WEBVTT - The Unsolved Murder of Jean Townsend

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<v Speaker 1>Welcome to Criminalia, a production of Shondaland Audio in partnership

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<v Speaker 1>with iHeartRadio.

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<v Speaker 2>In September of nineteen fifty four, twenty one year old

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<v Speaker 2>Gene Townshend was living with her parents on Bempton Drive

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<v Speaker 2>in South Ricelip, an area of West London in the

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<v Speaker 2>Borough of Hillingdon. She worked as a theatrical costume designer

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<v Speaker 2>and seamstress in London's West End and was developing a

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<v Speaker 2>highly respectable reputation. She was described as having been a

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<v Speaker 2>quote friend of stage and to actors. The director of

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<v Speaker 2>the company she worked for called her, quote a very

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<v Speaker 2>sweet girl, intelligent and charming. It sounds like things were

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<v Speaker 2>really taking off for this young woman until one night

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<v Speaker 2>when she was killed on her way home from a

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<v Speaker 2>social event. Who was responsible for her death remains a

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<v Speaker 2>mystery still today. Welcome to Criminalia. I'm Maria Tremarki and.

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<v Speaker 1>I'm Holly Frye. Jean's body was discovered the morning of

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<v Speaker 1>September fifteenth, at around seven am on an empty lot

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<v Speaker 1>to the north side of Victoria Road, right near its

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<v Speaker 1>intersection with Angus Drive, and she was only about six

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<v Speaker 1>hundred yards from home. Her body was found in tall grass,

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<v Speaker 1>but it was noted by those first to the scene

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<v Speaker 1>that the part of the grass that was usually very tall,

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<v Speaker 1>over six feet tall in some areas, was flattened. Maybe

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<v Speaker 1>considered authorities she had been dragged there. Scotland Yard quickly

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<v Speaker 1>put Detective Superintendent Paul Richardson in charge of the case.

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<v Speaker 1>He worked closely with local law enforcement and an investigative

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<v Speaker 1>team got started.

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<v Speaker 2>Jean had spent the evening of September fourteenth a party

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<v Speaker 2>with friends at a nightclub called the Pyramid Club not

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<v Speaker 2>far from her work. She left at about eleven PM

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<v Speaker 2>and boarded the final Central Line train home from the

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<v Speaker 2>West End that night. She was last seen walking out

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<v Speaker 2>of south Ry Slip Station at eleven forty five pm

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<v Speaker 2>along Victoria Road in the direction of her parents' house.

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<v Speaker 2>It was less than a twenty minute walk door to door,

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<v Speaker 2>but she was never seen alive again.

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<v Speaker 1>According to the post mortem conducted by Home Office pathologist

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<v Speaker 1>Professor Donald Tyr, Jeanne was found mostly clothed, though her shoes,

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<v Speaker 1>undergarments and stockings had been removed and carefully gathered beside

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<v Speaker 1>her body. Tyr determined her cause of death as strangulation.

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<v Speaker 1>The murder weapon according to his report, had been her

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<v Speaker 1>own black and gold silk scarf. He noted that otherwise

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<v Speaker 1>her body showed no signs of injury, nor were there

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<v Speaker 1>any signs of a struggle, and although a few items

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<v Speaker 1>of her clothing had been removed, there was also no

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<v Speaker 1>sign of sexual assault.

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<v Speaker 2>And that was all anyone knew. Still, early in the investigation,

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<v Speaker 2>authorities assumed a few things about that night. They didn't

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<v Speaker 2>believe Jean knew her killer, and they theorized that she

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<v Speaker 2>was most likely offered a ride or was forced into

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<v Speaker 2>a car after she left the train station, but those

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<v Speaker 2>were guesses. They didn't have any evidence to back either

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<v Speaker 2>of those things up.

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<v Speaker 1>The closest witness to the crime was believed to have

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<v Speaker 1>been Brenda Thompson, though her distance from the crime scene

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<v Speaker 1>made it a bit of a stretch, investigators did interview her.

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<v Speaker 1>Brenda lived with her parents on Westmead Road, which overlooked

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<v Speaker 1>the area of Victoria Road where Jane was killed. Brenda

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<v Speaker 1>had been in bed that night when she heard a

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<v Speaker 1>woman's scream. She recalled looking out the window, but stated

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<v Speaker 1>to authorities that she was unable to see any activity outside.

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<v Speaker 1>Calling for her father, the two listened at the window,

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<v Speaker 1>Brenda reported that they heard two men arguing, one of

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<v Speaker 1>whom had an American accent. In her account, Brenda also

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<v Speaker 1>stated that the evening prior to Jean's death, she herself

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<v Speaker 1>had had an encounter with two men as she walked

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<v Speaker 1>by the lot where Jean's body had been found. Those

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<v Speaker 1>men had tried to stop her, but she ran home.

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<v Speaker 2>The idea that an American voice was heard the night

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<v Speaker 2>of Jean's death raised suspicions and grew theories that she

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<v Speaker 2>was murdered by a member of the United States military.

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<v Speaker 2>Now this wasn't an impossible idea. American military were stationed

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<v Speaker 2>nearby at South Ry Slip Air Station, home to the

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<v Speaker 2>United States Air Force's Third Air Force. The Third had

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<v Speaker 2>been at Ryce Slip since nineteen fifty one with the

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<v Speaker 2>assignment of managing the growing presence of the Air Force

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<v Speaker 2>in the UK. Thousands of United States military personnel were

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<v Speaker 2>stationed there, and it became the investigation team's new focus.

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<v Speaker 2>Local rumors alleged that the base commander was unwilling to

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<v Speaker 2>allow his forces to be interviewed in the inquiry, and,

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<v Speaker 2>as rumors can do, true or faulse that only heightened

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<v Speaker 2>local suspicions against the American military's involvement in the case.

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<v Speaker 1>We're going to take a break here for a word

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<v Speaker 1>from our sponsors, and when we return, we'll talk about

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<v Speaker 1>the numerous women in South Ricelip who may have encountered

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<v Speaker 1>the mystery murderer before he killed jean.

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<v Speaker 2>Welcome back to Criminalia. Let's talk about related cases and

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<v Speaker 2>the details other women in South rice Slip were able

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<v Speaker 2>to provide based on their own scary encounters with the

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<v Speaker 2>guy who sounds like he could have been the prime

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<v Speaker 2>suspect fact if anyone could figure out who he was.

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<v Speaker 1>As investigators considered the possibility that their suspect might be

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<v Speaker 1>in the United States military, they also considered the possibility

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<v Speaker 1>that this wasn't the killer's first murder, and they tried

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<v Speaker 1>to tie these two theories together. Several similar recent murders

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<v Speaker 1>had happened in West Germany near American military bases, but

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<v Speaker 1>when investigated, no connection was made to the murder in

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<v Speaker 1>South Ricelip. Back in England, just a week before Jeanne's death,

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<v Speaker 1>on September sixth, a twenty eight year old sex worker

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<v Speaker 1>named Ellen Carlin, known as Red Helen because of her

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<v Speaker 1>long red hair was killed in Pimlico in central London,

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<v Speaker 1>shortly after being seen entering her room with a United

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<v Speaker 1>States Air Force sergeant. Screams were reportedly heard coming from

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<v Speaker 1>her room around midnight when she was found. Ellen had

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<v Speaker 1>been beaten about her head before being strangled with her

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<v Speaker 1>own skins, so these cases had overlap in regard to

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<v Speaker 1>the scarf. The American military theory didn't hold true here, though.

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<v Speaker 1>Scottish serial killer Peter Manuel confessed to Ellen's murder, but

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<v Speaker 1>that's always rung a little strange for many people. Manuel

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<v Speaker 1>terrorized Scotland in a series of brutal murders of young women,

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<v Speaker 1>so he certainly fit the profile. But his murder spree

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<v Speaker 1>took place between nineteen fifty six and nineteen fifty eight,

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<v Speaker 1>so that was after Ellen was killed. Investigators did not

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<v Speaker 1>link the deaths of Ellen and Jean.

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<v Speaker 2>Reports suggest that local police took more than six hundred

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<v Speaker 2>statements during the investigation of Jean's murder. One local woman

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<v Speaker 2>came forward claiming she had been followed and attacked by

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<v Speaker 2>a man with a quote high forehead on the same

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<v Speaker 2>road about a week before Jean's murder happened, and that

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<v Speaker 2>kicked off a slew of statements from other women.

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<v Speaker 1>Another local resident, Jacqueline, told reporters this she had been

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<v Speaker 1>approached repeatedly by a man with a high forehead who

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<v Speaker 1>spoke with an American accent and drove an American car.

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<v Speaker 1>She estimated that he was about thirty years old. Another

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<v Speaker 1>local woman, Joan Galla, came forward to claim that she

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<v Speaker 1>had been accosted by a man with a high forehead

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<v Speaker 1>on the Saturday night before Jean's murder. Several other women

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<v Speaker 1>also came forward, and each of them reported that they

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<v Speaker 1>had been approached by a quote strange man close to

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<v Speaker 1>where Jean's body had been found, and there were similarities

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<v Speaker 1>among these reports. One obviously it was a man, Two

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<v Speaker 1>it was a man that they all described as having

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<v Speaker 1>a high forehead, and three that man with the high

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<v Speaker 1>forehead had an American accent in most of these accounts,

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<v Speaker 1>and possibly an American car.

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<v Speaker 2>About three weeks after Jean's murder, missus Doris Bennell reported

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<v Speaker 2>to the local police that she had been followed and

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<v Speaker 2>attacked by a man outside North Harrow Station that's no

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<v Speaker 2>more than five miles or so from the South Ryeslip station.

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<v Speaker 2>She stated that her attacker had boarded the train at

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<v Speaker 2>Baker Street station and that he then watched her during

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<v Speaker 2>the entire ride until he followed her off the train

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<v Speaker 2>at North Harrow. It's there, according to her report, at

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<v Speaker 2>about midnight, where Doris confronted him about why he was

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<v Speaker 2>following her and that she wanted him to stop, and

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<v Speaker 2>that's when he attacked her. She managed to get away,

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<v Speaker 2>but only after a struggle during which she tore three

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<v Speaker 2>buttons off her assailant's jacket. She described her attacker as

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<v Speaker 2>a man in his thirties with a high forehead. She

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<v Speaker 2>returned to the scene the next day to collect the buttons.

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<v Speaker 2>She gave them to the police as she relayed details

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<v Speaker 2>of her attack, but nothing came from the incident or

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<v Speaker 2>the details she provided During the investigation. Some local residents

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<v Speaker 2>organized safe escorts for women to and from the train

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<v Speaker 2>station at night.

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<v Speaker 1>Sixteen years after Jane's death, her case still unsolved. A

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<v Speaker 1>woman named Gloria Booth was killed in the same manner

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<v Speaker 1>and in the same area. Investigators considered that maybe it

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<v Speaker 1>was the same killer, but they were never able to

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<v Speaker 1>substantiate that claim. By what is surely a strange coincidence

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<v Speaker 1>in twenty eighteen, twenty year old Osmond Shane was fatally

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<v Speaker 1>stabbed in essentially the exact same place as Jean and

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<v Speaker 1>Gloria had been killed. This is an area that has

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<v Speaker 1>since been dubbed the Rice Lip Murder Mile.

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<v Speaker 2>We are going to take a break for a word

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<v Speaker 2>from our sponsors. When we're back, we'll talk about where

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<v Speaker 2>the case stands today.

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<v Speaker 1>Welcome back to Criminalia. Case came alive again in the

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<v Speaker 1>nineteen eighties, so let's talk about the good and the

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<v Speaker 1>not so good about that revival.

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<v Speaker 2>In nineteen eighty two, following a cluster of anonymous phone

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<v Speaker 2>calls about Jean's death, local police started reviewing the case

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<v Speaker 2>files again. The calls went nowhere, but nearly thirty years

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<v Speaker 2>after the murder, investigators concluded two things from them, though

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<v Speaker 2>they didn't go into reasons. Authorities were now one hundred

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<v Speaker 2>percent positive that the killer had not been in the

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<v Speaker 2>United States Air Force, and they also didn't think Jean's

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<v Speaker 2>murder was linked to any other suspicious activity in the

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<v Speaker 2>area at the time, but the case it still didn't

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<v Speaker 2>move forward.

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<v Speaker 1>Jean's mother, Lillian Townsend, was interviewed by The Daily Mail

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<v Speaker 1>that same year, and she was quoted saying I never

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<v Speaker 1>really got over her death. A clairvoyant told me whoever

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<v Speaker 1>did it was far away across water. But now it's

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<v Speaker 1>nothing to me. I am not vindictive. I don't know

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<v Speaker 1>why they should reopen the case.

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<v Speaker 2>Jump ahead to fifty one years after Jean's murder to

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<v Speaker 2>two thousand and five. Reg Hargrave, a former neighbor and

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<v Speaker 2>school friend of Jean's, believed there was a cover up

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<v Speaker 2>by authorities and formally requested access to the police files

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<v Speaker 2>for the case. By this time, the files had been

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<v Speaker 2>moved to the National Archives in Q, but regardless of location,

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<v Speaker 2>the request for the case files via the Freedom of

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<v Speaker 2>Information Act was refused. An appeal was heard in a

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<v Speaker 2>closed door hearing in late two thousand and seven, but

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<v Speaker 2>ultimately the Information Tribunal dismissed the appeal and ruled to

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<v Speaker 2>withhold the case files from public inspection until the year

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<v Speaker 2>twenty thirty one. I know, right, so let's talk about

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<v Speaker 2>the agenda of that hearing.

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<v Speaker 1>Members of the investigative team addressed those in attendance. A

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<v Speaker 1>retired detective who had worked on Jane's case claimed that

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<v Speaker 1>investigators did have someone in mind at the time, but

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<v Speaker 1>they didn't have enough evidence to bring him in for questioning.

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<v Speaker 1>It was also disclosed that though the case files had

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<v Speaker 1>been substantial, a number of items had gone missing over

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<v Speaker 1>the years.

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<v Speaker 2>There was some evidence presented and reviewed. Jane's clothing had

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<v Speaker 2>been re examined by the Forensic Science Service in the

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<v Speaker 2>nineteen nineties in an effort to obtain DNA evidence, but

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<v Speaker 2>the results were quote, nothing of value. The tribunal also

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<v Speaker 2>reviewed the original post mortem report from nineteen fifty four.

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<v Speaker 2>Pathologist Tyr who conducted that autopsy, recounted his report and

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<v Speaker 2>then began to make unsolicited guesses about the crime, wondering

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<v Speaker 2>aloud that because some of Jane's clothing had been removed

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<v Speaker 2>and the clothing she was wearing had been a little

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<v Speaker 2>quote disturbed, if her death had been an attempted sexual

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<v Speaker 2>assault that had ended in now that was all one

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<v Speaker 2>pure speculation.

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<v Speaker 1>Given the number of reported instances of local women being

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<v Speaker 1>approached in the weeks and days prior to Jean's murder,

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<v Speaker 1>each by a man who they all described in pretty

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<v Speaker 1>similar ways, but not in a lot of detail, the

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<v Speaker 1>tribunal felt the attack was likely a quote premeditated but

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<v Speaker 1>opportunistic murderer in their closing document, they stated, and this

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<v Speaker 1>is a small quote if you can believe it quote.

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<v Speaker 1>The critical issue is whether there is indeed any substantial

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<v Speaker 1>likelihood of the murderer being detected and or a prosecution

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<v Speaker 1>being undertaken. Whilst we have regard to the general consideration

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<v Speaker 1>set out in the Information Commissioners and the Metropolitan Police's submissions,

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<v Speaker 1>and in a statement by Scotland Yards Detective Superintendent David Maveld,

0:14:57.240 --> 0:15:00.440
<v Speaker 1>who was representing the Commissioner at the hearing, we are

0:15:00.480 --> 0:15:03.080
<v Speaker 1>not impressed by some of them. Given the age of

0:15:03.120 --> 0:15:05.960
<v Speaker 1>the case. There is no reason of which we are

0:15:06.000 --> 0:15:09.200
<v Speaker 1>aware why any witness should now have a critical change

0:15:09.200 --> 0:15:13.880
<v Speaker 1>of heart or crisis of conscience. Forensic science may advance

0:15:13.920 --> 0:15:17.280
<v Speaker 1>in unforeseen ways, and a detective might spot a connection

0:15:17.640 --> 0:15:21.720
<v Speaker 1>which eluded his or her predecessors fifty years ago. Such

0:15:21.800 --> 0:15:25.920
<v Speaker 1>possibilities of progress cannot be excluded, but they hardly amount

0:15:26.000 --> 0:15:29.080
<v Speaker 1>to substantial reasons for thinking that there will ever be

0:15:29.120 --> 0:15:33.760
<v Speaker 1>a future investigation which might be prejudiced. Where information is

0:15:33.840 --> 0:15:37.640
<v Speaker 1>requested as to a long dormant investigation, it may well

0:15:37.680 --> 0:15:41.560
<v Speaker 1>be that a simple recitation of standard policy arguments will

0:15:41.600 --> 0:15:44.760
<v Speaker 1>not suffice to overcome the first hurdle standing in the

0:15:44.760 --> 0:15:49.400
<v Speaker 1>way of this exemption. This document continues quote. However, we

0:15:49.480 --> 0:15:53.080
<v Speaker 1>heard further evidence in the private session which clearly altered

0:15:53.080 --> 0:15:55.880
<v Speaker 1>our view on this issue. Because it was specific to

0:15:55.960 --> 0:15:59.840
<v Speaker 1>this case. It did not indicate that a future identification

0:16:00.160 --> 0:16:04.080
<v Speaker 1>prosecution of the killer was more likely than not. It

0:16:04.120 --> 0:16:07.800
<v Speaker 1>did persuade us that there was a significant possibility of

0:16:07.840 --> 0:16:11.800
<v Speaker 1>such a development, such as to satisfy the test imposed

0:16:11.800 --> 0:16:13.080
<v Speaker 1>by section thirty one.

0:16:13.960 --> 0:16:17.360
<v Speaker 2>Okay, so that was a little dense to get through.

0:16:17.480 --> 0:16:20.720
<v Speaker 2>So let's talk about what the tribunal meant by exceptions

0:16:20.840 --> 0:16:24.680
<v Speaker 2>and section thirty one, because it's important to understand why

0:16:24.760 --> 0:16:26.840
<v Speaker 2>it may or may not mean justice for Gene in

0:16:26.880 --> 0:16:30.720
<v Speaker 2>the future. There are some legal exemptions for refusing to

0:16:30.760 --> 0:16:35.080
<v Speaker 2>release information under regulations of the UK Freedom of Information Act,

0:16:35.600 --> 0:16:39.280
<v Speaker 2>and the Tribunal felt one exemption, called the prejudice based

0:16:39.280 --> 0:16:43.760
<v Speaker 2>exemption was appropriate to keep the case closed. It states

0:16:43.840 --> 0:16:48.680
<v Speaker 2>that public authorities must demonstrate that disclosing certain information could

0:16:48.680 --> 0:16:52.680
<v Speaker 2>interfere with or undermine the work of law enforcement agencies.

0:16:53.280 --> 0:16:56.720
<v Speaker 2>The Tribunal concluded that even though there was nothing to

0:16:56.760 --> 0:17:01.359
<v Speaker 2>suggest that identification of the killer, either through a confession

0:17:01.600 --> 0:17:06.199
<v Speaker 2>or new information, was in any way imminent. The quote

0:17:06.440 --> 0:17:10.879
<v Speaker 2>considerable passage of time has not destroyed any possibility of

0:17:10.960 --> 0:17:14.840
<v Speaker 2>prosecuting a suspected offender. Not only did they want to

0:17:14.880 --> 0:17:18.040
<v Speaker 2>avoid bias or influence on the future of the case,

0:17:18.680 --> 0:17:22.840
<v Speaker 2>the tribunal also believed that public interest favored the files

0:17:22.880 --> 0:17:24.879
<v Speaker 2>to be withheld from public inspection.

0:17:25.800 --> 0:17:31.040
<v Speaker 1>Seventy years later, Jean's murder remains unsolved, her case file

0:17:31.119 --> 0:17:34.479
<v Speaker 1>remains closed at least until twenty thirty one, and the

0:17:34.480 --> 0:17:38.920
<v Speaker 1>man with the high forehead, he and his possible American accent,

0:17:39.400 --> 0:17:40.600
<v Speaker 1>remain a mystery.

0:17:41.040 --> 0:17:42.680
<v Speaker 2>This one is very much a mystery.

0:17:43.240 --> 0:17:44.760
<v Speaker 1>With all of that in mind, would you like to

0:17:44.760 --> 0:17:46.000
<v Speaker 1>step into the cooler with me?

0:17:46.520 --> 0:17:47.520
<v Speaker 2>I would very much.

0:17:47.680 --> 0:17:50.399
<v Speaker 1>So here's what I of course obsessed. O. Yeah, in

0:17:50.480 --> 0:17:52.360
<v Speaker 1>six years, I'm going to be following up on this,

0:17:53.440 --> 0:17:58.119
<v Speaker 1>and so this drink is called six years. And I

0:17:58.280 --> 0:18:01.399
<v Speaker 1>wanted to because there is an a lot of information

0:18:02.400 --> 0:18:05.359
<v Speaker 1>regarding her case, at least not that's been publicly available.

0:18:05.600 --> 0:18:08.439
<v Speaker 1>I wanted to keep it a little bit simple. And

0:18:08.520 --> 0:18:12.720
<v Speaker 1>because that high forehead thing keeps coming up, which, by

0:18:12.760 --> 0:18:15.240
<v Speaker 1>the way, I mean maybe this is just me, but

0:18:15.280 --> 0:18:17.800
<v Speaker 1>I kept thinking, how high is this forehead that that's

0:18:17.840 --> 0:18:20.720
<v Speaker 1>the one identifying thing that every woman mentioned.

0:18:20.840 --> 0:18:22.280
<v Speaker 2>I thought so too, like did he did?

0:18:22.520 --> 0:18:23.320
<v Speaker 1>Was it? That was it?

0:18:23.440 --> 0:18:24.720
<v Speaker 2>That was the thing.

0:18:25.760 --> 0:18:28.640
<v Speaker 1>So that made me think of something we haven't really

0:18:28.640 --> 0:18:30.680
<v Speaker 1>talked about on the show before, and that's highballs.

0:18:30.840 --> 0:18:31.800
<v Speaker 2>Hey we haven't.

0:18:32.320 --> 0:18:36.840
<v Speaker 1>But like, highballs are not fancy wild drinks at all.

0:18:37.600 --> 0:18:43.200
<v Speaker 1>All a high ball is is spirit, usually an ounce

0:18:43.240 --> 0:18:45.760
<v Speaker 1>and a half, maybe two ounces if you got a

0:18:45.800 --> 0:18:49.159
<v Speaker 1>heavy hand and a mixer. That's all it is. So

0:18:49.280 --> 0:18:54.119
<v Speaker 1>like when you order like a vodka cranberry or a

0:18:54.119 --> 0:18:58.800
<v Speaker 1>whiskey ginger, you're essentially ordering a high ball. And the

0:18:59.200 --> 0:19:02.520
<v Speaker 1>proportion is important there because there there's much more of

0:19:02.560 --> 0:19:05.439
<v Speaker 1>the mixer than the spirit. Normally, it's there intended to

0:19:05.440 --> 0:19:07.600
<v Speaker 1>be a pretty light drink that you could have several

0:19:07.640 --> 0:19:13.640
<v Speaker 1>of without really getting super smashed. But so I was like, great,

0:19:13.680 --> 0:19:15.640
<v Speaker 1>let's come up with our own high ball. That way

0:19:15.680 --> 0:19:17.760
<v Speaker 1>we can keep the ingredients down to a minimum. We

0:19:17.800 --> 0:19:20.439
<v Speaker 1>do have more than just two. And I wanted it

0:19:20.480 --> 0:19:26.040
<v Speaker 1>to be gold because of the Pyramid Club for some reason,

0:19:26.119 --> 0:19:30.560
<v Speaker 1>like that really stuck in my mind, which I associate

0:19:30.640 --> 0:19:35.560
<v Speaker 1>with you know, Egypt and golden leaf things. And here

0:19:35.640 --> 0:19:38.040
<v Speaker 1>was the big thing because we have to wait six

0:19:38.080 --> 0:19:43.560
<v Speaker 1>more years for these documents to be released, maybe released right,

0:19:44.000 --> 0:19:47.560
<v Speaker 1>for them to go through it re evaluated, right. I

0:19:47.600 --> 0:19:51.480
<v Speaker 1>also wanted to include ingredients that are associated with hope

0:19:52.680 --> 0:19:54.840
<v Speaker 1>because we hope that it happens, and we hope we

0:19:54.920 --> 0:19:58.120
<v Speaker 1>find out more about what happened to Gene, whether there

0:19:58.200 --> 0:20:01.600
<v Speaker 1>was a cover up, whether this was just like a

0:20:01.800 --> 0:20:05.000
<v Speaker 1>person who had this idea in mind that they wanted

0:20:05.000 --> 0:20:07.760
<v Speaker 1>to commit a murderer random poor Gene just happened to

0:20:07.760 --> 0:20:12.199
<v Speaker 1>be the person. So, doing a bit of research on

0:20:12.320 --> 0:20:14.920
<v Speaker 1>things that have been associated with hope, two things kept

0:20:14.960 --> 0:20:18.840
<v Speaker 1>coming up across a lot of different cultures and in

0:20:18.880 --> 0:20:20.320
<v Speaker 1>a lot of different ways, and in a lot of

0:20:20.320 --> 0:20:23.199
<v Speaker 1>different iterations of what hope means within those cultures. But

0:20:23.280 --> 0:20:26.680
<v Speaker 1>one of them is honey, which comes up a lot interesting,

0:20:26.680 --> 0:20:31.520
<v Speaker 1>and another is apples like the and the two combined

0:20:31.560 --> 0:20:36.760
<v Speaker 1>are often in multiple different cultures used as like part

0:20:36.920 --> 0:20:41.320
<v Speaker 1>of a food spread on events or holidays that are

0:20:41.359 --> 0:20:46.119
<v Speaker 1>associated with new beginnings. So those seemed good to me, so,

0:20:46.480 --> 0:20:48.640
<v Speaker 1>but we're not gonna do a lot of either of them,

0:20:48.760 --> 0:20:52.320
<v Speaker 1>just enough to add a little a little softness to

0:20:52.400 --> 0:20:54.879
<v Speaker 1>this drink. So you're gonna use just a half ounce

0:20:54.880 --> 0:20:57.520
<v Speaker 1>of honey. We're not you don't have to do honey syrup.

0:20:57.560 --> 0:20:59.960
<v Speaker 1>We're about to kind of make it on our own.

0:21:00.720 --> 0:21:02.600
<v Speaker 1>You're gonna do a half ounce of honey and then

0:21:02.640 --> 0:21:05.439
<v Speaker 1>a half ounce of apple juice, and I would use

0:21:05.480 --> 0:21:07.719
<v Speaker 1>a pretty low sugar one here. Because you are using honey.

0:21:09.000 --> 0:21:11.480
<v Speaker 1>You may want to let that just sit together for

0:21:11.520 --> 0:21:14.040
<v Speaker 1>a little while and give it a stir like I

0:21:14.480 --> 0:21:16.520
<v Speaker 1>just put it like a ramkin and stirred it here

0:21:16.560 --> 0:21:18.000
<v Speaker 1>and there. Because we're not going to do this in

0:21:18.040 --> 0:21:20.560
<v Speaker 1>a shaking tin. We're building in the glass again to

0:21:20.640 --> 0:21:24.639
<v Speaker 1>keep it simple. And so once that's well incorporated, you

0:21:24.720 --> 0:21:28.640
<v Speaker 1>will get a high ball glass or a glass stick

0:21:28.640 --> 0:21:32.320
<v Speaker 1>and hold, you know, about ten to twelve ounces of liquid,

0:21:32.440 --> 0:21:37.120
<v Speaker 1>fill it with ice, pour over your honey in apple mixture,

0:21:37.800 --> 0:21:40.199
<v Speaker 1>and then on top of that, you're gonna pour an

0:21:40.240 --> 0:21:43.320
<v Speaker 1>ounce and a half of Reposodo tequila, and then four

0:21:43.359 --> 0:21:47.399
<v Speaker 1>to five ounces of a sharp ginger ale. When I

0:21:47.440 --> 0:21:50.520
<v Speaker 1>say sharp ginger ale, here's what I mean. We all

0:21:50.560 --> 0:21:53.160
<v Speaker 1>know the big name ginger ales that are in your

0:21:53.160 --> 0:21:55.320
<v Speaker 1>grocery store, which are wonderful and I use them all

0:21:55.400 --> 0:21:58.560
<v Speaker 1>the time, but they're not for this drink. They can't.

0:21:58.600 --> 0:22:01.280
<v Speaker 1>They can be if you want it softer, but what

0:22:01.320 --> 0:22:04.800
<v Speaker 1>we really want is something that is just a little edgy.

0:22:04.880 --> 0:22:07.280
<v Speaker 1>Or so you're gonna go in my grocery store. I

0:22:07.320 --> 0:22:10.000
<v Speaker 1>know there's kind of a separate area on the soft

0:22:10.080 --> 0:22:14.040
<v Speaker 1>drinks aisle that is clearly like these are for mixed drinks.

0:22:14.280 --> 0:22:17.439
<v Speaker 1>Might have the same yeah, right where they have like

0:22:17.520 --> 0:22:21.080
<v Speaker 1>the brands that are really made for bartending and mixed

0:22:21.160 --> 0:22:23.639
<v Speaker 1>drink stuff. And choose one of those ginger ales, or

0:22:23.680 --> 0:22:25.439
<v Speaker 1>if you have one that's a little sharp that you

0:22:25.480 --> 0:22:28.120
<v Speaker 1>really love, great, and that's it. You're just gonna pour

0:22:28.160 --> 0:22:30.680
<v Speaker 1>the repisoud of tequila in, pour the sharp ginger ale

0:22:30.760 --> 0:22:33.160
<v Speaker 1>over it, and you are ready to serve. You can

0:22:33.160 --> 0:22:35.760
<v Speaker 1>do it with a little apple slice garnish if you want.

0:22:36.240 --> 0:22:37.959
<v Speaker 1>You can even dip that apple in a little bit

0:22:38.000 --> 0:22:39.919
<v Speaker 1>of honey if you really want to sell this idea

0:22:39.920 --> 0:22:44.200
<v Speaker 1>of hope. But it's a very simple drink, super easy

0:22:44.240 --> 0:22:48.080
<v Speaker 1>to make, really easy to sip on, not too heavy.

0:22:48.200 --> 0:22:50.000
<v Speaker 1>Here's a nice thing. It's also a little bit of

0:22:50.000 --> 0:22:53.440
<v Speaker 1>a choose your own adventure because if you don't like tequila,

0:22:53.560 --> 0:22:54.440
<v Speaker 1>that's no problem.

0:22:54.880 --> 0:22:56.040
<v Speaker 2>This will work with other things.

0:22:56.200 --> 0:22:58.280
<v Speaker 1>I mean, it really feel you can literally do this

0:22:58.440 --> 0:23:01.080
<v Speaker 1>with your bourbon, with your gin in, with your vodka.

0:23:01.200 --> 0:23:03.400
<v Speaker 1>You could do it with run like you can kind

0:23:03.400 --> 0:23:06.159
<v Speaker 1>of put in whatever your spirit of choice is. But

0:23:06.240 --> 0:23:09.520
<v Speaker 1>I wanted to do tequila because it just felt right.

0:23:10.080 --> 0:23:12.480
<v Speaker 1>We haven't used it a bunch of this this season yet.

0:23:12.520 --> 0:23:15.760
<v Speaker 1>And also I don't know, I kind of think about

0:23:15.760 --> 0:23:17.960
<v Speaker 1>this as like the kind of drink they would serve

0:23:18.240 --> 0:23:21.399
<v Speaker 1>at a post theater party at a club called the

0:23:21.400 --> 0:23:23.919
<v Speaker 1>Pyramid Club. I know, it just feels like the right

0:23:24.000 --> 0:23:27.399
<v Speaker 1>drink for it. So for the mocktail, super duper easy.

0:23:27.480 --> 0:23:30.920
<v Speaker 1>All you're gonna do is you're gonna build it as

0:23:30.960 --> 0:23:34.000
<v Speaker 1>it is. Since we're already dealing with a pretty diluted

0:23:34.200 --> 0:23:38.120
<v Speaker 1>spirit situation here, You're just gonna up your ginger ale amount.

0:23:38.480 --> 0:23:42.480
<v Speaker 1>But in addition, when you're mixing your honey and your

0:23:42.480 --> 0:23:46.679
<v Speaker 1>apple juice, you're also gonna add about three quarters of

0:23:46.680 --> 0:23:51.600
<v Speaker 1>an ounce of just plain water and a couple of

0:23:51.600 --> 0:23:54.080
<v Speaker 1>slices of klopeno, and you're gonna mix them together and

0:23:54.160 --> 0:23:56.920
<v Speaker 1>let them sit a little bit together. And you want

0:23:56.960 --> 0:23:59.240
<v Speaker 1>fresh halopeno here, this is not your time for your pickle,

0:23:59.560 --> 0:24:02.720
<v Speaker 1>your pickle talapeno. You're gonna let them all sit together

0:24:02.840 --> 0:24:05.280
<v Speaker 1>for a little bit stirm STM storm and you'll strain

0:24:05.400 --> 0:24:07.880
<v Speaker 1>that one in that case, Or if you could, if

0:24:07.880 --> 0:24:10.919
<v Speaker 1>you just want to pull your halopeno slices out and

0:24:10.960 --> 0:24:13.000
<v Speaker 1>you can get all the seeds, great, you just don't

0:24:13.000 --> 0:24:16.000
<v Speaker 1>want any residue or bits of halopena left in there.

0:24:16.240 --> 0:24:17.840
<v Speaker 1>And then that just kind of kicks it up. It

0:24:17.840 --> 0:24:20.960
<v Speaker 1>gives it a little bit of that deeper flavor that

0:24:21.080 --> 0:24:26.280
<v Speaker 1>the Reposato tequila would normally impart. But it's also a

0:24:26.400 --> 0:24:30.480
<v Speaker 1>very breezy sip in it's gold. Yeah, it's a really

0:24:30.480 --> 0:24:33.720
<v Speaker 1>it's very crisp and refreshing. So that is the six

0:24:33.800 --> 0:24:37.639
<v Speaker 1>years I know, I'm putting it on my twenty thirty

0:24:37.640 --> 0:24:39.800
<v Speaker 1>one calendar that we got to follow up on this.

0:24:40.359 --> 0:24:45.359
<v Speaker 2>So let me tell you like that Hearing originally closed

0:24:45.440 --> 0:24:51.240
<v Speaker 2>the files until twenty fifty something and then backed off

0:24:51.720 --> 0:24:54.080
<v Speaker 2>on it to twenty thirty one. So we're actually a

0:24:54.119 --> 0:24:55.880
<v Speaker 2>little lucky in that record.

0:24:56.080 --> 0:25:01.639
<v Speaker 1>A little a little justice for Gene, I really like.

0:25:01.720 --> 0:25:04.520
<v Speaker 1>I just it does seem weird that they're.

0:25:04.280 --> 0:25:09.359
<v Speaker 2>Like, no, I can't have them, no, thank you, Uh.

0:25:09.080 --> 0:25:11.040
<v Speaker 1>We don't need to. It makes me, it makes me

0:25:11.040 --> 0:25:13.120
<v Speaker 1>start to believe her friend, who is like, I think

0:25:13.200 --> 0:25:14.800
<v Speaker 1>there's a cover up. What are you hiding?

0:25:14.880 --> 0:25:16.520
<v Speaker 2>Why can't I have them? I know I have the

0:25:16.560 --> 0:25:20.000
<v Speaker 2>same thoughts whenever, whenever I'm writing about a Foyer refusal

0:25:20.040 --> 0:25:23.399
<v Speaker 2>in particular, Yeah, what about that? Don't you want me

0:25:23.440 --> 0:25:25.600
<v Speaker 2>to see? Is what always just comes to mind.

0:25:26.400 --> 0:25:30.440
<v Speaker 1>So hopefully, as you sip this drink, you have clarity.

0:25:30.520 --> 0:25:32.560
<v Speaker 1>You don't have to wait on anything to be revealed

0:25:32.560 --> 0:25:36.280
<v Speaker 1>to you. We will reveal yet another story to you

0:25:36.400 --> 0:25:39.439
<v Speaker 1>next week, and another drink recipe with a mocktail to

0:25:39.440 --> 0:26:03.960
<v Speaker 1>go with it. Criminalia is a production of Shondaland Audio

0:26:04.040 --> 0:26:08.280
<v Speaker 1>in partnership with iHeartRadio. For more podcasts from Shondaland Audio,

0:26:08.640 --> 0:26:12.239
<v Speaker 1>please visit the iHeartRadio app, Apple Podcasts, or wherever you

0:26:12.280 --> 0:26:13.639
<v Speaker 1>listen to your favorite shows.