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Speaker 1: And his Drink Chess motherfucking Podcast. Max, He's a legendary

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Speaker 1: queen's rapper. He's like Green is your boy in O R.

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Speaker 1: He's a Miami hippop pioneer. Up his dj e FN

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Speaker 1: Together they drinking up with some of the biggest players

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Speaker 1: in the most professional unprofessional podcast and your number one

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Speaker 1: sorts for drunk fact drink Chess motherfucking every day is

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Speaker 1: New Year's Less time for drink champs, drink up mother?

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Speaker 1: What did you could be hoping? He is what the city?

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Speaker 1: This is your boy in O R. What up is

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Speaker 1: d j e F and his drink Chance for the

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Speaker 1: fucking happy All, Max? When you talk about R and

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Speaker 1: B Royalty, when you talk about a man who stayed

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Speaker 1: down just he was a part of a group, he

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Speaker 1: got out of the group, Stay stay down, stay strong

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Speaker 1: when it toward. He just came from Australia, been all

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Speaker 1: over the world doing what he gotta do, staying here

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Speaker 1: on love and hip hop, out there smashing everything. You understand.

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Speaker 1: I'm saying the man is a my He's he's a

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Speaker 1: born and read Miami. I'm surprised he shouldn't be should

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Speaker 1: have been on this show. If you don't know who

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Speaker 1: we're talking about right now. We're talking about the honorable

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Speaker 1: motherfucking now you got an album out right now, and I, um,

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Speaker 1: it's such a pleasure p possess. So when I think

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Speaker 1: of that, I think compilation. Is this a compilation or

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Speaker 1: it's like a little compilation EP. So during the process

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Speaker 1: of recording my album, uh, you know, I funked around

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Speaker 1: and ran into some talented people. You know what I'm saying.

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Speaker 1: I'm like, Yo, you know what when I when I

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Speaker 1: do put out some ship or when I do you

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Speaker 1: know what I'm saying, get the get the opportunity to.

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Speaker 1: I want to share something out on this talent because

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Speaker 1: the world needs to see you. Gotta try to put

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Speaker 1: somebody you help us. Yeah, I said, So, I just

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Speaker 1: took some of the artists that I you know that

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Speaker 1: that that I've been working with, and yeah, that's what

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Speaker 1: this conversation from around the country or from locally with

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Speaker 1: some of them from here, um, some of them from

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Speaker 1: other places too. So now like you, I want to

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Speaker 1: I want to hear from the beginning, like, um, you're

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Speaker 1: being from Miami, pointing race, You're you're Miami. You're like

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Speaker 1: you're not one of those guys that moved to Miami

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Speaker 1: after you're a poet raised Miami guy. So I want

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Speaker 1: to take us to the beginning, like how did you

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Speaker 1: how did how did you even get started with as

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Speaker 1: a church? Okay, so so so it's just black, You're

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Speaker 1: not Haitian so so so No, I'm just saying, I'm

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Speaker 1: just like, you know, you know, you know, like what

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Speaker 1: you mean, yeah, because the most black singers start out

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Speaker 1: the church, got damn it. So let me let me

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Speaker 1: figure that out. I mean, well, my mom and father

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Speaker 1: they used to being like a band together. So I'm

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Speaker 1: from your mom's and bothers in the grid. They used

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Speaker 1: to be in a like like a band called a

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Speaker 1: rapper like from the Yeah, it was like you know,

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Speaker 1: it was young at hell, you know what I'm said.

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Speaker 1: My dad played the keys, my mom played the keys,

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Speaker 1: so they would be like you know, the Bonnie and

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Speaker 1: Cloud of Keys and ship. You know what I'm saying

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Speaker 1: back you know, back in those days. I guess she

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Speaker 1: didn't work out with them or whatever, but you know it,

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Speaker 1: that's what it is. But um, yeah, I've just been

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Speaker 1: around music since like all my life. Rehearsals was in

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Speaker 1: like when when she had been rehearsal and ship that

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Speaker 1: was in the front room. So I used to come

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Speaker 1: out there, and you know, I've been doing this since

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Speaker 1: I was young man. Do you ever like trying to

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Speaker 1: like get go through Luke, because you know Lukes like

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Speaker 1: y'all puff daddy out there. I see back then, you

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Speaker 1: couldn't even know Luke as a as a as a kid.

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Speaker 1: You know what I'm saying. It ain't hear before Miami. Yeah,

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Speaker 1: it didn't really stopped happening for me. I think one

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Speaker 1: time I went to, like, um, this festival we got

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Speaker 1: well used to have. It's called Arabia Knights Festival and

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Speaker 1: in Opa Locka, you know what I'm said, So nigga

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Speaker 1: went Sound Dangerous. It was everybody's come perform. So I

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Speaker 1: got to sing for ball Thugs and Harmony. It's guy

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Speaker 1: named Kevin Cousins. He wanted to sign me. Mom was like, nah,

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Speaker 1: you know, I'm saying, you gotta focus on school, whatever

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Speaker 1: the case may be. So you know, years years after that, bro,

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Speaker 1: you know the ground old stop. Bro what I'm saying.

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Speaker 1: I wished I wished anyone here because when we just

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Speaker 1: doing all the market, the purple Yeah, these guys been

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Speaker 1: grinding hard. They were doing all these schools like shows

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Speaker 1: like and if it was a part of the same, Yeah,

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Speaker 1: that's the same to the share the same going to

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Speaker 1: junior high and it was just relentless going out and

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Speaker 1: getting it out. It was our onn Street team all

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Speaker 1: of that. You know what I'm saying, don't want to

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Speaker 1: get from the group. They got social media network respects.

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Speaker 1: But he got a social media company called at Ward.

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Speaker 1: I'm promoting for you. Might y'all check them out? Adizard? Yeah, yeah,

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Speaker 1: two and five is when um, pretty Wickie Farm two?

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Speaker 1: And how was that you got your brothers go up

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Speaker 1: together or what? To be honest, I was shopping my demo.

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Speaker 1: You know what I'm saying. You was always a solo artist.

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Speaker 1: I was always a solo artist. I was shopping my demo.

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Speaker 1: I I went to Ted Lucas that slipping slide And

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Speaker 1: then I guess the next person I read it too

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Speaker 1: was their father because he used to work with Ted

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Speaker 1: as well. So, um, yeah who father? Um Baby Blue

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Speaker 1: with spectacling o. Pretty ricky the person they had a group, Well,

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Speaker 1: they had a pretty ricky the person, right, Yeah, it

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Speaker 1: was pretty ricky the person. Pretty Ricky what they called Okay,

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Speaker 1: come right this yeah, this hot wind. So it's pretty

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Speaker 1: Ricky in the Mavericks. Maverige was our group. You know

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Speaker 1: what I'm saying, pretty Ricky, We'll rest in peace. He

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Speaker 1: not you know, here anymore. But he was just he

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Speaker 1: was another artist. But his dad and him got into

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Speaker 1: it and he was like, you know what, I invested

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Speaker 1: all his money. Pretty Ricky. The sore he played in

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Speaker 1: the radio. So we kind of just took over the end,

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Speaker 1: to be honest. Yeah, because I thought they came from mind,

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Speaker 1: because it is pretty pretty ricky, you know. So Okay,

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Speaker 1: you guys formed this school. Uh, I'm coming from a

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Speaker 1: group and being a part of the group. I know

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Speaker 1: how hard it is. I know how hard it is.

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Speaker 1: But in the beginning it had to be. It had

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Speaker 1: to be. It's magic. It's magic. It's like nobody experienced it.

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Speaker 1: You never traveled really before. My first time getting on

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Speaker 1: the plane was going to New York to to to

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Speaker 1: you know, to get a deal. I'm like nineteen twenty

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Speaker 1: years old at that time. First flight delta so on

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Speaker 1: New York, landed, first time seeing snow, so yeah, it

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Speaker 1: was like an adventure. But you know, with anything when

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Speaker 1: money and the fame come, egos come up. I don't think.

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Speaker 1: I don't think we had it that bad. It's just

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Speaker 1: how things was at the time, Like the father of

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Speaker 1: trying to put imagine you're grinding together and then not

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Speaker 1: the father now trying to put one of the payers

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Speaker 1: to be over everybody's like, maybe we're grinding together. Nobody

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Speaker 1: over nobody, you know what I'm saying. So I think

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Speaker 1: during the second album that's what we kind of started,

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Speaker 1: you know, having our differences, but the beginning it had

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Speaker 1: to be that was your brother's like that. That's that's

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Speaker 1: just like when I think about even like mine thick

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Speaker 1: come on and Overea. Um, the best part for me

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Speaker 1: is dude broke, like to say the truth, like the

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Speaker 1: money like we were it was. I don't I can't

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Speaker 1: say it was sincere happiness. I could say when we

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Speaker 1: were broke riding a train to the studio to get

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Speaker 1: experience and everything new, it's you know what I'm saying,

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Speaker 1: like I ain't gonna lie and um, that's just that's

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Speaker 1: just weird. That's some weird weird ship, like because because

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Speaker 1: you are all friends, you know what I'm saying. And

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Speaker 1: when you when that should happen. So, um wait, wait,

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Speaker 1: wait a second, because I just noticed something. You got

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Speaker 1: the battle shirt. I very paris. I told you, yeah,

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Speaker 1: someone attacked us that he was wearing this in Jamaica.

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Speaker 1: We don't even know where that he came. But um so,

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Speaker 1: I mean being a steep, it's just it's just hard.

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Speaker 1: Like I remember you guys gotta left that hard. Um

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Speaker 1: Like I remember see him like Marb Deep right and

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Speaker 1: rememb remember you would you would think Mark Deep is

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Speaker 1: just two members, right, And I remember people trying to

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Speaker 1: book Marb Deep Capon in Oriega and like Wu Tang

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Speaker 1: and almost in that bo or like I kid you not,

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Speaker 1: but it never happened though, Like what I'm saying is

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Speaker 1: it will be five people from Wu Tang having the

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Speaker 1: show up. You know, no, no, the compons in jail.

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Speaker 1: Like it's hard to keep four people, five people on

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Speaker 1: the same mind frame. So but in the beginning, how

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Speaker 1: how did you guys? Uh? What we had? We had

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Speaker 1: somebody to help us, you know, I had somebody to

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Speaker 1: to kind of like enforced things. So if somebody need

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Speaker 1: some whole as ship, he's gonna call you. Why don't

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Speaker 1: your old as ship we're gonna have a meeting and

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Speaker 1: we're gonna either take it to the grass and fight

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Speaker 1: and everybody cool again or you know what I'm saying.

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Speaker 1: So it was like that in the get from the

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Speaker 1: get go. So what was what was the moment where

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Speaker 1: you you realize you're in the game for real, for

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Speaker 1: real ship man, to be honest, like when we did

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Speaker 1: the Billboard Awards and performing like Ashley Simpson and we

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Speaker 1: did like a Billboard Awards like performers, like that's probably

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Speaker 1: the only awards show that we performed on. But it

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Speaker 1: was like, okay, it serious, stowing your pants off an

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Speaker 1: All types of ship on stage were so and we're

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Speaker 1: responsible for life, a lot of people having babies and

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Speaker 1: you know, all niggas had to do back in the

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Speaker 1: day is just press play stand. We got the rest

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Speaker 1: for you. And so you always wanted to be a

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Speaker 1: solo artist or well, y'all start off in a solo artist.

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Speaker 1: But you know, me being in the group, you know,

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Speaker 1: it wasn't even like it was a big bad thing,

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Speaker 1: you know what I'm saying, Like I folk with being

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Speaker 1: in a group too. When you get older, what I'm

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Speaker 1: saying checks different. When you so little and we weren't

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Speaker 1: working up one time and you want point and your brothers. Yeah,

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Speaker 1: come on, bro, I mean it's it's crazy, man. It's

190
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Speaker 1: an easy job. Like you got you got niggas Like

191
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Speaker 1: if you don't handle the business side. You know what

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Speaker 1: I'm saying. All you gotta do is show up and

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Speaker 1: do your job. Show up to the studio, hook already

194
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Speaker 1: on the song. All you gotta do is write your verse,

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Speaker 1: go home. You know what I'm saying. When it comes

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Speaker 1: to the show part of things, man, we don't be

197
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Speaker 1: on the phone getting the contract because everything I already

198
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Speaker 1: already saw. You gotta do us show up to the show,

199
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Speaker 1: do your job, and go fucking fans if that's what

200
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Speaker 1: you do. Said I think you guys need a manager

201
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Speaker 1: because I think I read somewhere that you guys don't

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Speaker 1: have a manager like y'all manage each other. Yeah, you

203
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Speaker 1: know the thing about it is um having a manager

204
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Speaker 1: like picking the right manager. It's tough, bro, because saying

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Speaker 1: you might feel like he's leaning towards like favoritism or

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Speaker 1: something like that. It's just they don't be like, okay

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Speaker 1: when you when you come back together. A lot of

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Speaker 1: people don't believe me, it's hard. They're done. They just

209
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Speaker 1: stay that and today get to the first concertency Oh ship,

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Speaker 1: that ship sold out. Yeah we didn't drop no music

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Speaker 1: and god knows how long. But guess what we got

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00:11:13,920 --> 00:11:16,800
Speaker 1: dealing fans and we're selling out every venue. So I

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Speaker 1: don't know, Like I spoke to a few managers, but

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Speaker 1: they didn't seem like, see you'll self managing yourselves right now. Yeah,

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Speaker 1: it's dope, but it's also kind of makes them seem

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Speaker 1: like the out of control. So it's because because I

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Speaker 1: just we got a team, Like, we got a team. Okay,

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Speaker 1: you if you it's like basically like whoever brings to

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Speaker 1: the table, if you bring them to the table, we're

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Speaker 1: just gonna, you know, sort it out. It's not hard,

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Speaker 1: you know what I'm saying. Some of these managers to

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Speaker 1: be acting like their job too hard. They be making

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Speaker 1: it seem like they do what they do. And so

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Speaker 1: is it because she felt like you guys were taking

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Speaker 1: advantage of at one point. Nah, it's just you know what,

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Speaker 1: when we put it back together, it was just like

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Speaker 1: we got some dates. You know what I'm saying, Let's

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Speaker 1: do these dates. And then we did the Australian tour

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Speaker 1: in Australia a lot nigger every year Australia, New Zealand, Australia,

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Speaker 1: we got, we go to Asia. Two came to be

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Speaker 1: all over in the austeriacause I love my Hugy fans.

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Speaker 1: But no, man, I mean, I don't know. It just

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Speaker 1: kind of just came together like that. You know what

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Speaker 1: I'm saying that we haven't had the opportunity to find

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Speaker 1: the right manage you actually got the time to deal

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Speaker 1: with everything that you know, not because um I know,

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Speaker 1: I know the struggles you know, me from not me

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Speaker 1: being an inside in the industry but not being then

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Speaker 1: inside of nor information. I know how hard it is

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Speaker 1: to know people as all y'all all broken eating peanut

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Speaker 1: butter jelly sandwichis And then ship come around and one

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Speaker 1: person has more opportunity in the next. And I don't

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Speaker 1: know how how that ship affects people, like it brings

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Speaker 1: out the worst of people. Yeah, because I ain't gonna

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Speaker 1: lie like like even like I don't remember I wouldn't

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Speaker 1: say to the members. I remember just hanging what Tech

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Speaker 1: people from Tech and remember saying, man, you know this dude, dude,

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Speaker 1: And I was like I want to hear that ship.

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Speaker 1: You think it's well, tell to men, set about this nagging.

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Speaker 1: I don't want to hear that ship. But that's how

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Speaker 1: much of my parents I was like, it starts telling

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Speaker 1: me some each other don't tell me. But it be

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Speaker 1: the way of hitting, like you know what I'm saying.

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Speaker 1: And you guys, you guys went you guys were you you?

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Speaker 1: I was on Atlantic? It was you, it was And

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Speaker 1: of course I went to Atlantic after that situation. Yeah,

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Speaker 1: it was with my ye would leave count take care

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Speaker 1: of the take care of because you know, sometimes you're

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Speaker 1: skipping on the bill. What can you go off to

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Speaker 1: basically skipped out that He's so, what is what is

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Speaker 1: the difference between being on a major and being independent? Well,

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Speaker 1: to be honest, like you had a lot of the

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Speaker 1: work done for you. But for us it was like

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Speaker 1: me being at the label every day as a young man,

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Speaker 1: like all the people that I grew up, we are

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Speaker 1: empowered now, you know what I'm saying. I got to

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Speaker 1: see what well, you know, what the publicists do, what

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Speaker 1: the radio staff do, and then going to each market

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Speaker 1: and spending so much time with all these people, and

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Speaker 1: I kind of got to know the business. Just so

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Speaker 1: you like independent. I like independent because I get I

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Speaker 1: get to see in control everything. When I see my

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Speaker 1: first independent check, you know what, from the Empire, I said,

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Speaker 1: And he's honest person, great, he came years ago and

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Speaker 1: showed me the game before Kempire was even what I'm saying.

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Speaker 1: I've been like down since day one. So yeah, like

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Speaker 1: when I see my first check and I said, oh shoot,

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Speaker 1: I get this every month, that's what's up. So now

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00:15:07,560 --> 00:15:09,880
Speaker 1: now that I know the game, it's it's daddy, it's better.

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Speaker 1: I'm not gonna lie. I'm a little deeper, ishe um?

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Speaker 1: Because I hate to grind. Now got grinded so much.

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Speaker 1: So when the person, when you're independent in the person

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Speaker 1: say to you, you got to grind it out like

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Speaker 1: grind right out world, I'm like, I don't. But independent,

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Speaker 1: like you said, the check is always bigger. It's always

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Speaker 1: not always bigger because the upfront check from the majors

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Speaker 1: be crazy back then. But I come from I come

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Speaker 1: from the million dollar When I come from get two

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Speaker 1: million dollar bank wound the budget, yeah, you know what,

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00:15:49,520 --> 00:15:52,120
Speaker 1: I always go over budget? Was I was the over

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Speaker 1: budget baby that when they called me be forecasts because

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Speaker 1: they had to do the ship over. They're good for

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00:15:58,440 --> 00:16:00,680
Speaker 1: real and components like that too, but I had it

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Speaker 1: a lot after having a experience for both and having

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Speaker 1: to grind on the independent level so much. I prefer

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Speaker 1: the Major's. I prefer to riding the tour bus. I prefer,

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00:16:12,120 --> 00:16:15,000
Speaker 1: you know what I mean, to ride into the buses. Yeah,

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00:16:15,040 --> 00:16:16,280
Speaker 1: but you know what I'm saying, Like you know, when

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00:16:16,320 --> 00:16:20,200
Speaker 1: you really riding, you go back down to the back,

300
00:16:20,240 --> 00:16:24,200
Speaker 1: down to the vega, all your money, think about it,

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00:16:24,200 --> 00:16:27,040
Speaker 1: everything is all in and I'm just so. I mean,

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00:16:27,120 --> 00:16:29,920
Speaker 1: I had both. I grinded both, but if I had to,

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00:16:29,960 --> 00:16:32,320
Speaker 1: like pick it over, had a choice, I would definitely

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00:16:32,360 --> 00:16:34,600
Speaker 1: go funk with the major's. Like I even see styles

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00:16:34,600 --> 00:16:38,840
Speaker 1: pe like Stiles Pe came up here and he's super independent.

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00:16:40,200 --> 00:16:44,520
Speaker 1: Guess what throw out the album with Dave. Yeah, I

307
00:16:44,520 --> 00:16:49,480
Speaker 1: can't wait the time about himself. But I definitely, uh,

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00:16:49,680 --> 00:16:53,640
Speaker 1: I definitely preferred the major because of the headaches. Man, Like,

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00:16:53,680 --> 00:16:55,840
Speaker 1: after you've been in this game for so long, you

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Speaker 1: just want to you don't want to bother your babe

311
00:16:58,440 --> 00:17:00,160
Speaker 1: who no more. You just want to come in your

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00:17:00,200 --> 00:17:03,040
Speaker 1: big old red paws. It's already buttered and jelly it's

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00:17:03,120 --> 00:17:05,679
Speaker 1: what you you prefer to an independent yeah for now?

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00:17:05,880 --> 00:17:09,760
Speaker 1: Yeah for sure, man. I mean I don't know, like

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00:17:09,760 --> 00:17:12,080
Speaker 1: like me being in a situation where I was in

316
00:17:12,640 --> 00:17:15,560
Speaker 1: and they're seeing how a major would just shipped on you.

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00:17:15,560 --> 00:17:17,879
Speaker 1: You know what I'm saying, whenever they want, Like me,

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00:17:17,960 --> 00:17:19,560
Speaker 1: I got control of how long I'm gonna be here

319
00:17:19,600 --> 00:17:22,160
Speaker 1: now not it ain't up to nobody. And I'm in debt,

320
00:17:22,280 --> 00:17:24,479
Speaker 1: you know, like maybe you're having dinners on Nigga's budgets

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00:17:24,480 --> 00:17:27,680
Speaker 1: and kind of sure, you're just talking about the good

322
00:17:27,760 --> 00:17:30,280
Speaker 1: side when when they love the artists, oh yeah, but

323
00:17:30,320 --> 00:17:33,200
Speaker 1: when they don't love the artists. But that's what everything though,

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00:17:33,320 --> 00:17:35,000
Speaker 1: what I'm saying. But if you know, one of the

325
00:17:35,040 --> 00:17:36,760
Speaker 1: one of the one of the best stories, I think

326
00:17:36,760 --> 00:17:38,520
Speaker 1: I've told it on him. I'm not sure. One of

327
00:17:38,560 --> 00:17:41,199
Speaker 1: the best stories was me hanging with Leo Cohm's one

328
00:17:41,280 --> 00:17:44,200
Speaker 1: day right on the old coust invites me to his house.

329
00:17:44,440 --> 00:17:46,520
Speaker 1: I forget where it was on twenty from Park or

330
00:17:46,520 --> 00:17:48,320
Speaker 1: some of the on Park Avenue. I know that that's

331
00:17:48,359 --> 00:17:50,800
Speaker 1: big ship for New York, right, So he walks in

332
00:17:50,840 --> 00:17:52,480
Speaker 1: the carib I walk in the carib I said, wow,

333
00:17:53,119 --> 00:17:55,680
Speaker 1: it's a beautiful house, and this is the whole game.

334
00:17:55,880 --> 00:17:59,119
Speaker 1: In one sentence, he said to me, make sure you

335
00:17:59,240 --> 00:18:05,040
Speaker 1: had enough. Next here, I'll write you back. Damn. That's

336
00:18:05,040 --> 00:18:08,399
Speaker 1: the whole game in one sentence, Like, homie, you're here

337
00:18:08,400 --> 00:18:12,480
Speaker 1: because you Yeah, that's it. We're not you ain't the homie.

338
00:18:12,600 --> 00:18:15,080
Speaker 1: That's it. You're here in my house and this big,

339
00:18:15,119 --> 00:18:18,200
Speaker 1: beautiful maship. That's the brutal truth. That's the beauty. I

340
00:18:18,400 --> 00:18:20,680
Speaker 1: look that up frontness like like that's like me and

341
00:18:20,720 --> 00:18:23,000
Speaker 1: the bishop and saying, listen, I'm gonna I might get

342
00:18:23,040 --> 00:18:25,240
Speaker 1: it home me too. And then she Holi's like, you

343
00:18:25,280 --> 00:18:30,560
Speaker 1: gotta respect She told you you gotta respect it. And

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00:18:30,600 --> 00:18:32,600
Speaker 1: that's why that's what the thing that I do like about,

345
00:18:33,240 --> 00:18:34,920
Speaker 1: like when they up front, like don't tell me you're

346
00:18:34,920 --> 00:18:37,320
Speaker 1: my brother, don't tell me you're my friend, and don't

347
00:18:37,359 --> 00:18:39,720
Speaker 1: tell me like you know, we're going out to dinners

348
00:18:39,840 --> 00:18:42,080
Speaker 1: and we were jet skiing together, and then when it's

349
00:18:42,119 --> 00:18:46,120
Speaker 1: time to to to drop me, you can't even get

350
00:18:46,119 --> 00:18:48,359
Speaker 1: your on the phone. But if you are front, But

351
00:18:48,400 --> 00:18:50,080
Speaker 1: if you're up front with me and you're saying, look,

352
00:18:50,400 --> 00:18:52,199
Speaker 1: as long as you live, I'm gonna funk with you.

353
00:18:52,320 --> 00:18:55,600
Speaker 1: Because when you're not lit, I'm gonna go with the

354
00:18:55,600 --> 00:19:00,080
Speaker 1: other lick. You're gonna get on the Greek due. But

355
00:19:00,119 --> 00:19:01,960
Speaker 1: then what happens is when you're not hot, Now you're

356
00:19:01,960 --> 00:19:05,159
Speaker 1: tied to that label because you have a contractual obligation

357
00:19:05,680 --> 00:19:08,000
Speaker 1: and overhead of money that you owe to them, and

358
00:19:08,040 --> 00:19:10,320
Speaker 1: you can't really do your independence stuff. You can't go

359
00:19:10,359 --> 00:19:12,359
Speaker 1: and make if you're not, they're gonna let your ass go.

360
00:19:13,320 --> 00:19:19,959
Speaker 1: Sometimes Bill, sometimes you're Bill. It's it's more it's a

361
00:19:19,960 --> 00:19:23,840
Speaker 1: tax writer. That's why they keep people that. Yeah, the

362
00:19:24,080 --> 00:19:27,160
Speaker 1: hold you you ever got you ever got a pause? Elf?

363
00:19:28,200 --> 00:19:30,040
Speaker 1: Like in the situation they try to help hold you.

364
00:19:30,640 --> 00:19:34,720
Speaker 1: Um yeah yeah, like a couple of times. No. Um.

365
00:19:34,720 --> 00:19:36,720
Speaker 1: So the label that I was signed to when I was,

366
00:19:37,000 --> 00:19:39,840
Speaker 1: you know, making a transition of becoming a solo artist,

367
00:19:39,920 --> 00:19:43,000
Speaker 1: you know, Nigga's Nigga's mad I left the group. I'm

368
00:19:43,040 --> 00:19:45,919
Speaker 1: saying I thought I signed just a good contract, but

369
00:19:46,000 --> 00:19:48,239
Speaker 1: the group was like, Nigga, you know, I got right

370
00:19:48,280 --> 00:19:50,720
Speaker 1: to you as a solo hardest deal in a sense,

371
00:19:51,320 --> 00:19:55,240
Speaker 1: hold right, like twenty seven years old, like hold on,

372
00:19:55,280 --> 00:19:58,080
Speaker 1: wait wait wait wait wait you know what I'm saying. Yeah,

373
00:19:59,040 --> 00:20:01,679
Speaker 1: so they signed as a group and as a solo

374
00:20:02,240 --> 00:20:05,520
Speaker 1: right and and you know only like loyalty nigga that

375
00:20:05,600 --> 00:20:07,240
Speaker 1: you know, a man signing on the dot of line

376
00:20:07,880 --> 00:20:11,720
Speaker 1: sportive team. And I guess in his head he's probably thinking, yeah,

377
00:20:12,000 --> 00:20:14,240
Speaker 1: that kind of ship. Is that why you went from

378
00:20:14,280 --> 00:20:18,160
Speaker 1: All Pleasure P to Marcus Na Na No, No No, we'll

379
00:20:18,160 --> 00:20:21,520
Speaker 1: get into that. That's a whole. That's the whole. Niver said,

380
00:20:21,560 --> 00:20:23,720
Speaker 1: that's why I went from n R from Noriega and

381
00:20:23,880 --> 00:20:26,920
Speaker 1: r E. And then he didn't Poppy and then that

382
00:20:27,200 --> 00:20:31,720
Speaker 1: was that was to be creative. But uh, prior to

383
00:20:31,800 --> 00:20:34,440
Speaker 1: that call, you boyd had all the name Component and

384
00:20:34,560 --> 00:20:37,640
Speaker 1: Noriega together, so I had to had to be creative.

385
00:20:37,640 --> 00:20:40,159
Speaker 1: When I was like, all, you know what and they

386
00:20:40,200 --> 00:20:42,240
Speaker 1: only owned it for like two years, So then it

387
00:20:42,320 --> 00:20:45,440
Speaker 1: went back to me, what's going on? Dream Champs Army.

388
00:20:45,760 --> 00:20:48,639
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389
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390
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391
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Speaker 1: Forward slash drink. But oh so so so so yeah,

414
00:22:23,800 --> 00:22:25,920
Speaker 1: so I guess when I decided to lead a group.

415
00:22:26,320 --> 00:22:28,359
Speaker 1: We wasn't all good terms or whatever the case. And

416
00:22:28,400 --> 00:22:30,159
Speaker 1: this is me speaking my facts to my truth, you

417
00:22:30,160 --> 00:22:33,159
Speaker 1: know what I'm saying. Um, I would do record. So

418
00:22:33,200 --> 00:22:37,000
Speaker 1: I did a record with Bergman, Um, and I don't

419
00:22:37,000 --> 00:22:39,000
Speaker 1: know what I did. That's a right because like kids

420
00:22:39,000 --> 00:22:41,879
Speaker 1: like yo, a hundred thousand dollars, I'm gonna charge him

421
00:22:41,840 --> 00:22:43,199
Speaker 1: for you to be on a song. So he was

422
00:22:43,240 --> 00:22:45,920
Speaker 1: just doing things that make people say no, any opportunity

423
00:22:46,000 --> 00:22:47,720
Speaker 1: that came my way. Then I got a song on

424
00:22:47,720 --> 00:22:50,879
Speaker 1: the radio. Uh, card I did you wrong. They was

425
00:22:50,960 --> 00:22:53,760
Speaker 1: called in trying to you know, get me. You know,

426
00:22:54,440 --> 00:22:56,359
Speaker 1: you know where you can't have an artist on the radio.

427
00:22:57,240 --> 00:22:59,480
Speaker 1: It was like that kind of stuff going on, you

428
00:22:59,520 --> 00:23:01,240
Speaker 1: know what I'm saying. And so I was stuck for

429
00:23:01,280 --> 00:23:03,880
Speaker 1: a minute. I had to uh, probably like four five

430
00:23:03,960 --> 00:23:06,879
Speaker 1: hundred thousand dollars and you know, paying for a litigator,

431
00:23:07,160 --> 00:23:09,480
Speaker 1: and I you know, I spl I gave them another

432
00:23:09,800 --> 00:23:12,679
Speaker 1: five hundred thousand, you know, just to walk away. So

433
00:23:12,760 --> 00:23:16,200
Speaker 1: that was my first to contract. Jesus, you know what

434
00:23:16,200 --> 00:23:18,440
Speaker 1: I'm saying. And you said they were charging people a

435
00:23:18,520 --> 00:23:21,560
Speaker 1: hundred thousands to get you on the record. In the record,

436
00:23:21,600 --> 00:23:23,480
Speaker 1: you know he'd like, so say you say, you know what,

437
00:23:23,520 --> 00:23:25,440
Speaker 1: Pete funk with you, I want to do a record

438
00:23:25,440 --> 00:23:28,200
Speaker 1: with you, whatever, whatever, All right, by the time, by

439
00:23:28,240 --> 00:23:29,480
Speaker 1: the time it's time for us to do what a

440
00:23:29,520 --> 00:23:31,120
Speaker 1: matter of fact, I'll do the record. But when it's

441
00:23:31,119 --> 00:23:33,720
Speaker 1: time to handle the business, no, niggers are just gonna

442
00:23:33,760 --> 00:23:36,359
Speaker 1: make people say no. So I had songs with applies

443
00:23:36,480 --> 00:23:38,959
Speaker 1: people like that that's in the streets that I couldn't

444
00:23:39,000 --> 00:23:41,360
Speaker 1: even you know what I'm saying because of that. So

445
00:23:41,640 --> 00:23:43,639
Speaker 1: some of those songs just went big in the streets.

446
00:23:43,680 --> 00:23:45,400
Speaker 1: But they're supposed to be singles. But I was going

447
00:23:45,440 --> 00:23:49,080
Speaker 1: through some contractual ship. That was my first contract. I

448
00:23:49,119 --> 00:23:52,080
Speaker 1: was held up the goddamn Now I love my hip hop.

449
00:23:52,119 --> 00:23:54,720
Speaker 1: You tried to take down trick that he's baby mama. No,

450
00:23:54,840 --> 00:24:03,720
Speaker 1: I didn't on the team at come from. I was like,

451
00:24:03,800 --> 00:24:06,680
Speaker 1: that says a wife. Yeah, that's what we're doing. He

452
00:24:06,760 --> 00:24:10,800
Speaker 1: took it out. Now we're friends. N't look like that.

453
00:24:10,840 --> 00:24:18,679
Speaker 1: Don't be an honest How doesn't love just friends? Okay,

454
00:24:18,960 --> 00:24:21,639
Speaker 1: I'm cool. I was. I was worried, man, I was worried.

455
00:24:21,680 --> 00:24:23,440
Speaker 1: I mean, listen, I'm going on the boys. I gotta

456
00:24:23,440 --> 00:24:26,160
Speaker 1: stick together. Man. But but you know how it is though,

457
00:24:26,280 --> 00:24:28,760
Speaker 1: like anybody I'm seeing because I'm an R and B seening,

458
00:24:28,800 --> 00:24:33,200
Speaker 1: you don't matter. Y is I'm smiting that I came

459
00:24:33,240 --> 00:24:35,000
Speaker 1: and having no home girls. I don't even know what

460
00:24:35,040 --> 00:24:36,720
Speaker 1: we're cool? Do we talking? We you know what I'm

461
00:24:36,720 --> 00:24:39,800
Speaker 1: saying that that could never happen when it comes to me? Now?

462
00:24:39,960 --> 00:24:42,840
Speaker 1: Is that something um that you love when the game?

463
00:24:42,880 --> 00:24:45,919
Speaker 1: Because I mean now I'm married, right, but you know

464
00:24:45,960 --> 00:24:49,800
Speaker 1: I have through my dickgination than I have through my

465
00:24:49,800 --> 00:24:54,840
Speaker 1: dick on the crap table a couple of nights, right.

466
00:24:54,920 --> 00:24:56,679
Speaker 1: I mean I'm not I'm not talking about that. I'm

467
00:24:56,840 --> 00:25:01,679
Speaker 1: about back back then? Are you old over? Like like

468
00:25:01,760 --> 00:25:05,800
Speaker 1: you know the roomie ship and like yeah, well we

469
00:25:05,840 --> 00:25:08,600
Speaker 1: all be cause we all get to that point. It's over, bro.

470
00:25:09,000 --> 00:25:11,640
Speaker 1: So I got yall washed up, washed up. I can't

471
00:25:11,640 --> 00:25:14,200
Speaker 1: even like some some of the ship. It's like, okay,

472
00:25:14,240 --> 00:25:17,240
Speaker 1: you've seen ship twenty times over and over and over again,

473
00:25:17,600 --> 00:25:19,920
Speaker 1: so it's like all right, damn. She she really feel

474
00:25:20,160 --> 00:25:22,679
Speaker 1: hustling me for the dinner. She really thinks she's like

475
00:25:23,080 --> 00:25:24,760
Speaker 1: it's sort of ship when you run these kind of

476
00:25:24,800 --> 00:25:28,840
Speaker 1: girls that I just can't tolerate no more. To be honest, Yeah,

477
00:25:29,040 --> 00:25:31,560
Speaker 1: he was mess with them Island girls. They're sucking for bags,

478
00:25:31,680 --> 00:25:35,240
Speaker 1: they fucking for for watches, they fucking for cloud Because

479
00:25:35,240 --> 00:25:37,359
Speaker 1: we had a girl in love of hip hop with Jamaica,

480
00:25:37,840 --> 00:25:39,720
Speaker 1: and then I've seen you on the Breakfast Club. You

481
00:25:39,800 --> 00:25:42,399
Speaker 1: have the song called to Change, be Changing about another

482
00:25:42,520 --> 00:25:46,880
Speaker 1: girl from Jamaican. Yeah, I had a lot of Jamaican girlfriends.

483
00:25:47,160 --> 00:25:50,400
Speaker 1: That means you're like getting iron thrown at you because

484
00:25:50,400 --> 00:25:53,880
Speaker 1: the major girls see to see Okay, So I don't

485
00:25:53,920 --> 00:25:56,719
Speaker 1: think every Jamaican girl like that. Goddamnit, goddamn makes no

486
00:25:56,720 --> 00:26:03,800
Speaker 1: noise of Jamaican girl. I don't think you that. But

487
00:26:04,680 --> 00:26:06,440
Speaker 1: and then they know who they thought iron. It's something

488
00:26:06,480 --> 00:26:10,080
Speaker 1: that they can get away with that, But me, obviously

489
00:26:10,119 --> 00:26:11,520
Speaker 1: that's not We're not ever going to get to that

490
00:26:11,560 --> 00:26:13,560
Speaker 1: point to where you're gonna feel that you can throw

491
00:26:13,640 --> 00:26:17,480
Speaker 1: earn at me. Ye should be by myself so fast,

492
00:26:17,560 --> 00:26:20,359
Speaker 1: you know, right, that kind of thing. What would you

493
00:26:20,440 --> 00:26:24,520
Speaker 1: like more? Uh, making the actual record or performing the

494
00:26:24,560 --> 00:26:31,400
Speaker 1: actual head when it's a head? Um? I making a record? Yeah?

495
00:26:31,960 --> 00:26:35,360
Speaker 1: Oh you think that because because I'll be seeing your performance,

496
00:26:35,400 --> 00:26:38,560
Speaker 1: y'all going in on your performing nice, performing is performing,

497
00:26:38,600 --> 00:26:41,199
Speaker 1: but when you're making it like I write off a

498
00:26:41,280 --> 00:26:44,399
Speaker 1: real like situation. So that's kind of like nigger like,

499
00:26:44,480 --> 00:26:46,119
Speaker 1: that's what I'm really going through. So they hear it

500
00:26:46,200 --> 00:26:49,200
Speaker 1: come through dopest fun And then when I play for people,

501
00:26:49,560 --> 00:26:52,320
Speaker 1: obviously all of my songs I tested, So I'll take

502
00:26:52,359 --> 00:26:54,399
Speaker 1: it to the strip club and sit there with my

503
00:26:54,440 --> 00:26:56,439
Speaker 1: own boy and just you know, tell DJ Pledges to

504
00:26:56,440 --> 00:26:59,879
Speaker 1: see if I get a real reaction off of You know,

505
00:27:00,000 --> 00:27:01,800
Speaker 1: I'm saying for people that never even heard it, like

506
00:27:01,880 --> 00:27:04,240
Speaker 1: heard the song before. You know what I'm saying that, Yeah,

507
00:27:04,359 --> 00:27:06,359
Speaker 1: like I like that vibe. You know what I'm saying. Now,

508
00:27:06,480 --> 00:27:09,720
Speaker 1: boyfriend number two, are you promoting be the number one

509
00:27:09,800 --> 00:27:12,119
Speaker 1: side nigga? And do not not see Let me let

510
00:27:12,119 --> 00:27:14,639
Speaker 1: me tell you see that that's that's not the thing

511
00:27:14,760 --> 00:27:17,480
Speaker 1: that r that was it was it was for niggas.

512
00:27:17,520 --> 00:27:20,520
Speaker 1: That's sucking up. That's what I'm saying. Like you, nigga,

513
00:27:20,560 --> 00:27:22,320
Speaker 1: you gotta you gotta be on your job. What I'm

514
00:27:22,320 --> 00:27:25,800
Speaker 1: saying because it's another go inside nigger. It's a it's

515
00:27:25,800 --> 00:27:28,879
Speaker 1: a it's a person like me come that comes to

516
00:27:28,920 --> 00:27:32,600
Speaker 1: the city. Right. I might just now, I might just

517
00:27:32,640 --> 00:27:34,199
Speaker 1: catch you at the at the you know, at the

518
00:27:34,240 --> 00:27:39,119
Speaker 1: grocery store, at the public is getting the sandwich, you know,

519
00:27:39,240 --> 00:27:43,439
Speaker 1: just the not even not even the club. It's not

520
00:27:43,520 --> 00:27:47,440
Speaker 1: even the club. They might just complimented ly they could

521
00:27:47,440 --> 00:27:52,920
Speaker 1: go down. Yeah. Yeah, So that's crazy because I was

522
00:27:53,080 --> 00:27:55,840
Speaker 1: listening to it because if you know, every time we

523
00:27:56,160 --> 00:27:59,480
Speaker 1: um we we do a podcast, we have a playlist,

524
00:27:59,560 --> 00:28:02,000
Speaker 1: so we're yeah, you know, we never shot at this

525
00:28:02,000 --> 00:28:06,280
Speaker 1: place out Miami ain't rolling out, so a Miami aint

526
00:28:06,280 --> 00:28:08,720
Speaker 1: getting rolling out. So we're here listen. I'm just listen,

527
00:28:08,880 --> 00:28:10,920
Speaker 1: and I'm just like, oh, she is the first time

528
00:28:11,320 --> 00:28:15,480
Speaker 1: I'm getting that he's promoting your So you're not going

529
00:28:15,520 --> 00:28:18,840
Speaker 1: on the side and you're saying if you're fucking up,

530
00:28:19,680 --> 00:28:24,160
Speaker 1: you will be boyfriend number two them. Yeah, correct, God

531
00:28:24,200 --> 00:28:30,959
Speaker 1: damn Nick, he's clearly saying fucking your bit. If you're

532
00:28:31,640 --> 00:28:35,199
Speaker 1: clearly saying, don't get close to happen it happen to

533
00:28:35,200 --> 00:28:37,600
Speaker 1: the best. That was like, sh be easy this. We

534
00:28:37,680 --> 00:28:39,560
Speaker 1: see that ship all the time. We'll be like ship,

535
00:28:40,640 --> 00:28:42,200
Speaker 1: you know, keep it under raft. So you know what

536
00:28:42,240 --> 00:28:44,200
Speaker 1: I'm saying now on love and hip hop, I'm a

537
00:28:44,200 --> 00:28:47,520
Speaker 1: big fan by the way um Shade that was your girl, right,

538
00:28:47,520 --> 00:28:50,040
Speaker 1: that's her name Shake and then one of your members

539
00:28:50,240 --> 00:28:53,320
Speaker 1: of Pretty Ricky start working with her on the side.

540
00:28:53,920 --> 00:28:57,720
Speaker 1: What does that feel like for you, Flaw? What the

541
00:28:57,760 --> 00:29:00,560
Speaker 1: flow floor? Yes, that's a that's a that's a that's

542
00:29:00,560 --> 00:29:03,360
Speaker 1: a that's a down South Michael Miami world. Like you say,

543
00:29:03,400 --> 00:29:06,400
Speaker 1: you Flowers, that means like it's kind of like weak.

544
00:29:06,440 --> 00:29:08,760
Speaker 1: It's not honorable. That was an honorable thing to do.

545
00:29:09,240 --> 00:29:12,360
Speaker 1: If I'm dating somebody and you pupposed to be my

546
00:29:12,440 --> 00:29:17,440
Speaker 1: nigger and you're going to do at the time, Yeah, yeah, yeah,

547
00:29:17,480 --> 00:29:19,080
Speaker 1: that was kind of weak. You know what I'm saying.

548
00:29:19,520 --> 00:29:22,040
Speaker 1: If y'all work that out or you're good, I mean,

549
00:29:23,400 --> 00:29:26,440
Speaker 1: certain things can work, Like I live by so cold

550
00:29:26,920 --> 00:29:30,000
Speaker 1: if you don't follow a certain certain like what were

551
00:29:30,000 --> 00:29:32,440
Speaker 1: talking about earlier, you say, Yo, you don't pass gas

552
00:29:32,480 --> 00:29:35,480
Speaker 1: or certain things we just don't do. So I'm not

553
00:29:35,480 --> 00:29:38,080
Speaker 1: gonna do some holding right now, you know, but I'm

554
00:29:38,120 --> 00:29:47,000
Speaker 1: not can't let it go away by sat colds man

555
00:29:47,080 --> 00:29:48,960
Speaker 1: that you know what I mean that I live bying.

556
00:29:48,960 --> 00:29:53,040
Speaker 1: Certain people don't, so we'll never get along to that extent,

557
00:29:53,240 --> 00:29:56,120
Speaker 1: you know what I'm saying. But if it's something respectful,

558
00:29:56,240 --> 00:29:58,000
Speaker 1: I'm cool. We're cool, you know what I'm saying, Like

559
00:29:58,440 --> 00:30:00,360
Speaker 1: if it's a business, if it's something that you know

560
00:30:00,400 --> 00:30:02,920
Speaker 1: what I mean, like, we're cool. But on a personal

561
00:30:03,600 --> 00:30:06,160
Speaker 1: you know, I mean, you know that was real. This

562
00:30:06,280 --> 00:30:10,560
Speaker 1: is not no stage ship or nothing like that. Stage

563
00:30:10,640 --> 00:30:13,400
Speaker 1: things we don't we don't have. We got time. That's

564
00:30:13,440 --> 00:30:15,880
Speaker 1: the room of love and hip hop. It's like, if

565
00:30:15,960 --> 00:30:18,040
Speaker 1: you think that they staged it, I think I mean,

566
00:30:18,080 --> 00:30:20,840
Speaker 1: I think I think they editing. Now, okay, yeah, it's

567
00:30:20,880 --> 00:30:23,960
Speaker 1: what people. They can create a story like, no, you

568
00:30:24,000 --> 00:30:26,560
Speaker 1: can't create a story on to edit. But however, alright,

569
00:30:26,720 --> 00:30:29,320
Speaker 1: there was once somewhere where you probably was. It was

570
00:30:29,360 --> 00:30:31,200
Speaker 1: one situation on the show. They got me looking like

571
00:30:31,240 --> 00:30:33,360
Speaker 1: the biggest cheat in the world. And that's not the case.

572
00:30:33,880 --> 00:30:37,840
Speaker 1: Some ship that was shot two different you know, different days.

573
00:30:37,880 --> 00:30:39,840
Speaker 1: It was something totally different. But when I saw that

574
00:30:39,840 --> 00:30:43,080
Speaker 1: show from TV, it looked like nigga, she cooked dinner

575
00:30:43,160 --> 00:30:48,040
Speaker 1: for me at the same time. They got me at

576
00:30:48,040 --> 00:30:52,040
Speaker 1: the same time after at the same time. Now that

577
00:30:52,480 --> 00:30:56,320
Speaker 1: I'm reading the other girl like, come on, family, nigga,

578
00:30:56,360 --> 00:30:59,880
Speaker 1: I'm what kind of player If you don't if you

579
00:31:00,040 --> 00:31:02,160
Speaker 1: really a player, what kind of nigga is gonna leave

580
00:31:02,160 --> 00:31:05,200
Speaker 1: a girl and lingerie cooking dinner while he seeing the

581
00:31:05,280 --> 00:31:07,000
Speaker 1: other girl one you want to see them both. You're

582
00:31:07,000 --> 00:31:09,840
Speaker 1: probably gonna be like, you know, baby, I see tomorrow

583
00:31:09,880 --> 00:31:11,800
Speaker 1: at this restaurant because you didin't give me no ads

584
00:31:11,800 --> 00:31:15,000
Speaker 1: to night, sir, I'm going over here eat his food

585
00:31:15,120 --> 00:31:16,959
Speaker 1: to beat that up. And then you know if that

586
00:31:17,040 --> 00:31:19,640
Speaker 1: was the case. But you know they editing, But it's TV,

587
00:31:19,840 --> 00:31:21,720
Speaker 1: the TV. You gotta accept that. You gotta accept that

588
00:31:21,800 --> 00:31:23,680
Speaker 1: it's TV. Not in the sense that it's fake, but

589
00:31:23,800 --> 00:31:27,280
Speaker 1: it's TV. Like you know, they gotta do their job. Yeah,

590
00:31:28,040 --> 00:31:33,400
Speaker 1: you are still believe in love? Um, yeah, I do, okay,

591
00:31:33,680 --> 00:31:35,760
Speaker 1: but I'm you know, I don't see a lot of

592
00:31:35,760 --> 00:31:38,080
Speaker 1: it like nowadays. I don't see a lot of love

593
00:31:38,400 --> 00:31:40,880
Speaker 1: in this world, like when it comes to women now,

594
00:31:40,880 --> 00:31:44,680
Speaker 1: I don't really different now, bro totally gonna be all

595
00:31:44,760 --> 00:31:48,560
Speaker 1: hit hurt Now, I ain't hurt. Yeah, I'm just I

596
00:31:48,680 --> 00:31:50,440
Speaker 1: just I just I just gotta. I'm just not a

597
00:31:50,440 --> 00:31:52,880
Speaker 1: believer in the product that I got. See front, I

598
00:31:52,880 --> 00:31:54,680
Speaker 1: got a front. He's he's like, I don want to

599
00:31:54,720 --> 00:31:57,080
Speaker 1: say his niggas he's famous, but he's probably to hurt

600
00:31:57,080 --> 00:32:01,680
Speaker 1: his nigger out there. He hit only sas like, dude,

601
00:32:01,720 --> 00:32:06,120
Speaker 1: just if business you just it's a lot of them.

602
00:32:06,840 --> 00:32:09,800
Speaker 1: It's a lot of kid take one and how to

603
00:32:09,800 --> 00:32:13,320
Speaker 1: be the best woman the type she might know what

604
00:32:13,600 --> 00:32:15,200
Speaker 1: As a matter of fact, you know how many girls

605
00:32:16,120 --> 00:32:18,880
Speaker 1: I know who they had like they had that portion

606
00:32:18,960 --> 00:32:21,680
Speaker 1: of their life for for whatever the amount of years

607
00:32:21,680 --> 00:32:26,520
Speaker 1: those were strippers. Now were telling my scrappers cool, let's go.

608
00:32:26,640 --> 00:32:31,600
Speaker 1: Now they wives, they business owners, it might be they cool.

609
00:32:31,600 --> 00:32:32,840
Speaker 1: Do you know how to give you a good you

610
00:32:32,880 --> 00:32:36,720
Speaker 1: know what I'm saying, like like an exciting time or

611
00:32:36,760 --> 00:32:38,160
Speaker 1: you know what I'm saying, like it's a lot of

612
00:32:38,200 --> 00:32:40,680
Speaker 1: them out there. Know me, I like ambitious women. I

613
00:32:40,720 --> 00:32:43,120
Speaker 1: like women that go out and get their own you

614
00:32:43,160 --> 00:32:45,520
Speaker 1: know what I'm saying, trying to be you know, I

615
00:32:45,520 --> 00:32:47,959
Speaker 1: don't want another daughter. Bro, what I'm saying, we're not

616
00:32:47,960 --> 00:32:49,560
Speaker 1: gonna have a daughter. But you know what I mean.

617
00:32:49,920 --> 00:32:52,479
Speaker 1: You know if I have a daughter, I don't want

618
00:32:52,480 --> 00:32:54,720
Speaker 1: to have two daughters because you know, everybody everybody got

619
00:32:54,840 --> 00:32:57,840
Speaker 1: like one kid. If we don't know off like everybody.

620
00:32:57,880 --> 00:33:01,360
Speaker 1: I'm just saying, like I'm just that we all listen,

621
00:33:01,400 --> 00:33:03,840
Speaker 1: I've been the crazy good parties. Man. You guys were

622
00:33:04,000 --> 00:33:10,000
Speaker 1: the trades. You guys were running trades. Y'all was over there.

623
00:33:10,000 --> 00:33:17,400
Speaker 1: I came out and we didn't tell you about Miami. Y'all,

624
00:33:17,680 --> 00:33:20,560
Speaker 1: niggas had the less the least respect for the woman

625
00:33:20,720 --> 00:33:25,840
Speaker 1: in the world. That's not true, y'all. Was the first

626
00:33:25,880 --> 00:33:29,280
Speaker 1: thing is calling girls bitches today face though, like everyone

627
00:33:29,280 --> 00:33:31,960
Speaker 1: would say, call him up a bit but not today. Faith.

628
00:33:32,120 --> 00:33:35,560
Speaker 1: That's how y'all told you, Yo got Miami brought that

629
00:33:35,640 --> 00:33:39,640
Speaker 1: to the game with Miami, i'm a it was the

630
00:33:39,640 --> 00:33:45,160
Speaker 1: gold front and you got bitch. You know what we're saying,

631
00:33:45,400 --> 00:33:47,440
Speaker 1: a rapper doing it. This is niggas in the streets,

632
00:33:47,800 --> 00:33:49,760
Speaker 1: live in the streets. Like in New York. We don't

633
00:33:49,800 --> 00:33:52,840
Speaker 1: call women bitches what y'all call him, We call them whatever,

634
00:33:53,000 --> 00:33:55,680
Speaker 1: but not bitch because they got brothers. What y'all call them.

635
00:33:55,840 --> 00:33:58,520
Speaker 1: What we were respectful with New York is the first

636
00:33:58,560 --> 00:34:01,160
Speaker 1: time I've ever seen on one call a woman of

637
00:34:01,200 --> 00:34:03,840
Speaker 1: this was in Miami. I kid you not what being

638
00:34:04,080 --> 00:34:08,359
Speaker 1: with the goals I mean, in my mind it came

639
00:34:08,360 --> 00:34:11,080
Speaker 1: out wrong, but in my mind and I ain't gonna

640
00:34:11,080 --> 00:34:14,440
Speaker 1: lie down. The first motherfucker's who made strip clubs like,

641
00:34:14,640 --> 00:34:19,800
Speaker 1: I ain't got no strip clubs, the culture of Miami. Listen,

642
00:34:19,800 --> 00:34:21,839
Speaker 1: I did a girl in l A and she did

643
00:34:21,960 --> 00:34:24,279
Speaker 1: not like me going to the strip clubs. But I'm like, bro,

644
00:34:24,400 --> 00:34:27,759
Speaker 1: like that's like sometimes we ain't even paying attention to

645
00:34:27,840 --> 00:34:31,400
Speaker 1: the girls and we just go to listen to music

646
00:34:31,440 --> 00:34:34,759
Speaker 1: and have a drink and eat what you ever got

647
00:34:34,800 --> 00:34:37,880
Speaker 1: caught smashing the strip clubs? Though? Never, no, never, I

648
00:34:38,200 --> 00:34:41,120
Speaker 1: looked like that. It's like I'm gonna deny anything. Yeah,

649
00:34:41,200 --> 00:34:44,480
Speaker 1: I mean I never smacking. I mean smashed stuff at

650
00:34:44,560 --> 00:34:48,680
Speaker 1: home and you know what I mean, strip club strip

651
00:34:50,800 --> 00:34:54,960
Speaker 1: I'm doing like you have you ever see the movies?

652
00:34:55,520 --> 00:34:57,960
Speaker 1: What you know, Nigga's being a back taking pictures that

653
00:34:58,080 --> 00:35:03,160
Speaker 1: you are recording was like the cameras know I'm just saying,

654
00:35:03,200 --> 00:35:05,080
Speaker 1: but you just never know that. I would never just

655
00:35:05,200 --> 00:35:07,759
Speaker 1: go hid and the strip club That's just not That's

656
00:35:07,800 --> 00:35:10,360
Speaker 1: the one thing that's the one thing that I do

657
00:35:10,640 --> 00:35:15,800
Speaker 1: like love about our generation is we didn't record everything,

658
00:35:16,600 --> 00:35:18,920
Speaker 1: like our memory, like the ship said what they were doing.

659
00:35:19,239 --> 00:35:24,200
Speaker 1: And if there was Instagram back then, were club like

660
00:35:24,320 --> 00:35:27,600
Speaker 1: none of us would have a girl be like, ain't

661
00:35:27,600 --> 00:35:29,239
Speaker 1: suking with you? I've seen what you did with that

662
00:35:29,360 --> 00:35:37,480
Speaker 1: bottle I'm sorry. I'm sorry, but I'm just saying that

663
00:35:40,560 --> 00:35:44,480
Speaker 1: you had the packcha had. And I say that to

664
00:35:44,560 --> 00:35:46,640
Speaker 1: the younger brothers. I say, you know, because a lot

665
00:35:46,640 --> 00:35:48,359
Speaker 1: of people get on't look like the young brothers. They'd

666
00:35:48,360 --> 00:35:50,279
Speaker 1: be out here wilder and stuff like that. And I'm saying,

667
00:35:50,719 --> 00:35:52,920
Speaker 1: they're like, yo, these dudes are cloud chasing or their

668
00:35:52,960 --> 00:35:55,960
Speaker 1: trolling or whatever. And I'm like, we didn't have a

669
00:35:56,120 --> 00:35:57,839
Speaker 1: chance to cloud chase. Not to say that we would

670
00:35:57,880 --> 00:35:59,759
Speaker 1: do that, but I'm just saying we didn't have that.

671
00:35:59,800 --> 00:36:02,760
Speaker 1: I like Chell, when I was, you know, doing crazy,

672
00:36:02,880 --> 00:36:04,960
Speaker 1: and I didn't. I didn't give a funk about posting

673
00:36:05,000 --> 00:36:07,200
Speaker 1: it or taking a picture. You're my uncle, And my

674
00:36:07,280 --> 00:36:08,839
Speaker 1: uncle told me the other day he was like, yo,

675
00:36:09,080 --> 00:36:11,759
Speaker 1: you know how corny we was, uncle wise? And I

676
00:36:11,840 --> 00:36:14,160
Speaker 1: said why. He said, you took me over the world

677
00:36:14,520 --> 00:36:16,680
Speaker 1: around the world three times, and I'm kind of not

678
00:36:16,880 --> 00:36:20,759
Speaker 1: wanting to to prove it. Then we would go all

679
00:36:20,840 --> 00:36:23,560
Speaker 1: over the world. I went, that was the last thing

680
00:36:23,640 --> 00:36:25,960
Speaker 1: he was thinking about. What the camera, wind the bitch

681
00:36:26,040 --> 00:36:31,239
Speaker 1: back and call that killer. Now that's the first thing

682
00:36:31,280 --> 00:36:33,040
Speaker 1: you do. You go somewhere, you take a picture. I

683
00:36:33,160 --> 00:36:35,120
Speaker 1: tell you a funny story. One time was an answer

684
00:36:35,160 --> 00:36:38,200
Speaker 1: there and it's the first time I realized you could

685
00:36:38,200 --> 00:36:43,360
Speaker 1: smoke um smoke. Then the police obviously came in, so

686
00:36:43,480 --> 00:36:46,440
Speaker 1: he's like, yo, officer, can you um you take a

687
00:36:46,480 --> 00:36:48,279
Speaker 1: picture with us? It's like, sure, I can't. I can't

688
00:36:48,280 --> 00:36:50,279
Speaker 1: do to the coffee shop, though you came outside. So

689
00:36:50,320 --> 00:36:52,600
Speaker 1: we go outside and take a picture and obviously this

690
00:36:52,719 --> 00:36:54,880
Speaker 1: is the Porto wary days, like this is the you

691
00:36:55,040 --> 00:36:56,680
Speaker 1: take it and you gotta bring it to the to

692
00:36:57,120 --> 00:36:59,600
Speaker 1: the thing. And when we came back, we had a

693
00:36:59,640 --> 00:37:02,239
Speaker 1: picture of an officer lighting a joint. But we was

694
00:37:02,239 --> 00:37:05,960
Speaker 1: in front of a dildog store, so it was like

695
00:37:07,160 --> 00:37:11,560
Speaker 1: behind us. We used to say that pitture never got posted.

696
00:37:12,960 --> 00:37:15,960
Speaker 1: But but that that's I don't know. I went somewhere

697
00:37:16,000 --> 00:37:21,200
Speaker 1: with that. So all so R and B right, R

698
00:37:21,280 --> 00:37:25,520
Speaker 1: and B used to be like it used to be

699
00:37:25,760 --> 00:37:29,560
Speaker 1: like super souls right, And then they came a time

700
00:37:30,480 --> 00:37:34,960
Speaker 1: where you can tell it was street people started to sing.

701
00:37:35,719 --> 00:37:38,600
Speaker 1: You understand what I'm saying, like like jodas like you

702
00:37:38,840 --> 00:37:41,560
Speaker 1: looked at Joda Ce he was like they good. We

703
00:37:41,640 --> 00:37:45,080
Speaker 1: looked at new edition. You said, somebody get high somewhere,

704
00:37:45,800 --> 00:37:49,440
Speaker 1: you know what I mean? Like you know, what was

705
00:37:49,520 --> 00:37:51,640
Speaker 1: that time like for you? Because all of your brothers,

706
00:37:51,800 --> 00:37:54,439
Speaker 1: especially pretty Ricky, all of your brothers seemed like y'all

707
00:37:54,440 --> 00:37:58,600
Speaker 1: come from the hood, y'all seem like y'all y'all y'all grinded.

708
00:37:59,080 --> 00:38:01,360
Speaker 1: So how is that, like, you know, you being just

709
00:38:01,520 --> 00:38:05,239
Speaker 1: like rappers? But yo, yo yo, your music has to

710
00:38:06,320 --> 00:38:09,200
Speaker 1: cater to the females. So how is that balance in

711
00:38:09,239 --> 00:38:11,919
Speaker 1: those two worlds? I don't think it's hard. You don't

712
00:38:11,960 --> 00:38:14,520
Speaker 1: drink it all if you're being yourself. I never try

713
00:38:14,560 --> 00:38:16,200
Speaker 1: to be something I'm not. You know what I'm saying.

714
00:38:16,520 --> 00:38:19,680
Speaker 1: We don't go around like because we're from where we're from, nigga.

715
00:38:19,719 --> 00:38:22,160
Speaker 1: We you know what I'm saying, something happy. You're just

716
00:38:22,840 --> 00:38:25,400
Speaker 1: find out how we handle the situation or you know

717
00:38:25,440 --> 00:38:27,000
Speaker 1: what I'm saying. I don't think it got nothing to

718
00:38:27,120 --> 00:38:29,080
Speaker 1: do it. You know, I don't like drinking alone though, Man,

719
00:38:29,120 --> 00:38:37,960
Speaker 1: what's up? I was drinking? Brother? But second, Mesican wa,

720
00:38:38,520 --> 00:38:43,239
Speaker 1: you're taking those shots not No, I don't know. I'm

721
00:38:43,239 --> 00:38:45,360
Speaker 1: gonna real drink champ right now. A lot of you

722
00:38:46,280 --> 00:38:48,680
Speaker 1: real dreat champ man. I'm telling you I'm starting a

723
00:38:49,080 --> 00:38:51,640
Speaker 1: lot of it too. I guess why I know no, no, no,

724
00:38:51,719 --> 00:38:54,160
Speaker 1: not yet, not that one. Not that one. All right,

725
00:38:54,200 --> 00:38:56,640
Speaker 1: we could do that one. I just feel like I'm

726
00:38:56,640 --> 00:39:01,919
Speaker 1: gonna canto what you're doing. Let me tell you something.

727
00:39:02,760 --> 00:39:05,640
Speaker 1: Every time I see you, you're out, you have a

728
00:39:05,719 --> 00:39:09,719
Speaker 1: smile on your face. You have good energy. Oh that's

729
00:39:09,760 --> 00:39:12,960
Speaker 1: how I know. You dang yourself like anything in that smile,

730
00:39:14,080 --> 00:39:18,239
Speaker 1: and then take care of the bill dangerous people. I'm

731
00:39:18,280 --> 00:39:21,600
Speaker 1: just because because because you know why, that gives off

732
00:39:21,680 --> 00:39:25,000
Speaker 1: the energy up. I ain't working with nobody to please

733
00:39:25,080 --> 00:39:28,600
Speaker 1: don't sunk with me. Yeah, I have to. I have

734
00:39:28,719 --> 00:39:31,040
Speaker 1: crowds of nobody. Man. You know what I'm saying. Most

735
00:39:31,040 --> 00:39:32,239
Speaker 1: of the time, you're gonna see me going to me

736
00:39:32,320 --> 00:39:35,320
Speaker 1: by myself every now and then't if it's like flow

737
00:39:35,480 --> 00:39:37,880
Speaker 1: or certain round it up with you don't see me.

738
00:39:37,960 --> 00:39:39,960
Speaker 1: But most of the time by myself. I pull up

739
00:39:40,000 --> 00:39:41,759
Speaker 1: him and y'all by myself. You know what I'm saying.

740
00:39:42,960 --> 00:39:46,000
Speaker 1: Yourself by myself? Yeah, hang around a lot of people, man,

741
00:39:46,200 --> 00:39:50,520
Speaker 1: And that's from experience. I mean, bro, growing up, when

742
00:39:50,560 --> 00:39:53,120
Speaker 1: I did juven out time, I was by myself. When

743
00:39:53,160 --> 00:39:56,000
Speaker 1: I when I when I made it and I became successful,

744
00:39:56,239 --> 00:39:59,479
Speaker 1: I took care of like people you know what I'm saying,

745
00:39:59,520 --> 00:40:02,600
Speaker 1: going on the club spending under when time's got hard,

746
00:40:02,760 --> 00:40:05,719
Speaker 1: none of those people was around, so I get it.

747
00:40:06,040 --> 00:40:08,200
Speaker 1: You know, I'm saying, I got my very couple few

748
00:40:08,280 --> 00:40:11,319
Speaker 1: people out folk with and trust. But you know they're

749
00:40:11,320 --> 00:40:13,319
Speaker 1: not that ship hurt when you you know what I'm saying,

750
00:40:13,400 --> 00:40:17,800
Speaker 1: you try to provide a situation for people and you know,

751
00:40:17,960 --> 00:40:20,200
Speaker 1: help them better theirselves or whatever, and they don't appreciate

752
00:40:20,280 --> 00:40:22,840
Speaker 1: it and they kind of use the situation for what

753
00:40:23,040 --> 00:40:25,400
Speaker 1: it was. And then now you part of this camp. Now,

754
00:40:25,760 --> 00:40:27,520
Speaker 1: so when we now go to the club live. Now

755
00:40:27,800 --> 00:40:30,480
Speaker 1: we go to certain clubs, you look around like, damn

756
00:40:30,960 --> 00:40:33,279
Speaker 1: that nigga used to be around me, that niggles at

757
00:40:33,360 --> 00:40:38,040
Speaker 1: my house fucking using using using my you know, platform

758
00:40:38,120 --> 00:40:40,799
Speaker 1: or whatever for that. Just niggo what I mean, that's

759
00:40:40,800 --> 00:40:42,759
Speaker 1: just how it is, bro. So I don't be around

760
00:40:42,760 --> 00:40:45,680
Speaker 1: too many people man, because of that. All right, Yeah,

761
00:40:45,800 --> 00:40:47,640
Speaker 1: that's that's deep. And they don't got under. They don't

762
00:40:47,640 --> 00:40:49,839
Speaker 1: bring nothing to the table. They just and they want

763
00:40:49,880 --> 00:40:51,840
Speaker 1: to come. They want to come through these doors and

764
00:40:52,440 --> 00:40:55,280
Speaker 1: I'll take them out, you know, be on my connection.

765
00:40:55,440 --> 00:40:57,120
Speaker 1: You know that. You know how I go, man, So

766
00:40:57,280 --> 00:41:00,279
Speaker 1: no more of that. Um. Is there any thing in

767
00:41:00,320 --> 00:41:02,840
Speaker 1: the game that you feel like you did that you

768
00:41:02,880 --> 00:41:04,680
Speaker 1: could have did better, and if you had a chance

769
00:41:04,960 --> 00:41:07,560
Speaker 1: to do it over, you would do it over. Damn.

770
00:41:07,800 --> 00:41:10,239
Speaker 1: I would do a lot of things though, like when

771
00:41:10,280 --> 00:41:12,719
Speaker 1: that rumor came out about the child molest station and

772
00:41:12,800 --> 00:41:16,000
Speaker 1: all that kind of ship. If I would have just see,

773
00:41:16,040 --> 00:41:18,759
Speaker 1: we come from an era work back then, it was

774
00:41:18,880 --> 00:41:24,399
Speaker 1: media training. So whatever your publicists told you to say. Yeah,

775
00:41:24,480 --> 00:41:26,279
Speaker 1: they say, yo, you know this, how we need to

776
00:41:26,320 --> 00:41:29,000
Speaker 1: handle this or whatever, so I just listen. But if

777
00:41:29,040 --> 00:41:32,680
Speaker 1: I would have just being me, you know, I would

778
00:41:32,680 --> 00:41:35,120
Speaker 1: have just spoken my mind and said who did it? All?

779
00:41:35,200 --> 00:41:36,640
Speaker 1: Kind of ship I would have I would have handled

780
00:41:36,920 --> 00:41:40,120
Speaker 1: like totally different. That should affected my life. It affected

781
00:41:40,160 --> 00:41:43,960
Speaker 1: my livelihood, It affected my son's life, It affected a

782
00:41:44,040 --> 00:41:46,600
Speaker 1: lot of ship. I mean, I'm strong enough. I stood

783
00:41:46,600 --> 00:41:48,560
Speaker 1: in the paint, but I'm able to talk about it

784
00:41:48,640 --> 00:41:51,120
Speaker 1: now because you know, I got more understanding for life

785
00:41:51,160 --> 00:41:53,480
Speaker 1: and I lived my truth and things like that. But

786
00:41:53,800 --> 00:41:57,080
Speaker 1: come on, dogs, because of Nigga winning, that wasn't necessary. Dog,

787
00:41:57,360 --> 00:42:00,360
Speaker 1: what I'm saying, yeah, so that would have you You

788
00:42:00,440 --> 00:42:03,680
Speaker 1: you're saying, you're addressed the room straight on. I would

789
00:42:03,680 --> 00:42:06,640
Speaker 1: have cussed it, because so does. Because sometimes Lesson doesn't

790
00:42:06,640 --> 00:42:08,880
Speaker 1: address it, it kind of makes you look like if

791
00:42:08,880 --> 00:42:11,000
Speaker 1: you if you're somebody to tell me right now, uh

792
00:42:11,400 --> 00:42:15,120
Speaker 1: nori got uh nor eats out the garbage right and

793
00:42:15,480 --> 00:42:18,440
Speaker 1: if I don't come and I show you motherfucker's they

794
00:42:18,480 --> 00:42:21,480
Speaker 1: got either missed the child. People automatic and think and

795
00:42:21,600 --> 00:42:23,759
Speaker 1: that's the truth because I didn't address it, So you

796
00:42:23,880 --> 00:42:27,080
Speaker 1: think that that's I addressed it. But when I addressed

797
00:42:27,080 --> 00:42:30,759
Speaker 1: it in a way of no understanding, in terms of

798
00:42:30,920 --> 00:42:33,440
Speaker 1: like they told me what to say, like okay, but

799
00:42:33,480 --> 00:42:35,680
Speaker 1: it's just what you should saying. This is how you

800
00:42:35,840 --> 00:42:37,960
Speaker 1: you know what I mean? Nowadays, artists that come out

801
00:42:37,960 --> 00:42:39,640
Speaker 1: of now they don't have none of it. They just

802
00:42:40,520 --> 00:42:42,400
Speaker 1: they cut like they you know, they ain't no more

803
00:42:42,520 --> 00:42:44,960
Speaker 1: artists development and they're good like you don't have to sit.

804
00:42:45,440 --> 00:42:47,680
Speaker 1: I was would a fucking you know what I'm saying,

805
00:42:47,800 --> 00:42:50,680
Speaker 1: publicist and learn all of these things and things like that,

806
00:42:50,800 --> 00:42:53,160
Speaker 1: you know what I'm saying. So yeah, I would have.

807
00:42:53,160 --> 00:42:55,160
Speaker 1: I would have definitely addressed that different, you know what

808
00:42:55,200 --> 00:42:59,800
Speaker 1: I'm saying. Sure, and how about and how does that

809
00:43:00,040 --> 00:43:03,320
Speaker 1: factor relationship with with pretty Ricky Solomon? I don't know

810
00:43:03,400 --> 00:43:05,320
Speaker 1: if you know answer that question. But hold on, I

811
00:43:05,360 --> 00:43:08,759
Speaker 1: don't know if you know. Um, but we celebrate people's life,

812
00:43:08,880 --> 00:43:12,399
Speaker 1: we celebrate their career. As we celebrate Uh, we give

813
00:43:12,440 --> 00:43:14,440
Speaker 1: them their flowers when they can smell them. You know

814
00:43:14,480 --> 00:43:17,560
Speaker 1: what I'm saying. Uh, they drinks where they can drink them,

815
00:43:17,600 --> 00:43:19,160
Speaker 1: and they thoughts where they can think of. You know

816
00:43:19,160 --> 00:43:21,960
Speaker 1: what I mean? Salute? Do you bludge graduate little project?

817
00:43:22,120 --> 00:43:29,760
Speaker 1: It's my damnit, solutle what the fuss is doing? Exactly?

818
00:43:30,280 --> 00:43:33,400
Speaker 1: Come on, we get swore for this ship was terrible.

819
00:43:34,160 --> 00:43:36,439
Speaker 1: That was that was absolutely this ship put the age

820
00:43:36,520 --> 00:43:39,680
Speaker 1: on me. Bro? What was this? Bro? That's Tiger ball,

821
00:43:41,080 --> 00:43:44,640
Speaker 1: Michael high bang ball. All right, that's what the question

822
00:43:44,800 --> 00:43:46,640
Speaker 1: I said, How did it? How did that in fact,

823
00:43:46,800 --> 00:43:52,840
Speaker 1: your relationship with the Tiger, how did it effect? It

824
00:43:52,920 --> 00:43:54,560
Speaker 1: affected in a lot of ways, because because I do

825
00:43:54,719 --> 00:43:56,520
Speaker 1: think I heard somewhere that you said that one of

826
00:43:56,560 --> 00:44:00,719
Speaker 1: them created that room. Yeah it's true, Yeah it's but

827
00:44:01,680 --> 00:44:03,480
Speaker 1: I got past it, you know what I mean, to

828
00:44:03,560 --> 00:44:06,080
Speaker 1: be able to still now be with niggas on TV

829
00:44:06,320 --> 00:44:09,160
Speaker 1: and still give them good music and things like that.

830
00:44:09,320 --> 00:44:12,000
Speaker 1: But yeah, that's that's that's the god on this truth

831
00:44:12,160 --> 00:44:14,680
Speaker 1: that happened. I moved past it, and you know what

832
00:44:14,719 --> 00:44:17,160
Speaker 1: I'm saying. But when it comes to now me doing

833
00:44:17,200 --> 00:44:19,920
Speaker 1: the things that I do for the group, Okay, when

834
00:44:20,120 --> 00:44:21,839
Speaker 1: every time I do a pretty rickey show, I gotta

835
00:44:21,880 --> 00:44:25,080
Speaker 1: cut my I gotta I take a loss, give me

836
00:44:25,120 --> 00:44:27,719
Speaker 1: to when cousin because of what I you know, because

837
00:44:27,719 --> 00:44:29,880
Speaker 1: of what I make as a solo artist versus the

838
00:44:30,040 --> 00:44:32,800
Speaker 1: sacro show. I make the sacrifice for that to do

839
00:44:32,920 --> 00:44:35,440
Speaker 1: a show, but I don't feel like guests appreciate it

840
00:44:35,800 --> 00:44:40,000
Speaker 1: so or in the group right, or the fact that

841
00:44:40,600 --> 00:44:42,880
Speaker 1: I forgave y'all for doing something so crazy because the

842
00:44:42,920 --> 00:44:45,000
Speaker 1: average person wouldn't. But you don't think it was all

843
00:44:46,120 --> 00:44:47,799
Speaker 1: it was and I wasn't all it was just one

844
00:44:48,160 --> 00:44:51,640
Speaker 1: I think it was. I think it was two people,

845
00:44:52,360 --> 00:44:55,480
Speaker 1: you know what I'm saying. But you know it's all good,

846
00:44:56,480 --> 00:45:00,080
Speaker 1: you know. But yeah, just just the fact that all

847
00:45:00,120 --> 00:45:02,239
Speaker 1: that ship man, it kind of you know, make me

848
00:45:02,320 --> 00:45:05,120
Speaker 1: feel like, damn, that's a hard that's a hard fucking

849
00:45:05,160 --> 00:45:07,600
Speaker 1: thing to forgive. But I did that, you know what

850
00:45:07,640 --> 00:45:10,279
Speaker 1: I'm saying. I lost millions of dollars. I had to

851
00:45:10,600 --> 00:45:14,640
Speaker 1: fucking um. You know, you know, when you move up

852
00:45:14,680 --> 00:45:17,879
Speaker 1: and then you gotta downsize. I had to downsize see

853
00:45:17,960 --> 00:45:20,879
Speaker 1: things for what it is. People came, people went, then

854
00:45:21,080 --> 00:45:24,360
Speaker 1: fucking keep working through it all, you know what I'm saying.

855
00:45:24,840 --> 00:45:26,680
Speaker 1: Find a way to record, find a way to get

856
00:45:26,760 --> 00:45:29,320
Speaker 1: into a distribution, find a way to just you know,

857
00:45:29,560 --> 00:45:33,000
Speaker 1: keep doing shows, do other businesses like keep myself, love

858
00:45:33,000 --> 00:45:35,000
Speaker 1: with head, and didn't find a way to you drink.

859
00:45:35,040 --> 00:45:39,040
Speaker 1: That's that humbles You been humble? Okay, okay, you know

860
00:45:39,040 --> 00:45:41,080
Speaker 1: what I'm saying. I've been humble. I'm just I'm not

861
00:45:41,120 --> 00:45:43,759
Speaker 1: the kind of person that that I don't really talk

862
00:45:43,800 --> 00:45:46,560
Speaker 1: to everybody seven I'm not trying to be accepted. Like

863
00:45:46,560 --> 00:45:48,200
Speaker 1: if I funk with you'll funk with you. But I

864
00:45:48,239 --> 00:45:51,000
Speaker 1: don't even ask kisser like I don't like, I don't

865
00:45:51,080 --> 00:45:52,960
Speaker 1: care about none of that kind of ship. I don't

866
00:45:52,960 --> 00:45:54,800
Speaker 1: care about what you got, Like I'm happy with what

867
00:45:54,880 --> 00:45:56,799
Speaker 1: I got, so I don't really care about what you got.

868
00:45:56,920 --> 00:45:59,440
Speaker 1: You feel me. That's why I can walking around favorite

869
00:45:59,480 --> 00:46:01,800
Speaker 1: or out bro. That's just me. But it's not to

870
00:46:01,920 --> 00:46:04,080
Speaker 1: be like, you know, I don't need nothing from me.

871
00:46:04,080 --> 00:46:06,279
Speaker 1: I never want to say, yo, man, I need to

872
00:46:06,320 --> 00:46:09,160
Speaker 1: be on your shown. But if I did, you know

873
00:46:09,200 --> 00:46:10,920
Speaker 1: what I'm saying it had been different, but we need

874
00:46:11,040 --> 00:46:13,880
Speaker 1: to get cool. But I didn't even have to come

875
00:46:13,920 --> 00:46:16,520
Speaker 1: on this like we cool because we cool. I respect Dog.

876
00:46:16,880 --> 00:46:19,080
Speaker 1: I met him in the past Brown. He was just

877
00:46:19,160 --> 00:46:23,200
Speaker 1: a humble dude, cool as fuck. Yeah, like some people

878
00:46:23,239 --> 00:46:26,320
Speaker 1: I met in the game. I mean, I'll tell you

879
00:46:26,400 --> 00:46:28,960
Speaker 1: a couple of times people told me I shouldn't be

880
00:46:29,080 --> 00:46:31,680
Speaker 1: so humble. People was like, man, you know your accolades,

881
00:46:31,760 --> 00:46:36,080
Speaker 1: and and my father, my father walked in the building

882
00:46:36,239 --> 00:46:38,279
Speaker 1: and he knew the president of the building, and he

883
00:46:38,360 --> 00:46:42,080
Speaker 1: knew the janitor. My father would know everybody. So that's

884
00:46:42,120 --> 00:46:45,480
Speaker 1: what I took from him, was and he treated everyone

885
00:46:45,600 --> 00:46:49,120
Speaker 1: the same. Yeah. That's so when the person telled me like, yo, man,

886
00:46:49,440 --> 00:46:51,600
Speaker 1: you know you gotta stop being so humble. You know

887
00:46:51,640 --> 00:46:53,799
Speaker 1: who the fun I'll be like, man, funk that ship,

888
00:46:53,960 --> 00:46:55,759
Speaker 1: Like I'm who I am, you know what I'm saying.

889
00:46:56,239 --> 00:46:59,120
Speaker 1: And I feel like you get more hunt and get

890
00:46:59,160 --> 00:47:01,440
Speaker 1: more flies with need that you do with ship. That's it.

891
00:47:01,560 --> 00:47:11,840
Speaker 1: That's the old person saying. Okay, but but yeah, so

892
00:47:12,280 --> 00:47:13,919
Speaker 1: I admired at about you. You know what I'm saying.

893
00:47:13,920 --> 00:47:16,560
Speaker 1: I want the success you had, um. And the thing

894
00:47:16,640 --> 00:47:20,080
Speaker 1: about it is we all got an insane moment, like

895
00:47:20,239 --> 00:47:24,320
Speaker 1: we all like you have to catch yourself, Like you

896
00:47:24,400 --> 00:47:27,960
Speaker 1: have to literally catch yourself. So what what what was

897
00:47:28,000 --> 00:47:29,719
Speaker 1: the time you think you went Hollywood? Do you ever

898
00:47:29,800 --> 00:47:33,279
Speaker 1: think you went Hollywood? I felt like my friends start.

899
00:47:33,520 --> 00:47:35,920
Speaker 1: I went Hollywood because I was growing, you know what

900
00:47:36,000 --> 00:47:39,400
Speaker 1: I'm saying. So like we had Miami on loft. I

901
00:47:39,480 --> 00:47:42,680
Speaker 1: started Recollator with Brian McKinney, cars, Swag Entertainment. So we

902
00:47:42,760 --> 00:47:45,680
Speaker 1: did the crazy securities and all of that stuff here.

903
00:47:46,120 --> 00:47:48,200
Speaker 1: To keep the buses right, we had to be at

904
00:47:48,200 --> 00:47:51,359
Speaker 1: the craziest parties here in Miami. So I ventured out

905
00:47:51,560 --> 00:47:54,440
Speaker 1: and I moved to l A by myself, and I said,

906
00:47:54,480 --> 00:47:56,040
Speaker 1: it's time we got to take over l A two.

907
00:47:56,640 --> 00:47:59,200
Speaker 1: And then the next thing was have our presence throught

908
00:47:59,200 --> 00:48:02,200
Speaker 1: in New York. What I'm saying, But um, I moved

909
00:48:02,239 --> 00:48:04,960
Speaker 1: to l A and I and I met some people

910
00:48:05,040 --> 00:48:08,000
Speaker 1: in l A and we kind of like just had

911
00:48:08,080 --> 00:48:11,239
Speaker 1: our things, like we was running young black Hollywood. Like

912
00:48:11,280 --> 00:48:13,680
Speaker 1: you can ask anybody about a pleasure peahouse party or

913
00:48:14,120 --> 00:48:16,399
Speaker 1: just during that time, sounds like a lot of sex.

914
00:48:16,600 --> 00:48:19,000
Speaker 1: You can ask clue. You can ask anybody that was around,

915
00:48:19,120 --> 00:48:21,520
Speaker 1: you know, what I'm saying, Like, Yo, you know Chris

916
00:48:21,640 --> 00:48:25,520
Speaker 1: Brown Trey songs. Everybody used to be just whatever, just

917
00:48:25,640 --> 00:48:28,360
Speaker 1: chill R and V niggas, get all the puss, everybody

918
00:48:28,440 --> 00:48:36,239
Speaker 1: to be over the tune. See that crap was not

919
00:48:36,400 --> 00:48:41,719
Speaker 1: the same with all the other girl did not get

920
00:48:41,800 --> 00:48:44,319
Speaker 1: that because all ya RV niggas, y'all be going through

921
00:48:44,400 --> 00:48:47,399
Speaker 1: it bro so so see a lot of bitches though,

922
00:48:47,719 --> 00:48:52,279
Speaker 1: so during so during that time, you know what I'm saying.

923
00:48:52,480 --> 00:48:54,160
Speaker 1: By the time my niggas from over here came to

924
00:48:54,239 --> 00:48:56,200
Speaker 1: the crib in l A. Because when I first moved

925
00:48:56,239 --> 00:48:57,920
Speaker 1: over there, I had a condo in the plazo like

926
00:48:58,000 --> 00:49:01,040
Speaker 1: a penthouse, litteral one, bad room, just challenge Jesus. And

927
00:49:01,080 --> 00:49:04,000
Speaker 1: I moved to Bellary, States, And where's ni living my

928
00:49:04,160 --> 00:49:06,600
Speaker 1: old house? Now you know what I'm saying. But um

929
00:49:06,960 --> 00:49:12,880
Speaker 1: we have But when my um, when when when when

930
00:49:12,920 --> 00:49:15,480
Speaker 1: Miami came to l A, there was a problem. Oh

931
00:49:15,840 --> 00:49:18,040
Speaker 1: you forgot about your niggas. You how to do it,

932
00:49:18,120 --> 00:49:20,279
Speaker 1: But it was like, no nigger, now you got l

933
00:49:20,280 --> 00:49:22,239
Speaker 1: a niggas in Miamini. Because you know how much money

934
00:49:22,280 --> 00:49:24,680
Speaker 1: y'all niggas can make together. If y'all you know what

935
00:49:24,760 --> 00:49:26,800
Speaker 1: I'm saying, that's how I was thinking. I was thinking

936
00:49:26,800 --> 00:49:29,080
Speaker 1: over a bigger picture, but they couldn't see the you

937
00:49:29,120 --> 00:49:30,600
Speaker 1: know what I'm saying, So of course they would say

938
00:49:30,600 --> 00:49:32,800
Speaker 1: that you think they were right or you think you

939
00:49:32,880 --> 00:49:36,200
Speaker 1: were right. Um, I understand. I respect how they felt.

940
00:49:36,520 --> 00:49:40,680
Speaker 1: Okay too, they're understanding because not everybody but has the

941
00:49:40,760 --> 00:49:43,400
Speaker 1: vision that I have. So you know, that's just how

942
00:49:43,520 --> 00:49:44,960
Speaker 1: much I'm gonna leave. I'm gonna leave you like that.

943
00:49:46,120 --> 00:49:49,480
Speaker 1: I'm not gonna lieu. L A would do it to

944
00:49:49,520 --> 00:49:52,040
Speaker 1: you because it's as you walk outside, I don't swatch

945
00:49:52,040 --> 00:49:54,200
Speaker 1: the niggas read the paper and walking his dog and

946
00:49:54,800 --> 00:49:57,359
Speaker 1: like it's like l AL will change a little bit.

947
00:49:57,760 --> 00:49:59,719
Speaker 1: It does it does? It? Does? It change a lot

948
00:49:59,719 --> 00:50:01,040
Speaker 1: of people. But I wasn't. If you're living in the

949
00:50:01,200 --> 00:50:02,759
Speaker 1: l A like I wasn't one of the people you

950
00:50:02,800 --> 00:50:04,440
Speaker 1: could change though, you know what I'm saying, Like I

951
00:50:04,560 --> 00:50:06,400
Speaker 1: know who the Funkum, I know I'm from, I know

952
00:50:06,480 --> 00:50:09,920
Speaker 1: how far I came. Like there's no way LA can

953
00:50:10,040 --> 00:50:11,359
Speaker 1: change me, you know what I'm saying, which is why

954
00:50:11,400 --> 00:50:13,560
Speaker 1: I had to move back home after three years have

955
00:50:13,600 --> 00:50:16,239
Speaker 1: been then seeing it, you know, seeing what it was like,

956
00:50:16,360 --> 00:50:19,480
Speaker 1: seeing like what it is and what it was like,

957
00:50:19,640 --> 00:50:21,719
Speaker 1: Miami is the better place what I'm saying for me?

958
00:50:22,160 --> 00:50:25,080
Speaker 1: How about movies? Were you were you into, like trying

959
00:50:25,120 --> 00:50:28,719
Speaker 1: to get into that. I did one movie, um My

960
00:50:28,840 --> 00:50:32,040
Speaker 1: Niggas Stevie g and Um Charles as Dutton. You know

961
00:50:32,200 --> 00:50:36,040
Speaker 1: Charles Dutton sounds really okay. He's gonna play a rock. Um.

962
00:50:36,080 --> 00:50:39,480
Speaker 1: He had a show called Rock back in the day,

963
00:50:39,640 --> 00:50:42,600
Speaker 1: Ball had to do. He was on Minister Society. Yeah, yeah,

964
00:50:42,640 --> 00:50:45,799
Speaker 1: yeah he had a stroke. He's a big idea. Yeah

965
00:50:45,920 --> 00:50:49,359
Speaker 1: it was Society, but yeah, yeah the nigga, his son

966
00:50:49,520 --> 00:50:52,440
Speaker 1: was the Muslim and Mrs Siety. Yeah okay, so so

967
00:50:53,000 --> 00:50:59,280
Speaker 1: so that guy, um freaking Smith Smith was in this movie,

968
00:51:00,239 --> 00:51:03,960
Speaker 1: wasn't it Pinky? You know, A couple a lot of

969
00:51:03,960 --> 00:51:06,040
Speaker 1: people trying meet me, A lot of people is in

970
00:51:06,080 --> 00:51:07,719
Speaker 1: this movie. It's called Must Be the Music, you know

971
00:51:07,760 --> 00:51:10,760
Speaker 1: what I'm saying. And it's like the same storyline is Empire,

972
00:51:10,800 --> 00:51:13,560
Speaker 1: I swear, But I stayed in Philly for like a

973
00:51:13,719 --> 00:51:16,879
Speaker 1: month and we shot this movie and it never came out.

974
00:51:17,040 --> 00:51:18,879
Speaker 1: You know what I'm saying That the Empire came out,

975
00:51:19,040 --> 00:51:20,719
Speaker 1: and it's like, I swear to God on everything I

976
00:51:20,800 --> 00:51:23,800
Speaker 1: love it's the same fucking storyline Charles had a stroke

977
00:51:24,320 --> 00:51:26,960
Speaker 1: or whatever. But I don't know, Like I like doing

978
00:51:27,040 --> 00:51:29,919
Speaker 1: music better music money, unless you're like doing a Black

979
00:51:30,000 --> 00:51:32,520
Speaker 1: Panther one of them big time movies or something like that.

980
00:51:33,160 --> 00:51:35,600
Speaker 1: You know, I never got the opportunity to do nothing

981
00:51:35,600 --> 00:51:40,880
Speaker 1: like that. Reality. I don't. You don't enjoy it, Damn.

982
00:51:42,080 --> 00:51:44,560
Speaker 1: I like doing music, like I came in the game

983
00:51:44,600 --> 00:51:46,759
Speaker 1: to do music, But the fact that you gotta do

984
00:51:46,880 --> 00:51:49,719
Speaker 1: reality to have a platform to be able to sell

985
00:51:49,840 --> 00:51:52,640
Speaker 1: music now, you know, especially on B music, it's kind

986
00:51:52,680 --> 00:51:54,040
Speaker 1: of fucked up, you know what I'm saying. Look a

987
00:51:54,080 --> 00:51:55,560
Speaker 1: look at look at what R and B is now,

988
00:51:55,880 --> 00:51:58,920
Speaker 1: you know what I'm saying. And of course, like with

989
00:51:59,040 --> 00:52:02,440
Speaker 1: our genre, you don't have a lot of artists collaborating

990
00:52:02,480 --> 00:52:05,160
Speaker 1: and supporting one another, so it's even more fun up,

991
00:52:05,320 --> 00:52:08,279
Speaker 1: you know what I'm saying. Everybody is no, you gotta

992
00:52:08,320 --> 00:52:10,440
Speaker 1: be that number one nigga. You ain't like when you

993
00:52:10,480 --> 00:52:13,480
Speaker 1: see Keith Squead and and and and and Teddy Riley

994
00:52:13,560 --> 00:52:15,520
Speaker 1: and everybody got the thing and they kind of support

995
00:52:15,560 --> 00:52:18,919
Speaker 1: them niggas still to this day touring together making money.

996
00:52:19,000 --> 00:52:22,280
Speaker 1: But you know you can't hit O Marian Mario Pleasure

997
00:52:22,360 --> 00:52:26,040
Speaker 1: P saying me, fucking you know what I'm saying, all

998
00:52:26,120 --> 00:52:27,920
Speaker 1: of the all of the Bobby Valentino, all of the

999
00:52:28,040 --> 00:52:30,239
Speaker 1: niggas that I came up with, you can't see them

1000
00:52:30,239 --> 00:52:32,560
Speaker 1: get niggas on the same accord to be like my nigga,

1001
00:52:33,040 --> 00:52:36,760
Speaker 1: stop trying to be the number one nigga and support

1002
00:52:36,840 --> 00:52:39,520
Speaker 1: the fucking genre that's most important. You know what I'm saying.

1003
00:52:39,520 --> 00:52:41,600
Speaker 1: I heard you said that on the Breakfast Club as well.

1004
00:52:41,719 --> 00:52:45,759
Speaker 1: You said that, Marion, what's doing shows and telling people

1005
00:52:45,840 --> 00:52:48,720
Speaker 1: that you can't book the other b two k remembers.

1006
00:52:48,840 --> 00:52:50,520
Speaker 1: Oh no, he did love hip hop. It's like in

1007
00:52:50,560 --> 00:52:52,920
Speaker 1: this contract, nigga, don't bring that rats be on here

1008
00:52:53,360 --> 00:52:56,040
Speaker 1: or you know what I'm saying me when when you

1009
00:52:56,120 --> 00:52:59,480
Speaker 1: know my manager, he you know when when he got

1010
00:52:59,560 --> 00:53:01,040
Speaker 1: the call of love and hip hop for just me

1011
00:53:02,200 --> 00:53:03,719
Speaker 1: and it was like, Yo, can we be Donner And

1012
00:53:04,000 --> 00:53:06,040
Speaker 1: it was like let's go. There wasn't no hate, and

1013
00:53:06,120 --> 00:53:08,040
Speaker 1: there wasn't no nothing. It was like, let's go, that's

1014
00:53:08,080 --> 00:53:10,960
Speaker 1: an opportunity, let's go, let's do an album through it.

1015
00:53:11,080 --> 00:53:13,839
Speaker 1: That's you know, that's work. It wasn't no hate. That's

1016
00:53:13,880 --> 00:53:17,279
Speaker 1: beautiful man. But anybody record come out or whatever you're

1017
00:53:17,320 --> 00:53:19,600
Speaker 1: gonna see. If you look on my Instagram, have these

1018
00:53:19,719 --> 00:53:22,560
Speaker 1: niggas I support, But when my ship come out, they

1019
00:53:22,600 --> 00:53:24,560
Speaker 1: don't support. I don't. I don't. I don't look for

1020
00:53:24,640 --> 00:53:26,759
Speaker 1: nothing in return. But it'll be good for the for

1021
00:53:26,880 --> 00:53:29,560
Speaker 1: the genre. Every boudget of every R and B artist

1022
00:53:29,880 --> 00:53:32,759
Speaker 1: supported each other, how big or the genre would be.

1023
00:53:32,920 --> 00:53:34,920
Speaker 1: But everybody could play R and be dead R and

1024
00:53:34,960 --> 00:53:39,200
Speaker 1: B this, but they don't do nothing to Tank. That

1025
00:53:39,560 --> 00:53:44,239
Speaker 1: was Tank support everybody. That's my Tyre is gonna keep together.

1026
00:53:44,680 --> 00:53:51,960
Speaker 1: Got they didn't have the album, but but what tyrese

1027
00:53:52,040 --> 00:53:57,719
Speaker 1: the movie? So it was like, you know, they say

1028
00:53:57,800 --> 00:54:00,560
Speaker 1: Tyres is like in Hollywood. Yeah, say, that's to the

1029
00:54:00,600 --> 00:54:02,800
Speaker 1: point where I don't even see Tyresa tangwad you know

1030
00:54:02,840 --> 00:54:06,120
Speaker 1: what I'm saying, which is like crazy. Maybe he was busy.

1031
00:54:06,200 --> 00:54:07,680
Speaker 1: I don't know. I folk with both of them. So

1032
00:54:07,920 --> 00:54:12,400
Speaker 1: that now what was supposed to your your favorite thing

1033
00:54:12,600 --> 00:54:15,960
Speaker 1: about the game, like being a part of him RB.

1034
00:54:17,400 --> 00:54:21,160
Speaker 1: My favorite thing is I don't know, man, I just

1035
00:54:21,239 --> 00:54:23,200
Speaker 1: like the musical part. I like the fact that I

1036
00:54:23,280 --> 00:54:26,239
Speaker 1: can make music and no matter of a person. You know,

1037
00:54:26,360 --> 00:54:30,040
Speaker 1: like people don't like people because of like because of religion,

1038
00:54:30,560 --> 00:54:33,200
Speaker 1: or because of color or because or whatever. But like,

1039
00:54:33,400 --> 00:54:36,240
Speaker 1: music is a universal language. So when I go around

1040
00:54:36,239 --> 00:54:38,360
Speaker 1: the world and I see different people, you know what

1041
00:54:38,400 --> 00:54:41,160
Speaker 1: I'm saying, rock into a niggad that's from color Rancis,

1042
00:54:41,239 --> 00:54:43,799
Speaker 1: you know what I'm saying, Like from nothing nigga. Okay,

1043
00:54:43,800 --> 00:54:45,440
Speaker 1: I wrote this song when I was in juvel now

1044
00:54:45,560 --> 00:54:48,080
Speaker 1: locked up and now you fucking you know, fucking with

1045
00:54:48,160 --> 00:54:50,680
Speaker 1: the record like that's that's that's the biggest ship. That's

1046
00:54:50,719 --> 00:54:54,160
Speaker 1: the biggest pal for me, outside of being able to

1047
00:54:54,560 --> 00:54:58,280
Speaker 1: pretty much um travel and you know, go to places

1048
00:54:58,360 --> 00:55:00,680
Speaker 1: that you can go and eat, eat where you want

1049
00:55:00,719 --> 00:55:03,160
Speaker 1: to eat, and you know, just live a little you know,

1050
00:55:03,360 --> 00:55:07,240
Speaker 1: live a little bit. Actually, what's your face? I gotta

1051
00:55:07,239 --> 00:55:11,080
Speaker 1: ask you what you hate? I hate the fake ship.

1052
00:55:11,320 --> 00:55:14,480
Speaker 1: I hate what cloud chases. I hate the name droppers.

1053
00:55:15,160 --> 00:55:17,799
Speaker 1: I hate the people that don't want to work as

1054
00:55:17,840 --> 00:55:19,920
Speaker 1: hard as we work up or make the sacrifice that

1055
00:55:20,000 --> 00:55:22,800
Speaker 1: we make to make sure happen benefiting off of the

1056
00:55:22,920 --> 00:55:26,040
Speaker 1: things that we work hard for. I hate the fact

1057
00:55:26,120 --> 00:55:28,560
Speaker 1: that you can hear with something about somebody instead of

1058
00:55:28,560 --> 00:55:30,600
Speaker 1: you call the dog and me like yo, you know

1059
00:55:30,640 --> 00:55:33,200
Speaker 1: what I'm saying what's what you know? You don't do that.

1060
00:55:33,320 --> 00:55:36,000
Speaker 1: You're just running with it, and you know you're bashing,

1061
00:55:36,040 --> 00:55:39,239
Speaker 1: you're bashing, bashing you. You know, the more bad people more,

1062
00:55:39,280 --> 00:55:41,880
Speaker 1: the most bad ship people said about me. You stopped

1063
00:55:41,920 --> 00:55:44,200
Speaker 1: a lot of checks. You know, you stopped from feeding

1064
00:55:44,280 --> 00:55:46,120
Speaker 1: my son, you stopped from you know a lot of

1065
00:55:46,200 --> 00:55:49,560
Speaker 1: different ships. So I just hate you know that constis

1066
00:55:49,600 --> 00:55:52,719
Speaker 1: not genuine, Like if I funk with you, it's not

1067
00:55:52,920 --> 00:55:54,800
Speaker 1: one time like all the people that I woke with,

1068
00:55:55,239 --> 00:55:56,880
Speaker 1: It's not one time I went to your city and

1069
00:55:56,960 --> 00:55:59,800
Speaker 1: never called you and be like, yo, nigga, I'm here, nigga.

1070
00:56:00,040 --> 00:56:02,000
Speaker 1: You know what I mean? Like that's what you know

1071
00:56:02,200 --> 00:56:04,239
Speaker 1: real family do or you know what I'm saying. So

1072
00:56:04,800 --> 00:56:06,480
Speaker 1: it's a lot of ships like that that I read on,

1073
00:56:06,680 --> 00:56:09,399
Speaker 1: like the fact that niggas go from click to click

1074
00:56:09,440 --> 00:56:11,320
Speaker 1: the clip. I wasn't raised that way, you know what

1075
00:56:11,360 --> 00:56:14,399
Speaker 1: I'm saying. But for niggas to be even say they're real,

1076
00:56:14,520 --> 00:56:16,520
Speaker 1: but you accept the niggas that jump from click to

1077
00:56:16,600 --> 00:56:18,600
Speaker 1: click to click, you know what I'm saying. Like I

1078
00:56:18,880 --> 00:56:20,400
Speaker 1: look at a lot of niggas different, you know what

1079
00:56:20,440 --> 00:56:22,120
Speaker 1: I'm saying. A lot of that ship just played out

1080
00:56:22,880 --> 00:56:24,600
Speaker 1: and then you know, I don't know, I can go

1081
00:56:24,719 --> 00:56:26,320
Speaker 1: on forever about that kind of ship. You know what

1082
00:56:26,360 --> 00:56:30,719
Speaker 1: I'm saying. You smashed one of trade songs, bitches right, No,

1083
00:56:30,960 --> 00:56:32,839
Speaker 1: we have beef. I'm gonna tell you why we have beef.

1084
00:56:33,680 --> 00:56:36,160
Speaker 1: I'm gonna tell you Anna, I'm gonna tell what we

1085
00:56:36,200 --> 00:56:39,400
Speaker 1: gotta leave. So we were signing the same label Atlantic.

1086
00:56:40,320 --> 00:56:42,520
Speaker 1: So when trade coming up, pretty Ricky is the biggest ship.

1087
00:56:42,760 --> 00:56:45,560
Speaker 1: Understand what I'm saying. But we always embraced trade. Anytime

1088
00:56:45,600 --> 00:56:48,320
Speaker 1: trade came to mind me, whether it's me bringing girls,

1089
00:56:48,480 --> 00:56:52,480
Speaker 1: whether it's me whatever, whatever, you know, it was always loved.

1090
00:56:53,320 --> 00:56:54,680
Speaker 1: He would come out here a lot, so you know

1091
00:56:54,680 --> 00:56:56,520
Speaker 1: what I'm saying. We'll go to clubs together, all kinds

1092
00:56:56,520 --> 00:56:58,560
Speaker 1: of ship. So it's just one particular time on the

1093
00:56:58,640 --> 00:57:01,200
Speaker 1: screen tour when I can't his city and call him,

1094
00:57:01,560 --> 00:57:04,799
Speaker 1: I ain't get the same kind of love and was like, yeah,

1095
00:57:05,040 --> 00:57:06,959
Speaker 1: we came to the tour with the Virginia, I ain't

1096
00:57:06,960 --> 00:57:08,920
Speaker 1: get that kind of love. So that's why it started.

1097
00:57:08,960 --> 00:57:11,279
Speaker 1: At Then I hooked him up with his girl named Helen,

1098
00:57:11,600 --> 00:57:14,320
Speaker 1: which is like like she's like still one of my

1099
00:57:14,400 --> 00:57:17,240
Speaker 1: best female friends to this day. Like it was like that, like,

1100
00:57:17,400 --> 00:57:19,800
Speaker 1: n you know anybody. That's how I knew he was

1101
00:57:19,840 --> 00:57:22,080
Speaker 1: at the time. So we get with Helen and that's

1102
00:57:22,120 --> 00:57:24,680
Speaker 1: how lou he resa like, that's how knew he was,

1103
00:57:24,760 --> 00:57:29,000
Speaker 1: Like nobody. He had to put him down. So right,

1104
00:57:29,040 --> 00:57:31,000
Speaker 1: you understand saying, well that's what that's what bros. Do

1105
00:57:31,160 --> 00:57:35,720
Speaker 1: you know what I'm saying? So um fast forward um.

1106
00:57:36,320 --> 00:57:39,000
Speaker 1: After that, he didn't say nothing about it or whatever.

1107
00:57:39,560 --> 00:57:41,640
Speaker 1: So I ain't hear from him in a minute, you

1108
00:57:41,680 --> 00:57:44,840
Speaker 1: know what I'm saying, or whatever. Now, most niggas, if

1109
00:57:44,880 --> 00:57:47,360
Speaker 1: you got lucky or you connected with a girl or

1110
00:57:47,640 --> 00:57:49,400
Speaker 1: whatever that I introduced it to, you gonna say, hell,

1111
00:57:49,560 --> 00:57:51,800
Speaker 1: you know that joint that you get with yo, you

1112
00:57:51,840 --> 00:57:54,280
Speaker 1: know you donna give me that brother talk. But he didn't.

1113
00:57:54,360 --> 00:57:56,080
Speaker 1: But he didn't do that, you know what I'm saying.

1114
00:57:56,160 --> 00:57:58,160
Speaker 1: So he was out of being my awards and he

1115
00:57:58,280 --> 00:58:00,600
Speaker 1: just was there and he was like we together now

1116
00:58:00,800 --> 00:58:03,280
Speaker 1: whatever whatever. And I was like, Okay, I'm I'm happy

1117
00:58:03,320 --> 00:58:05,400
Speaker 1: for you'll, but damn, what kind of you know what

1118
00:58:05,440 --> 00:58:08,040
Speaker 1: I'm saying? Like wait, wait wait, he said, okay, you

1119
00:58:08,120 --> 00:58:09,680
Speaker 1: lost you a little bit, all right, So you hooked

1120
00:58:09,720 --> 00:58:12,440
Speaker 1: him up with the girl. He never said nothing about it.

1121
00:58:12,800 --> 00:58:15,440
Speaker 1: So now this is a month later, we ordered being

1122
00:58:15,520 --> 00:58:18,920
Speaker 1: my awards, you know what I'm saying, and you know,

1123
00:58:20,160 --> 00:58:21,520
Speaker 1: we had to be in my awards and he just

1124
00:58:21,840 --> 00:58:23,600
Speaker 1: he that with her as his day. He was like,

1125
00:58:24,200 --> 00:58:27,560
Speaker 1: is your home girl from Miami? She from Seattle? But

1126
00:58:27,640 --> 00:58:31,880
Speaker 1: she livings like He's like, yo, um we're together now,

1127
00:58:32,040 --> 00:58:35,320
Speaker 1: kissing and stuff in front of me. So I'm like, alright, cool,

1128
00:58:35,360 --> 00:58:36,960
Speaker 1: I ain't I ain't taking nothing from it, but you

1129
00:58:37,000 --> 00:58:38,440
Speaker 1: know what I'm saying, like, I gotta ask you, was

1130
00:58:38,520 --> 00:58:41,520
Speaker 1: you was you smashing? No? No, no, no you to

1131
00:58:41,600 --> 00:58:45,360
Speaker 1: this day, to this day, that's my life. Best white friends,

1132
00:58:45,440 --> 00:58:48,480
Speaker 1: like someone that knows the area to liquid him. Right.

1133
00:58:48,480 --> 00:58:51,160
Speaker 1: It wasn't like a dating. He wasn't like hooking him up. Yeah,

1134
00:58:51,320 --> 00:58:53,280
Speaker 1: it was just it was just like, yeah, somebody look

1135
00:58:53,360 --> 00:58:56,520
Speaker 1: out for and then talking about the dating. It's kind

1136
00:58:56,520 --> 00:58:58,400
Speaker 1: of weird right now to me. Yeah, because he never

1137
00:58:58,520 --> 00:59:00,920
Speaker 1: he never know what I'm saying, he said like he

1138
00:59:01,040 --> 00:59:02,920
Speaker 1: never he never called and be like yo, you know

1139
00:59:03,120 --> 00:59:07,240
Speaker 1: so I found okay cool. So now the second I

1140
00:59:07,360 --> 00:59:13,160
Speaker 1: became a solo artist, it's this little thing in you know,

1141
00:59:13,200 --> 00:59:18,440
Speaker 1: Atlantic record is because or whatever, like you know, right,

1142
00:59:18,480 --> 00:59:20,400
Speaker 1: because I'm this is my first album, and he probably

1143
00:59:20,600 --> 00:59:22,800
Speaker 1: he probably had that like three or four albums out

1144
00:59:22,840 --> 00:59:24,520
Speaker 1: by the time of three albums or something, you know

1145
00:59:24,560 --> 00:59:27,000
Speaker 1: what I'm saying. So they put me in direct competition

1146
00:59:27,040 --> 00:59:29,240
Speaker 1: at the label with him, you know what I'm saying.

1147
00:59:29,280 --> 00:59:31,480
Speaker 1: But he got a manager like Kevin Laws, and I

1148
00:59:31,600 --> 00:59:33,760
Speaker 1: gotta manager like a nigga, you know what I'm saying,

1149
00:59:33,800 --> 00:59:36,280
Speaker 1: like a nigga that I came up with, you know

1150
00:59:36,280 --> 00:59:38,240
Speaker 1: what I'm saying. And of course Jimmy Henshi was gonna

1151
00:59:38,240 --> 00:59:41,680
Speaker 1: manager at the time. To what I'm saying, Jimmy's road

1152
00:59:41,840 --> 00:59:44,520
Speaker 1: wasn't to handle the business. It was just, you know

1153
00:59:44,560 --> 00:59:47,040
Speaker 1: what I'm saying, some other ship. So I'm making a

1154
00:59:47,160 --> 00:59:52,560
Speaker 1: story short. Me and Drake we're driving in Atlantic the

1155
00:59:52,680 --> 00:59:56,640
Speaker 1: same day, meet to change and this I commend d

1156
00:59:56,920 --> 01:00:01,800
Speaker 1: D drink a real nigga. This is why met him

1157
01:00:01,880 --> 01:00:04,760
Speaker 1: to change. We all at Benny Hunters were eating whatever whatever.

1158
01:00:04,880 --> 01:00:09,320
Speaker 1: Song stop stop like that. That's a right, just keep

1159
01:00:09,400 --> 01:00:13,800
Speaker 1: this story. But I can see you do change and

1160
01:00:14,560 --> 01:00:17,040
Speaker 1: at an all places, that's where I go. Bro. Yeah, Benny,

1161
01:00:17,120 --> 01:00:19,560
Speaker 1: honest to two changs. Got a matter of fact, did

1162
01:00:19,640 --> 01:00:21,920
Speaker 1: you just private? No? No, no, no, listen, this was

1163
01:00:22,240 --> 01:00:28,040
Speaker 1: other people there with yall, no table, just it. It

1164
01:00:28,120 --> 01:00:30,720
Speaker 1: was just sometimes we actually didn't have any extra people

1165
01:00:30,880 --> 01:00:33,760
Speaker 1: just out of his door, like a matter of fact, Kene,

1166
01:00:33,800 --> 01:00:35,760
Speaker 1: we just then were walking, you know, we were just

1167
01:00:36,040 --> 01:00:40,240
Speaker 1: hanging out. So this whole day, me and Drake and

1168
01:00:40,840 --> 01:00:43,280
Speaker 1: off of Peach Cheek Okay, got when you know that one.

1169
01:00:43,360 --> 01:00:48,640
Speaker 1: But like so we're there, we're hanging out or whatever.

1170
01:00:49,040 --> 01:00:52,120
Speaker 1: So then after this and now I tell Drake, I said, yo,

1171
01:00:52,520 --> 01:00:55,000
Speaker 1: that song because I think Tray songs and Drake did

1172
01:00:55,080 --> 01:00:58,080
Speaker 1: the same song. I was like, yo, that song that

1173
01:00:58,360 --> 01:01:00,560
Speaker 1: he did it it's not as good as when you did,

1174
01:01:01,240 --> 01:01:03,680
Speaker 1: you know what I'm saying. And I got my bag

1175
01:01:03,760 --> 01:01:07,400
Speaker 1: about what happened, like everything I just told y'all and

1176
01:01:07,480 --> 01:01:10,200
Speaker 1: not understanding that and this is this is mama' steake,

1177
01:01:10,200 --> 01:01:12,560
Speaker 1: guys a nigga because I shouldn't have been bringing this

1178
01:01:12,720 --> 01:01:16,480
Speaker 1: up to a person. Went back and told y'all he did,

1179
01:01:16,840 --> 01:01:19,720
Speaker 1: but that's a thing, but that's his nigga, that was

1180
01:01:19,800 --> 01:01:21,600
Speaker 1: his nigga. I didn't know that that was his nigga.

1181
01:01:21,720 --> 01:01:23,720
Speaker 1: And that's what I'm saying. I didn't already had music

1182
01:01:23,800 --> 01:01:30,760
Speaker 1: before you in Vinne hons and you tell him from

1183
01:01:30,800 --> 01:01:32,640
Speaker 1: this in Vinnie Hans, I don't know no matter if

1184
01:01:32,680 --> 01:01:34,840
Speaker 1: it were just some muses in the car. So so

1185
01:01:34,960 --> 01:01:37,120
Speaker 1: here's the thing. Now, I thought I said this. Now

1186
01:01:37,400 --> 01:01:40,960
Speaker 1: my homebother was following us. Drake immediately got out of

1187
01:01:41,000 --> 01:01:44,880
Speaker 1: the car after and the start wronging my homeboy and

1188
01:01:44,960 --> 01:01:46,560
Speaker 1: was like, y'all gotta get some one of the ATM

1189
01:01:46,680 --> 01:01:49,520
Speaker 1: or somebody's something. But I guess he handled it in

1190
01:01:49,600 --> 01:01:51,240
Speaker 1: a way where he didn't teld me like yo, that's

1191
01:01:51,240 --> 01:01:53,080
Speaker 1: my nigga, or he didn't trying to shut it down

1192
01:01:53,200 --> 01:01:55,480
Speaker 1: or nothing. He listened to it and then he like,

1193
01:01:55,600 --> 01:01:57,520
Speaker 1: you know what, I ain't working with TA right now.

1194
01:01:57,600 --> 01:01:59,760
Speaker 1: You understand say because he talked about my men's But

1195
01:02:00,040 --> 01:02:01,680
Speaker 1: you know what, I didn't know that that was his mess.

1196
01:02:01,720 --> 01:02:04,200
Speaker 1: I'm just I'm speaking my truth. You know what I'm saying.

1197
01:02:04,240 --> 01:02:06,240
Speaker 1: I don't tell anybody. I don't give a funk you feel.

1198
01:02:07,320 --> 01:02:10,880
Speaker 1: So long story short, world gets back to trade from Drake.

1199
01:02:11,920 --> 01:02:16,760
Speaker 1: Then now it's as big as beef in um in

1200
01:02:16,840 --> 01:02:19,240
Speaker 1: the label or whatever. But we never really did nothing

1201
01:02:19,280 --> 01:02:25,000
Speaker 1: about it. Fucking um. He does this diss record with R. Kelly,

1202
01:02:25,280 --> 01:02:28,040
Speaker 1: and he dissed me. In the record, he said, I

1203
01:02:28,080 --> 01:02:30,160
Speaker 1: ain't no pleasure p These other R and V niggas

1204
01:02:30,240 --> 01:02:32,160
Speaker 1: just don't measure you. He said that in the record.

1205
01:02:32,960 --> 01:02:36,280
Speaker 1: So I took a fiense to that. In l A.

1206
01:02:36,880 --> 01:02:40,960
Speaker 1: I ran up on guys. I was there, polar Don

1207
01:02:41,120 --> 01:02:46,840
Speaker 1: was there, Carry Hillson was there. Up it was Carry,

1208
01:02:48,160 --> 01:02:51,920
Speaker 1: It was a. It was at this spot on sunset.

1209
01:02:52,560 --> 01:02:56,640
Speaker 1: But it's this spot called is it high? Maybe? Was

1210
01:02:56,720 --> 01:03:00,240
Speaker 1: it was on sunset? Yeah, here was hot. So run

1211
01:03:00,400 --> 01:03:04,000
Speaker 1: up on him. He see me as me and my

1212
01:03:04,160 --> 01:03:06,640
Speaker 1: niggas as him, and in security we gotta face off.

1213
01:03:06,840 --> 01:03:09,600
Speaker 1: The first thing he did is he hugged me. You

1214
01:03:09,640 --> 01:03:12,600
Speaker 1: know what I'm saying. He saw me, He hugged me,

1215
01:03:12,640 --> 01:03:15,000
Speaker 1: and we went into the kitchen and we talked it out,

1216
01:03:15,760 --> 01:03:19,080
Speaker 1: and then um, we talked it out. And then after

1217
01:03:19,200 --> 01:03:21,720
Speaker 1: that him guys, all of us. That's when they all

1218
01:03:21,800 --> 01:03:24,000
Speaker 1: came to my house and we parted. And you know,

1219
01:03:24,680 --> 01:03:26,960
Speaker 1: hospitality to the team, you know me, that's how I am.

1220
01:03:26,960 --> 01:03:30,200
Speaker 1: I'm a hospitable I got that Southern hospitality to or

1221
01:03:30,240 --> 01:03:33,479
Speaker 1: whatever whatever. Niggas when they came back to my city,

1222
01:03:33,600 --> 01:03:35,320
Speaker 1: you gotta conselt me because they ain't hit me up

1223
01:03:35,440 --> 01:03:37,720
Speaker 1: like Yo, you gotta taket tho. I ain't gonna front

1224
01:03:37,720 --> 01:03:39,600
Speaker 1: ticket to your cost there. But it was just like

1225
01:03:39,760 --> 01:03:44,800
Speaker 1: some ship like that. So then um, time passed. We

1226
01:03:44,920 --> 01:03:49,960
Speaker 1: don't buried everything. We end up at it a party

1227
01:03:50,040 --> 01:03:53,280
Speaker 1: here in Miami together Kevin lives is that we're taking shots,

1228
01:03:53,400 --> 01:03:56,720
Speaker 1: no problems. Another time I see him now in Miami.

1229
01:03:56,920 --> 01:04:01,360
Speaker 1: Here in Miami, they at mansion. It's him and Jeezy.

1230
01:04:01,560 --> 01:04:05,720
Speaker 1: They're standing like a ball above us. So of course

1231
01:04:06,400 --> 01:04:08,360
Speaker 1: I know Jeezy too, you know what I'm saying through

1232
01:04:08,480 --> 01:04:10,800
Speaker 1: and or whatever. The kisses me every time. Jeez dog

1233
01:04:10,960 --> 01:04:13,760
Speaker 1: was cool as whatever the case may be. So um,

1234
01:04:14,640 --> 01:04:18,120
Speaker 1: I see them and um like what up? I would

1235
01:04:18,120 --> 01:04:21,000
Speaker 1: reach out to give Jeezy dappus up, and training was like,

1236
01:04:22,520 --> 01:04:25,000
Speaker 1: and nigga ain't dropped me up or whatever the case be.

1237
01:04:25,040 --> 01:04:29,320
Speaker 1: Easy to tap you up. You didn't, Jeez didn't because

1238
01:04:29,880 --> 01:04:31,400
Speaker 1: you know, the niggers are gotta kind of laugh and

1239
01:04:31,440 --> 01:04:35,600
Speaker 1: they're like plays to kind of whatever. So it sounds

1240
01:04:35,600 --> 01:04:38,400
Speaker 1: like a bad scene. It wasn't a bad scene. It's

1241
01:04:38,440 --> 01:04:40,640
Speaker 1: just I'm just saying, like, if I don't sunk with somebody, okay,

1242
01:04:40,680 --> 01:04:43,640
Speaker 1: you know me, if I don't funk with you we listen,

1243
01:04:43,720 --> 01:04:45,840
Speaker 1: we gotta sunk with each other. I don't go out

1244
01:04:45,880 --> 01:04:49,080
Speaker 1: of my way to dap people that I don't funk

1245
01:04:49,120 --> 01:04:51,640
Speaker 1: with it. You don't suck me and whatever. It should

1246
01:04:51,680 --> 01:04:53,360
Speaker 1: be a mutual thing to I. At least I know

1247
01:04:53,480 --> 01:04:55,520
Speaker 1: that you' me. Why would I go to DAPT you

1248
01:04:55,600 --> 01:04:57,600
Speaker 1: up if you don't suck with me? Saying that you

1249
01:04:58,200 --> 01:05:02,720
Speaker 1: went to that je up not even trade jack both

1250
01:05:02,760 --> 01:05:06,160
Speaker 1: of them? Yeah, go what up? Bro? For back? Like,

1251
01:05:06,200 --> 01:05:08,720
Speaker 1: oh ship, that's that's weird. So of course I feel

1252
01:05:09,160 --> 01:05:13,200
Speaker 1: nigga all right, whatever whatever, So cool time passed again.

1253
01:05:13,480 --> 01:05:15,680
Speaker 1: I'm in London now, you know what I'm saying. I'm

1254
01:05:15,680 --> 01:05:18,959
Speaker 1: in London. I hosted the same party is. I didn't

1255
01:05:19,000 --> 01:05:21,040
Speaker 1: take it nothing. I didn't take it personal trade part,

1256
01:05:21,120 --> 01:05:24,840
Speaker 1: you know what I'm saying, alright, because relationship. Yeah, I

1257
01:05:25,880 --> 01:05:27,680
Speaker 1: had to throw you off. Yeah, threw me off like

1258
01:05:27,720 --> 01:05:31,200
Speaker 1: a motherfucker life. I've never been I never took shots

1259
01:05:31,240 --> 01:05:35,560
Speaker 1: with somebody like now and then seeing and then I

1260
01:05:35,600 --> 01:05:37,800
Speaker 1: don't know, bro, like you know, I never you know,

1261
01:05:37,800 --> 01:05:39,600
Speaker 1: I'm just speaking my truth, you know what I'm saying.

1262
01:05:40,120 --> 01:05:43,280
Speaker 1: So we get to um, I go to London. Now

1263
01:05:43,760 --> 01:05:46,600
Speaker 1: we're hosting the same part well, he hosted the same club.

1264
01:05:46,720 --> 01:05:49,720
Speaker 1: So I'm like, we wanna go trade. I'm like, yo,

1265
01:05:49,760 --> 01:05:51,760
Speaker 1: I'm gonna go through them an show tracing posted on

1266
01:05:51,840 --> 01:05:55,480
Speaker 1: my Instagram. So now I get to I get to

1267
01:05:55,800 --> 01:05:58,520
Speaker 1: UM to the V to the V I P So

1268
01:05:58,640 --> 01:06:00,400
Speaker 1: I go to hall at him and this man Bully

1269
01:06:00,560 --> 01:06:02,920
Speaker 1: is like you you know me a bully with your

1270
01:06:03,040 --> 01:06:06,280
Speaker 1: asper and I'm like, bro, like he said, I'm by

1271
01:06:06,320 --> 01:06:09,160
Speaker 1: myself though, whoop your ass right now? He said, he

1272
01:06:09,320 --> 01:06:10,880
Speaker 1: like he just out of nowhere. But like it was

1273
01:06:10,920 --> 01:06:12,800
Speaker 1: the most shocking thing ever because all I was going

1274
01:06:12,840 --> 01:06:15,280
Speaker 1: over to do is show Nigga's love or whatever I

1275
01:06:15,400 --> 01:06:17,240
Speaker 1: think with out of the records before he put out there,

1276
01:06:17,800 --> 01:06:20,600
Speaker 1: this is we're talking about two years ago. Now, what

1277
01:06:20,600 --> 01:06:23,400
Speaker 1: I'm saying, like, this is a timeline from then to

1278
01:06:23,600 --> 01:06:26,160
Speaker 1: now that I just you know what I'm saying already

1279
01:06:26,760 --> 01:06:28,760
Speaker 1: it was already well I don't know, you know what

1280
01:06:28,760 --> 01:06:34,040
Speaker 1: I'm saying, Yeah, exactly, So so I um so, I

1281
01:06:34,200 --> 01:06:38,560
Speaker 1: um so I see bully, Bully like I'll beat your

1282
01:06:38,640 --> 01:06:40,880
Speaker 1: ass right now. Maybe from what happened to Jesus, I

1283
01:06:40,920 --> 01:06:43,800
Speaker 1: don't know, you know what I'm saying, but I'm like,

1284
01:06:44,320 --> 01:06:47,320
Speaker 1: of course I'm bothered. I'm like, bro, like you know,

1285
01:06:47,360 --> 01:06:50,040
Speaker 1: I handled like a gentleman. I'm like, yo, trade, don't

1286
01:06:50,120 --> 01:06:54,320
Speaker 1: get your man's whatever trade comes over, Tray says, and

1287
01:06:54,360 --> 01:06:57,600
Speaker 1: then Tray says, Yo, man, it is what it is

1288
01:06:58,200 --> 01:07:00,400
Speaker 1: getting funk away from my table. You talk me to

1289
01:07:01,760 --> 01:07:05,600
Speaker 1: something like everything. It took me everything not to just

1290
01:07:07,200 --> 01:07:10,440
Speaker 1: feel me fight whendn't lose or drop whatever. But I'm

1291
01:07:10,480 --> 01:07:13,480
Speaker 1: in London. I can you know if if if I

1292
01:07:13,560 --> 01:07:15,400
Speaker 1: go to jail in London, nigga, it's not gonna be

1293
01:07:15,440 --> 01:07:18,040
Speaker 1: a pretty side nigga, I probably won't have a visa

1294
01:07:18,040 --> 01:07:20,200
Speaker 1: to go to to make money no more. So I say,

1295
01:07:20,280 --> 01:07:22,960
Speaker 1: you know what will handle this when we get back?

1296
01:07:23,160 --> 01:07:25,280
Speaker 1: You know what I'm saying. So I didn't really see

1297
01:07:25,320 --> 01:07:28,200
Speaker 1: them in two like, I don't know. I think I

1298
01:07:28,320 --> 01:07:30,840
Speaker 1: was at club Live like this past year or something

1299
01:07:30,920 --> 01:07:33,400
Speaker 1: like that. So I run up on them. My gardener

1300
01:07:33,520 --> 01:07:35,600
Speaker 1: was there. I ran up to his table. You know

1301
01:07:35,600 --> 01:07:39,240
Speaker 1: what I'm saying. I told him, yoll y'all hauler at me.

1302
01:07:39,360 --> 01:07:41,600
Speaker 1: You know what I'm saying. You know, let's just clarify

1303
01:07:41,720 --> 01:07:45,360
Speaker 1: some ship. As I'm walking away to nigga Bulleck same nigga, yo,

1304
01:07:45,480 --> 01:07:48,080
Speaker 1: my nigga. I'm saying, you want to apologize whatever, whatever,

1305
01:07:48,120 --> 01:07:50,640
Speaker 1: because you know, whatever I got, my nigga's with me.

1306
01:07:50,680 --> 01:07:53,960
Speaker 1: Now feel yourself, y'all want to do something like we

1307
01:07:54,080 --> 01:07:56,959
Speaker 1: can have like I'm believe in other people. He said

1308
01:07:57,000 --> 01:07:59,840
Speaker 1: that to you, said that, he said, he apologized, and

1309
01:08:00,040 --> 01:08:01,320
Speaker 1: he said, if you want to do something, no, no,

1310
01:08:01,480 --> 01:08:04,400
Speaker 1: I'm telling you if nigga want to do something like

1311
01:08:05,320 --> 01:08:07,080
Speaker 1: if you want to fight, we can fight. I don't

1312
01:08:07,080 --> 01:08:09,200
Speaker 1: know what that's cool, gon, Solidly, I'll make too much

1313
01:08:09,200 --> 01:08:11,520
Speaker 1: money to be fighting. It's just if we don't talk

1314
01:08:11,560 --> 01:08:13,560
Speaker 1: with each other, that's just that's just keep it respectful

1315
01:08:13,600 --> 01:08:15,600
Speaker 1: so that I know so that next time I'm not

1316
01:08:15,640 --> 01:08:17,960
Speaker 1: gonna go over, I'll let you to be like, Yo,

1317
01:08:18,080 --> 01:08:19,680
Speaker 1: what up? If I know you don't let me know,

1318
01:08:19,760 --> 01:08:21,320
Speaker 1: you don't sunk with me pretty much? You know, I'm

1319
01:08:21,320 --> 01:08:24,280
Speaker 1: I'm saying that was just it, bro. And after that

1320
01:08:24,360 --> 01:08:26,960
Speaker 1: we're supposed to talk. He's like, we'll we'll talk tomorrow.

1321
01:08:27,080 --> 01:08:29,800
Speaker 1: Might now let's talk right now outside. He didn't want

1322
01:08:29,800 --> 01:08:32,920
Speaker 1: to talk outside obviously, So I've been hitting him up.

1323
01:08:32,920 --> 01:08:34,840
Speaker 1: I can show you running. I've been hiting him up, like, Yo,

1324
01:08:35,080 --> 01:08:37,479
Speaker 1: what's up y'all want to talk. The next day, he

1325
01:08:37,560 --> 01:08:40,960
Speaker 1: didn't respond, So I haven't really heard nothing from them,

1326
01:08:41,160 --> 01:08:43,640
Speaker 1: you know what I'm saying since then, But try as

1327
01:08:43,720 --> 01:08:46,879
Speaker 1: somebody that I came up with, I got mad respect

1328
01:08:46,920 --> 01:08:49,480
Speaker 1: and love for. But it's just how he't det with situations.

1329
01:08:49,520 --> 01:08:52,360
Speaker 1: Just like damn my nigga, after nigga telling you get

1330
01:08:52,400 --> 01:08:55,400
Speaker 1: the funk away from my table, the same nigga, Damn nigga,

1331
01:08:55,720 --> 01:08:58,519
Speaker 1: you I brought you bitches, you know what I'm saying

1332
01:08:59,360 --> 01:09:01,920
Speaker 1: back in and when you know what we you know

1333
01:09:01,960 --> 01:09:03,400
Speaker 1: what I mean, when you was like the coming off

1334
01:09:03,800 --> 01:09:05,519
Speaker 1: pretty Ricky did the show, We're like, y'all, this is

1335
01:09:05,520 --> 01:09:08,160
Speaker 1: our brother Chase songs. Yo. You know it was always

1336
01:09:08,240 --> 01:09:11,040
Speaker 1: love so don't you know, I don't know, but that's

1337
01:09:11,080 --> 01:09:13,240
Speaker 1: how that kind of beats, you know what I'm saying started.

1338
01:09:13,280 --> 01:09:15,680
Speaker 1: So I'm just in a place man like you know,

1339
01:09:16,120 --> 01:09:19,080
Speaker 1: obviously he could kill us, obviously, Drake kill us, and

1340
01:09:19,200 --> 01:09:21,400
Speaker 1: so can I. But I'm just giving you, like I'm

1341
01:09:21,479 --> 01:09:23,240
Speaker 1: some real stories that you know what I like. I

1342
01:09:23,400 --> 01:09:25,120
Speaker 1: know a lot of ship. I just don't talk about it.

1343
01:09:25,439 --> 01:09:30,559
Speaker 1: Drake the sold you out, but that was his man's done, Drake.

1344
01:09:30,800 --> 01:09:33,640
Speaker 1: So but one thing I do expect is that he

1345
01:09:33,920 --> 01:09:37,519
Speaker 1: got off the car. Media. So I saw him the

1346
01:09:37,600 --> 01:09:39,519
Speaker 1: other day, right, he was a problem to my song

1347
01:09:39,640 --> 01:09:41,960
Speaker 1: the other day. I was like, when I thought about

1348
01:09:42,000 --> 01:09:45,560
Speaker 1: that ship, you wasn't wrong. If I ain't if that,

1349
01:09:45,720 --> 01:09:48,240
Speaker 1: if somebody says about you exactly, I don't want them

1350
01:09:48,240 --> 01:09:50,479
Speaker 1: to do the same thing you're Not'm saying, so dog

1351
01:09:50,760 --> 01:09:52,680
Speaker 1: dog solid when it comes to ship like that. You

1352
01:09:52,760 --> 01:09:56,280
Speaker 1: know you've seen Drake, y'all y'all seen each other after that? Yeah,

1353
01:09:56,520 --> 01:10:00,519
Speaker 1: plenty of time. It was plenty of times. And so

1354
01:10:00,640 --> 01:10:02,160
Speaker 1: you said you when you've seen him, you you told

1355
01:10:02,240 --> 01:10:05,400
Speaker 1: him he wasn't wrong because he had the ard upside

1356
01:10:05,400 --> 01:10:06,760
Speaker 1: of it. You know what I'm saying. Those up You

1357
01:10:06,800 --> 01:10:09,400
Speaker 1: know what I'm saying. He was in the right amies friend, Yeah,

1358
01:10:10,680 --> 01:10:13,000
Speaker 1: you know what I'm saying. That was a yeah. How

1359
01:10:13,040 --> 01:10:17,880
Speaker 1: about Jeezy though, Um now I'm a Jeezy fan. I'm

1360
01:10:17,880 --> 01:10:19,599
Speaker 1: saying I love his music. You know what I'm saying.

1361
01:10:19,880 --> 01:10:21,240
Speaker 1: I don't know what he was going through the day.

1362
01:10:21,240 --> 01:10:23,800
Speaker 1: I don't know. As you've seen him after that. No,

1363
01:10:24,000 --> 01:10:26,360
Speaker 1: I haven't seen him. I haven't. I haven't seen What

1364
01:10:26,560 --> 01:10:28,840
Speaker 1: would happen if you see him like nothing. I'm not

1365
01:10:28,920 --> 01:10:32,760
Speaker 1: gonna go dip him up again. Obviously cool one day

1366
01:10:32,800 --> 01:10:34,360
Speaker 1: the next day, you don't know why you're gonna die.

1367
01:10:34,439 --> 01:10:37,400
Speaker 1: I don't know, you know what I'm saying. Wow, I

1368
01:10:37,560 --> 01:10:41,240
Speaker 1: just because I don't put myself in the like situations anymore.

1369
01:10:41,320 --> 01:10:44,600
Speaker 1: So if you ever see me out, don't think I'm Hollywood.

1370
01:10:44,720 --> 01:10:49,080
Speaker 1: Just know this. I know people. This is why you

1371
01:10:49,160 --> 01:10:51,200
Speaker 1: know what I'm saying. I just beat, you know, to myself,

1372
01:10:51,240 --> 01:10:52,760
Speaker 1: And that's how I know. You know this, Oh you

1373
01:10:52,800 --> 01:10:54,160
Speaker 1: know what we're drinking, what we're doing. You know what

1374
01:10:54,240 --> 01:10:57,720
Speaker 1: I'm saying. Yeah, that had to hurt though. Did it

1375
01:10:57,840 --> 01:10:59,640
Speaker 1: hurt or not? Because I mean I was drunk, it

1376
01:10:59,640 --> 01:11:04,800
Speaker 1: didn't I mean, I mean, I mean, like because just

1377
01:11:04,920 --> 01:11:07,120
Speaker 1: a trade relationship, you know what I mean? For because

1378
01:11:07,160 --> 01:11:10,040
Speaker 1: I thought I felt like y'all was friends at one point. Yeah,

1379
01:11:10,120 --> 01:11:13,439
Speaker 1: it was cool. I will you know, on my end,

1380
01:11:13,520 --> 01:11:15,120
Speaker 1: you know what I'm saying, I look at him as

1381
01:11:15,160 --> 01:11:16,320
Speaker 1: a friend, but I don't know if you look to

1382
01:11:16,400 --> 01:11:18,560
Speaker 1: me like a nick in the industry. I don't know.

1383
01:11:18,720 --> 01:11:21,200
Speaker 1: You know what I'm saying, but ship, you know, it's

1384
01:11:21,240 --> 01:11:23,800
Speaker 1: always been love on my end, Like I never ever

1385
01:11:24,560 --> 01:11:26,639
Speaker 1: ever tried to you know what I'm saying. I don't

1386
01:11:26,640 --> 01:11:29,559
Speaker 1: think there's anything that there's any misunderstanding that he might

1387
01:11:30,520 --> 01:11:33,160
Speaker 1: have gone through that you might not remember something. I

1388
01:11:33,240 --> 01:11:36,559
Speaker 1: don't see how could It sounds pretty kind of crazy, though,

1389
01:11:37,040 --> 01:11:38,920
Speaker 1: That's how it is to me. I don't know. You

1390
01:11:39,000 --> 01:11:42,080
Speaker 1: know what I'm saying. I don't know, But you know

1391
01:11:42,720 --> 01:11:45,120
Speaker 1: I watched everybody grow. We all grew together. But you

1392
01:11:45,120 --> 01:11:47,880
Speaker 1: know what I'm saying, two thousand and five Class of music.

1393
01:11:48,479 --> 01:11:50,240
Speaker 1: You know what I'm saying, You gotta keep paying real

1394
01:11:50,439 --> 01:11:53,000
Speaker 1: and like all of us all came up Chris, like

1395
01:11:53,040 --> 01:11:56,479
Speaker 1: all of us came up the same Tom. So I

1396
01:11:56,560 --> 01:12:00,880
Speaker 1: don't know. And what's your relationship with y'all? I don't know.

1397
01:12:01,280 --> 01:12:04,439
Speaker 1: You don't know. You know I met Rihanna. I think

1398
01:12:04,439 --> 01:12:07,160
Speaker 1: about it me either. I mean I did shows with her,

1399
01:12:07,560 --> 01:12:08,960
Speaker 1: you know what I'm say. I did shows with her,

1400
01:12:09,439 --> 01:12:11,479
Speaker 1: but I don't really know her personally. But you know,

1401
01:12:11,600 --> 01:12:13,880
Speaker 1: one time she did something ill though I was in

1402
01:12:13,960 --> 01:12:16,760
Speaker 1: club Live. It was like on the second floor she

1403
01:12:17,040 --> 01:12:21,559
Speaker 1: holds the club lives and how security was doing too much,

1404
01:12:22,520 --> 01:12:24,240
Speaker 1: like pushing us out of the way, so he tried

1405
01:12:24,280 --> 01:12:26,080
Speaker 1: to push him and I pushed them like bird or

1406
01:12:26,360 --> 01:12:29,200
Speaker 1: fucking play and she's like, look, I told you to

1407
01:12:29,240 --> 01:12:32,439
Speaker 1: stop it. This this this artist her, and she was

1408
01:12:32,479 --> 01:12:34,800
Speaker 1: really nice about it. She kept moving, but she was

1409
01:12:34,840 --> 01:12:38,000
Speaker 1: real nice about it too. She was nice, like you know,

1410
01:12:38,120 --> 01:12:41,080
Speaker 1: most people let their security act. Now. She checked the

1411
01:12:41,120 --> 01:12:42,840
Speaker 1: Nike A real quick, like you know what I'm saying.

1412
01:12:42,920 --> 01:12:45,400
Speaker 1: So let's go, man, Rihanna, whereever you at, we re

1413
01:12:45,520 --> 01:12:57,360
Speaker 1: need you on drink Chaps, God damnit. So your debut

1414
01:12:57,439 --> 01:13:01,800
Speaker 1: album was then Introduction on Arcus Cooper. Hell, that's what

1415
01:13:01,960 --> 01:13:06,120
Speaker 1: under was on three you know, three Grammy nominations, all

1416
01:13:06,200 --> 01:13:07,720
Speaker 1: of that. You know what I'm saying. It was a

1417
01:13:07,800 --> 01:13:11,000
Speaker 1: dope album, Static Major, Rest in Peace, Static Major. I'm

1418
01:13:11,000 --> 01:13:12,920
Speaker 1: saying he was a part of that team. That's my brother,

1419
01:13:13,280 --> 01:13:16,640
Speaker 1: Static Major, off Little Wayne's on Little Wayne Track to

1420
01:13:17,080 --> 01:13:21,200
Speaker 1: Lollypopp It's the story to the whole with Little Wayne

1421
01:13:21,200 --> 01:13:23,680
Speaker 1: and all Kelly. How much pussy was on that tour

1422
01:13:24,360 --> 01:13:29,720
Speaker 1: a lot too much. I'm not through you right now.

1423
01:13:30,439 --> 01:13:34,760
Speaker 1: I almost finished the tour, R Kelly successfully almost was

1424
01:13:34,840 --> 01:13:38,000
Speaker 1: the first Like the rumor came out while I was

1425
01:13:38,040 --> 01:13:40,559
Speaker 1: on tour. R Kelly, what I'm saying. So we had

1426
01:13:40,600 --> 01:13:42,840
Speaker 1: like three more shows of Gold and bound this room,

1427
01:13:43,040 --> 01:13:45,800
Speaker 1: come out and at the same time, like the same

1428
01:13:45,920 --> 01:13:49,760
Speaker 1: day I got once he went on with Lly and

1429
01:13:49,840 --> 01:13:52,360
Speaker 1: Little Wayne one. Yeah, so look the Wayne tours first

1430
01:13:52,360 --> 01:13:58,200
Speaker 1: and then like a month after r Kelly. But Kells

1431
01:13:58,280 --> 01:14:02,040
Speaker 1: was cool though. You know, I accepted his rules, like

1432
01:14:02,160 --> 01:14:04,519
Speaker 1: you know, he was like he had rules like okay,

1433
01:14:04,560 --> 01:14:07,559
Speaker 1: of course, no if you performed on this too, there's

1434
01:14:07,560 --> 01:14:10,040
Speaker 1: no dressing rooms for you guys up and coming at

1435
01:14:10,240 --> 01:14:14,080
Speaker 1: you know what I'm saying, Like there was no dressing

1436
01:14:14,160 --> 01:14:17,840
Speaker 1: room for me. Guys came to guess what I said

1437
01:14:17,920 --> 01:14:20,439
Speaker 1: to my dances and unna give a funk. We're getting

1438
01:14:20,479 --> 01:14:22,160
Speaker 1: this bag. We're gonna get dressed on the bus. I

1439
01:14:22,200 --> 01:14:23,720
Speaker 1: don't want to be in a venue anywhere. I don't

1440
01:14:23,760 --> 01:14:27,160
Speaker 1: give an I'm not gonna arguable dressing. Why what do

1441
01:14:27,280 --> 01:14:29,200
Speaker 1: he want anybody else to have a dressing room. I

1442
01:14:29,240 --> 01:14:32,720
Speaker 1: don't understand because it all is. Yeah, him and his

1443
01:14:32,880 --> 01:14:35,320
Speaker 1: dancers in his band and whatever. He didn't make no

1444
01:14:35,479 --> 01:14:38,120
Speaker 1: room for the you know, like an artist like me

1445
01:14:38,240 --> 01:14:40,800
Speaker 1: who supported his tour. But you know I took that

1446
01:14:40,960 --> 01:14:44,080
Speaker 1: like a chimp, like okay, we're gonna make this well,

1447
01:14:44,280 --> 01:14:46,800
Speaker 1: yeah she was on there. This this is your first

1448
01:14:46,880 --> 01:14:50,000
Speaker 1: it is like your first room. Okay, I'm trying to.

1449
01:14:50,360 --> 01:14:53,000
Speaker 1: I'm trying to trying to picture the scenery. So you

1450
01:14:53,400 --> 01:14:57,280
Speaker 1: already lit, He's already are Kelly lit as well? Now

1451
01:14:57,400 --> 01:14:59,479
Speaker 1: she up and coming up and coming came and she

1452
01:14:59,560 --> 01:15:01,320
Speaker 1: had no dress She used to she used to work

1453
01:15:01,360 --> 01:15:03,640
Speaker 1: with him. Maybe she did. I don't know. She used

1454
01:15:03,640 --> 01:15:05,160
Speaker 1: to work with him. They used to be like close.

1455
01:15:05,680 --> 01:15:08,519
Speaker 1: But you had no dress room for y'allad for sure,

1456
01:15:10,080 --> 01:15:13,320
Speaker 1: but you had the after party after the after party.

1457
01:15:13,400 --> 01:15:15,840
Speaker 1: Yeah yeah, Now, but listen after I think he's like

1458
01:15:15,920 --> 01:15:18,559
Speaker 1: a guy who like maybe when he when he started out,

1459
01:15:18,720 --> 01:15:20,280
Speaker 1: you know what I'm saying. That's how it was like

1460
01:15:20,720 --> 01:15:22,479
Speaker 1: you had to grind it up when you have no

1461
01:15:22,600 --> 01:15:26,479
Speaker 1: matter what, because he's still and I think that's what

1462
01:15:26,560 --> 01:15:29,000
Speaker 1: he's doing. People don't understand it. So I understood it,

1463
01:15:29,040 --> 01:15:30,240
Speaker 1: and I was like, you know what, I'm just having

1464
01:15:30,240 --> 01:15:32,600
Speaker 1: to be on til with you man still, you know

1465
01:15:32,640 --> 01:15:35,840
Speaker 1: what I mean? And eventually, you know, we went to

1466
01:15:35,920 --> 01:15:38,200
Speaker 1: the same party and you know, he was cool and

1467
01:15:38,280 --> 01:15:40,880
Speaker 1: he was like embracing me and things like that. He

1468
01:15:41,040 --> 01:15:43,600
Speaker 1: out here eat the whole ass. You don't eat have

1469
01:15:43,800 --> 01:15:47,280
Speaker 1: as a lot of things. You see that thing he

1470
01:15:47,560 --> 01:15:51,880
Speaker 1: ate the whole ass, which a lot. I wonder where

1471
01:15:51,960 --> 01:15:56,559
Speaker 1: he was. I never seen the table. It was hard

1472
01:15:56,600 --> 01:16:00,320
Speaker 1: on the market, man, I had a lot had to

1473
01:16:00,760 --> 01:16:03,880
Speaker 1: I was trying to I never seen. I was trying

1474
01:16:03,920 --> 01:16:05,920
Speaker 1: to avoid it, right, and then I forget it was

1475
01:16:06,200 --> 01:16:08,080
Speaker 1: I was at the rest of Peace kept Ka's house

1476
01:16:08,960 --> 01:16:11,280
Speaker 1: and that she was mad a long to me, like, yeah,

1477
01:16:11,320 --> 01:16:13,400
Speaker 1: god black because Co's been there for a minute. So

1478
01:16:13,479 --> 01:16:16,840
Speaker 1: the crazy ship was um Kasa had some type of

1479
01:16:16,920 --> 01:16:19,960
Speaker 1: problems in his his complex developments. We couldn't smoke in

1480
01:16:20,000 --> 01:16:23,040
Speaker 1: there from certain hours, so I had to go downstairs

1481
01:16:24,040 --> 01:16:26,160
Speaker 1: and there was just people out there because we were

1482
01:16:26,160 --> 01:16:29,800
Speaker 1: smoking to the van. So it was the fantastic And

1483
01:16:29,920 --> 01:16:32,639
Speaker 1: I walked in. It was a bunch of girl artists.

1484
01:16:33,160 --> 01:16:35,439
Speaker 1: It was a fantastic and a bunch of girl artists

1485
01:16:35,479 --> 01:16:37,840
Speaker 1: was in there and they were watching the tape and

1486
01:16:37,920 --> 01:16:39,880
Speaker 1: I felt like a corn ball to be like you

1487
01:16:40,120 --> 01:16:42,680
Speaker 1: turn that ship off. I was like they watching it

1488
01:16:43,560 --> 01:16:46,719
Speaker 1: might as well. And the nigga ate a whole ass.

1489
01:16:47,520 --> 01:16:49,920
Speaker 1: That thing it was in there, that nigga, that nigga

1490
01:16:50,200 --> 01:16:53,400
Speaker 1: from it. It was different. Man, I've never seen but

1491
01:16:53,520 --> 01:16:56,080
Speaker 1: the eight but that I'm hearing, that's what married people do. No,

1492
01:16:56,240 --> 01:17:00,479
Speaker 1: I need as I've been trying. I'm just trying. You

1493
01:17:00,520 --> 01:17:07,040
Speaker 1: know this, My next cues in the town, my custion

1494
01:17:07,080 --> 01:17:09,640
Speaker 1: for you, right, I can ask my next cuestion for you. Right?

1495
01:17:09,680 --> 01:17:12,720
Speaker 1: You eat that a clean woman? That's no what I

1496
01:17:12,800 --> 01:17:16,320
Speaker 1: do to a clean wood. I probably i't listen. I'm

1497
01:17:16,680 --> 01:17:19,240
Speaker 1: I'm for the sixty nine. You might be right here,

1498
01:17:19,280 --> 01:17:21,320
Speaker 1: but I might go up. But I don't know. Came

1499
01:17:21,800 --> 01:17:25,800
Speaker 1: got we we gotta do it on our show. Go

1500
01:17:26,000 --> 01:17:29,320
Speaker 1: Eddy of the asks either wi Yeah, he's I hate burbon.

1501
01:17:29,400 --> 01:17:31,760
Speaker 1: You can't be eating assid burpon in public like that.

1502
01:17:32,479 --> 01:17:34,920
Speaker 1: You gotta take a choice. One thing he's got lit

1503
01:17:35,000 --> 01:17:37,599
Speaker 1: the crackhead and candle. He found the net sub totes.

1504
01:17:38,520 --> 01:17:43,000
Speaker 1: No suck toes leaders. I eat a lot of busness everything.

1505
01:17:43,960 --> 01:17:47,000
Speaker 1: I just I just eat. You have a girl toast

1506
01:17:47,000 --> 01:17:49,479
Speaker 1: before nine. I ain't gonna get into the suddon toast

1507
01:17:49,560 --> 01:17:53,280
Speaker 1: thing you ain't get I'm not I'm not a toad

1508
01:17:53,360 --> 01:18:00,240
Speaker 1: nigger like yeah remember boomerang, Yeah yeah, sheet off mother

1509
01:18:00,280 --> 01:18:03,320
Speaker 1: focus is looking at the toes like, I ain't gonna lie.

1510
01:18:03,360 --> 01:18:06,120
Speaker 1: I've seen capone on off top. I said that long

1511
01:18:06,479 --> 01:18:14,639
Speaker 1: Jesus happening. I'm so sorry. I'm just going so sorry.

1512
01:18:14,680 --> 01:18:16,320
Speaker 1: Don't let me just change the stuff. Jack. But I'm

1513
01:18:16,360 --> 01:18:19,320
Speaker 1: definitely not in the toes. I'm not. I'm just almost

1514
01:18:19,360 --> 01:18:23,760
Speaker 1: a regular nigger man toes. No, it's not I'm anti toe.

1515
01:18:23,840 --> 01:18:26,560
Speaker 1: I'm just I'm not. I'm left for really, I get it.

1516
01:18:27,280 --> 01:18:29,080
Speaker 1: I don't want to get what thing we do. So

1517
01:18:29,920 --> 01:18:33,320
Speaker 1: y'all niggas don't eat ass. No, no, no, I mean,

1518
01:18:33,400 --> 01:18:38,920
Speaker 1: if it's a girl, if you got okay, it comes

1519
01:18:38,960 --> 01:18:49,679
Speaker 1: out now. Yeah, because that's my ladyboy. We're grown wrapping.

1520
01:18:50,439 --> 01:18:53,160
Speaker 1: Even he's so much pussy. I'm just telling you I

1521
01:18:53,240 --> 01:18:55,160
Speaker 1: stayed too up to go down to the toes. Like

1522
01:18:55,240 --> 01:18:57,280
Speaker 1: I'm not going down the toes. That's a I don't

1523
01:18:57,320 --> 01:18:59,959
Speaker 1: know about this man. That's like you said. That's some boomerang.

1524
01:19:00,160 --> 01:19:06,840
Speaker 1: That's you said. You said sex. It's like Molly and We'd. Yes,

1525
01:19:07,120 --> 01:19:08,640
Speaker 1: that's what you told a bit. You told a bit

1526
01:19:08,760 --> 01:19:11,880
Speaker 1: you're sex. It's like Molly and Weed. Oh that's in

1527
01:19:11,920 --> 01:19:18,120
Speaker 1: the summer ride with you. Yeah, I had listen to Molly. Yeah, yeah,

1528
01:19:18,320 --> 01:19:22,800
Speaker 1: it's and take you another place. That's that's that's how

1529
01:19:23,080 --> 01:19:25,200
Speaker 1: you know. I mean, that's just that's how it's supposed

1530
01:19:25,200 --> 01:19:28,920
Speaker 1: to be. So everybody's R and B do y'all have

1531
01:19:29,040 --> 01:19:30,760
Speaker 1: to go to a sex class to be an RB

1532
01:19:30,920 --> 01:19:33,880
Speaker 1: nick remember, Like, hey, listen, I just write it for

1533
01:19:34,000 --> 01:19:37,760
Speaker 1: my reality, my reality, you know what I mean? Like, yeah,

1534
01:19:38,840 --> 01:19:40,960
Speaker 1: because I live a different kind of life when it

1535
01:19:41,000 --> 01:19:43,519
Speaker 1: comes to what I do with a woman. And that's

1536
01:19:43,520 --> 01:19:46,960
Speaker 1: what I'm saying, Just like in the hole. What I'm saying,

1537
01:19:47,080 --> 01:19:49,599
Speaker 1: because I heard, I heard you rented a boat for it, hick.

1538
01:19:50,640 --> 01:19:57,840
Speaker 1: She wasn't even happy. Oh that's an ex girlfriends. Listen,

1539
01:19:58,680 --> 01:20:01,160
Speaker 1: when you're a giver, gonna give her, you probably give them.

1540
01:20:01,200 --> 01:20:04,000
Speaker 1: I'm gonna give them with gimmers, what I'm saying, So

1541
01:20:04,680 --> 01:20:08,880
Speaker 1: the takers they never understand what sacrifices the givers had

1542
01:20:08,920 --> 01:20:11,679
Speaker 1: to go through to make them happy. To make him smile,

1543
01:20:12,520 --> 01:20:14,799
Speaker 1: this girl, I went above and beyond and did everything.

1544
01:20:15,160 --> 01:20:17,960
Speaker 1: I mean, I paid the eyelashes, I fucking put the

1545
01:20:18,120 --> 01:20:21,600
Speaker 1: rolling on our persons, all kinds of ship. So now

1546
01:20:21,720 --> 01:20:24,479
Speaker 1: get us in that she making that, Yeah, she almost that,

1547
01:20:24,880 --> 01:20:27,960
Speaker 1: you know what I'm saying. Different bro a little five? Yeah, yeah,

1548
01:20:27,960 --> 01:20:32,080
Speaker 1: you don't want to spend five bands. I'm bad, but yeah,

1549
01:20:32,200 --> 01:20:34,200
Speaker 1: she almost made it. To you know what, I'm dinners

1550
01:20:34,280 --> 01:20:37,080
Speaker 1: every night, and you know that the trip ship, you

1551
01:20:37,120 --> 01:20:38,800
Speaker 1: know what, we did a lot of ship together. But

1552
01:20:39,200 --> 01:20:42,400
Speaker 1: she just didn't appreciate her. So to go, how did

1553
01:20:42,439 --> 01:20:44,840
Speaker 1: you get to the phone? It was? It was it

1554
01:20:44,920 --> 01:20:47,519
Speaker 1: was it was a birthday. I'm saying she had a birthday.

1555
01:20:47,640 --> 01:20:49,479
Speaker 1: She said, Okay, I want to do birthday. We keep

1556
01:20:49,520 --> 01:20:52,640
Speaker 1: with my friends whatever. I'm right cool, gotta gotta you know,

1557
01:20:52,760 --> 01:20:56,320
Speaker 1: got the meat hotel on the Ocean Drive. Put her

1558
01:20:56,360 --> 01:21:00,000
Speaker 1: friends up there. Took her the problem one time. She said,

1559
01:21:00,040 --> 01:21:02,160
Speaker 1: the mean hotel. I'm not familiar with this. What is

1560
01:21:02,200 --> 01:21:05,000
Speaker 1: the meaning? And okay, so I got a condo on

1561
01:21:05,040 --> 01:21:07,880
Speaker 1: the Marquee, got downtown on this kid got that. So

1562
01:21:08,640 --> 01:21:14,320
Speaker 1: it's a hotel next to what I'm saying to its hotels. Yeah, yeah,

1563
01:21:14,320 --> 01:21:17,240
Speaker 1: it's nice, super nice. Go check it out. I got

1564
01:21:17,600 --> 01:21:20,519
Speaker 1: I gotta plug that. Okay, I know what I'm saying.

1565
01:21:21,120 --> 01:21:23,960
Speaker 1: But put up there. But put her on her friends

1566
01:21:24,040 --> 01:21:28,080
Speaker 1: up there, you know, um took her a problem. On twelve,

1567
01:21:28,720 --> 01:21:31,200
Speaker 1: got the rooftop top called Miles Miles. So I need

1568
01:21:31,240 --> 01:21:33,880
Speaker 1: the rooftops home. You know what I'm saying. Shots saw

1569
01:21:34,000 --> 01:21:37,080
Speaker 1: Miles commons Yo and in Anthony. You know what I'm saying,

1570
01:21:37,080 --> 01:21:40,599
Speaker 1: needs to help you up for that, Derek. Yeah, they're

1571
01:21:40,640 --> 01:21:44,920
Speaker 1: gonna god shots up there. So you know, they got

1572
01:21:44,960 --> 01:21:47,680
Speaker 1: the rooftop popping. You know, she bring her friends through.

1573
01:21:48,040 --> 01:21:51,679
Speaker 1: I say, all right, as a man, I'm like, she said,

1574
01:21:51,680 --> 01:21:53,360
Speaker 1: she want to do a drink party with her friends,

1575
01:21:53,479 --> 01:21:57,720
Speaker 1: but they got these cakes. The drink party or drake

1576
01:21:57,800 --> 01:22:03,439
Speaker 1: party about the joint. Actually wanted a joint part of

1577
01:22:03,880 --> 01:22:08,479
Speaker 1: joint because they are birthday probably was like on a Tuesday,

1578
01:22:08,560 --> 01:22:12,760
Speaker 1: but it's like Thursday, so we're still going, right, I said,

1579
01:22:12,760 --> 01:22:14,760
Speaker 1: you know what, let me just get three cakes and

1580
01:22:14,760 --> 01:22:16,720
Speaker 1: now you know the kicks, the problems for the whole kid.

1581
01:22:16,920 --> 01:22:18,840
Speaker 1: The whole cake is like a couple, you know, a

1582
01:22:18,880 --> 01:22:21,519
Speaker 1: couple of three four, you know, a couple of head

1583
01:22:21,600 --> 01:22:25,200
Speaker 1: though three different cakes that you know that her friends

1584
01:22:25,240 --> 01:22:28,439
Speaker 1: and you know whatever may like whatever. So Derek, come

1585
01:22:28,560 --> 01:22:30,960
Speaker 1: bring out the cakes and stuff like that. She said,

1586
01:22:31,360 --> 01:22:33,800
Speaker 1: I'm gonna throw his kicking markets his face. Took to

1587
01:22:34,160 --> 01:22:35,720
Speaker 1: one of her friends and I heard it. I'm like,

1588
01:22:36,479 --> 01:22:38,200
Speaker 1: kicking my face for what. You know what I'm saying.

1589
01:22:39,479 --> 01:22:43,479
Speaker 1: So I'm after going to the after going to the club,

1590
01:22:43,640 --> 01:22:46,439
Speaker 1: after all, kinds of ship right bottles. That's all this

1591
01:22:46,600 --> 01:22:49,280
Speaker 1: on me, you know what I'm saying. She got mad

1592
01:22:49,400 --> 01:22:52,040
Speaker 1: because she wanted to be the only person with the cake.

1593
01:22:52,120 --> 01:22:55,120
Speaker 1: I'm like, you would have celebrated your birthday alone, then

1594
01:22:55,160 --> 01:22:57,400
Speaker 1: that would have been different. But I'm a guy, like

1595
01:22:57,479 --> 01:23:01,400
Speaker 1: I'm not gonna bottom cupcakes then by you this, this, this,

1596
01:23:01,640 --> 01:23:04,160
Speaker 1: this grand kick at this place, just like now we're

1597
01:23:04,160 --> 01:23:06,120
Speaker 1: all gonna do it if I'm trying to make everybody

1598
01:23:06,160 --> 01:23:08,960
Speaker 1: happy for their birthday, you know what I'm saying. So, yeah,

1599
01:23:09,000 --> 01:23:11,080
Speaker 1: she didn't appreciate that, you know what. So I kind

1600
01:23:11,120 --> 01:23:13,519
Speaker 1: of just you know, and and and and of course

1601
01:23:13,560 --> 01:23:15,760
Speaker 1: the next day was like a boat party, so we

1602
01:23:15,840 --> 01:23:18,720
Speaker 1: got a sertainty football and whatever whatever. That wasn't ya

1603
01:23:18,880 --> 01:23:22,320
Speaker 1: for Yeah, yeah y'all, yea certainly fort y'all. And that

1604
01:23:22,479 --> 01:23:24,880
Speaker 1: wasn't good enough for us. So you know, after that,

1605
01:23:25,120 --> 01:23:28,000
Speaker 1: that was my breaking points, like, you know what, I can't.

1606
01:23:28,040 --> 01:23:30,519
Speaker 1: I can't do this anymore. So what what what's? What's

1607
01:23:30,640 --> 01:23:35,320
Speaker 1: what's like someone you dated before and you might have

1608
01:23:35,400 --> 01:23:38,600
Speaker 1: walked away from me and you might want to go

1609
01:23:38,760 --> 01:23:41,600
Speaker 1: back to, Like is anyone you don't never want to

1610
01:23:41,640 --> 01:23:45,759
Speaker 1: revisit a situation um Nah, you know what I'm saying.

1611
01:23:46,320 --> 01:23:49,080
Speaker 1: If I did, I don't know. I don't have to

1612
01:23:49,080 --> 01:23:51,120
Speaker 1: see that person again to see how they are. Now,

1613
01:23:51,280 --> 01:23:53,320
Speaker 1: you know what I'm saying, because you know when when

1614
01:23:53,360 --> 01:23:55,240
Speaker 1: you're when you're away from a person, you you kind

1615
01:23:55,280 --> 01:23:57,600
Speaker 1: of remember them, you know, for who they used to be.

1616
01:23:57,760 --> 01:24:00,680
Speaker 1: But every day motherfucker's is growing and want through other ship.

1617
01:24:00,880 --> 01:24:03,040
Speaker 1: So who the fund is that person? Now? You know

1618
01:24:03,120 --> 01:24:05,599
Speaker 1: what I'm saying. Everybody's gonna always be when you remember

1619
01:24:05,640 --> 01:24:08,880
Speaker 1: them to be. So you know, I don't know, you

1620
01:24:08,960 --> 01:24:14,360
Speaker 1: know what I'm saying. So like because trying to take

1621
01:24:14,360 --> 01:24:21,240
Speaker 1: as much as we've been through, like sometimes in our minds,

1622
01:24:22,240 --> 01:24:24,880
Speaker 1: you the next one, yea, we want another, Let's do

1623
01:24:24,920 --> 01:24:27,120
Speaker 1: another shot. I love my next one. Hey when that

1624
01:24:27,240 --> 01:24:32,080
Speaker 1: nasty ship you gave the Nasti's good. It's more I'm

1625
01:24:32,160 --> 01:24:39,920
Speaker 1: not so because because um, like I said, I've got homies.

1626
01:24:40,000 --> 01:24:42,840
Speaker 1: I got one homie in particularly, but you know he

1627
01:24:42,920 --> 01:24:45,720
Speaker 1: had one girl. Look well, he had every girl that

1628
01:24:45,840 --> 01:24:48,920
Speaker 1: did them wrong. And now that's how you feel and

1629
01:24:49,000 --> 01:24:53,439
Speaker 1: he walks around better. Do you think that that's when

1630
01:24:53,520 --> 01:24:55,960
Speaker 1: a lot of them, that's that's what was happening in

1631
01:24:56,000 --> 01:24:59,400
Speaker 1: the relationships is that one version gets hurt so bad

1632
01:25:00,520 --> 01:25:02,599
Speaker 1: that they pretty much take it out on the rest

1633
01:25:02,640 --> 01:25:05,320
Speaker 1: of the world. You know what's funny for me, like

1634
01:25:06,160 --> 01:25:08,799
Speaker 1: all of the lessons that I've been through, I'm captured

1635
01:25:08,880 --> 01:25:11,920
Speaker 1: I've been through. It's like yo, because that means I

1636
01:25:12,040 --> 01:25:15,080
Speaker 1: was going through a great depression some ship. Because why

1637
01:25:15,160 --> 01:25:16,720
Speaker 1: the fund did I take the things that I was

1638
01:25:16,840 --> 01:25:18,720
Speaker 1: You know, why did I even allow that from this

1639
01:25:18,920 --> 01:25:21,800
Speaker 1: motherfucker who don't have a popular piston and winner of

1640
01:25:21,840 --> 01:25:25,120
Speaker 1: the thought out of while I even take that, You

1641
01:25:25,200 --> 01:25:27,720
Speaker 1: understand I'm saying, what the fuss was I thinking? You

1642
01:25:27,760 --> 01:25:29,880
Speaker 1: know what I'm saying. So I kind of woke up

1643
01:25:29,960 --> 01:25:32,439
Speaker 1: and you know, got back to myself, so I wasn't

1644
01:25:32,520 --> 01:25:34,640
Speaker 1: hurt by It was just damn you know what, bro

1645
01:25:35,520 --> 01:25:37,599
Speaker 1: the giver and we all do it for our friends

1646
01:25:37,680 --> 01:25:39,559
Speaker 1: or whoever, like we go through these things. So now

1647
01:25:39,680 --> 01:25:42,720
Speaker 1: it's I ain't anything just about that re That's just

1648
01:25:42,800 --> 01:25:46,000
Speaker 1: it's about everybody, you know what I'm saying, When you

1649
01:25:46,120 --> 01:25:48,760
Speaker 1: give to everybody on a bigger scale. So you know,

1650
01:25:48,880 --> 01:25:50,880
Speaker 1: I just know not to let people put me, you know,

1651
01:25:51,360 --> 01:25:54,200
Speaker 1: in that position too tough anymore. You know what I'm saying.

1652
01:25:55,000 --> 01:25:59,559
Speaker 1: That's really yeah, but the best relationship in the business

1653
01:25:59,680 --> 01:26:02,400
Speaker 1: that bad. I when I did Eddie Murphy daughter, that

1654
01:26:02,479 --> 01:26:12,439
Speaker 1: was a good relationship. What bring it back? He did

1655
01:26:12,800 --> 01:26:16,000
Speaker 1: Eddie Murphy, that was my I took it to the Grammys,

1656
01:26:16,040 --> 01:26:18,320
Speaker 1: that was my public relationship. You know what I'm saying.

1657
01:26:19,479 --> 01:26:21,960
Speaker 1: Totally forgot about that. Yeah, I was going through a

1658
01:26:22,040 --> 01:26:24,400
Speaker 1: lot during that time. Imagine when that rumor came out

1659
01:26:24,880 --> 01:26:27,479
Speaker 1: and you got Eddie Murphy daughter not right, but your

1660
01:26:27,560 --> 01:26:30,120
Speaker 1: life descending. But you can't really tell her, you know

1661
01:26:30,160 --> 01:26:31,960
Speaker 1: what I'm saying, Like, Yo, this is what I'm really

1662
01:26:32,040 --> 01:26:33,880
Speaker 1: going through. You know what I'm saying, So all right?

1663
01:26:34,560 --> 01:26:39,760
Speaker 1: And what um downside and not descending but downside? You

1664
01:26:39,760 --> 01:26:41,560
Speaker 1: know what I'm saying. And did she hear that? She

1665
01:26:41,680 --> 01:26:43,400
Speaker 1: heard the room when used together all that one? We

1666
01:26:43,439 --> 01:26:45,880
Speaker 1: never seeing that the interviews with me, Like yo, that's

1667
01:26:45,920 --> 01:26:48,640
Speaker 1: the bullshit. Like imagine just meet Eddie Murphy for the

1668
01:26:48,680 --> 01:26:52,720
Speaker 1: first time and then this nigga hearing this kind of

1669
01:26:52,800 --> 01:26:56,040
Speaker 1: ship because niggas is jealous. At home, we're going away

1670
01:26:56,080 --> 01:26:58,200
Speaker 1: for eat, come out to back. We hold on this

1671
01:26:58,240 --> 01:27:00,360
Speaker 1: way for you to come out to back. We oh yeah,

1672
01:27:00,439 --> 01:27:05,680
Speaker 1: we wait for the shot at at it end. Yeah yeah, yeah,

1673
01:27:05,800 --> 01:27:09,160
Speaker 1: yeah yeah, like the house that Swiss meats and um

1674
01:27:09,960 --> 01:27:12,479
Speaker 1: Linda kids Bob with Hill. You know what I'm saying.

1675
01:27:12,680 --> 01:27:14,240
Speaker 1: He allowed me to stay there when I was in

1676
01:27:14,320 --> 01:27:16,479
Speaker 1: New York. Like he was cool. He took with the

1677
01:27:16,560 --> 01:27:19,080
Speaker 1: Carolines with him. He was super cool. He was kind

1678
01:27:19,120 --> 01:27:22,479
Speaker 1: of comedy in New York. He went to with at

1679
01:27:22,520 --> 01:27:27,040
Speaker 1: E motherfucking he was just a comedy fucking like now, listen,

1680
01:27:27,160 --> 01:27:29,840
Speaker 1: he's super cool. The only thing about him though, like

1681
01:27:30,200 --> 01:27:31,960
Speaker 1: you can be like, okay, he got a bowling alley

1682
01:27:32,000 --> 01:27:36,160
Speaker 1: in his house, got this so uh we're bowling, we're

1683
01:27:36,200 --> 01:27:39,120
Speaker 1: bowling and ship and you could be talking about you're

1684
01:27:39,120 --> 01:27:40,960
Speaker 1: gonna through a skate party and this this Matt that

1685
01:27:41,080 --> 01:27:43,799
Speaker 1: he would tell me the stories about prints on skates

1686
01:27:43,840 --> 01:27:47,000
Speaker 1: and you know, just certain things. He's a very intelligent guy.

1687
01:27:47,040 --> 01:27:49,719
Speaker 1: He'd be like, who's the first person that invented the solo?

1688
01:27:50,520 --> 01:27:52,920
Speaker 1: Like you know, the soil, like when people riff on songs,

1689
01:27:53,720 --> 01:27:56,400
Speaker 1: you know, artists on san He like he's like a

1690
01:27:56,479 --> 01:27:59,120
Speaker 1: trivia kind of guy. You know what I'm saying, So uh,

1691
01:28:00,560 --> 01:28:03,599
Speaker 1: you know we're bowling or whatever, and then I look

1692
01:28:03,680 --> 01:28:07,200
Speaker 1: back he's just gone bro like you you're back voting

1693
01:28:07,240 --> 01:28:09,720
Speaker 1: with somebody and you look back like maybe he just

1694
01:28:09,800 --> 01:28:12,120
Speaker 1: got in, but he won't come out of the room

1695
01:28:12,200 --> 01:28:13,880
Speaker 1: for days. You know what I'm saying, Like he's just

1696
01:28:13,960 --> 01:28:15,920
Speaker 1: being in writing some ship or something. You know, he's

1697
01:28:16,040 --> 01:28:19,280
Speaker 1: like he was cool or he wasn't like you know, Hollywood,

1698
01:28:20,600 --> 01:28:22,720
Speaker 1: you know what I'm saying. And not that I know him,

1699
01:28:22,800 --> 01:28:25,200
Speaker 1: like you know, I'm his best friend or some ship.

1700
01:28:25,320 --> 01:28:27,599
Speaker 1: But you know the times that I've been counting, he's

1701
01:28:27,600 --> 01:28:29,800
Speaker 1: been cool. You know what I'm saying. That's come on

1702
01:28:30,280 --> 01:28:38,080
Speaker 1: her mom, Nicole's we're drinking this new Michael straight hand. No, no, no,

1703
01:28:38,800 --> 01:28:43,400
Speaker 1: the shot. Do wedn smell it or no? Let me

1704
01:28:43,439 --> 01:28:52,280
Speaker 1: see this smells sweet? Yeah, but that was that was

1705
01:28:52,320 --> 01:28:57,320
Speaker 1: my first boy, my first public relationship. So pretty good.

1706
01:28:58,240 --> 01:29:02,080
Speaker 1: What you're drinking over that? Yeah, that's that new flavor

1707
01:29:02,200 --> 01:29:04,320
Speaker 1: right there. I don't know. I like the VS. I'm

1708
01:29:05,000 --> 01:29:07,720
Speaker 1: your brown guy. Listen if I talk. They sent me

1709
01:29:07,760 --> 01:29:09,400
Speaker 1: a bottle of that and you know how to folk

1710
01:29:09,439 --> 01:29:14,800
Speaker 1: with that. So how did you and Eddie's daughter? How

1711
01:29:14,840 --> 01:29:17,320
Speaker 1: did you know? What? Man? I wasn't the best person

1712
01:29:17,360 --> 01:29:19,920
Speaker 1: in that relationship. I'm gonna be a hundred percent honest,

1713
01:29:20,000 --> 01:29:21,519
Speaker 1: and I'm saying I was going through all the things

1714
01:29:21,560 --> 01:29:27,800
Speaker 1: that I'm talking about, and not necessarily I was you know,

1715
01:29:27,800 --> 01:29:30,040
Speaker 1: it was a speculation, but not necessarily you know what

1716
01:29:30,160 --> 01:29:34,040
Speaker 1: I'm saying. But but yeah, you know I wasn't the

1717
01:29:34,080 --> 01:29:36,120
Speaker 1: best person. Every days you think it's hard to be

1718
01:29:36,240 --> 01:29:38,760
Speaker 1: loyal because of who you are. I know I can,

1719
01:29:38,800 --> 01:29:41,519
Speaker 1: I could be the one woman. Yeah, sure you've done

1720
01:29:41,560 --> 01:29:44,920
Speaker 1: that before, Like yeah, a lot of the time. And

1721
01:29:45,040 --> 01:29:47,439
Speaker 1: then how did that so exact? When you want a

1722
01:29:47,479 --> 01:29:50,200
Speaker 1: good nigga, what you get is what I just told

1723
01:29:50,240 --> 01:29:53,760
Speaker 1: you about the X singer, the ungratefulness, and you know

1724
01:29:53,800 --> 01:29:55,439
Speaker 1: what I'm saying. So it's just about when you find

1725
01:29:55,479 --> 01:29:57,639
Speaker 1: the right person, you find the right person. But until

1726
01:29:57,680 --> 01:29:59,840
Speaker 1: I find the right person, I'm gonna just be all

1727
01:30:00,160 --> 01:30:01,920
Speaker 1: you know what I'm saying, Not in the sense of

1728
01:30:02,400 --> 01:30:04,519
Speaker 1: I'm taking home groupies and I'm you know what I'm saying,

1729
01:30:04,600 --> 01:30:09,760
Speaker 1: but just you know what I'm seeing. She's real all him,

1730
01:30:10,479 --> 01:30:12,360
Speaker 1: she was real. I don't be good to go back

1731
01:30:12,360 --> 01:30:14,400
Speaker 1: to my not but I know I wasn't there for it.

1732
01:30:14,520 --> 01:30:17,200
Speaker 1: But he was hanging with Attie Murphy. No, no, listen.

1733
01:30:17,920 --> 01:30:19,840
Speaker 1: I would see him in his kitchen playing it's good

1734
01:30:19,880 --> 01:30:23,639
Speaker 1: tar because I will come up with He was cool,

1735
01:30:23,680 --> 01:30:26,080
Speaker 1: like he was just you know, I'll beat I'll go around,

1736
01:30:26,120 --> 01:30:28,320
Speaker 1: and he was just you know, doing what you do.

1737
01:30:28,560 --> 01:30:31,120
Speaker 1: You know what I'm saying. Here a good dude. You're

1738
01:30:31,120 --> 01:30:35,240
Speaker 1: a good dude man, a legend, and he's a crazy

1739
01:30:35,920 --> 01:30:37,720
Speaker 1: all right, cool if you see again. But I'm going

1740
01:30:37,840 --> 01:30:41,640
Speaker 1: with it. But so definitely we were definitely clear that

1741
01:30:41,760 --> 01:30:44,519
Speaker 1: you guys both asked me. Definitely clear you trying to

1742
01:30:44,520 --> 01:30:47,880
Speaker 1: say something anything. I'm thinking it too, Bro. You just

1743
01:30:49,040 --> 01:30:55,840
Speaker 1: I don't mand it, man. I think you tried it. Man,

1744
01:30:56,760 --> 01:30:58,439
Speaker 1: you just don't want to talking about it. That's when

1745
01:30:58,439 --> 01:31:00,439
Speaker 1: theeds me win him thrown back to the yours and

1746
01:31:01,840 --> 01:31:04,280
Speaker 1: what I'm saying, you just might have took good you

1747
01:31:04,280 --> 01:31:07,280
Speaker 1: know what I'm saying. He was talking about the bottles

1748
01:31:07,360 --> 01:31:08,720
Speaker 1: back then and how you used to you know what

1749
01:31:08,720 --> 01:31:13,640
Speaker 1: I'm saying. I learn that, y'all. Y'allami, I'll be honest, Bro,

1750
01:31:14,280 --> 01:31:19,840
Speaker 1: Miami might be the Nash you were sten let me. Yeah, yeah,

1751
01:31:19,840 --> 01:31:23,640
Speaker 1: I'll listen up to him. I'm speaking females. I'm not

1752
01:31:23,760 --> 01:31:27,080
Speaker 1: speaking from me too. Females want to But when you

1753
01:31:27,240 --> 01:31:31,479
Speaker 1: hang out with the Miamie. You you're gonna see something

1754
01:31:31,520 --> 01:31:35,040
Speaker 1: strange or James got let me take something now the

1755
01:31:35,120 --> 01:31:37,200
Speaker 1: difference your Miami said, it's out on the open. You

1756
01:31:37,240 --> 01:31:39,519
Speaker 1: do know you want to New York and the cities.

1757
01:31:39,560 --> 01:31:42,759
Speaker 1: They heightened everything. It's all suppressed. You guys. You guys

1758
01:31:42,880 --> 01:31:50,160
Speaker 1: are crazy. Man, I'm just being honest, NA, not ADM. Y'all,

1759
01:31:50,960 --> 01:31:53,160
Speaker 1: y'all got the blue legs. You you see what he

1760
01:31:53,240 --> 01:31:56,840
Speaker 1: said earlier and he said, Yo, you might have another kid.

1761
01:31:56,920 --> 01:31:59,240
Speaker 1: You'll nobody. That's because the hitting they will see that

1762
01:31:59,320 --> 01:32:02,719
Speaker 1: everything wrong. Put dog little point. You know why. Niggas

1763
01:32:02,760 --> 01:32:06,160
Speaker 1: remember when the dime back hot Dog no Sun. They

1764
01:32:06,160 --> 01:32:08,519
Speaker 1: don't we gonna play that. Man and I listened, man,

1765
01:32:08,720 --> 01:32:11,639
Speaker 1: crazy hood. Everything we heard about crazy Hood, these guys

1766
01:32:11,680 --> 01:32:18,479
Speaker 1: and Kendle they were sharing condom. Ship ship was real.

1767
01:32:21,760 --> 01:32:24,240
Speaker 1: I've never seen this. This is crazy. They never run

1768
01:32:24,400 --> 01:32:27,120
Speaker 1: to two trains for you were signed to the rock.

1769
01:32:27,880 --> 01:32:29,840
Speaker 1: You know, I didn't see none of that crazy ship

1770
01:32:30,880 --> 01:32:33,599
Speaker 1: little supposed Necessarilier. Oh yeah, I liked it. That that's

1771
01:32:34,040 --> 01:32:36,640
Speaker 1: that's that's like it, that's it, that's it. I liked it.

1772
01:32:36,720 --> 01:32:40,320
Speaker 1: That's out to el banger man. Liked it that I like, so,

1773
01:32:43,920 --> 01:32:48,439
Speaker 1: what has what's been the benefits being who you are?

1774
01:32:49,840 --> 01:32:52,479
Speaker 1: What's what's the positive because so many people like I'd

1775
01:32:52,520 --> 01:32:54,559
Speaker 1: like to tell the negative side, I'd like to tell

1776
01:32:54,880 --> 01:32:57,120
Speaker 1: because I won't tell everything because we want the people

1777
01:32:57,120 --> 01:33:00,600
Speaker 1: to know that the yeah, yeah side. It's not a

1778
01:33:00,680 --> 01:33:04,800
Speaker 1: positive side for me that I came from fucking cover

1779
01:33:04,960 --> 01:33:08,720
Speaker 1: renches and I just went to fucking Australia. Got a

1780
01:33:08,760 --> 01:33:16,000
Speaker 1: bad Okay, Damn Marmon the remarendous kid man. But let

1781
01:33:16,080 --> 01:33:19,240
Speaker 1: me tell you something. I got to go to Australia, yes,

1782
01:33:19,680 --> 01:33:23,519
Speaker 1: every every year and get it back. You know what

1783
01:33:23,520 --> 01:33:26,200
Speaker 1: I'm saying. That's a blessing man. That's that's come on,

1784
01:33:26,479 --> 01:33:30,400
Speaker 1: that's coming from nothing to something. Brogar rules out there. Yeah,

1785
01:33:31,680 --> 01:33:36,160
Speaker 1: I'm sucking the outback I went to with average. I

1786
01:33:36,240 --> 01:33:39,680
Speaker 1: was in Catherine Darling can't on the box out there

1787
01:33:42,400 --> 01:33:46,040
Speaker 1: rings that's what yeah. Yeah. So just the fact that

1788
01:33:46,680 --> 01:33:48,800
Speaker 1: you know I'm able to provide for my son. You

1789
01:33:48,840 --> 01:33:53,439
Speaker 1: know what I'm saying, it's college already, smoke now, cool, cooking, cool,

1790
01:33:53,720 --> 01:33:56,120
Speaker 1: I'm gonna drinking. R V niggas can't not smoke now.

1791
01:33:56,160 --> 01:33:57,920
Speaker 1: It's that I can't smoke. It just I don't like

1792
01:33:58,040 --> 01:34:00,600
Speaker 1: what like when I smoked weed, when I have in

1793
01:34:00,680 --> 01:34:03,519
Speaker 1: the past, I'll be thinking about shout. I shouldn't think about.

1794
01:34:04,040 --> 01:34:10,200
Speaker 1: I'll look at understet the crazy. I wonder how many?

1795
01:34:10,560 --> 01:34:16,120
Speaker 1: How many you don't start counting shits, my hands, guys,

1796
01:34:16,200 --> 01:34:18,320
Speaker 1: my hands all right? Cool? My hands is alright? Cooler

1797
01:34:20,680 --> 01:34:28,200
Speaker 1: started counting the bricks on for real. No, I know

1798
01:34:28,320 --> 01:34:31,439
Speaker 1: nigs like that that I am. I mean maybe I

1799
01:34:31,479 --> 01:34:34,479
Speaker 1: smoked some regularly. Maybe I'm smoking at regular week dirty.

1800
01:34:34,600 --> 01:34:37,400
Speaker 1: That's not some regular wee. I can't about that. Show.

1801
01:34:37,920 --> 01:34:40,760
Speaker 1: You're one of my homies. He get high. I love

1802
01:34:40,840 --> 01:34:46,600
Speaker 1: you just that regular. No, I can't smoke regularly, but

1803
01:34:46,760 --> 01:34:50,880
Speaker 1: one of my holies. No, I would, I would smoke

1804
01:34:50,920 --> 01:34:54,120
Speaker 1: a dirty Jesus Jesus would be I'll be flying ship.

1805
01:34:54,280 --> 01:35:00,280
Speaker 1: My questions will be a bad ship. You know, Colm,

1806
01:35:00,320 --> 01:35:01,720
Speaker 1: you better. You know you know who the book keep

1807
01:35:02,439 --> 01:35:07,960
Speaker 1: we got, We got the name. You know there's a

1808
01:35:08,000 --> 01:35:10,479
Speaker 1: couple of boot kids in mind. Actually we had drink.

1809
01:35:10,560 --> 01:35:12,800
Speaker 1: I'll tell you ain't say his name. I did not

1810
01:35:12,920 --> 01:35:15,360
Speaker 1: say it. Trip the homie tripped, the homie man tricked

1811
01:35:15,360 --> 01:35:17,720
Speaker 1: the homie man. I ain't got play big God play

1812
01:35:18,840 --> 01:35:21,400
Speaker 1: yay on the new season as well. You don't know.

1813
01:35:21,560 --> 01:35:24,120
Speaker 1: I don't know, man, I don't know. Man, you can't.

1814
01:35:24,360 --> 01:35:26,880
Speaker 1: You can't say ship I could do. I want it, Okay.

1815
01:35:27,200 --> 01:35:30,680
Speaker 1: I ain't give a god what donna find me. But

1816
01:35:30,760 --> 01:35:32,479
Speaker 1: I ain't even like they playing me. I'm making money

1817
01:35:32,560 --> 01:35:36,360
Speaker 1: doing music. Like what you said you didn't like? I mean,

1818
01:35:36,439 --> 01:35:39,760
Speaker 1: how did you find me? I couldn't believe you said

1819
01:35:39,800 --> 01:35:42,120
Speaker 1: that because I look. I look at you on the show,

1820
01:35:42,240 --> 01:35:47,639
Speaker 1: look like you enjoying yourself, but I'm not. I think

1821
01:35:48,000 --> 01:35:50,880
Speaker 1: I understand that. Man, I'll make it look good. You

1822
01:35:50,960 --> 01:35:55,200
Speaker 1: gotta understand I'm depressed, okay, real life or in the show.

1823
01:35:55,680 --> 01:35:58,880
Speaker 1: Just okay, the fact that I'm talented as an artist

1824
01:35:59,439 --> 01:36:02,240
Speaker 1: and I gotta sucking do reality TV for people to

1825
01:36:02,400 --> 01:36:05,759
Speaker 1: listen or to give me opportunities to spread my brand.

1826
01:36:05,880 --> 01:36:08,360
Speaker 1: Bro to say, you know what, nigga, this is what

1827
01:36:08,520 --> 01:36:11,760
Speaker 1: really happened. Niggas ain't calling up like yo. I ain't

1828
01:36:11,800 --> 01:36:13,800
Speaker 1: on him because I'm I'm gonna love me hip hop.

1829
01:36:13,800 --> 01:36:16,519
Speaker 1: I'm on here because I funk with you, right, understand

1830
01:36:16,560 --> 01:36:20,679
Speaker 1: I'm saying. But think about that's the present night. That's

1831
01:36:20,840 --> 01:36:25,040
Speaker 1: I feel low, Uh, Steve, I feel Lord's funk like

1832
01:36:25,280 --> 01:36:27,679
Speaker 1: nigga like, this is what I gotta. I'm a sucking

1833
01:36:28,120 --> 01:36:31,439
Speaker 1: legend in this. I'm a young o g feel me.

1834
01:36:31,800 --> 01:36:34,200
Speaker 1: I got the reality TV to to for you to

1835
01:36:34,400 --> 01:36:36,760
Speaker 1: listen to my music. Now, that's that's that's what we

1836
01:36:36,840 --> 01:36:41,800
Speaker 1: gotta do. Look did for Cardi B, though everybody ain't

1837
01:36:41,840 --> 01:36:43,639
Speaker 1: Cardi B. And let me tell you one thing. Damn

1838
01:36:44,240 --> 01:36:46,880
Speaker 1: that ship. That ship only work for women on that

1839
01:36:46,960 --> 01:36:51,680
Speaker 1: show because they're bashed mental, and and and and and

1840
01:36:52,080 --> 01:36:56,600
Speaker 1: all respect to them. It's because men know you at

1841
01:36:56,680 --> 01:36:58,720
Speaker 1: least three. Tell me tell me one success and then

1842
01:36:58,920 --> 01:37:01,120
Speaker 1: from musically that came from that show. It's about loving

1843
01:37:01,400 --> 01:37:04,800
Speaker 1: if it's about music, to say that again, successful man,

1844
01:37:05,080 --> 01:37:09,880
Speaker 1: successful man like a Cardi B. Tell me who's a

1845
01:37:09,920 --> 01:37:15,240
Speaker 1: male Cardi B? That came from Loving hip Hop? Every nigga,

1846
01:37:16,320 --> 01:37:19,480
Speaker 1: I mean, Cardi B in itself is an anomaly. Safari's

1847
01:37:19,520 --> 01:37:22,320
Speaker 1: popular as a reality stopper. Musically, he ain't got a

1848
01:37:22,400 --> 01:37:25,360
Speaker 1: number one record. Tell me where's number one? At Luci

1849
01:37:27,280 --> 01:37:30,360
Speaker 1: Lucci from Loving hip Hop? L A, tell me where's

1850
01:37:30,439 --> 01:37:38,000
Speaker 1: number one record is? That's he's saying, smile. I don't

1851
01:37:38,040 --> 01:37:41,439
Speaker 1: know the ball, but I can want dude. The literally

1852
01:37:41,720 --> 01:37:45,040
Speaker 1: making about. I'm saying, they who got a number one

1853
01:37:45,120 --> 01:37:48,599
Speaker 1: record from loving as a guy. You see a guy

1854
01:37:48,760 --> 01:37:51,400
Speaker 1: with you know what I'm saying. Come on, man, let's

1855
01:37:51,479 --> 01:37:59,800
Speaker 1: let's come on. Why tell me who that Marion had

1856
01:38:00,040 --> 01:38:05,280
Speaker 1: used to be? But you know, yeah, Marian is greatest everything.

1857
01:38:05,960 --> 01:38:08,559
Speaker 1: He was a Marian though he was already Come on, man,

1858
01:38:08,720 --> 01:38:12,120
Speaker 1: that's come on, that's Marian bro like that dog talented.

1859
01:38:13,400 --> 01:38:15,000
Speaker 1: You know what I'm saying. You got a good point.

1860
01:38:15,479 --> 01:38:20,519
Speaker 1: Think about that going that bitch crocked, talk about nigga's

1861
01:38:20,560 --> 01:38:22,720
Speaker 1: bad whatever, thatver whatever. I feel like we don't get

1862
01:38:22,720 --> 01:38:24,800
Speaker 1: out just too. So that's what I bring to the

1863
01:38:24,880 --> 01:38:27,720
Speaker 1: table when I'm on the show. I'm worrying about me

1864
01:38:27,880 --> 01:38:29,880
Speaker 1: as a man, getting my jest to like the nigga.

1865
01:38:30,000 --> 01:38:32,759
Speaker 1: It's good fathers out here, It's good. Why I always

1866
01:38:32,800 --> 01:38:35,160
Speaker 1: gotta be about a nigga cheat, you know, a nigga

1867
01:38:35,520 --> 01:38:37,840
Speaker 1: beat your ass or nigga is so nigga that like

1868
01:38:38,520 --> 01:38:42,599
Speaker 1: I'm just peeping the one hunting that's real. Letta, tell

1869
01:38:42,640 --> 01:38:47,320
Speaker 1: me one, but tell me one. But I'm not bashing

1870
01:38:47,360 --> 01:38:50,879
Speaker 1: the show because I respect with MoMA Door. I'm thankful

1871
01:38:50,920 --> 01:38:54,400
Speaker 1: for the show and what it's done for me, whatever

1872
01:38:54,520 --> 01:38:56,439
Speaker 1: it's done. You know what I'm saying. I'm not like

1873
01:38:56,560 --> 01:38:58,600
Speaker 1: an angry child or nothing like that. You know what

1874
01:38:58,600 --> 01:39:03,439
Speaker 1: I'm saying. But I'm speaking bout in my faction, you know, yeah, right,

1875
01:39:03,880 --> 01:39:08,880
Speaker 1: yeah right, Yeah. They added in a sense, but but

1876
01:39:09,040 --> 01:39:11,040
Speaker 1: not in a I'm not saying it in a malicious way.

1877
01:39:11,080 --> 01:39:13,120
Speaker 1: I'm saying it in a way that you gotta do

1878
01:39:13,200 --> 01:39:15,240
Speaker 1: what you gotta do for TV. TV is a job.

1879
01:39:15,439 --> 01:39:18,400
Speaker 1: Like these people over here, they gotta they gotta entertain

1880
01:39:18,520 --> 01:39:20,600
Speaker 1: you because you're watching you. They gotta they gotta do

1881
01:39:20,680 --> 01:39:23,200
Speaker 1: what they gotta do. So if that's what I signed

1882
01:39:23,280 --> 01:39:25,600
Speaker 1: up for, I ain't be know bitch about it. You

1883
01:39:25,640 --> 01:39:27,479
Speaker 1: know what I'm saying, Like I signed up for the

1884
01:39:27,600 --> 01:39:30,880
Speaker 1: TV for that part. But it's still real, you know

1885
01:39:30,920 --> 01:39:35,840
Speaker 1: what I'm saying. Yeah, that's all I'm saying. Uh so, um,

1886
01:39:38,080 --> 01:39:40,920
Speaker 1: that's deep. I ain't gonna lie think about it. Tell

1887
01:39:40,960 --> 01:39:43,200
Speaker 1: me one no, I ain't gonna lie. Let's deep. Suck

1888
01:39:43,280 --> 01:39:47,599
Speaker 1: me ups. So when I see it from that standpoint

1889
01:39:47,640 --> 01:39:52,240
Speaker 1: with Damn, I got what he said through music. Music.

1890
01:39:52,280 --> 01:39:55,800
Speaker 1: We're talking about what we do music. I can say, Joe,

1891
01:39:55,880 --> 01:39:58,439
Speaker 1: what's but it's not through music it's not through music,

1892
01:39:58,640 --> 01:40:03,320
Speaker 1: and then its dope. They already had a set career

1893
01:40:04,040 --> 01:40:06,280
Speaker 1: before you're talking about breakout. But it was like Joe.

1894
01:40:06,280 --> 01:40:09,120
Speaker 1: I feel like Joe was like the middle ground because

1895
01:40:09,240 --> 01:40:15,200
Speaker 1: he wasn't really know musically release but the personal music.

1896
01:40:15,240 --> 01:40:18,479
Speaker 1: For what I'm doing, I'm not a personality. I don't

1897
01:40:18,479 --> 01:40:20,519
Speaker 1: give a ship to be one. That's why you don't

1898
01:40:20,520 --> 01:40:22,240
Speaker 1: see what you don't realize it's dope. I'm gonna be

1899
01:40:22,240 --> 01:40:24,760
Speaker 1: I don't know, but I'm just being met though. In

1900
01:40:24,960 --> 01:40:28,479
Speaker 1: terms of like you see Nias posting for seven, you

1901
01:40:28,560 --> 01:40:30,600
Speaker 1: got everybody trying to do what everybody else do. I

1902
01:40:30,680 --> 01:40:33,320
Speaker 1: can't do that. I can't. I can't change myself to

1903
01:40:33,400 --> 01:40:34,840
Speaker 1: be that. You know what I'm saying, Like, I'm not

1904
01:40:34,920 --> 01:40:38,160
Speaker 1: gonna sit there and posting do this. Don't clown ship

1905
01:40:39,080 --> 01:40:42,479
Speaker 1: not saying it. I'm taking away from anybody was comfortable

1906
01:40:42,520 --> 01:40:47,080
Speaker 1: to me. It's not me. I don't feel if I

1907
01:40:47,160 --> 01:40:50,040
Speaker 1: gotta post every day for people to to to to

1908
01:40:50,200 --> 01:40:53,400
Speaker 1: to pay me any attention. It's fun funk this ship.

1909
01:40:53,479 --> 01:40:56,680
Speaker 1: You know what. I got enough money. I opened up

1910
01:40:56,720 --> 01:41:00,280
Speaker 1: five car washes, I opened up videos in Jamaica or whatever.

1911
01:41:00,360 --> 01:41:02,679
Speaker 1: I just raised myself and be happy. That's what I'm saying.

1912
01:41:02,920 --> 01:41:06,120
Speaker 1: I ain't selling myself struct for this ship, understand. So

1913
01:41:06,240 --> 01:41:07,880
Speaker 1: that's how I feel about love and hip hop is

1914
01:41:07,920 --> 01:41:10,840
Speaker 1: like I'm not gonna sell myself short, but six million

1915
01:41:10,880 --> 01:41:13,760
Speaker 1: people watching. I don't give a fun but it has

1916
01:41:13,800 --> 01:41:18,960
Speaker 1: it care you don't want to, I can go to

1917
01:41:19,040 --> 01:41:21,120
Speaker 1: austore and get a bag from what I do. I

1918
01:41:21,200 --> 01:41:25,519
Speaker 1: don't care. Hasn't beenefitted to you yet you ain't feeling it.

1919
01:41:25,600 --> 01:41:27,280
Speaker 1: I mean, he's said it. I don't feel like it

1920
01:41:27,400 --> 01:41:29,880
Speaker 1: benefited me that you said it did to an extent

1921
01:41:30,000 --> 01:41:31,560
Speaker 1: because you feel like you got to do that to

1922
01:41:31,680 --> 01:41:35,040
Speaker 1: continue doing the other stuff. That's the thought process when

1923
01:41:35,080 --> 01:41:37,519
Speaker 1: you're doing it. I understand. I'm saying, when you look

1924
01:41:37,560 --> 01:41:41,400
Speaker 1: at the paycheck versus whoever else get paid, I ain't

1925
01:41:41,400 --> 01:41:44,920
Speaker 1: gonna see her name or whoever whatever. And what we're giving,

1926
01:41:44,960 --> 01:41:47,040
Speaker 1: I'm giving you my life. So I'm giving you some

1927
01:41:47,240 --> 01:41:51,760
Speaker 1: real ship, just like I'm giving right now. It's you know,

1928
01:41:52,040 --> 01:41:55,760
Speaker 1: it's the same thing, bro, I don't know, but this

1929
01:41:55,960 --> 01:41:57,800
Speaker 1: is this when you give it them there like you're

1930
01:41:57,880 --> 01:42:00,840
Speaker 1: like you get your real ship friends, and it's like

1931
01:42:01,080 --> 01:42:03,759
Speaker 1: that's not me coming talking about my nigga, but exactly

1932
01:42:03,880 --> 01:42:07,200
Speaker 1: that ship is like his work. It feels like because

1933
01:42:07,200 --> 01:42:09,720
Speaker 1: they bring on extra stress. You know what I'm saying,

1934
01:42:09,760 --> 01:42:13,000
Speaker 1: what that's necessary not? They bring it on and I

1935
01:42:13,120 --> 01:42:15,040
Speaker 1: can I'll get it. I'm just like the time I'm

1936
01:42:15,080 --> 01:42:16,920
Speaker 1: sorry to cut you off, the like time when you

1937
01:42:17,080 --> 01:42:19,880
Speaker 1: was out with the Jamaica girl, I think, and then

1938
01:42:19,960 --> 01:42:23,160
Speaker 1: they fight the shade there, yeah, like like he does that?

1939
01:42:23,240 --> 01:42:25,559
Speaker 1: Come on? That was really happening. Really, that doesn't happen

1940
01:42:25,640 --> 01:42:28,120
Speaker 1: in real life. Come on, isn't happening real? Like nd

1941
01:42:29,160 --> 01:42:30,840
Speaker 1: I might go to a little Haiti, I might go

1942
01:42:30,920 --> 01:42:34,880
Speaker 1: to fucking whoever come up with me at the same

1943
01:42:35,120 --> 01:42:37,600
Speaker 1: But that's TV. That's TV, and I don't not what

1944
01:42:37,760 --> 01:42:41,000
Speaker 1: they're doing. I love them, like, but I'm speaking. I'm

1945
01:42:41,000 --> 01:42:42,600
Speaker 1: so sorry for the Jamaica girl. I want to do

1946
01:42:42,680 --> 01:42:45,920
Speaker 1: the drinking and I was like yeah, I scream, yeah.

1947
01:42:46,320 --> 01:42:47,680
Speaker 1: I was like she could see what they're bad. And

1948
01:42:47,720 --> 01:42:51,360
Speaker 1: then she came up with a sling oh mitchocolate because

1949
01:42:51,360 --> 01:42:58,000
Speaker 1: she's such a professional reality talk girl who's nick happing.

1950
01:42:58,080 --> 01:43:00,640
Speaker 1: So now I don't people out to the color me ta.

1951
01:43:01,920 --> 01:43:03,960
Speaker 1: I felt so sorry for that Jamaica girl because she

1952
01:43:04,080 --> 01:43:06,519
Speaker 1: was not ready she did not know what was going on,

1953
01:43:06,680 --> 01:43:11,880
Speaker 1: and Shade came in there. Yeah, but she has a vet,

1954
01:43:12,040 --> 01:43:15,920
Speaker 1: she has she eveted re honity, and that was your

1955
01:43:16,000 --> 01:43:18,160
Speaker 1: real cause. I'm gonna lie. I'm gonna be honest. We're

1956
01:43:18,160 --> 01:43:20,000
Speaker 1: not even get into that. You know what I say

1957
01:43:20,040 --> 01:43:23,920
Speaker 1: in the shop, don't don't don't you even go there? No,

1958
01:43:24,040 --> 01:43:26,400
Speaker 1: I need to act. Don't you even do it though?

1959
01:43:26,479 --> 01:43:31,960
Speaker 1: Because she was talking about because you know why that shot? Listen, listen,

1960
01:43:32,080 --> 01:43:35,680
Speaker 1: she was on Love and Hip Hop Atlanta and no, no, no,

1961
01:43:35,800 --> 01:43:42,639
Speaker 1: she's on Flavor Love. Oh she love, Holy moly, fucked

1962
01:43:42,720 --> 01:43:44,800
Speaker 1: me up? No, No, but she Brown school. No, but

1963
01:43:44,920 --> 01:43:47,599
Speaker 1: she was on with a little scrap. She was scrap

1964
01:43:48,840 --> 01:43:52,760
Speaker 1: was that was Atlanta? Okay? And that's why then, so

1965
01:43:52,960 --> 01:43:57,960
Speaker 1: that's why relationship she brought them, Oh that was you? Okay,

1966
01:43:59,160 --> 01:44:04,920
Speaker 1: Well because both of us relationship and I'm not gonna lie.

1967
01:44:06,960 --> 01:44:10,519
Speaker 1: I don't know Shade personally, but I kind of felt

1968
01:44:10,560 --> 01:44:12,040
Speaker 1: like you did up wrong a little bit. Did you

1969
01:44:12,120 --> 01:44:15,599
Speaker 1: feel like that? No, because you just a found they

1970
01:44:15,720 --> 01:44:18,200
Speaker 1: go because you don't feel like you did the wrong. Period.

1971
01:44:18,720 --> 01:44:24,160
Speaker 1: I didn't do it wrong. She was hurt. She was hurt.

1972
01:44:24,520 --> 01:44:28,800
Speaker 1: But on this season jumping on this season. I'm listening.

1973
01:44:28,800 --> 01:44:31,639
Speaker 1: I'm a fan man, your slo once again, the pleasure,

1974
01:44:31,720 --> 01:44:34,680
Speaker 1: motherfucking Pete. I'm gonna take the tig. This is a

1975
01:44:34,800 --> 01:44:40,760
Speaker 1: terrible Yeah. We all celebrate this. We trigging it with you,

1976
01:44:40,840 --> 01:44:48,640
Speaker 1: we drinking it with you. What the fund is this

1977
01:44:49,439 --> 01:44:52,000
Speaker 1: is it's a thing like that is. It's a key

1978
01:44:52,040 --> 01:44:55,360
Speaker 1: look like you know what I think the follow bad.

1979
01:44:56,080 --> 01:44:58,840
Speaker 1: Gonna be honest with you. I'm gonna tell you we've

1980
01:44:58,840 --> 01:45:03,439
Speaker 1: been holding this back. Hold black dude more than I'm

1981
01:45:03,479 --> 01:45:06,760
Speaker 1: not gonna lie that she didn't be put on id.

1982
01:45:08,640 --> 01:45:12,120
Speaker 1: This is what we do to bring out the we're

1983
01:45:12,120 --> 01:45:15,519
Speaker 1: taking with the guests, and it brings out you are

1984
01:45:15,600 --> 01:45:18,200
Speaker 1: being totally up front, and I'm gonna be honest with you.

1985
01:45:20,240 --> 01:45:25,360
Speaker 1: This is how I no one may persent you're um.

1986
01:45:25,840 --> 01:45:27,400
Speaker 1: How you can say in a sense of what you

1987
01:45:27,560 --> 01:45:31,240
Speaker 1: was accused of. Most people who are who are guilty

1988
01:45:31,280 --> 01:45:34,360
Speaker 1: of anything like that, they avoid those questions. And I

1989
01:45:34,479 --> 01:45:36,200
Speaker 1: wasn't gonna ask you that question at all about the

1990
01:45:36,280 --> 01:45:40,240
Speaker 1: room right about it and you you you volunteered and

1991
01:45:40,320 --> 01:45:43,879
Speaker 1: this is what I know what you're saying and everything

1992
01:45:43,960 --> 01:45:46,360
Speaker 1: about this interview right now, I know when people are

1993
01:45:46,400 --> 01:45:49,080
Speaker 1: being genuine, and I know how people be with me

1994
01:45:49,240 --> 01:45:51,719
Speaker 1: all camera. You know how people be with me on camera.

1995
01:45:52,040 --> 01:45:54,800
Speaker 1: It's the same exact way where I was all camera

1996
01:45:55,080 --> 01:45:57,559
Speaker 1: on camera. And I'll tell you I appreciate that as

1997
01:45:57,600 --> 01:46:01,800
Speaker 1: as a fellow realist. I appreciate that, you know what

1998
01:46:01,840 --> 01:46:04,479
Speaker 1: I'm saying. I appreciate you coming here and just you know,

1999
01:46:04,760 --> 01:46:08,280
Speaker 1: sharing your experience in the real way, because you know,

2000
01:46:08,320 --> 01:46:11,040
Speaker 1: I'm an artist too, so but so one people shut

2001
01:46:11,080 --> 01:46:12,920
Speaker 1: too can certain I can sit down with an artist

2002
01:46:13,000 --> 01:46:14,559
Speaker 1: and I can let them a lot of me right

2003
01:46:14,600 --> 01:46:16,519
Speaker 1: in my face, and I can look at them straight

2004
01:46:16,600 --> 01:46:20,240
Speaker 1: and they know I'm so trained. Now I could be like,

2005
01:46:20,280 --> 01:46:21,920
Speaker 1: all right, cool me and you you know what I mean,

2006
01:46:22,040 --> 01:46:25,080
Speaker 1: Like I let him go. But you have been like

2007
01:46:25,160 --> 01:46:27,280
Speaker 1: I'm not gonna say, look at my lie, detective tests,

2008
01:46:27,479 --> 01:46:31,439
Speaker 1: but you have been sucking one. Honest. I haven't seen

2009
01:46:31,439 --> 01:46:38,479
Speaker 1: any like unreal moment to the truth. I don't like

2010
01:46:38,880 --> 01:46:40,479
Speaker 1: when you get to the point where you don't give

2011
01:46:40,520 --> 01:46:45,840
Speaker 1: a funk, like nobody here pay my bills. I don't

2012
01:46:45,920 --> 01:46:47,639
Speaker 1: you know some people are don't like them, some people

2013
01:46:47,640 --> 01:46:49,599
Speaker 1: are not, And if they don't, I don't give a funk,

2014
01:46:49,800 --> 01:46:52,639
Speaker 1: all right, as long as my son, my son fourteen dog,

2015
01:46:53,040 --> 01:46:55,840
Speaker 1: as long as he liked me, bro, that's all I

2016
01:46:55,920 --> 01:46:58,840
Speaker 1: care about. That's that's that's, that's why I gotta live for.

2017
01:47:00,000 --> 01:47:01,680
Speaker 1: So I'm just getting him ready for the you know,

2018
01:47:02,080 --> 01:47:04,040
Speaker 1: showing him what a man looked like. And you just

2019
01:47:04,160 --> 01:47:05,800
Speaker 1: had a fight with one of the niggas from Little

2020
01:47:05,840 --> 01:47:09,320
Speaker 1: Vicky the other day, right, that was some time. That

2021
01:47:09,439 --> 01:47:11,519
Speaker 1: was that was maybe like not too long ago, but

2022
01:47:13,320 --> 01:47:15,360
Speaker 1: on stage because he called you all on stage. No,

2023
01:47:15,560 --> 01:47:19,400
Speaker 1: he tried it, Okay, So what happens is this is explaining,

2024
01:47:19,960 --> 01:47:21,800
Speaker 1: this is the move taker r B. I'm just doing it.

2025
01:47:21,880 --> 01:47:25,599
Speaker 1: I'm explaining these things. Only getting a reality show. Nigga

2026
01:47:25,640 --> 01:47:29,640
Speaker 1: started thinking. The loyalty goes from not with with us

2027
01:47:29,720 --> 01:47:32,080
Speaker 1: two Now it comes to the h one. So you

2028
01:47:32,200 --> 01:47:37,360
Speaker 1: do whatever you become there, do whatever. Yeah, right, they

2029
01:47:38,360 --> 01:47:41,240
Speaker 1: do reality TV. You know you get niggas not every

2030
01:47:41,280 --> 01:47:44,320
Speaker 1: time you do a post. Nigga's commenting in your comments.

2031
01:47:44,360 --> 01:47:46,120
Speaker 1: They never coming before? Could he trying to get this

2032
01:47:46,240 --> 01:47:49,800
Speaker 1: recognition off of you know, just you know, ungenuine ship.

2033
01:47:49,880 --> 01:47:52,559
Speaker 1: So I blocked them, right, you blocked their own nigga

2034
01:47:52,600 --> 01:47:55,960
Speaker 1: from the group. I respect that from comment This is

2035
01:47:55,960 --> 01:47:58,000
Speaker 1: a nigga play room about me because they was jealous

2036
01:47:58,040 --> 01:48:01,160
Speaker 1: of my success. So I blocked the in the sense of,

2037
01:48:01,280 --> 01:48:03,920
Speaker 1: you know what, we ain't gotta have no social media relationship.

2038
01:48:04,000 --> 01:48:07,560
Speaker 1: Everything we do is real. You understanding, it's gonna keep it.

2039
01:48:08,800 --> 01:48:16,280
Speaker 1: Oh okay, yeah, so um you know, Um what happens

2040
01:48:16,320 --> 01:48:19,120
Speaker 1: after that is you know, it's um that keeps saying,

2041
01:48:19,120 --> 01:48:21,800
Speaker 1: is U me having another drink? Drink? Can I get it?

2042
01:48:21,840 --> 01:48:28,840
Speaker 1: Can I get it? Yeah, I'm feeling my drink. I'm

2043
01:48:28,840 --> 01:48:31,400
Speaker 1: feeling my drinking. My tooth step a little bit right now. Man.

2044
01:48:31,840 --> 01:48:35,280
Speaker 1: But um, then I self, but I'm again yeo, y'all

2045
01:48:35,280 --> 01:48:38,720
Speaker 1: should count how many times say with this motherfucker goddamn

2046
01:48:39,920 --> 01:48:46,519
Speaker 1: he um damn said again he he he pretty much. Damn.

2047
01:48:46,760 --> 01:48:50,720
Speaker 1: I don't know what the fund is this ship, don't.

2048
01:48:52,600 --> 01:48:55,760
Speaker 1: I don't want know, not mad no, but but but

2049
01:48:56,000 --> 01:48:58,120
Speaker 1: he he would do just extra ship all the time.

2050
01:48:58,280 --> 01:49:00,400
Speaker 1: You know what I'm saying things like So in the

2051
01:49:00,479 --> 01:49:02,800
Speaker 1: middle of the show, he said, I'm gonna get into it.

2052
01:49:03,240 --> 01:49:05,519
Speaker 1: So I blocked them or whatever, and I just you know,

2053
01:49:05,760 --> 01:49:09,320
Speaker 1: we went to this show in Cincinnati, and in Cincinnati

2054
01:49:10,000 --> 01:49:14,200
Speaker 1: he I guess he had niggas around him all of

2055
01:49:14,240 --> 01:49:16,920
Speaker 1: a sudden, and then next thing, you know, one of

2056
01:49:16,960 --> 01:49:20,519
Speaker 1: the niggas disspected slickerness in the group. So I'm not

2057
01:49:20,600 --> 01:49:22,920
Speaker 1: trying to get in between them, so that's not a problem.

2058
01:49:23,360 --> 01:49:26,760
Speaker 1: And then he didn't step up to the play like Yo,

2059
01:49:26,920 --> 01:49:28,640
Speaker 1: my nigga, I'm gonna you know what I'm saying, like

2060
01:49:28,720 --> 01:49:31,280
Speaker 1: this my brother whatever, whatever, So now I'm about to

2061
01:49:31,360 --> 01:49:35,000
Speaker 1: fight this nigga. And this is like you know, so

2062
01:49:35,120 --> 01:49:36,720
Speaker 1: after that, like you know, I don't volk with you

2063
01:49:36,840 --> 01:49:41,080
Speaker 1: because you put us in a situation first and foremost

2064
01:49:41,120 --> 01:49:44,000
Speaker 1: with groups and things like that. People shouldn't be backstage

2065
01:49:44,000 --> 01:49:46,280
Speaker 1: when it's business time. Look, get your people a section

2066
01:49:46,680 --> 01:49:50,000
Speaker 1: in the front. Feel me, let the people behind it,

2067
01:49:50,080 --> 01:49:52,280
Speaker 1: because it can be a girl, it can be anything

2068
01:49:52,360 --> 01:49:55,040
Speaker 1: with a group, or anybody can fall out about anything.

2069
01:49:55,200 --> 01:49:57,680
Speaker 1: So keep all the all of the people that's not

2070
01:49:57,840 --> 01:50:00,320
Speaker 1: involved in what's about to be presented on the stage,

2071
01:50:00,439 --> 01:50:04,439
Speaker 1: keep them away because this is why situations like this happens.

2072
01:50:04,600 --> 01:50:07,000
Speaker 1: You feel me, God knows what he'd be telling the

2073
01:50:07,120 --> 01:50:10,479
Speaker 1: dog to what he can feel like, you know, he

2074
01:50:10,600 --> 01:50:14,479
Speaker 1: can disrespect anybody that's backstage. So he did that. I

2075
01:50:14,560 --> 01:50:18,080
Speaker 1: gotta offended. He didn't step up even though you think

2076
01:50:18,160 --> 01:50:21,320
Speaker 1: he did. I feel like he didn't in the best way.

2077
01:50:21,360 --> 01:50:23,599
Speaker 1: You know what I'm saying. That's like anybody right here

2078
01:50:23,720 --> 01:50:26,560
Speaker 1: right now offend me. You're probably gonna step up and

2079
01:50:26,600 --> 01:50:31,560
Speaker 1: be like yo, man exactly period. Right he didn't do that.

2080
01:50:32,760 --> 01:50:35,800
Speaker 1: So um, fast forward, I say, you know what, we

2081
01:50:35,880 --> 01:50:38,720
Speaker 1: can just do business, bro Like, just know what, ain't

2082
01:50:38,720 --> 01:50:42,719
Speaker 1: not impersonal between you and I nothing like that, like Nigga,

2083
01:50:42,720 --> 01:50:47,120
Speaker 1: it's just business. Feel me, like that's it when brothers win.

2084
01:50:47,280 --> 01:50:50,160
Speaker 1: Nothing just his business like Nigga. You know, I ain't

2085
01:50:50,160 --> 01:50:52,000
Speaker 1: gotta you ain't gotta go home and have gingers the

2086
01:50:52,080 --> 01:50:55,720
Speaker 1: coworker like how many people you know? Like that's just

2087
01:50:55,920 --> 01:50:59,000
Speaker 1: that's just facts. You feel me your money? Alright, Cool,

2088
01:50:59,800 --> 01:51:01,600
Speaker 1: So we get to I said so from now on

2089
01:51:02,840 --> 01:51:05,080
Speaker 1: because used to have like the same dressing room to ship,

2090
01:51:05,320 --> 01:51:07,519
Speaker 1: just getting my owner the dressing room. If not, I'll

2091
01:51:07,520 --> 01:51:10,000
Speaker 1: sit in the car before we performed. But I just

2092
01:51:10,040 --> 01:51:11,920
Speaker 1: don't want to be around the fake as energy and

2093
01:51:12,080 --> 01:51:16,240
Speaker 1: things like that from the show ship now the v

2094
01:51:16,400 --> 01:51:19,000
Speaker 1: H one ship that I brought to the table to

2095
01:51:19,120 --> 01:51:21,200
Speaker 1: him to be a puppet for them to be doing

2096
01:51:21,280 --> 01:51:23,920
Speaker 1: things in shake and you know all this kind of ship.

2097
01:51:24,200 --> 01:51:26,200
Speaker 1: I just said that ship is fake to me feeling,

2098
01:51:26,280 --> 01:51:29,320
Speaker 1: so I just you know what, keep your energy over there.

2099
01:51:29,360 --> 01:51:31,360
Speaker 1: I'm could still cool with you. We'll soon get his money.

2100
01:51:32,080 --> 01:51:34,280
Speaker 1: We just stay on your side, you know what I'm saying. Tide,

2101
01:51:34,640 --> 01:51:37,160
Speaker 1: I calmed down after that situation happened. Just you know.

2102
01:51:37,840 --> 01:51:41,200
Speaker 1: So this particular show does with day six, we go

2103
01:51:41,280 --> 01:51:45,360
Speaker 1: to Arizona. Now that's the net for bad Boy. So

2104
01:51:46,680 --> 01:51:48,360
Speaker 1: we do the show and in the middle of show,

2105
01:51:48,360 --> 01:51:49,640
Speaker 1: I guess he thought he was gonna have one of

2106
01:51:49,680 --> 01:51:52,000
Speaker 1: those moments where you know, me and pleasant be going

2107
01:51:52,080 --> 01:51:54,200
Speaker 1: on fake guys, you know what I'm saying me, And

2108
01:51:54,240 --> 01:51:57,120
Speaker 1: plus we're coming through ships because obviously he posted on

2109
01:51:57,160 --> 01:51:59,280
Speaker 1: the internet toil pleasure to block me, like he's doing

2110
01:51:59,320 --> 01:52:01,960
Speaker 1: everything for the for the cloud, and I don't respect

2111
01:52:02,000 --> 01:52:03,920
Speaker 1: that because we can just call my phone. But that

2112
01:52:04,080 --> 01:52:06,120
Speaker 1: was a case, you know, understand what I'm saying. So

2113
01:52:06,920 --> 01:52:09,400
Speaker 1: he gets on stage and then like during the last song,

2114
01:52:09,560 --> 01:52:14,000
Speaker 1: he's like, yo, um, you know you being a pleasure

2115
01:52:14,000 --> 01:52:16,120
Speaker 1: to be going through. So my road meant to cut

2116
01:52:16,200 --> 01:52:19,040
Speaker 1: his mind off because you spoke to him in advance

2117
01:52:19,120 --> 01:52:21,559
Speaker 1: and he knew Nigga don't even do this. If y'all

2118
01:52:21,600 --> 01:52:24,080
Speaker 1: gonna talk nigga, we're gonna talk to men, but we're

2119
01:52:24,120 --> 01:52:26,640
Speaker 1: gonna do this, you know, in our business. So I

2120
01:52:26,800 --> 01:52:28,840
Speaker 1: walked off stage. So when I did that, he got

2121
01:52:29,000 --> 01:52:32,680
Speaker 1: upset that he came to my dressing room and I'm like, yo,

2122
01:52:32,840 --> 01:52:34,680
Speaker 1: get the funk out of my dressing room. Bro, Like

2123
01:52:35,040 --> 01:52:36,720
Speaker 1: you know, I don't funk with you because I told

2124
01:52:36,760 --> 01:52:39,240
Speaker 1: you I don't sunk with you while my dressing room.

2125
01:52:39,280 --> 01:52:42,360
Speaker 1: You know what I'm saying, somebody getting between and he

2126
01:52:42,520 --> 01:52:45,120
Speaker 1: pushed me. So I just called him with it. I

2127
01:52:45,200 --> 01:52:46,960
Speaker 1: said three on the regence cover. It was a two

2128
01:52:47,040 --> 01:52:52,800
Speaker 1: piece and that was it. My mom that that and

2129
01:52:52,880 --> 01:52:56,479
Speaker 1: that was it. Not discrediting him, because you know what

2130
01:52:56,520 --> 01:52:59,920
Speaker 1: I'm saying, like your brother, you know he's not my brother.

2131
01:53:00,640 --> 01:53:03,600
Speaker 1: Brothers never brew things that they that niggas did to me.

2132
01:53:03,920 --> 01:53:06,720
Speaker 1: And on top of that, what okay, one for a

2133
01:53:06,800 --> 01:53:08,920
Speaker 1: long time and your Google search my name, that first

2134
01:53:08,960 --> 01:53:11,439
Speaker 1: thing pop up is that ship you think niggas called me.

2135
01:53:11,600 --> 01:53:13,080
Speaker 1: But let me try to help you clean that up,

2136
01:53:13,160 --> 01:53:15,120
Speaker 1: or let me try to be a better person towards

2137
01:53:15,160 --> 01:53:17,040
Speaker 1: you as a brother, or let me try to be

2138
01:53:17,120 --> 01:53:19,120
Speaker 1: a brother to you. Don't call You can't call a

2139
01:53:19,200 --> 01:53:21,519
Speaker 1: person a brother if you don't do brother ship. So

2140
01:53:22,000 --> 01:53:26,000
Speaker 1: don't call me your brother. Understand was saying, whoa that

2141
01:53:26,320 --> 01:53:30,040
Speaker 1: was d You don't do brother ship. Don't call me

2142
01:53:30,120 --> 01:53:38,320
Speaker 1: your brother. I'm not your brother. We you know, I've

2143
01:53:38,360 --> 01:53:41,439
Speaker 1: seen me be my soul nigga hing try to hen

2144
01:53:41,560 --> 01:53:44,000
Speaker 1: try to clean it up and try to apologize. He

2145
01:53:44,160 --> 01:53:47,559
Speaker 1: trying to nothing. So me over here depressed and like damn,

2146
01:53:47,640 --> 01:53:49,599
Speaker 1: I'm not as good as an artist nor more because

2147
01:53:49,640 --> 01:53:52,400
Speaker 1: of a rumor and nobody that I know is helping,

2148
01:53:52,680 --> 01:53:55,040
Speaker 1: like Yo, this niggas you know, Tank probably the only

2149
01:53:55,120 --> 01:53:57,880
Speaker 1: nigga Yo still bringing me up or the But because

2150
01:53:57,920 --> 01:53:59,800
Speaker 1: of that, people don't want associate a brand with you.

2151
01:54:00,439 --> 01:54:04,800
Speaker 1: We'll just you know why I don't like Tiger as

2152
01:54:04,880 --> 01:54:07,760
Speaker 1: a as a person because he's a clunker, you know

2153
01:54:07,800 --> 01:54:10,800
Speaker 1: what I'm saying. Um, we did a record car I

2154
01:54:10,840 --> 01:54:13,640
Speaker 1: Love Girls Together. I just got my deal entertainment one

2155
01:54:13,720 --> 01:54:18,000
Speaker 1: out that learning Yeah you want Alan Groom Black when

2156
01:54:18,080 --> 01:54:22,320
Speaker 1: I was over there, so um we did the song

2157
01:54:22,720 --> 01:54:25,840
Speaker 1: Tiger I've seen it was a Rihana party. It's like

2158
01:54:25,920 --> 01:54:28,760
Speaker 1: a birthday and some ship a lot of young god.

2159
01:54:29,080 --> 01:54:30,920
Speaker 1: It was not like a mansion sowhere in the l

2160
01:54:31,000 --> 01:54:35,000
Speaker 1: a good so um I see him. It's like, yeah,

2161
01:54:35,080 --> 01:54:37,480
Speaker 1: put the record out whatever whatever whatever. So I put

2162
01:54:37,560 --> 01:54:42,440
Speaker 1: the record out on the that label, and we spend

2163
01:54:42,480 --> 01:54:44,120
Speaker 1: money at radio, and well, you know what I mean,

2164
01:54:44,200 --> 01:54:46,680
Speaker 1: like it's an investment. I'm independent. Mother funkers were like,

2165
01:54:46,760 --> 01:54:49,320
Speaker 1: it's an investment. So when it's time to the video,

2166
01:54:51,720 --> 01:54:56,400
Speaker 1: Bergman gave me the clearance. Tas at Young Money gave

2167
01:54:56,440 --> 01:54:59,120
Speaker 1: me the clearance. So like now it's Tiger, it's Tiger,

2168
01:54:59,160 --> 01:55:01,600
Speaker 1: it's Tige because he tried to whatever whatever. So when

2169
01:55:01,640 --> 01:55:04,800
Speaker 1: I spoke to him, he's like, yo, um, I got

2170
01:55:04,920 --> 01:55:06,640
Speaker 1: a record with Chris coming out, so I can't do

2171
01:55:06,680 --> 01:55:08,960
Speaker 1: any more army records. He told me that instead of

2172
01:55:09,040 --> 01:55:11,280
Speaker 1: just being one hunt and be like yo, nigga, it's

2173
01:55:11,320 --> 01:55:14,080
Speaker 1: not good for my brand, whatever the case, whatever. You

2174
01:55:14,120 --> 01:55:16,360
Speaker 1: know what I mean. After putting this morning, you feel

2175
01:55:16,400 --> 01:55:20,960
Speaker 1: me so um. The same day I was shooting a

2176
01:55:21,040 --> 01:55:23,080
Speaker 1: video for that record, he was he was at a

2177
01:55:23,160 --> 01:55:25,360
Speaker 1: house that I was shooting a video where I guess

2178
01:55:25,400 --> 01:55:28,320
Speaker 1: he's looking for houses or something. How ironic is that?

2179
01:55:28,960 --> 01:55:30,680
Speaker 1: I'm telling people, Damn, he should have been here for

2180
01:55:30,720 --> 01:55:32,040
Speaker 1: the video and this and this and that, and that

2181
01:55:32,480 --> 01:55:34,680
Speaker 1: he comes to the house that I'm shooting a video

2182
01:55:34,760 --> 01:55:37,640
Speaker 1: at looking for houses. So it wasn't like you busy

2183
01:55:37,720 --> 01:55:41,360
Speaker 1: and some ship. You know that what I'm saying and using.

2184
01:55:44,680 --> 01:55:49,680
Speaker 1: So you're saying booked him for like a video. He didn't.

2185
01:55:49,680 --> 01:55:52,840
Speaker 1: He didn't come on. No, he didn't want to do

2186
01:55:53,000 --> 01:55:55,320
Speaker 1: the video. He came up with excuses like I did

2187
01:55:55,400 --> 01:55:57,480
Speaker 1: a record with Chris, So we came to the video

2188
01:55:58,880 --> 01:56:00,720
Speaker 1: and I think during that time, I had like twenty

2189
01:56:00,760 --> 01:56:03,280
Speaker 1: thousand little video and he's like I need twenty five

2190
01:56:03,400 --> 01:56:05,680
Speaker 1: and I'm like, bro, it's to me like he wasn't

2191
01:56:05,680 --> 01:56:08,400
Speaker 1: working number two video when your ship you don't even

2192
01:56:08,480 --> 01:56:09,960
Speaker 1: have rack see none of that ship out. I just

2193
01:56:10,080 --> 01:56:12,400
Speaker 1: embraced you as a person, you know what I'm saying.

2194
01:56:13,000 --> 01:56:15,560
Speaker 1: When we was in l a nigga, you know we

2195
01:56:15,720 --> 01:56:18,920
Speaker 1: did we we we hung out in the sense of nigga,

2196
01:56:19,000 --> 01:56:20,960
Speaker 1: we're going to win in concert and y'all need to

2197
01:56:21,000 --> 01:56:22,920
Speaker 1: fire my car ni or whatever. Like you know what

2198
01:56:22,960 --> 01:56:25,640
Speaker 1: I'm saying, Like we're cool, so already did you on

2199
01:56:25,720 --> 01:56:32,600
Speaker 1: that level? Yeah, but it's time to do the video.

2200
01:56:34,400 --> 01:56:36,560
Speaker 1: And this is like my lifeline, nigga. This is like

2201
01:56:38,080 --> 01:56:40,160
Speaker 1: right out the Atlantic. So this is my lifeline. This

2202
01:56:40,320 --> 01:56:42,560
Speaker 1: is like my nigga, I really need you for this video.

2203
01:56:44,760 --> 01:56:49,360
Speaker 1: You know, he folded you feel me and um that

2204
01:56:49,520 --> 01:56:51,640
Speaker 1: cause he wanted to be like, you know what, you're

2205
01:56:51,640 --> 01:56:54,440
Speaker 1: gonna to pause on the radio budget we're gonna put

2206
01:56:54,480 --> 01:56:56,040
Speaker 1: the pause on everything because we can't get the other.

2207
01:56:56,280 --> 01:56:57,920
Speaker 1: We still shot the video, but he wasn't in it,

2208
01:56:58,640 --> 01:57:00,920
Speaker 1: and it just it was was it was like, I

2209
01:57:01,000 --> 01:57:03,200
Speaker 1: wasn't a man in my world to that label. You

2210
01:57:03,240 --> 01:57:07,120
Speaker 1: know what I'm saying. So, and how did you a tyger?

2211
01:57:07,160 --> 01:57:11,280
Speaker 1: I haven't fixed it. It's nothing to fixed, like feel

2212
01:57:11,320 --> 01:57:15,480
Speaker 1: me all right. The younger men would have probably swung

2213
01:57:15,560 --> 01:57:17,640
Speaker 1: on him at any time I ever see him in person,

2214
01:57:18,920 --> 01:57:22,040
Speaker 1: But the older me is like, you know what, I'm

2215
01:57:22,080 --> 01:57:23,960
Speaker 1: happy for you. You got a new record out. Were

2216
01:57:23,960 --> 01:57:28,160
Speaker 1: at the same label again, Well, no, we're at the

2217
01:57:28,200 --> 01:57:32,000
Speaker 1: same label, and I'm happy that you got your freedom

2218
01:57:32,040 --> 01:57:33,320
Speaker 1: because I don't know what you was going through at

2219
01:57:33,360 --> 01:57:36,040
Speaker 1: the time. He could have been new to success and

2220
01:57:36,560 --> 01:57:38,160
Speaker 1: going through that. He could you know how people go

2221
01:57:38,240 --> 01:57:40,720
Speaker 1: through their ship, Like you say, everybody got their Hollywood moment.

2222
01:57:41,160 --> 01:57:44,800
Speaker 1: So I forgive him, but that's what I was going

2223
01:57:44,880 --> 01:57:46,360
Speaker 1: through at the time, you know what I'm saying, Like

2224
01:57:46,960 --> 01:57:49,160
Speaker 1: you know, and who knows what he thought of me.

2225
01:57:49,280 --> 01:57:51,560
Speaker 1: He could have thought during that room or true whatever.

2226
01:57:51,800 --> 01:57:54,520
Speaker 1: The only person that reached out to me was Terrence

2227
01:57:54,640 --> 01:57:58,240
Speaker 1: Ja when that room mocking happened or whatever. But other

2228
01:57:58,320 --> 01:58:00,440
Speaker 1: people that knew, the other people that you know, like

2229
01:58:00,560 --> 01:58:03,160
Speaker 1: maybe that's just you got you got dogs funked up,

2230
01:58:03,600 --> 01:58:05,800
Speaker 1: you know, those are like people that you know what

2231
01:58:05,880 --> 01:58:08,560
Speaker 1: I'm saying. All Right, you said you had a little

2232
01:58:08,600 --> 01:58:13,240
Speaker 1: Wayne story. So you said you said the room roll.

2233
01:58:13,880 --> 01:58:15,360
Speaker 1: When I said that, you said it to this. This

2234
01:58:15,440 --> 01:58:18,600
Speaker 1: is a little while ago when we should be on

2235
01:58:18,720 --> 01:58:21,920
Speaker 1: on Saturday. So what what what? What's your what's your

2236
01:58:22,320 --> 01:58:24,720
Speaker 1: best memory? A little Wayne? How about that he's alive?

2237
01:58:25,360 --> 01:58:28,280
Speaker 1: Wayne jumped on. My son called rock Bottom for me.

2238
01:58:29,280 --> 01:58:31,320
Speaker 1: Tas hit me up one day and he said when

2239
01:58:31,320 --> 01:58:33,760
Speaker 1: our first of a group, he said he wanted to

2240
01:58:33,760 --> 01:58:37,080
Speaker 1: sign me the young Money and I couldn't because I

2241
01:58:37,120 --> 01:58:39,040
Speaker 1: was in Miami at the time. He was living in

2242
01:58:39,120 --> 01:58:41,080
Speaker 1: mind Okay, And he said he wanted to sign any

2243
01:58:41,160 --> 01:58:46,800
Speaker 1: young money and I couldn't do it because obviously the

2244
01:58:46,840 --> 01:58:49,760
Speaker 1: situation I told you about before, like you know, I

2245
01:58:49,880 --> 01:58:53,160
Speaker 1: was in the contract. So but even though that I was,

2246
01:58:53,400 --> 01:58:56,160
Speaker 1: you know, signed to Atlantic or whatever, they still let

2247
01:58:56,200 --> 01:58:58,160
Speaker 1: me go on tour. Then they still looked out for me.

2248
01:58:58,320 --> 01:59:01,360
Speaker 1: So that's my brother, I'm saying the bigger black man

2249
01:59:01,480 --> 01:59:04,280
Speaker 1: as well. But I might get sued for this if

2250
01:59:04,320 --> 01:59:06,240
Speaker 1: I tell you all to tude. So that's the truth,

2251
01:59:06,800 --> 01:59:13,320
Speaker 1: all right. This is because it's not because of the liquor.

2252
01:59:13,400 --> 01:59:16,200
Speaker 1: It's because I just don't give a funk anymore. And

2253
01:59:16,360 --> 01:59:18,920
Speaker 1: if I leave this business, if I got tomorrow, I

2254
01:59:19,040 --> 01:59:20,880
Speaker 1: just want the world to know my truth. You should

2255
01:59:20,960 --> 01:59:26,080
Speaker 1: know it's true. Right. So I wrote this song me

2256
01:59:26,160 --> 01:59:28,280
Speaker 1: and got it. It's called Lollipop for a little way.

2257
01:59:30,120 --> 01:59:32,680
Speaker 1: So during the transition of me going through Pretty Ricky,

2258
01:59:33,600 --> 01:59:35,400
Speaker 1: you know what I'm saying. But I went through it

2259
01:59:35,440 --> 01:59:38,480
Speaker 1: Pretty Ricky and the father and you know, just a

2260
01:59:38,560 --> 01:59:43,440
Speaker 1: bad part of the legal part of everything. He had

2261
01:59:43,480 --> 01:59:46,600
Speaker 1: my publishing too. So all the songs that I wrote

2262
01:59:46,600 --> 01:59:49,640
Speaker 1: for Pretty Ricky ground on me your body, all of them,

2263
01:59:50,440 --> 01:59:53,120
Speaker 1: any record that I was a part of, I don't

2264
01:59:53,120 --> 01:59:55,760
Speaker 1: want the publishing for it anymore. I had to give it.

2265
01:59:55,880 --> 01:59:57,600
Speaker 1: I had to sign it away and get them following

2266
01:59:57,600 --> 01:59:59,960
Speaker 1: the thousand dollars, And then they told me I couldn't

2267
02:00:00,000 --> 02:00:04,920
Speaker 1: say something about anything in the lawsuit, right, cool. So

2268
02:00:07,000 --> 02:00:10,440
Speaker 1: we wrote the song Lollipop. That was my record, That

2269
02:00:10,560 --> 02:00:12,560
Speaker 1: was my original record. I can I can show you

2270
02:00:12,640 --> 02:00:15,840
Speaker 1: the session that we created it on and everything. You

2271
02:00:15,880 --> 02:00:19,560
Speaker 1: know what I'm saying. But um, it wasn't everything was

2272
02:00:19,600 --> 02:00:22,240
Speaker 1: your record? Huh like production with didn't Jim Johnson to

2273
02:00:22,360 --> 02:00:24,920
Speaker 1: do the record? Yeah, Jim Johnson did it. Jim Johnson

2274
02:00:25,000 --> 02:00:27,840
Speaker 1: did the record. Yeah. And um, but you know I

2275
02:00:27,920 --> 02:00:30,040
Speaker 1: used to work with Jim Johnson a lot back in

2276
02:00:30,240 --> 02:00:32,920
Speaker 1: during those days. So Sim would send me beats. This

2277
02:00:33,080 --> 02:00:35,880
Speaker 1: was a time where did he was in town and

2278
02:00:35,960 --> 02:00:40,919
Speaker 1: he had Circle House Studios house, he had Circle House Studios.

2279
02:00:40,960 --> 02:00:43,440
Speaker 1: I will record at South Beach Studios with some South

2280
02:00:43,480 --> 02:00:51,240
Speaker 1: Beach studios right no, no, no, the South South beating.

2281
02:00:52,680 --> 02:00:57,160
Speaker 1: I was recording that so right so so um so

2282
02:00:57,480 --> 02:01:02,000
Speaker 1: shots at the Reality Kings, Thank you guys so much, Banks,

2283
02:01:02,080 --> 02:01:12,440
Speaker 1: all of those shots out everybody off the jobs I

2284
02:01:12,520 --> 02:01:18,120
Speaker 1: recorded at that studio and um, you know, um during

2285
02:01:18,200 --> 02:01:21,800
Speaker 1: that time he was he was working on Deannity Kane

2286
02:01:21,840 --> 02:01:24,240
Speaker 1: and all whatever albums did he have. So they sent

2287
02:01:24,320 --> 02:01:26,920
Speaker 1: me over some beats. I guess I gotta throw whatever beats.

2288
02:01:26,960 --> 02:01:30,320
Speaker 1: You know what I'm saying. One of the beats was Lollipop. Okay,

2289
02:01:31,360 --> 02:01:34,840
Speaker 1: so during my sessions, now, during those days we will

2290
02:01:34,880 --> 02:01:37,040
Speaker 1: go to the club, then we'll come back to the

2291
02:01:37,120 --> 02:01:40,600
Speaker 1: studio posts in the morning and create records. Lollipop was

2292
02:01:40,680 --> 02:01:43,320
Speaker 1: created drunk as Funk whatever. It was an R and

2293
02:01:43,360 --> 02:01:47,680
Speaker 1: B record, right. So when I introduced Wayne to Static,

2294
02:01:48,520 --> 02:01:51,520
Speaker 1: well a matter of fact, Static performed at Miami Live.

2295
02:01:51,640 --> 02:01:53,000
Speaker 1: It was just the note. It was a ship called

2296
02:01:53,040 --> 02:01:55,920
Speaker 1: Mommy Live at Santos that used to going in Miami.

2297
02:01:57,800 --> 02:02:01,120
Speaker 1: Static was performing there and Wayne was dad at one time.

2298
02:02:01,240 --> 02:02:03,320
Speaker 1: He was like who is that? And I and I

2299
02:02:03,440 --> 02:02:08,800
Speaker 1: was like, you know that Made? So we didn't know,

2300
02:02:08,920 --> 02:02:11,240
Speaker 1: we didn't know. We did two videos with Wayne, you

2301
02:02:11,280 --> 02:02:16,880
Speaker 1: know I'm saying when he discovered Mayde, when he really

2302
02:02:17,160 --> 02:02:21,160
Speaker 1: recognized Made. It wasn't the Miami to confused. Okay, I'm

2303
02:02:21,960 --> 02:02:28,360
Speaker 1: I'm sorry. So Static now right he um he um, Wayne,

2304
02:02:28,360 --> 02:02:30,720
Speaker 1: say yo, who is Static? Whatever? Whatever? So now we

2305
02:02:30,800 --> 02:02:33,200
Speaker 1: go to Atlanta to finish my album or whatever. That's

2306
02:02:33,280 --> 02:02:35,960
Speaker 1: like or he's no, no, he's from Louisville. Okay, yep,

2307
02:02:36,040 --> 02:02:38,080
Speaker 1: but we were in Atlanta and this is like right

2308
02:02:38,120 --> 02:02:42,800
Speaker 1: before he died, and um, you know he's like, yo, Wayne,

2309
02:02:42,880 --> 02:02:45,600
Speaker 1: isn't you know I went to studio South Wayne or

2310
02:02:45,600 --> 02:02:48,240
Speaker 1: whatever whatever, So I'm looking about to go do some

2311
02:02:48,360 --> 02:02:50,600
Speaker 1: shows or whatever. You Shouldnick mcwayne. So I guess he

2312
02:02:50,760 --> 02:02:56,240
Speaker 1: linked with Wayne and then they recorded, Um, it's this

2313
02:02:56,360 --> 02:02:59,600
Speaker 1: song that's like, I'm so, what's it? What's her name?

2314
02:03:00,920 --> 02:03:03,360
Speaker 1: It was? It was something him Tiger and Static Dad.

2315
02:03:03,520 --> 02:03:06,640
Speaker 1: It was like I forget that. Yeah, back then it

2316
02:03:06,760 --> 02:03:10,120
Speaker 1: was like I'm so exquisite. There was some song and

2317
02:03:10,160 --> 02:03:13,080
Speaker 1: say like I'm so exquisite something like that, right, But

2318
02:03:13,160 --> 02:03:15,400
Speaker 1: then he played the Lollipop because he asked me during

2319
02:03:15,400 --> 02:03:18,560
Speaker 1: the time, like Lollipop, So you already had this record

2320
02:03:18,640 --> 02:03:22,240
Speaker 1: demo on your own? No, no, not the written like

2321
02:03:22,640 --> 02:03:26,560
Speaker 1: Wayne took it and it was for him pretty much

2322
02:03:26,680 --> 02:03:29,000
Speaker 1: like it was for him certain elements that I wrote

2323
02:03:29,040 --> 02:03:30,840
Speaker 1: him the song and me and started growing the song

2324
02:03:31,240 --> 02:03:34,320
Speaker 1: that's still in the record, but he like took it

2325
02:03:34,400 --> 02:03:36,400
Speaker 1: to what it needs to be, That's what I'm saying.

2326
02:03:36,800 --> 02:03:39,760
Speaker 1: And it came out. So before my solo album came out,

2327
02:03:41,000 --> 02:03:43,680
Speaker 1: Lollipop got nominated for WHOA It won't to grant me.

2328
02:03:44,920 --> 02:03:48,200
Speaker 1: But during that part I was going through my lawsuit

2329
02:03:48,240 --> 02:03:51,120
Speaker 1: and things like that. So were they suing you, hum

2330
02:03:51,400 --> 02:03:54,040
Speaker 1: with a lawsuit of sue, you know, with with with

2331
02:03:54,160 --> 02:03:58,080
Speaker 1: me trying to get out of pretty ricky contract. Right,

2332
02:03:58,240 --> 02:04:00,800
Speaker 1: so my publishing everything tied up up and I was

2333
02:04:00,880 --> 02:04:03,360
Speaker 1: broken and had no money. So what I did is

2334
02:04:04,240 --> 02:04:07,040
Speaker 1: I took that record the percentage that I owned that record,

2335
02:04:07,640 --> 02:04:11,000
Speaker 1: and I took another record card I did you room soldier.

2336
02:04:11,960 --> 02:04:14,720
Speaker 1: I put in my manager name at the time and say, Yo,

2337
02:04:14,800 --> 02:04:17,360
Speaker 1: we just need the money to you know, make our

2338
02:04:17,480 --> 02:04:20,280
Speaker 1: career be what it should be. You know What's what

2339
02:04:20,320 --> 02:04:23,320
Speaker 1: I'm saying, and reinvest in the brand. So we got

2340
02:04:23,440 --> 02:04:27,240
Speaker 1: a publishing deal in his name, so I gotta gram

2341
02:04:27,360 --> 02:04:30,160
Speaker 1: me with his name on it. That's not my grand

2342
02:04:32,280 --> 02:04:36,560
Speaker 1: Yeah no he didn't, so right now he manages your

2343
02:04:36,600 --> 02:04:40,920
Speaker 1: GUARDI but um, I'm calling this nickonomic because Drake sampled

2344
02:04:40,960 --> 02:04:45,440
Speaker 1: the record and in my Feelings record, so he clearanced

2345
02:04:45,480 --> 02:04:49,800
Speaker 1: it on his own, all kind of ship like that sample.

2346
02:04:50,520 --> 02:04:52,520
Speaker 1: The sample short of saying it didn't go that she

2347
02:04:52,600 --> 02:04:55,040
Speaker 1: would ain't ship shot is saying it didn't good that

2348
02:04:55,120 --> 02:04:58,520
Speaker 1: she would ain't you know, the Lollypop record. So, of course,

2349
02:04:59,320 --> 02:05:02,400
Speaker 1: because he's a writer on that record, it's it's simple,

2350
02:05:02,520 --> 02:05:04,480
Speaker 1: you know what I'm saying. Something So he get the money,

2351
02:05:04,520 --> 02:05:07,920
Speaker 1: but you're not seen it absolutely because he's put in

2352
02:05:08,000 --> 02:05:10,160
Speaker 1: his manager name the publishing. But I trust him. This

2353
02:05:10,280 --> 02:05:11,880
Speaker 1: is my right hand man at the time before he

2354
02:05:12,000 --> 02:05:14,520
Speaker 1: jumped ship. When the rumor came, if I had a

2355
02:05:14,600 --> 02:05:16,960
Speaker 1: better manager than I could have dealt a different But

2356
02:05:17,480 --> 02:05:20,120
Speaker 1: I listened to him as a manager. And then now

2357
02:05:20,960 --> 02:05:23,760
Speaker 1: keep playing with me, so you feel me. So imagine

2358
02:05:24,640 --> 02:05:26,800
Speaker 1: being an artist that nigga. If I could have took

2359
02:05:26,800 --> 02:05:29,240
Speaker 1: credit for that when my album came out, like Yo, Nigga,

2360
02:05:29,280 --> 02:05:32,880
Speaker 1: I gotta grim me already. That's gotta be something totally different.

2361
02:05:33,200 --> 02:05:35,280
Speaker 1: And I might get sued for this and whatever. But

2362
02:05:35,400 --> 02:05:40,080
Speaker 1: why because it's publishing from in a sense that you

2363
02:05:40,200 --> 02:05:42,800
Speaker 1: put it in his name. But the only reason I

2364
02:05:42,920 --> 02:05:45,800
Speaker 1: did it was because I was broken. I didn't have anything,

2365
02:05:46,400 --> 02:05:48,920
Speaker 1: and I was just trying to be small. I was young.

2366
02:05:49,000 --> 02:05:50,400
Speaker 1: You know what I'm saying, I was wrong. You You

2367
02:05:50,520 --> 02:05:52,720
Speaker 1: are kind of going on to live saying I don't

2368
02:05:52,760 --> 02:05:56,000
Speaker 1: give a funk. I mean, well, it comes at for

2369
02:05:56,200 --> 02:05:58,200
Speaker 1: I don't give a funk. It's a part of my story.

2370
02:05:58,280 --> 02:06:02,880
Speaker 1: That's my truth. You can't be sued if it's your truth.

2371
02:06:03,760 --> 02:06:05,560
Speaker 1: If I don't be soon, you know what, I'll deal

2372
02:06:05,600 --> 02:06:09,000
Speaker 1: with that. But yeah, but you understand I'm saying these

2373
02:06:09,040 --> 02:06:10,720
Speaker 1: are things that we go through as artists. That just

2374
02:06:11,000 --> 02:06:13,240
Speaker 1: understanding problem. Let me stop you from there. This is

2375
02:06:13,240 --> 02:06:15,360
Speaker 1: why you couldn't come out with a book. Right now,

2376
02:06:17,120 --> 02:06:21,480
Speaker 1: I'd say that he said it's here, say type of thing. Yeah, yeah, yeah,

2377
02:06:23,240 --> 02:06:25,000
Speaker 1: as long as it's a part of your life, right,

2378
02:06:25,280 --> 02:06:28,480
Speaker 1: it's a part of you. They can't sue you. They

2379
02:06:28,520 --> 02:06:33,040
Speaker 1: can't pee you ain't lying. Dog started he started like

2380
02:06:33,120 --> 02:06:35,680
Speaker 1: taking credit for the record and got plaques in this

2381
02:06:35,920 --> 02:06:38,200
Speaker 1: like once I paid him to get plaques for me,

2382
02:06:38,360 --> 02:06:40,440
Speaker 1: like yo, just to feel good about He got the

2383
02:06:40,480 --> 02:06:44,400
Speaker 1: plaques up, He got the kind of grant kind bro

2384
02:06:44,720 --> 02:06:48,880
Speaker 1: day and friend, nothing on more. And he only would

2385
02:06:48,920 --> 02:06:51,360
Speaker 1: your GODI now because of me. You know I'm saying,

2386
02:06:51,400 --> 02:06:54,200
Speaker 1: like he wouldn't know your guy. Yeah, he would your

2387
02:06:54,240 --> 02:06:55,880
Speaker 1: God every day. But I never seen on the god

2388
02:06:55,960 --> 02:06:58,800
Speaker 1: a body O God. I don't know nothing about knowing

2389
02:06:58,840 --> 02:07:01,360
Speaker 1: this God is. You'll never like work like spoke to

2390
02:07:01,440 --> 02:07:04,400
Speaker 1: the side. Nothing I tried to, but he can found me.

2391
02:07:04,560 --> 02:07:07,200
Speaker 1: So now I'm just telling you want to say his name.

2392
02:07:07,200 --> 02:07:09,760
Speaker 1: We can block it out if you want name Rex

2393
02:07:09,800 --> 02:07:12,720
Speaker 1: and more Rex, the nigger of that people got it

2394
02:07:12,760 --> 02:07:16,400
Speaker 1: all the time. That's my ex manager. Who you know

2395
02:07:16,400 --> 02:07:21,760
Speaker 1: what I'm saying, whatever whatever back then, But I don't,

2396
02:07:22,520 --> 02:07:23,720
Speaker 1: I don't you know what I'm saying. I don't. I

2397
02:07:23,760 --> 02:07:26,240
Speaker 1: don't like I try to be like, you know, whatever

2398
02:07:26,320 --> 02:07:29,160
Speaker 1: you did, Bro, you jump ship, cool, you got it.

2399
02:07:29,200 --> 02:07:32,040
Speaker 1: I'm happy for you. But now I said to him, listen,

2400
02:07:32,160 --> 02:07:34,680
Speaker 1: I'll give you your percentage as what you would have

2401
02:07:34,720 --> 02:07:40,040
Speaker 1: made as a manager during that time. But I need

2402
02:07:40,120 --> 02:07:42,120
Speaker 1: you to sign the letter direction give me my ship.

2403
02:07:42,720 --> 02:07:45,640
Speaker 1: But I can't. So what is artists like me go

2404
02:07:45,800 --> 02:07:48,480
Speaker 1: through when it comes to that. Do the dramming committee?

2405
02:07:49,000 --> 02:07:50,720
Speaker 1: You know what I'm saying. If that's something you can

2406
02:07:50,800 --> 02:07:53,800
Speaker 1: have that Wayne and be like you know and you're like,

2407
02:07:53,920 --> 02:07:56,480
Speaker 1: you know, you like like, I think it has nothing

2408
02:07:56,480 --> 02:08:00,280
Speaker 1: to do with until he changed that because once your

2409
02:08:00,320 --> 02:08:02,720
Speaker 1: side of the contract side of another his thing. Yeah,

2410
02:08:03,880 --> 02:08:05,840
Speaker 1: that's had nothing to do with Wayne. This had nothing.

2411
02:08:05,920 --> 02:08:08,840
Speaker 1: That's all me just trying to survive as an artist

2412
02:08:09,080 --> 02:08:12,600
Speaker 1: would already know the game. And you know I'm tied

2413
02:08:12,680 --> 02:08:14,400
Speaker 1: up in contracts and I just I just need to

2414
02:08:14,440 --> 02:08:16,640
Speaker 1: feed my son at the time. So I just did

2415
02:08:16,720 --> 02:08:18,640
Speaker 1: it thinking that this person is gonna be around and

2416
02:08:18,720 --> 02:08:22,480
Speaker 1: that's my brother. But when Tim's got hard even harder,

2417
02:08:23,080 --> 02:08:25,520
Speaker 1: he showed his true color. So you know, how did

2418
02:08:25,600 --> 02:08:30,080
Speaker 1: y'all even I gotta gram me, wha are you? Oh?

2419
02:08:30,160 --> 02:08:32,960
Speaker 1: It's in his name? I got it. I should burn it? Um?

2420
02:08:35,000 --> 02:08:37,920
Speaker 1: What the thing is? UM? How we felt was um.

2421
02:08:39,760 --> 02:08:42,400
Speaker 1: I started. I started the independent ship with E one

2422
02:08:42,760 --> 02:08:45,120
Speaker 1: for the you know, like the Tiger record, and I

2423
02:08:45,240 --> 02:08:48,680
Speaker 1: brought in Neo's management team, Coumpound, and I said, listen,

2424
02:08:48,720 --> 02:08:51,840
Speaker 1: you still don't keep your same you know, amount of

2425
02:08:51,920 --> 02:08:54,680
Speaker 1: money or whatever you're gonna You're gonna keep your percentage,

2426
02:08:55,320 --> 02:08:57,880
Speaker 1: but I'm gonna bring you extra management, same as he's

2427
02:08:57,880 --> 02:09:01,640
Speaker 1: doing rock Nation. Now you know, I'm gonna bring in

2428
02:09:02,040 --> 02:09:04,320
Speaker 1: I'm gonna bringing more people because they got better relationships

2429
02:09:04,360 --> 02:09:06,880
Speaker 1: to get us to where we need to be, you

2430
02:09:06,920 --> 02:09:09,080
Speaker 1: know what I'm saying. And during that time, that's when

2431
02:09:09,120 --> 02:09:13,200
Speaker 1: he started at getting funny. Uh So it was like

2432
02:09:13,280 --> 02:09:14,840
Speaker 1: a time where we was doing the video for I

2433
02:09:14,920 --> 02:09:18,080
Speaker 1: Love Girls and he's like, well, you know I need

2434
02:09:18,160 --> 02:09:20,080
Speaker 1: to be I've never missed a video. And it's like

2435
02:09:20,720 --> 02:09:22,520
Speaker 1: Nigga we got a team in l A. We don't

2436
02:09:22,520 --> 02:09:24,800
Speaker 1: need you to be there for the video. It's a

2437
02:09:24,920 --> 02:09:26,960
Speaker 1: waste of money. I need to get that because we're

2438
02:09:27,000 --> 02:09:30,120
Speaker 1: paying for the whole video. And then, you know, things

2439
02:09:30,200 --> 02:09:32,320
Speaker 1: like that made him feel the way he felt. But

2440
02:09:32,760 --> 02:09:36,040
Speaker 1: it was one day. He's like, Yo, nigga, God he

2441
02:09:36,160 --> 02:09:38,880
Speaker 1: coming in town. Anytime I go to Memphis, God to

2442
02:09:38,960 --> 02:09:41,000
Speaker 1: take care of me. Anytime. God he come. Remind me

2443
02:09:41,360 --> 02:09:42,960
Speaker 1: like I've been to gott the house. God he been

2444
02:09:43,000 --> 02:09:45,560
Speaker 1: to my house. Yo, I need to take Goddy around

2445
02:09:45,640 --> 02:09:48,400
Speaker 1: to show him in his you know, his kids schools

2446
02:09:48,480 --> 02:09:50,520
Speaker 1: and things like go ahead, take my card, do that.

2447
02:09:51,360 --> 02:09:54,600
Speaker 1: And he did that and then he secured a job

2448
02:09:54,680 --> 02:09:58,000
Speaker 1: with him and didn't tell me, and then I don't

2449
02:09:58,000 --> 02:09:59,560
Speaker 1: know what he told God. He you know what I'm saying.

2450
02:10:00,000 --> 02:10:03,320
Speaker 1: I see Gotty all the time now, and you know

2451
02:10:03,360 --> 02:10:05,280
Speaker 1: when I seem to consin or whatever I see him at,

2452
02:10:05,680 --> 02:10:08,640
Speaker 1: you know, we stay out here. Good. You're good. Now,

2453
02:10:08,720 --> 02:10:10,440
Speaker 1: he's still a good person, you know what I'm saying.

2454
02:10:11,160 --> 02:10:13,080
Speaker 1: And I don't ever bring it to him like yo,

2455
02:10:14,000 --> 02:10:15,760
Speaker 1: because I just want to see the next man do good.

2456
02:10:15,800 --> 02:10:18,120
Speaker 1: But now you're not doing right by me and you

2457
02:10:18,320 --> 02:10:21,800
Speaker 1: and you being like anybody else in the past. So yeah,

2458
02:10:22,120 --> 02:10:25,840
Speaker 1: like I feel like my career was cheated. I was

2459
02:10:25,960 --> 02:10:28,920
Speaker 1: cheated out of my whole career in my perception as

2460
02:10:28,960 --> 02:10:32,760
Speaker 1: an artist. And people believe anything that people tell them.

2461
02:10:32,880 --> 02:10:35,440
Speaker 1: And you know what I'm saying, like, that's my that's

2462
02:10:35,480 --> 02:10:39,080
Speaker 1: me speaking my truth. But I don't have nothing to

2463
02:10:39,240 --> 02:10:41,200
Speaker 1: care about him much. I don't give a funk you

2464
02:10:41,280 --> 02:10:44,760
Speaker 1: feel me. I don't care, but I'm gonna speak out now.

2465
02:10:45,240 --> 02:10:47,919
Speaker 1: And these people should be held accountable for the actions.

2466
02:10:48,680 --> 02:10:52,680
Speaker 1: But nigger, I gotta grammy that I look for and

2467
02:10:52,800 --> 02:10:57,000
Speaker 1: somebody else named me taking credit for it. But you

2468
02:10:57,120 --> 02:10:59,560
Speaker 1: did agree to it at that time. I agreed to

2469
02:10:59,640 --> 02:11:02,640
Speaker 1: it for the money, agreed to the deal with his man.

2470
02:11:03,160 --> 02:11:06,840
Speaker 1: Think yeah, I say yo, according I say yo. We

2471
02:11:06,880 --> 02:11:08,920
Speaker 1: don't got no money, nigga. We need to eat every

2472
02:11:09,000 --> 02:11:12,160
Speaker 1: fucking day. Nigga, put it in your name and it's

2473
02:11:12,160 --> 02:11:14,520
Speaker 1: gonna be taken. If not, it's gonna be taking. It's

2474
02:11:14,520 --> 02:11:16,320
Speaker 1: gonna be held up like all the other records that

2475
02:11:16,440 --> 02:11:18,880
Speaker 1: we try to do held up. So what would have

2476
02:11:18,960 --> 02:11:21,360
Speaker 1: happened if you wouldn't have happen? Put it again, as

2477
02:11:21,680 --> 02:11:24,600
Speaker 1: it would have been taken slipper slide would have took

2478
02:11:24,640 --> 02:11:26,960
Speaker 1: it now pretty Ricky Dad would have held it up,

2479
02:11:27,080 --> 02:11:28,880
Speaker 1: or he would help the whole record, because that's what

2480
02:11:29,000 --> 02:11:31,720
Speaker 1: he was on at the time. So wayne nobody, it

2481
02:11:31,720 --> 02:11:34,600
Speaker 1: wouldn't it wouldn't benefit Jim Johnson, would have benefit nobody

2482
02:11:36,680 --> 02:11:39,280
Speaker 1: because once one person held it up or hold it up,

2483
02:11:39,400 --> 02:11:43,480
Speaker 1: nigga's it's held so right now, even to this day,

2484
02:11:43,960 --> 02:11:45,840
Speaker 1: it's been sinking that she's like that. Whoever, Now I

2485
02:11:45,960 --> 02:11:47,840
Speaker 1: might try to come help hold it up now that

2486
02:11:47,880 --> 02:11:50,320
Speaker 1: I just said what I said, but I don't care anymore,

2487
02:11:50,480 --> 02:11:53,800
Speaker 1: so I don't. I live in my truth. Woman, Oh

2488
02:11:54,720 --> 02:11:57,200
Speaker 1: my nigga, pleasure pe. We want to tell you you

2489
02:11:57,280 --> 02:11:59,720
Speaker 1: appreciate it. I want to tell you we love you

2490
02:12:00,040 --> 02:12:02,040
Speaker 1: were here. I want to tell you this is your platform.

2491
02:12:02,520 --> 02:12:04,400
Speaker 1: Whatever you want to come over here and talk some ship,

2492
02:12:04,440 --> 02:12:06,240
Speaker 1: you're gonna make sure if we shoot the train next

2493
02:12:06,320 --> 02:12:13,640
Speaker 1: time the train I'm training part show. I had no idea.

2494
02:12:13,680 --> 02:12:16,400
Speaker 1: I'm gonna be honest. I knew a lot of what

2495
02:12:16,520 --> 02:12:22,840
Speaker 1: you do you were saying, but the majority of what

2496
02:12:22,960 --> 02:12:24,800
Speaker 1: you were saying I was just blowing on my mind

2497
02:12:24,920 --> 02:12:29,080
Speaker 1: because then that's something I never told anybody. And the

2498
02:12:29,160 --> 02:12:31,480
Speaker 1: crazy ship other than the people that know, and the

2499
02:12:31,560 --> 02:12:34,200
Speaker 1: crazy ship was you were you were like kind of

2500
02:12:34,320 --> 02:12:39,720
Speaker 1: like burdened with being pardon me for my reference the Beyonce.

2501
02:12:41,880 --> 02:12:47,040
Speaker 1: I don't refer to me as Beyonce, but you you

2502
02:12:47,120 --> 02:12:49,600
Speaker 1: would like you would like like you don't know what

2503
02:12:49,680 --> 02:12:53,680
Speaker 1: trying to say. Even though my references so dimly this

2504
02:12:54,040 --> 02:12:57,360
Speaker 1: they don't understand what is that to be mean and

2505
02:12:57,480 --> 02:13:00,400
Speaker 1: be discredited? You know how many girls I meant she

2506
02:13:00,640 --> 02:13:04,720
Speaker 1: vibing me? Fuck them? Did somebody talks and it's done.

2507
02:13:05,080 --> 02:13:07,960
Speaker 1: I'm any artists that spoke out who didn't know at

2508
02:13:08,040 --> 02:13:12,920
Speaker 1: the time, and and I'm like, dog, I know you wouldn't. Nigga.

2509
02:13:13,160 --> 02:13:16,040
Speaker 1: It's been a lot how many shows I supposed to

2510
02:13:16,040 --> 02:13:18,640
Speaker 1: be booked for people telling your oh, Nigga, you can't

2511
02:13:18,680 --> 02:13:22,120
Speaker 1: get booked because distance and that the room Like nigga,

2512
02:13:22,120 --> 02:13:26,920
Speaker 1: That's been my life for the last fucking ten years. Wow,

2513
02:13:28,040 --> 02:13:30,640
Speaker 1: But I'm still working. I'm still here, I'm still standing,

2514
02:13:30,720 --> 02:13:34,400
Speaker 1: I'm still helping the people who sucked me over. I'm

2515
02:13:34,440 --> 02:13:38,200
Speaker 1: still here, Like, I'm still providing opportunities. I'm forgiving you

2516
02:13:38,280 --> 02:13:40,600
Speaker 1: know what, I don't want no problems with nobody, But

2517
02:13:40,760 --> 02:13:43,360
Speaker 1: this is my truth that he said he helping the

2518
02:13:43,440 --> 02:13:47,000
Speaker 1: people that sucked them over. That's crazy. No, But what

2519
02:13:47,080 --> 02:13:50,880
Speaker 1: I meant was, you know, so I still love them. Bro,

2520
02:13:51,560 --> 02:13:57,480
Speaker 1: You're a bigger man than me. Bro. Yeah, but you know, my, my, everybody, everybody,

2521
02:13:58,520 --> 02:14:02,680
Speaker 1: everybody's understanding for being on this earth is different. My

2522
02:14:02,840 --> 02:14:06,240
Speaker 1: understanding is different. So I don't hold on to all

2523
02:14:06,360 --> 02:14:10,280
Speaker 1: those things in the sense of what I'm at today.

2524
02:14:10,640 --> 02:14:13,400
Speaker 1: I'm just telling you about my past and what I've

2525
02:14:13,440 --> 02:14:17,080
Speaker 1: been through. All those people, I still love them, and

2526
02:14:17,400 --> 02:14:20,040
Speaker 1: I just wish they did better at trying to understand

2527
02:14:20,080 --> 02:14:24,040
Speaker 1: why I'm coming from. And even if they don't, that's what.

2528
02:14:24,200 --> 02:14:26,360
Speaker 1: At least I spoke my truth and at least I

2529
02:14:26,480 --> 02:14:29,120
Speaker 1: told you how I feel, even if it's through this platform.

2530
02:14:29,680 --> 02:14:31,480
Speaker 1: You understand what I'm saying. And I'm not using this

2531
02:14:31,560 --> 02:14:34,200
Speaker 1: platform to I'm not trying to be the victim none

2532
02:14:34,240 --> 02:14:38,400
Speaker 1: of that ship like I'm standing, ain't bash nobody. I'm

2533
02:14:38,640 --> 02:14:42,320
Speaker 1: I'm standing, understand what I'm saying, and you know, I

2534
02:14:42,440 --> 02:14:44,960
Speaker 1: just I just that's all I asked from from everything

2535
02:14:45,360 --> 02:14:49,720
Speaker 1: they father, they father. At one point, I feel like, Yo,

2536
02:14:49,840 --> 02:14:52,320
Speaker 1: he stole all the money from us, and he was distant.

2537
02:14:52,360 --> 02:14:54,160
Speaker 1: He was that. But guess what. If it wasn't for

2538
02:14:54,200 --> 02:14:56,000
Speaker 1: that man, I wouldn't be on this platform right now.

2539
02:14:57,000 --> 02:14:59,040
Speaker 1: His money, I don't know how much he spent. So

2540
02:14:59,160 --> 02:15:01,760
Speaker 1: if it took Kim, I'm a business owner, nigga, My

2541
02:15:01,800 --> 02:15:04,480
Speaker 1: businesses under for two years. Sometimes just is what it takes.

2542
02:15:04,720 --> 02:15:06,560
Speaker 1: So who knows what he was under at the time.

2543
02:15:08,680 --> 02:15:12,400
Speaker 1: Who who knows but me and him? And I'm now

2544
02:15:12,480 --> 02:15:15,480
Speaker 1: in a good place. You feel me, and I'll do

2545
02:15:15,600 --> 02:15:17,400
Speaker 1: whatever it takes for him. If he called me and

2546
02:15:17,440 --> 02:15:19,840
Speaker 1: he said, I don't got nothing, nigga, I'm right there,

2547
02:15:20,200 --> 02:15:22,960
Speaker 1: because if it wasn't for you, nigga, I wouldn't be

2548
02:15:23,040 --> 02:15:24,600
Speaker 1: in a position. And I man't no matter what you

2549
02:15:24,680 --> 02:15:26,600
Speaker 1: did to me or what I thought at the time

2550
02:15:26,640 --> 02:15:29,200
Speaker 1: when I was younger or whatever. That's still my dog

2551
02:15:29,360 --> 02:15:32,600
Speaker 1: can feel me, and that's how I handled ship. It's

2552
02:15:32,600 --> 02:15:36,160
Speaker 1: a beautiful, beautiful way to think. By the way, last question,

2553
02:15:38,120 --> 02:15:42,280
Speaker 1: so what's it the mother pucker in future? And I'm

2554
02:15:42,360 --> 02:15:44,120
Speaker 1: kind of done with the business. Bro. I got like

2555
02:15:44,280 --> 02:15:48,200
Speaker 1: five albums already recorded, so I'm just gonna put him out.

2556
02:15:48,320 --> 02:15:51,720
Speaker 1: But and I'm making my exit, you know what I'm saying.

2557
02:15:53,680 --> 02:15:58,800
Speaker 1: And I'm going into franchises in real estate, so you

2558
02:15:58,920 --> 02:16:02,160
Speaker 1: know just time. I've been doing that for quite some time.

2559
02:16:02,360 --> 02:16:06,920
Speaker 1: And you know I'm cool, like I don't need dreat

2560
02:16:06,960 --> 02:16:10,160
Speaker 1: performing anymore. Promoter to see you when they try to

2561
02:16:10,320 --> 02:16:12,880
Speaker 1: beliterally you and try to owe this, nigga, We'll take

2562
02:16:12,880 --> 02:16:15,240
Speaker 1: a show for three thousand. Motherfucker, Who the fuck you

2563
02:16:15,360 --> 02:16:18,680
Speaker 1: think I am? Nigga? You got me fucked up all

2564
02:16:18,720 --> 02:16:21,080
Speaker 1: this ship. I'm telling you that I've been through and

2565
02:16:21,120 --> 02:16:22,640
Speaker 1: you want to try to pay me three thousand, but

2566
02:16:22,720 --> 02:16:26,880
Speaker 1: you're paying nigga, not fuck you. It ain't know longus.

2567
02:16:26,920 --> 02:16:30,480
Speaker 1: My son got his college money. He about to fourteen,

2568
02:16:30,520 --> 02:16:32,920
Speaker 1: about to be fifteen. He's about to get a car

2569
02:16:33,040 --> 02:16:36,680
Speaker 1: next year. I own my property, I paid my taxes.

2570
02:16:37,080 --> 02:16:40,640
Speaker 1: I got monthly money, mean intangible money that I can grab.

2571
02:16:41,240 --> 02:16:44,400
Speaker 1: And I'm happy what I'm saying. A couple of properties.

2572
02:16:44,400 --> 02:16:46,560
Speaker 1: I can travel, I want to travel, I can eat

2573
02:16:46,600 --> 02:16:48,879
Speaker 1: what I want to eat. I ain't in covering ranches

2574
02:16:48,920 --> 02:16:51,880
Speaker 1: while I came from. I'm happy, nigga. I feel like

2575
02:16:51,959 --> 02:16:54,760
Speaker 1: I made a difference. And people try to well you

2576
02:16:54,840 --> 02:16:57,760
Speaker 1: and got big diamonds and you nigga, it ain't even

2577
02:16:57,840 --> 02:17:01,200
Speaker 1: about that. It's about making it out and maintaining it.

2578
02:17:01,520 --> 02:17:04,119
Speaker 1: I understand I'm soon. I still drive a nice car,

2579
02:17:04,760 --> 02:17:09,080
Speaker 1: good damn it. I still I'm still a provider, know

2580
02:17:09,120 --> 02:17:11,800
Speaker 1: what I'm saying. That's all I care about as an

2581
02:17:11,879 --> 02:17:14,320
Speaker 1: artist and as a person, and I wanna live up

2582
02:17:14,320 --> 02:17:16,920
Speaker 1: to nobody else's standards. You know what I'm saying. I

2583
02:17:17,520 --> 02:17:20,920
Speaker 1: wasted money on thirty niggas. I started a label and

2584
02:17:21,000 --> 02:17:23,840
Speaker 1: try to bring my own people to be a part

2585
02:17:23,879 --> 02:17:25,680
Speaker 1: of the label, and they funked it up. And see

2586
02:17:25,680 --> 02:17:29,000
Speaker 1: what'thing like? I've done my my part, you know, and

2587
02:17:29,080 --> 02:17:32,160
Speaker 1: my justest doing this business. So anybody watching this, and

2588
02:17:32,280 --> 02:17:34,360
Speaker 1: even if it's somebody that I just told and I'm

2589
02:17:34,400 --> 02:17:36,840
Speaker 1: just trying to have my peace in life, you feel me,

2590
02:17:37,240 --> 02:17:40,760
Speaker 1: that's more important to me as an artist. Man. But

2591
02:17:40,920 --> 02:17:43,240
Speaker 1: we salute you over here for you want you to

2592
02:17:43,360 --> 02:17:50,400
Speaker 1: know we love your not only this is your platform,

2593
02:17:50,840 --> 02:17:53,640
Speaker 1: this in your hometown. Whenever you want to come over here,

2594
02:17:53,720 --> 02:17:55,520
Speaker 1: you want to vent. I don't give a fun this

2595
02:17:55,640 --> 02:17:57,920
Speaker 1: Tomorrow you wanna come and you want to vent, you

2596
02:17:57,959 --> 02:18:00,120
Speaker 1: want to talk, because that's what this is. This, This,

2597
02:18:00,360 --> 02:18:03,200
Speaker 1: this to me is hip hop derby. You know what

2598
02:18:03,240 --> 02:18:05,720
Speaker 1: I'm saying, It's like you sit down because I don't

2599
02:18:06,640 --> 02:18:08,760
Speaker 1: give you. The reason why is we're sitting down and

2600
02:18:08,840 --> 02:18:11,520
Speaker 1: I'm kicking it with you, and I can fully relate

2601
02:18:11,600 --> 02:18:14,720
Speaker 1: to everything you're saying. He can fully relate to everything

2602
02:18:14,760 --> 02:18:18,440
Speaker 1: you're saying because we're not journalist, meaning like with people

2603
02:18:18,520 --> 02:18:22,880
Speaker 1: that you know in college, you know, writing down notes. No,

2604
02:18:24,280 --> 02:18:26,720
Speaker 1: he is the DJ, I am the hip hop I'm

2605
02:18:26,760 --> 02:18:29,480
Speaker 1: the artist, so we know exactly what's going on. This

2606
02:18:29,560 --> 02:18:32,240
Speaker 1: is the reason why this show has been successful. And

2607
02:18:32,320 --> 02:18:35,520
Speaker 1: we want to let you know, as a Miami guy,

2608
02:18:35,840 --> 02:18:38,280
Speaker 1: as a motherfucker R and B legend, this platform is

2609
02:18:38,360 --> 02:18:41,280
Speaker 1: hoping for you. Anytime you want you come out, you

2610
02:18:41,480 --> 02:18:44,360
Speaker 1: vent the funk out. I appreciate your honesty, though, I

2611
02:18:44,400 --> 02:18:48,120
Speaker 1: appreciate you coming here because there was things I was

2612
02:18:48,160 --> 02:18:50,920
Speaker 1: gonna avoid, you know, because I google everybody I do,

2613
02:18:51,200 --> 02:18:53,880
Speaker 1: and when sure, it should come up like I ain't

2614
02:18:53,879 --> 02:18:57,520
Speaker 1: gonna do to help me find out why the funk

2615
02:18:57,560 --> 02:19:02,000
Speaker 1: every time somebody google me, that should come in it

2616
02:19:02,400 --> 02:19:05,680
Speaker 1: and then, you know, belittle to me, and you know

2617
02:19:05,760 --> 02:19:07,440
Speaker 1: people think that about me, they don't even get to

2618
02:19:07,520 --> 02:19:12,760
Speaker 1: know me. And I ain't suing Google, I ain't suing nobody.

2619
02:19:13,200 --> 02:19:14,960
Speaker 1: I just gotta find a person that can help me

2620
02:19:15,440 --> 02:19:21,520
Speaker 1: take that ship down was definitely gonna be. That's all

2621
02:19:21,560 --> 02:19:24,040
Speaker 1: I ask. And whoever's still talk gree, I don't give

2622
02:19:24,080 --> 02:19:26,600
Speaker 1: a funk because that matter what always talk about. It

2623
02:19:26,840 --> 02:19:29,160
Speaker 1: was a case a lot like lother like that, right,

2624
02:19:30,280 --> 02:19:34,880
Speaker 1: So it was only a misunderstanding in terms of me

2625
02:19:35,640 --> 02:19:39,080
Speaker 1: having a lawsuit out against the company, them taking certain

2626
02:19:39,160 --> 02:19:42,440
Speaker 1: things from that lawsuit, bringing it to something else, and

2627
02:19:44,040 --> 02:19:46,240
Speaker 1: you know, trying to make it something that is not

2628
02:19:46,840 --> 02:19:50,800
Speaker 1: and they were successful at doing that. Twitter was new

2629
02:19:50,879 --> 02:19:53,320
Speaker 1: at the time, you know what I'm saying, I didn't

2630
02:19:53,320 --> 02:19:57,199
Speaker 1: know what social media was. You feel me. Obviously people

2631
02:19:57,280 --> 02:19:59,280
Speaker 1: knew what social media or just why they make a

2632
02:19:59,320 --> 02:20:04,680
Speaker 1: million models for you. But you know, well, pleasure pad.

2633
02:20:04,760 --> 02:20:06,400
Speaker 1: We want to think and not and not to and

2634
02:20:06,480 --> 02:20:11,720
Speaker 1: not to bash anybody because whether it's Tiger, you know,

2635
02:20:11,840 --> 02:20:16,200
Speaker 1: I love his new single um Taste or whatever what

2636
02:20:16,240 --> 02:20:20,080
Speaker 1: I'm saying, it's Empire. I love this in a single,

2637
02:20:20,120 --> 02:20:22,240
Speaker 1: but I just didn't like I dealt with that situation.

2638
02:20:23,600 --> 02:20:26,920
Speaker 1: Trade songs. We funk with trade songs. You know. I

2639
02:20:27,040 --> 02:20:29,800
Speaker 1: want to see Dog continue to make music. Drake whoever like,

2640
02:20:30,240 --> 02:20:33,040
Speaker 1: I don't hate anybody, but I'm just telling y'all like

2641
02:20:33,200 --> 02:20:36,440
Speaker 1: my story and my truth, and you know what I mean.

2642
02:20:36,920 --> 02:20:40,360
Speaker 1: Blue Starter, guy who fucking the reason I'm here, no

2643
02:20:40,480 --> 02:20:42,840
Speaker 1: matter what happened. But I still love him and I'm

2644
02:20:42,840 --> 02:20:46,360
Speaker 1: still thankful for him. Baby Blue, who was in my group.

2645
02:20:47,320 --> 02:20:50,160
Speaker 1: We'll probably never be on a level that you were,

2646
02:20:50,360 --> 02:20:52,920
Speaker 1: but you know he's a part of my history and

2647
02:20:53,000 --> 02:20:55,400
Speaker 1: my legacy, and you know I wish him the best

2648
02:20:55,480 --> 02:20:58,240
Speaker 1: and all of that. So you know what I'm saying, Well,

2649
02:20:58,480 --> 02:21:00,240
Speaker 1: big up to you for being a man's man. God

2650
02:21:00,280 --> 02:21:06,840
Speaker 1: damn give fixes and dropping to the redder. Let's good.

2651
02:21:07,360 --> 02:21:09,720
Speaker 1: I gotta be paid, Oh give me. I ain't a lie.

2652
02:21:09,760 --> 02:21:10,560
Speaker 1: I helped my Feta