WEBVTT - Danny Zelisko

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<v Speaker 1>Welcome, Welcome, Welcome back to Bob Left That podcast. My

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<v Speaker 1>guest today is consa promotor. Danny's a list of who's

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<v Speaker 1>got a brand new book all excess Danny. Good to happen,

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<v Speaker 1>Great to be here, Bob. How are you? I'm good.

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<v Speaker 1>Let's start with the most important thing first. How do

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<v Speaker 1>you become a member of the White Castle Hall of Fame? UM?

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<v Speaker 1>Last year, You're good friend. Toby Mamis made me aware

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<v Speaker 1>of the fact that Alice was going to get an

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<v Speaker 1>Alice Cooper's corner at the new White Castle in Scottsdale.

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<v Speaker 1>There has never been other than the Vegas White Castle

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<v Speaker 1>on the Strip. Uh, There's never been another White Castle

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<v Speaker 1>franchise in Arizona anywhere west of the Mississippi. UM, there

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<v Speaker 1>are no franchises. They're all family owned. I tried to

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<v Speaker 1>buy one forty years ago and they said we're family owned,

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<v Speaker 1>forget it. And I ended up meeting up with these

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<v Speaker 1>people and and and working with them with Alice for

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<v Speaker 1>this uh grand opening. And it was no big deal,

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<v Speaker 1>was just a couple of phone calls and so forth.

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<v Speaker 1>But I ended up showing up there with them. I

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<v Speaker 1>met the family, the white Castle family, that's the real

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<v Speaker 1>last name white Castle family. And they ended up becoming

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<v Speaker 1>friendly with me, and then I said, well, hell, John

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<v Speaker 1>Prine should go into the Hall of Fame. I mean,

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<v Speaker 1>he's a major white Castle lover. And and then Tommy

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<v Speaker 1>Shaw came to town in January and we had a

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<v Speaker 1>show and after the show, I had a crave case backstage,

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<v Speaker 1>which the bands just go crazy for when you have

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<v Speaker 1>White Castles. After the show for him and Tommy Shaw

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<v Speaker 1>went crazy. So I talked to this guy at White

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<v Speaker 1>Castle and I said, we'd like to do another Hall

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<v Speaker 1>of Fame thing. I got John Prine and I got

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<v Speaker 1>Tommy Shawn and I'll do it too if you want.

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<v Speaker 1>And he he loved me, and I met him with

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<v Speaker 1>the Alice thing, and one thing led to another, and

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<v Speaker 1>we had this little induction ceremony in the Nashville White

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<v Speaker 1>Castle because that's where both Tommy and Fiona Prime live.

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<v Speaker 1>Um and uh. It was a great, great experience. So

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<v Speaker 1>to to enhance that, they sent me out these things

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<v Speaker 1>called Crave clutch boxes that you can go to White

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<v Speaker 1>Castle and it's like a little suitcase and they'll put

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<v Speaker 1>twenty Hamburgers in there for you and you walk away

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<v Speaker 1>like it's a little briefcase. They sent me a thousand

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<v Speaker 1>of those to send out my book into the people

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<v Speaker 1>who are buying it online. And then they gave me

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<v Speaker 1>coupons to to get free uh uh frozen burgers and

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<v Speaker 1>and if you're in the town that's got real White Castle,

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<v Speaker 1>you can go there. And they had a coupon for

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<v Speaker 1>three burgers. So I called the dinner in a show.

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<v Speaker 1>I sent a couple of little wine tasting glasses in

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<v Speaker 1>the box along with the book. And everybody's really enjoyed

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<v Speaker 1>the presentation. Yeah, the presentation is great. I was surprised.

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<v Speaker 1>You don't normally get someone putting that much thought into it.

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<v Speaker 1>But just to go back, the national headquarters of White

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<v Speaker 1>Castle are were It's in Columbus, Ohio. Columbus, Ohio. So

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<v Speaker 1>did you grow up eating White Castle? I did? Um,

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<v Speaker 1>you know, back in the fifties. Uh, you know, six kids,

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<v Speaker 1>eight people in the house, small house. Um. Dad's an electrician.

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<v Speaker 1>We don't go out for dinner very often. But when

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<v Speaker 1>you can get a dozen burgers for a buck, he

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<v Speaker 1>can be a stud and take his family out to dinner.

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<v Speaker 1>And that's the whole idea behind that restaurant. I've always

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<v Speaker 1>loved them for that, They've the family thing about it,

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<v Speaker 1>and and and just the fact that they're always open

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<v Speaker 1>and ready to feed you. I just love them. Okay.

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<v Speaker 1>You know, I've heard from varying people about pulling all

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<v Speaker 1>miters and going to White Castle, and they would tell

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<v Speaker 1>you how many burgers they ate at that time. What's

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<v Speaker 1>the greatest numbumber of white Castle burgers? You've eaten it?

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<v Speaker 1>One time? I would have to say the one and

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<v Speaker 1>only time I did ten was in a white Castle

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<v Speaker 1>eating contest that Adam west Batman was the judge of.

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<v Speaker 1>And I tied with a local TV celebrity and Phoenix,

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<v Speaker 1>a news guy, and and immediately following the show, I

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<v Speaker 1>went on too. He had a tour bus for a

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<v Speaker 1>dressing room was out out in this place called Fountain Hills,

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<v Speaker 1>and they brought a semi of white castles out there.

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<v Speaker 1>And afterwards I said, Adam, can I use your bus?

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<v Speaker 1>He goes, remember No number two? And I said how

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<v Speaker 1>about a number three? And and out they went. Um.

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<v Speaker 1>But you know, nowadays I'm a two or three White

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<v Speaker 1>Castle guy. Those things just they're so delicious, but they

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<v Speaker 1>ripped me up. Okay, let's switch gears again. You are

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<v Speaker 1>a controvermot of longstanding winner shows coming back. You know, Uh,

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<v Speaker 1>as soon as they can figure out how to do

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<v Speaker 1>it a rapid test. Um, I think we could have shows.

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<v Speaker 1>I don't know why it's not been done already. UM.

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<v Speaker 1>I think it's gonna be a while before there's an

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<v Speaker 1>antidote or a vaccine. UM. I think you know instead

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<v Speaker 1>of like some places where you go, they'll they'll push

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<v Speaker 1>a temperature gun at you and Okay, you've got a

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<v Speaker 1>good temperature, and they allow you in, like that's all

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<v Speaker 1>that matters. And we all know that that's not enough.

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<v Speaker 1>You've got to know whether or not you're carrying that

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<v Speaker 1>stuff or if people next to you are carrying it.

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<v Speaker 1>And most people don't have it. I mean I personally

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<v Speaker 1>would go to a concert or a baseball game if

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<v Speaker 1>on the way in, uh, if somebody points something to

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<v Speaker 1>me or says, here's a swab, and my swab turns

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<v Speaker 1>a different color like a pregnancy test, and it says

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<v Speaker 1>whether or not you're carrying. If you're not carrying, go in.

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<v Speaker 1>If you are carrying stuff over here, we'll tell you

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<v Speaker 1>what you need to do. Here's your money back, um,

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<v Speaker 1>And until that can happen. I mean, right now, what

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<v Speaker 1>are we looking at Memorial Day at this point? And

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<v Speaker 1>that's just a guess, just like it was back in

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<v Speaker 1>March when we started guessing for June. Nobody had any

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<v Speaker 1>idea back then, and to sit here right now, I

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<v Speaker 1>don't know that anybody's got any idea even better at

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<v Speaker 1>this point. But the bottom line is for us, our

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<v Speaker 1>economy is about selling tickets and having people working in

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<v Speaker 1>halls and radio stations and secretaries and ushers and security

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<v Speaker 1>and stage hands and all the rest our economy that

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<v Speaker 1>that that runs the concert business is sitting here waiting

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<v Speaker 1>to move. And uh, my guess is as good as

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<v Speaker 1>yours as far as when the will happen. But it

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<v Speaker 1>seems to me that as soon as we can get

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<v Speaker 1>some sort of a gauge on whether or not people

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<v Speaker 1>are carrying this terrible disease or not, and most people aren't,

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<v Speaker 1>it's the ones that do in these small spaces that

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<v Speaker 1>seem to spread it everywhere like wildfire. And now those

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<v Speaker 1>are the people we got to sort out. Okay, Now,

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<v Speaker 1>if I speak with agents, and I do, they're constantly

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<v Speaker 1>rebooking gigs, putting holds on as a promoter. Is that

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<v Speaker 1>something you've been doing in the last seven months. Yes, Um,

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<v Speaker 1>we've rebooked shows and I have my best year lined

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<v Speaker 1>up this year. And you know, I had all the travel,

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<v Speaker 1>all the hotels, all the radio, everything's booked, and we

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<v Speaker 1>had a systematically tear it down one by one, starting

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<v Speaker 1>with the shows in March and April and move those

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<v Speaker 1>because nobody knew what was going on. We moved him

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<v Speaker 1>to June July. The next thing, you know, we're moving

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<v Speaker 1>him to September, October, and then they're moving to next year,

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<v Speaker 1>and now they're next summer and now their next fall.

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<v Speaker 1>It seems ridiculous to me, um, that that this is

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<v Speaker 1>all we're doing, and nobody's saying. I mean, when they're

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<v Speaker 1>talking about the economy, they're talking about Wall Street, they're

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<v Speaker 1>not talking about regular people. Regular people don't participate in

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<v Speaker 1>Wall Street. They go to concerts, they go to restaurants,

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<v Speaker 1>you know, And and and we we've got to be able

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<v Speaker 1>to determine whether or not people are sick or not

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<v Speaker 1>so that we can have some sort of life. That

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<v Speaker 1>what we're doing right now is a half life. You know,

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<v Speaker 1>it's okay, So how many full time people let's talk

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<v Speaker 1>prior to the virus. How many full time people did

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<v Speaker 1>you have at Dennis Alescope Presents, UM just six and

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<v Speaker 1>now we have five. One guy left and he went

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<v Speaker 1>on to do something else, but everybody else uh is

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<v Speaker 1>still there. Uh. They accepted reduced pay and and all

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<v Speaker 1>of a sudden, finishing this book became a priority for me.

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<v Speaker 1>And I didn't want to let everybody go. I mean

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<v Speaker 1>I was. I was hoping I wouldn't lose them, like

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<v Speaker 1>so many people have lost rate employees because of this.

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<v Speaker 1>They got to eat. So Fortunately, I think they haven't

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<v Speaker 1>told me different that I'm giving them enough to live on,

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<v Speaker 1>and I hope it is enough, UM, because I'd like

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<v Speaker 1>to keep things going as it is. I'm not going

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<v Speaker 1>to learn how to do books UM and and art

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<v Speaker 1>and and all different kinds of stuff that I still

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<v Speaker 1>have to do while I'm maintaining these shows that have

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<v Speaker 1>been postponed one time after another. We still got to do,

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<v Speaker 1>you know, dealings with the ticketing people at halls and

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<v Speaker 1>and you know advertising and website stuff, and you know,

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<v Speaker 1>it's like we're still open to a degree, but we're

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<v Speaker 1>just not working putting on shows the way that we

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<v Speaker 1>used to. We're waiting to be able to do that now.

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<v Speaker 1>Right now, you're in Maui. How long have you been

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<v Speaker 1>in Maui? I got here last Friday. Okay, you weren't

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<v Speaker 1>afraid to get on a plane. No, no, you know,

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<v Speaker 1>I mean I we weren't able to come to Maui

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<v Speaker 1>at all this year. We uh, we own a place

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<v Speaker 1>over here in Hannah with a few friends, and we

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<v Speaker 1>haven't been able to come here since February because they

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<v Speaker 1>wanted a two week quarantine. Now what they do is

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<v Speaker 1>you have to have a test within seventy two hours

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<v Speaker 1>and you can um come over here as long as

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<v Speaker 1>it's negative and you don't have to go through the

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<v Speaker 1>quarantine process. Um. No, I'm not afraid to get on

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<v Speaker 1>a plane. They I've been on a number of planes

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<v Speaker 1>people who have been spaced around. Um, everybody's got their

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<v Speaker 1>mask on and and and I think for by and large,

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<v Speaker 1>people aren't traveling if they're not feeling well. And they

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<v Speaker 1>ask you straight up, of course you could lie, but

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<v Speaker 1>what good would that do? Kind of like lying about

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<v Speaker 1>a golf score. It doesn't help. Um. So yeah, I

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<v Speaker 1>had no problem. I had no problem getting on a plane. Um,

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<v Speaker 1>we're pretty much sequestioned here. While we're here, there's there's

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<v Speaker 1>nobody here. There's no tourism happening either. And okay, but

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<v Speaker 1>Mami is known for having a lot of residents from

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<v Speaker 1>the music business, both business people and creative people. Chef

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<v Speaker 1>Gordon seems to be the straw that stirs the drink.

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<v Speaker 1>So is there anything going on with those people? And

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<v Speaker 1>if not, tell us the way it used to be. Well, Um,

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<v Speaker 1>you know, chef just had a baby and and uh,

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<v Speaker 1>he's the he's the youngest seventy five year old daddy

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<v Speaker 1>I've ever met. Um. As a matter of fact, Friday,

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<v Speaker 1>we're going over to the other side and staying with

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<v Speaker 1>him for two days. His wife said, has decided, I'm

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<v Speaker 1>I'm clean, and let's leave my wife. We're clean and

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<v Speaker 1>we can stay with them for a couple of days. Um.

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<v Speaker 1>You know, uh, things, you know, I mean, things have changed,

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<v Speaker 1>your ob Just think because we can't go back and

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<v Speaker 1>forth the way that we used to. Um, shop isn't

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<v Speaker 1>having this Christmas show this year for the first time

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<v Speaker 1>and I don't know how many years. Uh, it's kind

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<v Speaker 1>of a reboot the whole thing, you know. Okay, do

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<v Speaker 1>you still get as excited about a show as you

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<v Speaker 1>did at the beginning. For the most part, yes, because

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<v Speaker 1>a lot of the people that I'm working with after

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<v Speaker 1>all these years are people that I've worked with for

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<v Speaker 1>so long. This is our chance to get together and

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<v Speaker 1>be together. We like Jackson Brown or Alan Parsons, for example,

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<v Speaker 1>or Gordon Lightfoot or Willie Nelson. They're always touring and

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<v Speaker 1>and these are some of the guys that I do

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<v Speaker 1>a lot of shows with. They're always on the road.

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<v Speaker 1>They're not the kind of people that you just call

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<v Speaker 1>up and go out to dinner with because they're all

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<v Speaker 1>of us are always working, We're always somewhere, we're always

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<v Speaker 1>doing something. So our way of getting together is doing concerts.

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<v Speaker 1>So every time I get a chance to see one

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<v Speaker 1>of these guys and be with them for more than

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<v Speaker 1>one night, two nights, three nights. I mean, I've been

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<v Speaker 1>going all over the country with Parsons and Frankie Valley. Um,

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<v Speaker 1>you know, I had eighteen shows on sale Frankie Valley

0:13:15.040 --> 0:13:18.320
<v Speaker 1>when all this took place, and and we're both chomping

0:13:18.320 --> 0:13:20.199
<v Speaker 1>at the bed to go back and do these shows.

0:13:20.559 --> 0:13:22.679
<v Speaker 1>He's another one of the youngest eighty five year old

0:13:22.679 --> 0:13:27.439
<v Speaker 1>people I've ever met. Um, you know, we're we're all

0:13:27.480 --> 0:13:29.800
<v Speaker 1>just we're all just chomping at the bed to go

0:13:29.880 --> 0:13:33.679
<v Speaker 1>to work. And uh, I love getting around with these guys.

0:13:33.720 --> 0:13:36.200
<v Speaker 1>It's it's really a great way to go through life. Okay,

0:13:36.200 --> 0:13:38.679
<v Speaker 1>so you talk to a lot of promoters of our vintage.

0:13:38.679 --> 0:13:42.520
<v Speaker 1>You're a little older who came of age with the Beatles,

0:13:42.800 --> 0:13:45.360
<v Speaker 1>and a lot of them at this point had a

0:13:45.520 --> 0:13:48.760
<v Speaker 1>younger person in the office who books talent because they

0:13:48.800 --> 0:13:51.400
<v Speaker 1>don't believe they're in touch other than with the legendary

0:13:51.400 --> 0:13:53.880
<v Speaker 1>acts that you just mentioned. Is that the case with

0:13:53.960 --> 0:13:58.360
<v Speaker 1>you in your office and some of the shows you do, well, No,

0:13:58.600 --> 0:14:00.880
<v Speaker 1>I mean I'm the only one that really does the

0:14:00.920 --> 0:14:05.120
<v Speaker 1>booking and and prior to this, I did most of

0:14:05.160 --> 0:14:08.880
<v Speaker 1>my own booking. Um yeah, I mean I get terribly

0:14:08.920 --> 0:14:13.400
<v Speaker 1>excited about shows. I love the whole process. Um. I

0:14:13.480 --> 0:14:16.320
<v Speaker 1>love that people come to these shows and this is

0:14:16.360 --> 0:14:21.240
<v Speaker 1>their their escape and it's their release and and being

0:14:21.240 --> 0:14:26.080
<v Speaker 1>with friends or even just musicians, great ones. It's so

0:14:26.200 --> 0:14:29.240
<v Speaker 1>great to bring all that together and have these people

0:14:30.240 --> 0:14:33.840
<v Speaker 1>under one roof and and explode together, you know, like

0:14:34.760 --> 0:14:37.520
<v Speaker 1>coming together as one. It's uh. I think it's one

0:14:37.520 --> 0:14:41.480
<v Speaker 1>of the greatest, greatest things you can do. Okay, So

0:14:41.520 --> 0:14:45.400
<v Speaker 1>at this point you're presenting under Danny's Alisco presents. Is

0:14:45.400 --> 0:14:47.320
<v Speaker 1>it all your money or do you have any partners

0:14:47.320 --> 0:14:50.400
<v Speaker 1>because you've had partners in the past. I have had

0:14:50.440 --> 0:14:52.640
<v Speaker 1>partners in the past. No, this is this is all

0:14:52.720 --> 0:14:56.240
<v Speaker 1>my money. Um. In two thousand and eleven, I went

0:14:56.280 --> 0:15:00.880
<v Speaker 1>back on my own after five years with Live Nation,

0:15:00.960 --> 0:15:05.640
<v Speaker 1>in five years with the Clear Channel, which also included SFCX,

0:15:05.680 --> 0:15:10.160
<v Speaker 1>who I originally sold to, and and nowadays there I

0:15:10.160 --> 0:15:12.880
<v Speaker 1>don't really have the need for the younger guy in

0:15:12.920 --> 0:15:15.920
<v Speaker 1>the office, although I would love one, because there's been

0:15:15.960 --> 0:15:17.920
<v Speaker 1>a couple of other people who used to work for

0:15:18.040 --> 0:15:22.840
<v Speaker 1>me who have put up some really cool clubs in Phoenix.

0:15:23.440 --> 0:15:28.320
<v Speaker 1>Charlie Leavy did the Crescent Ballroom and the Van Buren,

0:15:28.520 --> 0:15:32.600
<v Speaker 1>both of which I've booked shows in, and he does

0:15:32.680 --> 0:15:35.520
<v Speaker 1>such an amazing job. It would be stupid for me

0:15:35.560 --> 0:15:38.200
<v Speaker 1>to compete with a guy like him, who knows everything

0:15:38.240 --> 0:15:41.800
<v Speaker 1>I know and everything he knows, and he has the venues.

0:15:42.440 --> 0:15:45.080
<v Speaker 1>So there there's no point in me doing that anymore.

0:15:45.480 --> 0:15:47.880
<v Speaker 1>When when something comes up and somebody wants me to

0:15:47.880 --> 0:15:49.800
<v Speaker 1>work with them, of course I'll do it, and I

0:15:49.880 --> 0:15:52.680
<v Speaker 1>want to do it. I love discovering new bands, but

0:15:52.800 --> 0:15:55.960
<v Speaker 1>at this point it's sixty six years old. I'm happy

0:15:56.080 --> 0:15:59.080
<v Speaker 1>to be doing the business that I'm doing, with the

0:15:59.320 --> 0:16:01.680
<v Speaker 1>you know, with the ends that I'm doing. It's like

0:16:01.920 --> 0:16:04.880
<v Speaker 1>everybody's kind of left me alone in this little genre

0:16:05.400 --> 0:16:09.080
<v Speaker 1>of promoting um and and I'm having a really good

0:16:09.120 --> 0:16:14.000
<v Speaker 1>time doing it. I'm generally into small halls five up

0:16:14.040 --> 0:16:18.120
<v Speaker 1>to say, four thousands, and and that's that's where I'm

0:16:18.120 --> 0:16:20.720
<v Speaker 1>working these days. I can't afford to be in the

0:16:20.840 --> 0:16:24.520
<v Speaker 1>game with people who are getting million dollar guarantees every night,

0:16:24.880 --> 0:16:27.360
<v Speaker 1>and they'll write him a check for thirty million dollars

0:16:27.360 --> 0:16:30.280
<v Speaker 1>for a tour as a deposit. You know that. That's

0:16:30.320 --> 0:16:33.280
<v Speaker 1>what those guys do. God bless them. Good for them.

0:16:33.440 --> 0:16:36.600
<v Speaker 1>I used to do that, but I'm afraid, you know

0:16:36.760 --> 0:16:39.800
<v Speaker 1>that part of my life is pretty much over. Okay.

0:16:39.840 --> 0:16:43.640
<v Speaker 1>Prior to the roll up, the acts and agents had

0:16:43.680 --> 0:16:47.640
<v Speaker 1>special relationships with the promoters such that they might on

0:16:47.680 --> 0:16:51.160
<v Speaker 1>a losing show, they might the act might give money back.

0:16:51.680 --> 0:16:54.600
<v Speaker 1>Now that you're independent in this post roll up world,

0:16:55.080 --> 0:16:57.040
<v Speaker 1>does that apply? Because no one gives money back to

0:16:57.080 --> 0:16:59.840
<v Speaker 1>Live Nation. Okay, it's a public company. They don't and

0:17:00.000 --> 0:17:03.160
<v Speaker 1>only not to age either. But does that still happen today?

0:17:03.200 --> 0:17:06.960
<v Speaker 1>If you have a losing show, it has happened, you know.

0:17:07.800 --> 0:17:12.679
<v Speaker 1>You know, most people aren't really willing to give up money,

0:17:12.800 --> 0:17:18.240
<v Speaker 1>especially especially after all this. But prior to this, UM,

0:17:18.280 --> 0:17:21.399
<v Speaker 1>it was very well, it was very rare that I

0:17:21.480 --> 0:17:26.520
<v Speaker 1>ever had to ask. Not to brag, but generally speaking,

0:17:26.720 --> 0:17:30.800
<v Speaker 1>I mean, if if I lose money on five shows

0:17:30.880 --> 0:17:35.080
<v Speaker 1>in a year, that's a lot. I don't make stupid

0:17:35.160 --> 0:17:38.640
<v Speaker 1>mistakes like I used to because I don't have all

0:17:38.680 --> 0:17:41.679
<v Speaker 1>of the arena shows to cover my ask for taking

0:17:41.720 --> 0:17:47.400
<v Speaker 1>unnecessary risks to do favors for people, for example. So nowadays,

0:17:47.600 --> 0:17:51.320
<v Speaker 1>I mean I looked at it the recently. I don't

0:17:51.359 --> 0:17:54.280
<v Speaker 1>you know, a couple of months ago, and in the

0:17:54.359 --> 0:17:56.840
<v Speaker 1>last couple of years, I'd only had a handful of

0:17:56.840 --> 0:18:00.200
<v Speaker 1>losers and they were small ones. I haven't been eaten

0:18:00.320 --> 0:18:03.200
<v Speaker 1>up badly in a long time where I would really

0:18:03.280 --> 0:18:07.240
<v Speaker 1>genuinely need to go ask somebody for reduction in your

0:18:07.840 --> 0:18:16.199
<v Speaker 1>forty year career, Um, what was your biggest loser? I

0:18:16.200 --> 0:18:20.000
<v Speaker 1>would have to Yeah, well, there's there's no question h

0:18:21.440 --> 0:18:28.080
<v Speaker 1>New Year's pre New Year's weekend at the millennium. I

0:18:28.119 --> 0:18:34.600
<v Speaker 1>did December with the Eagles and December thirty one in

0:18:34.760 --> 0:18:37.480
<v Speaker 1>January one, which is a Friday Saturday with Bette Midler.

0:18:38.119 --> 0:18:40.760
<v Speaker 1>Both of them were excuse me, both of them were

0:18:40.760 --> 0:18:45.440
<v Speaker 1>at Mandalais Bay, and this is when Mandalai wasn't owned

0:18:46.119 --> 0:18:49.879
<v Speaker 1>by MGM, so they were on their own. MGM was

0:18:49.960 --> 0:18:52.880
<v Speaker 1>on their own and was great to have both buildings

0:18:52.880 --> 0:18:56.199
<v Speaker 1>there because one would often be booked and you'd have

0:18:56.240 --> 0:18:58.359
<v Speaker 1>to go to the other one. Now, what were what

0:18:58.440 --> 0:19:01.640
<v Speaker 1>were the capacities for those of two who don't know, Well,

0:19:01.840 --> 0:19:06.800
<v Speaker 1>MGM is uh fourteen fifteen thousand, that's the biggest one,

0:19:07.600 --> 0:19:10.800
<v Speaker 1>and Mandalay if you went all the way around, would

0:19:10.800 --> 0:19:15.120
<v Speaker 1>be about eleven thousand, but front and sides about nine thousand.

0:19:15.760 --> 0:19:18.600
<v Speaker 1>So you could charge more for tickets at Mandlake because

0:19:18.600 --> 0:19:22.120
<v Speaker 1>he had less to sell um but it was still,

0:19:22.160 --> 0:19:27.879
<v Speaker 1>you know, a high, highly regarded building. So Barbara Streisand

0:19:28.000 --> 0:19:34.120
<v Speaker 1>was booked into MGM on New Year's Eve and UM

0:19:34.160 --> 0:19:37.679
<v Speaker 1>I started with Tina Turner. Tina Turner was gonna be

0:19:37.760 --> 0:19:41.040
<v Speaker 1>my show, was booking with Carol Keincel at Cia and

0:19:41.080 --> 0:19:44.560
<v Speaker 1>suddenly Howard Grows got into the picture and it went

0:19:44.640 --> 0:19:47.399
<v Speaker 1>from me doing Tina Turner on one night New Year's

0:19:47.400 --> 0:19:49.919
<v Speaker 1>Eve in Vegas. That was the only thing I was

0:19:49.920 --> 0:19:52.600
<v Speaker 1>gonna do, and it would have been perfect. Tina was

0:19:52.640 --> 0:19:57.000
<v Speaker 1>as hot as could be in Vegas, just absolutely perfect

0:19:57.080 --> 0:20:02.720
<v Speaker 1>mix of rock and show business. And uh, Howard got involved,

0:20:02.760 --> 0:20:05.919
<v Speaker 1>and the next thing you know, he rapped Elton and

0:20:06.040 --> 0:20:09.480
<v Speaker 1>Teena together and sold it to Caesar's Palace for an

0:20:09.520 --> 0:20:13.359
<v Speaker 1>unheard of amount of money. And I stepped aside and said, sorry,

0:20:13.400 --> 0:20:16.000
<v Speaker 1>I gotta get out of this. It was just too much.

0:20:16.880 --> 0:20:20.760
<v Speaker 1>Um So then the Bette Midler came along and and

0:20:20.840 --> 0:20:23.440
<v Speaker 1>the Eagles had already passed on and offer we made,

0:20:23.680 --> 0:20:26.720
<v Speaker 1>and then they came back in the picture. Uh, and

0:20:26.880 --> 0:20:29.239
<v Speaker 1>both of them came back for more money, and I

0:20:29.280 --> 0:20:33.399
<v Speaker 1>was already guaranteeing them a huge amount of money, but

0:20:33.480 --> 0:20:36.560
<v Speaker 1>they added more and and we were so bullish on

0:20:36.960 --> 0:20:41.040
<v Speaker 1>the Millennium at that time that we went along with it.

0:20:41.240 --> 0:20:46.800
<v Speaker 1>And that's about what I ended up losing, close to mill,

0:20:47.320 --> 0:20:53.720
<v Speaker 1>close to to mill. Okay, where was the mistake. The

0:20:53.840 --> 0:21:00.600
<v Speaker 1>mistake was not knowing that in Las Vegas that they

0:21:00.640 --> 0:21:04.920
<v Speaker 1>were going to do a four night minimum to stay

0:21:04.960 --> 0:21:08.119
<v Speaker 1>there on New Year's and they were gonna triple or

0:21:08.240 --> 0:21:12.240
<v Speaker 1>quadruple the room rate charges. Back in the late nineties,

0:21:12.440 --> 0:21:14.520
<v Speaker 1>you know, you could you could go to MGM or

0:21:14.560 --> 0:21:17.320
<v Speaker 1>Mandalay and get a room for a hundred and fifty bucks,

0:21:17.400 --> 0:21:21.840
<v Speaker 1>maybe less if you had a special um. These rooms

0:21:21.880 --> 0:21:25.760
<v Speaker 1>were now five hundred apiece. Uh, and you had a

0:21:25.800 --> 0:21:30.639
<v Speaker 1>four in some places five night minimum. Um. My feeling

0:21:30.680 --> 0:21:34.240
<v Speaker 1>at the time was that that whole week between Christmas

0:21:34.240 --> 0:21:37.280
<v Speaker 1>and New Year's was me one of the greatest weeks

0:21:37.359 --> 0:21:41.440
<v Speaker 1>in in our life history, much less Vegas history. I mean,

0:21:41.600 --> 0:21:44.160
<v Speaker 1>what's bigger than a New Year's even Las Vegas, much

0:21:44.240 --> 0:21:48.119
<v Speaker 1>less a millennium. Well that's the cool laid I drank anyway,

0:21:48.440 --> 0:21:54.160
<v Speaker 1>I felt bulletproof. And uh, we didn't know. We didn't

0:21:54.160 --> 0:21:55.760
<v Speaker 1>know that that they were going to do that with

0:21:55.800 --> 0:21:59.359
<v Speaker 1>the hotel rooms. We didn't know that about y two K.

0:22:01.400 --> 0:22:05.600
<v Speaker 1>We didn't know about terrorist threats. I didn't know Barbara

0:22:05.680 --> 0:22:11.480
<v Speaker 1>streisand was booked on New Year's Eve already at the MGM.

0:22:11.600 --> 0:22:14.240
<v Speaker 1>Um and we went booked two nights with bet because

0:22:14.240 --> 0:22:17.240
<v Speaker 1>it was a Friday and Saturday. To me, this is like,

0:22:17.720 --> 0:22:20.080
<v Speaker 1>who doesn't want to be in Vegas? For Bette Midler

0:22:20.119 --> 0:22:22.600
<v Speaker 1>on New Year's at the Millennium. It just seemed like

0:22:22.680 --> 0:22:27.000
<v Speaker 1>such a frivolity written thing. And and then there's Barbara

0:22:27.000 --> 0:22:30.920
<v Speaker 1>streisand and then on Streisand they added a second night

0:22:30.920 --> 0:22:34.080
<v Speaker 1>because they were filming these shows, and they ended up

0:22:34.080 --> 0:22:37.320
<v Speaker 1>paper in the house because they couldn't sell a second night.

0:22:37.359 --> 0:22:40.080
<v Speaker 1>But they only had the second night so they could

0:22:40.080 --> 0:22:42.480
<v Speaker 1>film the crowd shots and all that stuff. So they

0:22:42.480 --> 0:22:46.439
<v Speaker 1>paper the ship out of it. And you know, what

0:22:46.480 --> 0:22:48.000
<v Speaker 1>would you like to do? You want to go see

0:22:48.000 --> 0:22:50.920
<v Speaker 1>Barbara streisand for free? And January one, you want to

0:22:50.960 --> 0:22:53.919
<v Speaker 1>pay five hundred for Bette Midler. The tickets were also

0:22:54.040 --> 0:22:57.080
<v Speaker 1>very pricey. There were two fifty to five hundred for

0:22:57.640 --> 0:23:01.800
<v Speaker 1>each the Eagles and for Bet Um. And you know what,

0:23:01.880 --> 0:23:07.479
<v Speaker 1>the shows sold sold, Okay, they sold all right, Um,

0:23:07.600 --> 0:23:11.000
<v Speaker 1>they were doing well. But one of the worst things

0:23:11.040 --> 0:23:15.800
<v Speaker 1>that happened that could happen was Mandalay Bay held a

0:23:15.800 --> 0:23:19.200
<v Speaker 1>couple of thousand of the best seats for each show

0:23:19.800 --> 0:23:23.480
<v Speaker 1>for their high rollers. So they had a two thousand

0:23:23.560 --> 0:23:26.919
<v Speaker 1>for bet, two thousand for the Eagles at five hundred

0:23:27.000 --> 0:23:32.080
<v Speaker 1>a throw. And three weeks before the show they started

0:23:32.080 --> 0:23:35.399
<v Speaker 1>releasing tickets and I said, what do you guys doing release,

0:23:35.520 --> 0:23:38.280
<v Speaker 1>What where did these tickets come from? They when they

0:23:38.320 --> 0:23:40.959
<v Speaker 1>pulled the tickets back in May when we went on sale,

0:23:41.560 --> 0:23:46.120
<v Speaker 1>they were in the soul category on our on our audits,

0:23:46.520 --> 0:23:50.480
<v Speaker 1>as opposed to a wire a cop category, indicating these

0:23:50.480 --> 0:23:54.359
<v Speaker 1>are different tickets. So all along I thought we had

0:23:54.359 --> 0:23:58.600
<v Speaker 1>sold two thousand tickets per act more or you know,

0:23:58.680 --> 0:24:02.720
<v Speaker 1>and that's two million dollars each. Think about it, five

0:24:03.280 --> 0:24:08.439
<v Speaker 1>ticket times two thousand. Oh, I'm sorry, is a million

0:24:08.440 --> 0:24:11.560
<v Speaker 1>dollars each show? That Suddenly I went backwards on my

0:24:11.600 --> 0:24:14.640
<v Speaker 1>ticket count sheets and we had to make those up

0:24:14.680 --> 0:24:16.760
<v Speaker 1>in addition to what we were already selling. And it

0:24:16.840 --> 0:24:19.080
<v Speaker 1>just couldn't be done. It was too late. What did

0:24:19.160 --> 0:24:23.080
<v Speaker 1>you do with those good prime tickets? Well, we we

0:24:23.200 --> 0:24:25.680
<v Speaker 1>moved most of them. We ended up moving a lot

0:24:25.760 --> 0:24:29.320
<v Speaker 1>of them. But what happened was was instead of being

0:24:29.359 --> 0:24:32.720
<v Speaker 1>where we thought we were, we were two grand light

0:24:32.960 --> 0:24:36.800
<v Speaker 1>on each of the acts. So those tickets I still

0:24:36.880 --> 0:24:40.439
<v Speaker 1>had left that I was marketing and selling in early December,

0:24:40.600 --> 0:24:43.840
<v Speaker 1>those became the ones that ended up going to waste

0:24:44.280 --> 0:24:46.960
<v Speaker 1>because the good seats did end up getting blocked, but

0:24:47.040 --> 0:24:50.360
<v Speaker 1>there was only so many takers and so many buyers

0:24:50.600 --> 0:24:54.280
<v Speaker 1>under you know, the darrests of the hotel room situation

0:24:54.640 --> 0:24:57.480
<v Speaker 1>and the threat of all that other stuff. So we

0:24:57.480 --> 0:25:00.720
<v Speaker 1>weren't getting the response, you know, of people coming to

0:25:00.840 --> 0:25:04.120
<v Speaker 1>Vegas that we had anticipated due to all those reasons,

0:25:04.320 --> 0:25:06.560
<v Speaker 1>plus the ticket prices. On top of that, a lot

0:25:06.560 --> 0:25:08.159
<v Speaker 1>of people just stay at home and they had themselves

0:25:08.160 --> 0:25:12.000
<v Speaker 1>a big old party. Okay. I know a promoter in Vegas,

0:25:12.000 --> 0:25:15.119
<v Speaker 1>but a show promoter. He brings shows two buildings for

0:25:15.160 --> 0:25:19.560
<v Speaker 1>extended periods. And he told me, in Vegas, the sticker price,

0:25:19.600 --> 0:25:22.159
<v Speaker 1>the list price is just the beginning, and you can

0:25:22.200 --> 0:25:25.040
<v Speaker 1>always get the tickets to the discount from the hotel

0:25:25.200 --> 0:25:28.520
<v Speaker 1>or from a certain part that really the price is variable.

0:25:28.880 --> 0:25:31.080
<v Speaker 1>Is it the same for the shows that you do.

0:25:32.320 --> 0:25:35.080
<v Speaker 1>You know, Um, in the last year or two, I

0:25:35.200 --> 0:25:39.800
<v Speaker 1>became aware of these other people. I mean they're basically

0:25:39.920 --> 0:25:44.280
<v Speaker 1>seat fillers, um and and a lot of these people,

0:25:44.359 --> 0:25:47.240
<v Speaker 1>a lot of the marketers at the hotels in Vegas

0:25:48.200 --> 0:25:51.359
<v Speaker 1>goes straight to these people and and given a lotment

0:25:51.440 --> 0:25:54.480
<v Speaker 1>of tickets to those people right out of the box,

0:25:54.800 --> 0:25:57.600
<v Speaker 1>which I think is a horrific mistake. Why not just

0:25:57.680 --> 0:26:00.320
<v Speaker 1>price your tickets right to begin with. If that's what

0:26:00.359 --> 0:26:02.960
<v Speaker 1>you're gonna do or do less shows. But a lot

0:26:03.000 --> 0:26:05.560
<v Speaker 1>of these shows are there for their sit down, long,

0:26:05.680 --> 0:26:09.360
<v Speaker 1>extended type stage, and I guess they have to do that.

0:26:10.080 --> 0:26:13.440
<v Speaker 1>I try never to do that with any of my shows,

0:26:13.800 --> 0:26:19.639
<v Speaker 1>you know. Ever, I don't like using those discount platforms

0:26:20.840 --> 0:26:24.719
<v Speaker 1>or or the ticket I don't know. They're not necessarily scalpers,

0:26:24.720 --> 0:26:28.119
<v Speaker 1>they're brokers, um. I mean they're good for getting the

0:26:28.119 --> 0:26:31.560
<v Speaker 1>word out if you need to have uh, if you

0:26:31.600 --> 0:26:34.440
<v Speaker 1>need to have some extras people put into some seats.

0:26:35.080 --> 0:26:36.960
<v Speaker 1>But as a rule, I don't use them. But I'm

0:26:37.000 --> 0:26:40.520
<v Speaker 1>aware that a lot of people use them up there. Okay.

0:26:40.520 --> 0:26:44.840
<v Speaker 1>And do you ever paper a show when I have to?

0:26:45.160 --> 0:26:49.280
<v Speaker 1>You know? I mean i'll paper a show when it

0:26:50.080 --> 0:26:53.800
<v Speaker 1>usually always when the act is willing to say I

0:26:53.840 --> 0:26:56.639
<v Speaker 1>don't want to look like hell, you know, fill in

0:26:56.640 --> 0:26:59.440
<v Speaker 1>those blanks and well, will work it out and we'll adjust.

0:27:00.359 --> 0:27:05.280
<v Speaker 1>That does happen, um rarely, rarely that happens. But yeah,

0:27:05.640 --> 0:27:08.960
<v Speaker 1>I'll paper something to make somebody look better as long

0:27:09.000 --> 0:27:11.600
<v Speaker 1>as they're willing to soften the blow on my end.

0:27:12.080 --> 0:27:16.679
<v Speaker 1>And did you paper those uh New Year's Eve shows? No?

0:27:17.160 --> 0:27:19.960
<v Speaker 1>I didn't, Um, we didn't paper those at all. There

0:27:20.040 --> 0:27:24.480
<v Speaker 1>was a couple of glaring holes there that the accident like, Um,

0:27:24.560 --> 0:27:27.240
<v Speaker 1>but I had I had asked them both, should we

0:27:27.359 --> 0:27:30.280
<v Speaker 1>fill those in? Should we paper? They said, we don't care.

0:27:30.280 --> 0:27:32.840
<v Speaker 1>We're getting paid the same amount. I said, but I'm

0:27:32.880 --> 0:27:34.960
<v Speaker 1>not going to go out and give away five dollar

0:27:35.080 --> 0:27:37.880
<v Speaker 1>free tickets if you're not going to help me out

0:27:37.880 --> 0:27:40.040
<v Speaker 1>on the other side. And none of them wanted to,

0:27:40.119 --> 0:27:43.600
<v Speaker 1>so I didn't do it. Okay, So what kind of

0:27:43.720 --> 0:27:46.040
<v Speaker 1>deal do you get? Now? It's well known in the

0:27:46.080 --> 0:27:50.240
<v Speaker 1>business today that if you own the building, your profit

0:27:50.320 --> 0:27:53.760
<v Speaker 1>margins go up, and not owning a building or difficult

0:27:53.840 --> 0:27:56.560
<v Speaker 1>more difficult for you. So if you go to Vegas,

0:27:56.640 --> 0:27:58.720
<v Speaker 1>what kind of deals do you get with the whole

0:27:58.880 --> 0:28:05.560
<v Speaker 1>explain the numbers? Well, you know, it depends. Some places

0:28:05.600 --> 0:28:07.920
<v Speaker 1>will just pay me a commission to buy an act

0:28:07.960 --> 0:28:11.800
<v Speaker 1>for him. But when I'm at risk, when it's my

0:28:11.960 --> 0:28:15.440
<v Speaker 1>money in somebody else's building, you know, I I look

0:28:15.520 --> 0:28:19.840
<v Speaker 1>for whatever breaks that they could give me. For example, UM,

0:28:20.000 --> 0:28:25.639
<v Speaker 1>most hotels are still uh, casino hotels are generally still

0:28:25.760 --> 0:28:31.120
<v Speaker 1>very generous with rooms for the stars that around the Marquee. UM.

0:28:31.160 --> 0:28:33.600
<v Speaker 1>That's one of the old school perks that I still

0:28:33.640 --> 0:28:37.760
<v Speaker 1>like a lot um that because the groups like that,

0:28:37.800 --> 0:28:40.640
<v Speaker 1>they like getting more of a net income kind of

0:28:40.640 --> 0:28:43.280
<v Speaker 1>a date where they're not spending thousands of dollars on

0:28:43.360 --> 0:28:46.040
<v Speaker 1>hotel rooms for the night. So the groups like that,

0:28:46.120 --> 0:28:48.480
<v Speaker 1>they like coming in for a couple of nights. But

0:28:48.680 --> 0:28:51.520
<v Speaker 1>as far as the deals I get, you know, it

0:28:51.600 --> 0:28:55.520
<v Speaker 1>all depends on the hotel. Uh. If they're so hot

0:28:56.400 --> 0:28:59.200
<v Speaker 1>that they're getting all the big groups. I mean, they

0:28:59.280 --> 0:29:02.320
<v Speaker 1>charge you up the ying yang and you're paying you're

0:29:02.320 --> 0:29:06.120
<v Speaker 1>paying full retail. Uh, You're you're not getting any breaks,

0:29:06.160 --> 0:29:10.360
<v Speaker 1>you're not getting free rent um. They're they're charging ticket

0:29:10.920 --> 0:29:14.160
<v Speaker 1>search charges on top of their ticket search charges in

0:29:14.200 --> 0:29:19.720
<v Speaker 1>some cases. So I'm I'm a little bit larry about Vegas.

0:29:19.760 --> 0:29:23.040
<v Speaker 1>But I did manage to strike some decent deals with Westgate,

0:29:23.360 --> 0:29:25.320
<v Speaker 1>which used to be the Hope and where Elvis played,

0:29:25.440 --> 0:29:29.560
<v Speaker 1>and the people at Caesars, and I put a couple

0:29:29.600 --> 0:29:33.760
<v Speaker 1>of shows on sale right before all this happened at

0:29:33.800 --> 0:29:38.040
<v Speaker 1>paris Um and they're very nice people there, and I'm

0:29:38.040 --> 0:29:41.360
<v Speaker 1>hoping that we can resume when we picked back up again.

0:29:41.400 --> 0:29:45.160
<v Speaker 1>But in the meantime, you know, I mean, I started

0:29:45.240 --> 0:29:48.160
<v Speaker 1>in Vegas before any of the other current concert promoters

0:29:48.200 --> 0:29:52.400
<v Speaker 1>were there in the early eighties and now they're all there. Um,

0:29:52.440 --> 0:29:54.520
<v Speaker 1>you know, it's like any any other thing. When you

0:29:54.560 --> 0:29:56.560
<v Speaker 1>get a good idea, you've got a good thing going,

0:29:57.080 --> 0:29:59.000
<v Speaker 1>sooner or later, it's just a matter of when people

0:29:59.040 --> 0:30:02.040
<v Speaker 1>are gonna come after you, uh and take over or

0:30:02.080 --> 0:30:04.880
<v Speaker 1>try to take over that business because you've opened the

0:30:04.920 --> 0:30:08.000
<v Speaker 1>door for it. And in the eighties, you know, nobody

0:30:08.440 --> 0:30:10.920
<v Speaker 1>was coming to Vegas from from rock and roll. In

0:30:10.960 --> 0:30:13.760
<v Speaker 1>the early nineties we started doing those dead shows at

0:30:13.760 --> 0:30:17.320
<v Speaker 1>the Stadium there, which really broke open Vegas to two

0:30:17.360 --> 0:30:21.320
<v Speaker 1>younger people, and which is something we're all very proud

0:30:21.360 --> 0:30:24.360
<v Speaker 1>of it. Bill Graham and and and Me and Jam

0:30:24.400 --> 0:30:27.000
<v Speaker 1>and Evening Star and everybody that was part of those

0:30:27.000 --> 0:30:30.640
<v Speaker 1>things there created a real legend up there and really

0:30:30.920 --> 0:30:34.719
<v Speaker 1>broke open that market. But since then, um, you know,

0:30:34.960 --> 0:30:38.280
<v Speaker 1>eight between a G and Live Nation, they've got most

0:30:38.280 --> 0:30:42.000
<v Speaker 1>of the good rooms wrapped up big and small, So

0:30:42.240 --> 0:30:52.920
<v Speaker 1>it makes it difficult to to survive up there. Honestly, now,

0:30:53.040 --> 0:30:55.320
<v Speaker 1>as an independent promoter, wherever you do it show, whether

0:30:55.360 --> 0:30:58.080
<v Speaker 1>it be Vegas or Arizona or elsewhere, what are the

0:30:58.120 --> 0:31:02.000
<v Speaker 1>economics when they had the roll up been of uh

0:31:02.320 --> 0:31:05.000
<v Speaker 1>S f X ultimately sold to Clear Channel becomes Live Nation.

0:31:05.080 --> 0:31:09.480
<v Speaker 1>Michael Rapino tried to reduce guarantees into the amphitheaters. What

0:31:09.640 --> 0:31:12.400
<v Speaker 1>we know with many Oxiday forget club shows, But as

0:31:12.400 --> 0:31:16.440
<v Speaker 1>you move up the ladder, the act essentially gets all

0:31:16.520 --> 0:31:20.000
<v Speaker 1>of the phase value of the tickets and the promoter

0:31:20.520 --> 0:31:25.040
<v Speaker 1>makes his money on the ticketing fees and other charges.

0:31:25.160 --> 0:31:30.719
<v Speaker 1>What what's your situation with Danny's Alisco presents? You know,

0:31:31.040 --> 0:31:34.880
<v Speaker 1>I try to make deals with buildings where we share

0:31:36.120 --> 0:31:43.000
<v Speaker 1>uh and in the income. If generally speaking, if I

0:31:43.120 --> 0:31:46.520
<v Speaker 1>buy a show right, I'm gonna make money if I

0:31:46.640 --> 0:31:53.280
<v Speaker 1>do business, which is a high threshold to me. Um,

0:31:53.800 --> 0:31:57.239
<v Speaker 1>most buildings don't want to give up anything, you know,

0:31:57.360 --> 0:32:03.240
<v Speaker 1>like like any of their tickets or charges, food and drink, merchandise.

0:32:03.360 --> 0:32:07.680
<v Speaker 1>What have your rebates? Um, you gotta get creative with

0:32:07.760 --> 0:32:09.840
<v Speaker 1>them and figure out how to share whatever it is

0:32:09.880 --> 0:32:12.680
<v Speaker 1>you're making with them. I mean, at this stage of

0:32:12.680 --> 0:32:16.720
<v Speaker 1>the game, for me, my first my first inclination is

0:32:16.760 --> 0:32:19.000
<v Speaker 1>to try to hedge my bet and make sure that

0:32:19.080 --> 0:32:22.240
<v Speaker 1>if it does go south, I can I can curtail

0:32:22.360 --> 0:32:27.240
<v Speaker 1>the losses by making a deal with the building to say, look,

0:32:27.280 --> 0:32:31.680
<v Speaker 1>if this doesn't work out, as well as I want. Perhaps, uh,

0:32:31.920 --> 0:32:34.840
<v Speaker 1>you can help me out at the settlement, you know,

0:32:34.880 --> 0:32:36.840
<v Speaker 1>if we and and that's a great place where I'll

0:32:36.880 --> 0:32:41.280
<v Speaker 1>paper something um and again I haven't had to do

0:32:41.360 --> 0:32:45.000
<v Speaker 1>that so often. Bottom line is, you want to go

0:32:45.040 --> 0:32:47.840
<v Speaker 1>into every deal you can trying to get a piece

0:32:47.880 --> 0:32:53.280
<v Speaker 1>of everything that's available, especially if you're taking all the risk.

0:32:53.840 --> 0:32:56.680
<v Speaker 1>Otherwise you you find yourself at that juncture where you go,

0:32:56.920 --> 0:32:58.920
<v Speaker 1>I'm not going to do the show. There's too much risk,

0:32:59.280 --> 0:33:01.200
<v Speaker 1>and the building hats to keep all the money and

0:33:01.240 --> 0:33:04.560
<v Speaker 1>not share, So screw it. I won't do it. Okay,

0:33:04.880 --> 0:33:07.640
<v Speaker 1>under the best of circumstances, if you go clean, sell

0:33:07.680 --> 0:33:10.600
<v Speaker 1>out all the tickets to the four thousand UH cedar

0:33:10.720 --> 0:33:14.080
<v Speaker 1>with the acts you mentioned, how much can you net

0:33:14.280 --> 0:33:17.440
<v Speaker 1>net to to Danny's a LISTO irrelevant of paying your

0:33:17.440 --> 0:33:22.280
<v Speaker 1>people Underneath that, you know it's gonna all depend on

0:33:23.000 --> 0:33:26.480
<v Speaker 1>your ticket prices, what your deal is with the act.

0:33:26.520 --> 0:33:30.200
<v Speaker 1>But on on a low on a four thousand seater,

0:33:31.400 --> 0:33:33.960
<v Speaker 1>you should make at least twenty thousand dollars, and if

0:33:33.960 --> 0:33:38.000
<v Speaker 1>you cut your deal right, you should make forty Okay,

0:33:38.400 --> 0:33:40.400
<v Speaker 1>if you're in a thousand, If you're in a thousand

0:33:40.400 --> 0:33:43.440
<v Speaker 1>and fifteen hundred cedar, which is where a lot of

0:33:43.440 --> 0:33:46.560
<v Speaker 1>my shows go. And I'm happy about that because that's

0:33:46.600 --> 0:33:49.120
<v Speaker 1>where people in my age want to see shows. They

0:33:49.120 --> 0:33:51.600
<v Speaker 1>don't want to go to arenas and stadiums or festivals.

0:33:52.200 --> 0:33:54.760
<v Speaker 1>And and if you know, if I come out of

0:33:54.760 --> 0:33:57.840
<v Speaker 1>there with ten to fifteen thousand UM and and a

0:33:58.000 --> 0:34:00.800
<v Speaker 1>and a nice night with the Australian Floyd and Mace

0:34:01.000 --> 0:34:05.560
<v Speaker 1>Arts Center or Crosby Stills in nash or Jackson Brown

0:34:05.680 --> 0:34:07.120
<v Speaker 1>or you know any of these people, if I can

0:34:07.160 --> 0:34:10.560
<v Speaker 1>make in that vicinity of money, I'm I'm a happy guy.

0:34:11.000 --> 0:34:15.600
<v Speaker 1>And what are the guarantees for acts like that? They're

0:34:15.600 --> 0:34:23.279
<v Speaker 1>gonna go anywhere from thirty to a hundred a quarter? Okay, Now,

0:34:23.320 --> 0:34:25.960
<v Speaker 1>one thing, I've sat with promoters backstage, and they have

0:34:26.000 --> 0:34:31.240
<v Speaker 1>two sets of books, and frequently there is no idea

0:34:31.280 --> 0:34:34.560
<v Speaker 1>what you're talking about. They have no there's no overage. Basically,

0:34:34.560 --> 0:34:38.160
<v Speaker 1>the act gets its guarantee and unless everything is sold

0:34:38.400 --> 0:34:42.680
<v Speaker 1>and it's a good night, there's nothing after. What's your experience?

0:34:44.080 --> 0:34:48.680
<v Speaker 1>My experience, Bob is and and you're gonna laugh, but

0:34:48.760 --> 0:34:52.560
<v Speaker 1>it's true. I always try to strike as fair of

0:34:52.560 --> 0:34:56.520
<v Speaker 1>a deal as I possibly can with the agent or

0:34:56.640 --> 0:35:02.640
<v Speaker 1>the artist. Uh. Going in my goal, especially when I

0:35:02.680 --> 0:35:06.440
<v Speaker 1>get a fairer guarantee, what I consider the right guarantee.

0:35:06.840 --> 0:35:09.840
<v Speaker 1>My goal is to write them the biggest possible check

0:35:10.760 --> 0:35:12.920
<v Speaker 1>at the end of the night that I can, because

0:35:13.040 --> 0:35:15.560
<v Speaker 1>I want them to come back and visit me. I

0:35:15.719 --> 0:35:18.640
<v Speaker 1>know that if I do a good job with somebody

0:35:18.400 --> 0:35:21.399
<v Speaker 1>and the date, the results of the date get out

0:35:21.960 --> 0:35:24.760
<v Speaker 1>and around the very small group of people that promote

0:35:24.760 --> 0:35:27.520
<v Speaker 1>shows in my area. The next time they come around,

0:35:27.680 --> 0:35:29.920
<v Speaker 1>I'm not gonna have an easy time book on them,

0:35:29.960 --> 0:35:32.520
<v Speaker 1>and somebody's gonna say I want that act, and they're

0:35:32.520 --> 0:35:36.480
<v Speaker 1>gonna offer them more. So, the best way into a

0:35:36.520 --> 0:35:41.759
<v Speaker 1>band's heart is paying overage checks. And and uh, I

0:35:42.160 --> 0:35:47.719
<v Speaker 1>mean like with with Frankie Valley and Jackson Parsons. We

0:35:47.800 --> 0:35:50.960
<v Speaker 1>have shows that that break even. We have shows where

0:35:50.960 --> 0:35:53.240
<v Speaker 1>I make a little bit of money, and there shows

0:35:53.239 --> 0:35:54.960
<v Speaker 1>where I make a good deal of money and they

0:35:54.960 --> 0:35:59.080
<v Speaker 1>make even more money. Um. And and the the issue

0:35:59.120 --> 0:36:01.920
<v Speaker 1>that we never had of that I used to have

0:36:02.000 --> 0:36:05.399
<v Speaker 1>a lot as a promoter was that whole dual set

0:36:05.400 --> 0:36:09.640
<v Speaker 1>of books type of a mentality where they just feel

0:36:09.680 --> 0:36:12.319
<v Speaker 1>like you're out to fuck them, you know. And and

0:36:12.400 --> 0:36:14.960
<v Speaker 1>you're gonna add on this and add on that and

0:36:15.040 --> 0:36:17.960
<v Speaker 1>cheat them and so forth. My whole thing has always

0:36:18.000 --> 0:36:20.680
<v Speaker 1>been to write them as big of a check as possible,

0:36:21.160 --> 0:36:23.200
<v Speaker 1>and they know it. And he lets say, the business

0:36:23.239 --> 0:36:26.000
<v Speaker 1>has completely changed. One could say the modern business started

0:36:26.000 --> 0:36:30.080
<v Speaker 1>with Frank Barcelona, and he had his territories that ended

0:36:30.520 --> 0:36:33.920
<v Speaker 1>with the roll up of the consolidation. And what also

0:36:34.040 --> 0:36:36.359
<v Speaker 1>tended to end was the loyalty you used to play

0:36:36.360 --> 0:36:38.480
<v Speaker 1>an act in a club and as they were successful

0:36:38.680 --> 0:36:41.360
<v Speaker 1>all the way up to Arenas, the question I have

0:36:41.640 --> 0:36:46.120
<v Speaker 1>for you is, how do you get talent today, especially

0:36:46.200 --> 0:36:48.719
<v Speaker 1>with Live Nation y G with a lot of these

0:36:48.760 --> 0:36:52.160
<v Speaker 1>acts willing to make national or international deals. How do

0:36:52.200 --> 0:36:59.439
<v Speaker 1>you get dates? They're they're kind of they're there, these

0:36:59.560 --> 0:37:05.840
<v Speaker 1>mbtwe leaners, you know. Um. It seems to me that

0:37:06.080 --> 0:37:08.560
<v Speaker 1>a lot of the a lot of the acts I do,

0:37:09.000 --> 0:37:14.440
<v Speaker 1>people from the buying standpoint have either forgot about them

0:37:14.560 --> 0:37:16.719
<v Speaker 1>or in many cases, they're not even aware of who

0:37:16.760 --> 0:37:22.640
<v Speaker 1>they are. Because the buyers today around the country, I mean,

0:37:22.640 --> 0:37:26.000
<v Speaker 1>there's definitely a lot of independent buyers out there, but

0:37:26.160 --> 0:37:30.040
<v Speaker 1>most of the independent buyers and and and the buyers

0:37:30.080 --> 0:37:33.720
<v Speaker 1>that work for the ages and the live nations are younger,

0:37:34.040 --> 0:37:39.680
<v Speaker 1>and they're filling up their nightclubs, which I don't do. Um,

0:37:39.719 --> 0:37:42.120
<v Speaker 1>there's P A C groups, a lot of which I

0:37:42.200 --> 0:37:45.800
<v Speaker 1>work with, But I'm kind of like floating in between

0:37:46.320 --> 0:37:51.160
<v Speaker 1>a lot of these different client lists that these agencies

0:37:51.200 --> 0:37:54.560
<v Speaker 1>have where I'm going for people that I've worked with

0:37:54.640 --> 0:37:58.400
<v Speaker 1>for many years. UM, to me, they're still great, they're exciting,

0:37:58.440 --> 0:38:01.040
<v Speaker 1>they're fun. People still love to see him in the

0:38:01.120 --> 0:38:03.960
<v Speaker 1>right halls. They're willing to pay a little bit more money.

0:38:04.000 --> 0:38:08.040
<v Speaker 1>And unfortunately for me, a lot of a lot of

0:38:08.040 --> 0:38:11.480
<v Speaker 1>other promoters don't care about these groups. And that's I

0:38:11.480 --> 0:38:13.359
<v Speaker 1>don't I don't know what else to say. I mean,

0:38:13.400 --> 0:38:16.000
<v Speaker 1>I used to do. I did more John Prime shows

0:38:16.560 --> 0:38:20.600
<v Speaker 1>as an independent promoter prior to selling Das Effects than

0:38:20.760 --> 0:38:23.080
<v Speaker 1>any other show that I ever did. And it was

0:38:23.160 --> 0:38:27.080
<v Speaker 1>because nobody cared, Nobody got it, nobody understood. They weren't

0:38:27.080 --> 0:38:29.919
<v Speaker 1>willing to do the work. It took the promotium into

0:38:30.000 --> 0:38:33.680
<v Speaker 1>the grassroots marketing that it takes to make these people grow,

0:38:33.840 --> 0:38:36.880
<v Speaker 1>and it took years for John to grow and and

0:38:36.880 --> 0:38:40.000
<v Speaker 1>and sadly he was taken from us this year. But

0:38:40.120 --> 0:38:42.759
<v Speaker 1>this guy, he, I mean, he was he turned into

0:38:42.760 --> 0:38:45.120
<v Speaker 1>a six figure act. I used to pay him five

0:38:45.200 --> 0:38:48.600
<v Speaker 1>grand of nine and and it's he grew up with

0:38:48.680 --> 0:38:50.799
<v Speaker 1>his audience, and he got bigger as he grew up.

0:38:51.360 --> 0:38:54.759
<v Speaker 1>And uh, I mean, good for me that I'm hip

0:38:54.840 --> 0:38:57.200
<v Speaker 1>to these guys, bad for them that they're not. But

0:38:57.239 --> 0:39:00.719
<v Speaker 1>they got all the Taylor Swift Scenarian grand Days and

0:39:00.760 --> 0:39:05.120
<v Speaker 1>Billie Eilish's and all these hot groups, which I must

0:39:05.120 --> 0:39:07.239
<v Speaker 1>admit I'm a little envious that I don't get to

0:39:07.280 --> 0:39:09.840
<v Speaker 1>work with like I would if it was twenty or

0:39:09.880 --> 0:39:12.560
<v Speaker 1>thirty years ago. But I'm happy with what I got.

0:39:12.719 --> 0:39:15.719
<v Speaker 1>You know, I can't cry about what other people are

0:39:15.760 --> 0:39:18.480
<v Speaker 1>doing that I'm not that ain't right. How many shows

0:39:18.520 --> 0:39:23.080
<v Speaker 1>you do a year? Now? About and how far do

0:39:23.160 --> 0:39:29.680
<v Speaker 1>you go outside of Arizona in Vegas? I did? Um

0:39:29.960 --> 0:39:33.160
<v Speaker 1>uh farthest I went in the last year was I.

0:39:33.400 --> 0:39:38.200
<v Speaker 1>I had Gordon Lightfoot and Alan Parson's both at Town

0:39:38.239 --> 0:39:41.360
<v Speaker 1>Hall in New York City. I started doing shows in

0:39:41.440 --> 0:39:44.600
<v Speaker 1>Chicago as Scottie Gelman, who I met when he was

0:39:44.640 --> 0:39:47.359
<v Speaker 1>with Jam And we've been doing shows in a place

0:39:47.400 --> 0:39:50.920
<v Speaker 1>called the Copernicus Center as well as the Rosemont Theater,

0:39:50.960 --> 0:39:54.640
<v Speaker 1>which is a beautiful place. Um. We went to Green

0:39:54.680 --> 0:39:58.480
<v Speaker 1>Bay with Frankie Valley. We're going back there with Frankie Valley.

0:39:58.600 --> 0:40:01.480
<v Speaker 1>We're also going there with Bachman Cummings and Dave Mason,

0:40:01.960 --> 0:40:05.239
<v Speaker 1>which is a show that I put together. Um. Dave

0:40:05.320 --> 0:40:08.320
<v Speaker 1>Mason lives over here in Hawaiian to see him. This weekend,

0:40:09.440 --> 0:40:15.360
<v Speaker 1>I went to Atlanta and Houston with Alan Parson's. Um.

0:40:15.400 --> 0:40:18.759
<v Speaker 1>You know, I'll go as far as because because I

0:40:18.800 --> 0:40:21.239
<v Speaker 1>know these groups and I know how to promote them

0:40:21.239 --> 0:40:23.120
<v Speaker 1>and I know how to work with them, I can

0:40:23.160 --> 0:40:26.520
<v Speaker 1>do them in different places, even with a smaller office

0:40:26.600 --> 0:40:30.239
<v Speaker 1>like I have, And and to me, that's like the

0:40:30.280 --> 0:40:34.080
<v Speaker 1>most fun I've ever had is flying around with these guys,

0:40:34.080 --> 0:40:37.480
<v Speaker 1>staying in the hotels, having our dinners, having our shows,

0:40:37.920 --> 0:40:41.239
<v Speaker 1>having our after shows. It's really special. You know, it's

0:40:41.239 --> 0:40:44.279
<v Speaker 1>a lot of fun. How many dates will you do

0:40:44.360 --> 0:40:46.480
<v Speaker 1>with one act? What's the most you've done with one

0:40:46.520 --> 0:40:51.080
<v Speaker 1>act in the last couple of years, Frankie, Uh, Frankie

0:40:51.080 --> 0:40:53.400
<v Speaker 1>and I do a lot of shows, but in the

0:40:53.480 --> 0:40:56.359
<v Speaker 1>last year too. It just it just keeps getting a

0:40:56.400 --> 0:41:00.400
<v Speaker 1>little bit more and more. Same with Parsons, same with Gordon.

0:41:00.440 --> 0:41:02.080
<v Speaker 1>It's like they'll call me up and say, where do

0:41:02.120 --> 0:41:04.920
<v Speaker 1>you want to go, and I'll say to them, you

0:41:05.040 --> 0:41:06.960
<v Speaker 1>got the books on it, where do you need to go?

0:41:07.040 --> 0:41:09.840
<v Speaker 1>Where haven't you been? I never want to try to

0:41:10.040 --> 0:41:13.480
<v Speaker 1>poach an act from somebody in a market where they

0:41:13.520 --> 0:41:16.680
<v Speaker 1>already have history with them. I still pay attention to that,

0:41:16.719 --> 0:41:20.040
<v Speaker 1>although most people don't anymore. I think that kind of

0:41:20.040 --> 0:41:23.040
<v Speaker 1>stuff is important. You don't need things like that bite

0:41:23.080 --> 0:41:25.560
<v Speaker 1>me in the button, chasing you around. But there's a

0:41:25.600 --> 0:41:29.120
<v Speaker 1>lot of bands out there that don't have regular promoters

0:41:29.160 --> 0:41:32.000
<v Speaker 1>and a lot of good markets. Um, not just the

0:41:32.000 --> 0:41:35.520
<v Speaker 1>ones I'm talking about, there's plenty of others. And uh,

0:41:35.680 --> 0:41:38.640
<v Speaker 1>you know, I mean with with these bands that I'm

0:41:38.680 --> 0:41:42.560
<v Speaker 1>talking about. It takes enthusiasm on my end and the

0:41:42.640 --> 0:41:46.120
<v Speaker 1>hall's end and the local media. And to make that

0:41:46.360 --> 0:41:49.440
<v Speaker 1>important to the audience that's there who doesn't know or

0:41:49.480 --> 0:41:52.120
<v Speaker 1>care whether or not that's that comes until you bring

0:41:52.120 --> 0:41:54.480
<v Speaker 1>it to them and make it important for them to go.

0:41:54.920 --> 0:41:57.799
<v Speaker 1>And that's why people go to shows. How do you

0:41:57.920 --> 0:42:02.080
<v Speaker 1>market a show? What is your special loss? And there's

0:42:02.080 --> 0:42:04.520
<v Speaker 1>both behind the curtain in front of the curtain. What

0:42:04.640 --> 0:42:07.759
<v Speaker 1>about the experience? Do you give the audience that a

0:42:07.800 --> 0:42:10.319
<v Speaker 1>special that will help you build the band? So Hey,

0:42:10.360 --> 0:42:12.440
<v Speaker 1>how do you get the people in the building be

0:42:12.600 --> 0:42:15.120
<v Speaker 1>what do you do special when they're inside the building?

0:42:16.920 --> 0:42:21.120
<v Speaker 1>You know? UM, I don't know if im what our order,

0:42:21.400 --> 0:42:23.719
<v Speaker 1>I'll answer that in But how I get him in

0:42:23.719 --> 0:42:29.000
<v Speaker 1>the building is. I find that the the e blasts

0:42:29.680 --> 0:42:36.800
<v Speaker 1>UH emails UM to a database from a radio station

0:42:37.280 --> 0:42:41.520
<v Speaker 1>or the hall UH generally is a really great way

0:42:41.520 --> 0:42:44.880
<v Speaker 1>to get the word out because they already have tech

0:42:45.280 --> 0:42:51.520
<v Speaker 1>semitech savvy people who who are signed up and and

0:42:51.600 --> 0:42:55.120
<v Speaker 1>like getting notices about shows. Social media has been a

0:42:55.160 --> 0:42:58.799
<v Speaker 1>great help to getting the word out. UM. Doing the

0:42:58.840 --> 0:43:03.120
<v Speaker 1>pre sales is is a good thing in and making

0:43:03.160 --> 0:43:06.040
<v Speaker 1>sure good seats are available on both the pre sale

0:43:06.520 --> 0:43:11.759
<v Speaker 1>and the first day of sale is very important. UM.

0:43:11.840 --> 0:43:14.000
<v Speaker 1>You know, I mean on the on the first day.

0:43:14.040 --> 0:43:17.040
<v Speaker 1>Going into my first day of on sales with these

0:43:17.080 --> 0:43:20.200
<v Speaker 1>shows that hold a thousand, two thousand tickets, I like

0:43:20.320 --> 0:43:23.239
<v Speaker 1>going in with three or five tickets sold under the

0:43:23.360 --> 0:43:27.239
<v Speaker 1>radar without spending a dime before I've even started my

0:43:27.239 --> 0:43:33.880
<v Speaker 1>my spending money on media. UM. I I still like

0:43:34.080 --> 0:43:37.880
<v Speaker 1>print in some markets, as archaic as it sounds, and

0:43:37.960 --> 0:43:41.000
<v Speaker 1>it is in many cases. UM, I've been doing less

0:43:41.040 --> 0:43:42.480
<v Speaker 1>and less of that, But I was one of the

0:43:42.520 --> 0:43:46.200
<v Speaker 1>last guys to give up on print. I love billboards

0:43:46.400 --> 0:43:50.520
<v Speaker 1>for on sales and the week of shows. Um, getting

0:43:50.800 --> 0:43:55.040
<v Speaker 1>involved with three radio stations, just your regular FM stations,

0:43:55.480 --> 0:43:57.880
<v Speaker 1>if they're into it and they're willing to promote it

0:43:57.920 --> 0:44:01.000
<v Speaker 1>for you for a few days, just to get the

0:44:01.040 --> 0:44:04.400
<v Speaker 1>word out, you know, with my with my acts, the

0:44:04.440 --> 0:44:08.120
<v Speaker 1>acts that I promote, most of them are pretty well

0:44:08.160 --> 0:44:11.000
<v Speaker 1>known and when you hear their names, you know it

0:44:11.160 --> 0:44:13.799
<v Speaker 1>immediately or you don't. There's not a whole lot of

0:44:13.920 --> 0:44:17.640
<v Speaker 1>education involved as opposed to you know what, you've got

0:44:17.640 --> 0:44:21.279
<v Speaker 1>to jump through hoops and educating people about bands. I

0:44:21.400 --> 0:44:23.600
<v Speaker 1>like going to the I like going to the halls

0:44:23.680 --> 0:44:26.640
<v Speaker 1>that my audience likes to go to. I like to

0:44:26.680 --> 0:44:30.480
<v Speaker 1>make sure they get their tickets without any hassle. Um.

0:44:30.520 --> 0:44:33.280
<v Speaker 1>I'm always around at the shows, and I make myself

0:44:33.360 --> 0:44:36.120
<v Speaker 1>known presently so if they got a problem, they can

0:44:36.160 --> 0:44:39.320
<v Speaker 1>ask me about it or say something to me. Um

0:44:39.360 --> 0:44:44.240
<v Speaker 1>to me, UH, putting on the show on time, when

0:44:44.440 --> 0:44:47.640
<v Speaker 1>when you say you're gonna put the show on, uh

0:44:47.880 --> 0:44:51.560
<v Speaker 1>without a whole bunch of drama is the best time

0:44:51.600 --> 0:44:54.560
<v Speaker 1>that I think I can provide for somebody. When somebody

0:44:54.600 --> 0:44:58.160
<v Speaker 1>buys a ticket, to a show. I don't want them

0:44:58.200 --> 0:45:01.120
<v Speaker 1>to worry about that their seats there, or that it's clean,

0:45:01.440 --> 0:45:04.400
<v Speaker 1>or that there's a good parking space or a bathroom

0:45:04.600 --> 0:45:07.560
<v Speaker 1>or drinks to buy at the bar. All that kind

0:45:07.560 --> 0:45:10.160
<v Speaker 1>of stuff, like you're thrown a party has got to

0:45:10.200 --> 0:45:12.080
<v Speaker 1>be in order so that you can be a good

0:45:12.080 --> 0:45:15.759
<v Speaker 1>host for people. Um, there's there's not a whole lot

0:45:15.800 --> 0:45:20.080
<v Speaker 1>of bells and whistles and fireworks beyond that that that

0:45:20.200 --> 0:45:25.759
<v Speaker 1>I provide. Rather, I do try to provide a congenial atmosphere. Um.

0:45:25.800 --> 0:45:28.760
<v Speaker 1>I go out in front of every show and welcome

0:45:28.800 --> 0:45:31.000
<v Speaker 1>the audience and kind of make them feel like they're

0:45:31.000 --> 0:45:33.440
<v Speaker 1>part of it. That was something that I used to

0:45:33.440 --> 0:45:35.239
<v Speaker 1>see Bill Graham do all the time, and he was

0:45:35.320 --> 0:45:37.960
<v Speaker 1>the greatest at it. And I've always done that the

0:45:38.000 --> 0:45:40.080
<v Speaker 1>whole time. It's like one of the fun times of

0:45:40.120 --> 0:45:42.120
<v Speaker 1>the night where I get to say loo to our

0:45:42.160 --> 0:45:47.480
<v Speaker 1>customers and and they seem to really appreciate that, and

0:45:47.520 --> 0:45:50.400
<v Speaker 1>I loved I love doing it. Yeah, speaking of Bill Graham,

0:45:50.600 --> 0:45:52.279
<v Speaker 1>let's go back to the beginning, because that's when you

0:45:52.360 --> 0:45:56.160
<v Speaker 1>met Bill Graham. How did you meet Bill and what

0:45:56.239 --> 0:45:59.600
<v Speaker 1>was your relationship with him? As time went on and

0:46:00.080 --> 0:46:06.200
<v Speaker 1>his pluses and minuses. Um. I learned about him growing

0:46:06.280 --> 0:46:10.600
<v Speaker 1>up in Chicago in the late sixties early seventies. Back

0:46:10.640 --> 0:46:13.520
<v Speaker 1>at that time, you didn't have the Internet, but we

0:46:13.520 --> 0:46:17.799
<v Speaker 1>we had you know, Rolling Stone and you every now

0:46:17.840 --> 0:46:20.240
<v Speaker 1>and then something would be on TV or being Circus

0:46:20.360 --> 0:46:25.560
<v Speaker 1>magazine or or teen Beat. Uh, not that much with

0:46:25.600 --> 0:46:29.840
<v Speaker 1>Bill Gramm and Team Beat. So um, but you know,

0:46:29.920 --> 0:46:32.160
<v Speaker 1>I learned about him. And then there was all the

0:46:32.280 --> 0:46:36.120
<v Speaker 1>hubbub about the Fillmore's opening and closing, and and right

0:46:36.120 --> 0:46:38.400
<v Speaker 1>about the time that he closed them is when I

0:46:38.440 --> 0:46:41.000
<v Speaker 1>got out of high school and I went to San

0:46:41.040 --> 0:46:44.880
<v Speaker 1>Francisco with a couple of friends, and I was trying

0:46:44.920 --> 0:46:47.360
<v Speaker 1>to move there. I I brought my records in my

0:46:47.440 --> 0:46:49.919
<v Speaker 1>stereo with me and everything, and there was a lot

0:46:49.960 --> 0:46:56.680
<v Speaker 1>of them. Um. So I went to a show, uh,

0:46:56.800 --> 0:47:00.400
<v Speaker 1>and and I jumped onto an equipment truck and started

0:47:00.440 --> 0:47:03.200
<v Speaker 1>unloading some gear. And when I came down the ramp,

0:47:03.200 --> 0:47:06.120
<v Speaker 1>it was, yes, his equipment truck. I had an English

0:47:06.160 --> 0:47:09.080
<v Speaker 1>accent when I talked to the San Francisco guys, and

0:47:09.080 --> 0:47:10.960
<v Speaker 1>when I went back up the ramp, I talked like

0:47:11.000 --> 0:47:13.759
<v Speaker 1>the San Francisco guy to the English guys. So they

0:47:13.760 --> 0:47:15.719
<v Speaker 1>all thought I was working for the other the whole

0:47:15.800 --> 0:47:19.080
<v Speaker 1>day until Bill walked into catering and picked me up

0:47:19.080 --> 0:47:21.600
<v Speaker 1>by the car and said, who's this kid? You know?

0:47:21.920 --> 0:47:25.239
<v Speaker 1>And Uh. It went on from there. That was in

0:47:25.400 --> 0:47:31.719
<v Speaker 1>seventy two. By nineteens. In seventy four, he asked me

0:47:32.440 --> 0:47:34.640
<v Speaker 1>to move to Denver because he had a partner in

0:47:34.680 --> 0:47:38.160
<v Speaker 1>Denver that he was having a problem with. UM, a

0:47:38.239 --> 0:47:41.279
<v Speaker 1>long time promoter up there had some had something going on.

0:47:41.360 --> 0:47:44.720
<v Speaker 1>I don't know what. I didn't ask, but he offered

0:47:44.760 --> 0:47:47.600
<v Speaker 1>me four dollars a month, and I said, I'm not

0:47:47.640 --> 0:47:51.560
<v Speaker 1>going to starve even for you, Bill Um. So I passed,

0:47:51.560 --> 0:47:54.680
<v Speaker 1>and I started doing shows in Phoenix and one thing

0:47:54.760 --> 0:47:57.719
<v Speaker 1>led to another. Couple of years later, he's calling me

0:47:57.800 --> 0:48:00.400
<v Speaker 1>up for helping him out on the stars. Born answered

0:48:00.920 --> 0:48:04.480
<v Speaker 1>that he did for Barbara Streisan and John Peters. He

0:48:04.560 --> 0:48:07.600
<v Speaker 1>did the concert that brought the people into the stadium

0:48:07.640 --> 0:48:11.120
<v Speaker 1>to do the background shots for Chris and Barbara in

0:48:11.160 --> 0:48:14.520
<v Speaker 1>the in the movie, and we had a great time there.

0:48:14.560 --> 0:48:18.720
<v Speaker 1>I drove him around for a couple of weeks, met Christofferson,

0:48:18.760 --> 0:48:21.280
<v Speaker 1>became great friends with him. He lives down the street

0:48:21.600 --> 0:48:28.160
<v Speaker 1>from where I'm sitting right now. UM and Uh, I didn't.

0:48:28.200 --> 0:48:30.759
<v Speaker 1>I didn't actually get to do a show with Bill

0:48:30.960 --> 0:48:34.560
<v Speaker 1>until seven. I talked to him into doing The Grateful

0:48:34.600 --> 0:48:39.080
<v Speaker 1>deadic Compton Terrorist in Phoenix, which was owned by the

0:48:39.160 --> 0:48:42.960
<v Speaker 1>Knicks family Jess and his wife and brother and Stevie,

0:48:43.680 --> 0:48:47.600
<v Speaker 1>and we sold seventeen thousand tickets there. And Bill just

0:48:47.800 --> 0:48:51.200
<v Speaker 1>love that, and uh, it was way bigger than he

0:48:51.280 --> 0:48:54.360
<v Speaker 1>thought it would ever be. And we became very close,

0:48:55.160 --> 0:48:57.240
<v Speaker 1>and I thought would be for a very long time.

0:48:57.880 --> 0:49:00.440
<v Speaker 1>We would be very close. Um. I went visited with

0:49:00.520 --> 0:49:03.680
<v Speaker 1>him and stayed with him at Massada up in San Francisco,

0:49:03.840 --> 0:49:07.080
<v Speaker 1>and I maintained my relationship with Bob Barsodi, who was

0:49:07.160 --> 0:49:10.200
<v Speaker 1>the guy that kind of brought me in UM back

0:49:10.200 --> 0:49:15.600
<v Speaker 1>in that high school show with Yes, And we we

0:49:15.800 --> 0:49:21.080
<v Speaker 1>ended up starting together those Grateful Dead shows and and

0:49:21.160 --> 0:49:23.799
<v Speaker 1>unfortunately that was a few months later Bill was dead,

0:49:24.600 --> 0:49:27.839
<v Speaker 1>but we had we had a fantastic time. We were

0:49:27.920 --> 0:49:32.319
<v Speaker 1>two peas in a pond. Okay, what makes you successful?

0:49:32.400 --> 0:49:40.400
<v Speaker 1>Danny's alesko tenacity? You know, I like to think I

0:49:40.480 --> 0:49:45.200
<v Speaker 1>stay after it, Bob, it's um you know at this stage,

0:49:45.600 --> 0:49:47.640
<v Speaker 1>you know, like it's the same as it was was

0:49:47.640 --> 0:49:50.560
<v Speaker 1>was when I when I was a little kid. It's

0:49:50.640 --> 0:49:54.719
<v Speaker 1>one step after the other. If you find something good

0:49:54.760 --> 0:49:57.760
<v Speaker 1>with one step, there must be another one, and another

0:49:57.760 --> 0:50:01.640
<v Speaker 1>one and another one. Saying know to yourself is probably

0:50:01.680 --> 0:50:04.680
<v Speaker 1>the biggest hang up. I think that to turn to

0:50:04.760 --> 0:50:08.280
<v Speaker 1>get get some people's ways when they when they're trying

0:50:08.280 --> 0:50:11.560
<v Speaker 1>to do anything much less than the music business. It's

0:50:11.600 --> 0:50:14.719
<v Speaker 1>a very difficult business to break into. If I had

0:50:14.760 --> 0:50:16.600
<v Speaker 1>to do it over again, I would give it myself

0:50:16.640 --> 0:50:20.279
<v Speaker 1>a second thought about it. It was very rough. Uh.

0:50:20.880 --> 0:50:25.200
<v Speaker 1>It's been difficult at sometimes, but overall, on a score

0:50:25.200 --> 0:50:26.960
<v Speaker 1>of one to a hundred, I would give it nine.

0:50:27.520 --> 0:50:32.720
<v Speaker 1>Is a great career that I've been fortunate enough to have. Um.

0:50:32.760 --> 0:50:36.880
<v Speaker 1>My success comes from not taking no for an answer

0:50:37.239 --> 0:50:41.200
<v Speaker 1>when I know it should be yes, um, and doing

0:50:41.239 --> 0:50:42.640
<v Speaker 1>it in such a way where you're not a pain

0:50:42.719 --> 0:50:45.160
<v Speaker 1>the ask to people where they really don't want to

0:50:45.160 --> 0:50:48.160
<v Speaker 1>be around you, but rather you know, figuring out a

0:50:48.200 --> 0:50:50.640
<v Speaker 1>way to point out why it's a good thing to

0:50:50.760 --> 0:50:54.719
<v Speaker 1>do business with me. And and after all, fortunately after

0:50:54.760 --> 0:50:59.960
<v Speaker 1>all these years forty something years of doing all these shows,

0:51:00.080 --> 0:51:04.759
<v Speaker 1>somehow the good stuff stuck. Uh. As far as being

0:51:04.760 --> 0:51:09.799
<v Speaker 1>a fan, loving the music, trying to be fair, be

0:51:09.880 --> 0:51:13.719
<v Speaker 1>a good guy, Um, you know, I'm not a boy

0:51:13.760 --> 0:51:16.360
<v Speaker 1>scout by any means, but but when it comes to

0:51:16.440 --> 0:51:18.480
<v Speaker 1>this business, there's a lot of guys who are anything

0:51:18.560 --> 0:51:22.719
<v Speaker 1>but boy scouts. And and the the average lifespan of

0:51:22.719 --> 0:51:25.800
<v Speaker 1>a promoter isn't really that long the last time I checked.

0:51:26.520 --> 0:51:28.920
<v Speaker 1>So to be in it after all this time, you know,

0:51:29.400 --> 0:51:32.120
<v Speaker 1>it's it's a great failing believer. Now, if you read

0:51:32.160 --> 0:51:34.520
<v Speaker 1>your book, and I recommend it's certainly a tale from

0:51:34.560 --> 0:51:37.839
<v Speaker 1>a different viewpoint. It's very personal. But astounded me when

0:51:37.920 --> 0:51:40.560
<v Speaker 1>you grew up in Chicago, and it's a little bit

0:51:40.600 --> 0:51:43.200
<v Speaker 1>of an overstatement to say you knew every famous athlete

0:51:43.200 --> 0:51:48.520
<v Speaker 1>in Chicago, but almost so, you know, how did this happen?

0:51:48.520 --> 0:51:54.480
<v Speaker 1>And who did you mean? Well, in the early sixties,

0:51:55.440 --> 0:52:02.440
<v Speaker 1>Chicago was full of these eight sports stars. Ernie Banks

0:52:03.160 --> 0:52:06.080
<v Speaker 1>one of the greatest, first black player for the Cubs.

0:52:06.760 --> 0:52:10.960
<v Speaker 1>Um one of the nicest people I've ever known. There

0:52:11.040 --> 0:52:13.319
<v Speaker 1>was guys on the White Sox, like many men knows

0:52:13.400 --> 0:52:17.399
<v Speaker 1>so Joe Cunningham stretched cunning him the first baseman who

0:52:17.400 --> 0:52:20.839
<v Speaker 1>would do the splits when he when he reached out

0:52:20.880 --> 0:52:23.520
<v Speaker 1>for a ball at first base. There was the hockey players,

0:52:23.560 --> 0:52:28.520
<v Speaker 1>Bobby Bobby Holland, Stan Mikita Um and the Bears won

0:52:28.600 --> 0:52:33.360
<v Speaker 1>that championship in And that was right when I was

0:52:33.440 --> 0:52:37.080
<v Speaker 1>becoming aware of my surroundings and all these different people

0:52:37.560 --> 0:52:41.400
<v Speaker 1>who were really unattainable to me. I couldn't ever dream

0:52:41.520 --> 0:52:44.880
<v Speaker 1>of meeting these people, much less anything else. And I

0:52:44.920 --> 0:52:49.239
<v Speaker 1>had an older brother named Jimmy, and he was three

0:52:49.280 --> 0:52:52.160
<v Speaker 1>years older than me, and he started going down to

0:52:52.200 --> 0:52:56.040
<v Speaker 1>the ballpark, so this was in sixty three sixty four.

0:52:57.800 --> 0:53:00.160
<v Speaker 1>He taught my parents and let me go along with them,

0:53:00.160 --> 0:53:02.680
<v Speaker 1>and we'd gather our baseball cards you get signed, or

0:53:02.760 --> 0:53:05.880
<v Speaker 1>football cards, and one by one by one, we had

0:53:05.920 --> 0:53:08.720
<v Speaker 1>access to these players because they parked in parking lots

0:53:08.760 --> 0:53:11.680
<v Speaker 1>like normal people, across from the entrance to get in,

0:53:12.120 --> 0:53:16.920
<v Speaker 1>so we could have access to them. And after a

0:53:16.920 --> 0:53:19.520
<v Speaker 1>while they get to recognize us. They walk us into

0:53:19.560 --> 0:53:21.919
<v Speaker 1>the ball games. We never paid to get into a game,

0:53:22.360 --> 0:53:26.280
<v Speaker 1>they walked us in. We had everything with these guys,

0:53:26.400 --> 0:53:31.120
<v Speaker 1>and and we learned the mannerisms and the nature and

0:53:31.239 --> 0:53:34.160
<v Speaker 1>the ability to get along with not only older people,

0:53:34.200 --> 0:53:39.000
<v Speaker 1>but famous people, and and and and to realize when

0:53:39.040 --> 0:53:42.759
<v Speaker 1>when you're not being a groupie type, you're being more

0:53:42.840 --> 0:53:47.640
<v Speaker 1>like a friend and there were so many great athletes

0:53:47.640 --> 0:53:49.600
<v Speaker 1>in Chicago, and the fact that we got to be

0:53:49.680 --> 0:53:52.640
<v Speaker 1>around them and I and I would see other people

0:53:52.640 --> 0:53:55.279
<v Speaker 1>who would screw up and be stupid around them, and

0:53:55.320 --> 0:53:57.440
<v Speaker 1>you know, you've learned for yourself. You make yourself a

0:53:57.480 --> 0:54:00.520
<v Speaker 1>little note to your to yourself, and you don't be

0:54:00.560 --> 0:54:04.120
<v Speaker 1>an idiot, don't do that. And and you learn that

0:54:04.640 --> 0:54:09.800
<v Speaker 1>that speak celebrity speak, and and it's segued into music

0:54:09.880 --> 0:54:13.680
<v Speaker 1>in the late you know, in the late sixties. UM

0:54:13.960 --> 0:54:15.800
<v Speaker 1>and and it was I found it was the same

0:54:15.840 --> 0:54:20.399
<v Speaker 1>thing with them. People who have special abilities, whether it's

0:54:20.400 --> 0:54:25.040
<v Speaker 1>behaving a baseball or playing a guitar. In many cases,

0:54:25.920 --> 0:54:28.520
<v Speaker 1>because they're so special at one thing, they don't pay

0:54:28.520 --> 0:54:31.600
<v Speaker 1>attention to normal things. And that's kind of like where

0:54:31.640 --> 0:54:35.759
<v Speaker 1>I figured I could fit in. UM. I heard, you know,

0:54:35.840 --> 0:54:39.320
<v Speaker 1>like when Marilyn Monroe got killed her or or somebody

0:54:39.400 --> 0:54:42.359
<v Speaker 1>killed themselves in Hollywood, I thought to myself, they didn't

0:54:42.400 --> 0:54:45.239
<v Speaker 1>have anybody good to talk to. They needed a good

0:54:45.280 --> 0:54:47.680
<v Speaker 1>friend there. Right then, I didn't know about managers and

0:54:47.760 --> 0:54:51.480
<v Speaker 1>agents and personal assistance and all that stuff. But it

0:54:51.520 --> 0:54:54.800
<v Speaker 1>occurred to me that maybe that would have helped back then,

0:54:55.040 --> 0:55:01.000
<v Speaker 1>and the whole the whole study of the of the

0:55:01.120 --> 0:55:04.640
<v Speaker 1>personalities for me, and I didn't know it at the time.

0:55:04.680 --> 0:55:09.040
<v Speaker 1>I mean, I'm not no shrink. It was so fascinating

0:55:09.080 --> 0:55:12.720
<v Speaker 1>to me getting into these people's heads and and them

0:55:12.760 --> 0:55:16.719
<v Speaker 1>and realizing they actually would like me and we would

0:55:16.760 --> 0:55:21.160
<v Speaker 1>become friends. And you know, Brian Piccolo's calling me up

0:55:21.200 --> 0:55:24.399
<v Speaker 1>at home at dinner time about something and my dad

0:55:24.440 --> 0:55:28.040
<v Speaker 1>answered the phone. What was this Brian Piccolo? Yeah, sure

0:55:28.080 --> 0:55:30.600
<v Speaker 1>it is hold on wise guy and he can't be

0:55:30.719 --> 0:55:33.040
<v Speaker 1>the phone I got Dad. It was really Brian. You

0:55:33.080 --> 0:55:38.080
<v Speaker 1>should be nicer to him next time. Um. It was

0:55:38.280 --> 0:55:41.880
<v Speaker 1>you know, for for a middle class kid that that

0:55:42.040 --> 0:55:45.680
<v Speaker 1>whole thing was. When I think back on it, was

0:55:45.680 --> 0:55:48.440
<v Speaker 1>was astounding. But there was a reason for it. I

0:55:48.520 --> 0:55:51.719
<v Speaker 1>just didn't know what it was. A done. Okay, let's

0:55:51.719 --> 0:55:54.400
<v Speaker 1>go a little a little bit deeper. You know, most

0:55:54.400 --> 0:55:57.799
<v Speaker 1>people don't have the privilege to be able to meet

0:55:57.840 --> 0:55:59.680
<v Speaker 1>famous people, and as you say, they tend to be

0:55:59.719 --> 0:56:03.359
<v Speaker 1>group piece, but they also tend to pinch themselves. We've

0:56:03.400 --> 0:56:05.600
<v Speaker 1>all had that experience. Go I'm sitting here talking to

0:56:05.680 --> 0:56:10.000
<v Speaker 1>this world famous person. How did you check yourself such

0:56:10.080 --> 0:56:13.040
<v Speaker 1>that you could continue to be a friend. How did

0:56:13.040 --> 0:56:17.120
<v Speaker 1>you get yourself in that headspace. You know. It's like

0:56:17.400 --> 0:56:20.759
<v Speaker 1>you you don't just learn out of books. You you

0:56:20.880 --> 0:56:24.399
<v Speaker 1>learn from experience. You learn by paying attention to what's

0:56:24.440 --> 0:56:28.359
<v Speaker 1>happening right in front of you. And and you can

0:56:28.440 --> 0:56:30.960
<v Speaker 1>tell you can vide people out. And it was before

0:56:30.960 --> 0:56:33.520
<v Speaker 1>I knew what vibing people out meant, but as a

0:56:33.520 --> 0:56:38.720
<v Speaker 1>little kid um discovering things and being able to share

0:56:38.760 --> 0:56:41.600
<v Speaker 1>them with people. For instance, you know, like I wrote

0:56:41.600 --> 0:56:46.360
<v Speaker 1>about in the book about discovering the Beatles, uh, not discovering, discovering,

0:56:46.360 --> 0:56:49.719
<v Speaker 1>but discovering their record before anybody else did. In Chicago,

0:56:50.600 --> 0:56:54.839
<v Speaker 1>friends of mine, net Is and and I remember how

0:56:54.880 --> 0:56:59.520
<v Speaker 1>hard it was to turn people onto the Beatles until

0:56:59.600 --> 0:57:02.400
<v Speaker 1>the Alvan show happened, and then of course they forgot

0:57:02.640 --> 0:57:05.000
<v Speaker 1>that I had please please me for a year before that.

0:57:05.600 --> 0:57:07.719
<v Speaker 1>But I was very proud to myself about that. And

0:57:07.760 --> 0:57:10.359
<v Speaker 1>it's I didn't want to go Nona, not you know,

0:57:10.400 --> 0:57:12.279
<v Speaker 1>to everybody else, see I told you so, It's more

0:57:12.320 --> 0:57:16.240
<v Speaker 1>like I realized that I was onto something, and I

0:57:16.360 --> 0:57:22.680
<v Speaker 1>maintained that kind of presence with when talking to or

0:57:22.760 --> 0:57:27.240
<v Speaker 1>being around these people, like you belong, you fit in

0:57:27.880 --> 0:57:31.800
<v Speaker 1>as you belong. You're not there to be window dressing

0:57:31.960 --> 0:57:34.840
<v Speaker 1>or to be a hanger on, you know, or some

0:57:34.920 --> 0:57:38.439
<v Speaker 1>sort of a starfucker or something like that. You're you're

0:57:38.600 --> 0:57:41.800
<v Speaker 1>you're there because you like them and you're drawn to them,

0:57:42.280 --> 0:57:44.440
<v Speaker 1>and you figure out a way to be invited back,

0:57:45.000 --> 0:57:49.520
<v Speaker 1>and and doing that is by being subtle and not obnoxious. Okay,

0:57:50.200 --> 0:57:53.360
<v Speaker 1>you know, you go on. You have a special relationship

0:57:53.360 --> 0:57:54.920
<v Speaker 1>with Ernie Banks. Can you tell a little us a

0:57:54.920 --> 0:57:59.959
<v Speaker 1>little bit more about that? Sure? Um, Ernie Uh, Ernie

0:58:00.120 --> 0:58:05.000
<v Speaker 1>was always kind to the kids. My brother and I

0:58:05.080 --> 0:58:09.840
<v Speaker 1>became friendly with him, um and and special friends to him.

0:58:09.840 --> 0:58:12.720
<v Speaker 1>I felt he would call in on us. He would

0:58:12.720 --> 0:58:14.640
<v Speaker 1>call us at home and check on us. Make sure

0:58:15.280 --> 0:58:18.360
<v Speaker 1>every now and then, not all the time, but once

0:58:18.400 --> 0:58:20.880
<v Speaker 1>every few months. You guys doing your homework? Are you

0:58:20.960 --> 0:58:24.040
<v Speaker 1>practicing your baseball when you come into the park. Do

0:58:24.120 --> 0:58:28.920
<v Speaker 1>you need some tickets? I mean this is four or five, six, seven?

0:58:29.720 --> 0:58:33.680
<v Speaker 1>And after he left baseball in the early seventies, my

0:58:33.760 --> 0:58:40.120
<v Speaker 1>brother was a publicist PR guy. He was working for

0:58:40.200 --> 0:58:44.400
<v Speaker 1>the Illinois Entertainer at the time, UM and some other

0:58:44.440 --> 0:58:48.160
<v Speaker 1>and he did some stuff for Scarlett Rivera you know,

0:58:48.280 --> 0:58:53.200
<v Speaker 1>hurt um and and he got around doing that. But Unfortunately,

0:58:53.280 --> 0:58:58.080
<v Speaker 1>he had a heart disease which killed him in We

0:58:58.240 --> 0:59:00.640
<v Speaker 1>thought he was gonna live till he was five or six,

0:59:00.680 --> 0:59:02.960
<v Speaker 1>and he lived to his thirty So he had a

0:59:03.000 --> 0:59:07.400
<v Speaker 1>great life and that was fantastic. But you're talking about

0:59:07.440 --> 0:59:11.360
<v Speaker 1>your brother here, not Ernie Banks. I'm talking about my brother, Jimmy. Yeah.

0:59:11.360 --> 0:59:15.520
<v Speaker 1>So he started doing pr for Ernie after Ernie got

0:59:15.520 --> 0:59:19.040
<v Speaker 1>out of baseball, and and they would get together and

0:59:20.000 --> 0:59:22.240
<v Speaker 1>they would try to drum up some business. This was

0:59:22.840 --> 0:59:26.760
<v Speaker 1>before you know, the classic ball players were able to

0:59:26.800 --> 0:59:31.000
<v Speaker 1>make a great living signing autographs. Ernie made so much

0:59:31.040 --> 0:59:33.760
<v Speaker 1>more money signing autographs than he ever did as a player.

0:59:34.240 --> 0:59:37.160
<v Speaker 1>But being a player enabled him to be that guy

0:59:37.240 --> 0:59:41.240
<v Speaker 1>that can make thousands for signing his name, and Jimmy

0:59:41.280 --> 0:59:44.920
<v Speaker 1>would help him with that. And uh, and we always

0:59:44.920 --> 0:59:48.560
<v Speaker 1>stayed in touch. When he came to Arizona every year

0:59:48.720 --> 0:59:51.920
<v Speaker 1>for for spring training, we would have a golf game

0:59:52.080 --> 0:59:58.000
<v Speaker 1>or some drinks. And in fact, one one time he

0:59:58.160 --> 1:00:01.080
<v Speaker 1>was going to do one of those brand camp for

1:00:01.160 --> 1:00:04.320
<v Speaker 1>old people and he decided he didn't want to do

1:00:04.400 --> 1:00:06.160
<v Speaker 1>it once he got to Phoenix, so he gave me

1:00:06.200 --> 1:00:08.760
<v Speaker 1>his uniform and he says, go be Ernie Banks. For me.

1:00:08.800 --> 1:00:11.400
<v Speaker 1>I'll be back at the end of the week. And

1:00:11.400 --> 1:00:15.240
<v Speaker 1>and uh that was fun. Uh. Me showing up with

1:00:15.320 --> 1:00:19.480
<v Speaker 1>Ernie Banks's uniform drooping on me was was quite a picture,

1:00:19.520 --> 1:00:24.040
<v Speaker 1>but it worked. Um. One of the last things that

1:00:24.240 --> 1:00:27.400
<v Speaker 1>ever happened with Ernie with me. Ernie asked me if

1:00:27.440 --> 1:00:29.880
<v Speaker 1>I could get Lady Gaga to play at Wrigley Field,

1:00:30.040 --> 1:00:32.960
<v Speaker 1>And I called Jerry Barrett and and asked him about that,

1:00:33.000 --> 1:00:36.920
<v Speaker 1>but he said there was no no availability, sadly, and uh,

1:00:37.040 --> 1:00:41.920
<v Speaker 1>we never got to do that show. But he he

1:00:42.120 --> 1:00:45.640
<v Speaker 1>was just one of those He became family. When my

1:00:45.680 --> 1:00:47.760
<v Speaker 1>brother died, he came to the wake and he ended

1:00:47.840 --> 1:00:50.640
<v Speaker 1>up signing holy cards in front of his casket for

1:00:50.680 --> 1:00:54.000
<v Speaker 1>an hour. It was the most ridiculous thing I've ever seen,

1:00:54.040 --> 1:00:56.680
<v Speaker 1>but it was beautiful. He was so weird it out

1:00:56.720 --> 1:00:59.640
<v Speaker 1>about it. I said, Ernie, think about it. How many

1:00:59.640 --> 1:01:02.000
<v Speaker 1>times did he stand next to you while you signed

1:01:02.280 --> 1:01:04.120
<v Speaker 1>and waited for you so that you could go do

1:01:04.200 --> 1:01:07.040
<v Speaker 1>your business? He goes all the time. I said, don't

1:01:07.080 --> 1:01:10.800
<v Speaker 1>worry about it, He'll be happy. So it was an

1:01:10.880 --> 1:01:16.040
<v Speaker 1>eerie scene, but it made sense. Okay, So what musicians

1:01:16.200 --> 1:01:19.160
<v Speaker 1>are you fans of? And what musicians are you not

1:01:19.320 --> 1:01:26.080
<v Speaker 1>fans of personally? Um, I'm a I'm a very big

1:01:26.120 --> 1:01:30.040
<v Speaker 1>Pink Floyd fan. Um. I liked all the versions, but

1:01:30.160 --> 1:01:34.840
<v Speaker 1>especially of course the Dark Side and the Uh the

1:01:34.920 --> 1:01:39.000
<v Speaker 1>Wall and and Animals were three of my favorites. But

1:01:39.120 --> 1:01:44.080
<v Speaker 1>Uma Goma was my record big King Crimson fan. Um

1:01:44.160 --> 1:01:48.680
<v Speaker 1>some product rock, not a lot, but general giant, Yes,

1:01:50.240 --> 1:01:56.680
<v Speaker 1>Caravan Family. I love British bands. Uh. In America, I

1:01:56.760 --> 1:02:00.480
<v Speaker 1>love Frank Zappa, and I love John Prime, and I

1:02:00.560 --> 1:02:04.440
<v Speaker 1>love Joni Mitchell. I loved Laura Nero. I love all

1:02:04.480 --> 1:02:10.439
<v Speaker 1>of the the great great musicians that not not even

1:02:10.480 --> 1:02:12.440
<v Speaker 1>just ones that I've worked with, I've worked with most

1:02:12.480 --> 1:02:16.600
<v Speaker 1>of them. But um, you know, when when I first

1:02:16.600 --> 1:02:20.560
<v Speaker 1>got to do Roxy music, you know, I loved Brian Ferry,

1:02:20.720 --> 1:02:24.240
<v Speaker 1>one of my absolute favorites doing that That that David

1:02:24.320 --> 1:02:28.760
<v Speaker 1>Byrne show, that that Ben Schiffer and Mark Geiger sold

1:02:28.760 --> 1:02:32.080
<v Speaker 1>me in Vegas and in Phoenix. Uh. That the one

1:02:32.120 --> 1:02:34.480
<v Speaker 1>that's on TV right now that you didn't like. I

1:02:34.520 --> 1:02:38.480
<v Speaker 1>love that show on stage. I haven't seen the TV show. Um.

1:02:38.520 --> 1:02:40.680
<v Speaker 1>But also I want you to know not about the

1:02:40.760 --> 1:02:44.040
<v Speaker 1>act but the actual people, because as a promoter, it's

1:02:44.080 --> 1:02:46.280
<v Speaker 1>kind of like hanging with Ernie Banks. Who do you

1:02:46.320 --> 1:02:50.800
<v Speaker 1>have a special relationship with. Well, Roger Waters and I

1:02:50.840 --> 1:02:55.040
<v Speaker 1>are especially close. We have we have phone video calls

1:02:55.080 --> 1:02:58.040
<v Speaker 1>all the time. Well, we'll have a happy hour together

1:02:58.080 --> 1:02:59.880
<v Speaker 1>once in a while, but he hasn't been drinking, so

1:03:00.680 --> 1:03:04.960
<v Speaker 1>we haven't been having happy hours lately. But I love Roger. Um.

1:03:05.000 --> 1:03:08.520
<v Speaker 1>He was I was one of the first promoters to

1:03:08.640 --> 1:03:11.560
<v Speaker 1>buy a show with him after he left Floyd and

1:03:11.720 --> 1:03:15.600
<v Speaker 1>his first people. Forget his first go around. He didn't

1:03:15.640 --> 1:03:19.760
<v Speaker 1>do all that great. It was tough selling tickets back

1:03:19.800 --> 1:03:22.280
<v Speaker 1>in the eighties for a guy who left the band

1:03:22.360 --> 1:03:25.680
<v Speaker 1>that big and was also blamed for breaking it up.

1:03:26.280 --> 1:03:30.880
<v Speaker 1>So um, I love him. And I mentioned John Prime.

1:03:31.600 --> 1:03:34.840
<v Speaker 1>It's uh, definitely. You know, one of my very very

1:03:34.880 --> 1:03:39.520
<v Speaker 1>best friends, Al Diniola and I are are very close. Um,

1:03:40.240 --> 1:03:45.400
<v Speaker 1>Sean Phillips, Ian McDonald, all these other guys that I

1:03:44.960 --> 1:03:48.560
<v Speaker 1>that I've been talking about, Frankie Valley and Alan Parsons

1:03:48.560 --> 1:03:51.960
<v Speaker 1>and his family. Uh, Dave Matson lives over here. We're

1:03:52.440 --> 1:03:57.960
<v Speaker 1>we're getting together tomorrow. He's fantastic. Um. It's an amazing

1:03:58.160 --> 1:04:00.360
<v Speaker 1>group of people that we grew up with, you know,

1:04:00.400 --> 1:04:03.280
<v Speaker 1>in the sixties, in the seventies. I mean, there will

1:04:03.320 --> 1:04:06.040
<v Speaker 1>never be another time period like that as far as

1:04:06.040 --> 1:04:09.320
<v Speaker 1>I can tell you. Okay, So you ultimately sold your

1:04:09.360 --> 1:04:14.080
<v Speaker 1>additional company, Evenings Evening Star Productions to SFX Clear Channel,

1:04:14.080 --> 1:04:16.520
<v Speaker 1>But you were not one of the early sellers. Certainly

1:04:16.600 --> 1:04:20.400
<v Speaker 1>the early sellers got a big buck. Uh. How did

1:04:20.440 --> 1:04:24.720
<v Speaker 1>you do when you finally sold? Well, I was different

1:04:25.080 --> 1:04:30.840
<v Speaker 1>than than say B G P or Pace UM. I

1:04:30.880 --> 1:04:35.080
<v Speaker 1>didn't own any real estate. So like IRV Zuckerman he

1:04:35.160 --> 1:04:39.320
<v Speaker 1>had the amphitheater Um. You know, most of the big

1:04:39.360 --> 1:04:43.880
<v Speaker 1>guys that that sold their companies in the late nineties

1:04:44.280 --> 1:04:47.400
<v Speaker 1>in the early two thousand's like I did, most of

1:04:47.440 --> 1:04:52.040
<v Speaker 1>them were real estate owners. So I think based on

1:04:52.040 --> 1:04:54.840
<v Speaker 1>on what I was doing, I felt like it it

1:04:54.880 --> 1:04:57.680
<v Speaker 1>was a fair price, truth be told. I was gonna

1:04:57.720 --> 1:05:01.400
<v Speaker 1>do it originally with Ja Marciano, who was at House

1:05:01.480 --> 1:05:05.080
<v Speaker 1>of Blues at the time, and then they had that

1:05:05.160 --> 1:05:09.720
<v Speaker 1>big crash there in two thousand and and they they

1:05:09.760 --> 1:05:12.240
<v Speaker 1>decided they were going to go up against these effects

1:05:12.280 --> 1:05:16.840
<v Speaker 1>and become you know, the Yang to the Yang, and uh,

1:05:16.880 --> 1:05:19.680
<v Speaker 1>they closed down that idea, and that's what I made

1:05:19.720 --> 1:05:23.360
<v Speaker 1>the deal with. It originally started with Louis Messina at

1:05:23.360 --> 1:05:27.840
<v Speaker 1>Pace and then it ended up with Rodney Eckerman and

1:05:27.480 --> 1:05:30.440
<v Speaker 1>and and all of them. Um, I didn't want to

1:05:30.480 --> 1:05:33.880
<v Speaker 1>do it, but you know, I I started seeing all

1:05:33.960 --> 1:05:39.320
<v Speaker 1>my favorite best acts like Tina Turner and even right

1:05:39.320 --> 1:05:42.640
<v Speaker 1>while Roger Waters never had me cut out at Santana

1:05:42.760 --> 1:05:45.400
<v Speaker 1>and and a number of bands that I built myself

1:05:45.480 --> 1:05:49.640
<v Speaker 1>up to doing three four five cities with on each tour.

1:05:50.560 --> 1:05:53.600
<v Speaker 1>Suddenly now I'm getting a third or a half of

1:05:53.600 --> 1:05:58.200
<v Speaker 1>the show in Phoenix. Only after I've gone through several

1:05:58.240 --> 1:06:02.920
<v Speaker 1>tours building those markets up for those bands. Now suddenly

1:06:02.960 --> 1:06:06.360
<v Speaker 1>there's one promoter and and I don't get a piece

1:06:06.400 --> 1:06:10.040
<v Speaker 1>of those shows anymore. Um, that's when the writing was

1:06:10.120 --> 1:06:12.000
<v Speaker 1>on the wall. And then that you know, at the

1:06:12.080 --> 1:06:16.880
<v Speaker 1>end of nine at Eagles and Bette Midler thing happened

1:06:16.920 --> 1:06:19.920
<v Speaker 1>as well. So two thousand was a year for me.

1:06:20.560 --> 1:06:22.960
<v Speaker 1>It took me all year long to raise the money

1:06:23.040 --> 1:06:28.080
<v Speaker 1>to pay back Mandalais Bay for those shows. Um. It

1:06:28.160 --> 1:06:30.600
<v Speaker 1>ended up becoming a much more reasonable number when it

1:06:30.640 --> 1:06:32.640
<v Speaker 1>was all said and done, but it was still an

1:06:32.640 --> 1:06:35.680
<v Speaker 1>excess of a half a million bucks, which was a

1:06:35.720 --> 1:06:39.960
<v Speaker 1>lot of money for for people like us to lose. Um,

1:06:40.320 --> 1:06:45.400
<v Speaker 1>all those things combined made it necessary. I wasn't going

1:06:45.440 --> 1:06:48.200
<v Speaker 1>out of business, I wasn't not a money but mentally

1:06:49.040 --> 1:06:52.840
<v Speaker 1>for me, I I just I didn't feel like I

1:06:52.960 --> 1:06:55.840
<v Speaker 1>was going to be able to withstand even more pressure

1:06:56.520 --> 1:07:00.800
<v Speaker 1>from consolidated buying. You know, I I just and I

1:07:00.800 --> 1:07:02.880
<v Speaker 1>I would get wiped out. I was already seeing that

1:07:03.040 --> 1:07:05.480
<v Speaker 1>riding on the walls when I'm getting a half of

1:07:05.520 --> 1:07:09.080
<v Speaker 1>a Santana show. And I had been other than the

1:07:09.080 --> 1:07:12.480
<v Speaker 1>Bill Graham people. I was his most regular loyal promoter

1:07:13.320 --> 1:07:15.920
<v Speaker 1>in in my part of the country. That's just an example.

1:07:15.960 --> 1:07:19.000
<v Speaker 1>I'm not picking on them, but you know, when when

1:07:19.040 --> 1:07:21.280
<v Speaker 1>you're getting it, like I said earlier, when you get

1:07:21.520 --> 1:07:25.120
<v Speaker 1>a check for an entire tour up front, the person

1:07:25.200 --> 1:07:27.920
<v Speaker 1>given that checkout isn't really happy to have baggage like

1:07:28.000 --> 1:07:32.080
<v Speaker 1>me along for the ride. And uh, that's what happened.

1:07:32.560 --> 1:07:37.040
<v Speaker 1>So how did you do financially? I did great enough

1:07:37.800 --> 1:07:41.520
<v Speaker 1>enough to not work again if you've chosen too. Yeah,

1:07:41.600 --> 1:07:44.439
<v Speaker 1>you know, that's what I thought was gonna happen. And

1:07:44.920 --> 1:07:47.120
<v Speaker 1>Rodney said to me, hey, we're not buying you to

1:07:47.240 --> 1:07:49.680
<v Speaker 1>retire you. We're buying you to make money for us.

1:07:50.480 --> 1:07:53.160
<v Speaker 1>So part of the deal had some money in it

1:07:53.240 --> 1:07:57.040
<v Speaker 1>that if I quit earlier, I wouldn't get all of it.

1:07:57.120 --> 1:08:00.600
<v Speaker 1>But that never happened, of course. Um you know, I

1:08:01.080 --> 1:08:03.960
<v Speaker 1>did well with it. I saved a good deal of it.

1:08:04.000 --> 1:08:07.040
<v Speaker 1>I didn't go out and go crazy. I had already

1:08:07.040 --> 1:08:09.920
<v Speaker 1>bought the house that I still live in with my

1:08:09.960 --> 1:08:13.240
<v Speaker 1>own money and my own earnings prior to selling. I

1:08:13.400 --> 1:08:18.200
<v Speaker 1>was I was set. Prior to selling the company. It

1:08:18.320 --> 1:08:21.760
<v Speaker 1>seemed like a really good time to to take some

1:08:21.880 --> 1:08:25.080
<v Speaker 1>cash off the table and and see what happened. Because

1:08:25.120 --> 1:08:28.000
<v Speaker 1>even though I didn't know what was gonna happen, the

1:08:28.040 --> 1:08:30.840
<v Speaker 1>way that it did happen, you know, it was clear

1:08:30.920 --> 1:08:34.240
<v Speaker 1>that something completely different was going on. Then the Frank

1:08:34.280 --> 1:08:37.680
<v Speaker 1>Barcelona days or doing shows wherever you want to do

1:08:37.720 --> 1:08:40.439
<v Speaker 1>if nobody else is doing them in that market. Uh,

1:08:40.880 --> 1:08:45.240
<v Speaker 1>it changed dramatically, and and looking back, I'll never know

1:08:45.280 --> 1:08:46.960
<v Speaker 1>if it was a good idea or a great idea

1:08:47.040 --> 1:08:50.120
<v Speaker 1>or not, but I like to think I made I

1:08:50.200 --> 1:08:55.880
<v Speaker 1>made the right uh decision doing that. And then um uh,

1:08:56.000 --> 1:08:59.280
<v Speaker 1>you know, getting the opportunity in two thousand eleven to

1:08:59.400 --> 1:09:02.320
<v Speaker 1>go back out and do it again starting from scratch

1:09:03.720 --> 1:09:10.519
<v Speaker 1>was very difficult, not impossible, obviously, and I've had. I've

1:09:10.520 --> 1:09:14.160
<v Speaker 1>made more money each year since I started over again

1:09:14.240 --> 1:09:17.280
<v Speaker 1>than I was making on salary from Live Nation. And

1:09:17.360 --> 1:09:19.519
<v Speaker 1>so why did it really why did it really not

1:09:19.600 --> 1:09:24.639
<v Speaker 1>work out for you in Live Nation? Well, a number

1:09:24.640 --> 1:09:30.120
<v Speaker 1>of reads. I absolutely loved uh when micro Ropino took

1:09:30.200 --> 1:09:32.479
<v Speaker 1>over the what was the name of the company before

1:09:32.479 --> 1:09:36.240
<v Speaker 1>they came up with Live Nation, It was clear Channel, right, Well,

1:09:36.360 --> 1:09:38.080
<v Speaker 1>there was a name they were calling it for a

1:09:38.240 --> 1:09:42.000
<v Speaker 1>like sound Co or show Co. Oh yeah yeah, but

1:09:42.040 --> 1:09:44.679
<v Speaker 1>that was just a temporary name, right, okay, right until

1:09:44.720 --> 1:09:48.400
<v Speaker 1>they had a name. But I love the the excitement

1:09:48.400 --> 1:09:51.880
<v Speaker 1>of when he took over, um, you know, but it

1:09:52.200 --> 1:09:57.479
<v Speaker 1>just turned into a completely different animal. He did great.

1:09:57.560 --> 1:10:01.160
<v Speaker 1>I mean, he's done greater than anybody I've ever known

1:10:02.000 --> 1:10:04.040
<v Speaker 1>in the business. I mean he went he went from

1:10:04.080 --> 1:10:11.240
<v Speaker 1>being a somebody in Canada to to be a you know,

1:10:11.280 --> 1:10:13.800
<v Speaker 1>and not even a big somebody like Michael Cole who

1:10:13.800 --> 1:10:17.200
<v Speaker 1>we worked for, but he turned into the biggest somebody

1:10:17.200 --> 1:10:21.280
<v Speaker 1>in the music business, live music business. I Mean, I

1:10:22.600 --> 1:10:24.840
<v Speaker 1>can't say enough about how great it is that he

1:10:24.960 --> 1:10:28.759
<v Speaker 1>was that successful. He did great for him. But in

1:10:28.760 --> 1:10:33.639
<v Speaker 1>in our in our in our world, in Phoenix, they

1:10:34.160 --> 1:10:40.840
<v Speaker 1>they made a deal to take over the Dodge Theater. UM.

1:10:41.320 --> 1:10:44.360
<v Speaker 1>And we had already we already had a great deal

1:10:44.400 --> 1:10:48.680
<v Speaker 1>with the Dodge Theater in place. UM. And unfortunately when

1:10:48.720 --> 1:10:51.720
<v Speaker 1>they took it over with the deal they made, it

1:10:51.920 --> 1:10:57.439
<v Speaker 1>cost uh everybody a lot of money. UM. And there

1:10:57.560 --> 1:11:01.280
<v Speaker 1>was there was definitely some some weird feelings about that

1:11:01.400 --> 1:11:06.519
<v Speaker 1>because you know, over in l A, they thought that

1:11:06.560 --> 1:11:09.040
<v Speaker 1>we should be able to overcome the fact that they

1:11:09.040 --> 1:11:11.040
<v Speaker 1>made one of the dumbest deals in the history of

1:11:11.080 --> 1:11:16.640
<v Speaker 1>life when they signed on for that building. For ten years. UM,

1:11:16.680 --> 1:11:19.519
<v Speaker 1>my company, Evening Star, which is what they were calling,

1:11:19.800 --> 1:11:23.280
<v Speaker 1>you know, our little unit for Vegas, Albuquerque and Phoenix

1:11:23.320 --> 1:11:28.120
<v Speaker 1>was making millions of dollars each year. Um. And then

1:11:28.479 --> 1:11:31.320
<v Speaker 1>when they when they made the Dodge Theater deal, it

1:11:31.400 --> 1:11:35.559
<v Speaker 1>turned us into a loser. And there were times where

1:11:36.240 --> 1:11:40.880
<v Speaker 1>they would call us out for being losers. Although we

1:11:40.880 --> 1:11:43.160
<v Speaker 1>weren't the ones that made the deal for this building.

1:11:43.200 --> 1:11:45.880
<v Speaker 1>The deal we had in place prior to that, we

1:11:45.880 --> 1:11:47.920
<v Speaker 1>were making a couple of million dollars a year from

1:11:47.960 --> 1:11:53.200
<v Speaker 1>just from that deal. So bottom line, UM, they didn't

1:11:53.200 --> 1:11:57.080
<v Speaker 1>think much of Phoenix. Uh. Some of the people at

1:11:57.120 --> 1:12:00.919
<v Speaker 1>Live Nation, they thought it was a losing market without

1:12:01.600 --> 1:12:04.240
<v Speaker 1>paying attention to the fact that they just made one

1:12:04.400 --> 1:12:08.479
<v Speaker 1>terrible deal that screwed that market up. So what was

1:12:08.560 --> 1:12:14.280
<v Speaker 1>happening was they decided as a rule that we couldn't

1:12:14.320 --> 1:12:18.840
<v Speaker 1>book concerts outside of the Dodge Theater or the Amphitheater,

1:12:19.680 --> 1:12:22.479
<v Speaker 1>which is twenty thousand seats and the Dodge was five thousand.

1:12:23.120 --> 1:12:27.679
<v Speaker 1>But there's all these clubs and the bands that would

1:12:27.680 --> 1:12:31.080
<v Speaker 1>play the thousand and two thousand theaters. I wasn't allowed

1:12:31.120 --> 1:12:34.519
<v Speaker 1>to book any of those groups. All I could book

1:12:36.000 --> 1:12:40.000
<v Speaker 1>at at Live Nation was groups that could go into

1:12:40.040 --> 1:12:43.639
<v Speaker 1>the Dodge Theater. So I'm finding myself doing Ray Davies

1:12:43.760 --> 1:12:49.800
<v Speaker 1>and five thousand seats when he's gonna draw seven people. Um.

1:12:50.000 --> 1:12:54.160
<v Speaker 1>That was aggravating and and passing on shows and watching

1:12:54.160 --> 1:12:56.840
<v Speaker 1>other promoters, even though I wouldn't make any more or

1:12:56.920 --> 1:13:01.040
<v Speaker 1>less money because I was on salary right, uh, and

1:13:01.080 --> 1:13:05.120
<v Speaker 1>there's no bonuses or anything like that. So when I

1:13:05.160 --> 1:13:07.880
<v Speaker 1>would see these shows that I would want to do

1:13:08.040 --> 1:13:10.200
<v Speaker 1>my friends or people that I'm used to working with

1:13:10.240 --> 1:13:13.160
<v Speaker 1>it make money, and then I'd have to pass on

1:13:13.200 --> 1:13:15.320
<v Speaker 1>them because they wouldn't let me do shows outside of

1:13:15.360 --> 1:13:20.240
<v Speaker 1>those theaters. You know. Uh. It made me nasty and

1:13:20.560 --> 1:13:23.680
<v Speaker 1>it was depressing, and and I just didn't feel like

1:13:23.760 --> 1:13:28.120
<v Speaker 1>I was I was doing anything of worth to these people.

1:13:28.280 --> 1:13:31.760
<v Speaker 1>Every year, more and more the deals came out of

1:13:31.920 --> 1:13:34.680
<v Speaker 1>l A. They bought tours, they went to the amphitheaters,

1:13:35.040 --> 1:13:37.160
<v Speaker 1>they went to the arenas, and we would end up

1:13:37.200 --> 1:13:38.960
<v Speaker 1>going to our shows and I would feel like a

1:13:39.000 --> 1:13:43.559
<v Speaker 1>second class citizen. Um, you know, it's not my show anymore.

1:13:43.600 --> 1:13:46.920
<v Speaker 1>Even though it's a company that I worked for, it

1:13:47.000 --> 1:13:54.200
<v Speaker 1>wasn't the same, you know. And anyway, towards the towards

1:13:54.280 --> 1:13:57.200
<v Speaker 1>the end of that, UH, I was talking with Bob

1:13:57.280 --> 1:13:59.760
<v Speaker 1>rue about making a new deal where I could go,

1:14:00.000 --> 1:14:02.320
<v Speaker 1>I can start booking some of those type of groups

1:14:02.880 --> 1:14:05.480
<v Speaker 1>and and maybe have like a more of a partnership

1:14:05.560 --> 1:14:08.120
<v Speaker 1>deal with them then being an employee and do what

1:14:08.160 --> 1:14:11.559
<v Speaker 1>they needed done and then do my own thing. And

1:14:11.720 --> 1:14:14.800
<v Speaker 1>then at one point it just broke down and we

1:14:14.920 --> 1:14:19.720
<v Speaker 1>both just said fuck it, and I was left to

1:14:20.200 --> 1:14:23.840
<v Speaker 1>my own devices. Yeah, and and and it worked, it

1:14:23.880 --> 1:14:26.360
<v Speaker 1>worked out, Okay, you know, I really didn't know if

1:14:26.360 --> 1:14:30.280
<v Speaker 1>I was going to continue. But right when that happened,

1:14:30.320 --> 1:14:33.360
<v Speaker 1>if you recall it's almost ten years ago, there is

1:14:33.400 --> 1:14:37.120
<v Speaker 1>that terrible shooting in Tucson where Gabby Gifford's got shot

1:14:37.160 --> 1:14:40.360
<v Speaker 1>in the face, and and Ron Barber and there is

1:14:40.400 --> 1:14:43.400
<v Speaker 1>that that terrible you know thing that happened down there

1:14:44.560 --> 1:14:49.439
<v Speaker 1>shop and Alice and Cree Miller and Jackson and Buddha. Uh,

1:14:49.640 --> 1:14:52.200
<v Speaker 1>we've decided at the same time they wanted to do

1:14:52.280 --> 1:14:56.360
<v Speaker 1>something in Tucson about this, and and we ended up

1:14:56.400 --> 1:15:00.479
<v Speaker 1>putting together a show and and it was the Cree

1:15:00.560 --> 1:15:04.080
<v Speaker 1>running the show. And uh, she goes, so, what what

1:15:04.200 --> 1:15:07.639
<v Speaker 1>name should we put on the poster? And I said,

1:15:07.680 --> 1:15:09.280
<v Speaker 1>I don't know, And she goes, well, you gotta come

1:15:09.320 --> 1:15:11.280
<v Speaker 1>up with a company name like Evening Star. Why don't

1:15:11.280 --> 1:15:14.200
<v Speaker 1>she use Evening Stars? Well, Live Nation owns it and

1:15:14.280 --> 1:15:17.000
<v Speaker 1>they won't give it back. So she goes, all right,

1:15:17.000 --> 1:15:20.040
<v Speaker 1>We'll put Danny's Aletsco Presents on the poster. So that's

1:15:20.040 --> 1:15:23.840
<v Speaker 1>how Danny's Altsco Presents was started and named Um. I

1:15:23.920 --> 1:15:27.240
<v Speaker 1>went out and registered it and got the website and

1:15:27.280 --> 1:15:30.519
<v Speaker 1>did all the stuff. He turned on telephones, open new

1:15:30.600 --> 1:15:33.360
<v Speaker 1>bank accounts, which is about the biggest pain, and he

1:15:33.479 --> 1:15:36.800
<v Speaker 1>asked stuff to do. Uh, because I hadn't had to

1:15:36.840 --> 1:15:40.000
<v Speaker 1>do that, like in forty years. Everything just kind of

1:15:40.080 --> 1:15:43.799
<v Speaker 1>kept on moving forward with time you know, getting more modern,

1:15:43.880 --> 1:15:46.679
<v Speaker 1>and I got a fax machine, I got a cell phone.

1:15:47.760 --> 1:15:50.479
<v Speaker 1>You know, I didn't have to have a Watts line anymore.

1:15:50.520 --> 1:15:54.439
<v Speaker 1>Remember Wat's line. You know, all that stuff is is

1:15:54.479 --> 1:15:56.599
<v Speaker 1>the thing in the past, and now they don't even

1:15:56.680 --> 1:16:06.479
<v Speaker 1>have CDs anymore. Hardly final. Yeah, okay, So a couple

1:16:06.520 --> 1:16:11.040
<v Speaker 1>of your favorite shows that you promoted in no particular order.

1:16:11.760 --> 1:16:15.760
<v Speaker 1>Roger water shows for me were always brilliant, doing the

1:16:15.880 --> 1:16:19.519
<v Speaker 1>John Prime shows. John Prime with Bonnie right one of

1:16:19.520 --> 1:16:22.960
<v Speaker 1>the best shows I did. We used to we used

1:16:23.000 --> 1:16:26.840
<v Speaker 1>to tour around the Midwest together. Um, I love that.

1:16:27.400 --> 1:16:29.400
<v Speaker 1>I told you that David Byrne show was one of

1:16:29.439 --> 1:16:34.639
<v Speaker 1>the best live events I've seen in recent years. Um.

1:16:34.680 --> 1:16:38.480
<v Speaker 1>You know the groups I was talking about before, basically

1:16:38.560 --> 1:16:43.160
<v Speaker 1>or are probably that show we did, the Jackson and

1:16:43.479 --> 1:16:48.960
<v Speaker 1>Alice Cooper show. That benefit was fantastic. Um it had

1:16:49.360 --> 1:16:54.439
<v Speaker 1>David Crosby and Nils Loughburn and Graham Nash and Sam

1:16:54.560 --> 1:17:00.559
<v Speaker 1>Moore and KEB mo just a fantastic lineup. Um. I

1:17:00.600 --> 1:17:03.640
<v Speaker 1>had a guy in Phoenix called Jerry ria Pel who's

1:17:03.760 --> 1:17:06.439
<v Speaker 1>uh like Elvis Presley and Phoenix. He died a couple

1:17:06.479 --> 1:17:09.560
<v Speaker 1>of years ago. Unfortunately, never got as big as he

1:17:09.600 --> 1:17:15.280
<v Speaker 1>should have gotten. Um, but I'm I'm pretty much generally

1:17:16.200 --> 1:17:20.559
<v Speaker 1>very um loyal to those names. When I when anybody

1:17:20.600 --> 1:17:24.559
<v Speaker 1>asked me that, okay, so why write a book? You know,

1:17:25.520 --> 1:17:30.080
<v Speaker 1>like you were talking before about maybe pitch yourself. I

1:17:30.200 --> 1:17:34.240
<v Speaker 1>pinched myself. I realized some years ago. I mean I

1:17:34.320 --> 1:17:36.880
<v Speaker 1>I've known forever. I mean I didn't just wake up

1:17:36.920 --> 1:17:40.080
<v Speaker 1>one day and say, wow, Wow, this is great. I

1:17:40.120 --> 1:17:42.800
<v Speaker 1>mean when Jerry Garcia comes up to you and thanks

1:17:42.800 --> 1:17:45.479
<v Speaker 1>you for getting him into Siegfried and Roy, I mean,

1:17:45.720 --> 1:17:50.400
<v Speaker 1>that's pretty crazy. Um. You know, when when Kirk Gibson

1:17:50.439 --> 1:17:53.680
<v Speaker 1>and Bob Melvin from the Diamondbacks come to a uh

1:17:54.800 --> 1:17:58.400
<v Speaker 1>who show and and come backstage and they're sitting around

1:17:58.479 --> 1:18:02.920
<v Speaker 1>drinking with you, that's that's a great deal. When Gayl

1:18:03.040 --> 1:18:07.320
<v Speaker 1>Sayers chases me down in Vegas and tells me I

1:18:07.479 --> 1:18:10.479
<v Speaker 1>have to meet Bob Seeger after the show, and I

1:18:10.560 --> 1:18:14.639
<v Speaker 1>bring Bob Seeger a meet and greet. I got Bob,

1:18:14.640 --> 1:18:16.800
<v Speaker 1>I gotta meet and greet for you. Oh yeah, you know,

1:18:17.200 --> 1:18:20.200
<v Speaker 1>not easily impressed, And and he was. They were all

1:18:20.240 --> 1:18:24.799
<v Speaker 1>blown away. The whole band surrounded Gayle Si. Those moments

1:18:24.800 --> 1:18:31.240
<v Speaker 1>are you know, their genius seeger uh one of my

1:18:31.479 --> 1:18:35.639
<v Speaker 1>one of my favorite guys ever, um of all time.

1:18:35.920 --> 1:18:40.240
<v Speaker 1>And the shows what we did were just magic, just

1:18:40.400 --> 1:18:44.280
<v Speaker 1>magic what he did. So but why why write the book?

1:18:44.320 --> 1:18:46.160
<v Speaker 1>And why right now? He said? Is it sort of

1:18:46.160 --> 1:18:51.360
<v Speaker 1>an advertisement? You were talking about pitching yourself? You know it?

1:18:53.200 --> 1:18:57.040
<v Speaker 1>I pinched myself when I think about all the various

1:18:57.120 --> 1:19:00.160
<v Speaker 1>things that have happened. And I'm a collector, you know,

1:19:00.280 --> 1:19:02.880
<v Speaker 1>I'm not a harder, but kind of a harder, but

1:19:03.439 --> 1:19:07.000
<v Speaker 1>a collector. I love all these years I've been getting

1:19:07.000 --> 1:19:11.599
<v Speaker 1>people to sign things and posters and settlers and guitars

1:19:11.680 --> 1:19:14.080
<v Speaker 1>and and and all these things that I have around me.

1:19:14.120 --> 1:19:17.639
<v Speaker 1>It's turned into tens of thousands of items over forty

1:19:17.760 --> 1:19:21.599
<v Speaker 1>years and over ten thousand shows. So I've got all

1:19:21.640 --> 1:19:23.280
<v Speaker 1>this stuff and going what am I going to do

1:19:23.360 --> 1:19:26.000
<v Speaker 1>with this? So, you know, I thought about, I'd love

1:19:26.040 --> 1:19:27.960
<v Speaker 1>to have a museum. I'd love to have people be

1:19:28.000 --> 1:19:30.800
<v Speaker 1>able to walk through and see all this stuff and

1:19:30.920 --> 1:19:36.240
<v Speaker 1>enjoy it. And and that's a very expensive, difficult proposition. Um.

1:19:36.280 --> 1:19:40.840
<v Speaker 1>So one night in two thousands sixteen, I'm watching Shark Tank,

1:19:41.320 --> 1:19:44.679
<v Speaker 1>which is a show that I like, and this guy

1:19:44.800 --> 1:19:47.320
<v Speaker 1>comes out. It was the Bill Walton episode. Bill Walton

1:19:47.400 --> 1:19:50.080
<v Speaker 1>was helping a friend of his pitch something and the

1:19:50.120 --> 1:19:53.400
<v Speaker 1>guy that came on after him was a guy who

1:19:53.439 --> 1:19:57.559
<v Speaker 1>called himself a ghostwriter, and he said he could help

1:19:57.560 --> 1:20:01.559
<v Speaker 1>you write a book, and I needed so direction. Um,

1:20:01.600 --> 1:20:04.280
<v Speaker 1>you know, I we've had we've had a couple of

1:20:04.320 --> 1:20:08.160
<v Speaker 1>exchanges about that, and and the hardest thing for me

1:20:08.800 --> 1:20:12.479
<v Speaker 1>to get going with was just putting down a story

1:20:12.600 --> 1:20:15.559
<v Speaker 1>or two and seeing what it read like and seeing

1:20:15.600 --> 1:20:19.320
<v Speaker 1>what it looked like without thinking about what order it

1:20:19.439 --> 1:20:21.200
<v Speaker 1>had to go in. But you just you had to

1:20:21.240 --> 1:20:25.320
<v Speaker 1>come up with your own thoughts, uh, comprising of history

1:20:25.920 --> 1:20:29.360
<v Speaker 1>and whatever you can summon up to feel how you

1:20:29.439 --> 1:20:32.200
<v Speaker 1>felt at that time, and try to recall that. I

1:20:32.200 --> 1:20:34.479
<v Speaker 1>wish I had kept a journal all these years, because

1:20:34.520 --> 1:20:38.680
<v Speaker 1>it would really really be great. Um, But I unfortunately

1:20:38.760 --> 1:20:42.719
<v Speaker 1>have enough pictures and enough memorabilia and enough history around

1:20:42.760 --> 1:20:45.680
<v Speaker 1>me where I can just look at a picture or

1:20:46.040 --> 1:20:49.559
<v Speaker 1>or a piece of something and it can summon up

1:20:49.600 --> 1:20:52.800
<v Speaker 1>a story for me. So this guy got me reciting

1:20:54.320 --> 1:20:58.000
<v Speaker 1>recording stories. He would ask me, interview me much the

1:20:58.040 --> 1:21:01.080
<v Speaker 1>same way that you're doing. And but we talked about

1:21:01.080 --> 1:21:04.040
<v Speaker 1>just one topic for an hour and we'd hang up

1:21:04.040 --> 1:21:06.760
<v Speaker 1>and he'd get it transcribed, send it to me, and

1:21:06.800 --> 1:21:10.280
<v Speaker 1>we edited back and forth. And that's that's how I

1:21:10.320 --> 1:21:12.880
<v Speaker 1>got started with it. I wish I had known to

1:21:13.040 --> 1:21:17.160
<v Speaker 1>do that years before, because so many, so many great

1:21:17.240 --> 1:21:19.720
<v Speaker 1>stories have gone by me that you know, I mean,

1:21:19.760 --> 1:21:22.920
<v Speaker 1>I have to be triggered to be reminded of that.

1:21:23.120 --> 1:21:25.519
<v Speaker 1>So I had a much bigger book than what you

1:21:25.600 --> 1:21:28.000
<v Speaker 1>have right now, because I took out a bunch of

1:21:28.000 --> 1:21:32.040
<v Speaker 1>stories thinking they weren't good enough, or I'd save it

1:21:32.080 --> 1:21:34.960
<v Speaker 1>for another time. As it is, it's a very long

1:21:35.000 --> 1:21:38.439
<v Speaker 1>book at three pages, and and then I had all

1:21:38.479 --> 1:21:40.439
<v Speaker 1>these pictures, and I wanted to figure out what to

1:21:40.479 --> 1:21:43.639
<v Speaker 1>do with the pictures. So what I hated doing when

1:21:43.640 --> 1:21:45.880
<v Speaker 1>I read a book is I don't like to see

1:21:45.880 --> 1:21:51.680
<v Speaker 1>fifty pages of words and then six pages of photographs,

1:21:51.760 --> 1:21:55.280
<v Speaker 1>and then another fifty pages of words and another photo section.

1:21:56.000 --> 1:21:58.400
<v Speaker 1>I wanted to make this book so that you didn't

1:21:58.439 --> 1:22:01.280
<v Speaker 1>have to remember anything or go back to reference it

1:22:01.720 --> 1:22:04.240
<v Speaker 1>while you're reading it, with those other types of books

1:22:04.439 --> 1:22:08.200
<v Speaker 1>which are pretty much standard. And I wanted my my

1:22:08.280 --> 1:22:11.200
<v Speaker 1>story to be told with the pictures as part of

1:22:11.200 --> 1:22:14.600
<v Speaker 1>the words to enhance the story. And I hope I

1:22:14.640 --> 1:22:17.240
<v Speaker 1>was successful at that I feel like I was. And

1:22:17.280 --> 1:22:19.920
<v Speaker 1>then then there were so many other people I wanted

1:22:19.920 --> 1:22:22.480
<v Speaker 1>to write about. You can't write a story about everybody.

1:22:22.880 --> 1:22:25.160
<v Speaker 1>So I was able to put some photos sections in there,

1:22:25.840 --> 1:22:28.120
<v Speaker 1>and and I took a lot of time on the captions.

1:22:28.160 --> 1:22:31.200
<v Speaker 1>I tried to make them funny or topical, or informative

1:22:31.320 --> 1:22:34.080
<v Speaker 1>or humorous or all the above. Um So I ended

1:22:34.120 --> 1:22:37.160
<v Speaker 1>up with seven hundred pictures in there, and and and

1:22:37.200 --> 1:22:39.160
<v Speaker 1>I still got seven dred more i'd like to share.

1:22:40.320 --> 1:22:42.840
<v Speaker 1>So that's that's what made me do it. It's just

1:22:43.000 --> 1:22:46.000
<v Speaker 1>having all the stories and and all this stuff around,

1:22:46.040 --> 1:22:49.320
<v Speaker 1>and it's like, I know that people love this stuff.

1:22:49.840 --> 1:22:53.920
<v Speaker 1>Music freaks, rock and rollers, the people that buy the

1:22:54.000 --> 1:22:56.680
<v Speaker 1>t shirts at the shows, the people that buy the

1:22:56.720 --> 1:22:59.720
<v Speaker 1>tickets when they first go on sale, the people who

1:22:59.720 --> 1:23:01.320
<v Speaker 1>buy the tickets at the door of the night of

1:23:01.360 --> 1:23:04.720
<v Speaker 1>the show. They're they're all different types of people, but

1:23:04.760 --> 1:23:07.840
<v Speaker 1>we've all got one thing in common. We love music,

1:23:07.920 --> 1:23:10.679
<v Speaker 1>and we love the people who make them and and

1:23:10.800 --> 1:23:14.320
<v Speaker 1>the music and and there's nothing like seeing them live.

1:23:14.880 --> 1:23:18.920
<v Speaker 1>And fortunately for me, the facilities that I use are

1:23:19.040 --> 1:23:21.439
<v Speaker 1>generally the ones that people like to go to the

1:23:21.520 --> 1:23:24.840
<v Speaker 1>most for that type of group. And hopefully when you

1:23:24.880 --> 1:23:27.280
<v Speaker 1>know that moment when you're about to hear an announcement,

1:23:27.800 --> 1:23:30.800
<v Speaker 1>you know Alan Parson's is coming to town, you're going

1:23:31.000 --> 1:23:33.880
<v Speaker 1>if you're an Alan Parsons fan, I hope it's going

1:23:33.920 --> 1:23:38.000
<v Speaker 1>to be at this one place, whatever you like. And

1:23:38.520 --> 1:23:41.840
<v Speaker 1>I strive to make the right place click so that

1:23:41.920 --> 1:23:45.040
<v Speaker 1>when people hear it, they go, That's where I would

1:23:45.040 --> 1:23:47.240
<v Speaker 1>do the show if I was putting it up. For

1:23:47.280 --> 1:23:49.439
<v Speaker 1>those who haven't seen the book yet, it's really kind

1:23:49.479 --> 1:23:52.280
<v Speaker 1>of unique because there are a lot of people who

1:23:52.280 --> 1:23:54.639
<v Speaker 1>write books that get caught up in detail, and as

1:23:54.720 --> 1:23:57.479
<v Speaker 1>Danny says, ultimately the pictures are in the back or

1:23:57.520 --> 1:23:59.920
<v Speaker 1>in the middle. This is like kind of a cross

1:24:00.080 --> 1:24:03.439
<v Speaker 1>between it with conventional book and a coffee book, coffee

1:24:03.439 --> 1:24:06.400
<v Speaker 1>table book, and that the pictures are there, and you really,

1:24:06.400 --> 1:24:09.400
<v Speaker 1>you know, other than Bill Wyman who's a legendary collector

1:24:09.720 --> 1:24:11.960
<v Speaker 1>and just sold some of this stuff. You are looking

1:24:11.960 --> 1:24:14.280
<v Speaker 1>in the book, he go, how does he have this?

1:24:15.040 --> 1:24:17.400
<v Speaker 1>Where does he get it from? And it really is

1:24:17.439 --> 1:24:20.080
<v Speaker 1>the scrap book of our lives. It's not only Danny.

1:24:20.120 --> 1:24:23.400
<v Speaker 1>You remember those eras as you got older and went

1:24:23.439 --> 1:24:26.519
<v Speaker 1>to see those bands. In any event, Danny, thanks so

1:24:26.600 --> 1:24:29.240
<v Speaker 1>much for doing this. Hopefully we'll be going to show soon.

1:24:29.640 --> 1:24:32.719
<v Speaker 1>No kidding that I won't be soon enough Until next time.

1:24:33.040 --> 1:24:34.320
<v Speaker 1>This is Bob left sex