1 00:00:09,840 --> 00:00:11,319 Speaker 1: Be cool, be cool, be cool, be cool, be cool, 2 00:00:11,320 --> 00:00:13,040 Speaker 1: be cool. This is all going to be part of 3 00:00:12,800 --> 00:00:15,960 Speaker 1: the show good okay, not the sock talk professional. 4 00:00:16,400 --> 00:00:18,520 Speaker 2: Yeah, people really want to hear about that. 5 00:00:18,600 --> 00:00:21,280 Speaker 1: Well, I mean they might be intrigued. You never know 6 00:00:21,280 --> 00:00:22,920 Speaker 1: what to do. And I think what you said about 7 00:00:22,960 --> 00:00:25,720 Speaker 1: like doing basing it on how you feel. 8 00:00:25,880 --> 00:00:27,840 Speaker 2: I know, well, you know when you're looking at your 9 00:00:27,880 --> 00:00:32,080 Speaker 2: looking at the outfit and you go, some something's amiss, 10 00:00:32,440 --> 00:00:34,920 Speaker 2: some things and something small and I don't have time 11 00:00:34,960 --> 00:00:37,320 Speaker 2: to look it up. That's some things wrong. 12 00:00:37,400 --> 00:00:39,040 Speaker 1: Do you ever look Do you ever have time to 13 00:00:39,040 --> 00:00:40,680 Speaker 1: look it up? Honest? No? 14 00:00:40,800 --> 00:00:42,599 Speaker 2: You know what I do. I'm like, if I'm spending, 15 00:00:42,680 --> 00:00:46,080 Speaker 2: if I'm doing big screen time, I will save them too. 16 00:00:46,320 --> 00:00:50,000 Speaker 2: Then an album that I never refer back to in 17 00:00:50,159 --> 00:00:52,720 Speaker 2: case I are you like, do you ever save like 18 00:00:52,760 --> 00:00:56,480 Speaker 2: TikTok's like reels? I say, And do you look back 19 00:00:56,520 --> 00:00:59,240 Speaker 2: to your collections and say, I'm going to learn today? 20 00:00:59,680 --> 00:01:02,760 Speaker 1: Rare rarely ever, rarely ever And mainly my the things 21 00:01:02,800 --> 00:01:04,200 Speaker 1: I save are like restaurants. 22 00:01:04,280 --> 00:01:06,000 Speaker 2: I should try that. I'm doing a lot. I have 23 00:01:06,040 --> 00:01:08,200 Speaker 2: New York, I have La yeah, and then I have 24 00:01:08,319 --> 00:01:11,040 Speaker 2: vague travel for like Europe, anywhere in Europe or Asia 25 00:01:11,040 --> 00:01:12,040 Speaker 2: that I think I might want to go. 26 00:01:12,240 --> 00:01:14,760 Speaker 1: Say, I, well, I have like Paris, which I do 27 00:01:15,000 --> 00:01:16,720 Speaker 1: spend time at Paris. I have New York, I have 28 00:01:16,920 --> 00:01:19,560 Speaker 1: La and I want to go to Japan. 29 00:01:19,920 --> 00:01:22,160 Speaker 2: Yeah, so like I have a lot of Japan obviously like. 30 00:01:22,160 --> 00:01:24,560 Speaker 1: Tokyo Osaka, but then I also have like out of 31 00:01:24,600 --> 00:01:25,959 Speaker 1: the way places where I go. 32 00:01:26,360 --> 00:01:29,520 Speaker 2: Probably you're not taking like a side trip to this place. 33 00:01:29,680 --> 00:01:31,520 Speaker 2: But what if, like whatever, no. 34 00:01:31,600 --> 00:01:33,720 Speaker 1: It's going to be in your saved files. 35 00:01:33,920 --> 00:01:35,120 Speaker 2: What if we're at a restaurant and day and you go, 36 00:01:35,200 --> 00:01:38,320 Speaker 2: I want to video about this. I say, the video 37 00:01:38,319 --> 00:01:40,920 Speaker 2: about this? Wait, oh my god, I knew this off. 38 00:01:41,000 --> 00:01:42,760 Speaker 1: But then the scrolling forever to try to find it, 39 00:01:42,760 --> 00:01:44,040 Speaker 1: because every once in a while I will be like, 40 00:01:44,080 --> 00:01:45,880 Speaker 1: I know, I I saved a video about this, and 41 00:01:45,920 --> 00:01:48,440 Speaker 1: then I'll scroll and scroll endlessly on my saved and 42 00:01:48,520 --> 00:01:50,520 Speaker 1: I do have my safe kind of organized, and even 43 00:01:50,640 --> 00:01:53,240 Speaker 1: still I'm like, it's not organized enough. 44 00:01:53,280 --> 00:01:55,480 Speaker 2: You can't because I can't be making new albums all 45 00:01:55,520 --> 00:01:57,400 Speaker 2: the time. But then I will see something where I go. 46 00:01:57,640 --> 00:02:01,760 Speaker 2: This is so useful, like taking passport photos at home. 47 00:02:01,800 --> 00:02:04,800 Speaker 1: Did you know that girl can take your own passport. 48 00:02:04,400 --> 00:02:07,800 Speaker 2: Photo allegedly allegedly, and I know that I saved a 49 00:02:07,880 --> 00:02:09,880 Speaker 2: video about it. Okay, I know that I saved a 50 00:02:09,919 --> 00:02:12,600 Speaker 2: video about it. I'm hearing not only can you take 51 00:02:12,600 --> 00:02:14,560 Speaker 2: them at home, you don't have to have your ears out, 52 00:02:14,600 --> 00:02:15,239 Speaker 2: which is why. 53 00:02:15,200 --> 00:02:18,480 Speaker 1: All science insisted that I had. This was first for 54 00:02:18,560 --> 00:02:20,000 Speaker 1: me when I moved to New York. It's time for 55 00:02:20,000 --> 00:02:21,760 Speaker 1: me to renew my passport. This is the year is 56 00:02:21,800 --> 00:02:25,520 Speaker 1: twenty eighteen. We're going back. This man insisted I had 57 00:02:25,520 --> 00:02:28,000 Speaker 1: to have my ears showing, and I was like, I've 58 00:02:28,040 --> 00:02:30,120 Speaker 1: never heard this in my life, and you're the second 59 00:02:30,200 --> 00:02:31,600 Speaker 1: person I've ever heard my. 60 00:02:31,560 --> 00:02:35,239 Speaker 2: Ears are out online. But it doesn't look good. It's 61 00:02:35,280 --> 00:02:37,760 Speaker 2: really weird. It's like like it's not that my hair 62 00:02:37,840 --> 00:02:39,519 Speaker 2: is never behind my ears, but it's just in such 63 00:02:39,520 --> 00:02:41,040 Speaker 2: a way and you're not allowed to smile, so you're 64 00:02:41,120 --> 00:02:42,080 Speaker 2: kind of like it's bad. 65 00:02:42,200 --> 00:02:43,360 Speaker 1: It's giving, it's giving. 66 00:02:43,360 --> 00:02:47,160 Speaker 2: But I think there's girls with like soft bangs in 67 00:02:47,160 --> 00:02:49,560 Speaker 2: front of their ears, like in their passport photos. That's 68 00:02:49,600 --> 00:02:51,480 Speaker 2: the thing I had never just stunning. Took it at home. 69 00:02:51,760 --> 00:02:53,440 Speaker 1: Yeah, okay, we got to look into it. 70 00:02:53,600 --> 00:02:56,120 Speaker 2: Half Friday, and I'll send it to you when I 71 00:02:56,160 --> 00:02:58,280 Speaker 2: find it. But I am hearing that people are doing that. 72 00:02:58,360 --> 00:03:00,280 Speaker 1: Okay, I don't know if it's just strict your what 73 00:03:00,360 --> 00:03:02,520 Speaker 1: how often are you like, I'm hearing that people are 74 00:03:02,520 --> 00:03:04,840 Speaker 1: doing a thing. Oh, it's basically just something on the internet, 75 00:03:04,880 --> 00:03:06,359 Speaker 1: because I do that with the Yelp reviews. I'm like, 76 00:03:06,400 --> 00:03:07,600 Speaker 1: I heard this place was really good. 77 00:03:07,680 --> 00:03:10,000 Speaker 2: I heard. I'm saying I read, Yeah, I read, I 78 00:03:10,000 --> 00:03:13,920 Speaker 2: read it's more accurate. I read this. And then people 79 00:03:13,919 --> 00:03:15,680 Speaker 2: are kind of like, now, people are going. 80 00:03:16,400 --> 00:03:18,000 Speaker 1: Did you watch yeah? And in the truth is, but 81 00:03:18,040 --> 00:03:21,440 Speaker 1: I should do an intro for you. Oh my gosh, think, Oh, 82 00:03:21,480 --> 00:03:25,080 Speaker 1: how disrespectful of my supposed to come in and start talking. No, 83 00:03:25,400 --> 00:03:29,200 Speaker 1: same okay, and I'm not even here pretend mine. I 84 00:03:29,200 --> 00:03:32,240 Speaker 1: don't even know where to look. Okay. My next guest, 85 00:03:32,560 --> 00:03:35,080 Speaker 1: my next guest. Every time I say my next guest, 86 00:03:35,080 --> 00:03:36,120 Speaker 1: it's not that I didn't know what I was going 87 00:03:36,200 --> 00:03:38,320 Speaker 1: to say next. Every time I say my next guest, 88 00:03:38,720 --> 00:03:41,280 Speaker 1: I just keep thinking of David Letterman's my next guest 89 00:03:41,360 --> 00:03:44,320 Speaker 1: needs no introduction, and I feel like I'm ripping that off. 90 00:03:44,360 --> 00:03:46,360 Speaker 1: But I'm like, my next guest, he doesn't have That's 91 00:03:46,360 --> 00:03:49,800 Speaker 1: not a trademark. It's not on my next guest, and 92 00:03:49,840 --> 00:03:52,280 Speaker 1: he'll let you know. If he does, he'll come from 93 00:03:53,560 --> 00:03:57,000 Speaker 1: he would get at least I get us see Okay, 94 00:03:57,000 --> 00:03:58,200 Speaker 1: And that's fine, that's kind of cool. 95 00:03:58,240 --> 00:03:58,480 Speaker 2: Sheic. 96 00:04:00,400 --> 00:04:03,680 Speaker 1: My next guest is an actor and writer who you 97 00:04:03,720 --> 00:04:07,360 Speaker 1: can see in Big Mistakes on Netflix April Night. 98 00:04:07,440 --> 00:04:11,400 Speaker 2: That's Taylor Otega. Thank you so much. That thank you. 99 00:04:11,600 --> 00:04:13,440 Speaker 1: I struggle with that really. 100 00:04:13,600 --> 00:04:15,600 Speaker 2: Well, because suddenly you have to think about what you're 101 00:04:16,400 --> 00:04:17,839 Speaker 2: saying exactly. 102 00:04:18,000 --> 00:04:22,760 Speaker 1: I'm mostly not thinking neither never never, never. Okay, Taylor, Wait, 103 00:04:22,760 --> 00:04:23,880 Speaker 1: who do you want to say? 104 00:04:23,920 --> 00:04:24,440 Speaker 2: Thanks? Who? 105 00:04:24,480 --> 00:04:25,599 Speaker 1: Or what do you want to say thanks to? 106 00:04:26,040 --> 00:04:28,560 Speaker 2: Right now in my life, I'm feeling a lot of 107 00:04:28,600 --> 00:04:31,960 Speaker 2: gratitude for Dan Levy, which I feel is pretty But 108 00:04:32,000 --> 00:04:34,360 Speaker 2: we're doing a lot of promotion right now for this show, 109 00:04:34,440 --> 00:04:37,200 Speaker 2: and it's sort of the first time we've Like it's 110 00:04:37,200 --> 00:04:38,440 Speaker 2: so weird to say that you're doing kind of like 111 00:04:38,480 --> 00:04:41,000 Speaker 2: a retrospective on something that no one's seen, but that 112 00:04:41,200 --> 00:04:42,839 Speaker 2: is how it feels for us, and I'm sure even 113 00:04:42,880 --> 00:04:47,800 Speaker 2: more for him. And I'm really grateful for the product obviously, 114 00:04:47,880 --> 00:04:50,440 Speaker 2: like making this show and then casting me in changing 115 00:04:50,480 --> 00:04:54,320 Speaker 2: my life, but I also he was like my partner 116 00:04:54,320 --> 00:04:55,880 Speaker 2: through the whole entire thing, and a lot of it 117 00:04:55,920 --> 00:04:58,160 Speaker 2: was just the two of us for like long stretches 118 00:04:58,160 --> 00:05:02,480 Speaker 2: of it. And he's just a really wonderful, creative person 119 00:05:02,520 --> 00:05:06,000 Speaker 2: to work with, and I think it I'm really proud 120 00:05:06,040 --> 00:05:08,640 Speaker 2: of the job that both of us did, and he's 121 00:05:08,839 --> 00:05:12,560 Speaker 2: just been so had such kind words for me throughout 122 00:05:13,400 --> 00:05:17,440 Speaker 2: our like promotional stuff, which we don't really do for 123 00:05:17,480 --> 00:05:23,000 Speaker 2: ourselves a lot. So then when somebody else's describing what 124 00:05:23,040 --> 00:05:24,919 Speaker 2: it's like to work with you, you're just kind of 125 00:05:24,920 --> 00:05:32,280 Speaker 2: like you'd cry. Yeah, you hope that everyone else enjoys 126 00:05:32,400 --> 00:05:34,479 Speaker 2: having you there as much as you enjoy being with them, 127 00:05:34,560 --> 00:05:37,600 Speaker 2: but it's not it's nice to hear it. Sometimes we 128 00:05:37,640 --> 00:05:38,320 Speaker 2: got to tell people. 129 00:05:40,160 --> 00:05:42,479 Speaker 1: I know, I feel like that is such a good 130 00:05:42,480 --> 00:05:45,680 Speaker 1: practice to have to go I want to tell someone especially, 131 00:05:45,680 --> 00:05:47,479 Speaker 1: but even if they're crossing they cross your mind and 132 00:05:47,480 --> 00:05:49,479 Speaker 1: you're just like have a nice thought about them, you 133 00:05:49,480 --> 00:05:50,080 Speaker 1: should tell that. 134 00:05:50,240 --> 00:05:52,200 Speaker 2: You should tell them. It's really hard to do, and 135 00:05:52,360 --> 00:05:56,080 Speaker 2: I think sometimes we think it's like breaking character for us, yeah, 136 00:05:56,120 --> 00:06:00,680 Speaker 2: to or like we're weirding people out. Yeah, But when 137 00:06:00,720 --> 00:06:03,080 Speaker 2: I have the the when I have that like one 138 00:06:03,120 --> 00:06:05,479 Speaker 2: second of bravery to like send the text or something 139 00:06:05,520 --> 00:06:08,200 Speaker 2: I do. Try to do it. Oh, that's such good practice. 140 00:06:08,320 --> 00:06:11,520 Speaker 2: I try. It's it's an encouragement other people have had 141 00:06:11,520 --> 00:06:13,640 Speaker 2: for me because I don't. I always never want to 142 00:06:13,680 --> 00:06:14,119 Speaker 2: say anything. 143 00:06:14,279 --> 00:06:18,360 Speaker 1: Okay, ever, actually, yeah, how are you with receiving compliments? 144 00:06:18,360 --> 00:06:19,560 Speaker 1: So you're saying Dan had nice things? 145 00:06:20,640 --> 00:06:25,279 Speaker 2: What is specific and wonderful about it? And I think 146 00:06:25,320 --> 00:06:28,200 Speaker 2: I'm pretty honestly, you know what. It depends on the compliment. 147 00:06:28,560 --> 00:06:31,240 Speaker 2: Probably like if you're someone who's very like comfort, you're like, 148 00:06:31,279 --> 00:06:32,560 Speaker 2: I know, I do a good job at work. I 149 00:06:32,600 --> 00:06:36,200 Speaker 2: really pride myself in that. Probably you're comfortable taking I 150 00:06:36,240 --> 00:06:39,159 Speaker 2: don't know, but then public adulation is really crazy different. 151 00:06:39,200 --> 00:06:40,920 Speaker 1: How do you how okay, how are you bearing with that? 152 00:06:42,200 --> 00:06:47,520 Speaker 2: I mean, so far obviously it's like just us right 153 00:06:47,520 --> 00:06:50,440 Speaker 2: now as we're in this exact one but mere days, 154 00:06:50,640 --> 00:06:52,320 Speaker 2: mere days, But then it will be it will be out. 155 00:06:53,360 --> 00:06:55,560 Speaker 2: So yeah, it feels kind of like very safe in 156 00:06:55,560 --> 00:06:57,320 Speaker 2: a way because it's really just like up to us 157 00:06:57,320 --> 00:07:01,120 Speaker 2: in like a small group of seen it. So that 158 00:07:01,240 --> 00:07:05,040 Speaker 2: feels great, But I think what once it comes out 159 00:07:05,080 --> 00:07:07,000 Speaker 2: on a grander scale, there's always that rule of like 160 00:07:07,480 --> 00:07:09,120 Speaker 2: you have to believe the good things and the bad things. 161 00:07:09,200 --> 00:07:11,800 Speaker 2: So you just shouldn't listen to any of any of it. 162 00:07:12,240 --> 00:07:14,200 Speaker 2: I think you can listen to your peers and your 163 00:07:14,240 --> 00:07:17,480 Speaker 2: friends and yours also, I think. 164 00:07:18,840 --> 00:07:21,920 Speaker 1: If you are in this, chances are you're already your 165 00:07:21,960 --> 00:07:23,360 Speaker 1: own harshest. 166 00:07:22,840 --> 00:07:25,960 Speaker 2: Critic, totally fresh and so which is so good. It's 167 00:07:26,000 --> 00:07:29,080 Speaker 2: really healthy always and it really keeps you in good boundaries. 168 00:07:29,640 --> 00:07:34,640 Speaker 1: You're bad at everything you do, you are and never 169 00:07:34,640 --> 00:07:36,560 Speaker 1: forget to do that, never let that voisee in your head. 170 00:07:36,560 --> 00:07:40,880 Speaker 1: By Yeah, that's I mean, it's so it's so hard 171 00:07:40,880 --> 00:07:43,040 Speaker 1: to do that. But so then when people do compliment you, though, 172 00:07:43,560 --> 00:07:46,000 Speaker 1: it's like I want, I actually do want to take 173 00:07:46,040 --> 00:07:48,560 Speaker 1: this in, but it's it can just be a slippery slope. 174 00:07:48,640 --> 00:07:49,440 Speaker 2: It's overwhelming. 175 00:07:49,600 --> 00:07:49,920 Speaker 1: Yeah. 176 00:07:50,080 --> 00:07:53,120 Speaker 2: Or what's the craziest is when and usually this comes 177 00:07:53,160 --> 00:07:56,840 Speaker 2: from friends, someone will say something kind about you that 178 00:07:57,080 --> 00:08:00,840 Speaker 2: actually hadn't crossed your mind about yourself. Yeah, And it's like, 179 00:08:00,920 --> 00:08:02,240 Speaker 2: can be a simple thing. I had a friend one 180 00:08:02,320 --> 00:08:06,400 Speaker 2: time be like we were like newer friends, and it 181 00:08:06,440 --> 00:08:07,960 Speaker 2: was it was it ended up being like a little 182 00:08:07,960 --> 00:08:09,600 Speaker 2: bit of a back ended compliment. But she was like, 183 00:08:09,760 --> 00:08:12,360 Speaker 2: you're says a welcoming person. She was like you're really welcoming, 184 00:08:12,400 --> 00:08:14,200 Speaker 2: and like you, I really you really don't give that 185 00:08:14,240 --> 00:08:15,840 Speaker 2: off the top. You don't really expect that that's going 186 00:08:15,880 --> 00:08:17,400 Speaker 2: to be coming. She's like, but then it is. I 187 00:08:17,560 --> 00:08:21,120 Speaker 2: and I thought, that's a really specific sweet compliment, terrifying. 188 00:08:21,240 --> 00:08:23,320 Speaker 2: Don't need to know what I'm giving, you know, it's like, 189 00:08:23,480 --> 00:08:24,760 Speaker 2: don't know what I'm giving from far away. 190 00:08:26,360 --> 00:08:29,560 Speaker 1: You're giving pure joy, love, kindness, Thank you so much. 191 00:08:29,600 --> 00:08:31,920 Speaker 2: But it is really like when you get a sweet 192 00:08:31,960 --> 00:08:34,560 Speaker 2: compliment from a friend that you hadn't considered, well, I 193 00:08:34,559 --> 00:08:38,120 Speaker 2: guess I hope I'm I guess, I hope I'm giving that. 194 00:08:38,120 --> 00:08:40,400 Speaker 2: That always feels kind of good. Yeah, that's always kind 195 00:08:40,440 --> 00:08:42,960 Speaker 2: of like people are having nice thoughts about me, and that. 196 00:08:42,880 --> 00:08:45,800 Speaker 1: Does feel nice, like I'm doing something right. It's resonating. 197 00:08:45,880 --> 00:08:48,720 Speaker 1: Something is resonating. That's what the way I think I 198 00:08:48,760 --> 00:08:52,080 Speaker 1: engaged with compliments and even like pub public adulation is 199 00:08:52,160 --> 00:08:54,760 Speaker 1: like it's just nice to feel like whatever you're doing 200 00:08:54,920 --> 00:08:58,199 Speaker 1: is resonating with somebody somewhere, someone's getting it. Yeah, you're 201 00:08:58,200 --> 00:08:59,000 Speaker 1: not on an island. 202 00:08:59,080 --> 00:09:01,760 Speaker 2: You're not an alien. You're not and you probably like 203 00:09:01,880 --> 00:09:03,960 Speaker 2: there's a lot of feeling like an alien in the 204 00:09:03,960 --> 00:09:07,680 Speaker 2: world in general. Oh, yes, it's the opposite is worse 205 00:09:07,720 --> 00:09:10,360 Speaker 2: when you actually think where you go, I've I've really 206 00:09:10,360 --> 00:09:12,960 Speaker 2: found my people. These people really get me and they're like, 207 00:09:12,960 --> 00:09:15,280 Speaker 2: you're the weirdest girl I ever reader, you're straight and 208 00:09:15,360 --> 00:09:19,840 Speaker 2: you're going okay, like I was thinking we were here, 209 00:09:19,920 --> 00:09:22,240 Speaker 2: I was, and that's happened as well. I think in 210 00:09:22,360 --> 00:09:24,400 Speaker 2: like this time of being in comedy and stuff, where 211 00:09:24,440 --> 00:09:26,960 Speaker 2: you go, I mean, we're all so similar, we are, 212 00:09:27,000 --> 00:09:28,800 Speaker 2: and that is true. I do think comedians are like 213 00:09:29,200 --> 00:09:32,079 Speaker 2: you spend enough time around other comedians and you forget 214 00:09:32,120 --> 00:09:35,240 Speaker 2: that you're you're all living very similar lives that are 215 00:09:35,920 --> 00:09:38,960 Speaker 2: very different from everybody else's day to day routines. 216 00:09:39,120 --> 00:09:40,640 Speaker 1: Do you have a lot of friends who are not 217 00:09:40,800 --> 00:09:42,240 Speaker 1: in comedy and entertainment still? 218 00:09:42,720 --> 00:09:45,240 Speaker 2: Yeah, I would say for an adult yeah, okay, for 219 00:09:45,360 --> 00:09:48,000 Speaker 2: like someone in their thirties, yeah, yes, I have like 220 00:09:48,120 --> 00:09:53,160 Speaker 2: hometown friends, college friends, like different phases of life friends. 221 00:09:53,240 --> 00:09:56,520 Speaker 1: Oh, you've stuck with them, Like how long is your 222 00:09:56,559 --> 00:09:58,640 Speaker 1: oldest friendship or how old is. 223 00:09:58,640 --> 00:10:02,760 Speaker 2: Oh my gosh, I would say like that I speak 224 00:10:02,800 --> 00:10:08,000 Speaker 2: to super regularly my best friend from middle school. Fun. Yes, 225 00:10:08,200 --> 00:10:12,920 Speaker 2: but what's really interesting is she's also in the business, 226 00:10:13,000 --> 00:10:17,360 Speaker 2: which was totally random. Okay, she like also works in film, 227 00:10:17,480 --> 00:10:18,520 Speaker 2: so that's crazy. 228 00:10:18,760 --> 00:10:19,640 Speaker 1: That's where are you from? 229 00:10:19,720 --> 00:10:21,000 Speaker 2: The Odd's Jersey, Jersey? 230 00:10:21,080 --> 00:10:22,920 Speaker 1: Okay, so she in New York as well? 231 00:10:23,280 --> 00:10:26,000 Speaker 2: Yes, well Jersey technically, but yeah, it works in New York. 232 00:10:27,200 --> 00:10:29,240 Speaker 2: And we've always really wanted to work together and it 233 00:10:29,240 --> 00:10:31,040 Speaker 2: hasn't happened yet, and I know that it will. But 234 00:10:31,080 --> 00:10:33,120 Speaker 2: that makes things easier. I think there's like an understanding 235 00:10:33,160 --> 00:10:37,280 Speaker 2: of like, Okay, our jobs are really weird, and so 236 00:10:37,320 --> 00:10:39,120 Speaker 2: there's like you don't have to explain those things, and 237 00:10:39,120 --> 00:10:40,560 Speaker 2: then it keeps us kind of in the same space 238 00:10:40,600 --> 00:10:43,560 Speaker 2: and on the same weird schedules, right, Yeah, And she's 239 00:10:43,559 --> 00:10:46,040 Speaker 2: on like one. She's a makeup artist and like particularly 240 00:10:46,120 --> 00:10:48,079 Speaker 2: like a special effects makeup artist, does like really cool 241 00:10:48,120 --> 00:10:50,960 Speaker 2: pro aesthetics and like all like really crazy application. Every 242 00:10:51,000 --> 00:10:53,440 Speaker 2: now and then I'll get like a crazy series of 243 00:10:53,480 --> 00:10:58,120 Speaker 2: photos of like just like severed heads or something. Yeah, yeah, okay, 244 00:10:58,200 --> 00:11:00,440 Speaker 2: where are you the presthetic? What do you do? 245 00:11:00,559 --> 00:11:02,760 Speaker 1: Did she do art? Was she like in art into 246 00:11:02,880 --> 00:11:03,600 Speaker 1: art growing up? 247 00:11:03,720 --> 00:11:08,600 Speaker 2: She's been into like a million things. Like we she 248 00:11:08,800 --> 00:11:11,040 Speaker 2: was into art growing up, but we both did theater 249 00:11:11,240 --> 00:11:14,040 Speaker 2: and we were both like disruptive theater kids. 250 00:11:14,160 --> 00:11:15,400 Speaker 1: Okay, disruptive in what sense? 251 00:11:15,520 --> 00:11:18,439 Speaker 2: Oh my god, Like just like obviously like in ensemble, 252 00:11:18,840 --> 00:11:21,960 Speaker 2: in on talking in ensemble, just being in the ensemble 253 00:11:22,000 --> 00:11:23,959 Speaker 2: of something and talking and sort of like, y'all are 254 00:11:24,040 --> 00:11:26,439 Speaker 2: not the stars. Yeah, your need to be quiet so 255 00:11:26,559 --> 00:11:29,160 Speaker 2: the stars can do their you can rehearse their scene. Yeah, 256 00:11:29,280 --> 00:11:31,360 Speaker 2: you know, playing like the Swamp people and like Once 257 00:11:31,440 --> 00:11:34,160 Speaker 2: upon a Mattress and we're like full, full volume talking 258 00:11:34,200 --> 00:11:36,000 Speaker 2: in the back of the rehearsal. I know it was 259 00:11:36,040 --> 00:11:38,400 Speaker 2: probably tough, but we saw ourselves as like, you know, 260 00:11:38,559 --> 00:11:41,160 Speaker 2: we're having an important conversation mac he Yes, that's about But. 261 00:11:41,360 --> 00:11:43,800 Speaker 1: You guys were the main characters in your own lives totally. 262 00:11:43,880 --> 00:11:45,360 Speaker 2: It's hard. Did you do theater growing up? Like? 263 00:11:45,480 --> 00:11:48,120 Speaker 1: I did one play? Okay, I did maybe one or 264 00:11:48,160 --> 00:11:50,640 Speaker 1: two plays, but I was not like in school. 265 00:11:50,720 --> 00:11:53,640 Speaker 2: Yeah, it's intense to you can't kind of be one 266 00:11:53,640 --> 00:11:54,480 Speaker 2: foot in, one foot. 267 00:11:54,320 --> 00:11:56,120 Speaker 1: Out, and I was very one. Me and my two 268 00:11:56,240 --> 00:11:58,560 Speaker 1: girlfriends were one footed one foot out. I think it 269 00:11:58,559 --> 00:12:00,000 Speaker 1: was Beauty and the Beast, and we did a couple 270 00:12:00,040 --> 00:12:02,240 Speaker 1: full rehearsals and we were like, not for. 271 00:12:02,240 --> 00:12:04,280 Speaker 2: Us, did you did you do the show. 272 00:12:04,280 --> 00:12:07,400 Speaker 1: No early early though, gave them enough time to find 273 00:12:07,440 --> 00:12:08,920 Speaker 1: replacements for three of them. 274 00:12:08,880 --> 00:12:10,880 Speaker 2: And I let me know even I'll let you know, 275 00:12:10,920 --> 00:12:13,040 Speaker 2: like even giving them enough time for replacements like theater, 276 00:12:13,040 --> 00:12:15,120 Speaker 2: when you're in high school theater, you're like, oh my god, 277 00:12:15,160 --> 00:12:17,400 Speaker 2: the show is coming up, and we should a three dropouts, 278 00:12:18,040 --> 00:12:20,319 Speaker 2: like they're really thirsty. You also gave them like a 279 00:12:20,400 --> 00:12:21,959 Speaker 2: drama that they probably really. 280 00:12:21,800 --> 00:12:24,880 Speaker 1: Yes, and it was and we quit so so so 281 00:12:24,880 --> 00:12:28,240 Speaker 1: so early. But I was like, oh, I think I'll 282 00:12:28,280 --> 00:12:29,720 Speaker 1: like this, and I was like I don't love this 283 00:12:29,800 --> 00:12:30,880 Speaker 1: and I'm gonna get you guys. 284 00:12:30,960 --> 00:12:33,040 Speaker 2: Ensemble or did you have like speaking roles are like 285 00:12:33,040 --> 00:12:34,080 Speaker 2: little like songs to do? 286 00:12:34,320 --> 00:12:37,520 Speaker 1: We were ensemble, Oh okay, and and still that and 287 00:12:37,559 --> 00:12:39,800 Speaker 1: that's better, but in still that's you know, it still 288 00:12:39,960 --> 00:12:40,559 Speaker 1: was like there's. 289 00:12:40,360 --> 00:12:41,920 Speaker 2: Gonna be a huge gap in the choreo. 290 00:12:43,200 --> 00:12:46,800 Speaker 1: The teacher, it seemed, and the director seemed absolutely unfazed 291 00:12:46,840 --> 00:12:49,280 Speaker 1: by our exiting and probably relieved, was like, these little 292 00:12:49,280 --> 00:12:51,720 Speaker 1: bitches don't care. They don't care. They didn't care. Did 293 00:12:51,720 --> 00:12:53,120 Speaker 1: you always know you wanted to be an actor? 294 00:12:55,840 --> 00:12:57,600 Speaker 2: I used to like there definitely was a phase in 295 00:12:57,600 --> 00:13:00,880 Speaker 2: my childhood where I was videotaping the off or something. 296 00:13:01,160 --> 00:13:05,160 Speaker 2: You know, Yes, as if I was once again saving 297 00:13:05,240 --> 00:13:07,080 Speaker 2: videos that you're never going to watch again. Is a 298 00:13:07,120 --> 00:13:10,120 Speaker 2: real just in case, just for security. It's a it's 299 00:13:10,160 --> 00:13:11,000 Speaker 2: a security thing. 300 00:13:11,240 --> 00:13:11,800 Speaker 1: It's a cover. 301 00:13:12,400 --> 00:13:14,360 Speaker 2: One day you're gonna have to look back on Renee 302 00:13:14,440 --> 00:13:17,160 Speaker 2: Zellweger given a speech about for what. I don't remember, 303 00:13:17,280 --> 00:13:20,920 Speaker 2: but I have it on tape. Yeah, I think I was. 304 00:13:20,960 --> 00:13:23,240 Speaker 2: I always did theater. But it's kind of when you're 305 00:13:23,240 --> 00:13:26,960 Speaker 2: a kid, that's like the only outlet for like a 306 00:13:26,960 --> 00:13:28,560 Speaker 2: lot of kids is you're just you're like, I have 307 00:13:28,640 --> 00:13:30,400 Speaker 2: to figure out how to make musical theater work for me, 308 00:13:30,960 --> 00:13:33,280 Speaker 2: even if I don't particularly even if I'm not watching 309 00:13:33,280 --> 00:13:35,240 Speaker 2: it on my off time. I have to find a 310 00:13:35,240 --> 00:13:37,120 Speaker 2: way for it to work. So I was always doing theater, 311 00:13:38,880 --> 00:13:40,680 Speaker 2: and then I did like theater camps and would do 312 00:13:40,800 --> 00:13:43,720 Speaker 2: like improfit theater camp, you know, and that was really fun. 313 00:13:43,880 --> 00:13:46,040 Speaker 1: Okay, it was when you're bout. 314 00:13:45,840 --> 00:13:47,559 Speaker 2: To learn because when also when you're a kid in 315 00:13:47,559 --> 00:13:51,040 Speaker 2: your wing theater camp, you're doing like they're giving you. 316 00:13:51,280 --> 00:13:53,440 Speaker 2: When you're at school, you're doing musicals, and when you're 317 00:13:53,440 --> 00:13:56,760 Speaker 2: at theater camp, you're doing like divorced women monologues and 318 00:13:56,800 --> 00:13:59,600 Speaker 2: you're twelve and you don't know what you're talking about 319 00:13:59,679 --> 00:14:02,280 Speaker 2: kind of and so there it's like there's not all 320 00:14:02,360 --> 00:14:04,840 Speaker 2: You're not doing a lot of stuff that you understand, right, 321 00:14:04,880 --> 00:14:06,559 Speaker 2: You're just excited to be on stage. 322 00:14:06,840 --> 00:14:09,079 Speaker 1: I feel that way about song lyrics, so many songs 323 00:14:09,120 --> 00:14:11,520 Speaker 1: growing up, being like I didn't this woman is like 324 00:14:11,920 --> 00:14:16,440 Speaker 1: has been through divorce or emotional abuse, and I'm singing 325 00:14:16,480 --> 00:14:17,720 Speaker 1: about it full volume. 326 00:14:17,880 --> 00:14:19,800 Speaker 2: Yes. And back then the songs that men were singing 327 00:14:19,840 --> 00:14:23,520 Speaker 2: were like terrifying to women, like especially like the big 328 00:14:23,600 --> 00:14:26,880 Speaker 2: like emo era of high school. I think they were 329 00:14:26,920 --> 00:14:29,200 Speaker 2: singing things that were like I'm on a killer deny 330 00:14:29,360 --> 00:14:31,480 Speaker 2: and you're like, I have to there's no other I 331 00:14:31,520 --> 00:14:33,240 Speaker 2: have to like, I have to like it. This is 332 00:14:33,280 --> 00:14:33,920 Speaker 2: what the kids. 333 00:14:35,680 --> 00:14:38,600 Speaker 1: Were Your parents supportive of your theater endeavors. 334 00:14:39,000 --> 00:14:43,120 Speaker 2: Yeah, I would say they were. I Uh, they were 335 00:14:43,200 --> 00:14:47,200 Speaker 2: kind of like they were always uh supportive of my 336 00:14:47,240 --> 00:14:50,280 Speaker 2: sister and I being like creative doing theater all of that, 337 00:14:50,720 --> 00:14:53,360 Speaker 2: but they were very like, if you actually want to 338 00:14:53,400 --> 00:14:55,440 Speaker 2: do it for money, you do have to like you 339 00:14:55,480 --> 00:14:56,560 Speaker 2: have to take some initiative. 340 00:14:56,680 --> 00:14:57,800 Speaker 1: Oh okay, because. 341 00:14:57,520 --> 00:15:00,000 Speaker 2: We weren't, we don't know anybody who's in the business, 342 00:15:00,040 --> 00:15:02,960 Speaker 2: So it would have been a full outside to inside situation. 343 00:15:03,800 --> 00:15:05,240 Speaker 2: And in that case, it's sort of like both my 344 00:15:05,280 --> 00:15:07,240 Speaker 2: parents worked full time and they were not about to, 345 00:15:07,840 --> 00:15:09,960 Speaker 2: you know, move like move to Nashville so I could 346 00:15:10,000 --> 00:15:11,760 Speaker 2: be a songwriter type of thing. You know. 347 00:15:12,040 --> 00:15:15,200 Speaker 1: I know kids with those parents, I'm like, lucky you. 348 00:15:15,360 --> 00:15:17,720 Speaker 2: They really but then they the pressure is really on 349 00:15:17,800 --> 00:15:22,280 Speaker 2: the kid to be like you're and we gave up. 350 00:15:22,520 --> 00:15:26,040 Speaker 2: The family has decided you're the main character of the family. 351 00:15:26,560 --> 00:15:28,240 Speaker 2: And yeah, our family was kind of like, if you 352 00:15:28,280 --> 00:15:30,120 Speaker 2: want a job as a child, you've got to go 353 00:15:30,160 --> 00:15:32,440 Speaker 2: and get yourself your own your own job day. 354 00:15:32,640 --> 00:15:36,000 Speaker 1: Yeah, so when did your your true hustle and grit 355 00:15:36,000 --> 00:15:38,000 Speaker 1: would you say, oh my god, as an adult, like, Okay, 356 00:15:38,000 --> 00:15:39,520 Speaker 1: I definitely couldn't have been a kid with a job. 357 00:15:39,560 --> 00:15:42,040 Speaker 2: I don't think I think I couldn't have. I think that, like, 358 00:15:42,280 --> 00:15:44,200 Speaker 2: I look when I work with you, like kids now, 359 00:15:44,440 --> 00:15:46,840 Speaker 2: I say, they have something that I don't have. They 360 00:15:46,880 --> 00:15:49,800 Speaker 2: have a focus, a determination. They also maybe have like 361 00:15:49,880 --> 00:15:53,360 Speaker 2: past lives or something where they remember going to work. Yeah, 362 00:15:53,640 --> 00:15:55,360 Speaker 2: because when I started going to work, I were you know, 363 00:15:55,400 --> 00:15:58,600 Speaker 2: I worked like jobs in my town. I it was like, 364 00:16:00,080 --> 00:16:03,480 Speaker 2: I never I have no isledge of this. I've never 365 00:16:03,520 --> 00:16:04,320 Speaker 2: done this before. 366 00:16:04,640 --> 00:16:05,560 Speaker 1: What is this? 367 00:16:05,840 --> 00:16:08,360 Speaker 2: Yeah? That not punching in and punching out? 368 00:16:09,480 --> 00:16:10,720 Speaker 1: Where your parents creatives? 369 00:16:10,800 --> 00:16:10,960 Speaker 2: Are? 370 00:16:10,960 --> 00:16:11,440 Speaker 1: They are? 371 00:16:11,440 --> 00:16:15,360 Speaker 2: They? They're creative people for sure. My my dad's a chef, 372 00:16:15,440 --> 00:16:17,440 Speaker 2: which feels like a very creative job. 373 00:16:17,520 --> 00:16:20,720 Speaker 1: I've got to talk, yes, but that's what we're doing now. 374 00:16:20,880 --> 00:16:23,160 Speaker 2: Yes, he's a chef. There's also very like a very 375 00:16:23,240 --> 00:16:25,440 Speaker 2: laborious job. So it's kind of it's a little bit 376 00:16:25,440 --> 00:16:27,040 Speaker 2: of both. I don't know if he would say that 377 00:16:27,080 --> 00:16:29,160 Speaker 2: he feels that his job is like the most creatively 378 00:16:29,200 --> 00:16:31,920 Speaker 2: fulfilling part of his life. But he's a very But 379 00:16:31,960 --> 00:16:34,160 Speaker 2: they're all very creative people, and I think it like 380 00:16:34,200 --> 00:16:36,760 Speaker 2: excites them that my sister and I are both doing 381 00:16:37,440 --> 00:16:39,080 Speaker 2: creative things for a living. Like I think that was 382 00:16:39,120 --> 00:16:40,960 Speaker 2: their hope is that it worked out. But they also 383 00:16:41,000 --> 00:16:44,280 Speaker 2: are like they very much pride themselves on being hardworking people. 384 00:16:44,320 --> 00:16:47,000 Speaker 2: So then you have to like, we always had to 385 00:16:47,040 --> 00:16:49,160 Speaker 2: have jobs, not all like and I always I've had some. 386 00:16:49,720 --> 00:16:52,000 Speaker 2: I've been really bad at a lot of jobs, A 387 00:16:52,040 --> 00:16:54,280 Speaker 2: lot of jobs. Have you been fired from a job? Yes, 388 00:16:54,440 --> 00:16:56,320 Speaker 2: someone was just I was just having a conversation where 389 00:16:56,360 --> 00:16:57,760 Speaker 2: I was in a table full of people and they 390 00:16:57,760 --> 00:16:59,160 Speaker 2: were like, have you ever someone has said, have you 391 00:16:59,200 --> 00:17:03,200 Speaker 2: ever been fired? And and everyone was like no, God, no, no. 392 00:17:03,720 --> 00:17:05,200 Speaker 1: I used to think it was a rite of passage 393 00:17:05,200 --> 00:17:06,960 Speaker 1: as an actor, like you have to have been fired 394 00:17:07,000 --> 00:17:09,760 Speaker 1: from at least one job. I had never been fired 395 00:17:09,800 --> 00:17:11,280 Speaker 1: from a job. And then I feel like I sought 396 00:17:11,320 --> 00:17:13,600 Speaker 1: out a job that I could get fired for. What 397 00:17:13,640 --> 00:17:14,560 Speaker 1: was it, nannying? 398 00:17:14,840 --> 00:17:16,040 Speaker 2: Okay, you got fired from nanny? 399 00:17:16,200 --> 00:17:18,000 Speaker 1: Yes, I got fired, but just because I was like, 400 00:17:18,240 --> 00:17:21,040 Speaker 1: I did the job, but it was like giving bare minim. 401 00:17:21,040 --> 00:17:22,879 Speaker 1: It wasn't bare minimum, it was above bare minimum. I 402 00:17:22,920 --> 00:17:24,959 Speaker 1: would stay later than I needed two at times to 403 00:17:24,960 --> 00:17:27,359 Speaker 1: help the kids with homework. But I just was like, 404 00:17:27,480 --> 00:17:31,320 Speaker 1: these kids are wild. Yeah, and I love kids and 405 00:17:31,359 --> 00:17:32,920 Speaker 1: I love them even more than. 406 00:17:33,640 --> 00:17:36,320 Speaker 2: Everyone who loves kids also understand. Yeah, sometimes you hit 407 00:17:36,359 --> 00:17:39,040 Speaker 2: a wall and you go you need a Yeah. 408 00:17:39,080 --> 00:17:40,960 Speaker 1: And so they were like you're fired, and I was like, 409 00:17:41,080 --> 00:17:43,120 Speaker 1: thank you. This means my dreams are gonna come true. 410 00:17:43,200 --> 00:17:45,760 Speaker 1: And Taylor, here's the thing they low key did like 411 00:17:46,200 --> 00:17:47,040 Speaker 1: two years later. 412 00:17:47,359 --> 00:17:50,480 Speaker 2: Getting fired is actually really good sometimes, or like jobs 413 00:17:50,520 --> 00:17:52,840 Speaker 2: not picking up, like things not going I do really 414 00:17:52,840 --> 00:17:57,760 Speaker 2: feel like forward motion always does feel good in some way. 415 00:17:57,800 --> 00:17:59,800 Speaker 2: I also used to feel like that way about breakups too, 416 00:18:00,280 --> 00:18:01,879 Speaker 2: be kind of like a little have a little bit 417 00:18:01,880 --> 00:18:04,840 Speaker 2: of excitement about like my life is moving for you know. 418 00:18:05,359 --> 00:18:07,520 Speaker 2: But that's kind of crazy to be Stangley and getting 419 00:18:07,560 --> 00:18:09,040 Speaker 2: fired was I was. 420 00:18:10,720 --> 00:18:11,520 Speaker 1: What did you get fired? 421 00:18:11,640 --> 00:18:13,280 Speaker 2: It's sort of like whenever I've been fired. I got 422 00:18:13,320 --> 00:18:15,240 Speaker 2: fired from a theater camp, I kind of and there 423 00:18:15,280 --> 00:18:17,320 Speaker 2: was times where I'm giving my all, But anytime I've 424 00:18:17,359 --> 00:18:19,960 Speaker 2: been fired, you know, restaurants, I think anytime I've been fired, 425 00:18:19,960 --> 00:18:22,280 Speaker 2: it's sort of been like, yeah, I can't really argue this. 426 00:18:22,680 --> 00:18:24,480 Speaker 2: There's never been a time I've had friends be fired 427 00:18:24,480 --> 00:18:26,359 Speaker 2: where I go. You need to sue, you need to 428 00:18:26,400 --> 00:18:29,560 Speaker 2: call the ac LU something. Anytime I've been fired, it's 429 00:18:29,560 --> 00:18:31,600 Speaker 2: sort of like okay. And I was sort of skating by. 430 00:18:31,600 --> 00:18:34,439 Speaker 1: And wondering when yes and listen I had basically I 431 00:18:34,520 --> 00:18:36,679 Speaker 1: was Stangley and then it was a very quick thing. 432 00:18:36,720 --> 00:18:37,960 Speaker 1: It was like a month and I was like, Okay, 433 00:18:38,000 --> 00:18:39,800 Speaker 1: I'm gonna give it my all, and then very quickly 434 00:18:39,800 --> 00:18:41,800 Speaker 1: I was like I'm not Mary Poppins and I can't 435 00:18:41,840 --> 00:18:45,720 Speaker 1: save these children and any stay bad. Yeah, it's really hard. 436 00:18:46,000 --> 00:18:48,080 Speaker 2: And I was like full presence all the time and 437 00:18:48,520 --> 00:18:49,520 Speaker 2: I got to go home. 438 00:18:49,600 --> 00:18:53,520 Speaker 1: But I was like, they are whatever has happened before 439 00:18:53,600 --> 00:18:56,360 Speaker 1: I arrived at the ripe age of gosh, how old 440 00:18:56,440 --> 00:18:59,320 Speaker 1: was I twenty six or something? I was like, whatever 441 00:18:59,400 --> 00:19:00,200 Speaker 1: happened here? 442 00:19:00,800 --> 00:19:02,879 Speaker 2: Can someone else's family? None us exactly. 443 00:19:02,920 --> 00:19:07,119 Speaker 1: I'm not here often enough. I do not aspire to 444 00:19:07,119 --> 00:19:11,320 Speaker 1: be merry and so Poppins that is yeah. So I'm like, yeah, 445 00:19:11,359 --> 00:19:13,919 Speaker 1: I got I'm gonna I felt I felt really relieved 446 00:19:13,960 --> 00:19:15,719 Speaker 1: to get fired. But it was the first time. So 447 00:19:15,800 --> 00:19:17,280 Speaker 1: you've been fired a bunch of times, and how do 448 00:19:17,359 --> 00:19:17,840 Speaker 1: you take it? 449 00:19:18,840 --> 00:19:20,000 Speaker 2: I fire a couple times. 450 00:19:21,960 --> 00:19:22,159 Speaker 1: I mean. 451 00:19:22,200 --> 00:19:24,280 Speaker 2: One thing I do like about I feel like jobs 452 00:19:24,280 --> 00:19:26,399 Speaker 2: in entertainment is that you do kind of even if 453 00:19:26,400 --> 00:19:28,159 Speaker 2: you're on a job for a while, it is like 454 00:19:28,560 --> 00:19:30,720 Speaker 2: ultimately you're like, I'm doing this for a couple of months, 455 00:19:30,840 --> 00:19:32,440 Speaker 2: then I'm doing something else, then I'm coming back for 456 00:19:32,440 --> 00:19:34,840 Speaker 2: a couple months. Like that is a nice rhythm, as 457 00:19:34,920 --> 00:19:37,080 Speaker 2: much as it also makes you feel insane, yea, the 458 00:19:37,119 --> 00:19:39,720 Speaker 2: times where you're you don't have a place to clock in. 459 00:19:40,440 --> 00:19:42,920 Speaker 2: I think it is when you get used to the rhythm. 460 00:19:42,920 --> 00:19:45,000 Speaker 2: A good thing when I'm yeah, I mean getting I 461 00:19:45,000 --> 00:19:46,880 Speaker 2: mean getting bad from other jobs. It always was sort 462 00:19:46,920 --> 00:19:50,600 Speaker 2: of like I'm tired of being here. God, I'm here 463 00:19:50,600 --> 00:19:52,840 Speaker 2: every day and then I leave, like I I really 464 00:19:52,840 --> 00:19:55,800 Speaker 2: feel for and this is most people, but like going 465 00:19:55,920 --> 00:19:57,960 Speaker 2: and spending most of your waking hours at a job 466 00:19:58,040 --> 00:19:59,520 Speaker 2: and then you only get a little bit of time 467 00:19:59,560 --> 00:20:02,520 Speaker 2: to go home, and then you're there again again to 468 00:20:03,440 --> 00:20:05,840 Speaker 2: and you're doing that every week of the year, except 469 00:20:05,840 --> 00:20:08,000 Speaker 2: for like a Christmas or something, or two weeks off 470 00:20:08,000 --> 00:20:10,240 Speaker 2: in the summer, like and it's the same people over 471 00:20:10,280 --> 00:20:11,879 Speaker 2: and over again. That is tough. You. 472 00:20:12,640 --> 00:20:14,760 Speaker 1: Well, that's why you were never you were always going 473 00:20:14,840 --> 00:20:19,320 Speaker 1: to be a star. Frankly, if I may say transient names, 474 00:20:19,480 --> 00:20:22,320 Speaker 1: you're to your nature. It's such that you couldn't do that, 475 00:20:22,640 --> 00:20:24,439 Speaker 1: And that's what it's. It's in you. You have to 476 00:20:24,480 --> 00:20:27,640 Speaker 1: see people I think like that stability and like the predictability. 477 00:20:27,840 --> 00:20:29,400 Speaker 2: How do you do comforting? Yeah? 478 00:20:29,440 --> 00:20:32,280 Speaker 1: How are you with change? Just as a general concept. 479 00:20:31,920 --> 00:20:33,560 Speaker 2: I'm good with it, but I like obviously have my 480 00:20:33,600 --> 00:20:36,000 Speaker 2: little meltdowns. You have to, like, I think even people 481 00:20:36,040 --> 00:20:37,919 Speaker 2: who are good with change, like then, I don't know 482 00:20:37,960 --> 00:20:41,600 Speaker 2: anyone who doesn't have like a bump on it in 483 00:20:41,760 --> 00:20:44,200 Speaker 2: some way. Yeah, you know, like you are scared to 484 00:20:44,280 --> 00:20:45,919 Speaker 2: let go, you have all those things. It's just like, 485 00:20:45,960 --> 00:20:49,160 Speaker 2: can you can you tighten your reaction time a little bit? 486 00:20:49,600 --> 00:20:52,560 Speaker 2: I think I do. I think I like have my dramas, 487 00:20:52,600 --> 00:20:54,639 Speaker 2: but they happen really quickly. Yeah, and I move on 488 00:20:54,680 --> 00:20:57,800 Speaker 2: really fast, you know. Yeah, I don't like to like 489 00:20:57,880 --> 00:20:59,760 Speaker 2: stew if I don't have to. But then everyone in 490 00:20:59,800 --> 00:21:01,879 Speaker 2: a while, while one hits you, obviously where you go. 491 00:21:01,960 --> 00:21:05,199 Speaker 2: I'm so overwhelmed. Yeah, and I'm going to be like 492 00:21:05,280 --> 00:21:07,840 Speaker 2: maybe maybe like a nightmare for three weeks a month. 493 00:21:08,680 --> 00:21:09,520 Speaker 2: Maybe that's it. 494 00:21:09,960 --> 00:21:12,280 Speaker 1: See, I'm going like tom full months. 495 00:21:12,359 --> 00:21:16,479 Speaker 2: Well, I looked this up your pisces, I my partner's 496 00:21:16,560 --> 00:21:19,080 Speaker 2: pis and I feel like our mood difference is kind 497 00:21:19,080 --> 00:21:21,400 Speaker 2: of that. I will be on a more even keel 498 00:21:21,440 --> 00:21:23,200 Speaker 2: for longer and then I'll hit a dip and it'll 499 00:21:23,240 --> 00:21:26,560 Speaker 2: be like weeks months apart. I think for water signs pisces, 500 00:21:26,640 --> 00:21:29,440 Speaker 2: it's like you're experiencing the range of emotions in a day. 501 00:21:29,600 --> 00:21:31,080 Speaker 2: It's you're hitting three PM. 502 00:21:30,920 --> 00:21:35,240 Speaker 1: It's over. I felt I felt everything today, even every and. 503 00:21:35,280 --> 00:21:38,600 Speaker 2: It's much more. The spectrum is like height. 504 00:21:39,720 --> 00:21:41,840 Speaker 1: I wanted to ask you your sign while you were 505 00:21:41,880 --> 00:21:43,919 Speaker 1: talking about how you engage with change, and I go, 506 00:21:44,040 --> 00:21:48,040 Speaker 1: don't be that girl. Don't ask, but do not ask, Taylor, 507 00:21:49,440 --> 00:21:49,960 Speaker 1: do not ask. 508 00:21:50,000 --> 00:21:54,720 Speaker 2: I'm a Gemini, okay. But but we're both mutable signs, okay, 509 00:21:54,800 --> 00:21:58,280 Speaker 2: so we both are really technically good with change. Changes 510 00:21:58,320 --> 00:22:01,520 Speaker 2: are constant, so yeah, I'm good with change. But then 511 00:22:01,520 --> 00:22:03,679 Speaker 2: I also my rising is airy, so I'm very like 512 00:22:03,720 --> 00:22:06,880 Speaker 2: forward moving okay person. But then of course then I go, 513 00:22:07,000 --> 00:22:09,199 Speaker 2: I sometimes I'm not checking in with the I can 514 00:22:09,240 --> 00:22:10,720 Speaker 2: go long time without checking with feelings. 515 00:22:10,880 --> 00:22:13,320 Speaker 1: Really, that's kind of nice as a person who I 516 00:22:13,320 --> 00:22:16,800 Speaker 1: feel overall sometimes and this is no therapist would stand 517 00:22:16,800 --> 00:22:20,120 Speaker 1: by this advice, but sometimes feeling all the feelings, it's 518 00:22:20,160 --> 00:22:21,000 Speaker 1: just like too much. 519 00:22:21,160 --> 00:22:21,399 Speaker 2: It is. 520 00:22:21,600 --> 00:22:23,639 Speaker 1: That's how I feel as a as a pisces. 521 00:22:23,800 --> 00:22:25,880 Speaker 2: Sometimes I witness it and I say, that does seem 522 00:22:26,440 --> 00:22:30,159 Speaker 2: it seems really hard, and obviously our feelings are like 523 00:22:30,200 --> 00:22:32,680 Speaker 2: sometimes my partner will be like, we'll say, like you're 524 00:22:32,680 --> 00:22:34,800 Speaker 2: a logical person, and like logic is your truth, but 525 00:22:34,880 --> 00:22:36,840 Speaker 2: like for me, like feelings are the facts, and I go, 526 00:22:37,040 --> 00:22:39,120 Speaker 2: that's not true to me, that feelings are the facts. 527 00:22:39,640 --> 00:22:41,320 Speaker 2: But obviously I know how it feels to be like 528 00:22:41,400 --> 00:22:46,320 Speaker 2: my mood is my I can't like I can't see 529 00:22:46,320 --> 00:22:48,560 Speaker 2: that I'm loved by anyone. I can't see that I 530 00:22:48,560 --> 00:22:50,480 Speaker 2: have any good in my life. I can't see it. 531 00:22:50,960 --> 00:22:54,480 Speaker 2: My feelings won't let me. Yeah, I have to wait 532 00:22:54,480 --> 00:22:56,239 Speaker 2: for it to be over. Ye, And you're like, I 533 00:22:56,320 --> 00:22:57,360 Speaker 2: just have to wait. 534 00:22:57,160 --> 00:23:01,520 Speaker 1: For it out. It's yeah, as I'm such a proponent 535 00:23:01,520 --> 00:23:04,199 Speaker 1: of feeling your feelings. And then in the pisces of 536 00:23:04,200 --> 00:23:06,240 Speaker 1: it all, I am a little like last week and 537 00:23:06,280 --> 00:23:07,879 Speaker 1: the number of times I've said this, it's not just 538 00:23:07,960 --> 00:23:11,080 Speaker 1: last week, It's been several weeks ago. But I'm like, 539 00:23:11,440 --> 00:23:13,320 Speaker 1: I don't feel like crying. And it's like and I'm like, 540 00:23:13,359 --> 00:23:14,960 Speaker 1: I have no problem with it. I used to, but 541 00:23:15,000 --> 00:23:16,400 Speaker 1: I was like, I have no problem with it. I'll 542 00:23:16,400 --> 00:23:18,639 Speaker 1: do it whatever. I'll happy, crial, sad, cry. But I'm like, 543 00:23:18,960 --> 00:23:21,359 Speaker 1: it's exhausting. And someone's like somebody said to me, like, 544 00:23:21,400 --> 00:23:22,560 Speaker 1: you can cry if you want to go No, No, 545 00:23:22,600 --> 00:23:24,520 Speaker 1: I know, I just I just don't feel like it. 546 00:23:24,640 --> 00:23:26,760 Speaker 1: I like, it's so exhausted. 547 00:23:26,840 --> 00:23:28,719 Speaker 2: I had a breakup, a bad breakup once, or like 548 00:23:28,760 --> 00:23:31,400 Speaker 2: it was meant to be like this very big breakup, 549 00:23:32,680 --> 00:23:34,719 Speaker 2: but it was also like a time where like everyone 550 00:23:34,800 --> 00:23:37,479 Speaker 2: was really stressed out and I was doing a job, 551 00:23:37,840 --> 00:23:40,920 Speaker 2: and I had a friend who is a Leo, which 552 00:23:41,000 --> 00:23:42,919 Speaker 2: is a really people want to guess like fire signs 553 00:23:42,920 --> 00:23:46,080 Speaker 2: they sneak by Leo is a really emotional sign. And 554 00:23:46,280 --> 00:23:49,000 Speaker 2: this friend is a Leo who loves to cry, and 555 00:23:49,200 --> 00:23:52,000 Speaker 2: was almost sort of like, you can cry if you want, 556 00:23:53,000 --> 00:23:54,600 Speaker 2: and I can see them getting excited the You're like, 557 00:23:54,880 --> 00:23:55,160 Speaker 2: I can. 558 00:23:55,200 --> 00:23:59,000 Speaker 1: Have a little, dude, he shaved on a little cry. 559 00:23:58,800 --> 00:24:00,600 Speaker 2: And I'm like, I just don't want to you right now. 560 00:24:00,640 --> 00:24:03,480 Speaker 2: I'm just feeling like kind of like dead inside kind 561 00:24:03,480 --> 00:24:05,480 Speaker 2: of yeah, yeah, I don't think crying would make me 562 00:24:05,480 --> 00:24:06,840 Speaker 2: feel better. I'm angry. 563 00:24:07,040 --> 00:24:08,520 Speaker 1: I love that you said it was meant to be 564 00:24:08,560 --> 00:24:11,560 Speaker 1: a big breakup, meaning it was meant to be, but 565 00:24:11,600 --> 00:24:13,440 Speaker 1: that's just not how you experienced it. 566 00:24:13,440 --> 00:24:15,520 Speaker 2: It was a big breakup. But you know when you're like, 567 00:24:16,720 --> 00:24:19,480 Speaker 2: you know what in the in the moment when it's happening, 568 00:24:19,600 --> 00:24:22,000 Speaker 2: or like right after it's something big is happening to you, 569 00:24:22,080 --> 00:24:25,119 Speaker 2: where you're just sort of like I wasn't planning for 570 00:24:25,160 --> 00:24:26,879 Speaker 2: this right now, and I don't know that I can 571 00:24:26,920 --> 00:24:29,480 Speaker 2: make the space for it and I feelings. I'm like, 572 00:24:30,800 --> 00:24:35,080 Speaker 2: I'm sure, I'm sure weird behavior is going to surface 573 00:24:35,080 --> 00:24:37,639 Speaker 2: at some point, and it did, you know, I'm sure 574 00:24:37,720 --> 00:24:39,240 Speaker 2: that this will take me a long time, like it 575 00:24:39,240 --> 00:24:42,399 Speaker 2: takes everyone. I'm sure I'm not over it. But sometimes 576 00:24:42,440 --> 00:24:43,639 Speaker 2: you're just kind of like, ah, I have to go 577 00:24:43,680 --> 00:24:45,639 Speaker 2: to work. Yeah, I gotta go to work. I have 578 00:24:45,760 --> 00:24:46,240 Speaker 2: to go to work. 579 00:24:46,240 --> 00:24:47,920 Speaker 1: Oh, my favorite thing is having to go to work. 580 00:24:47,960 --> 00:24:50,040 Speaker 2: I love having Then again, sometimes most of the time 581 00:24:50,080 --> 00:24:51,399 Speaker 2: you can go to work. Have you ever been like 582 00:24:51,560 --> 00:24:53,840 Speaker 2: I have to go to work. Recently, I was like 583 00:24:53,880 --> 00:24:55,240 Speaker 2: I have to go to work, and I'm like on 584 00:24:55,320 --> 00:24:56,879 Speaker 2: set and I'm looking like it's a time where I 585 00:24:56,880 --> 00:24:58,320 Speaker 2: was like looking silly. I'm in a wig, you know, 586 00:24:58,800 --> 00:25:02,359 Speaker 2: and you want it be able to jump into it. 587 00:25:02,400 --> 00:25:04,479 Speaker 2: But I'm sort of like, I'm like between scenes, I'm 588 00:25:04,520 --> 00:25:07,919 Speaker 2: like looking at the ceiling. I'm like, like, I actually 589 00:25:08,000 --> 00:25:11,320 Speaker 2: am trying not to try. Everything's making Oh I've been 590 00:25:11,359 --> 00:25:13,720 Speaker 2: to work like that too, and you're just like, yes, 591 00:25:14,920 --> 00:25:16,800 Speaker 2: everything anyone says, You're like if only. 592 00:25:19,520 --> 00:25:21,080 Speaker 1: In those moments says anyone come up to you and 593 00:25:21,160 --> 00:25:22,200 Speaker 1: is like, tylor, are you okay? 594 00:25:22,240 --> 00:25:27,600 Speaker 2: It's everything okay? No, I really I think I'm good 595 00:25:27,680 --> 00:25:31,320 Speaker 2: at not making that apparent. I Oh my goodness. But 596 00:25:31,359 --> 00:25:33,840 Speaker 2: then you'll see someone else, like especially you'll see someone 597 00:25:33,880 --> 00:25:37,080 Speaker 2: else because sett is tough, like jobs like that, you're 598 00:25:37,440 --> 00:25:40,320 Speaker 2: just you can try to not let it, be a parent, 599 00:25:40,440 --> 00:25:44,160 Speaker 2: but you're there for so many hours. Yeah, it's once 600 00:25:44,160 --> 00:25:48,000 Speaker 2: it gets twelve plus hours. I'm a big believer in like, 601 00:25:48,040 --> 00:25:50,800 Speaker 2: if someone has something in them. When people are like, 602 00:25:50,840 --> 00:25:53,040 Speaker 2: oh that person's scary whatever, if someone has that in 603 00:25:53,080 --> 00:25:54,960 Speaker 2: them and you are working on set with them, like 604 00:25:55,119 --> 00:25:56,800 Speaker 2: their feelings will come out one way or another, like 605 00:25:56,840 --> 00:25:58,480 Speaker 2: their personality, their feelings, all of it will. 606 00:25:58,600 --> 00:25:58,800 Speaker 1: Yeah. 607 00:26:00,119 --> 00:26:01,919 Speaker 2: So I do think I'm pretty good at hiding it. 608 00:26:01,960 --> 00:26:03,600 Speaker 2: But like it comes out, you'll see somebody else kind 609 00:26:03,600 --> 00:26:05,600 Speaker 2: of like have their like weird little moment. You're like, oh, 610 00:26:05,600 --> 00:26:08,119 Speaker 2: they were feeling weird today and I didn't know, and 611 00:26:08,160 --> 00:26:10,600 Speaker 2: I wouldn't have seen it. It pops out. They were 612 00:26:10,640 --> 00:26:11,480 Speaker 2: stuffing it down. 613 00:26:11,800 --> 00:26:14,679 Speaker 1: Yes, you know, it's true. I mean maybe that's the 614 00:26:14,800 --> 00:26:17,679 Speaker 1: nice thing about the acting of it all. It's such 615 00:26:17,720 --> 00:26:19,919 Speaker 1: a distraction, not just because like I have to go 616 00:26:19,960 --> 00:26:22,160 Speaker 1: to work, I'm here, but it's like I also have 617 00:26:22,200 --> 00:26:24,840 Speaker 1: to now emote a different thing than whatever I'm feeling. 618 00:26:25,040 --> 00:26:25,879 Speaker 1: It's that's nice. 619 00:26:26,040 --> 00:26:27,960 Speaker 2: Do you ever feel like this is such toxic actor? 620 00:26:28,040 --> 00:26:31,040 Speaker 2: But like when you're like actually feeling kind of happy 621 00:26:31,040 --> 00:26:33,960 Speaker 2: and excited and you have to you have to really 622 00:26:33,960 --> 00:26:35,960 Speaker 2: be giving an emotional spectrumhere you I still felt that 623 00:26:36,000 --> 00:26:41,080 Speaker 2: I want to. Things are going great for you. I 624 00:26:41,080 --> 00:26:43,920 Speaker 2: have this amazing Yeah, sorry, I feel really really good. 625 00:26:43,960 --> 00:26:47,920 Speaker 2: I'm sort of exhilarated, actually exhilary. 626 00:26:48,040 --> 00:26:51,640 Speaker 1: I have again because I think like crying is exhausting 627 00:26:51,680 --> 00:26:53,600 Speaker 1: at times. Been like I just don't feel like. 628 00:26:53,560 --> 00:26:55,200 Speaker 2: Going at a job. 629 00:26:55,400 --> 00:26:57,439 Speaker 1: Not at a job, but like in acting class, just 630 00:26:57,480 --> 00:26:59,920 Speaker 1: been like, yeah, I can't do that right now. I 631 00:27:00,560 --> 00:27:02,000 Speaker 1: can't serve that or you do. 632 00:27:02,359 --> 00:27:05,240 Speaker 2: Sometimes I feel almost like indignant a little bit where 633 00:27:05,280 --> 00:27:06,679 Speaker 2: I'm like I can if I want to, but I 634 00:27:06,720 --> 00:27:07,359 Speaker 2: just don't want to. 635 00:27:07,560 --> 00:27:09,160 Speaker 1: Just it's a choice. I'm making a choice. 636 00:27:09,160 --> 00:27:10,800 Speaker 2: You're trying to manipulate me. And it's like that's what 637 00:27:10,800 --> 00:27:15,000 Speaker 2: an acting class is. It's exactly it manipulating you and 638 00:27:15,080 --> 00:27:16,040 Speaker 2: you're paying to Donna. 639 00:27:26,400 --> 00:27:28,080 Speaker 1: Did you study theater college? 640 00:27:28,320 --> 00:27:30,920 Speaker 2: No, I didn't. I studied like a bunch of stuff. 641 00:27:30,960 --> 00:27:33,639 Speaker 2: I studied broadcasting for a period of time, which was 642 00:27:33,720 --> 00:27:37,240 Speaker 2: really interesting. Never wanted to work in news. Sure, I 643 00:27:37,320 --> 00:27:40,240 Speaker 2: kind of did want to go to school. See, yeah, 644 00:27:40,280 --> 00:27:43,320 Speaker 2: so I it was never a school person. But I 645 00:27:43,359 --> 00:27:45,639 Speaker 2: feel like right at the time I went to college, 646 00:27:45,760 --> 00:27:48,400 Speaker 2: it was sort of like this. It was this sprint 647 00:27:48,400 --> 00:27:50,520 Speaker 2: of years that they made seem like an attorney where 648 00:27:50,520 --> 00:27:53,399 Speaker 2: it's like you have to, no, you have to. 649 00:27:53,720 --> 00:27:54,719 Speaker 1: There's no choice. 650 00:27:54,920 --> 00:27:58,280 Speaker 2: You can't live indoors for the rest of your life. Yeah, 651 00:27:59,000 --> 00:28:00,520 Speaker 2: right now. And it was sort of like, I guess 652 00:28:00,520 --> 00:28:04,479 Speaker 2: I will, but I didn't really. It really took me 653 00:28:04,640 --> 00:28:06,160 Speaker 2: a long time. Was I had a bunch of majors. 654 00:28:06,160 --> 00:28:08,919 Speaker 2: I was an English major, broadcasting major. I was briefly 655 00:28:08,960 --> 00:28:13,400 Speaker 2: an acting major, but I found it very expensive and 656 00:28:15,359 --> 00:28:16,960 Speaker 2: I needed to see a little more. Like I love 657 00:28:16,960 --> 00:28:20,480 Speaker 2: an acting class because you're like, Okay, we're going it's 658 00:28:20,520 --> 00:28:22,720 Speaker 2: this many hours a week, and we are we're doing 659 00:28:22,760 --> 00:28:25,159 Speaker 2: we're doing we're doing scenework, we're doing whatever. Yeah, sometimes 660 00:28:25,240 --> 00:28:29,280 Speaker 2: theater school is a bit like you're zapping my spine, 661 00:28:29,280 --> 00:28:32,440 Speaker 2: we're breathing, and I'm sure that there is I didn't 662 00:28:32,480 --> 00:28:35,000 Speaker 2: stay long enough to see what the payoff was, but 663 00:28:35,200 --> 00:28:38,080 Speaker 2: at eighteen, I'm kind of like, yeah, we should read it. 664 00:28:38,320 --> 00:28:39,120 Speaker 2: I took. 665 00:28:39,400 --> 00:28:42,400 Speaker 1: I took one theater class in college and I was like, yeah, 666 00:28:42,440 --> 00:28:44,480 Speaker 1: and I planned on maybe being a double major. Like 667 00:28:45,080 --> 00:28:47,360 Speaker 1: that was definitely in my head. When I had gone 668 00:28:47,400 --> 00:28:49,280 Speaker 1: to college. I was like, even I was a bio 669 00:28:49,360 --> 00:28:51,680 Speaker 1: major and I was like, oh, definitely. I don't know 670 00:28:51,680 --> 00:28:53,520 Speaker 1: any don't be impressed. Don't be impressed. It's not good. 671 00:28:53,520 --> 00:28:56,040 Speaker 2: I don't want anything that's real that's real school though 672 00:28:56,520 --> 00:28:59,520 Speaker 2: it was real. It was actually school. You were doing 673 00:28:59,560 --> 00:29:01,040 Speaker 2: real like you. I had like real course loads. 674 00:29:01,160 --> 00:29:02,480 Speaker 1: It was real course loads. 675 00:29:02,520 --> 00:29:04,320 Speaker 2: It was real. Early all the major would have been 676 00:29:04,360 --> 00:29:05,720 Speaker 2: like you would have been. I think, angry at the 677 00:29:05,720 --> 00:29:08,959 Speaker 2: people in your theater. Oh major, where if to hear 678 00:29:09,000 --> 00:29:09,480 Speaker 2: them complain? 679 00:29:09,520 --> 00:29:12,120 Speaker 1: Ever, maybe that's what happened. I did one class and 680 00:29:12,160 --> 00:29:13,880 Speaker 1: I go, yeah, I don't like this. I know I 681 00:29:13,880 --> 00:29:15,600 Speaker 1: still want to be an actor, but I don't like this. 682 00:29:15,840 --> 00:29:19,480 Speaker 1: But I think for me being entrenched in all even 683 00:29:19,520 --> 00:29:22,000 Speaker 1: like in pursuing comedy, being like, oh my goodness, all 684 00:29:22,040 --> 00:29:23,959 Speaker 1: the people I know, the only people I know right 685 00:29:24,000 --> 00:29:27,160 Speaker 1: now at the stage of my life are comedians and actors. 686 00:29:27,600 --> 00:29:28,440 Speaker 1: That's crazy. 687 00:29:28,480 --> 00:29:31,240 Speaker 2: It's really crazy. I think it's on some level it's 688 00:29:31,240 --> 00:29:33,080 Speaker 2: not necessary that they all be but I do think 689 00:29:33,120 --> 00:29:37,880 Speaker 2: it's so weird. I've come so like round trip on 690 00:29:38,720 --> 00:29:41,000 Speaker 2: seeing theater school being really young and going you actually 691 00:29:41,000 --> 00:29:43,320 Speaker 2: don't ever need to do this, Yeah, you never need 692 00:29:43,360 --> 00:29:46,160 Speaker 2: to go there. You never need to Like it really 693 00:29:46,200 --> 00:29:48,560 Speaker 2: is person to person. It's not gonna make you good, 694 00:29:48,600 --> 00:29:50,560 Speaker 2: it's not gonna make you whatever. But then I do 695 00:29:50,640 --> 00:29:53,840 Speaker 2: really think like acting classes, like doing shows if you're 696 00:29:53,840 --> 00:29:57,520 Speaker 2: a comedian, or doing whatever like that stuff has made me. Obviously, 697 00:29:57,760 --> 00:30:00,600 Speaker 2: obviously it's only been like a net positive being around 698 00:30:00,640 --> 00:30:03,920 Speaker 2: other creative people all the time. That's such a net positive. Yeah, 699 00:30:03,960 --> 00:30:06,400 Speaker 2: I think feeling like when you still live here. I 700 00:30:06,440 --> 00:30:08,360 Speaker 2: live here now, but I lived here then moved to 701 00:30:08,440 --> 00:30:12,720 Speaker 2: La then lived here, and sometimes I would be feeling like, 702 00:30:12,840 --> 00:30:15,400 Speaker 2: never jealous of other people and what they were working on, 703 00:30:15,720 --> 00:30:18,840 Speaker 2: but sometimes I would be feeling kind of like stuck myself. 704 00:30:19,560 --> 00:30:21,640 Speaker 2: And then it was nice to be in community with 705 00:30:21,680 --> 00:30:24,120 Speaker 2: other creative people because you wouldn't want to do what 706 00:30:24,160 --> 00:30:25,840 Speaker 2: they were doing. But you'd see someone like do a 707 00:30:25,880 --> 00:30:28,440 Speaker 2: solo show. You'd see someone do whatever they were doing, 708 00:30:28,880 --> 00:30:32,400 Speaker 2: and you'd go, okay, like if that person is like 709 00:30:32,440 --> 00:30:34,680 Speaker 2: exhausted and tired and probably wants a job, they're getting 710 00:30:34,680 --> 00:30:36,680 Speaker 2: paid for, but they're putting in all this work to 711 00:30:37,720 --> 00:30:40,480 Speaker 2: make something that they like and feel proud of. I 712 00:30:40,520 --> 00:30:43,680 Speaker 2: could do it too, you know, I'm here too. And 713 00:30:43,720 --> 00:30:45,040 Speaker 2: then it kind of you know, you start to doing 714 00:30:45,080 --> 00:30:46,400 Speaker 2: and then you feel good about yourself again, and you 715 00:30:46,480 --> 00:30:48,440 Speaker 2: kind of like it's like you need to you really 716 00:30:48,520 --> 00:30:50,000 Speaker 2: need to like see it to do it. It's see 717 00:30:50,040 --> 00:30:50,560 Speaker 2: it to be it. 718 00:30:50,680 --> 00:30:53,640 Speaker 1: Yeah, kind of that's the vibe. Honestly. I had a 719 00:30:53,640 --> 00:30:57,640 Speaker 1: friend who booked a pilot. My goodness, I'm going to say, 720 00:30:57,720 --> 00:30:59,640 Speaker 1: the year is twenty sixteen, and. 721 00:30:59,600 --> 00:31:01,600 Speaker 2: I just grea year to book a pilot, great year 722 00:31:01,600 --> 00:31:02,360 Speaker 2: to book a pride. 723 00:31:02,680 --> 00:31:05,240 Speaker 1: It was that was a different time. That was meaning 724 00:31:06,200 --> 00:31:09,400 Speaker 1: you pilot season very much the thing. But like she 725 00:31:09,480 --> 00:31:11,280 Speaker 1: booked the pilot and I was for me, it was like, 726 00:31:11,320 --> 00:31:15,240 Speaker 1: oh that's possible. Like you don't come from this industry 727 00:31:15,320 --> 00:31:17,240 Speaker 1: or not born of this industry, just kind of hustled 728 00:31:17,320 --> 00:31:19,520 Speaker 1: and did class and had this audition and you book 729 00:31:19,560 --> 00:31:22,240 Speaker 1: this pilot. It was so cool to see. It's inspiring. 730 00:31:22,280 --> 00:31:23,959 Speaker 1: And I do think to your point, I'm like, it 731 00:31:24,000 --> 00:31:26,720 Speaker 1: is it is helpful to be around other creatives to 732 00:31:26,760 --> 00:31:30,240 Speaker 1: be like, oh, the momentum, the creative energy. The people 733 00:31:30,240 --> 00:31:32,600 Speaker 1: who are pursuing their passions in this way and you 734 00:31:32,640 --> 00:31:35,480 Speaker 1: get your own ideas, you become inspired. It's a good 735 00:31:35,560 --> 00:31:36,240 Speaker 1: it is a net. 736 00:31:36,560 --> 00:31:39,800 Speaker 2: Did her pilot get picked up? And that is also 737 00:31:40,200 --> 00:31:42,000 Speaker 2: that is also really important to see, is see your 738 00:31:42,000 --> 00:31:45,680 Speaker 2: friend get her dream and then lose her dream, then 739 00:31:46,040 --> 00:31:48,320 Speaker 2: go back and do another and more shows. 740 00:31:48,400 --> 00:31:50,080 Speaker 1: Oh, let me tell you, Taylor. I when I I 741 00:31:50,080 --> 00:31:52,480 Speaker 1: had done a vision board later that year, my first ever, 742 00:31:52,520 --> 00:31:56,200 Speaker 1: I was like, let me be real specific. Pilot show, 743 00:31:56,240 --> 00:32:01,240 Speaker 1: it's multiple seasons to be very clear, not just it 744 00:32:01,280 --> 00:32:04,200 Speaker 1: made me get real specific, because that isn't And back 745 00:32:04,200 --> 00:32:06,160 Speaker 1: in twenty sixteen, it would be like your friend would 746 00:32:06,160 --> 00:32:07,560 Speaker 1: get a show, someone you know would. 747 00:32:07,320 --> 00:32:10,440 Speaker 2: Get a show, a pilot, whatever, and you'd go and 748 00:32:10,480 --> 00:32:12,760 Speaker 2: they never have to write a word again, and they 749 00:32:12,920 --> 00:32:16,160 Speaker 2: never she's free, she's moved on to the next. And 750 00:32:16,200 --> 00:32:18,920 Speaker 2: then it's really important to see them on the same 751 00:32:18,920 --> 00:32:22,280 Speaker 2: shows as you absolutely you know, promoting and doing that 752 00:32:22,360 --> 00:32:24,040 Speaker 2: where you go, oh, I'll be doing that forever. 753 00:32:24,160 --> 00:32:25,480 Speaker 1: Yes, that's just part of the job. 754 00:32:25,520 --> 00:32:27,720 Speaker 2: I'll be doing that for Yeah. And that that's really hard. 755 00:32:27,800 --> 00:32:31,000 Speaker 2: That's that pill goes down, really, that goes pilles goes 756 00:32:31,000 --> 00:32:31,920 Speaker 2: on dry. Yeah. 757 00:32:32,280 --> 00:32:34,600 Speaker 1: Yeah, when you see that, that's crazy. 758 00:32:34,720 --> 00:32:38,080 Speaker 2: We're like, I have to no one ever like I 759 00:32:38,120 --> 00:32:39,680 Speaker 2: have this conver I feel like I'm always having this 760 00:32:39,720 --> 00:32:42,040 Speaker 2: conversation with friends and they're having they're reminding me that 761 00:32:42,200 --> 00:32:43,640 Speaker 2: of that, and it's like and we love what we 762 00:32:43,720 --> 00:32:46,000 Speaker 2: do and we're lucky to do it, and it is true. 763 00:32:46,000 --> 00:32:49,200 Speaker 2: And then sometimes you go, I hate this. Someone should 764 00:32:49,200 --> 00:32:51,680 Speaker 2: give me something at this point, and that's why someone 765 00:32:51,720 --> 00:32:52,680 Speaker 2: should give me something. 766 00:32:52,720 --> 00:32:54,000 Speaker 1: I know, but you know what, I feel like that 767 00:32:54,080 --> 00:32:56,680 Speaker 1: is true of every single career and as gorgeous, fabulous, 768 00:32:56,680 --> 00:32:59,680 Speaker 1: wonderful as this all appears, and in many ways fucking 769 00:32:59,840 --> 00:33:02,480 Speaker 1: is is yes, dreamy, it's so it's like, yeah, you 770 00:33:02,560 --> 00:33:03,680 Speaker 1: go through those moments you're. 771 00:33:03,560 --> 00:33:05,760 Speaker 2: Like, what the fuck am I doing? Why did I send? This? 772 00:33:05,800 --> 00:33:06,400 Speaker 2: Is awful? 773 00:33:06,880 --> 00:33:08,600 Speaker 1: A fucking shit show. 774 00:33:08,640 --> 00:33:10,280 Speaker 2: And it's at the worst when it's like up to you, 775 00:33:10,320 --> 00:33:13,040 Speaker 2: when it's like on you and it's like your time 776 00:33:13,320 --> 00:33:15,440 Speaker 2: to create something new, you're just gonna like, what do 777 00:33:15,480 --> 00:33:16,080 Speaker 2: you want me to do? 778 00:33:16,320 --> 00:33:18,880 Speaker 1: Yeah, I've done it all for me. 779 00:33:20,040 --> 00:33:21,160 Speaker 2: You're like putting on a little wig. 780 00:33:21,200 --> 00:33:25,920 Speaker 1: You're like, why you why people want? Well? How are 781 00:33:25,920 --> 00:33:26,800 Speaker 1: you with auditioning? 782 00:33:26,840 --> 00:33:31,040 Speaker 2: Though? Auditioning. I think, I I love I think it's 783 00:33:31,320 --> 00:33:32,680 Speaker 2: I really miss when it used to be in person 784 00:33:32,680 --> 00:33:34,080 Speaker 2: because it was like you could go do it for 785 00:33:34,080 --> 00:33:37,160 Speaker 2: fifteen minutes and be like, god, I gave it my 786 00:33:37,240 --> 00:33:39,320 Speaker 2: all that I'm an actress. I'm a working at you. 787 00:33:39,520 --> 00:33:42,040 Speaker 1: Yeah, today I went into an office building. 788 00:33:42,120 --> 00:33:46,080 Speaker 2: I think when you're like doing lot, like when you're writing, 789 00:33:46,320 --> 00:33:49,800 Speaker 2: takes so much discipline showing up to like shows at night, 790 00:33:49,840 --> 00:33:52,200 Speaker 2: if you're a comedian, like agreeing to a show and 791 00:33:52,240 --> 00:33:53,680 Speaker 2: then having to leave the house when a stark out 792 00:33:53,680 --> 00:33:56,680 Speaker 2: in the winter, that's way harder than daytime audition. Yeah, 793 00:33:56,720 --> 00:33:59,440 Speaker 2: my god, oh yeah, oh my goodness. Someone else wrote it. 794 00:34:00,120 --> 00:34:01,880 Speaker 1: Someone else wrote it. God bless someone else. 795 00:34:02,080 --> 00:34:05,640 Speaker 2: I'm schmoozing a little. Yeah. That actually makes me go. 796 00:34:05,880 --> 00:34:10,359 Speaker 2: I worked really hard something really happy day. I love it. 797 00:34:10,440 --> 00:34:16,440 Speaker 2: I did do once because I had been auditioning a bunch, 798 00:34:16,520 --> 00:34:19,640 Speaker 2: but for yeah, like sitcom pilots, that type of thing, 799 00:34:19,680 --> 00:34:22,920 Speaker 2: like card comedy. This was like pre pandemic. And my 800 00:34:22,960 --> 00:34:26,520 Speaker 2: sister is a musical theater person by original trade, and 801 00:34:26,880 --> 00:34:29,000 Speaker 2: she was really hard on herself with auditions, and I'm 802 00:34:29,040 --> 00:34:30,960 Speaker 2: like a girl, you're not even getting paid, Like, yeah, 803 00:34:31,040 --> 00:34:33,799 Speaker 2: fun whatever. Yeah, but she's doing like sixteen bars, like 804 00:34:33,840 --> 00:34:36,000 Speaker 2: all these pages that they have them, do it really intensely, 805 00:34:36,120 --> 00:34:40,880 Speaker 2: you know. And we went in for a rare audition 806 00:34:40,880 --> 00:34:42,560 Speaker 2: where we were like back to back, which like was 807 00:34:42,600 --> 00:34:46,120 Speaker 2: not happening at the time, and it was for a 808 00:34:46,239 --> 00:34:50,799 Speaker 2: musical film, and she was so nervous, and I was 809 00:34:50,800 --> 00:34:52,759 Speaker 2: so like, oh, I never get to do this, Like 810 00:34:52,960 --> 00:34:56,759 Speaker 2: I felt so prepared. I'm like, I sound amazing. She's 811 00:34:56,760 --> 00:34:59,360 Speaker 2: a way better singer than me. We go in and 812 00:34:59,440 --> 00:35:03,760 Speaker 2: I go in first, and I oh, she goes in first. 813 00:35:03,920 --> 00:35:06,600 Speaker 2: She does her audition, It's flawless, she sounds amazing. She 814 00:35:06,719 --> 00:35:09,560 Speaker 2: comes out, she's already beating herself up. She's like, I 815 00:35:09,560 --> 00:35:11,560 Speaker 2: don't know if that was gonna go. That was the 816 00:35:11,600 --> 00:35:14,520 Speaker 2: best audition I've ever heard it because I'm thinking, like 817 00:35:14,560 --> 00:35:17,920 Speaker 2: I'm used to like comedy auditions way loose. Yeah, I 818 00:35:18,000 --> 00:35:20,719 Speaker 2: go in. It's stern in there, okay, And I'm sure 819 00:35:20,760 --> 00:35:24,240 Speaker 2: they're perfectly nice people, but it's austere. It's a different vibe. 820 00:35:24,719 --> 00:35:26,760 Speaker 2: I go in and I'm kind of using my usually 821 00:35:26,800 --> 00:35:31,759 Speaker 2: like hey, so see it, you know, And I do 822 00:35:32,000 --> 00:35:34,359 Speaker 2: my sides or whatever if there are sides, and then 823 00:35:34,360 --> 00:35:38,360 Speaker 2: I do my song and I you know, I'm at 824 00:35:38,400 --> 00:35:40,480 Speaker 2: the end. I think I've killed it, and I they 825 00:35:40,560 --> 00:35:41,840 Speaker 2: kind of are looking at me, They're like, are you 826 00:35:41,840 --> 00:35:43,520 Speaker 2: gonna keep going? And I guess I had like missed 827 00:35:43,520 --> 00:35:47,279 Speaker 2: a whole page and I still was not getting that 828 00:35:47,280 --> 00:35:48,640 Speaker 2: I was meant to feel it Like I was like, 829 00:35:48,920 --> 00:35:51,279 Speaker 2: I was like, oh my gosh, my bad. Do you 830 00:35:51,280 --> 00:35:53,120 Speaker 2: guys want me to start from the top or just 831 00:35:53,120 --> 00:35:54,479 Speaker 2: go right from there? And I'm like, you can start 832 00:35:54,480 --> 00:35:56,960 Speaker 2: from the top. And I was like, incredible. And my 833 00:35:57,040 --> 00:35:59,160 Speaker 2: sister's probably out there listening to this audition and thinking 834 00:35:59,200 --> 00:36:02,800 Speaker 2: this girl is bombed so hard. I still left going 835 00:36:03,640 --> 00:36:08,320 Speaker 2: what I did today was incredible. It was incredible body. 836 00:36:08,480 --> 00:36:10,480 Speaker 1: I feel like it's such good perspective to have because 837 00:36:10,520 --> 00:36:12,319 Speaker 1: it's so easy to be down on auditions. 838 00:36:12,320 --> 00:36:14,279 Speaker 2: Though if I was in if I was in musical theater, 839 00:36:14,360 --> 00:36:16,520 Speaker 2: I probably would I would have a different They are 840 00:36:16,560 --> 00:36:18,920 Speaker 2: like very it's a much more intense space. It is 841 00:36:18,920 --> 00:36:21,319 Speaker 2: a much more like if we don't like truly it 842 00:36:21,320 --> 00:36:24,120 Speaker 2: feels like when when musical theater like Broaday editions, it 843 00:36:24,120 --> 00:36:25,960 Speaker 2: really does feel like they're gonna line us up and 844 00:36:26,000 --> 00:36:30,400 Speaker 2: like it really is scary. But I think coming from you, 845 00:36:30,560 --> 00:36:33,560 Speaker 2: I think doing like TV auditions as way. Yeah, good 846 00:36:33,560 --> 00:36:34,040 Speaker 2: to see you again. 847 00:36:34,040 --> 00:36:35,279 Speaker 1: You're like, it's so I see you. 848 00:36:35,680 --> 00:36:38,600 Speaker 2: Yeah, the sun is shining. We're gonna read half a 849 00:36:38,600 --> 00:36:39,920 Speaker 2: page of dialogue exactly. 850 00:36:40,320 --> 00:36:42,440 Speaker 1: Any questions, No, let's try it. 851 00:36:43,120 --> 00:36:44,799 Speaker 2: I'm just going to give you another one because I'm 852 00:36:44,800 --> 00:36:46,319 Speaker 2: having fun with you, and you're like, I'm having fun 853 00:36:46,360 --> 00:36:46,719 Speaker 2: with you. 854 00:36:47,880 --> 00:36:49,839 Speaker 1: I love that you love auditioning so much. 855 00:36:49,920 --> 00:36:51,880 Speaker 2: I feel like rare, rare breed. 856 00:36:51,880 --> 00:36:54,160 Speaker 1: But to your point, though, if I walked into an 857 00:36:54,160 --> 00:36:57,800 Speaker 1: audition and it's giving save the last dance energy intense 858 00:36:58,200 --> 00:37:00,600 Speaker 1: the table, they're all seated there, like do your thing, 859 00:37:00,719 --> 00:37:03,480 Speaker 1: there's no warmth coming from them. That would That would 860 00:37:03,560 --> 00:37:05,600 Speaker 1: really throw me. It would, and that's not fun. That's 861 00:37:05,640 --> 00:37:06,080 Speaker 1: not fun. 862 00:37:06,200 --> 00:37:08,600 Speaker 2: It's not fun. I think it's gotta be fun. It's 863 00:37:08,600 --> 00:37:12,960 Speaker 2: probably they just I think that the theater world. Probably 864 00:37:12,960 --> 00:37:15,600 Speaker 2: it's particularly musical theater, because it's a harder thing to land, 865 00:37:15,680 --> 00:37:19,680 Speaker 2: Like singing is so scary. I think for them it 866 00:37:19,880 --> 00:37:21,600 Speaker 2: has to be a version of like what we get 867 00:37:21,640 --> 00:37:24,919 Speaker 2: from feeling we did a good job in an easier audition. Yeah, 868 00:37:24,960 --> 00:37:27,080 Speaker 2: you know where you kind of when you go in 869 00:37:27,200 --> 00:37:29,080 Speaker 2: and you don't have to belt at all, and you 870 00:37:29,120 --> 00:37:30,880 Speaker 2: don't have to sob and you don't have to do 871 00:37:30,920 --> 00:37:32,759 Speaker 2: any of that, and you're doing the thing you feel 872 00:37:32,760 --> 00:37:34,640 Speaker 2: comfortable with. But it's still that. Is that like a 873 00:37:34,680 --> 00:37:38,080 Speaker 2: little hit of like that was brave of me? Yeah? 874 00:37:38,160 --> 00:37:40,360 Speaker 2: Well I was pretty brave. 875 00:37:40,160 --> 00:37:40,759 Speaker 1: What I did. 876 00:37:41,440 --> 00:37:42,480 Speaker 2: How do you feel about now? 877 00:37:42,480 --> 00:37:44,440 Speaker 1: We're getting so deep in the actor talk of it all, 878 00:37:44,680 --> 00:37:47,479 Speaker 1: which I tend to do sometimes. How are you about 879 00:37:47,480 --> 00:37:49,839 Speaker 1: getting off book for an audition? Are you committed to 880 00:37:49,880 --> 00:37:51,040 Speaker 1: it or are you like. 881 00:37:51,960 --> 00:37:54,160 Speaker 2: I'm really trying to be more of like a preparer 882 00:37:54,239 --> 00:37:57,640 Speaker 2: and a reader. Okay, like this past year and like 883 00:37:57,680 --> 00:38:03,719 Speaker 2: the years to come, I think I have a whispering 884 00:38:04,080 --> 00:38:05,880 Speaker 2: but I don't want to admit it, kind of because 885 00:38:05,880 --> 00:38:09,280 Speaker 2: I have a bit of a crutch of like I can. 886 00:38:09,520 --> 00:38:12,600 Speaker 2: When I would do smaller roles on things, it was 887 00:38:12,680 --> 00:38:14,799 Speaker 2: easy for me to be like, you know how you'll 888 00:38:14,840 --> 00:38:18,520 Speaker 2: go in You do a like you do a blocking rehearsal, 889 00:38:18,600 --> 00:38:20,040 Speaker 2: and then you do a camera rehearsal and then you 890 00:38:20,040 --> 00:38:23,279 Speaker 2: film it nineteen times. So for me, it's kind of 891 00:38:23,280 --> 00:38:25,279 Speaker 2: like after those two reads, I kind of got it 892 00:38:25,320 --> 00:38:27,680 Speaker 2: in my head, especially if it's like good script people 893 00:38:27,719 --> 00:38:29,680 Speaker 2: are giving you, like good stuff, you're kind of like, oh, 894 00:38:29,719 --> 00:38:32,040 Speaker 2: it's in. And I think the problem with memorizing really 895 00:38:32,120 --> 00:38:34,880 Speaker 2: quickly is like it it becomes something you can kind 896 00:38:34,880 --> 00:38:37,520 Speaker 2: of lean on to not be preparing as much. So 897 00:38:37,560 --> 00:38:40,120 Speaker 2: I am trying to be I honestly want to do 898 00:38:40,880 --> 00:38:43,160 Speaker 2: theater a lot more now that I'm back in New York, 899 00:38:43,239 --> 00:38:45,200 Speaker 2: because I think it would really serve me to do 900 00:38:45,239 --> 00:38:49,680 Speaker 2: something off book for an hour and a half, two hours, 901 00:38:49,800 --> 00:38:51,640 Speaker 2: over and over and over and over and over. Yeah, 902 00:38:51,680 --> 00:38:54,440 Speaker 2: Like I really want to do that, and like, you know, 903 00:38:54,640 --> 00:38:57,960 Speaker 2: discover if you can discover things on camera doing a 904 00:38:57,960 --> 00:39:00,400 Speaker 2: bunch of takes or someone else's coverage, it's yeah, it's 905 00:39:00,400 --> 00:39:03,239 Speaker 2: interesting to see what. But you got to build up 906 00:39:03,280 --> 00:39:05,040 Speaker 2: that discipline. And I am really starting from a place 907 00:39:05,080 --> 00:39:06,040 Speaker 2: of like I came from improv. 908 00:39:06,200 --> 00:39:06,759 Speaker 1: Yeah me too. 909 00:39:06,880 --> 00:39:08,840 Speaker 2: I came from it to boom. 910 00:39:09,160 --> 00:39:11,440 Speaker 1: We do a little bit of you do a team 911 00:39:11,560 --> 00:39:14,440 Speaker 1: practice once a week or something you do. I mean, granted, 912 00:39:14,480 --> 00:39:15,960 Speaker 1: you put in your hours. I don't want to trivialize. 913 00:39:16,040 --> 00:39:16,879 Speaker 2: Oh it's a lot of time. 914 00:39:17,000 --> 00:39:19,959 Speaker 1: But at the same time, I think I've said to people, 915 00:39:19,960 --> 00:39:21,880 Speaker 1: I think one of my favorite things about improv, one 916 00:39:21,920 --> 00:39:24,799 Speaker 1: of my favorite things about improv is that you don't 917 00:39:24,880 --> 00:39:27,359 Speaker 1: really rehearse. You don't And I'm like, and you do 918 00:39:27,400 --> 00:39:31,160 Speaker 1: the thing one time, it's satisfying and also pays zero dollars. 919 00:39:30,920 --> 00:39:33,839 Speaker 2: You're still the least. It's like you cannot there is 920 00:39:33,920 --> 00:39:36,000 Speaker 2: no art form you can monetize less. No, and I 921 00:39:36,000 --> 00:39:38,920 Speaker 2: wouldn't have it any other way. It's so pure, it's 922 00:39:39,040 --> 00:39:42,280 Speaker 2: like and and it's almost the way that it exists 923 00:39:42,400 --> 00:39:45,200 Speaker 2: makes it so that you can't capitalize off of it 924 00:39:45,239 --> 00:39:47,800 Speaker 2: in any way. It's just built that way at its best, 925 00:39:48,440 --> 00:39:51,239 Speaker 2: and you can't capture it in that rocks. But certainly 926 00:39:51,719 --> 00:39:53,600 Speaker 2: when you say one rehearsal week, which is true when 927 00:39:53,600 --> 00:39:55,839 Speaker 2: you're on a house seamoror doing like your rehearsal, you're 928 00:39:55,840 --> 00:39:59,120 Speaker 2: doing your one practice teah practice a week, and that 929 00:39:59,120 --> 00:40:02,840 Speaker 2: that is as diligent as it gets. Yes for improv. 930 00:40:02,880 --> 00:40:04,880 Speaker 1: And I but but then I got on a sketch 931 00:40:04,920 --> 00:40:06,880 Speaker 1: team at UCB, and I was very much like, I 932 00:40:06,880 --> 00:40:08,960 Speaker 1: don't feel like I mean, I showed the same, but 933 00:40:09,000 --> 00:40:10,680 Speaker 1: I'm like, we don't need to run the scene again, 934 00:40:10,800 --> 00:40:11,439 Speaker 1: same same. 935 00:40:11,520 --> 00:40:13,640 Speaker 2: No. I lasted four months. I lasted four months. I 936 00:40:13,680 --> 00:40:16,120 Speaker 2: went this is a lot, I go you guys are 937 00:40:16,160 --> 00:40:16,680 Speaker 2: beating this. 938 00:40:16,760 --> 00:40:18,840 Speaker 1: I'm like, it's not gonna feel it's fun and fresh 939 00:40:18,840 --> 00:40:20,520 Speaker 1: out there if we keep running these lots. 940 00:40:20,520 --> 00:40:21,880 Speaker 2: I feel like it doesn't Like. I think there's like 941 00:40:21,920 --> 00:40:24,839 Speaker 2: amazing sketch out there and an amazing character work out there, 942 00:40:25,120 --> 00:40:27,359 Speaker 2: But to me as the one doing it, it's kind 943 00:40:27,360 --> 00:40:29,359 Speaker 2: of like sports versus watching sports. It's like, okay, well, 944 00:40:29,360 --> 00:40:31,359 Speaker 2: if I'm the one doing it, like I you know, 945 00:40:31,719 --> 00:40:34,440 Speaker 2: it's like this, I've done it a hundred times. Uh, 946 00:40:35,280 --> 00:40:37,919 Speaker 2: I've done this one hundred times. Now it's like fun 947 00:40:37,920 --> 00:40:39,640 Speaker 2: for you to watch. You can't tell the difference, And 948 00:40:39,640 --> 00:40:41,719 Speaker 2: in fact, you're probably liking watching sketch more than you're 949 00:40:41,719 --> 00:40:44,960 Speaker 2: liking watching improv because we figured it all out. It's 950 00:40:45,000 --> 00:40:47,719 Speaker 2: only the hits. But as the person doing it, it's 951 00:40:47,719 --> 00:40:50,480 Speaker 2: obviously way more fun to get like one good improv 952 00:40:50,600 --> 00:40:51,080 Speaker 2: joke off. 953 00:40:51,200 --> 00:40:53,080 Speaker 1: Oh yeah, so satisfy, even. 954 00:40:52,880 --> 00:40:54,279 Speaker 2: If the audience is suffering more. 955 00:40:54,880 --> 00:40:58,040 Speaker 1: Yeah, but that's so sad that one. 956 00:40:57,880 --> 00:41:01,200 Speaker 2: Big improv win. No, I'm on a sketch that can 957 00:41:01,360 --> 00:41:01,800 Speaker 2: that can. 958 00:41:02,080 --> 00:41:05,839 Speaker 1: It's simply simply true. But I think we have this 959 00:41:05,920 --> 00:41:08,320 Speaker 1: in common. But I have to say that theater actors 960 00:41:08,360 --> 00:41:10,960 Speaker 1: are athletes. I think about them. I did a run 961 00:41:10,960 --> 00:41:13,440 Speaker 1: at the Lincoln Center and I was like, this is crazy. 962 00:41:13,640 --> 00:41:15,840 Speaker 2: I saw that show. Yeah you did, oh yeah, gosh mayhem. 963 00:41:16,360 --> 00:41:18,440 Speaker 2: I loved it. But that's what I mean. That's exactly 964 00:41:18,440 --> 00:41:20,320 Speaker 2: what I mean. It is like it really like seeing 965 00:41:20,360 --> 00:41:24,879 Speaker 2: somebody else do something where you go, this person put 966 00:41:24,960 --> 00:41:27,680 Speaker 2: like all their time into it. It's not scary when 967 00:41:27,680 --> 00:41:30,440 Speaker 2: it's good. It's like you know, it's not when you 968 00:41:30,480 --> 00:41:33,160 Speaker 2: see it pay off and you see it be funny, 969 00:41:33,280 --> 00:41:34,200 Speaker 2: it's not scary. 970 00:41:34,320 --> 00:41:37,680 Speaker 1: Yes, well, thank you. It was very stressful going into 971 00:41:37,800 --> 00:41:40,520 Speaker 1: but it is. There's so many barriers to getting started. 972 00:41:40,520 --> 00:41:42,520 Speaker 1: But I needed the pressure of like, this is the date. 973 00:41:42,640 --> 00:41:44,160 Speaker 2: It's on the book. It's on the books. 974 00:41:44,320 --> 00:41:46,200 Speaker 1: And as it crept and crept and crept, I was like, 975 00:41:46,239 --> 00:41:49,799 Speaker 1: oh shit, fuck, I don't have anything, but I need 976 00:41:49,800 --> 00:41:52,600 Speaker 1: that kind of pressure because I'm a big time procrastinator. 977 00:41:53,040 --> 00:41:54,600 Speaker 2: Well, it doesn't sound like it if you're putting dates 978 00:41:54,600 --> 00:41:55,360 Speaker 2: on the books. 979 00:41:55,920 --> 00:41:57,239 Speaker 1: I rarely do, though. 980 00:41:58,280 --> 00:42:00,000 Speaker 2: I'm like, but you're putting dates on the book. 981 00:42:00,120 --> 00:42:02,640 Speaker 1: Your two dates on the books, and then and then 982 00:42:02,680 --> 00:42:05,040 Speaker 1: I'm mad about it. But there's a date on the book. 983 00:42:05,080 --> 00:42:09,400 Speaker 2: It's I'm always I'm always but then when there's nothing 984 00:42:09,440 --> 00:42:12,440 Speaker 2: on the book, I'm sort of at my lowest. I 985 00:42:12,440 --> 00:42:14,719 Speaker 2: think that's most people that I yes, are at their 986 00:42:14,760 --> 00:42:17,719 Speaker 2: lowest when there's nothing when they're and that's where the 987 00:42:17,760 --> 00:42:21,239 Speaker 2: day jobs become comforting. And also then you can kind 988 00:42:21,239 --> 00:42:23,439 Speaker 2: of use the day job to say, this day job 989 00:42:23,480 --> 00:42:26,800 Speaker 2: is the only reason that I'm not achieving something bigger 990 00:42:26,800 --> 00:42:28,880 Speaker 2: than this. This day job is holding me back. I 991 00:42:29,040 --> 00:42:32,560 Speaker 2: would be I would be diligent on my own. Unfortunately, 992 00:42:32,600 --> 00:42:33,200 Speaker 2: I'm employed. 993 00:42:33,239 --> 00:42:36,920 Speaker 1: I have a day job. Okay. I did a casting 994 00:42:36,920 --> 00:42:39,040 Speaker 1: director workshop. Had you ever done any of those before 995 00:42:39,040 --> 00:42:40,080 Speaker 1: they became illegal? 996 00:42:40,360 --> 00:42:43,240 Speaker 2: Wait? I don't think I have. Okay, I don't think. 997 00:42:43,080 --> 00:42:45,040 Speaker 1: That I haven't done a casting director workshop. And I 998 00:42:45,040 --> 00:42:47,840 Speaker 1: did a scene in this casting director was like that 999 00:42:47,960 --> 00:42:50,200 Speaker 1: was great, and she was like turned my head shot 1000 00:42:50,239 --> 00:42:54,319 Speaker 1: over and was like, yeah, so you know, that was 1001 00:42:54,360 --> 00:42:56,759 Speaker 1: really good. But I feel like you don't have representation 1002 00:42:56,840 --> 00:42:58,600 Speaker 1: because you're comfortable. I don't know your life, but you 1003 00:42:58,680 --> 00:43:01,280 Speaker 1: must be comfortable. And I was like, oh my god, 1004 00:43:01,480 --> 00:43:03,680 Speaker 1: she wasn't wrong. I had the most cushy day job. 1005 00:43:04,040 --> 00:43:05,520 Speaker 1: Oh in my own office. 1006 00:43:05,560 --> 00:43:07,200 Speaker 2: She was saying, she was one of those who was like, 1007 00:43:07,360 --> 00:43:08,680 Speaker 2: you have to tear up. 1008 00:43:08,800 --> 00:43:10,279 Speaker 1: You have to tear Yeah, you have to tear up. 1009 00:43:10,280 --> 00:43:12,000 Speaker 1: Plan B. And I was like, well, I'm this I 1010 00:43:12,000 --> 00:43:13,799 Speaker 1: don't really have a plan B. But my day job 1011 00:43:13,920 --> 00:43:17,440 Speaker 1: was way too comfy, cozy. I had an office with 1012 00:43:17,520 --> 00:43:19,799 Speaker 1: a view. The view was of a cemetery. But still, 1013 00:43:19,840 --> 00:43:20,680 Speaker 1: I like, that's. 1014 00:43:20,440 --> 00:43:23,799 Speaker 2: Actually one of my most favorite beautiful views. So but 1015 00:43:23,880 --> 00:43:26,719 Speaker 2: it was a view, nonetheless, And so I which cemetery 1016 00:43:26,760 --> 00:43:27,319 Speaker 2: can I ask? 1017 00:43:27,480 --> 00:43:30,359 Speaker 1: It was the one by Howard Hughes Center in La 1018 00:43:30,440 --> 00:43:33,160 Speaker 1: off the four oh five. There's like a cemetery, like, 1019 00:43:33,200 --> 00:43:35,160 Speaker 1: I've been to that one, Okay, But you also you 1020 00:43:35,200 --> 00:43:38,200 Speaker 1: lived in La. Yes, yeah, thoughts on La versus New 1021 00:43:38,280 --> 00:43:39,520 Speaker 1: York and maybe your thought. 1022 00:43:39,400 --> 00:43:42,040 Speaker 2: Is God, it's like they're so hard to compare. But 1023 00:43:42,200 --> 00:43:43,359 Speaker 2: yet I talk about it all the time. 1024 00:43:43,520 --> 00:43:45,880 Speaker 1: I want to know what your experience wasn't because you 1025 00:43:45,880 --> 00:43:47,359 Speaker 1: did a brief stint in La with it. 1026 00:43:47,880 --> 00:43:51,200 Speaker 2: I did four years, okay, and all my stuff is 1027 00:43:51,239 --> 00:43:54,600 Speaker 2: still there, So in a way, I it's I'm I'm 1028 00:43:54,600 --> 00:43:57,759 Speaker 2: living in spirit And did you break up with someone there? No? 1029 00:43:57,920 --> 00:44:00,759 Speaker 2: I got a job here, I Netflix TIW I'm on 1030 00:44:00,800 --> 00:44:05,360 Speaker 2: films here, and so I came back thinking it was 1031 00:44:05,440 --> 00:44:08,319 Speaker 2: kind of the opposite. I started dating someone and we 1032 00:44:08,320 --> 00:44:12,560 Speaker 2: were long distance. Okay, and U LA me LA in 1033 00:44:12,600 --> 00:44:17,040 Speaker 2: New York. Gotcha? I said, Okay, I'm gonna go. We 1034 00:44:17,080 --> 00:44:19,200 Speaker 2: had been dating for a couple of months. I'm gonna 1035 00:44:19,239 --> 00:44:22,440 Speaker 2: go to New York. I'm gonna film this show and 1036 00:44:22,520 --> 00:44:25,560 Speaker 2: then maybe we'll just like go back to LA and 1037 00:44:25,600 --> 00:44:28,960 Speaker 2: like live together and that'll be the plan. And it 1038 00:44:29,080 --> 00:44:31,839 Speaker 2: just kind of like snuck up on me, Like New York. 1039 00:44:32,400 --> 00:44:34,480 Speaker 2: I hadn't been back for a long stretch of time 1040 00:44:34,520 --> 00:44:37,719 Speaker 2: since I left. I feel like, and I think I 1041 00:44:37,760 --> 00:44:40,960 Speaker 2: was expecting that everything would have changed and that would 1042 00:44:41,000 --> 00:44:43,480 Speaker 2: be hard to accept, but I forget that the East Coast. 1043 00:44:43,560 --> 00:44:45,080 Speaker 2: One of the ways it's different is that like people 1044 00:44:45,400 --> 00:44:48,600 Speaker 2: stay in New York, like, yeah, it is way less turnover, 1045 00:44:48,680 --> 00:44:51,680 Speaker 2: way less transient than in LA. And I think I'd 1046 00:44:51,680 --> 00:44:53,839 Speaker 2: become accustomed to that schedule. And LA is like both 1047 00:44:53,920 --> 00:44:56,080 Speaker 2: like you'll have people move away, but you'll also just 1048 00:44:56,160 --> 00:44:58,920 Speaker 2: have people who like are there a couple months and 1049 00:44:58,920 --> 00:45:01,279 Speaker 2: then they're gone and they're back again, and you run 1050 00:45:01,320 --> 00:45:02,759 Speaker 2: into people and you go, I may not see you 1051 00:45:02,840 --> 00:45:05,560 Speaker 2: again for a couple months, but I know I will again, 1052 00:45:06,440 --> 00:45:09,520 Speaker 2: Which is now how I am with La. But I 1053 00:45:09,520 --> 00:45:11,719 Speaker 2: I came back and I like really just missed everybody 1054 00:45:11,880 --> 00:45:14,319 Speaker 2: and I was having a lot of fun here. And yeah, 1055 00:45:14,360 --> 00:45:16,560 Speaker 2: it also had become kind of convenient. Like I was 1056 00:45:16,600 --> 00:45:19,839 Speaker 2: working in Canada and it's like shorter travel from LA 1057 00:45:20,000 --> 00:45:20,399 Speaker 2: is tough. 1058 00:45:20,400 --> 00:45:22,520 Speaker 1: I will say, yeah, it's tough. 1059 00:45:22,760 --> 00:45:25,239 Speaker 2: It's like a lot. It's a full travel day and 1060 00:45:25,280 --> 00:45:27,640 Speaker 2: then you're going right to a job or something, and 1061 00:45:27,920 --> 00:45:30,480 Speaker 2: it is the most comfortable place to live. Every day 1062 00:45:30,600 --> 00:45:33,880 Speaker 2: is gorgeous. There's nothing more I love than like, wait, 1063 00:45:34,719 --> 00:45:35,840 Speaker 2: wasting a day. 1064 00:45:35,640 --> 00:45:38,160 Speaker 1: In La oh, and everyone's so good at it. 1065 00:45:38,320 --> 00:45:41,480 Speaker 2: Oh, and knowing that it doesn't matter, Tomorrow's going to 1066 00:45:41,520 --> 00:45:45,960 Speaker 2: be gorgeous. So it's a It really offers something beautiful 1067 00:45:45,960 --> 00:45:49,239 Speaker 2: in the way of like everybody, and it slows down 1068 00:45:49,239 --> 00:45:51,799 Speaker 2: the pace. It really makes everyone go, we did one 1069 00:45:51,840 --> 00:45:56,319 Speaker 2: thing today. Let's not make each other feel bad. Let's 1070 00:45:56,400 --> 00:45:59,160 Speaker 2: not anyone push too hard. I all agree. If we 1071 00:45:59,200 --> 00:46:03,040 Speaker 2: all agree, yeah, to do one thing a day, no problem, 1072 00:46:03,080 --> 00:46:03,719 Speaker 2: it can be done. 1073 00:46:03,840 --> 00:46:05,040 Speaker 1: And then we're going to Runyon. 1074 00:46:05,239 --> 00:46:07,480 Speaker 2: Yeah I'm not gonna go to that. 1075 00:46:07,560 --> 00:46:11,120 Speaker 1: But I I lived in LA for twelve years, and 1076 00:46:11,120 --> 00:46:14,000 Speaker 1: I think I went to Runyan Canyon my first time, 1077 00:46:14,160 --> 00:46:15,800 Speaker 1: like nine years. 1078 00:46:15,800 --> 00:46:17,400 Speaker 2: Okay, you weren't hiking at all. 1079 00:46:17,400 --> 00:46:20,200 Speaker 1: I I wasn't because also the hikes are like walks. 1080 00:46:20,200 --> 00:46:22,360 Speaker 1: I'm sure there are real hikes to the hiking community. 1081 00:46:22,400 --> 00:46:24,160 Speaker 2: Don't come for us. I went to running once and 1082 00:46:24,200 --> 00:46:27,160 Speaker 2: I felt like I was climbing vertically up the mountains whatever. 1083 00:46:27,480 --> 00:46:29,560 Speaker 1: Thing. I just my cousin on a hike who is 1084 00:46:29,560 --> 00:46:32,480 Speaker 1: from Jersey at Runyon when she came to visit me. 1085 00:46:32,520 --> 00:46:34,920 Speaker 1: When I was there, she was so mad at me. 1086 00:46:35,080 --> 00:46:37,800 Speaker 1: She was like, we are way too high. 1087 00:46:37,840 --> 00:46:39,080 Speaker 2: What do you mean, like the altitude. 1088 00:46:39,480 --> 00:46:41,040 Speaker 1: She just was like, I'm scared of heights. Like when 1089 00:46:41,040 --> 00:46:42,719 Speaker 1: we got to the top beautiful view, it was like 1090 00:46:43,320 --> 00:46:45,880 Speaker 1: here panic from her. And was like and I was laughing. 1091 00:46:45,920 --> 00:46:48,279 Speaker 1: She's like, this is not funny, this is scary. 1092 00:46:48,320 --> 00:46:49,920 Speaker 2: It is. I guess you should have told her that 1093 00:46:50,000 --> 00:46:51,799 Speaker 2: it's but it's in my mind. It didn't even occur 1094 00:46:51,880 --> 00:46:52,160 Speaker 2: to me. 1095 00:46:52,360 --> 00:46:54,439 Speaker 1: But it didn't occur to me because I'm like, none 1096 00:46:54,440 --> 00:46:55,800 Speaker 1: of these hikes are for real. 1097 00:46:56,200 --> 00:46:58,920 Speaker 2: Yeah, they're like they're soft hikes. They're soft hikes. And 1098 00:46:59,080 --> 00:47:01,399 Speaker 2: the whole point of it is when you're living in LA, 1099 00:47:01,480 --> 00:47:03,919 Speaker 2: you're living in just in California at all, it really 1100 00:47:03,960 --> 00:47:07,440 Speaker 2: is the most beautiful place. You can't believe it. It's like 1101 00:47:08,560 --> 00:47:12,319 Speaker 2: the biodiversity merely among succulents is like crazy. You're like, 1102 00:47:12,320 --> 00:47:15,000 Speaker 2: I've never seen one that color. I've never seen one 1103 00:47:15,040 --> 00:47:18,799 Speaker 2: like that before. Like this is outside my house. Yeah, 1104 00:47:19,040 --> 00:47:22,719 Speaker 2: elementary in every yard. Imagine it is. You have to, 1105 00:47:23,280 --> 00:47:25,600 Speaker 2: I mean, if you can, you have to experience living 1106 00:47:25,600 --> 00:47:28,920 Speaker 2: in California. But then I am sort of like there, 1107 00:47:29,440 --> 00:47:31,040 Speaker 2: you know, I'm sure there's like a lot of like 1108 00:47:31,040 --> 00:47:34,400 Speaker 2: parables written about like living in Paradise and you know 1109 00:47:34,480 --> 00:47:37,239 Speaker 2: the lessons there are for everything being so perfect and yeah, 1110 00:47:37,280 --> 00:47:39,440 Speaker 2: what that means? And I asked my partners from San 1111 00:47:39,480 --> 00:47:41,919 Speaker 2: Diego and I was like, do you have They've lived 1112 00:47:41,960 --> 00:47:45,080 Speaker 2: in New York since twenty eighteen, but before that like 1113 00:47:45,080 --> 00:47:47,080 Speaker 2: always like lived in La lived in San Diego. I 1114 00:47:47,120 --> 00:47:51,160 Speaker 2: was like, do you have like when the season's changed 1115 00:47:51,200 --> 00:47:55,719 Speaker 2: on the East Coast, do you get nostalgic pangs of 1116 00:47:56,040 --> 00:47:59,800 Speaker 2: like memories and like sense memory? And they were like, no, 1117 00:48:00,080 --> 00:48:03,640 Speaker 2: have any of that from growing up? And I was like, whoa, yeah, rock, 1118 00:48:03,719 --> 00:48:04,960 Speaker 2: that's rocked my world for weeks. 1119 00:48:05,080 --> 00:48:08,759 Speaker 1: Not having seasons is I grew up in Baltimore and 1120 00:48:08,800 --> 00:48:11,440 Speaker 1: I'm like, we had seasons all four very hard, dude. Yeah, 1121 00:48:11,520 --> 00:48:13,719 Speaker 1: that we went hard on winter, hard, on summer, hard 1122 00:48:13,719 --> 00:48:17,719 Speaker 1: on spring. So when people are like, no, it's the 1123 00:48:17,800 --> 00:48:21,600 Speaker 1: tracking of time just feels different just there because. 1124 00:48:21,320 --> 00:48:24,040 Speaker 2: Of the m there's a numb yeah, and I'm sure 1125 00:48:24,160 --> 00:48:26,560 Speaker 2: and the holidays are anything and it ends you out 1126 00:48:26,600 --> 00:48:26,799 Speaker 2: of it. 1127 00:48:27,120 --> 00:48:29,600 Speaker 1: Do you miss La in a real way or in 1128 00:48:29,640 --> 00:48:32,080 Speaker 1: a kind of like I'll be back and kind of both. 1129 00:48:32,120 --> 00:48:34,680 Speaker 2: I feel like lately it's been getting warm here and 1130 00:48:34,719 --> 00:48:37,160 Speaker 2: it's making me think of La of it, Like today 1131 00:48:37,280 --> 00:48:39,920 Speaker 2: is like a gorgeous spring day, and I am being like, Oh, 1132 00:48:40,000 --> 00:48:43,360 Speaker 2: that's what they're experiencing over there, that's so fun. Yeah, 1133 00:48:44,440 --> 00:48:48,040 Speaker 2: But I also think, I don't know, it's also a 1134 00:48:48,080 --> 00:48:49,520 Speaker 2: place that, even though it does change a lot and 1135 00:48:49,560 --> 00:48:51,720 Speaker 2: people cycle through a lot, then you go and it's 1136 00:48:51,800 --> 00:48:53,440 Speaker 2: the same feeling of like, oh my god, it's like 1137 00:48:53,480 --> 00:48:55,399 Speaker 2: I'm not missing anything the way I wasn't missing anything 1138 00:48:55,400 --> 00:48:57,399 Speaker 2: when I was there and y'all were here, Like I'm 1139 00:48:57,600 --> 00:49:01,560 Speaker 2: you know, I like, I'm definitely probably missing fun times, 1140 00:49:01,600 --> 00:49:02,840 Speaker 2: but you guys aren't going to tell me exactly what 1141 00:49:02,920 --> 00:49:04,880 Speaker 2: happened to what I missed. You'll never be so cruel. 1142 00:49:04,920 --> 00:49:07,920 Speaker 1: Oh do you when you see uh people getting together 1143 00:49:07,920 --> 00:49:10,560 Speaker 1: on Instagram? You're not there? Do you feel any semblance 1144 00:49:10,560 --> 00:49:12,280 Speaker 1: of fomo in general as a concept. 1145 00:49:12,360 --> 00:49:14,560 Speaker 2: It's so hard because New York is so fun. Yeah, 1146 00:49:14,600 --> 00:49:16,160 Speaker 2: it's such a fun place to live, and it really 1147 00:49:16,200 --> 00:49:19,239 Speaker 2: occupies your brain a lot. And unfortunately people in New 1148 00:49:19,320 --> 00:49:20,640 Speaker 2: York are and this has not changed, Like people in 1149 00:49:20,640 --> 00:49:23,000 Speaker 2: New York are doing like nineteen things a day, back 1150 00:49:23,040 --> 00:49:25,400 Speaker 2: to back to back to back. So time is passing 1151 00:49:26,320 --> 00:49:28,840 Speaker 2: so fat that I have noticed since being back, I 1152 00:49:28,880 --> 00:49:31,360 Speaker 2: am kind of like time is moving really really really. 1153 00:49:31,120 --> 00:49:33,600 Speaker 1: Way too fast, way too too fast, way way way 1154 00:49:33,600 --> 00:49:35,759 Speaker 1: too fast. I I when I lived in LA and 1155 00:49:35,800 --> 00:49:37,960 Speaker 1: I just romanticize living in New York. I wanted to 1156 00:49:37,960 --> 00:49:40,160 Speaker 1: live in New York so badly. I'm like Emman East coastco. 1157 00:49:40,239 --> 00:49:41,520 Speaker 1: I have to get to New York. I want to 1158 00:49:41,520 --> 00:49:44,480 Speaker 1: be in New York. I used to feel fomo. 1159 00:49:44,760 --> 00:49:45,040 Speaker 2: I don't. 1160 00:49:45,080 --> 00:49:46,759 Speaker 1: I'm not a person who suffers from fomo. But I 1161 00:49:46,800 --> 00:49:49,319 Speaker 1: would just like I'd look at the clock in LA 1162 00:49:49,360 --> 00:49:51,719 Speaker 1: and I'd be like, it's it'd be five o'clock and 1163 00:49:51,760 --> 00:49:53,239 Speaker 1: I'm like, but it's eight pm in New York. 1164 00:49:53,280 --> 00:49:57,480 Speaker 2: They're already in I think about, I will know it's 1165 00:49:57,520 --> 00:49:59,359 Speaker 2: only I will sometimes have that feeling of like it's 1166 00:49:59,360 --> 00:50:02,800 Speaker 2: only one. Yeah, it's only one. In LA, like okay, 1167 00:50:03,000 --> 00:50:05,600 Speaker 2: they have so many chances to make better choices than 1168 00:50:05,640 --> 00:50:10,000 Speaker 2: I have. The last three hours I've wasted another day. Yeah, 1169 00:50:10,040 --> 00:50:12,080 Speaker 2: New York, I would get fomo sometimes because I had 1170 00:50:12,120 --> 00:50:14,080 Speaker 2: context for living here when I lived in LA, where 1171 00:50:14,120 --> 00:50:16,520 Speaker 2: if I saw really good New York night or like 1172 00:50:16,520 --> 00:50:20,160 Speaker 2: somewhere somewhere really fun, like, yeah, I would get New 1173 00:50:20,239 --> 00:50:24,480 Speaker 2: York fomo. Yeah, but I don't really get that abou La. 1174 00:50:24,600 --> 00:50:27,120 Speaker 2: LA doesn't really do that, though, ye, LA does it 1175 00:50:27,719 --> 00:50:30,320 Speaker 2: New York. I think thinks a bit more about the comparison. 1176 00:50:30,360 --> 00:50:32,040 Speaker 2: People always say this like people in LA are not 1177 00:50:32,080 --> 00:50:34,319 Speaker 2: thinking about New York, and they're not. They're not if 1178 00:50:34,320 --> 00:50:35,560 Speaker 2: you haven't lived there, they're not thinking. 1179 00:50:35,640 --> 00:50:37,879 Speaker 1: I think if I think the comparison comes if you've 1180 00:50:37,920 --> 00:50:40,320 Speaker 1: lived in either place, you've had close people come. So 1181 00:50:40,480 --> 00:50:42,520 Speaker 1: I'm like, if you're from New York and you've never 1182 00:50:42,560 --> 00:50:44,600 Speaker 1: been to LA, don't give a damn about LA. You're not, 1183 00:50:44,880 --> 00:50:47,319 Speaker 1: you don't care, You're you're not worried about comparison. Same 1184 00:50:47,360 --> 00:50:49,120 Speaker 1: for people in LA who are like this is home. 1185 00:50:49,239 --> 00:50:49,759 Speaker 1: I love it. 1186 00:50:50,000 --> 00:50:51,640 Speaker 2: I'm never really living like I'm. 1187 00:50:51,400 --> 00:50:54,640 Speaker 1: Not interested in comparing the two fair enough, I do 1188 00:50:54,719 --> 00:50:57,680 Speaker 1: think though, having lived in both have an adoration for 1189 00:50:57,760 --> 00:51:01,880 Speaker 1: both places. I'm like, I did feel New York fomam like, oh, 1190 00:51:01,920 --> 00:51:04,719 Speaker 1: they're having it there, it's fun over there, And being 1191 00:51:04,760 --> 00:51:07,080 Speaker 1: in New York it hasn't so much occurred to me 1192 00:51:07,080 --> 00:51:08,960 Speaker 1: except for like maybe once or twice when I was 1193 00:51:08,960 --> 00:51:11,320 Speaker 1: working on a Saturday and like seeing all my friends 1194 00:51:11,320 --> 00:51:13,200 Speaker 1: in LA got together and it's nice. 1195 00:51:13,320 --> 00:51:16,000 Speaker 2: I know, I but I also think because we're from 1196 00:51:16,040 --> 00:51:19,000 Speaker 2: the East Coast, there's also like I think probably my 1197 00:51:19,040 --> 00:51:21,239 Speaker 2: partner is experiencing that for La in a way that 1198 00:51:21,800 --> 00:51:23,200 Speaker 2: it would take us too long to catch up to 1199 00:51:23,239 --> 00:51:26,200 Speaker 2: that like, yeah, to feeling familiar about a place that 1200 00:51:26,680 --> 00:51:28,160 Speaker 2: I think probably for people who aren't from the East 1201 00:51:28,160 --> 00:51:30,240 Speaker 2: Coast who moved to New York as their big city. 1202 00:51:31,080 --> 00:51:32,919 Speaker 2: If you're from California, then you moved to New York, 1203 00:51:32,960 --> 00:51:35,880 Speaker 2: maybe it's taking you forever to adjust to like what 1204 00:51:36,200 --> 00:51:37,719 Speaker 2: being on the East Coast feels like, or living on 1205 00:51:37,719 --> 00:51:39,920 Speaker 2: the East Coast feels like where I do feel like 1206 00:51:40,160 --> 00:51:42,680 Speaker 2: That's another thing. I think that, like everyone, I always 1207 00:51:42,680 --> 00:51:44,160 Speaker 2: felt like everyone who lived in New York for the 1208 00:51:44,160 --> 00:51:48,960 Speaker 2: most part was from New York, New Jersey, Maryland. Yeah, 1209 00:51:49,000 --> 00:51:52,960 Speaker 2: it's true, like everyone, It's true. And so you're seeing 1210 00:51:53,000 --> 00:51:55,120 Speaker 2: people who like, were raised really similarly to you have 1211 00:51:55,200 --> 00:51:58,239 Speaker 2: really similar context for things. LA is not like that 1212 00:51:58,280 --> 00:51:59,960 Speaker 2: as much. You have like your La people and your 1213 00:52:00,040 --> 00:52:03,719 Speaker 2: California people, but then you have people from truly everywhere. Yeah, 1214 00:52:03,760 --> 00:52:06,920 Speaker 2: so it is way more like take it or leave it. Yeah, 1215 00:52:07,040 --> 00:52:08,799 Speaker 2: like it here. It's it's here whether you want it 1216 00:52:08,880 --> 00:52:11,040 Speaker 2: or not. If you don't get it, that's okay. Yeah. 1217 00:52:11,080 --> 00:52:12,719 Speaker 2: And in New York it feels a lot more like 1218 00:52:13,680 --> 00:52:15,520 Speaker 2: I when I feel like I'm feeling fomo, it's like, 1219 00:52:15,800 --> 00:52:18,080 Speaker 2: but those people, like, we have so many similar touchstones 1220 00:52:18,080 --> 00:52:20,919 Speaker 2: and we have such similar childhoods. It's like that. It's 1221 00:52:20,960 --> 00:52:24,239 Speaker 2: like that, Like I feel kind of defensive of the 1222 00:52:24,239 --> 00:52:27,080 Speaker 2: East Coast in a lot of ways. And then now 1223 00:52:27,160 --> 00:52:28,560 Speaker 2: I have a bunch of like because of comedy, like 1224 00:52:28,560 --> 00:52:32,319 Speaker 2: Midwestern friends who add like a thirdgo element to it. Yeah, 1225 00:52:32,320 --> 00:52:35,560 Speaker 2: and they're experiencing both cities. Like right now, the Midwesterners 1226 00:52:35,560 --> 00:52:36,960 Speaker 2: I know are doing New York for the first time. 1227 00:52:37,160 --> 00:52:39,080 Speaker 1: Oh yeah, I'm saying a lot of that. 1228 00:52:39,520 --> 00:52:41,440 Speaker 2: Yeah, so it's fun to be here because you're kind 1229 00:52:41,440 --> 00:52:45,480 Speaker 2: of feeling like, oh, everyone's here. Yeah, But and then 1230 00:52:45,480 --> 00:52:46,920 Speaker 2: i'm I go, and then I feel bad. I go, 1231 00:52:46,960 --> 00:52:49,359 Speaker 2: Am I just following the swing of the party? Am 1232 00:52:49,360 --> 00:52:52,440 Speaker 2: I just going? Am I being fickle? Am I following? Taylor? 1233 00:52:52,480 --> 00:52:54,120 Speaker 1: How are you doing without your stuff? 1234 00:52:55,360 --> 00:52:58,480 Speaker 2: Also, it's really hard not having stuff. Your stuff is now, 1235 00:52:58,840 --> 00:53:01,239 Speaker 2: I mean stuff I need myself. When is the last 1236 00:53:01,239 --> 00:53:03,239 Speaker 2: time you've had to furnish a whole apartment? Because it's like, 1237 00:53:03,600 --> 00:53:04,359 Speaker 2: not it. 1238 00:53:04,640 --> 00:53:06,320 Speaker 1: The last time I had to furnish the whole apartment 1239 00:53:06,480 --> 00:53:09,080 Speaker 1: was twenty twenty. No, So I moved here and then 1240 00:53:09,120 --> 00:53:10,719 Speaker 1: I lived in a spot for two years, and then 1241 00:53:10,760 --> 00:53:11,480 Speaker 1: I moved. 1242 00:53:11,200 --> 00:53:13,160 Speaker 2: To sublet it furnished. Yeah two years? 1243 00:53:13,239 --> 00:53:16,840 Speaker 1: No, I got you got a Heidi Gardener like, gave 1244 00:53:16,880 --> 00:53:19,640 Speaker 1: me her couch or yeah. She was trying to get 1245 00:53:19,680 --> 00:53:20,719 Speaker 1: rid of her stuff and I was like, you can 1246 00:53:20,719 --> 00:53:21,879 Speaker 1: have it if you want, and I was like, yes, 1247 00:53:21,960 --> 00:53:23,040 Speaker 1: I love in a shit studio. 1248 00:53:23,080 --> 00:53:24,960 Speaker 2: I live in Midtown. I'll take whatever. 1249 00:53:26,400 --> 00:53:30,839 Speaker 1: Midtown equivalent LA equivalent of Hollywood and Highland. Why would 1250 00:53:30,840 --> 00:53:31,480 Speaker 1: I move there? 1251 00:53:31,560 --> 00:53:33,879 Speaker 2: I kind of get it, like you're there for work. 1252 00:53:33,920 --> 00:53:35,480 Speaker 2: And then it's also like I was on like near 1253 00:53:35,560 --> 00:53:37,359 Speaker 2: like twenty third Street the other day, and I used 1254 00:53:37,360 --> 00:53:39,879 Speaker 2: to work around there so much, spend so much time there, 1255 00:53:39,920 --> 00:53:42,040 Speaker 2: and I was feeling like nostalgic for Madison Square Park 1256 00:53:42,040 --> 00:53:44,760 Speaker 2: and I was like, live here, yeah, yeah, live in midtown. 1257 00:53:45,239 --> 00:53:46,880 Speaker 1: Listen. It was a special time. 1258 00:53:47,080 --> 00:53:47,400 Speaker 2: It was. 1259 00:53:47,480 --> 00:53:48,439 Speaker 1: I did COVID there. 1260 00:53:49,160 --> 00:53:51,840 Speaker 2: Okay, that's a wild that's really crazy. 1261 00:53:52,239 --> 00:53:54,719 Speaker 1: But it's years ago. So it's been like it's been 1262 00:53:54,719 --> 00:53:57,200 Speaker 1: like five six years since I've furnished. So you're furnishing 1263 00:53:57,200 --> 00:53:58,800 Speaker 1: a whole new Yeah. 1264 00:53:58,840 --> 00:54:02,840 Speaker 2: I don't have like any hairs, and that's super crazy. 1265 00:54:02,840 --> 00:54:04,399 Speaker 2: You think I don't need chairs. I have a catch. 1266 00:54:04,440 --> 00:54:07,000 Speaker 2: I have a bed. I can sit on the bed chairs. 1267 00:54:07,080 --> 00:54:09,040 Speaker 1: The funny thing is I might not need chairs because 1268 00:54:09,080 --> 00:54:11,239 Speaker 1: I don't. I want to sit in my I want 1269 00:54:11,239 --> 00:54:12,440 Speaker 1: to be in my bed at all times. 1270 00:54:13,560 --> 00:54:15,640 Speaker 2: And I am functionally in my bed a lot. But yeah, 1271 00:54:15,680 --> 00:54:18,279 Speaker 2: living with like when you live as someone who's not 1272 00:54:18,440 --> 00:54:20,200 Speaker 2: who is like, I can't sit in my bed all day, 1273 00:54:20,200 --> 00:54:25,120 Speaker 2: you go toally, I would never sit that's crazy. Sits 1274 00:54:25,120 --> 00:54:29,000 Speaker 2: in bed all day, slovenly animal? What's in their vet 1275 00:54:29,000 --> 00:54:29,480 Speaker 2: all day? Like? 1276 00:54:30,160 --> 00:54:33,560 Speaker 1: I feel like I am in bed so often that 1277 00:54:34,480 --> 00:54:39,080 Speaker 1: when I and I FaceTime a lot. I'm but I'm embarrassed. Well, 1278 00:54:39,239 --> 00:54:41,120 Speaker 1: I'm lying, I'm not really embarrassed. I think this is 1279 00:54:41,160 --> 00:54:42,520 Speaker 1: what I feel. I feel like a part of me 1280 00:54:42,600 --> 00:54:46,640 Speaker 1: should be embarrassed that someone who's face timed me last 1281 00:54:46,680 --> 00:54:49,640 Speaker 1: week is facetiming me again, like three weeks later, and 1282 00:54:49,680 --> 00:54:51,279 Speaker 1: it's like, oh, this bitch is in bed again. 1283 00:54:52,520 --> 00:54:54,160 Speaker 2: You know you're on bed the whole time. Did you 1284 00:54:54,200 --> 00:54:57,080 Speaker 2: ever have be real? I didn't, but I know, be real, 1285 00:54:57,120 --> 00:55:00,480 Speaker 2: be real? I started it, stop using it like everything. 1286 00:55:00,560 --> 00:55:03,279 Speaker 2: But my uh a friend of mine said something that 1287 00:55:03,320 --> 00:55:05,839 Speaker 2: like I think about now every day where she was like, 1288 00:55:06,040 --> 00:55:07,480 Speaker 2: I really like it because you get to see how 1289 00:55:07,560 --> 00:55:09,319 Speaker 2: many people are just like home most of the time. 1290 00:55:09,560 --> 00:55:12,160 Speaker 1: Yeah, it's I mean, yes, And before someone said that, 1291 00:55:12,200 --> 00:55:14,320 Speaker 1: I went, I'm the most at home. 1292 00:55:15,920 --> 00:55:17,520 Speaker 2: Who's ever existed. Yeah. 1293 00:55:17,920 --> 00:55:19,719 Speaker 1: Yeah, but did you any feel any shame about it? 1294 00:55:19,760 --> 00:55:22,200 Speaker 1: Because I'm like, I love being a homebody. 1295 00:55:22,480 --> 00:55:25,080 Speaker 2: I feel I feel shame about going out. I feel 1296 00:55:25,080 --> 00:55:26,960 Speaker 2: shame about being at home. I don't know what the 1297 00:55:26,960 --> 00:55:29,000 Speaker 2: balance is. The older I get, the less I care. Yeah, okay, 1298 00:55:29,080 --> 00:55:31,200 Speaker 2: the older I get, the more I'm just like I'm tired. 1299 00:55:31,440 --> 00:55:35,320 Speaker 1: Yeah, it doesn't matter. I'm kind of yes, this is 1300 00:55:35,360 --> 00:55:37,640 Speaker 1: my thing is I'm pro homebody. But the fact that 1301 00:55:37,680 --> 00:55:40,319 Speaker 1: I'm in bed all the time, Like if I'm not 1302 00:55:41,239 --> 00:55:44,359 Speaker 1: out and about, I'm getting in bed, I'm changing out 1303 00:55:44,400 --> 00:55:46,360 Speaker 1: of my street clothes of course, softer pants. 1304 00:55:46,400 --> 00:55:49,360 Speaker 2: Yes, yeah, I like being in my bed. I like 1305 00:55:49,400 --> 00:55:51,680 Speaker 2: my bedroom. I like eating in there. 1306 00:55:51,880 --> 00:55:52,719 Speaker 1: I eat in my bed. 1307 00:55:52,840 --> 00:55:55,600 Speaker 2: I like watching stuff on a screen that there's bigger 1308 00:55:55,640 --> 00:55:58,560 Speaker 2: screens in the house. Same but I'm on a little tailor. 1309 00:55:58,600 --> 00:56:01,520 Speaker 1: Are we kindred spirits? Because like laptop, give me there 1310 00:56:01,600 --> 00:56:04,520 Speaker 1: is I have on my belly. Yes, the heat of 1311 00:56:04,520 --> 00:56:06,759 Speaker 1: the laptop on the belly right in front of my 1312 00:56:07,000 --> 00:56:08,920 Speaker 1: right here. I also don't have a heating pad from 1313 00:56:08,960 --> 00:56:11,680 Speaker 1: the shoulders. Its hot, hot all around. 1314 00:56:12,160 --> 00:56:13,080 Speaker 2: I have that as well. 1315 00:56:13,120 --> 00:56:15,120 Speaker 1: But then my TV in my living room. I got 1316 00:56:15,120 --> 00:56:17,400 Speaker 1: the most massive TV. I had a neighbor helped me 1317 00:56:17,480 --> 00:56:20,720 Speaker 1: like like unbox it when I got it five years ago, 1318 00:56:20,960 --> 00:56:23,239 Speaker 1: and he was like a big TV. And I'm like, 1319 00:56:23,280 --> 00:56:25,360 Speaker 1: for a girl who don't watch TV and has to 1320 00:56:25,400 --> 00:56:26,680 Speaker 1: watch on laptop. 1321 00:56:26,320 --> 00:56:29,080 Speaker 2: That's for guests. For the guests, that's for guests. That's 1322 00:56:29,120 --> 00:56:30,320 Speaker 2: where when you have a lot of people sitting in 1323 00:56:30,320 --> 00:56:32,319 Speaker 2: the room. Everyone needs to see the TV. Yeah, when 1324 00:56:32,320 --> 00:56:35,000 Speaker 2: it's just me watching TV, it's like I want to 1325 00:56:35,280 --> 00:56:39,120 Speaker 2: be laying all the way down like legs and I 1326 00:56:39,120 --> 00:56:41,080 Speaker 2: want the cool sheets. I don't want the couch. 1327 00:56:41,200 --> 00:56:43,040 Speaker 1: Yeah I don't either. I got a couch that feels 1328 00:56:43,080 --> 00:56:44,560 Speaker 1: like a bed because I was like, this is going 1329 00:56:44,560 --> 00:56:47,680 Speaker 1: to incentivize me to get out of bed. And guess 1330 00:56:47,719 --> 00:56:48,680 Speaker 1: what didn't work? 1331 00:56:48,880 --> 00:56:51,360 Speaker 2: If anything, it's it becomes a problem, Like now, this 1332 00:56:51,440 --> 00:56:53,720 Speaker 2: is a problem I haven't had before where I'm falling asleep. 1333 00:56:54,200 --> 00:56:56,040 Speaker 2: I mean I've had it in the past other places, 1334 00:56:56,040 --> 00:56:57,719 Speaker 2: but falling asleep on the couch instead of in the 1335 00:56:57,760 --> 00:56:58,239 Speaker 2: bed and then. 1336 00:56:58,160 --> 00:56:59,800 Speaker 1: Having to get up in the middle. 1337 00:57:00,880 --> 00:57:01,320 Speaker 2: Yeah. 1338 00:57:02,120 --> 00:57:05,080 Speaker 1: See, well here's I Also, here's the thing. Sometimes I 1339 00:57:05,120 --> 00:57:08,080 Speaker 1: don't feel like getting ready for bed period, say long day. 1340 00:57:08,160 --> 00:57:10,240 Speaker 1: I have to make up on have to brush my teeth, 1341 00:57:10,480 --> 00:57:13,840 Speaker 1: but I'm so tired. Tell me if this is crazy. 1342 00:57:13,880 --> 00:57:16,240 Speaker 1: Perhaps this is a great segue into the segment. Okay, 1343 00:57:16,280 --> 00:57:19,880 Speaker 1: that's nice, but what about me? Okay, okay, is every 1344 00:57:19,960 --> 00:57:22,720 Speaker 1: once in a while we'll just not have the energy 1345 00:57:22,760 --> 00:57:25,160 Speaker 1: to get ready for bed, can't conceive of it. Floss, 1346 00:57:25,160 --> 00:57:27,760 Speaker 1: brush my teeth, wash my face, take crazy my hair, 1347 00:57:27,800 --> 00:57:28,720 Speaker 1: What are you talking about? 1348 00:57:28,840 --> 00:57:29,240 Speaker 2: So long? 1349 00:57:29,320 --> 00:57:33,080 Speaker 1: So I will take a nap. It will be like 1350 00:57:33,120 --> 00:57:36,880 Speaker 1: a one am nap. Set the alarm. It's like twelve 1351 00:57:36,960 --> 00:57:39,320 Speaker 1: fifty seven. I'll set the alarm for one thirty am 1352 00:57:39,520 --> 00:57:41,640 Speaker 1: to wake me up to properly get ready for bed. 1353 00:57:41,680 --> 00:57:42,720 Speaker 2: I do that all the time. I do at like 1354 00:57:42,760 --> 00:57:45,160 Speaker 2: four am. I'll get up at four and I'll do it. 1355 00:57:45,320 --> 00:57:47,320 Speaker 2: But I go, I'm washing my face tonight. Yeah you 1356 00:57:47,360 --> 00:57:47,600 Speaker 2: got to. 1357 00:57:47,680 --> 00:57:48,280 Speaker 1: I'll break out. 1358 00:57:48,320 --> 00:57:50,800 Speaker 2: I go do this for three more hours. Every I'll 1359 00:57:50,800 --> 00:57:53,680 Speaker 2: turn into just said, an absolute hideous beast. 1360 00:57:53,800 --> 00:57:56,680 Speaker 1: But works. But it works. It works, and people like 1361 00:57:56,680 --> 00:57:58,560 Speaker 1: that's so chatic. Just do it and be done with it. 1362 00:57:58,600 --> 00:58:00,440 Speaker 1: And I'm like, I'm that tired. 1363 00:58:00,480 --> 00:58:02,520 Speaker 2: I need and I do the full get ready for bed. 1364 00:58:02,560 --> 00:58:04,200 Speaker 2: I do believe in the full get ready for bed. 1365 00:58:04,440 --> 00:58:07,080 Speaker 2: I think on a night where I cannot, like a 1366 00:58:07,160 --> 00:58:10,920 Speaker 2: really hard like you worked like long day, whatever, really 1367 00:58:10,960 --> 00:58:12,800 Speaker 2: hard day. For once in a while, I have a 1368 00:58:12,840 --> 00:58:15,520 Speaker 2: second moisturizer next to my bed, and I have like 1369 00:58:15,640 --> 00:58:18,480 Speaker 2: wipes if I need. But I don't believe in the wipe. 1370 00:58:18,600 --> 00:58:20,520 Speaker 2: I don't believe in wipe only. I don't believe in 1371 00:58:20,520 --> 00:58:20,800 Speaker 2: the white. 1372 00:58:20,800 --> 00:58:21,560 Speaker 1: I don't I don't know. 1373 00:58:21,600 --> 00:58:22,040 Speaker 2: It doesn't. 1374 00:58:22,120 --> 00:58:24,320 Speaker 1: I was gonna say, you're so brave to see you. 1375 00:58:24,400 --> 00:58:25,840 Speaker 2: I don't believe I yeah, because. 1376 00:58:25,680 --> 00:58:27,720 Speaker 1: I also yeah, I'm like, the wipe is not enough. 1377 00:58:27,760 --> 00:58:29,640 Speaker 1: The wipe is simply not enough. I will break out. 1378 00:58:29,680 --> 00:58:31,760 Speaker 1: This will be a problem. I will, so we don't 1379 00:58:31,800 --> 00:58:33,520 Speaker 1: come later. I have one right now. You have one 1380 00:58:33,600 --> 00:58:36,040 Speaker 1: from from sleeping in makeup or from hair. 1381 00:58:36,360 --> 00:58:40,200 Speaker 2: From actually it might be from hair touching. From hair touching. 1382 00:58:40,400 --> 00:58:42,360 Speaker 2: Have you seen the videos where it's like a girl 1383 00:58:42,800 --> 00:58:45,160 Speaker 2: and she can't really be asleep, but a girl comes 1384 00:58:45,160 --> 00:58:48,440 Speaker 2: home and then her boyfriend puts what looks like this 1385 00:58:48,560 --> 00:58:52,080 Speaker 2: little it's like a little plastic tub, like soft inflatable 1386 00:58:52,120 --> 00:58:55,320 Speaker 2: tub under her neck in her bed and does hurt. 1387 00:58:55,160 --> 00:58:57,840 Speaker 1: Like oh, I know, well she's got to marry him. 1388 00:58:58,000 --> 00:59:01,000 Speaker 2: Full face wash does the hole getting ready for a 1389 00:59:01,000 --> 00:59:03,000 Speaker 2: bed while she's sleeping, and then puts one of those 1390 00:59:03,080 --> 00:59:05,480 Speaker 2: you know those the hair dryers that you put on 1391 00:59:05,560 --> 00:59:07,480 Speaker 2: and then you stick the thing in and it. 1392 00:59:07,240 --> 00:59:08,680 Speaker 1: Is like oh yeah, yeah, yeah yeah. 1393 00:59:10,720 --> 00:59:12,320 Speaker 2: Then puts one of those on so she also has 1394 00:59:12,400 --> 00:59:14,640 Speaker 2: dry hair for bed. It's crazy. It's like my dream. 1395 00:59:14,680 --> 00:59:15,720 Speaker 2: I see those videos. 1396 00:59:15,560 --> 00:59:18,040 Speaker 1: It's like I've I would be is that is that 1397 00:59:18,080 --> 00:59:19,240 Speaker 1: AI or it's real? 1398 00:59:19,320 --> 00:59:22,120 Speaker 2: I think it's real. I've seen a couple of creators 1399 00:59:22,520 --> 00:59:25,960 Speaker 2: do it. I think the most My partner has brushed 1400 00:59:25,960 --> 00:59:29,640 Speaker 2: my teeth in bed for me. Marry them. Yes, has 1401 00:59:29,680 --> 00:59:30,760 Speaker 2: brushed my teeth in bed for me. 1402 00:59:30,800 --> 00:59:32,440 Speaker 1: But it happened one time because it's like hard to 1403 00:59:32,480 --> 00:59:35,120 Speaker 1: do it is it's hardy you spin into cup. 1404 00:59:35,400 --> 00:59:37,400 Speaker 2: I probably I think I swallowed it. 1405 00:59:37,520 --> 00:59:39,720 Speaker 1: Damn can't be swallowing toothpaste. 1406 00:59:39,720 --> 00:59:41,680 Speaker 2: You can't be. That's the thing. It's not never toothpakee 1407 00:59:41,720 --> 00:59:43,720 Speaker 2: with the plaque in it. I know it's not an 1408 00:59:43,720 --> 00:59:47,520 Speaker 2: every night solution, but at the time, I go, yeah, 1409 00:59:47,520 --> 00:59:49,680 Speaker 2: I wasn't going to get up. Yeah, I just was 1410 00:59:49,880 --> 00:59:50,560 Speaker 2: going to get up. 1411 00:59:50,720 --> 00:59:53,840 Speaker 1: I've I've romanticized someone getting me ready for bed. I 1412 00:59:53,840 --> 00:59:56,000 Speaker 1: think it's so messed up that after a long day 1413 00:59:56,840 --> 00:59:59,600 Speaker 1: you're expecting it is so messed U. 1414 01:00:00,080 --> 01:00:02,560 Speaker 2: Also getting ready of her bed is different, Like it's 1415 01:00:02,600 --> 01:00:05,280 Speaker 2: different for everybody but mine. I would say, like takes 1416 01:00:05,440 --> 01:00:07,080 Speaker 2: too long for me to justify. 1417 01:00:07,080 --> 01:00:09,760 Speaker 1: Sometimes I have a whole process and my friends will 1418 01:00:09,800 --> 01:00:12,040 Speaker 1: be I call friends on FaceTime to do it because 1419 01:00:12,080 --> 01:00:14,720 Speaker 1: it's a nice distraction from me for me and I'll 1420 01:00:14,720 --> 01:00:16,840 Speaker 1: be like, you stay on the phone with me while 1421 01:00:16,840 --> 01:00:19,480 Speaker 1: I do this. And my one friend was like, you 1422 01:00:19,520 --> 01:00:22,520 Speaker 1: are the most face washingest person I've ever seen. I mean, 1423 01:00:22,560 --> 01:00:27,360 Speaker 1: there are steps. I'm flossing every single night, every single night. 1424 01:00:27,680 --> 01:00:28,880 Speaker 1: I want to keep my teeth. 1425 01:00:29,080 --> 01:00:32,240 Speaker 2: Yeah, yeah, yeah, oh I want to keep my teeth too. 1426 01:00:32,280 --> 01:00:34,640 Speaker 2: And it's something you don't think about in your twenties. 1427 01:00:34,960 --> 01:00:37,640 Speaker 1: Yeah, it's just that I had braces, and because I 1428 01:00:37,880 --> 01:00:40,360 Speaker 1: saw what braces did to some people's teeth, like maybe 1429 01:00:40,400 --> 01:00:42,200 Speaker 1: they're straightened, but like there's a lot of other things 1430 01:00:42,240 --> 01:00:44,840 Speaker 1: going on now. I just that's when I picked up 1431 01:00:44,880 --> 01:00:48,000 Speaker 1: on flossing in dental hygiene, was having braces. So it 1432 01:00:48,040 --> 01:00:49,800 Speaker 1: was like a gift and a curse. I mean mostly 1433 01:00:49,840 --> 01:00:52,720 Speaker 1: gift frankly having braces. Yeah, well, it's never a gift. 1434 01:00:52,880 --> 01:00:55,440 Speaker 1: They're so expensive. Yeah, and I was fourteen and insurance 1435 01:00:55,440 --> 01:00:57,120 Speaker 1: didn't cover it back then, so shout out to my 1436 01:00:57,160 --> 01:00:57,800 Speaker 1: mom my. 1437 01:00:57,840 --> 01:01:01,200 Speaker 2: God. Yeah, I actually don't know much braces costs, but 1438 01:01:01,280 --> 01:01:03,600 Speaker 2: our parents make it sound like it's a lot as 1439 01:01:03,640 --> 01:01:04,240 Speaker 2: much as the house. 1440 01:01:04,320 --> 01:01:07,440 Speaker 1: Five thousand dollars. That's like the mortgage times whatever. 1441 01:01:07,520 --> 01:01:09,720 Speaker 2: I don't even know who. Yeah, And that was and 1442 01:01:09,720 --> 01:01:11,640 Speaker 2: that was back then, like then, and that was back then. 1443 01:01:11,640 --> 01:01:13,400 Speaker 2: What do braces probably cost now fifty k? 1444 01:01:13,880 --> 01:01:18,000 Speaker 1: They're college to fifty k? You racist probably getting your 1445 01:01:18,040 --> 01:01:18,760 Speaker 1: teeth fixed. 1446 01:01:18,880 --> 01:01:21,600 Speaker 2: Get your teeth fix. Honestly, I would get your tea. 1447 01:01:22,520 --> 01:01:24,920 Speaker 1: And I were zooming yesterday and he was like he 1448 01:01:25,080 --> 01:01:28,000 Speaker 1: essentially who was such a proponent of college for all 1449 01:01:28,040 --> 01:01:31,280 Speaker 1: of us, was low key like it's a scam and 1450 01:01:31,360 --> 01:01:33,439 Speaker 1: the school's cost too much. And I so hearing him 1451 01:01:33,480 --> 01:01:36,280 Speaker 1: say this all these years later, I was like, Yeah, 1452 01:01:36,360 --> 01:01:38,240 Speaker 1: get your teeth fixed, and that's it. 1453 01:01:38,320 --> 01:01:40,440 Speaker 2: If you're if you're gonna be like a doctor, a lawyer, 1454 01:01:41,200 --> 01:01:45,080 Speaker 2: consider school. Yeah, consider if you're anyone else considered beautiful 1455 01:01:45,080 --> 01:01:50,040 Speaker 2: teeth because it's people are you know, uh, there's nothing 1456 01:01:50,080 --> 01:01:52,680 Speaker 2: like presentation obviously such an important part of being taken seriously. 1457 01:01:52,840 --> 01:01:55,080 Speaker 2: You know that in psychology that is a big That 1458 01:01:55,240 --> 01:01:56,960 Speaker 2: is c because you went to school for real stuff, 1459 01:01:57,920 --> 01:01:59,720 Speaker 2: because you were taking like math scientists. 1460 01:02:00,120 --> 01:02:03,120 Speaker 1: Well this was in high school, gratis public high school. God, 1461 01:02:03,640 --> 01:02:06,480 Speaker 1: the school was Gratia. I mean, taxpayers paid for my schooling. 1462 01:02:06,560 --> 01:02:09,520 Speaker 2: But really, yeah, it's really good. Why do we didn't 1463 01:02:09,560 --> 01:02:13,200 Speaker 2: have that? But yeah, that is I think for most 1464 01:02:13,200 --> 01:02:14,720 Speaker 2: things it's like you, we learned, we all learned that 1465 01:02:14,720 --> 01:02:15,960 Speaker 2: you don't need to go to school, and then so 1466 01:02:16,000 --> 01:02:17,480 Speaker 2: many of us went to college that it kind of 1467 01:02:17,480 --> 01:02:19,520 Speaker 2: became like, oh, everyone has a college degree. It's not 1468 01:02:19,560 --> 01:02:21,800 Speaker 2: even like a competitive edge anymore. Why did I get 1469 01:02:21,840 --> 01:02:22,240 Speaker 2: this thing? 1470 01:02:22,520 --> 01:02:26,200 Speaker 1: Unnecessary but also maybe good for you? So don't listen 1471 01:02:26,240 --> 01:02:30,160 Speaker 1: to me? Right, actually does love My sister loves school. 1472 01:02:30,240 --> 01:02:32,920 Speaker 1: My sister was school. I've talked about this on the podcast. 1473 01:02:34,080 --> 01:02:35,680 Speaker 1: Everyone's different, some. 1474 01:02:35,560 --> 01:02:38,320 Speaker 2: People really like and thank god that exists. Yes, you 1475 01:02:38,360 --> 01:02:40,320 Speaker 2: can say I'm not sure yet, because there's been so 1476 01:02:40,400 --> 01:02:43,960 Speaker 2: much of my life where I'm not sure what next. God, 1477 01:02:44,160 --> 01:02:46,080 Speaker 2: like most of your twenties, you're just sort of like 1478 01:02:46,160 --> 01:02:48,240 Speaker 2: someone should let me know what I should do next. 1479 01:02:49,080 --> 01:02:52,640 Speaker 2: And thank goodness for improv class. I know. Improv class 1480 01:02:53,000 --> 01:02:56,160 Speaker 2: is really if you find your path in improv class. Yeah, 1481 01:02:56,200 --> 01:02:58,200 Speaker 2: I mean it's a lot cheaper than college. 1482 01:02:58,280 --> 01:02:59,200 Speaker 1: Yes, try that. 1483 01:02:59,240 --> 01:02:59,680 Speaker 2: I try that. 1484 01:03:00,040 --> 01:03:02,200 Speaker 1: I did improv with someone who was like telling their 1485 01:03:02,200 --> 01:03:03,960 Speaker 1: parents they were getting their masters. It was a lie. 1486 01:03:03,960 --> 01:03:06,640 Speaker 1: But because they were an improv getting masters and. 1487 01:03:07,400 --> 01:03:10,680 Speaker 2: Your master's only cost three and you have books, we 1488 01:03:10,720 --> 01:03:11,280 Speaker 2: support this. 1489 01:03:11,320 --> 01:03:11,800 Speaker 1: It is so great. 1490 01:03:11,800 --> 01:03:13,840 Speaker 2: It don't anymore. Im provate costs a lot more now, 1491 01:03:13,880 --> 01:03:17,360 Speaker 2: but back then it was like you could get you know, 1492 01:03:17,480 --> 01:03:19,600 Speaker 2: you could talks a parent into getting it for you 1493 01:03:19,640 --> 01:03:20,080 Speaker 2: for Christmas. 1494 01:03:20,120 --> 01:03:21,800 Speaker 1: R Yes, improv degrees. 1495 01:03:21,880 --> 01:03:22,480 Speaker 2: Let us go. 1496 01:03:22,560 --> 01:03:25,120 Speaker 1: Well, I'm happy to have had you today. Thank you 1497 01:03:25,400 --> 01:03:25,760 Speaker 1: so much. 1498 01:03:26,880 --> 01:03:29,080 Speaker 2: You have the most beautiful teeth of maybe anyone I've 1499 01:03:29,120 --> 01:03:32,240 Speaker 2: ever matched. So it's really work. It is. 1500 01:03:32,560 --> 01:03:37,160 Speaker 1: I still were my retainers sometimes, but that's for another time. 1501 01:03:38,160 --> 01:03:40,160 Speaker 1: No no, no, no, no, I need to put it. 1502 01:03:40,240 --> 01:03:41,360 Speaker 2: I haven't. I haven't worn it. 1503 01:03:41,400 --> 01:03:44,200 Speaker 1: And sometimes because I thought like surely after sixteen years 1504 01:03:44,200 --> 01:03:48,280 Speaker 1: without I were my retainer for a math sixteen years 1505 01:03:48,880 --> 01:03:51,080 Speaker 1: and I stopped during COVID, which I feel like during COVID, 1506 01:03:51,160 --> 01:03:53,240 Speaker 1: other people like pandemic lockdown. 1507 01:03:52,920 --> 01:03:54,440 Speaker 2: I stopped. You were kind of saying like when do 1508 01:03:54,480 --> 01:03:55,320 Speaker 2: I take the retainer out of it? 1509 01:03:55,400 --> 01:03:56,800 Speaker 1: I was like to get I was like, why am 1510 01:03:56,800 --> 01:03:58,680 Speaker 1: I wearing this? And I and I stopped wearing and 1511 01:03:58,720 --> 01:04:01,240 Speaker 1: then dentists recently was like, no need to that's forever. 1512 01:04:01,560 --> 01:04:03,360 Speaker 2: Yeah, people, that's so funny that like there were people 1513 01:04:03,360 --> 01:04:07,120 Speaker 2: who were like coming out as like gay during pandemic 1514 01:04:07,160 --> 01:04:09,720 Speaker 2: fully transitioning. You're like, and I kind of decided I'm like, 1515 01:04:09,800 --> 01:04:12,680 Speaker 2: I'm not a retainer person anymore. I learned about myself 1516 01:04:12,720 --> 01:04:16,120 Speaker 2: as well. I'm not wearing a retainer also kind of 1517 01:04:16,120 --> 01:04:17,760 Speaker 2: like a big awakening. Huge. 1518 01:04:18,000 --> 01:04:20,440 Speaker 1: I still have it but for when I want to dabble. 1519 01:04:20,520 --> 01:04:21,840 Speaker 2: But yeah, yeah, I keep it. 1520 01:04:21,880 --> 01:04:25,000 Speaker 1: Thank you, Taylor. I'm so excited to see you in 1521 01:04:25,280 --> 01:04:26,920 Speaker 1: your show and thank you for doing this. 1522 01:04:27,600 --> 01:04:28,120 Speaker 2: Well. 1523 01:04:28,600 --> 01:04:29,600 Speaker 1: Watch it April night. 1524 01:04:29,640 --> 01:04:31,680 Speaker 2: Please watch it please. 1525 01:04:31,880 --> 01:04:35,120 Speaker 1: Taylor is begging you. 1526 01:04:35,520 --> 01:04:36,560 Speaker 2: Please you guys. 1527 01:04:43,160 --> 01:04:46,200 Speaker 1: That was my conversation with Taylor or Tega. That was 1528 01:04:46,320 --> 01:04:48,680 Speaker 1: very fun for me. I hope you enjoyed. If you 1529 01:04:48,680 --> 01:04:50,840 Speaker 1: want advice from me and my next guest, we haven't 1530 01:04:50,840 --> 01:04:52,800 Speaker 1: given out advice since some time, but we'd love to 1531 01:04:52,800 --> 01:04:55,880 Speaker 1: give out advice. I'm speaking for me and my future guests. 1532 01:04:56,080 --> 01:04:59,000 Speaker 1: Please call us and leave a voice message at five 1533 01:04:59,120 --> 01:05:03,600 Speaker 1: zero two t Dads, five zero two, tax Dads. That's 1534 01:05:03,600 --> 01:05:06,520 Speaker 1: five zero two, Thanks Dads. We'd love to give you advice. 1535 01:05:06,720 --> 01:05:07,640 Speaker 1: Thank you for listening. 1536 01:05:07,920 --> 01:05:10,200 Speaker 2: See you next time. Thanks Dad. 1537 01:05:10,240 --> 01:05:12,360 Speaker 1: Is a production of Will Ferrell's Big Money Players and 1538 01:05:12,480 --> 01:05:16,400 Speaker 1: iHeart Podcasts. I'm your host, Aego wodem Our producer is 1539 01:05:16,480 --> 01:05:19,840 Speaker 1: Kevin Bartelt and our executive producer is Matt appadaka