WEBVTT - National Treasure

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<v Speaker 1>On the bel Cast, the questions asked if movies have

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<v Speaker 1>women in them, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism? The patriarchy? Zef In best

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<v Speaker 1>start changing it with the Bedel Cast. Caitlin, I can't

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<v Speaker 1>do this podcast. What why? It's just gonna lead to

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<v Speaker 1>another clue and that's gonna lead to another clue. And

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<v Speaker 1>I've lost twenty years of my life to this and

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<v Speaker 1>I can't do it anymore. I'm not gonna do the podcast. No,

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<v Speaker 1>that's me cause playing against John Voight that was great,

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<v Speaker 1>wouldn't be funny. If you're like, I can't do this podcast,

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<v Speaker 1>It's just gonna lead to a spinoff podcast, and that's

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<v Speaker 1>going to lead to the podcast, which is how that works.

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<v Speaker 1>And soon enough will have wasted twenty years on this bullshit.

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<v Speaker 1>Welcome to the first quarantined becdel Cast. Yes, we are

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<v Speaker 1>recording separately in separate places. Um, we're meeting up over

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<v Speaker 1>Google Hangouts. Wow, shout out to Google, my King King Goog.

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<v Speaker 1>This is gonna be the two of us today and

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<v Speaker 1>we are doing National Treasure. I mean we figured, you know,

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<v Speaker 1>it's a tough time. We we got to bust out

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<v Speaker 1>some of the some of the some of the best

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<v Speaker 1>movies in American cannon to really tide you over during

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<v Speaker 1>this bizarre time. So and we also we will be

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<v Speaker 1>able to have guests over Google. Everyone is very quickly

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<v Speaker 1>adapting to this new and terrifying world we're in, so

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<v Speaker 1>that's good. Yes, so we will do some Quarantine episodes

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<v Speaker 1>with guests, um, but for today, it's just the two

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<v Speaker 1>of us. We really wanted to pick a bit, like

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<v Speaker 1>a really escapist media get people's minds off the pandemic.

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<v Speaker 1>I thought we chose it because it's a very time

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<v Speaker 1>Emily critique of I thought we were like, now more

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<v Speaker 1>than ever, the content of National Treasure is very relevant.

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<v Speaker 1>I mean, I cannot wait to talk about the socialist

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<v Speaker 1>ending sort of of the movie, right, the redistribute to

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<v Speaker 1>the people vibes, You're like, Okay, ne Gage, pretty, Bernie Sanders, God,

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<v Speaker 1>I mean, I I don't even know where to start

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<v Speaker 1>with Justin Bartha, I forgot that. We I like, oh

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<v Speaker 1>my god, we have so we're going to just have

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<v Speaker 1>fun today. We hope that you enjoy the episode. We

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<v Speaker 1>got very positive feedback when we tweeted that we were

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<v Speaker 1>going to be doing it so oh my god. Justin

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<v Speaker 1>Bartha's Wikipedia picture is literally a head shot from twenty

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<v Speaker 1>years ago. How embarrassing for him? What? Okay, well, we're

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<v Speaker 1>talking about National Treasure today and it's going to be

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<v Speaker 1>an absolute treat it will. Yeah, you're welcome, everybody, and

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<v Speaker 1>if you're if you're not familiar with the podcast, is

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<v Speaker 1>your maybe first episode? I hope, So I hope people

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<v Speaker 1>are getting into it in the car on you know

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<v Speaker 1>those like um Instagram story templates that are going around

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<v Speaker 1>where it's like, my favorite podcast is this The one

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<v Speaker 1>that makes me laugh the most is this one? And

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<v Speaker 1>then like some of them are like the one I

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<v Speaker 1>just discovered and a bunch of people have tagged us

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<v Speaker 1>like under that category is like the one they've just

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<v Speaker 1>like a podcast they've just discovered. So I think, yeah,

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<v Speaker 1>there's some newcomers still every every day welcome and that

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<v Speaker 1>will lead to you and not lead to another podcast,

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<v Speaker 1>and that will lead to another podcast and then we'll

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<v Speaker 1>be locked in our house for toys. There's there's so

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<v Speaker 1>many perfect line reads in this movie. It really boggles

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<v Speaker 1>the mind. Oh my gosh, Nicolas Cage, what what what

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<v Speaker 1>is he doing? Truly an icon? What is he ever doing?

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<v Speaker 1>That's why we love him so anyway, we we are

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<v Speaker 1>a feminist movie podcast. We use the Bechdel Test as

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<v Speaker 1>a jumping off point to initiate a larger conversation about

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<v Speaker 1>representation of women in cinema. The Bechdel Test, of course,

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<v Speaker 1>is a media metric created by cartoonist Alison Bechdel, sometimes

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<v Speaker 1>called the Bechdel Wallace Test, and it requires that two

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<v Speaker 1>female identifying characters who have been named speak to each

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<v Speaker 1>other about something other than a man, and by our standard,

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<v Speaker 1>it just has to be a two line exchange. So

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<v Speaker 1>we'll see if National Treasure can manage to pass the

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<v Speaker 1>Bechdel Tests. But if you're just listening at home, take

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<v Speaker 1>a wild guess, just take a what do you think that?

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<v Speaker 1>What are your instincts tell you? And then for this movie,

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<v Speaker 1>really trust those instincts. Um they're Caitlyen. What is your

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<v Speaker 1>personal history with National Treasure one? Um. I decided to

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<v Speaker 1>take it upon myself to watch it for the first time,

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<v Speaker 1>maybe like two years ago. I had never seen it,

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<v Speaker 1>like for sure going to cover this pretty much. Um, Yeah,

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<v Speaker 1>I don't know. I never saw it. I didn't see

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<v Speaker 1>in theaters, never saw it growing up, never saw the

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<v Speaker 1>sequel until yeah, just a couple of years ago, and

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<v Speaker 1>I was just like, I wonder if this is any good,

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<v Speaker 1>I'm gonna watch it. And then I watched it and

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<v Speaker 1>I was like, you know what, this is surprisingly better

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<v Speaker 1>than I thought it was going to be. But I

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<v Speaker 1>didn't see this sequel until like yesterday, and I was like,

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<v Speaker 1>fuck it, I'm gonna watch the National Treasure to watch that.

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<v Speaker 1>I mean the scene I have not seen National Treasure too,

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<v Speaker 1>and the scene you sent me is so like, is

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<v Speaker 1>this going to be the first episode where we have

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<v Speaker 1>to use audio clips because it's literally yes, you can't

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<v Speaker 1>describe it? Really? Let me play the one from the

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<v Speaker 1>first movie. You have them both? Yes, here is okay,

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<v Speaker 1>here we go, Okay, I wish what whoa? My god?

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<v Speaker 1>He was born to deliver that line? And then wait,

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<v Speaker 1>do you have the one from National Treasure two? So

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<v Speaker 1>I have the one from National Treasure to which is

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<v Speaker 1>basically a freakishly identical line read for an equally wildline. Okay,

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<v Speaker 1>show how am I going to get him alone? And

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<v Speaker 1>then a kidnapping to prison United? Oh god. John Voight

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<v Speaker 1>is in this in that scene too where he goes

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<v Speaker 1>what there? Why is John Void in this movie? I

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<v Speaker 1>just like, I mean, I can't with John Voight. Okay,

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<v Speaker 1>I will say just a couple of words when we

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<v Speaker 1>get into this discussion about national treasure too, because we

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<v Speaker 1>are focusing on the first one. But I like Helen Mirren,

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<v Speaker 1>isn't it I did know that? What does she do? Oh?

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<v Speaker 1>Just wait, Okay, I'll leave some clues and then maybe

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<v Speaker 1>you'll figure out what the clues mean, and then maybe

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<v Speaker 1>you'll she is Nicolas Cage's mom, So I'm just giving

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<v Speaker 1>it away. Okay, So she's Oh, she plays John Void's

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<v Speaker 1>his wife, Yes, well his ex wife, his ex wife.

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<v Speaker 1>But I feel like the first movie makes you think

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<v Speaker 1>that she's dead, but she's not. They bring her back

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<v Speaker 1>to life and it's Helen Mirren. Okay, because they do. Yeah,

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<v Speaker 1>and the first one, John voids like you need to

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<v Speaker 1>appreciate the time you have, like the time with your mother,

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<v Speaker 1>And I'm just like, that's a weird way to describe

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<v Speaker 1>a divorce. If the way like what you should have

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<v Speaker 1>just been a better husband. I don't know. And she

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<v Speaker 1>she addresses that, Helen mare and is like, you were

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<v Speaker 1>a really bad husband who didn't pay any attention to anyone,

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<v Speaker 1>but you're stupid treasure stuff. So he's this poor family

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<v Speaker 1>and their treasure related trauma. It's so sad, it's tragic.

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<v Speaker 1>So anyway, Jamie, what is your history and relationship with

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<v Speaker 1>National Treasure. I love this movie so much. I saw

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<v Speaker 1>it in theaters twice. It's still I Oh, I was.

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<v Speaker 1>I was twelve when like I was like I was

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<v Speaker 1>the target demo for National Treasure. I loved it. My

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<v Speaker 1>cousins loved it, My brother loved it. My favorite bad

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<v Speaker 1>movie season of all time, the Holiday movie season of

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<v Speaker 1>two thousand four. You've got phandom of the Opera, you've

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<v Speaker 1>got National Treasure, you've got the really bad Series of

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<v Speaker 1>Unfortunate Events movie. You've got all hitters of like shitty,

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<v Speaker 1>enduring movies that profoundly affected me. I loved the first

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<v Speaker 1>National Treasure. When I tweeted that we were doing this.

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<v Speaker 1>My mom also, My mom loved this movie so much

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<v Speaker 1>to the point where she brought it us to it

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<v Speaker 1>a second time. And she had the hots for Bartha

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<v Speaker 1>because she like she responded to me with, like, oh

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<v Speaker 1>Riley Pool, what a dreamboats? Like she loves and she

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<v Speaker 1>remembered his character's name. Five years later, So wow, Yeah,

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<v Speaker 1>that's impressive. Yeah, I'm I don't. I think that I

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<v Speaker 1>had maybe grown out of it by the time the

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<v Speaker 1>second one came out or something, because I didn't see

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<v Speaker 1>the second one, but I loved the first one so much,

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<v Speaker 1>and I like it's one of those weird, like childhood

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<v Speaker 1>movies where I found myself like remembering lines from it,

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<v Speaker 1>like I for some reason, the twist, maybe one of

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<v Speaker 1>the stupid er twists in the movie that has to

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<v Speaker 1>do with daylight savings time. Yes, you've referred to that

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<v Speaker 1>on the podcast before numerous times. Yes, like for some

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<v Speaker 1>reason really stuck with me. And then seeing where it

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<v Speaker 1>fell and like where in the second act it fell,

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<v Speaker 1>You're like, that's so stupid. What was the point of that?

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<v Speaker 1>That's so easily But there's oh those movie is like

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<v Speaker 1>all flash like guess what, guess what America the Founding Fathers,

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<v Speaker 1>and then at the end they reveal this stolen treasure.

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<v Speaker 1>It's all like the optics of the treasure is not good.

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<v Speaker 1>I mean that's the case with most of these adventure

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<v Speaker 1>like treasure seeking narratives. Same with Indiana Jones. Yeah that's

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<v Speaker 1>not yours. Hey, Hey, I think um, Dora in the

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<v Speaker 1>Lost City handles it well. So if anyone is out

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<v Speaker 1>there looking for a kind of adventure treasure movie, that

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<v Speaker 1>does a good job. Dora was a great film and

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<v Speaker 1>I loved it a lot. So check that out. You'd

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<v Speaker 1>love to hear it. Yeah, no, it's so one of

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<v Speaker 1>my childhood faves. But I hadn't seen it in probably

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<v Speaker 1>ten years or something, so but I still remember too much.

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<v Speaker 1>Turns out it's monumental. Get it monuments he turns out,

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<v Speaker 1>I mean, and then I'm looking back now, I'm like,

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<v Speaker 1>this was a weird couple of years for Justin Bartha.

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<v Speaker 1>This was like maybe his biggest role to date at

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<v Speaker 1>that time, and this was maybe his quote unquote star making.

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<v Speaker 1>I mean, if we're calling Justin Bartha a star, which

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<v Speaker 1>I guess we're not um either way. National Treasure was

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<v Speaker 1>his first big role. Of course, his smaller role before

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<v Speaker 1>that being in Geli, which today was an absolutely cancelable offense.

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<v Speaker 1>But in the early two thousand's there were no rules

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<v Speaker 1>and you could just be in Gelie and the next

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<v Speaker 1>year you could be in National Treasure, and the year

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<v Speaker 1>after that you could be in Failure to Launch. There

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<v Speaker 1>were no laws back then it was very different. It

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<v Speaker 1>was chaos. So anyways, um, this movie rules the rules.

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<v Speaker 1>And speaking of chaos, let's do the recap. Oh, how

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<v Speaker 1>do you read? I do not envy right now? How

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<v Speaker 1>does one recap? National did my best? From the writers

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<v Speaker 1>that brought you snow Dogs and Bad Boys Too comes this. Yes,

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<v Speaker 1>the credited screenwriters for this movie are Jim Kove, Cormack, Wibberly,

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<v Speaker 1>and Mary and Wibberly. So two men and one woman.

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<v Speaker 1>I'm glad that there is a female writer on this movie,

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<v Speaker 1>and I think that perhaps Abigail's character is slightly better

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<v Speaker 1>written because of her presence. I'm speculating. I mean, I

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<v Speaker 1>would hate to see what this movie would be without

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<v Speaker 1>this without one woman, because she it seems that she's

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<v Speaker 1>the only woman involved at like the higher level. But

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<v Speaker 1>I will say that a lot of times that you

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<v Speaker 1>see a female writer, it's like it seems like the

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<v Speaker 1>quality like she like I I don't mean to lessen

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<v Speaker 1>her role in it, like she it seems like she

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<v Speaker 1>did a lot of I mean, it's National Treasure, it's

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<v Speaker 1>a classic. But a lot of times where it's like

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<v Speaker 1>the one female writer on the team is part of

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<v Speaker 1>a husband wife writing team as opposed to just being

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<v Speaker 1>like hired on. You know, it's just it's the thing

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<v Speaker 1>that we've the one female writer thing has popped up

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<v Speaker 1>for us a lot and a lot of times it

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<v Speaker 1>is because of a husband. I don't know, I don't

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<v Speaker 1>feel any particular way about it, but I noticed it. Yeah.

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<v Speaker 1>Same anyways, So here we go with the story. We

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<v Speaker 1>meet Ben Gates a k a. Benjamin Franklin Gates, um

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<v Speaker 1>of a horse. He's named after Benjamin Franklin Galen. My

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<v Speaker 1>brother who his name is Ben was so I remember,

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<v Speaker 1>like he was just like immediately like if someone in

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<v Speaker 1>a movie has your name, you're like, yeah, that is me. Yeah,

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<v Speaker 1>I like spit out my drink. When Christopher Plummer is

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<v Speaker 1>there as his grandpa, like when he's a kid, and

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<v Speaker 1>he's like, okay, Benjamin Franklin Gates, what are you doing

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<v Speaker 1>up here? Imagine being Christopher Blumber, one of the best

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<v Speaker 1>actors ever and then having to say that like it's

0:14:25.400 --> 0:14:30.920
<v Speaker 1>so like it's wild, yes, okay. So we meet him

0:14:30.960 --> 0:14:34.280
<v Speaker 1>as a young boy snooping around the attic of his

0:14:34.360 --> 0:14:38.520
<v Speaker 1>house and his grandfather, Christopher Plummer, comes in and he's

0:14:38.560 --> 0:14:41.240
<v Speaker 1>like his name George Washington Gates. We don't know what

0:14:41.360 --> 0:14:47.040
<v Speaker 1>his name is, right, um, Paul Revere Gates, and he

0:14:48.080 --> 0:14:50.760
<v Speaker 1>is like, okay, you're finally old enough, I'll tell you

0:14:50.800 --> 0:14:55.280
<v Speaker 1>about like our family history. So he tells them about

0:14:55.360 --> 0:15:00.600
<v Speaker 1>this ancient treasure that's been passed around century after century.

0:15:00.760 --> 0:15:04.840
<v Speaker 1>And these guys called the Night Nice are there, like

0:15:04.880 --> 0:15:09.640
<v Speaker 1>some old Christian organization that's vaguely scary, right, They found it.

0:15:09.760 --> 0:15:12.280
<v Speaker 1>They were kind of protecting it for a while, and

0:15:12.320 --> 0:15:16.520
<v Speaker 1>then they later became the Freemasons, or like a certain

0:15:16.680 --> 0:15:20.080
<v Speaker 1>chunk of them broke off and became the Freemasons, and

0:15:20.120 --> 0:15:24.120
<v Speaker 1>some of them were the founding fathers of the United States.

0:15:24.760 --> 0:15:31.520
<v Speaker 1>And they hid the treasure from the British because they're like,

0:15:31.680 --> 0:15:35.160
<v Speaker 1>fuck the British, we have our colonies, now we're cool.

0:15:35.880 --> 0:15:40.280
<v Speaker 1>They hid the treasure and they planted all these clues

0:15:40.600 --> 0:15:46.800
<v Speaker 1>and maps to the treasure in different places, but all

0:15:46.840 --> 0:15:51.880
<v Speaker 1>these clues eventually got lost or forgotten. There's so many clues.

0:15:52.360 --> 0:15:55.200
<v Speaker 1>They'll just lead to another clue and then we need another.

0:15:56.560 --> 0:16:00.920
<v Speaker 1>No more claes. Also, John Voy's characters name is Patrick

0:16:00.960 --> 0:16:04.360
<v Speaker 1>Henry Gates, so they literally just the naming convention. In

0:16:04.400 --> 0:16:07.200
<v Speaker 1>his family is to just have a founding father and

0:16:07.240 --> 0:16:13.240
<v Speaker 1>then Gates, Yeah, that's all You're embarrassing, really honestly, so

0:16:13.320 --> 0:16:16.640
<v Speaker 1>embarrassing for them, like more defined to have to admit

0:16:16.680 --> 0:16:23.520
<v Speaker 1>your name is Benjamin Franklin. Gates, there an embarrassing family. Okay,

0:16:24.040 --> 0:16:26.320
<v Speaker 1>So all the clues have been lost or forgotten except

0:16:26.320 --> 0:16:29.960
<v Speaker 1>for one, and this one clue is the Secret Lies

0:16:30.040 --> 0:16:34.240
<v Speaker 1>with Charlotte. I remembered this from five years ago and

0:16:34.320 --> 0:16:36.600
<v Speaker 1>this movie came out. I'm like, oh, right, the secret

0:16:36.600 --> 0:16:40.360
<v Speaker 1>does lie by Charlotte, but it's the place, not the

0:16:43.040 --> 0:16:46.680
<v Speaker 1>and right. So we learned that several generations of Ben's

0:16:46.720 --> 0:16:49.560
<v Speaker 1>family have been trying to find these clues so they

0:16:49.560 --> 0:16:51.520
<v Speaker 1>can find the treasure. And it all dates back to

0:16:51.680 --> 0:16:57.000
<v Speaker 1>like Christopher Plummer's grandfather, who like was hanging out with

0:16:57.040 --> 0:16:59.400
<v Speaker 1>this I don't even remember the guy's name, but he

0:16:59.440 --> 0:17:02.880
<v Speaker 1>was like the last surviving member of the people who

0:17:03.040 --> 0:17:06.440
<v Speaker 1>signed the Declaration of Independence, and he's like the Secret

0:17:06.600 --> 0:17:09.920
<v Speaker 1>lies with Charlotte. And then with almost any plot point

0:17:09.920 --> 0:17:12.000
<v Speaker 1>in this movie, you can end the sentence with like

0:17:12.240 --> 0:17:16.199
<v Speaker 1>or something and it doesn't really change your interpretation of it.

0:17:16.240 --> 0:17:18.720
<v Speaker 1>You're like, I don't know, like that they're the clues

0:17:18.720 --> 0:17:21.600
<v Speaker 1>are gone or something, and so it's not good. Well

0:17:21.600 --> 0:17:25.320
<v Speaker 1>here's something that I just realized in real time here, Okay,

0:17:25.359 --> 0:17:29.159
<v Speaker 1>So the clue that they have is the secret lies

0:17:29.280 --> 0:17:32.639
<v Speaker 1>with Charlotte, And as we're about to find out, Nicholas

0:17:32.720 --> 0:17:37.960
<v Speaker 1>Cage's character finds the Charlotte. So like, what were all

0:17:38.000 --> 0:17:41.760
<v Speaker 1>those generations of families doing? Like what clues are they

0:17:41.840 --> 0:17:46.400
<v Speaker 1>talking about? Because like he just goes from that one

0:17:46.440 --> 0:17:48.600
<v Speaker 1>clue that they have and he finds the Charlotte, But like,

0:17:48.640 --> 0:17:51.400
<v Speaker 1>what are all these other Like how do they waste?

0:17:51.640 --> 0:17:53.760
<v Speaker 1>Weird to believe that they have been looking for this

0:17:53.840 --> 0:17:57.320
<v Speaker 1>treasure for hundreds of years and have really not gotten

0:17:57.359 --> 0:18:01.239
<v Speaker 1>past the first clue? Right? So right, what are all

0:18:01.240 --> 0:18:03.600
<v Speaker 1>these clues that John Voight is talking about when he's

0:18:03.600 --> 0:18:06.440
<v Speaker 1>like and that'll lead you to another clue? Like which clues?

0:18:07.160 --> 0:18:09.960
<v Speaker 1>But like Ben Gates is just going off of that

0:18:10.160 --> 0:18:13.199
<v Speaker 1>one clue and he finds the Charlotte, Like what are

0:18:13.480 --> 0:18:16.240
<v Speaker 1>what are they talking about? Where has he been snooping

0:18:16.280 --> 0:18:20.280
<v Speaker 1>around for all these centuries? I don't know, I don't

0:18:20.320 --> 0:18:22.920
<v Speaker 1>know really understand it, but I do think it's fine.

0:18:22.920 --> 0:18:27.080
<v Speaker 1>I mean, I want to believe that screenwriter Marianne Wibberly

0:18:27.800 --> 0:18:32.640
<v Speaker 1>is making commentary here on male mediocrity and saying that

0:18:33.560 --> 0:18:36.840
<v Speaker 1>because it has to do with the Knights, Templar and

0:18:37.160 --> 0:18:40.399
<v Speaker 1>especially the Freemasons, which still doesn't allow. Well, I have

0:18:40.560 --> 0:18:44.960
<v Speaker 1>that in context, corner, but like a group famously hostile

0:18:45.000 --> 0:18:50.080
<v Speaker 1>towards women, it's just been these guys fumbling around looking

0:18:50.280 --> 0:18:56.400
<v Speaker 1>for what Charlotte could mean for for two hundred plus years.

0:18:56.960 --> 0:18:59.240
<v Speaker 1>Do you think they like went into shopping malls and

0:18:59.280 --> 0:19:02.760
<v Speaker 1>they're like, the sea lies with Charlotte, Charlotte Ruth. I

0:19:02.800 --> 0:19:05.159
<v Speaker 1>thought that maybe we're on the same way. Like that

0:19:05.280 --> 0:19:08.840
<v Speaker 1>was like the secret lives with Charlotte rus The secret

0:19:08.840 --> 0:19:12.280
<v Speaker 1>lives with Charlotte from Sex in the City. Who could

0:19:12.280 --> 0:19:17.000
<v Speaker 1>be the secret could lie with Kristin Davis. We don't know, Yeah,

0:19:17.040 --> 0:19:19.280
<v Speaker 1>we don't know. These are things people don't think about

0:19:19.320 --> 0:19:22.080
<v Speaker 1>and if they, if they had asked a woman, they

0:19:22.080 --> 0:19:27.000
<v Speaker 1>would have been like, have you considered Charlotte Ruth? If

0:19:27.000 --> 0:19:30.560
<v Speaker 1>you had asked, you know, it's it's it's it's something

0:19:30.560 --> 0:19:34.240
<v Speaker 1>to consider. It is indeed. Okay. So we cut to

0:19:34.359 --> 0:19:37.159
<v Speaker 1>Ben as an adult. He has grown up to be

0:19:37.320 --> 0:19:43.119
<v Speaker 1>Nicholas Cage and he is searching for Charlotte, which turns

0:19:43.160 --> 0:19:47.960
<v Speaker 1>out to be a ship buried in the ice in

0:19:48.000 --> 0:19:50.840
<v Speaker 1>the Arctic, and they explain how that would have happened.

0:19:50.880 --> 0:19:56.439
<v Speaker 1>But I don't understand something. Yeah, he has his is

0:19:56.480 --> 0:20:00.199
<v Speaker 1>this his apprentice? Like? Who is Riley? To him? Like

0:20:00.200 --> 0:20:06.280
<v Speaker 1>his little sidekick? He is basically the animal sidekick. Think

0:20:06.280 --> 0:20:10.200
<v Speaker 1>of Riley as like a little animated squirrel voice by

0:20:10.280 --> 0:20:13.840
<v Speaker 1>Justin Bartha. He basically serves the same function. He's like

0:20:14.480 --> 0:20:19.800
<v Speaker 1>a sexless creature who delivers punch lines, right, Because I

0:20:19.800 --> 0:20:22.760
<v Speaker 1>always this is a Disney movie and we cannot forget that.

0:20:23.240 --> 0:20:26.200
<v Speaker 1>I think that they are using the Disney Renaissance formula.

0:20:26.240 --> 0:20:29.080
<v Speaker 1>But they're like, well, we can't get an animated creature,

0:20:29.880 --> 0:20:33.280
<v Speaker 1>but Bartha is available, and Bartha is the next best thing,

0:20:33.440 --> 0:20:35.200
<v Speaker 1>so they got him in the mix. I think that

0:20:35.320 --> 0:20:38.240
<v Speaker 1>Justin Bartha actually does like he still doesn't make me

0:20:38.359 --> 0:20:40.159
<v Speaker 1>giggle a couple of times. I think they let him

0:20:40.200 --> 0:20:42.639
<v Speaker 1>improvise a little bit. I like when he says this

0:20:42.720 --> 0:20:47.639
<v Speaker 1>car smells weird U and I remember when I was

0:20:47.680 --> 0:20:50.760
<v Speaker 1>a kid racking up. At the end when they find

0:20:50.760 --> 0:20:55.959
<v Speaker 1>the treasure, he's like, it's a tall, bluish greenish man

0:20:56.080 --> 0:21:00.119
<v Speaker 1>with a strange goatee, and then he hugs him, and

0:21:00.160 --> 0:21:02.800
<v Speaker 1>then he hugs I'm like, Bartha's funny, but he is

0:21:02.880 --> 0:21:07.280
<v Speaker 1>just a little like cartoon assistant. Yeah, and speaking of

0:21:07.320 --> 0:21:10.840
<v Speaker 1>like people who cannot be critical of others goatees. Justin

0:21:10.920 --> 0:21:16.120
<v Speaker 1>Bartha got in this movie is did they give him

0:21:16.119 --> 0:21:19.400
<v Speaker 1>that facial hair? It's so weird. I think that they

0:21:19.440 --> 0:21:22.160
<v Speaker 1>just are like, no, he's an adult, you know, because

0:21:22.200 --> 0:21:25.119
<v Speaker 1>he just looks he has such a baby face. Maybe

0:21:25.200 --> 0:21:26.959
<v Speaker 1>I don't know, but like in the first scene when

0:21:27.000 --> 0:21:30.000
<v Speaker 1>they're in the Arctic, he has like just kind of

0:21:30.040 --> 0:21:32.800
<v Speaker 1>like a five o'clock shadow. But then by the next

0:21:32.840 --> 0:21:35.440
<v Speaker 1>scene when they're in the Library of Congress or whatever,

0:21:36.480 --> 0:21:40.440
<v Speaker 1>they've shaved it down, but it's it's still just like stubble.

0:21:40.520 --> 0:21:43.720
<v Speaker 1>It's not like a full beard. It's so weird. It

0:21:45.560 --> 0:21:50.919
<v Speaker 1>sucks um Anyway, So Riley Pool is there with Ben

0:21:51.040 --> 0:21:55.720
<v Speaker 1>in the Arctic. So is Ian. That's Sean Bean's character,

0:21:55.880 --> 0:21:58.720
<v Speaker 1>and then like one or two of his friends. So

0:21:59.040 --> 0:22:02.399
<v Speaker 1>they find the Charlotte, this ship and they go into

0:22:02.480 --> 0:22:07.880
<v Speaker 1>it and the next clue they find on a pipe,

0:22:08.480 --> 0:22:12.520
<v Speaker 1>and the clue is a riddle that Ben figures out

0:22:12.760 --> 0:22:18.480
<v Speaker 1>something must mean that there is a map, an invisible

0:22:18.560 --> 0:22:22.119
<v Speaker 1>nap on the back of the Declaration of Independence, and

0:22:22.160 --> 0:22:28.520
<v Speaker 1>then we're like, what this rules? This is the best

0:22:28.600 --> 0:22:31.040
<v Speaker 1>day of my life. There's a map on the back

0:22:31.080 --> 0:22:34.439
<v Speaker 1>of I wonder do you think this? Okay? Well, actually

0:22:34.480 --> 0:22:36.480
<v Speaker 1>I kind of know the answer, But this seems like

0:22:36.800 --> 0:22:41.399
<v Speaker 1>the part that Nicholas Cage was born to play. But

0:22:41.480 --> 0:22:43.480
<v Speaker 1>I don't what what do you know? It was he

0:22:43.600 --> 0:22:45.919
<v Speaker 1>the original I mean he was. I know that he

0:22:46.040 --> 0:22:48.119
<v Speaker 1>ended up being cast in OH three, but this project

0:22:48.200 --> 0:22:51.679
<v Speaker 1>was in development in the late nineties as well, And like,

0:22:51.720 --> 0:22:54.840
<v Speaker 1>I wonder who else was considered for this part because

0:22:54.840 --> 0:22:57.800
<v Speaker 1>I can't picture literally anyone else on the planet playing

0:22:57.840 --> 0:23:01.640
<v Speaker 1>Benjamin Franklin Gates than Nick Cage. And I don't mean

0:23:01.680 --> 0:23:04.040
<v Speaker 1>that as a compliment. I just can't think of anyone

0:23:04.080 --> 0:23:06.719
<v Speaker 1>else who could who could do it. Well, Okay, so

0:23:06.760 --> 0:23:13.440
<v Speaker 1>they're clearly pulling a lot from Indiana Jones, except character wise, like,

0:23:13.520 --> 0:23:17.880
<v Speaker 1>in no way does Nicolas Cage and his character Benjamin

0:23:17.920 --> 0:23:22.520
<v Speaker 1>Franklin Gates resemble Indiana Jones at all. And I and

0:23:22.880 --> 0:23:28.680
<v Speaker 1>I think that that is a compliment, Yes, sure, but

0:23:29.119 --> 0:23:32.520
<v Speaker 1>like Nicolas Cage isn't the type of like He's not

0:23:32.640 --> 0:23:35.760
<v Speaker 1>an action star, but for some reason, he keeps getting

0:23:35.800 --> 0:23:39.840
<v Speaker 1>cast in action movies. It's a beautiful mistake of history that,

0:23:40.040 --> 0:23:45.600
<v Speaker 1>like one of the strangest men to be born, has

0:23:45.640 --> 0:23:49.280
<v Speaker 1>been pegged as an action hero for some reason. Right,

0:23:49.760 --> 0:23:52.640
<v Speaker 1>I cannot make sense of it, But like, I don't

0:23:52.680 --> 0:23:56.359
<v Speaker 1>know who else was considered. I truly don't know why

0:23:56.400 --> 0:24:00.600
<v Speaker 1>they ended up casting Nicolas Cage in this role. But

0:24:00.640 --> 0:24:05.760
<v Speaker 1>I'm also I'm similarly confused by Tom Hanks being cast

0:24:06.560 --> 0:24:09.280
<v Speaker 1>as the what's his face character from the Da Vinci

0:24:10.280 --> 0:24:18.040
<v Speaker 1>oh um, the whatever that that movie. I read that

0:24:18.160 --> 0:24:20.360
<v Speaker 1>whole book and was like, this is amazing, and then

0:24:20.359 --> 0:24:25.000
<v Speaker 1>the movie ha hack in spite of al for Malina's involvement,

0:24:25.840 --> 0:24:29.959
<v Speaker 1>right A for Molina is in it, He's fully in it.

0:24:30.119 --> 0:24:33.680
<v Speaker 1>He's back in the robes. Baby, you gotta get Malina

0:24:33.760 --> 0:24:37.280
<v Speaker 1>in the Robes. Well, the Da Vinci Code and Angels

0:24:37.280 --> 0:24:41.120
<v Speaker 1>and Demons are basically like National Treasure but in Europe,

0:24:41.680 --> 0:24:45.440
<v Speaker 1>so you know, it's the same type of narrative and

0:24:46.040 --> 0:24:49.080
<v Speaker 1>weird casting choice I think with Tom Hanks, weird casting

0:24:49.160 --> 0:24:53.359
<v Speaker 1>choice I think was Nicolas Cage. But who could you

0:24:53.400 --> 0:24:57.119
<v Speaker 1>picture playing Benjamin Franklin Gates. Who could you picture saying

0:24:57.200 --> 0:25:00.080
<v Speaker 1>I'm going to steal the declaration of end up and

0:25:00.240 --> 0:25:04.320
<v Speaker 1>it's with such conviction. Oh sure, okay, So so the

0:25:04.359 --> 0:25:08.480
<v Speaker 1>way this script is written, yes, only Nicholas Cage can

0:25:08.520 --> 0:25:11.960
<v Speaker 1>do it. I think if they had written another draft

0:25:13.000 --> 0:25:18.719
<v Speaker 1>form for a normal person, it would have gone differently,

0:25:18.760 --> 0:25:22.040
<v Speaker 1>not like the other boys. Want okay, really quick. Just

0:25:22.080 --> 0:25:24.600
<v Speaker 1>because we are in the car, I wanted to say

0:25:24.680 --> 0:25:29.960
<v Speaker 1>that Freddie Molina has been posting the nicest quarantine content

0:25:30.080 --> 0:25:34.960
<v Speaker 1>to his fin stuff. I love it so much. Here's

0:25:35.000 --> 0:25:38.359
<v Speaker 1>my favor post. So it's the picture is this? It's

0:25:38.920 --> 0:25:43.000
<v Speaker 1>Freddy's easy chair with a pile of books next to it.

0:25:43.480 --> 0:25:47.640
<v Speaker 1>Caption says stay at home and avoid close contact please.

0:25:48.040 --> 0:25:53.160
<v Speaker 1>Actors have been doing that for generation. And then it's

0:25:53.200 --> 0:25:57.080
<v Speaker 1>the drama emoji, and then it's the film clapper emoji,

0:25:57.240 --> 0:25:58.959
<v Speaker 1>and then it's a heart and I'm like, you know

0:25:59.000 --> 0:26:01.840
<v Speaker 1>what we are going to be line, He's amazing, What

0:26:01.880 --> 0:26:05.080
<v Speaker 1>a what a funny guy. Why do the imagine parody

0:26:05.119 --> 0:26:11.240
<v Speaker 1>when you could just post that. You know Freddie would

0:26:11.359 --> 0:26:14.320
<v Speaker 1>never participate in something like that, and that is partially

0:26:14.359 --> 0:26:16.480
<v Speaker 1>why um he's one of the only men allowed on

0:26:16.480 --> 0:26:20.720
<v Speaker 1>the show m anyways, Um, well, that feels like a

0:26:20.760 --> 0:26:23.159
<v Speaker 1>good place to take a break, even though we're in

0:26:23.200 --> 0:26:27.720
<v Speaker 1>the middle of the recap. But you know, it's unhinged

0:26:27.800 --> 0:26:32.760
<v Speaker 1>here in quarantine Bechtel cast Land. So we're all out

0:26:32.800 --> 0:26:34.679
<v Speaker 1>of sorts, so let's take a quick break and then

0:26:34.680 --> 0:26:42.880
<v Speaker 1>we'll come right back. Okay, we're back, and we've got

0:26:42.920 --> 0:26:47.639
<v Speaker 1>more recap to do. Yeah, okay, So Ben has just

0:26:47.920 --> 0:26:50.639
<v Speaker 1>figured out there must be an invisible map on the

0:26:50.680 --> 0:26:55.480
<v Speaker 1>back of the Declaration of Independence. And then Sean Bean's character,

0:26:55.760 --> 0:26:57.880
<v Speaker 1>You'll never believe this, but he turns out to be

0:26:57.960 --> 0:27:01.159
<v Speaker 1>a bad guy because not d nine percent of the

0:27:01.200 --> 0:27:05.479
<v Speaker 1>time Sean Bean is playing the bad guy. Well except

0:27:05.520 --> 0:27:10.200
<v Speaker 1>for when he's in Gammul Thronge, that's true. That's one

0:27:10.240 --> 0:27:15.120
<v Speaker 1>of the few exceptions. But he's normally the bad guy,

0:27:15.280 --> 0:27:17.840
<v Speaker 1>and this movie is no exception. And he says, well,

0:27:17.880 --> 0:27:21.280
<v Speaker 1>I'm going to steal the Declaration of Independence, and everyone's like,

0:27:21.320 --> 0:27:24.520
<v Speaker 1>oh my god, what is that a hairpiece? That hairpiece.

0:27:24.800 --> 0:27:27.040
<v Speaker 1>It took me twenty minutes to realize it was Sean

0:27:27.160 --> 0:27:30.920
<v Speaker 1>Bean because of that weird blonde hairpiece they like super

0:27:30.960 --> 0:27:35.359
<v Speaker 1>glued to his scalp. It's really bad. But I just

0:27:35.400 --> 0:27:38.399
<v Speaker 1>assumed is that just not his real hair? If it is,

0:27:38.560 --> 0:27:41.560
<v Speaker 1>he's in deep trouble. I like that. I have to

0:27:41.600 --> 0:27:44.119
<v Speaker 1>believe that that's not his real hair, or it's the

0:27:44.200 --> 0:27:47.760
<v Speaker 1>weirdest dye job I've ever. It's a bad cut me

0:27:48.240 --> 0:27:52.480
<v Speaker 1>it's like a natural blonde. Yeah, well, sound off in

0:27:52.520 --> 0:27:55.000
<v Speaker 1>the comments, but I think I'm just really bad at

0:27:55.119 --> 0:27:58.240
<v Speaker 1>telling when someone's wearing a wig. I just assume everyone's

0:27:58.560 --> 0:28:01.359
<v Speaker 1>hair is their actual hair. I don't know now that

0:28:01.400 --> 0:28:03.520
<v Speaker 1>I'm looking at his natural hair, like it could be

0:28:03.560 --> 0:28:06.320
<v Speaker 1>his natural hair. But if so, like for shame on

0:28:06.359 --> 0:28:10.359
<v Speaker 1>whoever was styling these actors, because they gave Justin Bartha

0:28:10.520 --> 0:28:15.320
<v Speaker 1>that goatee and Sean being that haircut. I mean, Nicholas

0:28:15.400 --> 0:28:18.920
<v Speaker 1>Cage's hair is well, but when has that been good?

0:28:19.600 --> 0:28:23.080
<v Speaker 1>I mean it was fine and moonstruck I think, but

0:28:23.480 --> 0:28:27.200
<v Speaker 1>like maybe since the late eighties he's had some really

0:28:27.240 --> 0:28:31.160
<v Speaker 1>weird those hair plugs. Is that's what's happening. I think

0:28:31.200 --> 0:28:35.160
<v Speaker 1>he's rocking some plugs in that tresh. I also have

0:28:35.840 --> 0:28:39.800
<v Speaker 1>curiosities about because this is produced by Jerry Bruckheimer. It's

0:28:39.800 --> 0:28:45.880
<v Speaker 1>a Bruckheimer joint, so that brings vneersers because if you have,

0:28:46.000 --> 0:28:48.680
<v Speaker 1>if you're new to the show, we can't stop talking

0:28:48.680 --> 0:28:53.200
<v Speaker 1>about it. Jerry Bruckheimer famously, along with Lauren Michaels, makes

0:28:53.560 --> 0:28:57.680
<v Speaker 1>his actors get veneers and I was keeping an eye

0:28:57.760 --> 0:29:00.920
<v Speaker 1>on it, and I mean Cage for sure has veneers.

0:29:01.120 --> 0:29:03.840
<v Speaker 1>I think it's hard to say whether Bruckheimer was involved

0:29:03.920 --> 0:29:08.400
<v Speaker 1>or whether he got them of his own volition. Diane Krueger,

0:29:08.440 --> 0:29:12.240
<v Speaker 1>I don't know. She may just have gorgeous naturals. Uh

0:29:12.320 --> 0:29:15.280
<v Speaker 1>Sean Bean for sure a veneers and Justin Bartha another

0:29:15.320 --> 0:29:17.320
<v Speaker 1>person who's kind of in the air for me. But

0:29:17.680 --> 0:29:21.440
<v Speaker 1>Bruckheimer does not let narry a crooked tooth on a set.

0:29:22.240 --> 0:29:24.960
<v Speaker 1>You will yank him out and throw in some porcelain

0:29:25.040 --> 0:29:29.160
<v Speaker 1>ones like. It's just it's very dark. The reality of

0:29:29.160 --> 0:29:35.760
<v Speaker 1>a Bruckheimer set. I can't even imagine anyway. Okay, so

0:29:36.120 --> 0:29:38.600
<v Speaker 1>you know we've got Nick Cage. He's got his weird hair.

0:29:38.760 --> 0:29:41.600
<v Speaker 1>He's got also in the second movie. At least in

0:29:41.640 --> 0:29:45.720
<v Speaker 1>the first movie his hair looks passable because he has

0:29:46.160 --> 0:29:50.240
<v Speaker 1>some small sideburns, but they shave his sideburns in the

0:29:50.320 --> 0:29:54.200
<v Speaker 1>second movie, so he just has this weird like mop

0:29:54.440 --> 0:29:58.120
<v Speaker 1>with no it's so weird you, Jamie. I insist you

0:29:58.120 --> 0:30:01.240
<v Speaker 1>watch National Treasure too, I really want. I mean, based

0:30:01.240 --> 0:30:06.600
<v Speaker 1>on that alone, right, um incredible, it's out of control

0:30:06.680 --> 0:30:12.280
<v Speaker 1>and his hair is somehow worse anyway. So Benjamin Franklin

0:30:12.320 --> 0:30:17.400
<v Speaker 1>Gates is like, you can't just steal the Declaration of Independence,

0:30:18.080 --> 0:30:20.240
<v Speaker 1>and Sean Bean is all like, well, I want treasure.

0:30:20.640 --> 0:30:25.600
<v Speaker 1>So they have an altercation about it. There's this big explosion,

0:30:25.680 --> 0:30:29.200
<v Speaker 1>there's much of gunpowder. Then they all kind of runaway

0:30:29.240 --> 0:30:33.240
<v Speaker 1>and part ways, and Ben and Riley have to warn

0:30:33.360 --> 0:30:37.200
<v Speaker 1>a bunch of government agencies that the Declaration of Independence

0:30:37.280 --> 0:30:42.680
<v Speaker 1>is going to be stolen, including they tell Abigail Chase.

0:30:43.280 --> 0:30:48.320
<v Speaker 1>And she works at like the National Archives. I think, so,

0:30:48.520 --> 0:30:52.560
<v Speaker 1>I think, I wonder. I'm curious about the historical accuration.

0:30:52.920 --> 0:30:57.000
<v Speaker 1>I'm like, is her office really just behind the Declaration

0:30:57.040 --> 0:31:00.680
<v Speaker 1>of Independence? Is that a location? And metting this? I

0:31:00.720 --> 0:31:03.400
<v Speaker 1>don't know. I don't know either. It didn't seem real,

0:31:05.640 --> 0:31:10.440
<v Speaker 1>but she's there and she works in the archives, and um,

0:31:10.640 --> 0:31:13.880
<v Speaker 1>she doesn't believe them. No one believes them. So Ben

0:31:14.000 --> 0:31:16.840
<v Speaker 1>is like, well, I guess we have to steal the

0:31:16.920 --> 0:31:22.080
<v Speaker 1>Declaration of Independence for ourselves. Love it. He wants to

0:31:22.160 --> 0:31:25.440
<v Speaker 1>steal it to protect it from Sean Bean before he

0:31:25.440 --> 0:31:30.080
<v Speaker 1>can get to it. So then there's this heist sequence

0:31:30.440 --> 0:31:35.480
<v Speaker 1>and they successfully steal the Declaration of Independence, but Abigail

0:31:35.840 --> 0:31:39.520
<v Speaker 1>is suspicious of Ben while this is happening. This is

0:31:39.520 --> 0:31:44.240
<v Speaker 1>all happening during a gala, and she's kind of tailing him,

0:31:44.320 --> 0:31:47.040
<v Speaker 1>and then Sean Bean is also there trying to steal

0:31:47.160 --> 0:31:51.160
<v Speaker 1>the document, and then there's this big chase scene with Ben,

0:31:51.600 --> 0:31:55.480
<v Speaker 1>the bad guys and Abigail. They fooling her out of

0:31:55.520 --> 0:31:59.640
<v Speaker 1>a tor ruck. Oh my, it's the whole thing. She's

0:31:59.720 --> 0:32:02.480
<v Speaker 1>damn ms old and then she's damseled kind of for

0:32:02.520 --> 0:32:07.320
<v Speaker 1>a second time. She's double kidnapped, right, So Ben saves

0:32:07.320 --> 0:32:12.240
<v Speaker 1>her a k A. He kidnaps her from her previous kidnappers,

0:32:12.320 --> 0:32:15.760
<v Speaker 1>and he and Riley and Abigail get away with the

0:32:15.760 --> 0:32:20.760
<v Speaker 1>real Declaration of Independence, and Abigail is understandably very mad

0:32:21.040 --> 0:32:26.040
<v Speaker 1>that they stole it, but they're like, stop yelling. There's

0:32:26.080 --> 0:32:29.880
<v Speaker 1>so much to talk about with that sequence, um, But

0:32:29.960 --> 0:32:32.600
<v Speaker 1>basically she refuses to let it out of her sight,

0:32:33.320 --> 0:32:38.320
<v Speaker 1>so she agrees to go with them to Ben's father's house.

0:32:39.320 --> 0:32:44.880
<v Speaker 1>Enter John Void, which for context, during his difficult years

0:32:44.920 --> 0:32:49.080
<v Speaker 1>with his daughter Angelina, who by the way, Okay, So

0:32:49.320 --> 0:32:54.000
<v Speaker 1>another movie or another franchise that is very similar to

0:32:54.320 --> 0:33:00.480
<v Speaker 1>National Treasure is Laura Croft. Tomb writer John voy plays

0:33:00.520 --> 0:33:03.960
<v Speaker 1>basically the opposite, the same, but the opposite in the

0:33:04.080 --> 0:33:08.040
<v Speaker 1>sense that in Lotta Craft, John Voyd's character is dead

0:33:08.320 --> 0:33:11.719
<v Speaker 1>but he loves treasure hunting and he loves the clues.

0:33:11.800 --> 0:33:15.800
<v Speaker 1>He loves leaves being clues behind all that. In National Treasure,

0:33:15.880 --> 0:33:20.320
<v Speaker 1>he's alive and he is so over the clues he

0:33:20.480 --> 0:33:23.920
<v Speaker 1>doesn't want any part of it. He's like, um, actually,

0:33:24.120 --> 0:33:29.640
<v Speaker 1>treasure is over. He's so sick of treasure. He makes

0:33:29.640 --> 0:33:34.320
<v Speaker 1>all these weird claims to like I I Also another

0:33:34.400 --> 0:33:36.720
<v Speaker 1>John Voit line that I've remembered from this movie for

0:33:36.760 --> 0:33:38.920
<v Speaker 1>some reason is when he invites everyone in and he

0:33:38.920 --> 0:33:41.720
<v Speaker 1>says something sexist at the door, and then he lets

0:33:41.760 --> 0:33:44.720
<v Speaker 1>them and then he lets me. It's also it's like

0:33:45.080 --> 0:33:47.840
<v Speaker 1>the most frustrating kind of misogynist line because it doesn't

0:33:47.880 --> 0:33:52.360
<v Speaker 1>even make sense where You're like where this is coming from.

0:33:52.640 --> 0:33:55.120
<v Speaker 1>But he lets them in and then he's like, so

0:33:55.160 --> 0:33:58.200
<v Speaker 1>there's pizza in the other room, and you're like, what

0:33:58.360 --> 0:34:03.000
<v Speaker 1>is that line? Like what? How? Why? Does John Voight

0:34:03.400 --> 0:34:09.640
<v Speaker 1>have enough pizza for four people cooling off? And then

0:34:09.680 --> 0:34:14.360
<v Speaker 1>Justin Barthe is like, yum yum. He's the squirrel. He's

0:34:14.640 --> 0:34:17.560
<v Speaker 1>the little animal. He's a creature. He's like, oh no, no, no,

0:34:17.560 --> 0:34:20.920
<v Speaker 1>no no. The first draft in the first round of

0:34:21.000 --> 0:34:24.080
<v Speaker 1>National Treasure, Jorgan Johnsin Barthe's character is a little squirrel.

0:34:25.680 --> 0:34:34.600
<v Speaker 1>Never dark, no, no, no, no none. Justin Barthe, I

0:34:34.600 --> 0:34:37.080
<v Speaker 1>mean whatever, if you see his performance in Julie, you'll

0:34:37.120 --> 0:34:41.759
<v Speaker 1>never feel bad for him again. Oh my god, his

0:34:41.920 --> 0:34:45.160
<v Speaker 1>character is so weird. It's so weird. Anyway, So yeah,

0:34:45.200 --> 0:34:47.160
<v Speaker 1>they go to John Voyd's house. Yes, they go to

0:34:47.239 --> 0:34:51.839
<v Speaker 1>John Boy's house. And then they use lemon juice. It's

0:34:51.920 --> 0:34:55.799
<v Speaker 1>literally invisible ink that you would use in like the

0:34:55.920 --> 0:35:00.640
<v Speaker 1>fourth grade, and they bring it out by using lemon

0:35:00.680 --> 0:35:03.520
<v Speaker 1>juice and hair dryers, and they reveal this secret code

0:35:03.960 --> 0:35:07.440
<v Speaker 1>that is on the back of the document and it

0:35:07.440 --> 0:35:11.560
<v Speaker 1>turns out to be a cipher. But they need these letters,

0:35:11.600 --> 0:35:16.759
<v Speaker 1>the do Good letters or something that we're written by

0:35:17.120 --> 0:35:22.279
<v Speaker 1>Benjamin Franklin, the original not Benjamin Franklin. Gates so frustrating,

0:35:22.760 --> 0:35:27.920
<v Speaker 1>it's so embarrassing. Oh I love it. I hope that

0:35:28.000 --> 0:35:30.920
<v Speaker 1>then like there's National Treasure, Like I think National Treasure

0:35:30.960 --> 0:35:34.600
<v Speaker 1>three is allegedly happening. I've heard that, yes, but I

0:35:34.640 --> 0:35:37.200
<v Speaker 1>hope that it's like there's like now another kid in

0:35:37.239 --> 0:35:41.840
<v Speaker 1>the mix, and it's like James Madison Gates needs to

0:35:42.760 --> 0:35:48.560
<v Speaker 1>steal like George Washington's teeth because there's a map inside.

0:35:51.120 --> 0:35:53.160
<v Speaker 1>I mean, I think that if that's not the plot,

0:35:53.239 --> 0:35:59.320
<v Speaker 1>then someone in Hollywood is fucking up. Okay, So they're like, okay,

0:35:59.360 --> 0:36:03.359
<v Speaker 1>we need the the Silence do Good letters. But John

0:36:03.440 --> 0:36:06.279
<v Speaker 1>Voight does not have them anymore because he donated them

0:36:06.280 --> 0:36:09.560
<v Speaker 1>because he thinks treasure hunting is silly. He's over at

0:36:09.800 --> 0:36:13.319
<v Speaker 1>treasure hunting made him a bad father right and now,

0:36:13.680 --> 0:36:17.400
<v Speaker 1>and he's making amends by apparently never hanging out with

0:36:17.760 --> 0:36:21.800
<v Speaker 1>his son. So now Ben Riley and Abigail have to

0:36:21.840 --> 0:36:25.840
<v Speaker 1>go to the Franklin Institute in Philadelphia to decipher the

0:36:25.880 --> 0:36:30.600
<v Speaker 1>code using these letters that leads them to the Liberty

0:36:30.680 --> 0:36:35.279
<v Speaker 1>Bell and Independence Hall. And it's also at this point

0:36:35.320 --> 0:36:40.839
<v Speaker 1>in the story when Ben and Abigail start vibing. It's

0:36:40.880 --> 0:36:44.560
<v Speaker 1>like in a dressing room right in an urban outfitters.

0:36:45.760 --> 0:36:48.719
<v Speaker 1>Every other other GIF forever twenty one being like so

0:36:48.880 --> 0:36:54.720
<v Speaker 1>like what's your story? Like what the fund is that? Um? Also,

0:36:55.000 --> 0:36:58.560
<v Speaker 1>and this has already been happening, but um, Harvey Kitel

0:36:58.800 --> 0:37:02.239
<v Speaker 1>is in the movie, and he is I think is

0:37:02.239 --> 0:37:05.000
<v Speaker 1>the FBI. I don't know. He's leading the investigation to

0:37:05.200 --> 0:37:09.520
<v Speaker 1>find Ben and recover the Declaration of Independence. I like,

0:37:09.680 --> 0:37:13.000
<v Speaker 1>I like Harvey Kitel, and he's in it just enough

0:37:13.920 --> 0:37:15.799
<v Speaker 1>you almost forget he's in it, and then he's in

0:37:15.840 --> 0:37:17.960
<v Speaker 1>it again, and then he's gone for an hour and

0:37:18.000 --> 0:37:20.000
<v Speaker 1>you're like, this movie is also too long for what

0:37:20.040 --> 0:37:25.240
<v Speaker 1>it is? Long? Yes, far too long. Also, Harvey Kitel

0:37:25.360 --> 0:37:27.239
<v Speaker 1>is kind of playing the sav exact character that he

0:37:27.320 --> 0:37:31.600
<v Speaker 1>played in Elman Louise, where he's like law enforcement, but

0:37:31.640 --> 0:37:33.560
<v Speaker 1>he's also like, but I want to be your friend,

0:37:33.800 --> 0:37:36.720
<v Speaker 1>Like I'm trying to help you, help help me, help her.

0:37:36.719 --> 0:37:40.760
<v Speaker 1>Hotel has good has like big not all cops energy,

0:37:40.920 --> 0:37:45.040
<v Speaker 1>and I'm like, I don't know how productive this is, right, Like,

0:37:45.360 --> 0:37:48.040
<v Speaker 1>this doesn't seem like I'm not on board with it.

0:37:48.080 --> 0:37:50.200
<v Speaker 1>But then when you put Harvey Kitel in the mixture,

0:37:50.320 --> 0:37:54.440
<v Speaker 1>like I don't know, it's confusing. Also, I wanted to

0:37:54.480 --> 0:37:57.960
<v Speaker 1>just quickly shout out Diane Krueger, a woman that only

0:37:58.040 --> 0:38:02.600
<v Speaker 1>existed for about three or four years and then she disappears. Yeah,

0:38:02.719 --> 0:38:06.240
<v Speaker 1>I don't know if I've seen her in really anything else.

0:38:06.760 --> 0:38:08.640
<v Speaker 1>She actually has, but I'm not giving her enough cry.

0:38:08.719 --> 0:38:13.160
<v Speaker 1>But she I remember her from um Inglorious Bastards. She's

0:38:13.160 --> 0:38:17.520
<v Speaker 1>in that. Um. She was also in a movie I

0:38:17.680 --> 0:38:20.440
<v Speaker 1>never have seen it, never will But Troy comes out

0:38:20.480 --> 0:38:22.759
<v Speaker 1>the same year as I did see that. Yeah, I

0:38:22.760 --> 0:38:25.080
<v Speaker 1>saw that in theaters. That's the That's what I was

0:38:25.280 --> 0:38:28.960
<v Speaker 1>seeing in two thousand four. So she she was Helen

0:38:30.000 --> 0:38:34.400
<v Speaker 1>in Troy. Helen of Troy, got it. Yeah, she started

0:38:34.400 --> 0:38:38.040
<v Speaker 1>the whole war. It's all it's all women's fault. Um.

0:38:38.080 --> 0:38:40.200
<v Speaker 1>So she was like she was a big thing in

0:38:40.560 --> 0:38:43.680
<v Speaker 1>like the mid two thousands. But she's still she's still working.

0:38:44.040 --> 0:38:46.960
<v Speaker 1>She um. I don't mean to downplay her talent, but

0:38:47.120 --> 0:38:51.200
<v Speaker 1>she this was like I think peek her her like

0:38:51.360 --> 0:38:54.960
<v Speaker 1>this and and Inglorious Bastard were her too, like big moments.

0:38:55.200 --> 0:38:59.240
<v Speaker 1>So far. She from Germany, she is. Yeah, it seems

0:38:59.280 --> 0:39:01.720
<v Speaker 1>like I wonder they kind of reverse engineered the character

0:39:01.800 --> 0:39:05.040
<v Speaker 1>to be for her because she is German American. She

0:39:05.280 --> 0:39:08.319
<v Speaker 1>started as a model and then got cast as Helen

0:39:08.400 --> 0:39:12.480
<v Speaker 1>of Troy. And then unlike some model actors ended up

0:39:12.520 --> 0:39:14.920
<v Speaker 1>being a pretty like a solid actor and is the

0:39:15.000 --> 0:39:18.080
<v Speaker 1>still working actor now. He's good for her. The go

0:39:18.200 --> 0:39:21.799
<v Speaker 1>I ask because so she hasn't a German accent that

0:39:22.520 --> 0:39:26.040
<v Speaker 1>Ben Gates detects when he first meets her. But that

0:39:26.120 --> 0:39:31.000
<v Speaker 1>interaction is so weird because he says, oh your accent

0:39:31.400 --> 0:39:36.520
<v Speaker 1>are you Pennsylvania Dutch? And Pennsylvania Dutch for anyone who

0:39:36.600 --> 0:39:40.600
<v Speaker 1>doesn't know refers to Amish people, I'm pretty sure. So

0:39:40.680 --> 0:39:45.640
<v Speaker 1>he's asking her if she's Amish and she's like, no,

0:39:46.480 --> 0:39:51.200
<v Speaker 1>Saxony German or something like why does he think she's

0:39:51.280 --> 0:39:53.560
<v Speaker 1>Amish or why does I don't know? It was just like,

0:39:53.640 --> 0:39:56.719
<v Speaker 1>am I maybe I'm missing something or maybe I'm misinterpreting that,

0:39:56.800 --> 0:39:59.719
<v Speaker 1>but I'm just like, there's no such thing in this movie.

0:39:59.840 --> 0:40:02.160
<v Speaker 1>Like that was a very bizarre and I mean that

0:40:02.239 --> 0:40:06.560
<v Speaker 1>whole interaction is it is unfortunately the most like one

0:40:06.560 --> 0:40:10.759
<v Speaker 1>of the more empowering moments for for Abigail where you're like, oh,

0:40:10.800 --> 0:40:13.560
<v Speaker 1>she's in charge of the scene. She's telling Nick Cage

0:40:13.600 --> 0:40:17.840
<v Speaker 1>that what he's asking for is unreasonable and stupid, but

0:40:18.320 --> 0:40:21.520
<v Speaker 1>he's still God. And then when he oh, my favorite

0:40:21.560 --> 0:40:25.520
<v Speaker 1>line in the movie that I'm like, what is this is?

0:40:25.600 --> 0:40:28.439
<v Speaker 1>When you know how he like sends her whatever the

0:40:28.480 --> 0:40:32.400
<v Speaker 1>campaign button that she didn't or something, he sends her

0:40:32.480 --> 0:40:36.520
<v Speaker 1>something that she wanted and it's like, hey, babe, good

0:40:36.560 --> 0:40:39.680
<v Speaker 1>talking to you today. L O L love Paul because

0:40:39.680 --> 0:40:45.600
<v Speaker 1>he's Paul in his scenario. But when that arrives, it's

0:40:45.600 --> 0:40:48.520
<v Speaker 1>one of the only interactions with two women in the

0:40:48.640 --> 0:40:52.080
<v Speaker 1>entire movie. Like her, I think her receptionist brings it

0:40:52.120 --> 0:40:54.760
<v Speaker 1>to her and then what does she say? She says,

0:40:54.840 --> 0:40:58.040
<v Speaker 1>I have it written down. She's like, what is this?

0:40:58.280 --> 0:41:01.080
<v Speaker 1>I hope it's not from Stand Stand? When you're like,

0:41:01.640 --> 0:41:05.920
<v Speaker 1>who stand? And why are you? Why they are? The

0:41:06.040 --> 0:41:07.960
<v Speaker 1>fact that they went through the trouble of writing that

0:41:08.000 --> 0:41:11.040
<v Speaker 1>line down and we never find out who Stand is

0:41:11.440 --> 0:41:13.759
<v Speaker 1>or why she can't get rid of him? Is he

0:41:13.880 --> 0:41:17.799
<v Speaker 1>an X? Is he a creep? Like? What is his right?

0:41:17.920 --> 0:41:21.040
<v Speaker 1>Especially because like if we or if we used like

0:41:21.360 --> 0:41:23.640
<v Speaker 1>the metric of the Bechdel tests that like we didn't

0:41:23.680 --> 0:41:26.600
<v Speaker 1>need to know the character's name, because I don't think

0:41:26.640 --> 0:41:30.440
<v Speaker 1>we learned her assistance name, but like they do have

0:41:30.480 --> 0:41:33.959
<v Speaker 1>an interaction where the assistant is like, this just came

0:41:33.960 --> 0:41:36.359
<v Speaker 1>for you, and then Abigail responds by saying, I hope

0:41:36.360 --> 0:41:39.480
<v Speaker 1>it's not from stand but if she, I know, she ruined.

0:41:39.480 --> 0:41:44.120
<v Speaker 1>She like that could have passed, like that small interaction,

0:41:44.280 --> 0:41:47.920
<v Speaker 1>like by someone else's standards, that maybe could have passed,

0:41:47.960 --> 0:41:51.640
<v Speaker 1>but like for no reason, She's like, but I have

0:41:51.760 --> 0:41:55.040
<v Speaker 1>to mention a man's name, like writers would rather invent

0:41:55.160 --> 0:41:58.080
<v Speaker 1>a fictional male character, like a person that. I mean,

0:41:58.080 --> 0:42:00.480
<v Speaker 1>they're all fictional, but like a character that it never

0:42:00.560 --> 0:42:03.600
<v Speaker 1>appears on screen or his referenced again, and that's why

0:42:04.040 --> 0:42:10.040
<v Speaker 1>it doesn't pass the easy. Becktel tests right, Becktel tests light. Um,

0:42:10.080 --> 0:42:12.799
<v Speaker 1>But I just I was really fair. I was, and

0:42:12.840 --> 0:42:15.080
<v Speaker 1>then I paid really close attention to there as the movie,

0:42:15.080 --> 0:42:18.080
<v Speaker 1>saying if Stan ever comes up, he doesn't and I

0:42:18.160 --> 0:42:23.520
<v Speaker 1>don't think so no, no, no, good grief. All right, Well, anyway,

0:42:23.560 --> 0:42:28.240
<v Speaker 1>so they're in Philadelphia now, and then finds a pair

0:42:28.360 --> 0:42:34.279
<v Speaker 1>of old timey three D glasses that Benjamin Franklin invented,

0:42:35.200 --> 0:42:40.080
<v Speaker 1>and he looks through them and sees a clue on

0:42:40.160 --> 0:42:43.480
<v Speaker 1>the back of the Declaration of Independence about a wall

0:42:43.760 --> 0:42:45.680
<v Speaker 1>here at the wall, but they don't know what that

0:42:45.680 --> 0:42:49.719
<v Speaker 1>means yet, and Sean Bean and his goons are right there.

0:42:49.719 --> 0:42:52.080
<v Speaker 1>They're right on their tail, they chase them on foot,

0:42:52.800 --> 0:42:55.960
<v Speaker 1>and then Sean Bean manages to get his hands on

0:42:56.000 --> 0:42:59.240
<v Speaker 1>the Declaration of Independence. And then this is when Harvey

0:42:59.280 --> 0:43:03.680
<v Speaker 1>kitel Catch is up with Ben Gates and arrests him,

0:43:03.960 --> 0:43:09.000
<v Speaker 1>and you know, because it's the low point of the movie, honey.

0:43:10.239 --> 0:43:16.640
<v Speaker 1>Then Sean Bean arranges for Ben to meet him. What

0:43:16.800 --> 0:43:20.040
<v Speaker 1>is Sean Bean's ka I think it's ian Ian arranges

0:43:20.320 --> 0:43:23.680
<v Speaker 1>for Ben to meet him in New York with the

0:43:23.719 --> 0:43:27.520
<v Speaker 1>glasses so that he can get the treasure. And they

0:43:27.520 --> 0:43:30.399
<v Speaker 1>all go to a church on Wall Street, and John

0:43:30.480 --> 0:43:32.520
<v Speaker 1>Voight is also there now because I guess he's been

0:43:32.600 --> 0:43:35.840
<v Speaker 1>kidnapped by the bad guys. But when they go to

0:43:36.400 --> 0:43:39.760
<v Speaker 1>the tomb where they think the treasure is going to be,

0:43:39.960 --> 0:43:44.720
<v Speaker 1>it's empty. And Ben and his dad are like, oh,

0:43:44.719 --> 0:43:49.640
<v Speaker 1>well the lantern. That must be another clue. We have

0:43:49.760 --> 0:43:52.960
<v Speaker 1>to go to Boston. And Sean Bean's like, okay, I'm

0:43:53.000 --> 0:43:59.279
<v Speaker 1>going to Boston, and but they he he's shipping out

0:43:59.280 --> 0:44:05.560
<v Speaker 1>to Boston the job kick Murphy's but he traps Ben

0:44:05.600 --> 0:44:10.080
<v Speaker 1>and his friends and leaves him behind. So while Sean

0:44:10.280 --> 0:44:15.520
<v Speaker 1>Bean is gone, Ben is like, psych the treasure is here.

0:44:16.560 --> 0:44:25.640
<v Speaker 1>And then justin byrthe is likes yes, yes, yes, yes, um.

0:44:25.680 --> 0:44:28.440
<v Speaker 1>And then so they hit some like wall buttons and

0:44:28.480 --> 0:44:32.319
<v Speaker 1>they reveal a secret door that leads to the treasure room,

0:44:32.400 --> 0:44:37.040
<v Speaker 1>but oh no, it's also empty. But then they're like, wait,

0:44:37.040 --> 0:44:39.400
<v Speaker 1>this can't be it. There's gotta be treasure here. And

0:44:39.440 --> 0:44:41.880
<v Speaker 1>then they find like a thing on the wall and

0:44:41.880 --> 0:44:44.759
<v Speaker 1>they put the pipe in it and that unlocks the

0:44:44.840 --> 0:44:49.360
<v Speaker 1>door to the real treasure room, which is enormous and

0:44:49.400 --> 0:44:52.960
<v Speaker 1>it's full of treasure, and everyone's like, yeay, we did it.

0:44:53.480 --> 0:44:55.319
<v Speaker 1>And then this is also the I mean, we know

0:44:55.360 --> 0:44:58.960
<v Speaker 1>the whole time that, like like eighty percent of movies,

0:44:59.160 --> 0:45:03.040
<v Speaker 1>it's sig very clear to us that ultimately this is

0:45:03.080 --> 0:45:08.400
<v Speaker 1>a movie about fathers and sons, right yes. John Voyd's like,

0:45:08.440 --> 0:45:12.879
<v Speaker 1>oh my god, I'm so proud of you. You're so cool, Ben,

0:45:12.920 --> 0:45:15.160
<v Speaker 1>You're so smart. You did it. Dad's in the audience

0:45:15.160 --> 0:45:18.359
<v Speaker 1>start tearing up like I wish he had said that

0:45:18.440 --> 0:45:24.600
<v Speaker 1>to me. Um. And then Ben calls Harvey Kitel, who

0:45:24.640 --> 0:45:28.879
<v Speaker 1>also turns out to be a freemason. Interesting, right, which

0:45:28.920 --> 0:45:32.760
<v Speaker 1>you're like, weird reveal. Does that payoff in national treasure

0:45:32.760 --> 0:45:34.080
<v Speaker 1>to it all? Or is that just kind of a

0:45:34.120 --> 0:45:37.640
<v Speaker 1>thing that happens sort of because he does. Harvey Kitel

0:45:37.800 --> 0:45:40.879
<v Speaker 1>is back for the sequel. Baby, everyone is back back.

0:45:40.960 --> 0:45:43.560
<v Speaker 1>Everyone's back, yep, I mean Bartha for sure, it is back.

0:45:43.640 --> 0:45:45.960
<v Speaker 1>He's got nothing better to day. He's so do anything.

0:45:46.040 --> 0:45:48.520
<v Speaker 1>Sean Bean is not back because he gets put in

0:45:48.600 --> 0:45:52.120
<v Speaker 1>jail spoiler alert, but he gets replaced with Ed Harris.

0:45:52.960 --> 0:45:55.719
<v Speaker 1>That's a that's a well no, no offense to Bean,

0:45:55.840 --> 0:45:59.440
<v Speaker 1>but that's an upgrade. I think that, honestly, National Treasure

0:45:59.600 --> 0:46:02.760
<v Speaker 1>is a of all the jokey ways that we insert

0:46:02.800 --> 0:46:05.800
<v Speaker 1>Alfred Molina into various cinematic universes. I feel like his

0:46:05.920 --> 0:46:10.239
<v Speaker 1>absence from the National Treasure extended universe is actually glaring.

0:46:11.200 --> 0:46:15.600
<v Speaker 1>It is noticeable. This seems like a franchise he would

0:46:15.719 --> 0:46:20.320
<v Speaker 1>be involved in. I think either as like a professor

0:46:20.440 --> 0:46:26.120
<v Speaker 1>who helps reveal a clue, or if he goes Molina villain,

0:46:26.239 --> 0:46:29.880
<v Speaker 1>which we love to see. But I know why. I

0:46:30.360 --> 0:46:33.960
<v Speaker 1>want to say that Molina was offered Bean's part. But

0:46:34.760 --> 0:46:37.480
<v Speaker 1>you know, and I know what Alfred Billina was doing

0:46:37.480 --> 0:46:42.160
<v Speaker 1>in two thousand four. Was he being a duck doc? Yeah,

0:46:42.440 --> 0:46:45.759
<v Speaker 1>he had a bigger fish to fry that year, honey.

0:46:45.800 --> 0:46:48.640
<v Speaker 1>But I'm just saying for National Treasure three, it's not

0:46:48.719 --> 0:46:51.920
<v Speaker 1>too late, and he does this does seem to me

0:46:52.120 --> 0:46:55.560
<v Speaker 1>like a franchise that he would get offers within he

0:46:55.760 --> 0:46:59.520
<v Speaker 1>thrive right, well, because he's in Raiders of the Lost Ark.

0:47:01.880 --> 0:47:05.959
<v Speaker 1>Yeah right, this is his vibe, like he if he's

0:47:06.000 --> 0:47:10.319
<v Speaker 1>not in National Treasure three, something is seriously wrong unless he's,

0:47:10.360 --> 0:47:13.120
<v Speaker 1>of course starring in the respute and movie that I

0:47:13.160 --> 0:47:20.439
<v Speaker 1>will be writing and directing. Incredible. Okay, So so Ben

0:47:20.520 --> 0:47:24.000
<v Speaker 1>calls Harvey Kitel. He turns out to be a freemason,

0:47:24.320 --> 0:47:27.520
<v Speaker 1>and Ben is like, don't put me in jail. Also,

0:47:27.680 --> 0:47:30.720
<v Speaker 1>this treasure should be donated to museums all over the world.

0:47:30.719 --> 0:47:34.719
<v Speaker 1>Give it back to the people. Also, send Sean Bean

0:47:34.760 --> 0:47:38.200
<v Speaker 1>to prison instead of me. And then Harvey Kitel is like,

0:47:38.680 --> 0:47:42.600
<v Speaker 1>cool beans, you got it, dude. That's he's literally what

0:47:42.719 --> 0:47:49.839
<v Speaker 1>he says. He's like, cool freaking beans. Then we cut

0:47:49.840 --> 0:47:53.960
<v Speaker 1>to um Ben and Abigail. They are together, they're holding hands,

0:47:54.040 --> 0:47:58.719
<v Speaker 1>they're kissing. They've negotiated that Ben and Riley each get

0:47:58.760 --> 0:48:02.280
<v Speaker 1>a small percentage of the treasure. I think they split

0:48:02.320 --> 0:48:05.520
<v Speaker 1>one percent, but that was enough to allow Ben to

0:48:05.560 --> 0:48:10.360
<v Speaker 1>buy an enormous state. Riley has bought a very nice car.

0:48:11.080 --> 0:48:14.399
<v Speaker 1>He thinks they should have gotten more of the treasure well.

0:48:14.440 --> 0:48:18.080
<v Speaker 1>And also Riley only got credited as an assistant, which

0:48:18.120 --> 0:48:21.000
<v Speaker 1>doesn't necessarily seem fair. It seems like he was doing

0:48:21.280 --> 0:48:24.719
<v Speaker 1>half the work. It's better than what Abigail gets, which

0:48:24.800 --> 0:48:28.319
<v Speaker 1>is no credit at all. Whole I know, well that's true.

0:48:28.400 --> 0:48:31.080
<v Speaker 1>They're like, just don't fire her. Yeah, And I'm like,

0:48:31.120 --> 0:48:35.560
<v Speaker 1>are you. I have a whole spiel about that, but um,

0:48:35.680 --> 0:48:39.319
<v Speaker 1>let's take another quick break and then we'll come right

0:48:39.360 --> 0:48:48.240
<v Speaker 1>back to discuss. And we're back where do we start?

0:48:49.320 --> 0:48:53.080
<v Speaker 1>I mean, Abigail is the bulk of the discussion to

0:48:53.200 --> 0:48:55.960
<v Speaker 1>be had here. Abigail. I mean, it's I feel like,

0:48:56.120 --> 0:48:58.839
<v Speaker 1>very typical of this franchise, which is like, this is

0:48:58.840 --> 0:49:02.120
<v Speaker 1>like action for it, but it's still an action movie basically.

0:49:03.080 --> 0:49:08.360
<v Speaker 1>But in like many action franchises, there is one female

0:49:08.440 --> 0:49:13.480
<v Speaker 1>character who is vaguely written to seem vaguely empowering but

0:49:13.640 --> 0:49:15.920
<v Speaker 1>ultimately kind of isn't. And then she never has a

0:49:15.960 --> 0:49:20.400
<v Speaker 1>woman to talk to. And I feel that that habit

0:49:20.760 --> 0:49:27.560
<v Speaker 1>trend mistake is held up in National Treasure. Who is it? Yes? Indeed,

0:49:28.360 --> 0:49:30.359
<v Speaker 1>because and I feel like like down to kind of

0:49:30.440 --> 0:49:32.239
<v Speaker 1>I almost want to see if you can map out

0:49:32.920 --> 0:49:35.239
<v Speaker 1>like how this happens, because I feel like this, I mean,

0:49:35.400 --> 0:49:38.759
<v Speaker 1>shout out if you have any similar people that you

0:49:38.800 --> 0:49:41.080
<v Speaker 1>can think of in this genre. But the fact that

0:49:41.120 --> 0:49:45.239
<v Speaker 1>she is at first presented to us as hypercompetent and

0:49:45.280 --> 0:49:48.440
<v Speaker 1>in a place of authority, but that's the only scene

0:49:48.840 --> 0:49:51.040
<v Speaker 1>where that is everything. So it's almost like this like

0:49:51.880 --> 0:49:55.799
<v Speaker 1>whatever trick that writers will kind of play on you

0:49:56.160 --> 0:49:58.799
<v Speaker 1>where they're like, oh, she is really good at her job,

0:49:58.880 --> 0:50:02.920
<v Speaker 1>she's really empowered, has a expertise that is needed for

0:50:02.920 --> 0:50:05.960
<v Speaker 1>this mission, but you're never gonna see her in a

0:50:06.040 --> 0:50:09.719
<v Speaker 1>leadership role again, She's never gonna impact the plot in

0:50:09.719 --> 0:50:12.000
<v Speaker 1>a meaningful way, and the next time you see her,

0:50:12.200 --> 0:50:14.960
<v Speaker 1>she's going to be damseled. So I feel like this

0:50:15.040 --> 0:50:17.480
<v Speaker 1>does happen, I mean, does that happen in the Indiana

0:50:17.560 --> 0:50:23.719
<v Speaker 1>Jones franchise as well? Definitely, especially in the like the

0:50:23.800 --> 0:50:27.840
<v Speaker 1>first in the third one. The female characters in those

0:50:27.960 --> 0:50:31.800
<v Speaker 1>are presented as being like there's kind of a reason

0:50:31.880 --> 0:50:35.640
<v Speaker 1>that they end up being the woman in the story

0:50:35.760 --> 0:50:38.359
<v Speaker 1>because for the first one, Raids of the Lost Dark,

0:50:38.840 --> 0:50:42.520
<v Speaker 1>Marian Ravenwood has the medallion that he needs, so like,

0:50:42.560 --> 0:50:45.040
<v Speaker 1>that's why he approaches her, and then that's like they

0:50:45.040 --> 0:50:49.360
<v Speaker 1>get partnered up from there. In Last Crusade, Dr Schneider,

0:50:49.800 --> 0:50:53.359
<v Speaker 1>she's like a professor of antiquities or some kind of

0:50:53.400 --> 0:50:58.000
<v Speaker 1>some expert in the field of antiquities, and she links

0:50:58.080 --> 0:51:01.040
<v Speaker 1>up with Indiana Jones because she is also looking for

0:51:01.320 --> 0:51:04.560
<v Speaker 1>the Holy Grail. In the second movie, like the one

0:51:04.600 --> 0:51:08.760
<v Speaker 1>female character in that movie just gets like dragged along

0:51:08.880 --> 0:51:12.560
<v Speaker 1>by accident. It's frustrating. I think it is kind of

0:51:12.600 --> 0:51:15.400
<v Speaker 1>like almost a little magic trick that writers will do

0:51:15.719 --> 0:51:20.680
<v Speaker 1>to ward off the feminists, to be like, no, we

0:51:20.760 --> 0:51:23.000
<v Speaker 1>do know what her job is, which is good but

0:51:23.120 --> 0:51:25.759
<v Speaker 1>bare minimum ship, and like, yeah, she is good at

0:51:25.760 --> 0:51:28.320
<v Speaker 1>a job which is good, but it's bare minimum ship.

0:51:28.400 --> 0:51:32.880
<v Speaker 1>And then she's relegated to the sexy sidekick role who

0:51:33.360 --> 0:51:37.160
<v Speaker 1>hangs out with the squirrel right exactly because so she's

0:51:37.239 --> 0:51:40.040
<v Speaker 1>the only major female character in the story, which is

0:51:40.160 --> 0:51:44.840
<v Speaker 1>very typical of this genre. She is only important to

0:51:44.920 --> 0:51:49.439
<v Speaker 1>the story because she gets dragged along, not because like

0:51:49.719 --> 0:51:52.480
<v Speaker 1>she made any real active choice to be a part

0:51:52.480 --> 0:51:55.680
<v Speaker 1>of the story. She gets like literally dragged into the

0:51:55.719 --> 0:52:00.120
<v Speaker 1>scenario which she acknowledges in the movie. Um in that

0:52:00.200 --> 0:52:03.360
<v Speaker 1>line where you know John Voyde like, oh, did Marston

0:52:03.520 --> 0:52:07.360
<v Speaker 1>drag you guys into this? And she's like yes, literally, um,

0:52:07.400 --> 0:52:10.280
<v Speaker 1>but like that's not good enough. Really, that doesn't excuse

0:52:10.800 --> 0:52:14.000
<v Speaker 1>that being the reason that she's there. Um. And then

0:52:14.200 --> 0:52:16.360
<v Speaker 1>like you said, like she's she we know her job is,

0:52:16.400 --> 0:52:19.279
<v Speaker 1>she's good at her job. She has this expertise in

0:52:19.400 --> 0:52:23.279
<v Speaker 1>historical documents and US history, I guess, and that is

0:52:23.320 --> 0:52:28.600
<v Speaker 1>occasionally shown, but but it's never information that Nicholas Cage

0:52:28.760 --> 0:52:33.359
<v Speaker 1>doesn't already know. Yeah, Like they literally recite information in

0:52:33.480 --> 0:52:37.560
<v Speaker 1>unison at multiple points, right, Because so that I found

0:52:37.600 --> 0:52:39.960
<v Speaker 1>that really frustrating on the rewatch because I'm like, oh,

0:52:40.280 --> 0:52:42.240
<v Speaker 1>she does know stuff, but then as you keep watching,

0:52:42.239 --> 0:52:45.000
<v Speaker 1>You're like, but it's nothing he doesn't know already, and

0:52:45.120 --> 0:52:48.640
<v Speaker 1>so it's another empty gesture. So she does nothing to

0:52:48.719 --> 0:52:52.800
<v Speaker 1>ever propel the story forward. And the one time I

0:52:52.920 --> 0:52:55.040
<v Speaker 1>was like, oh, she kind of does something that he

0:52:55.600 --> 0:52:59.080
<v Speaker 1>doesn't or can't do, it's when she puts the lemon

0:52:59.160 --> 0:53:01.680
<v Speaker 1>juice on the back of the Declaration of Independence, because

0:53:01.680 --> 0:53:04.040
<v Speaker 1>she's like, he was about to do he would have

0:53:04.120 --> 0:53:06.600
<v Speaker 1>been able to do. He just like might have done

0:53:06.600 --> 0:53:09.600
<v Speaker 1>it a little more haphazardly than her. But like and

0:53:10.320 --> 0:53:12.520
<v Speaker 1>John Voyd is the one to know, is the one

0:53:12.520 --> 0:53:14.879
<v Speaker 1>who knows how invisible ink works, and he's like, you

0:53:14.920 --> 0:53:17.680
<v Speaker 1>have to apply heat and then they do that sexy, breathing,

0:53:17.840 --> 0:53:23.680
<v Speaker 1>flirtatious creepy thing they go, and then you're like, oh,

0:53:23.680 --> 0:53:28.000
<v Speaker 1>my god, grows, what does Nicholas Cage just breath smell like?

0:53:28.280 --> 0:53:34.120
<v Speaker 1>My imagine? I mean, Diane Krueger, please report from the trenches,

0:53:34.239 --> 0:53:38.319
<v Speaker 1>like what does Nicholas Cage just breath smell like? Um? Yeah,

0:53:38.320 --> 0:53:40.319
<v Speaker 1>So that ended up being an empty gesture too, because

0:53:40.320 --> 0:53:42.839
<v Speaker 1>it's like he it's presented like he lets her do it.

0:53:43.160 --> 0:53:46.120
<v Speaker 1>She literally just swabs lemon juice onto it and then

0:53:46.160 --> 0:53:49.319
<v Speaker 1>doesn't know to breathe on it. So yeah, and I

0:53:49.320 --> 0:53:52.399
<v Speaker 1>mean the only time that she impacts the story, I mean,

0:53:52.440 --> 0:53:55.040
<v Speaker 1>they're all easily written out, because it's like you could

0:53:55.040 --> 0:53:58.200
<v Speaker 1>write out her being kidnapped by Sean Bean and then

0:53:58.280 --> 0:54:01.040
<v Speaker 1>un kidnapped by Sean Bean and not would really change.

0:54:01.560 --> 0:54:03.880
<v Speaker 1>She is the one. I mean, I guess it's like

0:54:04.360 --> 0:54:09.000
<v Speaker 1>her mistake or her like panicked during the chase that

0:54:09.160 --> 0:54:14.399
<v Speaker 1>loses them the declaration, So something's her fault and then right,

0:54:14.480 --> 0:54:16.759
<v Speaker 1>but that's like her being that's a passive saying on

0:54:16.840 --> 0:54:20.600
<v Speaker 1>her exactly like she trips, which is like that has

0:54:20.600 --> 0:54:23.080
<v Speaker 1>nothing to be with her, and then the payoff we

0:54:23.120 --> 0:54:25.399
<v Speaker 1>get for that is Nick Cage later says it wasn't

0:54:25.400 --> 0:54:30.439
<v Speaker 1>her fault and then she surprised kisses her after Okay, yes,

0:54:30.520 --> 0:54:32.439
<v Speaker 1>So I kind of want to go through just sort

0:54:32.480 --> 0:54:37.879
<v Speaker 1>of like beat by beat, every story point that she

0:54:38.080 --> 0:54:42.360
<v Speaker 1>is involved in in what exactly happens, starting with the

0:54:42.400 --> 0:54:47.200
<v Speaker 1>way she's introduced, which is another case of like the

0:54:47.280 --> 0:54:51.120
<v Speaker 1>person you thought was gonna be a man is actually

0:54:51.160 --> 0:54:55.280
<v Speaker 1>a woman. Because what happens here is Ben and Riley

0:54:55.360 --> 0:54:58.759
<v Speaker 1>are waiting outside of doctor Chase's office. They don't know

0:54:58.800 --> 0:55:02.759
<v Speaker 1>who Dr Chase is or what gender doctor Chases, but

0:55:02.800 --> 0:55:07.600
<v Speaker 1>they assume that doctor Chase is a man. Right. The

0:55:07.640 --> 0:55:10.960
<v Speaker 1>assistant comes out and says, doctor Chase will see you now,

0:55:11.480 --> 0:55:14.239
<v Speaker 1>and this is in the middle of Riley making a

0:55:14.320 --> 0:55:17.319
<v Speaker 1>comment about, you know, being kept down by the man.

0:55:18.200 --> 0:55:22.200
<v Speaker 1>The door to the office opens, revealing that Dr Chase

0:55:22.440 --> 0:55:26.319
<v Speaker 1>is a woman, and then Riley is like a very

0:55:26.480 --> 0:55:29.120
<v Speaker 1>cute man because he's like kept down by the man,

0:55:29.680 --> 0:55:37.760
<v Speaker 1>a very cute man, and they're like, okay, squirrel has enough, alright,

0:55:37.840 --> 0:55:40.560
<v Speaker 1>So next thing that happens is where at the night

0:55:40.640 --> 0:55:43.200
<v Speaker 1>of the Gala, when Ben is trying to steal the

0:55:43.280 --> 0:55:47.239
<v Speaker 1>Declaration of Independence, He's like handing her a glass so

0:55:47.280 --> 0:55:50.879
<v Speaker 1>that he's able to get her fingerprints later. And then

0:55:50.960 --> 0:55:53.880
<v Speaker 1>Riley is like on the little like earpiece on his

0:55:54.000 --> 0:55:58.600
<v Speaker 1>like calm link or whatever. Riley is a hacker. He's

0:55:58.600 --> 0:56:00.760
<v Speaker 1>got the whole set up. He's in a separate truck

0:56:01.040 --> 0:56:04.440
<v Speaker 1>or something. Yes, And so you know, Ben is talking

0:56:04.520 --> 0:56:07.960
<v Speaker 1>to Abigail and Riley is like, who's that? Is that?

0:56:07.960 --> 0:56:11.160
<v Speaker 1>That hot girl? How does she look? And we're just like,

0:56:11.400 --> 0:56:15.759
<v Speaker 1>You're like, can you relax, squirrel, like please. He also

0:56:15.840 --> 0:56:18.960
<v Speaker 1>later says that means declaration lady is behind you, and

0:56:18.960 --> 0:56:21.120
<v Speaker 1>it's like, why do you think she's mean? Like she

0:56:21.320 --> 0:56:23.719
<v Speaker 1>was just doing her job by not letting you look

0:56:23.719 --> 0:56:27.640
<v Speaker 1>at the Declaration of Independence. That whole scene of them

0:56:27.800 --> 0:56:31.920
<v Speaker 1>like like pain pong nagging her and calling her annoying

0:56:32.040 --> 0:56:34.520
<v Speaker 1>and telling her to shut up, Like I have some

0:56:34.640 --> 0:56:37.600
<v Speaker 1>of them written down because it's say so agregious, because

0:56:37.600 --> 0:56:42.640
<v Speaker 1>it's like we know as human beings that she was

0:56:42.719 --> 0:56:46.120
<v Speaker 1>just kidnapped by Sean Bean flung out of a truck.

0:56:46.560 --> 0:56:49.719
<v Speaker 1>And then kidnapped by Nicholas Cage and she has to

0:56:49.760 --> 0:56:53.799
<v Speaker 1>protect the Declaration of Independence. She's having a horrible day,

0:56:54.200 --> 0:56:56.920
<v Speaker 1>and so she's allowed to say anything she wants. But

0:56:57.080 --> 0:56:59.640
<v Speaker 1>it's like Nick Cage the second she gets into the

0:56:59.680 --> 0:57:04.799
<v Speaker 1>truck immediately begins nagging her. Um. He says, she really

0:57:04.840 --> 0:57:08.040
<v Speaker 1>can't shut her mouth, can she? And then later he

0:57:08.080 --> 0:57:11.360
<v Speaker 1>once they're parked, he lets her hold the Declaration of Independence.

0:57:11.360 --> 0:57:13.000
<v Speaker 1>He is like, you can hold this if you promise

0:57:13.120 --> 0:57:15.960
<v Speaker 1>to shut up. Yes, there's so, I have them all

0:57:16.000 --> 0:57:18.880
<v Speaker 1>written down. At first, he says, can you please stop shouting?

0:57:19.440 --> 0:57:23.120
<v Speaker 1>She's yelling give me that. Referring to the Declaration of Independence,

0:57:23.240 --> 0:57:26.160
<v Speaker 1>He says, you're still shouting and it's really starting to annoy.

0:57:26.520 --> 0:57:28.760
<v Speaker 1>You would do well to be a bit more civilized

0:57:28.800 --> 0:57:32.000
<v Speaker 1>in this instance. He also says when he says to

0:57:32.160 --> 0:57:35.560
<v Speaker 1>annoy and not annoy me, that is low key and

0:57:35.880 --> 0:57:39.120
<v Speaker 1>iconic Nick Cage moment where it's like and it's starting

0:57:39.160 --> 0:57:43.080
<v Speaker 1>to annoy. You're like what, You're like, where did you

0:57:43.200 --> 0:57:46.400
<v Speaker 1>learn to be a person? Okay? Yeah, who taught you?

0:57:46.520 --> 0:57:48.720
<v Speaker 1>Oh yeah? And then you're like, wait, he's an appetism

0:57:48.720 --> 0:57:52.600
<v Speaker 1>who knows right? Right? Right? Um? Then she is continuing

0:57:52.720 --> 0:57:56.280
<v Speaker 1>again understandably to like she's freaking out, she's yelling, she

0:57:56.320 --> 0:58:00.560
<v Speaker 1>swears in German, and then he says your shower again,

0:58:01.160 --> 0:58:05.080
<v Speaker 1>and Riley's like pretty sure she's swearing too, yeah, oh yeah.

0:58:05.120 --> 0:58:08.560
<v Speaker 1>And Riley is also loving it. No one stands up

0:58:08.600 --> 0:58:11.200
<v Speaker 1>for her. Riley is like te hee he nick Cage's

0:58:11.280 --> 0:58:14.800
<v Speaker 1>epic like, I loved him, I love him, I wanted

0:58:14.840 --> 0:58:18.960
<v Speaker 1>him to be my best friend forever um. And then

0:58:19.240 --> 0:58:22.360
<v Speaker 1>later when Ben is telling her about the silence two

0:58:22.440 --> 0:58:27.560
<v Speaker 1>good letters, he keeps saying, you know, quiet, please, now shush.

0:58:27.680 --> 0:58:29.800
<v Speaker 1>She really can't keep her mouth shut, can't she Yeah,

0:58:29.960 --> 0:58:31.960
<v Speaker 1>I'll let you hold onto this if you promise to

0:58:31.960 --> 0:58:36.240
<v Speaker 1>shut up please. She's like reacting appropriately and he just

0:58:36.680 --> 0:58:41.640
<v Speaker 1>nonstops says shut up a hundred times. He's so and

0:58:41.640 --> 0:58:44.560
<v Speaker 1>and then and then he mentions it as a pro

0:58:45.080 --> 0:58:49.400
<v Speaker 1>later when she's like fake working with Sean Bean, and

0:58:49.440 --> 0:58:53.520
<v Speaker 1>he's like, she never shuts up. But by then he's like,

0:58:53.880 --> 0:58:56.320
<v Speaker 1>means it in a way that he's like, I love

0:58:56.520 --> 0:58:59.280
<v Speaker 1>my girlfriend who never shuts the funk up, Like he

0:58:59.360 --> 0:59:03.320
<v Speaker 1>says it in a different contexts. It's equally insulting and

0:59:03.440 --> 0:59:08.760
<v Speaker 1>also patently untrue, Like she's never like it's she's not

0:59:08.920 --> 0:59:12.520
<v Speaker 1>a blabber mouth, she's not given enough lines to be considered.

0:59:13.280 --> 0:59:16.800
<v Speaker 1>She's just like upset that she's just been kidnapped twice

0:59:16.840 --> 0:59:20.520
<v Speaker 1>in a row by people who are actively trying to

0:59:20.560 --> 0:59:24.280
<v Speaker 1>steal the deck, like she's responding appropriately, and then they're

0:59:24.320 --> 0:59:27.480
<v Speaker 1>just like, Wow, this shrill woman will not shut the

0:59:27.520 --> 0:59:31.960
<v Speaker 1>funk up about being kidnapped and me stealing the Declaration

0:59:32.000 --> 0:59:36.840
<v Speaker 1>of Independence? What a bit she She's presented as a

0:59:36.880 --> 0:59:40.040
<v Speaker 1>bitchy obstacle at first, she oh, she's fully presented as

0:59:40.040 --> 0:59:43.720
<v Speaker 1>a bitchy obstacle, but then she becomes a complacent sidekick

0:59:44.440 --> 0:59:48.240
<v Speaker 1>and then the love interest and then the love Yeah,

0:59:48.440 --> 0:59:51.240
<v Speaker 1>so like it's it's bad. There's that weird line. We've

0:59:51.280 --> 0:59:55.080
<v Speaker 1>already referenced that when she Ben and Riley go to

0:59:55.200 --> 0:59:58.800
<v Speaker 1>John Voyd's house. John Voyd answers the door and it's like,

0:59:59.320 --> 1:00:01.160
<v Speaker 1>what are you doing here in the middle of the night?

1:00:01.360 --> 1:00:03.920
<v Speaker 1>Is she pregnant? I'm like, you don't even know who

1:00:03.960 --> 1:00:06.840
<v Speaker 1>this person is, Like what are you talking to? That

1:00:06.960 --> 1:00:12.959
<v Speaker 1>conclusion he he like pull vaults, so that weird conclusion

1:00:13.600 --> 1:00:16.160
<v Speaker 1>and nick cage instead of saying, what are you talking

1:00:16.200 --> 1:00:19.360
<v Speaker 1>about Nick Cage is like, well, if she is, do

1:00:19.400 --> 1:00:22.840
<v Speaker 1>you want to let the woman carrying your future grandchild

1:00:23.000 --> 1:00:26.280
<v Speaker 1>stand outside in the cold? And you're like, what is

1:00:26.360 --> 1:00:29.320
<v Speaker 1>this family? This family is so fucked up they make

1:00:29.440 --> 1:00:32.080
<v Speaker 1>no sense. And then he has pizza for four in

1:00:32.240 --> 1:00:36.120
<v Speaker 1>back like he's just like so weird. And then yeah,

1:00:36.160 --> 1:00:38.840
<v Speaker 1>he just lets his dad think that he's had sex

1:00:38.880 --> 1:00:41.360
<v Speaker 1>with this poor woman who he's been screaming at all

1:00:41.440 --> 1:00:45.040
<v Speaker 1>night to shut up. And and then instead of having

1:00:45.040 --> 1:00:48.760
<v Speaker 1>her character reply logically, they write in the line do

1:00:48.920 --> 1:00:52.440
<v Speaker 1>I look pregnant? And then you're like, come on, you're

1:00:52.480 --> 1:00:57.919
<v Speaker 1>gonna make fun of this German supermodel's body, like what what?

1:00:57.920 --> 1:01:02.480
<v Speaker 1>What about the rest of us? Like it's uh? And

1:01:02.520 --> 1:01:06.400
<v Speaker 1>then from that scene on she is love interest sidekick,

1:01:06.840 --> 1:01:10.040
<v Speaker 1>and that is how she is portrayed. We don't really

1:01:10.040 --> 1:01:12.560
<v Speaker 1>ever learn anymore about her character except that she said

1:01:12.600 --> 1:01:15.680
<v Speaker 1>I love you to more than one person, right, which

1:01:15.720 --> 1:01:19.480
<v Speaker 1>is a cute little fact. They learned that at the

1:01:19.600 --> 1:01:22.000
<v Speaker 1>Urban Outfitters that they fall in love. Maybe one of

1:01:22.040 --> 1:01:26.080
<v Speaker 1>them was that stand guy, and maybe it was I'm

1:01:26.120 --> 1:01:28.720
<v Speaker 1>also like, maybe she and Stan were trying to work

1:01:28.720 --> 1:01:34.880
<v Speaker 1>sh it out, and Ben swoops in Benjamin Franklin, Benjamin Franklin, Mr. Steel,

1:01:34.880 --> 1:01:40.320
<v Speaker 1>your girl gains swoops in some other stuff that happens

1:01:40.520 --> 1:01:44.240
<v Speaker 1>to her. She needs to be saved again. When the

1:01:44.240 --> 1:01:48.240
<v Speaker 1>bad guys are chasing after them, the Declaration of Independence

1:01:48.240 --> 1:01:51.480
<v Speaker 1>gets flung out of her hand onto the street. She

1:01:51.600 --> 1:01:53.800
<v Speaker 1>runs after it and Almots gets hit by a truck,

1:01:53.840 --> 1:01:55.640
<v Speaker 1>and then Riley has to grab her and get her

1:01:55.680 --> 1:01:58.280
<v Speaker 1>out of the way. And then a short time later

1:01:58.320 --> 1:02:01.760
<v Speaker 1>when they're in the tomb in the church, they're like

1:02:01.960 --> 1:02:05.800
<v Speaker 1>all filing in their kind of being held hostage by

1:02:06.200 --> 1:02:09.040
<v Speaker 1>Sean Bean and the other bad guys. And there's this

1:02:09.120 --> 1:02:12.680
<v Speaker 1>moment where like Abigail walks in front of ben and

1:02:12.800 --> 1:02:15.880
<v Speaker 1>he grabs her and says come here, pulls her toward him,

1:02:15.920 --> 1:02:20.680
<v Speaker 1>and then surprise kisses her. It's so like that bothers

1:02:20.680 --> 1:02:24.320
<v Speaker 1>me on a number of levels, the first obviously being

1:02:24.440 --> 1:02:29.320
<v Speaker 1>it's an agregious surprise kiss. The second being that I

1:02:29.360 --> 1:02:34.520
<v Speaker 1>strongly suspect that that was like a studio note because

1:02:34.800 --> 1:02:38.400
<v Speaker 1>it is connected to nothing else going on. It's almost

1:02:38.440 --> 1:02:41.560
<v Speaker 1>like the screenwriters were told we need them to kiss

1:02:41.680 --> 1:02:46.320
<v Speaker 1>before this part, because other than that it's prompted about.

1:02:46.320 --> 1:02:48.040
<v Speaker 1>He just grabs her, and he's like, oh, right, that

1:02:48.160 --> 1:02:50.560
<v Speaker 1>we forgot. Jerry Bruckheimer wants us to kiss, and then

1:02:50.560 --> 1:02:54.280
<v Speaker 1>they kiss, and then it's and then it's you don't

1:02:54.320 --> 1:02:57.520
<v Speaker 1>find out, and then that's it. That's also, yeah, that's

1:02:57.600 --> 1:03:00.400
<v Speaker 1>that's the kiss of the movie. That's it's the most

1:03:00.640 --> 1:03:04.800
<v Speaker 1>wedged in surprise kiss of any kind, surprise or not,

1:03:05.000 --> 1:03:08.160
<v Speaker 1>most wedged in kiss I've ever seen in a movie.

1:03:08.400 --> 1:03:12.040
<v Speaker 1>It's just like, and I mean, God love Diane Krueger,

1:03:12.440 --> 1:03:17.480
<v Speaker 1>like the most passionless kiss you'll ever see in your life.

1:03:17.560 --> 1:03:20.160
<v Speaker 1>She does not I think that. She's like, I cannot

1:03:20.200 --> 1:03:23.400
<v Speaker 1>believe I have to do this. At what cost? Will

1:03:23.440 --> 1:03:29.000
<v Speaker 1>I be a star? Like they have no chemistry even

1:03:29.040 --> 1:03:33.400
<v Speaker 1>a little bit. Nope, nope, nope, you hate to see it?

1:03:33.560 --> 1:03:38.320
<v Speaker 1>Um okay. So then after this kiss, they are in

1:03:38.360 --> 1:03:41.680
<v Speaker 1>the tomb. The stairs are starting to crumble under them.

1:03:41.840 --> 1:03:45.160
<v Speaker 1>As they're like making their way down into the treasure room.

1:03:45.320 --> 1:03:48.160
<v Speaker 1>There is a moment where ben Gates like slips and

1:03:48.200 --> 1:03:51.680
<v Speaker 1>falls and he's like hanging by something and she's like, here,

1:03:51.720 --> 1:03:54.800
<v Speaker 1>give me your hand, so she kind of saves him,

1:03:54.800 --> 1:03:58.680
<v Speaker 1>but that is immediately undone by a moment later she

1:03:58.880 --> 1:04:00.960
<v Speaker 1>falls and then he has to grab her and pull

1:04:01.000 --> 1:04:03.640
<v Speaker 1>her up and save her. So she has to be

1:04:03.760 --> 1:04:08.760
<v Speaker 1>saved three different times in this movie by either where

1:04:08.840 --> 1:04:11.640
<v Speaker 1>he drops her. Oh right, he drops her on that

1:04:11.760 --> 1:04:14.720
<v Speaker 1>like platform. He's like, do you trust me? And it's like,

1:04:14.760 --> 1:04:17.720
<v Speaker 1>what is this? Aladdin? Right? I felt the same way,

1:04:17.800 --> 1:04:20.880
<v Speaker 1>But then it's not really like that because he drops

1:04:20.880 --> 1:04:23.880
<v Speaker 1>her presumably to her death. She she makes a hard

1:04:23.960 --> 1:04:26.680
<v Speaker 1>fall on would that there is no way on earth

1:04:26.760 --> 1:04:30.040
<v Speaker 1>Nicholas Cage could be sure would save her. It was

1:04:30.760 --> 1:04:36.360
<v Speaker 1>Ricketty down there. So by a miracle of screenwriting, she survives.

1:04:36.640 --> 1:04:40.720
<v Speaker 1>And then afterwards he does I mean, Nick Cage does

1:04:40.840 --> 1:04:45.200
<v Speaker 1>apologize to her several times in the movie and he's like, sorry,

1:04:45.240 --> 1:04:49.160
<v Speaker 1>I dropped you. I had to save the Declaration of Independence,

1:04:49.560 --> 1:04:54.480
<v Speaker 1>and instead of first of all, incredible line and incredible delivery,

1:04:54.560 --> 1:04:59.560
<v Speaker 1>but then instead of her responding logically, she's like horny

1:04:59.600 --> 1:05:01.480
<v Speaker 1>by the actually he dropped her to her death, and

1:05:01.520 --> 1:05:04.360
<v Speaker 1>she's like, it's fine, I would have done exactly the

1:05:04.400 --> 1:05:07.360
<v Speaker 1>same thing if if it were me. And then he's

1:05:07.400 --> 1:05:11.080
<v Speaker 1>like really, And then that's and you're like, what the

1:05:11.200 --> 1:05:15.360
<v Speaker 1>funk is going on? That reminds me of the moment

1:05:15.760 --> 1:05:19.400
<v Speaker 1>I think they're in Philly still, and they're deciding to

1:05:19.440 --> 1:05:22.680
<v Speaker 1>split up because like Sean Bean and his like cronies

1:05:22.720 --> 1:05:27.040
<v Speaker 1>are looking for them. They're being British and they're being

1:05:27.040 --> 1:05:29.680
<v Speaker 1>Brity because they have to keep the treasure away from

1:05:29.680 --> 1:05:34.120
<v Speaker 1>the British because it's three hundred years ago and we

1:05:34.200 --> 1:05:39.960
<v Speaker 1>still care about that for some reason anyway. So um,

1:05:40.080 --> 1:05:43.360
<v Speaker 1>Ben is like, all right, I'll take the glasses and

1:05:43.440 --> 1:05:47.000
<v Speaker 1>like the container and I'll go this way, and Abigail

1:05:47.120 --> 1:05:51.880
<v Speaker 1>has the actual declaration and Ben says, take care of her. Now.

1:05:52.160 --> 1:05:55.600
<v Speaker 1>Riley thinks that Ben is talking to him about Abigail.

1:05:56.120 --> 1:06:00.400
<v Speaker 1>Abigail thinks Ben is talking to her about the Declaration

1:06:00.440 --> 1:06:03.640
<v Speaker 1>of Independence. So they both say. Both Riley and Abigail

1:06:03.720 --> 1:06:07.760
<v Speaker 1>say I will, but we don't know which one Ben means, Like,

1:06:08.200 --> 1:06:11.400
<v Speaker 1>was he talking to Riley about Abigail? I feel like

1:06:11.760 --> 1:06:14.400
<v Speaker 1>I want to probably, I want to give him the

1:06:14.400 --> 1:06:17.720
<v Speaker 1>benefit of the doubt and feel like these freaky, freaky

1:06:17.760 --> 1:06:22.240
<v Speaker 1>freemasons refer to documents with she her pronouns like they

1:06:22.240 --> 1:06:26.040
<v Speaker 1>do with fucking boats and buildings. I feel like he

1:06:26.680 --> 1:06:30.640
<v Speaker 1>is like the Declaration of Independence identifies she her, which,

1:06:30.680 --> 1:06:33.800
<v Speaker 1>first of all, don't tell the Declaration of Independence. How

1:06:33.840 --> 1:06:38.000
<v Speaker 1>they identify, right, we don't know. We don't know. Don't

1:06:38.080 --> 1:06:41.880
<v Speaker 1>gender a piece of paper that a bunch of men touched,

1:06:42.720 --> 1:06:49.560
<v Speaker 1>I know, grubby hands on dirty. So that's a very

1:06:49.640 --> 1:06:55.760
<v Speaker 1>brilliant critique we both had. Anyway, the point is she, yeah,

1:06:55.840 --> 1:07:00.240
<v Speaker 1>she has to be saved many times, constantly damns old

1:07:00.280 --> 1:07:05.000
<v Speaker 1>and then foisted into the like okay, now she's with

1:07:05.160 --> 1:07:09.200
<v Speaker 1>Nicholas Kate, like they're together and you're just like god.

1:07:09.280 --> 1:07:11.840
<v Speaker 1>And at the end they move into this huge stone

1:07:11.920 --> 1:07:16.360
<v Speaker 1>house or whatever. And also the math does not like okay,

1:07:16.400 --> 1:07:20.280
<v Speaker 1>I didn't do the math, but they estimate that the

1:07:20.480 --> 1:07:24.560
<v Speaker 1>treasure is worth ten billion dollars and then Riley gets

1:07:24.640 --> 1:07:29.040
<v Speaker 1>one half of one percent, which would be millions of dollars,

1:07:29.560 --> 1:07:32.240
<v Speaker 1>but he only gets a car. I know, I don't

1:07:32.240 --> 1:07:34.720
<v Speaker 1>get it. I don't also, but I totally agree with

1:07:34.760 --> 1:07:38.880
<v Speaker 1>you that like Riley is not credited properly, but more pressingly,

1:07:39.360 --> 1:07:44.280
<v Speaker 1>Abigail is not credited period. Oh, she simply doesn't lose

1:07:44.320 --> 1:07:48.760
<v Speaker 1>her current job. I was furious, and like, she's not unhappy,

1:07:48.920 --> 1:07:52.120
<v Speaker 1>but she's just like he's like, okay, well, here's my

1:07:52.360 --> 1:07:56.800
<v Speaker 1>terms and conditions. Harvey Kotel Carvey gets spinning his weird

1:07:56.960 --> 1:08:02.320
<v Speaker 1>ring like bro yeah. Ben is like, okay, I want

1:08:02.400 --> 1:08:04.680
<v Speaker 1>the credit for the fun to go to the entire

1:08:04.800 --> 1:08:08.480
<v Speaker 1>Gates family with the help of Riley Pool, but like

1:08:08.640 --> 1:08:11.640
<v Speaker 1>Abigail was there the whole time helping them, doesn't get

1:08:11.640 --> 1:08:14.680
<v Speaker 1>credited at all. All he says is like, um, no

1:08:14.760 --> 1:08:18.400
<v Speaker 1>criminal activity should go on her record. By the way, Like,

1:08:18.640 --> 1:08:22.599
<v Speaker 1>I cannot believe he does not credit her for helping

1:08:22.720 --> 1:08:27.439
<v Speaker 1>him find the treasure anything. It's It's bad, It's really bad.

1:08:27.600 --> 1:08:30.720
<v Speaker 1>I was like, are you fucking kidding me right now?

1:08:30.760 --> 1:08:35.680
<v Speaker 1>Bending Franklin Gates. I know bf he's also, oh I

1:08:35.720 --> 1:08:40.160
<v Speaker 1>wrote this down, brilliant critique coming in ready, he's the

1:08:40.240 --> 1:08:50.679
<v Speaker 1>BFG big. He's literally except he's Benjamin Franklin Gates, which

1:08:50.720 --> 1:08:56.960
<v Speaker 1>is worse. Um, which is worse. Okay, So the movie

1:08:57.120 --> 1:09:00.479
<v Speaker 1>is exhausting. I love it. It is better than I

1:09:00.520 --> 1:09:03.559
<v Speaker 1>thought it would be. I do enjoy it. I love

1:09:03.600 --> 1:09:06.720
<v Speaker 1>I mean it is a romp and a half. I

1:09:06.760 --> 1:09:09.680
<v Speaker 1>mean talk about a round half the things. I feel like,

1:09:09.680 --> 1:09:11.960
<v Speaker 1>as with most romps, most of the things that do

1:09:12.040 --> 1:09:15.920
<v Speaker 1>happen don't necessarily make sense. But it's such a good

1:09:16.000 --> 1:09:19.559
<v Speaker 1>romp that you don't even care. It doesn't matter. Just good,

1:09:20.240 --> 1:09:24.559
<v Speaker 1>it doesn't matter. I think maybe two other women have

1:09:24.960 --> 1:09:29.439
<v Speaker 1>very short, short moments on screen. Oh okay, so I had.

1:09:29.840 --> 1:09:34.320
<v Speaker 1>There's a woman who is Abigails like assistant or receptionist

1:09:34.400 --> 1:09:37.400
<v Speaker 1>or whatever. There's a woman in the market in Philly

1:09:37.640 --> 1:09:41.160
<v Speaker 1>where Abigail, which I think is an interesting scene maybe

1:09:41.160 --> 1:09:45.080
<v Speaker 1>worth talking about, where Abigail is running from Sean Bean's

1:09:45.479 --> 1:09:50.160
<v Speaker 1>cronies and she hides behind this counter and this woman says,

1:09:50.439 --> 1:09:52.640
<v Speaker 1>if you're not a steak, you don't belong here, and

1:09:52.680 --> 1:09:55.679
<v Speaker 1>Abigail's like, I'm trying to hide from my ex husband.

1:09:56.360 --> 1:10:00.559
<v Speaker 1>The woman responded, yeah, She's like, honey, you can stay

1:10:00.560 --> 1:10:03.080
<v Speaker 1>here as long as you like. And I was like, okay,

1:10:03.080 --> 1:10:06.559
<v Speaker 1>that's a really nice moment of like, well, woman helping

1:10:06.600 --> 1:10:09.840
<v Speaker 1>another woman in a moment of need. But those those

1:10:09.840 --> 1:10:12.120
<v Speaker 1>are the only two women I noticed. Was there another one?

1:10:12.400 --> 1:10:17.160
<v Speaker 1>There was an FBI woman as well, who says silence,

1:10:17.240 --> 1:10:22.720
<v Speaker 1>do good allowed? Right, Harvey Kitel has a female employee

1:10:23.400 --> 1:10:26.040
<v Speaker 1>that speaks several times and has seen several times, but

1:10:26.120 --> 1:10:27.720
<v Speaker 1>we never know what her name is or anything like that.

1:10:28.080 --> 1:10:33.120
<v Speaker 1>I take issue with that whole deli scene in general.

1:10:33.240 --> 1:10:36.040
<v Speaker 1>Because it's like, I feel like there is like very

1:10:36.120 --> 1:10:40.880
<v Speaker 1>much a racial trope going on there as well. The

1:10:40.960 --> 1:10:44.080
<v Speaker 1>two women of color we see are like service workers

1:10:44.080 --> 1:10:45.920
<v Speaker 1>there for a punch line which almost feels like it's

1:10:45.920 --> 1:10:49.680
<v Speaker 1>pulled from the Michael Bay playbook, which Hello Bruckheimer, it's

1:10:49.720 --> 1:10:52.840
<v Speaker 1>a Bruckheimer play as well, where they're just kind of

1:10:52.880 --> 1:10:55.800
<v Speaker 1>there to like provide the white lead with like a

1:10:55.840 --> 1:11:00.720
<v Speaker 1>funny moment. And on top of that, the that's kind

1:11:00.720 --> 1:11:03.599
<v Speaker 1>of being made is like, oh, she's running from her

1:11:03.640 --> 1:11:08.120
<v Speaker 1>abusive ex husband ha ha. Like yeah, so that I

1:11:08.120 --> 1:11:11.639
<v Speaker 1>mean that that was just like stinky for me through

1:11:11.680 --> 1:11:13.880
<v Speaker 1>and through. I guess it didn't occur to me that

1:11:13.920 --> 1:11:16.960
<v Speaker 1>they were playing it as a joke, but I can

1:11:17.160 --> 1:11:21.320
<v Speaker 1>see that now. So that is not great because all

1:11:21.400 --> 1:11:25.240
<v Speaker 1>the woman says is like who I wouldn't want to

1:11:25.280 --> 1:11:30.679
<v Speaker 1>be married to him either, And you're like, that's not funny. Yeah,

1:11:30.720 --> 1:11:33.519
<v Speaker 1>they do. Couldn't end that on like that little comedic

1:11:33.800 --> 1:11:36.639
<v Speaker 1>button if you will. Yeah, I mean, if this weren't

1:11:36.640 --> 1:11:39.880
<v Speaker 1>a romp, you would help that another woman would be like,

1:11:40.080 --> 1:11:42.240
<v Speaker 1>can I help you? Instead of offering you a piece

1:11:42.280 --> 1:11:46.840
<v Speaker 1>of raw meat and being like yeake, he seems mean. Um,

1:11:46.880 --> 1:11:50.559
<v Speaker 1>but this movie just isn't well written, so and they're

1:11:50.600 --> 1:11:52.040
<v Speaker 1>only talking about men, and we never find out what

1:11:52.080 --> 1:11:57.200
<v Speaker 1>her name is Sawyer. Whoopsies. But before we we dive

1:11:57.360 --> 1:12:02.320
<v Speaker 1>further into the Bechtel test discussion, just a few fun things.

1:12:02.400 --> 1:12:07.840
<v Speaker 1>So Nicholas Cage is trying to find the password to

1:12:07.920 --> 1:12:10.759
<v Speaker 1>open the door in like the archive building or whatever

1:12:10.840 --> 1:12:15.000
<v Speaker 1>wherever they are where the Declaration of Independence is where

1:12:15.000 --> 1:12:17.960
<v Speaker 1>they're like trying to steal it from Justin. Bartha is

1:12:18.080 --> 1:12:23.639
<v Speaker 1>listing off several anagram possibilities that like the letters could

1:12:23.680 --> 1:12:26.600
<v Speaker 1>form based on like the fingerprints, the letters that like

1:12:26.640 --> 1:12:29.599
<v Speaker 1>the fingerprints have touched. Um. So, just a good time

1:12:30.920 --> 1:12:36.320
<v Speaker 1>or something. But this is a perfect time, speaking of anagrams,

1:12:36.400 --> 1:12:40.879
<v Speaker 1>to remind everyone that Caitlyn darante anagrams to such things

1:12:40.920 --> 1:12:46.080
<v Speaker 1>as Latin dancer U T I, Lauren D Titanic. And

1:12:46.120 --> 1:12:51.000
<v Speaker 1>speaking of Titanic, did you notice Jamie that in the

1:12:51.040 --> 1:12:55.559
<v Speaker 1>beginning when they are going down into the Charlotte after

1:12:55.600 --> 1:12:58.360
<v Speaker 1>they've like uncovered it in the ice and it's like

1:12:58.439 --> 1:13:01.760
<v Speaker 1>bluish and they're like walking food, did not remind you

1:13:01.800 --> 1:13:05.280
<v Speaker 1>of the beginning of Titanic with like Bill Paxton, Oh

1:13:05.360 --> 1:13:08.040
<v Speaker 1>I had it written down. I was okay, wait, what

1:13:08.120 --> 1:13:10.679
<v Speaker 1>did I write down? I had a cute little note. Okay,

1:13:10.720 --> 1:13:13.880
<v Speaker 1>here's my note. Kind of like the beginning of Titanic,

1:13:13.920 --> 1:13:16.000
<v Speaker 1>a big treasure is found, but then the treasure isn't

1:13:16.080 --> 1:13:19.439
<v Speaker 1>what it seems. But what if this movie, like what

1:13:19.520 --> 1:13:22.439
<v Speaker 1>if Titanic went like that, like instead of like starting

1:13:22.439 --> 1:13:25.200
<v Speaker 1>to talk to Rose, the whole movie was just about

1:13:25.360 --> 1:13:27.920
<v Speaker 1>like it was like national treasure, but it was about

1:13:27.920 --> 1:13:31.479
<v Speaker 1>the Titanic, and it's just Bill Paxton being like, I'm

1:13:31.600 --> 1:13:35.400
<v Speaker 1>going to steal the Titanic. Oh my god, amazing. There's

1:13:35.400 --> 1:13:38.280
<v Speaker 1>a message on Titanic. And if you squeeze a lemon

1:13:38.280 --> 1:13:44.520
<v Speaker 1>on the Titanic, there's an app especially because Bill Paxton

1:13:44.720 --> 1:13:49.360
<v Speaker 1>is another actor like Nicholas Cage, who when he acts

1:13:49.360 --> 1:13:52.040
<v Speaker 1>and when he when he's like doing line reads like

1:13:52.880 --> 1:13:57.320
<v Speaker 1>they are absurd of the time, like he would have

1:13:57.360 --> 1:14:00.479
<v Speaker 1>turned in a similar performance, so that would have been perfect. Also,

1:14:00.600 --> 1:14:04.760
<v Speaker 1>just like visually it looked so much like that seen

1:14:04.840 --> 1:14:07.160
<v Speaker 1>in Titanic when they're like going through with like the

1:14:07.200 --> 1:14:11.280
<v Speaker 1>Snoop Dogg vision um little submarine with the camera and

1:14:11.320 --> 1:14:14.639
<v Speaker 1>stuff and like going through in and out of the ship,

1:14:14.680 --> 1:14:16.960
<v Speaker 1>and I was like, oh my god, this looks exactly

1:14:17.080 --> 1:14:20.400
<v Speaker 1>like Titanic when they're going through the Charlotte. Anyway, right,

1:14:21.120 --> 1:14:24.639
<v Speaker 1>so back to the anagrams. Um, we've got Lauren D Titanic,

1:14:24.680 --> 1:14:28.880
<v Speaker 1>we've got nine tip Dracula, we've got Tan Clarinet, I

1:14:29.080 --> 1:14:31.200
<v Speaker 1>U D, We've got here's a new one. I just

1:14:31.240 --> 1:14:37.280
<v Speaker 1>tweeted this the other day, Rude Italian kunt. But what

1:14:37.400 --> 1:14:43.759
<v Speaker 1>that one is? Why? But cunt spelled with the U instead.

1:14:43.840 --> 1:14:45.800
<v Speaker 1>It's like a little asterix because I don't have two

1:14:45.920 --> 1:14:48.839
<v Speaker 1>use in my name, and you was taken up with rude,

1:14:49.200 --> 1:14:53.800
<v Speaker 1>so it's like see asterix and T. I'll allow it,

1:14:54.040 --> 1:14:57.360
<v Speaker 1>thank you so much, thank you. So that Yeah, those

1:14:57.360 --> 1:15:00.519
<v Speaker 1>are some just important anagrams to be aware of in

1:15:00.560 --> 1:15:03.000
<v Speaker 1>case my name is ever a clue for something and

1:15:03.040 --> 1:15:05.720
<v Speaker 1>you need to like antagram it um. It is a

1:15:05.720 --> 1:15:09.200
<v Speaker 1>big national treasure energy to include anagrams, I know, right,

1:15:09.479 --> 1:15:15.719
<v Speaker 1>I had a really quick context corner on um. Freemasons. Yes,

1:15:16.200 --> 1:15:19.519
<v Speaker 1>just because this movie, I mean, this movie also doesn't

1:15:19.520 --> 1:15:21.840
<v Speaker 1>seem to know anything about the Freemasons, so I didn't

1:15:22.120 --> 1:15:25.479
<v Speaker 1>I didn't like tire myself doing research for this, honestly,

1:15:25.520 --> 1:15:30.240
<v Speaker 1>but just I mean famously Freemasons do not allow women

1:15:30.800 --> 1:15:34.800
<v Speaker 1>in the group. It is like this mysterious group that

1:15:34.920 --> 1:15:37.200
<v Speaker 1>I'm pretty sure it's just like uncle's talking to each

1:15:37.240 --> 1:15:42.200
<v Speaker 1>other about fucking nothing. Um my uncle's a Freemason, and

1:15:42.200 --> 1:15:44.280
<v Speaker 1>I'm like, they're like, I I don't know, I've never

1:15:44.400 --> 1:15:47.120
<v Speaker 1>I've asked him, and he's like, I can't tell you.

1:15:47.280 --> 1:15:49.880
<v Speaker 1>And then You're like, all right, whatever. Like but I'm

1:15:49.920 --> 1:15:53.880
<v Speaker 1>pretty sure it's just uncle's talking about whatever. But it's

1:15:53.880 --> 1:15:56.280
<v Speaker 1>supposed to be this big secretive thing. It's existed for

1:15:56.320 --> 1:15:59.800
<v Speaker 1>as long as um this iteration of America, which is

1:15:59.840 --> 1:16:04.080
<v Speaker 1>going really well, I think anyways, Freemasonry, and but I

1:16:04.120 --> 1:16:06.920
<v Speaker 1>thought that from the beginning women weren't allowed and that

1:16:07.160 --> 1:16:10.840
<v Speaker 1>was not the case. Um, there is a whole uh

1:16:11.040 --> 1:16:14.840
<v Speaker 1>like a sub website devoted to women's history and Freemasons.

1:16:14.880 --> 1:16:19.080
<v Speaker 1>So they were not a lot like they weren't encouraged

1:16:19.120 --> 1:16:23.519
<v Speaker 1>to join. But there were some like multi gender branches

1:16:23.560 --> 1:16:27.200
<v Speaker 1>of the Freemasons towards the beginning. And then it wasn't

1:16:27.280 --> 1:16:30.360
<v Speaker 1>until the late eighteen hundreds that it was a hard

1:16:30.520 --> 1:16:33.600
<v Speaker 1>rule that women could not participate. Um, but there was

1:16:33.640 --> 1:16:36.679
<v Speaker 1>a whole system for women entering. They could they qualified

1:16:36.720 --> 1:16:41.240
<v Speaker 1>to be a prentee or female apprentices. So you could

1:16:41.280 --> 1:16:44.960
<v Speaker 1>be a female apprentice, a journey woman, a mistress, or

1:16:45.000 --> 1:16:47.559
<v Speaker 1>a perfect MASONUS. And I don't know what any of

1:16:47.600 --> 1:16:49.559
<v Speaker 1>these mean, but these were the four roles that women

1:16:49.560 --> 1:16:52.720
<v Speaker 1>could have until the late eighteen hundreds when they were like,

1:16:52.760 --> 1:16:55.799
<v Speaker 1>actually get them out. But there's a there's a whole

1:16:56.160 --> 1:17:00.360
<v Speaker 1>there's like even a few famous female Freemasons, but hasn't

1:17:00.400 --> 1:17:04.880
<v Speaker 1>been one in a hundred thirty years because men be

1:17:05.240 --> 1:17:10.480
<v Speaker 1>excluding people. It's true. There was also a question conflict

1:17:10.520 --> 1:17:14.160
<v Speaker 1>that came up in twenty eighteen about um, transgender women

1:17:14.240 --> 1:17:18.760
<v Speaker 1>and freemasonry in England. It was this whole big thing. Um.

1:17:18.840 --> 1:17:21.679
<v Speaker 1>So here is a quote that the United Grant Lodge

1:17:21.720 --> 1:17:24.479
<v Speaker 1>of England released and I don't love the wording of this,

1:17:24.560 --> 1:17:27.800
<v Speaker 1>but this is how they phrased it. Says, quote, a

1:17:27.840 --> 1:17:31.360
<v Speaker 1>freemason who after initiation ceases to be a man does

1:17:31.400 --> 1:17:34.360
<v Speaker 1>not cease to be a freemason. So you see what

1:17:34.400 --> 1:17:37.360
<v Speaker 1>they're saying, But the wording of it is I don't

1:17:37.360 --> 1:17:43.679
<v Speaker 1>like it, right, Yeah, there's some like misunderstanding it was uh,

1:17:43.840 --> 1:17:46.599
<v Speaker 1>but that was the conclusion that they came to. So

1:17:46.680 --> 1:17:52.200
<v Speaker 1>trans women can be Freemasons if they were Freemasons pre transition,

1:17:52.479 --> 1:17:54.800
<v Speaker 1>very calm, like, how many could people? I mean, I

1:17:55.000 --> 1:17:58.320
<v Speaker 1>don't know how many people this supplies to, but I

1:17:58.360 --> 1:18:02.240
<v Speaker 1>think the French Freemason is like the group that low

1:18:02.320 --> 1:18:07.120
<v Speaker 1>key lets women in but in America definitely still know England,

1:18:07.240 --> 1:18:10.200
<v Speaker 1>they had all the the all the questions around, um,

1:18:10.600 --> 1:18:15.040
<v Speaker 1>trans people in Freemasons, and that's all I care to

1:18:15.120 --> 1:18:20.200
<v Speaker 1>know about. It's a stupid club. Um, but I wonder

1:18:20.240 --> 1:18:23.240
<v Speaker 1>if there any Bechdel Cast listeners who are Freemasons. It's

1:18:23.320 --> 1:18:30.360
<v Speaker 1>so what the fuck? And uh, let us know? Yeah indeed? Um,

1:18:30.439 --> 1:18:34.160
<v Speaker 1>So basically, are we to understand that the Gates family

1:18:34.280 --> 1:18:38.280
<v Speaker 1>are all like Ben Gates and his many ancestors are

1:18:38.320 --> 1:18:41.400
<v Speaker 1>all Freemasons or they just I think so trying to

1:18:41.439 --> 1:18:44.679
<v Speaker 1>find the treasure. Okay, but that also makes you wonder

1:18:44.760 --> 1:18:48.720
<v Speaker 1>like why aren't they involving the Freemasons. I don't know, right,

1:18:48.840 --> 1:18:51.960
<v Speaker 1>He's just like, well, I've got one sidekick who may

1:18:52.080 --> 1:18:55.920
<v Speaker 1>or may not be a squirrel, so like that's all

1:18:55.960 --> 1:18:58.800
<v Speaker 1>I need. And then this woman that I've kidnapped who

1:18:58.840 --> 1:19:03.040
<v Speaker 1>then becomes my girl friend nice, which even like Riley

1:19:03.080 --> 1:19:06.040
<v Speaker 1>Pool comments on at the end, He's like, well, you know,

1:19:06.120 --> 1:19:08.599
<v Speaker 1>you've got this huge house and you got the girl,

1:19:08.760 --> 1:19:12.799
<v Speaker 1>and all I got was this Ferrari or whatever the car.

1:19:14.040 --> 1:19:15.680
<v Speaker 1>It would have been way cooler if a squirrel was

1:19:15.760 --> 1:19:20.960
<v Speaker 1>driving the car. Mistakes were made. It's like when those

1:19:21.040 --> 1:19:27.280
<v Speaker 1>when those hamsters drive the Kia's. Oh my god, what

1:19:27.400 --> 1:19:32.120
<v Speaker 1>a weird reference shape there. I already think about those

1:19:32.120 --> 1:19:43.040
<v Speaker 1>hamsters a lot. Oh, we have fun. The the team

1:19:43.240 --> 1:19:46.120
<v Speaker 1>on this movie directed by this will surprise no one

1:19:46.240 --> 1:19:51.599
<v Speaker 1>but um directed by a man, John turtle Tub. We've

1:19:51.680 --> 1:19:57.559
<v Speaker 1>got um several writers and story by credits, but all

1:19:57.600 --> 1:20:02.519
<v Speaker 1>of them are men except for m Marian Wibberly, So

1:20:02.560 --> 1:20:06.920
<v Speaker 1>we're not surprised that the treatment of women is what

1:20:07.080 --> 1:20:11.200
<v Speaker 1>it is in this movie. I I would be like, Marian,

1:20:11.520 --> 1:20:15.080
<v Speaker 1>come on the podcast. Were you trying to advocate more

1:20:15.240 --> 1:20:19.200
<v Speaker 1>for Abigail to be, you know, a stronger, more active character.

1:20:19.400 --> 1:20:23.360
<v Speaker 1>Were you shut down? What happened there? I'd like, because well,

1:20:23.400 --> 1:20:26.240
<v Speaker 1>I mean, for sure, I mean female writers are shut

1:20:26.280 --> 1:20:30.599
<v Speaker 1>down almost exclusively. But it would be interesting to hear

1:20:30.680 --> 1:20:34.519
<v Speaker 1>like the ins and outs of like what was okay

1:20:34.560 --> 1:20:37.160
<v Speaker 1>to pitch, what wasn't? What went over? Well? What did

1:20:37.280 --> 1:20:39.680
<v Speaker 1>I mean I'm sure. I'm sure Marian's got stories come

1:20:39.680 --> 1:20:44.680
<v Speaker 1>on the pod anytime. Open invite Galen. Yes, does this

1:20:44.760 --> 1:20:50.200
<v Speaker 1>movie fast, but I don't know. I'm gonna say a big,

1:20:50.439 --> 1:20:57.439
<v Speaker 1>hard no from me as well. There are those couple

1:20:57.520 --> 1:21:01.160
<v Speaker 1>interactions that she does have with another woman, but those

1:21:01.200 --> 1:21:04.080
<v Speaker 1>are characters who are not named. They only have an

1:21:04.080 --> 1:21:07.519
<v Speaker 1>exchange that is very minimal and could have been taken

1:21:07.520 --> 1:21:10.160
<v Speaker 1>out of the movie. Like, there was no attempt to

1:21:10.439 --> 1:21:13.599
<v Speaker 1>meaningfully include women in this story at all, and that

1:21:13.760 --> 1:21:19.080
<v Speaker 1>includes Abigail's character because, as we discussed, she does really

1:21:19.120 --> 1:21:24.439
<v Speaker 1>nothing except for get dragged along and um contribute none

1:21:24.479 --> 1:21:29.160
<v Speaker 1>of her expertise or anything like that. Yeehaw. As far

1:21:29.200 --> 1:21:32.160
<v Speaker 1>as our nipple scale rating zero to five nipples based

1:21:32.200 --> 1:21:36.120
<v Speaker 1>on its representation of women, I mean, I'll give it

1:21:36.160 --> 1:21:40.240
<v Speaker 1>a half nipple for you know, again, this happens a

1:21:40.240 --> 1:21:44.360
<v Speaker 1>lot too, especially in this genre of film, where the

1:21:44.479 --> 1:21:49.320
<v Speaker 1>one female character who they do choose to include at

1:21:49.320 --> 1:21:52.479
<v Speaker 1>all is not a bad character, Like when you just

1:21:52.600 --> 1:21:56.280
<v Speaker 1>isolate her and you know, examine her as an individual.

1:21:56.439 --> 1:22:01.280
<v Speaker 1>You know, they often are perfectly competent and smart and

1:22:01.600 --> 1:22:03.360
<v Speaker 1>you know, we know what their jobs are. They're good

1:22:03.360 --> 1:22:07.479
<v Speaker 1>at their jobs. Things like that, but her role in

1:22:07.520 --> 1:22:12.519
<v Speaker 1>the story is so minimal in terms of what she's

1:22:12.520 --> 1:22:17.360
<v Speaker 1>allowed to contribute narratively. And then also, um, the things

1:22:17.360 --> 1:22:21.080
<v Speaker 1>that happened to her, like having to be saved three times,

1:22:21.479 --> 1:22:25.519
<v Speaker 1>being surprised, kissed, being foisted into the love interest role,

1:22:25.960 --> 1:22:31.920
<v Speaker 1>all those things really are extremely frustrating. Kind of every

1:22:31.960 --> 1:22:35.120
<v Speaker 1>every mistake in the book, and by a mistake, I

1:22:35.120 --> 1:22:38.520
<v Speaker 1>mean it was done very on purpose. But like every

1:22:38.560 --> 1:22:41.880
<v Speaker 1>action trope in the book, as it pertains to women,

1:22:42.080 --> 1:22:47.479
<v Speaker 1>is made in national treasure. And I have a feeling

1:22:47.479 --> 1:22:51.559
<v Speaker 1>that because it's like a children family like, it's s

1:22:51.600 --> 1:22:57.080
<v Speaker 1>geared toward a wider audience. It's like a PG rated film. Um.

1:22:57.120 --> 1:23:00.000
<v Speaker 1>I think that that's probably why we don't get more

1:23:00.000 --> 1:23:03.000
<v Speaker 1>were like fridging and violence toward her. But I think

1:23:03.000 --> 1:23:05.560
<v Speaker 1>if it were like a PG thirteen or an R

1:23:05.640 --> 1:23:11.439
<v Speaker 1>rated movie, we would have seen like violence enacted against

1:23:11.520 --> 1:23:14.200
<v Speaker 1>her and things like that. But because it's so I

1:23:14.200 --> 1:23:17.679
<v Speaker 1>guess you know, it's a Disney movie, so we can't

1:23:17.800 --> 1:23:22.639
<v Speaker 1>we can't hit her, but we can just not write her. Um. Yeah,

1:23:22.840 --> 1:23:25.080
<v Speaker 1>I'll agree with you. I'll go at half nipple as well.

1:23:25.520 --> 1:23:29.280
<v Speaker 1>Who are you giving your nippy too. Um Well, you

1:23:29.400 --> 1:23:34.040
<v Speaker 1>presented um an interesting scenario of Justin Barthur being a squirrel.

1:23:34.120 --> 1:23:36.880
<v Speaker 1>I wonder how many nipples squirrels have. But I'm going

1:23:36.880 --> 1:23:41.240
<v Speaker 1>to give my half nipple to the squirrel version of

1:23:41.560 --> 1:23:47.160
<v Speaker 1>Riley Pool. I'll do the same wonderful nipple for the squirrel. Yay,

1:23:47.240 --> 1:23:49.519
<v Speaker 1>and and and there you have a gang. The first

1:23:49.560 --> 1:23:53.000
<v Speaker 1>quarantined episode of the Backsel Cast. I feel good about it.

1:23:53.040 --> 1:23:56.040
<v Speaker 1>I had fun, I had a blast what a tree

1:23:56.160 --> 1:23:58.200
<v Speaker 1>And I think, Jamie, I don't know about you, but

1:23:58.280 --> 1:24:01.920
<v Speaker 1>I found some treasure in this episode. I think this

1:24:01.960 --> 1:24:05.599
<v Speaker 1>episode is a treasure and we had to uncover it.

1:24:05.920 --> 1:24:08.960
<v Speaker 1>See I I feel like, you know, because we're gonna

1:24:09.040 --> 1:24:13.080
<v Speaker 1>keep doing it. For me, it's just another clue, and

1:24:13.200 --> 1:24:15.760
<v Speaker 1>that's going to lead to another clue. And that's kind

1:24:15.760 --> 1:24:20.439
<v Speaker 1>of hed another clue. These clues being episodes, other episodes

1:24:20.439 --> 1:24:24.519
<v Speaker 1>where constituting. I'm going to start referring to episodes as clues.

1:24:26.040 --> 1:24:30.440
<v Speaker 1>So on this clue, we're going to be covering Moonstruck.

1:24:30.920 --> 1:24:35.000
<v Speaker 1>What if we should cover the movie clue? I love

1:24:35.240 --> 1:24:38.240
<v Speaker 1>the movie clue. Oh, that would be such a fun

1:24:38.320 --> 1:24:43.400
<v Speaker 1>Quarantine episode two? What other one were we thinking about doing?

1:24:43.439 --> 1:24:47.360
<v Speaker 1>We were thinking about doing um Crossroads cross resovie. I mean,

1:24:47.360 --> 1:24:49.599
<v Speaker 1>there's some heavy ship and crossroads, but it would still

1:24:49.600 --> 1:24:51.760
<v Speaker 1>be a fun one. I've never seen it. A bunch

1:24:51.760 --> 1:24:55.200
<v Speaker 1>of people were tweeting that we should do Armageddon right now,

1:24:55.880 --> 1:24:59.040
<v Speaker 1>you know, something to think about. Sure, you know what

1:24:59.200 --> 1:25:02.000
<v Speaker 1>I'm not going to say now, we'll see you, We'll

1:25:02.040 --> 1:25:07.120
<v Speaker 1>see what happens um. Anyway, thanks for listening. You can

1:25:07.640 --> 1:25:12.479
<v Speaker 1>follow us on social media at all the places, especially

1:25:12.520 --> 1:25:16.760
<v Speaker 1>Twitter and Instagram at Becktel cast um. Now is a

1:25:16.800 --> 1:25:19.599
<v Speaker 1>great time if you haven't already, and if you're able

1:25:19.640 --> 1:25:24.559
<v Speaker 1>to financially join our patreon a k a. Matreon because

1:25:24.840 --> 1:25:29.280
<v Speaker 1>you've you'll get access to more content, more episodes of

1:25:29.320 --> 1:25:33.480
<v Speaker 1>the Bechtel Cast. If you're breezing through these main feed episodes,

1:25:34.080 --> 1:25:36.679
<v Speaker 1>you know, burning right through them and you need some more.

1:25:37.120 --> 1:25:39.120
<v Speaker 1>We've got a bunch of good stuff on the Matreon,

1:25:39.479 --> 1:25:41.200
<v Speaker 1>and there's been a couple of people asking us one

1:25:41.280 --> 1:25:44.240
<v Speaker 1>is the best way to financially support us during this stuff.

1:25:44.479 --> 1:25:48.080
<v Speaker 1>We're fine, but the patreon is the way. The Padreon,

1:25:48.160 --> 1:25:51.760
<v Speaker 1>Madrean is the way to do it. Indeed, yes, and

1:25:52.880 --> 1:25:57.800
<v Speaker 1>with that, well this clue, like you said, Jamie, it's

1:25:57.840 --> 1:26:05.120
<v Speaker 1>not over the search for the Bechtel Treasure. Treasure, it's

1:26:05.160 --> 1:26:10.760
<v Speaker 1>speculated the cartoonist Alison Bechdel has a hidden treasure and

1:26:10.880 --> 1:26:12.960
<v Speaker 1>her books, and you have to get all of her

1:26:12.960 --> 1:26:16.160
<v Speaker 1>books and read them. Or what if we've been laying

1:26:16.160 --> 1:26:21.559
<v Speaker 1>out clues in every episode. What if every time I say,

1:26:21.680 --> 1:26:25.240
<v Speaker 1>like cat facts with Caitlin, or every time you say,

1:26:25.680 --> 1:26:29.000
<v Speaker 1>here's what role Alfred Molina should have played? What a

1:26:29.080 --> 1:26:33.920
<v Speaker 1>de cipher? That was a cipher this whole time, You'll

1:26:33.920 --> 1:26:38.760
<v Speaker 1>have to figure it out, listeners. Yeah, just just keep

1:26:38.800 --> 1:26:43.080
<v Speaker 1>finding those clues that we've been sprinkling into the episodes

1:26:43.680 --> 1:26:44.120
<v Speaker 1>by