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Speaker 1: But when I don't want to get emotional because we

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Speaker 1: haven't started. But you two are like father figures to

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Speaker 1: me in a way. I won't say what I want

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Speaker 1: to get my kids.

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Speaker 2: To talk about my interest. Well, I need to know.

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Speaker 3: Now, I actually have to know what way.

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Speaker 1: We'll circle back, circle back, put a little closer, even closer.

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Speaker 1: I didn't think it.

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Speaker 4: Sounds crazy, Yeah, okay for like him, No, I like

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Speaker 4: the sound is fine.

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Speaker 1: Yeah, it's something that he needs.

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Speaker 4: Someone he photoshops and ice cream over the mic. Later, Sorry,

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Speaker 4: Kevin just like makes you adjust the mic in a

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Speaker 4: certain way.

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Speaker 2: Like we're just bet.

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Speaker 4: I know the song just started people, we weren't recording,

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Speaker 4: but he he does these photoshop photoshops of an ice

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Speaker 4: cream cone, and he like needs it perfectly positioned so

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Speaker 4: that it like looks like you like the ice cream.

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Speaker 1: I guess it's like whatever he needs. It's not my

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Speaker 1: place to dictate. Yeah, but desires I get. I don't

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Speaker 1: even know.

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Speaker 5: I hesitate to call it a fetish, but it is

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Speaker 5: something specific that Kevin likes ice cream.

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Speaker 3: What what did you say?

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Speaker 2: Ice cream?

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Speaker 4: Photoshop ice cream photoshops, photoshop ice creamphotoshop dot com has

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Speaker 4: been in Beta for so long that I now believe

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Speaker 4: he's never going to launch it and that it is

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Speaker 4: purely for his own private.

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Speaker 1: I know that it is. He doesn't have to tell me.

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Speaker 1: I can't even look at him right now. It's fine,

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Speaker 1: but I know what.

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Speaker 2: I wow so busy. I can't do our live show, sorry,

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Speaker 2: and can't even look at Kevin.

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Speaker 1: We're opening with the heat.

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Speaker 2: You're so you're so busy you don't even have to

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Speaker 2: look at Kevin right now.

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Speaker 1: Look me when you say that, thanks, I can't.

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Speaker 2: Because I have I have time so booked and busy,

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Speaker 2: and I actually had time to do the live show

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Speaker 2: as well. Pause.

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Speaker 4: Let's before we get angry, let's introduce the guests.

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Speaker 1: Good morning.

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Speaker 3: By the way, today we have excuse me, I'm talking now.

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Speaker 4: Today we have IOH and it's spelled I owe because

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Speaker 4: you do us because because he didn't. And so there's

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Speaker 4: you took money out of our pocket.

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Speaker 2: Father. We have baby I.

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Speaker 1: By the way, I see how your children.

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Speaker 3: I see your children are.

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Speaker 2: Baby women.

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Speaker 3: It's supposed to be women supporting women.

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Speaker 1: Okay. First of all, I'm on basically probably the fourth

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Speaker 1: or fifth wave of feminism. I'm at a point where

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Speaker 1: it's good for me to be putting up hurdles for

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Speaker 1: other women.

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Speaker 3: You should be stopping on them, jump.

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Speaker 1: Over them, so that I can give them something to

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Speaker 1: motivate them. So you're welcome to your daughters.

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Speaker 3: Okay, I'll pass that on.

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Speaker 1: Thank you, and you know, secondly, hey, and I love

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Speaker 1: you too as well. And okay, here's.

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Speaker 6: My question about the live show, Okay, hit me.

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Speaker 1: Was it sort of promoted it anyway? Did people know

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Speaker 1: that that was showing we were unable.

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Speaker 2: To promote it.

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Speaker 3: We were unable to promote it.

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Speaker 2: Because we were.

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Speaker 3: Yeah, okay, we.

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Speaker 4: Were left dangling by someone who at one time was

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Speaker 4: considered essentially the third boy. Don't say that someone don't

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Speaker 4: have been floaded as a potential third boy.

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Speaker 2: Missing to under the language, you would understand, we were

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Speaker 2: banished like fucking low key or whatever.

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Speaker 4: The yes as we were sent to the ass.

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Speaker 2: And so, yeah, I guess that's why we've had steady

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Speaker 2: declines and attendance.

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Speaker 1: No, that's not why.

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Speaker 2: That's why.

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Speaker 4: That is why, that's confirmed as why.

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Speaker 2: We hired mackenzie and McKenzie were actually confirmed.

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Speaker 1: Do you think maybe if you had taken some of

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Speaker 1: that money that you were spending on McKenzie.

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Speaker 4: We hired McSweeney's as well, And we hired McKenzie and McSweeney's.

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Speaker 1: And I put down my pen pencils down, pencils down,

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Speaker 1: ears up, I'm listening.

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Speaker 2: I'm the flood of I've actually been fired to see

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Speaker 2: the flood of creativity to McSweeney's that has come from.

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Speaker 4: The fact that you when you shut off every other avenue,

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Speaker 4: it's like, you know, it's like the water has to

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Speaker 4: go somewhere.

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Speaker 2: Back to McSweeney's. Return all caps with a V instead

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Speaker 2: of the U.

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Speaker 1: I told you to this. You know, your father figures

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Speaker 1: to me in a.

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Speaker 3: Way, yeah, said, we still don't know what way.

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Speaker 1: And I told you I'll circle back. But I'm a

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Speaker 1: I'm a young woman of many fathers, and I'm not

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Speaker 1: the first to say this about myself. I've got another father.

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Speaker 1: His name is Mickey Mouse. Yeah, and he's housing me,

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Speaker 1: he's feeding me, he's putting clothes on my back, shoes

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Speaker 1: on my feet, and a pep in my step and

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Speaker 1: I love you.

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Speaker 2: So it seems like it could be that this happened

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Speaker 2: a little wild ben months back, or even when it started,

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Speaker 2: that probably a certain gentleman by the name of Bob

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Speaker 2: Chapek was Bob Paycheck?

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Speaker 1: I had I had a character too, dangled in front

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Speaker 1: of me and and and who am I but a

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Speaker 1: man horse camp at the band? Okay, I lost the metaphor.

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Speaker 1: I lost the metaphor.

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Speaker 4: You know what it would have been daggled in front

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Speaker 4: of you, geez grammat dog named.

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Speaker 3: Here and he ate that Mickey Mouse is busted. I'm sorry.

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Speaker 3: Just like an image.

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Speaker 4: It's just an image that we're like so familiar with

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Speaker 4: that we don't think about the fact that Mickey Mouse

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Speaker 4: is busted.

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Speaker 1: He's not busted. Looks like ship Mickey Mouse got work done. Yeah,

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Speaker 1: Mickey Mouse got mad work done.

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Speaker 4: I know to maintain, to maintain the look that is

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Speaker 4: like was never really it hitting?

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Speaker 2: Did you do a good job?

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Speaker 1: Did I do it?

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Speaker 3: Did you do a good job for Mickey?

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Speaker 1: Okay? This is the hot pipe and tea. Because of

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Speaker 1: the strike, By the way, I love my union, whatever,

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Speaker 1: all of them, they moved some dates around. So then

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Speaker 1: I so, then I so, then I was so. Then

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Speaker 1: I was there, and then I had I was there,

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Speaker 1: and then I had to go because because.

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Speaker 3: During the strike you had to cross the pick.

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Speaker 2: You went over there and that's why your back so early. Yes,

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Speaker 2: because they were like, actually, let's why don't we just not.

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Speaker 4: So you canceled on the live show because you wanted

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Speaker 4: to cross the picket line. And then they were you

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Speaker 4: were like, the worst it's the worst case scenario is

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Speaker 4: to just cross and get to the other side.

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Speaker 2: And they're like, actually, you don't need you to, dude,

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Speaker 2: you're not working, Like why everyone picket watch it go?

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Speaker 2: I came.

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Speaker 1: I came to to take a stand and to say

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Speaker 1: I want you guys to know that I really resent

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Speaker 1: being here because there's a live podcast that I want

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Speaker 1: to be doing, and I want you guys to listen

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Speaker 1: to a bunch of episodes. And and then we all.

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Speaker 4: Sat and I heard the picketers and you signaled that

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Speaker 4: your horn doesn't work.

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Speaker 3: It's I'm pressing it, but it's not.

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Speaker 1: You guys are loving the video of it.

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Speaker 2: Huh. Yeah, they go straight down.

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Speaker 3: Yeah.

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Speaker 4: So we had so just for context for everyone, I

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Speaker 4: know that only seventy people know about this, but we

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Speaker 4: did have a live shows earlier this week. Excuse me,

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Speaker 4: excuse me, I'm giving context to the listener. We had

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Speaker 4: a live show earlier this week. It was fucking fire.

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Speaker 4: It was so funny. They've all been really good. This

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Speaker 4: may have been the best one. Mary hallm was the

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Speaker 4: guest she destroyed probably oh god, she was eating and

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Speaker 4: it was probably the best one we've done and the

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Speaker 4: best guest we've had. But originally we were scheduled, we

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Speaker 4: were booked to have I oh who in her own words,

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Speaker 4: puts cheeks in them seats.

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Speaker 3: That is what she told me would happened.

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Speaker 4: And then she said, oh, don't announce it yet, just

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Speaker 4: moving some things around.

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Speaker 3: And then I guess like requested to crust the picket line.

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Speaker 1: Okay, but what if something really crazy happened in my

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Speaker 1: personal life?

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Speaker 2: Okay, okay, all right, sure go ahead, Sure.

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Speaker 1: No, nothing did. I'm just saying that when you feel.

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Speaker 3: Sad, I mean, uh, it would depend on what it was.

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Speaker 2: So you did not gram It got arrested, Okay, Okay,

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Speaker 2: he looks fine, and we have zero bail policy right now,

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Speaker 2: So I guess that's right. That's why grammits. I guess

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Speaker 2: Gramma's just allowed to, like, doesn't matter what Gramma does.

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Speaker 2: It's allowed to.

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Speaker 4: Just just interact with me in that video and just

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Speaker 4: be in the studio with us, doesn't have.

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Speaker 3: To wear a sign or anything. That's what he did.

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Speaker 1: Is that something that happens.

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Speaker 3: No, I apparently not.

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Speaker 2: Apparently it's not what happens.

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Speaker 4: If it did happen, I guess I would know what

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Speaker 4: Gramma did because there's no other consequence. And even just

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Speaker 4: informing people, uh, is now like a violation I guess

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Speaker 4: of grammat Right, which is what I'm most concerned about.

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Speaker 2: So you did not do a good job.

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Speaker 3: You didn't do a good job.

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Speaker 2: The answer? So you answer no question, and the answer

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Speaker 2: is now.

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Speaker 1: The past few times I've come here, I feel like

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Speaker 1: it's been like a setup.

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Speaker 3: They're withholding your chape.

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Speaker 1: I'll say that I feel like there's been sort of

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Speaker 1: a setup.

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Speaker 3: Since set up at all, we have all.

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Speaker 2: Kinds of other stuff that we have to First of all, Oh, yes,

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Speaker 2: we've been doing press, haven't we We've been out there. Yeah,

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Speaker 2: we've been doing more press. Like we we've workshopped a

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Speaker 2: lot of your press in here, and and as a result,

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Speaker 2: we are seen you've been doing more than ever. Become

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Speaker 2: a bit of a volume shooter when it comes to press.

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Speaker 2: Does it always have positive impacts on our efficiency?

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Speaker 1: Interesting? Interesting?

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Speaker 2: But the volume is that we're we are. We're putting

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Speaker 2: up shops.

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Speaker 4: Yeah, yeah right, okay, yeah, the percentages are down, but

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Speaker 4: like the stats, the totals are way up.

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Speaker 3: Before we move on from the live show, and I

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Speaker 3: do want to.

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Speaker 1: Move on, Yeah, I want to read.

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Speaker 4: I just want to read a review of the live show.

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Speaker 4: This is just somebody who came to the live show.

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Speaker 4: And this is the kind of thing that could have

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Speaker 4: been said about you if you had come, and if

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Speaker 4: you had delivered and done a good job, which I

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Speaker 4: guess you didn't do.

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Speaker 1: Interesting. We can get Mary Holland in the booth if

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Speaker 1: you guys like, yeah, yes, we can.

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Speaker 3: We can that, we can get we can get married.

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Speaker 3: We can get married and.

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Speaker 6: She delivers interesting. So when's the next live show?

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Speaker 3: This is just somebody anymore? No, we had to stop that.

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Speaker 2: Nobody came.

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Speaker 4: But are the people who were there? This show blew

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Speaker 4: my brain up, so beautiful and cool and fun and moving.

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Speaker 2: No, I will.

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Speaker 3: Seeing it again so much felt like a no, and am.

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Speaker 4: So in awe of the literally seventy people who came

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Speaker 4: together to make it it.

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Speaker 1: Yes, yeah, I don't think that's true, because that sounds

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Speaker 1: like the review that I did for the sequel to the.

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Speaker 3: Spider Verse, move Spider across the Spider Verse.

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Speaker 4: Yeah, so that I okay, it does end with happy Spider. Yeah,

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Speaker 4: it does end with happy spidery day, all right. But

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Speaker 4: still I believe that feeling was captured, you know, because

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Speaker 4: people were feeling like a kid again. They're being told

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Speaker 4: what to do, they were being yelled at, huh do

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Speaker 4: you do a voice in that movie?

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Speaker 1: That movie?

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Speaker 2: Okay, and you're effectively submitting your CV for.

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Speaker 1: Arms folded arms. I'm being punished for making a cameo

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Speaker 1: in an animated feature film.

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Speaker 4: The review doesn't mention that you were proud to be involved,

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Speaker 4: even in a small way. And I do think that

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Speaker 4: that is, you know how you have to say like

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Speaker 4: hashtag ad but spawn, yes, I do think that you

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Speaker 4: are promoting your own work.

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Speaker 2: And your hand is something.

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Speaker 3: Excuse me, Io's hand was up first.

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Speaker 1: It was that I don't want to fight about literally down.

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Speaker 1: You have to put it down. So I understand that

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Speaker 1: you're in this phase of your life where you're growing

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Speaker 1: in certain ways in your personal life. But I think

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Speaker 1: one of them, I will say, is it just an age?

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Speaker 1: And if you looked at that post, really tiny in

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Speaker 1: the corner I say that I play a voice in

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Speaker 1: the movie. Yeah, pull it up. Okay, pull it up.

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Speaker 3: And when we do that, oh, it's so tiny. You

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Speaker 3: may or may not hear my voice at some point.

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Speaker 4: Very very briefly. But that is neither here nor there.

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Speaker 4: Elo laughing out loud, crying laughing.

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Speaker 1: Emoji, no emoji, don't rewrite. Don't rewrite history in that way.

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Speaker 3: She'll probably have removed the emoji. But this episode is released.

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Speaker 1: My team's already scrolled it.

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Speaker 2: You did, Colbert. I sent you a couple of notes

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Speaker 2: on that at the at the.

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Speaker 1: Time, I don't know if I got your notes.

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Speaker 2: What I said was there's a moment, and that there

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Speaker 2: are two moments that I commented on. One was that

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Speaker 2: you're talking about the bear and Steven is like so, like,

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Speaker 2: uh so, I like, I had a question for you.

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Speaker 2: Do you watch the show? And you clearly think that

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Speaker 2: he's asking you if you watch Late Night with Stephen

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Speaker 2: Colbert and you look very like scared for some of

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Speaker 2: what do you like not watch that show? Or like,

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Speaker 2: what's the impression that it gave is that you don't

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Speaker 2: watch every episode of Late Night with Stephen Colbert.

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Speaker 4: Here's my nighttime routine. It's a cold beer and a

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Speaker 4: cold beert. God, Colbert with a cold beer.

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Speaker 2: And then you didn't even like catch up before like

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Speaker 2: going on that, you didn't even like look back at that,

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Speaker 2: like ketchup on that, I didn't like.

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Speaker 1: The listeners and the viewers cher of you that moment

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Speaker 1: and see if that was their takeaway. I think my

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Speaker 1: job as an artist and an actor is to just

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Speaker 1: sort of do the work and if people can sort

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Speaker 1: of take away different things from a moment, that to

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Speaker 1: me is a that's a positive sign. That would do

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Speaker 1: my job right. So if that is what you took

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Speaker 1: away from that moment, I'm glad that I could give

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Speaker 1: that to you.

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Speaker 3: Can I give a compliment? Because we're getting we can

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Speaker 3: we pull it up?

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Speaker 2: Can we go to the very end?

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Speaker 3: It feels like an attack? Can I give a compliment?

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Speaker 2: Please?

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Speaker 4: I would say The Bear in this past year has

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Speaker 4: been like my favorite show on TV and I am

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Speaker 4: spelling it b E r T.

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Speaker 3: I love to watch the Bear get a cold beer.

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Speaker 3: It's a cold bear, babe. Don't bother me when I'm

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Speaker 3: watching The Bear.

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Speaker 2: While I'm watching the Bear and Kevin just unsheathing his

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Speaker 2: laptop now in the middle of the.

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Speaker 1: Show of my intervention.

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Speaker 4: You gotta be on those jewes, Kevin, this is what

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Speaker 4: we do every time you come on here, like we

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Speaker 4: don't have you like as often as as we used to.

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Speaker 3: I know I do not want to make use of

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Speaker 3: this time, and I don't. I think it's a mistake.

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Speaker 3: What is that I don't have as direct aligne.

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Speaker 1: You do have a direct aligne. You have my number.

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Speaker 3: It doesn't it doesn't feel that way.

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Speaker 1: You can you can, you can reach out, you can

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Speaker 1: reach out.

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Speaker 2: We worry I did. You don't even remember my notes.

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Speaker 1: I walk it out. It was painful. I'm just running

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Speaker 1: into you on the street.

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Speaker 2: He talked to pen badly.

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Speaker 1: I talked to for interview men for interview man. Yeah,

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Speaker 1: I did his podcast. You mentioned it was real nice

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Speaker 1: to me about my memories.

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Speaker 3: Pencils down. But we picked up a pen, didn't.

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Speaker 1: We badly trash Hollywood.

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Speaker 7: This week on the Patreon, the Boys discuss a recent

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Speaker 7: audio issue, and the flager Ones are mostly talking all

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Speaker 7: things basketball, plus see a Hollywood Handbook. Live virtual show

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Speaker 7: June twenty ninth with special guests Paul F.

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Speaker 3: Tompkins.

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Speaker 7: Get tickets at moment Dot CEO slash Hollywood Handbook, and

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00:17:19,400 --> 00:17:22,600
Speaker 7: the link is also in the description. Check out all

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Speaker 7: these shows and the video of today's episode with Io

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Speaker 7: at patreon dot com slash the Flagrant Onesllywood hand Book.

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Speaker 2: I want to talk a little about that exchange. A

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Speaker 2: couple of moments in this exchange, Io was uh paid

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Speaker 2: to interview Penn Badge.

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Speaker 1: I didn't receive any money for that.

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Speaker 4: Wow, wow state of journalism? Right, yes, like it's just

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Speaker 4: that was ABP interview TV. It's now like a gig thing,

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Speaker 4: was there?

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Speaker 1: I give that a six out of ten.

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Speaker 3: Go ahead, but sorry no, because I'm curious now.

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Speaker 4: I feel like I was unfortunately talking over you, which

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Speaker 4: is a habit of mine on the show. And I

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Speaker 4: will actually be sitting back to listen. Now, what did

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Speaker 4: you give a six out of ten?

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Speaker 3: Please?

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Speaker 2: Your hand is up.

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Speaker 1: I was thank you. I think we were speaking over

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Speaker 1: each other. I think there was a mutual speaking over.

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Speaker 3: Look at me and centering my experience.

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Speaker 1: But it's good, you know what I mean. You are

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Speaker 1: sitting back, Yeah, you're lounging. I would even say, yeah,

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Speaker 1: when I give a sex out of ten, is what

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Speaker 1: I was saying, is that I gave a crow bone

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Speaker 1: a Pad Badgely pppp Oh, yeah, wasn't great.

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Speaker 2: You It covers a lot of ground this interviewing me.

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Speaker 2: You ask him if he's having fun doing his podcast.

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Speaker 2: I think you've literally never asked me once in my.

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Speaker 3: Wafe Okay, it's all I ever do is my podcast.

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Speaker 2: He's on TV. The one thing you asked if you're

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Speaker 2: involved in you ask if there's anything you'd love to do.

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Speaker 2: You ask Penn Badgeley if there's anything you'd love to

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Speaker 2: do as an actor, and he says, I'm interested in

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Speaker 2: true stories. Your question is great, but he says, I'm

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Speaker 2: interested in true stories. I would love to engage in

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Speaker 2: the telling of something that intersects with social issues, the

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Speaker 2: story of a journalist, something like that. And you have

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Speaker 2: absolutely no follow up whatsoever. That's like very this is

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Speaker 2: very territory, and this is very interesting.

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Speaker 4: I'll get to you in just a moment. And I

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Speaker 4: have noticed that your hand is up.

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Speaker 1: Thank you.

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Speaker 4: It's interesting territory because I was thinking that take that down.

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Speaker 4: This interview was conducted and could have been done by

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Speaker 4: a journalist, but you took their job.

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Speaker 1: No, that's not okay.

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Speaker 3: So you crossed the picket line to take their job.

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Speaker 1: Well that was that was pre picket line. That was

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Speaker 1: pre picket line.

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Speaker 3: I can't keep track of the picket line. I can't

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Speaker 3: keep track of anything.

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Speaker 1: Okay, Well, I'll just sort of help in misregard, which

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Speaker 1: is that this is like a long running sort of

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Speaker 1: style of interview or it's you know, two people who

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Speaker 1: are not journalist to speak to each other for interview magazine,

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Speaker 1: which is a magazine where there are interviews. Okay, are

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Speaker 1: we there? Are we there together?

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Speaker 3: And it's mandated by the state or something.

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Speaker 1: And keep moving on. I'm gonna say that this piece

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Speaker 1: was condensed by an editor, and I think maybe if

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Speaker 1: you scroll down or in the top so where there'll

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Speaker 1: be something that says that this interview was like condensed

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Speaker 1: for Okay, there's some sort of.

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Speaker 2: So maybe wins this part which did leave me sort

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Speaker 2: of I would love to hear your take on or

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Speaker 2: just like a little bit more about you're talking about

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Speaker 2: the show you and you say, pen this show is

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Speaker 2: both a sleeper hit and a hit hit, which just

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Speaker 2: maybe due to the Netflix movement. Talk about the Netflix movement.

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Speaker 2: We're living, we are We're obviously, yes, we're living the

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Speaker 2: Netflix movement. Yeah, but like, what to you about this,

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Speaker 2: this movement, this, yeah, this moment.

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Speaker 1: Yeah, I think you know, growing up as a young

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Speaker 1: black woman and do just the intersection of my identities

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Speaker 1: I've had, I would say, the privilege of kind of

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Speaker 1: being accidentally incidentally, who can say, at the heart of

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Speaker 1: several movements, and so to be living in a time

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Speaker 1: where a company that by the way, I don't you

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Speaker 1: know some I don't know. Some of you might be

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Speaker 1: too young to remember, but I remember, used to be

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Speaker 1: used to be the male, used to be the male,

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Speaker 1: to be shiny.

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Speaker 6: Shiny man was the postal service, and.

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Speaker 1: Now it's our and now it's in all of our houses,

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Speaker 1: now's the movies, Now it's the American heart. Can even

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Speaker 1: say it.

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Speaker 2: Is a moment, It is a moment. Yeah, And you're

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Speaker 2: speaking to that in this exchange with Penn. And that's

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Speaker 2: why the show is both a sleeper hit and hit hit.

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Speaker 2: That is due to the Netflix movement.

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Speaker 1: Got it because I cleared that up for you.

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Speaker 2: It's a very very end of this interview with the Bear,

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Speaker 2: the very end, the very end. It's okay, it's a

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Speaker 2: little before this, it's a little after this.

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Speaker 1: How many times have you seen this play.

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Speaker 2: I just know it's a very very end okay sound on.

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Speaker 3: Last thing before we go, how do you take your beef?

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Speaker 2: I take it? Sweet wet?

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Speaker 1: Sweet weet?

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Speaker 2: The bear he said, how do you take your beef?

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Speaker 2: I take it sweet wet? You said, sweet wet? That

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00:22:52,840 --> 00:22:56,960
Speaker 2: moment felt false to me? That did that?

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Speaker 4: Did it seemed like you didn't want to make him

439
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Speaker 4: feel bad or you like didn't know another way that

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Speaker 4: you could take your bee interesting just.

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Speaker 2: Rather than like taking the time. Yeah, like really come

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Speaker 2: up with like an answer that's personally you were just

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Speaker 2: like going, like, you know, get I thought we were done?

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Speaker 3: Yeah, yeah, fucking what do you like? Sweet wet?

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Speaker 1: That's oh that's me still okay, I wasn't sorry, Yeah, okay, that.

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Speaker 3: Was me like on the podcast.

447
00:23:28,960 --> 00:23:30,680
Speaker 1: Next to your wife with a beer.

448
00:23:31,960 --> 00:23:33,280
Speaker 3: Cold beer and a cold beert.

449
00:23:34,680 --> 00:23:43,960
Speaker 1: I I really appreciate this note. You know, I really

450
00:23:44,000 --> 00:23:48,240
Speaker 1: appreciate this note. And I really think every time I

451
00:23:48,720 --> 00:23:51,399
Speaker 1: get an email from Kevin going do you want to come?

452
00:23:52,080 --> 00:23:55,960
Speaker 1: Do you want to come and get a waterboarded emotionally

453
00:23:57,080 --> 00:24:03,320
Speaker 1: by your two closest friends and mentors and and father's

454
00:24:03,400 --> 00:24:07,400
Speaker 1: and father's in a way? Do you want to come

455
00:24:07,440 --> 00:24:10,000
Speaker 1: and I go, I go, yeah, of course, of course

456
00:24:10,080 --> 00:24:10,880
Speaker 1: anytime when do.

457
00:24:10,840 --> 00:24:11,240
Speaker 2: You need me?

458
00:24:11,280 --> 00:24:11,920
Speaker 1: Where do you need?

459
00:24:11,960 --> 00:24:15,760
Speaker 3: Meles need?

460
00:24:16,119 --> 00:24:19,760
Speaker 1: Unless I'm being called away to serve? How can I

461
00:24:19,760 --> 00:24:22,760
Speaker 1: do that? But but but I always say yes because

462
00:24:22,800 --> 00:24:24,800
Speaker 1: I know that when I'm in the room with you

463
00:24:24,880 --> 00:24:31,399
Speaker 1: two gentlemen, that it's not just about what I'll experience

464
00:24:31,520 --> 00:24:33,040
Speaker 1: with you too and what I'll feel and how I'll

465
00:24:33,040 --> 00:24:36,119
Speaker 1: grow in that way, but but how I grow in

466
00:24:36,160 --> 00:24:42,280
Speaker 1: my craft. And I'm hearing your notes, I'm feeling them,

467
00:24:42,640 --> 00:24:45,080
Speaker 1: and I'm not going to take them lightly. And in

468
00:24:45,119 --> 00:24:47,760
Speaker 1: that moment, you didn't feel, you didn't feel truth, and

469
00:24:47,800 --> 00:24:51,240
Speaker 1: that's and that's a fault on my part. If that

470
00:24:51,280 --> 00:24:53,480
Speaker 1: felt fake, then I that I have to you know,

471
00:24:53,560 --> 00:24:56,840
Speaker 1: I have to look at how I deliver the truth.

472
00:24:57,520 --> 00:24:59,840
Speaker 3: My goal is not a false moment.

473
00:25:01,640 --> 00:25:03,640
Speaker 2: Can we run it again? Can we run it again?

474
00:25:03,800 --> 00:25:05,240
Speaker 1: I don't think we can for next time.

475
00:25:06,000 --> 00:25:10,680
Speaker 2: Kevin. One last thing, Kevin, No, no, you do you

476
00:25:10,720 --> 00:25:14,120
Speaker 2: play the band? You're the bear? How do you take

477
00:25:14,160 --> 00:25:14,639
Speaker 2: your beef?

478
00:25:15,160 --> 00:25:20,679
Speaker 1: I'm gonna need sweet for me, a different I'm sorry,

479
00:25:20,760 --> 00:25:21,840
Speaker 1: I can't, he says.

480
00:25:21,880 --> 00:25:22,680
Speaker 2: One last thing.

481
00:25:23,119 --> 00:25:24,040
Speaker 3: I owe one last thing.

482
00:25:24,040 --> 00:25:25,920
Speaker 7: How do you take your beef? I take my sweet wet.

483
00:25:26,880 --> 00:25:28,720
Speaker 1: I can drop in if you need me to. I

484
00:25:28,800 --> 00:25:32,040
Speaker 1: just feel like what I'm being given is not It

485
00:25:32,080 --> 00:25:33,120
Speaker 1: doesn't feel like.

486
00:25:34,920 --> 00:25:34,960
Speaker 4: It.

487
00:25:35,040 --> 00:25:37,000
Speaker 1: And I know you know what I mean. We met

488
00:25:37,320 --> 00:25:39,280
Speaker 1: when I did the Cold Bear Show. We met, so

489
00:25:39,320 --> 00:25:44,200
Speaker 1: I know good. Yeah, I can drop in. Sorry, I'll

490
00:25:44,240 --> 00:25:46,960
Speaker 1: drop in. I how do you think I'm going to

491
00:25:47,000 --> 00:25:51,040
Speaker 1: go back to?

492
00:25:57,040 --> 00:26:00,399
Speaker 2: Sorry? Can you do that again? Yes? Sure? How do

493
00:26:00,440 --> 00:26:01,119
Speaker 2: you take your beef?

494
00:26:03,000 --> 00:26:03,880
Speaker 7: Take my sweet weet?

495
00:26:03,960 --> 00:26:11,200
Speaker 1: Oh gosh, you know, I think I think it's hard,

496
00:26:11,240 --> 00:26:16,840
Speaker 1: but I'm gonna go. I'm gonna go sweet wet and

497
00:26:16,840 --> 00:26:19,520
Speaker 1: and like hot, like I like a few peppers on it,

498
00:26:19,560 --> 00:26:21,240
Speaker 1: so sweet wet with but like a few.

499
00:26:21,040 --> 00:26:24,680
Speaker 3: Peppers a garnish. There's a garnish on the answer.

500
00:26:24,880 --> 00:26:28,240
Speaker 4: Yes, there's a few peppers on the end. There's a

501
00:26:28,320 --> 00:26:29,520
Speaker 4: few more peppers.

502
00:26:29,520 --> 00:26:30,800
Speaker 3: Now you want me to.

503
00:26:30,800 --> 00:26:33,000
Speaker 1: Just do the line? I just I don't know what

504
00:26:33,080 --> 00:26:33,480
Speaker 1: it wasn't.

505
00:26:33,680 --> 00:26:33,760
Speaker 2: No.

506
00:26:33,880 --> 00:26:36,439
Speaker 4: I think what I'm saying is that you added a

507
00:26:36,440 --> 00:26:39,199
Speaker 4: few peppers to the answer, And now all of a

508
00:26:39,240 --> 00:26:41,920
Speaker 4: sudden it's come to life for me, right.

509
00:26:41,760 --> 00:26:43,800
Speaker 3: And I don't feel like you're just like.

510
00:26:45,680 --> 00:26:48,240
Speaker 4: Trying to make the Bear feel okay about his question

511
00:26:48,560 --> 00:26:51,359
Speaker 4: or how he takes his beef or just like even

512
00:26:51,440 --> 00:26:53,840
Speaker 4: that you don't know because like you said, and also

513
00:26:53,920 --> 00:26:54,440
Speaker 4: a little hot.

514
00:26:54,480 --> 00:26:56,359
Speaker 3: And I went, okay, well, was she just making this up?

515
00:26:56,400 --> 00:27:00,359
Speaker 3: But then you said that the hot was peppers, a.

516
00:27:00,119 --> 00:27:04,720
Speaker 4: Few peppers, and then I go, okay, this is her

517
00:27:04,800 --> 00:27:09,199
Speaker 4: lived experience, and all of a sudden, I'm taking, you know,

518
00:27:09,359 --> 00:27:11,200
Speaker 4: off of my pouch in the living room.

519
00:27:12,480 --> 00:27:12,960
Speaker 1: Thank you.

520
00:27:13,320 --> 00:27:14,800
Speaker 3: Yeah, no, well you did it for me.

521
00:27:15,000 --> 00:27:18,359
Speaker 4: I mean you sent me somewhere like the Chicago beef Land,

522
00:27:19,119 --> 00:27:22,639
Speaker 4: you know, where they are putting peppers and make it hot.

523
00:27:22,800 --> 00:27:24,600
Speaker 3: I love that the.

524
00:27:24,560 --> 00:27:25,840
Speaker 2: Beef Victorium.

525
00:27:27,440 --> 00:27:27,800
Speaker 1: L beer.

526
00:27:28,600 --> 00:27:31,199
Speaker 2: That's really nice. That like, I like, I think that

527
00:27:31,240 --> 00:27:32,400
Speaker 2: would have played amazing.

528
00:27:33,640 --> 00:27:36,520
Speaker 1: Okay, sorry, we're back to I just feel I just

529
00:27:36,560 --> 00:27:38,640
Speaker 1: felt a dig, a little dig.

530
00:27:39,840 --> 00:27:43,840
Speaker 2: I again, I do feel like this has been paying

531
00:27:43,960 --> 00:27:45,439
Speaker 2: huge dividends for you.

532
00:27:46,440 --> 00:27:50,120
Speaker 3: I I sometimes when you when.

533
00:27:49,920 --> 00:27:51,520
Speaker 1: You talk about peppers, I'm.

534
00:27:51,359 --> 00:27:57,520
Speaker 4: Getting sometimes you have to dig to make a discovery.

535
00:27:55,520 --> 00:27:55,720
Speaker 2: Yeah.

536
00:27:57,720 --> 00:28:00,640
Speaker 3: So I think it was a dig, and I think

537
00:28:00,640 --> 00:28:03,600
Speaker 3: we should be open to what's down there. Yeah.

538
00:28:03,800 --> 00:28:05,919
Speaker 2: And it can be strangely like when you can be

539
00:28:06,000 --> 00:28:08,760
Speaker 2: dry on the surface and there's weird like mud underneath.

540
00:28:09,080 --> 00:28:11,040
Speaker 2: Oh god, have you ever done that, But it.

541
00:28:11,119 --> 00:28:15,200
Speaker 4: Can be very weird mud and you go like what, like, okay,

542
00:28:15,359 --> 00:28:16,760
Speaker 4: why is it muddy out here?

543
00:28:16,960 --> 00:28:20,679
Speaker 6: Why is there mud in the in the dirt.

544
00:28:23,200 --> 00:28:26,520
Speaker 4: Even on the beach Sometimes no, I know, especially the

545
00:28:26,520 --> 00:28:30,480
Speaker 4: beach dry sand and you dig and it's like, okay,

546
00:28:30,480 --> 00:28:35,000
Speaker 4: this is all mud weird, like what, like what's going on?

547
00:28:35,080 --> 00:28:37,840
Speaker 2: Sometimes that's what you find. Have you done that?

548
00:28:38,920 --> 00:28:41,120
Speaker 1: I mean yeah, I think that's just how beaches work.

549
00:28:41,200 --> 00:28:44,040
Speaker 3: Like this is what we're saying. We just said that. Yeah,

550
00:28:44,320 --> 00:28:45,320
Speaker 3: this is that it is.

551
00:28:45,440 --> 00:28:48,080
Speaker 1: Especially I guess you guys just seem like confused about it.

552
00:28:48,200 --> 00:28:51,680
Speaker 2: What's coming out? What? What? What? What? Promo's coming up? Yeah?

553
00:28:51,720 --> 00:28:52,800
Speaker 3: What's our next interview?

554
00:28:52,840 --> 00:28:54,479
Speaker 4: Because I'd like to get out in front of it

555
00:28:54,520 --> 00:28:56,760
Speaker 4: so that we're not playing ketch up all the time.

556
00:28:56,840 --> 00:28:58,680
Speaker 1: I feel like you can have me well we don't

557
00:28:58,720 --> 00:29:00,560
Speaker 1: you know, you can have me on an just speach,

558
00:29:00,720 --> 00:29:04,960
Speaker 1: we can chill, we can shoot the proverbial ship as

559
00:29:04,960 --> 00:29:05,240
Speaker 1: it were.

560
00:29:05,440 --> 00:29:09,000
Speaker 2: We can have you'll do the show again you want

561
00:29:09,040 --> 00:29:11,080
Speaker 2: to do but then talk now?

562
00:29:11,360 --> 00:29:13,000
Speaker 3: Yeah yeah yeah.

563
00:29:12,960 --> 00:29:14,760
Speaker 2: Like so wait you can come on the show and

564
00:29:14,760 --> 00:29:17,720
Speaker 2: promote something and then I guess we could talk about that.

565
00:29:18,240 --> 00:29:20,200
Speaker 1: No, No, I'm saying. I'm saying, like, I could just

566
00:29:20,240 --> 00:29:20,680
Speaker 1: come on the.

567
00:29:20,600 --> 00:29:22,440
Speaker 2: Show, so you don't want to do the work. It

568
00:29:22,480 --> 00:29:24,520
Speaker 2: is what you're so like, what you're saying is no,

569
00:29:24,640 --> 00:29:25,240
Speaker 2: I was creating.

570
00:29:25,280 --> 00:29:27,080
Speaker 1: Another said that you.

571
00:29:26,920 --> 00:29:29,600
Speaker 2: Play you play a voice in the movie. That stuck

572
00:29:29,640 --> 00:29:31,560
Speaker 2: with me. You didn't say that you work a voice

573
00:29:31,560 --> 00:29:32,400
Speaker 2: in the movie.

574
00:29:33,040 --> 00:29:36,600
Speaker 3: Yeah, or even that you were a voice.

575
00:29:36,920 --> 00:29:37,200
Speaker 2: Yeah.

576
00:29:38,200 --> 00:29:41,920
Speaker 4: That there is this element of artifice that's being maintained,

577
00:29:41,960 --> 00:29:46,560
Speaker 4: this wall between you and the process. I think, I'm like,

578
00:29:46,720 --> 00:29:47,720
Speaker 4: I'm I think it's.

579
00:29:47,640 --> 00:29:50,160
Speaker 1: Very open between myself and the process. I think if

580
00:29:50,160 --> 00:29:52,480
Speaker 1: you knew how open it was, you'd say close the door.

581
00:29:53,000 --> 00:29:56,360
Speaker 1: You'd say shut it right now, lok it run.

582
00:29:56,520 --> 00:29:57,480
Speaker 3: That doesn't sound like me.

583
00:29:58,240 --> 00:29:59,680
Speaker 1: I think maybe then it was that Hayes.

584
00:30:00,600 --> 00:30:04,440
Speaker 2: I think that was me. That was me saying that.

585
00:30:05,000 --> 00:30:09,000
Speaker 1: You'd say something like, hey, brother, come on, man on.

586
00:30:10,960 --> 00:30:11,440
Speaker 2: Something like.

587
00:30:13,320 --> 00:30:16,960
Speaker 1: But you know, maybe between myself and the and the audience,

588
00:30:17,520 --> 00:30:18,880
Speaker 1: maybe there's still a fear there.

589
00:30:19,360 --> 00:30:23,240
Speaker 3: Yeah, maybe there's still a wall there keeping something for you.

590
00:30:23,880 --> 00:30:25,640
Speaker 4: Did you get all like dressed up in a big

591
00:30:25,680 --> 00:30:29,320
Speaker 4: costume and stuff and at Leta they were like, hey, sorry,

592
00:30:29,320 --> 00:30:30,960
Speaker 4: we're not doing this movie anymore.

593
00:30:31,120 --> 00:30:36,120
Speaker 2: Yeah, did you do that? No? No, you didn't go

594
00:30:36,160 --> 00:30:37,200
Speaker 2: through makeup or anything.

595
00:30:37,480 --> 00:30:37,640
Speaker 1: No?

596
00:30:38,560 --> 00:30:38,920
Speaker 2: Why not?

597
00:30:44,120 --> 00:30:51,120
Speaker 1: His you could have the opportunity to play any any

598
00:30:51,240 --> 00:30:56,640
Speaker 1: role in your career. What role would that be? Are

599
00:30:56,640 --> 00:30:58,040
Speaker 1: you having fun doing your podcasts?

600
00:31:01,760 --> 00:31:03,000
Speaker 2: I have before.

601
00:31:06,080 --> 00:31:09,280
Speaker 1: Seuthing, you're having fun doing your podcast?

602
00:31:09,880 --> 00:31:10,200
Speaker 3: Wow?

603
00:31:10,440 --> 00:31:10,560
Speaker 1: Uh?

604
00:31:10,880 --> 00:31:11,640
Speaker 3: Tough for me to answer.

605
00:31:11,640 --> 00:31:14,400
Speaker 2: I really Superman is actually a journalist. So I just

606
00:31:14,400 --> 00:31:15,480
Speaker 2: want to point out.

607
00:31:16,440 --> 00:31:18,280
Speaker 3: Like, I don't think it's like my podcast.

608
00:31:18,360 --> 00:31:20,920
Speaker 1: Are you having fun doing the People's podcast?

609
00:31:22,680 --> 00:31:27,440
Speaker 4: Yes, I'm having fun doing our podcast. When I'm doing

610
00:31:27,480 --> 00:31:30,960
Speaker 4: my podcast, that's not fun because it means that I

611
00:31:31,040 --> 00:31:35,280
Speaker 4: am sort of pushing people aside to like get my

612
00:31:35,400 --> 00:31:39,640
Speaker 4: voice out there instead of like lifting up and celebrating.

613
00:31:39,120 --> 00:31:43,719
Speaker 3: Like Kevin or Haze you know?

614
00:31:44,080 --> 00:31:45,640
Speaker 4: Yeah?

615
00:31:46,120 --> 00:31:46,640
Speaker 1: Who else?

616
00:31:47,160 --> 00:31:47,360
Speaker 2: Yeah?

617
00:31:47,880 --> 00:31:48,320
Speaker 1: Sorry?

618
00:31:48,400 --> 00:31:48,960
Speaker 3: Who else?

619
00:31:49,000 --> 00:31:49,440
Speaker 2: Could it be?

620
00:31:50,400 --> 00:31:53,040
Speaker 3: What's so exciting? There's still so much out there?

621
00:31:53,720 --> 00:31:56,840
Speaker 1: Yeah? Are you having a relatively zone time or are

622
00:31:56,840 --> 00:31:57,680
Speaker 1: things ramping up?

623
00:31:58,520 --> 00:32:01,520
Speaker 4: I guess, like, can I first let me just say

624
00:32:02,760 --> 00:32:04,440
Speaker 4: I'm interested in true stories?

625
00:32:04,960 --> 00:32:07,800
Speaker 2: Yeah? I make a little sune time every day.

626
00:32:08,160 --> 00:32:08,960
Speaker 1: Yeah.

627
00:32:09,120 --> 00:32:11,480
Speaker 2: Can you ask me what my favorite? Uh? What like

628
00:32:11,560 --> 00:32:13,360
Speaker 2: my New York is? If I could go back to

629
00:32:13,400 --> 00:32:14,920
Speaker 2: any moment in New York?

630
00:32:18,040 --> 00:32:20,120
Speaker 1: No, no, because.

631
00:32:19,880 --> 00:32:25,960
Speaker 2: I would go to Union Square, but I didn't ask

632
00:32:26,120 --> 00:32:27,840
Speaker 2: you to the Virgin Mega Store.

633
00:32:28,200 --> 00:32:30,840
Speaker 3: Yeah, I would go to the pilot of the nick.

634
00:32:31,120 --> 00:32:34,400
Speaker 1: When you're in, when you're like on a podcast that

635
00:32:34,440 --> 00:32:37,200
Speaker 1: people are engaging with at a cultural level, what does

636
00:32:37,240 --> 00:32:37,800
Speaker 1: that feel like?

637
00:32:39,720 --> 00:32:40,640
Speaker 3: Is this question for me?

638
00:32:41,200 --> 00:32:43,200
Speaker 1: It's for anyone in the room.

639
00:32:43,600 --> 00:32:46,800
Speaker 4: Yeah, okay, Kevin, do you want to you want to

640
00:32:46,800 --> 00:32:48,000
Speaker 4: feel this one?

641
00:32:48,520 --> 00:32:51,440
Speaker 2: I've been doing podcast class. Now. Did you know that

642
00:32:51,480 --> 00:32:52,160
Speaker 2: he's teaching?

643
00:32:52,880 --> 00:32:55,000
Speaker 1: Okay? I was doing was.

644
00:32:55,720 --> 00:32:56,600
Speaker 3: He's the professor?

645
00:32:56,880 --> 00:32:57,920
Speaker 2: Yeah, he does it all.

646
00:32:58,040 --> 00:32:59,760
Speaker 1: Do you have a hat?

647
00:33:01,120 --> 00:33:02,080
Speaker 7: I can get one.

648
00:33:03,840 --> 00:33:10,440
Speaker 2: A little bit doing if really Sammy grummy?

649
00:33:10,600 --> 00:33:11,400
Speaker 1: Wait? Really?

650
00:33:12,520 --> 00:33:12,800
Speaker 3: Yeah?

651
00:33:13,800 --> 00:33:16,120
Speaker 1: Sorry? Do you mind if I we circle back?

652
00:33:16,480 --> 00:33:20,040
Speaker 2: No prob check his teacher voice?

653
00:33:20,840 --> 00:33:21,440
Speaker 1: Is it really?

654
00:33:22,320 --> 00:33:23,600
Speaker 2: No? No prob bio?

655
00:33:24,320 --> 00:33:27,800
Speaker 1: Okay, I might not circle back.

656
00:33:28,200 --> 00:33:30,360
Speaker 3: Already coming from how have you guys been doing?

657
00:33:30,440 --> 00:33:32,160
Speaker 2: If no, let me check my app?

658
00:33:33,240 --> 00:33:35,040
Speaker 1: You got an app to I.

659
00:33:35,000 --> 00:33:36,040
Speaker 3: Stopped using the app.

660
00:33:36,920 --> 00:33:38,960
Speaker 2: It's all up four hundred and fifty one days.

661
00:33:39,120 --> 00:33:43,760
Speaker 3: Huh? I started what four months after you?

662
00:33:44,240 --> 00:33:44,440
Speaker 2: Yeah?

663
00:33:44,520 --> 00:33:49,360
Speaker 1: Yeah, this is so crazy that you think you know people.

664
00:33:49,600 --> 00:33:53,000
Speaker 4: Mm hmmm and their Every time you think about me,

665
00:33:53,040 --> 00:33:57,160
Speaker 4: you probably picture meat eating for all twenty four hours.

666
00:34:01,000 --> 00:34:03,560
Speaker 3: Well, in fact, there's a tug of hours where I'm

667
00:34:03,560 --> 00:34:04,480
Speaker 3: not eating When do.

668
00:34:04,480 --> 00:34:05,560
Speaker 1: You start eleven twelve?

669
00:34:06,240 --> 00:34:06,320
Speaker 2: Me?

670
00:34:06,600 --> 00:34:06,920
Speaker 1: Yeah?

671
00:34:08,200 --> 00:34:11,280
Speaker 3: One, yeah, one and done?

672
00:34:11,360 --> 00:34:14,200
Speaker 1: Yeah, well no, not one and done one to.

673
00:34:14,640 --> 00:34:15,680
Speaker 3: Wanted one tonight?

674
00:34:15,960 --> 00:34:18,680
Speaker 2: Yeah, my windows one to night as well. I shut

675
00:34:18,680 --> 00:34:19,359
Speaker 2: the club down.

676
00:34:20,400 --> 00:34:28,920
Speaker 1: So you're just dignating. Yeah, isn't that almost regular eating hours?

677
00:34:29,000 --> 00:34:30,600
Speaker 3: If you shifted it up.

678
00:34:35,080 --> 00:34:38,680
Speaker 2: Regular eating it? What like nine to five? Like again,

679
00:34:39,280 --> 00:34:44,239
Speaker 2: that's when do we go to work? You need to

680
00:34:44,320 --> 00:34:45,160
Speaker 2: go to work.

681
00:34:47,520 --> 00:34:48,800
Speaker 3: Like when I show up to work, I don't just

682
00:34:48,840 --> 00:34:51,120
Speaker 3: get turned around and sent home. I got asked to.

683
00:34:51,080 --> 00:34:53,560
Speaker 4: Stay and actually do the job. So I think that's

684
00:34:53,600 --> 00:34:57,239
Speaker 4: where some of the disconnect's happening. I don't drive to work,

685
00:34:57,320 --> 00:34:59,560
Speaker 4: go through hair and makeup, not a big crazy costume.

686
00:34:59,640 --> 00:35:03,400
Speaker 4: Live it later and they get like yeah, no, actually

687
00:35:03,560 --> 00:35:05,600
Speaker 4: just go ahead and spin it.

688
00:35:09,080 --> 00:35:10,800
Speaker 3: Sorry there was all that trouble with your badge.

689
00:35:10,800 --> 00:35:17,040
Speaker 8: It's security like a like an alien alien makeup and

690
00:35:17,280 --> 00:35:20,759
Speaker 8: like a huge plated armor costume and get like suspended

691
00:35:21,239 --> 00:35:24,920
Speaker 8: from wires and.

692
00:35:23,880 --> 00:35:27,400
Speaker 3: Yeah I don't put on all that.

693
00:35:27,480 --> 00:35:30,680
Speaker 2: They're like, okay, we're shouting get they forget to take

694
00:35:30,719 --> 00:35:31,840
Speaker 2: io off the ceiling.

695
00:35:36,200 --> 00:35:39,840
Speaker 3: Hello guys, g.

696
00:35:42,120 --> 00:35:47,280
Speaker 1: Other Chris, other Chris? Is that me on the wires?

697
00:35:47,360 --> 00:35:49,680
Speaker 3: Yeah, that's you. You got left in there all three

698
00:35:49,760 --> 00:35:51,160
Speaker 3: Chris is left you in there?

699
00:35:58,920 --> 00:36:02,960
Speaker 4: So yeah, but yeah, no are Yeah, you don't have

700
00:36:03,040 --> 00:36:06,719
Speaker 4: to say you're like your little like the guy's name

701
00:36:06,880 --> 00:36:08,399
Speaker 4: or whoever you are in the thing, but.

702
00:36:08,440 --> 00:36:13,200
Speaker 2: Like, what's there? What's one word to describe.

703
00:36:12,960 --> 00:36:17,319
Speaker 1: The benefit of intimittent fasting? Do you feel.

704
00:36:18,680 --> 00:36:21,319
Speaker 4: I feel like you're talking about this conversation has been

705
00:36:21,320 --> 00:36:23,600
Speaker 4: incredible these hungry men.

706
00:36:25,280 --> 00:36:26,920
Speaker 3: Do you think that's got a lot to do?

707
00:36:28,160 --> 00:36:31,439
Speaker 1: Now that I know that you're both actually hungry, every

708
00:36:31,840 --> 00:36:33,920
Speaker 1: both of your stomachs different.

709
00:36:34,320 --> 00:36:37,479
Speaker 3: Might make some noise as well. Yeah I was doing

710
00:36:37,560 --> 00:36:38,120
Speaker 3: some stuff.

711
00:36:38,160 --> 00:36:38,600
Speaker 2: I heard it.

712
00:36:39,120 --> 00:36:41,160
Speaker 1: Yeah, I heard it again.

713
00:36:41,719 --> 00:36:44,440
Speaker 3: You're hungry, hungry.

714
00:36:44,880 --> 00:36:47,480
Speaker 4: I stay hungry. That's why I've been able to survive

715
00:36:47,520 --> 00:36:53,160
Speaker 4: in this industry is that I'm always hungry. When you

716
00:36:53,200 --> 00:36:55,600
Speaker 4: look at me, now, are you seeing like Joe PESHI,

717
00:36:56,400 --> 00:36:58,799
Speaker 4: somebody has to hand me a Snickers de Derby back

718
00:36:58,800 --> 00:36:59,520
Speaker 4: into myself.

719
00:36:59,719 --> 00:37:04,000
Speaker 1: You're like Aretha Franklin.

720
00:37:08,280 --> 00:37:10,080
Speaker 3: Wow, now it's really going nuts.

721
00:37:10,440 --> 00:37:17,200
Speaker 6: And you're like, sorry, that was my stomach all good?

722
00:37:17,920 --> 00:37:26,000
Speaker 1: And you're like, you're really.

723
00:37:30,760 --> 00:37:35,280
Speaker 4: My stomach Exclusive Radio Exclusive. Yeah, your stomach is starting

724
00:37:35,280 --> 00:37:37,160
Speaker 4: to really my god, I love.

725
00:37:37,000 --> 00:37:40,959
Speaker 1: If you are Sean Paul when you're hungry bad boy Bill.

726
00:37:41,080 --> 00:37:44,319
Speaker 2: Those all those ads make me so frustrated. They say,

727
00:37:44,440 --> 00:37:48,440
Speaker 2: like these people that have had extraordinary careers, Betty White,

728
00:37:49,600 --> 00:37:52,359
Speaker 2: Joe Pashi, It's like, no, you don't want to be them.

729
00:37:53,840 --> 00:37:59,080
Speaker 2: You don't have to be a va gooda handish stooge.

730
00:37:59,120 --> 00:38:01,759
Speaker 3: Eat more, canned, you have a candy bar, go back

731
00:38:01,800 --> 00:38:05,040
Speaker 3: to sleep America. This is so have another candy bar,

732
00:38:05,160 --> 00:38:06,960
Speaker 3: so that you don't become a high achievement.

733
00:38:07,040 --> 00:38:10,600
Speaker 1: It's so revealing. Well, if you guys think about success

734
00:38:10,640 --> 00:38:13,920
Speaker 1: and status, because I think there's really something beautiful about

735
00:38:14,040 --> 00:38:17,080
Speaker 1: saying and sorry, you know what I mean, I'm who

736
00:38:17,160 --> 00:38:20,360
Speaker 1: am I? But an actor? Let's go get something after this,

737
00:38:21,480 --> 00:38:22,279
Speaker 1: Let's go get a bite.

738
00:38:22,320 --> 00:38:23,919
Speaker 2: You don't have to do this is your.

739
00:38:24,280 --> 00:38:26,279
Speaker 1: About a humble actor. But I'll say, you know, I

740
00:38:26,320 --> 00:38:29,360
Speaker 1: think it's really beautiful that you don't have to be

741
00:38:29,960 --> 00:38:33,719
Speaker 1: You don't have to be lords Fishbird, you don't have

742
00:38:33,880 --> 00:38:39,680
Speaker 1: to be Shaka Khan. You can be Dennis from Accounting.

743
00:38:39,840 --> 00:38:45,240
Speaker 1: You can't marry Joe, a human being, just a human

744
00:38:45,320 --> 00:38:47,400
Speaker 1: being in a sea of human beings.

745
00:38:47,480 --> 00:38:53,400
Speaker 6: Yeah, yeah, and of yours to just be human, to

746
00:38:53,560 --> 00:38:53,839
Speaker 6: just be.

747
00:38:53,920 --> 00:38:55,080
Speaker 3: Real mm hmm.

748
00:38:55,440 --> 00:38:56,480
Speaker 2: Is your character brave?

749
00:38:57,920 --> 00:38:59,640
Speaker 1: I think all human beings are brave.

750
00:39:00,000 --> 00:39:02,360
Speaker 2: Okay, but your character is like a freaky, weird alien

751
00:39:02,480 --> 00:39:03,439
Speaker 2: or something. Maybe? Yeah.

752
00:39:03,520 --> 00:39:09,000
Speaker 1: I think we all aliens on this planet.

753
00:39:10,080 --> 00:39:13,920
Speaker 6: Yeah, and she said that stuff believe.

754
00:39:15,719 --> 00:39:15,919
Speaker 2: Song.

755
00:39:16,719 --> 00:39:20,959
Speaker 3: Can you give me, like, come, a characteristic like.

756
00:39:22,760 --> 00:39:29,000
Speaker 4: Feathers or a characteristic? Yeah? Just like what am I

757
00:39:29,120 --> 00:39:31,400
Speaker 4: working with in terms of like what kind of weird

758
00:39:31,440 --> 00:39:33,600
Speaker 4: stuff do we have going on with our aliens?

759
00:39:33,680 --> 00:39:36,279
Speaker 1: I'm in the movie and I'm being paid by the

760
00:39:36,280 --> 00:39:37,719
Speaker 1: Marvel Corporation.

761
00:39:39,480 --> 00:39:43,799
Speaker 2: Because you said carrot earlier? So what are the rule

762
00:39:45,280 --> 00:39:46,200
Speaker 2: having a big carrot?

763
00:39:46,520 --> 00:39:47,080
Speaker 1: Are the rules?

764
00:39:47,120 --> 00:39:48,920
Speaker 3: You were dangling the carrot, weren't you?

765
00:39:48,960 --> 00:39:55,960
Speaker 1: Do you get to like, just yeah, are you doing?

766
00:39:58,239 --> 00:40:01,000
Speaker 3: I get so hungry and then I just go insane.

767
00:40:01,040 --> 00:40:02,680
Speaker 3: It's Thanksgiving every day for me.

768
00:40:02,719 --> 00:40:03,520
Speaker 6: I watch.

769
00:40:07,000 --> 00:40:13,040
Speaker 3: It's turkey stuffing, cranberry sauce. It's the entire meal.

770
00:40:13,280 --> 00:40:16,360
Speaker 2: Potatoes, half a pumpkin pie, potato.

771
00:40:16,000 --> 00:40:19,560
Speaker 1: With not even sweet potato potato, regular potato with.

772
00:40:21,160 --> 00:40:26,920
Speaker 2: A layer of Burt marshmallows on that cornbread. Yeah, with

773
00:40:27,000 --> 00:40:31,640
Speaker 2: marshmallow corn bread with marshmallows and marshmallow s'mores with potatoes.

774
00:40:33,200 --> 00:40:37,080
Speaker 4: I'm doing everything. I'm going insane every day. As soon

775
00:40:37,120 --> 00:40:38,880
Speaker 4: as it hits one o'clock, peep.

776
00:40:40,480 --> 00:40:41,680
Speaker 1: Can I say something though?

777
00:40:41,880 --> 00:40:43,080
Speaker 2: So? Yeah? Good?

778
00:40:43,640 --> 00:40:50,480
Speaker 4: Yeah, why do you do it? It's like when we're

779
00:40:50,520 --> 00:40:54,000
Speaker 4: on camera. Yeah, no, we got the camera. You said

780
00:40:54,000 --> 00:40:55,000
Speaker 4: we were loving the camera.

781
00:40:55,640 --> 00:40:58,640
Speaker 1: And now I see, yeah, now I see. Nobody talks

782
00:40:58,640 --> 00:41:02,560
Speaker 1: about the sacrifices you have to make to be a way.

783
00:41:02,760 --> 00:41:03,319
Speaker 3: No, you guys.

784
00:41:03,360 --> 00:41:08,280
Speaker 2: Get back from Grammat fully asleep at almost ten am.

785
00:41:08,880 --> 00:41:11,560
Speaker 1: He's working. Last morning he was working.

786
00:41:12,719 --> 00:41:16,359
Speaker 2: Okay, somebody sorry, somebody in his house was.

787
00:41:17,000 --> 00:41:20,480
Speaker 1: Well, he's not in and so yeah, he's in a reunion.

788
00:41:20,640 --> 00:41:23,680
Speaker 2: Grammat has to go to work. It has to work,

789
00:41:24,080 --> 00:41:24,399
Speaker 2: he said.

790
00:41:24,600 --> 00:41:25,640
Speaker 3: He's in wag after

791
00:41:28,160 --> 00:41:28,520
Speaker 2: Bye,