WEBVTT - ALOE BLACC: Stand Together

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<v Speaker 1>During the holidays. I have so much to be grateful for,

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<v Speaker 1>my family, my friends, friends that have lasted a lifetime,

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<v Speaker 1>the sunrise that greets me each day. Not that life

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<v Speaker 1>doesn't dish out its fair share of challenges and oftentimes

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<v Speaker 1>bone numbing grief. But I find that if I return

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<v Speaker 1>to gratitude, if I go back to gratitude every day,

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<v Speaker 1>if I go back to God, thank you, thank you

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<v Speaker 1>for my health, thank You for my kids, thank You

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<v Speaker 1>for my life, I am able to make it through

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<v Speaker 1>the worst of times and find moments of joy every

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<v Speaker 1>day everywhere. I hope that you are able to do

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<v Speaker 1>this too. If not today because you're currently weathering a storm,

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<v Speaker 1>than tomorrow or tomorrow after that. I hope you find

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<v Speaker 1>a little when you listen to my radio show at

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<v Speaker 1>night or this podcast. Besides being entertaining, as I'll get out,

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<v Speaker 1>I have ulterior motives for this platform, for this podcast,

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<v Speaker 1>with Love Someone with Delilah. I want to inspire you.

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<v Speaker 1>I want to spark your interest, in ignite your imagination.

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<v Speaker 1>I want you to leave each episode thinking, hey, if

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<v Speaker 1>they can do that, if they can do what they're doing,

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<v Speaker 1>I could do something I love and maybe that would

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<v Speaker 1>make a difference in someone's life. Maybe it would make

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<v Speaker 1>a difference in my own life. Maybe it would make

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<v Speaker 1>a difference in the world if I put some time

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<v Speaker 1>and energy into fostering an interest, or a hobby or

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<v Speaker 1>a child. Today's guest is a singer, a songwriter, an activist,

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<v Speaker 1>and a great role model. He was born Egbert Nathaniel Dawkins,

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<v Speaker 1>the third in southern California. He grew up in Laguna Hills,

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<v Speaker 1>and he began playing trumpet in the third grade. Music

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<v Speaker 1>became such a huge part of his life, but he

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<v Speaker 1>would go on to major in linguistics and psychology at

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<v Speaker 1>the University of California and for a time worked for

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<v Speaker 1>Ernst and Young before launching his solo music career as

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<v Speaker 1>Alo Black in two thousand and three. That year, Alo

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<v Speaker 1>released two EPs and signed to a record label. The

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<v Speaker 1>rest is history, though not two ancient history. Alo Black

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<v Speaker 1>is now an acclaimed Grammy nominated performer, known for major

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<v Speaker 1>hits like I Need a Dollar, the Man and his

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<v Speaker 1>mega hit wake Me Up with Avichi, which has received

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<v Speaker 1>over four billion streams. Alo has also recorded his own

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<v Speaker 1>version of wake Me Up, which is absolutely beautiful. What

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<v Speaker 1>makes Alo different, or should I say One of the

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<v Speaker 1>things that makes him so unique, so special is that

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<v Speaker 1>he pledged early in his career to use his music

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<v Speaker 1>for positive social transformation. With his new single Shine Aurora's Anthem,

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<v Speaker 1>Alo is using his music to shine a light on

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<v Speaker 1>critical humanitarian issues and to inspire others to simply do good.

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<v Speaker 1>With role models such as Nelson Mandela, Martin, Luther King Junior,

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<v Speaker 1>and with mentoring from Harry Belafonte, Alo has shaped his

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<v Speaker 1>musical journey by following their legacies of courage and compassion.

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<v Speaker 1>Through Shine Aurora's Anthem in honor of the Humanitarian supported

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<v Speaker 1>by the Aurora Humanitarian Initiative, a foundation that seeks to

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<v Speaker 1>address on the ground challenges around the world, Alo aspires

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<v Speaker 1>to ignite a movement among artists, encouraging them to embrace

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<v Speaker 1>themes of hope and unity in their art. By promoting

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<v Speaker 1>messages of resilience and empathy, He's reinforcing his belief that

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<v Speaker 1>every individual has the power to make a difference and

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<v Speaker 1>that music can be a catalyst for social progress. I

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<v Speaker 1>can't wait to talk with Alo shining a light on

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<v Speaker 1>his music and on his heart. But first I'm going

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<v Speaker 1>to put a spotlight on one of today's podcast sponsors.

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<v Speaker 1>of the move, none of the cow with me. I

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<v Speaker 1>love someone today is a extremely talented young man, Alo Black.

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<v Speaker 2>Hello, Delilah, thank you so much for having me.

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<v Speaker 1>What was the name that your family gave you at birth?

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<v Speaker 1>Can I ask that?

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<v Speaker 3>Oh?

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<v Speaker 2>Yeah, my name is Nathaniel. So the family called Nathaniel.

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<v Speaker 1>It wasn't just Nathaniel though. It's like three pages long.

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<v Speaker 3>Oh right, it's a vestige of slavery. It's a colonial name.

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<v Speaker 3>You know, the Europeans had ways of naming Africans. So

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<v Speaker 3>Egbert Nathaniel Dawkins the third Wow.

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<v Speaker 1>So this this, that's very colonial. You don't get much

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<v Speaker 1>more colonial than Egbert for somebody who's got African descent, right, wow.

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<v Speaker 1>So I have I have six children that are from Africa,

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<v Speaker 1>and a lot of their names were characteristics, character traits.

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<v Speaker 1>That's very common in Liberia to name children like patients

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<v Speaker 1>or Justice or Mercy. So one of my daughters was

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<v Speaker 1>Mercy and one is Blessing.

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<v Speaker 3>That is beautiful. I think that's really special. You know,

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<v Speaker 3>naming is a very important right of passage for parents,

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<v Speaker 3>I think, and then renaming for an individual as they

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<v Speaker 3>come of age.

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<v Speaker 2>I think it's really important.

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<v Speaker 3>I don't think it happens quite enough in our system,

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<v Speaker 3>just because you know, the Western world very particular about

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<v Speaker 3>categorizing and slotting everybody into their place, and they have

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<v Speaker 3>to keep that place from birth till death. But we change,

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<v Speaker 3>we transform, we grow, and we become butterflies from the

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<v Speaker 3>caterpillars that we were before. And I think renaming is

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<v Speaker 3>a beautiful tradition that I believe exists in multiple, you know,

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<v Speaker 3>indigenous ethnicities around the world.

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<v Speaker 1>Well, I like alo alo black. It sounds healthy. When

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<v Speaker 1>I think of alo, I think of how good it

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<v Speaker 1>is for you when you drink it or ingest it

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<v Speaker 1>or put it on your skin.

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<v Speaker 2>Yeah, that's sort of where I got the name. You know.

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<v Speaker 3>I was a young budding artist coming up with new

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<v Speaker 3>music and new concepts, and I felt like the music

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<v Speaker 3>that I was making was was smooth and soothing like Alo,

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<v Speaker 3>And so I've made a choice to give myself that

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<v Speaker 3>stage name that Moniker.

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<v Speaker 1>Is it a stage name because it kind of seems

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<v Speaker 1>like it's you. That's I think of stage names as

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<v Speaker 1>something that you transform into on stage right. But from

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<v Speaker 1>everything I've read about you and everything I underst stand

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<v Speaker 1>about your core mission to share goodness and truth and

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<v Speaker 1>mercy and love with humanity, there you don't get more

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<v Speaker 1>healing than that.

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<v Speaker 3>Maybe I maybe I spoke it into the universe and

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<v Speaker 3>it became more true as I grew into the name.

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<v Speaker 1>I think there's sometimes things find us, the truth finds us,

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<v Speaker 1>and there's nothing more healing for your soul. I mean,

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<v Speaker 1>Alo is healing for your body and for your skin,

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<v Speaker 1>but the love you're putting out there in your music

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<v Speaker 1>that heals the soul.

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<v Speaker 2>Thank you. I appreciate that. It's part of the mission.

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<v Speaker 2>You know.

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<v Speaker 3>When I had the tremendous grace and opportunity to be

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<v Speaker 3>a major recording artist with budgets and marketing and visibility,

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<v Speaker 3>I made a promise to myself that I would use

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<v Speaker 3>my voice for positive social change. And that's really how

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<v Speaker 3>I've been dedicating the songs that I write and the

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<v Speaker 3>way I show up in community.

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<v Speaker 1>How much pushback have you gotten from the industry, from

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<v Speaker 1>the machine, the music machine that wants to make hits.

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<v Speaker 1>How much pushback have you got for standing your ground

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<v Speaker 1>and saying, eh, no, I'm gonna, I'm gonna do it

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<v Speaker 1>this way, I'm gonna this is what the song is about,

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<v Speaker 1>this is what I'm about. Like, have they been supportive

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<v Speaker 1>mostly or has it been an updild battle.

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<v Speaker 3>I wouldn't say that it's been supportive mostly, But I

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<v Speaker 3>have a feeling that my engagement with the industry is

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<v Speaker 3>somewhat like judo, where any force that is used against

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<v Speaker 3>me becomes my weapon against the opponent.

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<v Speaker 2>Oh that's good, And so.

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<v Speaker 3>I still find ways for my messages to be heard.

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<v Speaker 3>And I feel like I've had a lot of luck.

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<v Speaker 1>That ain't luck. That is not luck. Luck as when

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<v Speaker 1>you find a quarter on the ground.

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<v Speaker 3>I guess, But you know, you just did a statistical

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<v Speaker 3>analysis on the messages that we receive that are being

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<v Speaker 3>shoved into our faces, into our ears from media across

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<v Speaker 3>the board, from television, news, from film, and streaming content,

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<v Speaker 3>from radio and.

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<v Speaker 2>Music.

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<v Speaker 3>The vast majority of it is not soothing, supportive psychologically.

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<v Speaker 3>You know, we're dealing with a lot of distress, trauma, anxiety, depression, misogyny, violence,

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<v Speaker 3>drug glorification, and I feel like there has to be

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<v Speaker 3>some sort of balance to that. Someone somewhere has to

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<v Speaker 3>be supporting it. Some entity has to be creating it,

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<v Speaker 3>and other entities have to be sponsoring it, you know.

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<v Speaker 2>And it's complicated and it's difficult.

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<v Speaker 1>How many murders do kids witness by the age of ten.

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<v Speaker 3>Yeah, in ways that would never happen in reality. And

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<v Speaker 3>this is the issue, this confluence of art and commerce,

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<v Speaker 3>where artists are saying, I'm just I'm just being an artist.

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<v Speaker 3>I'm writing these stories, I'm reflecting reality. But then commerce

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<v Speaker 3>comes and magnifies your reflection of reality in ways that

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<v Speaker 3>are extremely biased and oversaturated. So it's at a certain

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<v Speaker 3>point you may have been reflecting a reality, but now

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<v Speaker 3>it's well distributed and completely overstated.

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<v Speaker 1>And disgusting, destructive and breaks hearts and breaks minds and

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<v Speaker 1>breaks children.

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<v Speaker 2>I think so.

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<v Speaker 3>And so my thought is, you know, you mentioned the

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<v Speaker 3>machine before, and I feel like.

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<v Speaker 2>At a certain.

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<v Speaker 3>Age I would have and did want to rage against

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<v Speaker 3>the machine, but I realized that the machine understands rage,

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<v Speaker 3>but the machine doesn't understand love, so we have to break.

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<v Speaker 2>It with love.

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<v Speaker 1>I'm very proud of you. It's not easy, and it's

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<v Speaker 1>so easy to sell out, to get comfortable, and to

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<v Speaker 1>sell out. I read this story when I was much,

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<v Speaker 1>much younger, called the Great Seduction, and it's about how

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<v Speaker 1>when you're young and you're talented, they give you the world.

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<v Speaker 1>You know, first class tickets or private jets. They give

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<v Speaker 1>you parties and access to all sorts of pleasures. Yeah,

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<v Speaker 1>and they get you hooked, and then you're asked to compromise.

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<v Speaker 1>And I love the fact that it appears you haven't

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<v Speaker 1>been seduced.

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<v Speaker 2>You know. I think what was my.

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<v Speaker 3>Insulation, or what saved me, was the fact that I

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<v Speaker 3>went to university, I worked in corporate America. I had

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<v Speaker 3>an opportunity to grow, experience the world, develop a perspective,

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<v Speaker 3>become an adult, become a man, an individual, to exist

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<v Speaker 3>in the world, to have a place and a voice,

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<v Speaker 3>and then to be given the megaphone without adulteration. So

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<v Speaker 3>there were no other adults who could tell me what

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<v Speaker 3>to do and how to be. If I had come

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<v Speaker 3>into the music business as a major recording artist, at

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<v Speaker 3>sixteen or below, any age of my brain being fully developed,

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<v Speaker 3>the story may be different, but I was afforded the

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<v Speaker 3>opportunity to develops as a citizen, a conscious citizen, and

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<v Speaker 3>was able to make choices that I graduated into the

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<v Speaker 3>major music recording industry with.

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<v Speaker 1>I would love to have been a fly in a

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<v Speaker 1>while when you were in corporate America.

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<v Speaker 3>It was it was not the same as my life now,

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<v Speaker 3>kind of boring, but it was good work. I was

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<v Speaker 3>working in the health sector as a business consultant, helping

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<v Speaker 3>children's hospitals improve care, whether we were developing their technology

0:15:48.880 --> 0:15:51.880
<v Speaker 3>or helping them collect from insurance companies.

0:15:52.800 --> 0:15:57.280
<v Speaker 1>So that's very noble and doesn't surprise me given what

0:15:57.640 --> 0:16:01.840
<v Speaker 1>a caring person and how that seems to be the

0:16:02.680 --> 0:16:04.880
<v Speaker 1>core of who you are, is caring for others that

0:16:04.960 --> 0:16:08.800
<v Speaker 1>you work with children's hospitals, who have, by the way,

0:16:08.800 --> 0:16:15.280
<v Speaker 1>saved my children's lives multiple times. So I love love

0:16:15.360 --> 0:16:18.200
<v Speaker 1>the work that children's hospitals do, and I love the

0:16:18.200 --> 0:16:22.240
<v Speaker 1>fact that they treat everybody, doesn't matter you know, your

0:16:22.320 --> 0:16:24.680
<v Speaker 1>economic status. If you walk through the door in your

0:16:24.720 --> 0:16:27.240
<v Speaker 1>child's in crisis, they're going to save their life. I

0:16:27.280 --> 0:16:29.320
<v Speaker 1>love that.

0:16:28.440 --> 0:16:32.440
<v Speaker 3>That's a big deal, and I'm glad that that our heroes,

0:16:32.840 --> 0:16:36.080
<v Speaker 3>you know, operate from that perspective with the oath they take.

0:16:36.600 --> 0:16:37.080
<v Speaker 2>There are so.

0:16:37.040 --> 0:16:41.560
<v Speaker 3>Many other ways that the health system is broken, but

0:16:41.720 --> 0:16:47.840
<v Speaker 3>the fact that they will receive and help the children

0:16:47.960 --> 0:16:48.560
<v Speaker 3>is beautiful.

0:17:00.040 --> 0:17:03.520
<v Speaker 1>Le's get back to talking about music, since that's what

0:17:04.640 --> 0:17:07.399
<v Speaker 1>you're here for, and we're going to be celebrating this

0:17:07.480 --> 0:17:11.600
<v Speaker 1>holiday season with new music from Alo Black. Tell me

0:17:11.640 --> 0:17:12.760
<v Speaker 1>about your new project.

0:17:13.880 --> 0:17:18.040
<v Speaker 3>Yes, the music is songs inspired by nonprofit organizations. The

0:17:18.119 --> 0:17:22.800
<v Speaker 3>album is called Stand Together. It is an album that

0:17:23.760 --> 0:17:29.480
<v Speaker 3>is supported by a wonderful organization that supports community change

0:17:29.480 --> 0:17:33.639
<v Speaker 3>makers and some of the most amazing heroes in our communities.

0:17:34.119 --> 0:17:39.320
<v Speaker 3>And I thought, why not do what Stand Together does

0:17:39.400 --> 0:17:42.679
<v Speaker 3>as an organization through music? How can I use my

0:17:42.800 --> 0:17:48.360
<v Speaker 3>voice to amplify these wonderful heroes.

0:17:48.000 --> 0:17:48.879
<v Speaker 2>Within the communities.

0:17:48.960 --> 0:17:54.359
<v Speaker 3>So a few of the organizations inspired these songs and

0:17:54.400 --> 0:17:57.679
<v Speaker 3>some of the social missions and perspectives of the Stand

0:17:57.680 --> 0:18:02.639
<v Speaker 3>Together group. One of the songs is called Breakthrough. The

0:18:02.760 --> 0:18:05.520
<v Speaker 3>title comes from the name of the organization. It's an

0:18:05.520 --> 0:18:11.160
<v Speaker 3>anti recidivism organization that works helping returning citizens find work,

0:18:12.200 --> 0:18:20.119
<v Speaker 3>find education, opportunities, find housing, and offers them dignity in

0:18:20.200 --> 0:18:25.440
<v Speaker 3>their return to society. Oftentimes, you know, when I visit

0:18:26.119 --> 0:18:30.600
<v Speaker 3>prisons and juvenile halls, I recognize that the people behind bars,

0:18:31.840 --> 0:18:36.440
<v Speaker 3>who at some point may get out, we consider them

0:18:36.880 --> 0:18:39.880
<v Speaker 3>being released as a second chance at life.

0:18:39.920 --> 0:18:44.360
<v Speaker 2>And I've always, after having multiple conversations and hearing stories,

0:18:44.400 --> 0:18:48.360
<v Speaker 2>realize these folks never had a first chance. They come

0:18:48.400 --> 0:18:51.280
<v Speaker 2>from the most broken circumstances you could imagine.

0:18:51.520 --> 0:18:53.920
<v Speaker 1>Do you want to hear a scary statistic, Tell me

0:18:55.000 --> 0:18:59.640
<v Speaker 1>eighty percent of boys who go through our foster care system,

0:19:00.119 --> 0:19:02.399
<v Speaker 1>eighty percent of boys who are in foster care for

0:19:02.440 --> 0:19:06.600
<v Speaker 1>eighteen months or longer will end up incarcerated by the

0:19:06.640 --> 0:19:11.160
<v Speaker 1>age of twenty five. So, our foster care system, which

0:19:11.359 --> 0:19:14.960
<v Speaker 1>currently has almost half a million children in its custody,

0:19:15.920 --> 0:19:23.720
<v Speaker 1>doesn't create fully functioning adults. It creates prisoners. For an

0:19:23.720 --> 0:19:26.159
<v Speaker 1>economic I believe in economic system.

0:19:26.560 --> 0:19:28.720
<v Speaker 2>It's an economic system. It's a pipeline.

0:19:28.960 --> 0:19:29.720
<v Speaker 1>It's a pipeline.

0:19:29.960 --> 0:19:34.000
<v Speaker 3>Statistic I heard about children who don't learn to read

0:19:34.119 --> 0:19:37.840
<v Speaker 3>by third grade have a higher chance of going into

0:19:37.840 --> 0:19:38.520
<v Speaker 3>prison as well.

0:19:38.640 --> 0:19:38.880
<v Speaker 1>Yep.

0:19:39.400 --> 0:19:42.359
<v Speaker 3>And so when you look at the machinations of how

0:19:42.760 --> 0:19:47.920
<v Speaker 3>lobbying and legislation work and funding education. You learn that

0:19:48.000 --> 0:19:52.040
<v Speaker 3>sometimes certain unions like prison guards unions and sheriffs unions

0:19:52.560 --> 0:20:01.719
<v Speaker 3>who control prisons are lobbying against education developed meant in

0:20:01.920 --> 0:20:06.280
<v Speaker 3>order to build out this pipeline to conditioning system.

0:20:06.880 --> 0:20:09.320
<v Speaker 1>How are you going to have a job if you're

0:20:09.480 --> 0:20:14.639
<v Speaker 1>actually nurturing and loving and encouraging and educating children and

0:20:14.680 --> 0:20:18.959
<v Speaker 1>giving them stability. Yeah, less than five percent of kids

0:20:19.119 --> 0:20:22.120
<v Speaker 1>who are in foster care will ever have a forever family.

0:20:23.160 --> 0:20:27.240
<v Speaker 3>Yeah, there are and systems and cycles of generational trauma

0:20:27.880 --> 0:20:32.720
<v Speaker 3>that continue these and I think we have to look

0:20:32.760 --> 0:20:39.280
<v Speaker 3>at what is the responsibility of government with regard to

0:20:40.000 --> 0:20:43.880
<v Speaker 3>these cycles. Do we let them continue to play out

0:20:43.960 --> 0:20:47.800
<v Speaker 3>or do we try to repair them? And you know

0:20:47.920 --> 0:20:52.800
<v Speaker 3>whose responsibility is the repair? Is it our responsibility to

0:20:52.920 --> 0:20:55.800
<v Speaker 3>taxpayers to continue to pay for prisons or should we

0:20:55.880 --> 0:20:58.199
<v Speaker 3>be paying for the repair?

0:20:59.240 --> 0:21:02.280
<v Speaker 1>Is it our response one's ability as taxpayers to continue

0:21:02.280 --> 0:21:04.399
<v Speaker 1>to fund foster care that doesn't work?

0:21:05.040 --> 0:21:09.160
<v Speaker 2>Understood? Why do these inadequacies persist.

0:21:08.960 --> 0:21:12.800
<v Speaker 1>Because they're self governed, because there's no oversight, there is

0:21:12.920 --> 0:21:16.360
<v Speaker 1>no holding accountable, there are no checks and balances, There

0:21:16.440 --> 0:21:19.879
<v Speaker 1>is no one that holds that system or holds the

0:21:19.920 --> 0:21:24.240
<v Speaker 1>prison system accountable. They're not accountable to anyone but themselves.

0:21:25.240 --> 0:21:29.919
<v Speaker 3>My thought is, how do we develop a world, and

0:21:30.000 --> 0:21:35.200
<v Speaker 3>certainly this country, a country that supports families such that

0:21:35.960 --> 0:21:39.800
<v Speaker 3>the foster care system is dramatically reduced.

0:21:40.320 --> 0:21:44.080
<v Speaker 1>What a beautiful idea. How do we support families? How

0:21:44.119 --> 0:21:48.160
<v Speaker 1>do we support dads so that they know that they

0:21:48.160 --> 0:21:52.200
<v Speaker 1>are vital and a necessary part of the equation. How

0:21:52.240 --> 0:21:55.399
<v Speaker 1>do we break addictions? How do we heedal souls so

0:21:55.440 --> 0:21:58.159
<v Speaker 1>that people aren't running to the pipe or the bottle

0:21:58.200 --> 0:22:01.360
<v Speaker 1>to numb themselves. Do we do these things? I don't know.

0:22:02.119 --> 0:22:05.480
<v Speaker 2>I don't know either. I just know that love is

0:22:05.560 --> 0:22:06.400
<v Speaker 2>part of the equation.

0:22:07.119 --> 0:22:09.720
<v Speaker 1>It is the equation. It is the equation.

0:22:10.680 --> 0:22:14.760
<v Speaker 3>Yeah, yeah, social justice shine is part of that. It

0:22:14.840 --> 0:22:17.040
<v Speaker 3>was a special meeting that I had. A friend of

0:22:17.080 --> 0:22:24.000
<v Speaker 3>mine invited me to the most amazing retreat in the Caribbean.

0:22:24.040 --> 0:22:27.639
<v Speaker 3>It was Necker Island. This is Richard Branson's private island.

0:22:28.440 --> 0:22:36.200
<v Speaker 3>And the attendees were executives from huge companies and scientists

0:22:36.320 --> 0:22:43.560
<v Speaker 3>from the biggest and brightest research universities and some investors

0:22:43.880 --> 0:22:48.919
<v Speaker 3>who you know have paved the way for lots of companies.

0:22:49.920 --> 0:22:53.359
<v Speaker 3>And I had the opportunity to meet Nubar Afayen, who

0:22:53.440 --> 0:22:59.680
<v Speaker 3>is the CEO of Flagship Pioneerings Health Solutions. I would

0:22:59.680 --> 0:23:04.400
<v Speaker 3>say biotech company. They were the ones that created Maderna.

0:23:05.480 --> 0:23:09.560
<v Speaker 3>And in conversation with him, he shared with me that

0:23:09.680 --> 0:23:14.280
<v Speaker 3>he was a co founder of an organization called the

0:23:14.359 --> 0:23:19.200
<v Speaker 3>Aurora Prize for Humanity. And as he was explaining to

0:23:19.240 --> 0:23:24.840
<v Speaker 3>me the amazing work that they do to award humanitarians

0:23:25.520 --> 0:23:30.920
<v Speaker 3>who are engaged in the most impossible mission to save

0:23:31.040 --> 0:23:38.439
<v Speaker 3>lives and transform their countries or their communities, I was

0:23:38.480 --> 0:23:44.800
<v Speaker 3>inspired to write a song to amplify that work, the

0:23:44.840 --> 0:23:49.639
<v Speaker 3>work of the Aurora Prize, and I wrote Shine after

0:23:49.760 --> 0:23:54.000
<v Speaker 3>learning of several of the recipients of the Aurora Prize.

0:23:54.359 --> 0:23:57.000
<v Speaker 1>So tell me about some of the recipients that stand

0:23:57.040 --> 0:23:57.800
<v Speaker 1>out in your heart.

0:23:58.400 --> 0:24:06.879
<v Speaker 3>Oh wow, there are folks who in the Congo doctor

0:24:06.880 --> 0:24:14.800
<v Speaker 3>Dennis mcquiga, who stood up a hospital to rescue victims

0:24:14.800 --> 0:24:20.000
<v Speaker 3>of violence. There is constant war at the border between

0:24:20.040 --> 0:24:24.680
<v Speaker 3>Rwanda and the Democratic Republic of Congo. And this constant

0:24:24.720 --> 0:24:32.000
<v Speaker 3>war is over land. And the land that is being

0:24:32.840 --> 0:24:37.880
<v Speaker 3>fought for isn't necessarily the war that's happening is not

0:24:37.920 --> 0:24:44.520
<v Speaker 3>necessarily a war between the citizens of the Congo or Rwanda.

0:24:45.240 --> 0:24:49.399
<v Speaker 3>It is a war between the US, Russia and China

0:24:49.840 --> 0:24:56.119
<v Speaker 3>for minerals that exist in this land, so our systems

0:24:56.760 --> 0:25:03.040
<v Speaker 3>higher mercenary militaries to fight over land to keep the

0:25:03.200 --> 0:25:08.080
<v Speaker 3>land in a vague question of ownership, so that mining

0:25:08.480 --> 0:25:13.200
<v Speaker 3>can happen while there is no rightful owner to the land.

0:25:13.280 --> 0:25:14.480
<v Speaker 2>If that makes any sense.

0:25:14.600 --> 0:25:17.399
<v Speaker 1>Oh, I know all about it, okay.

0:25:17.480 --> 0:25:20.720
<v Speaker 3>So and as we you know, I mean, we're here

0:25:20.760 --> 0:25:23.800
<v Speaker 3>talking to one another on technology that requires the minerals

0:25:23.800 --> 0:25:29.399
<v Speaker 3>that being mined. But the violence and the death and

0:25:29.440 --> 0:25:32.760
<v Speaker 3>the destruction doesn't have to happen. But doctor Dennis mcquagey

0:25:33.440 --> 0:25:39.200
<v Speaker 3>is helping to heal the people who are harmed during

0:25:39.240 --> 0:25:44.000
<v Speaker 3>these conflicts, and in particular repairing women who have been

0:25:44.760 --> 0:25:49.920
<v Speaker 3>damaged by sexual violence in these wars, in these conflicts.

0:25:51.000 --> 0:25:53.680
<v Speaker 3>And in order for him to continue doing his work,

0:25:54.600 --> 0:25:57.560
<v Speaker 3>you know, there's got to be some source of support.

0:25:57.960 --> 0:26:02.840
<v Speaker 3>And Aurora Prize has awarded him. It's a significant purse

0:26:03.160 --> 0:26:04.840
<v Speaker 3>in order to continue this work.

0:26:05.480 --> 0:26:08.440
<v Speaker 1>Have you ever heard of the book God Sleeps in Rwanda?

0:26:09.200 --> 0:26:11.000
<v Speaker 2>No, but I will finally read it.

0:26:11.560 --> 0:26:14.399
<v Speaker 1>Read it. Two things I will I will ask you

0:26:14.480 --> 0:26:18.760
<v Speaker 1>to explore. One is a movie called Sometimes in April,

0:26:19.560 --> 0:26:22.400
<v Speaker 1>mm hmm. And one is a book that's called God

0:26:22.480 --> 0:26:23.760
<v Speaker 1>Sleeps in Rwanda.

0:26:24.480 --> 0:26:25.480
<v Speaker 2>Yeah, I'll find it.

0:26:25.880 --> 0:26:30.600
<v Speaker 3>Thank you when you when you hear of the struggle

0:26:31.359 --> 0:26:34.480
<v Speaker 3>that people are going through in so many other parts

0:26:34.480 --> 0:26:39.359
<v Speaker 3>of the world, and not for any other reason than

0:26:40.520 --> 0:26:45.919
<v Speaker 3>the read of the Western world, it just it tears

0:26:45.960 --> 0:26:47.919
<v Speaker 3>me apart. It breaks my heart, and it makes me

0:26:48.040 --> 0:26:52.360
<v Speaker 3>feel more compelled to be as vocal as and and

0:26:52.480 --> 0:26:54.800
<v Speaker 3>loud and as much of an ally and a stand

0:26:55.520 --> 0:27:01.160
<v Speaker 3>for them as possible. Had the opportunity to sing at

0:27:01.280 --> 0:27:06.800
<v Speaker 3>the Legal Defense Fund gala recently, and in the audience

0:27:07.119 --> 0:27:12.919
<v Speaker 3>was Tim Cook. And as we started dinner after some

0:27:13.040 --> 0:27:16.680
<v Speaker 3>of the discussions that happened on stage, many people were

0:27:16.680 --> 0:27:19.600
<v Speaker 3>walking up to Tim Cook to take a picture and.

0:27:20.080 --> 0:27:21.720
<v Speaker 2>Get a moment with him.

0:27:22.840 --> 0:27:27.879
<v Speaker 3>And I noticed the crowd and I thought, hmm, I

0:27:27.880 --> 0:27:29.439
<v Speaker 3>should go stand in that crowd. I'm going to get

0:27:29.440 --> 0:27:31.959
<v Speaker 3>close to Tim, but I'm not going to take a photo.

0:27:33.480 --> 0:27:38.520
<v Speaker 3>I am going to ask for his help in pushing

0:27:38.560 --> 0:27:42.560
<v Speaker 3>for a conversation with his competitors and colleagues in the

0:27:42.600 --> 0:27:49.200
<v Speaker 3>technology world to be more vigilant about conflict minerals.

0:27:50.320 --> 0:27:53.040
<v Speaker 2>I mean, who else can do it.

0:27:53.040 --> 0:27:57.760
<v Speaker 3>It has to come down to either we as the consumers,

0:27:58.480 --> 0:28:02.280
<v Speaker 3>deciding that we don't want products with blood in them.

0:28:02.720 --> 0:28:05.720
<v Speaker 3>And so my job is to make sure more people know.

0:28:06.359 --> 0:28:07.399
<v Speaker 3>It has to start.

0:28:07.160 --> 0:28:11.840
<v Speaker 1>Somewhere, sing, sing, sing, right, because you have such a

0:28:11.880 --> 0:28:19.760
<v Speaker 1>beautiful voice and such a clarity of understanding of how

0:28:19.800 --> 0:28:24.280
<v Speaker 1>evil evil is. It doesn't care, Evil doesn't care, and

0:28:24.320 --> 0:28:26.600
<v Speaker 1>it just breaks my heart.

0:28:27.240 --> 0:28:30.080
<v Speaker 3>But you know we have we can, we can love

0:28:30.119 --> 0:28:32.440
<v Speaker 3>will conquer evil. I really truly believe it.

0:28:32.400 --> 0:28:33.919
<v Speaker 1>Is I do do.

0:28:34.280 --> 0:28:38.200
<v Speaker 3>It takes all of all of our attention and concerted effort,

0:28:38.480 --> 0:28:42.760
<v Speaker 3>and right now we're very distracted. So my job with

0:28:42.880 --> 0:28:46.640
<v Speaker 3>this megaphone is to say, hey, guys, look over this way.

0:28:47.720 --> 0:28:50.720
<v Speaker 1>I'm learning much about Alo Black, his music and his

0:28:50.840 --> 0:28:54.080
<v Speaker 1>dreams of making a difference in inspiring others to do

0:28:54.160 --> 0:28:57.120
<v Speaker 1>the same. We have much much more to talk about

0:28:57.320 --> 0:29:00.400
<v Speaker 1>right after I share a little bit about it. Another

0:29:00.680 --> 0:29:07.360
<v Speaker 1>sponsor that makes this podcast possible. 'tis the season for

0:29:07.560 --> 0:29:13.160
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<v Speaker 1>of Bigelow tea during the hustle and bustle of your

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<v Speaker 1>busy life. Bigelow has the perfect blend for every me

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<v Speaker 1>moment I can carve out. Constant comment is a constant

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<v Speaker 1>But there are so many other fabulous flavors, one for

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<v Speaker 1>every mood. Maybe you're feeling a little ginger snappish, or

0:29:45.440 --> 0:29:49.800
<v Speaker 1>perhaps it's an eggnog kind of day. Salted caramel or

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<v Speaker 1>hot cinnamon maybe your go too, but let's not forget

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<v Speaker 1>and feel the day's tensions drain away with every sumptuous sip.

0:30:06.960 --> 0:30:09.320
<v Speaker 1>While the cold weather is upon us and your to

0:30:09.400 --> 0:30:13.080
<v Speaker 1>do list is growing, take as many me moments as

0:30:13.120 --> 0:30:18.400
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0:30:28.680 --> 0:30:32.720
<v Speaker 1>big alo b I G E l O W t

0:30:32.880 --> 0:30:37.000
<v Speaker 1>e A dot com. So did you get to Whisper

0:30:37.040 --> 0:30:38.320
<v Speaker 1>and Tim Cook's here and say.

0:30:38.200 --> 0:30:39.960
<v Speaker 2>Hey, that was that?

0:30:40.120 --> 0:30:42.760
<v Speaker 3>Was My sole mission of getting up from my seat

0:30:42.840 --> 0:30:45.560
<v Speaker 3>and my dinner was to go and make sure that

0:30:45.640 --> 0:30:48.520
<v Speaker 3>he knew and I couldn't leave that room without doing it,

0:30:48.520 --> 0:30:50.880
<v Speaker 3>it would not be from all of the things. So

0:30:51.200 --> 0:30:54.040
<v Speaker 3>I was a mentee of Harry Belafonte, rest in peace,

0:30:54.760 --> 0:30:56.520
<v Speaker 3>and from everything that I knew.

0:30:56.640 --> 0:31:03.520
<v Speaker 1>I was a crush on Harry Belafonte. Okay, what a

0:31:03.560 --> 0:31:04.480
<v Speaker 1>beautiful man.

0:31:05.320 --> 0:31:08.880
<v Speaker 3>Everything that I knew about him and what he stands

0:31:08.920 --> 0:31:13.960
<v Speaker 3>for and how he operated compelled me to make that statement.

0:31:13.960 --> 0:31:16.840
<v Speaker 3>And should I have the opportunity to speak to Satya

0:31:16.880 --> 0:31:24.160
<v Speaker 3>Nadella or to you know, anyone else in these lofty positions,

0:31:24.640 --> 0:31:29.040
<v Speaker 3>I'm going to state the case so that when they leave,

0:31:29.160 --> 0:31:33.600
<v Speaker 3>they are present to their complicit behavior.

0:31:34.240 --> 0:31:37.400
<v Speaker 2>And so that should they disregard it, that's on them.

0:31:37.720 --> 0:31:38.640
<v Speaker 1>That's on them.

0:31:38.960 --> 0:31:40.080
<v Speaker 2>But they are present to it.

0:31:40.520 --> 0:31:45.560
<v Speaker 1>Amen, A voice of one crying in the desert, that's

0:31:45.640 --> 0:31:46.120
<v Speaker 1>what you are.

0:31:46.680 --> 0:31:49.479
<v Speaker 3>Well, I'm not just one. I just I might be

0:31:49.480 --> 0:31:51.640
<v Speaker 3>in a unique position. I'm not the only one, though

0:31:51.640 --> 0:31:55.480
<v Speaker 3>there are others. Hopefully we can all sing a chorus.

0:31:55.600 --> 0:32:00.840
<v Speaker 1>Yeah, well, keep shining and keep singing, and keep keep rattling,

0:32:02.120 --> 0:32:06.760
<v Speaker 1>keep rattling the cage and speaking out and saying for me,

0:32:07.000 --> 0:32:10.640
<v Speaker 1>it's kids. I mean, it breaks my heart what we're

0:32:10.640 --> 0:32:13.320
<v Speaker 1>doing to the environment. It breaks my heart. What's happening

0:32:13.400 --> 0:32:17.720
<v Speaker 1>to see mammals into sea creatures and to the bees.

0:32:17.840 --> 0:32:21.240
<v Speaker 1>There's so much that breaks my heart. But my energy

0:32:21.280 --> 0:32:25.720
<v Speaker 1>goes into the kids. My energy goes into the kids

0:32:25.760 --> 0:32:29.480
<v Speaker 1>and letting them have a voice, and letting them have

0:32:30.200 --> 0:32:36.640
<v Speaker 1>dignity and letting them have access to life in its fullest. Yeah.

0:32:36.840 --> 0:32:40.440
<v Speaker 3>Yeah, they they deserve to have, you know, clean air,

0:32:40.480 --> 0:32:43.200
<v Speaker 3>clean water, fresh organic produce.

0:32:43.400 --> 0:32:46.600
<v Speaker 1>Love, safety, security, Yeah.

0:32:46.760 --> 0:32:49.160
<v Speaker 2>Joy really, joy is a human right.

0:32:49.760 --> 0:32:53.640
<v Speaker 1>But I'm excited about your music. I'm excited about the album.

0:32:53.840 --> 0:32:55.920
<v Speaker 1>Tell me the name of the album and the project again.

0:32:56.120 --> 0:33:00.200
<v Speaker 3>The name of the album is Stand Together, and one

0:33:00.240 --> 0:33:02.600
<v Speaker 3>of the songs on the album is called Shine. It

0:33:02.680 --> 0:33:07.160
<v Speaker 3>was written inspired by the Aurora Prize for Humanity, which

0:33:07.200 --> 0:33:12.720
<v Speaker 3>is an organization that awards humanitarians who are facing mortal

0:33:12.800 --> 0:33:18.480
<v Speaker 3>danger to transform their communities and their regions and their countries.

0:33:18.920 --> 0:33:22.680
<v Speaker 3>A really noble organization helping really noble people.

0:33:23.440 --> 0:33:26.120
<v Speaker 1>Well, thank you, Thank you for using your megaphone, your

0:33:26.120 --> 0:33:27.200
<v Speaker 1>beautiful voice.

0:33:27.800 --> 0:33:31.880
<v Speaker 2>Thank you for giving me the chance to share amplify.

0:33:32.920 --> 0:33:36.240
<v Speaker 1>The album. Good Things came out in twenty eleven. The

0:33:36.360 --> 0:33:39.040
<v Speaker 1>single I Need a Dollar used as a theme song

0:33:39.200 --> 0:33:42.920
<v Speaker 1>to HBO's How to Make It in America. Several more

0:33:43.000 --> 0:33:46.560
<v Speaker 1>singles on the album charted in the UK. Wake Me

0:33:46.720 --> 0:33:50.480
<v Speaker 1>Up with Swedish performer Ravici reached number one in one

0:33:50.560 --> 0:33:54.360
<v Speaker 1>hundred and three countries. Thank you, Alo for spending time

0:33:54.400 --> 0:33:57.880
<v Speaker 1>with us today. If you didn't know Alo Black's name

0:33:57.960 --> 0:34:01.680
<v Speaker 1>before today, you certainly knew his music and now no

0:34:01.840 --> 0:34:05.200
<v Speaker 1>his heart, his compassion. He is committed to making a

0:34:05.280 --> 0:34:09.000
<v Speaker 1>positive difference in the world. He just announced his new

0:34:09.040 --> 0:34:13.400
<v Speaker 1>album Stand Together with a performance of the single Don't

0:34:13.400 --> 0:34:18.000
<v Speaker 1>Go Alone on Good Morning America this past Friday, December thirteenth.

0:34:18.360 --> 0:34:22.160
<v Speaker 1>The album comes out soon, so be watching and waiting

0:34:22.239 --> 0:34:25.399
<v Speaker 1>for that happy news early in the coming year. By

0:34:25.440 --> 0:34:29.760
<v Speaker 1>shining such a bright light and important social issues, Alo

0:34:29.880 --> 0:34:34.360
<v Speaker 1>hopes to empower individuals and communities, reminding us all of

0:34:34.400 --> 0:34:39.200
<v Speaker 1>our shared responsibility to uplift one another and contribute to

0:34:39.280 --> 0:34:43.839
<v Speaker 1>a brighter future. That sounds familiar. To put it another way,

0:34:44.640 --> 0:34:48.560
<v Speaker 1>love someone, God bless you, and I'll see you next time.

0:34:48.760 --> 0:34:50.880
<v Speaker 1>Un Love someone with the lailah