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Speaker 1: Thirteen minutes late, had thirteen minutes late. Ahead somebody, somebody, somebody,

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Speaker 1: somebody thirteen minutes late, texted you I'd be thirteen. You

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Speaker 1: was like, don't worry about that shit. We got Shay

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Speaker 1: on show, so just relaxed. Shoot dog back up in

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Speaker 1: this bitch. Thirteen minutes late, had thirteen minutes late, had

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Speaker 1: thirteen thirteen, thirteen thirteen. Where the fuck was you? Um?

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Speaker 1: I was saying, we got I was on my motherfucking palaton.

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Speaker 1: Yeah good, look good. You spend riding like a slave

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Speaker 1: in the sweat is on? Oh shit me like, eunapolie.

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Speaker 1: Is it safe to say that you have bars? No?

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Speaker 1: I don't have bars. I'm fucking a little. I'm like,

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Speaker 1: I'm like, uh, what's that when you get like workout innebriated,

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Speaker 1: when you feel like you're in kneebriated, Because it's called

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Speaker 1: endorphin high. Yeah, I am endorphed. Good, good shirt feels good.

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Speaker 1: I did it too today. I can't stay these people

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Speaker 1: even aren't you aren't even our sponsors. But I gotta

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Speaker 1: tell you, like, I am loving this fucking bike. I'm

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Speaker 1: sweating my ass off. I go way harder than I

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Speaker 1: ever do on my own because they're cheering me on.

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Speaker 1: I really, I really, I really love it. Yeah, man,

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Speaker 1: it's uh, it's great. I feel wet right now though. Man,

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Speaker 1: you know what I mean? Like, do you have a whop?

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Speaker 1: I probably have WOB. You probably have wob wet ass balls? Yeah,

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Speaker 1: I got, Yeah, I got, I got a sob sweaty

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Speaker 1: ass balls. I got a sub you have probably what

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Speaker 1: you have? Ah, that's a sash you have watch wet

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Speaker 1: ass cheeks. I missed you, missed you. We have so

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Speaker 1: much to talk about. I mean, I don't even know

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Speaker 1: where to begin. When we when we do this once

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Speaker 1: a week, I accumulate all the things I want to

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Speaker 1: talk to you guys about. There are so many things.

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Speaker 1: There's so much to talk about. I wanted to talk

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Speaker 1: about Joelle, your birthday present. She got an Oculus two

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Speaker 1: from Donald and I. Have you been in the Oculus

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Speaker 1: two worlds yet? How's that going, Joel? I could tell

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Speaker 1: it's great. I could tell she's been in the world.

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Speaker 1: I could tell she smoked a lot of wind, put

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Speaker 1: the speak and jumps on, the mask on and it's

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Speaker 1: just been walking around blasting that stormtroopless and flying starships

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Speaker 1: and ship. How's the Star Wars game Joel? Okay, So

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Speaker 1: the flight simulator is beautiful, but I suck at flying.

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Speaker 1: I cannot do it on any game, and in this one,

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Speaker 1: at one point I was like, I think I'm upside

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Speaker 1: down and I'm gonna hurl. It's so realistic. You can

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Speaker 1: look down in your hands or like touching the controls

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Speaker 1: inside the It's crazy good. Um. The Darth Vader game

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Speaker 1: is awesome because, like Rogue one, it was the first

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Speaker 1: thing that like really made Darth Vader scary to me.

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Speaker 1: Rogue one Darth Vader hallway scene horrifying, and this thing

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Speaker 1: Darth Vader comes out of the shadows and looks right

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Speaker 1: up to your face and you're like, you're tall and

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Speaker 1: very frightening, and it amazing. Beat Saber also great, good

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Speaker 1: arm workout if you're about that life on the hard setting.

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Speaker 1: But my favorite far there's the meditation. Yeah really mecause

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Speaker 1: the free meditation app that comes with it. You can

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Speaker 1: buy additional like experiences inside. I've only tried the one

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Speaker 1: it comes with, but it is so freaking trippy. It

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Speaker 1: asks you to like breathe with it, and like you

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Speaker 1: breathe in like white sparkles and you breathe out. Oh whoa,

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Speaker 1: it was great. Somebody told me there's an aftermarket app.

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Speaker 1: I mean, I mean, I mean that there's an app

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Speaker 1: you get with it and that you can buy and

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Speaker 1: you can put on you and you're in a big

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Speaker 1: screen movie theater. You can invite your friends in and

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Speaker 1: watch a movie together. That's dope. Yeah, we got to

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Speaker 1: do that. Yeah. I think that's a great idea. I

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Speaker 1: think that's a great idea. I have a question to ask, now,

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Speaker 1: go ahead. So the Oculus, it just comes with the

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Speaker 1: joystick and the goggles. That's hit. That's it, and your headphones.

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Speaker 1: You it has a spot where you can attach headphones,

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Speaker 1: but it has directional hearing, so it can just you know,

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Speaker 1: you can use it without headphones. So how do you

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Speaker 1: download things? Like? How? Where does there's an a in

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Speaker 1: the goggles? So you can use it in the goggles

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Speaker 1: if you like, I have a limited time, I can

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Speaker 1: keep the goggles on and keep playing. It's about an

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Speaker 1: hour and a half, few hours probably the longest I

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Speaker 1: could be playing video games anyway. But you can use

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Speaker 1: your phone to purchase your apps, and then once you're

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Speaker 1: inside the goggles, you can like upload it to your things.

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Speaker 1: I pay for them on my phone, your phone, But

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Speaker 1: your phone isn't your screen is it? No? No, no, no, no,

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Speaker 1: come on, buddy, everything how much money in your phone?

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Speaker 1: In your screen on the Okay, calm down, first of all,

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Speaker 1: Calm down. By the way, Joel's unboxing video was made

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Speaker 1: my day. I watched it a few times. So funny

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Speaker 1: when you're unwrapping it. You're so funny. Oh my gosh,

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Speaker 1: thank you. It was fun to unwrap. You guys got

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Speaker 1: a lot of comprom on your choice in wrapping paper.

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Speaker 1: I don't want to be sexist, but did did one

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Speaker 1: of the partners? No, that's me that I want you

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Speaker 1: to know. That wasn't even like my assistant, Joel. That's

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Speaker 1: so much love I put into this. My mom taught

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Speaker 1: me how to rap when I was a kid. That

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Speaker 1: she did real good teaching. I I really and because

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Speaker 1: it was you and I was putting so much love

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Speaker 1: into it, I didn't phone that shit in, Joel. Like

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Speaker 1: when I folded down the ends and it was like

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Speaker 1: a little long, I took them scissors back out and trimmed.

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Speaker 1: Joel trimmed, I'm gonna I'm gonna tell you guys something

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Speaker 1: right now, when it comes to detail, when it comes

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Speaker 1: to decoration, when it comes to stylizing a space thing

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Speaker 1: or something like that. Of that matter, Zach Braff works

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Speaker 1: really hard to please the eye. You know what I mean.

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Speaker 1: You walk into you walk into a room. If Zach

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Speaker 1: is the owner of the room or renting or renting

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Speaker 1: set space in room, it was renting space in said room.

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Speaker 1: Let me tell you something right now, it usually has

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Speaker 1: a theme and it is usually fire. I also got

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Speaker 1: to say, I get so much joy out of matching

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Speaker 1: the right gift with the right person. And I really

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Speaker 1: love that. I I mean, and of course when someone's

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Speaker 1: appreciative as you where your video was amazing, it made me.

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Speaker 1: It made me laugh so hard. But I I just

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Speaker 1: loved like And we had a little help from Daniel

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Speaker 1: because I was brainstorming and Daniel was like, stop brainstorming,

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Speaker 1: this is what it should be. But I but I

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Speaker 1: was like, oh my god, I don't know. I was

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Speaker 1: just really looking forward to it. I love I love

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Speaker 1: I love that. I love sharing with you. Should we

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Speaker 1: let Shay and I'm feeling bad? We got a fancy

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Speaker 1: guest in the him in the other room. Let him in.

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Speaker 1: You know, if there's another guest, we might say hold

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Speaker 1: him off, but Shay, you know, ladies and gentlemen, welcome

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Speaker 1: to the showy thunderous. It is really good everyone. Sorry,

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Speaker 1: I'm sorry. Donald was thirteen minutes late, So I'm sorry. Sha.

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Speaker 1: You know what I started, You know what I started doing.

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Speaker 1: I started. I started working out today, day one, day one,

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Speaker 1: day one, the peloton bike. I'm already sore. Yeah, it's awful.

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Speaker 1: I try to one. It is a killer. I'm cutting

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Speaker 1: weight though, Sha, I'm getting skinny. He's trying to get

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Speaker 1: down to his fight weight. I'm getting down to a

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Speaker 1: fight club weight. Do you Donald, do you have the

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Speaker 1: shoes that go with it? The fancy shoes you got?

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Speaker 1: You need the shoes. You gotta have the shoes. Shy.

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Speaker 1: They kind of monopolize the situation though. Man. You get

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Speaker 1: the shoes from them, and you get the You don't

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Speaker 1: have to buy their brand. You can buy a different

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Speaker 1: brand if you're worried about a monopoly A word A word, Yeah, shoes,

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Speaker 1: they're just cycling shoes. You can you probably get dope

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Speaker 1: Nike ones if you want. I was on the I

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Speaker 1: was under the assumption and as you always do when

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Speaker 1: you make it, when you assume, you make an ass

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Speaker 1: out of you and me. I thought that those only

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Speaker 1: fit the same pegs, that the only peg you know,

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Speaker 1: the Peloton pegs were the only pegs that they think.

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Speaker 1: I would be fucked up because imagine there's people who

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Speaker 1: are real cyclists who get on and to train and

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Speaker 1: then just clip out and clip into their real bike. Yeah.

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Speaker 1: I hope so I haven't tested that there yet. I

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Speaker 1: hope this is true. Shay. I'm always excited when you're

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Speaker 1: on for obvious reasons, because you're the best guest, but

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Speaker 1: also even before I've watched the episode, I'm walking around.

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Speaker 1: I was making my smoothie this morning, going oh cool,

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Speaker 1: we have Shay on, and then I said, oh, I

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Speaker 1: know it's a good episode of the show, because I

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Speaker 1: always say to Shay first off, when we start a

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Speaker 1: new season, what do you which your episode you want

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Speaker 1: to come on for? Right, And when he chooses this one,

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Speaker 1: I was like, Okay, well, I know it's gonna be

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Speaker 1: a good one, right yeah. Yeah, yeah. So anytime that

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Speaker 1: you all are nice enough to let me come on

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Speaker 1: the show, one of the things that I definitely try

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Speaker 1: to do, and this is something that Donald picked up

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Speaker 1: on the last time I was here. One of the

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Speaker 1: things that I definitely try to do is pick an

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Speaker 1: episod so that will allow the opportunity to talk about

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Speaker 1: a the brilliance of the show as it was displayed

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Speaker 1: in that particular episode, but also be some larger part

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Speaker 1: of this show's legacy. So that's why when I got

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Speaker 1: your message about being on season three, I said, well, absolutely,

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Speaker 1: because here's the thing, Okay, a very common thing happening

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Speaker 1: right now, because we had that giant Last Dance documentary

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Speaker 1: earlier this year and then the Lakers won the title

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Speaker 1: of a week ago, is there's this whole Lebron versus

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Speaker 1: Jordan debate is like start up again, Who's the greatest

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Speaker 1: of all time? Right? And and that's fun. That's a

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Speaker 1: fun thing to think about and to participate in. But

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Speaker 1: if we move at a level past that, if you

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Speaker 1: change the parameters of the debate just a little bit,

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Speaker 1: it can become I think more interesting, because inevitably, talking

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Speaker 1: about Lebron versus Jordan becomes a thing where you're trying

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Speaker 1: to solve too many problems at once. You're trying to

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Speaker 1: account for the different eras the different salary caps at

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Speaker 1: different ways in which basketball importance is measured. It's like

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Speaker 1: trying to solve X at the same time that you're

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Speaker 1: trying to solve for why, you know what I'm saying. Yes,

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Speaker 1: So if you change it a bit, rather than making

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Speaker 1: it Jordan versus Lebron, you make it Jordan versus Jordan.

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Speaker 1: When was Jordan at his absolute greatest? What season did

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Speaker 1: we get the best ever version of Jordan? That to

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Speaker 1: me is a little more interesting. And if we tie

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Speaker 1: that back to Scrubs into this podcast, that's why I

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Speaker 1: was pumped up to be on here. Scrubs is one

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Speaker 1: of the greatest TV shows of all time. We're all

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Speaker 1: very clear on that's smart, it's funny, it's tender, it's

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Speaker 1: well written, well acted, what directed will scored. It hits

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Speaker 1: all the spots that you need a TV show to

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Speaker 1: hit for it to get into that conversation. But here's

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Speaker 1: a question that I have spent a fair amount of

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Speaker 1: time thinking about and a fair amount of time arguing about,

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Speaker 1: even more so than where does Scrubs belong on the

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Speaker 1: list of all time great TV shows? What season was

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Speaker 1: Scrubs at its absolute greatest? What season did we get

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Speaker 1: the best single stretch of episodes, the best storylines, the

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Speaker 1: best character weaving, the most impactful acting, all of it.

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Speaker 1: And season three is one of two seasons of Scrubs

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Speaker 1: that has a rightful claim to that throne. It's season three,

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Speaker 1: and it's season five. And season five we have the

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Speaker 1: we have the Miss Wilkes episode. We have the two

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Speaker 1: episode arc where doctor Cox falls into the depression. We

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Speaker 1: have the Wizard of Oz episode, which was great because

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Speaker 1: of how ingenious it was, but also because that's the

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Speaker 1: episode where Ted has this single most beautiful musical performance.

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Speaker 1: We have the sitcom parody episode. We have Turk finds

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Speaker 1: out that Carlo's pregnant before she does episode there. There's

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Speaker 1: a bunch of them too. It's a really really special

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Speaker 1: stretch of the show. Season three gave us the Ben episode.

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Speaker 1: It gave us the Michael J. Fox arc, the two

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Speaker 1: episode arc there, which is beautiful. It gave us Turk

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Speaker 1: and Carla getting married, which was wonderful. We get to

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Speaker 1: take Me Serious episode from Elliott, which is great, The

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Speaker 1: Butterfly episode, which is another example of the show's ability

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Speaker 1: to get you leaning in one direction and then fucking

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Speaker 1: shove you in the opposite direction at the end of

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Speaker 1: the show. And then we have this episode here my

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Speaker 1: brother were Arthur, where Jad's brother shows up again, and

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Speaker 1: I'm fucking super pumped to talk about it because it's

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Speaker 1: so great that that confrontation, in particular all of the

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Speaker 1: rest of the episode. Two. Oh my god, I just

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Speaker 1: want just want to plant one thing further. Wore we

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Speaker 1: go on any further? That was fake Doctor's real friends.

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Speaker 1: Thank you guys for listening. I was gonna make a

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Speaker 1: similar comment and that I want the audience to know

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Speaker 1: Chase not reading off of notes. That fucking amazing monologue

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Speaker 1: he just did was off his off the cuff and impromptu,

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Speaker 1: and I got goose bumps three times. And you are

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Speaker 1: just you are just so fucking well spoken. It makes

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Speaker 1: me think like I should quit this podcast and get

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Speaker 1: in the fetal position. But this is thank you. This

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Speaker 1: is only because I spent all of that time working

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Speaker 1: on the Scrubs book. Oh I know, but you are also, dude, dude, dude,

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Speaker 1: you are you are. I know you are not gonna

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Speaker 1: like you shouldn't waste your talents running for public office,

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Speaker 1: but you're such an amazing public speaker. You just can

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Speaker 1: like riff so fact, you're not like, there's no ums,

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Speaker 1: there's no and you know likes, you're just like like

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Speaker 1: you're reading a fucking teleprompter. That was amazing. And on

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Speaker 1: that note, for all y'allum death five six, seven, eight

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Speaker 1: stories about Shure, we made about a bunch of dots

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Speaker 1: and nurses said, he's the stories. So yeat around here,

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Speaker 1: are yeadoo around here? Are welcome to the program everyone,

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Speaker 1: it's officially started. Sorry that it's uh, you know, we're

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Speaker 1: running behind because Donald was thirteen minutes late because he

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Speaker 1: decided to get in shape for the first time today,

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Speaker 1: Thank you, Donald, but the first time pretty much for this.

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Speaker 1: You know, I tried to get in shape in the

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Speaker 1: beginning of quarantine, right, and now it's like we're going

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Speaker 1: into our third trimester. I guess of quarantine. We're about

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Speaker 1: to get birth skin rough. It's about it's about to

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Speaker 1: be a full on baby. It's getting rough. It's getting bad.

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Speaker 1: It's getting bad. People. We got a big election coming up. Donald,

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Speaker 1: voting is sexy. I'm wearing my Voting is Sexy t

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Speaker 1: shirt for you guys. Yeah, we're not going to get

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Speaker 1: political today on any of that. Sh I'm not trying

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Speaker 1: to go down. I'm als. I know you're not. I

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Speaker 1: know you're not. But I'm going to say one thing

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Speaker 1: to all of our all of our listeners. The one

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Speaker 1: thing that you have to do, if you are in

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Speaker 1: the United States of America, the thing you have to

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Speaker 1: do this year, this November third is vote. It is

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Speaker 1: the most important thing you will do this year. You

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Speaker 1: didn't do shit. You all locked inside anyway because of

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Speaker 1: the pandemic. This is the time to get out. And

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Speaker 1: I'm not being political. This is not a policy thing.

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Speaker 1: I don't apologize. I'm not pretty much on the line.

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Speaker 1: One hundred million people didn't vote last time. Do you

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Speaker 1: know hundred million eligible people didn't vote. That is ridiculous.

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Speaker 1: That is ridiculous, coming down my face. So I don't

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Speaker 1: care who you vote for. I can't care. I can't

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Speaker 1: do like Donald likes, be an extra a political vote.

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Speaker 1: I care, Okay, they care who you vote for. I

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Speaker 1: don't care who you vote for. If you vote for

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Speaker 1: who you vote for and you don't like me, that's fine.

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Speaker 1: Vote who you vote for. And I've already gone Shaye

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Speaker 1: knows because he follows me on Twitter. I've already gone

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Speaker 1: all in like the people who fucking the people who

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Speaker 1: hate me are gonna hate me already because I just

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Speaker 1: I'm all in. I'm like, fuck it. It's like poker.

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Speaker 1: I'm all in. I can't take it anymore. I hear

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Speaker 1: that anyway. So just I want to ask. I want

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Speaker 1: to ask. Yeah, definitely, please vote. Look into what's going

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Speaker 1: on in your state because on the day of there's

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Speaker 1: likely to be extraordinary long lines. So if you're in Pennsylvania,

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Speaker 1: for example, as I understand it, you can vote in

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Speaker 1: person the whole week before, so don't get caught in

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Speaker 1: some craziness. Obviously, plenty of states have early voting that

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Speaker 1: starts now, Um, Texas, what up? Yeah, I think that.

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Speaker 1: Just just do us a favor. You can go to

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Speaker 1: I will vote dot com, or you can go to

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Speaker 1: the thing that Donald and I supported, which is headcount

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Speaker 1: dot org. Slash Zack and Donald. Baby fell Stain has

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Speaker 1: a platform that she's doing also, and I don't want

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Speaker 1: to get it wrong, and so we'll bring it up

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Speaker 1: later on in the program when I have my notes

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Speaker 1: in front of me. Okay, you planning to get your

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Speaker 1: notes at all? I just want to know when that's

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Speaker 1: going to start. Sano today I have I have the

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Speaker 1: show notes. I don't have the notes for her voting site.

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Speaker 1: Can I spend third I want? We're not gonna get

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Speaker 1: on political wormhole, So if don't worry, if I'm gonna

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Speaker 1: ask one question because I have three donald aside, I

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Speaker 1: have three very intelligent people here who are shit. No,

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Speaker 1: you're smart, but you're not as politically savvy as I know.

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Speaker 1: Daniel and Joel are, and I imagine Shay is just

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Speaker 1: from following him on Twitter. So I'm gonna ask your face.

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Speaker 1: I'm gonna ask one question. We're not gonna get on

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Speaker 1: a huge wormhole, and I'm gonna be stop, shut up.

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Speaker 1: I'm gonna be impartial and just ask a question. Daniel, Joel,

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Speaker 1: and Shay, if you're interested, can you explain to me

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Speaker 1: the movement of people that are very liberal and very

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Speaker 1: to the left and want and Bernie or Elizabeth Warren

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Speaker 1: or or anybody else and are passionately not getting behind Biden? Now,

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Speaker 1: can you just explain to me, in as pretend I

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Speaker 1: know nothing, which I almost do, what the ideology is

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Speaker 1: behind voting third party or someone else when that clearly

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Speaker 1: helps Trump go. There rise of people who believe that

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Speaker 1: neither side is supporting or passing laws or doing the

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Speaker 1: things they actively need to be doing to help the

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Speaker 1: people that they represent, and that it's across all spectrums, black,

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Speaker 1: Latin X, queer, differently abled, all of it, and they

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Speaker 1: just feel like their vote is sacred and therefore they

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Speaker 1: should cast it for who they believe is, you know,

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Speaker 1: the best person in their mind, damn the rest of

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Speaker 1: the results, and that is their feeling, and they are

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Speaker 1: will be hard pressed to find a lot of those

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Speaker 1: people to be moved one direction or the other because

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Speaker 1: they just feel so failed by the system as a whole. Yeah,

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Speaker 1: that sounds exactly right. Yeah, I have nothing else to add. Well,

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Speaker 1: I don't. They can vote for whoever they want to.

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Speaker 1: I just want them to vote. It's still speaking your voice,

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Speaker 1: you know what. I know. I just, I just, I

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Speaker 1: just and I know I don't I know. Don't at

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Speaker 1: me because I'm asking it as innocently as possible. Even

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Speaker 1: if that doesn't go to the greater good of getting

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Speaker 1: the bad man out. They're like, fuck it, you didn't

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Speaker 1: go for Bernie kind of vibes. There's definitely a group

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Speaker 1: of people like Vala. Dan'll take that one, because that's oh,

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Speaker 1: I mean, all I was going to say is that, like,

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Speaker 1: you know, what has been universally accepted as the greater

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Speaker 1: good has not been the greater good for so many

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Speaker 1: people who have been disenfranchised, who haven't had their voice

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Speaker 1: heard for generations and generations. And despite how many times

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Speaker 1: that we have said in the past, like you know,

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Speaker 1: really this, you know you're going to do this when

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Speaker 1: you should be voting for this, neither party has ever

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Speaker 1: represented those people. And it's like, it's a part problem

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Speaker 1: with the two party system and it's a problem with

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Speaker 1: how we view politics in this country in general. But

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Speaker 1: I do not necessary early blame people for feeling like

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Speaker 1: they are not represented, because the fact is a lot

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Speaker 1: of people haven't been and still aren't. So yeah, I'm not,

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Speaker 1: I'm not. I'm honestly, you're not blaming anymore. I just

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Speaker 1: didn't fully understand the ideology behind like and what you're

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Speaker 1: saying is like, yeah, they hear that every fucking four

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Speaker 1: years and they're tired of it. And I get that.

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Speaker 1: I just as someone who's so passionate about this, and

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Speaker 1: I know so or so is a good percentage of

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Speaker 1: the population. I just I want I kind of want to.

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Speaker 1: I want maybe I'm the guy who's the idiot being like, oh,

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Speaker 1: come on, guys, just one more time, and they're like,

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Speaker 1: fuck off. I get it. I respect it. I just

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Speaker 1: didn't fully understand it. So thank you for articulating it.

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Speaker 1: Let's get off this now. Thank you. Should we talk

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Speaker 1: about the television show Scrubs guys that, as you know,

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Speaker 1: we have a forty seven second summary from Donald Phazon

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Speaker 1: these days, I hope when shaise on Donald you put

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Speaker 1: a the lecture effort into it, because the man writes

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Speaker 1: are as very articulately about the show. You know, this

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Speaker 1: is starting to turn into a funk with Donald situation.

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Speaker 1: Am I ruining your endorphin high from the spin bike?

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Speaker 1: You know I was. I was feeling good when we

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Speaker 1: got on the podcast today, and now I'm starting to

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Speaker 1: feel like, uh, you know, uh, like my best friend

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Speaker 1: is being a bit of a deckhead. I love you.

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Speaker 1: I apologize and I would take your ball sweat and

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Speaker 1: just squeeze it all over my hand. Not again, too much,

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Speaker 1: too much? Too well, all right, I'm sorry trying to

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Speaker 1: win him back, say no more, You've done your job.

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Speaker 1: It's like you had me at Hello, you had me

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Speaker 1: all right, you're ready and are you ready? And j

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Speaker 1: D's brother Dan is back and he can't believe the

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Speaker 1: way JD is evolving as a doctor. The rest of

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Speaker 1: the cast is trying to make ends meet, moonlighting behind

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Speaker 1: the hospitals. Back now, we all do what we can

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Speaker 1: to get over the proverbial hump, and it's easy to

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Speaker 1: get lost chasing our destiny. Doesn't take much to get

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Speaker 1: back on track. If someone is looking out for you,

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Speaker 1: You're lucky if you have that Okay, Donald phase that

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Speaker 1: was that was shorter than usual and well said? A family, right,

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Speaker 1: I mean, family is a central tenant of this How

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Speaker 1: do you navigate these relationships of people you love who

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Speaker 1: drive you fucking nuts? Right? Yeah, but it's more. It's

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Speaker 1: more than that though this episode, man, it's it's yo.

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Speaker 1: Your brother fights for your soul at the end of

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Speaker 1: this episode. Yeah, you know what I mean, He fights

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Speaker 1: for your soul and he goes by the way I

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Speaker 1: love the Jade never knows. Yeah, yeah, but Cox knows.

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Speaker 1: And in the beginning, you know what, I'm sure I'm

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Speaker 1: getting chills thinking about this shit. Cox doesn't give a fuck.

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Speaker 1: The job's getting done. He doesn't care what this kid's

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Speaker 1: turning into. Life is moving on in the hospital, and

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Speaker 1: it takes somebody to show up out of nowhere, somebody

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Speaker 1: who cares for this, one person who cox cares for

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Speaker 1: two to show up and be like, dude, all right,

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Speaker 1: I get it. This is a hospital and people die,

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Speaker 1: and you got to go through all of these tragic

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Speaker 1: moments and the only way to cope is this way.

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Speaker 1: But Yo, this is my brother man, and I love

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Speaker 1: this man. I love him so much. Please don't let

421
00:22:12,080 --> 00:22:14,400
Speaker 1: him fall into the same category that you're falling into.

422
00:22:14,560 --> 00:22:16,640
Speaker 1: Don't let him fall down the same path that you've

423
00:22:16,840 --> 00:22:18,600
Speaker 1: you've gone down, you know what I mean. Don't let

424
00:22:18,640 --> 00:22:20,760
Speaker 1: him turn to the dark side, because there's so much

425
00:22:20,840 --> 00:22:22,639
Speaker 1: light in him, you know what I mean. And he

426
00:22:22,720 --> 00:22:24,880
Speaker 1: sees that I could be something better than I am.

427
00:22:24,960 --> 00:22:27,600
Speaker 1: And even when I don't see it in myself, my

428
00:22:27,640 --> 00:22:29,840
Speaker 1: brother has this positive energy about him. Please don't take

429
00:22:29,880 --> 00:22:32,719
Speaker 1: that away from him. And he's begging at the end

430
00:22:32,760 --> 00:22:35,280
Speaker 1: of the show. He's begging even though he might get

431
00:22:35,280 --> 00:22:37,439
Speaker 1: his ass kick. He even throws a threat at the

432
00:22:37,520 --> 00:22:40,120
Speaker 1: end of it, like I will fuck you up if

433
00:22:40,160 --> 00:22:43,240
Speaker 1: you ruin my brother. He pretty much tells him that yeah,

434
00:22:43,400 --> 00:22:45,840
Speaker 1: Cox gets it and walks away. You know, spoiler alert.

435
00:22:45,960 --> 00:22:47,520
Speaker 1: He gets it and walks away and gives Jad to

436
00:22:47,520 --> 00:22:50,840
Speaker 1: pep talk at the end, but no, Dan makes Dan

437
00:22:50,920 --> 00:22:53,400
Speaker 1: makes a big difference. He says, Look, I'm not anything.

438
00:22:53,520 --> 00:22:57,359
Speaker 1: I'm not gonna be a doctor who saves lives. I

439
00:22:57,560 --> 00:22:59,480
Speaker 1: my life, I still live with my mom. I don't

440
00:22:59,520 --> 00:23:02,359
Speaker 1: have anything going on. But this kid, he wanted to

441
00:23:02,400 --> 00:23:04,920
Speaker 1: become a doctor, born anything. And I'm watching you and

442
00:23:04,960 --> 00:23:09,280
Speaker 1: you're you're slowly making him cynical and pessimistic and making

443
00:23:09,359 --> 00:23:13,239
Speaker 1: jokes about death and and how dare you like you

444
00:23:13,240 --> 00:23:15,520
Speaker 1: need to You're the one he'll do anything you say.

445
00:23:15,600 --> 00:23:18,000
Speaker 1: You need to keep that light in a light inside

446
00:23:18,000 --> 00:23:20,440
Speaker 1: of him. And and then the fact that JD never

447
00:23:20,520 --> 00:23:23,720
Speaker 1: knows and then and then Cox gives him a pep

448
00:23:23,720 --> 00:23:25,280
Speaker 1: talk at the end, I thought was really moving. What

449
00:23:25,359 --> 00:23:28,600
Speaker 1: do you think one more thing before you go? Like,

450
00:23:28,640 --> 00:23:30,760
Speaker 1: I didn't think this was the funniest episode of the season.

451
00:23:30,920 --> 00:23:32,800
Speaker 1: I didn't think this is the funniest episode we've seen

452
00:23:32,880 --> 00:23:35,240
Speaker 1: so far. But as far as as far as a

453
00:23:35,359 --> 00:23:39,840
Speaker 1: point being made, yes, this was it, dude. And when

454
00:23:39,840 --> 00:23:41,280
Speaker 1: I found out Shade was going to be on the show.

455
00:23:41,320 --> 00:23:42,560
Speaker 1: I was like, of course he's going to be on

456
00:23:42,600 --> 00:23:46,320
Speaker 1: this show. I mean, this is the one. This is

457
00:23:46,359 --> 00:23:52,000
Speaker 1: the one that I greatly enjoy a watch. To your point, Zach,

458
00:23:52,080 --> 00:23:55,160
Speaker 1: the thing about him about JD never finding out about

459
00:23:55,200 --> 00:23:57,119
Speaker 1: the speech, I think that opens up like a really

460
00:23:57,200 --> 00:24:02,560
Speaker 1: interesting conversation get into because earlier in the episode, JD

461
00:24:03,160 --> 00:24:06,680
Speaker 1: sort of chastises Dan about having never been there for him.

462
00:24:06,720 --> 00:24:08,680
Speaker 1: You never showed you, never showed up when I needed

463
00:24:08,720 --> 00:24:11,040
Speaker 1: you too, And then we see this other thing happen,

464
00:24:11,200 --> 00:24:12,879
Speaker 1: and so the viewer is left to wonder one of

465
00:24:12,880 --> 00:24:16,760
Speaker 1: two things. Number one, was Dan secretly always in the

466
00:24:16,760 --> 00:24:19,360
Speaker 1: background standing up for JD, helping him get to where

467
00:24:19,400 --> 00:24:23,159
Speaker 1: he needed to go or wanted to go, or was

468
00:24:23,200 --> 00:24:25,960
Speaker 1: this really the first time? And JD is like spurred

469
00:24:25,960 --> 00:24:28,000
Speaker 1: on this great big change and his brother. Every time

470
00:24:28,000 --> 00:24:29,720
Speaker 1: his brother showed up, JD would say something to do

471
00:24:29,760 --> 00:24:32,920
Speaker 1: something that would inch him in the direction he needed

472
00:24:32,920 --> 00:24:34,959
Speaker 1: to be to be heading. It's one of I think

473
00:24:35,040 --> 00:24:37,879
Speaker 1: like it's one of three or four things that happens

474
00:24:37,920 --> 00:24:42,040
Speaker 1: in this particular confrontation between Dan and doctor Cox that

475
00:24:42,160 --> 00:24:45,600
Speaker 1: is so interesting to think about because the guy it

476
00:24:45,760 --> 00:24:49,520
Speaker 1: was it, Tom Kavanaugh, is just outstanding here. Yeah, he

477
00:24:49,920 --> 00:24:52,679
Speaker 1: steps into this role and and just nails it. And

478
00:24:52,680 --> 00:24:54,960
Speaker 1: it speaks to a larger thing that Scrubs is really

479
00:24:54,960 --> 00:24:56,639
Speaker 1: good at. One of the things that always comes up

480
00:24:56,680 --> 00:24:58,680
Speaker 1: when people talk about the show is how it was

481
00:24:58,720 --> 00:25:01,560
Speaker 1: probably the best ever at navigating those turns when an

482
00:25:01,560 --> 00:25:04,919
Speaker 1: episode would go from something being totally incompletely silly to

483
00:25:05,000 --> 00:25:07,719
Speaker 1: being something totally incompletely serious, Like, and that's what we

484
00:25:07,760 --> 00:25:10,399
Speaker 1: see here here he is giving this this really touching,

485
00:25:10,400 --> 00:25:14,720
Speaker 1: really heartfelt monologue. And just a few minutes earlier, there

486
00:25:14,800 --> 00:25:17,080
Speaker 1: was a scene where him and Turk and JD are

487
00:25:17,080 --> 00:25:21,439
Speaker 1: a traveling fart show and it's so bad, and like

488
00:25:21,480 --> 00:25:23,639
Speaker 1: that happens in the span of a few minutes, and

489
00:25:23,680 --> 00:25:26,399
Speaker 1: it does, and it somehow doesn't detract away from the

490
00:25:26,400 --> 00:25:29,280
Speaker 1: emotion of the situation. It's amazing that he's able to

491
00:25:29,280 --> 00:25:32,919
Speaker 1: summon during that confrontation. If anything, it enhances it, So

492
00:25:32,960 --> 00:25:35,960
Speaker 1: I think amazing. It's almost like the miss might be

493
00:25:36,000 --> 00:25:38,720
Speaker 1: a stupid analogy, but like swimming with weights on in

494
00:25:38,760 --> 00:25:42,200
Speaker 1: that you you go so extreme one direction that you're

495
00:25:42,240 --> 00:25:44,320
Speaker 1: able to swing the other direction. Yeah, do you know

496
00:25:44,320 --> 00:25:47,480
Speaker 1: what I mean? You make a between the stupidest fart joke.

497
00:25:47,560 --> 00:25:50,040
Speaker 1: Probably in nine years we're like, we're literally on tour

498
00:25:50,200 --> 00:25:52,960
Speaker 1: as a fart band. I mean like, I'm embarrassed that

499
00:25:53,000 --> 00:25:56,840
Speaker 1: we did that. But then then that that you go

500
00:25:56,920 --> 00:26:00,479
Speaker 1: so far the silly direction that you can almost spring

501
00:26:00,520 --> 00:26:02,920
Speaker 1: back and be and be stronger in the emotional direction.

502
00:26:02,960 --> 00:26:05,680
Speaker 1: Maybe yeah. And what's fun to do is if you're

503
00:26:05,680 --> 00:26:08,480
Speaker 1: rewatching the show with like that in mind, you figure

504
00:26:08,520 --> 00:26:11,439
Speaker 1: out that every single time a big moment like that happened,

505
00:26:11,560 --> 00:26:15,040
Speaker 1: it was preceded by something really really outrageous and goofy.

506
00:26:15,359 --> 00:26:17,679
Speaker 1: Later on, you guys would do the Ben episode, and

507
00:26:17,720 --> 00:26:20,480
Speaker 1: when you rewatch that, the scene immediately before that is

508
00:26:20,520 --> 00:26:23,760
Speaker 1: just outrageous in comparison to those two. So there's that

509
00:26:23,840 --> 00:26:26,760
Speaker 1: part of it. There's John C. McGinley, who fucking what

510
00:26:26,840 --> 00:26:30,080
Speaker 1: a master this guy is. Once Dan gets going into

511
00:26:30,080 --> 00:26:32,879
Speaker 1: his monologue, the meat of it, the important part. Doctor

512
00:26:32,880 --> 00:26:35,159
Speaker 1: Cox doesn't have a single word to say in it,

513
00:26:35,240 --> 00:26:37,960
Speaker 1: not when he just stands there and absorbs everything and

514
00:26:38,200 --> 00:26:40,520
Speaker 1: and in probably anybody else's hands, in a less skilled

515
00:26:40,560 --> 00:26:44,800
Speaker 1: actor's hands, it's just empty space right there. But with McGinley,

516
00:26:45,240 --> 00:26:48,200
Speaker 1: he feels it up if it's fat with emotion and

517
00:26:48,520 --> 00:26:50,640
Speaker 1: a realization He has a really quick part in there

518
00:26:50,880 --> 00:26:53,080
Speaker 1: where he takes a big breath as Dan is talking.

519
00:26:53,160 --> 00:26:55,640
Speaker 1: Dan has given it to doctor Cox, and doctor Cox

520
00:26:55,800 --> 00:26:59,000
Speaker 1: is just like like he just that's the that's the

521
00:26:59,119 --> 00:27:01,679
Speaker 1: breath of somebody who knows that they're being read like

522
00:27:01,720 --> 00:27:04,320
Speaker 1: a fucking book right now. And he and he just

523
00:27:04,359 --> 00:27:07,280
Speaker 1: doesn't say anything back. He never argues with Dan about

524
00:27:07,359 --> 00:27:09,800
Speaker 1: JD being special, which is like his way of being like,

525
00:27:09,800 --> 00:27:12,480
Speaker 1: you're right, he is, that's my bat It's it's great.

526
00:27:12,720 --> 00:27:14,919
Speaker 1: I really like that. And then the last one. And

527
00:27:14,960 --> 00:27:16,720
Speaker 1: I don't know if I'm just like reading too far

528
00:27:16,800 --> 00:27:19,280
Speaker 1: into it at this situation. But the way that they

529
00:27:19,320 --> 00:27:21,879
Speaker 1: shoot that scene, they're outside on the walkway outside of

530
00:27:21,880 --> 00:27:24,040
Speaker 1: the hospital, and because of the way that the stage

531
00:27:24,080 --> 00:27:26,720
Speaker 1: is the scene of stage, Dan is closer to the door,

532
00:27:26,800 --> 00:27:29,040
Speaker 1: Doctor Cox is closer to the ramps to exit, and

533
00:27:29,200 --> 00:27:31,800
Speaker 1: doctor Cox, who is otherwise a full inch taller than Dan,

534
00:27:31,920 --> 00:27:34,040
Speaker 1: because of the way that they are and the scene,

535
00:27:34,080 --> 00:27:36,040
Speaker 1: has to look up at him. And it's one of

536
00:27:36,080 --> 00:27:38,080
Speaker 1: the few times in the show that we see doctor

537
00:27:38,080 --> 00:27:41,320
Speaker 1: Cox in that position. Usually he lords over everybody over

538
00:27:41,359 --> 00:27:43,800
Speaker 1: every situation. Not here, though he has his chin up,

539
00:27:43,800 --> 00:27:48,040
Speaker 1: he's exposed be even it's like the same thing. Yeah,

540
00:27:48,080 --> 00:27:51,280
Speaker 1: with with Brendan Fraser's character with Ben, like he's so

541
00:27:51,359 --> 00:27:54,280
Speaker 1: much taller than him, he's always sort of chin out

542
00:27:54,400 --> 00:27:56,760
Speaker 1: ready to get hit in it. Subconsciously, you're watching the

543
00:27:56,760 --> 00:27:59,159
Speaker 1: scene and you don't really register that it's happening, but

544
00:27:59,240 --> 00:28:02,159
Speaker 1: you can something weird here is happening. You can feel it.

545
00:28:02,280 --> 00:28:05,320
Speaker 1: Doctor Cox is open to this criticism that Dan, a

546
00:28:05,440 --> 00:28:08,080
Speaker 1: person who he does not like one single persent, is

547
00:28:08,119 --> 00:28:10,640
Speaker 1: offering him and they're like, oh, that's it's I don't

548
00:28:10,640 --> 00:28:12,720
Speaker 1: know they get it on purpose, but well I would

549
00:28:12,760 --> 00:28:14,359
Speaker 1: have been so I wouldn't be surprised, as Mark Bucklin,

550
00:28:14,400 --> 00:28:16,600
Speaker 1: who was one of our best directors on the whole

551
00:28:16,640 --> 00:28:19,399
Speaker 1: run of the show, and episodes are always extra special

552
00:28:19,400 --> 00:28:22,679
Speaker 1: when Mark Bucklin was the director, and um, I wouldn't

553
00:28:22,720 --> 00:28:26,000
Speaker 1: be surprised if that was a choice because uh, and

554
00:28:26,040 --> 00:28:28,880
Speaker 1: it's little subtle things like that that make a huge difference.

555
00:28:29,200 --> 00:28:32,080
Speaker 1: There's a there's a really big there's a moment in

556
00:28:32,119 --> 00:28:34,879
Speaker 1: there that I that I feel like we're missing. Also,

557
00:28:35,160 --> 00:28:38,280
Speaker 1: I feel like doctor Cox is also proud of Dan, like,

558
00:28:38,400 --> 00:28:45,480
Speaker 1: oh shit, I didn't see this in the Yeah, He's

559
00:28:45,520 --> 00:28:48,239
Speaker 1: like he's like holy okay, and then he says, all

560
00:28:48,280 --> 00:28:51,920
Speaker 1: the best, that best Okay, Dan, all the best to you, buddy.

561
00:28:53,120 --> 00:28:56,000
Speaker 1: Good for you for doing that right on. You know

562
00:28:56,000 --> 00:28:58,239
Speaker 1: what I mean, And it's not condescending I'm making I'm

563
00:28:58,280 --> 00:29:00,920
Speaker 1: making it sound condescending right now, but it really is

564
00:29:00,920 --> 00:29:04,520
Speaker 1: one of those moments where he's like, holy shit, this dude,

565
00:29:04,600 --> 00:29:07,480
Speaker 1: it's a testament to the power of love. Also, this

566
00:29:07,560 --> 00:29:10,760
Speaker 1: dude is willing to step to me right here on

567
00:29:10,800 --> 00:29:16,080
Speaker 1: my turb right now and fight for his brother. Okay, well,

568
00:29:16,680 --> 00:29:18,120
Speaker 1: I have the speech. You want me to read it

569
00:29:18,120 --> 00:29:21,640
Speaker 1: real quick? Yeah. I won't try and perform it like

570
00:29:21,680 --> 00:29:25,840
Speaker 1: Tom Cavanaugh because he crushed it, but just because every

571
00:29:25,880 --> 00:29:27,800
Speaker 1: we're talking about it so much and it happens to

572
00:29:27,840 --> 00:29:30,200
Speaker 1: be on the web, I thought i'd just quickly read

573
00:29:30,240 --> 00:29:32,520
Speaker 1: it for everybody who hasn't just watched the episode, and

574
00:29:32,600 --> 00:29:36,200
Speaker 1: here it is. He says, Hey, listen, doctor Cox, no offense.

575
00:29:36,360 --> 00:29:38,360
Speaker 1: I'm a big fan of the tough guy act. But

576
00:29:38,440 --> 00:29:40,240
Speaker 1: let me tell you what I really think. I think

577
00:29:40,280 --> 00:29:43,520
Speaker 1: you love the fact that these kids idolize you. Johnny does.

578
00:29:43,800 --> 00:29:45,760
Speaker 1: Johnny was always the one in the family we knew

579
00:29:45,840 --> 00:29:49,560
Speaker 1: was going someplace. Sweet kid, smart kid, becoming a doctor.

580
00:29:49,680 --> 00:29:53,040
Speaker 1: That's all he ever wanted. And yet somehow you found

581
00:29:53,040 --> 00:29:54,800
Speaker 1: a way to beat that out of him. Haven't you

582
00:29:55,240 --> 00:29:57,680
Speaker 1: turned him into some kind of cynical guy who seems

583
00:29:57,720 --> 00:30:01,320
Speaker 1: to despise what he does, Doctor Cox. Johnny's never going

584
00:30:01,360 --> 00:30:04,560
Speaker 1: to look up to me, ever, but he hangs on

585
00:30:04,720 --> 00:30:08,160
Speaker 1: every word you say. So I'm asking, no, I'm telling

586
00:30:08,200 --> 00:30:12,760
Speaker 1: you take that responsibility seriously. Stop being such a hard ass.

587
00:30:13,400 --> 00:30:18,360
Speaker 1: Otherwise you're gonna have to answer to me. You did

588
00:30:18,360 --> 00:30:23,000
Speaker 1: a really good job right there. I started, I started

589
00:30:23,040 --> 00:30:24,800
Speaker 1: not trying to act, and then I got a sorry,

590
00:30:26,320 --> 00:30:28,160
Speaker 1: but Tom did it better. But anyway, the point is

591
00:30:28,160 --> 00:30:30,000
Speaker 1: it's a great it's great. It's great writing, and it's

592
00:30:30,080 --> 00:30:33,640
Speaker 1: and well awesomely performed, and you're and share you're right,

593
00:30:33,720 --> 00:30:36,160
Speaker 1: Johnny sees you know, if you're an actor who thinks

594
00:30:36,160 --> 00:30:37,400
Speaker 1: that they don't have a lot of lines. It's the

595
00:30:37,520 --> 00:30:40,160
Speaker 1: ultimate example of in a scene watched, watch how good

596
00:30:40,240 --> 00:30:44,680
Speaker 1: Johnny Ce is with almost no words and um and

597
00:30:44,720 --> 00:30:47,720
Speaker 1: how he listens acts so much about listening, and just

598
00:30:47,760 --> 00:30:51,360
Speaker 1: watch how he genuinely listens. And this is an episode

599
00:30:51,360 --> 00:30:54,440
Speaker 1: where he has to talk throughout most of the episode,

600
00:30:54,720 --> 00:30:57,240
Speaker 1: and his strongest moment in the episode is when he

601
00:30:57,280 --> 00:31:00,560
Speaker 1: says nothing that's a really good that it's a good

602
00:31:00,960 --> 00:31:03,520
Speaker 1: good actor right there. You know, I played golf with

603
00:31:03,600 --> 00:31:07,720
Speaker 1: Johnny yesterday. Oh how did that go? Burying the lead?

604
00:31:07,800 --> 00:31:11,920
Speaker 1: That's what they call that. It went fabulous. We had

605
00:31:11,960 --> 00:31:17,280
Speaker 1: a wonderful time. Man. Let Johnny talk about it when

606
00:31:17,280 --> 00:31:24,200
Speaker 1: he comes on the show. Okay, but uh, he is

607
00:31:24,680 --> 00:31:27,680
Speaker 1: one first of all, I had I knew that he

608
00:31:27,800 --> 00:31:30,400
Speaker 1: liked to play golf. I didn't know he loved golf.

609
00:31:30,960 --> 00:31:34,360
Speaker 1: And it was a lot of fun to watch. You know,

610
00:31:34,520 --> 00:31:37,000
Speaker 1: there's there you know, we've known it. We've all known

611
00:31:37,040 --> 00:31:39,200
Speaker 1: each other for so long. There's very little that we

612
00:31:39,280 --> 00:31:41,239
Speaker 1: don't know it about each other. And this was one

613
00:31:41,280 --> 00:31:44,480
Speaker 1: of those things. Like I've never had to compete against

614
00:31:45,040 --> 00:31:47,440
Speaker 1: a compete with Johnny, you know what, right, I would

615
00:31:47,480 --> 00:31:50,400
Speaker 1: be terrified of that because as I love him to

616
00:31:50,480 --> 00:31:52,080
Speaker 1: death and he's a sweetheart, but there's a there is

617
00:31:52,120 --> 00:31:54,000
Speaker 1: a little bit of JD and Cox in us, and

618
00:31:54,080 --> 00:31:56,280
Speaker 1: I wouldn't want to compete against Johnny. I feel like

619
00:31:56,280 --> 00:31:58,160
Speaker 1: he would get all two two into it for me.

620
00:31:58,200 --> 00:32:01,520
Speaker 1: He plays tennis too. There's there's oh, we need to

621
00:32:01,600 --> 00:32:04,800
Speaker 1: we need to sincere it like, Look, we've spent enough

622
00:32:04,840 --> 00:32:07,840
Speaker 1: time like just it'd being you and me. We need

623
00:32:07,880 --> 00:32:10,400
Speaker 1: to we need to pull Johnny into the fold. We

624
00:32:10,440 --> 00:32:12,520
Speaker 1: need to pull Johnny into the fold. What you're saying

625
00:32:12,640 --> 00:32:14,520
Speaker 1: is we should pull and maybe bring him into our

626
00:32:14,760 --> 00:32:16,520
Speaker 1: our what do you call it our pod? Because you

627
00:32:16,560 --> 00:32:19,160
Speaker 1: and I are pod buddies. Yeah, it would be It

628
00:32:19,200 --> 00:32:21,320
Speaker 1: would behoove us to do that, because then we could

629
00:32:21,360 --> 00:32:23,680
Speaker 1: go to his house, we could go and hang out

630
00:32:23,720 --> 00:32:26,360
Speaker 1: on the land. Yeah, Johnny has a baseball field. Johnny

631
00:32:26,360 --> 00:32:29,400
Speaker 1: has field. A dream shay, he has a He lives

632
00:32:29,400 --> 00:32:31,760
Speaker 1: in Malibu and bought a piece of property next to

633
00:32:31,800 --> 00:32:34,680
Speaker 1: him that's big enough that he built a baseball field.

634
00:32:34,720 --> 00:32:37,760
Speaker 1: I'll feel the dreams. That's incredible. He heard, he heard

635
00:32:37,880 --> 00:32:42,000
Speaker 1: if you built it? Yeah, he built it. He built

636
00:32:42,000 --> 00:32:47,840
Speaker 1: That's that syndication money. Yeah, that syndication money. He put

637
00:32:47,840 --> 00:32:49,800
Speaker 1: that all into a baseball field. I don't know about

638
00:32:49,960 --> 00:32:52,200
Speaker 1: Donald put into forty seven kids. Yeah, I don't know.

639
00:32:52,160 --> 00:32:55,040
Speaker 1: I'm about to staff with dead Donald. If you only

640
00:32:55,080 --> 00:32:57,480
Speaker 1: had two kids, you could probably have a baseball field, right.

641
00:32:58,240 --> 00:33:00,239
Speaker 1: I put I put it all into my sperm and

642
00:33:00,440 --> 00:33:04,440
Speaker 1: shot away. Those are expensive sperm. You shot bro all right,

643
00:33:04,480 --> 00:33:06,440
Speaker 1: So how did it go? How did it go? There's

644
00:33:06,440 --> 00:33:08,400
Speaker 1: a lot of fun. We had so much fun. And

645
00:33:08,440 --> 00:33:11,600
Speaker 1: we played at Sherwood Lake, which is a cute little

646
00:33:11,640 --> 00:33:15,560
Speaker 1: part three eighteen hole but it's made by Jack Nicholas

647
00:33:15,680 --> 00:33:19,800
Speaker 1: and so it's it's it's it's a very well designed course.

648
00:33:20,000 --> 00:33:22,920
Speaker 1: And you know, he invited me out there and we

649
00:33:22,920 --> 00:33:25,479
Speaker 1: we played. And is that a club thing or can

650
00:33:25,480 --> 00:33:27,680
Speaker 1: anybody go there? It's a club thing, But we're gonna

651
00:33:27,680 --> 00:33:29,520
Speaker 1: try and make it a Thursday thing for Johnny. And

652
00:33:29,840 --> 00:33:32,120
Speaker 1: I would love that for you, man, because listen, I

653
00:33:32,200 --> 00:33:36,080
Speaker 1: know how much you love golf, and I know that

654
00:33:36,640 --> 00:33:38,719
Speaker 1: it would be great for you as your friend, as

655
00:33:38,760 --> 00:33:40,880
Speaker 1: your best friend. I would love for you to have

656
00:33:40,920 --> 00:33:43,640
Speaker 1: like a regular day you played, especially with someone as

657
00:33:43,640 --> 00:33:45,320
Speaker 1: cool as Johnny. I know that you. I would want to.

658
00:33:45,320 --> 00:33:46,920
Speaker 1: I would want to play with Johnny because he's like

659
00:33:46,960 --> 00:33:50,920
Speaker 1: my fucking brother, dude. I've known him pretty much half

660
00:33:50,920 --> 00:33:52,600
Speaker 1: of my life. You know what I mean? When you

661
00:33:52,640 --> 00:33:54,400
Speaker 1: look at it now, and you guys, you guys, you

662
00:33:54,440 --> 00:33:56,120
Speaker 1: know have to tell me who won, although I'm assuming

663
00:33:56,120 --> 00:33:58,440
Speaker 1: it's you. Did you did you feel evenly matched in

664
00:33:58,520 --> 00:34:00,480
Speaker 1: terms of like you weren't waiting on each other. You

665
00:34:00,520 --> 00:34:02,560
Speaker 1: can play. No, I'm not gonna say I won. I

666
00:34:02,600 --> 00:34:04,880
Speaker 1: would say Johnny beat me if anything, But it was

667
00:34:04,920 --> 00:34:07,120
Speaker 1: my first time playing the chorus, and I never you

668
00:34:07,160 --> 00:34:11,359
Speaker 1: know what I mean? There were interesting there were Maybe

669
00:34:11,440 --> 00:34:13,399
Speaker 1: if you had a golf simulator you could have won.

670
00:34:13,560 --> 00:34:16,680
Speaker 1: I'm interested in the uncertainty here because they keep score.

671
00:34:16,880 --> 00:34:18,799
Speaker 1: You just look at the number at the end. You know,

672
00:34:19,480 --> 00:34:22,440
Speaker 1: why are you being who the fuck won? Well? We

673
00:34:22,520 --> 00:34:25,319
Speaker 1: you know, there's different when you play among there's no

674
00:34:25,360 --> 00:34:27,719
Speaker 1: money involved. There are different rules, you know what I mean.

675
00:34:28,000 --> 00:34:33,840
Speaker 1: So you get mcgillas. What are they called mcgilla, You

676
00:34:33,880 --> 00:34:40,759
Speaker 1: get mcgilla gorillas. You give mcgillas mcgillas. What's much? That

677
00:34:40,840 --> 00:34:45,600
Speaker 1: monkey in the window, that's a mcgilla gorilla, right, mcguffin,

678
00:34:45,719 --> 00:34:47,640
Speaker 1: that's isn't that a mission that you go on. A

679
00:34:47,760 --> 00:34:50,480
Speaker 1: mcguffin is like in a movie, like the random bit

680
00:34:50,560 --> 00:34:53,279
Speaker 1: of bullshit you have to make up just to make

681
00:34:53,320 --> 00:34:55,759
Speaker 1: the plot work. You're like, well yeah, You're like, I

682
00:34:55,760 --> 00:34:57,520
Speaker 1: don't know. And then there'll be some mcguffin like I

683
00:34:57,520 --> 00:35:01,720
Speaker 1: don't know because yes, like you know, like a dagger

684
00:35:01,800 --> 00:35:03,800
Speaker 1: showing up out of nowhere to show you where the

685
00:35:03,840 --> 00:35:09,759
Speaker 1: crash Death Star has the wavefinder that leads to Exegal

686
00:35:10,239 --> 00:35:13,520
Speaker 1: even though it blew up exactly like that, yeah, exactly.

687
00:35:13,560 --> 00:35:15,560
Speaker 1: Don't know, but it's like it's like you come up

688
00:35:15,560 --> 00:35:17,719
Speaker 1: with some weird plots of ice to make the plot works.

689
00:35:17,760 --> 00:35:19,799
Speaker 1: You're like, that's something like the Emperor coming back to

690
00:35:19,880 --> 00:35:22,680
Speaker 1: life even though he was dead. Okay, let's try and

691
00:35:22,719 --> 00:35:26,000
Speaker 1: stay away from that area. You have Shay here. You

692
00:35:26,000 --> 00:35:30,640
Speaker 1: can talk about your basketball, the Lakers winning, the Lakers

693
00:35:30,680 --> 00:35:32,600
Speaker 1: did it. Yeah, okay, I was gonna stay this shake.

694
00:35:32,719 --> 00:35:34,800
Speaker 1: You were saying, you don't want to compare Lebron and

695
00:35:35,440 --> 00:35:37,400
Speaker 1: Jordan and all of that stuff, but I'll say this.

696
00:35:37,760 --> 00:35:41,000
Speaker 1: Lebron went two more rings. He's been to the finals

697
00:35:41,040 --> 00:35:43,920
Speaker 1: more than Jordan, and he's got those six rings too.

698
00:35:44,040 --> 00:35:46,879
Speaker 1: That's that becomes a really like I don't know how

699
00:35:46,920 --> 00:35:49,319
Speaker 1: you argue against that. You can't. You can't. You can't

700
00:35:49,360 --> 00:35:51,160
Speaker 1: deny it. If he wins two more, dude, I don't

701
00:35:51,160 --> 00:35:55,560
Speaker 1: know how. Yeah, I don't know longer. It doesn't mean

702
00:35:55,640 --> 00:35:57,960
Speaker 1: he's better. Jordan left. He could have done two or

703
00:35:58,000 --> 00:35:59,320
Speaker 1: three more, but he was done with the game. He

704
00:35:59,480 --> 00:36:02,920
Speaker 1: was like we saw it, We saw him in Washington

705
00:36:02,960 --> 00:36:05,160
Speaker 1: and he was he was, he was, he was done

706
00:36:05,680 --> 00:36:07,719
Speaker 1: seventy years out of the game though it wasn't you

707
00:36:07,719 --> 00:36:11,120
Speaker 1: know from my perspective. From my perspective, Jordan Sneakers or

708
00:36:11,200 --> 00:36:14,520
Speaker 1: way nicer bird Song didn't play. I agree with that.

709
00:36:14,560 --> 00:36:16,680
Speaker 1: I'm not bringing up out his bird song or Mike Jiminski.

710
00:36:16,760 --> 00:36:19,920
Speaker 1: Bro Okay, all right, I will say this, with the

711
00:36:20,040 --> 00:36:24,239
Speaker 1: stats and then having won six rings, there's no way

712
00:36:24,320 --> 00:36:27,400
Speaker 1: that you will be able to deny Lebron being the

713
00:36:27,560 --> 00:36:31,440
Speaker 1: goat people. People will still deny it, see Joel, It

714
00:36:31,480 --> 00:36:34,319
Speaker 1: will still deny it. But yeah, I think I think

715
00:36:34,920 --> 00:36:37,480
Speaker 1: he just is leading in too many things now to

716
00:36:37,560 --> 00:36:39,160
Speaker 1: be like well, to be like well, I don't know, right,

717
00:36:39,239 --> 00:36:41,400
Speaker 1: you can't you can't do you can't disregard all of

718
00:36:41,400 --> 00:36:45,640
Speaker 1: the numbers, right anymore? Does does Lebron excuse me for

719
00:36:45,719 --> 00:36:48,239
Speaker 1: not knowing? Does he do that fucking epic hang time

720
00:36:48,239 --> 00:36:51,080
Speaker 1: with the tongue out chip? He does not? I like that.

721
00:36:51,320 --> 00:36:52,719
Speaker 1: I used to have a poster of that on my

722
00:36:52,760 --> 00:36:56,120
Speaker 1: wall next to my Fantom of the Opera beach towel

723
00:36:56,160 --> 00:36:58,759
Speaker 1: that was hung like a tapestry. You'll be happy to

724
00:36:58,840 --> 00:37:02,080
Speaker 1: know I did have. Michael and like this, Donking with

725
00:37:02,080 --> 00:37:04,440
Speaker 1: his tongue out because I thought that was cool and

726
00:37:04,520 --> 00:37:06,040
Speaker 1: I wanted to fit in with other kids. All right,

727
00:37:06,080 --> 00:37:09,120
Speaker 1: let's talk about the show Scrubs. Guys. Uh, GOMER is

728
00:37:09,160 --> 00:37:12,440
Speaker 1: a real term. UM. It stands for get out of

729
00:37:12,480 --> 00:37:15,480
Speaker 1: my emergency room. And apparently it was something that the

730
00:37:15,520 --> 00:37:18,239
Speaker 1: doctors used to call old people because they were like, oh,

731
00:37:18,360 --> 00:37:21,040
Speaker 1: get this gomer out of here, because um, there was

732
00:37:21,120 --> 00:37:23,080
Speaker 1: they were just taking up a bed. That's kind of

733
00:37:23,080 --> 00:37:26,439
Speaker 1: like calling an ATM and ATM machine. So you're saying,

734
00:37:26,480 --> 00:37:30,800
Speaker 1: get this gomer out of here, but you're saying GOMER,

735
00:37:30,880 --> 00:37:35,440
Speaker 1: which stands for get out of my emergency room. So

736
00:37:35,840 --> 00:37:42,080
Speaker 1: get this guy out of my emergency room out of here, okay, well, okay,

737
00:37:42,080 --> 00:37:47,799
Speaker 1: well then pick a different sentence. I got a got it, Okay. Well,

738
00:37:47,800 --> 00:37:51,120
Speaker 1: I'm just say I'm just saying that's because it pisses

739
00:37:51,120 --> 00:37:52,920
Speaker 1: me to fuck off with Somebody's like, I gotta make

740
00:37:52,920 --> 00:37:55,160
Speaker 1: it to the ATM machine and you're like, you just

741
00:37:55,160 --> 00:37:59,680
Speaker 1: said machine machine, motherfucker. All right, I gotta make it

742
00:37:59,719 --> 00:38:04,440
Speaker 1: to the ATM machine. Machine. It's way more takes right now,

743
00:38:04,800 --> 00:38:10,920
Speaker 1: way more like letter takes than I was anticipating. Um.

744
00:38:11,320 --> 00:38:15,000
Speaker 1: I laughed when um when Johnny goes off for a

745
00:38:15,080 --> 00:38:17,000
Speaker 1: hug and I go in for the huged. My arms

746
00:38:17,080 --> 00:38:18,840
Speaker 1: kind of go up and I'm like, I'm gonna get huged.

747
00:38:18,840 --> 00:38:22,400
Speaker 1: That made me laugh. I laughed at pickles, pickles, mister

748
00:38:22,480 --> 00:38:25,680
Speaker 1: Bober and his pickles. That senior citizen actor was in

749
00:38:25,719 --> 00:38:29,920
Speaker 1: another episode. I forgot where, but this was his second

750
00:38:29,920 --> 00:38:32,640
Speaker 1: time being impatient on the show. And when we did

751
00:38:32,719 --> 00:38:37,000
Speaker 1: and when we did, undateable was the character mister Bober

752
00:38:37,800 --> 00:38:40,360
Speaker 1: that was touching all of the old people. Was that

753
00:38:40,600 --> 00:38:42,520
Speaker 1: or was it missus Bober that was doing it? I

754
00:38:42,520 --> 00:38:46,800
Speaker 1: don't recall. I don't remember, you don't remember. So, yeah,

755
00:38:46,840 --> 00:38:50,719
Speaker 1: this guy he was Frank Bober here. Yeah, but I

756
00:38:50,760 --> 00:38:53,960
Speaker 1: just saw in Scrubs Wiki that he had appeared. We

757
00:38:53,960 --> 00:38:57,080
Speaker 1: should mention this was written by Mike Schwartz, who's incredible,

758
00:38:57,120 --> 00:39:00,720
Speaker 1: one of our favorite UH Scrubs writers. Hilario you guy

759
00:39:00,800 --> 00:39:05,319
Speaker 1: and good human being. Um I h how many dog

760
00:39:05,400 --> 00:39:08,680
Speaker 1: piles have you been under in life? But I haven't

761
00:39:08,680 --> 00:39:12,160
Speaker 1: been in a dogpile probably since like college, like drunkenly right,

762
00:39:12,280 --> 00:39:14,960
Speaker 1: I remember being in dog piles. And you like being

763
00:39:15,360 --> 00:39:17,920
Speaker 1: under like twenty, feeling like you're under twenty people you're

764
00:39:17,920 --> 00:39:23,400
Speaker 1: gonna die. You're gonna die, and then you phobic you

765
00:39:22,680 --> 00:39:27,040
Speaker 1: can And I've never been in a dog pile. Do

766
00:39:27,520 --> 00:39:30,080
Speaker 1: do gentlemen always lead with their elbows? Is that a thing?

767
00:39:30,200 --> 00:39:31,719
Speaker 1: Is it is he intend to hurt? Or is this

768
00:39:31,760 --> 00:39:35,440
Speaker 1: a secret way guys get to clud? It is it's

769
00:39:35,480 --> 00:39:38,920
Speaker 1: the latter, Are you kill? It is definitely let me

770
00:39:38,960 --> 00:39:41,120
Speaker 1: tell you something, Joel, that you need. It is intended

771
00:39:41,160 --> 00:39:43,320
Speaker 1: to hurt too. That Donald doesn't want to talk about.

772
00:39:43,800 --> 00:39:46,840
Speaker 1: There is a lot There is a lot of mail

773
00:39:46,960 --> 00:39:53,280
Speaker 1: on Maile wrestling to make up for like, yeah, sexual

774
00:39:53,360 --> 00:39:55,600
Speaker 1: ten tension. And I don't mean, and I don't mean

775
00:39:55,640 --> 00:39:57,640
Speaker 1: to imply that the guys necessarily want to fuck. I

776
00:39:57,640 --> 00:40:00,719
Speaker 1: just mean that they have the testosterone and and they

777
00:40:00,760 --> 00:40:03,480
Speaker 1: just want to It is like fucking male cuddling. It's

778
00:40:03,520 --> 00:40:06,160
Speaker 1: like wrestling. And I remember being in high school being

779
00:40:06,200 --> 00:40:08,759
Speaker 1: like the dude was like pinning me and like we're like,

780
00:40:08,880 --> 00:40:11,080
Speaker 1: I don't know. It felt in hindsight a little like

781
00:40:11,920 --> 00:40:15,359
Speaker 1: sexual Okay, I don't mean to say that we were

782
00:40:15,360 --> 00:40:17,399
Speaker 1: gonna dock. I just mean that like there was there

783
00:40:17,480 --> 00:40:21,279
Speaker 1: was testosteroney tension. Have you Okay, here's a great here's

784
00:40:21,280 --> 00:40:24,040
Speaker 1: a great question have you wrestled as a grown man? Though?

785
00:40:24,239 --> 00:40:27,120
Speaker 1: Is the question a man? Have you wrestled as a

786
00:40:27,160 --> 00:40:30,800
Speaker 1: grown man, not wrestled as a kid. I know, I

787
00:40:30,880 --> 00:40:33,600
Speaker 1: wrestled my girlfriends. Sometimes I don't wrestle another man. It's

788
00:40:33,600 --> 00:40:37,080
Speaker 1: a grown man, dude, I want dude, We've got to

789
00:40:37,160 --> 00:40:43,720
Speaker 1: do this. I once got drunk. I once got drunk

790
00:40:43,800 --> 00:40:49,000
Speaker 1: with Jacob Vargas and Sullivan Stapleton. Jacob Vargas, that's my guy. Yeah.

791
00:40:49,000 --> 00:40:52,719
Speaker 1: I love Jacob Vargas and and Sullivan Stapletonton who was

792
00:40:52,800 --> 00:40:56,560
Speaker 1: on Blind Spot. We were doing a pilot together and

793
00:40:56,600 --> 00:40:59,720
Speaker 1: we were living in New Mexico and we were drunk

794
00:40:59,719 --> 00:41:02,960
Speaker 1: out of my mind in either Jacob's room or Sully's

795
00:41:03,040 --> 00:41:06,880
Speaker 1: room or my room. I don't remember where it was.

796
00:41:07,760 --> 00:41:11,879
Speaker 1: But we started wrestling. And let me tell you something

797
00:41:11,960 --> 00:41:15,480
Speaker 1: right now, ain't n like being drunk and grown and

798
00:41:15,719 --> 00:41:19,640
Speaker 1: wrestling with another motherfucker? I will fuck you with you,

799
00:41:19,640 --> 00:41:21,840
Speaker 1: know what I mean? And you're strong, man, Donald, Donald?

800
00:41:22,800 --> 00:41:25,319
Speaker 1: Could they keep up with you? Because you're really fucking strong? Yeah,

801
00:41:25,440 --> 00:41:28,319
Speaker 1: fucking Sully's way bigger than I am, dude, And he's

802
00:41:28,400 --> 00:41:30,400
Speaker 1: way stronger than I am. So he's throwing me around

803
00:41:30,400 --> 00:41:32,239
Speaker 1: like a rag doll, and I'm trying to be like

804
00:41:32,360 --> 00:41:33,960
Speaker 1: I'm trying to grab him and be like, I will

805
00:41:34,080 --> 00:41:36,400
Speaker 1: fuck you. You know, you're trying to get apostous. I

806
00:41:36,400 --> 00:41:39,239
Speaker 1: will fuck you up, your motherfucker and you start, you know,

807
00:41:39,320 --> 00:41:40,680
Speaker 1: and you're trying to get into it and you're trying.

808
00:41:40,719 --> 00:41:44,960
Speaker 1: Always gets more serious than actually drunk. If you just

809
00:41:45,000 --> 00:41:46,640
Speaker 1: take that up off, I will fuck you, and you're

810
00:41:46,680 --> 00:41:50,160
Speaker 1: you're proving my point. I will fuck you. There's a

811
00:41:50,320 --> 00:41:54,120
Speaker 1: there's a there's a thing inside of all Mexicans. Jacob

812
00:41:54,480 --> 00:41:57,040
Speaker 1: Jacob Vargas is Mexican American. So if you told me

813
00:41:57,080 --> 00:41:59,640
Speaker 1: I got drunk with Jacob Vargas, in my head, I'm like, oh,

814
00:41:59,680 --> 00:42:06,480
Speaker 1: that means probably wrestled with Jacob. Dude. We fucking love it.

815
00:42:06,640 --> 00:42:12,200
Speaker 1: We love it. They're so Donald Donald. Donald just scared me.

816
00:42:12,200 --> 00:42:14,680
Speaker 1: But listen, there's any times over the years when we

817
00:42:14,680 --> 00:42:17,160
Speaker 1: get a little bit serious and like I'm trying my best,

818
00:42:17,160 --> 00:42:19,520
Speaker 1: when you just fucking crush me. Listen, I'm telling you

819
00:42:19,560 --> 00:42:21,480
Speaker 1: something right now. I didn't think I would like it

820
00:42:21,520 --> 00:42:23,839
Speaker 1: as a grown man to be rolling around like that,

821
00:42:24,160 --> 00:42:27,640
Speaker 1: but that ship's fun. Dude. I was your guy. I

822
00:42:27,800 --> 00:42:32,640
Speaker 1: came so hard. It was one. It was one, it

823
00:42:32,760 --> 00:42:39,919
Speaker 1: was one. It was one of these. Ah, so um,

824
00:42:39,960 --> 00:42:42,880
Speaker 1: we kind of skid by this. But Carla has phone

825
00:42:42,880 --> 00:42:48,080
Speaker 1: sex with turks eleven year old nephew. M yes, she says.

826
00:42:48,320 --> 00:42:54,120
Speaker 1: She says he was so worldly, and then later on

827
00:42:54,200 --> 00:42:57,520
Speaker 1: they call it back and uh, son was my My

828
00:42:57,920 --> 00:43:04,200
Speaker 1: nephew was asking what you're wearing? How sweet is that? Yeah?

829
00:43:04,280 --> 00:43:06,560
Speaker 1: When she says worldly was she like, oh, and I'm

830
00:43:06,560 --> 00:43:08,040
Speaker 1: gonna do this And he's like, oh, yeah, tell me

831
00:43:08,040 --> 00:43:09,480
Speaker 1: what you're gonna do with that when you get it

832
00:43:11,000 --> 00:43:14,040
Speaker 1: to Elliott's attempt. Elliott's attempt at phone sex in the

833
00:43:14,080 --> 00:43:18,120
Speaker 1: woods is hilarious. Now, correct me if I'm wrong. Didn't

834
00:43:18,120 --> 00:43:22,600
Speaker 1: we talk about Elliot's uh obsession with nipples? Did we

835
00:43:22,680 --> 00:43:27,279
Speaker 1: talk about that? Like she licks somebody's nipple, licks s

836
00:43:27,520 --> 00:43:29,399
Speaker 1: she licked nipples in another sex scene. You know, there's

837
00:43:29,400 --> 00:43:30,560
Speaker 1: not a lot you can do in a in a

838
00:43:30,680 --> 00:43:34,000
Speaker 1: broadcast TV sex scene, So I think that like you're

839
00:43:34,080 --> 00:43:36,120
Speaker 1: running out of ideas quickly. So it's like, well, nipples

840
00:43:36,200 --> 00:43:37,880
Speaker 1: were allowed to like nipples, all right, We'll lick nipples,

841
00:43:38,000 --> 00:43:42,320
Speaker 1: mail nipples and lick mail nipples, Elliott says, something about

842
00:43:42,520 --> 00:43:45,600
Speaker 1: licking Sean's nipples. Yeah, and only he almost did, and

843
00:43:45,680 --> 00:43:48,480
Speaker 1: he almost and he almost gets it. He says I'm closed,

844
00:43:48,520 --> 00:43:50,480
Speaker 1: and she says, I don't care if you're close. No,

845
00:43:50,640 --> 00:43:53,239
Speaker 1: she says, she's trying to do some phone sex in

846
00:43:53,280 --> 00:43:55,200
Speaker 1: the woods for those of you who haven't watched it,

847
00:43:55,320 --> 00:43:57,959
Speaker 1: or I'm just needing to be reminded. She goes nipples Sean,

848
00:43:58,160 --> 00:44:00,440
Speaker 1: because they're having bad connection, I'm trying trying to lick

849
00:44:00,480 --> 00:44:04,480
Speaker 1: your nipples. And then and then a troop of boy

850
00:44:04,480 --> 00:44:08,560
Speaker 1: scouts stumbles upon her in the woods and she says,

851
00:44:08,600 --> 00:44:10,439
Speaker 1: I don't care that you're close. I'll call you later,

852
00:44:10,800 --> 00:44:18,280
Speaker 1: meaning that that almost drove him to completion the thought

853
00:44:18,280 --> 00:44:22,200
Speaker 1: of being told I'm licking your nipples. Your nipples, Sean.

854
00:44:22,719 --> 00:44:27,279
Speaker 1: Scott Foley was like, hullo, the first time we've ever

855
00:44:27,320 --> 00:44:30,000
Speaker 1: done a short title sequence like this. I believe I'm

856
00:44:30,000 --> 00:44:34,400
Speaker 1: no superman. Yeah, you know, we were locked into the time.

857
00:44:34,520 --> 00:44:37,000
Speaker 1: So eventually, if Bill couldn't get into a place where

858
00:44:37,000 --> 00:44:39,880
Speaker 1: he's like, I can't you know, if he needed a

859
00:44:39,960 --> 00:44:42,399
Speaker 1: few more seconds, he's like, this is gonna hurt the show.

860
00:44:42,440 --> 00:44:45,440
Speaker 1: If I Bill was a master and is a master

861
00:44:45,600 --> 00:44:48,759
Speaker 1: of cutting things down. We would get things both with

862
00:44:48,840 --> 00:44:50,560
Speaker 1: my films, I've showed him like, what the hell am

863
00:44:50,560 --> 00:44:53,200
Speaker 1: I gonna cut to get this time down? He's so

864
00:44:53,239 --> 00:44:55,799
Speaker 1: good at that. But sometimes he'd be I guess I'm

865
00:44:55,800 --> 00:44:58,400
Speaker 1: assuming this is the first time he was like, you

866
00:44:58,440 --> 00:45:00,399
Speaker 1: know what, I'm gonna take the credit sequence out because

867
00:45:00,360 --> 00:45:02,200
Speaker 1: I need that. I need that for the show. So

868
00:45:02,239 --> 00:45:03,680
Speaker 1: this is the first one I remember. That's like, I

869
00:45:03,840 --> 00:45:07,040
Speaker 1: knows you were meant think. Do you remember any of

870
00:45:07,080 --> 00:45:09,680
Speaker 1: the things that Bill cut that you were like, so

871
00:45:09,880 --> 00:45:12,160
Speaker 1: hell been on having on the show and then it

872
00:45:12,320 --> 00:45:14,000
Speaker 1: was gone, and you were like, fuck, I really wish

873
00:45:14,080 --> 00:45:16,080
Speaker 1: that would No. I wasn't really aware because when you're

874
00:45:16,120 --> 00:45:17,400
Speaker 1: just when I was just an actor, I wasn't really

875
00:45:17,400 --> 00:45:20,279
Speaker 1: micromanaging it like that. When I had directed one, I

876
00:45:20,320 --> 00:45:22,560
Speaker 1: would be so invested and they would always be long.

877
00:45:22,600 --> 00:45:24,719
Speaker 1: They'd be like thirty five minutes, and you need they

878
00:45:24,719 --> 00:45:26,920
Speaker 1: need to be twenty two. So you're always like, I

879
00:45:27,000 --> 00:45:29,040
Speaker 1: don't know how to love here, here, here, dad, I

880
00:45:29,080 --> 00:45:31,040
Speaker 1: don't know how you're what you're gonna do? But fix it?

881
00:45:31,480 --> 00:45:33,319
Speaker 1: And then and then of course when he delivered his

882
00:45:33,360 --> 00:45:36,160
Speaker 1: twenty two minute cut, there'd be a lot of like pain,

883
00:45:36,239 --> 00:45:37,879
Speaker 1: because you'd be like, oh no, how did you get

884
00:45:37,920 --> 00:45:39,560
Speaker 1: rid of that moment? Oh no, why do you? But

885
00:45:39,640 --> 00:45:41,040
Speaker 1: you know you had to do it. It's it's there's

886
00:45:41,040 --> 00:45:43,719
Speaker 1: no choice. You have to cut it down. Um, all right,

887
00:45:43,719 --> 00:45:45,399
Speaker 1: we're gonna go to break and when we come back,

888
00:45:45,480 --> 00:45:48,400
Speaker 1: we are going to have a fan call. Is that right, Choell? Yes? Please,

889
00:45:48,840 --> 00:45:59,200
Speaker 1: we'll be right back after these fine works. And we're

890
00:45:59,280 --> 00:46:10,439
Speaker 1: bad Ron and I'm Donald fase On and we just

891
00:46:10,640 --> 00:46:21,080
Speaker 1: connected to Kate. Hi Kate, Oh boy, here we go.

892
00:46:21,200 --> 00:46:23,799
Speaker 1: She's she's pulling a Sarah Chalk. You're you're muted now,

893
00:46:24,960 --> 00:46:28,959
Speaker 1: this is very Sarah Chalk esque. Now you're one step

894
00:46:28,960 --> 00:46:31,960
Speaker 1: away from dropping your iPad in the tub. No, no, no,

895
00:46:32,440 --> 00:46:34,560
Speaker 1: can't hit the microphone on the bottom left. The microphone

896
00:46:34,600 --> 00:46:36,319
Speaker 1: on the bottom left. Hey, you see that red might

897
00:46:36,440 --> 00:46:42,640
Speaker 1: change your Yeah, Choell, I warned you in my email

898
00:46:42,680 --> 00:46:44,640
Speaker 1: that I'm kind of like a real life Elliott, and

899
00:46:44,680 --> 00:46:47,800
Speaker 1: I just knew this would happen. I knew this would happen.

900
00:46:49,080 --> 00:46:51,520
Speaker 1: I'm gonna say something, Kate. It looked like you gave

901
00:46:51,640 --> 00:46:58,360
Speaker 1: up even before we said I'm gonna do fake doctors anymore.

902
00:46:58,360 --> 00:47:01,120
Speaker 1: I don't even want to do fake doctors. I don't

903
00:47:01,120 --> 00:47:03,080
Speaker 1: want to be on the show anyway. It's very hard

904
00:47:03,080 --> 00:47:04,480
Speaker 1: to get on this show. I don't think you give

905
00:47:04,560 --> 00:47:06,440
Speaker 1: up if your MIC's on mute just for a second.

906
00:47:06,480 --> 00:47:10,440
Speaker 1: I think you really right, Joel, you you you should focus. Yeah,

907
00:47:10,280 --> 00:47:13,680
Speaker 1: you sift through a lot of people that want to

908
00:47:13,680 --> 00:47:17,560
Speaker 1: be on this program. I am. I am so prepared.

909
00:47:17,680 --> 00:47:20,320
Speaker 1: I mean, I have like a hair band, a mask,

910
00:47:20,440 --> 00:47:23,919
Speaker 1: a martini, a water bottle. This isn't, this is this isn't.

911
00:47:23,960 --> 00:47:25,799
Speaker 1: Let's make a deal. You're not going to need those things.

912
00:47:27,120 --> 00:47:30,000
Speaker 1: I mean, I'm I'm currently hiding from my family like

913
00:47:30,040 --> 00:47:32,600
Speaker 1: you Donald, and like I have been sitting here like

914
00:47:33,160 --> 00:47:39,239
Speaker 1: you're not gonna fuck this up. Listen now, listen in

915
00:47:39,280 --> 00:47:42,120
Speaker 1: all seriousness, Kate. There's no wrong answer, all right, if

916
00:47:42,120 --> 00:47:46,040
Speaker 1: you say anything horrible, it'll be amazing. People love it.

917
00:47:47,719 --> 00:47:49,520
Speaker 1: I think, I think. Okay, so you like to go

918
00:47:49,520 --> 00:47:53,759
Speaker 1: buy Zelinsky. Oh well, sometimes when I'm mad at myself,

919
00:47:53,800 --> 00:47:57,360
Speaker 1: I call myself by my maiden name, which is Riley. Okay, Um,

920
00:47:57,400 --> 00:47:59,839
Speaker 1: so that's why I stuttered, because I usually when I'm

921
00:47:59,840 --> 00:48:04,640
Speaker 1: like Riley. You know, that's like very elliot esque. You're

922
00:48:04,719 --> 00:48:06,799
Speaker 1: very moving to be very Elliot esque. That was that

923
00:48:06,880 --> 00:48:11,080
Speaker 1: was a lot like Elliot Seriously, Yeah, it's it's it's real.

924
00:48:11,200 --> 00:48:15,520
Speaker 1: It's it's not a great way to go through life. Guys, Well,

925
00:48:15,960 --> 00:48:18,760
Speaker 1: welcome to the program. It's called fake Doctor's Real friends.

926
00:48:18,760 --> 00:48:23,360
Speaker 1: We have the legendary writer and uh and personality. What

927
00:48:23,400 --> 00:48:26,719
Speaker 1: are you besides a writer, Shay? You're a philanthropist. You're

928
00:48:26,760 --> 00:48:38,120
Speaker 1: a writer. You're a philanthropist. You're a Twitter superstar. Uh yeah, writer, philanthropist, writer, philanthropist.

929
00:48:38,200 --> 00:48:41,880
Speaker 1: First then Twitter superstar has only fans if you're interested, like,

930
00:48:42,080 --> 00:48:46,040
Speaker 1: oh you Shay's only fans? All right? Donald, have you

931
00:48:46,080 --> 00:48:47,680
Speaker 1: ever been on an only fans? I don't think we're

932
00:48:47,719 --> 00:48:49,359
Speaker 1: allowed on Oh no, I'm not allowed on an only

933
00:48:49,360 --> 00:48:50,919
Speaker 1: fans with him. I don't think our women are don't

934
00:48:50,920 --> 00:48:53,920
Speaker 1: think our women would support us. Well, you're paying money.

935
00:48:54,080 --> 00:48:58,560
Speaker 1: I wonder. I wonder, I really do wonder what only

936
00:48:58,600 --> 00:49:01,600
Speaker 1: fans is like, because it can't just be somebody on

937
00:49:01,600 --> 00:49:04,040
Speaker 1: only fans just sitting there naked like this is what

938
00:49:04,200 --> 00:49:06,520
Speaker 1: I do. Well, isn't it just like I don't know,

939
00:49:06,600 --> 00:49:08,279
Speaker 1: Joel's you know what it is? Isn't it just like

940
00:49:08,280 --> 00:49:10,239
Speaker 1: a strip club but someone's house? You gotta go to

941
00:49:10,320 --> 00:49:12,520
Speaker 1: Joel because you can't come to me. I've lived with

942
00:49:12,560 --> 00:49:15,120
Speaker 1: a lot of sex workers over the year, camboys, girls

943
00:49:15,160 --> 00:49:23,640
Speaker 1: and such. Let's talk about that. Sorry wait, sorry, Kate,

944
00:49:23,680 --> 00:49:25,440
Speaker 1: you can mute your mic again. Not too well, you

945
00:49:25,520 --> 00:49:31,840
Speaker 1: live with sex yeah, Joel, y'all know nothing about Wow,

946
00:49:31,880 --> 00:49:34,759
Speaker 1: that sounds like a good podcast. Uh yeah, one day

947
00:49:34,800 --> 00:49:38,400
Speaker 1: I'll talk about my college days. But yeah, the kids,

948
00:49:38,560 --> 00:49:41,200
Speaker 1: you know, they enjoy it. They love they love the

949
00:49:41,239 --> 00:49:44,800
Speaker 1: only fans and yeah, it's just it's just amateur porn essentially.

950
00:49:44,840 --> 00:49:47,239
Speaker 1: But the cool thing about only fans you're paying the

951
00:49:47,400 --> 00:49:50,719
Speaker 1: sex worker directly as opposed to a large company or

952
00:49:50,719 --> 00:49:54,399
Speaker 1: getting it for free. You know. So the cam sorry

953
00:49:54,440 --> 00:49:56,879
Speaker 1: interrupt with the cam things, they take a giant cut,

954
00:49:56,880 --> 00:49:59,640
Speaker 1: whereas this goes directly to the person and they can

955
00:49:59,680 --> 00:50:02,120
Speaker 1: control how much it charges and all of that stuff.

956
00:50:02,160 --> 00:50:04,080
Speaker 1: So there's some issues with the app that I'm not,

957
00:50:04,400 --> 00:50:06,799
Speaker 1: you know, knowledgeable enough to talk about it. But do

958
00:50:06,800 --> 00:50:10,760
Speaker 1: you think that Thorn make like two for like twenty

959
00:50:10,800 --> 00:50:15,480
Speaker 1: four millions? Very controversially twenty four million, not twenty four million?

960
00:50:15,600 --> 00:50:19,840
Speaker 1: How much did she make something like twenty something millions

961
00:50:20,280 --> 00:50:23,200
Speaker 1: because she's two millions? Then she said she wasn't gonna

962
00:50:23,239 --> 00:50:25,080
Speaker 1: do anything new, and everyone was like, well then when

963
00:50:25,280 --> 00:50:27,640
Speaker 1: we all pay for and then she was like, hey, right,

964
00:50:28,120 --> 00:50:34,440
Speaker 1: pretty much pretty much. Hi, Kate, I should tell them

965
00:50:34,440 --> 00:50:38,360
Speaker 1: why I picked she Sorry, Kate, go ahead, we digress, Jell.

966
00:50:38,400 --> 00:50:40,000
Speaker 1: I don't know if you picked me because of my

967
00:50:40,280 --> 00:50:44,200
Speaker 1: signs or because of my situation or we can do

968
00:50:44,320 --> 00:50:49,720
Speaker 1: situations and then sign because I really wanted to Yeah, okay, well, um, Zach,

969
00:50:50,080 --> 00:50:54,719
Speaker 1: I am so touched at how protective you are of

970
00:50:54,880 --> 00:50:58,680
Speaker 1: we nursing mothers who are fans of the show. Yes,

971
00:50:59,120 --> 00:51:02,760
Speaker 1: because you know, people will tell you even in like

972
00:51:02,760 --> 00:51:05,840
Speaker 1: like you know, way to go La League and everything,

973
00:51:05,880 --> 00:51:09,160
Speaker 1: but they'll tell you, you know, breastfeeding is the thing

974
00:51:09,200 --> 00:51:11,279
Speaker 1: in the world, and it's like, Nope, it's hard. It's

975
00:51:11,400 --> 00:51:13,600
Speaker 1: really hard for a lot of us. Not everyone can

976
00:51:13,640 --> 00:51:15,360
Speaker 1: do it, and we just have to feed our babies.

977
00:51:15,760 --> 00:51:19,360
Speaker 1: And the latch thing is real, the open wound nipples

978
00:51:19,440 --> 00:51:23,120
Speaker 1: thing is real, and it's you're sobbing at five in

979
00:51:23,160 --> 00:51:25,520
Speaker 1: the morning trying to give your child nourishment. And so

980
00:51:25,880 --> 00:51:29,800
Speaker 1: I don't listen to your podcast while nursing because of Donald's.

981
00:51:32,600 --> 00:51:35,040
Speaker 1: But I just wanted to ask Joel. I mean I

982
00:51:35,040 --> 00:51:37,240
Speaker 1: listened every week. I'm an enormous fan of the podcast.

983
00:51:37,280 --> 00:51:43,439
Speaker 1: In the show, You're done, but no, no, no, because

984
00:51:43,480 --> 00:51:45,879
Speaker 1: I want I want the Oprah voice, Donald, I do.

985
00:51:46,120 --> 00:51:47,680
Speaker 1: I just don't want to have her cake and eat

986
00:51:47,680 --> 00:51:51,480
Speaker 1: it too, Donald. She wants the Oprah voice, she just

987
00:51:51,560 --> 00:51:54,879
Speaker 1: doesn't want it while she's dealing with a latch. Here's

988
00:51:54,880 --> 00:51:57,839
Speaker 1: what you do, Here's what you don't know. Kate. Zach

989
00:51:58,000 --> 00:52:01,279
Speaker 1: was being facetious when he made talked about the lac

990
00:52:01,440 --> 00:52:04,240
Speaker 1: and everything like that. He doesn't care about your nipples.

991
00:52:04,360 --> 00:52:07,000
Speaker 1: He doesn't care. I care about Kate Terriolas. And let

992
00:52:07,000 --> 00:52:09,239
Speaker 1: me tell you something. I had so many people tell

993
00:52:09,280 --> 00:52:12,600
Speaker 1: me that that they listened while breastbeeding, and I thought

994
00:52:12,600 --> 00:52:16,239
Speaker 1: it was very charming. And of course if I was breastbeeding,

995
00:52:16,280 --> 00:52:19,760
Speaker 1: I would get lost in a good podcast too. It's perfect,

996
00:52:19,160 --> 00:52:22,319
Speaker 1: so you can't. And it's also COVID, so it's not

997
00:52:22,360 --> 00:52:24,239
Speaker 1: like I get an escape by like being like I'm

998
00:52:24,280 --> 00:52:26,240
Speaker 1: going to go to a movie, you know, in sleep

999
00:52:26,280 --> 00:52:28,479
Speaker 1: in a movie theater. There's nothing to do. I'm stuck

1000
00:52:28,520 --> 00:52:31,120
Speaker 1: at home. I'm on the couch, I'm nursing, I'm pumping,

1001
00:52:31,600 --> 00:52:35,439
Speaker 1: I'm holding my mama's boy, baby boy, and so there's

1002
00:52:35,480 --> 00:52:36,920
Speaker 1: not a lot to do. But I listened to the

1003
00:52:36,920 --> 00:52:39,640
Speaker 1: podcast in my car because I still do my family's

1004
00:52:39,680 --> 00:52:42,640
Speaker 1: grocery shopping. And I listen in my car, and I

1005
00:52:42,680 --> 00:52:45,080
Speaker 1: sit in the grocery store parking lot with a drive

1006
00:52:45,120 --> 00:52:48,600
Speaker 1: through coffee for like ten or fifteen extra minutes. And

1007
00:52:48,640 --> 00:52:50,359
Speaker 1: then I get home and I'm like, the lines were

1008
00:52:50,400 --> 00:52:54,759
Speaker 1: so long because I'm just hiding from my So you

1009
00:52:54,760 --> 00:52:57,439
Speaker 1: guys are my escape. And that's what I told you. Well, yeah,

1010
00:52:57,480 --> 00:52:59,640
Speaker 1: thank you. Hey, you have a decision to make things

1011
00:52:59,719 --> 00:53:01,920
Speaker 1: because I will make a promise to you right now

1012
00:53:01,960 --> 00:53:04,319
Speaker 1: that I won't yell anymore so you can listen while

1013
00:53:04,360 --> 00:53:07,600
Speaker 1: you're breastfeeding. No, don't do that, Kate, Why you would

1014
00:53:07,719 --> 00:53:10,439
Speaker 1: I would never. I cannot take I would give you that,

1015
00:53:10,640 --> 00:53:13,600
Speaker 1: or I will give you the parking lot, which one wants.

1016
00:53:15,160 --> 00:53:17,520
Speaker 1: You know why? Because if I took away the Oprah

1017
00:53:17,560 --> 00:53:21,279
Speaker 1: introductions from all future guests, I would I would hate myself. Yes,

1018
00:53:21,320 --> 00:53:23,319
Speaker 1: I would want to be a lot of people only

1019
00:53:23,360 --> 00:53:26,239
Speaker 1: listen to the showing to hear Donald's Oprah voice. Kate Zelinsky,

1020
00:53:27,239 --> 00:53:32,520
Speaker 1: fuck them. It's all about you, Kate, and you are

1021
00:53:32,520 --> 00:53:35,200
Speaker 1: you kidding? This is the first thing that's been about

1022
00:53:35,239 --> 00:53:39,400
Speaker 1: only me since Mike Toddler's school shut down and my

1023
00:53:39,520 --> 00:53:42,719
Speaker 1: job ended within March. Like, this is the thing that is,

1024
00:53:42,800 --> 00:53:45,080
Speaker 1: this is the only thing that's been only me. Kate,

1025
00:53:45,280 --> 00:53:47,040
Speaker 1: you sound like my wife. Hold on, I'm gonna go

1026
00:53:47,040 --> 00:53:49,160
Speaker 1: get her. No, don't go get your wife. Why are

1027
00:53:49,160 --> 00:53:53,560
Speaker 1: you getting her? Oh? Jesus is Oh, because I know why.

1028
00:53:53,760 --> 00:53:59,120
Speaker 1: Because she's fixing the rants about Donald not helping enough.

1029
00:53:59,280 --> 00:54:00,840
Speaker 1: And I'll bet he think this is going to be

1030
00:54:00,880 --> 00:54:03,720
Speaker 1: some couples counseling if you let some brands on the show.

1031
00:54:04,719 --> 00:54:07,920
Speaker 1: These people didn't tune in for fucking Donald's couples counseling,

1032
00:54:08,200 --> 00:54:11,440
Speaker 1: tuned in for a Scrubs podcast. Um, Kate, where do

1033
00:54:11,480 --> 00:54:15,359
Speaker 1: you live? I live in Richmond, Virginia. Okay, Um, but

1034
00:54:15,600 --> 00:54:18,600
Speaker 1: I'm currently the reason I have like this time to

1035
00:54:18,640 --> 00:54:22,120
Speaker 1: do it. We're currently visiting my parents at their um

1036
00:54:22,760 --> 00:54:25,680
Speaker 1: lake house in North Carolina. So that's gotta be beautiful

1037
00:54:25,719 --> 00:54:30,560
Speaker 1: a lake house. It's wonderful. It's an insane, beautiful welcoming

1038
00:54:30,680 --> 00:54:34,120
Speaker 1: house on a beautiful lake. It's so nice to get away. So, Kate,

1039
00:54:34,160 --> 00:54:36,759
Speaker 1: we're gonna jump ahead to fix your life real quick.

1040
00:54:37,080 --> 00:54:44,240
Speaker 1: Here's my wife. Uh, this is case This is Casey Cobb.

1041
00:54:44,360 --> 00:54:50,560
Speaker 1: This is Kate Zelenski. Okay, Casey, your hair looks beautiful today. Thanks,

1042
00:54:50,600 --> 00:54:54,640
Speaker 1: I got it colored. Yeah, very nice. Kay. Kate was

1043
00:54:54,680 --> 00:54:56,920
Speaker 1: just sharing how hard it is to be a mom

1044
00:54:57,000 --> 00:55:00,400
Speaker 1: and to have every single one of your minutes of

1045
00:55:00,440 --> 00:55:02,799
Speaker 1: your day go to taking care of your children and

1046
00:55:02,880 --> 00:55:05,720
Speaker 1: your family. And Donald said, let me go get my wife.

1047
00:55:06,400 --> 00:55:09,520
Speaker 1: So maybe you can speak to to how you're coping

1048
00:55:09,520 --> 00:55:11,880
Speaker 1: and how you're how you're making that work, because I

1049
00:55:12,239 --> 00:55:21,280
Speaker 1: know for a fact Donald isn't necessarily pulling his weight. Yeah, yeah, exactly. Um, well,

1050
00:55:21,600 --> 00:55:23,719
Speaker 1: I have to be honest, Kate. Today I left and

1051
00:55:23,760 --> 00:55:26,000
Speaker 1: I went and got my hair done for you, because

1052
00:55:26,120 --> 00:55:28,520
Speaker 1: good for you. You know what. I had grays all

1053
00:55:28,520 --> 00:55:30,600
Speaker 1: the way down to my ears, and you know what,

1054
00:55:31,040 --> 00:55:33,359
Speaker 1: I knew that this was the only thing I could

1055
00:55:33,400 --> 00:55:36,799
Speaker 1: do for myself. Granted, I came home and there was

1056
00:55:37,360 --> 00:55:42,799
Speaker 1: shit everywhere, and the kids ate donuts on their lunch

1057
00:55:42,800 --> 00:55:47,920
Speaker 1: break and you know, complete shit show, I'm sure, but

1058
00:55:48,400 --> 00:55:50,680
Speaker 1: look at my night. My husband told me yesterday I

1059
00:55:50,719 --> 00:55:53,239
Speaker 1: have white trash roots because that my hair hasn't been

1060
00:55:53,239 --> 00:55:55,800
Speaker 1: colored since February. White trash roots. And I said, honey,

1061
00:55:55,880 --> 00:55:59,280
Speaker 1: that's so lovely of you to tell your nursing wife,

1062
00:55:59,520 --> 00:56:03,320
Speaker 1: mother of to full time everything. Oh my god, you're nursing.

1063
00:56:03,680 --> 00:56:06,120
Speaker 1: Oh my god, Casey, you told me once that you

1064
00:56:06,160 --> 00:56:07,920
Speaker 1: were like, because Kate just told a story about how

1065
00:56:08,040 --> 00:56:11,040
Speaker 1: sometimes she listened to the podcast and stays extra long

1066
00:56:11,080 --> 00:56:13,440
Speaker 1: in the supermarket parking lot. And you told me a

1067
00:56:13,480 --> 00:56:15,880
Speaker 1: story once where you were like, I wanted to go

1068
00:56:15,920 --> 00:56:17,640
Speaker 1: with Chick fil A, but I chose a Chick fil A,

1069
00:56:17,719 --> 00:56:21,600
Speaker 1: like forty five minutes away because I need to bring no.

1070
00:56:21,840 --> 00:56:24,680
Speaker 1: It was it was literally the day that they announced

1071
00:56:24,680 --> 00:56:27,280
Speaker 1: that schools were closing, and we are not that schools

1072
00:56:27,320 --> 00:56:29,640
Speaker 1: were closing. They closed, you know, in the spring of

1073
00:56:29,719 --> 00:56:32,360
Speaker 1: last year, but then when we weren't going back in

1074
00:56:32,400 --> 00:56:36,080
Speaker 1: the fall, and they they told us, and I literally

1075
00:56:36,120 --> 00:56:37,719
Speaker 1: just said, I'm going to go pick up Chick fil

1076
00:56:37,760 --> 00:56:39,960
Speaker 1: A for everyone. I got in the car and I

1077
00:56:40,080 --> 00:56:43,279
Speaker 1: drove forty five minutes to Chick Fila and cried out

1078
00:56:43,520 --> 00:56:48,520
Speaker 1: the fire away there. It's so hard because you know what,

1079
00:56:49,080 --> 00:56:51,520
Speaker 1: and I'm sure your husband thinks he's helping, but he's

1080
00:56:51,560 --> 00:56:55,560
Speaker 1: not about the breastfeeding story. We all know he's not.

1081
00:56:55,800 --> 00:56:58,600
Speaker 1: I mean, in fact, in fact, we are going on

1082
00:56:58,640 --> 00:57:03,400
Speaker 1: our first date, said October thirty, first, twenty nineteen. Tonight, Um,

1083
00:57:03,719 --> 00:57:05,319
Speaker 1: we're at my parents lake house. They're going to watch

1084
00:57:05,360 --> 00:57:07,320
Speaker 1: the kids, and we're celebrating our anniversary, which was a

1085
00:57:07,560 --> 00:57:10,279
Speaker 1: last week. It's our first date out. So I put

1086
00:57:10,280 --> 00:57:12,319
Speaker 1: on makeup for the first time yead knows how long.

1087
00:57:12,360 --> 00:57:13,680
Speaker 1: And my husband looked at me and he was like,

1088
00:57:14,280 --> 00:57:17,240
Speaker 1: are you in a play tonight? And I'm like, you know,

1089
00:57:17,400 --> 00:57:20,160
Speaker 1: you just you just you just haven't seen me in makeup,

1090
00:57:20,160 --> 00:57:24,360
Speaker 1: And but that you have to like this husband, because

1091
00:57:24,400 --> 00:57:26,840
Speaker 1: my husband is an er physician who actually has a

1092
00:57:27,240 --> 00:57:28,920
Speaker 1: Now I like him, but I wish he wasn't a

1093
00:57:29,160 --> 00:57:31,160
Speaker 1: making fun of your makeup and be making fun of

1094
00:57:31,160 --> 00:57:34,080
Speaker 1: your roots. Those two things I don't want and see

1095
00:57:34,240 --> 00:57:36,400
Speaker 1: and see. I bet he still made you have sex

1096
00:57:36,440 --> 00:57:41,600
Speaker 1: when you came home. Wow that casey okay, this is

1097
00:57:41,600 --> 00:57:48,120
Speaker 1: a guest And I apologize, Kate. I'm sorry. Sometimes it's

1098
00:57:48,200 --> 00:57:51,160
Speaker 1: literally just let me have three hours on the couch

1099
00:57:51,200 --> 00:57:53,600
Speaker 1: after the kids go to bed, to not talk to me,

1100
00:57:54,000 --> 00:57:56,760
Speaker 1: not doing anything, Just let me watch my crappy TV

1101
00:57:57,480 --> 00:58:00,760
Speaker 1: and you load the dishwasher and don't even talk to

1102
00:58:00,760 --> 00:58:03,160
Speaker 1: me till to the next one dreaming and that sexual,

1103
00:58:03,640 --> 00:58:05,800
Speaker 1: and then Casey and I text about the true crime

1104
00:58:05,800 --> 00:58:08,840
Speaker 1: shows we're watching. Donald. Donald doesn't watch him, So Casey

1105
00:58:08,880 --> 00:58:11,640
Speaker 1: and I are like two women like drinking our white

1106
00:58:11,640 --> 00:58:15,240
Speaker 1: wine being like, did you see this one? It's hard?

1107
00:58:15,320 --> 00:58:17,360
Speaker 1: I mean it is. It's true. It's so hard, and

1108
00:58:17,480 --> 00:58:19,200
Speaker 1: I don't I wish I knew how to fix it.

1109
00:58:19,240 --> 00:58:22,840
Speaker 1: But no, you can't imagine how happy my husband is

1110
00:58:22,920 --> 00:58:25,440
Speaker 1: for me in this moment. He like he has my

1111
00:58:25,520 --> 00:58:27,840
Speaker 1: daughter fishing on the dock, my mom has my ten

1112
00:58:27,880 --> 00:58:30,800
Speaker 1: week old son. Like he was like, get your shower, like,

1113
00:58:30,880 --> 00:58:33,360
Speaker 1: get you ready? Like he you know, like he had

1114
00:58:33,400 --> 00:58:35,680
Speaker 1: me go shopping for a dress for our date tonight.

1115
00:58:35,720 --> 00:58:38,120
Speaker 1: You like sent me to an outdoor mall with my mask.

1116
00:58:38,200 --> 00:58:40,880
Speaker 1: Like he is actually Zach Like he is the most supportive,

1117
00:58:40,960 --> 00:58:43,240
Speaker 1: incredible guy. I'm liking him a little more. You had

1118
00:58:43,240 --> 00:58:45,400
Speaker 1: me at ar doctor. Okay, he is an ear doctor

1119
00:58:45,440 --> 00:58:48,280
Speaker 1: with a second specialty in hospice and palliative care. And

1120
00:58:51,640 --> 00:58:53,320
Speaker 1: I've been through it. I know, I've been through it

1121
00:58:53,320 --> 00:58:55,440
Speaker 1: with my dad and my sisters, so I know who

1122
00:58:55,480 --> 00:58:58,760
Speaker 1: they are and I and actually, yeah, so yeah, okay,

1123
00:58:58,760 --> 00:59:00,360
Speaker 1: I like him again. Just tell him not to me, funny,

1124
00:59:00,360 --> 00:59:02,640
Speaker 1: your fucking root. No, you know what, it's just kind

1125
00:59:02,640 --> 00:59:05,360
Speaker 1: of like casey, you understand, like Donald says all the time,

1126
00:59:05,360 --> 00:59:06,920
Speaker 1: like you know, it's kind of fun to shit talk

1127
00:59:06,960 --> 00:59:08,800
Speaker 1: your husband. You love them more than life itself, but

1128
00:59:08,840 --> 00:59:10,320
Speaker 1: it's just so fun to every once in a while

1129
00:59:10,320 --> 00:59:14,440
Speaker 1: and be like, I hate it. I do it more

1130
00:59:14,480 --> 00:59:18,560
Speaker 1: than I probably should. But tell them about the time

1131
00:59:18,880 --> 00:59:21,200
Speaker 1: you're thirsty, and okay, I will, but hold let me

1132
00:59:21,200 --> 00:59:23,280
Speaker 1: tell you one thing though, A lot of the times,

1133
00:59:23,280 --> 00:59:25,560
Speaker 1: even though we blame the husbands, a lot of it

1134
00:59:25,600 --> 00:59:28,480
Speaker 1: is the kids, because you know what, we do everything

1135
00:59:28,760 --> 00:59:32,400
Speaker 1: without even thinking that. There have been times that Donald

1136
00:59:32,480 --> 00:59:35,320
Speaker 1: is standing right next to me and they're like, Mom,

1137
00:59:35,560 --> 00:59:37,560
Speaker 1: I need this, and the other kid is mom, but

1138
00:59:37,640 --> 00:59:40,040
Speaker 1: you didn't do this, and Donald's just sitting there, zoned

1139
00:59:40,080 --> 00:59:42,160
Speaker 1: out watching TV, and it's and I had I just

1140
00:59:42,240 --> 00:59:45,160
Speaker 1: recently asked Donald, I just recently started saying, guys, you

1141
00:59:45,240 --> 00:59:48,800
Speaker 1: have another parent right here. Now. You have to redirect

1142
00:59:48,880 --> 00:59:51,320
Speaker 1: because you end up doing it all yourself because you

1143
00:59:51,360 --> 00:59:54,160
Speaker 1: do it faster, better and it gets done. You know,

1144
00:59:54,280 --> 00:59:56,640
Speaker 1: my daughter at like nine in the morning, because she

1145
00:59:56,800 --> 00:59:59,240
Speaker 1: knows how to blame me now during COVID will come

1146
00:59:59,280 --> 01:00:02,160
Speaker 1: into my bathroom room and open the shower curtain for

1147
01:00:02,240 --> 01:00:04,200
Speaker 1: like my once a week shower. I get and be like,

1148
01:00:04,640 --> 01:00:07,840
Speaker 1: can I have chocolate milk? And I'm like, what's your

1149
01:00:07,920 --> 01:00:12,840
Speaker 1: dad doing? And she's like watching the news exactly exactly,

1150
01:00:13,200 --> 01:00:15,280
Speaker 1: and I'm like, it's nine am, No you can't. She's

1151
01:00:15,280 --> 01:00:18,160
Speaker 1: like why and I was like, fine, it's just like

1152
01:00:18,240 --> 01:00:21,360
Speaker 1: nine yeah, I don't care, I give up, but I'll

1153
01:00:21,400 --> 01:00:24,400
Speaker 1: bet during COVID A lot of you moms are probably

1154
01:00:24,520 --> 01:00:26,440
Speaker 1: have to and Shay, I know you feel free to

1155
01:00:26,440 --> 01:00:28,360
Speaker 1: weigh in and chase got kids. I know a lot

1156
01:00:28,400 --> 01:00:30,160
Speaker 1: of you parents must be like a lot do you

1157
01:00:30,160 --> 01:00:32,560
Speaker 1: go quicker to fuck it? Yes, have chocolate milk and

1158
01:00:32,680 --> 01:00:39,560
Speaker 1: nine today I feel I feel no shame about it. Zizi.

1159
01:00:39,920 --> 01:00:42,760
Speaker 1: My daughter's Zazi usually after her nap watches one twenty

1160
01:00:42,760 --> 01:00:45,440
Speaker 1: two minute like Winnie the Pooh episode, and every day

1161
01:00:45,520 --> 01:00:47,520
Speaker 1: she's like, can I have two? And I'm like, you

1162
01:00:47,560 --> 01:00:49,760
Speaker 1: know what, Like you've already watched your show. She's like why,

1163
01:00:49,760 --> 01:00:55,720
Speaker 1: and I'm like, fine, three, have four? Your dad's in

1164
01:00:55,760 --> 01:00:59,280
Speaker 1: the e R till midnight tonight. Have four. I'm nursing.

1165
01:01:00,320 --> 01:01:02,640
Speaker 1: It's true, you have you have to find something that

1166
01:01:02,760 --> 01:01:05,040
Speaker 1: you like to do or something for you that nobody

1167
01:01:05,040 --> 01:01:07,520
Speaker 1: else likes to do, and then you get to do

1168
01:01:07,560 --> 01:01:09,640
Speaker 1: it alone and you're on your own. So now here's

1169
01:01:09,640 --> 01:01:12,440
Speaker 1: the problem. Now here's a problem. Now I've been saying

1170
01:01:12,480 --> 01:01:15,240
Speaker 1: that forever. Maybe you just gotta find a hobby. You

1171
01:01:15,240 --> 01:01:17,240
Speaker 1: gotta find something that you like to do by yourself.

1172
01:01:17,280 --> 01:01:19,360
Speaker 1: You gotta do you gotta find what it is that

1173
01:01:19,400 --> 01:01:21,640
Speaker 1: you want to do. When I say that, shit, I'm

1174
01:01:21,680 --> 01:01:24,000
Speaker 1: an asshole, and I don't know what the fuck I'm

1175
01:01:24,040 --> 01:01:26,680
Speaker 1: talking about. But now she just fit that game to

1176
01:01:26,840 --> 01:01:30,000
Speaker 1: all her hobby. What if her hobby is you fucking

1177
01:01:30,040 --> 01:01:32,600
Speaker 1: do the shit for a fucking couple hours while I

1178
01:01:32,640 --> 01:01:36,000
Speaker 1: go upstairs and watch fucking True crime. That that's my hobby.

1179
01:01:37,600 --> 01:01:41,640
Speaker 1: I'm too tired to do anything else. I don't. I don't.

1180
01:01:41,840 --> 01:01:45,800
Speaker 1: I regret bringing my wife up to the conversation. It's

1181
01:01:45,840 --> 01:01:47,920
Speaker 1: your dad's all. You're the one who earn got her.

1182
01:01:54,920 --> 01:01:57,200
Speaker 1: My hobby happens to be kind of beneficial to the

1183
01:01:57,200 --> 01:02:00,680
Speaker 1: whole family. I love to cook. I love to everything's

1184
01:02:00,680 --> 01:02:03,640
Speaker 1: about cooking. In fact, when I am nursing Zach, because

1185
01:02:03,680 --> 01:02:05,960
Speaker 1: I can't listen to this podcast because while I'm nursing

1186
01:02:05,960 --> 01:02:09,040
Speaker 1: because Donald so loud. I watch I say that too.

1187
01:02:09,160 --> 01:02:14,040
Speaker 1: I tell her I watch episodes of The Barefoot Contessa

1188
01:02:14,200 --> 01:02:21,240
Speaker 1: because she's soothing. Joel, do you love her? I love her? Goals, goals, goals.

1189
01:02:21,400 --> 01:02:23,000
Speaker 1: But have you guys seen sorry this is a total

1190
01:02:23,040 --> 01:02:28,640
Speaker 1: non sequitor, but have you guys seen My Octopus Teacher? No? No, never?

1191
01:02:28,920 --> 01:02:33,640
Speaker 1: Oh my god, you guys, Shay, I know you love

1192
01:02:33,840 --> 01:02:38,160
Speaker 1: good fucking shit. Write this down good My Octopus Teacher.

1193
01:02:38,280 --> 01:02:41,360
Speaker 1: It's on Netflix. Okay, I'll watch that. If you're listening

1194
01:02:41,400 --> 01:02:44,080
Speaker 1: to this, don't turn off the podcast, but jot down

1195
01:02:44,080 --> 01:02:47,600
Speaker 1: in your brain My Octopus Teacher. It's on Netflix. Everybody

1196
01:02:47,600 --> 01:02:52,160
Speaker 1: has Netflix, and it is an amazing documentary about a

1197
01:02:52,240 --> 01:02:55,240
Speaker 1: man who of friends an octopus. I love you. I

1198
01:02:55,360 --> 01:02:58,480
Speaker 1: love your constant fear that when you recommend something people

1199
01:02:58,480 --> 01:03:00,640
Speaker 1: are going to be like fuck yeah and like turn

1200
01:03:00,680 --> 01:03:03,720
Speaker 1: off the podcast immediately watch it. Because I think I'm

1201
01:03:03,600 --> 01:03:06,520
Speaker 1: a really good I think I think I'm very good.

1202
01:03:06,920 --> 01:03:09,400
Speaker 1: I think I'm very good at rolling people and rolling people.

1203
01:03:09,400 --> 01:03:11,440
Speaker 1: I can be like, listen, I can convince you have

1204
01:03:11,480 --> 01:03:13,560
Speaker 1: to watch this show. It's so amazing. I think I'm

1205
01:03:13,560 --> 01:03:16,040
Speaker 1: pretty decent at getting people riled up to try something,

1206
01:03:16,200 --> 01:03:17,800
Speaker 1: but I don't want to roll them too far. But

1207
01:03:17,880 --> 01:03:19,920
Speaker 1: they're like, fuck this podcast, I'm going to watch the

1208
01:03:19,960 --> 01:03:24,120
Speaker 1: Octopus Teacher. Now, all right, we gotta move on, Casey.

1209
01:03:24,400 --> 01:03:33,120
Speaker 1: We love you look lovely gold colorist. Oh my gosh,

1210
01:03:33,120 --> 01:03:36,160
Speaker 1: she's so pretty. Yeah, she's very pretty. Donables and how

1211
01:03:36,200 --> 01:03:40,000
Speaker 1: good he has it? No? Yeah, what are you talking about? Yeah?

1212
01:03:41,400 --> 01:03:43,160
Speaker 1: Well that was kind of Fix your Life? So Dan,

1213
01:03:43,480 --> 01:03:46,680
Speaker 1: let's do it. Let's do a a posthumous posthumius. How

1214
01:03:46,720 --> 01:03:50,040
Speaker 1: do you say that word? Sure? Yeah, a postumis playing

1215
01:03:50,120 --> 01:03:55,560
Speaker 1: of the Fix your Life music right here. Kate. You're welcome,

1216
01:03:55,920 --> 01:03:59,520
Speaker 1: You're welcome, You're welcome, Kate. Do you have a question

1217
01:04:00,200 --> 01:04:02,160
Speaker 1: for any of us? I know you have to go

1218
01:04:02,280 --> 01:04:03,760
Speaker 1: because you have date night, but do you ever know?

1219
01:04:03,920 --> 01:04:07,240
Speaker 1: But actually, are are the other couple that's driving forty

1220
01:04:07,280 --> 01:04:09,680
Speaker 1: five minutes from Ashville just told me they're running late,

1221
01:04:09,800 --> 01:04:13,960
Speaker 1: so that can be. I won't take up your time,

1222
01:04:14,040 --> 01:04:16,120
Speaker 1: but you can take up mine. Now, go ahead. What's

1223
01:04:16,160 --> 01:04:18,560
Speaker 1: your question? Yes, I'm actually really glad that shas here

1224
01:04:18,640 --> 01:04:23,760
Speaker 1: because my first question is about cast and crew. Zach.

1225
01:04:23,800 --> 01:04:28,280
Speaker 1: It's it's for you, mainly. I've always wondered how when

1226
01:04:28,360 --> 01:04:31,480
Speaker 1: an actor is a star of a piece kind of

1227
01:04:31,600 --> 01:04:34,640
Speaker 1: like Kevin Costner does all the time, and they also

1228
01:04:34,800 --> 01:04:38,960
Speaker 1: direct you directed episodes of Scrubs and you know other

1229
01:04:39,040 --> 01:04:41,920
Speaker 1: projects that you've been the start of, who directs you

1230
01:04:42,400 --> 01:04:44,200
Speaker 1: when you're in the scene. And I don't mean like

1231
01:04:44,560 --> 01:04:46,880
Speaker 1: here's your mark, here's your siteline. I mean like you

1232
01:04:47,000 --> 01:04:49,600
Speaker 1: finish a take with Donald and there and you know,

1233
01:04:49,680 --> 01:04:52,680
Speaker 1: I'm sure you're not like Donald, you know, a little

1234
01:04:52,720 --> 01:04:55,480
Speaker 1: bit less and uh you know Judy, Uh you know

1235
01:04:55,720 --> 01:04:58,200
Speaker 1: that what seemed a little whiny and mean no note,

1236
01:04:59,040 --> 01:05:02,800
Speaker 1: you know, like who's behind It's a very good question.

1237
01:05:03,080 --> 01:05:04,920
Speaker 1: It's a very good question. Um. So I'll just use

1238
01:05:04,960 --> 01:05:07,680
Speaker 1: the Scrubs example. There'd be the writer of the episode.

1239
01:05:07,720 --> 01:05:09,960
Speaker 1: In this case it's Mike Schwartz, and he would be

1240
01:05:10,040 --> 01:05:12,720
Speaker 1: sitting behind the monitor. Bill of course, would come to

1241
01:05:12,800 --> 01:05:16,080
Speaker 1: the very first rehearsal of every scene and he would

1242
01:05:16,120 --> 01:05:19,080
Speaker 1: watch it. He'd watch my blocking. He he didn't care

1243
01:05:19,120 --> 01:05:20,880
Speaker 1: too much about where the where the camera was for

1244
01:05:20,920 --> 01:05:23,880
Speaker 1: the specific director and especially when he trusted them, but

1245
01:05:24,080 --> 01:05:26,880
Speaker 1: he but he was basically blocking them. And most importantly,

1246
01:05:26,920 --> 01:05:29,440
Speaker 1: as the showrunner writer, are the jokes playing and when

1247
01:05:29,480 --> 01:05:31,840
Speaker 1: the jokes weren't playing, he'd tweaked them or rewrite them,

1248
01:05:32,280 --> 01:05:34,480
Speaker 1: and so he would see and he'd go, oh, so

1249
01:05:34,600 --> 01:05:36,280
Speaker 1: he could give me a note and he'd be like,

1250
01:05:36,400 --> 01:05:38,200
Speaker 1: you know, when you do that line with Donald, you

1251
01:05:38,280 --> 01:05:39,840
Speaker 1: gotta have more energy because of X, Y and C,

1252
01:05:39,960 --> 01:05:41,560
Speaker 1: and I go, got it, got it, And then he'd

1253
01:05:41,600 --> 01:05:44,000
Speaker 1: go off to go write with the writers. The writer

1254
01:05:44,080 --> 01:05:46,400
Speaker 1: of that particular episode would stay on set at the monitors,

1255
01:05:46,720 --> 01:05:48,960
Speaker 1: So very often I would when the camera's on me

1256
01:05:49,040 --> 01:05:51,280
Speaker 1: and I'm directing, I would then obviously you can tell

1257
01:05:51,320 --> 01:05:52,960
Speaker 1: if the crew's laughing, if I'm if I'm in a

1258
01:05:53,000 --> 01:05:54,960
Speaker 1: scene when Donald and I'm making him laugh, I'm feeling

1259
01:05:55,080 --> 01:05:58,040
Speaker 1: good about it. On my weeks, we would have playback.

1260
01:05:58,360 --> 01:06:00,960
Speaker 1: We wouldn't always have playback because so time suck, but

1261
01:06:01,280 --> 01:06:03,360
Speaker 1: when I'm directing, I would have the ability to go

1262
01:06:03,440 --> 01:06:05,640
Speaker 1: back and play back the take and go, Okay, that

1263
01:06:05,760 --> 01:06:07,160
Speaker 1: was good, let's move on. So I do need to

1264
01:06:07,200 --> 01:06:09,240
Speaker 1: be able to play back the video and then I

1265
01:06:09,280 --> 01:06:11,840
Speaker 1: would just check in with who whatever writer it was.

1266
01:06:12,200 --> 01:06:13,720
Speaker 1: But you know, one thing I got good at was

1267
01:06:14,000 --> 01:06:16,200
Speaker 1: was kind of sensing when I did Garden. When I

1268
01:06:16,200 --> 01:06:17,920
Speaker 1: Garden set, wish I was here being on camera and

1269
01:06:18,000 --> 01:06:19,600
Speaker 1: directing myself. You kind of just start to get a

1270
01:06:19,680 --> 01:06:22,720
Speaker 1: sense of like, I know when I'm good, I know

1271
01:06:22,800 --> 01:06:24,840
Speaker 1: when I suck, I know when I felt weird, I

1272
01:06:24,840 --> 01:06:26,240
Speaker 1: didn't like I mean, do you just get to the

1273
01:06:26,360 --> 01:06:28,720
Speaker 1: point where you can be really honest with yourself and

1274
01:06:28,840 --> 01:06:30,959
Speaker 1: know when you're not in your rhythm? But you maybe

1275
01:06:31,040 --> 01:06:33,720
Speaker 1: need that writer or that a d or someone to

1276
01:06:33,880 --> 01:06:35,720
Speaker 1: be for you to be like was that too big

1277
01:06:35,800 --> 01:06:37,240
Speaker 1: and for them to be like, yeah, that was too big.

1278
01:06:37,400 --> 01:06:40,760
Speaker 1: You definitely need a producer type who you trust, who's fun,

1279
01:06:40,960 --> 01:06:44,120
Speaker 1: who's a good writer, I think end or a first

1280
01:06:44,160 --> 01:06:47,120
Speaker 1: ads director or sometimes the cinematographer. I've had a great

1281
01:06:47,120 --> 01:06:50,120
Speaker 1: relationship with who's who whispering your ear something that really

1282
01:06:50,240 --> 01:06:53,040
Speaker 1: that really helps because I've had times where I went

1283
01:06:53,200 --> 01:06:55,320
Speaker 1: where I did Like on Alex Sink I remember doing

1284
01:06:55,400 --> 01:06:57,200
Speaker 1: like a really funny take and I'm directing. I think

1285
01:06:57,200 --> 01:06:58,640
Speaker 1: it's good, but I'm a little secure about it, and

1286
01:06:58,640 --> 01:07:00,480
Speaker 1: I go to the I'm excited. I think sort of

1287
01:07:00,720 --> 01:07:02,920
Speaker 1: like walking back to the monitors and no one's there

1288
01:07:03,600 --> 01:07:05,680
Speaker 1: and I'm like this, I don't like this feels like

1289
01:07:05,800 --> 01:07:09,400
Speaker 1: tight rob walking without without a net because I don't know.

1290
01:07:09,680 --> 01:07:11,880
Speaker 1: I need fucking help, you know what I mean. Yeah,

1291
01:07:12,080 --> 01:07:16,080
Speaker 1: So I think that that I much prefer it when

1292
01:07:16,440 --> 01:07:19,120
Speaker 1: I have people I trust that I think that's good. Yeah.

1293
01:07:19,200 --> 01:07:21,960
Speaker 1: The great thing about my favorite thing about acting directing

1294
01:07:22,080 --> 01:07:25,160
Speaker 1: is that I can steer the scene from within. So

1295
01:07:25,360 --> 01:07:27,680
Speaker 1: if I if in my opinion, I want Donald to

1296
01:07:27,760 --> 01:07:30,800
Speaker 1: be anged turk Donald to be angrier in this moment,

1297
01:07:31,240 --> 01:07:33,680
Speaker 1: I'm gonna fucking come Adam harder. I'm gonna be more

1298
01:07:33,760 --> 01:07:36,720
Speaker 1: aggressive with my lines because I'm trying to steer him

1299
01:07:36,880 --> 01:07:40,880
Speaker 1: from within the scene to get more riled up just

1300
01:07:41,280 --> 01:07:43,760
Speaker 1: or or or like when you want funnier lines or

1301
01:07:43,800 --> 01:07:47,080
Speaker 1: something like that. The great thing about you know, you

1302
01:07:47,080 --> 01:07:49,480
Speaker 1: would do it as an actor too, but Bill would

1303
01:07:49,480 --> 01:07:51,959
Speaker 1: have a certain set of jokes and then you would

1304
01:07:51,960 --> 01:07:54,200
Speaker 1: have like five more and you'd be like, just run

1305
01:07:54,280 --> 01:07:56,640
Speaker 1: them off, and it would be great because you would

1306
01:07:56,640 --> 01:07:58,600
Speaker 1: get performances out of us where it was like we

1307
01:07:58,640 --> 01:08:01,160
Speaker 1: would give we trusted you enough because we thought you

1308
01:08:01,200 --> 01:08:05,520
Speaker 1: were funny enough. Also, your scope and your visual was what.

1309
01:08:05,760 --> 01:08:08,840
Speaker 1: We trusted that enough also that we were like, yeah, man,

1310
01:08:08,880 --> 01:08:11,000
Speaker 1: whatever you want us to say, we're gonna say that shit.

1311
01:08:11,120 --> 01:08:13,120
Speaker 1: So we'd get to the end of scenes or we

1312
01:08:13,280 --> 01:08:15,760
Speaker 1: get to punchlines and stuff like that, and Zach would

1313
01:08:15,800 --> 01:08:18,880
Speaker 1: throw new punch lines in and you trust it and

1314
01:08:19,000 --> 01:08:22,320
Speaker 1: go with it because of the fact you know that

1315
01:08:22,479 --> 01:08:25,840
Speaker 1: you you've seen what he's done. And also he was

1316
01:08:25,880 --> 01:08:28,080
Speaker 1: just so confident in doing it so okay when you

1317
01:08:28,160 --> 01:08:30,600
Speaker 1: say you know, he's like, He's like, uh, this is

1318
01:08:30,640 --> 01:08:32,000
Speaker 1: a noe for you. This is the noe for you

1319
01:08:32,400 --> 01:08:37,240
Speaker 1: and none for me. Even if a director does even

1320
01:08:37,280 --> 01:08:39,720
Speaker 1: if the director is acting and he does do that,

1321
01:08:40,520 --> 01:08:44,720
Speaker 1: the confidence that he's showing in the situation makes you

1322
01:08:45,240 --> 01:08:48,800
Speaker 1: more trustworthy. Now it's not my place because I'm not

1323
01:08:48,880 --> 01:08:52,400
Speaker 1: directing to say to the director or to another actor,

1324
01:08:52,600 --> 01:08:54,240
Speaker 1: I think you should do it this way. I think

1325
01:08:54,240 --> 01:08:57,559
Speaker 1: you're doing it wrong. But because he directed so many episodes,

1326
01:08:57,800 --> 01:08:59,439
Speaker 1: we got used to it. Man. I think the first

1327
01:08:59,479 --> 01:09:01,680
Speaker 1: episode I felt a little weird, but then after that

1328
01:09:01,840 --> 01:09:04,960
Speaker 1: it was like, dude, whatever you want, Zach. So I

1329
01:09:05,400 --> 01:09:07,559
Speaker 1: think that's kind of an a testament if I may

1330
01:09:07,680 --> 01:09:09,840
Speaker 1: like to compliment, like the kind of examples that you

1331
01:09:09,960 --> 01:09:15,240
Speaker 1: have been for positive male relationships and mature, you know,

1332
01:09:15,479 --> 01:09:19,360
Speaker 1: open men together, but also like there's a lot of egos.

1333
01:09:19,560 --> 01:09:22,679
Speaker 1: I don't imagine that that's always the case when suddenly

1334
01:09:22,800 --> 01:09:26,200
Speaker 1: your co star and in your real life best friend

1335
01:09:26,240 --> 01:09:29,120
Speaker 1: are coming out and they're suddenly kind of in this

1336
01:09:29,479 --> 01:09:33,599
Speaker 1: status change, you know, for you to just like take

1337
01:09:33,640 --> 01:09:36,920
Speaker 1: a note and not just swallow it, but like appreciate

1338
01:09:37,040 --> 01:09:40,519
Speaker 1: it and trust with that. Well. And also I would

1339
01:09:40,640 --> 01:09:42,160
Speaker 1: say that he was rooting for me. I mean, he's

1340
01:09:42,200 --> 01:09:43,840
Speaker 1: my best friend and he was stoked for me. He

1341
01:09:43,960 --> 01:09:46,240
Speaker 1: was the opposite of an ego because he was like,

1342
01:09:46,360 --> 01:09:48,080
Speaker 1: this is so cool you're directing, you know. That was

1343
01:09:48,120 --> 01:09:50,040
Speaker 1: the fun. And Johnny c too, I should say, And

1344
01:09:50,040 --> 01:09:52,840
Speaker 1: I mean at the whole cast, never everyone. I've been

1345
01:09:52,880 --> 01:09:55,000
Speaker 1: asked this before and I think I've answered it, but

1346
01:09:55,040 --> 01:09:57,760
Speaker 1: I'll say again, when I started directing the show, there

1347
01:09:57,840 --> 01:10:01,439
Speaker 1: wasn't a single bit they were all all rooting for me.

1348
01:10:01,680 --> 01:10:04,200
Speaker 1: They were all excited for me. Bill of course was

1349
01:10:04,240 --> 01:10:07,240
Speaker 1: a competitive motherfucker. But the rap because he was a

1350
01:10:07,280 --> 01:10:10,320
Speaker 1: little like, Okay, here's the hardest episode we've ever made,

1351
01:10:10,640 --> 01:10:12,880
Speaker 1: but which I won't fucking mention the zip line episode.

1352
01:10:12,920 --> 01:10:14,920
Speaker 1: You did you already? Did you already know? I didn't

1353
01:10:14,960 --> 01:10:17,280
Speaker 1: mention it. I didn't mention it now on my fucking

1354
01:10:17,280 --> 01:10:18,920
Speaker 1: Twitter feed, no matter why I write people like, oh,

1355
01:10:19,000 --> 01:10:20,840
Speaker 1: is this the episode about the zip line? Right? Fuck

1356
01:10:20,920 --> 01:10:24,080
Speaker 1: you guys, But no, everyone was rooting for me and

1357
01:10:24,160 --> 01:10:26,720
Speaker 1: everyone was supportive, and uh, I loved it. I loved

1358
01:10:26,760 --> 01:10:29,280
Speaker 1: it so much because, um, you know, Donald and I

1359
01:10:29,360 --> 01:10:31,840
Speaker 1: can make each other laugh so so quickly and easily.

1360
01:10:31,920 --> 01:10:33,920
Speaker 1: So when he's doing his when he if he's got

1361
01:10:33,960 --> 01:10:35,960
Speaker 1: a big joke and I'm cracking up, and then we're

1362
01:10:36,000 --> 01:10:37,920
Speaker 1: in the zone together and like, oh, do another taken

1363
01:10:38,120 --> 01:10:40,360
Speaker 1: and say this, and then he's willing to try it.

1364
01:10:40,520 --> 01:10:42,320
Speaker 1: You know, it's it's it's so much fun. It's it

1365
01:10:42,439 --> 01:10:46,400
Speaker 1: was amazing. It Also it also feels like, uh, Scorsese

1366
01:10:46,840 --> 01:10:50,439
Speaker 1: and de Niro or Scorsese and Puccino, you know what

1367
01:10:50,520 --> 01:10:52,920
Speaker 1: I mean. It's like not that we're on that level

1368
01:10:53,040 --> 01:10:55,479
Speaker 1: or we are. Donald say will tell us that tell

1369
01:10:55,560 --> 01:11:01,320
Speaker 1: us that we are. But it's like, you know, Scorsese

1370
01:11:01,479 --> 01:11:03,360
Speaker 1: puts his friends in the movie. He's not putting them

1371
01:11:03,400 --> 01:11:05,360
Speaker 1: in the movie to make them fall flat on their face,

1372
01:11:05,560 --> 01:11:07,560
Speaker 1: you know what I mean. And so when Zach is

1373
01:11:07,600 --> 01:11:11,120
Speaker 1: giving you direction and everything when we're shooting, he's not

1374
01:11:11,320 --> 01:11:13,400
Speaker 1: doing it because he wants to get through the day.

1375
01:11:13,479 --> 01:11:15,680
Speaker 1: He wants you to shine just like everyone else. He

1376
01:11:15,760 --> 01:11:18,360
Speaker 1: wants everything to be perfect, you know. And so yeah,

1377
01:11:18,720 --> 01:11:21,360
Speaker 1: where there are people that come into a situation like

1378
01:11:21,479 --> 01:11:23,360
Speaker 1: this and they're just like, let's just get the lines

1379
01:11:23,439 --> 01:11:25,000
Speaker 1: right and everybody and we can move on. I just

1380
01:11:25,120 --> 01:11:27,479
Speaker 1: want to tell my story and that's it, whereas zach

1381
01:11:27,720 --> 01:11:30,519
Speaker 1: Is wants to tell his story, but he's also open

1382
01:11:30,600 --> 01:11:34,760
Speaker 1: to you expressing yourself in the piece. Yeah, great question, Kate,

1383
01:11:34,800 --> 01:11:36,880
Speaker 1: you have another one since we like you so much. Oh,

1384
01:11:37,040 --> 01:11:39,400
Speaker 1: you're You're so nice. Actually, I would like to tell

1385
01:11:39,479 --> 01:11:42,479
Speaker 1: you just why I actually reached out to Joel if

1386
01:11:42,640 --> 01:11:46,080
Speaker 1: I could, because I just think it's crazy because I

1387
01:11:46,120 --> 01:11:48,680
Speaker 1: don't believe out in signs unless they work out for me.

1388
01:11:49,160 --> 01:11:53,840
Speaker 1: But I right, but there's not enough time in the day.

1389
01:11:55,000 --> 01:11:57,559
Speaker 1: I was doing one of my hiding from my family errands,

1390
01:11:57,680 --> 01:12:01,000
Speaker 1: listening to the latest episode and errand I happened to

1391
01:12:01,080 --> 01:12:04,320
Speaker 1: be doing was I was returning some scrubs to a

1392
01:12:04,479 --> 01:12:07,840
Speaker 1: store that my husband had ordered online that were comically

1393
01:12:08,000 --> 01:12:10,519
Speaker 1: large on him because you know, we're all trying to

1394
01:12:10,640 --> 01:12:12,880
Speaker 1: order online and it sucks we have no idea, like

1395
01:12:13,000 --> 01:12:16,080
Speaker 1: you know. And so I was listening to your podcast

1396
01:12:16,400 --> 01:12:20,320
Speaker 1: returning scrubs and when I walked into the uniform city

1397
01:12:20,479 --> 01:12:24,000
Speaker 1: store that sells the scrubs the song Everywhere by Michelle

1398
01:12:24,080 --> 01:12:30,320
Speaker 1: Branch O your anthem, and it was like, listen, we

1399
01:12:30,400 --> 01:12:32,479
Speaker 1: were gonna. I thought I had her on the hook.

1400
01:12:32,680 --> 01:12:34,960
Speaker 1: We were we were twitter dmy I said, would you

1401
01:12:35,000 --> 01:12:36,760
Speaker 1: come on the show? She goes sure, and I go,

1402
01:12:36,840 --> 01:12:39,400
Speaker 1: would you play Everywhere live on acoustic? And she's like

1403
01:12:40,640 --> 01:12:42,439
Speaker 1: the dots came up and then they went away. And

1404
01:12:42,479 --> 01:12:45,120
Speaker 1: I was like, that's like when you're off fishing and

1405
01:12:47,640 --> 01:12:50,760
Speaker 1: read dog, I haven't cast again. I feel like I

1406
01:12:52,160 --> 01:12:55,360
Speaker 1: read YO left you on Red? Isn't it left you

1407
01:12:55,439 --> 01:12:58,679
Speaker 1: on Red? Same shit? Red spelled the same way Dog?

1408
01:13:00,080 --> 01:13:02,679
Speaker 1: Where at least I can at least I can brag

1409
01:13:02,760 --> 01:13:05,720
Speaker 1: them Michelle branch left me on Red. That's true, that's true.

1410
01:13:05,720 --> 01:13:07,120
Speaker 1: And now I let people that and it was like

1411
01:13:07,320 --> 01:13:09,559
Speaker 1: right like Zach, it was right at the like yeah,

1412
01:13:10,240 --> 01:13:12,160
Speaker 1: you know the key change, like the huge key change,

1413
01:13:12,200 --> 01:13:14,080
Speaker 1: and I was like, oh god, this is a sign.

1414
01:13:14,160 --> 01:13:16,160
Speaker 1: So I like asked Joel if it was a sign,

1415
01:13:16,280 --> 01:13:18,120
Speaker 1: and she got back to me. I was like, I

1416
01:13:18,200 --> 01:13:20,360
Speaker 1: guess so, because I never do things like this, I'm like,

1417
01:13:20,680 --> 01:13:22,719
Speaker 1: I never win a raffle. I never win in anything.

1418
01:13:22,800 --> 01:13:25,040
Speaker 1: No one picks me like and as I can't believe

1419
01:13:25,080 --> 01:13:27,519
Speaker 1: I'm actually you're gonna win, Joel. Can we give her

1420
01:13:27,600 --> 01:13:30,760
Speaker 1: some free ship? No? No, I don't know. I don't know.

1421
01:13:31,080 --> 01:13:34,960
Speaker 1: I don't know. I mean no, are you so anti

1422
01:13:35,479 --> 01:13:38,840
Speaker 1: free s No? Because she blamed me for the unlatching

1423
01:13:38,920 --> 01:13:44,960
Speaker 1: of her kid episode I purposely never I heard you

1424
01:13:45,080 --> 01:13:47,920
Speaker 1: say that shit you said, and I know breastfeed while

1425
01:13:48,000 --> 01:13:53,360
Speaker 1: listening motherfucking loud. You even said, because Donald's too motherfucking loud.

1426
01:13:53,520 --> 01:13:55,519
Speaker 1: I heard you. You said it to my wife. You

1427
01:13:55,600 --> 01:13:57,680
Speaker 1: ever said to my wife. You even said it to

1428
01:13:57,840 --> 01:14:00,759
Speaker 1: my wife. Can I use that golden produce? Got bold?

1429
01:14:00,920 --> 01:14:04,880
Speaker 1: And you said it to my wife. You ain't getting ship, dlinskisk,

1430
01:14:05,240 --> 01:14:08,800
Speaker 1: you get jack Ship. You're getting too loud now said

1431
01:14:08,960 --> 01:14:12,559
Speaker 1: good day. You're getting too loud now. Ariolas all over

1432
01:14:12,640 --> 01:14:15,920
Speaker 1: the world are publishing on the You're actually making me

1433
01:14:16,080 --> 01:14:19,040
Speaker 1: like you're making my milk let. I'm gonna strip like work,

1434
01:14:19,080 --> 01:14:21,920
Speaker 1: Oh my god, work, because I'm so sweaty and upset now,

1435
01:14:22,080 --> 01:14:24,840
Speaker 1: Oh my god, I don't know if you're allowed to

1436
01:14:24,880 --> 01:14:30,559
Speaker 1: say that the jack you guys told people to wipe

1437
01:14:30,600 --> 01:14:36,040
Speaker 1: their balloon knots with your yes. Yes, rebably Donald's not mine.

1438
01:14:37,960 --> 01:14:46,040
Speaker 1: Say whatever I want about my own breast milk. Ya

1439
01:14:47,920 --> 01:14:51,679
Speaker 1: see did you see Cardi Bees? Yes, Cardi beans nipples?

1440
01:14:52,160 --> 01:14:55,360
Speaker 1: What you mean in the video? No, Cardi Bee just

1441
01:14:55,400 --> 01:14:57,920
Speaker 1: had a nipple slip. Did you guys see this on Instagram?

1442
01:14:58,520 --> 01:15:00,280
Speaker 1: I don't heard about it, but I did not do it.

1443
01:15:01,160 --> 01:15:04,320
Speaker 1: I did appreciate in the WAP video the fountains with

1444
01:15:04,560 --> 01:15:08,000
Speaker 1: us spring and in our house a big thing that

1445
01:15:08,120 --> 01:15:10,479
Speaker 1: we sing to our ten month old or ten ten

1446
01:15:10,560 --> 01:15:15,120
Speaker 1: week old excuse me song? No, honestly, Zac, I feel

1447
01:15:15,160 --> 01:15:17,800
Speaker 1: like a horrible human being. But instead of the hook

1448
01:15:17,960 --> 01:15:19,920
Speaker 1: the way it is in the song, we sing, there's

1449
01:15:19,960 --> 01:15:26,320
Speaker 1: some babies in this house. Now my daughter has started,

1450
01:15:26,400 --> 01:15:28,639
Speaker 1: she'll be like doing plato and she'll be like, there's

1451
01:15:28,720 --> 01:15:36,800
Speaker 1: some mamas in this house there. Oh my, hey, do

1452
01:15:36,880 --> 01:15:42,559
Speaker 1: you take ye? Would you like? I do? I love? Okay,

1453
01:15:42,680 --> 01:15:45,400
Speaker 1: let's send her some g I love it and I

1454
01:15:45,520 --> 01:15:49,160
Speaker 1: love I love the like the plainest most like you know,

1455
01:15:49,240 --> 01:15:52,320
Speaker 1: like the ginger that you know I love. I love

1456
01:15:52,640 --> 01:15:55,120
Speaker 1: I've been drinking this um this one right here, Peter,

1457
01:15:56,800 --> 01:16:00,240
Speaker 1: you got this one done? Oh yeah, that's my jam. Yeah,

1458
01:16:00,360 --> 01:16:04,600
Speaker 1: Will I finished my martini. Okay, we will send you

1459
01:16:04,720 --> 01:16:07,480
Speaker 1: some GTS kombucha, and we will send you some GTS

1460
01:16:07,880 --> 01:16:12,040
Speaker 1: Aqua Keefer. Yes, for being such a wonderful guest. We

1461
01:16:12,160 --> 01:16:15,120
Speaker 1: gotta go, though, I think right, we gotta go because

1462
01:16:15,120 --> 01:16:17,559
Speaker 1: we have Chase Serrano who's not getting nearly enough attention

1463
01:16:17,640 --> 01:16:19,680
Speaker 1: on this fucking episode. No, this is great for me.

1464
01:16:19,880 --> 01:16:23,360
Speaker 1: I got it, I got my stuff off. She has

1465
01:16:23,400 --> 01:16:27,120
Speaker 1: been replaced by Ariola talk. I don't like that. Boy.

1466
01:16:27,840 --> 01:16:29,560
Speaker 1: You've been a great guest, Kate. We're gonna send you

1467
01:16:29,600 --> 01:16:32,320
Speaker 1: a whole bunch of GTS kombucha and um and and

1468
01:16:32,439 --> 01:16:34,439
Speaker 1: and have a good date night. For God's sakes, have

1469
01:16:34,560 --> 01:16:37,639
Speaker 1: a good date night. Thank you, thank you. Sing. There's

1470
01:16:37,720 --> 01:16:41,360
Speaker 1: some babies in this house. There's some babies in There's

1471
01:16:41,400 --> 01:16:44,040
Speaker 1: some babies in this south. Give it up for Kate.

1472
01:16:44,600 --> 01:16:49,600
Speaker 1: K this house, in this house, there's some babies in

1473
01:16:49,720 --> 01:16:55,880
Speaker 1: this house. Okay, okay, by Kate Zelinski. He's a great

1474
01:16:55,920 --> 01:16:59,799
Speaker 1: guest for a lot. She was very articulate and smart

1475
01:16:59,840 --> 01:17:04,120
Speaker 1: and quick witted. I liked her. Well, guys, let's talk

1476
01:17:04,160 --> 01:17:05,680
Speaker 1: more about the show Scrubs. That's why we have a

1477
01:17:05,760 --> 01:17:10,000
Speaker 1: fancy Chase Rono gift. I'm sorry, sorry, go to break

1478
01:17:10,040 --> 01:17:12,200
Speaker 1: first and then come back, Joe, Well, I don't like

1479
01:17:12,360 --> 01:17:15,400
Speaker 1: to go to breaks. Okay, sorry, audience members were going

1480
01:17:15,400 --> 01:17:17,880
Speaker 1: along today, so we'll be taking a break and we'll

1481
01:17:17,880 --> 01:17:28,040
Speaker 1: be right back. Dorians loved them a fart joke, man.

1482
01:17:28,160 --> 01:17:30,759
Speaker 1: I say this every time one of the Dorian family

1483
01:17:30,840 --> 01:17:37,720
Speaker 1: members is on the show. But you yeah, I don't.

1484
01:17:37,760 --> 01:17:39,720
Speaker 1: I only like good fart jokes. I don't like these

1485
01:17:39,800 --> 01:17:42,120
Speaker 1: fart jokes. I didn't think these were impressive fart jokes

1486
01:17:42,120 --> 01:17:44,280
Speaker 1: in this show. They were trying to harmonize their farts.

1487
01:17:44,320 --> 01:17:49,240
Speaker 1: What's not funny about that? What's not funny about that? Dude?

1488
01:17:49,280 --> 01:17:50,920
Speaker 1: They took the show on the road. They cut to

1489
01:17:51,000 --> 01:17:53,400
Speaker 1: the audience and all the audience have their T shirts

1490
01:17:53,439 --> 01:17:59,400
Speaker 1: up above their noses. So embarrassing. Um. Scott Rabbidou who

1491
01:17:59,520 --> 01:18:04,000
Speaker 1: was my stand in, and Kati Ortiz, who was Judy's

1492
01:18:04,000 --> 01:18:07,360
Speaker 1: stand in, both have a line. Finally, in this episode,

1493
01:18:07,400 --> 01:18:10,120
Speaker 1: if around five thirty eight, when Kelsea comes in to

1494
01:18:10,160 --> 01:18:13,360
Speaker 1: tell everyone not to moonlight. Uh, they're the two they're

1495
01:18:13,400 --> 01:18:16,800
Speaker 1: the nurse and the doctor I believe who who have

1496
01:18:16,920 --> 01:18:19,519
Speaker 1: a line saying what they do to moonlight? Um? At

1497
01:18:19,560 --> 01:18:22,760
Speaker 1: the hospital. So there you go. And how funny was

1498
01:18:22,800 --> 01:18:26,040
Speaker 1: Sam Lloyd trying on the wig? Yeah you didn't see that.

1499
01:18:29,880 --> 01:18:32,519
Speaker 1: Now let's talk about my black by Popular Demand shirt

1500
01:18:33,400 --> 01:18:35,400
Speaker 1: loaned by Turk. I'm also going to do RAG. I

1501
01:18:35,439 --> 01:18:37,280
Speaker 1: don't know if I do that in twenty twenty. Thank

1502
01:18:37,280 --> 01:18:39,320
Speaker 1: you for letting me where this man. The sisters are

1503
01:18:39,400 --> 01:18:44,800
Speaker 1: loving it. Should you say Charmaine even called me a cracker? No,

1504
01:18:44,920 --> 01:18:48,479
Speaker 1: I said it innocently like Charmaine even called me a cracker. No,

1505
01:18:48,760 --> 01:18:51,240
Speaker 1: you said it with some platitude. You said the whole

1506
01:18:51,280 --> 01:18:53,720
Speaker 1: thing with some attitude. It's like, thanks for letting me bow.

1507
01:18:54,520 --> 01:18:56,240
Speaker 1: I'm gonna this is what I This is how I

1508
01:18:56,320 --> 01:18:58,320
Speaker 1: heard you say it. Thanks for letting me bow the

1509
01:18:58,400 --> 01:19:02,680
Speaker 1: shirt play it. This is loving it. Charmin even call

1510
01:19:02,800 --> 01:19:07,679
Speaker 1: me a cracker. I definitely didn't do that. I would

1511
01:19:07,720 --> 01:19:09,519
Speaker 1: also like to say that I would not wear a

1512
01:19:09,600 --> 01:19:12,639
Speaker 1: do rag and a black Bipopular Demand T shirt now,

1513
01:19:15,080 --> 01:19:16,840
Speaker 1: But for the story point for those of you, it

1514
01:19:16,960 --> 01:19:19,920
Speaker 1: was T shirt on loan to me. I wish you

1515
01:19:20,040 --> 01:19:22,160
Speaker 1: still had that shirt. Donald, you would rock that. I

1516
01:19:22,200 --> 01:19:25,320
Speaker 1: would wear that shirt right now with it without hesitation.

1517
01:19:27,000 --> 01:19:28,880
Speaker 1: And then you go. You end the scene by saying,

1518
01:19:29,000 --> 01:19:33,160
Speaker 1: now check the ball cracker, Now check the ball cracker. Yeah.

1519
01:19:33,720 --> 01:19:37,720
Speaker 1: That was the first monologue I ever had on the

1520
01:19:37,880 --> 01:19:42,320
Speaker 1: show like that. And I remember I think her name

1521
01:19:42,400 --> 01:19:48,559
Speaker 1: was Sharon Liggins. It's Sharon Liggins. She was our NBRC rep, yeah,

1522
01:19:48,640 --> 01:19:52,479
Speaker 1: pr NBC person maybe yeah. And she was on the

1523
01:19:52,560 --> 01:19:56,120
Speaker 1: set that day and she was like, you know, she

1524
01:19:56,280 --> 01:19:58,280
Speaker 1: gave me a little pep talk before it, like you know,

1525
01:19:59,600 --> 01:20:02,800
Speaker 1: we you know, I want to see a shine on

1526
01:20:02,960 --> 01:20:06,639
Speaker 1: this show, so you know, I that we could cut

1527
01:20:06,680 --> 01:20:08,000
Speaker 1: this out because I don't know. No, I don't want

1528
01:20:08,000 --> 01:20:09,320
Speaker 1: to cut it out. I like where it's going go.

1529
01:20:09,840 --> 01:20:13,320
Speaker 1: She was, She said, she said something to the network

1530
01:20:13,400 --> 01:20:15,479
Speaker 1: like we need to give Donald more stuff to say

1531
01:20:16,200 --> 01:20:19,719
Speaker 1: as an African American and she was an African American

1532
01:20:19,760 --> 01:20:22,599
Speaker 1: woman and she was an African American woman and uh.

1533
01:20:23,720 --> 01:20:25,360
Speaker 1: And she was like, and this is why you have

1534
01:20:25,560 --> 01:20:29,439
Speaker 1: this monologue. And I was like, holy shit. And I've

1535
01:20:29,439 --> 01:20:31,479
Speaker 1: never asked around her, asked and You're like, I had

1536
01:20:31,560 --> 01:20:34,479
Speaker 1: to go memorize this ship, dude, I and I you're

1537
01:20:34,520 --> 01:20:36,680
Speaker 1: absolutely right. I did say that shit. In my head.

1538
01:20:36,720 --> 01:20:38,439
Speaker 1: I was like, oh shit, I better memorize this shit.

1539
01:20:38,960 --> 01:20:40,679
Speaker 1: And I remember when we were doing it. I remember

1540
01:20:40,760 --> 01:20:42,760
Speaker 1: feeling like, oh, I didn't nail it. I didn't quite

1541
01:20:42,880 --> 01:20:45,320
Speaker 1: nail it. But then when I watched it back today,

1542
01:20:46,160 --> 01:20:49,360
Speaker 1: it's you know, I'm not saying that I'm great in it,

1543
01:20:49,520 --> 01:20:52,479
Speaker 1: but I definitely you definitely understand what the fuck I'm

1544
01:20:52,520 --> 01:20:54,680
Speaker 1: talking about, you know what I mean. And that's and

1545
01:20:54,800 --> 01:20:56,960
Speaker 1: that's a that's a big deal for me. Like sometimes

1546
01:20:57,040 --> 01:21:00,880
Speaker 1: I watch my stuff. It's rare that I watched myself,

1547
01:21:00,960 --> 01:21:04,320
Speaker 1: but when I do, the one problem I have is

1548
01:21:05,120 --> 01:21:08,280
Speaker 1: am I delivering the lines in the way that people

1549
01:21:08,320 --> 01:21:11,200
Speaker 1: can understand where I'm coming from and what I'm saying.

1550
01:21:11,240 --> 01:21:14,280
Speaker 1: And this was one of those moments where it I

1551
01:21:14,439 --> 01:21:16,439
Speaker 1: felt like I was and it just so happened to

1552
01:21:16,479 --> 01:21:19,519
Speaker 1: be one of those moments where an African American woman

1553
01:21:19,880 --> 01:21:24,639
Speaker 1: in the NBC arena stepped up for me and was said,

1554
01:21:24,880 --> 01:21:28,080
Speaker 1: you know, I think Donald needs more monologues on this show.

1555
01:21:28,280 --> 01:21:32,960
Speaker 1: That's cool. Shout out to Sharon's Yeah, David Vanney's studio

1556
01:21:33,120 --> 01:21:37,880
Speaker 1: array now, which is okay, Yes, Sharon Lincolns, shout out, yeah,

1557
01:21:38,240 --> 01:21:40,439
Speaker 1: Sharon Lincolns. I mean making a difference. You can see

1558
01:21:40,520 --> 01:21:43,120
Speaker 1: behind the scenes making a difference, and uh, and that's

1559
01:21:43,120 --> 01:21:45,200
Speaker 1: a great story. I never knew Donald's. You just taught

1560
01:21:45,200 --> 01:21:48,639
Speaker 1: me Donald Phazon scrubs anecdote even I didn't know. Well,

1561
01:21:49,080 --> 01:21:51,000
Speaker 1: those are one of those things that you you don't

1562
01:21:51,040 --> 01:21:55,559
Speaker 1: really talk, you don't brag about, you know, stuff like that. Yeah, yeah,

1563
01:21:55,680 --> 01:21:57,800
Speaker 1: you just do it. And she did a great story

1564
01:21:57,840 --> 01:21:59,720
Speaker 1: about It's a great story about her and and her

1565
01:22:00,080 --> 01:22:01,840
Speaker 1: her and her character and what she was trying to

1566
01:22:01,920 --> 01:22:04,120
Speaker 1: do with the network. Well she's fired, man, She's like

1567
01:22:04,360 --> 01:22:06,640
Speaker 1: she's she was always she always looked out from the

1568
01:22:06,720 --> 01:22:10,920
Speaker 1: gate um. Now. The dog that's Ken's dog was Ken's

1569
01:22:11,000 --> 01:22:15,439
Speaker 1: real dog, Australian shepherd. It's name was Pal, his name

1570
01:22:15,520 --> 01:22:18,960
Speaker 1: was pal and Um and it was the smartest dog.

1571
01:22:19,280 --> 01:22:22,320
Speaker 1: I mean, Ken had this dog so well trained. Australian

1572
01:22:22,400 --> 01:22:25,640
Speaker 1: Shepherds are known for being super intelligent, but this was

1573
01:22:25,720 --> 01:22:27,360
Speaker 1: like the best trained dog. I mean Ken could be

1574
01:22:27,439 --> 01:22:29,519
Speaker 1: like Pal, go get the blue toy in the other room,

1575
01:22:29,600 --> 01:22:31,840
Speaker 1: and the dog would go and like, choose from ten

1576
01:22:31,960 --> 01:22:35,000
Speaker 1: toys the blue toy. I mean it was amazing. Not

1577
01:22:35,120 --> 01:22:37,599
Speaker 1: only that he's calling the dog Baxter, and the dog

1578
01:22:37,760 --> 01:22:41,040
Speaker 1: is responding to Baxter so well. He probably he probably

1579
01:22:41,080 --> 01:22:42,760
Speaker 1: the night before was like hey man, tomorrow, I'm gonna

1580
01:22:42,800 --> 01:22:48,840
Speaker 1: call you Baxter and the dogs like O. But this

1581
01:22:49,920 --> 01:22:52,800
Speaker 1: this all scene it made me sad because maybe miss

1582
01:22:52,880 --> 01:22:56,200
Speaker 1: Sam Lloyd. But this whole scene where Sam the lawyer

1583
01:22:56,360 --> 01:22:59,840
Speaker 1: is competing with the dog boxter is so funny. It's

1584
01:23:00,040 --> 01:23:02,519
Speaker 1: really funny. That's the funniest part of this episode. Yes,

1585
01:23:02,720 --> 01:23:07,439
Speaker 1: I agree, I agree. Um, Baxter won't so so he

1586
01:23:07,520 --> 01:23:12,360
Speaker 1: goes up so um. Someone says to him, Ted, you

1587
01:23:12,439 --> 01:23:14,479
Speaker 1: don't have to do this competition with the dog, and

1588
01:23:14,520 --> 01:23:20,880
Speaker 1: he's shut up. I can win this. Uh. And then

1589
01:23:21,040 --> 01:23:22,680
Speaker 1: and then later as he comes running in, he goes

1590
01:23:22,720 --> 01:23:27,879
Speaker 1: Baxter won't get out of my chair. Who knew Elliott

1591
01:23:27,920 --> 01:23:32,160
Speaker 1: was scared of domesticated animals, dude, cats, No, just any

1592
01:23:32,240 --> 01:23:34,080
Speaker 1: domestic gun. When she walks in, there's a pig and

1593
01:23:34,160 --> 01:23:36,760
Speaker 1: she's like, but, I mean, doesn't some bullshit. I don't

1594
01:23:36,760 --> 01:23:40,680
Speaker 1: think any doctors are moonlighting his vets. It's not the

1595
01:23:40,760 --> 01:23:42,559
Speaker 1: same it's not the same thing. I don't think it's

1596
01:23:42,560 --> 01:23:46,160
Speaker 1: as hard as a heart. I don't think it's I

1597
01:23:46,160 --> 01:23:47,880
Speaker 1: don't think it's the same thing. How about how the

1598
01:23:47,960 --> 01:23:50,000
Speaker 1: janitor doesn't know where the emergency room is. Yeah, that

1599
01:23:50,600 --> 01:23:53,200
Speaker 1: jumps out. They really didn't. They really didn't give Neil

1600
01:23:53,200 --> 01:23:54,720
Speaker 1: a lot to do in this episode, he has he

1601
01:23:54,800 --> 01:23:58,120
Speaker 1: has one moment where where Tom Cavanaugh hurts him, and

1602
01:23:58,240 --> 01:24:04,120
Speaker 1: then he asked where the emergency room is? Um, how

1603
01:24:04,120 --> 01:24:06,640
Speaker 1: about Kelso revealing he's got a side hustle side, he

1604
01:24:06,720 --> 01:24:09,200
Speaker 1: got a little side piece. He's got a little side.

1605
01:24:09,600 --> 01:24:12,760
Speaker 1: I have a real question here because and and I'm

1606
01:24:12,800 --> 01:24:15,160
Speaker 1: sorry if it's gone over my head. And we've and

1607
01:24:15,280 --> 01:24:18,040
Speaker 1: we've talked about it over and over again, and I

1608
01:24:18,160 --> 01:24:20,639
Speaker 1: get the Dan to screw up in everything, But why

1609
01:24:20,840 --> 01:24:25,160
Speaker 1: is JD so hard on Dan? Like he's so hard

1610
01:24:25,240 --> 01:24:27,800
Speaker 1: on this. Dan's been horrible to JD. Jan Dan has

1611
01:24:28,000 --> 01:24:30,040
Speaker 1: stolen girlfriends from him. I mean, doesn't he's gonna go

1612
01:24:30,080 --> 01:24:33,519
Speaker 1: on to steal doesn't he date Elliott? That happened already,

1613
01:24:33,600 --> 01:24:37,120
Speaker 1: That didn't it didn't happen yet. No, Okay, Dan's a

1614
01:24:37,200 --> 01:24:39,360
Speaker 1: horrible brother. I mean He's done some really horrible shit.

1615
01:24:39,400 --> 01:24:42,760
Speaker 1: I think Jad's embarrassed because Dan's doesn't do anything. He

1616
01:24:42,920 --> 01:24:46,360
Speaker 1: lives at home and complains about his mom. And I mean, Shay,

1617
01:24:46,439 --> 01:24:47,720
Speaker 1: you might you might have more to say on this.

1618
01:24:47,800 --> 01:24:49,800
Speaker 1: I think he's I think he's embarrassed and his brother

1619
01:24:49,920 --> 01:24:52,800
Speaker 1: is constantly screwing him over. Yeah, that all that all

1620
01:24:52,840 --> 01:24:55,000
Speaker 1: feels exactly right. That's the same read I got on it.

1621
01:24:55,320 --> 01:24:58,000
Speaker 1: He was just when you're I think, when you're the

1622
01:24:58,080 --> 01:24:59,960
Speaker 1: younger sibling, if you feel like you have leap from

1623
01:25:00,000 --> 01:25:03,439
Speaker 1: over the older one part of you is excited about that,

1624
01:25:03,479 --> 01:25:05,720
Speaker 1: and also part of you is like kind of mad

1625
01:25:05,760 --> 01:25:07,360
Speaker 1: about it. Why why do I have to be the

1626
01:25:07,400 --> 01:25:09,800
Speaker 1: one who's doing all of this? Why can't you you

1627
01:25:09,920 --> 01:25:11,560
Speaker 1: do some shit too? Why does it always have to

1628
01:25:11,640 --> 01:25:13,600
Speaker 1: be me? And then you know, he hints at that

1629
01:25:14,120 --> 01:25:17,639
Speaker 1: the thing about him being mad from their childhood when

1630
01:25:18,280 --> 01:25:20,360
Speaker 1: Dan wasn't there for him, Like that's just all sort

1631
01:25:20,400 --> 01:25:22,719
Speaker 1: of coming out all at once in this episode feels

1632
01:25:22,720 --> 01:25:25,040
Speaker 1: like right. But then it makes it makes it, It

1633
01:25:25,200 --> 01:25:28,840
Speaker 1: makes your point even better at the end. Was Dan

1634
01:25:28,960 --> 01:25:31,000
Speaker 1: really there for him this old time? But only in

1635
01:25:31,080 --> 01:25:33,320
Speaker 1: behind the scenes, you know what I mean? You know,

1636
01:25:33,640 --> 01:25:35,439
Speaker 1: that's a great point. I like that you said that, Shay.

1637
01:25:35,640 --> 01:25:38,439
Speaker 1: And in the spirit of Kai Zalinski's question about when

1638
01:25:38,439 --> 01:25:41,080
Speaker 1: I'm um, how I judge my own acting, I'm going

1639
01:25:41,240 --> 01:25:43,840
Speaker 1: to say that I think that the actor Zach was

1640
01:25:43,960 --> 01:25:46,640
Speaker 1: good in that scene where I confronted Dan I was,

1641
01:25:47,000 --> 01:25:50,479
Speaker 1: I would have said, good job. I think that was good. Oh,

1642
01:25:50,680 --> 01:25:53,160
Speaker 1: right on, I'll agree with that. No, I think it

1643
01:25:53,240 --> 01:25:55,560
Speaker 1: was a good scene between the don't I don't think that.

1644
01:25:55,960 --> 01:25:58,360
Speaker 1: Watching it twenty years later, sometimes I go, what the

1645
01:25:58,400 --> 01:26:00,880
Speaker 1: fuck you doing? Well, there's some moments, right, that was

1646
01:26:00,880 --> 01:26:02,680
Speaker 1: a good scene between us. I liked it. Well, it's

1647
01:26:02,680 --> 01:26:05,120
Speaker 1: a great scene because when he does what it makes

1648
01:26:05,160 --> 01:26:07,479
Speaker 1: what he does for you so much more powerful. So

1649
01:26:07,600 --> 01:26:10,759
Speaker 1: absolutely that message has to be there. You said something

1650
01:26:10,840 --> 01:26:14,560
Speaker 1: earlier that I thought was really amazing and that you know,

1651
01:26:14,840 --> 01:26:17,400
Speaker 1: Bill would when Kate was on that Bill would come

1652
01:26:17,520 --> 01:26:19,720
Speaker 1: up and he would tell you why you have to

1653
01:26:19,880 --> 01:26:22,920
Speaker 1: have more energy on jokes and everything like that. And

1654
01:26:23,040 --> 01:26:25,000
Speaker 1: it's something that we talk about always, how you know

1655
01:26:25,120 --> 01:26:28,360
Speaker 1: these storyline how storylines connect through the shows and everything.

1656
01:26:29,479 --> 01:26:32,280
Speaker 1: It's really you know, Bill is really good at setting

1657
01:26:32,439 --> 01:26:36,840
Speaker 1: up moments like that, moments like Dan and Cox at

1658
01:26:36,880 --> 01:26:41,200
Speaker 1: the end. Everything, every this whole show is built for

1659
01:26:41,400 --> 01:26:44,000
Speaker 1: that one moment at the end, you know what I mean?

1660
01:26:44,200 --> 01:26:48,960
Speaker 1: And um, that's that's something to be that, that's something

1661
01:26:49,000 --> 01:26:50,720
Speaker 1: to be said because that means that this was this

1662
01:26:51,720 --> 01:26:54,720
Speaker 1: wasn't written And then he was like and then at

1663
01:26:54,720 --> 01:26:58,120
Speaker 1: the end. It feels just me personally, and I could

1664
01:26:58,160 --> 01:26:59,800
Speaker 1: be wrong about this, and maybe this is a nice

1665
01:26:59,840 --> 01:27:04,840
Speaker 1: Bill situation, but it feels like this episode was originally

1666
01:27:05,280 --> 01:27:08,240
Speaker 1: this is the episode where we learn Dan is a

1667
01:27:08,360 --> 01:27:12,479
Speaker 1: whole lot more than what we think he is. Now,

1668
01:27:12,560 --> 01:27:14,880
Speaker 1: let's write that story, you know what I mean. That's

1669
01:27:14,920 --> 01:27:17,280
Speaker 1: what it feels like, because that moment at the end

1670
01:27:17,320 --> 01:27:20,519
Speaker 1: of this show is so important for everything that happens

1671
01:27:20,680 --> 01:27:22,519
Speaker 1: after this. You know, it's not like what she was

1672
01:27:22,520 --> 01:27:24,560
Speaker 1: saying like it makes it makes us question for the

1673
01:27:24,600 --> 01:27:27,080
Speaker 1: first time how much how much Dan is doing some

1674
01:27:27,800 --> 01:27:29,920
Speaker 1: you know, odds behind the curtain work that could have

1675
01:27:30,000 --> 01:27:33,479
Speaker 1: gotten JD exactly where he is. Yeah, I like the

1676
01:27:34,040 --> 01:27:36,800
Speaker 1: thing that happens where every so often they will like

1677
01:27:37,240 --> 01:27:40,200
Speaker 1: poke a hole in doctor Cox, because this episode starts

1678
01:27:40,520 --> 01:27:43,120
Speaker 1: with them with with JD doing the pickles thing, messing

1679
01:27:43,200 --> 01:27:50,320
Speaker 1: with the patients, mister Bober, and then doctor Cox scares him,

1680
01:27:50,360 --> 01:27:53,360
Speaker 1: well did I catch you mocking this patient? And JD

1681
01:27:53,479 --> 01:27:55,200
Speaker 1: scared and he's like, oh, like you know, I've never

1682
01:27:55,280 --> 01:27:57,280
Speaker 1: been more proud of you, and they kind of share

1683
01:27:57,320 --> 01:28:01,280
Speaker 1: a moment there and divide into the show. We realize like, okay,

1684
01:28:01,360 --> 01:28:04,160
Speaker 1: doctor Cox has misread this situation here because doctor Cox

1685
01:28:04,840 --> 01:28:07,280
Speaker 1: is a is a prick for a lot of the

1686
01:28:07,360 --> 01:28:09,519
Speaker 1: time with a lot of the patients, but he's always

1687
01:28:09,600 --> 01:28:11,600
Speaker 1: doing it in a way that lets you know he

1688
01:28:11,920 --> 01:28:15,040
Speaker 1: cares a great, great deal. And j D still is

1689
01:28:15,400 --> 01:28:18,840
Speaker 1: his third year or the third season anyway, he's not

1690
01:28:18,960 --> 01:28:21,120
Speaker 1: quite ready to operate at that level yet. He can't

1691
01:28:21,200 --> 01:28:22,800
Speaker 1: do that. But you can't do those two things at

1692
01:28:22,880 --> 01:28:25,600
Speaker 1: the same time. He can't, right, He's trying it on,

1693
01:28:26,000 --> 01:28:28,439
Speaker 1: he's trying it, and doctor Cox is like, oh cool,

1694
01:28:28,520 --> 01:28:30,519
Speaker 1: you can do it. And Dan is like, he's not

1695
01:28:30,680 --> 01:28:33,240
Speaker 1: ready yet, and that's like and also like you can

1696
01:28:33,280 --> 01:28:35,600
Speaker 1: be a cynical bastard, but this this, this is a

1697
01:28:35,720 --> 01:28:38,680
Speaker 1: kid still relatively and he's wide eyed and he's you know,

1698
01:28:38,800 --> 01:28:41,200
Speaker 1: don't make him. You don't rush him to it. If

1699
01:28:41,240 --> 01:28:44,080
Speaker 1: he becomes you in in twenty years, then so be it,

1700
01:28:44,160 --> 01:28:46,160
Speaker 1: but don't rush him to that, you know. Yeah, Yeah,

1701
01:28:46,200 --> 01:28:49,439
Speaker 1: it's a it's a similar thing, like a bigger stakes

1702
01:28:49,479 --> 01:28:52,160
Speaker 1: thing than like I have a with three three sons,

1703
01:28:52,520 --> 01:28:55,080
Speaker 1: the youngest one to seven, and every once in a

1704
01:28:55,120 --> 01:28:57,280
Speaker 1: while he'll say like a cuss word, and I think

1705
01:28:57,320 --> 01:28:59,920
Speaker 1: it's the funniest thing in the world, and Laramie is like,

1706
01:29:00,400 --> 01:29:03,000
Speaker 1: he can cuss when he's older. I get that, you

1707
01:29:03,080 --> 01:29:05,400
Speaker 1: think it's funny, but it's like, don't rush him into that.

1708
01:29:05,520 --> 01:29:07,160
Speaker 1: He'll get there when he needs to get there. And

1709
01:29:07,240 --> 01:29:09,200
Speaker 1: then I always feel like a jerk afterward, and I'm like, yeah,

1710
01:29:09,200 --> 01:29:14,200
Speaker 1: you're right here, exactly right. I can't believe dude, I

1711
01:29:14,360 --> 01:29:18,600
Speaker 1: think it's the funniest shit. Can you tell him what

1712
01:29:18,680 --> 01:29:20,240
Speaker 1: your daughter said? We can cut it out if you

1713
01:29:20,240 --> 01:29:21,760
Speaker 1: don't want to use Yeah, no, we can use it.

1714
01:29:21,960 --> 01:29:25,120
Speaker 1: So when so because she said it to Florence, I

1715
01:29:25,240 --> 01:29:27,920
Speaker 1: think no, she gets when she gets hurt or if

1716
01:29:28,000 --> 01:29:30,599
Speaker 1: something hurts. Dude. I'm talking about when she came over

1717
01:29:30,720 --> 01:29:33,200
Speaker 1: my house and Florence said, how is the car ride

1718
01:29:33,280 --> 01:29:35,560
Speaker 1: or something? And do you remember this story? No? What

1719
01:29:35,680 --> 01:29:38,760
Speaker 1: did she say? I don't know. She's gonna say he's

1720
01:29:38,840 --> 01:29:47,120
Speaker 1: driving like a stupid ass motherfucker. Yeah, And Florence was like,

1721
01:29:50,120 --> 01:29:51,960
Speaker 1: She's like, how was the car ride over? My dad

1722
01:29:52,080 --> 01:29:54,880
Speaker 1: was doing driving crazy? Oh well, what did you tell

1723
01:29:54,960 --> 01:29:56,519
Speaker 1: him you were upset? Yeah? I said he was a

1724
01:29:56,600 --> 01:30:04,080
Speaker 1: stupid ass motherfucker. She used it the right way, She

1725
01:30:04,280 --> 01:30:09,240
Speaker 1: used it the right way. Yeah, here's here's one that's

1726
01:30:09,320 --> 01:30:12,439
Speaker 1: really funny. So I have an eighteen year old nineteen

1727
01:30:12,479 --> 01:30:15,160
Speaker 1: year old son, right, and so he said, he's really

1728
01:30:15,240 --> 01:30:17,519
Speaker 1: into the office right now and stuff. So he says,

1729
01:30:17,640 --> 01:30:21,160
Speaker 1: dumb shit around the boy who's seven, Like, that's what

1730
01:30:21,320 --> 01:30:27,960
Speaker 1: she said. Yeah, And so my son doesn't know necessarily

1731
01:30:28,040 --> 01:30:33,560
Speaker 1: how that's what she said works. So Casey was like,

1732
01:30:33,880 --> 01:30:37,200
Speaker 1: dang man, somebody used to wash these dishes. And Rock

1733
01:30:37,280 --> 01:30:47,519
Speaker 1: will be like, that's what she said. Who right, whose

1734
01:30:47,600 --> 01:30:55,880
Speaker 1: water is this? That's what she said, little dumb stupid

1735
01:30:55,960 --> 01:31:02,679
Speaker 1: ass motherfucker. We're we're all most done, I think, right, guys,

1736
01:31:03,400 --> 01:31:06,040
Speaker 1: I wanted to uh, I wanted to play you one

1737
01:31:06,160 --> 01:31:08,120
Speaker 1: video real quick that's on the internet and it's a

1738
01:31:08,400 --> 01:31:11,320
Speaker 1: it's a very funny woman who's inspiring you all to

1739
01:31:11,479 --> 01:31:13,559
Speaker 1: vote and to make sure you stay in line. Did

1740
01:31:13,600 --> 01:31:16,439
Speaker 1: you see this on My My Stories Donald the woman

1741
01:31:17,920 --> 01:31:20,240
Speaker 1: I didn't. I did with the one that's sitting down

1742
01:31:20,320 --> 01:31:22,760
Speaker 1: in the chair and how she's Yeah, I'm gonna play

1743
01:31:22,760 --> 01:31:25,240
Speaker 1: it for you. It's a woman. It's a very funny woman,

1744
01:31:25,280 --> 01:31:27,639
Speaker 1: and she's uh getting ready to get in line to vote,

1745
01:31:27,680 --> 01:31:30,760
Speaker 1: and she's encouraging. She's she's been online, she's been waiting.

1746
01:31:30,920 --> 01:31:33,280
Speaker 1: I don't know what her situation is, but halfway through

1747
01:31:33,320 --> 01:31:35,640
Speaker 1: the video she when she starts cutting to it, she

1748
01:31:35,720 --> 01:31:38,680
Speaker 1: cuts to her chair and her cooler, and I just

1749
01:31:38,760 --> 01:31:40,360
Speaker 1: want to play you this woman because I think she's

1750
01:31:40,360 --> 01:31:43,040
Speaker 1: an inspiration and you should listen to what she says.

1751
01:31:43,160 --> 01:31:46,360
Speaker 1: All right, hold on here she is. Hold on, Okay, guys,

1752
01:31:46,400 --> 01:31:48,680
Speaker 1: I know I'm holding here, And get my jush. I

1753
01:31:48,800 --> 01:31:53,479
Speaker 1: got my close hair on, I got my savage clothes on.

1754
01:31:54,240 --> 01:31:56,840
Speaker 1: I'm ready for this damn he and I'm ready for

1755
01:31:56,960 --> 01:31:59,880
Speaker 1: the easy because I'm going to vote and ain't shit,

1756
01:32:00,160 --> 01:32:04,400
Speaker 1: don't stand not this song, not dizzy, and y'all need

1757
01:32:04,439 --> 01:32:06,080
Speaker 1: to go on on and get y'all jewish and get

1758
01:32:06,160 --> 01:32:10,559
Speaker 1: y'all vote on because limits show you. I'm read, I'm read.

1759
01:32:10,640 --> 01:32:13,439
Speaker 1: I'm gonna get my damn jewish. They can stand out

1760
01:32:13,479 --> 01:32:17,360
Speaker 1: there for fifteen hours. I got him, they can stand

1761
01:32:17,400 --> 01:32:21,440
Speaker 1: out there for twenty four hours. I got my snacks painting.

1762
01:32:23,080 --> 01:32:27,040
Speaker 1: I'm going to vote, and I said you go voteing,

1763
01:32:28,120 --> 01:32:30,439
Speaker 1: So there you go. I don't know what judge means,

1764
01:32:30,560 --> 01:32:34,479
Speaker 1: but it means fucking go vote probably, no matter what

1765
01:32:34,560 --> 01:32:38,680
Speaker 1: you gotta do, right guys, Yeah, yeah, man, support um

1766
01:32:38,880 --> 01:32:41,640
Speaker 1: I wanted to Shay everyone. If you've been listening to

1767
01:32:41,720 --> 01:32:45,679
Speaker 1: Shay and you still haven't got his book, check it out. Shay.

1768
01:32:45,720 --> 01:32:49,040
Speaker 1: Remind everybody how they get your self published essays and

1769
01:32:49,560 --> 01:32:52,160
Speaker 1: on scrubs that are amazing. And shall you do you

1770
01:32:52,240 --> 01:32:54,400
Speaker 1: do a podcast too? Dark We're gonna plug that too.

1771
01:32:54,560 --> 01:32:59,840
Speaker 1: Donald's first the book, Shay. The website is Halfway books

1772
01:33:00,400 --> 01:33:04,040
Speaker 1: dot com Halfway Books. Yeah, man, I'm gonna keep it

1773
01:33:04,080 --> 01:33:05,799
Speaker 1: honest with you, Zach. I don't like how you beginning

1774
01:33:05,840 --> 01:33:10,479
Speaker 1: a puffy chest with me, like you want to do something?

1775
01:33:10,560 --> 01:33:11,960
Speaker 1: Do you want to wrestle? Do you want to come

1776
01:33:11,960 --> 01:33:14,680
Speaker 1: over and wrestle? I would are you staying when I

1777
01:33:14,720 --> 01:33:17,320
Speaker 1: think you're saying. All I'm telling you is if I

1778
01:33:17,479 --> 01:33:20,120
Speaker 1: if I get a movement, it doesn't count you. Also,

1779
01:33:20,240 --> 01:33:24,559
Speaker 1: will you smoke we to wrestle with me? No, that's

1780
01:33:24,680 --> 01:33:29,200
Speaker 1: feels like I'm sure there's a lot of people listening

1781
01:33:29,240 --> 01:33:31,120
Speaker 1: that would love to take you up on that. Yes,

1782
01:33:31,280 --> 01:33:34,679
Speaker 1: according to Shay, there's many Mexicans who would love that offen. Yeah,

1783
01:33:35,560 --> 01:33:37,600
Speaker 1: if you want to smoke weed and wrestle with me?

1784
01:33:38,280 --> 01:33:43,160
Speaker 1: At me? Donald underscore aison on Instagram. All right, Shaye

1785
01:33:43,200 --> 01:33:44,840
Speaker 1: and tell us about your podcast that you have going

1786
01:33:44,920 --> 01:33:48,120
Speaker 1: how people find that. Um it's called The Connect and

1787
01:33:48,280 --> 01:33:51,639
Speaker 1: it's wherever you get podcast. It's a movie podcast. Basically,

1788
01:33:51,680 --> 01:33:53,760
Speaker 1: all we do is we take one central theme and

1789
01:33:53,920 --> 01:33:55,880
Speaker 1: then me and the co host Jason Concepts you on

1790
01:33:56,120 --> 01:33:58,120
Speaker 1: each pick a movie that touches on that theme. So

1791
01:33:58,200 --> 01:34:00,960
Speaker 1: it could be like, Okay, this week's theme is find

1792
01:34:01,000 --> 01:34:04,240
Speaker 1: a movie where somebody's having relationship troubles, and we're like, okay, cool,

1793
01:34:04,600 --> 01:34:07,920
Speaker 1: Clueless and Garden State Boom's. Now we're going to talk

1794
01:34:07,920 --> 01:34:11,040
Speaker 1: about those two movies through this lens. Right on. We

1795
01:34:11,160 --> 01:34:13,120
Speaker 1: talked about La La Land earlier. Is that one of

1796
01:34:13,160 --> 01:34:14,720
Speaker 1: the movies that you've ever did you guys ever do

1797
01:34:14,840 --> 01:34:16,280
Speaker 1: that one? Oh? We haven't done that one yet, but

1798
01:34:16,360 --> 01:34:19,560
Speaker 1: that's really really good. Donald only wants to tune in

1799
01:34:19,680 --> 01:34:23,800
Speaker 1: Shay when you do La La Land. Listen Nobody. Shay,

1800
01:34:23,920 --> 01:34:26,479
Speaker 1: as you know from listening you guys say, can talk

1801
01:34:26,520 --> 01:34:31,720
Speaker 1: about movies and TV in such an amazing, interesting, articulate way.

1802
01:34:31,840 --> 01:34:34,320
Speaker 1: So check out his podcast, although don't listen to it

1803
01:34:34,880 --> 01:34:37,720
Speaker 1: before you listen to ours. Another thing I want to

1804
01:34:37,760 --> 01:34:39,880
Speaker 1: mention that I think is cool if you're a creative person.

1805
01:34:40,000 --> 01:34:43,320
Speaker 1: Adobe Max is a big creativity conference is happening the

1806
01:34:43,479 --> 01:34:46,680
Speaker 1: twentieth to the twenty second. I only know about this

1807
01:34:46,880 --> 01:34:50,120
Speaker 1: because I'm one of the speakers, and I'm telling you

1808
01:34:50,520 --> 01:34:53,560
Speaker 1: because it's free. Normally this is a paid thing, but

1809
01:34:53,720 --> 01:34:55,519
Speaker 1: this year, because of life being what it is, the

1810
01:34:55,600 --> 01:34:59,000
Speaker 1: good folks of Adobe have made it free. So it's

1811
01:34:59,160 --> 01:35:02,840
Speaker 1: all sorts of presentations and speeches and cool things you'd

1812
01:35:02,880 --> 01:35:06,760
Speaker 1: get at a creativity conference, but free. So go to

1813
01:35:06,840 --> 01:35:11,000
Speaker 1: Adobe max dot com to define that. Because and also

1814
01:35:11,040 --> 01:35:13,400
Speaker 1: you can watch my video because I I give out

1815
01:35:13,439 --> 01:35:16,240
Speaker 1: some little pearls of wisdom. I think you're teaching about film, Zach,

1816
01:35:16,360 --> 01:35:19,760
Speaker 1: what are we learning? I'm auditioning to be a film professor. No,

1817
01:35:19,880 --> 01:35:22,240
Speaker 1: I speak about the creative process a bit, and I

1818
01:35:23,560 --> 01:35:27,400
Speaker 1: I don't know, I hopefully inspire a bit. I videotaped

1819
01:35:27,400 --> 01:35:30,280
Speaker 1: it already, it's already. It's um. Lastly, I just want

1820
01:35:30,280 --> 01:35:31,840
Speaker 1: to talk about merch. We you know, Donald and I

1821
01:35:31,880 --> 01:35:33,519
Speaker 1: got made fun of for having shitty merch, so we

1822
01:35:33,600 --> 01:35:35,280
Speaker 1: went all out. Now we've got all sorts of ship

1823
01:35:35,400 --> 01:35:39,479
Speaker 1: there's hoodies, there's t shirts and different colors. There's a dish,

1824
01:35:39,600 --> 01:35:41,519
Speaker 1: there's a washcloth that was meant for you to take

1825
01:35:41,520 --> 01:35:44,519
Speaker 1: in the shower. But I posted on on Instagram a

1826
01:35:44,640 --> 01:35:47,479
Speaker 1: young woman used it at her as her dish towel.

1827
01:35:47,520 --> 01:35:50,280
Speaker 1: It's it's hanging over the handle of her stove, so

1828
01:35:50,439 --> 01:35:53,120
Speaker 1: you can also use it as your dish towel. We

1829
01:35:53,200 --> 01:35:54,559
Speaker 1: got a lot of good shit coming, sho I'd tell

1830
01:35:54,600 --> 01:35:56,760
Speaker 1: me we got coming down. Let's get let's get into it.

1831
01:35:56,840 --> 01:35:59,880
Speaker 1: We got for the holiday season. We've got wrapping paper

1832
01:36:00,080 --> 01:36:03,080
Speaker 1: or a coming that's smart, that's a smart one. We

1833
01:36:03,160 --> 01:36:09,120
Speaker 1: got ornaments, we got we got pop sockets boom, we

1834
01:36:09,400 --> 01:36:13,280
Speaker 1: got pop sockets coming, you're aware. And my favorite item

1835
01:36:13,640 --> 01:36:16,000
Speaker 1: that I don't think we ordered enough of, definitely, but

1836
01:36:16,520 --> 01:36:20,839
Speaker 1: we'll find out. We have. We have Zach and Donald's

1837
01:36:21,280 --> 01:36:28,599
Speaker 1: onesiest way, those are flying out of here. Yeah, well

1838
01:36:28,640 --> 01:36:30,479
Speaker 1: we had to. We had to decide how many to order,

1839
01:36:30,560 --> 01:36:32,000
Speaker 1: and Donald and I were like, I don't know how

1840
01:36:32,040 --> 01:36:33,439
Speaker 1: many we should or I mean like, I don't know

1841
01:36:33,439 --> 01:36:35,400
Speaker 1: how many people buy this, And then I don't think

1842
01:36:35,439 --> 01:36:37,639
Speaker 1: we ordered enough because I think they'll be popular because

1843
01:36:37,720 --> 01:36:40,920
Speaker 1: everyone in my family wants them. But anyway, that's our merch.

1844
01:36:41,000 --> 01:36:42,560
Speaker 1: So don't think we don't have good merch now, and

1845
01:36:42,600 --> 01:36:44,439
Speaker 1: don't make fun of us for having shitty merch because

1846
01:36:44,439 --> 01:36:47,479
Speaker 1: we got into it. Oh and you find the merch

1847
01:36:47,600 --> 01:36:51,240
Speaker 1: sorry by going to cotton Bureau dot com and searching

1848
01:36:51,400 --> 01:36:54,120
Speaker 1: for fake doctors real friends. Um, I thought we could

1849
01:36:54,200 --> 01:36:56,439
Speaker 1: end the show with Josh Raiden because we've never done that.

1850
01:36:56,520 --> 01:36:58,599
Speaker 1: Donald all this time, we've never played a Josh Raiden song.

1851
01:36:59,040 --> 01:37:02,040
Speaker 1: We were waiting Josh Raiden was gonna be on the

1852
01:37:02,120 --> 01:37:04,840
Speaker 1: show to play a song. That's silly. We're gonna ask

1853
01:37:04,920 --> 01:37:06,640
Speaker 1: Josh Raiden to play a song live when he's on

1854
01:37:06,840 --> 01:37:09,719
Speaker 1: maybe maybe if we're if we were good podcast producers,

1855
01:37:09,760 --> 01:37:12,160
Speaker 1: we would have him play Winter. We would have him

1856
01:37:12,160 --> 01:37:14,400
Speaker 1: play Winter on My screw Up at the end of

1857
01:37:14,479 --> 01:37:16,479
Speaker 1: My screw Up. That's what we should do, right, So

1858
01:37:16,560 --> 01:37:18,400
Speaker 1: which song should we have Josh Raiden played? Well, you

1859
01:37:18,479 --> 01:37:20,280
Speaker 1: and I I think have the I think you and

1860
01:37:20,360 --> 01:37:23,920
Speaker 1: I have the same favorite Josh Raiden song. I have

1861
01:37:24,040 --> 01:37:26,519
Speaker 1: a couple of favorite Josh Raiden songs, but I think

1862
01:37:26,560 --> 01:37:28,680
Speaker 1: you and I have the same most favorite. Which one

1863
01:37:28,800 --> 01:37:36,080
Speaker 1: is that paperweight? Fucke? Dude? You know me? All right?

1864
01:37:36,479 --> 01:37:42,000
Speaker 1: Listen next week Tara Reid on the show, guys read Sharknado.

1865
01:37:42,439 --> 01:37:44,840
Speaker 1: We're gonna get some good stories from Tara Reid. She

1866
01:37:45,200 --> 01:37:48,600
Speaker 1: plays a scientist and Sharknado. Tara Reid will be on

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01:37:48,640 --> 01:37:51,720
Speaker 1: the show next Yes and Tara Reid. Tara Reid's got

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01:37:51,760 --> 01:37:53,720
Speaker 1: a lot of always always when we were shooting, had

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01:37:53,720 --> 01:37:55,960
Speaker 1: a lot of funny anecdotes, so she'll bring him and

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01:37:56,120 --> 01:37:59,120
Speaker 1: she said yes, so we'll have Tary Reid. And thank

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01:37:59,160 --> 01:38:01,400
Speaker 1: you guys so much for listening. Thank you Shay for

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01:38:01,560 --> 01:38:04,879
Speaker 1: being such a good guest. Share the best as always,

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01:38:04,960 --> 01:38:09,920
Speaker 1: to do best shape. Okay, um, Sorry for the unlatch, Joel,

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Speaker 1: Another one, another unlatch, Another unlatch, Joel. We love you, Daniel,

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01:38:16,040 --> 01:38:19,400
Speaker 1: We love you. Here is Josh Raden with Donald and

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01:38:19,560 --> 01:38:24,439
Speaker 1: my favorite song paperwek been up all night staring at you,

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01:38:25,600 --> 01:38:31,200
Speaker 1: wondering what's on your mind. I've been this way so

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01:38:31,560 --> 01:38:39,160
Speaker 1: many for this feels like first time you have sunrise.

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01:38:39,560 --> 01:38:49,679
Speaker 1: Go back to bed and I will make you last

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01:38:50,040 --> 01:39:00,400
Speaker 1: up my bed. Whatnay kicked off the covers? Away down?

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01:39:05,000 --> 01:39:13,599
Speaker 1: Every world say, I think high shine Down. I don't

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01:39:14,080 --> 01:39:23,439
Speaker 1: fucke come Dony, happy late, just happy to be. I'm

1883
01:39:23,560 --> 01:39:30,760
Speaker 1: happy to know you play me, so your newest one,

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01:39:31,560 --> 01:39:37,680
Speaker 1: Please leave your taste on my tongue. Payper away on

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01:39:38,160 --> 01:39:50,160
Speaker 1: my back cover me like agin my sup my bed

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01:39:51,200 --> 01:40:03,760
Speaker 1: with me, kick op the covers some way down. Everyone

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01:40:04,280 --> 01:40:12,680
Speaker 1: you say I think I should ride down, don't forget,

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01:40:13,240 --> 01:40:21,960
Speaker 1: come down night and no need to work Read that's

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01:40:22,600 --> 01:40:29,920
Speaker 1: waste some time and no need to work under what's

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01:40:30,040 --> 01:40:41,600
Speaker 1: been on my mind? It's you. It's you. It's you.

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01:40:53,000 --> 01:41:02,720
Speaker 1: Everyone you say I think I should ride down, don't forget?

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01:41:03,200 --> 01:41:17,000
Speaker 1: Come did I I give up? I'll you well you

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01:41:18,640 --> 01:41:26,400
Speaker 1: I'm not counting. You made it back to sleep again.

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Speaker 1: Wonder what your dreamman,