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Speaker 1: The I Am rapp Reports Stereo podcast live and you're

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Speaker 1: down with rapp Report. Yes I am, I'm a Rapperport. Yes,

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Speaker 1: I am a Rapperport. Yes, I am a Rapperport. Yes

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Speaker 1: I am at a tune in. I am Wrapperport dot com.

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Speaker 1: Because every single podcast, you know, he drops bombs. I've

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Speaker 1: seen him on set a season vet with True Town,

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Speaker 1: catch him on his way to course fit rocking the

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Speaker 1: New Balance. He asked me to do the track because

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Speaker 1: you know I round the leak. But I'm just waiting

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Speaker 1: for the Robert the Nearer line of the week. Rightference

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Speaker 1: the Champions hosted Bagel, Cream, Cheese and Lock. This is

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Speaker 1: I Am rapp Report. The show never stopped. Might catch

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Speaker 1: the Mountain Public stretching his knees. But if you don't

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Speaker 1: listen to the show, Yo, we're gonna pleading. We're gonna please.

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Speaker 1: Import podcast. Yes, Brando Bean and Iron rap Ports Stereo

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Speaker 1: podcast is here, Higgey have no veer The Iron Rapports

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Speaker 1: Stereo Podcasts coming live from Spokekane Washington on Today's podcast.

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Speaker 1: One of the worst songs by a professional athlete was

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Speaker 1: put out the other day and I review Miles Bridges,

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Speaker 1: one of my favorite young players in the NBA put

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Speaker 1: out in a catastrophe of a rap single, plus another

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Speaker 1: NBA player slides all up in my d M S.

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Speaker 1: I break it down exclusively for you the Iron rapportstereo

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Speaker 1: podcast listeners and Long Flight Short Flight How I got

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Speaker 1: from the East Coast to the West Coast without incident

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Speaker 1: all that morning. Fantastic, high flying, fully disruptive, brand new

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Speaker 1: bing Iron Rapports stereo podcast coming up right now, Miles

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Speaker 1: joining K the Bleacher Brothers a K. The Dust Brothers

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Speaker 1: start to puppy off with something real nice. Yes, don't

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Speaker 1: just puppy off with something real out, but most importantly

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Speaker 1: start to pupping up with something real funky and really

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Speaker 1: on bt I and Rapport Stereo podcast. Boom boom, boom,

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Speaker 1: let's fucking go boom, higginy yggin. I'll say it again,

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Speaker 1: bigginy boom, Yes, higginy have no fear The I Am

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Speaker 1: rapp Report Stereo podcast. It's here. Boom. Your name is

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Speaker 1: Uh Michael Rappaport a K A The Gringo Man Dingo

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Speaker 1: a K. The Sultan of Sniff a K. The Inflamed

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Speaker 1: Oshkenazi a K. MR two one to a K A

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Speaker 1: the White Chocolate Tito a k. The Disruptive Warrior, and

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Speaker 1: you're now rocking with the very best. Welcome to the

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Speaker 1: Iron Dignity Dome of Disruption. Welcome to the Ziggnity Zone

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Speaker 1: of Disruption. I hope everybody's feeling good. Hope everybody's feeling safe.

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Speaker 1: I hope everybody is feeling sane. I hope everybody is

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Speaker 1: feeling real good and real proper, like spring is here,

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Speaker 1: Spring is here, and we are one week away from

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Speaker 1: ending the month of March. If you could believe that ship,

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Speaker 1: can you believe that ship? We're gonna be in April soon?

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Speaker 1: Time shure flies when you're blank blank blank, I don't know,

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Speaker 1: but I'm having fun. I hope you guys are all

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Speaker 1: having fun. I hope everybody is having a well balanced

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Speaker 1: day emotionally. I hope everybody's not hedging too far left,

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Speaker 1: too far right, too far into the dark, or even

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Speaker 1: too far into the light. I mean, if speak of

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Speaker 1: withstand and withhold a fabulous day week of just being

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Speaker 1: in the like great God bless you. That's never gonna

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Speaker 1: happen for me. That should be a goal though. Anyway.

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Speaker 1: This is the Iron Wrap Reports Stereo Podcast the world's

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Speaker 1: only podcast that prides itself on being a non fact

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Speaker 1: checking source of information, news and disruption. As I said,

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Speaker 1: my name is Michael wrap up Port and I am

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Speaker 1: in Spokane or spoke Can Washington. I'm here all weekend

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Speaker 1: at Spokane or Spokene. Comedy tickets are they're going. They're

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Speaker 1: fucking going. UM long long way away from New York

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Speaker 1: City Spokane is that's a long f night. I don't

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Speaker 1: know why there was no direct flight from the greatest

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Speaker 1: city on Earth to Spokane, but that's just the way

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Speaker 1: the cookie crumbles. There were no direct flights, there were

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Speaker 1: no direct flights available. I don't know. I did something

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Speaker 1: wrong this time. And even if there are direct flights,

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Speaker 1: it's a long way away. It's a it's a fucking hall.

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Speaker 1: It's fucking hall, and it's gonna be a hall on

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Speaker 1: the way back. I gotta stop off and I think

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Speaker 1: in Minnesota. I hate getting off planes. I hate having

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Speaker 1: to change flights. I don't know if it's the n

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Speaker 1: c A tournaments. Something's going on out here where the

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Speaker 1: flights were expensive and booked. Nonetheless, I am here and

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Speaker 1: next week and I'm back in Tampa performing in Tampa

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Speaker 1: at the Tampa Improv April one, April fools and April second,

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Speaker 1: and then I'm actually doing one night in Miami. I'm

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Speaker 1: doing something Bitcoin Festival on the ninth one show in Miami,

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Speaker 1: and then i am in Irvine, California April April, which

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Speaker 1: I'm excited about because I'm gonna spend some time in

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Speaker 1: l A. And then the following week April thirty, I'm

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Speaker 1: back in d C. And then there's plenty of other shows,

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Speaker 1: you know, I got I got a whole bunch that

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Speaker 1: I gotta add to my schedule. I mean, there's there's

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Speaker 1: a bunch, a bunch of places I'm going to um

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Speaker 1: in June, a bunch of places I'm going to. I'm

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Speaker 1: gonna be Milwaukee. In the summer, I'm being some players

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Speaker 1: a point in Jersey and then being Atlanta. And in

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Speaker 1: September there's a There's there's a bunch of other dates

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Speaker 1: coming up. All tickets, all information is available at Michael

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Speaker 1: Rappaport Comedy dot com Michael Rappaport Comedy dot com plus

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Speaker 1: I most everything on my social media is they're all

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Speaker 1: at Michael Rappaport, whether it's Facebook, Instagram, TikTok and Twitter,

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Speaker 1: you know, or if you see me on the street,

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Speaker 1: you say, what's up? Mike Rat you say, once up, Dingo,

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Speaker 1: you say what's up? Disruptive Warrior, what's up? Inflamed oscar Nazi?

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Speaker 1: Any of these things and you'll get love. Those are

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Speaker 1: Those are pastords. You come to any of the shows

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Speaker 1: this weekend and Spokane, come to any shows in Tampa,

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Speaker 1: and and you see me on the street, on the bus,

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Speaker 1: on the subway, you say, Dingo, Kingo, man Dingo, the

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Speaker 1: Jewish chaklamata, what whatever you want to say? Mr New

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Speaker 1: York That's all I am Rappaport Stereo podcast shit. It's

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Speaker 1: all derived from the podcast and all lives within the podcast.

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Speaker 1: But all tickets, all information is available in Michael Rappaport

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Speaker 1: Comedy dot com. And like I said, um, some of

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Speaker 1: the dates aren't up yet. Like I didn't put anything

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Speaker 1: up in up into August. I do it all myself.

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Speaker 1: I'm a busy fucking guy, as we all are. Everybody

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Speaker 1: everybody's busy. Everybody's doing a lot, everybody's trying to accomplish

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Speaker 1: a lot. Everybody's trying to keep keep the motherfucking bills

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Speaker 1: on everybody's trying to keep the money coming in, trying

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Speaker 1: to keep the creativity flowing, trying to keep you know,

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Speaker 1: the zest for life pumping, moving and grooving. I get it.

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Speaker 1: I get it anyway, UM, listen to some new music.

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Speaker 1: Fife Dog has a new album out All five with

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Speaker 1: some great guests spots from Bust the Rhymes, Redman, Q Tip,

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Speaker 1: and it's a really really good album. Forever is the

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Speaker 1: name of the record by the five ft Assassin five Dog.

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Speaker 1: UM so happy that they were able to put this together.

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Speaker 1: It ain't easy, man, you know, putting out music when

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Speaker 1: someone's passed away, the emotion, everything that goes into it,

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Speaker 1: everything that it takes to make an album in general.

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Speaker 1: But to make this record, Um, they did a really

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Speaker 1: good job. Got the Little Brothers on there, and I

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Speaker 1: like it. It's so emotional. Five dogs music is so emotional, UM,

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Speaker 1: and his voice is are so emotional, and you know

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Speaker 1: his story is so emotional and support five Dog. Download

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Speaker 1: the record, listen to the record, and uh, let me

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Speaker 1: know what you think of the record. UM. I was

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Speaker 1: also listening to Gang Star. Why was I listening to

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Speaker 1: the Gangsters? Oh? I was listening to the gang Star

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Speaker 1: heavily the last two or three days because Nas dropped

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Speaker 1: a song with him Premier, DJ Premier and Asap Rocky

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Speaker 1: off of his last record what is it called King's

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Speaker 1: Dynasty called Wave Gods, and it was my favorite song

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Speaker 1: on the record. I don't really love the Nas hit

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Speaker 1: Boy Kings Dynasty, Kings Dynasty to records. I don't love them,

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Speaker 1: not to say they're whack, because nothing Nas could ever

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Speaker 1: do his whack. I just it just doesn't I don't know.

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Speaker 1: I've tried to listen to them, you know, there's not

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Speaker 1: there's a couple of joints on there. But as a

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Speaker 1: maybe my expectations are too high. Maybe my expectations are

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Speaker 1: too high. Maybe it's probably partially me. I think some

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Speaker 1: people like those records. I just don't love them. But

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Speaker 1: they put out a video for the song with Premiere

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Speaker 1: and Asap Rocky, the baby Daddy of Rihanna and um

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Speaker 1: Nasty Nas, Nas Escobar and Uh. I was just sending

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Speaker 1: to the production, the cutting and the scratching of Premiere,

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Speaker 1: and then I just started digging in the DJ Premier

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Speaker 1: production Crates and I had a whole playlist of songs

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Speaker 1: that he produced and then of course it took me

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Speaker 1: the Gang Star and I was like, Yo, Gang Star

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Speaker 1: is a motherfucker man. Gang Star is a fucking that

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Speaker 1: is a group. Man. I don't think they made one

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Speaker 1: bad song. Like obviously you have the the songs that

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Speaker 1: you love, love love love love by Gang Star. You know,

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Speaker 1: so some are you're gonna love more than the other one,

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Speaker 1: somethings that are going to gravitate two more than the

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Speaker 1: other ones. But I mean from jazz thing to mass

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Speaker 1: appeal to you know, Dwick to Soliloquy of Chaos, take

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Speaker 1: it Personal, half and half with m op b y s.

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Speaker 1: I mean there's just banger after banger after banker after

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Speaker 1: banger after banger after banger, and I feel like sometimes

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Speaker 1: Gang Star gets overlooked as a group. Obviously it's only

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Speaker 1: one MC, but it's DJ Premier and Gurule and you

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Speaker 1: know Code of the Streets. I mean, there's this song

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Speaker 1: after song after song after song and beats and the

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Speaker 1: different kinds of beats and flows, and I mean this

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Speaker 1: Gang Star as a motherfucker man. Um. So I've just

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Speaker 1: been listening to them with the headphone banging because Premier

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Speaker 1: is all about the the beats and the you know

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Speaker 1: the sonics as they call it. So definitely check out

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Speaker 1: the new five Dog record Forever by the five ft

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Speaker 1: of Assassin, the Funky Diabetic, the Late Great five Dog.

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Speaker 1: Malik Taylor from St. Alban's Queen's Representing Queens representing All

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Speaker 1: Things in New York representing the Mats, representing the New

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Speaker 1: York Knicks representing the Lakers, talked about this many times.

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Speaker 1: You mean, talking to Fife about sports was I've never

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Speaker 1: talked to somebody that loves sports more than five Dog.

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Speaker 1: I mean that that dude. Man, You you could deep

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Speaker 1: dive with him about sports from the eighties and nineties,

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Speaker 1: you know, and he would go in about baseball, going

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Speaker 1: about football and basketball, football and basketball. Man. He just

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Speaker 1: if you you start a conversation with five Dog about

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Speaker 1: even more than music, you started fighting a conversation with

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Speaker 1: him about sports, you better be ready to argue and

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Speaker 1: you better be ready to deep dive because he's coming

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Speaker 1: at you, you know, left, right and center. So definitely

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Speaker 1: listen to his new record. And you know gang stars

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Speaker 1: like Fine Wine. That music just shit. It just gets

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Speaker 1: better and better with time. It's never dipped off one

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Speaker 1: second podcast. Speaking of music, one of my favorite young

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Speaker 1: players in the NBA. Miles Bridges of the Charlotte Hornets,

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Speaker 1: who I just love his disposition. I like how he

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Speaker 1: carries himself on the on the court, chill fucking goon.

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Speaker 1: I saw him play when I went Opening Night to

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Speaker 1: the Brooklyn Nets verse the Charlotte Hornets, and that is

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Speaker 1: a big motherfucker. I was like, Yo, this is a

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Speaker 1: big person. Like his legs, like he's just a big

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Speaker 1: I don't know how much that dude weighs, but that's

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Speaker 1: a big fucking dude. Like he's not skinny, obviously he's

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Speaker 1: not at but he's just like built like a brick

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Speaker 1: shitout Like that is a big fucking dude. Like when

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Speaker 1: he moves, when he jumps, it's powerful. Because I'm a

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Speaker 1: fan of his, I did not know that Myles Bridges

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Speaker 1: had aspirations of being a rapper, Okay, Miles Bridges of

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Speaker 1: the Charlotte Hornets, who I said, I just get the

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Speaker 1: feeling he's a good guy. Put out I guess a

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Speaker 1: rap song. I don't know if he's putting out a

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Speaker 1: whole record. It's an EP. Remember when they put out EPs?

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Speaker 1: EPs were like, well LP EPs. I think when they

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Speaker 1: would put out like six songs. I don't even know

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Speaker 1: what that stands for. Ep LP. I think stands for

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Speaker 1: long play EPs. Who knows. It really doesn't make a

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Speaker 1: difference E p LP. Right now, it's this one song,

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Speaker 1: and I gotta tell you, Myles Bridges, who I say

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Speaker 1: this with all due respect, Let's just let's just end

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Speaker 1: it here. Let's just end your rap career today, effective immediately,

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Speaker 1: because your music is garbage, your flow is trash, your

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Speaker 1: content is trash, your cursing, your n wording, you're talking

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Speaker 1: about bitches. I'm like, first of all, do you not

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Speaker 1: think the NBA is not watching? You don't think they

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Speaker 1: see this? You think they want one of their young stars.

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Speaker 1: Miles Bridges is on his way to becoming a star

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Speaker 1: in the NBA, putting out music where you're n wording

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Speaker 1: this and bitches this and getting your dick sunk here.

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Speaker 1: It's not a there's no church and state you play

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Speaker 1: for the NBA. The reason why you're able to afford

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Speaker 1: to put out a terrible rap song and you're able

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Speaker 1: to put out a video is because you probably self financed.

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Speaker 1: Because there's no person in the world, there's no record company,

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Speaker 1: there's no mogul. There's no booster, there's no fan of yours,

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Speaker 1: there's no fan of the Charlotte Hornets that would finance it.

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Speaker 1: Because it sucks. It's not like you're good and then

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Speaker 1: you put it out and it's not only is it

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Speaker 1: not good, it's vulgar as shit, like an unnecessarily vulgar

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Speaker 1: um Myles Jordan's play the clip of Miles Bridges rap

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Speaker 1: song I just got a bitch like to blow me

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Speaker 1: like a sex cubanis do whatever I say like I'm cash.

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Speaker 1: I had a three US turn me to an astro.

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Speaker 1: I used to have a bad home. That's the past

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Speaker 1: in the uber, suck me in the last. That's how

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Speaker 1: I passed coming about that three k bat. I spent

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Speaker 1: that on a bag of took her on a trip,

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Speaker 1: and then I spent the lexif I keep going back

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Speaker 1: and forth from my exit, they called me Malcolm. Okay, okay, okay, okay,

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Speaker 1: he said, I took her on a trip and then

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Speaker 1: I spent there like sum Yeah. Also, before I play

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Speaker 1: any more of it, do any of these guys is it?

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Speaker 1: Do you think it's cool not to rhyme on the beat?

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Speaker 1: Are you just like I'm gonna make these rhymes and

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Speaker 1: then we'll just throw a beat on there. That's like, well,

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Speaker 1: I'm gonna wear a purple pair of pants and a

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Speaker 1: orange shirt and some yellow socks and some pink Jordan's

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Speaker 1: like play more miles poked up on my timeline. Maybe

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Speaker 1: want a whack and put some cheese on his head,

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Speaker 1: and Rodgers were gonna pack on savages. You bring a

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Speaker 1: bit around, put some cheese on this head, Aaron. I mean,

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Speaker 1: there's I don't even know why. I'm I feel stupid

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Speaker 1: dissecting this because it's so bad. It's so bad, And

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Speaker 1: I commented it, Is it the right word? Commented? Did commented? Did?

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Speaker 1: I commented it? I commented on his page, and there

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Speaker 1: were actual people that were arguing with me. Now, for

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Speaker 1: the most part, people were like, you're right, that ship's garbage,

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Speaker 1: bron man, it's really bad. But there's a couple of

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Speaker 1: people saying, yo, you're bugging, you're tripping, that's a Detroit flow,

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Speaker 1: you're old, this has nothing to do with age, you fuck,

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Speaker 1: And this is just not good. And nobody is going

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Speaker 1: to try to There's nobody that can convince me that

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Speaker 1: it is good. It's like if you went to go

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Speaker 1: see Stevie Wonder, and Stevie Wonder was all of a

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Speaker 1: sudden singing off the beat. You'd be like, what the

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Speaker 1: fuck is this? Or you went to go see Erica

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Speaker 1: Baddu or the Beatles or anybody singing off beat? How

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Speaker 1: did it become acceptable to rhyme off beat all the time?

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Speaker 1: I get it as a, you know, a novelty thing.

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Speaker 1: I get it as a experimental thing. I get it

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Speaker 1: as a you know, as a not even experimental and

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Speaker 1: offbeat flow. For some songs, people have tried to convince

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Speaker 1: me that this person and bust the rhymes the funk

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Speaker 1: out of here. Even if you're off the beat, you

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Speaker 1: could still be on the beat. You can't just take

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Speaker 1: a song. You can't just take a beat, a melody

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Speaker 1: and then put rhymes to it. That's just not how

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Speaker 1: it works. You gotta hear the beat and then rhyme

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Speaker 1: on the beat. One two three four one two three four.

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Speaker 1: That's just the way your brain operates. It's like if

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Speaker 1: you're moving a piece of furniture, you go, we're either

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Speaker 1: gonna do it on three, or we're gonna do it

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Speaker 1: all one to three right or one to end. You

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Speaker 1: don't go We're gonna do it on six, We're gonna

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Speaker 1: go one to six. You don't do that, Like, that's

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Speaker 1: just not how you don't read, you know, line one,

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Speaker 1: line seven and then line four. That's just not how

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Speaker 1: it works. Nine percent of these dudes, I don't care

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Speaker 1: who it is, little this one, little that one. These

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Speaker 1: motherfuckers are off the beat. They're ignoring the beat. I

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Speaker 1: seriously don't think that dudes are rhyming in a booth

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Speaker 1: to the music. Then you listen to Gang Star mentioned

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Speaker 1: Gang Star, you put on any one of their songs,

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Speaker 1: they're on beat. Listen to Wu Tang See. Rizza always

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Speaker 1: rhymes off beat, And I mean, with all due respect

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Speaker 1: as an MC, I don't funk with Rizza as a producer,

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Speaker 1: as a mastermind, funk with him top to bottom, game

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Speaker 1: changing everything. But as an MC, he's one of the

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Speaker 1: people that started this ship, and I'd be like, how

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Speaker 1: could somebody is ill? Was Rizzin be rhyming off beat? Again?

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Speaker 1: I'm saying this with all due respect, and he rhymes

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Speaker 1: off beat all the time. It's like he's trying to

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Speaker 1: fit in all the words on the beat, fit in

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Speaker 1: all the words on the beat. Miles Jordan's play a

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Speaker 1: lesser known gang star song all for the Cash. Go

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Speaker 1: about fifty seconds into it when the song is going,

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Speaker 1: and play that song. The man niggas will be ready

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Speaker 1: to blast man man to get up the ass man.

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Speaker 1: They'll be robbing your stats man. Don't want to hand

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Speaker 1: up like the last man. If the price is right,

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00:23:06,119 --> 00:23:08,480
Speaker 1: they could get try for all right. They're plot in

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Speaker 1: the scheme all day and all night, and they might

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Speaker 1: even get elaborate enough to plan the heilless kind of

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00:23:14,400 --> 00:23:17,200
Speaker 1: crying fun the average stuff like this chick who was

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Speaker 1: kicking in with this ball up pretending that she loved them,

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Speaker 1: only really loved dollars. All of that is man, So

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Speaker 1: they good rendezvous, said to his man, forget him, I'm

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Speaker 1: fond of you. So after this, the dude is clearly

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Speaker 1: listening to the beat over the rhymes. He heard the

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Speaker 1: beat and then wrote the rhymes to the beat. That's

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Speaker 1: not a funky like easy beat to rhyme over that particulars.

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Speaker 1: Listen to the beat, take the money, never have to

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Speaker 1: rung to rung take the money never. It's that easy

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Speaker 1: beat to rhyme. Awful, But he's rhyming to the beat

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Speaker 1: otherwise say, Yo, this beat ain't for me. I'm not

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Speaker 1: feeling it. I can't rhyme over that beat. You can't

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Speaker 1: just write some rhymes and then put a beat out there.

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Speaker 1: That's just not the way it works. And motherfucker's are

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Speaker 1: accepting this bullshit all the time. I don't care who

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Speaker 1: it is. Hip hop is suffering more so from the

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00:24:28,160 --> 00:24:31,800
Speaker 1: production and the producers than it is for the m

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Speaker 1: c s and the rappers. You can't even call these dudes,

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Speaker 1: and we're gonna call it em C Jack Harlow. Jack

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Speaker 1: Carlow is a fucking m C little this one or

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Speaker 1: little that. I don't even know the difference between these dudes,

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00:24:46,560 --> 00:24:47,960
Speaker 1: and they'll be like, oh, it ain't for you, you

347
00:24:48,040 --> 00:24:54,359
Speaker 1: all okay. It's just it's just not kosher. And the

348
00:24:54,480 --> 00:25:01,159
Speaker 1: producers are responsible because if you're in the studio with

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Speaker 1: the rapper and the rapper is not on your beat,

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Speaker 1: if I was the producer, I'd be like, Yo, my man,

351
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Speaker 1: uncle ful, you are a little list one, a little

352
00:25:07,560 --> 00:25:12,040
Speaker 1: down one Jack Harlow. This guy is supposed to be dope.

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Speaker 1: These other guys, my man, you know, if you're gonna

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Speaker 1: rhyme over my beat, what I spent my time work on.

355
00:25:19,840 --> 00:25:22,480
Speaker 1: You need to be on the fucking beat. Otherwise I'm

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Speaker 1: gonna get somebody else in here who doesn't have a

357
00:25:24,080 --> 00:25:27,879
Speaker 1: hearing problem, because maybe you got a hearing problem. Maybe

358
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Speaker 1: you have a fucking hearing problem that you're not talking about,

359
00:25:32,080 --> 00:25:35,560
Speaker 1: or something like that. But we're gonna start this ship again,

360
00:25:35,720 --> 00:25:39,800
Speaker 1: and you're gonna start rhyming on the fucking beat. One too, three,

361
00:25:39,920 --> 00:26:03,960
Speaker 1: let's go. I told you as we March Madness and

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00:26:04,080 --> 00:26:07,200
Speaker 1: the games have already been It's such a pure brand

363
00:26:07,280 --> 00:26:10,560
Speaker 1: of basketball. You look at these guys. They're playing for

364
00:26:10,640 --> 00:26:15,160
Speaker 1: their life. Some of them may never play high end basketball,

365
00:26:15,200 --> 00:26:18,080
Speaker 1: their kids, the fans, all of it. March Madness has

366
00:26:18,119 --> 00:26:20,320
Speaker 1: been great. I told you, I'm picking Kansas to win

367
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Speaker 1: it all, and I'm making all my picks at Captain Picks.

368
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Speaker 1: It's a company that I am part owner of. Okay,

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Speaker 1: Captain Picks is my company along with the Dust Brothers,

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Speaker 1: along with Ben Bohler. We built this motherfucker from the

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Speaker 1: bottom up. I talked with the captains, I talked with

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00:26:40,880 --> 00:26:46,080
Speaker 1: the community of Captain's all right, Captain Picks, and we're very,

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Speaker 1: very very active during March Madness we do NBA. Of course,

374
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Speaker 1: we're doing March Man as you do NHL, UFC, golf,

375
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Speaker 1: Baseball's coming, worldwide soccer and in Australia, we got rugby.

376
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Speaker 1: We got a guy who knows rugby and you can

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Speaker 1: make money off of rugby. We talk sports, We stack wins,

378
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Speaker 1: Stack wins with me, okay, the Dust Brothers and our

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Speaker 1: team of excellent captains. You can sign up monthly or

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Speaker 1: annually for the best recurring deal. And if you want

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Speaker 1: to taste, you want to taste, do it now, Do

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Speaker 1: it now during March Madness, do it now during the

383
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Speaker 1: NBA if you want to taste, if you want to sniff,

384
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Speaker 1: you want to sniff the funk I'm talking about. We're

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Speaker 1: offering buy one, get one free daily and weekly right now. Okay,

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Speaker 1: trust me, you can make money with this rugby ship. Okay,

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Speaker 1: buy one, get one free, daily, weekly right now with

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Speaker 1: the promo code cash it at captain picks dot com.

389
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Speaker 1: That's captain picks dot com. Make money with me, this

390
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Speaker 1: is my company. Okay, then re up because it's your

391
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Speaker 1: bookies bank roll that we're after. I'm trying to get

392
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Speaker 1: their fucking money for myself. It's a huge fucking weekend

393
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Speaker 1: of sports ahead, and I'll tell you can make money

394
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Speaker 1: off of rugby. You can make money off for rugby.

395
00:28:18,960 --> 00:28:39,360
Speaker 1: Just listen to what I'm saying. Speaking of NBA, so

396
00:28:39,680 --> 00:28:48,320
Speaker 1: Zion Williamson who hasn't played in a year, hasn't played

397
00:28:48,360 --> 00:28:51,880
Speaker 1: all season, and he broke his foot. Nobody knows how

398
00:28:52,800 --> 00:28:55,040
Speaker 1: um after the season or no one knows how this

399
00:28:55,120 --> 00:28:58,320
Speaker 1: guy lives, like in a mystery, which is why I'm

400
00:28:58,320 --> 00:29:01,680
Speaker 1: annoyed with Zion Williamson. He doesn't speak to the media,

401
00:29:01,720 --> 00:29:04,040
Speaker 1: he doesn't post anything on social media, is like a

402
00:29:05,360 --> 00:29:06,800
Speaker 1: I don't know what this guy he but we know

403
00:29:06,880 --> 00:29:11,440
Speaker 1: he likes to eat. It's fat fuck. So Zion Williamson

404
00:29:11,560 --> 00:29:17,400
Speaker 1: posted a video of himself doing a ridiculous shirtless off

405
00:29:17,480 --> 00:29:23,000
Speaker 1: the backboard between the legs dunk which listen when Zion

406
00:29:23,080 --> 00:29:27,160
Speaker 1: Williamson is on the court, which is very rare. It's

407
00:29:28,240 --> 00:29:31,280
Speaker 1: pretty fucking spectacular to watch because he's a fat fuck.

408
00:29:33,040 --> 00:29:35,480
Speaker 1: He's built like a brick shit house, but not like

409
00:29:35,680 --> 00:29:38,120
Speaker 1: Myles Bridges, like he's got babies, like bam. He's literally

410
00:29:38,160 --> 00:29:40,440
Speaker 1: bam bam. It's a cliche, but he's truly bam bam.

411
00:29:42,400 --> 00:29:45,600
Speaker 1: And when he's been on the court and played games consistently.

412
00:29:45,680 --> 00:29:49,400
Speaker 1: You're like, this guy is very good. The potential is

413
00:29:50,880 --> 00:29:54,640
Speaker 1: truly there, but he got hurt. We haven't heard from him.

414
00:29:56,920 --> 00:30:00,640
Speaker 1: The New Orleans Pelicans, which he plays for, you reports

415
00:30:01,200 --> 00:30:03,080
Speaker 1: he doesn't want to be there. He wants to be traded.

416
00:30:03,200 --> 00:30:07,080
Speaker 1: That that that, that here, all these things. You haven't

417
00:30:07,080 --> 00:30:09,160
Speaker 1: seen him, You haven't heard from there's no interviews. And

418
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Speaker 1: I also think that if you're a star like Zion

419
00:30:11,200 --> 00:30:15,320
Speaker 1: Williamson and you're injured, you're a star like Ben Simmons,

420
00:30:15,680 --> 00:30:17,840
Speaker 1: you should be required by the NBA, even if you're

421
00:30:17,880 --> 00:30:20,960
Speaker 1: not playing, to speak to the press. It shouldn't be

422
00:30:21,000 --> 00:30:23,680
Speaker 1: like you just get to isolate and you become like

423
00:30:23,760 --> 00:30:27,920
Speaker 1: this mercurial big word for me, mercurial, weird, like sort

424
00:30:27,960 --> 00:30:35,400
Speaker 1: of precious little island until you're until your own probably

425
00:30:35,440 --> 00:30:37,960
Speaker 1: not saying that right. You should be forced to speak

426
00:30:38,000 --> 00:30:40,720
Speaker 1: to the media once a month, once every three weeks,

427
00:30:40,800 --> 00:30:43,360
Speaker 1: something like that, so you know we don't forget about you.

428
00:30:43,400 --> 00:30:46,240
Speaker 1: Because Ian Williams, you're not bigger than the NBA at all.

429
00:30:47,360 --> 00:30:51,560
Speaker 1: I mean figuratively, you're not. Literally you might be because

430
00:30:51,600 --> 00:30:55,720
Speaker 1: this is a doughnut eating motherfucker, but he posted this

431
00:30:56,000 --> 00:30:59,720
Speaker 1: ridiculous video of himself throwing the ball off the back

432
00:30:59,800 --> 00:31:03,080
Speaker 1: but word, and it looks crazy. Throws it off the

433
00:31:03,080 --> 00:31:04,600
Speaker 1: back and he put between it like he dunks and

434
00:31:04,800 --> 00:31:07,320
Speaker 1: like Jesus Christ. We also on the Diane Williamson, who

435
00:31:07,400 --> 00:31:09,200
Speaker 1: does that ship? Who's done it? At Duke did it

436
00:31:09,320 --> 00:31:12,160
Speaker 1: night School? Will never participate in an NBA Slam dunk contest.

437
00:31:12,640 --> 00:31:18,800
Speaker 1: Blame Lebron, Blame Lebron, who's playing ridiculously. I mean, you

438
00:31:18,840 --> 00:31:20,760
Speaker 1: could say what you want about Lebron, and trust me,

439
00:31:20,800 --> 00:31:27,400
Speaker 1: I've said it all, but he's playing ridiculously. But Zion

440
00:31:27,440 --> 00:31:31,400
Speaker 1: Williams posted this and I'm like, why are you doing that?

441
00:31:31,920 --> 00:31:35,520
Speaker 1: It's rude to the fans who you don't play for.

442
00:31:37,480 --> 00:31:40,840
Speaker 1: It's rude to the coaching staff, and it's rude to

443
00:31:40,920 --> 00:31:45,560
Speaker 1: your teammates because if you could do that ship but

444
00:31:45,680 --> 00:31:48,320
Speaker 1: you don't practice with the team, you're not playing with

445
00:31:48,480 --> 00:31:51,680
Speaker 1: the team. New Orleans ain't really doing anything right now.

446
00:31:51,760 --> 00:31:56,160
Speaker 1: New Orleans is hanging on for tenth place for the

447
00:31:56,280 --> 00:32:00,640
Speaker 1: Playing Tournament and you're you haven't played it all season

448
00:32:00,720 --> 00:32:03,360
Speaker 1: yet you're throwing the ball off the backboard and doing

449
00:32:03,440 --> 00:32:06,160
Speaker 1: some ship. That would be a fifty point slam dunk

450
00:32:06,240 --> 00:32:10,120
Speaker 1: contest dunk. If I'm the teammates, I'm like, Yo, my man,

451
00:32:10,920 --> 00:32:12,480
Speaker 1: what the funk are you doing? If I'm if I'm

452
00:32:12,560 --> 00:32:15,479
Speaker 1: David Griffin, if I'm the coach, we'll agree. I'm like, Yo,

453
00:32:15,560 --> 00:32:18,880
Speaker 1: what the fund is going on here? You're doing all

454
00:32:18,960 --> 00:32:21,480
Speaker 1: that flash ship, but you don't you don't practice with

455
00:32:21,600 --> 00:32:26,480
Speaker 1: the team. You're doing all that ship, but you like, what,

456
00:32:26,680 --> 00:32:29,800
Speaker 1: what's your deal? Why are you doing that? It doesn't

457
00:32:29,840 --> 00:32:32,280
Speaker 1: make any sense to me. To me, it's so rude

458
00:32:32,880 --> 00:32:35,920
Speaker 1: and so disrespectful to the fans and to the team

459
00:32:36,960 --> 00:32:42,240
Speaker 1: and to just everything that the NBA stands for. He

460
00:32:42,320 --> 00:32:46,040
Speaker 1: doesn't want to play in uh New Orleans. He ain't

461
00:32:46,040 --> 00:32:50,680
Speaker 1: gonna be there long, and it's just, in my opinion,

462
00:32:50,800 --> 00:32:53,200
Speaker 1: it's like, what are you doing this for? Unlet's that's like, Yo,

463
00:32:53,280 --> 00:32:55,360
Speaker 1: I'm coming back. I'll see you tonight. I'm We're playing

464
00:32:55,400 --> 00:33:02,480
Speaker 1: against Portland's. I'll be there Saturday. Cool. He's also wearing

465
00:33:02,520 --> 00:33:04,560
Speaker 1: his new Zion Williams and show, which I like, does

466
00:33:04,600 --> 00:33:08,800
Speaker 1: anybody give a funk about Zion williamson sneakers? Why would

467
00:33:08,800 --> 00:33:12,000
Speaker 1: anyone care? Like? No, he's not anybody's favorite player. He

468
00:33:12,000 --> 00:33:17,000
Speaker 1: hasn't played enough to become anybody's favorite player yet. Anyway,

469
00:33:18,480 --> 00:33:25,960
Speaker 1: what else is going on? Tyreek the Freak, Tyreek the

470
00:33:26,280 --> 00:33:33,240
Speaker 1: Freak Hill has signed with the Miami Dolphins for a

471
00:33:33,360 --> 00:33:36,080
Speaker 1: hundred and twenty million dollars and I say good for you,

472
00:33:36,280 --> 00:33:41,520
Speaker 1: Tyreeke the Freak. Um Kansas City Chiefs didn't want to

473
00:33:41,520 --> 00:33:43,280
Speaker 1: pay him what he wanted to pay because obviously they

474
00:33:43,320 --> 00:33:48,600
Speaker 1: paid my homeboy. I think what five million dollar contract?

475
00:33:50,640 --> 00:33:54,760
Speaker 1: And now Tyrek the Freak will no longer have one

476
00:33:54,800 --> 00:33:57,120
Speaker 1: of the best quarterbacks in the NFL, one of the

477
00:33:57,160 --> 00:34:00,360
Speaker 1: best quarterbacks in the NFL throwing the ball him. He

478
00:34:00,400 --> 00:34:05,080
Speaker 1: will have to. I'm not even gonna try to say

479
00:34:05,080 --> 00:34:08,880
Speaker 1: his last name from the Miami Dolphins. He's a Miami Dolphin,

480
00:34:09,960 --> 00:34:12,400
Speaker 1: which I'm sure he'll love playing for the Miami Dolphins.

481
00:34:12,400 --> 00:34:17,120
Speaker 1: Everybody loves living in Miami. They got Jalen Wattle, Cedric Wilson,

482
00:34:17,200 --> 00:34:24,600
Speaker 1: Davante Parker, Chase Edmonds, Raheem Mosert, and Mike Kasecki who

483
00:34:24,640 --> 00:34:26,680
Speaker 1: will get you some points in Fantasy football and then

484
00:34:26,719 --> 00:34:29,000
Speaker 1: other times get you no points. But he did well

485
00:34:29,200 --> 00:34:33,200
Speaker 1: last year, better than he did the year before. Four

486
00:34:33,280 --> 00:34:35,279
Speaker 1: years a d twenty million dollars and it is the

487
00:34:35,440 --> 00:34:39,080
Speaker 1: end of an error for the Kansas City Chiefs. Listen to,

488
00:34:39,280 --> 00:34:42,719
Speaker 1: I ain't gonna be throwing you the ball like Mahomeboy.

489
00:34:42,880 --> 00:34:45,040
Speaker 1: Those days are over. Your numbers are gonna go way

490
00:34:45,160 --> 00:34:49,319
Speaker 1: the funk down, Tyrek the Freak. And if Kansas City

491
00:34:49,600 --> 00:34:51,799
Speaker 1: couldn't find the money, didn't have the money, or didn't

492
00:34:51,840 --> 00:34:55,680
Speaker 1: want to pay you, I don't know. Uh, you deserve

493
00:34:55,800 --> 00:34:57,919
Speaker 1: to move on. And and this is why when people

494
00:34:57,960 --> 00:35:02,840
Speaker 1: start talking about Patrick Mahomeboy being the greatest ever and

495
00:35:03,120 --> 00:35:06,040
Speaker 1: Patrick Mahomeboy having the greatest career and giving him half

496
00:35:06,080 --> 00:35:10,200
Speaker 1: a billion dollars, he's better than Tom Brady. Listen. He

497
00:35:10,320 --> 00:35:12,520
Speaker 1: might be more skilled, he might be more athletic, he

498
00:35:12,600 --> 00:35:16,960
Speaker 1: might have a bigger arm than Tom Brady. But you know,

499
00:35:17,040 --> 00:35:22,760
Speaker 1: you get one injury, you lose Tyrek the Freak. Travis

500
00:35:22,880 --> 00:35:26,840
Speaker 1: Kells goes down. God forbid. You know somebody steps on

501
00:35:26,920 --> 00:35:31,279
Speaker 1: your foot, you know things can end quickly, especially for

502
00:35:31,400 --> 00:35:34,360
Speaker 1: a quarterback. And and that's why I went my homeboy,

503
00:35:34,400 --> 00:35:38,280
Speaker 1: who I love. Everybody loves him home boy. Not everybody

504
00:35:38,320 --> 00:35:40,879
Speaker 1: loves my homeboys, uh fiance and not everybody. I think

505
00:35:40,880 --> 00:35:43,279
Speaker 1: it's his wife now and not everybody loves my Homeboys brother,

506
00:35:43,320 --> 00:35:46,439
Speaker 1: but everybody loves Higgy home Boy. He's hard not to love.

507
00:35:48,680 --> 00:35:50,440
Speaker 1: May not like his voice, may not like his hair,

508
00:35:50,520 --> 00:35:54,480
Speaker 1: but everybody likes the way he plays the game. But

509
00:35:54,640 --> 00:35:57,319
Speaker 1: this is why when they're talking about comparing him as

510
00:35:57,400 --> 00:36:00,520
Speaker 1: the greatest of all time, the goat this that in

511
00:36:00,600 --> 00:36:05,600
Speaker 1: third he might not wind up being Eli Manning. He

512
00:36:05,719 --> 00:36:07,640
Speaker 1: might not ever make it to a super Bowl. Again,

513
00:36:08,400 --> 00:36:11,720
Speaker 1: there's nothing guaranteed in the NFL. There's nothing guaranteed in sports.

514
00:36:11,719 --> 00:36:16,200
Speaker 1: There's nothing guaranteed in life. They just lost one of

515
00:36:16,239 --> 00:36:23,520
Speaker 1: their greatest assets, one of the greatest weapons. He might

516
00:36:23,560 --> 00:36:25,760
Speaker 1: not be Drew Brees. He might not be Dan Marino

517
00:36:25,800 --> 00:36:30,000
Speaker 1: or Joe Montana or Steve Young. He could be surpassed

518
00:36:30,080 --> 00:36:36,719
Speaker 1: by Jumbo Josh. He might not be Kim Newton in

519
00:36:36,800 --> 00:36:41,080
Speaker 1: a total career. Because you never know why they let

520
00:36:41,160 --> 00:36:44,600
Speaker 1: Tyreek the Freak go. Who's a fucking Listen. Like I said,

521
00:36:44,920 --> 00:36:46,920
Speaker 1: Tyrek the Freak, your numbers are never gonna be the same.

522
00:36:46,960 --> 00:36:51,000
Speaker 1: I don't care how fast you are, how video game speed,

523
00:36:51,800 --> 00:36:55,000
Speaker 1: Tyreek to it. Whatever the fund his last name is,

524
00:36:55,000 --> 00:36:57,600
Speaker 1: is not going to be able to hook you up

525
00:36:57,640 --> 00:36:59,919
Speaker 1: the way my homeboy, did you not gonna have travil

526
00:37:00,200 --> 00:37:03,760
Speaker 1: Kells on this side and all the weapons that Kansas

527
00:37:03,800 --> 00:37:06,879
Speaker 1: City Chiefs offense has had for the last few years.

528
00:37:07,480 --> 00:37:11,120
Speaker 1: But it's a loss for Tarik the Freak, and it's

529
00:37:11,120 --> 00:37:14,680
Speaker 1: also a loss for Patrick mahomeboy and the Kansas City Chiefs.

530
00:37:15,120 --> 00:37:18,160
Speaker 1: But the the damage is done and he is no

531
00:37:18,360 --> 00:37:24,840
Speaker 1: longer playing for the Chiefs. He's playing down there in

532
00:37:25,480 --> 00:37:32,400
Speaker 1: my family. Finally, Patrick Beverley got into a little well,

533
00:37:32,440 --> 00:37:33,960
Speaker 1: he didn't. He wasn't even part of this. She was

534
00:37:34,160 --> 00:37:38,400
Speaker 1: the The Minnesota Timberwolves were playing the other day the

535
00:37:38,640 --> 00:37:43,120
Speaker 1: Milwaukee Bucks and a little skirmish between I don't even

536
00:37:43,160 --> 00:37:46,800
Speaker 1: know who it was. It didn't even make a difference

537
00:37:46,840 --> 00:37:50,120
Speaker 1: who it was. It had nothing to do with Patrick Beverley.

538
00:37:50,200 --> 00:37:53,560
Speaker 1: And what did Patrick Beverley do? He runs from damn

539
00:37:53,640 --> 00:37:59,600
Speaker 1: near half court and pushes one of the Milwaukee Bucks,

540
00:37:59,680 --> 00:38:04,560
Speaker 1: Oh Sergebaka from behind. This is the same dude who

541
00:38:04,719 --> 00:38:10,520
Speaker 1: pushed Chris Paul from behind like a true little chicken

542
00:38:10,600 --> 00:38:16,840
Speaker 1: head and House of Highlights, the iconic social media outlet

543
00:38:17,560 --> 00:38:24,160
Speaker 1: posted the clip of Patrick Beverley pushing Surgeon Baca from behind.

544
00:38:24,320 --> 00:38:26,120
Speaker 1: Had nothing to do with it. I mean pushed him

545
00:38:26,160 --> 00:38:30,560
Speaker 1: like a little fucking girl too, literally with his back turned.

546
00:38:31,520 --> 00:38:34,759
Speaker 1: So I saw it, and I posted something on how

547
00:38:34,920 --> 00:38:37,520
Speaker 1: House of Highlight said from behind again like a little

548
00:38:37,600 --> 00:38:43,319
Speaker 1: chicken head, and it got a lot of likes. I'm

549
00:38:43,400 --> 00:38:45,560
Speaker 1: done with Patrick Beverley after he did the Chris Paul

550
00:38:45,640 --> 00:38:47,359
Speaker 1: and this is supposed to miss the tough guy, mister

551
00:38:47,400 --> 00:38:50,680
Speaker 1: ship talker all this time. He pushed Chris Paul from

552
00:38:50,760 --> 00:38:53,520
Speaker 1: behind like I mean, truly, like on some sucker ship.

553
00:38:54,480 --> 00:38:57,520
Speaker 1: So he got a bunch of likes. Patrick Beverley probably

554
00:38:57,520 --> 00:39:00,319
Speaker 1: saw it because everybody sees everything. Listen, even the dudes

555
00:39:00,400 --> 00:39:02,719
Speaker 1: don't follow me, they all see my ship, all of them.

556
00:39:02,840 --> 00:39:07,080
Speaker 1: Myles Bridge already heard my review of his song. You

557
00:39:07,200 --> 00:39:08,840
Speaker 1: might not want to follow me, but these guys have

558
00:39:08,960 --> 00:39:14,200
Speaker 1: sub accounts, they have double sub accounts, they have secret

559
00:39:14,280 --> 00:39:17,200
Speaker 1: down low account They all see the gringo man dingo,

560
00:39:17,320 --> 00:39:20,800
Speaker 1: trust me. So Patrick Beverley, who doesn't follow me, he

561
00:39:21,080 --> 00:39:23,440
Speaker 1: crawls into my d M s. And I never told you,

562
00:39:23,560 --> 00:39:28,200
Speaker 1: guys when Durant had initially crawled into my d M s.

563
00:39:29,480 --> 00:39:32,680
Speaker 1: I didn't tell you when some of the other loud

564
00:39:32,760 --> 00:39:35,960
Speaker 1: mouths in the NBA have crawled into my d M

565
00:39:36,080 --> 00:39:42,160
Speaker 1: S talking ship. Very prominent loud mouth in the NBA

566
00:39:43,960 --> 00:39:46,319
Speaker 1: once crawled into my d MS talking ship. Why are

567
00:39:46,320 --> 00:39:48,839
Speaker 1: you saying this? You don't know anything about basketball. You're

568
00:39:48,840 --> 00:39:52,080
Speaker 1: trying to get attention. That's what they always say. You're

569
00:39:52,080 --> 00:39:56,000
Speaker 1: trying to get attention. No, no, not, motherfucker. I got

570
00:39:56,160 --> 00:40:01,440
Speaker 1: enough attention. You got a ten twelve year window of

571
00:40:01,560 --> 00:40:03,880
Speaker 1: time while you're gonna get attention. I've been doing this

572
00:40:04,000 --> 00:40:08,240
Speaker 1: thirty years. Fuck I don't. I don't need any attention.

573
00:40:09,800 --> 00:40:14,640
Speaker 1: I'm talking shit. So Patrick Beverley slides in my d

574
00:40:14,800 --> 00:40:18,400
Speaker 1: M S late at night, who doesn't follow me, and

575
00:40:18,520 --> 00:40:24,239
Speaker 1: he says, everything cool. I don't know if he didn't

576
00:40:24,280 --> 00:40:26,080
Speaker 1: put the yell on there, because that's something I don't

577
00:40:26,080 --> 00:40:28,920
Speaker 1: know what that is. But like everything cool, like you know,

578
00:40:29,000 --> 00:40:35,200
Speaker 1: everything cool? Right? He says everything cool? And I respond

579
00:40:35,280 --> 00:40:37,359
Speaker 1: the next day, which happened to me my birthday. I said,

580
00:40:38,080 --> 00:40:40,319
Speaker 1: I would never turn my back on you. Man, who

581
00:40:40,440 --> 00:40:46,920
Speaker 1: knows what would happen? Period Face to face equals jack bone,

582
00:40:47,000 --> 00:40:50,320
Speaker 1: meaning face to face you do nothing jack bone. But

583
00:40:50,880 --> 00:40:54,359
Speaker 1: if a man turns their back on Pat Bev, watch out.

584
00:40:55,239 --> 00:40:57,239
Speaker 1: He's liable to run up on you and push you

585
00:40:57,800 --> 00:41:00,480
Speaker 1: while your back is literally turned to you know what

586
00:41:00,560 --> 00:41:05,880
Speaker 1: they call that person in Western's Patrick Beverley. Anyway, the

587
00:41:05,920 --> 00:41:09,279
Speaker 1: reason why I'm sharing this with you, guys, listeners of

588
00:41:09,320 --> 00:41:11,759
Speaker 1: the Iron Rapport stereo podcast is because, like I said,

589
00:41:11,800 --> 00:41:15,200
Speaker 1: I didn't share the durant thing for months when this

590
00:41:15,280 --> 00:41:18,319
Speaker 1: guy was talking out of pocket. I haven't shared when

591
00:41:18,360 --> 00:41:21,120
Speaker 1: other people have crawled up in my deems. But now

592
00:41:21,560 --> 00:41:26,439
Speaker 1: the way we jump ahead of any possible incidents being

593
00:41:26,480 --> 00:41:28,960
Speaker 1: taken out of context or anything that I share it

594
00:41:29,040 --> 00:41:32,840
Speaker 1: with you only you, only the listeners of the I

595
00:41:32,920 --> 00:41:37,440
Speaker 1: Am Wrappaport stereo podcast. Any time one of these fox

596
00:41:37,920 --> 00:41:40,759
Speaker 1: slides up in my dear, not if it's a private conversation,

597
00:41:41,200 --> 00:41:45,280
Speaker 1: something nice, but you want to pop ship, Patrick Beverley,

598
00:41:46,120 --> 00:41:48,560
Speaker 1: I tell you I never turned my back on you,

599
00:41:48,719 --> 00:41:53,000
Speaker 1: my man, Who the fuck knows what what happened. I'll

600
00:41:53,080 --> 00:41:56,920
Speaker 1: keep you boasted with Patrick Beverley. I like the Minnesota

601
00:41:56,960 --> 00:41:59,440
Speaker 1: Timber Bowls. I don't know why this guy's bringing a

602
00:41:59,480 --> 00:42:01,560
Speaker 1: lot of attend because he's gonna bring attention to that team.

603
00:42:01,560 --> 00:42:04,680
Speaker 1: They're gonna get bumped out. They're gonna get bumped out,

604
00:42:04,920 --> 00:42:07,200
Speaker 1: but they're a good team. They're on the rise. Why

605
00:42:07,239 --> 00:42:11,239
Speaker 1: are you making them unn likable? Good team on the rise.

606
00:42:11,320 --> 00:42:17,080
Speaker 1: I'm done, Kane Saw disrupted. That's v I P information.

607
00:42:17,120 --> 00:42:22,359
Speaker 1: I just gave very important person information. Miles Journey gave

608
00:42:22,400 --> 00:42:26,000
Speaker 1: the Bleached Brothers Miles jourdanay K the Dust Brothers. Take

609
00:42:26,080 --> 00:42:28,520
Speaker 1: me auttie with something real niceness. Take me autie with

610
00:42:28,600 --> 00:42:32,000
Speaker 1: something real proper. Take me out of here with something real,

611
00:42:32,120 --> 00:42:35,080
Speaker 1: loud and real funky, something that you could rhyme awful

612
00:42:35,719 --> 00:42:37,680
Speaker 1: if you like to rhyme on the Beach I Am

613
00:42:37,719 --> 00:43:05,320
Speaker 1: Rapper Sterio podcast. I'm done. Pinking tink, pinking, tinkle, tink,

614
00:43:05,920 --> 00:43:11,280
Speaker 1: tinking tinkle, pinking pink, tink tink