806
00:40:40,400 --> 00:40:42,879
Speaker 5: go ahead. But and some people get it, and then

807
00:40:42,880 --> 00:40:46,000
Speaker 5: sometimes I do it and people just they just keep

808
00:40:46,040 --> 00:40:48,080
Speaker 5: doing what they're doing, and I'm like, oh, they must

809
00:40:48,080 --> 00:40:50,840
Speaker 5: have thought I I wanted to use my turn signal

810
00:40:51,120 --> 00:40:53,480
Speaker 5: but then didn't last minute and then kind of had

811
00:40:53,520 --> 00:40:55,359
Speaker 5: a cramp and just want like you.

812
00:40:55,320 --> 00:40:57,840
Speaker 4: Know, like real quick. And they're like, that's just that

813
00:40:57,920 --> 00:40:58,960
Speaker 4: was a mistake.

814
00:40:59,080 --> 00:41:01,600
Speaker 2: Or they just think you're a truck driver warning them

815
00:41:01,640 --> 00:41:03,640
Speaker 2: of police being around there.

816
00:41:03,680 --> 00:41:06,719
Speaker 5: Oh that's true, Yeah, that is true. Yeah, like slow down, man,

817
00:41:06,760 --> 00:41:07,760
Speaker 5: I just saw some police.

818
00:41:08,000 --> 00:41:09,240
Speaker 2: Yeah. I always appreciate.

819
00:41:09,360 --> 00:41:12,600
Speaker 4: I radioed me back behind and told me there's a there's.

820
00:41:12,440 --> 00:41:14,200
Speaker 1: A brown bear on your back door.

821
00:41:14,280 --> 00:41:15,040
Speaker 4: There's a brown bear.

822
00:41:15,239 --> 00:41:17,839
Speaker 5: It's either there's a brown bear at your on your

823
00:41:17,880 --> 00:41:22,799
Speaker 5: back porch or there's a cop up ahead, and it's

824
00:41:22,840 --> 00:41:25,160
Speaker 5: hard to know which, but there's usually a spacing the

825
00:41:25,200 --> 00:41:27,120
Speaker 5: gap between the two flashes that will tell you.

826
00:41:27,239 --> 00:41:29,480
Speaker 2: Yeah. Yeah, it's hard. You have to count it down.

827
00:41:29,640 --> 00:41:34,480
Speaker 4: Yeah, you're just like okay, all right, hey man, what's up?

828
00:41:34,520 --> 00:41:35,800
Speaker 4: Can you check my my house?

829
00:41:35,840 --> 00:41:38,560
Speaker 5: Because there's like, no, I'm not gonna check your house

830
00:41:38,600 --> 00:41:44,400
Speaker 5: for a bear. Oh, I forgot that someone might not

831
00:41:44,480 --> 00:41:51,480
Speaker 5: want to do that. Okay, I'll call I'll else my

832
00:41:51,520 --> 00:41:52,480
Speaker 5: bear friend.

833
00:41:53,560 --> 00:41:53,759
Speaker 4: Yeah.

834
00:41:53,840 --> 00:41:56,520
Speaker 2: When we when we did that show in Montana and

835
00:41:56,560 --> 00:41:59,600
Speaker 2: you did the do you you probably don't remember when

836
00:41:59,640 --> 00:42:03,239
Speaker 2: you an entire song. That's what's amazing about your act,

837
00:42:03,280 --> 00:42:07,359
Speaker 2: but also must be is it ever frustrating that you

838
00:42:07,360 --> 00:42:11,960
Speaker 2: couldn't recreate that's Smoky the Bear? You did a he

839
00:42:12,040 --> 00:42:14,879
Speaker 2: did a song about camping. Pack in what you pack out?

840
00:42:15,280 --> 00:42:15,840
Speaker 4: Oh yeah.

841
00:42:15,880 --> 00:42:19,560
Speaker 2: It was the most genius moment. And that's what's so

842
00:42:19,680 --> 00:42:22,080
Speaker 2: cool about your act is it's like, yeah, you have

843
00:42:22,160 --> 00:42:24,720
Speaker 2: to see it in this moment because it's not happening again.

844
00:42:25,239 --> 00:42:26,960
Speaker 2: Do you even remember what you.

845
00:42:26,960 --> 00:42:28,759
Speaker 4: Were Jesus now I don't.

846
00:42:29,280 --> 00:42:31,720
Speaker 5: I mean I kind of remember it because I always

847
00:42:31,760 --> 00:42:34,479
Speaker 5: allude to, you know something about that.

848
00:42:34,680 --> 00:42:37,720
Speaker 2: Sure in the lyrics there were things that were talking

849
00:42:37,800 --> 00:42:38,680
Speaker 2: points for you.

850
00:42:38,760 --> 00:42:41,480
Speaker 5: Yeah, yeah, that I like talking about when I'm in

851
00:42:41,520 --> 00:42:44,640
Speaker 5: Montana because it's like, well, here's my opportunity to talk about,

852
00:42:44,760 --> 00:42:46,600
Speaker 5: you know, outdoor etiquette.

853
00:42:46,920 --> 00:42:49,200
Speaker 1: Yeah yeah, finally.

854
00:42:49,120 --> 00:42:52,560
Speaker 5: Yeah, finally, because these these Angelinos know nothing.

855
00:42:52,840 --> 00:42:56,319
Speaker 2: Yeah yeah, it's all just pent up outdoor knowledge that

856
00:42:56,360 --> 00:42:58,440
Speaker 2: you've got to spit out. When you're up in Montana,

857
00:42:58,640 --> 00:43:02,359
Speaker 2: It's like, what's a pine cale? This whole city doesn't

858
00:43:02,400 --> 00:43:08,600
Speaker 2: even know what you're thinking of arts and crafts as

859
00:43:08,600 --> 00:43:09,160
Speaker 2: a child.

860
00:43:09,280 --> 00:43:10,839
Speaker 4: Yeah, Jesus.

861
00:43:10,960 --> 00:43:13,959
Speaker 3: The first time I saw you, Reggie, was at Bridgetown

862
00:43:14,400 --> 00:43:16,680
Speaker 3: and we were we were on the same show. There

863
00:43:16,680 --> 00:43:19,120
Speaker 3: were people and maybe you were one of them, smoking

864
00:43:19,160 --> 00:43:23,800
Speaker 3: pop backstage, and I got please don't apologize.

865
00:43:23,920 --> 00:43:25,520
Speaker 1: I got the best contact type.

866
00:43:25,520 --> 00:43:28,120
Speaker 3: It was like just enough to go on stage with

867
00:43:28,280 --> 00:43:31,000
Speaker 3: and have it be fun like it was this really

868
00:43:31,040 --> 00:43:35,839
Speaker 3: good waiting backstage contact type. But when I watched you,

869
00:43:36,080 --> 00:43:38,040
Speaker 3: because I had heard your name but I had never

870
00:43:38,160 --> 00:43:40,880
Speaker 3: actually gotten to see you, I didn't understand what was

871
00:43:40,880 --> 00:43:44,399
Speaker 3: happening for a while, and you started singing a song

872
00:43:44,480 --> 00:43:47,040
Speaker 3: about how the moisture in the air.

873
00:43:48,680 --> 00:43:52,400
Speaker 1: Causes your magazines to get moldy, and I was like, what,

874
00:43:53,000 --> 00:43:55,600
Speaker 1: this is the best song I've ever heard. And then

875
00:43:55,640 --> 00:43:58,120
Speaker 1: it then like then it was like that delay where

876
00:43:58,120 --> 00:44:00,439
Speaker 1: I'm like, oh, he's making this up buff the top

877
00:44:00,480 --> 00:44:03,160
Speaker 1: of heady. It took me such a long time. Was

878
00:44:03,400 --> 00:44:04,560
Speaker 1: the funniest It.

879
00:44:04,480 --> 00:44:09,440
Speaker 2: Is your ability to convince people that you know exactly

880
00:44:09,480 --> 00:44:12,840
Speaker 2: what you're doing in those moments where you absolutely don't

881
00:44:12,880 --> 00:44:15,680
Speaker 2: have a plan, it's no one else and the.

882
00:44:15,680 --> 00:44:19,480
Speaker 1: Music is beautiful, like that song about the moisture near

883
00:44:19,760 --> 00:44:25,160
Speaker 1: molding things was like almost like heart wrenching beautiful, where

884
00:44:25,200 --> 00:44:26,280
Speaker 1: like what's happening?

885
00:44:27,440 --> 00:44:30,560
Speaker 4: Great? Thanks, It's a fun mode to go into on

886
00:44:30,680 --> 00:44:31,239
Speaker 4: stage for me.

887
00:44:31,440 --> 00:44:34,479
Speaker 2: Yeah, the song there You're smoking, the bear camping song

888
00:44:34,680 --> 00:44:37,680
Speaker 2: I would have on my iTunes.

889
00:44:38,440 --> 00:44:41,200
Speaker 5: Oh god, maybe you know it might have been When

890
00:44:41,320 --> 00:44:42,560
Speaker 5: was it? Was it this last one time?

891
00:44:42,760 --> 00:44:47,640
Speaker 2: No, it was like three Christmases. That's it just stands.

892
00:44:47,680 --> 00:44:49,960
Speaker 2: It was the same show where you just went into

893
00:44:50,239 --> 00:44:58,879
Speaker 2: industrial German like uh, skinny puppy type music or Romstein more. Yes, yeah,

894
00:44:59,719 --> 00:45:02,440
Speaker 2: And I've never even seen you dip your toe into

895
00:45:02,480 --> 00:45:04,200
Speaker 2: that world, so it was the best.

896
00:45:05,320 --> 00:45:06,000
Speaker 4: That's awesome.

897
00:45:06,080 --> 00:45:08,520
Speaker 5: That's always a fun thing to pull out because people

898
00:45:08,560 --> 00:45:10,880
Speaker 5: are really not like I did. Actually at the Comedy

899
00:45:10,880 --> 00:45:15,040
Speaker 5: Store this last couple of days ago. I started I

900
00:45:15,040 --> 00:45:17,439
Speaker 5: started like the audience for some reason when I started

901
00:45:17,440 --> 00:45:19,120
Speaker 5: doing like a rhythmic thing towards the end and had

902
00:45:19,160 --> 00:45:20,560
Speaker 5: my gear up there. I was doing like a little

903
00:45:20,600 --> 00:45:24,400
Speaker 5: beatboxy thing or whatever, and people started clapping along and

904
00:45:24,440 --> 00:45:26,080
Speaker 5: I was like, oh no, that's the worst because they

905
00:45:26,120 --> 00:45:29,600
Speaker 5: can't keep time right right, and you know, just collectively

906
00:45:29,640 --> 00:45:31,840
Speaker 5: they're not great at it. But then I was like,

907
00:45:31,880 --> 00:45:33,719
Speaker 5: oh fuck it, I'll just go off their tempo, you know,

908
00:45:33,840 --> 00:45:37,399
Speaker 5: and right, and then I like suggested what the vibe

909
00:45:37,440 --> 00:45:39,160
Speaker 5: of the song was, which was like a little bit

910
00:45:39,400 --> 00:45:42,000
Speaker 5: I started going into like you know, like rock guitars

911
00:45:42,160 --> 00:45:42,839
Speaker 5: things that were like.

912
00:45:44,760 --> 00:45:47,480
Speaker 4: Whatever, we're like clapping, and then I just started over.

913
00:45:47,560 --> 00:45:58,480
Speaker 4: I was like, god, lord, show right, this is the

914
00:45:58,520 --> 00:46:01,319
Speaker 4: comedy store. I love it.

915
00:46:01,480 --> 00:46:02,239
Speaker 2: I love it.

916
00:46:02,400 --> 00:46:06,120
Speaker 4: Oh god, it was great. I love that shit. Yeah.

917
00:46:06,239 --> 00:46:08,719
Speaker 2: When the time I saw you do it in Montana,

918
00:46:08,760 --> 00:46:11,319
Speaker 2: I really thought you were doing it for me. Yeah,

919
00:46:11,400 --> 00:46:12,560
Speaker 2: it is my favorite.

920
00:46:12,719 --> 00:46:15,960
Speaker 5: Yeah, oh my god, gosh, it's it's just it's just

921
00:46:16,000 --> 00:46:17,799
Speaker 5: the best because it's like when people are just normal,

922
00:46:17,880 --> 00:46:20,160
Speaker 5: they're just used to you being a particular way. That's

923
00:46:20,160 --> 00:46:22,000
Speaker 5: the whole I mean, that's part of like what my

924
00:46:22,040 --> 00:46:25,320
Speaker 5: whole show is is just subvert I mean, all comedy

925
00:46:25,320 --> 00:46:28,360
Speaker 5: is subverting expectations. But it's like I really rely on

926
00:46:28,400 --> 00:46:31,080
Speaker 5: it heavily. Sometimes when people get really comfortable, they're like, Okay,

927
00:46:31,120 --> 00:46:33,440
Speaker 5: I know what this guy is doing, and then just

928
00:46:34,080 --> 00:46:36,680
Speaker 5: don't then just take up a one hundred and seventy

929
00:46:36,680 --> 00:46:38,759
Speaker 5: degree turn, and it's like.

930
00:46:39,000 --> 00:46:41,719
Speaker 4: What do you start all over again?

931
00:46:41,800 --> 00:46:41,960
Speaker 1: You know?

932
00:46:42,560 --> 00:46:44,800
Speaker 4: That is I'm like, I know, I know, I'm sorry.

933
00:46:44,640 --> 00:46:47,320
Speaker 1: Guys, guys, I need to test your boundaries.

934
00:46:47,400 --> 00:46:48,240
Speaker 4: Yeah, sorry.

935
00:46:48,320 --> 00:46:51,520
Speaker 3: I really love the idea of changing the rhythm of

936
00:46:51,560 --> 00:46:55,040
Speaker 3: your song to the bad clapping because there's crowd clapping

937
00:46:55,160 --> 00:46:58,520
Speaker 3: makes me so mad anytime it starts being like it's

938
00:46:58,560 --> 00:47:01,000
Speaker 3: not your place. You don't know how to do it,

939
00:47:01,400 --> 00:47:04,600
Speaker 3: Like no crowd has ever done it correctly.

940
00:47:04,640 --> 00:47:05,360
Speaker 1: I don't think.

941
00:47:05,680 --> 00:47:08,080
Speaker 5: Yeah, no, it's it's just hard because you have a

942
00:47:08,160 --> 00:47:12,360
Speaker 5: mixture of varying abilities and and and the aggregation of

943
00:47:12,400 --> 00:47:16,560
Speaker 5: it is generally not very good. However, certain populations, you know,

944
00:47:16,640 --> 00:47:18,480
Speaker 5: like I've been the you know, if you did it

945
00:47:18,520 --> 00:47:20,560
Speaker 5: in Brazil, I'm sure it would be no problem.

946
00:47:20,680 --> 00:47:23,160
Speaker 3: True, there are people who are kind of pay attention

947
00:47:23,239 --> 00:47:23,799
Speaker 3: to it better.

948
00:47:24,160 --> 00:47:24,920
Speaker 4: Maybe they're just.

949
00:47:24,840 --> 00:47:28,279
Speaker 5: There their society incorporates rhythm all the time, Like I

950
00:47:28,320 --> 00:47:31,439
Speaker 5: bet your South America would be easy, you know, but

951
00:47:31,680 --> 00:47:35,240
Speaker 5: there's just you know, the more north you go, the

952
00:47:34,960 --> 00:47:37,600
Speaker 5: the less there's just like there's just too much like

953
00:47:38,280 --> 00:47:39,880
Speaker 5: I don't know, I kind of like music, you know,

954
00:47:39,920 --> 00:47:40,839
Speaker 5: like that that kind of.

955
00:47:40,760 --> 00:47:45,600
Speaker 4: A love I love I love boss gags what they

956
00:47:45,680 --> 00:47:46,120
Speaker 4: love it.

957
00:47:46,200 --> 00:47:51,200
Speaker 3: But you know, and also the excitement of now I'm

958
00:47:51,200 --> 00:47:54,400
Speaker 3: in the show, that you're no longer you're not focusing

959
00:47:54,440 --> 00:47:56,040
Speaker 3: on your job of keeping time.

960
00:47:56,239 --> 00:47:58,799
Speaker 1: You're just kind of like we're excited. And it's like

961
00:47:58,880 --> 00:48:00,000
Speaker 1: that's not the same kind of class.

962
00:48:00,320 --> 00:48:01,839
Speaker 4: No, it's not. Yeah.

963
00:48:02,080 --> 00:48:05,799
Speaker 2: Just last night on my pocket computer, I saw a

964
00:48:05,960 --> 00:48:09,680
Speaker 2: video of Harry Connick Junior playing a song and the

965
00:48:09,760 --> 00:48:12,799
Speaker 2: audience was off with the clapping, and so he adjusted

966
00:48:12,840 --> 00:48:15,600
Speaker 2: the song to it and you see him match it.

967
00:48:16,280 --> 00:48:18,960
Speaker 2: And I don't know much about that time signatures, and

968
00:48:19,000 --> 00:48:22,560
Speaker 2: I've said that before, yes, today, yes, thank.

969
00:48:22,360 --> 00:48:24,120
Speaker 1: You for that. By the way, I appreciate it.

970
00:48:24,239 --> 00:48:26,719
Speaker 2: I don't know you have the hat I announced what

971
00:48:26,800 --> 00:48:30,480
Speaker 2: I don't know of and and time signatures are one

972
00:48:30,520 --> 00:48:34,560
Speaker 2: of them. But yeah, I could tell that he slowed

973
00:48:34,600 --> 00:48:37,880
Speaker 2: down his song and you see it sync up with

974
00:48:37,920 --> 00:48:40,160
Speaker 2: the audience clapping, and then you could see them as

975
00:48:40,160 --> 00:48:44,239
Speaker 2: they're clapping, kind of congratulating themselves because they thought they

976
00:48:44,280 --> 00:48:47,879
Speaker 2: got into the rhythm, but he adjusted for them.

977
00:48:47,960 --> 00:48:49,320
Speaker 4: Yeah, that's so true.

978
00:48:49,440 --> 00:48:52,440
Speaker 5: Yeah, it's so tough when they man, what was it,

979
00:48:52,480 --> 00:48:54,759
Speaker 5: I was maybe the late late show or something like

980
00:48:54,800 --> 00:48:58,600
Speaker 5: that where they told people not to clap when music

981
00:48:58,680 --> 00:49:02,520
Speaker 5: is happening because it is the edit. Yeah, and also

982
00:49:02,600 --> 00:49:06,080
Speaker 5: it just kind of sucks for the performer because they

983
00:49:06,239 --> 00:49:08,319
Speaker 5: it's like you can do as long as it's like

984
00:49:08,520 --> 00:49:11,960
Speaker 5: a simple thing like doom doom doom, you know, if

985
00:49:12,000 --> 00:49:14,399
Speaker 5: it's like something like that, and the people on stage

986
00:49:14,440 --> 00:49:16,239
Speaker 5: are kind of you know, the performers are moving in

987
00:49:16,280 --> 00:49:19,680
Speaker 5: a big gesture that's like showing the time, people can

988
00:49:19,800 --> 00:49:22,799
Speaker 5: usually hang in there. But yeah, it's it's very rare

989
00:49:22,880 --> 00:49:25,680
Speaker 5: that I've ever I'm like, oh, yeah, there it is.

990
00:49:25,719 --> 00:49:27,080
Speaker 5: They've totally locked into it.

991
00:49:28,000 --> 00:49:32,480
Speaker 3: Yeah, not for more than like six beats, I think

992
00:49:32,520 --> 00:49:33,440
Speaker 3: that's and then.

993
00:49:33,320 --> 00:49:35,759
Speaker 1: It just is like here we go. There's somebody that

994
00:49:35,840 --> 00:49:37,200
Speaker 1: has to lead a little bit more.

995
00:49:37,360 --> 00:49:39,120
Speaker 2: We're at the bottom of the screen. There has to

996
00:49:39,160 --> 00:49:42,600
Speaker 2: be that little bouncing red ball. Yeah yeah, yeah, totally

997
00:49:42,719 --> 00:49:44,200
Speaker 2: to let people know what to do.

998
00:49:44,320 --> 00:49:47,520
Speaker 5: At least, they were clapping on twos and fours, which

999
00:49:47,760 --> 00:49:49,680
Speaker 5: generally when I was at the Late Late Show and

1000
00:49:49,719 --> 00:49:52,520
Speaker 5: people wouldlap along, they'd be going on ones and threes,

1001
00:49:52,560 --> 00:49:57,000
Speaker 5: which is like the unfunkiest beats to.

1002
00:49:56,960 --> 00:50:01,320
Speaker 2: Clap on from what I know about times nature switches again.

1003
00:50:01,400 --> 00:50:04,680
Speaker 2: Nothing that is frustrating that is right for it to

1004
00:50:04,800 --> 00:50:05,879
Speaker 2: be the threes.

1005
00:50:05,680 --> 00:50:09,239
Speaker 5: Yeah, because it's like it's like one three one, and

1006
00:50:09,280 --> 00:50:11,560
Speaker 5: it's it's so like it's just it's not because like.

1007
00:50:11,560 --> 00:50:12,840
Speaker 4: If you're doing like if it's.

1008
00:50:12,719 --> 00:50:19,880
Speaker 7: Like dude, dude, and you're doing like dude, and then

1009
00:50:19,960 --> 00:50:26,960
Speaker 7: you change it to the point dude, it feels completely different.

1010
00:50:27,320 --> 00:50:29,280
Speaker 4: It's way funkier, way better.

1011
00:50:29,600 --> 00:50:32,400
Speaker 3: One in three is unnatural. It's that's like it feels

1012
00:50:32,400 --> 00:50:33,440
Speaker 3: like preschool class.

1013
00:50:33,600 --> 00:50:37,560
Speaker 5: I know it is preschool clapping, but most audiences that's

1014
00:50:37,560 --> 00:50:38,319
Speaker 5: what they revert to.

1015
00:50:38,480 --> 00:50:41,880
Speaker 4: It's weird. Yeah, yeah, but there's.

1016
00:50:41,719 --> 00:50:44,600
Speaker 1: Always there's not in Brazil. We've got to go down

1017
00:50:44,600 --> 00:50:45,279
Speaker 1: there and study it.

1018
00:50:45,400 --> 00:50:45,840
Speaker 4: Yeah, we do.

1019
00:50:46,040 --> 00:50:49,120
Speaker 3: And also there's because there's always like my friend Bradford

1020
00:50:49,120 --> 00:50:52,719
Speaker 3: calls them the dominant psycho where it's like here we go,

1021
00:50:53,280 --> 00:50:54,799
Speaker 3: like I know how to do this and I'm gonna

1022
00:50:54,880 --> 00:50:57,480
Speaker 3: lead it and it's just like my moment and it's

1023
00:50:57,760 --> 00:51:03,080
Speaker 3: probably genuinely enthusiah good vibe. Yeah, it's like this will

1024
00:51:03,120 --> 00:51:05,920
Speaker 3: help this whole idea. It's like, no, you're going against

1025
00:51:05,920 --> 00:51:06,400
Speaker 3: the idea.

1026
00:51:06,440 --> 00:51:07,880
Speaker 2: Actually, yeah, yeah.

1027
00:51:08,040 --> 00:51:11,120
Speaker 5: I definitely don't discount I think people really do think

1028
00:51:11,120 --> 00:51:13,520
Speaker 5: they're doing something good, you know, like I'm participating and

1029
00:51:13,520 --> 00:51:15,560
Speaker 5: this is fun and this is what happens.

1030
00:51:15,640 --> 00:51:17,000
Speaker 4: This is a live show. That's what we do.

1031
00:51:17,239 --> 00:51:17,600
Speaker 1: Yeah.

1032
00:51:17,760 --> 00:51:18,000
Speaker 6: Yeah.

1033
00:51:18,239 --> 00:51:21,040
Speaker 2: Oftentimes while in an audience, I will take the role

1034
00:51:21,120 --> 00:51:25,920
Speaker 2: of clap fixer. Oh you will, yeah, so's Yeah, it's

1035
00:51:25,920 --> 00:51:26,560
Speaker 2: a matter of.

1036
00:51:26,480 --> 00:51:28,040
Speaker 1: Just do you just raise your hands up?

1037
00:51:28,320 --> 00:51:32,399
Speaker 2: I cut them so acoustically, I become louder. Even though

1038
00:51:32,400 --> 00:51:36,719
Speaker 2: I have these tiny little uh cookie jar grabbers, I

1039
00:51:37,360 --> 00:51:40,799
Speaker 2: can clap pretty loud if I I mean, we do

1040
00:51:40,840 --> 00:51:42,840
Speaker 2: it every time we record. You've heard out loud. I

1041
00:51:42,840 --> 00:51:45,600
Speaker 2: can clack get everything in.

1042
00:51:46,080 --> 00:51:49,640
Speaker 5: Between all the cameras and the and the audio, everything

1043
00:51:49,719 --> 00:51:53,400
Speaker 5: but full production. Yeah, I get it. It looks like

1044
00:51:53,440 --> 00:51:54,479
Speaker 5: you might have a flat tire.

1045
00:51:55,400 --> 00:51:55,680
Speaker 1: I know.

1046
00:51:56,200 --> 00:52:00,319
Speaker 2: Yeah. That is the most ignored logo in my life.

1047
00:52:00,560 --> 00:52:01,840
Speaker 4: That's my most feared logo.

1048
00:52:02,160 --> 00:52:04,239
Speaker 1: They even put an exclamation point in this one. And

1049
00:52:04,280 --> 00:52:07,279
Speaker 1: I'm like, you know what, not my problem, that's true.

1050
00:52:07,360 --> 00:52:08,160
Speaker 1: Fix it yourself?

1051
00:52:08,200 --> 00:52:08,920
Speaker 4: Are you renting this?

1052
00:52:09,680 --> 00:52:10,000
Speaker 2: No?

1053
00:52:10,400 --> 00:52:11,040
Speaker 4: Is this yours?

1054
00:52:11,680 --> 00:52:11,719
Speaker 2: You?

1055
00:52:12,200 --> 00:52:14,960
Speaker 4: Just you just do you still think that they are responsible?

1056
00:52:15,520 --> 00:52:18,880
Speaker 1: I have a real they mentality. It's like, get it, why.

1057
00:52:18,800 --> 00:52:21,240
Speaker 3: Don't my parents fill up the air and my tires

1058
00:52:21,320 --> 00:52:23,400
Speaker 3: type of thinking in middle age.

1059
00:52:23,800 --> 00:52:25,879
Speaker 5: Yeah, I get it. I get it, and I think

1060
00:52:25,920 --> 00:52:27,360
Speaker 5: that's somehow healthy.

1061
00:52:27,600 --> 00:52:29,400
Speaker 1: I think, thank you appreciate that.

1062
00:52:29,719 --> 00:52:33,000
Speaker 3: But I think also I've gone to like gas stations

1063
00:52:33,000 --> 00:52:34,799
Speaker 3: to put air in my tires, and I'm pretty sure

1064
00:52:34,840 --> 00:52:35,920
Speaker 3: I didn't do anything.

1065
00:52:36,480 --> 00:52:37,839
Speaker 1: Yeah, I'm not sure how to.

1066
00:52:38,160 --> 00:52:41,960
Speaker 4: Oh you think like maybe the sensor is broken, Well no, or.

1067
00:52:42,239 --> 00:52:44,080
Speaker 3: I just don't know there's a way to do it,

1068
00:52:44,120 --> 00:52:45,959
Speaker 3: and I've never been shown that way.

1069
00:52:46,320 --> 00:52:50,279
Speaker 2: So oh yeah, yeah, I don't even know how to

1070
00:52:50,320 --> 00:52:52,400
Speaker 2: do that with my When I get my oil change,

1071
00:52:52,400 --> 00:52:55,560
Speaker 2: I have to go back set the tire one warning to.

1072
00:52:55,480 --> 00:52:58,840
Speaker 3: Get that crazy fucking thing off there where it's like

1073
00:52:59,000 --> 00:53:01,560
Speaker 3: you're it's acting like my I interpret it as my

1074
00:53:01,640 --> 00:53:05,480
Speaker 3: tire might explode, and I'm like, well, that's crazy the whole.

1075
00:53:05,320 --> 00:53:07,280
Speaker 2: They shouldn't have used an exclamation point.

1076
00:53:07,600 --> 00:53:09,399
Speaker 4: Yeah, it's a little bit too. It's just too much.

1077
00:53:09,760 --> 00:53:12,440
Speaker 5: I just have had enough flat tires with my cars,

1078
00:53:13,520 --> 00:53:15,839
Speaker 5: which is such a buck I just hate it. It's like,

1079
00:53:16,040 --> 00:53:20,319
Speaker 5: because I have low profile wheels like tires on both

1080
00:53:20,360 --> 00:53:22,160
Speaker 5: of my cars, and so they're a little bit more

1081
00:53:22,200 --> 00:53:26,480
Speaker 5: prone to getting damaged, and so I'm always just waiting

1082
00:53:26,520 --> 00:53:27,000
Speaker 5: for it, and.

1083
00:53:27,040 --> 00:53:31,240
Speaker 4: I'm just like, no, no, no, it's just this weird

1084
00:53:31,320 --> 00:53:32,600
Speaker 4: psychological dread.

1085
00:53:33,040 --> 00:53:36,920
Speaker 1: Also lately, because we had those crazy storms, there's just

1086
00:53:37,200 --> 00:53:40,560
Speaker 1: fucking potholes everywhere in this town.

1087
00:53:40,920 --> 00:53:44,239
Speaker 2: Yeah, it's it's the only reason to have a four

1088
00:53:44,280 --> 00:53:47,799
Speaker 2: wheel drive car is for street driving in Los Angeles.

1089
00:53:47,920 --> 00:53:48,399
Speaker 4: That's true.

1090
00:53:48,480 --> 00:53:50,040
Speaker 2: You're fine in the mountains without it.

1091
00:53:50,360 --> 00:53:52,320
Speaker 4: Yeah, that's so true. Yeah, four wheel drives.

1092
00:53:52,360 --> 00:53:55,479
Speaker 2: But I've never I've ignored every warning light because I've

1093
00:53:55,880 --> 00:53:59,239
Speaker 2: throughout my whole life, I've always had cars where just

1094
00:53:59,400 --> 00:54:02,239
Speaker 2: lights are on and on the dash because I jump

1095
00:54:02,280 --> 00:54:06,200
Speaker 2: started someone once, oh yeah, and it blew out some

1096
00:54:06,320 --> 00:54:09,480
Speaker 2: fuses and so now I have a vibrant, colorful dash.

1097
00:54:09,640 --> 00:54:13,520
Speaker 2: So but in this car, it's not just the explanation point.

1098
00:54:13,800 --> 00:54:17,120
Speaker 2: I feel like, because it's a nice new car, we

1099
00:54:17,520 --> 00:54:19,920
Speaker 2: when we're done recording, I will go with you.

1100
00:54:20,000 --> 00:54:21,480
Speaker 1: We will will take a look.

1101
00:54:21,560 --> 00:54:21,759
Speaker 4: Yeah.

1102
00:54:22,360 --> 00:54:26,839
Speaker 3: Yeah, I mean I look at the tires and one

1103
00:54:26,880 --> 00:54:30,080
Speaker 3: doesn't seem any lower than the others or flatter or anything.

1104
00:54:30,840 --> 00:54:32,120
Speaker 1: Yeah, but then.

1105
00:54:32,000 --> 00:54:34,399
Speaker 5: It's you'd be surprised, like the tires like, well, they'll

1106
00:54:34,440 --> 00:54:37,879
Speaker 5: retain they'll retain their shape, but they'll still be low,

1107
00:54:38,120 --> 00:54:40,880
Speaker 5: which which is kind of Yeah. I've noticed on my

1108
00:54:41,160 --> 00:54:43,520
Speaker 5: like my cars, they if the tires fly, you can

1109
00:54:43,520 --> 00:54:45,279
Speaker 5: barely tell if it's fine. It would have to be

1110
00:54:45,320 --> 00:54:47,520
Speaker 5: like zeroed in order for it to collapse.

1111
00:54:47,760 --> 00:54:49,920
Speaker 2: Yeah, those low pro those low pros.

1112
00:54:50,000 --> 00:54:52,560
Speaker 5: Yeah, the low pros because they have a tougher sidewall,

1113
00:54:52,640 --> 00:54:56,200
Speaker 5: so the sidewall maintains rigidity longer. But like, yeah, the

1114
00:54:56,680 --> 00:54:58,279
Speaker 5: on a car like this, you've got like kind of

1115
00:54:58,440 --> 00:55:02,480
Speaker 5: normal wheels, so you might be able to tell.

1116
00:55:02,560 --> 00:55:05,719
Speaker 1: But so kind of we could be really on the

1117
00:55:05,840 --> 00:55:07,680
Speaker 1: verge of serious.

1118
00:55:07,320 --> 00:55:10,920
Speaker 5: Danger, right, there could be some serious, huge, massive danger.

1119
00:55:11,239 --> 00:55:14,840
Speaker 2: It wouldn't be a do night? Do you need? What

1120
00:55:15,200 --> 00:55:17,960
Speaker 2: just happened to me? Do you night? I said, do

1121
00:55:18,000 --> 00:55:25,000
Speaker 2: you night? And Roy episode with danger? They rot Otherwise,

1122
00:55:25,080 --> 00:55:32,160
Speaker 2: you don't thank you. If I had you, if I

1123
00:55:32,160 --> 00:55:34,680
Speaker 2: had your back every time, Regie, I would never sound

1124
00:55:34,719 --> 00:55:35,360
Speaker 2: like an idiot.

1125
00:55:35,440 --> 00:55:37,880
Speaker 4: See come on, it takes a willage.

1126
00:55:38,280 --> 00:55:41,600
Speaker 2: Well, I ordered one of those little it looks like

1127
00:55:41,600 --> 00:55:44,040
Speaker 2: a walkie talkie but it fills up tires with air,

1128
00:55:44,840 --> 00:55:46,920
Speaker 2: and on my bike, I'm fine with it. But the

1129
00:55:46,920 --> 00:55:48,800
Speaker 2: minute I hooked it up to my car, all of

1130
00:55:48,840 --> 00:55:52,839
Speaker 2: a sudden, this this montage of different viral videos I've

1131
00:55:52,840 --> 00:55:55,120
Speaker 2: seen of tires exploding in faces.

1132
00:55:55,680 --> 00:55:56,520
Speaker 4: Are you serious?

1133
00:55:56,680 --> 00:55:59,439
Speaker 5: I don't know why I've scared, because I've I've done that.

1134
00:55:59,680 --> 00:56:00,080
Speaker 4: Well.

1135
00:56:00,120 --> 00:56:03,640
Speaker 5: I have like I have like a bunch of portable compressors,

1136
00:56:03,719 --> 00:56:09,560
Speaker 5: you know, and they you just set the amount that

1137
00:56:09,640 --> 00:56:11,840
Speaker 5: you do and you just like you know, plug it

1138
00:56:11,880 --> 00:56:13,040
Speaker 5: in or whatever and you just turn it on.

1139
00:56:13,160 --> 00:56:13,720
Speaker 4: Just walk away.

1140
00:56:13,920 --> 00:56:16,920
Speaker 2: Well okay, so I don't. I just don't need to

1141
00:56:16,960 --> 00:56:18,160
Speaker 2: be it'll stop.

1142
00:56:18,080 --> 00:56:19,920
Speaker 5: Well, it'll stop, yeah, yeah, yeah, as long as it

1143
00:56:20,000 --> 00:56:21,360
Speaker 5: has like as long as you have the kind that

1144
00:56:21,440 --> 00:56:23,879
Speaker 5: like you put in the amount of pressure you want, right, well,

1145
00:56:24,000 --> 00:56:24,799
Speaker 5: then you just walk away.

1146
00:56:24,920 --> 00:56:27,400
Speaker 2: I think the problem with my You can choose bike,

1147
00:56:27,520 --> 00:56:31,680
Speaker 2: you can choose for not Frisbee. You know those choose Frisbee.

1148
00:56:31,719 --> 00:56:31,879
Speaker 1: Yeah?

1149
00:56:31,960 --> 00:56:32,200
Speaker 4: Yeah?

1150
00:56:32,360 --> 00:56:35,960
Speaker 2: Is it because I have it on air Fizzy film Frisbee.

1151
00:56:35,719 --> 00:56:38,320
Speaker 4: Frisbel it's a film about a dog.

1152
00:56:39,120 --> 00:56:43,919
Speaker 5: Air Frisbee, yeah, or a German film about it an

1153
00:56:43,960 --> 00:56:46,319
Speaker 5: inventor of a magical tisk.

1154
00:56:47,880 --> 00:56:49,920
Speaker 2: But I didn't realize I could put it on the

1155
00:56:49,960 --> 00:56:51,640
Speaker 2: car icon and just walk away.

1156
00:56:51,880 --> 00:56:52,880
Speaker 4: Yeah, yeah, totally.

1157
00:56:52,920 --> 00:56:55,040
Speaker 2: I don't need to stare with my face at the

1158
00:56:55,080 --> 00:56:56,280
Speaker 2: tire six inches away.

1159
00:56:56,320 --> 00:56:57,759
Speaker 1: Get your face out of there for sure.

1160
00:56:57,920 --> 00:57:00,040
Speaker 2: Yeah, I jam it in the wheel well and the

1161
00:57:00,200 --> 00:57:00,760
Speaker 2: so loud.

1162
00:57:01,000 --> 00:57:01,359
Speaker 4: It's like.

1163
00:57:02,880 --> 00:57:06,400
Speaker 5: This is a little guy, that's why. Yeah, they're really loud.

1164
00:57:06,480 --> 00:57:09,160
Speaker 5: Yeah they're so small. They make they're smaller and smaller,

1165
00:57:09,160 --> 00:57:10,600
Speaker 5: but it just takes them a long time to fill

1166
00:57:10,640 --> 00:57:10,920
Speaker 5: it up.

1167
00:57:11,120 --> 00:57:12,919
Speaker 4: That's why I bought this. I haven't used it yet,

1168
00:57:12,920 --> 00:57:13,400
Speaker 4: but it's.

1169
00:57:13,280 --> 00:57:17,280
Speaker 5: A it's a double chambered compressor. So and it doesn't

1170
00:57:17,320 --> 00:57:18,880
Speaker 5: you came to plug it into a wall. You have

1171
00:57:18,920 --> 00:57:20,240
Speaker 5: to plug you have to hook it up to your

1172
00:57:20,240 --> 00:57:22,480
Speaker 5: car battery. Wow, so you have to put it on

1173
00:57:22,480 --> 00:57:24,480
Speaker 5: your man's Like even on an electric car, you can

1174
00:57:24,600 --> 00:57:27,160
Speaker 5: access the terminals, so you just you click it to

1175
00:57:27,200 --> 00:57:29,640
Speaker 5: the terminals and then and then you and then you

1176
00:57:29,680 --> 00:57:32,040
Speaker 5: fill up your tire. It's like meant for like off road,

1177
00:57:32,240 --> 00:57:35,400
Speaker 5: you know, vehicles where people depressurized for going off road,

1178
00:57:35,480 --> 00:57:37,160
Speaker 5: you know, and then they repressurize when they're on the

1179
00:57:37,200 --> 00:57:39,640
Speaker 5: highway again. And so it's fast. You can fill up

1180
00:57:39,640 --> 00:57:41,720
Speaker 5: your tire in like a minute. It's like super fast.

1181
00:57:41,720 --> 00:57:43,560
Speaker 5: And that's all I wanted. I wanted to just I

1182
00:57:43,600 --> 00:57:47,720
Speaker 5: was tired of like and then I like go into

1183
00:57:47,800 --> 00:57:51,800
Speaker 5: my house and I can still here and I'm there

1184
00:57:51,800 --> 00:57:52,680
Speaker 5: for like ten minutes.

1185
00:57:52,800 --> 00:57:55,919
Speaker 2: Okay, so I clearly just didn't leave it on long enough.

1186
00:57:56,080 --> 00:57:59,000
Speaker 2: It takes so long that it takes like, clearly this

1187
00:57:59,040 --> 00:58:01,360
Speaker 2: has been ten minutes. This is going to explode.

1188
00:58:01,520 --> 00:58:03,600
Speaker 4: Yeah, I know, I know, because it's so tiny.

1189
00:58:03,880 --> 00:58:06,320
Speaker 2: Okay, like all the other voices, I'm going to ignore

1190
00:58:06,360 --> 00:58:07,240
Speaker 2: that one in my head.

1191
00:58:07,320 --> 00:58:09,200
Speaker 4: Yeah yeah, yeah, that's when you can take off the list.

1192
00:58:09,400 --> 00:58:12,800
Speaker 3: Yes, I love this very specific expertise that you have.

1193
00:58:13,240 --> 00:58:14,520
Speaker 1: It's very impressive.

1194
00:58:15,040 --> 00:58:18,680
Speaker 2: I've seen you in your talk gadgets and cars, and

1195
00:58:18,760 --> 00:58:23,640
Speaker 2: you're act and everyone's fascinated. Actual information is being given.

1196
00:58:24,640 --> 00:58:25,160
Speaker 4: It's true.

1197
00:58:25,200 --> 00:58:28,120
Speaker 5: I do love I do love trying to like when

1198
00:58:28,160 --> 00:58:32,240
Speaker 5: people are like not into something you know or like,

1199
00:58:32,400 --> 00:58:35,440
Speaker 5: or they seem uninterested in a bit of technology, or

1200
00:58:35,480 --> 00:58:37,800
Speaker 5: they're like I just give up on like that. That's

1201
00:58:37,800 --> 00:58:40,720
Speaker 5: where I come in. I'm always like, no, actually, it's

1202
00:58:40,800 --> 00:58:42,880
Speaker 5: it's it's not that hard. Blah blah blah.

1203
00:58:42,880 --> 00:58:44,360
Speaker 4: You know. I just love that.

1204
00:58:44,480 --> 00:58:46,720
Speaker 2: I saw you stick to your guns so much that

1205
00:58:46,840 --> 00:58:50,000
Speaker 2: a lot of Bozeman is now looking into electric cars

1206
00:58:50,040 --> 00:58:50,600
Speaker 2: because of you.

1207
00:58:51,840 --> 00:58:54,800
Speaker 4: That's so awesome. Yeah, I know, I.

1208
00:58:54,720 --> 00:58:58,640
Speaker 2: Know, yeah you really and convince me too, because that's

1209
00:58:58,680 --> 00:58:59,960
Speaker 2: what I'm holding out for.

1210
00:59:00,520 --> 00:59:02,760
Speaker 5: Yeah, I mean electric cars are great, and they're coming

1211
00:59:02,760 --> 00:59:03,600
Speaker 5: down prices too.

1212
00:59:04,160 --> 00:59:06,560
Speaker 4: The Bulbo just announced that X thirty just now.

1213
00:59:06,680 --> 00:59:09,440
Speaker 5: It's like a really tiny suv and they have an

1214
00:59:09,480 --> 00:59:11,640
Speaker 5: off road version coming out and it's only like forty grand.

1215
00:59:12,200 --> 00:59:15,240
Speaker 2: Have you done any reading up on the Polster Oh,

1216
00:59:15,240 --> 00:59:18,040
Speaker 2: the Polestar, Yeah, Polestar, Yeah, Pollstar.

1217
00:59:18,280 --> 00:59:19,800
Speaker 4: Which Polestar two?

1218
00:59:20,200 --> 00:59:22,439
Speaker 5: The two? Yeah, the two is great. It's a really

1219
00:59:22,480 --> 00:59:24,200
Speaker 5: cool car. Yeahah, it's a great one.

1220
00:59:24,880 --> 00:59:27,720
Speaker 2: So you support me having dreams of getting.

1221
00:59:27,560 --> 00:59:31,560
Speaker 5: Oh, Pollstars are great, Yeah, they're super environmental, told you Karen.

1222
00:59:32,640 --> 00:59:38,959
Speaker 1: Yeah, yeah, I've never heard of puls Poster pull Star.

1223
00:59:40,040 --> 00:59:42,800
Speaker 2: There's just a logo. There's no text anywhere on it.

1224
00:59:42,920 --> 00:59:45,640
Speaker 2: Then now they have some little helvetica about down.

1225
00:59:45,440 --> 00:59:46,960
Speaker 4: By the by the sensors.

1226
00:59:47,080 --> 00:59:50,840
Speaker 2: Yeah yeah, and near the sensors, as Reggie said. And

1227
00:59:52,320 --> 00:59:56,560
Speaker 2: so I actually it's just a company like Tess.

1228
00:59:56,960 --> 00:59:57,920
Speaker 4: It's a Volvo.

1229
00:59:58,120 --> 01:00:02,080
Speaker 5: It's a Pulvo performance Volvo. It's like it's a performance

1230
01:00:02,120 --> 01:00:03,480
Speaker 5: brand for Volvo.

1231
01:00:03,840 --> 01:00:06,120
Speaker 2: I'm I love the way it looks.

1232
01:00:06,160 --> 01:00:06,520
Speaker 4: I love it.

1233
01:00:06,640 --> 01:00:09,120
Speaker 2: It's a simple, boxy like if you ask a kid

1234
01:00:09,160 --> 01:00:11,640
Speaker 2: to draw a car. It does that in shape.

1235
01:00:11,840 --> 01:00:13,880
Speaker 4: Yeah, it's very very Swedish.

1236
01:00:14,160 --> 01:00:19,520
Speaker 5: Yeah, it's very like it's just sensible but elegant in

1237
01:00:19,520 --> 01:00:23,160
Speaker 5: the very kind of light classical ways.

1238
01:00:23,720 --> 01:00:27,480
Speaker 2: I knew you would sell me on it and it

1239
01:00:27,480 --> 01:00:29,920
Speaker 2: would sound it would have the words straight out of

1240
01:00:29,960 --> 01:00:30,520
Speaker 2: the catalog.

1241
01:00:30,640 --> 01:00:34,600
Speaker 5: It's it's great post Polestar is great and super environmental.

1242
01:00:34,720 --> 01:00:38,400
Speaker 5: They they're trying to do full closed loop manufacturing, meaning

1243
01:00:39,000 --> 01:00:41,160
Speaker 5: they can recycle all of their cars, like almost like

1244
01:00:41,440 --> 01:00:44,000
Speaker 5: percent of their cars can be recycled. They let they

1245
01:00:44,080 --> 01:00:46,400
Speaker 5: label all the metals, the different types of metals they

1246
01:00:46,480 --> 01:00:49,320
Speaker 5: use in the car are all labeled, and so when

1247
01:00:49,320 --> 01:00:51,440
Speaker 5: the car comes back to them, if it's total or

1248
01:00:51,480 --> 01:00:53,480
Speaker 5: something like that, they can fully pull it apart and

1249
01:00:53,520 --> 01:00:56,240
Speaker 5: they can reclaim all the all the materials.

1250
01:00:56,320 --> 01:00:56,880
Speaker 1: That's great.

1251
01:00:57,240 --> 01:01:00,680
Speaker 5: Yeah, it's really really great company. And and it's just

1252
01:01:00,720 --> 01:01:04,439
Speaker 5: a great car. Electric cars are so easy, so easy

1253
01:01:04,400 --> 01:01:04,880
Speaker 5: to maintain.

1254
01:01:04,960 --> 01:01:06,880
Speaker 4: You know, I have to worry about tires, that's it.

1255
01:01:09,040 --> 01:01:09,680
Speaker 1: Pay attention to.

1256
01:01:11,400 --> 01:01:15,000
Speaker 5: Not everybody worries about tires, so you know that's so

1257
01:01:15,040 --> 01:01:17,760
Speaker 5: I guess you have no worries, just no worries whatsoever.

1258
01:01:18,080 --> 01:01:20,720
Speaker 3: What I'm really impressed by and I thought it would

1259
01:01:20,720 --> 01:01:22,320
Speaker 3: be the opposite is its.

1260
01:01:22,240 --> 01:01:24,160
Speaker 1: Car is insanely fast.

1261
01:01:24,280 --> 01:01:25,160
Speaker 4: Oh it's crazy.

1262
01:01:25,400 --> 01:01:28,800
Speaker 3: And when I first got it, I would be at

1263
01:01:28,920 --> 01:01:32,120
Speaker 3: like stop lights and like BMW's would pull up and

1264
01:01:32,120 --> 01:01:33,800
Speaker 3: rev their engine and want to race.

1265
01:01:33,600 --> 01:01:35,800
Speaker 2: Me to the next light. See if it the zero

1266
01:01:35,880 --> 01:01:36,520
Speaker 2: does six.

1267
01:01:36,360 --> 01:01:38,920
Speaker 1: Steak and yeah, And then I was like oh okay,

1268
01:01:39,000 --> 01:01:40,920
Speaker 1: and I would just be like blowing people out of

1269
01:01:40,960 --> 01:01:42,160
Speaker 1: the water or like you know on.

1270
01:01:42,640 --> 01:01:44,680
Speaker 2: You will you've been street racing.

1271
01:01:44,560 --> 01:01:46,840
Speaker 1: Well lightly, I mean just to be like if you

1272
01:01:46,880 --> 01:01:47,840
Speaker 1: would like to do this.

1273
01:01:47,920 --> 01:01:50,919
Speaker 6: Surfe Yeah, yeah, just.

1274
01:01:50,800 --> 01:01:53,080
Speaker 1: Like if you're going to force my hand. Now I

1275
01:01:53,200 --> 01:01:55,600
Speaker 1: beat you at this, And it's so fun.

1276
01:01:55,680 --> 01:01:58,400
Speaker 3: It's like the pick up especially compared to the car

1277
01:01:58,440 --> 01:02:00,880
Speaker 3: I had before to pick up getting onto the free

1278
01:02:00,960 --> 01:02:02,880
Speaker 3: or anything, there's it's like easy.

1279
01:02:03,080 --> 01:02:04,440
Speaker 1: It becomes so stress free.

1280
01:02:04,560 --> 01:02:07,240
Speaker 5: Yeah, it's it's like the closest thing you can feel

1281
01:02:07,400 --> 01:02:08,920
Speaker 5: to being a superhero.

1282
01:02:09,280 --> 01:02:10,920
Speaker 4: Yeah, you know where you're like I need to get

1283
01:02:10,960 --> 01:02:12,480
Speaker 4: over there. Oh here, I'm over there.

1284
01:02:13,520 --> 01:02:16,400
Speaker 3: But you also don't feel because of the compression. I

1285
01:02:16,520 --> 01:02:18,800
Speaker 3: drive it in the compression mode, so you don't feel

1286
01:02:18,800 --> 01:02:21,040
Speaker 3: out of control. Like the second you take your foot

1287
01:02:21,040 --> 01:02:22,280
Speaker 3: off the gas, you're slowing down.

1288
01:02:22,560 --> 01:02:24,800
Speaker 4: Oh yeah, yeah, you mean the regenerative breaking.

1289
01:02:24,600 --> 01:02:26,440
Speaker 5: Yeah, yeah, yeah, yeah, and I don't in this car.

1290
01:02:26,480 --> 01:02:29,800
Speaker 5: Can you set the levels of it? I believe in

1291
01:02:29,920 --> 01:02:31,040
Speaker 5: my and my I used.

1292
01:02:30,960 --> 01:02:34,160
Speaker 4: To have a Tesla Model S and a P eighty five.

1293
01:02:34,080 --> 01:02:38,640
Speaker 5: D and after that, and you could set the regent level.

1294
01:02:38,640 --> 01:02:41,360
Speaker 5: But then I rented a three recently and I couldn't

1295
01:02:41,360 --> 01:02:44,400
Speaker 5: figure out how to set the regent level. So I

1296
01:02:44,480 --> 01:02:46,800
Speaker 5: was wondering, like maybe Tesla was like, fuck it just

1297
01:02:46,840 --> 01:02:48,760
Speaker 5: one regen level for all of our cars.

1298
01:02:48,800 --> 01:02:52,320
Speaker 2: Yeah, he's been He's had a real fucking attitude lately.

1299
01:02:52,720 --> 01:02:55,240
Speaker 1: He has been focusing on the wrong things, that's for sure.

1300
01:02:55,720 --> 01:02:57,960
Speaker 2: What the hell is this guy speaking and focusing on

1301
01:02:58,000 --> 01:03:01,400
Speaker 2: the wrong things. I hope hit that curb. Actually, that

1302
01:03:01,480 --> 01:03:05,800
Speaker 2: was some impress dumb dumb until I saw him confidently

1303
01:03:05,840 --> 01:03:07,760
Speaker 2: take that turn. Now I like him.

1304
01:03:07,880 --> 01:03:09,880
Speaker 5: Yeah, now he's now, he's gettable.

1305
01:03:10,040 --> 01:03:12,720
Speaker 4: Now he's in charge. That guy's Charles.

1306
01:03:12,960 --> 01:03:16,520
Speaker 2: I am. I am confronted after this. You guys would

1307
01:03:16,520 --> 01:03:19,440
Speaker 2: be so mad if you saw my tires right now.

1308
01:03:19,560 --> 01:03:23,360
Speaker 2: People flag me down and tell me that they're low strangers.

1309
01:03:24,080 --> 01:03:26,120
Speaker 2: I know, I know.

1310
01:03:26,360 --> 01:03:28,400
Speaker 4: I might have a compressor you can borrow. I have

1311
01:03:28,440 --> 01:03:29,560
Speaker 4: a better compressor.

1312
01:03:29,600 --> 01:03:31,760
Speaker 2: I think you I definitely have because I have like

1313
01:03:32,080 --> 01:03:37,320
Speaker 2: five It's so, are you still doing your Watts app?

1314
01:03:37,560 --> 01:03:41,760
Speaker 5: That it still exists? But it's not. There's no updates

1315
01:03:41,760 --> 01:03:43,840
Speaker 5: to it or anything. The guy that was kind of

1316
01:03:43,880 --> 01:03:47,160
Speaker 5: managing it or overlooking it or whatever the fuck he

1317
01:03:47,560 --> 01:03:50,400
Speaker 5: he Well, he was just too much money. Yeah, But

1318
01:03:50,520 --> 01:03:52,800
Speaker 5: then I really wasn't using the app, you know, I

1319
01:03:52,840 --> 01:03:55,400
Speaker 5: wanted it. I was trying to make it like, this

1320
01:03:55,480 --> 01:03:58,320
Speaker 5: is my content on my app, you know, yeah, guys

1321
01:03:58,360 --> 01:04:01,080
Speaker 5: follow you know, follow my app or what ever, and

1322
01:04:01,080 --> 01:04:03,160
Speaker 5: and it just I don't know, I just didn't have

1323
01:04:03,280 --> 01:04:06,280
Speaker 5: the team to like make it a thing.

1324
01:04:06,640 --> 01:04:08,000
Speaker 1: Yeah, do a lot of work.

1325
01:04:08,280 --> 01:04:11,760
Speaker 2: Also, I'd like to apologize for never doing you wanted

1326
01:04:11,840 --> 01:04:17,360
Speaker 2: artwork for it, and I just never did it for WhatsApp.

1327
01:04:17,400 --> 01:04:19,760
Speaker 2: Oh You're like, I want a T shirt and I'm like, okay,

1328
01:04:19,760 --> 01:04:23,959
Speaker 2: I can do that. I just went on a bike.

1329
01:04:25,040 --> 01:04:27,920
Speaker 4: It's totally okay because it didn't really matter.

1330
01:04:28,400 --> 01:04:31,160
Speaker 5: It turns out, So, I mean someday, I mean, it

1331
01:04:31,240 --> 01:04:35,240
Speaker 5: still exists, so it's in the app store, I think

1332
01:04:35,480 --> 01:04:39,320
Speaker 5: hopefully indefinitely, but maybe I'll be able to do something

1333
01:04:39,360 --> 01:04:40,160
Speaker 5: with it in the future.

1334
01:04:40,280 --> 01:04:42,800
Speaker 2: Well, I still my offer still stands.

1335
01:04:42,560 --> 01:04:44,880
Speaker 4: Okay, Well, if I get back on it, I will

1336
01:04:44,920 --> 01:04:45,320
Speaker 4: let you know.

1337
01:04:45,760 --> 01:04:49,880
Speaker 1: I feel like, yeah, you should definitely go, sir, Yeah

1338
01:04:49,960 --> 01:04:52,040
Speaker 1: you should. I mean that was your right.

1339
01:04:52,120 --> 01:04:57,160
Speaker 2: Absolutely, some of that sweet sweet Dodgers traffic. I guess baseball.

1340
01:04:57,200 --> 01:04:59,920
Speaker 2: It's America's reason for stopping in the street.

1341
01:05:00,760 --> 01:05:04,240
Speaker 4: Oh there's the Elliott Smith wall. Yeah, they kept it.

1342
01:05:04,440 --> 01:05:07,160
Speaker 2: There's times I've walked past it and I'm in a

1343
01:05:07,200 --> 01:05:10,439
Speaker 2: pretty good mood by this Mexican restaurant. Well not now

1344
01:05:10,480 --> 01:05:12,000
Speaker 2: that I'm saying it's closed.

1345
01:05:13,080 --> 01:05:15,400
Speaker 4: Closed, that's so crazy.

1346
01:05:15,480 --> 01:05:17,400
Speaker 2: But then I get bummed out when I go past

1347
01:05:17,480 --> 01:05:19,920
Speaker 2: that wall. I'm not kidding. There was like a feeling

1348
01:05:20,000 --> 01:05:22,919
Speaker 2: that overcame me, and then I realized it's because it's

1349
01:05:22,920 --> 01:05:24,000
Speaker 2: the Elliott Smith wall.

1350
01:05:24,240 --> 01:05:26,240
Speaker 4: Because of Elliott Smith, it's.

1351
01:05:26,120 --> 01:05:31,320
Speaker 5: A sad wall or RSP what's now just when someone dies?

1352
01:05:31,520 --> 01:05:35,320
Speaker 4: Oh? Respect, mad respect, mad respect.

1353
01:05:35,440 --> 01:05:40,480
Speaker 1: Respect, infuriated respect towards you and your memory.

1354
01:05:41,080 --> 01:05:44,440
Speaker 2: I'm blousy with respect for that guy, Regie.

1355
01:05:44,480 --> 01:05:49,160
Speaker 1: Do have anything that you want to table plug get.

1356
01:05:49,040 --> 01:05:53,480
Speaker 2: Out emotionally, information wise, just anything.

1357
01:05:54,120 --> 01:05:55,439
Speaker 4: Well, I have a book coming out.

1358
01:05:55,680 --> 01:05:58,800
Speaker 2: Oh please let it be about Montana.

1359
01:05:58,960 --> 01:06:00,760
Speaker 4: It's well, it's called Great Falls Month.

1360
01:06:01,080 --> 01:06:06,640
Speaker 5: Yes, yeah, it's just an autobiography and focuses primarily on

1361
01:06:07,000 --> 01:06:12,760
Speaker 5: Great Falls, my upbringing there, and then like mostly about

1362
01:06:12,800 --> 01:06:17,560
Speaker 5: my high school experiences. It goes a little bit into Seattle, Seattle,

1363
01:06:17,680 --> 01:06:19,000
Speaker 5: and a little bit into New York.

1364
01:06:19,040 --> 01:06:23,520
Speaker 2: But oh yeah, you went to the famed Art Institute,

1365
01:06:23,560 --> 01:06:25,840
Speaker 2: a place where in high school I wanted to go

1366
01:06:25,960 --> 01:06:29,520
Speaker 2: so bad and learn how to airbrush milkshakes or whatever

1367
01:06:29,560 --> 01:06:32,760
Speaker 2: I saw on the brochure. And they had a program.

1368
01:06:32,840 --> 01:06:35,640
Speaker 2: When I was seventeen, I went to like a week

1369
01:06:35,720 --> 01:06:38,440
Speaker 2: long camp and you went there and you took classes.

1370
01:06:38,880 --> 01:06:40,880
Speaker 2: I think it was my parents letting me know, we

1371
01:06:41,000 --> 01:06:43,600
Speaker 2: cannot afford this school, but you can go to the

1372
01:06:43,920 --> 01:06:47,240
Speaker 2: Fantasy Camp. And it was one of the best experiences

1373
01:06:47,280 --> 01:06:50,480
Speaker 2: of my life. It was so cool. We're just there

1374
01:06:50,520 --> 01:06:52,840
Speaker 2: for a week, and I wanted to go there so badly,

1375
01:06:52,920 --> 01:06:56,960
Speaker 2: But it was around that time, shortly after you were

1376
01:06:57,000 --> 01:06:59,400
Speaker 2: probably in the building doing music.

1377
01:06:59,760 --> 01:07:01,680
Speaker 4: Yeah, but I didn't know they did all that. That's

1378
01:07:01,720 --> 01:07:02,240
Speaker 4: pretty cool.

1379
01:07:02,360 --> 01:07:04,080
Speaker 2: Yeah, it was the coolest thing ever.

1380
01:07:04,320 --> 01:07:07,600
Speaker 1: Wait, so was it high school or a college level college?

1381
01:07:07,760 --> 01:07:08,240
Speaker 4: College?

1382
01:07:08,320 --> 01:07:10,840
Speaker 2: Yeah, I was, I was still in high school. It

1383
01:07:10,880 --> 01:07:13,160
Speaker 2: was the coolest thing ever. I wonder if they still

1384
01:07:13,160 --> 01:07:15,200
Speaker 2: do that I kept in touch with all the kids

1385
01:07:15,240 --> 01:07:17,480
Speaker 2: I met. It was like one of those first times

1386
01:07:17,480 --> 01:07:20,720
Speaker 2: I was like without my parents on a road trap

1387
01:07:20,800 --> 01:07:21,760
Speaker 2: with other kids.

1388
01:07:21,800 --> 01:07:25,040
Speaker 4: I felt so all that feels always so awesome.

1389
01:07:25,160 --> 01:07:27,480
Speaker 3: Yeah, and then to land at art like an art

1390
01:07:27,560 --> 01:07:30,040
Speaker 3: school or an art camp where like I got to

1391
01:07:30,080 --> 01:07:31,840
Speaker 3: go to one of those one year and it was

1392
01:07:32,000 --> 01:07:35,440
Speaker 3: just mayhem and kind of like we went to a

1393
01:07:35,480 --> 01:07:37,800
Speaker 3: small school, so it was like kids from the city

1394
01:07:38,240 --> 01:07:42,360
Speaker 3: teaching us how to be like drama nerds or like art,

1395
01:07:42,480 --> 01:07:43,800
Speaker 3: you know what I mean. Like it was just kind

1396
01:07:43,840 --> 01:07:45,440
Speaker 3: of like, oh, this is how you do it, Like

1397
01:07:45,920 --> 01:07:48,280
Speaker 3: listen to the smiths and you have to get a

1398
01:07:48,320 --> 01:07:51,920
Speaker 3: certain kind of haircut, and yeah, get your sailor stripe

1399
01:07:51,960 --> 01:07:56,720
Speaker 3: sailor shirt, and you know, be an individual, get into mime.

1400
01:07:57,520 --> 01:07:58,080
Speaker 1: It was great.

1401
01:07:58,400 --> 01:08:01,040
Speaker 2: Yeah, was it the best. Right when we arrived, we

1402
01:08:01,080 --> 01:08:03,560
Speaker 2: were all on a bus. They were shooting a movie

1403
01:08:03,600 --> 01:08:06,120
Speaker 2: and it was actually a sunny day in Seattle, but

1404
01:08:06,200 --> 01:08:08,040
Speaker 2: for the movie they had to make it look rainy,

1405
01:08:08,720 --> 01:08:12,000
Speaker 2: so there was just this giant shade and fake rain

1406
01:08:12,080 --> 01:08:14,360
Speaker 2: coming down, and we saw they were just filming two

1407
01:08:14,480 --> 01:08:17,760
Speaker 2: guys walking on a sidewalk, and then we turned and

1408
01:08:17,800 --> 01:08:20,639
Speaker 2: then it wasn't until a couple of years later. It

1409
01:08:20,680 --> 01:08:23,559
Speaker 2: was that scene and when Harry met Sally or sorry

1410
01:08:23,600 --> 01:08:27,719
Speaker 2: sleepless in Seattle, of course, where there was an actual

1411
01:08:27,760 --> 01:08:30,240
Speaker 2: scene and it was from the vantage point of frat

1412
01:08:30,520 --> 01:08:34,200
Speaker 2: of exactly where we were. I'm not I'm not fully convinced.

1413
01:08:34,200 --> 01:08:36,320
Speaker 2: I wasn't a camera person on that movie, is what

1414
01:08:36,360 --> 01:08:36,880
Speaker 2: I'm saying.

1415
01:08:37,439 --> 01:08:40,080
Speaker 4: Yeah, yeah, it is possible.

1416
01:08:40,240 --> 01:08:41,320
Speaker 2: Yeah, it was in the Union.

1417
01:08:41,600 --> 01:08:41,800
Speaker 4: Yeah.

1418
01:08:42,160 --> 01:08:48,040
Speaker 2: Yeah, it's a parody of information. Yeah, I'm always on

1419
01:08:48,200 --> 01:08:50,519
Speaker 2: it in the Onion, But it was, yeah, it was.

1420
01:08:50,680 --> 01:08:51,719
Speaker 2: I saw that scene.

1421
01:08:51,800 --> 01:08:52,080
Speaker 4: It was.

1422
01:08:52,280 --> 01:08:54,599
Speaker 2: It was I'm not here to brag.

1423
01:08:54,840 --> 01:08:57,759
Speaker 4: Yeah, no, it's it's not. I don't think it's bragging.

1424
01:08:57,760 --> 01:08:58,720
Speaker 4: If it happened to.

1425
01:08:58,640 --> 01:08:59,840
Speaker 1: You, yeah, because it's real.

1426
01:09:00,240 --> 01:09:01,880
Speaker 4: Yeah, if it's real, it's not brag.

1427
01:09:02,439 --> 01:09:06,040
Speaker 3: Did you find it like easy to write a book

1428
01:09:06,160 --> 01:09:09,960
Speaker 3: or was it did you have to really sit down

1429
01:09:10,000 --> 01:09:11,200
Speaker 3: and focus?

1430
01:09:11,720 --> 01:09:15,599
Speaker 5: Well, I worked with a phantom writer, so I all

1431
01:09:15,640 --> 01:09:20,960
Speaker 5: I did was sit back, tell stories, that's great, relive

1432
01:09:21,080 --> 01:09:24,439
Speaker 5: my thing, and then the phantom writer would just kind

1433
01:09:24,439 --> 01:09:27,040
Speaker 5: of ask questions, you know, and is that the.

1434
01:09:27,080 --> 01:09:29,040
Speaker 2: Same as a ghost writer or what is it? What's

1435
01:09:29,080 --> 01:09:31,320
Speaker 2: the difference between phantom and ghost.

1436
01:09:31,240 --> 01:09:34,600
Speaker 4: Well, phantom is like like a better ghost.

1437
01:09:35,040 --> 01:09:38,240
Speaker 2: Okay, slightly scary, I mean in the spiritual realm.

1438
01:09:38,680 --> 01:09:40,599
Speaker 4: Yeah, it's just more powerful.

1439
01:09:40,880 --> 01:09:44,240
Speaker 5: Okay, wow, yeah, phantoms are way more probably, I mean,

1440
01:09:44,560 --> 01:09:46,880
Speaker 5: I mean the highest level you can get is a

1441
01:09:46,960 --> 01:09:47,639
Speaker 5: wraith writer.

1442
01:09:49,360 --> 01:09:51,040
Speaker 1: But the screaming, oh my god.

1443
01:09:51,160 --> 01:09:54,520
Speaker 4: Yeah, there's a lot of wailing and of teeth.

1444
01:09:54,320 --> 01:09:56,360
Speaker 2: All the ten sided die Yeah.

1445
01:09:56,439 --> 01:09:59,240
Speaker 4: Yeah, there's a lot of yeah, a lot of die rolling.

1446
01:10:00,120 --> 01:10:03,320
Speaker 5: And it's just like every decision you make, it's like,

1447
01:10:04,000 --> 01:10:05,120
Speaker 5: let's consult.

1448
01:10:04,680 --> 01:10:07,200
Speaker 1: The die please, no, not again?

1449
01:10:07,280 --> 01:10:09,599
Speaker 4: Yeah, exactly when is your what come out?

1450
01:10:09,640 --> 01:10:12,000
Speaker 2: Because that's a book I will read. I don't make

1451
01:10:12,040 --> 01:10:13,160
Speaker 2: that threat ever.

1452
01:10:13,680 --> 01:10:14,760
Speaker 4: Yes, I get it.

1453
01:10:15,200 --> 01:10:19,120
Speaker 5: Yeah, it's October seventeenth, and it's available on pretty much

1454
01:10:19,120 --> 01:10:21,200
Speaker 5: wherever books are sold. But you can pre order it,

1455
01:10:21,360 --> 01:10:24,000
Speaker 5: pre order it on Oh there's a two here you go,

1456
01:10:24,080 --> 01:10:24,759
Speaker 5: it's your pollstar.

1457
01:10:25,160 --> 01:10:27,880
Speaker 2: Oh well see it's nice. Get one.

1458
01:10:28,400 --> 01:10:32,360
Speaker 5: Yeah, it's available, yeah, you know, like on Amazon. You

1459
01:10:32,400 --> 01:10:35,600
Speaker 5: can pre order it nice and might be able to

1460
01:10:35,600 --> 01:10:36,880
Speaker 5: pre order in other places too.

1461
01:10:37,200 --> 01:10:38,880
Speaker 4: And then I'm going to do an audiobook for it

1462
01:10:38,920 --> 01:10:39,280
Speaker 4: as well.

1463
01:10:39,439 --> 01:10:42,439
Speaker 2: Oh and of course do the Karen you did that

1464
01:10:42,560 --> 01:10:45,400
Speaker 2: as well, right, you did the voiceover for your own book.

1465
01:10:45,439 --> 01:10:45,760
Speaker 1: We did.

1466
01:10:45,840 --> 01:10:47,000
Speaker 2: Yeah, that'll be fun.

1467
01:10:47,320 --> 01:10:47,840
Speaker 4: Was it fun?

1468
01:10:48,400 --> 01:10:51,040
Speaker 1: It was fun? It was a little What's funny is

1469
01:10:53,040 --> 01:10:56,599
Speaker 1: when I would go to say it read something I'd written,

1470
01:10:56,880 --> 01:11:00,599
Speaker 1: I felt like it was this third person separated, So

1471
01:11:00,640 --> 01:11:02,800
Speaker 1: I was kind of like, is this the voice I

1472
01:11:02,800 --> 01:11:04,559
Speaker 1: should be using? It was weird.

1473
01:11:04,920 --> 01:11:06,720
Speaker 3: It was kind of like going to read a thing

1474
01:11:06,760 --> 01:11:10,840
Speaker 3: and feeling like I'm clicking into yet another part of

1475
01:11:10,880 --> 01:11:12,439
Speaker 3: my personality.

1476
01:11:11,840 --> 01:11:12,679
Speaker 1: To be the reader.

1477
01:11:13,160 --> 01:11:15,640
Speaker 2: Yeah, that's crazy when the character is you and you

1478
01:11:15,680 --> 01:11:17,080
Speaker 2: don't know if you're right for the part.

1479
01:11:17,280 --> 01:11:20,600
Speaker 1: Yeah, exactly, Like I'm definitely not getting this subdition. No,

1480
01:11:20,760 --> 01:11:22,800
Speaker 1: you got it, and you have to do it. That's

1481
01:11:22,840 --> 01:11:23,400
Speaker 1: the bad man.

1482
01:11:23,920 --> 01:11:25,160
Speaker 4: Wow, I do love that.

1483
01:11:25,680 --> 01:11:27,960
Speaker 3: Yeah, that's I mean, maybe what I'm saying is I

1484
01:11:28,040 --> 01:11:29,960
Speaker 3: was dissociating while I was doing it.

1485
01:11:30,000 --> 01:11:34,240
Speaker 2: But yeah, that's so exciting. And when I said I'd

1486
01:11:34,280 --> 01:11:36,040
Speaker 2: read the book, I'm going to wait for the audio

1487
01:11:36,120 --> 01:11:38,479
Speaker 2: version because I want you to read me the book. Reggie.

1488
01:11:38,720 --> 01:11:43,200
Speaker 5: Yeah, yeah, yeah, well yeah, hopefully I'll do an okay job.

1489
01:11:43,439 --> 01:11:45,160
Speaker 4: I wanted to a first time.

1490
01:11:45,200 --> 01:11:48,920
Speaker 5: Wanted to have Fred Armison read it because I was

1491
01:11:49,000 --> 01:11:50,559
Speaker 5: just I thought it would be funny to have someone

1492
01:11:50,640 --> 01:11:53,960
Speaker 5: else read my book. Yes, narrate my book, I should say,

1493
01:11:54,720 --> 01:12:00,200
Speaker 5: but no, that's a job. I can't wait. Yep, in

1494
01:12:00,240 --> 01:12:02,280
Speaker 5: an old school cop car, which is that kind of

1495
01:12:02,400 --> 01:12:04,320
Speaker 5: rare fake they're always.

1496
01:12:04,080 --> 01:12:07,040
Speaker 4: Usually scvs, so it's always and I'm like, that's not right.

1497
01:12:07,160 --> 01:12:09,000
Speaker 4: That's a movie cop for all I know.

1498
01:12:09,360 --> 01:12:11,479
Speaker 2: That's someone that just bought a used cop car. I

1499
01:12:11,520 --> 01:12:14,280
Speaker 2: don't even think you have to spray paint it black anymore.

1500
01:12:14,320 --> 01:12:17,240
Speaker 2: You can just buy them. Yeah, And it's so confusing

1501
01:12:17,280 --> 01:12:18,040
Speaker 2: and frustrating.

1502
01:12:18,360 --> 01:12:19,240
Speaker 4: Yeah, I know that is.

1503
01:12:19,400 --> 01:12:22,280
Speaker 5: It's especially when they leave the searchlight on it. Yes,

1504
01:12:22,760 --> 01:12:24,120
Speaker 5: it happens all.

1505
01:12:24,120 --> 01:12:27,160
Speaker 2: The It does happen all the time, civilians out there

1506
01:12:27,200 --> 01:12:29,280
Speaker 2: pretending to be cops and they don't get in trouble.

1507
01:12:29,439 --> 01:12:31,120
Speaker 2: But when I wear a badge at.

1508
01:12:31,040 --> 01:12:34,200
Speaker 5: The mall, yeah, this should be the one place that

1509
01:12:34,280 --> 01:12:36,960
Speaker 5: you should be able to kind of do badges.

1510
01:12:37,439 --> 01:12:39,880
Speaker 4: I got a badge recently.

1511
01:12:39,520 --> 01:12:41,479
Speaker 2: For what we below?

1512
01:12:42,000 --> 01:12:45,519
Speaker 5: Yeah, we below. It's like it's like, well, why why

1513
01:12:45,560 --> 01:12:50,880
Speaker 5: aren't you above? But yeah, it's no. It's a it's

1514
01:12:50,920 --> 01:12:55,280
Speaker 5: called the eleven ninety nine Foundation, and they you kind

1515
01:12:55,280 --> 01:12:58,680
Speaker 5: of donate to a police organization called eleven nine a

1516
01:12:58,840 --> 01:13:03,160
Speaker 5: nine foundation, and they give you this license plate bracket

1517
01:13:03,320 --> 01:13:05,400
Speaker 5: it says eleven ninety nine, and then.

1518
01:13:05,320 --> 01:13:08,400
Speaker 4: They give you this really cool bronze.

1519
01:13:07,800 --> 01:13:10,160
Speaker 5: Badge that's in like a like a wallet, like a

1520
01:13:10,200 --> 01:13:14,000
Speaker 5: badge comes in and it looks real. Yeah, and it

1521
01:13:14,040 --> 01:13:16,040
Speaker 5: has your name on it. It has your member number.

1522
01:13:16,240 --> 01:13:18,599
Speaker 2: Have you misused it yet to get what you want?

1523
01:13:19,000 --> 01:13:21,360
Speaker 5: Well, I mean, I guess the idea is if you

1524
01:13:21,400 --> 01:13:25,120
Speaker 5: were ever caught speeding in California, like on the highway,

1525
01:13:25,240 --> 01:13:28,120
Speaker 5: and you get pulled over by a highway patrol, the

1526
01:13:28,160 --> 01:13:30,439
Speaker 5: license first, hopefully they'll see the license plate.

1527
01:13:30,240 --> 01:13:32,680
Speaker 2: Brun it's's so funny that you and then you'll have

1528
01:13:32,720 --> 01:13:36,280
Speaker 2: your badge. I the sheriffs when I lived in Austin,

1529
01:13:36,360 --> 01:13:39,880
Speaker 2: the sheriffs used to cold call. I'd answer the phone

1530
01:13:39,920 --> 01:13:42,240
Speaker 2: and they're like, do you want to donate? And they'd

1531
01:13:42,240 --> 01:13:46,320
Speaker 2: be really aggressive. And I got intimidated once and I donated,

1532
01:13:46,360 --> 01:13:49,960
Speaker 2: and they sent me a sticker and I put it

1533
01:13:50,000 --> 01:13:52,840
Speaker 2: on my car, and then they would like badger me

1534
01:13:53,040 --> 01:13:56,240
Speaker 2: every year to donate again. I'm like, there's other things

1535
01:13:56,280 --> 01:13:59,519
Speaker 2: I feel much more strongly about. But I got I

1536
01:13:59,560 --> 01:14:02,439
Speaker 2: got over for speeding in a school zone. I wasn't

1537
01:14:02,439 --> 01:14:04,960
Speaker 2: even going that fast and the guy was screaming at

1538
01:14:05,000 --> 01:14:07,800
Speaker 2: me and then he saw that sticker, and I thought

1539
01:14:07,840 --> 01:14:10,320
Speaker 2: he was going to invite me over for dinner. It

1540
01:14:10,520 --> 01:14:14,040
Speaker 2: not only did get me out of a ticket, I

1541
01:14:14,040 --> 01:14:17,800
Speaker 2: had a friend I didn't want for life. Wow, but

1542
01:14:17,880 --> 01:14:18,920
Speaker 2: it did. It did.

1543
01:14:19,920 --> 01:14:21,559
Speaker 4: I wish they would have gave me a sticker.

1544
01:14:21,960 --> 01:14:23,840
Speaker 2: Yeah, it really does.

1545
01:14:24,280 --> 01:14:27,360
Speaker 5: Because because you know, the license plate bracket is. It's cool,

1546
01:14:27,560 --> 01:14:29,200
Speaker 5: but I would rather have a sticker and just have

1547
01:14:29,240 --> 01:14:32,240
Speaker 5: a regular, like a normal licensed plate bracket because it

1548
01:14:32,280 --> 01:14:33,880
Speaker 5: does kind of fuck with the color of my.

1549
01:14:33,880 --> 01:14:37,599
Speaker 1: Car, right, the aesthetics get fucked up.

1550
01:14:37,680 --> 01:14:39,679
Speaker 5: Yeah, I kind of, I kind of, you know, because

1551
01:14:39,720 --> 01:14:42,760
Speaker 5: it's just like it's just silver, and like my it

1552
01:14:42,800 --> 01:14:43,960
Speaker 5: just looks better when you have that.

1553
01:14:43,920 --> 01:14:47,800
Speaker 4: Black license plate, like just by itself. Yeah, on there.

1554
01:14:48,120 --> 01:14:51,160
Speaker 2: I do appreciate that. On all your cars, you've had

1555
01:14:51,240 --> 01:14:52,839
Speaker 2: that Dead Kennedy's sticker.

1556
01:14:53,200 --> 01:14:54,000
Speaker 4: Yep, that's true.

1557
01:14:54,200 --> 01:14:55,320
Speaker 2: Is it on your new car too?

1558
01:14:55,360 --> 01:14:56,519
Speaker 4: Yeah? On both my car.

1559
01:14:57,400 --> 01:14:59,120
Speaker 1: Can'd of imagine if you were pulled over by a

1560
01:14:59,120 --> 01:15:01,800
Speaker 1: cop who also like the Dead Kennedy, you'd be set.

1561
01:15:02,040 --> 01:15:05,160
Speaker 2: Yeah, it'd be great, both of his worlds colliding. It

1562
01:15:05,200 --> 01:15:06,240
Speaker 2: would blow his mind.

1563
01:15:06,640 --> 01:15:10,200
Speaker 5: It's like, yeah, and I have only only the only

1564
01:15:10,240 --> 01:15:12,200
Speaker 5: other sticker I have on there is another band called

1565
01:15:12,320 --> 01:15:14,760
Speaker 5: Nice and uh that's it.

1566
01:15:14,880 --> 01:15:16,080
Speaker 4: Those are my only stickers.

1567
01:15:16,680 --> 01:15:19,160
Speaker 1: Nice Nice, Nice Nice.

1568
01:15:20,320 --> 01:15:22,720
Speaker 2: Well, this isn't your house, but we're gonna drop you off.

1569
01:15:23,240 --> 01:15:26,679
Speaker 4: That's really sweet. You guys are so incredibly sweet.

1570
01:15:27,000 --> 01:15:28,799
Speaker 2: You're the incredibly sweetest.

1571
01:15:29,200 --> 01:15:31,160
Speaker 1: Yeah, thank you so much for doing this.

1572
01:15:31,160 --> 01:15:32,080
Speaker 4: This was awesome.

1573
01:15:32,080 --> 01:15:37,960
Speaker 5: As floork, I'll d mic and then I see what

1574
01:15:38,000 --> 01:15:39,120
Speaker 5: you guys look like from the front.

1575
01:15:39,960 --> 01:15:42,040
Speaker 2: Yeah, isn't it? Is it weird that you're in a

1576
01:15:42,080 --> 01:15:43,599
Speaker 2: podcast where you don't see her face.

1577
01:15:44,120 --> 01:15:45,519
Speaker 5: I kind of like the idea like part of me.

1578
01:15:45,600 --> 01:15:47,360
Speaker 5: It's like, well, man should get out and just like

1579
01:15:47,439 --> 01:15:48,800
Speaker 5: I'll never know if it was.

1580
01:15:48,800 --> 01:15:52,800
Speaker 4: Actually those people. Yeah, sound sounded so like you.

1581
01:15:52,920 --> 01:15:55,240
Speaker 2: You get out and you just have this long, kink

1582
01:15:55,320 --> 01:16:01,519
Speaker 2: ponytail ship, you know, front car. Oh my god, I'll

1583
01:16:01,560 --> 01:16:04,120
Speaker 2: see you in Montana. And I assume you mentioned me

1584
01:16:04,160 --> 01:16:10,479
Speaker 2: in your book. Yes, I opened doors. I know. I

1585
01:16:10,520 --> 01:16:14,439
Speaker 2: don't know how much you look terrific?

1586
01:16:14,479 --> 01:16:16,439
Speaker 4: It is you, Hi, buddy.

1587
01:16:16,520 --> 01:16:22,439
Speaker 2: Hey, it's good to see if. I like that sweater.

1588
01:16:23,520 --> 01:16:25,280
Speaker 2: I like that guy, me too.

1589
01:16:26,240 --> 01:16:26,599
Speaker 1: Fun.

1590
01:16:27,280 --> 01:16:29,519
Speaker 2: I kept slubbing my words.

1591
01:16:30,600 --> 01:16:31,680
Speaker 1: Oh you want to wrap it up?

1592
01:16:31,960 --> 01:16:38,000
Speaker 2: Oh? Yeah, I guess we should. Between you and I though,

1593
01:16:38,120 --> 01:16:40,800
Speaker 2: oh yeah, I still recording you've been listening to Do

1594
01:16:40,840 --> 01:16:41,679
Speaker 2: you Need a Ride?

1595
01:16:41,920 --> 01:16:44,160
Speaker 1: Do you why in there?

1596
01:16:46,240 --> 01:16:48,840
Speaker 2: Well? Maybe not in this neighborhood.

1597
01:16:48,880 --> 01:16:49,439
Speaker 4: You should not.

1598
01:16:49,840 --> 01:16:59,439
Speaker 2: I don't think so. This has been an Exactly Right

1599
01:16:59,560 --> 01:17:03,840
Speaker 2: production produced by Annalise Nelson, mixed by Edson Choi.

1600
01:17:04,240 --> 01:17:06,160
Speaker 1: Our talent booker is Patrick Coottner.

1601
01:17:06,400 --> 01:17:08,400
Speaker 2: Theme song by Karen Kilgarrett.

1602
01:17:08,800 --> 01:17:10,240
Speaker 1: Artwork by Chris Fairbanks.

1603
01:17:10,439 --> 01:17:13,519
Speaker 3: Follow the show on Instagram, Twitter, and Facebook at dinar

1604
01:17:13,640 --> 01:17:16,720
Speaker 3: podcast That's d y nar Podcast.

1605
01:17:17,160 --> 01:17:20,720
Speaker 2: For more information, go to exactly rightmedia dot com.

1606
01:17:20,760 --> 01:17:23,000
Speaker 1: Thank you, Oh You're welcome