WEBVTT - Danny McBride, Our Close

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<v Speaker 1>Meg Ryan, Richard Gear, Richard Gear, Michelle Pfeiffer.

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<v Speaker 2>Michelle, can I do mister? Okay, that's fine. I was

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<v Speaker 2>gonna get wrong anyway. I asked to do one. Hey

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<v Speaker 2>is there a delay?

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<v Speaker 1>Can you not hear me? There is a little delay,

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<v Speaker 1>I think.

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<v Speaker 2>Okay, Yeah, I hope so.

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<v Speaker 3>I hope so because I asked to do one, and

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<v Speaker 3>I think Danny would have liked to see me do one.

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<v Speaker 4>I would whisper to me, it's not doing one. It's

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<v Speaker 4>just like that. Those are they've kind of been with

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<v Speaker 4>us from the beginning.

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<v Speaker 1>Those are our guys. That's it. That's our core for

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<v Speaker 1>improved the meetings being recorded.

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<v Speaker 2>I'm going to approve that.

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<v Speaker 1>Yeah, have it. Transcribe it to the AI. Write everything down.

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<v Speaker 3>I'd like the AI assistant to describe what's happening. Actually,

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<v Speaker 3>you know what, that's a good idea, Kevin. Can you

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<v Speaker 3>run the AI assistant during this and then maybe the

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<v Speaker 3>last two minutes of the episode can be you describing

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<v Speaker 3>back to us what the AI assistant things was happening.

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<v Speaker 1>This would be helpful, I think, And we publish that. Yeah,

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<v Speaker 1>just make that the podcast.

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<v Speaker 4>I mean you like you've done like it can happen. Like,

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<v Speaker 4>you can take your ideas, you can translate them, you

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<v Speaker 4>can put that in a book.

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<v Speaker 1>If they're good. If they're good, Yeah, that's the the if.

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<v Speaker 1>That's the if.

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<v Speaker 4>Danny McBride, thank you for joining us today. The book

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<v Speaker 4>is thrilling tales of modern men on is it shelves

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<v Speaker 4>or is it just kind of one shelf and they

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<v Speaker 4>come to the book.

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<v Speaker 1>I think we're going to find one centrally located shelf

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<v Speaker 1>and people will have to find their way there. Yeah, right,

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<v Speaker 1>you just you save on a lot of shipping and uh.

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<v Speaker 1>It creates that communal experience.

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<v Speaker 4>People are like gathered around, they're they're talking about the book.

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<v Speaker 4>They're like maybe kind of pushing each other a little bit.

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<v Speaker 1>Maybe they're copies. Yeah, good place to do a little fretage.

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<v Speaker 1>I'd get in that line. Yeah, was that Richie who

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<v Speaker 1>said that? Get in lunechie, Richie.

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<v Speaker 3>I leave the studio for five minutes and all of

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<v Speaker 3>a sudden you get real brave in. Then I'll tell

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<v Speaker 3>you what you were not chiming in without being asked

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<v Speaker 3>when I was by what.

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<v Speaker 2>Kind of ship are you running?

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<v Speaker 1>Richie?

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<v Speaker 2>This is some of the modern masculinity that you don't

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<v Speaker 2>see anymore.

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<v Speaker 1>No, So this is actually I'm so glad you're here.

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<v Speaker 1>This is what we wanted to talk about.

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<v Speaker 4>Richie did text me on the way and that he

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<v Speaker 4>was feeling froggy today, okay, and he was getting ready

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<v Speaker 4>to hop And I think we're seeing that now.

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<v Speaker 1>I'm hopping all over the place. You Danny. Uh, you know,

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<v Speaker 1>we go back a little bit. We have for a

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<v Speaker 1>long time. For a long time. You started. You and

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<v Speaker 1>I worked the other the first time in what the

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<v Speaker 1>third season of each fourth season when it got good. Yeah,

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<v Speaker 1>you were the third, weren't you.

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<v Speaker 4>They brought me in the third to like do emergency

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<v Speaker 4>surgery on it. Yes, yes, And then they brought me

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<v Speaker 4>in for the fourth. Yeah, they're me Amy. I brought

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<v Speaker 4>you in, Amy and Steve and it was really it

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<v Speaker 4>was Steve Baker.

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<v Speaker 1>I said, we need help, we need help, and uh,

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<v Speaker 1>and they get They brought us you and I and

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<v Speaker 1>I said, I think that was easy.

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<v Speaker 3>I think I had a give just to say I

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<v Speaker 3>would obviously a huge fan of the show, love what

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<v Speaker 3>Hayes did on the show, love what you did on

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<v Speaker 3>the show.

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<v Speaker 2>And I think I had something at that point.

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<v Speaker 3>Which is just unfortunate because it would have been fun

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<v Speaker 3>for all three of us to work together. That what

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<v Speaker 3>I'm already feeling actually that this, you know, the dynamic.

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<v Speaker 2>Is and maybe we find something.

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<v Speaker 1>It was weird and was like, I have no friends.

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<v Speaker 1>I have no one that would be good at this

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<v Speaker 1>job except for me. It's really a strange way. You asked.

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<v Speaker 1>I said, are the other guys like you that are

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<v Speaker 1>really funny and know what they're doing? And you're like,

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<v Speaker 1>I can't name one. Unfortunately no.

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<v Speaker 4>And at the time, like you said, Sean had another

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<v Speaker 4>thing going. He was you're making your album, and I

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<v Speaker 4>think that was what you needed to do in that moment.

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<v Speaker 1>It was kind of stump spun the record, Danny, I

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<v Speaker 1>haven't I'm curious what was the genre.

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<v Speaker 3>Well, Hayes is just telling you it was like a

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<v Speaker 3>stomp kind of. It was stomp adjacent, Okay, it wasn't

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<v Speaker 3>as forceful as stomp.

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<v Speaker 1>So you were like banging pots and not banging, not banging, playing.

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<v Speaker 2>Kind of tapping pots and pads.

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<v Speaker 1>Tapping Okay, okay, yeah, clanging.

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<v Speaker 3>I had a broom that I would just kind of

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<v Speaker 3>poke at, but I wouldn't do the whole like.

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<v Speaker 1>Charge you have to find a way to make yourself

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<v Speaker 1>different from the stomp guys. It's dangerous what they do, like,

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<v Speaker 1>you could never know that. It kills, does it?

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<v Speaker 2>It kills legs and hands?

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<v Speaker 4>I bet it's a lot of moving around you can

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<v Speaker 4>kill because they have to get to the back of

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<v Speaker 4>the house. But imagine for your ears right next to it. Yeah,

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<v Speaker 4>and so you're feeling those can cuss of blows. Yeah,

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<v Speaker 4>it fucking kills. I see, it's dangerous works bye. But

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<v Speaker 4>I've watched you over the years get asked in interviews

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<v Speaker 4>about modern masculinity. What's going on with young men? Yes,

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<v Speaker 4>these days?

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<v Speaker 1>We got an album and I want to give you

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<v Speaker 1>the opportunity to finally say what you really feel, which

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<v Speaker 1>is that we're all very fragile. We're all so fragile,

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<v Speaker 1>fragiles right here in this room.

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<v Speaker 2>Can I say this? A lot of these, you know,

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<v Speaker 2>modern men are anything but no.

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<v Speaker 1>Some some of are antiquated, we would say, right old timey.

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<v Speaker 1>A lot of them are fucking poosies. Yes poosies. Yeah, sure,

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<v Speaker 1>full blown poosies.

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<v Speaker 4>And that includes every single guy that works on this show.

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<v Speaker 1>Yes, poosies all show.

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<v Speaker 2>Tang your acquaintance it's.

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<v Speaker 1>One poosy after another in here. Is that a requirement

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<v Speaker 1>for the hiring of people? It seems like, yeah, it

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<v Speaker 1>must shook out that way.

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<v Speaker 2>But it's something in the water man, something I'm giving off.

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<v Speaker 1>Yeah, I saw this fragile masculinity exuding. I could smell

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<v Speaker 1>it walking on the hallway. To be honest with you. Nope,

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<v Speaker 1>it's fragile masculinity. And it starts with Richie right here.

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<v Speaker 1>What he sorry?

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<v Speaker 4>So Richie just said I am what I eat. He

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<v Speaker 4>got stepped on a little bit. But I'm actually gonna

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<v Speaker 4>go so much the room so much he became one.

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<v Speaker 1>Well, that's the natural revolution for a lot of people

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<v Speaker 1>that find themselves as poosies these days.

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<v Speaker 4>They ate so much of it it got in the bloodstream,

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<v Speaker 4>make some fragile. And so I think we just go

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<v Speaker 4>one by one today through the crew here. Okay, Yeah,

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<v Speaker 4>and we just we right some wrongs that have been

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<v Speaker 4>done over the years to them by their parents and families.

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<v Speaker 2>There's a lot of old wounds in here.

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<v Speaker 3>Yeah, do you mind scrubbing in for surgery, doctor McBride.

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<v Speaker 1>I think I'm ready bring them to me.

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<v Speaker 4>I might not be as equipped to talk about this today,

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<v Speaker 4>I just got my tea drained. Really, I don't talk

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<v Speaker 4>about it that you know this about me, but I

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<v Speaker 4>have giga tea.

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<v Speaker 1>Yeah, lots of that. That's an excess of tea, right,

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<v Speaker 1>excessive tea. And so it is it is it comes.

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<v Speaker 4>I squirt basically and so like I squirt pure tea,

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<v Speaker 4>you like.

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<v Speaker 1>Lack date, like out of your breads. Where does it

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<v Speaker 1>squirt from? It squirts out of it has created a

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<v Speaker 1>new orifice, oh sick underneath. So I lift up the

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<v Speaker 1>kind there maintenance required after the leakage? Do you have

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<v Speaker 1>to do some clean up? So I try.

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<v Speaker 4>I try to avoid, to be proactive rather than reactive.

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<v Speaker 4>You milk it, I get it. I basically get it

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<v Speaker 4>tapped like a maple tree. Beautiful, and so I I

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<v Speaker 4>donate that you donate.

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<v Speaker 1>I was wondering what you were gonna do with this

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<v Speaker 1>exs t You can give it to people.

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<v Speaker 4>Great, it's it's it is pure. They call it cam

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<v Speaker 4>a mile tea because you it's the If you have it,

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<v Speaker 4>you can wear full on mossy oak duck camo wow

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<v Speaker 4>and run and no one will see you.

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<v Speaker 1>And then almost a whole mile wow wow.

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<v Speaker 4>And then they do see you because the way you're

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<v Speaker 4>running is not it's not like anything that's ever existed

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<v Speaker 4>on the earth before you. And there's no you're not

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<v Speaker 4>wearing an orange vest, so you are getting shot.

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<v Speaker 1>Yeah, they're like there.

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<v Speaker 3>I like to if I could jump in hens. I

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<v Speaker 3>feel like a lot of people isn't going.

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<v Speaker 2>Like, Oh I wish I had that much tea.

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<v Speaker 3>Oh I would kill for so much tea, Like it

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<v Speaker 3>sounds like a luxury sometimes when people don't have enough

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<v Speaker 3>to go.

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<v Speaker 2>Oh, it's so great. But it's not easy, is it.

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<v Speaker 1>It's not.

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<v Speaker 2>It's a challenge.

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<v Speaker 1>It is a challenge. What's the biggest thing you noticed

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<v Speaker 1>when your tea's drained? How are you different? How does

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<v Speaker 1>it affect you?

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<v Speaker 4>I am a lot more. I would say my sexual

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<v Speaker 4>orientation changes completely.

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<v Speaker 1>That's pretty awesome.

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<v Speaker 4>Whatever I have going on that day, yes, and so

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<v Speaker 4>if I wake up by that's normal, then I end

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<v Speaker 4>the day by then, because that's the you know, the opposite.

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<v Speaker 1>It's like you know, if you flip by around just exactly,

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<v Speaker 1>then you end up in the spot. Yes, yeah, yeah

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<v Speaker 1>that makes sense. Well, not the same spot makes sense.

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<v Speaker 1>And you don't know what your proclivities are going to

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<v Speaker 1>be by the end night time.

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<v Speaker 4>And I've made plans, and so sometimes I show up

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<v Speaker 4>to those plans and be like, this is this ain't

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<v Speaker 4>gonna work?

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<v Speaker 1>Yeah, when did you first realize that it was going

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<v Speaker 1>to benefit your life to drain the tea?

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<v Speaker 4>I so this was a plan that my mom sort

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<v Speaker 4>of devised. My mom became like sort of an amateur

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<v Speaker 4>scientist like doctor, and so she developed this whole plan

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<v Speaker 4>for me and I like, once I was ready to

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<v Speaker 4>like start going to school, Like, once she had the

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<v Speaker 4>whole apparatus set up, I would wheel the apparatus along

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<v Speaker 4>with me to school.

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<v Speaker 1>It was her invention.

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<v Speaker 2>Wow, is before we go on?

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<v Speaker 3>Just because I think you talking about your orientation was

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<v Speaker 3>so important. Yeah, Danny, do you want to deliver a.

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<v Speaker 2>Message to our bi phobic listeners?

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<v Speaker 1>Yeah, you know, obviously there there should be no judgment

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<v Speaker 1>on by folks or buy focals you have to wear those. Yeah, yeah,

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<v Speaker 1>you know, a simple tea drain and change all of

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<v Speaker 1>our orientations obviously.

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<v Speaker 4>That's I mean, that is one thing that the positive

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<v Speaker 4>about draining the tea. It does, like my vision becomes great.

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<v Speaker 1>Yeah. They talk about a predator. Yeah, I mean, I'm

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<v Speaker 1>like a little bit.

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<v Speaker 3>If I could lighten the mood a little bit, I

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<v Speaker 3>would like to say Hayes has giggoty, but I of

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<v Speaker 3>course have Boba tea beautiful.

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<v Speaker 2>Is it the tavoga.

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<v Speaker 1>When you drain that, I'm sure it's it's a little messier.

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<v Speaker 4>I'm sure right, they've installed, you know, the plastic lids

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<v Speaker 4>classic film.

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<v Speaker 2>No, I don't spill a drop. I drain it straight

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<v Speaker 2>into my Uh.

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<v Speaker 1>He loves Yes, he loves Daniel. Every flavor, all the flavors,

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<v Speaker 1>all the.

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<v Speaker 2>It doesn't matter. All of them are good.

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<v Speaker 1>Oh that's fantastic. And you make it on you make

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<v Speaker 1>your own, that's great. I call him, I call him

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<v Speaker 1>tarot Read. That's a good name. It's one of the

0:12:04.840 --> 0:12:06.320
<v Speaker 1>flavors that he loves them all.

0:12:07.600 --> 0:12:10.480
<v Speaker 3>Yeah, they're all named after They're all named after cast

0:12:10.480 --> 0:12:11.679
<v Speaker 3>members of American Pie.

0:12:11.800 --> 0:12:15.360
<v Speaker 1>Yeah, I don't. I never looked up if she was

0:12:15.400 --> 0:12:20.240
<v Speaker 1>in this, but I call Himleachi so be escy Yet

0:12:20.320 --> 0:12:23.360
<v Speaker 1>I don't think she was an American Pie, but I

0:12:23.360 --> 0:12:24.120
<v Speaker 1>haven't looked it up.

0:12:24.120 --> 0:12:26.480
<v Speaker 4>But it does seem like she was prominent in the

0:12:26.559 --> 0:12:34.240
<v Speaker 4>AI for the for the classically mode flavor.

0:12:31.120 --> 0:12:44.720
<v Speaker 1>Yeah. Yeah, So we'll start with Ritchie. Richie has just

0:12:44.840 --> 0:12:50.640
<v Speaker 1>basically been encroaching on this table like tectonic plates since

0:12:50.679 --> 0:12:51.439
<v Speaker 1>we started here.

0:12:51.520 --> 0:12:54.880
<v Speaker 4>This is like month two. We had Bill Mason here

0:12:54.920 --> 0:12:56.959
<v Speaker 4>for our first episode.

0:12:59.559 --> 0:12:59.640
<v Speaker 2>And.

0:13:01.440 --> 0:13:04.360
<v Speaker 4>This Richie basically like got an appetite as soon as

0:13:04.360 --> 0:13:07.120
<v Speaker 4>he saw god taste for it. I did assume he

0:13:07.160 --> 0:13:09.440
<v Speaker 4>saw us like chopping it up with Bill. Bill likes

0:13:09.520 --> 0:13:11.000
<v Speaker 4>us by the end.

0:13:11.120 --> 0:13:14.640
<v Speaker 1>That's great news because he doesn't a lot of fun.

0:13:15.880 --> 0:13:18.679
<v Speaker 3>Bill had a lot of fun in the studio doing

0:13:18.720 --> 0:13:19.160
<v Speaker 3>this one.

0:13:20.040 --> 0:13:21.840
<v Speaker 2>He really let his hair out.

0:13:23.920 --> 0:13:26.400
<v Speaker 3>I enjoyed that episode because it was so fun to

0:13:26.400 --> 0:13:27.400
<v Speaker 3>see Bill have fun.

0:13:29.080 --> 0:13:30.480
<v Speaker 1>I bet I bet it was.

0:13:31.040 --> 0:13:32.600
<v Speaker 2>Yeah something about it.

0:13:33.320 --> 0:13:36.280
<v Speaker 4>He sent us something ahead, He sent us some some

0:13:36.480 --> 0:13:39.440
<v Speaker 4>rye after he has a rye?

0:13:39.679 --> 0:13:42.199
<v Speaker 1>Oh really, and how was that delicious?

0:13:42.600 --> 0:13:45.559
<v Speaker 4>I am, I haven't cracked it yet. Out of respect,

0:13:45.760 --> 0:13:48.560
<v Speaker 4>just keep it as a yeah. But Richie's like, oh that,

0:13:48.760 --> 0:13:51.040
<v Speaker 4>like I can't wait for when we like open that up.

0:13:51.280 --> 0:13:54.360
<v Speaker 4>It's like it was not he was not sending it

0:13:54.400 --> 0:13:56.840
<v Speaker 4>to you. It wasn't like a like you are not

0:13:57.080 --> 0:14:00.719
<v Speaker 4>part of that, and it's good to I think make

0:14:00.760 --> 0:14:01.200
<v Speaker 4>this clear.

0:14:01.320 --> 0:14:06.120
<v Speaker 1>Now, set some parameters to Don Gatto. That's not yours either,

0:14:06.960 --> 0:14:10.160
<v Speaker 1>it could be. It could be depending on what sort

0:14:10.200 --> 0:14:13.400
<v Speaker 1>of things you add to this conversation. We'll see what happens.

0:14:14.520 --> 0:14:16.760
<v Speaker 2>All right, I'm gonna have to brush up on some stuff.

0:14:16.520 --> 0:14:24.840
<v Speaker 4>Then, Richie, I think it's time to talk about you

0:14:24.880 --> 0:14:25.680
<v Speaker 4>do break dancing?

0:14:26.480 --> 0:14:27.960
<v Speaker 1>Yeah, m.

0:14:29.760 --> 0:14:31.800
<v Speaker 2>I did it professionally until I was like thirty.

0:14:32.560 --> 0:14:35.200
<v Speaker 1>Wow, that's really cool. How old are you now?

0:14:36.000 --> 0:14:37.560
<v Speaker 2>Old enough to be a dance?

0:14:40.840 --> 0:14:43.880
<v Speaker 1>And I think that was I think that.

0:14:43.880 --> 0:14:47.520
<v Speaker 4>Was the original sin breakdancing. I think it was leaving

0:14:47.840 --> 0:14:50.440
<v Speaker 4>breakdancing to have children.

0:14:50.760 --> 0:14:51.280
<v Speaker 1>I think so.

0:14:51.680 --> 0:14:55.720
<v Speaker 4>Yeah, and I think it is time to go back. Yeah,

0:14:56.040 --> 0:14:58.560
<v Speaker 4>right here in breakdance on the page.

0:14:58.560 --> 0:15:02.720
<v Speaker 1>I just want to dance. Yeah, that's right, sounds good.

0:15:03.000 --> 0:15:05.840
<v Speaker 1>I'll tell my wife, Yeah, let her know. We'll call

0:15:05.880 --> 0:15:08.200
<v Speaker 1>her if you want to. Actually, that'll be easier.

0:15:08.480 --> 0:15:10.720
<v Speaker 2>Yeah. If you guys started being a modern man, as

0:15:10.920 --> 0:15:13.320
<v Speaker 2>you do tell your wife and if.

0:15:13.480 --> 0:15:16.640
<v Speaker 3>If you're asking her, but you do let her in

0:15:16.640 --> 0:15:18.800
<v Speaker 3>a yeah, and you have your friend's help too.

0:15:19.040 --> 0:15:20.200
<v Speaker 2>We're a community, aren't we.

0:15:20.400 --> 0:15:20.600
<v Speaker 1>Yeah.

0:15:21.640 --> 0:15:26.080
<v Speaker 3>I mean it's so, it's so it's so important to

0:15:26.120 --> 0:15:30.440
<v Speaker 3>support each other. And I think that something that is

0:15:30.600 --> 0:15:37.000
<v Speaker 3>so cool about what's happening now in the male community

0:15:37.320 --> 0:15:40.520
<v Speaker 3>is that people just say, hey, I need help, I

0:15:40.560 --> 0:15:42.080
<v Speaker 3>need hell, I need you to call my wife for

0:15:42.200 --> 0:15:43.720
<v Speaker 3>me and just tell her that I'm gonna be break

0:15:43.800 --> 0:15:46.040
<v Speaker 3>dancing again, and then I am going to start drinking

0:15:46.120 --> 0:15:48.760
<v Speaker 3>energy drinks again, even though I was supposed to never

0:15:48.840 --> 0:15:49.680
<v Speaker 3>have them anymore.

0:15:49.840 --> 0:15:52.440
<v Speaker 1>It's so true. You know, I've learned on this press

0:15:52.480 --> 0:15:55.760
<v Speaker 1>to her that people have told me that men have

0:15:56.000 --> 0:15:59.240
<v Speaker 1>never known how to ask for help until literally right now,

0:15:59.320 --> 0:16:01.560
<v Speaker 1>in this moment, and all of this happened. It just

0:16:02.360 --> 0:16:05.440
<v Speaker 1>it happened, not like two fridays ago, And we've never

0:16:05.560 --> 0:16:09.840
<v Speaker 1>known how to do that until right now. Richie, we don't.

0:16:09.880 --> 0:16:11.480
<v Speaker 2>We wouldn't ask for directions, do we.

0:16:11.520 --> 0:16:12.640
<v Speaker 1>Danny, No, we don't.

0:16:13.040 --> 0:16:13.880
<v Speaker 2>We don't want to do that.

0:16:14.360 --> 0:16:19.160
<v Speaker 1>I'll figure it out. We shortcut. That's how guys work.

0:16:19.240 --> 0:16:20.320
<v Speaker 1>So fucking stupid.

0:16:20.920 --> 0:16:24.760
<v Speaker 3>Oh my god, we're we should be extinct.

0:16:25.280 --> 0:16:27.640
<v Speaker 4>Richie has an idea that maybe we can run by

0:16:27.680 --> 0:16:30.880
<v Speaker 4>you let me hear Danny from his break dancing days

0:16:30.880 --> 0:16:33.480
<v Speaker 4>that he's been texting me about. Also, this should be good,

0:16:33.480 --> 0:16:36.680
<v Speaker 4>which is he texted me two words and then I

0:16:36.680 --> 0:16:40.160
<v Speaker 4>think he goes to bed or something and forgets, probably

0:16:40.360 --> 0:16:42.200
<v Speaker 4>to like send what the two words are and so

0:16:42.280 --> 0:16:43.760
<v Speaker 4>a couple of days later, it'd be like, what we're

0:16:43.920 --> 0:16:46.000
<v Speaker 4>what do you? What are you talking about? What are

0:16:46.040 --> 0:16:50.120
<v Speaker 4>the two words I didn't text me? Oh yeah, white

0:16:50.200 --> 0:16:52.520
<v Speaker 4>jabb alwakies, Oh, white jef.

0:16:52.680 --> 0:16:55.560
<v Speaker 1>Those are the guys from America's Got Talent, right, America's

0:16:55.560 --> 0:16:58.720
<v Speaker 1>Best Dance career, America's Best Dancer? Yeah, I always get

0:16:58.760 --> 0:17:03.480
<v Speaker 1>those two. Hey, can you disagree with Danny not just

0:17:03.520 --> 0:17:06.600
<v Speaker 1>be like screw? Can you not make him look like

0:17:06.600 --> 0:17:10.560
<v Speaker 1>a fucking idiot on this show? I'm just overstepping left

0:17:10.600 --> 0:17:14.800
<v Speaker 1>and right? Okay, America's Got Talent? So anyway, what do

0:17:14.840 --> 0:17:15.320
<v Speaker 1>you think.

0:17:15.200 --> 0:17:17.720
<v Speaker 2>That's what made you such a good breakdancer? Huh? Overstepping?

0:17:19.440 --> 0:17:22.399
<v Speaker 2>Were you an America's Best Dance crew? Richie? No? But

0:17:22.520 --> 0:17:24.480
<v Speaker 2>else on America's Gotta Tell It?

0:17:24.680 --> 0:17:27.840
<v Speaker 1>And so you think you can dance? So you think

0:17:27.840 --> 0:17:30.280
<v Speaker 1>you can and a bunch of music videos. That's great,

0:17:31.160 --> 0:17:33.240
<v Speaker 1>that's great. So what but what do you think of

0:17:33.280 --> 0:17:37.800
<v Speaker 1>the idea? I think why not? You know, why not?

0:17:37.960 --> 0:17:40.240
<v Speaker 1>Why not? Let's go for it, Jabberwaukee. It's the only fair.

0:17:40.280 --> 0:17:43.240
<v Speaker 1>They were always masked, right yep, So who knows? There

0:17:43.240 --> 0:17:45.000
<v Speaker 1>could have been a bunch of white guys. We don't know.

0:17:45.160 --> 0:17:48.080
<v Speaker 4>Yeah, but now this is making it very clear. It's

0:17:48.080 --> 0:17:51.199
<v Speaker 4>making that, it's making that explicit that this one is.

0:17:52.560 --> 0:17:53.760
<v Speaker 2>And the masks will be clear.

0:17:53.880 --> 0:17:56.360
<v Speaker 3>We'll be literally making it clear because the masks will

0:17:56.359 --> 0:17:59.080
<v Speaker 3>be clear now because it's gonna be white faces anyway.

0:17:59.200 --> 0:18:00.879
<v Speaker 1>So okay, so that's the idea of it.

0:18:01.000 --> 0:18:03.360
<v Speaker 3>Okay, all right, and then if Shaq does come dance

0:18:03.400 --> 0:18:06.479
<v Speaker 3>with the Jabbawaukes again, it will be, you know, different

0:18:06.520 --> 0:18:07.200
<v Speaker 3>than was when.

0:18:07.080 --> 0:18:09.119
<v Speaker 2>Shack danced with the Jablwaukee's the first time. Did you

0:18:09.160 --> 0:18:10.040
<v Speaker 2>ever see that, Danny?

0:18:11.520 --> 0:18:13.840
<v Speaker 1>I didn't. It sounds like something I should go look

0:18:13.920 --> 0:18:14.520
<v Speaker 1>up after this.

0:18:15.440 --> 0:18:18.560
<v Speaker 2>So, Kevin, so make a note. Let's send a link

0:18:19.560 --> 0:18:24.520
<v Speaker 2>to Danny Shack dances with the Jabs.

0:18:24.520 --> 0:18:25.359
<v Speaker 1>Please send that to me.

0:18:25.480 --> 0:18:27.840
<v Speaker 4>Yeah, and send him like make sure he has the

0:18:27.920 --> 0:18:31.680
<v Speaker 4>right like password, the right log in information for the link.

0:18:31.840 --> 0:18:36.119
<v Speaker 4>We have a new proprietary screaming software, oh wow, that

0:18:36.200 --> 0:18:37.320
<v Speaker 4>we're deploying.

0:18:37.400 --> 0:18:41.280
<v Speaker 1>Okay, yes, give me the inputs please. It's videum.

0:18:41.400 --> 0:18:42.200
<v Speaker 2>It's called video.

0:18:42.359 --> 0:18:44.880
<v Speaker 1>It's a video video so delicious, yes.

0:18:44.520 --> 0:18:48.560
<v Speaker 3>And it's it's it's yummy delicious videos and it's all

0:18:48.640 --> 0:18:51.359
<v Speaker 3>your favorite memories of Shack and the Jabbawaukee and you

0:18:51.440 --> 0:18:52.840
<v Speaker 3>have created videos up there as well.

0:18:52.920 --> 0:18:56.359
<v Speaker 1>Wow, it's fifty one factor authentication. Wow. Well as it

0:18:56.400 --> 0:19:00.960
<v Speaker 1>should be if you're sharing such you know, treasured moments. Casey,

0:19:02.400 --> 0:19:05.959
<v Speaker 1>Casey's here as well. Can you say hello? Please? Yeah? Hi?

0:19:06.040 --> 0:19:08.800
<v Speaker 1>How's it going? I'm Casey? Hi, Casey, Hey, Casey?

0:19:08.840 --> 0:19:09.960
<v Speaker 2>Where's the Sunshine Band?

0:19:11.800 --> 0:19:14.960
<v Speaker 1>Sean has not met Casey before, He's only heard No, we.

0:19:14.920 --> 0:19:17.280
<v Speaker 2>Haven't met in person. I've heard his voice before on

0:19:17.320 --> 0:19:18.000
<v Speaker 2>the show.

0:19:19.119 --> 0:19:21.119
<v Speaker 1>And you just have little digs for him, like where's

0:19:21.160 --> 0:19:22.399
<v Speaker 1>the Sunshine Band? Casey.

0:19:22.760 --> 0:19:23.920
<v Speaker 2>I don't think that's negative.

0:19:24.240 --> 0:19:26.640
<v Speaker 1>Yeah, un, I don't think that's you know, it's playful.

0:19:26.720 --> 0:19:29.560
<v Speaker 1>I'd love to be the sun bad yep, Casey and Jojo.

0:19:29.800 --> 0:19:36.679
<v Speaker 4>Maybe Casey is a director. He has a lot of

0:19:36.680 --> 0:19:40.919
<v Speaker 4>thoughts about Halloween. Your your your your take on Halloween. Okay,

0:19:41.160 --> 0:19:42.320
<v Speaker 4>just like what he would have done.

0:19:42.960 --> 0:19:45.520
<v Speaker 1>You know, those questions are better shoot it for David

0:19:45.560 --> 0:19:48.600
<v Speaker 1>Green and anything you liked about Halloween. You talk to

0:19:48.640 --> 0:19:51.120
<v Speaker 1>me about anything you didn't like, but Halloween you talk

0:19:51.240 --> 0:19:53.439
<v Speaker 1>obviously to David. Do you want to pass it to David?

0:19:53.480 --> 0:19:55.880
<v Speaker 4>And Casey can just like go down the list now,

0:19:56.119 --> 0:19:58.560
<v Speaker 4>and like maybe we maybe we get in there.

0:19:59.119 --> 0:19:59.359
<v Speaker 1>Kay.

0:20:01.480 --> 0:20:04.399
<v Speaker 4>But what I think he what I remember him saying

0:20:04.560 --> 0:20:09.200
<v Speaker 4>is tell me you've never seen the Giallo School without

0:20:09.280 --> 0:20:09.639
<v Speaker 4>telling me.

0:20:09.680 --> 0:20:13.080
<v Speaker 1>You've never seen the Giallo School. Well, you know again,

0:20:13.600 --> 0:20:16.600
<v Speaker 1>I have seen the Jellow School. So I don't know

0:20:16.600 --> 0:20:18.840
<v Speaker 1>if David has. David has David was going to adapt

0:20:18.920 --> 0:20:21.639
<v Speaker 1>Suspiria at one point. Oh really think he has? So

0:20:21.920 --> 0:20:26.600
<v Speaker 1>Casey Casey calls him super Dario, super Dario. It's pretty cool.

0:20:27.160 --> 0:20:38.280
<v Speaker 1>I like that is cool. That is good. M h Casey, Casey,

0:20:38.320 --> 0:20:41.080
<v Speaker 1>don't hide, don't have opinions and then get quiet and hide.

0:20:41.200 --> 0:20:44.760
<v Speaker 1>I'm not hey, I'm not quiet.

0:20:46.280 --> 0:20:51.280
<v Speaker 2>Where's Jojo? Thank you? Thanks? Thanks Danny.

0:20:55.240 --> 0:21:01.080
<v Speaker 4>Casey uh has actually been saying that he is going

0:21:01.119 --> 0:21:08.320
<v Speaker 4>to give up directing because Disclosure Day said everything that

0:21:08.359 --> 0:21:09.240
<v Speaker 4>he had to say.

0:21:11.040 --> 0:21:13.760
<v Speaker 1>It's good that he could identify that that was that

0:21:13.800 --> 0:21:14.920
<v Speaker 1>everything has been explained.

0:21:15.240 --> 0:21:19.800
<v Speaker 4>He has no like like disappointment feeling about it.

0:21:19.840 --> 0:21:22.760
<v Speaker 1>Why would he feel that, No, it's accomplished. Yep.

0:21:22.920 --> 0:21:26.080
<v Speaker 4>The goal was just that the work got made and

0:21:26.119 --> 0:21:28.920
<v Speaker 4>now it's happened, Casey, I mean, do you want to speak.

0:21:28.640 --> 0:21:30.520
<v Speaker 1>On that a little bit? Yeah?

0:21:30.600 --> 0:21:34.600
<v Speaker 5>I mean I was I just directed my first movie

0:21:34.880 --> 0:21:37.920
<v Speaker 5>and then I saw a Disclosure Day and I I

0:21:37.960 --> 0:21:41.200
<v Speaker 5>was upset because they did everything that I really wanted.

0:21:41.240 --> 0:21:45.320
<v Speaker 1>I just said, you had no disappointment feeling about it,

0:21:45.400 --> 0:21:47.040
<v Speaker 1>and what is it? What were you trying to do?

0:21:47.080 --> 0:21:50.320
<v Speaker 1>You wanted to have something where people could speak to

0:21:50.320 --> 0:21:52.800
<v Speaker 1>animals and stuff. What were you what were you aiming for?

0:21:52.880 --> 0:21:55.800
<v Speaker 5>Casey, Well, I just wanted a movie that ended with

0:21:56.400 --> 0:21:59.400
<v Speaker 5>Disclosure Day, which, as we all know, is the day

0:22:00.040 --> 0:22:02.919
<v Speaker 5>that we disclose aliens exist. And they did it, and

0:22:02.960 --> 0:22:05.240
<v Speaker 5>now I that was back to the drawing board or

0:22:05.359 --> 0:22:06.040
<v Speaker 5>just quit.

0:22:06.840 --> 0:22:09.720
<v Speaker 3>In case were you able to fill a backpack with

0:22:09.880 --> 0:22:12.119
<v Speaker 3>USB drives in your movie?

0:22:14.080 --> 0:22:14.399
<v Speaker 1>I had.

0:22:14.880 --> 0:22:16.280
<v Speaker 5>I had one SSD.

0:22:16.640 --> 0:22:22.240
<v Speaker 1>That's it. Ah ok, yeah, a big bag. Yeah, it's all.

0:22:22.280 --> 0:22:25.399
<v Speaker 1>It does seem like that story has been told unfortunately. Yeah.

0:22:25.520 --> 0:22:29.639
<v Speaker 2>Yeah, the SSDY. Well, and obviously you don't have the

0:22:29.640 --> 0:22:30.920
<v Speaker 2>budget Spielberg does.

0:22:31.760 --> 0:22:34.280
<v Speaker 1>You could have had all those extras moving in Unison,

0:22:34.480 --> 0:22:36.639
<v Speaker 1>chasing the guy and stuff. You couldn't have done that

0:22:36.680 --> 0:22:38.280
<v Speaker 1>probably in your film.

0:22:38.840 --> 0:22:41.600
<v Speaker 5>No, I only had a budget for one extra, and

0:22:41.680 --> 0:22:43.720
<v Speaker 5>I just had him run back and forth in the

0:22:43.720 --> 0:22:44.640
<v Speaker 5>background the whole time.

0:22:44.800 --> 0:22:47.880
<v Speaker 4>He was trying to kind of instruct people at city Walk.

0:22:47.920 --> 0:22:50.199
<v Speaker 4>He went to City Walking, was like, we can just

0:22:50.240 --> 0:22:52.240
<v Speaker 4>like wrangle a group of people and get them to

0:22:52.280 --> 0:22:52.560
<v Speaker 4>do it.

0:22:52.600 --> 0:22:54.960
<v Speaker 5>And I like to call it directing, not really instructing.

0:22:55.240 --> 0:22:57.000
<v Speaker 1>Instructing it sounds like though.

0:22:58.000 --> 0:23:00.159
<v Speaker 2>It sounds more like constructing in the way you you

0:23:00.240 --> 0:23:04.040
<v Speaker 2>it is very like Casey also was like, I only

0:23:04.080 --> 0:23:06.840
<v Speaker 2>need a couple of people because Ai is so good now.

0:23:07.119 --> 0:23:09.359
<v Speaker 3>He just kept like showing me stuff on his phone

0:23:09.400 --> 0:23:10.399
<v Speaker 3>and being like, look at this.

0:23:10.440 --> 0:23:11.800
<v Speaker 2>Can you believe this is Ai?

0:23:11.880 --> 0:23:15.040
<v Speaker 1>And I was kind of going like, well, yeah, that

0:23:15.160 --> 0:23:16.199
<v Speaker 1>she has six hands.

0:23:16.359 --> 0:23:18.160
<v Speaker 2>Yeah yeah.

0:23:18.520 --> 0:23:23.359
<v Speaker 3>But at the same time, like he's an artist, you know,

0:23:23.440 --> 0:23:26.160
<v Speaker 3>he has his own vision and even though he's never

0:23:26.200 --> 0:23:28.440
<v Speaker 3>going to put it out because Disclosure Day like kind

0:23:28.440 --> 0:23:30.840
<v Speaker 3>of mowed the lawn and you know, ate his whole

0:23:30.840 --> 0:23:33.760
<v Speaker 3>fucking lunch, and still like cool that he even took

0:23:33.800 --> 0:23:34.280
<v Speaker 3>the journey.

0:23:34.480 --> 0:23:36.760
<v Speaker 2>Yeah, and that's a masculine modern man.

0:23:36.880 --> 0:23:39.280
<v Speaker 1>Don't be so fragile, you know, don't be don't be

0:23:39.320 --> 0:23:42.760
<v Speaker 1>a fragile Is that your diagnosis? Yeah, I think he's

0:23:42.760 --> 0:23:46.320
<v Speaker 1>being fragile. Fragile. I think you think you still release it.

0:23:46.320 --> 0:23:47.960
<v Speaker 1>It's like fragile rock in here.

0:23:48.119 --> 0:23:52.920
<v Speaker 3>Yeah, oh yes, down at Fragile Rock, down at Fragile Rock,

0:23:53.600 --> 0:23:56.640
<v Speaker 3>and the doozers are working down there, and.

0:23:58.480 --> 0:24:07.040
<v Speaker 2>It's you know when and Gobo and of course juniors

0:24:07.160 --> 0:24:09.560
<v Speaker 2>back there, the Radius.

0:24:09.680 --> 0:24:13.400
<v Speaker 1>And the giant trolls eating their constructions. It's all here.

0:24:14.400 --> 0:24:18.680
<v Speaker 1>Mm hmmm, yeah, the dog, the old man.

0:24:20.160 --> 0:24:23.000
<v Speaker 2>Dog, it was Fragile Rock.

0:24:24.840 --> 0:24:26.359
<v Speaker 1>Is Matt here by any chance?

0:24:28.040 --> 0:24:28.400
<v Speaker 6>I'm here?

0:24:28.480 --> 0:24:30.320
<v Speaker 1>Yeah? Hello, this is Matt.

0:24:31.119 --> 0:24:31.640
<v Speaker 7>How's it going.

0:24:32.200 --> 0:24:36.679
<v Speaker 4>Matt hosts a different podcast that is more successful than

0:24:36.760 --> 0:24:37.840
<v Speaker 4>This's what Oh look out?

0:24:37.920 --> 0:24:41.720
<v Speaker 1>What is that called? It's called Get Played, Make your

0:24:41.760 --> 0:24:43.239
<v Speaker 1>pitch Matt.

0:24:43.359 --> 0:24:45.359
<v Speaker 7>It's a you know, it's a video game podcast. We

0:24:45.400 --> 0:24:47.919
<v Speaker 7>talk about sort of what's going on in video games currently,

0:24:48.000 --> 0:24:50.440
<v Speaker 7>and then sometimes we talk about, you know, the games

0:24:50.440 --> 0:24:53.720
<v Speaker 7>from the past, like your Sonic, the Hedgehogs and all

0:24:53.720 --> 0:24:54.240
<v Speaker 7>that stuff.

0:24:54.280 --> 0:25:00.440
<v Speaker 1>What's your game now? What's your game now? Fragile He you.

0:25:01.359 --> 0:25:04.520
<v Speaker 7>Right, well, right now, I've actually read I got read

0:25:04.800 --> 0:25:05.240
<v Speaker 7>to Phil.

0:25:08.240 --> 0:25:09.919
<v Speaker 1>I don't even know what you got read to, Smill.

0:25:14.160 --> 0:25:18.200
<v Speaker 7>I like, I like the new James Bond game Double

0:25:18.320 --> 0:25:20.160
<v Speaker 7>seven First Light, really good.

0:25:20.520 --> 0:25:23.320
<v Speaker 1>It's great. And he's been doing you play that game

0:25:23.359 --> 0:25:25.760
<v Speaker 1>at all? I haven't played it. I've been playing this

0:25:25.760 --> 0:25:29.280
<v Speaker 1>this pretty nerdy game called Crimson Desert. Okay, all right,

0:25:29.480 --> 0:25:32.360
<v Speaker 1>open world massive, I'm listening.

0:25:32.440 --> 0:25:36.800
<v Speaker 4>Hey, even a noise of recognition from the video game expert.

0:25:36.840 --> 0:25:37.360
<v Speaker 1>I didn't hear.

0:25:38.359 --> 0:25:38.639
<v Speaker 7>Nice.

0:25:38.760 --> 0:25:41.760
<v Speaker 3>It's hard to hard to jump in from zoom. It's

0:25:41.760 --> 0:25:43.920
<v Speaker 3>hard to jump in from zoom. Well, Matt clearly knows

0:25:43.920 --> 0:25:48.880
<v Speaker 3>the game. May I say what Smill stands for?

0:25:49.920 --> 0:25:51.080
<v Speaker 1>What does Smith stand for?

0:25:52.440 --> 0:25:54.159
<v Speaker 2>Sensitive man? I'd like to friend.

0:25:54.880 --> 0:25:56.440
<v Speaker 1>That's beautiful, that's great.

0:25:57.400 --> 0:25:59.200
<v Speaker 2>Yeah, read to Smill.

0:26:00.320 --> 0:26:00.560
<v Speaker 1>Matt.

0:26:00.640 --> 0:26:03.480
<v Speaker 3>One constructive note on your pitch for your podcast, especially

0:26:03.520 --> 0:26:06.840
<v Speaker 3>if someone like Danny who actually does game and is

0:26:06.920 --> 0:26:08.480
<v Speaker 3>playing Crimson Desert.

0:26:08.119 --> 0:26:09.120
<v Speaker 2>And kind of.

0:26:11.320 --> 0:26:15.399
<v Speaker 3>A pretty effective megaphone for your cause. Here, when he

0:26:15.480 --> 0:26:17.800
<v Speaker 3>asks you what the show is, don't go it's, you know,

0:26:19.359 --> 0:26:22.760
<v Speaker 3>a video game podcast. Well no, he doesn't know, right,

0:26:22.840 --> 0:26:24.879
<v Speaker 3>that's why you're here to inform him.

0:26:25.280 --> 0:26:27.640
<v Speaker 7>I'm sorry, this is fine.

0:26:27.800 --> 0:26:29.960
<v Speaker 2>No, it's a constructive note. Look, I don't care.

0:26:30.000 --> 0:26:32.199
<v Speaker 3>I don't you think I give a fuck what happens

0:26:32.200 --> 0:26:33.600
<v Speaker 3>to your fucking podcast.

0:26:34.960 --> 0:26:36.200
<v Speaker 2>Danny could be a pretty.

0:26:35.920 --> 0:26:38.919
<v Speaker 3>Effective megaphone for it, you know, under the right circumstances.

0:26:38.920 --> 0:26:42.240
<v Speaker 3>But I don't need to, you know, sit here and

0:26:42.280 --> 0:26:45.640
<v Speaker 3>try to promote your thing. I'm trying to promote my thing.

0:26:46.320 --> 0:26:46.639
<v Speaker 7>Danny.

0:26:46.680 --> 0:26:47.920
<v Speaker 2>Do you like the show that you're on?

0:26:49.440 --> 0:26:50.680
<v Speaker 7>Do I like the show that I'm on?

0:26:51.359 --> 0:26:51.560
<v Speaker 1>No?

0:26:51.600 --> 0:26:53.960
<v Speaker 2>Not, I'm not talking to him. I'm done.

0:26:56.640 --> 0:26:58.960
<v Speaker 1>I like this. I like how you gave him an

0:26:58.960 --> 0:27:03.239
<v Speaker 1>opportunity and then you're giving him this constructive direction of

0:27:03.280 --> 0:27:05.800
<v Speaker 1>how to fix himself. That's what all men should be

0:27:05.840 --> 0:27:09.440
<v Speaker 1>doing to each other, drilling it down in a car

0:27:09.640 --> 0:27:13.800
<v Speaker 1>out that ye yep, to just really fucking dash somebody's dreams.

0:27:13.880 --> 0:27:16.240
<v Speaker 1>That's part of what this is all about. Did you

0:27:16.280 --> 0:27:17.920
<v Speaker 1>have something you wanted to say to Danny?

0:27:17.960 --> 0:27:19.480
<v Speaker 2>Matt?

0:27:19.880 --> 0:27:21.760
<v Speaker 7>Do you do you like any other games?

0:27:22.520 --> 0:27:24.520
<v Speaker 1>What did you say or what did you just say

0:27:24.560 --> 0:27:24.760
<v Speaker 1>to me?

0:27:25.840 --> 0:27:27.040
<v Speaker 7>Do you like any other game?

0:27:27.480 --> 0:27:29.359
<v Speaker 1>Of course I do. I like all kinds of games.

0:27:29.359 --> 0:27:31.680
<v Speaker 1>What kind of question is that? Do you like any

0:27:31.720 --> 0:27:32.280
<v Speaker 1>other games?

0:27:32.280 --> 0:27:32.359
<v Speaker 2>Like?

0:27:32.400 --> 0:27:38.040
<v Speaker 1>What like whatever name it, the Uncharted games, whatever, whatever,

0:27:38.160 --> 0:27:40.280
<v Speaker 1>whatever games are out there. I like? What do you

0:27:40.280 --> 0:27:43.000
<v Speaker 1>think he's like a lot? A lot? I've unlocked all

0:27:43.040 --> 0:27:47.560
<v Speaker 1>the Jokers, every fucking joker in Balatro, I've unlocked nice.

0:27:48.840 --> 0:27:52.840
<v Speaker 4>So Matt was testing you. He went all the way

0:27:52.880 --> 0:28:00.520
<v Speaker 4>to Japan to talk to Jack Black about the Super

0:28:00.560 --> 0:28:06.160
<v Speaker 4>Mario movie this is when Casey would say superdrio mm hmm,

0:28:07.200 --> 0:28:13.240
<v Speaker 4>and Jack Black in the interview said he likes balatroe.

0:28:14.000 --> 0:28:17.879
<v Speaker 1>Instead of blatro. I never actually knew how it was pronounced.

0:28:17.920 --> 0:28:20.639
<v Speaker 1>It is balatrowe or balatro? How do you?

0:28:20.880 --> 0:28:25.520
<v Speaker 4>I mean everyone says bilatro blatro. But Matt poosied out,

0:28:26.440 --> 0:28:29.159
<v Speaker 4>didn't say ship call me, Oh.

0:28:29.119 --> 0:28:31.320
<v Speaker 1>God, and you just let him get away with it.

0:28:31.320 --> 0:28:36.760
<v Speaker 1>It's good. No, we did an entire episode then he

0:28:36.840 --> 0:28:41.360
<v Speaker 1>took him to task, brading Matt for that. Yeah, as

0:28:41.400 --> 0:28:42.120
<v Speaker 1>as you should have.

0:28:44.000 --> 0:28:45.440
<v Speaker 2>You guys want any digestives?

0:28:47.880 --> 0:28:49.840
<v Speaker 1>Can you bring me back McVitie's.

0:28:49.920 --> 0:28:52.080
<v Speaker 2>Do you want any McVitie's digestives?

0:28:53.720 --> 0:28:58.760
<v Speaker 4>What like whatever the weight limit is for MCVII. Yes,

0:28:58.920 --> 0:29:01.320
<v Speaker 4>can you please bring me back some of the Kevin?

0:29:01.520 --> 0:29:03.680
<v Speaker 3>This isn't bad for sound, is it? If I mcvittie's

0:29:03.680 --> 0:29:06.880
<v Speaker 3>digesties during the show. I just I've had to listen

0:29:06.920 --> 0:29:08.560
<v Speaker 3>to Matt for a little while and I just need

0:29:08.560 --> 0:29:09.760
<v Speaker 3>something to settle my stomach.

0:29:09.800 --> 0:29:13.800
<v Speaker 1>That's probably should we.

0:29:14.280 --> 0:29:16.440
<v Speaker 4>I think it's time to actually bring in Kevin here.

0:29:18.040 --> 0:29:19.960
<v Speaker 4>Can we put Kevin on camp?

0:29:20.200 --> 0:29:24.280
<v Speaker 1>Can you guys see me? Yeah? You look great? You too,

0:29:24.320 --> 0:29:26.600
<v Speaker 1>bud So Kevin.

0:29:28.120 --> 0:29:33.760
<v Speaker 4>Please don't call him Bud, all right, just in the

0:29:33.840 --> 0:29:38.360
<v Speaker 4>last few years, has become.

0:29:40.160 --> 0:29:46.560
<v Speaker 2>If you call him Budd, you might get smoked. Sorry,

0:29:46.600 --> 0:29:47.760
<v Speaker 2>I'm having dies.

0:29:51.720 --> 0:29:57.480
<v Speaker 4>Kevin has become a medical grade poosy in just the

0:29:57.520 --> 0:29:58.280
<v Speaker 4>last few years.

0:29:58.360 --> 0:30:02.040
<v Speaker 1>Yeah, and is terminal. It's terminal. You're not getting out

0:30:02.040 --> 0:30:07.720
<v Speaker 1>of this one. Huh. He has. He has moved to Pittsburgh,

0:30:07.960 --> 0:30:13.680
<v Speaker 1>total poozy move to go to the real pit because

0:30:13.760 --> 0:30:17.440
<v Speaker 1>only they can figure it out. Okay, and no luck

0:30:17.520 --> 0:30:19.280
<v Speaker 1>huh now.

0:30:19.360 --> 0:30:23.280
<v Speaker 6>Yeah, And I'm still waiting for doctor Rabinovic and he's

0:30:23.800 --> 0:30:24.880
<v Speaker 6>not answering my calls.

0:30:26.400 --> 0:30:30.160
<v Speaker 1>M hm. And you got poor internet connections too, unfortunately.

0:30:31.040 --> 0:30:32.640
<v Speaker 2>Yeah, and no lights in his house.

0:30:32.920 --> 0:30:36.480
<v Speaker 1>He's rearranged the whole the entire grid of his house.

0:30:36.520 --> 0:30:38.720
<v Speaker 4>He's put it in the internet connection. And that's that's

0:30:38.760 --> 0:30:41.160
<v Speaker 4>still all we get from him.

0:30:41.240 --> 0:30:45.960
<v Speaker 1>Can you guys not hear me? What's that? Alter my

0:30:46.040 --> 0:30:52.400
<v Speaker 1>camera off and talk louder. It's still not working. I'm

0:30:52.760 --> 0:30:53.240
<v Speaker 1>a bit of it.

0:30:53.400 --> 0:30:58.640
<v Speaker 4>I can't hear hearing like one of every four words

0:30:59.760 --> 0:31:02.520
<v Speaker 4>and away. He named his son Desmond, after his favorite

0:31:02.560 --> 0:31:03.800
<v Speaker 4>character from Lost.

0:31:03.840 --> 0:31:06.040
<v Speaker 1>M Yeah, I remember that guy. He named his kid

0:31:06.040 --> 0:31:06.480
<v Speaker 1>after him.

0:31:06.600 --> 0:31:09.280
<v Speaker 4>He named his kid after Desmond, not a lock or

0:31:09.320 --> 0:31:12.400
<v Speaker 4>a Sawyer or his favorite character is Desmond.

0:31:12.640 --> 0:31:16.520
<v Speaker 1>Yeah, okay, well yeah everybody. There was a big cast,

0:31:16.600 --> 0:31:18.000
<v Speaker 1>so a lot of room for a lot of people

0:31:18.040 --> 0:31:19.200
<v Speaker 1>to have different favorites.

0:31:20.160 --> 0:31:24.800
<v Speaker 3>What a great attitude about it, you know, I think

0:31:24.840 --> 0:31:29.320
<v Speaker 3>that that is so generous to just immediately point out

0:31:29.320 --> 0:31:30.520
<v Speaker 3>that the cast was pretty big.

0:31:30.600 --> 0:31:34.120
<v Speaker 1>It's massive. Everyone can't name their kid Locke, you know,

0:31:34.160 --> 0:31:36.959
<v Speaker 1>they'll just be too many. It's like Denaris. You know,

0:31:37.200 --> 0:31:41.760
<v Speaker 1>everyone named their sons and daughters Denaris for years and

0:31:41.800 --> 0:31:44.760
<v Speaker 1>so now every kid at school is raising their hand. Ye,

0:31:46.440 --> 0:31:49.960
<v Speaker 1>raise your hand. Yeah, who he is is.

0:31:49.880 --> 0:31:51.160
<v Speaker 2>Going to be named mister Echo.

0:31:51.240 --> 0:31:59.440
<v Speaker 3>Russo's just get them hallet his top three in there.

0:32:00.320 --> 0:32:01.520
<v Speaker 2>Because it's a very big cast.

0:32:01.640 --> 0:32:09.080
<v Speaker 1>It is mass, huge, huge, huge ensemble. So crazy. Okay

0:32:11.040 --> 0:32:14.120
<v Speaker 1>were you reacting to when you said so crazy? That's

0:32:14.160 --> 0:32:17.920
<v Speaker 1>how massive that cast is. Just think about how big

0:32:17.960 --> 0:32:22.440
<v Speaker 1>it is. How many of them are big, robbing cast,

0:32:23.840 --> 0:32:26.400
<v Speaker 1>so fucking many of them with so many stories.

0:32:29.720 --> 0:32:32.959
<v Speaker 2>Oh you know what that should be a podcast.

0:32:33.480 --> 0:32:35.360
<v Speaker 6>The Lost Stories, the Lost Boys.

0:32:37.120 --> 0:32:38.880
<v Speaker 1>Can you hear? Can you hear him again? Did his

0:32:38.920 --> 0:32:42.720
<v Speaker 1>internet cut out? I see he's talking? Yeah, I didn't

0:32:42.760 --> 0:32:43.520
<v Speaker 1>hear any of Yeah, I.

0:32:43.520 --> 0:32:44.600
<v Speaker 2>Can't hear anything, Kevin.

0:32:44.600 --> 0:32:46.520
<v Speaker 3>Can I get an update on what AI thinks we've

0:32:46.520 --> 0:32:47.160
<v Speaker 3>been discussing?

0:32:47.920 --> 0:32:53.760
<v Speaker 8>Yes, an episode of Hollywood Handbook Podcast with Danny McBride

0:32:53.800 --> 0:32:58.240
<v Speaker 8>would feature surreal collision between hosts signature passive aggressive tinsel

0:32:58.280 --> 0:33:02.440
<v Speaker 8>town phoniness and McBride mastery of unhitched confidence anti heroes.

0:33:05.600 --> 0:33:08.560
<v Speaker 1>That sounds like, what, that's not it. That's not what

0:33:08.600 --> 0:33:10.760
<v Speaker 1>we're doing here though, That's just what Chad would think

0:33:10.800 --> 0:33:11.560
<v Speaker 1>we were doing, right.

0:33:11.960 --> 0:33:14.440
<v Speaker 2>Yeah, do you understand what I was saying with I did?

0:33:14.480 --> 0:33:17.680
<v Speaker 6>I was locked out of the zoom Ai companionship. They

0:33:17.800 --> 0:33:21.880
<v Speaker 6>underlined the word companionship for the reason. So it just

0:33:21.960 --> 0:33:24.360
<v Speaker 6>kind of gave me this synopsis of what the episode

0:33:24.360 --> 0:33:24.720
<v Speaker 6>would be.

0:33:25.880 --> 0:33:28.080
<v Speaker 1>Oh, okay, it doesn't want to be free.

0:33:28.120 --> 0:33:30.440
<v Speaker 3>Well, I thank you for answering, even though you didn't

0:33:30.440 --> 0:33:31.360
<v Speaker 3>do what I asked.

0:33:32.280 --> 0:33:33.880
<v Speaker 1>It seems like I don't want to get involved with

0:33:33.920 --> 0:33:36.040
<v Speaker 1>this work stuff. But it seems like the problem is

0:33:36.080 --> 0:33:39.480
<v Speaker 1>that you should probably move back here. It doesn't seem

0:33:39.520 --> 0:33:41.960
<v Speaker 1>like you're able to do what you're thinking I should. Yeah,

0:33:42.000 --> 0:33:44.360
<v Speaker 1>it doesn't. It doesn't seem like you're getting the answers.

0:33:44.400 --> 0:33:47.080
<v Speaker 1>You need out there? You're you got an extra bunk

0:33:47.120 --> 0:33:50.000
<v Speaker 1>bed over there? Friend? Yeah, I feel like you're just

0:33:50.040 --> 0:33:54.000
<v Speaker 1>in shadows. You're you're like a shadow man. Maybe I

0:33:54.080 --> 0:33:57.320
<v Speaker 1>moved back, are you guys? Maybe the internet cut out?

0:33:57.520 --> 0:33:59.640
<v Speaker 6>I asked something about have an extra bunk bed.

0:34:00.600 --> 0:34:02.720
<v Speaker 1>Hey, you never like it when people leave. I've known,

0:34:02.760 --> 0:34:04.800
<v Speaker 1>I've known that about you. You get upset. Does this

0:34:04.800 --> 0:34:06.920
<v Speaker 1>bother you that he moved away? And they just keep

0:34:06.920 --> 0:34:10.759
<v Speaker 1>walking out on me? That's what happens one by one.

0:34:13.000 --> 0:34:13.320
<v Speaker 6>Uh.

0:34:14.760 --> 0:34:22.200
<v Speaker 4>I did develop a pretty special connection to.

0:34:23.760 --> 0:34:26.600
<v Speaker 1>Kevin's wife. Oh is that why you had to leave?

0:34:28.280 --> 0:34:34.000
<v Speaker 1>And all of a sudden they're moving there. You know,

0:34:34.680 --> 0:34:35.640
<v Speaker 1>it's off to Pittsburgh.

0:34:35.719 --> 0:34:41.040
<v Speaker 3>I'm taking my wife and going home. Right, these fragile masculinities.

0:34:40.360 --> 0:34:43.520
<v Speaker 1>What was the uh? What what were you? Why were

0:34:43.520 --> 0:34:45.080
<v Speaker 1>you guys so close? What were you guy? What did

0:34:45.080 --> 0:34:45.880
<v Speaker 1>you all have in common?

0:34:46.760 --> 0:34:54.880
<v Speaker 4>So she makes costumes, okay, crat, she does wardrobe for movies. Uh,

0:34:54.920 --> 0:34:58.200
<v Speaker 4>And she's in the biz. She's in the biz. And

0:34:58.239 --> 0:35:01.239
<v Speaker 4>it just turns out she'd be like, and I just

0:35:01.320 --> 0:35:03.520
<v Speaker 4>like test some stuff on you?

0:35:03.920 --> 0:35:04.800
<v Speaker 1>Can you?

0:35:05.640 --> 0:35:09.040
<v Speaker 3>Essentially yes is a very common part of the fashion industry.

0:35:09.040 --> 0:35:11.600
<v Speaker 3>I have a very good friend who is the button

0:35:11.680 --> 0:35:12.080
<v Speaker 3>a lot.

0:35:11.960 --> 0:35:16.600
<v Speaker 9>Of jeans, and she told me that I am what

0:35:16.640 --> 0:35:23.120
<v Speaker 9>they call in the business her business, a mystique.

0:35:22.719 --> 0:35:27.839
<v Speaker 4>Which is that I transform into whatever character they put

0:35:27.840 --> 0:35:30.560
<v Speaker 4>they when they put the clothes on me, I become

0:35:30.680 --> 0:35:33.680
<v Speaker 4>that person like mystique. And I guess that's from the

0:35:34.160 --> 0:35:36.400
<v Speaker 4>from the X Men. Yes, course, so I don't you know.

0:35:36.880 --> 0:35:39.800
<v Speaker 4>I can see that though. I can see how clothes

0:35:39.840 --> 0:35:41.080
<v Speaker 4>can completely transform you.

0:35:41.360 --> 0:35:42.280
<v Speaker 1>So we developed.

0:35:42.280 --> 0:35:45.560
<v Speaker 4>I mean, just like I was experiencing all these different

0:35:45.560 --> 0:35:47.160
<v Speaker 4>sides of myself.

0:35:47.239 --> 0:35:50.680
<v Speaker 1>The Queen, you did it. You put a queen costume.

0:35:51.040 --> 0:35:54.040
<v Speaker 1>I was the Queen, Yes, a lot of different ones.

0:35:55.080 --> 0:35:59.000
<v Speaker 2>Homelander from the Boys, he was the Queen.

0:35:59.239 --> 0:36:03.160
<v Speaker 1>He was home And this was her pitching working on

0:36:03.239 --> 0:36:06.400
<v Speaker 1>these shows. She didn't work on them. I guess this

0:36:06.520 --> 0:36:09.239
<v Speaker 1>is how you like do stuff on spec Obviously, he'd

0:36:09.280 --> 0:36:12.720
<v Speaker 1>be like, here's my take on the Queen.

0:36:13.120 --> 0:36:15.520
<v Speaker 3>Yeah, yeah, can I just show you Hayes is Jack

0:36:15.600 --> 0:36:16.479
<v Speaker 3>Ryan real quick?

0:36:16.480 --> 0:36:17.840
<v Speaker 2>And then you let me know if you want me

0:36:17.880 --> 0:36:22.160
<v Speaker 2>to do this for the show. So he would be

0:36:22.239 --> 0:36:22.880
<v Speaker 2>Jack Ryan.

0:36:23.719 --> 0:36:24.160
<v Speaker 1>Anyway.

0:36:24.560 --> 0:36:27.439
<v Speaker 4>One morning, I go to their house and.

0:36:29.520 --> 0:36:32.799
<v Speaker 1>Try to walk right in like I always did, But no,

0:36:33.160 --> 0:36:36.080
<v Speaker 1>it was it was locked. Oh God. And then that

0:36:36.080 --> 0:36:37.840
<v Speaker 1>that's when you decided you had to leave. Huh you

0:36:37.880 --> 0:36:39.400
<v Speaker 1>had to get your your wife out of here. Well,

0:36:39.400 --> 0:36:42.239
<v Speaker 1>he was already gone, but I think before that he

0:36:42.280 --> 0:36:45.320
<v Speaker 1>was locked. I should have said that. Yeah, I should

0:36:45.320 --> 0:36:47.080
<v Speaker 1>have made that more clear he had already left. Well,

0:36:47.120 --> 0:36:48.840
<v Speaker 1>that's not okay.

0:36:48.920 --> 0:36:51.000
<v Speaker 2>The way Hayes told it was confused.

0:36:50.760 --> 0:36:52.560
<v Speaker 1>Was confusing at the time because.

0:36:52.280 --> 0:36:53.400
<v Speaker 2>I've heard the story before.

0:36:53.480 --> 0:36:56.200
<v Speaker 3>I knew actually that that, Yeah, he had decided before

0:36:56.280 --> 0:36:56.879
<v Speaker 3>that to leave.

0:36:57.000 --> 0:37:00.279
<v Speaker 1>Well, that's one of those those Tinseltown tragedy details, you know,

0:37:02.280 --> 0:37:03.600
<v Speaker 1>just littered with them out here.

0:37:04.040 --> 0:37:06.960
<v Speaker 2>Unfortunately, there's a lot of them.

0:37:07.080 --> 0:37:07.279
<v Speaker 1>You know.

0:37:07.920 --> 0:37:09.160
<v Speaker 2>I'll tell you the thing about life.

0:37:09.200 --> 0:37:12.880
<v Speaker 3>No one gets out alive and then you nowhere. Is

0:37:12.920 --> 0:37:15.000
<v Speaker 3>that more true than in Sincil Town.

0:37:16.520 --> 0:37:20.600
<v Speaker 4>Kevin says that they call Pittsburgh Pitzeltown Pitzeltown.

0:37:20.800 --> 0:37:23.360
<v Speaker 1>That makes sense. Yeah. Oh, he turned his lights, the

0:37:23.440 --> 0:37:27.040
<v Speaker 1>light went on, Good morning everyone, the whole whole different

0:37:27.040 --> 0:37:29.960
<v Speaker 1>guy now are light. Yeah.

0:37:30.000 --> 0:37:35.279
<v Speaker 2>Oh I could see everything. I can see every.

0:37:36.680 --> 0:37:40.719
<v Speaker 4>Anything for Kevin, and he diagnoses anything you're picking up, you.

0:37:40.600 --> 0:37:43.440
<v Speaker 1>Know, can he be fixed? I think he can. Honestly,

0:37:43.520 --> 0:37:45.759
<v Speaker 1>I think I was basing a lot of my judgments

0:37:45.800 --> 0:37:49.040
<v Speaker 1>on uh. I was filling in his facial features because

0:37:49.040 --> 0:37:50.960
<v Speaker 1>he was in the dark. And now that I can

0:37:51.000 --> 0:37:53.719
<v Speaker 1>see his eyes, I can see his cheeks, I can

0:37:53.760 --> 0:37:57.360
<v Speaker 1>see his strong mustache. I think that there is a

0:37:58.480 --> 0:38:02.839
<v Speaker 1>unfragile man in there. So we haven't seen.

0:38:02.880 --> 0:38:04.600
<v Speaker 4>He has been in the dark for the last couple

0:38:04.600 --> 0:38:08.040
<v Speaker 4>of months, basically since he moved to Pittsburgh, and he

0:38:08.120 --> 0:38:10.880
<v Speaker 4>had been telling us I hadn't seen the results.

0:38:11.000 --> 0:38:11.959
<v Speaker 1>He has been on.

0:38:13.360 --> 0:38:16.280
<v Speaker 4>What's called hose empic for the last couple of months

0:38:16.280 --> 0:38:19.360
<v Speaker 4>to make you a hoe, and he has been planning

0:38:19.400 --> 0:38:20.480
<v Speaker 4>on becoming.

0:38:20.200 --> 0:38:24.799
<v Speaker 1>A skinny hoe. Hey, absolutely disgraceful hoe out there.

0:38:26.239 --> 0:38:28.240
<v Speaker 2>His whole ass is shaping for anybody.

0:38:28.400 --> 0:38:30.440
<v Speaker 1>It's great. I liked you got to take a shot that.

0:38:31.360 --> 0:38:36.360
<v Speaker 3>Yeah, it's really Uh, it's really a massive transformation that

0:38:36.400 --> 0:38:37.359
<v Speaker 3>we're witnessing now.

0:38:37.440 --> 0:38:39.839
<v Speaker 1>And you look you look healthy.

0:38:39.520 --> 0:38:40.320
<v Speaker 2>Though, big reveal.

0:38:40.560 --> 0:38:43.520
<v Speaker 1>Yeah, I feel healthy? Yeah? And what what now?

0:38:43.640 --> 0:38:43.960
<v Speaker 2>Yeah?

0:38:44.000 --> 0:38:49.920
<v Speaker 1>What are you right now? I'm ninety eight ninety eight percent?

0:38:50.080 --> 0:38:53.040
<v Speaker 1>Will you know if you've reached the whole level you're

0:38:53.080 --> 0:38:55.040
<v Speaker 1>looking for? Because you don't want it too far. I

0:38:55.080 --> 0:38:57.359
<v Speaker 1>don't want to go over yet. My doctor just said,

0:38:57.400 --> 0:39:02.040
<v Speaker 1>you'll know. Okay, okay, you just wake up in a

0:39:02.080 --> 0:39:07.279
<v Speaker 1>ditch somewhere. Yeah, closer, all tore up. I'm finally where

0:39:07.280 --> 0:39:09.719
<v Speaker 1>I want it to be, Like the night Niche.

0:39:11.760 --> 0:39:13.480
<v Speaker 2>I want you to be able to chase that.

0:39:13.719 --> 0:39:13.920
<v Speaker 1>You know.

0:39:15.200 --> 0:39:16.839
<v Speaker 3>I don't want to stand in your way. I think

0:39:16.840 --> 0:39:20.239
<v Speaker 3>people should make their own choices. Yeah, Danny, I mean,

0:39:20.320 --> 0:39:25.400
<v Speaker 3>I hate to turn the microscope on myself here, but

0:39:25.520 --> 0:39:28.279
<v Speaker 3>you've been so helpful to all of our other employees

0:39:28.400 --> 0:39:31.400
<v Speaker 3>and I and then I do consider them employees, and

0:39:31.480 --> 0:39:37.480
<v Speaker 3>I am the boss. I'm stuck in something of a

0:39:37.600 --> 0:39:39.320
<v Speaker 3>six psycho sexual.

0:39:38.920 --> 0:39:39.960
<v Speaker 2>Game with my wife.

0:39:41.280 --> 0:39:49.319
<v Speaker 3>Uh, dastardly cuckold fetish. She will seduce younger men in

0:39:49.320 --> 0:39:51.480
<v Speaker 3>front of me at the many parties we throw. I

0:39:51.560 --> 0:39:58.400
<v Speaker 3>make navigation systems for missiles and drones, and so, you know,

0:39:58.440 --> 0:40:00.000
<v Speaker 3>I've done quite well financially.

0:40:00.239 --> 0:40:02.319
<v Speaker 2>But in the small town that we live in, Uh,

0:40:02.719 --> 0:40:05.400
<v Speaker 2>there's a you know, it's sort of this.

0:40:07.000 --> 0:40:11.080
<v Speaker 3>Gatsbyesque element to our home where people will gather there

0:40:11.239 --> 0:40:14.919
<v Speaker 3>and she'll you know, find a young piano instructor and

0:40:15.520 --> 0:40:17.200
<v Speaker 3>make eyes with him, and the two of them will

0:40:17.239 --> 0:40:20.560
<v Speaker 3>absconde to the greenhouse. And you know, I'll go stew

0:40:20.600 --> 0:40:22.959
<v Speaker 3>on it in my snail shack, let the snails crawl

0:40:23.080 --> 0:40:26.080
<v Speaker 3>up and down my arms, and ultimately murder the men

0:40:26.120 --> 0:40:27.040
<v Speaker 3>and put them in the river.

0:40:27.320 --> 0:40:31.520
<v Speaker 1>Great, that's great. I think I think that's.

0:40:32.960 --> 0:40:33.000
<v Speaker 3>It.

0:40:33.680 --> 0:40:36.080
<v Speaker 1>Is it is it. You're you're in the snailhouse. You

0:40:36.280 --> 0:40:38.839
<v Speaker 1>understand when to go in there, and it's a shack. Yeah, yeah,

0:40:39.200 --> 0:40:41.600
<v Speaker 1>I think it's fine. And it seems like she's going

0:40:41.680 --> 0:40:45.759
<v Speaker 1>you're you're luring in artistic people, right, piano players, and

0:40:45.800 --> 0:40:49.480
<v Speaker 1>that when you try primarily the luring, right, although the

0:40:49.520 --> 0:40:52.759
<v Speaker 1>line the luring is blurring at this point. But if

0:40:52.760 --> 0:40:55.840
<v Speaker 1>you're going to try to kill any of your wife's lovers,

0:40:55.840 --> 0:40:57.600
<v Speaker 1>it seems like an artist is going to be the

0:40:57.600 --> 0:41:00.000
<v Speaker 1>easiest one to kill. You don't want her going after

0:41:00.000 --> 0:41:05.480
<v Speaker 1>after like strong guys, military men, soldiers, you know, the

0:41:05.520 --> 0:41:08.880
<v Speaker 1>guy who plays the piano. That's easy pickings. Well, you

0:41:09.000 --> 0:41:11.360
<v Speaker 1>have to carry it to and from the lesson.

0:41:11.640 --> 0:41:15.840
<v Speaker 3>Yeah, yeah, just the nature of the way our house

0:41:15.920 --> 0:41:18.719
<v Speaker 3>is set up. You don't have to carry the piano inside.

0:41:19.360 --> 0:41:21.680
<v Speaker 1>Not the yeah. Yeah, well then you get a free

0:41:21.680 --> 0:41:22.920
<v Speaker 1>piano once he's gone.

0:41:23.120 --> 0:41:26.600
<v Speaker 3>Yeah, well that's been one of the benefits and it's

0:41:26.760 --> 0:41:28.600
<v Speaker 3>you know, there's been a few different instruments that have

0:41:28.680 --> 0:41:32.000
<v Speaker 3>come my way just as a result of the cuckolding.

0:41:32.120 --> 0:41:32.640
<v Speaker 2>You know, she was.

0:41:32.880 --> 0:41:37.040
<v Speaker 1>Yeah, you referred to it as dastardly cuckolding. It's a

0:41:37.080 --> 0:41:38.359
<v Speaker 1>six psycho sexual game.

0:41:38.760 --> 0:41:42.279
<v Speaker 3>Yeah, it's a six psycho sexual game, and it's a

0:41:42.480 --> 0:41:46.160
<v Speaker 3>it's a dastardly cycle, to be sure. So I just

0:41:46.200 --> 0:41:48.000
<v Speaker 3>don't know, you know, is there something I should be

0:41:48.080 --> 0:41:49.719
<v Speaker 3>doing about that? Hey, this is what this is what

0:41:49.840 --> 0:41:53.480
<v Speaker 3>these kind of wrap sessions are for.

0:41:53.880 --> 0:41:55.040
<v Speaker 2>Right, you get together.

0:41:54.800 --> 0:41:58.359
<v Speaker 1>Men's Yeah, this is new. Men have never been able

0:41:58.360 --> 0:41:59.560
<v Speaker 1>to talk like this with each other.

0:42:00.440 --> 0:42:02.279
<v Speaker 2>We stepped out of the damn group chat.

0:42:02.360 --> 0:42:04.840
<v Speaker 3>The group chat came to life.

0:42:05.600 --> 0:42:07.759
<v Speaker 1>Yes, you know, I think you're doing I think you're

0:42:07.800 --> 0:42:10.640
<v Speaker 1>doing great. I think that uh, I think you're handling

0:42:10.680 --> 0:42:12.879
<v Speaker 1>it all wonderful. Do you come when this is done

0:42:12.920 --> 0:42:13.080
<v Speaker 1>or no?

0:42:14.520 --> 0:42:14.840
<v Speaker 2>Huh?

0:42:14.880 --> 0:42:20.080
<v Speaker 3>I not when it's not immediately, when it's.

0:42:19.880 --> 0:42:23.200
<v Speaker 1>Done, when the body's out of the house.

0:42:23.120 --> 0:42:25.960
<v Speaker 2>After it's done, What after it's done?

0:42:26.040 --> 0:42:28.040
<v Speaker 1>What stage would he when? After?

0:42:31.520 --> 0:42:35.440
<v Speaker 3>So I'm looking forward to ultimately coming, which I think

0:42:35.520 --> 0:42:37.960
<v Speaker 3>is going to feel really good from what I'm told,

0:42:38.520 --> 0:42:43.120
<v Speaker 3>and that will happen after it's you know, done in

0:42:43.120 --> 0:42:46.839
<v Speaker 3>whatever way this ends my own death in the river.

0:42:46.960 --> 0:42:50.920
<v Speaker 1>You're edging right now, just holding out. Huh. I bet

0:42:50.960 --> 0:42:53.000
<v Speaker 1>it's gonna be great when it finally happens. A lot

0:42:53.040 --> 0:42:59.160
<v Speaker 1>of built ups come. Probably gonna be incredible, boba' probably

0:43:00.040 --> 0:43:00.640
<v Speaker 1>he in there.

0:43:01.640 --> 0:43:06.120
<v Speaker 3>I'm really looking forward to making my own tabiocre pearls.

0:43:05.680 --> 0:43:08.160
<v Speaker 2>And uh, you know, doing a.

0:43:08.239 --> 0:43:13.399
<v Speaker 3>Very explosive ejaculation when this finally sort of comes to pass,

0:43:13.560 --> 0:43:15.960
<v Speaker 3>and and I think it'll be worth the way.

0:43:15.960 --> 0:43:18.239
<v Speaker 4>That feeling when the big straw is kind of like

0:43:18.320 --> 0:43:19.960
<v Speaker 4>blocked up a little bit by the pearl.

0:43:20.160 --> 0:43:22.279
<v Speaker 1>You're just sucking a milkshake through and there's a piece

0:43:22.320 --> 0:43:25.080
<v Speaker 1>of like you know, the candy bar whatever you get

0:43:25.239 --> 0:43:26.720
<v Speaker 1>mushed into the milkshake.

0:43:26.400 --> 0:43:29.440
<v Speaker 4>And then like once the blockage clears, and it's like

0:43:29.560 --> 0:43:31.560
<v Speaker 4>too much, Yeah, like too much.

0:43:33.760 --> 0:43:36.160
<v Speaker 3>With Kevin, because what that's it sounds like it's going

0:43:36.239 --> 0:43:38.759
<v Speaker 3>to be, you know, maybe an emergency.

0:43:40.640 --> 0:43:41.840
<v Speaker 1>I think it's gonna be wonderful.

0:43:43.480 --> 0:43:49.239
<v Speaker 2>That's that's that's really sweet. Hayes was right, You're a

0:43:49.239 --> 0:43:49.919
<v Speaker 2>class act.

0:43:52.840 --> 0:43:55.319
<v Speaker 1>I know a lot of stuff about about come so

0:43:55.600 --> 0:43:57.040
<v Speaker 1>buy more questions you let me know.

0:43:59.520 --> 0:44:00.600
<v Speaker 2>Recording stopped

0:44:05.120 --> 0:44:06.160
<v Speaker 4>Hollywood, Hamburg,