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Speaker 1: Welcome back to Alchemy this. I'm your host, Kevin Pollock, Yes,

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Speaker 1: that Kevin Pollard. That which would I rather? Well, I

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Speaker 1: guess I'm gonna go with being Satan's fluffer dear pals

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Speaker 1: and gals. By definition, alchemy is quote when a person

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Speaker 1: or persons create something through a seemingly magical process. Well,

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Speaker 1: during a health storm last summer in Missoula, mon town

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Speaker 1: of the idea struck what I brought together the right

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Speaker 1: creative people and ask them to make stuff up based

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Speaker 1: on my own twisted ideas and the nonfertive podcast of

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Speaker 1: the seemingly magical process, and I would call it alchemy?

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Speaker 1: Is now really the time to breed dogs and chickens? Well,

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Speaker 1: people in nincom boots. After a bit of title tinkering,

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Speaker 1: I'm so very proud to present to you another episode,

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Speaker 1: Oh Alchemy. This, Let's meet our Alchemist, shall you? In

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Speaker 1: no particular order, say hello to Chris Oporado. Cree. How

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Speaker 1: will you know when you're there? I think I think

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Speaker 1: my bank account will let me know. It's all about

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Speaker 1: the most so very telling, blow the man down. It's greer,

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Speaker 1: greer me Seymour, are you hanging? Wait? What was my intro.

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Speaker 1: Blow the man down. Yeah, okay, oh hang um fucking

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Speaker 1: loose dude. Okay, all right, you want to work blue,

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Speaker 1: that's fine, kicking up, slow down your jam. It's Vanessa

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Speaker 1: Raglan Venetia. Have you been to Australian If so, what

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Speaker 1: surprised you? Oh? I have Canberra's boring. What I mean,

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Speaker 1: it's the capital and it's a little bit boring. But

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Speaker 1: the beautiful coast yeah yeah, super beautiful fan Yeah. Uh

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Speaker 1: well it's Greigkowski toime again. People. Okay, cow what's your

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Speaker 1: favorite color? And why isn't it c foam? It is mine?

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Speaker 1: Oh and you come to your certain sea foam captain

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Speaker 1: yesterday and you've done it again last but go screw you.

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Speaker 1: If you think of leash, Mr James C Jimmy, can

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Speaker 1: I call you Doctor Strange, then we think, wow, that's

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Speaker 1: one of my favorite Marvel superheroes. Absolutely can. I I

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Speaker 1: appreciate if you got to the car now and get

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Speaker 1: whatever Doctor Strange app that you have. I'll be right

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Speaker 1: back to lock the doors. Lock the doors, uh, Raphael,

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Speaker 1: I'd like the sound of someone leaving the room, locking

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Speaker 1: the doors and driving away. All right. Today's suggestion scene

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Speaker 1: suggestion come from your listener. Mail scene one was from

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Speaker 1: Cade Smith, who wrote, one time I was a witness

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Speaker 1: to a car accident which I had to write a

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Speaker 1: witness report for these small town cop who was on

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Speaker 1: his first week on the job. There was a woman

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Speaker 1: on the ground and her husband drove away, yelling I

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Speaker 1: don't have insurance. Meanwhile, meth lab exploded nearby and the

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Speaker 1: cop had to go see about that. He left me

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Speaker 1: in charge of the accident scene. I collected reports and

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Speaker 1: also helped the u D. Also, while waiting, a man

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Speaker 1: who had his head wrapped up in gauze approached me

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Speaker 1: and asked if I needed a witness uh to do

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Speaker 1: what happened because he saw the whole thing, apparently through gause.

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Speaker 1: So I finished up reports, slapped the back of the ambulance,

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Speaker 1: convinced the cop that the other person was the car

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Speaker 1: was totaled, and then went back to college. Oh we

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Speaker 1: now take you, Yes, Kate, that's Kate Smith. We now

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Speaker 1: take you to the What would you like to have

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Speaker 1: in the temperature or start the timer? I thought that

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Speaker 1: maybe the timer would be very helpful. You all have phones.

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Speaker 1: Thanks for not taking in my face. All right, we'll

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Speaker 1: take you to that accent or something like it. Stephanie,

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Speaker 1: get in my office right now, Stephanie, I'm here. How

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Speaker 1: long have you been on this police force? Have been

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Speaker 1: upwards of umpteen days? Teen days exactly. We're not sure.

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Speaker 1: In fact, I'm even sure you're on the books here.

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Speaker 1: I'm on the books. Yeah, I'm pretty sure I'm on

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Speaker 1: the books. I'm looking through the record here. You seem

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Speaker 1: wrote your name in everywhere I did, okay, using red ink. Okay,

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Speaker 1: that's not what we do here. I'm sorry. Yeah, you

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Speaker 1: should be stuff. Okay, you should be. Are you mad

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Speaker 1: about the other night? Or yeah? I am mad about

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Speaker 1: the other night? All right, you came into my house.

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Speaker 1: I seven did it with my family. Okay. You can't

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Speaker 1: just come up with me and just say I got

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Speaker 1: a new case, sergeant. All right, but you'd be happy

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Speaker 1: for me, I'm not. I am happy. Yes, I'm happy

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Speaker 1: for you. But these cases, I feel you're just coming

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Speaker 1: up with them. You meet people on the street, I'm

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Speaker 1: finding them, you're finding Okay, let me just go through

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Speaker 1: some of these cases and you. Okay, let's here we go. Okay.

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Speaker 1: Elderly woman on Elk Street, you said that she was mugged,

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Speaker 1: all right, she was. She was attacked by some dire

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Speaker 1: wolves or such. All right, that's what it looks like.

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Speaker 1: What it looks like. It was her dog. It was

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Speaker 1: her Yorkshire bitter and ankle ran away. We failed the animal. Okay,

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Speaker 1: that one case is closed, Yes, Stephanie, let's do another

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Speaker 1: one here. Streets are getting safer. So there was a

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Speaker 1: bank heist. I did say that a gentleman lost fifteen dollars.

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Speaker 1: That's correct. Okay, that's not a bank heist, is it.

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Speaker 1: It's not was he was near the bank, Okay, on

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Speaker 1: the same block as the bank, alright, where two weeks ago,

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Speaker 1: a few suspicious things were seen, including someone tagging a building. Someone.

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Speaker 1: Someone was tagging a building, So that seems like a

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Speaker 1: clue to a bank eist. Someone was tagging a building.

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Speaker 1: There was a clue to the bank. That's what I

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Speaker 1: put together. Okay, well, hold on, go on. This is

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Speaker 1: interesting about this. So I was on my morning jog

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Speaker 1: and I saw a young miss Grant. I wanted to

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Speaker 1: say any more than that, but like he could tell

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Speaker 1: he was bad by just looking at him, five around him.

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Speaker 1: I don't want to describe him because I feel no

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Speaker 1: I feel like that's like, you know, crossing one we

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Speaker 1: need a description of because I can't play into stereotypes.

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Speaker 1: You know what, who was? It was a man, a boy,

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Speaker 1: it was male? Okay, it was to my feeling, I

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Speaker 1: don't know. I mean that feels like who am I

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Speaker 1: to say? You have to say you are a police officer? Okay?

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Speaker 1: Well I the human um was you know, ish around

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Speaker 1: my tight? But you could just tell shifty. Okay, you

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Speaker 1: know what I'm putting you. Manetti on this case? Manetti,

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Speaker 1: get in here, Manetti, Yeah, all right, Manetti and Stephanie

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Speaker 1: you're on this case. No, I don't want to walk

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Speaker 1: with her. Look, Manetti, I don't give a god damn,

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Speaker 1: you got sixteen. Oh it's not great for you. It's

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Speaker 1: not great for me. I don't care who it's great for.

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Speaker 1: It's gonna be great for the city. You got that. Yes,

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Speaker 1: I get the hell out of here. I do not

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Speaker 1: don't talk to the captain. I'm the sergeant. Remembered that, Okay,

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Speaker 1: sargeant only ownly. The captain has been weird. All right,

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Speaker 1: let's go, No, Manetti, let's go. Fine, I'm driving, all right,

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Speaker 1: Oh interesting, I'll be I'll be driving as well. Right

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Speaker 1: beside you. I'll do a follow up. Yeah, who's driving?

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Speaker 1: You know what? Neither of you are driving? Take the segway.

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Speaker 1: I call Francis. What's going on? You too? Leaving? Leaving

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Speaker 1: for a case. Yes, let me in on it. Huh

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Speaker 1: oh captain, um, you know what? There's there's us scones

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Speaker 1: in the breakroom. Scones. Yeah, I wish we could tell

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Speaker 1: you about the Oh, is there clotted cream? I think

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Speaker 1: that they were bringing some clotted strawberries. I only like

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Speaker 1: to have the traditional British right, of course, you do,

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Speaker 1: you anglophile. Proud of both of you. Thank you. Well,

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Speaker 1: we gotta we gotta, we gotta, we gotta skip. Let

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Speaker 1: go on my shoulders. Sorry, my wife is all right.

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Speaker 1: Good luck. These segways ain't too bad? What the segways

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Speaker 1: ain't too bad? He was? I don't want to describe him. Okay,

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Speaker 1: wait wait wait wait, low down, slow down, slow down

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Speaker 1: slow look look look look it up. Look over there

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Speaker 1: a cat. No, no, I'm talking about the man's heavy cat.

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Speaker 1: The man behind them with the gun. Oh all right,

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Speaker 1: he looks suspicious. You get down from that damn tree

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Speaker 1: right now. I'll shoot you in the eye. Get down

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Speaker 1: from the tree. Get down from the What did I say, Sammy,

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Speaker 1: get down from the tree. Who wants treats or a

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Speaker 1: bullet in the eye? What's it gonna be? Backup? Definitely

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Speaker 1: called soft treats bold and let's go over this again,

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Speaker 1: my god, tasty treats, bold and the eye. You want

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Speaker 1: to take one like Mawgreen and the guyfathers. I was

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Speaker 1: telling me, Sammy, because that's what's gonna happen. I'm gonna

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Speaker 1: shoot you, all right. This is not a joke. You

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Speaker 1: got up there by yourself. Clearly you need to get

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Speaker 1: down by yourself. I ain't climbing up. Should we shoot him?

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Speaker 1: Draw your firearm? Do you not understand when I say

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Speaker 1: it's food time? You seem to understand me? Just all right?

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Speaker 1: So now I'm saying, get down from a damn tree.

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Speaker 1: What was that I'm going in, sir? Sir? Yeah, that's

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Speaker 1: freeze dried coffee. What the fun is going on with astronaut?

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Speaker 1: He's an astronaut? Yeah, but your hair, your well, you

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Speaker 1: have a gun that it's not a gun. What it

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Speaker 1: is that it's a water hose. I'm trying to get

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Speaker 1: my cat down from a tree. And I was going

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Speaker 1: to shoot him in the eye with the water hose. Alright, sir.

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Speaker 1: And then you too showed up on what bicycles would

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Speaker 1: know by a wheels? What are these? What does that?

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Speaker 1: What does that mean? Um? We gotta propel it with

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Speaker 1: our own to talk to this guy. Alright, Lieutenant Garrett,

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Speaker 1: here I was called for back up. There's a man

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Speaker 1: with a gun. Yeah, there's a hose connected to that nozzle. Yeah,

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Speaker 1: it's a lieutenant. Squeezeutenant, I'm think I'm losing. What are

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Speaker 1: you doing? I'm having put your gun? No, no, I

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Speaker 1: I don't think i'm fit anymore. Captin Sorry, Lieutenant Manettie

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Speaker 1: get ahold yourself. Stephanie, are you okay? I'm great. Still

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Speaker 1: worried about the cat. Could anyone please help me get

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Speaker 1: the cat down? I mean if you tried like a

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Speaker 1: kitty kitty kitty kind of thing. What is that? You

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Speaker 1: know you got kitty don't? The cat's name is Sammy.

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Speaker 1: It's gonna reply. I've worked with cats for you. Kitty

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Speaker 1: kitty kitty kitty in ing. Hey, Sam, I need a

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Speaker 1: I need a sandwich place. Hey, one of my specialty sandwiches. Sam.

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Speaker 1: You ever you ever have a day where you just

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Speaker 1: feel off. No, because every day I got open the

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Speaker 1: shop at six am and make sandwiches all day. It's

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Speaker 1: a great life and I'm feeding my family. Look at you, Sam,

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Speaker 1: m hmm, I ain't doing so hot. Uh huh. Today

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Speaker 1: I almost shot a man who was carrying a water hose.

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Speaker 1: I I asked my partner to dry her gun. You

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Speaker 1: want the mootsarel, you have the mood. Sixteen days I

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Speaker 1: have left? H just what why are you? Why is

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Speaker 1: everybody in this dinner laughing at me? Face? These guys

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Speaker 1: Mozarella's good old. Can somebody play a tiny violet? I'm

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Speaker 1: losing my mind. I thought i'd find you here, Lieutenant.

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Speaker 1: You've only got sixteen days left. You gotta pull yourself together.

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Speaker 1: I don't know, I don't know if I can exposition

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Speaker 1: this is This is a private matter with police department. Yeah,

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Speaker 1: you're in a public space, Shay, sammy Les, get the roots,

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Speaker 1: all right, get the roots. Take it easy on the

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Speaker 1: school to pay you man Eddie. Why do you come

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Speaker 1: to this deli all the time? Well? Sam is uh,

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Speaker 1: he is a source of comfort for me. It seems

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Speaker 1: like they specifically harass you, but it's like cheers, like

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Speaker 1: the anti cheers. Yeah, it's really like the anti cheers.

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Speaker 1: These guys are jeering you. Yeah, you want you want you,

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Speaker 1: you want your sandwich? Cutting half like much respect this

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Speaker 1: this this My grandmother was tasted like that. No, man,

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Speaker 1: you don't deserve this holy ship. Come on, a fine

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Speaker 1: police officer, he's sixteen days from retirement. You know what,

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Speaker 1: give me a sandwich for free. Maybe, yeah, you know,

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Speaker 1: in the honor of your service and whatnot, use the

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Speaker 1: sandwich and then go get your I'm let's get out

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Speaker 1: of let's get out of here. Changing, changing, Pappa, Sam,

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Speaker 1: Pappa Sama? What what is it? Tino? Papa? What is it? Tino? Hungry?

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Speaker 1: You as feed us your feeds? Papa? You didn't give

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Speaker 1: a one no sandwiches today. I gave away a sandwich. Yeah,

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Speaker 1: I'm so sorry. I'm so sorry. I didn't know. I

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Speaker 1: didn't make any money. Swich where we get what happens?

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Speaker 1: It looks like this, uh, this family, this Italian sandwich

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Speaker 1: film got right over. What are you talking about? I'm

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Speaker 1: talking about a crime scene here? Sorry, everything, do you

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Speaker 1: need a witness? Jesus Christy, it's not a lot of guys.

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Speaker 1: If you've seen. How about your head on it last week?

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Speaker 1: A way opposite opposite had a little too much played

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Speaker 1: the whole thing you did. Yeah, okay, so what exactly happened?

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Speaker 1: You want to get at your notepad? Maybe maybe we

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Speaker 1: don't have to yell each other, but maybe we both time.

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Speaker 1: You do the right and I do the listening. I'm

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Speaker 1: just saying that we both can do this. Do the listening.

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Speaker 1: We both do listening. Okay, I have to listen to

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Speaker 1: write it down. Hey, lieutenant, I just got uh, I

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Speaker 1: just see here on my phone a car drove through

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Speaker 1: sam sandwich shot. Yeah, that sandwich shot that they treated

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Speaker 1: you like. And now everyone, everyone there's dead. Yeah exactly

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Speaker 1: that could have been me. Were you thinking that should happen?

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Speaker 1: Who are you? Sir? I'm just wow. This is a

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Speaker 1: private police I thought it was. Okay, okay, what's going on? Everyone?

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Speaker 1: I think I can help with what the fun is going? One? Tennant?

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Speaker 1: You have this under control? I got it, Captain, Okay, Actually, Minetti,

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Speaker 1: here's feeling bad? Captain? It's fine. Um, why don't there's

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Speaker 1: fresh blueberry? Um? What's British? What's fresh blueberry? That sounds wonderful.

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Speaker 1: I think my son doesn't understand me. You really know

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Speaker 1: how to work with him pretty well. Oh it's no problem.

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Speaker 1: I have a really bonker's family. But Eddie, back to

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Speaker 1: what you were saying, I'm just saying I thought about

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Speaker 1: the car driving happened. Oh I was, I was. I

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Speaker 1: was there moments before and then and then I talked.

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Speaker 1: You think you were saved for purpose. I think we

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Speaker 1: should have got You're sixteen days out. You want to extend.

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Speaker 1: I want to extend, you want to extend. I want

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Speaker 1: to be seven teen days lieutenant. Oh alright, everybody calmed down.

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Speaker 1: I just got you, I just got you. Holy just

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Speaker 1: spending four hours this one. I think my first I

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Speaker 1: uh matter of business should be to figure out what

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Speaker 1: happened over at Sam's. Sure alright? And also on the case,

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Speaker 1: where am I still in the bankais or the tagging guy?

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Speaker 1: What do you guys want me on? I've been finding

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Speaker 1: cases everywhere, the tagging suge but around the thing. This

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Speaker 1: is what's gonna go down, all right, this is what's

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Speaker 1: gonna happen. Stephanetti, I want both of you to go

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Speaker 1: deal with that temple case way, don't fall in love? Yeah, anyway,

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Speaker 1: some occult ship going down there, apparently trying to raise

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Speaker 1: the dead. Random gentleman and lieutenant. I want you too

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Speaker 1: to go down and check out the Sam issue. Okay, captain,

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Speaker 1: Captain please in the other room drinking right, Captain, just

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Speaker 1: stay in there, all right, the gap Captain. Let's go

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Speaker 1: to scene too, shall we. This one, weirdly also requested

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Speaker 1: by Kate Smith. He had a couple of good ones. Yeah,

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Speaker 1: maybe not assumed that he could be today. I was

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Speaker 1: thinking today Smith, Uh, far less details than his first one.

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Speaker 1: He simply suggests the writer's room at the w w

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Speaker 1: E headquarters where they can come up with wrestler names

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Speaker 1: and backstories for the wrestlers. And then I would add,

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Speaker 1: maybe add to this that perhaps once the names and

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Speaker 1: backstories have been created in the writer's room, that they

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Speaker 1: interview a couple of potential people to portrays said created

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Speaker 1: WWE wrestlers. We take you there. Now, I'm just spitballing.

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Speaker 1: I think everything needs a hot flat How about this

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Speaker 1: flat feet flat feet story? Well, let's let's let's toss

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Speaker 1: it around. Is a military dodger? Oh no, that's interesting drama.

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Speaker 1: He got dodge based on his flat feet. He had

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Speaker 1: flat feet and couldn't serve. But is that a hero

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Speaker 1: that the kids are going to really? Yeah, the villains

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Speaker 1: gotta have the villains flat feet and it comes out

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Speaker 1: and he has trouble walking. I think we should probably

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Speaker 1: get it to get the heart of his motivation. Though,

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Speaker 1: what are you thinking? Is the flat feet leading him

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Speaker 1: to villainy or is it merely a fatal flaw? I mean, Randolph, basically,

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Speaker 1: that's what I was saying. But now with your accident,

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Speaker 1: everyone's going to give you credit saying, yeah, Bill Shakespeare,

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Speaker 1: why don't you take it from here? Okay? So flat

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Speaker 1: Feet has a tragic backstory starting with starting with the

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Speaker 1: death of his parents at an early age that he witnessed,

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Speaker 1: that he witnessed. Did he do it? Perhaps we can

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Speaker 1: leave that ambiguity, but we will have to make that

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Speaker 1: decision down the line. Right, Maybe the hero of the

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Speaker 1: wrestler finds out and brings it into the ring and

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Speaker 1: absolutely killed your parents. So it grows up with a

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Speaker 1: lot of pain, Yes, yes, a lot of pain, a

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Speaker 1: lot of pain. Never went to school, but big inheritance?

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Speaker 1: Did he get a big inheritance? Yes? It feels like Batman.

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Speaker 1: I'm gonna be honest with you. It's starting to feel

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Speaker 1: a little Bruce Wayne, Yes, did Batman draft touch? I

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Speaker 1: don't know for paid himself out of that? I'm sure

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Speaker 1: he was very wealthy. You can't pay yourself out of

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Speaker 1: the draft. Men, do you want to look that up

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Speaker 1: for us? Place on it? Thank you many. Wait a second,

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Speaker 1: so I'll take a second. Did Batman was Bruce Wayne

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Speaker 1: to draft? Draft that? He was? Well? Look at that,

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Speaker 1: look at that. It's been done. Well, I'm just not

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Speaker 1: sure that they have Batman. And where are you from? Well,

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Speaker 1: just London? Yeah, do they have Batman in London? Yes?

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Speaker 1: They do. Okay, well they didn't have no excuse? Okay,

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Speaker 1: was platiarism. We've got to watch. Look, I apologize every

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Speaker 1: time I propose a new character. It's the Batman backstory.

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Speaker 1: And listen, this is a safe room, all right, So

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Speaker 1: there's no bad ideas. Let's get off flatfoot. Let's go

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Speaker 1: on to another one. Jim, Jim, you had an idea.

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Speaker 1: I got an idea. All right. This guy is called

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Speaker 1: the snake King, good name name, Snake King. Alright, what's

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Speaker 1: gonna happen is we're gonna take this guy. We're gonna

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Speaker 1: a woman where we don't know. Yeah, right, but King

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Speaker 1: could be what and we're gonna, you know, sow live

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Speaker 1: snakes into their skin, right, so they're gonna be part

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Speaker 1: of their finishing move. You want the snakes under the skin? No, no, no,

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Speaker 1: on top outside, kind of like medusable hanging offto snakes.

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Speaker 1: Snakes hanging off the skin, live snakes, Mandy, can you please?

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Speaker 1: You can't do it? Of course you can't know, you can't,

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Speaker 1: so snakes on someone? Stop? Have you ever talked to Peter?

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Speaker 1: Have you ever been on a call with They're going

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Speaker 1: to eat you a lot? I'm sure that they're not,

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Speaker 1: because I'm they're not gonna eat me, Mandy. Anybody got

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Speaker 1: snakes hanging off him? No? If he could have some

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00:21:04,720 --> 00:21:09,080
Speaker 1: sort of utility belt that would like that. We just

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Speaker 1: want to recap a quick recap here. So we have

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Speaker 1: a flat foot snake king. Prior to that we had

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Speaker 1: Meterman and uh say what you say it's embarrassing. No,

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Speaker 1: it's not embarrassing. There's nothing embarrassing about the human body. Okay,

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Speaker 1: and the big butt boy, I think we should go

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Speaker 1: back there big butt boy just for a second, because Bill,

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Speaker 1: you said he was going to knock people down with

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Speaker 1: his big butt and he had that old man is

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Speaker 1: the Yes, yes, he has a butler who works with him.

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Speaker 1: I see like that and uh, and then he'll go

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Speaker 1: into the butt cave and then the old man goes

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Speaker 1: into the bat But that's what I'm asking big, big,

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00:21:57,320 --> 00:22:00,440
Speaker 1: big butt boy can drive the buttmobile directly. Like I've

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Speaker 1: seen a pornography film that was a parody of Batman. Title. Well,

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Speaker 1: I'm in the top on the latest pornography. What's the

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Speaker 1: name of the film. What's the title, big but bad boy.

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Speaker 1: He does he can't talk about I don't feel safe.

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Speaker 1: You can't talk about porn in here? Can we stop

348
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Speaker 1: with the porn talk? I think it's a big inspiration.

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Speaker 1: And you bring me in the writing room, I bring

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Speaker 1: my experience. I know I'm just taking notes here, but

351
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Speaker 1: we have a big pay per view subscription base that

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Speaker 1: we need to satisfy. You need to come up with

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Speaker 1: two or three strong characters right now because we have

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Speaker 1: two men outside. I'm sorry, we have two men outside

355
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Speaker 1: who are waiting to to to take on their new

356
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Speaker 1: PERSONA got into Mendy familiar with take control, Mendy. I

357
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Speaker 1: just had secretary something about, yeah, take control to take

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Speaker 1: control six like hungry, psychotic no no offense and crazy cycles.

359
00:23:08,600 --> 00:23:12,440
Speaker 1: Psychle takes control of every situation. Oh, her glasses have

360
00:23:12,600 --> 00:23:15,639
Speaker 1: like a dagger glasses and she shows up with two

361
00:23:15,720 --> 00:23:19,399
Speaker 1: guys waiting outside. That's happening right now. She's got a

362
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Speaker 1: grinding at the moment, like she uses the laptop to

363
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Speaker 1: knock people down. And just a keyboard some kind of

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Speaker 1: clear your schedule, go ahead, some kind of signal in

365
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Speaker 1: the sky. Yes, yes, like that. Okay, so we like you, secretary,

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00:23:35,960 --> 00:23:39,119
Speaker 1: read back what we got for Secretary, got it. So

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Speaker 1: she's she wears glasses, she wants to take control of everything.

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Speaker 1: She's got a grinding voice. She knocks people down with

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Speaker 1: her laptop, just the just the keyboard. Yeah, people schedule,

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00:23:52,400 --> 00:23:54,919
Speaker 1: that's one of the cats. I'm gonna clear. I'm going

371
00:23:55,000 --> 00:23:57,440
Speaker 1: to clear your schedule, you know, like leaps of building

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Speaker 1: in a single bound clears your schedule. A couple of

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00:24:00,200 --> 00:24:05,760
Speaker 1: single building in a signal, you know what, maybe leases

374
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Speaker 1: the building. Many Yeah, that was that Jewish superhero. I

375
00:24:12,000 --> 00:24:15,240
Speaker 1: was telling you guys about Superman and you didn't like

376
00:24:15,359 --> 00:24:19,760
Speaker 1: the idea. Iman. Yeah, right, it's a Superman. We have Superman.

377
00:24:19,800 --> 00:24:27,800
Speaker 1: Superman Superman, Superman, Yeah, Superman. Well, um, if you'd like,

378
00:24:27,880 --> 00:24:30,159
Speaker 1: I can bring in the two gentlemen. Yeah, let's bring them.

379
00:24:30,400 --> 00:24:38,679
Speaker 1: Maybe which persona fits persona personae? Alright, that's a thing,

380
00:24:39,200 --> 00:24:41,480
Speaker 1: that's the thing. But that's got nothing to do with that.

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Speaker 1: I'm just a secretary, secretary, secretary, Okay, I'll bring them in. Okay,

382
00:24:48,240 --> 00:24:50,040
Speaker 1: are we ready for this? Prime way? These guys are

383
00:24:50,080 --> 00:24:52,840
Speaker 1: coming in. I think the pressure secretary is putting on us.

384
00:24:52,920 --> 00:24:55,040
Speaker 1: It's okay, yeah, I think the pressure is on the individual.

385
00:24:55,080 --> 00:24:57,199
Speaker 1: I why don't you lead it that? Alright, Jim, Okay,

386
00:24:57,960 --> 00:25:01,280
Speaker 1: all right, let's do it. All right? What a good

387
00:25:01,359 --> 00:25:06,680
Speaker 1: Hi boys, Hi? Hi's you. I'm the secretary here. You

388
00:25:06,800 --> 00:25:08,960
Speaker 1: know I'm supposed to be in here for the w

389
00:25:09,320 --> 00:25:12,760
Speaker 1: w E audition. Oh I know why you're here. Sorry?

390
00:25:13,800 --> 00:25:19,000
Speaker 1: And oh tag tag team. We're definitely looking for tag teams. Set.

391
00:25:19,880 --> 00:25:23,359
Speaker 1: So here's the thing. We know that you already have

392
00:25:23,560 --> 00:25:26,920
Speaker 1: your thing. We know that you've done the indie circuits

393
00:25:27,000 --> 00:25:31,120
Speaker 1: and you've even built a following. We gotta follow him.

394
00:25:31,400 --> 00:25:35,720
Speaker 1: We're gonna change that. We have a couple of other

395
00:25:36,040 --> 00:25:41,320
Speaker 1: personas for you to try on. Change. I don't change. Well,

396
00:25:41,400 --> 00:25:43,720
Speaker 1: this is the w w E. This is the big show.

397
00:25:44,480 --> 00:25:46,800
Speaker 1: This is going to be interchangeable with ringworm tape form.

398
00:25:47,280 --> 00:25:51,879
Speaker 1: I'm just the secretary. They're ready to see you now,

399
00:25:52,680 --> 00:26:00,439
Speaker 1: right now, we make sure that a gentleman, Hello, gentlemen,

400
00:26:00,680 --> 00:26:05,640
Speaker 1: lady and gentlemen. You know these cells. Would you mind

401
00:26:05,680 --> 00:26:09,040
Speaker 1: taking your shoes off? Please choose them over. It's the

402
00:26:09,119 --> 00:26:11,840
Speaker 1: new carpet. Sorry, I got sorry, I got dirt on

403
00:26:11,920 --> 00:26:14,840
Speaker 1: my boots. Yeah, exactly, a lot of dirt on your boots.

404
00:26:14,840 --> 00:26:17,000
Speaker 1: I don't know what you want. You got dirt under

405
00:26:17,080 --> 00:26:20,840
Speaker 1: the boots to look at those scary dirty toes. Yeah,

406
00:26:20,920 --> 00:26:24,560
Speaker 1: I got dirt everywhere. We're from the country. They have

407
00:26:24,760 --> 00:26:27,440
Speaker 1: socks in the country. Well, it's a little extra patty

408
00:26:27,480 --> 00:26:30,200
Speaker 1: between the shoe and your foot. Well, I know what

409
00:26:30,359 --> 00:26:32,159
Speaker 1: socks are you. We have them, but we don't use

410
00:26:32,240 --> 00:26:34,040
Speaker 1: them because we usually have shoes on it. It's waste

411
00:26:34,080 --> 00:26:37,120
Speaker 1: before both all right, fellas, we've got a couple of characters.

412
00:26:37,160 --> 00:26:38,919
Speaker 1: We'd like to run passion and see what you can

413
00:26:38,960 --> 00:26:40,679
Speaker 1: make it. We've been doing our thing for so long.

414
00:26:40,760 --> 00:26:44,440
Speaker 1: I don't know. We want to change them. No, you

415
00:26:44,480 --> 00:26:46,800
Speaker 1: don't want to further your career. Do you want to

416
00:26:46,840 --> 00:26:49,119
Speaker 1: further your career, yes or no? Yes or no? You

417
00:26:49,160 --> 00:26:50,920
Speaker 1: want to keep fighting a little mud pits in the

418
00:26:50,960 --> 00:26:54,879
Speaker 1: middle of but nowhere, Okay, then get ready to act voice.

419
00:26:55,160 --> 00:27:01,800
Speaker 1: I think he does nowhere alright, so I'll hear him out.

420
00:27:01,960 --> 00:27:04,920
Speaker 1: I'll hear him out alright, alright, what's just that we've

421
00:27:04,960 --> 00:27:07,280
Speaker 1: seen what you guys have been doing for seventeen years

422
00:27:07,840 --> 00:27:11,000
Speaker 1: and uh it's backyard wrestling. That's I'm sorry? Can I

423
00:27:11,040 --> 00:27:13,119
Speaker 1: talk to my people for a second? I thought I

424
00:27:13,160 --> 00:27:16,080
Speaker 1: was gonna lead this? Why do we want? You didn't

425
00:27:16,119 --> 00:27:18,440
Speaker 1: say one thing. I understand that, but like I feel

426
00:27:18,480 --> 00:27:19,960
Speaker 1: like I was supposed to lead it, and then I

427
00:27:20,040 --> 00:27:22,640
Speaker 1: haven't said a word yet. That's on you. Let's try

428
00:27:22,760 --> 00:27:26,560
Speaker 1: that version. Let's try that version. Oh great, great, So

429
00:27:26,640 --> 00:27:28,640
Speaker 1: we're making so we're done here were I can't even

430
00:27:28,680 --> 00:27:33,480
Speaker 1: we're done talking one thing? I say, what are you saying?

431
00:27:33,520 --> 00:27:35,760
Speaker 1: One thing? And then then they have more qualifications to

432
00:27:35,800 --> 00:27:40,280
Speaker 1: be here than you do in this business for fourteen years? Okay,

433
00:27:40,600 --> 00:27:42,320
Speaker 1: s does you want to lead it? Do you want?

434
00:27:42,440 --> 00:27:48,680
Speaker 1: I would love to, alright, you know that's what the

435
00:27:48,760 --> 00:27:52,960
Speaker 1: leader does. The leader does that? Fascinating. Maybe Captain Cave,

436
00:27:53,080 --> 00:27:56,280
Speaker 1: what's the maybe a character Captain cave. Well, the guy

437
00:27:56,400 --> 00:27:59,600
Speaker 1: just caves no matter what happened. Are you talking to me? Great?

438
00:27:59,600 --> 00:28:01,720
Speaker 1: That's me? Is that for me? Is that for me?

439
00:28:01,840 --> 00:28:05,320
Speaker 1: Is that? Who's that guy? What hadn't you talked before?

440
00:28:06,680 --> 00:28:09,680
Speaker 1: I'm an executive here, Okay, I'm one of the character creators. Okay,

441
00:28:09,680 --> 00:28:11,959
Speaker 1: I'll take over from here. So mindy, gun ahead, right,

442
00:28:13,200 --> 00:28:19,119
Speaker 1: you're probably familiar with the actual necessary. I don't know.

443
00:28:19,280 --> 00:28:20,600
Speaker 1: Was that me? It could have been it could have

444
00:28:20,640 --> 00:28:24,040
Speaker 1: been a chair. It was Oh funny, Now we all know. Huh.

445
00:28:24,280 --> 00:28:26,359
Speaker 1: I guess I'm out of it. I guess everyone knows

446
00:28:26,440 --> 00:28:31,000
Speaker 1: it was me. Who did it? Excuse those fellows? Lloyd,

447
00:28:31,080 --> 00:28:33,080
Speaker 1: what's going on? What did you tell me? Huh? Is

448
00:28:33,160 --> 00:28:36,600
Speaker 1: it Mendy? Oh no, it's not Mandy It maybe maybe, maybe,

449
00:28:36,720 --> 00:28:38,920
Speaker 1: maybe everyone? Maybe everyone's a piece of ship. Lloyd, you

450
00:28:39,000 --> 00:28:41,960
Speaker 1: have a snake? Tell me out of your neck? Yeah?

451
00:28:42,080 --> 00:28:43,600
Speaker 1: Maybe I want a little above and beyond here, and

452
00:28:43,600 --> 00:28:45,240
Speaker 1: I want to show you a prototype of the character.

453
00:28:45,280 --> 00:28:47,680
Speaker 1: I'm thinking of what Nick King is legit? What's the

454
00:28:48,160 --> 00:28:50,120
Speaker 1: name snake? The snake doesn't have a name. You might

455
00:28:50,160 --> 00:28:53,080
Speaker 1: be pretty shirt back on? My shirt needs to be off.

456
00:28:53,120 --> 00:28:55,200
Speaker 1: I'm getting not wait, you turned into the into the

457
00:28:55,240 --> 00:28:59,240
Speaker 1: snake came. What's happening? And what's happening? Oh my god?

458
00:29:00,000 --> 00:29:05,160
Speaker 1: You tapework up, ship fellow. It's time to do your

459
00:29:05,240 --> 00:29:08,240
Speaker 1: try your magic moves, but a whole lot before you do,

460
00:29:08,320 --> 00:29:13,280
Speaker 1: you're not ring working worm and tapework your butt boy secretary,

461
00:29:13,480 --> 00:29:20,200
Speaker 1: go get it. But they kicked down. Put him down, Okay,

462
00:29:23,640 --> 00:29:26,959
Speaker 1: don't drow up on the put him grab him. Well

463
00:29:27,000 --> 00:29:30,680
Speaker 1: he's not. He's not playing along with my moods. I'm

464
00:29:30,680 --> 00:29:33,720
Speaker 1: gonna get all up and your intestine to be a parriside.

465
00:29:33,840 --> 00:29:38,880
Speaker 1: That's all I know. It's all I know. Listening not

466
00:29:39,320 --> 00:29:41,840
Speaker 1: going great. I'm sorry. Can I can I get the

467
00:29:42,600 --> 00:29:48,280
Speaker 1: butt boy and snaking T shirts? Please? Yeah? Absolutely? Fifty apiece,

468
00:29:48,880 --> 00:29:56,920
Speaker 1: a big credit card, a cash okay, Jesus Christ, okay,

469
00:29:57,720 --> 00:30:05,520
Speaker 1: all right here here thanks Visa. All right. Declaimed cretic

470
00:30:05,680 --> 00:30:09,920
Speaker 1: has been declined. Betty likes cash, so I love cash.

471
00:30:12,720 --> 00:30:14,440
Speaker 1: I can break it. I can break it on the

472
00:30:14,520 --> 00:30:18,320
Speaker 1: knot out, but we don't have change. That's what you're

473
00:30:18,360 --> 00:30:19,840
Speaker 1: looking then, I think we're going to have to skip

474
00:30:19,920 --> 00:30:21,600
Speaker 1: the shirt. You Now, if you just add three more

475
00:30:21,640 --> 00:30:23,240
Speaker 1: crop tops, that's going to hit you at a hundred.

476
00:30:23,360 --> 00:30:27,040
Speaker 1: She's got a good point. You could sell the crop

477
00:30:27,120 --> 00:30:29,000
Speaker 1: tops after you leave here. That we don't care what

478
00:30:29,080 --> 00:30:34,080
Speaker 1: you're doing. We don't care Christmas gifts, Birthday gifts, East

479
00:30:34,120 --> 00:30:36,360
Speaker 1: to gift, great East to give. I feel like there's

480
00:30:36,360 --> 00:30:39,640
Speaker 1: a lot of pressure on this sale here, and we

481
00:30:39,680 --> 00:30:41,040
Speaker 1: don't want to break your kids. We just don't want

482
00:30:41,040 --> 00:30:42,960
Speaker 1: to break kids. Maybe you want to break its, sorry,

483
00:30:42,960 --> 00:30:47,120
Speaker 1: but we'd rather not. He who doesn't love who loves boy? Well, dad,

484
00:30:47,200 --> 00:30:50,680
Speaker 1: do you really need this shirt? Kind of question? He does?

485
00:30:50,760 --> 00:30:55,120
Speaker 1: Look at that kids? Fine here, thank you, Thank you, Jo,

486
00:30:55,840 --> 00:30:58,640
Speaker 1: thank you. Get a hot dog over there. I don't

487
00:30:58,680 --> 00:31:03,560
Speaker 1: have any more money. That was such a cool match.

488
00:31:04,280 --> 00:31:08,520
Speaker 1: I really enjoyed the fights. I was cool. You're the

489
00:31:09,160 --> 00:31:11,960
Speaker 1: best big brother I have ever had. My last big

490
00:31:12,000 --> 00:31:16,240
Speaker 1: brother took me to bowling. This is way cooler, good good.

491
00:31:16,600 --> 00:31:21,080
Speaker 1: I'm glad you like man. I wish you were. This

492
00:31:21,160 --> 00:31:22,640
Speaker 1: is gonna be weird. I wish you were my real

493
00:31:22,760 --> 00:31:25,120
Speaker 1: big brother. Well, you know you knew what you signed

494
00:31:25,160 --> 00:31:27,200
Speaker 1: up for when it started. Well, I didn't sign up

495
00:31:27,200 --> 00:31:32,320
Speaker 1: the city sign me up? Okay, I mean you went

496
00:31:32,400 --> 00:31:34,600
Speaker 1: some cod candy. Know who's your favorite? Is a boy

497
00:31:34,720 --> 00:31:37,800
Speaker 1: or the snake king snaking. Oh he's mine too, He's

498
00:31:37,840 --> 00:31:44,920
Speaker 1: mine too. Would you like another Manhattan up with a twist? Absolutely? Man,

499
00:31:45,000 --> 00:31:47,000
Speaker 1: it would be so crazy if like, instead of you

500
00:31:47,120 --> 00:31:50,320
Speaker 1: dropped me off back at the home, that if like

501
00:31:50,480 --> 00:31:52,640
Speaker 1: we like hung out, we went to your place and

502
00:31:52,720 --> 00:31:56,640
Speaker 1: I spend the night there, that would be oh man, yeah, yeah,

503
00:31:56,720 --> 00:31:59,840
Speaker 1: that would be uh. I mean I'm kind of between places.

504
00:32:00,440 --> 00:32:05,880
Speaker 1: So I'm totally used to that. What's that? I'm used

505
00:32:05,880 --> 00:32:08,880
Speaker 1: to that? Sorry? So I got a text? Oh yeah,

506
00:32:08,920 --> 00:32:13,440
Speaker 1: no problem, snaking and a snaking and here you are

507
00:32:13,520 --> 00:32:16,320
Speaker 1: and still nothing for your friend. He's not my friend,

508
00:32:16,920 --> 00:32:20,840
Speaker 1: he's my brother. He's my brother. How long have you

509
00:32:20,920 --> 00:32:24,840
Speaker 1: worked here? Oh? Seven months? Yeah, it's been the best

510
00:32:24,880 --> 00:32:28,560
Speaker 1: of times and the worst of times. I love your suit.

511
00:32:28,720 --> 00:32:34,200
Speaker 1: Oh thank you. I'm a kind of hungerd oh he

512
00:32:34,280 --> 00:32:38,120
Speaker 1: said nothing for you? Oh do you want to give

513
00:32:38,160 --> 00:32:44,320
Speaker 1: him something? Who's that? Oh? I'm sorry, my mistake. I

514
00:32:44,440 --> 00:32:47,360
Speaker 1: get off in about thirty minutes, no reason. Let's make

515
00:32:47,400 --> 00:32:52,760
Speaker 1: it fifteen. Who do you like better? But? Boy, are snaking?

516
00:32:53,440 --> 00:32:57,320
Speaker 1: Pardon me? Watch this. I'm gonna do the sneaking. Snap

517
00:32:57,400 --> 00:33:02,240
Speaker 1: snap snap snap stap. Cool. He's he's like my brother.

518
00:33:02,440 --> 00:33:05,920
Speaker 1: And he likes a sneaking too. Not no, no, no no,

519
00:33:07,240 --> 00:33:10,200
Speaker 1: not like my blood, but like he really helps me out.

520
00:33:11,000 --> 00:33:13,680
Speaker 1: You've heard of court ordered community service, right, I have?

521
00:33:13,920 --> 00:33:17,640
Speaker 1: He has very familiar myself. Do you want to get

522
00:33:17,680 --> 00:33:20,120
Speaker 1: out of here? Yeah, let's go? All right, cool, let's go.

523
00:33:20,200 --> 00:33:24,200
Speaker 1: Where are we going? Where? Where are we going? A

524
00:33:24,320 --> 00:33:26,760
Speaker 1: little boy? I can't have you just a room in

525
00:33:26,760 --> 00:33:30,120
Speaker 1: the halls here alone is a parent or guarding around?

526
00:33:30,640 --> 00:33:36,920
Speaker 1: Uh yeah, well where are there there? Peen? Hey, where's

527
00:33:36,920 --> 00:33:38,920
Speaker 1: the ice machine? Ice machine? It's gonna be right there

528
00:33:38,920 --> 00:33:41,560
Speaker 1: behind the lockers. Look at that. That's that's my uncle.

529
00:33:41,840 --> 00:33:43,840
Speaker 1: That's your uncle. Yeah, we were looking for ice. Well,

530
00:33:43,880 --> 00:33:48,000
Speaker 1: he didn't make eye contact with you. We're playing a game. Okay,

531
00:33:48,320 --> 00:33:52,320
Speaker 1: we're playing a game. What is his name? But boy?

532
00:33:52,960 --> 00:33:56,160
Speaker 1: But his name is but Boy. Well, yeah, we were

533
00:33:56,160 --> 00:33:59,080
Speaker 1: playing a game and I'm the sneaking and he's but boy,

534
00:33:59,160 --> 00:34:01,840
Speaker 1: and so he's mad at me, so he's not so

535
00:34:02,040 --> 00:34:05,080
Speaker 1: so I'm gonna go, Hey, if you don't have a guardian,

536
00:34:05,480 --> 00:34:07,600
Speaker 1: we're gonna have to lock you up. What do you

537
00:34:07,680 --> 00:34:10,479
Speaker 1: mean all right, there's no one here to score you around.

538
00:34:10,480 --> 00:34:12,160
Speaker 1: We're gonna to put you a little kid, prison. All right,

539
00:34:12,680 --> 00:34:18,319
Speaker 1: there's a little kid prison. Sorry hello, yeah, but how late?

540
00:34:18,480 --> 00:34:24,719
Speaker 1: Room servers? Rooms? Hold on one second? Hello yeah. Room

541
00:34:24,760 --> 00:34:28,080
Speaker 1: service goes all night until eleven, all night until eleven,

542
00:34:29,160 --> 00:34:31,319
Speaker 1: all night until eleven am. Well that's not all nine,

543
00:34:31,880 --> 00:34:34,960
Speaker 1: but it is all night. It goes until eleven am. Well,

544
00:34:35,040 --> 00:34:36,960
Speaker 1: I understand if you go to bed at eleven nights

545
00:34:37,080 --> 00:34:40,240
Speaker 1: all night. I'd like to have a pizza about one am,

546
00:34:40,360 --> 00:34:44,800
Speaker 1: but you can. It's eleven am. Oh goes to eleven am.

547
00:34:47,160 --> 00:34:49,080
Speaker 1: I don't think. I just say yea, yeah, I did

548
00:34:49,280 --> 00:34:54,560
Speaker 1: several times. What's your name again? My name is all right?

549
00:34:55,000 --> 00:34:59,000
Speaker 1: M okay, you got a littlelaw on you. I'll call back. Okay,

550
00:35:00,200 --> 00:35:04,439
Speaker 1: this is kid prison. Hug. Yeah. I thought you guys

551
00:35:04,440 --> 00:35:09,640
Speaker 1: are gonna be tougher, but you're not. You don't know jesus, Hey, hi,

552
00:35:11,440 --> 00:35:15,080
Speaker 1: you smoke? How are you? I'm about five going on

553
00:35:15,360 --> 00:35:20,160
Speaker 1: fifty's been here the longest. I kind of look up

554
00:35:20,200 --> 00:35:23,879
Speaker 1: to her. I got sticky everything. What did you guys

555
00:35:23,920 --> 00:35:25,920
Speaker 1: do to get in here? What was your crimes? I

556
00:35:26,040 --> 00:35:31,320
Speaker 1: just was on accompanied in a same thing. I was

557
00:35:31,400 --> 00:35:34,920
Speaker 1: on a company in a toilet stall. Well, you shouldn't

558
00:35:34,920 --> 00:35:37,560
Speaker 1: be accompanied in a toilet stall anyway, That's what I said.

559
00:35:37,719 --> 00:35:43,560
Speaker 1: I kind of ladies, Achilles. He listen up creative artistry

560
00:35:43,600 --> 00:35:49,040
Speaker 1: in fifteen minutes. You hear that? Why? Why why are

561
00:35:49,080 --> 00:35:53,680
Speaker 1: we even why are we even look like making macaroni necklaces? No,

562
00:35:54,000 --> 00:35:57,200
Speaker 1: you're just your institutional I mean, look at your little fingers.

563
00:35:58,600 --> 00:36:03,520
Speaker 1: Oh my, you have anything. I'm like the Snake King.

564
00:36:03,600 --> 00:36:07,520
Speaker 1: You guys like the snake King? What then? He's my

565
00:36:07,560 --> 00:36:09,880
Speaker 1: favorite wrestler. You know what he would do in this situation,

566
00:36:10,200 --> 00:36:12,840
Speaker 1: He bust on out? Why are you show you what

567
00:36:12,880 --> 00:36:15,920
Speaker 1: that would look? Ye, it's bust out. It's just a

568
00:36:15,960 --> 00:36:18,960
Speaker 1: sliding glass door. We could just open it. We could

569
00:36:19,000 --> 00:36:23,520
Speaker 1: just open we could just open it. Why I'm doing it?

570
00:36:24,480 --> 00:36:27,000
Speaker 1: But one thing, I'm not gonna look back. I'm gonna

571
00:36:27,040 --> 00:36:29,440
Speaker 1: walk out. So if you're behind me, that's on you.

572
00:36:29,800 --> 00:36:31,520
Speaker 1: All right, I'm gonna come with you. But let me

573
00:36:31,600 --> 00:36:35,040
Speaker 1: warn you. Every child that's left here on a company

574
00:36:35,520 --> 00:36:40,239
Speaker 1: has face certain do so it's risky. The guards are

575
00:36:40,360 --> 00:36:43,640
Speaker 1: not friendly. You make mcroney necklaces and you keep your

576
00:36:43,680 --> 00:36:51,360
Speaker 1: head down. The snaking would say to that, Okay, Margot,

577
00:36:51,440 --> 00:36:53,480
Speaker 1: do you don't think this is a good idea I'm

578
00:36:53,520 --> 00:36:56,800
Speaker 1: not going nowhere because she's scared. No, it's because I

579
00:36:56,840 --> 00:37:01,799
Speaker 1: got sixteen days last party. Cat, scaredy cat, you come here,

580
00:37:02,160 --> 00:37:05,279
Speaker 1: Scarity Cat's gonna claw your eyeballs out. I don't have

581
00:37:05,360 --> 00:37:13,279
Speaker 1: time for this. Fight. Fight fight over here. Trying to

582
00:37:13,400 --> 00:37:18,560
Speaker 1: tease the new kettle less much use the alphabet. How

583
00:37:18,600 --> 00:37:21,880
Speaker 1: about some smoke? Screw you got it? Marborough's unfiltered for

584
00:37:21,920 --> 00:37:27,600
Speaker 1: everybody unfiltered. Please, we're going to cap Sons today. Any

585
00:37:27,680 --> 00:37:31,880
Speaker 1: cap Sons into the cafeteria. You got the smokes, the

586
00:37:31,920 --> 00:37:33,720
Speaker 1: cap Sons, you're gonna have to use it on credit.

587
00:37:33,840 --> 00:37:38,839
Speaker 1: Will use your cigarette of straws. Yes, I'm at here,

588
00:37:40,160 --> 00:37:44,360
Speaker 1: So long, suckers. Good good luck, Snake King. I'm sorry

589
00:37:44,800 --> 00:37:47,160
Speaker 1: too scared to come with you. Good luck to you

590
00:37:48,160 --> 00:37:52,120
Speaker 1: well on the other side. Right, so, I have a

591
00:37:52,480 --> 00:37:54,680
Speaker 1: Manhattan up with a twist for the gentleman and for

592
00:37:54,760 --> 00:37:58,239
Speaker 1: the woman. I have a Vesper Martini. You got it right,

593
00:37:59,560 --> 00:38:03,120
Speaker 1: and you were Chip will reflect that. I am a server,

594
00:38:03,320 --> 00:38:06,600
Speaker 1: so I get it. It's such a grind. Keep it open. Yes, sir,

595
00:38:09,360 --> 00:38:12,239
Speaker 1: that's a very nice macaroni necklace. Oh my god, thank you.

596
00:38:12,600 --> 00:38:15,320
Speaker 1: Where did it come from? Child labor a funny story,

597
00:38:15,560 --> 00:38:20,759
Speaker 1: but yes, a little bit of fast fashion. Do you

598
00:38:20,880 --> 00:38:22,960
Speaker 1: not want to eat the macarona? You can chew on

599
00:38:23,080 --> 00:38:31,640
Speaker 1: it an it's covered in glue though. So yeah, you

600
00:38:31,719 --> 00:38:34,400
Speaker 1: feel like I'm supposed to be somewhere. What do you?

601
00:38:34,719 --> 00:38:39,720
Speaker 1: I think you're living in the moment to unexpected events?

602
00:38:40,280 --> 00:38:43,719
Speaker 1: Excuse me? Table for one? Please? Okay? Would see at

603
00:38:43,719 --> 00:38:47,360
Speaker 1: the bar? That'll do. Here's our drink menu. Were in

604
00:38:47,400 --> 00:38:50,439
Speaker 1: happy hours and needed fifteen Manhattan please? Yes, sir? Would

605
00:38:50,440 --> 00:38:52,880
Speaker 1: you like that on the rocks? Are up? On the

606
00:38:53,000 --> 00:39:02,239
Speaker 1: rocks are up, sir, that'll do? Macy already? Okay, uh,

607
00:39:02,360 --> 00:39:06,480
Speaker 1: this is this is construction papers. Is there a problem?

608
00:39:06,760 --> 00:39:09,040
Speaker 1: Not at all? Manhattan coming right away? Does that kid

609
00:39:09,160 --> 00:39:12,399
Speaker 1: look familiar to you? I he looks like a child

610
00:39:12,480 --> 00:39:19,960
Speaker 1: to me. They all look the same. No pores, no pores.

611
00:39:20,000 --> 00:39:22,280
Speaker 1: I'm so jealous. I want to kill him and steal

612
00:39:22,320 --> 00:39:27,160
Speaker 1: his skins. Oh shut up, Oh my god, you have pecks.

613
00:39:28,600 --> 00:39:33,239
Speaker 1: Justout them. Pardon my reach and pardon it again. You

614
00:39:33,280 --> 00:39:35,719
Speaker 1: are Manhattan on the rocks in the Manhattan up? Is

615
00:39:36,440 --> 00:39:38,840
Speaker 1: Does this bar sturdy enough to stand on, like to

616
00:39:38,960 --> 00:39:41,279
Speaker 1: do a jump off of? Without a doubt? Yes, sir?

617
00:39:42,760 --> 00:39:49,360
Speaker 1: Whoa Listen up, everybody. I'm I'm the Snake King and

618
00:39:49,480 --> 00:39:54,120
Speaker 1: I'm here to fight the bad big brother. He led me,

619
00:39:54,480 --> 00:39:56,640
Speaker 1: he was my he was supposed to be my guardian,

620
00:39:56,680 --> 00:40:01,960
Speaker 1: and he left me. I know that you didn't have

621
00:40:02,040 --> 00:40:05,880
Speaker 1: a thing to eat. You're going to get it the

622
00:40:06,080 --> 00:40:25,719
Speaker 1: ki ki ald my Gaberdine jacket like that. You are

623
00:40:25,920 --> 00:40:30,920
Speaker 1: so strong. Let me let me take a look at

624
00:40:30,960 --> 00:40:35,000
Speaker 1: this pearol sheet. It seems like you don't have very

625
00:40:35,080 --> 00:40:38,120
Speaker 1: good consistency with the little brothers we've been assigning. You know,

626
00:40:38,320 --> 00:40:41,200
Speaker 1: I guess not what's happening, what's wrong? I hit the

627
00:40:41,280 --> 00:40:43,520
Speaker 1: last one in the face. I wasn't going to bring

628
00:40:43,600 --> 00:40:47,640
Speaker 1: it up, but he did challenge me first, Well, you're

629
00:40:47,680 --> 00:40:49,919
Speaker 1: supposed to be a role model. Don't you think maybe

630
00:40:49,960 --> 00:40:52,040
Speaker 1: he's mirroring what he's seeing from you. I don't know.

631
00:40:52,120 --> 00:40:55,440
Speaker 1: People at the bar were chanting fight and you had

632
00:40:55,520 --> 00:40:58,080
Speaker 1: him at a barn. Yeah. I just don't think that

633
00:40:58,200 --> 00:41:02,120
Speaker 1: you understand the responsibility of being a big brother. Okay,

634
00:41:03,280 --> 00:41:06,800
Speaker 1: I'm going to assign you one more child, but this

635
00:41:06,960 --> 00:41:10,960
Speaker 1: one it's gonna be a baby. Baby's rely completely on

636
00:41:11,080 --> 00:41:15,080
Speaker 1: an adult. Baby's like wrestling. I don't because that's my

637
00:41:16,120 --> 00:41:19,440
Speaker 1: wrestling wrestling match. I'd be cautious bringing a baby to

638
00:41:19,520 --> 00:41:22,120
Speaker 1: a wrestling match. It doesn't seem it seems almost as

639
00:41:22,160 --> 00:41:24,799
Speaker 1: inappropriate as bringing a child to a bar. I mean,

640
00:41:24,840 --> 00:41:26,920
Speaker 1: have you seen these new w W characters they've come

641
00:41:27,000 --> 00:41:30,680
Speaker 1: up with. They're incredible. I'm sorry, I don't want Superman. Superman,

642
00:41:30,960 --> 00:41:33,359
Speaker 1: the baby is gonna love that. Alright, well, I'm gonna

643
00:41:33,400 --> 00:41:35,600
Speaker 1: give you this baby, and I need you to take

644
00:41:35,760 --> 00:41:37,719
Speaker 1: otherwise you're going to be back in jail before you

645
00:41:37,840 --> 00:41:41,440
Speaker 1: know it. You don't, you're not taking this seriously. Okay,

646
00:41:41,760 --> 00:41:45,520
Speaker 1: all right, okay, here you go take this this baby

647
00:41:45,560 --> 00:41:47,359
Speaker 1: that you had next to you. What did you think

648
00:41:47,400 --> 00:41:49,440
Speaker 1: I had this? Don't for a paperweight? No, no, no,

649
00:41:51,560 --> 00:41:57,919
Speaker 1: it's not my baby. I'm a parole officer, a kid.

650
00:41:59,400 --> 00:42:03,960
Speaker 1: We go some singing, we'll go see some wrestling. Yeah, alright,

651
00:42:04,120 --> 00:42:08,800
Speaker 1: here I think we're bonding. Oh my god, is that

652
00:42:08,960 --> 00:42:15,839
Speaker 1: your son? Oh my god? Is that your son? Can

653
00:42:15,920 --> 00:42:20,120
Speaker 1: we get around for these ladies? I would love to

654
00:42:20,200 --> 00:42:46,239
Speaker 1: breast second. Welcome to kid Quising. This last suggestion comes

655
00:42:46,360 --> 00:42:48,920
Speaker 1: from Nick. Hello, Alcolm, it's huge fan of the podcast.

656
00:42:49,000 --> 00:42:51,640
Speaker 1: It's made my daily community and from work a breeze.

657
00:42:51,680 --> 00:42:53,600
Speaker 1: A scene that I would love to see is a

658
00:42:53,719 --> 00:42:57,600
Speaker 1: thrill seeker at their wits end, having conquered all adrenaline

659
00:42:57,640 --> 00:43:01,879
Speaker 1: pumping activities, is looking for the next big thrill. Their

660
00:43:01,880 --> 00:43:05,040
Speaker 1: final option is the ultimate test, putting a hit out

661
00:43:05,120 --> 00:43:08,200
Speaker 1: on themselves and beginning their training for the battle that

662
00:43:08,239 --> 00:43:13,200
Speaker 1: will ensue. Thanks Alchemist, Yeah, send the next one in.

663
00:43:13,320 --> 00:43:17,000
Speaker 1: That's fine. What do you want the from the top

664
00:43:17,040 --> 00:43:19,279
Speaker 1: of the list or sure, sure, let's go from the

665
00:43:19,360 --> 00:43:20,440
Speaker 1: top of the list. But I used to, but I

666
00:43:20,480 --> 00:43:21,759
Speaker 1: want to make sure we're on the same pagere sole,

667
00:43:21,840 --> 00:43:23,040
Speaker 1: send the next one from the top of list. We

668
00:43:23,040 --> 00:43:26,320
Speaker 1: know you're Johnny's cousin, so you're working here because of Johnny.

669
00:43:26,880 --> 00:43:28,880
Speaker 1: Let's not push it, all right, I understand. I'm not

670
00:43:29,000 --> 00:43:31,080
Speaker 1: I'm not trying to get a position to people out

671
00:43:31,080 --> 00:43:34,200
Speaker 1: there in the waiting room. Maybe there's a sign up list.

672
00:43:34,680 --> 00:43:36,319
Speaker 1: There is, so go to the name at the top

673
00:43:36,360 --> 00:43:37,520
Speaker 1: of the sign up Yes, sir, do you want to

674
00:43:37,520 --> 00:43:39,560
Speaker 1: go from the beginning. Let's mix it up. Go to

675
00:43:39,680 --> 00:43:41,480
Speaker 1: the name in the exact middle okay, great. So you

676
00:43:41,520 --> 00:43:42,799
Speaker 1: want me to find the middle page and then get

677
00:43:42,800 --> 00:43:45,960
Speaker 1: the name from the Yeah, okay, great. Thank you From

678
00:43:46,000 --> 00:43:49,240
Speaker 1: Today's let's not from you know what if yesterday's listens

679
00:43:49,239 --> 00:43:57,240
Speaker 1: out there, let's use that one. No today's list, yes, sir, okay, okay,

680
00:43:57,400 --> 00:44:01,200
Speaker 1: second here with uh one second, I should be next,

681
00:44:01,239 --> 00:44:03,040
Speaker 1: and I'm waiting the longest. I'm going from the middle

682
00:44:03,040 --> 00:44:07,520
Speaker 1: of the list. Uh. Here we are. Let's see Clark Stuston.

683
00:44:08,160 --> 00:44:12,400
Speaker 1: That's just just got Clark. Thank you. Going for the

684
00:44:12,520 --> 00:44:16,759
Speaker 1: middle of the list. Clark, follow me. I'm following you here.

685
00:44:17,360 --> 00:44:19,719
Speaker 1: Put this jacket over you. Put this jacket over me. Yes,

686
00:44:19,800 --> 00:44:21,640
Speaker 1: just put it over your head. Okay, I can't really

687
00:44:21,640 --> 00:44:25,000
Speaker 1: show you where I'm going in here. Oh okay, hold

688
00:44:25,040 --> 00:44:26,960
Speaker 1: my hand, yeah, of course, I can grab the back

689
00:44:27,000 --> 00:44:29,040
Speaker 1: of my belt. Okay, okay, I'm gonna start jogging here.

690
00:44:29,120 --> 00:44:31,400
Speaker 1: Keep up. This is a little fast alright. Keep up.

691
00:44:31,920 --> 00:44:34,960
Speaker 1: The stairs are stairs? Hold me down, you're pulling me down.

692
00:44:35,000 --> 00:44:36,600
Speaker 1: Hold up, hold up, let's go. All right, there's a

693
00:44:36,680 --> 00:44:38,239
Speaker 1: rope of a head. Grab the rope. I'm gonna cross.

694
00:44:38,760 --> 00:44:40,759
Speaker 1: I'm gonna climb up first. Alright, like all my belt,

695
00:44:41,880 --> 00:44:46,040
Speaker 1: I don't know where I'm at my belt like, oh,

696
00:44:46,080 --> 00:44:57,640
Speaker 1: my belt, let go, I'm afraid check off my head please. Uh.

697
00:44:58,960 --> 00:45:02,480
Speaker 1: You just started today right, yes, sir, Yeah, so we

698
00:45:02,680 --> 00:45:06,680
Speaker 1: lost my last assistant. I'm embarrassed to say how, but

699
00:45:06,840 --> 00:45:09,840
Speaker 1: if you wouldn't mind, there's people with the outer office waiting.

700
00:45:10,200 --> 00:45:13,960
Speaker 1: I'm also embarrassed to ask this next question. Okay, what

701
00:45:14,120 --> 00:45:19,080
Speaker 1: do we do here? People come in and they asked

702
00:45:19,239 --> 00:45:24,200
Speaker 1: for favors from the Godfather. Wow, I have no idea.

703
00:45:24,200 --> 00:45:27,320
Speaker 1: You're working for the mafia. Yeah yeah, yeah yeah. So

704
00:45:27,360 --> 00:45:29,759
Speaker 1: people want people dead and this is what they come

705
00:45:29,840 --> 00:45:33,560
Speaker 1: to make that happen. That makes sense right now? It does. Okay,

706
00:45:33,680 --> 00:45:35,879
Speaker 1: So there's people out there waiting. They want to come

707
00:45:35,920 --> 00:45:38,560
Speaker 1: in and ask, so just go to the top of

708
00:45:38,640 --> 00:45:41,600
Speaker 1: the list. Very easy to bring somebody, very easy. What's

709
00:45:41,600 --> 00:45:47,080
Speaker 1: your name again? Jason? That's right, Jason? Please go ahead. Okay, Um,

710
00:45:47,560 --> 00:45:49,160
Speaker 1: you know what, I'm not going to use this list.

711
00:45:49,400 --> 00:45:54,640
Speaker 1: You guys know what's up? Okay, what's your name? My

712
00:45:54,840 --> 00:45:58,600
Speaker 1: name is Linda? Linda or is it? Okay? Well, I'm

713
00:45:58,640 --> 00:46:01,000
Speaker 1: gonna have to skip you Linda if oh it is Linda.

714
00:46:01,239 --> 00:46:03,920
Speaker 1: I was trying to make small talk. Okay, I've been

715
00:46:03,960 --> 00:46:07,880
Speaker 1: taking toastmaster's Okay, great, Um, just put this jacket over

716
00:46:07,920 --> 00:46:12,399
Speaker 1: your head. Please? Why am i? Okay? I can't see,

717
00:46:12,680 --> 00:46:14,480
Speaker 1: just hold my hand, just hold my hands. I got

718
00:46:14,560 --> 00:46:16,319
Speaker 1: a bad ankle. Okay, I actually just hold my belt

719
00:46:16,360 --> 00:46:20,439
Speaker 1: to hold the back in my belt. Okay, jog in there, Okay, Okay,

720
00:46:20,480 --> 00:46:25,000
Speaker 1: here the step serious like all the belt Okay, okay,

721
00:46:28,719 --> 00:46:38,319
Speaker 1: come on just a little alright. So you're just stunning today. Right.

722
00:46:39,239 --> 00:46:42,120
Speaker 1: My cousin said, did you give me a job? Yeah,

723
00:46:42,320 --> 00:46:45,600
Speaker 1: that's how you're here. Your cousin, Tammy is one of

724
00:46:45,680 --> 00:46:49,680
Speaker 1: my favorites. Oh god, are you yes? Yes, I am,

725
00:46:49,760 --> 00:46:53,120
Speaker 1: Oh my god, I'm so What was your name again, Todd?

726
00:46:54,040 --> 00:46:57,279
Speaker 1: Is that just one syllable? It's just what two d's one?

727
00:46:57,400 --> 00:47:00,520
Speaker 1: Oh and tet call the kind of sounded. I don't

728
00:47:00,560 --> 00:47:04,640
Speaker 1: want to die, Todd. Very simple not to just do

729
00:47:04,719 --> 00:47:07,799
Speaker 1: as I asked, Do as I asked. If you can

730
00:47:07,880 --> 00:47:11,320
Speaker 1: do as I asked, you're not gonna die. Do you

731
00:47:11,400 --> 00:47:14,480
Speaker 1: sweat this much normally? Usually I'm just like, you've got

732
00:47:14,520 --> 00:47:17,920
Speaker 1: a bad reputation. Yeah, yeah, I'm not a great guy.

733
00:47:18,680 --> 00:47:22,080
Speaker 1: Get but all the mishaps around the office here, I've

734
00:47:22,120 --> 00:47:24,320
Speaker 1: had nothing to do with. People go out of this

735
00:47:24,480 --> 00:47:28,880
Speaker 1: room and they somehow die. That's on your Todd. You

736
00:47:28,960 --> 00:47:32,960
Speaker 1: can live the day if you choose to people on

737
00:47:33,000 --> 00:47:35,279
Speaker 1: the waiting list and just take the top of the list.

738
00:47:36,080 --> 00:47:38,800
Speaker 1: Bring that person in, go out to the waiting office.

739
00:47:39,680 --> 00:47:49,840
Speaker 1: All right, Todd, together, you got this study bringing the

740
00:47:49,880 --> 00:47:55,959
Speaker 1: person top of the list. Is there Lynn in the room?

741
00:47:59,840 --> 00:48:02,759
Speaker 1: I just got here. I believe these other gentlemen have

742
00:48:02,800 --> 00:48:05,879
Speaker 1: been waiting quite something. Who's been waiting the longest? Raise

743
00:48:05,960 --> 00:48:10,200
Speaker 1: up your hand? Looks like a tie. What's your what's

744
00:48:10,200 --> 00:48:19,040
Speaker 1: your name? Lynn? Oh? What a funny l I I

745
00:48:19,360 --> 00:48:23,080
Speaker 1: and I'm sorry I was reading it wrong. One? If

746
00:48:23,120 --> 00:48:30,440
Speaker 1: you please come with me? What's your name? What are

747
00:48:30,480 --> 00:48:35,640
Speaker 1: the odds? That's crazy? I thought today couldn't get any weird.

748
00:48:36,600 --> 00:48:38,800
Speaker 1: I saw a dog and a cat and making love

749
00:48:41,960 --> 00:48:46,479
Speaker 1: three in one room. That's weird. I need you, guys,

750
00:48:46,520 --> 00:48:49,239
Speaker 1: said to be a favor, and I need the three

751
00:48:49,360 --> 00:48:54,799
Speaker 1: of you come with me, all three of us. Listen.

752
00:48:54,880 --> 00:48:56,600
Speaker 1: This is my first day on the job, and this

753
00:48:56,840 --> 00:48:59,279
Speaker 1: is as you know, if you're waiting for the Todd

754
00:48:59,520 --> 00:49:05,759
Speaker 1: chance to talk to the Godfather, it's dangerous favor to

755
00:49:06,400 --> 00:49:08,320
Speaker 1: the favor. Okay, Well, I need you guys to huddle

756
00:49:08,400 --> 00:49:16,720
Speaker 1: underneath this jacket. Alright, Alrightwich, let's create a chain. Somebody

757
00:49:16,800 --> 00:49:24,160
Speaker 1: hold my hand, everybody holds handstop. Okay, okay, it's okay, okay,

758
00:49:24,520 --> 00:49:29,080
Speaker 1: just follow me, okay, okay, we better gentle. Is this

759
00:49:29,160 --> 00:49:31,960
Speaker 1: the way to the Godfather? This is the way? Come on,

760
00:49:32,080 --> 00:49:37,839
Speaker 1: you gotta keep up, keep it up. All right? Well

761
00:49:37,920 --> 00:49:45,839
Speaker 1: step out? What is this place and what happens here? Okay,

762
00:49:46,000 --> 00:49:47,960
Speaker 1: here's the rope, guys, this is where most people fall.

763
00:49:48,400 --> 00:49:50,440
Speaker 1: It's a very dangerous. But don't mind the bodies. You

764
00:49:50,520 --> 00:49:56,200
Speaker 1: can't see him. Climb up elt Okay, we're at the ledge.

765
00:49:56,280 --> 00:50:02,200
Speaker 1: Just come up right over this, okay, wings behind the stores,

766
00:50:02,280 --> 00:50:07,880
Speaker 1: the please, please, please, don't don't mess this up. Just

767
00:50:08,040 --> 00:50:13,239
Speaker 1: go in there. Fine. I enjoyed that. I don't know

768
00:50:13,239 --> 00:50:15,160
Speaker 1: how many things I can say. I just don't understand

769
00:50:15,160 --> 00:50:17,040
Speaker 1: why no one's coming today. You know, I'm doing everything.

770
00:50:17,120 --> 00:50:18,640
Speaker 1: I can't I understand that. But all I want to

771
00:50:18,640 --> 00:50:21,879
Speaker 1: do is I want to get people. Hold one second, guy,

772
00:50:22,120 --> 00:50:25,120
Speaker 1: all do respect? Yes, what is it you have in here? Oh?

773
00:50:25,239 --> 00:50:28,800
Speaker 1: Did you bring somebody in? I got that's okay. I

774
00:50:28,920 --> 00:50:36,960
Speaker 1: want to let them in, all right. Hello, okay, can

775
00:50:37,040 --> 00:50:40,120
Speaker 1: you three give me one second? Just one second. You

776
00:50:40,400 --> 00:50:42,759
Speaker 1: come over here for a second. You don't bring in

777
00:50:42,800 --> 00:50:49,959
Speaker 1: three people? How many times I gotta tell you one

778
00:50:50,239 --> 00:50:56,239
Speaker 1: person to see as I got bothered, not three people. Yeah,

779
00:50:56,360 --> 00:50:58,800
Speaker 1: I donenough. I mean, I don't mind, you know my

780
00:50:58,880 --> 00:51:05,319
Speaker 1: three people feel there we go take this one dollar

781
00:51:05,360 --> 00:51:08,520
Speaker 1: bills and get yourself something too. Yeah, yeah, by another

782
00:51:08,560 --> 00:51:11,040
Speaker 1: pair of shoes and bring us go go to Sammy's.

783
00:51:11,040 --> 00:51:13,800
Speaker 1: Give me a sup there you go, yeah, uh, go

784
00:51:13,960 --> 00:51:15,839
Speaker 1: get the sandwiches. I'll bring these three in to see

785
00:51:15,880 --> 00:51:20,560
Speaker 1: the gap. Which one of youse? Lynn? Yeah, the three

786
00:51:20,600 --> 00:51:24,320
Speaker 1: of you were Lynn and I'm not so Linn on

787
00:51:24,360 --> 00:51:26,040
Speaker 1: the list and he called out and Len and the

788
00:51:26,120 --> 00:51:28,080
Speaker 1: three of you came. He seemed to panick. He told

789
00:51:28,160 --> 00:51:30,480
Speaker 1: us that he was right. So boy, listen, you all

790
00:51:30,520 --> 00:51:33,359
Speaker 1: made it through the rope challenge. Show you're here. That's great.

791
00:51:33,440 --> 00:51:35,840
Speaker 1: We'll bring you in to see the gap. Father. If

792
00:51:35,840 --> 00:51:38,480
Speaker 1: you read you mind when you go in, don't look

793
00:51:38,520 --> 00:51:40,840
Speaker 1: them directly in the eye. First of all, if you

794
00:51:40,920 --> 00:51:44,040
Speaker 1: have shoes, look down at dose. And then what do

795
00:51:44,080 --> 00:51:46,279
Speaker 1: you do if you don't didn't look down where your

796
00:51:46,320 --> 00:51:49,320
Speaker 1: shoes would be on the rope. And then if you

797
00:51:49,360 --> 00:51:51,719
Speaker 1: wouldn't mind, one last request, please don't talk at the

798
00:51:51,760 --> 00:51:53,920
Speaker 1: same time because you got the same name. It's going

799
00:51:53,960 --> 00:51:55,520
Speaker 1: to get confused, and so one of your talks and

800
00:51:55,600 --> 00:51:59,240
Speaker 1: the other to listen. Okay, take it. So let's let's taken.

801
00:51:59,760 --> 00:52:04,600
Speaker 1: I'm that's pretty straightforward. Because I'll be honest with you.

802
00:52:05,200 --> 00:52:07,560
Speaker 1: If you don't do that, two of the three of

803
00:52:07,600 --> 00:52:12,880
Speaker 1: you are going to die today. Okay, okay, okay, understand

804
00:52:13,080 --> 00:52:17,280
Speaker 1: uncomfortable death, not the simple too, I mean would expect

805
00:52:18,160 --> 00:52:23,959
Speaker 1: otherwise the pile here we go, and now three lens.

806
00:52:24,080 --> 00:52:25,440
Speaker 1: It's a hell of a day. It's a hell of it.

807
00:52:25,920 --> 00:52:31,640
Speaker 1: It's a beautiful day. We've lost three assistance. Sorry one second,

808
00:52:31,760 --> 00:52:35,440
Speaker 1: let me just all right, guy, fine, I'd like to

809
00:52:35,480 --> 00:52:39,520
Speaker 1: introduce you to brace yourself. Three lens. Okay, I'm looking

810
00:52:39,640 --> 00:52:42,600
Speaker 1: him directly in the eye. And why am I doing that? Oh? God?

811
00:52:42,800 --> 00:52:47,600
Speaker 1: And now we're doing the talking thing, don't we're doing?

812
00:52:48,880 --> 00:52:52,319
Speaker 1: Sorry guy, let me just take this three off for hey,

813
00:52:54,080 --> 00:52:58,200
Speaker 1: oh oh oh, I felt it when he slept you

814
00:52:58,760 --> 00:53:02,640
Speaker 1: like like a symbio. The three of you never seen

815
00:53:02,719 --> 00:53:05,040
Speaker 1: a movie or a television show where you go in

816
00:53:05,120 --> 00:53:07,600
Speaker 1: and see the Godfather. You don't act like three students.

817
00:53:07,640 --> 00:53:13,719
Speaker 1: You gotta pay respect. I've seen the three students I

818
00:53:13,760 --> 00:53:15,759
Speaker 1: don't want to see right, So this is a man

819
00:53:15,840 --> 00:53:18,320
Speaker 1: of business. He's not he's not messing. I'm here for

820
00:53:18,360 --> 00:53:19,840
Speaker 1: business too. I just wanted to ask for a f

821
00:53:20,000 --> 00:53:22,080
Speaker 1: I've got a favorite. Were just because you're making me

822
00:53:22,120 --> 00:53:23,680
Speaker 1: think twice about sending all three of you at the

823
00:53:23,719 --> 00:53:25,480
Speaker 1: same time, I'm still going to do it, but you're

824
00:53:25,640 --> 00:53:28,759
Speaker 1: going to let me go first. Okay, Look, maybe we

825
00:53:28,840 --> 00:53:31,200
Speaker 1: could uh talk amongst ourselves for a second. Figure out.

826
00:53:31,320 --> 00:53:41,239
Speaker 1: Let's talk about ourselves. Who who has seen the most different? Okay,

827
00:53:41,280 --> 00:53:43,359
Speaker 1: well I think that's what we tell Okay, Okay, sounds

828
00:53:43,520 --> 00:53:48,880
Speaker 1: that's settled. Yeah, we are ready to go first. It's

829
00:53:49,160 --> 00:53:54,040
Speaker 1: a little bit more ready to respect. Respect father, I'd

830
00:53:54,080 --> 00:54:02,600
Speaker 1: like you to do shoot, oh, lindsay, Hell, we are

831
00:54:03,280 --> 00:54:11,560
Speaker 1: here to ask for a favor. What is the favorite

832
00:54:11,560 --> 00:54:20,000
Speaker 1: that you want to asking me? Hamilton? Really really you like?

833
00:54:20,080 --> 00:54:21,400
Speaker 1: It doesn't have to be right up front, like it

834
00:54:21,400 --> 00:54:26,440
Speaker 1: could be astructed you or anything anywhere. Care if it's understudies.

835
00:54:26,480 --> 00:54:32,839
Speaker 1: I just want to be the next month you'll see

836
00:54:32,840 --> 00:54:35,920
Speaker 1: a mattenee. I don't happily because they could go out

837
00:54:35,960 --> 00:54:40,719
Speaker 1: to the lunch after before fun lunch drinks. So you're

838
00:54:40,719 --> 00:54:47,600
Speaker 1: telling me all of you want Hambleton tickets. It turns out, yes, Hamilton, Hamilton,

839
00:54:48,680 --> 00:54:53,759
Speaker 1: not Hambleton's, didn't get good with you. I only heard Hambleton's.

840
00:54:54,160 --> 00:54:56,120
Speaker 1: And as someone who is a man of his word

841
00:54:56,320 --> 00:55:02,360
Speaker 1: in his ear, I can only give Hambleton's tickets. To refuse,

842
00:55:03,040 --> 00:55:08,680
Speaker 1: to refuse a justice, And maybe we could add to

843
00:55:08,760 --> 00:55:11,920
Speaker 1: an addendum that one of us, because so, just one

844
00:55:12,000 --> 00:55:15,280
Speaker 1: of us wanted to Hambleton's, and I wanted three tickets

845
00:55:15,360 --> 00:55:20,160
Speaker 1: for Hamilton's. Oh yes, so my favorite, I'll take the Hambleton's,

846
00:55:21,880 --> 00:55:24,880
Speaker 1: and I'll take three for my own personal wish. I

847
00:55:24,920 --> 00:55:27,719
Speaker 1: would never share him with these and those for Hambleton's.

848
00:55:28,360 --> 00:55:31,919
Speaker 1: Here's what I can do, okay, I can guarantee each

849
00:55:32,000 --> 00:55:35,520
Speaker 1: of you as a cast member on the touring production

850
00:55:35,560 --> 00:55:41,360
Speaker 1: of Hambleton's. I'm not an actor to refuse. Are we

851
00:55:41,400 --> 00:55:44,920
Speaker 1: allowed to look up you? To refuse? This gesture would

852
00:55:44,920 --> 00:55:48,880
Speaker 1: be the utmost disrespect On the day my daughter gets married,

853
00:55:49,080 --> 00:55:51,719
Speaker 1: on the day that she gave their daughters getting married,

854
00:55:51,760 --> 00:55:58,960
Speaker 1: and oh wait, on this day our anniversaries, on this

855
00:55:59,160 --> 00:56:03,360
Speaker 1: day that they're on the day this, it would be

856
00:56:03,560 --> 00:56:09,320
Speaker 1: disrespect of um your godfather, and what roles what do

857
00:56:09,400 --> 00:56:11,600
Speaker 1: we have in the production sho of you would be

858
00:56:11,760 --> 00:56:17,640
Speaker 1: competing leads, all with different storylines and different dialogue, but

859
00:56:17,760 --> 00:56:20,600
Speaker 1: it would touring company. It would be a touring Can

860
00:56:20,640 --> 00:56:25,120
Speaker 1: I look up? No to see my eyes while I

861
00:56:25,239 --> 00:56:30,640
Speaker 1: give this gift would be the greatest disrespect understood. And

862
00:56:30,760 --> 00:56:36,960
Speaker 1: there I was sailing far and hard, and I also

863
00:56:37,160 --> 00:56:40,520
Speaker 1: sailed far. I guess I sailed the farthest. The top

864
00:56:40,600 --> 00:56:48,879
Speaker 1: of the called me Hambleton, Hambleton, I'm the best Hamiltons ever.

865
00:56:49,200 --> 00:56:54,600
Speaker 1: Watch excuse me, I gotta go. I I can't watch no, No,

866
00:56:54,800 --> 00:56:59,640
Speaker 1: I can't watch those. I don't know you, but I

867
00:56:59,719 --> 00:57:01,839
Speaker 1: know it's someone who's upset. And if you just watch

868
00:57:01,920 --> 00:57:04,160
Speaker 1: this fucking plane, you're gonna have a blessed dawn. These

869
00:57:04,200 --> 00:57:07,320
Speaker 1: guys are all talking over each other. They're singing different songs.

870
00:57:07,440 --> 00:57:10,960
Speaker 1: It's terrible. And I thought him, but you're my big brother.

871
00:57:11,320 --> 00:57:13,160
Speaker 1: He took me to see a play. It was a

872
00:57:13,239 --> 00:57:16,400
Speaker 1: big mistake. I'm sorry. Let's go. We're getting out of here. Look, hey,

873
00:57:16,440 --> 00:57:17,840
Speaker 1: come on, you sit on my lap. Get this kid

874
00:57:17,880 --> 00:57:27,680
Speaker 1: out of here. Okay, okay, all right, I'll give you

875
00:57:27,760 --> 00:57:32,200
Speaker 1: five for me. It really builds Hableton, Ladies and June.

876
00:57:32,360 --> 00:57:34,600
Speaker 1: That's the musical. You can get tickets now going to

877
00:57:34,640 --> 00:57:40,080
Speaker 1: ticketmaster dot com for Hableton. All right, that's our show

878
00:57:40,120 --> 00:57:41,800
Speaker 1: for today. Let's go round and thank you Chamus. Please

879
00:57:41,840 --> 00:57:44,440
Speaker 1: let's start with Joey Queer and Joey what's coming up

880
00:57:44,480 --> 00:57:46,160
Speaker 1: in the folks and when they're in the Los Angeles

881
00:57:46,200 --> 00:57:47,640
Speaker 1: area where they might be able to find a show

882
00:57:47,960 --> 00:57:50,880
Speaker 1: where you're performing some sort of feed of magic. You

883
00:57:50,960 --> 00:57:53,200
Speaker 1: can check me out of West Side Comedy Theater, but

884
00:57:53,280 --> 00:57:57,600
Speaker 1: also the Magic Castle. That's not where I'm playing. I'm

885
00:57:57,640 --> 00:58:00,360
Speaker 1: not a magician. You can't see me there. If I

886
00:58:00,440 --> 00:58:02,000
Speaker 1: am there and you're there the same day, we can

887
00:58:02,040 --> 00:58:03,840
Speaker 1: hang out. I mean you brought a hat with a rabbit.

888
00:58:04,160 --> 00:58:05,880
Speaker 1: I will say this though. This is a plug for

889
00:58:05,880 --> 00:58:08,840
Speaker 1: the Magic Castle. Go see the close up magic. It's

890
00:58:08,880 --> 00:58:13,520
Speaker 1: a downstair bar area. It's the bar wanted the guy

891
00:58:13,600 --> 00:58:15,920
Speaker 1: made lemons pop out of it was fantastic guy. What

892
00:58:15,960 --> 00:58:17,680
Speaker 1: at least you remember who Nevery time I go, they

893
00:58:17,720 --> 00:58:19,440
Speaker 1: don't let me in because they say I don't have

894
00:58:19,520 --> 00:58:23,320
Speaker 1: a ticket. Yeah, so that's how do I get it?

895
00:58:25,200 --> 00:58:27,960
Speaker 1: You got somebody somebody, so hit me up, but I'll

896
00:58:27,960 --> 00:58:31,520
Speaker 1: get you. Yeah, hit up Joey Greer at Jeffy greeber

897
00:58:32,240 --> 00:58:36,840
Speaker 1: dot com. Check me out the heat. Where can folks

898
00:58:36,880 --> 00:58:40,200
Speaker 1: find you? You can find me at the Heen on

899
00:58:40,240 --> 00:58:44,720
Speaker 1: Twitter or the real James Heeny on YouTube. Beautiful Greg Kowski,

900
00:58:45,120 --> 00:58:48,560
Speaker 1: I have an improving my wife Carla Katkowski called Orange Tuxedo.

901
00:58:48,680 --> 00:58:51,280
Speaker 1: You can follow us at Orange tux improv on Twitter

902
00:58:51,400 --> 00:58:55,040
Speaker 1: and find toward dates and also Los Angeles dates possibly

903
00:58:55,080 --> 00:59:00,360
Speaker 1: the Magic Castle fingers crossed. Vanessa Raglan, Yes, sir, and

904
00:59:00,400 --> 00:59:02,800
Speaker 1: what have you got for us today? Oh? Just a

905
00:59:02,920 --> 00:59:08,440
Speaker 1: real happy hearty, thank you for that. Yeah, don't go

906
00:59:08,560 --> 00:59:12,160
Speaker 1: looking for Vanessa. Don't unless you want to hear from

907
00:59:12,160 --> 00:59:14,360
Speaker 1: a happy heart. Yes, that's right. You can follow a

908
00:59:14,440 --> 00:59:19,440
Speaker 1: Dynasty tapewriter or Vanessa Hope. But it's boring that one is.

909
00:59:19,640 --> 00:59:22,520
Speaker 1: The Sandler shows went great and Brad I was just

910
00:59:24,920 --> 00:59:30,600
Speaker 1: shook his hand, honey, not overrated, firm handshake, soft smile,

911
00:59:30,680 --> 00:59:35,240
Speaker 1: that's r And it was not a lie. Did he

912
00:59:35,320 --> 00:59:38,040
Speaker 1: talk about me? He couldn't stop talking about you. It

913
00:59:38,120 --> 00:59:40,760
Speaker 1: was awkward. Christ Operato. You you spent a little time

914
00:59:40,760 --> 00:59:43,320
Speaker 1: with Brad pitt I did. We did a movie together

915
00:59:43,640 --> 00:59:48,680
Speaker 1: right by the name of fight Club. You know he

916
00:59:48,800 --> 00:59:51,000
Speaker 1: took a punch real nice. Yeah, yeah, I was one

917
00:59:51,040 --> 00:59:54,000
Speaker 1: of the guys in the fight circle. Yeah, I recognized

918
00:59:54,040 --> 00:59:56,560
Speaker 1: the apps. Yes, where might folks find you? And you're right,

919
00:59:56,680 --> 01:00:03,600
Speaker 1: you can find me at alchemy this Instagram page. Here's

920
01:00:03,600 --> 01:00:05,720
Speaker 1: what I'm asking YouTube. I met tag us on the

921
01:00:05,800 --> 01:00:09,240
Speaker 1: Instagram stuff. You know what I mean? Yeah, we got,

922
01:00:09,480 --> 01:00:11,520
Speaker 1: we got. We will post more pictures. You're gonna take

923
01:00:11,520 --> 01:00:16,440
Speaker 1: some today, Yes, yes, thank you for a great job

924
01:00:16,600 --> 01:00:19,320
Speaker 1: he did. Uh Doug Babe the engineer of the stars.

925
01:00:21,040 --> 01:00:25,400
Speaker 1: So if you licked him in our producer who's not here? Yeah,

926
01:00:25,400 --> 01:00:27,080
Speaker 1: I lost a lot of love for us and walked

927
01:00:27,080 --> 01:00:29,680
Speaker 1: out the door halfway through. Kevin Pollock went to three

928
01:00:29,720 --> 01:00:32,439
Speaker 1: on Instagram. Why the one to three? Because I'm an idiot? Yeah,

929
01:00:32,600 --> 01:00:35,720
Speaker 1: that's right. Um, keep writing to us. Your name here

930
01:00:35,760 --> 01:00:37,440
Speaker 1: at alchemy this dot com. We'd love to use your

931
01:00:37,520 --> 01:00:41,440
Speaker 1: suggested scenes. Your name here at alchemy this dot com.

932
01:00:41,520 --> 01:00:43,840
Speaker 1: Tell everyone you've ever met about the show, and please

933
01:00:43,880 --> 01:00:45,680
Speaker 1: write a review. We've got some good ones, but we

934
01:00:45,840 --> 01:00:48,720
Speaker 1: need yours. And tell everyone you've ever met to subscribe.

935
01:00:48,760 --> 01:00:52,400
Speaker 1: That's a show for today until next time, Alchemy this

936
01:01:01,600 --> 01:01:37,000
Speaker 1: and I foller im, but I come and I fo