1 00:00:01,360 --> 00:00:04,160 Speaker 1: Matt Let's Chicken on Project Chart Operation. What are some 2 00:00:04,200 --> 00:00:06,400 Speaker 1: new reviews that we've gotten on Apple Podcasts. We got 3 00:00:06,480 --> 00:00:09,680 Speaker 1: a new one from Chris Seattle who says you had 4 00:00:09,720 --> 00:00:12,879 Speaker 1: me at Tanya Harding and five star review. I can't 5 00:00:12,920 --> 00:00:15,159 Speaker 1: remember how I discovered this podcast, but the first one 6 00:00:15,160 --> 00:00:17,840 Speaker 1: I heard included a lengthy discussion about Janya Harding. I 7 00:00:17,880 --> 00:00:20,200 Speaker 1: was immediately hooked. I'm a middle aged mother of two 8 00:00:20,239 --> 00:00:23,279 Speaker 1: teenagers in Seattle and probably not their target demographic, but 9 00:00:23,400 --> 00:00:26,800 Speaker 1: that factor speaks to their universal appear subscribe now, thank 10 00:00:26,920 --> 00:00:29,960 Speaker 1: me later. Actually, that is exactly my target. I was 11 00:00:29,960 --> 00:00:33,120 Speaker 1: gonna say, a mother of two in Seattle is our target? 12 00:00:33,800 --> 00:00:38,040 Speaker 1: Is our target? Time that an older sisters of my friends? Exactly? Well, 13 00:00:38,040 --> 00:00:40,840 Speaker 1: thank you so much, Chris. That's a lovely review. Please 14 00:00:40,920 --> 00:00:43,120 Speaker 1: leave us a review on Apple Podcasts as well. For 15 00:00:43,240 --> 00:00:46,519 Speaker 1: Project Chart Operation Law Cultures. This has brought to you 16 00:00:46,560 --> 00:00:49,360 Speaker 1: by the Forever Dog podcast Network. Follow us on Facebook 17 00:00:49,440 --> 00:00:53,880 Speaker 1: and Twitter. Now enjoy the show. Look man, oh, I 18 00:00:54,000 --> 00:00:56,920 Speaker 1: see you? Why? Why? And look over there? How is 19 00:00:56,960 --> 00:01:05,479 Speaker 1: that larger? Yes? Goodness? Well, let's called you gotta change 20 00:01:05,480 --> 00:01:08,000 Speaker 1: it up a little bit. Sometimes I like the little spice. 21 00:01:08,200 --> 00:01:11,440 Speaker 1: Can I tell you something. Yeah, um, I've been thinking 22 00:01:11,440 --> 00:01:14,960 Speaker 1: about it more. Yes, what we just discussed prior to 23 00:01:15,000 --> 00:01:17,600 Speaker 1: going on air bowing throughout that maybe we should go 24 00:01:17,600 --> 00:01:20,200 Speaker 1: see the Shape of Water tonight. I would love to 25 00:01:20,200 --> 00:01:23,200 Speaker 1: go see it with you. Because number fourteen of culture, 26 00:01:23,400 --> 00:01:27,319 Speaker 1: Octavia has the ravatas. I'm sorry I wasn't ready for that, 27 00:01:27,319 --> 00:01:29,160 Speaker 1: but yet we discussed this. We didn't discuss this anytime 28 00:01:29,160 --> 00:01:32,480 Speaker 1: Octavia's on screen, even if it's a bullshit like Hollywood 29 00:01:32,520 --> 00:01:34,760 Speaker 1: Reporter video. I mean, they're not bullshit, They're wonderful. I 30 00:01:34,760 --> 00:01:39,560 Speaker 1: think that they are often almost entirely bullshit. But sometimes 31 00:01:39,560 --> 00:01:41,680 Speaker 1: when Octavia's on them, well, can I tell you who 32 00:01:41,720 --> 00:01:43,840 Speaker 1: they always have on those Hollywood round table round table 33 00:01:44,160 --> 00:01:47,520 Speaker 1: and never has anything to say? Is Amy Adams. Amy's great, 34 00:01:47,600 --> 00:01:52,240 Speaker 1: she's great, but she's always on them and she's always like, um, yeah, 35 00:01:52,320 --> 00:01:55,080 Speaker 1: it's definitely being a woman is harder. You know who's 36 00:01:56,800 --> 00:02:00,400 Speaker 1: who's always on the fucking Gina Rodriguez is on what 37 00:02:00,840 --> 00:02:03,720 Speaker 1: she's been on two and then every time you know what, 38 00:02:03,920 --> 00:02:07,480 Speaker 1: she's great, well, let me she she cuts she interrupts 39 00:02:07,480 --> 00:02:13,480 Speaker 1: people and stop it. She interrupts people, she cuts them off. Yes, well, 40 00:02:13,560 --> 00:02:16,760 Speaker 1: and it's a little like Gina give people space. Well, 41 00:02:16,760 --> 00:02:19,359 Speaker 1: she's excited because she's new to the end. She's very excited. Um, 42 00:02:19,360 --> 00:02:22,320 Speaker 1: that's actually number twelve of culture. When you're new to 43 00:02:22,480 --> 00:02:26,160 Speaker 1: the end, it's exciting. Okay. So I will say this, 44 00:02:26,280 --> 00:02:28,079 Speaker 1: I've been thinking about it more and I still don't 45 00:02:28,120 --> 00:02:30,880 Speaker 1: want to go see it, but I do think that 46 00:02:30,919 --> 00:02:33,840 Speaker 1: it's fascinating that there is allegedly a scene where Sally 47 00:02:33,840 --> 00:02:36,080 Speaker 1: Hopkins sucks a fish. I hear that she does not 48 00:02:36,440 --> 00:02:39,200 Speaker 1: the fist. I have actually it almost nearly confirmed. And 49 00:02:39,200 --> 00:02:41,280 Speaker 1: by confirmed, I mean I have read reviews that say 50 00:02:41,400 --> 00:02:45,040 Speaker 1: there is a sex scene, there are shots of the 51 00:02:45,080 --> 00:02:48,840 Speaker 1: fish dick that's insane, but not of her fucking the fist. Well, 52 00:02:48,840 --> 00:02:50,680 Speaker 1: if there's going to be fish dick in the movie 53 00:02:50,840 --> 00:02:53,440 Speaker 1: and and someone's not sucking it, then it's a waste. 54 00:02:53,800 --> 00:02:56,240 Speaker 1: And that to me is a very low review from 55 00:02:56,240 --> 00:03:00,800 Speaker 1: this reviewer. And I will say, look look out for 56 00:03:00,840 --> 00:03:02,919 Speaker 1: this in the future. Soon Bowen and I are going 57 00:03:02,960 --> 00:03:05,120 Speaker 1: to start doing movie reviews and and the show was 58 00:03:05,120 --> 00:03:07,800 Speaker 1: going to be called Matt and bow and our Cisco 59 00:03:07,880 --> 00:03:11,799 Speaker 1: and Ebert bitch who knows for that? And look out 60 00:03:11,840 --> 00:03:13,240 Speaker 1: for it? And you know who I give a five 61 00:03:13,240 --> 00:03:18,320 Speaker 1: star review our guest. Yes, I was gonna say our guests. 62 00:03:18,360 --> 00:03:19,920 Speaker 1: I was gonna say our guests, and I said it 63 00:03:19,919 --> 00:03:23,840 Speaker 1: in yes, let we agree. We agree wholeheartedly, wholeheartedly. That's 64 00:03:23,840 --> 00:03:26,120 Speaker 1: good to the credits. You do it, honey. Our guest 65 00:03:26,440 --> 00:03:32,160 Speaker 1: is a true culturally culture. She's been behind the camera, 66 00:03:32,240 --> 00:03:35,360 Speaker 1: in front of the camera, on the side of the camera, 67 00:03:35,640 --> 00:03:37,960 Speaker 1: sort of being like, hey what about here's an ault. 68 00:03:38,240 --> 00:03:41,480 Speaker 1: I'm going to pitch anault literally all angles of the cameras. 69 00:03:42,120 --> 00:03:45,520 Speaker 1: She is writing for the upcoming show on TBS, Miracle Workers, 70 00:03:45,920 --> 00:03:49,480 Speaker 1: starring Daniel Radcliffe. I can't believe that's Daniel Radcliffe. You know, 71 00:03:49,560 --> 00:03:51,240 Speaker 1: he was Harry Potter. He was Harry Potter and he 72 00:03:51,280 --> 00:03:53,680 Speaker 1: wasn't hav seed in business without really trying. You know what, 73 00:03:53,800 --> 00:03:55,520 Speaker 1: that's a lot of talent. That's a lot of talent 74 00:03:55,680 --> 00:03:58,640 Speaker 1: as much a small frame as much talent. But I 75 00:03:58,640 --> 00:04:00,960 Speaker 1: would say less talent than our guests. But she, I 76 00:04:00,960 --> 00:04:03,040 Speaker 1: would agree with what you saw her on film. I 77 00:04:03,080 --> 00:04:05,160 Speaker 1: saw her. I saw The Big Sick with my dad 78 00:04:05,640 --> 00:04:08,360 Speaker 1: and when was was on screen, I go, that's my friend. 79 00:04:08,680 --> 00:04:11,240 Speaker 1: And she was so funny. My dad was like, she's 80 00:04:11,520 --> 00:04:14,160 Speaker 1: very good. That's good. And she loved, she loved, he 81 00:04:14,200 --> 00:04:17,040 Speaker 1: loved that movie. He said it was very very relatable 82 00:04:17,080 --> 00:04:18,919 Speaker 1: to Asian culture, and I said, of course it is, 83 00:04:19,600 --> 00:04:22,280 Speaker 1: um And you know what, we'll talk about this later. Um. 84 00:04:22,360 --> 00:04:25,200 Speaker 1: And she's currently writing for No, No, No. She she 85 00:04:25,320 --> 00:04:28,000 Speaker 1: was writing for The President Show, Fantastic Show, and Comedy 86 00:04:28,000 --> 00:04:31,960 Speaker 1: Central Trump And you know her from her amazing, amazing 87 00:04:31,960 --> 00:04:34,599 Speaker 1: live shows with three busy pretty busy DeBras. It's a 88 00:04:34,600 --> 00:04:37,880 Speaker 1: guy thing. Uh. And we'll have just done their holiday party, 89 00:04:37,880 --> 00:04:40,799 Speaker 1: which was a block very much a blast, very much blast. 90 00:04:41,360 --> 00:04:43,920 Speaker 1: Are going to be performing as Sluck Yes with a 91 00:04:44,000 --> 00:04:47,359 Speaker 1: Christmas mix by request, by request. It's gonna be very funny. Guys, 92 00:04:47,400 --> 00:04:53,839 Speaker 1: Please welcome our guest Christmas. And I will also say 93 00:04:53,880 --> 00:04:56,680 Speaker 1: recently really took a bite out of culture with your 94 00:04:56,680 --> 00:04:58,920 Speaker 1: I don't think so, honey, at culture which was bad, affleck, 95 00:04:59,160 --> 00:05:02,800 Speaker 1: which was must have. It had to happen. It did 96 00:05:02,800 --> 00:05:05,159 Speaker 1: have to happen. It was much meaner than I thought 97 00:05:05,320 --> 00:05:09,760 Speaker 1: it would be. No, but I thought, no, she's correct, though, 98 00:05:10,360 --> 00:05:13,880 Speaker 1: you were correct. The argo is so insane. Yeah, I've 99 00:05:13,920 --> 00:05:15,960 Speaker 1: been saying it for years. I'll say it till I die. 100 00:05:15,960 --> 00:05:20,559 Speaker 1: I No one cares. It's awful. Yeah. Yeah, in fact, 101 00:05:20,800 --> 00:05:23,160 Speaker 1: she beats the drum still. She wrote it, remember when 102 00:05:23,200 --> 00:05:25,880 Speaker 1: she wrote that character. She wrote a character's sudi right 103 00:05:25,880 --> 00:05:28,279 Speaker 1: when Argo came out, which was an Iranian film reviewer 104 00:05:28,720 --> 00:05:33,599 Speaker 1: reviewing the movie ben affleck Argo and the one. The 105 00:05:33,640 --> 00:05:36,880 Speaker 1: funniest thing I thought was when she was like, of course, yes, 106 00:05:36,920 --> 00:05:41,680 Speaker 1: it is true. Iranians we are always screaming God. I mean, 107 00:05:41,760 --> 00:05:44,839 Speaker 1: it's just like there's two types of Iranian characters in 108 00:05:44,839 --> 00:05:47,279 Speaker 1: that show, which three three. There's terrorists with the gun 109 00:05:47,960 --> 00:05:50,839 Speaker 1: who yells all these lines. There's the one nice one 110 00:05:50,880 --> 00:05:55,479 Speaker 1: who is like a maid, and then the hordes of 111 00:05:55,560 --> 00:05:58,400 Speaker 1: people swarming the embassy like who you liken to zombies, 112 00:05:58,400 --> 00:06:00,400 Speaker 1: which was like, oh my god, of course, like that's 113 00:06:00,400 --> 00:06:03,320 Speaker 1: what they were portrayed as and that's disgusting yea. And 114 00:06:03,360 --> 00:06:07,279 Speaker 1: at the end, but I saw myself in that, remember 115 00:06:08,520 --> 00:06:10,400 Speaker 1: he goes like she te the movie. She came back 116 00:06:10,440 --> 00:06:11,440 Speaker 1: and I was like, what do you think? She was 117 00:06:11,440 --> 00:06:13,960 Speaker 1: like fucking terrible. She was like at the end, like 118 00:06:14,000 --> 00:06:19,440 Speaker 1: the one nice Iranian girl escapes to Iraq, things would 119 00:06:19,440 --> 00:06:24,160 Speaker 1: be great, she has a happy ending. I don't know, 120 00:06:24,320 --> 00:06:27,159 Speaker 1: I don't know if she does. That's a whole another movie, 121 00:06:27,320 --> 00:06:29,640 Speaker 1: and that movie also like it doesn't get the ship 122 00:06:29,720 --> 00:06:34,040 Speaker 1: it deserves for the like self. So like all this 123 00:06:34,120 --> 00:06:37,680 Speaker 1: Hollywood humor which so much hate that sort of inside 124 00:06:37,720 --> 00:06:40,800 Speaker 1: baseball humor, Oh my god, and all going over and 125 00:06:40,839 --> 00:06:44,760 Speaker 1: over again, or go funk yourself with the most exhausting, 126 00:06:44,880 --> 00:06:47,520 Speaker 1: like masturbatory thing. It was like, you know something that 127 00:06:47,600 --> 00:06:51,360 Speaker 1: like all the old dudes on set were like, it 128 00:06:51,400 --> 00:06:56,680 Speaker 1: doesn't doesn't heighten, it's not fun. It's really not funny. 129 00:06:56,760 --> 00:06:59,520 Speaker 1: It really very clearly doesn't make sense at all. And 130 00:06:59,560 --> 00:07:01,719 Speaker 1: then they buckled down and really do it over and 131 00:07:01,760 --> 00:07:04,080 Speaker 1: over and over again. I don't ever want to see 132 00:07:04,080 --> 00:07:06,279 Speaker 1: ellen Alda again. I'm sorry, it's a movie that has 133 00:07:06,560 --> 00:07:12,200 Speaker 1: not ellen Alda. Alan Alda, he's good by alan Alda. 134 00:07:12,280 --> 00:07:14,600 Speaker 1: We love Alan Arkin. Get out of here, Get out 135 00:07:14,600 --> 00:07:17,880 Speaker 1: of here, he out to see. The movie is built 136 00:07:17,880 --> 00:07:21,640 Speaker 1: around a fucking pun, a bad pun, and it's repeated 137 00:07:21,680 --> 00:07:26,680 Speaker 1: twenty fucking thousand times. And also Ben Affleck plays I 138 00:07:27,120 --> 00:07:31,679 Speaker 1: don't remember, like yes, mendes so you know, that's cool, 139 00:07:31,760 --> 00:07:34,080 Speaker 1: that's really cool. It's really cool of him. What a 140 00:07:34,080 --> 00:07:37,120 Speaker 1: good actor. A stretch. Also, he literally grew a beard, 141 00:07:37,200 --> 00:07:43,120 Speaker 1: so totally totally think about the ben Affleck never ever 142 00:07:43,320 --> 00:07:46,400 Speaker 1: ever changes in any of his movies. Talk about no versatility. 143 00:07:46,400 --> 00:07:50,240 Speaker 1: Oh my god, you're right, like really has no business 144 00:07:51,080 --> 00:07:55,320 Speaker 1: when then, well, this was controversial because you also made 145 00:07:55,360 --> 00:07:57,720 Speaker 1: some comments about the physical appearance, which I totally agree. 146 00:07:58,120 --> 00:08:01,240 Speaker 1: I don't think he's attractive. Do not think he's attractive. 147 00:08:01,680 --> 00:08:03,840 Speaker 1: It's okay if you think he's attractive. I cannot think 148 00:08:03,880 --> 00:08:06,720 Speaker 1: he's attractive. Well, no, I mean Metra's comments about Metrick 149 00:08:06,760 --> 00:08:09,280 Speaker 1: kept repeating fat motherfucker, but then at the end said 150 00:08:09,520 --> 00:08:11,600 Speaker 1: I should feel bad about weight shaving. No, I shouldn't. 151 00:08:11,640 --> 00:08:16,200 Speaker 1: He's a fucking asshole. He's racist, he's he's misogynist. Blah 152 00:08:16,240 --> 00:08:20,360 Speaker 1: blah blah, bah blah. I will say this. They're literally 153 00:08:20,440 --> 00:08:22,240 Speaker 1: so with all the ship coming out about like everyone, 154 00:08:22,240 --> 00:08:27,200 Speaker 1: it feels like you literally opened up the newspaper every 155 00:08:27,240 --> 00:08:29,640 Speaker 1: morning I wake up, I fucking opened my front door, 156 00:08:29,680 --> 00:08:31,440 Speaker 1: and I've been my ass over to pick up my 157 00:08:31,520 --> 00:08:34,280 Speaker 1: newspaper and I wipe it off, the jew on my 158 00:08:34,120 --> 00:08:37,120 Speaker 1: on my pants, and I crisp slack my crisp, and 159 00:08:37,160 --> 00:08:46,200 Speaker 1: I say, honey downstair. And her name is carol Um 160 00:08:46,240 --> 00:08:49,000 Speaker 1: short for Carol amb Um. No, but anyway, So it 161 00:08:49,040 --> 00:08:52,160 Speaker 1: feels like Laura coming out. So of course we've just 162 00:08:52,160 --> 00:08:55,160 Speaker 1: got Matt Lauer, who, of course I've not liked for 163 00:08:55,280 --> 00:08:59,480 Speaker 1: many years because Ann Curry is my girl. But I 164 00:08:59,520 --> 00:09:04,000 Speaker 1: actually literally no, like not literally, I don't know this person, 165 00:09:04,040 --> 00:09:07,840 Speaker 1: but there are there's like one particular agent who like 166 00:09:07,920 --> 00:09:10,040 Speaker 1: did something to a friend of ours, and that person 167 00:09:10,080 --> 00:09:12,319 Speaker 1: hasn't even been talked about yet. So it's just crazy everyone. 168 00:09:12,480 --> 00:09:17,160 Speaker 1: There's like everyone that like you know, you think is 169 00:09:17,200 --> 00:09:19,560 Speaker 1: gonna get named, gets named, Like Brian Singer, I guess 170 00:09:19,600 --> 00:09:21,880 Speaker 1: that's like pretty imminent. Like he didn't show up to 171 00:09:21,880 --> 00:09:26,920 Speaker 1: the set of Freddy Mercury BATTLEPI with um, what's his name, 172 00:09:27,000 --> 00:09:31,200 Speaker 1: Rommy Malick. He just didn't show up to set recently. Um, 173 00:09:31,200 --> 00:09:36,280 Speaker 1: and it's because of a health issue. But like, um, 174 00:09:36,320 --> 00:09:39,240 Speaker 1: but like Brian Sayinger, like everyone's been waiting for that 175 00:09:39,240 --> 00:09:41,839 Speaker 1: that once to get said. But there's like literally people 176 00:09:41,840 --> 00:09:43,720 Speaker 1: out there I think that we're not even talking about. 177 00:09:43,760 --> 00:09:45,680 Speaker 1: Like I guess no one would think that would happen 178 00:09:45,679 --> 00:09:47,680 Speaker 1: with Matt Lauer because if you're not thinking about it 179 00:09:47,720 --> 00:09:49,840 Speaker 1: a lot, I guess, is it is it a thing 180 00:09:49,880 --> 00:09:54,720 Speaker 1: where it's like the only reportable not whatever the only 181 00:09:54,760 --> 00:10:00,080 Speaker 1: report worthy accusations are like scale up to like the 182 00:10:00,160 --> 00:10:04,720 Speaker 1: level of fame of the perpetrator, like for these really 183 00:10:04,840 --> 00:10:07,320 Speaker 1: famous people names. I'm saying, like what about Like it 184 00:10:07,400 --> 00:10:10,400 Speaker 1: sucks that like the smaller potatoes people are like might 185 00:10:10,559 --> 00:10:12,360 Speaker 1: not get a free pass, but like might fly under 186 00:10:12,360 --> 00:10:14,000 Speaker 1: the radar a little bit, you know what I'm saying. 187 00:10:14,600 --> 00:10:16,800 Speaker 1: I mean, it's funny that, like it's funny that like 188 00:10:16,920 --> 00:10:19,679 Speaker 1: Russell Simmons, that news just like came and went, I know, 189 00:10:19,760 --> 00:10:23,600 Speaker 1: that's what just sucking huge. Oh my god, I mean 190 00:10:23,640 --> 00:10:27,320 Speaker 1: it's sucking Russell Simmons. And people blinked and then it 191 00:10:27,440 --> 00:10:30,520 Speaker 1: was gone, Yeah, there's just too much. But but it 192 00:10:30,600 --> 00:10:34,040 Speaker 1: is bringing me a lot of joy and comfort to 193 00:10:34,080 --> 00:10:36,040 Speaker 1: think of all the men that live in fear. It's 194 00:10:36,120 --> 00:10:40,000 Speaker 1: really awesome because it's like truly I feel the same way. 195 00:10:40,120 --> 00:10:42,560 Speaker 1: I had tweeted the other day because I saw that 196 00:10:42,640 --> 00:10:45,840 Speaker 1: someone who had like assaulted me in college followed me 197 00:10:45,880 --> 00:10:48,680 Speaker 1: on Twitter, um, and I tweeted that I was going 198 00:10:48,720 --> 00:10:57,400 Speaker 1: to kill him his name. I just said, I referenced 199 00:10:57,440 --> 00:10:59,400 Speaker 1: something that he did online and then I said I'll 200 00:10:59,760 --> 00:11:02,360 Speaker 1: kill you. I think I think I can quote the 201 00:11:02,360 --> 00:11:06,360 Speaker 1: tweet verbado this tweeted, I just saw that a guy 202 00:11:06,400 --> 00:11:10,000 Speaker 1: who sexually assaulted me in college post a tweet about 203 00:11:10,000 --> 00:11:15,400 Speaker 1: empathy and the Trump era. Yes, pig go off, I 204 00:11:15,440 --> 00:11:19,600 Speaker 1: will kill you one day. And I was like I 205 00:11:19,640 --> 00:11:22,000 Speaker 1: was just sitting there like fuming for like thirty minutes 206 00:11:22,040 --> 00:11:23,440 Speaker 1: because I saw that he had done it, and I 207 00:11:23,480 --> 00:11:26,640 Speaker 1: was like, oh my god, the nerve and then um 208 00:11:26,760 --> 00:11:28,360 Speaker 1: and then I was like, oh, I should just threaten 209 00:11:28,400 --> 00:11:31,520 Speaker 1: to kill him. Like nothing I can do, Like you 210 00:11:31,600 --> 00:11:34,960 Speaker 1: have to come out and say, like I assaulted you, uh, 211 00:11:35,000 --> 00:11:38,240 Speaker 1: and she's talking about me, and so it gets to 212 00:11:38,280 --> 00:11:39,640 Speaker 1: just live in fear and like I'm not actually going 213 00:11:39,679 --> 00:11:44,280 Speaker 1: to kill him, but like, but we're gonna put it 214 00:11:44,280 --> 00:11:45,679 Speaker 1: out there to see how we reacts. But then the 215 00:11:45,720 --> 00:11:50,559 Speaker 1: world with no laws, I would and world scenario. But 216 00:11:50,720 --> 00:11:51,920 Speaker 1: I love my life and I don't want to go 217 00:11:51,960 --> 00:11:53,240 Speaker 1: to jail, So I'm not going to kill him. But 218 00:11:53,280 --> 00:11:55,320 Speaker 1: I love that he read it. And then I was like, 219 00:11:55,400 --> 00:11:57,679 Speaker 1: oh my god, well he's really lucky that you love 220 00:11:57,720 --> 00:11:59,679 Speaker 1: your life. Did he unfollow you after that or did 221 00:11:59,679 --> 00:12:02,480 Speaker 1: he like? Did you have you checked? I haven't checked 222 00:12:02,520 --> 00:12:04,280 Speaker 1: because I was like, I'm just going to see something 223 00:12:04,280 --> 00:12:05,880 Speaker 1: else that pisces me off and I've done what I 224 00:12:05,920 --> 00:12:09,960 Speaker 1: needed to do to You're good. I'm good. Yeah, yeah, 225 00:12:10,040 --> 00:12:11,880 Speaker 1: it felt great. But it's like, but it is. It's 226 00:12:11,920 --> 00:12:14,880 Speaker 1: like all these dudes who they're like, you know, you 227 00:12:14,960 --> 00:12:16,920 Speaker 1: can't do anything, and it's like, well, then clearly you 228 00:12:17,000 --> 00:12:20,920 Speaker 1: did something, because any guy who hasn't messed up like 229 00:12:20,960 --> 00:12:26,480 Speaker 1: sun It isn't worried. Yeah, like yeah, it's like, you know, 230 00:12:26,640 --> 00:12:29,040 Speaker 1: the you're living with like a percentage of the fear 231 00:12:29,160 --> 00:12:33,400 Speaker 1: and rage and sadness and powerlessness that we have felt forever. 232 00:12:33,679 --> 00:12:39,280 Speaker 1: So ha ha ha out to Sudi and Anna. Sudie 233 00:12:39,280 --> 00:12:42,320 Speaker 1: Green and Andresen wrote an incredible sketch on SNL last 234 00:12:42,400 --> 00:12:44,560 Speaker 1: night called Welcome to Hell and you guys should check 235 00:12:44,600 --> 00:12:46,080 Speaker 1: it out and it has all the girls and searsha 236 00:12:46,920 --> 00:12:50,200 Speaker 1: um with pigtail. Okay, sear show was good. I haven't 237 00:12:50,240 --> 00:12:52,600 Speaker 1: seen yet. I only watched a couple of clips watch 238 00:12:52,679 --> 00:12:56,720 Speaker 1: it because was and I had a feeling she would 239 00:12:56,720 --> 00:13:00,720 Speaker 1: be because that's she's legit talented, but she's little, yeah, 240 00:13:00,840 --> 00:13:06,199 Speaker 1: very super versatile. I'm saying she's the opposite, certainly more talent, 241 00:13:06,440 --> 00:13:09,920 Speaker 1: especially rule number four of culture. Sha Ronan is more 242 00:13:09,960 --> 00:13:16,719 Speaker 1: talented than Ben Affleck. There are number four. Um, but 243 00:13:17,440 --> 00:13:21,319 Speaker 1: I have to attract a statement that I made on Facebook, 244 00:13:21,320 --> 00:13:23,840 Speaker 1: and of course, as we know, Facebook is you know 245 00:13:23,840 --> 00:13:26,520 Speaker 1: where you say a permanent doctor, it's a permanent document. 246 00:13:26,600 --> 00:13:30,439 Speaker 1: It's a document, matter, it matters. There was a conversation 247 00:13:30,480 --> 00:13:33,079 Speaker 1: about who the next Meryl was and someone said Sarsha 248 00:13:33,200 --> 00:13:36,480 Speaker 1: and I was like, no, there's no way that Sarsha 249 00:13:36,600 --> 00:13:39,120 Speaker 1: is not the next Meryl. She could be, she could be, 250 00:13:39,760 --> 00:13:42,760 Speaker 1: she could be like young Merrill was playing, Um, you 251 00:13:42,760 --> 00:13:47,920 Speaker 1: know those very specific roles that seemed very like ageless, 252 00:13:47,920 --> 00:13:51,200 Speaker 1: like you know, like of course many accents, many accents. 253 00:13:51,240 --> 00:13:54,600 Speaker 1: I actually come up in that conversation, you know what, 254 00:13:54,720 --> 00:14:02,920 Speaker 1: you didn't hard, work hard, white washed, yet work harder. 255 00:14:02,960 --> 00:14:07,880 Speaker 1: I went hold on one one scene scene, one sketch 256 00:14:07,880 --> 00:14:09,640 Speaker 1: in the show last night has stayed with me, which 257 00:14:09,800 --> 00:14:12,160 Speaker 1: was they did like a parody of have you heard 258 00:14:12,160 --> 00:14:15,360 Speaker 1: of Flora Bama Shore like the new Jersey Shore, And 259 00:14:15,480 --> 00:14:17,280 Speaker 1: I'm scared that I'm going to watch it? Yeah, I know, 260 00:14:17,360 --> 00:14:21,240 Speaker 1: I'm absolutely horrified, and we must watch and you know 261 00:14:21,520 --> 00:14:23,480 Speaker 1: it's there's going to be such garbage, because if there's 262 00:14:23,600 --> 00:14:26,520 Speaker 1: one place that's worse than the Jersey Shore, it's got 263 00:14:26,520 --> 00:14:29,600 Speaker 1: to be the Florabama Shore. I mean, I mean, I 264 00:14:29,960 --> 00:14:33,920 Speaker 1: can't afford those words together. But they have, and they have, 265 00:14:34,000 --> 00:14:38,560 Speaker 1: but they have because they hate us. Heidi Gardner was 266 00:14:38,600 --> 00:14:41,760 Speaker 1: in it and she was playing this character named Epcot. 267 00:14:42,280 --> 00:14:44,880 Speaker 1: She was like, my name is Epcot. I was born 268 00:14:44,920 --> 00:14:46,840 Speaker 1: in ep I was born in the Chinda part of 269 00:14:46,920 --> 00:14:54,200 Speaker 1: Epcot Centers, and my favorite food is gum. And then 270 00:14:54,480 --> 00:14:56,000 Speaker 1: study told me there was a line in it that 271 00:14:56,080 --> 00:15:01,760 Speaker 1: was cut, which was I was born in China Bard Center, 272 00:15:01,840 --> 00:15:08,200 Speaker 1: which meantime half Chinese, half Disney. I said, whoever cut 273 00:15:08,280 --> 00:15:14,120 Speaker 1: that is a idiot, half Chinese, half Disney. That's it's 274 00:15:14,200 --> 00:15:18,800 Speaker 1: really good, real good. Wrote that. Apparently, and Andrew Dismukes 275 00:15:19,760 --> 00:15:24,200 Speaker 1: writer on the show You you gotta love a new 276 00:15:24,240 --> 00:15:27,120 Speaker 1: writer writing a genuinely funny st That's a really that's 277 00:15:27,120 --> 00:15:30,560 Speaker 1: a genuinely funny bit. He's a genuinely funny funny bitch too. 278 00:15:30,600 --> 00:15:33,320 Speaker 1: He he just moved from Austin to l a and 279 00:15:33,360 --> 00:15:35,440 Speaker 1: love that, love that move. And then it's as soon 280 00:15:36,040 --> 00:15:37,960 Speaker 1: as soon, bitch as he was hired, he moved to 281 00:15:37,960 --> 00:15:41,000 Speaker 1: New York as you do. You know what, that's rule 282 00:15:41,080 --> 00:15:45,280 Speaker 1: number sixteen of culture. If you get hired Saturday moved 283 00:15:45,320 --> 00:15:49,120 Speaker 1: to New York. Um, don't you agree? I actually do. 284 00:15:50,120 --> 00:15:53,040 Speaker 1: That's very brave. I have no objection on the record. 285 00:15:53,240 --> 00:15:54,720 Speaker 1: You should live here when you work there. What is 286 00:15:54,760 --> 00:15:56,840 Speaker 1: the origin of your location? Where are you from? Where 287 00:15:56,880 --> 00:16:00,520 Speaker 1: were you born? Cincinnatio, Cincinnatio, Hio? And then she was 288 00:16:00,560 --> 00:16:03,440 Speaker 1: an Ohio State girl. And then she dropped out because 289 00:16:03,520 --> 00:16:06,960 Speaker 1: that was actually the best decision that anyone, anyone of use, 290 00:16:07,000 --> 00:16:08,960 Speaker 1: could have made. I wish I kind of wish I dropped. 291 00:16:09,080 --> 00:16:10,920 Speaker 1: You took your you took your youth and brought it 292 00:16:10,960 --> 00:16:14,280 Speaker 1: to Chicago. I know I have visited Chicago a lot, 293 00:16:14,640 --> 00:16:16,320 Speaker 1: like once a month when I was in school. I 294 00:16:16,320 --> 00:16:18,080 Speaker 1: would just do the drive because I wasn't going to 295 00:16:18,120 --> 00:16:20,800 Speaker 1: any of my classes. And uh, that's good. Yeah, But 296 00:16:20,920 --> 00:16:22,800 Speaker 1: so I never did I never actually lived there. I 297 00:16:22,880 --> 00:16:25,960 Speaker 1: just visited a lot um and then moved to New York, 298 00:16:28,360 --> 00:16:31,920 Speaker 1: the Big Apple. They do call it the Big Apple. Um, 299 00:16:31,960 --> 00:16:33,560 Speaker 1: all right, So I think it might be time to 300 00:16:33,600 --> 00:16:37,200 Speaker 1: ask the question, bo, Yes, which is Metro? What is 301 00:16:37,240 --> 00:16:39,760 Speaker 1: the culture that made you say culture is for me? 302 00:16:39,880 --> 00:16:43,720 Speaker 1: It made you say, Okay, there's this thing called culture 303 00:16:43,760 --> 00:16:45,520 Speaker 1: and it might be for me. I'm kind of interested. 304 00:16:45,760 --> 00:16:47,520 Speaker 1: Maybe you take a step in a cultural direction. I 305 00:16:47,560 --> 00:16:49,560 Speaker 1: saw a movie, you read a book, you saw a play, 306 00:16:49,640 --> 00:16:53,680 Speaker 1: a cartoon, or just life or just life or you 307 00:16:53,680 --> 00:16:56,640 Speaker 1: you grew up in Cincinnati and you you said Cincinnati 308 00:16:56,720 --> 00:17:01,480 Speaker 1: culture is for me. Wow. Um, well okay, so like 309 00:17:01,520 --> 00:17:05,240 Speaker 1: the first one I think is really bad. Um, the 310 00:17:05,280 --> 00:17:10,600 Speaker 1: first one I think was like magic culture. Well, it's 311 00:17:10,600 --> 00:17:15,600 Speaker 1: bad because of what I did. So this is like 312 00:17:15,600 --> 00:17:17,880 Speaker 1: elementary school, like the Harry Potter books came I started 313 00:17:17,920 --> 00:17:19,320 Speaker 1: reading when I was in like second grade, So I 314 00:17:19,320 --> 00:17:22,000 Speaker 1: grew up on that. I believed that I was very special. 315 00:17:22,080 --> 00:17:24,600 Speaker 1: I had the confidence of like a you know, a 316 00:17:24,800 --> 00:17:27,119 Speaker 1: loved kid who lived in the Midwest where everybody was 317 00:17:27,160 --> 00:17:30,639 Speaker 1: really nice. So I was like, I'm obviously magic, but 318 00:17:30,720 --> 00:17:32,960 Speaker 1: not even in like a Hogwarts way, like sort of 319 00:17:32,960 --> 00:17:38,560 Speaker 1: more of like a witchy way. Um like Matilda. Yeah, okay, great, 320 00:17:38,680 --> 00:17:43,199 Speaker 1: So I will explain the things that I did. Um. 321 00:17:43,280 --> 00:17:46,400 Speaker 1: So I had this friend Madison, and we were both 322 00:17:46,440 --> 00:17:49,160 Speaker 1: like sort of like weirdies. People were nice to us, 323 00:17:49,240 --> 00:17:51,879 Speaker 1: but like we were definitely the weirdest kids in school. 324 00:17:51,960 --> 00:17:54,960 Speaker 1: So I would um, I had certain we convinced each 325 00:17:54,960 --> 00:17:58,119 Speaker 1: other that we were telepathic. Um, so we would do 326 00:17:58,160 --> 00:18:01,800 Speaker 1: that on the playground. Um, sixth grade, so like too old, 327 00:18:02,000 --> 00:18:05,800 Speaker 1: and and then like you would go over to her 328 00:18:05,800 --> 00:18:07,280 Speaker 1: and be like do you know what I was just thinking? 329 00:18:07,359 --> 00:18:10,080 Speaker 1: We would like go like across the playground from each 330 00:18:10,119 --> 00:18:14,520 Speaker 1: other and be like and then I'd be like did 331 00:18:14,560 --> 00:18:21,320 Speaker 1: you see a waterfall? All she had to say was yes, 332 00:18:22,920 --> 00:18:25,520 Speaker 1: and the whole thing would have been like, well, this 333 00:18:25,600 --> 00:18:29,119 Speaker 1: is the rest of our lives. Yeah yeah, And then um, wow, 334 00:18:29,280 --> 00:18:31,439 Speaker 1: some of this is like pretty psycho. Okay. So there 335 00:18:31,520 --> 00:18:34,119 Speaker 1: was one thing. So I like bruise really easily and 336 00:18:34,200 --> 00:18:39,119 Speaker 1: get sick really easily, Thank you so much. I'm so delicate. Um, 337 00:18:39,200 --> 00:18:41,480 Speaker 1: and my family and like no one else in my 338 00:18:41,520 --> 00:18:44,800 Speaker 1: family is like that. So I, um, I was really 339 00:18:44,840 --> 00:18:47,840 Speaker 1: convinced that I had healing powers and it was bruising easily, 340 00:18:47,880 --> 00:18:50,000 Speaker 1: getting sick easily because I was giving so much of 341 00:18:50,040 --> 00:18:54,439 Speaker 1: myself to others. Wasn't so crazy? That is crazy. So 342 00:18:54,520 --> 00:18:58,359 Speaker 1: my last thing is that I m I thought I 343 00:18:58,359 --> 00:19:01,520 Speaker 1: could bend rocks like I had a little pouch of 344 00:19:01,560 --> 00:19:04,240 Speaker 1: those like fake sort of like gemstony rocks, you get it, 345 00:19:04,320 --> 00:19:08,360 Speaker 1: like a gas station, and I would sit Wow Okay, 346 00:19:08,359 --> 00:19:09,600 Speaker 1: I would sit and I would just be on the 347 00:19:09,600 --> 00:19:11,400 Speaker 1: playground and I would like hold it in my hand 348 00:19:11,520 --> 00:19:17,200 Speaker 1: like I'm bending it. You were like mom, Ben Rocks, 349 00:19:17,240 --> 00:19:20,320 Speaker 1: and your mom was like, that's gum, you idiot. And 350 00:19:20,320 --> 00:19:22,359 Speaker 1: then the ground I kept them in like a little 351 00:19:22,400 --> 00:19:24,960 Speaker 1: leather pouch with like a dream catcher on it that 352 00:19:25,040 --> 00:19:29,520 Speaker 1: I undoubtedly also got at. Oh and the last thing, um, 353 00:19:29,560 --> 00:19:31,240 Speaker 1: which is maybe the one that makes me sweat the 354 00:19:31,240 --> 00:19:33,400 Speaker 1: most when I think about it, is I would sit 355 00:19:33,440 --> 00:19:35,280 Speaker 1: on the playground in the mulch and make a circle, 356 00:19:35,320 --> 00:19:36,879 Speaker 1: like bunch up the mulch around me so it was 357 00:19:36,880 --> 00:19:38,600 Speaker 1: in the shape of a circle, and then I would 358 00:19:38,640 --> 00:19:40,439 Speaker 1: close my eyes and chant over and over again, the 359 00:19:40,480 --> 00:19:43,800 Speaker 1: Earth and I are one, like loud. I'm not even 360 00:19:44,680 --> 00:19:48,280 Speaker 1: I think that is like not as like totally out 361 00:19:48,280 --> 00:19:50,679 Speaker 1: there is like it's it seems I'm not saying that 362 00:19:50,680 --> 00:19:52,680 Speaker 1: you're making it sound like it's like how old are you? 363 00:19:54,119 --> 00:19:57,600 Speaker 1: But that might be a little I'm saying. Into middle school, 364 00:19:57,680 --> 00:20:00,200 Speaker 1: I was like like I would just be bored out 365 00:20:00,200 --> 00:20:02,800 Speaker 1: of my mind when over the weekend you would create 366 00:20:02,840 --> 00:20:05,520 Speaker 1: things in your head. But like you you play with 367 00:20:05,560 --> 00:20:08,080 Speaker 1: this fun little fantasy of like I have powers, let 368 00:20:08,080 --> 00:20:10,920 Speaker 1: me test, do you know? When I was like seven 369 00:20:11,000 --> 00:20:14,360 Speaker 1: or eight, Me and my best friend at the time, Georgie, 370 00:20:14,480 --> 00:20:17,040 Speaker 1: would walk around the gym when it was like recess time, 371 00:20:17,080 --> 00:20:19,760 Speaker 1: and we would have conversations about what had happened when 372 00:20:19,800 --> 00:20:21,919 Speaker 1: we slept over each other's house, like when our toys 373 00:20:22,000 --> 00:20:24,280 Speaker 1: like got up and became alive and what they did. 374 00:20:24,920 --> 00:20:26,720 Speaker 1: And then I would be like, so, actually, when you 375 00:20:26,760 --> 00:20:30,560 Speaker 1: were asleep, I was actually awake and I saw, um um, 376 00:20:30,800 --> 00:20:33,239 Speaker 1: a couple of the toys like they got together and 377 00:20:33,280 --> 00:20:35,679 Speaker 1: like they were they were they were like having a 378 00:20:35,720 --> 00:20:37,679 Speaker 1: conversation and just like you know what they said, and 379 00:20:37,720 --> 00:20:40,040 Speaker 1: we fully make up like the narrative of things and 380 00:20:40,080 --> 00:20:42,600 Speaker 1: like walk around the gym just like stimulating our minds 381 00:20:42,680 --> 00:20:45,520 Speaker 1: making up this garbage. Okay, see, but that's different though, 382 00:20:45,520 --> 00:20:48,119 Speaker 1: because in our case we have agency and we have 383 00:20:48,400 --> 00:20:51,719 Speaker 1: like it's us who is like making things happen. It's 384 00:20:51,800 --> 00:20:54,600 Speaker 1: kind of an interesting commentary. Yeah, it's like, um, what 385 00:20:54,640 --> 00:20:56,720 Speaker 1: do you think though, how do you think it's It's 386 00:20:56,760 --> 00:21:01,160 Speaker 1: it's like alpha theta. Do you think I'm the beta? 387 00:21:01,440 --> 00:21:03,080 Speaker 1: You're the beta for sure, and like we're the ones 388 00:21:03,119 --> 00:21:06,320 Speaker 1: who are like affecting change. Yeah. I love being strong. 389 00:21:08,560 --> 00:21:11,040 Speaker 1: It's a good thing to be. Wait, Matrick, can we 390 00:21:11,080 --> 00:21:14,720 Speaker 1: talk about, um, can we talk about this moment when 391 00:21:15,320 --> 00:21:18,040 Speaker 1: that you were not present for? It was when I 392 00:21:18,080 --> 00:21:19,439 Speaker 1: was okay, So I saw the big thing with my 393 00:21:19,480 --> 00:21:22,040 Speaker 1: dad every Thanksgiving. You loved it. I loved it. I 394 00:21:22,040 --> 00:21:24,040 Speaker 1: haven't seen it, um, And you know what it was. 395 00:21:24,119 --> 00:21:26,120 Speaker 1: It was a movie that I could point to with 396 00:21:26,160 --> 00:21:28,160 Speaker 1: my parents and be like, so, this is kind of 397 00:21:28,600 --> 00:21:30,679 Speaker 1: sort of what not exactly what I do, but this 398 00:21:30,720 --> 00:21:32,040 Speaker 1: is sort of what I do. Like there's this whole 399 00:21:32,080 --> 00:21:35,359 Speaker 1: pop point in the movie where camal Camales characters like 400 00:21:35,359 --> 00:21:40,160 Speaker 1: trying to get into this Montreal festival quote unquote, um yeah, 401 00:21:40,240 --> 00:21:41,920 Speaker 1: and so I was like I was like, oh yeah, 402 00:21:41,960 --> 00:21:43,520 Speaker 1: like like every now and then, I would stop and 403 00:21:43,520 --> 00:21:46,399 Speaker 1: be like, this is all about me. I'm sorry, but 404 00:21:46,440 --> 00:21:48,640 Speaker 1: I'm like like, Dad, like, that's sort of like that's 405 00:21:48,640 --> 00:21:50,720 Speaker 1: sort of like what I sort of think about every 406 00:21:50,720 --> 00:21:53,159 Speaker 1: now and then. And he didn't really get it, but 407 00:21:53,200 --> 00:21:54,840 Speaker 1: it was like it was like a nice moment. And 408 00:21:54,880 --> 00:21:56,760 Speaker 1: then to have Mitra in that movie, I was like, 409 00:21:57,200 --> 00:22:00,760 Speaker 1: that's sucking. That's sucking. Great, Um, you play a gluten 410 00:22:00,760 --> 00:22:04,200 Speaker 1: free person. Yes, what was that like? It was like, 411 00:22:04,400 --> 00:22:07,960 Speaker 1: welld beaks of studying. Well, actually, one thing one fun 412 00:22:08,040 --> 00:22:12,320 Speaker 1: time a gluten free person in this film a real 413 00:22:13,320 --> 00:22:17,680 Speaker 1: che to take on the perspective of a gluten free person. Well, 414 00:22:17,720 --> 00:22:19,080 Speaker 1: it's like, you know, you have to think about the 415 00:22:19,080 --> 00:22:21,640 Speaker 1: world in like a different way than you see it, 416 00:22:21,680 --> 00:22:24,520 Speaker 1: which is gluten gluten. I see the world through friend 417 00:22:26,440 --> 00:22:28,800 Speaker 1: kind of what you're going to say. The fun thing 418 00:22:28,840 --> 00:22:32,840 Speaker 1: about oh, just U, I had to like do like 419 00:22:32,880 --> 00:22:37,440 Speaker 1: a Pakistani accent for it stressed me out so stressful. Yeah, 420 00:22:37,560 --> 00:22:41,800 Speaker 1: because I'm like, not that my voice sounds like this 421 00:22:42,000 --> 00:22:49,040 Speaker 1: and so like my ways on like that. Um So 422 00:22:49,200 --> 00:22:51,159 Speaker 1: I was like very very stressed because I was like, 423 00:22:51,200 --> 00:22:54,919 Speaker 1: I don't want to be offensive. Well, yes, we we 424 00:22:55,000 --> 00:22:56,280 Speaker 1: did a sketch one time and you had to do 425 00:22:56,320 --> 00:22:58,479 Speaker 1: a Korean accent and you were like you were stressed 426 00:22:58,480 --> 00:23:01,119 Speaker 1: out about it. Yeah, because you just don't want to 427 00:23:01,160 --> 00:23:06,560 Speaker 1: like characterize character. Yeah, yeah, yeah, you have to be 428 00:23:07,160 --> 00:23:10,040 Speaker 1: That's why you're not the next Meryl. I'm sorry because 429 00:23:10,119 --> 00:23:12,040 Speaker 1: Merrill would have walked onto that set and done a 430 00:23:12,080 --> 00:23:15,280 Speaker 1: flawless Pakistani accent and guess what, no would have batted 431 00:23:15,280 --> 00:23:18,640 Speaker 1: an eye that it was Meryl. You know what, Matt, 432 00:23:18,800 --> 00:23:22,960 Speaker 1: You're not the next Meryl. I think I am. I think, 433 00:23:22,960 --> 00:23:25,560 Speaker 1: I know you're not the next Meryl and that's your 434 00:23:25,560 --> 00:23:29,680 Speaker 1: whole personality. Guys, the fact that we're even talking about 435 00:23:29,800 --> 00:23:35,480 Speaker 1: or is crazy than it's so disresp you are digging 436 00:23:35,520 --> 00:23:42,359 Speaker 1: your heels. I didn't like that. I didn't like that, honestly. 437 00:23:42,920 --> 00:23:45,280 Speaker 1: I also, I don't know, we don't talk about anymore. 438 00:23:45,359 --> 00:23:49,720 Speaker 1: But it's just funny because I definitely saw that person 439 00:23:49,760 --> 00:23:52,000 Speaker 1: doing interviews when like Linda Lohan was going through it. Okay, 440 00:23:52,040 --> 00:23:55,520 Speaker 1: So anyway, um like capitalizing, I want to keep talking 441 00:23:55,560 --> 00:23:57,280 Speaker 1: about I want to keep talking about Big Sick. I 442 00:23:57,359 --> 00:23:59,639 Speaker 1: love I thought you loved it. I thought it was 443 00:23:59,760 --> 00:24:01,680 Speaker 1: such a good movie. And then and hearing Emily Gordon 444 00:24:01,760 --> 00:24:04,879 Speaker 1: talk about like the process for for writing that, I 445 00:24:04,960 --> 00:24:07,800 Speaker 1: was like, oh cool, Like they like it's interesting. They 446 00:24:07,800 --> 00:24:09,360 Speaker 1: were like they were like it was really weird. How 447 00:24:09,400 --> 00:24:11,119 Speaker 1: like when the movie was coming out there, like the 448 00:24:11,160 --> 00:24:15,199 Speaker 1: studio sort of marketed as this rom com and like 449 00:24:15,240 --> 00:24:17,760 Speaker 1: we didn't think about that, like like like making the movie, 450 00:24:17,800 --> 00:24:19,360 Speaker 1: we didn't sort of frame it as a round come 451 00:24:19,359 --> 00:24:20,920 Speaker 1: at all. But like I guess it sort of makes sense. 452 00:24:21,200 --> 00:24:24,800 Speaker 1: But anyway, um um, I just I guess I I 453 00:24:24,800 --> 00:24:28,800 Speaker 1: guess I'm just asking, like structurally kind of that, but 454 00:24:28,880 --> 00:24:32,440 Speaker 1: it's you know, it's more than com I think, Um, 455 00:24:32,480 --> 00:24:33,919 Speaker 1: I just thought I just thought it was just like 456 00:24:33,920 --> 00:24:36,000 Speaker 1: a really like this is sort of what you get 457 00:24:36,000 --> 00:24:39,399 Speaker 1: when you get like, you know, like a comedian, like 458 00:24:39,440 --> 00:24:42,720 Speaker 1: someone who has that sort of background in perspective, um 459 00:24:42,840 --> 00:24:45,680 Speaker 1: who like is able to like filter it through like 460 00:24:46,600 --> 00:24:49,600 Speaker 1: a non traditional narrative. Plus like I don't know, there's 461 00:24:49,640 --> 00:24:51,160 Speaker 1: just so many layers to that movie. I think it's great. 462 00:24:51,160 --> 00:24:53,119 Speaker 1: And um, Camil, I think didn't he mention you on 463 00:24:53,280 --> 00:24:59,080 Speaker 1: like Marin recently or something he did? That's great? And Emily, Oh, 464 00:24:59,080 --> 00:25:01,119 Speaker 1: they were just like talking about people who were in 465 00:25:01,119 --> 00:25:06,840 Speaker 1: the movie and that they were like it was cool. Yeah, Um, 466 00:25:06,960 --> 00:25:08,640 Speaker 1: you know what this is what Meryl will never work 467 00:25:08,680 --> 00:25:11,560 Speaker 1: with Shoe Walter and that that that sets me through 468 00:25:11,640 --> 00:25:16,040 Speaker 1: apart Absolutely you've worked with show Walter and Meryl has not. Yeah, 469 00:25:16,160 --> 00:25:18,440 Speaker 1: so you're kind of in a way of doing Oscar 470 00:25:18,560 --> 00:25:20,600 Speaker 1: promotion for this movie right now. I want you to 471 00:25:20,640 --> 00:25:23,080 Speaker 1: know because they're saying Holly Hunter is going to get 472 00:25:23,119 --> 00:25:29,160 Speaker 1: nominated and she was amazing, She is amazing. What they 473 00:25:29,240 --> 00:25:31,280 Speaker 1: for a second, we're talking about him him too for 474 00:25:31,320 --> 00:25:33,960 Speaker 1: an Oscar nomination, but I guess you know Holly Hunter 475 00:25:34,119 --> 00:25:36,359 Speaker 1: is an Academy Award winning actress, so it's easier to 476 00:25:36,400 --> 00:25:43,440 Speaker 1: continue that conversation. But um, yes, you are representing during 477 00:25:43,440 --> 00:25:47,280 Speaker 1: Oscar season. You are here. This is a big for 478 00:25:47,359 --> 00:25:51,480 Speaker 1: your consideration, ad for the Big Six, is what I'm saying. Um, 479 00:25:51,960 --> 00:25:54,359 Speaker 1: what movies are are? Have you seen? What do you like? 480 00:25:54,600 --> 00:25:56,600 Speaker 1: We just talked about how you saw the killing of 481 00:25:56,600 --> 00:26:00,320 Speaker 1: a Sacred Deer and you were not into It's too 482 00:26:00,400 --> 00:26:03,480 Speaker 1: tense for me. I didn't love it. Um. I saw 483 00:26:03,680 --> 00:26:07,280 Speaker 1: Florida Project recently, which I was I thought it was beautiful. 484 00:26:07,359 --> 00:26:09,879 Speaker 1: It was really really cool. And William Dafoe is hot 485 00:26:09,880 --> 00:26:13,480 Speaker 1: now he actually surprisingly has always been hot. It's always 486 00:26:13,480 --> 00:26:16,439 Speaker 1: been hot. And there, oh my god, I'm such trash. 487 00:26:16,640 --> 00:26:18,840 Speaker 1: There's a sex scene with William Defo from like years 488 00:26:18,840 --> 00:26:21,480 Speaker 1: and years and years ago, and I actually couldn't believe 489 00:26:21,520 --> 00:26:24,399 Speaker 1: it was William Dafoe and then he rolled over and 490 00:26:24,440 --> 00:26:27,040 Speaker 1: it was Willem Defel and I was like, Willem WHOA. 491 00:26:28,160 --> 00:26:30,560 Speaker 1: I was like, it was William. Do you know? I 492 00:26:30,600 --> 00:26:32,640 Speaker 1: think he should have gotten an Oscar nomination for playing 493 00:26:32,680 --> 00:26:35,919 Speaker 1: the Green Goblin. He was really good and hot. I 494 00:26:35,960 --> 00:26:39,359 Speaker 1: liked that first one, the First spider Man with Toby 495 00:26:39,520 --> 00:26:42,520 Speaker 1: Toby spider Man, Toby and Kirsten. Spider Man for me 496 00:26:42,640 --> 00:26:44,440 Speaker 1: is my favorite spider Man. Yeah. I never watched the 497 00:26:44,520 --> 00:26:46,520 Speaker 1: other ones. Actually did watch the most recent one because 498 00:26:46,560 --> 00:26:49,560 Speaker 1: Gary Richards and bunch of people are in it. It's 499 00:26:49,560 --> 00:26:52,560 Speaker 1: really good. Yeah, I thought, who does Gary play? He's like, 500 00:26:52,640 --> 00:26:55,560 Speaker 1: he like yells out of a but but I was like, 501 00:26:56,720 --> 00:27:00,960 Speaker 1: and then that's like five minutes in the movie. Oh, 502 00:27:01,000 --> 00:27:04,479 Speaker 1: it's really funny. But it was cool. What if what 503 00:27:04,520 --> 00:27:07,280 Speaker 1: if you sat and we're watching Spider Man Homecoming and 504 00:27:07,520 --> 00:27:09,119 Speaker 1: it was like, yeah, I play a guy that's um 505 00:27:09,200 --> 00:27:11,960 Speaker 1: jelling out of a window. And actually though it was 506 00:27:12,000 --> 00:27:15,159 Speaker 1: a huge part, Like what if what if Gary was 507 00:27:15,200 --> 00:27:17,159 Speaker 1: in the movie for fifteen minutes? I would love it 508 00:27:17,160 --> 00:27:19,520 Speaker 1: would be would be that would be incredible, But it 509 00:27:19,560 --> 00:27:22,520 Speaker 1: would be a trick because you thought he was a 510 00:27:22,560 --> 00:27:24,480 Speaker 1: guy who yells out of window and then was a 511 00:27:24,560 --> 00:27:27,399 Speaker 1: huge part. I don't quite I don't really know what 512 00:27:27,400 --> 00:27:30,320 Speaker 1: you're I'm just saying. I'm just saying it would be fun. 513 00:27:31,080 --> 00:27:33,119 Speaker 1: I'm just saying. What I'm saying is it would be 514 00:27:33,119 --> 00:27:37,440 Speaker 1: fun to see friends with big parts. Yes, that would 515 00:27:37,480 --> 00:27:40,840 Speaker 1: be very fun. It's actually real of culture number ninety one. 516 00:27:41,240 --> 00:27:44,760 Speaker 1: It's really fun to see friends with big parts. What 517 00:27:44,840 --> 00:27:49,720 Speaker 1: about small parts? Not as fun? Not as fun? Well, sorry, 518 00:27:49,760 --> 00:27:53,480 Speaker 1: I can't watch anything I've ever only been only done 519 00:27:53,520 --> 00:27:57,080 Speaker 1: small parts, only done well, small actors, small parts. Well, 520 00:27:57,119 --> 00:27:59,480 Speaker 1: Bowen's about to be in high maintenance. But that was 521 00:27:59,600 --> 00:28:03,119 Speaker 1: that was all part in the trailer. And say a 522 00:28:03,160 --> 00:28:05,159 Speaker 1: whole line, I say a whole line in the trailer? 523 00:28:07,520 --> 00:28:09,480 Speaker 1: Was that improvised? That was improvised? And I got a 524 00:28:09,480 --> 00:28:13,000 Speaker 1: shout out in a cold Sliver gave who inspired me 525 00:28:13,040 --> 00:28:15,200 Speaker 1: to use that word? For like a year she taught 526 00:28:15,240 --> 00:28:17,480 Speaker 1: us the word fantasmagoria when she used it in her 527 00:28:17,520 --> 00:28:20,119 Speaker 1: I don't think so, honey. Just which is singular? Like 528 00:28:20,160 --> 00:28:23,399 Speaker 1: the it's the thing, it's it's not fantasmic, gry yum, 529 00:28:23,440 --> 00:28:27,240 Speaker 1: it's fantastic even describes one. You would think it's plural. 530 00:28:27,440 --> 00:28:31,400 Speaker 1: She was using the word fantasmagoria to describe the movie Joy. 531 00:28:31,440 --> 00:28:35,280 Speaker 1: To bring that back around to Joy a cartoon Joyce 532 00:28:35,480 --> 00:28:40,160 Speaker 1: Jennifer Lawrence, Oh j Then it means something, here's the thing, 533 00:28:41,920 --> 00:28:44,360 Speaker 1: here's the thing with Oscar's season. It's like, what's the 534 00:28:44,360 --> 00:28:47,400 Speaker 1: thing We're not going to be thinking about most of 535 00:28:47,440 --> 00:28:52,080 Speaker 1: these movies in sen years. Like even just I'm saying, 536 00:28:52,120 --> 00:28:55,160 Speaker 1: like next year, we'll be like, oh, yeah, that exists. 537 00:28:55,440 --> 00:28:57,440 Speaker 1: Well that's I think a symptom of the fact that 538 00:28:57,480 --> 00:28:59,640 Speaker 1: we and I think this actually could be a year 539 00:28:59,640 --> 00:29:01,760 Speaker 1: that change just all that if what I'm hearing is 540 00:29:01,800 --> 00:29:07,160 Speaker 1: true and like get Out wins Best Pictures could happen um, 541 00:29:07,280 --> 00:29:09,840 Speaker 1: or if Ladybird wins and like credig Irwig wins Best 542 00:29:09,840 --> 00:29:12,800 Speaker 1: Director and like that would be huge, or even if 543 00:29:13,280 --> 00:29:15,920 Speaker 1: Jordan Peel wins Best Director, like this could be a 544 00:29:16,000 --> 00:29:18,400 Speaker 1: year I think, especially with all the Weinstein stuff because 545 00:29:18,400 --> 00:29:22,080 Speaker 1: he like owned the Oscars, with all that now um 546 00:29:22,120 --> 00:29:24,200 Speaker 1: being kind of gone and that kind of like iron 547 00:29:24,240 --> 00:29:27,000 Speaker 1: fist not ruling the Oscars process, I think this could 548 00:29:27,040 --> 00:29:29,720 Speaker 1: be a year where maybe like we award something like 549 00:29:29,840 --> 00:29:34,520 Speaker 1: truly artful um, because I think that the Oscars should 550 00:29:34,560 --> 00:29:40,360 Speaker 1: be a real I think it's nice but because right 551 00:29:40,360 --> 00:29:42,280 Speaker 1: now it's like there it's obviously like Botton paid for 552 00:29:42,360 --> 00:29:44,840 Speaker 1: in the garbage, but it would be nice um for 553 00:29:44,880 --> 00:29:46,920 Speaker 1: it to mean something. And I think the Best Picture 554 00:29:47,240 --> 00:29:50,800 Speaker 1: should be like a movie that like means something about 555 00:29:50,800 --> 00:29:53,320 Speaker 1: the time, you know what, I mean, like would be great. 556 00:29:53,400 --> 00:29:55,640 Speaker 1: Get Out would be amazing. It would be so cool 557 00:29:55,680 --> 00:29:59,080 Speaker 1: to say that that like was named by everyone as 558 00:29:59,120 --> 00:30:03,320 Speaker 1: like the best picture, mean Moonlight think and I think 559 00:30:03,320 --> 00:30:06,600 Speaker 1: that literally no one saw that coming. That was also 560 00:30:06,720 --> 00:30:09,360 Speaker 1: like it was robbed of its moment in a way too. 561 00:30:09,640 --> 00:30:11,720 Speaker 1: I hated that. I hated that. Now that I think 562 00:30:11,760 --> 00:30:14,720 Speaker 1: back on it, it's like that sucked that moment. I'm 563 00:30:14,760 --> 00:30:17,120 Speaker 1: just like it was great TV. Like we were all 564 00:30:17,160 --> 00:30:20,040 Speaker 1: like what the fuck, But like looking back on him, 565 00:30:20,080 --> 00:30:22,800 Speaker 1: just like that what a bummer, you know, Like I 566 00:30:22,840 --> 00:30:24,600 Speaker 1: don't know the part of me that wants to watch 567 00:30:24,640 --> 00:30:27,160 Speaker 1: the world burn and like loves the drama of it, 568 00:30:27,200 --> 00:30:31,320 Speaker 1: was like, that is so fucking funny. Like any other movies, 569 00:30:31,640 --> 00:30:35,239 Speaker 1: I would have like the symbolism of that moment, the 570 00:30:35,280 --> 00:30:42,600 Speaker 1: white jazz movie versus like the beautiful film that movie. Ye, Like, 571 00:30:42,800 --> 00:30:46,040 Speaker 1: it just would have been so moving to watch them 572 00:30:46,040 --> 00:30:48,360 Speaker 1: open the envelope and say Moonlight. It would have been 573 00:30:48,480 --> 00:30:51,680 Speaker 1: such so shocking and amazing. And the fact that it 574 00:30:51,760 --> 00:30:54,520 Speaker 1: was controversial, it was like, oh, this is so it's 575 00:30:54,520 --> 00:30:56,520 Speaker 1: going to follow that movie into the rest and for 576 00:30:56,560 --> 00:30:58,320 Speaker 1: that to be what happened at the end of that 577 00:30:58,400 --> 00:31:03,080 Speaker 1: year to like, yeah, literally everything sucks, like we can't 578 00:31:03,120 --> 00:31:05,840 Speaker 1: do anything and I we can't even open a fucking envelope, 579 00:31:06,520 --> 00:31:10,640 Speaker 1: Like literally everything is so stupid. Like the after Trump 580 00:31:11,480 --> 00:31:16,360 Speaker 1: that happened, I was like, this is so annoying. Oh 581 00:31:16,360 --> 00:31:19,200 Speaker 1: my god, Jimmy Kimmel's hosting a GAD. I liked him 582 00:31:19,200 --> 00:31:22,280 Speaker 1: as a host. I like him because I think he 583 00:31:22,400 --> 00:31:26,000 Speaker 1: gave the best correspondence did whatever I'm getting to, like, 584 00:31:26,000 --> 00:31:29,400 Speaker 1: like far out, he was funny, corespond to. He did it. 585 00:31:29,520 --> 00:31:32,240 Speaker 1: You think, so the best not maybe not the best him. 586 00:31:32,560 --> 00:31:36,320 Speaker 1: Samantha Cecily was great. Um, I was Samantha. We asked 587 00:31:36,320 --> 00:31:38,600 Speaker 1: Samantha too, but like Samantha like with her own how 588 00:31:38,640 --> 00:31:43,480 Speaker 1: could you dare say in front of Metrath wasn't the 589 00:31:43,480 --> 00:31:45,400 Speaker 1: best one. I loved hers, But like in terms of 590 00:31:45,400 --> 00:31:49,600 Speaker 1: like legit correspondence singers, I think Colbert, well, yeah, of course, Colbert, 591 00:31:49,680 --> 00:31:55,800 Speaker 1: I'm talking you. Obomb era Obama era. Sex was just 592 00:31:55,960 --> 00:31:59,960 Speaker 1: I love Seth, but sex was just like set up punchline. 593 00:32:00,040 --> 00:32:04,760 Speaker 1: It was it was like, but I love I love 594 00:32:04,840 --> 00:32:08,560 Speaker 1: someone being mean right to the President's Yeah, yeah, that's great. 595 00:32:08,640 --> 00:32:10,720 Speaker 1: And that was the year when Seth really went after 596 00:32:10,720 --> 00:32:13,760 Speaker 1: Trump yes, that was the that was like the day before. 597 00:32:14,000 --> 00:32:17,239 Speaker 1: It's why Trump hates seth Meyers to this day, right, 598 00:32:17,360 --> 00:32:19,400 Speaker 1: and it was like two days before the bin laden 599 00:32:19,480 --> 00:32:22,400 Speaker 1: rate right, Um, oh yeah, you're right. Actually it was 600 00:32:22,440 --> 00:32:26,480 Speaker 1: like happening while they were there. Yeah yeah, um that 601 00:32:26,640 --> 00:32:29,120 Speaker 1: that was insane to bring it back to nine eleven. Um, 602 00:32:29,240 --> 00:32:33,400 Speaker 1: Colbert just had never brought got to bring it back 603 00:32:33,440 --> 00:32:37,240 Speaker 1: to night eleven always when it wasn't brought up. Actually 604 00:32:37,520 --> 00:32:40,920 Speaker 1: number ten of culture you got to bring even it 605 00:32:40,960 --> 00:32:44,000 Speaker 1: wasn't brought up. Um, but wait, Colbert had such a 606 00:32:44,040 --> 00:32:45,880 Speaker 1: good joke the other day where he was like, um, 607 00:32:45,920 --> 00:32:49,560 Speaker 1: of course Matt Lower busted for um. He like read 608 00:32:49,720 --> 00:32:53,280 Speaker 1: the statement from NBC News. It was like we fired 609 00:32:53,400 --> 00:32:57,600 Speaker 1: him for inappropriate sexual conduct in the workplace. And Colbert 610 00:32:57,720 --> 00:33:03,840 Speaker 1: was like, as opposed to appropriate actual conduct in the workplace, Um, 611 00:33:04,000 --> 00:33:06,520 Speaker 1: there's appropriate sexual conduct in the workplace. How would you 612 00:33:06,600 --> 00:33:09,440 Speaker 1: treat me right now, right now? Because this is our 613 00:33:09,480 --> 00:33:13,120 Speaker 1: workplace very much so, how would you treat me appropriately 614 00:33:13,160 --> 00:33:15,720 Speaker 1: and sexually right now? I would say, Matt, you look 615 00:33:15,920 --> 00:33:18,280 Speaker 1: great in that shirt. I would turn to H. P J. 616 00:33:18,400 --> 00:33:20,960 Speaker 1: And I would shake my head and as soon as 617 00:33:21,000 --> 00:33:25,160 Speaker 1: you can say this is a snap would have we 618 00:33:25,200 --> 00:33:27,680 Speaker 1: would have as soon as you can tell you the 619 00:33:27,680 --> 00:33:31,520 Speaker 1: word snap. It would be last culture assess with Mitra 620 00:33:31,800 --> 00:33:37,120 Speaker 1: Juhari and Matt Rogers would hate and we would they 621 00:33:37,120 --> 00:33:39,880 Speaker 1: would love it, and this podcast would be Swords to 622 00:33:39,920 --> 00:33:42,600 Speaker 1: New Heights and guess right, there would be no sexual conduct. 623 00:33:42,640 --> 00:33:46,360 Speaker 1: I think it's true, but no, this is appropriate. I 624 00:33:46,360 --> 00:33:50,840 Speaker 1: can't believe us calling Joe hot producer Joe is appropriate. 625 00:33:51,200 --> 00:33:53,680 Speaker 1: He has the power in this room. He does, He 626 00:33:53,760 --> 00:33:55,800 Speaker 1: really does have the power, and he he wouldn't let 627 00:33:55,800 --> 00:33:58,000 Speaker 1: it go on unless he unless he didn't want. I 628 00:33:58,040 --> 00:34:01,360 Speaker 1: do not condone any of that. What would what would 629 00:34:01,400 --> 00:34:04,560 Speaker 1: appropriate such to be? For you? What would you do 630 00:34:04,600 --> 00:34:09,719 Speaker 1: to us appropriately? Sexually? Sit right here? This is you 631 00:34:09,719 --> 00:34:12,520 Speaker 1: know what this is. This is why we're trash and 632 00:34:13,080 --> 00:34:16,319 Speaker 1: intrez king. And we're gonna think on that for a 633 00:34:16,360 --> 00:34:19,480 Speaker 1: couple of minutes. We're gonna take a quick break, um, 634 00:34:19,520 --> 00:34:21,520 Speaker 1: and when we get back, let me tell you something. 635 00:34:21,760 --> 00:34:28,160 Speaker 1: We're going to keep talking. Soiler alert, more words toiler alert, 636 00:34:28,560 --> 00:34:34,280 Speaker 1: more of the same bullshit with dry right after this. Sorry, 637 00:34:37,960 --> 00:34:42,920 Speaker 1: we're back giggling and giggling the giggles. Don't stop and bowen. 638 00:34:43,000 --> 00:34:45,279 Speaker 1: You described this as our gigglst episode. Yeah, I think 639 00:34:45,320 --> 00:34:48,200 Speaker 1: so if you look back and we haven't giggled this much. 640 00:34:48,239 --> 00:34:50,200 Speaker 1: I don't think we've giggled this much, And I'm glad. 641 00:34:50,440 --> 00:34:57,920 Speaker 1: What makes you giggle? Um? Every not everything. A lot 642 00:34:57,960 --> 00:35:00,600 Speaker 1: of stuff makes me not giggle. Yeah. Sometimes you have 643 00:35:00,640 --> 00:35:03,080 Speaker 1: to fold your arms and shake your head. Fold your arms, 644 00:35:03,120 --> 00:35:09,480 Speaker 1: take your head. Say not for me? Um? I mean, 645 00:35:09,760 --> 00:35:12,640 Speaker 1: what's the funniest comedy you have seen? You know? My 646 00:35:12,719 --> 00:35:15,080 Speaker 1: favorite thing that I think that I watch every couple 647 00:35:15,160 --> 00:35:17,399 Speaker 1: of years that I like always makes me happy when 648 00:35:17,400 --> 00:35:19,960 Speaker 1: I watch it. To have two things. One is like 649 00:35:20,000 --> 00:35:22,640 Speaker 1: a sort of nostalgia, like it just makes me feel good, 650 00:35:22,640 --> 00:35:28,160 Speaker 1: which is Mash because I grew up watching I really 651 00:35:28,280 --> 00:35:31,879 Speaker 1: I am like a die hard Mash fan. Um. And 652 00:35:31,960 --> 00:35:34,359 Speaker 1: but that one, it's like I have rewatched. I mean, 653 00:35:34,360 --> 00:35:36,759 Speaker 1: I you know, I watched it often because it's just 654 00:35:36,800 --> 00:35:39,680 Speaker 1: like a comfort thing. But there are like really beautiful, 655 00:35:39,920 --> 00:35:43,000 Speaker 1: great well done episodes. I mean, it's a great job whatever. 656 00:35:43,600 --> 00:35:46,080 Speaker 1: But the one that I watched every couple of years 657 00:35:46,080 --> 00:35:47,720 Speaker 1: just because I want to reset and forget the jokes 658 00:35:47,800 --> 00:35:49,960 Speaker 1: is Garth Marny's Dark Place. Have you ever seen it? 659 00:35:50,120 --> 00:35:51,840 Speaker 1: I don't know. What that is? Oh my god. I 660 00:35:51,880 --> 00:35:55,080 Speaker 1: mean the premise takes like approximately forty five minutes to explain, 661 00:35:55,120 --> 00:35:58,440 Speaker 1: but basically they let um like I think like it 662 00:35:58,480 --> 00:36:00,640 Speaker 1: was like Oxford or Cambridge or some thing like that. 663 00:36:01,080 --> 00:36:02,920 Speaker 1: These guys from one of those like British pols that 664 00:36:02,960 --> 00:36:06,960 Speaker 1: has a great comedy group, maybe like Cambridge Footlight. I 665 00:36:07,000 --> 00:36:10,720 Speaker 1: don't remember. UM they did a show on either Channel 666 00:36:10,719 --> 00:36:13,920 Speaker 1: four BBC, I can't remember. It's only six episodes and 667 00:36:13,960 --> 00:36:18,360 Speaker 1: the premise is okay. So the main character is Garth Marenghi. 668 00:36:18,560 --> 00:36:23,000 Speaker 1: Garth Marenghi is like a science fiction author whose book 669 00:36:23,040 --> 00:36:25,920 Speaker 1: was then adapted into a TV show called Garth Marenghi's 670 00:36:26,000 --> 00:36:30,120 Speaker 1: Dark Place and then the actual television show Garth Mange's 671 00:36:30,200 --> 00:36:33,120 Speaker 1: Dark Place that I like, we the Humans watch. UM 672 00:36:33,360 --> 00:36:35,879 Speaker 1: is sort of like a collector edition, so you see 673 00:36:35,920 --> 00:36:39,120 Speaker 1: all the commentary UM from like Garth Marenghi and his 674 00:36:39,239 --> 00:36:41,360 Speaker 1: like other the other actors in the show and stuff 675 00:36:41,680 --> 00:36:45,040 Speaker 1: as you're watching old episodes. That's brilliant. So it's really 676 00:36:45,320 --> 00:36:47,560 Speaker 1: it's so layered, but like it makes perfect sense when 677 00:36:47,560 --> 00:36:49,480 Speaker 1: you see it. It's just really hard to explain, but 678 00:36:49,520 --> 00:36:52,400 Speaker 1: it's like purposely really poorly done. Like one of the 679 00:36:52,480 --> 00:36:55,520 Speaker 1: characters in the show is like played by Richard Ayote. 680 00:36:55,560 --> 00:36:59,120 Speaker 1: He's Garth Marenghi's agent or something like that. Um, I'm 681 00:36:59,120 --> 00:37:00,759 Speaker 1: actually going to rewatch the next couple of weeks. I 682 00:37:00,719 --> 00:37:03,200 Speaker 1: haven't seen it in a while. Um, but he's like, yeah, 683 00:37:03,200 --> 00:37:07,040 Speaker 1: Garth Mangi's agent and he also has a part on 684 00:37:07,120 --> 00:37:11,480 Speaker 1: the show, like the adaptation show that We're It's hard 685 00:37:11,520 --> 00:37:14,680 Speaker 1: to explain, but he's like a bad actor, so who 686 00:37:14,719 --> 00:37:17,320 Speaker 1: just always looks into camera while he's delivering his lines. 687 00:37:17,480 --> 00:37:21,240 Speaker 1: And yeah, it's just so over the top and cheesy. 688 00:37:21,360 --> 00:37:23,719 Speaker 1: And they do the whole thing of like making a 689 00:37:23,800 --> 00:37:26,480 Speaker 1: bad like a bad thing in a way that is 690 00:37:26,520 --> 00:37:29,600 Speaker 1: fun because I normally don't like it when people are like, oh, 691 00:37:29,640 --> 00:37:32,000 Speaker 1: like look how bad the prop is. But this show 692 00:37:32,120 --> 00:37:34,759 Speaker 1: is like all that, and there's so many layers to it, 693 00:37:34,840 --> 00:37:37,359 Speaker 1: like because because what I love about it is Garth 694 00:37:37,440 --> 00:37:42,120 Speaker 1: Marenghi the character is he thinks he's making something good. 695 00:37:42,239 --> 00:37:44,920 Speaker 1: Like my favorite thing to watch is someone really dumb 696 00:37:45,080 --> 00:37:47,799 Speaker 1: or really inept thinking that they're amazing at something and 697 00:37:47,840 --> 00:37:51,200 Speaker 1: really earnestly trying. And this show does that really well. 698 00:37:51,320 --> 00:37:54,440 Speaker 1: Where like every episode begins with him like walking down 699 00:37:54,480 --> 00:38:00,960 Speaker 1: a staircase like now this episode introducing the episode, and 700 00:38:00,960 --> 00:38:03,759 Speaker 1: it's also self aggrandizing. He really thinks he's like the 701 00:38:03,840 --> 00:38:06,600 Speaker 1: voice of a generation and made really something really beautiful, 702 00:38:06,680 --> 00:38:08,399 Speaker 1: and then you watch clips of the show and it's 703 00:38:08,440 --> 00:38:11,880 Speaker 1: so bad. So it's kind of like this, like consciously 704 00:38:11,960 --> 00:38:15,399 Speaker 1: bad like Tales from the Crypt type things, yeah, which 705 00:38:15,560 --> 00:38:17,720 Speaker 1: which is hard to do. Like it's hard to do well. 706 00:38:17,760 --> 00:38:21,239 Speaker 1: It's hard to make something bad in a good with 707 00:38:21,280 --> 00:38:25,719 Speaker 1: a good sort of like editorial layer on it. That 708 00:38:25,840 --> 00:38:29,160 Speaker 1: kind of that brings up so Boone and I we 709 00:38:29,280 --> 00:38:30,759 Speaker 1: might go to the movies today. We think we're gonna 710 00:38:30,800 --> 00:38:32,319 Speaker 1: go see Lady Bird because I haven't seen it yet. 711 00:38:32,320 --> 00:38:34,160 Speaker 1: Bone is gonna go with me, but I kind of 712 00:38:34,200 --> 00:38:36,840 Speaker 1: wanted to go see The Disaster Artist. Are you going 713 00:38:36,880 --> 00:38:38,719 Speaker 1: to go see that? I do think I'm gonna go 714 00:38:38,800 --> 00:38:41,400 Speaker 1: see it. It sounds like what you Like, which is 715 00:38:41,680 --> 00:38:45,800 Speaker 1: a film about someone confidently making something bad. My only 716 00:38:45,840 --> 00:38:48,760 Speaker 1: thing with that is I can't tell if that movie 717 00:38:49,040 --> 00:38:53,160 Speaker 1: is mean spirited or not, and that I have trouble watching. 718 00:38:53,840 --> 00:38:57,839 Speaker 1: I would rather watch a totally fictional person who's bad 719 00:38:57,840 --> 00:39:00,560 Speaker 1: at something than someone like especially just someone who is 720 00:39:01,040 --> 00:39:03,640 Speaker 1: as successful as James Franco. It seems like he's making 721 00:39:03,640 --> 00:39:06,239 Speaker 1: it out of love and like a genuine affection for 722 00:39:06,239 --> 00:39:10,000 Speaker 1: the movie. But it's still like, you're like hot James 723 00:39:10,080 --> 00:39:13,920 Speaker 1: Franco making a movie about someone who made a bad movie, 724 00:39:14,040 --> 00:39:17,560 Speaker 1: and like, I don't know, it feels weird to me. Well, 725 00:39:17,600 --> 00:39:19,480 Speaker 1: there's the thing is, it's like, if there was gonna 726 00:39:19,520 --> 00:39:21,719 Speaker 1: be a movie about it, someone would have to play 727 00:39:21,840 --> 00:39:24,600 Speaker 1: Tommy was Oo the way he really acts, and that 728 00:39:24,800 --> 00:39:28,359 Speaker 1: is like the way he acts, So it's like it 729 00:39:28,360 --> 00:39:32,160 Speaker 1: feels like it's being done accurately. But yeah, the question 730 00:39:32,200 --> 00:39:35,759 Speaker 1: of like is it punching down because this could be 731 00:39:35,800 --> 00:39:40,239 Speaker 1: this person's like intellectual and creative and like peek and like, 732 00:39:40,840 --> 00:39:43,319 Speaker 1: but it does. It does from what I've heard about it, 733 00:39:43,320 --> 00:39:47,000 Speaker 1: it does seem like, um, Tommy was Zo likes the movie, yeah, 734 00:39:47,040 --> 00:39:48,840 Speaker 1: and like he came to events. But yeah, I don't know. 735 00:39:48,880 --> 00:39:51,160 Speaker 1: The whole thing feels a little weird, but I think 736 00:39:51,160 --> 00:39:53,600 Speaker 1: I'll probably still watch it. That's the thing that is 737 00:39:53,640 --> 00:39:56,160 Speaker 1: that that whole movie, like the Room is about, is 738 00:39:56,280 --> 00:39:59,440 Speaker 1: that whole thing is like people on mass punching down. 739 00:39:59,520 --> 00:40:02,120 Speaker 1: Like I went to I went to a screen everything. 740 00:40:03,239 --> 00:40:05,160 Speaker 1: It was fun but like parts of it were just 741 00:40:05,200 --> 00:40:09,800 Speaker 1: like people just screaming like offhand things like this sucks, 742 00:40:09,840 --> 00:40:13,239 Speaker 1: she looks fucking ugly, and you know it was nice. 743 00:40:13,360 --> 00:40:15,520 Speaker 1: People would like shut it down to me, people like boo, 744 00:40:15,560 --> 00:40:19,239 Speaker 1: stop it. Like anything that was just like about people's appearances, 745 00:40:19,880 --> 00:40:22,080 Speaker 1: people like as an audience, they were like, that's not 746 00:40:22,120 --> 00:40:24,400 Speaker 1: okay because you're always going to have those assholes whenever 747 00:40:24,440 --> 00:40:27,879 Speaker 1: it's like we're tearing everything about this movie apart. It's bad. 748 00:40:28,160 --> 00:40:30,200 Speaker 1: You are going to have those people that like don't 749 00:40:30,200 --> 00:40:34,040 Speaker 1: get it. Like, I still found the screening experience enjoyable, 750 00:40:34,320 --> 00:40:36,920 Speaker 1: just because it's like it's such a cult thing. It's 751 00:40:36,880 --> 00:40:38,560 Speaker 1: such a cult thing and like and like the spoon 752 00:40:38,640 --> 00:40:40,600 Speaker 1: throwing is fun, and like there were new thing like 753 00:40:40,640 --> 00:40:43,040 Speaker 1: I hadn't been to one and like since college, like 754 00:40:43,080 --> 00:40:44,799 Speaker 1: this one, Like like there were just a bunch of 755 00:40:44,840 --> 00:40:46,600 Speaker 1: new things that people would do, like anything, what do 756 00:40:46,640 --> 00:40:48,719 Speaker 1: they do? So this is a new thing that I 757 00:40:48,760 --> 00:40:51,360 Speaker 1: had never seen done before, which I thought was so funny. 758 00:40:51,480 --> 00:40:53,080 Speaker 1: It's like a rocky horror type it's a rocky horror 759 00:40:53,080 --> 00:40:55,879 Speaker 1: type thing. So anytime there's a shot of like San 760 00:40:55,880 --> 00:40:59,640 Speaker 1: Francisco with like the Bay, people would be like, um, 761 00:41:00,040 --> 00:41:01,799 Speaker 1: usually what people do is they go where are we 762 00:41:01,800 --> 00:41:03,920 Speaker 1: where does this movie take place? But then like this 763 00:41:04,040 --> 00:41:06,759 Speaker 1: new thing and it was like it was mostly these 764 00:41:06,800 --> 00:41:09,200 Speaker 1: two girls who sat like in the back and they 765 00:41:09,280 --> 00:41:13,400 Speaker 1: just kept going. They just kept shouting water and so 766 00:41:13,480 --> 00:41:15,840 Speaker 1: this so this ends. So this also applied to like 767 00:41:15,880 --> 00:41:18,120 Speaker 1: when a character would like take a glass of water 768 00:41:18,160 --> 00:41:21,759 Speaker 1: and start drinking and people would be like water. That 769 00:41:21,920 --> 00:41:24,040 Speaker 1: was so funny, Like that's like that's the kind of 770 00:41:24,040 --> 00:41:26,440 Speaker 1: thing where I feel like it's that's just purely called. 771 00:41:26,520 --> 00:41:30,000 Speaker 1: It's not punching down, it's just fun. And I and 772 00:41:30,080 --> 00:41:32,120 Speaker 1: I that's my issue with it, you know what, Yeah, 773 00:41:32,160 --> 00:41:35,080 Speaker 1: me to sort of put her finger like put just 774 00:41:35,120 --> 00:41:37,319 Speaker 1: got that exactly right, Like she really got it right. 775 00:41:37,400 --> 00:41:39,319 Speaker 1: She got it right, because that's because I was telling 776 00:41:39,400 --> 00:41:40,520 Speaker 1: me I don't want to see it, like I have 777 00:41:40,560 --> 00:41:42,880 Speaker 1: no desire to see it. And I think part I 778 00:41:43,000 --> 00:41:44,800 Speaker 1: chalked it up to like it just being James Franco 779 00:41:44,840 --> 00:41:47,200 Speaker 1: and I'm like I don't really carry their way for him, 780 00:41:47,200 --> 00:41:49,560 Speaker 1: but like I think that's what it is. It's like, yeah, 781 00:41:49,719 --> 00:41:53,200 Speaker 1: like this is this is this This might be an 782 00:41:53,239 --> 00:41:57,440 Speaker 1: opportunity where you either like really like honor what like 783 00:41:57,520 --> 00:41:59,600 Speaker 1: Tommy Wizo was doing at the time, or you just 784 00:41:59,640 --> 00:42:02,160 Speaker 1: sort of make fun of him even more even after 785 00:42:02,360 --> 00:42:03,960 Speaker 1: the movie has been made fun of for like over 786 00:42:04,000 --> 00:42:08,759 Speaker 1: a decade. Right, So here's a question, James franco Hm, 787 00:42:10,000 --> 00:42:16,520 Speaker 1: would you though? Yeah? I would. I feel like I 788 00:42:16,520 --> 00:42:18,520 Speaker 1: feel like we've all grown out of like sleeping with 789 00:42:18,560 --> 00:42:27,160 Speaker 1: shitty dudes though not me. Okay, that's awesome, that's really awesome. 790 00:42:27,600 --> 00:42:29,480 Speaker 1: I'm only like a month and a half in the therapy, 791 00:42:29,560 --> 00:42:33,480 Speaker 1: so no, you're right. I mean, like, I have no 792 00:42:33,520 --> 00:42:37,879 Speaker 1: reason to be picky. Yeah, sure, great, guys. I can't 793 00:42:38,120 --> 00:42:53,520 Speaker 1: a guy if he isn't like doctors resitarians, a guy. 794 00:42:53,560 --> 00:43:00,279 Speaker 1: I'm like, wait, do you give to charity I and 795 00:43:00,280 --> 00:43:05,880 Speaker 1: show me receipts? They're not getting this asshole, you know what? 796 00:43:06,040 --> 00:43:09,600 Speaker 1: I will say yes, because when James remember like Freshman 797 00:43:09,600 --> 00:43:11,120 Speaker 1: and software to story, this is like a shitty like 798 00:43:11,200 --> 00:43:13,840 Speaker 1: n y U story. Yeah, and Mitra famously has targeted 799 00:43:14,040 --> 00:43:17,120 Speaker 1: n y U and I can't get it out of myself. 800 00:43:17,200 --> 00:43:20,880 Speaker 1: It's so I called. I had a joke in a 801 00:43:20,920 --> 00:43:23,720 Speaker 1: set recently where I said, um, I went to school, 802 00:43:23,880 --> 00:43:26,520 Speaker 1: um at this whatever and butchering at my own joke, 803 00:43:26,640 --> 00:43:29,080 Speaker 1: like at this amazing real estate firm n y U, 804 00:43:30,280 --> 00:43:33,880 Speaker 1: I think is like solid um. No, James would always 805 00:43:34,239 --> 00:43:36,000 Speaker 1: stop and take a picture with you. I never I 806 00:43:36,040 --> 00:43:37,919 Speaker 1: never asked him for a picture. But I can't. I can't. 807 00:43:37,960 --> 00:43:40,120 Speaker 1: I wouldn't dream of it. But so many people would 808 00:43:40,120 --> 00:43:42,600 Speaker 1: be like, I got a fucking photo with James Franco today, 809 00:43:42,719 --> 00:43:45,399 Speaker 1: but like he seems like cool with it. He would 810 00:43:45,400 --> 00:43:48,080 Speaker 1: stop and like not be an asshole and like take pictures, 811 00:43:48,160 --> 00:43:50,480 Speaker 1: so it seems like a decent dude. I was definitely 812 00:43:50,520 --> 00:43:53,200 Speaker 1: way more into it and like high school and stuff. Sure, 813 00:43:53,640 --> 00:43:56,680 Speaker 1: but I still would write right sometimes, I don't know 814 00:43:56,760 --> 00:44:00,359 Speaker 1: if I prefer him like in a sexual way, like 815 00:44:00,440 --> 00:44:03,200 Speaker 1: a little bit fucked up in dirty or like clean 816 00:44:03,400 --> 00:44:06,480 Speaker 1: young James Franco. I don't know what's a good sign though, 817 00:44:06,480 --> 00:44:10,359 Speaker 1: is that you can take him either way. Probably that's 818 00:44:10,400 --> 00:44:20,920 Speaker 1: how you know, how you know it's a real um 819 00:44:21,120 --> 00:44:26,080 Speaker 1: ok yeah um let me tell you who couldn't be 820 00:44:26,160 --> 00:44:30,320 Speaker 1: less sexually appealing is Seth Rogan. And it's amazing the 821 00:44:30,520 --> 00:44:35,640 Speaker 1: like chicks that like the cinema, the cinematic world, what 822 00:44:35,840 --> 00:44:41,080 Speaker 1: have you believe? Just like him, like the when the 823 00:44:41,160 --> 00:44:44,600 Speaker 1: takeaway from like Knocked Up can be whatever it is. 824 00:44:44,640 --> 00:44:46,680 Speaker 1: But the fact of the matter is like that Katherine 825 00:44:46,760 --> 00:44:50,680 Speaker 1: Heigl would ever fun this guy is crazy to me, 826 00:44:50,960 --> 00:44:53,319 Speaker 1: and then not even after the after the mistake of 827 00:44:53,400 --> 00:44:56,279 Speaker 1: sucking him, would be like, actually, I'm gonna try to 828 00:44:56,320 --> 00:45:00,799 Speaker 1: like marry him because it's what's best. Like no, I 829 00:45:00,840 --> 00:45:04,000 Speaker 1: forgot who was Oh okay, I mean like she deserved 830 00:45:04,040 --> 00:45:07,480 Speaker 1: an oscar for that movie? Um, this was this was 831 00:45:07,600 --> 00:45:09,120 Speaker 1: this was Back in between Two Friends. Was for a 832 00:45:09,239 --> 00:45:12,080 Speaker 1: second like a TV show And Zach Alfanakis does like 833 00:45:12,120 --> 00:45:13,680 Speaker 1: an interview with Tina fe and like he's being like 834 00:45:13,719 --> 00:45:16,360 Speaker 1: a piece of ship and then finally she goes, um, 835 00:45:16,440 --> 00:45:18,880 Speaker 1: and and then he's like, so Tina a woman funny 836 00:45:18,880 --> 00:45:21,359 Speaker 1: and then she loses her patients and then and then 837 00:45:21,360 --> 00:45:25,000 Speaker 1: she goes you know what, UM, If you um were 838 00:45:25,000 --> 00:45:28,120 Speaker 1: a woman with your body shape, UM, the best role 839 00:45:28,160 --> 00:45:31,440 Speaker 1: you would get in a movie is um. Kevin James 840 00:45:32,000 --> 00:45:36,000 Speaker 1: would pick your character up for a date and open 841 00:45:36,080 --> 00:45:40,040 Speaker 1: the door and see you and throw up, And that 842 00:45:40,080 --> 00:45:46,719 Speaker 1: would be the kind of role you would get to play. 843 00:45:48,040 --> 00:46:00,640 Speaker 1: Kevin James. Kevin James would see you so me true, 844 00:46:02,640 --> 00:46:06,520 Speaker 1: oh man, Kevin James like that controversy where they fired 845 00:46:06,600 --> 00:46:14,600 Speaker 1: his wife replaced her because we all like, you need more. 846 00:46:14,880 --> 00:46:21,200 Speaker 1: She died in the show. She died. Yeah, they killed 847 00:46:21,719 --> 00:46:26,960 Speaker 1: about it off screen. Got sick, so funny, it's so insane, 848 00:46:27,440 --> 00:46:29,680 Speaker 1: and the way they wrapped it up was like a man, 849 00:46:29,719 --> 00:46:32,000 Speaker 1: it's been a couple of months since she fucking died. 850 00:46:33,040 --> 00:46:35,239 Speaker 1: But you know what, you just gotta keep moving on. 851 00:46:39,840 --> 00:46:42,160 Speaker 1: Kevin must be. I was just thinking of something mean 852 00:46:42,239 --> 00:46:46,240 Speaker 1: that I did. Tell us how mean you are? Well, okay, 853 00:46:46,280 --> 00:46:48,600 Speaker 1: so this I was doing this show, this is like 854 00:46:49,000 --> 00:46:51,840 Speaker 1: truly catty whatever, Okay, anyway, I'll say it. I was 855 00:46:51,880 --> 00:46:53,560 Speaker 1: doing the show and I was hosting the show, and 856 00:46:53,600 --> 00:46:55,640 Speaker 1: I hadn't met this girl, but she was. She was like, 857 00:46:55,640 --> 00:46:57,000 Speaker 1: I was like, what was your credit? And she was 858 00:46:57,040 --> 00:47:01,120 Speaker 1: like I was on Kevin Ken wait and uh And 859 00:47:01,120 --> 00:47:03,400 Speaker 1: then she was really mean to me and like just 860 00:47:03,440 --> 00:47:05,480 Speaker 1: like talking about what I was doing on stage. So 861 00:47:05,520 --> 00:47:08,399 Speaker 1: when I insured her, I was like, you can zero 862 00:47:08,520 --> 00:47:14,239 Speaker 1: the Kevin James vehicle. Kevin can wait. You could have been, 863 00:47:15,320 --> 00:47:17,520 Speaker 1: but to me, that was mean. To be in a 864 00:47:17,600 --> 00:47:22,240 Speaker 1: Kevin James vehicle is truly and there are so many, 865 00:47:22,600 --> 00:47:24,879 Speaker 1: so many Kevin James vehicles. Wait what she was talking 866 00:47:24,920 --> 00:47:26,480 Speaker 1: to it? But I don't even want to get into this, 867 00:47:26,520 --> 00:47:29,400 Speaker 1: but like, let me tell you something. A theme of 868 00:47:29,440 --> 00:47:34,160 Speaker 1: this episode is people be talking shit. I'm over it. 869 00:47:34,400 --> 00:47:37,160 Speaker 1: Over people talking. I think it's not good. I've never 870 00:47:37,200 --> 00:47:44,760 Speaker 1: done it well, I have, I have, I have before. 871 00:47:46,480 --> 00:47:49,560 Speaker 1: Are different from me, I've talked it before, I don't 872 00:47:49,760 --> 00:47:52,040 Speaker 1: good about it, and every other way we are the same. 873 00:47:52,960 --> 00:47:54,840 Speaker 1: I'm going to pot the status on Facebook that's saying, hey, 874 00:47:54,840 --> 00:47:59,480 Speaker 1: I don't want to have something to announced, and I 875 00:47:59,719 --> 00:48:05,919 Speaker 1: just I want to apologize. I talked him clean clean. 876 00:48:06,000 --> 00:48:07,840 Speaker 1: I want to get out ahead of this because you 877 00:48:07,840 --> 00:48:10,320 Speaker 1: know that's the next thing. People are going to come for. 878 00:48:10,400 --> 00:48:12,719 Speaker 1: Ship talkers. Literally, this is the first day game for 879 00:48:12,760 --> 00:48:25,719 Speaker 1: the rapists. I think Kevin James, I think I think 880 00:48:25,719 --> 00:48:28,000 Speaker 1: we're gonna we should. I think we have the power 881 00:48:28,560 --> 00:48:33,960 Speaker 1: to tear him down. I think I've heard conservative. I 882 00:48:33,960 --> 00:48:37,799 Speaker 1: mean every like CBS show is Republican of course, even 883 00:48:37,880 --> 00:48:43,959 Speaker 1: Mom probably probably Mom, that's right, Janny Farris, Jamie press 884 00:48:44,200 --> 00:48:47,840 Speaker 1: Jamie Pressley is secretly on that show, and also Missy 885 00:48:47,920 --> 00:48:51,440 Speaker 1: Pyle like just like all of them. The land of 886 00:48:51,520 --> 00:48:56,319 Speaker 1: like lost comedic actresses is there. We just talked about this, 887 00:48:56,440 --> 00:48:58,879 Speaker 1: didn't we talk about this? The Partment. Yeah, I'm still 888 00:48:58,920 --> 00:49:01,479 Speaker 1: reeling from this. But Amy Presley is fully doing fat 889 00:49:01,520 --> 00:49:06,839 Speaker 1: suit comedy on Mom and no one knows. No one knows, 890 00:49:06,840 --> 00:49:09,040 Speaker 1: are just talking about it, but fully there's like fat 891 00:49:09,080 --> 00:49:11,120 Speaker 1: suit comedy going on just around the corner on a 892 00:49:11,160 --> 00:49:14,520 Speaker 1: different channel. It really is like when I So, I 893 00:49:14,560 --> 00:49:17,120 Speaker 1: just spent like a month in Ohio and we were 894 00:49:17,880 --> 00:49:19,920 Speaker 1: I was like in the hospital all day, not not me, 895 00:49:20,000 --> 00:49:22,759 Speaker 1: but I was there and we watched a lot of 896 00:49:22,800 --> 00:49:26,399 Speaker 1: CBS shows because that's like what my grandparents love, and 897 00:49:26,800 --> 00:49:29,200 Speaker 1: I couldn't believe. I was like, wow, this, I just 898 00:49:29,239 --> 00:49:33,400 Speaker 1: didn't even realize, like how republican it can be. Um 899 00:49:33,440 --> 00:49:36,120 Speaker 1: like n C I s all that ship is like 900 00:49:36,120 --> 00:49:39,040 Speaker 1: the Colors don't run. And every variation of NCS is 901 00:49:39,080 --> 00:49:41,719 Speaker 1: exactly the same. It's always like a beleaguered older man 902 00:49:41,800 --> 00:49:44,239 Speaker 1: and then like his like I wouldn't have missabit toys 903 00:49:44,280 --> 00:49:50,280 Speaker 1: that worship him, and the like incredibly hot much younger 904 00:49:50,320 --> 00:49:53,680 Speaker 1: partner that's like turns around and like always their hair 905 00:49:53,800 --> 00:49:57,080 Speaker 1: is down, always like like like you're running in your 906 00:49:57,120 --> 00:49:59,440 Speaker 1: hair is down. What I love about watching these shows 907 00:49:59,480 --> 00:50:02,160 Speaker 1: is it's like on some of these things, I think 908 00:50:02,200 --> 00:50:04,839 Speaker 1: I was watching one of the hospital procedurals and there 909 00:50:04,960 --> 00:50:08,360 Speaker 1: was a literal doctor with her hair down during surgery, 910 00:50:09,480 --> 00:50:13,279 Speaker 1: like was like down, like I need I need not 911 00:50:13,560 --> 00:50:16,520 Speaker 1: ninos and like her hair was like down in the body, 912 00:50:16,640 --> 00:50:22,520 Speaker 1: like I need secus give me ccs now, this guy 913 00:50:22,680 --> 00:50:30,400 Speaker 1: is dying and crying her makeup into the body. Honestly, 914 00:50:30,440 --> 00:50:33,040 Speaker 1: I want a surgeon operating on me with her hair down. 915 00:50:33,840 --> 00:50:36,120 Speaker 1: Whenever Morisco shows up to like chase someone down in 916 00:50:36,120 --> 00:50:39,520 Speaker 1: her hair is like she's like best friends of Debora Messing. 917 00:50:39,840 --> 00:50:42,720 Speaker 1: Are they truly best friends? Yes? Because I follow Debora online. 918 00:50:44,400 --> 00:50:46,799 Speaker 1: I okay. There are two things that she has done 919 00:50:46,840 --> 00:50:48,720 Speaker 1: that I love. One is that she went to Africa 920 00:50:48,840 --> 00:50:52,560 Speaker 1: and it was crazy. There's an article like like a 921 00:50:52,560 --> 00:50:54,920 Speaker 1: white woman goes to Africa and it's like her dancing 922 00:50:55,000 --> 00:50:57,680 Speaker 1: and she's you know, Debora always means well, but she 923 00:50:57,719 --> 00:51:01,040 Speaker 1: always misses the market. And I so I breakfast with 924 00:51:01,080 --> 00:51:05,360 Speaker 1: someone this past week and she coincidentally was on the 925 00:51:05,440 --> 00:51:09,000 Speaker 1: Kelly Ripple Show and who's the other Ryan Seacrest? Okay 926 00:51:09,360 --> 00:51:17,160 Speaker 1: um and hero Ryan Seacrest, Um, my dad Ryan. She 927 00:51:17,239 --> 00:51:19,200 Speaker 1: comes onto the show and she's talking about this like 928 00:51:19,320 --> 00:51:21,719 Speaker 1: solo trip that she took and she did it kind 929 00:51:21,760 --> 00:51:26,360 Speaker 1: of therapy where she where she painted a physical horse. 930 00:51:26,400 --> 00:51:31,760 Speaker 1: She painted onto R and I cannot stop thinking about it. 931 00:51:31,760 --> 00:51:34,480 Speaker 1: It's exactly what I wanted her to do. It's amazing 932 00:51:34,600 --> 00:51:36,359 Speaker 1: because she is just she's like if you look at 933 00:51:36,360 --> 00:51:39,480 Speaker 1: her Instagram, it's like there's a lot going on with 934 00:51:39,520 --> 00:51:44,040 Speaker 1: Deborah and I love her, but you get accept her flaws. 935 00:51:44,080 --> 00:51:47,719 Speaker 1: I love her. She's very on the nose. Here's here's 936 00:51:47,960 --> 00:51:50,000 Speaker 1: I think about Debra. You get the sense that she 937 00:51:50,280 --> 00:51:55,000 Speaker 1: is panicked trying to get the gays to like always 938 00:51:55,040 --> 00:51:57,919 Speaker 1: know that she's on there on their side. Like like 939 00:51:58,080 --> 00:52:00,920 Speaker 1: the second they got off Megan Kelly Show, and she 940 00:52:01,000 --> 00:52:03,160 Speaker 1: had said that weird thing to the guy, like, well, 941 00:52:03,200 --> 00:52:05,120 Speaker 1: I think the gay thing is gonna work out. She 942 00:52:05,200 --> 00:52:07,480 Speaker 1: immediately took Twitter. I was like, we should never have 943 00:52:07,480 --> 00:52:10,359 Speaker 1: done it. We should never have gone. If I could 944 00:52:10,360 --> 00:52:14,239 Speaker 1: go back in time, which I'm working on, we would 945 00:52:14,239 --> 00:52:19,399 Speaker 1: not have done making Kelly today. I'm working on if 946 00:52:19,440 --> 00:52:29,080 Speaker 1: there's one secret project that she has Time one loop. 947 00:52:29,680 --> 00:52:31,960 Speaker 1: Literally I watched the first few episodes of it and 948 00:52:32,000 --> 00:52:35,200 Speaker 1: now I've literally forgotten that it's still on. Yeah, it's 949 00:52:35,239 --> 00:52:37,520 Speaker 1: still on, Yeah, of course it is. It's like a 950 00:52:37,800 --> 00:52:42,399 Speaker 1: show I think it's NBC is like a little toe 951 00:52:42,440 --> 00:52:45,520 Speaker 1: dip back into just multi said I said before that 952 00:52:45,600 --> 00:52:48,560 Speaker 1: it was there litmus test for how Friends were, like 953 00:52:48,600 --> 00:52:50,719 Speaker 1: Reno would do. I don't think there's going to be 954 00:52:50,760 --> 00:52:53,919 Speaker 1: a Friends one episode thing. You don't think I don't. Well, 955 00:52:54,200 --> 00:52:56,040 Speaker 1: I'm not going to say no because I know that 956 00:52:56,239 --> 00:52:58,080 Speaker 1: it will eventually make them all money, and I'm sure 957 00:52:58,080 --> 00:52:59,799 Speaker 1: they'll all do it. I just don't see it coming 958 00:52:59,800 --> 00:53:02,120 Speaker 1: back in a series way, not in a series. I'm 959 00:53:02,120 --> 00:53:07,120 Speaker 1: just saying like just literally like a ten, five hundred 960 00:53:07,160 --> 00:53:09,200 Speaker 1: six of them would probably do it, though, right, Like 961 00:53:09,320 --> 00:53:13,600 Speaker 1: I'm saying like America would just like fucking like orgasm 962 00:53:13,640 --> 00:53:19,520 Speaker 1: at the same time the cream. Yeah, you know, but 963 00:53:20,320 --> 00:53:24,120 Speaker 1: I have such ambivalent feelings about that time period of 964 00:53:24,160 --> 00:53:26,080 Speaker 1: like sitcoms to that, like even with Will and Grace, 965 00:53:26,120 --> 00:53:27,200 Speaker 1: Like the more you think about it, I'm like, I 966 00:53:27,200 --> 00:53:31,000 Speaker 1: don't really I never really connected to like these shows. 967 00:53:31,040 --> 00:53:35,880 Speaker 1: I don't know. I'm so interesting for thinking what if 968 00:53:35,880 --> 00:53:38,279 Speaker 1: they came back and they were like, we're rebooting it, 969 00:53:38,880 --> 00:53:41,040 Speaker 1: and then they were like and I was like and 970 00:53:41,080 --> 00:53:44,880 Speaker 1: they were like, we're bringing back mad about you, I 971 00:53:44,920 --> 00:53:48,160 Speaker 1: would fucking freak, We're bringing back friends, but we're letting 972 00:53:48,200 --> 00:53:51,880 Speaker 1: one person of color join the cast. Can you imagine 973 00:53:52,680 --> 00:53:55,200 Speaker 1: Tyler for like a second dating David Shimmer. That's how 974 00:53:55,239 --> 00:53:57,120 Speaker 1: it always is, and that's like on so many shows 975 00:53:57,160 --> 00:53:59,720 Speaker 1: where it's like, oh, look at her a black boyfriend, 976 00:53:59,880 --> 00:54:02,760 Speaker 1: or and then and then they the last two episodes 977 00:54:02,800 --> 00:54:05,000 Speaker 1: and then you never will ever do that, Like I 978 00:54:05,040 --> 00:54:07,640 Speaker 1: don't think, I don't think. I don't think he ever 979 00:54:07,760 --> 00:54:13,239 Speaker 1: dated a black wom gossip girl. Oh my god, the 980 00:54:13,280 --> 00:54:16,480 Speaker 1: o C like it was always like some derivative of 981 00:54:16,520 --> 00:54:22,360 Speaker 1: Marcia cross On Jerry See speaking of Marcia and Marcia. 982 00:54:22,680 --> 00:54:26,880 Speaker 1: I will fucking watch so much Law in Order s 983 00:54:26,960 --> 00:54:31,360 Speaker 1: VO at home and my parents, and like, she's Marcia 984 00:54:31,400 --> 00:54:33,279 Speaker 1: isn't a great one. What is she doing it she 985 00:54:33,400 --> 00:54:36,800 Speaker 1: play a lawyer? No, she plays the wife, the fifth 986 00:54:36,840 --> 00:54:41,399 Speaker 1: wife of an older rich man who um and her 987 00:54:41,520 --> 00:54:45,400 Speaker 1: and the rich man's children um stepped. So so Marcia's 988 00:54:45,400 --> 00:54:48,160 Speaker 1: stepchildren go to SVO and they're like, we think her 989 00:54:48,200 --> 00:54:51,200 Speaker 1: stepmom is drugging our father into having sex with him 990 00:54:51,520 --> 00:54:53,839 Speaker 1: so that she can have a child to be part 991 00:54:53,880 --> 00:54:57,680 Speaker 1: of his will. It's very interesting, it's very and get 992 00:54:57,760 --> 00:55:01,080 Speaker 1: to what happens and then what happens to you find 993 00:55:01,080 --> 00:55:03,560 Speaker 1: out it's the youngest daughter. Now you find out that 994 00:55:03,600 --> 00:55:07,120 Speaker 1: Marcia actually really loves the guy, which is very sweet. 995 00:55:08,239 --> 00:55:09,840 Speaker 1: And let me guess, did you have a monologue that 996 00:55:09,880 --> 00:55:15,120 Speaker 1: was like my husband. Yes, I would love to be 997 00:55:15,160 --> 00:55:17,880 Speaker 1: on one of those. I think you would be amazing. 998 00:55:17,960 --> 00:55:20,480 Speaker 1: I would give them everything. I would be a jogger 999 00:55:20,520 --> 00:55:22,120 Speaker 1: to that was just like, oh my god, Like I 1000 00:55:22,160 --> 00:55:23,560 Speaker 1: just want to find the body I want to be 1001 00:55:23,640 --> 00:55:26,000 Speaker 1: in the universe. That's all I want. Yeah, I think 1002 00:55:26,040 --> 00:55:29,200 Speaker 1: you would be good as like someone's lawyer that they 1003 00:55:29,239 --> 00:55:33,040 Speaker 1: bring in and they're like and the majority of your 1004 00:55:33,040 --> 00:55:35,680 Speaker 1: lines are like that might have worked before, but it's 1005 00:55:35,719 --> 00:55:40,480 Speaker 1: not gonna work, not today. That would be your trope. 1006 00:55:41,000 --> 00:55:43,920 Speaker 1: Would you would be like the sassiest character and the 1007 00:55:44,000 --> 00:55:47,399 Speaker 1: thirty years I'll tell you who I would get nice. 1008 00:55:49,600 --> 00:55:51,439 Speaker 1: I would be the side character who's there the whole 1009 00:55:51,480 --> 00:55:53,840 Speaker 1: time and like really just kind of like hasn't spoken, 1010 00:55:54,320 --> 00:55:57,279 Speaker 1: and then the last scene is me giving like a 1011 00:55:57,440 --> 00:56:01,000 Speaker 1: very tearful confession on the witness stand and I win 1012 00:56:01,719 --> 00:56:04,040 Speaker 1: an Emmy for it. And you'd be like a beleaguered 1013 00:56:04,120 --> 00:56:09,520 Speaker 1: student who like killed someone because you wanted to, like whatever, 1014 00:56:10,000 --> 00:56:13,479 Speaker 1: But then I get murdered as as in the last 1015 00:56:13,480 --> 00:56:16,600 Speaker 1: two minutes of the episode was the last minute you 1016 00:56:16,600 --> 00:56:18,920 Speaker 1: get shot by the kids, dad or whatever just outside 1017 00:56:18,920 --> 00:56:21,000 Speaker 1: the courthouse when it's like the two latter is being like, 1018 00:56:21,160 --> 00:56:24,319 Speaker 1: well that was a case, and then you hear from 1019 00:56:24,320 --> 00:56:30,240 Speaker 1: outside of it like and then on out and it's like, no, created, 1020 00:56:31,800 --> 00:56:37,840 Speaker 1: I s I think it's so good. You're problematic. You 1021 00:56:37,920 --> 00:56:42,799 Speaker 1: guys are both problematic. Okay, okay. The only show I like. 1022 00:56:46,920 --> 00:56:48,600 Speaker 1: I think it was good. I think there there was 1023 00:56:48,640 --> 00:56:51,000 Speaker 1: a lot of really great episodes on Yes, I mean 1024 00:56:51,040 --> 00:56:54,560 Speaker 1: it's bad, but it's it's an eat. All I can 1025 00:56:54,600 --> 00:56:58,240 Speaker 1: watch now is bad TV. Yes, it's fun to just wait. 1026 00:56:58,360 --> 00:57:02,400 Speaker 1: There was one episode of something where Marcia gay Harden 1027 00:57:02,560 --> 00:57:05,840 Speaker 1: was on it and she she had like a long wait. 1028 00:57:06,640 --> 00:57:08,360 Speaker 1: I forget which one it was, but it was like 1029 00:57:08,360 --> 00:57:11,600 Speaker 1: a law and Order something whatever. She played like an 1030 00:57:11,680 --> 00:57:15,640 Speaker 1: undercover police officer and the majority of her lines were 1031 00:57:15,640 --> 00:57:20,760 Speaker 1: like you're blowing Mike cover. And then they thought she 1032 00:57:20,840 --> 00:57:23,080 Speaker 1: was compromised. That was the whole thing, And then it 1033 00:57:23,120 --> 00:57:25,240 Speaker 1: turns out at the end she is compromised and she 1034 00:57:25,360 --> 00:57:28,680 Speaker 1: blows her own cover by like wildly firing gunshots like 1035 00:57:28,680 --> 00:57:31,200 Speaker 1: in an Alley and they're like you have to stop, 1036 00:57:31,280 --> 00:57:34,680 Speaker 1: Marcia kay, And she's like fine, it's out of hand 1037 00:57:35,080 --> 00:57:38,480 Speaker 1: and it was just so badly written. But then you realize, 1038 00:57:38,600 --> 00:57:41,680 Speaker 1: oh wait, it doesn't matter. It doesn't matter, like it's 1039 00:57:41,720 --> 00:57:45,760 Speaker 1: just supposed to be. They're filming like six a day. Yeah, 1040 00:57:45,880 --> 00:57:50,919 Speaker 1: it's essentially a soap opera. Yeah wait, okay, so talk 1041 00:57:50,960 --> 00:57:53,120 Speaker 1: about this, you love you can only watch bad TV? 1042 00:57:53,280 --> 00:57:57,160 Speaker 1: Is this in as a response reaction to like working 1043 00:57:57,240 --> 00:57:58,640 Speaker 1: on like a show? It was a part of so 1044 00:57:58,760 --> 00:58:00,840 Speaker 1: much good TV. That's what I'm say, like, thank you. 1045 00:58:00,960 --> 00:58:03,080 Speaker 1: Maybe it's like you're just like it's like I just 1046 00:58:03,200 --> 00:58:06,000 Speaker 1: want it, did not have to look up to something 1047 00:58:06,040 --> 00:58:08,200 Speaker 1: in a way or like aspire to something. Well, it 1048 00:58:08,280 --> 00:58:11,520 Speaker 1: mostly was like I was working on late night political 1049 00:58:11,560 --> 00:58:15,320 Speaker 1: shows for two years, so I just got really stressed 1050 00:58:15,360 --> 00:58:17,480 Speaker 1: and sad watching the news every day because so much 1051 00:58:17,480 --> 00:58:21,400 Speaker 1: of it directly affects me and my family. Uh so 1052 00:58:21,480 --> 00:58:23,080 Speaker 1: it's hard. I was like, oh, I don't want to 1053 00:58:23,080 --> 00:58:25,200 Speaker 1: watch anything that like asks anything of me, Like what 1054 00:58:25,240 --> 00:58:27,480 Speaker 1: I'm watching for work is already so draining. So I 1055 00:58:27,520 --> 00:58:30,200 Speaker 1: just started watching Real Housewives in March and that and 1056 00:58:30,240 --> 00:58:32,040 Speaker 1: I was already like prior to that. I did, like 1057 00:58:32,080 --> 00:58:36,680 Speaker 1: Gossip Girl, Famous in Love and Love, I mean, it's 1058 00:58:36,680 --> 00:58:38,439 Speaker 1: everything you want it to be. So Bella Thorne tries 1059 00:58:38,480 --> 00:58:41,880 Speaker 1: out for a like cattle Called for She was like, 1060 00:58:42,240 --> 00:58:44,280 Speaker 1: her friend convinced her to go to this cattle call 1061 00:58:44,320 --> 00:58:48,800 Speaker 1: for um, a Twilight esque franchise, and Bella Thorne gets 1062 00:58:48,840 --> 00:58:51,240 Speaker 1: apart even though her friend is the actor, so it's 1063 00:58:51,280 --> 00:58:55,240 Speaker 1: her like perfect right there? Great, well, my favorite line 1064 00:58:55,240 --> 00:58:59,520 Speaker 1: of the series was her friend is like, but I'm 1065 00:58:59,560 --> 00:59:04,320 Speaker 1: the f major I am, and like just screams. And 1066 00:59:04,360 --> 00:59:06,520 Speaker 1: then I saw that girl in person and I almost 1067 00:59:06,520 --> 00:59:07,880 Speaker 1: went up to take a picture with her, but then 1068 00:59:07,880 --> 00:59:09,160 Speaker 1: it was like, I'm making fun of her, so I'm 1069 00:59:09,160 --> 00:59:10,320 Speaker 1: not going to do it. But oh, but I think 1070 00:59:10,320 --> 00:59:11,919 Speaker 1: you would have been very tactful, and but you would 1071 00:59:11,920 --> 00:59:14,200 Speaker 1: have been like I really loved love that show and 1072 00:59:14,240 --> 00:59:15,960 Speaker 1: love you in that show. But yeah, okay, I get that. 1073 00:59:16,000 --> 00:59:19,160 Speaker 1: I got that again. Yeah, I'm I'm making fun but 1074 00:59:21,720 --> 00:59:29,000 Speaker 1: free for um and what else I mean any like, oh, 1075 00:59:29,160 --> 00:59:32,480 Speaker 1: Riverdale obviously, and then um this show called Lawson Found 1076 00:59:32,520 --> 00:59:35,920 Speaker 1: Music Studios, which is my favorite show of all time. 1077 00:59:35,960 --> 00:59:38,320 Speaker 1: I think not really, but it's like the worshow I've 1078 00:59:38,360 --> 00:59:40,160 Speaker 1: ever seen so I picked it because at one star 1079 00:59:40,200 --> 00:59:44,240 Speaker 1: in Netflix. Um, I firmly believe that anyone in like 1080 00:59:44,440 --> 00:59:47,240 Speaker 1: our scene, or like any adult that you know that 1081 00:59:47,240 --> 00:59:49,040 Speaker 1: watches that show, watches it because I told them to 1082 00:59:49,040 --> 00:59:52,200 Speaker 1: watch it. If you see people posting about it, I 1083 00:59:52,240 --> 00:59:55,360 Speaker 1: found it. So it's a It takes place in an 1084 00:59:55,360 --> 00:59:57,280 Speaker 1: after school program for kids who want to make it 1085 00:59:57,320 --> 00:59:59,880 Speaker 1: into the music industry. It's to spin off of another Canadians. 1086 01:00:00,320 --> 01:00:02,960 Speaker 1: So it's just all these like Canadian tweens acting as 1087 01:00:03,000 --> 01:00:07,480 Speaker 1: hard as they possibly can. It's amazing. So I mean, 1088 01:00:07,560 --> 01:00:09,560 Speaker 1: it's just like the main characters named Luke and Leia. 1089 01:00:09,640 --> 01:00:14,840 Speaker 1: They never talked about it. Yes, it's right. The teacher 1090 01:00:15,040 --> 01:00:17,840 Speaker 1: never discussed They never bring it up. The teacher's name 1091 01:00:18,000 --> 01:00:20,960 Speaker 1: is Mr T and they never talk about that except 1092 01:00:21,000 --> 01:00:23,200 Speaker 1: for one of the characters. At one point, Very Sincerely 1093 01:00:23,280 --> 01:00:24,400 Speaker 1: is like trying to get him to give it a 1094 01:00:24,400 --> 01:00:26,720 Speaker 1: girl another audition, and he's like, I pity the fool 1095 01:00:26,760 --> 01:00:28,600 Speaker 1: who doesn't give her another chance, And it was like, 1096 01:00:29,320 --> 01:00:35,400 Speaker 1: I'm that God, what if In the second last episode 1097 01:00:35,400 --> 01:00:38,040 Speaker 1: of the whole series, they're like, oh my god, you 1098 01:00:38,120 --> 01:00:40,200 Speaker 1: know what, I just realized. You guys are Luke and 1099 01:00:40,320 --> 01:00:45,600 Speaker 1: Leah and then they all blow their brains up. And 1100 01:00:45,640 --> 01:00:49,640 Speaker 1: then there's one episode where a little girl um says 1101 01:00:49,680 --> 01:00:52,240 Speaker 1: that she wrote the song Freebird, and like she sings 1102 01:00:52,280 --> 01:00:53,960 Speaker 1: free Bird at the beginning of the episode and everyone's like, 1103 01:00:54,000 --> 01:00:56,600 Speaker 1: oh my god, Claria, like great song. And then she's like, 1104 01:00:56,640 --> 01:00:58,200 Speaker 1: thank you so much, I wrote it, and they're like, 1105 01:00:58,200 --> 01:01:00,600 Speaker 1: your songwriting fools are really improving. So no one at 1106 01:01:00,600 --> 01:01:02,760 Speaker 1: the school has heard Freebird before. Then they're in a 1107 01:01:02,800 --> 01:01:05,080 Speaker 1: cafe later in the episode and they hear a Freebird 1108 01:01:05,120 --> 01:01:06,920 Speaker 1: and they're like, wait, Clara, isn't this your song? And 1109 01:01:07,080 --> 01:01:09,280 Speaker 1: just like what you can get mad at me for 1110 01:01:09,320 --> 01:01:11,120 Speaker 1: saying that I wrote free birdie though I didn't write 1111 01:01:11,160 --> 01:01:14,920 Speaker 1: free Bird, And a whole lot of episode it's crazy. 1112 01:01:15,040 --> 01:01:17,080 Speaker 1: And then they all like sort of cycle through all 1113 01:01:17,080 --> 01:01:20,360 Speaker 1: the same costumes over and over again. And the testimonials, 1114 01:01:20,360 --> 01:01:23,400 Speaker 1: I'm pretty sure they have them improvised. There are too full, 1115 01:01:23,440 --> 01:01:25,440 Speaker 1: you know how, Like auditions are like a montage on 1116 01:01:25,560 --> 01:01:29,840 Speaker 1: most There are two full episodes of auditions on the 1117 01:01:29,840 --> 01:01:32,840 Speaker 1: show where they sing. They have like a song for 1118 01:01:32,840 --> 01:01:35,880 Speaker 1: each episode, and then they that every auditions sings to 1119 01:01:35,960 --> 01:01:38,040 Speaker 1: hear at four kids, and each audition episode sing the 1120 01:01:38,040 --> 01:01:43,160 Speaker 1: song all the way through and Boston found Music Studios. 1121 01:01:44,000 --> 01:01:46,240 Speaker 1: It's on free Form. No, no, it's on Netflix. It's 1122 01:01:46,240 --> 01:01:48,120 Speaker 1: a Netflix original. I picked it because I had one 1123 01:01:48,120 --> 01:01:51,920 Speaker 1: star at the time. Um, it's incredible. I mean it's 1124 01:01:52,000 --> 01:01:55,040 Speaker 1: really really So you were like, this looks bad, let's 1125 01:01:55,040 --> 01:01:57,080 Speaker 1: do this well because anytime I don't, I don't. I 1126 01:01:57,080 --> 01:01:59,200 Speaker 1: don't know how like I'll just when I'm like browsing 1127 01:01:59,240 --> 01:02:01,480 Speaker 1: Netflix and I see a teen show that has a 1128 01:02:01,480 --> 01:02:04,800 Speaker 1: low rating and like, let's go or a teen movie. 1129 01:02:04,840 --> 01:02:07,800 Speaker 1: I watched a movie called Picture This with Ashley Tisdale, 1130 01:02:07,920 --> 01:02:10,920 Speaker 1: which is from like two thousand ten or something, but 1131 01:02:11,000 --> 01:02:17,920 Speaker 1: the plot centers around her getting a camera phone. There 1132 01:02:17,960 --> 01:02:20,200 Speaker 1: was there was something like that. There was like a 1133 01:02:20,280 --> 01:02:24,960 Speaker 1: Lost esque drama, like action adventure drama that was on Netflix. 1134 01:02:25,000 --> 01:02:26,800 Speaker 1: I tried to watch. It's called The three hundred or 1135 01:02:26,840 --> 01:02:30,000 Speaker 1: the two hundred. Now I don't know about the three 1136 01:02:30,000 --> 01:02:32,680 Speaker 1: percent this. Let me explain what the show was. It 1137 01:02:32,800 --> 01:02:36,440 Speaker 1: was humanity does not exist on the Earth anymore because 1138 01:02:36,880 --> 01:02:38,720 Speaker 1: there was I know you're talking about. I didn't watch it. 1139 01:02:38,920 --> 01:02:40,960 Speaker 1: There was like nuclear attack or something, or like the 1140 01:02:41,080 --> 01:02:44,560 Speaker 1: atmosphere they believe is not not habitable anymore, so they 1141 01:02:44,560 --> 01:02:48,720 Speaker 1: all live on a spaceship above the Earth, and there's 1142 01:02:48,920 --> 01:02:53,200 Speaker 1: this group of teenagers called like the three hundred, and 1143 01:02:53,200 --> 01:02:55,439 Speaker 1: they have like criminal records or something or something weird, 1144 01:02:55,880 --> 01:02:57,800 Speaker 1: and they decide that the way they're going to find 1145 01:02:57,800 --> 01:03:00,200 Speaker 1: out if they can go be on Earth again is 1146 01:03:00,240 --> 01:03:02,840 Speaker 1: they're going to send these teens down there to find 1147 01:03:02,840 --> 01:03:05,400 Speaker 1: out if it's still habitable or something. And it's like, 1148 01:03:05,560 --> 01:03:11,160 Speaker 1: so it's so awful, um, but they basically send them 1149 01:03:11,160 --> 01:03:13,280 Speaker 1: down there and it is habitable, and so it kind 1150 01:03:13,280 --> 01:03:17,000 Speaker 1: of becomes like a Lost esque type show. But let 1151 01:03:17,000 --> 01:03:19,000 Speaker 1: me tell you, it was literally so bad, so maybe 1152 01:03:19,000 --> 01:03:22,520 Speaker 1: that's something for you to look into it. Like, honestly, 1153 01:03:22,600 --> 01:03:24,320 Speaker 1: I watched the first episode and I was like, this 1154 01:03:24,400 --> 01:03:27,080 Speaker 1: is heinous. It's like it has one of those characters 1155 01:03:27,080 --> 01:03:30,440 Speaker 1: who's like the bitchy girl. She's like, I'm going in 1156 01:03:30,440 --> 01:03:34,600 Speaker 1: the water and types off her clothes. It was like, 1157 01:03:34,760 --> 01:03:37,920 Speaker 1: very much like a Catherine Cohen character, like fucking you 1158 01:03:37,920 --> 01:03:40,919 Speaker 1: guys can stay over there on the land. I'm going 1159 01:03:40,920 --> 01:03:44,280 Speaker 1: in the water, and they're like Corina no, or like whatever. 1160 01:03:45,520 --> 01:03:48,880 Speaker 1: And the one like girl girl who's like the lead 1161 01:03:48,880 --> 01:03:51,000 Speaker 1: of the show, was like, I don't think she's going there. 1162 01:03:52,000 --> 01:03:56,600 Speaker 1: And they were like stopping a Marissa like and she's like, 1163 01:03:57,200 --> 01:03:59,200 Speaker 1: the water is good, and of course she gets attacked 1164 01:03:59,240 --> 01:04:05,360 Speaker 1: immediately by a huge snake. Yeah, you can't be beautiful. Honestly, 1165 01:04:05,480 --> 01:04:08,120 Speaker 1: she looked so dead, like the thing like was ripping 1166 01:04:08,120 --> 01:04:10,120 Speaker 1: her apart. But then she was like she washed up on. 1167 01:04:10,400 --> 01:04:13,680 Speaker 1: She's like, I'm a little hurt, and then she was fine, 1168 01:04:14,200 --> 01:04:18,240 Speaker 1: what I let me say. The thing bit her and 1169 01:04:18,320 --> 01:04:22,520 Speaker 1: dragged her around this like infested lake and she was 1170 01:04:22,560 --> 01:04:24,920 Speaker 1: like it was like the first scene of Jaws, but 1171 01:04:25,000 --> 01:04:27,439 Speaker 1: like or it's like that part in Drastic World. Yes, 1172 01:04:27,560 --> 01:04:31,280 Speaker 1: oh that scene. Well she very much died, Yeah, for sure. 1173 01:04:31,360 --> 01:04:35,120 Speaker 1: The character of Zara, which her name was literally also 1174 01:04:35,240 --> 01:04:38,080 Speaker 1: like I'm a bit I'm on my phone. Yeah, I'm 1175 01:04:38,120 --> 01:04:40,800 Speaker 1: an english woman who's on my phone and doesn't like children, 1176 01:04:41,080 --> 01:04:43,280 Speaker 1: so you know I'm going to get it very badly. 1177 01:04:43,680 --> 01:04:48,200 Speaker 1: And then she gets literally ripped apart by tranodons, thrown 1178 01:04:48,240 --> 01:04:52,760 Speaker 1: in the air. She gets plunged underwater, still dragged about 1179 01:04:52,800 --> 01:04:55,880 Speaker 1: by tarot actyls, and then the big huge sea monster 1180 01:04:56,080 --> 01:04:58,040 Speaker 1: jumps up in the air and chomps her and a 1181 01:04:58,080 --> 01:05:01,360 Speaker 1: tarrod actyl in one bite, and it is fucking crazy 1182 01:05:01,400 --> 01:05:03,360 Speaker 1: study and I thought we were so high. I turned 1183 01:05:03,360 --> 01:05:08,160 Speaker 1: to study. I'm like, wow, that was too much. Yeah, 1184 01:05:08,240 --> 01:05:11,960 Speaker 1: that was fucking crazy because the rule is supposed to 1185 01:05:12,000 --> 01:05:14,320 Speaker 1: be that, like in every one of those movies, you 1186 01:05:14,360 --> 01:05:16,480 Speaker 1: have to have one character die like a gruesome death, 1187 01:05:16,520 --> 01:05:19,280 Speaker 1: but usually it's the character that like deserves it, you 1188 01:05:19,280 --> 01:05:21,360 Speaker 1: know what I mean, Like it's like you you really 1189 01:05:21,480 --> 01:05:24,200 Speaker 1: show a character being hard. And she was like she 1190 01:05:24,360 --> 01:05:27,240 Speaker 1: was like thin and a brunette and more like a 1191 01:05:27,360 --> 01:05:31,480 Speaker 1: nice white suit and like was texting like, well, it's 1192 01:05:31,480 --> 01:05:33,720 Speaker 1: actually really cool commentary about like do I we engage 1193 01:05:33,720 --> 01:05:37,280 Speaker 1: with our phones? So don't be on your phone and 1194 01:05:37,400 --> 01:05:39,880 Speaker 1: like don't be have like a posh English accent and 1195 01:05:39,920 --> 01:05:42,800 Speaker 1: also don't have a name that starts with Z. Also 1196 01:05:42,880 --> 01:05:48,520 Speaker 1: don't hate kids. She was Bryce Dallas Howard's assistant. Oh 1197 01:05:48,560 --> 01:05:52,840 Speaker 1: my gosh, she was like and it was just very funny. Also, 1198 01:05:52,880 --> 01:05:56,320 Speaker 1: that movie will hold up. I will say it will 1199 01:05:56,360 --> 01:05:59,680 Speaker 1: because Bryce Dallas Howard. Chris Kelly had such a good 1200 01:05:59,680 --> 01:06:01,480 Speaker 1: tweet right after it came out where he was like, 1201 01:06:02,000 --> 01:06:04,960 Speaker 1: I get Jurassic World in Jurassic Park, confused which one 1202 01:06:05,000 --> 01:06:07,320 Speaker 1: has Laura Dern and which one has Bryce Dallas Howard 1203 01:06:07,360 --> 01:06:11,720 Speaker 1: out running a t Rex in a new heel. It's 1204 01:06:11,760 --> 01:06:17,880 Speaker 1: really good. Um, you have to wear a nude heel. Honestly, 1205 01:06:18,160 --> 01:06:20,640 Speaker 1: she never took the heels off the whole time and 1206 01:06:20,680 --> 01:06:25,520 Speaker 1: there were dinosaurs following. That's amazing. That's feminist. That is feminist. 1207 01:06:25,880 --> 01:06:30,160 Speaker 1: That is also I'm talking about a haircut that like 1208 01:06:30,280 --> 01:06:34,200 Speaker 1: Red Bob, I have not seen this. Oh my god, 1209 01:06:35,320 --> 01:06:38,200 Speaker 1: you have to. You have to ursic. It's not punching 1210 01:06:38,240 --> 01:06:41,880 Speaker 1: down because it's a fucking multibillion dollar franchise. I thought 1211 01:06:41,880 --> 01:06:45,440 Speaker 1: it was legit. I thought it sucked. I mean it sucked. 1212 01:06:45,480 --> 01:06:48,800 Speaker 1: But also, you know what sucks Jurassic Park. Oh I 1213 01:06:48,840 --> 01:06:53,200 Speaker 1: love dressing. Yeah it sucks, sure, but it's fun. Actually, 1214 01:06:53,200 --> 01:06:55,360 Speaker 1: you know what, maybe it doesn't suck. I will say this, 1215 01:06:55,560 --> 01:06:57,560 Speaker 1: do you like Jurassic Park? I've never seen that. You've 1216 01:06:57,600 --> 01:07:00,720 Speaker 1: never seen any anything? Is that? Would you say that's 1217 01:07:00,720 --> 01:07:03,440 Speaker 1: the biggest movie that you haven't seen. No, there's definitely 1218 01:07:03,920 --> 01:07:07,200 Speaker 1: bigger one. You haven't seen Titanic. I have seen that. 1219 01:07:07,200 --> 01:07:08,880 Speaker 1: It was the first PG thirteen movie that I saw. 1220 01:07:09,000 --> 01:07:10,680 Speaker 1: My parents made me wait till his thirteen and then 1221 01:07:10,680 --> 01:07:12,560 Speaker 1: they want my brother, younger brother and sister watch it. 1222 01:07:12,560 --> 01:07:16,040 Speaker 1: With me, and I was so pissed. I'll never get 1223 01:07:16,040 --> 01:07:18,640 Speaker 1: over my parents let me go see it when I 1224 01:07:18,680 --> 01:07:21,040 Speaker 1: when I was seven when it came out, but because 1225 01:07:21,080 --> 01:07:23,280 Speaker 1: they thought it was like culturally important, because because it 1226 01:07:23,320 --> 01:07:26,040 Speaker 1: was like a huge movement, and I became obsessed with 1227 01:07:26,080 --> 01:07:28,200 Speaker 1: the actual Titanic like in the second grade, like I 1228 01:07:28,200 --> 01:07:32,120 Speaker 1: would like do a project and stuff, and um, they 1229 01:07:32,200 --> 01:07:36,120 Speaker 1: just covered my eyes during the booby scene the city 1230 01:07:36,200 --> 01:07:38,680 Speaker 1: send a sexy scene, right, I had my eyes covered 1231 01:07:38,720 --> 01:07:43,160 Speaker 1: for that too. UM's hard? Left? Can you talk about 1232 01:07:43,200 --> 01:07:46,240 Speaker 1: Miracle Workers at all? Is it too early? Um? I 1233 01:07:46,240 --> 01:07:48,480 Speaker 1: can talk about like the premise. I honestly don't know 1234 01:07:48,520 --> 01:07:50,080 Speaker 1: what I'm allowed to talk about. I just I love 1235 01:07:50,120 --> 01:07:51,720 Speaker 1: the premise and like I don't think like I mean, 1236 01:07:51,880 --> 01:07:54,000 Speaker 1: I think it will be like a great Let's have 1237 01:07:54,040 --> 01:07:56,360 Speaker 1: me trix because I think it's great. The premise is basically, 1238 01:07:56,560 --> 01:07:59,280 Speaker 1: Heaven is a company and God is the CEO, and 1239 01:07:59,280 --> 01:08:01,200 Speaker 1: he's sort of this like out to lunch trust fund 1240 01:08:01,320 --> 01:08:03,720 Speaker 1: kid um, and he decides he doesn't want to keep 1241 01:08:04,080 --> 01:08:06,000 Speaker 1: Heaven open anymore when he finds out the people, and 1242 01:08:06,040 --> 01:08:08,200 Speaker 1: he doesn't want to keep Earth open anymore, and Heaven 1243 01:08:08,240 --> 01:08:10,320 Speaker 1: to because he finds out people on Earth aren't very 1244 01:08:10,320 --> 01:08:14,240 Speaker 1: happy and don't like him very much. So um, angels 1245 01:08:14,240 --> 01:08:16,280 Speaker 1: from the Prayer's Department make a bet with God that 1246 01:08:16,320 --> 01:08:19,760 Speaker 1: if they can make a miracle happen, um, he'll keep 1247 01:08:19,800 --> 01:08:22,120 Speaker 1: Heaven open. And he's like yeah, sure, and the miracle. 1248 01:08:22,720 --> 01:08:26,439 Speaker 1: The miracle is to make too, um humans who prayed 1249 01:08:26,479 --> 01:08:28,519 Speaker 1: to be with each other kiss. So it's like very 1250 01:08:28,560 --> 01:08:31,920 Speaker 1: sweet and like wacky and fun. It's a it's a 1251 01:08:31,960 --> 01:08:34,280 Speaker 1: really uh I had I had such a good time. 1252 01:08:34,280 --> 01:08:36,040 Speaker 1: And it's based on a book, so I think, like 1253 01:08:36,080 --> 01:08:39,559 Speaker 1: I'm not like ruining anything. Sure, Um, I think that's 1254 01:08:39,600 --> 01:08:41,840 Speaker 1: so fun. Like I heard that and I was just 1255 01:08:41,920 --> 01:08:44,439 Speaker 1: like that. I would watch that show. No, I can't wait. 1256 01:08:44,479 --> 01:08:46,920 Speaker 1: And it's it's you know, it's an Athology. It's seven episodes. 1257 01:08:47,000 --> 01:08:52,439 Speaker 1: It's like it's really sweet and like contained and just 1258 01:08:52,560 --> 01:08:54,840 Speaker 1: it's fun. We did table reads a few weeks ago 1259 01:08:55,000 --> 01:08:57,840 Speaker 1: and it was like very cool to hear the story. 1260 01:08:58,520 --> 01:09:02,080 Speaker 1: It's Um, the star is right now are Daniel Radcliffe 1261 01:09:02,080 --> 01:09:07,960 Speaker 1: and Steve Busemi Um, and then um, this girl Geraldine Um, 1262 01:09:08,000 --> 01:09:09,960 Speaker 1: I forget what her last name is. It starts with 1263 01:09:10,000 --> 01:09:16,080 Speaker 1: the VU and then um, Karen Sony's John bass um 1264 01:09:16,120 --> 01:09:18,400 Speaker 1: and I forget the other main girl. But there's a 1265 01:09:18,400 --> 01:09:22,000 Speaker 1: lot of like really fun people. That's so fun. It's 1266 01:09:22,120 --> 01:09:24,600 Speaker 1: really fun. Oh and oh, actually, I don't know if 1267 01:09:24,640 --> 01:09:28,880 Speaker 1: she's good firm. There might be someone she's not. Well, 1268 01:09:28,880 --> 01:09:34,160 Speaker 1: it's exciting. She's it's one of my good friends. And 1269 01:09:34,160 --> 01:09:39,720 Speaker 1: guess what you won't anyway? That sounds like such a 1270 01:09:39,720 --> 01:09:42,880 Speaker 1: good show. Oh I cannot wait. Yeah, I cannot wait 1271 01:09:42,880 --> 01:09:45,880 Speaker 1: for a miracle. Workers. When when is a debuting? I 1272 01:09:45,880 --> 01:09:50,479 Speaker 1: don't know yet. It starts filming this coming week. Wow, okay, 1273 01:09:51,800 --> 01:09:53,960 Speaker 1: you're gonna sit and I am going I'm filming a 1274 01:09:54,000 --> 01:09:57,040 Speaker 1: little part. Oh wow, yeah, you're gonna have a chair 1275 01:09:57,080 --> 01:10:02,200 Speaker 1: and everything, so ch check. All right, So it might 1276 01:10:02,200 --> 01:10:05,160 Speaker 1: be time. It might be the time to do I 1277 01:10:05,160 --> 01:10:08,120 Speaker 1: don't think so, honey. Now you might be familiar with 1278 01:10:08,240 --> 01:10:11,880 Speaker 1: I don't think so honey, because we do it every episode. Um. 1279 01:10:11,960 --> 01:10:15,000 Speaker 1: We've also had several live shows. Well I don't think so, 1280 01:10:15,040 --> 01:10:17,640 Speaker 1: honey live Thank you guys if you came out to them. 1281 01:10:17,760 --> 01:10:21,479 Speaker 1: And um, yes, So this is where we take one 1282 01:10:21,479 --> 01:10:24,280 Speaker 1: minute to rail against culture. And Bone is gonna go 1283 01:10:24,320 --> 01:10:26,519 Speaker 1: first because I consistently go first, and I'm just fucking 1284 01:10:26,520 --> 01:10:29,479 Speaker 1: tired of it, all right, drama, Yeah that was what 1285 01:10:29,520 --> 01:10:31,840 Speaker 1: you saw right, there was true drama. Mem I'm okay, 1286 01:10:32,040 --> 01:10:33,479 Speaker 1: all right, this is I don't think so honey with 1287 01:10:33,479 --> 01:10:35,760 Speaker 1: Boonen Yang and its time starts now. I don't think 1288 01:10:35,800 --> 01:10:39,240 Speaker 1: so honey. Eminem's. My co host, Matt Rogers brings Eminem's 1289 01:10:39,360 --> 01:10:42,000 Speaker 1: to the fucking recordings every week, and I don't know why, 1290 01:10:42,080 --> 01:10:44,400 Speaker 1: because they just make a mess. He's about to throw 1291 01:10:44,439 --> 01:10:46,040 Speaker 1: them and no, never mind, he's just gonna put them 1292 01:10:46,040 --> 01:10:47,679 Speaker 1: in his mouth. He's eating them right now. But look 1293 01:10:47,680 --> 01:10:51,519 Speaker 1: he's chooting them. That's the most disgusting, ungodly sound ever heard. 1294 01:10:51,560 --> 01:10:54,040 Speaker 1: I don't think so honey. You making me just nibble 1295 01:10:54,080 --> 01:10:56,240 Speaker 1: at them, and then I have coloring on my fingers 1296 01:10:56,240 --> 01:10:57,759 Speaker 1: and I have to lick it off like a fucking 1297 01:10:57,920 --> 01:11:00,080 Speaker 1: five year old. Why would you make me do this? 1298 01:11:00,280 --> 01:11:04,960 Speaker 1: I feel debased, I feel prim I feel so childish, 1299 01:11:05,479 --> 01:11:06,640 Speaker 1: and I don't think so many. I don't know why 1300 01:11:06,680 --> 01:11:09,679 Speaker 1: you would keep bringing these disgusting traits. They're not healthy, 1301 01:11:09,840 --> 01:11:12,080 Speaker 1: they're not good for you. I don't think so honey. Eminem's. 1302 01:11:12,240 --> 01:11:14,920 Speaker 1: Um god, I can't even fill up a whole minute 1303 01:11:14,960 --> 01:11:17,759 Speaker 1: talking about this. I'm just very mad that you would 1304 01:11:17,800 --> 01:11:21,360 Speaker 1: bring this, and it actually ends up sabotaging my cadence 1305 01:11:21,920 --> 01:11:24,559 Speaker 1: because I'm trying to hold up, hold up conversation and 1306 01:11:24,600 --> 01:11:27,120 Speaker 1: but meanwhile I'm like reaching over and eating this and 1307 01:11:27,160 --> 01:11:30,439 Speaker 1: like it's not, it's not, it's it's it makes me 1308 01:11:30,479 --> 01:11:33,400 Speaker 1: a worse a worse host, and you are you are 1309 01:11:33,479 --> 01:11:37,679 Speaker 1: trying to sabotage Me's very transparent. Okay, that was the 1310 01:11:37,680 --> 01:11:41,680 Speaker 1: worst you've ever done. Because if you don't want these eminem's, 1311 01:11:41,680 --> 01:11:43,519 Speaker 1: by all means, have some of the pretzels that I 1312 01:11:43,520 --> 01:11:47,360 Speaker 1: also bought. No, or these Pepperage Farm oatmeal raisin cookies 1313 01:11:47,360 --> 01:11:49,160 Speaker 1: which I got because I know that you like oatmeal 1314 01:11:49,200 --> 01:11:52,120 Speaker 1: raising just like me, and I go out of my 1315 01:11:52,160 --> 01:11:55,439 Speaker 1: way to provide a variety of snacks and for you 1316 01:11:55,479 --> 01:11:58,120 Speaker 1: to act like I forced you to do anything, bit, 1317 01:11:58,320 --> 01:12:00,439 Speaker 1: we're not going to eat the snacks while a recording. 1318 01:12:00,479 --> 01:12:02,799 Speaker 1: I know why you bring food to the recording because 1319 01:12:02,920 --> 01:12:06,160 Speaker 1: it is a nice thing to do. And hph, I 1320 01:12:06,280 --> 01:12:09,280 Speaker 1: just nodded his head in agreement behind you. So guess what, honey, 1321 01:12:09,439 --> 01:12:12,639 Speaker 1: I don't think so. I don't think so, honey. They 1322 01:12:12,800 --> 01:12:19,200 Speaker 1: just interrupt my my sort of my flow. Okay, don't 1323 01:12:19,439 --> 01:12:24,000 Speaker 1: you dare touch them again if I ever bring them, 1324 01:12:24,080 --> 01:12:26,920 Speaker 1: and I will and I will continue to put them 1325 01:12:26,920 --> 01:12:29,519 Speaker 1: out on the table and sort them by color, which 1326 01:12:29,560 --> 01:12:35,599 Speaker 1: I do, and if I to them, honey, I just 1327 01:12:36,040 --> 01:12:40,000 Speaker 1: there's no practical purpose for them, but enjoyment. This is 1328 01:12:40,640 --> 01:12:44,160 Speaker 1: believe this. What is your take on his take? My 1329 01:12:44,320 --> 01:12:49,360 Speaker 1: take is, um, sorry to be divisive, but it's a 1330 01:12:49,439 --> 01:12:52,840 Speaker 1: nice thing to do. And you were eating them, which 1331 01:12:53,000 --> 01:12:56,439 Speaker 1: I resent I should not have been eating them. Okay, 1332 01:12:56,640 --> 01:12:59,240 Speaker 1: get some self con I don't think so, honey. Behavior 1333 01:13:01,439 --> 01:13:05,559 Speaker 1: that's fair. I think that you were, so I can 1334 01:13:06,520 --> 01:13:08,599 Speaker 1: kind of pass judgment, like, yeah, yeah, you know what 1335 01:13:08,680 --> 01:13:18,080 Speaker 1: this is. This is historic. I'm resending this story. The 1336 01:13:18,120 --> 01:13:24,440 Speaker 1: ban will say this. I really respect that you pretended 1337 01:13:24,520 --> 01:13:26,519 Speaker 1: like you've prepared. I don't think so, honey. This week 1338 01:13:26,600 --> 01:13:30,280 Speaker 1: good because you didn't prepare that, which I am on 1339 01:13:30,400 --> 01:13:33,439 Speaker 1: record over the last several episodes by saying Bow and 1340 01:13:33,520 --> 01:13:37,519 Speaker 1: Yang never prepares. I don't think somethings beforehand, and he 1341 01:13:37,640 --> 01:13:40,120 Speaker 1: tried to very slyly do this. I don't think so, honey. 1342 01:13:40,160 --> 01:13:42,360 Speaker 1: Matt Rogers brings them and then just now and it 1343 01:13:42,479 --> 01:13:45,439 Speaker 1: was that felt like prepared and forced to you. Well, 1344 01:13:45,520 --> 01:13:48,240 Speaker 1: you literally called out that you couldn't get through a minute. No, 1345 01:13:48,320 --> 01:13:50,760 Speaker 1: I'm saying it didn't feel prepared at all. You were. 1346 01:13:50,880 --> 01:13:53,720 Speaker 1: You were very cleverly trying to, you know, make it 1347 01:13:53,760 --> 01:13:55,960 Speaker 1: seem like you had prepared. So it wasn't. Okay, we 1348 01:13:56,000 --> 01:13:58,280 Speaker 1: don't have to we don't have to talk about that. Wow, 1349 01:13:58,360 --> 01:14:01,720 Speaker 1: you just spiraled this is Matt Robbers is. I don't 1350 01:14:01,760 --> 01:14:08,240 Speaker 1: think so, honey. Time starts better be good now, I 1351 01:14:08,280 --> 01:14:11,240 Speaker 1: don't think so, honey. The phrase Seacrest out, how come 1352 01:14:11,360 --> 01:14:13,640 Speaker 1: we just let that happen? First of all, bitch, No, 1353 01:14:13,760 --> 01:14:16,280 Speaker 1: I don't think so, honey, Seacrest out. It had nothing 1354 01:14:16,320 --> 01:14:18,880 Speaker 1: to do with the show. It was very transparently Ryan 1355 01:14:18,960 --> 01:14:22,439 Speaker 1: Seacrest stopping his stupid little feed in a meeting one 1356 01:14:22,520 --> 01:14:24,320 Speaker 1: day saying I need to sign off. I need to 1357 01:14:24,360 --> 01:14:27,040 Speaker 1: sign off, and everyone in the fucking room sucking, throwing 1358 01:14:27,080 --> 01:14:28,680 Speaker 1: their hands up in the AIRBN like we don't know 1359 01:14:28,720 --> 01:14:31,000 Speaker 1: what to say, Like come up with something. He said, fine, 1360 01:14:31,080 --> 01:14:34,160 Speaker 1: I will, said Seacrest out. Probably people laugh because it 1361 01:14:34,200 --> 01:14:37,200 Speaker 1: was so stupid, and he thought, huh good, yeah good, 1362 01:14:37,280 --> 01:14:40,080 Speaker 1: and kept saying if I like several seasons, to the 1363 01:14:40,080 --> 01:14:42,920 Speaker 1: point where it became like an institutional part of American idol, 1364 01:14:43,160 --> 01:14:45,400 Speaker 1: and it was Seacrest Out, which, by the way, the 1365 01:14:45,439 --> 01:14:49,599 Speaker 1: irony of that is fucking crazy. Seacrest Out. I don't 1366 01:14:49,640 --> 01:14:53,320 Speaker 1: think so, honey. Also, you should literally take note of 1367 01:14:53,360 --> 01:14:56,439 Speaker 1: the amazing other sign offs like Tina Fey's wonderful weekend 1368 01:14:56,479 --> 01:14:58,720 Speaker 1: up date, good night and have a pleasant tomorrow. That's 1369 01:14:59,520 --> 01:15:03,760 Speaker 1: was that drink hurt well Originally? Yeah, okay, um, I 1370 01:15:03,760 --> 01:15:05,880 Speaker 1: don't think how any Seacrest out. And you know what 1371 01:15:05,960 --> 01:15:08,479 Speaker 1: I say at the end of this, Roger's just kidding. 1372 01:15:08,479 --> 01:15:11,759 Speaker 1: I would never say that. And that's one minute seven 1373 01:15:11,800 --> 01:15:18,240 Speaker 1: seconds to Jane Curtain. I had to correct because you 1374 01:15:18,280 --> 01:15:21,640 Speaker 1: were spreading falsehoods. I didn't think Jane Curtain came up 1375 01:15:21,640 --> 01:15:26,080 Speaker 1: with that night and have a pleasant tomorrow. She did. 1376 01:15:26,120 --> 01:15:31,519 Speaker 1: C craze good night number six of Culture Jane Curtain 1377 01:15:31,680 --> 01:15:36,040 Speaker 1: created good Night. There was the usually conducted with sign 1378 01:15:36,040 --> 01:15:37,280 Speaker 1: off was good night and have a pleasant tomorrow. I 1379 01:15:37,320 --> 01:15:38,800 Speaker 1: don't think it was. I think that. I would like 1380 01:15:38,840 --> 01:15:42,960 Speaker 1: to challenge you. Okay, well Culture Asta's listeners look it up. 1381 01:15:43,160 --> 01:15:45,679 Speaker 1: It's real. Do you know this The answer to this, no, 1382 01:15:45,960 --> 01:15:48,080 Speaker 1: I'm really not like I didn't grow up on it. 1383 01:15:49,880 --> 01:15:52,680 Speaker 1: Lover no, I like it. I definitely watched it more 1384 01:15:52,720 --> 01:15:54,880 Speaker 1: now than ever, like having friends who work on the show. 1385 01:15:55,560 --> 01:15:58,080 Speaker 1: Prior to that, it was like all right for me, No, 1386 01:15:58,160 --> 01:16:00,240 Speaker 1: it just wasn't for you. You were a mad TV eque. 1387 01:16:00,800 --> 01:16:03,400 Speaker 1: I actually did like mat TV more. This is the 1388 01:16:03,520 --> 01:16:05,920 Speaker 1: thing and like some mad TV is really good. Some 1389 01:16:06,040 --> 01:16:08,080 Speaker 1: TV is really good, and like more people are more 1390 01:16:08,080 --> 01:16:10,920 Speaker 1: people are like coming out of the closet about TV. 1391 01:16:11,640 --> 01:16:13,679 Speaker 1: It's the next movement, I think, coming out and saying 1392 01:16:13,720 --> 01:16:16,040 Speaker 1: they love that. Three of us love it, like Patty 1393 01:16:16,120 --> 01:16:19,439 Speaker 1: loves it, like everyone like secretly love We just watched 1394 01:16:19,520 --> 01:16:24,479 Speaker 1: the Huntresses was on Huntresses AG, which is another thing 1395 01:16:25,840 --> 01:16:28,439 Speaker 1: Huntresses A, which is another thing that is like that 1396 01:16:28,600 --> 01:16:31,519 Speaker 1: is really good at being bad on purpose. It's really 1397 01:16:31,520 --> 01:16:33,320 Speaker 1: good at being There's a scene where they're like running 1398 01:16:33,320 --> 01:16:36,599 Speaker 1: through the forest and it's just running from the side 1399 01:16:36,600 --> 01:16:37,920 Speaker 1: of the set to the side of the set and 1400 01:16:38,880 --> 01:16:44,360 Speaker 1: cuts are horrible and is so funny and when they 1401 01:16:44,439 --> 01:16:47,280 Speaker 1: run from across the set and like but the best 1402 01:16:47,280 --> 01:16:49,360 Speaker 1: part is they go to a corner and then they 1403 01:16:49,400 --> 01:16:51,880 Speaker 1: just tuddle and like for turn to face each other 1404 01:16:53,360 --> 01:16:56,920 Speaker 1: and then watch that. Everyone go online and watch Preistor 1405 01:16:57,000 --> 01:16:59,800 Speaker 1: Countresses and the way that Deborah Wilson delivers lines in 1406 01:16:59,840 --> 01:17:03,160 Speaker 1: it so funny. She just screams them and screams them. 1407 01:17:03,160 --> 01:17:06,400 Speaker 1: It's so good. Um, Okay, Mitra, are you ready? Bone, 1408 01:17:06,439 --> 01:17:08,360 Speaker 1: I'm going to do the one that I didn't do 1409 01:17:08,479 --> 01:17:13,320 Speaker 1: for the culture because it was we it was too dark. Well, 1410 01:17:13,360 --> 01:17:15,200 Speaker 1: I love that. I love that you bring the darkness. 1411 01:17:15,360 --> 01:17:17,400 Speaker 1: I think it's really funny though. It's really good. Okay, 1412 01:17:18,640 --> 01:17:20,920 Speaker 1: I don't think so, honey. Her time starts now, I 1413 01:17:20,920 --> 01:17:26,479 Speaker 1: don't think so, honey. My grandpa's funeral, Okay, So the 1414 01:17:26,479 --> 01:17:28,559 Speaker 1: guy who runs the funeral is this pastor that we 1415 01:17:28,600 --> 01:17:31,200 Speaker 1: didn't even want. He had a horrible toupee. He was 1416 01:17:31,240 --> 01:17:33,400 Speaker 1: eating all the food and like all my family is 1417 01:17:33,439 --> 01:17:35,599 Speaker 1: like whatever, and some of them I don't even know, 1418 01:17:35,680 --> 01:17:37,839 Speaker 1: but I knew that this guy couldn't possibly be a relative. 1419 01:17:37,880 --> 01:17:39,679 Speaker 1: He went on stage and he read the fucking footprint 1420 01:17:39,720 --> 01:17:42,040 Speaker 1: story as in, like two footprints on the sand, which 1421 01:17:42,080 --> 01:17:43,800 Speaker 1: is a magnet. He just read it as though it 1422 01:17:43,880 --> 01:17:46,320 Speaker 1: was something that actually applied to the story, and then 1423 01:17:46,560 --> 01:17:48,720 Speaker 1: he pronounced every single person's name wrong. My name is, 1424 01:17:48,880 --> 01:17:51,800 Speaker 1: but he pronounced Mitro, Naja and Arayah. And then he 1425 01:17:51,920 --> 01:17:54,200 Speaker 1: left the service early it didn't even call with us 1426 01:17:54,200 --> 01:17:56,080 Speaker 1: to the mausoleum, so we just like did it on 1427 01:17:56,120 --> 01:17:59,920 Speaker 1: our own. And then this was not his fault, but 1428 01:18:00,000 --> 01:18:02,080 Speaker 1: I will attribute it to him with somebody picked the 1429 01:18:02,120 --> 01:18:05,080 Speaker 1: song and I will always love you to play and 1430 01:18:05,120 --> 01:18:06,720 Speaker 1: that was the song that played as if people left 1431 01:18:06,840 --> 01:18:09,680 Speaker 1: the fuse and like hugged everybody. Goodbuy. So we're just 1432 01:18:09,720 --> 01:18:11,080 Speaker 1: listening to the song. And now every time I hear 1433 01:18:11,120 --> 01:18:13,360 Speaker 1: that song, I think about my grandpa's funeral. I don't 1434 01:18:13,400 --> 01:18:15,000 Speaker 1: think so, honey. The people who did his makeup, he 1435 01:18:15,080 --> 01:18:18,760 Speaker 1: was cooler than that, I don't think so, honey. The 1436 01:18:18,760 --> 01:18:20,599 Speaker 1: bad nacks in the funeral home, in the bad conversation, 1437 01:18:20,600 --> 01:18:23,759 Speaker 1: I don't think so, honey. My grandpa's funeral that was great, 1438 01:18:23,960 --> 01:18:26,800 Speaker 1: was really really good. Oh my god, that's so. When 1439 01:18:26,800 --> 01:18:29,679 Speaker 1: you told me that story, I was like, that is tragic, 1440 01:18:29,720 --> 01:18:32,720 Speaker 1: but also it was crazy. But it was also like 1441 01:18:33,400 --> 01:18:36,519 Speaker 1: very funny because like my grandpa's super super funny and 1442 01:18:36,720 --> 01:18:40,799 Speaker 1: he would have like just lost it. Yes, it was crazy. 1443 01:18:40,800 --> 01:18:42,280 Speaker 1: He didn't even try to say my dad's name. My 1444 01:18:42,320 --> 01:18:46,240 Speaker 1: dad's name is Maron, and he was like run of course, 1445 01:18:47,920 --> 01:18:56,760 Speaker 1: and you know youright, everyone in the room because he's 1446 01:18:56,760 --> 01:18:59,240 Speaker 1: like yeah, he was like he's like Southern Baptist pastor 1447 01:18:59,360 --> 01:19:04,640 Speaker 1: or whatever matron so and you know, afterwards, to his 1448 01:19:04,680 --> 01:19:09,400 Speaker 1: wife he was like, the names were insane names. I 1449 01:19:09,439 --> 01:19:14,640 Speaker 1: thought I did great. And you know the song we 1450 01:19:14,680 --> 01:19:21,080 Speaker 1: did at the end was that Tony Braxt Tony Morrison. 1451 01:19:23,520 --> 01:19:26,400 Speaker 1: She was a wonderful singer. I told she needs to 1452 01:19:26,439 --> 01:19:30,760 Speaker 1: put out a new record to the footsteps story Footprints, yeah, 1453 01:19:30,800 --> 01:19:32,640 Speaker 1: you know that one. Because I saw the magnon on 1454 01:19:32,680 --> 01:19:36,760 Speaker 1: the fridge. It was truly crazy, like that is the 1455 01:19:36,800 --> 01:19:39,479 Speaker 1: worst story. I mean, we were just all looking at 1456 01:19:39,520 --> 01:19:43,000 Speaker 1: each other like I can't believe just tell any other story. 1457 01:19:43,280 --> 01:19:45,920 Speaker 1: There's so many things in the Bible about death, and 1458 01:19:46,720 --> 01:19:50,920 Speaker 1: just that story like still doesn't make sense to me. Also, 1459 01:19:51,120 --> 01:19:52,840 Speaker 1: not for nothing, but if you don't have the right 1460 01:19:52,880 --> 01:19:54,680 Speaker 1: thing to say, like if that story is not going 1461 01:19:54,760 --> 01:19:56,800 Speaker 1: to make sense and you can't make it make sense, 1462 01:19:56,800 --> 01:19:58,120 Speaker 1: and if you don't have the right thing to say, 1463 01:19:58,360 --> 01:20:02,240 Speaker 1: just say less. Say I had I had a family 1464 01:20:02,240 --> 01:20:07,240 Speaker 1: friend that passed away very young, and the pastor got 1465 01:20:07,320 --> 01:20:09,120 Speaker 1: up and I guess felt the need to try to 1466 01:20:09,160 --> 01:20:12,040 Speaker 1: say something about when a person dies very young, and 1467 01:20:12,080 --> 01:20:14,200 Speaker 1: he was like, you know, you have to think this 1468 01:20:14,360 --> 01:20:17,200 Speaker 1: was what was and he was trying to kind of 1469 01:20:17,240 --> 01:20:21,559 Speaker 1: say like trying to kind of say like things like that, 1470 01:20:22,000 --> 01:20:25,320 Speaker 1: and some people do take dude, take um saw us 1471 01:20:25,360 --> 01:20:28,200 Speaker 1: in that, but he kind of like got so like 1472 01:20:28,439 --> 01:20:30,479 Speaker 1: tripping over his words and I think maybe nervous as 1473 01:20:30,479 --> 01:20:32,360 Speaker 1: he was saying it that he ended up saying something 1474 01:20:32,400 --> 01:20:35,599 Speaker 1: that was like we should all just like, uh, you know, 1475 01:20:35,720 --> 01:20:38,160 Speaker 1: take care of things sooner, and like you know, because 1476 01:20:38,200 --> 01:20:41,840 Speaker 1: the person got it was just it was so it 1477 01:20:41,880 --> 01:20:44,519 Speaker 1: was it was just so far away. It was like 1478 01:20:44,560 --> 01:20:48,760 Speaker 1: watching someone like trip over a rock and then trip 1479 01:20:48,800 --> 01:20:51,360 Speaker 1: over another rock and then another rock and then a waterfall. 1480 01:20:51,520 --> 01:20:55,679 Speaker 1: But it is like it is like it is like 1481 01:20:55,960 --> 01:21:00,360 Speaker 1: grief is so funny, like and like my week of 1482 01:21:00,400 --> 01:21:03,439 Speaker 1: the funeral was like so crazy because I had to 1483 01:21:03,600 --> 01:21:04,960 Speaker 1: I have like had to come back to New York 1484 01:21:04,960 --> 01:21:07,200 Speaker 1: and then to go back to Louisville for the funeral. 1485 01:21:07,280 --> 01:21:09,960 Speaker 1: And I am on the way to my flight, I 1486 01:21:09,960 --> 01:21:16,200 Speaker 1: got in a car accident and then started my period. 1487 01:21:16,280 --> 01:21:18,920 Speaker 1: And you know what, God has a plan for that. 1488 01:21:18,920 --> 01:21:24,240 Speaker 1: That was God. That was that was God. It was 1489 01:21:24,280 --> 01:21:35,400 Speaker 1: so tight. Yeah, nothing like a tight uterus on a woman, 1490 01:21:37,400 --> 01:21:46,720 Speaker 1: a man uterus, this storage this this episode has tickled me, 1491 01:21:48,640 --> 01:21:50,760 Speaker 1: tickled me in all the right places. You know what, 1492 01:21:51,240 --> 01:21:56,000 Speaker 1: I think? This was such a fun romp. Actually one 1493 01:21:56,000 --> 01:21:59,519 Speaker 1: of my least favorite works. Sexual romp is like it's 1494 01:21:59,520 --> 01:22:02,720 Speaker 1: always like a bad rom com Yeah that's a romp. Oh, 1495 01:22:02,720 --> 01:22:05,240 Speaker 1: so it's bad. It's what they call a movie that 1496 01:22:05,320 --> 01:22:07,439 Speaker 1: has like more women than they'd like it to be. 1497 01:22:07,720 --> 01:22:09,760 Speaker 1: Feel like they can't call it like a comedy, so 1498 01:22:10,160 --> 01:22:12,920 Speaker 1: it's a wrong. It's like not all thin women. They're like, 1499 01:22:12,920 --> 01:22:19,519 Speaker 1: it's wrong. If there's one person of color, or a 1500 01:22:19,520 --> 01:22:22,040 Speaker 1: gate or a queer person, it's a wrong. This wrong 1501 01:22:22,600 --> 01:22:27,040 Speaker 1: A rat race was a wrong? Is such a fun wrong? 1502 01:22:27,880 --> 01:22:31,599 Speaker 1: What wrong? Go a berg in rat Race? Member race? 1503 01:22:34,640 --> 01:22:38,120 Speaker 1: Rat Race is the mat TV of movies. It's so good. 1504 01:22:40,640 --> 01:22:42,920 Speaker 1: This is my full thought. Rat Race is the mat 1505 01:22:42,920 --> 01:22:50,320 Speaker 1: TV of movies. It's so good. A listeners, thank you 1506 01:22:50,360 --> 01:22:52,720 Speaker 1: for coming along with us on this romp. By the way, 1507 01:22:52,760 --> 01:22:56,960 Speaker 1: that the title of this episode is wrong. It's a 1508 01:22:57,000 --> 01:23:09,080 Speaker 1: wrong wrong with stupid you guys around Maker is the best, 1509 01:23:09,120 --> 01:23:11,120 Speaker 1: but when is the best? H p J is the 1510 01:23:11,160 --> 01:23:16,200 Speaker 1: best and I'm the best. We gotta close up with 1511 01:23:16,200 --> 01:23:17,960 Speaker 1: the songs, close that with the song we always close 1512 01:23:18,000 --> 01:23:25,240 Speaker 1: that with the song. You've got all these snacks and 1513 01:23:26,360 --> 01:23:30,400 Speaker 1: you when if you pick the eminem, what you gonna 1514 01:23:30,520 --> 01:23:35,880 Speaker 1: do when you pick this snack? You like, you better 1515 01:23:36,600 --> 01:23:42,160 Speaker 1: commit to that snack. You can only have one snack 1516 01:23:42,400 --> 01:23:50,160 Speaker 1: all night. Once you're starting in a snack, you can't wait. Okay, 1517 01:23:50,160 --> 01:23:55,160 Speaker 1: every time I was actually helping because this here, because 1518 01:23:55,200 --> 01:23:58,200 Speaker 1: she did this with Patty and cat Um. Can you sing, Michelle? 1519 01:23:58,240 --> 01:24:00,080 Speaker 1: Can we sing Goodbye to You? By Michelle bra and 1520 01:24:00,200 --> 01:24:07,519 Speaker 1: Jess Just the chorus, Yeah, good Bye, good Bye to 1521 01:24:07,920 --> 01:24:16,200 Speaker 1: anything that I knew. You're the one love, the one 1522 01:24:16,280 --> 01:24:23,600 Speaker 1: thing that I tried to hold onto. Goodbye to you, 1523 01:24:25,360 --> 01:24:32,760 Speaker 1: any bye to everything that I knew. Well, You're the 1524 01:24:32,800 --> 01:24:37,839 Speaker 1: one love, the one thing that I tried to hold 1525 01:24:37,880 --> 01:24:50,800 Speaker 1: on you, one thing that I tried to you by Chelsea. 1526 01:24:51,720 --> 01:24:55,240 Speaker 1: This has been a Forever Dog production executive produced by 1527 01:24:55,240 --> 01:25:00,600 Speaker 1: Bret Bohum, Joe Cilio, and Alex Ramsey. For more original podcasts, 1528 01:25:00,680 --> 01:25:04,680 Speaker 1: please visit Forever Dog Podcasts dot com and subscribe to 1529 01:25:04,720 --> 01:25:08,680 Speaker 1: our shows on Apple Podcasts, Spotify, or wherever you get 1530 01:25:08,680 --> 01:25:11,920 Speaker 1: your podcasts. Keep up with the latest Forever Dog news 1531 01:25:11,920 --> 01:25:16,720 Speaker 1: by following us on Twitter and Instagram at Forever Dog Team. 1532 01:25:16,760 --> 01:25:18,920 Speaker 1: And liking our page on Facebook.