WEBVTT - BONUS EP* Happy Birthday Glasses Malone

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<v Speaker 1>Watch up and welcome back to another episode of No

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<v Speaker 1>Sealers Podcast with your host. Now fuck that with your

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<v Speaker 1>low glasses Malone.

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<v Speaker 2>Yesterday was Marcia Day.

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<v Speaker 1>I told everybody that we was gonna have a party here.

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<v Speaker 1>I should have caught this glasses Malone's birthday party. Nobody

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<v Speaker 1>showed up for my birthday except everybody at the lunch title.

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<v Speaker 1>Still didn't show up for my birthday. Pete didn't show

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<v Speaker 1>up for my birthday party. It's just us, Me and

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<v Speaker 1>y'all feel me. We're the only ones here, so we're

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<v Speaker 1>gonna do it all the way up. No Sellers Live

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<v Speaker 1>the Lunch Hour every Monday, Wednesday and Friday. Right here

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<v Speaker 1>noon Pacific Standard time. Digital soap box. Click the thumbs

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<v Speaker 1>up button. Let everybody know you and the house. Share

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<v Speaker 1>this stream with somebody else. Tell everybody you're here. Tell

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<v Speaker 1>a friend and tell a friend. I do this podcast

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<v Speaker 1>or this live stream to promote my podcast, No Sellans Podcast.

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<v Speaker 1>Go check it out Apple Podcasts, iHeart Podcasts, or anywhere

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<v Speaker 1>you get your podcasts from.

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<v Speaker 2>No Sellans Podcast.

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<v Speaker 1>Executive produced by Charlemagne to God, The Breakfast Club.

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<v Speaker 2>Excuse me, Charlemagne to God, excuse me.

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<v Speaker 1>The Black Effect Network and Our Heart really dropped a

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<v Speaker 1>really great podcast yesterday. Make sure you check that out

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<v Speaker 1>once we hop off. Thank you to everybody, shaid happy birthday.

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<v Speaker 1>I appreciate it. It's been a cold year, you know

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<v Speaker 1>what I mean. I had to really with my body

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<v Speaker 1>into a different shape. No, I didn't have no health

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<v Speaker 1>scares or nothing like that. It was just time. Like

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<v Speaker 1>once I got the information, I was able to really

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<v Speaker 1>gain control of my body and start to make it

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<v Speaker 1>do things like, uh, use all of the excess you know,

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<v Speaker 1>energy or fact that that was around. And shout out

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<v Speaker 1>to everybody that empowered me with that, especially my little brother,

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<v Speaker 1>YB young brother. You know Cam's little brother, Cam who

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<v Speaker 1>works on the network, My big brother. But shout out

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<v Speaker 1>to Elijah, honorable Elijah Muhammad. It's been a journey and

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<v Speaker 1>this year been crazy. It's been crazy as hell. A

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<v Speaker 1>lot of y'all know, some of y'all don't know. Obviously.

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<v Speaker 1>I came into the game with my brother's from tde

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<v Speaker 1>Top was one of the first people that was like

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<v Speaker 1>a street executive that.

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<v Speaker 2>Was in my corner.

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<v Speaker 1>I remember when he signed Jay Rock Me, Jay Rock

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<v Speaker 1>and Nip put out our first mixtapes in two thousand

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<v Speaker 1>and five.

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<v Speaker 2>My mixtape was called White Lightning. It was a street album.

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<v Speaker 1>Jay Rock's first street album was called Watch Finest Volume one,

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<v Speaker 1>and Nip's first Nipsey Hussein Recipees. His first tape was

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<v Speaker 1>called Slawson Boy Volume one. So we all met each

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<v Speaker 1>other in the same year. When we first came out,

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<v Speaker 1>I was older than them, you know what I mean.

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<v Speaker 1>I was already like in the streets. They were really young.

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<v Speaker 1>Nah might have been like twenty nineteen twenty. Jay Rock

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<v Speaker 1>might have been like eighteen nineteen twenty. You know, they

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<v Speaker 1>were all really young. I was like twenty five. I

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<v Speaker 1>was already a floor fledged game member twenty four twenty five,

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<v Speaker 1>maybe probably about twenty four. But I had already. They

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<v Speaker 1>was just coming into being an adults. I was already.

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<v Speaker 1>I had been thugging in the streets at that point,

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<v Speaker 1>four five, six, seven years out of school. I mean,

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<v Speaker 1>I graduated high school at seventeen. So when we first

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<v Speaker 1>got in this game, it was crazy. It was it

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<v Speaker 1>was really crazy.

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<v Speaker 3>Uh.

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<v Speaker 2>We felt like we was on our own, you know

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<v Speaker 2>what I mean.

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<v Speaker 1>We didn't always felt embraced by the people. We didn't

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<v Speaker 1>always feel embraced by the people that we felt like

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<v Speaker 1>we supported our whole life. So we started our own

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<v Speaker 1>movement and it was called the White Lightning. Let me

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<v Speaker 1>excuse me, Jesus, I'm sorry, it was my mind. It

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<v Speaker 1>was called the New West Movement. Shout out to Bishop Lamont,

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<v Speaker 1>shout out to Mike stro you know, really my left

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<v Speaker 1>and right arm and everything we was doing. And again

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<v Speaker 1>when we first started it like it was really just

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<v Speaker 1>us trying to make you know, It's like, imagine you

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<v Speaker 1>on the earth after God flew the earth, so none

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<v Speaker 1>of the old information is there, Like, none of the

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<v Speaker 1>old information is there because the earth had been flooded, right,

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<v Speaker 1>So the earth had been flooded, so there's nobody there.

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<v Speaker 1>So you just born out of nothingness. And that's how

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<v Speaker 1>it felt coming into West Coast hip hop. We was

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<v Speaker 1>like born into nothingness. We didn't have nobody to give

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<v Speaker 1>us gain. They didn't tell us nothing. They didn't tell

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<v Speaker 1>us nothing about producing records at least me, nor did

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<v Speaker 1>they tell us how we should treat each other, what

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<v Speaker 1>should be the rules coming from just street urban culture

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<v Speaker 1>into the artistic expression in the community that we call

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<v Speaker 1>hip hop, the people that put on artistically so shit, Really,

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<v Speaker 1>we was writing the rules as we went. That's what

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<v Speaker 1>made it crazy. We were writing the rules as we went.

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<v Speaker 1>So a lot of the rules that the New West

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<v Speaker 1>for in two thousand and six, seven and eight was

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<v Speaker 1>rules that me and my crew was coming up with.

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<v Speaker 1>Like we were like, okay, one thing we was gonna

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<v Speaker 1>do was we was gonna help each other. I don't

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<v Speaker 1>care if this is your first mixtape and I got

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<v Speaker 1>a single that's the number one song on radio, which

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<v Speaker 1>had happened four or five times at that point. But like,

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<v Speaker 1>I didn't have no problem. I'd have no problem putting

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<v Speaker 1>other people in position to shine. It didn't matter where

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<v Speaker 1>my record was at. We were all the same. We

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<v Speaker 1>were all gonna do this together because I knew then

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<v Speaker 1>it would take a movement. Shout out to LEEI shout

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<v Speaker 1>out to Mr Green, Monique, Girl six, everybody at the

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<v Speaker 1>lunch table. To Homie Dante, I'm glad you back, Kelvin,

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<v Speaker 1>what up my boy? Nick David Jones, Series Squishy, my

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<v Speaker 1>favorite BB, everybody else Amber, everybody here, fatt what up

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<v Speaker 1>my boy? So back to the point, Uh, when we

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<v Speaker 1>started to started to put it together, we just was

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<v Speaker 1>really running with everybody. You know, I mean, we was

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<v Speaker 1>running with everybody like we was never like. We just

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<v Speaker 1>supported each other, you know what I'm saying, as best

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<v Speaker 1>as we could. And that's all I could ask, you

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<v Speaker 1>know what I mean, That's all I could really ask,

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<v Speaker 1>was that we supported each other. A lot of things

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<v Speaker 1>were inherited, you know what I'm saying, a lot of

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<v Speaker 1>the issues were inherited. Like remember, I'm coming to the game,

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<v Speaker 1>like fresh off the corner like this, I'm not no

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<v Speaker 1>type of music. Matter of fact, the only person I

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<v Speaker 1>had met in the music industry at that time was

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<v Speaker 1>Doctor dre Oddly, which is crazy when you think it's

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<v Speaker 1>like pretty much the centerpiece, the mantle of West Coast

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<v Speaker 1>hip hop to a degree. He's the only person in

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<v Speaker 1>the music industry that I had met that I had

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<v Speaker 1>talked to about music. I'd met him a couple times,

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<v Speaker 1>you know what I'm saying, and he was really encouraging,

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<v Speaker 1>you know what I mean. He let me know that

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<v Speaker 1>I had a future in hip hop, like at a

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<v Speaker 1>time when I didn't quite know it. So I didn't

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<v Speaker 1>really have a problem with nobody, no legends, no nothing, like,

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<v Speaker 1>I didn't know nobody shit that these just dudes I

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<v Speaker 1>just heard on CDs. Like I heard, they was from

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<v Speaker 1>around the way, you know what I'm saying. But I

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<v Speaker 1>didn't know Snoop or Cube or dub They was just

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<v Speaker 1>you know, niggas that I knew from different communities that

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<v Speaker 1>made music that was like famous and popular.

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<v Speaker 2>So I didn't know them.

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<v Speaker 1>But Bishop, you know, he had already been trying to

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<v Speaker 1>get into business for a few years, you know, I mean,

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<v Speaker 1>he already had been honing this craft as a MC,

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<v Speaker 1>so he had a different relationship with Snoop Dogg. So whatever,

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<v Speaker 1>you know, trauma came with him knowing Snoop. I know,

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<v Speaker 1>he was in a position for DJ Quick to sign him.

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<v Speaker 1>Mike Stroz battle Catch little brother. You know, a lot

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<v Speaker 1>of people don't know, but Mike Strow was actually battle

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<v Speaker 1>Catch younger brother. So he had already been forging his

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<v Speaker 1>way through the music industry meeting people Topic Topic had

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<v Speaker 1>already had to deal with DUBC you know what I mean.

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<v Speaker 2>That didn't really work out.

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<v Speaker 1>So a lot of the conflict that you heard with

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<v Speaker 1>the New West and really the foundation was things that

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<v Speaker 1>I inherited, just being down bringing the same mentality from

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<v Speaker 1>being a gang bagger into into the space. You know,

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<v Speaker 1>what I mean, into what we call hip hop, into

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<v Speaker 1>the space itself, and I'm just riding with the homies,

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<v Speaker 1>like if they got a problem, you know, we got

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<v Speaker 1>a problem.

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<v Speaker 2>Now, that don't mean.

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<v Speaker 4>That.

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<v Speaker 2>Don't mean that. Like I was, I don't have dish records.

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<v Speaker 1>This in nice Cue, I don't got disrecords, Thistion Snoop Dogg,

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<v Speaker 1>I don't have dish records. This in DUBC. I don't

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<v Speaker 1>really have them type of records. You know what I'm saying.

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<v Speaker 1>I don't have those type of records. All my records

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<v Speaker 1>is just really what we was on and this is

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<v Speaker 1>the time. But obviously I inherited everybody else's situation, and

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<v Speaker 1>you know, I stood up like a real player supposed to.

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<v Speaker 1>I never ran away from the responsibility of what we started.

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<v Speaker 1>Now at that point, Kadot is coming into position, right,

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<v Speaker 1>He's just getting hisself going. As the New West started

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<v Speaker 1>to kind of dissipate because everybody started to kind of

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<v Speaker 1>I think it put the legends in position to where

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<v Speaker 1>they had to like start dealing with the younger acts.

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<v Speaker 1>They had to take on the task of raising the

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<v Speaker 1>next generation. They had to take on the task of

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<v Speaker 1>raising the next generation at that point, we wouldn't be

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<v Speaker 1>ignored and shout out to you know, all of the legends,

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<v Speaker 1>because they did. They found people that they took on

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<v Speaker 1>the task. So to watch Kendrick, right, somebody who I

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<v Speaker 1>really been knowing again for a long time, was a

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<v Speaker 1>kid and toured together, you know, chopped it up together,

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<v Speaker 1>was able to hear his mind, able to do different

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<v Speaker 1>dope things with him, you know, put him on music

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<v Speaker 1>and really just listen to him, help him develop. No,

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<v Speaker 1>even while we're developing at the same time, because it

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<v Speaker 1>wasn't like we were developed acts, you know, no matter

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<v Speaker 1>which radio song I had, Like, I wasn't a developed act,

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<v Speaker 1>Like I was really just raw the culture, you know.

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<v Speaker 2>What I'm saying.

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<v Speaker 1>Like I wasn't. I didn't know nothing about being no rapper.

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<v Speaker 1>I didn't know nothing about none of that shit. I

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<v Speaker 1>was just really a developed talent. Like, excuse me. I

0:11:44.800 --> 0:11:47.360
<v Speaker 1>wasn't a developed talent. I was, like the real deal

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<v Speaker 1>I was. I wasn't. Dog Dog had been rapping. Dog

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<v Speaker 1>had been rapping. Domino taught Snoop Dogg how to write

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<v Speaker 1>a rap like like in the eighties, you know what

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<v Speaker 1>I'm saying, Like in the eighties, Domino. Domino, who ended

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<v Speaker 1>up becoming a platinum artist, taught Snoop Dogg how to

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<v Speaker 1>write a rap. One two three and this is Oh Gee,

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<v Speaker 1>the Freaks, could you move?

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<v Speaker 2>You're pretty?

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<v Speaker 5>Hey?

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<v Speaker 1>Yeah, Domino taught Snoop how to write a rap. Like

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<v Speaker 1>Domino is a platinum act and he taught Snoop how

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<v Speaker 1>to write a act. You know what I'm saying, Like

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<v Speaker 1>Ice Cube was already writing raps at fourteen, thirteen years old,

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<v Speaker 1>when hip hop was in his you know, as far

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<v Speaker 1>as the records, when it was in his infancy. Remember,

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<v Speaker 1>he writes this one of the most classic records of

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<v Speaker 1>all hip hop, all genres, all across the world, Boys

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<v Speaker 1>in the Hood. He's about sixteen years old, Like he's sixteen,

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<v Speaker 1>and he wrote a record that's one of probably one

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<v Speaker 1>of the most important records in the history of hip hop.

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<v Speaker 1>Sixteen year old Ice Cube wrote that for easy You

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<v Speaker 1>know what I'm saying. So, like these dudes were really

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<v Speaker 1>they grew up in the same environment, but they were

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<v Speaker 1>already into the arts. Like they were already miles ahead

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<v Speaker 1>of what I would be musically, Like them dudes were

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<v Speaker 1>already next level coming into the business. Classes was just

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<v Speaker 1>some dude that used to sell Sharon and gang bang

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<v Speaker 1>and got some ads in school and was good at

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<v Speaker 1>chess and a bunch of other things that seemed like

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<v Speaker 1>their conflict. I mean, my only musical understanding is my

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<v Speaker 1>mom really loved music.

0:13:36.720 --> 0:13:37.280
<v Speaker 2>You know what I'm saying.

0:13:37.320 --> 0:13:39.600
<v Speaker 1>I didn't know nothing about music like I just my

0:13:39.679 --> 0:13:42.520
<v Speaker 1>mom loved music. So I knew all of the music

0:13:42.640 --> 0:13:46.080
<v Speaker 1>that came out. Obviously I saw all the cultural things.

0:13:46.120 --> 0:13:48.880
<v Speaker 1>But again, you're talking about more of a cultural person,

0:13:49.200 --> 0:13:53.840
<v Speaker 1>like a phenom, than some taught musician. So I say

0:13:53.840 --> 0:13:56.840
<v Speaker 1>that to say when it came to Kendrick, like, it

0:13:56.880 --> 0:13:59.160
<v Speaker 1>was only so much that I could even show him

0:13:59.160 --> 0:14:01.520
<v Speaker 1>because I only knew. I can only tell him what

0:14:01.600 --> 0:14:04.080
<v Speaker 1>I experienced that fast and what my sober mind was

0:14:04.120 --> 0:14:07.400
<v Speaker 1>able to retain from this experience from that point.

0:14:07.120 --> 0:14:08.239
<v Speaker 2>To where I was at.

0:14:10.160 --> 0:14:13.079
<v Speaker 1>So to watch him come full circle into where he's

0:14:13.120 --> 0:14:17.920
<v Speaker 1>at now right and really find himself as a man,

0:14:19.840 --> 0:14:23.240
<v Speaker 1>To really find himself as a man, to really position

0:14:23.400 --> 0:14:28.520
<v Speaker 1>himself culturally, to be the overseer of this culture, to

0:14:28.600 --> 0:14:33.160
<v Speaker 1>be an overseer of this culture, to understand and embrace

0:14:34.000 --> 0:14:36.920
<v Speaker 1>the fact that you needed to really bring the streets

0:14:36.960 --> 0:14:40.720
<v Speaker 1>together because that was something that I was doing, because

0:14:40.720 --> 0:14:41.720
<v Speaker 1>that's what I really do.

0:14:41.800 --> 0:14:43.560
<v Speaker 2>That's what I had none to do with hip hop.

0:14:43.600 --> 0:14:44.640
<v Speaker 2>This is what I really do.

0:14:44.680 --> 0:14:48.160
<v Speaker 1>I've really again shout out to the Black Wall Street

0:14:48.240 --> 0:14:52.320
<v Speaker 1>you know, face g riding game.

0:14:52.560 --> 0:14:55.120
<v Speaker 2>They for the most part put me on.

0:14:55.440 --> 0:14:58.000
<v Speaker 1>It's fair to say like they gave me a platform

0:14:58.040 --> 0:14:59.200
<v Speaker 1>to showcase my talent.

0:15:00.080 --> 0:15:01.800
<v Speaker 2>You know what I'm saying, These is pi rules. They

0:15:01.800 --> 0:15:03.040
<v Speaker 2>ain't not crips like me.

0:15:03.120 --> 0:15:07.720
<v Speaker 1>They pile rules my my relative Black Tone from Villagetown,

0:15:07.800 --> 0:15:10.080
<v Speaker 1>Rest and Peace is the one that connected my music

0:15:10.080 --> 0:15:13.880
<v Speaker 1>with Fox scent rest In Piece Villagetown Toonis from Villagetown,

0:15:13.960 --> 0:15:18.640
<v Speaker 1>Pou Tone excuse me, tonis from Villagetown Poux Fox sent

0:15:18.760 --> 0:15:21.480
<v Speaker 1>rest In Pieces from west Side pou and they are

0:15:21.520 --> 0:15:25.800
<v Speaker 1>the ones that passed my music to face in g Rid.

0:15:26.800 --> 0:15:32.120
<v Speaker 2>So I was already innately into this thing of crips

0:15:32.160 --> 0:15:32.600
<v Speaker 2>and bloods.

0:15:32.600 --> 0:15:34.720
<v Speaker 1>My older brother who managed me pretty much my whole

0:15:34.760 --> 0:15:38.400
<v Speaker 1>career until of recent Pool is from through Town Brim,

0:15:38.760 --> 0:15:43.280
<v Speaker 1>you know what I'm saying. So I understood when Dot

0:15:43.360 --> 0:15:47.200
<v Speaker 1>had the line where he didn't feel a part of

0:15:47.240 --> 0:15:50.040
<v Speaker 1>what the New West was because he never had to

0:15:50.040 --> 0:15:52.000
<v Speaker 1>be a part of the New West. He was a

0:15:52.000 --> 0:15:56.320
<v Speaker 1>part of me. He didn't have to understand the whole movement,

0:15:56.400 --> 0:15:58.440
<v Speaker 1>you know, it was. It was a lot of dissension.

0:15:58.480 --> 0:16:01.200
<v Speaker 1>It was a lot of people using it to benefit themselves,

0:16:01.280 --> 0:16:04.560
<v Speaker 1>to get themselves in positions with people, and it's.

0:16:04.360 --> 0:16:05.800
<v Speaker 2>All good, like that's what it was for.

0:16:09.040 --> 0:16:10.920
<v Speaker 1>So to watch it come into a place to where

0:16:10.960 --> 0:16:14.160
<v Speaker 1>he finally took on the responsibility of the culture, don't

0:16:14.200 --> 0:16:16.360
<v Speaker 1>let me be wrong. I always thought he represented Compton

0:16:16.520 --> 0:16:18.600
<v Speaker 1>just fun. I always thought he represented the West Side

0:16:18.680 --> 0:16:21.840
<v Speaker 1>just fine. I always thought he represented TD just fine.

0:16:21.880 --> 0:16:24.200
<v Speaker 1>I always thought he represented me just fine, and anybody

0:16:24.280 --> 0:16:27.600
<v Speaker 1>else that you know, he might have felt poured into

0:16:27.920 --> 0:16:31.360
<v Speaker 1>his career, I mean, but to watch him take on

0:16:31.400 --> 0:16:34.720
<v Speaker 1>the responsibility of the streets, it is a task.

0:16:34.520 --> 0:16:37.200
<v Speaker 2>But it is one that we should have to do.

0:16:39.760 --> 0:16:43.200
<v Speaker 1>I explained this to my Homebay Conflict yesterday, and I

0:16:43.280 --> 0:16:47.200
<v Speaker 1>was telling him being a hip hop artist is truly

0:16:47.320 --> 0:16:52.960
<v Speaker 1>being an elected delegate of a community. You don't just

0:16:53.080 --> 0:16:59.160
<v Speaker 1>represent your interests. You are an elected delegate of a community.

0:16:59.280 --> 0:17:04.560
<v Speaker 1>You are the voice of people that don't have a voice. Now,

0:17:04.560 --> 0:17:07.199
<v Speaker 1>it's the same reason we get mad at politicians like

0:17:07.359 --> 0:17:11.080
<v Speaker 1>they don't speak for us. They don't say what we want.

0:17:12.960 --> 0:17:16.320
<v Speaker 1>So hip hop is very much the burden of culture.

0:17:17.080 --> 0:17:20.040
<v Speaker 1>If you in this shit just to speak for yourself,

0:17:20.280 --> 0:17:24.680
<v Speaker 1>then you are fucking up. This ain't just your therapy.

0:17:25.119 --> 0:17:28.640
<v Speaker 1>This ain't your therapist, It ain't just about you. Hip

0:17:28.640 --> 0:17:31.679
<v Speaker 1>Hop is the movement of we, not the movement of me.

0:17:35.920 --> 0:17:36.280
<v Speaker 2>Feel me.

0:17:36.400 --> 0:17:39.520
<v Speaker 1>It's the movement of we, not the movement of me.

0:17:41.800 --> 0:17:47.480
<v Speaker 1>And I don't think people really understand that. I don't

0:17:47.480 --> 0:17:51.639
<v Speaker 1>think people really get that. I think people getting up

0:17:51.680 --> 0:17:55.240
<v Speaker 1>in this business and they think to themselves, know what

0:17:56.440 --> 0:18:01.240
<v Speaker 1>people care about me? Don't nobody give a fuck about you, man,

0:18:01.440 --> 0:18:05.960
<v Speaker 1>They don't. Everybody got their own problems. We can only

0:18:06.040 --> 0:18:09.679
<v Speaker 1>live vicariously through you. We want you to be successful.

0:18:09.720 --> 0:18:12.239
<v Speaker 1>My community wants me to be successful so they can

0:18:12.280 --> 0:18:15.800
<v Speaker 1>feel successful because maybe they don't have enough time, maybe

0:18:15.800 --> 0:18:17.840
<v Speaker 1>they got to raise their kid, They have to dedicate

0:18:17.880 --> 0:18:21.520
<v Speaker 1>their life to creating, you know, creating a lane for

0:18:21.600 --> 0:18:24.440
<v Speaker 1>another human being to exist and go to another level,

0:18:24.480 --> 0:18:27.719
<v Speaker 1>so they don't have the opportunities to pursue what I

0:18:27.800 --> 0:18:28.680
<v Speaker 1>pursue every day.

0:18:29.400 --> 0:18:30.439
<v Speaker 2>So they put into me.

0:18:31.359 --> 0:18:33.920
<v Speaker 1>So it's my job to get onto all these platforms

0:18:34.119 --> 0:18:35.480
<v Speaker 1>and represent them correctly.

0:18:37.520 --> 0:18:39.000
<v Speaker 2>You know nothing you want to know.

0:18:39.040 --> 0:18:41.600
<v Speaker 1>One of the greatest things to hear in my ears

0:18:41.800 --> 0:18:44.600
<v Speaker 1>when my older homie plucks say, glasses, man.

0:18:44.680 --> 0:18:46.720
<v Speaker 2>I love how you speak for us.

0:18:50.160 --> 0:18:52.040
<v Speaker 1>It's like my older homie who I looked up to

0:18:52.119 --> 0:18:55.399
<v Speaker 1>my whole life. You know what I mean, and I love.

0:18:55.520 --> 0:18:58.240
<v Speaker 1>I love when Shady say, man, gee, you be representing.

0:18:58.680 --> 0:19:02.600
<v Speaker 1>I love to hear that when people from my community,

0:19:02.680 --> 0:19:04.960
<v Speaker 1>not just my neighborhood, anywhere. You know, if it's a

0:19:05.040 --> 0:19:07.239
<v Speaker 1>G honey from on the park, you know, shout out

0:19:07.280 --> 0:19:09.680
<v Speaker 1>to Redo. If it's a G homie from Carver, shout

0:19:09.720 --> 0:19:12.720
<v Speaker 1>out to uh Carver t you know, shout out to

0:19:12.760 --> 0:19:17.800
<v Speaker 1>everybody from my community. Right at the end of the day.

0:19:18.240 --> 0:19:21.840
<v Speaker 1>I love when them people say, you know, man, thank

0:19:21.880 --> 0:19:23.920
<v Speaker 1>you Glass. It's like you make us look good.

0:19:27.680 --> 0:19:33.480
<v Speaker 4>Happy see day long. Let's handling. I got that's good man.

0:19:34.320 --> 0:19:36.480
<v Speaker 2>I'm going to work with me. Let me, let me.

0:19:36.920 --> 0:19:40.160
<v Speaker 1>It's shout out to my brother Trap who just popped

0:19:40.240 --> 0:19:43.159
<v Speaker 1>up on the live. I'm glad he came because nobody

0:19:43.200 --> 0:19:50.399
<v Speaker 1>else came from my that p that the dudes and

0:19:50.480 --> 0:19:52.679
<v Speaker 1>shitty I don't know where still that still didn't pick

0:19:52.720 --> 0:19:53.840
<v Speaker 1>up the phone but.

0:19:55.880 --> 0:19:56.320
<v Speaker 3>No, so.

0:19:58.560 --> 0:19:59.880
<v Speaker 2>My defensive hip hop.

0:20:00.040 --> 0:20:02.800
<v Speaker 1>It's so important to me because again, like I said,

0:20:02.840 --> 0:20:07.199
<v Speaker 1>it changed my life, Like it's saved my life. Like

0:20:07.280 --> 0:20:11.240
<v Speaker 1>I'm not exaggerating to y'all. Man, it saved my life.

0:20:13.320 --> 0:20:17.760
<v Speaker 1>It's saved my life. Like, man, I'd have been in

0:20:17.800 --> 0:20:22.480
<v Speaker 1>prison for life or possibly dead or very rich off PCP,

0:20:22.640 --> 0:20:27.440
<v Speaker 1>which I don't like those chances. It's only a handful

0:20:27.520 --> 0:20:30.760
<v Speaker 1>of people that made it through to get paid see me.

0:20:30.800 --> 0:20:34.919
<v Speaker 1>So again, when you start saying you're a hip hop artist,

0:20:35.840 --> 0:20:39.560
<v Speaker 1>remember like you you carry the burden of culture, street

0:20:39.640 --> 0:20:42.000
<v Speaker 1>urban culture. When they keep saying the culture, it can

0:20:42.040 --> 0:20:45.199
<v Speaker 1>be two different things. Some people referencing black culture and

0:20:45.240 --> 0:20:49.080
<v Speaker 1>some people representing what we're talking about the culture. So

0:20:49.200 --> 0:20:55.439
<v Speaker 1>whichever community you gotta represent. So again, like I.

0:21:00.320 --> 0:21:02.960
<v Speaker 3>With my bad, what.

0:21:03.280 --> 0:21:03.720
<v Speaker 2>Is like.

0:21:05.160 --> 0:21:08.240
<v Speaker 1>If you don't take on a task, are you really

0:21:08.280 --> 0:21:09.160
<v Speaker 1>a representative?

0:21:12.840 --> 0:21:13.080
<v Speaker 3>Shit?

0:21:13.800 --> 0:21:16.480
<v Speaker 1>Are you really a representative? If you take on the task.

0:21:16.520 --> 0:21:18.360
<v Speaker 1>If you don't want to take on the task, get

0:21:18.440 --> 0:21:21.199
<v Speaker 1>up out of here. If it's about you, get up

0:21:21.200 --> 0:21:21.560
<v Speaker 1>out of here.

0:21:25.400 --> 0:21:27.600
<v Speaker 3>Yeah, I can. I think that right there.

0:21:28.000 --> 0:21:31.720
<v Speaker 4>You know what I'm saying, Because it's always hip hop

0:21:31.680 --> 0:21:33.600
<v Speaker 4>has always been the voice of the voiceless though, So

0:21:33.640 --> 0:21:35.240
<v Speaker 4>if you ain't, if you ain't gonna if you ain't

0:21:35.240 --> 0:21:36.600
<v Speaker 4>gonna be there be the voice of the you know

0:21:36.600 --> 0:21:38.800
<v Speaker 4>what I'm saying, of the people who can't be heard,

0:21:38.880 --> 0:21:41.080
<v Speaker 4>you know what I'm saying that represents this hip hop culture,

0:21:41.119 --> 0:21:43.959
<v Speaker 4>then you might need to sit back, man for a minute.

0:21:44.640 --> 0:21:46.680
<v Speaker 4>I mean, I'm gonna make some poppy tunes or something

0:21:46.760 --> 0:21:47.160
<v Speaker 4>like that.

0:21:48.240 --> 0:21:50.879
<v Speaker 1>Pop is mere, Yeah, pop is me, hip hop is we.

0:21:51.720 --> 0:21:54.760
<v Speaker 1>And it's funny because like you start off trap right

0:21:54.800 --> 0:21:58.439
<v Speaker 1>and you just become the voice of whichever small community right,

0:21:58.560 --> 0:22:02.119
<v Speaker 1>let's say, watching Common. But then the more you start

0:22:02.119 --> 0:22:04.280
<v Speaker 1>getting out there, right, Like for me, when I start

0:22:04.400 --> 0:22:08.520
<v Speaker 1>going on that crazy sabbatical right stopping town of Town,

0:22:09.640 --> 0:22:12.679
<v Speaker 1>I felt like I needed to represent the Bronx or

0:22:12.800 --> 0:22:16.840
<v Speaker 1>Queens as much as I represented Compton or Watts. Like

0:22:16.920 --> 0:22:20.000
<v Speaker 1>there's a moment that happens where it's like I feel

0:22:20.080 --> 0:22:23.760
<v Speaker 1>the responsibility to say what everybody from the ghetto want

0:22:23.760 --> 0:22:28.960
<v Speaker 1>to say. Everybody Like I don't even get the ability

0:22:29.160 --> 0:22:32.040
<v Speaker 1>just to be, you know, a West Coast nigga or

0:22:32.119 --> 0:22:35.960
<v Speaker 1>southern California. It got I gotta be like that ghetto

0:22:36.080 --> 0:22:39.080
<v Speaker 1>nigga for real, Like I gotta be like, well, what

0:22:39.119 --> 0:22:40.880
<v Speaker 1>would a Queen's nigga want me to say?

0:22:40.880 --> 0:22:42.880
<v Speaker 2>What would a Brooklyn nigga want me to say?

0:22:43.119 --> 0:22:44.960
<v Speaker 1>You know what I mean, It's not about you know,

0:22:45.040 --> 0:22:47.399
<v Speaker 1>there are spaces that this thing has took me into

0:22:47.480 --> 0:22:51.560
<v Speaker 1>bro to where I'm no longer just a Wats crip.

0:22:51.640 --> 0:22:54.040
<v Speaker 1>I'm no longer just a nigga that grew up in

0:22:54.080 --> 0:22:56.280
<v Speaker 1>Compton and Watts. I'm no longer just a nigga that

0:22:56.320 --> 0:23:00.480
<v Speaker 1>grew up in California. I start to represent every bodies

0:23:00.520 --> 0:23:05.000
<v Speaker 1>struggle from the ghetto. You know how many platforms trap

0:23:05.080 --> 0:23:07.320
<v Speaker 1>I visit that it's like that, like I don't just

0:23:07.359 --> 0:23:09.959
<v Speaker 1>get the luxury of just being no longer just a

0:23:10.000 --> 0:23:12.919
<v Speaker 1>little la nigga. It's like, no, I gotta be a

0:23:13.080 --> 0:23:17.520
<v Speaker 1>brother for real, and not like any kind of brother.

0:23:17.640 --> 0:23:19.920
<v Speaker 1>Like I don't get the luxury or nobody in hip

0:23:19.920 --> 0:23:25.280
<v Speaker 1>hop really gets the luxury of being just like black.

0:23:25.720 --> 0:23:26.960
<v Speaker 2>You know how we say like, oh, well, you know

0:23:27.000 --> 0:23:29.280
<v Speaker 2>you're just black because you're black. No no, no, no.

0:23:29.119 --> 0:23:31.440
<v Speaker 1>No no no no no.

0:23:31.520 --> 0:23:33.240
<v Speaker 2>Success that ain't what hip hop is.

0:23:33.359 --> 0:23:37.840
<v Speaker 1>Hip Hop burdens you with the voiceless, so therefore, like

0:23:38.040 --> 0:23:41.160
<v Speaker 1>you have to speak for black people in the struggle,

0:23:41.480 --> 0:23:44.919
<v Speaker 1>not just not just the you know the fact of

0:23:44.920 --> 0:23:47.280
<v Speaker 1>being black, where some rich white man could talk crazy

0:23:47.280 --> 0:23:49.719
<v Speaker 1>to you and you rich too, but like, really the people,

0:23:49.840 --> 0:23:54.560
<v Speaker 1>the have nots. Now, there are plenty of spaces where

0:23:54.600 --> 0:23:56.760
<v Speaker 1>I get there and I gotta be like fuck, like

0:23:56.880 --> 0:23:58.480
<v Speaker 1>I gotta speak for the have nots.

0:23:59.359 --> 0:24:00.840
<v Speaker 3>So let me this story, right.

0:24:00.920 --> 0:24:04.520
<v Speaker 4>Do you think that that some artists when they when

0:24:04.520 --> 0:24:08.840
<v Speaker 4>they gained success, and they gained so much success that

0:24:08.880 --> 0:24:12.920
<v Speaker 4>they they they don't know how to relate to the

0:24:13.119 --> 0:24:15.760
<v Speaker 4>to the voiceleste anymore. Now they now they start rapping

0:24:15.760 --> 0:24:18.600
<v Speaker 4>about all the money they got, you know what I'm saying,

0:24:18.600 --> 0:24:20.560
<v Speaker 4>all the places they've been in the car they driving

0:24:20.560 --> 0:24:23.440
<v Speaker 4>and ship like that. You think that happens like that?

0:24:24.040 --> 0:24:27.439
<v Speaker 1>I mean, you know what's funny, I think more than anything, trapped,

0:24:29.440 --> 0:24:36.960
<v Speaker 1>I think more than anything, you really.

0:24:36.720 --> 0:24:38.800
<v Speaker 2>Start to see who people are.

0:24:41.640 --> 0:24:43.800
<v Speaker 1>So while it is a burden, and hip hop is

0:24:43.800 --> 0:24:46.879
<v Speaker 1>the burden of culture, right, while hip hop is the

0:24:46.880 --> 0:24:49.200
<v Speaker 1>burden of culture very.

0:24:49.080 --> 0:24:55.960
<v Speaker 2>Much, right, it's also a pleasure.

0:25:00.080 --> 0:25:05.320
<v Speaker 1>Like, while it is a responsibility, I have to there's

0:25:05.400 --> 0:25:09.960
<v Speaker 1>also something innately in my mind that makes me realize

0:25:10.160 --> 0:25:13.639
<v Speaker 1>I get to you know what I mean I'm a

0:25:13.640 --> 0:25:16.600
<v Speaker 1>little simple words, which is because like have to and

0:25:16.640 --> 0:25:22.040
<v Speaker 1>I get to I'm lucky to represent that have now.

0:25:26.000 --> 0:25:31.480
<v Speaker 6>Yeah, so I think you get people who don't really

0:25:31.520 --> 0:25:32.720
<v Speaker 6>want to represent them.

0:25:34.320 --> 0:25:34.920
<v Speaker 2>You know what I'm saying.

0:25:34.960 --> 0:25:37.600
<v Speaker 1>And I think money right, when you start to make money,

0:25:38.359 --> 0:25:41.760
<v Speaker 1>that is, it frees you, or in your mind, it

0:25:41.920 --> 0:25:47.879
<v Speaker 1>frees you of the responsibility of representation. It frees you,

0:25:49.960 --> 0:25:52.399
<v Speaker 1>like now you don't have to because now you already didn't.

0:25:52.560 --> 0:25:55.000
<v Speaker 1>You know, the wall is pulled on everybody's eyes, Like

0:25:55.040 --> 0:25:57.760
<v Speaker 1>now everybody in tripping. Now you can sell them success.

0:25:57.840 --> 0:26:00.639
<v Speaker 1>I had a dude dming me at like eight o'clock

0:26:00.680 --> 0:26:02.600
<v Speaker 1>this morning talking shit to.

0:26:02.560 --> 0:26:06.880
<v Speaker 2>Me, right, I guess he's it's fair to say he's

0:26:06.880 --> 0:26:07.400
<v Speaker 2>a Drake.

0:26:07.240 --> 0:26:12.080
<v Speaker 1>Fan or fanatics, telling me that I was obsessed with

0:26:12.160 --> 0:26:16.200
<v Speaker 1>Drake because he sees content that I'm talking about where

0:26:16.640 --> 0:26:19.800
<v Speaker 1>I may be commenting on something him and some other

0:26:19.840 --> 0:26:23.400
<v Speaker 1>guys going through or Kendrick, And I said, that would

0:26:23.440 --> 0:26:25.159
<v Speaker 1>be crazy to me that you think I would be

0:26:25.200 --> 0:26:31.080
<v Speaker 1>the fanatic. These are two people I know, like, I

0:26:31.200 --> 0:26:34.240
<v Speaker 1>know both of these guys. I know them. I know

0:26:34.359 --> 0:26:36.400
<v Speaker 1>I remember this dude first came in the door. We've

0:26:36.400 --> 0:26:39.280
<v Speaker 1>met a couple times. We've politiced a couple times. That's

0:26:39.280 --> 0:26:44.080
<v Speaker 1>for Drake. Kendrick is like, this is my friend, So

0:26:44.160 --> 0:26:45.840
<v Speaker 1>I'm commenting on something.

0:26:45.480 --> 0:26:45.919
<v Speaker 3>That I know.

0:26:46.000 --> 0:26:50.360
<v Speaker 1>Everybody in the situation he was felt like he could

0:26:50.400 --> 0:26:54.280
<v Speaker 1>shame me off with Charlemagne. You know Charlomagne. You know

0:26:55.119 --> 0:26:55.800
<v Speaker 1>he did this.

0:26:56.200 --> 0:26:56.920
<v Speaker 2>I know him.

0:26:57.040 --> 0:27:01.000
<v Speaker 1>I'm like, so you feel like I'm obsessed because I'm

0:27:01.080 --> 0:27:04.000
<v Speaker 1>talking about people that I know. You don't think you're

0:27:04.000 --> 0:27:06.600
<v Speaker 1>obsessed because you're talking to people you don't know me.

0:27:07.160 --> 0:27:09.280
<v Speaker 1>You don't know Drake, you don't know Kendrick, or you

0:27:09.320 --> 0:27:13.600
<v Speaker 1>don't know Charlotte Magne. But you know, eight o'clock in

0:27:13.600 --> 0:27:16.040
<v Speaker 1>the morning talking to me about three people that I

0:27:16.119 --> 0:27:21.560
<v Speaker 1>know that you don't know, and you don't realize who's obsessed.

0:27:22.280 --> 0:27:24.159
<v Speaker 3>You really had that conversation on your cday?

0:27:24.240 --> 0:27:26.800
<v Speaker 2>Man, Oh that was today? That was today?

0:27:26.960 --> 0:27:31.360
<v Speaker 3>You know yesterday, Okay, okay, I hunt everybody.

0:27:30.920 --> 0:27:33.840
<v Speaker 1>Off, all of the all of the parliaments. I want

0:27:33.880 --> 0:27:35.400
<v Speaker 1>to argue yesterday. I was like, look, I ain't gonna

0:27:35.400 --> 0:27:37.000
<v Speaker 1>do this today. Shout out to the Squishy because she

0:27:37.080 --> 0:27:40.240
<v Speaker 1>reminded me. She was like this today, big old you

0:27:40.280 --> 0:27:42.119
<v Speaker 1>know made you on and you're gonna be arguing with

0:27:42.119 --> 0:27:43.600
<v Speaker 1>these crazy niggas. I was like, you know what, You're right,

0:27:43.640 --> 0:27:48.640
<v Speaker 1>I'm tripping. I'll give with you all tomorrow. Shout out

0:27:48.680 --> 0:27:50.959
<v Speaker 1>to Mike Love, thank you for the fifty dollars. That's

0:27:51.000 --> 0:27:53.960
<v Speaker 1>how we start the lunch. That's good lunch. Appreciate that.

0:27:54.600 --> 0:27:57.080
<v Speaker 1>Sorry y'all late your lunch table. I was in the

0:27:57.119 --> 0:28:00.199
<v Speaker 1>counselor's office. Double shot of Johnny Black on me and

0:28:00.280 --> 0:28:02.640
<v Speaker 1>Joy Yo c A g Man. I appreciate that, bro.

0:28:04.680 --> 0:28:05.400
<v Speaker 3>Yeah.

0:28:05.600 --> 0:28:07.680
<v Speaker 1>Shout out to Demo Radio, thank you for the ten

0:28:07.760 --> 0:28:11.280
<v Speaker 1>dollars man, great birthday present, player man, I appreciate that.

0:28:11.440 --> 0:28:14.120
<v Speaker 1>Happy birthday. G you speaking truth today. Enjoy your day,

0:28:14.160 --> 0:28:17.600
<v Speaker 1>my brother. I appreciate that. That's a fact. It's all week.

0:28:18.040 --> 0:28:18.640
<v Speaker 1>It's all week.

0:28:19.520 --> 0:28:21.879
<v Speaker 3>It sagity chervice. I'm celebrating. We celebrate the whole week.

0:28:22.880 --> 0:28:24.080
<v Speaker 2>Fuck it if that's what we're doing.

0:28:24.760 --> 0:28:27.919
<v Speaker 1>But it was weird to me that he was diluted

0:28:28.080 --> 0:28:30.480
<v Speaker 1>to where and I noticed that when people talk to

0:28:30.520 --> 0:28:32.760
<v Speaker 1>me on Twitter, and I think this is the problem

0:28:32.840 --> 0:28:35.840
<v Speaker 1>with social media, Like I realized it, and I was

0:28:35.840 --> 0:28:39.040
<v Speaker 1>telling the homie conflict on his stream. He has a stream.

0:28:39.120 --> 0:28:41.520
<v Speaker 1>Make sure y'all check it out. It's called Off Prairie.

0:28:42.400 --> 0:28:46.200
<v Speaker 1>It was like surprisingly, really really good. And I don't

0:28:46.200 --> 0:28:49.400
<v Speaker 1>want to say surprisingly because Connor is really like an

0:28:49.440 --> 0:28:52.000
<v Speaker 1>intellect and he's really emotionally intelligent.

0:28:52.520 --> 0:28:55.760
<v Speaker 2>Man. When I tell you this conversation was deep. It

0:28:55.880 --> 0:28:56.280
<v Speaker 2>was deep.

0:28:56.400 --> 0:28:58.080
<v Speaker 1>So make sure y'all check that out when you get

0:28:58.080 --> 0:29:02.480
<v Speaker 1>a minute Off Prairie Fire with Prince Angels. But he

0:29:02.640 --> 0:29:05.160
<v Speaker 1>was saying some stuff to me, and it just made

0:29:05.160 --> 0:29:07.360
<v Speaker 1>me remember exactly why I'm here.

0:29:08.400 --> 0:29:08.800
<v Speaker 3>Mm hmm.

0:29:09.760 --> 0:29:10.440
<v Speaker 2>You know what I'm saying.

0:29:10.560 --> 0:29:13.280
<v Speaker 4>Like, I called you up one day and I told

0:29:13.320 --> 0:29:15.960
<v Speaker 4>you that shit man, I said, you gotta be like

0:29:16.000 --> 0:29:18.680
<v Speaker 4>the hip hop dictator. Man, you gotta leve motherfucker. Remember

0:29:18.680 --> 0:29:20.760
<v Speaker 4>that time out I said. You gotta know what I'm saying.

0:29:20.800 --> 0:29:23.280
<v Speaker 4>The gatekeepers be. That's it. It's needed.

0:29:23.360 --> 0:29:26.640
<v Speaker 3>Be. It's just needed. It's needed within this culture. Man,

0:29:27.480 --> 0:29:27.880
<v Speaker 3>I'm saying.

0:29:28.200 --> 0:29:31.560
<v Speaker 1>I saw a white man saying I don't really care

0:29:31.600 --> 0:29:34.920
<v Speaker 1>about that soul ship, that soul ship, some bullshit sampling

0:29:35.000 --> 0:29:39.480
<v Speaker 1>soul ship, and I'm just thinking to myself, like, what

0:29:39.680 --> 0:29:43.840
<v Speaker 1>in the fucking may AIGs is going on? I mean,

0:29:44.240 --> 0:29:49.000
<v Speaker 1>you know that unk ship And I'm like, and so

0:29:49.160 --> 0:29:53.520
<v Speaker 1>if I genuinely. Ever, I'll be honest. I'll be honest

0:29:53.800 --> 0:29:56.800
<v Speaker 1>if I genuinely had an issue with Drake, which I

0:29:56.880 --> 0:29:59.560
<v Speaker 1>really don't. You know what I mean, I don't have

0:29:59.680 --> 0:30:02.760
<v Speaker 1>issue him at all. Right, Like I like his songs,

0:30:02.760 --> 0:30:06.440
<v Speaker 1>like I like any other artist songs makes really good

0:30:06.440 --> 0:30:09.320
<v Speaker 1>records when they're really great. I've never turned his song

0:30:09.400 --> 0:30:12.480
<v Speaker 1>off for the most part, Like he makes fantastic record.

0:30:12.480 --> 0:30:15.720
<v Speaker 1>As a man, he's a regular man. He's a good man.

0:30:15.480 --> 0:30:16.960
<v Speaker 2>I don't know.

0:30:17.400 --> 0:30:19.760
<v Speaker 1>I don't really know Cus well enough to be judging

0:30:19.800 --> 0:30:23.760
<v Speaker 1>the type of man he is. But I tell you this,

0:30:25.040 --> 0:30:27.080
<v Speaker 1>when I used to listen to his music and I

0:30:27.200 --> 0:30:32.600
<v Speaker 1>finally start understanding what was happening with music, I really

0:30:32.640 --> 0:30:35.680
<v Speaker 1>blame him for taking the soul out of hip hop.

0:30:35.760 --> 0:30:45.480
<v Speaker 1>Bro right, and it sounds weird because it's nuanced, and

0:30:45.960 --> 0:30:48.040
<v Speaker 1>somebody made fun of that's my new favorite word. But

0:30:48.160 --> 0:30:51.520
<v Speaker 1>it's a great area, right, And it's like the gray

0:30:51.640 --> 0:30:53.280
<v Speaker 1>area comes from.

0:30:53.160 --> 0:30:56.560
<v Speaker 2>The bass guitar, right, that was there.

0:30:56.880 --> 0:31:01.560
<v Speaker 1>His vocal is the same for equency as the bass guitar.

0:31:03.080 --> 0:31:07.720
<v Speaker 1>So when he's speaking right, he has to represent what

0:31:07.840 --> 0:31:09.920
<v Speaker 1>the bass guitar represented in music.

0:31:10.040 --> 0:31:13.080
<v Speaker 2>That sonic that puts soul the music is the bass guitar.

0:31:14.280 --> 0:31:18.040
<v Speaker 1>And because his octave or excuse me, his frequency or

0:31:18.080 --> 0:31:21.840
<v Speaker 1>his where he's at vocally, it's right where the bass is.

0:31:22.000 --> 0:31:31.240
<v Speaker 1>They started removing the bass guitar, low end and high end.

0:31:31.840 --> 0:31:36.120
<v Speaker 1>It's not a ton of med because that's where he

0:31:36.240 --> 0:31:40.320
<v Speaker 1>goes vocally. So then as he starts being successful, right,

0:31:40.360 --> 0:31:45.240
<v Speaker 1>people from the culture want to achieve success. They want

0:31:45.280 --> 0:31:52.000
<v Speaker 1>to achieve success, so they're following what's being successful because

0:31:52.040 --> 0:31:52.800
<v Speaker 1>that's the one thing.

0:31:52.720 --> 0:31:53.720
<v Speaker 2>Poor people will do.

0:31:53.840 --> 0:31:56.960
<v Speaker 1>You know, we're going to follow what's successful because we

0:31:57.040 --> 0:31:59.080
<v Speaker 1>want to be successful. We don't want to be poor.

0:31:59.120 --> 0:32:01.200
<v Speaker 1>We don't want to have be the have nots. We

0:32:01.240 --> 0:32:01.800
<v Speaker 1>want to have.

0:32:02.720 --> 0:32:04.080
<v Speaker 3>Oh, we create also too.

0:32:06.800 --> 0:32:13.160
<v Speaker 1>So he's literally been the med. Once he set that going,

0:32:13.600 --> 0:32:16.840
<v Speaker 1>that became the thing of music. So that's why your

0:32:17.000 --> 0:32:20.120
<v Speaker 1>argument sometimes I can't really argue when you say, man.

0:32:20.040 --> 0:32:21.280
<v Speaker 2>Where is the soul of music?

0:32:21.600 --> 0:32:26.040
<v Speaker 1>You usually are using this critique for drill and I'm like, nah,

0:32:26.040 --> 0:32:29.280
<v Speaker 1>but it's not their fault. Like, there was a wave

0:32:29.360 --> 0:32:33.160
<v Speaker 1>of music that started happening, right, and again this is

0:32:33.200 --> 0:32:34.640
<v Speaker 1>coming from Kanye.

0:32:34.600 --> 0:32:36.680
<v Speaker 2>Tocuz to the owl.

0:32:37.280 --> 0:32:40.520
<v Speaker 1>Right, Kanye had the base in his music because his

0:32:40.680 --> 0:32:43.280
<v Speaker 1>octave would be right above the base where he was

0:32:43.320 --> 0:32:48.880
<v Speaker 1>at the owl shit is right at the med. So

0:32:48.920 --> 0:32:53.840
<v Speaker 1>the feel of the music is the bass.

0:32:55.560 --> 0:33:00.080
<v Speaker 6>Yeah, if I had a harsh critique or something I

0:33:00.120 --> 0:33:02.640
<v Speaker 6>didn't really like to me, that's the problem.

0:33:02.840 --> 0:33:05.000
<v Speaker 1>Hence, that's where you get a white kid that's able

0:33:05.040 --> 0:33:09.000
<v Speaker 1>to say I don't like that soul shit. That's like

0:33:09.080 --> 0:33:15.880
<v Speaker 1>saying you don't like black people. And so when I

0:33:15.920 --> 0:33:18.720
<v Speaker 1>hear people like Jelil White bro and they like, oh,

0:33:18.840 --> 0:33:21.920
<v Speaker 1>you know the hood stories, the hood is the bass guitar.

0:33:27.240 --> 0:33:33.200
<v Speaker 1>If it's just strings, everybody got strings. If it's just drums,

0:33:33.640 --> 0:33:39.800
<v Speaker 1>everybody got drums. The bass guitar is what makes black.

0:33:39.640 --> 0:33:40.720
<v Speaker 2>Music what it is.

0:33:42.440 --> 0:33:45.160
<v Speaker 1>Even Motown they would use strings, they would still have

0:33:45.200 --> 0:33:49.240
<v Speaker 1>a fucking bass guitar. So again, if I had a catigue,

0:33:49.720 --> 0:33:53.400
<v Speaker 1>well for harmony, it would be he removed the soul

0:33:53.680 --> 0:33:58.000
<v Speaker 1>out of fucking black music. Now is there's still music

0:33:58.040 --> 0:33:59.960
<v Speaker 1>that do got bass? I mean, don't get me wrong.

0:34:00.520 --> 0:34:06.560
<v Speaker 1>But again, because it's so popular, right and his records

0:34:06.560 --> 0:34:10.280
<v Speaker 1>are so popular, hip hop looks like, well he's making

0:34:10.400 --> 0:34:13.760
<v Speaker 1>rap songs without a bass guitar. I make rap songs

0:34:13.800 --> 0:34:17.320
<v Speaker 1>as well, So if I want to reach his success,

0:34:17.560 --> 0:34:21.840
<v Speaker 1>I probably need to remove the bass guitar. And again

0:34:21.920 --> 0:34:23.840
<v Speaker 1>that's where we get back to Kendrick Lamar. You know,

0:34:23.880 --> 0:34:26.400
<v Speaker 1>I mean shout out to dot. I'm proud of him

0:34:26.920 --> 0:34:32.799
<v Speaker 1>projects like like Like like to Pemble Butterfly, where he

0:34:32.920 --> 0:34:36.400
<v Speaker 1>went out of his way to include the bass guitar.

0:34:37.520 --> 0:34:39.720
<v Speaker 2>Nobody realized that project.

0:34:39.400 --> 0:34:43.840
<v Speaker 1>To me, sonically is a It's like a rebellious moment

0:34:45.320 --> 0:34:50.120
<v Speaker 1>where sonically the game was trying to go. So while

0:34:50.160 --> 0:34:52.520
<v Speaker 1>I'm not like, again, I like that record, you know

0:34:52.520 --> 0:34:54.520
<v Speaker 1>what I mean? I would never say it's as great

0:34:54.560 --> 0:34:56.920
<v Speaker 1>as GNX as far as what records are and what

0:34:57.000 --> 0:34:58.839
<v Speaker 1>albums are, but I tell you.

0:34:58.800 --> 0:35:02.040
<v Speaker 2>One thing, it was way more important to.

0:35:02.040 --> 0:35:05.200
<v Speaker 1>Watch him rebel against the current state of music, and

0:35:05.239 --> 0:35:08.520
<v Speaker 1>that's something nobody else didn't pay attention to. Side note,

0:35:08.520 --> 0:35:11.000
<v Speaker 1>I never asked and verify, but I really believe King

0:35:11.080 --> 0:35:11.879
<v Speaker 1>Coot is a drake.

0:35:11.960 --> 0:35:17.640
<v Speaker 3>This they said King Culta was a I think it

0:35:17.680 --> 0:35:19.439
<v Speaker 3>was drake. I'm thinking about.

0:35:19.880 --> 0:35:23.520
<v Speaker 1>I never verified it, but putting everything together that I

0:35:23.600 --> 0:35:26.759
<v Speaker 1>know and what's happening and then what that album represented.

0:35:27.680 --> 0:35:29.239
<v Speaker 1>One day I talk to him about it, and I

0:35:29.280 --> 0:35:30.840
<v Speaker 1>get to him. Maybe I talk to him about it

0:35:30.880 --> 0:35:33.120
<v Speaker 1>on here, but I know he just he tried to

0:35:33.160 --> 0:35:37.640
<v Speaker 1>avoid talking, which I could respect that too, crazy. Thank

0:35:37.680 --> 0:35:40.680
<v Speaker 1>you for five dollars. Great birthday give men. I'm happy

0:35:40.680 --> 0:35:42.799
<v Speaker 1>for all of it. Nick out here on the road

0:35:42.840 --> 0:35:44.600
<v Speaker 1>getting to it cuz but I have to tap in.

0:35:44.680 --> 0:35:45.520
<v Speaker 1>Happy see they.

0:35:45.400 --> 0:35:48.200
<v Speaker 2>Lock my low. Appreciate it.

0:35:48.200 --> 0:35:53.480
<v Speaker 1>What his days on. Shut out to girl six. Thank

0:35:53.520 --> 0:35:56.360
<v Speaker 1>you for the ten dollars. Happy birthday glasses. Just like you,

0:35:56.480 --> 0:35:59.000
<v Speaker 1>hip hop saved my life. Keep doing what you're doing here,

0:35:59.080 --> 0:36:01.279
<v Speaker 1>It is appreciated. I'm glad y'all appreciate it.

0:36:01.440 --> 0:36:02.760
<v Speaker 3>We're gonna have lops today.

0:36:06.280 --> 0:36:09.240
<v Speaker 1>Shout out to Revenge. But he samples great soulful music.

0:36:09.280 --> 0:36:11.040
<v Speaker 1>It's not all him, but yeah, I agree, he made

0:36:11.080 --> 0:36:13.960
<v Speaker 1>hip hop soappop that it's in a non soulful space allway.

0:36:14.480 --> 0:36:16.840
<v Speaker 1>But it's not just about and this is where it

0:36:16.960 --> 0:36:25.200
<v Speaker 1>kind of It's like it's like saying Kentucky Fried Chicken

0:36:25.239 --> 0:36:27.560
<v Speaker 1>went out his way to keep soul food soulful.

0:36:28.239 --> 0:36:29.080
<v Speaker 2>Like imagine you.

0:36:29.080 --> 0:36:34.000
<v Speaker 1>Woke up Revenge and everywhere you went, all the food

0:36:34.120 --> 0:36:37.399
<v Speaker 1>tastes like you went to these popular soulful restaurants and

0:36:37.719 --> 0:36:40.560
<v Speaker 1>now they just start cooking their food like the kernel.

0:36:40.760 --> 0:36:43.800
<v Speaker 1>Like they took that recipe, the cold slaw, the mashed potatoes.

0:36:43.840 --> 0:36:48.439
<v Speaker 2>They stopped really making soul food, y'all.

0:36:48.760 --> 0:36:52.480
<v Speaker 1>Y'all stopped really making soulful and they start making it

0:36:52.520 --> 0:36:53.760
<v Speaker 1>like Kentucky fried chicken.

0:36:55.560 --> 0:36:58.240
<v Speaker 2>You know what I'm saying. So I get.

0:37:00.440 --> 0:37:01.200
<v Speaker 3>Potatoes.

0:37:01.840 --> 0:37:07.880
<v Speaker 1>Yeah, if I did have a critique, that would be

0:37:07.880 --> 0:37:08.720
<v Speaker 1>the only critique.

0:37:08.719 --> 0:37:11.279
<v Speaker 2>But I really don't have. I really don't care.

0:37:12.600 --> 0:37:15.040
<v Speaker 1>I ain't gonna lie to you, man, like I'm gonna

0:37:15.040 --> 0:37:18.920
<v Speaker 1>be honest shout out to two crate grind. Oh nah,

0:37:19.040 --> 0:37:21.479
<v Speaker 1>y'all talk like Drake the oli rapper. No, no, no, sir,

0:37:22.000 --> 0:37:25.719
<v Speaker 1>that's not what y'all talk like Drake is the only

0:37:25.800 --> 0:37:26.560
<v Speaker 1>rapper of the world.

0:37:28.120 --> 0:37:31.480
<v Speaker 3>No, not at all.

0:37:31.040 --> 0:37:31.400
<v Speaker 2>You know what I mean.

0:37:31.440 --> 0:37:33.759
<v Speaker 1>That's not the point I'm saying. If I had a critique,

0:37:33.920 --> 0:37:35.120
<v Speaker 1>that would be my critique.

0:37:35.120 --> 0:37:35.640
<v Speaker 2>But I don't.

0:37:36.400 --> 0:37:40.680
<v Speaker 1>And the more I realize, bro, the real power and

0:37:40.800 --> 0:37:43.719
<v Speaker 1>hip hop is that you can see it's not like

0:37:43.760 --> 0:37:48.400
<v Speaker 1>this in pop music. Pop music happens in waves. Jazz

0:37:48.600 --> 0:37:51.640
<v Speaker 1>actually used to happen to some degree in waves, you

0:37:51.680 --> 0:37:53.759
<v Speaker 1>know what I mean. Not in his origin, but like

0:37:53.960 --> 0:37:56.319
<v Speaker 1>when it became this mans tream success R and b

0:37:56.760 --> 0:38:00.200
<v Speaker 1>happens in waves. Hip hop is the one thing that

0:38:00.280 --> 0:38:05.839
<v Speaker 1>allowed these unique perspectives to happen at once. You can

0:38:05.920 --> 0:38:10.239
<v Speaker 1>have this kind of funk bassed you know what I'm saying.

0:38:10.239 --> 0:38:14.400
<v Speaker 1>It's funk based g funk shit that Doctor Dredd Snoop

0:38:14.480 --> 0:38:18.440
<v Speaker 1>is creating, right, that's I mean, it's just the funkiest

0:38:18.480 --> 0:38:24.000
<v Speaker 1>bass lines with mog keyboards and you know these leads yo,

0:38:24.239 --> 0:38:28.840
<v Speaker 1>just fantastic at the same time, and it could be

0:38:28.920 --> 0:38:34.000
<v Speaker 1>as successful as this guy from Staten Island with these

0:38:34.120 --> 0:38:37.120
<v Speaker 1>dirty samples that sound like they were converted in like

0:38:37.840 --> 0:38:38.439
<v Speaker 1>for a bit.

0:38:38.600 --> 0:38:41.359
<v Speaker 2>They just you could hear the fuzz on a record and.

0:38:41.280 --> 0:38:43.960
<v Speaker 1>He's sampling this song and they're explaining to you how

0:38:44.040 --> 0:38:49.560
<v Speaker 1>cash rules everything around me at the same exact time, right,

0:38:49.680 --> 0:38:54.759
<v Speaker 1>and it's nine people rapping on one song and it's

0:38:54.840 --> 0:38:58.120
<v Speaker 1>just this dirty thing where the drums is just you know,

0:38:58.280 --> 0:39:02.160
<v Speaker 1>doing shit, and the melody is faint, but it's it's pronounced,

0:39:02.520 --> 0:39:05.000
<v Speaker 1>you know what I'm saying, and they're speaking this language.

0:39:05.120 --> 0:39:08.880
<v Speaker 1>It could happen at the same time as this big

0:39:08.880 --> 0:39:12.440
<v Speaker 1>old dude that's selling sex appeal. He got to be

0:39:12.520 --> 0:39:16.359
<v Speaker 1>three hundred pounds six foot one, black as the Knight

0:39:17.000 --> 0:39:20.120
<v Speaker 1>look crazy lazy eye, and he could come on and

0:39:20.160 --> 0:39:23.120
<v Speaker 1>finest women with this smooth version of R and B

0:39:23.320 --> 0:39:26.480
<v Speaker 1>and you know, and it's just smooth and it's clean,

0:39:26.640 --> 0:39:30.120
<v Speaker 1>and it's just gorgeous the way it sounds, and it's

0:39:30.160 --> 0:39:32.640
<v Speaker 1>coming out. It ain't all funky, but it's it's it

0:39:32.680 --> 0:39:36.560
<v Speaker 1>got a soul to it, and it's happening right then

0:39:36.640 --> 0:39:39.680
<v Speaker 1>and there. At the same time, it's some niggas from

0:39:39.760 --> 0:39:40.880
<v Speaker 1>the country.

0:39:41.040 --> 0:39:41.600
<v Speaker 2>You feel me.

0:39:41.680 --> 0:39:44.440
<v Speaker 1>Where they shit is kind of funky, but they speaking

0:39:44.480 --> 0:39:47.480
<v Speaker 1>a whole different language.

0:39:47.680 --> 0:39:52.280
<v Speaker 2>It could happen at once. It could happen at once.

0:39:52.680 --> 0:39:56.280
<v Speaker 1>That's what makes what you would call this genre special.

0:39:57.239 --> 0:39:58.400
<v Speaker 2>It never had.

0:39:58.200 --> 0:40:01.760
<v Speaker 1>To be homogenized like other genres like it is now.

0:40:02.600 --> 0:40:04.160
<v Speaker 2>It never had to be.

0:40:05.840 --> 0:40:09.080
<v Speaker 1>I do think money became an important thing for everybody

0:40:09.160 --> 0:40:14.400
<v Speaker 1>over the last fifteen sixteen years, seventeen years.

0:40:14.760 --> 0:40:15.400
<v Speaker 2>You know what I'm saying.

0:40:15.560 --> 0:40:18.120
<v Speaker 1>I do think people wanted to be successful, you know,

0:40:18.440 --> 0:40:22.680
<v Speaker 1>I do think there's a lot less barriers for entry.

0:40:22.760 --> 0:40:24.880
<v Speaker 1>So you do have a lot of people repeating the

0:40:24.920 --> 0:40:28.279
<v Speaker 1>same thing. So I'm not blaming anybody. I understand what

0:40:29.040 --> 0:40:31.680
<v Speaker 1>I know what wanting to be wealthy feels like I

0:40:31.719 --> 0:40:35.799
<v Speaker 1>know what wanting to be famous feels like. I know

0:40:35.920 --> 0:40:39.080
<v Speaker 1>the desire and you can't help. But look at what's

0:40:39.120 --> 0:40:43.880
<v Speaker 1>going on. You know what I'm saying, and it matters,

0:40:44.520 --> 0:40:50.960
<v Speaker 1>But I do blame hip hop again. Shout out to

0:40:51.000 --> 0:40:53.920
<v Speaker 1>two K grind on nine. What you just said didn't

0:40:53.920 --> 0:40:56.359
<v Speaker 1>circle around the bass guitar. It was them bringing their

0:40:56.400 --> 0:40:59.080
<v Speaker 1>own thing to the game. It was all based guitar driven.

0:41:00.080 --> 0:41:00.600
<v Speaker 2>It was.

0:41:03.560 --> 0:41:06.200
<v Speaker 3>So Yeah, I like that.

0:41:06.719 --> 0:41:10.360
<v Speaker 4>I like the fact that that you elaborated on the

0:41:10.480 --> 0:41:13.000
<v Speaker 4>fact that everything was able to be different and that

0:41:13.120 --> 0:41:15.799
<v Speaker 4>so cooking color the way ship seems right now though

0:41:16.320 --> 0:41:17.360
<v Speaker 4>you think have to be.

0:41:18.760 --> 0:41:20.840
<v Speaker 3>Yeah, how you think we got to the Cookie Coultor stage?

0:41:20.880 --> 0:41:21.040
<v Speaker 4>Though?

0:41:21.080 --> 0:41:21.840
<v Speaker 3>What it was it?

0:41:21.960 --> 0:41:25.040
<v Speaker 4>The success that came along with Oh, I've seen this

0:41:25.080 --> 0:41:27.000
<v Speaker 4>person right here become success. I'm gonna do it the

0:41:27.040 --> 0:41:28.560
<v Speaker 4>way he did it instead of doing it the way

0:41:28.600 --> 0:41:30.120
<v Speaker 4>you wanted to do it the way you You know

0:41:30.160 --> 0:41:30.600
<v Speaker 4>what I'm saying.

0:41:31.920 --> 0:41:33.279
<v Speaker 3>What do you think it was that right there?

0:41:33.920 --> 0:41:37.320
<v Speaker 2>No, that's a great question.

0:41:37.400 --> 0:41:40.399
<v Speaker 1>We'd have to go into why the original people did

0:41:40.440 --> 0:41:44.400
<v Speaker 1>it this way from the beginning. Yeah, we'd have to

0:41:44.440 --> 0:41:48.359
<v Speaker 1>go originally, why they do this while they was doing

0:41:48.360 --> 0:41:48.680
<v Speaker 1>this thing?

0:41:48.719 --> 0:41:49.440
<v Speaker 2>From the beginning.

0:41:51.120 --> 0:41:55.640
<v Speaker 3>Mm hmm. I mean, I think.

0:41:57.120 --> 0:42:00.800
<v Speaker 1>I think, I think what happened was all of those

0:42:00.920 --> 0:42:04.440
<v Speaker 1>musicians were inspired by what they grew up listening to

0:42:05.560 --> 0:42:08.200
<v Speaker 1>the music, the producers, the DJ.

0:42:10.280 --> 0:42:11.160
<v Speaker 2>Right, I think.

0:42:12.400 --> 0:42:15.160
<v Speaker 1>That was what was working, right, and they were listening

0:42:15.200 --> 0:42:17.479
<v Speaker 1>to soul and funk and R and.

0:42:17.360 --> 0:42:18.359
<v Speaker 2>B or whatever it is.

0:42:18.400 --> 0:42:18.480
<v Speaker 4>Like.

0:42:18.520 --> 0:42:20.920
<v Speaker 1>You could hear the funk and the P funk and

0:42:21.000 --> 0:42:25.080
<v Speaker 1>Doctor Dre and Snoops music. You could hear the the

0:42:25.200 --> 0:42:25.760
<v Speaker 1>kind of.

0:42:27.320 --> 0:42:30.440
<v Speaker 2>The R and B jazz and the stuff.

0:42:31.239 --> 0:42:33.279
<v Speaker 1>You could hear the jazz and Pete Rock or let's

0:42:33.320 --> 0:42:35.400
<v Speaker 1>say that the jazz and puff stuff. You know, he

0:42:35.680 --> 0:42:38.360
<v Speaker 1>definitely had more of a funky style jazz, but you

0:42:38.400 --> 0:42:39.160
<v Speaker 1>could hear it in it.

0:42:39.239 --> 0:42:40.359
<v Speaker 2>You could hear the R.

0:42:40.320 --> 0:42:44.960
<v Speaker 1>And B, the the Anita Baker or the or the

0:42:45.000 --> 0:42:48.960
<v Speaker 1>Gladys Knight and Bone. You could hear the blues and

0:42:49.640 --> 0:42:53.680
<v Speaker 1>the ghetto boys, right, you could hear that. So when

0:42:53.680 --> 0:42:57.359
<v Speaker 1>they transitioned all of that stuff into hip hop, right,

0:42:58.040 --> 0:43:01.680
<v Speaker 1>they were transitioning real music relationship. And I think over

0:43:01.719 --> 0:43:05.360
<v Speaker 1>the time, hip hop started leaving its own fingerprint, you

0:43:05.400 --> 0:43:07.920
<v Speaker 1>know what I'm saying, And now people were being raised

0:43:08.120 --> 0:43:09.600
<v Speaker 1>off of just hip hop.

0:43:09.719 --> 0:43:14.920
<v Speaker 3>Hip hop. Yeah, I get you. So you get.

0:43:14.800 --> 0:43:17.640
<v Speaker 2>More rappers today, right you?

0:43:17.800 --> 0:43:18.040
<v Speaker 1>You?

0:43:18.040 --> 0:43:19.920
<v Speaker 2>You you getting?

0:43:19.960 --> 0:43:23.040
<v Speaker 1>You get more rappers today that are just rapping because

0:43:23.040 --> 0:43:25.520
<v Speaker 1>of rap, Like that was something that conflict. Asked me,

0:43:25.880 --> 0:43:28.200
<v Speaker 1>Prince Ashless asked me the music. He said, what rapper

0:43:28.239 --> 0:43:30.160
<v Speaker 1>made me want to rap? And I'm like, no rapper

0:43:30.200 --> 0:43:31.160
<v Speaker 1>made me want to rap.

0:43:33.160 --> 0:43:33.600
<v Speaker 2>You know what I mean.

0:43:33.719 --> 0:43:36.200
<v Speaker 1>Like I'm not saying I didn't noticed rappers before. I'm

0:43:36.239 --> 0:43:38.520
<v Speaker 1>just saying, no rapper, I never saw a rapper rapper

0:43:38.600 --> 0:43:41.880
<v Speaker 1>like me, I want to do that now. Again, every

0:43:42.239 --> 0:43:44.680
<v Speaker 1>MC got their own journey, you know what I'm saying.

0:43:44.680 --> 0:43:46.759
<v Speaker 1>But that was not my journey. I mean when I

0:43:46.800 --> 0:43:49.680
<v Speaker 1>started rapping, I start thinking like damn, okay, who would

0:43:49.719 --> 0:43:50.439
<v Speaker 1>I want to rap?

0:43:50.560 --> 0:43:50.640
<v Speaker 4>Like?

0:43:51.040 --> 0:43:53.760
<v Speaker 1>But I felt like I started rapping because I needed

0:43:53.800 --> 0:43:56.799
<v Speaker 1>to say certain things, Like I was truly driven by

0:43:56.800 --> 0:43:59.480
<v Speaker 1>the culture, you know, to speak, Like when I say

0:43:59.480 --> 0:44:03.440
<v Speaker 1>the culture, I'm I mean La Streetlight to speak. So

0:44:05.080 --> 0:44:10.239
<v Speaker 1>again I think what happened, you know, because we're really

0:44:10.280 --> 0:44:14.560
<v Speaker 1>talking two thousand and nine, We're not talking to the

0:44:14.560 --> 0:44:17.080
<v Speaker 1>two thousands. Because even if you go into the two thousands,

0:44:17.239 --> 0:44:20.800
<v Speaker 1>like let's say two thousand and five, game album sounds

0:44:20.840 --> 0:44:25.880
<v Speaker 1>completely different than Jez's album. Mm hmm it none of

0:44:25.920 --> 0:44:27.320
<v Speaker 1>that shit sounds the same.

0:44:28.719 --> 0:44:29.040
<v Speaker 2>Game.

0:44:29.280 --> 0:44:31.520
<v Speaker 1>Jez, who else came? Who came out in two thousand

0:44:31.520 --> 0:44:32.359
<v Speaker 1>and five in New York.

0:44:33.520 --> 0:44:35.480
<v Speaker 3>Two thousand and five in New York.

0:44:35.719 --> 0:44:38.319
<v Speaker 2>Not the guys that was already out, but I think

0:44:38.320 --> 0:44:38.719
<v Speaker 2>they had.

0:44:38.600 --> 0:44:45.720
<v Speaker 3>A new act. Black albums dropped around that time.

0:44:46.160 --> 0:44:48.600
<v Speaker 1>You're not not the guys who are already experimenting with

0:44:48.640 --> 0:44:53.200
<v Speaker 1>some dudes. Yeah, Kanye is out in two thousand and five.

0:44:53.840 --> 0:45:01.040
<v Speaker 1>Kanye album doesn't sound anything like Game or g Z album.

0:45:01.560 --> 0:45:04.800
<v Speaker 4>G Z Wayne came out. We called a tour around

0:45:04.800 --> 0:45:07.839
<v Speaker 4>that time. Come and came out, Massacre came out, you said,

0:45:07.920 --> 0:45:12.840
<v Speaker 4>not fifty though, Yeah, came out, Beans came out, the becoming.

0:45:13.440 --> 0:45:15.640
<v Speaker 1>Yeah, So like even if you take what beings had

0:45:15.640 --> 0:45:17.520
<v Speaker 1>already been in the game. But my point is, I

0:45:17.520 --> 0:45:22.880
<v Speaker 1>think we started talking about when it when it came

0:45:22.920 --> 0:45:26.359
<v Speaker 1>to the computer. When it got to the computer, like

0:45:26.719 --> 0:45:34.200
<v Speaker 1>the the the computer created less barriers and entry. Yeah,

0:45:34.440 --> 0:45:36.600
<v Speaker 1>like when you didn't have to go and save up

0:45:36.600 --> 0:45:41.319
<v Speaker 1>to buy a NPC or SP or any of the

0:45:41.320 --> 0:45:43.640
<v Speaker 1>things that you had to do with music. You know

0:45:43.680 --> 0:45:46.239
<v Speaker 1>what I mean to to to really prove your commitment.

0:45:47.200 --> 0:45:49.640
<v Speaker 1>Hold on still.

0:45:48.760 --> 0:45:50.120
<v Speaker 2>Calling me, calling me.

0:45:53.239 --> 0:45:54.799
<v Speaker 3>It was up in eighty d last night.

0:45:58.480 --> 0:46:01.799
<v Speaker 1>Your commitment, right, like your commitment had to be. You

0:46:01.920 --> 0:46:04.360
<v Speaker 1>really had to be into this. It was no chance

0:46:04.960 --> 0:46:07.680
<v Speaker 1>that you know what I mean, you was playing around

0:46:07.760 --> 0:46:10.400
<v Speaker 1>and I think again, and this is the thing that

0:46:10.520 --> 0:46:13.520
<v Speaker 1>is really hip hop for sure, making it more available

0:46:13.520 --> 0:46:15.680
<v Speaker 1>to people that can't afford it, you know, I mean

0:46:15.800 --> 0:46:18.800
<v Speaker 1>that sho shout out to the programmers, the fruity loose

0:46:18.880 --> 0:46:20.840
<v Speaker 1>guys and all of those guys.

0:46:20.880 --> 0:46:22.439
<v Speaker 2>That's like the most hip hop thing.

0:46:22.880 --> 0:46:26.279
<v Speaker 1>But what happens is you also get a lot of

0:46:26.280 --> 0:46:29.160
<v Speaker 1>people that probably shouldn't come through the door, right, people

0:46:29.160 --> 0:46:34.840
<v Speaker 1>that are only motivated by money, that are.

0:46:34.840 --> 0:46:37.080
<v Speaker 2>Only motivated by money.

0:46:37.239 --> 0:46:40.279
<v Speaker 1>See, you know previously you couldn't you know, you didn't

0:46:40.320 --> 0:46:43.239
<v Speaker 1>get people that was only motivated by money, you know.

0:46:43.280 --> 0:46:45.560
<v Speaker 1>I mean, by two thousand and nine, you could get

0:46:45.600 --> 0:46:47.120
<v Speaker 1>a lot of people that was.

0:46:47.160 --> 0:46:49.160
<v Speaker 2>Only motivated by money.

0:46:49.239 --> 0:46:52.400
<v Speaker 1>So therefore it wasn't as much study, you know, it

0:46:52.480 --> 0:46:56.880
<v Speaker 1>wasn't as much you know, something to really express. It

0:46:56.920 --> 0:46:58.879
<v Speaker 1>was like, Okay, I could start making beats and make

0:46:58.920 --> 0:47:03.560
<v Speaker 1>some money. And now if you come into this business

0:47:03.600 --> 0:47:08.000
<v Speaker 1>thinking about making money, right, it's like you're going to

0:47:08.040 --> 0:47:13.080
<v Speaker 1>look at what's making money. And if you came in

0:47:13.120 --> 0:47:17.040
<v Speaker 1>this business in twenty ten or eleven, it was hard

0:47:17.080 --> 0:47:20.640
<v Speaker 1>to not notice who was making money. So guess what

0:47:20.680 --> 0:47:24.640
<v Speaker 1>You're going to format it? You know what I'm saying.

0:47:25.400 --> 0:47:29.200
<v Speaker 1>You start to format it, right, You start to format

0:47:29.239 --> 0:47:32.560
<v Speaker 1>it like what's making money because you want to make money.

0:47:33.160 --> 0:47:35.839
<v Speaker 1>It's available, This is why you got into it. So

0:47:35.920 --> 0:47:38.360
<v Speaker 1>that is what pasteurized it. So while it is the

0:47:38.440 --> 0:47:40.480
<v Speaker 1>greatest thing to happen in hip hop and it is

0:47:40.520 --> 0:47:42.400
<v Speaker 1>going to give us more culture than we ever had

0:47:42.440 --> 0:47:45.040
<v Speaker 1>from different places, it's also going to give us a

0:47:45.080 --> 0:47:49.800
<v Speaker 1>lot of bullshit like fast food restaurants. Fast food restaurants

0:47:49.800 --> 0:47:52.280
<v Speaker 1>started off as a great idea, but as it became

0:47:52.440 --> 0:47:55.040
<v Speaker 1>more of a money making thing, you know what I'm saying,

0:47:55.200 --> 0:47:57.400
<v Speaker 1>And guess what, you got a lot of boo fast

0:47:57.440 --> 0:48:01.000
<v Speaker 1>places that do not nerurish your body. Even now, the

0:48:01.080 --> 0:48:03.480
<v Speaker 1>places that were pretty decent, they got to compete with

0:48:03.520 --> 0:48:06.160
<v Speaker 1>the places that really don't care and doing it for money,

0:48:06.160 --> 0:48:09.040
<v Speaker 1>so they gonna lower their quality of product.

0:48:09.440 --> 0:48:11.560
<v Speaker 2>You feel me, So that's what happened to me.

0:48:12.440 --> 0:48:14.279
<v Speaker 3>Trap Now I.

0:48:14.200 --> 0:48:16.799
<v Speaker 4>Could dig it. I can definitely dig it though, Like

0:48:16.840 --> 0:48:18.600
<v Speaker 4>I always say to people all the time. I say,

0:48:20.400 --> 0:48:23.160
<v Speaker 4>if you're going, if somebody asks you if we can

0:48:23.200 --> 0:48:25.160
<v Speaker 4>get some good food phone, you know what I'm saying.

0:48:25.280 --> 0:48:28.320
<v Speaker 4>They ain't gonna point you to the bullsh to McDonald's.

0:48:28.840 --> 0:48:30.960
<v Speaker 2>To McDonald's, McDonald's over there on thirty nine.

0:48:32.160 --> 0:48:34.680
<v Speaker 4>Over there, you know what I'm saying. So that's what

0:48:34.680 --> 0:48:39.160
<v Speaker 4>I always think like that. But now hip hop, man,

0:48:39.520 --> 0:48:44.840
<v Speaker 4>it is just something that that that the originality within it.

0:48:44.840 --> 0:48:47.080
<v Speaker 4>It's kind of been cut short a lot lately, though, Man,

0:48:47.560 --> 0:48:48.400
<v Speaker 4>you know what I'm saying.

0:48:48.320 --> 0:48:51.920
<v Speaker 1>And it still exists, but it's so much of the

0:48:52.040 --> 0:48:52.719
<v Speaker 1>same thing.

0:48:53.320 --> 0:48:54.720
<v Speaker 3>Yeah, you know what I mean.

0:48:54.600 --> 0:48:57.759
<v Speaker 2>That we get lost there. Trust me.

0:48:57.840 --> 0:49:00.400
<v Speaker 1>I'm listening to music and I'm listening with's going on.

0:49:00.520 --> 0:49:02.960
<v Speaker 1>I'm like, okay, cause I see what's going on. I

0:49:03.080 --> 0:49:08.759
<v Speaker 1>see it, feel me. I see what's going on. But

0:49:10.280 --> 0:49:15.320
<v Speaker 1>when you're confident in what you do, when you're confident

0:49:15.360 --> 0:49:18.400
<v Speaker 1>in what you do right, you don't even have to

0:49:19.120 --> 0:49:21.879
<v Speaker 1>like people tell me, like the Homies was telling me, like, man,

0:49:21.960 --> 0:49:24.680
<v Speaker 1>dot just blew it open with the sound. And I'm laughing,

0:49:24.760 --> 0:49:29.799
<v Speaker 1>like what sound. I don't even hear what people say

0:49:29.800 --> 0:49:32.400
<v Speaker 1>in the sound. That whole thing of wave and sound

0:49:32.480 --> 0:49:36.160
<v Speaker 1>is so beneath where I'm at as a hip hop act,

0:49:36.600 --> 0:49:39.160
<v Speaker 1>as a hip hop where that don't even I don't

0:49:39.200 --> 0:49:43.799
<v Speaker 1>care what nobody else is doing that like I'm in

0:49:43.880 --> 0:49:47.160
<v Speaker 1>the Like the spirit of jam Master Jay is in

0:49:47.200 --> 0:49:49.920
<v Speaker 1>a nigga, man, the spirit of Eric Wright is in

0:49:49.920 --> 0:49:50.320
<v Speaker 1>a nigga.

0:49:50.360 --> 0:49:53.480
<v Speaker 2>I don't care what nobody else is doing them.

0:49:53.560 --> 0:49:56.560
<v Speaker 1>Niggas can't fuck with what I'm gonna bring to the

0:49:56.640 --> 0:49:59.759
<v Speaker 1>table culturally. I'll be laughing people like, but you gott

0:49:59.800 --> 0:50:02.279
<v Speaker 1>hurry up and drop something, g because you know what

0:50:02.440 --> 0:50:03.359
<v Speaker 1>Kendrick just did.

0:50:04.120 --> 0:50:06.160
<v Speaker 2>I don't give a fuck what Dot just did.

0:50:07.239 --> 0:50:09.920
<v Speaker 1>I swear to God, I don't Outside of being a

0:50:09.960 --> 0:50:13.120
<v Speaker 1>fan of good music, I'm not listening to what Dot

0:50:13.160 --> 0:50:14.480
<v Speaker 1>did and thinking about I said, I need to go

0:50:14.560 --> 0:50:18.600
<v Speaker 1>back in and make some changes. Nigga, Please, nigga, I'm

0:50:18.600 --> 0:50:20.480
<v Speaker 1>about to put on at another level.

0:50:21.239 --> 0:50:22.600
<v Speaker 2>It don't matter what he did.

0:50:23.719 --> 0:50:27.040
<v Speaker 1>Now you have to again, because you're in the business, right,

0:50:27.120 --> 0:50:30.640
<v Speaker 1>you have to be mindful. But I'm laughing, like y'all

0:50:30.680 --> 0:50:33.040
<v Speaker 1>think this is what hip hop is about. You're trying

0:50:33.040 --> 0:50:35.560
<v Speaker 1>to make some shit that sound like another nigga shit.

0:50:35.840 --> 0:50:38.200
<v Speaker 1>You well, you know his shit sound like mine's nigga.

0:50:38.200 --> 0:50:41.480
<v Speaker 1>That niggas shit is a cultural revelation out of this world.

0:50:41.520 --> 0:50:44.920
<v Speaker 1>It is not about how the music sounds, Nigga. You

0:50:44.960 --> 0:50:47.359
<v Speaker 1>could put out a thousand songs that sound like that

0:50:47.400 --> 0:50:50.919
<v Speaker 1>shit and it won't have the same effect. That ain't

0:50:50.960 --> 0:50:54.040
<v Speaker 1>how this shit work. This shit in his prime is

0:50:54.080 --> 0:50:57.120
<v Speaker 1>a bunch of shit that sound different. I never mistake

0:50:57.400 --> 0:51:02.120
<v Speaker 1>a puff record for a Doctor Dre record. I never

0:51:02.280 --> 0:51:06.520
<v Speaker 1>mistaked a motherfucking uh uh. I'm losing my mom. But

0:51:06.560 --> 0:51:07.600
<v Speaker 1>who do our cast music?

0:51:09.120 --> 0:51:09.839
<v Speaker 3>Organized noise?

0:51:10.719 --> 0:51:11.280
<v Speaker 2>I never.

0:51:11.920 --> 0:51:16.160
<v Speaker 1>I never in my life heard an organized noise record

0:51:16.200 --> 0:51:18.600
<v Speaker 1>and thought it was a Doctor J record. I never

0:51:18.719 --> 0:51:20.799
<v Speaker 1>heard a DJ Unique record and thought it was a

0:51:20.800 --> 0:51:21.600
<v Speaker 1>Pete rock record.

0:51:22.600 --> 0:51:24.800
<v Speaker 2>So what the fucking sound got to do with anything?

0:51:27.640 --> 0:51:30.640
<v Speaker 1>People asking me talking about some sounds or I'm like, bro,

0:51:30.719 --> 0:51:37.359
<v Speaker 1>you have to develop a cultural a cultural thing that

0:51:37.400 --> 0:51:40.240
<v Speaker 1>you're gonna feed to the people that you're gonna represent

0:51:40.280 --> 0:51:46.680
<v Speaker 1>a group of people with right, and then you deliver it.

0:51:47.239 --> 0:51:51.040
<v Speaker 1>This is just a soundtrack. People talk about sounds. So

0:51:51.280 --> 0:51:53.319
<v Speaker 1>everybody finna come out with a song that sound like

0:51:53.360 --> 0:51:58.319
<v Speaker 1>TV off. That shit ain't gonna happen. You can't make

0:51:58.360 --> 0:52:01.400
<v Speaker 1>that song. You dumb ass mother. You can't make that song.

0:52:03.600 --> 0:52:08.520
<v Speaker 1>M you can't do that. That's not what this ship

0:52:08.640 --> 0:52:11.719
<v Speaker 1>is about. And that's where I've been trying to get

0:52:11.719 --> 0:52:14.640
<v Speaker 1>people to understand. Shout out to Joey west Side, a G.

0:52:14.800 --> 0:52:17.200
<v Speaker 1>What's your favorite restaurant to go? Sit it down at

0:52:18.280 --> 0:52:22.960
<v Speaker 1>a favorite restaurant? Probably Del Frisco's in New York Manhattan.

0:52:24.640 --> 0:52:33.240
<v Speaker 3>That wasn't no sign, that wasn't outside.

0:52:30.120 --> 0:52:33.920
<v Speaker 1>Because I was wearing shorts and I was like, damn's say,

0:52:34.000 --> 0:52:37.919
<v Speaker 1>Bosting Nova. No, No, I wouldn't. I wouldn't eat Boston Nova.

0:52:38.320 --> 0:52:39.200
<v Speaker 1>That shit horrible.

0:52:39.320 --> 0:52:39.600
<v Speaker 3>I mean.

0:52:40.000 --> 0:52:42.560
<v Speaker 1>Shout out to La Man. I'm not fucking Boston. Boston

0:52:42.600 --> 0:52:46.000
<v Speaker 1>Nova is just a thing in Hollywood when the street

0:52:46.000 --> 0:52:49.040
<v Speaker 1>in the morning. That's better than Dennis. That ship is

0:52:49.080 --> 0:52:53.359
<v Speaker 1>not regular time of day, that regular time of day

0:52:53.360 --> 0:52:56.000
<v Speaker 1>eating for I'm not eating that ship at no regular

0:52:56.120 --> 0:52:56.719
<v Speaker 1>time of day.

0:52:57.520 --> 0:52:59.480
<v Speaker 3>Y'all heard that close Berries Close barries in.

0:53:00.440 --> 0:53:01.839
<v Speaker 2>I don't know. I haven't been in a while.

0:53:02.440 --> 0:53:04.879
<v Speaker 1>Shout out to two K grind on nine recipes reco

0:53:04.880 --> 0:53:05.520
<v Speaker 1>away at that part.

0:53:05.520 --> 0:53:08.040
<v Speaker 2>I don't know. I'm getting old getting names.

0:53:08.640 --> 0:53:10.360
<v Speaker 1>Shout out to Kevin back in the day that was

0:53:10.400 --> 0:53:13.360
<v Speaker 1>called biting, trying to fucking rite it was, It's still

0:53:13.400 --> 0:53:19.719
<v Speaker 1>called biting, and it's revenge. All artists got fitted, they

0:53:19.800 --> 0:53:21.200
<v Speaker 1>getting them off YouTube.

0:53:21.560 --> 0:53:22.200
<v Speaker 2>I'm crying.

0:53:22.239 --> 0:53:25.080
<v Speaker 1>They just and I respect it, forgive me, like, don't

0:53:25.120 --> 0:53:28.120
<v Speaker 1>let me sound like. I don't want to sound like

0:53:28.160 --> 0:53:30.520
<v Speaker 1>an elitist of hip hop. That's another thing too, As

0:53:30.640 --> 0:53:33.360
<v Speaker 1>very much as I understand moving forward my place as

0:53:33.960 --> 0:53:36.520
<v Speaker 1>as truly like a dictator of this, as a tyrant

0:53:36.640 --> 0:53:39.399
<v Speaker 1>to defend hip hop's honor and to keep it pure,

0:53:39.440 --> 0:53:42.280
<v Speaker 1>to keep it with ghetto people as long as possible,

0:53:42.480 --> 0:53:45.440
<v Speaker 1>so people keep getting opportunities because eventually the business is

0:53:45.440 --> 0:53:47.960
<v Speaker 1>gonna you know, they gonna rock and roll this shit.

0:53:48.000 --> 0:53:51.120
<v Speaker 1>It's gonna happen. But I feel like, as the furor

0:53:51.160 --> 0:53:55.200
<v Speaker 1>of hip hop at this point, right, it's important, right

0:53:55.280 --> 0:53:57.480
<v Speaker 1>that I really speak for it, and I don't want

0:53:57.520 --> 0:53:59.680
<v Speaker 1>to be elitist. I don't want to be so pure

0:54:00.040 --> 0:54:02.399
<v Speaker 1>that I want y'all to think that people that I'm

0:54:02.440 --> 0:54:05.680
<v Speaker 1>saying aren't hip hop are not worthy of enjoying.

0:54:06.239 --> 0:54:07.440
<v Speaker 2>That's not what I'm saying.

0:54:07.680 --> 0:54:10.000
<v Speaker 1>I'm not saying people that aren't hip hop don't make

0:54:10.040 --> 0:54:10.960
<v Speaker 1>great rap songs.

0:54:11.000 --> 0:54:11.920
<v Speaker 2>I'm not saying.

0:54:11.640 --> 0:54:14.800
<v Speaker 1>People that aren't hip hop, aren't worth us enjoying their music.

0:54:15.320 --> 0:54:19.920
<v Speaker 1>But we definitely don't have no business making them people us.

0:54:20.920 --> 0:54:23.919
<v Speaker 1>We definitely don't have no business selling it out. So

0:54:24.000 --> 0:54:27.920
<v Speaker 1>somebody whose story is being told already in masses can

0:54:28.040 --> 0:54:33.080
<v Speaker 1>use our shit to tell their regular ass story. We

0:54:33.280 --> 0:54:36.040
<v Speaker 1>only got this lane. We don't have a lot of lanes.

0:54:36.120 --> 0:54:43.279
<v Speaker 1>We got Tooby and hip hop. We got Tooby and

0:54:43.360 --> 0:54:46.200
<v Speaker 1>the hip hop. We cannot give.

0:54:46.040 --> 0:54:47.840
<v Speaker 3>It up shut out to be.

0:54:48.239 --> 0:54:51.720
<v Speaker 2>We gotta hold this thing a little bit. We gotta

0:54:51.840 --> 0:54:52.239
<v Speaker 2>hold it.

0:54:52.280 --> 0:54:55.720
<v Speaker 1>We gotta hold it longer than our ancestor Hell, longer

0:54:55.719 --> 0:54:58.680
<v Speaker 1>than our ancestors Hell rock and roll. We gotta hold

0:54:58.719 --> 0:55:01.880
<v Speaker 1>it a little long than our ancestors Hell Jazz. We

0:55:01.960 --> 0:55:05.880
<v Speaker 1>gotta hold it. Gotta keep something for the ghetto to

0:55:06.040 --> 0:55:07.400
<v Speaker 1>keep expressing itself.

0:55:08.960 --> 0:55:09.880
<v Speaker 3>I want to say somebody.

0:55:10.400 --> 0:55:12.360
<v Speaker 4>I want to say somebody say, hip hop's like the

0:55:12.480 --> 0:55:15.000
<v Speaker 4>only drama just being let the people infiltrate. You know

0:55:15.040 --> 0:55:17.919
<v Speaker 4>what I'm saying, Like like, well, we're trying our best

0:55:18.000 --> 0:55:20.760
<v Speaker 4>not to, but they every so often they keep trying

0:55:20.800 --> 0:55:22.120
<v Speaker 4>to do it though, you know what I'm saying, They

0:55:22.200 --> 0:55:24.879
<v Speaker 4>keep trying to do it, but we won't let it happen.

0:55:24.920 --> 0:55:26.680
<v Speaker 4>You know what I'm saying, because it's ours so much

0:55:26.719 --> 0:55:29.000
<v Speaker 4>and it has to be done by us in order

0:55:29.080 --> 0:55:32.239
<v Speaker 4>for it to be successful, and took it in by

0:55:32.280 --> 0:55:32.680
<v Speaker 4>the world.

0:55:32.960 --> 0:55:33.600
<v Speaker 3>You know what I'm saying.

0:55:33.600 --> 0:55:34.839
<v Speaker 2>You know what I think.

0:55:34.920 --> 0:55:37.359
<v Speaker 1>That's where this conversation again, that's why I said that,

0:55:37.360 --> 0:55:40.880
<v Speaker 1>that initial conversation specifically, like I said, you know how

0:55:40.880 --> 0:55:43.080
<v Speaker 1>I felt like we talked about it with Kanye before.

0:55:43.520 --> 0:55:45.279
<v Speaker 1>I mean why I told you like to me, that

0:55:45.400 --> 0:55:48.560
<v Speaker 1>was the first part where it started getting loose, like

0:55:48.680 --> 0:55:53.600
<v Speaker 1>right where, oh, it's not quite Kanye West, like tribe

0:55:53.680 --> 0:55:56.720
<v Speaker 1>is not quite Kanye West. They are. I never felt

0:55:56.760 --> 0:55:59.080
<v Speaker 1>no matter if Dayla I saw what the college, I

0:55:59.160 --> 0:56:04.960
<v Speaker 1>never got better than niggas. I never got that from Daylight.

0:56:05.120 --> 0:56:07.200
<v Speaker 1>So I never got that from Troup. I never got

0:56:07.200 --> 0:56:09.760
<v Speaker 1>that from ll COJ, nobody else who came from working

0:56:09.760 --> 0:56:12.759
<v Speaker 1>class communities. I never got that feeling from them.

0:56:13.080 --> 0:56:15.680
<v Speaker 3>Yay forgive me, forgive.

0:56:15.360 --> 0:56:18.160
<v Speaker 1>Me for being honest about Yay because everybody know Yay

0:56:18.239 --> 0:56:20.239
<v Speaker 1>is in my top five and I love Yay. But

0:56:20.360 --> 0:56:22.840
<v Speaker 1>Yay is the first time I started getting that energy

0:56:24.200 --> 0:56:26.200
<v Speaker 1>like I'm better than the streets, I'm better than you

0:56:26.320 --> 0:56:30.160
<v Speaker 1>niggas that was the first time I felt it. Not

0:56:30.200 --> 0:56:32.360
<v Speaker 1>saying it was true. I'm not saying it's his message.

0:56:32.400 --> 0:56:34.320
<v Speaker 1>I'm not saying that trap it was.

0:56:35.239 --> 0:56:37.759
<v Speaker 4>It was the pig Polo coming through looking like the

0:56:37.800 --> 0:56:40.160
<v Speaker 4>Peppy Boys. Stand was it was? It like was it

0:56:40.760 --> 0:56:43.719
<v Speaker 4>wasn't the Raps because he was talking about being being

0:56:43.719 --> 0:56:44.520
<v Speaker 4>an everyday man.

0:56:44.880 --> 0:56:45.520
<v Speaker 3>You know what I'm saying.

0:56:45.640 --> 0:56:47.320
<v Speaker 1>But I don't think hip hop is about being the

0:56:47.400 --> 0:56:51.600
<v Speaker 1>everyday man. I think hip hop is about being us

0:56:51.880 --> 0:56:55.719
<v Speaker 1>every day like And I don't mean just like at

0:56:55.719 --> 0:56:58.839
<v Speaker 1>the elite level of blackness. I mean like talking like us,

0:56:58.960 --> 0:57:02.440
<v Speaker 1>being like us, really being a part of the have not.

0:57:04.040 --> 0:57:07.480
<v Speaker 2>You know what I'm saying. I never got that from everywhere.

0:57:07.480 --> 0:57:08.120
<v Speaker 2>Don't get me wrong.

0:57:08.160 --> 0:57:11.440
<v Speaker 1>I did find different people who just mess with words.

0:57:11.880 --> 0:57:14.680
<v Speaker 1>They were like dope guys of English words. They would

0:57:14.680 --> 0:57:18.000
<v Speaker 1>just flip English words. I'm not saying that again. I

0:57:18.080 --> 0:57:20.880
<v Speaker 1>really tread carefully when I talk about Kanye West, because

0:57:20.880 --> 0:57:22.080
<v Speaker 1>everybody knows Charlotte.

0:57:22.160 --> 0:57:22.800
<v Speaker 2>Everybody know I.

0:57:22.760 --> 0:57:26.360
<v Speaker 1>Love Yay, so you know, I really have to protect

0:57:26.400 --> 0:57:30.160
<v Speaker 1>his legacy as much as I can critique it. So

0:57:30.200 --> 0:57:32.440
<v Speaker 1>I feel like he is the first thing where people

0:57:32.480 --> 0:57:35.040
<v Speaker 1>felt like he was not he was completely away from

0:57:35.080 --> 0:57:40.440
<v Speaker 1>the streets. That was the first time people ever got

0:57:40.440 --> 0:57:43.320
<v Speaker 1>that feeling like and people felt like they had something

0:57:43.840 --> 0:57:46.800
<v Speaker 1>right that was a little bit more suburban. So people

0:57:46.840 --> 0:57:48.440
<v Speaker 1>that was from the suburbs could be like, oh, I

0:57:48.480 --> 0:57:59.080
<v Speaker 1>came in through Kanye. It's not so much that you know, like,

0:58:00.560 --> 0:58:03.560
<v Speaker 1>it's not about shout out to Kevin. It's not about

0:58:03.680 --> 0:58:05.800
<v Speaker 1>him not writing the raps. He didn't write his rap

0:58:05.840 --> 0:58:07.760
<v Speaker 1>Puff didn't write his raps. That's not I'm not saying

0:58:07.760 --> 0:58:11.320
<v Speaker 1>the art merit of it, right, but what I'm saying is.

0:58:11.280 --> 0:58:13.080
<v Speaker 2>The cultural part of it.

0:58:13.120 --> 0:58:16.360
<v Speaker 1>Like I think Yay is the first person you know,

0:58:16.440 --> 0:58:18.920
<v Speaker 1>and it's gonna sound crazy, but he's the first person

0:58:19.000 --> 0:58:23.120
<v Speaker 1>that I felt like culturally he was fucking generic.

0:58:24.440 --> 0:58:27.040
<v Speaker 4>So so let me ask you this, right, So we

0:58:27.280 --> 0:58:30.080
<v Speaker 4>were just saying about the voice of the voiceless, right,

0:58:30.560 --> 0:58:34.480
<v Speaker 4>so you didn't feel as if somebody that came from

0:58:34.520 --> 0:58:37.240
<v Speaker 4>the hood but went to college, you know what I'm saying,

0:58:37.240 --> 0:58:39.880
<v Speaker 4>should have had a voice within him, say my soul.

0:58:42.040 --> 0:58:44.560
<v Speaker 2>That's tried to me. That's what that feels like.

0:58:45.720 --> 0:58:50.280
<v Speaker 1>He come from he come from different, though he's different

0:58:50.320 --> 0:58:53.400
<v Speaker 1>them niggas still felt like, like, forgive me for lack

0:58:53.440 --> 0:58:58.360
<v Speaker 1>of better words. They still felt like slaves, they still

0:58:58.440 --> 0:59:01.920
<v Speaker 1>felt like people that somewhere they came from poor people

0:59:02.080 --> 0:59:06.080
<v Speaker 1>and they went to college. Yay, felt like a freedman

0:59:08.000 --> 0:59:12.560
<v Speaker 1>who went to college. I'm talking about the first album, bro,

0:59:12.840 --> 0:59:16.080
<v Speaker 1>I'm talking about College Dropout. As much as I love

0:59:16.120 --> 0:59:20.680
<v Speaker 1>that record, Like, I think he used soul samples to

0:59:20.840 --> 0:59:23.720
<v Speaker 1>make us feel a deeper story, what's happening when his

0:59:23.880 --> 0:59:28.200
<v Speaker 1>story was surface and ship, his culture was surface.

0:59:31.320 --> 0:59:35.160
<v Speaker 2>Human being in America broke his break break. That's normal.

0:59:35.200 --> 0:59:38.200
<v Speaker 1>People break bones, especially people that get in car accidents.

0:59:38.400 --> 0:59:40.760
<v Speaker 1>That's an all American story.

0:59:41.720 --> 0:59:42.360
<v Speaker 3>Like if the.

0:59:42.320 --> 0:59:46.320
<v Speaker 1>Depth of your struggle or your all American story is like, hey,

0:59:46.360 --> 0:59:48.080
<v Speaker 1>I got in a car accident and I had insurance

0:59:48.080 --> 0:59:49.919
<v Speaker 1>and I rehab myself and I wanted to wrap.

0:59:50.080 --> 0:59:54.440
<v Speaker 2>I just don't know how, and don't get me wrong,

0:59:54.760 --> 0:59:57.160
<v Speaker 2>like again, bro, like.

0:59:59.160 --> 1:00:01.960
<v Speaker 1>Yeah, because that's what Eddie Winslow already did it. It

1:00:02.040 --> 1:00:07.560
<v Speaker 1>was on television, theo Huxtable did. It was on television

1:00:08.680 --> 1:00:10.960
<v Speaker 1>like that. We didn't need it here it was. It

1:00:11.000 --> 1:00:13.479
<v Speaker 1>was not a voice of the voiceless. It was never

1:00:13.720 --> 1:00:17.800
<v Speaker 1>not represented in mainstream I'm not on you revenge.

1:00:19.640 --> 1:00:24.440
<v Speaker 2>I'm not I'm not on you, bro, I'm not saying that.

1:00:24.680 --> 1:00:26.880
<v Speaker 1>Look, this is why I don't never be one that

1:00:26.960 --> 1:00:30.080
<v Speaker 1>had his conversation, which y'all it.

1:00:30.000 --> 1:00:32.240
<v Speaker 4>Needs to happen. Though it needs to happen, man, come on,

1:00:32.320 --> 1:00:33.480
<v Speaker 4>it didn't need.

1:00:33.400 --> 1:00:37.520
<v Speaker 1>To happen because I'm telling you that opened the door

1:00:37.960 --> 1:00:40.360
<v Speaker 1>for a Jewish man that can use the N word.

1:00:43.080 --> 1:00:46.040
<v Speaker 1>Because they was like, well, he's like him. No, he

1:00:46.280 --> 1:00:50.160
<v Speaker 1>is not like this guy or maybe.

1:00:50.000 --> 1:00:57.360
<v Speaker 6>Her Chicago man some degree, but it is different.

1:00:58.000 --> 1:01:00.840
<v Speaker 2>Let me stop, because that was that's a little lo like.

1:01:04.400 --> 1:01:08.480
<v Speaker 1>Again, Man's like, that's when hip hop started going against

1:01:08.520 --> 1:01:12.480
<v Speaker 1>the streets. Like the depth of college dropout was about

1:01:12.520 --> 1:01:15.160
<v Speaker 1>working at the mall being accused of stealing pants. That

1:01:15.280 --> 1:01:19.280
<v Speaker 1>is not some unique black story. It is not a

1:01:19.360 --> 1:01:21.360
<v Speaker 1>story that needed to be told.

1:01:21.440 --> 1:01:23.400
<v Speaker 2>And I don't think I.

1:01:23.280 --> 1:01:26.840
<v Speaker 3>Think it did. It did.

1:01:28.240 --> 1:01:30.120
<v Speaker 2>That's a standard story in America.

1:01:30.600 --> 1:01:35.560
<v Speaker 4>Listen, listen, heavy Black people are not a mono lift.

1:01:35.600 --> 1:01:37.520
<v Speaker 4>You know what I'm saying that we're.

1:01:37.640 --> 1:01:38.600
<v Speaker 2>About black people.

1:01:39.000 --> 1:01:41.960
<v Speaker 4>No, but but all right, But the struggle comes in

1:01:42.000 --> 1:01:44.240
<v Speaker 4>different ways though, be you know what I'm saying. It

1:01:44.320 --> 1:01:46.520
<v Speaker 4>don't just come from y'all. I gotta sell drugs. This

1:01:46.560 --> 1:01:48.560
<v Speaker 4>that this no, it comes from yo. Listen, I gotta

1:01:48.560 --> 1:01:49.280
<v Speaker 4>wake up and go to.

1:01:49.240 --> 1:01:49.560
<v Speaker 3>Work, and.

1:01:51.760 --> 1:01:56.440
<v Speaker 1>It's about the struggle unique to street urban culture. Of

1:01:56.480 --> 1:02:00.760
<v Speaker 1>course people in hip hop had just that street urban No,

1:02:00.800 --> 1:02:01.320
<v Speaker 1>he said.

1:02:01.360 --> 1:02:02.640
<v Speaker 2>He did not say it was boosted.

1:02:02.880 --> 1:02:04.160
<v Speaker 3>He was still the store.

1:02:04.360 --> 1:02:04.959
<v Speaker 2>No, he said.

1:02:04.960 --> 1:02:09.520
<v Speaker 1>They accused him of stilling o the store and everybody

1:02:09.680 --> 1:02:12.920
<v Speaker 1>that get a college job steals the store, all the

1:02:12.960 --> 1:02:19.720
<v Speaker 1>white people. I'm telling you, bro, look shout out to

1:02:19.800 --> 1:02:20.360
<v Speaker 1>super Jedi.

1:02:20.480 --> 1:02:22.760
<v Speaker 2>This is a fact. I don't think college drop out.

1:02:22.840 --> 1:02:24.920
<v Speaker 2>It didn't. It did not age.

1:02:25.160 --> 1:02:27.960
<v Speaker 3>Well mind that's it did.

1:02:28.200 --> 1:02:32.000
<v Speaker 2>Yes, No, it did. I think the music aged.

1:02:33.160 --> 1:02:37.080
<v Speaker 1>The message sounds like he wants hip hop to just

1:02:37.120 --> 1:02:40.840
<v Speaker 1>be for black folks. Of course, not the fact that, okay,

1:02:40.840 --> 1:02:44.720
<v Speaker 1>two K grind, you might not be black. Everybody that

1:02:44.840 --> 1:02:48.840
<v Speaker 1>come from street urban culture is not black. The story

1:02:48.920 --> 1:02:53.600
<v Speaker 1>al Capone like you know, Whitey Bulger. They white people, yo,

1:02:54.080 --> 1:02:56.320
<v Speaker 1>Jewish people come from the ghetto. It's a lot of

1:02:56.320 --> 1:02:57.840
<v Speaker 1>people who praying from the ghetto.

1:03:00.320 --> 1:03:01.120
<v Speaker 3>It's everywhere.

1:03:01.920 --> 1:03:05.320
<v Speaker 1>So yes, okay, so you are black, So again, forgive me, brother,

1:03:05.400 --> 1:03:07.240
<v Speaker 1>that's not what I'm saying. I'm saying, of course, I

1:03:07.280 --> 1:03:09.800
<v Speaker 1>don't want it to just be for black people. I

1:03:09.960 --> 1:03:12.640
<v Speaker 1>wanted to stay of street urban culture because that's the

1:03:12.720 --> 1:03:16.680
<v Speaker 1>thing that makes it special. If it becomes just mainstream

1:03:16.960 --> 1:03:19.960
<v Speaker 1>and every person could use it, it doesn't matter, No

1:03:20.160 --> 1:03:25.480
<v Speaker 1>Jesus Walks didn't age well, yes it did. Didn't age well,

1:03:25.840 --> 1:03:31.680
<v Speaker 1>yes it did. No, it didn't right now, don't let

1:03:31.720 --> 1:03:36.919
<v Speaker 1>me wrong. But again, college dropout, it's not quite my beautiful, dark,

1:03:36.960 --> 1:03:37.840
<v Speaker 1>twisted fantasy.

1:03:39.760 --> 1:03:41.760
<v Speaker 3>But that was that. That was because it was a

1:03:41.800 --> 1:03:43.040
<v Speaker 3>different It was different, sis.

1:03:43.520 --> 1:03:45.640
<v Speaker 1>No, that's because I think Kanye West took off the

1:03:45.680 --> 1:03:50.960
<v Speaker 1>training wheels. I think college drop out is jay On

1:03:51.360 --> 1:03:55.360
<v Speaker 1>training wheel. I think, uh, late registration is jay On

1:03:55.520 --> 1:03:57.959
<v Speaker 1>training wheels. I think graduation is jay On training.

1:03:58.360 --> 1:03:59.760
<v Speaker 3>No, no, I'm not letting you do that.

1:04:00.160 --> 1:04:01.520
<v Speaker 2>I'm not training.

1:04:01.640 --> 1:04:04.520
<v Speaker 4>That's the best trilogy to ever come out of hip hop, right,

1:04:06.360 --> 1:04:08.920
<v Speaker 4>it's the best trilogy to ever come out of No,

1:04:09.680 --> 1:04:10.880
<v Speaker 4>and it's the least.

1:04:10.640 --> 1:04:12.600
<v Speaker 2>And it's the least hip hop of all hip hop?

1:04:13.600 --> 1:04:17.800
<v Speaker 3>How the hell is it the least? You just die? No,

1:04:18.120 --> 1:04:21.200
<v Speaker 3>music is the key of hip hop. Those are not

1:04:21.360 --> 1:04:22.200
<v Speaker 3>what I said.

1:04:22.320 --> 1:04:24.600
<v Speaker 1>But that's not what I said, But I honored the thought.

1:04:24.880 --> 1:04:29.040
<v Speaker 1>That's not what I said. Yes, I am a Kanye fan.

1:04:29.080 --> 1:04:31.760
<v Speaker 1>But revenge just because I'm a fan of somebody and

1:04:31.800 --> 1:04:37.800
<v Speaker 1>I support them. They are not above critigue. So that's

1:04:37.800 --> 1:04:40.080
<v Speaker 1>the one thing about No Seilings Again. This is No

1:04:40.200 --> 1:04:43.760
<v Speaker 1>Seilings Live Lunch Hour every Monday, Wednesday and Friday at

1:04:43.800 --> 1:04:47.080
<v Speaker 1>noon Pacific Standard time. Click the thumbs up button. Let

1:04:47.120 --> 1:04:50.640
<v Speaker 1>everybody know you here, Share this conversation. Tell everybody Glasses

1:04:50.760 --> 1:04:54.680
<v Speaker 1>is critiguing Kanye West and all of hiss on his birthday,

1:04:54.800 --> 1:04:55.600
<v Speaker 1>on my c day.

1:04:55.640 --> 1:04:56.240
<v Speaker 2>This is what we do.

1:04:56.800 --> 1:05:00.280
<v Speaker 1>Shout out to you right, Go into the disc scription

1:05:00.600 --> 1:05:05.200
<v Speaker 1>subscribe to the No Seilans podcast, Apple podcasts, Ieheart Podcast,

1:05:05.520 --> 1:05:08.880
<v Speaker 1>or anywhere you get your podcasts. The No Seilans Podcast

1:05:08.960 --> 1:05:12.400
<v Speaker 1>executive produced by Charlomagne to God, the Black Effect Network

1:05:12.440 --> 1:05:16.240
<v Speaker 1>and iHeart right and I dropped a really incredible pod

1:05:16.360 --> 1:05:21.600
<v Speaker 1>yesterday on my birthday, right about conversation on what's gangster

1:05:21.680 --> 1:05:24.680
<v Speaker 1>where we get further into cripping and blooding, and we're

1:05:24.680 --> 1:05:26.480
<v Speaker 1>supposed to talk about it a little bit more today,

1:05:26.520 --> 1:05:28.600
<v Speaker 1>but we went somewhere else today and we're gonna stay

1:05:28.680 --> 1:05:29.040
<v Speaker 1>right here.

1:05:29.240 --> 1:05:33.200
<v Speaker 2>You're gonna stay right here again.

1:05:33.600 --> 1:05:37.720
<v Speaker 1>Like I think that's like Kanye understood what the music

1:05:37.840 --> 1:05:40.280
<v Speaker 1>needed to be to translate to us.

1:05:40.600 --> 1:05:41.320
<v Speaker 2>I think he is.

1:05:41.440 --> 1:05:45.160
<v Speaker 1>Very much a scientist, but I think when you listen

1:05:45.240 --> 1:05:48.200
<v Speaker 1>to the depth of what's going on on the records,

1:05:48.840 --> 1:05:50.600
<v Speaker 1>it just don't really have no depth.

1:05:51.640 --> 1:05:53.880
<v Speaker 3>Get out of here. I'm not going for that man.

1:05:53.960 --> 1:05:57.000
<v Speaker 4>That man was speaking for these, for these he was

1:05:57.040 --> 1:05:59.240
<v Speaker 4>the voice of the voiceless of the and that's why

1:05:59.280 --> 1:06:01.640
<v Speaker 4>that whole triller. He stayed within the college people. They

1:06:01.680 --> 1:06:05.200
<v Speaker 4>didn't have no you saying it's quest did a video

1:06:05.280 --> 1:06:07.400
<v Speaker 4>on top of the cleaners on Lindon Bulevard, the street.

1:06:07.680 --> 1:06:10.280
<v Speaker 3>There wasn't no college, motherfucker. They were street niggas big,

1:06:10.600 --> 1:06:12.560
<v Speaker 3>but they were street niggas that went to college.

1:06:13.040 --> 1:06:14.920
<v Speaker 4>Some niggas ain't going to college got signed to like

1:06:15.000 --> 1:06:16.840
<v Speaker 4>sixteen I.

1:06:16.880 --> 1:06:17.720
<v Speaker 3>Went to college.

1:06:18.480 --> 1:06:23.640
<v Speaker 1>I'm saying, that's the feel of it. The people in college.

1:06:23.640 --> 1:06:25.600
<v Speaker 1>Black people in college need a fuck. They have a

1:06:25.640 --> 1:06:31.400
<v Speaker 1>fucking TV show, A Different World is all about black college.

1:06:32.880 --> 1:06:36.840
<v Speaker 1>It's no, they're not voiceless. College is the loudest voice

1:06:36.880 --> 1:06:37.480
<v Speaker 1>in the world.

1:06:40.680 --> 1:06:42.320
<v Speaker 3>Him is not a real school. You know that, right?

1:06:42.640 --> 1:06:45.320
<v Speaker 3>Who know him? Is not a real school? Right? He's

1:06:45.360 --> 1:06:47.200
<v Speaker 3>a him him and is not.

1:06:47.160 --> 1:06:47.760
<v Speaker 2>A real school.

1:06:47.800 --> 1:06:48.320
<v Speaker 3>I'm saying.

1:06:48.480 --> 1:06:53.640
<v Speaker 2>I'm saying No, it's not a real school. He's crazy.

1:06:53.880 --> 1:06:56.000
<v Speaker 2>No glasses loves backpack era.

1:06:57.640 --> 1:07:02.360
<v Speaker 1>Glasses love backpack era, Like, it's not backpack. Kanye is

1:07:02.400 --> 1:07:03.880
<v Speaker 1>not a backpack rapper.

1:07:04.600 --> 1:07:10.120
<v Speaker 4>Was a fake, That's my point. He's a braggadocious rapper.

1:07:10.880 --> 1:07:12.960
<v Speaker 4>It's a bragadocious rapper. That's what it is.

1:07:13.640 --> 1:07:16.960
<v Speaker 1>That's my point. Like, he's not a backpack rapper. And

1:07:17.000 --> 1:07:20.480
<v Speaker 1>this is the crazy part. Everybody who wants to get

1:07:20.480 --> 1:07:24.440
<v Speaker 1>in hip hop that really that is not drenched in culture.

1:07:24.920 --> 1:07:28.040
<v Speaker 1>All they gotta do is lie and tell people they're

1:07:28.040 --> 1:07:31.720
<v Speaker 1>a backpack rapper. All they gotta do is start rapping

1:07:32.080 --> 1:07:34.240
<v Speaker 1>with backpack rappers.

1:07:34.560 --> 1:07:34.720
<v Speaker 4>Level.

1:07:35.480 --> 1:07:38.520
<v Speaker 2>If you not like a cultural dude, the easiest way

1:07:38.520 --> 1:07:38.960
<v Speaker 2>to get.

1:07:38.840 --> 1:07:41.840
<v Speaker 1>In is through the conscious side, because you could just

1:07:41.920 --> 1:07:43.680
<v Speaker 1>act like you like a backpack rapper.

1:07:43.720 --> 1:07:47.640
<v Speaker 2>I swear to God, bro Like that used to be.

1:07:47.600 --> 1:07:49.960
<v Speaker 1>The argument with people when I would critigue Drake on

1:07:50.000 --> 1:07:52.560
<v Speaker 1>his street urban culture presence through his music. They'd be like,

1:07:52.560 --> 1:07:55.160
<v Speaker 1>when he did songs with Little Brother and he rapped

1:07:55.200 --> 1:07:56.760
<v Speaker 1>on all of these was.

1:07:56.880 --> 1:08:01.880
<v Speaker 6>Look the rest in peace, theylla deylla, he rapped Odyla.

1:08:03.040 --> 1:08:05.920
<v Speaker 2>Like he rapped on it. I'm like, cuz I hate

1:08:05.960 --> 1:08:06.360
<v Speaker 2>that that.

1:08:06.520 --> 1:08:10.440
<v Speaker 1>Is the entry level into motherfuck to where you be

1:08:10.440 --> 1:08:12.160
<v Speaker 1>like that's hip hop because you know he wrapped it.

1:08:12.280 --> 1:08:15.720
<v Speaker 1>He knows Deyla is fucking Dela passed away and was

1:08:15.800 --> 1:08:16.360
<v Speaker 1>main Street.

1:08:16.760 --> 1:08:20.920
<v Speaker 2>Every fucking body likes Little Brother. Everybody. If you go

1:08:21.000 --> 1:08:23.720
<v Speaker 2>to a Little Brother concert, everybody is there.

1:08:24.320 --> 1:08:27.559
<v Speaker 4>Yeah, yeah, you know what I think it is though,

1:08:28.800 --> 1:08:32.639
<v Speaker 4>because it's no it's no authenticity. Check within that with

1:08:32.640 --> 1:08:34.920
<v Speaker 4>within that that side right there, so you don't gotta

1:08:35.000 --> 1:08:37.280
<v Speaker 4>check it. Nobody's gonna check it. See does he really

1:08:37.280 --> 1:08:39.479
<v Speaker 4>mean what he's saying right now about this conscious rap

1:08:39.520 --> 1:08:43.479
<v Speaker 4>that he's doing though, you know what I'm saying, just

1:08:43.479 --> 1:08:43.960
<v Speaker 4>delivered to.

1:08:43.960 --> 1:08:47.360
<v Speaker 2>A Guccie backpack. A Gucci backpack is the antithesis.

1:08:47.960 --> 1:08:52.720
<v Speaker 1>It's the It's the antonym of fucking conscious and fucking backpack.

1:08:53.160 --> 1:08:55.320
<v Speaker 3>You gotta have a jance for it. You gotta have

1:08:55.360 --> 1:08:56.040
<v Speaker 3>a chance for it.

1:08:56.439 --> 1:08:59.479
<v Speaker 2>You cannot have it defeats the purpose.

1:08:59.680 --> 1:09:02.360
<v Speaker 1>If you have a fucking Gucci backpack as a backpacker

1:09:03.360 --> 1:09:09.800
<v Speaker 1>like you, that's like having lightly seasoned soul food.

1:09:12.080 --> 1:09:13.880
<v Speaker 2>It's like cooking spinish.

1:09:13.479 --> 1:09:15.679
<v Speaker 1>Like greens that don't go together.

1:09:16.760 --> 1:09:19.200
<v Speaker 4>Yeah, I've seen that video the other day, right and

1:09:19.240 --> 1:09:23.479
<v Speaker 4>the dude or first. The video shows old girl season,

1:09:23.520 --> 1:09:24.960
<v Speaker 4>her sees her chocoal.

1:09:25.920 --> 1:09:27.840
<v Speaker 6>She season the chocolate and white, and the white man

1:09:27.960 --> 1:09:31.400
<v Speaker 6>was like, Okay, we got at least lightly season and chicken.

1:09:31.880 --> 1:09:39.520
<v Speaker 4>Yeah, I saw that good white people be done.

1:09:37.520 --> 1:09:42.280
<v Speaker 1>Where they fucking season in the chargo. So okay, Wait,

1:09:42.600 --> 1:09:44.920
<v Speaker 1>are you saying shout out to the homie don dubs?

1:09:44.960 --> 1:09:45.120
<v Speaker 3>Wait?

1:09:45.160 --> 1:09:47.320
<v Speaker 1>Are you saying middle class kids can't be hip hop? No,

1:09:48.479 --> 1:09:51.599
<v Speaker 1>that's not what I'm saying. That's not what I'm saying.

1:09:52.280 --> 1:09:56.799
<v Speaker 1>Everybody can be a rapper. I'm saying, but street urban culture.

1:09:56.880 --> 1:10:00.559
<v Speaker 1>Middle class kids need to be bathed in eat urban

1:10:00.600 --> 1:10:06.599
<v Speaker 1>culture to be hip hop. There is nothing not voiced

1:10:06.680 --> 1:10:08.280
<v Speaker 1>about a middle class lifestyle.

1:10:10.200 --> 1:10:10.519
<v Speaker 2>Nothing.

1:10:13.120 --> 1:10:16.760
<v Speaker 1>Most programs are about middle class lifestyle. So I'm not

1:10:16.840 --> 1:10:19.400
<v Speaker 1>saying middle class people can't be hip hop. I'm telling

1:10:19.439 --> 1:10:22.439
<v Speaker 1>you they have to be bathed in street urban culture.

1:10:22.720 --> 1:10:27.040
<v Speaker 1>Mind you right. Inglewood is considered a middle class community.

1:10:27.320 --> 1:10:31.160
<v Speaker 1>Carsoner is considered a middle class community. It's not middle class.

1:10:31.200 --> 1:10:35.040
<v Speaker 1>They just can't be middle class middle class. They still

1:10:35.080 --> 1:10:39.920
<v Speaker 1>need to be street urban cultured middle class people. Shout

1:10:39.920 --> 1:10:41.800
<v Speaker 1>I'll tell okay from the bad glasses in this hot

1:10:41.840 --> 1:10:44.120
<v Speaker 1>tape this is not a damn hot take. Olka, Okay,

1:10:45.479 --> 1:10:47.599
<v Speaker 1>it's not a damn hot I'm out of y'all making

1:10:47.640 --> 1:10:49.960
<v Speaker 1>it like my takes is hot just because I'm making

1:10:50.000 --> 1:10:51.719
<v Speaker 1>you think a little bit more.

1:10:52.120 --> 1:10:53.759
<v Speaker 3>He cook, he cook, He just cooking.

1:10:54.720 --> 1:10:59.080
<v Speaker 1>I'm not giving you a hot take. Hip Hop can

1:10:59.120 --> 1:11:03.200
<v Speaker 1>come inside of your house, right It could be your parents.

1:11:03.240 --> 1:11:04.960
<v Speaker 1>You can live in a suburb, but if your parents

1:11:05.040 --> 1:11:08.080
<v Speaker 1>is a bunch of street people, your ass hip hop. Listen,

1:11:08.120 --> 1:11:09.920
<v Speaker 1>your parents can be good people, but if they raise

1:11:09.960 --> 1:11:12.559
<v Speaker 1>you in the community, your ass hip hop. You could

1:11:12.640 --> 1:11:17.360
<v Speaker 1>be somebody who your parents are not hip hop, and

1:11:17.960 --> 1:11:20.920
<v Speaker 1>your neighborhood particularly is not hip hop. But then when

1:11:20.920 --> 1:11:22.640
<v Speaker 1>you go to school, your whole life, all you do

1:11:22.720 --> 1:11:27.880
<v Speaker 1>is running too street urban culture people. All you do

1:11:27.920 --> 1:11:29.639
<v Speaker 1>is run to them, and you still could be hip hop.

1:11:29.640 --> 1:11:33.439
<v Speaker 1>But you gotta be somewhere bathe in street urban culture.

1:11:33.520 --> 1:11:35.840
<v Speaker 1>I do not want to hear middle class people rapping

1:11:35.880 --> 1:11:39.720
<v Speaker 1>about being fucking middle class. That's not hip hop. Just

1:11:39.760 --> 1:11:41.760
<v Speaker 1>because you can rap don't make you hip hop. Just

1:11:41.760 --> 1:11:43.920
<v Speaker 1>because you like jay Z don't make you hip hop.

1:11:43.960 --> 1:11:46.719
<v Speaker 1>I don't care how much you emulated. If you don't

1:11:46.760 --> 1:11:51.400
<v Speaker 1>speak the language, if you don't understand the fashion. If

1:11:51.400 --> 1:11:54.200
<v Speaker 1>you don't understand what makes this thing special, you are not.

1:11:58.840 --> 1:12:00.559
<v Speaker 4>I think it should show your pinches that you got

1:12:00.600 --> 1:12:03.280
<v Speaker 4>up in the in the stool one day. Yeah, some

1:12:03.320 --> 1:12:08.439
<v Speaker 4>dope ass pictures. Fine, some dope pictures like that you got.

1:12:08.600 --> 1:12:11.880
<v Speaker 4>You got a bunch of them ships, older man kings

1:12:11.920 --> 1:12:12.800
<v Speaker 4>of hip hop right there.

1:12:12.800 --> 1:12:13.479
<v Speaker 3>That's just fire.

1:12:14.479 --> 1:12:21.559
<v Speaker 1>So again, like I'm not saying, I'm not saying, no

1:12:22.120 --> 1:12:25.040
<v Speaker 1>middle class people rapping about middle class ship is not

1:12:25.240 --> 1:12:28.760
<v Speaker 1>hip hop. It's not. You don't fucking need hip hop, bro,

1:12:28.920 --> 1:12:33.559
<v Speaker 1>you don't fucking need hip hop. Fuck man, you don't

1:12:33.600 --> 1:12:34.599
<v Speaker 1>fucking need hip hop.

1:12:34.600 --> 1:12:36.639
<v Speaker 3>Bro. What they got though, what they got though.

1:12:36.920 --> 1:12:42.040
<v Speaker 1>Music, Man, they fucking already got popping.

1:12:42.200 --> 1:12:43.520
<v Speaker 2>They already have representation.

1:12:45.520 --> 1:12:47.200
<v Speaker 3>Iro's not a representation of nobody.

1:12:48.000 --> 1:12:57.000
<v Speaker 2>It's a representation of most Americans. It's regular. Look you,

1:12:58.840 --> 1:13:04.679
<v Speaker 2>m h. I'm saying, no, we hip hop doesn't need that.

1:13:05.080 --> 1:13:05.479
<v Speaker 3>No you.

1:13:05.640 --> 1:13:10.040
<v Speaker 1>If you have a Gucci backpack, that's not no fucking backpack.

1:13:10.479 --> 1:13:16.200
<v Speaker 1>That's not what they mean when they said backpack. Shout

1:13:16.240 --> 1:13:18.360
<v Speaker 1>out to two K grind on nine. Will Smith won't

1:13:18.360 --> 1:13:22.840
<v Speaker 1>like not been. Will Smith is from Philadelphia. He did

1:13:22.880 --> 1:13:24.200
<v Speaker 1>not avoid the Colture.

1:13:24.680 --> 1:13:29.080
<v Speaker 2>He could not He could not avoid the coach. Will

1:13:29.120 --> 1:13:30.920
<v Speaker 2>Smith could not avoid the culture.

1:13:31.000 --> 1:13:32.400
<v Speaker 3>It was outside of his house.

1:13:33.120 --> 1:13:37.280
<v Speaker 1>Said, look, there's a very general line, right, there's a

1:13:37.400 --> 1:13:42.360
<v Speaker 1>very general line. If you're in Philadelphia, your ass is

1:13:42.400 --> 1:13:48.600
<v Speaker 1>the coachure. I don't care which part of Philadelphia you

1:13:48.760 --> 1:13:53.640
<v Speaker 1>It's fucking Philadelphia. So yo, Yeah, Will Smith is the

1:13:53.640 --> 1:13:58.000
<v Speaker 1>fucking coach. I don't care what money they got. It's Philadelphia.

1:13:58.040 --> 1:13:59.960
<v Speaker 1>You can't even they don't even have a nice neighbor

1:14:00.040 --> 1:14:05.240
<v Speaker 1>hoods in Philadelphia, bro, Like the best neighborhood in Philadelphia

1:14:05.320 --> 1:14:10.400
<v Speaker 1>still look like you somewhere close to the bullshit, Like

1:14:10.439 --> 1:14:13.720
<v Speaker 1>Philadelphia is a unique place. I went out there, hung

1:14:13.720 --> 1:14:16.679
<v Speaker 1>with Deshan Jackson. Shout out to d jack first Battle

1:14:16.680 --> 1:14:19.960
<v Speaker 1>Hall of Famer in football. Eventually just amazing talent from LA.

1:14:20.400 --> 1:14:22.599
<v Speaker 1>I went to his house. He lived in a nice mansion.

1:14:22.680 --> 1:14:27.479
<v Speaker 1>That shit looked like we were still in the hood. So, yes,

1:14:27.680 --> 1:14:31.760
<v Speaker 1>Will Smith is fucking hip hop. He's from fucking West Philadelphia.

1:14:31.840 --> 1:14:34.080
<v Speaker 1>I don't care if it is a middle class community.

1:14:34.160 --> 1:14:39.920
<v Speaker 1>It is surrounded in nigga shit in culture. Yes, Will

1:14:39.920 --> 1:14:44.720
<v Speaker 1>Smith is fucking hip hop Kanye Yes, Like I struggled

1:14:44.720 --> 1:14:46.479
<v Speaker 1>to understand what's going on.

1:14:46.520 --> 1:14:47.760
<v Speaker 2>But I really think.

1:14:49.880 --> 1:14:53.839
<v Speaker 1>He's it's more music than him, right, it's more music

1:14:54.000 --> 1:14:57.000
<v Speaker 1>than him. But again, that's a whole other conversation, and

1:14:57.120 --> 1:14:59.160
<v Speaker 1>y'all obviously not ready to have it. I'll be thinking,

1:14:59.240 --> 1:15:00.880
<v Speaker 1>y'all be on this thing making shit with me, but

1:15:00.960 --> 1:15:03.720
<v Speaker 1>y'all really don't. Y'all just be making me think I'm

1:15:03.760 --> 1:15:06.680
<v Speaker 1>fucking crazy, like y'all don't know, Like a fucking car

1:15:06.680 --> 1:15:09.559
<v Speaker 1>accident ain't fucking that's regular. That's American shit. And I'm

1:15:09.560 --> 1:15:12.200
<v Speaker 1>not mad at it because he used a Shaka con temple.

1:15:12.840 --> 1:15:15.800
<v Speaker 1>That shit brought it home that nigga had insurance in

1:15:15.800 --> 1:15:18.280
<v Speaker 1>a car accident. I think that's great. I'm not saying

1:15:18.320 --> 1:15:21.240
<v Speaker 1>he's not hip hop demo. I'm not saying that, bro,

1:15:21.360 --> 1:15:25.040
<v Speaker 1>It's not what I'm saying. I'm just thinking out loud.

1:15:25.880 --> 1:15:32.160
<v Speaker 1>I'm thinking out loud. I'm thinking out loud. I'm not

1:15:32.240 --> 1:15:34.640
<v Speaker 1>saying he's not hip hop. Obviously, I think Drake's not

1:15:34.760 --> 1:15:37.360
<v Speaker 1>hip hop. I'm sure Drake's not hip hop, right. I

1:15:37.400 --> 1:15:42.160
<v Speaker 1>think obviously Post Malone is not hip hop. There's a

1:15:42.200 --> 1:15:45.360
<v Speaker 1>few people that I know that are not hip hop, right,

1:15:47.439 --> 1:15:49.960
<v Speaker 1>But that don't make them not fantastic rappers. I'm not

1:15:50.000 --> 1:15:52.360
<v Speaker 1>saying Kanye is not hip hop. I thought about it,

1:15:52.600 --> 1:15:55.879
<v Speaker 1>and I'm saying when I when I listen to his raps,

1:15:56.000 --> 1:16:00.439
<v Speaker 1>they are middle class raps. To some degree, they are

1:16:00.479 --> 1:16:03.320
<v Speaker 1>middle class raps. But I can't jump out on the ledge.

1:16:03.360 --> 1:16:07.240
<v Speaker 1>But that's also bro why he also is doing shit

1:16:07.320 --> 1:16:09.400
<v Speaker 1>that we be thinking is crazy, like running around with

1:16:09.439 --> 1:16:13.960
<v Speaker 1>this white lady and all this dumb ass shit. That's

1:16:14.000 --> 1:16:16.200
<v Speaker 1>why we be looking at him strange. He's ours, but

1:16:16.240 --> 1:16:18.080
<v Speaker 1>we'd be looking like, what the fuck are you doing?

1:16:18.560 --> 1:16:21.120
<v Speaker 1>Like that's you ever noticed? That's why that shit be happening, Like,

1:16:21.160 --> 1:16:24.479
<v Speaker 1>what the fuck is happening? What are you fucking doing?

1:16:26.960 --> 1:16:29.320
<v Speaker 1>Why did this lady walking around with tape on as

1:16:29.320 --> 1:16:31.679
<v Speaker 1>an outfit? She taped her titties and taped her ass

1:16:31.680 --> 1:16:33.759
<v Speaker 1>and taped her vagina, and that's her fucking outfit.

1:16:40.200 --> 1:16:40.960
<v Speaker 2>Think about it.

1:16:41.160 --> 1:16:44.519
<v Speaker 1>He said, as a fucking teenager or as a kid,

1:16:44.720 --> 1:16:48.799
<v Speaker 1>he had a picture of Maryland Monroe on his fucking wall.

1:16:49.240 --> 1:16:52.880
<v Speaker 1>Who the fuck like Maryland Monroe when we was young,

1:16:52.920 --> 1:16:55.760
<v Speaker 1>see revenge, This is revenge. You grew up in the suburbs, right,

1:16:56.200 --> 1:16:59.720
<v Speaker 1>I think it's in Tennessee right, who You didn't have

1:16:59.760 --> 1:17:03.040
<v Speaker 1>no picture, no fucking Marilyn Monroe as no fucking thirteen

1:17:03.400 --> 1:17:06.120
<v Speaker 1>all the finance sisters out in the nineties, in the eighties,

1:17:06.400 --> 1:17:09.280
<v Speaker 1>you had a picture of Marilyn Monroe. No, you fucking didn't.

1:17:09.520 --> 1:17:11.720
<v Speaker 1>Then none of us think Marilyn Monroe was fine. That

1:17:11.840 --> 1:17:13.719
<v Speaker 1>was the white lady that was sleeping with the president.

1:17:13.800 --> 1:17:15.720
<v Speaker 1>That's all we knew about her. She was kind of

1:17:15.760 --> 1:17:17.160
<v Speaker 1>cute when she was sleeping. She was like a little

1:17:17.200 --> 1:17:19.519
<v Speaker 1>slut sleep with the president. Forgive me, because that lady

1:17:19.560 --> 1:17:21.920
<v Speaker 1>passed away. So I don't want to just be shitting

1:17:21.920 --> 1:17:24.840
<v Speaker 1>on that lady. None of us had no I swear

1:17:24.880 --> 1:17:30.080
<v Speaker 1>to god, the man said he had Marilyn Monroe on

1:17:30.160 --> 1:17:30.679
<v Speaker 1>his wall.

1:17:32.240 --> 1:17:35.040
<v Speaker 2>Kanye be talking some shit, and I'm not mad at him.

1:17:35.040 --> 1:17:36.559
<v Speaker 2>I think he is great.

1:17:37.200 --> 1:17:40.840
<v Speaker 1>Guinea's in my top five. It's fucking Kanye West. I'm

1:17:40.880 --> 1:17:46.559
<v Speaker 1>just being honest with the critigue. Like this is something

1:17:46.600 --> 1:17:49.040
<v Speaker 1>he said, look at this white lady. Keep he keep

1:17:49.120 --> 1:17:54.559
<v Speaker 1>bouncing from white lady to white lady, right, keep bouncing.

1:17:54.600 --> 1:17:56.479
<v Speaker 1>It's like you got this white lady that looked like

1:17:56.520 --> 1:17:57.760
<v Speaker 1>the last white lady and she.

1:17:57.840 --> 1:17:59.639
<v Speaker 3>Walking around with no that shit.

1:18:00.040 --> 1:18:05.400
<v Speaker 1>It's weird to us. No, everybody from Cali is not

1:18:05.479 --> 1:18:08.599
<v Speaker 1>hip hop. Cali is a huge state where people don't

1:18:08.640 --> 1:18:10.599
<v Speaker 1>all have to be in hip hop, so we don't.

1:18:10.800 --> 1:18:13.920
<v Speaker 1>We're not like Philadelphia. Now, if you came from Compton,

1:18:14.479 --> 1:18:22.519
<v Speaker 1>Compton is like Philadelphia. That's like Philadelphia. Philadelphia is like

1:18:22.800 --> 1:18:26.080
<v Speaker 1>even in nice areas. The culture is the culture. You

1:18:26.080 --> 1:18:27.800
<v Speaker 1>ain't getting away from it. I don't care what you

1:18:27.880 --> 1:18:30.719
<v Speaker 1>do in Philadelphia, your ass is gonna get the coature

1:18:30.720 --> 1:18:33.880
<v Speaker 1>because Philly ain't no fucking joke. They that's a dope

1:18:33.960 --> 1:18:43.639
<v Speaker 1>ass deep town. So again, I'm not saying, yeah, it's

1:18:43.640 --> 1:18:46.559
<v Speaker 1>not hip hop. I'm just critiguing what I noticed the

1:18:46.600 --> 1:18:49.400
<v Speaker 1>more I learned about what hip hop was for me.

1:18:49.439 --> 1:18:52.559
<v Speaker 1>So again, like y'all gotta ease up. Stop definding. I'm

1:18:52.560 --> 1:18:55.000
<v Speaker 1>not attacking your right to hip hop. I'm telling you

1:18:55.080 --> 1:19:06.680
<v Speaker 1>what it is. That's all I'm saying. Bro, Like that

1:19:06.920 --> 1:19:10.559
<v Speaker 1>man be doing some crazy shit that don't represent all

1:19:10.600 --> 1:19:13.080
<v Speaker 1>of us. And that is the one thing, Like, what

1:19:13.200 --> 1:19:15.679
<v Speaker 1>is being black? If it ain't about how you treat

1:19:15.680 --> 1:19:19.160
<v Speaker 1>other black people? It's being black about how white people

1:19:19.200 --> 1:19:22.120
<v Speaker 1>treat you or how you treat other black people. You

1:19:22.120 --> 1:19:24.200
<v Speaker 1>get what I'm saying, how you see other black people,

1:19:26.880 --> 1:19:29.559
<v Speaker 1>you just be doing some crazy shit. That's my man, bro.

1:19:30.960 --> 1:19:31.639
<v Speaker 2>Real story.

1:19:32.320 --> 1:19:34.360
<v Speaker 1>Kanye liked my music early on, and a lot of

1:19:34.400 --> 1:19:38.080
<v Speaker 1>people say Bro, like gee, people will think Glasses getting

1:19:38.080 --> 1:19:39.920
<v Speaker 1>his own way, and I get why they say that.

1:19:40.439 --> 1:19:41.040
<v Speaker 2>Shout out to.

1:19:41.080 --> 1:19:45.080
<v Speaker 1>Pun from the community, different homies who think I get

1:19:45.080 --> 1:19:47.559
<v Speaker 1>my way because I really stand on certain things and

1:19:47.600 --> 1:19:50.200
<v Speaker 1>it's not just standing for nothing, Like I don't just

1:19:50.240 --> 1:19:53.960
<v Speaker 1>be tripping, but I see it differently. I really care

1:19:54.400 --> 1:19:57.479
<v Speaker 1>about what people think of me and my community. That

1:19:57.520 --> 1:20:01.759
<v Speaker 1>shit matter to me, Like I don't need billions of dollars,

1:20:02.120 --> 1:20:03.880
<v Speaker 1>Like I make more than enough money to take care

1:20:03.920 --> 1:20:05.960
<v Speaker 1>of myself. Now you know what I'm saying. So I

1:20:06.040 --> 1:20:08.760
<v Speaker 1>don't need millions of dollars for verification. I'm really the

1:20:08.840 --> 1:20:11.479
<v Speaker 1>nigga in real life. I walk around every day and

1:20:11.520 --> 1:20:14.080
<v Speaker 1>I'm that nigga that don't change. It ain't a room

1:20:14.200 --> 1:20:16.080
<v Speaker 1>of people that I've been in. I could be in

1:20:16.080 --> 1:20:17.640
<v Speaker 1>a room with Dog and I'm that nigga in that

1:20:17.720 --> 1:20:19.920
<v Speaker 1>room with Snoop Dogg. It's fucking Snoop Dogg, and I'm

1:20:19.960 --> 1:20:21.519
<v Speaker 1>that nigga. I could be in a room with Doctor

1:20:21.560 --> 1:20:23.679
<v Speaker 1>Dre and people asking me questions because I'm that nigga

1:20:23.720 --> 1:20:26.880
<v Speaker 1>for real. I'm not talking shit. I'm saying culturally, is

1:20:26.960 --> 1:20:30.240
<v Speaker 1>just this thing going on that I represent it truly

1:20:31.040 --> 1:20:34.600
<v Speaker 1>like it's really me. So I don't have the insecurity

1:20:34.600 --> 1:20:39.040
<v Speaker 1>that I need a bunch of extra economics or excess economics.

1:20:39.160 --> 1:20:42.400
<v Speaker 1>Feel me to be somebody no matter which room I mean,

1:20:42.479 --> 1:20:44.599
<v Speaker 1>I'm that nigga. People looking at me, they gonna stop

1:20:44.600 --> 1:20:50.559
<v Speaker 1>and talk. So but if being black is not how

1:20:50.600 --> 1:20:53.240
<v Speaker 1>you treat other black people or how you see black

1:20:53.280 --> 1:20:56.320
<v Speaker 1>people what I'm saying, then what is it?

1:21:00.800 --> 1:21:01.320
<v Speaker 2>What is it?

1:21:01.360 --> 1:21:01.760
<v Speaker 3>Bro Like?

1:21:01.840 --> 1:21:02.519
<v Speaker 2>What is it?

1:21:02.760 --> 1:21:05.519
<v Speaker 1>Here's a real story, two real stories that people felt

1:21:05.560 --> 1:21:09.400
<v Speaker 1>like I got in my own way. First story, Kanye

1:21:09.400 --> 1:21:11.800
<v Speaker 1>West loved me. He thought I was dope, told the

1:21:11.840 --> 1:21:14.400
<v Speaker 1>Homeboy plane Pat shout out to John Monopoly. John Monopoly

1:21:14.520 --> 1:21:17.519
<v Speaker 1>is my man. Y'all heard his name. I heard his

1:21:17.600 --> 1:21:19.960
<v Speaker 1>name a million times around the conye cecle. John Monopoly

1:21:20.120 --> 1:21:23.400
<v Speaker 1>is an early fan of Glasses Malone, same for Loupez Yasco,

1:21:23.479 --> 1:21:25.880
<v Speaker 1>same for Chile, the early fans of Glasses Malone, and

1:21:25.920 --> 1:21:29.080
<v Speaker 1>really thought that I was a phenomenon when it comes

1:21:29.120 --> 1:21:30.720
<v Speaker 1>to culting, right, I didn't even know what the fuck

1:21:30.760 --> 1:21:32.360
<v Speaker 1>it was. But they was into what I was doing.

1:21:33.040 --> 1:21:35.320
<v Speaker 1>Shout out to jay Z to this day. Still love right,

1:21:35.360 --> 1:21:37.519
<v Speaker 1>still text me say dope, shit, that's not the point.

1:21:37.800 --> 1:21:40.400
<v Speaker 1>So Kanye was an early believer in Glasses Malone I

1:21:40.400 --> 1:21:41.960
<v Speaker 1>got certified. He's like, man, I want to work with

1:21:42.000 --> 1:21:44.479
<v Speaker 1>that dude. So they say, hey, Glasses, come to the studio.

1:21:44.960 --> 1:21:46.840
<v Speaker 1>This is the same studio that Hit Boy work at.

1:21:46.920 --> 1:21:50.320
<v Speaker 1>Right now, Uh, what's the name of the studio.

1:21:51.000 --> 1:21:56.000
<v Speaker 7>I don't know anyway, where it's at on l A

1:21:57.160 --> 1:22:01.519
<v Speaker 7>sound like lebre Anyway, Long story short, Kanye wants me

1:22:01.560 --> 1:22:02.400
<v Speaker 7>to come to the studio.

1:22:03.280 --> 1:22:04.920
<v Speaker 1>I'm like, yeah, I love Kanye. You know this is

1:22:04.960 --> 1:22:07.400
<v Speaker 1>early Kanye. This is two thousand.

1:22:09.479 --> 1:22:11.200
<v Speaker 2>I'm gonna get to that all in. I got you.

1:22:11.280 --> 1:22:13.120
<v Speaker 2>Let me get to that. Let me finish this.

1:22:13.280 --> 1:22:14.960
<v Speaker 1>So I go to the studio playing pat like, man,

1:22:14.960 --> 1:22:16.479
<v Speaker 1>Glass come up here, Kanye want to meet with you,

1:22:16.560 --> 1:22:18.719
<v Speaker 1>blah blah. I'm like, all right, cool, Like, I like Kanye,

1:22:18.760 --> 1:22:22.200
<v Speaker 1>this is two thousand and eight. Sell them eight, you

1:22:22.240 --> 1:22:25.080
<v Speaker 1>know what I mean. I'm like yeah, yeah, I like Yay.

1:22:25.080 --> 1:22:26.960
<v Speaker 1>That's the dude that got the college drop out and

1:22:27.880 --> 1:22:30.360
<v Speaker 1>you know lay registration. Yeah, that dude is tough. So

1:22:30.400 --> 1:22:40.200
<v Speaker 1>I go to the studio. I'm like, all right, uh

1:22:40.439 --> 1:22:42.479
<v Speaker 1>I meet the front desk. They say, okay, he's in

1:22:42.520 --> 1:22:45.639
<v Speaker 1>the back studio right here, just go a way for him.

1:22:45.640 --> 1:22:49.240
<v Speaker 1>He had to go grab some stuff. I said, no problem,

1:22:49.720 --> 1:22:52.280
<v Speaker 1>So I walked back there. I walk in the room.

1:22:52.600 --> 1:22:54.320
<v Speaker 2>It's a bunch of fucking candles lit.

1:22:56.120 --> 1:22:59.479
<v Speaker 1>Like old candles, like brass candles, cuz they just all

1:22:59.520 --> 1:23:02.920
<v Speaker 1>lit up candles everywhere cuse they lit up in the

1:23:03.000 --> 1:23:03.559
<v Speaker 1>room dark.

1:23:05.800 --> 1:23:09.400
<v Speaker 2>So I walked in the room and I'm.

1:23:09.280 --> 1:23:12.879
<v Speaker 1>Just sitting there and it's just a hundred fucking candles

1:23:12.880 --> 1:23:17.880
<v Speaker 1>lit and it's dark, and these candles look weird. Cousin,

1:23:17.960 --> 1:23:21.599
<v Speaker 1>I'm like, the fuck is going on? Cuz so he's

1:23:21.640 --> 1:23:23.519
<v Speaker 1>about to put you in. They're about to put you in,

1:23:24.040 --> 1:23:26.240
<v Speaker 1>about to put you in. Illuminati's about you.

1:23:26.360 --> 1:23:26.599
<v Speaker 7>Nah.

1:23:26.720 --> 1:23:29.439
<v Speaker 1>No, I just didn't understand how. I didn't understand how

1:23:29.520 --> 1:23:32.360
<v Speaker 1>vibe work at the time, because again, I'm really the coat.

1:23:32.960 --> 1:23:36.479
<v Speaker 1>I didn't understand vibe. I'm not gonna say that because

1:23:36.520 --> 1:23:39.280
<v Speaker 1>I don't believe Yay is like that. That's one nigga.

1:23:39.280 --> 1:23:44.960
<v Speaker 1>Nobody count That's what nigga came. Nobody convinced me of

1:23:45.000 --> 1:23:48.240
<v Speaker 1>about spirituality. That's the one thing we didn't argue about

1:23:48.280 --> 1:23:50.439
<v Speaker 1>history that as been coaching this or even sometimes his

1:23:50.560 --> 1:23:53.880
<v Speaker 1>blackness could be weird. But one thing spiritually, I know

1:23:55.000 --> 1:23:57.240
<v Speaker 1>we are in alignment. You feel me, but I didn't

1:23:57.320 --> 1:23:59.920
<v Speaker 1>understand vibe. So it's all these candles because and they

1:24:00.080 --> 1:24:01.960
<v Speaker 1>brass and gold and shit, and I'm like, what the

1:24:02.000 --> 1:24:04.560
<v Speaker 1>fuck cauz like I don't know what's going on, Like

1:24:04.600 --> 1:24:06.479
<v Speaker 1>I don't know what's happening, Like, what the fuck is

1:24:06.520 --> 1:24:11.120
<v Speaker 1>going on? Because this shit is horrible? So I'm like, damn,

1:24:12.720 --> 1:24:15.439
<v Speaker 1>long story short three minutes. I'm like, I can't be

1:24:15.439 --> 1:24:16.280
<v Speaker 1>in here, bro, I gotta go.

1:24:16.360 --> 1:24:17.200
<v Speaker 2>So I just leave.

1:24:18.080 --> 1:24:20.640
<v Speaker 1>I don't go tell plane Pat, I don't hit but

1:24:20.720 --> 1:24:25.559
<v Speaker 1>not I don't say nothing. I just get on. About

1:24:25.600 --> 1:24:26.360
<v Speaker 1>twenty minutes.

1:24:26.880 --> 1:24:28.320
<v Speaker 2>Pat hit me. He like, gee, when youre at, I

1:24:28.360 --> 1:24:29.760
<v Speaker 2>was like, gonna have to go do something cause you

1:24:29.760 --> 1:24:30.200
<v Speaker 2>know what I mean.

1:24:30.600 --> 1:24:32.200
<v Speaker 1>He's like, all right, just let me know when you're

1:24:32.200 --> 1:24:33.920
<v Speaker 1>coming back. I never went back.

1:24:35.720 --> 1:24:38.080
<v Speaker 4>That was your chance, be to get at the ruin

1:24:38.120 --> 1:24:42.360
<v Speaker 4>AI be you will shit it be you wushit it

1:24:42.520 --> 1:24:47.680
<v Speaker 4>to the roof right now? What that was your moment suh.

1:24:47.760 --> 1:24:50.599
<v Speaker 1>I couldn't do it, cause it just I didn't know.

1:24:50.960 --> 1:24:54.519
<v Speaker 1>I was ignorant. But I just like, so I'm saying this,

1:24:54.600 --> 1:24:56.639
<v Speaker 1>I don't believe cousins on no bullshit.

1:24:56.760 --> 1:24:58.080
<v Speaker 2>I'm just saying I didn't know.

1:24:59.520 --> 1:25:04.200
<v Speaker 1>I didn't, no, bro, And I'm not having it. I'm

1:25:04.200 --> 1:25:09.200
<v Speaker 1>not having it. I'm not having it because I'm murdering

1:25:09.439 --> 1:25:12.799
<v Speaker 1>right now. This glass is the lowe because I'm hopping

1:25:12.800 --> 1:25:14.559
<v Speaker 1>out and I'm still worse right now.

1:25:14.600 --> 1:25:15.679
<v Speaker 3>But I'm not having it.

1:25:15.840 --> 1:25:18.200
<v Speaker 1>But at least I understood vibe because now my studio

1:25:18.400 --> 1:25:20.200
<v Speaker 1>be dark and I got lights. They go up in

1:25:20.200 --> 1:25:24.120
<v Speaker 1>the sky, cuts and clouds and lights and ship to

1:25:24.200 --> 1:25:26.759
<v Speaker 1>keep the arm beyond Popper, so I get on beyond.

1:25:26.960 --> 1:25:29.200
<v Speaker 1>I didn't get it. Then, I didn't get it, like

1:25:29.840 --> 1:25:33.439
<v Speaker 1>setting the workspace, I didn't know. But I'm being honest

1:25:33.760 --> 1:25:39.439
<v Speaker 1>saying that, like I'm not having it if it's Kanye,

1:25:39.439 --> 1:25:42.040
<v Speaker 1>I don't know if it's Michael Jackson, because turn the

1:25:42.160 --> 1:25:45.080
<v Speaker 1>lights on. See the real life, I should have just

1:25:45.120 --> 1:25:51.080
<v Speaker 1>turned the fucking lights on. The yeah, more glasses glasses

1:25:51.120 --> 1:25:53.719
<v Speaker 1>today would walk in and just turn the fucking lights

1:25:53.720 --> 1:25:57.519
<v Speaker 1>on and walk back of that motherfucker.

1:25:57.560 --> 1:25:59.080
<v Speaker 2>I turn them lights off.

1:26:01.680 --> 1:26:04.960
<v Speaker 1>How I would impose my will on the space glasses today?

1:26:05.000 --> 1:26:08.120
<v Speaker 1>Would impose his will on the space glasses? Then, wouldn't

1:26:08.160 --> 1:26:10.800
<v Speaker 1>impose his will on the space glasses today, would just

1:26:10.840 --> 1:26:13.320
<v Speaker 1>turn the lights on. I'll walk in, turn the lights on.

1:26:13.520 --> 1:26:16.599
<v Speaker 1>Say what I gotta say? Keep it moving. I mean, like, hey,

1:26:16.640 --> 1:26:18.720
<v Speaker 1>turn the lights on. This shit weird, because that's what

1:26:18.760 --> 1:26:22.960
<v Speaker 1>I felt. So that's one thing, right, Second thing is Drake. Right,

1:26:22.960 --> 1:26:24.840
<v Speaker 1>This is a real story with Drake, and he probably

1:26:24.960 --> 1:26:27.519
<v Speaker 1>mad that I tell a story because you rich anyway,

1:26:27.560 --> 1:26:30.280
<v Speaker 1>stop don't stop backing like that, because it's true.

1:26:30.720 --> 1:26:33.640
<v Speaker 2>So Drake was trying to build more of a relationship

1:26:33.720 --> 1:26:33.960
<v Speaker 2>with me.

1:26:34.560 --> 1:26:36.880
<v Speaker 1>But I felt like with me it would always have

1:26:37.000 --> 1:26:39.200
<v Speaker 1>this weird energy where it was like, yo, we all

1:26:39.240 --> 1:26:44.240
<v Speaker 1>signed to cash money, but like like I knew, like

1:26:44.280 --> 1:26:46.400
<v Speaker 1>I was the streets and I didn't really care that

1:26:46.439 --> 1:26:49.439
<v Speaker 1>he was successful, Like you know that never meant that

1:26:49.520 --> 1:26:51.559
<v Speaker 1>to forgive me. I know this sound crazy to y'all,

1:26:52.040 --> 1:26:56.559
<v Speaker 1>but I really believe in masculinity, Like you could have

1:26:56.680 --> 1:26:58.640
<v Speaker 1>a million dollars and I could have ten dollars and

1:26:58.720 --> 1:27:01.599
<v Speaker 1>you not the nigga I am. If you not who

1:27:01.640 --> 1:27:05.479
<v Speaker 1>you truly are, Like if I see any dessension of

1:27:05.520 --> 1:27:07.960
<v Speaker 1>who you truly are. Like, if you act like you

1:27:08.000 --> 1:27:11.599
<v Speaker 1>want to be somebody you not for two seconds, we're

1:27:11.680 --> 1:27:13.320
<v Speaker 1>probably not going to be cool.

1:27:14.760 --> 1:27:16.280
<v Speaker 2>I'm just being honest. That's just how.

1:27:16.520 --> 1:27:19.800
<v Speaker 1>It's not on purpose, because it's who I am, it's

1:27:19.880 --> 1:27:23.640
<v Speaker 1>my existence. I fought to be me. I fought my

1:27:23.760 --> 1:27:26.560
<v Speaker 1>homies to beat me. I fought niggas from other neighborhoods

1:27:26.560 --> 1:27:29.320
<v Speaker 1>than me. I shot to be me niggas used to

1:27:29.360 --> 1:27:31.200
<v Speaker 1>the homies. Oh man, guess you want some smart shit.

1:27:31.240 --> 1:27:34.400
<v Speaker 1>I'm ana squabbler, nigga. Damn bitch. You can't even whoop me.

1:27:35.080 --> 1:27:37.559
<v Speaker 1>Whatever you thought you was can't out beat me. I'm

1:27:37.560 --> 1:27:41.519
<v Speaker 1>gonna make all this work for this for me. So like,

1:27:41.800 --> 1:27:45.400
<v Speaker 1>if you show any dissension about appreciation and who you are,

1:27:45.439 --> 1:27:47.880
<v Speaker 1>and I see you giving up a little bit, like

1:27:47.920 --> 1:27:50.240
<v Speaker 1>if you if you are square and you trying to

1:27:50.280 --> 1:27:55.920
<v Speaker 1>act street, You're not going to really like how we're

1:27:55.960 --> 1:27:58.439
<v Speaker 1>gonna interact. It's not gonna work out for you. It's

1:27:58.479 --> 1:28:01.160
<v Speaker 1>gonna be bad. You gotta be yourself, pure and unadults reated.

1:28:01.200 --> 1:28:05.799
<v Speaker 1>You gotta be yourself. So I noticed that being around

1:28:05.840 --> 1:28:10.439
<v Speaker 1>because a couple of times so it was starting to

1:28:10.439 --> 1:28:12.240
<v Speaker 1>evolve me into space where I'm like, yeah, I don't

1:28:12.240 --> 1:28:12.519
<v Speaker 1>know if.

1:28:12.400 --> 1:28:14.920
<v Speaker 2>I'm really gonna fuck with dude like this, you know

1:28:14.920 --> 1:28:15.439
<v Speaker 2>what I'm saying.

1:28:15.560 --> 1:28:17.759
<v Speaker 1>Like not not that I didn't think he was gonna

1:28:17.760 --> 1:28:19.519
<v Speaker 1>be tough or be the best rapper in the game,

1:28:19.600 --> 1:28:22.280
<v Speaker 1>Like the nigga was sharp because hello, dope, like he

1:28:22.360 --> 1:28:25.080
<v Speaker 1>was brilliant and they really wanted me to work with him.

1:28:25.080 --> 1:28:26.760
<v Speaker 1>Shout out to the armies like Day was pushing it.

1:28:26.760 --> 1:28:29.160
<v Speaker 1>But I'm like, you gotta be authentic. That's why me

1:28:29.200 --> 1:28:30.720
<v Speaker 1>and nipples. So that's why me and kid youre get

1:28:30.720 --> 1:28:32.519
<v Speaker 1>sirted them niggas is really who they is. I can

1:28:32.840 --> 1:28:34.800
<v Speaker 1>you don't gotta be gangster, you just gotta really be

1:28:36.000 --> 1:28:37.160
<v Speaker 1>well they both gangsters.

1:28:38.160 --> 1:28:39.080
<v Speaker 2>Who is not a gangster?

1:28:39.160 --> 1:28:40.080
<v Speaker 3>That really?

1:28:40.200 --> 1:28:42.960
<v Speaker 2>Uh Loope is street too, So I can't say Loupe.

1:28:44.479 --> 1:28:44.759
<v Speaker 1>Pete.

1:28:44.840 --> 1:28:45.160
<v Speaker 3>Pete.

1:28:45.200 --> 1:28:47.280
<v Speaker 1>Pete is a perfect example the god do the large

1:28:47.360 --> 1:28:50.280
<v Speaker 1>thing with Pete ain't no fucking gangster. But that's my man,

1:28:50.320 --> 1:28:53.439
<v Speaker 1>because Pete's Pete. Even when he's crazy and he's talking crazy,

1:28:53.520 --> 1:28:57.439
<v Speaker 1>Peter's Pete still ain't no Still it's still so it's

1:28:57.479 --> 1:29:01.640
<v Speaker 1>not that. So we going to an ev for Wayne's

1:29:01.680 --> 1:29:09.320
<v Speaker 1>birthday party, right, and it's an event in Hollywood. It's

1:29:09.320 --> 1:29:16.479
<v Speaker 1>over there behind like it's off of Librea and Santa Monica.

1:29:17.320 --> 1:29:24.160
<v Speaker 1>It's off of Lobrea and Santa Monica. And huh no, no,

1:29:24.200 --> 1:29:25.760
<v Speaker 1>this is a this is a weird place that they

1:29:25.840 --> 1:29:29.160
<v Speaker 1>used to do parties at. It's not like a restaurant.

1:29:29.360 --> 1:29:31.360
<v Speaker 1>It's like a like a set, like like a stage

1:29:31.400 --> 1:29:33.680
<v Speaker 1>set type place. But they do parties over there. You

1:29:33.800 --> 1:29:35.920
<v Speaker 1>do a lot of big parties over here. So me,

1:29:36.240 --> 1:29:39.000
<v Speaker 1>pun a couple of us go to the party, right,

1:29:39.040 --> 1:29:41.639
<v Speaker 1>and I'm gonna tell a story. So we hop out.

1:29:42.040 --> 1:29:44.200
<v Speaker 1>We mobbed up to the party. I'm talking to bird

1:29:44.320 --> 1:29:47.960
<v Speaker 1>Man because I'm taxing cause it's very sus Okay, No,

1:29:48.280 --> 1:29:51.519
<v Speaker 1>actually it ain't sus It actually is that. It's not

1:29:51.640 --> 1:29:53.960
<v Speaker 1>sus What do you sus is when you think it

1:29:54.000 --> 1:29:57.640
<v Speaker 1>could be gay, that area is actually gay. And you

1:29:57.720 --> 1:29:59.880
<v Speaker 1>know you don't take your ass over there. If you

1:30:00.080 --> 1:30:02.720
<v Speaker 1>see a girl, it's probably a guy. You know that.

1:30:02.760 --> 1:30:04.320
<v Speaker 1>And that's why it's nothing wrong with it. You know,

1:30:04.360 --> 1:30:06.400
<v Speaker 1>when you're getting that area, it is not sus It

1:30:06.520 --> 1:30:11.040
<v Speaker 1>is committed. It is not suspect. It's not a suspected area.

1:30:11.280 --> 1:30:12.280
<v Speaker 2>That is convicted.

1:30:13.479 --> 1:30:14.920
<v Speaker 3>You know what it is life.

1:30:15.080 --> 1:30:18.719
<v Speaker 1>It is not a suspect. It's guilty. Okay, that area

1:30:18.880 --> 1:30:22.360
<v Speaker 1>is guilty. You know what's happening. But that's where, you know,

1:30:22.439 --> 1:30:25.160
<v Speaker 1>the entertainment industry do all of that shit. So you

1:30:25.160 --> 1:30:27.120
<v Speaker 1>you know you in the industry cause you gotta go

1:30:27.200 --> 1:30:30.640
<v Speaker 1>over there. And that's cool. Like I you know, I

1:30:30.640 --> 1:30:34.519
<v Speaker 1>don't have no problem with nobody that's doing their thing

1:30:34.520 --> 1:30:36.920
<v Speaker 1>because just be you. If you a man that think

1:30:36.960 --> 1:30:40.840
<v Speaker 1>you a woman, just do you whatever, just be you unapologetically.

1:30:41.280 --> 1:30:43.920
<v Speaker 1>So we hop out the car met pun and y'all

1:30:43.920 --> 1:30:46.040
<v Speaker 1>can go to the community and verify this. We walking

1:30:46.160 --> 1:30:49.479
<v Speaker 1>up a couple of us niggas like, Lass, what's up now?

1:30:49.800 --> 1:30:50.760
<v Speaker 2>I'm like, what up, Crev? We're doing?

1:30:51.439 --> 1:30:53.679
<v Speaker 1>Drake is coming up behind me. He's calling my name.

1:30:53.720 --> 1:30:57.559
<v Speaker 1>I see cousin, but I'm mobbing, huh, Like, Hey, this nigga,

1:30:57.640 --> 1:30:59.320
<v Speaker 1>Drake call you. I'm like, yeah, I see that cause

1:30:59.320 --> 1:31:03.120
<v Speaker 1>I talked the cousin. He's calling me classes Hey glasses, Jay,

1:31:03.280 --> 1:31:06.360
<v Speaker 1>you hear it up. I am not turning around for

1:31:06.520 --> 1:31:11.519
<v Speaker 1>cuz because I'm trying to get in here. But it's not, Honestly,

1:31:11.600 --> 1:31:14.800
<v Speaker 1>it's not just because it's because he just gave me

1:31:14.920 --> 1:31:20.640
<v Speaker 1>vibes of like insecure. I don't like insecure men. I

1:31:20.760 --> 1:31:23.880
<v Speaker 1>just don't because I like. It's not I don't like him,

1:31:23.920 --> 1:31:27.320
<v Speaker 1>I just don't vibe well. So that's another time cause

1:31:27.360 --> 1:31:31.120
<v Speaker 1>where it's like, so I am proud of who I am,

1:31:31.160 --> 1:31:33.000
<v Speaker 1>and I want everybody else to be proud of who

1:31:33.000 --> 1:31:35.320
<v Speaker 1>they are. And if you tell me you not, I

1:31:35.320 --> 1:31:37.280
<v Speaker 1>could deal with it. But when you have a false

1:31:37.280 --> 1:31:39.960
<v Speaker 1>sense of pride, we're not probably going to be okay.

1:31:40.560 --> 1:31:43.600
<v Speaker 1>If you falsely represent yourself, we are not going to

1:31:43.640 --> 1:31:47.800
<v Speaker 1>be okay. You we are not the one thing with

1:31:47.840 --> 1:31:51.120
<v Speaker 1>me and Charlotte Manine at work in our relationship. He

1:31:51.240 --> 1:31:54.400
<v Speaker 1>is who he is Van Layton, he is who he is.

1:31:55.320 --> 1:31:57.439
<v Speaker 1>We gonna be fine. We could be on the opposite

1:31:57.520 --> 1:31:59.759
<v Speaker 1>side of the street and we're gonna be fine because

1:31:59.840 --> 1:32:02.720
<v Speaker 1>I can get with that. I could fuck with that.

1:32:02.840 --> 1:32:04.559
<v Speaker 1>I could fuck with a man that's who he is.

1:32:04.600 --> 1:32:07.320
<v Speaker 1>I don't give a fuck. If you don't believe in fighting.

1:32:07.560 --> 1:32:09.639
<v Speaker 1>If you Martin Luther King and you not gonna punch

1:32:09.680 --> 1:32:12.840
<v Speaker 1>another motherfucker back, and your whole movement is built on

1:32:13.080 --> 1:32:15.200
<v Speaker 1>not hitting the motherfucker.

1:32:14.600 --> 1:32:16.400
<v Speaker 2>Back, I could fuck with that.

1:32:18.400 --> 1:32:21.160
<v Speaker 1>I can't fuck with a motherfucker talking tough, Like if

1:32:21.200 --> 1:32:23.120
<v Speaker 1>Martin Luther King was popping it and then now the

1:32:23.160 --> 1:32:25.600
<v Speaker 1>police kicking your ass and you ain't doing nothing. Me

1:32:25.640 --> 1:32:30.000
<v Speaker 1>and Martin Luther King couldn't be hommies. We just couldn't

1:32:30.000 --> 1:32:34.840
<v Speaker 1>fucking be humpy. But Martin the King on his non

1:32:34.920 --> 1:32:37.639
<v Speaker 1>violent movement and he's not gonna fight back long as

1:32:37.680 --> 1:32:42.599
<v Speaker 1>he's honest, I can rock. So that's where we come

1:32:42.640 --> 1:32:45.000
<v Speaker 1>into a space in a business. I'm just not with

1:32:45.200 --> 1:32:47.599
<v Speaker 1>none of the other shit that's not tough. Shout out

1:32:47.640 --> 1:32:50.240
<v Speaker 1>to my little hommy ad from the community. He thinks

1:32:50.240 --> 1:32:53.639
<v Speaker 1>it's old fashioned, it's not. I'm a man, bro, I'm

1:32:53.640 --> 1:32:59.080
<v Speaker 1>a man, unapologetically. I'm the lok unapologetically. I'm not doing

1:32:59.120 --> 1:33:03.479
<v Speaker 1>nothing else beside this. There's no reason. Listen, I make

1:33:03.560 --> 1:33:06.639
<v Speaker 1>six figures a year right now being me. I don't

1:33:06.640 --> 1:33:10.400
<v Speaker 1>need seven figures to be somebody else. I mean maybe

1:33:10.400 --> 1:33:14.200
<v Speaker 1>if I was acting in the Hollywood film. If they

1:33:14.200 --> 1:33:15.720
<v Speaker 1>don't want to get me seven and they figures to

1:33:15.720 --> 1:33:17.160
<v Speaker 1>act like somebody else, that's fine.

1:33:18.080 --> 1:33:20.320
<v Speaker 2>I'll just live with these six figures. I'll take it.

1:33:20.400 --> 1:33:21.000
<v Speaker 2>That works for me.

1:33:22.520 --> 1:33:27.360
<v Speaker 1>Yeah, that ship if I can make six figures being me,

1:33:27.760 --> 1:33:28.679
<v Speaker 1>That's that's enough.

1:33:29.439 --> 1:33:30.080
<v Speaker 3>But I'm not.

1:33:30.240 --> 1:33:33.519
<v Speaker 1>You can't pay me seven figures to act like somebody

1:33:33.520 --> 1:33:35.000
<v Speaker 1>else that ain't on no Hollywood screen.

1:33:36.600 --> 1:33:37.320
<v Speaker 3>It was, it was.

1:33:37.520 --> 1:33:39.200
<v Speaker 4>It was great to you know what I'm saying, because

1:33:39.240 --> 1:33:40.519
<v Speaker 4>a lot of people running around here and now I

1:33:40.560 --> 1:33:42.320
<v Speaker 4>know who they are, So that's why they ended up

1:33:42.520 --> 1:33:45.120
<v Speaker 4>acting like somebody that they not. You know what I'm saying,

1:33:45.200 --> 1:33:47.160
<v Speaker 4>When you understand who you is, then man, it's easy

1:33:47.160 --> 1:33:50.280
<v Speaker 4>to be comfortable in your own skin then who you are.

1:33:50.720 --> 1:33:51.040
<v Speaker 3>That's it.

1:33:54.400 --> 1:33:56.040
<v Speaker 2>Let me get back to what Allan was saying.

1:33:56.160 --> 1:33:59.120
<v Speaker 1>I'm sorry, did mean to ignore you all in He

1:33:59.240 --> 1:34:00.960
<v Speaker 1>asked me a question and post it and I just

1:34:01.000 --> 1:34:03.160
<v Speaker 1>skipped shout out to Sean Akerman. Man, I appreciate the

1:34:03.160 --> 1:34:05.320
<v Speaker 1>birthday gift for ten dollars my boy. Much love for

1:34:05.360 --> 1:34:08.519
<v Speaker 1>that dog. Yeah, all they said, So what did that

1:34:08.640 --> 1:34:09.920
<v Speaker 1>say on the thing that I had up there?

1:34:10.560 --> 1:34:15.040
<v Speaker 2>Gee? We need a Tale live feature. I talked to Tyler.

1:34:15.360 --> 1:34:16.479
<v Speaker 2>You know why fuck with talent?

1:34:16.520 --> 1:34:16.840
<v Speaker 3>Tyler?

1:34:16.880 --> 1:34:19.639
<v Speaker 1>It's really him, bro me and ty Lib is good.

1:34:19.400 --> 1:34:22.799
<v Speaker 3>Bro niggast hating ty Lib on Twitter.

1:34:23.080 --> 1:34:26.920
<v Speaker 1>He understands his brand and he dives down to it.

1:34:28.520 --> 1:34:30.200
<v Speaker 1>I'm gonna deliver that.

1:34:30.240 --> 1:34:31.599
<v Speaker 2>I got you. I'm gonna get you that tile.

1:34:32.000 --> 1:34:36.519
<v Speaker 4>That'll be dope. That'll be dope. I need to produce that. Yeah,

1:34:36.560 --> 1:34:42.640
<v Speaker 4>you do, you should? You should? Uh?

1:34:42.760 --> 1:34:42.960
<v Speaker 3>Yeah?

1:34:43.080 --> 1:34:45.519
<v Speaker 1>Is the most important hip hop artist the last twenty years,

1:34:45.520 --> 1:34:48.759
<v Speaker 1>next to Kendrick Probably not, probably not, that's probably Keith.

1:34:50.320 --> 1:34:54.360
<v Speaker 2>Keith is probably probably not you said chief Keith is that.

1:34:54.640 --> 1:34:57.120
<v Speaker 1>Yeah, Keith is probably the most the most important artist

1:34:57.120 --> 1:35:03.240
<v Speaker 1>over the last twenty years. Keith's phenomena.

1:35:03.360 --> 1:35:04.960
<v Speaker 2>I mean, come on, bro, you just see it.

1:35:05.120 --> 1:35:08.360
<v Speaker 1>I think Yay is the bridge to people not hip hop,

1:35:09.200 --> 1:35:11.040
<v Speaker 1>like into hip hop.

1:35:11.360 --> 1:35:14.080
<v Speaker 4>But but but see, at the same time, they have

1:35:14.200 --> 1:35:16.800
<v Speaker 4>to be the one to put keep up on that

1:35:16.880 --> 1:35:18.880
<v Speaker 4>level to where everybody was gonna be able to accept

1:35:18.920 --> 1:35:19.880
<v Speaker 4>them like that though too.

1:35:19.920 --> 1:35:20.879
<v Speaker 2>You mean all the white.

1:35:20.680 --> 1:35:23.759
<v Speaker 1>People is gonna accept him because the black people already

1:35:23.760 --> 1:35:27.679
<v Speaker 1>except the Keith, we was already up on that ship. Yeah,

1:35:27.840 --> 1:35:30.080
<v Speaker 1>is just a bitch people. He's a bridge going to

1:35:30.120 --> 1:35:35.600
<v Speaker 1>white people and white people coming in. He's he's a

1:35:35.640 --> 1:35:38.080
<v Speaker 1>different kind of keeper. He's a bridge. He's not a gatekeeper.

1:35:38.120 --> 1:35:40.160
<v Speaker 1>He a bridge because he don't stop ship. He let

1:35:40.160 --> 1:35:41.760
<v Speaker 1>all this ship come in. He don't care if it's

1:35:42.400 --> 1:35:43.360
<v Speaker 1>somebody that hate.

1:35:43.200 --> 1:35:44.519
<v Speaker 3>Niggas Taylor Swift.

1:35:44.880 --> 1:35:49.760
<v Speaker 4>He don't get yea about Taylor Swiffer wasn't for that motherfucker.

1:35:50.080 --> 1:35:53.280
<v Speaker 1>Yeah sure, he put on seven st He put Taylor

1:35:53.320 --> 1:35:54.400
<v Speaker 1>Swift on my radar.

1:35:54.640 --> 1:35:56.720
<v Speaker 3>Wen Taylor Swift on.

1:35:56.680 --> 1:35:59.519
<v Speaker 2>My radar, bro I never knew. I was like, who

1:35:59.560 --> 1:35:59.960
<v Speaker 2>is he talking?

1:36:03.960 --> 1:36:04.000
<v Speaker 4>Like?

1:36:04.040 --> 1:36:06.960
<v Speaker 3>Who is he talking about?

1:36:07.040 --> 1:36:08.320
<v Speaker 2>I was like, who is this person?

1:36:08.560 --> 1:36:10.200
<v Speaker 1>And they kept showing this little white lady with this

1:36:10.320 --> 1:36:12.320
<v Speaker 1>She was kind of flustered. I'm like, what is this

1:36:12.400 --> 1:36:13.160
<v Speaker 1>little white lady?

1:36:14.320 --> 1:36:19.040
<v Speaker 3>Even? For real? For real? That is a I don't

1:36:19.080 --> 1:36:20.640
<v Speaker 3>even know how that.

1:36:24.360 --> 1:36:30.760
<v Speaker 4>No, Look, the Bridge West Wild that's it right there.

1:36:31.000 --> 1:36:35.000
<v Speaker 1>You know, I'm not Look, I'm not saying hip hop

1:36:35.040 --> 1:36:38.840
<v Speaker 1>gotta be thugging. I'm saying hip hop needs to be

1:36:39.000 --> 1:36:40.240
<v Speaker 1>a street urban culture.

1:36:40.640 --> 1:36:41.400
<v Speaker 2>It has to be.

1:36:42.880 --> 1:36:45.080
<v Speaker 4>See why when you say that, they don't understand. They

1:36:45.160 --> 1:36:47.920
<v Speaker 4>just think like gangster, don't They don't understand the street

1:36:48.000 --> 1:36:49.040
<v Speaker 4>urban culture means.

1:36:49.479 --> 1:36:51.240
<v Speaker 3>It's the way you walk, the way you talk, the

1:36:51.240 --> 1:36:52.040
<v Speaker 3>way where you had.

1:36:52.439 --> 1:36:54.240
<v Speaker 1>You know what I'm saying that the way we carry

1:36:54.640 --> 1:36:57.719
<v Speaker 1>but the way that is the way that poverty has found.

1:36:59.160 --> 1:37:00.200
<v Speaker 2>And then don't get me on.

1:37:00.240 --> 1:37:03.800
<v Speaker 1>Some middle class people adopted their whole life.

1:37:03.920 --> 1:37:07.240
<v Speaker 2>They may don't need it, but they've been raised in it.

1:37:08.000 --> 1:37:08.439
<v Speaker 3>Uh.

1:37:08.600 --> 1:37:10.960
<v Speaker 1>That's the one thing about Yay Demo that I don't

1:37:11.000 --> 1:37:16.479
<v Speaker 1>play with. That's why I will never I'm really careful.

1:37:16.520 --> 1:37:18.599
<v Speaker 1>I will never say he's not hip hop because one

1:37:18.680 --> 1:37:20.920
<v Speaker 1>thing that motherfucker.

1:37:20.240 --> 1:37:22.840
<v Speaker 2>Got is audacity.

1:37:23.520 --> 1:37:26.160
<v Speaker 1>That nigga do shit. You be like the audacity of

1:37:26.200 --> 1:37:29.040
<v Speaker 1>this nigga. So that's why I don't play with ya.

1:37:29.439 --> 1:37:32.360
<v Speaker 1>I don't fuck with ya like I won't. You don't

1:37:32.400 --> 1:37:36.200
<v Speaker 1>hear me saying he's not hip hop. That nigga is

1:37:37.160 --> 1:37:41.479
<v Speaker 1>sheer audacity, That nigga don't have no idea his rifle.

1:37:41.560 --> 1:37:44.920
<v Speaker 2>That nigga is a cold, cold nigga.

1:37:45.080 --> 1:37:46.200
<v Speaker 3>He is cold.

1:37:47.160 --> 1:37:49.800
<v Speaker 2>So again that's my point. You know what I'm saying.

1:37:49.800 --> 1:37:50.200
<v Speaker 2>It's like.

1:37:51.800 --> 1:37:54.599
<v Speaker 1>I get it, and he is, to me, the bridge

1:37:54.640 --> 1:37:58.880
<v Speaker 1>that allowed others to come in and start acting like us.

1:37:59.400 --> 1:38:01.960
<v Speaker 1>He's the ridge of that. So you know, it started

1:38:01.960 --> 1:38:05.760
<v Speaker 1>being more like people before Yay they knew hip hop

1:38:05.880 --> 1:38:10.240
<v Speaker 1>was them niggas. Even the day I sold the Tribe car. Course,

1:38:10.240 --> 1:38:11.720
<v Speaker 1>what's one of the early niggas went to college. It

1:38:11.760 --> 1:38:14.240
<v Speaker 1>was a couple of niggas went to college.

1:38:15.560 --> 1:38:16.840
<v Speaker 3>It was a couple of mona.

1:38:16.960 --> 1:38:19.479
<v Speaker 4>I think the entry level, Like like when it came

1:38:19.520 --> 1:38:21.440
<v Speaker 4>to somebody being a college rapper.

1:38:22.640 --> 1:38:24.960
<v Speaker 1>Not a college rapper, somebody, I mean somebody.

1:38:25.600 --> 1:38:27.320
<v Speaker 3>There's a lot of people went to college that rap.

1:38:27.439 --> 1:38:29.599
<v Speaker 1>Yeah, I mean in the earliest, That's what I'm saying.

1:38:29.600 --> 1:38:33.000
<v Speaker 1>So I knew that people that went to college, I'm saying.

1:38:32.880 --> 1:38:34.719
<v Speaker 3>But they didn't put it in their music though.

1:38:35.439 --> 1:38:37.080
<v Speaker 1>Yeah, but that's not I don't want to hear no

1:38:37.160 --> 1:38:39.240
<v Speaker 1>nigga rapping about going to college in his fucking music.

1:38:39.400 --> 1:38:41.679
<v Speaker 4>The people that's in college want to hear this ship

1:38:41.720 --> 1:38:43.240
<v Speaker 4>that's called rap music.

1:38:44.320 --> 1:38:45.719
<v Speaker 2>It don't gotta be hip hop.

1:38:46.720 --> 1:38:49.040
<v Speaker 1>Fuck man, it don't gotta be hip hop, Kenny g

1:38:49.160 --> 1:38:49.960
<v Speaker 1>don't gotta be jazz.

1:38:50.000 --> 1:38:51.040
<v Speaker 2>It can be pop music.

1:38:51.760 --> 1:38:55.040
<v Speaker 4>Let me ask you this, right, So in school days?

1:38:55.160 --> 1:38:58.120
<v Speaker 4>Was they represented hip hop? In school days? The Spike

1:38:58.200 --> 1:39:00.840
<v Speaker 4>We movie like the way they that's the way they

1:39:00.960 --> 1:39:03.519
<v Speaker 4>was looking in the movie with the hairstyles they wore.

1:39:03.800 --> 1:39:06.920
<v Speaker 1>Okay, so yes, yes, because they they look like the

1:39:07.000 --> 1:39:08.479
<v Speaker 1>niggas from the ghetto.

1:39:09.200 --> 1:39:11.320
<v Speaker 3>That's what I'm telling you. That's not what's happening with

1:39:11.520 --> 1:39:14.640
<v Speaker 3>this come from the hood. To what's happened with ya.

1:39:16.200 --> 1:39:18.800
<v Speaker 1>That that's not what happened with ya. He is not

1:39:18.960 --> 1:39:23.880
<v Speaker 1>school days on tracks. That's not wise him a staff, right,

1:39:24.000 --> 1:39:26.160
<v Speaker 1>len staff he was, he was doing all that shit

1:39:26.280 --> 1:39:28.519
<v Speaker 1>things that he understood about college, but that's not he

1:39:28.560 --> 1:39:31.719
<v Speaker 1>didn't look like that's not the same. He didn't feel

1:39:31.840 --> 1:39:36.040
<v Speaker 1>that way, like there is a like there is a

1:39:36.080 --> 1:39:40.760
<v Speaker 1>cultural experience at college right that is very much this right,

1:39:42.400 --> 1:39:46.080
<v Speaker 1>but that's not him. That that wasn't him to me,

1:39:48.240 --> 1:39:50.479
<v Speaker 1>Like Yay is a black man, that's the thing. Like

1:39:50.560 --> 1:39:56.960
<v Speaker 1>he's a nigga. He got banked up audacity for sure.

1:39:57.400 --> 1:40:00.800
<v Speaker 1>But I'm saying street urban culture. You know, I think

1:40:00.800 --> 1:40:02.800
<v Speaker 1>he knows what and that's why I won't ever kick

1:40:02.880 --> 1:40:04.559
<v Speaker 1>him out. That's what I'm saying. I'm saying, but he

1:40:04.800 --> 1:40:11.120
<v Speaker 1>is where the very tippy top, the tippy top. If

1:40:11.120 --> 1:40:13.599
<v Speaker 1>you go anywhere past that, that shit ain't hip hop.

1:40:15.400 --> 1:40:19.479
<v Speaker 1>That's once you past that, that's it. You niggas have

1:40:19.520 --> 1:40:21.640
<v Speaker 1>let somebody working in at right air and sh'ld be

1:40:21.720 --> 1:40:23.840
<v Speaker 1>talking about how the customers be customery to make it

1:40:23.920 --> 1:40:24.320
<v Speaker 1>hip hop.

1:40:24.600 --> 1:40:26.439
<v Speaker 2>It could be fly ass rapped. It don't gotta be

1:40:26.560 --> 1:40:26.960
<v Speaker 2>hip hop.

1:40:28.920 --> 1:40:32.120
<v Speaker 4>It could still embody hip hop. Like we said at

1:40:32.160 --> 1:40:35.880
<v Speaker 4>the beginning, when you are the voice of the voiceless,

1:40:36.280 --> 1:40:39.360
<v Speaker 4>you are considered to be representing hip hop.

1:40:39.400 --> 1:40:43.839
<v Speaker 1>So college is not a voiceless place. College is voiceless.

1:40:45.920 --> 1:40:46.599
<v Speaker 1>Yes we do.

1:40:46.880 --> 1:40:49.519
<v Speaker 6>There's been multiple shows and movies about what people going

1:40:49.560 --> 1:40:50.320
<v Speaker 6>through in college.

1:40:52.760 --> 1:40:56.840
<v Speaker 1>I know, I thought shit. College has covered as anything else.

1:40:56.840 --> 1:40:59.479
<v Speaker 1>It's a ton of movies about college. Even the Black

1:40:59.479 --> 1:41:02.840
<v Speaker 1>College has had a TV show for seven years.

1:41:04.960 --> 1:41:08.040
<v Speaker 4>Hill Man is not a real school. Stop saying that. Man,

1:41:08.240 --> 1:41:10.160
<v Speaker 4>you're talking about the show for seven years.

1:41:10.240 --> 1:41:12.360
<v Speaker 1>It's not that I'm saying human is. I'm telling you

1:41:12.400 --> 1:41:17.120
<v Speaker 1>that the college. But it's covered. There's no fake shows

1:41:17.160 --> 1:41:18.160
<v Speaker 1>about the hood.

1:41:20.320 --> 1:41:22.639
<v Speaker 2>Right now. There's not no TV shows about the hood.

1:41:22.800 --> 1:41:23.760
<v Speaker 2>The closest one we.

1:41:23.720 --> 1:41:25.439
<v Speaker 1>Got to was everybody thought it was the greatest one

1:41:25.520 --> 1:41:26.799
<v Speaker 1>is about them niggas in Baltimore.

1:41:27.200 --> 1:41:31.320
<v Speaker 3>They're talking about Baltimore, that them niggas.

1:41:31.360 --> 1:41:35.600
<v Speaker 1>Uh, you know, that was the closest hood show we

1:41:35.680 --> 1:41:40.000
<v Speaker 1>ever had. We don't got no fucking hood TV shows.

1:41:42.920 --> 1:41:44.599
<v Speaker 1>If they make up, if they make a if they

1:41:44.640 --> 1:41:47.600
<v Speaker 1>make a movie about LA culture is from the police's perspective,

1:41:47.960 --> 1:41:52.920
<v Speaker 1>the cops perspective, the fucking father's perspective, the closest we

1:41:52.960 --> 1:41:56.040
<v Speaker 1>got to is minuesus society. So again, it's like, yes,

1:41:57.040 --> 1:42:01.200
<v Speaker 1>I don't think college. I don't think college has anything

1:42:01.200 --> 1:42:03.920
<v Speaker 1>to do with it. I think black hood kids go

1:42:04.000 --> 1:42:04.559
<v Speaker 1>to college.

1:42:04.600 --> 1:42:05.360
<v Speaker 2>They really do.

1:42:06.320 --> 1:42:09.120
<v Speaker 1>I'm saying, but if you start rapping about being that, like, okay,

1:42:09.120 --> 1:42:11.360
<v Speaker 1>if you're a black hood kid rapping about going to college,

1:42:11.360 --> 1:42:11.880
<v Speaker 1>that's dope.

1:42:13.080 --> 1:42:14.160
<v Speaker 3>That's why he did.

1:42:14.680 --> 1:42:15.040
<v Speaker 2>He didn't.

1:42:15.040 --> 1:42:17.360
<v Speaker 1>He's not a black hood kid rapping about going to college.

1:42:17.640 --> 1:42:20.120
<v Speaker 1>He rapped like a middle class nigga going to college

1:42:21.280 --> 1:42:21.639
<v Speaker 1>and you.

1:42:21.680 --> 1:42:26.519
<v Speaker 4>Know it, Chicago, on the South Side whatever it like Philly.

1:42:26.680 --> 1:42:29.080
<v Speaker 1>That's why I won't play with his hood shit. That's

1:42:29.080 --> 1:42:30.960
<v Speaker 1>what I'm saying. I won't say he's not the culture.

1:42:31.200 --> 1:42:33.760
<v Speaker 1>Like same thing with Philly, Chicago, one of them places

1:42:34.120 --> 1:42:36.720
<v Speaker 1>where your ass is gonna be culture. I don't give

1:42:36.760 --> 1:42:38.280
<v Speaker 1>a fuck what you got going on.

1:42:38.400 --> 1:42:41.000
<v Speaker 2>He is culture. It don't matter. His mom can moved

1:42:41.000 --> 1:42:43.240
<v Speaker 2>into a nice neighborhood. I know she did.

1:42:43.680 --> 1:42:46.200
<v Speaker 1>He had been raised by his mom, had a doctorates,

1:42:46.439 --> 1:42:51.200
<v Speaker 1>I know she did. But he wasn't going to avoid

1:42:51.400 --> 1:42:54.320
<v Speaker 1>the culture. He couldn't avoid it.

1:42:55.160 --> 1:42:58.559
<v Speaker 4>You know what, though, he kind of listen were talking

1:42:58.600 --> 1:43:01.840
<v Speaker 4>about college. He was kind of into college stuff too. Yeah,

1:43:02.000 --> 1:43:04.960
<v Speaker 4>I mean it's called college date registration.

1:43:05.560 --> 1:43:07.400
<v Speaker 3>But he's still made into the graduation up.

1:43:07.920 --> 1:43:11.360
<v Speaker 1>But that I think about him succeeding in life, that

1:43:11.400 --> 1:43:12.640
<v Speaker 1>would be my issue.

1:43:15.280 --> 1:43:16.280
<v Speaker 2>It's just not black.

1:43:16.360 --> 1:43:19.280
<v Speaker 1>If I had a critique, it's not black hood going

1:43:19.320 --> 1:43:25.800
<v Speaker 1>to college, it's regular American going to college. But that's

1:43:25.840 --> 1:43:27.719
<v Speaker 1>not true because he's from Chicago. That's what I'm saying.

1:43:27.720 --> 1:43:29.439
<v Speaker 1>If this was true, I would be saying he's not

1:43:29.520 --> 1:43:29.920
<v Speaker 1>hip hop.

1:43:31.439 --> 1:43:32.400
<v Speaker 3>He's definitely hip hop.

1:43:32.439 --> 1:43:35.320
<v Speaker 1>But I'm not saying he's not. That's what I'm saying.

1:43:35.320 --> 1:43:38.519
<v Speaker 1>He's from fucking the South Side of Chicago. Even in

1:43:38.560 --> 1:43:41.080
<v Speaker 1>the suburbist most suburb area of south Side Chicago.

1:43:41.160 --> 1:43:44.240
<v Speaker 2>It's fucking Chicago. It's Chicago.

1:43:45.000 --> 1:43:47.400
<v Speaker 1>Now I'm not saying it's where keeping them from. I'm saying,

1:43:47.400 --> 1:43:50.839
<v Speaker 1>but it's still Chicago. You're gonna run into the culture

1:43:50.880 --> 1:43:53.720
<v Speaker 1>is gonna be right there. So I'm not saying about you.

1:43:53.760 --> 1:43:56.000
<v Speaker 1>I'm saying, but he's the very tippy top of where

1:43:56.080 --> 1:43:56.840
<v Speaker 1>hip hop is at.

1:43:56.840 --> 1:43:59.479
<v Speaker 2>Like, once you passed Kanye, that shit ain't hip hop.

1:44:01.320 --> 1:44:03.200
<v Speaker 3>So so past Kanye is Drake.

1:44:04.600 --> 1:44:08.920
<v Speaker 1>Fuck yeah, because now you get a Jewish man raised

1:44:08.920 --> 1:44:12.080
<v Speaker 1>in a Jewish community using slang words from all over

1:44:12.120 --> 1:44:17.240
<v Speaker 1>the country, just like anything goes.

1:44:18.040 --> 1:44:20.679
<v Speaker 2>So, No, that's not hip hop. I'm not letting that show.

1:44:21.400 --> 1:44:24.559
<v Speaker 4>So Kanye shout owed the line of being hip hop

1:44:24.800 --> 1:44:25.800
<v Speaker 4>and not being hip hop.

1:44:25.920 --> 1:44:26.759
<v Speaker 2>Well, he is the border.

1:44:26.800 --> 1:44:30.240
<v Speaker 1>He's hip hop, but he's the borders, the border, like

1:44:30.320 --> 1:44:31.200
<v Speaker 1>he's San Diego.

1:44:31.760 --> 1:44:34.839
<v Speaker 3>Once you go past him, it's Mexico, Mexico.

1:44:34.960 --> 1:44:37.599
<v Speaker 1>I don't give a fuck how much Mexican people act

1:44:37.640 --> 1:44:43.680
<v Speaker 1>like they're from San Diego. They from Mexico people, They

1:44:43.760 --> 1:44:46.840
<v Speaker 1>not from San Diego. Kanye West is san Diego. Once

1:44:46.880 --> 1:44:48.439
<v Speaker 1>you cross over there, you in another country.

1:44:49.680 --> 1:44:53.000
<v Speaker 3>Okay, that's the bridge, the bridge, he's.

1:44:52.800 --> 1:44:56.960
<v Speaker 1>The bridge right over a little Some of him is

1:44:56.960 --> 1:44:57.639
<v Speaker 1>in Mexico.

1:44:59.040 --> 1:45:01.320
<v Speaker 2>Some of Kanye is like.

1:45:01.400 --> 1:45:05.160
<v Speaker 3>Way over there stronger, No, no.

1:45:05.240 --> 1:45:09.840
<v Speaker 1>Them fire records. I'm not talking about the Nigga records records. Yeah, yeah, yeah,

1:45:09.800 --> 1:45:11.479
<v Speaker 1>I ain't gonna play with the record. I think they

1:45:11.520 --> 1:45:14.600
<v Speaker 1>overrated this hip hop records. But there there hip hop records.

1:45:15.080 --> 1:45:17.519
<v Speaker 3>Those are not non hip hop records. No.

1:45:18.400 --> 1:45:22.720
<v Speaker 2>I mean, actually like that is the last great himself.

1:45:23.120 --> 1:45:25.920
<v Speaker 1>Actually like that as the last great productions in hip

1:45:25.920 --> 1:45:31.400
<v Speaker 1>hop that was that was that, Yeah, But to even

1:45:31.479 --> 1:45:33.360
<v Speaker 1>flip that punk and bring that into hip hop and

1:45:33.360 --> 1:45:36.640
<v Speaker 1>bring people like Daft Punk into the party is fire. Like,

1:45:36.720 --> 1:45:38.640
<v Speaker 1>I'm not playing with you, bro, Don't don't get my

1:45:38.680 --> 1:45:42.439
<v Speaker 1>critique confused with I'm not playing with that that niggas

1:45:42.920 --> 1:45:46.760
<v Speaker 1>stored Neo in the Matrix. He's the one, you know

1:45:46.760 --> 1:45:48.439
<v Speaker 1>what I'm saying. He ain't to be fun, he ain't

1:45:48.439 --> 1:45:49.599
<v Speaker 1>to be played with like that.

1:45:49.680 --> 1:45:50.200
<v Speaker 2>Nigga is.

1:45:50.439 --> 1:45:52.680
<v Speaker 1>Again, my critigue is fine, and I don't care if

1:45:52.720 --> 1:45:55.439
<v Speaker 1>cut and like it. My critigue is fair. But don't

1:45:55.800 --> 1:46:00.640
<v Speaker 1>don't get it fucked up. He's the last great to

1:46:00.760 --> 1:46:05.479
<v Speaker 1>me that really brought other people into hip hop, you

1:46:05.520 --> 1:46:07.920
<v Speaker 1>know what I mean. But that's also why he be

1:46:07.960 --> 1:46:11.880
<v Speaker 1>doing all this crazy shit now that Nigga crazy. Yeah,

1:46:13.120 --> 1:46:15.320
<v Speaker 1>Kanye is not a musician. Shout out to Matrix to

1:46:15.400 --> 1:46:18.120
<v Speaker 1>code it. That's what see. Hip hop is not about

1:46:18.120 --> 1:46:21.920
<v Speaker 1>being a musician. He's not really a music that. Nigga

1:46:21.960 --> 1:46:23.920
<v Speaker 1>can't play the fucking piano. He barely could play the piano.

1:46:24.000 --> 1:46:27.440
<v Speaker 1>He's not no musician that Nigga is. He's a culturist.

1:46:27.479 --> 1:46:31.720
<v Speaker 1>He understands culture way better than most people like that

1:46:31.880 --> 1:46:35.559
<v Speaker 1>dude studies this shit, like for real, he knew to

1:46:35.680 --> 1:46:36.920
<v Speaker 1>use that Shakakhan sample.

1:46:36.960 --> 1:46:38.200
<v Speaker 2>He know what to use.

1:46:38.360 --> 1:46:40.479
<v Speaker 1>He know how to make that shit work. He is

1:46:40.520 --> 1:46:44.799
<v Speaker 1>a monster. That nigga is a real scientist from Chicago.

1:46:44.880 --> 1:46:45.960
<v Speaker 1>He not to be played with.

1:46:46.760 --> 1:46:47.360
<v Speaker 2>You know what I'm saying.

1:46:47.479 --> 1:46:51.000
<v Speaker 1>That dude ain't to fucking be played with. He's like

1:46:51.120 --> 1:46:51.759
<v Speaker 1>he's old.

1:46:52.320 --> 1:46:54.960
<v Speaker 4>He's a visionary, you know what I'm sayings, he brings

1:46:55.000 --> 1:46:56.559
<v Speaker 4>his visions that had life.

1:46:57.120 --> 1:46:57.880
<v Speaker 2>He a monster.

1:46:58.040 --> 1:47:00.519
<v Speaker 1>I'm just saying. He is the border of hip hop.

1:47:01.240 --> 1:47:03.479
<v Speaker 1>And then he'll do a lot of uni hip hop shit.

1:47:05.680 --> 1:47:07.719
<v Speaker 1>That is true, shout out to EP. He did study

1:47:07.760 --> 1:47:10.559
<v Speaker 1>is that is true. He studied the culture. But he

1:47:10.760 --> 1:47:13.519
<v Speaker 1>is a part of it, even if it's loose. But again,

1:47:13.640 --> 1:47:17.080
<v Speaker 1>it's like, that's what I'm saying. He is the tippy

1:47:17.160 --> 1:47:21.599
<v Speaker 1>top and ever since he happened, slowly they've been. They

1:47:21.640 --> 1:47:24.000
<v Speaker 1>brought a Jewish guy in that uses the N word,

1:47:24.080 --> 1:47:26.320
<v Speaker 1>that never used the N word in his regular life,

1:47:27.200 --> 1:47:29.679
<v Speaker 1>that never uses the N word in his regular life.

1:47:29.800 --> 1:47:30.880
<v Speaker 2>He don't even hunt.

1:47:30.880 --> 1:47:33.920
<v Speaker 1>He didn't hang with niggas to call somebody a nigga,

1:47:35.360 --> 1:47:38.160
<v Speaker 1>that thing about Drake. He didn't hang with niggas to

1:47:38.160 --> 1:47:39.719
<v Speaker 1>cast my niggas. So when he get on the record,

1:47:39.720 --> 1:47:41.479
<v Speaker 1>he start using the N word. It just looked weird,

1:47:42.240 --> 1:47:44.040
<v Speaker 1>you know what I'm saying. That's I get I get it.

1:47:44.080 --> 1:47:46.120
<v Speaker 1>I remember telling Doctum. I'm like it just he says it,

1:47:46.120 --> 1:47:50.040
<v Speaker 1>it's weird, like you know what I mean. So it's like, yeah, I.

1:47:49.960 --> 1:47:53.000
<v Speaker 4>Remember when my man first sorry about Drake. He was

1:47:53.080 --> 1:47:56.880
<v Speaker 4>around way and all that shit. He said, Joe the

1:47:55.560 --> 1:48:00.719
<v Speaker 4>kid getting the boof and just and it's a whole

1:48:00.720 --> 1:48:01.320
<v Speaker 4>other person.

1:48:01.760 --> 1:48:04.639
<v Speaker 1>When they introduced him, they was like, yeah, we got

1:48:04.640 --> 1:48:07.080
<v Speaker 1>this kid from Nickelodeon. So shout out to everybody still

1:48:07.080 --> 1:48:08.960
<v Speaker 1>at the lunch table, no selings, the lunch hour.

1:48:09.040 --> 1:48:11.759
<v Speaker 2>We cook it. Yeah, our we really cook it today.

1:48:12.280 --> 1:48:13.360
<v Speaker 2>Yeah crazy.

1:48:13.400 --> 1:48:16.519
<v Speaker 1>We had an hour and fifty minutes, no seilings, lunch

1:48:16.560 --> 1:48:19.880
<v Speaker 1>hour every Monday, Wednesday Friday at noon Pacific Standard time.

1:48:19.920 --> 1:48:22.479
<v Speaker 1>Shout out to everybody that's still here. Celebrate my birthday

1:48:22.479 --> 1:48:24.559
<v Speaker 1>with me. Shut out to everybody who bought us lunch.

1:48:24.840 --> 1:48:28.879
<v Speaker 1>Player of waves Monday, Wednesday and Friday at noon Specific

1:48:28.960 --> 1:48:32.519
<v Speaker 1>Standard time on digital soul By clicked that thumbs up button.

1:48:33.240 --> 1:48:34.280
<v Speaker 2>Everybody know you're around here.

1:48:34.320 --> 1:48:36.519
<v Speaker 1>Tell a friend and tell a friend cuz go into

1:48:36.600 --> 1:48:41.760
<v Speaker 1>the description subscribe to No Sellings Podcast, iHeart Podcast, Apple Podcasts,

1:48:42.080 --> 1:48:46.519
<v Speaker 1>anywhere else you get your podcasts. No Sellings Podcast executive

1:48:46.520 --> 1:48:49.840
<v Speaker 1>produced by Charlomagne to God, the Black Effect Network and

1:48:49.960 --> 1:48:55.600
<v Speaker 1>iHeart dropped a really dope episode yesterday called Conversations on

1:48:56.000 --> 1:48:58.840
<v Speaker 1>Conversation about What's Gangster and it talks about game banging.

1:48:59.760 --> 1:49:02.559
<v Speaker 1>So when they first told us that they were signing him,

1:49:02.560 --> 1:49:05.040
<v Speaker 1>they was like, we're signing this pop kid from Nickelodeon,

1:49:06.240 --> 1:49:08.640
<v Speaker 1>Like he's a pop artist. And he walks in and

1:49:08.680 --> 1:49:11.720
<v Speaker 1>this dude is light as the sky. He's light as

1:49:11.720 --> 1:49:13.920
<v Speaker 1>the sky. And I'm like, damn. And he's talking and

1:49:13.960 --> 1:49:18.040
<v Speaker 1>I'm like, Eh, how is this gonna work? And they

1:49:18.080 --> 1:49:20.960
<v Speaker 1>started playing that fucking music and I was like, whoa shit,

1:49:21.120 --> 1:49:27.120
<v Speaker 1>This mother fucking animal. Jesus crisis. Motherfucker is an animal,

1:49:27.600 --> 1:49:28.800
<v Speaker 1>you know what I mean. As soon as you hear

1:49:29.000 --> 1:49:32.040
<v Speaker 1>Drake's music, You're like, this motherfucker is an animal. You

1:49:32.080 --> 1:49:35.200
<v Speaker 1>could hear it. You're like, oh shit, Like I just

1:49:35.280 --> 1:49:36.479
<v Speaker 1>knew instantly at that time.

1:49:36.560 --> 1:49:37.120
<v Speaker 2>He was like.

1:49:38.880 --> 1:49:42.000
<v Speaker 1>He was good, bro, we could have we could a

1:49:42.120 --> 1:49:44.760
<v Speaker 1>coatigue about his topics. You know what I mean, did

1:49:44.880 --> 1:49:47.559
<v Speaker 1>cry about girls a little much for hip hop's liking,

1:49:47.720 --> 1:49:48.679
<v Speaker 1>you know, raps liking.

1:49:48.960 --> 1:49:49.759
<v Speaker 3>Whatever he happened.

1:49:50.479 --> 1:49:54.439
<v Speaker 1>Yeah, he was amazing, bro, he was fucking amazing. He

1:49:54.560 --> 1:50:00.519
<v Speaker 1>was fucking amazing. So I noticed when he he just

1:50:00.560 --> 1:50:04.200
<v Speaker 1>talked straight up and down like he sound like an attorney,

1:50:04.880 --> 1:50:06.840
<v Speaker 1>you know what I'm saying, like a real attorney. Cut

1:50:06.880 --> 1:50:10.559
<v Speaker 1>Like he talked straight up and down, and that threw

1:50:10.640 --> 1:50:12.640
<v Speaker 1>me off because I was like, damn, I would hear

1:50:12.680 --> 1:50:15.960
<v Speaker 1>him talk. He never used the N word. I'm like, huh,

1:50:16.240 --> 1:50:18.280
<v Speaker 1>but I didn't trip. I'm like, whatever, cut this nigga

1:50:18.400 --> 1:50:20.479
<v Speaker 1>music is dope. So you know, I watched him blow

1:50:20.560 --> 1:50:22.559
<v Speaker 1>up up close, Like I saw that nigga blew up

1:50:23.040 --> 1:50:23.880
<v Speaker 1>and he was dope.

1:50:23.920 --> 1:50:25.800
<v Speaker 2>So it made since I was like, man, that nigga sharp,

1:50:25.880 --> 1:50:26.040
<v Speaker 2>you know.

1:50:26.040 --> 1:50:28.040
<v Speaker 1>What I mean, shout out to forty all the dudes

1:50:28.080 --> 1:50:29.559
<v Speaker 1>behind the music, because that he was amazing.

1:50:29.560 --> 1:50:32.320
<v Speaker 2>I was like, Damn, this nigga tough, you know what

1:50:32.360 --> 1:50:34.679
<v Speaker 2>I'm saying. But I knew it was different.

1:50:36.080 --> 1:50:39.160
<v Speaker 1>So as he slowly started to integrate himself into street

1:50:39.240 --> 1:50:41.320
<v Speaker 1>urban culture, talking like us.

1:50:42.479 --> 1:50:45.720
<v Speaker 2>That's when I was like him it was nigga. And

1:50:45.760 --> 1:50:48.639
<v Speaker 2>then it was like him. It's different.

1:50:50.080 --> 1:50:51.960
<v Speaker 1>So you know, I didn't really chip off of it

1:50:52.080 --> 1:50:54.320
<v Speaker 1>till I took time to learn what hip hop is.

1:50:56.200 --> 1:50:58.519
<v Speaker 2>Shout out to two K Grind. Oh nah, you don't

1:50:58.520 --> 1:50:59.280
<v Speaker 2>got to defend this.

1:50:59.320 --> 1:51:01.160
<v Speaker 1>It's no, I'm not a attacking What up, niece, I

1:51:01.160 --> 1:51:03.400
<v Speaker 1>see you saying uncle skin tone issues in.

1:51:03.320 --> 1:51:05.840
<v Speaker 3>The black community.

1:51:05.240 --> 1:51:10.639
<v Speaker 1>That's intellectually lazy. Two K, don't be too just because

1:51:10.680 --> 1:51:13.680
<v Speaker 1>I mentioned I'm not saying he was bright like his

1:51:13.800 --> 1:51:16.000
<v Speaker 1>skin tone. I mean the way he walked in the studio,

1:51:16.040 --> 1:51:18.880
<v Speaker 1>he didn't have the ominous feel of somebody that came

1:51:18.920 --> 1:51:20.679
<v Speaker 1>from the corner, not light his skin.

1:51:21.160 --> 1:51:21.920
<v Speaker 2>That's just lazy.

1:51:21.960 --> 1:51:22.120
<v Speaker 4>Bro.

1:51:23.400 --> 1:51:24.280
<v Speaker 3>Go back to two K.

1:51:24.720 --> 1:51:27.120
<v Speaker 1>Shout after two K Grind or nine Canada not Compton,

1:51:27.200 --> 1:51:31.479
<v Speaker 1>but there is places in Toronto that very much are

1:51:32.080 --> 1:51:32.639
<v Speaker 1>like Compton.

1:51:33.320 --> 1:51:35.320
<v Speaker 2>They will murder you out that motherfucker.

1:51:36.439 --> 1:51:36.919
<v Speaker 3>Yeah.

1:51:37.040 --> 1:51:42.639
<v Speaker 1>So again, it's one of those things to where it's

1:51:42.760 --> 1:51:50.720
<v Speaker 1>just different. But I watched it and that was the thing.

1:51:50.800 --> 1:51:56.639
<v Speaker 1>So I think I think Kanye is the border. Patrol

1:51:56.800 --> 1:51:57.400
<v Speaker 1>is the border.

1:51:59.120 --> 1:52:01.120
<v Speaker 2>I think that's as far as he can go.

1:52:05.400 --> 1:52:08.479
<v Speaker 3>So so with then he said.

1:52:11.479 --> 1:52:13.519
<v Speaker 2>Talk let me no.

1:52:13.800 --> 1:52:17.400
<v Speaker 4>So I think I think at times, though I hate

1:52:17.840 --> 1:52:21.320
<v Speaker 4>I hate that right there. When people think that when

1:52:21.320 --> 1:52:23.120
<v Speaker 4>we say he not hip hop has something to do

1:52:23.200 --> 1:52:26.760
<v Speaker 4>with him being from Canada or his skin, I'm saying

1:52:26.840 --> 1:52:29.639
<v Speaker 4>him being a by racial, by racial kid. No, that

1:52:29.640 --> 1:52:31.479
<v Speaker 4>that has nothing to do with it not hip hop.

1:52:31.479 --> 1:52:33.320
<v Speaker 4>I'll tell him, but that ship all the time. I say, Yo,

1:52:34.200 --> 1:52:37.280
<v Speaker 4>the reason why he not hip hop is because you

1:52:37.280 --> 1:52:39.160
<v Speaker 4>could just you could just tell, you can tell that

1:52:39.439 --> 1:52:42.080
<v Speaker 4>he don't come from the cloth of what what what

1:52:42.200 --> 1:52:43.439
<v Speaker 4>it is to come from hip hop?

1:52:43.520 --> 1:52:44.160
<v Speaker 3>You know what I'm saying.

1:52:44.880 --> 1:52:48.280
<v Speaker 4>You know, he wasn't he learned hip hop, He wasn't

1:52:48.360 --> 1:52:50.720
<v Speaker 4>raised hip hop, you know what I'm saying. And I

1:52:50.760 --> 1:52:53.000
<v Speaker 4>think people get lazy when they start thinking that we

1:52:53.000 --> 1:52:57.120
<v Speaker 4>were saying that because because of his background, or or

1:52:57.360 --> 1:53:01.040
<v Speaker 4>well it is Christmas background, or because of his it's

1:53:01.120 --> 1:53:03.839
<v Speaker 4>rat you know what I'm saying, it's biracial being from Canada,

1:53:04.360 --> 1:53:06.080
<v Speaker 4>or so on and so forth. And I'm saying, there's

1:53:06.080 --> 1:53:08.080
<v Speaker 4>many people that's bi racial, as many people as white

1:53:08.080 --> 1:53:11.000
<v Speaker 4>as hip hop. There's many people that's that's from Canada

1:53:11.080 --> 1:53:12.920
<v Speaker 4>that's hip hop. You know what I'm saying. You could

1:53:12.960 --> 1:53:15.120
<v Speaker 4>just tell that it ain't it ain't authentic with him

1:53:15.160 --> 1:53:17.599
<v Speaker 4>like that though, but he make great music. Though not

1:53:17.640 --> 1:53:19.920
<v Speaker 4>gonna never say that stuff make great music.

1:53:22.520 --> 1:53:26.519
<v Speaker 1>That motherfucker is amazing, man, that motherfucker made shout a

1:53:26.560 --> 1:53:28.360
<v Speaker 1>fellow sat Shout out to two gray or nine minute

1:53:28.400 --> 1:53:32.560
<v Speaker 1>sage up in this motherfucker shut up in this motherfucker

1:53:32.600 --> 1:53:39.000
<v Speaker 1>forty three on November thirty. Yeah, that part fucking go. No, No,

1:53:39.240 --> 1:53:42.160
<v Speaker 1>it's just lazy. It's just intellectually lazy and disingenuous. It

1:53:42.160 --> 1:53:44.479
<v Speaker 1>don't got nothing to do with race. This is more

1:53:44.479 --> 1:53:49.080
<v Speaker 1>of a cultural conversation ethnicity that matters, right, Like like

1:53:49.160 --> 1:53:52.639
<v Speaker 1>if you don't have a street urban cultural ethnicity, then

1:53:52.960 --> 1:53:56.160
<v Speaker 1>if again, you don't have to be a thug. But

1:53:57.000 --> 1:53:59.080
<v Speaker 1>ll Coolja is not a thug. But listen to the

1:53:59.080 --> 1:54:03.639
<v Speaker 1>way he talks. He talks like everybody else talks. So's

1:54:03.720 --> 1:54:08.200
<v Speaker 1>it's not.

1:54:08.600 --> 1:54:10.400
<v Speaker 3>Back in the day that was kind of crazy.

1:54:10.680 --> 1:54:12.880
<v Speaker 2>That's just lazy, bro, that's just lazy.

1:54:14.560 --> 1:54:18.800
<v Speaker 1>So again now it's Kanye is the border, and I

1:54:18.840 --> 1:54:22.720
<v Speaker 1>think that's fair. Shout out to Sean Akerman who makes

1:54:22.720 --> 1:54:24.559
<v Speaker 1>a great point. And I keep saying this the root

1:54:24.600 --> 1:54:27.120
<v Speaker 1>of coach, it's in the rap. The root of culture

1:54:27.200 --> 1:54:29.320
<v Speaker 1>is not just skin. The root of culture is the

1:54:29.400 --> 1:54:32.120
<v Speaker 1>land that way of life yard of find like. It's

1:54:32.200 --> 1:54:35.000
<v Speaker 1>not like it's all kinds of people that live in

1:54:35.120 --> 1:54:42.839
<v Speaker 1>that cultural realm uh oh. So after being Frank Easy

1:54:43.000 --> 1:54:47.600
<v Speaker 1>is from Oakland, not Chicago, So I never heard that Frank.

1:54:48.240 --> 1:54:50.160
<v Speaker 2>I'm not fit to get into that, Frank.

1:54:49.960 --> 1:54:51.560
<v Speaker 3>Because I know more.

1:54:54.160 --> 1:54:55.080
<v Speaker 2>Not do that.

1:54:55.600 --> 1:55:00.120
<v Speaker 1>I purposely never went down that road with Yay. I'm

1:55:00.160 --> 1:55:01.320
<v Speaker 1>not going down that road.

1:55:01.720 --> 1:55:03.920
<v Speaker 3>So why did even represent the south side forever?

1:55:04.040 --> 1:55:06.480
<v Speaker 1>I'm not going down that road. We're not gonna go

1:55:06.520 --> 1:55:07.200
<v Speaker 1>down that road.

1:55:07.840 --> 1:55:08.000
<v Speaker 3>No.

1:55:08.040 --> 1:55:10.000
<v Speaker 1>Two k grind on nine. It's not coming off as

1:55:10.080 --> 1:55:12.000
<v Speaker 1>black people can't even be racist.

1:55:11.720 --> 1:55:13.160
<v Speaker 3>Man, that's a problem.

1:55:13.640 --> 1:55:17.160
<v Speaker 1>What bro like? Of course I'm not racist? What are

1:55:17.200 --> 1:55:17.760
<v Speaker 1>you thinking?

1:55:17.880 --> 1:55:20.919
<v Speaker 2>Bro Like? What are you thinking? Of course? Is not racist?

1:55:21.320 --> 1:55:22.960
<v Speaker 3>Just a hip hop style, honey.

1:55:23.480 --> 1:55:28.480
<v Speaker 1>Yay, probably act like a nigga from Oaklawn because it

1:55:28.560 --> 1:55:31.920
<v Speaker 1>do be different. Again, when you start really going into

1:55:31.920 --> 1:55:33.720
<v Speaker 1>this shit, you'll be like, oh that makes sense.

1:55:35.160 --> 1:55:35.320
<v Speaker 3>Man.

1:55:35.360 --> 1:55:37.000
<v Speaker 1>A nigga would have had one hundred jokes for a

1:55:37.040 --> 1:55:38.680
<v Speaker 1>nigga that had Marilyn Monroe up on that What that

1:55:38.760 --> 1:55:40.960
<v Speaker 1>nigga would i'ld have snatched that ship down off my homeboy,

1:55:41.000 --> 1:55:42.640
<v Speaker 1>wal If you don't take this old punk ass shit

1:55:42.680 --> 1:55:43.080
<v Speaker 1>out of here.

1:55:43.320 --> 1:55:44.920
<v Speaker 3>Oh on he had marily War.

1:55:45.520 --> 1:55:49.600
<v Speaker 1>Yeah, yes, he talked about how he looked up to

1:55:49.680 --> 1:55:51.520
<v Speaker 1>Maryland Road. That's why he like Kim. He thought that

1:55:51.600 --> 1:55:54.080
<v Speaker 1>was his own mariln Morom like, how you idolize a whore?

1:55:54.160 --> 1:55:54.320
<v Speaker 3>Bro?

1:55:56.480 --> 1:55:59.160
<v Speaker 1>The two K grind on nine, Yes, they can two

1:55:59.240 --> 1:56:02.920
<v Speaker 1>K grind on nine. Black people cannot be racist, bro, Like, See,

1:56:02.920 --> 1:56:04.640
<v Speaker 1>this is what makes me think you're not a brother.

1:56:05.040 --> 1:56:08.600
<v Speaker 1>Black folks make racist jokes all day, Bro, That's not

1:56:08.720 --> 1:56:10.960
<v Speaker 1>what being racist is. See, this is what I'm saying.

1:56:11.040 --> 1:56:12.440
<v Speaker 1>This is what makes me think. And then when you

1:56:12.440 --> 1:56:15.160
<v Speaker 1>don't have your picture, it makes me think that you're

1:56:15.200 --> 1:56:18.560
<v Speaker 1>a white man posing as a brother, because that's not

1:56:18.600 --> 1:56:22.040
<v Speaker 1>what racism is. Racism is not about making a joke

1:56:22.200 --> 1:56:24.000
<v Speaker 1>about cultures or ethnicity.

1:56:24.160 --> 1:56:25.680
<v Speaker 2>That's not what we're talking about.

1:56:26.040 --> 1:56:26.840
<v Speaker 3>He's a white man.

1:56:27.640 --> 1:56:29.160
<v Speaker 2>Yeah, you gotta be bro, Like.

1:56:29.800 --> 1:56:32.080
<v Speaker 3>Just put your picture off, Tom? What you do?

1:56:32.800 --> 1:56:32.960
<v Speaker 4>Bro?

1:56:33.040 --> 1:56:33.920
<v Speaker 1>What the fuck man?

1:56:34.320 --> 1:56:35.920
<v Speaker 2>This nigga said a joke is racism.

1:56:36.000 --> 1:56:39.160
<v Speaker 1>I'm like, nigga, racism is when you bro, what the

1:56:39.160 --> 1:56:39.600
<v Speaker 1>fuck man?

1:56:39.680 --> 1:56:41.200
<v Speaker 2>See, this is what I'll be saying. This is you

1:56:41.360 --> 1:56:42.600
<v Speaker 2>ruin it for me right now?

1:56:43.360 --> 1:56:50.280
<v Speaker 3>Looking over time and you.

1:56:47.280 --> 1:56:50.640
<v Speaker 1>You just what, bro, Just keep it a being cause

1:56:50.760 --> 1:56:54.120
<v Speaker 1>damn racist jokes. Niggas commit slavery, and you talk about

1:56:54.120 --> 1:56:54.920
<v Speaker 1>somebody made a joke.

1:56:55.520 --> 1:57:04.840
<v Speaker 5>It's not what racist. Fuck simple, I'm glad you at

1:57:04.840 --> 1:57:07.720
<v Speaker 5>the lunch table. Shout out at the lunch table. But

1:57:07.840 --> 1:57:12.400
<v Speaker 5>Jesus christ Man, give me a break, brou why do

1:57:12.480 --> 1:57:15.040
<v Speaker 5>I have to peel back this much layers of racism.

1:57:15.320 --> 1:57:18.000
<v Speaker 5>I'm not doing that on this podcast. I'm not going

1:57:18.040 --> 1:57:21.200
<v Speaker 5>into what racism is. If you don't know what racism is,

1:57:21.400 --> 1:57:24.400
<v Speaker 5>do not sit your ass at the fucking lunch table.

1:57:25.240 --> 1:57:31.720
<v Speaker 5>Don't sit your ass down. REVERSI he definitely not black.

1:57:31.760 --> 1:57:38.080
<v Speaker 5>Stop responding. So Yeah, anyway, I think yay is the

1:57:38.080 --> 1:57:42.960
<v Speaker 5>top exactly. Shout out to Mike l Man. I'm glad

1:57:43.000 --> 1:57:46.080
<v Speaker 5>you came to the lunch table. We all got that one.

1:57:45.920 --> 1:57:47.920
<v Speaker 1>Cousin who grew up in the suburbs, and even though

1:57:47.920 --> 1:57:50.240
<v Speaker 1>we picked on them, they still have ties in our culture.

1:57:50.400 --> 1:57:50.800
<v Speaker 2>Exactly.

1:57:50.880 --> 1:57:57.040
<v Speaker 1>That's Kanye to me, right, Like he's that cousin that

1:57:57.120 --> 1:57:59.480
<v Speaker 1>niggas would be joking with. But you know, you love

1:57:59.560 --> 1:58:02.680
<v Speaker 1>him still. He still got the coating, you know, he

1:58:02.760 --> 1:58:05.520
<v Speaker 1>still got the culture. But he just still different. That

1:58:05.840 --> 1:58:08.120
<v Speaker 1>is the the top level, you.

1:58:08.120 --> 1:58:08.560
<v Speaker 2>Know what I mean?

1:58:08.720 --> 1:58:11.720
<v Speaker 1>Like, if jay Z was walking around with a white

1:58:11.800 --> 1:58:14.160
<v Speaker 1>lady tapped around her titties, man, we'd be so disappointed.

1:58:14.200 --> 1:58:15.480
<v Speaker 2>I'll jump off a bridge.

1:58:16.320 --> 1:58:18.040
<v Speaker 1>Jay Z got rid of Beyonce and got a white

1:58:18.080 --> 1:58:20.200
<v Speaker 1>lady and she had tape around her titties, tape around

1:58:20.200 --> 1:58:21.400
<v Speaker 1>her waist and her vagina and.

1:58:21.400 --> 1:58:22.440
<v Speaker 2>Ship that was her outfit.

1:58:22.560 --> 1:58:24.960
<v Speaker 1>I'll be like, that's fucking j that's hot.

1:58:25.040 --> 1:58:27.320
<v Speaker 4>Jay None did it now, you know made it to

1:58:27.480 --> 1:58:31.000
<v Speaker 4>mean Jay did that. I'll be so just to put

1:58:31.280 --> 1:58:33.840
<v Speaker 4>tape around the titty, tape around the ass and all that.

1:58:34.560 --> 1:58:35.400
<v Speaker 3>They gotta check.

1:58:35.680 --> 1:58:38.920
<v Speaker 2>Put that what I'm saying, so mad and disappointed.

1:58:38.920 --> 1:58:43.839
<v Speaker 1>If it was a white lady they had on, that's fire.

1:58:45.680 --> 1:58:50.120
<v Speaker 3>That's fire. That's the next thing.

1:58:51.200 --> 1:58:54.360
<v Speaker 1>The hours from the South Shote of Chicago, hell yeah,

1:58:54.840 --> 1:58:57.000
<v Speaker 1>hell yeah, it'd be different if the hours from the

1:58:57.000 --> 1:58:59.960
<v Speaker 1>South Shot Hell yeah. If he was from the ghetto

1:59:00.080 --> 1:59:04.560
<v Speaker 1>in Toronto, it'll be different. I'll be like, yeah, Toronto niggas,

1:59:05.040 --> 1:59:07.640
<v Speaker 1>Trust me, I met some Toronto niggas. Them niggas will

1:59:07.680 --> 1:59:10.280
<v Speaker 1>bust your shit. They really be the culture they got

1:59:10.280 --> 1:59:14.240
<v Speaker 1>they hit going. If that's all it is, it's all

1:59:14.360 --> 1:59:17.320
<v Speaker 1>just geographic and then relations to street urban culture.

1:59:17.400 --> 1:59:18.640
<v Speaker 2>That's all that really come down to.

1:59:18.840 --> 1:59:21.400
<v Speaker 1>Like, yeah, you don't have to geographically be in the

1:59:21.440 --> 1:59:24.320
<v Speaker 1>area that street urban culture grows, but if you tied

1:59:24.360 --> 1:59:25.960
<v Speaker 1>into it, if you go to school near it, if

1:59:26.000 --> 1:59:27.120
<v Speaker 1>you you know what I mean.

1:59:27.040 --> 1:59:27.760
<v Speaker 2>Things like that.

1:59:31.120 --> 1:59:35.480
<v Speaker 1>Yeah, we could just tell Okay, this nigga, the homie,

1:59:35.520 --> 1:59:38.080
<v Speaker 1>don dumb want to advocate for satan. The logic year

1:59:38.160 --> 1:59:40.480
<v Speaker 1>street niggas can't become smart, but the smart nigga could

1:59:40.520 --> 1:59:41.360
<v Speaker 1>never become street.

1:59:41.760 --> 1:59:42.120
<v Speaker 2>He can.

1:59:42.480 --> 1:59:46.440
<v Speaker 1>You can throw his life away.

1:59:46.800 --> 1:59:47.400
<v Speaker 2>I've seen it.

1:59:48.240 --> 1:59:53.080
<v Speaker 1>I've seen a lot of smart niggas become street and

1:59:53.120 --> 1:59:54.440
<v Speaker 1>they find theyself in prison.

1:59:55.800 --> 1:59:56.600
<v Speaker 2>Yeah you can do it.

1:59:57.840 --> 2:00:00.480
<v Speaker 1>Yeah, yeah, it was a line that as you said

2:00:00.480 --> 2:00:00.960
<v Speaker 1>that was funny.

2:00:01.000 --> 2:00:01.200
<v Speaker 3>Said.

2:00:01.200 --> 2:00:03.480
<v Speaker 1>I wasn't gangst at first, but I am now, Like, no,

2:00:03.600 --> 2:00:06.480
<v Speaker 1>my boy, paying for people to be hurt is not gangster.

2:00:06.960 --> 2:00:09.880
<v Speaker 1>That's actually just business, and it could be bad business

2:00:09.920 --> 2:00:11.080
<v Speaker 1>if your stupid ass get caught.

2:00:11.080 --> 2:00:12.480
<v Speaker 2>Don't be doing nothing, stupid boy.

2:00:12.800 --> 2:00:15.560
<v Speaker 1>I do not want to have to be feeling bad

2:00:15.560 --> 2:00:17.720
<v Speaker 1>because your stupid ass locked up trying to play tough.

2:00:17.760 --> 2:00:20.280
<v Speaker 1>This is a big responsibility to beat this shit. It's

2:00:20.320 --> 2:00:24.200
<v Speaker 1>not normal. They have normal. Take a long time to

2:00:24.240 --> 2:00:26.000
<v Speaker 1>understand you can go to prison for life and to

2:00:26.040 --> 2:00:26.840
<v Speaker 1>be okay with it.

2:00:27.480 --> 2:00:27.840
<v Speaker 2>You don't.

2:00:27.880 --> 2:00:29.520
<v Speaker 1>You don't get to the heights that you got where

2:00:29.560 --> 2:00:32.120
<v Speaker 1>you got, you know, hundreds of millions dollars and even

2:00:32.120 --> 2:00:34.720
<v Speaker 1>made hundreds of millions of dollars. And you just start

2:00:34.760 --> 2:00:36.920
<v Speaker 1>getting people hurt. They will put you in jail. Boy,

2:00:37.680 --> 2:00:40.120
<v Speaker 1>your ass will kill yourself. You see what that rich man?

2:00:40.440 --> 2:00:45.240
<v Speaker 1>What's the man that was touching the little girls Epstein?

2:00:45.240 --> 2:00:47.000
<v Speaker 1>You see that nigga killed yourself. People talk about they

2:00:47.040 --> 2:00:50.000
<v Speaker 1>kill him. No white then people that people can't deal

2:00:50.000 --> 2:00:52.879
<v Speaker 1>with jail. Jail is different. You gotta have a ain't.

2:00:52.640 --> 2:00:55.920
<v Speaker 6>Nobody white out, bro.

2:00:56.120 --> 2:00:57.640
<v Speaker 2>That is not for everybody.

2:00:58.280 --> 2:00:59.800
<v Speaker 3>They killed him. I don't get you.

2:01:00.000 --> 2:01:01.920
<v Speaker 1>I ain't kill that nigga hung itself because he knew

2:01:01.960 --> 2:01:03.920
<v Speaker 1>them people was gonna He knew he couldn't take a

2:01:04.000 --> 2:01:04.640
<v Speaker 1>day in jail.

2:01:05.400 --> 2:01:06.360
<v Speaker 3>They killed that man.

2:01:06.480 --> 2:01:11.240
<v Speaker 1>Man think that man killed hisself because he couldn't do

2:01:11.280 --> 2:01:12.000
<v Speaker 1>no day in jail.

2:01:12.640 --> 2:01:14.320
<v Speaker 3>No, they killed that man.

2:01:14.840 --> 2:01:17.480
<v Speaker 4>You gotta hear about the people they had on the

2:01:17.600 --> 2:01:20.320
<v Speaker 4>on the scene, working the scene. It's some crazy ship

2:01:20.320 --> 2:01:21.800
<v Speaker 4>that went on within that ship. But I don't want

2:01:21.800 --> 2:01:23.720
<v Speaker 4>to talk about that ship. Listen though, what you think

2:01:23.760 --> 2:01:27.240
<v Speaker 4>about Drake partner up with the NFL? What what type

2:01:27.240 --> 2:01:28.560
<v Speaker 4>of game of the NFL playing right now?

2:01:29.600 --> 2:01:32.160
<v Speaker 1>It's your business. I guess if I'm in the NFL,

2:01:32.200 --> 2:01:35.680
<v Speaker 1>I'm partnering with Drake too. Ship good business. We need

2:01:35.720 --> 2:01:37.360
<v Speaker 1>to get over there in Toronto. We need to get

2:01:37.400 --> 2:01:38.240
<v Speaker 1>over there in Canada.

2:01:38.640 --> 2:01:41.880
<v Speaker 2>That's all. Plug Come on, Drizzy, come on over here.

2:01:41.920 --> 2:01:42.160
<v Speaker 3>Boy.

2:01:44.400 --> 2:01:46.640
<v Speaker 1>If he was Jewish and Somley, things would be different.

2:01:46.960 --> 2:01:48.320
<v Speaker 1>It'd be a fucking pirate.

2:01:50.840 --> 2:01:54.879
<v Speaker 3>I am your captain. I am your cap.

2:01:56.360 --> 2:01:59.440
<v Speaker 1>See that. That's not a racist joke. That's a cultural joke.

2:02:01.120 --> 2:02:05.879
<v Speaker 3>Mm hmm. Yeah. Yeah, that's how its people's look.

2:02:06.840 --> 2:02:10.680
<v Speaker 1>Yeah, are you talking about cut that be talking crazy?

2:02:11.040 --> 2:02:11.520
<v Speaker 3>He do it?

2:02:11.720 --> 2:02:12.760
<v Speaker 2>He ship?

2:02:12.960 --> 2:02:15.560
<v Speaker 3>That's how something. Top five look like that look.

2:02:15.520 --> 2:02:20.040
<v Speaker 1>Like Cuz looked like he would take over a ship.

2:02:21.440 --> 2:02:24.600
<v Speaker 3>The ship he like. He liked that.

2:02:24.680 --> 2:02:26.880
<v Speaker 1>I'm like probably so he looked like he would take

2:02:26.920 --> 2:02:30.120
<v Speaker 1>over a ship. Top five look like he'll make a

2:02:30.200 --> 2:02:34.200
<v Speaker 1>nigga walk the plank. Cuz I ain't playing with Top five.

2:02:35.440 --> 2:02:37.600
<v Speaker 1>Top father like he'll make a nigga walk the plank

2:02:37.640 --> 2:02:38.280
<v Speaker 1>because I'm not.

2:02:38.240 --> 2:02:41.080
<v Speaker 3>Playing in the face and snicking ship.

2:02:43.240 --> 2:02:45.480
<v Speaker 1>Funk around, get on the cruise, cuse pop out and

2:02:45.480 --> 2:02:50.040
<v Speaker 1>make you walk the planks.

2:02:52.880 --> 2:02:53.600
<v Speaker 3>He was talking to.

2:02:53.680 --> 2:02:55.040
<v Speaker 2>He was talking to little Jacob.

2:02:55.880 --> 2:03:08.520
<v Speaker 3>Look, I see that sticking. Shut the fuck up.

2:03:09.000 --> 2:03:10.560
<v Speaker 2>We already out of legal money.

2:03:10.720 --> 2:03:13.040
<v Speaker 3>Million hundred dollars.

2:03:12.800 --> 2:03:16.000
<v Speaker 1>That's over there, sticking niggas up for booty from top

2:03:17.000 --> 2:03:21.760
<v Speaker 1>Booty is a nut because that diggy talking crazy like

2:03:21.760 --> 2:03:24.280
<v Speaker 1>and were watching the video so we see who support him?

2:03:25.840 --> 2:03:27.120
<v Speaker 2>I would they hit it.

2:03:27.160 --> 2:03:27.760
<v Speaker 3>I was like, don't go.

2:03:28.160 --> 2:03:29.880
<v Speaker 1>I'm gonna tell here the jay like, don't go no

2:03:30.040 --> 2:03:33.080
<v Speaker 1>cruise cause you don't go no cruise.

2:03:33.440 --> 2:03:39.000
<v Speaker 3>Don't pop up, cat, shut the funk up.

2:03:39.560 --> 2:03:46.480
<v Speaker 1>God, don't go no cruise. Can will take over the ship, nigga.

2:03:46.560 --> 2:03:49.800
<v Speaker 1>Look that looked like you take over his ship. He

2:03:49.880 --> 2:03:51.280
<v Speaker 1>gotta fly on his face.

2:03:53.400 --> 2:03:57.040
<v Speaker 2>Because it is a patch to cover his eye. Guess

2:03:57.960 --> 2:03:59.840
<v Speaker 2>that's that's his market. Did you cut that?

2:04:00.040 --> 2:04:03.680
<v Speaker 3>Could need a pass the comfort's eye? Your head too curly.

2:04:03.720 --> 2:04:04.880
<v Speaker 3>They shut the funk up.

2:04:06.480 --> 2:04:09.560
<v Speaker 1>That's funny. Is on Seventh Street. Probably he really crazy

2:04:09.600 --> 2:04:13.840
<v Speaker 1>like he thought. I do know, but I genuinely believe

2:04:13.840 --> 2:04:15.200
<v Speaker 1>he had tried to take over a ship.

2:04:18.080 --> 2:04:18.760
<v Speaker 3>Go back home.

2:04:20.240 --> 2:04:21.400
<v Speaker 2>Wunk the plate made.

2:04:25.400 --> 2:04:27.160
<v Speaker 3>Yeah, he was laughing a little. Jay I was like

2:04:27.200 --> 2:04:28.920
<v Speaker 3>this nigga is bogging.

2:04:30.040 --> 2:04:33.160
<v Speaker 6>Care the dollars about to whop like this, I got

2:04:33.200 --> 2:04:37.240
<v Speaker 6>you trolling like like.

2:04:36.840 --> 2:04:38.640
<v Speaker 3>They wanted to go that ship so fast. He was

2:04:38.680 --> 2:04:41.960
<v Speaker 3>like yeah, yeah, yeah, yeah, call me, call me, call

2:04:42.080 --> 2:04:44.400
<v Speaker 3>me yeah yeah yeah yeah I got you.

2:04:45.480 --> 2:04:48.320
<v Speaker 4>Yeah, that ship was hilaravious.

2:04:48.800 --> 2:04:50.640
<v Speaker 1>Nigga just need a hook on his arm because he

2:04:50.720 --> 2:04:53.360
<v Speaker 1>just cut hook on there. That should have worked.

2:04:54.040 --> 2:05:00.280
<v Speaker 3>Yeah, that was funny though. That was labo man.

2:05:01.720 --> 2:05:05.040
<v Speaker 4>Yeah, man to this culture ship though, man, like I

2:05:05.320 --> 2:05:07.360
<v Speaker 4>agree with you within the Kanye drink though, within the

2:05:08.960 --> 2:05:10.920
<v Speaker 4>him playing border patrol. You know what I'm saying. Making

2:05:10.920 --> 2:05:14.400
<v Speaker 4>sure you know what I'm saying. He's the He's the

2:05:14.400 --> 2:05:17.160
<v Speaker 4>the bridge like you said the bridge, Kanye bridge was

2:05:17.520 --> 2:05:18.320
<v Speaker 4>I agree with that.

2:05:18.600 --> 2:05:21.840
<v Speaker 2>Yeah, he is as far as you can get.

2:05:22.920 --> 2:05:25.880
<v Speaker 1>He's as far. That's the furthest you can get when

2:05:25.920 --> 2:05:28.600
<v Speaker 1>it comes to culture like, that's it. Kanye is the

2:05:28.680 --> 2:05:32.600
<v Speaker 1>furthest because he started acting hella crazy.

2:05:33.400 --> 2:05:36.760
<v Speaker 4>He told he was gonna do it. That's one respect

2:05:36.760 --> 2:05:39.680
<v Speaker 4>abou Kanye. He told niggas everything that was going to

2:05:39.720 --> 2:05:41.560
<v Speaker 4>happen up until when you know what I'm saying.

2:05:43.120 --> 2:05:44.600
<v Speaker 2>Right, No, know what I'm saying.

2:05:45.040 --> 2:05:46.320
<v Speaker 3>He very much.

2:05:46.760 --> 2:05:50.520
<v Speaker 1>He very much is. See were talking about how lightly sprinkled.

2:05:50.520 --> 2:05:53.080
<v Speaker 1>He is a street urban culture. He is a nigga

2:05:53.120 --> 2:05:53.560
<v Speaker 1>for sure.

2:05:54.200 --> 2:05:54.600
<v Speaker 3>Mm hmm.

2:05:54.960 --> 2:05:57.960
<v Speaker 1>That nigga is a nigga like and that's what I

2:05:58.000 --> 2:05:59.840
<v Speaker 1>love that the duty. I'm glad it happened to the

2:06:00.040 --> 2:06:02.280
<v Speaker 1>music industry because they was trying to get away from

2:06:02.280 --> 2:06:02.560
<v Speaker 1>the street.

2:06:02.600 --> 2:06:04.560
<v Speaker 2>They was like, you know, we don't want these motherfuckers.

2:06:04.720 --> 2:06:06.000
<v Speaker 2>You know, they'll come in here one or two. I'm

2:06:06.000 --> 2:06:07.240
<v Speaker 2>gonna come in here and jump on the desk and

2:06:07.280 --> 2:06:08.480
<v Speaker 2>demand we give him some money.

2:06:09.200 --> 2:06:11.320
<v Speaker 1>So they let Kanye in because they thought that they

2:06:11.440 --> 2:06:13.520
<v Speaker 1>was getting That's the thing that made me laugh. They

2:06:13.560 --> 2:06:16.480
<v Speaker 1>let Kanye in and do all of that. They just

2:06:16.520 --> 2:06:21.360
<v Speaker 1>pushing him, Drake. These niggas are way worse than niggas

2:06:21.360 --> 2:06:25.800
<v Speaker 1>from the streets. One nigga just went bad on y'all

2:06:25.880 --> 2:06:29.280
<v Speaker 1>as a collective. Ice killed might make a song, but

2:06:29.320 --> 2:06:31.240
<v Speaker 1>he ain't fit to do all that. Tayo coming there

2:06:31.480 --> 2:06:34.400
<v Speaker 1>with his back, bust open the desk, run my money.

2:06:35.000 --> 2:06:35.360
<v Speaker 3>That's it.

2:06:35.440 --> 2:06:37.000
<v Speaker 1>You know, he gonna make some records with you and

2:06:37.040 --> 2:06:41.000
<v Speaker 1>all that, Yo, sug he tripping. They gonna be okay,

2:06:41.160 --> 2:06:44.880
<v Speaker 1>Jay Print, they gonna be okay. This motherfucker Yay goes

2:06:44.920 --> 2:06:47.800
<v Speaker 1>on an all out rent to talk shit about y'all

2:06:49.000 --> 2:06:53.400
<v Speaker 1>like he a nigga. Fuck y'all, fuck the like on

2:06:53.640 --> 2:06:57.640
<v Speaker 1>major platforms, talk shit about your acts. He is a negro.

2:06:57.960 --> 2:07:01.760
<v Speaker 1>He is a nigga for sure. Now he just all

2:07:01.840 --> 2:07:04.840
<v Speaker 1>out just going crazy. They thought they was letting Drake in.

2:07:04.880 --> 2:07:06.520
<v Speaker 1>They was like, oh, you know what, we could control him.

2:07:06.560 --> 2:07:08.640
<v Speaker 1>He's a Jewish person, say the N word. Now his

2:07:08.800 --> 2:07:12.440
<v Speaker 1>emotion got the best. He's swing all of y'all motherfuckers. Now,

2:07:12.520 --> 2:07:15.200
<v Speaker 1>everybody asking a million questions about what's going on with

2:07:15.240 --> 2:07:18.360
<v Speaker 1>your books, you know, the money all kind of shit.

2:07:18.640 --> 2:07:21.680
<v Speaker 1>Every time you do this shit, y'all end up sucking up.

2:07:21.720 --> 2:07:24.480
<v Speaker 1>I wish the record industry understand and just leave. Just

2:07:24.520 --> 2:07:26.880
<v Speaker 1>fuck with hip hop kids. It's easy just to pay

2:07:26.880 --> 2:07:31.160
<v Speaker 1>a nigga. You can't pay a Jewish man. That's a

2:07:31.240 --> 2:07:33.320
<v Speaker 1>Jewish man. See this is where I know he' not

2:07:33.440 --> 2:07:34.880
<v Speaker 1>hip hop. That's a Jewish man.

2:07:36.400 --> 2:07:37.160
<v Speaker 3>He ain't.

2:07:37.320 --> 2:07:40.920
<v Speaker 1>He went full motherfucking up, like straight out of Compton

2:07:41.640 --> 2:07:45.680
<v Speaker 1>Jerry Heller. Look, I'm gonna soothe those motherfuckers. He forgot

2:07:45.720 --> 2:07:47.680
<v Speaker 1>he was even in the battle because he was like,

2:07:47.720 --> 2:07:50.240
<v Speaker 1>I don't care about that fucking battle. They know that

2:07:50.280 --> 2:07:53.240
<v Speaker 1>I'm their guy and they're marketing this. But Drake, you

2:07:53.320 --> 2:07:55.120
<v Speaker 1>were also this to him. I don't care.

2:07:55.600 --> 2:07:56.760
<v Speaker 2>That's some Jewish.

2:07:56.440 --> 2:07:57.640
<v Speaker 3>Shit to do.

2:07:57.160 --> 2:08:00.520
<v Speaker 4>These motherfuckers.

2:08:01.560 --> 2:08:04.160
<v Speaker 3>Out there.

2:08:04.680 --> 2:08:08.320
<v Speaker 6>I'm doing the radio company, the Spotify.

2:08:09.360 --> 2:08:11.440
<v Speaker 2>Now niggas is like trying to get in their books.

2:08:11.440 --> 2:08:15.760
<v Speaker 1>I'm like, that's what y'all ask get, see, y'all, y'all

2:08:15.800 --> 2:08:17.600
<v Speaker 1>thought he was fooling us because y'all got a Jewish

2:08:17.600 --> 2:08:19.080
<v Speaker 1>person that said he'd say the N word.

2:08:19.360 --> 2:08:21.200
<v Speaker 2>Y'all actually got a Jewish person.

2:08:23.160 --> 2:08:28.040
<v Speaker 3>Came out.

2:08:28.480 --> 2:08:32.560
<v Speaker 1>He was like, all you motherfuckers is going towards all

2:08:32.640 --> 2:08:37.040
<v Speaker 1>you motherfuckers, and I don't care you motherfucker.

2:08:36.760 --> 2:08:40.400
<v Speaker 3>When I'm with you, with you.

2:08:41.920 --> 2:08:47.560
<v Speaker 1>Oh, that's what the industry gets. That's what y'all motherfuckers get.

2:08:48.240 --> 2:08:52.360
<v Speaker 1>Y'all fucking y'all wanted a cut niggas so bad. Y'all

2:08:52.360 --> 2:08:55.160
<v Speaker 1>wanted somebody that y'all thought y'all could control. The only

2:08:55.200 --> 2:08:57.200
<v Speaker 1>people y'all could control is poor people.

2:08:58.200 --> 2:08:58.680
<v Speaker 3>Mm hmmm.

2:08:59.520 --> 2:09:02.400
<v Speaker 1>That's what the industry don't get. If you get somebody

2:09:02.400 --> 2:09:04.880
<v Speaker 1>who was making sixty thousand dollars a year at six

2:09:04.960 --> 2:09:09.000
<v Speaker 1>years old. You're gonna probably struggle to control them. If

2:09:09.000 --> 2:09:11.120
<v Speaker 1>you get a nigga his mother was a doctor that

2:09:11.200 --> 2:09:17.840
<v Speaker 1>moved himTo the suburbs. You're going to struggle to control him. Yeah,

2:09:18.280 --> 2:09:19.920
<v Speaker 1>you know what he is a deal with a nigga

2:09:19.960 --> 2:09:20.440
<v Speaker 1>from counting.

2:09:20.520 --> 2:09:23.960
<v Speaker 2>It's easy. Just pay him, Just pay him.

2:09:24.000 --> 2:09:26.120
<v Speaker 1>He ain't look he like, you know what I went

2:09:26.160 --> 2:09:27.480
<v Speaker 1>through this Hell, I just want to be a take

2:09:27.480 --> 2:09:28.160
<v Speaker 1>care of my family.

2:09:28.520 --> 2:09:30.160
<v Speaker 2>Drake don't even care about the money.

2:09:30.240 --> 2:09:30.520
<v Speaker 3>He like.

2:09:30.840 --> 2:09:34.200
<v Speaker 1>People think he's sort about money. No, he's just being vindictive.

2:09:36.120 --> 2:09:41.440
<v Speaker 1>It ain't about no fucking money. That nigga tripping. He like,

2:09:41.520 --> 2:09:44.440
<v Speaker 1>wait a minute, you guys are promoting this guy. You

2:09:44.480 --> 2:09:48.040
<v Speaker 1>guys are only supposed to promote me. It was a privilege.

2:09:48.480 --> 2:09:50.520
<v Speaker 4>I know the tricks you're doing right now. I did

2:09:50.600 --> 2:09:53.880
<v Speaker 4>the same tricks. You can't do me like that. You

2:09:54.000 --> 2:09:57.040
<v Speaker 4>can't do me like that. I did that. This is

2:09:57.040 --> 2:09:57.920
<v Speaker 4>the game I run.

2:09:57.960 --> 2:09:59.840
<v Speaker 3>This is what I do.

2:10:00.120 --> 2:10:03.800
<v Speaker 2>It on me, And they was doing it on all

2:10:03.840 --> 2:10:05.000
<v Speaker 2>the records, I would imagine.

2:10:05.320 --> 2:10:08.120
<v Speaker 1>But he's like, no, this worked better, So fucking you

2:10:08.160 --> 2:10:10.360
<v Speaker 1>should never put it out should.

2:10:13.320 --> 2:10:15.600
<v Speaker 2>He said, you should have took that line out, like what.

2:10:17.560 --> 2:10:18.280
<v Speaker 1>The super Bowl?

2:10:18.480 --> 2:10:21.720
<v Speaker 3>At the super Bowl, you said, bigger's a super Bowl?

2:10:21.800 --> 2:10:22.480
<v Speaker 3>What do you mean?

2:10:25.680 --> 2:10:28.080
<v Speaker 1>You should have just paid the niggas man, You should

2:10:28.080 --> 2:10:29.400
<v Speaker 1>have just kept it with the black folk.

2:10:31.520 --> 2:10:34.760
<v Speaker 2>Get that's what you get. That's what you get. That's

2:10:34.760 --> 2:10:35.880
<v Speaker 2>what you get.

2:10:36.160 --> 2:10:36.640
<v Speaker 3>Mm hmm.

2:10:37.080 --> 2:10:41.880
<v Speaker 1>That is what You cannot embarrass a Jewish man, even

2:10:41.960 --> 2:10:44.760
<v Speaker 1>if he did it on his own, you bet not

2:10:44.920 --> 2:10:48.120
<v Speaker 1>facilitate or help the embarrass me even if he started it.

2:10:48.920 --> 2:10:51.800
<v Speaker 1>A jewish man shout out to the cool ones, but

2:10:51.800 --> 2:10:52.960
<v Speaker 1>a jewish man to start a fight.

2:10:53.040 --> 2:10:54.879
<v Speaker 2>And Suo asked, when you win the fight.

2:10:56.160 --> 2:10:59.800
<v Speaker 3>Yo, let me ask you this right? So why was it?

2:11:00.160 --> 2:11:02.080
<v Speaker 4>Kind of because they was able to clip that fucking

2:11:02.080 --> 2:11:06.280
<v Speaker 4>push the t ship fast, like hold on, pull that

2:11:06.320 --> 2:11:09.280
<v Speaker 4>ship up there right now, out of there, right now, yo,

2:11:09.800 --> 2:11:12.200
<v Speaker 4>j He was don't clear that ship? JA, don't clear that,

2:11:12.520 --> 2:11:14.800
<v Speaker 4>j SAMPLE, don't clear that? Can we not put on

2:11:14.840 --> 2:11:17.200
<v Speaker 4>little shimming platforms? You know what I'm saying? They cleared

2:11:17.360 --> 2:11:20.120
<v Speaker 4>They did it like that when they knew it was

2:11:20.120 --> 2:11:22.480
<v Speaker 4>coming with the Kendricks shit, they knew they couldn't do it.

2:11:22.760 --> 2:11:23.560
<v Speaker 3>They couldn't do it.

2:11:24.080 --> 2:11:25.520
<v Speaker 2>And he was like, wait a minute. You mean to

2:11:25.520 --> 2:11:27.720
<v Speaker 2>tell me that this little nigger from copy.

2:11:28.760 --> 2:11:29.960
<v Speaker 3>You know what it was though too?

2:11:31.000 --> 2:11:34.840
<v Speaker 4>The song, the song came out under Sony. It wasn't

2:11:34.920 --> 2:11:37.960
<v Speaker 4>U m G. It was under the future ship. That's

2:11:38.040 --> 2:11:41.600
<v Speaker 4>how the ship started off like that. I just now, Oh,

2:11:41.680 --> 2:11:42.000
<v Speaker 4>you're right.

2:11:42.080 --> 2:11:43.640
<v Speaker 2>And he kicked it off first.

2:11:43.360 --> 2:11:48.200
<v Speaker 3>With un G with Sony. You with Sony first.

2:11:48.480 --> 2:11:53.800
<v Speaker 2>Also first this record that was on UMG is his record.

2:11:54.160 --> 2:11:54.360
<v Speaker 3>Yep.

2:11:56.080 --> 2:11:56.600
<v Speaker 2>Push up?

2:11:57.400 --> 2:11:58.240
<v Speaker 3>Yeah, push up?

2:11:58.400 --> 2:12:06.040
<v Speaker 4>Oh yeah, because yeah, yeah, Oh that's how that was

2:12:06.080 --> 2:12:06.880
<v Speaker 4>able to happen.

2:12:07.000 --> 2:12:12.360
<v Speaker 3>Be because Sony pushed the ship. I just put it together.

2:12:12.760 --> 2:12:22.800
<v Speaker 3>I just wanted together. Now you let that happen. I

2:12:22.880 --> 2:12:26.360
<v Speaker 3>would have never let that ship happen. Huh Yo. The

2:12:26.400 --> 2:12:28.320
<v Speaker 3>niggas a slick. I just caught that.

2:12:28.480 --> 2:12:31.280
<v Speaker 2>Just bars be bars.

2:12:31.800 --> 2:12:33.680
<v Speaker 3>I just caught that. Just snap. You don't you gonna

2:12:33.760 --> 2:12:34.720
<v Speaker 3>never let that ship fly?

2:12:34.920 --> 2:12:34.960
<v Speaker 2>Be?

2:12:35.960 --> 2:12:39.760
<v Speaker 3>What what? I'm big three? Just who's he's talking about?

2:12:40.160 --> 2:12:40.320
<v Speaker 4>No?

2:12:40.960 --> 2:12:44.800
<v Speaker 3>Pull that record, Sony said, push that record be.

2:12:45.920 --> 2:12:50.400
<v Speaker 2>It was like fugging push up you like, well we

2:12:50.440 --> 2:12:51.120
<v Speaker 2>could get some money.

2:12:51.160 --> 2:12:59.240
<v Speaker 6>We gotta you started, you started, you started, and get

2:12:59.240 --> 2:12:59.600
<v Speaker 6>it going.

2:13:00.440 --> 2:13:01.280
<v Speaker 3>Let's get it going.

2:13:02.120 --> 2:13:04.720
<v Speaker 2>Oh yeah, this Todio season desists on it.

2:13:04.880 --> 2:13:09.280
<v Speaker 1>Like that record. I'm thinking about it. He couldn't pull

2:13:09.320 --> 2:13:11.120
<v Speaker 1>it like he did to push your teeth.

2:13:12.800 --> 2:13:17.120
<v Speaker 3>Crying Bro, that's oh no, no.

2:13:17.440 --> 2:13:20.280
<v Speaker 1>Red Rose pedal, that's how you know it's not bots.

2:13:20.400 --> 2:13:21.200
<v Speaker 1>That's just a joke.

2:13:21.520 --> 2:13:25.280
<v Speaker 6>That song was the biggest There ain't no box helped

2:13:25.320 --> 2:13:27.000
<v Speaker 6>that ship. I mean it could be a part of

2:13:27.040 --> 2:13:29.120
<v Speaker 6>a program, but that ain't help that ship was.

2:13:29.120 --> 2:13:30.320
<v Speaker 2>Like it was good.

2:13:30.400 --> 2:13:34.400
<v Speaker 6>It was a really great record, like you're everywhere, but

2:13:34.600 --> 2:13:35.920
<v Speaker 6>somebody gonna come with one.

2:13:37.800 --> 2:13:38.760
<v Speaker 2>That's a great point.

2:13:39.000 --> 2:13:42.720
<v Speaker 1>The first record at UMG was him talking ship about Kendrick.

2:13:43.840 --> 2:13:47.960
<v Speaker 1>It's pushing you want to do this? Okay, Okay, you're

2:13:47.960 --> 2:13:50.840
<v Speaker 1>gonna start it. Okay, Well he's gonna respond and he

2:13:50.960 --> 2:13:53.520
<v Speaker 1>comes back with the number one record, which is Euphoria.

2:13:55.240 --> 2:13:57.600
<v Speaker 1>Those number two Euphoria win number two.

2:13:58.480 --> 2:14:02.600
<v Speaker 3>Oh my god. They was like, you got something here, cas,

2:14:03.440 --> 2:14:04.120
<v Speaker 3>we got.

2:14:03.880 --> 2:14:08.680
<v Speaker 2>Something tell us you know the records Fellers.

2:14:08.520 --> 2:14:16.200
<v Speaker 3>Let's go, we got something that's crazy. Just now. Oh

2:14:16.240 --> 2:14:17.360
<v Speaker 3>that's the bar Bro.

2:14:17.920 --> 2:14:21.720
<v Speaker 4>Yeah yeah, Sony put that. You don't able to never

2:14:21.760 --> 2:14:26.040
<v Speaker 4>put that fucking record out. You're going that fucking cold,

2:14:26.320 --> 2:14:30.280
<v Speaker 4>You're going that drake. You know what I'm saying. No, no, no.

2:14:30.320 --> 2:14:31.880
<v Speaker 3>Pull that record, get that record out of here.

2:14:32.040 --> 2:14:34.920
<v Speaker 1>Yeah they could have, they could have mediated it, but

2:14:35.040 --> 2:14:39.080
<v Speaker 1>as Sony you can't mediate it. And then on on

2:14:39.120 --> 2:14:42.760
<v Speaker 1>the UMG side you kick it off with push ups.

2:14:43.280 --> 2:14:46.080
<v Speaker 1>Now they have to let the record through and it's

2:14:46.160 --> 2:14:47.280
<v Speaker 1>just good business.

2:14:47.600 --> 2:14:55.600
<v Speaker 4>Mm hmmm, Wow, that's crazy. I just got I just yeah.

2:14:55.480 --> 2:14:57.320
<v Speaker 4>When you go to the side, you smoke a little

2:14:57.320 --> 2:14:59.280
<v Speaker 4>bit of viola, you know what I'm saying, you stop putting.

2:15:00.600 --> 2:15:03.240
<v Speaker 2>Soon to be the official the No Sellers Live.

2:15:03.880 --> 2:15:09.000
<v Speaker 4>That's a fact, bro, You know what I'm saying.

2:15:11.840 --> 2:15:14.320
<v Speaker 3>Oh man, we.

2:15:15.960 --> 2:15:16.200
<v Speaker 7>Live.

2:15:17.000 --> 2:15:22.600
<v Speaker 1>Put that back up there. There you go, that's the thought.

2:15:22.640 --> 2:15:24.160
<v Speaker 1>You get fucked with that viola.

2:15:25.440 --> 2:15:27.920
<v Speaker 4>Get right, man, you start pulling pieces of the puzzle together, Beach,

2:15:28.120 --> 2:15:29.120
<v Speaker 4>the pieces don't put together right there.

2:15:30.000 --> 2:15:32.680
<v Speaker 2>Like Sherlock Holmes. We like the weed for Shirlock Holmes.

2:15:33.400 --> 2:15:36.840
<v Speaker 1>No Silers Live the lunch Hour feel me every Monday,

2:15:36.880 --> 2:15:39.600
<v Speaker 1>Wednesday and Friday. We back here Friday at noon Pacific

2:15:39.680 --> 2:15:42.760
<v Speaker 1>Standard time. Right here Digital soap box. Click the thumbs up.

2:15:42.800 --> 2:15:44.840
<v Speaker 1>But tell a friend to tell a friend, We're gonna

2:15:44.840 --> 2:15:49.320
<v Speaker 1>get back into this Crimson Bloods conversation. Make sure you

2:15:49.400 --> 2:15:52.880
<v Speaker 1>subscribe to the No Sellings podcast. It's in the description below.

2:15:53.200 --> 2:15:57.720
<v Speaker 1>We dropped a great episode called Conversations about What's Gangster

2:15:58.080 --> 2:16:02.000
<v Speaker 1>that we want to elaborate on Friday, the misconceptions of

2:16:02.040 --> 2:16:05.240
<v Speaker 1>crips and blood y'all can ask any questions I want

2:16:05.320 --> 2:16:08.440
<v Speaker 1>to ask all the ignorant questions. No questions are ignorant.

2:16:08.800 --> 2:16:10.960
<v Speaker 1>Come ask some questions about this shit and get some

2:16:11.000 --> 2:16:12.200
<v Speaker 1>real information on it.

2:16:12.520 --> 2:16:14.800
<v Speaker 2>Don't let the great area run your life.

2:16:15.400 --> 2:16:18.560
<v Speaker 1>Really understand what's going on, So go ahead description No

2:16:18.640 --> 2:16:23.680
<v Speaker 1>Sealans Podcast. Go listen to the right now, go listen

2:16:23.680 --> 2:16:27.440
<v Speaker 1>to the Conversation about What's Gangster is below.

2:16:28.040 --> 2:16:28.720
<v Speaker 2>Listen to it.

2:16:29.160 --> 2:16:31.720
<v Speaker 1>Be ready with your questions and your contributions at this

2:16:31.800 --> 2:16:35.879
<v Speaker 1>lunch table Friday at noon's specific standard time. No Salans

2:16:35.879 --> 2:16:39.720
<v Speaker 1>Podcast Executive produced by Charlomagne to God, The Breakfast Club

2:16:40.120 --> 2:16:43.080
<v Speaker 1>and iHeart We back here Friday at noon. Thank y'all

2:16:43.080 --> 2:16:45.560
<v Speaker 1>again for the birthday gifts, the birthday wishes, much love

2:16:45.600 --> 2:16:47.920
<v Speaker 1>to y'all. Love y'all at that lunch table. Man, Let's

2:16:47.959 --> 2:16:54.200
<v Speaker 1>get back to a Friday. Good looking out for tuning

2:16:54.240 --> 2:16:57.080
<v Speaker 1>in to the No Sellans Podcast. Please do us a favorite,

2:16:57.120 --> 2:17:00.840
<v Speaker 1>subscribe rate Commonist Share. This episode was recorded right here

2:17:00.879 --> 2:17:03.440
<v Speaker 1>on the west coast of the USA. It produced about

2:17:03.480 --> 2:17:06.320
<v Speaker 1>the Black Effect podcast network and iHeartRadio.

2:17:06.840 --> 2:17:08.760
<v Speaker 3>Yeah.