WEBVTT - EXCLUSIVE: Inside Gloria Steinem’s Living Room

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<v Speaker 1>No one has all the answers, but when we ask

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<v Speaker 1>the right questions, we get a little closer, closer to truths,

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<v Speaker 1>closer to each other, even closer to ourselves. I'm journalist

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<v Speaker 1>Danielle Robe, and each week, my guests and I come

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<v Speaker 1>together to challenge the status quo and our own ways

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<v Speaker 1>of thinking by daring to ask what if, why not?

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<v Speaker 1>And who says so? Come curious, dig deep, and join

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<v Speaker 1>the conversation. It's time to question everything. There are perhaps

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<v Speaker 1>a handful of people alive today who have actually changed

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<v Speaker 1>the way a society thinks. Gloria Steinem is one of them.

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<v Speaker 1>You are living right now today wherever you're tuning in

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<v Speaker 1>from inside a world she helped build. If you have

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<v Speaker 1>a credit card in your wallet. If you've ever applied

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<v Speaker 1>for a mortgage without a man's signature, if you've ever

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<v Speaker 1>rented a car or opened a bank account without a

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<v Speaker 1>man's signature. If you've held a job outside the home

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<v Speaker 1>or had a partner who helps inside it. If you've

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<v Speaker 1>ever reported harassment at work and had somewhere to report

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<v Speaker 1>it to. If you've run a marathon, If your daughter

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<v Speaker 1>has ever played on a sports team, if you've ever

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<v Speaker 1>been treated by a female doctor, or spoken to a

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<v Speaker 1>female attorney, if you've sat on a jury, run for office,

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<v Speaker 1>kept your name when you got married, if you ever

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<v Speaker 1>made a choice about your own body and had the

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<v Speaker 1>legal right to make it. That is in large part

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<v Speaker 1>because of Gloria Steinum. With just a typewriter, a microphone,

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<v Speaker 1>a few extraordinary women alongside her, and an absolute refusal

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<v Speaker 1>to accept the world as it was, Gloria Steinem helped

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<v Speaker 1>shape a century, and today she's letting us into her

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<v Speaker 1>living room. Now this isn't just any living room. This room,

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<v Speaker 1>with yellow walls and yellow curtains, a green velvet couch

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<v Speaker 1>and a big, comfy red chair, sacred objects, talismans, photographs,

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<v Speaker 1>books all around, is one of the rooms where the

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<v Speaker 1>women's movement began. Women from all over the world have

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<v Speaker 1>passed through it. Ideas that changed history have been spoken

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<v Speaker 1>aloud in it, And somehow, even with all that legacy,

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<v Speaker 1>it still feels like the most glorious thing imaginable, a

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<v Speaker 1>room where no one is more important than anyone else.

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<v Speaker 1>But let me back up. Before she became one of

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<v Speaker 1>the leading voices of the women's movement, she was a

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<v Speaker 1>journalist in New York City. In nineteen sixty three, she

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<v Speaker 1>went under cover at the Playboy Club, posing as one

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<v Speaker 1>of the famous Bunnies. She worked for weeks and quietly

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<v Speaker 1>documented what life was really like for the women behind

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<v Speaker 1>the fantasy. Her story, a Bunny's Tale, became a sensation.

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<v Speaker 1>What followed was a lifelong, relentless pursuit of equality, co

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<v Speaker 1>founding Miss magazine, which brought women's stories into mainstream conversation,

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<v Speaker 1>helping establish the National Women's political Caucus, advocating for reproductive freedom,

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<v Speaker 1>financial independence, and equal representation not just as talking points,

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<v Speaker 1>but as lived urgency. Gloria Steinem didn't just write about

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<v Speaker 1>changing the rules women were expected to live by. She

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<v Speaker 1>went after the rules themselves. At almost ninety two years old,

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<v Speaker 1>in just a few weeks, she's one of the last

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<v Speaker 1>living architects of the modern women's movement. The women who

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<v Speaker 1>built this world alongside her, many of whom she considered

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<v Speaker 1>dear friends, are gone. She is still here, still in

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<v Speaker 1>her apartment, convening talking circles, still lighting torches.

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<v Speaker 2>But when they asked me who I'm passing my torch to,

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<v Speaker 2>I always say, I'm keeping my torch, thank you very much.

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<v Speaker 2>I'm using my torch to light other torches, because unless

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<v Speaker 2>each one of us has a torch, we can't see

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<v Speaker 2>where the hell were going.

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<v Speaker 1>She doesn't give many interviews inside her home anymore. The

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<v Speaker 1>last time a camera was in her living room for

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<v Speaker 1>a sit down interview was Architectural Digest in twenty twenty four.

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<v Speaker 1>Before that, Oprah in twenty twenty one. This past year,

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<v Speaker 1>I've gotten to spend some really good time with Gloria

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<v Speaker 1>her home as one of her fellows. Now. The first

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<v Speaker 1>time I met Gloria, I didn't know what to expect.

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<v Speaker 1>I had read all of her words, and she and

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<v Speaker 1>her friends welcomed me. I sat across from her, and

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<v Speaker 1>I thought I would be nervous, but I actually felt

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<v Speaker 1>completely at ease. Gloria beautifully accepts people wherever they are

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<v Speaker 1>on their path, and she's completely without ego. She is

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<v Speaker 1>the first person to tell you she is no different

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<v Speaker 1>from anyone else. One of my favorite lines that she

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<v Speaker 1>says when people come up to her and nervously ask

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<v Speaker 1>what will happen when our daughters don't know who you

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<v Speaker 1>are anymore? And she says, It's not important that they

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<v Speaker 1>know who I am, It's important that they know who

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<v Speaker 1>they are, and she means it. Emma Watson once said

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<v Speaker 1>about Gloria that it's almost as if from birth Gloria

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<v Speaker 1>was calibrated like a compass to true North and is

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<v Speaker 1>now patiently and with good humor, making her way toward

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<v Speaker 1>that destination. I love that line because it is so

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<v Speaker 1>true and so fitting. Gloria believes in personal testimony, the

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<v Speaker 1>sharing and passing on of women's stories. I mean, she

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<v Speaker 1>often says that sharing her honest stories with other women

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<v Speaker 1>is one of the most feminist things we can do,

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<v Speaker 1>and I think that's a big part of the magic

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<v Speaker 1>of the talking circles she holds in her living room.

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<v Speaker 1>As her fellow I've gotten to throw some and attend

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<v Speaker 1>some people of all ages and backgrounds and experiences gather

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<v Speaker 1>to share their honest perspectives. It's obvious she's made it

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<v Speaker 1>her mission to understand stories that are not her own.

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<v Speaker 1>Gloria deeply respects and learns from women and their heritage.

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<v Speaker 1>One of the things I have come to love most

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<v Speaker 1>about Gloria is her plain common sense. She calls things

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<v Speaker 1>out as she sees them, as they are, and it

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<v Speaker 1>will make you laugh out loud. She just sees through

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<v Speaker 1>the noise of how things are and straight into how

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<v Speaker 1>they could be. It's definitely one of her superpowers. Another

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<v Speaker 1>one is that she never loses hope. Sometimes the world

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<v Speaker 1>Gloria and envisions can feel impossibly far away, wildly optimistic even,

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<v Speaker 1>But the longer I spend with her, the more I

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<v Speaker 1>believe it's possible that the work of true equality can

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<v Speaker 1>get done. And you know what else, I've come to

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<v Speaker 1>believe spending time with her, that the work trying to

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<v Speaker 1>get there really matters too. The world Gloria envisions is

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<v Speaker 1>not the world we live in, not yet, but she's

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<v Speaker 1>never once acted like it wasn't coming now. In almost

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<v Speaker 1>every interview, people ask Gloria about the future of feminism

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<v Speaker 1>what does she see coming? And I'm going to tell

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<v Speaker 1>you now, I did not ask her that, mostly because

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<v Speaker 1>I find it to be an annoying question, and at

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<v Speaker 1>ninety two years old, I was not about to annoy her.

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<v Speaker 1>But I did ask what she thinks we all have

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<v Speaker 1>to look forward to at ninety two, and I promise

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<v Speaker 1>you you want to hear her answer at the end

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<v Speaker 1>of this interview, do not miss that part. So today

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<v Speaker 1>I'm bringing you into the home of a woman who

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<v Speaker 1>changed hours. It's time to question everything with the one

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<v Speaker 1>and only Gloria Steina. Gloria, you are known for so

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<v Speaker 1>many things, but you are legendary for these talking circles

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<v Speaker 1>in your living room, which is where we are right now,

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<v Speaker 1>and you have an open door policy. Women from all

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<v Speaker 1>over the world have come and sat in this living room.

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<v Speaker 1>Where did the open door policy come from?

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<v Speaker 2>Well, I think the idea of a movement, a social

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<v Speaker 2>justice movement, women's movement, civil rights movement, is meant to

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<v Speaker 2>include everybody because it's trying to both change society and

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<v Speaker 2>assist society. So why would you keep anybody out?

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<v Speaker 1>Was it like that in your home growing up? Did

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<v Speaker 1>you have an open door policy?

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<v Speaker 2>No, because my father had a little summer resort in

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<v Speaker 2>southern Michigan, and in the winter time he put us

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<v Speaker 2>all in a house trailer, me, my sister, the dog,

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<v Speaker 2>my mother, and we went to Florida or California, so

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<v Speaker 2>we didn't exactly have a door. I mean, we stayed

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<v Speaker 2>in trailer parks, which are themselves very democratic, Butty stays there.

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<v Speaker 2>But it wasn't like having a house.

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<v Speaker 1>Do you have fond memories of traveling and being on

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<v Speaker 1>the road on car trips as a kid or did

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<v Speaker 1>you not like it?

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<v Speaker 2>No? I think I liked it. But what I liked

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<v Speaker 2>about it was that I could sit in the backseat

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<v Speaker 2>and read a book and my mother would say, look

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<v Speaker 2>out the window you and I would say, but I

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<v Speaker 2>looked a while ago.

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<v Speaker 1>Do you remember what you would read? Would you read

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<v Speaker 1>Little Women? Yes?

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<v Speaker 2>Louisa May Alcott was my hero, not only because of

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<v Speaker 2>Little Women, which was something she wrote for young readers,

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<v Speaker 2>but she also wrote stories about the Civil War and

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<v Speaker 2>very adult and sometimes depressed stories too.

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<v Speaker 1>Did books give you a larger imagination of what it

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<v Speaker 1>meant to be a woman or did you find them

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<v Speaker 1>to be constrictive at the time.

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<v Speaker 2>Well, because I wasn't going to school that much, and

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<v Speaker 2>I was reading all the time, and reading indiscriminately. I

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<v Speaker 2>would just go to the little local library and read

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<v Speaker 2>up and down the shelves. So I read all kinds

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<v Speaker 2>of things that I probably wouldn't have been directed to read,

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<v Speaker 2>not because of any reason except maybe age, But I

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<v Speaker 2>just was hooked.

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<v Speaker 1>I have a very funnier dorky saying that I love

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<v Speaker 1>shoes and I love books, and they both take you places.

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<v Speaker 1>So as a kid, your mantra was everybody has a

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<v Speaker 1>home but me. Do you feel like, as an adult

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<v Speaker 1>your mantra has changed to I have a home for everybody.

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<v Speaker 2>Well, definitely, I feel I have a home now and

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<v Speaker 2>this has really been my permanent home for a very

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<v Speaker 2>long time, first shared with a roommate, barbonessum and now

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<v Speaker 2>on my own. I suppose growing up, I imagined that

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<v Speaker 2>you couldn't have a home until you were married and

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<v Speaker 2>had children. I didn't understand that women on our own

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<v Speaker 2>could also have a home. It took a while.

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<v Speaker 1>It must have been very exciting when you moved into

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<v Speaker 1>this place. Did it mean something more than just a

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<v Speaker 1>place to lay your head?

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<v Speaker 2>Yes? Well, my roommate Barbonessa, the artist Burboness, we had

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<v Speaker 2>been living in a one room studio on fifty sixth

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<v Speaker 2>Street between fifth and sixth here and then finally I

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<v Speaker 2>can't remember how we found this, but this was like

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<v Speaker 2>twice as much space. You were excited.

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<v Speaker 1>I can imagine sharing a one room apartment in New

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<v Speaker 1>York is not easy, even if you like your roommate.

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<v Speaker 1>You said you always wanted a conventional home as a kid.

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<v Speaker 1>Do you feel like this has become a symbol for you?

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<v Speaker 1>Or more a symbol that you share with other people.

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<v Speaker 2>I'm glad to have, as who was at Virginia set

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<v Speaker 2>a room of one's own. I think we all need that,

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<v Speaker 2>and women are probably less likely to have that, So

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<v Speaker 2>I'm happy about that. As I was saying, I moved

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<v Speaker 2>here first with the roommates, so it kind of arrived

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<v Speaker 2>in steps. I don't think I moved in and thought, oh, yes,

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<v Speaker 2>this is it. I'm going to stay here forever. Oh really,

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<v Speaker 2>it just happened.

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<v Speaker 1>Because you've told me before that you didn't decorate right away, right,

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<v Speaker 1>it took like ten years to decorate this place.

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<v Speaker 2>Well, I never did decorate exactly. I mean there was

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<v Speaker 2>a friend who was living here from London and she

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<v Speaker 2>was helping a man friend of mine decorate his apartment.

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<v Speaker 2>Oh wow. So while she was doing that, she took

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<v Speaker 2>me around to auctions and taught me how to bid

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<v Speaker 2>on whatever it was that I wanted. I mean, all

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<v Speaker 2>of these things are old.

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<v Speaker 1>I think they all have meaning though, Like you have

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<v Speaker 1>so many elephants, which you love the elephant painting behind me.

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<v Speaker 1>You have books from all of your travels. All of

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<v Speaker 1>the knickknacks feel like they're meant to be there. They

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<v Speaker 1>have a place.

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<v Speaker 2>Well, yeah, I mean they arrived somewhat accidentally, but by

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<v Speaker 2>now they have a place. I mean, this door is

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<v Speaker 2>a granary door from India. Even though I didn't buy

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<v Speaker 2>it in India, I bought it here in New York.

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<v Speaker 1>You have such happy memories of India, it seems you

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<v Speaker 1>talk about your time there quite a lot.

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<v Speaker 2>Yes, well, I went there shortly after I graduated from college.

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<v Speaker 2>I was engaged in trying to get unengaged, and also

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<v Speaker 2>I fell in love with the country because it was

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<v Speaker 2>newly independent, celebrating and finding itself, and also so diverse.

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<v Speaker 2>You know, there are fourteen major languages within India.

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<v Speaker 1>I think, do you remember when you got engaged? Kind

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<v Speaker 1>of yeah, did it stress you out or what did

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<v Speaker 1>that moment feel like?

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<v Speaker 2>I think I didn't quite know what to do with myself.

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<v Speaker 2>I was about to graduate. I didn't know what would happen.

0:12:42.200 --> 0:12:45.560
<v Speaker 2>He lived in New York and understood Manhattan, so that

0:12:45.720 --> 0:12:51.040
<v Speaker 2>was already kind of an interesting mystery. He was also

0:12:51.880 --> 0:12:56.600
<v Speaker 2>the best friend of the fiance of my friend, a

0:12:56.640 --> 0:13:00.600
<v Speaker 2>young woman who was a student with me, so it

0:13:00.720 --> 0:13:03.640
<v Speaker 2>had that kind of almost familial connection.

0:13:04.120 --> 0:13:06.760
<v Speaker 1>Do you have a really happy childhood memory that sticks

0:13:06.760 --> 0:13:07.160
<v Speaker 1>out to you.

0:13:07.360 --> 0:13:10.560
<v Speaker 2>Well, I was in love with animals always, so the

0:13:10.640 --> 0:13:13.640
<v Speaker 2>dog would have puppies, and I couldn't give up the puppies.

0:13:14.000 --> 0:13:18.000
<v Speaker 2>I would get a rabbit for Easter. I don't think

0:13:18.040 --> 0:13:21.280
<v Speaker 2>this happens anymore, I hope. But if you bought Easter

0:13:21.480 --> 0:13:25.079
<v Speaker 2>shoes as a child, they gave you a baby bunny,

0:13:25.280 --> 0:13:26.760
<v Speaker 2>you're kidding, Nor.

0:13:28.160 --> 0:13:30.000
<v Speaker 1>For every pair of shoes, that's crazy.

0:13:30.200 --> 0:13:33.920
<v Speaker 2>Well, no, not one per customer, I think, you know.

0:13:34.040 --> 0:13:36.800
<v Speaker 2>So there was this white bunny that I was always

0:13:36.880 --> 0:13:40.360
<v Speaker 2>kind of worried about with all the wild bunnies that

0:13:40.440 --> 0:13:42.960
<v Speaker 2>were not white that were out there, you know, But

0:13:43.320 --> 0:13:44.040
<v Speaker 2>I hope it was.

0:13:44.120 --> 0:13:47.000
<v Speaker 1>Okay, that's a really sweet memory. I wasn't expecting you

0:13:47.040 --> 0:13:47.440
<v Speaker 1>to say that.

0:13:47.520 --> 0:13:47.680
<v Speaker 2>You know.

0:13:47.760 --> 0:13:50.240
<v Speaker 1>I've never seen you light up as much as when

0:13:50.280 --> 0:13:52.400
<v Speaker 1>there was a dog staying here for a few days.

0:13:52.840 --> 0:13:55.199
<v Speaker 1>So I got to see your love of animals up close.

0:13:55.360 --> 0:13:58.280
<v Speaker 2>Yes, No, I was always growing up with animals, and

0:13:58.360 --> 0:14:04.120
<v Speaker 2>I loved horses. Think girls and horses have a special connection.

0:14:04.840 --> 0:14:07.720
<v Speaker 2>And there was a period of time in which I

0:14:07.760 --> 0:14:12.120
<v Speaker 2>had a horse in a nearby farm garage or something.

0:14:12.160 --> 0:14:14.560
<v Speaker 2>I mean, it was too much for me. I couldn't

0:14:15.040 --> 0:14:17.800
<v Speaker 2>take care of the horse properly, but it was great.

0:14:18.000 --> 0:14:20.040
<v Speaker 1>And I know you love New York and you love

0:14:20.120 --> 0:14:23.360
<v Speaker 1>Manhattan so much. I'm surprised because you can't really have

0:14:23.560 --> 0:14:24.280
<v Speaker 1>animals here.

0:14:24.600 --> 0:14:27.560
<v Speaker 2>Well, you could always have animals in your house, cats

0:14:27.600 --> 0:14:30.120
<v Speaker 2>and dogs, right, And I'm not going to have a

0:14:30.160 --> 0:14:33.760
<v Speaker 2>horse again. But I love New York because it's big,

0:14:33.760 --> 0:14:38.000
<v Speaker 2>it's diverse, you can walk around. It was once Mannahatta

0:14:38.120 --> 0:14:41.240
<v Speaker 2>Island before Europeans showed up. I mean, it has a

0:14:41.280 --> 0:14:42.040
<v Speaker 2>long history.

0:14:42.400 --> 0:14:45.760
<v Speaker 1>When you think about your mom and your dad, is

0:14:45.800 --> 0:14:49.200
<v Speaker 1>there a trait that you think you've inherited from each

0:14:49.240 --> 0:14:50.680
<v Speaker 1>one of them that stands out?

0:14:50.920 --> 0:14:53.600
<v Speaker 2>Yes, I think so. I mean my mother had been

0:14:53.640 --> 0:14:57.320
<v Speaker 2>a journalist before she was married. She worked for a newspaper.

0:14:57.400 --> 0:14:59.880
<v Speaker 2>She loved it. I remember her teaching me how to

0:15:00.080 --> 0:15:04.120
<v Speaker 2>to use a reporter's notebook. They're the long, skinny ones

0:15:04.120 --> 0:15:05.760
<v Speaker 2>you put in your hand, you know, so you can

0:15:05.920 --> 0:15:10.080
<v Speaker 2>write with the other hand. So that acquired an attraction.

0:15:10.520 --> 0:15:14.880
<v Speaker 2>My father had this little summer resource where people danced

0:15:15.520 --> 0:15:18.640
<v Speaker 2>over the water and under the stars, as his slogan

0:15:18.840 --> 0:15:23.040
<v Speaker 2>put it, and he was happy, never having a job

0:15:23.080 --> 0:15:25.800
<v Speaker 2>in his life. He always worked for himself, so I

0:15:25.920 --> 0:15:29.600
<v Speaker 2>probably absorbed from both of them in obvious ways.

0:15:30.320 --> 0:15:32.480
<v Speaker 1>It's funny that you bring that up, because in so

0:15:32.600 --> 0:15:34.760
<v Speaker 1>many of your interviews when you talk about your dad,

0:15:34.800 --> 0:15:37.680
<v Speaker 1>you mentioned two things. You mentioned that he never had

0:15:37.680 --> 0:15:40.160
<v Speaker 1>a job. He was always freelance, and you seem to

0:15:40.200 --> 0:15:43.680
<v Speaker 1>really admire that and that he could sustain his own way.

0:15:44.280 --> 0:15:46.680
<v Speaker 1>And then secondly, that he never wore hats. Why did

0:15:46.680 --> 0:15:48.040
<v Speaker 1>you like that he never wore a hat.

0:15:48.160 --> 0:15:54.640
<v Speaker 2>I suppose hats were a symbol of business or conformity

0:15:55.000 --> 0:15:58.960
<v Speaker 2>or upper middle class, because if you worked in a factory,

0:15:59.000 --> 0:16:01.080
<v Speaker 2>you didn't wear a hat. I don't know, I mean,

0:16:01.400 --> 0:16:04.400
<v Speaker 2>but they had some kind of symbolism. So I was

0:16:04.480 --> 0:16:05.680
<v Speaker 2>glad he didn't share that.

0:16:06.600 --> 0:16:08.240
<v Speaker 1>You liked that he was unconventional.

0:16:08.560 --> 0:16:10.240
<v Speaker 2>Yeah, I don't know if I thought of it that

0:16:10.320 --> 0:16:13.800
<v Speaker 2>way exactly. And he was also very kind. His cure

0:16:13.880 --> 0:16:17.240
<v Speaker 2>for everything was a movie in a malted which is

0:16:17.280 --> 0:16:17.800
<v Speaker 2>pretty good.

0:16:17.880 --> 0:16:21.360
<v Speaker 1>Actually, when's the last time you got to enjoy that combination?

0:16:22.000 --> 0:16:24.480
<v Speaker 2>Oh, I don't remember, so so long ago, I mean

0:16:24.520 --> 0:16:24.920
<v Speaker 2>it was.

0:16:25.200 --> 0:16:29.120
<v Speaker 1>Pre ten Speaking of movies, I did not realize how

0:16:29.200 --> 0:16:32.960
<v Speaker 1>much you loved Breakfast at Tiffany's Gloria. That movie had

0:16:33.080 --> 0:16:35.320
<v Speaker 1>such an impact on your life. Do you remember when

0:16:35.360 --> 0:16:36.040
<v Speaker 1>you first saw it?

0:16:36.760 --> 0:16:43.280
<v Speaker 2>Well, also, Truman Capote had written about her as a character, yeah,

0:16:43.480 --> 0:16:48.240
<v Speaker 2>before the movie, and actually in his story she leaves

0:16:48.280 --> 0:16:51.200
<v Speaker 2>and goes to Africa. I mean there's more of her life,

0:16:51.280 --> 0:16:55.040
<v Speaker 2>I think in his story than there is in the movie.

0:16:55.280 --> 0:16:59.640
<v Speaker 2>But in both cases, she just seemed free. And she'd

0:16:59.680 --> 0:17:03.320
<v Speaker 2>had difficult childhood. She had a brother who was ill

0:17:03.440 --> 0:17:06.240
<v Speaker 2>or she worried about. You know, it wasn't all fun,

0:17:06.560 --> 0:17:07.920
<v Speaker 2>but it was free.

0:17:08.560 --> 0:17:10.360
<v Speaker 1>Do you consider your childhood difficult?

0:17:10.720 --> 0:17:13.560
<v Speaker 2>No? I don't, actually, you know, because I always felt

0:17:13.640 --> 0:17:17.600
<v Speaker 2>loved my parents. I mean, life was not easy for them,

0:17:17.720 --> 0:17:20.879
<v Speaker 2>but they always treated me like an equal member of

0:17:20.920 --> 0:17:21.600
<v Speaker 2>the household.

0:17:21.840 --> 0:17:23.200
<v Speaker 1>It was a democratic household.

0:17:23.440 --> 0:17:24.680
<v Speaker 2>Yeah, Gloria.

0:17:24.760 --> 0:17:28.120
<v Speaker 1>Before we ever even met, I had read all your books.

0:17:28.400 --> 0:17:30.719
<v Speaker 1>I had not read this one. I had no idea

0:17:30.720 --> 0:17:33.159
<v Speaker 1>that you had written five hundred pages on self esteem.

0:17:33.440 --> 0:17:36.160
<v Speaker 2>Yes, I don't exactly know how that happened.

0:17:36.400 --> 0:17:39.199
<v Speaker 1>We've never talked about this book, and so when I

0:17:39.240 --> 0:17:41.680
<v Speaker 1>was reading it, this is when I found out how

0:17:41.840 --> 0:17:46.520
<v Speaker 1>Breakfast at Tiffany's impacted you. Will you share why it

0:17:46.600 --> 0:17:48.880
<v Speaker 1>made you so emotional? Because in this book you talk

0:17:48.920 --> 0:17:51.320
<v Speaker 1>about tearing up? Was it the freedom.

0:17:51.160 --> 0:17:55.119
<v Speaker 2>Because she was totally on her own. She had great

0:17:55.200 --> 0:17:59.840
<v Speaker 2>hopes but not much support. She had come to me

0:18:00.119 --> 0:18:02.960
<v Speaker 2>or on her own, I think, and she had a

0:18:03.040 --> 0:18:06.159
<v Speaker 2>brother at home she was looking after who was vulnerable.

0:18:06.200 --> 0:18:11.080
<v Speaker 2>In some way, she was her own self and making

0:18:11.119 --> 0:18:15.040
<v Speaker 2>her own world in a way that probably was not

0:18:15.160 --> 0:18:19.800
<v Speaker 2>so true. Say of my earlier heroine, Louisa may Alcott.

0:18:20.359 --> 0:18:23.000
<v Speaker 1>Well, a friend told you that you turned yourself into

0:18:23.040 --> 0:18:26.120
<v Speaker 1>Holly overnight, and then in this book you write about

0:18:26.200 --> 0:18:29.679
<v Speaker 1>lacing your hair with blonde streaks, wearing kerchiefs, and even

0:18:30.280 --> 0:18:33.639
<v Speaker 1>rocking the big iconic sunglasses. I didn't realize that it

0:18:33.720 --> 0:18:34.560
<v Speaker 1>was from that movie.

0:18:34.880 --> 0:18:38.200
<v Speaker 2>Yeah, of course I was nearsighted, so I eated glasses. Anyway.

0:18:38.359 --> 0:18:41.840
<v Speaker 2>They were all prescriptions, right, I mean, you're very utilitary,

0:18:42.040 --> 0:18:46.080
<v Speaker 2>but she was. It was a movie about a free woman. Yeah.

0:18:46.200 --> 0:18:47.720
<v Speaker 1>Did you consider her a feminist?

0:18:48.040 --> 0:18:50.240
<v Speaker 2>Yeah? I don't know if I thought about it in

0:18:50.280 --> 0:18:52.879
<v Speaker 2>those terms, and I don't know if she did either.

0:18:53.600 --> 0:18:59.119
<v Speaker 2>But she was clearly trying to lead her own life

0:18:59.280 --> 0:18:59.879
<v Speaker 2>by coming to me.

0:19:00.840 --> 0:19:03.440
<v Speaker 1>Did the movie make you think about romance or love

0:19:03.480 --> 0:19:03.800
<v Speaker 1>at all?

0:19:04.280 --> 0:19:06.760
<v Speaker 2>Not really, because it wasn't what it was about She

0:19:06.960 --> 0:19:12.080
<v Speaker 2>wasn't seeking engagement and marriage, She was trying to live

0:19:12.119 --> 0:19:12.680
<v Speaker 2>a life.

0:19:13.160 --> 0:19:15.080
<v Speaker 1>If I was going to watch the movie for the

0:19:15.080 --> 0:19:17.159
<v Speaker 1>first time, which I have to be honest with you,

0:19:17.200 --> 0:19:19.000
<v Speaker 1>I only saw it for the first time last night,

0:19:19.280 --> 0:19:21.359
<v Speaker 1>what would it teach me about you?

0:19:21.680 --> 0:19:24.520
<v Speaker 2>I think that in a period of time in which

0:19:24.720 --> 0:19:28.800
<v Speaker 2>it wasn't so easy to be an independent woman. It

0:19:28.920 --> 0:19:32.359
<v Speaker 2>was after World War Two, I think people striving to

0:19:32.760 --> 0:19:38.720
<v Speaker 2>make suburbs and families and had been more absent during

0:19:38.760 --> 0:19:43.000
<v Speaker 2>the war, so she stood out as someone who was

0:19:43.760 --> 0:19:45.280
<v Speaker 2>making her own life.

0:19:45.520 --> 0:19:48.160
<v Speaker 1>Were you excited when you got to have a cameo

0:19:48.280 --> 0:19:50.680
<v Speaker 1>in First Wives Club later in life? Did it make

0:19:50.720 --> 0:19:52.520
<v Speaker 1>you think of your dad and his love of film?

0:19:52.800 --> 0:19:55.880
<v Speaker 2>No, I don't know why I did it exactly because.

0:19:55.680 --> 0:19:58.159
<v Speaker 1>You show up at the end the final scene.

0:19:58.320 --> 0:20:02.120
<v Speaker 2>Yes, and I knew people who were acting in it.

0:20:02.359 --> 0:20:05.159
<v Speaker 2>But it's very nervous making to feel you're in a

0:20:05.200 --> 0:20:09.119
<v Speaker 2>movie scene that everything you do is showing somehow well.

0:20:09.200 --> 0:20:12.040
<v Speaker 1>I also read that clothes used to give you anxiety,

0:20:12.080 --> 0:20:14.400
<v Speaker 1>so I can't imagine you loving a film set and

0:20:14.480 --> 0:20:15.960
<v Speaker 1>getting all dolled up.

0:20:16.240 --> 0:20:19.040
<v Speaker 2>It was a realistic movie, so we did not get

0:20:19.040 --> 0:20:21.479
<v Speaker 2>that dolled up. I mean we were not wearing somebody

0:20:21.480 --> 0:20:22.840
<v Speaker 2>else's clothes. I don't think.

0:20:22.960 --> 0:20:24.840
<v Speaker 1>No, you looked like you. You had a very chic

0:20:25.000 --> 0:20:28.520
<v Speaker 1>black suit and a nice blowout. You definitely looked like you.

0:20:28.520 --> 0:20:31.320
<v Speaker 1>You wanted to be a dancer, and that's part of

0:20:31.359 --> 0:20:33.480
<v Speaker 1>what got you out of Toledo. So you were always

0:20:33.520 --> 0:20:36.199
<v Speaker 1>sort of into entertainment in some way. What made you

0:20:36.240 --> 0:20:37.760
<v Speaker 1>pick up those tap shoes early.

0:20:37.600 --> 0:20:40.840
<v Speaker 2>On probably Shirley Temple or seeing movies and there was

0:20:41.240 --> 0:20:44.960
<v Speaker 2>adult black man who was her tap dancing partner. And

0:20:45.119 --> 0:20:47.800
<v Speaker 2>I mean she was one of the few young women

0:20:47.880 --> 0:20:52.119
<v Speaker 2>in movies, so she seemed like she had her own life,

0:20:52.160 --> 0:20:55.120
<v Speaker 2>I think, and movies were a big source of escape.

0:20:55.200 --> 0:20:59.000
<v Speaker 2>As I was saying, my father's idea of escape and

0:20:59.119 --> 0:21:01.439
<v Speaker 2>reward was a malted in a movie.

0:21:01.760 --> 0:21:04.200
<v Speaker 1>And then I was reading that you would help support

0:21:04.240 --> 0:21:07.600
<v Speaker 1>your mother through tap dancing too. Did it become something

0:21:07.640 --> 0:21:09.280
<v Speaker 1>you felt like you had to do or you always

0:21:09.280 --> 0:21:09.800
<v Speaker 1>loved it? No?

0:21:09.920 --> 0:21:12.560
<v Speaker 2>I always loved it, And I don't know that I

0:21:12.600 --> 0:21:15.040
<v Speaker 2>ever thought I was good enough to have a career.

0:21:15.800 --> 0:21:21.000
<v Speaker 2>But where other students might have been playing basketball or something,

0:21:21.240 --> 0:21:23.760
<v Speaker 2>I was going to tap dancing classes.

0:21:24.080 --> 0:21:26.119
<v Speaker 1>The other thing I want to bring up from that

0:21:26.200 --> 0:21:29.120
<v Speaker 1>book before we move on to other questions, is that

0:21:29.680 --> 0:21:32.480
<v Speaker 1>you wrote that you had a lifetime ambition to run

0:21:32.480 --> 0:21:34.680
<v Speaker 1>a diner one day. I did not know that.

0:21:34.720 --> 0:21:39.159
<v Speaker 2>About you well, because with my parents and my sister

0:21:39.280 --> 0:21:42.280
<v Speaker 2>we were on the road going to Florida or California.

0:21:42.400 --> 0:21:46.200
<v Speaker 2>We were always stopping in diners. Diners are very democratic places.

0:21:46.640 --> 0:21:50.160
<v Speaker 2>Everybody is welcome in a diner, which is a great feeling.

0:21:50.880 --> 0:21:55.280
<v Speaker 2>So I thought being able to have a diner by

0:21:55.359 --> 0:21:58.240
<v Speaker 2>the side of the road would be a great life.

0:21:58.359 --> 0:22:00.560
<v Speaker 1>You write, you get very specific. You say you wanted

0:22:00.560 --> 0:22:03.560
<v Speaker 1>one with blue Gingham curtains and brand muffins. And when

0:22:03.560 --> 0:22:05.639
<v Speaker 1>you wrote that, you were not of the brand muffin

0:22:05.680 --> 0:22:09.639
<v Speaker 1>age yet what did you love about brand muffins?

0:22:10.160 --> 0:22:12.520
<v Speaker 2>Is there an age for brand muffins? I don't know.

0:22:12.720 --> 0:22:16.000
<v Speaker 1>I just like them, right, you love them to this

0:22:16.119 --> 0:22:18.919
<v Speaker 1>day too. Yeah, if you were going to open a diner,

0:22:19.440 --> 0:22:20.639
<v Speaker 1>who would you name it after?

0:22:20.960 --> 0:22:26.600
<v Speaker 2>Diners aren't named after people. They're usually just disused dining

0:22:26.720 --> 0:22:30.119
<v Speaker 2>cars from trains that are placed by the highway and

0:22:30.480 --> 0:22:33.679
<v Speaker 2>somebody runs them. I mean. The appeal of them is

0:22:33.680 --> 0:22:37.520
<v Speaker 2>that they welcome everybody and at all hours. So in

0:22:37.560 --> 0:22:40.320
<v Speaker 2>the middle of the night, there are truck drivers. During

0:22:40.359 --> 0:22:43.080
<v Speaker 2>the day, there are people going to school, or just

0:22:43.119 --> 0:22:45.639
<v Speaker 2>a very democratic, interesting place.

0:22:45.920 --> 0:22:50.000
<v Speaker 1>When you see everyone from different backgrounds and different industries together,

0:22:50.320 --> 0:22:53.560
<v Speaker 1>I can tell you're smiling. What about that image makes

0:22:53.600 --> 0:22:54.240
<v Speaker 1>you so happy?

0:22:54.359 --> 0:22:58.480
<v Speaker 2>Well, it's unlimited. You know, frequently in life in college,

0:22:58.800 --> 0:23:02.520
<v Speaker 2>people we know is some limited, probably less than in

0:23:02.560 --> 0:23:05.520
<v Speaker 2>the rest of life. People who work in offices, which

0:23:05.640 --> 0:23:10.560
<v Speaker 2>I haven't done, really are limited. So a diner is

0:23:10.600 --> 0:23:14.040
<v Speaker 2>infinitely democratic and everywhere. I remember being in one in

0:23:14.080 --> 0:23:16.760
<v Speaker 2>South Africa that was like that. It was an old

0:23:16.800 --> 0:23:19.480
<v Speaker 2>train car in the middle of the city and everybody

0:23:19.520 --> 0:23:19.960
<v Speaker 2>went there.

0:23:20.320 --> 0:23:22.280
<v Speaker 1>I didn't know this about you. I mean, it's hard

0:23:22.280 --> 0:23:24.680
<v Speaker 1>to take you out of this beautiful living room, but

0:23:24.720 --> 0:23:25.919
<v Speaker 1>I think I'm gonna have to take you to a

0:23:25.960 --> 0:23:42.080
<v Speaker 1>diner one day. There's so many good ones in New York. Yeah,

0:23:42.240 --> 0:23:45.280
<v Speaker 1>your dad was your movie buddy growing up. Do you

0:23:45.320 --> 0:23:47.679
<v Speaker 1>think he would have gotten a kick out of seeing

0:23:47.720 --> 0:23:51.040
<v Speaker 1>you on the big screen and First Wives Club and

0:23:51.080 --> 0:23:54.800
<v Speaker 1>seeing you tap dancing with Barbara Walters at a benefit concert.

0:23:54.880 --> 0:23:56.080
<v Speaker 1>Do you think he would have liked all that?

0:23:56.280 --> 0:24:00.120
<v Speaker 2>Yeah? Probably, Yeah, because he was on the edge of

0:24:00.119 --> 0:24:04.560
<v Speaker 2>of show business. Himself because he had this summer dance pavilion,

0:24:04.720 --> 0:24:06.760
<v Speaker 2>and he had his two points of pride that he

0:24:06.840 --> 0:24:08.959
<v Speaker 2>never wore a hat and he never had a job, right,

0:24:09.119 --> 0:24:11.520
<v Speaker 2>so he was on the edges of show business.

0:24:12.080 --> 0:24:16.480
<v Speaker 1>Do you think that if social media existed that there

0:24:16.520 --> 0:24:20.480
<v Speaker 1>would have been some amazing conversations that would have been

0:24:20.520 --> 0:24:23.679
<v Speaker 1>caught on set or behind the scenes of any of

0:24:23.720 --> 0:24:26.800
<v Speaker 1>these big moments of you on stage or in the films.

0:24:27.000 --> 0:24:30.040
<v Speaker 2>Well, they exist anyway. We don't need somebody to record them.

0:24:30.080 --> 0:24:33.280
<v Speaker 2>They're part of our life. I'm glad we have an Internet,

0:24:33.560 --> 0:24:38.200
<v Speaker 2>especially globally internationally, it's important that we know each other.

0:24:38.560 --> 0:24:40.840
<v Speaker 1>Can you say more about that? You're saying how important

0:24:40.840 --> 0:24:42.320
<v Speaker 1>it is to live in the present is what I'm

0:24:42.440 --> 0:24:43.720
<v Speaker 1>garnering from that statement.

0:24:43.880 --> 0:24:47.240
<v Speaker 2>Well, and also in the world, we're all on one

0:24:47.400 --> 0:24:53.480
<v Speaker 2>globe hurdling through space. The boundaries of nations are totally

0:24:53.520 --> 0:24:58.480
<v Speaker 2>made up. We try to communicate beyond language as best

0:24:58.560 --> 0:25:03.240
<v Speaker 2>we can, so we are all passengers on spaceship Earth.

0:25:03.800 --> 0:25:06.480
<v Speaker 1>The idea that boundaries of countries are made up, it's

0:25:06.480 --> 0:25:09.280
<v Speaker 1>so true. I've never thought about that. They're totally arbitrary,

0:25:09.400 --> 0:25:12.119
<v Speaker 1>made up by people in buildings.

0:25:11.800 --> 0:25:14.600
<v Speaker 2>And made up by colonialism in some cases.

0:25:15.960 --> 0:25:19.640
<v Speaker 1>And before we started recording, we were talking about men

0:25:19.760 --> 0:25:23.840
<v Speaker 1>and you said that oftentimes we think of men as

0:25:23.880 --> 0:25:26.560
<v Speaker 1>singular and women as a collective, and I had never

0:25:26.600 --> 0:25:29.720
<v Speaker 1>thought about that. It's so true, it seems so obvious.

0:25:30.119 --> 0:25:33.639
<v Speaker 1>And having spent time with you, and if people watch

0:25:33.640 --> 0:25:37.720
<v Speaker 1>your speeches, you give us these very obvious truths that

0:25:37.800 --> 0:25:40.720
<v Speaker 1>for some reason are not obvious to everybody. Was that

0:25:40.800 --> 0:25:44.000
<v Speaker 1>a skill that you had as a kid. Can you

0:25:44.040 --> 0:25:45.960
<v Speaker 1>point back to it or where did that come from?

0:25:46.040 --> 0:25:47.760
<v Speaker 2>I don't know that there's a skill. I mean, it's

0:25:47.840 --> 0:25:51.800
<v Speaker 2>just describing the world. Men of all races tend to

0:25:51.880 --> 0:25:56.439
<v Speaker 2>have a source of livelihood outside the home more than women,

0:25:56.640 --> 0:26:00.880
<v Speaker 2>who frequently now also have jobs, but still more than

0:26:00.920 --> 0:26:05.119
<v Speaker 2>men probably have a reality that's at home and raising

0:26:05.200 --> 0:26:06.400
<v Speaker 2>children and so on.

0:26:07.160 --> 0:26:09.560
<v Speaker 1>It's just your view of the world that was so unique.

0:26:09.840 --> 0:26:10.520
<v Speaker 1>You just saw it.

0:26:10.840 --> 0:26:12.639
<v Speaker 2>I don't know about that. I mean, I was just

0:26:12.960 --> 0:26:16.280
<v Speaker 2>living a life. My sister, who was nine years older

0:26:16.680 --> 0:26:20.760
<v Speaker 2>no longer with us, but she lived a very unusual

0:26:20.800 --> 0:26:25.280
<v Speaker 2>life because she was a gemalogist, which is an unusual profession.

0:26:25.920 --> 0:26:29.280
<v Speaker 2>But then she married and had six children and had

0:26:29.320 --> 0:26:32.359
<v Speaker 2>a household where she always was and so on, so

0:26:32.720 --> 0:26:34.280
<v Speaker 2>she was drawn to that.

0:26:34.840 --> 0:26:36.480
<v Speaker 1>How did you feel about that choice?

0:26:36.720 --> 0:26:39.239
<v Speaker 2>Fine? No, I mean, you know, as long as it

0:26:39.359 --> 0:26:42.199
<v Speaker 2>was what she wanted, which it was. And also I

0:26:42.280 --> 0:26:45.760
<v Speaker 2>was grateful to her because she was often in earlier

0:26:45.880 --> 0:26:49.359
<v Speaker 2>years looking after me. I didn't know that, well, she

0:26:49.480 --> 0:26:50.520
<v Speaker 2>was nine years older.

0:26:51.080 --> 0:26:54.120
<v Speaker 1>For some reason, I'd imagined you as little Gloria, sort

0:26:54.119 --> 0:26:56.840
<v Speaker 1>of looking after yourself and looking after everybody else.

0:26:56.920 --> 0:26:59.560
<v Speaker 2>Well, some of that was true, because when she was

0:26:59.560 --> 0:27:04.000
<v Speaker 2>seventeen and went off to college, I was obviously way younger, right,

0:27:04.119 --> 0:27:06.159
<v Speaker 2>So we were separate from those years.

0:27:06.760 --> 0:27:08.359
<v Speaker 1>So I want to ask you about your glasses a

0:27:08.400 --> 0:27:10.720
<v Speaker 1>little bit more. I can't even believe i'm holding them.

0:27:10.720 --> 0:27:13.760
<v Speaker 1>These are so iconic, and I know you think that's ridiculous,

0:27:13.920 --> 0:27:17.879
<v Speaker 1>but they became such a symbol for you, and I

0:27:17.920 --> 0:27:20.880
<v Speaker 1>think for the women's movement too. When did you first

0:27:20.880 --> 0:27:21.439
<v Speaker 1>put these on?

0:27:21.880 --> 0:27:25.400
<v Speaker 2>Well? I started to need glasses because I was nearsighted

0:27:26.040 --> 0:27:28.520
<v Speaker 2>when I was quite young, I don't know, nine, ten

0:27:28.600 --> 0:27:32.600
<v Speaker 2>or eleven, something like that, so I needed glasses. I

0:27:32.680 --> 0:27:37.080
<v Speaker 2>tried to wear contact lenses, but it was too difficult. Yeah,

0:27:37.080 --> 0:27:40.159
<v Speaker 2>they're annoying. Yeah, So I don't know I must have

0:27:40.320 --> 0:27:45.560
<v Speaker 2>seen other women people I don't know who with glasses

0:27:45.640 --> 0:27:47.800
<v Speaker 2>like these that kind of appealed to me.

0:27:48.040 --> 0:27:51.000
<v Speaker 1>Right well, I'm thinking it was Holly from Breakfast at Tiffany's.

0:27:51.040 --> 0:27:53.960
<v Speaker 1>But then did she wear those glasses. I don't think so,

0:27:54.240 --> 0:27:58.160
<v Speaker 1>not these kinds a different sunglass. But then you were speaking,

0:27:58.560 --> 0:28:02.000
<v Speaker 1>you were making all these public speech is, and you've

0:28:02.000 --> 0:28:05.199
<v Speaker 1>said to me before that you felt as if they

0:28:05.320 --> 0:28:07.879
<v Speaker 1>kind of put a shield between you and the audience

0:28:07.920 --> 0:28:09.040
<v Speaker 1>because you were nervous spears.

0:28:09.160 --> 0:28:11.120
<v Speaker 2>But I didn't keep them on while I was speaking.

0:28:11.640 --> 0:28:14.080
<v Speaker 2>You didn't know, because you don't want that kind of

0:28:14.200 --> 0:28:18.159
<v Speaker 2>barrier between yourself and the people you're speaking to.

0:28:18.640 --> 0:28:19.800
<v Speaker 1>So what did they do for you?

0:28:20.119 --> 0:28:23.879
<v Speaker 2>Well, I'm near sighted, I mean, you know so, so

0:28:23.960 --> 0:28:27.640
<v Speaker 2>they were truly utilitarian, Yeah, right, right now, I get

0:28:27.640 --> 0:28:29.720
<v Speaker 2>why you don't understand why I'm making a big.

0:28:29.560 --> 0:28:32.240
<v Speaker 1>Deal out of them. That makes a lot of sense.

0:28:32.520 --> 0:28:35.640
<v Speaker 2>I mean they were bigger. I mean, most women's sunglasses

0:28:35.680 --> 0:28:38.360
<v Speaker 2>were not like pilot's glasses like those.

0:28:38.560 --> 0:28:42.400
<v Speaker 1>Right well, just in so many of the iconic photographs

0:28:42.400 --> 0:28:44.680
<v Speaker 1>of you, you are wearing those. It was kind of

0:28:44.720 --> 0:28:47.480
<v Speaker 1>a style of the times. But it did signal to

0:28:47.520 --> 0:28:49.320
<v Speaker 1>me that they meant something to you. I'm just not

0:28:49.360 --> 0:28:49.680
<v Speaker 1>sure what.

0:28:49.920 --> 0:28:53.720
<v Speaker 2>Well, they started out being a utilitarian. They were kind

0:28:53.720 --> 0:28:57.200
<v Speaker 2>of a style just because they were bigger and somehow

0:28:57.560 --> 0:29:00.520
<v Speaker 2>I don't know what that means, but kind of defined

0:29:00.680 --> 0:29:03.760
<v Speaker 2>in some kind of way. But if I hadn't been nearsighted,

0:29:03.920 --> 0:29:06.520
<v Speaker 2>I wouldn't have been wearing those.

0:29:07.120 --> 0:29:10.120
<v Speaker 1>We went all the way back to nearsighted. I got it, Okay. Well,

0:29:10.240 --> 0:29:12.960
<v Speaker 1>I did read in that book, that five hundred page

0:29:13.000 --> 0:29:15.600
<v Speaker 1>book about self esteem that was very good, that you

0:29:15.680 --> 0:29:18.560
<v Speaker 1>said that girl who was a little self conscious and

0:29:18.680 --> 0:29:21.760
<v Speaker 1>awkward put on the glasses and you said you felt

0:29:21.800 --> 0:29:25.440
<v Speaker 1>like a plump brunette from Toledo, too tall and too much,

0:29:25.640 --> 0:29:29.000
<v Speaker 1>too pudding face. I'd never heard you describe yourself that way.

0:29:29.400 --> 0:29:31.400
<v Speaker 1>Does that feel like that was such a long time ago?

0:29:31.680 --> 0:29:35.280
<v Speaker 2>Yeah? No, now, because I'm old right and now it

0:29:35.320 --> 0:29:38.760
<v Speaker 2>does feel like a long time ago. And also I'm

0:29:39.080 --> 0:29:44.280
<v Speaker 2>okay with my life. I'm not assuming that whatever I'm

0:29:44.320 --> 0:29:47.000
<v Speaker 2>doing now, eventually I will have to get married and

0:29:47.040 --> 0:29:49.680
<v Speaker 2>have children, which went on for a long time, especially

0:29:49.720 --> 0:29:53.640
<v Speaker 2>for those of us who you know, were born influenced

0:29:53.720 --> 0:29:56.280
<v Speaker 2>by the war and post war that.

0:29:56.320 --> 0:29:57.360
<v Speaker 1>Was hanging over your head.

0:29:57.520 --> 0:30:01.120
<v Speaker 2>Yeah, I mean I assumed. And I remember when I

0:30:01.160 --> 0:30:05.480
<v Speaker 2>went off to India after college and my mother said

0:30:05.520 --> 0:30:08.680
<v Speaker 2>to me. I can't remember exactly, but the idea was, go,

0:30:08.800 --> 0:30:11.560
<v Speaker 2>do you go off to India because you'll fall in

0:30:11.600 --> 0:30:14.960
<v Speaker 2>love with traveling and so on, and you won't feel

0:30:15.000 --> 0:30:16.840
<v Speaker 2>you have to live in a certain way.

0:30:17.320 --> 0:30:20.000
<v Speaker 1>Okay, So you went after college and I know you

0:30:20.040 --> 0:30:22.360
<v Speaker 1>were struck by the women that you met there. What

0:30:22.400 --> 0:30:24.800
<v Speaker 1>did you see that was so different that you hadn't

0:30:24.800 --> 0:30:25.880
<v Speaker 1>seen in America?

0:30:25.920 --> 0:30:29.120
<v Speaker 2>Well, first of all, there was a national independence movement

0:30:29.560 --> 0:30:37.000
<v Speaker 2>symbolized by Gandhi and independence from colonialism, so that was huge. Then. Also,

0:30:38.080 --> 0:30:43.000
<v Speaker 2>it's one country, but it's fourteen major languages, very diverse,

0:30:44.000 --> 0:30:49.200
<v Speaker 2>and I started out living in women's college in Delhi,

0:30:49.520 --> 0:30:52.680
<v Speaker 2>so you know, I had that as a kind of

0:30:52.720 --> 0:30:57.720
<v Speaker 2>a way into the diversity the culture. Besides then traveling

0:30:57.760 --> 0:31:01.120
<v Speaker 2>around the country. A lot of us have the good

0:31:01.240 --> 0:31:04.280
<v Speaker 2>luck of being introduced to the world by physical travel

0:31:04.800 --> 0:31:08.600
<v Speaker 2>and not just for a vacation, but actually living someplace different.

0:31:09.280 --> 0:31:11.600
<v Speaker 1>And some of the women that you meant there were

0:31:11.640 --> 0:31:13.720
<v Speaker 1>sort of leading that movement.

0:31:13.480 --> 0:31:17.360
<v Speaker 2>Right, everybody was part of the independence movement because of

0:31:17.440 --> 0:31:20.240
<v Speaker 2>Gandhi and independence from British rule.

0:31:20.840 --> 0:31:22.680
<v Speaker 1>So one of the things that I have been struck

0:31:22.720 --> 0:31:24.880
<v Speaker 1>by getting to know you is that you really can

0:31:24.920 --> 0:31:26.160
<v Speaker 1>deflect a compliment.

0:31:26.560 --> 0:31:28.320
<v Speaker 2>Well, I'm realistic at least.

0:31:29.680 --> 0:31:33.240
<v Speaker 1>Do you not like when people compliment you? Do you

0:31:33.320 --> 0:31:36.880
<v Speaker 1>not believe them? Does it embarrass you? What is that?

0:31:37.200 --> 0:31:39.800
<v Speaker 2>Well, it depends on the situation. I don't think you

0:31:39.840 --> 0:31:44.720
<v Speaker 2>can generalize exactly. I mean, when somebody compliments you about

0:31:44.760 --> 0:31:50.120
<v Speaker 2>something you've actually done, right, it's pure pleasure and gratification. Right.

0:31:50.360 --> 0:31:54.960
<v Speaker 2>If they compliment you in order to get something from you,

0:31:55.280 --> 0:31:58.160
<v Speaker 2>it's very different. I mean, so it depends right.

0:31:58.240 --> 0:32:00.920
<v Speaker 1>You can feel the difference too. How do you feel

0:32:00.960 --> 0:32:04.520
<v Speaker 1>when people embrace you in public? Are you a hugger?

0:32:04.680 --> 0:32:06.440
<v Speaker 1>Are you a handshaker, a waiver?

0:32:06.880 --> 0:32:11.120
<v Speaker 2>Well, it depends on do you want to hug this person? No,

0:32:11.240 --> 0:32:12.360
<v Speaker 2>I'm certainly a hugger.

0:32:12.880 --> 0:32:15.440
<v Speaker 1>I found you to be so warm. You really embrace people.

0:32:15.720 --> 0:32:19.720
<v Speaker 2>I think shaking hands feels so kind of official. Not

0:32:19.840 --> 0:32:22.920
<v Speaker 2>that there's anything wrong with it, there isn't, but friends

0:32:22.960 --> 0:32:24.880
<v Speaker 2>seem more likely to hug.

0:32:25.600 --> 0:32:27.440
<v Speaker 1>Do you consider yourself a storyteller?

0:32:27.760 --> 0:32:31.200
<v Speaker 2>Well, I wouldn't describe myself that way because it sounds

0:32:31.840 --> 0:32:35.680
<v Speaker 2>as if what you're telling is not true. So I

0:32:35.720 --> 0:32:39.720
<v Speaker 2>think narrative is everything, probably because that's the way our

0:32:39.760 --> 0:32:40.840
<v Speaker 2>brains work.

0:32:41.520 --> 0:32:42.920
<v Speaker 1>How would you describe yourself?

0:32:43.280 --> 0:32:45.480
<v Speaker 2>I don't think I've ever had to describe alf.

0:32:46.000 --> 0:32:49.640
<v Speaker 1>So when you put those glasses on and you started

0:32:49.920 --> 0:32:53.160
<v Speaker 1>really delving into the feminist movement, you wrote, I was

0:32:53.280 --> 0:32:54.520
<v Speaker 1>rescued by feminism.

0:32:55.080 --> 0:32:59.960
<v Speaker 2>How so well, and without feminism I would have can

0:33:00.000 --> 0:33:03.960
<v Speaker 2>continued to be in a nineteen fifties atmosphere in which

0:33:04.080 --> 0:33:08.640
<v Speaker 2>women were supposed to get married, have children, maybe have

0:33:08.760 --> 0:33:12.360
<v Speaker 2>a job at not a whole consuming job, live in

0:33:12.360 --> 0:33:16.560
<v Speaker 2>a house in the suburbs. That was the post war ideal.

0:33:17.320 --> 0:33:20.560
<v Speaker 1>So one of my mom's friends told me a story

0:33:20.640 --> 0:33:23.560
<v Speaker 1>about how the women's movement changed her life in that

0:33:23.640 --> 0:33:26.920
<v Speaker 1>exact way. She was married and thought she had to

0:33:26.960 --> 0:33:30.400
<v Speaker 1>have children, and because of the movement, she ended up

0:33:30.480 --> 0:33:34.600
<v Speaker 1>getting divorced, becoming the head of the library association and

0:33:34.720 --> 0:33:37.200
<v Speaker 1>had a whole different life. She's been married three times

0:33:37.240 --> 0:33:39.400
<v Speaker 1>and has bought a house and had all these adventures.

0:33:40.280 --> 0:33:42.720
<v Speaker 1>And when I share that with you, I can tell

0:33:42.840 --> 0:33:45.000
<v Speaker 1>there's a joy. What is the joy when you hear

0:33:45.040 --> 0:33:47.040
<v Speaker 1>those stories that.

0:33:46.920 --> 0:33:51.240
<v Speaker 2>She was able to express and to create a life

0:33:51.280 --> 0:33:54.960
<v Speaker 2>of her own, what she wanted to create, that she

0:33:55.280 --> 0:33:56.960
<v Speaker 2>wasn't told what to do.

0:33:57.480 --> 0:34:01.200
<v Speaker 1>And do you feel any type of gratification that all

0:34:01.280 --> 0:34:03.400
<v Speaker 1>the work that you and your friends put into the

0:34:03.440 --> 0:34:07.120
<v Speaker 1>movement helped on LEAs shure, I do.

0:34:07.200 --> 0:34:11.520
<v Speaker 2>But the civil rights movement, the women's movement, the gay

0:34:11.560 --> 0:34:16.080
<v Speaker 2>and lesbian movement, I mean, it's all one movement about

0:34:16.120 --> 0:34:18.359
<v Speaker 2>the ability to be who you truly are.

0:34:31.440 --> 0:34:32.759
<v Speaker 1>What do you think about destiny.

0:34:33.040 --> 0:34:35.440
<v Speaker 2>I don't think I believe in destiny. I don't know,

0:34:35.600 --> 0:34:39.080
<v Speaker 2>of course, but I think we're more likely to create

0:34:39.160 --> 0:34:40.200
<v Speaker 2>our own destiny.

0:34:40.880 --> 0:34:44.239
<v Speaker 1>So when I interview a lot of people who have

0:34:44.600 --> 0:34:48.080
<v Speaker 1>been on big stages or built big companies, I find

0:34:48.120 --> 0:34:50.480
<v Speaker 1>that a lot of people turn to the idea of

0:34:50.560 --> 0:34:54.200
<v Speaker 1>destiny because they think, how in the world could this

0:34:54.280 --> 0:34:57.520
<v Speaker 1>have been me? Out of the billions of people. When

0:34:57.560 --> 0:35:00.120
<v Speaker 1>you were one of the faces and leaders of the

0:35:00.120 --> 0:35:02.640
<v Speaker 1>women's movement, did you ever have those thoughts like I

0:35:02.640 --> 0:35:04.160
<v Speaker 1>can't believe this is my life.

0:35:04.600 --> 0:35:07.680
<v Speaker 2>No, because it was always an effort, and it was

0:35:07.719 --> 0:35:11.720
<v Speaker 2>always part of a big and diverse movement. It wasn't

0:35:11.760 --> 0:35:15.359
<v Speaker 2>as if I didn't feel like I was the chairperson

0:35:15.440 --> 0:35:17.440
<v Speaker 2>of some company or something.

0:35:18.719 --> 0:35:22.720
<v Speaker 1>Do you think in hindsight people misinterpret what the movement

0:35:22.960 --> 0:35:24.080
<v Speaker 1>was like. Was it very different?

0:35:24.120 --> 0:35:27.640
<v Speaker 2>Living it in the beginning especially, I think there was

0:35:27.680 --> 0:35:32.600
<v Speaker 2>a lot of misunderstanding. I remember getting a call from Man,

0:35:32.680 --> 0:35:35.920
<v Speaker 2>a friend also an editor at Show Magazine, which was

0:35:35.960 --> 0:35:39.600
<v Speaker 2>a big, beautiful arts magazine where we all worked to

0:35:39.680 --> 0:35:42.600
<v Speaker 2>some extent or something, and he called me up and

0:35:42.640 --> 0:35:44.920
<v Speaker 2>he said, Gloria, I didn't know you were a lesbian.

0:35:48.200 --> 0:35:51.239
<v Speaker 2>He was just so convinced that everybody right.

0:35:51.480 --> 0:35:53.239
<v Speaker 1>Well, you know, one of my favorite lines that you

0:35:53.360 --> 0:35:56.200
<v Speaker 1>taught me is that I think it was Flow Kennedy,

0:35:56.680 --> 0:35:59.600
<v Speaker 1>who you know. People would come heckle you guys when

0:35:59.600 --> 0:36:01.960
<v Speaker 1>you were doing your speeches, and they would wait the

0:36:02.000 --> 0:36:05.160
<v Speaker 1>whole time, raise their hand, heckle you, and say something

0:36:05.200 --> 0:36:07.560
<v Speaker 1>about you being a lesbian. And then what would Flow say?

0:36:08.160 --> 0:36:11.160
<v Speaker 2>Are you my alternative? Yeah? I thought that was brilliant

0:36:11.239 --> 0:36:14.760
<v Speaker 2>because it didn't say anything. Well, you made the audience laugh.

0:36:15.239 --> 0:36:18.000
<v Speaker 1>Well, you really harnessed comedy. Was that intentional?

0:36:18.520 --> 0:36:21.040
<v Speaker 2>Well? I loved that. Was the week that was, which

0:36:21.200 --> 0:36:24.040
<v Speaker 2>was the show I was working for. I was doing

0:36:24.600 --> 0:36:29.520
<v Speaker 2>a department, which just meant that I was reading vast

0:36:29.640 --> 0:36:34.760
<v Speaker 2>numbers of global newspapers and finding peculiar items to list.

0:36:35.160 --> 0:36:36.279
<v Speaker 1>You must have loved that job.

0:36:36.400 --> 0:36:37.160
<v Speaker 2>Yeah, it was fun.

0:36:37.600 --> 0:36:40.040
<v Speaker 1>I know how much you love Flow. You talk about

0:36:40.080 --> 0:36:42.239
<v Speaker 1>her the way you write about her, I can tell

0:36:42.239 --> 0:36:45.080
<v Speaker 1>how much you love her. There's this quote that you loved.

0:36:45.239 --> 0:36:47.360
<v Speaker 1>She said, the purpose of ass kicking is not that

0:36:47.440 --> 0:36:49.839
<v Speaker 1>your ass gets kicked at the right time or for

0:36:49.880 --> 0:36:54.640
<v Speaker 1>the right reasons. It's to keep your ass sensitive. I

0:36:54.680 --> 0:36:56.719
<v Speaker 1>don't even know what that means. Why did you love

0:36:56.760 --> 0:36:59.480
<v Speaker 1>that quote? Well, you know what it means, right, The

0:36:59.520 --> 0:37:03.440
<v Speaker 1>purpose of ass kicking is not No, I don't understand it.

0:37:03.480 --> 0:37:08.839
<v Speaker 2>Tell me, well, it's not that somebody's criticizing you or

0:37:08.840 --> 0:37:13.120
<v Speaker 2>your group or something in an accurate way, but that

0:37:13.239 --> 0:37:18.239
<v Speaker 2>it keeps you open to input, criticism, praise, whatever. It

0:37:18.360 --> 0:37:21.719
<v Speaker 2>is a world around you, so you don't get insulated.

0:37:22.640 --> 0:37:23.200
<v Speaker 1>Interesting.

0:37:23.520 --> 0:37:28.279
<v Speaker 2>Now, Flow was wonderful. She was a pioneer lawyer when

0:37:29.200 --> 0:37:32.719
<v Speaker 2>very few women, much less black women, were lawyers. She

0:37:33.480 --> 0:37:37.040
<v Speaker 2>was distinctive looking, with her assy hat and her job

0:37:37.080 --> 0:37:40.759
<v Speaker 2>pers and so on. We were speaking partners for quite

0:37:40.800 --> 0:37:44.000
<v Speaker 2>a while, as I was with Dorothy Pittman Hughes, because

0:37:44.040 --> 0:37:46.680
<v Speaker 2>I mean, I was afraid I didn't want to speak

0:37:46.719 --> 0:37:51.520
<v Speaker 2>by myself and Also, I thought it misrepresented the women's

0:37:51.520 --> 0:37:56.200
<v Speaker 2>movement to have one white woman speaking, or one anybody

0:37:56.280 --> 0:38:00.880
<v Speaker 2>you know, So to have two diverse women seem much better.

0:38:01.480 --> 0:38:04.000
<v Speaker 1>What did black women teach you about feminism?

0:38:04.360 --> 0:38:07.520
<v Speaker 2>Just that it's for everybody. It's for all women and

0:38:07.640 --> 0:38:10.600
<v Speaker 2>men too. I mean, it's just about equality.

0:38:11.440 --> 0:38:13.800
<v Speaker 1>Did Flow or Dorothy help you find your voice?

0:38:14.239 --> 0:38:16.440
<v Speaker 2>Yes? I don't think I would have gone out to

0:38:16.480 --> 0:38:18.719
<v Speaker 2>speak without them all by myself.

0:38:19.239 --> 0:38:23.239
<v Speaker 1>When did that start to absolve the connotation that to

0:38:23.280 --> 0:38:25.960
<v Speaker 1>be a part of the women's movement must mean that

0:38:26.000 --> 0:38:28.400
<v Speaker 1>you were a lesbian, because I remember even as a

0:38:28.520 --> 0:38:30.560
<v Speaker 1>kid that lingered in my childhood.

0:38:30.840 --> 0:38:36.000
<v Speaker 2>I guess the idea of women. I'm not sure why. Yeah,

0:38:36.000 --> 0:38:42.879
<v Speaker 2>but women choosing the company of other women was unusual

0:38:43.040 --> 0:38:45.960
<v Speaker 2>enough unless you were all housewives, taking care of children

0:38:46.120 --> 0:38:48.359
<v Speaker 2>or doing something acceptable.

0:38:48.440 --> 0:38:51.200
<v Speaker 1>You seem to have an aversion to being considered a

0:38:51.280 --> 0:38:53.879
<v Speaker 1>mother to the movement. I've read that you'd rather be

0:38:53.920 --> 0:38:56.400
<v Speaker 1>considered a sister to it. Why.

0:38:56.920 --> 0:38:59.439
<v Speaker 2>Well, first of all, a movement doesn't have a mother.

0:39:00.000 --> 0:39:03.680
<v Speaker 2>I mean, even in more obvious things like Maman Gandhi

0:39:03.800 --> 0:39:08.360
<v Speaker 2>was not the only leader of India. A movement is

0:39:09.040 --> 0:39:15.360
<v Speaker 2>composed of countless diverse people who have a kind of

0:39:15.480 --> 0:39:18.960
<v Speaker 2>shared hope for some greater equality.

0:39:19.600 --> 0:39:21.840
<v Speaker 1>Was that part of the impetus of the talking circle?

0:39:22.080 --> 0:39:24.439
<v Speaker 1>Because I can tell you one of the things I've

0:39:24.440 --> 0:39:27.880
<v Speaker 1>noticed from being there is that there is no hierarchy.

0:39:28.560 --> 0:39:31.520
<v Speaker 1>Whether you're a celebrity or not, there's no hierarchy. There's

0:39:31.520 --> 0:39:34.480
<v Speaker 1>no hierarchy. And who's speaking. It's not a pyramid, it

0:39:34.520 --> 0:39:37.040
<v Speaker 1>is a circle. Was that idea born from that?

0:39:37.239 --> 0:39:39.839
<v Speaker 2>I don't think we invented talking circles. I mean I

0:39:39.880 --> 0:39:44.040
<v Speaker 2>think they always were a feature of Native American culture.

0:39:44.800 --> 0:39:49.040
<v Speaker 2>I remember inviting Wilma Mankeller, who was the chief of

0:39:49.080 --> 0:39:52.040
<v Speaker 2>the Cherokee Nation, to a talking circle here in this

0:39:52.200 --> 0:39:56.720
<v Speaker 2>living room, sitting and as we were going around, she said, well,

0:39:56.880 --> 0:39:59.880
<v Speaker 2>when we do this, we have a symbol that we pass,

0:40:00.520 --> 0:40:03.319
<v Speaker 2>so as each person speaks, they hold design. I mean,

0:40:03.360 --> 0:40:07.160
<v Speaker 2>obviously we'd reinvented the wheel, right, you know, it had

0:40:07.239 --> 0:40:08.080
<v Speaker 2>always been there.

0:40:08.680 --> 0:40:10.799
<v Speaker 1>Do you like the idea of a symbol, like a

0:40:10.840 --> 0:40:12.480
<v Speaker 1>talking stick or something.

0:40:12.440 --> 0:40:16.000
<v Speaker 2>Well, it helps keep the circle democratic. You may not

0:40:16.160 --> 0:40:21.200
<v Speaker 2>need it, but it does point out that everybody should

0:40:21.239 --> 0:40:23.319
<v Speaker 2>have a turn holding whatever it is.

0:40:23.440 --> 0:40:26.719
<v Speaker 1>Yeah, can you talk to me about your deep listening skills.

0:40:27.200 --> 0:40:31.600
<v Speaker 2>No, I don't know. I have no idea. Well, I mean,

0:40:31.680 --> 0:40:34.520
<v Speaker 2>why would one want? I mean, you don't learn while

0:40:34.520 --> 0:40:35.120
<v Speaker 2>you're talking.

0:40:35.719 --> 0:40:38.200
<v Speaker 1>I know, but so many people don't listen actively the

0:40:38.239 --> 0:40:40.959
<v Speaker 1>way you do. I notice it in talking circles. You're

0:40:41.040 --> 0:40:45.120
<v Speaker 1>really actively listening, and sometimes they're long. Sometimes I want

0:40:45.160 --> 0:40:47.880
<v Speaker 1>to tune out. If somebody's really drawning on when you

0:40:47.920 --> 0:40:49.000
<v Speaker 1>are listening.

0:40:48.800 --> 0:40:51.520
<v Speaker 2>You may decide, Okay, I'm not learning anything. I mean,

0:40:51.760 --> 0:40:55.359
<v Speaker 2>that may happen, but otherwise, why would we turn down

0:40:55.400 --> 0:40:56.960
<v Speaker 2>a chance to learn?

0:40:57.200 --> 0:40:59.520
<v Speaker 1>I've always felt like I could learn something from everybody.

0:40:59.560 --> 0:41:00.120
<v Speaker 1>Do you feel that?

0:41:00.680 --> 0:41:02.759
<v Speaker 2>I'm not sure I do. I mean, I don't know.

0:41:02.920 --> 0:41:07.120
<v Speaker 2>They're probably big differences in how much we think we

0:41:07.200 --> 0:41:10.160
<v Speaker 2>might learn. What do you mean I think that I'm

0:41:10.200 --> 0:41:11.720
<v Speaker 2>not sure I could learn from Trump?

0:41:12.239 --> 0:41:16.279
<v Speaker 1>That's fair. You are such a non judgmental person, but

0:41:16.360 --> 0:41:20.880
<v Speaker 1>you have real disdain for people who wield power in

0:41:20.920 --> 0:41:22.160
<v Speaker 1>a way that you don't agree with.

0:41:22.600 --> 0:41:25.240
<v Speaker 2>Well, they don't listen, you know. And I don't think

0:41:25.640 --> 0:41:27.640
<v Speaker 2>Trump is known as a great listener.

0:41:28.040 --> 0:41:32.360
<v Speaker 1>He's definitely not. That's not what he's known for. Do

0:41:32.400 --> 0:41:34.360
<v Speaker 1>you consider yourself to be a good caretaker?

0:41:34.680 --> 0:41:38.560
<v Speaker 2>Yes, I was a caretaker from my mother because we

0:41:38.560 --> 0:41:41.959
<v Speaker 2>were living alone and I was looking after her from

0:41:42.040 --> 0:41:44.480
<v Speaker 2>the time I was I don't know what, in the

0:41:44.600 --> 0:41:49.960
<v Speaker 2>sixth grade, maybe into high school. So our roles were

0:41:50.000 --> 0:41:52.880
<v Speaker 2>reversed since she was the mother and I was the

0:41:53.000 --> 0:41:55.879
<v Speaker 2>child and I was looking after her. And I think

0:41:55.920 --> 0:42:01.359
<v Speaker 2>that happens to lots of people in their early I.

0:42:01.360 --> 0:42:04.560
<v Speaker 1>Know that you don't consider yourself the mother of a movement.

0:42:05.239 --> 0:42:07.880
<v Speaker 2>No, of course, not movements. I don't think have mothers.

0:42:08.400 --> 0:42:11.319
<v Speaker 1>But you have taken care of thousands of women in

0:42:11.360 --> 0:42:12.400
<v Speaker 1>your life now, Yeah.

0:42:12.200 --> 0:42:15.040
<v Speaker 2>But that's more like sisters, I would say, like you're

0:42:15.080 --> 0:42:16.160
<v Speaker 2>looking after each.

0:42:16.000 --> 0:42:18.320
<v Speaker 1>Other regardless of age.

0:42:18.640 --> 0:42:20.839
<v Speaker 2>Yeah, I think. So what do you.

0:42:20.800 --> 0:42:24.200
<v Speaker 1>Get from being with women that are younger than you?

0:42:24.640 --> 0:42:28.400
<v Speaker 2>Well, I learn about you know, what plays I should see?

0:42:28.520 --> 0:42:33.120
<v Speaker 2>What music is good now, what novels, what's going on politically?

0:42:33.160 --> 0:42:36.480
<v Speaker 2>I mean, just we learn from difference, not sameness. So

0:42:36.920 --> 0:42:38.279
<v Speaker 2>difference as a gift.

0:42:38.680 --> 0:42:41.880
<v Speaker 1>My grandfather was a professor. He was such a reader

0:42:42.200 --> 0:42:45.319
<v Speaker 1>and he knew so much, and I could tell that

0:42:45.680 --> 0:42:48.480
<v Speaker 1>as he started to age he started to be less

0:42:48.520 --> 0:42:51.680
<v Speaker 1>interested in what people had to say because he kind

0:42:51.719 --> 0:42:53.400
<v Speaker 1>of knew what they were going to say or he

0:42:53.440 --> 0:42:56.359
<v Speaker 1>had read about it. Do you feel that at all

0:42:56.480 --> 0:42:57.960
<v Speaker 1>or are you still lit up by people?

0:42:58.239 --> 0:43:00.399
<v Speaker 2>I think it depends on the person. I mean there's

0:43:00.440 --> 0:43:04.319
<v Speaker 2>such a big variety coming at you, so some more

0:43:04.360 --> 0:43:09.040
<v Speaker 2>than others. And I guess a good relationship is one

0:43:09.080 --> 0:43:12.319
<v Speaker 2>in which you pass back and forth between who is

0:43:12.360 --> 0:43:14.120
<v Speaker 2>the listener and who is the teacher.

0:43:14.560 --> 0:43:18.240
<v Speaker 1>There's something about the movement that I've always wondered, because

0:43:18.239 --> 0:43:22.200
<v Speaker 1>you've said you're accidentally identifiable by a movement, When did

0:43:22.280 --> 0:43:23.279
<v Speaker 1>it become intentional?

0:43:23.680 --> 0:43:27.160
<v Speaker 2>It never really was intentional. I mean I just realized

0:43:27.239 --> 0:43:31.040
<v Speaker 2>because walking around the street, somebody would, you know, come

0:43:31.120 --> 0:43:33.600
<v Speaker 2>up and say hello or tell me something or something,

0:43:33.880 --> 0:43:37.760
<v Speaker 2>and I understood that it was because of the Women's

0:43:37.800 --> 0:43:42.440
<v Speaker 2>movement or whatever activity, political campaign something.

0:43:42.840 --> 0:43:44.719
<v Speaker 1>I just have a hard time believing that it was

0:43:44.800 --> 0:43:48.360
<v Speaker 1>accidental after fifty years, Like I understand at the beginning, maybe,

0:43:48.600 --> 0:43:50.680
<v Speaker 1>but you've dedicated your life.

0:43:50.480 --> 0:43:54.000
<v Speaker 2>Because it's a bunch of different people. I mean I

0:43:54.000 --> 0:43:56.120
<v Speaker 2>could go out in the street and there's somebody who's

0:43:56.160 --> 0:43:59.920
<v Speaker 2>twelve who's not going to recognize me, and somebody who's

0:44:00.040 --> 0:44:02.560
<v Speaker 2>twenty who's not, but somebody who's older. I mean, it's

0:44:02.960 --> 0:44:05.040
<v Speaker 2>live experience, But the.

0:44:05.000 --> 0:44:07.440
<v Speaker 1>Impact of your work remains. That twelve year old can

0:44:07.480 --> 0:44:08.759
<v Speaker 1>have a credit card because of you.

0:44:09.480 --> 0:44:11.960
<v Speaker 2>Well, but that twelve year old maybe doesn't know. It

0:44:11.960 --> 0:44:13.719
<v Speaker 2>doesn't mean she's going to come up to me in

0:44:13.760 --> 0:44:15.799
<v Speaker 2>the street and say thank you for my credit card.

0:44:15.840 --> 0:44:17.759
<v Speaker 1>Do you remember when you got a credit card, your

0:44:17.800 --> 0:44:18.560
<v Speaker 1>first credit card?

0:44:18.880 --> 0:44:21.920
<v Speaker 2>I do, because it was very difficult because I didn't

0:44:21.920 --> 0:44:24.719
<v Speaker 2>have a proper job, so I think I had to

0:44:24.760 --> 0:44:29.080
<v Speaker 2>have a couple of people guaranteeing me, right the co signer.

0:44:29.200 --> 0:44:30.640
<v Speaker 1>Do you remember your first purchase?

0:44:31.200 --> 0:44:34.880
<v Speaker 2>Mostly I remember being on a march to the Mexican

0:44:35.000 --> 0:44:40.440
<v Speaker 2>border with farm workers were marching on both sides of

0:44:40.480 --> 0:44:43.560
<v Speaker 2>the border to meet at the border and have a

0:44:43.600 --> 0:44:47.560
<v Speaker 2>political rally and so on. And I had kind of

0:44:47.640 --> 0:44:52.239
<v Speaker 2>managed to charge all of our motel charges on my

0:44:52.360 --> 0:44:56.560
<v Speaker 2>credit card, which meant when I came home that whatever

0:44:56.600 --> 0:44:59.600
<v Speaker 2>the company was came and took it away. Really yeah,

0:44:59.719 --> 0:45:02.880
<v Speaker 2>because as I had way overcharged or right.

0:45:03.960 --> 0:45:08.319
<v Speaker 1>First of all, that's so you. Second of all, I

0:45:08.320 --> 0:45:11.600
<v Speaker 1>think you hit on something that's interesting because I think

0:45:11.640 --> 0:45:15.399
<v Speaker 1>that your fame led people to believe that you were

0:45:15.520 --> 0:45:18.960
<v Speaker 1>rolling in the dough and they didn't realize how hard

0:45:19.000 --> 0:45:22.000
<v Speaker 1>you were still working in all of these odd jobs

0:45:22.120 --> 0:45:25.120
<v Speaker 1>freelancing speaking, I can't imagine, you.

0:45:25.040 --> 0:45:27.880
<v Speaker 2>Know, I don't think so, because I think that I

0:45:28.080 --> 0:45:30.960
<v Speaker 2>and Barbonism and all my friends, you know, we were

0:45:31.000 --> 0:45:35.680
<v Speaker 2>all clearly independent, working women. I think it was evident

0:45:35.800 --> 0:45:38.560
<v Speaker 2>that we hadn't inherited a family fortune.

0:45:39.000 --> 0:45:42.960
<v Speaker 1>That's interesting. I think some people may misinterpret that.

0:45:43.239 --> 0:45:44.759
<v Speaker 2>I haven't had that experience.

0:45:44.880 --> 0:45:47.960
<v Speaker 1>But maybe what do you consider your impact to be

0:45:48.280 --> 0:45:50.560
<v Speaker 1>in the women's movement? If you won't take credit for

0:45:50.640 --> 0:45:54.360
<v Speaker 1>any of the things, No, well, your impact.

0:45:54.120 --> 0:45:58.200
<v Speaker 2>I do take credit. I mean, I hope that I

0:45:58.239 --> 0:46:04.520
<v Speaker 2>have had an impact by listening to women and taking

0:46:04.600 --> 0:46:09.000
<v Speaker 2>women seriously in a culture that really had trained us

0:46:09.080 --> 0:46:13.480
<v Speaker 2>to take men more seriously than women, or to attribute

0:46:13.760 --> 0:46:17.480
<v Speaker 2>women's seriousness to their attachment to a man, or to

0:46:17.600 --> 0:46:21.000
<v Speaker 2>their wife, woud or motherhood or something. I hope and

0:46:21.120 --> 0:46:26.960
<v Speaker 2>believe we helped to see women as unique individuals.

0:46:27.640 --> 0:46:30.720
<v Speaker 1>I really love when you tell stories about your days

0:46:30.760 --> 0:46:33.920
<v Speaker 1>on the road as an adult in your book, My

0:46:34.000 --> 0:46:36.839
<v Speaker 1>Life on the Road. It seems like you felt very

0:46:36.840 --> 0:46:39.439
<v Speaker 1>comfortable there, maybe because of your childhood you had gotten

0:46:39.520 --> 0:46:43.000
<v Speaker 1>used to it. Did you feel like you were writing

0:46:43.040 --> 0:46:45.239
<v Speaker 1>to make sense of everything? That was going on.

0:46:45.840 --> 0:46:48.560
<v Speaker 2>No, because I mean I wasn't experiencing everything. I was

0:46:48.600 --> 0:46:54.960
<v Speaker 2>just writing about what I did experience, and that included

0:46:55.640 --> 0:47:01.120
<v Speaker 2>roadside diners and waitresses and truck drivers who were sitting

0:47:01.120 --> 0:47:03.840
<v Speaker 2>at the counter, and also in other countries. I remember

0:47:03.920 --> 0:47:07.080
<v Speaker 2>traveling in Eritrea on a road that was the same

0:47:07.600 --> 0:47:10.600
<v Speaker 2>road that truck drivers used for commerce and so on

0:47:11.080 --> 0:47:14.359
<v Speaker 2>and stopping, and it's kind of a universal culture of

0:47:14.520 --> 0:47:19.960
<v Speaker 2>truck stops, which are quite democratic. Lots of different people

0:47:20.000 --> 0:47:20.600
<v Speaker 2>stop there.

0:47:21.000 --> 0:47:23.600
<v Speaker 1>Do you remember writing a dedication to my life on

0:47:23.640 --> 0:47:25.319
<v Speaker 1>the road? Do you know where you were when you

0:47:25.360 --> 0:47:26.279
<v Speaker 1>thought about writing it?

0:47:27.400 --> 0:47:29.919
<v Speaker 2>No? And I'm not sure I remember the dedication either.

0:47:30.440 --> 0:47:33.040
<v Speaker 1>Can I show it to you? It's my single favorite

0:47:33.040 --> 0:47:34.960
<v Speaker 1>dedication of all times? Can I read a lot?

0:47:35.000 --> 0:47:36.600
<v Speaker 2>And I'm glad regardless of what.

0:47:36.760 --> 0:47:38.240
<v Speaker 1>The Do you want your glasses?

0:47:38.680 --> 0:47:42.080
<v Speaker 2>No, it's okay, Oh yes, right, I know I was

0:47:42.120 --> 0:47:47.480
<v Speaker 2>thinking about this dedication to doctor Sharp, who made an abortion,

0:47:47.640 --> 0:47:50.759
<v Speaker 2>a safe abortion possible for me and I'm sure for

0:47:50.920 --> 0:47:56.760
<v Speaker 2>others too, because there is now a television series about

0:47:56.800 --> 0:48:00.920
<v Speaker 2>that period in London. So it minds you of that

0:48:01.680 --> 0:48:02.200
<v Speaker 2>very much.

0:48:02.760 --> 0:48:03.719
<v Speaker 1>Would you read it to me?

0:48:04.160 --> 0:48:09.400
<v Speaker 2>This book is dedicated to doctor John Sharp of London, who,

0:48:09.480 --> 0:48:14.000
<v Speaker 2>in nineteen fifty seven, a decade before physicians in England

0:48:14.000 --> 0:48:18.799
<v Speaker 2>could legally perform an abortion for any reason other than

0:48:18.840 --> 0:48:22.920
<v Speaker 2>the health of the woman, took the considerable risk of

0:48:23.080 --> 0:48:26.840
<v Speaker 2>referring for an abortion a twenty two year old American

0:48:26.920 --> 0:48:30.359
<v Speaker 2>on her way to India, knowing only that she had

0:48:30.400 --> 0:48:34.640
<v Speaker 2>broken an engagement at home to seek an unknown fate.

0:48:34.800 --> 0:48:39.759
<v Speaker 2>He said, you must promise me two things. First, you

0:48:39.800 --> 0:48:43.160
<v Speaker 2>will not tell anyone my name. Second, you will do

0:48:43.280 --> 0:48:46.640
<v Speaker 2>what you want to do with your life. Dear doctor Sharp,

0:48:46.760 --> 0:48:50.640
<v Speaker 2>I believe you, who knew the law was unjust, would

0:48:50.640 --> 0:48:53.880
<v Speaker 2>not mind if I say this so long after your death.

0:48:54.320 --> 0:48:57.120
<v Speaker 2>I've done the best I could with my life. This

0:48:57.160 --> 0:49:01.120
<v Speaker 2>book is for you. The television series that's now on

0:49:01.520 --> 0:49:05.799
<v Speaker 2>about the sixties in London was about that period when

0:49:05.880 --> 0:49:11.319
<v Speaker 2>abortion was not illegal but possible under some circumstances. It

0:49:11.360 --> 0:49:12.160
<v Speaker 2>reminds me.

0:49:13.080 --> 0:49:15.719
<v Speaker 1>Is that the Glorias or is it a different show? No?

0:49:16.160 --> 0:49:19.160
<v Speaker 2>What's it called? I should remember what the show is called.

0:49:19.320 --> 0:49:21.560
<v Speaker 1>That's okay, we don't need the name. That's interesting though.

0:49:22.360 --> 0:49:25.759
<v Speaker 1>So when I was I think thirty one, I had

0:49:25.760 --> 0:49:29.760
<v Speaker 1>an abortion and I was so scared and I read

0:49:30.400 --> 0:49:31.839
<v Speaker 1>that dedication.

0:49:32.040 --> 0:49:34.959
<v Speaker 2>You were scared because it was illegal or because.

0:49:34.960 --> 0:49:37.400
<v Speaker 1>No, it was legal. I just thought, I want kids

0:49:37.400 --> 0:49:40.240
<v Speaker 1>in the future, and I didn't know what the health

0:49:40.440 --> 0:49:43.120
<v Speaker 1>implications were, and I thought, what if the doctor does

0:49:43.440 --> 0:49:46.120
<v Speaker 1>it wrong, and what if this ruin's my chance to

0:49:46.120 --> 0:49:49.440
<v Speaker 1>have children? And I read your book Dedication over again

0:49:49.480 --> 0:49:53.160
<v Speaker 1>because I had remembered it having read it right after college,

0:49:53.320 --> 0:49:55.920
<v Speaker 1>and I thought, Okay, she did it. I'm going to

0:49:56.000 --> 0:49:59.239
<v Speaker 1>be okay. Do you think that you recognize how many

0:49:59.360 --> 0:50:02.880
<v Speaker 1>women like me have read that and thought, Okay, Gloria

0:50:02.880 --> 0:50:04.040
<v Speaker 1>did it. I'm going to be okay.

0:50:04.200 --> 0:50:07.800
<v Speaker 2>Well, I think that's the purpose of sharing our experiences,

0:50:08.280 --> 0:50:11.320
<v Speaker 2>whether we're sitting at the kitchen table or we're writing

0:50:11.320 --> 0:50:14.760
<v Speaker 2>a book or whatever it is, we're teaching and learning

0:50:14.800 --> 0:50:15.520
<v Speaker 2>in that way.

0:50:16.080 --> 0:50:31.239
<v Speaker 1>That's the gift of your writing too. I want to

0:50:31.239 --> 0:50:34.360
<v Speaker 1>talk to you about questions. Do you consider questions a

0:50:34.400 --> 0:50:35.239
<v Speaker 1>form of protest?

0:50:35.800 --> 0:50:41.600
<v Speaker 2>Well, they can be, certainly, because you are asking for authority,

0:50:41.920 --> 0:50:49.360
<v Speaker 2>challenging authority, exploring a limited reality. I mean, it depends

0:50:49.400 --> 0:50:52.080
<v Speaker 2>on the why of it. But questions are very important

0:50:52.120 --> 0:50:54.160
<v Speaker 2>because they expand our knowledge.

0:50:54.560 --> 0:50:56.719
<v Speaker 1>And I feel like you've been questioning the status quo

0:50:57.200 --> 0:51:00.200
<v Speaker 1>your whole life. Do you think that sometimes questions can

0:51:00.239 --> 0:51:02.200
<v Speaker 1>be more powerful than a statement.

0:51:02.160 --> 0:51:06.880
<v Speaker 2>Yes, because questions assume that there is another person. A

0:51:07.040 --> 0:51:13.520
<v Speaker 2>statement is one person operation. A question assumes an audience

0:51:13.719 --> 0:51:16.520
<v Speaker 2>or a partner or someone else.

0:51:17.600 --> 0:51:19.760
<v Speaker 1>I like that. I've never thought about assuming a person.

0:51:19.840 --> 0:51:22.319
<v Speaker 1>I thought about it as, on the other hand, like

0:51:22.360 --> 0:51:26.000
<v Speaker 1>another idea, but not another person. That's very interesting. Do

0:51:26.080 --> 0:51:29.600
<v Speaker 1>you think that men need feminism more than women do?

0:51:29.760 --> 0:51:30.200
<v Speaker 1>Right now?

0:51:30.560 --> 0:51:33.800
<v Speaker 2>It depends on which man. I don't think we can generalize.

0:51:34.560 --> 0:51:38.759
<v Speaker 1>Well, talk to me about the male isolation or the

0:51:38.800 --> 0:51:42.600
<v Speaker 1>masculinity crisis that we're in that people deem that we're in.

0:51:43.400 --> 0:51:44.400
<v Speaker 1>What do you think about it?

0:51:44.640 --> 0:51:48.839
<v Speaker 2>I haven't noticed where you have a masculinity crisis. I mean,

0:51:49.040 --> 0:51:51.839
<v Speaker 2>for instance, just as one example, we've never had a

0:51:51.840 --> 0:51:56.879
<v Speaker 2>female president. That's a crisis of masculinity in a different way.

0:51:57.560 --> 0:52:00.600
<v Speaker 1>Right, you're right, that's a good point. I actually have

0:52:00.719 --> 0:52:03.640
<v Speaker 1>questions for you about that. You've had the benefit of

0:52:03.640 --> 0:52:06.520
<v Speaker 1>seeing multiple women run for president in your lifetime, and

0:52:06.560 --> 0:52:10.080
<v Speaker 1>you spent time with many of the former candidates. What

0:52:10.200 --> 0:52:12.840
<v Speaker 1>characteristics did you think that they all had in common?

0:52:13.160 --> 0:52:16.680
<v Speaker 2>Well, there weren't that many. I mean there was Hillary Clinton,

0:52:17.600 --> 0:52:21.760
<v Speaker 2>Kamala surely Chise. I mean those three. Where were there

0:52:21.600 --> 0:52:22.920
<v Speaker 2>were more? I can't remember.

0:52:23.400 --> 0:52:25.600
<v Speaker 1>No, I mean there were more women that ran, but

0:52:25.680 --> 0:52:26.880
<v Speaker 1>not as candidates.

0:52:27.320 --> 0:52:30.520
<v Speaker 2>I think they had a vision called democracy. I mean,

0:52:30.920 --> 0:52:34.160
<v Speaker 2>why are we the only or one of the few

0:52:34.840 --> 0:52:37.640
<v Speaker 2>democracies that's never had a female chief of state? It

0:52:37.680 --> 0:52:38.440
<v Speaker 2>makes no sense.

0:52:38.840 --> 0:52:39.480
<v Speaker 1>It bothers you.

0:52:40.200 --> 0:52:43.560
<v Speaker 2>Well, it's counter to the definition of democracy.

0:52:44.160 --> 0:52:46.320
<v Speaker 1>I didn't know that you wrote a speech for Shirley

0:52:46.400 --> 0:52:49.319
<v Speaker 1>Chisholm in nineteen seventy two and you said it was

0:52:49.360 --> 0:52:51.279
<v Speaker 1>one of the best that you wrote. Why was it

0:52:51.320 --> 0:52:51.960
<v Speaker 1>one of the best?

0:52:52.360 --> 0:52:56.919
<v Speaker 2>Well, she herself was a symbol of a democracy yet

0:52:56.960 --> 0:53:01.680
<v Speaker 2>to come, and she was traveling and speaking, you know,

0:53:01.800 --> 0:53:06.080
<v Speaker 2>at the National Women's Political Caucus and otherwise on the road.

0:53:06.960 --> 0:53:09.320
<v Speaker 2>So I have no idea if it was one of

0:53:09.360 --> 0:53:11.480
<v Speaker 2>the best I wrote or not, but I was certainly

0:53:12.000 --> 0:53:15.279
<v Speaker 2>proud to contribute to her campaign.

0:53:15.760 --> 0:53:19.520
<v Speaker 1>When you think back to Shirley's campaign and then we

0:53:19.600 --> 0:53:23.560
<v Speaker 1>think about the most recent campaign that Kamala ran, what

0:53:23.640 --> 0:53:26.640
<v Speaker 1>stands out to you about where the country's at then

0:53:26.760 --> 0:53:27.399
<v Speaker 1>versus now.

0:53:27.719 --> 0:53:31.200
<v Speaker 2>Well, I think that Shirley Chisholm was only on the

0:53:31.239 --> 0:53:35.000
<v Speaker 2>ballot in fourteen states. I think we'd have to check,

0:53:35.040 --> 0:53:38.400
<v Speaker 2>but I don't think it was very many states. So

0:53:39.080 --> 0:53:43.279
<v Speaker 2>that we thought of Kamala Harris as a more universal

0:53:43.800 --> 0:53:46.239
<v Speaker 2>or for that matter, of Hillary Clinton as a more

0:53:46.360 --> 0:53:49.160
<v Speaker 2>universal candidate is a step forward.

0:53:50.320 --> 0:53:52.240
<v Speaker 1>Out of all of the women that you have met

0:53:52.320 --> 0:53:55.520
<v Speaker 1>and worked with and campaigned for, what woman has been

0:53:55.520 --> 0:53:58.760
<v Speaker 1>the most deserving and qualified to be president?

0:53:59.239 --> 0:54:01.520
<v Speaker 2>Well? I'm not sure I know that, because I don't

0:54:01.560 --> 0:54:04.040
<v Speaker 2>know everybody. But when you say that, I think about

0:54:04.040 --> 0:54:11.520
<v Speaker 2>Bella Absock because she had the most worldwide view of

0:54:11.719 --> 0:54:19.319
<v Speaker 2>democracy with the fewest divisions or restrictions. I think. I mean,

0:54:19.360 --> 0:54:23.080
<v Speaker 2>if you walked in the street with Bella in Manhattan,

0:54:23.160 --> 0:54:27.640
<v Speaker 2>truck drivers would be hanging out of the truck cab saying,

0:54:27.640 --> 0:54:29.839
<v Speaker 2>give him hell Abella, And so you know, I mean

0:54:29.920 --> 0:54:34.319
<v Speaker 2>she had a universal appeal that went beyond class and

0:54:34.400 --> 0:54:35.160
<v Speaker 2>beyond gender.

0:54:35.200 --> 0:54:37.640
<v Speaker 1>Really that must have been wonderful to be around.

0:54:38.280 --> 0:54:39.239
<v Speaker 2>Yes, no, it was.

0:54:40.239 --> 0:54:43.400
<v Speaker 1>Did you take anything that you learned from her to

0:54:43.520 --> 0:54:46.080
<v Speaker 1>implement in your life? When you were on the road

0:54:46.160 --> 0:54:47.759
<v Speaker 1>and doing these speeches.

0:54:47.760 --> 0:54:50.880
<v Speaker 2>She probably encouraged all of us to go out in

0:54:51.000 --> 0:54:54.239
<v Speaker 2>public and talk because she was so fearless about it.

0:54:54.320 --> 0:54:56.759
<v Speaker 2>I didn't take the habit of wearing hats that was

0:54:56.800 --> 0:54:58.839
<v Speaker 2>her mark, wearing a.

0:54:58.800 --> 0:55:03.440
<v Speaker 1>Hat, glasses. We didn't need hats, and you had your belt.

0:55:04.320 --> 0:55:05.160
<v Speaker 1>You loved belts.

0:55:05.239 --> 0:55:07.960
<v Speaker 2>Huh, yeah, I guess so. I don't know why exactly.

0:55:08.080 --> 0:55:11.800
<v Speaker 2>I think because I had acquired a couple of Indian

0:55:12.160 --> 0:55:12.920
<v Speaker 2>concer belts.

0:55:13.280 --> 0:55:15.200
<v Speaker 1>I was wondering if it had anything to do with

0:55:15.280 --> 0:55:18.600
<v Speaker 1>Wonder Woman, because I know that you really liked that character.

0:55:18.960 --> 0:55:23.680
<v Speaker 2>Her characteristic were bracelets that she bounced bullets off, bracelets,

0:55:24.160 --> 0:55:26.000
<v Speaker 2>so not so much a belt. I don't think.

0:55:26.160 --> 0:55:28.000
<v Speaker 1>Well, it made me think that maybe the belt was

0:55:28.040 --> 0:55:31.440
<v Speaker 1>your version. I was shocked to learn that you really

0:55:31.560 --> 0:55:35.600
<v Speaker 1>helped inspire and advocate for this version of Wonder Woman

0:55:36.040 --> 0:55:38.640
<v Speaker 1>that we know today. There's an article that says you

0:55:38.680 --> 0:55:40.040
<v Speaker 1>literally saved her.

0:55:40.280 --> 0:55:42.759
<v Speaker 2>Well only because we put her on the cover of

0:55:42.960 --> 0:55:47.520
<v Speaker 2>Miss magazine. I mean she, I think DC Comics or

0:55:47.560 --> 0:55:52.560
<v Speaker 2>whatever company owed her. They'd taken away all her magical powers.

0:55:52.600 --> 0:55:56.440
<v Speaker 2>She was no longer living on Paradise Island, and she

0:55:56.480 --> 0:55:59.359
<v Speaker 2>didn't have bracelets that she bounced bullets. You know, they

0:55:59.400 --> 0:56:02.200
<v Speaker 2>had right turned her into a car hop, and we

0:56:02.320 --> 0:56:05.600
<v Speaker 2>objected to them, and we put her on the cover

0:56:05.719 --> 0:56:09.919
<v Speaker 2>of Miss Magazine in her original self, and they said,

0:56:09.960 --> 0:56:13.479
<v Speaker 2>all right, okay, now you know she has her bracelets back,

0:56:14.200 --> 0:56:17.759
<v Speaker 2>she has her magic lasso, she has you know. Well,

0:56:17.800 --> 0:56:19.400
<v Speaker 2>now you leave us alone, you know.

0:56:19.560 --> 0:56:22.759
<v Speaker 1>So did you see yourself and her the way you

0:56:22.800 --> 0:56:24.240
<v Speaker 1>saw yourself in Hollygo Lately?

0:56:24.280 --> 0:56:27.680
<v Speaker 2>At all? No, I didn't see myself as wonder woman.

0:56:27.760 --> 0:56:31.400
<v Speaker 2>I mean, you can't be somebody with magical bracelets. And

0:56:31.480 --> 0:56:33.839
<v Speaker 2>at last so and said, no, you just liked what

0:56:33.840 --> 0:56:37.840
<v Speaker 2>she stood for. Yeah, superheroes for both boys and girls,

0:56:38.200 --> 0:56:41.960
<v Speaker 2>were very important cultural figures.

0:56:42.320 --> 0:56:45.560
<v Speaker 1>It's true. Are you a DC Comics or a Marvel

0:56:45.600 --> 0:56:46.320
<v Speaker 1>Comics woman?

0:56:46.560 --> 0:56:48.560
<v Speaker 2>I have no idea because I don't know what they do.

0:56:49.040 --> 0:56:54.040
<v Speaker 1>I actually don't know either. So we talked about a

0:56:54.040 --> 0:56:56.719
<v Speaker 1>lot of your female friends today, But I don't know

0:56:56.760 --> 0:57:01.080
<v Speaker 1>that I've asked you about female friendship. What has female

0:57:01.160 --> 0:57:03.120
<v Speaker 1>friendship meant to you in your life?

0:57:03.360 --> 0:57:06.560
<v Speaker 2>I mean, some men are my community too, but it's

0:57:06.640 --> 0:57:11.759
<v Speaker 2>mostly women because we share experiences, we share hopes for

0:57:11.920 --> 0:57:17.800
<v Speaker 2>making change, we share some feelings of being endangered. We

0:57:18.000 --> 0:57:22.920
<v Speaker 2>just share a great deal. And across national boundaries. My

0:57:23.400 --> 0:57:28.000
<v Speaker 2>women friends in India who are still my friends, shared

0:57:28.360 --> 0:57:29.200
<v Speaker 2>many things too.

0:57:29.720 --> 0:57:31.680
<v Speaker 1>Can I ask you about the loves of your life?

0:57:31.880 --> 0:57:32.560
<v Speaker 2>Yeah, I guess so.

0:57:32.640 --> 0:57:34.840
<v Speaker 1>I mean, you don't have to answer anything that you

0:57:34.880 --> 0:57:35.520
<v Speaker 1>don't want to.

0:57:35.360 --> 0:57:38.120
<v Speaker 2>You know, it's okay. I mean I think, I guess.

0:57:38.160 --> 0:57:40.520
<v Speaker 2>For a long time, I assumed I had to have children.

0:57:40.560 --> 0:57:44.800
<v Speaker 2>I thought everybody had, so I had a series of

0:57:44.880 --> 0:57:48.480
<v Speaker 2>relationships that continue to matter, and I think it's one

0:57:48.480 --> 0:57:53.160
<v Speaker 2>of the most deep, profound ways we learn to empathize.

0:57:53.800 --> 0:57:56.520
<v Speaker 2>We learn about different worlds because we're in love with

0:57:56.520 --> 0:57:58.640
<v Speaker 2>somebody who's part of a different world.

0:57:59.040 --> 0:58:02.240
<v Speaker 1>Yeah, I agree with you. I've heard you say that

0:58:02.680 --> 0:58:06.760
<v Speaker 1>romance is a form of curiosity, and I'm curious who

0:58:06.840 --> 0:58:08.400
<v Speaker 1>made you the most curious.

0:58:08.800 --> 0:58:13.840
<v Speaker 2>I think it's shared because when you've fallen in love

0:58:13.880 --> 0:58:17.040
<v Speaker 2>with somebody, you're entering into their world and you're learning

0:58:17.280 --> 0:58:22.080
<v Speaker 2>about their world. It may just have been accidental that

0:58:22.280 --> 0:58:26.240
<v Speaker 2>I guess. Most of the few men I've been in

0:58:26.280 --> 0:58:32.840
<v Speaker 2>love with were African American men, so I'm sure I

0:58:32.920 --> 0:58:35.760
<v Speaker 2>learned more than I would have without them.

0:58:36.120 --> 0:58:38.400
<v Speaker 1>A lot of them that I've asked you about seem

0:58:38.480 --> 0:58:41.720
<v Speaker 1>to have a real care for the world the way

0:58:41.760 --> 0:58:44.400
<v Speaker 1>you did, whether it was for civil rights or elsewhere

0:58:44.440 --> 0:58:45.880
<v Speaker 1>they wanted to make an impact.

0:58:46.200 --> 0:58:49.000
<v Speaker 2>Yes, not that there were that man, but anyway, they

0:58:49.040 --> 0:58:53.520
<v Speaker 2>were all engaged in some form of trying to make

0:58:53.600 --> 0:58:54.800
<v Speaker 2>social change. Right.

0:58:55.360 --> 0:58:56.959
<v Speaker 1>Has a man ever given you the ick?

0:58:57.280 --> 0:58:57.760
<v Speaker 2>What is that?

0:58:58.560 --> 0:59:01.720
<v Speaker 1>There's this thing that I think gen Z would coin

0:59:02.040 --> 0:59:04.400
<v Speaker 1>called the ick, and it's you could be on a

0:59:04.480 --> 0:59:08.360
<v Speaker 1>date with somebody and it's going well, and then you

0:59:08.400 --> 0:59:14.320
<v Speaker 1>look down and his toenails are grown out, and you're like, ick, oh,

0:59:14.520 --> 0:59:15.560
<v Speaker 1>can't date him anymore?

0:59:15.920 --> 0:59:16.960
<v Speaker 2>No, I don't think so.

0:59:19.480 --> 0:59:22.360
<v Speaker 1>Okay, I like that. What's the most romantic thing anybody's

0:59:22.360 --> 0:59:22.840
<v Speaker 1>done for you?

0:59:23.120 --> 0:59:26.720
<v Speaker 2>That's an interesting question. I'm not coming up with a

0:59:26.840 --> 0:59:33.000
<v Speaker 2>specific evening exactly, but I think any way in which

0:59:34.240 --> 0:59:37.320
<v Speaker 2>this person you're in love with recognizes you as a

0:59:37.440 --> 0:59:42.320
<v Speaker 2>unique individual and supplies something, play a book.

0:59:42.120 --> 0:59:44.880
<v Speaker 1>A movie, it's so feeling really seen. Do you think

0:59:44.880 --> 0:59:48.240
<v Speaker 1>that you sought after kind men because your dad was

0:59:48.240 --> 0:59:48.760
<v Speaker 1>so kind?

0:59:49.280 --> 0:59:51.560
<v Speaker 2>Well, at least I knew there were kind men. I mean,

0:59:51.600 --> 0:59:56.919
<v Speaker 2>I think it's more difficult for women who have an

0:59:56.960 --> 1:00:02.040
<v Speaker 2>example of a cruel father and may take more time

1:00:02.080 --> 1:00:04.880
<v Speaker 2>to recognize that's not the only reality.

1:00:05.400 --> 1:00:08.760
<v Speaker 1>Do you remember being in a relationship and thinking, oh,

1:00:08.800 --> 1:00:11.080
<v Speaker 1>this person is really teaching me about love.

1:00:11.720 --> 1:00:14.720
<v Speaker 2>Not quite that general. I don't think it.

1:00:14.640 --> 1:00:17.160
<v Speaker 1>Was more an example from your parents, or how did

1:00:17.200 --> 1:00:18.080
<v Speaker 1>you learn how to love?

1:00:18.680 --> 1:00:20.920
<v Speaker 2>I think we know from the beginning. I mean, I

1:00:21.040 --> 1:00:26.760
<v Speaker 2>loved my dog cat rabbit parents' sister.

1:00:27.120 --> 1:00:28.440
<v Speaker 1>Yeah, it was instinctual for you.

1:00:28.920 --> 1:00:30.240
<v Speaker 2>Yeah, I think it is for us.

1:00:30.320 --> 1:00:33.080
<v Speaker 1>Friend, I could point to a few boyfriends who have

1:00:33.120 --> 1:00:35.920
<v Speaker 1>taught me how to love better, and sometimes it was

1:00:36.000 --> 1:00:39.560
<v Speaker 1>bad actions, sometimes it was beautiful actions, sort of just

1:00:39.600 --> 1:00:41.240
<v Speaker 1>like how some of my female friends have taught me

1:00:41.280 --> 1:00:42.240
<v Speaker 1>how to be a better friend.

1:00:42.640 --> 1:00:45.960
<v Speaker 2>Yeah, that's been your maybe. I mean I'm not sure

1:00:46.320 --> 1:00:49.440
<v Speaker 2>that's true because I haven't been in a long term marriage,

1:00:49.480 --> 1:00:54.840
<v Speaker 2>for instance. So we certainly continued to care about each

1:00:54.840 --> 1:00:57.080
<v Speaker 2>other whether we were together or not.

1:00:57.640 --> 1:00:58.800
<v Speaker 1>You were married for three years.

1:00:59.080 --> 1:01:02.080
<v Speaker 2>Yeah, but the only the reason that we got legally

1:01:02.120 --> 1:01:05.880
<v Speaker 2>married is that he had entered this country on a

1:01:06.000 --> 1:01:10.720
<v Speaker 2>visa because his son was a minor and he was

1:01:10.760 --> 1:01:11.960
<v Speaker 2>about to be deported.

1:01:12.960 --> 1:01:16.360
<v Speaker 1>And you felt comfortable with being married at that point

1:01:16.440 --> 1:01:18.800
<v Speaker 1>or did it make you nervous about what it would

1:01:18.840 --> 1:01:19.520
<v Speaker 1>do to your public?

1:01:19.680 --> 1:01:21.480
<v Speaker 2>Had a purpose? It had a purpose?

1:01:22.240 --> 1:01:24.880
<v Speaker 1>Okay, you know all of this makes sense to me

1:01:24.920 --> 1:01:27.040
<v Speaker 1>because you've said that the greatest love of your life

1:01:27.120 --> 1:01:30.240
<v Speaker 1>is possibility. I really think that's so beautiful. You said

1:01:30.280 --> 1:01:33.920
<v Speaker 1>you fall in love with possibilities. When was the last

1:01:33.960 --> 1:01:36.640
<v Speaker 1>time that you were in love, and what was the

1:01:36.680 --> 1:01:39.000
<v Speaker 1>possibility or the potential that you fell for.

1:01:39.480 --> 1:01:41.360
<v Speaker 2>In love with a person or in love with an

1:01:42.000 --> 1:01:43.080
<v Speaker 2>idea or.

1:01:43.440 --> 1:01:46.120
<v Speaker 1>Both, the possibility of what something could be.

1:01:46.680 --> 1:01:49.200
<v Speaker 2>The last time I was in love was more with

1:01:49.280 --> 1:01:54.000
<v Speaker 2>a person. It was more about keeping him from being

1:01:54.080 --> 1:01:58.040
<v Speaker 2>sent home to South Africa. It was about his grown

1:01:58.120 --> 1:02:02.040
<v Speaker 2>up children who I cared about. But I've also been

1:02:02.040 --> 1:02:05.600
<v Speaker 2>in love with women friends, not in a sexual way,

1:02:05.680 --> 1:02:09.440
<v Speaker 2>but in a familial way. With Wilma Mankiller.

1:02:09.520 --> 1:02:11.840
<v Speaker 1>I actually really want to ask you about that because

1:02:11.920 --> 1:02:14.880
<v Speaker 1>there's this new movie called Eternity, and it's about a

1:02:14.880 --> 1:02:17.120
<v Speaker 1>woman who has to choose between the two loves of

1:02:17.160 --> 1:02:20.560
<v Speaker 1>her life. She dies, she goes to heaven. And I

1:02:20.600 --> 1:02:22.560
<v Speaker 1>know that you've had a few loves of your life,

1:02:23.120 --> 1:02:26.000
<v Speaker 1>some female friends and some men that you really loved.

1:02:26.760 --> 1:02:28.440
<v Speaker 1>So I am curious. I'm going to ask you a

1:02:28.480 --> 1:02:31.160
<v Speaker 1>silly question. If you were to go into the afterlife

1:02:31.280 --> 1:02:33.520
<v Speaker 1>and have to choose a partner to spend eternity with,

1:02:34.040 --> 1:02:34.640
<v Speaker 1>who would it be.

1:02:35.080 --> 1:02:39.640
<v Speaker 2>I'm not sure because that's such an artificial situation, so

1:02:39.920 --> 1:02:43.480
<v Speaker 2>it's probably more than one. But Wilma Mankiller comes to

1:02:43.560 --> 1:02:49.400
<v Speaker 2>mind because she represented not just current culture, but ancient

1:02:49.440 --> 1:02:50.400
<v Speaker 2>culture as well.

1:02:50.920 --> 1:02:53.360
<v Speaker 1>I can't believe her real last name is mankiller.

1:02:53.600 --> 1:02:56.760
<v Speaker 2>Well, as she pointed out when people asked her about it,

1:02:57.160 --> 1:03:01.760
<v Speaker 2>that it was a translation of a title for someone

1:03:01.840 --> 1:03:04.920
<v Speaker 2>who guarded the tribe, and if they asked her in

1:03:04.960 --> 1:03:07.800
<v Speaker 2>a nice way, she would explain that, and if they

1:03:07.840 --> 1:03:10.000
<v Speaker 2>asked her in an unnice way, she would say, I

1:03:10.080 --> 1:03:10.520
<v Speaker 2>earned it.

1:03:10.840 --> 1:03:26.720
<v Speaker 1>I love that. I also love talking to you about

1:03:26.760 --> 1:03:30.320
<v Speaker 1>modern dating. I think you have the funniest opinions. They're

1:03:30.360 --> 1:03:33.720
<v Speaker 1>so real. You really give me real talk. What is

1:03:33.760 --> 1:03:37.120
<v Speaker 1>a dating trend from your time dating that you think

1:03:37.160 --> 1:03:38.360
<v Speaker 1>people should bring back?

1:03:38.680 --> 1:03:41.720
<v Speaker 2>Well, I'm not sure what exists now. I mean maybe

1:03:41.760 --> 1:03:44.400
<v Speaker 2>then we were more likely to go steady, so it

1:03:44.480 --> 1:03:48.000
<v Speaker 2>was a kind of practice for marriage. I suppose, right.

1:03:49.040 --> 1:03:51.240
<v Speaker 1>Did you ever care about the title? Though? You don't

1:03:51.280 --> 1:03:54.520
<v Speaker 1>strike me as somebody who cared about being somebody's girlfriend

1:03:54.640 --> 1:03:56.480
<v Speaker 1>and you just wanted to have a partner.

1:03:56.600 --> 1:03:59.800
<v Speaker 2>That's not a title. What do you mean doesn't mean anything?

1:04:00.000 --> 1:04:03.320
<v Speaker 2>Here's somebody's girlfriend. If anything has a comment on him.

1:04:04.040 --> 1:04:05.560
<v Speaker 1>Say more, what does it say about him?

1:04:06.600 --> 1:04:11.480
<v Speaker 2>Well, whoever that woman is says something about him about

1:04:11.520 --> 1:04:12.680
<v Speaker 2>what his choices are.

1:04:13.120 --> 1:04:17.400
<v Speaker 1>Interesting. Reese Witherspoon just said something very similar that I loved.

1:04:17.520 --> 1:04:21.240
<v Speaker 1>I'd never heard that before. What was your best dating decade?

1:04:21.760 --> 1:04:24.040
<v Speaker 1>When did you have the most fun dating? Gloria?

1:04:24.600 --> 1:04:27.600
<v Speaker 2>It was a series of going steady. I mean, it

1:04:27.640 --> 1:04:30.840
<v Speaker 2>wasn't like a period of time in which I was

1:04:30.920 --> 1:04:32.360
<v Speaker 2>dating a lot of different people.

1:04:32.720 --> 1:04:37.080
<v Speaker 1>They were chunks of relationships. Yeah, so do you hate

1:04:37.120 --> 1:04:39.240
<v Speaker 1>me right now for asking you about your love life?

1:04:39.520 --> 1:04:42.320
<v Speaker 2>No, No, it's just that I don't feel like I

1:04:42.480 --> 1:04:45.360
<v Speaker 2>fit into what you're asking, but I'll try.

1:04:45.520 --> 1:04:48.800
<v Speaker 1>I don't have any expectations. I'm just so curious. I

1:04:48.960 --> 1:04:53.040
<v Speaker 1>like hearing your thoughts on relationships because I think your

1:04:53.040 --> 1:04:54.200
<v Speaker 1>thoughts have no bounds.

1:04:54.440 --> 1:05:00.880
<v Speaker 2>Well, in retrospect, only in retrospect. I realized that most

1:05:00.920 --> 1:05:05.880
<v Speaker 2>of the few men I've felt close to were of

1:05:05.920 --> 1:05:09.720
<v Speaker 2>a different race, and I think that that maybe helped

1:05:09.760 --> 1:05:13.840
<v Speaker 2>them empathize with women who were striving to fit into

1:05:13.840 --> 1:05:16.240
<v Speaker 2>a culture that did not always welcome them.

1:05:16.960 --> 1:05:21.080
<v Speaker 1>That's interesting, you enjoyed learning about the differences between people.

1:05:21.440 --> 1:05:24.520
<v Speaker 2>Well, it was just that they seemed more universal as people.

1:05:25.120 --> 1:05:29.600
<v Speaker 1>Can we talk about current day feminism, How do you

1:05:29.680 --> 1:05:34.080
<v Speaker 1>feel about recent history? Does it give you deja vu

1:05:34.200 --> 1:05:34.520
<v Speaker 1>at all?

1:05:34.920 --> 1:05:37.560
<v Speaker 2>I don't think so, but I mean what I'm seeing

1:05:37.640 --> 1:05:41.320
<v Speaker 2>is limited. I don't know, but I think in the

1:05:41.360 --> 1:05:46.880
<v Speaker 2>past the ideas of feminism were unusual enough so that

1:05:47.600 --> 1:05:51.000
<v Speaker 2>there were more likely to be groups, you know, whether

1:05:51.120 --> 1:05:55.360
<v Speaker 2>it was the National Women's Political Caucus or now now

1:05:55.400 --> 1:06:00.600
<v Speaker 2>it seems more generalized, so people, women in offices, women

1:06:00.720 --> 1:06:01.560
<v Speaker 2>in factories.

1:06:02.200 --> 1:06:06.080
<v Speaker 1>Has the world developed in a way that you feel

1:06:06.200 --> 1:06:09.040
<v Speaker 1>excited about or are you frustrated about?

1:06:10.040 --> 1:06:13.600
<v Speaker 2>I certainly feel frustrated that we have an asshole in

1:06:13.640 --> 1:06:17.840
<v Speaker 2>the White House, I mean terrible president. We in New

1:06:17.920 --> 1:06:20.320
<v Speaker 2>York who know him are I think ninety six percent

1:06:20.400 --> 1:06:21.160
<v Speaker 2>against Trump.

1:06:21.440 --> 1:06:22.600
<v Speaker 1>It's a big stat I.

1:06:22.640 --> 1:06:25.920
<v Speaker 2>Mean, Nixon and Reagan were not wonderful, but they seemed

1:06:26.640 --> 1:06:28.440
<v Speaker 2>a little bit more representative.

1:06:29.280 --> 1:06:31.520
<v Speaker 1>You say, if you aren't a feminist, it's like only

1:06:31.600 --> 1:06:34.200
<v Speaker 1>having one eye open. You need to have both open

1:06:34.240 --> 1:06:37.160
<v Speaker 1>to solve any problem. What I think is interesting is

1:06:37.200 --> 1:06:42.000
<v Speaker 1>we're probably in the most woke, eye open period ever.

1:06:42.520 --> 1:06:44.360
<v Speaker 1>But I'm wondering if you would also say that we're

1:06:44.360 --> 1:06:45.400
<v Speaker 1>a little blind.

1:06:45.520 --> 1:06:48.960
<v Speaker 2>I think we are still in a period in which say,

1:06:49.600 --> 1:06:53.720
<v Speaker 2>women are raising children more than men, and that means

1:06:53.760 --> 1:07:00.560
<v Speaker 2>that women as a generality are probably more aware of

1:07:01.400 --> 1:07:04.720
<v Speaker 2>the world in certain ways then men in general, although

1:07:04.720 --> 1:07:08.360
<v Speaker 2>it's dangerous to make that kind of generalization.

1:07:09.240 --> 1:07:11.400
<v Speaker 1>Do you think about what the fourth wave of feminism

1:07:11.440 --> 1:07:12.800
<v Speaker 1>looks like or feels like?

1:07:13.000 --> 1:07:15.800
<v Speaker 2>Or no, I don't think in waves. How do you

1:07:15.840 --> 1:07:21.520
<v Speaker 2>think we're sitting here with you and I just chatting books, movies,

1:07:22.680 --> 1:07:24.200
<v Speaker 2>political candidates.

1:07:24.760 --> 1:07:26.960
<v Speaker 1>One of the reasons I love coming over here is

1:07:27.240 --> 1:07:31.600
<v Speaker 1>my childhood was spent sitting in my grandparents' living room

1:07:31.640 --> 1:07:33.720
<v Speaker 1>talking about nothing for hours.

1:07:34.040 --> 1:07:34.920
<v Speaker 2>What do you mean nothing?

1:07:35.240 --> 1:07:38.400
<v Speaker 1>We would talk about politics and ideas, and well, that's

1:07:38.440 --> 1:07:41.560
<v Speaker 1>not nothing, but we would also talk about absolutely nothing,

1:07:41.600 --> 1:07:44.240
<v Speaker 1>Like we would talk about pizza and the weather, and

1:07:44.920 --> 1:07:47.920
<v Speaker 1>it was just about being together. And I would sometimes

1:07:48.000 --> 1:07:50.520
<v Speaker 1>have breakfast with Larry King and his friends and it

1:07:50.560 --> 1:07:54.600
<v Speaker 1>felt very similar. And I haven't had that feeling until

1:07:54.600 --> 1:07:56.920
<v Speaker 1>I came here and have spent time with you and

1:07:57.000 --> 1:07:57.840
<v Speaker 1>Jill and Amy.

1:07:58.080 --> 1:07:58.560
<v Speaker 2>What do you.

1:07:58.600 --> 1:08:02.480
<v Speaker 1>Get from sitting in your office space because people come

1:08:02.560 --> 1:08:04.600
<v Speaker 1>visit you all the time, you have so many visitors

1:08:05.200 --> 1:08:06.400
<v Speaker 1>and just chatting.

1:08:06.200 --> 1:08:11.000
<v Speaker 2>Well, we usually have some shared enterprise, something that we're

1:08:11.040 --> 1:08:15.240
<v Speaker 2>trying to do or hoping to do, or some political

1:08:15.320 --> 1:08:18.200
<v Speaker 2>campaign or something varies, Yeah, varies.

1:08:18.960 --> 1:08:22.599
<v Speaker 1>How have you felt about the people that come into

1:08:22.640 --> 1:08:25.519
<v Speaker 1>your life and ask you for things?

1:08:25.840 --> 1:08:28.800
<v Speaker 2>I don't think I can generalize. It depends on who

1:08:28.880 --> 1:08:31.519
<v Speaker 2>the person is and what the thing is, and you know,

1:08:31.600 --> 1:08:34.759
<v Speaker 2>because it's an opportunity to help, which is good.

1:08:35.160 --> 1:08:38.000
<v Speaker 1>I'll tell you why I'm asking. My favorite quote ever,

1:08:38.160 --> 1:08:41.000
<v Speaker 1>I think is Shirley Chisholm's quote that service is the

1:08:41.040 --> 1:08:42.600
<v Speaker 1>rent you pay for a room on this earth. I

1:08:42.640 --> 1:08:45.240
<v Speaker 1>try to live by it that. Say it again, service

1:08:45.320 --> 1:08:47.320
<v Speaker 1>is the rent you pay for a room on this earth.

1:08:47.439 --> 1:08:50.200
<v Speaker 1>Oh and I really try to live by that. And

1:08:50.280 --> 1:08:55.280
<v Speaker 1>I sometimes feel overwhelmed trying to be of service and

1:08:56.240 --> 1:08:59.479
<v Speaker 1>live my life. I can't even imagine how you feel.

1:09:00.160 --> 1:09:03.680
<v Speaker 2>Also means people are of service to you. It's not

1:09:03.760 --> 1:09:04.679
<v Speaker 2>a one way street.

1:09:04.880 --> 1:09:07.320
<v Speaker 1>So you feel like you've been able to maintain your

1:09:07.360 --> 1:09:10.719
<v Speaker 1>personhood and your space amongst all the requests.

1:09:10.760 --> 1:09:13.160
<v Speaker 2>Always Yeah, I mean, I think I'm lucky to have

1:09:13.200 --> 1:09:17.040
<v Speaker 2>an apartment, for instance, which is very helpful. To have

1:09:17.080 --> 1:09:19.280
<v Speaker 2>a space that you live in that belongs to.

1:09:19.200 --> 1:09:21.040
<v Speaker 1>You right right, and you hide out. I know you

1:09:21.040 --> 1:09:21.719
<v Speaker 1>love your bedroom.

1:09:21.760 --> 1:09:23.160
<v Speaker 2>I've been here for a long time.

1:09:23.760 --> 1:09:27.919
<v Speaker 1>Yeah, that makes sense. What do you think about influencer culture?

1:09:28.120 --> 1:09:30.000
<v Speaker 1>Is it a version of modern organizing?

1:09:30.400 --> 1:09:32.599
<v Speaker 2>I'm not sure. I mean, if it just means that

1:09:32.680 --> 1:09:38.080
<v Speaker 2>you have an online presence, that's influential, right, Yeah, but

1:09:38.200 --> 1:09:41.120
<v Speaker 2>it makes me nervous that it's measured in terms of

1:09:41.960 --> 1:09:44.200
<v Speaker 2>online contacts.

1:09:44.360 --> 1:09:48.519
<v Speaker 1>That the measure of a right number of followers, Yeah.

1:09:47.880 --> 1:09:49.679
<v Speaker 2>Which doesn't seem like a good measure.

1:09:50.160 --> 1:09:51.960
<v Speaker 1>It does connect people though in a way.

1:09:52.439 --> 1:09:55.040
<v Speaker 2>Yeah, but what does follower mean? I mean Hitler had

1:09:55.080 --> 1:09:58.360
<v Speaker 2>a lot of followers. Sort of value free, I mean

1:09:58.360 --> 1:10:03.320
<v Speaker 2>it doesn't have content. It also seems like it's constructed

1:10:03.360 --> 1:10:07.400
<v Speaker 2>in order to be saleable. Oh interesting, you know, because

1:10:07.680 --> 1:10:10.240
<v Speaker 2>somebody with a lot of followers that can get some

1:10:10.520 --> 1:10:12.040
<v Speaker 2>commercial good out of it.

1:10:12.320 --> 1:10:14.040
<v Speaker 1>I don't know if you remember I made you take

1:10:14.080 --> 1:10:17.479
<v Speaker 1>the value bridge test, Susie Welch's value bridge, and it

1:10:17.560 --> 1:10:22.320
<v Speaker 1>had the sixteen values. It's belovedness and luminance, and every

1:10:22.400 --> 1:10:24.840
<v Speaker 1>question it would ask you about money, you would look

1:10:24.880 --> 1:10:26.960
<v Speaker 1>at me and you would sad eye and you say

1:10:27.400 --> 1:10:28.360
<v Speaker 1>money is so boring.

1:10:28.880 --> 1:10:34.439
<v Speaker 2>Right, Money is neutral. It depends what its impact is I.

1:10:34.360 --> 1:10:36.479
<v Speaker 1>Think you meant that and it really made me laugh.

1:10:37.160 --> 1:10:39.040
<v Speaker 1>How would you define your sense of humor?

1:10:39.439 --> 1:10:44.799
<v Speaker 2>Well, I think laughter is a very important part of culture.

1:10:45.160 --> 1:10:48.559
<v Speaker 2>In Native American culture, there is a god of laughter

1:10:48.840 --> 1:10:53.360
<v Speaker 2>who is neither male nor female, but just present. So

1:10:54.479 --> 1:10:58.519
<v Speaker 2>laughter usually, not always, is value free.

1:10:58.800 --> 1:11:00.559
<v Speaker 1>Do you find it to be true through the old

1:11:00.560 --> 1:11:03.040
<v Speaker 1>adage that the best things in life are free?

1:11:03.479 --> 1:11:06.080
<v Speaker 2>I don't know. I mean, you know it's not free

1:11:06.120 --> 1:11:07.280
<v Speaker 2>that I have an apartment.

1:11:08.160 --> 1:11:10.519
<v Speaker 1>That's true, and you love this place. I don't know, right,

1:11:10.680 --> 1:11:14.320
<v Speaker 1>that's true. It is women's history months and we are

1:11:14.360 --> 1:11:17.679
<v Speaker 1>sitting in your living room where you have invited over

1:11:17.760 --> 1:11:20.839
<v Speaker 1>women from almost every corner of the world. They've sat

1:11:20.960 --> 1:11:24.000
<v Speaker 1>in the exact chair I'm sitting in. There are so

1:11:24.160 --> 1:11:29.200
<v Speaker 1>many photos and knickknacks here. Are there any women that

1:11:30.400 --> 1:11:32.960
<v Speaker 1>you haven't had in this space that you would have

1:11:33.040 --> 1:11:34.680
<v Speaker 1>loved to have spoken with?

1:11:35.040 --> 1:11:37.320
<v Speaker 2>Oh? I'm sure there are a lot, And there are

1:11:37.360 --> 1:11:39.799
<v Speaker 2>some I've kind of lost because I lived in India

1:11:39.840 --> 1:11:44.000
<v Speaker 2>and had such deep connection there. But I don't see them,

1:11:44.400 --> 1:11:48.280
<v Speaker 2>and not all of them are still alive. Actually, it's

1:11:48.400 --> 1:11:52.360
<v Speaker 2>kind of happenstance. I mean, we're sailing through life as

1:11:52.439 --> 1:11:55.679
<v Speaker 2>through the ocean, and so who we meet and see

1:11:55.840 --> 1:11:57.639
<v Speaker 2>is unpredictable.

1:11:57.760 --> 1:12:02.400
<v Speaker 1>You made me think about your work as a journalist because,

1:12:02.840 --> 1:12:05.519
<v Speaker 1>as you shared earlier, I asked you if you were

1:12:05.840 --> 1:12:08.439
<v Speaker 1>writing to figure out what your experiences meant, and you

1:12:08.479 --> 1:12:11.240
<v Speaker 1>said no, I was chronicling what actually happened. What keeps

1:12:11.280 --> 1:12:12.599
<v Speaker 1>you so enrolled in.

1:12:12.560 --> 1:12:16.280
<v Speaker 2>Hope because, as we keep saying, hope is a form

1:12:16.320 --> 1:12:18.919
<v Speaker 2>of planning. If you don't have a hope for something,

1:12:19.920 --> 1:12:23.839
<v Speaker 2>it's very unlikely to happen. It may not happen anyway,

1:12:23.880 --> 1:12:26.320
<v Speaker 2>but it's more likely to happen if you have hoped

1:12:26.320 --> 1:12:26.639
<v Speaker 2>for it.

1:12:26.880 --> 1:12:29.320
<v Speaker 1>That is the most spiritual thing I've ever heard you say.

1:12:31.840 --> 1:12:34.200
<v Speaker 1>How do you feel right now? What is it like

1:12:34.240 --> 1:12:35.200
<v Speaker 1>to be you right now?

1:12:35.600 --> 1:12:41.080
<v Speaker 2>I'm very grateful to have this apartment, though I have

1:12:41.280 --> 1:12:48.880
<v Speaker 2>a safe space, I have friends and longtime associates who

1:12:49.160 --> 1:12:53.920
<v Speaker 2>come and go. I am well aware that I'm not

1:12:53.960 --> 1:12:57.080
<v Speaker 2>going to live forever. I mean, you know you can't

1:12:57.479 --> 1:13:01.679
<v Speaker 2>deny that. Though it's not like I'm conscious of feeling

1:13:01.880 --> 1:13:05.800
<v Speaker 2>I'm about to disappear. I feel lucky, you know, to

1:13:05.880 --> 1:13:09.439
<v Speaker 2>be in a city I love, with friends I love,

1:13:10.040 --> 1:13:14.559
<v Speaker 2>and a life that isn't rich but is kind of

1:13:15.120 --> 1:13:17.040
<v Speaker 2>moderately secure.

1:13:17.520 --> 1:13:19.720
<v Speaker 1>What do I have to look forward to at ninety two?

1:13:20.080 --> 1:13:27.960
<v Speaker 1>Whatever the fuck you want. That's an amazing answer. This

1:13:28.080 --> 1:13:29.960
<v Speaker 1>is sort of a hard question, and if you don't

1:13:29.960 --> 1:13:33.320
<v Speaker 1>want to talk about it, it's okay. I'm curious what

1:13:33.520 --> 1:13:36.160
<v Speaker 1>the most pain you have ever been in that was

1:13:36.200 --> 1:13:38.880
<v Speaker 1>not physical? What was the hardest decade?

1:13:39.000 --> 1:13:41.479
<v Speaker 2>It was probably when I was growing up looking after

1:13:41.600 --> 1:13:45.320
<v Speaker 2>my mother, because being a small person looking after a

1:13:45.320 --> 1:13:52.400
<v Speaker 2>big person is difficult for obvious reasons, and also her

1:13:52.479 --> 1:13:55.360
<v Speaker 2>life was sad as it should not have been, because

1:13:55.400 --> 1:13:58.439
<v Speaker 2>she should have had more of what she wanted in

1:13:58.479 --> 1:14:03.240
<v Speaker 2>life was able to express as a journalist. I think

1:14:03.320 --> 1:14:05.400
<v Speaker 2>that was probably the most difficult part.

1:14:05.800 --> 1:14:08.280
<v Speaker 1>It's so interesting because you've actually been through so much

1:14:08.280 --> 1:14:12.960
<v Speaker 1>in your adult life. You've survived breast cancer, you had

1:14:13.400 --> 1:14:17.559
<v Speaker 1>several loves of your life pass away, you have dealt

1:14:17.560 --> 1:14:22.559
<v Speaker 1>with tons of people heckling you and saying untruths, and

1:14:22.640 --> 1:14:24.439
<v Speaker 1>still that remains to be the toughest time.

1:14:24.680 --> 1:14:30.440
<v Speaker 2>Well, I think there's no inequality like childhood to adult inequality,

1:14:30.479 --> 1:14:34.320
<v Speaker 2>because you may be disempowered in almost every way.

1:14:34.479 --> 1:14:35.960
<v Speaker 1>Do you think you ever recovered from it?

1:14:36.360 --> 1:14:39.439
<v Speaker 2>I mean, I certainly have recovered in the sense of

1:14:40.160 --> 1:14:43.640
<v Speaker 2>living a life I wanted to live. In retrospect, I

1:14:43.680 --> 1:14:49.160
<v Speaker 2>probably didn't want to be again responsible for someone else's

1:14:49.200 --> 1:14:50.880
<v Speaker 2>life by having children.

1:14:50.920 --> 1:14:52.920
<v Speaker 1>But you were okay being responsible for yours.

1:14:53.120 --> 1:14:54.000
<v Speaker 2>That you feel okay?

1:14:55.240 --> 1:14:58.519
<v Speaker 1>You say, the primary thing is not that others know

1:14:58.560 --> 1:15:01.040
<v Speaker 1>who you are, but who they are. Again, just to

1:15:01.080 --> 1:15:02.960
<v Speaker 1>bring it back to the very beginning, that is such

1:15:03.000 --> 1:15:05.600
<v Speaker 1>an obvious truth that I would have never thought.

1:15:05.640 --> 1:15:07.960
<v Speaker 2>But who they are. I don't know that I know

1:15:08.040 --> 1:15:10.559
<v Speaker 2>what I meant by that. Let just say it again.

1:15:11.120 --> 1:15:13.240
<v Speaker 1>So I think it was in the context of little

1:15:13.240 --> 1:15:15.680
<v Speaker 1>girls coming up to you or other women coming up

1:15:15.720 --> 1:15:17.920
<v Speaker 1>to you. Oh, I see, And you said, it's not

1:15:18.000 --> 1:15:20.000
<v Speaker 1>important that they know who I am, it's important that

1:15:20.000 --> 1:15:20.840
<v Speaker 1>they know they are.

1:15:20.920 --> 1:15:22.400
<v Speaker 2>Yeah, I see, I see right.

1:15:22.680 --> 1:15:26.160
<v Speaker 1>You know, in a world where we're constantly being sold

1:15:26.880 --> 1:15:31.200
<v Speaker 1>our own identity back to us through algorithms and aesthetics,

1:15:31.680 --> 1:15:34.320
<v Speaker 1>what do you think is the biggest obstacle to a

1:15:34.360 --> 1:15:36.599
<v Speaker 1>woman truly knowing who she is today?

1:15:37.200 --> 1:15:42.000
<v Speaker 2>Well, it's probably the tyranny of expectations of the people

1:15:42.120 --> 1:15:46.960
<v Speaker 2>around her. If they're expecting her to be someone different

1:15:47.280 --> 1:15:48.880
<v Speaker 2>from who she really is.

1:15:49.439 --> 1:15:51.559
<v Speaker 1>It's very hard as a woman to not live into

1:15:51.560 --> 1:15:52.640
<v Speaker 1>those expectations.

1:15:52.720 --> 1:15:56.040
<v Speaker 2>Yeah, I think we're trying to live authentically and trying

1:15:56.040 --> 1:15:56.960
<v Speaker 2>to get beyond that.

1:15:57.560 --> 1:16:00.720
<v Speaker 1>Do you remember having inner turmoil about that, Like you

1:16:00.840 --> 1:16:04.320
<v Speaker 1>so vehemently did not want to be married with children,

1:16:04.439 --> 1:16:06.080
<v Speaker 1>and yet the world was telling you.

1:16:06.040 --> 1:16:08.360
<v Speaker 2>Well no, I mean I kept assuming I had to,

1:16:08.439 --> 1:16:09.920
<v Speaker 2>and I just kept putting it off.

1:16:10.439 --> 1:16:13.080
<v Speaker 1>Okay, so it was more avoidance. Yeah, you said, I

1:16:13.120 --> 1:16:16.599
<v Speaker 1>hope to live to one hundred. I've so loved being here.

1:16:16.880 --> 1:16:18.960
<v Speaker 1>I never wanted to end. What is it that you

1:16:19.000 --> 1:16:20.879
<v Speaker 1>would be most sad to leave Gloria?

1:16:21.360 --> 1:16:24.360
<v Speaker 2>Waking up in the morning and contemplating a day and

1:16:24.920 --> 1:16:28.360
<v Speaker 2>seeing you, seeing friends walking out in the street, just

1:16:29.280 --> 1:16:33.400
<v Speaker 2>the daily things of life. Nothing big. I don't think.

1:16:33.560 --> 1:16:36.160
<v Speaker 1>That's interesting because I know you love to travel so much,

1:16:36.160 --> 1:16:37.599
<v Speaker 1>so it's the minutia of life.

1:16:37.640 --> 1:16:41.200
<v Speaker 2>There's a time when I did travel and live in

1:16:41.200 --> 1:16:43.800
<v Speaker 2>India and live in Europe and all of that. But

1:16:43.920 --> 1:16:46.240
<v Speaker 2>I think that's more of time of exploring.

1:16:46.800 --> 1:16:50.320
<v Speaker 1>That Thursday I have for exploration will be quenched one day.

1:16:50.520 --> 1:16:51.439
<v Speaker 1>I'll want to be at home.

1:16:51.720 --> 1:16:54.760
<v Speaker 2>Yeah. Now I'm at home. I'm not traveling. I don't

1:16:54.760 --> 1:16:58.360
<v Speaker 2>think I'm motivated to get on a plane. Yeah, at

1:16:58.360 --> 1:16:58.799
<v Speaker 2>the moment.

1:16:59.439 --> 1:17:02.599
<v Speaker 1>Is there any thing that you recognize in yourself today

1:17:03.080 --> 1:17:04.400
<v Speaker 1>that you didn't when you were younger?

1:17:05.120 --> 1:17:07.639
<v Speaker 2>Yeah, I'm sure there is. I'm sure when I was younger,

1:17:08.320 --> 1:17:11.680
<v Speaker 2>I thought that I would get married or have to

1:17:11.680 --> 1:17:14.160
<v Speaker 2>get married and have children because everybody else did. I

1:17:14.240 --> 1:17:16.760
<v Speaker 2>mean I was just looking around me. Yeah, and it

1:17:16.800 --> 1:17:19.320
<v Speaker 2>took me a while to understand. You know, people can

1:17:19.360 --> 1:17:20.680
<v Speaker 2>live in different ways.

1:17:20.960 --> 1:17:23.320
<v Speaker 1>Do you feel when you wake up at ninety two

1:17:23.800 --> 1:17:26.320
<v Speaker 1>like the same girl that you were at twenty two?

1:17:26.920 --> 1:17:29.880
<v Speaker 2>I don't think about it that way, but probably basically

1:17:29.920 --> 1:17:31.240
<v Speaker 2>I am Okay.

1:17:31.320 --> 1:17:33.799
<v Speaker 1>You said you want your funeral to be a feminist benefit.

1:17:33.880 --> 1:17:34.880
<v Speaker 1>I didn't know that about you.

1:17:34.920 --> 1:17:38.640
<v Speaker 2>Gloria. Well, we need benefits, you know, so why not?

1:17:40.000 --> 1:17:41.320
<v Speaker 1>When did you come up with that?

1:17:41.800 --> 1:17:45.760
<v Speaker 2>I think when Bella have sick died, what do you envision? Well,

1:17:45.800 --> 1:17:48.080
<v Speaker 2>I'm not sure, and that should be up to whoever

1:17:48.200 --> 1:17:49.200
<v Speaker 2>is here or not to me.

1:17:49.760 --> 1:17:50.799
<v Speaker 1>So it'll be up to Amy.

1:17:51.680 --> 1:17:57.920
<v Speaker 2>Right. But a meeting that is unconfined by religion, that

1:17:58.040 --> 1:18:03.280
<v Speaker 2>everybody is welcome at and anybody who wants to speak

1:18:03.360 --> 1:18:06.280
<v Speaker 2>or not speak is able to do that, and that

1:18:06.439 --> 1:18:07.479
<v Speaker 2>people meet each other.

1:18:08.080 --> 1:18:10.920
<v Speaker 1>I love hearing that because your friend Jill told me

1:18:10.960 --> 1:18:15.599
<v Speaker 1>one time that experiencing a Gloria Steinham birthday party is

1:18:16.080 --> 1:18:18.240
<v Speaker 1>one of the best things in the world because you

1:18:18.320 --> 1:18:21.960
<v Speaker 1>have friends who are heads of state and famous actors

1:18:22.520 --> 1:18:26.800
<v Speaker 1>and your favorite barista from down the street, and everybody

1:18:27.080 --> 1:18:30.160
<v Speaker 1>is in one room. I imagine it being exactly like that.

1:18:31.040 --> 1:18:33.599
<v Speaker 1>So your home is as much a part of your

1:18:33.640 --> 1:18:37.639
<v Speaker 1>legacy as you are. In what way do you think

1:18:37.760 --> 1:18:40.919
<v Speaker 1>you will have an open door policy even after you're gone.

1:18:41.200 --> 1:18:46.000
<v Speaker 2>I own three floors, but there are two floors I

1:18:46.040 --> 1:18:50.320
<v Speaker 2>don't own four or five that are independent individual women

1:18:50.400 --> 1:18:54.519
<v Speaker 2>on them. If I can afford it somehow, I would

1:18:54.640 --> 1:18:58.760
<v Speaker 2>like to own the whole house so I can leave

1:18:58.800 --> 1:19:02.720
<v Speaker 2>it as a meeting place for women to have a

1:19:02.760 --> 1:19:05.879
<v Speaker 2>place to stay, to have meetings, to you know, whatever

1:19:05.920 --> 1:19:09.240
<v Speaker 2>it is. I saw in London a house like this,

1:19:09.400 --> 1:19:13.519
<v Speaker 2>a brownstone that had a plaque on the outside left

1:19:13.560 --> 1:19:16.839
<v Speaker 2>over from the suffrage era that I think was serving

1:19:16.880 --> 1:19:20.320
<v Speaker 2>in that way. So I would still like to do that,

1:19:20.479 --> 1:19:24.639
<v Speaker 2>and that would require that I am able to buy

1:19:24.760 --> 1:19:26.719
<v Speaker 2>the top two floors.

1:19:27.200 --> 1:19:30.559
<v Speaker 1>Absolutely, I know that's the goal. You're so okay with

1:19:30.600 --> 1:19:34.880
<v Speaker 1>me asking about your funeral and death and when I'm

1:19:34.880 --> 1:19:39.160
<v Speaker 1>downstairs with you, I ask you about affairs and dating

1:19:39.400 --> 1:19:42.280
<v Speaker 1>and taboo topics that people don't ever want approach.

1:19:42.920 --> 1:19:45.040
<v Speaker 2>Well, I don't know, is that true? I don't know.

1:19:45.360 --> 1:19:47.000
<v Speaker 1>Well, I can tell you when I interview people, they

1:19:47.040 --> 1:19:48.320
<v Speaker 1>really don't want to talk about death.

1:19:48.600 --> 1:19:51.320
<v Speaker 2>Well, I mean we're all talking about it in a

1:19:51.479 --> 1:19:53.200
<v Speaker 2>kind of generalized way.

1:19:53.360 --> 1:19:56.519
<v Speaker 1>Obviously, Why do you think you're okay talking about everything?

1:19:56.560 --> 1:19:57.800
<v Speaker 1>There's nothing that scares you.

1:19:58.120 --> 1:20:00.320
<v Speaker 2>I mean, there are things that scare me, but we're

1:20:00.320 --> 1:20:03.240
<v Speaker 2>sitting here safely in a living room talking about you know,

1:20:03.360 --> 1:20:04.160
<v Speaker 2>so why not?

1:20:05.040 --> 1:20:11.519
<v Speaker 1>Besides Donald Trump? Nothing scares you? Right? So I am

1:20:11.600 --> 1:20:14.160
<v Speaker 1>thirty five years old. If you could give me one

1:20:14.240 --> 1:20:16.559
<v Speaker 1>piece of advice, what would it be.

1:20:17.080 --> 1:20:21.320
<v Speaker 2>Well, I guess do what you love to do, at

1:20:21.400 --> 1:20:24.040
<v Speaker 2>least as much and hopefully more than what you have

1:20:24.120 --> 1:20:24.439
<v Speaker 2>to do.

1:20:24.800 --> 1:20:27.960
<v Speaker 1>That's really beautiful. And what is your hope for little

1:20:28.000 --> 1:20:31.000
<v Speaker 1>girls who are born in twenty twenty six.

1:20:31.439 --> 1:20:36.400
<v Speaker 2>That they can live in a world where it's safe

1:20:36.479 --> 1:20:39.720
<v Speaker 2>to be a female human being of whatever color we are,

1:20:40.520 --> 1:20:47.439
<v Speaker 2>and where it's possible and practical to imagine being whatever

1:20:47.479 --> 1:20:50.720
<v Speaker 2>you want to be, A president, a dancer, you know,

1:20:50.840 --> 1:20:54.160
<v Speaker 2>whatever it is that you feel you want.

1:20:54.640 --> 1:20:57.120
<v Speaker 1>Did you ever feel like you had limitations set or

1:20:57.240 --> 1:20:59.840
<v Speaker 1>have you lived into all of the dreams that you had?

1:21:00.280 --> 1:21:02.800
<v Speaker 2>No, I mean I had limitations, but they kept sort

1:21:02.840 --> 1:21:05.360
<v Speaker 2>of moving off into the middle distance. You know, I

1:21:05.439 --> 1:21:09.000
<v Speaker 2>didn't actually have to get married and have children. I

1:21:09.040 --> 1:21:13.040
<v Speaker 2>didn't have to stay at home instead of living in

1:21:13.040 --> 1:21:15.880
<v Speaker 2>India or you know, I mean, they just kept moving off.

1:21:16.320 --> 1:21:18.880
<v Speaker 1>Gloria, this has been my favorite interview of all time.

1:21:19.120 --> 1:21:21.360
<v Speaker 2>Thank you for this, No, thank you, thank you.

1:21:26.520 --> 1:21:29.679
<v Speaker 1>Okay, you know what time it is. Today's a good day.

1:21:29.880 --> 1:21:40.520
<v Speaker 1>To have a good day. I'll see you next week.