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Speaker 1: Hi, this is Buzz Night Tho, host of the Taking

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Speaker 1: a Walk podcast, and welcome to another look at this

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Speaker 1: week in music history. It's for the week of June

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Speaker 1: the thirtieth, and we saunter over to the music history

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Speaker 1: desk to Harry Jacobs. Hello, Harry, reporting.

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Speaker 2: In live from Las Vegas, where it's only about one

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Speaker 2: hundred and eighty six degrees today, So the dry heat thing,

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Speaker 2: it's a dry heat.

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Speaker 1: Yeah, let's get rolling.

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Speaker 3: Buzz.

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Speaker 2: June thirtieth through the seventeenth is the week we're doing,

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Speaker 2: and let's start with a bang. Nineteen sixty nine is

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Speaker 2: when Fleetwood Mac and Peter Green released oh Well, a

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Speaker 2: song that you know. It starts off with a bang,

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Speaker 2: with that great lick, but it's one of those necessities

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Speaker 2: for guitar players, or if you're a blues band, that's

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Speaker 2: a song you play Oh Well.

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Speaker 1: He was greatly underappreciated, and I'll just as I often do,

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Speaker 1: I'll throw a trivia question at you, what's the band?

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Speaker 1: And I believe this would have been their only album

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Speaker 1: rock charting song that did a great remake of oh Well?

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Speaker 2: Who did a remake of Oh Well? I should know this,

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Speaker 2: I definitely should know this.

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Speaker 1: It just came to me. It was buried in my

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Speaker 1: recesses and somehow unearthed it just as we were talking.

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Speaker 2: Why do I want to say the rockets? I don't

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Speaker 2: know that that's right, am. I corrected with that spin

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Speaker 2: the prize wheel? Wow? How about that?

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Speaker 3: I pulled that right out of my fanny, as they

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Speaker 3: would say.

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Speaker 1: And the rot is it's starting to m hm, you

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Speaker 1: win the next time I'm in Vegas, dinner at Ferraro's.

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Speaker 3: Where everybody knows your name, not everyone's name, just Buzz

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Speaker 3: Night's name.

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Speaker 4: Ah.

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Speaker 2: In nineteen seventy five, on June thirtieth, the Eagles released

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Speaker 2: One of These Nights. This, in my opinion, was a

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Speaker 2: break away from the country kind of sound they heard

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Speaker 2: that they played with the title with One of These Nights.

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Speaker 1: That's not a country rock sounding song at all to me. No,

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Speaker 1: it's a it's a great rock song, kind of an

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Speaker 1: anthem in its own regard. I'm sure it's about some

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Speaker 1: moment misery that they had, because all great music comes

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Speaker 1: out of misery. But it's a great one. But lion

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Speaker 1: I goes back to, certainly the country theme.

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Speaker 2: And a song about misery, right, about a woman who

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Speaker 2: is heading to the cheat inside of town.

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Speaker 1: You know, so many people when I talk to him

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Speaker 1: about country music, they go.

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Speaker 4: Oh, I don't really like country. It's not my favorite thing.

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Speaker 1: I don't really like country, and that I don't like

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Speaker 1: countries to twangy and then you know how I stop

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Speaker 1: them in their tracks. I say, do you like the Eagles?

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Speaker 3: Oh?

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Speaker 1: Yeah, I love the Eagles. Well, what do you think

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Speaker 1: it's a derivative of It's not pure, pure country, but

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Speaker 1: it's definitely a derivative of country.

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Speaker 3: Lynyrd skinnerd Almon Brothers, Charlie Day.

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Speaker 2: I mean, you go through the list of classic rock

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Speaker 2: stuff that's the thirty eight special, All that stuff is

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Speaker 2: a derivative. I like that you get to use the

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Speaker 2: word derivative here because this is not a math show.

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Speaker 2: But it's all a derivative of country music. It's a derivative,

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Speaker 2: exactly derivative. Nineteen eighty nine, the Stones began recording Steel

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Speaker 2: Wheels and Montserrat, their first album with Bill Wyman since

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Speaker 2: eighty six, and apparently there were some internal tensions there,

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Speaker 2: but Steel Wheels that that was kind of an epic

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Speaker 2: album for sure.

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Speaker 1: And a great tour as well. Got to see it

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Speaker 1: in Cincinnati, and it was one of the great schmooze

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Speaker 1: fests before before that show, we went back and saw

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Speaker 1: the boys and I would say they were in good spirits.

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Speaker 1: Keith was, Ronnie was, Charlie Watts.

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Speaker 2: You know, sometimes there are these celebrity meetings where you go, boy,

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Speaker 2: that was something I'll never forget. Was was this one

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Speaker 2: of those with the Stones you get to actually talk

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Speaker 2: to Keith or Mick at all?

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Speaker 3: Oh, yeah, a lot of that.

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Speaker 1: Yeah, it was just really that part was really cool

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Speaker 1: because they were good natured. Mick was pretty much don't

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Speaker 1: touch me, don't look at me, don't come anywhere near

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Speaker 1: my space. Charlie was just Charlie not really into the

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Speaker 1: scene per se, but looking really dapper and dignified. But

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Speaker 1: it was rare because it was one of these moments

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Speaker 1: we got to be there before the show and we

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Speaker 1: got to spend literally an hour, you know, great catering,

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Speaker 1: pool tables. Really a sensational event. And I think somewhere

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Speaker 1: I've got a group picture of it. I'll have to

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Speaker 1: take a look. That'd be a good picture for your

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Speaker 1: wall for taking a walk behind you.

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Speaker 2: It'd be nice to you know, little rolling stones and

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Speaker 2: buzz Night.

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Speaker 4: It was a fun night nineteen forty four.

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Speaker 3: On June thirtieth is glensh Rock's birthday. Glens Rock is

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Speaker 3: who you might ask.

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Speaker 2: He's the lead singer of the Little River Band and

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Speaker 2: they had a bunch of hits. You know, I'm a

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Speaker 2: fan of pop music, but reminiscing cool Chains, Lonesome Loser,

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Speaker 2: Help Us on the Way. There were a number of

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Speaker 2: a number of good numbers by the Little River Band,

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Speaker 2: but you know, a little schlocky, a little adult contemporary.

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Speaker 1: Yeah, it wasn't my favorite. But they did have an

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Speaker 1: album track I think it was. It was one of

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Speaker 1: those long album tracks, kind of semi progressive. I think

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Speaker 1: it was called It's a Long Way Home or something

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Speaker 1: like that. Does that ring a bell? Doesn't ring a

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Speaker 1: bell with me? Not the Supertramp. It's take them take

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Speaker 1: a long the way home. But I'll double check that

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Speaker 1: and we can go in and you know, change this

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Speaker 1: or eliminate this.

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Speaker 4: Whole conversation if we choose.

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Speaker 3: No, I like it, and you know, little River bands

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Speaker 3: out right now.

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Speaker 2: We jokingly talked about this the other day that you know,

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Speaker 2: I'd said, well, they're probably just you know, got one

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Speaker 2: band member like Chicago as you know, a horn player,

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Speaker 2: and I jokingly said, well, it's probably the player. It's

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Speaker 2: probably just the bass player that's it, and everyone else

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Speaker 2: is new. And sure enough when I went back in

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Speaker 2: and checked it, that's all Little River Bands out, but

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Speaker 2: just with the original bass player.

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Speaker 1: As all the bass players take all the heat, don't they.

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Speaker 2: They do take a lot of grief, and they've got

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Speaker 2: a tough gig. It's not as simple as people would

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Speaker 2: make it.

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Speaker 1: See, Harry, I do have the song I did a cheat.

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Speaker 1: It's called It's a Long Way There. So check that

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Speaker 1: one out. It's kind of a cool little river band song,

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Speaker 1: especially if you're like me and you're not necessarily in

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Speaker 1: favor of the pop side of the band.

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Speaker 2: Right on July first, nineteen sixty seven, Sergeant Pepper's hit

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Speaker 2: number one on the Billboard two hundred. It was there

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Speaker 2: for fifteen weeks or so. We talk about it over

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Speaker 2: and over, but what an amazing album, concept album, the sound.

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Speaker 2: Think about the evolution of the sound of that band

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Speaker 2: from She Loves You or I Want to Hold Your

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Speaker 2: Hand and you know in sixty three, sixty four to

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Speaker 2: really seven, you know, six or seven years later when

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Speaker 2: they really started.

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Speaker 3: To change the pace.

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Speaker 2: Even four years for Sergeant Pepper's right, it was not

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Speaker 2: a long time before they changed their sound.

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Speaker 4: And the great George Martin was pushing them hard.

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Speaker 2: Yeah, you think his influence was there in terms of

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Speaker 2: changing that sound and experimenting.

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Speaker 3: How important was that was his role in that?

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Speaker 4: I think he was integral.

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Speaker 1: Now, look, it took a receptive gathering of the boys

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Speaker 1: to be able to be willing to do the things.

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Speaker 1: But I think he was the guy that was noodling

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Speaker 1: around different things, different ways, experimentation.

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Speaker 4: I believe that.

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Speaker 2: Yeah, nineteen seventy nine is Sony Walkman debuted in Japan,

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Speaker 2: and this changed the world for how we listened to music.

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Speaker 2: You know, we were listening to cassette players. This portable

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Speaker 2: device changed the world. Think back to how great to

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Speaker 2: us it sounded. At that point, we were thinking, it's

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Speaker 2: not going to get any better than this. This is

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Speaker 2: amazing sound. It was breakthrough time for sure, and we

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Speaker 2: were taping it from our record players right in our stereos.

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Speaker 2: We were making mixtapes and dropping them into the Walkman

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Speaker 2: so crazy. I had one of the original ones. My

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Speaker 2: father had one. I ended up getting it handed down,

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Speaker 2: but I had one of the waterproof ones, remember the

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Speaker 2: yellow waterproof?

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Speaker 4: Yeah, I do actually walking Yeah.

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Speaker 2: Nineteen eighty three, John bon Jovi signed with Mercury Records.

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Speaker 2: The band actually signed with Mercury Records, setting the stage

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Speaker 2: for that debut album in eighty four, and they ended

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Speaker 2: up being you know, pop or metal, you know.

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Speaker 3: Hair band kind of icons.

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Speaker 1: And that first one was so well received. You know,

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Speaker 1: it was not put into the Oh is it a

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Speaker 1: little too you know, reminiscent of other Jersey artists we

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Speaker 1: don't have to name, you know, is it taking a

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Speaker 1: page out of that? But it was, you know, it

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Speaker 1: was a monster album.

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Speaker 2: I only stood on its own, and I just you know,

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Speaker 2: he's a good guy. You hear everything, you know, you

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Speaker 2: hear stuff online or see stuff online.

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Speaker 3: He's just friendly and affable.

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Speaker 2: And to that end, I saw a video that's I

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Speaker 2: don't know, maybe it's ten years old at this point

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Speaker 2: or older, but he's sitting at a wedding and the

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Speaker 2: wedding band they had the nerve to sing living on

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Speaker 2: a prayer and the lead singer walks up to bon

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Speaker 2: Jovi as she's singing it, and he looks and he

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Speaker 2: looks around the room, and then he grabs the microphone

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Speaker 2: out of her hand and walks up on stage and

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Speaker 2: joins the wedding band for Living on a Prayer, which

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Speaker 2: was fun.

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Speaker 1: And I'm sure at that whole event that was zero

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Speaker 1: alcohol involved.

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Speaker 2: Well, certainly listen for him. Probably, I don't think he

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Speaker 2: was a I don't think he was much of a drinker.

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Speaker 4: Did he have a history not don't believe so.

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Speaker 1: Maybe maybe others possibly, But you're afraid to Richie, maybe

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Speaker 1: maybe a little like to enjoy, like to imbibe a

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Speaker 1: little bit, a little bit.

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Speaker 2: Nineteen forty five, July first, Debbie Harriet Blondie new resident

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Speaker 2: of Woodbury, Connecticut, not Water but Woodbury, Connecticut.

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Speaker 3: She was born in Miami, Florida.

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Speaker 2: And you know, just a bunch of great songs out

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Speaker 2: of that band and out of her and she's, you know,

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Speaker 2: she's still going at it.

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Speaker 1: She is, she still is loving being out there. At

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Speaker 1: least it appears that way.

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Speaker 2: Yeah. July second, nineteen sixty nine, The Jimmy Hendricks Experience.

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Speaker 2: They disbanded when Noel Redding left the band after the

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Speaker 2: Denver Pop Festival. This was not a planned break up

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Speaker 2: or end of the band. I think it was just

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Speaker 2: at the end of that festival he said, I've had enough,

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Speaker 2: and that was the end of that iconic lineup for

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Speaker 2: the Jimmy Hendricks experience.

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Speaker 1: They were done after that. Got to think the tempers

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Speaker 1: flared and you know, it probably took a while, but

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Speaker 1: eventually they regretted it.

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Speaker 2: All there was There was obviously substance involved there across

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Speaker 2: all fronts, and that didn't make.

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Speaker 4: It easy, I dare say.

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Speaker 3: Yeah.

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Speaker 2: In nineteen seventy one, Queen performed their first concert with

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Speaker 2: Freddie and Brian and Roger and John Deacon at Surrey

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Speaker 2: College and that Kingdom. This this really set them off.

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Speaker 2: We're going to talk about them again, you know, in

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Speaker 2: a minute here, but this was this was the first

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Speaker 2: event for them in public ever.

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Speaker 4: Get to see Queen in that early, early shape.

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Speaker 2: I regret that I saw him with Adam Lambert at

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Speaker 2: the Park Theater at the MGM, but I would love

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Speaker 2: to have seen him with Freddy.

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Speaker 3: How about you.

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Speaker 4: Never saw him.

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Speaker 1: Wasn't really into him in a big way back when

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Speaker 1: they first came out, but over time, you know, kind

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Speaker 1: of appreciated it more. And I really think that Adam

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Speaker 1: Lambert piece is kind of cool. How he's kind of

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Speaker 1: carried it on. I mean, we could all debate with

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Speaker 1: there others who could have done a better job. But

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Speaker 1: I've known folks that have gone and really dug the show.

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Speaker 1: With Adam, you know, and the remaining band members.

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Speaker 3: It was fun.

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Speaker 2: It was you know, a little over the top in

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Speaker 2: certain ways, but I certainly enjoyed it. So nineteen eighty

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Speaker 2: July second, Bob Marley and the Whalers began their final tour.

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Speaker 2: When they went out, Bob was unaware of his terminal

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Speaker 2: cancer at that point, and not long after that tour

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Speaker 2: we ended up losing Bob Marley.

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Speaker 1: Kind of mind blowing when you think about it.

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Speaker 3: Really is nineteen seventy seven.

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Speaker 2: A guy by the name of Vladimir Nobakov He died

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Speaker 2: on this date in nineteen seventy seven.

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Speaker 3: That nam ring a bell with you at all?

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Speaker 1: Not at all. Nope.

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Speaker 2: His novel Lolita inspired a whole bunch of music, not

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Speaker 2: the least of which is Don't Stand So Close to

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Speaker 2: Me by the Police, which is really a song about

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Speaker 2: a creeper.

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Speaker 1: Yeah, it's creeper song.

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Speaker 4: Wow on a little girl.

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Speaker 3: So that was it.

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Speaker 2: That was inspired by Vladimir Nobakoff who died on this day.

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Speaker 2: In nineteen seventy seven, another death, another member of the

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Speaker 2: twenty seven club, passed away on July third. There's actually

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Speaker 2: two deaths from guys that were twenty seven years old

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Speaker 2: on this date. In nineteen sixty nine, Brian Jones, who

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Speaker 2: was a founding member of The Stones, drowned in a

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Speaker 2: swimming pool. This was shortly after the Stones kicked him

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Speaker 2: out of the band. He was fired. Do you realize

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Speaker 2: the timing on that.

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Speaker 1: I didn't realize the timing that, you know, I'm sure

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Speaker 1: was some kind of trigger to it all.

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Speaker 4: Yeah.

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Speaker 2: Sure, and ended up in his pool and that's where

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Speaker 2: he was found. And in nineteen seventy one, the bigger name,

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Speaker 2: if you will, was Jim Morrison who died in Paris

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Speaker 2: at twenty seven. Allegedly died in Paris from heart failure,

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Speaker 2: although no autopsy was performed. And you believe he's living

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Speaker 2: near Sturbridge Village in Sturbridge, Massachusetts or something like that.

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Speaker 3: Where do you think Where do think he's going.

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Speaker 4: Outside of Syracuse? Yeah, Syracuse.

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Speaker 1: As soon as I find this out, I'm going in person.

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Speaker 1: I'm gonna I'll go in person for that interview and

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Speaker 1: because any chance to go to Syracuse.

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Speaker 2: Right Dinosaur Barbecue, you can roll down the road, listen

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Speaker 2: to Brother Weez and Rochester.

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Speaker 3: There's a whole bunch of reasons to hit to Western

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Speaker 3: New York.

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Speaker 4: Oh nothing better.

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Speaker 2: Nineteen eighty six, you two began recording The Joshua Tree.

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Speaker 2: This is the album that would change the world for

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Speaker 2: you too. This was there Born in the USA.

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Speaker 1: And every song a great song on it.

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Speaker 2: The concert on the rooftop where they were playing you Know,

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Speaker 2: with or Without You, and Where the Streets Have No

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Speaker 2: Name the I think it was the video for Where

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Speaker 2: the Streets Have No Name that was on MTV and everywhere.

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Speaker 2: It was obviously reminiscent of the Beatles, but the crowd

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Speaker 2: that brought to the streets of Los Angeles was pretty crazy.

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Speaker 1: I love the music. I loved the band. There's just

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Speaker 1: one thing that bugs me. What's that those glasses that

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Speaker 1: Bono wears.

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Speaker 2: Oh man, come on, he's like Phyllis Diller, the Phillis

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Speaker 2: Diller of rock and roll with the big glasses.

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Speaker 1: It's too much.

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Speaker 4: After at first it was cool, then it's like, okay.

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Speaker 3: Come on, yeah, enough, enough is enough.

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Speaker 2: July fourth, nineteen seventy, the Who performed at the Atlanta

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Speaker 2: Pop Festival. This was something that included tracks from Tommy

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Speaker 2: and of course their first certainly their first album, which was.

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Speaker 1: Buzz, Meaty, beady, big and bouncy. Just fun to say, right,

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Speaker 1: it's terrific. I remember back selling it and screwing it

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Speaker 1: up royally almost every time it sounds.

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Speaker 3: Like you're saying something filthy, but you're not.

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Speaker 2: You're just giving the title of the Who album and

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Speaker 2: of course Can't Explain and other great songs on that

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Speaker 2: as well. On this day in nineteen eighty two, Ozzy

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Speaker 2: married Sharon Sharon, the former Sharon Arden. Who was who

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Speaker 2: was the relationship the relationship between Ossie? Who was he

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Speaker 2: just Sharon at that or who was Sharon to Ozzy?

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Speaker 4: That manager? That's right, yeah, big force of nature manager.

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Speaker 2: She married him and really, I think continued to this

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Speaker 2: day continues to manage him. And she's done very well

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Speaker 2: by him. Think about the trajectory that he was on

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Speaker 2: after that, after that marriage, the television show, the reality show,

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Speaker 2: her own career, she's she's done a great job.

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Speaker 1: But he said, all aboard, I'm getting on the ozz

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Speaker 1: of the crazy train and then.

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Speaker 3: She was the conductor, the conductor.

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Speaker 2: July fifth, nineteen seventy five, Pink Floyd performed Wish You

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Speaker 2: Were Here some tracks of that at the Nebworth Festival

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Speaker 2: in the United Kingdom. In London, Roy Harper joined for

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Speaker 2: Have a Cigar? Is that a name that rings a

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Speaker 2: bell to you? Roy Harper?

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Speaker 1: Yeah? I remember he had, you know, certainly an album

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Speaker 1: or so out, so it was, you know, early progressive.

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Speaker 1: I couldn't remember anything about him, but yes, I do

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Speaker 1: remember that name.

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Speaker 2: Interesting story there, and Pink Floyd did not have a

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Speaker 2: lot of folks ever really joined them.

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Speaker 3: They kind of stood on their own.

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Speaker 2: It wasn't like the Stones who would bring guests out

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Speaker 2: or others who will bring guests out. But this is

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Speaker 2: something that happened early on in their you know, in

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Speaker 2: their career.

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Speaker 1: And people are so crazy in a good way over

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Speaker 1: progressive rock and Floyd and all that. You know, I'm

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Speaker 1: sure someone will let us know, Hey, you idiots, he

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Speaker 1: did this or he did this with Pink Floyd. So

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Speaker 1: we'll probably follow up on this, absolutely will.

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Speaker 2: In nineteen ninety one, Guns N' Roses You Could Be

352
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Speaker 2: Mine was released as a single from What movie Buzz

353
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Speaker 2: would it be Terminator, It would be it would be

354
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Speaker 2: Terminator two got to number twenty nine. Appearing on a

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Speaker 2: movie soundtrack. This would not be their first time doing

356
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Speaker 2: that in nineteen ninety one. In eighty eight, Welcome to

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Speaker 2: the Jungle was featured in the Clin Eastwood movie The Deadpool,

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Speaker 2: and Jim Carrey played the singer of this band that

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Speaker 2: was making a music video and ended up meeting his

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00:17:49,000 --> 00:17:54,040
Speaker 2: demise during the course of that that process. In that movie,

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Speaker 2: Jim Carrey, serious actor, played an addict and the song

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Speaker 2: he was, you know, singing during the music video was

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Speaker 2: Welcome to the Jungle.

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Speaker 3: That was our first exposure to Welcome to the Jungle.

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Speaker 4: Great songs.

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Speaker 2: I remember I was spending a lot of time with

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Speaker 2: our friend Chuck Nolan in those days in nineteen eighty eight,

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Speaker 2: and I remember us hearing that after seeing that movie,

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Speaker 2: thinking what a song that is? That's one immediately the

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Speaker 2: first time you hear it, you go, what is that?

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Speaker 1: And we know very well Chuck Nolan quite a headbanger

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Speaker 1: in his day.

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Speaker 3: He was. He had the.

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Speaker 2: Mullet going, he had that big head of curly hair. Yeah,

375
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Speaker 2: this was not morning show, Chuck Nolan. This is not,

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Speaker 2: you know, the older Chuck Nolan, Chuck Nolan in the

377
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Speaker 2: later years, right.

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Speaker 4: So he would hate us for this.

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Speaker 3: He and let me tell you something, I'm gonna make it.

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Speaker 2: I'm gonna cuddle the lempy three of it, and I'm

381
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Speaker 2: gonna post it on our Facebook. In nineteen forty three,

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Speaker 2: on July fifth, Robbie Robertson, the guitarist and songwriter for

383
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Speaker 2: the band, was born in Toronto. The Last Waltz the

384
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Speaker 2: way you have a you have a connection to Robbie Robertson,

385
00:19:00,560 --> 00:19:02,919
Speaker 2: you have a love for that band. To take me

386
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Speaker 2: through a couple of your favorite stories and memories for Robbie.

387
00:19:06,960 --> 00:19:09,600
Speaker 1: Oh, I had a few of them over over time,

388
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Speaker 1: just direct occurrences.

389
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Speaker 4: I remember one of the times.

390
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Speaker 1: Actually, I don't think I've told you this. I did

391
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Speaker 1: a series of New York City shows that I didn't do.

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Speaker 4: I produced for my morning show at that time.

393
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Speaker 1: That was Tommy and the Bull from FM ninety nine

394
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Speaker 1: w n R, The Late Bull and Norfolk. Yes, And

395
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Speaker 1: we were camped at the I believe it was the

396
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Speaker 1: Carnegie or the Stage Deli, and that's what we were

397
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Speaker 1: bringing guests in. And you know, lo and behold we

398
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Speaker 1: got Robbie to come on over and spend the half

399
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Speaker 1: hour and.

400
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Speaker 4: Do an interview over there.

401
00:19:53,920 --> 00:19:59,120
Speaker 1: So he was always very amenable to doing things, certainly

402
00:19:59,160 --> 00:20:06,159
Speaker 1: seen shot, but also was very transparent about stories, and

403
00:20:06,840 --> 00:20:09,600
Speaker 1: it was really always wonderful to be able to have

404
00:20:09,680 --> 00:20:13,200
Speaker 1: time with him. Here's another bit of trivia. His first

405
00:20:13,480 --> 00:20:15,399
Speaker 1: name is not Robbie. Do you know what it is?

406
00:20:16,400 --> 00:20:18,679
Speaker 3: No, I had no idea that his name was not

407
00:20:18,800 --> 00:20:23,880
Speaker 3: Robbie Jamie. Really Jamie is Robbie the middle name.

408
00:20:24,000 --> 00:20:26,960
Speaker 4: I believe so, But Jamie Robbie Robertson, I believe you.

409
00:20:27,040 --> 00:20:30,120
Speaker 3: Isn't that interesting? There are two other things here.

410
00:20:30,200 --> 00:20:32,880
Speaker 2: You have spoken with me in the past about his

411
00:20:33,040 --> 00:20:36,720
Speaker 2: reputation amongst band members in that band.

412
00:20:37,000 --> 00:20:40,439
Speaker 1: Yeah, people think that ultimately he kind of pulled the

413
00:20:40,520 --> 00:20:44,199
Speaker 1: land grab, if you will, and when the last Waltz

414
00:20:44,240 --> 00:20:48,720
Speaker 1: finally occurred, things were crumbling down with the infrastructure of

415
00:20:48,760 --> 00:20:52,919
Speaker 1: the band. But I think some people thought, right up

416
00:20:53,040 --> 00:20:56,560
Speaker 1: until Robbie's end that he kind of did the other

417
00:20:56,640 --> 00:20:59,119
Speaker 1: band members wrong and kind of you know, as far

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00:20:59,160 --> 00:21:03,240
Speaker 1: as songwriting credits and those sort of things, we'll never know.

419
00:21:03,720 --> 00:21:07,600
Speaker 3: You know, he also had a great voice. He did

420
00:21:07,640 --> 00:21:08,480
Speaker 3: some voice over work.

421
00:21:08,520 --> 00:21:11,199
Speaker 2: Actually, he was the voice of a Budweiser commercial and

422
00:21:11,560 --> 00:21:14,119
Speaker 2: a little you had a little light go off, a

423
00:21:14,160 --> 00:21:18,280
Speaker 2: little brainstorm yourself after you heard that great voice of

424
00:21:18,320 --> 00:21:19,720
Speaker 2: his on the Budweiser commercial.

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00:21:19,920 --> 00:21:21,679
Speaker 1: Yeah, I sort of knew he was hanging around some

426
00:21:21,760 --> 00:21:24,320
Speaker 1: studio and in the era of fax machines, I said,

427
00:21:24,359 --> 00:21:26,800
Speaker 1: let me just put together a page of promos for

428
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Speaker 1: WZLX and send them over, And sure enough, Robbie got him.

429
00:21:31,520 --> 00:21:34,320
Speaker 1: And I think the next day or two days, a

430
00:21:34,400 --> 00:21:37,400
Speaker 1: FedEx shows up and there is a tape with Robbie's

431
00:21:37,400 --> 00:21:39,680
Speaker 1: session and it was pretty prigg and cool.

432
00:21:40,520 --> 00:21:44,600
Speaker 2: It really pleasant. Here's a word for you, malifluous voice.

433
00:21:44,880 --> 00:21:48,119
Speaker 2: Oh yeah, deep and raspy and just sounded like a

434
00:21:48,160 --> 00:21:51,840
Speaker 2: regular guy. So hearing him read our liners for ZLX

435
00:21:51,920 --> 00:21:53,080
Speaker 2: was quite a little hit.

436
00:21:53,280 --> 00:21:53,800
Speaker 4: It was fun.

437
00:21:54,359 --> 00:21:54,719
Speaker 3: Yeah.

438
00:21:54,960 --> 00:21:58,720
Speaker 2: July sixth, nineteen sixty four, the Beatles released the film

439
00:21:58,760 --> 00:22:02,640
Speaker 2: The Hard Day, Hard Days, and that you know, featured

440
00:22:02,720 --> 00:22:05,080
Speaker 2: Can't Buy Me Love among other songs. Can't Buy Me

441
00:22:05,119 --> 00:22:07,760
Speaker 2: Love ended up making to number one. We obviously don't

442
00:22:07,760 --> 00:22:09,440
Speaker 2: get through a week without Beatles.

443
00:22:09,040 --> 00:22:11,840
Speaker 1: So that's right. It's another great Beatles week, great.

444
00:22:11,640 --> 00:22:13,760
Speaker 2: Song, great movie, and we just talked about Queen a

445
00:22:13,760 --> 00:22:16,440
Speaker 2: few minutes ago. But in nineteen seventy three, on July sixth,

446
00:22:16,520 --> 00:22:20,000
Speaker 2: their first album actually came out, and Keep Yourself Alive

447
00:22:20,520 --> 00:22:22,600
Speaker 2: was on that. That was the big the big rock

448
00:22:22,680 --> 00:22:25,679
Speaker 2: song from that album. And what a great song it is?

449
00:22:25,800 --> 00:22:26,880
Speaker 4: You like that one now?

450
00:22:27,359 --> 00:22:28,719
Speaker 3: Unique sounding? Yeah?

451
00:22:28,800 --> 00:22:30,280
Speaker 1: I like that one. That's a good one.

452
00:22:30,560 --> 00:22:35,080
Speaker 2: When COVID happened, Brian May started to and like a

453
00:22:35,080 --> 00:22:36,919
Speaker 2: lot of us that were, you know, have gone to

454
00:22:37,000 --> 00:22:39,639
Speaker 2: video from just doing audio, Brian May was trying to

455
00:22:39,640 --> 00:22:41,520
Speaker 2: figure out how to do video. So there's a video

456
00:22:41,600 --> 00:22:43,639
Speaker 2: of Brian May teaching you how to play if you're

457
00:22:43,640 --> 00:22:46,200
Speaker 2: a guitar player Keep Yourself Alive, and he's trying to

458
00:22:46,200 --> 00:22:47,840
Speaker 2: figure out how to hold his guitar and get his

459
00:22:47,880 --> 00:22:48,960
Speaker 2: guitar into the scene.

460
00:22:49,480 --> 00:22:52,200
Speaker 3: And then it's the second he starts playing and it's like, oh,

461
00:22:52,240 --> 00:22:53,879
Speaker 3: it sounds just like the record.

462
00:22:54,400 --> 00:22:55,640
Speaker 1: He gets that sound.

463
00:22:55,680 --> 00:22:57,840
Speaker 2: By the way, part of that sound of his guitar

464
00:22:58,480 --> 00:23:01,240
Speaker 2: is that he plays with our pivalent of a quarter,

465
00:23:02,200 --> 00:23:04,520
Speaker 2: and it's got those you know, a pick normally is

466
00:23:04,600 --> 00:23:08,240
Speaker 2: just a flat piece of plastic, a flat triangular piece

467
00:23:08,280 --> 00:23:11,080
Speaker 2: of plastic. He plays with basically a quarter, and he

468
00:23:11,240 --> 00:23:14,800
Speaker 2: uses those serrated edges to get his sound.

469
00:23:14,680 --> 00:23:16,960
Speaker 4: And that's pretty cool, really unique.

470
00:23:17,040 --> 00:23:19,280
Speaker 2: So if you're a guitar player, you want to check

471
00:23:19,320 --> 00:23:21,560
Speaker 2: that out on YouTube, just go to you know, go

472
00:23:21,640 --> 00:23:25,760
Speaker 2: to Brian May tutorial and you'll find a bunch with him.

473
00:23:26,280 --> 00:23:31,040
Speaker 2: Nineteen eighty five, Phil Collins released No Jacket Required, hit

474
00:23:31,160 --> 00:23:34,199
Speaker 2: number one. I was a fan of the studio. The

475
00:23:34,240 --> 00:23:37,240
Speaker 2: other song on that album was One More Night. Those

476
00:23:37,680 --> 00:23:42,320
Speaker 2: ac songs that Phil Collins did I grew very tired

477
00:23:42,320 --> 00:23:44,080
Speaker 2: of because I was playing him on the radio. I

478
00:23:44,160 --> 00:23:47,040
Speaker 2: was never a fan of the schmaltcy Phil Collins.

479
00:23:47,840 --> 00:23:52,320
Speaker 1: Same here, but boy, his body of work, whether it

480
00:23:52,359 --> 00:23:55,320
Speaker 1: be his solo body of work, whether it be his

481
00:23:55,440 --> 00:23:59,760
Speaker 1: Genesis work, or whether it be with the other amazing

482
00:24:00,080 --> 00:24:03,960
Speaker 1: and that he fronted that kind of flew under the radar.

483
00:24:04,040 --> 00:24:06,199
Speaker 1: I don't know if you knew about that band, Harry.

484
00:24:06,760 --> 00:24:09,480
Speaker 1: They were called Brand Dex. Did you know about that?

485
00:24:09,640 --> 00:24:16,520
Speaker 1: NORANDX a fusion jazz band basically that knew how to

486
00:24:16,720 --> 00:24:22,199
Speaker 1: rock real hard and was just really tremendous, uh to

487
00:24:22,240 --> 00:24:26,640
Speaker 1: see in person. So great respect for Phil and his

488
00:24:26,760 --> 00:24:32,560
Speaker 1: body of work. And you guess what's going on right now, Harry, take.

489
00:24:32,440 --> 00:24:34,960
Speaker 2: A tell me what is your dog barking in the

490
00:24:35,000 --> 00:24:36,600
Speaker 2: bad one of your one of your many dogs.

491
00:24:36,720 --> 00:24:37,639
Speaker 3: Tell me what's going on?

492
00:24:37,720 --> 00:24:38,560
Speaker 4: FedEx is here.

493
00:24:38,840 --> 00:24:42,480
Speaker 1: I should bring the microphone out and have the FedEx

494
00:24:42,520 --> 00:24:43,239
Speaker 1: person come on.

495
00:24:43,359 --> 00:24:47,200
Speaker 2: Since there, FedEx guy may have a Phil Collins story.

496
00:24:47,200 --> 00:24:49,159
Speaker 2: He may be rocking some Phil Collins in his in

497
00:24:49,160 --> 00:24:50,080
Speaker 2: his truck right now.

498
00:24:50,080 --> 00:24:50,560
Speaker 3: We don't know.

499
00:24:50,720 --> 00:24:51,280
Speaker 1: He could be.

500
00:24:52,440 --> 00:24:53,919
Speaker 3: You know, I want to talk about.

501
00:24:53,640 --> 00:24:56,520
Speaker 2: Genesis for one minute, because in nineteen eighty three they

502
00:24:56,600 --> 00:24:59,000
Speaker 2: released and now this is a band that just got

503
00:24:59,000 --> 00:25:03,160
Speaker 2: better and better over years. That album in nineteen eighty three,

504
00:25:04,160 --> 00:25:07,680
Speaker 2: you know, I think it was just called Genesis. Mama,

505
00:25:07,920 --> 00:25:10,879
Speaker 2: Home by the Sea, Illegal Alien, just a job to do,

506
00:25:11,080 --> 00:25:14,600
Speaker 2: that's all taking it all too hard. There are two

507
00:25:14,600 --> 00:25:19,160
Speaker 2: songs that I don't know. Silver Rainbow is one of them.

508
00:25:19,240 --> 00:25:22,399
Speaker 2: I think that that does not ring a bell with me.

509
00:25:22,680 --> 00:25:26,560
Speaker 2: And maybe second Home by the Sea part of that,

510
00:25:26,640 --> 00:25:28,679
Speaker 2: or it's getting better, But that wasn't an album that

511
00:25:28,760 --> 00:25:31,320
Speaker 2: really rocked. Mama was a really creepy sounded song.

512
00:25:31,760 --> 00:25:34,680
Speaker 4: Yeah it was, but you just went through and there

513
00:25:34,720 --> 00:25:35,000
Speaker 4: you go.

514
00:25:35,200 --> 00:25:38,240
Speaker 1: Seventy five percent of the songs on there, you know,

515
00:25:38,320 --> 00:25:41,600
Speaker 1: really sound great. My favorite on that was Home by

516
00:25:41,600 --> 00:25:45,040
Speaker 1: the Sea, by the way, not Home by the Sea too.

517
00:25:43,560 --> 00:25:49,520
Speaker 1: But we sometimes on the little sessions that we have

518
00:25:49,640 --> 00:25:52,800
Speaker 1: here at the household listening to music, we go deep

519
00:25:52,840 --> 00:25:55,720
Speaker 1: into the Genesis catalog many times.

520
00:25:55,960 --> 00:25:59,040
Speaker 2: Think about three Sides Live, right, there were some great

521
00:25:59,080 --> 00:26:01,879
Speaker 2: songs that live verse. Not that Abacab wasn't an epic

522
00:26:01,920 --> 00:26:04,560
Speaker 2: on the Abacab album, but that you know, eight or

523
00:26:04,640 --> 00:26:07,520
Speaker 2: nine minute version on the live album on Three Sides

524
00:26:07,600 --> 00:26:11,560
Speaker 2: Live was really fantastic.

525
00:26:11,200 --> 00:26:14,920
Speaker 1: A great story, you know. Musically, Phil Collins sad ending

526
00:26:15,080 --> 00:26:15,840
Speaker 1: for sure, you.

527
00:26:15,800 --> 00:26:19,359
Speaker 2: Know, yeah, he can barely stand now and doesn't play

528
00:26:19,520 --> 00:26:20,200
Speaker 2: so but.

529
00:26:20,240 --> 00:26:24,040
Speaker 1: His son Nick Collins has taken over, when at least

530
00:26:24,119 --> 00:26:26,159
Speaker 1: he did for a time, you know.

531
00:26:26,320 --> 00:26:30,240
Speaker 2: A great, great player in his own right. So with that,

532
00:26:30,240 --> 00:26:33,000
Speaker 2: that brings to a close this week in Music. July

533
00:26:33,080 --> 00:26:34,840
Speaker 2: sixth would be the last day that we covered for

534
00:26:34,840 --> 00:26:35,280
Speaker 2: this week.

535
00:26:35,480 --> 00:26:37,919
Speaker 1: Well, it was a terrific week and it's always a

536
00:26:38,040 --> 00:26:40,440
Speaker 1: terrific one to go over with you, Harry for this

537
00:26:40,480 --> 00:26:43,240
Speaker 1: week in music history. For the week of June thirtieth,