1 00:00:00,240 --> 00:00:27,400 Speaker 1: Ridiculous History is a production of I Heart Radio. Welcome 2 00:00:27,440 --> 00:00:30,600 Speaker 1: back to the show Ridiculous Historians. As always, thank you 3 00:00:30,760 --> 00:00:33,640 Speaker 1: so much for tuning in over on the zoom call. 4 00:00:33,720 --> 00:00:36,040 Speaker 1: Here we've got our super producer, the one and only 5 00:00:36,120 --> 00:00:39,440 Speaker 1: Max Williams. Give him a hand, give him to give 6 00:00:39,479 --> 00:00:42,800 Speaker 1: him three? How many hands? Who do who? And who's that? 7 00:00:42,880 --> 00:00:45,280 Speaker 1: Who's that hood? Who went over there? That's that's me, 8 00:00:45,440 --> 00:00:47,760 Speaker 1: old Brown? Oh, I said my last name. I think 9 00:00:47,760 --> 00:00:49,560 Speaker 1: I've ever said that. My last name is in fact Brown. 10 00:00:50,040 --> 00:00:52,360 Speaker 1: For anyone that didn't know, um, you ever watched the 11 00:00:52,400 --> 00:00:55,960 Speaker 1: Great British Baking Show or The Great British Bake Off? 12 00:00:56,080 --> 00:00:59,600 Speaker 1: Is it as somehow? Sometimes I referred to I do oh, 13 00:00:59,640 --> 00:01:02,680 Speaker 1: I should introduced myself. I'm beat, I've forgotten that part. Yes, 14 00:01:02,760 --> 00:01:05,240 Speaker 1: who who is? Who is who? I was directing that question? 15 00:01:05,840 --> 00:01:11,400 Speaker 1: So so I have, Like many people, I find it relaxing. 16 00:01:11,600 --> 00:01:13,920 Speaker 1: It was sort of. It's it's got a what you 17 00:01:13,959 --> 00:01:16,880 Speaker 1: would call its head lasso vibe that really does you 18 00:01:16,920 --> 00:01:19,240 Speaker 1: know what? It really does? Yeah, and my boy Noel 19 00:01:19,360 --> 00:01:23,760 Speaker 1: Fielding from the Mighty Bush. Very controversial decision to install 20 00:01:23,880 --> 00:01:27,360 Speaker 1: him as the comic relief on that show alongside Um 21 00:01:27,520 --> 00:01:29,959 Speaker 1: Matt Lucas I think is his name, who was in 22 00:01:30,040 --> 00:01:33,440 Speaker 1: Little Britain, but no Fielding bit of a weirdo and 23 00:01:33,480 --> 00:01:36,600 Speaker 1: I love the fact that he goes over there. Yeah, totally, totally. 24 00:01:36,600 --> 00:01:38,200 Speaker 1: He's one of my favorite. He's he's one of the 25 00:01:38,280 --> 00:01:41,600 Speaker 1: few guys with my name that is, you know, looms 26 00:01:41,680 --> 00:01:44,160 Speaker 1: large in pop culture. The other one is Noel Gallagher 27 00:01:44,160 --> 00:01:47,200 Speaker 1: who's kind of a jerk, so definitely expent to old 28 00:01:47,280 --> 00:01:50,640 Speaker 1: Fielding has he though he's put us through a lot. 29 00:01:50,880 --> 00:01:53,280 Speaker 1: You know what even is a wonder wall Um. I 30 00:01:53,320 --> 00:01:55,720 Speaker 1: only bring this up bench because they do a thing 31 00:01:55,800 --> 00:01:58,400 Speaker 1: on on the Great British Speaking Show where every week 32 00:01:58,480 --> 00:02:01,080 Speaker 1: it's like a different theme. They've a biscuit week or 33 00:02:01,480 --> 00:02:06,280 Speaker 1: trumpet week or pie week or whatever Japanese week. Well, 34 00:02:06,320 --> 00:02:08,760 Speaker 1: you know what we're doing that they don't own that, 35 00:02:09,240 --> 00:02:11,000 Speaker 1: they don't own that, then we're gonna do that. What 36 00:02:11,080 --> 00:02:13,440 Speaker 1: what we what week is it for us? We are 37 00:02:13,520 --> 00:02:18,359 Speaker 1: We're introducing a theme this week which is historical heist. Uh. 38 00:02:18,520 --> 00:02:21,880 Speaker 1: These are as you know, a long time ridiculous historians. 39 00:02:22,200 --> 00:02:26,520 Speaker 1: We love a good hist tale. In the heist, you 40 00:02:26,560 --> 00:02:31,120 Speaker 1: can see uh, this cinematic scope of humanity. You can 41 00:02:31,160 --> 00:02:34,080 Speaker 1: see the highs the lows. You can see inspiration, you 42 00:02:34,080 --> 00:02:37,480 Speaker 1: can see villainy. And we thought, you know, we would 43 00:02:37,880 --> 00:02:42,120 Speaker 1: today kick off this week by having a story that 44 00:02:42,360 --> 00:02:45,880 Speaker 1: is technically a heist, but it's it's a heist, maybe 45 00:02:45,919 --> 00:02:48,040 Speaker 1: not in the way you would expect. It's a story 46 00:02:48,040 --> 00:02:54,120 Speaker 1: of inspiration, it's a story of audacity, ambition, it's ultimately 47 00:02:54,720 --> 00:02:58,400 Speaker 1: a story about freedom, and it's an amazing story that 48 00:02:58,440 --> 00:03:01,680 Speaker 1: we feel very fortunate to share with you. Uh, there 49 00:03:01,840 --> 00:03:04,280 Speaker 1: is a guy we'd love to introduce you to. His 50 00:03:04,400 --> 00:03:09,839 Speaker 1: name is Robert Smalls. So Robert Smalls if you've never 51 00:03:09,880 --> 00:03:13,000 Speaker 1: heard of him. Um, let's make it cinematic. Let's lean 52 00:03:13,080 --> 00:03:18,080 Speaker 1: into this. So there is a great like opening scene 53 00:03:18,680 --> 00:03:21,560 Speaker 1: from a book called Be Free or Die, the amazing 54 00:03:21,560 --> 00:03:25,600 Speaker 1: story of Robert Small's escape from slavery to Union hero. 55 00:03:25,880 --> 00:03:28,079 Speaker 1: And no, you wanna you want to kick us off here, 56 00:03:28,160 --> 00:03:31,000 Speaker 1: let's let's set this up and and Max, you're gonna 57 00:03:31,080 --> 00:03:34,800 Speaker 1: lean on your amazing sound design powers. Okay, So that 58 00:03:34,920 --> 00:03:39,600 Speaker 1: the logos popped up right, rh blah blah blah blah blah, 59 00:03:39,720 --> 00:03:50,360 Speaker 1: and then we fade out and it's nighttime, darkness still 60 00:03:50,440 --> 00:03:54,880 Speaker 1: blanketed the city of Charleston in the early hours of 61 00:03:55,040 --> 00:04:02,680 Speaker 1: May eighteen sixty two, m As a night breeze carried 62 00:04:02,720 --> 00:04:08,360 Speaker 1: the bridy scent of marshes across the quiet harbor, only 63 00:04:08,360 --> 00:04:13,640 Speaker 1: the occasional ringing of a ship's bell competed with the 64 00:04:13,720 --> 00:04:19,960 Speaker 1: sounds of waves lapping against the wooden wharf. We're a 65 00:04:19,960 --> 00:04:30,680 Speaker 1: Confederate side wheeled steamer named the Planter was moored the 66 00:04:30,760 --> 00:04:36,400 Speaker 1: wharf stood a few miles from Fort Sumter. Were the 67 00:04:36,400 --> 00:04:42,960 Speaker 1: first shots of the Civil War and fire just a 68 00:04:42,960 --> 00:04:50,920 Speaker 1: little more than a year before. H As thin wisps 69 00:04:51,200 --> 00:04:55,599 Speaker 1: of smoke rise from the vessel's smokestack high above the 70 00:04:55,600 --> 00:05:02,719 Speaker 1: pilot house, a twenty three year old enslaved man named 71 00:05:02,760 --> 00:05:11,120 Speaker 1: Robert Smalls stood on the deck. In the next few hours, 72 00:05:12,120 --> 00:05:17,560 Speaker 1: he and his young family with either fine freedom from 73 00:05:17,600 --> 00:05:25,760 Speaker 1: slavery or face certain death. Yeah, I think we stopped there. 74 00:05:25,800 --> 00:05:27,800 Speaker 1: This is the moment, and we want you to have 75 00:05:27,960 --> 00:05:31,839 Speaker 1: that image burn in your mind and keep it here, 76 00:05:31,880 --> 00:05:35,480 Speaker 1: because this is about to be the defining decision of 77 00:05:35,520 --> 00:05:39,600 Speaker 1: this young man's life. Let's learn a little bit about him, 78 00:05:39,640 --> 00:05:42,000 Speaker 1: and let's learn about what led him to this moment. 79 00:05:42,360 --> 00:05:45,960 Speaker 1: There on May thirt so Robert Smalls is born on 80 00:05:46,080 --> 00:05:50,560 Speaker 1: April five, eighteen thirty nine. UH. He is born on 81 00:05:50,680 --> 00:05:54,120 Speaker 1: a state on a plot of land at five eleven 82 00:05:54,240 --> 00:05:59,080 Speaker 1: Prince Street in Beaufort, South Carolina. He has born into slavery. 83 00:05:59,800 --> 00:06:04,000 Speaker 1: His mother, Lydia, was in the house at the time, 84 00:06:04,040 --> 00:06:06,680 Speaker 1: but she grew up working the fields, and she was 85 00:06:06,720 --> 00:06:09,640 Speaker 1: not from this town originally. She had been taken from 86 00:06:09,640 --> 00:06:12,479 Speaker 1: her own family when she was just nine years old. 87 00:06:12,920 --> 00:06:17,440 Speaker 1: The story of Small's father is largely lost to history. 88 00:06:18,120 --> 00:06:20,440 Speaker 1: There are a few suspects, or there are a few 89 00:06:20,520 --> 00:06:27,160 Speaker 1: suspected patriarchs, but none have been clearly identified. We know that, 90 00:06:28,160 --> 00:06:32,120 Speaker 1: at least according to some great work by historians Quota 91 00:06:32,160 --> 00:06:36,600 Speaker 1: with PBS, we know that the slaver family the McKee family. 92 00:06:37,480 --> 00:06:40,360 Speaker 1: The patriarch of them was John McKee. For some reason, 93 00:06:40,520 --> 00:06:45,719 Speaker 1: they seemed to favor young Robert over the other enslaved 94 00:06:45,760 --> 00:06:48,800 Speaker 1: children that were living on the property, and that causes 95 00:06:48,880 --> 00:06:53,160 Speaker 1: some historians to speculate that perhaps John McKee was Robert's 96 00:06:53,200 --> 00:06:57,000 Speaker 1: biological That's all the detail that caused historians to lean 97 00:06:57,040 --> 00:07:00,359 Speaker 1: most in that direction. Uh And speaking of historians, highly 98 00:07:00,360 --> 00:07:05,120 Speaker 1: recommend checking out Henry Lewis Gates Juniors article on PBS. 99 00:07:05,440 --> 00:07:08,760 Speaker 1: It's actually a transcript of a series that this historical, 100 00:07:08,839 --> 00:07:12,640 Speaker 1: wonderful historian did called the African Americans Many Rivers to 101 00:07:12,720 --> 00:07:16,080 Speaker 1: Cross Um. So you can find that on PBS dot 102 00:07:16,200 --> 00:07:19,560 Speaker 1: org just search for Robert Small's Henry Lewis Gates. Don't 103 00:07:19,560 --> 00:07:21,400 Speaker 1: want to read you the headlined quite yet because it's 104 00:07:21,480 --> 00:07:24,200 Speaker 1: kit of a spoiler. But you're right then, a lot 105 00:07:24,240 --> 00:07:29,400 Speaker 1: of times the history of family lineage in these slave 106 00:07:29,760 --> 00:07:34,840 Speaker 1: situations were lost to history for obvious reasons. Yeah, and 107 00:07:34,920 --> 00:07:39,320 Speaker 1: this was by design in some cases. Here's the thing. 108 00:07:39,520 --> 00:07:44,680 Speaker 1: He he had, He had friends, and he would hang 109 00:07:44,680 --> 00:07:48,440 Speaker 1: out with him, and he would be pushing the envelope 110 00:07:48,760 --> 00:07:54,000 Speaker 1: against some of the draconian rules over class and behavior 111 00:07:54,360 --> 00:07:59,080 Speaker 1: in this community. Most notably, he ignored the curfew that 112 00:07:59,200 --> 00:08:01,800 Speaker 1: was set for all black people in town and he 113 00:08:01,840 --> 00:08:05,680 Speaker 1: would hang out with his white friends. His mother was very, 114 00:08:05,840 --> 00:08:10,040 Speaker 1: very worried about this because she thought he would grow 115 00:08:10,160 --> 00:08:16,080 Speaker 1: up without fully understanding the horrors of slavery, and so 116 00:08:16,520 --> 00:08:21,600 Speaker 1: she intended to give him a tough education. She said, look, 117 00:08:22,080 --> 00:08:23,880 Speaker 1: he has to go work in the fields for a while. 118 00:08:23,920 --> 00:08:26,760 Speaker 1: And he asked to watch people as they are being 119 00:08:27,000 --> 00:08:30,680 Speaker 1: whipped and being being whipped in this time. Make no, 120 00:08:31,120 --> 00:08:34,800 Speaker 1: make no mistake, It's not the same as like apparent 121 00:08:35,320 --> 00:08:38,920 Speaker 1: spanking a kid with their hand. This is a traumatic, 122 00:08:39,280 --> 00:08:43,960 Speaker 1: incredibly dangerous thing to do to someone. You can lead 123 00:08:43,960 --> 00:08:47,559 Speaker 1: to death, that will leave scars, right, so, absolutely so 124 00:08:47,800 --> 00:08:52,600 Speaker 1: when he saw this. According to his great granddaughter, who 125 00:08:52,600 --> 00:08:57,079 Speaker 1: would talked about this later in an historian w Marvin Delaney, 126 00:08:57,200 --> 00:09:03,000 Speaker 1: Robert ended up in the Beaufort jail pretty frequently. And 127 00:09:04,400 --> 00:09:07,840 Speaker 1: eventually his mom tries something else and she says, Okay, 128 00:09:07,960 --> 00:09:11,440 Speaker 1: she goes to the McKay family and she says, I'm 129 00:09:11,440 --> 00:09:14,960 Speaker 1: worried about my son's safety. Can you sent him to 130 00:09:15,200 --> 00:09:20,120 Speaker 1: Charleston and so he can work there. It's a bigger town, right, uh. 131 00:09:20,160 --> 00:09:24,040 Speaker 1: And it's a different town, and so the McKee family 132 00:09:24,080 --> 00:09:26,880 Speaker 1: ends up moving to Charleston too. And when when Robert's 133 00:09:26,920 --> 00:09:31,880 Speaker 1: about twelve years old, he's hired as a day laborer 134 00:09:31,920 --> 00:09:35,079 Speaker 1: working on the waterfront and he eventually becomes a sailor, 135 00:09:35,160 --> 00:09:38,680 Speaker 1: which is sort of the first step towards this big story. 136 00:09:38,840 --> 00:09:41,880 Speaker 1: And he's lived a lot of life by the time 137 00:09:41,920 --> 00:09:45,000 Speaker 1: he's nineteen. Let's see what was he up tonal Right, 138 00:09:45,240 --> 00:09:47,959 Speaker 1: by this very young age, he had held down quite 139 00:09:48,000 --> 00:09:52,040 Speaker 1: a few different jobs at various skill levels, but some 140 00:09:52,160 --> 00:09:54,920 Speaker 1: of them included a lamplighter, which is exactly what it 141 00:09:54,960 --> 00:09:58,640 Speaker 1: sounds like, a Steve Dore forman Steve a door for men, 142 00:09:58,720 --> 00:10:01,800 Speaker 1: which is essentially UM an early version of what we 143 00:10:01,840 --> 00:10:05,280 Speaker 1: would call a longshoreman, someone who was responsible for loading 144 00:10:05,280 --> 00:10:10,160 Speaker 1: and unloading cargo from merchant ships. Uh. He also was 145 00:10:10,400 --> 00:10:13,760 Speaker 1: a waiter, again being shown a little bit of preferential 146 00:10:13,760 --> 00:10:16,520 Speaker 1: treatment here considering UH he was allowed to keep a 147 00:10:16,600 --> 00:10:21,240 Speaker 1: dollar of his fifteen dollar a week wages UM. His owner, 148 00:10:21,360 --> 00:10:25,680 Speaker 1: of course, took the rest. And he was able to 149 00:10:25,760 --> 00:10:30,520 Speaker 1: kind of learn a lot from these jobs from listening, 150 00:10:30,559 --> 00:10:33,839 Speaker 1: you know, especially the waiter job. He was able to 151 00:10:33,920 --> 00:10:38,000 Speaker 1: kind of figure out who everyone was in the community. 152 00:10:38,040 --> 00:10:40,800 Speaker 1: People would pass to the restaurant, and he began to 153 00:10:40,880 --> 00:10:44,480 Speaker 1: learn a lot about who who was who within the 154 00:10:44,600 --> 00:10:49,000 Speaker 1: um sports kind of hierarchy here in Charleston. There were 155 00:10:49,080 --> 00:10:52,720 Speaker 1: very few people, according to Gates the story we talked 156 00:10:52,720 --> 00:10:56,720 Speaker 1: about in Charleston, who knew more about the harbor than 157 00:10:57,000 --> 00:10:59,600 Speaker 1: Robert Smalls, and that just came from him literally keeping 158 00:10:59,640 --> 00:11:09,600 Speaker 1: his ear so open. So around eighteen fifty six he 159 00:11:09,840 --> 00:11:13,480 Speaker 1: met his wife there in Charlestown. Um, Hannah is what 160 00:11:13,520 --> 00:11:15,920 Speaker 1: her name was. And she was a slave that belonged 161 00:11:16,040 --> 00:11:19,280 Speaker 1: to the Kingman family. Uh. And she worked at a 162 00:11:19,400 --> 00:11:24,000 Speaker 1: hotel there in Charleston, and Robert got the owner's permission 163 00:11:24,400 --> 00:11:28,120 Speaker 1: to marry her, and the two then moved in together 164 00:11:28,640 --> 00:11:33,400 Speaker 1: into an apartment and had two children, Elizabeth and Robert Jr. 165 00:11:33,960 --> 00:11:37,040 Speaker 1: And even though they were kind of granted this permission 166 00:11:37,480 --> 00:11:40,960 Speaker 1: to marry, they knew that it was possible that they 167 00:11:41,000 --> 00:11:43,760 Speaker 1: would be asked they would be forced to you know, 168 00:11:43,840 --> 00:11:46,960 Speaker 1: separate um, depending on the nature of the work, or 169 00:11:47,000 --> 00:11:50,000 Speaker 1: if the family that owned one or both of them 170 00:11:50,200 --> 00:11:53,360 Speaker 1: decided they wanted to move. So Smalls asked the owner 171 00:11:53,720 --> 00:11:58,320 Speaker 1: of his wife if he could just buy his family, 172 00:11:58,720 --> 00:12:01,320 Speaker 1: which would have been at a very dear cost at 173 00:12:01,360 --> 00:12:04,600 Speaker 1: the time, around eight hundred dollars. He only had around 174 00:12:04,600 --> 00:12:08,200 Speaker 1: a hundred though at the time, and proposed that he 175 00:12:08,280 --> 00:12:11,880 Speaker 1: would save up the other seven hundred after making that 176 00:12:11,960 --> 00:12:16,040 Speaker 1: down payment. Yeah, and for Max, could we get some 177 00:12:16,120 --> 00:12:25,240 Speaker 1: inflation calculator action fired up here there? It is okay, good, Yeah, 178 00:12:25,320 --> 00:12:27,520 Speaker 1: it takes this a second, folks, the further we go 179 00:12:27,600 --> 00:12:32,080 Speaker 1: back in time. So just for comparison, eight hundred dollars 180 00:12:32,520 --> 00:12:37,640 Speaker 1: was just under thousand, four hundred dollars today, So this 181 00:12:37,760 --> 00:12:40,600 Speaker 1: was this was steep, especially when you consider that this 182 00:12:40,640 --> 00:12:45,640 Speaker 1: guy was able to save money despite only receiving one 183 00:12:45,960 --> 00:12:50,920 Speaker 1: of his pay the other fourteen dollars each week. Is 184 00:12:51,040 --> 00:12:54,280 Speaker 1: it's insanely going to This guy's doing nothing. He's doing 185 00:12:54,320 --> 00:12:59,920 Speaker 1: nothing on the docks, so so this price, it's crazy, 186 00:13:00,120 --> 00:13:03,880 Speaker 1: and he is rightly wondering how long is it going 187 00:13:03,960 --> 00:13:07,720 Speaker 1: to take me to save up this other seven hundred dollars. 188 00:13:08,120 --> 00:13:12,960 Speaker 1: He's thinking this, by the way, during the Civil War, 189 00:13:13,600 --> 00:13:16,760 Speaker 1: because he was hired as a deckhand in March of 190 00:13:16,800 --> 00:13:20,880 Speaker 1: eighteen sixty one on that Confederate supply ship. From the 191 00:13:21,000 --> 00:13:24,640 Speaker 1: very beginning of our story, the Planter. The Planter was 192 00:13:25,240 --> 00:13:27,520 Speaker 1: back in the day, it had been a cotton steamer, 193 00:13:27,520 --> 00:13:31,120 Speaker 1: but it got converted to carry supplies between forts in 194 00:13:31,160 --> 00:13:35,360 Speaker 1: the Charleston Harbor. And so just the way that Robert 195 00:13:35,480 --> 00:13:40,960 Speaker 1: learned everything about the Charleston Docks, he learned everything he 196 00:13:41,080 --> 00:13:45,920 Speaker 1: could about steering and running this steamer, running the Planter, 197 00:13:46,400 --> 00:13:52,559 Speaker 1: and he began to brainstorm slowly over time way a 198 00:13:52,720 --> 00:13:56,559 Speaker 1: way to escape the heist began to form in his head. 199 00:13:56,679 --> 00:14:00,920 Speaker 1: So let's fast forward. It's spring. It's a sixty two. 200 00:14:01,040 --> 00:14:04,400 Speaker 1: This is the second full year of the U. S. 201 00:14:04,440 --> 00:14:09,080 Speaker 1: Civil War. Smalls is still working aboard the Planter, and 202 00:14:10,280 --> 00:14:13,120 Speaker 1: he has learned a lot of stuff. He's also very 203 00:14:13,200 --> 00:14:16,400 Speaker 1: cognizant that he is working for the enemy, for the 204 00:14:16,400 --> 00:14:19,760 Speaker 1: people who want to keep him enslaved. Right, It's not 205 00:14:19,840 --> 00:14:21,960 Speaker 1: like he had a choice though, you know, no, no, 206 00:14:22,280 --> 00:14:25,440 Speaker 1: And so he learns how to steer the boat, he 207 00:14:25,520 --> 00:14:29,480 Speaker 1: learns how to plant sea mines, he learns the codes 208 00:14:30,080 --> 00:14:34,040 Speaker 1: and the signals that you need as a vessel to 209 00:14:34,440 --> 00:14:38,800 Speaker 1: safely pass Confederate forts. Uh. And he becomes familiar as 210 00:14:38,840 --> 00:14:42,080 Speaker 1: ship becomes familiar to these locations. And yeah, and there's 211 00:14:42,080 --> 00:14:45,280 Speaker 1: a really great mental Flass article about this topic as 212 00:14:45,320 --> 00:14:49,160 Speaker 1: well by Lucas Riley highly recommended checking that out for 213 00:14:49,200 --> 00:14:52,600 Speaker 1: some additional details. But there was this was a time 214 00:14:52,720 --> 00:14:55,880 Speaker 1: when I think the writing was somewhat on the wall 215 00:14:56,120 --> 00:14:59,040 Speaker 1: that the the Union was going to win out. They 216 00:14:59,040 --> 00:15:04,120 Speaker 1: were doing some pretty significant blockades of Confederate supply vessels, 217 00:15:04,160 --> 00:15:08,560 Speaker 1: and this is something that Smalls was very much aware of, right. 218 00:15:08,600 --> 00:15:12,480 Speaker 1: He sees these blockades of Union ships, and by this 219 00:15:12,520 --> 00:15:16,520 Speaker 1: point in the war, these blockades are are a regular thing, right, 220 00:15:16,640 --> 00:15:20,080 Speaker 1: the Union forces are cutting off supplies, and if you're 221 00:15:20,160 --> 00:15:23,800 Speaker 1: in if you're in Confederate lands at this time, then 222 00:15:24,400 --> 00:15:28,120 Speaker 1: depending on your position in society, those blockades can represent 223 00:15:28,360 --> 00:15:33,080 Speaker 1: very different things. So the many of the white Confederates 224 00:15:33,120 --> 00:15:38,480 Speaker 1: and supporters of the Confederate Army, they, without a hint 225 00:15:38,680 --> 00:15:44,239 Speaker 1: of self awareness or irony, saw these blockades as oppressive 226 00:15:44,840 --> 00:15:49,080 Speaker 1: to people who were actually being oppressed. To actual enslaved people, 227 00:15:49,640 --> 00:15:54,480 Speaker 1: these ships represented not oppression, but they represented the possibility 228 00:15:54,880 --> 00:16:00,840 Speaker 1: of freedom. And so Smalls knew that due to the war, 229 00:16:01,840 --> 00:16:07,200 Speaker 1: Union naval commanders have been accepting runaways, like if you 230 00:16:07,320 --> 00:16:12,400 Speaker 1: could make it to Union Land, then you would have 231 00:16:12,480 --> 00:16:14,760 Speaker 1: a chance of being free. And so he knew he 232 00:16:14,800 --> 00:16:17,320 Speaker 1: couldn't pay for you know, he knew he couldn't save 233 00:16:17,400 --> 00:16:20,920 Speaker 1: up another seven hundred dollars anytime soon. So he thought, 234 00:16:22,320 --> 00:16:25,960 Speaker 1: what if, what if we can pull a heist? What 235 00:16:26,040 --> 00:16:31,000 Speaker 1: if we can steal ourselves? For last better phrase, and 236 00:16:31,120 --> 00:16:33,800 Speaker 1: this is something like we've got this cinematic moment if 237 00:16:33,800 --> 00:16:35,400 Speaker 1: we go back to the film. This is from that 238 00:16:35,880 --> 00:16:38,920 Speaker 1: mental phlass article you just mentioned. The uh there was 239 00:16:38,960 --> 00:16:41,440 Speaker 1: a captain of this ship, and this captain was a 240 00:16:41,440 --> 00:16:45,200 Speaker 1: white guy's named C. J. Reliat, and he had this 241 00:16:45,320 --> 00:16:48,000 Speaker 1: wide brimmed straw hat and it was kind of like 242 00:16:48,080 --> 00:16:50,440 Speaker 1: his thing, you know how like in some places the 243 00:16:50,480 --> 00:16:53,240 Speaker 1: boss has their funny coffee mug or whatever. He was 244 00:16:53,280 --> 00:16:55,800 Speaker 1: known for his hat. So picture this moment in the 245 00:16:55,800 --> 00:16:59,200 Speaker 1: film where there's another crew member, also an enslaved person, 246 00:16:59,560 --> 00:17:02,360 Speaker 1: the cap and out away doing something and this this 247 00:17:02,400 --> 00:17:05,240 Speaker 1: guy grabs the hat and he puts it on Small's 248 00:17:05,240 --> 00:17:07,719 Speaker 1: head and a Small as again remember he's only like 249 00:17:07,800 --> 00:17:10,560 Speaker 1: in his early twenties, and he says, you look just 250 00:17:10,680 --> 00:17:16,480 Speaker 1: like the captain. And then that's when Falls is looking 251 00:17:16,560 --> 00:17:19,280 Speaker 1: out at the ocean. He's looking pass Fort Sumter and 252 00:17:19,280 --> 00:17:22,399 Speaker 1: he's seen that those Union ships in the distance, and 253 00:17:22,400 --> 00:17:25,919 Speaker 1: then it dawns on him he could steal the planter. 254 00:17:26,520 --> 00:17:36,159 Speaker 1: He could actually do it. Smalls was probably one of 255 00:17:36,200 --> 00:17:37,840 Speaker 1: the most skilled of all of them. He was what 256 00:17:37,920 --> 00:17:41,080 Speaker 1: was considered the wheelman because he was a slave, he 257 00:17:41,160 --> 00:17:44,159 Speaker 1: was not able to have any kind of rank, and 258 00:17:44,280 --> 00:17:48,200 Speaker 1: typical of this time period, you know, the white captain 259 00:17:48,359 --> 00:17:50,640 Speaker 1: didn't really do a whole heck of a lot except, like, 260 00:17:51,080 --> 00:17:54,720 Speaker 1: you know, occupy that official role. But it was really 261 00:17:55,520 --> 00:17:58,240 Speaker 1: Smalls that was doing all of the steering, so he 262 00:17:58,280 --> 00:18:00,480 Speaker 1: knew exactly what to do, and he knew how he 263 00:18:00,520 --> 00:18:05,160 Speaker 1: could use that likeness to kind of create a diversion. Right. So, 264 00:18:05,280 --> 00:18:09,879 Speaker 1: late in the evening of May to the planner returned 265 00:18:09,880 --> 00:18:14,679 Speaker 1: to Charleston after a two week supply expedition. The White 266 00:18:14,720 --> 00:18:17,600 Speaker 1: crew were supposed to stay on board to you know, 267 00:18:17,680 --> 00:18:21,960 Speaker 1: keep an eye on the the enslaved crew, but um, 268 00:18:22,000 --> 00:18:25,919 Speaker 1: they were scheduled for another mission the next day, and 269 00:18:26,880 --> 00:18:29,720 Speaker 1: they wanted to get a little bit of shore leave 270 00:18:30,040 --> 00:18:33,040 Speaker 1: time in. They wanted to you know, sleep in a 271 00:18:33,200 --> 00:18:35,560 Speaker 1: comfortable bed, you know, maybe in a hotel, maybe have 272 00:18:35,680 --> 00:18:39,760 Speaker 1: the company of a woman or something like that. Um. 273 00:18:39,840 --> 00:18:42,640 Speaker 1: You know, these guys were definitely ready for a night 274 00:18:42,720 --> 00:18:46,439 Speaker 1: on the town. So they left the boat. Um, and 275 00:18:46,480 --> 00:18:49,800 Speaker 1: they trusted the enslaved crew members to take care of it, 276 00:18:49,800 --> 00:18:52,239 Speaker 1: because that's what they always did. They always took care 277 00:18:52,280 --> 00:18:56,600 Speaker 1: of everything of including steering the actual ship. Um. Captain 278 00:18:56,640 --> 00:19:00,520 Speaker 1: Relia did the same thing under threat of court marshal, 279 00:19:00,760 --> 00:19:02,119 Speaker 1: Like this is a big deal. This would have been 280 00:19:02,119 --> 00:19:05,080 Speaker 1: considered abandoning his post or what is it called going 281 00:19:05,119 --> 00:19:09,240 Speaker 1: a wall ben right away without leave. Yeah, yeah, if 282 00:19:09,280 --> 00:19:11,920 Speaker 1: he was, if he was caught not manning the boat, 283 00:19:12,359 --> 00:19:16,760 Speaker 1: then it would clearly be a dereliction of duty. But 284 00:19:17,280 --> 00:19:21,159 Speaker 1: he had been relaxing, right. They had done a successful 285 00:19:21,160 --> 00:19:25,080 Speaker 1: two week run, so he, like the other white officers, 286 00:19:25,119 --> 00:19:29,159 Speaker 1: are in town to unwind. And once they get to shore, 287 00:19:29,840 --> 00:19:36,440 Speaker 1: Robert turns to his fellow crew members and he says, Okay, 288 00:19:36,920 --> 00:19:40,040 Speaker 1: it's go time. Essentially, that's not a verbatim quote, by 289 00:19:40,080 --> 00:19:42,040 Speaker 1: the way, I don't think people said it's go time 290 00:19:42,080 --> 00:19:44,879 Speaker 1: back then, but you get the gist of what we're saying. 291 00:19:45,160 --> 00:19:50,240 Speaker 1: And he's very honest about the dangers involved, and he 292 00:19:50,320 --> 00:19:54,480 Speaker 1: says that you know, I have no intention of being 293 00:19:54,520 --> 00:19:58,520 Speaker 1: taken alive. Being captured is not an option for this operation. 294 00:19:59,040 --> 00:20:02,200 Speaker 1: We will escape and we will use whatever guns and 295 00:20:02,320 --> 00:20:05,879 Speaker 1: ammo you have on board to fight if necessary. And 296 00:20:06,119 --> 00:20:09,840 Speaker 1: if worst comes to worst, we are sinking this ship. 297 00:20:10,359 --> 00:20:14,240 Speaker 1: So now is your chance. He basically says, are you 298 00:20:14,400 --> 00:20:17,600 Speaker 1: in or are you out? And two people in the 299 00:20:17,640 --> 00:20:21,560 Speaker 1: crew said it's too dangerous for one reason or another, 300 00:20:21,640 --> 00:20:24,760 Speaker 1: maybe family, maybe fear bodily harm. They said they were 301 00:20:24,760 --> 00:20:29,320 Speaker 1: gonna stay behind. And so after that, after everybody had 302 00:20:29,320 --> 00:20:32,960 Speaker 1: confirmed whether they were in or out, Robert Smalls takes 303 00:20:33,000 --> 00:20:35,680 Speaker 1: the skipper's jacket, he puts it on. He takes that 304 00:20:35,800 --> 00:20:42,320 Speaker 1: obnoxious straw hat and he puts the signature signature moment 305 00:20:42,480 --> 00:20:46,400 Speaker 1: picture the swelling crescendo as he orders the crew. Now 306 00:20:46,400 --> 00:20:49,360 Speaker 1: he's captain, and he says, light the boilers. So they 307 00:20:49,440 --> 00:20:53,440 Speaker 1: light the boilers, and at two am the planter starts 308 00:20:53,880 --> 00:20:58,720 Speaker 1: sneaking out into the Charleston Harbor. Perfect. It's a perfect plan. 309 00:20:58,840 --> 00:21:01,240 Speaker 1: I mean, the whole crew. Anyone that would have said 310 00:21:01,320 --> 00:21:05,359 Speaker 1: anything about this, they were probably pissed drunk at this point, 311 00:21:05,400 --> 00:21:08,640 Speaker 1: you know, including the captain. Um, there's really I mean, 312 00:21:09,080 --> 00:21:11,960 Speaker 1: once they got into the harbor, certainly plenty was going 313 00:21:12,000 --> 00:21:15,000 Speaker 1: to go wrong, but they absolutely had the perfect opportunity, 314 00:21:15,040 --> 00:21:20,600 Speaker 1: which they ceased. Uh So Smalls starts to steer the 315 00:21:20,680 --> 00:21:24,280 Speaker 1: ship to a rendezvous point where he was going to 316 00:21:24,359 --> 00:21:28,160 Speaker 1: pick up his wife and kids, along with a handful 317 00:21:28,200 --> 00:21:32,000 Speaker 1: of other enslaved people. Um, he had sent word to 318 00:21:32,160 --> 00:21:35,840 Speaker 1: his family of this possibility so that they would be 319 00:21:35,960 --> 00:21:39,400 Speaker 1: waiting and ready, and ready they were. They got scooped 320 00:21:39,480 --> 00:21:44,800 Speaker 1: up and were off. And there is a report from 321 00:21:44,800 --> 00:21:48,320 Speaker 1: a newspaper account of this. Uh quote from Hannah herself, 322 00:21:48,680 --> 00:21:51,879 Speaker 1: who said this, the whole party had solemnly agreed in 323 00:21:51,920 --> 00:21:54,679 Speaker 1: advance that if pursued and without hope of escape, the 324 00:21:54,760 --> 00:21:59,320 Speaker 1: ship would be scuttled and sunk, essentially going down with 325 00:21:59,359 --> 00:22:01,960 Speaker 1: the ship. They would like, you know, this whole idea 326 00:22:01,960 --> 00:22:05,200 Speaker 1: of not being taken alive, and they should all take hands, 327 00:22:05,600 --> 00:22:09,280 Speaker 1: husband and wife, brother and sister and jump overboard and 328 00:22:09,400 --> 00:22:15,120 Speaker 1: perish together. Wow. Yeah, and she says. This was also 329 00:22:15,119 --> 00:22:19,080 Speaker 1: reported afterwards. According to the the accounts that were written 330 00:22:19,280 --> 00:22:24,400 Speaker 1: of this escape, Hannah reportedly told Robert, it is a risk, dear, 331 00:22:24,640 --> 00:22:27,080 Speaker 1: but you and I and our little ones must be free. 332 00:22:27,240 --> 00:22:30,280 Speaker 1: I will go for where you die. I will die, 333 00:22:30,840 --> 00:22:35,680 Speaker 1: which is profound. And the crew was, you know, like 334 00:22:35,720 --> 00:22:39,040 Speaker 1: we said, they were more than capable and more than 335 00:22:39,080 --> 00:22:43,040 Speaker 1: willing to fight back if they were discovered, exposed and 336 00:22:43,119 --> 00:22:46,760 Speaker 1: pursued because this boat was a supply ship, so it 337 00:22:46,840 --> 00:22:50,520 Speaker 1: has two rounds of ammunition, they've got five large guns, 338 00:22:51,040 --> 00:22:53,920 Speaker 1: and if cornered, they decided in advance that they would 339 00:22:53,960 --> 00:22:57,919 Speaker 1: take dynamite to the boiler because if they you know, 340 00:22:58,040 --> 00:23:00,200 Speaker 1: if they die and if they take the ship down 341 00:23:00,320 --> 00:23:05,320 Speaker 1: with them, then they're they're removing that ship from the war, 342 00:23:05,720 --> 00:23:10,040 Speaker 1: so they're not just dying they're also injuring the Confederate Forces, 343 00:23:10,119 --> 00:23:13,680 Speaker 1: which is very important. So no, I am pretty sure 344 00:23:13,720 --> 00:23:18,080 Speaker 1: we're onto something. This should be a film. This definitely 345 00:23:18,119 --> 00:23:20,280 Speaker 1: has to be a two parter. I think we've we've 346 00:23:20,320 --> 00:23:22,800 Speaker 1: got a heist another week for highst week. I think so, 347 00:23:22,880 --> 00:23:25,159 Speaker 1: and we've got one for you. But in the meantime, 348 00:23:25,160 --> 00:23:27,560 Speaker 1: we're gonna close this one out. We've got some nice 349 00:23:27,600 --> 00:23:30,040 Speaker 1: background for you, and we'll be back in just a 350 00:23:30,080 --> 00:23:33,360 Speaker 1: couple of days with the heisty part of the superhisty 351 00:23:33,400 --> 00:23:35,880 Speaker 1: part of this high story. So don't feel too let 352 00:23:35,880 --> 00:23:38,600 Speaker 1: down in the meantime. Huge thanks to Max Williams super 353 00:23:38,600 --> 00:23:44,080 Speaker 1: producer extraordinaire brother Alex Williams, who composed this theme. Big 354 00:23:44,080 --> 00:23:49,440 Speaker 1: big thanks to Christopher Hasiotis, Big big thanks to Gabe Lousier. 355 00:23:50,160 --> 00:23:54,480 Speaker 1: Big thanks of course to Casey Pegraham and um, maybe 356 00:23:54,520 --> 00:23:59,800 Speaker 1: not a big thanks, but like a a medium thing 357 00:24:00,520 --> 00:24:02,840 Speaker 1: to Jonathan Strictland. Oh there we go. That's like the 358 00:24:03,240 --> 00:24:09,480 Speaker 1: just like when Dill Murray called Chevy Chase medium talent exactly. Yeah. 359 00:24:09,720 --> 00:24:12,399 Speaker 1: I also heard a really funny story about Martin Short 360 00:24:12,440 --> 00:24:15,720 Speaker 1: and Steve Martin. Apparently, when Martin Short visited Steve Martin's 361 00:24:15,760 --> 00:24:17,320 Speaker 1: house for the first time he saw he had all 362 00:24:17,320 --> 00:24:21,840 Speaker 1: these incredible paintings like Picasso's and hoppers and all that, 363 00:24:22,080 --> 00:24:24,320 Speaker 1: and he goes, gosh, how are you this rich? I've 364 00:24:24,320 --> 00:24:28,600 Speaker 1: seen your work. ULLU. We will We will be back, folks. 365 00:24:28,600 --> 00:24:31,520 Speaker 1: Tune in for the second part of the story. We 366 00:24:31,600 --> 00:24:34,760 Speaker 1: cannot wait to go on this journey with you. And 367 00:24:34,840 --> 00:24:37,600 Speaker 1: also let us know, by the way, some of your 368 00:24:37,680 --> 00:24:40,360 Speaker 1: favorite heist You can do that by going to Ridiculous 369 00:24:40,400 --> 00:24:44,800 Speaker 1: Historians on Facebook, or you can do it by sending 370 00:24:45,359 --> 00:24:49,040 Speaker 1: sending us an email or sending Max Milan email. It's 371 00:24:49,040 --> 00:24:51,719 Speaker 1: gonna happen, Then it's gonna happen three eventually that email 372 00:24:51,880 --> 00:24:55,639 Speaker 1: is ridiculous At iHeart media dot com, We'll see you 373 00:24:55,640 --> 00:25:05,480 Speaker 1: next time, folks. Yeah. For more podcasts from my Heart Radio, 374 00:25:05,560 --> 00:25:08,159 Speaker 1: visit the i Heart Radio app, Apple Podcasts, or wherever 375 00:25:08,320 --> 00:25:09,840 Speaker 1: you listen to your favorite shows.