WEBVTT - This Week in Music History 6-30 0:00:04.400 --> 0:00:06.240 Hi, this is Buzz Night Tho, host of the Taking 0:00:06.280 --> 0:00:08.879 a Walk podcast, and welcome to another look at this 0:00:08.960 --> 0:00:11.280 week in music history. It's for the week of June 0:00:11.320 --> 0:00:14.520 the thirtieth, and we saunter over to the music history 0:00:14.600 --> 0:00:18.439 desk to Harry Jacobs. Hello, Harry, reporting. 0:00:17.960 --> 0:00:21.320 In live from Las Vegas, where it's only about one 0:00:21.400 --> 0:00:25.160 hundred and eighty six degrees today, So the dry heat thing, 0:00:25.520 --> 0:00:26.360 it's a dry heat. 0:00:26.640 --> 0:00:28.400 Yeah, let's get rolling. 0:00:28.480 --> 0:00:28.760 Buzz. 0:00:29.080 --> 0:00:32.400 June thirtieth through the seventeenth is the week we're doing, 0:00:32.440 --> 0:00:35.800 and let's start with a bang. Nineteen sixty nine is 0:00:35.840 --> 0:00:39.920 when Fleetwood Mac and Peter Green released oh Well, a 0:00:39.960 --> 0:00:43.080 song that you know. It starts off with a bang, 0:00:43.120 --> 0:00:46.120 with that great lick, but it's one of those necessities 0:00:46.120 --> 0:00:49.280 for guitar players, or if you're a blues band, that's 0:00:49.280 --> 0:00:51.120 a song you play Oh Well. 0:00:51.400 --> 0:00:55.480 He was greatly underappreciated, and I'll just as I often do, 0:00:55.600 --> 0:01:00.160 I'll throw a trivia question at you, what's the band? 0:01:00.000 --> 0:01:04.240 And I believe this would have been their only album 0:01:04.319 --> 0:01:08.640 rock charting song that did a great remake of oh Well? 0:01:11.360 --> 0:01:14.560 Who did a remake of Oh Well? I should know this, 0:01:14.720 --> 0:01:15.800 I definitely should know this. 0:01:16.440 --> 0:01:18.600 It just came to me. It was buried in my 0:01:18.760 --> 0:01:22.400 recesses and somehow unearthed it just as we were talking. 0:01:23.720 --> 0:01:25.759 Why do I want to say the rockets? I don't 0:01:25.800 --> 0:01:28.759 know that that's right, am. I corrected with that spin 0:01:28.880 --> 0:01:31.600 the prize wheel? Wow? How about that? 0:01:31.680 --> 0:01:33.760 I pulled that right out of my fanny, as they 0:01:33.760 --> 0:01:34.280 would say. 0:01:34.760 --> 0:01:38.600 And the rot is it's starting to m hm, you 0:01:38.680 --> 0:01:43.320 win the next time I'm in Vegas, dinner at Ferraro's. 0:01:43.120 --> 0:01:46.399 Where everybody knows your name, not everyone's name, just Buzz 0:01:46.520 --> 0:01:47.000 Night's name. 0:01:47.160 --> 0:01:48.120 Ah. 0:01:48.320 --> 0:01:51.760 In nineteen seventy five, on June thirtieth, the Eagles released 0:01:51.800 --> 0:01:55.600 One of These Nights. This, in my opinion, was a 0:01:55.800 --> 0:01:59.880 break away from the country kind of sound they heard 0:02:00.400 --> 0:02:04.640 that they played with the title with One of These Nights. 0:02:04.440 --> 0:02:07.240 That's not a country rock sounding song at all to me. No, 0:02:07.480 --> 0:02:10.080 it's a it's a great rock song, kind of an 0:02:10.080 --> 0:02:13.120 anthem in its own regard. I'm sure it's about some 0:02:13.280 --> 0:02:18.680 moment misery that they had, because all great music comes 0:02:18.680 --> 0:02:20.720 out of misery. But it's a great one. But lion 0:02:20.800 --> 0:02:24.679 I goes back to, certainly the country theme. 0:02:25.320 --> 0:02:28.440 And a song about misery, right, about a woman who 0:02:28.520 --> 0:02:30.240 is heading to the cheat inside of town. 0:02:30.960 --> 0:02:33.320 You know, so many people when I talk to him 0:02:33.320 --> 0:02:35.720 about country music, they go. 0:02:35.760 --> 0:02:39.000 Oh, I don't really like country. It's not my favorite thing. 0:02:39.120 --> 0:02:41.400 I don't really like country, and that I don't like 0:02:41.480 --> 0:02:44.280 countries to twangy and then you know how I stop 0:02:44.320 --> 0:02:47.799 them in their tracks. I say, do you like the Eagles? 0:02:48.200 --> 0:02:48.399 Oh? 0:02:48.480 --> 0:02:50.359 Yeah, I love the Eagles. Well, what do you think 0:02:50.400 --> 0:02:53.720 it's a derivative of It's not pure, pure country, but 0:02:53.800 --> 0:02:56.239 it's definitely a derivative of country. 0:02:56.919 --> 0:02:59.239 Lynyrd skinnerd Almon Brothers, Charlie Day. 0:02:59.280 --> 0:03:01.040 I mean, you go through the list of classic rock 0:03:01.080 --> 0:03:03.880 stuff that's the thirty eight special, All that stuff is 0:03:03.919 --> 0:03:06.520 a derivative. I like that you get to use the 0:03:06.520 --> 0:03:10.120 word derivative here because this is not a math show. 0:03:10.160 --> 0:03:13.920 But it's all a derivative of country music. It's a derivative, 0:03:14.000 --> 0:03:19.160 exactly derivative. Nineteen eighty nine, the Stones began recording Steel 0:03:19.240 --> 0:03:23.760 Wheels and Montserrat, their first album with Bill Wyman since 0:03:23.840 --> 0:03:27.600 eighty six, and apparently there were some internal tensions there, 0:03:27.639 --> 0:03:30.000 but Steel Wheels that that was kind of an epic 0:03:30.200 --> 0:03:31.520 album for sure. 0:03:31.560 --> 0:03:33.480 And a great tour as well. Got to see it 0:03:34.160 --> 0:03:37.320 in Cincinnati, and it was one of the great schmooze 0:03:37.360 --> 0:03:41.960 fests before before that show, we went back and saw 0:03:42.040 --> 0:03:45.400 the boys and I would say they were in good spirits. 0:03:45.520 --> 0:03:47.880 Keith was, Ronnie was, Charlie Watts. 0:03:49.160 --> 0:03:53.160 You know, sometimes there are these celebrity meetings where you go, boy, 0:03:53.200 --> 0:03:56.640 that was something I'll never forget. Was was this one 0:03:56.680 --> 0:03:58.480 of those with the Stones you get to actually talk 0:03:58.520 --> 0:03:59.520 to Keith or Mick at all? 0:04:00.000 --> 0:04:01.000 Oh, yeah, a lot of that. 0:04:01.320 --> 0:04:03.880 Yeah, it was just really that part was really cool 0:04:03.880 --> 0:04:07.360 because they were good natured. Mick was pretty much don't 0:04:07.400 --> 0:04:10.560 touch me, don't look at me, don't come anywhere near 0:04:10.600 --> 0:04:16.440 my space. Charlie was just Charlie not really into the 0:04:16.480 --> 0:04:20.320 scene per se, but looking really dapper and dignified. But 0:04:20.920 --> 0:04:23.520 it was rare because it was one of these moments 0:04:23.600 --> 0:04:26.960 we got to be there before the show and we 0:04:27.040 --> 0:04:32.640 got to spend literally an hour, you know, great catering, 0:04:32.839 --> 0:04:39.520 pool tables. Really a sensational event. And I think somewhere 0:04:39.560 --> 0:04:42.080 I've got a group picture of it. I'll have to 0:04:42.120 --> 0:04:44.839 take a look. That'd be a good picture for your 0:04:44.880 --> 0:04:46.320 wall for taking a walk behind you. 0:04:46.360 --> 0:04:49.960 It'd be nice to you know, little rolling stones and 0:04:50.000 --> 0:04:50.520 buzz Night. 0:04:51.400 --> 0:04:54.200 It was a fun night nineteen forty four. 0:04:54.520 --> 0:04:59.719 On June thirtieth is glensh Rock's birthday. Glens Rock is 0:04:59.760 --> 0:05:00.599 who you might ask. 0:05:01.080 --> 0:05:04.080 He's the lead singer of the Little River Band and 0:05:04.560 --> 0:05:05.839 they had a bunch of hits. You know, I'm a 0:05:05.839 --> 0:05:09.280 fan of pop music, but reminiscing cool Chains, Lonesome Loser, 0:05:10.200 --> 0:05:12.000 Help Us on the Way. There were a number of 0:05:12.320 --> 0:05:14.520 a number of good numbers by the Little River Band, 0:05:14.560 --> 0:05:19.359 but you know, a little schlocky, a little adult contemporary. 0:05:19.480 --> 0:05:21.400 Yeah, it wasn't my favorite. But they did have an 0:05:21.440 --> 0:05:23.760 album track I think it was. It was one of 0:05:23.800 --> 0:05:26.880 those long album tracks, kind of semi progressive. I think 0:05:26.920 --> 0:05:29.320 it was called It's a Long Way Home or something 0:05:29.400 --> 0:05:32.320 like that. Does that ring a bell? Doesn't ring a 0:05:32.320 --> 0:05:36.120 bell with me? Not the Supertramp. It's take them take 0:05:36.160 --> 0:05:38.920 a long the way home. But I'll double check that 0:05:39.080 --> 0:05:42.920 and we can go in and you know, change this 0:05:43.040 --> 0:05:44.080 or eliminate this. 0:05:44.000 --> 0:05:45.520 Whole conversation if we choose. 0:05:45.760 --> 0:05:48.719 No, I like it, and you know, little River bands 0:05:48.760 --> 0:05:49.360 out right now. 0:05:49.400 --> 0:05:53.080 We jokingly talked about this the other day that you know, 0:05:53.120 --> 0:05:54.920 I'd said, well, they're probably just you know, got one 0:05:55.040 --> 0:05:57.839 band member like Chicago as you know, a horn player, 0:05:58.160 --> 0:06:00.560 and I jokingly said, well, it's probably the player. It's 0:06:00.560 --> 0:06:02.360 probably just the bass player that's it, and everyone else 0:06:02.440 --> 0:06:04.200 is new. And sure enough when I went back in 0:06:04.240 --> 0:06:07.000 and checked it, that's all Little River Bands out, but 0:06:07.760 --> 0:06:09.440 just with the original bass player. 0:06:09.680 --> 0:06:12.760 As all the bass players take all the heat, don't they. 0:06:13.279 --> 0:06:15.200 They do take a lot of grief, and they've got 0:06:15.200 --> 0:06:17.720 a tough gig. It's not as simple as people would 0:06:17.720 --> 0:06:17.960 make it. 0:06:18.000 --> 0:06:21.040 See, Harry, I do have the song I did a cheat. 0:06:21.120 --> 0:06:25.240 It's called It's a Long Way There. So check that 0:06:25.279 --> 0:06:28.919 one out. It's kind of a cool little river band song, 0:06:29.560 --> 0:06:32.680 especially if you're like me and you're not necessarily in 0:06:32.760 --> 0:06:35.599 favor of the pop side of the band. 0:06:35.800 --> 0:06:40.040 Right on July first, nineteen sixty seven, Sergeant Pepper's hit 0:06:40.160 --> 0:06:42.320 number one on the Billboard two hundred. It was there 0:06:42.400 --> 0:06:46.240 for fifteen weeks or so. We talk about it over 0:06:46.240 --> 0:06:50.240 and over, but what an amazing album, concept album, the sound. 0:06:50.480 --> 0:06:52.840 Think about the evolution of the sound of that band 0:06:53.560 --> 0:06:55.400 from She Loves You or I Want to Hold Your 0:06:55.440 --> 0:06:58.520 Hand and you know in sixty three, sixty four to 0:06:59.200 --> 0:07:02.760 really seven, you know, six or seven years later when 0:07:03.760 --> 0:07:04.880 they really started. 0:07:04.600 --> 0:07:05.479 To change the pace. 0:07:05.560 --> 0:07:07.760 Even four years for Sergeant Pepper's right, it was not 0:07:07.800 --> 0:07:11.000 a long time before they changed their sound. 0:07:11.680 --> 0:07:14.000 And the great George Martin was pushing them hard. 0:07:15.160 --> 0:07:18.200 Yeah, you think his influence was there in terms of 0:07:18.840 --> 0:07:20.520 changing that sound and experimenting. 0:07:20.560 --> 0:07:23.200 How important was that was his role in that? 0:07:23.520 --> 0:07:25.480 I think he was integral. 0:07:25.560 --> 0:07:29.640 Now, look, it took a receptive gathering of the boys 0:07:29.680 --> 0:07:32.200 to be able to be willing to do the things. 0:07:32.240 --> 0:07:35.800 But I think he was the guy that was noodling 0:07:35.840 --> 0:07:39.040 around different things, different ways, experimentation. 0:07:40.400 --> 0:07:41.120 I believe that. 0:07:41.840 --> 0:07:46.120 Yeah, nineteen seventy nine is Sony Walkman debuted in Japan, 0:07:47.040 --> 0:07:49.840 and this changed the world for how we listened to music. 0:07:49.840 --> 0:07:53.520 You know, we were listening to cassette players. This portable 0:07:54.360 --> 0:07:58.520 device changed the world. Think back to how great to 0:07:58.680 --> 0:08:01.920 us it sounded. At that point, we were thinking, it's 0:08:01.920 --> 0:08:03.160 not going to get any better than this. This is 0:08:03.200 --> 0:08:06.720 amazing sound. It was breakthrough time for sure, and we 0:08:06.720 --> 0:08:09.320 were taping it from our record players right in our stereos. 0:08:09.360 --> 0:08:12.200 We were making mixtapes and dropping them into the Walkman 0:08:12.360 --> 0:08:15.000 so crazy. I had one of the original ones. My 0:08:15.040 --> 0:08:18.560 father had one. I ended up getting it handed down, 0:08:18.600 --> 0:08:21.040 but I had one of the waterproof ones, remember the 0:08:21.120 --> 0:08:22.480 yellow waterproof? 0:08:22.680 --> 0:08:24.640 Yeah, I do actually walking Yeah. 0:08:25.280 --> 0:08:29.160 Nineteen eighty three, John bon Jovi signed with Mercury Records. 0:08:29.200 --> 0:08:32.840 The band actually signed with Mercury Records, setting the stage 0:08:32.880 --> 0:08:36.240 for that debut album in eighty four, and they ended 0:08:36.320 --> 0:08:39.120 up being you know, pop or metal, you know. 0:08:39.120 --> 0:08:40.480 Hair band kind of icons. 0:08:41.880 --> 0:08:45.439 And that first one was so well received. You know, 0:08:45.520 --> 0:08:48.400 it was not put into the Oh is it a 0:08:48.440 --> 0:08:53.160 little too you know, reminiscent of other Jersey artists we 0:08:53.520 --> 0:08:55.640 don't have to name, you know, is it taking a 0:08:55.679 --> 0:08:57.480 page out of that? But it was, you know, it 0:08:57.520 --> 0:08:59.160 was a monster album. 0:09:00.000 --> 0:09:01.920 I only stood on its own, and I just you know, 0:09:01.960 --> 0:09:04.440 he's a good guy. You hear everything, you know, you 0:09:04.480 --> 0:09:06.120 hear stuff online or see stuff online. 0:09:06.160 --> 0:09:07.560 He's just friendly and affable. 0:09:07.600 --> 0:09:10.120 And to that end, I saw a video that's I 0:09:10.160 --> 0:09:11.960 don't know, maybe it's ten years old at this point 0:09:12.080 --> 0:09:14.760 or older, but he's sitting at a wedding and the 0:09:14.800 --> 0:09:17.760 wedding band they had the nerve to sing living on 0:09:17.800 --> 0:09:20.199 a prayer and the lead singer walks up to bon 0:09:20.320 --> 0:09:23.120 Jovi as she's singing it, and he looks and he 0:09:23.160 --> 0:09:25.680 looks around the room, and then he grabs the microphone 0:09:25.720 --> 0:09:27.480 out of her hand and walks up on stage and 0:09:27.559 --> 0:09:29.920 joins the wedding band for Living on a Prayer, which 0:09:29.960 --> 0:09:30.320 was fun. 0:09:31.200 --> 0:09:33.840 And I'm sure at that whole event that was zero 0:09:34.000 --> 0:09:35.240 alcohol involved. 0:09:36.200 --> 0:09:39.040 Well, certainly listen for him. Probably, I don't think he 0:09:39.120 --> 0:09:41.280 was a I don't think he was much of a drinker. 0:09:41.360 --> 0:09:43.520 Did he have a history not don't believe so. 0:09:44.440 --> 0:09:48.640 Maybe maybe others possibly, But you're afraid to Richie, maybe 0:09:48.800 --> 0:09:51.319 maybe a little like to enjoy, like to imbibe a 0:09:51.360 --> 0:09:52.360 little bit, a little bit. 0:09:52.880 --> 0:09:57.400 Nineteen forty five, July first, Debbie Harriet Blondie new resident 0:09:57.559 --> 0:10:01.600 of Woodbury, Connecticut, not Water but Woodbury, Connecticut. 0:10:01.840 --> 0:10:04.120 She was born in Miami, Florida. 0:10:04.720 --> 0:10:06.920 And you know, just a bunch of great songs out 0:10:06.920 --> 0:10:10.200 of that band and out of her and she's, you know, 0:10:10.280 --> 0:10:11.199 she's still going at it. 0:10:11.520 --> 0:10:14.920 She is, she still is loving being out there. At 0:10:15.000 --> 0:10:16.240 least it appears that way. 0:10:17.400 --> 0:10:21.480 Yeah. July second, nineteen sixty nine, The Jimmy Hendricks Experience. 0:10:21.559 --> 0:10:25.680 They disbanded when Noel Redding left the band after the 0:10:25.720 --> 0:10:28.920 Denver Pop Festival. This was not a planned break up 0:10:29.000 --> 0:10:30.320 or end of the band. I think it was just 0:10:30.400 --> 0:10:33.000 at the end of that festival he said, I've had enough, 0:10:33.320 --> 0:10:36.240 and that was the end of that iconic lineup for 0:10:36.280 --> 0:10:37.600 the Jimmy Hendricks experience. 0:10:37.600 --> 0:10:41.600 They were done after that. Got to think the tempers 0:10:41.640 --> 0:10:44.600 flared and you know, it probably took a while, but 0:10:45.600 --> 0:10:48.160 eventually they regretted it. 0:10:48.120 --> 0:10:51.960 All there was There was obviously substance involved there across 0:10:52.000 --> 0:10:53.680 all fronts, and that didn't make. 0:10:53.559 --> 0:10:55.040 It easy, I dare say. 0:10:55.400 --> 0:10:56.040 Yeah. 0:10:56.240 --> 0:11:00.320 In nineteen seventy one, Queen performed their first concert with 0:11:00.600 --> 0:11:04.199 Freddie and Brian and Roger and John Deacon at Surrey 0:11:04.280 --> 0:11:07.360 College and that Kingdom. This this really set them off. 0:11:07.360 --> 0:11:09.720 We're going to talk about them again, you know, in 0:11:09.760 --> 0:11:12.600 a minute here, but this was this was the first 0:11:12.640 --> 0:11:15.360 event for them in public ever. 0:11:15.440 --> 0:11:18.840 Get to see Queen in that early, early shape. 0:11:19.280 --> 0:11:22.640 I regret that I saw him with Adam Lambert at 0:11:22.679 --> 0:11:26.240 the Park Theater at the MGM, but I would love 0:11:26.240 --> 0:11:27.199 to have seen him with Freddy. 0:11:27.240 --> 0:11:27.959 How about you. 0:11:28.160 --> 0:11:28.800 Never saw him. 0:11:28.880 --> 0:11:33.199 Wasn't really into him in a big way back when 0:11:33.240 --> 0:11:37.080 they first came out, but over time, you know, kind 0:11:37.080 --> 0:11:39.679 of appreciated it more. And I really think that Adam 0:11:39.760 --> 0:11:42.560 Lambert piece is kind of cool. How he's kind of 0:11:42.559 --> 0:11:44.920 carried it on. I mean, we could all debate with 0:11:45.040 --> 0:11:47.480 there others who could have done a better job. But 0:11:48.720 --> 0:11:51.800 I've known folks that have gone and really dug the show. 0:11:51.840 --> 0:11:55.280 With Adam, you know, and the remaining band members. 0:11:55.600 --> 0:11:56.200 It was fun. 0:11:56.320 --> 0:11:58.599 It was you know, a little over the top in 0:11:58.960 --> 0:12:02.640 certain ways, but I certainly enjoyed it. So nineteen eighty 0:12:02.800 --> 0:12:06.080 July second, Bob Marley and the Whalers began their final tour. 0:12:06.200 --> 0:12:09.920 When they went out, Bob was unaware of his terminal 0:12:10.000 --> 0:12:13.560 cancer at that point, and not long after that tour 0:12:13.640 --> 0:12:15.440 we ended up losing Bob Marley. 0:12:15.880 --> 0:12:17.880 Kind of mind blowing when you think about it. 0:12:17.920 --> 0:12:20.280 Really is nineteen seventy seven. 0:12:20.400 --> 0:12:23.600 A guy by the name of Vladimir Nobakov He died 0:12:23.640 --> 0:12:25.040 on this date in nineteen seventy seven. 0:12:25.120 --> 0:12:26.960 That nam ring a bell with you at all? 0:12:27.120 --> 0:12:28.520 Not at all. Nope. 0:12:28.920 --> 0:12:33.160 His novel Lolita inspired a whole bunch of music, not 0:12:33.200 --> 0:12:35.320 the least of which is Don't Stand So Close to 0:12:35.360 --> 0:12:37.920 Me by the Police, which is really a song about 0:12:37.920 --> 0:12:38.400 a creeper. 0:12:38.559 --> 0:12:39.760 Yeah, it's creeper song. 0:12:39.840 --> 0:12:41.319 Wow on a little girl. 0:12:41.400 --> 0:12:42.640 So that was it. 0:12:42.679 --> 0:12:47.559 That was inspired by Vladimir Nobakoff who died on this day. 0:12:47.600 --> 0:12:51.920 In nineteen seventy seven, another death, another member of the 0:12:52.000 --> 0:12:56.040 twenty seven club, passed away on July third. There's actually 0:12:56.080 --> 0:12:59.520 two deaths from guys that were twenty seven years old 0:13:00.400 --> 0:13:03.120 on this date. In nineteen sixty nine, Brian Jones, who 0:13:03.240 --> 0:13:06.000 was a founding member of The Stones, drowned in a 0:13:06.040 --> 0:13:09.600 swimming pool. This was shortly after the Stones kicked him 0:13:09.600 --> 0:13:11.520 out of the band. He was fired. Do you realize 0:13:12.120 --> 0:13:13.000 the timing on that. 0:13:13.720 --> 0:13:17.080 I didn't realize the timing that, you know, I'm sure 0:13:17.120 --> 0:13:18.840 was some kind of trigger to it all. 0:13:18.920 --> 0:13:19.640 Yeah. 0:13:19.640 --> 0:13:22.240 Sure, and ended up in his pool and that's where 0:13:22.280 --> 0:13:26.400 he was found. And in nineteen seventy one, the bigger name, 0:13:26.480 --> 0:13:30.160 if you will, was Jim Morrison who died in Paris 0:13:30.200 --> 0:13:34.520 at twenty seven. Allegedly died in Paris from heart failure, 0:13:34.800 --> 0:13:38.360 although no autopsy was performed. And you believe he's living 0:13:38.400 --> 0:13:41.640 near Sturbridge Village in Sturbridge, Massachusetts or something like that. 0:13:41.840 --> 0:13:43.040 Where do you think Where do think he's going. 0:13:42.880 --> 0:13:45.680 Outside of Syracuse? Yeah, Syracuse. 0:13:45.679 --> 0:13:48.800 As soon as I find this out, I'm going in person. 0:13:48.880 --> 0:13:53.640 I'm gonna I'll go in person for that interview and 0:13:53.960 --> 0:13:56.600 because any chance to go to Syracuse. 0:13:56.559 --> 0:13:59.120 Right Dinosaur Barbecue, you can roll down the road, listen 0:13:59.160 --> 0:14:00.440 to Brother Weez and Rochester. 0:14:00.480 --> 0:14:02.120 There's a whole bunch of reasons to hit to Western 0:14:02.160 --> 0:14:02.520 New York. 0:14:02.600 --> 0:14:03.520 Oh nothing better. 0:14:04.080 --> 0:14:07.720 Nineteen eighty six, you two began recording The Joshua Tree. 0:14:07.720 --> 0:14:10.400 This is the album that would change the world for 0:14:10.480 --> 0:14:13.200 you too. This was there Born in the USA. 0:14:13.520 --> 0:14:15.920 And every song a great song on it. 0:14:16.880 --> 0:14:21.880 The concert on the rooftop where they were playing you Know, 0:14:21.960 --> 0:14:23.760 with or Without You, and Where the Streets Have No 0:14:23.880 --> 0:14:26.040 Name the I think it was the video for Where 0:14:26.040 --> 0:14:29.440 the Streets Have No Name that was on MTV and everywhere. 0:14:29.440 --> 0:14:32.280 It was obviously reminiscent of the Beatles, but the crowd 0:14:32.280 --> 0:14:35.960 that brought to the streets of Los Angeles was pretty crazy. 0:14:37.160 --> 0:14:39.880 I love the music. I loved the band. There's just 0:14:39.920 --> 0:14:43.800 one thing that bugs me. What's that those glasses that 0:14:43.960 --> 0:14:44.640 Bono wears. 0:14:44.920 --> 0:14:48.200 Oh man, come on, he's like Phyllis Diller, the Phillis 0:14:48.240 --> 0:14:50.840 Diller of rock and roll with the big glasses. 0:14:50.920 --> 0:14:52.360 It's too much. 0:14:52.520 --> 0:14:55.320 After at first it was cool, then it's like, okay. 0:14:55.000 --> 0:14:58.040 Come on, yeah, enough, enough is enough. 0:14:58.720 --> 0:15:02.760 July fourth, nineteen seventy, the Who performed at the Atlanta 0:15:02.840 --> 0:15:07.160 Pop Festival. This was something that included tracks from Tommy 0:15:07.200 --> 0:15:10.640 and of course their first certainly their first album, which was. 0:15:11.920 --> 0:15:15.760 Buzz, Meaty, beady, big and bouncy. Just fun to say, right, 0:15:15.880 --> 0:15:19.080 it's terrific. I remember back selling it and screwing it 0:15:19.160 --> 0:15:22.000 up royally almost every time it sounds. 0:15:21.720 --> 0:15:23.240 Like you're saying something filthy, but you're not. 0:15:23.280 --> 0:15:25.480 You're just giving the title of the Who album and 0:15:25.560 --> 0:15:28.080 of course Can't Explain and other great songs on that 0:15:28.160 --> 0:15:31.600 as well. On this day in nineteen eighty two, Ozzy 0:15:31.920 --> 0:15:37.360 married Sharon Sharon, the former Sharon Arden. Who was who 0:15:37.520 --> 0:15:40.560 was the relationship the relationship between Ossie? Who was he 0:15:40.600 --> 0:15:42.520 just Sharon at that or who was Sharon to Ozzy? 0:15:42.680 --> 0:15:46.760 That manager? That's right, yeah, big force of nature manager. 0:15:47.720 --> 0:15:52.000 She married him and really, I think continued to this 0:15:52.120 --> 0:15:55.680 day continues to manage him. And she's done very well 0:15:55.720 --> 0:15:58.600 by him. Think about the trajectory that he was on 0:15:59.280 --> 0:16:03.520 after that, after that marriage, the television show, the reality show, 0:16:03.600 --> 0:16:06.600 her own career, she's she's done a great job. 0:16:07.000 --> 0:16:09.560 But he said, all aboard, I'm getting on the ozz 0:16:09.640 --> 0:16:11.200 of the crazy train and then. 0:16:11.080 --> 0:16:12.960 She was the conductor, the conductor. 0:16:13.800 --> 0:16:17.320 July fifth, nineteen seventy five, Pink Floyd performed Wish You 0:16:17.360 --> 0:16:20.960 Were Here some tracks of that at the Nebworth Festival 0:16:20.960 --> 0:16:24.360 in the United Kingdom. In London, Roy Harper joined for 0:16:24.400 --> 0:16:26.400 Have a Cigar? Is that a name that rings a 0:16:26.400 --> 0:16:27.840 bell to you? Roy Harper? 0:16:28.280 --> 0:16:32.640 Yeah? I remember he had, you know, certainly an album 0:16:33.040 --> 0:16:37.600 or so out, so it was, you know, early progressive. 0:16:37.880 --> 0:16:40.360 I couldn't remember anything about him, but yes, I do 0:16:40.440 --> 0:16:41.280 remember that name. 0:16:42.280 --> 0:16:44.800 Interesting story there, and Pink Floyd did not have a 0:16:44.800 --> 0:16:46.400 lot of folks ever really joined them. 0:16:46.480 --> 0:16:47.840 They kind of stood on their own. 0:16:47.880 --> 0:16:49.960 It wasn't like the Stones who would bring guests out 0:16:50.120 --> 0:16:52.560 or others who will bring guests out. But this is 0:16:52.960 --> 0:16:57.600 something that happened early on in their you know, in 0:16:57.640 --> 0:16:58.160 their career. 0:16:58.520 --> 0:17:01.000 And people are so crazy in a good way over 0:17:01.240 --> 0:17:04.400 progressive rock and Floyd and all that. You know, I'm 0:17:04.440 --> 0:17:07.399 sure someone will let us know, Hey, you idiots, he 0:17:07.480 --> 0:17:10.280 did this or he did this with Pink Floyd. So 0:17:11.080 --> 0:17:14.600 we'll probably follow up on this, absolutely will. 0:17:14.880 --> 0:17:19.679 In nineteen ninety one, Guns N' Roses You Could Be 0:17:19.800 --> 0:17:23.480 Mine was released as a single from What movie Buzz 0:17:25.040 --> 0:17:27.720 would it be Terminator, It would be it would be 0:17:27.840 --> 0:17:31.520 Terminator two got to number twenty nine. Appearing on a 0:17:31.560 --> 0:17:34.520 movie soundtrack. This would not be their first time doing 0:17:34.560 --> 0:17:39.200 that in nineteen ninety one. In eighty eight, Welcome to 0:17:39.240 --> 0:17:42.639 the Jungle was featured in the Clin Eastwood movie The Deadpool, 0:17:43.000 --> 0:17:45.959 and Jim Carrey played the singer of this band that 0:17:46.119 --> 0:17:48.879 was making a music video and ended up meeting his 0:17:49.000 --> 0:17:54.040 demise during the course of that that process. In that movie, 0:17:54.119 --> 0:17:58.480 Jim Carrey, serious actor, played an addict and the song 0:17:58.560 --> 0:18:01.560 he was, you know, singing during the music video was 0:18:01.600 --> 0:18:02.439 Welcome to the Jungle. 0:18:02.640 --> 0:18:06.000 That was our first exposure to Welcome to the Jungle. 0:18:06.920 --> 0:18:07.680 Great songs. 0:18:08.280 --> 0:18:10.399 I remember I was spending a lot of time with 0:18:10.440 --> 0:18:13.000 our friend Chuck Nolan in those days in nineteen eighty eight, 0:18:13.600 --> 0:18:16.600 and I remember us hearing that after seeing that movie, 0:18:16.600 --> 0:18:20.159 thinking what a song that is? That's one immediately the 0:18:20.200 --> 0:18:22.560 first time you hear it, you go, what is that? 0:18:23.560 --> 0:18:27.359 And we know very well Chuck Nolan quite a headbanger 0:18:27.359 --> 0:18:27.880 in his day. 0:18:28.760 --> 0:18:29.520 He was. He had the. 0:18:29.560 --> 0:18:33.000 Mullet going, he had that big head of curly hair. Yeah, 0:18:33.119 --> 0:18:35.119 this was not morning show, Chuck Nolan. This is not, 0:18:35.720 --> 0:18:38.560 you know, the older Chuck Nolan, Chuck Nolan in the 0:18:38.640 --> 0:18:39.679 later years, right. 0:18:40.080 --> 0:18:42.000 So he would hate us for this. 0:18:42.359 --> 0:18:44.159 He and let me tell you something, I'm gonna make it. 0:18:44.200 --> 0:18:45.880 I'm gonna cuddle the lempy three of it, and I'm 0:18:45.880 --> 0:18:49.880 gonna post it on our Facebook. In nineteen forty three, 0:18:50.280 --> 0:18:54.119 on July fifth, Robbie Robertson, the guitarist and songwriter for 0:18:54.160 --> 0:18:57.240 the band, was born in Toronto. The Last Waltz the 0:18:57.280 --> 0:19:00.560 way you have a you have a connection to Robbie Robertson, 0:19:00.560 --> 0:19:02.919 you have a love for that band. To take me 0:19:02.960 --> 0:19:06.240 through a couple of your favorite stories and memories for Robbie. 0:19:06.960 --> 0:19:09.600 Oh, I had a few of them over over time, 0:19:09.840 --> 0:19:12.600 just direct occurrences. 0:19:13.000 --> 0:19:15.760 I remember one of the times. 0:19:15.960 --> 0:19:19.920 Actually, I don't think I've told you this. I did 0:19:20.040 --> 0:19:24.239 a series of New York City shows that I didn't do. 0:19:24.359 --> 0:19:26.879 I produced for my morning show at that time. 0:19:28.080 --> 0:19:31.800 That was Tommy and the Bull from FM ninety nine 0:19:31.840 --> 0:19:36.960 w n R, The Late Bull and Norfolk. Yes, And 0:19:37.280 --> 0:19:41.639 we were camped at the I believe it was the 0:19:41.680 --> 0:19:45.120 Carnegie or the Stage Deli, and that's what we were 0:19:45.119 --> 0:19:48.240 bringing guests in. And you know, lo and behold we 0:19:48.320 --> 0:19:51.440 got Robbie to come on over and spend the half 0:19:51.480 --> 0:19:52.240 hour and. 0:19:52.560 --> 0:19:53.840 Do an interview over there. 0:19:53.920 --> 0:19:59.120