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Speaker 1: You can watch the original episode we'll be discussing in

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Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the

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Speaker 1: new and final season, on Max.

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Speaker 2: You can also watch the.

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Speaker 1: Video version of the history of Curby Your Enthusiasm podcast

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Speaker 1: on Max and YouTube as well.

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Speaker 2: Links available in the episode description.

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Speaker 1: So here we are, Season two, Episode three, Trick or Treat?

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Speaker 2: Guess what takes place on Halloween?

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Speaker 3: Also the day before, yes day after?

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Speaker 1: And we start out and they're at a I thought

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Speaker 1: it was a party, but there at a restaurant and

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Speaker 1: a waiting little lounge area, and there with Cliff, a

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Speaker 1: friend of theirs who's in a wheelchair, and Cliff's wife Shelley.

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Speaker 3: And Holly Wartel, who I worked at Second City with

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Speaker 3: uh huh, lovely person, lovely actress. She had the combo

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Speaker 3: platter going.

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Speaker 1: Person actress, Yes. And Cliff is in a wheelchair. We

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Speaker 1: don't know why. And they're going to a screening of

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Speaker 1: Cliff's film. His name is on the Marquee. He's very excited,

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Speaker 1: and Larry enters he saw the Marquee and he sits

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Speaker 1: down next to Cliff's wife Shelley, and in a very awkward,

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Speaker 1: uncomfortable show no where they're waiting to go to dinner.

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Speaker 1: They're in the lounge and he sits next to her.

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Speaker 1: He's too close to her. He puts his arm up

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Speaker 1: on the thing. It looks like his arm is around her,

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Speaker 1: but it's not. But you know, it portends poorly by

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Speaker 1: the way.

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Speaker 3: Everything that he does early on will lead to something.

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Speaker 3: Something that he's doing.

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Speaker 1: Nothing's by accident, and it's Cliff Cobb is the guy's name.

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Speaker 1: And Larry at one point says to Shelley, how's Cheryl's present?

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Speaker 1: Is Cheryl's birthday on Friday? And the bracelet she's making?

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Speaker 1: Apparently Cheryl likes bracelets because we dealt with that and

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Speaker 1: last season.

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Speaker 2: Who doesn't like a bracelet?

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Speaker 3: And I wouldn't wear a bracelet. I like watches. I

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Speaker 3: know guys who wear bracelets.

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Speaker 2: It's not for you. But a jewelry thing either.

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Speaker 3: Guy, jewelry. No, if you wear jewelry around your neck

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Speaker 3: as a man looks.

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Speaker 2: Unless you're a baseball player.

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Speaker 3: If they play good, they can wear what they want.

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Speaker 3: But I think you should look in the mirror and

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Speaker 3: reevaluate things. I agree. I don't like life. I don't

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Speaker 3: like men in cologne, men in cologne.

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Speaker 2: Men wearing cologne I used to wear.

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Speaker 3: As a kid. I swear to God, my whole teenagers.

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Speaker 3: Paco Rabot, Oh you did, yes, by the way, I

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Speaker 3: didn't pour it on a little dabble doo.

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Speaker 2: You do you definitely.

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Speaker 1: So with Cheryl's birthday, Shelley is apparently making a bracelet

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Speaker 1: for Cheryl. She says it'll be ready by Thursday. Then

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Speaker 1: they're sitting at dinner and Cheryl and Cliff are totally

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Speaker 1: engaged with one another, leaving out.

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Speaker 3: By the way, they did a great job with that.

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Speaker 3: I feel like.

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Speaker 1: Bullshit, And you know, as so many things, I just

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Speaker 1: got that sense that that was Larry with his wife,

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Speaker 1: that she was engaged with and he was just completely

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Speaker 1: left out. That's where I think that came from. I

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Speaker 1: don't know for sure, but didn't that feel like that?

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Speaker 4: Yeah?

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Speaker 3: Yeah, yeah, I don't want to have no comment. Yeah,

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Speaker 3: I don't like talking about Larry's personal life. And you

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Speaker 3: should be ashamed.

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Speaker 2: Okay, I feel tremendous shame right now.

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Speaker 1: But so they're totally engaged, Cheryl and Cliff in a

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Speaker 1: conversation about the Amazon and things that would not interest

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Speaker 1: Larry whatsoever. And you see Shelley and Larry just left

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Speaker 1: out and just kind of looking at each other, and

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Speaker 1: he starts making stupid conversation about his napkin.

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Speaker 2: You see, he's trying to make conversation with Shelley.

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Speaker 1: I have to put a napkin on and whatever in

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Speaker 1: order to they and Larry then orders a cob salad.

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Speaker 3: Yes, and by the way, in the most beautiful.

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Speaker 2: Way, in the most beautiful way.

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Speaker 3: I've never heard of anyone, I've never been with anyone

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Speaker 3: who has ordered a cob salad and not didn't make

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Speaker 3: an adjustment to the cob salad.

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Speaker 2: I always But first of all, I love a jupe salad.

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Speaker 3: By the way, big bull of delicious.

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Speaker 2: But I always say no blue cheese.

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Speaker 3: Yeah, oh, would look at us? What to thing when

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Speaker 3: you say jinx Yeah no I blue cheese?

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Speaker 2: Yeah?

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Speaker 3: You know, look, you know, curse at me. I love

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Speaker 3: Thousand Island and I dig ranch. That's about it.

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Speaker 2: I like a balsamic.

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Speaker 3: You like a balsamic, and my own everfee by the way,

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Speaker 3: I can. I can deal with the balsamic. And by

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Speaker 3: the way, it's the healthiest. Forget the balsamic and vinegar,

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Speaker 3: just balsamic, which I learned to put on my salad.

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Speaker 3: Great flavor, but I.

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Speaker 2: Get a little and it's perfect.

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Speaker 3: Well, you like Djon, and we've talked about this. I

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Speaker 3: like frenches, not Djon. Yellow mustard and Deli mustard, which

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Speaker 3: sometimes can be kind of Dijon liked. I just like

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Speaker 3: playing yellow. I'm a big bullet, boring, keep going.

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Speaker 1: Okay, So Larry, what is this with many substitutions?

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Speaker 3: I think I'm just gonna.

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Speaker 4: Get a a Cop salad, okay, okay, And I want

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Speaker 4: to make just a couple of substitutions.

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Speaker 5: If that's okay, Sure, okay, I'll get no bacon, no bacon,

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Speaker 5: no eggs, no eggs, no eggs.

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Speaker 3: Blue cheese on the side.

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Speaker 4: Sure you want a Cops salad I'm getting.

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Speaker 3: I'm getting David.

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Speaker 5: Salad, and I'll get a cutation you can, okay.

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Speaker 6: Yeah.

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Speaker 4: And if the chef can't do this, if he makes

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Speaker 4: a face at all, just come.

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Speaker 3: Back and let me know. Yeah, all right, okay, thank you.

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Speaker 2: Sure, thank you very much.

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Speaker 1: I love what he says, if the chef makes a face,

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Speaker 1: let me know, which is something we used in a

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Speaker 1: later episode, most.

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Speaker 3: Certainly, but just that sentence alone is so wonderful. If

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Speaker 3: the chef makes a face. All right, I'll read let

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Speaker 3: me know, I'll take care of it.

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Speaker 1: Yeah, And Cliff seems upset about this that Larry is getting.

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Speaker 1: He's non plussed, and then he tells everybody that his

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Speaker 1: grandfather invented the cops salad that.

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Speaker 3: Drake Hotel in Chicago. It's so funny. I'm watching this

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Speaker 3: and I'm thinking, is that where it started? I thought

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Speaker 3: it started at the Brown Derby, and then I thought, well,

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Speaker 3: maybe he worked at the Drake before he worked whoever.

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Speaker 2: This is so you had forgotten the episode?

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Speaker 3: Oh by the way, watching these early episodes now I

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Speaker 3: have forgotten at least half of the things.

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Speaker 1: The content, and so people know we are now in

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Speaker 1: twenty twenty three and this was shot what two thousand.

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Speaker 3: And one, probably actually in the forties.

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Speaker 1: And Cheryl continues about you know, I want to go

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Speaker 1: out in the rough and the Amazon, and Larry counter's

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Speaker 1: Cliff saying his grandfather's made the cop sounid. My grandfather's

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Speaker 1: name was Harold Bingo. He invented bingo, which.

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Speaker 3: I think is the thing of beauty. Those are one

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Speaker 3: of those things I look back, you know, me with names. Yeah,

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Speaker 3: that I wonder if I told him to say that,

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Speaker 3: or suggested that you don't want to tell No, I

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Speaker 3: don't remember, but it sounds like me. But nonetheless, Larry

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Speaker 3: and I have such a similar sense of humor.

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Speaker 2: But you are more namey than he is.

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Speaker 3: I'm way more name As a matter of fact, the

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Speaker 3: other day, he loves the York Rangers, and I said, uh,

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Speaker 3: speaking of Bingo, this is the name. I said to him.

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Speaker 3: I said, jere about the Rangers new trade. And I

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Speaker 3: felt bad because he got so excited. I go, yeah,

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Speaker 3: they got from Kansas City Bingo mctuesday, old Bingo Mctuesday.

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Speaker 3: He knew, no, no, he did, he would really And

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Speaker 3: by the way, there's no team in Kansas City. So

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Speaker 3: therefore on a lot of levels. And then he burst

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Speaker 3: out laughing, and he kept saying to me throughout the day,

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Speaker 3: what was the name? I loved that name? You know,

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Speaker 3: so I make him laugh.

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Speaker 2: I remember, well, I was there. I believe that Tuesday.

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Speaker 1: Now Anna has asked a question our producer, executive producer.

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Speaker 3: Rightful producer.

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Speaker 1: I told you to use that adjec she said, was

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Speaker 1: the Cobb salad story improvised or in the outline? Now

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Speaker 1: exactly what I was just going to when it's a

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Speaker 1: story point like that which comes back later, it's almost

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Speaker 1: always in the outline.

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Speaker 3: But by the way, we will sometimes massage the outline.

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Speaker 3: I hate that term, So why did I use it?

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Speaker 3: What's wrong with me? What's in the outline will change

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Speaker 3: and develop, but the same story is there.

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Speaker 1: If it's a story point, it's almost always in.

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Speaker 3: The actor is not going to say something like, I'm

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Speaker 3: bring up.

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Speaker 1: Such a big story point that my grandfather invented the

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Speaker 1: cost salt.

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Speaker 3: I could see by the way Vince Vaughn doing that, yeah,

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Speaker 3: and improvising it. But outside of people that are extremely

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Speaker 3: you know, a very high skill level that will never happen.

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Speaker 2: And not just a skill level.

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Speaker 1: You could be a highly skilled actor, but there's a

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Speaker 1: presumptuousness in it.

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Speaker 2: So Vince Freddy Fonka to make Larry laugh.

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Speaker 1: Yes, but Freddy Fonks or or Darling friend Bob who

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Speaker 1: was Marty Bob Aster, you're part of the family.

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Speaker 2: It's different.

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Speaker 3: No, No, with them, it is most certainly. Actually, I

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Speaker 3: always tell guest actors, say what you want, we can

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Speaker 3: always fix it. Just make it up. You can refer

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Speaker 3: to ballooning that you love ballooning, even though it has

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Speaker 3: nothing to do with the story, and one of us

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Speaker 3: might say to you, no more ballooning, which he does

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Speaker 3: what he tells me not to do something he sort

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Speaker 3: of hesitated him.

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Speaker 1: But at the same time, for example, on Thursday, I

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Speaker 1: believe it was we were doing a scene and I'm

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Speaker 1: not going to say what it was, and we did

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Speaker 1: it over and over again, and then the last take

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Speaker 1: we came up with a golden thing just out of nowhere.

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Speaker 3: No, I have no idea what you're talking about. Oh yes,

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Speaker 3: she gave me a hand signal that told me what that.

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Speaker 2: So we sometimes do that with each other.

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Speaker 3: All done. That scene, by the way, I really feel

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Speaker 3: over to all the years, is one of the funniest

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Speaker 3: scenes I've ever been a part of.

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Speaker 1: You know, it was a funny scene. I really feel

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Speaker 1: that all the stuff listening. You'll see it in season twelve.

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Speaker 3: Yeah, but it is truly one of the funniest scenes

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Speaker 3: I've ever been And by the way, everything that happens

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Speaker 3: in that scene, here's what separates it. Literally every aspect

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Speaker 3: of that conversation, gems are floating out of everyone's mouth.

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Speaker 1: It was all part of the reason for that was

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Speaker 1: not just how good we are.

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Speaker 3: No, it's not the script.

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Speaker 2: It was it was set up the situation.

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Speaker 3: And we just ran with it, which we're apt to do.

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Speaker 3: And it was really, really it was so much fun

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Speaker 3: and funny, and it was just the three of us. Larry,

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Speaker 3: you love yes, always, yes, we love it. You know

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Speaker 3: the fastest too. If it's just the regulars, it really

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Speaker 3: goes by fast. But a dinner scene with lots of guests, no.

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Speaker 2: Thing, well, it depends on who the guest is.

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Speaker 3: No, no hold. On the other night we did a

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Speaker 3: dinner scene and everyone there was part of the show.

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Speaker 3: And I got to tell you have people up there

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Speaker 3: who are not part of the show, that scene goes

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Speaker 3: twice as long.

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Speaker 1: Right, But if it's you and me and and Freddy

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Speaker 1: and Ted and Cheryl and you.

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Speaker 2: Know, yeah, so JB. All right, now we cut to

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Speaker 2: we're at.

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Speaker 3: The Did I ever tell you the JB story?

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Speaker 2: Which one?

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Speaker 3: Well, just did I ever mention on this show? I

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Speaker 3: don't know JB when we're doing in this scene doing

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Speaker 3: it likely? For example, we did one recently. JB and

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Speaker 3: are walking with Larry. Arry. He has to go off

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Speaker 3: somewhere and Jab and I are left now, one thing

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Speaker 3: you know about the show, and I don't think there's

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Speaker 3: ever been an exception. Once Larry leaves the screen, you're

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Speaker 3: cut out nothing you say. It's happened to us so

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Speaker 3: many times. We've come up with some really funny shit

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Speaker 3: and if it's in the script, it'll stay. But after

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Speaker 3: Larry leaves.

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Speaker 1: Meaning in the script, if it's part of the storyline.

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Speaker 3: Right, and Larry yes, But when Larry leaves, it's over now, JB.

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Speaker 3: Whether Larry leaves or not, he stays in character, and

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Speaker 3: he'll be talking to me in character. We're way off screen.

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Speaker 3: And my favorite thing to say to me, who are you?

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Speaker 3: What's going on?

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Speaker 7: You?

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Speaker 3: Are you Leon? Or are you JB? Right now? Because

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Speaker 3: quite different, quite different, because I think he goes into

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Speaker 3: a zone on him. Yeah, and then he of course

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Speaker 3: laughs at himself. He has a great sense.

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Speaker 4: You know.

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Speaker 2: I will do that as well because it's fun.

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Speaker 3: Who makes fun of you more for doing it? I know?

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Speaker 1: Okay, okay, So now we're at the screening. Thirty below

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Speaker 1: is on the Marquis. That's the name of the movie.

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Speaker 1: To clip write it directed. I wasn't really clear on that.

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Speaker 1: I think he directed it, directed it. Yeah, and although

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Speaker 1: we'll get to that, I have a point. This is

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Speaker 1: one of my things.

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Speaker 3: Technically in those days, when you put something up on

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Speaker 3: green screen, whatever it is, it looked horrible. So they

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Speaker 3: look like like a floating cloud of Jiz announcing the

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Speaker 3: name of the movie. It really did look like that.

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Speaker 3: It looked like an a meeba, And I'm like.

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Speaker 2: This looks horrible and that's just technology.

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Speaker 3: I get upset like I did in the Thong when

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Speaker 3: they had the blue Sky, which I just talked with

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Speaker 3: Larry about just unnecessary because by the way you're saying, yeah,

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Speaker 3: like move along, but plenty of people go to the

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Speaker 3: beach when it's cloudy and hang out.

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Speaker 2: I do all the time, right, I like a cloudy day.

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Speaker 3: That was my thing.

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Speaker 2: But Santa Barbara Son.

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Speaker 1: Yeah, we'll be right back, stay tuned. Okay, we're back,

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Speaker 1: and Larry runs into a guy it's like, Larry, ay,

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Speaker 1: you know, let's golf sometime, and Larry awkwardly says, I

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Speaker 1: don't golf anymore.

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Speaker 2: Now.

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Speaker 1: What's interesting is in that moment watching this, because I

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Speaker 1: haven't seen it for twenty one years, I assume the

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Speaker 1: reason he said he was not golfing anymore is because

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Speaker 1: he didn't want to golf with that guy, right, But

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Speaker 1: but there was an all ulterior motive I know.

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Speaker 3: But hold on there. You know, if you pull into

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Speaker 3: a two shot, which we did there when Larry was

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Speaker 3: saying that on his side.

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Speaker 2: Well, the put him into the two shot.

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Speaker 3: Has something to do with what he's saying. Now. The

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Speaker 3: guy who came up to him was so perfectly cast

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Speaker 3: because he couldn't have been sweeter and more affable. Danny

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Speaker 3: Breen a hero of mine from Second City who I

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Speaker 3: was so honored to have him on the show, and

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Speaker 3: he's that person in real life, the sweetie smart and

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Speaker 3: he did something later that just killed me. But we

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Speaker 3: can move on.

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Speaker 1: We'll get to that. Larry playing a lot of golf.

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Speaker 1: We should play sometimes I don't play golf anymore, Larry says.

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Speaker 1: And he's standing around waiting, and he starts to whistle,

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Speaker 1: which Larry is a very big whistler.

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Speaker 3: Larry, by the way, Larry sings and.

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Speaker 2: Whistles and whistles all the time.

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Speaker 3: And so if you're listening, you can imagine that and

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Speaker 3: move with joy. By the way, and so many times

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Speaker 3: he starts singing something that I would have thought he's

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Speaker 3: never even heard usually musicals. Yeah, but he doesn't leach boys.

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Speaker 2: He does.

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Speaker 3: He does also he did you two once, and I'm like,

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Speaker 3: that's shocking, you know, but I'm saying, and I go,

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Speaker 3: where did that come from?

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Speaker 1: So Larry starts whistling Wagner Yeah, And he tells Cheryl

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Speaker 1: the story about how Wagner wrote this piece for his

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Speaker 1: wife Kosima and how she woke up one morning and

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Speaker 1: he was in the courtyard or the living room or

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Speaker 1: whatever conducting it. And Cheryl finds that incredibly romantic and moving.

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Speaker 1: And then a man behind them, very belligerently says, excuse me,

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Speaker 1: are you Jewish?

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Speaker 3: Which is the best part of that exchange, because it

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Speaker 3: is shocking to be asked if you're Jewish that way. Well,

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Speaker 3: he was aggressive, I know, but the only other person

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Speaker 3: would be aggressive might be a Nazi soldier. I'm saying,

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Speaker 3: it's aggressive. Like the scariest scene maybe I've ever seen

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Speaker 3: in the movie is in The Pianist when he goes

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Speaker 3: out in the hallway from the apartment standing and a

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Speaker 3: woman sees him and she points with two fingers jew

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Speaker 3: and she says it in the most angry way. She

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Speaker 3: reckoned it. Jew juju that scared the fuck out of him.

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Speaker 3: This felt different, I know, but it still was shocking.

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Speaker 2: Yes, and Larry says, you.

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Speaker 3: Want to check my penis? Is that what you wanted?

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Speaker 2: My real question is what were you?

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Speaker 3: What were you whistling? Hello, Dolly? No is Wagner? Oh?

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Speaker 3: Was it jud dollars? I want to know what a

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Speaker 3: jew is whistling Wagner? It was one of the great

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Speaker 3: sites of the world. You know what you are? What

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Speaker 3: am I?

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Speaker 7: You're a self loathing jam I? Oh, yes, Jewish hate.

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Speaker 7: But it has nothing to do with being Jewish. Okay, no,

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Speaker 7: it doesn't have anything. There's millions of jewels.

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Speaker 1: We're taking to the concentration caps with Bob played in

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Speaker 1: the background, you know, Head's favorite composer.

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Speaker 3: Yes, you know what. They got a mental asylum.

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Speaker 4: A couple of blocks suggest suggest.

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Speaker 8: Where are you have this attitude?

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Speaker 3: Better put a muzzle on you. You're you're foeming at

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Speaker 3: the man.

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Speaker 2: No, no, no, please, thank you. Yeah, this is something

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Speaker 2: you need to think about. All right, Yeah, I'm Jewish?

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Speaker 2: You want to check my penis?

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Speaker 1: And and and this guy who we find out later

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Speaker 1: his name is Walter and he is Zane Lasky.

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Speaker 3: Is wonderful man was a regular.

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Speaker 2: On Knots Landing, I believe it or not.

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Speaker 3: Well, he was a regular at the Farmer's market where

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Speaker 3: I used to hang out, and he said, anything I'll

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Speaker 3: do on the show anything, So that part came up.

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Speaker 3: By the way, it's so easy when someone asked you

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Speaker 3: to do the show. When something comes up that they're actually.

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Speaker 2: That there is, it is a great feeling. You feel

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Speaker 2: terrific about that.

362
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Speaker 1: And you see this Walter getting angry or angry you

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Speaker 1: were whistling. Wagner, one of the great anti semis to

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Speaker 1: the world, and he accuses Larry of being a self

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Speaker 1: loathing Jew, which I have experienced from people a couple

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Speaker 1: of times in my life, and it's extremely disconcerting when

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Speaker 1: it happens. Once was I was in a writing class

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Speaker 1: and they asked to write a description of something, and

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Speaker 1: I wrote a description of my grandparents' apartment in the Bronx,

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Speaker 1: and this other very Jewish woman told me that I

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Speaker 1: was a self loathing Jew for how I described it.

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Speaker 1: I was just being accurate because I don't think I'm

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Speaker 1: a self loathing Jew. And the other was at some

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Speaker 1: gig where some man told me because I was imitating

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Speaker 1: my mother and doing her exactly, and you've met her

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Speaker 1: that I was a self loathing jew.

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Speaker 3: By the way you're doing your mother is really well,

378
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Speaker 3: you're her daughter. But I want to say always in

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Speaker 3: those situations, in reality, it's about the person saying it's correct.

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Speaker 3: It's not remotely about you.

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Speaker 2: They're the self loathing.

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00:18:04,840 --> 00:18:05,600
Speaker 3: They're a big both.

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Speaker 1: So he accuses Larry, and Larry says, I do hate myself,

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Speaker 1: but not for being.

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Speaker 2: Jewish, which I love that life.

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Speaker 1: That's agreed, and Walter starts going it's Hitler's favorite composer,

387
00:18:14,320 --> 00:18:16,800
Speaker 1: and Larry says, and there's a mental asylum down the.

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Speaker 2: Block because the guy is clearly well.

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Speaker 3: The fucking things that bothered me about that scene was

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Speaker 3: how quickly it escalated. We would never do that now. Yeah,

391
00:18:27,040 --> 00:18:30,080
Speaker 3: there'd be a build up this one from zero to

392
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Speaker 3: eighty to one hundred, and it was.

393
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Speaker 2: Very And the only person who does that is missus Green.

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Speaker 3: But that hold on. You say that, but no, what

395
00:18:40,720 --> 00:18:44,440
Speaker 3: you do is you go back and forth, quiet and reasonable,

396
00:18:44,720 --> 00:18:47,200
Speaker 3: get the fuck out of my house, quiet and reasonable.

397
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Speaker 3: I don't want to hear it, you know what I mean.

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00:18:48,960 --> 00:18:51,920
Speaker 3: It's like that's established, but that's part of your character,

399
00:18:52,320 --> 00:18:55,200
Speaker 3: so no one's jarred by that. It only you did

400
00:18:55,240 --> 00:18:59,080
Speaker 3: one the other day that just killed Larry and I

401
00:18:59,160 --> 00:19:01,480
Speaker 3: killed it. You get the fuck out of the house.

402
00:19:02,200 --> 00:19:05,080
Speaker 3: It was so funny, especially where it came out of.

403
00:19:05,440 --> 00:19:07,520
Speaker 3: So you play that back and forth, which I think

404
00:19:07,600 --> 00:19:08,439
Speaker 3: is a thing of beauty.

405
00:19:08,560 --> 00:19:12,359
Speaker 2: So you feel this was a directing thing in with water.

406
00:19:12,520 --> 00:19:17,399
Speaker 3: I feel way, I'm there, Larry's there, Larry Charles direct,

407
00:19:17,440 --> 00:19:20,080
Speaker 3: We're all there. I don't know what we discussed. I

408
00:19:20,080 --> 00:19:23,320
Speaker 3: don't know where it went. I don't know if agreed

409
00:19:23,320 --> 00:19:26,119
Speaker 3: a lot, and maybe Larry David said no. I don't remember.

410
00:19:26,160 --> 00:19:28,720
Speaker 2: But I think the point that you're making, Jeff, if I.

411
00:19:28,760 --> 00:19:34,640
Speaker 1: May, is as the seasons went along, things became more

412
00:19:34,640 --> 00:19:35,720
Speaker 1: refined and such well.

413
00:19:35,760 --> 00:19:38,240
Speaker 3: Right where we're still finding our voice. So we would

414
00:19:38,240 --> 00:19:42,280
Speaker 3: have if that happened now after the first take, Larry,

415
00:19:42,720 --> 00:19:45,720
Speaker 3: Jeff Shaeffer myself would go whoa, whoa, whoa, whoa, whoa,

416
00:19:46,000 --> 00:19:48,960
Speaker 3: let's go here. Right after we shoot, Larry will turn

417
00:19:49,080 --> 00:19:52,200
Speaker 3: to somebody, not wait for me, not wait for Jeff Shaeffer.

418
00:19:52,440 --> 00:19:55,200
Speaker 3: He will turn to somebody and explain how he wants

419
00:19:55,240 --> 00:19:57,359
Speaker 3: it done. Yeah, Yeah, it's pretty great.

420
00:19:58,000 --> 00:20:00,439
Speaker 1: And apparently this Walter was a friend of cl and

421
00:20:00,520 --> 00:20:03,280
Speaker 1: Cliff tells Larry he lives around the block from you.

422
00:20:03,359 --> 00:20:04,359
Speaker 2: He's in your neighborhood.

423
00:20:04,560 --> 00:20:08,639
Speaker 1: Right then we're in the theater and we see Larry

424
00:20:08,720 --> 00:20:11,359
Speaker 1: is sitting between Cheryl and Shelley.

425
00:20:11,600 --> 00:20:12,440
Speaker 2: Is that her name, Shelley?

426
00:20:12,560 --> 00:20:17,400
Speaker 1: Yes, And he's crunching popcorn loudly. Walter turns around, can.

427
00:20:17,320 --> 00:20:17,960
Speaker 2: You keep it down?

428
00:20:18,160 --> 00:20:21,080
Speaker 1: And you see Shelley kind of sidling up to him

429
00:20:21,119 --> 00:20:22,760
Speaker 1: a little bit, you know, just subtly.

430
00:20:23,160 --> 00:20:25,640
Speaker 3: But he's sidling up to her too subtly.

431
00:20:25,680 --> 00:20:27,119
Speaker 2: It's very subtle. Nothings that.

432
00:20:28,960 --> 00:20:32,840
Speaker 3: Clearly not but he's not aware that he's responding to her.

433
00:20:33,240 --> 00:20:34,240
Speaker 2: Correct, That's what I'm saying.

434
00:20:34,359 --> 00:20:37,280
Speaker 3: It's all strange, right, But he's definitely giving her hints.

435
00:20:37,760 --> 00:20:38,000
Speaker 3: You know.

436
00:20:38,240 --> 00:20:40,240
Speaker 2: It depends on how you want to interpret it. Yeah,

437
00:20:40,760 --> 00:20:41,680
Speaker 2: you could go either.

438
00:20:41,440 --> 00:20:45,119
Speaker 3: Way from her. I would definitely interpret that, okay.

439
00:20:45,560 --> 00:20:47,200
Speaker 2: Larry yawns, Cheryl hits him.

440
00:20:47,359 --> 00:20:52,000
Speaker 1: Cheryl's annoyed at him this entire episode, and rightfully so.

441
00:20:52,080 --> 00:20:55,520
Speaker 1: Then they're outside they're talking a Cliff. Larry can't believe

442
00:20:55,560 --> 00:20:57,440
Speaker 1: he had the guy coming out of the freezing water

443
00:20:57,480 --> 00:20:59,520
Speaker 1: and how great it was, and Cliff's not buying that.

444
00:20:59,600 --> 00:21:00,840
Speaker 2: Larry really liked it.

445
00:21:01,359 --> 00:21:03,160
Speaker 3: By the way, I want to jump back to something.

446
00:21:03,480 --> 00:21:06,720
Speaker 3: When they're watching in the theater, there is no dialogue

447
00:21:06,720 --> 00:21:12,199
Speaker 3: on the screen, and it's the most inappropriate, wild lush soundtrack,

448
00:21:12,600 --> 00:21:17,399
Speaker 3: and it just was so wrong. It was wrong.

449
00:21:17,760 --> 00:21:18,199
Speaker 1: I know.

450
00:21:18,280 --> 00:21:21,280
Speaker 3: By the way, this episode a lot of times where

451
00:21:21,359 --> 00:21:24,680
Speaker 3: Larry's doing comedy, and this has always been something bothersome

452
00:21:24,720 --> 00:21:27,960
Speaker 3: to me. We've eliminated. I always said to Larry, why

453
00:21:27,960 --> 00:21:31,200
Speaker 3: do we need music over this funny music to show

454
00:21:31,240 --> 00:21:34,080
Speaker 3: that you're being funny. You're Larry David, You're funny and

455
00:21:34,119 --> 00:21:36,560
Speaker 3: what you're doing is funny. Why do we have bouncy,

456
00:21:36,640 --> 00:21:39,679
Speaker 3: stupid music to go over it? But that's also a

457
00:21:39,720 --> 00:21:40,560
Speaker 3: growth of the show.

458
00:21:40,720 --> 00:21:44,200
Speaker 1: Yeah, you know, the music has changed tremendously, you've noticed,

459
00:21:44,680 --> 00:21:47,600
Speaker 1: and the music has become to me now such a

460
00:21:47,760 --> 00:21:48,760
Speaker 1: huge part.

461
00:21:48,640 --> 00:21:51,240
Speaker 3: Russia it is. But we've gotten to the specific so

462
00:21:51,320 --> 00:21:53,280
Speaker 3: I don't know if we even introduced any new music

463
00:21:53,320 --> 00:21:55,800
Speaker 3: anymore unless it pertains to the scene.

464
00:21:56,600 --> 00:21:59,679
Speaker 2: Correct, Yeah, correct, I don't think so, not for years.

465
00:22:00,320 --> 00:22:13,840
Speaker 8: We'll be right back. Stay tuned, Okay, we're back.

466
00:22:14,119 --> 00:22:16,000
Speaker 1: So then Shelley says, let's go off for a drink,

467
00:22:16,359 --> 00:22:20,040
Speaker 1: and Cheryl says, Larry, probably not, He's got a big

468
00:22:20,119 --> 00:22:22,119
Speaker 1: day tomorrow. And what do you mean, I'm just sitting around.

469
00:22:22,240 --> 00:22:24,040
Speaker 1: I'm not doing anything. I'm just sitting around. I don't

470
00:22:24,040 --> 00:22:26,840
Speaker 1: have a big day tomorrow. And it's a little it's

471
00:22:26,840 --> 00:22:29,080
Speaker 1: a little weird. And then Shelley goes in to hug

472
00:22:29,160 --> 00:22:31,560
Speaker 1: Larry goodbye and hugs him a little bit too long.

473
00:22:31,520 --> 00:22:34,480
Speaker 3: Right, And by the way, that one he doesn't reciprocate,

474
00:22:34,560 --> 00:22:38,720
Speaker 3: and that one he he has a feeling of like weird,

475
00:22:39,119 --> 00:22:39,920
Speaker 3: weird about this.

476
00:22:40,040 --> 00:22:42,480
Speaker 1: Yes, then they're home, Larry's brushing his teeth. We have

477
00:22:42,520 --> 00:22:44,800
Speaker 1: a lot of scenes of Larry brushing his teeth.

478
00:22:44,960 --> 00:22:46,520
Speaker 3: By the way, what does he love.

479
00:22:46,640 --> 00:22:48,520
Speaker 2: He's a man who loves to flow us as do I.

480
00:22:48,840 --> 00:22:51,800
Speaker 3: Yeah, but he loves clean breath, clean teeth. Yes, And

481
00:22:52,160 --> 00:22:54,480
Speaker 3: Shelley Berman when he was first on the.

482
00:22:54,400 --> 00:22:57,280
Speaker 2: Show, Larry's father later on.

483
00:23:00,200 --> 00:23:03,480
Speaker 3: Without doing it as a joke, everybody when he first

484
00:23:03,520 --> 00:23:06,399
Speaker 3: got there had been offering him a mint, not because

485
00:23:06,400 --> 00:23:09,280
Speaker 3: his breath was bad, because that's just our way. You

486
00:23:09,280 --> 00:23:11,480
Speaker 3: want to mint. You have a role of life, Savers

487
00:23:11,480 --> 00:23:13,160
Speaker 3: winder Green. Yeah, Oh, I'm going to offer it to you,

488
00:23:13,440 --> 00:23:16,840
Speaker 3: he thought, And this was he was very upset. He

489
00:23:16,880 --> 00:23:20,040
Speaker 3: thought he had terrible breath. Why is everyone doing this

490
00:23:20,119 --> 00:23:22,479
Speaker 3: to him? You know, it was very upsetting to him.

491
00:23:22,520 --> 00:23:25,600
Speaker 1: Shelley had a bit of a paranoid personality as well.

492
00:23:25,440 --> 00:23:27,640
Speaker 3: Well, by the way, he took things very serious.

493
00:23:27,440 --> 00:23:29,320
Speaker 2: Very very personally, very personally.

494
00:23:29,600 --> 00:23:32,920
Speaker 1: But that one'll have a lot to say about Chelle.

495
00:23:32,840 --> 00:23:33,880
Speaker 3: By the way, who we loved too.

496
00:23:33,920 --> 00:23:35,960
Speaker 2: And when did Chilly come in? Was that season four

497
00:23:36,040 --> 00:23:36,400
Speaker 2: or five?

498
00:23:36,680 --> 00:23:37,560
Speaker 3: Set sixteen?

499
00:23:37,760 --> 00:23:39,239
Speaker 2: No, seriously, when when did he come in?

500
00:23:39,400 --> 00:23:39,920
Speaker 3: I don't remember.

501
00:23:40,119 --> 00:23:43,119
Speaker 2: We'll see, we'll get to that. Because Larry his teeth.

502
00:23:43,359 --> 00:23:46,719
Speaker 1: Cheryl's on the phone with Wanda talking about what happened

503
00:23:46,720 --> 00:23:47,280
Speaker 1: that evening.

504
00:23:47,680 --> 00:23:49,640
Speaker 2: She loved the movie. Larry yawned.

505
00:23:50,280 --> 00:23:52,840
Speaker 1: He says he's going to be sitting around tomorrow he's

506
00:23:52,840 --> 00:23:55,600
Speaker 1: playing golf, and Larry then chimes in, if.

507
00:23:55,520 --> 00:23:57,360
Speaker 4: I was hand the cup, I want people to tell

508
00:23:57,440 --> 00:24:02,320
Speaker 4: me that they're sitting around going horsebrock riding.

509
00:24:02,760 --> 00:24:03,800
Speaker 8: He doesn't get up side.

510
00:24:04,320 --> 00:24:04,720
Speaker 1: I am.

511
00:24:04,760 --> 00:24:06,640
Speaker 4: If I was playing checkers, I want to told him

512
00:24:06,640 --> 00:24:07,399
Speaker 4: on playing checker.

513
00:24:07,520 --> 00:24:10,480
Speaker 1: That is such a larryism to me, right, And by

514
00:24:10,520 --> 00:24:12,360
Speaker 1: the way, it's the sensitive side I.

515
00:24:12,320 --> 00:24:15,040
Speaker 3: Know, but that also is a very real thing that

516
00:24:15,160 --> 00:24:15,840
Speaker 3: Larry might do.

517
00:24:16,119 --> 00:24:19,000
Speaker 1: Yes, you know, he wanted to make somebody feel bad

518
00:24:19,040 --> 00:24:21,240
Speaker 1: because they're in a wheelchair and he's out enjoying me.

519
00:24:21,760 --> 00:24:24,439
Speaker 3: I've always said about I've always said, but you know,

520
00:24:24,760 --> 00:24:27,720
Speaker 3: in my friendship with him, you can't take anything he

521
00:24:27,800 --> 00:24:32,160
Speaker 3: does personally because he goes into his head for comedy reasons.

522
00:24:32,400 --> 00:24:34,720
Speaker 3: Like when we're on the set, I always make jokes.

523
00:24:34,960 --> 00:24:37,600
Speaker 3: I'll be telling him something. He will get an idea,

524
00:24:37,720 --> 00:24:40,120
Speaker 3: turn away and lose interest in me. He's not present,

525
00:24:41,359 --> 00:24:44,280
Speaker 3: I'll go into a whole story about me shooting somebody

526
00:24:44,320 --> 00:24:47,400
Speaker 3: with a shotgun and then making pastries like absurd, doesn't

527
00:24:47,440 --> 00:24:51,520
Speaker 3: he No, he eventually does realize what's going on and

528
00:24:51,720 --> 00:24:55,440
Speaker 3: burst out laughing. But the person Larry is would never

529
00:24:55,520 --> 00:24:58,160
Speaker 3: want to hurt anybody. No, he's very If he's present,

530
00:24:58,640 --> 00:25:02,040
Speaker 3: he will always be, you know, on the.

531
00:25:01,920 --> 00:25:04,280
Speaker 2: Air, and that's what his character is doing right here.

532
00:25:04,400 --> 00:25:06,680
Speaker 1: He did not want to say he's playing golf because

533
00:25:06,720 --> 00:25:10,240
Speaker 1: he didn't want Cliff to feel bad that he's wheelchair bound.

534
00:25:10,600 --> 00:25:14,639
Speaker 1: And Larry is mobile shows up next day at the

535
00:25:14,680 --> 00:25:17,800
Speaker 1: office in golf attire, and we know that it's Halloween

536
00:25:17,800 --> 00:25:20,439
Speaker 1: that day, because he says to his secretary, his assistant,

537
00:25:21,040 --> 00:25:21,719
Speaker 1: who's terrific.

538
00:25:21,720 --> 00:25:22,359
Speaker 2: By the way, she was.

539
00:25:22,400 --> 00:25:24,120
Speaker 3: Very vibrant and really good.

540
00:25:24,000 --> 00:25:25,200
Speaker 2: And she was in several seasons.

541
00:25:25,320 --> 00:25:27,560
Speaker 3: Yeah, no, yeah, yeah, she's a groundlings.

542
00:25:28,359 --> 00:25:32,800
Speaker 1: Larry says, any messages, and she says, Shelley Cobb called.

543
00:25:33,040 --> 00:25:35,560
Speaker 1: He assumes it's about the bracelet because he's waiting for

544
00:25:35,600 --> 00:25:38,920
Speaker 1: the bracelet to be ready. Bracelet's ready, and he says

545
00:25:38,920 --> 00:25:42,080
Speaker 1: to her get information on the Cob salad because he

546
00:25:42,119 --> 00:25:43,760
Speaker 1: doesn't really believe Cliff.

547
00:25:44,000 --> 00:25:46,480
Speaker 3: Hold on a second, here, you're missing the nuance there,

548
00:25:46,680 --> 00:25:50,240
Speaker 3: and it's an aging nuance. He says to her, go

549
00:25:50,320 --> 00:25:54,480
Speaker 3: on the internet and look up however you look up stuff,

550
00:25:54,880 --> 00:25:56,719
Speaker 3: how find me if you know?

551
00:25:57,200 --> 00:26:00,480
Speaker 1: And although it's an aging but this was also twenty

552
00:26:00,480 --> 00:26:03,040
Speaker 1: one years ago, right, this was pre Google.

553
00:26:03,160 --> 00:26:04,199
Speaker 2: We didn't even have Google.

554
00:26:04,240 --> 00:26:04,280
Speaker 7: That.

555
00:26:04,560 --> 00:26:07,160
Speaker 3: Yeah, it is that. It was so funny the way

556
00:26:07,200 --> 00:26:08,320
Speaker 3: he told her to do it.

557
00:26:08,600 --> 00:26:11,200
Speaker 1: So then he calls Shelley. He goes into his office,

558
00:26:11,280 --> 00:26:14,200
Speaker 1: calls Shelley because he wants to find out about the bracelet.

559
00:26:14,560 --> 00:26:17,320
Speaker 3: And clear the way, Larry does great phone.

560
00:26:17,359 --> 00:26:20,520
Speaker 1: Great phone, and clearly that is not why Shelley was

561
00:26:20,560 --> 00:26:22,720
Speaker 1: calling because we hear the one side of the conversation

562
00:26:22,800 --> 00:26:23,359
Speaker 1: from Larry.

563
00:26:23,480 --> 00:26:27,880
Speaker 9: Larry, Yeah, okay, we should go out it. Yeah, I'll talk,

564
00:26:27,920 --> 00:26:35,280
Speaker 9: I'll talk to Cheryl. Oh just you and me.

565
00:26:38,160 --> 00:26:43,760
Speaker 6: Oh, oh my god, chuck, Shelly. No, no, no, no,

566
00:26:43,800 --> 00:26:47,360
Speaker 6: that I was No, that was just a joke because

567
00:26:47,800 --> 00:26:49,960
Speaker 6: because they were talking so much. Was it was like

568
00:26:50,040 --> 00:26:51,120
Speaker 6: a joke for their benefit.

569
00:26:53,640 --> 00:26:54,240
Speaker 3: Oh my god.

570
00:26:54,320 --> 00:26:56,719
Speaker 6: No, no, oh no, that was just an arm I

571
00:26:56,760 --> 00:27:03,679
Speaker 6: was just s touching my arm. That didn't Oh no, Shelley, No, no, Shelley,

572
00:27:03,800 --> 00:27:06,359
Speaker 6: of course not Shelley, don't.

573
00:27:06,920 --> 00:27:09,160
Speaker 9: But no, no, that's not true.

574
00:27:09,520 --> 00:27:11,720
Speaker 3: But what about the bracelet, Shelley.

575
00:27:14,320 --> 00:27:16,040
Speaker 1: And he's like trying to dig himself out of the

576
00:27:16,080 --> 00:27:20,080
Speaker 1: hole which was not of his making in this particular time.

577
00:27:20,280 --> 00:27:22,200
Speaker 2: Plenty of times he did it in you know.

578
00:27:22,240 --> 00:27:26,359
Speaker 3: Felt that the person that I know on screening off

579
00:27:26,720 --> 00:27:30,600
Speaker 3: wouldn't have been that naive. Possibly, she said very strong Si.

580
00:27:30,760 --> 00:27:33,080
Speaker 3: Possibly and by the way she was so interested.

581
00:27:33,440 --> 00:27:35,480
Speaker 2: Yeah, yeah, Coo could blame her.

582
00:27:36,000 --> 00:27:38,439
Speaker 1: And then he gets off the phone with her. He's

583
00:27:38,520 --> 00:27:40,879
Speaker 1: very upset because he's worried about the bracelet, and he

584
00:27:40,960 --> 00:27:43,080
Speaker 1: realizes that she thought he was coming on to her

585
00:27:43,359 --> 00:27:45,239
Speaker 1: when he said we should have sex sometime. It was

586
00:27:45,320 --> 00:27:48,520
Speaker 1: just a joke, and his assistant tells him the Cob

587
00:27:48,680 --> 00:27:52,359
Speaker 1: Salad was founded by Bob Cobb, the owner of the

588
00:27:52,400 --> 00:27:55,680
Speaker 1: Brown Derby, and it was first made at the Brown Derby,

589
00:27:55,880 --> 00:27:59,960
Speaker 1: and Cliff Cobb lied about his grandfather being the founder,

590
00:28:00,640 --> 00:28:02,160
Speaker 1: the course, the creator.

591
00:28:02,520 --> 00:28:05,840
Speaker 3: The cops to the core that really, yeah.

592
00:28:05,520 --> 00:28:08,399
Speaker 2: You know, it wasn't long about a fucking salad right now,

593
00:28:08,560 --> 00:28:08,800
Speaker 2: By the.

594
00:28:08,760 --> 00:28:12,000
Speaker 3: Way, it's it's strange in a curb your enthusiasm way,

595
00:28:12,400 --> 00:28:14,920
Speaker 3: which I love. It's just absurd that he would make

596
00:28:15,000 --> 00:28:17,320
Speaker 3: up that it was the Drake Hotel, the whole thing.

597
00:28:17,560 --> 00:28:20,920
Speaker 1: Okay in Chicago, all right, cut to We're home. It's

598
00:28:20,960 --> 00:28:23,720
Speaker 1: trick of treats. The adorable little kids are coming to

599
00:28:23,800 --> 00:28:27,760
Speaker 1: the door. He's passing out candy. Cheryl's making little bags

600
00:28:27,760 --> 00:28:29,639
Speaker 1: of candy corn, whatever the hell it was.

601
00:28:30,000 --> 00:28:31,520
Speaker 2: And then the doorbell rings.

602
00:28:31,760 --> 00:28:35,400
Speaker 1: He opens it and there are two teenagers in no costume,

603
00:28:35,640 --> 00:28:36,400
Speaker 1: very sullen.

604
00:28:36,760 --> 00:28:38,840
Speaker 2: They look to be, you know, eighteen whatever.

605
00:28:38,960 --> 00:28:41,440
Speaker 3: I don't think that old, but yeah, a lot more

606
00:28:41,480 --> 00:28:45,160
Speaker 3: than's mind. Maybe the cutoff is twelve. You know, Larry's

607
00:28:45,160 --> 00:28:47,640
Speaker 3: always obsessed with what he brings that up. Yeah, and

608
00:28:47,960 --> 00:28:49,440
Speaker 3: they're way past the cutoff.

609
00:28:49,880 --> 00:28:53,000
Speaker 1: They no costume at all, and he says to them,

610
00:28:53,040 --> 00:28:54,320
Speaker 1: how old are you thirteen?

611
00:28:54,360 --> 00:28:54,800
Speaker 7: Thirteen?

612
00:28:55,880 --> 00:28:56,360
Speaker 3: Thirteen?

613
00:28:56,680 --> 00:28:59,640
Speaker 2: Yeah, yeah, you look more like sixteen.

614
00:29:00,040 --> 00:29:03,840
Speaker 1: Maybe where's you?

615
00:29:03,880 --> 00:29:08,480
Speaker 3: Where's your costumes? I'm being my sister, sister teacher, you're

616
00:29:08,480 --> 00:29:08,959
Speaker 3: a teacher.

617
00:29:10,000 --> 00:29:12,040
Speaker 2: Candy?

618
00:29:13,120 --> 00:29:14,320
Speaker 9: Yeah, candy? Hello?

619
00:29:14,560 --> 00:29:16,360
Speaker 3: Yeah, I don't, I don't. I don't think so.

620
00:29:16,960 --> 00:29:17,600
Speaker 9: Are you kidding?

621
00:29:17,640 --> 00:29:18,360
Speaker 2: It's Halloween?

622
00:29:18,520 --> 00:29:18,720
Speaker 3: Yeah?

623
00:29:18,760 --> 00:29:18,960
Speaker 7: I know.

624
00:29:19,120 --> 00:29:19,280
Speaker 3: Yeah.

625
00:29:19,320 --> 00:29:20,880
Speaker 4: It doesn't mean that you're entitled to just go around

626
00:29:20,880 --> 00:29:23,280
Speaker 4: through people's homes and build them out of candy.

627
00:29:23,360 --> 00:29:24,000
Speaker 7: Are you kidding?

628
00:29:24,120 --> 00:29:26,360
Speaker 3: Yeah?

629
00:29:26,400 --> 00:29:29,280
Speaker 1: And he refuses to give them candy because they're just

630
00:29:29,320 --> 00:29:32,160
Speaker 1: trying to builk him out of candy. Builk him out

631
00:29:32,160 --> 00:29:35,240
Speaker 1: of candy, and yeah, he gets very upset about it,

632
00:29:35,280 --> 00:29:37,640
Speaker 1: and Cheryl is like, just give him the candy. What's

633
00:29:37,680 --> 00:29:40,640
Speaker 1: the big fucking deal, you know, And then cut to

634
00:29:40,680 --> 00:29:44,400
Speaker 1: the next morning. Their entire yard and house is toilet

635
00:29:44,440 --> 00:29:48,520
Speaker 1: papered all over and there's a big spray paint and

636
00:29:48,720 --> 00:29:53,560
Speaker 1: bright goldish yellow paint on their front door. Bald asshole

637
00:29:54,040 --> 00:29:58,080
Speaker 1: argues with Sheryl and you know, he's he's sticking to

638
00:29:58,120 --> 00:30:01,800
Speaker 1: his guns. They're using Halloween to get candy. Cheryl doesn't understand.

639
00:30:02,040 --> 00:30:02,600
Speaker 2: He's like, there.

640
00:30:02,480 --> 00:30:04,959
Speaker 1: Should be a cutoff. What's the cutoff forty? I mean

641
00:30:05,000 --> 00:30:06,720
Speaker 1: it becomes a whole forty.

642
00:30:06,720 --> 00:30:09,480
Speaker 3: That's a very very funny line. Now, Cheryl Larry are

643
00:30:09,480 --> 00:30:11,800
Speaker 3: great in this scene. But my problem with the scene

644
00:30:11,840 --> 00:30:15,880
Speaker 3: is that's a professional toilet papering. Two teenage girls are

645
00:30:15,920 --> 00:30:17,320
Speaker 3: not going to be able to put up that much

646
00:30:17,360 --> 00:30:20,440
Speaker 3: toilet paper and reach the heights they did. So I'm

647
00:30:20,480 --> 00:30:23,840
Speaker 3: watching it going who toilet paper? This a party company.

648
00:30:24,280 --> 00:30:25,920
Speaker 3: I'm just saying, those are the things.

649
00:30:25,640 --> 00:30:26,480
Speaker 2: That didn't bother me with.

650
00:30:27,280 --> 00:30:27,880
Speaker 3: Well you're wrong.

651
00:30:28,000 --> 00:30:29,200
Speaker 2: Yeah, no, it's not right or wrong.

652
00:30:29,440 --> 00:30:30,000
Speaker 3: No it is wrong.

653
00:30:30,040 --> 00:30:30,600
Speaker 2: It's different.

654
00:30:30,680 --> 00:30:32,360
Speaker 3: No, it's wrong, it's different.

655
00:30:32,760 --> 00:30:35,360
Speaker 1: Cheryl says something very important at the end of the scene,

656
00:30:35,640 --> 00:30:39,680
Speaker 1: not everyone knows your rules, Larry, because Larry's got so

657
00:30:39,880 --> 00:30:42,720
Speaker 1: many rules that this cut off in this correct behavior,

658
00:30:43,040 --> 00:30:45,200
Speaker 1: and not everyone knows your rules.

659
00:30:45,280 --> 00:30:48,680
Speaker 3: And by the way, his rules, as absurd as they

660
00:30:48,720 --> 00:30:51,400
Speaker 3: may seem in the show, people watching her go, oh,

661
00:30:51,440 --> 00:30:55,920
Speaker 3: I agree, I know that. Almost always, almost always most

662
00:30:55,920 --> 00:30:57,880
Speaker 3: of the audience is saying, oh, I agree with that.

663
00:30:57,960 --> 00:30:59,200
Speaker 3: Oh yeah, that's the cutoff.

664
00:30:59,720 --> 00:31:01,680
Speaker 1: But Darrel's point of view is correct as well, because

665
00:31:01,680 --> 00:31:03,600
Speaker 1: her point of view is, Yeah, they're trying to builk

666
00:31:03,640 --> 00:31:05,960
Speaker 1: you out of candy. Who cares give him a Mars bar?

667
00:31:06,560 --> 00:31:08,120
Speaker 1: You know what I mean, what's the big fucking deal?

668
00:31:08,600 --> 00:31:12,240
Speaker 1: But he's always standing on principal, always standing on principal.

669
00:31:12,360 --> 00:31:14,520
Speaker 2: And you know, we'll be right back.

670
00:31:14,560 --> 00:31:29,520
Speaker 1: Stay tuned, and we're back next we are at the

671
00:31:29,520 --> 00:31:32,040
Speaker 1: front door and the cops are there, and the cops

672
00:31:32,040 --> 00:31:35,840
Speaker 1: are played by our colleagues and friends, Steve Scrovan and

673
00:31:35,920 --> 00:31:37,280
Speaker 1: Reggie mcfan, And.

674
00:31:37,240 --> 00:31:39,320
Speaker 3: I'm friends of both of them. I got Reggie on

675
00:31:39,360 --> 00:31:44,240
Speaker 3: the show, and Reggie I've never At some point in

676
00:31:44,360 --> 00:31:48,440
Speaker 3: the nineties he completely disappears.

677
00:31:48,520 --> 00:31:49,720
Speaker 2: Yeah, I haven't seen him.

678
00:31:50,000 --> 00:31:53,640
Speaker 3: And I google his name. Nothing comes up except for

679
00:31:53,920 --> 00:31:56,560
Speaker 3: you know, he was on def Comedy Jam or something

680
00:31:56,880 --> 00:31:57,280
Speaker 3: like a.

681
00:31:57,280 --> 00:31:59,920
Speaker 2: Real and Reggie get in touch.

682
00:32:00,160 --> 00:32:03,120
Speaker 3: But if anyone knows who, if any of my friends know,

683
00:32:03,440 --> 00:32:04,959
Speaker 3: are your friends know?

684
00:32:05,400 --> 00:32:07,520
Speaker 1: And these are all guys that we started in the

685
00:32:07,560 --> 00:32:09,280
Speaker 1: eighties with Scrovan more.

686
00:32:09,400 --> 00:32:13,520
Speaker 3: Than later, but Scrovan when I was younger, I admired

687
00:32:13,600 --> 00:32:18,440
Speaker 3: him greatly. That show on MTV I Forgot the Big

688
00:32:18,480 --> 00:32:22,160
Speaker 3: something or something. Yeah, I remember watching and catch Everybody

689
00:32:22,200 --> 00:32:25,880
Speaker 3: Crown around TV. He was interviewing Share, and I remember

690
00:32:25,920 --> 00:32:29,440
Speaker 3: all of us saying, wow, he's That was the thought

691
00:32:29,480 --> 00:32:32,080
Speaker 3: back then. You really chaired each other on Wow, he's

692
00:32:32,160 --> 00:32:34,320
Speaker 3: interviewing share. He's really made.

693
00:32:34,200 --> 00:32:36,240
Speaker 1: It and went on to have a very successful career

694
00:32:36,280 --> 00:32:37,200
Speaker 1: as to write a producer.

695
00:32:37,240 --> 00:32:39,880
Speaker 2: He was write a producer And everybody loves Raymond Seinfeld.

696
00:32:39,880 --> 00:32:42,920
Speaker 1: He wrote in and Yeah and several things after that,

697
00:32:43,240 --> 00:32:44,640
Speaker 1: pursuit of happiness.

698
00:32:44,160 --> 00:32:48,000
Speaker 3: And medicanful and charitable man and I've done charity.

699
00:32:48,360 --> 00:32:50,680
Speaker 2: He's a terrific guy. Yeah, I love him, terrific guy.

700
00:32:50,800 --> 00:32:53,840
Speaker 3: But Reggie Fadden, if anyone who knows me or Susie

701
00:32:53,960 --> 00:32:56,960
Speaker 3: who knows the current state of Reggie McFadden, where he is,

702
00:32:57,200 --> 00:32:58,640
Speaker 3: what he's doing, please let us know.

703
00:32:59,000 --> 00:33:02,240
Speaker 1: And by the way, also I thought that Scroven was

704
00:33:02,400 --> 00:33:07,600
Speaker 1: terrific as playing the cop his questions. You know, Larry

705
00:33:07,640 --> 00:33:09,800
Speaker 1: wants them to find these girls and find their parents,

706
00:33:10,120 --> 00:33:12,160
Speaker 1: and he asked them to describe them, and it's like, well,

707
00:33:12,800 --> 00:33:15,000
Speaker 1: just describing everybody in this neighborhood.

708
00:33:15,000 --> 00:33:17,320
Speaker 3: By the way, when he said trick or treat, he goes,

709
00:33:17,440 --> 00:33:18,880
Speaker 3: what does it have to be felling? I think it's

710
00:33:18,880 --> 00:33:19,800
Speaker 3: fell in treat.

711
00:33:21,240 --> 00:33:23,960
Speaker 1: He describes the one girl as Elvira ish because she

712
00:33:24,000 --> 00:33:28,120
Speaker 1: had long black hair, and ascro says, so.

713
00:33:28,120 --> 00:33:29,480
Speaker 3: He was kind of in a little bit of a

714
00:33:29,520 --> 00:33:31,880
Speaker 3: costume there, and then with the Elvira thing.

715
00:33:32,320 --> 00:33:34,960
Speaker 4: No, that wasn't a costume. I'm just using Elvira to

716
00:33:35,000 --> 00:33:37,280
Speaker 4: describe her, that's all. It's just a way to as

717
00:33:37,360 --> 00:33:37,880
Speaker 4: short him.

718
00:33:38,040 --> 00:33:39,960
Speaker 3: They knocked on the door, they said trick or tree. Yeah,

719
00:33:39,960 --> 00:33:42,720
Speaker 3: they said trick or treade, and you had treats he had.

720
00:33:43,400 --> 00:33:45,600
Speaker 4: I was giving out candy all night. But I don't

721
00:33:45,640 --> 00:33:47,560
Speaker 4: have to give them candy. They don't deserve candy, and

722
00:33:47,600 --> 00:33:48,360
Speaker 4: I don't deserve this.

723
00:33:48,760 --> 00:33:51,800
Speaker 3: Bald asshole. That's a hate crime. We're a sec we're

724
00:33:51,800 --> 00:33:52,160
Speaker 3: a group.

725
00:33:52,240 --> 00:33:55,280
Speaker 4: You can't call us bald assholes. If we were gay,

726
00:33:55,280 --> 00:33:56,440
Speaker 4: there would be gay asshole.

727
00:33:57,000 --> 00:33:57,880
Speaker 2: That's a hate crime.

728
00:33:58,120 --> 00:34:01,800
Speaker 3: That performance of Scroven, the entire scene. Larry was cracking up,

729
00:34:01,840 --> 00:34:04,920
Speaker 3: of course, because Scrovan he knows s Grovan personally, and

730
00:34:05,000 --> 00:34:08,440
Speaker 3: Scrovan played that completely dead right, completely. It's a straight

731
00:34:08,520 --> 00:34:10,080
Speaker 3: man and he knew it. It was awesome.

732
00:34:10,280 --> 00:34:13,719
Speaker 1: Larry then claims the fact that they wrote bald asshole

733
00:34:14,120 --> 00:34:17,960
Speaker 1: makes the whole thing a hate because they considered themselves

734
00:34:18,040 --> 00:34:21,320
Speaker 1: to be a group, the bold community, and Regie McFadden,

735
00:34:21,360 --> 00:34:24,120
Speaker 1: who has a shaved head, says, well, well, I'm bald,

736
00:34:24,600 --> 00:34:27,200
Speaker 1: and Larry Larry says, and he has said this to

737
00:34:27,239 --> 00:34:29,680
Speaker 1: my husband Jimmy, who also has a shaved head, You're

738
00:34:29,680 --> 00:34:32,560
Speaker 1: not bold. That's a look you're cultivating for fashion purposes,

739
00:34:32,600 --> 00:34:34,520
Speaker 1: and we don't consider you part of the bold community,

740
00:34:34,920 --> 00:34:36,200
Speaker 1: which is hilarious.

741
00:34:36,239 --> 00:34:37,279
Speaker 2: And he really believes that.

742
00:34:37,360 --> 00:34:42,200
Speaker 3: I think, yeah, yeah, obviously with my hair and although

743
00:34:42,239 --> 00:34:47,240
Speaker 3: I shaved my head one season, you did that. Wasn't

744
00:34:47,280 --> 00:34:48,719
Speaker 3: believe that I would do that.

745
00:34:48,840 --> 00:34:50,320
Speaker 2: Oh god, that was so strange looking.

746
00:34:50,760 --> 00:34:52,719
Speaker 3: Well, you know, for a while when I was first

747
00:34:52,719 --> 00:34:54,400
Speaker 3: doing it, I walked around setting the mohawk.

748
00:34:54,760 --> 00:34:57,640
Speaker 2: I don't remember that. But didn't you as have a bald.

749
00:34:57,360 --> 00:34:59,759
Speaker 3: Cap too, No, that was on a reshoot.

750
00:35:00,000 --> 00:35:01,920
Speaker 2: Okay, that's where that was shoes. I remember the.

751
00:35:01,920 --> 00:35:04,200
Speaker 3: Ball cap, which looked good. By the way, the guy

752
00:35:04,239 --> 00:35:05,200
Speaker 3: who did that was good.

753
00:35:05,320 --> 00:35:08,680
Speaker 1: But and Scros says to him, there's a social contract

754
00:35:08,760 --> 00:35:11,400
Speaker 1: when you open that door that you give the candy.

755
00:35:11,640 --> 00:35:14,080
Speaker 1: I would advise you to give the treat next time,

756
00:35:14,400 --> 00:35:17,920
Speaker 1: and Larry's I will not be intimidated even following Yeah,

757
00:35:18,080 --> 00:35:20,000
Speaker 1: next week cut to he's going to visit you.

758
00:35:20,040 --> 00:35:23,560
Speaker 3: On your office, I wrote down bad It looks like

759
00:35:23,600 --> 00:35:28,560
Speaker 3: I wrote down Bill maher bad makeup. Oh. I literally

760
00:35:28,680 --> 00:35:33,759
Speaker 3: looked like I was from uh yeah, raggedy ann. My

761
00:35:33,920 --> 00:35:38,680
Speaker 3: cheeks were so rosy, my skin was over Yeah. Just

762
00:35:38,880 --> 00:35:42,280
Speaker 3: it looked insane. It looked I had lost my mind

763
00:35:42,600 --> 00:35:45,200
Speaker 3: and I had trouble focusing after that. That's all I'm saying.

764
00:35:45,760 --> 00:35:48,959
Speaker 1: But what I also thought was funny is as he's

765
00:35:49,120 --> 00:35:52,560
Speaker 1: entering your office, the stairway to your office is filled

766
00:35:52,560 --> 00:35:53,600
Speaker 1: with people smoking.

767
00:35:53,719 --> 00:35:56,480
Speaker 3: And by the way, sometimes it is that many people.

768
00:35:56,239 --> 00:35:57,640
Speaker 2: But not anymore so much.

769
00:35:57,719 --> 00:35:59,960
Speaker 3: No, no, no noting. But by the way, a lot of

770
00:36:00,080 --> 00:36:02,160
Speaker 3: those people died of lung cancer.

771
00:36:02,239 --> 00:36:02,759
Speaker 2: Unfortunately.

772
00:36:02,800 --> 00:36:05,360
Speaker 3: That's why that's why the numbers are smaller.

773
00:36:06,400 --> 00:36:09,640
Speaker 1: Just another example of twenty years ago, twenty one years ago,

774
00:36:09,680 --> 00:36:12,680
Speaker 1: how different things they used to be in Manhattan. You

775
00:36:12,719 --> 00:36:15,520
Speaker 1: know where I live an office building, it would be

776
00:36:15,880 --> 00:36:17,319
Speaker 1: packed downstairs.

777
00:36:17,360 --> 00:36:20,120
Speaker 3: Though, But do you remember as a young comedian performing

778
00:36:20,280 --> 00:36:22,279
Speaker 3: clop and clouds of smoke.

779
00:36:22,200 --> 00:36:23,839
Speaker 2: Clouds, and they were always up front.

780
00:36:24,239 --> 00:36:26,399
Speaker 3: I didn't like it, but I didn't there was no

781
00:36:26,560 --> 00:36:28,640
Speaker 3: secondhand smoke information.

782
00:36:28,200 --> 00:36:31,400
Speaker 1: At Yeah, well we probably have inhaled so much secondhand

783
00:36:31,400 --> 00:36:34,200
Speaker 1: smoke from being comedy clubs. And you would go home

784
00:36:34,280 --> 00:36:36,040
Speaker 1: after a Saturday night when we used to do four

785
00:36:36,120 --> 00:36:39,759
Speaker 1: or five stink, I would have a garbage bag next

786
00:36:39,760 --> 00:36:42,319
Speaker 1: to my door, and I would immediately take all my

787
00:36:42,360 --> 00:36:44,520
Speaker 1: clothes off, put them in the bag, run into the

788
00:36:44,560 --> 00:36:47,680
Speaker 1: shower and wash my hair because we out No, I

789
00:36:47,680 --> 00:36:49,480
Speaker 1: would wash them, but I had to keep them, separate

790
00:36:49,800 --> 00:36:52,040
Speaker 1: them in my hamper because they smelled so bad.

791
00:36:52,120 --> 00:36:55,160
Speaker 2: Because we would just reek of cigarettes.

792
00:36:55,239 --> 00:36:57,880
Speaker 3: No, it was, it was wrong, but that there was.

793
00:36:57,920 --> 00:37:00,560
Speaker 2: Part of that. Not that I liked it. I never liked.

794
00:37:00,239 --> 00:37:03,359
Speaker 1: It, but there was part of that changed when they

795
00:37:03,360 --> 00:37:04,320
Speaker 1: stopped doing smoking.

796
00:37:04,600 --> 00:37:07,400
Speaker 2: There was that down and dirty nightclub.

797
00:37:08,640 --> 00:37:12,120
Speaker 3: I mean old people. I in my career, which was

798
00:37:12,120 --> 00:37:15,640
Speaker 3: started in nineteen eighty two, have more in common with

799
00:37:15,800 --> 00:37:19,680
Speaker 3: the era of Missus Masel more in contact that than

800
00:37:19,719 --> 00:37:23,479
Speaker 3: I do with what's going on now. I have known.

801
00:37:24,400 --> 00:37:24,959
Speaker 3: I do my.

802
00:37:24,960 --> 00:37:26,040
Speaker 2: Film low ceiling.

803
00:37:26,120 --> 00:37:30,680
Speaker 1: Most comedy clubs have low ceilings.

804
00:37:29,120 --> 00:37:32,080
Speaker 3: Established that low ceilings are essential.

805
00:37:31,680 --> 00:37:35,600
Speaker 2: For laughter to hover because laughter is contagious.

806
00:37:35,600 --> 00:37:39,239
Speaker 3: And I've done open well, I've done one outside.

807
00:37:38,760 --> 00:37:42,960
Speaker 1: I've done a because the laughter goes, it disappeared, so

808
00:37:43,000 --> 00:37:45,880
Speaker 1: it would be a low ceiling, and it had that

809
00:37:45,880 --> 00:37:48,880
Speaker 1: that feeling of the smoke filled room and dark and

810
00:37:49,080 --> 00:37:52,080
Speaker 1: dirty what you found, and you know.

811
00:37:52,239 --> 00:37:56,000
Speaker 3: It was definitely there is something nostalgic about it, but

812
00:37:56,040 --> 00:37:58,960
Speaker 3: there is also something crazy unhealthy.

813
00:37:59,440 --> 00:38:01,400
Speaker 1: He comes in to your office and you ask him

814
00:38:01,400 --> 00:38:02,960
Speaker 1: if he wants to you want to play golf tomorrow?

815
00:38:02,960 --> 00:38:06,000
Speaker 2: He said he can see Cheryl's birthday and what is she?

816
00:38:06,080 --> 00:38:06,480
Speaker 2: A baby?

817
00:38:06,520 --> 00:38:09,279
Speaker 1: You have to be with her all day. Interestingly, we

818
00:38:09,360 --> 00:38:12,239
Speaker 1: did something similar this season, which we're not going to

819
00:38:12,280 --> 00:38:15,080
Speaker 1: talk about about a birthday and having to be there

820
00:38:15,080 --> 00:38:15,840
Speaker 1: all is.

821
00:38:16,080 --> 00:38:18,040
Speaker 2: So clearly this is something on Larry's mind.

822
00:38:18,080 --> 00:38:20,319
Speaker 3: By the way I open up the thing there for

823
00:38:20,400 --> 00:38:21,800
Speaker 3: a future season.

824
00:38:22,440 --> 00:38:26,160
Speaker 1: Julia, well, yes, I'm getting to you asked Larry what's

825
00:38:26,200 --> 00:38:28,360
Speaker 1: going on with Jason Alexander and the fact that he

826
00:38:28,400 --> 00:38:31,200
Speaker 1: had to go to Jason Alexander's office twice has turned

827
00:38:31,239 --> 00:38:33,839
Speaker 1: him off. He no longer wants to do the show

828
00:38:33,880 --> 00:38:37,080
Speaker 1: with Jason Alexander. And you bring up that Julia wants

829
00:38:37,120 --> 00:38:38,960
Speaker 1: to do a project and the project he was doing

830
00:38:38,960 --> 00:38:41,960
Speaker 1: with Jason is a perfect fit for Julia. Yes, and

831
00:38:42,160 --> 00:38:44,759
Speaker 1: he leaves the office and he says that he will

832
00:38:44,840 --> 00:38:46,799
Speaker 1: play nine holes or no you are going to play

833
00:38:46,800 --> 00:38:48,239
Speaker 1: but early in the morning. He doesn't have to be

834
00:38:48,280 --> 00:38:51,160
Speaker 1: with Cheryl all day, right, is what's estabished.

835
00:38:51,680 --> 00:38:53,400
Speaker 3: We have a date for golf, and.

836
00:38:53,840 --> 00:38:56,239
Speaker 1: You mentioned he's wearing golf attire, and he says, I

837
00:38:56,280 --> 00:38:58,160
Speaker 1: get a lot of compliments in my golf attire. I

838
00:38:58,160 --> 00:38:59,839
Speaker 1: look good in this. I'm not playing golf. I mean,

839
00:38:59,880 --> 00:39:01,799
Speaker 1: I've seen you wear a golf shirt many a day.

840
00:39:01,920 --> 00:39:04,040
Speaker 1: Then you're not playing golf, your La Costa shirts.

841
00:39:04,239 --> 00:39:07,960
Speaker 3: But here's the thing. I do wear Lacasse shirts sometimes.

842
00:39:07,520 --> 00:39:07,719
Speaker 6: I know.

843
00:39:07,760 --> 00:39:10,240
Speaker 1: But that's my point is men do wear golf shirts

844
00:39:10,239 --> 00:39:12,239
Speaker 1: when they're not golfing as a style.

845
00:39:11,960 --> 00:39:13,200
Speaker 3: Of your husband, probably, yes.

846
00:39:13,719 --> 00:39:15,919
Speaker 1: And then he runs into the same guy and they're

847
00:39:15,920 --> 00:39:17,680
Speaker 1: still smoking on the stairway.

848
00:39:17,400 --> 00:39:19,359
Speaker 3: And they're away from the smoking, right, And.

849
00:39:19,320 --> 00:39:21,239
Speaker 2: He runs into the same guy what was his name.

850
00:39:21,160 --> 00:39:26,359
Speaker 1: Again, Danny Breen, Danny Breen, And Danny Breen sees him

851
00:39:26,360 --> 00:39:29,480
Speaker 1: in a golf outfit and assumes he's going to play

852
00:39:29,520 --> 00:39:32,319
Speaker 1: golf and that he just dissed him telling him in

853
00:39:32,400 --> 00:39:34,360
Speaker 1: the earlier thing when he ran Intohim at the movie

854
00:39:34,360 --> 00:39:37,400
Speaker 1: theater that he doesn't play golf anymore. He confronts him

855
00:39:37,400 --> 00:39:41,280
Speaker 1: about the golf outfit, and you know Larry's old flummox.

856
00:39:43,200 --> 00:39:44,760
Speaker 3: A lot of compliments on this outfit.

857
00:39:44,840 --> 00:39:46,360
Speaker 7: Fine, okay, if that's the way it's going to be,

858
00:39:46,440 --> 00:39:46,759
Speaker 7: that's the way.

859
00:39:46,920 --> 00:39:48,360
Speaker 3: No, it's not the way it's just going to be.

860
00:39:50,080 --> 00:39:51,680
Speaker 7: You don't have to just wear them on a golf

861
00:39:53,120 --> 00:39:55,040
Speaker 7: you can wear clothes.

862
00:39:57,480 --> 00:40:01,759
Speaker 3: First off, Danny Breen's performance. He doesn't explode. No, you

863
00:40:01,880 --> 00:40:06,680
Speaker 3: feel you feel his face. And the greatest shot, which

864
00:40:06,719 --> 00:40:09,600
Speaker 3: I didn't notice back then and I'm watching now, is

865
00:40:09,719 --> 00:40:13,000
Speaker 3: him going up those smoking steps with his head held down.

866
00:40:13,640 --> 00:40:17,760
Speaker 3: Really said yeah, and it was just it was so subtle.

867
00:40:17,920 --> 00:40:20,560
Speaker 3: He didn't go overboard in showing that, but you looked

868
00:40:20,560 --> 00:40:22,640
Speaker 3: at him and he went up the steps and I went,

869
00:40:22,719 --> 00:40:23,640
Speaker 3: fucking Danny Breen.

870
00:40:23,760 --> 00:40:25,759
Speaker 1: Well, you know, body language is so important to an

871
00:40:25,760 --> 00:40:26,800
Speaker 1: aout a doubt.

872
00:40:27,040 --> 00:40:29,359
Speaker 3: But he played that so perfect. All right.

873
00:40:29,920 --> 00:40:32,879
Speaker 1: Then he goes to the Cobs house because he wants

874
00:40:32,920 --> 00:40:35,520
Speaker 1: to get the bracelet for Sheryl, because we've established it's

875
00:40:35,520 --> 00:40:38,760
Speaker 1: her birthday the next day, and it's a little eerie.

876
00:40:38,360 --> 00:40:43,360
Speaker 2: In the house. He walks in the house, he's calling Shelley. Shelley.

877
00:40:43,520 --> 00:40:45,480
Speaker 2: He goes out, there's something.

878
00:40:45,280 --> 00:40:50,880
Speaker 3: Mines thrown off by him entering the house without without yelling.

879
00:40:51,480 --> 00:40:54,799
Speaker 3: He's saying Shelley like, hey, it's Larry up here, like

880
00:40:54,880 --> 00:40:57,520
Speaker 3: making an announcement. So right then and there, I'm like,

881
00:40:58,080 --> 00:41:00,640
Speaker 3: I can't follow the scene. And then when he's in

882
00:41:00,680 --> 00:41:03,360
Speaker 3: the room, we see a pool outside and then we

883
00:41:03,400 --> 00:41:07,040
Speaker 3: see him in the room with pool reflection. Again, technically

884
00:41:07,440 --> 00:41:09,960
Speaker 3: it was the worst look ever. We were trying to

885
00:41:09,960 --> 00:41:13,200
Speaker 3: go for an eerie look, yeah, and instead it was

886
00:41:13,280 --> 00:41:15,320
Speaker 3: like lights in the room. I think there was a

887
00:41:15,400 --> 00:41:18,120
Speaker 3: kiddie pool and lights making it look like that.

888
00:41:18,239 --> 00:41:19,760
Speaker 2: Yeah, And it didn't work.

889
00:41:19,600 --> 00:41:24,520
Speaker 3: For well, it didn't work because technically, even with lighting,

890
00:41:24,520 --> 00:41:26,240
Speaker 3: we had no idea what we were doing.

891
00:41:26,719 --> 00:41:29,920
Speaker 2: And boom again early on. Yeah, change.

892
00:41:29,920 --> 00:41:33,320
Speaker 3: So I'm saying, I see these things which now irritate

893
00:41:33,440 --> 00:41:36,040
Speaker 3: me way more than they might have ever done.

894
00:41:36,280 --> 00:41:39,719
Speaker 1: Cliff shows up in his wheelchair. Yes, menacing, I know

895
00:41:39,800 --> 00:41:43,920
Speaker 1: what's going on. The knee game you propositioned and Larry's like,

896
00:41:43,920 --> 00:41:47,000
Speaker 1: I was joking, I asked your wife to.

897
00:41:47,440 --> 00:41:49,120
Speaker 2: And then he says there's a golf clothes.

898
00:41:49,760 --> 00:41:52,640
Speaker 1: Larry's don't people compliment me, That's why I'm wearing them.

899
00:41:52,800 --> 00:41:57,680
Speaker 3: But again this scene, Cliff is too angry he's screaming

900
00:41:57,719 --> 00:42:00,320
Speaker 3: at Larry about the golf clothes. What is that matter?

901
00:42:00,520 --> 00:42:03,080
Speaker 1: Well, because he's really angry that he was trying to

902
00:42:03,120 --> 00:42:03,760
Speaker 1: fuck his wife.

903
00:42:03,920 --> 00:42:06,799
Speaker 3: Well, yeah, but I understand that. No, I picked that up.

904
00:42:07,200 --> 00:42:10,400
Speaker 3: But I'm saying went from zero to actually, I shouldn't

905
00:42:10,400 --> 00:42:14,240
Speaker 3: say this went from ten to one hundred. Again, it's anger,

906
00:42:14,320 --> 00:42:18,919
Speaker 3: which you understand. But you know, by the way, when

907
00:42:19,000 --> 00:42:22,719
Speaker 3: you try and explain yourself, even if you're in the right,

908
00:42:23,280 --> 00:42:24,959
Speaker 3: never works because the.

909
00:42:24,880 --> 00:42:26,400
Speaker 2: Person in there always seem guilty.

910
00:42:26,480 --> 00:42:29,600
Speaker 3: Well by the way, the person listening to it or

911
00:42:29,600 --> 00:42:33,359
Speaker 3: receiving it, it's personally affecting them what went down, and

912
00:42:33,400 --> 00:42:36,080
Speaker 3: they're seeing it their way. You're never going to convince

913
00:42:36,120 --> 00:42:39,239
Speaker 3: them by being vulnerable and explain yourself if you're a

914
00:42:39,320 --> 00:42:42,200
Speaker 3: victim of circumstance, if you will. So I love it.

915
00:42:42,520 --> 00:42:47,440
Speaker 1: And that happens frequently with Larry, well frequently, maybe every episode.

916
00:42:47,000 --> 00:42:50,000
Speaker 3: But maybe every person. It's just it's a normal thing.

917
00:42:50,239 --> 00:42:51,120
Speaker 2: It is it is.

918
00:42:51,840 --> 00:42:54,399
Speaker 1: And then Larry has this ace in the hole where

919
00:42:54,400 --> 00:42:56,640
Speaker 1: he says to the cop, salad was not invented by

920
00:42:56,640 --> 00:42:57,720
Speaker 1: your grandfather.

921
00:42:57,440 --> 00:43:00,520
Speaker 3: By the way, that should have been the explode area.

922
00:43:00,880 --> 00:43:04,080
Speaker 3: Larry explodes and that the guy his side of the story.

923
00:43:04,120 --> 00:43:07,200
Speaker 3: He's doing the same thing, explaining his side, which Larry

924
00:43:07,239 --> 00:43:09,319
Speaker 3: doesn't want to hear. That would have been a nice

925
00:43:09,360 --> 00:43:13,040
Speaker 3: place for them to explode. And then Larry runs as

926
00:43:13,080 --> 00:43:14,399
Speaker 3: Cliff's chasing after him.

927
00:43:14,800 --> 00:43:17,520
Speaker 1: And then we see Larry on the phone and he

928
00:43:17,600 --> 00:43:20,560
Speaker 1: sees the Elvira girl on the porch as he's on

929
00:43:20,600 --> 00:43:23,799
Speaker 1: the phone, and we see Larry doesn't see her.

930
00:43:23,920 --> 00:43:24,240
Speaker 2: Father.

931
00:43:24,640 --> 00:43:29,279
Speaker 1: Is Walter looking at the jewy jew juwmn watching from

932
00:43:29,320 --> 00:43:29,680
Speaker 1: the winch?

933
00:43:30,520 --> 00:43:34,960
Speaker 3: Human? Yes, dude's so funny. I haven't heard that someone

934
00:43:35,040 --> 00:43:37,759
Speaker 3: says something like that since I lived in New York.

935
00:43:38,000 --> 00:43:43,600
Speaker 1: Well, then you know. He jew shames is what he does.

936
00:43:43,760 --> 00:43:46,680
Speaker 1: He shames And we see him looking from the window

937
00:43:46,920 --> 00:43:52,080
Speaker 1: and Larry confronts the daughter, the elvira Ish daughter, and Walter,

938
00:43:52,200 --> 00:43:53,040
Speaker 1: the father comes down.

939
00:43:53,080 --> 00:43:54,520
Speaker 2: What brings you to our Jewish home?

940
00:43:54,719 --> 00:43:57,280
Speaker 3: You're a liar as a human being. I heard about

941
00:43:57,280 --> 00:43:58,279
Speaker 3: Cliff and his wife.

942
00:43:58,320 --> 00:44:00,400
Speaker 1: Oh did you I heard about you trying to sleep

943
00:44:00,400 --> 00:44:01,040
Speaker 1: around with her?

944
00:44:01,160 --> 00:44:04,160
Speaker 3: You're disgracing her people, that's what you are. Go the

945
00:44:04,200 --> 00:44:05,680
Speaker 3: cycle meters back one, Now.

946
00:44:07,440 --> 00:44:16,920
Speaker 7: Come up, tell the neighborhood what a shondo davidsus human.

947
00:44:16,719 --> 00:44:21,560
Speaker 3: Being on and on and on already being an asshole

948
00:44:21,600 --> 00:44:22,840
Speaker 3: time totally because.

949
00:44:24,160 --> 00:44:26,080
Speaker 1: And she knows her father will just stick up for her.

950
00:44:26,160 --> 00:44:29,040
Speaker 3: Yes, which that really is a big moment of rose

951
00:44:29,040 --> 00:44:31,920
Speaker 3: colored glass. Yes, because it's so obvious that she's a

952
00:44:31,960 --> 00:44:32,520
Speaker 3: shit kid.

953
00:44:32,640 --> 00:44:34,160
Speaker 2: Yes, she's a ship kid.

954
00:44:34,640 --> 00:44:37,480
Speaker 1: You're a lousy jew blah blah blah blah, and on

955
00:44:37,520 --> 00:44:40,400
Speaker 1: and on, and then we cut to Cheryl lying in bed,

956
00:44:40,800 --> 00:44:44,719
Speaker 1: you know, sleepy, and we hear beautiful music, and then

957
00:44:44,760 --> 00:44:48,160
Speaker 1: we cut to we see a string quintet playing Wagner

958
00:44:48,200 --> 00:44:50,560
Speaker 1: in their hall way and it's beautiful. It's a beautiful thing.

959
00:44:50,800 --> 00:44:52,719
Speaker 3: A conductor, there's the whole thing.

960
00:44:52,800 --> 00:44:55,160
Speaker 1: And she's you see how moves and touch she is

961
00:44:55,200 --> 00:44:58,080
Speaker 1: and they're standing up on the balcony overlooking it.

962
00:44:58,400 --> 00:45:00,919
Speaker 2: And who shows up coming though.

963
00:45:01,280 --> 00:45:04,680
Speaker 3: What was unusual about that when she's moved is we

964
00:45:04,719 --> 00:45:07,720
Speaker 3: didn't we didn't cover or we didn't use the coverage

965
00:45:07,719 --> 00:45:11,279
Speaker 3: of Larry's face. We only showed her face. But it

966
00:45:11,480 --> 00:45:16,560
Speaker 3: was a rare moment between Cheryl Andry Larry of intimacy,

967
00:45:17,040 --> 00:45:18,279
Speaker 3: of warmth and intimacy, and.

968
00:45:19,480 --> 00:45:22,360
Speaker 1: Her being so pleased with him yes, and him doing

969
00:45:22,400 --> 00:45:25,080
Speaker 1: such a loving It was a very loving sweet.

970
00:45:24,719 --> 00:45:26,920
Speaker 3: Gesture, I know, and then it gets ruined, and then

971
00:45:27,000 --> 00:45:27,279
Speaker 3: all of.

972
00:45:27,280 --> 00:45:31,319
Speaker 1: A sudden we see Jeff's face opening the door in

973
00:45:31,400 --> 00:45:32,440
Speaker 1: his golf attire.

974
00:45:32,920 --> 00:45:35,160
Speaker 2: Ready, you know, and.

975
00:45:35,120 --> 00:45:36,879
Speaker 1: You know is Cheryl's like, you can't play golf today,

976
00:45:36,880 --> 00:45:39,360
Speaker 1: it's my birthday. And Jeff's like, you know what I

977
00:45:39,400 --> 00:45:40,840
Speaker 1: went through. You know how hard it was for me

978
00:45:40,840 --> 00:45:41,520
Speaker 1: to get a day off.

979
00:45:41,560 --> 00:45:43,799
Speaker 3: And you're all, by the way, you're skipping something here

980
00:45:44,239 --> 00:45:46,640
Speaker 3: that all I am when I walked through that door

981
00:45:46,719 --> 00:45:49,799
Speaker 3: is friendly and affable, smile Cheryl and wave.

982
00:45:50,200 --> 00:45:52,080
Speaker 1: And by the way, I think you even said happy

983
00:45:52,120 --> 00:45:54,879
Speaker 1: birthday to her. Maybe not, I don't think I did.

984
00:45:55,080 --> 00:45:57,640
Speaker 3: But the point is that performance is one of the

985
00:45:57,719 --> 00:46:00,640
Speaker 3: rare times that I completely nailed the first time. I

986
00:46:00,680 --> 00:46:03,240
Speaker 3: knew what it was, and Larry Charles and Larry David

987
00:46:03,280 --> 00:46:05,799
Speaker 3: were very happy with it, so I didn't need to

988
00:46:05,840 --> 00:46:08,839
Speaker 3: mess around for ego purposes whatever. It's like, oh look

989
00:46:08,880 --> 00:46:12,640
Speaker 3: at that. And I played it very subtly and sweet.

990
00:46:11,960 --> 00:46:15,000
Speaker 1: Until until he says he can't play exactly, and then

991
00:46:15,040 --> 00:46:21,719
Speaker 1: you get very upsessed, yes and into one hundred. Yeah,

992
00:46:21,760 --> 00:46:25,360
Speaker 1: Well it wasn't a big no, It wasn't a big gilla.

993
00:46:25,560 --> 00:46:28,520
Speaker 1: It wasn't like the scene we did yesterday, and Larry's

994
00:46:28,520 --> 00:46:30,800
Speaker 1: maybe I could play nine, maybe I could play six,

995
00:46:30,920 --> 00:46:32,359
Speaker 1: and Cheryl's having none of it.

996
00:46:32,560 --> 00:46:36,160
Speaker 2: No, and you slink off. And here's what's interesting.

997
00:46:36,280 --> 00:46:39,600
Speaker 3: This is I don't slink off. I stay for the

998
00:46:39,640 --> 00:46:43,200
Speaker 3: rest of the scene, just smiling at the two of

999
00:46:43,239 --> 00:46:47,000
Speaker 3: them and looking at Cheryl and smiling because I believe

1000
00:46:47,040 --> 00:46:50,160
Speaker 3: that it's okay. That I'm there for so long. It's

1001
00:46:50,200 --> 00:46:53,920
Speaker 3: so wrong and you think that's clueless, completely clueless.

1002
00:46:54,200 --> 00:46:57,440
Speaker 1: No, no, what's interesting? And I forgot about the next scene.

1003
00:46:57,880 --> 00:47:00,600
Speaker 1: It could have ended right there in a sweet note,

1004
00:47:00,880 --> 00:47:02,160
Speaker 1: but that's.

1005
00:47:02,000 --> 00:47:03,120
Speaker 2: Not that's not curb.

1006
00:47:03,560 --> 00:47:08,000
Speaker 1: So we cut to a big brass band music playing loud, loud, loud.

1007
00:47:08,320 --> 00:47:12,480
Speaker 3: Actually, no, no, no, no no, it's the same group

1008
00:47:12,560 --> 00:47:14,160
Speaker 3: of performers.

1009
00:47:13,480 --> 00:47:14,440
Speaker 2: That there was brass.

1010
00:47:14,560 --> 00:47:17,840
Speaker 3: No the group, no, no, no, it was enlarged, it

1011
00:47:17,880 --> 00:47:20,320
Speaker 3: was at large and they're playing classical. And the funny

1012
00:47:20,360 --> 00:47:23,719
Speaker 3: thing about this visually is Larry Kid conducting.

1013
00:47:23,880 --> 00:47:26,480
Speaker 2: But the first was just a string quintente, which.

1014
00:47:26,239 --> 00:47:29,560
Speaker 1: Is sweet and you know a lot too, And then

1015
00:47:29,800 --> 00:47:33,240
Speaker 1: we ate horns and brass and they're in Walter's front

1016
00:47:33,280 --> 00:47:42,640
Speaker 1: yard and he's conducting with Glee.

1017
00:47:46,520 --> 00:47:47,320
Speaker 3: It's beautiful.

1018
00:47:47,440 --> 00:47:51,319
Speaker 1: Yeah, I love that ending, and I had forgotten that ending,

1019
00:47:51,360 --> 00:47:53,160
Speaker 1: and I really thought for a second, I was like,

1020
00:47:53,400 --> 00:47:55,680
Speaker 1: this is how it ends. It's so sweet and nice

1021
00:47:55,719 --> 00:47:58,800
Speaker 1: and so sacchariny in a certain way and not curbish.

1022
00:47:58,960 --> 00:48:00,560
Speaker 1: But of course I was mistaken.

1023
00:48:00,760 --> 00:48:03,080
Speaker 3: You know, Larry got that note and I talked about

1024
00:48:03,080 --> 00:48:06,520
Speaker 3: it in the hour special, which HBO wanted Cheryl and

1025
00:48:06,600 --> 00:48:09,839
Speaker 3: I to have more conflict. Right, right, We've talked about this, yeah,

1026
00:48:09,840 --> 00:48:13,399
Speaker 3: But the point is that Larry disagreed. Yeah, but yet

1027
00:48:13,800 --> 00:48:15,760
Speaker 3: he still had it in the back of his mind.

1028
00:48:16,000 --> 00:48:18,279
Speaker 3: So for the first couple of seasons he put in

1029
00:48:18,680 --> 00:48:20,759
Speaker 3: a little of this, a little of that of me.

1030
00:48:21,280 --> 00:48:24,959
Speaker 3: It wasn't ever her frustrating me, of me frustrating her.

1031
00:48:25,440 --> 00:48:29,560
Speaker 3: But those gradually completely disappeared to where Cheryl character watch

1032
00:48:29,560 --> 00:48:31,400
Speaker 3: you in real life. We love each other, but the

1033
00:48:31,480 --> 00:48:33,879
Speaker 3: characters are one, you know.

1034
00:48:33,840 --> 00:48:36,120
Speaker 1: What, Like in a scene like that, Jeff, that wasn't

1035
00:48:36,160 --> 00:48:39,359
Speaker 1: really between you and Cheryl, that was really between her

1036
00:48:39,400 --> 00:48:40,960
Speaker 1: and Larry, that she didn't want him to play.

1037
00:48:40,800 --> 00:48:42,920
Speaker 3: Golf, but she still she hated me for it.

1038
00:48:43,160 --> 00:48:45,719
Speaker 1: Yeah, yeah, well you were the best friend. Yeah, And

1039
00:48:45,760 --> 00:48:48,440
Speaker 1: that's the episode trick or treat. Yeah, and we'll see

1040
00:48:48,480 --> 00:48:51,120
Speaker 1: you next week or next time or whenever.

1041
00:48:51,280 --> 00:48:53,839
Speaker 3: I don't we have no idea when these are going

1042
00:48:53,880 --> 00:48:56,200
Speaker 3: to air or what day.

1043
00:48:56,000 --> 00:48:58,880
Speaker 2: Of the week exactly, but we will see you again.

1044
00:49:00,200 --> 00:49:02,080
Speaker 3: We won't hear them, they'll hear Harry again.

1045
00:49:02,400 --> 00:49:02,760
Speaker 2: Correct.

1046
00:49:02,840 --> 00:49:05,040
Speaker 3: Yeah, and I guess they're they're filming us for video,

1047
00:49:05,400 --> 00:49:07,839
Speaker 3: so they'll be clips on the YouTube. Yeah, you can

1048
00:49:07,880 --> 00:49:11,080
Speaker 3: see us on YouTube. It's not the future, it's not now.

1049
00:49:11,200 --> 00:49:14,760
Speaker 3: We're speaking to the now. And of course at this time,

1050
00:49:15,200 --> 00:49:20,440
Speaker 3: I'm only wearing a polyester. I've given it. Yeah.

1051
00:49:21,200 --> 00:49:24,520
Speaker 2: The History of Curby Enthusiasm is a production of iHeart Radio.

1052
00:49:24,680 --> 00:49:28,400
Speaker 1: For more podcasts from iHeart Radio, is it the iHeart Radio,

1053
00:49:28,520 --> 00:49:31,760
Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows,