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Speaker 1: So not to give too much away about today's wonderful

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Speaker 1: film that we're going to be talking about, but I

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Speaker 1: just wanted to start with were you at all jarred

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Speaker 1: by how different a newer dcom is from one of

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Speaker 1: the older dcoms? Yes?

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Speaker 2: Yes, I mean in what we've seen so far that

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Speaker 2: Disney somewhat touches but not a ton. We're there out

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Speaker 2: in the open, Yeah, and totally comfortable, like it wasn't

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Speaker 2: It wasn't uncomfortable.

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Speaker 3: It just was like, wow, this we have like evolved.

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Speaker 2: Yes, as a one, that's a great word for evolved

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Speaker 2: Disney in today's society of things that kids are going

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Speaker 2: through right now.

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Speaker 1: It's also us brighter and the just it looks better.

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Speaker 1: I know, it's a simple thing to say that it

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Speaker 1: looks better, it sounds better, but it's you know, it

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Speaker 1: just shows the evolution. You watch a sitcom today and

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Speaker 1: it looks better than it does if you're watching a

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Speaker 1: sitcom from even the nineties. But when we're coming off

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Speaker 1: of Dad Napped to today's movie, it was like the

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Speaker 1: most jarring thing. That was like going from a like

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Speaker 1: a hello, my baby, hello my honey, to watching Star

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Speaker 1: Wars for the first time. It's crazy. So anyway, welcome

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Speaker 1: back to Magical Rewind, the show that makes you want

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Speaker 1: to grab your friends, your pjs, and your popcorn and

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Speaker 1: go back to a time when all the houses were smart,

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Speaker 1: the waves, tsunamis and the high School's musical.

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Speaker 3: I'm Wilford Dell and I'm Sabrina Bryan.

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Speaker 1: So today we're getting down on the wheels of steel

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Speaker 1: because it's time for our newest d com or should

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Speaker 1: I say DJ comm Huh? Should I? I probably shouldn't

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Speaker 1: our most curry? Yeah, no, I won't. It's twenty twenty

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Speaker 1: one's Spin. When announced in March of twenty twenty, Spin

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Speaker 1: was first conceived to air on Disney Plus, but just

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Speaker 1: five months later it became prime for Magical Rewind when

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Speaker 1: it was repositioned as a Disney Channel original movie. It

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Speaker 1: was shifted and redeveloped premiere traditionally on cable, with only

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Speaker 1: one writer replaced from the original announcement. Okay, Sabrina, So

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Speaker 1: we've never really delved into this before, and now we're

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Speaker 1: getting into kind of the nitty gritty because we've talking

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Speaker 1: about evolution, been looking at the evolution of what we

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Speaker 1: call the dcom. But there was like Disney Channel original movies,

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Speaker 1: Disney Movies, Wonderful World of Disney Movies, Zoog movies. We've

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Speaker 1: seen that. There was a whole bunch of these. So

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Speaker 1: do you think we can yet discern the differences between

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Speaker 1: what would be a D com and a Disney Plus

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Speaker 1: original movie. I don't think we have that eye yet.

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Speaker 3: I don't think so.

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Speaker 2: I honestly think it's it was more about marketing than

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Speaker 2: it was about was on the channel versus D like

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Speaker 2: Disney Plus.

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Speaker 3: I think it's where how kids nowadays watched TV.

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Speaker 2: Yeah, versus it actually about like where the location of

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Speaker 2: it is.

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Speaker 3: It's more about this is just how they watched TV.

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Speaker 1: And it was funny. I was talking to somebody about

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Speaker 1: that exact same thing, about watching a new sitcom on

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Speaker 1: something like ABC versus when it streams and is an

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Speaker 1: actress from one of the new sitcoms that's on. Who said, Oh,

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Speaker 1: every promo we do, every press we do, that we

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Speaker 1: have to end with and it's airing tomorrow and Hulu

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Speaker 1: tomorrow and Hulu because it's like that's how everybody watches

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Speaker 1: theirs stuff.

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Speaker 2: I think that the only that Monroe has. Let's put

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Speaker 2: it this way, She has a bunch of shows on

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Speaker 2: the Disney Channel that I like Punstruction, Alice Bakery. But

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Speaker 2: I record all of those and just she pops them on.

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Speaker 2: She doesn't sit down whenever it airs. That's never how

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Speaker 2: it was, not how it works, Playhouse, all of that

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Speaker 2: stuff like those are all just recorded, and I know,

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Speaker 2: I kind of like, man, it is a shame.

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Speaker 3: That's just how it is, you know. And it's also

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Speaker 3: like easier to access on my phone or on an

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Speaker 3: iPad for her.

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Speaker 2: Yeah, then you know if if we're sitting at home,

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Speaker 2: you know, because then it also is nice because we

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Speaker 2: can watch what we want to watch. She can watch

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Speaker 2: which of course watch, yeah, but not have to be

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Speaker 2: away from us. She could still be like on the couch.

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Speaker 1: Totally different. Anyway, Spin debut on the channel almost exactly

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Speaker 1: one year later, after all this, August thirteenth, twenty twenty one,

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Speaker 1: and it became the very first dcom to feature an

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Speaker 1: Indian American in the lead role, and only one other

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Speaker 1: dcom at all centered around Indian culture. So do you

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Speaker 1: know what what movie that was?

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Speaker 2: I do will Sheeta Girls, One World and living in

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Speaker 2: this movie for all of the just oh it was.

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Speaker 1: I can't wait, can't wait, I can't wait all I

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Speaker 1: can't wait either. This aired as part of Disney Channels

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Speaker 1: Friday the thirteenth is Fun Lucky. I didn't make that up.

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Speaker 1: Friday the thirteenth is Fun Lucky night of Premieres, which

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Speaker 1: might just be the least catchy promotion name I've ever

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Speaker 1: heard of. It's like if they said musty TV is

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Speaker 1: make sure you watch this television. So true it is,

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Speaker 1: God It's bad. It showed immediately after the channel premiere

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Speaker 1: of Toy Story four and right before Descendants, the Royal

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Speaker 1: Wedding and disney He's Magic Bakeoff, So quite a huge

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Speaker 1: night of entertainment. Yeah, the film racked in. Now here's

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Speaker 1: where it gets strange, because you know, we talk about

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Speaker 1: numbers every week, and we're saying this was a big one.

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Speaker 1: It had five million viewers, that had four million viewers

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Speaker 1: then come streaming. So this film racked in five hundred

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Speaker 1: and thirty five thousand viewers for its premiere. And this, unfortunately,

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Speaker 1: was another first. This was the first decom ever to

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Speaker 1: score less than a million viewers in its first airing.

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Speaker 1: And this, my friends, is just the new norm with

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Speaker 1: streaming services. Kids don't watch traditional TV, so we just

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Speaker 1: talked about it. That's neither of us like it, but

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Speaker 1: that's the new way it is. It's just absolutely the

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Speaker 1: new normal. Then, even after the scheduling changes, it was

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Speaker 1: finally added to Disney Plus and November of twenty twenty

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Speaker 1: one as part of Disney Plus Day and annual celebration

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Speaker 1: and content dump for the anniversary of the streaming services launch.

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Speaker 1: I don't think there's any mail service on that day.

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Speaker 1: I know that I like to celebrate that day alone.

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Speaker 1: It's just how I observe. It's a mine.

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Speaker 3: Yeah, what a great occasion I do.

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Speaker 1: I love it. I get my Disney Plus candles and

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Speaker 1: I'm very happy. Spin was the first d com to

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Speaker 1: be filmed during the pandemic. Yes, it was shot in well, Toronto, Canada,

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Speaker 1: so there you go. It gives us a small Utah

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Speaker 1: break from October fifth, twenty twenty to November twentieth, twenty twenty,

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Speaker 1: so it was right in the mix of an absolutely

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Speaker 1: insane time in the world. Very little was filming and

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Speaker 1: as you can figure out by the dates, viewers that

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Speaker 1: ended up waiting three hundred and seventy eight days to

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Speaker 1: see the finished product. That is the longest wait ever

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Speaker 1: between new dcoms oh Man.

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Speaker 3: That feels like five years.

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Speaker 1: Doesn't it a year? Well it is, and in with

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Speaker 1: the short attention spans that social media has given us,

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Speaker 1: three hundred and seventy eight days is nine million years

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Speaker 1: and worth noting that Spin was released in India on

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Speaker 1: Disney Plus hot Star, which is their version of the

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Speaker 1: studio subscription service, and Disney International HD, their version of

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Speaker 1: the channel, on August fifteenth, twenty twenty one Indian Independence Day. Now,

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Speaker 1: obviously this was a very big deal for their country,

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Speaker 1: so there was a lot of promotion and fanfare to

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Speaker 1: coincide with the celebration. Really cool. The soundtrack to Spin,

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Speaker 1: which is an important element to the movie about DJing

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Speaker 1: and EDM, was released two weeks before the movie aired

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Speaker 1: and features all the music you hear in the film.

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Speaker 1: All the songs are written, produced, and performed by Marcus Devrees,

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Speaker 1: who is a Grammy winner whose previous work includes movies

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Speaker 1: like Coda, Kick Ass, and Sucker Punch. And someone chime

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Speaker 1: in if I'm wrong here, but I'm going to assume

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Speaker 1: that this was Disney's first foray into music that you

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Speaker 1: might hear at a rave Is that right? I mean,

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Speaker 1: have we heard other music in Disney? No?

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Speaker 3: I guess you're right. I guess a part of this

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Speaker 3: this genre.

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Speaker 2: Yeah, this is probably the first that we've seen at

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Speaker 2: least absolutely.

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Speaker 3: You know, I would assume there was more.

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Speaker 1: But you've got a big musical background. Have you ever

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Speaker 1: tried to DJ?

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Speaker 3: I haven't you know it?

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Speaker 2: The whole time I was going, how come I haven't

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Speaker 2: tried this before?

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Speaker 3: You know.

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Speaker 2: The closest I got to it was during our tours.

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Speaker 2: We would have musical like dance breaks, Keeley and I

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Speaker 2: and Adrian would be working with the producer and I

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Speaker 2: would say, like, I want to hear like a like

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Speaker 2: glass crashing on the ground, sound like you know, you know,

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Speaker 2: and like doing like certain accents and audio effects and

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Speaker 2: things like that. So we would do that, but it

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Speaker 2: was not like with the spinning. I have to have

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Speaker 2: a girlfriend Brie who does it like all the time.

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Speaker 3: And then my girlfriend Asia is really like she gets

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Speaker 3: paid and to track. She loves it.

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Speaker 2: Yeah, And I remember her first like playing with it,

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Speaker 2: and I just never had much interest in actually doing it.

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Speaker 1: Is it sad that?

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Speaker 4: No?

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Speaker 1: The only DJ I know is DJ pauly D from

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Speaker 1: Jersey Shore. Is that that. I know, it's just not

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Speaker 1: my thing. It's not my kind of music, but hey,

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Speaker 1: it was impressive also as always, because there's technically dancing

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Speaker 1: in this movie, we have to ask you, you know,

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Speaker 1: a woman with now your own line of dance pants

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Speaker 1: and dance tops, which is called what again? Sobri official,

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Speaker 1: Sobri official? How is the dancing in the movie? You know?

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Speaker 2: It took me back and we'll get there, because it

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Speaker 2: was a lot of it was and I don't remember

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Speaker 2: the movie movements. But what I loved about learning the

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Speaker 2: movements from India is a lot of it tells stories

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Speaker 2: like what they're doing. They do things like with their

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Speaker 2: eyes and it's talking about looking or you know what

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Speaker 2: I mean, they have their.

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Speaker 1: Yeah, they had yes clear. It was almost like a

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Speaker 1: language onto itself.

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Speaker 2: The dancing, it absolutely is and I got to learn

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Speaker 2: like quite a bit about it through our movie on

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Speaker 2: the third one.

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Speaker 3: And so I liked it. It was just enough.

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Speaker 2: I don't think it needed any more than what we got.

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Speaker 2: I think it was like just enough and it was

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Speaker 2: more so about the actual music and storytelling of the music.

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Speaker 1: Okay, I did like it. I'm going to talk to

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Speaker 1: you about that later, because I don't necessarily agree. I think,

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Speaker 1: I honestly think it could have used a little more

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Speaker 1: of the dance stuff. But really get into that away

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Speaker 1: all right now. Spin may have been a quote unquote

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Speaker 1: failure when it came to the Nielsen ratings, but critically

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Speaker 1: it fared much better. Amy, Okay, now I just want

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Speaker 1: to preface everything I'm going to say. In this episode.

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Speaker 1: There's a lot of names that are very difficult to pronounce.

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Speaker 1: Uh So I I apologize right off the bat for

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Speaker 1: my pronunciations for some of these names. But Amy, a

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Speaker 1: Monteglio of Paste, said it really conveys the thrills of

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Speaker 1: a first crush or holding someone's hand for the first time,

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Speaker 1: without making the entire movie just about romance, which she liked,

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Speaker 1: and I don't disagree with that. Yeah, and it got

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Speaker 1: a positive review from Mashable, calling it revolutionary and delightful

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Speaker 1: in the dcom movie Library. And this has an eighty

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Speaker 1: percent score on Rotten Tomatoes. It also received the Reframe Stamp,

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Speaker 1: which is an award given by the Gender Equality Coalition.

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Speaker 1: Reframe an IMDb pro for films or TV projects that

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Speaker 1: are proven to have gender balancing hiring, especially women of color,

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Speaker 1: in four of the right key roles of production, not

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Speaker 1: a common distinction. Unfortunately, it was also nominated for two

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Speaker 1: Children and Family Emmy Awards, Outstanding Fiction Special and Outstanding Directing.

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Speaker 1: All right, we always ask what did you know about

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Speaker 1: Spin before it came to our watch?

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Speaker 2: Nothing when we released, or when we talked about this

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Speaker 2: last time with it upcoming, and you and I hadn't

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Speaker 2: seen this yet. I had never seen it. I was

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Speaker 2: thinking you got it in my head saying this was

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Speaker 2: gonna be like a workout space class, like how are

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Speaker 2: they gonna do this?

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Speaker 3: Or it's gonna be like bicycling.

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Speaker 2: I really had no idea until obviously when you pop

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Speaker 2: it up on Disney Plus you see the head picture.

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Speaker 3: And you're going, oh, oh, this is gonna.

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Speaker 2: Be I'm excited to see this. This is so different

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Speaker 2: than what we've seen at all. We've not seen and

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Speaker 2: we've seen obviously movies about music, but not like not

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Speaker 2: to I was really.

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Speaker 3: Looking forward to it.

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Speaker 1: Yeah, what about you? Will you know? I always say no,

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Speaker 1: And I didn't know the title, but I did know

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Speaker 1: this movie. You don't know how. I don't know if

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Speaker 1: I read the script or it was talked about in

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Speaker 1: a couple of meetings I had at Disney. But as

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Speaker 1: the movie started, I was like, I know this movie.

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Speaker 1: So I hadn't seen it, but I've either read the

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Speaker 1: script or been or talked to producers about this specific

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Speaker 1: film because I knew you always going from zero to one, right, exactly, exactly,

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Speaker 1: zero to one out.

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Speaker 2: Of ten out of ten thousand episodes you were once

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Speaker 2: wild though, kind.

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Speaker 1: Of heard of this movie.

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Speaker 2: Yeah, that's cool that you kind of maybe read the script.

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Speaker 1: That's pretty I think I think that's what it was,

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Speaker 1: but I can't remember. But either, Okay, why don't we

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Speaker 1: get into our synopsis? Fifteen year old Rhya Kumar, who

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Speaker 1: lives with her tight knit, multi generational family, realizes her

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Speaker 1: true passion is to become an ed m DJ Sabrina

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Speaker 1: Early thoughts, What did you think of the movie?

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Speaker 3: Again, I really didn't know much how to to do this.

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Speaker 3: As soon as it.

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Speaker 2: Starts and I'm seeing the Indian influenced of their culture

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Speaker 2: in it, I am like, yes, yep, I'm in, and

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Speaker 2: I'm so old, I'm in.

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Speaker 3: I'm on it.

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Speaker 2: This little girl comes on camera and to me, she's

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Speaker 2: one of the most stunning little girls.

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Speaker 3: I'm saying because.

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Speaker 2: She's I know, she's just younger than me. She's obviously

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Speaker 2: not a girl, but she's great. Stunning, yeah, stunning young woman.

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Speaker 1: And a star was I mean just clearly a star.

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Speaker 2: Clearly From the very first ep or very first scene

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Speaker 2: in this movie, it was just so good and I

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Speaker 2: was ready to go. And I really didn't know what

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Speaker 2: to think. How they were going to do this. I

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Speaker 2: couldn't imagine it, and it was great.

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Speaker 3: Right from the start. That was my early thoughts. I

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Speaker 3: was like, I'm gonna love this.

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Speaker 1: I completely and totally agree with you. It was one

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Speaker 1: of those things. I think a lot of it helps

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Speaker 1: that I'm coming right off a Dad Napped Yes, which

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Speaker 1: talk about a different vibe for a Disney movie. This

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Speaker 1: felt modern, it felt big budget, it felt real, it

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Speaker 1: felt the acting was incredible, the cast was wonderful. None

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Speaker 1: of it felt forced. It was I fully enjoyed this movie.

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Speaker 1: I again music, so I was like, I don't know

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Speaker 1: how Manna feel loved it, and I disagree. I would

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Speaker 1: love to have seen a little bit more of the

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Speaker 1: Bollywood put into the film.

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Speaker 3: Two, I thought the rolling credits we were going to

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Speaker 3: get something.

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Speaker 1: Like one or two would have been great itself.

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Speaker 3: In the movie itself, I didn't think it needed it.

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Speaker 3: I just felt like I would like to see the

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Speaker 3: ball yes, but the Bollywood that's like an end thing,

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Speaker 3: you know.

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Speaker 1: I know, I know a lot.

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Speaker 2: What I do want to say is and I know

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Speaker 2: we're gonna about to get to this. But I really

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Speaker 2: loved that it was an Indian filmmaker as the director too,

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Speaker 2: because I think that is absolutely really big and I

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Speaker 2: thought that was really very cool for the Disney Channel.

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Speaker 1: I think so too. And that's a perfect segue here

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Speaker 1: because Spin was directed by and again I'm apologizing if

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Speaker 1: I'm if I'm butchering these names, but was directed by

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Speaker 1: Menjari mac Johnny. I think is how you say it.

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Speaker 1: The Indian filmmaker and daughter of a veteran Bollywood actor

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Speaker 1: is based in La and debuted with the Netflix movie

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Speaker 1: Skater Girl in twenty twenty one, and that had a

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Speaker 1: very similar plot following a teenage girl who finds her

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Speaker 1: identity through skateboarding. Spin was her second feature, but she's

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Speaker 1: worked in his assistant director on Wait to Hear This

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Speaker 1: This List on some huge releases like Wonder Woman, Mission Impossible,

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Speaker 1: Ghost Protocol, and The Dark Night Rises when they were

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Speaker 1: all shot in India. Wow Wow, pretty cool. Or the

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Speaker 1: list of movies Will Loves and the Movie is filled

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Speaker 1: with mostly new faces for Disney, with only two real exceptions,

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Speaker 1: and the most recognizable is Anna Cathcart. This was actually

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Speaker 1: Anna's third d com as You've seen her before in

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Speaker 1: Descendance two and three as Dizzy Tremaine, Cinderella's daughter. She

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Speaker 1: also appeared in the movie To All the Boys I've

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Speaker 1: Loved Before and the TV show and subsequent movies for

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Speaker 1: Odd Squad. She can currently be seen on the Netflix

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Speaker 1: show Exo Kitty I Love.

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Speaker 4: It's the big character Kitty again.

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Speaker 1: I'm saying words. I have no idea what any of

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Speaker 1: these things are. It's not mash, I don't get it.

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Speaker 1: And Avontka stars in Spin as Ria, the girl who

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Speaker 1: just came on the screen and Stole it. Born in

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Speaker 1: the San Francisco area, she began her career starring in

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Speaker 1: Telugu cinema, eventually transitioning to American projects, where Spin was

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Speaker 1: her first ever lead role. She since starred in Netflix

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Speaker 1: Senior Year and appeared in the comedy musical version of

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Speaker 1: Mean Girls, the horror movie Taro, and voices Kamala on

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Speaker 1: the Disney animated series Mira Royal Detective and although she's

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Speaker 1: currently a student at Columbia University, so she's also really smart.

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Speaker 1: Set to graduate in twenty twenty seven, she will star

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Speaker 1: in the upcoming Disney Plus series A Crown of Wishes

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Speaker 1: and a thriller theatrical release called Ballerina Overdrive with Matti Ziegler. Yes,

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Speaker 1: actually Columbia University. They only accepted one person who was

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Speaker 1: not very smart. It didn't work out. His name was

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Speaker 1: ryd Or Strong. Abe Dial plays Her father. Arvind Diel,

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Speaker 1: is an award winning Indian actor known for his work

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Speaker 1: in Hindi films like Manorama, Six Feet Under and a

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Speaker 1: massive Bollywood blockbuster called Zindagi Na Milegi Dobara. And again,

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Speaker 1: I apologize to everybody out there if I'm mispronouncing these words.

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Speaker 1: Mira Syle is her grandmother. Asha Sile is an English comedian, writer, singer,

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Speaker 1: journalist and actress. She does it all. My wife loves

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Speaker 1: British stuff, so I've seen her a thousand times after

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Speaker 1: her breakout as one of the creators of the BBC's

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Speaker 1: sketch comedy show Goodness Gracious Me and her role in

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Speaker 1: the movie The Kumars at number forty two. She's since

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Speaker 1: become one of the UK's best known Asian creators and

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Speaker 1: was awarded a BAFTA Fellowship, which is its highest accolade,

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Speaker 1: in twenty twenty three. The other pass employee of Disney

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Speaker 1: is arian Simhardri, who played Rohan. He's really worked at

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Speaker 1: the studio an awful lot. You might know him as

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Speaker 1: Grover Underwood and the Percy Jackson The Olympians TV show,

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Speaker 1: which is actually a great TV show. He also appeared

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Speaker 1: in the Disney Plus twenty twenty two remake of Cheaper

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Speaker 1: by the Dozen, another movie on the streamer called Trevor

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Speaker 1: the Musical, the twenty twenty Disney channel improvs Dotcom Just

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Speaker 1: roll with It, and he's also a voice on Mirror

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Speaker 1: Royal Detective. Yikes, this kid is a very good thing going.

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Speaker 1: Just stay with it. Don't make Disney mad because you

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Speaker 1: are killing it now. I love the idea that Disney

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Speaker 1: was able to weave in some of the regulars but

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Speaker 1: also expose their audience to an entirely new film industry

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Speaker 1: with some Bollywood and Indian stars. The combination was seamless.

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Speaker 1: I loved the way they did it, it was really great.

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Speaker 1: Spin is ninety four minutes? Oh so close, but just

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Speaker 1: ignore four minutes will be fine. We like ninety and

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Speaker 1: that's why.

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Speaker 3: I know where it could have been cut.

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Speaker 1: Do you really that? Okay, that's fine, It's yeah, it's

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Speaker 1: just it's four too much. It's just four too much.

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Speaker 1: But it's so close, so we're sorry about that. This

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Speaker 1: movie is written by Josh Kagan, a writer whose career

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Speaker 1: has included some really impressive young adult projects, starting with

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Speaker 1: his first breakout hit, which we've talked about on this

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Speaker 1: podcast before, and I Got a little Bit for Bandslam, which,

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Speaker 1: for Trivia Buffs was also David Bowie's last film. Kagan

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Speaker 1: also wrote the movie The Duff and would become a

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Speaker 1: Disney go to writing the Kim Possible live action movie

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Speaker 1: Upside Down, Magic and under Wraps too. And in just

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Speaker 1: a few months we are gonna be able to see

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Speaker 1: his newest entry into the dcom lexicon, Zombies four Don

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Speaker 1: of the Vampires. Maybe we've got to get Josh in

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Speaker 1: the podcast. But here's the thing. I I love how

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Speaker 1: we break up the movies that we do, but I'm

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Speaker 1: really having trouble not hopping forward and watching some of

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Speaker 1: the new descend and in some of the news zombies.

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Speaker 1: I want to get to these things.

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Speaker 3: I know, I know.

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Speaker 1: So we got to get Josh on the podcast though,

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Speaker 1: because he's killing it. He also shares credit with Carly Steiner,

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Speaker 1: and it's something that we also see a lot. She

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Speaker 1: has no other writing credits, so maybe she was paired

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Speaker 1: up with an established writer for her idea. Who knows,

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Speaker 1: but this tends to happen a lot with Tcom. She

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Speaker 1: could have come in with a great idea and they

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Speaker 1: just put her with a more established writer. I did

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Speaker 1: that the first time I wrote a script for ThunderCats.

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Speaker 1: I'd never written an animated script before, so they put

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Speaker 1: me with a much more established writer who taught me

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Speaker 1: the process. Okay, time to feel the bass to your body,

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Speaker 1: because it's time for spin. We open at Spirit of India,

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Speaker 1: a restaurant where we meet Rhea. She works at the

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Speaker 1: family business as a waitress and is scrolling her phone

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Speaker 1: looking for the best song to put on her dinner

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Speaker 1: rush playlist. She picks the music is Everything Mixed and

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Speaker 1: turns it up as an Indian influenced dance track plays

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Speaker 1: throughout the dining room. She starts to get to work.

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Speaker 1: It is a busy, busy place. We see shots of

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Speaker 1: the menu, utensils be cleaned, and cooks very hard at

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Speaker 1: work in the kitchen. Rha weaves in and out, almost

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Speaker 1: dancing her way through food deliveries, proving that she is

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Speaker 1: a real pro at this. This is where I was

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Speaker 1: already dying in the movie, because I don't know about you,

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Speaker 1: but Indian food is one of my favorite things ever,

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Speaker 1: and I was just watching them make this food allivating

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Speaker 1: watching this movie. How did you feel?

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Speaker 2: I I don't like Indian food before I went. Before

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Speaker 2: I went to India, Oh, I loved it, but I

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Speaker 2: was sick the whole time in India.

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Speaker 3: No so much that It's like I remember a few times.

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Speaker 2: I was on a date once and this guy ordered

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Speaker 2: French fries and he asked for extra They've put like

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Speaker 2: like kind of like a masala or a some kind

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Speaker 2: of spice on it. And I had just gotten through

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Speaker 2: telling him it was my first date with him, that

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Speaker 2: I'll go anywhere and I'll try anything except for going

434
00:20:54,840 --> 00:20:57,480
Speaker 2: to Indian food because it makes me really nauseous, right,

435
00:20:57,520 --> 00:20:59,280
Speaker 2: And when I went to the bathroom, he asked for

436
00:20:59,320 --> 00:21:02,240
Speaker 2: more of whatever that spice was and like, I instantly

437
00:21:02,280 --> 00:21:05,080
Speaker 2: came up to the table and walked back away from

438
00:21:05,119 --> 00:21:08,600
Speaker 2: it because I would actually get nauseous from.

439
00:21:08,440 --> 00:21:11,000
Speaker 1: Just ending the date.

440
00:21:11,480 --> 00:21:14,560
Speaker 3: No he, I don't know. Whatever. Well, if it was,

441
00:21:14,600 --> 00:21:15,800
Speaker 3: it worked because I was like.

442
00:21:15,920 --> 00:21:21,000
Speaker 2: See, I so I am just now getting into India.

443
00:21:21,040 --> 00:21:23,120
Speaker 2: I had Indian food for the first time since I've

444
00:21:23,160 --> 00:21:25,679
Speaker 2: been in India last year while I was in Florida,

445
00:21:25,760 --> 00:21:25,960
Speaker 2: and I.

446
00:21:26,600 --> 00:21:27,760
Speaker 3: I, I love it.

447
00:21:27,760 --> 00:21:31,720
Speaker 2: It's just masala that seasons the one that gets me

448
00:21:31,840 --> 00:21:32,280
Speaker 2: real good.

449
00:21:33,160 --> 00:21:35,679
Speaker 1: I heard enough and all.

450
00:21:35,560 --> 00:21:39,439
Speaker 3: The other stuff. Oh man, like my mouth starts to

451
00:21:39,600 --> 00:21:40,400
Speaker 3: like water, like.

452
00:21:42,080 --> 00:21:45,040
Speaker 1: Ye yes. And the point where my wife and I

453
00:21:45,119 --> 00:21:47,000
Speaker 1: a our favorite restaurant in the world is the is

454
00:21:47,040 --> 00:21:49,040
Speaker 1: an Indian place in London called jim Kanna, and we

455
00:21:49,119 --> 00:21:51,560
Speaker 1: will get a reservation to that place and then book

456
00:21:51,600 --> 00:21:53,879
Speaker 1: tickets to London, like we will plan our trip around.

457
00:21:54,080 --> 00:21:58,800
Speaker 3: I heard that it's England. They have them everywhere, right,

458
00:21:58,880 --> 00:22:00,840
Speaker 3: like how we have like sushi rush everywhere year.

459
00:22:01,119 --> 00:22:05,440
Speaker 1: It's marvelously good. But oh yeah. So anyway, she eventually

460
00:22:05,520 --> 00:22:07,880
Speaker 1: sends her little brother Rohan, who's working as a self

461
00:22:07,880 --> 00:22:10,480
Speaker 1: appointed maitre d to the kitchen and her dad Arvin,

462
00:22:10,600 --> 00:22:12,840
Speaker 1: the owner of Spirit of India, pops up and tells

463
00:22:12,840 --> 00:22:16,520
Speaker 1: his son that Tiktaco's his idea for a new Tika

464
00:22:16,960 --> 00:22:20,400
Speaker 1: Chicken dish isn't gonna happen. And the whole time, I'm

465
00:22:20,440 --> 00:22:24,440
Speaker 1: just thinking Tik Taco's sound incredible and I want to

466
00:22:24,480 --> 00:22:24,760
Speaker 1: play it.

467
00:22:25,800 --> 00:22:27,160
Speaker 3: I thought it was super clever.

468
00:22:27,359 --> 00:22:29,120
Speaker 1: Oh it is, but oh man, they sound so good.

469
00:22:29,400 --> 00:22:31,280
Speaker 1: Ria is told her grandmother wants to speak to her

470
00:22:31,320 --> 00:22:33,399
Speaker 1: in the kitchen where she is supervising a busy night

471
00:22:33,440 --> 00:22:36,080
Speaker 1: of orders. She tells Ria she can make more effort

472
00:22:36,080 --> 00:22:38,400
Speaker 1: with her appearance on a crowded Sunday night. She even

473
00:22:38,440 --> 00:22:41,159
Speaker 1: tries to tweeze her eyebrows. Her grandma tells Arvin to

474
00:22:41,240 --> 00:22:43,560
Speaker 1: let his daughter go and have some fun. She should

475
00:22:43,560 --> 00:22:46,040
Speaker 1: be enjoying her life, not sweating serving food every night.

476
00:22:46,480 --> 00:22:49,720
Speaker 1: She's right, he says, she loves it, or else she

477
00:22:49,760 --> 00:22:52,040
Speaker 1: would tell him that she hates it. We also learned

478
00:22:52,040 --> 00:22:54,639
Speaker 1: that Rhea is the president of her school's coding club.

479
00:22:55,520 --> 00:22:57,560
Speaker 1: Does the high school you kind of do everything with?

480
00:22:57,640 --> 00:22:59,359
Speaker 1: Do they have a coding club? Because I didn't even

481
00:22:59,400 --> 00:23:01,199
Speaker 1: know what that, man, I assumed it was something I

482
00:23:01,320 --> 00:23:01,680
Speaker 1: know what.

483
00:23:02,520 --> 00:23:05,880
Speaker 2: Is because of my husband's business, and like one of

484
00:23:06,119 --> 00:23:08,840
Speaker 2: his guys, one of his best friends, is the main one.

485
00:23:08,880 --> 00:23:11,000
Speaker 2: So I knew that what that was. And Jordan went

486
00:23:11,000 --> 00:23:13,440
Speaker 2: to school for it, but I that's the first time

487
00:23:13,440 --> 00:23:15,440
Speaker 2: I heard about it, But that was in college.

488
00:23:15,480 --> 00:23:17,960
Speaker 3: I was like, I mean, it wouldn't shocked me. Now.

489
00:23:18,240 --> 00:23:20,680
Speaker 2: They didn't have like huge film classes in high school

490
00:23:20,680 --> 00:23:22,199
Speaker 2: when I was in high school, and now they're like

491
00:23:22,560 --> 00:23:25,680
Speaker 2: making humongous productions around campus.

492
00:23:25,760 --> 00:23:30,680
Speaker 1: So our extracurriculars were like walk outside for a night homec.

493
00:23:30,400 --> 00:23:31,520
Speaker 3: Was like where it started it in.

494
00:23:31,720 --> 00:23:32,720
Speaker 1: Yeah, yeah, pretty much.

495
00:23:33,080 --> 00:23:34,119
Speaker 3: Literally.

496
00:23:34,160 --> 00:23:37,720
Speaker 1: I think that's what she's like. Yeah, it's crazy robotics

497
00:23:37,760 --> 00:23:38,720
Speaker 1: and all this other kind of stuff.

498
00:23:38,760 --> 00:23:39,160
Speaker 3: Totally.

499
00:23:39,240 --> 00:23:41,360
Speaker 2: I mean, I think it'd be so exciting if that's

500
00:23:41,400 --> 00:23:42,159
Speaker 2: really what's going on.

501
00:23:42,280 --> 00:23:44,360
Speaker 1: Yeah, I would too, It's cool. H This is when

502
00:23:44,359 --> 00:23:47,960
Speaker 1: we meet cute little British boy Max that Rea recognizes

503
00:23:48,000 --> 00:23:50,920
Speaker 1: as a research transfer student at her school. He walks

504
00:23:50,920 --> 00:23:53,600
Speaker 1: in with his mother, He digs the restaurant, and once seated,

505
00:23:53,680 --> 00:23:57,840
Speaker 1: he unsuccessfully shazams the song playing over the speaker. Rhea,

506
00:23:57,880 --> 00:24:00,320
Speaker 1: who gets to do that hipster I know music like

507
00:24:00,359 --> 00:24:02,200
Speaker 1: no one else kind of thing, lets him know it's

508
00:24:02,320 --> 00:24:07,080
Speaker 1: free Fall Universe. By DJ Lucas Sent. He can't believe

509
00:24:07,080 --> 00:24:09,159
Speaker 1: he missed a new DJ Lucasent track and is very

510
00:24:09,240 --> 00:24:11,119
Speaker 1: impressed with the mix she made. He asked if she

511
00:24:11,119 --> 00:24:13,639
Speaker 1: produces her own stuff, and no, just mixes it up

512
00:24:13,640 --> 00:24:15,760
Speaker 1: to help dinner with the flow. They bond over their

513
00:24:15,800 --> 00:24:18,040
Speaker 1: mutual love of the artist, and Max suggests they go

514
00:24:18,200 --> 00:24:21,680
Speaker 1: record shopping together someday. H that's not euphemism. He really

515
00:24:21,760 --> 00:24:24,119
Speaker 1: just wanted to buy records. She admits she doesn't have

516
00:24:24,160 --> 00:24:26,480
Speaker 1: a record player, but Max says he's a DJ, so

517
00:24:26,600 --> 00:24:29,280
Speaker 1: he has two. Just then, Ria's grandma comes out of

518
00:24:29,320 --> 00:24:31,000
Speaker 1: the kitchen and appears to be bothered by the music,

519
00:24:31,000 --> 00:24:33,760
Speaker 1: but in reality, they dim the lights and she starts

520
00:24:33,800 --> 00:24:35,840
Speaker 1: to get down and lip sync to the tune. The

521
00:24:35,880 --> 00:24:38,640
Speaker 1: customers and Rea love it, clapping along the impromptu show,

522
00:24:38,680 --> 00:24:41,400
Speaker 1: and eventually it leads to a standing ovation. I think

523
00:24:41,440 --> 00:24:44,320
Speaker 1: this place rocks, and Max agrees. And I was hoping

524
00:24:44,320 --> 00:24:46,240
Speaker 1: every once in a while, like I was hoping just

525
00:24:46,240 --> 00:24:48,159
Speaker 1: because I know how big the Bollywood stuff can be

526
00:24:48,200 --> 00:24:51,120
Speaker 1: in when you watch it, it's very theatrical and very beautiful.

527
00:24:51,600 --> 00:24:54,800
Speaker 1: I was waiting for like the waiters were gonna start

528
00:24:54,840 --> 00:24:57,639
Speaker 1: getting involved in anything and you know, like the trays

529
00:24:57,680 --> 00:24:59,280
Speaker 1: were gonna start going behind it. It was like, it's gonna

530
00:24:59,280 --> 00:25:00,600
Speaker 1: be a big production musical number.

531
00:25:01,000 --> 00:25:01,560
Speaker 3: I was there.

532
00:25:06,920 --> 00:25:11,240
Speaker 2: Saying, he was, he was wishing this movie was a musical.

533
00:25:11,280 --> 00:25:17,920
Speaker 3: We have done it, ladies, these big dance numbers right.

534
00:25:17,600 --> 00:25:22,399
Speaker 1: Now, I did. I did. I was seriously upset that

535
00:25:22,440 --> 00:25:24,240
Speaker 1: there was not more big musical numbers, by the way,

536
00:25:24,240 --> 00:25:26,400
Speaker 1: on this red because of this lamp. That's what. It's

537
00:25:26,440 --> 00:25:28,119
Speaker 1: not that I'm embarrassed by my musical number.

538
00:25:29,440 --> 00:25:32,080
Speaker 3: I love it. We've done, We've done it.

539
00:25:32,080 --> 00:25:34,800
Speaker 1: It's true. Later in that night, back at home, Riha

540
00:25:34,840 --> 00:25:38,160
Speaker 1: overhears her grandmother talking to her dad downstairs. Her dad

541
00:25:38,160 --> 00:25:40,880
Speaker 1: is suggesting that maybe Nanni stopped dancing at the restaurant,

542
00:25:40,920 --> 00:25:43,200
Speaker 1: calling it a little corny, but she says she loves

543
00:25:43,240 --> 00:25:45,119
Speaker 1: doing it and she can't help herself. In the music

544
00:25:45,240 --> 00:25:48,399
Speaker 1: Rhea picks is so great. Also, it's a little weird

545
00:25:48,480 --> 00:25:50,760
Speaker 1: thing to say when the restaurant is packed and people

546
00:25:50,880 --> 00:25:52,919
Speaker 1: love it and are giving her a standing ovation, It's like,

547
00:25:53,119 --> 00:25:56,000
Speaker 1: why would you want to cancel that? That's that's an

548
00:25:56,000 --> 00:25:57,040
Speaker 1: amazing part of the night.

549
00:25:57,119 --> 00:26:00,080
Speaker 2: But I feel like he's saying it's too much of

550
00:26:00,160 --> 00:26:03,280
Speaker 2: this balllywood like they're coming in. We want authentic food,

551
00:26:04,240 --> 00:26:05,639
Speaker 2: just like portrayed on movies.

552
00:26:05,880 --> 00:26:07,480
Speaker 1: Yes, I think it's that, but I think it's also

553
00:26:07,520 --> 00:26:08,719
Speaker 1: a little bit more about what we're going to get

554
00:26:08,720 --> 00:26:11,560
Speaker 1: into right here, which is Arvin emits Rihea's mix helps

555
00:26:11,560 --> 00:26:13,600
Speaker 1: with the Saturday rush, and they agree that she inherited

556
00:26:13,640 --> 00:26:16,640
Speaker 1: her mother's ear. Music runs in her veins and talking

557
00:26:16,640 --> 00:26:19,320
Speaker 1: about her mom obviously affects Arvin, and that's when it's

558
00:26:19,320 --> 00:26:22,200
Speaker 1: revealed that her grandmother is actually his mother in law,

559
00:26:22,640 --> 00:26:26,200
Speaker 1: and well, Ria's mom is dead. Grandma says that the

560
00:26:26,240 --> 00:26:27,919
Speaker 1: last thing her daughter would have wanted is for him

561
00:26:27,960 --> 00:26:30,320
Speaker 1: to hide behind work and the kids. They call it

562
00:26:30,320 --> 00:26:32,440
Speaker 1: a night, but Grandma's concerned, and we see Ria was

563
00:26:32,480 --> 00:26:34,800
Speaker 1: nearby listening in forcing a flashback. So yeah, I think

564
00:26:34,960 --> 00:26:36,560
Speaker 1: anything having to do with music at this point they're

565
00:26:36,560 --> 00:26:38,720
Speaker 1: setting up just reminds him too much of his ex wife. Yes,

566
00:26:38,720 --> 00:26:42,160
Speaker 1: not ex wife, his wife was gone. A younger Ria

567
00:26:42,240 --> 00:26:44,480
Speaker 1: is in bed and can't sleep when this is the flashback.

568
00:26:44,520 --> 00:26:45,879
Speaker 1: By the way, A younger Riha is in bed and

569
00:26:45,920 --> 00:26:48,280
Speaker 1: can't sleep when her mom enters to help her Mom

570
00:26:48,280 --> 00:26:51,040
Speaker 1: suggests letting the music of the street guide her. There

571
00:26:51,040 --> 00:26:54,240
Speaker 1: are rhythms and drums and trumpets and common noises everywhere.

572
00:26:54,240 --> 00:26:57,280
Speaker 1: It's a very nice moment, and young Rihea quickly falls asleep.

573
00:26:57,520 --> 00:26:59,040
Speaker 1: We see her mom walk out of the room and

574
00:26:59,080 --> 00:27:01,520
Speaker 1: right into the bright light, which obviously means that somebody

575
00:27:01,560 --> 00:27:04,560
Speaker 1: is dead. The following day, at Jefferson High School, she

576
00:27:04,600 --> 00:27:07,840
Speaker 1: walks by Max, who gives a smoldering, weird kind of

577
00:27:07,880 --> 00:27:10,800
Speaker 1: head nod like hey, my my neck hurts, forcing her

578
00:27:10,840 --> 00:27:13,439
Speaker 1: to get a little bit giddy. Her two coating friends,

579
00:27:13,480 --> 00:27:15,720
Speaker 1: Molly and Watson, notice the Peppeter step and want to

580
00:27:15,760 --> 00:27:17,760
Speaker 1: know about this Max, because they can tell that she

581
00:27:18,040 --> 00:27:21,679
Speaker 1: very much likes them. She does finally admit yes, he's cute,

582
00:27:21,880 --> 00:27:24,840
Speaker 1: and quickly changes the subject to their new jackets. In

583
00:27:24,880 --> 00:27:26,600
Speaker 1: the halls, we meet Ginger, a student who is also

584
00:27:26,680 --> 00:27:29,360
Speaker 1: a famous online influencer, which I think is very funny

585
00:27:29,520 --> 00:27:31,720
Speaker 1: and a good friend of Rhea. Molly and Watson, again

586
00:27:31,960 --> 00:27:34,520
Speaker 1: very different than Dad napped. They fill her in on

587
00:27:34,640 --> 00:27:37,119
Speaker 1: Max and get an online update on the dance Squad

588
00:27:37,160 --> 00:27:39,880
Speaker 1: promo event that's happening tomorrow. It's all the raise money

589
00:27:39,880 --> 00:27:43,439
Speaker 1: for homecoming and is inspired by the holiday Holly. Everyone

590
00:27:43,480 --> 00:27:45,880
Speaker 1: wears white and they pelt each other with these brightly

591
00:27:45,920 --> 00:27:48,640
Speaker 1: colored powder and the dance squad is doing a UV

592
00:27:48,800 --> 00:27:51,680
Speaker 1: event to alert people about it. Did you know about Holly,

593
00:27:51,720 --> 00:27:54,840
Speaker 1: because I've seen is that you get to play?

594
00:27:56,240 --> 00:27:57,560
Speaker 3: Yeah, they didn't.

595
00:27:57,680 --> 00:28:00,000
Speaker 2: We didn't get to do too much of it because

596
00:28:00,119 --> 00:28:02,480
Speaker 2: is what the stuff they really use in India like

597
00:28:02,560 --> 00:28:05,240
Speaker 2: could like easily like stain the skin.

598
00:28:05,359 --> 00:28:07,280
Speaker 1: Well doesn't they also get into like your mouth and

599
00:28:07,320 --> 00:28:09,360
Speaker 1: your eyes. And that's all I'm thinking of the whole time.

600
00:28:09,400 --> 00:28:11,240
Speaker 1: So it's like are you breathing it into?

601
00:28:11,480 --> 00:28:15,600
Speaker 2: And I know when we get there, I was very

602
00:28:15,640 --> 00:28:18,920
Speaker 2: surprised that because they were very cautious about how much

603
00:28:18,960 --> 00:28:20,280
Speaker 2: we were getting gonna get to.

604
00:28:20,240 --> 00:28:22,639
Speaker 1: Do, right, because it's a beautiful thing to watch.

605
00:28:22,720 --> 00:28:25,479
Speaker 2: We were actually there over the actual holiday though, and

606
00:28:25,600 --> 00:28:27,080
Speaker 2: it was gorgeous.

607
00:28:27,160 --> 00:28:30,880
Speaker 1: Yeah, the visuals are stunning. I mean, it was really cool, pretty.

608
00:28:30,640 --> 00:28:34,560
Speaker 2: And everyone is just it really does bring so much

609
00:28:34,920 --> 00:28:37,840
Speaker 2: light and happiness to everywhere we it.

610
00:28:38,080 --> 00:28:41,200
Speaker 1: It looks like it's that's really really cool. But the

611
00:28:41,200 --> 00:28:43,480
Speaker 1: bell rings they're off the class. The teacher, who looks

612
00:28:43,520 --> 00:28:46,080
Speaker 1: way younger than either me or Sabrina, calls on Molly

613
00:28:46,120 --> 00:28:48,520
Speaker 1: and Watson to present what they've been working on. Molly

614
00:28:48,640 --> 00:28:51,160
Speaker 1: makes the teacher sign an NDA, which made me laugh,

615
00:28:51,360 --> 00:28:55,240
Speaker 1: and Watson presents their invention, the Pizza Drone. He demonstrates

616
00:28:55,240 --> 00:28:57,520
Speaker 1: a drone that will deliver pizzas, but of course it crashes,

617
00:28:57,560 --> 00:29:01,520
Speaker 1: spilling pizza sauce everywhere. Rhea presents an app that tracks

618
00:29:01,520 --> 00:29:03,720
Speaker 1: inventory at her dad's restaurant in real time, which is

619
00:29:03,840 --> 00:29:06,240
Speaker 1: pretty great. The teacher's impressed, but says the project was

620
00:29:06,240 --> 00:29:09,160
Speaker 1: an opportunity to have some fun. Ria swear she did

621
00:29:09,200 --> 00:29:11,680
Speaker 1: have fun, but the teacher isn't convinced. Then she reminds

622
00:29:11,720 --> 00:29:15,080
Speaker 1: him about the upcoming parent teacher conference. Ooh, I hated those.

623
00:29:15,640 --> 00:29:17,840
Speaker 1: It was always not working up to his potential. I'm sorry,

624
00:29:17,840 --> 00:29:20,320
Speaker 1: that's a whole thing for my I'll deal with that

625
00:29:20,400 --> 00:29:20,920
Speaker 1: on my own time.

626
00:29:21,000 --> 00:29:22,480
Speaker 3: Try having to be in them now.

627
00:29:23,000 --> 00:29:25,520
Speaker 1: Oh, I couldn't even care, couldn't even imagine. I would

628
00:29:25,560 --> 00:29:27,800
Speaker 1: still go right back to being like, oh my god,

629
00:29:27,840 --> 00:29:31,440
Speaker 1: I somehow I got a you in this class. Yeah,

630
00:29:31,480 --> 00:29:34,200
Speaker 1: you remember that. That night, Rhea's dad walks in on

631
00:29:34,240 --> 00:29:36,320
Speaker 1: her tinkering with the app, and he's blown away. He

632
00:29:36,400 --> 00:29:38,720
Speaker 1: thanks her and says good night. The next day, at school,

633
00:29:38,720 --> 00:29:41,120
Speaker 1: while eating lunch, Ginger alerts the gang of a disaster.

634
00:29:41,280 --> 00:29:43,720
Speaker 1: The DJ for the promo event got caught cheating and

635
00:29:43,800 --> 00:29:47,000
Speaker 1: is suspended, and the black Light dances in twenty minutes.

636
00:29:47,360 --> 00:29:50,120
Speaker 1: Watson and Molly offered a beatbox, but they quickly pivot

637
00:29:50,160 --> 00:29:52,840
Speaker 1: to Max. Rihea and Mitch hasn't actually hurt him, but

638
00:29:52,920 --> 00:29:55,440
Speaker 1: he seems to know what he's talking about, so Ginger

639
00:29:55,480 --> 00:29:57,760
Speaker 1: as the dance squad go and get him, and boom

640
00:29:57,920 --> 00:30:01,040
Speaker 1: crisis averted. He is hired. Ginger tells Ria to come

641
00:30:01,080 --> 00:30:03,520
Speaker 1: say hi and make sure he knows that she's the

642
00:30:03,560 --> 00:30:06,320
Speaker 1: one that got him the gig. Smart Now the event,

643
00:30:06,360 --> 00:30:08,640
Speaker 1: Max is quickly getting accustomed to the equipment. He thanks

644
00:30:08,680 --> 00:30:10,840
Speaker 1: Ria for suggesting him and says he owes her one.

645
00:30:11,200 --> 00:30:13,360
Speaker 1: The event starts and Max is killing it right off

646
00:30:13,360 --> 00:30:16,120
Speaker 1: the bat. The dance squad quickly breaks into a routine

647
00:30:16,120 --> 00:30:19,080
Speaker 1: while wearing black light neon outfits. You know me, I

648
00:30:19,080 --> 00:30:21,280
Speaker 1: love a good dance sequence with black light neon outfits.

649
00:30:21,320 --> 00:30:23,920
Speaker 1: This is truly so cool. I've never been seen. Does

650
00:30:23,920 --> 00:30:26,400
Speaker 1: your dance squad do anything like this, Sabrina? Do you

651
00:30:25,840 --> 00:30:27,160
Speaker 1: neon them up?

652
00:30:27,560 --> 00:30:30,320
Speaker 2: Okay, So they used to have a black light assembly

653
00:30:30,360 --> 00:30:33,000
Speaker 2: at the school and they would bring in all of

654
00:30:33,040 --> 00:30:35,920
Speaker 2: these just giant you know, trying to get the gym

655
00:30:35,960 --> 00:30:37,560
Speaker 2: to actually light up when.

656
00:30:37,480 --> 00:30:40,720
Speaker 3: It's like a big space. It was tough. And my

657
00:30:40,800 --> 00:30:41,960
Speaker 3: girls would always wear.

658
00:30:41,760 --> 00:30:44,360
Speaker 2: Like white stuff, you know, white outfits, and they'd get

659
00:30:44,360 --> 00:30:46,520
Speaker 2: the glow and the dark paint, put it on the vein.

660
00:30:46,640 --> 00:30:46,880
Speaker 1: Yeah.

661
00:30:46,920 --> 00:30:50,240
Speaker 2: But the drum line, they were the ones that would

662
00:30:50,360 --> 00:30:53,040
Speaker 2: kill it and they bring things out on the floor

663
00:30:53,080 --> 00:30:55,680
Speaker 2: and they'd bang on their drums and the splattering and

664
00:30:55,720 --> 00:30:57,240
Speaker 2: it was just like, I mean, they would.

665
00:30:57,040 --> 00:30:59,160
Speaker 3: Go all out. We couldn't do too much.

666
00:30:58,960 --> 00:31:02,560
Speaker 2: But they would just Oh, it was so awesome. So yes,

667
00:31:02,640 --> 00:31:04,960
Speaker 2: this actually reminded me of that. I was like, ah, man,

668
00:31:05,000 --> 00:31:07,480
Speaker 2: I wish we did the black light assembly still and.

669
00:31:07,440 --> 00:31:08,200
Speaker 3: We don't any more.

670
00:31:08,440 --> 00:31:09,160
Speaker 1: Yeah, I gotta do that.

671
00:31:09,200 --> 00:31:10,120
Speaker 3: They should bring that back.

672
00:31:10,760 --> 00:31:12,760
Speaker 1: Well, it's this school. It's become a full on rave

673
00:31:12,880 --> 00:31:16,040
Speaker 1: and DJ union. Max is basically now rocking a nightclub

674
00:31:16,320 --> 00:31:19,360
Speaker 1: and Ginger then books him for the actual Festival of Color.

675
00:31:19,920 --> 00:31:22,160
Speaker 1: With the party finished, Ginger thanks Max for coming through

676
00:31:22,200 --> 00:31:24,360
Speaker 1: on short notice. She negs him though, by saying he

677
00:31:24,440 --> 00:31:26,240
Speaker 1: was good, but will need to step it up for

678
00:31:26,280 --> 00:31:28,520
Speaker 1: the big day. She is off to get some pizza

679
00:31:28,640 --> 00:31:31,280
Speaker 1: leaving Ria alone with her turntable crush. Rhea offers her

680
00:31:31,320 --> 00:31:33,400
Speaker 1: help to Max to prep for the festival. She knows

681
00:31:33,400 --> 00:31:35,719
Speaker 1: Ginger's taste. All he has to do is teach her

682
00:31:35,720 --> 00:31:37,920
Speaker 1: how to DJ. They set a date for a Saturday

683
00:31:37,960 --> 00:31:40,960
Speaker 1: morning at a record store. I think a record store's

684
00:31:41,040 --> 00:31:42,640
Speaker 1: kind of a fun first date, don't you.

685
00:31:42,960 --> 00:31:44,760
Speaker 3: Yeah. I love that.

686
00:31:44,920 --> 00:31:47,760
Speaker 2: We haven't seen it in this kind of movie, but

687
00:31:48,200 --> 00:31:50,920
Speaker 2: it is always a nice place, just like we, you know,

688
00:31:51,040 --> 00:31:54,840
Speaker 2: getting to know each other's musical styles.

689
00:31:54,320 --> 00:31:55,200
Speaker 1: And it's like they're better.

690
00:31:55,400 --> 00:31:57,600
Speaker 3: You can tell a lot. Yeah, you can tell a lot.

691
00:31:58,080 --> 00:32:00,840
Speaker 1: Yeah, I agree. Well, now it's it's the big date morning.

692
00:32:01,000 --> 00:32:03,640
Speaker 1: Ria and Max meet at Victory Vinyl and he's picking

693
00:32:03,640 --> 00:32:06,160
Speaker 1: out records for her. He gives her a DJ lesson,

694
00:32:06,280 --> 00:32:09,360
Speaker 1: showing her the turntables, the mixer, and the crossfader. I

695
00:32:09,520 --> 00:32:11,280
Speaker 1: kind of dug this because if somebody doesn't know a

696
00:32:11,280 --> 00:32:13,120
Speaker 1: lot about DJ, and he like walked you through what

697
00:32:13,160 --> 00:32:16,520
Speaker 1: it was, which is great. He explains beat matching, pitch control,

698
00:32:16,640 --> 00:32:19,320
Speaker 1: and beats per minute. The lesson is going very well

699
00:32:19,480 --> 00:32:22,040
Speaker 1: and it catches the attention of a customer. It's the

700
00:32:22,560 --> 00:32:25,880
Speaker 1: DJ Lucas sent I know so little about this world

701
00:32:25,880 --> 00:32:28,680
Speaker 1: that I googled, thinking this was a real guy. I

702
00:32:29,160 --> 00:32:30,760
Speaker 1: was like, DJ Lucas sent I want to hear some

703
00:32:30,800 --> 00:32:33,800
Speaker 1: of his stuff. This gives a fake guy. I swear

704
00:32:33,800 --> 00:32:35,360
Speaker 1: to god, I don't know any of this stuff. The

705
00:32:35,440 --> 00:32:38,320
Speaker 1: duo are, of course nervous meeting their favorite musician, but

706
00:32:38,560 --> 00:32:41,280
Speaker 1: he likes what he's heard. He gets them flyers for

707
00:32:41,360 --> 00:32:44,040
Speaker 1: his Battle of the beat Masters, which is a contest

708
00:32:44,040 --> 00:32:46,840
Speaker 1: for Team DJs. The winner gets his signature equipment and

709
00:32:46,880 --> 00:32:50,280
Speaker 1: a personal lesson immediately. Ria says Max will be there.

710
00:32:50,400 --> 00:32:52,360
Speaker 1: Lucas says he's looking for two things from a DJ

711
00:32:52,560 --> 00:32:55,120
Speaker 1: tell Us story and make us care. He leaves and

712
00:32:55,160 --> 00:32:58,480
Speaker 1: wishes them both luck and man. Are they excited. They

713
00:32:58,480 --> 00:33:00,320
Speaker 1: decide to get coffee to go over the big moment

714
00:33:00,360 --> 00:33:01,760
Speaker 1: and get to know each other a little bit better.

715
00:33:02,000 --> 00:33:03,720
Speaker 1: Max says he moves with his mom a lot, and

716
00:33:03,720 --> 00:33:06,320
Speaker 1: it's tough to make friends while traveling, so he djys

717
00:33:06,400 --> 00:33:08,920
Speaker 1: because it makes it easier to connect with people. Ria

718
00:33:09,000 --> 00:33:11,240
Speaker 1: reveals her mom was a great singer for her Grandma's

719
00:33:11,400 --> 00:33:14,400
Speaker 1: restaurant dance show, but she died when she was only eight.

720
00:33:14,640 --> 00:33:16,640
Speaker 1: He gives us condolences and asks if she'd like to

721
00:33:16,640 --> 00:33:19,160
Speaker 1: practice with him tomorrow. She apparently is in because we

722
00:33:19,200 --> 00:33:21,880
Speaker 1: immediately cut to the next day at his place, he

723
00:33:21,920 --> 00:33:24,000
Speaker 1: teaches her how to scratch by the way, I apologize

724
00:33:24,040 --> 00:33:25,760
Speaker 1: for me not sounding cool when I say any of

725
00:33:25,760 --> 00:33:28,160
Speaker 1: these terms. But he teaches her how to scratch. But Max,

726
00:33:28,200 --> 00:33:30,280
Speaker 1: of course, is disappointed by his mom when she says

727
00:33:30,280 --> 00:33:32,280
Speaker 1: the music is too loud. She's on a business call.

728
00:33:32,440 --> 00:33:35,760
Speaker 1: They're obviously not super close. We jump to a montage.

729
00:33:35,800 --> 00:33:38,600
Speaker 1: We see Rhea practicing with a YouTube tutorial and shopping

730
00:33:38,600 --> 00:33:40,800
Speaker 1: for more records with Max. They seem to be really

731
00:33:40,800 --> 00:33:43,480
Speaker 1: getting along, even holding hands and having dinner at the

732
00:33:43,520 --> 00:33:47,600
Speaker 1: restaurant together. But more importantly, she's getting better at djaying

733
00:33:47,600 --> 00:33:50,720
Speaker 1: and developing her own style very quickly, even as mom

734
00:33:50,840 --> 00:33:53,640
Speaker 1: likes her mix. This slightly bothers Max, who again has

735
00:33:53,680 --> 00:33:56,920
Speaker 1: serious mommy issues. Ria, though it seems is a natural,

736
00:33:57,160 --> 00:34:00,120
Speaker 1: Max thinks she can be an actual, real artist. She

737
00:34:00,200 --> 00:34:03,240
Speaker 1: sees herself as a coder, not a musician. Then she

738
00:34:03,280 --> 00:34:05,520
Speaker 1: starts to get a barrage of texts. It's parent teacher

739
00:34:05,560 --> 00:34:08,200
Speaker 1: conference night, so she has to get to the restaurant asap.

740
00:34:08,640 --> 00:34:10,600
Speaker 1: It is busy at Spirit of India and her dad

741
00:34:10,640 --> 00:34:13,280
Speaker 1: isn't happy she's late and leaves for the parent teacher conference,

742
00:34:13,320 --> 00:34:15,640
Speaker 1: but he's still a little mythed the minute he's gone.

743
00:34:15,680 --> 00:34:18,200
Speaker 1: Her grandma wants to know all about this Max character.

744
00:34:18,520 --> 00:34:20,759
Speaker 1: Her snitch brother took an educated guest and told her.

745
00:34:21,120 --> 00:34:23,759
Speaker 1: Ria admits, yes, she digs them. Her grandmother warns her

746
00:34:23,800 --> 00:34:26,319
Speaker 1: to be careful. The cute ones can be trouble, but

747
00:34:26,440 --> 00:34:32,160
Speaker 1: Ria promises they're just friends mostly. Ooh. Now we are

748
00:34:32,200 --> 00:34:35,480
Speaker 1: at the parent teacher conference. Rihea's teacher is walking Arvin

749
00:34:35,600 --> 00:34:38,440
Speaker 1: through her other students projects and explains that although Ria's

750
00:34:38,480 --> 00:34:41,600
Speaker 1: app idea is smart and impressive, she's worried that Rihea

751
00:34:41,680 --> 00:34:44,719
Speaker 1: is holding herself back from finding something new. Arvin is

752
00:34:44,840 --> 00:34:47,520
Speaker 1: kind of instantly offended. He would never force her into

753
00:34:47,520 --> 00:34:49,520
Speaker 1: something she doesn't want to do, and his daughter is

754
00:34:49,600 --> 00:34:53,000
Speaker 1: like him, very business minded. The teacher, now wanting to

755
00:34:53,000 --> 00:34:56,640
Speaker 1: be called Naomi. Oh this is getting flirty, swears she

756
00:34:56,719 --> 00:34:58,920
Speaker 1: meant nothing by it and offers him a donut. Like

757
00:34:58,960 --> 00:35:01,640
Speaker 1: you do anybody offers me a donut, I'm going home

758
00:35:01,640 --> 00:35:04,759
Speaker 1: with them anyway. Arvin accepts and says, if for the record,

759
00:35:04,840 --> 00:35:07,440
Speaker 1: so with my wife, we're big donut fans. Arvin accepts

760
00:35:07,520 --> 00:35:09,719
Speaker 1: and says if his daughter had a problem being at

761
00:35:09,760 --> 00:35:13,520
Speaker 1: the restaurant, she would tell him. And then, like I said, called.

762
00:35:13,239 --> 00:35:17,560
Speaker 3: It flirting, very inappropriate. You think they're.

763
00:35:17,520 --> 00:35:19,400
Speaker 1: Adults by themselves. It's fine.

764
00:35:20,239 --> 00:35:24,040
Speaker 2: She's his daughter's teachers.

765
00:35:23,640 --> 00:35:24,960
Speaker 1: So they're both adults.

766
00:35:25,000 --> 00:35:25,480
Speaker 3: It's okay.

767
00:35:25,520 --> 00:35:27,560
Speaker 1: That's might it might be a maybe not during the

768
00:35:27,600 --> 00:35:30,239
Speaker 1: parent teacher conference. Maybe maybe slide into his d MS later,

769
00:35:31,680 --> 00:35:35,640
Speaker 1: Did I say that right? Is not what it is?

770
00:35:35,680 --> 00:35:37,279
Speaker 3: That so wrong from you?

771
00:35:39,200 --> 00:35:40,799
Speaker 1: Is that what you're supposed to do? You slide into

772
00:35:40,840 --> 00:35:42,080
Speaker 1: someone's m Yeah, I.

773
00:35:42,040 --> 00:35:44,799
Speaker 2: Mean the outside of the school, like they were both

774
00:35:44,840 --> 00:35:45,680
Speaker 2: at the grocery store.

775
00:35:45,719 --> 00:35:46,359
Speaker 3: That'd be one thing.

776
00:35:46,400 --> 00:35:49,759
Speaker 2: But he's literally there for your kids like she was.

777
00:35:51,000 --> 00:35:54,600
Speaker 2: It was she the one that was being inappropriate. I

778
00:35:54,840 --> 00:35:56,920
Speaker 2: could have gotten called by the district for.

779
00:35:56,960 --> 00:35:57,520
Speaker 3: Sure on that.

780
00:35:57,920 --> 00:36:04,480
Speaker 1: Naomi. He likes the donut, but he swears his pastries

781
00:36:04,520 --> 00:36:07,400
Speaker 1: are better. Naomi says she'll have to swing by and

782
00:36:07,520 --> 00:36:10,319
Speaker 1: judge the food for herself, even saying it's a date. Yes,

783
00:36:10,840 --> 00:36:14,080
Speaker 1: she asks herself out. She does totally does.

784
00:36:14,160 --> 00:36:15,480
Speaker 3: Yes, it's okay.

785
00:36:16,000 --> 00:36:18,720
Speaker 1: It's closing time at the restaurant, and Arvin asked Grandma

786
00:36:18,800 --> 00:36:22,360
Speaker 1: rsha If he should cancel this date he accidentally fell into.

787
00:36:22,640 --> 00:36:25,360
Speaker 1: She encourages him to go have some fun and infers

788
00:36:25,360 --> 00:36:27,800
Speaker 1: he's focused too much on work and so are the kids.

789
00:36:28,120 --> 00:36:30,400
Speaker 1: But a great mix is playing and reassure has the

790
00:36:30,440 --> 00:36:33,960
Speaker 1: skill to pick good tunes off of Spotify. Back at school,

791
00:36:34,000 --> 00:36:35,880
Speaker 1: Ria joins her friends to work on the Festival of

792
00:36:35,880 --> 00:36:38,840
Speaker 1: Color website and notices they haven't put Max's name anywhere.

793
00:36:39,160 --> 00:36:41,600
Speaker 1: Ginger says she's heard his new song and really no

794
00:36:41,640 --> 00:36:43,799
Speaker 1: one loves it. She's already announced him, so he'll still

795
00:36:43,800 --> 00:36:46,760
Speaker 1: be djaying, but she's not going to promote him. Rhea

796
00:36:46,960 --> 00:36:49,200
Speaker 1: rushes to Max's house to listen to the track, and

797
00:36:49,320 --> 00:36:51,719
Speaker 1: even he knows it's not very good. Ria gets to

798
00:36:51,760 --> 00:36:54,040
Speaker 1: fixing it, and just like the real guy who turned

799
00:36:54,040 --> 00:36:56,120
Speaker 1: out to be a fake guy DJ Lucasan told them,

800
00:36:56,320 --> 00:36:59,040
Speaker 1: she knows he needs to tell a story. Max said

801
00:36:59,040 --> 00:37:02,160
Speaker 1: he wants to have fun and likes the quote wicked synthpad,

802
00:37:02,239 --> 00:37:05,680
Speaker 1: the killer bass sound, and the crisp high hat pattern unquote.

803
00:37:05,880 --> 00:37:08,680
Speaker 1: Rihea explains what her mom told her there is music everywhere,

804
00:37:08,719 --> 00:37:11,080
Speaker 1: and encourages him to find inspiration in the things he

805
00:37:11,160 --> 00:37:14,640
Speaker 1: really loves, like the beach and skateboarding, and she immediately

806
00:37:14,640 --> 00:37:17,160
Speaker 1: finds a great sample to add. The mix improves and

807
00:37:17,200 --> 00:37:19,480
Speaker 1: they decide to call it Feeling Good And yeah, it

808
00:37:19,520 --> 00:37:23,160
Speaker 1: proves because Riea does it all. Keep that. But Ria

809
00:37:23,239 --> 00:37:25,360
Speaker 1: realizes she's lost track of time. She's late for the

810
00:37:25,400 --> 00:37:28,440
Speaker 1: dinner shift at the restaurant. Her dad is cleaning the kitchen,

811
00:37:29,080 --> 00:37:31,680
Speaker 1: so she missed an entire dinner shift. Like you're supposed

812
00:37:31,719 --> 00:37:33,840
Speaker 1: to be there for dinner shift at four five o'clock

813
00:37:34,040 --> 00:37:37,480
Speaker 1: and then the restaurant's closed. It's like eleven. So have

814
00:37:37,560 --> 00:37:39,080
Speaker 1: you ever lost six hours in a day?

815
00:37:39,320 --> 00:37:42,640
Speaker 2: I got this was kind of hard to just like, yeah, John,

816
00:37:42,640 --> 00:37:45,080
Speaker 2: I mean I get it. She's in the like young

817
00:37:45,280 --> 00:37:48,400
Speaker 2: butterflies totally just like zoning out.

818
00:37:49,719 --> 00:37:50,840
Speaker 3: I could see her being.

819
00:37:50,719 --> 00:37:53,239
Speaker 2: Really late, like an hour or a couple but like

820
00:37:53,280 --> 00:37:56,279
Speaker 2: you've missed the whole thing and not And one of

821
00:37:56,280 --> 00:37:58,960
Speaker 2: my things that I wrote down, not one person at

822
00:37:58,960 --> 00:38:00,000
Speaker 2: this restaurant called her.

823
00:38:00,120 --> 00:38:01,760
Speaker 3: Like where are you? Are you okay?

824
00:38:01,920 --> 00:38:02,240
Speaker 1: Nothing?

825
00:38:02,280 --> 00:38:03,680
Speaker 3: Are you safe right now?

826
00:38:03,760 --> 00:38:06,239
Speaker 2: Nothing happened, Just we're gonna wait for you to come

827
00:38:06,280 --> 00:38:08,160
Speaker 2: back and give it give it to you then, yep,

828
00:38:08,520 --> 00:38:08,920
Speaker 2: not right?

829
00:38:16,320 --> 00:38:19,960
Speaker 1: Oh? I know. Another DJ DJ Spinderella from the eighties.

830
00:38:20,640 --> 00:38:22,360
Speaker 3: Yes, that is a good one.

831
00:38:22,440 --> 00:38:23,600
Speaker 1: Yes, Spinderella is a good one.

832
00:38:23,680 --> 00:38:25,320
Speaker 3: She was with TLC.

833
00:38:25,640 --> 00:38:29,839
Speaker 1: No, no, not Pepper, Salt Pepper. Yeah, yes, Spinderella. There

834
00:38:29,840 --> 00:38:34,399
Speaker 1: you go. I love that. Uh oh wait, easy rock,

835
00:38:34,520 --> 00:38:37,719
Speaker 1: DJ easy rock. I don't know which that was. It

836
00:38:37,800 --> 00:38:40,040
Speaker 1: takes two to make a thing of raw bass and

837
00:38:40,120 --> 00:38:43,719
Speaker 1: DJ easy rock. Man, I'm aging myself anyway. Sorry, this

838
00:38:43,800 --> 00:38:46,400
Speaker 1: is not the game. But you have three DJs? Do

839
00:38:46,440 --> 00:38:48,359
Speaker 1: you think by the end of the podcast you can

840
00:38:48,400 --> 00:38:50,200
Speaker 1: get to ten? No?

841
00:38:51,120 --> 00:38:52,719
Speaker 5: Really, I think that if you're really sad with it,

842
00:38:52,719 --> 00:38:53,120
Speaker 5: you could.

843
00:38:53,000 --> 00:38:56,200
Speaker 1: Come up with come up with ten ten DJs? Are

844
00:38:56,239 --> 00:38:57,600
Speaker 1: there ten DJs? Yes?

845
00:38:57,840 --> 00:38:59,680
Speaker 5: There are literally hundreds.

846
00:38:59,239 --> 00:39:02,919
Speaker 1: Of thousands of Okay, oh wait, wait does does the

847
00:39:02,440 --> 00:39:05,480
Speaker 1: the the French guys that were the head pieces? Does

848
00:39:05,520 --> 00:39:05,919
Speaker 1: that count?

849
00:39:06,160 --> 00:39:08,880
Speaker 5: Definitely DJs? But it's one. But yes, those are definitely DJs.

850
00:39:08,960 --> 00:39:12,080
Speaker 1: Okay, I'll think of their name. I can't, I'll think

851
00:39:12,120 --> 00:39:13,799
Speaker 1: of their name. All right, that's good. I'm at four.

852
00:39:15,200 --> 00:39:20,040
Speaker 1: All right anyway, Oh who was? No?

853
00:39:20,120 --> 00:39:21,600
Speaker 5: Listen, I don't want to hide back the podcast.

854
00:39:21,760 --> 00:39:23,080
Speaker 1: Sorry, now I'm gonna think.

855
00:39:23,000 --> 00:39:25,160
Speaker 5: Are you we give you some time at the end.

856
00:39:25,320 --> 00:39:28,279
Speaker 1: Okay, fair enough, fair enough, you're you're right, you're right.

857
00:39:28,520 --> 00:39:30,640
Speaker 1: So anyway, she's been there for thirty two hours and

858
00:39:30,680 --> 00:39:36,919
Speaker 1: she's missed several days of work. Exactly several days she's

859
00:39:36,960 --> 00:39:38,400
Speaker 1: been missing, and no one cares.

860
00:39:38,440 --> 00:39:40,480
Speaker 3: That's sad in the history of history.

861
00:39:40,560 --> 00:39:44,080
Speaker 1: Best dad decoms, But instead of being angry, her father's

862
00:39:44,200 --> 00:39:47,120
Speaker 1: just concerned that maybe she hates working there, but she

863
00:39:47,239 --> 00:39:49,600
Speaker 1: swears she's happy. She says she's just lost track of

864
00:39:49,640 --> 00:39:52,719
Speaker 1: five hours somehow. He reminds her it'll be busy for

865
00:39:52,760 --> 00:39:55,160
Speaker 1: the next few weeks and he will need her. She

866
00:39:55,320 --> 00:39:58,160
Speaker 1: promises she will be there, but it seems like she's

867
00:39:58,200 --> 00:40:01,319
Speaker 1: starting to question her enthusiasm. The grandmother enters to defend

868
00:40:01,360 --> 00:40:02,840
Speaker 1: the fifteen year old. This is one of my favorite

869
00:40:02,840 --> 00:40:04,760
Speaker 1: parts too. It was a line that was off camera

870
00:40:05,160 --> 00:40:07,840
Speaker 1: where she's like, He's like, you've now been late twice

871
00:40:07,840 --> 00:40:10,719
Speaker 1: and hear the grandmother go wow twice in five years.

872
00:40:10,719 --> 00:40:12,560
Speaker 1: I wonder if the local university is still going to

873
00:40:12,560 --> 00:40:17,200
Speaker 1: accept her. Just all these great kind of way I

874
00:40:17,360 --> 00:40:19,759
Speaker 1: like ones, she had some great ones, so yes. The

875
00:40:19,760 --> 00:40:21,960
Speaker 1: grandmother enters to defend the fifteen year old. Riea she

876
00:40:21,960 --> 00:40:24,560
Speaker 1: should be with her friends, not working herself to the bone.

877
00:40:24,760 --> 00:40:26,839
Speaker 1: Ria begs them not to fight over this. She wants

878
00:40:26,920 --> 00:40:28,879
Speaker 1: to help and won't be laid again. She just wants

879
00:40:28,920 --> 00:40:31,080
Speaker 1: everyone to be happy, and as a people pleaser myself,

880
00:40:31,120 --> 00:40:33,960
Speaker 1: I know exactly what that's like. We get a montage

881
00:40:33,960 --> 00:40:36,080
Speaker 1: of Ria out in the busy dining hall night after night,

882
00:40:36,160 --> 00:40:39,280
Speaker 1: now even ditching coding classes and her friends teacher Naomi,

883
00:40:40,120 --> 00:40:43,560
Speaker 1: which I'm gonna start calling inappropriate teacher Naomi. Even she

884
00:40:43,719 --> 00:40:46,440
Speaker 1: notices she's still helping Max with his mix, but getting

885
00:40:46,480 --> 00:40:49,440
Speaker 1: so tired dropping plates at work and dozing off at school.

886
00:40:50,160 --> 00:40:52,239
Speaker 1: And now they're back at Max's working on the mix,

887
00:40:52,280 --> 00:40:54,839
Speaker 1: a process that appears to just be finding a song,

888
00:40:54,920 --> 00:40:57,320
Speaker 1: calling it sick, and then dancing to it. Then Ria's

889
00:40:57,360 --> 00:40:59,720
Speaker 1: alarm goes off. It's time to get back to work.

890
00:41:00,080 --> 00:41:03,520
Speaker 1: But guess who's that Spirit of India Miss Eloy? As

891
00:41:03,560 --> 00:41:07,080
Speaker 1: I think I say her name aka Naomi. For the date,

892
00:41:07,600 --> 00:41:09,600
Speaker 1: Arvin is a little surprised but ready to impress, and

893
00:41:09,680 --> 00:41:12,920
Speaker 1: Rhea and her brother are shocked. The date goes well

894
00:41:12,960 --> 00:41:14,759
Speaker 1: and she loves the food, but on her way out,

895
00:41:14,800 --> 00:41:17,560
Speaker 1: she asks for a little girl talk with Rhea. Miss

896
00:41:17,640 --> 00:41:21,040
Speaker 1: Eloy isn't happy she's been missing coding classes. Watson and

897
00:41:21,040 --> 00:41:23,719
Speaker 1: Molly are counting on her. Ria gets very defensive and

898
00:41:23,760 --> 00:41:26,080
Speaker 1: doesn't want people to keep asking her if she's happy.

899
00:41:26,880 --> 00:41:28,960
Speaker 1: The next day, Max and Ria played Ginger his new

900
00:41:29,000 --> 00:41:31,719
Speaker 1: mix and boom, of course she loves it. While at

901
00:41:31,760 --> 00:41:34,080
Speaker 1: the restaurant, a baby shower has rented the place out,

902
00:41:34,120 --> 00:41:36,080
Speaker 1: but Rio has promised the day off for the Festival

903
00:41:36,080 --> 00:41:38,080
Speaker 1: of Color. But her dad needs her. And this is

904
00:41:38,080 --> 00:41:40,080
Speaker 1: where I was starting to be like, dude, you've now

905
00:41:40,120 --> 00:41:42,359
Speaker 1: got a bunch of people telling you that this girl

906
00:41:42,440 --> 00:41:44,520
Speaker 1: might not be happy. You even start to question if

907
00:41:44,560 --> 00:41:46,480
Speaker 1: she's going to be happy. She's got one of the

908
00:41:46,480 --> 00:41:50,040
Speaker 1: biggest things going on that she helped create. Let the

909
00:41:50,080 --> 00:41:53,360
Speaker 1: girl go, but no, her dad needs her. She's bummed,

910
00:41:53,400 --> 00:41:55,759
Speaker 1: but agrees to stay. The grandma overhears this and is

911
00:41:55,840 --> 00:41:59,399
Speaker 1: not happy with Arvin. Neither was I. Arvin. Ria calls

912
00:41:59,440 --> 00:42:01,920
Speaker 1: Max and break the news. He's sad about it kind of,

913
00:42:01,960 --> 00:42:03,520
Speaker 1: but says he'll swing by later and let her know

914
00:42:03,560 --> 00:42:06,200
Speaker 1: how it went. He sweetly says he doesn't need luck,

915
00:42:06,440 --> 00:42:08,840
Speaker 1: he has her, and I was like, Oh, they're setting

916
00:42:08,880 --> 00:42:10,960
Speaker 1: up a nice cute thing. This is gonna only happy

917
00:42:11,000 --> 00:42:15,960
Speaker 1: stuff is gonna happen at the festival and of course,

918
00:42:16,000 --> 00:42:18,359
Speaker 1: at the baby shower, things are going smoothly. Riha checks

919
00:42:18,400 --> 00:42:20,520
Speaker 1: in on ginger social media and has an idea for

920
00:42:20,560 --> 00:42:23,520
Speaker 1: her brother. She offers to get his tiktacos on the

921
00:42:23,560 --> 00:42:26,920
Speaker 1: menu in exchange for something. We are now at the festival,

922
00:42:27,040 --> 00:42:30,319
Speaker 1: Ginger introduces Max to perform, and guess what. Rhea is

923
00:42:30,360 --> 00:42:32,399
Speaker 1: on her way there too. She apparently ditched work. That's

924
00:42:32,400 --> 00:42:34,759
Speaker 1: what she was talking to her brother about, and she's

925
00:42:34,800 --> 00:42:37,840
Speaker 1: finally called back Watson and Molly. She's admitched. She admits

926
00:42:37,880 --> 00:42:40,720
Speaker 1: she's been a bad friend and apologizes, but promises after

927
00:42:40,719 --> 00:42:42,279
Speaker 1: today she'll be a better friend. I thought it was

928
00:42:42,280 --> 00:42:44,560
Speaker 1: a very nice call, A good scene like I love.

929
00:42:44,640 --> 00:42:46,799
Speaker 1: I love scenes where people take responsibility for the things.

930
00:42:46,719 --> 00:42:49,239
Speaker 3: That I done. Yeah, be accountable.

931
00:42:48,719 --> 00:42:51,680
Speaker 1: Yep, I agree, so good. Ginger announces to the crowd

932
00:42:51,680 --> 00:42:54,440
Speaker 1: that they've raised enough money for not only homecoming, but

933
00:42:54,520 --> 00:42:57,759
Speaker 1: for a pretty nice hotel, not too nice, just pretty nice.

934
00:42:57,760 --> 00:43:00,560
Speaker 1: Maybe a jacuzzi and a late checkout. Then it's time

935
00:43:00,600 --> 00:43:03,440
Speaker 1: for DJ Max's new song. It starts, and so does

936
00:43:03,480 --> 00:43:06,719
Speaker 1: the holly Chalk fireworks. Color is everywhere. It goes all

937
00:43:06,719 --> 00:43:09,000
Speaker 1: over the partygoers. While they love the track and Rhea

938
00:43:09,080 --> 00:43:11,560
Speaker 1: finally arrives just in time to watch Max kill it.

939
00:43:11,840 --> 00:43:14,000
Speaker 1: She is very proud. We get some cool slow moo

940
00:43:14,040 --> 00:43:18,399
Speaker 1: shots of this beautiful colored chalk flying everywhere. The song

941
00:43:18,480 --> 00:43:20,439
Speaker 1: is pumping' Did you like the song is a good song?

942
00:43:20,520 --> 00:43:20,759
Speaker 3: Good?

943
00:43:21,000 --> 00:43:21,239
Speaker 5: I do?

944
00:43:21,719 --> 00:43:23,719
Speaker 2: I thought it was good and I thought he was

945
00:43:23,719 --> 00:43:28,439
Speaker 2: pretty good, because I would think it would it would

946
00:43:28,480 --> 00:43:34,000
Speaker 2: be hard to really like hone in on how to

947
00:43:34,120 --> 00:43:36,480
Speaker 2: perform as a DJ, Like I don't think.

948
00:43:36,400 --> 00:43:40,799
Speaker 3: We get to see DJ. Yeah, it's like, but you.

949
00:43:40,760 --> 00:43:42,520
Speaker 2: Know what I mean, for somebody to like hone in

950
00:43:42,560 --> 00:43:45,239
Speaker 2: on that without being the DJ themselves, I think it's

951
00:43:45,280 --> 00:43:47,480
Speaker 2: like kind of tough. I wouldn't exactly know how to

952
00:43:47,520 --> 00:43:50,320
Speaker 2: do it. I mean Alison Stoner, we saw her in

953
00:43:51,520 --> 00:43:52,560
Speaker 2: the movie she was in.

954
00:43:52,480 --> 00:43:54,280
Speaker 3: With the Johns Brothers.

955
00:43:54,440 --> 00:43:58,000
Speaker 2: Yeah, it's hard even if even though she's a mover,

956
00:43:58,200 --> 00:44:00,920
Speaker 2: it's like hard to like really like make that convintion.

957
00:44:01,000 --> 00:44:03,359
Speaker 1: She's a phenomenal dancer, but it's such a different thing

958
00:44:03,440 --> 00:44:03,960
Speaker 1: that it's.

959
00:44:03,880 --> 00:44:06,040
Speaker 3: Just a different different Yeah, so.

960
00:44:06,239 --> 00:44:09,280
Speaker 1: Yeah, I agree. Max then announces that the song title

961
00:44:09,400 --> 00:44:11,640
Speaker 1: is Feeling Good, the song they wrote, and apparently it's

962
00:44:11,640 --> 00:44:14,960
Speaker 1: available to stream. He says he couldn't have done this himself.

963
00:44:15,080 --> 00:44:17,440
Speaker 1: He wants to thank someone for their help, and then

964
00:44:17,480 --> 00:44:19,440
Speaker 1: he thinks, Ginger.

965
00:44:20,040 --> 00:44:21,399
Speaker 3: Did we see that come?

966
00:44:21,640 --> 00:44:23,360
Speaker 1: I didn't either. I was like, Oh, it's gonna be

967
00:44:23,360 --> 00:44:25,200
Speaker 1: so nice, like, oh no, they're putting a twist on it.

968
00:44:25,239 --> 00:44:27,920
Speaker 2: Oh no, I knew the twist was gonna come, but

969
00:44:27,960 --> 00:44:31,319
Speaker 2: I didn't think it included it would include Ginger like the.

970
00:44:32,800 --> 00:44:34,799
Speaker 3: I was, so. I was like, I was.

971
00:44:34,760 --> 00:44:36,080
Speaker 1: Hoping it wasn't gonna be a twist.

972
00:44:36,120 --> 00:44:40,920
Speaker 3: I was hoping be nice moment for me. Like what Ginger?

973
00:44:41,280 --> 00:44:45,520
Speaker 1: So yeah, she feels betrayed, and rightfully so. After the gig,

974
00:44:45,640 --> 00:44:48,920
Speaker 1: Max is signing autographs for fans. When Rhea confronts him,

975
00:44:49,000 --> 00:44:50,799
Speaker 1: She asked why she didn't get a shout out, and

976
00:44:50,840 --> 00:44:52,799
Speaker 1: he says he was too excited and slipped his mind.

977
00:44:52,960 --> 00:44:55,239
Speaker 1: This doesn't feel any better for her. She named the song,

978
00:44:55,280 --> 00:44:57,200
Speaker 1: she invented the concept, She even came up with the

979
00:44:57,200 --> 00:45:00,120
Speaker 1: main vocal hook. How could this slip his mind? He

980
00:45:00,160 --> 00:45:03,160
Speaker 1: gets very defensive. He says, look, she helped, but remember

981
00:45:03,200 --> 00:45:05,880
Speaker 1: this is his thing, Okay, his equipment. He's the DJ.

982
00:45:06,640 --> 00:45:10,400
Speaker 1: She's not an artist. She makes Indian food restaurant mixes.

983
00:45:11,160 --> 00:45:17,720
Speaker 1: Oh what a dick Dick Dick.

984
00:45:17,920 --> 00:45:23,160
Speaker 6: See, I can see Cia Sea and it was such

985
00:45:23,520 --> 00:45:26,799
Speaker 6: a quick change for the character you're like in in

986
00:45:26,960 --> 00:45:30,080
Speaker 6: in in, I hate him like it was that quick.

987
00:45:30,000 --> 00:45:31,400
Speaker 3: And she's so amazing.

988
00:45:31,560 --> 00:45:33,839
Speaker 2: It was okay for me to hate him because he

989
00:45:34,040 --> 00:45:35,160
Speaker 2: just hurt her fitly.

990
00:45:35,320 --> 00:45:37,480
Speaker 1: Yep, that's what it was. And it just happened so fast,

991
00:45:37,560 --> 00:45:40,399
Speaker 1: like oh man, they instantly made me not care about

992
00:45:40,440 --> 00:45:43,800
Speaker 1: this guy at all at all, and it's like, oh.

993
00:45:43,400 --> 00:45:50,400
Speaker 2: Yeah, h yeah, wow, you just hurt this little girl's

994
00:45:50,400 --> 00:45:53,160
Speaker 2: feelings and she has been busting her ass for you.

995
00:45:53,880 --> 00:45:57,719
Speaker 1: Yes, his mom's gonna move him in another month anyway,

996
00:45:58,200 --> 00:46:00,520
Speaker 1: so yeah. But she says she'd never take credit for

997
00:46:00,560 --> 00:46:03,120
Speaker 1: others work and storms off. Max wants to follow her,

998
00:46:03,160 --> 00:46:05,239
Speaker 1: but unfortunately his headphones are connected to the mixer, so

999
00:46:05,280 --> 00:46:07,400
Speaker 1: it's just like a leash. She can't go anywhere. And

1000
00:46:07,440 --> 00:46:09,880
Speaker 1: apparently I have it on very good authority that that

1001
00:46:10,040 --> 00:46:16,000
Speaker 1: actually is what happens. Then yeah, apparently like sense, Yeah,

1002
00:46:16,080 --> 00:46:18,399
Speaker 1: then we see that Ginger and the Coating friends all

1003
00:46:18,520 --> 00:46:20,799
Speaker 1: heard what Rhea said to Max. Max's ria was just

1004
00:46:20,800 --> 00:46:23,120
Speaker 1: being dramatic, but they call him a filthy liar and

1005
00:46:23,160 --> 00:46:24,759
Speaker 1: they walk away, And I love that her friends are

1006
00:46:24,800 --> 00:46:27,720
Speaker 1: instantly on her side. It's like and now Max's persona

1007
00:46:27,800 --> 00:46:30,319
Speaker 1: on Grana. Back home, Ria is of course in very

1008
00:46:30,320 --> 00:46:32,680
Speaker 1: big trouble. Her dad knows she left midshift, which would

1009
00:46:32,680 --> 00:46:34,880
Speaker 1: be hard to hide seeing as she's colored in multi

1010
00:46:34,880 --> 00:46:37,720
Speaker 1: colored paint, and now he can't count on her anymore,

1011
00:46:37,719 --> 00:46:39,560
Speaker 1: which I was like, dude, that's harsh. She's missed a

1012
00:46:39,680 --> 00:46:43,320
Speaker 1: day of work in five years. Yeah, she says she's sorry.

1013
00:46:43,320 --> 00:46:46,480
Speaker 1: Fifteen which is fifteen exactly. She says she's sorry, but

1014
00:46:46,520 --> 00:46:48,840
Speaker 1: he grounds her for two months, which again the grounding.

1015
00:46:48,840 --> 00:46:51,320
Speaker 1: I understand, you can't lie, but give the girl a break.

1016
00:46:51,640 --> 00:46:54,120
Speaker 1: Rio then breaks down in her room. The stress has

1017
00:46:54,120 --> 00:46:56,040
Speaker 1: finally gotten to her, and she's been dealing with a

1018
00:46:56,080 --> 00:46:59,520
Speaker 1: lot of stress. I felt for this girl. Eventually, Aria

1019
00:46:59,600 --> 00:47:01,919
Speaker 1: joins her her grandmother to pray and explain why leaving

1020
00:47:01,920 --> 00:47:04,160
Speaker 1: the restaurant was an emergency. She says she went to

1021
00:47:04,160 --> 00:47:06,480
Speaker 1: the festival and had her heart ripped out by Max.

1022
00:47:06,920 --> 00:47:08,720
Speaker 1: She wants to return to spirit of India and pretend

1023
00:47:08,800 --> 00:47:11,480
Speaker 1: that none of this ever happened. Her grandmother says she

1024
00:47:11,520 --> 00:47:13,120
Speaker 1: refuses to let her hide in her work like her

1025
00:47:13,160 --> 00:47:15,799
Speaker 1: dad does. Rhea feels like it's her responsibility with her

1026
00:47:15,800 --> 00:47:17,959
Speaker 1: mom gone, but her grandmother says it's not her job

1027
00:47:18,000 --> 00:47:20,319
Speaker 1: to make everyone happy. The grandmother was so amazing in

1028
00:47:20,360 --> 00:47:22,840
Speaker 1: this movie. I know. Grandmother encourages her to make a

1029
00:47:22,880 --> 00:47:26,120
Speaker 1: new song, makes so much music it'll crush Max. Yes.

1030
00:47:26,200 --> 00:47:28,720
Speaker 1: When Rio worries she's out of ideas, her grandmother smiles

1031
00:47:28,719 --> 00:47:30,279
Speaker 1: and says her mom used to say the same thing.

1032
00:47:30,360 --> 00:47:32,640
Speaker 1: Every time she finished a new song, she'd feel tapped out.

1033
00:47:32,920 --> 00:47:35,440
Speaker 1: Then the grandmother pulls out a box full of tapes, jewelry,

1034
00:47:35,480 --> 00:47:38,439
Speaker 1: and photos. It's audio of Rhea's mom's songs. They find

1035
00:47:38,480 --> 00:47:41,520
Speaker 1: one tape that says for Rhea. That night, Rhea listens

1036
00:47:41,560 --> 00:47:43,799
Speaker 1: to her mom's music, finding new and emotional inspiration in

1037
00:47:43,800 --> 00:47:46,279
Speaker 1: their connection, even standing by the window and finding music

1038
00:47:46,320 --> 00:47:48,520
Speaker 1: in the streets outside like she was taught growing up.

1039
00:47:49,040 --> 00:47:51,360
Speaker 1: The next day, Ginger, Molly, and Watson go to Rihea's

1040
00:47:51,360 --> 00:47:53,239
Speaker 1: house with a box of stuff. They know she can't

1041
00:47:53,280 --> 00:47:55,720
Speaker 1: leave the house, so they came to her with DJ equipment.

1042
00:47:55,760 --> 00:47:57,799
Speaker 1: I thought this was funny, like suck we just came here.

1043
00:47:58,920 --> 00:48:01,160
Speaker 1: They did. It's a great friends. They tell Ria she'll

1044
00:48:01,200 --> 00:48:03,720
Speaker 1: need this stuff to win the DJ contest. They submitted

1045
00:48:03,719 --> 00:48:06,360
Speaker 1: her mixes and she's in and she's going to compete

1046
00:48:06,400 --> 00:48:10,359
Speaker 1: against wait for it, Max, But how will she win

1047
00:48:10,400 --> 00:48:12,920
Speaker 1: if she can't leave the house. That's when her grandmother enters.

1048
00:48:12,960 --> 00:48:15,360
Speaker 1: Don't worry, she'll take care of it. We enter a

1049
00:48:15,400 --> 00:48:18,920
Speaker 1: montage of sorts, Gingermalia, and Watson working on music. Her

1050
00:48:18,920 --> 00:48:21,160
Speaker 1: friends even combed the streets, sending her the videos of

1051
00:48:21,280 --> 00:48:24,680
Speaker 1: sounds to inspire new records. Rhea even uses sound she

1052
00:48:24,719 --> 00:48:27,759
Speaker 1: finds in the restaurant, and she decides on her DJ name.

1053
00:48:27,880 --> 00:48:32,680
Speaker 1: It's gonna be Rihea. Hey, it works. Plus, you've got

1054
00:48:32,719 --> 00:48:34,800
Speaker 1: all the stuff already. You'd letting your names on everything.

1055
00:48:34,800 --> 00:48:38,520
Speaker 1: It's just easier. While Ria practices at home, Arvin wants

1056
00:48:38,560 --> 00:48:40,320
Speaker 1: to talk to his daughter. He likes what he hears,

1057
00:48:40,360 --> 00:48:42,400
Speaker 1: but she's timid to talk about her new passion and

1058
00:48:42,440 --> 00:48:44,759
Speaker 1: he walks out, which makes sense because music is the

1059
00:48:44,800 --> 00:48:47,839
Speaker 1: thing that connected the whole family, and so that's gonna

1060
00:48:47,840 --> 00:48:50,120
Speaker 1: be tough. She sees a new social media post for

1061
00:48:50,239 --> 00:48:52,960
Speaker 1: Max spragging about the battle, and she's more motivated than ever.

1062
00:48:53,200 --> 00:48:55,359
Speaker 1: She decides to add one more element to the track,

1063
00:48:55,560 --> 00:48:58,400
Speaker 1: her mother's singing. She plays a song for her grandma,

1064
00:48:58,440 --> 00:49:02,120
Speaker 1: who immediately recognizes her daughter's voice. Rhea's calling the song

1065
00:49:02,280 --> 00:49:05,760
Speaker 1: It's all music, and will wear her mother's jewelry.

1066
00:49:05,520 --> 00:49:06,160
Speaker 5: At the event.

1067
00:49:06,880 --> 00:49:11,000
Speaker 1: Very very sweet? Did you cry? I did? Did you?

1068
00:49:11,239 --> 00:49:14,640
Speaker 3: I cried earlier? I cried early? When did you with

1069
00:49:14,680 --> 00:49:15,360
Speaker 3: the flashback?

1070
00:49:15,440 --> 00:49:20,240
Speaker 1: Oh you cried or the flashback? Oh?

1071
00:49:20,280 --> 00:49:23,000
Speaker 2: This poor little baby has not had her mom like

1072
00:49:23,160 --> 00:49:25,480
Speaker 2: I have such a great relationship with my mom. I

1073
00:49:25,520 --> 00:49:28,920
Speaker 2: now have a daughter that got me so early on

1074
00:49:28,960 --> 00:49:29,400
Speaker 2: I went.

1075
00:49:29,280 --> 00:49:33,120
Speaker 1: Oh God, this is okay. Someday one of us are

1076
00:49:33,120 --> 00:49:36,239
Speaker 1: both going to cry at the Sandy comy. Someday we

1077
00:49:36,840 --> 00:49:37,400
Speaker 1: both did we?

1078
00:49:37,640 --> 00:49:39,640
Speaker 3: Color of Friendship? Did we cry a little bit? Did

1079
00:49:39,680 --> 00:49:40,000
Speaker 3: you carry?

1080
00:49:40,080 --> 00:49:41,919
Speaker 1: I might have cried at the I cried at one

1081
00:49:42,080 --> 00:49:42,879
Speaker 1: I can't remember what.

1082
00:49:42,920 --> 00:49:44,760
Speaker 3: But I cried at Color of Friendship.

1083
00:49:44,960 --> 00:49:45,719
Speaker 1: I think I did too.

1084
00:49:46,120 --> 00:49:50,200
Speaker 4: I cried at the tree one such you did not?

1085
00:49:50,280 --> 00:49:53,120
Speaker 1: Did you? Yeah? Okay? The tree?

1086
00:49:53,200 --> 00:49:53,759
Speaker 6: Wow?

1087
00:49:55,960 --> 00:49:59,319
Speaker 3: Very relationship with It's just not warm to me. I

1088
00:49:59,360 --> 00:50:01,640
Speaker 3: get it. Okay, cool, that's in cool.

1089
00:50:03,320 --> 00:50:05,879
Speaker 1: We are back at the Spirit of India. Things are

1090
00:50:05,960 --> 00:50:08,640
Speaker 1: really busy again. Arvin calls Grandma Asha. He gave her

1091
00:50:08,680 --> 00:50:10,560
Speaker 1: and Ria the night off, but he needs asher back.

1092
00:50:10,680 --> 00:50:13,080
Speaker 1: She apologizes she's stuck on the subway, and he needs

1093
00:50:13,120 --> 00:50:14,880
Speaker 1: to figure out what to do without depending on his

1094
00:50:14,960 --> 00:50:17,799
Speaker 1: daughter and mother in law. We are now at the

1095
00:50:17,840 --> 00:50:20,799
Speaker 1: packed Battle of the beat Masters. Rhea enters with her grandma.

1096
00:50:20,880 --> 00:50:24,040
Speaker 1: They're both sporting big smiles and sparkly golden outfits. I

1097
00:50:24,120 --> 00:50:26,640
Speaker 1: loved bringing in the Indian Indian kind of heritage and

1098
00:50:28,160 --> 00:50:31,319
Speaker 1: wardrobe here. It was perfect. She's rocking the jewelry. It

1099
00:50:31,360 --> 00:50:34,520
Speaker 1: looked great. The panel of judges include fake but real

1100
00:50:34,600 --> 00:50:37,839
Speaker 1: DJ Lucassent, and contestants will be judged by skill and

1101
00:50:37,920 --> 00:50:41,399
Speaker 1: level of applause after two rounds. Never like applause, meaning

1102
00:50:43,640 --> 00:50:47,719
Speaker 1: it's just a popularity contest. Backstage, Max bumps into Rhea

1103
00:50:47,760 --> 00:50:49,640
Speaker 1: and tells her he never meant to hurt her. But

1104
00:50:49,719 --> 00:50:52,400
Speaker 1: Riha says, this isn't about you, It's about making music,

1105
00:50:52,520 --> 00:50:53,719
Speaker 1: and she just doesn't care.

1106
00:50:54,480 --> 00:50:58,680
Speaker 3: Boom my drass line in the movie.

1107
00:50:58,920 --> 00:51:04,200
Speaker 2: I loved this boom shot Laca, you suck, Max, see

1108
00:51:04,239 --> 00:51:04,600
Speaker 2: you later.

1109
00:51:05,239 --> 00:51:11,800
Speaker 3: No one cares, No one cares. DJ Jazzy Jeff, Oh

1110
00:51:11,840 --> 00:51:13,400
Speaker 3: there you go five.

1111
00:51:13,400 --> 00:51:17,839
Speaker 1: DJ Jazz and Jeff. The helmet guys, the helmet guys,

1112
00:51:17,840 --> 00:51:21,320
Speaker 1: but the helmet guys. No'll name the helmet. I'll remember

1113
00:51:21,360 --> 00:51:23,760
Speaker 1: the helmet guys I have there on the list.

1114
00:51:23,520 --> 00:51:26,320
Speaker 3: But I'll remember he was the one with Will Smith right.

1115
00:51:26,280 --> 00:51:29,200
Speaker 1: Yes, okay, DJ Jeff okay good, I'm at five if

1116
00:51:29,200 --> 00:51:32,120
Speaker 1: I can think of the helmet guys names. We are

1117
00:51:32,160 --> 00:51:35,359
Speaker 1: now at the semi finals and even Miss l Well

1118
00:51:35,360 --> 00:51:38,720
Speaker 1: inappropriate Miss Elowie is there. We see DJs with names

1119
00:51:38,719 --> 00:51:43,160
Speaker 1: like DJ len Cool, Lavender Bear, Colossus Creation, then Union Max.

1120
00:51:43,760 --> 00:51:45,919
Speaker 1: The Little Jerk is a pretty good set, passing Riha

1121
00:51:45,960 --> 00:51:48,279
Speaker 1: on her way out, who also gets the crowd and

1122
00:51:48,320 --> 00:51:51,759
Speaker 1: her grandma dancing. With the first round done, then the

1123
00:51:51,760 --> 00:51:54,759
Speaker 1: finals are set. It's DJ union Max versus Ria, which

1124
00:51:54,760 --> 00:51:56,239
Speaker 1: I'm glad that worked out, or would have been weird

1125
00:51:56,239 --> 00:51:58,960
Speaker 1: movie if it was DJ Union Max against somebody else. Yeah.

1126
00:51:59,120 --> 00:52:01,759
Speaker 1: Ginger goes live on Instagram from backstage and back at

1127
00:52:01,800 --> 00:52:04,799
Speaker 1: Spirit of India. Her snitch ass punk brother accidentally lets

1128
00:52:04,800 --> 00:52:07,560
Speaker 1: her dad see what's going on now. The dad and

1129
00:52:07,600 --> 00:52:10,839
Speaker 1: brother rush out of the restaurant. Arvin looks furious as

1130
00:52:10,880 --> 00:52:13,400
Speaker 1: they sit in traffic. The finals have begun. DJ Union

1131
00:52:13,400 --> 00:52:15,359
Speaker 1: Max is up first and the crowd is feeling his set.

1132
00:52:15,640 --> 00:52:18,680
Speaker 1: He's gonna be hard to beat. But now it's Rhea's turn.

1133
00:52:19,080 --> 00:52:21,120
Speaker 1: She's announced, but she hasn't come out yet. We can

1134
00:52:21,160 --> 00:52:23,120
Speaker 1: feel the tension. It's starting to build. Is she quitting?

1135
00:52:23,440 --> 00:52:25,200
Speaker 1: And then in the wings we see her and she's

1136
00:52:25,239 --> 00:52:27,719
Speaker 1: feeling very hesitant, but Riea takes one last breath and

1137
00:52:27,800 --> 00:52:30,560
Speaker 1: walks out. She places her laptop and records down and

1138
00:52:30,600 --> 00:52:33,840
Speaker 1: works hard to find a calmness and then presses play.

1139
00:52:34,200 --> 00:52:36,640
Speaker 1: It's a chill song made up of wind sounds, bird chirping,

1140
00:52:36,680 --> 00:52:39,320
Speaker 1: and splashes of water at somewhere between Enya and a rainforest.

1141
00:52:39,360 --> 00:52:42,719
Speaker 1: By the way, huge Enya fan, no problem saying it.

1142
00:52:42,800 --> 00:52:45,880
Speaker 1: I will die on that hill. The beat eventually drops

1143
00:52:45,920 --> 00:52:48,400
Speaker 1: and even Max knows he's done for Rihea adds one

1144
00:52:48,440 --> 00:52:51,960
Speaker 1: last element, her mom's tape. Her mother's haunting voice mixes

1145
00:52:52,000 --> 00:52:54,399
Speaker 1: into the track just as her dad and brother entered.

1146
00:52:54,400 --> 00:52:57,160
Speaker 1: The event makes me wonder who's watching the restaurant. Rhea

1147
00:52:57,320 --> 00:52:59,640
Speaker 1: is in the zone, I mean, just in the zone,

1148
00:52:59,640 --> 00:53:02,239
Speaker 1: feeling her mother's presence. The climax of the song hits,

1149
00:53:02,239 --> 00:53:05,760
Speaker 1: and then guess what, my favorite thing ever happens? Everyone

1150
00:53:05,800 --> 00:53:08,600
Speaker 1: in the audience magically knows the synchronized dance. What a coincidence,

1151
00:53:09,400 --> 00:53:12,479
Speaker 1: I know, But then everybody's doing it. They're all such

1152
00:53:12,520 --> 00:53:14,440
Speaker 1: fast partners, and you know that's my favorite thing. I

1153
00:53:14,480 --> 00:53:17,400
Speaker 1: love that. When they started banging on stuff, I was like,

1154
00:53:17,440 --> 00:53:19,440
Speaker 1: I hope they break it a song because that's Sabrina's

1155
00:53:19,440 --> 00:53:24,560
Speaker 1: favorite thing. Ria's dad is so proud and emotional. He

1156
00:53:24,600 --> 00:53:27,040
Speaker 1: asks miss Ella, you know what, let's just call her Naomi.

1157
00:53:27,080 --> 00:53:30,080
Speaker 1: Isn't she amazing? But she responds with less talking, more dancing.

1158
00:53:30,560 --> 00:53:33,040
Speaker 1: The song comes to a big celebratory end and the

1159
00:53:33,120 --> 00:53:35,560
Speaker 1: judges give her a standing ovation. While her dad is

1160
00:53:35,600 --> 00:53:38,000
Speaker 1: wiping away his tears much like Jensen did during that

1161
00:53:38,160 --> 00:53:41,360
Speaker 1: Christmas movie with the Tree. That snitchass brother sees his

1162
00:53:41,400 --> 00:53:44,319
Speaker 1: opportunity to ask for Tiktakos to enter the menu, and

1163
00:53:44,360 --> 00:53:45,920
Speaker 1: he agrees they should have been on any way. They

1164
00:53:45,960 --> 00:53:49,440
Speaker 1: sound amazing. The judges calculate their votes with Max and

1165
00:53:49,520 --> 00:53:53,239
Speaker 1: Ria back on stage. DJ Lucasent congratulates them and announces

1166
00:53:53,280 --> 00:53:58,240
Speaker 1: the Beatmaster Champion. It's Ria. Backstage. Ria hugs her grandmother

1167
00:53:58,320 --> 00:54:00,319
Speaker 1: and asks her dad if she's grounded. He says quite

1168
00:54:00,320 --> 00:54:02,959
Speaker 1: the opposite. He couldn't be happier. They hug, and Dj

1169
00:54:03,040 --> 00:54:06,240
Speaker 1: Lucasent appears he loved her set fans and friends Swarmer.

1170
00:54:06,320 --> 00:54:09,000
Speaker 1: Eventually seeing Max in the crowd, he just walks away,

1171
00:54:09,080 --> 00:54:12,680
Speaker 1: now a total garbage loser, and part of me as

1172
00:54:12,719 --> 00:54:14,560
Speaker 1: he was leaving, is like, yeah, serves him right for

1173
00:54:15,000 --> 00:54:17,160
Speaker 1: being moved every couple months. This kid has no friends

1174
00:54:17,160 --> 00:54:19,080
Speaker 1: and now no one in that school likes him either.

1175
00:54:19,320 --> 00:54:21,360
Speaker 1: Damn No, it's pretty harsh.

1176
00:54:21,760 --> 00:54:23,000
Speaker 3: It's hard.

1177
00:54:23,080 --> 00:54:26,279
Speaker 1: It's harsh. We end it's like now it's like, oh man,

1178
00:54:26,400 --> 00:54:29,040
Speaker 1: this is I finally found a place. And anyway, we

1179
00:54:29,160 --> 00:54:31,759
Speaker 1: end the movie now at something called DJ Sundays, a

1180
00:54:31,800 --> 00:54:34,400
Speaker 1: new night at Spirit of India. Ria is djaying and

1181
00:54:34,440 --> 00:54:37,160
Speaker 1: the place is bumping. The credits roll and we see

1182
00:54:37,200 --> 00:54:39,799
Speaker 1: all the characters parting and dancing, including her grandmother. We

1183
00:54:39,880 --> 00:54:42,480
Speaker 1: even see Tic Taco's and Miss Naomi, who now appears

1184
00:54:42,520 --> 00:54:44,399
Speaker 1: to be dating Arvin. And to top it all off,

1185
00:54:44,560 --> 00:54:47,720
Speaker 1: Molly and Watson's pizza drones deliver a dish to a table.

1186
00:54:48,120 --> 00:54:50,799
Speaker 1: We pull out to see a line outside, all partygoers

1187
00:54:50,840 --> 00:54:53,160
Speaker 1: waiting to get in, while Riha controls the dance floor.

1188
00:54:53,239 --> 00:54:57,960
Speaker 1: And that is our movie. Wow, I still can't think

1189
00:54:58,000 --> 00:55:02,120
Speaker 1: of the two the two masked French guys. It'll come

1190
00:55:02,160 --> 00:55:10,520
Speaker 1: to me. Can we do some real reviews?

1191
00:55:10,960 --> 00:55:13,520
Speaker 3: Yes, I need help with this person's name though.

1192
00:55:13,440 --> 00:55:18,960
Speaker 1: Dry oh gigante, dryohagante. Okay that one, okay him?

1193
00:55:19,320 --> 00:55:20,640
Speaker 3: He did a five star.

1194
00:55:21,360 --> 00:55:26,600
Speaker 2: Him aspiring drama, adding in one line to give credit

1195
00:55:26,640 --> 00:55:29,040
Speaker 2: to Max at the end would have been better though,

1196
00:55:29,120 --> 00:55:33,640
Speaker 2: So I actually I agree with this one.

1197
00:55:33,840 --> 00:55:35,600
Speaker 3: I don't think that they needed to end.

1198
00:55:35,680 --> 00:55:39,000
Speaker 2: They don't need to be maybe romantically connected anymore, but

1199
00:55:39,040 --> 00:55:41,359
Speaker 2: it would have been nice for like they just kind

1200
00:55:41,360 --> 00:55:43,560
Speaker 2: of have like a small thing like something that.

1201
00:55:43,640 --> 00:55:47,319
Speaker 1: They gave the head. Now you want more the Johnny apology.

1202
00:55:47,760 --> 00:55:51,840
Speaker 1: You want Johnny handing handing the trophy to Daniel LaRusso

1203
00:55:51,840 --> 00:55:53,440
Speaker 1: at the end of crowda kid and saying, hey, Daniel,

1204
00:55:53,440 --> 00:55:56,040
Speaker 1: good match. You want that recognition.

1205
00:55:56,080 --> 00:55:58,879
Speaker 2: I need something because she just puts you in your

1206
00:55:58,880 --> 00:56:00,239
Speaker 2: place you were.

1207
00:56:00,600 --> 00:56:04,160
Speaker 3: And also again like I don't want you to not have.

1208
00:56:04,120 --> 00:56:06,840
Speaker 2: Friends either, so do the right thing, I know, and

1209
00:56:06,880 --> 00:56:10,080
Speaker 2: actually like say you're sorry, Hey, you deserved this.

1210
00:56:10,280 --> 00:56:11,000
Speaker 3: I was wrong.

1211
00:56:11,280 --> 00:56:14,000
Speaker 1: You know nothing. No, this is why Max is no friends.

1212
00:56:14,080 --> 00:56:16,719
Speaker 1: This is why Max is no friends. Max I have

1213
00:56:16,760 --> 00:56:19,480
Speaker 1: the one star and this course is given to us

1214
00:56:19,480 --> 00:56:22,520
Speaker 1: this week by Big Orange Nation forty one, which just

1215
00:56:22,560 --> 00:56:27,359
Speaker 1: begs the question, there's forty other Big Orange Nations, here

1216
00:56:27,400 --> 00:56:29,440
Speaker 1: we go. One star. I know it's a movie, but

1217
00:56:29,520 --> 00:56:32,360
Speaker 1: learning how to DJ takes years and years. Also, producing

1218
00:56:32,440 --> 00:56:35,399
Speaker 1: music literally takes years. You can't rain man your way

1219
00:56:35,400 --> 00:56:38,520
Speaker 1: into dance music. This movie is stupid and according to Disney,

1220
00:56:38,520 --> 00:56:39,960
Speaker 1: I could learn how to fly a plane in a

1221
00:56:40,000 --> 00:56:42,000
Speaker 1: couple of days, or learn how to be a three

1222
00:56:42,040 --> 00:56:47,920
Speaker 1: star Michelin chef after a weekend cooking class. One star. Wow, Well,

1223
00:56:48,000 --> 00:56:50,520
Speaker 1: this week Big Orange Nation forty one will be spending.

1224
00:56:50,320 --> 00:56:53,040
Speaker 3: Here's your level of sparkle dust and magic.

1225
00:56:53,200 --> 00:56:56,120
Speaker 1: No, mister, no, there's no sparkle dust and or magic.

1226
00:56:56,719 --> 00:56:58,920
Speaker 1: And now, of course we are coming to our favorite portion.

1227
00:56:59,080 --> 00:57:02,319
Speaker 1: Well I like it, Breena loves it fame, which is

1228
00:57:02,440 --> 00:57:05,000
Speaker 1: our game, our feature of the week, and this one

1229
00:57:05,040 --> 00:57:09,600
Speaker 1: is called beat per minute. Of course, producer Jensen does

1230
00:57:09,640 --> 00:57:13,000
Speaker 1: these now, I think specifically just to annoy Sabrina, which

1231
00:57:13,040 --> 00:57:15,399
Speaker 1: is kind of my favorite part of the day. So

1232
00:57:15,480 --> 00:57:17,479
Speaker 1: to honor the art of djying, we will be given

1233
00:57:17,480 --> 00:57:20,680
Speaker 1: an iconic song and a number of beats per minute.

1234
00:57:21,200 --> 00:57:24,480
Speaker 1: We have to decide whether the actual BPM is higher

1235
00:57:24,600 --> 00:57:27,560
Speaker 1: or lower than that. Yikes. So say we're given a

1236
00:57:27,560 --> 00:57:29,320
Speaker 1: song and the number is one hundred and eight beats

1237
00:57:29,360 --> 00:57:31,560
Speaker 1: per minute. We have to answer with a higher or

1238
00:57:31,640 --> 00:57:35,400
Speaker 1: lower three out of five wins. So here we go.

1239
00:57:35,480 --> 00:57:37,320
Speaker 1: You're a musician, so you could probably do this a

1240
00:57:37,320 --> 00:57:40,080
Speaker 1: lot better than me. Number one, Bye Bye Bye by

1241
00:57:40,200 --> 00:57:43,280
Speaker 1: end Sync one hundred and sixty beats per minute.

1242
00:57:43,520 --> 00:57:47,120
Speaker 3: So we're saying, is it higher or lower than that? Okay,

1243
00:57:47,600 --> 00:57:48,880
Speaker 3: it's definitely lower than that.

1244
00:57:49,880 --> 00:57:51,480
Speaker 1: Okay, Then I'm gonna go sabrin. I'm gonna say it's

1245
00:57:51,480 --> 00:57:51,960
Speaker 1: lower than that.

1246
00:57:52,680 --> 00:57:55,320
Speaker 5: Bye Bye Bye is one hundred and seventy three beats

1247
00:57:55,320 --> 00:57:55,720
Speaker 5: per minute.

1248
00:57:55,760 --> 00:58:03,760
Speaker 3: Oh yeah, wow, okay? Uh number okay, okay.

1249
00:58:04,120 --> 00:58:07,440
Speaker 1: Number two Hotel California by the Eagles, one hundred and

1250
00:58:07,480 --> 00:58:10,520
Speaker 1: fifty beats per minute. It has to be less than that, right, Yeah,

1251
00:58:10,600 --> 00:58:11,840
Speaker 1: it's a slow song, has to be.

1252
00:58:11,880 --> 00:58:14,479
Speaker 5: Thus in that it is lower, but by very little.

1253
00:58:14,520 --> 00:58:15,560
Speaker 5: One hundred and forty seven.

1254
00:58:15,840 --> 00:58:16,120
Speaker 3: Wow.

1255
00:58:16,320 --> 00:58:19,520
Speaker 1: Okay. Number three you can't touch this by mc hammer

1256
00:58:19,800 --> 00:58:21,960
Speaker 1: one hundred and twenty nine beats per minute. It's got

1257
00:58:21,960 --> 00:58:24,080
Speaker 1: to be above, definitely higher than higher than that.

1258
00:58:24,520 --> 00:58:28,120
Speaker 5: It is higher. Three, you've got to one more.

1259
00:58:28,520 --> 00:58:31,560
Speaker 1: Ghostbusters by Ray Parker Junior, one hundred and thirty beats

1260
00:58:31,560 --> 00:58:31,959
Speaker 1: per minute.

1261
00:58:32,000 --> 00:58:34,280
Speaker 3: Wait, is that the that's not the ghost.

1262
00:58:34,480 --> 00:58:37,480
Speaker 1: There's something strange neighborhood. Who.

1263
00:58:38,080 --> 00:58:39,960
Speaker 2: By the way, I've used like every single one of

1264
00:58:39,960 --> 00:58:41,480
Speaker 2: these songs in one of my routines.

1265
00:58:41,920 --> 00:58:44,360
Speaker 1: There you go. I'm going to say it's I'm going

1266
00:58:44,440 --> 00:58:46,640
Speaker 1: to say it's higher than one hundred and thirty beats

1267
00:58:46,640 --> 00:58:47,800
Speaker 1: per minute, but.

1268
00:58:49,720 --> 00:58:52,600
Speaker 2: Uh yeah, it's got it's probably higher.

1269
00:58:53,360 --> 00:58:55,560
Speaker 4: Coming down to the last question, it is lower one

1270
00:58:55,640 --> 00:58:57,600
Speaker 4: hundred and fifteen point four beats permit.

1271
00:58:58,040 --> 00:58:59,320
Speaker 3: Du Yeah, you're right.

1272
00:58:59,400 --> 00:59:03,560
Speaker 1: But that Espresso by Sabrina Carpenter. And I'm the only

1273
00:59:03,680 --> 00:59:05,880
Speaker 1: person in the world, and I love Sabrina so much

1274
00:59:05,920 --> 00:59:11,200
Speaker 1: that has never heard this song. So what, I don't

1275
00:59:11,240 --> 00:59:12,120
Speaker 1: listen to the radio.

1276
00:59:12,320 --> 00:59:13,280
Speaker 3: No this song.

1277
00:59:13,760 --> 00:59:16,720
Speaker 1: No, I haven't. I haven't heard new music.

1278
00:59:17,920 --> 00:59:20,480
Speaker 2: They it's like it's got to be on an ad

1279
00:59:20,520 --> 00:59:21,760
Speaker 2: of something that you've listened.

1280
00:59:22,480 --> 00:59:25,680
Speaker 1: Way, if i've heard it, I don't know what it is. Okay,

1281
00:59:25,840 --> 00:59:28,320
Speaker 1: And I love Sabrina to death. She's awesome person. I

1282
00:59:28,360 --> 00:59:29,520
Speaker 1: just I don't listen to new music.

1283
00:59:29,560 --> 00:59:32,320
Speaker 3: I like absolutely am like just in love with her.

1284
00:59:32,520 --> 00:59:34,080
Speaker 1: So is it then you got to win the win

1285
00:59:34,120 --> 00:59:40,200
Speaker 1: this or lose this for us more? Okay? Then? Maybe? Okay?

1286
00:59:40,280 --> 00:59:42,360
Speaker 1: Then again, I've never recognized like.

1287
00:59:42,320 --> 00:59:43,440
Speaker 3: Oh yeah, yeah, you don't know.

1288
00:59:43,920 --> 00:59:46,040
Speaker 1: I didn't. I don't watch or anything.

1289
00:59:46,760 --> 00:59:48,920
Speaker 2: Has been in ads a lot too, Like they've really

1290
00:59:49,000 --> 00:59:50,400
Speaker 2: used her their stuff a lot.

1291
00:59:50,720 --> 00:59:51,840
Speaker 3: Okay, but I.

1292
00:59:51,720 --> 00:59:53,840
Speaker 1: Think is it a slow song or a fast song?

1293
00:59:54,440 --> 00:59:55,600
Speaker 3: It's a slower song.

1294
00:59:55,800 --> 01:00:01,360
Speaker 2: Okay, It's probably still just a little bit higher than

1295
01:00:01,400 --> 01:00:04,120
Speaker 2: what that is though, So you're going with higher twenty seven.

1296
01:00:04,240 --> 01:00:05,600
Speaker 3: Yeah, I'm all right, Sabrina's going.

1297
01:00:05,480 --> 01:00:07,480
Speaker 1: With higher, So I'm gonna go the opposite and say lower.

1298
01:00:08,560 --> 01:00:10,480
Speaker 4: Will has a winning strategy.

1299
01:00:13,240 --> 01:00:17,800
Speaker 3: How many of these is that song? Four one o four?

1300
01:00:20,040 --> 01:00:21,600
Speaker 1: I just played against Serberena.

1301
01:00:21,800 --> 01:00:25,040
Speaker 4: Oh she was using a DJ site, but then I

1302
01:00:25,080 --> 01:00:26,520
Speaker 4: realized those are the perfect sites to you.

1303
01:00:26,600 --> 01:00:29,760
Speaker 1: So I was betting against the house. Oh god, funny,

1304
01:00:30,400 --> 01:00:33,040
Speaker 1: all right you them? Yeah? I did hedge my bets

1305
01:00:33,040 --> 01:00:34,440
Speaker 1: and I want again. I love that.

1306
01:00:34,640 --> 01:00:35,600
Speaker 3: Ohays, thank you.

1307
01:00:35,640 --> 01:00:39,400
Speaker 1: Producer Jensen went and down bet against Sabrina. Can we

1308
01:00:39,640 --> 01:00:45,080
Speaker 1: do some Sabrina ces please? Yes.

1309
01:00:45,200 --> 01:00:48,280
Speaker 2: We did not hit on the little actress that's in

1310
01:00:48,400 --> 01:00:50,600
Speaker 2: one of my favorite shows right now XO Kitty.

1311
01:00:50,800 --> 01:00:52,440
Speaker 3: She was she played Molly.

1312
01:00:52,600 --> 01:00:56,240
Speaker 2: She was so good and she wasn't the lead in

1313
01:00:56,320 --> 01:00:59,439
Speaker 2: this in any sense, but like she to me, all

1314
01:00:59,480 --> 01:01:02,880
Speaker 2: of these young actors to me just felt like home runs.

1315
01:01:02,960 --> 01:01:05,520
Speaker 3: They were just so good in their in their characters.

1316
01:01:05,520 --> 01:01:07,400
Speaker 1: And I know what the other thing is, they were

1317
01:01:07,440 --> 01:01:09,040
Speaker 1: all super interesting.

1318
01:01:09,560 --> 01:01:10,439
Speaker 3: Yes they all.

1319
01:01:11,080 --> 01:01:14,440
Speaker 2: Yes, I loved I loved the other best friend like

1320
01:01:14,520 --> 01:01:17,280
Speaker 2: I love. I even loved the girl that was the influencer.

1321
01:01:17,320 --> 01:01:18,240
Speaker 3: I thought she was really good.

1322
01:01:18,680 --> 01:01:21,080
Speaker 2: Poor Ginger like got all of a sudden gets mixed

1323
01:01:21,160 --> 01:01:22,760
Speaker 2: up with this guy when she's the one that like

1324
01:01:23,080 --> 01:01:25,680
Speaker 2: that wasn't fault was so sweet and saying like you

1325
01:01:25,680 --> 01:01:27,800
Speaker 2: should make sure that he knows you got this job.

1326
01:01:27,880 --> 01:01:29,840
Speaker 2: You know what I mean, and like so I mean.

1327
01:01:29,840 --> 01:01:33,240
Speaker 2: But anyway, I just loved all their characters. I speaking

1328
01:01:33,280 --> 01:01:36,520
Speaker 2: of the DJ gig, that one pulled me a little

1329
01:01:36,560 --> 01:01:39,040
Speaker 2: bit out of my zone because I felt much like

1330
01:01:39,120 --> 01:01:41,600
Speaker 2: you in the sense of like, wait, he has his

1331
01:01:41,760 --> 01:01:44,440
Speaker 2: computer and I know that wasn't his setup because he

1332
01:01:44,480 --> 01:01:46,560
Speaker 2: makes it a note about that, but like.

1333
01:01:46,760 --> 01:01:49,680
Speaker 3: He was really actually ready to do like a full

1334
01:01:49,720 --> 01:01:52,560
Speaker 3: on gig in like twenty minutes.

1335
01:01:52,560 --> 01:01:55,680
Speaker 2: Like maybe I don't know, I'm not I'm not a

1336
01:01:55,800 --> 01:01:57,400
Speaker 2: DJ so, but that seemed like a.

1337
01:01:57,320 --> 01:01:59,960
Speaker 1: Little like you know, you know who would agree with you?

1338
01:02:00,040 --> 01:02:01,960
Speaker 1: Big Orange Nation forty one.

1339
01:02:02,120 --> 01:02:03,040
Speaker 3: Absolutely.

1340
01:02:03,400 --> 01:02:03,680
Speaker 1: Yep.

1341
01:02:04,480 --> 01:02:06,800
Speaker 2: There were a couple of times that I felt like, oh,

1342
01:02:06,960 --> 01:02:10,320
Speaker 2: we're just gonna not at all try to make it

1343
01:02:10,360 --> 01:02:13,040
Speaker 2: real time with the with the way they did some

1344
01:02:13,120 --> 01:02:15,920
Speaker 2: of the editing. And one of them happens right after

1345
01:02:16,040 --> 01:02:19,920
Speaker 2: this gig where they're taught. They start their initial conversation

1346
01:02:20,120 --> 01:02:23,120
Speaker 2: on the stage and they're walking out and then within

1347
01:02:23,280 --> 01:02:25,840
Speaker 2: mid sentence, they're like in the middle of the hallway.

1348
01:02:25,920 --> 01:02:26,840
Speaker 3: Because if they've been.

1349
01:02:28,320 --> 01:02:30,080
Speaker 2: Quite a few times where I was like, we're just

1350
01:02:30,120 --> 01:02:33,800
Speaker 2: gonna okay, Like there's no doorframe, we could.

1351
01:02:33,640 --> 01:02:36,600
Speaker 3: Have walked through, like, didn't need to even start in there.

1352
01:02:36,640 --> 01:02:38,200
Speaker 2: They she could have caught up with him in the

1353
01:02:38,240 --> 01:02:42,400
Speaker 2: hallway or stayed in there wasn't needed whatever. That one

1354
01:02:42,640 --> 01:02:46,440
Speaker 2: pulled me out some of the lines, like we were saying,

1355
01:02:46,640 --> 01:02:51,400
Speaker 2: I loved Debbie's liner. Isn't an emergency she had that.

1356
01:02:51,880 --> 01:02:55,080
Speaker 2: There was also Battle of the Master's DJ competition.

1357
01:02:55,280 --> 01:02:59,440
Speaker 1: What's that? Yes, it's kind of in the title the.

1358
01:02:59,320 --> 01:03:00,800
Speaker 3: Title, and then.

1359
01:03:02,400 --> 01:03:04,680
Speaker 2: Uh, the one of the the Grandma had a bunch

1360
01:03:04,720 --> 01:03:07,720
Speaker 2: and Nanny had a bunch and one of hers and

1361
01:03:07,800 --> 01:03:11,200
Speaker 2: as the children say, no take backs, tied on that one.

1362
01:03:11,840 --> 01:03:16,360
Speaker 2: And then I, lastly, I did find the four minutes

1363
01:03:16,400 --> 01:03:19,280
Speaker 2: that could have been at least shortened somewhat to get

1364
01:03:19,360 --> 01:03:22,000
Speaker 2: us to that ninety minute mark. And for me, although

1365
01:03:22,040 --> 01:03:25,000
Speaker 2: I'm all I'm all about emotional scenes, I love them,

1366
01:03:25,240 --> 01:03:28,720
Speaker 2: it was the long song that happened when she was

1367
01:03:28,760 --> 01:03:32,280
Speaker 2: listening to her mom's tape. And yes, the window that

1368
01:03:32,400 --> 01:03:33,919
Speaker 2: we came that dragged.

1369
01:03:33,560 --> 01:03:36,560
Speaker 3: Out a little bit. So maybe not four full minutes,

1370
01:03:36,600 --> 01:03:38,800
Speaker 3: but at least two. I think they could have cut

1371
01:03:38,800 --> 01:03:39,160
Speaker 3: it in half.

1372
01:03:39,160 --> 01:03:41,480
Speaker 1: It LEAs have snipped here and there, snipped it.

1373
01:03:41,560 --> 01:03:45,160
Speaker 2: Yeah, and I think, oh, and then the last thing is,

1374
01:03:45,240 --> 01:03:48,360
Speaker 2: so this was my question, you know how he got pulled.

1375
01:03:48,200 --> 01:03:49,760
Speaker 3: By the you know, he got like.

1376
01:03:49,680 --> 01:03:53,240
Speaker 2: This the headphonelda right, which happens to me all the

1377
01:03:53,280 --> 01:03:55,919
Speaker 2: time when we get off this podcast, by the way.

1378
01:03:57,040 --> 01:03:59,480
Speaker 2: But then at the end, when all the other DJs

1379
01:03:59,480 --> 01:04:02,440
Speaker 2: were in the audience, they all had their headphones, like

1380
01:04:02,640 --> 01:04:04,520
Speaker 2: as if they just like wear them around.

1381
01:04:04,840 --> 01:04:08,240
Speaker 1: Like yeah, as a voice over actor, we don't usually

1382
01:04:08,440 --> 01:04:10,960
Speaker 1: carry our headphones with us. But maybe that's different for DJs.

1383
01:04:10,960 --> 01:04:12,120
Speaker 1: I don't know. Maybe that's what they do.

1384
01:04:12,560 --> 01:04:14,560
Speaker 2: I don't know, or it's just like that's how the

1385
01:04:14,640 --> 01:04:17,360
Speaker 2: I guess they decided to like signify that like, oh,

1386
01:04:17,400 --> 01:04:17,920
Speaker 2: they were.

1387
01:04:17,760 --> 01:04:19,400
Speaker 3: One of the ones that was up on stage. It

1388
01:04:19,480 --> 01:04:20,320
Speaker 3: was just kind of weird.

1389
01:04:20,320 --> 01:04:23,120
Speaker 2: So I was like, do they get pulled an or

1390
01:04:23,440 --> 01:04:25,600
Speaker 2: or are they using like the beats that are bluetooth.

1391
01:04:25,600 --> 01:04:26,040
Speaker 3: I don't know.

1392
01:04:26,400 --> 01:04:28,720
Speaker 2: That's a question you and I probably can't answer, but

1393
01:04:28,800 --> 01:04:31,000
Speaker 2: maybe the fans out there can, but they're gonna have

1394
01:04:31,080 --> 01:04:32,960
Speaker 2: to know and Instagram.

1395
01:04:32,640 --> 01:04:35,240
Speaker 1: Because I, yeah, let us know, because I have no idea.

1396
01:04:35,680 --> 01:04:38,920
Speaker 3: It's not my world, no, So but that was it.

1397
01:04:38,720 --> 01:04:42,800
Speaker 2: I really I'm looking forward to rating this because me

1398
01:04:42,880 --> 01:04:45,200
Speaker 2: Too is probably one of my favorites that we've done

1399
01:04:45,200 --> 01:04:45,760
Speaker 2: so well.

1400
01:04:45,800 --> 01:04:48,720
Speaker 1: Then let's rate it. Hair Let's do one out of ten.

1401
01:04:48,800 --> 01:04:51,040
Speaker 1: Let's do one on a ten this week. Okay, let's

1402
01:04:51,080 --> 01:04:53,440
Speaker 1: do one being worst and ten being the best. We'll

1403
01:04:53,440 --> 01:04:55,800
Speaker 1: switch it up and our options this week are going

1404
01:04:55,880 --> 01:04:58,640
Speaker 1: to be one out of ten, wicked synth pads one

1405
01:04:58,680 --> 01:05:01,640
Speaker 1: out of ten, killer base one out of ten, crispy

1406
01:05:01,760 --> 01:05:07,720
Speaker 1: high hat patterns, pretty nice hotels, mommy DJ issues one

1407
01:05:07,760 --> 01:05:11,120
Speaker 1: out of ten, pizza drones, one of a ten, headphone leashes,

1408
01:05:11,760 --> 01:05:15,240
Speaker 1: or one out of ten lavender bears. What would you like, Sabrina.

1409
01:05:14,920 --> 01:05:17,600
Speaker 2: I don't want to use this one, but lavender Bears

1410
01:05:17,640 --> 01:05:19,120
Speaker 2: really jumped out at me as well.

1411
01:05:19,280 --> 01:05:21,800
Speaker 1: I want to add one out of tend Tiktokos because

1412
01:05:21,840 --> 01:05:23,240
Speaker 1: I think that's that's a good one too.

1413
01:05:23,720 --> 01:05:26,880
Speaker 6: Let's do TikTok you want to do tiktokos, Let's do TikTok.

1414
01:05:26,520 --> 01:05:28,600
Speaker 3: Although I do love all these crispy high.

1415
01:05:28,920 --> 01:05:32,440
Speaker 1: They do, I think I think you went first last time,

1416
01:05:32,480 --> 01:05:35,240
Speaker 1: so up to me. I really liked this movie. I

1417
01:05:35,600 --> 01:05:38,600
Speaker 1: thought she the star. She's a star. I mean she's

1418
01:05:38,640 --> 01:05:40,560
Speaker 1: clear that you see people walk on screen where it's

1419
01:05:40,600 --> 01:05:43,360
Speaker 1: just like, oh, that's okay, She's gonna be huge. I'm

1420
01:05:43,400 --> 01:05:47,040
Speaker 1: giving this a solid eight point five tiktokos. This was

1421
01:05:47,080 --> 01:05:49,400
Speaker 1: a very good movie. I enjoyed myself. I'm sure it

1422
01:05:49,480 --> 01:05:52,280
Speaker 1: helped coming right off a dad napped, I really do.

1423
01:05:53,040 --> 01:05:55,200
Speaker 1: I've disliked that movie so much that seeing this was

1424
01:05:55,280 --> 01:05:58,440
Speaker 1: kind of a breath of fresh air. So I really

1425
01:05:58,520 --> 01:06:00,760
Speaker 1: liked this movie. I thought it was great. Eight point

1426
01:06:00,840 --> 01:06:01,840
Speaker 1: five tictacos for me.

1427
01:06:02,440 --> 01:06:05,040
Speaker 2: Nice, I'm gonna go a little bit step above you

1428
01:06:05,240 --> 01:06:06,920
Speaker 2: with nine ooh.

1429
01:06:08,920 --> 01:06:11,320
Speaker 3: I this is one of my favorite movies.

1430
01:06:11,360 --> 01:06:14,440
Speaker 2: And again this is too like I love music, but

1431
01:06:14,520 --> 01:06:17,240
Speaker 2: I don't know anything about Djane, and so it was

1432
01:06:17,360 --> 01:06:17,800
Speaker 2: very cool.

1433
01:06:17,840 --> 01:06:18,120
Speaker 3: For me.

1434
01:06:18,200 --> 01:06:21,040
Speaker 2: It felt like it was Yes, she probably got better

1435
01:06:21,080 --> 01:06:23,200
Speaker 2: than what she could have a in a couple of weeks,

1436
01:06:23,800 --> 01:06:25,040
Speaker 2: but at the same time.

1437
01:06:25,280 --> 01:06:26,040
Speaker 1: That's okay.

1438
01:06:26,400 --> 01:06:30,960
Speaker 2: I loved the Indian culture inspiration that was involved in this.

1439
01:06:31,080 --> 01:06:35,600
Speaker 2: It didn't overpower anything. It was nice. Again, I loved

1440
01:06:35,640 --> 01:06:38,000
Speaker 2: I know you were saying that you wish there would

1441
01:06:38,000 --> 01:06:40,560
Speaker 2: have been more through the rolling credits. I would have

1442
01:06:40,600 --> 01:06:44,280
Speaker 2: loved to see a full blown but Bollywood performance, But

1443
01:06:44,600 --> 01:06:47,479
Speaker 2: within the movie, I felt like it was just enough,

1444
01:06:48,000 --> 01:06:51,040
Speaker 2: just enough dancing because it really wasn't supposed to be

1445
01:06:51,200 --> 01:06:53,840
Speaker 2: like a musical in that sense. It was not about that,

1446
01:06:54,000 --> 01:06:57,280
Speaker 2: you know. It really was actually about the music and Djane.

1447
01:06:57,320 --> 01:06:59,960
Speaker 2: So I thought there was just enough because it's hard

1448
01:07:00,160 --> 01:07:02,520
Speaker 2: to have good music in that dance, that's how, you know.

1449
01:07:03,720 --> 01:07:06,439
Speaker 2: But at the same time, I loved the amount of

1450
01:07:06,560 --> 01:07:09,040
Speaker 2: all of that inspiration that they had in there, and again,

1451
01:07:09,400 --> 01:07:10,080
Speaker 2: She the.

1452
01:07:10,040 --> 01:07:13,360
Speaker 3: Whole cast was just so good. They just it was

1453
01:07:13,800 --> 01:07:16,640
Speaker 3: the easiest watch. I enjoyed it and it was such

1454
01:07:16,640 --> 01:07:17,320
Speaker 3: a fun movie.

1455
01:07:17,520 --> 01:07:20,120
Speaker 1: Yeah, highly recommend this movie for everybody if you haven't

1456
01:07:20,120 --> 01:07:22,880
Speaker 1: seen it as very good. But our next movie is

1457
01:07:22,920 --> 01:07:26,000
Speaker 1: another very niche skill based movie What Happens when an

1458
01:07:26,000 --> 01:07:30,080
Speaker 1: Athlete's true passion is rope jumping. Yes, it's two thousand

1459
01:07:30,080 --> 01:07:33,280
Speaker 1: and sevens jump In, starring former Magical rewind guess Corbin

1460
01:07:33,280 --> 01:07:35,760
Speaker 1: Blue and one of Hollywood's biggest names in twenty twenty five,

1461
01:07:35,800 --> 01:07:38,840
Speaker 1: Kiki Palmer. It is on Disney Plus, so feel free

1462
01:07:38,880 --> 01:07:41,880
Speaker 1: to watch it asap and while we wait. This week,

1463
01:07:41,920 --> 01:07:43,760
Speaker 1: on our park Opper episode, we will be chatting with

1464
01:07:43,880 --> 01:07:47,240
Speaker 1: actress Tanya Gannati, who will bring us back to two

1465
01:07:47,840 --> 01:07:50,480
Speaker 1: wild dcms we covered a while back and are still

1466
01:07:50,480 --> 01:07:53,800
Speaker 1: frankly obsessed with. First Pixel Perfect, where she played Cindy,

1467
01:07:53,840 --> 01:07:56,240
Speaker 1: the lead singer of the Zeta Bytes before Loretta, a

1468
01:07:56,320 --> 01:07:59,560
Speaker 1: pesky AI hologram took over. And secondly, and most notably,

1469
01:07:59,840 --> 01:08:03,160
Speaker 1: she was Mojo, the hockey playing and very spiritual, quirky

1470
01:08:03,200 --> 01:08:05,920
Speaker 1: pal in Go Figure. We had a lot to talk

1471
01:08:05,960 --> 01:08:10,840
Speaker 1: to her about and oh man, she is so much fun.

1472
01:08:11,000 --> 01:08:13,080
Speaker 1: So please listen to a sneak preview of the interview

1473
01:08:13,160 --> 01:08:13,480
Speaker 1: right now.

1474
01:08:15,280 --> 01:08:17,240
Speaker 7: So I said I can played the drums, so they

1475
01:08:17,479 --> 01:08:20,920
Speaker 7: sent the director and the producer to a place of

1476
01:08:21,040 --> 01:08:24,480
Speaker 7: your choosing to show that you can play the drums.

1477
01:08:24,680 --> 01:08:28,840
Speaker 7: So I went to Burbank rehearsal studio and I brought

1478
01:08:29,120 --> 01:08:33,960
Speaker 7: you know music and I actually played the drums an

1479
01:08:34,000 --> 01:08:37,920
Speaker 7: Indonesian song that I learned with my dad's money, and

1480
01:08:38,680 --> 01:08:41,880
Speaker 7: I played it like really loud, and it was so

1481
01:08:42,000 --> 01:08:44,360
Speaker 7: exciting and I booked a job that day.

1482
01:08:44,760 --> 01:08:50,240
Speaker 1: Wow, it was we were just I was seriously smile

1483
01:08:50,320 --> 01:08:54,479
Speaker 1: the entire time. She is hysterical and a lot of fun,

1484
01:08:54,520 --> 01:08:56,720
Speaker 1: so don't miss it. Make sure you also subscribe to

1485
01:08:56,760 --> 01:08:59,880
Speaker 1: our dedicated magical Rewind feed on Apple Podcasts, iHeartRadio or

1486
01:09:00,000 --> 01:09:02,160
Speaker 1: wherever you get your podcast, and for more info, you

1487
01:09:02,160 --> 01:09:05,040
Speaker 1: can follow us that Magical rewind pod on the Instagram machine. Now,

1488
01:09:05,320 --> 01:09:08,320
Speaker 1: by the way, I've also thought about Carl Cox smoking,

1489
01:09:08,439 --> 01:09:12,720
Speaker 1: Joe David Getta, Martin Gree, Charlotte Dewitz, Steve Aoki. I

1490
01:09:12,760 --> 01:09:13,679
Speaker 1: know all these dj.

1491
01:09:13,880 --> 01:09:14,639
Speaker 5: What are you reading?

1492
01:09:14,960 --> 01:09:16,200
Speaker 1: What are you talking about?

1493
01:09:16,320 --> 01:09:17,000
Speaker 3: I'm not reading?

1494
01:09:17,520 --> 01:09:19,719
Speaker 1: You know how bad I am at this even cheating.

1495
01:09:19,760 --> 01:09:21,280
Speaker 1: I've never heard of any of these people.

1496
01:09:21,600 --> 01:09:26,600
Speaker 4: And by the way, he still hasn't said death punk, the.

1497
01:09:27,080 --> 01:09:31,439
Speaker 1: Guys with the things daft punk, that's it. What about

1498
01:09:31,439 --> 01:09:35,080
Speaker 1: Paul van Dijk or John Digweed or or r E. L.

1499
01:09:35,160 --> 01:09:41,960
Speaker 1: Free Again? I literally put the list up, and I've

1500
01:09:42,000 --> 01:09:45,840
Speaker 1: heard of dead Mouse. Okay, hey, there you go. But

1501
01:09:45,960 --> 01:09:49,960
Speaker 1: the list, the top of the list tis so Carl Cox,

1502
01:09:50,080 --> 01:09:52,880
Speaker 1: David Ghetta, Skill Relics.

1503
01:09:52,520 --> 01:09:59,240
Speaker 2: David Oh my gosh, David Getta DJ yes, okay, all right,

1504
01:09:59,600 --> 01:10:04,240
Speaker 2: Calvin Harris DJ Skrillicks, any of those Diplo.

1505
01:10:04,360 --> 01:10:06,880
Speaker 1: I've heard of Diplo. Hey, I got one. This is

1506
01:10:06,920 --> 01:10:09,240
Speaker 1: the cheating list I still have never heard. Oh god,

1507
01:10:09,240 --> 01:10:22,320
Speaker 1: I'll get better. Bye, everybody, Bye,