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Speaker 1: Look mad oh, I see you? Why look over there?

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Speaker 1: How is that culture? Yes? Goodness ding dong lost culture

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Speaker 1: tired as hose of the mic, hose that the mic

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Speaker 1: gonna come down? Maybe this is what we did. They

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Speaker 1: have been coming down for days. When will they finally

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Speaker 1: reach the bottom? Girl? Well, I think we we hit

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Speaker 1: our bottom this morning. So let's full disclose. The last

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Speaker 1: five six days have been a blitz and it's and

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Speaker 1: it's been so lovely and so wonderful. But then yesterday

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Speaker 1: we did finally sort of indulge ourselves in it. Maybe

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Speaker 1: watching The Hours with a bunch of people in a

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Speaker 1: cay hole. Basically what happened at the end of the

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Speaker 1: Fire Island trip was we put on the film The

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Speaker 1: Hour starting to call him in an Oscar winning performance.

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Speaker 1: Get into that later, uh, And of course Miss Julianne

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Speaker 1: Moore and the one the only Meryl Street, I don't forget,

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Speaker 1: Tony Color, don't forget. And Claire Janes as Ed Harrod

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Speaker 1: absolutely at Harrison Daniels really say that. Now, Um, what

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Speaker 1: happens is you sort of get to the point in

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Speaker 1: the Fire Island vacation, which we really ended up taking

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Speaker 1: this weekend. We took the point the vacation sort of

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Speaker 1: a preview of what's going to happen next month when

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Speaker 1: we really go and sort of found ourselves sort of

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Speaker 1: sitting around um with nothing to do except just indulge

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Speaker 1: in the hours the two thousand to film. That is fine,

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Speaker 1: Oh well, we don't have time to get into this.

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Speaker 1: First of all, I've I've struggled today, You've struggled today.

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Speaker 1: We've both struggled in different ways. One of the most

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Speaker 1: emotional periods of my young life. Actually a very emotional day,

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Speaker 1: and I think we are ending it in the th

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Speaker 1: h e E the most Maga and the stallion the way.

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Speaker 1: And here's the thing. First of all, we want to

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Speaker 1: say a huge thank you to everyone that's streamed Fire

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Speaker 1: Island and is streaming Fire Island and you're literally bulling

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Speaker 1: us over with emotions seriously, and this is not a joke.

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Speaker 1: A lot of what we've said is so far has

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Speaker 1: been sort of like a quote unquote joke. And sometimes

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Speaker 1: when you listen to this podcast, a lot of times

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Speaker 1: will be quote unquote joking, which something comedians do when

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Speaker 1: they want to like not be too serious. So this

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Speaker 1: part of the podcast is more serious when I say

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Speaker 1: thank you for streaming Fire Island, You've been so kind,

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Speaker 1: You've been so kind, Thank you so much for all

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Speaker 1: the nice messages. Really, I mean, I feel so so blast.

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Speaker 1: We live under a lucky starm We live under a

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Speaker 1: lucky star, which I feel like I've been saying a

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Speaker 1: lot and sort of, Um, what what kids get when

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Speaker 1: they've been good is a treat as a treat, and

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Speaker 1: so what what is heaven't today is we have sort

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Speaker 1: of gathered into the studio Bowen and myself and our guests,

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Speaker 1: and our guests who I believe is the cherry on

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Speaker 1: top of the Fire Island Sunday, wouldn't you say? Bo?

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Speaker 1: I think? Are not my words but the lovely SNL

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Speaker 1: network twitter account has pointed out how our guest was

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Speaker 1: the breakout star of the movie and share the screen

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Speaker 1: with me in the past on Nanel sketch. Yeah, if

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Speaker 1: I had known that I was going to be meeting

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Speaker 1: one of my sister and that would have done it

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Speaker 1: so different. You would have been so much nicer on

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Speaker 1: set that way. I think the big, big bad wolf,

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Speaker 1: the big bad wolf, big beautiful beautiful woman. You are

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Speaker 1: such a big beautiful woman, Bo. You are a big

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Speaker 1: beautiful woman. I think our guest is the biggest, most beautiful,

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Speaker 1: most woman woman. And you know what happens to cherries,

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Speaker 1: they get popped absolutely, so oh my god, coy laugh,

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Speaker 1: our coy little guest is truly a talent, a superstar,

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Speaker 1: a charismatic force of nature, charisma, pure talent, pure beauty person.

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Speaker 1: And we are literally, um, we we've well. Iconically, we

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Speaker 1: went to go see them in Hades Talent on Broadway

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Speaker 1: and we told him we had to take a and

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Speaker 1: they said, oh girl, I'm not in the show today,

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Speaker 1: but let me knock knees and they did the show

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Speaker 1: just for us. And iconically we were going to go

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Speaker 1: see them in Diana and the Musical. But we all

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Speaker 1: got o Macron. I did, I did, at least you did,

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Speaker 1: and then I proceeded to get macron and then all

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Speaker 1: of New York City got a Macron and so I

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Speaker 1: think they did shut down the show really unfortunately, yes,

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Speaker 1: and that was track, but none of that stopped this

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Speaker 1: bitch from zeal Our Hearts and the Show and the

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Speaker 1: Scenes A Viral Island directed by Andrewan, written by Jil

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Speaker 1: Kim Booster, starring Bowen Yang Can I just say a

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Speaker 1: new favorite line in the film, and then I've rewounded

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Speaker 1: many many times today. What is it? Maybe they killed him.

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Speaker 1: Maybe they killed him. We don't even know if anything happened.

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Speaker 1: Maybe they killed him. It's so fun. And I have

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Speaker 1: a little smile in that moment, which was very real,

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Speaker 1: very real, And that's sort of how you know that

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Speaker 1: the good energy and I'm I'm I'm getting tacked all

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Speaker 1: right now. Um, that's how you know. The energy was

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Speaker 1: really good and really real, and it was true sister life.

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Speaker 1: It was sister support, sister life, sister energy. We're all

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Speaker 1: getting tactile right now as we welcome true stardom into

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Speaker 1: your ears. Everyone give it up for Thomas. Do what

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Speaker 1: you're doing. Wow, and we're off to the racist. Thanks

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Speaker 1: for joining us on this podcast last that's what you

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Speaker 1: have just iconically said. You don't really listen to it

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Speaker 1: because you're my girls. I was like, why do I

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Speaker 1: have to listen to them to catch up with those girl?

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Speaker 1: You're probably yes, Wait, how is your okay? You you

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Speaker 1: came for a day trip on the island yesterday. Your thoughts?

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Speaker 1: What was the journey back? Like, what was the overall

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Speaker 1: thought on the day honestly, I live for a day

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Speaker 1: trip bed. You know, you get in, you do what

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Speaker 1: you gotta do, and you get the home. Because I

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Speaker 1: love my bed. Yeah, there's nothing like my bed. It's

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Speaker 1: all other beds are so overrated. Describe it, describe, But

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Speaker 1: what's your bed? Like? What's your bed? Situation? Client path?

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Speaker 1: Unbelieving you are those things? Side that's soft and pussy

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Speaker 1: like me, honestly, So what are we saying? Like? Is

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Speaker 1: that a foam topper? I really want to know what

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Speaker 1: it gives? It gives down alternatives, down, alternative in the

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Speaker 1: pillow alternatives. What are what color the sheets right now?

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Speaker 1: Right now? Is dark purple? And like I'm a run

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Speaker 1: in the dark purple? Yeah, like majestic like tone on

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Speaker 1: tone purple purple? Is your is your room giving colors?

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Speaker 1: It gives um like lights in the corners and fairy light? Yeah?

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Speaker 1: Are you still wait? Are you still in Starting Island

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Speaker 1: right now? No, I'm in a little stublet right now.

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Speaker 1: I left my grandma's apartment and found my own place

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Speaker 1: for the for the time being. From staten to hear,

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Speaker 1: from st to write the fun I'm sleeping in this

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Speaker 1: It's actually be kind of the Honestly, I had an

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Speaker 1: appartment Greenpoint that was this size. You'd have to pay

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Speaker 1: six in this location at least a thousand dollars. O

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Speaker 1: my god, bitch, it's been so great to reconnect with

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Speaker 1: you and see you again. I haven't missed your ass.

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Speaker 1: I really have missed job. Like I felt like there

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Speaker 1: was a pizza ma hot missing. Yeah, and now it

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Speaker 1: felt like I feel like I got my growth bag.

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Speaker 1: I don't know about you, but I literally once we

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Speaker 1: left Fish at the end of the wrap and we

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Speaker 1: all did wrap together, and that was a tier feunit moment.

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Speaker 1: I literally like it had been like the weeks had

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Speaker 1: gone by and I hadn't talked to Fish, and then

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Speaker 1: I was like, am I abandoning Fish? Like I need

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Speaker 1: to reach back out to fish. No, I felt like,

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Speaker 1: you know, we had to just swim on our own. Yeah,

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Speaker 1: these are these are fish. I don't think I'm fish,

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Speaker 1: but you two are fish because you're both Pisces, and

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Speaker 1: you're both you're you're both serving fish, and we were

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Speaker 1: sort of we're sort of but we but also we

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Speaker 1: had to be Thomas and I as Keegan and Luke

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Speaker 1: in the film The Kitty and Olydia we had to

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Speaker 1: be one organ and we we melted right into each

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Speaker 1: other right away. I did, bitch. We became the two

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Speaker 1: fish in the pis sign. Yes, the two fish in

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Speaker 1: the Pisces sign. Why don't I know? I believe there

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Speaker 1: are I believe there are two. I think it is

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Speaker 1: Pisces is you can It is a way to be

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Speaker 1: like you want a sixty nine, You can say you

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Speaker 1: want to Pisces. You in the Equinox stame room one time,

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Speaker 1: literally we had just started shooting. This is like last

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Speaker 1: year in the late summer. I'm at the Equonox and Williamsburg.

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Speaker 1: I see Fish like sort of getting trade down Giving

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Speaker 1: day and sort of like stalking in the halls looking

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Speaker 1: fucking so hot. Truly, this is also one of the

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Speaker 1: most beautiful individuals in the damn world. And I went over.

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Speaker 1: I went over to Fish and I said, tread day,

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Speaker 1: tread day all day? What's going on? What is on

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Speaker 1: the menu for tonight? And he was like, we're gonna

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Speaker 1: be And then so we know where you're trolling. I mean,

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Speaker 1: you know, like the girls who get it get it, yeah,

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Speaker 1: and I tend to get it. In the Equinox steamroom.

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Speaker 1: I feel like I shouldn't even be saying that though,

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Speaker 1: because that's like a brand advertisement page for Equinox. I

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Speaker 1: bet this sales about to raise the funk up because

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Speaker 1: I said that because I want to find I want

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Speaker 1: to find Tomas in the steam room, um Columbus Circle

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Speaker 1: location normally about what we're doing it, Williams. William is

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Speaker 1: like the maybe one of the gayer ones that that

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Speaker 1: is like crazy. Yeah, I definitely has that reputation for sure.

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Speaker 1: I go to the one in Hollywood, the Equinox Hollywood,

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Speaker 1: and you do see you do get the sense that

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Speaker 1: there are eyes on you. Yeah. I kind of live

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Speaker 1: for it though. Okay, so can you walk us through,

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Speaker 1: like how do you dream scenario? How do you do it?

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Speaker 1: Because neither of us have ever hoped never we said

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Speaker 1: this is al we're saying. We we need you to

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Speaker 1: be our sense I have fish, our fish. I Okay.

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Speaker 1: My favorite reason why I like it is because there's

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Speaker 1: no talking. And if you start talking to me and

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Speaker 1: we in the theme room, I'm like it's over. I'm

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Speaker 1: not trying to have a conversation with I'm trying to

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Speaker 1: talk to your dig Do people try to have a conversation, yes,

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Speaker 1: And That's when I'm like, and now what do I know?

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Speaker 1: I'm like, I'm fine, let's get this going. Come on.

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Speaker 1: That's Andrew's first movie. Spot is basically just like wordless,

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Speaker 1: like dead ass? What a guy? That's Do you believe

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Speaker 1: that our film has? Should our film have awards? Buzz?

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Speaker 1: Should we started here on this pop culture puzz? Yes?

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Speaker 1: Should we break the news that we have awards? Buzz?

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Speaker 1: I think? I think honestly, if we don't get MTV

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Speaker 1: Movie and TV Awards, numbs and indie spirit and glad

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Speaker 1: and glad. You hear that shellby a Searchlight, Okay, start

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Speaker 1: pushing come she will come through. She no isn't and icon.

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Speaker 1: I think let's shout out. We had a publicist at

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Speaker 1: Searchlight who was a felt icon, and we found out

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Speaker 1: that she at drag Coon got Did you see what

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Speaker 1: she has on her tooth? A little gold squiggle like

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Speaker 1: a jewel on ath? She got a tooth to I

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Speaker 1: didn't even hear about this. Did you know about tooth

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Speaker 1: gems which all the like cunt bitches have tooth? Okay,

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Speaker 1: but like but like because she was Shelby was saying,

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Speaker 1: it's going to take two years. This is just like

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Speaker 1: you have it on, you have it on, it gets

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Speaker 1: glued on. Okay, that to me is unreal to say,

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Speaker 1: I'm here at drag coon. Let me, let me get

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Speaker 1: this thing on my tooth, not even a far back tooth.

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Speaker 1: One of the tooths. Do you see when you smile?

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Speaker 1: One of the main girls. It's one of the main

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Speaker 1: girl in your mouth. There are main girls that you

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Speaker 1: see when you smile. It's actually a little culture at

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Speaker 1: number four. There are main girls that you see when

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Speaker 1: you smile. And these are what we call the main girls. Really,

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Speaker 1: it's one to three four. See the ones I'm pointing

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Speaker 1: to four we call Prye, Samantha, Miranda, and Charlotte. And

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Speaker 1: then we got over here, miss thing who went splat

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Speaker 1: out the window. Yeah, that's the tooth that Shelby had

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Speaker 1: had bedazzling one. I do right here on the girl who.

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Speaker 1: But the only thing is when you're incisus. Yes, my

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Speaker 1: incisive is giving vampire ding. It's just so hard. I

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Speaker 1: feel like, because you know, I walk face, I feel

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Speaker 1: like that is an immediate chop to be like, what

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Speaker 1: do you have on your tooth? Bitch? Do you think

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Speaker 1: it's an immedia chop? Because then they might be like,

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Speaker 1: are you hiding something? Do you do you like, do

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Speaker 1: you have the nose ring on when you when you

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Speaker 1: walk face? I'm not supposed to. Are you supposed to?

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Speaker 1: So for every for everyone that doesn't know Thomas walks

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Speaker 1: face in actual balls period, how's the Miaki down Beach legendary?

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Speaker 1: Season two legends? Here we go. Let let me ask

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Speaker 1: you this. So, are you supposed to be presenting clean

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Speaker 1: cunt face, like you know, relying on any accessor rosses. No,

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Speaker 1: unless the category calls for an accessory, unless they're like

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Speaker 1: bring it, bring it, like into the to the boardroom

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Speaker 1: and you have to wear glasses exactly, give and give

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Speaker 1: boardroom kind. But I feel like for the most part,

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Speaker 1: you're supposed to give like fresh no accessory sort of thing,

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Speaker 1: which is damn. I'm like, damn, but I want a tooth, Jym,

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Speaker 1: you want a tooth? Jam. It's accessories a category. No, no,

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Speaker 1: not a category, but it's access It's like a theme

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Speaker 1: on face you think that you can do, but still

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Speaker 1: they'll give you like a certain thing. It's like it's

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Speaker 1: like you're saying, like like executive, I mean I've seen

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Speaker 1: I've I've seen you walk face just only on Instagram,

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Speaker 1: but it is like truly captivating. Have you seen have

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Speaker 1: you seen? Yes, I've seen, I've seen fishes content. We

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Speaker 1: have not been an advitag of. I want to come

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Speaker 1: to a ball. Oh, it's come through Latex ball. That's

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Speaker 1: that's the day of the Culture Awards. Is that night.

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Speaker 1: It's a night when the are things to night? Oh wait,

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Speaker 1: actually it might be like a dayball. Really. Yeah, well

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Speaker 1: we'll have to get in from Providen. Girl, if you

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Speaker 1: wouldn't believe it, the schedule keeps a scheduling. Girl is

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Speaker 1: giving pride down. It's giving pride the most exhausting month

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Speaker 1: of the year. It is June one six. I've never

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Speaker 1: been the start she's giving marathon. Yeah, and I'm not

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Speaker 1: a run. I'm I don't run. You really don't run

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Speaker 1: in the gym when I spied you, No, girl, I'd

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Speaker 1: like to, you know, let out, yeah, live, find out

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Speaker 1: where the girl to go in. Yeah, stay in one

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Speaker 1: spot in the gym so we can actually purvey and survey.

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Speaker 1: But because you get to stay in one place technically

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Speaker 1: and just like on a treadmill at least, and there's

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Speaker 1: some scope out the place. Wait, that's actually a very

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Speaker 1: good bitch. And did you know did you know too

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Speaker 1: that you you you burned barely a little bit more

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Speaker 1: calorie running than you do walk. You just walk at

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Speaker 1: a brisk pace and it's basically the same calories and

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Speaker 1: then you won't have to sweat. Yeah, yeah, Fish, he's

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Speaker 1: so smart. Or your big sisters, your uncle, my uncle,

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Speaker 1: em my crazy uncle. But I was telling, I was

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Speaker 1: telling Jos. I was like, all right, I keep forgetting

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Speaker 1: that you're because you have the old spirit down down

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Speaker 1: but still with the youth. Damn you think. I mean,

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Speaker 1: look at you all times. Tell me about so tell

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Speaker 1: me about because we know. But the people want to know,

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Speaker 1: like you went to La Guardia High School, popped off

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Speaker 1: there because you have to study something. They're like, what's

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Speaker 1: the two everything. I was a dance major, so I

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Speaker 1: did like a block of dance and then all the

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Speaker 1: academics after or like it would be switched depending on

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Speaker 1: my year. My senior year, it was like all academics

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Speaker 1: and then dance. So what I would normally do is

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Speaker 1: skip all my academics and then just come for dancer.

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Speaker 1: Because I was like, which I have, Like I'm about

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Speaker 1: to be a stought. I don't need to know global history,

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Speaker 1: basic no shade, river valleys, etcetera. Mesopotamia. You've answered every

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Speaker 1: question of girl, I'm done. I don't need to know

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Speaker 1: that the mitochondria is the motherfucking powerhouse that all girl,

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Speaker 1: I don't care. It sounds like is the powerhouse of

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Speaker 1: the cell. Wow, the twenty four year old jumped out

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Speaker 1: that proximity to high school. That's honestly, that sentence alone

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Speaker 1: is absolutely the mitochondria. It's actually really culture number seventeen.

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Speaker 1: The mitochondria is the powerhouse of the cell. Is a

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Speaker 1: cunt sentence that's on period And that's so. Yeah. So

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Speaker 1: basically because you go to the fame high school, l

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Speaker 1: Guardia High School, are they like sort of lacks of

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Speaker 1: dais agal with the academics of it all because they

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Speaker 1: know they have the talent in the house. Are they

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Speaker 1: in the whip? I mean, like yes and no. Like

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Speaker 1: I think I had a really good relationship with my

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Speaker 1: teachers and also the principal bitch, so I remember, like

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Speaker 1: it got to a point where I literally just be

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Speaker 1: like and I still talked to the teachers from there,

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Speaker 1: like I would just be like, can you just can

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Speaker 1: you pass this so I can get the up out

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Speaker 1: of here. It was giving, It was giving teachers, but

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Speaker 1: like they are now my girls, you Knowah, So yeah,

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Speaker 1: what was the vibe like, because I've always I feel

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Speaker 1: like it's the school that everyone is so curious about

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Speaker 1: and I'm sure like you probably get so annoyed like

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Speaker 1: being asked about it, But like, is the vibe like

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Speaker 1: everyone's trying to be a star, of course, right, but

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Speaker 1: like is it like every big person. I don't know,

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Speaker 1: Like I can't imagine going to a school like that,

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Speaker 1: well where everyone's super super super so talented. It's definitely

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Speaker 1: giving talent. Everyone was so talented, and I think especially

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Speaker 1: because I was a dance major and now going into

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Speaker 1: film and TV, it's kind of like like people are like, wait,

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Speaker 1: what you know, it's kind of like questionable for a

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Speaker 1: dancer to be like, you know, but that happens all

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Speaker 1: the time, I think so. But I mean, like everyone

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Speaker 1: who came from the Guardia was a drama major, right,

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Speaker 1: NICKI Minaj Drama major? Yeah, remember drama major. Azelia Azelia

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Speaker 1: vocal ma Azelia sings down trumpet major Like like yeah, yeah,

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Speaker 1: gave instrumental, It gave instrumental. Yeah, well, I honestly, and

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Speaker 1: this was It was like that at n YU two

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Speaker 1: because I was a writing major and Tish and I

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Speaker 1: tried I to dip my toe into some acting stuff

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Speaker 1: and some people were supportive, but other people were very like,

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Speaker 1: why don't you do your thing? Like like they felt threatened.

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Speaker 1: I think that someone from one pursuit would want to

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Speaker 1: do another thing, or like everyone should stick to their

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Speaker 1: own thing because it is competitive and that does kind

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Speaker 1: of come from the environment. Yeah, but like we multi

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Speaker 1: hyper a guy, so might as well do it all

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Speaker 1: if we can. We can your multi hyphen it in

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Speaker 1: that you sing, act dance. You know what the funk

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Speaker 1: Mitochondria is good to me. It's giving, it's giving quadruple threats,

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Speaker 1: single act. Mitochondria's let's sail. You did like science? I

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Speaker 1: know it. I mean like, but no, bit it definitely

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Speaker 1: depends like an AP class. No, it's not giving extra work. No,

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Speaker 1: you would be a good biologist. You think this you

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Speaker 1: would look at because you certainly serving body giving biology down. Man,

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Speaker 1: let me get it to these memories. Remember when we

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Speaker 1: would take photos in the beginning, and then me and

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Speaker 1: Tom Moss were sort of like crotch the butt and

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Speaker 1: then she she was like, it's getting dick. Yeah, wait,

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Speaker 1: oh my god, wait was this on the beach that

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Speaker 1: photo shoot? I think it was on the giving to

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Speaker 1: it was giving top this thing fish, you packing rude,

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Speaker 1: no shade? This is shade. If I'm packing no shade

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Speaker 1: and giving talk. It was definitely. Yeah, that was that was.

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Speaker 1: That was day one. Remember, Yeah, It's so funny to

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Speaker 1: watch the movie and then be like, just how out

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Speaker 1: of order it all is. That day when we're all

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Speaker 1: laying out and I've got the sunscreen on my stomach

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Speaker 1: and We're talking about what happened the night before. That

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Speaker 1: was the first day. I remember being so nervous that day.

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Speaker 1: Really talk about how you felt in the beginning. Definitely,

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Speaker 1: like I mean, you know, it was uncharted territory for

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Speaker 1: me to be like stepping into like starring in a movie,

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Speaker 1: coming from like Broadway. Um, so it was just it

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Speaker 1: was nerve wracking. But it was also I felt very safe,

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Speaker 1: which is not something that I think I can say

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Speaker 1: for a lot of places like I felt. And I

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Speaker 1: think it was because you know, we were all queer

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Speaker 1: and we all come from the same family that I

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Speaker 1: really felt like, oh I can be myself. And Andrew

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Speaker 1: was so supportive and like we we all just like

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Speaker 1: really clicked really well. So it felt really good that

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Speaker 1: like I felt safe, bitch. I felt like I was like,

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Speaker 1: oh no, no, I can do this, and I am

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Speaker 1: capable of doing this, and so let me just do this. Yeah.

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Speaker 1: This is so obvious to say, but I've been saying it,

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Speaker 1: which is that, like the thing that I think makes

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Speaker 1: it read that we are this family unit is that

380
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Speaker 1: Andrew did set us down before the table reading was

381
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Speaker 1: like everybody share a story about either going to Fire

382
00:21:19,359 --> 00:21:22,240
Speaker 1: Island or like your favorite vacation memory. And I think

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00:21:22,320 --> 00:21:24,119
Speaker 1: that like locked it in for all of us, like

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Speaker 1: we all like I don't know, there was just one

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00:21:26,880 --> 00:21:30,080
Speaker 1: pass of that question just like made it all congeal

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Speaker 1: and like all of us were able to go into it.

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Speaker 1: I think, like I don't. I don't think there was

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Speaker 1: that much of a growth. I think it pretty quickly

389
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Speaker 1: started out like okay, like let's do this. We're a unit.

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Speaker 1: I think that what's what's really fun about it is

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Speaker 1: like it did feel like, well, it's really all about chemistry, right,

392
00:21:45,280 --> 00:21:47,520
Speaker 1: which is like not something you can explain just either

393
00:21:47,760 --> 00:21:49,800
Speaker 1: is or it is not. And the thing about the

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00:21:50,359 --> 00:21:53,119
Speaker 1: five or six of us counting Margaret, is like it

395
00:21:53,320 --> 00:21:57,320
Speaker 1: is giving very different individuals, you know what I mean, Like,

396
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Speaker 1: and when you throw it all together, it seems to work.

397
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Speaker 1: I think also because everyone has a lot of respect

398
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Speaker 1: for each other and like everyone is their own vibe. Um.

399
00:22:06,440 --> 00:22:10,159
Speaker 1: But I do remember, like like when knowing that we

400
00:22:10,280 --> 00:22:16,600
Speaker 1: were about to be Flatsam and Jetsam to spending all

401
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Speaker 1: day yesterday in the pool, that was I was like,

402
00:22:22,200 --> 00:22:23,720
Speaker 1: I want to do this every time I go to

403
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Speaker 1: a pool party. So you want to know what I

404
00:22:26,480 --> 00:22:29,200
Speaker 1: was doing while that was happening, Girl, getting numbers? Girl,

405
00:22:29,240 --> 00:22:33,760
Speaker 1: I hooked up upstairs? You did? Oh someone I met there?

406
00:22:34,359 --> 00:22:36,480
Speaker 1: And you know I needed it at the time. Yeah, girl,

407
00:22:37,680 --> 00:22:43,200
Speaker 1: it was a brief moment, it was, but fab And

408
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Speaker 1: also I was just feeling like so like I don't

409
00:22:45,359 --> 00:22:47,439
Speaker 1: know because you know what it is, like we were

410
00:22:47,480 --> 00:22:49,960
Speaker 1: just talking about before you got in here, like when

411
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Speaker 1: you go to that island. Like even though like we

412
00:22:52,920 --> 00:22:54,760
Speaker 1: come from it now of a place of like we've

413
00:22:54,800 --> 00:22:57,040
Speaker 1: experienced it, we've done it. We even did a movie

414
00:22:57,119 --> 00:22:59,200
Speaker 1: that examined a lot of the themes about it, you

415
00:22:59,400 --> 00:23:03,600
Speaker 1: still feel a certain type of way when you go there,

416
00:23:03,640 --> 00:23:06,200
Speaker 1: like we're talking like our anxieties are still there. Like

417
00:23:07,680 --> 00:23:08,960
Speaker 1: I was like, I was like, it's so weird to

418
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Speaker 1: come back even after the movies come out and still

419
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Speaker 1: feel the same way I did like six years ago,

420
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Speaker 1: where I was like, oh, I feel a little inadequate.

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00:23:15,640 --> 00:23:18,639
Speaker 1: I feel a little inferior, like to like or not

422
00:23:18,720 --> 00:23:20,560
Speaker 1: paid attention to it, like that's what the movie is.

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Speaker 1: And I don't know if it's sad, if that that

424
00:23:23,520 --> 00:23:25,760
Speaker 1: like I haven't progressed past it, or that I'm just like,

425
00:23:26,040 --> 00:23:29,560
Speaker 1: oh no, this is just this is just like how

426
00:23:29,640 --> 00:23:32,239
Speaker 1: I experienced. I don't know. I think it's more than

427
00:23:32,320 --> 00:23:34,719
Speaker 1: you think. Yes, it's so universal. I think all three

428
00:23:34,800 --> 00:23:38,479
Speaker 1: of us experienced one. I feel like it's I mean,

429
00:23:38,520 --> 00:23:40,440
Speaker 1: I felt the exact same way yesterday. I was like,

430
00:23:40,680 --> 00:23:42,920
Speaker 1: I think especially because I'm sober now and I'm like

431
00:23:43,320 --> 00:23:46,560
Speaker 1: going to the island of the potty, Yeah, it still

432
00:23:46,640 --> 00:23:48,720
Speaker 1: feels like and that's why I was like so happy

433
00:23:48,800 --> 00:23:50,920
Speaker 1: I had you to just like Kikey in the pool, yes,

434
00:23:51,280 --> 00:23:53,440
Speaker 1: because it was really like I felt, I felt like

435
00:23:53,520 --> 00:23:56,240
Speaker 1: no shade scared. I was like, I don't know, but

436
00:23:56,359 --> 00:23:58,320
Speaker 1: it felt good to like, you know, be with my girls.

437
00:23:59,160 --> 00:24:01,840
Speaker 1: You know, you really always do present like an air

438
00:24:01,920 --> 00:24:05,080
Speaker 1: of confidence and an air of like security with yourself,

439
00:24:05,200 --> 00:24:07,600
Speaker 1: but still like I often feel like maybe people think

440
00:24:07,640 --> 00:24:10,159
Speaker 1: that about me too, and like I'm often way more

441
00:24:10,280 --> 00:24:13,240
Speaker 1: socially anxious than I put on like all the time.

442
00:24:13,440 --> 00:24:15,920
Speaker 1: Like even talking about talking about that first day, even

443
00:24:16,040 --> 00:24:19,320
Speaker 1: having known bow and Angel, like I still walked into

444
00:24:19,400 --> 00:24:21,560
Speaker 1: that being like scared of ship. And there you come

445
00:24:21,600 --> 00:24:25,199
Speaker 1: in like way younger than us, like probably, I mean

446
00:24:25,240 --> 00:24:28,720
Speaker 1: you obviously knew who Bowen was. Maybe you knew like Joel,

447
00:24:29,000 --> 00:24:30,800
Speaker 1: probably knew Margaret, you know what I mean. That had

448
00:24:30,840 --> 00:24:32,879
Speaker 1: to be an intimidating thing, and you come in with

449
00:24:33,040 --> 00:24:37,240
Speaker 1: like the star qualities, you know. But and then I

450
00:24:37,400 --> 00:24:39,920
Speaker 1: remember you expressed that you were feeling like imposter syndrome,

451
00:24:40,119 --> 00:24:41,720
Speaker 1: and I remember I reached out to you because I

452
00:24:41,800 --> 00:24:43,760
Speaker 1: was like, you would never know and everyone is so

453
00:24:43,960 --> 00:24:46,920
Speaker 1: fucking psyched that you're here. And like then the movie

454
00:24:46,960 --> 00:24:50,560
Speaker 1: comes out now and everyone's like tomasts and absolutely and

455
00:24:50,680 --> 00:25:00,440
Speaker 1: I forgot how excited I was for everyone to meet love.

456
00:25:01,280 --> 00:25:09,920
Speaker 1: It's giving, it's getting chosen. There's that little video of

457
00:25:10,000 --> 00:25:12,359
Speaker 1: the three of us, like that there was the last

458
00:25:12,440 --> 00:25:21,960
Speaker 1: sort of it's giving chosen cho That was giving chosen

459
00:25:22,000 --> 00:25:25,560
Speaker 1: for sure, but no, like this level will never flop.

460
00:25:26,040 --> 00:25:29,480
Speaker 1: This level never flop truly, do you remember? Okay, so

461
00:25:29,560 --> 00:25:33,040
Speaker 1: besides the little Zac sketch, the Pride, the Pride sketch,

462
00:25:33,320 --> 00:25:35,159
Speaker 1: I remember the moment that I like Thomas and I

463
00:25:35,280 --> 00:25:37,080
Speaker 1: like Matt, which was in the van on the weight

464
00:25:37,119 --> 00:25:40,120
Speaker 1: of the table. Yes, you were. You were on the iPad.

465
00:25:40,720 --> 00:25:43,320
Speaker 1: Thomas had a little iPad with the keyboard, and they

466
00:25:43,359 --> 00:25:47,000
Speaker 1: were like, this makes me feel cut and just like

467
00:25:47,520 --> 00:25:52,440
Speaker 1: giving studious cut girl, like start paperwork. I don't even

468
00:25:52,480 --> 00:25:54,840
Speaker 1: know what I was doing. Yeah, yeah, I was like

469
00:25:54,880 --> 00:25:57,359
Speaker 1: probably looking at the scripts. I just lived with like

470
00:25:57,520 --> 00:26:01,960
Speaker 1: you know, a laptop iPad. Yeah, just as like executive client.

471
00:26:02,480 --> 00:26:06,320
Speaker 1: You know. I felt like yeah, behind, But it was

472
00:26:06,560 --> 00:26:08,520
Speaker 1: a moment you're like, oh my god, this person like

473
00:26:08,760 --> 00:26:13,320
Speaker 1: wow in their own stardom, but it's just exciting to have,

474
00:26:13,640 --> 00:26:17,520
Speaker 1: like on the movie quote unquote. It was just like, oh, perfectly,

475
00:26:17,560 --> 00:26:19,680
Speaker 1: I'm gonna be some way time with this person. This

476
00:26:19,840 --> 00:26:22,160
Speaker 1: is so so cool. Well what were you feeling like when,

477
00:26:22,240 --> 00:26:24,320
Speaker 1: because because for us it was like we have to

478
00:26:24,400 --> 00:26:27,680
Speaker 1: be literally half of one person. And remember Andrew said

479
00:26:27,720 --> 00:26:30,240
Speaker 1: to us, like, I really don't want almost any shots

480
00:26:30,320 --> 00:26:32,560
Speaker 1: where you're not both in the same shot, like pretty

481
00:26:32,640 --> 00:26:35,000
Speaker 1: much on top of each other. So were you feeling

482
00:26:35,000 --> 00:26:39,360
Speaker 1: nervous about medi me? Honestly, no, I feel it's like yeah,

483
00:26:39,400 --> 00:26:43,680
Speaker 1: I mean like, but I was also like no, like

484
00:26:43,760 --> 00:26:45,720
Speaker 1: I feel like whoever is going to be and I'm

485
00:26:45,840 --> 00:26:48,480
Speaker 1: very happy it ended up being you who because we

486
00:26:48,600 --> 00:26:51,400
Speaker 1: messed so well. Literally, I was like, I'm just gonna

487
00:26:51,440 --> 00:26:53,840
Speaker 1: show up and show out, bitch, and we're gonna key

488
00:26:54,240 --> 00:26:56,879
Speaker 1: and that's what we did, honestly, because I guess like

489
00:26:57,080 --> 00:26:59,159
Speaker 1: I feel like in my life, I know what it's

490
00:26:59,200 --> 00:27:01,200
Speaker 1: like to have like a real sister, you know what

491
00:27:01,240 --> 00:27:03,080
Speaker 1: I mean, Like this is the one right here. So

492
00:27:03,240 --> 00:27:05,359
Speaker 1: I was like, all right, let's meet this bit. And

493
00:27:05,400 --> 00:27:08,240
Speaker 1: then you came in. It was just immediate and I

494
00:27:08,280 --> 00:27:10,679
Speaker 1: remember what we we like this and this always makes

495
00:27:10,720 --> 00:27:12,720
Speaker 1: me nervous, Like tell me if this makes you feel nervous,

496
00:27:13,080 --> 00:27:17,520
Speaker 1: like whenever, like you're interested scenario like, um, listen to me.

497
00:27:21,119 --> 00:27:24,200
Speaker 1: Scenario where you have were like telling those stories about

498
00:27:24,200 --> 00:27:26,520
Speaker 1: Fine Island and stuff and like sharing our experiences. And

499
00:27:26,600 --> 00:27:28,000
Speaker 1: then then he got us up on our feet to

500
00:27:28,040 --> 00:27:33,200
Speaker 1: block a scene. The first blocking I'm always having a panick.

501
00:27:34,480 --> 00:27:38,000
Speaker 1: I hate rehearsal. I feel like I don't know why.

502
00:27:38,160 --> 00:27:41,240
Speaker 1: Maybe it's because I come from Broadway. I felt I

503
00:27:41,359 --> 00:27:44,920
Speaker 1: felt so good doing that. I felt like that was

504
00:27:45,160 --> 00:27:48,600
Speaker 1: for me, the thing that messed it all together, because

505
00:27:48,640 --> 00:27:51,479
Speaker 1: that was the first time I think, and y'all get tactile. Right.

506
00:27:52,040 --> 00:27:54,320
Speaker 1: The time that we get that, we all like kind

507
00:27:54,359 --> 00:27:59,080
Speaker 1: of we got to touch absolute down. Yeah, and then

508
00:27:59,119 --> 00:28:03,880
Speaker 1: we never stopped. Literally we went home together. You did

509
00:28:04,600 --> 00:28:14,359
Speaker 1: no fist day. I came up with two new bits,

510
00:28:15,920 --> 00:28:17,800
Speaker 1: basically me whatever mean to us to each other. Were

511
00:28:17,840 --> 00:28:21,760
Speaker 1: just like quoting old bits, but we added to new

512
00:28:21,800 --> 00:28:23,560
Speaker 1: ones to the next, which is for the first one

513
00:28:23,720 --> 00:28:27,560
Speaker 1: is to to just like to just give like full

514
00:28:27,680 --> 00:28:31,200
Speaker 1: jaw drop like gape as as a reaction with someone

515
00:28:31,240 --> 00:28:33,520
Speaker 1: else does. The second thing is to add this sound

516
00:28:33,560 --> 00:28:35,600
Speaker 1: to the end of any sentence, like like like you know,

517
00:28:35,640 --> 00:28:37,200
Speaker 1: if you want to instead of like a tongue pop

518
00:28:37,280 --> 00:28:40,520
Speaker 1: or something, you go wow, like it's giving, like it's

519
00:28:40,560 --> 00:28:45,680
Speaker 1: giving stars born down at the end of anything. But

520
00:28:45,720 --> 00:28:54,120
Speaker 1: I'm just talking about the mouth of gape though, is

521
00:28:54,240 --> 00:28:56,560
Speaker 1: really the mouth gap is good? I mean, my favorite

522
00:28:56,560 --> 00:29:08,960
Speaker 1: thing you do is disassociated associates, it dissociates, the asteroid dissociates. Um, okay,

523
00:29:10,520 --> 00:29:14,440
Speaker 1: on the podcast the associating, We're gonna ask that you

524
00:29:14,600 --> 00:29:25,440
Speaker 1: kindly not dissociate for this next question. All right, So

525
00:29:25,600 --> 00:29:27,120
Speaker 1: this is what the question is giving. And this is

526
00:29:27,160 --> 00:29:29,240
Speaker 1: sort of the big central question of our podcast, Last

527
00:29:29,280 --> 00:29:33,040
Speaker 1: Culture sty Culture Podcast hosted by Matt Rogers and Bone Yangak.

528
00:29:33,200 --> 00:29:35,600
Speaker 1: We ask you and every guest that comes through here,

529
00:29:36,360 --> 00:29:39,720
Speaker 1: what was the culture that made you say culture was

530
00:29:39,840 --> 00:29:43,600
Speaker 1: for you? So this is as you're growing up, you're young, Thomas,

531
00:29:43,960 --> 00:29:46,400
Speaker 1: you are coming of age in the world, and something

532
00:29:46,680 --> 00:29:50,040
Speaker 1: when you experience in pop culture or in culture around

533
00:29:50,120 --> 00:29:52,280
Speaker 1: you that you look back and you feel like that

534
00:29:52,440 --> 00:29:56,400
Speaker 1: was formative. Okay, I have it. I want to see

535
00:29:56,400 --> 00:29:59,240
Speaker 1: if you guys think guess it from like a little thing? Okay,

536
00:30:00,360 --> 00:30:06,520
Speaker 1: I just think Gemma is fat? Are you about to

537
00:30:06,560 --> 00:30:14,760
Speaker 1: say talk about the cultural importance of Tiffany. I feel

538
00:30:14,760 --> 00:30:19,480
Speaker 1: like Tiffany New York Pollardy was and icon still still

539
00:30:19,640 --> 00:30:27,280
Speaker 1: is an icon. I just buy Pumpkin by Pumpkin, slap me,

540
00:30:27,440 --> 00:30:30,640
Speaker 1: bit do it? Do it? Scarves me? Because Bowen will

541
00:30:30,680 --> 00:30:33,360
Speaker 1: scream it so loud out of nowhere. I would do

542
00:30:33,400 --> 00:30:41,479
Speaker 1: it on made it to the movie. Did you can

543
00:30:41,600 --> 00:30:44,760
Speaker 1: hear it? We're all yelling at right, like all yelling Juett.

544
00:30:45,320 --> 00:30:48,360
Speaker 1: That was Tiffany Pollard is in the movie. Tiffany has

545
00:30:48,400 --> 00:30:50,160
Speaker 1: had a cultural impact, not just on you, but on

546
00:30:50,200 --> 00:30:54,600
Speaker 1: the film. So do you know from was it from

547
00:30:55,360 --> 00:30:58,680
Speaker 1: favor from the jump? It was Flavor of Love? The

548
00:30:58,760 --> 00:31:00,760
Speaker 1: first season she was on, and she came back and

549
00:31:00,760 --> 00:31:03,080
Speaker 1: it was like, like a guest, I just want to

550
00:31:03,200 --> 00:31:08,280
Speaker 1: say that I'm back and I feel sorry for these girls.

551
00:31:08,760 --> 00:31:12,480
Speaker 1: I feel sorry for these girls whatever what it was like,

552
00:31:12,600 --> 00:31:14,440
Speaker 1: ship up tasty, you don't this is in a soup

553
00:31:14,560 --> 00:31:16,720
Speaker 1: kitchen or whatever the funk she would say. She was

554
00:31:19,440 --> 00:31:24,400
Speaker 1: like Luther Vey Dross. So many good lines, truly, and

555
00:31:24,680 --> 00:31:27,560
Speaker 1: and even after it's the lines after Flavor of Love

556
00:31:27,600 --> 00:31:29,360
Speaker 1: and I Live New York that are underappreciated, to which

557
00:31:29,680 --> 00:31:32,560
Speaker 1: like such as like break a leg? What did you say?

558
00:31:32,600 --> 00:31:34,640
Speaker 1: Did you say to me? I said, break a leg.

559
00:31:35,120 --> 00:31:40,240
Speaker 1: I'm not gonna That's what I'm gonna do. Okay, Tiffany,

560
00:31:41,000 --> 00:31:43,360
Speaker 1: she's telling me to break my legs. I just say

561
00:31:43,400 --> 00:31:46,440
Speaker 1: I'm gonna break your leg. Break a leg is what

562
00:31:46,520 --> 00:31:48,080
Speaker 1: we say to something we want to wish them luck,

563
00:31:48,320 --> 00:31:54,160
Speaker 1: just the scene of her going I'm covering. So what

564
00:31:54,320 --> 00:31:56,640
Speaker 1: is it about her? What is it? Unabashed power? Do

565
00:31:56,720 --> 00:31:59,280
Speaker 1: you remember when you first saw Yeah, I think it's

566
00:31:59,360 --> 00:32:04,560
Speaker 1: like her her like unapologetic authenticity. Tiffany New York Pollard

567
00:32:04,680 --> 00:32:10,160
Speaker 1: is Tiffany New York Pollard. Yeah, people cannot be and

568
00:32:10,280 --> 00:32:13,040
Speaker 1: people love her for it, you know, kind of like

569
00:32:13,400 --> 00:32:15,400
Speaker 1: which was which was going to be my second one?

570
00:32:15,440 --> 00:32:19,280
Speaker 1: If I could pick two? Yeah? You actually there's you

571
00:32:19,320 --> 00:32:21,360
Speaker 1: think and there is like a d NA like a

572
00:32:21,480 --> 00:32:27,520
Speaker 1: line of one percent. How are you doing? Maybe? Is

573
00:32:27,600 --> 00:32:29,960
Speaker 1: that okay? Okay, okay, okay? Is that is that the

574
00:32:29,960 --> 00:32:38,080
Speaker 1: spiritual spiritual grandfather of I think? Ye? So that was

575
00:32:39,120 --> 00:32:42,960
Speaker 1: Thomas's number one. I kind of think, is I should

576
00:32:43,000 --> 00:32:48,000
Speaker 1: make Yeah, w I d your clothing that is called

577
00:32:49,160 --> 00:32:52,080
Speaker 1: you Really Are? That's Machina Armold. I love you really

578
00:32:52,120 --> 00:32:57,000
Speaker 1: are girl. I mean it is just like a perfect example. Okay.

579
00:32:57,160 --> 00:33:05,960
Speaker 1: Let's first off, I thinking about must ensemble and I

580
00:33:06,040 --> 00:33:07,800
Speaker 1: was doing it yesterday and I was like, that was

581
00:33:07,880 --> 00:33:09,880
Speaker 1: so funny, like just knowing fish in real life. And

582
00:33:09,960 --> 00:33:17,640
Speaker 1: then the trade of the stage girl was really he

583
00:33:17,800 --> 00:33:20,880
Speaker 1: definitely gives yeah, I think and honestly, no shade. I

584
00:33:20,920 --> 00:33:22,720
Speaker 1: think the reason why I can do that is because

585
00:33:23,040 --> 00:33:24,800
Speaker 1: I had to at one point for life, you know,

586
00:33:24,960 --> 00:33:28,480
Speaker 1: you have to, yes. But now I'm at this point,

587
00:33:28,560 --> 00:33:30,640
Speaker 1: and I think I'm so happy that this movie is

588
00:33:30,680 --> 00:33:33,120
Speaker 1: out because I feel like I can use it to like, yes,

589
00:33:33,480 --> 00:33:36,719
Speaker 1: really just create my own path. And I don't want

590
00:33:36,760 --> 00:33:38,640
Speaker 1: to be doing that ship no more. No, it's not

591
00:33:38,720 --> 00:33:41,280
Speaker 1: giving trod day but just giving Cunt. Yeah, I understand,

592
00:33:41,320 --> 00:33:44,160
Speaker 1: it's giving fish down, fish down. I feel like Kegan

593
00:33:44,480 --> 00:33:47,840
Speaker 1: is like something I don't know, Like I love that

594
00:33:47,960 --> 00:33:50,320
Speaker 1: this movie is and I keep saying, this is like

595
00:33:50,840 --> 00:33:55,040
Speaker 1: represents like a complete queer person. In a way, Kegan

596
00:33:55,200 --> 00:33:59,040
Speaker 1: is like this complete queer person where like they never

597
00:33:59,120 --> 00:34:02,200
Speaker 1: have to it's explain themselves. They just show instead of

598
00:34:02,240 --> 00:34:04,680
Speaker 1: they tell, Like both Luke and Keegan are people who

599
00:34:05,480 --> 00:34:08,919
Speaker 1: it's immediately clear what the relationship is. It's immediately clear

600
00:34:09,040 --> 00:34:11,920
Speaker 1: like how these people are the same and different. And

601
00:34:11,960 --> 00:34:14,120
Speaker 1: then but I think that's really nice that you say

602
00:34:14,160 --> 00:34:15,239
Speaker 1: that that you can point to the move and go,

603
00:34:15,440 --> 00:34:19,440
Speaker 1: this is like closer to who I am. I think

604
00:34:19,480 --> 00:34:21,960
Speaker 1: it's like the gift of it all that I could

605
00:34:22,000 --> 00:34:24,040
Speaker 1: be like And I think I'm so happy that I

606
00:34:24,200 --> 00:34:27,160
Speaker 1: was able to like be myself and Keegan. You know,

607
00:34:28,840 --> 00:34:32,399
Speaker 1: so when you when you've got the script, obviously it's

608
00:34:32,440 --> 00:34:34,479
Speaker 1: not and this is gonna be one of those things

609
00:34:34,520 --> 00:34:38,279
Speaker 1: where it's like people forget like that, like that had

610
00:34:38,320 --> 00:34:39,719
Speaker 1: to be brought to it, you know what I mean,

611
00:34:40,800 --> 00:34:43,120
Speaker 1: something else before you came. I really want to know

612
00:34:43,160 --> 00:34:45,279
Speaker 1: what the role was supposed to be. Well, you tell

613
00:34:45,400 --> 00:34:47,680
Speaker 1: us because the audition side, so you get you see

614
00:34:47,760 --> 00:34:49,560
Speaker 1: it on the page, and then what is Keegan giving

615
00:34:49,680 --> 00:34:52,319
Speaker 1: on the page? I literally saw it and I was like, bitch,

616
00:34:52,400 --> 00:34:58,320
Speaker 1: I say this, I don't even like, oh, I'm literally

617
00:34:58,360 --> 00:35:01,239
Speaker 1: just gonna be me. I like that like the easiest

618
00:35:01,280 --> 00:35:03,560
Speaker 1: thing to do instead of like having to create a character.

619
00:35:03,640 --> 00:35:06,960
Speaker 1: I was like, bitch, I'm just going to be like myself, right,

620
00:35:07,239 --> 00:35:09,080
Speaker 1: And I think that's why it was so easy to

621
00:35:09,239 --> 00:35:12,600
Speaker 1: just like show up, you know, and not to tie

622
00:35:12,640 --> 00:35:15,919
Speaker 1: it back. But that's New York. That's like she's herself exactly.

623
00:35:16,440 --> 00:35:19,920
Speaker 1: I would let Geman know that she is a fat cunt.

624
00:35:21,120 --> 00:35:23,440
Speaker 1: And the shoes that she brought she gave for me

625
00:35:23,760 --> 00:35:26,759
Speaker 1: were not something that I would particularly were for myself.

626
00:35:26,960 --> 00:35:31,120
Speaker 1: They were made in type of shoes and she should

627
00:35:31,160 --> 00:35:33,600
Speaker 1: have put them back on the rack. If that was

628
00:35:33,680 --> 00:35:38,040
Speaker 1: the case, Um, she does not possess the vernacular that

629
00:35:38,200 --> 00:35:45,800
Speaker 1: she thinks. She to her several times and why and

630
00:35:49,520 --> 00:35:53,960
Speaker 1: she is nothing. She is nothing of the sword, and

631
00:35:54,960 --> 00:36:00,640
Speaker 1: that she is nothing of the sword. True? It is

632
00:36:01,040 --> 00:36:06,319
Speaker 1: you did right. You would win many awards. You've been

633
00:36:06,440 --> 00:36:09,960
Speaker 1: win many awards. Off the off, the off, the top, off,

634
00:36:10,000 --> 00:36:16,520
Speaker 1: the dop, off the do you dream your dream? Yes,

635
00:36:17,960 --> 00:36:23,880
Speaker 1: yes you do. Y'all Wait, new York? Was we went?

636
00:36:24,000 --> 00:36:26,440
Speaker 1: I went today high school? This is the ninth grade.

637
00:36:26,560 --> 00:36:30,399
Speaker 1: And the two different people were like, have you been?

638
00:36:30,680 --> 00:36:34,319
Speaker 1: Do you know New York? This girl on Flavor of Love?

639
00:36:34,920 --> 00:36:36,960
Speaker 1: You guys have to like like and this is all

640
00:36:36,960 --> 00:36:38,440
Speaker 1: of us like in high school being like who is

641
00:36:38,440 --> 00:36:40,080
Speaker 1: New York? Ceris New York? It was like when Britney

642
00:36:40,080 --> 00:36:42,839
Speaker 1: Spears got famous. Third grade, it was like, yeah, one

643
00:36:42,920 --> 00:36:44,879
Speaker 1: day there was New York. It was like a star

644
00:36:45,000 --> 00:36:52,759
Speaker 1: is born. Vibes. It was something girl, tell me something? Girl,

645
00:36:53,640 --> 00:37:00,400
Speaker 1: is you happy? And damn, there's that silky basement. It's

646
00:37:00,520 --> 00:37:02,200
Speaker 1: you know, it's been a long weekend. I'm a little

647
00:37:02,280 --> 00:37:05,480
Speaker 1: horse bitch. One of the funniest things about life is

648
00:37:05,560 --> 00:37:07,640
Speaker 1: that you're on that low harmony and sometimes I'm on

649
00:37:07,719 --> 00:37:10,719
Speaker 1: the high army. I know that. I feel like that

650
00:37:10,800 --> 00:37:17,080
Speaker 1: track you're saying, you know, the bottom bunk and a

651
00:37:17,120 --> 00:37:21,960
Speaker 1: top bunk. Yeah, it's giving bottom. Nowadays it's giving bottom

652
00:37:23,280 --> 00:37:26,000
Speaker 1: over there. I mean I think. So I'm trying to, like,

653
00:37:26,160 --> 00:37:28,719
Speaker 1: you know, step into my versatility. Right, that's good. It's

654
00:37:28,760 --> 00:37:31,680
Speaker 1: hard though, it is no Sha. When I was your age,

655
00:37:31,719 --> 00:37:35,160
Speaker 1: I was terrified of it, like yeah, yeah, you know

656
00:37:35,320 --> 00:37:37,960
Speaker 1: you were not. I've always been sort of like, I

657
00:37:38,040 --> 00:37:42,440
Speaker 1: mean whatever, yeah, whatever. But I think, okay now that

658
00:37:42,560 --> 00:37:45,440
Speaker 1: can I can we get real now? The thing that

659
00:37:45,560 --> 00:37:48,719
Speaker 1: I'm hearing is that enemas are back. What do you

660
00:37:48,760 --> 00:37:50,480
Speaker 1: mean For the longest time, I thought enemas were not.

661
00:37:50,960 --> 00:37:53,720
Speaker 1: We're not okay because they tend arized you too much. Well,

662
00:37:53,800 --> 00:37:56,359
Speaker 1: I think abuse of an enema doing it too much.

663
00:37:56,960 --> 00:38:00,879
Speaker 1: That moderation is good. If you keep punching bean bag, bitch,

664
00:38:00,920 --> 00:38:05,680
Speaker 1: it's gonna turn to flatt It's just gonna turn to

665
00:38:05,760 --> 00:38:10,640
Speaker 1: flat flat the bean bag. We're gonna start talking about

666
00:38:10,680 --> 00:38:14,000
Speaker 1: the side preference. This is this is a new this

667
00:38:14,120 --> 00:38:15,839
Speaker 1: is a new phenomenon. Have you heard about this? Fish

668
00:38:16,200 --> 00:38:18,560
Speaker 1: like a switch? It's not a switch. So so It's

669
00:38:18,560 --> 00:38:21,320
Speaker 1: not like it's not like BDSM or anything. It's like

670
00:38:21,440 --> 00:38:25,200
Speaker 1: dumb sub anything. It's um uh, it's side where it's

671
00:38:25,200 --> 00:38:27,200
Speaker 1: like you just are basically don't want to do pettrade

672
00:38:27,200 --> 00:38:30,080
Speaker 1: of stuff, which like to me, I'm always like nine times,

673
00:38:30,200 --> 00:38:31,680
Speaker 1: not nine times out a time, but like five times

674
00:38:31,719 --> 00:38:34,040
Speaker 1: out of time. I'm like, I we don't have to

675
00:38:34,120 --> 00:38:36,759
Speaker 1: do all that. Honestly, I think I'm into that too.

676
00:38:37,160 --> 00:38:38,920
Speaker 1: I think I might be. I might be versed for

677
00:38:38,920 --> 00:38:40,120
Speaker 1: the first time in my life in terms of being

678
00:38:40,160 --> 00:38:43,400
Speaker 1: a bottom in a side. Yeah. My thing back when

679
00:38:43,440 --> 00:38:46,480
Speaker 1: I first first in my early ties, I would side

680
00:38:46,520 --> 00:38:51,239
Speaker 1: my way all around the city. Wait what what I said?

681
00:38:51,239 --> 00:38:52,839
Speaker 1: In my early twenties, I would side my way all

682
00:38:52,840 --> 00:38:54,960
Speaker 1: around the city. But y'all, we're doing a bit with

683
00:38:55,040 --> 00:39:01,520
Speaker 1: sounds and stuff. Some things are more important. No wait,

684
00:39:01,560 --> 00:39:04,000
Speaker 1: speaking of sounds. Okay, wait quickly, Okay, this is the

685
00:39:04,040 --> 00:39:07,239
Speaker 1: sometimes trio YouTube Andrews, Andrew and Joel are like, we

686
00:39:07,320 --> 00:39:10,279
Speaker 1: didn't know they were going to do choreo. That's not

687
00:39:10,560 --> 00:39:16,040
Speaker 1: really true, Joe, Joel maybe didn't know Andrew Andrew, but

688
00:39:16,600 --> 00:39:18,520
Speaker 1: I think you guys marked it and like that early

689
00:39:18,680 --> 00:39:20,319
Speaker 1: like past and then I think you guys showed up

690
00:39:20,320 --> 00:39:22,600
Speaker 1: to set with and then maybe added on as you went.

691
00:39:22,760 --> 00:39:24,160
Speaker 1: Is that Joel didn't know it was about to be

692
00:39:24,239 --> 00:39:28,439
Speaker 1: as elaborate as it was. Yeah, we were giving choreography down. Yeah,

693
00:39:28,560 --> 00:39:30,440
Speaker 1: and we had our harmonies together. I mean, it was

694
00:39:30,480 --> 00:39:33,359
Speaker 1: giving full production. It really was. That was really fun.

695
00:39:33,640 --> 00:39:37,800
Speaker 1: Pavilion Beach, that fake pavilion. Everyone is gagged that that

696
00:39:37,920 --> 00:39:40,040
Speaker 1: was a set that in the Ice Palace. And when

697
00:39:40,080 --> 00:39:42,520
Speaker 1: you watched the movie for real, like when it goes

698
00:39:42,640 --> 00:39:45,040
Speaker 1: from the Ice Palace inside to the Ice Palace outside,

699
00:39:45,480 --> 00:39:48,759
Speaker 1: you can't tell me that's not basically shot that on

700
00:39:48,840 --> 00:39:53,120
Speaker 1: Fire Island? Is it crazy that that was the last

701
00:39:53,200 --> 00:39:56,520
Speaker 1: day that we wrapped on the the out the exterior

702
00:39:56,560 --> 00:39:59,640
Speaker 1: stuff at the Ice Palace. Oh my god, like god,

703
00:39:59,719 --> 00:40:01,839
Speaker 1: like the order is so strange to me, and yet

704
00:40:01,920 --> 00:40:04,839
Speaker 1: I don't pick up on it at all. That's direction, bitch,

705
00:40:04,880 --> 00:40:09,520
Speaker 1: that's andrew period. You can't tell it. What was something

706
00:40:09,640 --> 00:40:11,680
Speaker 1: Andrew On said to you and directed you in a

707
00:40:11,760 --> 00:40:14,200
Speaker 1: way that you feel you will never forget. It was

708
00:40:14,280 --> 00:40:18,399
Speaker 1: the scene where Joel comes back to the house where

709
00:40:18,440 --> 00:40:20,880
Speaker 1: the after party is. It's right after I pick you

710
00:40:20,960 --> 00:40:26,160
Speaker 1: up off the floor and we go again and then

711
00:40:26,360 --> 00:40:28,800
Speaker 1: and then you we've lost Luke. We've lost Luke. And

712
00:40:28,880 --> 00:40:31,160
Speaker 1: I remember him coming up to me and being like,

713
00:40:31,640 --> 00:40:34,520
Speaker 1: just imagine that, like you've lost your sister, like you've

714
00:40:34,560 --> 00:40:36,920
Speaker 1: lost your best friend at the party, and I was like,

715
00:40:37,440 --> 00:40:40,440
Speaker 1: work it was. I think it was like, Andrew does

716
00:40:40,520 --> 00:40:43,279
Speaker 1: this really beautiful thing of like like easily putting you

717
00:40:43,360 --> 00:40:45,759
Speaker 1: into the pocket, and it was exactly what I needed

718
00:40:45,760 --> 00:40:48,839
Speaker 1: to be, like this is now coming from a height

719
00:40:49,040 --> 00:40:53,600
Speaker 1: end Molly role and now like I'm really seriously looking

720
00:40:53,640 --> 00:40:55,680
Speaker 1: for my sister because the bitch might be falling out.

721
00:40:55,719 --> 00:40:58,319
Speaker 1: I think that was like the time where I was like, oh,

722
00:40:59,080 --> 00:41:03,880
Speaker 1: thank you. It really works because in that scene, there's

723
00:41:03,920 --> 00:41:05,520
Speaker 1: an inflection in your voice where you're like, but we

724
00:41:05,560 --> 00:41:07,960
Speaker 1: have to get him home, Like why is this even

725
00:41:08,040 --> 00:41:11,279
Speaker 1: a conversation? Like of course, like yeah, like Luke is

726
00:41:11,320 --> 00:41:14,080
Speaker 1: a messy flop and like it might not surprise you,

727
00:41:14,239 --> 00:41:17,160
Speaker 1: but like I'm concerned. You know, you have to care

728
00:41:17,320 --> 00:41:22,480
Speaker 1: for this person because you're my sister. And fish fish,

729
00:41:23,960 --> 00:41:35,720
Speaker 1: grab my hand, my head, this fish bound to swim. HeiG, girl,

730
00:41:35,960 --> 00:41:37,759
Speaker 1: what's what? What? What's the note that Andrew gave you?

731
00:41:39,080 --> 00:41:44,120
Speaker 1: Andrew there was you know what I really appreciated about

732
00:41:44,160 --> 00:41:46,480
Speaker 1: Andrew with Me is that he always let me have fun.

733
00:41:47,080 --> 00:41:49,319
Speaker 1: Like Andrew with with Me, I like, he always let

734
00:41:49,360 --> 00:41:52,480
Speaker 1: me get my improvs in like he I think appreciated

735
00:41:52,520 --> 00:41:54,799
Speaker 1: the fact that I was like, you know, looking at

736
00:41:54,840 --> 00:41:57,160
Speaker 1: the script and like, you know, trying to I think

737
00:41:57,200 --> 00:41:59,520
Speaker 1: he likes my sense of humor, even though he doesn't

738
00:41:59,520 --> 00:42:01,920
Speaker 1: always Fee's super comfortable going back at it with me

739
00:42:02,000 --> 00:42:04,239
Speaker 1: in terms of bits. I think I can overpower him

740
00:42:04,320 --> 00:42:07,280
Speaker 1: sometimes in a way that's like I feel it is funny,

741
00:42:10,200 --> 00:42:13,279
Speaker 1: and he always I think he got a sense from

742
00:42:13,320 --> 00:42:15,160
Speaker 1: me anyway that I operate best from a place of

743
00:42:15,280 --> 00:42:18,000
Speaker 1: joy and not stressed, and like he was always really

744
00:42:18,120 --> 00:42:21,400
Speaker 1: really complimentary and sweet and actually in the first few weeks,

745
00:42:21,600 --> 00:42:23,120
Speaker 1: I think I was telling you, I was like, he's

746
00:42:23,120 --> 00:42:25,320
Speaker 1: not giving me a lot of notes in the beginning.

747
00:42:25,360 --> 00:42:26,720
Speaker 1: I was like, I don't know why I'm not getting

748
00:42:26,719 --> 00:42:28,439
Speaker 1: more notes. But I think that he was just letting

749
00:42:28,480 --> 00:42:30,880
Speaker 1: me play in a way where with Luke, it's like

750
00:42:31,160 --> 00:42:34,160
Speaker 1: it was fun to color him in because you know,

751
00:42:34,520 --> 00:42:36,279
Speaker 1: because in the script we are just kind of kind

752
00:42:36,320 --> 00:42:38,640
Speaker 1: of like together the whole time. That can sort of

753
00:42:38,719 --> 00:42:41,080
Speaker 1: blend in that I feel like that when we got

754
00:42:41,120 --> 00:42:43,480
Speaker 1: did get together and started to find our own characters.

755
00:42:43,640 --> 00:42:46,480
Speaker 1: Like he was really cool about letting us fill all

756
00:42:46,560 --> 00:42:50,080
Speaker 1: that in with our personalities because it's giving. I think

757
00:42:50,120 --> 00:42:52,160
Speaker 1: the reason that Luke and Keegan are such good friends

758
00:42:52,239 --> 00:42:55,400
Speaker 1: is because you just meet someone that energetically is on

759
00:42:55,480 --> 00:42:58,680
Speaker 1: the same level. They're ready to give chaos or relax in,

760
00:42:59,160 --> 00:43:01,719
Speaker 1: relaxation or ever at the same time. It feels like

761
00:43:02,120 --> 00:43:06,760
Speaker 1: they energetically are always like on the same level, whereas

762
00:43:06,840 --> 00:43:09,400
Speaker 1: like they are different people. So I just think, like

763
00:43:09,480 --> 00:43:12,400
Speaker 1: the space he gave me, and then during my tough scenes,

764
00:43:12,560 --> 00:43:16,719
Speaker 1: like he was very soft spoken and never never like

765
00:43:17,000 --> 00:43:20,239
Speaker 1: he know, he did let me get extra takes. I

766
00:43:20,320 --> 00:43:21,680
Speaker 1: told him, I was like, can we please just not

767
00:43:21,800 --> 00:43:25,480
Speaker 1: move on until I know that, until I know that?

768
00:43:25,600 --> 00:43:27,279
Speaker 1: That was my last take, Like, don't be like we

769
00:43:27,400 --> 00:43:29,320
Speaker 1: gotta move on, Like I kind of can't stand that.

770
00:43:30,160 --> 00:43:31,800
Speaker 1: What about for you because you had the heavy lifting.

771
00:43:31,920 --> 00:43:35,680
Speaker 1: Well for me, it was the on the ferry um

772
00:43:35,840 --> 00:43:41,160
Speaker 1: when I'm like emotional, uh, when I leave the island,

773
00:43:42,280 --> 00:43:46,239
Speaker 1: like I kept he like sent me songs like in

774
00:43:46,560 --> 00:43:49,400
Speaker 1: the week leading up to he was like he was,

775
00:43:49,560 --> 00:43:52,560
Speaker 1: but he's so good at like sending you something. I

776
00:43:52,600 --> 00:43:54,560
Speaker 1: don't know over some songs that he sent you. He

777
00:43:54,680 --> 00:43:57,200
Speaker 1: sent me, Um, oh god, that that that that artist

778
00:43:57,280 --> 00:44:02,160
Speaker 1: that he mentioned last week. Um Frampton, Frampton, Frampton, Oh

779
00:44:02,200 --> 00:44:03,560
Speaker 1: my god. It was such a good song. And then

780
00:44:03,840 --> 00:44:05,640
Speaker 1: but then what he said to me, are you ready

781
00:44:05,680 --> 00:44:08,799
Speaker 1: for this? He said to me, I like, I did

782
00:44:08,840 --> 00:44:09,920
Speaker 1: a couple takes where I was just kind of like

783
00:44:10,000 --> 00:44:12,400
Speaker 1: moping and I was like truly sobbing, and like, I

784
00:44:12,440 --> 00:44:14,200
Speaker 1: think he wanted me to dial it back a little bit.

785
00:44:14,239 --> 00:44:17,239
Speaker 1: And so he's like, he was like, I want you

786
00:44:17,840 --> 00:44:22,719
Speaker 1: to look behind you, look back at the island and

787
00:44:22,960 --> 00:44:27,560
Speaker 1: more in the person that like went there, and now

788
00:44:27,640 --> 00:44:30,560
Speaker 1: you're a completely different person. And the person who went before,

789
00:44:30,760 --> 00:44:32,759
Speaker 1: like the person who went to the island the other

790
00:44:32,840 --> 00:44:35,160
Speaker 1: way like earlier in the week is gone. Is that

791
00:44:36,120 --> 00:44:38,440
Speaker 1: I hope that that person happened Maybe this time was

792
00:44:38,440 --> 00:44:41,120
Speaker 1: going to be different. Yes, Like that that person is out,

793
00:44:41,520 --> 00:44:44,280
Speaker 1: is gone from you. You cannot identify with that person anymore.

794
00:44:44,280 --> 00:44:46,840
Speaker 1: You don't know who you are after this. And I

795
00:44:46,920 --> 00:44:51,920
Speaker 1: was like okay, and that truly I'll do it. I know,

796
00:44:52,200 --> 00:44:55,080
Speaker 1: I know. I was like, damn it. Andrews so fucking

797
00:44:55,120 --> 00:44:56,480
Speaker 1: good at that, And there was only like two takes

798
00:44:56,680 --> 00:44:58,200
Speaker 1: and I think because I think he knew like that,

799
00:44:58,280 --> 00:44:59,600
Speaker 1: you don't. You can only do so many if you're

800
00:44:59,600 --> 00:45:04,239
Speaker 1: like the persons crying if you cry, r y and

801
00:45:04,320 --> 00:45:06,880
Speaker 1: e if you cry. You know what's funny though, Like

802
00:45:07,040 --> 00:45:10,399
Speaker 1: what something I've been realizing about, like that that type

803
00:45:10,440 --> 00:45:14,120
Speaker 1: of stuff is like because I did way bigger emotional

804
00:45:14,440 --> 00:45:17,680
Speaker 1: takes on that ship too, and like sometimes it's like

805
00:45:18,360 --> 00:45:21,120
Speaker 1: it's like too much when an actor too emotional. And

806
00:45:21,440 --> 00:45:23,640
Speaker 1: Jennifer Lewis on set of I love that for you

807
00:45:23,760 --> 00:45:26,080
Speaker 1: because she gave me advice one time we were about

808
00:45:26,080 --> 00:45:28,040
Speaker 1: to block a scene where and she was like, now me,

809
00:45:28,200 --> 00:45:30,320
Speaker 1: as Jennifer, I feel like I'm getting I'm going to

810
00:45:30,360 --> 00:45:32,520
Speaker 1: get emotional during this, but I want you to know

811
00:45:33,080 --> 00:45:35,399
Speaker 1: if if I start crying, we have to start over

812
00:45:35,480 --> 00:45:39,399
Speaker 1: because my character would not cry. And she said, she said,

813
00:45:39,640 --> 00:45:44,880
Speaker 1: in scenes like this, you don't cry, they cry. She

814
00:45:45,080 --> 00:45:47,719
Speaker 1: was like, she was like, it's more powerful and more

815
00:45:47,760 --> 00:45:50,440
Speaker 1: affecting for the audience to know you are struggling with

816
00:45:50,560 --> 00:45:53,759
Speaker 1: containing an emotion than showing an emotion. And I was like,

817
00:45:54,320 --> 00:45:57,279
Speaker 1: you know, not only is that is that really smart?

818
00:45:57,360 --> 00:46:00,320
Speaker 1: But also it's easier for your energy, you know, what

819
00:46:00,400 --> 00:46:04,440
Speaker 1: I mean, because you could be giving so much and

820
00:46:04,520 --> 00:46:06,600
Speaker 1: then like you find out that you know, something was

821
00:46:06,640 --> 00:46:08,480
Speaker 1: funked up with the camera, you gotta keep going. It's

822
00:46:08,520 --> 00:46:10,759
Speaker 1: like so much more. You have to manage so much

823
00:46:10,800 --> 00:46:16,239
Speaker 1: more than you think that's smart theater. Well, speaking of

824
00:46:16,360 --> 00:46:18,719
Speaker 1: like when we saw you in Hades Town, like that

825
00:46:19,040 --> 00:46:23,360
Speaker 1: looked incredibly physically demanded, like and doing swing like, so

826
00:46:23,520 --> 00:46:25,719
Speaker 1: do you come from being a swing like what is

827
00:46:25,840 --> 00:46:28,520
Speaker 1: that vibe? No? That was the first time I've ever swung,

828
00:46:29,840 --> 00:46:33,440
Speaker 1: the first time ever um And honestly, the fact that

829
00:46:33,520 --> 00:46:37,680
Speaker 1: it was we're still in Covida Lands, bitch, it was crazy,

830
00:46:37,800 --> 00:46:40,400
Speaker 1: Like I had to. I wasn't supposed to be a

831
00:46:40,440 --> 00:46:42,920
Speaker 1: cover for a fate that literally got like handed to

832
00:46:43,000 --> 00:46:47,279
Speaker 1: me the day before, which is giving pussy cunt. I mean,

833
00:46:47,400 --> 00:46:51,880
Speaker 1: I gave pussy cunt down and it was just it

834
00:46:52,000 --> 00:46:53,800
Speaker 1: was a whirlwind and I'm really happy I did it

835
00:46:53,840 --> 00:46:55,920
Speaker 1: because I know that I can do it and I

836
00:46:56,000 --> 00:46:59,040
Speaker 1: will never do it again. Yeah, because you don't have

837
00:46:59,120 --> 00:47:02,280
Speaker 1: to prove it to anyone or yourself for exactly whatever.

838
00:47:02,560 --> 00:47:08,720
Speaker 1: And the rate is a little bit higher now. The glop,

839
00:47:09,640 --> 00:47:11,560
Speaker 1: the gloup that everyone in the cast is gonna go.

840
00:47:11,680 --> 00:47:15,480
Speaker 1: I mean already several people have already booked trip. Yeah

841
00:47:15,600 --> 00:47:19,719
Speaker 1: not me, girl out of here. I'm not gonna book

842
00:47:19,760 --> 00:47:26,520
Speaker 1: it ever, We're going to make sure of it. Wait,

843
00:47:27,600 --> 00:47:30,400
Speaker 1: we need to talk about Wendy on. Thomas and I

844
00:47:30,600 --> 00:47:32,160
Speaker 1: kind of we talked about this yesterday, didn't we on

845
00:47:32,280 --> 00:47:35,400
Speaker 1: She's an icon? I did not know that was going

846
00:47:35,440 --> 00:47:39,439
Speaker 1: to be the ringtone. And at the top of the movie, wait,

847
00:47:39,600 --> 00:47:42,160
Speaker 1: that's you but me, but people think it's you, Matt.

848
00:47:42,640 --> 00:47:44,719
Speaker 1: People think it's me saying she's an icon because they

849
00:47:44,760 --> 00:47:46,200
Speaker 1: couldn't because they're like, we might not be able to

850
00:47:46,320 --> 00:47:50,000
Speaker 1: use actual Wendy's voice. Wait, so that's your voice? What

851
00:47:50,880 --> 00:47:53,640
Speaker 1: I think that was Wendy down? Yeah, back and listen,

852
00:47:53,680 --> 00:47:58,360
Speaker 1: that's that's some bone acts and you know what, And

853
00:47:58,719 --> 00:48:00,080
Speaker 1: it kind of makes sense with the story, like I

854
00:48:00,120 --> 00:48:02,360
Speaker 1: would get like Howie to record, like to record like

855
00:48:02,480 --> 00:48:04,920
Speaker 1: his ringtown. But there was a second Bowen where it's

856
00:48:04,920 --> 00:48:07,000
Speaker 1: funny that you say people think it's me, because when

857
00:48:07,080 --> 00:48:09,920
Speaker 1: I first heard you thought it No, I thought, did

858
00:48:10,000 --> 00:48:12,360
Speaker 1: I do that? Because it sounded like my voice a

859
00:48:12,400 --> 00:48:14,759
Speaker 1: little bit? And I don't think I gave them that

860
00:48:14,880 --> 00:48:16,920
Speaker 1: a d R because it also comes out of the

861
00:48:16,960 --> 00:48:19,359
Speaker 1: fanfare that the three of us did for the Searchlight. Yeah,

862
00:48:19,680 --> 00:48:22,200
Speaker 1: where I was like, did we continue to talk and

863
00:48:22,280 --> 00:48:26,920
Speaker 1: they're using it like you doing the legend? Why that

864
00:48:27,080 --> 00:48:32,319
Speaker 1: makes it to you because we often speak in that inflection, right,

865
00:48:32,880 --> 00:48:34,360
Speaker 1: and so it makes sense. But I thought it was

866
00:48:34,560 --> 00:48:37,720
Speaker 1: I thought that that was Wendy. Yeah. Yeah, But Tomas

867
00:48:37,760 --> 00:48:39,480
Speaker 1: and I were talking about yesterday in the Island. We're like,

868
00:48:39,560 --> 00:48:43,879
Speaker 1: we hope she's okay. Honestly, we always I've always looked

869
00:48:43,920 --> 00:48:45,719
Speaker 1: out like one of the best for her. I'm also

870
00:48:45,840 --> 00:48:47,960
Speaker 1: like just so sad that she's not on the air anymore.

871
00:48:49,160 --> 00:48:52,560
Speaker 1: It's like, what kind of I need? I need the content, Wendy,

872
00:48:52,920 --> 00:48:55,640
Speaker 1: I need your SoundBite. Girl. I don't think it's the end.

873
00:48:56,200 --> 00:48:58,799
Speaker 1: I don't know. It might be giving ends. What makes

874
00:48:58,800 --> 00:49:02,400
Speaker 1: you say it doesn't seem like she's doing well. I mean,

875
00:49:02,440 --> 00:49:04,640
Speaker 1: I know that she's in a conservatorship right now and

876
00:49:05,239 --> 00:49:08,000
Speaker 1: all of her money is like frozen, right, And I

877
00:49:08,120 --> 00:49:11,920
Speaker 1: do think she's like, you know, it's giving not the

878
00:49:12,000 --> 00:49:18,600
Speaker 1: best right right? Oh gosh, I know if you're listening, well,

879
00:49:18,680 --> 00:49:22,600
Speaker 1: she's our nominations leader at the last Culture Racist Culture Awards. Unfortunately,

880
00:49:22,960 --> 00:49:26,920
Speaker 1: she's an icon She's a legend and she is the

881
00:49:27,040 --> 00:49:32,040
Speaker 1: moment now is the moment, has been, the moment, will

882
00:49:32,200 --> 00:49:39,080
Speaker 1: be the moment, period, period, period. That's what she said, Dot,

883
00:49:40,800 --> 00:49:45,400
Speaker 1: what was that? What was that? Okay, James, So I

884
00:49:45,520 --> 00:49:47,759
Speaker 1: did that the other day at the premiere and I

885
00:49:47,880 --> 00:49:50,200
Speaker 1: went what was that? And Peppermint was there and she

886
00:49:50,280 --> 00:49:53,400
Speaker 1: goes what. I was like, Oh, I'm doing a bit.

887
00:49:53,520 --> 00:49:55,560
Speaker 1: She goes, what's the bit? I was like, it goes

888
00:49:55,800 --> 00:49:59,120
Speaker 1: what was that? And then she was like, I don't

889
00:49:59,120 --> 00:50:03,640
Speaker 1: know what you about. I was like, oh, pep Peppermint. Wait.

890
00:50:04,120 --> 00:50:07,239
Speaker 1: Peppermint has some of the funniest lines in the film too. Yes,

891
00:50:09,160 --> 00:50:11,839
Speaker 1: that and then so we brought sandwiches to the room,

892
00:50:14,719 --> 00:50:18,359
Speaker 1: to the room. I love, I love, I love little

893
00:50:18,440 --> 00:50:21,680
Speaker 1: snaps of dialogue from somewhere else that don't make sense

894
00:50:21,880 --> 00:50:24,719
Speaker 1: are so funny on their own good But I think

895
00:50:24,760 --> 00:50:27,120
Speaker 1: that tells a story. We brought sandwiches to the room,

896
00:50:27,680 --> 00:50:32,360
Speaker 1: like abought sandwiches to the room, and it leaves it

897
00:50:32,440 --> 00:50:45,520
Speaker 1: open for interpretation. Are are giving art art? One of

898
00:50:45,560 --> 00:50:52,560
Speaker 1: the best laugh USA get me going thoughfied me on

899
00:50:52,920 --> 00:50:58,279
Speaker 1: down down, Joy personified, Joy personified. Damn is that my

900
00:50:58,360 --> 00:51:03,440
Speaker 1: drag name? Joy? Personified actually is an incredible dragon joy

901
00:51:03,520 --> 00:51:07,000
Speaker 1: psif from the House of From the House from the

902
00:51:07,080 --> 00:51:12,359
Speaker 1: House of? Are you do you want drag Race? Are

903
00:51:12,400 --> 00:51:15,760
Speaker 1: you not about that? So? So, what are your feelings

904
00:51:15,800 --> 00:51:18,640
Speaker 1: on this winter season? Well, I'm obsessed. I think it's

905
00:51:18,680 --> 00:51:23,000
Speaker 1: like the smartest idea and I think, okay, my top

906
00:51:23,760 --> 00:51:28,080
Speaker 1: no shade, Raja, I'm oh, well, I think she's getting

907
00:51:28,120 --> 00:51:32,120
Speaker 1: piste off of it was so funny, bitch that last episode,

908
00:51:32,960 --> 00:51:35,360
Speaker 1: want to leave because I'll stay up here? Yeah, I

909
00:51:36,000 --> 00:51:37,799
Speaker 1: think she was. She was reading them a little bit

910
00:51:37,840 --> 00:51:39,600
Speaker 1: because she's like, wait, so for the third week in

911
00:51:39,640 --> 00:51:41,279
Speaker 1: a row, you're actually going to send me to the

912
00:51:41,360 --> 00:51:44,120
Speaker 1: side because you just praised me down. I think they

913
00:51:44,239 --> 00:51:45,560
Speaker 1: kept that in for a reason. They could have cut

914
00:51:45,640 --> 00:51:47,160
Speaker 1: that out, but they kept because I think that might

915
00:51:47,200 --> 00:51:51,839
Speaker 1: develop into an actual storyline on the show, giving giving editing,

916
00:51:52,080 --> 00:51:58,560
Speaker 1: so for the editors. So Raja is feeling like you're

917
00:51:58,640 --> 00:52:01,879
Speaker 1: number one? I think yes, And I think the way

918
00:52:02,000 --> 00:52:05,080
Speaker 1: that Monet is playing the game is really good. I

919
00:52:05,160 --> 00:52:07,680
Speaker 1: think the way that she is playing the game is okay.

920
00:52:08,040 --> 00:52:10,560
Speaker 1: I mean, I think Jinx is like the top contender,

921
00:52:10,920 --> 00:52:13,200
Speaker 1: But if I were on that motherfucking episode, I would

922
00:52:13,239 --> 00:52:18,879
Speaker 1: be blocking Jinks that, which is obviously gold every time. Yeah,

923
00:52:19,840 --> 00:52:23,600
Speaker 1: every time. I mean she I think she's winning people's

924
00:52:23,680 --> 00:52:28,040
Speaker 1: hearts the most. I was funny. I mean also, this

925
00:52:28,160 --> 00:52:30,840
Speaker 1: improv challenge was it was I mean it was whenever

926
00:52:30,920 --> 00:52:33,080
Speaker 1: a drag rate whenever drag Race does an improv challenge,

927
00:52:33,080 --> 00:52:35,640
Speaker 1: and I was like, okay here, but it was funny.

928
00:52:35,680 --> 00:52:41,120
Speaker 1: I mean, Jinx was giving character when that ear fell. Like, wait,

929
00:52:41,160 --> 00:52:43,880
Speaker 1: I have a question. Do you think that the editing

930
00:52:44,040 --> 00:52:46,600
Speaker 1: of the show, because it's an all winner season, is

931
00:52:46,719 --> 00:52:50,960
Speaker 1: like particularly making it so that there's no negative critique. Yeah,

932
00:52:51,680 --> 00:52:53,920
Speaker 1: here's why. I don't think they're going to negative negative

933
00:52:53,960 --> 00:52:56,160
Speaker 1: critique anybody like hard. I mean he might, but I

934
00:52:56,200 --> 00:52:58,640
Speaker 1: think it's like a way to be like if you say,

935
00:52:58,800 --> 00:53:01,799
Speaker 1: like Evie, that look was not van of White at all.

936
00:53:01,880 --> 00:53:04,680
Speaker 1: That sucks, then it's gonna make it seem like season

937
00:53:04,760 --> 00:53:08,239
Speaker 1: eleven was a bad season, which which is which is back.

938
00:53:08,800 --> 00:53:10,920
Speaker 1: It's gonna like really like cast this weird shadow in

939
00:53:11,000 --> 00:53:13,600
Speaker 1: certain seasons that was a bad season because this winner

940
00:53:13,719 --> 00:53:16,480
Speaker 1: is not good. I also would imagine that you're only

941
00:53:16,680 --> 00:53:19,640
Speaker 1: getting them to even sign up if like a few

942
00:53:19,840 --> 00:53:22,440
Speaker 1: things are being met, which is pay me money as

943
00:53:22,560 --> 00:53:25,360
Speaker 1: as like a full on appearance thing. Don't eliminate me

944
00:53:25,440 --> 00:53:28,880
Speaker 1: because that was that's humiliating. And also make sure that

945
00:53:29,040 --> 00:53:31,640
Speaker 1: I look good like I'm a winner of the show,

946
00:53:31,719 --> 00:53:34,400
Speaker 1: like that has to come with some degree of respect

947
00:53:34,600 --> 00:53:39,080
Speaker 1: and like some dignity there, Like don't you can't be

948
00:53:39,160 --> 00:53:43,040
Speaker 1: showing me the door after fifteen minutes of airtime, especially

949
00:53:43,080 --> 00:53:45,000
Speaker 1: when you were a winner. And we now know how

950
00:53:45,120 --> 00:53:47,040
Speaker 1: much money they all spend and how in the red

951
00:53:47,080 --> 00:53:49,080
Speaker 1: they go to prepare for a season. You know, It's

952
00:53:49,160 --> 00:53:53,320
Speaker 1: what's crazy is knowing someone like Coco Montrese like paid

953
00:53:53,400 --> 00:53:56,440
Speaker 1: all Star money for her looks and only got one episode. Now,

954
00:53:56,640 --> 00:53:59,200
Speaker 1: you know that is disrespectful to the girls that like

955
00:53:59,400 --> 00:54:03,080
Speaker 1: our building your legacy. I honestly think this is how

956
00:54:03,120 --> 00:54:05,440
Speaker 1: they should do all Star seasons going forward, even if

957
00:54:05,480 --> 00:54:09,000
Speaker 1: we're not winners. Yes, keep them. Yeah, it's a good foreman,

958
00:54:09,080 --> 00:54:19,040
Speaker 1: it's a great format. I feel that we are also

959
00:54:19,160 --> 00:54:20,759
Speaker 1: coming upon the time. If I don't think so, honey,

960
00:54:20,760 --> 00:54:22,480
Speaker 1: I think this is the time. So this is the

961
00:54:22,600 --> 00:54:26,880
Speaker 1: segment of our podcast, Thomas where we get extra ficy

962
00:54:26,960 --> 00:54:31,319
Speaker 1: and fresh because we for one minute rant against something

963
00:54:31,400 --> 00:54:34,400
Speaker 1: on pop culture that we absolutely have zero time for

964
00:54:34,960 --> 00:54:37,840
Speaker 1: absolutely done with and needs to be raped over the

965
00:54:37,920 --> 00:54:43,600
Speaker 1: damn proverbial cola. Okay, okay, yeah, Matt, you got something. Yeah,

966
00:54:43,719 --> 00:54:45,279
Speaker 1: this is Matt Rogers. I don't think so many time

967
00:54:45,320 --> 00:54:47,239
Speaker 1: starts now. I don't think so, honey. The Nicole Kim

968
00:54:47,360 --> 00:54:51,120
Speaker 1: in part of The Hours, because this does not a

969
00:54:51,160 --> 00:54:53,840
Speaker 1: performance mix, and she delivered in that last scene at

970
00:54:53,880 --> 00:54:56,480
Speaker 1: the trade station. If it's between Richmond and death, I

971
00:54:56,640 --> 00:54:58,960
Speaker 1: choose death definitely. That was a monologue the house down.

972
00:54:59,000 --> 00:55:00,799
Speaker 1: But was this an oscar? And I don't think so, honey.

973
00:55:00,800 --> 00:55:03,080
Speaker 1: I also don't think she's the lead actress of this movie. Yes,

974
00:55:03,200 --> 00:55:04,960
Speaker 1: it sends me spending my energy in the Year of

975
00:55:04,960 --> 00:55:07,680
Speaker 1: Our Lord to talk about something that happens twenty years ago,

976
00:55:07,920 --> 00:55:09,480
Speaker 1: but that's what happened when I did Kennemy and last

977
00:55:09,560 --> 00:55:11,839
Speaker 1: Night and watched The Hours with friends, is that it's

978
00:55:11,880 --> 00:55:14,399
Speaker 1: top of mine today. So basically, I don't think, so, honey,

979
00:55:14,480 --> 00:55:16,440
Speaker 1: that we're gonna sit there and have Meryl Streep having

980
00:55:16,480 --> 00:55:18,799
Speaker 1: an expert panic attack on her plot line and then say, Hm,

981
00:55:18,880 --> 00:55:20,880
Speaker 1: I'm interested in Nicole. I don't think, so, honey. I'm

982
00:55:20,880 --> 00:55:22,839
Speaker 1: interested in Meryl at all times, always watching Ed Harris

983
00:55:22,920 --> 00:55:25,759
Speaker 1: jump out a damn window. So spoiler alert, Well, guess

984
00:55:25,840 --> 00:55:30,360
Speaker 1: what that was an incredible when Meryl screamed she watched

985
00:55:30,520 --> 00:55:33,200
Speaker 1: hast that was how you act, Mama. And I feel

986
00:55:33,200 --> 00:55:35,279
Speaker 1: like Nicole Kimman was giving no, she was giving hat,

987
00:55:35,400 --> 00:55:39,399
Speaker 1: she was giving um British, but it was not giving Oscar. Also,

988
00:55:39,440 --> 00:55:41,600
Speaker 1: I think she's in the movie for at fifteen to

989
00:55:41,680 --> 00:55:45,080
Speaker 1: sixteen minutes. She definitely kissed her biological sister hard on

990
00:55:45,120 --> 00:55:46,920
Speaker 1: the mouth, Oscar Win. I don't think so, honey, And

991
00:55:47,000 --> 00:55:52,240
Speaker 1: that's one minute. Wow. Iconic shout out to Ryan O'Connell,

992
00:55:52,280 --> 00:55:55,120
Speaker 1: who doesn't like talking about Nicole Kimman or the Oscar Wins.

993
00:55:57,000 --> 00:55:59,919
Speaker 1: I responded to that, I don't think to that guest

994
00:56:00,120 --> 00:56:02,359
Speaker 1: for last week or a couple weeks ago. But yeah,

995
00:56:02,440 --> 00:56:03,960
Speaker 1: when you were watching this movie last night, did you

996
00:56:04,040 --> 00:56:05,880
Speaker 1: think that it gave. I think that it gave. I

997
00:56:06,200 --> 00:56:11,160
Speaker 1: think Meryl is giving you the most. Like Meryl does

998
00:56:11,280 --> 00:56:13,360
Speaker 1: so much per scene, Like she goes through like a

999
00:56:13,400 --> 00:56:15,360
Speaker 1: panic attack and then with Jeff Daniels and then she

1000
00:56:15,440 --> 00:56:17,719
Speaker 1: has to like bring it back or then her daughter

1001
00:56:17,800 --> 00:56:20,839
Speaker 1: comes in and she has to like confess all these

1002
00:56:20,840 --> 00:56:23,480
Speaker 1: truths to her. Like Meryl is doing the most juggling.

1003
00:56:23,960 --> 00:56:26,319
Speaker 1: Nicole gets to just sit there and like stare into

1004
00:56:26,320 --> 00:56:28,640
Speaker 1: the distance. It's a lot of stare It's the last two.

1005
00:56:28,680 --> 00:56:31,800
Speaker 1: And then Julianne has to like also stare up, but

1006
00:56:31,920 --> 00:56:34,160
Speaker 1: then has to like screaming her child. Yeah, I just

1007
00:56:34,239 --> 00:56:37,480
Speaker 1: feel like it was it was giving. They wanted to

1008
00:56:37,480 --> 00:56:40,000
Speaker 1: give him a call the oscar. Yeah, but you know

1009
00:56:40,160 --> 00:56:43,040
Speaker 1: that happened sometimes. Anyway, I'm really happy that top of

1010
00:56:43,120 --> 00:56:45,960
Speaker 1: mind for me now years later when it really matters. Oh,

1011
00:56:46,320 --> 00:56:49,000
Speaker 1: by the way, I saw Top Gun Maverick, just just

1012
00:56:49,120 --> 00:56:51,360
Speaker 1: to talk about the top culture for a second. This

1013
00:56:51,480 --> 00:56:53,640
Speaker 1: movie was fine. The thing I like about Top Gun

1014
00:56:53,719 --> 00:56:56,120
Speaker 1: was that it was so gay. All those men were

1015
00:56:56,160 --> 00:57:01,200
Speaker 1: oiled up playing Top Gun, like Tom Cruise and like

1016
00:57:01,239 --> 00:57:05,520
Speaker 1: old o Ge, like oiled up on playing beach volleyball,

1017
00:57:05,560 --> 00:57:08,239
Speaker 1: and it's so gay. And they're like walking around the

1018
00:57:09,440 --> 00:57:11,640
Speaker 1: locker room being all oiled up and like being mad

1019
00:57:11,680 --> 00:57:12,960
Speaker 1: at each other because they want to be the best

1020
00:57:13,040 --> 00:57:15,600
Speaker 1: pilot this movie. There wasn't even any gay ship. It

1021
00:57:15,719 --> 00:57:18,720
Speaker 1: was like they cast all these hot guys like j Ellis,

1022
00:57:18,960 --> 00:57:22,240
Speaker 1: like Glenn Powell, like um Miles Teller, and I can't

1023
00:57:22,240 --> 00:57:25,320
Speaker 1: even see them, like I can't even see, like a towel.

1024
00:57:25,400 --> 00:57:27,600
Speaker 1: Come a little bit over the like bone right here

1025
00:57:27,680 --> 00:57:31,040
Speaker 1: the van. I can't even see any man like you're

1026
00:57:31,080 --> 00:57:35,920
Speaker 1: giving me what Tom Cruise at his big age talking

1027
00:57:35,960 --> 00:57:38,960
Speaker 1: to Jennifer Connolly like, actually, she pops off the sailboat

1028
00:57:39,000 --> 00:57:42,040
Speaker 1: and her her hair looks perfect after she got off

1029
00:57:42,040 --> 00:57:43,960
Speaker 1: a sailboat. Let me tell you something about getting off

1030
00:57:43,960 --> 00:57:46,640
Speaker 1: a sailboat. Your hair doesn't look perfect. I don't think so, honey.

1031
00:57:46,800 --> 00:57:49,400
Speaker 1: But the best part about Top Gun Maverick was the

1032
00:57:49,560 --> 00:57:52,400
Speaker 1: song hold My Hand by Lady Gaga, which calls a

1033
00:57:52,480 --> 00:57:59,200
Speaker 1: C plus song. I didn't say that so funny to

1034
00:57:59,240 --> 00:58:03,320
Speaker 1: see you lie these little lies that we tell drag

1035
00:58:04,000 --> 00:58:07,320
Speaker 1: drag her. I'm a little monster down. I would not

1036
00:58:07,400 --> 00:58:10,200
Speaker 1: think she's gonna play hold my Hand on comic Are

1037
00:58:10,240 --> 00:58:14,360
Speaker 1: you going to caromatic fish? I want to want invited

1038
00:58:14,360 --> 00:58:20,960
Speaker 1: to please? Is there am? Yes, my promise you will

1039
00:58:21,000 --> 00:58:25,919
Speaker 1: be my fish? Heard him? The fish is blue blue,

1040
00:58:25,960 --> 00:58:28,960
Speaker 1: blue blue blue. Alright, girl, So now it's going to

1041
00:58:29,000 --> 00:58:31,400
Speaker 1: be that moment in the in the podcast episode Bowen Yang,

1042
00:58:31,440 --> 00:58:33,280
Speaker 1: we're using your I don't think so, honey. Are you

1043
00:58:33,320 --> 00:58:39,280
Speaker 1: ready bitch um? Yeah? Yeah, this doesn't bode well. No,

1044
00:58:39,600 --> 00:58:44,680
Speaker 1: I think I'm ready. I'm ready, alright, this is Bowen Yanks.

1045
00:58:44,680 --> 00:58:46,720
Speaker 1: I don't think so, honey, and his time starts now.

1046
00:58:46,760 --> 00:58:48,600
Speaker 1: I don't think so, honey. On Fire Island, when you

1047
00:58:48,640 --> 00:58:50,600
Speaker 1: don't shut the damn door behind you when you go

1048
00:58:50,680 --> 00:58:52,880
Speaker 1: into a space, are you trying to let all the

1049
00:58:53,240 --> 00:58:58,200
Speaker 1: damn bugs in this? You're you're this is this is

1050
00:58:58,240 --> 00:59:02,040
Speaker 1: basically a greenhouse, and you're gonna have a little butterfly

1051
00:59:02,160 --> 00:59:07,240
Speaker 1: pavilion underneath my living room. The wrong kind of pavilions

1052
00:59:07,240 --> 00:59:09,160
Speaker 1: are like, not the pavilion where you go for show

1053
00:59:09,200 --> 00:59:12,680
Speaker 1: you in Sundays, or you do the glam racks. What

1054
00:59:12,920 --> 00:59:14,840
Speaker 1: was that that? I think it's called the glam racks.

1055
00:59:14,880 --> 00:59:18,600
Speaker 1: Glam racks getting something. I'm getting the I'm butchering the Navy.

1056
00:59:18,880 --> 00:59:21,720
Speaker 1: You guys do not know what I'm talking about. Glam racks.

1057
00:59:21,840 --> 00:59:25,479
Speaker 1: You know what I'm saying. And I think that there's

1058
00:59:25,680 --> 00:59:30,600
Speaker 1: a door. Etiquette is not okay on Fire Island. Lacking

1059
00:59:31,920 --> 00:59:34,360
Speaker 1: when you're when you're fucking, you better shut the door.

1060
00:59:35,080 --> 00:59:39,240
Speaker 1: When you're shitting, shut the door. When you're visiting someone's

1061
00:59:39,320 --> 00:59:41,439
Speaker 1: house and you're barging in on them watching the hour,

1062
00:59:42,200 --> 00:59:46,120
Speaker 1: you better there's people who came yesterday did not and

1063
00:59:46,560 --> 00:59:50,720
Speaker 1: about a hundred army of mosquitoes cament and that's one minute. Listen, Um,

1064
00:59:50,840 --> 00:59:53,240
Speaker 1: It's true. Just because it's a relaxed atmosphere does not

1065
00:59:53,320 --> 00:59:56,720
Speaker 1: mean you leave the doors. William only open shut the door,

1066
00:59:56,880 --> 01:00:01,480
Speaker 1: Shut the damn door. I mean, that was an incredible

1067
01:00:01,480 --> 01:00:03,160
Speaker 1: I don't think so, honey, at so happy that you

1068
01:00:03,200 --> 01:00:06,560
Speaker 1: took it to task. You really did that one before

1069
01:00:06,600 --> 01:00:08,800
Speaker 1: we before we go, we have to just say to everyone.

1070
01:00:08,920 --> 01:00:11,680
Speaker 1: Our favorite tweet that's been tweeted was a picture of Conrad,

1071
01:00:11,760 --> 01:00:15,200
Speaker 1: Rick and Mora in the film and just shirt listen

1072
01:00:15,200 --> 01:00:17,200
Speaker 1: to film and just this caption how to get away

1073
01:00:17,200 --> 01:00:27,400
Speaker 1: with my whole, Get out, Get out with my whole. Yeah, honestly,

1074
01:00:29,600 --> 01:00:33,600
Speaker 1: so listen, miss fish. Do you haven't I don't think so, honey, topic,

1075
01:00:33,720 --> 01:00:37,040
Speaker 1: I think so. I think you're gonna absolutely be. I

1076
01:00:37,080 --> 01:00:38,160
Speaker 1: think you're going to be one of the best of

1077
01:00:38,200 --> 01:00:42,120
Speaker 1: all time. Well, let's see, this is Tomas matos Is.

1078
01:00:42,400 --> 01:00:44,720
Speaker 1: I don't think so, honey. That time starts now. I

1079
01:00:44,800 --> 01:00:49,760
Speaker 1: don't think so, honey, Peppy you think you are? Why

1080
01:00:49,840 --> 01:00:52,680
Speaker 1: does say nobody say I don't think so honey? Exclamation

1081
01:00:52,800 --> 01:00:56,400
Speaker 1: point I don't think so honey. I'm gonna start saying, wait,

1082
01:00:56,920 --> 01:01:00,720
Speaker 1: question mark, I've done with peppy, bitch. I don't think

1083
01:01:00,800 --> 01:01:03,760
Speaker 1: so honey. Wherever I don't think, I don't think so.

1084
01:01:04,400 --> 01:01:08,160
Speaker 1: I don't think honey, bitch, And that is on period.

1085
01:01:08,880 --> 01:01:12,320
Speaker 1: You know what I think? Who decided to make period period?

1086
01:01:13,120 --> 01:01:17,400
Speaker 1: Why does anybody say I'm start saying I don't think

1087
01:01:17,480 --> 01:01:20,560
Speaker 1: so honey, so my colon, I don't think so honey,

1088
01:01:20,640 --> 01:01:24,720
Speaker 1: apostrophe bitch? And why is there a tea at the

1089
01:01:24,800 --> 01:01:32,800
Speaker 1: end of period period? It's not even a d I

1090
01:01:32,840 --> 01:01:35,560
Speaker 1: don't think so honey. You know what else, I don't think.

1091
01:01:35,920 --> 01:01:39,760
Speaker 1: I don't bitch, and that is on period. And I

1092
01:01:39,840 --> 01:01:43,160
Speaker 1: can say that because I'm cutting bitch. I don't take

1093
01:01:43,240 --> 01:01:51,600
Speaker 1: so honey. Honestly, that was that was twisting and turning it,

1094
01:01:52,040 --> 01:01:55,400
Speaker 1: tussling with it, turning it into something new, brand new,

1095
01:01:55,600 --> 01:02:00,280
Speaker 1: licked it, snorted, fucked it, brought it in, vomited. That

1096
01:02:00,360 --> 01:02:06,800
Speaker 1: was our pop. Really was that? And this is period period?

1097
01:02:07,040 --> 01:02:09,360
Speaker 1: This is pop. I thought you were saying, I don't

1098
01:02:09,400 --> 01:02:12,720
Speaker 1: think so honey, period, like you don't think so honey, period,

1099
01:02:13,000 --> 01:02:14,600
Speaker 1: But but but you were but they were saying, I

1100
01:02:14,600 --> 01:02:17,360
Speaker 1: don't think so, honey, I don't think so, honey. Period

1101
01:02:17,600 --> 01:02:23,680
Speaker 1: also the punctuation period, the period I dragged everything, universal

1102
01:02:23,800 --> 01:02:28,200
Speaker 1: ass wrap it up to must get me out of

1103
01:02:28,280 --> 01:02:32,240
Speaker 1: this box. It's giving the hottest box in the world.

1104
01:02:32,520 --> 01:02:35,360
Speaker 1: And so this has been an episode which is a

1105
01:02:35,480 --> 01:02:39,800
Speaker 1: glimpse into the fishdom that is the friendship between the

1106
01:02:39,880 --> 01:02:43,240
Speaker 1: three of us, and we're so thrilled and it's a

1107
01:02:43,280 --> 01:02:47,040
Speaker 1: friendship that will stand the test of time. Can we

1108
01:02:47,120 --> 01:02:51,240
Speaker 1: commit to this? Let's commit that. Because I missed y'all

1109
01:02:51,360 --> 01:02:55,920
Speaker 1: too much between rap and the premier, and I got

1110
01:02:55,920 --> 01:02:58,200
Speaker 1: a little sad earlier last week. I was like, this

1111
01:02:58,280 --> 01:02:59,840
Speaker 1: cannot be the last time we all see each other.

1112
01:03:00,320 --> 01:03:03,960
Speaker 1: There's too much joy. Absolutely not. I mean, it's for

1113
01:03:04,080 --> 01:03:08,000
Speaker 1: the entire cast and I I've been asked about a

1114
01:03:08,000 --> 01:03:11,880
Speaker 1: sequel numerous times already, which I'm so down. Fire Island down,

1115
01:03:12,040 --> 01:03:15,680
Speaker 1: cunt Okay. Put the press released out. Now, Fire Island

1116
01:03:15,720 --> 01:03:19,920
Speaker 1: to kunt Okay. It's coming. Someone said fire Island to

1117
01:03:20,480 --> 01:03:24,160
Speaker 1: Palm Springs. I thought it was funny that is called

1118
01:03:24,240 --> 01:03:29,400
Speaker 1: fire Island to Palm Springs. Fire Island too, Provincetown, Fire Island,

1119
01:03:29,440 --> 01:03:36,760
Speaker 1: two miconos, Fire Island too. I think we gotta micans

1120
01:03:36,920 --> 01:03:42,240
Speaker 1: think about Oh my god, that can be funny. This

1121
01:03:42,360 --> 01:03:45,920
Speaker 1: has been one of the fishiest episodes yet we brought you.

1122
01:03:46,240 --> 01:03:50,120
Speaker 1: Thank you Queena for joining us. Absolutely we had every

1123
01:03:50,200 --> 01:03:53,080
Speaker 1: episode and you can stream the film. Fire Island were

1124
01:03:53,560 --> 01:03:56,600
Speaker 1: episode with the song I'm so tired. I cannot say words.

1125
01:03:56,640 --> 01:03:58,560
Speaker 1: Do you know how many times I've gone over my words?

1126
01:03:59,560 --> 01:04:03,520
Speaker 1: It is in a situation I don't want to believe,

1127
01:04:05,360 --> 01:04:10,800
Speaker 1: just say because it's that's Oh God, let it bear

1128
01:04:10,920 --> 01:04:13,920
Speaker 1: anyone wait? Can we just do the part that we know?

1129
01:04:16,440 --> 01:04:21,880
Speaker 1: Sometimes I run, sometimes, sometimes I had Sometimes I was

1130
01:04:21,960 --> 01:04:27,160
Speaker 1: scared at you, but all I really wanted to hold

1131
01:04:27,360 --> 01:04:34,400
Speaker 1: your side, treat you right, be with you day baby.

1132
01:04:34,800 --> 01:04:37,480
Speaker 1: I need this. I found it. Found it by my

1133
01:04:37,920 --> 01:04:38,160
Speaker 1: boy