1 00:00:00,720 --> 00:00:04,120 Speaker 1: I am all in again. 2 00:00:09,520 --> 00:00:20,560 Speaker 2: Oh, I am all in again with Scott Patterson and 3 00:00:20,800 --> 00:00:22,360 Speaker 2: iHeartRadio Podcast. 4 00:00:22,680 --> 00:00:25,200 Speaker 1: Hey everybody, Scott Patterson, I amil in Podcast, one of 5 00:00:25,239 --> 00:00:32,400 Speaker 1: Love Productions iHeartRadio Media, iHeart Podcast. We are at season three, 6 00:00:32,440 --> 00:00:34,959 Speaker 1: episode nine, and we have a very special guest. By 7 00:00:34,960 --> 00:00:39,760 Speaker 1: the way, the episode is entitled A deep Fried Korean Thanksgiving. 8 00:00:39,880 --> 00:00:43,440 Speaker 1: We're going to go through this episode with the one 9 00:00:43,440 --> 00:00:48,559 Speaker 1: and only Leanne Hunley, who is an absolute force to 10 00:00:48,560 --> 00:00:52,280 Speaker 1: be reckoned with. Well, I'm Gilmore girls as Logan's mom 11 00:00:52,800 --> 00:00:57,680 Speaker 1: and Mitcham's wife. Welcome Shira Huntsberger herself. There she is. 12 00:00:57,720 --> 00:01:00,880 Speaker 3: How you doing, Lian, I'm well, thank you, thank you. 13 00:01:00,720 --> 00:01:02,600 Speaker 1: To see all right, Before we get in this episode, 14 00:01:02,600 --> 00:01:05,680 Speaker 1: we want to share something here Leanne, don't we that 15 00:01:05,920 --> 00:01:11,800 Speaker 1: you right? Yeah, We'll be joining us for holidays made 16 00:01:11,880 --> 00:01:16,399 Speaker 1: here for the live podcast December eighteenth from Warner Brothers Studios. 17 00:01:16,400 --> 00:01:18,240 Speaker 1: Are you excited to visit stars Hollow? 18 00:01:18,600 --> 00:01:21,080 Speaker 3: I am? I am. Do you know I never ever 19 00:01:21,160 --> 00:01:27,160 Speaker 3: got in the street, so I filmed in the Dohina 20 00:01:27,240 --> 00:01:31,520 Speaker 3: mansion at one point, and I've been the studio on stage, 21 00:01:31,640 --> 00:01:34,480 Speaker 3: but yes, I'd be happy to be on the street. 22 00:01:35,080 --> 00:01:38,040 Speaker 1: Well, we're excited to have you and prepare yourself. It's 23 00:01:38,080 --> 00:01:38,720 Speaker 1: a it's. 24 00:01:38,640 --> 00:01:39,720 Speaker 4: A raucous crowd. 25 00:01:40,280 --> 00:01:40,759 Speaker 3: I love it. 26 00:01:41,040 --> 00:01:42,000 Speaker 1: It's really something. 27 00:01:42,040 --> 00:01:44,640 Speaker 3: It's ready for the holidays. I think it's fine. 28 00:01:45,040 --> 00:01:48,840 Speaker 1: It's five thousand screaming fans. They're pumped. All right, Let's 29 00:01:48,920 --> 00:01:50,200 Speaker 1: let's go through the synopsis. 30 00:01:50,240 --> 00:01:50,440 Speaker 3: Here. 31 00:01:50,880 --> 00:01:54,320 Speaker 1: LORELEI shocked to learn that Rory has applied to Yale, 32 00:01:55,400 --> 00:01:58,000 Speaker 1: and they have a memorable Thanksgiving and they end up 33 00:01:58,080 --> 00:02:03,800 Speaker 1: forcing down four celebratory meals, including a formal dinner party 34 00:02:04,680 --> 00:02:07,600 Speaker 1: with Richard and Emily and Oh What a Doozy That 35 00:02:07,920 --> 00:02:15,040 Speaker 1: was directed by Kenny Ortega, written by the incomparable Dan Palladino. 36 00:02:17,280 --> 00:02:20,760 Speaker 1: So Laurel is pretty much avoiding and has been avoiding 37 00:02:20,760 --> 00:02:25,040 Speaker 1: Emily's calls and hasn't attended two Friday night dinners in 38 00:02:25,080 --> 00:02:27,119 Speaker 1: a row, and Emily drops in at the end tells 39 00:02:27,160 --> 00:02:30,919 Speaker 1: Laurel that she expects her and Rory at Thanksgiving. Leanne, 40 00:02:30,960 --> 00:02:33,720 Speaker 1: how was your Thanksgiving? Let's talk about your Thanksgiving? Do 41 00:02:34,280 --> 00:02:35,639 Speaker 1: the prepping at all? 42 00:02:36,000 --> 00:02:36,200 Speaker 4: Life. 43 00:02:36,280 --> 00:02:40,120 Speaker 3: I usually I'm from Washington State, so I usually go home. 44 00:02:40,200 --> 00:02:42,520 Speaker 3: This year, I stayed here. I have relatives here, and 45 00:02:42,560 --> 00:02:44,840 Speaker 3: I went to their house and I take something every 46 00:02:44,880 --> 00:02:49,440 Speaker 3: year to something, I bring something, but I have done 47 00:02:49,720 --> 00:02:54,520 Speaker 3: the double duty Thanksgiving dinner before myself, so I sort 48 00:02:54,520 --> 00:02:57,120 Speaker 3: of appreciated that they were trying to do four in 49 00:02:57,240 --> 00:03:01,600 Speaker 3: one day. I've only done two in one day. 50 00:03:01,680 --> 00:03:03,440 Speaker 1: Very ambitious, very ambitious. 51 00:03:03,919 --> 00:03:07,120 Speaker 3: So I thought it was very amusing to see them 52 00:03:07,240 --> 00:03:10,720 Speaker 3: try to eat that much and keep it all down. 53 00:03:11,800 --> 00:03:12,640 Speaker 3: It was really great. 54 00:03:12,960 --> 00:03:17,480 Speaker 1: Unbelievable, unbelievable. But as Laurlized states in the beginning, this 55 00:03:17,600 --> 00:03:19,280 Speaker 1: is what they were born to do, this is what 56 00:03:19,320 --> 00:03:23,919 Speaker 1: they're built for. Uh, well, I'm they going to first 57 00:03:23,919 --> 00:03:26,720 Speaker 1: They're going to missus Kim's and they have to Dave 58 00:03:26,840 --> 00:03:30,560 Speaker 1: Rigoalski's there hired as a Christian guitar player so that 59 00:03:30,600 --> 00:03:34,440 Speaker 1: they can lay the groundwork of Lane dating him. So funny, right, 60 00:03:34,480 --> 00:03:35,560 Speaker 1: what a great story. 61 00:03:35,920 --> 00:03:38,240 Speaker 3: Very sweet little story. I love the moment when she 62 00:03:38,360 --> 00:03:41,119 Speaker 3: goes running out to try to find him and he's 63 00:03:41,240 --> 00:03:44,360 Speaker 3: right there, and it was just a sweet, little, romantic 64 00:03:44,440 --> 00:03:49,960 Speaker 3: little moment. I thought that, Yeah, I remember those days. 65 00:03:49,800 --> 00:03:54,240 Speaker 1: Yeah, as do why all right? Then they hid the 66 00:03:54,280 --> 00:03:58,000 Speaker 1: Suki's and Jackson is deep frying a turkey. Wow have 67 00:03:58,040 --> 00:03:58,880 Speaker 1: you ever deep fried? You? 68 00:03:59,040 --> 00:04:00,360 Speaker 4: Never? I've never tried it. 69 00:04:00,720 --> 00:04:03,480 Speaker 3: I've eaten it. I've had times at my family where 70 00:04:03,520 --> 00:04:07,400 Speaker 3: they've done it. Every They do like five different kinds 71 00:04:07,440 --> 00:04:10,360 Speaker 3: of turkey, one of which was deep fried, and then 72 00:04:10,440 --> 00:04:13,600 Speaker 3: we taste test everything. Obviously, I come from a very 73 00:04:13,680 --> 00:04:19,040 Speaker 3: large family, and it was it was very juicy. I 74 00:04:19,120 --> 00:04:24,560 Speaker 3: was kind of surprised myself. Oh yeah, yeah, But I 75 00:04:24,560 --> 00:04:27,279 Speaker 3: can see where it would put off a really good chef. 76 00:04:28,040 --> 00:04:31,760 Speaker 3: It would hurt their heart that you would just cook 77 00:04:31,800 --> 00:04:34,240 Speaker 3: it that fast when you're supposed to do twenty minutes 78 00:04:34,320 --> 00:04:37,760 Speaker 3: pound and you're supposed to take your time with it. 79 00:04:38,360 --> 00:04:41,279 Speaker 3: So and I remember my first turkey that I ever cooked, 80 00:04:41,279 --> 00:04:44,400 Speaker 3: when I was first married, and I called my mother 81 00:04:44,560 --> 00:04:47,120 Speaker 3: to say, how do I cook this turkey? And she said, 82 00:04:47,360 --> 00:04:49,920 Speaker 3: how big is it? I told her twenty pounds. She said, 83 00:04:49,920 --> 00:04:51,680 Speaker 3: get it in the oven. I said, what do I 84 00:04:51,720 --> 00:04:53,880 Speaker 3: do to it? I don't care what you do to it. 85 00:04:54,400 --> 00:04:56,680 Speaker 3: Just get it in the oven. It has to start 86 00:04:56,720 --> 00:04:59,960 Speaker 3: cooking now. So the deep fried turkey is kind of 87 00:05:00,120 --> 00:05:01,120 Speaker 3: a pretty good idea. 88 00:05:01,400 --> 00:05:03,279 Speaker 1: How long has that take to deep rive turkey? 89 00:05:04,000 --> 00:05:06,440 Speaker 3: De fight turkey? It only takes like forty five minutes an. 90 00:05:06,400 --> 00:05:08,000 Speaker 4: Hour forty five minutes. 91 00:05:08,080 --> 00:05:11,000 Speaker 3: Okay, I think they mentioned that in the episode, but 92 00:05:11,160 --> 00:05:15,520 Speaker 3: I could be completely wrong. Don't call I am not 93 00:05:15,600 --> 00:05:21,719 Speaker 3: a chef. Obviously, get it in the oven. 94 00:05:21,120 --> 00:05:23,400 Speaker 1: All right, So they do, they go through that rigamarole. 95 00:05:23,480 --> 00:05:25,600 Speaker 1: Then they had the Lukes where they eat their meal 96 00:05:25,800 --> 00:05:30,760 Speaker 1: with Jess and Rory and Jeff. Jess have a little kiss, 97 00:05:30,800 --> 00:05:33,560 Speaker 1: and you know, Rory's having a hard time with the 98 00:05:33,560 --> 00:05:38,320 Speaker 1: PDA and with Jess because she feels guilty about Deans. So, yeah, 99 00:05:38,600 --> 00:05:41,440 Speaker 1: hilarious moments with Sally Struthers. You've got to give it 100 00:05:41,480 --> 00:05:45,599 Speaker 1: a little effort next time, you know, you know, you 101 00:05:45,680 --> 00:05:48,560 Speaker 1: never lose with Sally. I mean, when Sally shows up, 102 00:05:48,560 --> 00:05:49,480 Speaker 1: you're having a good time. 103 00:05:49,760 --> 00:05:52,040 Speaker 3: It looks like, yeah. 104 00:05:51,600 --> 00:05:51,880 Speaker 4: All right. 105 00:05:51,880 --> 00:05:55,640 Speaker 1: And then they finally had to the last stop Emily 106 00:05:55,680 --> 00:05:58,640 Speaker 1: and Richards, which I think is one of the classic 107 00:05:59,360 --> 00:06:02,640 Speaker 1: uh family scenes. But I'll tell you, I don't think 108 00:06:02,680 --> 00:06:05,200 Speaker 1: it's the classic family scene. And I want to talk 109 00:06:05,240 --> 00:06:07,800 Speaker 1: and come back to that. Leanne. I'm glad you're here 110 00:06:07,800 --> 00:06:10,839 Speaker 1: because we're going to talk about that what I consider 111 00:06:10,920 --> 00:06:14,719 Speaker 1: to be the finest moment of any family scene in 112 00:06:14,800 --> 00:06:17,560 Speaker 1: any show I've ever seen. And they all sit down 113 00:06:17,560 --> 00:06:19,880 Speaker 1: at the table after they get through their kind of 114 00:06:19,920 --> 00:06:29,600 Speaker 1: awkward dining sorry, living room conversation and Laura continuing to 115 00:06:29,640 --> 00:06:34,880 Speaker 1: make jokes and annoying her parents, and then they sit 116 00:06:34,960 --> 00:06:39,480 Speaker 1: down in rory Reville. She's applied to Yale Jennifer Aniston's father. 117 00:06:40,720 --> 00:06:44,680 Speaker 3: Yes, John, who I interject real quickly because I worked 118 00:06:44,680 --> 00:06:48,520 Speaker 3: with him a lot on my other show, on Days 119 00:06:48,520 --> 00:06:52,000 Speaker 3: of Our Lives. He was a protagonist on that show, 120 00:06:52,080 --> 00:06:54,560 Speaker 3: so I was real happy to see him when I 121 00:06:54,600 --> 00:06:57,160 Speaker 3: watched this episode. It was like such a treat for 122 00:06:57,200 --> 00:06:57,920 Speaker 3: me to see him. 123 00:06:58,400 --> 00:07:01,080 Speaker 1: He's got a tremendous presence, doesn't he Oh. 124 00:07:01,000 --> 00:07:05,360 Speaker 3: He truly does. And he was just he was such 125 00:07:05,760 --> 00:07:09,720 Speaker 3: a gentleman and a gentle man. He was such a 126 00:07:09,760 --> 00:07:11,640 Speaker 3: lovely man. Lovely man. Yes. 127 00:07:21,360 --> 00:07:26,840 Speaker 1: Now this is where Nori Rory announces that she, unbeknownst 128 00:07:26,880 --> 00:07:30,840 Speaker 1: to her mother, applied to backups Yale being one of them, 129 00:07:30,880 --> 00:07:35,800 Speaker 1: Princeton another. And this, you know, this really spins laurel 130 00:07:35,840 --> 00:07:39,040 Speaker 1: eye out. What do you think of this scene? I mean, 131 00:07:39,080 --> 00:07:42,160 Speaker 1: it's a great scene. And do you think the conflict 132 00:07:42,280 --> 00:07:45,200 Speaker 1: was a little forced? Do you think Laurelized reaction. 133 00:07:44,960 --> 00:07:47,800 Speaker 4: Is over the top? How do you feel about this? 134 00:07:47,880 --> 00:07:50,960 Speaker 1: I mean it makes for great drama, It makes. 135 00:07:50,720 --> 00:07:54,080 Speaker 3: For great drama, and I, you know, I can understand that, 136 00:07:54,120 --> 00:07:57,800 Speaker 3: to tell you the truth, because that's what shows, that's 137 00:07:57,800 --> 00:08:02,280 Speaker 3: what makes characters work, is a little something conflicting, and 138 00:08:02,880 --> 00:08:06,240 Speaker 3: everybody has to have their opinion about it. But I 139 00:08:06,320 --> 00:08:13,520 Speaker 3: did wonder what was her her reason for not wanting Yale, 140 00:08:13,600 --> 00:08:16,680 Speaker 3: because if you're going to consider Princeton and Harvard, I 141 00:08:16,680 --> 00:08:19,800 Speaker 3: didn't understand the Yale thing. So I guess it's because 142 00:08:19,840 --> 00:08:23,080 Speaker 3: I don't know the original story with her father and 143 00:08:23,160 --> 00:08:28,640 Speaker 3: her and where that really comes from. But I'm all 144 00:08:28,680 --> 00:08:31,400 Speaker 3: for a little conflict because, like I said, that's what 145 00:08:31,480 --> 00:08:34,040 Speaker 3: makes a scene juicy. That's what an actor likes to do. 146 00:08:34,200 --> 00:08:36,360 Speaker 3: That's what I like to do. I like to grab 147 00:08:36,400 --> 00:08:39,760 Speaker 3: onto something and that's a through line to get through 148 00:08:39,800 --> 00:08:43,600 Speaker 3: to the next thought, up to the arc where you 149 00:08:43,679 --> 00:08:45,600 Speaker 3: have to be, you know, in terms of where you're 150 00:08:45,640 --> 00:08:50,559 Speaker 3: going to land. And so for me, I bought it. 151 00:08:50,920 --> 00:08:51,439 Speaker 4: I bought it. 152 00:08:51,480 --> 00:08:55,640 Speaker 3: I didn't. You know. One thing that is problematic is 153 00:08:55,640 --> 00:08:57,440 Speaker 3: that when you do know somebody in the scene, it 154 00:08:57,480 --> 00:09:02,320 Speaker 3: takes you out of the scene. And I'm thinking, okay, 155 00:09:02,400 --> 00:09:05,160 Speaker 3: well look out, Grady, and I'm thinking of him as 156 00:09:05,200 --> 00:09:08,560 Speaker 3: a friend as opposed to within the setting of the scene. 157 00:09:08,920 --> 00:09:13,400 Speaker 3: But that still doesn't matter. I mean, I just didn't 158 00:09:13,440 --> 00:09:16,800 Speaker 3: really understand the reason why. But maybe that's explained before, 159 00:09:16,880 --> 00:09:19,280 Speaker 3: and maybe it's explained later in the series. I just 160 00:09:19,320 --> 00:09:19,680 Speaker 3: don't know. 161 00:09:20,720 --> 00:09:25,640 Speaker 1: Mm hmm, yeah, I think to get you up to 162 00:09:25,679 --> 00:09:28,439 Speaker 1: speed a little bit, because I wasn't familiar either until 163 00:09:28,480 --> 00:09:31,520 Speaker 1: I started watching the show. As a result of doing 164 00:09:31,559 --> 00:09:34,240 Speaker 1: this podcast, I had to watch the show. Yeah, Laura 165 00:09:34,400 --> 00:09:38,839 Speaker 1: I was destined for Yale, and so they are. You know, 166 00:09:38,880 --> 00:09:42,480 Speaker 1: I think a Laurel I feels erased by her mother 167 00:09:42,520 --> 00:09:44,800 Speaker 1: and father and they're pinning all their hopes and dreams 168 00:09:44,800 --> 00:09:49,120 Speaker 1: on their granddaughter to fulfill the promise that Laurel I 169 00:09:49,400 --> 00:09:55,080 Speaker 1: once held and failed in their eyes, and the family embarrassment, 170 00:09:55,160 --> 00:09:57,480 Speaker 1: the black sheep, the whole thing, the only child who 171 00:09:57,480 --> 00:10:02,720 Speaker 1: did not excel according to their standards, but according to 172 00:10:02,800 --> 00:10:06,080 Speaker 1: her own she's she's really made a very nice life 173 00:10:06,080 --> 00:10:08,120 Speaker 1: for herself and her daughter, which I agree with. But 174 00:10:09,080 --> 00:10:10,040 Speaker 1: so that's the trigger. 175 00:10:10,360 --> 00:10:12,640 Speaker 3: Okay, Well, then that makes more sense if I knew 176 00:10:12,640 --> 00:10:13,480 Speaker 3: that one a little bit. 177 00:10:14,280 --> 00:10:16,920 Speaker 1: Well, they the previous episode, they took it. They took 178 00:10:16,920 --> 00:10:20,600 Speaker 1: it a trip to Yale, impromptu trip to Yale. It 179 00:10:20,720 --> 00:10:23,400 Speaker 1: was just grandfather and granddaughter, and then Emily showed up, 180 00:10:23,400 --> 00:10:25,800 Speaker 1: and then Laura I showed up. She found out about it, 181 00:10:27,480 --> 00:10:33,280 Speaker 1: and Richard had had organized the Dean of Admissions to 182 00:10:33,480 --> 00:10:37,960 Speaker 1: sit down with Rory and have a little chat, and Laura. 183 00:10:37,840 --> 00:10:38,960 Speaker 4: I got upset about that. 184 00:10:39,600 --> 00:10:43,800 Speaker 1: Okay for dad manipulating the situation, and she was dead 185 00:10:43,840 --> 00:10:46,600 Speaker 1: set on Harvard and butt out, it's my life, it's 186 00:10:46,679 --> 00:10:47,240 Speaker 1: my daughter. 187 00:10:47,400 --> 00:10:50,280 Speaker 4: I make the decisions. You didn't consult with me. So 188 00:10:50,320 --> 00:10:50,760 Speaker 4: there you go. 189 00:10:51,120 --> 00:10:53,120 Speaker 3: I see, God makes a lot more sense. 190 00:10:53,720 --> 00:10:57,920 Speaker 1: Yeah, so she blew up at dinner. Yeah, all right, 191 00:10:58,000 --> 00:11:03,200 Speaker 1: back Dave. Dave leaves missus Kim's. He forgets his Bible, 192 00:11:05,440 --> 00:11:10,640 Speaker 1: Sweet missus Kim opens it up. Lane wants to run 193 00:11:10,679 --> 00:11:14,600 Speaker 1: it out to him. It's all obviously a setup, and 194 00:11:16,440 --> 00:11:19,320 Speaker 1: opens the Bible and says, this belongs to God, but 195 00:11:20,400 --> 00:11:23,000 Speaker 1: I'm borrowing it for the time being. 196 00:11:23,080 --> 00:11:25,520 Speaker 4: David Galski or something like that. 197 00:11:26,080 --> 00:11:28,040 Speaker 1: Yeah, and that's when she runs out and they have 198 00:11:28,120 --> 00:11:34,719 Speaker 1: the first kiss. Nice storyline. I really enjoy particularly this 199 00:11:34,840 --> 00:11:36,720 Speaker 1: actor and these two together. 200 00:11:38,240 --> 00:11:41,040 Speaker 3: It was very sweet. And when I first started watching 201 00:11:41,080 --> 00:11:45,079 Speaker 3: the episode, I didn't see that coming. I didn't see 202 00:11:45,120 --> 00:11:50,840 Speaker 3: them together. But I have to say they really it 203 00:11:50,960 --> 00:11:55,720 Speaker 3: really connected. It was really heartfelt. It was a sweet 204 00:11:55,720 --> 00:11:57,560 Speaker 3: little moment. That is what I said. I love that 205 00:11:57,640 --> 00:12:00,880 Speaker 3: little moment when she runs right out and runs right 206 00:12:00,880 --> 00:12:03,520 Speaker 3: into him, because there's an excitement when you're a young 207 00:12:03,600 --> 00:12:09,240 Speaker 3: girl and you're really kind of taken by somebody for 208 00:12:09,280 --> 00:12:12,199 Speaker 3: the first time. And I saw all of that in 209 00:12:12,240 --> 00:12:17,640 Speaker 3: those moments. And he seemed like a nice guy too. 210 00:12:17,640 --> 00:12:20,199 Speaker 3: He didn't seem like you wanted to take advantage of her. 211 00:12:20,360 --> 00:12:23,280 Speaker 3: He seemed like a stand up guy. So I really 212 00:12:23,360 --> 00:12:29,040 Speaker 3: appreciated that as an audience and as a woman and 213 00:12:29,080 --> 00:12:32,960 Speaker 3: once a young girl once a long time ago. I 214 00:12:33,040 --> 00:12:34,040 Speaker 3: really appreciate that. 215 00:12:34,480 --> 00:12:38,800 Speaker 1: Yeah, all right, now we're back at Suki's. Suki is 216 00:12:39,120 --> 00:12:42,880 Speaker 1: three Sheets to the Wind and one of the most 217 00:12:43,000 --> 00:12:49,640 Speaker 1: hilarious drunken ma is on record. I mean, what a talent, right, 218 00:12:49,679 --> 00:12:55,160 Speaker 1: what is just a glorious performance from Melissa. Absolutely, and 219 00:12:55,200 --> 00:12:59,240 Speaker 1: they're sort of checking in on her. She's just giving 220 00:12:59,320 --> 00:13:02,000 Speaker 1: in and it's don and the whole She's just lost 221 00:13:02,000 --> 00:13:08,640 Speaker 1: total control, the whole situation. Anyway, Shira Hunsberger would fit 222 00:13:08,720 --> 00:13:13,040 Speaker 1: in with Emily and Richard's Thanksgiving celebrations. But which one 223 00:13:14,040 --> 00:13:17,560 Speaker 1: would you want to attend of the four that Laurel 224 00:13:17,600 --> 00:13:18,600 Speaker 1: I and Rory attended. 225 00:13:19,040 --> 00:13:24,480 Speaker 3: Well, I'm torn between Emily and Richard's dinner. I like 226 00:13:24,559 --> 00:13:28,719 Speaker 3: tablecloths and silverware, but I also like the cafe. I 227 00:13:28,840 --> 00:13:33,319 Speaker 3: have to say, I like your cafe. I'm a old school, 228 00:13:33,400 --> 00:13:37,240 Speaker 3: Like I said, I'm homegrown an old school and I 229 00:13:37,360 --> 00:13:44,320 Speaker 3: like a comfortable and casual dinner as well. But I 230 00:13:44,360 --> 00:13:47,079 Speaker 3: also enjoy a moment to dress up. So I would 231 00:13:47,120 --> 00:13:50,160 Speaker 3: like both of those, I think, And like I said, 232 00:13:50,200 --> 00:13:52,360 Speaker 3: I've kind of done that before where I've done both 233 00:13:52,400 --> 00:13:55,920 Speaker 3: of those in one day. So for me, it was 234 00:13:56,480 --> 00:13:58,680 Speaker 3: a sweet moment. Sweet. Yeah. 235 00:13:59,080 --> 00:14:01,760 Speaker 1: So the dynamic with the Gilmours and the Huntsburgers is 236 00:14:01,880 --> 00:14:05,400 Speaker 1: pretty similar, you know, wanting what's best for your child 237 00:14:05,520 --> 00:14:08,880 Speaker 1: or grandchild even though they can't see it. Yes, I'm 238 00:14:09,040 --> 00:14:10,200 Speaker 1: very aligned, don't you think. 239 00:14:10,400 --> 00:14:15,600 Speaker 3: Yeah, And I see that. Although I know from what 240 00:14:15,679 --> 00:14:19,360 Speaker 3: I hear, the audience doesn't like my Shira very much 241 00:14:19,440 --> 00:14:25,880 Speaker 3: because she was so mean to Rory, and I can 242 00:14:26,080 --> 00:14:33,000 Speaker 3: truly appreciate that as well, because basically, you know, every 243 00:14:33,000 --> 00:14:35,240 Speaker 3: girl wants to meet her prince charming, and if he 244 00:14:35,320 --> 00:14:39,720 Speaker 3: happens to be a prince, okay, that's great. But just 245 00:14:39,840 --> 00:14:44,440 Speaker 3: because she's not a princess, it's a hard place to be. 246 00:14:45,240 --> 00:14:50,560 Speaker 3: And Shira is since she came It wasn't told until 247 00:14:50,600 --> 00:14:55,960 Speaker 3: the second episode that I did where she came from 248 00:14:56,400 --> 00:15:00,960 Speaker 3: suspect beginnings herself. So she's protecting that line at all 249 00:15:01,200 --> 00:15:05,960 Speaker 3: costs in terms of her, you know, lording over anybody 250 00:15:05,960 --> 00:15:09,040 Speaker 3: else and thinking that she's part of that club. And 251 00:15:09,120 --> 00:15:12,400 Speaker 3: so some of that came clear when I did the 252 00:15:12,800 --> 00:15:17,840 Speaker 3: second episode myself. I actually appreciated knowing that myself. But 253 00:15:18,080 --> 00:15:23,160 Speaker 3: she had very lowly beginnings. But yeah, she gets so 254 00:15:23,560 --> 00:15:26,440 Speaker 3: she thinks she belongs in that world, in the world 255 00:15:26,520 --> 00:15:29,080 Speaker 3: of Richard and Emily. Yeah. 256 00:15:29,240 --> 00:15:29,360 Speaker 4: Right. 257 00:15:32,120 --> 00:15:38,320 Speaker 1: I must say that the scene, the scene of the Huntsburgers, 258 00:15:39,080 --> 00:15:45,040 Speaker 1: when the entire thing just comes on glued and we 259 00:15:45,760 --> 00:15:48,760 Speaker 1: the level of dysfunction of that family. 260 00:15:50,040 --> 00:15:52,040 Speaker 3: Is shown at the dinner table. 261 00:15:52,280 --> 00:15:54,480 Speaker 1: At the dinner table and then you go off and 262 00:15:54,640 --> 00:15:58,400 Speaker 1: sit somewhere in a chair and have a drink and 263 00:15:58,440 --> 00:16:02,200 Speaker 1: we're making comments. You know, it was like it was 264 00:16:02,280 --> 00:16:04,840 Speaker 1: like Who's afraid of Virginia Wolf? It was like Edward 265 00:16:04,920 --> 00:16:11,000 Speaker 1: Albie level absurdity and dysfunction. It was, Yeah, my favorite 266 00:16:11,360 --> 00:16:16,520 Speaker 1: family dinner scene I've maybe ever seen. It was hysterically funny, 267 00:16:16,880 --> 00:16:22,760 Speaker 1: oh good, and it showed just how broken that family was. Yes, 268 00:16:23,320 --> 00:16:25,200 Speaker 1: what do you remember about that thing? 269 00:16:25,280 --> 00:16:27,960 Speaker 3: Well, what I do remember was we were filming in 270 00:16:28,040 --> 00:16:33,000 Speaker 3: the Dooheini Mansion, which was this beautiful old place and 271 00:16:33,080 --> 00:16:37,240 Speaker 3: I think it's run by nuns. And I remember the 272 00:16:37,320 --> 00:16:42,120 Speaker 3: morning I got there. They had rules, The nuns had rules. 273 00:16:42,600 --> 00:16:46,000 Speaker 3: We were not allowed. Nobody was allowed to smoke on 274 00:16:46,000 --> 00:16:50,200 Speaker 3: on the property. Nobody was allowed to swear on the property. 275 00:16:50,240 --> 00:16:53,680 Speaker 3: That's crewe, that's cast, that's everybody. Everybody got this piece 276 00:16:53,720 --> 00:16:57,360 Speaker 3: of paper that said no swearing, no smoking, no nothing. 277 00:16:58,160 --> 00:17:00,800 Speaker 3: And then my character was supposed to go behind the 278 00:17:00,840 --> 00:17:04,439 Speaker 3: curtains of these drapes that were these old that have 279 00:17:04,520 --> 00:17:08,399 Speaker 3: been there one hundred years and smoke. So I was. 280 00:17:08,680 --> 00:17:13,920 Speaker 3: I was actually back there smoking and handing off a 281 00:17:13,960 --> 00:17:17,399 Speaker 3: cigarette to a prop guy behind me behind the curtains 282 00:17:17,400 --> 00:17:20,840 Speaker 3: so that I could pop back out and speak to 283 00:17:20,920 --> 00:17:24,760 Speaker 3: the family and act like I wasn't smoking behind the curtains. 284 00:17:25,119 --> 00:17:27,800 Speaker 3: I felt very guilty. I was the only one sanctioned 285 00:17:27,840 --> 00:17:32,400 Speaker 3: to smoke on the property. But it was like, yeah, 286 00:17:32,480 --> 00:17:37,639 Speaker 3: like a psychologically dysfunctional family on every level, on every level, 287 00:17:37,920 --> 00:17:40,479 Speaker 3: it was, but it was great fun to do. I 288 00:17:40,520 --> 00:17:41,640 Speaker 3: have to say, there's. 289 00:17:42,000 --> 00:17:45,760 Speaker 1: I don't think I have ever laughed that hard watching it. 290 00:17:45,920 --> 00:17:47,960 Speaker 1: I mean, I've had some great laughs from the show, 291 00:17:48,000 --> 00:17:50,199 Speaker 1: but that scene just broke me. 292 00:17:50,480 --> 00:17:53,600 Speaker 4: It was it was such a gift, such a gift. 293 00:17:53,880 --> 00:17:54,919 Speaker 3: Oh, I'm glad to hear it. 294 00:17:55,000 --> 00:17:56,960 Speaker 1: I'm just just fantastic. 295 00:17:57,119 --> 00:18:01,400 Speaker 4: And was it weren't the grandparents involved in that seen somewhat? Well? 296 00:18:01,440 --> 00:18:03,679 Speaker 4: The father the father right right. 297 00:18:03,640 --> 00:18:12,080 Speaker 3: Father, George Coe was The other was Greg Henry's father, 298 00:18:12,200 --> 00:18:15,200 Speaker 3: I think somehow, unless he was supposed to be my 299 00:18:15,720 --> 00:18:18,440 Speaker 3: I'm not certain, but I think he was a Huntsburger, 300 00:18:18,520 --> 00:18:22,439 Speaker 3: so I have a feeling so he Yeah, he was 301 00:18:22,480 --> 00:18:24,480 Speaker 3: trying to demand how the life was going to be 302 00:18:24,560 --> 00:18:26,400 Speaker 3: run and how this kid was going to go through 303 00:18:26,440 --> 00:18:31,800 Speaker 3: life and where he was supposed to land, and yeah, 304 00:18:32,119 --> 00:18:33,080 Speaker 3: kid wasn't having it. 305 00:18:33,320 --> 00:18:36,199 Speaker 1: Do you remember what a season that was. 306 00:18:36,720 --> 00:18:39,920 Speaker 3: I think it was in the fifth season, fifth season, 307 00:18:40,240 --> 00:18:42,840 Speaker 3: I think the fifth season, and then I came back 308 00:18:42,880 --> 00:18:47,200 Speaker 3: and did another episode in the sixth season, I think, 309 00:18:47,320 --> 00:18:55,600 Speaker 3: which was the nineteen forties. You know, Andrew's sisters kind 310 00:18:55,640 --> 00:18:58,760 Speaker 3: of style advance kind of thing. 311 00:19:00,160 --> 00:19:02,200 Speaker 4: After we get off here, I'm going to go find it. 312 00:19:02,600 --> 00:19:07,240 Speaker 3: Yeah, Emily told me off in such a such a way. 313 00:19:07,560 --> 00:19:09,480 Speaker 1: Oh yeah, I remember that. 314 00:19:09,720 --> 00:19:14,280 Speaker 3: She was amazing. I have to say, the one thing 315 00:19:14,320 --> 00:19:18,359 Speaker 3: I have to say about this show is the rapidity 316 00:19:18,440 --> 00:19:22,720 Speaker 3: with which everybody is talking, just at the speed of light. 317 00:19:23,080 --> 00:19:27,240 Speaker 3: And it's like speed reading when you're you know, you're 318 00:19:27,280 --> 00:19:29,080 Speaker 3: learning your lines and you have to do it really 319 00:19:29,119 --> 00:19:32,200 Speaker 3: fast and then you can let all the pieces lay 320 00:19:32,240 --> 00:19:34,840 Speaker 3: in and where where the feelings land and that sort 321 00:19:34,880 --> 00:19:36,399 Speaker 3: of thing. There's no time for that. 322 00:19:36,400 --> 00:19:39,840 Speaker 1: That all happens, There's no time to be there. 323 00:19:40,200 --> 00:19:44,040 Speaker 3: And I was like, wow, this is amazing and that 324 00:19:44,480 --> 00:19:48,600 Speaker 3: and Kelly Bishop was extraordinary. I was just dumbfounded just 325 00:19:48,640 --> 00:19:52,120 Speaker 3: staring at her because I had never heard anybody talk 326 00:19:52,200 --> 00:19:57,000 Speaker 3: that fast and get it all straight. It was amazing. 327 00:19:57,040 --> 00:19:59,240 Speaker 3: It was a great experience for me as an actor. 328 00:19:59,320 --> 00:20:06,159 Speaker 4: I say, as well, that was something all right. 329 00:20:06,240 --> 00:20:08,080 Speaker 1: Kirk and his cat Kirk. 330 00:20:08,600 --> 00:20:14,000 Speaker 3: Ah, Yeah, yes. And I have to say I relate 331 00:20:14,040 --> 00:20:17,159 Speaker 3: to this because I once had two cats. But my 332 00:20:17,280 --> 00:20:23,159 Speaker 3: first cat was a biter and I always say she 333 00:20:23,400 --> 00:20:28,359 Speaker 3: bit everybody she ever met. Everybody hated my cat except me, 334 00:20:29,640 --> 00:20:34,600 Speaker 3: and yeah, she'd get if somebody came to visit she'd 335 00:20:34,680 --> 00:20:38,159 Speaker 3: get in their suitcase and wouldn't get out, and they 336 00:20:38,200 --> 00:20:41,200 Speaker 3: couldn't pack their clothes, or they couldn't get their clothes. 337 00:20:41,320 --> 00:20:45,399 Speaker 3: I mean, it was real. I finally gave up apologizing. 338 00:20:45,480 --> 00:20:48,080 Speaker 3: I finally just said that, yeah she does that, Yeah 339 00:20:48,119 --> 00:20:51,359 Speaker 3: she does. I just gave up. So when he was 340 00:20:51,359 --> 00:20:53,760 Speaker 3: sleeping in the tree at the end of the whole thing, 341 00:20:53,960 --> 00:20:58,920 Speaker 3: I really understood kind of, you know, that's what she does. 342 00:21:00,040 --> 00:21:04,560 Speaker 1: Funny and Laurel I runs into Dean at doses and 343 00:21:04,640 --> 00:21:09,320 Speaker 1: she tells Dean that he was the best boyfriend, best first. 344 00:21:09,040 --> 00:21:10,639 Speaker 3: Boyfriend, first boyfriend. 345 00:21:10,720 --> 00:21:14,960 Speaker 1: Yes, that's that's pretty important. He's I think he set 346 00:21:14,960 --> 00:21:19,040 Speaker 1: a pretty high bar for first boyfriends. I mean he 347 00:21:19,640 --> 00:21:25,359 Speaker 1: as I've as I've opined prior to this. You know, 348 00:21:25,480 --> 00:21:31,840 Speaker 1: he was acting well beyond his years within a relationship, right, 349 00:21:32,400 --> 00:21:36,280 Speaker 1: and she just was not ready for that level. I mean, 350 00:21:36,320 --> 00:21:39,720 Speaker 1: he was committed and he was just being a great guy. 351 00:21:39,760 --> 00:21:44,400 Speaker 1: He started out with such mystery and such power and 352 00:21:44,440 --> 00:21:46,720 Speaker 1: such a lore and then they just sort of, you know, 353 00:21:46,760 --> 00:21:50,239 Speaker 1: he just evolved into this sort of simpering mess. But 354 00:21:51,119 --> 00:21:55,439 Speaker 1: I'll tell you, you know, he he was kind of ready. 355 00:21:55,600 --> 00:21:59,560 Speaker 1: I think this was the kind of guy who understood 356 00:21:59,760 --> 00:22:05,080 Speaker 1: her value and understood maybe not on the deepest levels. 357 00:22:04,760 --> 00:22:05,840 Speaker 4: Of who she really is. 358 00:22:05,920 --> 00:22:09,119 Speaker 1: Maybe Jess and Logan had a little better idea of 359 00:22:09,160 --> 00:22:11,520 Speaker 1: who she truly was and what she really needed. But 360 00:22:12,119 --> 00:22:14,120 Speaker 1: I mean, he loved her. I don't know, I don't 361 00:22:14,119 --> 00:22:18,000 Speaker 1: know if he could define exactly why passed a certain point, 362 00:22:18,200 --> 00:22:20,600 Speaker 1: but he loved her, and he was I think he 363 00:22:20,720 --> 00:22:22,520 Speaker 1: was the guy that was going to propose to her, 364 00:22:22,560 --> 00:22:24,920 Speaker 1: and you know, it was going to be a high 365 00:22:24,960 --> 00:22:27,760 Speaker 1: school like after high school, let's get married. 366 00:22:27,560 --> 00:22:29,439 Speaker 3: Or romance for life kind. 367 00:22:29,320 --> 00:22:32,760 Speaker 1: Of absolutely for him. I think it was absolutely that. Yeah. 368 00:22:33,040 --> 00:22:35,360 Speaker 3: Yeah. And then when Laurel I says to her, you're 369 00:22:35,359 --> 00:22:37,359 Speaker 3: going to have a hundreds of guys you're going to 370 00:22:37,480 --> 00:22:44,280 Speaker 3: be in love with, it's like hundreds. I mean, that says, yeah, 371 00:22:44,440 --> 00:22:48,919 Speaker 3: that's a lot to think that way. But I can imagine, 372 00:22:49,480 --> 00:22:53,879 Speaker 3: you know, I personally, you know, remembered my dates in 373 00:22:53,960 --> 00:22:56,520 Speaker 3: high school. I can't imagine being married to them at 374 00:22:56,520 --> 00:22:59,359 Speaker 3: this point. So when people do fall in love with 375 00:22:59,400 --> 00:23:03,760 Speaker 3: their first one and they do get well, first of all, 376 00:23:03,800 --> 00:23:09,640 Speaker 3: my sister, my older sister, her high school boyfriend found 377 00:23:09,680 --> 00:23:14,919 Speaker 3: her fifty years later and they're together. Those things can happen. 378 00:23:15,000 --> 00:23:16,840 Speaker 3: That's the sort of thing, you know, that could come 379 00:23:16,920 --> 00:23:19,480 Speaker 3: back in a storyline where they do meet up again. 380 00:23:19,520 --> 00:23:22,960 Speaker 3: You know, it's something that's really when people do meet 381 00:23:23,040 --> 00:23:25,680 Speaker 3: at a young age. I think that that it does 382 00:23:26,080 --> 00:23:30,280 Speaker 3: set the tone for who you are. And like, I 383 00:23:30,720 --> 00:23:33,960 Speaker 3: love what you just said that he saw her value 384 00:23:34,680 --> 00:23:37,640 Speaker 3: and what she was and who she would be. And 385 00:23:37,680 --> 00:23:39,920 Speaker 3: I think that's a beautiful thing. And if a man 386 00:23:40,000 --> 00:23:44,680 Speaker 3: could recognize that in a woman, that's a man with value. 387 00:23:45,440 --> 00:23:49,879 Speaker 3: That's somebody to recognize and to appreciate. 388 00:23:59,320 --> 00:24:03,560 Speaker 1: All right, clothes scenes, Lorele and Roy are headed for 389 00:24:03,640 --> 00:24:08,639 Speaker 1: Luke's for coffee, and Rory takes this opportunity to kiss 390 00:24:08,840 --> 00:24:15,480 Speaker 1: Jess passionately in public in front of Luke's. Not that 391 00:24:15,520 --> 00:24:18,359 Speaker 1: anybody was really around at that hour, but you know, 392 00:24:18,640 --> 00:24:22,000 Speaker 1: Thanksgiving night, but you know, she went for it. And 393 00:24:22,040 --> 00:24:27,440 Speaker 1: then Dean see's Rory and just kiss And I really 394 00:24:27,560 --> 00:24:29,920 Speaker 1: like this scene. I love how this ends, and I'm 395 00:24:29,960 --> 00:24:34,000 Speaker 1: really glad that they gave they gave Dean this moment 396 00:24:34,119 --> 00:24:36,760 Speaker 1: with Jess, because boy, it was a long time coming. 397 00:24:36,840 --> 00:24:39,280 Speaker 1: The whole time, I'm thinking, man, this needs to be 398 00:24:39,359 --> 00:24:42,040 Speaker 1: a fight. It's like these guys need to just start 399 00:24:42,080 --> 00:24:46,520 Speaker 1: throwing hands here. I mean, enough isn't enough, and Dean's 400 00:24:46,560 --> 00:24:50,080 Speaker 1: had enough and it's time to you know, let's just go. 401 00:24:50,680 --> 00:24:52,639 Speaker 4: It was go time. But it didn't happen. 402 00:24:53,480 --> 00:24:56,440 Speaker 3: No, he walked away. It was kind of. 403 00:24:58,119 --> 00:25:01,960 Speaker 1: Grown up, very much, so, very much in keeping with 404 00:25:01,680 --> 00:25:03,320 Speaker 1: the with the Dean theme. 405 00:25:03,600 --> 00:25:07,040 Speaker 3: Very grown up and walking away from that moment and 406 00:25:09,160 --> 00:25:11,880 Speaker 3: because yeah you can't they can get into it, which 407 00:25:11,920 --> 00:25:15,880 Speaker 3: would be funny or maybe not funny. I mean, I'm 408 00:25:15,920 --> 00:25:19,679 Speaker 3: just thinking of moments where you've seen scenes where boys 409 00:25:19,720 --> 00:25:26,080 Speaker 3: are fighting over a girl, and Bridget Jones comes to mind, 410 00:25:26,080 --> 00:25:28,040 Speaker 3: where the two men are trying to fight in the 411 00:25:28,080 --> 00:25:32,679 Speaker 3: street to you know, Hugh Grant and Callin Firth and 412 00:25:32,720 --> 00:25:36,160 Speaker 3: they just it just it becomes so funny because they're 413 00:25:37,640 --> 00:25:41,240 Speaker 3: they're not good at it, and it's really because they 414 00:25:41,280 --> 00:25:46,120 Speaker 3: both love the same girl. Not about being knock them out. 415 00:25:46,600 --> 00:25:49,240 Speaker 3: It's about the fact that they both love this girl 416 00:25:49,480 --> 00:25:52,639 Speaker 3: and they're trying to show it in their way. And 417 00:25:52,680 --> 00:25:55,040 Speaker 3: I so but I do think it was very adult 418 00:25:55,040 --> 00:25:59,560 Speaker 3: of him to walk away, just say yeah, catch it later. 419 00:26:00,440 --> 00:26:03,200 Speaker 3: There's a little little bit in her little thread of though, 420 00:26:03,359 --> 00:26:06,359 Speaker 3: yeah you just wait, you know, I'm not gone, you. 421 00:26:06,400 --> 00:26:07,399 Speaker 4: Know, right. 422 00:26:07,480 --> 00:26:11,680 Speaker 1: Well, this is the beginning of Jess and Rory. And 423 00:26:11,760 --> 00:26:15,040 Speaker 1: here's my least favorite question, but I must ask it. 424 00:26:16,000 --> 00:26:18,640 Speaker 1: Are you team Logan, Jess or team Dean. 425 00:26:19,400 --> 00:26:22,119 Speaker 3: Oh? Well, I have to be Logan, even though I 426 00:26:22,359 --> 00:26:25,000 Speaker 3: approve of her, But I am team Logan. 427 00:26:25,400 --> 00:26:28,760 Speaker 1: Bolly tell me, well, sure. 428 00:26:27,760 --> 00:26:32,040 Speaker 3: Yeah tv son because he's my boy, he's your boy. 429 00:26:32,520 --> 00:26:36,160 Speaker 3: And once she gets to the point where she's really 430 00:26:36,560 --> 00:26:40,959 Speaker 3: you know, matured herself, I think that she can appreciate 431 00:26:41,080 --> 00:26:44,720 Speaker 3: a lot of what he's got in terms of even 432 00:26:44,720 --> 00:26:47,240 Speaker 3: though she feels that he because I watched a few 433 00:26:47,280 --> 00:26:51,679 Speaker 3: episodes beyond this as well, where he he's not loyal. 434 00:26:51,960 --> 00:26:57,000 Speaker 3: She felt he was disloyal. She took him back. I 435 00:26:57,880 --> 00:27:03,160 Speaker 3: believed him. That's a mother's love. I believed him when 436 00:27:03,160 --> 00:27:06,600 Speaker 3: he said he you know, he didn't. He didn't. He 437 00:27:06,800 --> 00:27:12,280 Speaker 3: wasn't messing around really, but that's how parents seem to 438 00:27:12,400 --> 00:27:18,880 Speaker 3: forgive their children for their errors and mistakes. And so, yeah, 439 00:27:19,000 --> 00:27:23,920 Speaker 3: my team Logan, I just have to be Yeah, he's 440 00:27:24,000 --> 00:27:24,400 Speaker 3: my boy. 441 00:27:24,880 --> 00:27:25,080 Speaker 4: Yeah. 442 00:27:25,119 --> 00:27:30,840 Speaker 1: I love those two together, I really did. I love 443 00:27:30,880 --> 00:27:34,080 Speaker 1: the potential of it. Yes, I mean it's almost like 444 00:27:34,119 --> 00:27:36,159 Speaker 1: they share the same DNA. 445 00:27:36,800 --> 00:27:39,040 Speaker 3: Well, they both had were intellectuals. 446 00:27:39,240 --> 00:27:39,720 Speaker 4: Mm hmmm. 447 00:27:40,359 --> 00:27:43,320 Speaker 1: And I think that's what people don't give credit enough 448 00:27:43,359 --> 00:27:45,920 Speaker 1: credit to Logan for He was deeply intellectual. He was 449 00:27:45,960 --> 00:27:47,400 Speaker 1: a very very sharp guy. 450 00:27:47,760 --> 00:27:50,440 Speaker 3: Yes, and I think that she is certainly. 451 00:27:50,200 --> 00:27:52,639 Speaker 1: Likes like, so smart that he didn't even have to 452 00:27:52,680 --> 00:27:54,240 Speaker 1: try very hard in school. 453 00:27:55,040 --> 00:28:01,000 Speaker 3: Yes, but that makes him look like he didn't try correct. Yes. So, 454 00:28:01,480 --> 00:28:07,520 Speaker 3: but I think that that you when a girl meets 455 00:28:07,520 --> 00:28:12,040 Speaker 3: her match in that in that area, that's that's a 456 00:28:12,600 --> 00:28:19,120 Speaker 3: that's a beautiful thing. They can they can share, you know, ideologies. 457 00:28:19,440 --> 00:28:22,359 Speaker 3: I mean, that's really important. And I think too is 458 00:28:22,440 --> 00:28:27,040 Speaker 3: that even though she and laurrel I have this you know, 459 00:28:27,840 --> 00:28:31,639 Speaker 3: humble home and everything, compared to what her parents have 460 00:28:31,920 --> 00:28:36,600 Speaker 3: and what Logan's parents have. I think that at the 461 00:28:36,680 --> 00:28:40,080 Speaker 3: bottom line of humanity is we're all people and it 462 00:28:40,120 --> 00:28:44,520 Speaker 3: doesn't matter where you come from. You can make yourself 463 00:28:44,600 --> 00:28:48,200 Speaker 3: anything you want to be. And I'm not saying that 464 00:28:48,320 --> 00:28:51,280 Speaker 3: as I dream to be this or I dream to 465 00:28:51,320 --> 00:28:53,920 Speaker 3: be that. I'm saying that if you work hard enough, 466 00:28:54,000 --> 00:28:56,400 Speaker 3: you can be anything you want to be. I come 467 00:28:56,400 --> 00:28:59,240 Speaker 3: from very humble the beginnings. I come from a tiny, 468 00:28:59,280 --> 00:29:03,800 Speaker 3: tiny town, and I would never have imagined that I 469 00:29:03,880 --> 00:29:07,880 Speaker 3: become an actress or whatever. But I think that anybody 470 00:29:08,440 --> 00:29:12,240 Speaker 3: can do anything they want to do, not just because 471 00:29:12,240 --> 00:29:15,720 Speaker 3: they dream. They have to work hard for it. It's 472 00:29:15,720 --> 00:29:17,840 Speaker 3: like when you know how many people tell you or 473 00:29:17,920 --> 00:29:20,760 Speaker 3: ask you all the time, I want to get in 474 00:29:20,760 --> 00:29:22,760 Speaker 3: the movie business. I want to be an actor. I 475 00:29:22,760 --> 00:29:25,040 Speaker 3: want to do it, And I always have to say 476 00:29:25,120 --> 00:29:29,960 Speaker 3: to them because they ask me, well, how much have 477 00:29:30,000 --> 00:29:33,960 Speaker 3: you studied? Do you what have you done? Why do 478 00:29:34,000 --> 00:29:36,520 Speaker 3: you want to be an actor? Well, I want to 479 00:29:36,520 --> 00:29:40,800 Speaker 3: be famous. I want this, And I'm always that's the 480 00:29:40,880 --> 00:29:46,080 Speaker 3: wrong answer. You have to understand nothing is overnight. Maybe 481 00:29:46,120 --> 00:29:49,560 Speaker 3: it is once in a while, but even people that 482 00:29:49,600 --> 00:29:54,320 Speaker 3: are teenage singers, they're working hard as teenagers. 483 00:29:53,880 --> 00:29:56,800 Speaker 1: And they're talented as hell and working hard. 484 00:29:56,680 --> 00:29:59,240 Speaker 3: And working hard, and so we all have to work 485 00:29:59,320 --> 00:30:02,200 Speaker 3: hard to get where we're going. And I think that's 486 00:30:02,280 --> 00:30:06,080 Speaker 3: the common thread with both Rory and Logan, is that 487 00:30:06,080 --> 00:30:12,520 Speaker 3: they both are intellectual, but they it might seem like 488 00:30:12,600 --> 00:30:15,040 Speaker 3: it comes easy to both of them, but they're both 489 00:30:15,840 --> 00:30:19,240 Speaker 3: they work hard. Yeah, And I like that she's got 490 00:30:19,280 --> 00:30:22,080 Speaker 3: a job and he's got a job. I like that 491 00:30:22,160 --> 00:30:25,880 Speaker 3: they're working young people. I like seeing that. I like 492 00:30:25,920 --> 00:30:29,560 Speaker 3: seeing that the screen. I like that example for our 493 00:30:29,640 --> 00:30:32,160 Speaker 3: young generation. They need to see people. 494 00:30:31,920 --> 00:30:32,440 Speaker 4: Go to work. 495 00:30:32,480 --> 00:30:34,000 Speaker 3: They have to be there on time, they have to 496 00:30:34,600 --> 00:30:36,840 Speaker 3: finish the day out, they have to go through live. 497 00:30:37,920 --> 00:30:39,000 Speaker 3: That's the way to succeed. 498 00:30:39,520 --> 00:30:42,400 Speaker 1: You know. My love for my love for Logan is returning. 499 00:30:42,720 --> 00:30:46,120 Speaker 1: I have been I've been on a little press kick 500 00:30:46,160 --> 00:30:48,360 Speaker 1: about how I think all three of them are bums 501 00:30:48,400 --> 00:30:50,600 Speaker 1: and she can find something better. 502 00:30:52,240 --> 00:30:55,560 Speaker 4: But I gotta tell you, m h, I think Logan 503 00:30:55,720 --> 00:30:56,280 Speaker 4: was the one. 504 00:30:56,680 --> 00:30:57,840 Speaker 3: He might have been the one. 505 00:30:58,200 --> 00:30:59,600 Speaker 4: I think he might have been the one. 506 00:31:01,400 --> 00:31:04,320 Speaker 1: It's the one I thought had the most possibilities to 507 00:31:04,960 --> 00:31:11,200 Speaker 1: lead an explosively joyful and successful life. For the two 508 00:31:11,240 --> 00:31:15,200 Speaker 1: of them, I think they both brought out the best 509 00:31:15,200 --> 00:31:20,600 Speaker 1: in each other. And yeah, I know she had to 510 00:31:20,640 --> 00:31:30,080 Speaker 1: wade through mitchemisms and but still, I mean, you know, 511 00:31:30,200 --> 00:31:33,680 Speaker 1: even if there was no contact with the Huntsburgers, the 512 00:31:33,720 --> 00:31:38,520 Speaker 1: two of them still could have been gloriously happy. Yeah. 513 00:31:38,520 --> 00:31:41,960 Speaker 4: I really liked those two together. Yeah, it really really did. 514 00:31:42,400 --> 00:31:44,560 Speaker 3: And I can see what the other boys were. I 515 00:31:44,560 --> 00:31:48,760 Speaker 3: can see that the bad boy I like it. You know, 516 00:31:49,000 --> 00:31:51,880 Speaker 3: I used to like a bad boy. Everybody, every girl 517 00:31:51,960 --> 00:31:56,360 Speaker 3: likes a little bit naughty. So the bad Boy and 518 00:31:56,400 --> 00:31:59,680 Speaker 3: then the Solid Boy. I can I can see how 519 00:32:00,040 --> 00:32:03,080 Speaker 3: it's so beautifully written, the way this was, this all 520 00:32:03,120 --> 00:32:06,120 Speaker 3: came together, and the fact that it barked over all 521 00:32:06,160 --> 00:32:08,400 Speaker 3: of these years and it took all those years to 522 00:32:08,440 --> 00:32:15,520 Speaker 3: get to where that was with Logan, I just I'm 523 00:32:15,680 --> 00:32:17,720 Speaker 3: very impressed. I'm very pleased to have been a part 524 00:32:17,760 --> 00:32:23,320 Speaker 3: of something that was this well written, this well performed, 525 00:32:23,440 --> 00:32:28,280 Speaker 3: this well loved, should I say, by the audience and 526 00:32:28,320 --> 00:32:33,120 Speaker 3: by everybody, and for me, I was just very very 527 00:32:33,160 --> 00:32:34,240 Speaker 3: happy to be a part of it. 528 00:32:35,360 --> 00:32:39,960 Speaker 1: You think Shira would finally accept Rory as her daughter 529 00:32:40,000 --> 00:32:41,840 Speaker 1: in law if that turns out to be the case. 530 00:32:42,200 --> 00:32:43,840 Speaker 3: Oh, I think she fight it all the way, but 531 00:32:43,880 --> 00:32:46,120 Speaker 3: she's going to have to accept the thing or two. 532 00:32:46,280 --> 00:32:49,040 Speaker 3: There's certain things and see there's a good conflict. There's 533 00:32:49,080 --> 00:32:49,520 Speaker 3: a way. 534 00:32:49,440 --> 00:32:53,120 Speaker 1: To make story of that's all set up. That's the thing. 535 00:32:53,160 --> 00:32:54,320 Speaker 1: It's really set up. 536 00:32:54,200 --> 00:32:55,120 Speaker 4: Beautifully, isn't it. 537 00:32:55,200 --> 00:32:58,840 Speaker 1: I like that, Yeah, continue the storytelling in that regard. 538 00:32:59,080 --> 00:33:00,000 Speaker 1: It's set up beautiful. 539 00:33:00,360 --> 00:33:05,440 Speaker 3: Oh gorgeous. Yeah, because quite frankly, shar would yeah, and 540 00:33:05,480 --> 00:33:06,479 Speaker 3: then love that baby. 541 00:33:06,560 --> 00:33:07,720 Speaker 1: Oh Sherery would have a cow. 542 00:33:08,440 --> 00:33:11,640 Speaker 4: Oh yeah, she would have a cow. All right, so 543 00:33:11,760 --> 00:33:16,920 Speaker 4: you portrayed Shira for for just two episodes, right, Yeah, 544 00:33:16,960 --> 00:33:20,400 Speaker 4: and you know something about legacy from doing almost. 545 00:33:19,720 --> 00:33:23,160 Speaker 1: Seven hundred episodes of Days of Our Lives as Anna 546 00:33:23,240 --> 00:33:29,920 Speaker 1: Demara and over forty episodes of Dana Carrington on Dynasty. 547 00:33:30,640 --> 00:33:32,600 Speaker 3: Yeah, I did that for a while too. Yes. 548 00:33:33,400 --> 00:33:37,200 Speaker 4: What was it like to play the Days of your 549 00:33:37,280 --> 00:33:40,040 Speaker 4: Days of Your Lives character for forty years? 550 00:33:40,440 --> 00:33:42,400 Speaker 3: Forty three? 551 00:33:42,600 --> 00:33:43,280 Speaker 1: Forty three? 552 00:33:43,920 --> 00:33:45,040 Speaker 4: Yeah, who's counting? 553 00:33:45,160 --> 00:33:49,600 Speaker 3: I was only five five years old. Yeah, that's right. 554 00:33:49,760 --> 00:33:54,000 Speaker 1: Tears in your eyes about to become the Master's Champion. 555 00:33:54,800 --> 00:33:57,680 Speaker 3: I have to say that too. Has been an honor 556 00:33:57,880 --> 00:34:00,239 Speaker 3: to do this all these years. I did it in 557 00:34:00,280 --> 00:34:04,960 Speaker 3: the mid eighties, I was I started out there and 558 00:34:05,000 --> 00:34:06,720 Speaker 3: I did it for four years, and then I went 559 00:34:06,760 --> 00:34:10,360 Speaker 3: off and did Dynasty and other bunch of other stuff, 560 00:34:10,480 --> 00:34:13,200 Speaker 3: and then they invited me back to come back in 561 00:34:14,239 --> 00:34:17,120 Speaker 3: like the two thousand and seven to ten or somewhere 562 00:34:17,160 --> 00:34:20,560 Speaker 3: in there, and then I came back again and seventeen 563 00:34:20,600 --> 00:34:23,480 Speaker 3: and I'm still there. I'm working there in a in 564 00:34:23,520 --> 00:34:25,959 Speaker 3: a month, I've got another show to do, so I'm 565 00:34:26,000 --> 00:34:28,719 Speaker 3: still popping in once in a while. So it's a 566 00:34:29,640 --> 00:34:36,480 Speaker 3: it has been because my character, she's a bit naughty, 567 00:34:37,719 --> 00:34:45,680 Speaker 3: but she's it's like she she deserves life and she 568 00:34:45,880 --> 00:34:49,040 Speaker 3: deserves every so people kind of like to they love 569 00:34:49,160 --> 00:34:54,960 Speaker 3: to hate her lover kind of thing. Whereas Shira has 570 00:34:55,000 --> 00:34:59,080 Speaker 3: a Shira Hansberger has a really hard edge. My character 571 00:34:59,160 --> 00:35:02,040 Speaker 3: on days as a really soft edge in terms of 572 00:35:02,200 --> 00:35:10,280 Speaker 3: but she's greedy and very fun and she deserves it all. 573 00:35:10,680 --> 00:35:14,239 Speaker 3: And so for me that has been a great joy 574 00:35:14,280 --> 00:35:16,680 Speaker 3: because I can make people laugh a little bit, and 575 00:35:16,719 --> 00:35:20,600 Speaker 3: that's where that comes from. With Dynasty, it was very serious, 576 00:35:22,000 --> 00:35:27,840 Speaker 3: very serious and more like a soft kitten character, but 577 00:35:28,560 --> 00:35:35,120 Speaker 3: very serious as a as a as a show. Overall, 578 00:35:35,400 --> 00:35:39,120 Speaker 3: there was no humor, whereas I was looking for the 579 00:35:39,200 --> 00:35:43,520 Speaker 3: joke and every other line. I like Shira. I love 580 00:35:43,719 --> 00:35:46,960 Speaker 3: this kind of that you get to. I don't care 581 00:35:47,000 --> 00:35:49,200 Speaker 3: if you're laughing at me. I don't care if you're 582 00:35:49,239 --> 00:35:51,360 Speaker 3: laughing with me, as long as you're laughing. I like 583 00:35:51,480 --> 00:35:53,279 Speaker 3: to have a little something. So that's what I love 584 00:35:53,800 --> 00:35:55,759 Speaker 3: that dinner table scene. 585 00:35:55,880 --> 00:35:58,399 Speaker 1: I'm like that too. I don't think. I don't think 586 00:35:58,480 --> 00:36:03,200 Speaker 1: this particular art form can survive without it. No, it 587 00:36:03,239 --> 00:36:06,440 Speaker 1: doesn't matter what genre, how dark you want it, there's got. 588 00:36:06,200 --> 00:36:09,160 Speaker 4: To be some humor. There has to be. It just 589 00:36:09,239 --> 00:36:10,560 Speaker 4: grounds everything, you know. 590 00:36:10,640 --> 00:36:15,080 Speaker 3: Yeah, just like absolutely and all of it. And I've 591 00:36:15,120 --> 00:36:19,400 Speaker 3: watched a few of your scenes and and and I 592 00:36:19,520 --> 00:36:24,480 Speaker 3: see where all of that comes in with you as well, 593 00:36:24,600 --> 00:36:27,920 Speaker 3: and your banter with Loralai and your banter with everybody. 594 00:36:28,239 --> 00:36:31,479 Speaker 3: It's all there, and I know it starts to thank 595 00:36:31,480 --> 00:36:34,800 Speaker 3: God for the writing and for the way it's produced, 596 00:36:35,480 --> 00:36:39,759 Speaker 3: but it's also you bring it to life. And that's. 597 00:36:41,320 --> 00:36:42,200 Speaker 4: I like to laugh. 598 00:36:44,040 --> 00:36:46,920 Speaker 3: I like to have joy. I liked it, and I'd 599 00:36:47,280 --> 00:36:51,400 Speaker 3: like to get the intellectualism of what the scene is about. 600 00:36:52,239 --> 00:36:53,759 Speaker 3: For me, great fun. 601 00:36:54,120 --> 00:36:57,759 Speaker 1: Well, the show provided plenty of laughs. Each episode is 602 00:36:57,800 --> 00:37:00,719 Speaker 1: just like a laugh right anyway, Yeah, joy to talk 603 00:37:00,719 --> 00:37:03,200 Speaker 1: to you. We'll see you on the eighteenth. 604 00:37:03,560 --> 00:37:04,400 Speaker 3: I'll see you there. 605 00:37:04,560 --> 00:37:07,279 Speaker 1: And thank you so much for giving us a little 606 00:37:07,320 --> 00:37:12,719 Speaker 1: bit of your day. I'm just such a memorable, memorable 607 00:37:12,800 --> 00:37:21,040 Speaker 1: portrayal of Logan Huntsburger's mom. Just a real, real master 608 00:37:21,120 --> 00:37:24,279 Speaker 1: class in acting. And that's gonna do it from us. 609 00:37:25,640 --> 00:37:29,239 Speaker 1: Thanks everybody. Remember, best fans on the planet. Keep the 610 00:37:29,280 --> 00:37:33,040 Speaker 1: cards and letters coming, we really appreciate them. And remember 611 00:37:33,040 --> 00:37:34,880 Speaker 1: where you lead, we will follow. 612 00:37:35,080 --> 00:38:06,040 Speaker 4: Stay safe everyone, Hey, everybody, don't forget. 613 00:38:06,120 --> 00:38:10,160 Speaker 1: Follow us on Instagram at i Am all In Podcast, 614 00:38:10,239 --> 00:38:24,440 Speaker 1: and email us at Gilmore at iHeartRadio dot com.