1 00:00:12,960 --> 00:00:15,640 Speaker 1: Yes, Brendon being an Iron Reports stereo podcast is here. 2 00:00:15,720 --> 00:00:18,759 Speaker 1: Have no fear. I am Wrappport Stereo Podcats, coming live 3 00:00:18,840 --> 00:00:22,840 Speaker 1: and direct from an alleged haunted hotel in New Orleans. 4 00:00:22,960 --> 00:00:26,480 Speaker 1: Oh yeah, on today's I am Wraport Stereo Pockets. I 5 00:00:26,520 --> 00:00:30,080 Speaker 1: tell you guys how, where, and what it was like 6 00:00:30,160 --> 00:00:34,839 Speaker 1: to actually eat that gator. Oh yeah, I ate that gator. 7 00:00:34,920 --> 00:00:40,920 Speaker 1: Plus Polly Pelosi video and Damar Hamlin video comes out. 8 00:00:41,000 --> 00:00:45,520 Speaker 1: I break down that plus t J. Holmes, my man, 9 00:00:45,560 --> 00:00:48,199 Speaker 1: t J. Holmes. We need to let t J. Holmes 10 00:00:48,760 --> 00:00:51,479 Speaker 1: back on the air and host Good Morning America. Let 11 00:00:51,479 --> 00:00:55,080 Speaker 1: the people give the people what they want all that morning. Fantastic, 12 00:00:55,160 --> 00:00:59,320 Speaker 1: hard hitting, eyes wide shut New Orleans edition of the 13 00:00:59,320 --> 00:01:02,760 Speaker 1: Iron Rapport At Stereo podcast coming up right now. Miles 14 00:01:02,840 --> 00:01:05,360 Speaker 1: Jordan a k. The Bleachs a k a. The Dust Brothers. 15 00:01:05,760 --> 00:01:07,640 Speaker 1: Start this probably with something real nights, yes, Start this 16 00:01:07,640 --> 00:01:11,200 Speaker 1: puppop with something real loud. Yes. But most important to start, 17 00:01:11,240 --> 00:01:15,360 Speaker 1: Design Rapport Stereo podcast offered something real funky, something real 18 00:01:15,480 --> 00:01:18,600 Speaker 1: jazzy and real funky. Iron Rapports Stereo podcasts. Let's fucking 19 00:01:18,760 --> 00:01:36,880 Speaker 1: go boomer. You see it, you see it and hear it. 20 00:01:37,120 --> 00:01:40,720 Speaker 1: I Am Rappaport Stereo podcast, coming live and direct from 21 00:01:40,720 --> 00:01:46,200 Speaker 1: New Orleans, New Orleans. Baby, my name is Michael Rappaport 22 00:01:46,200 --> 00:01:48,640 Speaker 1: eight K. The Gringo Man Dingle a K. The Salt 23 00:01:48,720 --> 00:01:54,720 Speaker 1: of Sniff a K. The Inflamed osh Gar Nazzi a K. 24 00:01:54,960 --> 00:01:58,840 Speaker 1: The Jewish Jake La Matta a K. Mr Bourbon Street 25 00:02:00,960 --> 00:02:09,480 Speaker 1: a K a Mr Eyes Wide Shut? Whoa we on 26 00:02:09,600 --> 00:02:14,679 Speaker 1: that Stanley Kuber tonight? Baby? Oh yeah, I am rapp 27 00:02:14,680 --> 00:02:23,280 Speaker 1: Reports Stereo podcast, coming live and direct from the outrageous, interesting, 28 00:02:23,400 --> 00:02:26,000 Speaker 1: one of a kind city of New Orleans. Hope everybody's 29 00:02:26,000 --> 00:02:29,880 Speaker 1: feeling good. Hope everybody's feeling safe. Hope everybody is feeling sane. 30 00:02:32,160 --> 00:02:35,960 Speaker 1: If you're watching this episode of the Iron Rapp Reports 31 00:02:35,960 --> 00:02:41,240 Speaker 1: Stereo Podcast on my YouTube page, you're probably asking yourself, 32 00:02:43,480 --> 00:02:47,320 Speaker 1: why do you, Michael rapp Report, Why do you the 33 00:02:47,400 --> 00:02:51,720 Speaker 1: Gringo man Dingle, have on an eyes wide shut mask? 34 00:02:51,960 --> 00:02:54,639 Speaker 1: Why and how did you get those beads? I'm rocking 35 00:02:55,280 --> 00:02:58,440 Speaker 1: that mask. I'm rocking those beads. And let me tell 36 00:02:58,440 --> 00:03:02,560 Speaker 1: you something. They didn't just give me these beads. Oh no, 37 00:03:02,600 --> 00:03:04,880 Speaker 1: I didn't get these Marty Grab beads just for being 38 00:03:06,280 --> 00:03:13,320 Speaker 1: a world class world famous, iconic actor slash personality. No, 39 00:03:13,440 --> 00:03:21,080 Speaker 1: I got him the hard way, the real hard way. Boom, 40 00:03:21,120 --> 00:03:25,560 Speaker 1: I'm beating up you hear the beads, You see the beads. 41 00:03:26,280 --> 00:03:29,440 Speaker 1: I am in New Orleans and I'm all in. I 42 00:03:29,639 --> 00:03:33,000 Speaker 1: am all into the city. I like it. I like 43 00:03:33,160 --> 00:03:38,680 Speaker 1: the people, like the tourists, I like the food. I'm 44 00:03:38,720 --> 00:03:41,720 Speaker 1: all in. This is a fantastic, one of a kind, 45 00:03:41,920 --> 00:03:48,640 Speaker 1: totally unique place. I'm gonna tell you a few things though. Okay, 46 00:03:49,200 --> 00:03:52,680 Speaker 1: so I got the beads. There's a second line parades here. 47 00:03:53,080 --> 00:03:57,240 Speaker 1: Their second line parades here, like people get happy Birthday, 48 00:03:57,320 --> 00:03:59,720 Speaker 1: saying to them it's just part of the day. You'll 49 00:03:59,760 --> 00:04:02,520 Speaker 1: see parades here. When I when I say parade, I'm 50 00:04:02,520 --> 00:04:05,720 Speaker 1: not talking about like snoopy floats. Did you see like 51 00:04:05,760 --> 00:04:10,560 Speaker 1: a band just playing? You know? It could be during 52 00:04:10,560 --> 00:04:12,560 Speaker 1: the day, it could be during the evening. It could 53 00:04:12,560 --> 00:04:14,800 Speaker 1: be in three in the morning, could be three and afternoon. 54 00:04:14,800 --> 00:04:18,200 Speaker 1: There's just bands playing. There's just there's a They don't 55 00:04:18,240 --> 00:04:22,120 Speaker 1: need a reason or an excuse or an explanation to 56 00:04:22,200 --> 00:04:27,839 Speaker 1: have a parade here in New Orleans. But what a city, 57 00:04:27,880 --> 00:04:33,039 Speaker 1: what an interesting place. And the last time on the 58 00:04:33,080 --> 00:04:38,080 Speaker 1: Iron wrap ports stereo podcas I discussed I zeroed in. 59 00:04:39,760 --> 00:04:44,799 Speaker 1: I wanted to experience some of that gator. I wanted 60 00:04:44,839 --> 00:04:47,960 Speaker 1: to eat that alligator. And it got in my head 61 00:04:48,000 --> 00:04:51,559 Speaker 1: because there's a guy on TikTok who cooks all sorts 62 00:04:51,600 --> 00:04:55,159 Speaker 1: of exotic foods and meats. And you're probably saying yourself, 63 00:04:55,480 --> 00:04:58,880 Speaker 1: my rap, I thought you were vegetarian. I thought you 64 00:04:58,880 --> 00:05:01,960 Speaker 1: were vegan. I never said that I was full vegetarian, 65 00:05:01,960 --> 00:05:04,240 Speaker 1: full vegan, I said, I leaned that way, and trust me, 66 00:05:04,320 --> 00:05:07,400 Speaker 1: I should be full time vegetarian. I shouldn't be eating food. 67 00:05:07,760 --> 00:05:12,600 Speaker 1: I should just be drinking juices, eating kale and lettuce. 68 00:05:12,720 --> 00:05:17,680 Speaker 1: I should not be eating anything but that. If you 69 00:05:17,839 --> 00:05:23,720 Speaker 1: saw what my stool looks like post New Orleans, trust me, 70 00:05:24,720 --> 00:05:27,159 Speaker 1: trust me, you would say there's something died in you, 71 00:05:27,320 --> 00:05:32,120 Speaker 1: something died in you, and he's looking to get out. So, 72 00:05:32,160 --> 00:05:35,640 Speaker 1: of course, when I mentioned wanting to eat that gator 73 00:05:38,000 --> 00:05:40,279 Speaker 1: and possibly wanting to eat some of them frog legs, 74 00:05:40,640 --> 00:05:43,520 Speaker 1: I got a whole lot of suggestions. I got a 75 00:05:43,560 --> 00:05:48,480 Speaker 1: lot of suggestions, and people were emailing, people were d 76 00:05:48,640 --> 00:05:52,360 Speaker 1: m in, people were looking up reservations, looking to get 77 00:05:52,360 --> 00:05:55,920 Speaker 1: me reservations at this restaurant. At that restaurant, you could, 78 00:05:56,080 --> 00:05:58,920 Speaker 1: you know, head forty five minutes out of town. Uh, 79 00:05:58,920 --> 00:06:00,880 Speaker 1: there's some in town. All that, and I want to 80 00:06:00,880 --> 00:06:03,280 Speaker 1: I want to thank you guys for participating with me, 81 00:06:03,600 --> 00:06:06,080 Speaker 1: the gringo man Dingo, on my quest to find some 82 00:06:06,120 --> 00:06:09,640 Speaker 1: of that gator. I said, I wanted that true blue gator. 83 00:06:11,720 --> 00:06:21,800 Speaker 1: So yesterday we were trucking around New Orleans filming some 84 00:06:23,000 --> 00:06:27,960 Speaker 1: wrapping the streets, which is on my YouTube page I'm 85 00:06:28,000 --> 00:06:33,159 Speaker 1: Wrapped Stereo podcast YouTube page at Michael Rappaport talking to 86 00:06:33,200 --> 00:06:37,279 Speaker 1: the people of New Orleans asking him those hard hitting questions, 87 00:06:37,440 --> 00:06:42,360 Speaker 1: plus trying to find that gator. Oh and low and behold, 88 00:06:42,720 --> 00:06:46,640 Speaker 1: we found that gator. We we we found that gator. 89 00:06:46,760 --> 00:06:52,200 Speaker 1: Now it wasn't ideally what I wanted, Okay, But before 90 00:06:52,240 --> 00:06:55,479 Speaker 1: I get to what that gator tasted like and what 91 00:06:55,600 --> 00:06:59,120 Speaker 1: them frog legs actually tasted like, let me just tell 92 00:06:59,120 --> 00:07:01,599 Speaker 1: you a little bit about Canal Street here in New Orleans. 93 00:07:01,720 --> 00:07:02,919 Speaker 1: Let me just tell you a little bit about the 94 00:07:02,920 --> 00:07:08,120 Speaker 1: French quarters. Born raised New York City the eighties and nineties. 95 00:07:08,160 --> 00:07:12,840 Speaker 1: I've been in some some really really really rough and 96 00:07:12,880 --> 00:07:16,760 Speaker 1: tumble neighborhoods, been in some rough and tumble situations. I've 97 00:07:16,760 --> 00:07:22,920 Speaker 1: been in some shady stuff. I have never experienced the 98 00:07:23,080 --> 00:07:33,240 Speaker 1: kind of shysty, shady, grimy, watch your back, pickpocket and 99 00:07:33,320 --> 00:07:37,560 Speaker 1: scam artists program that they got out here in New Orleans. 100 00:07:37,640 --> 00:07:41,720 Speaker 1: Shout out to New Orleans. Your your grime game is 101 00:07:42,200 --> 00:07:48,040 Speaker 1: bar none. When they say be careful two tourists in 102 00:07:48,080 --> 00:07:51,360 Speaker 1: New Orleans, they mean be careful to tourists in New Orleans. 103 00:07:51,560 --> 00:07:53,400 Speaker 1: You need to keep your hand on a swivel. That 104 00:07:53,520 --> 00:07:55,880 Speaker 1: being said, it's something like it's, uh, you know, you're 105 00:07:55,880 --> 00:07:58,200 Speaker 1: in the third world country, but people are looking to 106 00:07:58,240 --> 00:08:01,560 Speaker 1: get over on you. Out here, particularly on this Canal 107 00:08:01,640 --> 00:08:06,480 Speaker 1: Street and in parts of the French Quarter. You got 108 00:08:06,560 --> 00:08:11,080 Speaker 1: dudes doing fake accents, fake Jamaican accents, which we'll go 109 00:08:11,160 --> 00:08:13,840 Speaker 1: into Patois accents. What you're going straight up? You know, 110 00:08:14,520 --> 00:08:17,240 Speaker 1: I'm looking to get twenty dollars. One dude was like, 111 00:08:17,280 --> 00:08:19,880 Speaker 1: first he was Jamaican, then he sounded like he was Southern. 112 00:08:19,960 --> 00:08:21,360 Speaker 1: Was like, yo, you got twenty dollars. I was like, 113 00:08:21,400 --> 00:08:24,680 Speaker 1: my man, you need to take this act to America's 114 00:08:24,680 --> 00:08:31,160 Speaker 1: got talent, like you're a fantastic impressionist. Scary. Also, like Hollywood, 115 00:08:31,520 --> 00:08:35,560 Speaker 1: there's there's a spot for you. We're walking around, there's 116 00:08:35,640 --> 00:08:39,959 Speaker 1: music everywhere. It's loud. The bars are open. I've never 117 00:08:39,960 --> 00:08:43,080 Speaker 1: seen anything like this since I was in Nashville. Saturday, 118 00:08:43,280 --> 00:08:48,320 Speaker 1: New Orleans. I'm looking for coffee. The bars are open 119 00:08:49,200 --> 00:08:55,280 Speaker 1: nine am, and there's people in there drinking, big fat 120 00:08:55,880 --> 00:08:59,480 Speaker 1: families of white people from all over the country drinking. 121 00:08:59,559 --> 00:09:03,079 Speaker 1: It's not I am in on a Sunday. I'm looking 122 00:09:03,120 --> 00:09:08,000 Speaker 1: for like like a latte and a coffee black or 123 00:09:08,040 --> 00:09:12,520 Speaker 1: like some like immunity. TA people are and they're not 124 00:09:12,600 --> 00:09:15,360 Speaker 1: drinking like just the beer or like a seven and seven. 125 00:09:15,520 --> 00:09:20,360 Speaker 1: They're drinking like purple blue, you know, neon colored drinks 126 00:09:20,400 --> 00:09:25,200 Speaker 1: out of these foot long bong like concoctions, throwing them 127 00:09:25,240 --> 00:09:31,880 Speaker 1: back full families, wives, sisters, sisters in law. And these 128 00:09:31,880 --> 00:09:35,800 Speaker 1: are big people, big big big people, two hundred pounds each, 129 00:09:37,400 --> 00:09:44,240 Speaker 1: the women two to fifty men three fifty three seven linebackers, fullbacks. 130 00:09:46,240 --> 00:09:49,160 Speaker 1: That being said, I love the city. It might sound 131 00:09:49,160 --> 00:09:52,439 Speaker 1: like I'm passing judgment. Listen and my experiences on the 132 00:09:52,520 --> 00:09:55,120 Speaker 1: iron wrap or stereo pokast and where I've gotten to go. 133 00:09:55,240 --> 00:09:58,760 Speaker 1: I keep it real. I don't just like you know, 134 00:09:58,880 --> 00:10:01,559 Speaker 1: the kept together Nanty Sucket. I love Nantucket, I love 135 00:10:01,600 --> 00:10:07,800 Speaker 1: New Orleans. I loved Where are we Virginia? That time surprising. 136 00:10:09,800 --> 00:10:11,520 Speaker 1: It's a blessing to be able to go to these cities, 137 00:10:11,559 --> 00:10:16,400 Speaker 1: have some time off and explore these places. But we're 138 00:10:16,440 --> 00:10:19,920 Speaker 1: asking around, We're sniffing around, Yo, how can I eat 139 00:10:19,960 --> 00:10:26,520 Speaker 1: that gator, that good gator, that fresh off the barbecue gator, 140 00:10:26,720 --> 00:10:30,600 Speaker 1: that baked gator, that fried gator. So we go to 141 00:10:30,640 --> 00:10:34,960 Speaker 1: this French market and I see the sign. It was 142 00:10:35,040 --> 00:10:38,000 Speaker 1: like you know in the movie Pulp Fiction when they 143 00:10:38,080 --> 00:10:41,600 Speaker 1: kept opening the briefcase and it glowed. When I saw 144 00:10:41,679 --> 00:10:48,319 Speaker 1: that sign, gator on a stick, fried Gator, Gator burgers. 145 00:10:48,720 --> 00:10:51,600 Speaker 1: It was literally like that pulp fiction Samuel Jackson, John 146 00:10:51,640 --> 00:10:58,680 Speaker 1: Travolta mama when they open up that briefcase. So I said, 147 00:10:58,720 --> 00:11:01,040 Speaker 1: this is it? So I two young boyet There were 148 00:11:01,040 --> 00:11:03,560 Speaker 1: two young boys in there, one black dude who looked 149 00:11:03,600 --> 00:11:07,760 Speaker 1: like Chris Jackson a K. Mak Mood abdul Rolf, who's 150 00:11:07,760 --> 00:11:12,120 Speaker 1: got a documentary coming out, The Chris Jackson a K. 151 00:11:12,280 --> 00:11:15,440 Speaker 1: A Mack Mood abdual Roof story is coming out. I 152 00:11:15,440 --> 00:11:19,719 Speaker 1: believe this week there's a documentary on him. Um in 153 00:11:19,840 --> 00:11:23,400 Speaker 1: his career and his his journey on showtime. I want 154 00:11:23,400 --> 00:11:24,920 Speaker 1: to get Mack Mood on the I M Wrap Por 155 00:11:25,000 --> 00:11:32,199 Speaker 1: Stereo podcast because me and Fife Dog met with him. Man, 156 00:11:32,200 --> 00:11:35,080 Speaker 1: I don't even how many years ago this was, and um, 157 00:11:35,080 --> 00:11:36,840 Speaker 1: while we were doing the trial movie, you talked him 158 00:11:36,800 --> 00:11:39,240 Speaker 1: about doing that documentary was fresh off of the thirty 159 00:11:39,280 --> 00:11:42,400 Speaker 1: for thirty that I did for No. I hadn't even 160 00:11:42,400 --> 00:11:44,440 Speaker 1: done the thirty for thirty on the Knicks anyway. I 161 00:11:44,440 --> 00:11:46,360 Speaker 1: want to see that documentary. But we were talking to 162 00:11:46,400 --> 00:11:52,400 Speaker 1: the the gator whisper, the frog Lake, the chefs. White 163 00:11:52,480 --> 00:11:55,839 Speaker 1: dude had that ill Southern accent, and this other light 164 00:11:55,880 --> 00:11:59,400 Speaker 1: skinned Chris Jackson ak mak Mood abdul roof looking dude 165 00:12:00,360 --> 00:12:02,920 Speaker 1: says this gator. They says, this is that gator. They're 166 00:12:02,920 --> 00:12:05,800 Speaker 1: explaining to us how they catch the gator, how they 167 00:12:05,880 --> 00:12:08,199 Speaker 1: view gator in New Orleans and New Ones they get 168 00:12:08,240 --> 00:12:11,880 Speaker 1: they look at gator like rats. It didn't like I'm 169 00:12:11,920 --> 00:12:15,480 Speaker 1: eating monkey. I ain't eating no monkeys. They ain't like 170 00:12:15,480 --> 00:12:19,640 Speaker 1: I'm eating turtle. They said, this place is overrun with gators. 171 00:12:19,679 --> 00:12:21,800 Speaker 1: They would tell me about they were in their driveway. 172 00:12:21,840 --> 00:12:24,120 Speaker 1: Once Homeboy had to get out the shot because it 173 00:12:24,200 --> 00:12:26,720 Speaker 1: was a six and a half foot gator in his driveway. 174 00:12:28,400 --> 00:12:31,800 Speaker 1: H I wouldn't have got the shott out. I have 175 00:12:31,840 --> 00:12:35,800 Speaker 1: got the bowing our route, and I'd have caught that gator. 176 00:12:37,640 --> 00:12:40,520 Speaker 1: I'd have killed that gator. I'd have seasoned that bitch, 177 00:12:41,240 --> 00:12:46,680 Speaker 1: real nice, real proper. I'd cooked that gator, and oh yeah, 178 00:12:46,720 --> 00:12:48,560 Speaker 1: I had have ate that gator. I'm gonna say it again, 179 00:12:50,160 --> 00:12:55,280 Speaker 1: I'd caught that gator, killed that gator, oh yeah, season 180 00:12:55,360 --> 00:13:05,839 Speaker 1: that motherfucker, cooked it, and then ate that bitch. Oh yeah. Nonetheless, 181 00:13:05,880 --> 00:13:08,040 Speaker 1: just by their disposition, I was like, this is the spot, 182 00:13:08,080 --> 00:13:11,840 Speaker 1: this is where it's gonna go down. My wife, my friend, 183 00:13:12,400 --> 00:13:15,000 Speaker 1: his wife, the people are with They were like, you're 184 00:13:15,040 --> 00:13:17,560 Speaker 1: on your own, homie, nobody wants my My wife was 185 00:13:17,679 --> 00:13:21,520 Speaker 1: disgusted that I was actually eating his gator, and homeboy said, 186 00:13:21,600 --> 00:13:23,559 Speaker 1: I said, what's the best taste in gator that you got? 187 00:13:23,559 --> 00:13:26,080 Speaker 1: Since you don't have full gator? He said, I got 188 00:13:26,080 --> 00:13:28,160 Speaker 1: that gator on a stick for you. Mike. I said, 189 00:13:28,240 --> 00:13:30,280 Speaker 1: let's do it. I said, I want that gator on 190 00:13:30,320 --> 00:13:32,720 Speaker 1: the stick. I said, what other exotics you got? He said, 191 00:13:32,720 --> 00:13:34,920 Speaker 1: I got fresh frog legs. I said, let's do it. 192 00:13:35,040 --> 00:13:39,640 Speaker 1: Fuck Kerbitt. Kermit could kiss my motherfucking ass because I 193 00:13:39,679 --> 00:13:43,240 Speaker 1: was in Argentina once and I had some fantastic frog legs. 194 00:13:44,960 --> 00:13:47,560 Speaker 1: I'm telling you, I had stewed frog legs in Argentine 195 00:13:47,559 --> 00:13:50,200 Speaker 1: at one time, and I will never forget how good 196 00:13:50,200 --> 00:13:53,199 Speaker 1: they tasted. They said, go sit out, it's gonna be 197 00:13:53,200 --> 00:13:58,480 Speaker 1: about ten minutes. And uh, he said, the the gator 198 00:13:58,520 --> 00:14:00,160 Speaker 1: on a stick will have that first for you, my Mike. 199 00:14:01,200 --> 00:14:02,920 Speaker 1: I like when they were calling me Mike. You know, 200 00:14:02,920 --> 00:14:05,480 Speaker 1: it's like a you know, real southern you know, like, uh, 201 00:14:06,040 --> 00:14:08,400 Speaker 1: they felt comfortable with me. I felt comfortable with them. 202 00:14:08,840 --> 00:14:13,800 Speaker 1: Kin folk as we call it down South. Homie brings 203 00:14:13,840 --> 00:14:18,760 Speaker 1: out what looks like a twelve inch dick on a stick. 204 00:14:18,880 --> 00:14:20,840 Speaker 1: My man brought out a dick on a stick. It 205 00:14:20,880 --> 00:14:24,960 Speaker 1: literally looked like a sauceage, like a cabotta. I said, 206 00:14:25,000 --> 00:14:26,760 Speaker 1: this is it. He goes, yeah, that's gator on a stick. 207 00:14:26,800 --> 00:14:31,640 Speaker 1: That's that's gator. Uh what is it? Sausager? He says, 208 00:14:31,680 --> 00:14:36,560 Speaker 1: try it. It literally looks like I'm eating a dick, 209 00:14:37,640 --> 00:14:42,400 Speaker 1: an alligator dick. But I tried that gator, that gator 210 00:14:42,440 --> 00:14:47,960 Speaker 1: on a stick, and full transparency it tastes good. It 211 00:14:48,000 --> 00:14:50,440 Speaker 1: tasted real good. You know what. It tastes like an 212 00:14:50,440 --> 00:14:55,920 Speaker 1: Italian sausage. Growing up in New York City, they probably 213 00:14:55,920 --> 00:14:58,960 Speaker 1: still have it the hot dog vendors. You need to 214 00:14:59,040 --> 00:15:02,480 Speaker 1: get the hot dog or the sausages. The sausages would 215 00:15:02,480 --> 00:15:04,680 Speaker 1: be like seventy cents. I don't know how much they 216 00:15:04,680 --> 00:15:06,680 Speaker 1: call it. They probably called nine dollars. Now they probably 217 00:15:06,760 --> 00:15:09,600 Speaker 1: jam them up. The hot dogs be fifty cents. You 218 00:15:09,600 --> 00:15:12,600 Speaker 1: get yourself two hot dogs for a dollar, four hot 219 00:15:12,640 --> 00:15:16,040 Speaker 1: dogs for two dollars. Or the sausages, gay don't want 220 00:15:16,040 --> 00:15:19,320 Speaker 1: to stick. Taste like New York sausages that you get 221 00:15:19,360 --> 00:15:23,320 Speaker 1: from the hot dog vendor, nice spicy. Listen. I have 222 00:15:23,440 --> 00:15:26,360 Speaker 1: no problem my sexuality. I put that. My wife's like, 223 00:15:26,440 --> 00:15:28,040 Speaker 1: you look like you're sucking a dick, and I go, 224 00:15:28,320 --> 00:15:32,400 Speaker 1: I'm not. That's where your head is. Your head's in 225 00:15:32,440 --> 00:15:34,600 Speaker 1: the street, babe, My head's now. I'm trying to eat 226 00:15:34,600 --> 00:15:37,240 Speaker 1: this gator. Because you're really gonna eat I go away, 227 00:15:37,320 --> 00:15:39,480 Speaker 1: think what do you think I'm doing this for? I 228 00:15:39,520 --> 00:15:41,520 Speaker 1: want to eat that gag And she goes, you're disgusting. 229 00:15:41,880 --> 00:15:44,360 Speaker 1: I said, well, just once you go, Once you go 230 00:15:44,440 --> 00:15:47,520 Speaker 1: wander around me and there go to yourself some you know, 231 00:15:47,600 --> 00:15:51,120 Speaker 1: some trinkets, bracelet wallet. I don't know. I'm gonna eat 232 00:15:51,120 --> 00:15:53,560 Speaker 1: the gator on the on the stick. Tried to get 233 00:15:53,560 --> 00:15:57,800 Speaker 1: it taste fantastic, But it wasn't anything unusual, wasn't anything weird. 234 00:15:58,000 --> 00:16:02,000 Speaker 1: It wasn't merely I didn't have like, um, you know, 235 00:16:02,640 --> 00:16:06,000 Speaker 1: alligator fingernails in there. If I didn't have any of 236 00:16:06,040 --> 00:16:10,400 Speaker 1: the hide tastes like a nice sausage. Homie comes over. 237 00:16:10,440 --> 00:16:14,640 Speaker 1: He says, uh, now, I got your frog legs. This 238 00:16:14,720 --> 00:16:18,200 Speaker 1: is where things get a little weird because frog legs 239 00:16:19,360 --> 00:16:21,600 Speaker 1: they look like frog legs. I don't know if you've 240 00:16:21,600 --> 00:16:26,000 Speaker 1: ever eaten frog legs or seen cooked frog legs, but 241 00:16:26,080 --> 00:16:29,000 Speaker 1: when you see a plate full of frog legs and 242 00:16:29,040 --> 00:16:33,520 Speaker 1: there's about eight frog legs on there, which means four frogs, 243 00:16:36,040 --> 00:16:42,080 Speaker 1: four frogs, took that hit immediately, full transparency. You're just 244 00:16:42,120 --> 00:16:46,520 Speaker 1: thinking about my man, Kermit, Kermit de frog. But I've 245 00:16:46,560 --> 00:16:50,280 Speaker 1: talked so much ship I made such a big spectacle. 246 00:16:50,400 --> 00:16:52,520 Speaker 1: They're all seasoned up, they smell good, they got the 247 00:16:52,560 --> 00:16:54,640 Speaker 1: sauce and all that. I said, I gotta eat my frogs. 248 00:16:54,760 --> 00:16:58,960 Speaker 1: My wife comes back, she's disgusted. With me. My friends 249 00:16:59,000 --> 00:17:04,000 Speaker 1: are disgusted of me. No one wants to participate, No 250 00:17:04,040 --> 00:17:06,280 Speaker 1: one wants to join me with the frogs. You want 251 00:17:06,280 --> 00:17:08,080 Speaker 1: a frog that no one wants it, They're running for 252 00:17:08,119 --> 00:17:10,800 Speaker 1: the hills. So I'm I'm gonna do this by myself. 253 00:17:12,560 --> 00:17:17,040 Speaker 1: But I'm immediately thinking about Kermit. I'm thinking about Ms Piggy, 254 00:17:17,160 --> 00:17:21,240 Speaker 1: I'm thinking about Gonzo, I'm thinking about Elmo, I'm thinking 255 00:17:21,240 --> 00:17:24,320 Speaker 1: about Big Bird, snuffle luff Aguts, all the muppets from 256 00:17:24,320 --> 00:17:28,800 Speaker 1: all the shows. Nonetheless, I put that frog leg in 257 00:17:28,880 --> 00:17:35,800 Speaker 1: my mouth. It tastes good, tastes like nice suculent chicken, 258 00:17:36,600 --> 00:17:39,480 Speaker 1: tastes real good. And they seasoned them up real nice, real, 259 00:17:39,600 --> 00:17:45,160 Speaker 1: proper like. So I enjoyed my frog legs. I enjoyed 260 00:17:45,680 --> 00:17:49,320 Speaker 1: my gator, albeit that I didn't get my gator cooked 261 00:17:49,320 --> 00:17:51,480 Speaker 1: the way I wanted it. I didn't get it presented 262 00:17:51,560 --> 00:17:54,600 Speaker 1: the way I wanted it. And then I'm waiting for 263 00:17:55,040 --> 00:17:57,679 Speaker 1: how it's gonna settle in my stomach. You know, fifteen 264 00:17:57,720 --> 00:18:00,080 Speaker 1: minutes goes by, twenty minutes go by thirty minutes of 265 00:18:00,119 --> 00:18:02,879 Speaker 1: my no problems. You know, I didn't feel like there 266 00:18:02,920 --> 00:18:06,600 Speaker 1: was anything alive. I didn't feel like you know I 267 00:18:06,600 --> 00:18:08,639 Speaker 1: had eaten the frogs before they had had, you know, 268 00:18:09,320 --> 00:18:11,919 Speaker 1: been ready to be eaten. Everything felt good and I 269 00:18:11,920 --> 00:18:16,280 Speaker 1: got a weak stomach, and uh after that, well, well 270 00:18:16,359 --> 00:18:19,240 Speaker 1: I walked off my meal, and you know what, my wife, 271 00:18:20,520 --> 00:18:25,960 Speaker 1: my friend, his wife, and my other friend they're walking 272 00:18:25,960 --> 00:18:27,960 Speaker 1: around hungry, like, oh, I want to eat. I go. 273 00:18:28,040 --> 00:18:30,960 Speaker 1: I'm good. You guys are on your own. Go get 274 00:18:31,000 --> 00:18:34,960 Speaker 1: yourself some neat. I offered you frog legs. You could 275 00:18:34,960 --> 00:18:37,200 Speaker 1: have had some of that gator on a stick, but 276 00:18:37,320 --> 00:18:41,000 Speaker 1: you two hoity toity your boogee. So you guys want 277 00:18:41,000 --> 00:18:43,240 Speaker 1: to go eat, I'm fine, Like I'll go for seconds, 278 00:18:43,560 --> 00:18:50,600 Speaker 1: but I'm stuffed. I feel good, No problem, No problem, Amo. Anyway, 279 00:18:50,640 --> 00:18:55,160 Speaker 1: I want to thank everybody for their support, their recommendations 280 00:18:55,600 --> 00:18:59,360 Speaker 1: or for food on my trip down here in New Orleans. 281 00:18:59,440 --> 00:19:19,000 Speaker 1: And we're having a fantastic time. Anyway. I'm wrapped port 282 00:19:19,000 --> 00:19:21,240 Speaker 1: Stereopocats coming live and director from New Orleans. If you're 283 00:19:21,240 --> 00:19:24,960 Speaker 1: watching on YouTube, you're probably saying, Mike, crap, why is 284 00:19:24,960 --> 00:19:28,680 Speaker 1: there a guitar behind you? You you're about to strum 285 00:19:28,760 --> 00:19:33,960 Speaker 1: a little something something. No, it's just a ridiculously gorgeous hotel. 286 00:19:36,200 --> 00:19:39,560 Speaker 1: Sweet that I am in here at the Ace Hotel 287 00:19:40,960 --> 00:19:45,119 Speaker 1: in New Orleans. Uh, and shout out to everybody in 288 00:19:45,160 --> 00:19:48,040 Speaker 1: New Orleans who has been just very nice and accommodating. 289 00:19:48,840 --> 00:19:50,800 Speaker 1: Because when you're on the road, when you're in these 290 00:19:51,359 --> 00:19:55,280 Speaker 1: these these places, these cities, it could be weird. But 291 00:19:55,400 --> 00:20:00,520 Speaker 1: not this trip. This trip has been fantastic. It's been excellent. 292 00:20:01,480 --> 00:20:04,680 Speaker 1: You know, I woke up the other day. It was 293 00:20:04,800 --> 00:20:10,000 Speaker 1: literally like it was literally like a civil unrest. It 294 00:20:10,119 --> 00:20:14,560 Speaker 1: was literally like the world had stopped, like a social 295 00:20:14,720 --> 00:20:20,680 Speaker 1: injustice had taken place because Lebron James and the Los 296 00:20:20,720 --> 00:20:24,760 Speaker 1: Angeles Lakers. The other day we're playing the Boston Celtics 297 00:20:25,400 --> 00:20:30,760 Speaker 1: in Boston's rivalry week in the NBA. And the amount 298 00:20:30,840 --> 00:20:36,560 Speaker 1: of discussion, the amount of uproar, the amount of you 299 00:20:36,600 --> 00:20:39,000 Speaker 1: would think there was like an earthquake. You would think 300 00:20:39,040 --> 00:20:42,520 Speaker 1: something bad had happened. Lebron James was obviously fouled on 301 00:20:42,560 --> 00:20:45,320 Speaker 1: the last play of the game the other night verse 302 00:20:45,400 --> 00:20:50,000 Speaker 1: the Boston Celtics, but it was literally like a meteor 303 00:20:50,160 --> 00:20:53,159 Speaker 1: had dropped out of the skier like some famous building, uh, 304 00:20:53,240 --> 00:20:56,920 Speaker 1: you know, imploded. No injuries, but the amount of discussion 305 00:20:57,600 --> 00:21:01,800 Speaker 1: and injustice and insinuate action that somehow, some way, the 306 00:21:02,240 --> 00:21:06,200 Speaker 1: NBA is rigged against Lebron James and rigged against the Lakers. 307 00:21:06,440 --> 00:21:11,920 Speaker 1: The referees missed the call. They missed the call. Clearly, 308 00:21:12,000 --> 00:21:15,440 Speaker 1: they missed the call. It happens. It happens to everybody. 309 00:21:17,040 --> 00:21:21,960 Speaker 1: But two insinuate that the NBA somehow has a thing 310 00:21:22,080 --> 00:21:27,200 Speaker 1: against the Lakers and Lebron James, and they're missing calls intentionally. 311 00:21:27,720 --> 00:21:30,520 Speaker 1: Give me a break. Yeah, they should have replays for 312 00:21:31,000 --> 00:21:32,760 Speaker 1: you know, the referee should be able to take their 313 00:21:32,800 --> 00:21:36,840 Speaker 1: own replays. But it happens. They're human. Lebron James got found. 314 00:21:37,200 --> 00:21:39,560 Speaker 1: He's thirty eight years old. He's got grown man strength. 315 00:21:39,720 --> 00:21:42,399 Speaker 1: He's three d fifteen pounds. He should be able to 316 00:21:42,440 --> 00:21:44,600 Speaker 1: take a little hit on the rifts and make the layup. 317 00:21:44,960 --> 00:21:48,199 Speaker 1: He's on the bench crying. Pet Beverley's having a spas attack. 318 00:21:48,600 --> 00:21:55,280 Speaker 1: He's pulling cameras from the sports photographers. Dennis Shrewders on Instagram. 319 00:21:55,760 --> 00:22:00,320 Speaker 1: This one's on Instagram, NBA Central Hoops. Everybody's oh my gun, 320 00:22:00,480 --> 00:22:06,720 Speaker 1: and these referees, this is msed the call. Whether the 321 00:22:06,840 --> 00:22:11,000 Speaker 1: Lakers beat the Celtics or the Celtics beat the Lakers, 322 00:22:11,119 --> 00:22:14,479 Speaker 1: it ain't gonna help the Lakers long term they win 323 00:22:14,560 --> 00:22:16,800 Speaker 1: in the championship. But to make it seem like the 324 00:22:17,080 --> 00:22:19,399 Speaker 1: the NBA has a thing against the Lakers, and of 325 00:22:19,480 --> 00:22:23,560 Speaker 1: all people, Lebron to the NBA um wins. If Lebron 326 00:22:23,680 --> 00:22:26,560 Speaker 1: and the Lakers are winning, that's ratings gold. They just 327 00:22:26,840 --> 00:22:32,840 Speaker 1: can't do it. They jiggety just can't do it. They're 328 00:22:32,880 --> 00:22:35,320 Speaker 1: not good enough. I don't care how many points Lebron 329 00:22:35,480 --> 00:22:38,680 Speaker 1: James scores. I don't care how old he is, how 330 00:22:38,840 --> 00:22:43,080 Speaker 1: ridiculously good he's playing. And he's playing good. He's literally 331 00:22:43,119 --> 00:22:46,200 Speaker 1: playing at an m v P level. There, I said it. 332 00:22:48,840 --> 00:22:51,280 Speaker 1: You got me in a close up. Lebron James is 333 00:22:51,440 --> 00:22:54,639 Speaker 1: literally at forty nine years old, playing at an m 334 00:22:54,720 --> 00:22:59,119 Speaker 1: v P level. I said it in a close up. 335 00:22:59,600 --> 00:23:01,879 Speaker 1: I said in a white shot. I said it in 336 00:23:01,920 --> 00:23:04,239 Speaker 1: a white shot. I said it in the close up. 337 00:23:04,320 --> 00:23:07,760 Speaker 1: Lebron James is playing at an m b P level. 338 00:23:08,000 --> 00:23:12,760 Speaker 1: But it don't matter. You guys might not make the plane. 339 00:23:14,640 --> 00:23:18,960 Speaker 1: You got fouled. They missed the call. There's not a 340 00:23:19,040 --> 00:23:23,359 Speaker 1: conspiracy to hold back Lebron James and the l A Lakers. 341 00:23:23,520 --> 00:23:30,200 Speaker 1: Your team just ain't good enough. You like that, Shannon 342 00:23:30,280 --> 00:23:37,160 Speaker 1: Sharp to quote Kirk Cousins, you like that. What else 343 00:23:37,200 --> 00:23:41,560 Speaker 1: has been going on? They're still talking about this Drake concert. 344 00:23:44,400 --> 00:23:50,399 Speaker 1: Drake who performed at the Apollo last week. Again, I mean, 345 00:23:50,520 --> 00:23:52,800 Speaker 1: maybe it's me. Maybe I need to get off social media. 346 00:23:53,600 --> 00:23:58,720 Speaker 1: He performed at the Apollo in Harlem, one of the 347 00:23:58,760 --> 00:24:01,960 Speaker 1: world's most famous eaters. Small, very very small. Have you 348 00:24:02,000 --> 00:24:04,199 Speaker 1: ever been to the Apollo. It's not big. It's an 349 00:24:04,240 --> 00:24:08,760 Speaker 1: old school theater. And apparently he did all the hits. 350 00:24:09,920 --> 00:24:13,320 Speaker 1: I couldn't name more than five of them. That's me. 351 00:24:13,840 --> 00:24:18,280 Speaker 1: I'm in the minority. And uh. People were saying, you know, 352 00:24:18,400 --> 00:24:21,000 Speaker 1: he the king is back, and he's he's proven that 353 00:24:21,080 --> 00:24:23,200 Speaker 1: he's the gen and he is all those things. Drake 354 00:24:23,359 --> 00:24:28,040 Speaker 1: is the accomplishments. And he brought out Cameron, and he 355 00:24:28,160 --> 00:24:35,240 Speaker 1: brought out Duel Santana, and he brought out um what's 356 00:24:35,280 --> 00:24:39,680 Speaker 1: his name? Who Zoo's the Coppo? He put out Jim Jones, 357 00:24:39,800 --> 00:24:43,840 Speaker 1: the whole dip sets. He had a Harlem bodega set 358 00:24:44,880 --> 00:24:46,640 Speaker 1: and I'm watching, I'm like, I want to see what's 359 00:24:46,640 --> 00:24:50,600 Speaker 1: so incredible about Drake And a few not a few 360 00:24:50,680 --> 00:24:52,800 Speaker 1: years ago, when Drake first came out and he was 361 00:24:52,920 --> 00:24:55,920 Speaker 1: popping popping like a second album. My sons they were young. 362 00:24:56,119 --> 00:24:58,560 Speaker 1: I don't know the time line. I don't care about 363 00:24:58,600 --> 00:25:01,200 Speaker 1: the timeline of Drake, I really I don't. I try 364 00:25:01,240 --> 00:25:03,080 Speaker 1: to listen to his music. There's some joints. I like 365 00:25:03,200 --> 00:25:07,440 Speaker 1: that Poundcake joint because jay Z's on there. But I 366 00:25:07,520 --> 00:25:12,040 Speaker 1: remember when my son was probably twelve years old, he 367 00:25:12,160 --> 00:25:15,800 Speaker 1: said Drake is like a flying car. And it made 368 00:25:16,160 --> 00:25:20,200 Speaker 1: perfect sense to me because when I watched Drake, the 369 00:25:20,280 --> 00:25:26,879 Speaker 1: highlights of Drake going through the the hits and the 370 00:25:27,040 --> 00:25:30,280 Speaker 1: songs at the Apollo, he does it all. He truly 371 00:25:30,440 --> 00:25:33,640 Speaker 1: is like a flying car. He does his Loverboys songs, 372 00:25:34,560 --> 00:25:37,720 Speaker 1: he does his hardcore songs. He did that It's Yours, 373 00:25:37,800 --> 00:25:39,840 Speaker 1: That's Woo Woo tank song. He's got all of it. 374 00:25:40,240 --> 00:25:45,639 Speaker 1: He does his Southern stuff, he does his Jamaican Patois stuff, 375 00:25:46,720 --> 00:25:51,280 Speaker 1: he does his nineties New York stuff, he does his 376 00:25:51,480 --> 00:25:54,040 Speaker 1: R and B stuff. He put out a fucking house record. 377 00:25:56,440 --> 00:26:00,119 Speaker 1: He's like a plug in play, like a flying are. 378 00:26:00,280 --> 00:26:02,840 Speaker 1: You've never seen anything like that in hip hop. Somebody 379 00:26:02,840 --> 00:26:07,040 Speaker 1: who could do hardcore hip hop songs, Shot Day songs, 380 00:26:08,200 --> 00:26:14,960 Speaker 1: Aaliyah songs, Southern hip hop songs. It's yours woo tang songs. 381 00:26:15,080 --> 00:26:19,359 Speaker 1: He could rhyme with the grimiest of the grimy, sing 382 00:26:19,520 --> 00:26:22,720 Speaker 1: with the the pop stars. Like he's literally like a 383 00:26:22,760 --> 00:26:25,840 Speaker 1: flying you'll never see it, like flying fucking car. He's 384 00:26:25,880 --> 00:26:28,879 Speaker 1: ahead of his time, whether it's good not good. People 385 00:26:29,080 --> 00:26:32,240 Speaker 1: love that fucking Drake. But he's like a cosplay hip 386 00:26:32,280 --> 00:26:36,560 Speaker 1: hop toy. It's like cosplay. Who are you man? You're 387 00:26:36,600 --> 00:26:40,520 Speaker 1: half black, half white, your mother's Jewish. You were Barmit forred. 388 00:26:40,720 --> 00:26:45,040 Speaker 1: You're more jew than most Jews. Yeah, you could braid 389 00:26:45,119 --> 00:26:46,880 Speaker 1: your hair, you could do an alf prone, you could 390 00:26:46,920 --> 00:26:51,000 Speaker 1: could have fucking partnered, you could speak Hebrew, you could 391 00:26:51,000 --> 00:26:56,600 Speaker 1: do accents, you could sing. This guy's like a fucking 392 00:26:56,680 --> 00:26:59,440 Speaker 1: human crayon box of hip hop. He doesn't not the 393 00:27:00,040 --> 00:27:04,440 Speaker 1: the sixteen box, nothing, not the thirty. He's like the 394 00:27:04,480 --> 00:27:07,760 Speaker 1: big a hundred and sixty four colors of hip hop. 395 00:27:07,920 --> 00:27:09,920 Speaker 1: He does it all. No one else can do that. 396 00:27:11,200 --> 00:27:16,240 Speaker 1: It's like cosplay. Whatever the tone, whenever the vibe is drizzy, 397 00:27:16,359 --> 00:27:21,320 Speaker 1: Drake can do it, and I respect it. But I 398 00:27:21,359 --> 00:27:23,560 Speaker 1: mean he does a concert at the Apollo Like again, 399 00:27:23,600 --> 00:27:26,240 Speaker 1: it's like people just they're still talking about and performing 400 00:27:26,280 --> 00:27:30,159 Speaker 1: at the at the at the Apollo. He's wearing Cameron's 401 00:27:30,280 --> 00:27:34,280 Speaker 1: pink for It's amazing. What what kind of an uproar 402 00:27:34,400 --> 00:27:38,480 Speaker 1: this guy can cause? Another person who could cause a 403 00:27:38,520 --> 00:27:40,560 Speaker 1: frenzy and I'm on his side this time is Cookie 404 00:27:40,640 --> 00:27:47,760 Speaker 1: Kanye West. Cookie Kanye West, Kim Kardashian, Cookie Kanye West, 405 00:27:47,760 --> 00:27:50,200 Speaker 1: who's married. He got remarried. Good luck to you, my 406 00:27:50,400 --> 00:27:54,000 Speaker 1: white keep getting married, man, I hope you got them 407 00:27:54,080 --> 00:27:58,560 Speaker 1: pre nups. Cookie Kanye West is going at it. I 408 00:27:58,680 --> 00:28:03,840 Speaker 1: get it. I understand it. Trying to go see his 409 00:28:04,280 --> 00:28:06,600 Speaker 1: kids basketball game or soccer game. I don't know what 410 00:28:06,600 --> 00:28:12,160 Speaker 1: if the kids playing lacrosse something, And everywhere he goes, 411 00:28:13,359 --> 00:28:17,399 Speaker 1: people are following him videotape. They don't just want the picture, 412 00:28:17,440 --> 00:28:20,080 Speaker 1: they want the day in the life. They videotape them. 413 00:28:20,200 --> 00:28:22,520 Speaker 1: It's one thing you get, get your fucking picture. Okay, 414 00:28:22,640 --> 00:28:27,880 Speaker 1: I am high, but I was thinking because he apparently 415 00:28:27,960 --> 00:28:32,320 Speaker 1: Kanye West has been charged with I don't know what 416 00:28:32,480 --> 00:28:36,800 Speaker 1: the charges. He grabbed the fans phone, a fan. He 417 00:28:36,920 --> 00:28:41,000 Speaker 1: grabbed a fans phone, a fan, and now the fan 418 00:28:41,160 --> 00:28:43,600 Speaker 1: is charging him with something. I thought you were a fan, 419 00:28:45,360 --> 00:28:47,480 Speaker 1: if you're a real fan and you're following the guy 420 00:28:47,520 --> 00:28:49,560 Speaker 1: around and he grabs your phone. The least you could 421 00:28:49,560 --> 00:28:52,520 Speaker 1: do is not press charges. But that's what they want 422 00:28:52,560 --> 00:28:55,640 Speaker 1: to do. These animals, like I said, they're not comfortable 423 00:28:55,760 --> 00:29:00,320 Speaker 1: or content with just a photograph. They literally are doing 424 00:29:00,680 --> 00:29:03,680 Speaker 1: like the Day in the life the unauthorized Day in 425 00:29:03,720 --> 00:29:07,960 Speaker 1: the Life of Kanye West. And I'm with you, Kanye 426 00:29:08,040 --> 00:29:10,080 Speaker 1: on this. I'm with all these celebrities. Look what they 427 00:29:10,160 --> 00:29:13,320 Speaker 1: did to poor Britney Spears. They got her on Instagram, 428 00:29:13,880 --> 00:29:16,800 Speaker 1: they got they went. That made her nuts. That paparazzi 429 00:29:18,480 --> 00:29:27,000 Speaker 1: haranguing her, gaslighting her, following her, criticizing her, stalking her 430 00:29:28,720 --> 00:29:32,000 Speaker 1: day after day after day after day. Look what they 431 00:29:32,080 --> 00:29:35,520 Speaker 1: did to Alec Baldwin when he was with Kim Bassenger. 432 00:29:36,160 --> 00:29:38,440 Speaker 1: They make it would make you nuts. I was thinking 433 00:29:38,480 --> 00:29:41,840 Speaker 1: to myself, if I was being followed around, God forbid, 434 00:29:42,800 --> 00:29:46,000 Speaker 1: I did something that was worthy of these people following 435 00:29:46,040 --> 00:29:49,280 Speaker 1: me around every day. Oh, I'd be catching charges left 436 00:29:49,320 --> 00:29:52,800 Speaker 1: and right and make you fucking you go to go 437 00:29:52,960 --> 00:29:54,920 Speaker 1: to get an uber, you go to get a coffee, 438 00:29:55,160 --> 00:29:57,440 Speaker 1: you go to uh go get to the Apple store 439 00:29:57,480 --> 00:29:59,760 Speaker 1: to get your new AirPods because you lost your air 440 00:30:00,080 --> 00:30:02,480 Speaker 1: because the day before they're chasing you around. You go 441 00:30:02,640 --> 00:30:05,160 Speaker 1: get a pair of sneakers, you go to an appointment, 442 00:30:05,520 --> 00:30:10,720 Speaker 1: following you, you're on the train, they follow you. Hilaria Baldwin, 443 00:30:11,120 --> 00:30:13,360 Speaker 1: Uh you know, yeah, she's up there with her Spanish 444 00:30:13,440 --> 00:30:17,800 Speaker 1: accent with a baby. Can you imagine being somebody following 445 00:30:17,840 --> 00:30:22,160 Speaker 1: a woman around when she's holding an infant child. You're 446 00:30:22,160 --> 00:30:24,960 Speaker 1: how stressful it is to have an infant child. I'll 447 00:30:25,040 --> 00:30:29,520 Speaker 1: be it. The ball Wins have like nine small children. 448 00:30:29,840 --> 00:30:32,480 Speaker 1: I'd be piste off to I'd do weird accents too, 449 00:30:33,960 --> 00:30:36,440 Speaker 1: I mean German. I'd be doing all these sorts of ship. 450 00:30:38,280 --> 00:30:40,600 Speaker 1: Leave these people a little, get your picture and keep 451 00:30:40,680 --> 00:30:43,240 Speaker 1: it moving. And if you're a real fan and he 452 00:30:43,320 --> 00:30:47,080 Speaker 1: grabs your phone, why are you pressing charges? That's fake 453 00:30:47,160 --> 00:30:50,320 Speaker 1: fan love. It's not right. It should be against the law. 454 00:30:50,440 --> 00:30:58,560 Speaker 1: It's stalking. I should know. I shouldn't know. That's stalking. 455 00:30:59,400 --> 00:31:04,040 Speaker 1: That's a curvaded harassment to keep following videotaping people without 456 00:31:04,120 --> 00:31:08,200 Speaker 1: their consent. Look what they did the Princess Diana. This 457 00:31:08,320 --> 00:31:10,840 Speaker 1: guy's got enough problems. But I was having a debate 458 00:31:11,960 --> 00:31:14,240 Speaker 1: with somebody the other day. They said Kanye's coming back, 459 00:31:14,480 --> 00:31:16,640 Speaker 1: give it six months. I said, he never coming back. 460 00:31:18,520 --> 00:31:21,360 Speaker 1: If anybody wants to put some money on it, let 461 00:31:21,440 --> 00:31:24,880 Speaker 1: me know. He's never ever coming back to the Kanye 462 00:31:25,080 --> 00:31:29,560 Speaker 1: of old. He's dug himself too far in the ditch. 463 00:31:29,640 --> 00:31:32,239 Speaker 1: And I don't care. Kanye, if you if you did 464 00:31:32,280 --> 00:31:35,680 Speaker 1: it to get out of your contract, you wanted to 465 00:31:35,760 --> 00:31:37,280 Speaker 1: do this that in the third you should have come 466 00:31:37,320 --> 00:31:41,040 Speaker 1: up with another another ruse to get out of your contract. 467 00:31:42,880 --> 00:31:44,880 Speaker 1: Kanye ain't coming back. And you know who else ain't 468 00:31:44,880 --> 00:31:52,000 Speaker 1: coming back? My man t J Holmes. T J Holmes 469 00:31:52,440 --> 00:31:56,360 Speaker 1: and Amy row Back, my man t J Holmes, a 470 00:31:56,440 --> 00:32:00,720 Speaker 1: former good uh what is a Good Morning America? T 471 00:32:00,920 --> 00:32:05,680 Speaker 1: J Holmes and co host Amy Roeback had an affair. 472 00:32:06,760 --> 00:32:10,800 Speaker 1: T J Holmes was married. I believe Amy Rollback was 473 00:32:10,880 --> 00:32:13,200 Speaker 1: married to the actor Andrew Shoe, who I think I 474 00:32:13,320 --> 00:32:16,440 Speaker 1: used to play basketball with. I think, I'm not sure, 475 00:32:16,640 --> 00:32:20,800 Speaker 1: not fact checking, but they had an affair. It was caught, 476 00:32:21,480 --> 00:32:26,640 Speaker 1: human resources was involved, they got suspended, They got suspended again. 477 00:32:26,760 --> 00:32:29,760 Speaker 1: And now it's come out that t J. Holmes is 478 00:32:30,440 --> 00:32:33,600 Speaker 1: wild for the night. T J Holmes is one of 479 00:32:33,680 --> 00:32:38,440 Speaker 1: these goofball marbor mouth o J. Simpson looking motherfucker's who 480 00:32:38,480 --> 00:32:44,560 Speaker 1: brushes his hair backwards straight goofball. But with all these 481 00:32:44,640 --> 00:32:48,880 Speaker 1: straight goofball brushing your hair back, dudes, there's a nefarious 482 00:32:49,440 --> 00:32:52,440 Speaker 1: side because like, oh yeah, I've been called the cornball. 483 00:32:52,640 --> 00:32:58,080 Speaker 1: I've been called a herb. I've been called you're trying 484 00:32:58,120 --> 00:33:00,360 Speaker 1: to sound white. I've been called all these things my 485 00:33:00,440 --> 00:33:06,600 Speaker 1: whole life. But I'm fucking everything. This guy's fucking everything. 486 00:33:06,720 --> 00:33:10,920 Speaker 1: T J. Holmes banging everything. He fucking his co host, 487 00:33:11,080 --> 00:33:15,320 Speaker 1: fucking his co host assistant, fucking his assistant, fucking the 488 00:33:15,400 --> 00:33:18,800 Speaker 1: meter made, he got a laundry list. This is a 489 00:33:18,960 --> 00:33:25,120 Speaker 1: no good, dirty scoundrel motherfucker, t J. Holmes. But the 490 00:33:25,360 --> 00:33:30,680 Speaker 1: crazy thing about Good Morning America and t J. Holmes 491 00:33:30,760 --> 00:33:34,600 Speaker 1: and Amy Rollback probably not pronouncing her name correctly, is 492 00:33:35,680 --> 00:33:41,040 Speaker 1: Hollywood show business is in dire need of ratings. Everything 493 00:33:41,200 --> 00:33:44,680 Speaker 1: is dying. Good Morning America is dying. America's got talent. 494 00:33:45,280 --> 00:33:47,520 Speaker 1: Other ratings are down. The only shows that are still 495 00:33:47,600 --> 00:33:52,120 Speaker 1: thriving are The Bachelor of the Bachelorette. America's got talent. 496 00:33:52,160 --> 00:33:54,240 Speaker 1: These these shows are still doing one but other than that, 497 00:33:55,160 --> 00:33:59,719 Speaker 1: you know they're gonna start doing full blocks of talk shows, 498 00:34:00,000 --> 00:34:03,800 Speaker 1: I'm sorry, game shows during primetime hours. That's what's coming next. 499 00:34:03,840 --> 00:34:09,080 Speaker 1: Because no one's watching TV on eight to eight thirty 500 00:34:09,120 --> 00:34:13,120 Speaker 1: to nine. They're gonna start having game shows because people 501 00:34:13,200 --> 00:34:15,799 Speaker 1: watch that and they cost a little bit of money. 502 00:34:17,880 --> 00:34:21,600 Speaker 1: But with everybody struggling to get ratings, get views, get clicks, 503 00:34:23,000 --> 00:34:28,920 Speaker 1: Good Morning America truly has blocks and blocks of gold, 504 00:34:30,239 --> 00:34:34,399 Speaker 1: stacks of gold right at their fingertips, and they're two 505 00:34:34,480 --> 00:34:38,719 Speaker 1: woke to let the people have what we want. We 506 00:34:38,880 --> 00:34:44,480 Speaker 1: want t J. I'll funk anything, moving homes, and Amy 507 00:34:44,520 --> 00:34:47,319 Speaker 1: won't back or row back. We want them giving us 508 00:34:47,320 --> 00:34:50,840 Speaker 1: the Good Morning America. We want that morning news. You 509 00:34:50,960 --> 00:34:54,680 Speaker 1: suspended them. They went off to Tuloom. They said, listen, 510 00:34:54,719 --> 00:34:57,560 Speaker 1: go to Tuloom, fuck each other's brains out, have fun. 511 00:34:57,960 --> 00:35:00,160 Speaker 1: We'll pay for it. We'll send you the private at 512 00:35:00,239 --> 00:35:03,480 Speaker 1: on NBC. Now we're gonna bring you back, and we're 513 00:35:03,480 --> 00:35:06,480 Speaker 1: gonna give America what they want. Can you imagine the ratings? 514 00:35:08,960 --> 00:35:12,440 Speaker 1: Can you imagine the amount of money NBC would make 515 00:35:12,560 --> 00:35:14,960 Speaker 1: if they gave us what we want. I don't want 516 00:35:14,960 --> 00:35:16,840 Speaker 1: to watch Good Morning America, but if t J and 517 00:35:16,920 --> 00:35:20,759 Speaker 1: Amy come on there in the morning, they should just 518 00:35:20,840 --> 00:35:23,320 Speaker 1: do it from their bedroom. They don't even have to 519 00:35:23,360 --> 00:35:25,279 Speaker 1: go into a studio. Just do it for they could do. 520 00:35:25,440 --> 00:35:28,240 Speaker 1: They could literally do Good Morning America from their phones. 521 00:35:28,480 --> 00:35:30,960 Speaker 1: Hey babe, how are you doing? Then? Last night at 522 00:35:31,040 --> 00:35:33,360 Speaker 1: Jennifer Andton. That's how That's all we need to do. 523 00:35:35,400 --> 00:35:39,960 Speaker 1: Give the people what they want. That's gold. Friends is gone, 524 00:35:41,320 --> 00:35:45,600 Speaker 1: the Sopranos are gun. There's no great TV shows. People 525 00:35:45,640 --> 00:35:49,240 Speaker 1: are literally shutting down networks. Talk shows are getting canceled 526 00:35:49,480 --> 00:35:53,120 Speaker 1: left and right. Give us what we want. We want 527 00:35:53,160 --> 00:35:56,759 Speaker 1: Amy and t J recapping what they did and what 528 00:35:56,880 --> 00:35:59,000 Speaker 1: they're gonna do the rest of the day. These two, 529 00:35:59,360 --> 00:36:01,120 Speaker 1: this is what didn't I don't know what they're gonna do. 530 00:36:01,280 --> 00:36:04,239 Speaker 1: What are you gonna do? Now? There's nowhere to go from. 531 00:36:04,239 --> 00:36:07,280 Speaker 1: They're gonna start a sucking podcast t J and Amy. 532 00:36:08,520 --> 00:36:10,360 Speaker 1: I don't know who's in charge of Good Morning America, 533 00:36:10,440 --> 00:36:30,320 Speaker 1: but that's what we want podcast. Last week on the 534 00:36:30,360 --> 00:36:33,280 Speaker 1: I M Reports Stereo podcast, the last episode, I said 535 00:36:33,680 --> 00:36:38,800 Speaker 1: my prediction for Damar Hamlin was that there would be 536 00:36:38,840 --> 00:36:43,960 Speaker 1: a big interview pre Super Bowl on Super Bowl Day 537 00:36:45,160 --> 00:36:49,680 Speaker 1: talk about ratings with tomorrow Hamlin. Now, the Buffalo Bills 538 00:36:49,680 --> 00:36:54,640 Speaker 1: got eliminated from the playoffs, so I think the NFL 539 00:36:54,760 --> 00:36:58,160 Speaker 1: was like, listen tomorrow, you're good We're glad, you're good, 540 00:36:58,200 --> 00:37:03,200 Speaker 1: You're on your own interview. Ain't happening. There's been conspiracy theorists, 541 00:37:03,520 --> 00:37:06,960 Speaker 1: some close to me. I'm not gonna name names or 542 00:37:07,000 --> 00:37:10,959 Speaker 1: point fingers about people in my world, my zeigeist, people 543 00:37:11,000 --> 00:37:13,800 Speaker 1: that I might even be married to, people that I 544 00:37:13,920 --> 00:37:16,719 Speaker 1: do business with that have been saying horrible things about 545 00:37:16,800 --> 00:37:20,040 Speaker 1: Damar Hamlin, saying it was fake, saying it was staged, 546 00:37:21,000 --> 00:37:25,640 Speaker 1: saying that terrible things. I thought they would hold this 547 00:37:25,800 --> 00:37:29,520 Speaker 1: interview until Super Bowl Sunday, a big interview like fift 548 00:37:29,760 --> 00:37:32,160 Speaker 1: twenty minutes where he tells his story, and it still 549 00:37:32,280 --> 00:37:36,560 Speaker 1: might happen, because I would talk about a guest. We 550 00:37:36,680 --> 00:37:38,759 Speaker 1: all want to like ask this gentleman, like what does 551 00:37:38,800 --> 00:37:42,960 Speaker 1: he remember, like you know, what was that? Like? When 552 00:37:43,000 --> 00:37:45,560 Speaker 1: did you realize like, uh, you know what had happened? 553 00:37:46,400 --> 00:37:50,080 Speaker 1: When did you realize that it became this thing that 554 00:37:50,160 --> 00:37:53,480 Speaker 1: the whole world, not even non football fans, were aware of. 555 00:37:53,800 --> 00:37:55,880 Speaker 1: How do you feel? You know all that stuff that 556 00:37:56,440 --> 00:38:01,400 Speaker 1: people have questions for demor Hamlin. Super bowls in two 557 00:38:01,480 --> 00:38:05,839 Speaker 1: weeks and I think tomorrow. Hamlin probably was like, Yo, 558 00:38:05,960 --> 00:38:09,360 Speaker 1: I'm not c g I I'm not dead. I'm not 559 00:38:09,440 --> 00:38:12,800 Speaker 1: a robot. There wasn't a body double at the game 560 00:38:13,239 --> 00:38:15,560 Speaker 1: last week. It's me. So he went on his Instagram 561 00:38:16,960 --> 00:38:19,879 Speaker 1: and gently and nicely said, I appreciate the love here 562 00:38:19,920 --> 00:38:22,919 Speaker 1: I am. He spoke tomorrow, Hamlet spoke for the first 563 00:38:23,000 --> 00:38:28,520 Speaker 1: time since he became a name that everybody will always remember, 564 00:38:29,880 --> 00:38:33,640 Speaker 1: and lo and behold. The conspiracy theorists are still questioning, 565 00:38:34,280 --> 00:38:38,200 Speaker 1: is it is it a robot? Is it c G I, 566 00:38:39,239 --> 00:38:42,840 Speaker 1: is it AI? Is it any of that? All the 567 00:38:42,920 --> 00:38:47,840 Speaker 1: conspiracy theories. When you get debunked, everybody disappears. It's like 568 00:38:47,960 --> 00:38:50,080 Speaker 1: Michael Jordan's said in the Last Dance when he had 569 00:38:50,120 --> 00:38:54,880 Speaker 1: the cigar. Anybody could talk ship, anybody could say anything 570 00:38:55,120 --> 00:38:57,479 Speaker 1: when they were ahead, but when you're down, it takes 571 00:38:57,480 --> 00:39:01,799 Speaker 1: a good man to say something. Yeah, nobody got nothing 572 00:39:01,840 --> 00:39:04,160 Speaker 1: to say about demor Hamblin anymore. He was trending for 573 00:39:04,320 --> 00:39:09,480 Speaker 1: four days on Twitter, poor guy, saying he was I 574 00:39:09,520 --> 00:39:11,440 Speaker 1: don't even want to say it, shouldn't even say that. 575 00:39:11,760 --> 00:39:15,719 Speaker 1: Guy had carniac arrest for nine minutes and he's back. 576 00:39:16,120 --> 00:39:18,440 Speaker 1: Glad to see you back. I want that full interview 577 00:39:18,520 --> 00:39:22,839 Speaker 1: on NFL Sunday. My prediction that he's gonna play football again. 578 00:39:24,600 --> 00:39:26,880 Speaker 1: I don't know how they would get insured to have 579 00:39:26,960 --> 00:39:31,480 Speaker 1: Demor Hamblin play football again. But that's my hope and 580 00:39:31,600 --> 00:39:38,120 Speaker 1: my prediction for tomorrow. Hamlin, speaking of conspiracy theories, debunking 581 00:39:38,200 --> 00:39:44,560 Speaker 1: conspiracy theories. The Nancy Pelosi's husband video finally came out. 582 00:39:44,680 --> 00:39:49,640 Speaker 1: The police bodycam footage came out of Nancy Pelosi's husband, 583 00:39:50,920 --> 00:39:56,800 Speaker 1: who if we remember uh, he had gotten attacked on. 584 00:39:56,800 --> 00:39:59,880 Speaker 1: An alleged truder broke into their house. How they broken 585 00:40:00,000 --> 00:40:01,640 Speaker 1: of that? I was, I don't know. Speaker of the 586 00:40:01,680 --> 00:40:03,879 Speaker 1: house should be gated up, real nice and real proper, 587 00:40:04,000 --> 00:40:08,480 Speaker 1: especially I it's Nancy Pelosi, but alagsa truder broke into 588 00:40:08,600 --> 00:40:13,120 Speaker 1: the house, the Pelosi house, and there were all sorts 589 00:40:13,160 --> 00:40:18,440 Speaker 1: of rumors saying there was a a gay orgy going on. 590 00:40:19,320 --> 00:40:21,160 Speaker 1: There were all sorts of rumors saying that the guy 591 00:40:21,239 --> 00:40:27,240 Speaker 1: that broke into the house PAULI Pelosi, they were gay lovers. 592 00:40:28,600 --> 00:40:31,920 Speaker 1: Why would Paul Pelosi be in his underwear in the 593 00:40:32,000 --> 00:40:36,000 Speaker 1: middle of the night, which I sleep but ass, raw dog, 594 00:40:37,040 --> 00:40:39,640 Speaker 1: I don't even sleep in any underwear. I'm but ass. 595 00:40:40,800 --> 00:40:43,040 Speaker 1: I don't know why people would think it's weird that 596 00:40:43,160 --> 00:40:50,040 Speaker 1: if it's like when the earthquake hit in I was 597 00:40:50,160 --> 00:40:52,680 Speaker 1: with my girlfriend who's now my wife at the time. 598 00:40:54,680 --> 00:40:59,160 Speaker 1: Our neighbor was knocking at the door, help help, And 599 00:40:59,600 --> 00:41:02,400 Speaker 1: as scared and as freaked out as I was, I 600 00:41:02,480 --> 00:41:04,760 Speaker 1: didn't want to open the door until I got clothed 601 00:41:04,840 --> 00:41:08,040 Speaker 1: because I was imagining droves of people on the street 602 00:41:08,120 --> 00:41:10,360 Speaker 1: running for their lives. And I'm out there running naked 603 00:41:10,400 --> 00:41:12,600 Speaker 1: at least, like, let a shelf hit me? But can 604 00:41:12,640 --> 00:41:18,000 Speaker 1: I clothe myself? But I woke up, but ass three 605 00:41:18,120 --> 00:41:21,040 Speaker 1: thirty in the morning, the earthquakes going on. I clothed myself. 606 00:41:21,719 --> 00:41:24,360 Speaker 1: But if an intruder comes in, uh, and you know, 607 00:41:24,480 --> 00:41:26,600 Speaker 1: got you pinned up, got a hammer or whatever he's 608 00:41:26,640 --> 00:41:29,800 Speaker 1: doing to you. Unfortunately you don't have that ton But 609 00:41:29,920 --> 00:41:32,399 Speaker 1: Polly Pelosi had on a nice pair of pajamas, looked 610 00:41:32,400 --> 00:41:36,239 Speaker 1: like a nice silk uh silk, great pajama and he's 611 00:41:36,239 --> 00:41:38,880 Speaker 1: in his underwear. And in the footage you see the 612 00:41:39,560 --> 00:41:43,239 Speaker 1: the police officers opened the door, and it's weird. I think, 613 00:41:43,280 --> 00:41:45,880 Speaker 1: Polly Pelosi, this is just me. It's probably on some 614 00:41:46,000 --> 00:41:48,160 Speaker 1: sleeping pills, allegedy. This is just what I think. He's 615 00:41:48,160 --> 00:41:50,319 Speaker 1: probably hopped up on some sleeping pills. Maybe he had 616 00:41:50,400 --> 00:41:52,879 Speaker 1: himself a couple of Voka Tonics before he went to bed. 617 00:41:53,120 --> 00:41:56,719 Speaker 1: He just got arrested for drunk driving. He seems like 618 00:41:56,760 --> 00:42:00,320 Speaker 1: a little bit of a lush allegedly, I'll bet you Nancy, 619 00:42:00,400 --> 00:42:02,680 Speaker 1: old lady Nancy. But she she throws back some red 620 00:42:02,760 --> 00:42:06,160 Speaker 1: wine too. She takes her fucking teeth out. She throws 621 00:42:06,239 --> 00:42:08,680 Speaker 1: back a couple of glasses of red wine and has 622 00:42:08,719 --> 00:42:12,200 Speaker 1: to go to sleep. The amount of stress, all bag 623 00:42:12,280 --> 00:42:14,879 Speaker 1: of bones. She takes those teeth out, her dent is out, 624 00:42:15,400 --> 00:42:20,520 Speaker 1: drinks a little nice bottle of red. Paul seems like 625 00:42:20,600 --> 00:42:24,960 Speaker 1: he's on the hard stuff. But Paul seemed like he 626 00:42:25,080 --> 00:42:28,239 Speaker 1: was either hopped up on some sleep medication or or 627 00:42:28,280 --> 00:42:31,800 Speaker 1: a couple of vocatanics. An intruder broke in. He's holding 628 00:42:31,880 --> 00:42:35,160 Speaker 1: the hammer. They're both kind of casual. It was weird. 629 00:42:36,320 --> 00:42:39,920 Speaker 1: It was bizarre, and the police are like, what's going 630 00:42:39,960 --> 00:42:43,880 Speaker 1: on and he's like nothing. Which listen, if you're scared, 631 00:42:44,640 --> 00:42:46,680 Speaker 1: you might say that because the guy goes yo when 632 00:42:46,719 --> 00:42:48,759 Speaker 1: the police come say nothing's happening. I'm gonna break your 633 00:42:49,040 --> 00:42:54,160 Speaker 1: head with his hammer, gonna stand me you drunk fuck Paul. 634 00:42:54,600 --> 00:42:56,880 Speaker 1: I want Nancy, but I'll bust your fucking head with 635 00:42:56,960 --> 00:43:00,720 Speaker 1: this hammer. The police come in there like what's going on? Nothing, nothing, 636 00:43:01,080 --> 00:43:03,359 Speaker 1: and then you see the guy, you know, he hits 637 00:43:03,400 --> 00:43:08,000 Speaker 1: the guy over the head with the hammer. Scary and 638 00:43:08,080 --> 00:43:11,480 Speaker 1: all the Donald Trump juniors, all these people, all the 639 00:43:11,600 --> 00:43:15,719 Speaker 1: Fox News, all the the freaks, the bottom feeders who 640 00:43:15,760 --> 00:43:17,560 Speaker 1: were saying it was stage, it was fake, it was 641 00:43:17,600 --> 00:43:19,680 Speaker 1: a gay orgy. Was you got nothing to say when 642 00:43:19,719 --> 00:43:21,600 Speaker 1: you saw the footage of the guy getting beaten over 643 00:43:21,640 --> 00:43:26,520 Speaker 1: the head with the hammer, whenever the circumstances were, because 644 00:43:26,680 --> 00:43:29,040 Speaker 1: we all know that that's serious. There's no staging that 645 00:43:29,520 --> 00:43:32,239 Speaker 1: they beat old man Polly over the head with the hammer. 646 00:43:32,520 --> 00:43:35,720 Speaker 1: And if old Lady Nancy had been in there, Homie 647 00:43:35,760 --> 00:43:38,600 Speaker 1: would have killed her ass, just like the January six people. 648 00:43:38,800 --> 00:43:41,480 Speaker 1: If they had gotten their hands on that little that 649 00:43:41,560 --> 00:43:43,400 Speaker 1: little old lady who probably weighs about a hundred and 650 00:43:43,440 --> 00:43:48,880 Speaker 1: twenty pounds of frail old bones. It's probably he is 651 00:43:48,880 --> 00:43:51,120 Speaker 1: a hundred and twenty pounds when she's got her dentures 652 00:43:51,160 --> 00:43:53,480 Speaker 1: and take those denters out, she's a hundred nineteen pounds, 653 00:43:53,520 --> 00:43:57,000 Speaker 1: Old Lady Nancy. I'm glad he's fine. I'm glad he 654 00:43:57,040 --> 00:44:00,960 Speaker 1: didn't get his his hands on old Lady Nancy, and 655 00:44:01,040 --> 00:44:03,479 Speaker 1: that just what I'm saying is about these conspiracy theories 656 00:44:03,560 --> 00:44:08,400 Speaker 1: who said that Tamar Hamlin uh was dead, DeMar Hamlin 657 00:44:08,880 --> 00:44:13,319 Speaker 1: was c g I, and that old man uh Paul 658 00:44:13,360 --> 00:44:16,080 Speaker 1: Pelosi was having a gay orgy. When you see the truth, 659 00:44:16,280 --> 00:44:19,400 Speaker 1: nobody they just disappear. And I don't think that's I 660 00:44:19,440 --> 00:44:21,800 Speaker 1: don't think it's fair. I think you should continue to 661 00:44:21,880 --> 00:44:24,080 Speaker 1: have to own up to your conspiracy theories. I'm not 662 00:44:24,200 --> 00:44:27,040 Speaker 1: down with the conspiracy theories. I'm not down with the ghosts. 663 00:44:27,880 --> 00:44:30,399 Speaker 1: Everybody talks about ghosts in New Orleans. Everybody's talking about 664 00:44:30,400 --> 00:44:37,040 Speaker 1: this beautiful Ace hotel being haunted. They're hearing sounds. It's 665 00:44:37,080 --> 00:44:41,400 Speaker 1: a hotel. They're like, yo, I was, I was sleeping 666 00:44:41,440 --> 00:44:43,759 Speaker 1: and I heard people heard sounds or heard yelling. You 667 00:44:43,840 --> 00:44:48,080 Speaker 1: probably heard your neighbor getting getting fucked, you know, like 668 00:44:48,360 --> 00:44:50,319 Speaker 1: last night when I was laying down. You know, we're 669 00:44:50,360 --> 00:44:54,799 Speaker 1: hearing things. There's a balcony, there's people. Not everybody goes 670 00:44:54,840 --> 00:45:02,040 Speaker 1: to sleep at eight thirty pm. I don't believe in ghosts, ghouls, spirits. 671 00:45:02,520 --> 00:45:05,440 Speaker 1: Got my palm read the other day, I got my 672 00:45:05,520 --> 00:45:07,520 Speaker 1: palm read and she gave me the like palm reading 673 00:45:07,560 --> 00:45:10,160 Speaker 1: going on one. She gave me the like the okie doke. Oh, 674 00:45:10,840 --> 00:45:13,640 Speaker 1: your life was this, but it's gonna be better. This 675 00:45:13,800 --> 00:45:15,719 Speaker 1: year is gonna be prosperous. What are you gonna say? 676 00:45:15,719 --> 00:45:17,880 Speaker 1: I'm paying you forty dollars. What are you gonna tell me? 677 00:45:17,880 --> 00:45:20,960 Speaker 1: My life's a pile of shit. Imagine you cook at 678 00:45:21,000 --> 00:45:24,360 Speaker 1: your hand, your palm red and New Orleans and like, listen, 679 00:45:25,640 --> 00:45:29,239 Speaker 1: your life is ship. Your wife's cheating on you, your 680 00:45:29,280 --> 00:45:31,640 Speaker 1: dog's gonna die, You're gonna lose all your money. I 681 00:45:31,760 --> 00:45:33,399 Speaker 1: just gave you forty dollars. This is what you're gonna 682 00:45:33,400 --> 00:45:35,719 Speaker 1: tell me. Lady, she gave me the old oaky dock. 683 00:45:36,200 --> 00:45:40,120 Speaker 1: You've had this, you've had that, You've dealt with this, 684 00:45:40,239 --> 00:45:42,279 Speaker 1: But everything's gonna get better in your future. That's what 685 00:45:42,360 --> 00:45:44,000 Speaker 1: you want to hear when you gave give the lady 686 00:45:44,080 --> 00:45:48,759 Speaker 1: forty dollars in New Orleans, fake palm readers, crystals and 687 00:45:48,840 --> 00:45:51,360 Speaker 1: all that stuff. Listen, I went to the healer. I 688 00:45:51,480 --> 00:45:53,800 Speaker 1: like that, but that was a physical touch. She she 689 00:45:54,440 --> 00:45:58,640 Speaker 1: smacked me. She cup to me, and I believe in that. 690 00:45:58,800 --> 00:46:01,720 Speaker 1: But all this this stuff that you can't see, ghosts, 691 00:46:01,760 --> 00:46:06,040 Speaker 1: google spirits, doors, slamming in old hotels. I don't buy 692 00:46:06,080 --> 00:46:12,760 Speaker 1: it anyway. I'm done. Came saw It disrupted, Came Saw disrupted, 693 00:46:12,800 --> 00:46:15,600 Speaker 1: Iron Wrapped Port stereo podcast, Tell a Friend to Tell 694 00:46:16,239 --> 00:46:17,680 Speaker 1: a Friend Mount