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Speaker 1: Welcome to pod meets Twirl, the Dancing with the Stars

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Speaker 1: recap hosted by two guys who.

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Speaker 2: Can't dance don't want to dance.

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Speaker 1: And I've now seen three episodes of Dancing with the Stars.

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Speaker 1: But since our best friend Danielle has joined the cast

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Speaker 1: for season thirty.

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Speaker 2: Four, we're going all in.

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Speaker 1: Where Wilfred Ell and Ryder Strong aka the two dudes

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Speaker 1: standing next to Topanga aka Danielle Fishal's backup aka the Daniettes.

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Speaker 2: Hello, Will Daniette, Hello Rider dan Yette.

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Speaker 3: How are you.

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Speaker 2: I'm feeling Daniette. I always feel Daniette. Yeah, is this

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Speaker 2: gonna use morning?

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Speaker 1: And she said, good, We're gonna use it like Smurf Smurfy.

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Speaker 1: You're looking Smurfy. You're looking dan Yette.

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Speaker 4: Do you remember when they tried to do the other

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Speaker 4: smurfs the snorks?

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Speaker 2: You remember the snorts? It was underwater. How can they talk?

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Speaker 2: It doesn't make sense.

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Speaker 4: I had so many questions about snork Village, whatever the

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Speaker 4: hell it was called.

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Speaker 2: One woman did have one snorket too.

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Speaker 4: And Smurfet there was only one one woman in the

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Speaker 4: Smurf village as well, and they're all trying not.

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Speaker 2: To get eaten by Gargamel. It's dark up. Think about smurfs.

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Speaker 2: Most taste so good. Dude, He's willing to dedicate all

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Speaker 2: that time and energy, and.

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Speaker 4: I think if they're prepared, right, I try one? Yeah,

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Speaker 4: me too, Like just one? Come on, there was one

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Speaker 4: smurf there, nobody the crappy smurf or whatever that everybody

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Speaker 4: could have tried one of those.

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Speaker 2: Yeah, all right.

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Speaker 1: This is important stuff. At nine in the morning, Dad's

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Speaker 1: In with the Stars, Episode three, How you feeling?

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Speaker 2: Don't get me started. This show is starting to piss

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Speaker 2: me off. Shows really starting to piss me off.

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Speaker 1: We're good, good, good, We're getting angry. Okay, show can

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Speaker 1: you talk about while you're angry? Do you want to

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Speaker 1: save it for when we're going through the dances?

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Speaker 3: Well?

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Speaker 4: No, I mean my overall anger with the show is

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Speaker 4: I feel like half of the cast are professional dancers.

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Speaker 2: Yeah, and that pisses me. It really makes me angry.

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Speaker 4: Where you get people like Dilan Ephron or Danielle or

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Speaker 4: people or or Andy where it's like, hey, look at

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Speaker 4: the progress, saying mate, this is great, And then you

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Speaker 4: get people who've been dancing their entire lives and get

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Speaker 4: paid to dance and it's like, come on.

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Speaker 1: So it's interesting because Carrie Ann actually kind of reference

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Speaker 1: that this episode when she was sort of categorizing them

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Speaker 1: as you're in the beginner's category. Yeah, you're And I

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Speaker 1: was like, well, that's interesting, But I guess it's built

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Speaker 1: into the show. So I don't I don't know if

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Speaker 1: it pisses me off so much as it just seems

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Speaker 1: like kind of a sandwich of two different shows.

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Speaker 2: You know, but that's the thing.

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Speaker 4: It makes you wonder, if you know, can somebody I mean,

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Speaker 4: I thought, and again this is having seen exactly as

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Speaker 4: much Dancing with the Stars as you have at this point.

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Speaker 4: I thought the point was like a bunch of people

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Speaker 4: who taking a bunch of people who can't dance and

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Speaker 4: teaching them how to dance. Right, if you're doing If

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Speaker 4: I'm watching Top Chef and half of them are people

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Speaker 4: who've never been in the kitchen and the other half

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Speaker 4: have gone to culinary school, right, that's not as good

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Speaker 4: a show to me.

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Speaker 1: It's tricky though, because somebody like Jordan, right, who's coming

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Speaker 1: in with so much athleticism.

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Speaker 2: But that's not dancing. It's not dancing.

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Speaker 1: But she's clearly going to be doing different things than

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Speaker 1: Danielle is even capable of doing. Course, and yet she's

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Speaker 1: still learning how to dance to a certain degree. And

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Speaker 1: she's right, but that's different than a professional dancer, like

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Speaker 1: I would argue, you can't. And this might be a

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Speaker 1: strange thing to say, but we've talked about this before

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Speaker 1: when it comes to like magicians, where they say it's

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Speaker 1: easier to take an entertainer and teach the magic than

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Speaker 1: it is to take a magician and teach him how

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Speaker 1: to entertain. So Jordan might have physical attributes that Danielle

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Speaker 1: won't be able to do, but she'll never be the

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Speaker 1: entertainer that Danielle is.

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Speaker 2: But they're still on that level of dance. But this

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Speaker 2: is why they.

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Speaker 1: Have those you know, the popular vote, right, this is

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Speaker 1: why they were the judges and the popular vote.

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Speaker 2: And I guess get that there was some math.

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Speaker 1: That we did last week that kind of explained to this,

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Speaker 1: but it does seem like there's a fifty to fifty

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Speaker 1: split so that people, you know, have a shot even

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Speaker 1: just for the popularity and for their progress, you know,

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Speaker 1: I think they're hoping that that sort of balances out

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Speaker 1: in the end as far as who gets eliminated, right.

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Speaker 5: Can I ask you guys, Can I ask you guys

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Speaker 5: a question as to the argument that people make, like

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Speaker 5: against this, saying that, I mean, Hilario doesn't count because

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Speaker 5: she has ballroom experience, but that just because Whitney went

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Speaker 5: to school for dance, it wasn't in ballroom.

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Speaker 2: No, and no, that's not an argument at all.

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Speaker 4: That's like saying, because I went to culinary school and

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Speaker 4: just learned Italian, I won't know how to cook Mexican. Well,

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Speaker 4: if you know how to cook, then you're already you're

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Speaker 4: already ten steps ahead of somebody who doesn't know how

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Speaker 4: to cook.

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Speaker 3: Yeah, I see that. I see that in baseball too.

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Speaker 5: It's like just because you're you know, you play baseball,

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Speaker 5: you've been to bat, you can hit a fastball. Just

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Speaker 5: because a curve is coming, doesn't mean I don't think

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Speaker 5: you're better than me.

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Speaker 1: Right right, I think that the argument would be it's

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Speaker 1: more like taking a baseball player and making them play basketball.

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Speaker 2: Like maybe it's I mean, I.

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Speaker 4: Don't know, I don't know, but it was that coupled

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Speaker 4: with not liking any of the music, and and I'm

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Speaker 4: I'm very much not a TikTok fan.

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Speaker 2: I think it's frankly destroying an entire generation of people.

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Speaker 2: So that this whole week annoyed me.

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Speaker 1: F well, okay, yeah, but the TikTok thing was really intense.

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Speaker 1: It was it's not my scene and made me feel

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Speaker 1: very old.

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Speaker 2: Yeah.

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Speaker 1: I also just felt like kind of a giant ad

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Speaker 1: for TikTok.

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Speaker 2: You know, can we Is anybody gonna be critical of this? No,

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Speaker 2: of course not.

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Speaker 1: It felt like it was brought to you by TikTok,

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Speaker 1: which I guess it probably was, right, Yeah, it was.

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Speaker 2: So it was just like a TikTok fest, which I

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Speaker 2: found a little you know this to me.

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Speaker 4: And again people are gonna be like, there's no equivalency,

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Speaker 4: but there is absolutely equivalency. This was a week brought

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Speaker 4: to you by cigarettes, Like like, literally, this is what

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Speaker 4: this would have been. But dancing with the Stars sponsored

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Speaker 4: by Marlboro.

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Speaker 2: That's what this would have been.

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Speaker 4: Everybody's gonna smoke before they dance, exactly. I mean that's

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Speaker 4: what this is to be with TikTok.

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Speaker 1: So I will say I think I enjoyed the production

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Speaker 1: of this week better than the other week, as I

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Speaker 1: don't disagree.

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Speaker 4: I had some of the I had some problems with

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Speaker 4: some outfits this week interesting and one of them is

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Speaker 4: our best friend.

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Speaker 2: I was really Oh, I did not like her dress.

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Speaker 2: I did not I did not like the way she

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Speaker 2: dressed this week. I was not a fan of Danielle's

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Speaker 2: outfit this week.

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Speaker 4: Okay for the first time, because now I'm noticing this

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Speaker 4: stuff and I'm like.

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Speaker 2: I don't like that dress. All right, let's get into it. Yeah,

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Speaker 2: let's do it.

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Speaker 1: And our first up dancer are first dancing partner. Oh

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Speaker 1: my god, I can't talk.

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Speaker 2: First, you're talking about TikTok.

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Speaker 1: The TikTok, the tips, the tip of the talk talk

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Speaker 1: the tip, the that's tag model now j and Yan Revnik.

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Speaker 1: They danced to a song which was the same one

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Speaker 1: that apparently had made her a TikTok star because she

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Speaker 1: danced right after giving birth. They showed a little clip

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Speaker 1: of her dancing around in her hospital gown.

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Speaker 2: Hospital gown. She's still doing tiktoks in the hospital.

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Speaker 1: Yeah, it was, I mean, you know what I mean,

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Speaker 1: this is her story, right, because she's eight kids.

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Speaker 2: How many kids does she have?

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Speaker 3: No?

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Speaker 2: She gave her really recently. She's only like nine weeks

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Speaker 2: out of give me barefoot in the hospital. Weird. They

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Speaker 2: did the Chacha cha too, She's a bad mama Jama.

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Speaker 2: What do you think? I actually liked it again, I

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Speaker 2: mean again, I think so.

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Speaker 4: One of the things I noticed, especially with this dance,

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Speaker 4: so we've started two weeks in a row where the

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Speaker 4: first dance has been really good, and so you're starting

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Speaker 4: high energy and we're jumping right in.

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Speaker 2: I thought it looked great. Again. I wasn't a fan

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Speaker 2: of the song.

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Speaker 4: But then when it got to judging, wet we heard

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Speaker 4: the judging and Sue and I looked at each other

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Speaker 4: and went, oh, Okay, they're going to start getting harsher,

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Speaker 4: like they're they're going to start critiquing way.

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Speaker 1: More exactly what I thought. I was like, this feels

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Speaker 1: a little low because it was like the gloves were off,

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Speaker 1: like she's being held to a higher standard.

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Speaker 3: Now.

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Speaker 1: Yes, yeah, I thought I thought it was a good dance.

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Speaker 1: I thought it probably could have been scored a little

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Speaker 1: bit higher. Me too, me to you know, the whole

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Speaker 1: fake belly thing kind of made me uncomfortable.

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Speaker 2: It was weird. I get what they're doing, you know.

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Speaker 4: Obviously she's supposed to be it's a throwback to her

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Speaker 4: original video so yeah, I got it, but yes, it

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Speaker 4: kind of made.

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Speaker 2: Me a little bit uncomfortable as well. Yeah, because on

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Speaker 2: one hand, you're like should you be dancing with that bit?

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Speaker 2: And then it's like, oh, it's fake. They're ripping it off.

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Speaker 2: And then it's like, well, where'd the baby go? No,

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Speaker 2: I don't worried about this.

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Speaker 1: They just we went from like you know, I don't know.

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Speaker 1: It's like either stick with the belly the whole dance

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Speaker 1: or just don't.

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Speaker 2: I don't know. It's a little weird visual for me.

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Speaker 2: I agree, but the dance was good.

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Speaker 4: I mean they're personable, and again I think she has

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Speaker 4: she's a TikTok dancer.

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Speaker 3: Yep.

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Speaker 2: I think soever goes first is always in a bad

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Speaker 2: position too.

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Speaker 1: I think so takeaway is like you never don't go first,

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Speaker 1: Like the judges are just not warmed up. Everybody feels,

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Speaker 1: you know, it just feels like it's an unhair position.

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Speaker 4: I have a big overall question for you, and producer

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Speaker 4: Jensen can jump in as well, because I Susan and

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Speaker 4: I got into a discussion about this. If you are

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Speaker 4: famous for dancing on TikTok and you get sponsorship and

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Speaker 4: you get deals, and you do all that stuff? Are

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Speaker 4: you then a professional dancer because you're getting paid to

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Speaker 4: do TikTok dances?

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Speaker 2: Is that a professional dancer?

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Speaker 1: No?

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Speaker 6: Can I make an argument?

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Speaker 2: Please?

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Speaker 6: So a lot of TikTok dances people are only dancing

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Speaker 6: from the waist up, a lot like all like these

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Speaker 6: big right TikTok dances are not including your feet, which

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Speaker 6: sounds weird, but it's all waist up. It's like arm

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Speaker 6: movements and stuff like that.

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Speaker 4: So then you could you argue that Michael Flatley, lord

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Speaker 4: of the dance, who only dances from the waist down,

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Speaker 4: is not a professional dancer?

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Speaker 2: Will you?

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Speaker 3: Are?

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Speaker 2: You are getting into it?

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Speaker 3: I mean he moved, he moves his feet.

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Speaker 5: I mean I hate to be a person who defends

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Speaker 5: river dance on a podcast. He does technically move his

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Speaker 5: feet up and down.

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Speaker 4: No, no, no, But that's what I'm saying is if

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Speaker 4: it's only half of your body. So the argument for

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Speaker 4: producer Tara is that TikTok dances are only the waist up,

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Speaker 4: So Michael flat only dances the waist down.

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Speaker 3: But feed are the recipe of.

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Speaker 2: Dancing, sir, aren't they? Also?

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Speaker 3: Wait, you're talking about the Vogue or something? What dance.

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Speaker 2: Are you referencing dancing break dancing?

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Speaker 4: A lot of times you're doing stuff popping and locking

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Speaker 4: that's just up top.

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Speaker 2: How is that not professional dancing?

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Speaker 6: Well, that's also having musicality.

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Speaker 7: Right, See this is where this is where also it

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Speaker 7: starts crushing the most TikTok dancing that you're doing a

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Speaker 7: dance that somebody else has already done, like that you're

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Speaker 7: imitating like that.

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Speaker 2: Don't just got to invent it, right, right?

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Speaker 1: But I think the point of TikTok most of the

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Speaker 1: time is that you somebody else has already done a

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Speaker 1: dance video and you do your.

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Speaker 3: And someone has to be the first.

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Speaker 5: It can't just be for like a movie or TV

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Speaker 5: show like there's usually a choreographer who started it.

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Speaker 6: Yeah, or like somebody does a dance trend and you

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Speaker 6: like they credit them and yeah, so yeah, it keeps going.

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Speaker 2: Right, But my original question holds.

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Speaker 4: So if you become famous for doing TikTok dances, even

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Speaker 4: somebody else's TikTok dances, and you're not making billions of

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Speaker 4: you have millions of followers, and you're making millions of

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Speaker 4: dollars doing TikTok dances, aren't you a professional dancer.

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Speaker 5: I mean, the argument is are you being paid for it?

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Speaker 5: And does that make you a professional?

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Speaker 4: Yeah?

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Speaker 2: I don't.

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Speaker 1: I mean I feel like it's something different, right, It's

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Speaker 1: not like you auditioned for a dance company.

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Speaker 2: It's not like you take discipline which TikTok doesn't have.

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Speaker 3: Or what if what if you're a writer.

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Speaker 5: What if you're a writer at home and you finally

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Speaker 5: get published in a magazine and you get paid for it,

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Speaker 5: Are you a professional writer?

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Speaker 2: Yes?

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Speaker 4: Yes?

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Speaker 5: So if I'm a dancer and I dance at home

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Speaker 5: and I get paid for dancing in my professional dancer.

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Speaker 2: Yes, hm. That's my argument is yes you are.

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Speaker 4: I mean it might be the platform might be different

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Speaker 4: than it ever has been before, but social.

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Speaker 2: Media, that's what is the rule of Dancing with the

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Speaker 2: Stars that you can't be a professional dancer to be

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Speaker 2: on the celebrity side or it.

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Speaker 3: You know, it's been vague, it's been vague.

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Speaker 4: I mean, yeah, I don't, you know, don't I guess

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Speaker 4: none of this matters and it's all okay if the

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Speaker 4: judges take all of that into consideration, like if the

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Speaker 4: three the three people that start are going to get

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Speaker 4: eights across the board, say, and then Andy comes up

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Speaker 4: and can get eights across the board by just improving,

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Speaker 4: then I'm fine with it, which I think we're doing.

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Speaker 3: I think we're I think they're judging the journey.

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Speaker 2: I hope so, I hope so.

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Speaker 4: But I think it seems like because when they showed

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Speaker 4: the last girl that danced that that won last year,

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Speaker 4: who was a big part of this this episode.

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Speaker 2: Yeah, she's a professional TikTok dancer. Correct, well yeah.

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Speaker 3: Two years ago.

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Speaker 6: Yeah, yeah, two years ago. Okay, but she never did ballroom,

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Speaker 6: so she was So that's also another argument that people

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Speaker 6: have is like growing up, you can take like hip

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Speaker 6: hop classes, jazz classes, but ballroom is completely different.

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Speaker 2: Yeah, I will to me. Are you not entertained? I am?

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Speaker 2: But the point is entertainment. The point is people what

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Speaker 2: I want to know the But it's a competition. It's

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Speaker 2: a competition. Is a competition.

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Speaker 1: But I think the point is that the popular vote

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Speaker 1: balances all this out right.

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Speaker 3: Yeah, and beyond Andy wouldn't beyond.

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Speaker 2: Yeah, the judge.

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Speaker 1: I don't disagree that they get to explain their thinking

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Speaker 1: and they are being very open, like you're a beginner

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Speaker 1: and you're making great progress. Therefore I'm going to rate

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Speaker 1: you according I'm assuming, and then somebody you know that

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Speaker 1: is a professional there like you are a professional.

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Speaker 2: You can do better where you're you know, I will

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Speaker 2: better about the whole thing.

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Speaker 4: If in the finals at least one of the couples

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Speaker 4: is somebody that isn't one of these professionals.

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Speaker 2: I think that'll be the truth. I mean, I don't know,

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Speaker 2: I haven't seen the show.

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Speaker 1: I feel like there's probably two tracks and then the

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Speaker 1: professional dancer wins me.

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Speaker 2: And if that's the case, right right, But if that's

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Speaker 2: the case, if it's.

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Speaker 4: At least fair going forward, But I mean, if American

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Speaker 4: Idol becomes half people that are just looking for a

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Speaker 4: break and half people that have record contracts and that

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Speaker 4: are professional singers, it changes the show. So I'm just

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Speaker 4: I again, I want somebody like my best friend to

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Speaker 4: have as much of an opportunity as everybody else who.

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Speaker 3: Currently currently a non professional. Is the Vegas odds onwere.

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Speaker 2: Yeah, I would agree, So that's the thing. Wait, so

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Speaker 2: that's there are Vegas odds on these or so who's who's.

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Speaker 4: The It's got to be Robert Irwin, I would imagine. Yeah, yeah, Okay,

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Speaker 4: So Yeah, I'm just saying I wanted to get that

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Speaker 4: off my chest. I'm a big rule guy, you know me.

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Speaker 4: I'm a big rule follower, so I want to know

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Speaker 4: the rules. And again it goes into my fantasy thing.

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Speaker 4: I like to know the world building and what all

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Speaker 4: the rules are when I go in. So and that

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Speaker 4: was that through me this week where it's like, man,

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Speaker 4: I'm watching half professional dancers who are amazing and then

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Speaker 4: people who are learning how to dance.

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Speaker 2: It seems like two different shows to me, But I'll

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Speaker 2: get over it. I'm just saying I wanted to vent.

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Speaker 2: It's an entertaining dance show.

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Speaker 4: It's a competition, It's an entertaining dance dance.

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Speaker 2: Just go with it. God, can we move on to

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Speaker 2: dance too please?

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Speaker 3: Yes.

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Speaker 1: Laura first, like the first one, felt it was a

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Speaker 1: little low seven to six six. Then we went to

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Speaker 1: Lauren and Brandon this is they got to dance to

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Speaker 1: one of her own songs.

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Speaker 2: Which I thought was really kind of cool.

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Speaker 1: I don't know Fifth Harmony's music, but I thought this

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Speaker 1: dance was good, if not great. My only thing was

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Speaker 1: the weird ending at the table where she like sat

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Speaker 1: down at a table at the end.

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Speaker 2: Well that was with her band, so she sat with

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Speaker 2: Fifth Harmony.

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Speaker 1: Yeah, but it was just a I mean I get that, like,

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Speaker 1: you know, in concept, but like it was a weird

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Speaker 1: awkward moment.

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Speaker 2: I was like, it didn't land hard enough.

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Speaker 4: It was like, yeah, were you okay with the theatricality

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Speaker 4: in the beginning, like the construction vibe and all the

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Speaker 4: kind of stuff.

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Speaker 1: It started for I mean all the I mean, every

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Speaker 1: time they were doing a TikTok integration, I was just like,

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Speaker 1: I don't care, just get to agree the bar and

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Speaker 1: so yeah, No, this one in particular started a little slow.

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Speaker 1: It had this like awkward interaction with the construction Yeah,

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Speaker 1: you know, and uh yeah, I mean, I mean, I

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Speaker 1: guess we can everyone's already watched the episodes, so we

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Speaker 1: can say that this is a team that got voted off,

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Speaker 1: and I thought that that was a little unfair, especially

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Speaker 1: given how much I liked them them last week, and

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Speaker 1: I thought that this week.

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Speaker 2: Was I did not see it coming at all. I

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Speaker 2: didn't see it coming at all. I guess produce.

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Speaker 4: Suitari says that was part of the music video of

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Speaker 4: the song Construction site. So for the original song, this

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Speaker 4: was I guess a nod to that, which, of course

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Speaker 4: you and I would not be.

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Speaker 2: You know, all this TikTok stuff.

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Speaker 1: Do you remember do you remember when the Oscars they

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Speaker 1: did the selfie at the Oscars because the selfie was

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Speaker 1: a new thing, and it was the first awkward like

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Speaker 1: integration of like, hey, what's this thing that came a

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Speaker 1: you're doing all the TikTok stuff this week.

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Speaker 3: This age is.

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Speaker 1: So poorly it makes everybody look so old and awkward,

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Speaker 1: like just don't even do it, like say, I like

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Speaker 1: a'll fond throw and then we're like, well, let's do

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Speaker 1: a TikTok.

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Speaker 2: I'm gonna stop, stop, stop, say this thing is cool TikTok.

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Speaker 4: It was an hour long or two hour long ad

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Speaker 4: for TikTok and all right, but the dance I liked,

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Speaker 4: and I agree with you hundred percent. I was it

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Speaker 4: was shocking to me that she was the one that

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Speaker 4: went home. And we'll get into that later, but you

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Speaker 4: could tell she was.

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Speaker 1: And I thought Bruno gave a note to her. He said,

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Speaker 1: you know, he said.

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Speaker 2: Something or like punch and pop, And I totally agree.

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Speaker 2: She does.

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Speaker 1: She she's never had like you know, last week they

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Speaker 1: called her like willowy and like she's always had an elegance,

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Speaker 1: but she's never quite nailed the like you know, actual

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Speaker 1: like hitting us a move, like the rhythm of like move.

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Speaker 1: I don't know how to describe it exactly what he said,

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Speaker 1: punch and pop. And it was the second he said that.

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Speaker 1: I was like, that's what I was missing a little bit.

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Speaker 1: And I guess we'll never know because she won't.

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Speaker 4: Be back no, which is sad because I thought she

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Speaker 4: was personable and she was really good, and I thought

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Speaker 4: she was one of the better dancers frankly.

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Speaker 2: So they got six, six and six, which I thought

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Speaker 2: was low. Yeah, but at this point.

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Speaker 1: You know, before you know, after the first one, I

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00:17:11,560 --> 00:17:14,400
Speaker 1: was like, I guess we're just keeping these scores really low.

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00:17:15,080 --> 00:17:16,639
Speaker 1: So I was sort of like, all right, these judges

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Speaker 1: are just being harsh this week.

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Speaker 4: Or do you think at this point does anybody know

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Speaker 4: who's going home?

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Speaker 2: Like, do you think they tell the judges?

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Speaker 4: I imagine nobody knows who's actually going home so they

433
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Speaker 4: can get the reaction from everybody.

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Speaker 3: Right, they can't. They can't because the voting is open.

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Speaker 1: The voting is still open. This is the thing I

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00:17:31,600 --> 00:17:34,000
Speaker 1: got into it with with Alex again. This week because

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Speaker 1: she was like, so, wait are they voting based on

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Speaker 1: tonight and people person getting kicked off tonight is based

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Speaker 1: on this dance And I was like, no, that's oh

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00:17:41,040 --> 00:17:41,520
Speaker 1: wait I.

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Speaker 4: Think so, but no, we just we talked about that

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Speaker 4: last week. Two people are dancing that have already been

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Speaker 4: kicked off.

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Speaker 3: No, No, that's what Tar.

445
00:17:48,960 --> 00:17:50,840
Speaker 4: We've talked to producer Tar last week who said, no,

446
00:17:50,880 --> 00:17:53,480
Speaker 4: two people are dancing who have already that are already gone.

447
00:17:53,520 --> 00:17:54,919
Speaker 2: Well, they're already in the bottom.

448
00:17:54,960 --> 00:17:56,399
Speaker 3: Maybe they're in the bottom.

449
00:17:56,720 --> 00:18:00,120
Speaker 1: They know the numbers, so confusing. The producers know the number,

450
00:18:00,200 --> 00:18:03,080
Speaker 1: but then those numbers get the numbers from tonight that

451
00:18:03,119 --> 00:18:05,760
Speaker 1: we're watching, do get added to that, and then.

452
00:18:05,640 --> 00:18:08,960
Speaker 3: The count's started over. Yeah.

453
00:18:09,000 --> 00:18:11,560
Speaker 6: So the reason why last week is because we didn't

454
00:18:11,560 --> 00:18:14,560
Speaker 6: have an elimination night one, so it did count also

455
00:18:14,640 --> 00:18:15,320
Speaker 6: from week one.

456
00:18:16,640 --> 00:18:19,280
Speaker 5: But now every week now, every week as the show

457
00:18:19,320 --> 00:18:23,040
Speaker 5: starts at five pm Eastern, everything starts over, so it's

458
00:18:23,040 --> 00:18:24,320
Speaker 5: at zero all across.

459
00:18:24,320 --> 00:18:27,760
Speaker 2: It doesn't get added to what was the week before. No.

460
00:18:27,880 --> 00:18:29,720
Speaker 1: God, So if somebody can really just come out of

461
00:18:29,760 --> 00:18:33,240
Speaker 1: the gate with like tens and the audience could just

462
00:18:33,320 --> 00:18:35,520
Speaker 1: love something and then they win, that week from being

463
00:18:35,560 --> 00:18:38,040
Speaker 1: on the bottom of the week before correct RT.

464
00:18:38,119 --> 00:18:41,199
Speaker 4: Yeah, so it's all just live voting. None of it

465
00:18:41,240 --> 00:18:42,879
Speaker 4: is now. The week before that was only the first

466
00:18:42,880 --> 00:18:45,960
Speaker 4: week because of the to the double elimination.

467
00:18:46,400 --> 00:18:47,840
Speaker 5: I just want to say, I think it's so funny

468
00:18:47,840 --> 00:18:50,480
Speaker 5: that this podcast has become sixty to seventy percent trying

469
00:18:50,480 --> 00:18:51,200
Speaker 5: to figure out.

470
00:18:51,080 --> 00:18:58,640
Speaker 2: The rules of the exactly everyone exactly. Yeah, that's so yeah,

471
00:18:58,640 --> 00:18:59,520
Speaker 2: we're getting there.

472
00:18:59,600 --> 00:19:01,760
Speaker 4: Okay, everyone knows our opinions matter more than any of

473
00:19:01,760 --> 00:19:04,160
Speaker 4: the other judges' opinions. Anyway, six is across the board

474
00:19:04,440 --> 00:19:06,200
Speaker 4: seemed a little again, thought it was low yep.

475
00:19:07,080 --> 00:19:15,119
Speaker 1: Then we moved into Danielle and Pasha wonderful, classy. I

476
00:19:15,119 --> 00:19:17,800
Speaker 1: thought she was great, This is great and and and

477
00:19:17,840 --> 00:19:20,480
Speaker 1: I feel like these two have just, you know, consistently,

478
00:19:21,040 --> 00:19:23,560
Speaker 1: you know, if anything, I would say a little safe

479
00:19:24,080 --> 00:19:28,360
Speaker 1: compared to you know, everything everybody else but great dancing.

480
00:19:28,440 --> 00:19:28,720
Speaker 2: I thought.

481
00:19:28,760 --> 00:19:33,520
Speaker 1: Bruno gave fantastic feedback. And then uh, Carrie Anne said

482
00:19:33,520 --> 00:19:36,439
Speaker 1: this thing about being the middle of the pack, and

483
00:19:36,440 --> 00:19:38,360
Speaker 1: I just like, hold on, what does that mean?

484
00:19:38,520 --> 00:19:39,240
Speaker 2: Like so the.

485
00:19:39,320 --> 00:19:41,000
Speaker 4: Judgment, I thought it too, But I think she means

486
00:19:41,080 --> 00:19:44,120
Speaker 4: numerically she does because every week, Danielle's in the middle

487
00:19:44,160 --> 00:19:44,560
Speaker 4: of the pack.

488
00:19:44,840 --> 00:19:46,320
Speaker 2: Yeah, okay, I don't know.

489
00:19:46,359 --> 00:19:48,040
Speaker 1: I was like, how does she do? But do the

490
00:19:48,119 --> 00:19:50,480
Speaker 1: judges have access to the results?

491
00:19:51,000 --> 00:19:51,160
Speaker 3: No?

492
00:19:51,600 --> 00:19:54,240
Speaker 4: Okay, I think she just knows that when as there

493
00:19:54,359 --> 00:19:56,920
Speaker 4: as the judges are coming in, Daniel's usually towards the middle.

494
00:19:56,920 --> 00:20:00,520
Speaker 4: Because I thought the same thing, okay, and than what

495
00:20:00,600 --> 00:20:02,840
Speaker 4: she was wearing, which I was not a fan of.

496
00:20:03,440 --> 00:20:06,840
Speaker 2: I love how these two are just dancing.

497
00:20:07,280 --> 00:20:10,640
Speaker 4: Every week, They're just dancing, and they look like they're

498
00:20:10,640 --> 00:20:13,920
Speaker 4: getting even more comfortable with each other. They are arguably,

499
00:20:13,960 --> 00:20:16,400
Speaker 4: and I know we say this every week, hugely biased,

500
00:20:16,840 --> 00:20:20,760
Speaker 4: arguably have the most chemistry and charisma of any couple

501
00:20:20,800 --> 00:20:25,160
Speaker 4: that's dancing out there. And I'm look forward to seeing

502
00:20:25,160 --> 00:20:27,080
Speaker 4: her dance every week, not just because I love her

503
00:20:27,119 --> 00:20:28,640
Speaker 4: like a sister, but because.

504
00:20:28,240 --> 00:20:29,080
Speaker 2: They're really good.

505
00:20:29,240 --> 00:20:31,320
Speaker 3: Yes, and we also we know them.

506
00:20:31,560 --> 00:20:33,639
Speaker 5: I mean, I've learned to know Pasha over time now,

507
00:20:33,680 --> 00:20:36,560
Speaker 5: but you know Danielle very well. We're talking about two

508
00:20:36,600 --> 00:20:38,000
Speaker 5: serious rule followers.

509
00:20:38,160 --> 00:20:41,840
Speaker 1: Yes, they are trying to achieve the they are aiming

510
00:20:41,880 --> 00:20:45,280
Speaker 1: for ballroom dancing, and they're making it like Yes, and

511
00:20:45,320 --> 00:20:48,120
Speaker 1: you can see daniel Hall working so hard to learn

512
00:20:48,160 --> 00:20:51,359
Speaker 1: this form and to you know, and I luckily I

513
00:20:51,600 --> 00:20:53,719
Speaker 1: feel everybody's getting that, do you know what I mean?

514
00:20:53,960 --> 00:20:54,159
Speaker 3: Like that?

515
00:20:54,640 --> 00:20:57,040
Speaker 1: And it's so interesting because as opposed to a lot

516
00:20:57,080 --> 00:21:00,479
Speaker 1: of the other actors or more you know, she's not

517
00:21:00,560 --> 00:21:03,240
Speaker 1: doing a lot of like frills and trying to insert

518
00:21:03,440 --> 00:21:06,440
Speaker 1: so much personality to sort of no overcompensate a huge

519
00:21:06,480 --> 00:21:07,359
Speaker 1: facial feature.

520
00:21:07,440 --> 00:21:10,639
Speaker 2: None of that. She's just classically dancing. She's doing like

521
00:21:10,720 --> 00:21:11,320
Speaker 2: the assignment.

522
00:21:11,400 --> 00:21:14,200
Speaker 1: And I think that is a really I think that's

523
00:21:14,200 --> 00:21:16,000
Speaker 1: a really good long term strategy.

524
00:21:16,200 --> 00:21:18,920
Speaker 5: You know, because a person she you know her from

525
00:21:19,000 --> 00:21:20,679
Speaker 5: acting with her, but like this is a person who

526
00:21:20,720 --> 00:21:23,920
Speaker 5: went to college in her thirties and like just absolutely

527
00:21:24,000 --> 00:21:26,280
Speaker 5: every day did exactly what she needed to do in

528
00:21:26,320 --> 00:21:26,840
Speaker 5: each class.

529
00:21:26,880 --> 00:21:27,520
Speaker 3: I mean she didn't.

530
00:21:27,800 --> 00:21:30,439
Speaker 5: She didn't she didn't need extra credit because she got a's.

531
00:21:30,480 --> 00:21:33,040
Speaker 5: Like she's focused on the assignment.

532
00:21:33,080 --> 00:21:35,200
Speaker 4: Do you want to hear something very funny though, because

533
00:21:35,240 --> 00:21:37,080
Speaker 4: I was thinking about this and it's so random, but

534
00:21:37,119 --> 00:21:40,399
Speaker 4: it's true. This is how Tapanga would do dancing.

535
00:21:40,440 --> 00:21:41,320
Speaker 2: With the story.

536
00:21:43,640 --> 00:21:45,800
Speaker 4: It is, it's like I want to dance. I want

537
00:21:45,840 --> 00:21:47,520
Speaker 4: to do it classically. I want to learn that steps

538
00:21:47,560 --> 00:21:49,080
Speaker 4: I have to do. I want to do it with passion.

539
00:21:49,119 --> 00:21:50,359
Speaker 4: But I want to do it right. I don't need

540
00:21:50,400 --> 00:21:52,440
Speaker 4: all the frills, I don't need fire, Like it's how

541
00:21:52,440 --> 00:21:53,760
Speaker 4: Tipega would do dancing with the.

542
00:21:53,680 --> 00:21:54,119
Speaker 2: Stary, right.

543
00:21:54,119 --> 00:21:57,520
Speaker 1: So the question is, at some point is Danielle going

544
00:21:57,600 --> 00:22:01,159
Speaker 1: to have to go more performative yes with them, like

545
00:22:01,320 --> 00:22:05,119
Speaker 1: with like a full personality only dance in week six

546
00:22:05,359 --> 00:22:06,600
Speaker 1: or something for one week.

547
00:22:06,760 --> 00:22:08,840
Speaker 4: She'll have to pick something that's going to be just

548
00:22:09,080 --> 00:22:11,880
Speaker 4: out of the box crazy and break the.

549
00:22:11,840 --> 00:22:14,080
Speaker 2: Mold for her and she'll be awesome doing it if.

550
00:22:14,040 --> 00:22:15,760
Speaker 3: She wants to win, if she wants to win.

551
00:22:15,880 --> 00:22:19,439
Speaker 4: Yes, which of course she does. Yeah, yeah, I think.

552
00:22:19,600 --> 00:22:21,680
Speaker 1: But I think that this approach is very good. It's

553
00:22:21,840 --> 00:22:26,359
Speaker 1: like I said, it's very classy. It's on point. So oh,

554
00:22:26,400 --> 00:22:29,560
Speaker 1: and they were dancing to Sabrina Carpenter's Manchild. They had

555
00:22:29,560 --> 00:22:31,920
Speaker 1: a little little message from Sabrina there.

556
00:22:32,040 --> 00:22:34,400
Speaker 2: In the beginning Carpenter's song of Eye, which was good.

557
00:22:34,440 --> 00:22:36,399
Speaker 1: Like I was glad that that that was the extent

558
00:22:36,440 --> 00:22:39,399
Speaker 1: of their TikTok integration. Yes, which like a message from

559
00:22:39,880 --> 00:22:42,639
Speaker 1: a young young star. We're not going to try and

560
00:22:42,880 --> 00:22:44,479
Speaker 1: like do a TikTok thing in the middle of our

561
00:22:44,680 --> 00:22:46,080
Speaker 1: So I appreciated that.

562
00:22:46,119 --> 00:22:49,720
Speaker 4: It was great. So, yeah, when her scores were were good,

563
00:22:49,760 --> 00:22:50,320
Speaker 4: I thought.

564
00:22:50,760 --> 00:22:51,879
Speaker 2: Yeah, a little O.

565
00:22:52,000 --> 00:22:53,440
Speaker 3: I think I could argue they were a little lower.

566
00:22:53,600 --> 00:22:54,840
Speaker 4: So what I mean, I think they're a little low,

567
00:22:54,960 --> 00:22:57,640
Speaker 4: but they're there. She's consistently improving.

568
00:22:57,960 --> 00:23:00,520
Speaker 2: Yes, great. Actually, how does was this the highest score

569
00:23:00,520 --> 00:23:01,119
Speaker 2: that they've gotten?

570
00:23:01,720 --> 00:23:01,920
Speaker 3: Yeah?

571
00:23:01,960 --> 00:23:04,800
Speaker 2: Yes, yeah, so I don't think it was a little low.

572
00:23:04,840 --> 00:23:06,920
Speaker 1: When I when I saw them get seven to seven, seven,

573
00:23:06,960 --> 00:23:08,919
Speaker 1: I was like eh, And then I looked back and

574
00:23:08,920 --> 00:23:10,880
Speaker 1: I was like, no, this is the first time they've

575
00:23:10,880 --> 00:23:12,760
Speaker 1: gotten sevens across the board and that's a yeah.

576
00:23:12,760 --> 00:23:14,200
Speaker 3: I mean for the journey of it, it's good.

577
00:23:14,200 --> 00:23:15,920
Speaker 5: But I think if you were going for the dance,

578
00:23:15,960 --> 00:23:17,760
Speaker 5: I think I could have seen an eight seven to seven.

579
00:23:17,960 --> 00:23:19,080
Speaker 2: That's I agree, one hundred percent.

580
00:23:19,119 --> 00:23:21,120
Speaker 4: I think carry Ann, with the way that she normally votes,

581
00:23:21,160 --> 00:23:22,679
Speaker 4: I think carry Ann could have thrown it eight in

582
00:23:22,720 --> 00:23:25,720
Speaker 4: there personally, that's what that's I think it could have

583
00:23:25,720 --> 00:23:28,159
Speaker 4: been eight, seven to seven easy that week in my opinion.

584
00:23:28,359 --> 00:23:28,760
Speaker 3: All right.

585
00:23:28,760 --> 00:23:31,080
Speaker 2: Next up was wait before we go there, we've got

586
00:23:31,080 --> 00:23:34,359
Speaker 2: to do wi his deree of dance please.

587
00:23:34,960 --> 00:23:37,400
Speaker 4: As you know, I have an encyclopediccknoledge of all things

588
00:23:37,480 --> 00:23:38,320
Speaker 4: dance I always have.

589
00:23:38,560 --> 00:23:40,199
Speaker 2: I'm just now finally being able to use it. And

590
00:23:40,240 --> 00:23:41,800
Speaker 2: this week's dance was the Fox Trot.

591
00:23:42,119 --> 00:23:43,320
Speaker 4: And I don't know if you're aware of this rider,

592
00:23:43,320 --> 00:23:45,720
Speaker 4: but the Fox Trot was invented around nineteen fourteen by

593
00:23:45,760 --> 00:23:49,000
Speaker 4: Harry Fox, who was a vaudeville entertainer and popularity dance.

594
00:23:49,160 --> 00:23:53,639
Speaker 4: So after a guy and Fox, not the not the animal, Nope,

595
00:23:53,880 --> 00:23:55,840
Speaker 4: Harry Fox, a vaudeville entertainer.

596
00:23:56,119 --> 00:23:57,600
Speaker 2: It's funny. A lot of people think it's the animal,

597
00:23:57,600 --> 00:23:57,960
Speaker 2: but I knew.

598
00:23:57,960 --> 00:24:01,080
Speaker 4: It wasn't popularized by the day dance couple Vernon and

599
00:24:01,119 --> 00:24:05,120
Speaker 4: Irene Castle, those crazy kids from the nineteen fourteen's The Castles.

600
00:24:06,359 --> 00:24:09,520
Speaker 2: Of course, it involved into a smooth flow from what

601
00:24:10,080 --> 00:24:11,440
Speaker 2: talent were they from? Were they writer?

602
00:24:11,600 --> 00:24:13,640
Speaker 4: I can't tell you everything. If you don't know, you're

603
00:24:13,640 --> 00:24:15,320
Speaker 4: gonna have to do some of the research on your own.

604
00:24:15,800 --> 00:24:18,200
Speaker 4: They had put it involved into a smooth, flowing ballroom dance.

605
00:24:18,280 --> 00:24:21,320
Speaker 4: Named after its initial trotting steps, it became the most

606
00:24:21,359 --> 00:24:23,840
Speaker 4: popular social dance of the twentieth century, characterized by a

607
00:24:23,840 --> 00:24:25,680
Speaker 4: combination of long, slow, and short.

608
00:24:25,480 --> 00:24:28,160
Speaker 2: Quick steps set to a four to four time signature,

609
00:24:28,160 --> 00:24:29,320
Speaker 2: which I'm sure you figured out.

610
00:24:29,560 --> 00:24:32,080
Speaker 4: The dance later split into a more energetic quick step

611
00:24:32,119 --> 00:24:36,360
Speaker 4: and the elegant slow foxtrot, a cornerstone of international ballroom competitions,

612
00:24:36,359 --> 00:24:38,520
Speaker 4: while the American smooth style emphasizes.

613
00:24:38,040 --> 00:24:40,480
Speaker 2: Freedom of expression in social settings.

614
00:24:40,520 --> 00:24:42,480
Speaker 4: So I figured you wanted to know that this week,

615
00:24:42,680 --> 00:24:43,760
Speaker 4: as everybody does.

616
00:24:44,119 --> 00:24:47,280
Speaker 2: Yeah, wow, I'm glad you just have this on the.

617
00:24:47,400 --> 00:24:51,560
Speaker 4: Old tip of the castles. Those crazy foxtrott and kids, all.

618
00:24:51,520 --> 00:25:09,639
Speaker 1: Right, Jordan Chiles and Ezra Sosa. Their pre show package

619
00:25:09,720 --> 00:25:11,760
Speaker 1: was all about them freaking out about carry and telling

620
00:25:12,359 --> 00:25:16,800
Speaker 1: them that she reminded Jordan reminded her of Tina Turner.

621
00:25:18,240 --> 00:25:20,879
Speaker 1: Then she opened up about anxiety. I thought this was

622
00:25:21,160 --> 00:25:25,840
Speaker 1: very the very Wilfred Ell subject. It was, Yeah, and gosh,

623
00:25:25,840 --> 00:25:27,720
Speaker 1: it's just so amazing to me people that perform at

624
00:25:27,760 --> 00:25:30,080
Speaker 1: this level, right at the age of whatever, fourteen or

625
00:25:30,119 --> 00:25:33,520
Speaker 1: whatever it was in the Olympics and and struggling with

626
00:25:33,560 --> 00:25:37,160
Speaker 1: anxiety on top of gosh, all the physical stuff, and

627
00:25:37,240 --> 00:25:38,480
Speaker 1: it's just amazing.

628
00:25:38,880 --> 00:25:41,320
Speaker 4: There's also different forms of anxiety. I was lucky in

629
00:25:41,359 --> 00:25:43,520
Speaker 4: that my anxiety, say lucky with a small le, but

630
00:25:43,520 --> 00:25:45,440
Speaker 4: my anxiety didn't hit me into my early twenties. Where

631
00:25:45,440 --> 00:25:47,040
Speaker 4: a lot of people get some sort of a mental

632
00:25:47,080 --> 00:25:49,239
Speaker 4: illness is when your brain starts to really form. So

633
00:25:49,520 --> 00:25:52,320
Speaker 4: when you are dealing with anxiety as a young kid

634
00:25:52,400 --> 00:25:54,720
Speaker 4: or a young teenager, it can be a hell of

635
00:25:54,720 --> 00:25:55,280
Speaker 4: a lot worse.

636
00:25:56,160 --> 00:25:58,160
Speaker 2: So that's yeah, it's really impressive what she was able

637
00:25:58,160 --> 00:25:58,399
Speaker 2: to do.

638
00:25:59,600 --> 00:26:02,280
Speaker 1: And then they went into their dance, which was the

639
00:26:02,320 --> 00:26:09,000
Speaker 1: tango to the song Anxiety. I just freaking loved this,

640
00:26:09,560 --> 00:26:15,880
Speaker 1: I thought too, this was incredibly artistic expressive. Yeah, she

641
00:26:15,880 --> 00:26:18,000
Speaker 1: gave me it's just my style, like it was just more

642
00:26:18,119 --> 00:26:20,720
Speaker 1: my style of like their production and that I just

643
00:26:20,960 --> 00:26:21,320
Speaker 1: loved it.

644
00:26:21,520 --> 00:26:23,879
Speaker 2: This was like a full ten for me. I just

645
00:26:23,920 --> 00:26:25,200
Speaker 2: couldn't could she could win?

646
00:26:25,280 --> 00:26:27,720
Speaker 4: She said, two really strong weeks, Oh my god, and

647
00:26:27,840 --> 00:26:29,560
Speaker 4: she was really really good this week.

648
00:26:29,600 --> 00:26:31,879
Speaker 2: I agree with you. I just thought that I was

649
00:26:31,920 --> 00:26:32,760
Speaker 2: just like, well, that's that.

650
00:26:32,920 --> 00:26:35,000
Speaker 1: It was like the first time I was like absent

651
00:26:35,080 --> 00:26:37,560
Speaker 1: of anything. You could take away dancing with the Stars

652
00:26:37,640 --> 00:26:39,520
Speaker 1: and just show me this dance and I'd be like

653
00:26:39,560 --> 00:26:41,160
Speaker 1: that was like, oh my god.

654
00:26:41,320 --> 00:26:41,760
Speaker 2: Like it was.

655
00:26:41,840 --> 00:26:44,760
Speaker 1: It was expressive in a way that you know, I

656
00:26:44,760 --> 00:26:47,119
Speaker 1: guess I'm just not much of a ballroom dancer person,

657
00:26:47,440 --> 00:26:49,320
Speaker 1: so for me, you know, this just felt like it

658
00:26:49,359 --> 00:26:53,920
Speaker 1: was coming from the heart and yet still just technically great.

659
00:26:54,600 --> 00:26:57,240
Speaker 2: Yeah, and I and then seeing her get all.

660
00:26:57,200 --> 00:27:00,560
Speaker 4: Emotional, I was this was this was for me personally,

661
00:27:00,600 --> 00:27:02,919
Speaker 4: This was Dance of the Night, I thought again, and

662
00:27:02,960 --> 00:27:03,320
Speaker 4: I think she.

663
00:27:03,480 --> 00:27:04,760
Speaker 2: Was Dance the Night last week.

664
00:27:04,840 --> 00:27:07,600
Speaker 1: All the episodes so far, I'm like, well, now it's like, see,

665
00:27:07,600 --> 00:27:10,119
Speaker 1: I'm still the first Robert or when Dance with the

666
00:27:10,240 --> 00:27:12,240
Speaker 1: Energy and jumping off the truck, I still think is

667
00:27:12,280 --> 00:27:15,000
Speaker 1: my favorite one, but she's a close second now and

668
00:27:15,040 --> 00:27:17,600
Speaker 1: she's really vine for the top spot. And so they

669
00:27:17,680 --> 00:27:19,680
Speaker 1: got eight eight eight, which you know, like I said,

670
00:27:19,720 --> 00:27:20,800
Speaker 1: I would have given them a ten.

671
00:27:21,400 --> 00:27:23,600
Speaker 2: But then I realized this, this is the highest score

672
00:27:23,720 --> 00:27:26,480
Speaker 2: of the first ever YEP, first ever triple eight, which

673
00:27:26,520 --> 00:27:27,560
Speaker 2: is which is good.

674
00:27:27,600 --> 00:27:29,439
Speaker 4: It's kind of good they're doing this where it's not

675
00:27:29,880 --> 00:27:32,160
Speaker 4: they're not giving out nine and ten. I guess they've

676
00:27:32,200 --> 00:27:35,040
Speaker 4: got to earn that as you go, But I mean,

677
00:27:35,080 --> 00:27:36,560
Speaker 4: how much better can it get?

678
00:27:36,760 --> 00:27:36,960
Speaker 3: Right?

679
00:27:37,640 --> 00:27:39,280
Speaker 1: I just feel like at the end of the season

680
00:27:39,560 --> 00:27:42,080
Speaker 1: they should probably go back and like re rate based

681
00:27:42,119 --> 00:27:42,920
Speaker 1: on you know, like.

682
00:27:42,720 --> 00:27:43,760
Speaker 2: Like us with bad episodes.

683
00:27:43,840 --> 00:27:45,639
Speaker 1: Boy means were all kind of because it's like I

684
00:27:45,720 --> 00:27:47,960
Speaker 1: really think, like when when when they look back, they're

685
00:27:47,960 --> 00:27:50,280
Speaker 1: gonna be like, yeah, that probably deserved a nine or

686
00:27:50,440 --> 00:27:52,440
Speaker 1: you know, a ten. It was really good, even like

687
00:27:52,440 --> 00:27:54,040
Speaker 1: the first episode, like the dance you're talking about the

688
00:27:54,080 --> 00:27:56,720
Speaker 1: Robert Irwin, like you know, that was great.

689
00:27:56,880 --> 00:27:58,360
Speaker 2: Like they're probably gonna look back and be like.

690
00:27:58,359 --> 00:28:04,160
Speaker 1: Yeah, yeah, no, I agree of the season so good

691
00:28:04,200 --> 00:28:06,560
Speaker 1: sign and yeah, wonderful.

692
00:28:06,840 --> 00:28:11,800
Speaker 2: They're gonna they're contenders for ye all right.

693
00:28:11,920 --> 00:28:18,359
Speaker 1: Next up, we had Dylan Efron and Daniella Karragach just

694
00:28:18,560 --> 00:28:26,919
Speaker 1: dancing to Justin Bieber Ylan friends with yeah, and uh.

695
00:28:25,440 --> 00:28:28,280
Speaker 2: These guys are great. I was. I agree. He's also

696
00:28:28,520 --> 00:28:30,639
Speaker 2: so we talked on Podme's World.

697
00:28:30,720 --> 00:28:35,080
Speaker 4: How I'm I hate to say this, but until two

698
00:28:35,160 --> 00:28:38,760
Speaker 4: months ago, I didn't know Dylan Efron existed. And now

699
00:28:38,960 --> 00:28:41,720
Speaker 4: Susan and I are watching Traders and we're watching Dancing

700
00:28:41,720 --> 00:28:44,600
Speaker 4: with the Stars and he's so likable.

701
00:28:44,800 --> 00:28:47,600
Speaker 2: You're you're a Dylan just root for this.

702
00:28:47,480 --> 00:28:49,800
Speaker 4: Guy, I mean, you turn it into an e f ronette.

703
00:28:50,640 --> 00:28:55,440
Speaker 4: Oh no, I'm down. I'm down for my down for

704
00:28:55,520 --> 00:28:57,480
Speaker 4: my crew. Are you kidding? I'm a Dan Yete forever.

705
00:28:57,800 --> 00:29:00,960
Speaker 4: But but he is just so, He's one of those

706
00:29:00,960 --> 00:29:04,320
Speaker 4: guys where if he's so personable that if they can

707
00:29:04,360 --> 00:29:08,440
Speaker 4: put together the dance with his personality and his likability,

708
00:29:09,360 --> 00:29:10,320
Speaker 4: no one's gonna not.

709
00:29:10,320 --> 00:29:11,360
Speaker 2: Vote for this guy. Yeah.

710
00:29:11,640 --> 00:29:13,360
Speaker 1: I thought this is lovely and I thought they were

711
00:29:13,400 --> 00:29:17,600
Speaker 1: really connected me too. And it's clear that he's he's

712
00:29:17,640 --> 00:29:20,680
Speaker 1: working hard, much like Danielle. He's focusing on the things

713
00:29:20,680 --> 00:29:24,320
Speaker 1: that you know, really matter in terms of ballroom dancing. Yeah,

714
00:29:24,320 --> 00:29:26,800
Speaker 1: and and and this was it just had a cool,

715
00:29:26,840 --> 00:29:29,920
Speaker 1: classy style to it, and they it just it was great.

716
00:29:30,240 --> 00:29:32,480
Speaker 4: So I also think, but I'm sorry, but I think

717
00:29:32,520 --> 00:29:38,400
Speaker 4: both Danielle and Dylan are really kind of this quintessential

718
00:29:38,440 --> 00:29:41,800
Speaker 4: example of the power of the partner. Yes, because I

719
00:29:41,840 --> 00:29:45,920
Speaker 4: think they have both been put with their perfect dance partners.

720
00:29:46,360 --> 00:29:48,640
Speaker 4: Who are I mean, you saw in the pre show

721
00:29:48,680 --> 00:29:51,240
Speaker 4: package with her, she's like she'll push a little bit

722
00:29:51,280 --> 00:29:53,800
Speaker 4: and be like, I'm your teacher here, we're going to go.

723
00:29:53,960 --> 00:29:56,800
Speaker 4: And I think that's what he needs the same way.

724
00:29:56,960 --> 00:29:58,880
Speaker 4: I think Danielle's getting that from her partner. And I

725
00:29:58,880 --> 00:30:01,920
Speaker 4: think if you are with the wrong person, you're not

726
00:30:02,040 --> 00:30:04,600
Speaker 4: going to have that same kind of effectiveness and that

727
00:30:04,680 --> 00:30:06,479
Speaker 4: you can really see that with Dylan and his partner.

728
00:30:06,600 --> 00:30:08,720
Speaker 2: Yeah, so they got.

729
00:30:09,160 --> 00:30:13,200
Speaker 1: Their scores were seven, eight and eight, which good scores.

730
00:30:13,440 --> 00:30:15,440
Speaker 2: Good scores, yeah, good scores.

731
00:30:16,200 --> 00:30:21,480
Speaker 1: Moving on to Elaine Hendrix and Alan Burston, I thought

732
00:30:21,840 --> 00:30:25,480
Speaker 1: they did the tango to the song Gnarly, and this

733
00:30:25,520 --> 00:30:28,640
Speaker 1: is where I first started thinking, like, man, people are

734
00:30:28,640 --> 00:30:32,440
Speaker 1: going sexy tonight. Yeah right, And then it kept happening

735
00:30:32,480 --> 00:30:34,480
Speaker 1: and I was like, oh, Dancing with the Stars is

736
00:30:34,520 --> 00:30:39,000
Speaker 1: like going for like a progressed, sensual, sexy vibe.

737
00:30:39,040 --> 00:30:40,760
Speaker 2: And I was like, I'm there for it, Like this

738
00:30:40,800 --> 00:30:44,160
Speaker 2: is cool, man, We're you know, it's like it's not

739
00:30:44,240 --> 00:30:46,640
Speaker 2: just ballroom dancing. It's like ballroom dancing.

740
00:30:46,880 --> 00:30:51,760
Speaker 4: But yeah, ballroom after dark ballroom, that's what it was.

741
00:30:50,800 --> 00:30:54,520
Speaker 3: It was. It was horned up the whole.

742
00:30:54,760 --> 00:30:56,720
Speaker 1: I was like, you know, people talk about the youngs

743
00:30:57,000 --> 00:30:59,880
Speaker 1: not not being frisky, and I was like, but come on,

744
00:31:00,040 --> 00:31:02,640
Speaker 1: TikTok night everything, but everybody felt a little frisky.

745
00:31:02,680 --> 00:31:04,920
Speaker 4: To me, they're not frist That's the problem with TikTok

746
00:31:04,960 --> 00:31:06,640
Speaker 4: is nobody has as great a life as they show.

747
00:31:06,720 --> 00:31:10,120
Speaker 2: Nobody's as frisky as they show. They want to appear frisky,

748
00:31:10,320 --> 00:31:12,000
Speaker 2: but they're not actually frisky.

749
00:31:12,120 --> 00:31:15,479
Speaker 4: And that's why Danielle again, nothing frisky about Danielle's out.

750
00:31:15,760 --> 00:31:18,120
Speaker 4: She was like a bit amish and I thought she

751
00:31:18,200 --> 00:31:20,560
Speaker 4: could she could click it up a little bit, just

752
00:31:20,640 --> 00:31:24,520
Speaker 4: a little bumbish. Yeah, something was slightly amish.

753
00:31:25,120 --> 00:31:25,920
Speaker 3: So uh.

754
00:31:29,120 --> 00:31:34,800
Speaker 1: Yeah, okay, uh, you know it. It felt a little

755
00:31:34,800 --> 00:31:38,760
Speaker 1: slow to me, like technically, like I don't know, there's

756
00:31:38,760 --> 00:31:41,840
Speaker 1: something a little I wanted it to just be a

757
00:31:41,840 --> 00:31:47,240
Speaker 1: little more either just faster paced or something. But overall

758
00:31:47,520 --> 00:31:48,080
Speaker 1: pretty great.

759
00:31:48,840 --> 00:31:50,480
Speaker 2: I thought she was off the music a little bit.

760
00:31:50,560 --> 00:31:51,920
Speaker 2: Is that what it was? I don't I mean, she

761
00:31:52,000 --> 00:31:54,120
Speaker 2: was described a little bit. It just felt like.

762
00:31:54,080 --> 00:31:58,040
Speaker 1: A little like something's missing here or like maybe it's

763
00:31:58,040 --> 00:31:59,120
Speaker 1: that pop and punch thing.

764
00:31:59,240 --> 00:31:59,680
Speaker 2: I don't know.

765
00:32:00,200 --> 00:32:02,760
Speaker 1: But she in general, she's great and they were great,

766
00:32:02,800 --> 00:32:05,720
Speaker 1: and like I said, sexy seven across the.

767
00:32:05,720 --> 00:32:08,840
Speaker 4: Board, yeah we're going with with with modern day analogies.

768
00:32:08,880 --> 00:32:10,440
Speaker 4: It felt a little like they were on a zoom

769
00:32:10,440 --> 00:32:11,680
Speaker 4: call with a slight lag.

770
00:32:12,400 --> 00:32:14,520
Speaker 2: Oh so yeah.

771
00:32:14,160 --> 00:32:19,920
Speaker 1: Well all right seven seven seven decent scores, still decent scores. Yeah,

772
00:32:20,440 --> 00:32:25,760
Speaker 1: we're doing well, all right, Whitney and Mark And this

773
00:32:25,840 --> 00:32:31,520
Speaker 1: is a TikTok video star on TikTok Night Professional Dance

774
00:32:32,160 --> 00:32:38,200
Speaker 1: and uh they're doing the samba to shake ass Shake guys,

775
00:32:38,680 --> 00:32:40,160
Speaker 1: that's my new ringtone.

776
00:32:39,880 --> 00:32:41,400
Speaker 2: Is just listening to you having to say that.

777
00:32:42,520 --> 00:32:48,320
Speaker 1: Ah, oh god, I mean this is this is to

778
00:32:48,360 --> 00:32:49,320
Speaker 1: your point, this is a.

779
00:32:49,360 --> 00:32:53,320
Speaker 2: Pro you know, it's a professional dancer dance great.

780
00:32:53,480 --> 00:32:55,520
Speaker 1: Yeah, and I mean it's it's it's hard for me

781
00:32:55,600 --> 00:32:58,680
Speaker 1: to really know exactly what it is because I can't

782
00:32:58,800 --> 00:33:01,400
Speaker 1: you know, the I don't no ballroom dancing. But you

783
00:33:01,440 --> 00:33:03,280
Speaker 1: get to see it and you're like, oh, well, this

784
00:33:03,360 --> 00:33:04,440
Speaker 1: is a professional dancer.

785
00:33:04,760 --> 00:33:06,440
Speaker 2: Yes, again very sexy.

786
00:33:07,000 --> 00:33:09,560
Speaker 4: Yeah, and the judges like she's beautiful, she seems like

787
00:33:09,560 --> 00:33:11,560
Speaker 4: a really nice person, and she seems like she's been

788
00:33:11,640 --> 00:33:12,760
Speaker 4: dancing her entire life.

789
00:33:12,760 --> 00:33:13,640
Speaker 2: And it makes a difference.

790
00:33:13,840 --> 00:33:17,280
Speaker 1: Yeah, and yeah you can Yeah, you can't really tell

791
00:33:17,320 --> 00:33:19,360
Speaker 1: the difference between the two of them. Which one's the

792
00:33:19,440 --> 00:33:22,120
Speaker 1: which one's the dancer on the show, and which one's

793
00:33:22,160 --> 00:33:22,560
Speaker 1: the guest.

794
00:33:22,800 --> 00:33:25,000
Speaker 2: Which is you know, I guess a good A good thing.

795
00:33:25,320 --> 00:33:25,520
Speaker 3: Yeah.

796
00:33:26,200 --> 00:33:28,480
Speaker 4: The question is do you think people will vote against

797
00:33:28,520 --> 00:33:30,840
Speaker 4: that eventually? Do you think other people will think like

798
00:33:30,920 --> 00:33:32,920
Speaker 4: me and they're going to be like I'd much prefer

799
00:33:33,000 --> 00:33:36,480
Speaker 4: watching somebody like Danielle or Dylan or Andy who are

800
00:33:36,480 --> 00:33:39,000
Speaker 4: coming from no experience in getting better or do you

801
00:33:39,040 --> 00:33:39,520
Speaker 4: think there.

802
00:33:39,600 --> 00:33:40,600
Speaker 2: She's just so good that I.

803
00:33:40,560 --> 00:33:41,920
Speaker 1: Think it's going to get to a point where there

804
00:33:41,920 --> 00:33:44,200
Speaker 1: are four teams left and it's a complete split between

805
00:33:44,240 --> 00:33:44,680
Speaker 1: those two.

806
00:33:45,040 --> 00:33:48,360
Speaker 2: I think it's quite possible, Yeah.

807
00:33:47,400 --> 00:33:49,960
Speaker 1: Because I feel I don't think anybody would just watch

808
00:33:50,000 --> 00:33:52,880
Speaker 1: the show if it was just professional dancers like this, right,

809
00:33:52,880 --> 00:33:54,760
Speaker 1: and I think I would get a little boring. It'd

810
00:33:54,800 --> 00:33:56,320
Speaker 1: be like, yeah, we know you can do this thing.

811
00:33:56,920 --> 00:33:59,640
Speaker 1: But watching the progress, watching the growth is part of

812
00:33:59,640 --> 00:34:02,520
Speaker 1: the enner payment. So hopefully the voting reflects that and

813
00:34:02,560 --> 00:34:04,600
Speaker 1: people stick around, you know, And all it's going to

814
00:34:04,640 --> 00:34:07,040
Speaker 1: take is one person to get voted off that people

815
00:34:07,200 --> 00:34:10,200
Speaker 1: like for their personal like and Andy, and when you know,

816
00:34:10,239 --> 00:34:12,480
Speaker 1: when you feel that loss of like or when Andy

817
00:34:12,520 --> 00:34:13,919
Speaker 1: was in the bottom three last week.

818
00:34:14,000 --> 00:34:15,880
Speaker 2: Right, Yeah, we assume, I mean we assume, right, we

819
00:34:15,920 --> 00:34:18,839
Speaker 2: don't know. You can see that they are safe this

820
00:34:18,880 --> 00:34:21,239
Speaker 2: week because people people come out and vote.

821
00:34:21,320 --> 00:34:24,440
Speaker 4: Yeah, it's such an interesting, interesting concept of the voting

822
00:34:24,440 --> 00:34:26,760
Speaker 4: and the balance of when now I have to save somebody?

823
00:34:26,800 --> 00:34:29,680
Speaker 4: Am I voting against somebody else? Really really kind of

824
00:34:29,920 --> 00:34:32,160
Speaker 4: interesting all the way around. Yeah, I wish I understood it.

825
00:34:32,080 --> 00:34:36,800
Speaker 1: More, all right, Next up Scott Hoying and Riley Arnold.

826
00:34:39,200 --> 00:34:42,560
Speaker 1: This was for me the first time I really fell

827
00:34:42,560 --> 00:34:46,279
Speaker 1: in love with him. I just yeah, I find I

828
00:34:46,320 --> 00:34:49,120
Speaker 1: feel like he came I mean they said it like

829
00:34:49,239 --> 00:34:51,719
Speaker 1: that he came out of his shell and it was

830
00:34:51,800 --> 00:34:53,440
Speaker 1: you know, it was really sweet to see the video

831
00:34:53,760 --> 00:34:57,760
Speaker 1: of the wedding performance that he had done for his husband. Yeah,

832
00:34:57,800 --> 00:35:00,920
Speaker 1: and not only that, going back to wardrobe, when he

833
00:35:01,000 --> 00:35:05,240
Speaker 1: was wearing his suit in that that dance, his viral video,

834
00:35:05,600 --> 00:35:09,640
Speaker 1: he it looked great. Yeah, like a character, yes, But

835
00:35:09,680 --> 00:35:13,160
Speaker 1: for some reason they haven't like his His his wardrobe

836
00:35:13,200 --> 00:35:15,640
Speaker 1: I realized has not been working for him on this show.

837
00:35:16,120 --> 00:35:20,040
Speaker 1: And so even this dance, which I did like, I

838
00:35:20,040 --> 00:35:23,120
Speaker 1: didn't love the wardrobe. And there's something about like put

839
00:35:23,160 --> 00:35:24,960
Speaker 1: him in a suit. I want to see him do

840
00:35:25,120 --> 00:35:26,919
Speaker 1: like a full like tuxedo.

841
00:35:27,600 --> 00:35:29,640
Speaker 2: You know, I don't know. I'm just curious, but like

842
00:35:29,719 --> 00:35:33,920
Speaker 2: I thought that Jensen h do they pick their own wardrobe?

843
00:35:34,120 --> 00:35:34,880
Speaker 3: They're involved?

844
00:35:35,239 --> 00:35:37,439
Speaker 2: Okay, all right, that makes sense, Okay.

845
00:35:37,600 --> 00:35:40,279
Speaker 1: I think he just has very interesting posture, you know,

846
00:35:40,840 --> 00:35:44,520
Speaker 1: and he's he's seems like he's super tall. He's super tall,

847
00:35:44,520 --> 00:35:46,000
Speaker 1: but he also just has a tendency to sort of

848
00:35:46,000 --> 00:35:49,560
Speaker 1: fold his arms inward in this like interesting thing. And

849
00:35:50,160 --> 00:35:52,479
Speaker 1: it's really helped by like the shoulders of a suit,

850
00:35:52,600 --> 00:35:54,359
Speaker 1: do you know what I mean? Like it's like there's

851
00:35:54,400 --> 00:35:56,759
Speaker 1: something and because there's so much about dance that is

852
00:35:56,840 --> 00:36:01,719
Speaker 1: like sort of matching and idealized, you know, body frame frame. Yeah,

853
00:36:02,040 --> 00:36:04,640
Speaker 1: and I think it's harder for him to get there anyway.

854
00:36:04,719 --> 00:36:07,040
Speaker 1: I thought this, this was just great.

855
00:36:07,440 --> 00:36:10,000
Speaker 2: It was his best week. It was definitely his best week.

856
00:36:10,640 --> 00:36:13,680
Speaker 1: He's feeling more comfortable, and he went from being like,

857
00:36:13,719 --> 00:36:15,360
Speaker 1: for me, like someone who's not going to be on

858
00:36:15,400 --> 00:36:17,440
Speaker 1: the show very long, to like, no, this, this guy's

859
00:36:17,440 --> 00:36:18,640
Speaker 1: going to do it and he's working to.

860
00:36:18,800 --> 00:36:21,600
Speaker 3: Ask you a question though, Yeah, is it because he

861
00:36:21,680 --> 00:36:22,680
Speaker 3: was side by side?

862
00:36:23,200 --> 00:36:24,759
Speaker 2: Yes, that helped. I thought the same.

863
00:36:24,840 --> 00:36:27,120
Speaker 4: I thought the conversation you guys had in our last

864
00:36:27,160 --> 00:36:30,839
Speaker 4: episode and I had seriously was focusing on that, And yes,

865
00:36:30,880 --> 00:36:32,600
Speaker 4: I think the side by side is a big difference

866
00:36:32,600 --> 00:36:32,799
Speaker 4: for me.

867
00:36:32,880 --> 00:36:33,879
Speaker 2: But they're using it well.

868
00:36:33,920 --> 00:36:36,080
Speaker 1: I mean, I think that this is effective side by side,

869
00:36:36,120 --> 00:36:38,919
Speaker 1: whereas like what Corey Feldman was doing in week one

870
00:36:39,160 --> 00:36:40,960
Speaker 1: felt like a cop out in some way.

871
00:36:41,320 --> 00:36:43,719
Speaker 5: But eventually, eventually he's got to go back and frame

872
00:36:43,920 --> 00:36:44,760
Speaker 5: yes totally.

873
00:36:44,840 --> 00:36:47,560
Speaker 2: And that's why I'm saying like he's getting there. I

874
00:36:47,560 --> 00:36:51,560
Speaker 2: think they're figuring it out. Has he tangled yet, I

875
00:36:51,600 --> 00:36:51,960
Speaker 2: don't know.

876
00:36:52,360 --> 00:36:54,399
Speaker 4: I don't think he has him in his suit doing

877
00:36:54,400 --> 00:36:56,040
Speaker 4: a tango. Could be an interesting week.

878
00:36:56,280 --> 00:36:59,279
Speaker 5: This was This was jazz, which is technically kind of

879
00:36:59,320 --> 00:37:00,600
Speaker 5: a bit of a freeze.

880
00:37:00,520 --> 00:37:05,200
Speaker 1: Right right, all right, Well they got eight, seven and

881
00:37:05,360 --> 00:37:09,040
Speaker 1: seven from the judges, and then we move on to

882
00:37:09,560 --> 00:37:14,960
Speaker 1: Laria Baldwin and Glebe Savchenko. And this is a kind

883
00:37:15,000 --> 00:37:19,040
Speaker 1: of in the professional zone that you're talking about, where

884
00:37:19,040 --> 00:37:22,000
Speaker 1: it feels like, oh, this is a dancer. But there

885
00:37:22,080 --> 00:37:26,239
Speaker 1: was something a little fast and furious about this that

886
00:37:26,400 --> 00:37:27,560
Speaker 1: I didn't really love.

887
00:37:28,800 --> 00:37:31,319
Speaker 4: This was one of my least favorites of the night here,

888
00:37:31,360 --> 00:37:36,200
Speaker 4: and I'm trying to I hope it's not because I

889
00:37:36,239 --> 00:37:38,759
Speaker 4: don't just like her, because I don't know this woman

890
00:37:38,800 --> 00:37:41,680
Speaker 4: at all, and so I think there's some people that

891
00:37:41,840 --> 00:37:44,160
Speaker 4: just irrationally don't like Klaria Baldwin.

892
00:37:44,480 --> 00:37:47,399
Speaker 2: Yes, I'm hoping I'm not that person. I just felt

893
00:37:47,440 --> 00:37:49,240
Speaker 2: like there was a little lack of joy.

894
00:37:49,960 --> 00:37:52,279
Speaker 4: That's maybe that's what it is. I said this last

895
00:37:52,320 --> 00:37:55,319
Speaker 4: time she's danced by numbers. Yeah, it's all She's hitting

896
00:37:55,360 --> 00:37:55,960
Speaker 4: all the steps.

897
00:37:56,040 --> 00:37:58,080
Speaker 1: Yeah, it was like they're almost like a gritted teeth

898
00:37:58,200 --> 00:38:01,440
Speaker 1: quality to it. It was like, wow, technically, sure that

899
00:38:01,560 --> 00:38:03,400
Speaker 1: is great, but I don't know, Yes, I don't know

900
00:38:03,440 --> 00:38:05,240
Speaker 1: if I want to watch you dance.

901
00:38:05,800 --> 00:38:07,200
Speaker 2: That's just about I don't know.

902
00:38:07,280 --> 00:38:10,040
Speaker 1: It was like you're doing the thing, but yeah, here's

903
00:38:10,480 --> 00:38:12,200
Speaker 1: a little like let me do the thing and I'm

904
00:38:12,200 --> 00:38:14,120
Speaker 1: going to show you my yes and you're like cool,

905
00:38:14,640 --> 00:38:14,960
Speaker 1: all right.

906
00:38:15,200 --> 00:38:16,120
Speaker 2: Which let me give you a.

907
00:38:16,160 --> 00:38:18,439
Speaker 4: Quote from mash which I love to do, and it's

908
00:38:18,520 --> 00:38:22,040
Speaker 4: it's Charles Winchester who's talking to a professional musician and

909
00:38:22,080 --> 00:38:24,800
Speaker 4: he says to the guy, I can play the notes,

910
00:38:25,200 --> 00:38:28,880
Speaker 4: I can't make the music. And I feel there's something

911
00:38:29,800 --> 00:38:32,359
Speaker 4: kind of similar with her where she can hit all

912
00:38:32,400 --> 00:38:32,960
Speaker 4: the steps.

913
00:38:33,400 --> 00:38:36,800
Speaker 2: I mean, she looks like a dancer, but there's something

914
00:38:36,840 --> 00:38:40,680
Speaker 2: there that's not there, something missing. It's really interesting, all right.

915
00:38:40,800 --> 00:38:44,760
Speaker 1: Yeah, Well, the judges gave seven, eight and seven.

916
00:38:45,360 --> 00:38:48,200
Speaker 2: Seems like they are impressed by, you know, the technicality.

917
00:38:49,000 --> 00:38:51,080
Speaker 4: Now I have a question going back to now the

918
00:38:51,200 --> 00:38:54,640
Speaker 4: judges were towards the middle, if not middle end of

919
00:38:54,920 --> 00:38:58,400
Speaker 4: the show, and sevens and eights are flowing more freely,

920
00:38:58,640 --> 00:39:01,760
Speaker 4: whereas the first dancers we saw got a couple of sixes,

921
00:39:02,760 --> 00:39:06,839
Speaker 4: and I feel like if that same exact dance happened here, yep,

922
00:39:06,880 --> 00:39:07,600
Speaker 4: there wouldn't have been.

923
00:39:07,560 --> 00:39:08,800
Speaker 2: A six And completely agree.

924
00:39:08,800 --> 00:39:10,880
Speaker 1: Man, this is this is why, this is why I

925
00:39:10,960 --> 00:39:13,239
Speaker 1: like going In the first three I would say, is

926
00:39:13,600 --> 00:39:15,520
Speaker 1: not great. You want to be you want to be

927
00:39:15,600 --> 00:39:18,160
Speaker 1: Later in the night, everybody's loosened up. Everybody's sort of ye,

928
00:39:18,880 --> 00:39:19,160
Speaker 1: you know.

929
00:39:19,200 --> 00:39:21,680
Speaker 4: The judges are more free with the with the paddles. Yeah,

930
00:39:21,800 --> 00:39:36,440
Speaker 4: later in the show, all right, Andy Richter.

931
00:39:36,680 --> 00:39:41,800
Speaker 2: Emma Slater. I mean, I just love this guy. He's great, great,

932
00:39:42,560 --> 00:39:46,040
Speaker 2: and yeah, you know he is just working really hard.

933
00:39:46,280 --> 00:39:51,520
Speaker 1: And they did the fox trot to uh Northern attitude,

934
00:39:51,800 --> 00:39:54,160
Speaker 1: and yeah, I think that the the the judging on

935
00:39:54,200 --> 00:39:58,560
Speaker 1: this was super fair because you know, I realized we

936
00:39:58,600 --> 00:40:01,839
Speaker 1: haven't had a single five all night. So even though

937
00:40:01,840 --> 00:40:04,880
Speaker 1: I said earlier like, oh, they seem like they're being harsh,

938
00:40:05,239 --> 00:40:06,759
Speaker 1: everybody was six and up.

939
00:40:07,480 --> 00:40:08,680
Speaker 2: So this was the lowest.

940
00:40:08,400 --> 00:40:11,040
Speaker 1: Score of the night with sixes across the board. But

941
00:40:11,200 --> 00:40:14,200
Speaker 1: I thought this was just sweet and emotional.

942
00:40:15,160 --> 00:40:15,920
Speaker 2: People were crying.

943
00:40:16,239 --> 00:40:18,920
Speaker 4: Susan cried watching Andy dance, and then we were watching

944
00:40:18,920 --> 00:40:22,040
Speaker 4: people in the background who were literally crying behind the judges.

945
00:40:22,280 --> 00:40:23,279
Speaker 2: It really was just.

946
00:40:23,200 --> 00:40:26,879
Speaker 1: Like super heartwarming and lovely to see and like, man,

947
00:40:26,920 --> 00:40:27,960
Speaker 1: he's just he's he's.

948
00:40:27,840 --> 00:40:29,040
Speaker 2: Giving it as all. You know.

949
00:40:29,080 --> 00:40:32,600
Speaker 1: I think that he realized he realized after that first

950
00:40:32,600 --> 00:40:35,880
Speaker 1: week comment about the paycheck that like he doesn't care

951
00:40:35,920 --> 00:40:38,360
Speaker 1: about that, you know, I mean it never probably did really,

952
00:40:38,640 --> 00:40:41,279
Speaker 1: but I think that he's taking it seriously, and I

953
00:40:41,320 --> 00:40:44,000
Speaker 1: think it's just showing and it's it's you just love

954
00:40:44,040 --> 00:40:46,120
Speaker 1: the guy like you know, and you love them together.

955
00:40:46,160 --> 00:40:46,880
Speaker 1: It's just working.

956
00:40:47,000 --> 00:40:47,760
Speaker 2: It's so nice.

957
00:40:48,160 --> 00:40:52,840
Speaker 1: I agree, all right, Next up, Robert Irwin, Whitney Carson.

958
00:40:54,560 --> 00:40:58,839
Speaker 1: This is you know your this is your favorite so far, right,

959
00:40:59,080 --> 00:40:59,879
Speaker 1: this couple.

960
00:40:59,760 --> 00:41:02,680
Speaker 2: It is until this week. I frankly thought this was

961
00:41:02,680 --> 00:41:03,839
Speaker 2: his worst dance so far.

962
00:41:04,560 --> 00:41:06,920
Speaker 4: I thought he was trying a little hard, and I

963
00:41:07,000 --> 00:41:10,880
Speaker 4: agreed exactly with what the judges were saying, where it

964
00:41:10,960 --> 00:41:13,680
Speaker 4: was this weird kind of staccato motions when he was

965
00:41:13,719 --> 00:41:16,560
Speaker 4: doing his side by side that weren't there wasn't a

966
00:41:16,560 --> 00:41:18,359
Speaker 4: flow to it this week, and I thought this was

967
00:41:18,760 --> 00:41:20,279
Speaker 4: by far his worst week.

968
00:41:20,320 --> 00:41:22,480
Speaker 2: I mean, ripping off his shirt, yeah was.

969
00:41:23,080 --> 00:41:24,520
Speaker 1: I mean the moment it started, I was like, why

970
00:41:24,520 --> 00:41:25,480
Speaker 1: does this feel like magic?

971
00:41:25,560 --> 00:41:25,799
Speaker 2: Mike?

972
00:41:26,440 --> 00:41:26,640
Speaker 4: Yes?

973
00:41:26,719 --> 00:41:28,399
Speaker 1: And then he rapped on a shirt and I was like, well,

974
00:41:28,400 --> 00:41:32,160
Speaker 1: that's why, because it is here, we're at a strip club.

975
00:41:32,239 --> 00:41:34,840
Speaker 2: And yeah, it was just a little too far, you know.

976
00:41:34,920 --> 00:41:36,920
Speaker 2: And again like I feel like everyone was going for

977
00:41:37,000 --> 00:41:41,359
Speaker 2: sexy and it felt a little just like, I don't know,

978
00:41:41,480 --> 00:41:43,520
Speaker 2: do we need to do this. Here's the other thing.

979
00:41:43,640 --> 00:41:45,279
Speaker 4: If you're gonna rip your shirt off in the middle

980
00:41:45,280 --> 00:41:47,920
Speaker 4: of the dance, give this dude's shirt back for all

981
00:41:47,960 --> 00:41:52,400
Speaker 4: the subsequent interviews. Like he's standing there afterwards getting his

982
00:41:52,440 --> 00:41:53,920
Speaker 4: scores and everything with no shirt on.

983
00:41:54,080 --> 00:41:56,400
Speaker 2: And he's got you got tiny little nipples.

984
00:41:56,440 --> 00:41:58,000
Speaker 4: I don't know if you noticed his tiny little man

985
00:41:58,040 --> 00:42:00,560
Speaker 4: to mass but Susan pointed, She's like.

986
00:42:00,560 --> 00:42:04,000
Speaker 2: They're tiny little man nipples. But give the dude his

987
00:42:04,080 --> 00:42:06,600
Speaker 2: shirt back, yeah, or put him in a nice like

988
00:42:06,800 --> 00:42:08,160
Speaker 2: a smoking jacket.

989
00:42:08,000 --> 00:42:12,040
Speaker 4: Yes, something classic, something something, Because it does it gets

990
00:42:12,040 --> 00:42:14,920
Speaker 4: a little uncomfortable. It's like it's like the second the

991
00:42:14,960 --> 00:42:18,680
Speaker 4: second ten minutes of hiring somebody to play violin while

992
00:42:18,719 --> 00:42:20,680
Speaker 4: you're on a date. You know, it's like the first

993
00:42:20,719 --> 00:42:22,320
Speaker 4: song is great, and then it's like, now you're just

994
00:42:22,440 --> 00:42:24,440
Speaker 4: uncomfortable with you sitting around watching us.

995
00:42:24,440 --> 00:42:25,799
Speaker 2: Sound true, so true.

996
00:42:25,840 --> 00:42:28,560
Speaker 1: It was like, yeah, just trying a little too hard. Yes,

997
00:42:28,880 --> 00:42:31,319
Speaker 1: you know, it felt like I could feel how young

998
00:42:31,360 --> 00:42:31,719
Speaker 1: he was.

999
00:42:32,280 --> 00:42:34,200
Speaker 2: Yeah, you know, I think he actually looks.

1000
00:42:33,960 --> 00:42:36,600
Speaker 1: A little older than he is, Like, I mean, he's twenty,

1001
00:42:36,680 --> 00:42:39,160
Speaker 1: isn't he? I know, but you know, there's just a

1002
00:42:39,239 --> 00:42:41,200
Speaker 1: quality when he ripped off his shirt. I was like,

1003
00:42:41,560 --> 00:42:43,680
Speaker 1: there's probably a part of his brain that went, oh.

1004
00:42:43,560 --> 00:42:44,239
Speaker 2: This was too much.

1005
00:42:45,320 --> 00:42:48,000
Speaker 5: But I saw great I saw a great clip online

1006
00:42:48,040 --> 00:42:51,080
Speaker 5: from a podcast if someone saying, is he twenty? And

1007
00:42:51,080 --> 00:42:53,320
Speaker 5: then someone was like, I don't know, I think he

1008
00:42:53,400 --> 00:42:55,200
Speaker 5: might be like thirty five, And then the other person

1009
00:42:55,280 --> 00:42:59,000
Speaker 5: was like, he might be seven, Like he's kind of age.

1010
00:43:00,120 --> 00:43:00,759
Speaker 2: Well that's the thing.

1011
00:43:01,080 --> 00:43:03,480
Speaker 1: What I saw last night was some a young person

1012
00:43:03,520 --> 00:43:05,839
Speaker 1: who was used to just like going for it and

1013
00:43:05,920 --> 00:43:09,080
Speaker 1: always getting good feedback. And I feel like, for the

1014
00:43:09,120 --> 00:43:11,960
Speaker 1: first time in a good, probably humbling move, it was

1015
00:43:12,000 --> 00:43:14,160
Speaker 1: a little like you can't just rip off your shirt

1016
00:43:14,200 --> 00:43:16,160
Speaker 1: on this show, man, Like, yes, that's not the point

1017
00:43:16,160 --> 00:43:18,520
Speaker 1: of the show. Like it just felt a little like

1018
00:43:18,920 --> 00:43:21,080
Speaker 1: I'm gonna do it all and you don't like me

1019
00:43:21,080 --> 00:43:21,840
Speaker 1: because I got.

1020
00:43:21,640 --> 00:43:23,759
Speaker 2: A good body and was like, yes, of course, but

1021
00:43:23,880 --> 00:43:26,160
Speaker 2: I don't know, you don't have to agree. It was

1022
00:43:26,280 --> 00:43:26,560
Speaker 2: it was.

1023
00:43:26,600 --> 00:43:28,400
Speaker 4: It was by far his weakest dance, I thought, and

1024
00:43:28,440 --> 00:43:31,000
Speaker 4: I think, I still think he's the odds on favorite,

1025
00:43:31,400 --> 00:43:34,279
Speaker 4: and I think next week, I mean again, though, with

1026
00:43:34,440 --> 00:43:37,680
Speaker 4: this misstep, I could easily see Jordan Chiles taking over

1027
00:43:37,719 --> 00:43:38,920
Speaker 4: the top spot for that degree.

1028
00:43:39,080 --> 00:43:39,640
Speaker 2: I agree.

1029
00:43:40,360 --> 00:43:44,160
Speaker 3: So they were or Whitney or Whitney, Yeah, I guess.

1030
00:43:43,960 --> 00:43:48,440
Speaker 1: Yeah, eight seven to seven, which seemed about right.

1031
00:43:48,560 --> 00:43:49,800
Speaker 2: Maybe yeah, a little high.

1032
00:43:50,360 --> 00:43:52,880
Speaker 4: It could have been triple sevens across. I did not think.

1033
00:43:53,120 --> 00:43:56,799
Speaker 4: This was not better than Danielle's dance. Interesting who got

1034
00:43:56,800 --> 00:43:59,440
Speaker 4: triple seven's. This was not better than Daniel's dance in

1035
00:43:59,480 --> 00:44:00,000
Speaker 4: my opinion.

1036
00:44:00,160 --> 00:44:03,720
Speaker 2: I agree, I agree, all right, Next we had Alex

1037
00:44:03,760 --> 00:44:09,640
Speaker 2: and val. This was just not my taste.

1038
00:44:10,880 --> 00:44:11,440
Speaker 3: It's all right.

1039
00:44:11,520 --> 00:44:13,840
Speaker 2: I was just all the It just was a little

1040
00:44:13,920 --> 00:44:17,799
Speaker 2: pink and goofy. The pink is weird. I don't know.

1041
00:44:17,880 --> 00:44:19,680
Speaker 2: There was just I was total I had a hard

1042
00:44:19,680 --> 00:44:20,160
Speaker 2: time judging.

1043
00:44:20,200 --> 00:44:22,520
Speaker 1: I was like, you know, in terms of production and approach,

1044
00:44:22,680 --> 00:44:24,279
Speaker 1: this is just not the kind of thing I would

1045
00:44:24,320 --> 00:44:27,080
Speaker 1: ever want to watch, right, I know that's not very helpful,

1046
00:44:27,120 --> 00:44:29,400
Speaker 1: but I was just like and for some reason, especially

1047
00:44:29,440 --> 00:44:32,000
Speaker 1: coming out of all these like dark and sexy, it

1048
00:44:32,040 --> 00:44:36,440
Speaker 1: was a little just like and I was like, cool,

1049
00:44:37,719 --> 00:44:40,640
Speaker 1: So I feel incapable of actually judging the dancing.

1050
00:44:40,719 --> 00:44:42,600
Speaker 2: I guess they were great. It was fine.

1051
00:44:43,040 --> 00:44:45,759
Speaker 1: The judges gave them eight seven eight. I don't know

1052
00:44:46,040 --> 00:44:47,080
Speaker 1: an other cars.

1053
00:44:47,280 --> 00:44:49,719
Speaker 4: No, I feel I feel kind of the same way.

1054
00:44:49,719 --> 00:44:51,880
Speaker 4: To be honest with you, I don't entirely remember the dance,

1055
00:44:52,080 --> 00:44:55,600
Speaker 4: and that's got to mean something there. But the the

1056
00:44:55,719 --> 00:44:58,320
Speaker 4: outfits through me. It was a little like dance sponsored

1057
00:44:58,320 --> 00:45:01,560
Speaker 4: by pepto bismol. Yeah it was. It was a little

1058
00:45:01,560 --> 00:45:02,120
Speaker 4: strange for me.

1059
00:45:02,160 --> 00:45:04,920
Speaker 2: This yeah, all.

1060
00:45:04,960 --> 00:45:08,680
Speaker 1: Right, well uh and then we went into the judging

1061
00:45:09,239 --> 00:45:13,600
Speaker 1: the results this was yeah, So what is shocking to me?

1062
00:45:13,840 --> 00:45:15,960
Speaker 2: I don't know. I don't know.

1063
00:45:17,160 --> 00:45:19,400
Speaker 4: I don't know if it's just Is it really just

1064
00:45:19,440 --> 00:45:20,640
Speaker 4: a popularity contest?

1065
00:45:20,680 --> 00:45:21,799
Speaker 2: Is that all that it is?

1066
00:45:22,400 --> 00:45:25,880
Speaker 1: But in that case, she's in a band that's very popular,

1067
00:45:26,120 --> 00:45:28,040
Speaker 1: she was dancing. I mean, do you think that there

1068
00:45:28,080 --> 00:45:29,759
Speaker 1: was blowback for the fact that she was dancing to

1069
00:45:29,800 --> 00:45:30,520
Speaker 1: her own song?

1070
00:45:31,239 --> 00:45:31,920
Speaker 2: Would that be?

1071
00:45:32,239 --> 00:45:34,520
Speaker 5: But I'll throw something in just so that there's not

1072
00:45:34,600 --> 00:45:36,480
Speaker 5: just two hosts saying how did it happen? Okay, this

1073
00:45:36,560 --> 00:45:39,520
Speaker 5: is me just playing devil's advocate. Did she have one

1074
00:45:39,520 --> 00:45:40,879
Speaker 5: of the worst dances of the night.

1075
00:45:42,840 --> 00:45:46,200
Speaker 3: Yes, yeah, did you guys, did you guys review Andy?

1076
00:45:46,680 --> 00:45:48,719
Speaker 2: Yeah? Yeah?

1077
00:45:48,760 --> 00:45:52,320
Speaker 5: Right, So okay, So I guess you could argue Andy

1078
00:45:52,480 --> 00:45:56,680
Speaker 5: and her are the two lowest of the night in reality,

1079
00:45:56,719 --> 00:45:59,000
Speaker 5: even if you didn't like certain things, you're right, okay.

1080
00:45:58,920 --> 00:46:01,240
Speaker 1: Right, But so this is this is where Andy wins

1081
00:46:01,280 --> 00:46:04,040
Speaker 1: on his personality and the emotional She is somewhat in

1082
00:46:04,080 --> 00:46:07,360
Speaker 1: between both because right she loses. She's not one of

1083
00:46:07,360 --> 00:46:11,920
Speaker 1: the professionals, right necessarily, She's also not one of the

1084
00:46:12,000 --> 00:46:15,600
Speaker 1: huge personality like in the same way that like, you know,

1085
00:46:16,000 --> 00:46:18,919
Speaker 1: the Pantonics, Scott and like, I feel like she sort

1086
00:46:18,920 --> 00:46:21,520
Speaker 1: of just fall fell a little in between, and it's

1087
00:46:21,520 --> 00:46:23,479
Speaker 1: too bad because I think she deserves to stay.

1088
00:46:23,800 --> 00:46:27,080
Speaker 4: Yeah, so then sent home? Then who would you have

1089
00:46:27,120 --> 00:46:28,759
Speaker 4: sent home? If you if you keep her, who do

1090
00:46:28,800 --> 00:46:29,319
Speaker 4: you send home?

1091
00:46:29,440 --> 00:46:34,320
Speaker 3: I mean, by the by the by the question depends

1092
00:46:34,320 --> 00:46:35,280
Speaker 3: on what you see the show.

1093
00:46:35,600 --> 00:46:37,200
Speaker 2: I mean, I yeah, I know that's the thing.

1094
00:46:37,200 --> 00:46:40,080
Speaker 5: If you're voting for best dance, Andy goes home. If

1095
00:46:40,360 --> 00:46:43,400
Speaker 5: you're dating for if you're voting for favorite dance, Andy

1096
00:46:43,440 --> 00:46:44,040
Speaker 5: can't go home.

1097
00:46:44,120 --> 00:46:46,680
Speaker 1: No, I guess if I just am voting on who

1098
00:46:46,760 --> 00:46:49,680
Speaker 1: I want to see again. You know, I would probably

1099
00:46:49,719 --> 00:46:53,400
Speaker 1: send Laria a home if it's just about like, do

1100
00:46:53,440 --> 00:46:55,319
Speaker 1: I want to see you next week and and and

1101
00:46:55,440 --> 00:46:58,000
Speaker 1: give you another shot at impressing me, because I feel

1102
00:46:58,000 --> 00:46:59,640
Speaker 1: like she doesn't need this in some way.

1103
00:47:00,000 --> 00:47:02,640
Speaker 2: It's like, you can dance, you can do the things

1104
00:47:02,760 --> 00:47:05,840
Speaker 2: I'm not. I just don't enjoy. She's a better dancer

1105
00:47:05,960 --> 00:47:08,040
Speaker 2: and not as good a personality. Yeah, so it is,

1106
00:47:08,080 --> 00:47:09,239
Speaker 2: it's what are you voting on?

1107
00:47:09,400 --> 00:47:09,520
Speaker 4: Right?

1108
00:47:09,600 --> 00:47:11,040
Speaker 3: I would say I would send her home. That would

1109
00:47:11,080 --> 00:47:11,480
Speaker 3: have been mine.

1110
00:47:11,680 --> 00:47:13,920
Speaker 4: Yeah, if I'm gonna, if I'm going to save her,

1111
00:47:13,920 --> 00:47:15,480
Speaker 4: then I would have. I would have sent Hilario home

1112
00:47:15,520 --> 00:47:15,799
Speaker 4: as well.

1113
00:47:15,960 --> 00:47:17,240
Speaker 2: Yeah.

1114
00:47:17,400 --> 00:47:19,719
Speaker 3: Yeah, but if you're playing the game is dancing, which

1115
00:47:19,719 --> 00:47:21,640
Speaker 3: I don't know why you would, it's andy.

1116
00:47:22,200 --> 00:47:23,080
Speaker 2: Yeah, m hmm.

1117
00:47:24,600 --> 00:47:26,600
Speaker 4: And it's gonna get tough for every week. Every week

1118
00:47:26,640 --> 00:47:28,279
Speaker 4: is gonna get Yeah, well that's the thing. I mean,

1119
00:47:28,320 --> 00:47:30,560
Speaker 4: at a certain point, we're just gonna we like everybody.

1120
00:47:30,640 --> 00:47:33,560
Speaker 4: And yeah, there's no obvious I mean that the first

1121
00:47:34,239 --> 00:47:38,719
Speaker 4: two just seemed sort of inevitable, right, so now we're

1122
00:47:38,719 --> 00:47:39,560
Speaker 4: just getting down to.

1123
00:47:40,400 --> 00:47:43,920
Speaker 5: But I think this week proved because I loved Lauren's

1124
00:47:43,920 --> 00:47:46,000
Speaker 5: first two dances. I thought they were really good. But

1125
00:47:46,040 --> 00:47:48,080
Speaker 5: I think this week proves you have a bad week,

1126
00:47:48,160 --> 00:47:49,319
Speaker 5: you can go home, right.

1127
00:47:49,960 --> 00:47:53,200
Speaker 4: Yeah, and again I don't think she necessarily had a

1128
00:47:53,200 --> 00:47:53,760
Speaker 4: bad week.

1129
00:47:53,840 --> 00:47:56,040
Speaker 2: It just wasn't as good as the other ones.

1130
00:47:56,239 --> 00:47:59,120
Speaker 3: I didn't like it so but I love the first two.

1131
00:47:59,520 --> 00:48:00,080
Speaker 4: Yeah.

1132
00:48:00,239 --> 00:48:03,640
Speaker 2: Yeah. The construction thing was a lot so yeah, okay,

1133
00:48:03,960 --> 00:48:06,279
Speaker 2: all right, all right, do you have a question for me?

1134
00:48:06,520 --> 00:48:07,319
Speaker 2: I absolutely do.

1135
00:48:07,920 --> 00:48:10,800
Speaker 4: As you know, we have started something here on podmets

1136
00:48:10,800 --> 00:48:14,600
Speaker 4: Tworld which is called the Strong Incentive, which is we

1137
00:48:14,640 --> 00:48:16,359
Speaker 4: are trying to find out exactly what it would take

1138
00:48:16,360 --> 00:48:20,160
Speaker 4: to get Ryder Strong himself onto Dancing with the Stars.

1139
00:48:20,200 --> 00:48:22,319
Speaker 4: If you were calling our first two episodes, episode number one,

1140
00:48:22,360 --> 00:48:24,959
Speaker 4: somebody showed up at Rider's house with a briefcase. Open

1141
00:48:25,000 --> 00:48:29,040
Speaker 4: the briefcase five hundred thousand dollars in cash, he said no. Now,

1142
00:48:29,239 --> 00:48:33,520
Speaker 4: last week we added to that with the twenty twenty

1143
00:48:33,520 --> 00:48:37,439
Speaker 4: five Airstream Atlas with the Murphy Sweet value three hundred

1144
00:48:37,440 --> 00:48:39,880
Speaker 4: and seventeen thousand dollars, which I did.

1145
00:48:39,760 --> 00:48:42,560
Speaker 1: Look up after we discussed, and you're right it was

1146
00:48:42,600 --> 00:48:43,319
Speaker 1: a sprinter van.

1147
00:48:43,480 --> 00:48:43,920
Speaker 2: It was.

1148
00:48:45,480 --> 00:48:48,600
Speaker 1: I still I don't like expanding camper vans.

1149
00:48:48,640 --> 00:48:51,040
Speaker 2: I don't want to expand out to the sides. I

1150
00:48:51,080 --> 00:48:54,360
Speaker 2: want my campravan to stay. It's just how it's like

1151
00:48:54,520 --> 00:48:57,760
Speaker 2: specific things. Okay, So here's the thing. I realized.

1152
00:48:57,840 --> 00:49:01,200
Speaker 4: I can't just keep adding money and pri mean because

1153
00:49:01,200 --> 00:49:03,319
Speaker 4: then it's just like now you're turning down three million dollars.

1154
00:49:03,320 --> 00:49:04,120
Speaker 2: It just gets boring.

1155
00:49:04,560 --> 00:49:07,480
Speaker 4: So what I have come up with is something things

1156
00:49:07,520 --> 00:49:11,440
Speaker 4: I think you are going to go. Oh man, So

1157
00:49:12,160 --> 00:49:14,440
Speaker 4: if you recall week one, you turned down the briefcase.

1158
00:49:14,520 --> 00:49:16,719
Speaker 4: Now it's you've turned down the briefcase and this and

1159
00:49:16,760 --> 00:49:20,359
Speaker 4: the sprinter van. Now we're here. Now a box.

1160
00:49:20,400 --> 00:49:21,279
Speaker 2: Arrives at your house.

1161
00:49:22,239 --> 00:49:26,840
Speaker 4: You open the box and it's Sean's original leather jacket.

1162
00:49:27,480 --> 00:49:29,160
Speaker 2: Oh, you're getting personal.

1163
00:49:28,920 --> 00:49:32,840
Speaker 4: The lost leather jacket that you had was stolen in

1164
00:49:32,880 --> 00:49:36,080
Speaker 4: New York. It's the original one, with a note saying

1165
00:49:36,120 --> 00:49:37,680
Speaker 4: I'm so sorry I took this from you.

1166
00:49:37,960 --> 00:49:39,800
Speaker 3: Any cash any cash in that box?

1167
00:49:40,440 --> 00:49:40,680
Speaker 2: Nope.

1168
00:49:41,160 --> 00:49:43,000
Speaker 4: So you've got the five hundred grand, you've got the

1169
00:49:43,040 --> 00:49:47,080
Speaker 4: sprinter van, and now you've gotten sean original leather jacket.

1170
00:49:47,160 --> 00:49:47,319
Speaker 2: Oh.

1171
00:49:47,480 --> 00:49:51,480
Speaker 1: You know what's awful about this is it you're turning

1172
00:49:51,640 --> 00:49:55,360
Speaker 1: You're turning me against my fans because you know that

1173
00:49:55,560 --> 00:49:57,920
Speaker 1: they want me to have the sean jacket, and they

1174
00:49:57,960 --> 00:50:01,200
Speaker 1: want me to care about the sewn jarget, which about

1175
00:50:01,520 --> 00:50:02,960
Speaker 1: But here's I'm gonna say no.

1176
00:50:03,160 --> 00:50:04,040
Speaker 2: And here's why.

1177
00:50:04,440 --> 00:50:08,440
Speaker 1: Here's why, because I would never feel comfortable wearing that

1178
00:50:08,560 --> 00:50:09,360
Speaker 1: jacket in public.

1179
00:50:09,400 --> 00:50:11,040
Speaker 2: I feel uncomfortable wearing leather.

1180
00:50:10,920 --> 00:50:13,960
Speaker 1: Jackets in public because of the association with John.

1181
00:50:14,520 --> 00:50:16,600
Speaker 2: I want the object and I want to be able

1182
00:50:16,640 --> 00:50:18,640
Speaker 2: to give it to my son. You're like, that would

1183
00:50:18,680 --> 00:50:20,160
Speaker 2: be it's an heirloom.

1184
00:50:20,640 --> 00:50:23,919
Speaker 1: Yes, I care about it, but no, it's not worth

1185
00:50:24,520 --> 00:50:27,560
Speaker 1: the pain and humiliation of I don't know how many

1186
00:50:27,560 --> 00:50:30,239
Speaker 1: weeks where I would just be, Oh, I would be

1187
00:50:30,320 --> 00:50:33,919
Speaker 1: dying inside every second I was on that stage doing

1188
00:50:33,960 --> 00:50:34,239
Speaker 1: this show.

1189
00:50:34,280 --> 00:50:34,719
Speaker 2: I could not.

1190
00:50:34,920 --> 00:50:37,080
Speaker 4: Then you would be you would be cashing your five

1191
00:50:37,160 --> 00:50:39,760
Speaker 4: hundred grand in your sprinter van with your leather jacket

1192
00:50:39,800 --> 00:50:41,920
Speaker 4: on indyed to keep him warm as he watched you day.

1193
00:50:42,360 --> 00:50:43,759
Speaker 2: No, I can't do it, man, I.

1194
00:50:43,719 --> 00:50:49,000
Speaker 1: Can't if Yeah, because there's no it's just sentimental value,

1195
00:50:49,320 --> 00:50:50,480
Speaker 1: which is so lovely.

1196
00:50:50,880 --> 00:50:52,359
Speaker 2: But it's not worth it.

1197
00:50:52,840 --> 00:50:55,440
Speaker 1: No, God, it would just be it's so painful to

1198
00:50:55,440 --> 00:50:57,359
Speaker 1: think about it, and we try again next week.

1199
00:50:57,400 --> 00:51:02,640
Speaker 2: I mean, and no one about my dancing. I mean,

1200
00:51:02,640 --> 00:51:04,120
Speaker 2: that's just awful.

1201
00:51:04,719 --> 00:51:06,360
Speaker 3: I mean, this is all of the things he doesn't

1202
00:51:06,360 --> 00:51:06,680
Speaker 3: want to do.

1203
00:51:07,040 --> 00:51:11,400
Speaker 4: I mean, if you think I am not going to

1204
00:51:11,520 --> 00:51:14,000
Speaker 4: eventually hit something that's going to make you go, all right,

1205
00:51:14,040 --> 00:51:15,719
Speaker 4: I have to do it. You're crazy because I've got

1206
00:51:15,719 --> 00:51:18,440
Speaker 4: some stuff coming up that you can't say no to.

1207
00:51:18,680 --> 00:51:20,040
Speaker 2: You can't. We'll see.

1208
00:51:20,080 --> 00:51:25,440
Speaker 4: So we'll see, my friend, I have to give a

1209
00:51:25,480 --> 00:51:27,600
Speaker 4: shout out. That was actually a comment on one of

1210
00:51:27,600 --> 00:51:30,040
Speaker 4: our ig pages from somebody, and I was like, that's

1211
00:51:30,040 --> 00:51:34,760
Speaker 4: a great way to put it in there and sold

1212
00:51:36,160 --> 00:51:40,399
Speaker 4: and you made them exactly Well, Hey, I didn't. I'm

1213
00:51:40,400 --> 00:51:43,160
Speaker 4: not the one who made you hate your fans. It

1214
00:51:43,280 --> 00:51:45,640
Speaker 4: is what it is. But there we go, my friend.

1215
00:51:45,640 --> 00:51:47,160
Speaker 4: We are three in, three out.

1216
00:51:47,600 --> 00:51:50,320
Speaker 1: Okay, that's it for this episode of pod Meets Twirled.

1217
00:51:50,640 --> 00:51:53,160
Speaker 1: Join us next week as we continue watching season thirty

1218
00:51:53,160 --> 00:51:55,520
Speaker 1: four of Dancing with the Stars. We may not know

1219
00:51:55,520 --> 00:51:57,719
Speaker 1: a fox trot from a fox hole, but we know

1220
00:51:57,760 --> 00:52:01,200
Speaker 1: what we learned back in Phoenie's class. Daniel Fischle is

1221
00:52:01,239 --> 00:52:05,520
Speaker 1: the star of the show. Podmeats World is an iHeart

1222
00:52:05,560 --> 00:52:09,120
Speaker 1: podcast producer hosted by Daniel Fishle, Wilfridell and Ryder Strong.

1223
00:52:09,320 --> 00:52:12,759
Speaker 1: Executive producers Jensen Karp and Amy Sugarman, Executive in charge

1224
00:52:12,760 --> 00:52:16,600
Speaker 1: of production, Danielle Romo, producer and editor, Tara Subachsch producer,

1225
00:52:16,680 --> 00:52:19,920
Speaker 1: Mattie Moore engineer and Boy Meets World Superman Easton Allen.

1226
00:52:20,040 --> 00:52:23,160
Speaker 1: Our theme song is by Kyle Morton of Typhoon. Follow

1227
00:52:23,239 --> 00:52:26,080
Speaker 1: us on Instagram at Podmets World Show or email us

1228
00:52:26,120 --> 00:52:32,040
Speaker 1: at Podmeats World Show at gmail dot com