WEBVTT - Spin

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<v Speaker 1>So not to give too much away about today's wonderful

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<v Speaker 1>film that we're going to be talking about, but I

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<v Speaker 1>just wanted to start with were you at all jarred

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<v Speaker 1>by how different a newer dcom is from one of

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<v Speaker 1>the older dcoms? Yes?

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<v Speaker 2>Yes, I mean in what we've seen so far that

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<v Speaker 2>Disney somewhat touches but not a ton. We're there out

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<v Speaker 2>in the open, Yeah, and totally comfortable, like it wasn't

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<v Speaker 2>It wasn't uncomfortable.

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<v Speaker 3>It just was like, wow, this we have like evolved.

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<v Speaker 2>Yes, as a one, that's a great word for evolved

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<v Speaker 2>Disney in today's society of things that kids are going

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<v Speaker 2>through right now.

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<v Speaker 1>It's also us brighter and the just it looks better.

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<v Speaker 1>I know, it's a simple thing to say that it

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<v Speaker 1>looks better, it sounds better, but it's you know, it

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<v Speaker 1>just shows the evolution. You watch a sitcom today and

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<v Speaker 1>it looks better than it does if you're watching a

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<v Speaker 1>sitcom from even the nineties. But when we're coming off

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<v Speaker 1>of Dad Napped to today's movie, it was like the

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<v Speaker 1>most jarring thing. That was like going from a like

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<v Speaker 1>a hello, my baby, hello my honey, to watching Star

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<v Speaker 1>Wars for the first time. It's crazy. So anyway, welcome

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<v Speaker 1>back to Magical Rewind, the show that makes you want

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<v Speaker 1>to grab your friends, your pjs, and your popcorn and

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<v Speaker 1>go back to a time when all the houses were smart,

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<v Speaker 1>the waves, tsunamis and the high School's musical.

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<v Speaker 3>I'm Wilford Dell and I'm Sabrina Bryan.

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<v Speaker 1>So today we're getting down on the wheels of steel

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<v Speaker 1>because it's time for our newest d com or should

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<v Speaker 1>I say DJ comm Huh? Should I? I probably shouldn't

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<v Speaker 1>our most curry? Yeah, no, I won't. It's twenty twenty

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<v Speaker 1>one's Spin. When announced in March of twenty twenty, Spin

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<v Speaker 1>was first conceived to air on Disney Plus, but just

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<v Speaker 1>five months later it became prime for Magical Rewind when

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<v Speaker 1>it was repositioned as a Disney Channel original movie. It

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<v Speaker 1>was shifted and redeveloped premiere traditionally on cable, with only

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<v Speaker 1>one writer replaced from the original announcement. Okay, Sabrina, So

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<v Speaker 1>we've never really delved into this before, and now we're

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<v Speaker 1>getting into kind of the nitty gritty because we've talking

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<v Speaker 1>about evolution, been looking at the evolution of what we

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<v Speaker 1>call the dcom. But there was like Disney Channel original movies,

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<v Speaker 1>Disney Movies, Wonderful World of Disney Movies, Zoog movies. We've

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<v Speaker 1>seen that. There was a whole bunch of these. So

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<v Speaker 1>do you think we can yet discern the differences between

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<v Speaker 1>what would be a D com and a Disney Plus

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<v Speaker 1>original movie. I don't think we have that eye yet.

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<v Speaker 3>I don't think so.

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<v Speaker 2>I honestly think it's it was more about marketing than

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<v Speaker 2>it was about was on the channel versus D like

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<v Speaker 2>Disney Plus.

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<v Speaker 3>I think it's where how kids nowadays watched TV.

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<v Speaker 2>Yeah, versus it actually about like where the location of

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<v Speaker 2>it is.

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<v Speaker 3>It's more about this is just how they watched TV.

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<v Speaker 1>And it was funny. I was talking to somebody about

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<v Speaker 1>that exact same thing, about watching a new sitcom on

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<v Speaker 1>something like ABC versus when it streams and is an

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<v Speaker 1>actress from one of the new sitcoms that's on. Who said, Oh,

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<v Speaker 1>every promo we do, every press we do, that we

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<v Speaker 1>have to end with and it's airing tomorrow and Hulu

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<v Speaker 1>tomorrow and Hulu because it's like that's how everybody watches

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<v Speaker 1>theirs stuff.

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<v Speaker 2>I think that the only that Monroe has. Let's put

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<v Speaker 2>it this way, She has a bunch of shows on

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<v Speaker 2>the Disney Channel that I like Punstruction, Alice Bakery. But

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<v Speaker 2>I record all of those and just she pops them on.

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<v Speaker 2>She doesn't sit down whenever it airs. That's never how

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<v Speaker 2>it was, not how it works, Playhouse, all of that

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<v Speaker 2>stuff like those are all just recorded, and I know,

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<v Speaker 2>I kind of like, man, it is a shame.

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<v Speaker 3>That's just how it is, you know. And it's also

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<v Speaker 3>like easier to access on my phone or on an

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<v Speaker 3>iPad for her.

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<v Speaker 2>Yeah, then you know if if we're sitting at home,

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<v Speaker 2>you know, because then it also is nice because we

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<v Speaker 2>can watch what we want to watch. She can watch

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<v Speaker 2>which of course watch, yeah, but not have to be

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<v Speaker 2>away from us. She could still be like on the couch.

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<v Speaker 1>Totally different. Anyway, Spin debut on the channel almost exactly

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<v Speaker 1>one year later, after all this, August thirteenth, twenty twenty one,

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<v Speaker 1>and it became the very first dcom to feature an

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<v Speaker 1>Indian American in the lead role, and only one other

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<v Speaker 1>dcom at all centered around Indian culture. So do you

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<v Speaker 1>know what what movie that was?

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<v Speaker 2>I do will Sheeta Girls, One World and living in

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<v Speaker 2>this movie for all of the just oh it was.

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<v Speaker 1>I can't wait, can't wait, I can't wait all I

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<v Speaker 1>can't wait either. This aired as part of Disney Channels

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<v Speaker 1>Friday the thirteenth is Fun Lucky. I didn't make that up.

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<v Speaker 1>Friday the thirteenth is Fun Lucky night of Premieres, which

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<v Speaker 1>might just be the least catchy promotion name I've ever

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<v Speaker 1>heard of. It's like if they said musty TV is

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<v Speaker 1>make sure you watch this television. So true it is,

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<v Speaker 1>God It's bad. It showed immediately after the channel premiere

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<v Speaker 1>of Toy Story four and right before Descendants, the Royal

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<v Speaker 1>Wedding and disney He's Magic Bakeoff, So quite a huge

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<v Speaker 1>night of entertainment. Yeah, the film racked in. Now here's

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<v Speaker 1>where it gets strange, because you know, we talk about

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<v Speaker 1>numbers every week, and we're saying this was a big one.

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<v Speaker 1>It had five million viewers, that had four million viewers

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<v Speaker 1>then come streaming. So this film racked in five hundred

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<v Speaker 1>and thirty five thousand viewers for its premiere. And this, unfortunately,

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<v Speaker 1>was another first. This was the first decom ever to

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<v Speaker 1>score less than a million viewers in its first airing.

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<v Speaker 1>And this, my friends, is just the new norm with

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<v Speaker 1>streaming services. Kids don't watch traditional TV, so we just

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<v Speaker 1>talked about it. That's neither of us like it, but

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<v Speaker 1>that's the new way it is. It's just absolutely the

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<v Speaker 1>new normal. Then, even after the scheduling changes, it was

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<v Speaker 1>finally added to Disney Plus and November of twenty twenty

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<v Speaker 1>one as part of Disney Plus Day and annual celebration

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<v Speaker 1>and content dump for the anniversary of the streaming services launch.

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<v Speaker 1>I don't think there's any mail service on that day.

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<v Speaker 1>I know that I like to celebrate that day alone.

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<v Speaker 1>It's just how I observe. It's a mine.

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<v Speaker 3>Yeah, what a great occasion I do.

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<v Speaker 1>I love it. I get my Disney Plus candles and

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<v Speaker 1>I'm very happy. Spin was the first d com to

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<v Speaker 1>be filmed during the pandemic. Yes, it was shot in well, Toronto, Canada,

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<v Speaker 1>so there you go. It gives us a small Utah

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<v Speaker 1>break from October fifth, twenty twenty to November twentieth, twenty twenty,

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<v Speaker 1>so it was right in the mix of an absolutely

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<v Speaker 1>insane time in the world. Very little was filming and

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<v Speaker 1>as you can figure out by the dates, viewers that

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<v Speaker 1>ended up waiting three hundred and seventy eight days to

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<v Speaker 1>see the finished product. That is the longest wait ever

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<v Speaker 1>between new dcoms oh Man.

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<v Speaker 3>That feels like five years.

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<v Speaker 1>Doesn't it a year? Well it is, and in with

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<v Speaker 1>the short attention spans that social media has given us,

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<v Speaker 1>three hundred and seventy eight days is nine million years

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<v Speaker 1>and worth noting that Spin was released in India on

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<v Speaker 1>Disney Plus hot Star, which is their version of the

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<v Speaker 1>studio subscription service, and Disney International HD, their version of

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<v Speaker 1>the channel, on August fifteenth, twenty twenty one Indian Independence Day. Now,

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<v Speaker 1>obviously this was a very big deal for their country,

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<v Speaker 1>so there was a lot of promotion and fanfare to

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<v Speaker 1>coincide with the celebration. Really cool. The soundtrack to Spin,

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<v Speaker 1>which is an important element to the movie about DJing

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<v Speaker 1>and EDM, was released two weeks before the movie aired

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<v Speaker 1>and features all the music you hear in the film.

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<v Speaker 1>All the songs are written, produced, and performed by Marcus Devrees,

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<v Speaker 1>who is a Grammy winner whose previous work includes movies

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<v Speaker 1>like Coda, Kick Ass, and Sucker Punch. And someone chime

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<v Speaker 1>in if I'm wrong here, but I'm going to assume

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<v Speaker 1>that this was Disney's first foray into music that you

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<v Speaker 1>might hear at a rave Is that right? I mean,

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<v Speaker 1>have we heard other music in Disney? No?

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<v Speaker 3>I guess you're right. I guess a part of this

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<v Speaker 3>this genre.

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<v Speaker 2>Yeah, this is probably the first that we've seen at

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<v Speaker 2>least absolutely.

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<v Speaker 3>You know, I would assume there was more.

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<v Speaker 1>But you've got a big musical background. Have you ever

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<v Speaker 1>tried to DJ?

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<v Speaker 3>I haven't you know it?

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<v Speaker 2>The whole time I was going, how come I haven't

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<v Speaker 2>tried this before?

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<v Speaker 3>You know.

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<v Speaker 2>The closest I got to it was during our tours.

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<v Speaker 2>We would have musical like dance breaks, Keeley and I

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<v Speaker 2>and Adrian would be working with the producer and I

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<v Speaker 2>would say, like, I want to hear like a like

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<v Speaker 2>glass crashing on the ground, sound like you know, you know,

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<v Speaker 2>and like doing like certain accents and audio effects and

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<v Speaker 2>things like that. So we would do that, but it

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<v Speaker 2>was not like with the spinning. I have to have

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<v Speaker 2>a girlfriend Brie who does it like all the time.

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<v Speaker 3>And then my girlfriend Asia is really like she gets

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<v Speaker 3>paid and to track. She loves it.

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<v Speaker 2>Yeah, And I remember her first like playing with it,

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<v Speaker 2>and I just never had much interest in actually doing it.

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<v Speaker 1>Is it sad that?

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<v Speaker 4>No?

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<v Speaker 1>The only DJ I know is DJ pauly D from

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<v Speaker 1>Jersey Shore. Is that that. I know, it's just not

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<v Speaker 1>my thing. It's not my kind of music, but hey,

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<v Speaker 1>it was impressive also as always, because there's technically dancing

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<v Speaker 1>in this movie, we have to ask you, you know,

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<v Speaker 1>a woman with now your own line of dance pants

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<v Speaker 1>and dance tops, which is called what again? Sobri official,

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<v Speaker 1>Sobri official? How is the dancing in the movie? You know?

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<v Speaker 2>It took me back and we'll get there, because it

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<v Speaker 2>was a lot of it was and I don't remember

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<v Speaker 2>the movie movements. But what I loved about learning the

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<v Speaker 2>movements from India is a lot of it tells stories

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<v Speaker 2>like what they're doing. They do things like with their

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<v Speaker 2>eyes and it's talking about looking or you know what

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<v Speaker 2>I mean, they have their.

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<v Speaker 1>Yeah, they had yes clear. It was almost like a

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<v Speaker 1>language onto itself.

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<v Speaker 2>The dancing, it absolutely is and I got to learn

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<v Speaker 2>like quite a bit about it through our movie on

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<v Speaker 2>the third one.

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<v Speaker 3>And so I liked it. It was just enough.

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<v Speaker 2>I don't think it needed any more than what we got.

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<v Speaker 2>I think it was like just enough and it was

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<v Speaker 2>more so about the actual music and storytelling of the music.

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<v Speaker 1>Okay, I did like it. I'm going to talk to

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<v Speaker 1>you about that later, because I don't necessarily agree. I think,

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<v Speaker 1>I honestly think it could have used a little more

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<v Speaker 1>of the dance stuff. But really get into that away

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<v Speaker 1>all right now. Spin may have been a quote unquote

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<v Speaker 1>failure when it came to the Nielsen ratings, but critically

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<v Speaker 1>it fared much better. Amy, Okay, now I just want

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<v Speaker 1>to preface everything I'm going to say. In this episode.

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<v Speaker 1>There's a lot of names that are very difficult to pronounce.

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<v Speaker 1>Uh So I I apologize right off the bat for

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<v Speaker 1>my pronunciations for some of these names. But Amy, a

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<v Speaker 1>Monteglio of Paste, said it really conveys the thrills of

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<v Speaker 1>a first crush or holding someone's hand for the first time,

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<v Speaker 1>without making the entire movie just about romance, which she liked,

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<v Speaker 1>and I don't disagree with that. Yeah, and it got

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<v Speaker 1>a positive review from Mashable, calling it revolutionary and delightful

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<v Speaker 1>in the dcom movie Library. And this has an eighty

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<v Speaker 1>percent score on Rotten Tomatoes. It also received the Reframe Stamp,

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<v Speaker 1>which is an award given by the Gender Equality Coalition.

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<v Speaker 1>Reframe an IMDb pro for films or TV projects that

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<v Speaker 1>are proven to have gender balancing hiring, especially women of color,

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<v Speaker 1>in four of the right key roles of production, not

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<v Speaker 1>a common distinction. Unfortunately, it was also nominated for two

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<v Speaker 1>Children and Family Emmy Awards, Outstanding Fiction Special and Outstanding Directing.

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<v Speaker 1>All right, we always ask what did you know about

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<v Speaker 1>Spin before it came to our watch?

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<v Speaker 2>Nothing when we released, or when we talked about this

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<v Speaker 2>last time with it upcoming, and you and I hadn't

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<v Speaker 2>seen this yet. I had never seen it. I was

0:11:01.120 --> 0:11:03.839
<v Speaker 2>thinking you got it in my head saying this was

0:11:03.880 --> 0:11:07.959
<v Speaker 2>gonna be like a workout space class, like how are

0:11:07.960 --> 0:11:08.959
<v Speaker 2>they gonna do this?

0:11:09.360 --> 0:11:10.960
<v Speaker 3>Or it's gonna be like bicycling.

0:11:11.120 --> 0:11:15.880
<v Speaker 2>I really had no idea until obviously when you pop

0:11:15.920 --> 0:11:18.920
<v Speaker 2>it up on Disney Plus you see the head picture.

0:11:18.720 --> 0:11:22.679
<v Speaker 3>And you're going, oh, oh, this is gonna.

0:11:22.440 --> 0:11:25.240
<v Speaker 2>Be I'm excited to see this. This is so different

0:11:25.240 --> 0:11:28.080
<v Speaker 2>than what we've seen at all. We've not seen and

0:11:28.080 --> 0:11:30.880
<v Speaker 2>we've seen obviously movies about music, but not like not

0:11:30.920 --> 0:11:32.319
<v Speaker 2>to I was really.

0:11:32.040 --> 0:11:32.960
<v Speaker 3>Looking forward to it.

0:11:33.080 --> 0:11:36.200
<v Speaker 1>Yeah, what about you? Will you know? I always say no,

0:11:36.400 --> 0:11:38.760
<v Speaker 1>And I didn't know the title, but I did know

0:11:38.880 --> 0:11:42.360
<v Speaker 1>this movie. You don't know how. I don't know if

0:11:42.400 --> 0:11:45.240
<v Speaker 1>I read the script or it was talked about in

0:11:45.280 --> 0:11:47.360
<v Speaker 1>a couple of meetings I had at Disney. But as

0:11:47.400 --> 0:11:49.319
<v Speaker 1>the movie started, I was like, I know this movie.

0:11:49.880 --> 0:11:52.480
<v Speaker 1>So I hadn't seen it, but I've either read the

0:11:52.520 --> 0:11:55.679
<v Speaker 1>script or been or talked to producers about this specific

0:11:55.760 --> 0:12:02.400
<v Speaker 1>film because I knew you always going from zero to one, right, exactly, exactly,

0:12:02.960 --> 0:12:03.920
<v Speaker 1>zero to one out.

0:12:03.720 --> 0:12:08.120
<v Speaker 2>Of ten out of ten thousand episodes you were once

0:12:08.320 --> 0:12:09.760
<v Speaker 2>wild though, kind.

0:12:09.559 --> 0:12:10.560
<v Speaker 1>Of heard of this movie.

0:12:10.760 --> 0:12:14.920
<v Speaker 2>Yeah, that's cool that you kind of maybe read the script.

0:12:15.000 --> 0:12:16.880
<v Speaker 1>That's pretty I think I think that's what it was,

0:12:16.880 --> 0:12:18.920
<v Speaker 1>but I can't remember. But either, Okay, why don't we

0:12:18.920 --> 0:12:22.240
<v Speaker 1>get into our synopsis? Fifteen year old Rhya Kumar, who

0:12:22.320 --> 0:12:25.440
<v Speaker 1>lives with her tight knit, multi generational family, realizes her

0:12:25.480 --> 0:12:29.160
<v Speaker 1>true passion is to become an ed m DJ Sabrina

0:12:29.520 --> 0:12:31.559
<v Speaker 1>Early thoughts, What did you think of the movie?

0:12:32.080 --> 0:12:36.080
<v Speaker 3>Again, I really didn't know much how to to do this.

0:12:36.280 --> 0:12:37.120
<v Speaker 3>As soon as it.

0:12:37.120 --> 0:12:41.320
<v Speaker 2>Starts and I'm seeing the Indian influenced of their culture

0:12:41.360 --> 0:12:46.679
<v Speaker 2>in it, I am like, yes, yep, I'm in, and

0:12:46.679 --> 0:12:47.600
<v Speaker 2>I'm so old, I'm in.

0:12:47.880 --> 0:12:48.480
<v Speaker 3>I'm on it.

0:12:49.320 --> 0:12:52.960
<v Speaker 2>This little girl comes on camera and to me, she's

0:12:53.000 --> 0:12:56.679
<v Speaker 2>one of the most stunning little girls.

0:12:55.640 --> 0:12:57.280
<v Speaker 3>I'm saying because.

0:12:57.000 --> 0:12:59.600
<v Speaker 2>She's I know, she's just younger than me. She's obviously

0:12:59.600 --> 0:13:04.400
<v Speaker 2>not a girl, but she's great. Stunning, yeah, stunning young woman.

0:13:04.200 --> 0:13:07.360
<v Speaker 1>And a star was I mean just clearly a star.

0:13:07.720 --> 0:13:10.840
<v Speaker 2>Clearly From the very first ep or very first scene

0:13:10.840 --> 0:13:13.400
<v Speaker 2>in this movie, it was just so good and I

0:13:13.559 --> 0:13:15.960
<v Speaker 2>was ready to go. And I really didn't know what

0:13:16.040 --> 0:13:18.240
<v Speaker 2>to think. How they were going to do this. I

0:13:18.280 --> 0:13:21.439
<v Speaker 2>couldn't imagine it, and it was great.

0:13:21.240 --> 0:13:23.040
<v Speaker 3>Right from the start. That was my early thoughts. I

0:13:23.080 --> 0:13:24.040
<v Speaker 3>was like, I'm gonna love this.

0:13:24.720 --> 0:13:28.440
<v Speaker 1>I completely and totally agree with you. It was one

0:13:28.480 --> 0:13:30.400
<v Speaker 1>of those things. I think a lot of it helps

0:13:30.400 --> 0:13:33.439
<v Speaker 1>that I'm coming right off a Dad Napped Yes, which

0:13:33.600 --> 0:13:36.679
<v Speaker 1>talk about a different vibe for a Disney movie. This

0:13:36.760 --> 0:13:41.880
<v Speaker 1>felt modern, it felt big budget, it felt real, it

0:13:41.960 --> 0:13:47.160
<v Speaker 1>felt the acting was incredible, the cast was wonderful. None

0:13:47.200 --> 0:13:51.000
<v Speaker 1>of it felt forced. It was I fully enjoyed this movie.

0:13:51.040 --> 0:13:53.280
<v Speaker 1>I again music, so I was like, I don't know

0:13:53.280 --> 0:13:56.920
<v Speaker 1>how Manna feel loved it, and I disagree. I would

0:13:56.960 --> 0:13:59.000
<v Speaker 1>love to have seen a little bit more of the

0:13:59.040 --> 0:14:00.840
<v Speaker 1>Bollywood put into the film.

0:14:03.280 --> 0:14:05.520
<v Speaker 3>Two, I thought the rolling credits we were going to

0:14:05.600 --> 0:14:06.240
<v Speaker 3>get something.

0:14:06.080 --> 0:14:08.280
<v Speaker 1>Like one or two would have been great itself.

0:14:08.760 --> 0:14:10.880
<v Speaker 3>In the movie itself, I didn't think it needed it.

0:14:10.960 --> 0:14:12.520
<v Speaker 3>I just felt like I would like to see the

0:14:12.600 --> 0:14:15.960
<v Speaker 3>ball yes, but the Bollywood that's like an end thing,

0:14:16.160 --> 0:14:16.360
<v Speaker 3>you know.

0:14:16.360 --> 0:14:17.520
<v Speaker 1>I know, I know a lot.

0:14:18.320 --> 0:14:20.440
<v Speaker 2>What I do want to say is and I know

0:14:20.440 --> 0:14:23.040
<v Speaker 2>we're gonna about to get to this. But I really

0:14:23.080 --> 0:14:26.440
<v Speaker 2>loved that it was an Indian filmmaker as the director too,

0:14:26.520 --> 0:14:30.160
<v Speaker 2>because I think that is absolutely really big and I

0:14:30.200 --> 0:14:32.440
<v Speaker 2>thought that was really very cool for the Disney Channel.

0:14:32.520 --> 0:14:34.760
<v Speaker 1>I think so too. And that's a perfect segue here

0:14:34.760 --> 0:14:37.200
<v Speaker 1>because Spin was directed by and again I'm apologizing if

0:14:37.200 --> 0:14:40.040
<v Speaker 1>I'm if I'm butchering these names, but was directed by

0:14:40.200 --> 0:14:43.040
<v Speaker 1>Menjari mac Johnny. I think is how you say it.

0:14:43.080 --> 0:14:45.800
<v Speaker 1>The Indian filmmaker and daughter of a veteran Bollywood actor

0:14:45.880 --> 0:14:48.480
<v Speaker 1>is based in La and debuted with the Netflix movie

0:14:48.600 --> 0:14:50.920
<v Speaker 1>Skater Girl in twenty twenty one, and that had a

0:14:51.000 --> 0:14:53.400
<v Speaker 1>very similar plot following a teenage girl who finds her

0:14:53.440 --> 0:14:56.440
<v Speaker 1>identity through skateboarding. Spin was her second feature, but she's

0:14:56.440 --> 0:14:59.840
<v Speaker 1>worked in his assistant director on Wait to Hear This

0:14:59.840 --> 0:15:03.840
<v Speaker 1>This List on some huge releases like Wonder Woman, Mission Impossible,

0:15:03.880 --> 0:15:06.640
<v Speaker 1>Ghost Protocol, and The Dark Night Rises when they were

0:15:06.680 --> 0:15:10.120
<v Speaker 1>all shot in India. Wow Wow, pretty cool. Or the

0:15:10.120 --> 0:15:13.320
<v Speaker 1>list of movies Will Loves and the Movie is filled

0:15:13.360 --> 0:15:16.520
<v Speaker 1>with mostly new faces for Disney, with only two real exceptions,

0:15:16.560 --> 0:15:20.240
<v Speaker 1>and the most recognizable is Anna Cathcart. This was actually

0:15:20.240 --> 0:15:22.600
<v Speaker 1>Anna's third d com as You've seen her before in

0:15:22.640 --> 0:15:26.440
<v Speaker 1>Descendance two and three as Dizzy Tremaine, Cinderella's daughter. She

0:15:26.480 --> 0:15:28.000
<v Speaker 1>also appeared in the movie To All the Boys I've

0:15:28.000 --> 0:15:30.720
<v Speaker 1>Loved Before and the TV show and subsequent movies for

0:15:30.960 --> 0:15:33.680
<v Speaker 1>Odd Squad. She can currently be seen on the Netflix

0:15:33.720 --> 0:15:36.040
<v Speaker 1>show Exo Kitty I Love.

0:15:36.080 --> 0:15:39.600
<v Speaker 4>It's the big character Kitty again.

0:15:39.680 --> 0:15:41.280
<v Speaker 1>I'm saying words. I have no idea what any of

0:15:41.280 --> 0:15:43.160
<v Speaker 1>these things are. It's not mash, I don't get it.

0:15:44.160 --> 0:15:47.440
<v Speaker 1>And Avontka stars in Spin as Ria, the girl who

0:15:47.520 --> 0:15:49.880
<v Speaker 1>just came on the screen and Stole it. Born in

0:15:49.920 --> 0:15:52.680
<v Speaker 1>the San Francisco area, she began her career starring in

0:15:52.800 --> 0:15:56.600
<v Speaker 1>Telugu cinema, eventually transitioning to American projects, where Spin was

0:15:56.640 --> 0:16:00.000
<v Speaker 1>her first ever lead role. She since starred in Netflix

0:16:00.120 --> 0:16:02.680
<v Speaker 1>Senior Year and appeared in the comedy musical version of

0:16:02.720 --> 0:16:06.120
<v Speaker 1>Mean Girls, the horror movie Taro, and voices Kamala on

0:16:06.160 --> 0:16:09.600
<v Speaker 1>the Disney animated series Mira Royal Detective and although she's

0:16:09.640 --> 0:16:13.080
<v Speaker 1>currently a student at Columbia University, so she's also really smart.

0:16:13.600 --> 0:16:15.920
<v Speaker 1>Set to graduate in twenty twenty seven, she will star

0:16:16.000 --> 0:16:18.680
<v Speaker 1>in the upcoming Disney Plus series A Crown of Wishes

0:16:18.880 --> 0:16:23.760
<v Speaker 1>and a thriller theatrical release called Ballerina Overdrive with Matti Ziegler. Yes,

0:16:24.040 --> 0:16:27.440
<v Speaker 1>actually Columbia University. They only accepted one person who was

0:16:27.440 --> 0:16:29.240
<v Speaker 1>not very smart. It didn't work out. His name was

0:16:29.320 --> 0:16:33.280
<v Speaker 1>ryd Or Strong. Abe Dial plays Her father. Arvind Diel,

0:16:33.400 --> 0:16:35.560
<v Speaker 1>is an award winning Indian actor known for his work

0:16:35.600 --> 0:16:38.880
<v Speaker 1>in Hindi films like Manorama, Six Feet Under and a

0:16:38.960 --> 0:16:44.120
<v Speaker 1>massive Bollywood blockbuster called Zindagi Na Milegi Dobara. And again,

0:16:44.160 --> 0:16:47.400
<v Speaker 1>I apologize to everybody out there if I'm mispronouncing these words.

0:16:48.040 --> 0:16:53.520
<v Speaker 1>Mira Syle is her grandmother. Asha Sile is an English comedian, writer, singer,

0:16:53.600 --> 0:16:56.440
<v Speaker 1>journalist and actress. She does it all. My wife loves

0:16:56.440 --> 0:16:59.120
<v Speaker 1>British stuff, so I've seen her a thousand times after

0:16:59.160 --> 0:17:01.240
<v Speaker 1>her breakout as one of the creators of the BBC's

0:17:01.200 --> 0:17:04.080
<v Speaker 1>sketch comedy show Goodness Gracious Me and her role in

0:17:04.080 --> 0:17:06.680
<v Speaker 1>the movie The Kumars at number forty two. She's since

0:17:06.720 --> 0:17:09.280
<v Speaker 1>become one of the UK's best known Asian creators and

0:17:09.400 --> 0:17:12.400
<v Speaker 1>was awarded a BAFTA Fellowship, which is its highest accolade,

0:17:12.440 --> 0:17:15.760
<v Speaker 1>in twenty twenty three. The other pass employee of Disney

0:17:15.840 --> 0:17:20.359
<v Speaker 1>is arian Simhardri, who played Rohan. He's really worked at

0:17:20.359 --> 0:17:22.440
<v Speaker 1>the studio an awful lot. You might know him as

0:17:22.520 --> 0:17:25.120
<v Speaker 1>Grover Underwood and the Percy Jackson The Olympians TV show,

0:17:25.119 --> 0:17:28.320
<v Speaker 1>which is actually a great TV show. He also appeared

0:17:28.320 --> 0:17:30.480
<v Speaker 1>in the Disney Plus twenty twenty two remake of Cheaper

0:17:30.480 --> 0:17:32.720
<v Speaker 1>by the Dozen, another movie on the streamer called Trevor

0:17:32.760 --> 0:17:36.040
<v Speaker 1>the Musical, the twenty twenty Disney channel improvs Dotcom Just

0:17:36.160 --> 0:17:38.679
<v Speaker 1>roll with It, and he's also a voice on Mirror

0:17:38.760 --> 0:17:42.000
<v Speaker 1>Royal Detective. Yikes, this kid is a very good thing going.

0:17:42.680 --> 0:17:45.199
<v Speaker 1>Just stay with it. Don't make Disney mad because you

0:17:45.359 --> 0:17:48.960
<v Speaker 1>are killing it now. I love the idea that Disney

0:17:49.000 --> 0:17:50.600
<v Speaker 1>was able to weave in some of the regulars but

0:17:50.680 --> 0:17:53.520
<v Speaker 1>also expose their audience to an entirely new film industry

0:17:53.520 --> 0:17:56.919
<v Speaker 1>with some Bollywood and Indian stars. The combination was seamless.

0:17:57.240 --> 0:17:59.920
<v Speaker 1>I loved the way they did it, it was really great.

0:18:00.560 --> 0:18:06.399
<v Speaker 1>Spin is ninety four minutes? Oh so close, but just

0:18:06.440 --> 0:18:08.480
<v Speaker 1>ignore four minutes will be fine. We like ninety and

0:18:08.520 --> 0:18:09.000
<v Speaker 1>that's why.

0:18:08.880 --> 0:18:10.119
<v Speaker 3>I know where it could have been cut.

0:18:10.520 --> 0:18:13.400
<v Speaker 1>Do you really that? Okay, that's fine, It's yeah, it's

0:18:13.440 --> 0:18:15.520
<v Speaker 1>just it's four too much. It's just four too much.

0:18:15.520 --> 0:18:18.040
<v Speaker 1>But it's so close, so we're sorry about that. This

0:18:18.119 --> 0:18:20.240
<v Speaker 1>movie is written by Josh Kagan, a writer whose career

0:18:20.280 --> 0:18:23.600
<v Speaker 1>has included some really impressive young adult projects, starting with

0:18:23.640 --> 0:18:25.760
<v Speaker 1>his first breakout hit, which we've talked about on this

0:18:25.840 --> 0:18:30.040
<v Speaker 1>podcast before, and I Got a little Bit for Bandslam, which,

0:18:30.040 --> 0:18:33.359
<v Speaker 1>for Trivia Buffs was also David Bowie's last film. Kagan

0:18:33.440 --> 0:18:35.800
<v Speaker 1>also wrote the movie The Duff and would become a

0:18:35.840 --> 0:18:38.679
<v Speaker 1>Disney go to writing the Kim Possible live action movie

0:18:38.880 --> 0:18:42.040
<v Speaker 1>Upside Down, Magic and under Wraps too. And in just

0:18:42.080 --> 0:18:43.680
<v Speaker 1>a few months we are gonna be able to see

0:18:43.720 --> 0:18:47.960
<v Speaker 1>his newest entry into the dcom lexicon, Zombies four Don

0:18:47.960 --> 0:18:50.679
<v Speaker 1>of the Vampires. Maybe we've got to get Josh in

0:18:50.680 --> 0:18:54.320
<v Speaker 1>the podcast. But here's the thing. I I love how

0:18:54.320 --> 0:18:56.440
<v Speaker 1>we break up the movies that we do, but I'm

0:18:56.560 --> 0:18:59.520
<v Speaker 1>really having trouble not hopping forward and watching some of

0:18:59.520 --> 0:19:01.159
<v Speaker 1>the new descend and in some of the news zombies.

0:19:01.200 --> 0:19:02.359
<v Speaker 1>I want to get to these things.

0:19:02.440 --> 0:19:03.320
<v Speaker 3>I know, I know.

0:19:03.359 --> 0:19:05.160
<v Speaker 1>So we got to get Josh on the podcast though,

0:19:05.160 --> 0:19:09.639
<v Speaker 1>because he's killing it. He also shares credit with Carly Steiner,

0:19:10.040 --> 0:19:11.639
<v Speaker 1>and it's something that we also see a lot. She

0:19:11.720 --> 0:19:13.920
<v Speaker 1>has no other writing credits, so maybe she was paired

0:19:13.960 --> 0:19:16.080
<v Speaker 1>up with an established writer for her idea. Who knows,

0:19:16.320 --> 0:19:17.879
<v Speaker 1>but this tends to happen a lot with Tcom. She

0:19:17.880 --> 0:19:19.640
<v Speaker 1>could have come in with a great idea and they

0:19:19.800 --> 0:19:21.800
<v Speaker 1>just put her with a more established writer. I did

0:19:21.800 --> 0:19:23.480
<v Speaker 1>that the first time I wrote a script for ThunderCats.

0:19:23.480 --> 0:19:25.600
<v Speaker 1>I'd never written an animated script before, so they put

0:19:25.600 --> 0:19:27.280
<v Speaker 1>me with a much more established writer who taught me

0:19:27.320 --> 0:19:37.240
<v Speaker 1>the process. Okay, time to feel the bass to your body,

0:19:37.400 --> 0:19:41.080
<v Speaker 1>because it's time for spin. We open at Spirit of India,

0:19:41.200 --> 0:19:43.359
<v Speaker 1>a restaurant where we meet Rhea. She works at the

0:19:43.359 --> 0:19:45.760
<v Speaker 1>family business as a waitress and is scrolling her phone

0:19:45.800 --> 0:19:47.560
<v Speaker 1>looking for the best song to put on her dinner

0:19:47.640 --> 0:19:51.159
<v Speaker 1>rush playlist. She picks the music is Everything Mixed and

0:19:51.280 --> 0:19:54.400
<v Speaker 1>turns it up as an Indian influenced dance track plays

0:19:54.400 --> 0:19:56.440
<v Speaker 1>throughout the dining room. She starts to get to work.

0:19:56.480 --> 0:19:58.920
<v Speaker 1>It is a busy, busy place. We see shots of

0:19:58.960 --> 0:20:01.520
<v Speaker 1>the menu, utensils be cleaned, and cooks very hard at

0:20:01.520 --> 0:20:04.040
<v Speaker 1>work in the kitchen. Rha weaves in and out, almost

0:20:04.119 --> 0:20:06.679
<v Speaker 1>dancing her way through food deliveries, proving that she is

0:20:06.680 --> 0:20:10.080
<v Speaker 1>a real pro at this. This is where I was

0:20:10.119 --> 0:20:12.480
<v Speaker 1>already dying in the movie, because I don't know about you,

0:20:12.520 --> 0:20:14.680
<v Speaker 1>but Indian food is one of my favorite things ever,

0:20:14.920 --> 0:20:19.160
<v Speaker 1>and I was just watching them make this food allivating

0:20:19.240 --> 0:20:20.760
<v Speaker 1>watching this movie. How did you feel?

0:20:21.640 --> 0:20:27.680
<v Speaker 2>I I don't like Indian food before I went. Before

0:20:27.800 --> 0:20:31.000
<v Speaker 2>I went to India, Oh, I loved it, but I

0:20:31.240 --> 0:20:33.520
<v Speaker 2>was sick the whole time in India.

0:20:33.720 --> 0:20:39.280
<v Speaker 3>No so much that It's like I remember a few times.

0:20:39.560 --> 0:20:41.720
<v Speaker 2>I was on a date once and this guy ordered

0:20:42.119 --> 0:20:44.920
<v Speaker 2>French fries and he asked for extra They've put like

0:20:44.920 --> 0:20:47.960
<v Speaker 2>like kind of like a masala or a some kind

0:20:48.000 --> 0:20:50.040
<v Speaker 2>of spice on it. And I had just gotten through

0:20:50.040 --> 0:20:52.040
<v Speaker 2>telling him it was my first date with him, that

0:20:52.160 --> 0:20:54.800
<v Speaker 2>I'll go anywhere and I'll try anything except for going

0:20:54.840 --> 0:20:57.480
<v Speaker 2>to Indian food because it makes me really nauseous, right,

0:20:57.520 --> 0:20:59.280
<v Speaker 2>And when I went to the bathroom, he asked for

0:20:59.320 --> 0:21:02.240
<v Speaker 2>more of whatever that spice was and like, I instantly

0:21:02.280 --> 0:21:05.080
<v Speaker 2>came up to the table and walked back away from

0:21:05.119 --> 0:21:08.600
<v Speaker 2>it because I would actually get nauseous from.

0:21:08.440 --> 0:21:11.000
<v Speaker 1>Just ending the date.

0:21:11.480 --> 0:21:14.560
<v Speaker 3>No he, I don't know. Whatever. Well, if it was,

0:21:14.600 --> 0:21:15.800
<v Speaker 3>it worked because I was like.

0:21:15.920 --> 0:21:21.000
<v Speaker 2>See, I so I am just now getting into India.

0:21:21.040 --> 0:21:23.120
<v Speaker 2>I had Indian food for the first time since I've

0:21:23.160 --> 0:21:25.679
<v Speaker 2>been in India last year while I was in Florida,

0:21:25.760 --> 0:21:25.960
<v Speaker 2>and I.

0:21:26.600 --> 0:21:27.760
<v Speaker 3>I, I love it.

0:21:27.760 --> 0:21:31.720
<v Speaker 2>It's just masala that seasons the one that gets me

0:21:31.840 --> 0:21:32.280
<v Speaker 2>real good.

0:21:33.160 --> 0:21:35.679
<v Speaker 1>I heard enough and all.

0:21:35.560 --> 0:21:39.439
<v Speaker 3>The other stuff. Oh man, like my mouth starts to

0:21:39.600 --> 0:21:40.400
<v Speaker 3>like water, like.

0:21:42.080 --> 0:21:45.040
<v Speaker 1>Ye yes. And the point where my wife and I

0:21:45.119 --> 0:21:47.000
<v Speaker 1>a our favorite restaurant in the world is the is

0:21:47.040 --> 0:21:49.040
<v Speaker 1>an Indian place in London called jim Kanna, and we

0:21:49.119 --> 0:21:51.560
<v Speaker 1>will get a reservation to that place and then book

0:21:51.600 --> 0:21:53.879
<v Speaker 1>tickets to London, like we will plan our trip around.

0:21:54.080 --> 0:21:58.800
<v Speaker 3>I heard that it's England. They have them everywhere, right,

0:21:58.880 --> 0:22:00.840
<v Speaker 3>like how we have like sushi rush everywhere year.

0:22:01.119 --> 0:22:05.440
<v Speaker 1>It's marvelously good. But oh yeah. So anyway, she eventually

0:22:05.520 --> 0:22:07.880
<v Speaker 1>sends her little brother Rohan, who's working as a self

0:22:07.880 --> 0:22:10.480
<v Speaker 1>appointed maitre d to the kitchen and her dad Arvin,

0:22:10.600 --> 0:22:12.840
<v Speaker 1>the owner of Spirit of India, pops up and tells

0:22:12.840 --> 0:22:16.520
<v Speaker 1>his son that Tiktaco's his idea for a new Tika

0:22:16.960 --> 0:22:20.400
<v Speaker 1>Chicken dish isn't gonna happen. And the whole time, I'm

0:22:20.440 --> 0:22:24.440
<v Speaker 1>just thinking Tik Taco's sound incredible and I want to

0:22:24.480 --> 0:22:24.760
<v Speaker 1>play it.

0:22:25.800 --> 0:22:27.160
<v Speaker 3>I thought it was super clever.

0:22:27.359 --> 0:22:29.120
<v Speaker 1>Oh it is, but oh man, they sound so good.

0:22:29.400 --> 0:22:31.280
<v Speaker 1>Ria is told her grandmother wants to speak to her

0:22:31.320 --> 0:22:33.399
<v Speaker 1>in the kitchen where she is supervising a busy night

0:22:33.440 --> 0:22:36.080
<v Speaker 1>of orders. She tells Ria she can make more effort

0:22:36.080 --> 0:22:38.400
<v Speaker 1>with her appearance on a crowded Sunday night. She even

0:22:38.440 --> 0:22:41.159
<v Speaker 1>tries to tweeze her eyebrows. Her grandma tells Arvin to

0:22:41.240 --> 0:22:43.560
<v Speaker 1>let his daughter go and have some fun. She should

0:22:43.560 --> 0:22:46.040
<v Speaker 1>be enjoying her life, not sweating serving food every night.

0:22:46.480 --> 0:22:49.720
<v Speaker 1>She's right, he says, she loves it, or else she

0:22:49.760 --> 0:22:52.040
<v Speaker 1>would tell him that she hates it. We also learned

0:22:52.040 --> 0:22:54.639
<v Speaker 1>that Rhea is the president of her school's coding club.

0:22:55.520 --> 0:22:57.560
<v Speaker 1>Does the high school you kind of do everything with?

0:22:57.640 --> 0:22:59.359
<v Speaker 1>Do they have a coding club? Because I didn't even

0:22:59.400 --> 0:23:01.199
<v Speaker 1>know what that, man, I assumed it was something I

0:23:01.320 --> 0:23:01.680
<v Speaker 1>know what.

0:23:02.520 --> 0:23:05.880
<v Speaker 2>Is because of my husband's business, and like one of

0:23:06.119 --> 0:23:08.840
<v Speaker 2>his guys, one of his best friends, is the main one.

0:23:08.880 --> 0:23:11.000
<v Speaker 2>So I knew that what that was. And Jordan went

0:23:11.000 --> 0:23:13.440
<v Speaker 2>to school for it, but I that's the first time

0:23:13.440 --> 0:23:15.440
<v Speaker 2>I heard about it, But that was in college.

0:23:15.480 --> 0:23:17.960
<v Speaker 3>I was like, I mean, it wouldn't shocked me. Now.

0:23:18.240 --> 0:23:20.680
<v Speaker 2>They didn't have like huge film classes in high school

0:23:20.680 --> 0:23:22.199
<v Speaker 2>when I was in high school, and now they're like

0:23:22.560 --> 0:23:25.680
<v Speaker 2>making humongous productions around campus.

0:23:25.760 --> 0:23:30.680
<v Speaker 1>So our extracurriculars were like walk outside for a night homec.

0:23:30.400 --> 0:23:31.520
<v Speaker 3>Was like where it started it in.

0:23:31.720 --> 0:23:32.720
<v Speaker 1>Yeah, yeah, pretty much.

0:23:33.080 --> 0:23:34.119
<v Speaker 3>Literally.

0:23:34.160 --> 0:23:37.720
<v Speaker 1>I think that's what she's like. Yeah, it's crazy robotics

0:23:37.760 --> 0:23:38.720
<v Speaker 1>and all this other kind of stuff.

0:23:38.760 --> 0:23:39.160
<v Speaker 3>Totally.

0:23:39.240 --> 0:23:41.360
<v Speaker 2>I mean, I think it'd be so exciting if that's

0:23:41.400 --> 0:23:42.159
<v Speaker 2>really what's going on.

0:23:42.280 --> 0:23:44.360
<v Speaker 1>Yeah, I would too, It's cool. H This is when

0:23:44.359 --> 0:23:47.960
<v Speaker 1>we meet cute little British boy Max that Rea recognizes

0:23:48.000 --> 0:23:50.920
<v Speaker 1>as a research transfer student at her school. He walks

0:23:50.920 --> 0:23:53.600
<v Speaker 1>in with his mother, He digs the restaurant, and once seated,

0:23:53.680 --> 0:23:57.840
<v Speaker 1>he unsuccessfully shazams the song playing over the speaker. Rhea,

0:23:57.880 --> 0:24:00.320
<v Speaker 1>who gets to do that hipster I know music like

0:24:00.359 --> 0:24:02.200
<v Speaker 1>no one else kind of thing, lets him know it's

0:24:02.320 --> 0:24:07.080
<v Speaker 1>free Fall Universe. By DJ Lucas Sent. He can't believe

0:24:07.080 --> 0:24:09.159
<v Speaker 1>he missed a new DJ Lucasent track and is very

0:24:09.240 --> 0:24:11.119
<v Speaker 1>impressed with the mix she made. He asked if she

0:24:11.119 --> 0:24:13.639
<v Speaker 1>produces her own stuff, and no, just mixes it up

0:24:13.640 --> 0:24:15.760
<v Speaker 1>to help dinner with the flow. They bond over their

0:24:15.800 --> 0:24:18.040
<v Speaker 1>mutual love of the artist, and Max suggests they go

0:24:18.200 --> 0:24:21.680
<v Speaker 1>record shopping together someday. H that's not euphemism. He really

0:24:21.760 --> 0:24:24.119
<v Speaker 1>just wanted to buy records. She admits she doesn't have

0:24:24.160 --> 0:24:26.480
<v Speaker 1>a record player, but Max says he's a DJ, so

0:24:26.600 --> 0:24:29.280
<v Speaker 1>he has two. Just then, Ria's grandma comes out of

0:24:29.320 --> 0:24:31.000
<v Speaker 1>the kitchen and appears to be bothered by the music,

0:24:31.000 --> 0:24:33.760
<v Speaker 1>but in reality, they dim the lights and she starts

0:24:33.800 --> 0:24:35.840
<v Speaker 1>to get down and lip sync to the tune. The

0:24:35.880 --> 0:24:38.640
<v Speaker 1>customers and Rea love it, clapping along the impromptu show,

0:24:38.680 --> 0:24:41.400
<v Speaker 1>and eventually it leads to a standing ovation. I think

0:24:41.440 --> 0:24:44.320
<v Speaker 1>this place rocks, and Max agrees. And I was hoping

0:24:44.320 --> 0:24:46.240
<v Speaker 1>every once in a while, like I was hoping just

0:24:46.240 --> 0:24:48.159
<v Speaker 1>because I know how big the Bollywood stuff can be

0:24:48.200 --> 0:24:51.120
<v Speaker 1>in when you watch it, it's very theatrical and very beautiful.

0:24:51.600 --> 0:24:54.800
<v Speaker 1>I was waiting for like the waiters were gonna start

0:24:54.840 --> 0:24:57.639
<v Speaker 1>getting involved in anything and you know, like the trays

0:24:57.680 --> 0:24:59.280
<v Speaker 1>were gonna start going behind it. It was like, it's gonna

0:24:59.280 --> 0:25:00.600
<v Speaker 1>be a big production musical number.

0:25:01.000 --> 0:25:01.560
<v Speaker 3>I was there.

0:25:06.920 --> 0:25:11.240
<v Speaker 2>Saying, he was, he was wishing this movie was a musical.

0:25:11.280 --> 0:25:17.920
<v Speaker 3>We have done it, ladies, these big dance numbers right.

0:25:17.600 --> 0:25:22.399
<v Speaker 1>Now, I did. I did. I was seriously upset that

0:25:22.440 --> 0:25:24.240
<v Speaker 1>there was not more big musical numbers, by the way,

0:25:24.240 --> 0:25:26.400
<v Speaker 1>on this red because of this lamp. That's what. It's

0:25:26.440 --> 0:25:28.119
<v Speaker 1>not that I'm embarrassed by my musical number.

0:25:29.440 --> 0:25:32.080
<v Speaker 3>I love it. We've done, We've done it.

0:25:32.080 --> 0:25:34.800
<v Speaker 1>It's true. Later in that night, back at home, Riha

0:25:34.840 --> 0:25:38.160
<v Speaker 1>overhears her grandmother talking to her dad downstairs. Her dad

0:25:38.160 --> 0:25:40.880
<v Speaker 1>is suggesting that maybe Nanni stopped dancing at the restaurant,

0:25:40.920 --> 0:25:43.200
<v Speaker 1>calling it a little corny, but she says she loves

0:25:43.240 --> 0:25:45.119
<v Speaker 1>doing it and she can't help herself. In the music

0:25:45.240 --> 0:25:48.399
<v Speaker 1>Rhea picks is so great. Also, it's a little weird

0:25:48.480 --> 0:25:50.760
<v Speaker 1>thing to say when the restaurant is packed and people

0:25:50.880 --> 0:25:52.919
<v Speaker 1>love it and are giving her a standing ovation, It's like,

0:25:53.119 --> 0:25:56.000
<v Speaker 1>why would you want to cancel that? That's that's an

0:25:56.000 --> 0:25:57.040
<v Speaker 1>amazing part of the night.

0:25:57.119 --> 0:26:00.080
<v Speaker 2>But I feel like he's saying it's too much of

0:26:00.160 --> 0:26:03.280
<v Speaker 2>this balllywood like they're coming in. We want authentic food,

0:26:04.240 --> 0:26:05.639
<v Speaker 2>just like portrayed on movies.

0:26:05.880 --> 0:26:07.480
<v Speaker 1>Yes, I think it's that, but I think it's also

0:26:07.520 --> 0:26:08.719
<v Speaker 1>a little bit more about what we're going to get

0:26:08.720 --> 0:26:11.560
<v Speaker 1>into right here, which is Arvin emits Rihea's mix helps

0:26:11.560 --> 0:26:13.600
<v Speaker 1>with the Saturday rush, and they agree that she inherited

0:26:13.640 --> 0:26:16.640
<v Speaker 1>her mother's ear. Music runs in her veins and talking

0:26:16.640 --> 0:26:19.320
<v Speaker 1>about her mom obviously affects Arvin, and that's when it's

0:26:19.320 --> 0:26:22.200
<v Speaker 1>revealed that her grandmother is actually his mother in law,

0:26:22.640 --> 0:26:26.200
<v Speaker 1>and well, Ria's mom is dead. Grandma says that the

0:26:26.240 --> 0:26:27.919
<v Speaker 1>last thing her daughter would have wanted is for him

0:26:27.960 --> 0:26:30.320
<v Speaker 1>to hide behind work and the kids. They call it

0:26:30.320 --> 0:26:32.440
<v Speaker 1>a night, but Grandma's concerned, and we see Ria was

0:26:32.480 --> 0:26:34.800
<v Speaker 1>nearby listening in forcing a flashback. So yeah, I think

0:26:34.960 --> 0:26:36.560
<v Speaker 1>anything having to do with music at this point they're

0:26:36.560 --> 0:26:38.720
<v Speaker 1>setting up just reminds him too much of his ex wife. Yes,

0:26:38.720 --> 0:26:42.160
<v Speaker 1>not ex wife, his wife was gone. A younger Ria

0:26:42.240 --> 0:26:44.480
<v Speaker 1>is in bed and can't sleep when this is the flashback.

0:26:44.520 --> 0:26:45.879
<v Speaker 1>By the way, A younger Riha is in bed and

0:26:45.920 --> 0:26:48.280
<v Speaker 1>can't sleep when her mom enters to help her Mom

0:26:48.280 --> 0:26:51.040
<v Speaker 1>suggests letting the music of the street guide her. There

0:26:51.040 --> 0:26:54.240
<v Speaker 1>are rhythms and drums and trumpets and common noises everywhere.

0:26:54.240 --> 0:26:57.280
<v Speaker 1>It's a very nice moment, and young Rihea quickly falls asleep.

0:26:57.520 --> 0:26:59.040
<v Speaker 1>We see her mom walk out of the room and

0:26:59.080 --> 0:27:01.520
<v Speaker 1>right into the bright light, which obviously means that somebody

0:27:01.560 --> 0:27:04.560
<v Speaker 1>is dead. The following day, at Jefferson High School, she

0:27:04.600 --> 0:27:07.840
<v Speaker 1>walks by Max, who gives a smoldering, weird kind of

0:27:07.880 --> 0:27:10.800
<v Speaker 1>head nod like hey, my my neck hurts, forcing her

0:27:10.840 --> 0:27:13.439
<v Speaker 1>to get a little bit giddy. Her two coating friends,

0:27:13.480 --> 0:27:15.720
<v Speaker 1>Molly and Watson, notice the Peppeter step and want to

0:27:15.760 --> 0:27:17.760
<v Speaker 1>know about this Max, because they can tell that she

0:27:18.040 --> 0:27:21.679
<v Speaker 1>very much likes them. She does finally admit yes, he's cute,

0:27:21.880 --> 0:27:24.840
<v Speaker 1>and quickly changes the subject to their new jackets. In

0:27:24.880 --> 0:27:26.600
<v Speaker 1>the halls, we meet Ginger, a student who is also

0:27:26.680 --> 0:27:29.360
<v Speaker 1>a famous online influencer, which I think is very funny

0:27:29.520 --> 0:27:31.720
<v Speaker 1>and a good friend of Rhea. Molly and Watson, again

0:27:31.960 --> 0:27:34.520
<v Speaker 1>very different than Dad napped. They fill her in on

0:27:34.640 --> 0:27:37.119
<v Speaker 1>Max and get an online update on the dance Squad

0:27:37.160 --> 0:27:39.880
<v Speaker 1>promo event that's happening tomorrow. It's all the raise money

0:27:39.880 --> 0:27:43.439
<v Speaker 1>for homecoming and is inspired by the holiday Holly. Everyone

0:27:43.480 --> 0:27:45.880
<v Speaker 1>wears white and they pelt each other with these brightly

0:27:45.920 --> 0:27:48.640
<v Speaker 1>colored powder and the dance squad is doing a UV

0:27:48.800 --> 0:27:51.680
<v Speaker 1>event to alert people about it. Did you know about Holly,

0:27:51.720 --> 0:27:54.840
<v Speaker 1>because I've seen is that you get to play?

0:27:56.240 --> 0:27:57.560
<v Speaker 3>Yeah, they didn't.

0:27:57.680 --> 0:28:00.000
<v Speaker 2>We didn't get to do too much of it because

0:28:00.119 --> 0:28:02.480
<v Speaker 2>is what the stuff they really use in India like

0:28:02.560 --> 0:28:05.240
<v Speaker 2>could like easily like stain the skin.

0:28:05.359 --> 0:28:07.280
<v Speaker 1>Well doesn't they also get into like your mouth and

0:28:07.320 --> 0:28:09.360
<v Speaker 1>your eyes. And that's all I'm thinking of the whole time.

0:28:09.400 --> 0:28:11.240
<v Speaker 1>So it's like are you breathing it into?

0:28:11.480 --> 0:28:15.600
<v Speaker 2>And I know when we get there, I was very

0:28:15.640 --> 0:28:18.920
<v Speaker 2>surprised that because they were very cautious about how much

0:28:18.960 --> 0:28:20.280
<v Speaker 2>we were getting gonna get to.

0:28:20.240 --> 0:28:22.639
<v Speaker 1>Do, right, because it's a beautiful thing to watch.

0:28:22.720 --> 0:28:25.479
<v Speaker 2>We were actually there over the actual holiday though, and

0:28:25.600 --> 0:28:27.080
<v Speaker 2>it was gorgeous.

0:28:27.160 --> 0:28:30.880
<v Speaker 1>Yeah, the visuals are stunning. I mean, it was really cool, pretty.

0:28:30.640 --> 0:28:34.560
<v Speaker 2>And everyone is just it really does bring so much

0:28:34.920 --> 0:28:37.840
<v Speaker 2>light and happiness to everywhere we it.

0:28:38.080 --> 0:28:41.200
<v Speaker 1>It looks like it's that's really really cool. But the

0:28:41.200 --> 0:28:43.480
<v Speaker 1>bell rings they're off the class. The teacher, who looks

0:28:43.520 --> 0:28:46.080
<v Speaker 1>way younger than either me or Sabrina, calls on Molly

0:28:46.120 --> 0:28:48.520
<v Speaker 1>and Watson to present what they've been working on. Molly

0:28:48.640 --> 0:28:51.160
<v Speaker 1>makes the teacher sign an NDA, which made me laugh,

0:28:51.360 --> 0:28:55.240
<v Speaker 1>and Watson presents their invention, the Pizza Drone. He demonstrates

0:28:55.240 --> 0:28:57.520
<v Speaker 1>a drone that will deliver pizzas, but of course it crashes,

0:28:57.560 --> 0:29:01.520
<v Speaker 1>spilling pizza sauce everywhere. Rhea presents an app that tracks

0:29:01.520 --> 0:29:03.720
<v Speaker 1>inventory at her dad's restaurant in real time, which is

0:29:03.840 --> 0:29:06.240
<v Speaker 1>pretty great. The teacher's impressed, but says the project was

0:29:06.240 --> 0:29:09.160
<v Speaker 1>an opportunity to have some fun. Ria swear she did

0:29:09.200 --> 0:29:11.680
<v Speaker 1>have fun, but the teacher isn't convinced. Then she reminds

0:29:11.720 --> 0:29:15.080
<v Speaker 1>him about the upcoming parent teacher conference. Ooh, I hated those.

0:29:15.640 --> 0:29:17.840
<v Speaker 1>It was always not working up to his potential. I'm sorry,

0:29:17.840 --> 0:29:20.320
<v Speaker 1>that's a whole thing for my I'll deal with that

0:29:20.400 --> 0:29:20.920
<v Speaker 1>on my own time.

0:29:21.000 --> 0:29:22.480
<v Speaker 3>Try having to be in them now.

0:29:23.000 --> 0:29:25.520
<v Speaker 1>Oh, I couldn't even care, couldn't even imagine. I would

0:29:25.560 --> 0:29:27.800
<v Speaker 1>still go right back to being like, oh my god,

0:29:27.840 --> 0:29:31.440
<v Speaker 1>I somehow I got a you in this class. Yeah,

0:29:31.480 --> 0:29:34.200
<v Speaker 1>you remember that. That night, Rhea's dad walks in on

0:29:34.240 --> 0:29:36.320
<v Speaker 1>her tinkering with the app, and he's blown away. He

0:29:36.400 --> 0:29:38.720
<v Speaker 1>thanks her and says good night. The next day, at school,

0:29:38.720 --> 0:29:41.120
<v Speaker 1>while eating lunch, Ginger alerts the gang of a disaster.

0:29:41.280 --> 0:29:43.720
<v Speaker 1>The DJ for the promo event got caught cheating and

0:29:43.800 --> 0:29:47.000
<v Speaker 1>is suspended, and the black Light dances in twenty minutes.

0:29:47.360 --> 0:29:50.120
<v Speaker 1>Watson and Molly offered a beatbox, but they quickly pivot

0:29:50.160 --> 0:29:52.840
<v Speaker 1>to Max. Rihea and Mitch hasn't actually hurt him, but

0:29:52.920 --> 0:29:55.440
<v Speaker 1>he seems to know what he's talking about, so Ginger

0:29:55.480 --> 0:29:57.760
<v Speaker 1>as the dance squad go and get him, and boom

0:29:57.920 --> 0:30:01.040
<v Speaker 1>crisis averted. He is hired. Ginger tells Ria to come

0:30:01.080 --> 0:30:03.520
<v Speaker 1>say hi and make sure he knows that she's the

0:30:03.560 --> 0:30:06.320
<v Speaker 1>one that got him the gig. Smart Now the event,

0:30:06.360 --> 0:30:08.640
<v Speaker 1>Max is quickly getting accustomed to the equipment. He thanks

0:30:08.680 --> 0:30:10.840
<v Speaker 1>Ria for suggesting him and says he owes her one.

0:30:11.200 --> 0:30:13.360
<v Speaker 1>The event starts and Max is killing it right off

0:30:13.360 --> 0:30:16.120
<v Speaker 1>the bat. The dance squad quickly breaks into a routine

0:30:16.120 --> 0:30:19.080
<v Speaker 1>while wearing black light neon outfits. You know me, I

0:30:19.080 --> 0:30:21.280
<v Speaker 1>love a good dance sequence with black light neon outfits.

0:30:21.320 --> 0:30:23.920
<v Speaker 1>This is truly so cool. I've never been seen. Does

0:30:23.920 --> 0:30:26.400
<v Speaker 1>your dance squad do anything like this, Sabrina? Do you

0:30:25.840 --> 0:30:27.160
<v Speaker 1>neon them up?

0:30:27.560 --> 0:30:30.320
<v Speaker 2>Okay, So they used to have a black light assembly

0:30:30.360 --> 0:30:33.000
<v Speaker 2>at the school and they would bring in all of

0:30:33.040 --> 0:30:35.920
<v Speaker 2>these just giant you know, trying to get the gym

0:30:35.960 --> 0:30:37.560
<v Speaker 2>to actually light up when.

0:30:37.480 --> 0:30:40.720
<v Speaker 3>It's like a big space. It was tough. And my

0:30:40.800 --> 0:30:41.960
<v Speaker 3>girls would always wear.

0:30:41.760 --> 0:30:44.360
<v Speaker 2>Like white stuff, you know, white outfits, and they'd get

0:30:44.360 --> 0:30:46.520
<v Speaker 2>the glow and the dark paint, put it on the vein.

0:30:46.640 --> 0:30:46.880
<v Speaker 1>Yeah.

0:30:46.920 --> 0:30:50.240
<v Speaker 2>But the drum line, they were the ones that would

0:30:50.360 --> 0:30:53.040
<v Speaker 2>kill it and they bring things out on the floor

0:30:53.080 --> 0:30:55.680
<v Speaker 2>and they'd bang on their drums and the splattering and

0:30:55.720 --> 0:30:57.240
<v Speaker 2>it was just like, I mean, they would.

0:30:57.040 --> 0:30:59.160
<v Speaker 3>Go all out. We couldn't do too much.

0:30:58.960 --> 0:31:02.560
<v Speaker 2>But they would just Oh, it was so awesome. So yes,

0:31:02.640 --> 0:31:04.960
<v Speaker 2>this actually reminded me of that. I was like, ah, man,

0:31:05.000 --> 0:31:07.480
<v Speaker 2>I wish we did the black light assembly still and.

0:31:07.440 --> 0:31:08.200
<v Speaker 3>We don't any more.

0:31:08.440 --> 0:31:09.160
<v Speaker 1>Yeah, I gotta do that.

0:31:09.200 --> 0:31:10.120
<v Speaker 3>They should bring that back.

0:31:10.760 --> 0:31:12.760
<v Speaker 1>Well, it's this school. It's become a full on rave

0:31:12.880 --> 0:31:16.040
<v Speaker 1>and DJ union. Max is basically now rocking a nightclub

0:31:16.320 --> 0:31:19.360
<v Speaker 1>and Ginger then books him for the actual Festival of Color.

0:31:19.920 --> 0:31:22.160
<v Speaker 1>With the party finished, Ginger thanks Max for coming through

0:31:22.200 --> 0:31:24.360
<v Speaker 1>on short notice. She negs him though, by saying he

0:31:24.440 --> 0:31:26.240
<v Speaker 1>was good, but will need to step it up for

0:31:26.280 --> 0:31:28.520
<v Speaker 1>the big day. She is off to get some pizza

0:31:28.640 --> 0:31:31.280
<v Speaker 1>leaving Ria alone with her turntable crush. Rhea offers her

0:31:31.320 --> 0:31:33.400
<v Speaker 1>help to Max to prep for the festival. She knows

0:31:33.400 --> 0:31:35.719
<v Speaker 1>Ginger's taste. All he has to do is teach her

0:31:35.720 --> 0:31:37.920
<v Speaker 1>how to DJ. They set a date for a Saturday

0:31:37.960 --> 0:31:40.960
<v Speaker 1>morning at a record store. I think a record store's

0:31:41.040 --> 0:31:42.640
<v Speaker 1>kind of a fun first date, don't you.

0:31:42.960 --> 0:31:44.760
<v Speaker 3>Yeah. I love that.

0:31:44.920 --> 0:31:47.760
<v Speaker 2>We haven't seen it in this kind of movie, but

0:31:48.200 --> 0:31:50.920
<v Speaker 2>it is always a nice place, just like we, you know,

0:31:51.040 --> 0:31:54.840
<v Speaker 2>getting to know each other's musical styles.

0:31:54.320 --> 0:31:55.200
<v Speaker 1>And it's like they're better.

0:31:55.400 --> 0:31:57.600
<v Speaker 3>You can tell a lot. Yeah, you can tell a lot.

0:31:58.080 --> 0:32:00.840
<v Speaker 1>Yeah, I agree. Well, now it's it's the big date morning.

0:32:01.000 --> 0:32:03.640
<v Speaker 1>Ria and Max meet at Victory Vinyl and he's picking

0:32:03.640 --> 0:32:06.160
<v Speaker 1>out records for her. He gives her a DJ lesson,

0:32:06.280 --> 0:32:09.360
<v Speaker 1>showing her the turntables, the mixer, and the crossfader. I

0:32:09.520 --> 0:32:11.280
<v Speaker 1>kind of dug this because if somebody doesn't know a

0:32:11.280 --> 0:32:13.120
<v Speaker 1>lot about DJ, and he like walked you through what

0:32:13.160 --> 0:32:16.520
<v Speaker 1>it was, which is great. He explains beat matching, pitch control,

0:32:16.640 --> 0:32:19.320
<v Speaker 1>and beats per minute. The lesson is going very well

0:32:19.480 --> 0:32:22.040
<v Speaker 1>and it catches the attention of a customer. It's the

0:32:22.560 --> 0:32:25.880
<v Speaker 1>DJ Lucas sent I know so little about this world

0:32:25.880 --> 0:32:28.680
<v Speaker 1>that I googled, thinking this was a real guy. I

0:32:29.160 --> 0:32:30.760
<v Speaker 1>was like, DJ Lucas sent I want to hear some

0:32:30.800 --> 0:32:33.800
<v Speaker 1>of his stuff. This gives a fake guy. I swear

0:32:33.800 --> 0:32:35.360
<v Speaker 1>to god, I don't know any of this stuff. The

0:32:35.440 --> 0:32:38.320
<v Speaker 1>duo are, of course nervous meeting their favorite musician, but

0:32:38.560 --> 0:32:41.280
<v Speaker 1>he likes what he's heard. He gets them flyers for

0:32:41.360 --> 0:32:44.040
<v Speaker 1>his Battle of the beat Masters, which is a contest

0:32:44.040 --> 0:32:46.840
<v Speaker 1>for Team DJs. The winner gets his signature equipment and

0:32:46.880 --> 0:32:50.280
<v Speaker 1>a personal lesson immediately. Ria says Max will be there.

0:32:50.400 --> 0:32:52.360
<v Speaker 1>Lucas says he's looking for two things from a DJ

0:32:52.560 --> 0:32:55.120
<v Speaker 1>tell Us story and make us care. He leaves and

0:32:55.160 --> 0:32:58.480
<v Speaker 1>wishes them both luck and man. Are they excited. They

0:32:58.480 --> 0:33:00.320
<v Speaker 1>decide to get coffee to go over the big moment

0:33:00.360 --> 0:33:01.760
<v Speaker 1>and get to know each other a little bit better.

0:33:02.000 --> 0:33:03.720
<v Speaker 1>Max says he moves with his mom a lot, and

0:33:03.720 --> 0:33:06.320
<v Speaker 1>it's tough to make friends while traveling, so he djys

0:33:06.400 --> 0:33:08.920
<v Speaker 1>because it makes it easier to connect with people. Ria

0:33:09.000 --> 0:33:11.240
<v Speaker 1>reveals her mom was a great singer for her Grandma's

0:33:11.400 --> 0:33:14.400
<v Speaker 1>restaurant dance show, but she died when she was only eight.

0:33:14.640 --> 0:33:16.640
<v Speaker 1>He gives us condolences and asks if she'd like to

0:33:16.640 --> 0:33:19.160
<v Speaker 1>practice with him tomorrow. She apparently is in because we

0:33:19.200 --> 0:33:21.880
<v Speaker 1>immediately cut to the next day at his place, he

0:33:21.920 --> 0:33:24.000
<v Speaker 1>teaches her how to scratch by the way, I apologize

0:33:24.040 --> 0:33:25.760
<v Speaker 1>for me not sounding cool when I say any of

0:33:25.760 --> 0:33:28.160
<v Speaker 1>these terms. But he teaches her how to scratch. But Max,

0:33:28.200 --> 0:33:30.280
<v Speaker 1>of course, is disappointed by his mom when she says

0:33:30.280 --> 0:33:32.280
<v Speaker 1>the music is too loud. She's on a business call.

0:33:32.440 --> 0:33:35.760
<v Speaker 1>They're obviously not super close. We jump to a montage.

0:33:35.800 --> 0:33:38.600
<v Speaker 1>We see Rhea practicing with a YouTube tutorial and shopping

0:33:38.600 --> 0:33:40.800
<v Speaker 1>for more records with Max. They seem to be really

0:33:40.800 --> 0:33:43.480
<v Speaker 1>getting along, even holding hands and having dinner at the

0:33:43.520 --> 0:33:47.600
<v Speaker 1>restaurant together. But more importantly, she's getting better at djaying

0:33:47.600 --> 0:33:50.720
<v Speaker 1>and developing her own style very quickly, even as mom

0:33:50.840 --> 0:33:53.640
<v Speaker 1>likes her mix. This slightly bothers Max, who again has

0:33:53.680 --> 0:33:56.920
<v Speaker 1>serious mommy issues. Ria, though it seems is a natural,

0:33:57.160 --> 0:34:00.120
<v Speaker 1>Max thinks she can be an actual, real artist. She

0:34:00.200 --> 0:34:03.240
<v Speaker 1>sees herself as a coder, not a musician. Then she

0:34:03.280 --> 0:34:05.520
<v Speaker 1>starts to get a barrage of texts. It's parent teacher

0:34:05.560 --> 0:34:08.200
<v Speaker 1>conference night, so she has to get to the restaurant asap.

0:34:08.640 --> 0:34:10.600
<v Speaker 1>It is busy at Spirit of India and her dad

0:34:10.640 --> 0:34:13.280
<v Speaker 1>isn't happy she's late and leaves for the parent teacher conference,

0:34:13.320 --> 0:34:15.640
<v Speaker 1>but he's still a little mythed the minute he's gone.

0:34:15.680 --> 0:34:18.200
<v Speaker 1>Her grandma wants to know all about this Max character.

0:34:18.520 --> 0:34:20.759
<v Speaker 1>Her snitch brother took an educated guest and told her.

0:34:21.120 --> 0:34:23.759
<v Speaker 1>Ria admits, yes, she digs them. Her grandmother warns her

0:34:23.800 --> 0:34:26.319
<v Speaker 1>to be careful. The cute ones can be trouble, but

0:34:26.440 --> 0:34:32.160
<v Speaker 1>Ria promises they're just friends mostly. Ooh. Now we are

0:34:32.200 --> 0:34:35.480
<v Speaker 1>at the parent teacher conference. Rihea's teacher is walking Arvin

0:34:35.600 --> 0:34:38.440
<v Speaker 1>through her other students projects and explains that although Ria's

0:34:38.480 --> 0:34:41.600
<v Speaker 1>app idea is smart and impressive, she's worried that Rihea

0:34:41.680 --> 0:34:44.719
<v Speaker 1>is holding herself back from finding something new. Arvin is

0:34:44.840 --> 0:34:47.520
<v Speaker 1>kind of instantly offended. He would never force her into

0:34:47.520 --> 0:34:49.520
<v Speaker 1>something she doesn't want to do, and his daughter is

0:34:49.600 --> 0:34:53.000
<v Speaker 1>like him, very business minded. The teacher, now wanting to

0:34:53.000 --> 0:34:56.640
<v Speaker 1>be called Naomi. Oh this is getting flirty, swears she

0:34:56.719 --> 0:34:58.920
<v Speaker 1>meant nothing by it and offers him a donut. Like

0:34:58.960 --> 0:35:01.640
<v Speaker 1>you do anybody offers me a donut, I'm going home

0:35:01.640 --> 0:35:04.759
<v Speaker 1>with them anyway. Arvin accepts and says, if for the record,

0:35:04.840 --> 0:35:07.440
<v Speaker 1>so with my wife, we're big donut fans. Arvin accepts

0:35:07.520 --> 0:35:09.719
<v Speaker 1>and says if his daughter had a problem being at

0:35:09.760 --> 0:35:13.520
<v Speaker 1>the restaurant, she would tell him. And then, like I said, called.

0:35:13.239 --> 0:35:17.560
<v Speaker 3>It flirting, very inappropriate. You think they're.

0:35:17.520 --> 0:35:19.400
<v Speaker 1>Adults by themselves. It's fine.

0:35:20.239 --> 0:35:24.040
<v Speaker 2>She's his daughter's teachers.

0:35:23.640 --> 0:35:24.960
<v Speaker 1>So they're both adults.

0:35:25.000 --> 0:35:25.480
<v Speaker 3>It's okay.

0:35:25.520 --> 0:35:27.560
<v Speaker 1>That's might it might be a maybe not during the

0:35:27.600 --> 0:35:30.239
<v Speaker 1>parent teacher conference. Maybe maybe slide into his d MS later,

0:35:31.680 --> 0:35:35.640
<v Speaker 1>Did I say that right? Is not what it is?

0:35:35.680 --> 0:35:37.279
<v Speaker 3>That so wrong from you?

0:35:39.200 --> 0:35:40.799
<v Speaker 1>Is that what you're supposed to do? You slide into

0:35:40.840 --> 0:35:42.080
<v Speaker 1>someone's m Yeah, I.

0:35:42.040 --> 0:35:44.799
<v Speaker 2>Mean the outside of the school, like they were both

0:35:44.840 --> 0:35:45.680
<v Speaker 2>at the grocery store.

0:35:45.719 --> 0:35:46.359
<v Speaker 3>That'd be one thing.

0:35:46.400 --> 0:35:49.759
<v Speaker 2>But he's literally there for your kids like she was.

0:35:51.000 --> 0:35:54.600
<v Speaker 2>It was she the one that was being inappropriate. I

0:35:54.840 --> 0:35:56.920
<v Speaker 2>could have gotten called by the district for.

0:35:56.960 --> 0:35:57.520
<v Speaker 3>Sure on that.

0:35:57.920 --> 0:36:04.480
<v Speaker 1>Naomi. He likes the donut, but he swears his pastries

0:36:04.520 --> 0:36:07.400
<v Speaker 1>are better. Naomi says she'll have to swing by and

0:36:07.520 --> 0:36:10.319
<v Speaker 1>judge the food for herself, even saying it's a date. Yes,

0:36:10.840 --> 0:36:14.080
<v Speaker 1>she asks herself out. She does totally does.

0:36:14.160 --> 0:36:15.480
<v Speaker 3>Yes, it's okay.

0:36:16.000 --> 0:36:18.720
<v Speaker 1>It's closing time at the restaurant, and Arvin asked Grandma

0:36:18.800 --> 0:36:22.360
<v Speaker 1>rsha If he should cancel this date he accidentally fell into.

0:36:22.640 --> 0:36:25.360
<v Speaker 1>She encourages him to go have some fun and infers

0:36:25.360 --> 0:36:27.800
<v Speaker 1>he's focused too much on work and so are the kids.

0:36:28.120 --> 0:36:30.400
<v Speaker 1>But a great mix is playing and reassure has the

0:36:30.440 --> 0:36:33.960
<v Speaker 1>skill to pick good tunes off of Spotify. Back at school,

0:36:34.000 --> 0:36:35.880
<v Speaker 1>Ria joins her friends to work on the Festival of

0:36:35.880 --> 0:36:38.840
<v Speaker 1>Color website and notices they haven't put Max's name anywhere.

0:36:39.160 --> 0:36:41.600
<v Speaker 1>Ginger says she's heard his new song and really no

0:36:41.640 --> 0:36:43.799
<v Speaker 1>one loves it. She's already announced him, so he'll still

0:36:43.800 --> 0:36:46.760
<v Speaker 1>be djaying, but she's not going to promote him. Rhea

0:36:46.960 --> 0:36:49.200
<v Speaker 1>rushes to Max's house to listen to the track, and

0:36:49.320 --> 0:36:51.719
<v Speaker 1>even he knows it's not very good. Ria gets to

0:36:51.760 --> 0:36:54.040
<v Speaker 1>fixing it, and just like the real guy who turned

0:36:54.040 --> 0:36:56.120
<v Speaker 1>out to be a fake guy DJ Lucasan told them,

0:36:56.320 --> 0:36:59.040
<v Speaker 1>she knows he needs to tell a story. Max said

0:36:59.040 --> 0:37:02.160
<v Speaker 1>he wants to have fun and likes the quote wicked synthpad,

0:37:02.239 --> 0:37:05.680
<v Speaker 1>the killer bass sound, and the crisp high hat pattern unquote.

0:37:05.880 --> 0:37:08.680
<v Speaker 1>Rihea explains what her mom told her there is music everywhere,

0:37:08.719 --> 0:37:11.080
<v Speaker 1>and encourages him to find inspiration in the things he

0:37:11.160 --> 0:37:14.640
<v Speaker 1>really loves, like the beach and skateboarding, and she immediately

0:37:14.640 --> 0:37:17.160
<v Speaker 1>finds a great sample to add. The mix improves and

0:37:17.200 --> 0:37:19.480
<v Speaker 1>they decide to call it Feeling Good And yeah, it

0:37:19.520 --> 0:37:23.160
<v Speaker 1>proves because Riea does it all. Keep that. But Ria

0:37:23.239 --> 0:37:25.360
<v Speaker 1>realizes she's lost track of time. She's late for the

0:37:25.400 --> 0:37:28.440
<v Speaker 1>dinner shift at the restaurant. Her dad is cleaning the kitchen,

0:37:29.080 --> 0:37:31.680
<v Speaker 1>so she missed an entire dinner shift. Like you're supposed

0:37:31.719 --> 0:37:33.840
<v Speaker 1>to be there for dinner shift at four five o'clock

0:37:34.040 --> 0:37:37.480
<v Speaker 1>and then the restaurant's closed. It's like eleven. So have

0:37:37.560 --> 0:37:39.080
<v Speaker 1>you ever lost six hours in a day?

0:37:39.320 --> 0:37:42.640
<v Speaker 2>I got this was kind of hard to just like, yeah, John,

0:37:42.640 --> 0:37:45.080
<v Speaker 2>I mean I get it. She's in the like young

0:37:45.280 --> 0:37:48.400
<v Speaker 2>butterflies totally just like zoning out.

0:37:49.719 --> 0:37:50.840
<v Speaker 3>I could see her being.

0:37:50.719 --> 0:37:53.239
<v Speaker 2>Really late, like an hour or a couple but like

0:37:53.280 --> 0:37:56.279
<v Speaker 2>you've missed the whole thing and not And one of

0:37:56.280 --> 0:37:58.960
<v Speaker 2>my things that I wrote down, not one person at

0:37:58.960 --> 0:38:00.000
<v Speaker 2>this restaurant called her.

0:38:00.120 --> 0:38:01.760
<v Speaker 3>Like where are you? Are you okay?

0:38:01.920 --> 0:38:02.240
<v Speaker 1>Nothing?

0:38:02.280 --> 0:38:03.680
<v Speaker 3>Are you safe right now?

0:38:03.760 --> 0:38:06.239
<v Speaker 2>Nothing happened, Just we're gonna wait for you to come

0:38:06.280 --> 0:38:08.160
<v Speaker 2>back and give it give it to you then, yep,

0:38:08.520 --> 0:38:08.920
<v Speaker 2>not right?

0:38:16.320 --> 0:38:19.960
<v Speaker 1>Oh? I know. Another DJ DJ Spinderella from the eighties.

0:38:20.640 --> 0:38:22.360
<v Speaker 3>Yes, that is a good one.

0:38:22.440 --> 0:38:23.600
<v Speaker 1>Yes, Spinderella is a good one.

0:38:23.680 --> 0:38:25.320
<v Speaker 3>She was with TLC.

0:38:25.640 --> 0:38:29.839
<v Speaker 1>No, no, not Pepper, Salt Pepper. Yeah, yes, Spinderella. There

0:38:29.840 --> 0:38:34.399
<v Speaker 1>you go. I love that. Uh oh wait, easy rock,

0:38:34.520 --> 0:38:37.719
<v Speaker 1>DJ easy rock. I don't know which that was. It

0:38:37.800 --> 0:38:40.040
<v Speaker 1>takes two to make a thing of raw bass and

0:38:40.120 --> 0:38:43.719
<v Speaker 1>DJ easy rock. Man, I'm aging myself anyway. Sorry, this

0:38:43.800 --> 0:38:46.400
<v Speaker 1>is not the game. But you have three DJs? Do

0:38:46.440 --> 0:38:48.359
<v Speaker 1>you think by the end of the podcast you can

0:38:48.400 --> 0:38:50.200
<v Speaker 1>get to ten? No?

0:38:51.120 --> 0:38:52.719
<v Speaker 5>Really, I think that if you're really sad with it,

0:38:52.719 --> 0:38:53.120
<v Speaker 5>you could.

0:38:53.000 --> 0:38:56.200
<v Speaker 1>Come up with come up with ten ten DJs? Are

0:38:56.239 --> 0:38:57.600
<v Speaker 1>there ten DJs? Yes?

0:38:57.840 --> 0:38:59.680
<v Speaker 5>There are literally hundreds.

0:38:59.239 --> 0:39:02.919
<v Speaker 1>Of thousands of Okay, oh wait, wait does does the

0:39:02.440 --> 0:39:05.480
<v Speaker 1>the the French guys that were the head pieces? Does

0:39:05.520 --> 0:39:05.919
<v Speaker 1>that count?

0:39:06.160 --> 0:39:08.880
<v Speaker 5>Definitely DJs? But it's one. But yes, those are definitely DJs.

0:39:08.960 --> 0:39:12.080
<v Speaker 1>Okay, I'll think of their name. I can't, I'll think

0:39:12.120 --> 0:39:13.799
<v Speaker 1>of their name. All right, that's good. I'm at four.

0:39:15.200 --> 0:39:20.040
<v Speaker 1>All right anyway, Oh who was? No?

0:39:20.120 --> 0:39:21.600
<v Speaker 5>Listen, I don't want to hide back the podcast.

0:39:21.760 --> 0:39:23.080
<v Speaker 1>Sorry, now I'm gonna think.

0:39:23.000 --> 0:39:25.160
<v Speaker 5>Are you we give you some time at the end.

0:39:25.320 --> 0:39:28.279
<v Speaker 1>Okay, fair enough, fair enough, you're you're right, you're right.

0:39:28.520 --> 0:39:30.640
<v Speaker 1>So anyway, she's been there for thirty two hours and

0:39:30.680 --> 0:39:36.919
<v Speaker 1>she's missed several days of work. Exactly several days she's

0:39:36.960 --> 0:39:38.400
<v Speaker 1>been missing, and no one cares.

0:39:38.440 --> 0:39:40.480
<v Speaker 3>That's sad in the history of history.

0:39:40.560 --> 0:39:44.080
<v Speaker 1>Best dad decoms, But instead of being angry, her father's

0:39:44.200 --> 0:39:47.120
<v Speaker 1>just concerned that maybe she hates working there, but she

0:39:47.239 --> 0:39:49.600
<v Speaker 1>swears she's happy. She says she's just lost track of

0:39:49.640 --> 0:39:52.719
<v Speaker 1>five hours somehow. He reminds her it'll be busy for

0:39:52.760 --> 0:39:55.160
<v Speaker 1>the next few weeks and he will need her. She

0:39:55.320 --> 0:39:58.160
<v Speaker 1>promises she will be there, but it seems like she's

0:39:58.200 --> 0:40:01.319
<v Speaker 1>starting to question her enthusiasm. The grandmother enters to defend

0:40:01.360 --> 0:40:02.840
<v Speaker 1>the fifteen year old. This is one of my favorite

0:40:02.840 --> 0:40:04.760
<v Speaker 1>parts too. It was a line that was off camera

0:40:05.160 --> 0:40:07.840
<v Speaker 1>where she's like, He's like, you've now been late twice

0:40:07.840 --> 0:40:10.719
<v Speaker 1>and hear the grandmother go wow twice in five years.

0:40:10.719 --> 0:40:12.560
<v Speaker 1>I wonder if the local university is still going to

0:40:12.560 --> 0:40:17.200
<v Speaker 1>accept her. Just all these great kind of way I

0:40:17.360 --> 0:40:19.759
<v Speaker 1>like ones, she had some great ones, so yes. The

0:40:19.760 --> 0:40:21.960
<v Speaker 1>grandmother enters to defend the fifteen year old. Riea she

0:40:21.960 --> 0:40:24.560
<v Speaker 1>should be with her friends, not working herself to the bone.

0:40:24.760 --> 0:40:26.839
<v Speaker 1>Ria begs them not to fight over this. She wants

0:40:26.920 --> 0:40:28.879
<v Speaker 1>to help and won't be laid again. She just wants

0:40:28.920 --> 0:40:31.080
<v Speaker 1>everyone to be happy, and as a people pleaser myself,

0:40:31.120 --> 0:40:33.960
<v Speaker 1>I know exactly what that's like. We get a montage

0:40:33.960 --> 0:40:36.080
<v Speaker 1>of Ria out in the busy dining hall night after night,

0:40:36.160 --> 0:40:39.280
<v Speaker 1>now even ditching coding classes and her friends teacher Naomi,

0:40:40.120 --> 0:40:43.560
<v Speaker 1>which I'm gonna start calling inappropriate teacher Naomi. Even she

0:40:43.719 --> 0:40:46.440
<v Speaker 1>notices she's still helping Max with his mix, but getting

0:40:46.480 --> 0:40:49.440
<v Speaker 1>so tired dropping plates at work and dozing off at school.

0:40:50.160 --> 0:40:52.239
<v Speaker 1>And now they're back at Max's working on the mix,

0:40:52.280 --> 0:40:54.839
<v Speaker 1>a process that appears to just be finding a song,

0:40:54.920 --> 0:40:57.320
<v Speaker 1>calling it sick, and then dancing to it. Then Ria's

0:40:57.360 --> 0:40:59.720
<v Speaker 1>alarm goes off. It's time to get back to work.

0:41:00.080 --> 0:41:03.520
<v Speaker 1>But guess who's that Spirit of India Miss Eloy? As

0:41:03.560 --> 0:41:07.080
<v Speaker 1>I think I say her name aka Naomi. For the date,

0:41:07.600 --> 0:41:09.600
<v Speaker 1>Arvin is a little surprised but ready to impress, and

0:41:09.680 --> 0:41:12.920
<v Speaker 1>Rhea and her brother are shocked. The date goes well

0:41:12.960 --> 0:41:14.759
<v Speaker 1>and she loves the food, but on her way out,

0:41:14.800 --> 0:41:17.560
<v Speaker 1>she asks for a little girl talk with Rhea. Miss

0:41:17.640 --> 0:41:21.040
<v Speaker 1>Eloy isn't happy she's been missing coding classes. Watson and

0:41:21.040 --> 0:41:23.719
<v Speaker 1>Molly are counting on her. Ria gets very defensive and

0:41:23.760 --> 0:41:26.080
<v Speaker 1>doesn't want people to keep asking her if she's happy.

0:41:26.880 --> 0:41:28.960
<v Speaker 1>The next day, Max and Ria played Ginger his new

0:41:29.000 --> 0:41:31.719
<v Speaker 1>mix and boom, of course she loves it. While at

0:41:31.760 --> 0:41:34.080
<v Speaker 1>the restaurant, a baby shower has rented the place out,

0:41:34.120 --> 0:41:36.080
<v Speaker 1>but Rio has promised the day off for the Festival

0:41:36.080 --> 0:41:38.080
<v Speaker 1>of Color. But her dad needs her. And this is

0:41:38.080 --> 0:41:40.080
<v Speaker 1>where I was starting to be like, dude, you've now

0:41:40.120 --> 0:41:42.359
<v Speaker 1>got a bunch of people telling you that this girl

0:41:42.440 --> 0:41:44.520
<v Speaker 1>might not be happy. You even start to question if

0:41:44.560 --> 0:41:46.480
<v Speaker 1>she's going to be happy. She's got one of the

0:41:46.480 --> 0:41:50.040
<v Speaker 1>biggest things going on that she helped create. Let the

0:41:50.080 --> 0:41:53.360
<v Speaker 1>girl go, but no, her dad needs her. She's bummed,

0:41:53.400 --> 0:41:55.759
<v Speaker 1>but agrees to stay. The grandma overhears this and is

0:41:55.840 --> 0:41:59.399
<v Speaker 1>not happy with Arvin. Neither was I. Arvin. Ria calls

0:41:59.440 --> 0:42:01.920
<v Speaker 1>Max and break the news. He's sad about it kind of,

0:42:01.960 --> 0:42:03.520
<v Speaker 1>but says he'll swing by later and let her know

0:42:03.560 --> 0:42:06.200
<v Speaker 1>how it went. He sweetly says he doesn't need luck,

0:42:06.440 --> 0:42:08.840
<v Speaker 1>he has her, and I was like, Oh, they're setting

0:42:08.880 --> 0:42:10.960
<v Speaker 1>up a nice cute thing. This is gonna only happy

0:42:11.000 --> 0:42:15.960
<v Speaker 1>stuff is gonna happen at the festival and of course,

0:42:16.000 --> 0:42:18.359
<v Speaker 1>at the baby shower, things are going smoothly. Riha checks

0:42:18.400 --> 0:42:20.520
<v Speaker 1>in on ginger social media and has an idea for

0:42:20.560 --> 0:42:23.520
<v Speaker 1>her brother. She offers to get his tiktacos on the

0:42:23.560 --> 0:42:26.920
<v Speaker 1>menu in exchange for something. We are now at the festival,

0:42:27.040 --> 0:42:30.319
<v Speaker 1>Ginger introduces Max to perform, and guess what. Rhea is

0:42:30.360 --> 0:42:32.399
<v Speaker 1>on her way there too. She apparently ditched work. That's

0:42:32.400 --> 0:42:34.759
<v Speaker 1>what she was talking to her brother about, and she's

0:42:34.800 --> 0:42:37.840
<v Speaker 1>finally called back Watson and Molly. She's admitched. She admits

0:42:37.880 --> 0:42:40.720
<v Speaker 1>she's been a bad friend and apologizes, but promises after

0:42:40.719 --> 0:42:42.279
<v Speaker 1>today she'll be a better friend. I thought it was

0:42:42.280 --> 0:42:44.560
<v Speaker 1>a very nice call, A good scene like I love.

0:42:44.640 --> 0:42:46.799
<v Speaker 1>I love scenes where people take responsibility for the things.

0:42:46.719 --> 0:42:49.239
<v Speaker 3>That I done. Yeah, be accountable.

0:42:48.719 --> 0:42:51.680
<v Speaker 1>Yep, I agree, so good. Ginger announces to the crowd

0:42:51.680 --> 0:42:54.440
<v Speaker 1>that they've raised enough money for not only homecoming, but

0:42:54.520 --> 0:42:57.759
<v Speaker 1>for a pretty nice hotel, not too nice, just pretty nice.

0:42:57.760 --> 0:43:00.560
<v Speaker 1>Maybe a jacuzzi and a late checkout. Then it's time

0:43:00.600 --> 0:43:03.440
<v Speaker 1>for DJ Max's new song. It starts, and so does

0:43:03.480 --> 0:43:06.719
<v Speaker 1>the holly Chalk fireworks. Color is everywhere. It goes all

0:43:06.719 --> 0:43:09.000
<v Speaker 1>over the partygoers. While they love the track and Rhea

0:43:09.080 --> 0:43:11.560
<v Speaker 1>finally arrives just in time to watch Max kill it.

0:43:11.840 --> 0:43:14.000
<v Speaker 1>She is very proud. We get some cool slow moo

0:43:14.040 --> 0:43:18.399
<v Speaker 1>shots of this beautiful colored chalk flying everywhere. The song

0:43:18.480 --> 0:43:20.439
<v Speaker 1>is pumping' Did you like the song is a good song?

0:43:20.520 --> 0:43:20.759
<v Speaker 3>Good?

0:43:21.000 --> 0:43:21.239
<v Speaker 5>I do?

0:43:21.719 --> 0:43:23.719
<v Speaker 2>I thought it was good and I thought he was

0:43:23.719 --> 0:43:28.439
<v Speaker 2>pretty good, because I would think it would it would

0:43:28.480 --> 0:43:34.000
<v Speaker 2>be hard to really like hone in on how to

0:43:34.120 --> 0:43:36.480
<v Speaker 2>perform as a DJ, Like I don't think.

0:43:36.400 --> 0:43:40.799
<v Speaker 3>We get to see DJ. Yeah, it's like, but you.

0:43:40.760 --> 0:43:42.520
<v Speaker 2>Know what I mean, for somebody to like hone in

0:43:42.560 --> 0:43:45.239
<v Speaker 2>on that without being the DJ themselves, I think it's

0:43:45.280 --> 0:43:47.480
<v Speaker 2>like kind of tough. I wouldn't exactly know how to

0:43:47.520 --> 0:43:50.320
<v Speaker 2>do it. I mean Alison Stoner, we saw her in

0:43:51.520 --> 0:43:52.560
<v Speaker 2>the movie she was in.

0:43:52.480 --> 0:43:54.280
<v Speaker 3>With the Johns Brothers.

0:43:54.440 --> 0:43:58.000
<v Speaker 2>Yeah, it's hard even if even though she's a mover,

0:43:58.200 --> 0:44:00.920
<v Speaker 2>it's like hard to like really like make that convintion.

0:44:01.000 --> 0:44:03.359
<v Speaker 1>She's a phenomenal dancer, but it's such a different thing

0:44:03.440 --> 0:44:03.960
<v Speaker 1>that it's.

0:44:03.880 --> 0:44:06.040
<v Speaker 3>Just a different different Yeah, so.

0:44:06.239 --> 0:44:09.280
<v Speaker 1>Yeah, I agree. Max then announces that the song title

0:44:09.400 --> 0:44:11.640
<v Speaker 1>is Feeling Good, the song they wrote, and apparently it's

0:44:11.640 --> 0:44:14.960
<v Speaker 1>available to stream. He says he couldn't have done this himself.

0:44:15.080 --> 0:44:17.440
<v Speaker 1>He wants to thank someone for their help, and then

0:44:17.480 --> 0:44:19.440
<v Speaker 1>he thinks, Ginger.

0:44:20.040 --> 0:44:21.399
<v Speaker 3>Did we see that come?

0:44:21.640 --> 0:44:23.360
<v Speaker 1>I didn't either. I was like, Oh, it's gonna be

0:44:23.360 --> 0:44:25.200
<v Speaker 1>so nice, like, oh no, they're putting a twist on it.

0:44:25.239 --> 0:44:27.920
<v Speaker 2>Oh no, I knew the twist was gonna come, but

0:44:27.960 --> 0:44:31.319
<v Speaker 2>I didn't think it included it would include Ginger like the.

0:44:32.800 --> 0:44:34.799
<v Speaker 3>I was, so. I was like, I was.

0:44:34.760 --> 0:44:36.080
<v Speaker 1>Hoping it wasn't gonna be a twist.

0:44:36.120 --> 0:44:40.920
<v Speaker 3>I was hoping be nice moment for me. Like what Ginger?

0:44:41.280 --> 0:44:45.520
<v Speaker 1>So yeah, she feels betrayed, and rightfully so. After the gig,

0:44:45.640 --> 0:44:48.920
<v Speaker 1>Max is signing autographs for fans. When Rhea confronts him,

0:44:49.000 --> 0:44:50.799
<v Speaker 1>She asked why she didn't get a shout out, and

0:44:50.840 --> 0:44:52.799
<v Speaker 1>he says he was too excited and slipped his mind.

0:44:52.960 --> 0:44:55.239
<v Speaker 1>This doesn't feel any better for her. She named the song,

0:44:55.280 --> 0:44:57.200
<v Speaker 1>she invented the concept, She even came up with the

0:44:57.200 --> 0:45:00.120
<v Speaker 1>main vocal hook. How could this slip his mind? He

0:45:00.160 --> 0:45:03.160
<v Speaker 1>gets very defensive. He says, look, she helped, but remember

0:45:03.200 --> 0:45:05.880
<v Speaker 1>this is his thing, Okay, his equipment. He's the DJ.

0:45:06.640 --> 0:45:10.400
<v Speaker 1>She's not an artist. She makes Indian food restaurant mixes.

0:45:11.160 --> 0:45:17.720
<v Speaker 1>Oh what a dick Dick Dick.

0:45:17.920 --> 0:45:23.160
<v Speaker 6>See, I can see Cia Sea and it was such

0:45:23.520 --> 0:45:26.799
<v Speaker 6>a quick change for the character you're like in in

0:45:26.960 --> 0:45:30.080
<v Speaker 6>in in, I hate him like it was that quick.

0:45:30.000 --> 0:45:31.400
<v Speaker 3>And she's so amazing.

0:45:31.560 --> 0:45:33.839
<v Speaker 2>It was okay for me to hate him because he

0:45:34.040 --> 0:45:35.160
<v Speaker 2>just hurt her fitly.

0:45:35.320 --> 0:45:37.480
<v Speaker 1>Yep, that's what it was. And it just happened so fast,

0:45:37.560 --> 0:45:40.399
<v Speaker 1>like oh man, they instantly made me not care about

0:45:40.440 --> 0:45:43.800
<v Speaker 1>this guy at all at all, and it's like, oh.

0:45:43.400 --> 0:45:50.400
<v Speaker 2>Yeah, h yeah, wow, you just hurt this little girl's

0:45:50.400 --> 0:45:53.160
<v Speaker 2>feelings and she has been busting her ass for you.

0:45:53.880 --> 0:45:57.719
<v Speaker 1>Yes, his mom's gonna move him in another month anyway,

0:45:58.200 --> 0:46:00.520
<v Speaker 1>so yeah. But she says she'd never take credit for

0:46:00.560 --> 0:46:03.120
<v Speaker 1>others work and storms off. Max wants to follow her,

0:46:03.160 --> 0:46:05.239
<v Speaker 1>but unfortunately his headphones are connected to the mixer, so

0:46:05.280 --> 0:46:07.400
<v Speaker 1>it's just like a leash. She can't go anywhere. And

0:46:07.440 --> 0:46:09.880
<v Speaker 1>apparently I have it on very good authority that that

0:46:10.040 --> 0:46:16.000
<v Speaker 1>actually is what happens. Then yeah, apparently like sense, Yeah,

0:46:16.080 --> 0:46:18.399
<v Speaker 1>then we see that Ginger and the Coating friends all

0:46:18.520 --> 0:46:20.799
<v Speaker 1>heard what Rhea said to Max. Max's ria was just

0:46:20.800 --> 0:46:23.120
<v Speaker 1>being dramatic, but they call him a filthy liar and

0:46:23.160 --> 0:46:24.759
<v Speaker 1>they walk away, And I love that her friends are

0:46:24.800 --> 0:46:27.720
<v Speaker 1>instantly on her side. It's like and now Max's persona

0:46:27.800 --> 0:46:30.319
<v Speaker 1>on Grana. Back home, Ria is of course in very

0:46:30.320 --> 0:46:32.680
<v Speaker 1>big trouble. Her dad knows she left midshift, which would

0:46:32.680 --> 0:46:34.880
<v Speaker 1>be hard to hide seeing as she's colored in multi

0:46:34.880 --> 0:46:37.720
<v Speaker 1>colored paint, and now he can't count on her anymore,

0:46:37.719 --> 0:46:39.560
<v Speaker 1>which I was like, dude, that's harsh. She's missed a

0:46:39.680 --> 0:46:43.320
<v Speaker 1>day of work in five years. Yeah, she says she's sorry.

0:46:43.320 --> 0:46:46.480
<v Speaker 1>Fifteen which is fifteen exactly. She says she's sorry, but

0:46:46.520 --> 0:46:48.840
<v Speaker 1>he grounds her for two months, which again the grounding.

0:46:48.840 --> 0:46:51.320
<v Speaker 1>I understand, you can't lie, but give the girl a break.

0:46:51.640 --> 0:46:54.120
<v Speaker 1>Rio then breaks down in her room. The stress has

0:46:54.120 --> 0:46:56.040
<v Speaker 1>finally gotten to her, and she's been dealing with a

0:46:56.080 --> 0:46:59.520
<v Speaker 1>lot of stress. I felt for this girl. Eventually, Aria

0:46:59.600 --> 0:47:01.919
<v Speaker 1>joins her her grandmother to pray and explain why leaving

0:47:01.920 --> 0:47:04.160
<v Speaker 1>the restaurant was an emergency. She says she went to

0:47:04.160 --> 0:47:06.480
<v Speaker 1>the festival and had her heart ripped out by Max.

0:47:06.920 --> 0:47:08.720
<v Speaker 1>She wants to return to spirit of India and pretend

0:47:08.800 --> 0:47:11.480
<v Speaker 1>that none of this ever happened. Her grandmother says she

0:47:11.520 --> 0:47:13.120
<v Speaker 1>refuses to let her hide in her work like her

0:47:13.160 --> 0:47:15.799
<v Speaker 1>dad does. Rhea feels like it's her responsibility with her

0:47:15.800 --> 0:47:17.959
<v Speaker 1>mom gone, but her grandmother says it's not her job

0:47:18.000 --> 0:47:20.319
<v Speaker 1>to make everyone happy. The grandmother was so amazing in

0:47:20.360 --> 0:47:22.840
<v Speaker 1>this movie. I know. Grandmother encourages her to make a

0:47:22.880 --> 0:47:26.120
<v Speaker 1>new song, makes so much music it'll crush Max. Yes.

0:47:26.200 --> 0:47:28.720
<v Speaker 1>When Rio worries she's out of ideas, her grandmother smiles

0:47:28.719 --> 0:47:30.279
<v Speaker 1>and says her mom used to say the same thing.

0:47:30.360 --> 0:47:32.640
<v Speaker 1>Every time she finished a new song, she'd feel tapped out.

0:47:32.920 --> 0:47:35.440
<v Speaker 1>Then the grandmother pulls out a box full of tapes, jewelry,

0:47:35.480 --> 0:47:38.439
<v Speaker 1>and photos. It's audio of Rhea's mom's songs. They find

0:47:38.480 --> 0:47:41.520
<v Speaker 1>one tape that says for Rhea. That night, Rhea listens

0:47:41.560 --> 0:47:43.799
<v Speaker 1>to her mom's music, finding new and emotional inspiration in

0:47:43.800 --> 0:47:46.279
<v Speaker 1>their connection, even standing by the window and finding music

0:47:46.320 --> 0:47:48.520
<v Speaker 1>in the streets outside like she was taught growing up.

0:47:49.040 --> 0:47:51.360
<v Speaker 1>The next day, Ginger, Molly, and Watson go to Rihea's

0:47:51.360 --> 0:47:53.239
<v Speaker 1>house with a box of stuff. They know she can't

0:47:53.280 --> 0:47:55.720
<v Speaker 1>leave the house, so they came to her with DJ equipment.

0:47:55.760 --> 0:47:57.799
<v Speaker 1>I thought this was funny, like suck we just came here.

0:47:58.920 --> 0:48:01.160
<v Speaker 1>They did. It's a great friends. They tell Ria she'll

0:48:01.200 --> 0:48:03.720
<v Speaker 1>need this stuff to win the DJ contest. They submitted

0:48:03.719 --> 0:48:06.360
<v Speaker 1>her mixes and she's in and she's going to compete

0:48:06.400 --> 0:48:10.359
<v Speaker 1>against wait for it, Max, But how will she win

0:48:10.400 --> 0:48:12.920
<v Speaker 1>if she can't leave the house. That's when her grandmother enters.

0:48:12.960 --> 0:48:15.360
<v Speaker 1>Don't worry, she'll take care of it. We enter a

0:48:15.400 --> 0:48:18.920
<v Speaker 1>montage of sorts, Gingermalia, and Watson working on music. Her

0:48:18.920 --> 0:48:21.160
<v Speaker 1>friends even combed the streets, sending her the videos of

0:48:21.280 --> 0:48:24.680
<v Speaker 1>sounds to inspire new records. Rhea even uses sound she

0:48:24.719 --> 0:48:27.759
<v Speaker 1>finds in the restaurant, and she decides on her DJ name.

0:48:27.880 --> 0:48:32.680
<v Speaker 1>It's gonna be Rihea. Hey, it works. Plus, you've got

0:48:32.719 --> 0:48:34.800
<v Speaker 1>all the stuff already. You'd letting your names on everything.

0:48:34.800 --> 0:48:38.520
<v Speaker 1>It's just easier. While Ria practices at home, Arvin wants

0:48:38.560 --> 0:48:40.320
<v Speaker 1>to talk to his daughter. He likes what he hears,

0:48:40.360 --> 0:48:42.400
<v Speaker 1>but she's timid to talk about her new passion and

0:48:42.440 --> 0:48:44.759
<v Speaker 1>he walks out, which makes sense because music is the

0:48:44.800 --> 0:48:47.839
<v Speaker 1>thing that connected the whole family, and so that's gonna

0:48:47.840 --> 0:48:50.120
<v Speaker 1>be tough. She sees a new social media post for

0:48:50.239 --> 0:48:52.960
<v Speaker 1>Max spragging about the battle, and she's more motivated than ever.

0:48:53.200 --> 0:48:55.359
<v Speaker 1>She decides to add one more element to the track,

0:48:55.560 --> 0:48:58.400
<v Speaker 1>her mother's singing. She plays a song for her grandma,

0:48:58.440 --> 0:49:02.120
<v Speaker 1>who immediately recognizes her daughter's voice. Rhea's calling the song

0:49:02.280 --> 0:49:05.760
<v Speaker 1>It's all music, and will wear her mother's jewelry.

0:49:05.520 --> 0:49:06.160
<v Speaker 5>At the event.

0:49:06.880 --> 0:49:11.000
<v Speaker 1>Very very sweet? Did you cry? I did? Did you?

0:49:11.239 --> 0:49:14.640
<v Speaker 3>I cried earlier? I cried early? When did you with

0:49:14.680 --> 0:49:15.360
<v Speaker 3>the flashback?

0:49:15.440 --> 0:49:20.240
<v Speaker 1>Oh you cried or the flashback? Oh?

0:49:20.280 --> 0:49:23.000
<v Speaker 2>This poor little baby has not had her mom like

0:49:23.160 --> 0:49:25.480
<v Speaker 2>I have such a great relationship with my mom. I

0:49:25.520 --> 0:49:28.920
<v Speaker 2>now have a daughter that got me so early on

0:49:28.960 --> 0:49:29.400
<v Speaker 2>I went.

0:49:29.280 --> 0:49:33.120
<v Speaker 1>Oh God, this is okay. Someday one of us are

0:49:33.120 --> 0:49:36.239
<v Speaker 1>both going to cry at the Sandy comy. Someday we

0:49:36.840 --> 0:49:37.400
<v Speaker 1>both did we?

0:49:37.640 --> 0:49:39.640
<v Speaker 3>Color of Friendship? Did we cry a little bit? Did

0:49:39.680 --> 0:49:40.000
<v Speaker 3>you carry?

0:49:40.080 --> 0:49:41.919
<v Speaker 1>I might have cried at the I cried at one

0:49:42.080 --> 0:49:42.879
<v Speaker 1>I can't remember what.

0:49:42.920 --> 0:49:44.760
<v Speaker 3>But I cried at Color of Friendship.

0:49:44.960 --> 0:49:45.719
<v Speaker 1>I think I did too.

0:49:46.120 --> 0:49:50.200
<v Speaker 4>I cried at the tree one such you did not?

0:49:50.280 --> 0:49:53.120
<v Speaker 1>Did you? Yeah? Okay? The tree?

0:49:53.200 --> 0:49:53.759
<v Speaker 6>Wow?

0:49:55.960 --> 0:49:59.319
<v Speaker 3>Very relationship with It's just not warm to me. I

0:49:59.360 --> 0:50:01.640
<v Speaker 3>get it. Okay, cool, that's in cool.

0:50:03.320 --> 0:50:05.879
<v Speaker 1>We are back at the Spirit of India. Things are

0:50:05.960 --> 0:50:08.640
<v Speaker 1>really busy again. Arvin calls Grandma Asha. He gave her

0:50:08.680 --> 0:50:10.560
<v Speaker 1>and Ria the night off, but he needs asher back.

0:50:10.680 --> 0:50:13.080
<v Speaker 1>She apologizes she's stuck on the subway, and he needs

0:50:13.120 --> 0:50:14.880
<v Speaker 1>to figure out what to do without depending on his

0:50:14.960 --> 0:50:17.799
<v Speaker 1>daughter and mother in law. We are now at the

0:50:17.840 --> 0:50:20.799
<v Speaker 1>packed Battle of the beat Masters. Rhea enters with her grandma.

0:50:20.880 --> 0:50:24.040
<v Speaker 1>They're both sporting big smiles and sparkly golden outfits. I

0:50:24.120 --> 0:50:26.640
<v Speaker 1>loved bringing in the Indian Indian kind of heritage and

0:50:28.160 --> 0:50:31.319
<v Speaker 1>wardrobe here. It was perfect. She's rocking the jewelry. It

0:50:31.360 --> 0:50:34.520
<v Speaker 1>looked great. The panel of judges include fake but real

0:50:34.600 --> 0:50:37.839
<v Speaker 1>DJ Lucassent, and contestants will be judged by skill and

0:50:37.920 --> 0:50:41.399
<v Speaker 1>level of applause after two rounds. Never like applause, meaning

0:50:43.640 --> 0:50:47.719
<v Speaker 1>it's just a popularity contest. Backstage, Max bumps into Rhea

0:50:47.760 --> 0:50:49.640
<v Speaker 1>and tells her he never meant to hurt her. But

0:50:49.719 --> 0:50:52.400
<v Speaker 1>Riha says, this isn't about you, It's about making music,

0:50:52.520 --> 0:50:53.719
<v Speaker 1>and she just doesn't care.

0:50:54.480 --> 0:50:58.680
<v Speaker 3>Boom my drass line in the movie.

0:50:58.920 --> 0:51:04.200
<v Speaker 2>I loved this boom shot Laca, you suck, Max, see

0:51:04.239 --> 0:51:04.600
<v Speaker 2>you later.

0:51:05.239 --> 0:51:11.800
<v Speaker 3>No one cares, No one cares. DJ Jazzy Jeff, Oh

0:51:11.840 --> 0:51:13.400
<v Speaker 3>there you go five.

0:51:13.400 --> 0:51:17.839
<v Speaker 1>DJ Jazz and Jeff. The helmet guys, the helmet guys,

0:51:17.840 --> 0:51:21.320
<v Speaker 1>but the helmet guys. No'll name the helmet. I'll remember

0:51:21.360 --> 0:51:23.760
<v Speaker 1>the helmet guys I have there on the list.

0:51:23.520 --> 0:51:26.320
<v Speaker 3>But I'll remember he was the one with Will Smith right.

0:51:26.280 --> 0:51:29.200
<v Speaker 1>Yes, okay, DJ Jeff okay good, I'm at five if

0:51:29.200 --> 0:51:32.120
<v Speaker 1>I can think of the helmet guys names. We are

0:51:32.160 --> 0:51:35.359
<v Speaker 1>now at the semi finals and even Miss l Well

0:51:35.360 --> 0:51:38.720
<v Speaker 1>inappropriate Miss Elowie is there. We see DJs with names

0:51:38.719 --> 0:51:43.160
<v Speaker 1>like DJ len Cool, Lavender Bear, Colossus Creation, then Union Max.

0:51:43.760 --> 0:51:45.919
<v Speaker 1>The Little Jerk is a pretty good set, passing Riha

0:51:45.960 --> 0:51:48.279
<v Speaker 1>on her way out, who also gets the crowd and

0:51:48.320 --> 0:51:51.759
<v Speaker 1>her grandma dancing. With the first round done, then the

0:51:51.760 --> 0:51:54.759
<v Speaker 1>finals are set. It's DJ union Max versus Ria, which

0:51:54.760 --> 0:51:56.239
<v Speaker 1>I'm glad that worked out, or would have been weird

0:51:56.239 --> 0:51:58.960
<v Speaker 1>movie if it was DJ Union Max against somebody else. Yeah.

0:51:59.120 --> 0:52:01.759
<v Speaker 1>Ginger goes live on Instagram from backstage and back at

0:52:01.800 --> 0:52:04.799
<v Speaker 1>Spirit of India. Her snitch ass punk brother accidentally lets

0:52:04.800 --> 0:52:07.560
<v Speaker 1>her dad see what's going on now. The dad and

0:52:07.600 --> 0:52:10.839
<v Speaker 1>brother rush out of the restaurant. Arvin looks furious as

0:52:10.880 --> 0:52:13.400
<v Speaker 1>they sit in traffic. The finals have begun. DJ Union

0:52:13.400 --> 0:52:15.359
<v Speaker 1>Max is up first and the crowd is feeling his set.

0:52:15.640 --> 0:52:18.680
<v Speaker 1>He's gonna be hard to beat. But now it's Rhea's turn.

0:52:19.080 --> 0:52:21.120
<v Speaker 1>She's announced, but she hasn't come out yet. We can

0:52:21.160 --> 0:52:23.120
<v Speaker 1>feel the tension. It's starting to build. Is she quitting?

0:52:23.440 --> 0:52:25.200
<v Speaker 1>And then in the wings we see her and she's

0:52:25.239 --> 0:52:27.719
<v Speaker 1>feeling very hesitant, but Riea takes one last breath and

0:52:27.800 --> 0:52:30.560
<v Speaker 1>walks out. She places her laptop and records down and

0:52:30.600 --> 0:52:33.840
<v Speaker 1>works hard to find a calmness and then presses play.

0:52:34.200 --> 0:52:36.640
<v Speaker 1>It's a chill song made up of wind sounds, bird chirping,

0:52:36.680 --> 0:52:39.320
<v Speaker 1>and splashes of water at somewhere between Enya and a rainforest.

0:52:39.360 --> 0:52:42.719
<v Speaker 1>By the way, huge Enya fan, no problem saying it.

0:52:42.800 --> 0:52:45.880
<v Speaker 1>I will die on that hill. The beat eventually drops

0:52:45.920 --> 0:52:48.400
<v Speaker 1>and even Max knows he's done for Rihea adds one

0:52:48.440 --> 0:52:51.960
<v Speaker 1>last element, her mom's tape. Her mother's haunting voice mixes

0:52:52.000 --> 0:52:54.399
<v Speaker 1>into the track just as her dad and brother entered.

0:52:54.400 --> 0:52:57.160
<v Speaker 1>The event makes me wonder who's watching the restaurant. Rhea

0:52:57.320 --> 0:52:59.640
<v Speaker 1>is in the zone, I mean, just in the zone,

0:52:59.640 --> 0:53:02.239
<v Speaker 1>feeling her mother's presence. The climax of the song hits,

0:53:02.239 --> 0:53:05.760
<v Speaker 1>and then guess what, my favorite thing ever happens? Everyone

0:53:05.800 --> 0:53:08.600
<v Speaker 1>in the audience magically knows the synchronized dance. What a coincidence,

0:53:09.400 --> 0:53:12.479
<v Speaker 1>I know, But then everybody's doing it. They're all such

0:53:12.520 --> 0:53:14.440
<v Speaker 1>fast partners, and you know that's my favorite thing. I

0:53:14.480 --> 0:53:17.400
<v Speaker 1>love that. When they started banging on stuff, I was like,

0:53:17.440 --> 0:53:19.440
<v Speaker 1>I hope they break it a song because that's Sabrina's

0:53:19.440 --> 0:53:24.560
<v Speaker 1>favorite thing. Ria's dad is so proud and emotional. He

0:53:24.600 --> 0:53:27.040
<v Speaker 1>asks miss Ella, you know what, let's just call her Naomi.

0:53:27.080 --> 0:53:30.080
<v Speaker 1>Isn't she amazing? But she responds with less talking, more dancing.

0:53:30.560 --> 0:53:33.040
<v Speaker 1>The song comes to a big celebratory end and the

0:53:33.120 --> 0:53:35.560
<v Speaker 1>judges give her a standing ovation. While her dad is

0:53:35.600 --> 0:53:38.000
<v Speaker 1>wiping away his tears much like Jensen did during that

0:53:38.160 --> 0:53:41.360
<v Speaker 1>Christmas movie with the Tree. That snitchass brother sees his

0:53:41.400 --> 0:53:44.319
<v Speaker 1>opportunity to ask for Tiktakos to enter the menu, and

0:53:44.360 --> 0:53:45.920
<v Speaker 1>he agrees they should have been on any way. They

0:53:45.960 --> 0:53:49.440
<v Speaker 1>sound amazing. The judges calculate their votes with Max and

0:53:49.520 --> 0:53:53.239
<v Speaker 1>Ria back on stage. DJ Lucasent congratulates them and announces

0:53:53.280 --> 0:53:58.240
<v Speaker 1>the Beatmaster Champion. It's Ria. Backstage. Ria hugs her grandmother

0:53:58.320 --> 0:54:00.319
<v Speaker 1>and asks her dad if she's grounded. He says quite

0:54:00.320 --> 0:54:02.959
<v Speaker 1>the opposite. He couldn't be happier. They hug, and Dj

0:54:03.040 --> 0:54:06.240
<v Speaker 1>Lucasent appears he loved her set fans and friends Swarmer.

0:54:06.320 --> 0:54:09.000
<v Speaker 1>Eventually seeing Max in the crowd, he just walks away,

0:54:09.080 --> 0:54:12.680
<v Speaker 1>now a total garbage loser, and part of me as

0:54:12.719 --> 0:54:14.560
<v Speaker 1>he was leaving, is like, yeah, serves him right for

0:54:15.000 --> 0:54:17.160
<v Speaker 1>being moved every couple months. This kid has no friends

0:54:17.160 --> 0:54:19.080
<v Speaker 1>and now no one in that school likes him either.

0:54:19.320 --> 0:54:21.360
<v Speaker 1>Damn No, it's pretty harsh.

0:54:21.760 --> 0:54:23.000
<v Speaker 3>It's hard.

0:54:23.080 --> 0:54:26.279
<v Speaker 1>It's harsh. We end it's like now it's like, oh man,

0:54:26.400 --> 0:54:29.040
<v Speaker 1>this is I finally found a place. And anyway, we

0:54:29.160 --> 0:54:31.759
<v Speaker 1>end the movie now at something called DJ Sundays, a

0:54:31.800 --> 0:54:34.400
<v Speaker 1>new night at Spirit of India. Ria is djaying and

0:54:34.440 --> 0:54:37.160
<v Speaker 1>the place is bumping. The credits roll and we see

0:54:37.200 --> 0:54:39.799
<v Speaker 1>all the characters parting and dancing, including her grandmother. We

0:54:39.880 --> 0:54:42.480
<v Speaker 1>even see Tic Taco's and Miss Naomi, who now appears

0:54:42.520 --> 0:54:44.399
<v Speaker 1>to be dating Arvin. And to top it all off,

0:54:44.560 --> 0:54:47.720
<v Speaker 1>Molly and Watson's pizza drones deliver a dish to a table.

0:54:48.120 --> 0:54:50.799
<v Speaker 1>We pull out to see a line outside, all partygoers

0:54:50.840 --> 0:54:53.160
<v Speaker 1>waiting to get in, while Riha controls the dance floor.

0:54:53.239 --> 0:54:57.960
<v Speaker 1>And that is our movie. Wow, I still can't think

0:54:58.000 --> 0:55:02.120
<v Speaker 1>of the two the two masked French guys. It'll come

0:55:02.160 --> 0:55:10.520
<v Speaker 1>to me. Can we do some real reviews?

0:55:10.960 --> 0:55:13.520
<v Speaker 3>Yes, I need help with this person's name though.

0:55:13.440 --> 0:55:18.960
<v Speaker 1>Dry oh gigante, dryohagante. Okay that one, okay him?

0:55:19.320 --> 0:55:20.640
<v Speaker 3>He did a five star.

0:55:21.360 --> 0:55:26.600
<v Speaker 2>Him aspiring drama, adding in one line to give credit

0:55:26.640 --> 0:55:29.040
<v Speaker 2>to Max at the end would have been better though,

0:55:29.120 --> 0:55:33.640
<v Speaker 2>So I actually I agree with this one.

0:55:33.840 --> 0:55:35.600
<v Speaker 3>I don't think that they needed to end.

0:55:35.680 --> 0:55:39.000
<v Speaker 2>They don't need to be maybe romantically connected anymore, but

0:55:39.040 --> 0:55:41.359
<v Speaker 2>it would have been nice for like they just kind

0:55:41.360 --> 0:55:43.560
<v Speaker 2>of have like a small thing like something that.

0:55:43.640 --> 0:55:47.319
<v Speaker 1>They gave the head. Now you want more the Johnny apology.

0:55:47.760 --> 0:55:51.840
<v Speaker 1>You want Johnny handing handing the trophy to Daniel LaRusso

0:55:51.840 --> 0:55:53.440
<v Speaker 1>at the end of crowda kid and saying, hey, Daniel,

0:55:53.440 --> 0:55:56.040
<v Speaker 1>good match. You want that recognition.

0:55:56.080 --> 0:55:58.879
<v Speaker 2>I need something because she just puts you in your

0:55:58.880 --> 0:56:00.239
<v Speaker 2>place you were.

0:56:00.600 --> 0:56:04.160
<v Speaker 3>And also again like I don't want you to not have.

0:56:04.120 --> 0:56:06.840
<v Speaker 2>Friends either, so do the right thing, I know, and

0:56:06.880 --> 0:56:10.080
<v Speaker 2>actually like say you're sorry, Hey, you deserved this.

0:56:10.280 --> 0:56:11.000
<v Speaker 3>I was wrong.

0:56:11.280 --> 0:56:14.000
<v Speaker 1>You know nothing. No, this is why Max is no friends.

0:56:14.080 --> 0:56:16.719
<v Speaker 1>This is why Max is no friends. Max I have

0:56:16.760 --> 0:56:19.480
<v Speaker 1>the one star and this course is given to us

0:56:19.480 --> 0:56:22.520
<v Speaker 1>this week by Big Orange Nation forty one, which just

0:56:22.560 --> 0:56:27.359
<v Speaker 1>begs the question, there's forty other Big Orange Nations, here

0:56:27.400 --> 0:56:29.440
<v Speaker 1>we go. One star. I know it's a movie, but

0:56:29.520 --> 0:56:32.360
<v Speaker 1>learning how to DJ takes years and years. Also, producing

0:56:32.440 --> 0:56:35.399
<v Speaker 1>music literally takes years. You can't rain man your way

0:56:35.400 --> 0:56:38.520
<v Speaker 1>into dance music. This movie is stupid and according to Disney,

0:56:38.520 --> 0:56:39.960
<v Speaker 1>I could learn how to fly a plane in a

0:56:40.000 --> 0:56:42.000
<v Speaker 1>couple of days, or learn how to be a three

0:56:42.040 --> 0:56:47.920
<v Speaker 1>star Michelin chef after a weekend cooking class. One star. Wow, Well,

0:56:48.000 --> 0:56:50.520
<v Speaker 1>this week Big Orange Nation forty one will be spending.

0:56:50.320 --> 0:56:53.040
<v Speaker 3>Here's your level of sparkle dust and magic.

0:56:53.200 --> 0:56:56.120
<v Speaker 1>No, mister, no, there's no sparkle dust and or magic.

0:56:56.719 --> 0:56:58.920
<v Speaker 1>And now, of course we are coming to our favorite portion.

0:56:59.080 --> 0:57:02.319
<v Speaker 1>Well I like it, Breena loves it fame, which is

0:57:02.440 --> 0:57:05.000
<v Speaker 1>our game, our feature of the week, and this one

0:57:05.040 --> 0:57:09.600
<v Speaker 1>is called beat per minute. Of course, producer Jensen does

0:57:09.640 --> 0:57:13.000
<v Speaker 1>these now, I think specifically just to annoy Sabrina, which

0:57:13.040 --> 0:57:15.399
<v Speaker 1>is kind of my favorite part of the day. So

0:57:15.480 --> 0:57:17.479
<v Speaker 1>to honor the art of djying, we will be given

0:57:17.480 --> 0:57:20.680
<v Speaker 1>an iconic song and a number of beats per minute.

0:57:21.200 --> 0:57:24.480
<v Speaker 1>We have to decide whether the actual BPM is higher

0:57:24.600 --> 0:57:27.560
<v Speaker 1>or lower than that. Yikes. So say we're given a

0:57:27.560 --> 0:57:29.320
<v Speaker 1>song and the number is one hundred and eight beats

0:57:29.360 --> 0:57:31.560
<v Speaker 1>per minute. We have to answer with a higher or

0:57:31.640 --> 0:57:35.400
<v Speaker 1>lower three out of five wins. So here we go.

0:57:35.480 --> 0:57:37.320
<v Speaker 1>You're a musician, so you could probably do this a

0:57:37.320 --> 0:57:40.080
<v Speaker 1>lot better than me. Number one, Bye Bye Bye by

0:57:40.200 --> 0:57:43.280
<v Speaker 1>end Sync one hundred and sixty beats per minute.

0:57:43.520 --> 0:57:47.120
<v Speaker 3>So we're saying, is it higher or lower than that? Okay,

0:57:47.600 --> 0:57:48.880
<v Speaker 3>it's definitely lower than that.

0:57:49.880 --> 0:57:51.480
<v Speaker 1>Okay, Then I'm gonna go sabrin. I'm gonna say it's

0:57:51.480 --> 0:57:51.960
<v Speaker 1>lower than that.

0:57:52.680 --> 0:57:55.320
<v Speaker 5>Bye Bye Bye is one hundred and seventy three beats

0:57:55.320 --> 0:57:55.720
<v Speaker 5>per minute.

0:57:55.760 --> 0:58:03.760
<v Speaker 3>Oh yeah, wow, okay? Uh number okay, okay.

0:58:04.120 --> 0:58:07.440
<v Speaker 1>Number two Hotel California by the Eagles, one hundred and

0:58:07.480 --> 0:58:10.520
<v Speaker 1>fifty beats per minute. It has to be less than that, right, Yeah,

0:58:10.600 --> 0:58:11.840
<v Speaker 1>it's a slow song, has to be.

0:58:11.880 --> 0:58:14.479
<v Speaker 5>Thus in that it is lower, but by very little.

0:58:14.520 --> 0:58:15.560
<v Speaker 5>One hundred and forty seven.

0:58:15.840 --> 0:58:16.120
<v Speaker 3>Wow.

0:58:16.320 --> 0:58:19.520
<v Speaker 1>Okay. Number three you can't touch this by mc hammer

0:58:19.800 --> 0:58:21.960
<v Speaker 1>one hundred and twenty nine beats per minute. It's got

0:58:21.960 --> 0:58:24.080
<v Speaker 1>to be above, definitely higher than higher than that.

0:58:24.520 --> 0:58:28.120
<v Speaker 5>It is higher. Three, you've got to one more.

0:58:28.520 --> 0:58:31.560
<v Speaker 1>Ghostbusters by Ray Parker Junior, one hundred and thirty beats

0:58:31.560 --> 0:58:31.959
<v Speaker 1>per minute.

0:58:32.000 --> 0:58:34.280
<v Speaker 3>Wait, is that the that's not the ghost.

0:58:34.480 --> 0:58:37.480
<v Speaker 1>There's something strange neighborhood. Who.

0:58:38.080 --> 0:58:39.960
<v Speaker 2>By the way, I've used like every single one of

0:58:39.960 --> 0:58:41.480
<v Speaker 2>these songs in one of my routines.

0:58:41.920 --> 0:58:44.360
<v Speaker 1>There you go. I'm going to say it's I'm going

0:58:44.440 --> 0:58:46.640
<v Speaker 1>to say it's higher than one hundred and thirty beats

0:58:46.640 --> 0:58:47.800
<v Speaker 1>per minute, but.

0:58:49.720 --> 0:58:52.600
<v Speaker 2>Uh yeah, it's got it's probably higher.

0:58:53.360 --> 0:58:55.560
<v Speaker 4>Coming down to the last question, it is lower one

0:58:55.640 --> 0:58:57.600
<v Speaker 4>hundred and fifteen point four beats permit.

0:58:58.040 --> 0:58:59.320
<v Speaker 3>Du Yeah, you're right.

0:58:59.400 --> 0:59:03.560
<v Speaker 1>But that Espresso by Sabrina Carpenter. And I'm the only

0:59:03.680 --> 0:59:05.880
<v Speaker 1>person in the world, and I love Sabrina so much

0:59:05.920 --> 0:59:11.200
<v Speaker 1>that has never heard this song. So what, I don't

0:59:11.240 --> 0:59:12.120
<v Speaker 1>listen to the radio.

0:59:12.320 --> 0:59:13.280
<v Speaker 3>No this song.

0:59:13.760 --> 0:59:16.720
<v Speaker 1>No, I haven't. I haven't heard new music.

0:59:17.920 --> 0:59:20.480
<v Speaker 2>They it's like it's got to be on an ad

0:59:20.520 --> 0:59:21.760
<v Speaker 2>of something that you've listened.

0:59:22.480 --> 0:59:25.680
<v Speaker 1>Way, if i've heard it, I don't know what it is. Okay,

0:59:25.840 --> 0:59:28.320
<v Speaker 1>And I love Sabrina to death. She's awesome person. I

0:59:28.360 --> 0:59:29.520
<v Speaker 1>just I don't listen to new music.

0:59:29.560 --> 0:59:32.320
<v Speaker 3>I like absolutely am like just in love with her.

0:59:32.520 --> 0:59:34.080
<v Speaker 1>So is it then you got to win the win

0:59:34.120 --> 0:59:40.200
<v Speaker 1>this or lose this for us more? Okay? Then? Maybe? Okay?

0:59:40.280 --> 0:59:42.360
<v Speaker 1>Then again, I've never recognized like.

0:59:42.320 --> 0:59:43.440
<v Speaker 3>Oh yeah, yeah, you don't know.

0:59:43.920 --> 0:59:46.040
<v Speaker 1>I didn't. I don't watch or anything.

0:59:46.760 --> 0:59:48.920
<v Speaker 2>Has been in ads a lot too, Like they've really

0:59:49.000 --> 0:59:50.400
<v Speaker 2>used her their stuff a lot.

0:59:50.720 --> 0:59:51.840
<v Speaker 3>Okay, but I.

0:59:51.720 --> 0:59:53.840
<v Speaker 1>Think is it a slow song or a fast song?

0:59:54.440 --> 0:59:55.600
<v Speaker 3>It's a slower song.

0:59:55.800 --> 1:00:01.360
<v Speaker 2>Okay, It's probably still just a little bit higher than

1:00:01.400 --> 1:00:04.120
<v Speaker 2>what that is though, So you're going with higher twenty seven.

1:00:04.240 --> 1:00:05.600
<v Speaker 3>Yeah, I'm all right, Sabrina's going.

1:00:05.480 --> 1:00:07.480
<v Speaker 1>With higher, So I'm gonna go the opposite and say lower.

1:00:08.560 --> 1:00:10.480
<v Speaker 4>Will has a winning strategy.

1:00:13.240 --> 1:00:17.800
<v Speaker 3>How many of these is that song? Four one o four?

1:00:20.040 --> 1:00:21.600
<v Speaker 1>I just played against Serberena.

1:00:21.800 --> 1:00:25.040
<v Speaker 4>Oh she was using a DJ site, but then I

1:00:25.080 --> 1:00:26.520
<v Speaker 4>realized those are the perfect sites to you.

1:00:26.600 --> 1:00:29.760
<v Speaker 1>So I was betting against the house. Oh god, funny,

1:00:30.400 --> 1:00:33.040
<v Speaker 1>all right you them? Yeah? I did hedge my bets

1:00:33.040 --> 1:00:34.440
<v Speaker 1>and I want again. I love that.

1:00:34.640 --> 1:00:35.600
<v Speaker 3>Ohays, thank you.

1:00:35.640 --> 1:00:39.400
<v Speaker 1>Producer Jensen went and down bet against Sabrina. Can we

1:00:39.640 --> 1:00:45.080
<v Speaker 1>do some Sabrina ces please? Yes.

1:00:45.200 --> 1:00:48.280
<v Speaker 2>We did not hit on the little actress that's in

1:00:48.400 --> 1:00:50.600
<v Speaker 2>one of my favorite shows right now XO Kitty.

1:00:50.800 --> 1:00:52.440
<v Speaker 3>She was she played Molly.

1:00:52.600 --> 1:00:56.240
<v Speaker 2>She was so good and she wasn't the lead in

1:00:56.320 --> 1:00:59.439
<v Speaker 2>this in any sense, but like she to me, all

1:00:59.480 --> 1:01:02.880
<v Speaker 2>of these young actors to me just felt like home runs.

1:01:02.960 --> 1:01:05.520
<v Speaker 3>They were just so good in their in their characters.

1:01:05.520 --> 1:01:07.400
<v Speaker 1>And I know what the other thing is, they were

1:01:07.440 --> 1:01:09.040
<v Speaker 1>all super interesting.

1:01:09.560 --> 1:01:10.439
<v Speaker 3>Yes they all.

1:01:11.080 --> 1:01:14.440
<v Speaker 2>Yes, I loved I loved the other best friend like

1:01:14.520 --> 1:01:17.280
<v Speaker 2>I love. I even loved the girl that was the influencer.

1:01:17.320 --> 1:01:18.240
<v Speaker 3>I thought she was really good.

1:01:18.680 --> 1:01:21.080
<v Speaker 2>Poor Ginger like got all of a sudden gets mixed

1:01:21.160 --> 1:01:22.760
<v Speaker 2>up with this guy when she's the one that like

1:01:23.080 --> 1:01:25.680
<v Speaker 2>that wasn't fault was so sweet and saying like you

1:01:25.680 --> 1:01:27.800
<v Speaker 2>should make sure that he knows you got this job.

1:01:27.880 --> 1:01:29.840
<v Speaker 2>You know what I mean, and like so I mean.

1:01:29.840 --> 1:01:33.240
<v Speaker 2>But anyway, I just loved all their characters. I speaking

1:01:33.280 --> 1:01:36.520
<v Speaker 2>of the DJ gig, that one pulled me a little

1:01:36.560 --> 1:01:39.040
<v Speaker 2>bit out of my zone because I felt much like

1:01:39.120 --> 1:01:41.600
<v Speaker 2>you in the sense of like, wait, he has his

1:01:41.760 --> 1:01:44.440
<v Speaker 2>computer and I know that wasn't his setup because he

1:01:44.480 --> 1:01:46.560
<v Speaker 2>makes it a note about that, but like.

1:01:46.760 --> 1:01:49.680
<v Speaker 3>He was really actually ready to do like a full

1:01:49.720 --> 1:01:52.560
<v Speaker 3>on gig in like twenty minutes.

1:01:52.560 --> 1:01:55.680
<v Speaker 2>Like maybe I don't know, I'm not I'm not a

1:01:55.800 --> 1:01:57.400
<v Speaker 2>DJ so, but that seemed like a.

1:01:57.320 --> 1:01:59.960
<v Speaker 1>Little like you know, you know who would agree with you?

1:02:00.040 --> 1:02:01.960
<v Speaker 1>Big Orange Nation forty one.

1:02:02.120 --> 1:02:03.040
<v Speaker 3>Absolutely.

1:02:03.400 --> 1:02:03.680
<v Speaker 1>Yep.

1:02:04.480 --> 1:02:06.800
<v Speaker 2>There were a couple of times that I felt like, oh,

1:02:06.960 --> 1:02:10.320
<v Speaker 2>we're just gonna not at all try to make it

1:02:10.360 --> 1:02:13.040
<v Speaker 2>real time with the with the way they did some

1:02:13.120 --> 1:02:15.920
<v Speaker 2>of the editing. And one of them happens right after

1:02:16.040 --> 1:02:19.920
<v Speaker 2>this gig where they're taught. They start their initial conversation

1:02:20.120 --> 1:02:23.120
<v Speaker 2>on the stage and they're walking out and then within

1:02:23.280 --> 1:02:25.840
<v Speaker 2>mid sentence, they're like in the middle of the hallway.

1:02:25.920 --> 1:02:26.840
<v Speaker 3>Because if they've been.

1:02:28.320 --> 1:02:30.080
<v Speaker 2>Quite a few times where I was like, we're just

1:02:30.120 --> 1:02:33.800
<v Speaker 2>gonna okay, Like there's no doorframe, we could.

1:02:33.640 --> 1:02:36.600
<v Speaker 3>Have walked through, like, didn't need to even start in there.

1:02:36.640 --> 1:02:38.200
<v Speaker 2>They she could have caught up with him in the

1:02:38.240 --> 1:02:42.400
<v Speaker 2>hallway or stayed in there wasn't needed whatever. That one

1:02:42.640 --> 1:02:46.440
<v Speaker 2>pulled me out some of the lines, like we were saying,

1:02:46.640 --> 1:02:51.400
<v Speaker 2>I loved Debbie's liner. Isn't an emergency she had that.

1:02:51.880 --> 1:02:55.080
<v Speaker 2>There was also Battle of the Master's DJ competition.

1:02:55.280 --> 1:02:59.440
<v Speaker 1>What's that? Yes, it's kind of in the title the.

1:02:59.320 --> 1:03:00.800
<v Speaker 3>Title, and then.

1:03:02.400 --> 1:03:04.680
<v Speaker 2>Uh, the one of the the Grandma had a bunch

1:03:04.720 --> 1:03:07.720
<v Speaker 2>and Nanny had a bunch and one of hers and

1:03:07.800 --> 1:03:11.200
<v Speaker 2>as the children say, no take backs, tied on that one.

1:03:11.840 --> 1:03:16.360
<v Speaker 2>And then I, lastly, I did find the four minutes

1:03:16.400 --> 1:03:19.280
<v Speaker 2>that could have been at least shortened somewhat to get

1:03:19.360 --> 1:03:22.000
<v Speaker 2>us to that ninety minute mark. And for me, although

1:03:22.040 --> 1:03:25.000
<v Speaker 2>I'm all I'm all about emotional scenes, I love them,

1:03:25.240 --> 1:03:28.720
<v Speaker 2>it was the long song that happened when she was

1:03:28.760 --> 1:03:32.280
<v Speaker 2>listening to her mom's tape. And yes, the window that

1:03:32.400 --> 1:03:33.919
<v Speaker 2>we came that dragged.

1:03:33.560 --> 1:03:36.560
<v Speaker 3>Out a little bit. So maybe not four full minutes,

1:03:36.600 --> 1:03:38.800
<v Speaker 3>but at least two. I think they could have cut

1:03:38.800 --> 1:03:39.160
<v Speaker 3>it in half.

1:03:39.160 --> 1:03:41.480
<v Speaker 1>It LEAs have snipped here and there, snipped it.

1:03:41.560 --> 1:03:45.160
<v Speaker 2>Yeah, and I think, oh, and then the last thing is,

1:03:45.240 --> 1:03:48.360
<v Speaker 2>so this was my question, you know how he got pulled.

1:03:48.200 --> 1:03:49.760
<v Speaker 3>By the you know, he got like.

1:03:49.680 --> 1:03:53.240
<v Speaker 2>This the headphonelda right, which happens to me all the

1:03:53.280 --> 1:03:55.919
<v Speaker 2>time when we get off this podcast, by the way.

1:03:57.040 --> 1:03:59.480
<v Speaker 2>But then at the end, when all the other DJs

1:03:59.480 --> 1:04:02.440
<v Speaker 2>were in the audience, they all had their headphones, like

1:04:02.640 --> 1:04:04.520
<v Speaker 2>as if they just like wear them around.

1:04:04.840 --> 1:04:08.240
<v Speaker 1>Like yeah, as a voice over actor, we don't usually

1:04:08.440 --> 1:04:10.960
<v Speaker 1>carry our headphones with us. But maybe that's different for DJs.

1:04:10.960 --> 1:04:12.120
<v Speaker 1>I don't know. Maybe that's what they do.

1:04:12.560 --> 1:04:14.560
<v Speaker 2>I don't know, or it's just like that's how the

1:04:14.640 --> 1:04:17.360
<v Speaker 2>I guess they decided to like signify that like, oh,

1:04:17.400 --> 1:04:17.920
<v Speaker 2>they were.

1:04:17.760 --> 1:04:19.400
<v Speaker 3>One of the ones that was up on stage. It

1:04:19.480 --> 1:04:20.320
<v Speaker 3>was just kind of weird.

1:04:20.320 --> 1:04:23.120
<v Speaker 2>So I was like, do they get pulled an or

1:04:23.440 --> 1:04:25.600
<v Speaker 2>or are they using like the beats that are bluetooth.

1:04:25.600 --> 1:04:26.040
<v Speaker 3>I don't know.

1:04:26.400 --> 1:04:28.720
<v Speaker 2>That's a question you and I probably can't answer, but

1:04:28.800 --> 1:04:31.000
<v Speaker 2>maybe the fans out there can, but they're gonna have

1:04:31.080 --> 1:04:32.960
<v Speaker 2>to know and Instagram.

1:04:32.640 --> 1:04:35.240
<v Speaker 1>Because I, yeah, let us know, because I have no idea.

1:04:35.680 --> 1:04:38.920
<v Speaker 3>It's not my world, no, So but that was it.

1:04:38.720 --> 1:04:42.800
<v Speaker 2>I really I'm looking forward to rating this because me

1:04:42.880 --> 1:04:45.200
<v Speaker 2>Too is probably one of my favorites that we've done

1:04:45.200 --> 1:04:45.760
<v Speaker 2>so well.

1:04:45.800 --> 1:04:48.720
<v Speaker 1>Then let's rate it. Hair Let's do one out of ten.

1:04:48.800 --> 1:04:51.040
<v Speaker 1>Let's do one on a ten this week. Okay, let's

1:04:51.080 --> 1:04:53.440
<v Speaker 1>do one being worst and ten being the best. We'll

1:04:53.440 --> 1:04:55.800
<v Speaker 1>switch it up and our options this week are going

1:04:55.880 --> 1:04:58.640
<v Speaker 1>to be one out of ten, wicked synth pads one

1:04:58.680 --> 1:05:01.640
<v Speaker 1>out of ten, killer base one out of ten, crispy

1:05:01.760 --> 1:05:07.720
<v Speaker 1>high hat patterns, pretty nice hotels, mommy DJ issues one

1:05:07.760 --> 1:05:11.120
<v Speaker 1>out of ten, pizza drones, one of a ten, headphone leashes,

1:05:11.760 --> 1:05:15.240
<v Speaker 1>or one out of ten lavender bears. What would you like, Sabrina.

1:05:14.920 --> 1:05:17.600
<v Speaker 2>I don't want to use this one, but lavender Bears

1:05:17.640 --> 1:05:19.120
<v Speaker 2>really jumped out at me as well.

1:05:19.280 --> 1:05:21.800
<v Speaker 1>I want to add one out of tend Tiktokos because

1:05:21.840 --> 1:05:23.240
<v Speaker 1>I think that's that's a good one too.

1:05:23.720 --> 1:05:26.880
<v Speaker 6>Let's do TikTok you want to do tiktokos, Let's do TikTok.

1:05:26.520 --> 1:05:28.600
<v Speaker 3>Although I do love all these crispy high.

1:05:28.920 --> 1:05:32.440
<v Speaker 1>They do, I think I think you went first last time,

1:05:32.480 --> 1:05:35.240
<v Speaker 1>so up to me. I really liked this movie. I

1:05:35.600 --> 1:05:38.600
<v Speaker 1>thought she the star. She's a star. I mean she's

1:05:38.640 --> 1:05:40.560
<v Speaker 1>clear that you see people walk on screen where it's

1:05:40.600 --> 1:05:43.360
<v Speaker 1>just like, oh, that's okay, She's gonna be huge. I'm

1:05:43.400 --> 1:05:47.040
<v Speaker 1>giving this a solid eight point five tiktokos. This was

1:05:47.080 --> 1:05:49.400
<v Speaker 1>a very good movie. I enjoyed myself. I'm sure it

1:05:49.480 --> 1:05:52.280
<v Speaker 1>helped coming right off a dad napped, I really do.

1:05:53.040 --> 1:05:55.200
<v Speaker 1>I've disliked that movie so much that seeing this was

1:05:55.280 --> 1:05:58.440
<v Speaker 1>kind of a breath of fresh air. So I really

1:05:58.520 --> 1:06:00.760
<v Speaker 1>liked this movie. I thought it was great. Eight point

1:06:00.840 --> 1:06:01.840
<v Speaker 1>five tictacos for me.

1:06:02.440 --> 1:06:05.040
<v Speaker 2>Nice, I'm gonna go a little bit step above you

1:06:05.240 --> 1:06:06.920
<v Speaker 2>with nine ooh.

1:06:08.920 --> 1:06:11.320
<v Speaker 3>I this is one of my favorite movies.

1:06:11.360 --> 1:06:14.440
<v Speaker 2>And again this is too like I love music, but

1:06:14.520 --> 1:06:17.240
<v Speaker 2>I don't know anything about Djane, and so it was

1:06:17.360 --> 1:06:17.800
<v Speaker 2>very cool.

1:06:17.840 --> 1:06:18.120
<v Speaker 3>For me.

1:06:18.200 --> 1:06:21.040
<v Speaker 2>It felt like it was Yes, she probably got better

1:06:21.080 --> 1:06:23.200
<v Speaker 2>than what she could have a in a couple of weeks,

1:06:23.800 --> 1:06:25.040
<v Speaker 2>but at the same time.

1:06:25.280 --> 1:06:26.040
<v Speaker 1>That's okay.

1:06:26.400 --> 1:06:30.960
<v Speaker 2>I loved the Indian culture inspiration that was involved in this.

1:06:31.080 --> 1:06:35.600
<v Speaker 2>It didn't overpower anything. It was nice. Again, I loved

1:06:35.640 --> 1:06:38.000
<v Speaker 2>I know you were saying that you wish there would

1:06:38.000 --> 1:06:40.560
<v Speaker 2>have been more through the rolling credits. I would have

1:06:40.600 --> 1:06:44.280
<v Speaker 2>loved to see a full blown but Bollywood performance, But

1:06:44.600 --> 1:06:47.479
<v Speaker 2>within the movie, I felt like it was just enough,

1:06:48.000 --> 1:06:51.040
<v Speaker 2>just enough dancing because it really wasn't supposed to be

1:06:51.200 --> 1:06:53.840
<v Speaker 2>like a musical in that sense. It was not about that,

1:06:54.000 --> 1:06:57.280
<v Speaker 2>you know. It really was actually about the music and Djane.

1:06:57.320 --> 1:06:59.960
<v Speaker 2>So I thought there was just enough because it's hard

1:07:00.160 --> 1:07:02.520
<v Speaker 2>to have good music in that dance, that's how, you know.

1:07:03.720 --> 1:07:06.439
<v Speaker 2>But at the same time, I loved the amount of

1:07:06.560 --> 1:07:09.040
<v Speaker 2>all of that inspiration that they had in there, and again,

1:07:09.400 --> 1:07:10.080
<v Speaker 2>She the.

1:07:10.040 --> 1:07:13.360
<v Speaker 3>Whole cast was just so good. They just it was

1:07:13.800 --> 1:07:16.640
<v Speaker 3>the easiest watch. I enjoyed it and it was such

1:07:16.640 --> 1:07:17.320
<v Speaker 3>a fun movie.

1:07:17.520 --> 1:07:20.120
<v Speaker 1>Yeah, highly recommend this movie for everybody if you haven't

1:07:20.120 --> 1:07:22.880
<v Speaker 1>seen it as very good. But our next movie is

1:07:22.920 --> 1:07:26.000
<v Speaker 1>another very niche skill based movie What Happens when an

1:07:26.000 --> 1:07:30.080
<v Speaker 1>Athlete's true passion is rope jumping. Yes, it's two thousand

1:07:30.080 --> 1:07:33.280
<v Speaker 1>and sevens jump In, starring former Magical rewind guess Corbin

1:07:33.280 --> 1:07:35.760
<v Speaker 1>Blue and one of Hollywood's biggest names in twenty twenty five,

1:07:35.800 --> 1:07:38.840
<v Speaker 1>Kiki Palmer. It is on Disney Plus, so feel free

1:07:38.880 --> 1:07:41.880
<v Speaker 1>to watch it asap and while we wait. This week,

1:07:41.920 --> 1:07:43.760
<v Speaker 1>on our park Opper episode, we will be chatting with

1:07:43.880 --> 1:07:47.240
<v Speaker 1>actress Tanya Gannati, who will bring us back to two

1:07:47.840 --> 1:07:50.480
<v Speaker 1>wild dcms we covered a while back and are still

1:07:50.480 --> 1:07:53.800
<v Speaker 1>frankly obsessed with. First Pixel Perfect, where she played Cindy,

1:07:53.840 --> 1:07:56.240
<v Speaker 1>the lead singer of the Zeta Bytes before Loretta, a

1:07:56.320 --> 1:07:59.560
<v Speaker 1>pesky AI hologram took over. And secondly, and most notably,

1:07:59.840 --> 1:08:03.160
<v Speaker 1>she was Mojo, the hockey playing and very spiritual, quirky

1:08:03.200 --> 1:08:05.920
<v Speaker 1>pal in Go Figure. We had a lot to talk

1:08:05.960 --> 1:08:10.840
<v Speaker 1>to her about and oh man, she is so much fun.

1:08:11.000 --> 1:08:13.080
<v Speaker 1>So please listen to a sneak preview of the interview

1:08:13.160 --> 1:08:13.480
<v Speaker 1>right now.

1:08:15.280 --> 1:08:17.240
<v Speaker 7>So I said I can played the drums, so they

1:08:17.479 --> 1:08:20.920
<v Speaker 7>sent the director and the producer to a place of

1:08:21.040 --> 1:08:24.480
<v Speaker 7>your choosing to show that you can play the drums.

1:08:24.680 --> 1:08:28.840
<v Speaker 7>So I went to Burbank rehearsal studio and I brought

1:08:29.120 --> 1:08:33.960
<v Speaker 7>you know music and I actually played the drums an

1:08:34.000 --> 1:08:37.920
<v Speaker 7>Indonesian song that I learned with my dad's money, and

1:08:38.680 --> 1:08:41.880
<v Speaker 7>I played it like really loud, and it was so

1:08:42.000 --> 1:08:44.360
<v Speaker 7>exciting and I booked a job that day.

1:08:44.760 --> 1:08:50.240
<v Speaker 1>Wow, it was we were just I was seriously smile

1:08:50.320 --> 1:08:54.479
<v Speaker 1>the entire time. She is hysterical and a lot of fun,

1:08:54.520 --> 1:08:56.720
<v Speaker 1>so don't miss it. Make sure you also subscribe to

1:08:56.760 --> 1:08:59.880
<v Speaker 1>our dedicated magical Rewind feed on Apple Podcasts, iHeartRadio or

1:09:00.000 --> 1:09:02.160
<v Speaker 1>wherever you get your podcast, and for more info, you

1:09:02.160 --> 1:09:05.040
<v Speaker 1>can follow us that Magical rewind pod on the Instagram machine. Now,

1:09:05.320 --> 1:09:08.320
<v Speaker 1>by the way, I've also thought about Carl Cox smoking,

1:09:08.439 --> 1:09:12.720
<v Speaker 1>Joe David Getta, Martin Gree, Charlotte Dewitz, Steve Aoki. I

1:09:12.760 --> 1:09:13.679
<v Speaker 1>know all these dj.

1:09:13.880 --> 1:09:14.639
<v Speaker 5>What are you reading?

1:09:14.960 --> 1:09:16.200
<v Speaker 1>What are you talking about?

1:09:16.320 --> 1:09:17.000
<v Speaker 3>I'm not reading?

1:09:17.520 --> 1:09:19.719
<v Speaker 1>You know how bad I am at this even cheating.

1:09:19.760 --> 1:09:21.280
<v Speaker 1>I've never heard of any of these people.

1:09:21.600 --> 1:09:26.600
<v Speaker 4>And by the way, he still hasn't said death punk, the.

1:09:27.080 --> 1:09:31.439
<v Speaker 1>Guys with the things daft punk, that's it. What about

1:09:31.439 --> 1:09:35.080
<v Speaker 1>Paul van Dijk or John Digweed or or r E. L.

1:09:35.160 --> 1:09:41.960
<v Speaker 1>Free Again? I literally put the list up, and I've

1:09:42.000 --> 1:09:45.840
<v Speaker 1>heard of dead Mouse. Okay, hey, there you go. But

1:09:45.960 --> 1:09:49.960
<v Speaker 1>the list, the top of the list tis so Carl Cox,

1:09:50.080 --> 1:09:52.880
<v Speaker 1>David Ghetta, Skill Relics.

1:09:52.520 --> 1:09:59.240
<v Speaker 2>David Oh my gosh, David Getta DJ yes, okay, all right,

1:09:59.600 --> 1:10:04.240
<v Speaker 2>Calvin Harris DJ Skrillicks, any of those Diplo.

1:10:04.360 --> 1:10:06.880
<v Speaker 1>I've heard of Diplo. Hey, I got one. This is

1:10:06.920 --> 1:10:09.240
<v Speaker 1>the cheating list I still have never heard. Oh god,

1:10:09.240 --> 1:10:22.320
<v Speaker 1>I'll get better. Bye, everybody, Bye,