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Speaker 1: I'm asleep on the bus, and I can tell you

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Speaker 1: what bunk I'm in, because when the struggles happen and

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Speaker 1: you're out there on the road, nothing's going your way.

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Speaker 1: You don't have a song on the radio, nobody barely

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Speaker 1: knows your name, and you're trying to make ends meet.

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Speaker 1: Chris wakes me up. He's just pressing you got to

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Speaker 1: wake up. Bobby Bones just played our song on the radio.

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Speaker 2: Welcome to episode five hundred, which is pretty wild. Five

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Speaker 2: hundred episodes of the Bobby Cast, which for the most

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Speaker 2: part has been a once a week show sitting down

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Speaker 2: pretty much for an hour of time with an artist,

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Speaker 2: which is also songwriters and producers. That's all artists to me.

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Speaker 2: But five hundred episodes, and we thought about making it

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Speaker 2: this massive deal and blowing it out and having a

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Speaker 2: streamer or something to throw, but that wouldn't be how

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Speaker 2: we do this show. We sit down and we just

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Speaker 2: talk with folks and grind it out and learn about people. Luckily,

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Speaker 2: five hundred was Friends of Mine, which is pretty cool.

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Speaker 2: It's low cash and I believe was pressing on by

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Speaker 2: himself back in the day, yeah, way back like in

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Speaker 2: the thirty episode range, like zero thirty. Yeah, that's crazy.

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Speaker 2: That's a long time movie. What house the second house,

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Speaker 2: so not the condo that flooded, the one after that,

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Speaker 2: the one that I had to move to because the

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Speaker 2: condo flooded wherever they had to come in and walk upstairs. Yeah, dang,

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Speaker 2: that's crazy. So this is episode five hundred. Thank you

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Speaker 2: guys for your support. We really appreciate it. Thanks for

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Speaker 2: sharing on your Instagram stories and tagging people in this episode. Again,

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Speaker 2: it's cool because it is my friends from low Cash Instagram.

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Speaker 2: At low Cash, they have a new song, well it's

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Speaker 2: about to that'd be number one. It's their newest single

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Speaker 2: called Hometown Home. We'll talk about that. They have a

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Speaker 2: song called Isn't She Country, which is Isn't She Lovely?

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Speaker 2: Isn't She count? Where they took that melody and they

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Speaker 2: talked about, you know, some of the feedback and even

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Speaker 2: backlash to that, which, of course, if you do anything,

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Speaker 2: anybody's gonna be mad about everything. The world's crazy now.

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Speaker 2: But low Cash, I Love This Live was their first

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Speaker 2: massive hit. Thing went platinum. They have one big country

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Speaker 2: song I know somebodies, they have multiple number ones. Just

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Speaker 2: a little about them that we didn't talk about here

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Speaker 2: because I've talked about it with them many times in

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Speaker 2: other places. They met as DJ's like a wick of DJs.

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Speaker 2: I'm not a DJ, the real DJ, I guess music DJs. Yeah,

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Speaker 2: so they got together. They taught dance lessons at for us.

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Speaker 2: It was called Electric Cowboy, but it was one of

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Speaker 2: those type places here where they would do country music

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Speaker 2: and then play like some hip hop stuff as well.

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Speaker 2: So they were DJing and also teaching like line dance lessons,

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Speaker 2: but they were both, you know, super musical, became a duo,

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Speaker 2: had number ones. They used to be called Low Cash

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Speaker 2: Boys in twenty fifteen, so the first couple of years

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Speaker 2: that we knew them, they were the low Cash cowboys.

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Speaker 2: But they're not called low cash. It doesn't even feel

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Speaker 2: right to say cowboys anymore.

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Speaker 3: It's just low cash.

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Speaker 2: It sounds kind of cool, yeah, I guess. I guess

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Speaker 2: it took forever to just say low cash and it

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Speaker 2: not feel weird. Now. It feels weird that they were

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Speaker 2: the low Cash cowboys because it's been so long that

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Speaker 2: start their own record label. They're killing them. It's really cool.

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Speaker 2: And so also just we don't mention this either, but

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Speaker 2: you know they wrote hits for other artists. They wrote

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Speaker 2: Keith Urban, You're gonna We're Gonna fly and Tim McGraw truck. Yeah,

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Speaker 2: and all right, that's what's up here. They are anything

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Speaker 2: I forgot, Mike, that's it. Big fans. They even know

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Speaker 2: my teams, my sports teams. They brought me some pretty

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Speaker 2: cool gifts sports related. And here they are low cash

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Speaker 2: cowboys hot, just getting low cash.

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Speaker 4: This is cozy in here too. I'm already getting cozy

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Speaker 4: over here. It's a pickle vault.

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Speaker 2: Yeah, it's awesome. It's just we're ready for it to

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Speaker 2: get warm again. It's been it got We built it

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Speaker 2: and then we had like a month and a half

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Speaker 2: and then it got cold.

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Speaker 1: So those posts when you were building it were great too.

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Speaker 2: You know, we weren't. We didn't actually build it. No, Michael,

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Speaker 2: you rolling, Okay, No, don't tell me this. So the

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Speaker 2: truth is, but it's an insight. It's a joke that

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Speaker 2: a lot of people have been in on, including a

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Speaker 2: very select group of listeners. So what happens was in

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Speaker 2: my career, I've done this a few times where I

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Speaker 2: will get on and I don't I don't. I don't

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Speaker 2: hide it from everybody, But I got on a couple

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Speaker 2: times and said, hey, Eddie and I are never building

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Speaker 2: this pickleball court, Like we will destroy my property. Yeah,

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Speaker 2: like I don't even know the art because I'll kill you.

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Speaker 2: Like there was a time where I did maintenance and

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Speaker 2: worked on lawnmowers, and then I worked at a marina

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Speaker 2: and worked on boats. But now it will explode if

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Speaker 2: I touch it. I'm so out of touch with anything

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Speaker 2: to do with my hands anymore.

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Speaker 1: I was so impressed. Thank you.

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Speaker 2: Well, we didn't build it at all, So we told

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Speaker 2: our listeners, as it's being built, we're gonna go take

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Speaker 2: pictures with it, because we'd work out and be all sweaty,

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Speaker 2: and then we'd walk over after the crew was done.

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Speaker 2: The guys that built that would build it every day

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Speaker 2: and then we would just get on the machine to

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Speaker 2: take pictures. And we told the listeners that were in

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Speaker 2: on the joke, you had to be waiting related in

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Speaker 2: the morning. We said, when you see it, we need

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Speaker 2: you to cover for us. Go and comment like crazy,

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Speaker 2: it looks so good. It looks so good because the

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Speaker 2: people that don't believe us will be like, this ain't true,

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Speaker 2: but it's so covered up in comments. So it's funny

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Speaker 2: that you say that because the pickleball court, they did

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Speaker 2: a great job.

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Speaker 1: It looks awesome, right, it's incredible, incredible. So I thought

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Speaker 1: you did a great job.

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Speaker 4: Your team is actually covering you up there is they

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Speaker 4: said you did it.

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Speaker 2: They know better, we.

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Speaker 1: Want Literally we walked in and Chris is like, Bobby's

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Speaker 1: got a pickleball court, and I was.

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Speaker 2: Like, he built it with my own two hands.

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Speaker 1: I said it right out there.

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Speaker 2: I was bragging, and our listeners protected us, and my

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Speaker 2: guys know, but one of I guess two of my

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Speaker 2: friends that come and play a lot, I've forgotten. Not

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Speaker 2: everybody knew the joke. I really thought the people that

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Speaker 2: knew me knew. There was no chance I was building

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Speaker 2: that thing. That thing would have been concrete, lopsided in

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Speaker 2: a bit bubbles. I don't even know how you make bubble.

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Speaker 3: Also, I was thinking when they told me.

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Speaker 4: That was like, how did you have time to build that?

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Speaker 2: Also a valid point. But like George Burgh, very close

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Speaker 2: friend who comes to places all the time, was like

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Speaker 2: all city tennis player, right, also a great athlete. He

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Speaker 2: one day randomly he was like, I just can't believe

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Speaker 2: this is holding up so well with you and Eddie,

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Speaker 2: and I'm like, oh my god, that's what I would say.

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Speaker 2: I was like, I can't believe you thought we built that.

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Speaker 2: I see, but George has been playing on it. So

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Speaker 2: Gator was like, you guys really did These are people

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Speaker 2: that know me and know that there's no chance.

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Speaker 3: Thank you.

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Speaker 2: So some listeners myself, I mean, Eddie and I were

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Speaker 2: like getting in the track. I mean we were getting

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Speaker 2: in like the I don't even know if they're called

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Speaker 2: that's how, No way we did that. So but uh,

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Speaker 2: it's really cool.

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Speaker 1: I mean I was thinking I was talking to a

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Speaker 1: wife about how it must you must be level. How

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Speaker 1: do you find a level that large?

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Speaker 2: Like, great question.

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Speaker 1: I can let you.

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Speaker 2: Know after this, I'll take you back and show what

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Speaker 2: we did. This is great. I think a couple of

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Speaker 2: times too, we had posted pictures that we were like, yeah,

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Speaker 2: we were doing this, but we were totally wrong and

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Speaker 2: even how we were lying about it, and a couple

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Speaker 2: people called us out on it, like that's not how

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Speaker 2: it says. We took the pic. We took the post

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Speaker 2: down and changed it real quick. So I'm so glad

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Speaker 2: you're telling me this because most people don't know. We're

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Speaker 2: about two months from my wife finding me in the

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Speaker 2: backyard trying it.

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Speaker 1: Because I'm like, Bobby did it, I.

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Speaker 2: Could do this.

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Speaker 4: You may have broke his heart because he looked at me.

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Speaker 3: He's like, he built it.

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Speaker 2: He built that, and you know the greatest, the greatest

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Speaker 2: lies have a little bit of truth. We did strength.

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Speaker 2: We did get the part of the net. There you go, right, okay,

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Speaker 2: And we also admitted we didn't do the lights. We

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Speaker 2: had light guys. We were like, we're not gonna lie.

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Speaker 2: We got on. We were like, we're not gonna lie.

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Speaker 2: We're building the court, but we don't know how to

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Speaker 2: do electric We're not doing electricity lights. So we had

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Speaker 2: people can put lights in. So then people were like, well,

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Speaker 2: of course they're not lying if they're admitting that somebody

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Speaker 2: put the lights in.

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Speaker 1: It was just one of my favorite parts because I'm

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Speaker 1: a tennis player.

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Speaker 2: I didn't put the lights away. I just did the court.

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Speaker 1: When there's no lights on tennis courts, you're done at

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Speaker 1: six o'clock period. So that was one of my favorite features.

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Speaker 2: Thank you what. I gotta admit all the rest it did.

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Speaker 2: The lights I didn't do. We have a drone up

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Speaker 2: date kind of I have to tell you of all

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Speaker 2: the year.

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Speaker 1: Okay, I couldn't understand why you didn't just shoot it

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Speaker 1: with the shotgun.

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Speaker 2: I did look it up. I did see if I could.

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Speaker 1: Shoot, and what was your findings?

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Speaker 2: Illegal? Really the only thing that you can Yeah, yeah,

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Speaker 2: you can't shoot a drone.

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Speaker 1: I'm so glad you told me this.

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Speaker 2: I googled it because I was going to do that.

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Speaker 2: The only thing I worried about was we have houses

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Speaker 2: near us.

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Speaker 1: I was going to text you and offer.

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Speaker 2: Yeah, and I appreciate that, and you could have. I'd

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Speaker 2: have showed you how to build a pick a ball

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Speaker 2: court when you came over. The big drones too, like

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Speaker 2: not huge lit little dribblers, big drones over the house.

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Speaker 2: And so I was like, how do What can I

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Speaker 2: even do about it? You can't shoot them federal law,

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Speaker 2: you can't shoot in the air. Really, but you can't

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Speaker 2: shoot because you don't know what the drone is doing.

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Speaker 2: It could be, uh, the police looking for something, So

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Speaker 2: you're shooting at something you don't know what it is,

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Speaker 2: even though if it's over your stuff, you can't do it. Secondly,

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Speaker 2: you have to you can call the cops. You can

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Speaker 2: put up signs that say no drone zone, but I

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Speaker 2: don't know a single drone is gonna like see the

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Speaker 2: sign is your property, but it doesn't have to be

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Speaker 2: right over to see the whole thing. It can be

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Speaker 2: like on the edge and you don't own airspace. I

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Speaker 2: learned this. And fourthly, you can launch a counter drone,

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Speaker 2: which is what we did. We bought a drone and

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Speaker 2: then we started flying at practicing to launch the counter drone.

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Speaker 2: But then it got cold and wear whips, so we

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Speaker 2: quit counter with your drone. We haven't done it yet

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Speaker 2: now it got cold. That yes, So it's really we've

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Speaker 2: been kind of like.

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Speaker 3: What is that the EMP thing that you show?

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Speaker 2: We're just gonna take video of it, see what it

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Speaker 2: is and there what's up to maybe have a little

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Speaker 2: talk up there or just bump it. Yeah, it's big

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Speaker 2: our drones like when you buy it on Amazon that

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Speaker 2: the drone they have is like a VW beetle like

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Speaker 2: that big. Yeah. And I will give you a theory

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Speaker 2: once we get off the air that I was told is.

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Speaker 4: This like the same stuff that has been in New Jersey.

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Speaker 4: There was the size of a car. Those were big. Yeah.

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Speaker 2: Yeah, there's a big m if I said, I don't

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Speaker 2: want to be the guy that pushes along. I don't

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Speaker 2: want to be mister disinformation unless it has to pick

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Speaker 2: a ball. Yeah, but then I've already let people know

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Speaker 2: as a joke to begin with. So right, yeah, good time.

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Speaker 1: I can't believe that. Okay, great to see you too.

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Speaker 1: I'm heartbroken about pick a ball.

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Speaker 2: But you shouldn't be. Just know you're not lesser because

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Speaker 2: you can't do that. That's what you should take from it.

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Speaker 1: That's right.

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Speaker 4: It means you can do it.

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Speaker 2: No, No, that means don't feel like you have to

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Speaker 2: do it.

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Speaker 1: I mean I was wondering how it wasn't going to

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Speaker 1: crack and do all kinds. I mean I was researching it.

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Speaker 2: I got a lot of notes I took while I

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Speaker 2: was doing it. I can pass him over to you.

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Speaker 4: Yeah, yeah, yeah, he will try and build it in

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Speaker 4: this back.

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Speaker 2: I'm yeah, it's not worth it.

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Speaker 1: I'm not going to now.

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Speaker 2: Yeah, if you want, do you guys play? Uh?

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Speaker 4: Yeah?

251
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Speaker 1: All the time. We carry it on the road with this,

252
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Speaker 1: but we have like this an outline of a court

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Speaker 1: that tapes down so we can get off the bus

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Speaker 1: and trying to bargain up.

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Speaker 2: Oh yeah, I mean that's what we would do until

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Speaker 2: we build this thing. I almost joined, like down at

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Speaker 2: Lifetime because they had an inside pickleball court, and I

258
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Speaker 2: was like, I'll go do this because the weather was crappy,

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Speaker 2: and then the weather got good, so I never joined,

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Speaker 2: and then by the time the weather got bad again,

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Speaker 2: I was like, I got a pickball court. Well, am

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Speaker 2: I gonna go joined?

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Speaker 4: You were.

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Speaker 3: White tense.

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Speaker 2: My wife is not gonna if I.

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Speaker 4: Put ire out there.

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Speaker 2: Yes, if I I've put up a freaking teller. It's

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Speaker 2: a greenhouse, grow your own vegetables in there. She did

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Speaker 2: design it as far as like the colors, because I

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Speaker 2: would have made it like hot red. It'd been like

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Speaker 2: Arkansas red. Yeah, you know, and it had flames. Yeah,

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Speaker 2: I thought so too, Yeah sick, But no, it's it's

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Speaker 2: definitely the colors that she chose go with the house.

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Speaker 1: Okay, I get it. They're very they're classy, they're aesthetically Yeah.

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Speaker 2: So anyway, God bless good to see you guys. Good

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Speaker 2: to see you too. Man, I walked in. Were you

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Speaker 2: up all night last night?

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Speaker 4: Yeah? Me too.

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Speaker 2: Horrible normal for me though not not that it's healthy.

280
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Speaker 2: Or safe or good, But what's up? What's your story?

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Speaker 2: I ate some spicy it didn't go and it kept

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Speaker 2: you out.

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Speaker 1: Chris has this stomach that's like, yeah.

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Speaker 4: I have to eat like bland stuff spice. And I

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Speaker 4: had a sushi roller and I saw spicy tuna. I

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Speaker 4: was like, co, I can handle some spicy tuna. Two

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Speaker 4: hours later just cramping up.

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Speaker 2: You think it was something wrong or do you think

289
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Speaker 2: it was just too spicy your threshold.

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Speaker 4: I was coming off of a Bahamas trip where I

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Speaker 4: drank a lot.

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Speaker 3: Yeah, so also.

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Speaker 1: I'm throwing them under the bus area are different.

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Speaker 3: That's not spicy food.

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Speaker 4: But I ate it last night and I was just

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Speaker 4: like it was. I got up a five point thirty

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Speaker 4: to fly in and it's like, well, I'm i as

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Speaker 4: well to stay up.

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Speaker 2: And stayed up all night. The stomach bug got me

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Speaker 2: in New Orleans pretty bad. I have a I now

301
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Speaker 2: have a week. I say weak, but I've had like

302
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Speaker 2: a real bad digestion digestive system. So do I like

303
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Speaker 2: my whole life with really knowing? Why have you been

304
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Speaker 2: to I've been I've had it like every time.

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Speaker 4: Whatever it is, Yeah, I got it.

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Speaker 2: So whatever it is, that was the deal for me too,

307
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Speaker 2: since I was like seventeen. Yeah, mine, since I was

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Speaker 2: like since I started going to the doctor. But I

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Speaker 2: didn't go to the doctor un till later. But yes,

310
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Speaker 2: since young, and so I just kind of understood I

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Speaker 2: want to eat food, not only that when I eat something,

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00:13:21,080 --> 00:13:23,960
Speaker 2: my stomach protrudes out automatically.

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Speaker 3: I literally just had this conversation with my wife.

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Speaker 2: It's it's unnatural, and I've been ashamed of it my

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Speaker 2: whole life. And I also have had my spleen taken

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Speaker 2: out when I was sick. I have surgery, so I

317
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Speaker 2: had to remove my spleen because I ruptured it. So

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Speaker 2: I have a scar that goes from the bottom of

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Speaker 2: my sternom down to my belt line, and so half

320
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Speaker 2: my belly button's gone. And what I learned in the

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Speaker 2: past five years of all the scar tissue right above

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Speaker 2: my belt line, and I've always been really embarrassed of it,

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Speaker 2: and so part of it is that. And so but

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Speaker 2: my digestion has just been awful, horrible. So I go

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Speaker 2: to the doctor and I I got like colonoskies anddoscopies,

326
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Speaker 2: all this stuff to just make sure that I don't

327
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Speaker 2: have cancer of a lot of in my family and

328
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Speaker 2: I get on chat GPT, which is AI, and I go,

329
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Speaker 2: I was gonna tie some stuff in because I read

330
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Speaker 2: there was a story about a kid who'd been to

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Speaker 2: seventeen doctors. They couldn't figure out why I was in

332
00:14:15,600 --> 00:14:18,559
Speaker 2: had this chronic pain, and he typed his symptoms into

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00:14:18,600 --> 00:14:21,160
Speaker 2: his parents did into chat GPT and I said, oh,

334
00:14:21,200 --> 00:14:24,360
Speaker 2: it's probably this or this, and it was, and it

335
00:14:24,400 --> 00:14:28,440
Speaker 2: was and the doctors did not. Seventeen doctors weren't able

336
00:14:28,440 --> 00:14:29,160
Speaker 2: to identify it.

337
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Speaker 1: I'm going home to type in so many things.

338
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Speaker 2: And it doesn't mean believe it. Yes, So I type in, hey,

339
00:14:36,640 --> 00:14:39,080
Speaker 2: I have a scar. It goes from here to here

340
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Speaker 2: at my spleen taken out if I eat it automatically

341
00:14:43,160 --> 00:14:46,560
Speaker 2: some of petrudes and it goes, oh, well if you

342
00:14:46,600 --> 00:14:48,960
Speaker 2: have a scar, I put it in my voice. But

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00:14:49,040 --> 00:14:51,240
Speaker 2: it's basically, if I have a scar going down, it's

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00:14:51,520 --> 00:14:53,680
Speaker 2: my I probably have scar tissue in here that's pushing

345
00:14:53,720 --> 00:14:57,520
Speaker 2: against my organs, that's not allowing me to digest food normally.

346
00:14:58,440 --> 00:15:01,720
Speaker 2: Never thought that could be it. Yeah, and that's why it.

347
00:15:01,680 --> 00:15:02,760
Speaker 1: Doesn't burn that out.

348
00:15:03,280 --> 00:15:06,720
Speaker 2: If you can, but you have to have surgery. And

349
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Speaker 2: I told My wife was like, well, yeah, you to make.

350
00:15:10,440 --> 00:15:12,520
Speaker 2: That's a good point too. She was like, ge have

351
00:15:12,520 --> 00:15:14,120
Speaker 2: a decision to make, and I swear to God. I said, well,

352
00:15:14,120 --> 00:15:15,600
Speaker 2: I already know my decisions. She goes, what I well,

353
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Speaker 2: I can't do it now. I got pick a ball

354
00:15:16,720 --> 00:15:19,560
Speaker 2: for like five months. So maybe like next winter, I

355
00:15:19,600 --> 00:15:22,320
Speaker 2: work on that digestion and get healthy. Then she's like, great,

356
00:15:22,320 --> 00:15:26,200
Speaker 2: but you're getting older, but you're still healthy, you're in shape,

357
00:15:26,360 --> 00:15:27,320
Speaker 2: You're doing a great job.

358
00:15:27,360 --> 00:15:30,080
Speaker 3: And the good thing is it's not anything deadly serious.

359
00:15:30,560 --> 00:15:36,480
Speaker 2: My biometrics got that my what do you call the

360
00:15:36,600 --> 00:15:40,280
Speaker 2: what do you call like half? My metabolic age is

361
00:15:40,320 --> 00:15:43,560
Speaker 2: twenty nine. Oh there you go, see twenty nine years old?

362
00:15:43,560 --> 00:15:44,280
Speaker 3: What do you find that out?

363
00:15:46,000 --> 00:15:51,520
Speaker 2: Three hours of your physical blood getting anything? Wearing this thing.

364
00:15:53,200 --> 00:15:55,479
Speaker 1: I'm not letting crystal because metaball.

365
00:15:55,200 --> 00:15:58,360
Speaker 2: Hot fries already put in like seventy hot fries alone,

366
00:15:58,400 --> 00:16:00,680
Speaker 2: and that's this thing. Hot fries have driven already.

367
00:16:00,680 --> 00:16:02,080
Speaker 4: I don't eat them as much because I can't find

368
00:16:02,120 --> 00:16:03,680
Speaker 4: him anymore, like they like.

369
00:16:03,640 --> 00:16:04,600
Speaker 2: Gas station hot rise.

370
00:16:04,680 --> 00:16:09,600
Speaker 1: Yeah, like, oh he loves hot fries, one Coca cola day,

371
00:16:09,800 --> 00:16:10,680
Speaker 1: hot hot things.

372
00:16:10,960 --> 00:16:12,920
Speaker 3: Well, now I'm on that probiotic.

373
00:16:14,840 --> 00:16:16,840
Speaker 2: You're talking to like your freaking twin. I want to

374
00:16:16,880 --> 00:16:18,120
Speaker 2: do this to see if your hand moves.

375
00:16:19,680 --> 00:16:21,640
Speaker 3: My stomach is jacked up.

376
00:16:21,680 --> 00:16:24,160
Speaker 4: I can eat anything and it'll just go same.

377
00:16:24,240 --> 00:16:25,200
Speaker 3: And I'm like, I'm not fat.

378
00:16:25,240 --> 00:16:26,960
Speaker 4: I don't understand why I feel fat right now.

379
00:16:27,040 --> 00:16:28,880
Speaker 2: I got so sick of New Orleans. I ate something

380
00:16:28,880 --> 00:16:35,200
Speaker 2: called a mastafa. It's the mahama. It's a sandwich.

381
00:16:35,520 --> 00:16:36,800
Speaker 1: Anything in the Roman gas station.

382
00:16:36,960 --> 00:16:37,200
Speaker 4: Yep.

383
00:16:37,280 --> 00:16:39,120
Speaker 3: I would get reflux just going.

384
00:16:38,920 --> 00:16:41,080
Speaker 2: To New Orleans, like just flying over.

385
00:16:41,360 --> 00:16:44,480
Speaker 1: Yeah, that's like the taqitos from gas station.

386
00:16:44,640 --> 00:16:46,240
Speaker 2: I forget the name of it, but it's some New

387
00:16:46,360 --> 00:16:49,840
Speaker 2: Orleans type. Yeah, sandwich. And we had just finished NFL Honors,

388
00:16:49,840 --> 00:16:51,880
Speaker 2: which is a TV show on Fox and super cool.

389
00:16:51,880 --> 00:16:54,840
Speaker 2: But the Super Bowls there's nowhere you can't get anywhere eat,

390
00:16:55,120 --> 00:16:57,640
Speaker 2: So we ask our driver, hey, can you take us

391
00:16:57,680 --> 00:17:00,040
Speaker 2: somewhere as Eddie and I to we need food. We

392
00:17:00,080 --> 00:17:02,320
Speaker 2: haven't had dinner because the war shows are at weird times,

393
00:17:02,680 --> 00:17:04,720
Speaker 2: and I don't feel comfortable there because I don't know anybody.

394
00:17:04,760 --> 00:17:07,439
Speaker 2: It's not like here or I know everybody, and I

395
00:17:07,480 --> 00:17:09,240
Speaker 2: know kind of the food situation. And in a war

396
00:17:09,280 --> 00:17:11,840
Speaker 2: show where I know when to eat. I did. It's

397
00:17:11,880 --> 00:17:15,359
Speaker 2: all foreign. So I just show up early and don't eat,

398
00:17:15,880 --> 00:17:17,600
Speaker 2: and he's like, yeah, it takes me to a gas station.

399
00:17:17,880 --> 00:17:20,480
Speaker 2: Got so sick, I would never eat it again.

400
00:17:21,640 --> 00:17:23,800
Speaker 1: Okay, So I think I tuned in on the post

401
00:17:23,840 --> 00:17:25,640
Speaker 1: where you had to take a bath in the hotel.

402
00:17:25,920 --> 00:17:28,000
Speaker 2: My hot so there were no hotel rooms in New Orleans,

403
00:17:28,359 --> 00:17:31,200
Speaker 2: so any hotel room was considered luxury, just to get

404
00:17:31,200 --> 00:17:34,280
Speaker 2: a room, and so my stomach was starting so bad.

405
00:17:34,400 --> 00:17:35,800
Speaker 4: It's the only thing I was going to sit in

406
00:17:35,920 --> 00:17:37,960
Speaker 4: a hot bathos to a day.

407
00:17:38,080 --> 00:17:39,760
Speaker 1: And but he showed the bathtub.

408
00:17:40,320 --> 00:17:44,639
Speaker 4: No, it's not good leeches.

409
00:17:45,160 --> 00:17:46,560
Speaker 2: It was it was like I don't even know what

410
00:17:46,560 --> 00:17:48,000
Speaker 2: it was. It was like rust or poop or something.

411
00:17:48,000 --> 00:17:49,080
Speaker 2: I don't know, it don't matter. I had to get

412
00:17:49,119 --> 00:17:51,760
Speaker 2: in immediately. But the bath was the bath was so

413
00:17:51,800 --> 00:17:53,440
Speaker 2: shallow that when I sat in it, the water would

414
00:17:53,440 --> 00:17:55,040
Speaker 2: he may come up to the side of my thigh.

415
00:17:55,480 --> 00:17:58,480
Speaker 2: It was so sh Yeah, I can't even like lay

416
00:17:58,520 --> 00:18:00,480
Speaker 2: down it just the thought of it a bath.

417
00:18:00,600 --> 00:18:02,880
Speaker 4: That's what I did, though. I went in the bathtub

418
00:18:02,920 --> 00:18:04,800
Speaker 4: for about two hours last night and just laid there.

419
00:18:04,880 --> 00:18:05,720
Speaker 3: Yeah, that's why you have to.

420
00:18:05,720 --> 00:18:07,720
Speaker 4: Eat at a certain time, Like I can't eat after seven.

421
00:18:08,800 --> 00:18:11,320
Speaker 2: My schedule is odd because of the hours that I

422
00:18:11,359 --> 00:18:13,120
Speaker 2: wake up, So I think I can't have that built

423
00:18:13,119 --> 00:18:13,600
Speaker 2: in anyway.

424
00:18:13,800 --> 00:18:16,639
Speaker 4: Yeah, but like if I do, I can't sleep.

425
00:18:17,240 --> 00:18:18,320
Speaker 2: And that's what happened last night.

426
00:18:18,800 --> 00:18:21,879
Speaker 4: No, last night, I was thought I was fine and

427
00:18:21,920 --> 00:18:23,800
Speaker 4: then I just ate that in around nine o'clock.

428
00:18:23,880 --> 00:18:25,600
Speaker 2: But if he eat, why did you eat later and

429
00:18:25,680 --> 00:18:26,280
Speaker 2: eat spicy?

430
00:18:26,359 --> 00:18:27,280
Speaker 3: Didn't eat? I didn't eat.

431
00:18:27,320 --> 00:18:29,359
Speaker 4: I was working and I had nothing to do, and

432
00:18:29,400 --> 00:18:30,720
Speaker 4: like like self induced and I do it.

433
00:18:31,560 --> 00:18:34,600
Speaker 2: Yeah, totally, Okay, I feel you. That sucks. I'm sorry

434
00:18:34,600 --> 00:18:35,120
Speaker 2: it does suck.

435
00:18:35,359 --> 00:18:37,000
Speaker 4: I'm glad someone I hate that you're going through it,

436
00:18:37,040 --> 00:18:38,600
Speaker 4: but I'm glad someone else understands that.

437
00:18:38,640 --> 00:18:40,200
Speaker 2: Well, I'm glad you're going through it. So someone understands

438
00:18:40,200 --> 00:18:41,920
Speaker 2: me right exactly now.

439
00:18:41,920 --> 00:18:43,600
Speaker 3: Calling you not him and be like, oh, you know,

440
00:18:43,640 --> 00:18:45,320
Speaker 3: I don't know what that's like. I eat spicy food

441
00:18:45,320 --> 00:18:46,040
Speaker 3: and I'm like, oh cool.

442
00:18:46,119 --> 00:18:47,520
Speaker 2: How often are you guys on the road now?

443
00:18:48,200 --> 00:18:48,960
Speaker 4: A lot? Yeah?

444
00:18:49,200 --> 00:18:50,439
Speaker 3: Right now we're finishing up the.

445
00:18:50,440 --> 00:18:55,560
Speaker 2: Album, uh in one place, like an album in one place.

446
00:18:55,400 --> 00:18:58,320
Speaker 1: Yeah here pretty much cutting most of the stuff here

447
00:18:58,760 --> 00:19:02,479
Speaker 1: and then we're doing our normal tour, and you know,

448
00:19:02,600 --> 00:19:05,040
Speaker 1: just being out on the road making money and trying

449
00:19:05,080 --> 00:19:07,680
Speaker 1: to support the single that's out, you know, Hometown Home

450
00:19:07,760 --> 00:19:11,520
Speaker 1: is out and so and we also launched a record label,

451
00:19:11,640 --> 00:19:15,240
Speaker 1: and so we decided to go back to radio again

452
00:19:15,600 --> 00:19:19,280
Speaker 1: with a radio tour of sorts, not really a real

453
00:19:19,400 --> 00:19:22,600
Speaker 1: radio tour, but going out and doing some radio partnership stuff.

454
00:19:22,800 --> 00:19:24,800
Speaker 1: And so we've been out doing that the last couple

455
00:19:24,840 --> 00:19:25,320
Speaker 1: of months too.

456
00:19:25,440 --> 00:19:27,920
Speaker 2: Last year it was crazy, we were going a lot

457
00:19:28,480 --> 00:19:30,920
Speaker 2: because starting something new you kind of.

458
00:19:30,880 --> 00:19:32,000
Speaker 4: Have to start it over.

459
00:19:32,680 --> 00:19:34,520
Speaker 3: Yep, it's tough, man.

460
00:19:35,320 --> 00:19:36,960
Speaker 2: So tell me about the label.

461
00:19:37,359 --> 00:19:40,280
Speaker 4: It's called Galaxy, and what led to it?

462
00:19:40,720 --> 00:19:42,440
Speaker 2: What did you not know that you know now?

463
00:19:43,080 --> 00:19:46,560
Speaker 1: Well, you know, we were on BMG and they're great man.

464
00:19:46,640 --> 00:19:49,560
Speaker 1: John Loba is a great friend of ours, the head

465
00:19:49,600 --> 00:19:53,760
Speaker 1: of BMG, and we were talking about how, you know,

466
00:19:53,920 --> 00:19:55,800
Speaker 1: you have to stream so many streams a week to

467
00:19:56,520 --> 00:19:59,600
Speaker 1: kind of, i don't know, kind of justified going back

468
00:19:59,640 --> 00:20:00,240
Speaker 1: to radio.

469
00:20:00,960 --> 00:20:03,040
Speaker 2: For them to spend month of the way.

470
00:20:03,119 --> 00:20:04,600
Speaker 1: Yeah, it's kind of the new way, and we get it.

471
00:20:05,520 --> 00:20:10,080
Speaker 1: And so we realized that, you know, being the guys

472
00:20:10,080 --> 00:20:12,040
Speaker 1: that we are, we're sort of born at radio. We

473
00:20:12,119 --> 00:20:15,119
Speaker 1: sort of thrive at radio, and we wanted to go

474
00:20:15,640 --> 00:20:19,159
Speaker 1: back to radio sooner than that, and so we decided

475
00:20:19,720 --> 00:20:23,800
Speaker 1: John LoVa gave us the opportunity to uh leave BMG

476
00:20:24,000 --> 00:20:27,040
Speaker 1: and start our own label with BMG as our distribution,

477
00:20:27,640 --> 00:20:30,280
Speaker 1: and so we're like, man, this could really be an opportunity.

478
00:20:30,640 --> 00:20:34,680
Speaker 1: Beyond low cash, we could sign other artists eventually, and

479
00:20:34,760 --> 00:20:39,640
Speaker 1: so in May of last year we started the negotiations

480
00:20:39,760 --> 00:20:42,320
Speaker 1: and man, it took us a whole year to get

481
00:20:42,320 --> 00:20:45,200
Speaker 1: to It was tough. Uh, it was one whole year

482
00:20:45,600 --> 00:20:49,919
Speaker 1: of just getting out of the deal correctly through the contracts.

483
00:20:50,480 --> 00:20:51,600
Speaker 1: It's starting a new deal.

484
00:20:53,880 --> 00:20:56,040
Speaker 2: Yeah, what's the hardest part about getting out of out

485
00:20:56,040 --> 00:20:56,520
Speaker 2: of something?

486
00:20:56,800 --> 00:20:59,280
Speaker 4: I think you know, you look at what the overhead was,

487
00:20:59,320 --> 00:21:04,520
Speaker 4: what you what you oh recoups and then to make

488
00:21:04,560 --> 00:21:06,240
Speaker 4: sure that you know, we could still do this and

489
00:21:06,280 --> 00:21:08,120
Speaker 4: we're not going to be we could take our songs.

490
00:21:08,200 --> 00:21:10,119
Speaker 4: We got to wait five years for the last album

491
00:21:10,600 --> 00:21:12,840
Speaker 4: and then the first when I Love This Life came

492
00:21:12,880 --> 00:21:16,280
Speaker 4: out that that album was on Reviver and we don't

493
00:21:16,280 --> 00:21:17,760
Speaker 4: even know where a Reviver is, but we still had

494
00:21:17,760 --> 00:21:20,720
Speaker 4: to wait five years for those songs and make sure

495
00:21:20,760 --> 00:21:21,679
Speaker 4: that they're all.

496
00:21:21,560 --> 00:21:23,080
Speaker 1: Five years after the song peaks.

497
00:21:23,160 --> 00:21:25,359
Speaker 2: Yeah, you mean five years before you like, own the

498
00:21:25,480 --> 00:21:27,119
Speaker 2: song or I can.

499
00:21:27,000 --> 00:21:27,679
Speaker 3: Re record it.

500
00:21:27,720 --> 00:21:29,720
Speaker 1: We were smart enough in our very first deal with

501
00:21:29,800 --> 00:21:32,520
Speaker 1: Reviver that we put in the contract five years, five

502
00:21:32,600 --> 00:21:35,359
Speaker 1: years after it peaks, that we could re record it

503
00:21:35,600 --> 00:21:38,760
Speaker 1: and own that master, not the original master, but kind

504
00:21:38,760 --> 00:21:43,000
Speaker 1: of like a tailor and Taylor Swift inspired, you know situation.

505
00:21:43,160 --> 00:21:46,359
Speaker 1: So we wanted to do that, but there was three

506
00:21:46,400 --> 00:21:48,959
Speaker 1: deals with the BMG thing, So we had to have

507
00:21:49,000 --> 00:21:51,879
Speaker 1: one deal that got us off of BMG as an artist,

508
00:21:52,000 --> 00:21:56,560
Speaker 1: another deal that signed Galaxy and BMG as distribution, and

509
00:21:56,600 --> 00:21:59,600
Speaker 1: then a third deal that had low Cash signed to

510
00:21:59,640 --> 00:22:02,680
Speaker 1: Galaxy c BMG, And so all three of those deals

511
00:22:02,680 --> 00:22:06,120
Speaker 1: had to go down at once, and to negotiate those

512
00:22:06,160 --> 00:22:08,000
Speaker 1: it took almost a year. It was crazy.

513
00:22:08,200 --> 00:22:10,560
Speaker 2: The sound that I hear is just attorney fees. Yes,

514
00:22:11,000 --> 00:22:13,560
Speaker 2: uh huh, yes exactly when you say three deals and

515
00:22:13,560 --> 00:22:14,760
Speaker 2: I's summer Kurt.

516
00:22:14,880 --> 00:22:18,240
Speaker 1: Now, it's tough, but we did it right, and we

517
00:22:18,280 --> 00:22:21,399
Speaker 1: took your time, and we were writing the album and

518
00:22:21,440 --> 00:22:24,480
Speaker 1: Hometown Home was getting set up at Daring all of that.

519
00:22:24,840 --> 00:22:27,400
Speaker 1: So the minute we signed all three of those deals,

520
00:22:27,480 --> 00:22:30,119
Speaker 1: then we launched Hometown Home and.

521
00:22:30,320 --> 00:22:32,560
Speaker 4: I feel like we had all these chips and we

522
00:22:32,640 --> 00:22:34,200
Speaker 4: put them right back in again. Yeah.

523
00:22:35,080 --> 00:22:41,080
Speaker 2: So what's the best and the hardest part about the

524
00:22:41,200 --> 00:22:44,120
Speaker 2: new version of you guys as not only artists but businessman.

525
00:22:45,000 --> 00:22:46,800
Speaker 4: I mean, I think I'm having a little bit more

526
00:22:46,800 --> 00:22:49,000
Speaker 4: fun because we can control.

527
00:22:48,840 --> 00:22:50,800
Speaker 2: So some more freedom would be the wee can move

528
00:22:50,840 --> 00:22:53,520
Speaker 2: fas freedom is really good, you know, and there's really

529
00:22:53,520 --> 00:22:54,880
Speaker 2: not that much red tape anymore.

530
00:22:55,480 --> 00:22:58,280
Speaker 1: Yeah, this town can be a slow town and you

531
00:22:58,359 --> 00:23:00,520
Speaker 1: have to call and get a meeting and then you know,

532
00:23:00,600 --> 00:23:02,520
Speaker 1: someone can't make it to the meeting and it gets

533
00:23:02,560 --> 00:23:05,080
Speaker 1: canceled and postponed two weeks and you know this way,

534
00:23:05,160 --> 00:23:06,720
Speaker 1: it's me and Chris on the phone and we just

535
00:23:06,760 --> 00:23:09,960
Speaker 1: talk and we have Skip Bishop and Butchois from the

536
00:23:10,000 --> 00:23:14,000
Speaker 1: Aristosny days. Uh, they've teamed up with us as managers

537
00:23:14,040 --> 00:23:16,320
Speaker 1: and as label heads. And so the four of us

538
00:23:16,480 --> 00:23:19,000
Speaker 1: we call ourselves like a little group text. It's the

539
00:23:19,040 --> 00:23:20,680
Speaker 1: four horsemen, and we're having fun again.

540
00:23:21,160 --> 00:23:24,440
Speaker 4: And we're dreamers and they're dreamers, but you know, they're

541
00:23:24,520 --> 00:23:26,760
Speaker 4: kind of like him and Skip dream dream and then

542
00:23:27,080 --> 00:23:27,840
Speaker 4: Butcher little dream.

543
00:23:27,880 --> 00:23:29,840
Speaker 1: But we'll be like and it takes a little bit

544
00:23:29,880 --> 00:23:31,960
Speaker 1: that ying and yang to work together, right, So it's.

545
00:23:32,040 --> 00:23:34,520
Speaker 2: So, what's been the hardest part your own money?

546
00:23:34,600 --> 00:23:39,680
Speaker 4: Yep, yeah, budget, telling our wives, Hey, you know we're

547
00:23:39,720 --> 00:23:41,160
Speaker 4: not going to take this much anymore.

548
00:23:41,760 --> 00:23:44,119
Speaker 1: Yeah, oh cool. But in the long run, with the

549
00:23:44,160 --> 00:23:45,080
Speaker 1: hope of with.

550
00:23:45,080 --> 00:23:47,399
Speaker 4: The hope of you know, success, and I mean this

551
00:23:48,040 --> 00:23:48,560
Speaker 4: it's working.

552
00:23:48,680 --> 00:23:50,400
Speaker 1: We were sitting out in the truck today. I don't

553
00:23:50,440 --> 00:23:53,720
Speaker 1: play very many artists for him because we haven't really

554
00:23:53,760 --> 00:23:55,760
Speaker 1: been in a position to sign anybody yet. We wanted

555
00:23:55,760 --> 00:23:59,040
Speaker 1: to get Hometown home as high as we could. And

556
00:23:59,040 --> 00:24:01,680
Speaker 1: and now that we're weren't a position now we're like, okay,

557
00:24:01,880 --> 00:24:03,640
Speaker 1: maybe we start listening to some demos and we start

558
00:24:03,680 --> 00:24:07,159
Speaker 1: listening to some tapes and stuff, and so, uh, I

559
00:24:07,200 --> 00:24:10,200
Speaker 1: got pitched somebody last night and I was so excited

560
00:24:10,240 --> 00:24:11,440
Speaker 1: to have Chris in the truck and play it for

561
00:24:11,520 --> 00:24:13,359
Speaker 1: him today. And so I played it for him. He

562
00:24:13,400 --> 00:24:16,159
Speaker 1: got excited, and we're gonna call the kid after that.

563
00:24:16,400 --> 00:24:17,720
Speaker 3: I mean, we'll go meet with him.

564
00:24:17,760 --> 00:24:21,399
Speaker 4: We've met with a couple guys just and not to

565
00:24:21,400 --> 00:24:23,560
Speaker 4: be anything wrong. They could be absolutely huge, but if

566
00:24:23,560 --> 00:24:26,919
Speaker 4: they don't have that that drive that we have, you know,

567
00:24:27,000 --> 00:24:28,800
Speaker 4: then the hustle same.

568
00:24:28,920 --> 00:24:30,080
Speaker 3: I don't want anything to do with it.

569
00:24:31,119 --> 00:24:34,240
Speaker 2: So Hometown Home the first single you guys put out

570
00:24:34,359 --> 00:24:37,800
Speaker 2: under the new Yeah, and I looked. I mean it's

571
00:24:37,960 --> 00:24:40,280
Speaker 2: when I was top ten when I look, where is it?

572
00:24:40,280 --> 00:24:41,320
Speaker 2: Do we know where it is right this day?

573
00:24:41,400 --> 00:24:41,960
Speaker 1: Where at seven?

574
00:24:42,040 --> 00:24:42,240
Speaker 2: Yeah?

575
00:24:42,359 --> 00:24:42,960
Speaker 1: Yeah? Where?

576
00:24:43,280 --> 00:24:43,520
Speaker 4: Okay?

577
00:24:44,560 --> 00:24:46,480
Speaker 2: That's pretty awesome, man, it feels good.

578
00:24:46,600 --> 00:24:47,280
Speaker 4: It does feel good.

579
00:24:47,359 --> 00:24:48,159
Speaker 1: What a blessing because you.

580
00:24:48,160 --> 00:24:50,760
Speaker 2: Guys have had success and listen, what are this again?

581
00:24:50,800 --> 00:24:53,800
Speaker 2: And here's another like minded thing. There's been success, but

582
00:24:53,840 --> 00:24:55,639
Speaker 2: there's even with me, like I bombed out on so

583
00:24:55,680 --> 00:24:58,439
Speaker 2: many things or things weren't the timed exactly right, and

584
00:24:58,880 --> 00:25:02,600
Speaker 2: which is where the hustle comes from. So it's not

585
00:25:02,640 --> 00:25:04,680
Speaker 2: like everything I've ever touched turned to goal. It's it's

586
00:25:04,680 --> 00:25:08,720
Speaker 2: been very much the opposite of that at times. This timing.

587
00:25:09,240 --> 00:25:11,080
Speaker 2: For you guys to have a top ten song at

588
00:25:11,080 --> 00:25:12,640
Speaker 2: your first one, that's pretty.

589
00:25:12,359 --> 00:25:12,960
Speaker 4: Cool, dudes.

590
00:25:13,040 --> 00:25:14,200
Speaker 1: Yeah, we're enjoying it.

591
00:25:14,440 --> 00:25:16,320
Speaker 2: I'm not even gonna say lucky because it's not luck.

592
00:25:16,680 --> 00:25:17,760
Speaker 2: That's pretty cool though.

593
00:25:18,040 --> 00:25:20,479
Speaker 1: We hired a great team. I mean this team is

594
00:25:21,520 --> 00:25:26,560
Speaker 1: I feel like Chris and I are quarterbacks and it's

595
00:25:26,920 --> 00:25:30,000
Speaker 1: halftime and people are asking us questions about Galaxy and

596
00:25:30,040 --> 00:25:32,560
Speaker 1: Hometown Home and low cash, and we just keep saying

597
00:25:33,040 --> 00:25:36,080
Speaker 1: this team that we've hired, they are so good. And

598
00:25:36,600 --> 00:25:39,320
Speaker 1: we got Carrie Wolf from up in Milwaukee, used to

599
00:25:39,359 --> 00:25:42,680
Speaker 1: be with iHeart love him so much. He's the VP

600
00:25:42,800 --> 00:25:46,840
Speaker 1: of our promotions. We got Cheryl Bros. She lives out

601
00:25:46,840 --> 00:25:50,480
Speaker 1: in New Mexico and she just crushes. And we got

602
00:25:50,560 --> 00:25:54,719
Speaker 1: Ray Vaughn. He's a gunslinger of a radio rep. And

603
00:25:54,960 --> 00:25:57,560
Speaker 1: you know, we didn't go in regions. Instead of instead

604
00:25:57,560 --> 00:26:00,760
Speaker 1: of regions, we went with the relationships because we're relationship guys.

605
00:26:01,040 --> 00:26:04,840
Speaker 1: And so we said, all right, Cheryl, where who are

606
00:26:04,880 --> 00:26:08,359
Speaker 1: your strongest relationships And she said, well, I know somebody

607
00:26:08,400 --> 00:26:11,320
Speaker 1: in New Hampshire and I know somebody in Miami. And

608
00:26:11,359 --> 00:26:12,960
Speaker 1: we're like, that's your territory.

609
00:26:13,480 --> 00:26:16,480
Speaker 2: Go get I called them and handle have them give

610
00:26:16,480 --> 00:26:21,600
Speaker 2: your song a chance. We're saying, oh, yeah, yeah, that's also.

611
00:26:21,680 --> 00:26:22,840
Speaker 2: I was like, yeah, that's amazing.

612
00:26:22,960 --> 00:26:26,560
Speaker 1: And in most labels you have regions and that works too,

613
00:26:26,840 --> 00:26:29,080
Speaker 1: but you know, you have your West Coast and one

614
00:26:29,119 --> 00:26:31,480
Speaker 1: person reps all of that, and that's fine too, but

615
00:26:31,800 --> 00:26:33,840
Speaker 1: we wanted to base it off of relationships instead.

616
00:26:34,280 --> 00:26:36,000
Speaker 2: So we're doing a couple of things at once. Here.

617
00:26:36,040 --> 00:26:38,720
Speaker 2: We're doing the long form hour long and we're also

618
00:26:38,800 --> 00:26:41,160
Speaker 2: using some of this on on the radio show as well.

619
00:26:41,400 --> 00:26:43,720
Speaker 2: So I'm gonna ask you specifically about Hometown Home because

620
00:26:43,720 --> 00:26:47,600
Speaker 2: you guys wrote this with a couple of people.

621
00:26:47,760 --> 00:26:50,520
Speaker 1: Yeah, Zach Avin and Andy Albert. Awesome?

622
00:26:50,600 --> 00:26:51,800
Speaker 2: Were you writing it for yourself?

623
00:26:52,560 --> 00:26:54,760
Speaker 3: I believe? So, yeah, they came was it Andy?

624
00:26:54,760 --> 00:26:57,240
Speaker 4: They came up with Andy had the idea and it

625
00:26:57,320 --> 00:26:59,640
Speaker 4: came out and we were when he said talked about hometowns.

626
00:26:59,640 --> 00:27:02,919
Speaker 4: We were like, oh, there's a lot of hometown song but

627
00:27:03,000 --> 00:27:05,520
Speaker 4: they kind of turned it and uh, one of my

628
00:27:05,520 --> 00:27:09,160
Speaker 4: favorite songs was that Jaco and song Anywhere with You. Yeah,

629
00:27:09,280 --> 00:27:12,080
Speaker 4: it has that flavor. That's the kind of the concept

630
00:27:12,119 --> 00:27:13,760
Speaker 4: of it. But you know it's like you're with your

631
00:27:13,800 --> 00:27:16,640
Speaker 4: significant other. If she moves, you're gonna move with her.

632
00:27:16,720 --> 00:27:18,840
Speaker 4: But hey, just a case we could make hometown home.

633
00:27:19,359 --> 00:27:19,520
Speaker 2: You know.

634
00:27:19,840 --> 00:27:23,200
Speaker 1: We wrote it during COVID and Andy had this idea

635
00:27:23,320 --> 00:27:26,320
Speaker 1: hometown home. And during COVID it was around the time

636
00:27:26,320 --> 00:27:28,560
Speaker 1: where everybody was taking RVs and just going around the

637
00:27:28,600 --> 00:27:31,800
Speaker 1: country and sight sceneing and with their time off, and

638
00:27:31,840 --> 00:27:35,879
Speaker 1: he's like, you know, I thought about the word Winnebago.

639
00:27:36,400 --> 00:27:38,639
Speaker 1: It would be so cool to have the in the song,

640
00:27:39,000 --> 00:27:40,040
Speaker 1: and so we're like, okay.

641
00:27:39,880 --> 00:27:42,359
Speaker 3: Trying to find something that rhymes with Winnebeg and.

642
00:27:42,440 --> 00:27:43,840
Speaker 1: So you know I was a song, right, We're trying

643
00:27:43,840 --> 00:27:46,920
Speaker 1: to the whole time we're writing, trying to rhyme with Winnebago.

644
00:27:46,960 --> 00:27:47,720
Speaker 1: Can we get it in here?

645
00:27:47,760 --> 00:27:48,119
Speaker 2: Somehow?

646
00:27:48,359 --> 00:27:50,320
Speaker 1: Never got it in never got it in the song

647
00:27:50,400 --> 00:27:52,080
Speaker 1: was almost finished. At the end of the second verse.

648
00:27:52,119 --> 00:27:54,280
Speaker 1: We're like, okay, we have to get winnebego in here,

649
00:27:54,320 --> 00:27:54,840
Speaker 1: and so we did.

650
00:27:54,920 --> 00:27:55,440
Speaker 4: It was cool.

651
00:27:55,600 --> 00:27:58,639
Speaker 2: So did you run? Did you rhyme Winnebago? Did you Winnebago?

652
00:27:58,880 --> 00:28:01,840
Speaker 2: Word in rhyme the word after winn We rhymed yeah.

653
00:28:01,880 --> 00:28:05,840
Speaker 1: We rhymed it with yeah, I don't know.

654
00:28:05,880 --> 00:28:08,680
Speaker 4: I don't in form Chris hit it?

655
00:28:08,720 --> 00:28:09,679
Speaker 3: Is it in the of course?

656
00:28:10,000 --> 00:28:11,440
Speaker 1: No, it's right before.

657
00:28:11,800 --> 00:28:13,600
Speaker 3: Grandma's Every Sunday.

658
00:28:17,440 --> 00:28:22,159
Speaker 4: Find you ain't wished on? Really just name.

659
00:28:25,640 --> 00:28:28,360
Speaker 3: If we hit that road in a winner Bago?

660
00:28:29,160 --> 00:28:30,400
Speaker 2: Uh you got.

661
00:28:32,760 --> 00:28:33,520
Speaker 1: And we all cheered.

662
00:28:34,240 --> 00:28:36,160
Speaker 4: We couldn't let go the ego though, because I kept

663
00:28:36,200 --> 00:28:37,240
Speaker 4: saying I go every time.

664
00:28:39,040 --> 00:28:42,840
Speaker 2: So what's the goal with the song? Do they think?

665
00:28:43,080 --> 00:28:44,120
Speaker 2: Was the top five? Top three?

666
00:28:44,280 --> 00:28:44,320
Speaker 1: Like?

667
00:28:44,320 --> 00:28:46,080
Speaker 2: What do they because everybody already knows, right, or for

668
00:28:46,120 --> 00:28:48,239
Speaker 2: the most part, they have a feeling where things are

669
00:28:48,280 --> 00:28:48,640
Speaker 2: going to be.

670
00:28:48,680 --> 00:28:51,120
Speaker 1: So we've been in all the meetings. Yeah, which and

671
00:28:51,480 --> 00:28:53,960
Speaker 1: totally crazy too because we spent a lot of time

672
00:28:54,720 --> 00:28:57,400
Speaker 1: on promo calls and spending time with radio.

673
00:28:58,000 --> 00:29:01,440
Speaker 4: And other labels and other label for number one, right

674
00:29:01,560 --> 00:29:03,200
Speaker 4: and shooting at the scene.

675
00:29:03,240 --> 00:29:07,240
Speaker 1: It's a wild world out there. But so March twenty eighth,

676
00:29:07,440 --> 00:29:10,960
Speaker 1: we are asking everybody to make Hometown Home the most

677
00:29:10,960 --> 00:29:14,240
Speaker 1: played song. Okay, and four what's that?

678
00:29:14,600 --> 00:29:15,200
Speaker 4: What's so?

679
00:29:15,600 --> 00:29:18,760
Speaker 1: That will end on April sixth, and we are going

680
00:29:18,840 --> 00:29:22,440
Speaker 1: to do the unthinkable and try to go after our

681
00:29:22,480 --> 00:29:24,360
Speaker 1: first multi week number one song.

682
00:29:24,840 --> 00:29:26,640
Speaker 2: We yn't g one week first before we do in

683
00:29:26,680 --> 00:29:29,160
Speaker 2: the multi we do, yeah, but we get you also

684
00:29:29,200 --> 00:29:30,840
Speaker 2: have to let's go for ten then if we're just.

685
00:29:32,280 --> 00:29:33,560
Speaker 3: What I'll say, so much behind us.

686
00:29:33,640 --> 00:29:33,840
Speaker 2: Yeah.

687
00:29:34,240 --> 00:29:36,400
Speaker 1: So at the end of every call, everybody would talk

688
00:29:36,400 --> 00:29:38,560
Speaker 1: about our push week, and I'm like, guys, is it

689
00:29:38,640 --> 00:29:42,200
Speaker 1: crazy to think that maybe we could have two weeks?

690
00:29:42,800 --> 00:29:45,960
Speaker 1: And because the song is researching so well, it's resonating

691
00:29:46,040 --> 00:29:48,920
Speaker 1: so well, and so I just kept saying it and

692
00:29:48,960 --> 00:29:51,480
Speaker 1: kept saying it in the meetings, and finally somebody else

693
00:29:51,520 --> 00:29:54,040
Speaker 1: said it, and they're like, maybe there is two weeks.

694
00:29:54,040 --> 00:29:54,640
Speaker 1: Who knows.

695
00:29:54,680 --> 00:29:57,480
Speaker 4: The only industry I mean, And I've talked to the

696
00:29:57,520 --> 00:29:59,960
Speaker 4: other pop people, like especially Butcher and Skip, and they're

697
00:30:00,560 --> 00:30:02,880
Speaker 4: it is the only industry where labels can call each

698
00:30:02,880 --> 00:30:06,480
Speaker 4: other and say, Okay, well Lake's going for this week,

699
00:30:06,600 --> 00:30:08,080
Speaker 4: or so and so is going for this week. We

700
00:30:08,120 --> 00:30:10,160
Speaker 4: can open up this week for you make sure everybody

701
00:30:10,240 --> 00:30:10,920
Speaker 4: gets what they want.

702
00:30:11,040 --> 00:30:15,720
Speaker 2: It don't like the Eagles called. They were like, hey, chiefs, yeah,

703
00:30:15,840 --> 00:30:18,680
Speaker 2: we're thinking about run spread in their first quarter, like defensively,

704
00:30:19,360 --> 00:30:23,040
Speaker 2: you know what. It's crazy, it's odd, it's odd at times,

705
00:30:24,080 --> 00:30:30,080
Speaker 2: it feels a bit predetermined, but you.

706
00:30:30,040 --> 00:30:31,800
Speaker 1: Do have to get there first, you do.

707
00:30:32,040 --> 00:30:35,200
Speaker 2: Yeah, you don't get to swing unless correct, unless in

708
00:30:35,200 --> 00:30:38,280
Speaker 2: the box. Yeah, unless you have we'll call it the

709
00:30:38,320 --> 00:30:40,680
Speaker 2: credentials to be even fine in the fight.

710
00:30:41,080 --> 00:30:42,200
Speaker 1: And still nothing's for sure.

711
00:30:42,560 --> 00:30:45,160
Speaker 5: Let's take a quick pause for a message from our sponsor,

712
00:30:54,000 --> 00:30:56,240
Speaker 5: and we're back on the Bobby Cast.

713
00:30:57,040 --> 00:30:58,360
Speaker 2: I know the song, and I know it's not the

714
00:30:58,360 --> 00:31:01,480
Speaker 2: song that you guys are like doing your your official

715
00:31:01,480 --> 00:31:05,200
Speaker 2: push on, but the isn't she country? The Stevie Wonder melody,

716
00:31:05,200 --> 00:31:07,080
Speaker 2: How did how how do you do that? You have

717
00:31:07,120 --> 00:31:10,680
Speaker 2: to go and get that cleared. Ye, where did that

718
00:31:10,720 --> 00:31:12,320
Speaker 2: come from?

719
00:31:13,200 --> 00:31:16,360
Speaker 1: We're sitting in the back of the bus and Rob

720
00:31:16,400 --> 00:31:18,880
Speaker 1: Pennington had that idea and.

721
00:31:18,680 --> 00:31:20,720
Speaker 4: He's like, the last of the songs we've written like

722
00:31:20,800 --> 00:31:21,440
Speaker 4: six already.

723
00:31:21,440 --> 00:31:22,720
Speaker 1: He's like, I don't know if you'd be into this

724
00:31:22,760 --> 00:31:24,960
Speaker 1: idea or not, but I kind of had this idea

725
00:31:25,000 --> 00:31:28,240
Speaker 1: and he's like is that she country? Like, well, that's

726
00:31:28,320 --> 00:31:30,880
Speaker 1: kind of love, Steve, It's kind of cool, and so

727
00:31:31,040 --> 00:31:33,200
Speaker 1: we kind of chased it for a few minutes. Then

728
00:31:33,400 --> 00:31:36,880
Speaker 1: we made a work tape and then we turned it

729
00:31:36,920 --> 00:31:39,040
Speaker 1: in and everybody was like, whoa, this is really different,

730
00:31:39,120 --> 00:31:41,040
Speaker 1: this is crazy. Maybe you guys should cut this for

731
00:31:41,120 --> 00:31:44,280
Speaker 1: the album. So then we found out we had to

732
00:31:44,480 --> 00:31:47,000
Speaker 1: go to Stevie to get approval.

733
00:31:47,040 --> 00:31:50,040
Speaker 3: For why basically his song?

734
00:31:50,320 --> 00:31:52,960
Speaker 1: Yeah, I mean it's his song, But.

735
00:31:52,960 --> 00:31:56,800
Speaker 2: What about like you have to get permission but not

736
00:31:56,840 --> 00:31:59,120
Speaker 2: just Adam as a songwriter, because that right, I mean,

737
00:31:59,120 --> 00:32:00,200
Speaker 2: what's the difference.

738
00:32:00,040 --> 00:32:02,479
Speaker 1: Because he can dictate how much of the song he wants,

739
00:32:03,360 --> 00:32:05,680
Speaker 1: so he can't we can't just make him a songwriter.

740
00:32:06,200 --> 00:32:10,080
Speaker 1: He comes back and says yes or no, and that

741
00:32:10,200 --> 00:32:11,520
Speaker 1: you know, And here's how much I want.

742
00:32:11,760 --> 00:32:13,680
Speaker 3: I'll tell you how much you wanted. I don't care.

743
00:32:15,240 --> 00:32:16,560
Speaker 2: I thought it'd be higher. I'm be honest with you.

744
00:32:16,560 --> 00:32:17,880
Speaker 2: I thought it would be high.

745
00:32:18,040 --> 00:32:20,360
Speaker 3: Thought it was fine with it. I was like done,

746
00:32:20,600 --> 00:32:21,280
Speaker 3: Yeah I could.

747
00:32:21,360 --> 00:32:21,840
Speaker 4: Yeah.

748
00:32:22,480 --> 00:32:24,200
Speaker 1: And then we were gonna go on Good Morning America

749
00:32:24,720 --> 00:32:27,240
Speaker 1: and they were they said, hey, would you like to

750
00:32:27,240 --> 00:32:29,240
Speaker 1: do a second song because we're just gonna do Hometown

751
00:32:29,280 --> 00:32:32,000
Speaker 1: Home and uh and we're like, yeah, we got this

752
00:32:32,120 --> 00:32:35,520
Speaker 1: song we just finished called Isn't She Country? They were like, oh,

753
00:32:35,520 --> 00:32:38,520
Speaker 1: you can't do that. Stevie has to approve live performances

754
00:32:38,560 --> 00:32:41,560
Speaker 1: as well. We're like, we got to find Stevie twice,

755
00:32:41,920 --> 00:32:44,240
Speaker 1: Like the first time was tough and then the second

756
00:32:44,240 --> 00:32:46,800
Speaker 1: time was a little bit easier, but we found somebody

757
00:32:46,920 --> 00:32:47,320
Speaker 1: that could.

758
00:32:47,640 --> 00:32:49,120
Speaker 3: But and then it got ripped.

759
00:32:49,760 --> 00:32:53,400
Speaker 4: Oh yeah, song has ever been ripped?

760
00:32:53,840 --> 00:32:55,160
Speaker 2: Ripped? As hated it?

761
00:32:55,400 --> 00:32:57,440
Speaker 4: Well? Oh just hated it?

762
00:32:57,480 --> 00:33:01,480
Speaker 2: Well probably okay, yeah, yeah, but I can understand that

763
00:33:01,480 --> 00:33:03,560
Speaker 2: we have way more views on that than any other song.

764
00:33:03,760 --> 00:33:04,160
Speaker 1: That too.

765
00:33:04,280 --> 00:33:08,560
Speaker 2: But so a platform that's elevated, like a literal platform

766
00:33:08,560 --> 00:33:10,400
Speaker 2: that elevated has seen by more people. Therefore you have

767
00:33:10,400 --> 00:33:15,479
Speaker 2: angrier people. So yeah, that Mike, can you hear it,

768
00:33:16,320 --> 00:33:18,760
Speaker 2: like there, can we do something else because when he

769
00:33:18,800 --> 00:33:21,320
Speaker 2: moves it in his hand, it's just there's just hold.

770
00:33:21,360 --> 00:33:23,920
Speaker 2: I mean, I guess it's the mike standard. Yeah, let's

771
00:33:24,040 --> 00:33:27,320
Speaker 2: have the mic stand, let's find another mic standard.

772
00:33:28,040 --> 00:33:32,200
Speaker 3: Don't hold it, you can pick up so you can hold.

773
00:33:37,120 --> 00:33:38,440
Speaker 4: Dude. It was some mean stuff.

774
00:33:39,480 --> 00:33:44,160
Speaker 2: Oh I imagine because you're talking about a classic.

775
00:33:44,400 --> 00:33:47,520
Speaker 3: Yeah, yeah, he's the one. I don't.

776
00:33:47,560 --> 00:33:49,640
Speaker 4: I don't read anything anymore. I gave up a long

777
00:33:49,680 --> 00:33:54,640
Speaker 4: time ago. But it's like, Chris, you just just just

778
00:33:54,680 --> 00:33:57,120
Speaker 4: go take a look. And I'm like, man, I really

779
00:33:57,160 --> 00:33:57,640
Speaker 4: don't care.

780
00:33:58,680 --> 00:33:59,960
Speaker 1: You should sweet.

781
00:34:01,520 --> 00:34:06,840
Speaker 4: That would have been about eighty five thousand tweets.

782
00:34:07,280 --> 00:34:12,840
Speaker 2: Yeah, I would have expected had the song been good,

783
00:34:12,960 --> 00:34:17,040
Speaker 2: it would have been a really bad day for people

784
00:34:17,080 --> 00:34:20,120
Speaker 2: that no one loved that song to comment on it.

785
00:34:20,160 --> 00:34:22,239
Speaker 2: Had it been a bad performance, something that would have cared, right,

786
00:34:23,200 --> 00:34:25,279
Speaker 2: I mean right, I mean really they would have been

787
00:34:25,280 --> 00:34:28,840
Speaker 2: like this is nothing. Yeah, yeah, no, I think it

788
00:34:28,880 --> 00:34:31,799
Speaker 2: should I And again we're not even I'm not even

789
00:34:31,800 --> 00:34:33,480
Speaker 2: gonna put this part of answer doing the mics. But

790
00:34:33,960 --> 00:34:37,200
Speaker 2: had you done it and you didn't get bombarded with negativity,

791
00:34:37,640 --> 00:34:42,719
Speaker 2: I think I would have been surprised regardless, because that's

792
00:34:42,760 --> 00:34:46,200
Speaker 2: an institutional song to some people. And also you're talking

793
00:34:46,200 --> 00:34:48,879
Speaker 2: about two country guys not.

794
00:34:48,840 --> 00:34:51,320
Speaker 4: Hitting everything right now, Yeah, because that's what all the

795
00:34:51,360 --> 00:34:51,920
Speaker 4: negative is.

796
00:34:51,960 --> 00:34:55,279
Speaker 2: Yeah, it's just that so I can see.

797
00:34:55,280 --> 00:34:58,160
Speaker 3: It doesn't mean, I mean, there was some funny stuff.

798
00:34:58,160 --> 00:34:59,680
Speaker 2: It doesn't mean it's not awesome, doesn't mean it's not

799
00:34:59,719 --> 00:35:04,080
Speaker 2: gonna do well, doesn't mean anything except I would have

800
00:35:04,120 --> 00:35:05,320
Speaker 2: expected that those people.

801
00:35:05,080 --> 00:35:07,880
Speaker 4: Are not our fans anyway, We're not you know, probably

802
00:35:07,920 --> 00:35:08,440
Speaker 4: don't even listen.

803
00:35:09,440 --> 00:35:10,319
Speaker 2: I would bet that too.

804
00:35:10,440 --> 00:35:14,800
Speaker 4: Yeah, And all the matters to me is that Stevie

805
00:35:14,840 --> 00:35:15,839
Speaker 4: approves it. He liked it.

806
00:35:16,640 --> 00:35:29,080
Speaker 6: The Bobby Cast will be right back. This is the

807
00:35:29,120 --> 00:35:29,880
Speaker 6: Bobby Cast.

808
00:35:30,920 --> 00:35:33,719
Speaker 1: I got to tell you, Bobby, this is this is

809
00:35:33,760 --> 00:35:37,520
Speaker 1: an awesome setup. And I don't know if you remember,

810
00:35:37,560 --> 00:35:39,000
Speaker 1: but I was on the Bobby Cast.

811
00:35:39,400 --> 00:35:41,799
Speaker 2: It was a long time ago for four houses ago.

812
00:35:42,000 --> 00:35:45,120
Speaker 2: Yeah yeah, yeah, and have room for me, that's right,

813
00:35:45,120 --> 00:35:48,560
Speaker 2: we had, we had two mikes yeah yeah, and upstairs.

814
00:35:48,600 --> 00:35:50,960
Speaker 1: So far, I mean, this is amazing. This is great.

815
00:35:51,600 --> 00:35:55,239
Speaker 2: Uh mostly fraud through fraud and bank schemes. Well yeah,

816
00:35:55,239 --> 00:35:56,400
Speaker 2: but yeah, we're here.

817
00:35:57,680 --> 00:35:58,279
Speaker 1: It looks great.

818
00:35:58,360 --> 00:36:01,800
Speaker 2: We're here. Okay, So I don't know. What do we do?

819
00:36:01,880 --> 00:36:02,719
Speaker 2: What are we rooting for?

820
00:36:02,800 --> 00:36:02,960
Speaker 4: Now?

821
00:36:03,200 --> 00:36:04,040
Speaker 2: What song to hit?

822
00:36:04,800 --> 00:36:05,279
Speaker 4: Song hit?

823
00:36:05,760 --> 00:36:09,520
Speaker 1: And then we're pushing that that March twenty eighth, let's go.

824
00:36:09,600 --> 00:36:11,080
Speaker 2: It was April. You just said it was April.

825
00:36:11,160 --> 00:36:13,640
Speaker 1: March twenty eighth is when we pushed down. And then

826
00:36:14,120 --> 00:36:15,040
Speaker 1: oh that second week?

827
00:36:15,080 --> 00:36:15,720
Speaker 2: When was the April?

828
00:36:15,840 --> 00:36:16,000
Speaker 4: Yeah?

829
00:36:16,040 --> 00:36:18,520
Speaker 1: Yeah, yeah, So we'll see how it turns out. I mean,

830
00:36:18,560 --> 00:36:21,200
Speaker 1: we're focused on one week, and if the second week

831
00:36:21,239 --> 00:36:22,279
Speaker 1: happens and we.

832
00:36:22,320 --> 00:36:26,000
Speaker 3: Get ten, great, great. But then we're fighting. Yeah, then

833
00:36:26,040 --> 00:36:26,840
Speaker 3: we're fighting people.

834
00:36:27,480 --> 00:36:30,439
Speaker 2: And you guys still living one here, one there?

835
00:36:30,680 --> 00:36:32,520
Speaker 4: Yeah, yes, live in Florida.

836
00:36:32,880 --> 00:36:33,759
Speaker 2: How's that been for you?

837
00:36:33,920 --> 00:36:36,440
Speaker 4: I'll be in Florida. I don't know if i'd live

838
00:36:36,440 --> 00:36:37,040
Speaker 4: anywhere else.

839
00:36:37,640 --> 00:36:38,879
Speaker 2: Why did you choose to move there?

840
00:36:39,840 --> 00:36:41,439
Speaker 4: A lot of stuff I've told you off the mic,

841
00:36:41,480 --> 00:36:44,319
Speaker 4: But yeah, I mean, I just my wife is from there,

842
00:36:44,480 --> 00:36:47,680
Speaker 4: have three kids, and I wanted to there's no family

843
00:36:47,719 --> 00:36:50,800
Speaker 4: here for for us, and I wanted a little separation

844
00:36:50,920 --> 00:36:54,600
Speaker 4: from this industry because cincetre will tear you up. And

845
00:36:54,760 --> 00:36:55,680
Speaker 4: I was not ready.

846
00:36:56,320 --> 00:36:57,640
Speaker 3: I was just sawing myself just.

847
00:36:57,600 --> 00:37:01,279
Speaker 4: Anxiety, anxiety, anxiety, and I have bad anxiety already. So

848
00:37:01,480 --> 00:37:03,359
Speaker 4: when I moved to Nashville, or when when I moved

849
00:37:03,360 --> 00:37:03,840
Speaker 4: to Tampa.

850
00:37:04,640 --> 00:37:05,680
Speaker 3: You know, her family's there.

851
00:37:05,680 --> 00:37:08,640
Speaker 4: I moved my mom down there, and I just fell

852
00:37:08,680 --> 00:37:09,720
Speaker 4: in love with that state.

853
00:37:10,000 --> 00:37:11,439
Speaker 1: That he's also an ocean guy.

854
00:37:11,520 --> 00:37:12,520
Speaker 3: Water the ocean.

855
00:37:12,560 --> 00:37:14,920
Speaker 2: Yeah, that's it. The thing that would suck for the

856
00:37:14,920 --> 00:37:17,640
Speaker 2: Eastern time zone for telling for like TV and events

857
00:37:17,640 --> 00:37:19,240
Speaker 2: and stuff that that seems tough.

858
00:37:19,320 --> 00:37:21,760
Speaker 4: It's tough, especially when you go a West coast. Oh,

859
00:37:21,800 --> 00:37:24,160
Speaker 4: and then you're back and forth. But I'm telling you, man,

860
00:37:24,200 --> 00:37:28,560
Speaker 4: it's just my community's great, my family's safe, and uh,

861
00:37:28,920 --> 00:37:29,880
Speaker 4: you know it's it's awesome.

862
00:37:29,880 --> 00:37:32,319
Speaker 3: I just opened the bat and gage down there too, right, Yeah.

863
00:37:32,360 --> 00:37:34,799
Speaker 2: I like Tampa's like my favorite part. Yeah, because we

864
00:37:34,800 --> 00:37:36,319
Speaker 2: spend a lot of time in different parts of the floor.

865
00:37:36,320 --> 00:37:38,640
Speaker 2: I like Tampa a lot because it feels the most normal. Yeah,

866
00:37:39,280 --> 00:37:40,520
Speaker 2: like the normal people.

867
00:37:40,719 --> 00:37:44,160
Speaker 4: Yes, normal people just a little bit ten minutes north

868
00:37:44,200 --> 00:37:46,640
Speaker 4: where I live about fifteen minutes north is very normal.

869
00:37:46,640 --> 00:37:49,160
Speaker 1: It's already kind of going to see. It's also kind

870
00:37:49,200 --> 00:37:52,840
Speaker 1: of great because when we both lived here, the industry

871
00:37:52,880 --> 00:37:55,880
Speaker 1: found a way to use every single day, like they

872
00:37:55,880 --> 00:37:59,719
Speaker 1: would find a meeting or some something that we needed

873
00:37:59,719 --> 00:38:00,680
Speaker 1: to you need.

874
00:38:00,600 --> 00:38:02,000
Speaker 3: To come downtown, you come downtown.

875
00:38:02,160 --> 00:38:04,600
Speaker 1: Yeah, so now when he comes to town, it's more efficient,

876
00:38:04,760 --> 00:38:07,040
Speaker 1: like we do everything in a day, or we do

877
00:38:07,120 --> 00:38:09,000
Speaker 1: everything in a couple of days, and that's that's nice.

878
00:38:09,040 --> 00:38:12,680
Speaker 4: And when we're home we can be husbands and yeah, dads, what.

879
00:38:12,719 --> 00:38:15,319
Speaker 2: Was the conversation like with your wife and you're like, Okay,

880
00:38:15,360 --> 00:38:16,880
Speaker 2: we want we're gonna start this thing. We're gonna have

881
00:38:16,920 --> 00:38:19,200
Speaker 2: to invest more of us, more of our money, more

882
00:38:19,239 --> 00:38:20,719
Speaker 2: of it's more time on the road.

883
00:38:21,640 --> 00:38:22,759
Speaker 1: I think they were all about that.

884
00:38:23,080 --> 00:38:23,360
Speaker 2: Yeah.

885
00:38:23,600 --> 00:38:25,839
Speaker 4: My wife still to this day is kind of you know,

886
00:38:26,719 --> 00:38:29,560
Speaker 4: she she knows me, and she's just like, I know

887
00:38:29,719 --> 00:38:32,160
Speaker 4: you're going through this trouble, but look where your songs

888
00:38:32,200 --> 00:38:33,759
Speaker 4: at when it was like top twenty, and she's like,

889
00:38:33,880 --> 00:38:36,279
Speaker 4: just keep doing it. You know. I hate being away

890
00:38:36,280 --> 00:38:39,279
Speaker 4: from the kids and missing baseball for my son and

891
00:38:39,320 --> 00:38:42,440
Speaker 4: my girls cheerleading, and you know it's cool because we

892
00:38:42,480 --> 00:38:44,000
Speaker 4: you know, he has kids now too, so we both

893
00:38:44,040 --> 00:38:45,600
Speaker 4: try to get home as fat We take the red

894
00:38:45,600 --> 00:38:47,359
Speaker 4: eye when there's a red eye, we take the Red Eye,

895
00:38:47,400 --> 00:38:48,799
Speaker 4: and that sucks, but we take it.

896
00:38:49,360 --> 00:38:52,040
Speaker 1: And her zombies the next day for the stomach.

897
00:38:51,680 --> 00:38:54,279
Speaker 4: By the way, for the stomach. Then we do it,

898
00:38:54,320 --> 00:38:57,160
Speaker 4: and they're like, you know, she's she's been a positive

899
00:38:57,640 --> 00:39:00,160
Speaker 4: behind me, like a rock, just pushing me to do

900
00:39:00,200 --> 00:39:02,279
Speaker 4: it over and over again, you know, because she knows

901
00:39:02,280 --> 00:39:05,000
Speaker 4: that we the chips are in and we could start

902
00:39:05,000 --> 00:39:07,840
Speaker 4: to see Danny coming up and we can actually, well.

903
00:39:07,680 --> 00:39:09,560
Speaker 1: Look, it works, it's us, and if it doesn't work,

904
00:39:09,600 --> 00:39:13,239
Speaker 1: it's us. And so you know, it's a it. You know,

905
00:39:13,280 --> 00:39:15,680
Speaker 1: you got all of it on your shoulders. And I

906
00:39:15,719 --> 00:39:18,640
Speaker 1: think we have always wanted to have this label and

907
00:39:18,719 --> 00:39:20,399
Speaker 1: always wanted to be in a position where we could

908
00:39:20,400 --> 00:39:21,000
Speaker 1: call the shots.

909
00:39:21,320 --> 00:39:23,359
Speaker 4: And I want, like you said, I want to sign

910
00:39:23,400 --> 00:39:25,560
Speaker 4: some artists, two or three artists and be fair with them.

911
00:39:25,640 --> 00:39:29,120
Speaker 2: Did you find the removing yourself from where the industry

912
00:39:29,160 --> 00:39:32,640
Speaker 2: is also makes you not hate the industry as much.

913
00:39:34,520 --> 00:39:35,520
Speaker 3: Here on my page?

914
00:39:35,640 --> 00:39:38,040
Speaker 2: That's I mean, that's why I feel like I would

915
00:39:38,120 --> 00:39:39,840
Speaker 2: like to leave here. Sometimes I didn't.

916
00:39:39,960 --> 00:39:44,000
Speaker 4: I started not despising Nashville because I do love Nashville.

917
00:39:44,040 --> 00:39:49,359
Speaker 2: The city's great, right, it's the tiny, little insulated mm hmm.

918
00:39:50,280 --> 00:39:50,960
Speaker 3: It's like a web.

919
00:39:51,080 --> 00:39:54,319
Speaker 2: And I do it to myself because I allow things

920
00:39:54,320 --> 00:40:00,479
Speaker 2: to bother me. I allow insecurities, I allow right, yep.

921
00:40:00,520 --> 00:40:04,080
Speaker 2: But that doesn't mean they're not real, right, And I

922
00:40:04,120 --> 00:40:06,080
Speaker 2: wonder if removing yourself from it has kind of freed

923
00:40:06,120 --> 00:40:06,680
Speaker 2: you a bit of that.

924
00:40:07,040 --> 00:40:11,120
Speaker 4: It has, you know, I take medicine, antidepressants and stuff

925
00:40:11,160 --> 00:40:13,440
Speaker 4: like that. I'm not scared to say that, but I

926
00:40:13,440 --> 00:40:15,400
Speaker 4: don't know if I need it, but it does help.

927
00:40:15,920 --> 00:40:18,560
Speaker 4: And now I just when I'm there, man and he.

928
00:40:18,880 --> 00:40:19,799
Speaker 3: Sees a different guy.

929
00:40:19,880 --> 00:40:22,160
Speaker 4: I'm a different guy though, I'm just like, yeah, it's

930
00:40:22,200 --> 00:40:23,759
Speaker 4: all it's all good. It's all good.

931
00:40:24,040 --> 00:40:25,399
Speaker 2: Now you've got a bating cage. What does that? He's

932
00:40:25,480 --> 00:40:26,959
Speaker 2: like a business people can come to the batting cage.

933
00:40:27,000 --> 00:40:29,200
Speaker 3: What's it called swag? Swag sports?

934
00:40:29,440 --> 00:40:30,319
Speaker 2: And who runs it?

935
00:40:30,600 --> 00:40:31,120
Speaker 3: My wife?

936
00:40:31,520 --> 00:40:32,279
Speaker 2: Yeah, because you are home.

937
00:40:32,400 --> 00:40:35,319
Speaker 1: Nope, Now hold on a minute. When he's home, he's there,

938
00:40:35,400 --> 00:40:38,120
Speaker 1: I am, And every phone call now has the ding

939
00:40:38,200 --> 00:40:42,400
Speaker 1: of an aluminum bat every ground, every five seconds.

940
00:40:42,120 --> 00:40:45,200
Speaker 4: Because we'll be on a major business call.

941
00:40:45,520 --> 00:40:45,960
Speaker 2: Investor.

942
00:40:46,000 --> 00:40:48,040
Speaker 3: We had an investor call the other day, ding.

943
00:40:48,760 --> 00:40:50,160
Speaker 2: So what do you have at your cage?

944
00:40:50,320 --> 00:40:54,040
Speaker 4: I have five batting cages and two membership machines where

945
00:40:54,040 --> 00:40:56,560
Speaker 4: you know, you swipe the card and then I have

946
00:40:57,280 --> 00:41:00,400
Speaker 4: just started an eight YU travel ball team because I

947
00:41:00,400 --> 00:41:02,279
Speaker 4: have so many little kids in there, and I was like, oh,

948
00:41:02,360 --> 00:41:03,080
Speaker 4: that's be fun for that.

949
00:41:03,320 --> 00:41:05,239
Speaker 2: So a batting Cage travel team. So I mean it's

950
00:41:05,239 --> 00:41:06,560
Speaker 2: it's your business's team.

951
00:41:06,760 --> 00:41:09,319
Speaker 3: Yeah, well no it is now, Yeah, that's.

952
00:41:09,239 --> 00:41:12,200
Speaker 2: What I'm saying. But it's named after your batting cage.

953
00:41:12,680 --> 00:41:12,839
Speaker 4: Yeah.

954
00:41:12,880 --> 00:41:14,560
Speaker 3: And the team will be named after the badge.

955
00:41:14,640 --> 00:41:15,239
Speaker 4: Yeah, got it.

956
00:41:15,680 --> 00:41:19,000
Speaker 1: So, which is good for Chris because he loves baseball

957
00:41:19,080 --> 00:41:21,400
Speaker 1: so much, and that's.

958
00:41:21,280 --> 00:41:23,879
Speaker 4: A SIGNE fourteen and he's you know, he's playing ball.

959
00:41:23,920 --> 00:41:26,799
Speaker 4: He's a stud man. He didn't start till eleven, so

960
00:41:27,120 --> 00:41:28,640
Speaker 4: you know, during the EIGHTU he never had that.

961
00:41:29,000 --> 00:41:29,640
Speaker 3: He didn't play.

962
00:41:30,239 --> 00:41:32,640
Speaker 4: But now I tore miniscus. So he's out till March

963
00:41:32,800 --> 00:41:36,120
Speaker 4: or till April. But he uh, he loves it and

964
00:41:36,160 --> 00:41:39,360
Speaker 4: he's helping coach that team until he rehabs.

965
00:41:39,400 --> 00:41:41,040
Speaker 2: Oh that's cool. Do you have one of those machines?

966
00:41:41,760 --> 00:41:43,920
Speaker 2: Whenever I was getting ready because I played in the

967
00:41:44,040 --> 00:41:47,640
Speaker 2: MLB All Star Softball Game this year. Super Awesome is

968
00:41:47,640 --> 00:41:51,239
Speaker 2: All Star weekend celebrity softball game. It's like t O

969
00:41:51,360 --> 00:41:54,240
Speaker 2: and Dez Bryant were on my team. My coach Cane

970
00:41:54,320 --> 00:41:58,520
Speaker 2: was on my team. So you know, you got MVP.

971
00:41:58,800 --> 00:42:00,360
Speaker 2: I did it came said that.

972
00:42:00,400 --> 00:42:01,520
Speaker 4: It was like, yeah, it's.

973
00:42:01,360 --> 00:42:02,280
Speaker 1: Incredible, it's awesome.

974
00:42:02,320 --> 00:42:04,560
Speaker 2: So I played a lot of ball growing up, but

975
00:42:04,560 --> 00:42:06,800
Speaker 2: I hadn't played softball in a long time. So I

976
00:42:06,880 --> 00:42:09,080
Speaker 2: joined the whole freaking league leading up to the game,

977
00:42:09,360 --> 00:42:10,920
Speaker 2: and I knew I was probably get three at bats,

978
00:42:10,920 --> 00:42:12,919
Speaker 2: but I wanted to be ready. Yeah, so I joined

979
00:42:12,920 --> 00:42:16,120
Speaker 2: a whole league. So I played, you know, ten games,

980
00:42:16,280 --> 00:42:17,719
Speaker 2: and I would go to the cages and they had

981
00:42:17,760 --> 00:42:20,080
Speaker 2: these cages that would say you wanted twelve feet ten

982
00:42:20,120 --> 00:42:21,360
Speaker 2: feet eight feet do you have?

983
00:42:22,360 --> 00:42:22,400
Speaker 1: That?

984
00:42:23,120 --> 00:42:25,840
Speaker 2: Stuff? Has gotten the technology what they allow.

985
00:42:25,719 --> 00:42:26,840
Speaker 3: It's absolutely insane.

986
00:42:26,880 --> 00:42:31,680
Speaker 4: And now you fast pitched, slow pitch, crazy baseball, speeds, curves, sliders.

987
00:42:31,239 --> 00:42:31,760
Speaker 1: It's crazy.

988
00:42:31,760 --> 00:42:33,399
Speaker 2: I was blown away. I've been up to the cage

989
00:42:33,400 --> 00:42:35,240
Speaker 2: in forever my head. I leave my hands all blistered,

990
00:42:35,680 --> 00:42:39,200
Speaker 2: and like my wife knows, I dedicate myself in ways

991
00:42:39,239 --> 00:42:42,960
Speaker 2: that it's not healthy, right, And she's like, why are

992
00:42:42,960 --> 00:42:45,680
Speaker 2: you bloodying your hands up and playing in a whole

993
00:42:45,760 --> 00:42:47,640
Speaker 2: league for three months when you're gonna go play for

994
00:42:47,719 --> 00:42:50,600
Speaker 2: like an hour and a half. Dedication I'm like, because

995
00:42:50,640 --> 00:42:51,800
Speaker 2: that's hour and a half.

996
00:42:52,200 --> 00:42:53,000
Speaker 4: That's amazing.

997
00:42:53,080 --> 00:42:56,960
Speaker 2: Yes, yes, and so that's pretty cool. You got like

998
00:42:57,000 --> 00:43:00,680
Speaker 2: another passion outside of your main Yeah, and.

999
00:43:00,640 --> 00:43:02,840
Speaker 4: I think she she wanted a job to like. She

1000
00:43:03,040 --> 00:43:05,319
Speaker 4: was like, she's a mom, she's a great mom. But

1001
00:43:05,360 --> 00:43:07,440
Speaker 4: it started getting to a point where she's like, I want.

1002
00:43:07,239 --> 00:43:09,560
Speaker 3: To do something else too. I was like, are you sure,

1003
00:43:09,920 --> 00:43:10,799
Speaker 3: you sure you want to do this?

1004
00:43:10,880 --> 00:43:12,960
Speaker 4: But I think she she enjoys it now because it's

1005
00:43:13,000 --> 00:43:16,000
Speaker 4: attached to the tier gym where my girls go, so

1006
00:43:16,040 --> 00:43:18,520
Speaker 4: she's always up there anyway, so she likes it.

1007
00:43:18,560 --> 00:43:21,479
Speaker 2: You guys still like music, Oh yeah, not your own,

1008
00:43:21,560 --> 00:43:23,880
Speaker 2: but you still like music, I mean do yeah.

1009
00:43:24,000 --> 00:43:26,640
Speaker 4: Yeah, I'm old school though, man. I like the eighties.

1010
00:43:28,320 --> 00:43:32,200
Speaker 4: I love Frank Sinatra. I love reggae. Being in Florida,

1011
00:43:32,200 --> 00:43:33,239
Speaker 4: reggae is always on my house.

1012
00:43:33,280 --> 00:43:35,600
Speaker 1: If Chris could just listen to reggae, I would twenty

1013
00:43:35,600 --> 00:43:37,840
Speaker 1: four to seven. If our album could just be reggae,

1014
00:43:38,080 --> 00:43:39,000
Speaker 1: it'd be great for him.

1015
00:43:39,280 --> 00:43:41,120
Speaker 2: Yeah, I never got into it. And Eddie loves it

1016
00:43:41,120 --> 00:43:42,479
Speaker 2: because ed he grew up on the beach, he lived

1017
00:43:43,200 --> 00:43:48,279
Speaker 2: down the valley. But like the golf Valley's golf, right, Mike, Yeah,

1018
00:43:48,320 --> 00:43:52,279
Speaker 2: it is. Yeah, it's oh there, it's regular all the time.

1019
00:43:52,280 --> 00:43:54,439
Speaker 2: It's like the same. It's almost like when you play

1020
00:43:54,520 --> 00:43:57,440
Speaker 2: dance music. Yeah yeah, that to me is almost what

1021
00:43:57,480 --> 00:43:59,359
Speaker 2: reggae is, except I know some of the songs.

1022
00:43:59,480 --> 00:44:01,560
Speaker 3: But you have to do the cover song reggae.

1023
00:44:02,160 --> 00:44:05,560
Speaker 4: So you put the playlists on on Ihearten. You can

1024
00:44:05,600 --> 00:44:08,080
Speaker 4: go on it and it tells you write cover songs reggae,

1025
00:44:08,520 --> 00:44:10,319
Speaker 4: and it'll play all the songs that we all know.

1026
00:44:10,560 --> 00:44:13,360
Speaker 4: It's like from Toto to Michael Jackson to anything.

1027
00:44:13,400 --> 00:44:15,359
Speaker 2: But I want to reggae, so Luke Bryant, But why

1028
00:44:15,400 --> 00:44:16,759
Speaker 2: would I want the song that I already like to

1029
00:44:16,800 --> 00:44:17,360
Speaker 2: sound worse?

1030
00:44:17,680 --> 00:44:18,080
Speaker 4: It's not.

1031
00:44:19,200 --> 00:44:21,919
Speaker 1: Trust me. You gotta listen to the right one.

1032
00:44:23,000 --> 00:44:25,120
Speaker 2: I hear. You can do it the elevator music too,

1033
00:44:25,239 --> 00:44:27,560
Speaker 2: you know. Yeah, No, I was just kids. I was

1034
00:44:27,560 --> 00:44:28,799
Speaker 2: looking at this list. I let men say if it's

1035
00:44:28,800 --> 00:44:32,040
Speaker 2: on my phone, it was I do have it here

1036
00:44:32,480 --> 00:44:34,960
Speaker 2: Forbes magazine Top thirty Rock Bands of All Time. I

1037
00:44:35,000 --> 00:44:37,040
Speaker 2: was looking at this before you guys have been got here.

1038
00:44:37,800 --> 00:44:38,719
Speaker 2: Have you guys seen the list?

1039
00:44:38,840 --> 00:44:42,080
Speaker 3: No, No, top thirty rock.

1040
00:44:41,960 --> 00:44:45,520
Speaker 2: Bands of all time? This is their list. I don't

1041
00:44:45,560 --> 00:44:48,000
Speaker 2: know who's who. Go go pick.

1042
00:44:47,800 --> 00:44:50,319
Speaker 4: One at a time, Go ahead, top top five, want

1043
00:44:50,320 --> 00:44:50,839
Speaker 4: the top five?

1044
00:44:50,960 --> 00:44:53,960
Speaker 2: Just yeah, sure, just we have rock thirty. Yeah, Forbes

1045
00:44:54,040 --> 00:44:55,520
Speaker 2: magazine Top thirty rock bands.

1046
00:44:56,040 --> 00:44:57,319
Speaker 3: Do the Beatles count time?

1047
00:44:57,719 --> 00:44:58,080
Speaker 2: Yeah?

1048
00:44:58,160 --> 00:44:58,759
Speaker 4: Yeah? Yeah?

1049
00:44:58,800 --> 00:45:00,000
Speaker 3: So he those are up in the top five.

1050
00:45:00,360 --> 00:45:01,279
Speaker 2: Beatles are at two.

1051
00:45:01,520 --> 00:45:02,879
Speaker 1: I'm saying Beach Boys.

1052
00:45:02,640 --> 00:45:03,560
Speaker 3: Each Boys are top ten.

1053
00:45:03,640 --> 00:45:05,920
Speaker 2: Okay, let me let me look. I haven't studied this.

1054
00:45:05,960 --> 00:45:07,520
Speaker 2: I was literally just looking out for you got here,

1055
00:45:08,000 --> 00:45:10,920
Speaker 2: but let me see you go go back and forth

1056
00:45:11,280 --> 00:45:13,200
Speaker 2: until somebody misses. But I don't. The Beach Boys an't

1057
00:45:13,200 --> 00:45:15,120
Speaker 2: gonna be on They're not on here on the top thirty.

1058
00:45:15,600 --> 00:45:19,440
Speaker 2: I didn't make the list, guys, Okay, so whatever film

1059
00:45:19,480 --> 00:45:22,880
Speaker 2: you have, Okay, you got Rolling Stones? Okay, Rolling Stones,

1060
00:45:24,080 --> 00:45:24,879
Speaker 2: Rolling Stones? Correct?

1061
00:45:24,960 --> 00:45:26,040
Speaker 3: Go yep.

1062
00:45:26,160 --> 00:45:29,920
Speaker 1: I would say Green Day, No, not top there. Somebody's

1063
00:45:29,960 --> 00:45:31,000
Speaker 1: gonna put them in their way.

1064
00:45:31,360 --> 00:45:36,640
Speaker 2: Yep, Green Day not on the list. Oh man, Eagles

1065
00:45:37,480 --> 00:45:41,280
Speaker 2: surely they're on there. The Eagles are at number eight. Okay,

1066
00:45:41,480 --> 00:45:42,759
Speaker 2: go ahead, man, I might be done.

1067
00:45:42,760 --> 00:45:44,319
Speaker 1: You get three strikes are out and I just let

1068
00:45:44,320 --> 00:45:47,800
Speaker 1: this man. Let me think all time. Go ahead, Chris,

1069
00:45:48,239 --> 00:45:50,480
Speaker 1: Chris is already it's I got this. I don't think

1070
00:45:50,760 --> 00:45:54,799
Speaker 1: it's like about this stuff. You already have your next one?

1071
00:45:54,880 --> 00:45:55,560
Speaker 3: Yeah you do?

1072
00:45:55,800 --> 00:45:56,120
Speaker 2: Yes?

1073
00:45:56,200 --> 00:45:58,560
Speaker 1: Nirvana, no, for sure, Nirvana has got to be on there.

1074
00:45:58,600 --> 00:46:01,040
Speaker 1: Let's see it has to be yeah, twenty three, thank you,

1075
00:46:01,480 --> 00:46:02,359
Speaker 1: Finally I get one.

1076
00:46:02,400 --> 00:46:03,600
Speaker 2: You got it? I mean yes, but I mean they

1077
00:46:03,680 --> 00:46:07,280
Speaker 2: changed the popular music, your popular music.

1078
00:46:10,200 --> 00:46:11,000
Speaker 3: Oh you two?

1079
00:46:12,000 --> 00:46:12,880
Speaker 2: You two at sixteen?

1080
00:46:14,120 --> 00:46:15,880
Speaker 4: Good John oh Man.

1081
00:46:16,320 --> 00:46:19,799
Speaker 2: You guys haven't hit according to their list one, three,

1082
00:46:19,920 --> 00:46:23,600
Speaker 2: four or five, although five is kind of cheating, I'll

1083
00:46:23,600 --> 00:46:26,800
Speaker 2: give you five out loud. They considered the Jimmy Hendricks

1084
00:46:26,840 --> 00:46:29,200
Speaker 2: Experience a band. Oh wow, I would have not guessed that.

1085
00:46:30,200 --> 00:46:33,359
Speaker 1: I'm gonna say kiss, kiss, yes kiss.

1086
00:46:33,880 --> 00:46:38,160
Speaker 2: The most overt band of all time comes in. Oh

1087
00:46:38,200 --> 00:46:38,920
Speaker 2: they do twenty six.

1088
00:46:39,520 --> 00:46:42,239
Speaker 4: I'm in the twenties, guys. Most of my bands are Aerosmith.

1089
00:46:42,480 --> 00:46:47,360
Speaker 2: Yeah, thirty one, mess Chris oh Man.

1090
00:46:47,920 --> 00:46:50,680
Speaker 4: Okay, I'm gonna go Miley Crue because I love him.

1091
00:46:50,840 --> 00:46:52,120
Speaker 4: I love him too, but I don't know if they're

1092
00:46:52,120 --> 00:46:52,640
Speaker 4: top thirty.

1093
00:46:55,400 --> 00:46:56,840
Speaker 1: Come on, crewe nah.

1094
00:46:56,960 --> 00:46:58,000
Speaker 3: I know make it.

1095
00:46:58,160 --> 00:47:00,799
Speaker 4: Guns and Roses has to because they were the most selling.

1096
00:47:00,600 --> 00:47:05,680
Speaker 2: Twenty Yeah, number one. I think I'm gonna pall again.

1097
00:47:06,520 --> 00:47:08,239
Speaker 2: You're missing. I would to put the Beatles at one,

1098
00:47:08,280 --> 00:47:11,759
Speaker 2: guessing my person me neither, but I would have put

1099
00:47:11,800 --> 00:47:13,719
Speaker 2: the Beatles the one. There are two, so who's the

1100
00:47:13,760 --> 00:47:16,759
Speaker 2: only there. There are probably two bands that could be

1101
00:47:17,000 --> 00:47:20,440
Speaker 2: argued that would be as bigger, bigger than the Beatles.

1102
00:47:20,440 --> 00:47:22,000
Speaker 2: And I think one of you already said the Rolling Stones, right,

1103
00:47:22,280 --> 00:47:24,279
Speaker 2: So it's not the Rolling Stones. Who's the only other

1104
00:47:24,320 --> 00:47:26,200
Speaker 2: band in the history of the world that could be

1105
00:47:26,840 --> 00:47:32,640
Speaker 2: arguably the greatest rock band of all time? When I

1106
00:47:32,680 --> 00:47:34,160
Speaker 2: say it, you're gonna go, of course.

1107
00:47:35,360 --> 00:47:38,120
Speaker 3: And it's not a CD you like me in there.

1108
00:47:38,160 --> 00:47:40,319
Speaker 2: Many nights have had no sleep and so your brain

1109
00:47:40,480 --> 00:47:43,040
Speaker 2: is foggy as crap. I live for fog. It's difficult.

1110
00:47:44,400 --> 00:47:49,960
Speaker 2: That's why I'm not really shaming you know, I'm not

1111
00:47:49,960 --> 00:47:53,000
Speaker 2: saying bigger. I think the Beatles would be number one,

1112
00:47:53,080 --> 00:47:55,000
Speaker 2: but this band you could, people would argue, and it

1113
00:47:55,000 --> 00:47:56,839
Speaker 2: would at least be two or three if you haven't

1114
00:47:56,880 --> 00:47:58,279
Speaker 2: hit it yet mm hmm.

1115
00:48:00,840 --> 00:48:02,799
Speaker 4: And it's gotta be like something that's just right.

1116
00:48:02,960 --> 00:48:05,840
Speaker 2: It's a four person band already.

1117
00:48:05,640 --> 00:48:06,920
Speaker 4: Yeah, because the Eagles are more than that.

1118
00:48:07,160 --> 00:48:13,920
Speaker 2: The drummer is dead skinnered uh, the lead singer is

1119
00:48:13,960 --> 00:48:17,759
Speaker 2: still alive, the lead guitar players still alive. I think

1120
00:48:17,800 --> 00:48:18,880
Speaker 2: the basses is dead.

1121
00:48:19,120 --> 00:48:20,040
Speaker 1: The Skinnard on there.

1122
00:48:20,880 --> 00:48:24,040
Speaker 4: Skinner will be top thirty for sure. Probably not.

1123
00:48:25,160 --> 00:48:27,439
Speaker 3: No, wow, I mean Journey's on there.

1124
00:48:28,719 --> 00:48:29,439
Speaker 2: Yeah, twenty four.

1125
00:48:31,239 --> 00:48:32,320
Speaker 1: Chris is good at this stuff.

1126
00:48:32,520 --> 00:48:33,080
Speaker 2: He's now on it.

1127
00:48:33,280 --> 00:48:35,879
Speaker 1: If this is church songs, I could the.

1128
00:48:36,080 --> 00:48:38,840
Speaker 2: Um you guys are literally you're gonna punch stuff in

1129
00:48:38,840 --> 00:48:40,479
Speaker 2: the head for four guys. Yeah.

1130
00:48:40,600 --> 00:48:40,719
Speaker 1: Uh.

1131
00:48:40,880 --> 00:48:43,400
Speaker 2: The drummer is dead, but his son then played in

1132
00:48:43,400 --> 00:48:44,160
Speaker 2: the band for a while.

1133
00:48:45,680 --> 00:48:51,240
Speaker 1: Oh it's easy. Top plays in the band.

1134
00:48:52,000 --> 00:48:55,719
Speaker 4: Oh van Halen, No, no, Van Haile's gotta be on.

1135
00:48:55,719 --> 00:48:59,200
Speaker 2: The rumor was they sold their soul to the devil

1136
00:49:00,560 --> 00:49:01,920
Speaker 2: and like in a castle.

1137
00:49:04,760 --> 00:49:06,960
Speaker 4: Brain farting this as I don't know this band.

1138
00:49:06,920 --> 00:49:10,080
Speaker 2: Mike, do you know who I'm thinking? You have it? Yeah, yeah,

1139
00:49:10,719 --> 00:49:14,960
Speaker 2: you have it. Uh. The lead singer did a country

1140
00:49:15,000 --> 00:49:20,000
Speaker 2: record with another with another artist poison No No did

1141
00:49:20,040 --> 00:49:22,320
Speaker 2: a good one. Wow.

1142
00:49:25,760 --> 00:49:32,439
Speaker 7: Oh you did a country record with the artist who's

1143
00:49:32,920 --> 00:49:36,000
Speaker 7: I would is the vocalist, but typically bluegrass ish.

1144
00:49:36,320 --> 00:49:41,560
Speaker 4: She is Alan Alison Krass Oh led Zeppelin, led Zeppelin,

1145
00:49:41,640 --> 00:49:43,440
Speaker 4: Sorry she was.

1146
00:49:44,280 --> 00:49:45,920
Speaker 1: I wouldn't put him above I would not put him

1147
00:49:45,920 --> 00:49:46,799
Speaker 1: above Beatles.

1148
00:49:46,520 --> 00:49:49,880
Speaker 2: Okay, but none of us would. But that they're a

1149
00:49:49,920 --> 00:49:52,239
Speaker 2: top five band of all time, Yes for sure. So

1150
00:49:52,280 --> 00:49:54,160
Speaker 2: I'm gonna walk through some of these Leed Zeppelin at one,

1151
00:49:55,040 --> 00:49:59,040
Speaker 2: and I'm sure this is like an aggregate of many,

1152
00:49:59,080 --> 00:50:01,399
Speaker 2: many many. Yeah. LED's Uplin at one, Beatles of two,

1153
00:50:02,280 --> 00:50:05,960
Speaker 2: Queen at three, Okay, yeah, I can okay, Pink Floyd

1154
00:50:05,960 --> 00:50:09,680
Speaker 2: at four, Wow, Jimi Hendrix Experience at five, The Stones

1155
00:50:09,680 --> 00:50:12,280
Speaker 2: at six, Van Halem at seven, Eagles at eight, Metallica

1156
00:50:12,280 --> 00:50:12,719
Speaker 2: at nine.

1157
00:50:12,960 --> 00:50:13,960
Speaker 4: Oh, you gotta have them talking.

1158
00:50:14,000 --> 00:50:14,799
Speaker 2: I'm surprised there was no.

1159
00:50:15,080 --> 00:50:17,439
Speaker 3: I can't believe I didn't say that. Sorry, a CDC.

1160
00:50:17,160 --> 00:50:18,680
Speaker 2: At ten, Fleetwood Mac at eleven.

1161
00:50:19,320 --> 00:50:20,600
Speaker 3: There was never a Fleetwood Mac fan?

1162
00:50:20,800 --> 00:50:22,319
Speaker 2: Which favorite Fleetwood Mac song? Though?

1163
00:50:23,160 --> 00:50:25,120
Speaker 4: I don't really know them? No, you do?

1164
00:50:25,239 --> 00:50:26,319
Speaker 2: You just don't know the Yeah, I.

1165
00:50:26,280 --> 00:50:28,640
Speaker 4: Just don't never really paid attention to him.

1166
00:50:29,360 --> 00:50:31,759
Speaker 2: I know, you know so many Flee songs and you

1167
00:50:31,800 --> 00:50:32,680
Speaker 2: don't even know you know them.

1168
00:50:32,719 --> 00:50:34,839
Speaker 3: Oh, I'm sure I know them. You can go your

1169
00:50:34,920 --> 00:50:36,359
Speaker 3: wrong way. Okay, that's a good one.

1170
00:50:36,400 --> 00:50:36,960
Speaker 2: That's a good one.

1171
00:50:37,040 --> 00:50:37,279
Speaker 4: Yeah.

1172
00:50:37,640 --> 00:50:42,359
Speaker 2: Landslide. I never liked Landslide. It don't matter. You don't

1173
00:50:42,360 --> 00:50:45,240
Speaker 2: mean to say anymore. Black Sabbath at twelve, Oh, okay,

1174
00:50:45,520 --> 00:50:48,960
Speaker 2: the no Motley Crue I'm gonna take this was kind

1175
00:50:49,000 --> 00:50:49,480
Speaker 2: of a novel.

1176
00:50:49,520 --> 00:50:53,839
Speaker 4: They were a glam band. They are fantastic, Yeah, fantastic.

1177
00:50:53,880 --> 00:50:57,160
Speaker 2: The Who, The Doors and the Clash thirteen fourteen, fifteen.

1178
00:50:56,880 --> 00:50:59,840
Speaker 3: Okay, Doors, I could see who Who.

1179
00:50:59,680 --> 00:51:02,560
Speaker 2: I can see clashes, a little stretch, the stretch that beat.

1180
00:51:02,600 --> 00:51:05,440
Speaker 2: The Beach Boys come on you two at sixteen.

1181
00:51:06,960 --> 00:51:07,880
Speaker 3: I thought they'd be higher.

1182
00:51:07,960 --> 00:51:10,760
Speaker 2: It was never an Iron Maiden guy. They're at seventeen.

1183
00:51:10,640 --> 00:51:14,359
Speaker 1: Iron Maiden and No Crew, Hey they were.

1184
00:51:14,840 --> 00:51:15,960
Speaker 2: Motley Crue did not make the list.

1185
00:51:16,080 --> 00:51:16,879
Speaker 1: I cannot believe.

1186
00:51:16,920 --> 00:51:19,040
Speaker 2: I'm gonna give you like eight more and you know what,

1187
00:51:19,280 --> 00:51:20,959
Speaker 2: all been selected over Motley Crue.

1188
00:51:20,960 --> 00:51:24,680
Speaker 1: I think this is aggregated by one person. It's their

1189
00:51:24,719 --> 00:51:25,800
Speaker 1: favorite bands opinion.

1190
00:51:26,160 --> 00:51:30,200
Speaker 2: Rush. I think Rush is extremely underrated. I'm not mad.

1191
00:51:30,239 --> 00:51:33,479
Speaker 2: I'm not I'm not someone who will go and chase

1192
00:51:33,520 --> 00:51:36,520
Speaker 2: down Rush when I will look at their body of

1193
00:51:36,520 --> 00:51:38,839
Speaker 2: work and listen to them. Rush to me is like

1194
00:51:39,000 --> 00:51:41,000
Speaker 2: Sticks where it's like.

1195
00:51:40,960 --> 00:51:44,879
Speaker 4: Holy crap, like I think Russian Pink Floyd have that RT.

1196
00:51:46,320 --> 00:51:48,239
Speaker 2: Same with Sticks to me, except Sticks is like a

1197
00:51:48,280 --> 00:51:52,360
Speaker 2: band of studio musicians that were yeah, so freaking elite,

1198
00:51:52,400 --> 00:51:54,520
Speaker 2: but I missed them that they weren't my time and

1199
00:51:54,560 --> 00:51:56,640
Speaker 2: I never will like chase Sticks down. But if I

1200
00:51:56,680 --> 00:51:58,760
Speaker 2: hear like two songs. I'm like, go look at the library.

1201
00:51:58,760 --> 00:52:00,719
Speaker 2: I'm like, I'm kind of blown away. And how good

1202
00:52:00,719 --> 00:52:04,600
Speaker 2: they were. Rage at nineteen regigainst the Machine like that's

1203
00:52:05,000 --> 00:52:10,360
Speaker 2: that's rages me, Guns and Rods at twenty, Heart at twenty.

1204
00:52:10,120 --> 00:52:13,080
Speaker 4: One, Okay, come on, god miss me.

1205
00:52:13,840 --> 00:52:20,480
Speaker 2: Cream's at twenty two. Nope, I mean Clapton was in Cream.

1206
00:52:20,640 --> 00:52:22,879
Speaker 4: Does it matter if it was? Clapton said it makes

1207
00:52:22,920 --> 00:52:23,719
Speaker 4: me Nirvan.

1208
00:52:23,560 --> 00:52:26,040
Speaker 2: At twenty three, Journey at four, twenty four, Radiohead at

1209
00:52:26,040 --> 00:52:28,759
Speaker 2: twenty five Radio He is good. Kiss at twenty six.

1210
00:52:28,800 --> 00:52:30,279
Speaker 2: I think kiss is so overrated. I know when you

1211
00:52:30,320 --> 00:52:32,439
Speaker 2: guys a kids, I don't even the kisses that good.

1212
00:52:33,160 --> 00:52:35,600
Speaker 2: They didn't wear make up. They have a hit and

1213
00:52:35,640 --> 00:52:35,919
Speaker 2: a half.

1214
00:52:36,000 --> 00:52:37,399
Speaker 4: It was brilliant that they did though.

1215
00:52:38,280 --> 00:52:39,319
Speaker 2: Oasis at twenty seven.

1216
00:52:39,960 --> 00:52:46,040
Speaker 4: When I went there, God, they were so big, so big,

1217
00:52:46,560 --> 00:52:48,520
Speaker 4: like who Oasis?

1218
00:52:48,640 --> 00:52:50,000
Speaker 3: Yeah, I still wouldn't have went there.

1219
00:52:51,520 --> 00:52:54,240
Speaker 2: My wife is eleven years younger than I am, almost twelve,

1220
00:52:54,680 --> 00:52:58,640
Speaker 2: so she missed Oasis. I didn't. I was right in

1221
00:52:58,680 --> 00:53:02,399
Speaker 2: my wheelhouse. And Oasis was going kind of viral ish

1222
00:53:02,440 --> 00:53:04,919
Speaker 2: again because the brothers and said they were getting back together.

1223
00:53:04,920 --> 00:53:06,600
Speaker 2: They're going to tour night this year now I think

1224
00:53:06,600 --> 00:53:08,960
Speaker 2: it's this year. Yeah, and they so they were all

1225
00:53:08,960 --> 00:53:12,600
Speaker 2: over TikTok and then my wife was listening, You're like,

1226
00:53:12,600 --> 00:53:14,960
Speaker 2: you want to go to England. Watched the first show back.

1227
00:53:15,719 --> 00:53:18,759
Speaker 2: She kind of like became a fan because they re emerged.

1228
00:53:19,920 --> 00:53:22,880
Speaker 2: Tull at twenty eight what tool was a little aggressive

1229
00:53:22,920 --> 00:53:25,640
Speaker 2: for me, super aggressive. There's some schism. I can take

1230
00:53:25,640 --> 00:53:27,399
Speaker 2: some schism if I'm not going to walk out to something.

1231
00:53:27,440 --> 00:53:28,799
Speaker 2: I don't know. I don't wrestle or anything, but if

1232
00:53:28,800 --> 00:53:34,040
Speaker 2: I did, Yeah, twenty nine is easy top and he

1233
00:53:34,080 --> 00:53:36,120
Speaker 2: goes the top. And Aerosmith at thirty.

1234
00:53:35,960 --> 00:53:37,960
Speaker 4: Thirty got air especially been way higher than that.

1235
00:53:38,200 --> 00:53:40,279
Speaker 2: That thing about Aerosmith that was interesting to me was

1236
00:53:41,080 --> 00:53:45,040
Speaker 2: they never had a number one until freaking Armor getting crazy.

1237
00:53:44,880 --> 00:53:46,800
Speaker 3: Right, But look how long they've been around.

1238
00:53:47,160 --> 00:53:50,240
Speaker 2: Oh yeah for sure, the late sixties.

1239
00:53:50,280 --> 00:53:50,520
Speaker 4: Yeah.

1240
00:53:50,760 --> 00:53:51,000
Speaker 1: Yeah.

1241
00:53:51,280 --> 00:53:53,480
Speaker 2: And Steven Tyler. The first time I met him. I

1242
00:53:53,520 --> 00:53:54,719
Speaker 2: don't know if you guys ever met him. He was

1243
00:53:54,760 --> 00:53:56,640
Speaker 2: so nice. I met him two or three times, and

1244
00:53:56,680 --> 00:53:59,440
Speaker 2: I ran to him at Disney World once he randomly

1245
00:54:00,360 --> 00:54:00,839
Speaker 2: sort of.

1246
00:54:01,040 --> 00:54:02,440
Speaker 3: Was he at his place?

1247
00:54:02,640 --> 00:54:05,399
Speaker 2: Okay, I'll give you a mid a mid flex because

1248
00:54:05,440 --> 00:54:07,880
Speaker 2: it just sounds weird running into Stephen Tyler. I was

1249
00:54:07,920 --> 00:54:10,880
Speaker 2: working for Disney. I was doing American Idol Dance with Stars.

1250
00:54:11,080 --> 00:54:13,359
Speaker 2: So they send you with a you get to break

1251
00:54:13,360 --> 00:54:16,319
Speaker 2: all the lines you have a person and then all

1252
00:54:16,360 --> 00:54:18,359
Speaker 2: those people they put you together if you're near each other.

1253
00:54:18,680 --> 00:54:20,520
Speaker 2: And I was, and so I get lumped in there

1254
00:54:20,560 --> 00:54:26,480
Speaker 2: with Stephen Tyler's and He's like, it's so nice. It

1255
00:54:26,560 --> 00:54:27,040
Speaker 2: was so nice.

1256
00:54:27,640 --> 00:54:28,600
Speaker 4: Do you get on his ride with it?

1257
00:54:28,840 --> 00:54:30,440
Speaker 2: No, we went to different rides, but we were kind

1258
00:54:30,440 --> 00:54:32,560
Speaker 2: of walking to that same area. That would have been surreal, though,

1259
00:54:32,640 --> 00:54:34,040
Speaker 2: but he you know, they went from what.

1260
00:54:34,040 --> 00:54:35,040
Speaker 1: He has his own ride there?

1261
00:54:35,280 --> 00:54:37,040
Speaker 2: Yeah, oh, his own ride they did have?

1262
00:54:39,440 --> 00:54:40,760
Speaker 3: Or was that that was Disney?

1263
00:54:40,960 --> 00:54:44,320
Speaker 4: Was it used to be MGM, Hollywood Studios.

1264
00:54:44,800 --> 00:54:47,440
Speaker 1: Chris knows Disney, but I was Hollywood.

1265
00:54:47,480 --> 00:54:51,400
Speaker 4: Disney was Disney, Hollywood Studios, Disney Animal Kingdom.

1266
00:54:51,760 --> 00:54:54,000
Speaker 2: I have no idea. We didn't get on his ride.

1267
00:54:54,000 --> 00:54:55,080
Speaker 2: I didn't. I never wrote his ride.

1268
00:54:55,080 --> 00:54:57,680
Speaker 4: But it's pretty cool rock and roller.

1269
00:54:57,440 --> 00:54:58,239
Speaker 2: Coasters, it is.

1270
00:54:58,280 --> 00:54:58,640
Speaker 4: He can.

1271
00:55:00,920 --> 00:55:03,080
Speaker 2: He they started in like the late sixties, but he

1272
00:55:03,120 --> 00:55:05,960
Speaker 2: talked about how Freddy Mercury opened going open for them,

1273
00:55:05,960 --> 00:55:08,640
Speaker 2: and Freddy Mrkay right in the front of their tour bus.

1274
00:55:09,040 --> 00:55:11,719
Speaker 2: That's crazy, Like, that's how long that they've been an

1275
00:55:11,840 --> 00:55:15,080
Speaker 2: entity and their first real number one wasn't to arm

1276
00:55:15,080 --> 00:55:18,200
Speaker 2: again and they had massive albums and massive.

1277
00:55:17,880 --> 00:55:19,000
Speaker 3: What they rank him at thirty?

1278
00:55:19,120 --> 00:55:23,680
Speaker 2: But they well, this guy, this guy, these people, yeah,

1279
00:55:23,760 --> 00:55:28,759
Speaker 2: whomever these No bon Jovi? Oh shoot, you could have

1280
00:55:28,840 --> 00:55:31,319
Speaker 2: argued bon Jovi or over some of these Alan the

1281
00:55:31,360 --> 00:55:32,160
Speaker 2: hell's bon Jovi?

1282
00:55:32,280 --> 00:55:34,160
Speaker 1: No, I'm gonna start an alternate list.

1283
00:55:34,440 --> 00:55:35,160
Speaker 3: This is crazy.

1284
00:55:35,200 --> 00:55:37,040
Speaker 1: We got to do some real runner und and.

1285
00:55:37,040 --> 00:55:37,440
Speaker 2: You can do that.

1286
00:55:37,440 --> 00:55:38,640
Speaker 4: And this is Forbes that did this.

1287
00:55:39,160 --> 00:55:42,240
Speaker 2: It's like a group of riders music writers at Forbes

1288
00:55:42,520 --> 00:55:44,160
Speaker 2: when they yes.

1289
00:55:43,960 --> 00:55:46,560
Speaker 1: Did they base this off of how much they made?

1290
00:55:46,880 --> 00:55:50,239
Speaker 2: They based because of They based this off of how

1291
00:55:50,920 --> 00:55:55,840
Speaker 2: irritated you'd be. They weren't my cru No, they know

1292
00:55:56,040 --> 00:55:59,279
Speaker 2: they I don't know. It can't it can't be because

1293
00:55:59,280 --> 00:56:02,040
Speaker 2: if you're looking at money, these bands are from ten,

1294
00:56:02,080 --> 00:56:05,360
Speaker 2: twenty thirty forty years apart. Then they adding inflation. I

1295
00:56:05,400 --> 00:56:07,360
Speaker 2: think they just probably wanted to write an article to

1296
00:56:07,360 --> 00:56:09,000
Speaker 2: get flex and if you want to get clicks, have

1297
00:56:09,040 --> 00:56:12,279
Speaker 2: an opinion, right, and then purposefully put something in there

1298
00:56:12,320 --> 00:56:14,680
Speaker 2: that's a bit outrageous in a list, even if you

1299
00:56:14,719 --> 00:56:16,319
Speaker 2: don't mean it, so then people can tell you how

1300
00:56:16,360 --> 00:56:18,280
Speaker 2: stupid you are, but you're only doing it for engagement

1301
00:56:18,320 --> 00:56:20,400
Speaker 2: and clicks. Yeah. Perfect, that's putting the class of fifteen

1302
00:56:20,719 --> 00:56:22,760
Speaker 2: to me and not Buddy Motley crue In. According to Preston,

1303
00:56:22,840 --> 00:56:25,120
Speaker 2: yeah yeah, what do you Jovi at this point? No,

1304
00:56:25,280 --> 00:56:27,520
Speaker 2: I never I was never a bun jo again, No,

1305
00:56:27,560 --> 00:56:27,919
Speaker 2: not really.

1306
00:56:27,920 --> 00:56:29,680
Speaker 3: They were huge though. I agree.

1307
00:56:29,719 --> 00:56:30,440
Speaker 4: Yeah, I agree.

1308
00:56:30,480 --> 00:56:32,640
Speaker 2: What do you guys do, like the rest of the day,

1309
00:56:32,680 --> 00:56:33,680
Speaker 2: and then how long are you in town?

1310
00:56:34,320 --> 00:56:35,440
Speaker 3: We got the opera tonight.

1311
00:56:36,120 --> 00:56:39,040
Speaker 2: You got to get some rest. Huh, well rest, what

1312
00:56:39,120 --> 00:56:39,439
Speaker 2: is that?

1313
00:56:39,880 --> 00:56:41,960
Speaker 4: My kids are flying in right now, so I'll pick

1314
00:56:42,000 --> 00:56:43,480
Speaker 4: them up. We're staying to the opera land, which would

1315
00:56:43,480 --> 00:56:43,799
Speaker 4: be great.

1316
00:56:45,000 --> 00:56:47,319
Speaker 1: We got the we got two hotel rooms with the

1317
00:56:47,400 --> 00:56:49,719
Speaker 1: suite in the middle, like the little parlor room in

1318
00:56:49,719 --> 00:56:51,720
Speaker 1: the middle, so all of our kids could play together.

1319
00:56:51,840 --> 00:56:54,319
Speaker 4: Yeah, like my little ones are his little one's best friends. Yeah,

1320
00:56:54,360 --> 00:56:54,680
Speaker 4: they are.

1321
00:56:55,360 --> 00:56:57,399
Speaker 3: Put them together in their party and.

1322
00:56:57,360 --> 00:56:58,759
Speaker 1: Then we can just go do what we gotta do

1323
00:56:58,800 --> 00:57:02,160
Speaker 1: and then come back and you know, order pizzas whatever.

1324
00:57:02,840 --> 00:57:03,839
Speaker 2: So you guys still like each other?

1325
00:57:03,920 --> 00:57:06,960
Speaker 4: Huh yeah, man, that's the that's the main thing that

1326
00:57:07,000 --> 00:57:08,799
Speaker 4: everybody asks us. They're like, man, how do you guys?

1327
00:57:08,840 --> 00:57:11,440
Speaker 4: You guys argue? We were we were doing some interview

1328
00:57:11,440 --> 00:57:13,080
Speaker 4: and they're like, it was the last argument. I'm like,

1329
00:57:14,480 --> 00:57:18,000
Speaker 4: I couldn't. I mean, we'll disagree with something, but there's

1330
00:57:18,040 --> 00:57:21,000
Speaker 4: never really a fight or an argument or I think

1331
00:57:21,040 --> 00:57:23,200
Speaker 4: we know each other by now, and we have the

1332
00:57:23,240 --> 00:57:24,520
Speaker 4: same goal, the same vision.

1333
00:57:24,600 --> 00:57:26,640
Speaker 3: We hustle together, we you know.

1334
00:57:26,720 --> 00:57:30,240
Speaker 4: And I also think that me moving down there also

1335
00:57:30,320 --> 00:57:32,680
Speaker 4: made me a better person, you know, not that I

1336
00:57:32,720 --> 00:57:34,720
Speaker 4: was a horrible person, but I was just you know

1337
00:57:34,720 --> 00:57:35,560
Speaker 4: how it is up period.

1338
00:57:35,560 --> 00:57:37,880
Speaker 1: But also we've been together a long time and so

1339
00:57:37,920 --> 00:57:39,400
Speaker 1: when he went to Florida, it kind of gave us

1340
00:57:39,400 --> 00:57:43,120
Speaker 1: a little space and makes you look forward to, you know,

1341
00:57:43,360 --> 00:57:44,160
Speaker 1: hanging out again.

1342
00:57:44,320 --> 00:57:47,040
Speaker 3: I mean we talked ten times a day.

1343
00:57:47,200 --> 00:57:49,720
Speaker 2: Now that you're running a business together too, Yeah yeah,

1344
00:57:49,800 --> 00:57:51,640
Speaker 2: what's it? What's in the bag? You bring a gift?

1345
00:57:51,800 --> 00:57:53,560
Speaker 1: Oh yeah, yeah, we got some stuff.

1346
00:57:55,000 --> 00:57:56,680
Speaker 4: I'm literally we're doing a trade because you're here.

1347
00:57:56,760 --> 00:57:59,960
Speaker 2: I didn't know that, but I'm wearing a Cubs card,

1348
00:58:00,040 --> 00:58:02,320
Speaker 2: you know, a Massacs fan. It's and this I had

1349
00:58:02,320 --> 00:58:04,440
Speaker 2: no idea, is that is that something Cubs related?

1350
00:58:04,480 --> 00:58:07,160
Speaker 1: So it's Cubs related. Just like last time when we

1351
00:58:07,160 --> 00:58:10,000
Speaker 1: were on here and uh, our buddies. I don't want

1352
00:58:10,040 --> 00:58:10,560
Speaker 1: to tell you too much.

1353
00:58:10,560 --> 00:58:12,360
Speaker 4: Baseballs you ever heard of baseballism?

1354
00:58:13,000 --> 00:58:15,560
Speaker 2: I probably bought stuff from Yeah, our buddies. You don't

1355
00:58:15,560 --> 00:58:16,600
Speaker 2: want to tell me too much? Do I need to

1356
00:58:16,600 --> 00:58:17,439
Speaker 2: pull out in an order?

1357
00:58:17,960 --> 00:58:18,120
Speaker 4: Well?

1358
00:58:18,120 --> 00:58:18,960
Speaker 3: That one's special?

1359
00:58:19,160 --> 00:58:21,920
Speaker 2: Oh this is cool? What is this? This is by

1360
00:58:21,960 --> 00:58:24,720
Speaker 2: low Cash? Oh this is Oh that's awesome.

1361
00:58:24,760 --> 00:58:26,720
Speaker 4: And that's our song was signed by Bruce and Mike.

1362
00:58:26,800 --> 00:58:28,760
Speaker 2: Yeah, yeah, yeah, I know what your song right?

1363
00:58:29,640 --> 00:58:30,240
Speaker 1: Well you played it?

1364
00:58:30,280 --> 00:58:32,440
Speaker 2: Yeah, that's all. This is awesome. Oh that's really cool.

1365
00:58:32,520 --> 00:58:38,480
Speaker 2: Thank you. And so pull first blue or do blue first? Yeah?

1366
00:58:41,800 --> 00:58:43,280
Speaker 1: I know this is stick jacket.

1367
00:58:43,440 --> 00:58:47,840
Speaker 2: Yes, this is a got either go to Wrigley and

1368
00:58:47,880 --> 00:58:50,800
Speaker 2: wear it because it's kind of cold, a may or

1369
00:58:51,000 --> 00:58:52,640
Speaker 2: put the song before I kick their butts and pickleball

1370
00:58:52,640 --> 00:58:54,800
Speaker 2: before it gets Let's go forrm agon. Oh that's awesome,

1371
00:58:54,920 --> 00:58:55,680
Speaker 2: Thank you guys.

1372
00:58:55,720 --> 00:58:56,920
Speaker 1: I mean it's not as cool as your car.

1373
00:58:57,000 --> 00:58:59,320
Speaker 4: I could have put a cubby bear inside the pickleball.

1374
00:58:59,360 --> 00:59:01,240
Speaker 1: That would have been okay, Oh that would have been awesome.

1375
00:59:01,400 --> 00:59:03,840
Speaker 2: No, I was lucky to get the court.

1376
00:59:05,160 --> 00:59:06,240
Speaker 3: It's a little sticker for.

1377
00:59:06,360 --> 00:59:10,320
Speaker 1: That little leather here, so baseball ism and a little

1378
00:59:10,440 --> 00:59:13,640
Speaker 1: a little hygiene travel back when you check it out,

1379
00:59:13,640 --> 00:59:15,040
Speaker 1: that's pretty it's pretty awesome.

1380
00:59:15,080 --> 00:59:17,440
Speaker 3: So it's a it smells like a glove too.

1381
00:59:17,320 --> 00:59:19,640
Speaker 1: So and it's all cuves c interior.

1382
00:59:20,160 --> 00:59:23,480
Speaker 2: That is cool. That's not like a baseball glove. Yeah,

1383
00:59:23,480 --> 00:59:25,400
Speaker 2: thanks guys, that's super guys.

1384
00:59:25,880 --> 00:59:29,000
Speaker 5: Let's take a quick pause for a message from our sponsor.

1385
00:59:37,360 --> 00:59:39,560
Speaker 6: And we're back on the Bobby Cast.

1386
00:59:40,800 --> 00:59:45,720
Speaker 2: Congratulations. Just like generally speaking, I guess I'll speak from

1387
00:59:45,760 --> 00:59:50,240
Speaker 2: the point of view of someone who respects that you

1388
00:59:50,280 --> 00:59:56,160
Speaker 2: guys are building something the risk that takes a lot

1389
00:59:56,200 --> 00:59:57,600
Speaker 2: of people don't do it because a lot of people

1390
00:59:57,680 --> 00:59:59,600
Speaker 2: get scared of the risk. And with the risk, there's

1391
01:00:00,480 --> 01:00:04,080
Speaker 2: sure there's reward, but oftentimes there's many, many, many setbacks

1392
01:00:04,120 --> 01:00:07,680
Speaker 2: before the reward. Yes, uh so, a lot of respect

1393
01:00:07,720 --> 01:00:10,720
Speaker 2: from me to you guys for just taking a shot

1394
01:00:10,760 --> 01:00:16,160
Speaker 2: at it, even before any success happens. But even to

1395
01:00:16,200 --> 01:00:19,439
Speaker 2: have like your first bullet like hit crazy, that's kind

1396
01:00:19,440 --> 01:00:20,080
Speaker 2: of crazy.

1397
01:00:20,240 --> 01:00:21,080
Speaker 3: It's pretty awesome.

1398
01:00:22,080 --> 01:00:23,880
Speaker 4: We're going to calls from other labels and they're like,

1399
01:00:23,920 --> 01:00:25,120
Speaker 4: what are you going to do with this label?

1400
01:00:25,160 --> 01:00:29,400
Speaker 2: And we're like, like, as hustlers, that's kind of crazy

1401
01:00:30,520 --> 01:00:34,000
Speaker 2: because I'm not nothing. Nothing is lucky about this and

1402
01:00:34,120 --> 01:00:36,320
Speaker 2: I'm not surprised it worked out, but just the odds

1403
01:00:36,320 --> 01:00:37,680
Speaker 2: of the first one.

1404
01:00:37,080 --> 01:00:39,320
Speaker 4: Yeah, I meant the.

1405
01:00:39,240 --> 01:00:41,160
Speaker 2: First one working on a major label doesn't happen a

1406
01:00:41,200 --> 01:00:41,720
Speaker 2: lot of times.

1407
01:00:41,800 --> 01:00:42,560
Speaker 1: I know, it's wild.

1408
01:00:42,640 --> 01:00:43,760
Speaker 3: It's it's pretty crazy.

1409
01:00:44,040 --> 01:00:46,320
Speaker 4: And the funny thing with the song when we wrote it,

1410
01:00:47,040 --> 01:00:48,840
Speaker 4: I mean, I just when you just feel something, man,

1411
01:00:48,920 --> 01:00:51,200
Speaker 4: I felt this song no matter what. And then while

1412
01:00:51,200 --> 01:00:52,840
Speaker 4: we were leaving, he really pushed for this song.

1413
01:00:53,000 --> 01:00:53,800
Speaker 2: We were leaving.

1414
01:00:53,600 --> 01:00:56,520
Speaker 4: BMG Lobas like played me something. I played them, We

1415
01:00:56,560 --> 01:00:59,040
Speaker 4: played him that song and he's like, where's the song?

1416
01:00:59,120 --> 01:01:01,400
Speaker 1: Ben was like, well, we turned it in two years ago,

1417
01:01:01,720 --> 01:01:04,400
Speaker 1: but I guess it never made it to you. And

1418
01:01:04,440 --> 01:01:08,480
Speaker 1: that's the trouble with sometimes with big major corporations. You know,

1419
01:01:08,520 --> 01:01:10,840
Speaker 1: you turn in music and not everybody's gonna hear him

1420
01:01:10,880 --> 01:01:13,400
Speaker 1: uddle because there's a lot of great songs. Uh, nothing

1421
01:01:13,400 --> 01:01:16,440
Speaker 1: against them. I got to take it back though, before

1422
01:01:16,480 --> 01:01:21,320
Speaker 1: we go, because when I think of the name Bobby Bones,

1423
01:01:22,000 --> 01:01:25,400
Speaker 1: I think of being in Augusta, Georgia on the bus.

1424
01:01:25,680 --> 01:01:27,440
Speaker 1: We're on the bus. You're right there with me, all right,

1425
01:01:28,840 --> 01:01:33,400
Speaker 1: So I'm asleep on the bus, and I can tell

1426
01:01:33,400 --> 01:01:35,880
Speaker 1: you what bunk I'm in because when the struggle, when

1427
01:01:35,920 --> 01:01:38,040
Speaker 1: the struggles happen and you're out there on the road,

1428
01:01:38,560 --> 01:01:40,920
Speaker 1: nothing's going your way. You don't have a song on

1429
01:01:40,960 --> 01:01:44,360
Speaker 1: the radio, nobody barely knows your name, and you're trying to,

1430
01:01:44,480 --> 01:01:47,960
Speaker 1: you know, make ends meet. Chris wakes me up. The

1431
01:01:48,040 --> 01:01:50,800
Speaker 1: curtains flies open on my bunk. My wife called me

1432
01:01:51,200 --> 01:01:54,240
Speaker 1: and he says, he's just pressing. You got to wake up.

1433
01:01:55,160 --> 01:01:58,200
Speaker 1: Bobby Bones just played our song on the radio and

1434
01:01:59,240 --> 01:02:05,880
Speaker 1: this is what to thousand, I mean eighty seven, fourteen, fourteen,

1435
01:02:05,920 --> 01:02:11,920
Speaker 1: twenty fourteen ish, and it didn't even register because this

1436
01:02:12,040 --> 01:02:14,200
Speaker 1: is I mean, this is the hottest show in America

1437
01:02:14,520 --> 01:02:18,320
Speaker 1: and maybe the world. And I'm like what And he

1438
01:02:18,440 --> 01:02:20,959
Speaker 1: was like, he just set our name and he wants

1439
01:02:21,000 --> 01:02:23,400
Speaker 1: us to call and I'm like, no way.

1440
01:02:23,640 --> 01:02:27,520
Speaker 3: That was the that moment the thing you Do movie, Yeah,

1441
01:02:27,560 --> 01:02:28,640
Speaker 3: that was that moment for us.

1442
01:02:28,720 --> 01:02:30,560
Speaker 1: It was like it was all behind the music right

1443
01:02:30,600 --> 01:02:33,280
Speaker 1: at the darkest moment, and all of a sudden, they

1444
01:02:33,800 --> 01:02:36,400
Speaker 1: cut to a commercial and they're like, but you know

1445
01:02:36,400 --> 01:02:38,280
Speaker 1: when you come back for the commercial, All of a sudden,

1446
01:02:38,360 --> 01:02:41,280
Speaker 1: Bobby is there, you know, and it's like, okay, So

1447
01:02:41,440 --> 01:02:43,240
Speaker 1: we go to the front lounge. I'm trying to shake

1448
01:02:43,440 --> 01:02:46,240
Speaker 1: shake out the cobwebs, you know, and I'm like, well,

1449
01:02:46,320 --> 01:02:48,800
Speaker 1: let's call Bobby. And so I don't have the phone number.

1450
01:02:48,840 --> 01:02:50,960
Speaker 1: So someone sends us the phone number and we call

1451
01:02:51,160 --> 01:02:53,640
Speaker 1: and you go live on the air and you're like, dude,

1452
01:02:53,920 --> 01:02:55,120
Speaker 1: this song. I love this life.

1453
01:02:55,480 --> 01:02:58,160
Speaker 4: I'm going to keep playing this chart the way to

1454
01:02:58,200 --> 01:02:58,560
Speaker 4: the top.

1455
01:02:58,400 --> 01:02:58,800
Speaker 2: Of the chart.

1456
01:02:59,280 --> 01:03:02,880
Speaker 1: It was crazy thing ever, and so we wouldn't be

1457
01:03:02,880 --> 01:03:05,040
Speaker 1: sitting in these chairs, we wouldn't have galaxy, we wouldn't

1458
01:03:05,040 --> 01:03:07,480
Speaker 1: have those things without you. So I always have to

1459
01:03:07,520 --> 01:03:08,440
Speaker 1: tell you thank you for that.

1460
01:03:08,840 --> 01:03:11,920
Speaker 2: No, no, that none of that back part's true because

1461
01:03:11,920 --> 01:03:15,000
Speaker 2: you would because your hustlers, your grinders. But yeah, no,

1462
01:03:15,040 --> 01:03:18,520
Speaker 2: that was cool. But if it wasn't good, I wouldn't

1463
01:03:18,560 --> 01:03:19,120
Speaker 2: have done it.

1464
01:03:19,200 --> 01:03:21,440
Speaker 1: Life changing for us and that and that and.

1465
01:03:21,320 --> 01:03:23,360
Speaker 2: That makes me. I like that, right, it makes me

1466
01:03:23,400 --> 01:03:26,360
Speaker 2: feel good. Mare you feel But again, just to put

1467
01:03:26,360 --> 01:03:27,800
Speaker 2: it back on you guys a little bit, It's not

1468
01:03:27,880 --> 01:03:30,600
Speaker 2: like I was out looking to give charity to somebody

1469
01:03:30,600 --> 01:03:32,400
Speaker 2: and you guys got fortunate enough that I drew your

1470
01:03:32,440 --> 01:03:34,640
Speaker 2: name out of a hat right, like I heard the song,

1471
01:03:35,000 --> 01:03:41,520
Speaker 2: and I think many times it just takes a light

1472
01:03:41,640 --> 01:03:44,200
Speaker 2: shined on something for other people to go, oh, holy crap,

1473
01:03:44,240 --> 01:03:45,080
Speaker 2: this is actually pretty good.

1474
01:03:45,160 --> 01:03:46,680
Speaker 1: And I've seen you do it for other folks too,

1475
01:03:46,720 --> 01:03:47,880
Speaker 1: and it's awesome.

1476
01:03:47,920 --> 01:03:51,440
Speaker 2: Well, I appreciate that. And that song became a massive

1477
01:03:51,480 --> 01:03:52,880
Speaker 2: hit and it was not because of me. It was

1478
01:03:52,920 --> 01:03:55,200
Speaker 2: because it was a good song. I just happened to

1479
01:03:55,240 --> 01:03:57,680
Speaker 2: have a platform that was big and I played, but

1480
01:03:57,720 --> 01:03:59,000
Speaker 2: that was it. But that was it. I didn't write

1481
01:03:59,040 --> 01:04:00,440
Speaker 2: it and sing moments.

1482
01:04:00,480 --> 01:04:02,760
Speaker 4: Those moments are so big, and I always wanted to

1483
01:04:02,800 --> 01:04:04,520
Speaker 4: have that moment as like that thing you do because

1484
01:04:04,520 --> 01:04:06,400
Speaker 4: it was such a good movie, especially if you wanted

1485
01:04:06,400 --> 01:04:08,520
Speaker 4: to be a musician, And that was that moment. Man,

1486
01:04:08,600 --> 01:04:11,600
Speaker 4: that was that when they all run in together and.

1487
01:04:11,560 --> 01:04:14,280
Speaker 3: Like you listen to our song. My wife was screaming

1488
01:04:14,320 --> 01:04:14,920
Speaker 3: when she called me.

1489
01:04:15,000 --> 01:04:16,920
Speaker 2: I did call you LoCash and they call them the

1490
01:04:16,960 --> 01:04:20,480
Speaker 2: owne eaters. Though, yeah, I could have been here's locush.

1491
01:04:20,600 --> 01:04:26,400
Speaker 2: Yeah you guys, I love locush. Here's a man. Great

1492
01:04:26,400 --> 01:04:29,360
Speaker 2: to see you, guys, man rooting for you guys. You're

1493
01:04:29,360 --> 01:04:32,560
Speaker 2: gonna have our support whenever that number one week is

1494
01:04:33,120 --> 01:04:35,800
Speaker 2: thank you or if you're going ten weeks in a row, like, just.

1495
01:04:35,960 --> 01:04:39,320
Speaker 4: That's that, you know, we'll see what I'll take one week, Yeah.

1496
01:04:39,240 --> 01:04:40,680
Speaker 1: Just just let me know one week at a time.

1497
01:04:40,840 --> 01:04:43,800
Speaker 2: Good. I think was I sick last time they were

1498
01:04:43,800 --> 01:04:46,720
Speaker 2: coming in? Is that what happened? Dude? Well, I'll give

1499
01:04:46,760 --> 01:04:49,880
Speaker 2: you one final stomach story. I tore my stomach lining

1500
01:04:50,640 --> 01:04:54,160
Speaker 2: because that it's just bad, right, and so a lot

1501
01:04:54,200 --> 01:04:58,120
Speaker 2: of pressure and then it got infected. And that was

1502
01:04:58,120 --> 01:04:59,600
Speaker 2: the last time you guys supposed to be here.

1503
01:05:00,000 --> 01:05:00,680
Speaker 4: I can take.

1504
01:05:02,240 --> 01:05:04,720
Speaker 2: I had. They had to stick blue dye in me. Oh,

1505
01:05:05,000 --> 01:05:06,360
Speaker 2: they had to shoot me with the blue dye so

1506
01:05:06,360 --> 01:05:07,960
Speaker 2: they could find out where the rips wear in my

1507
01:05:07,960 --> 01:05:10,160
Speaker 2: stomach lining. And that's how they find it. They put

1508
01:05:10,200 --> 01:05:12,600
Speaker 2: the color dye in you to then do this. Wow,

1509
01:05:13,320 --> 01:05:13,920
Speaker 2: the imaging.

1510
01:05:14,040 --> 01:05:14,560
Speaker 4: What's that feel?

1511
01:05:14,560 --> 01:05:16,000
Speaker 3: Does it feel like sharp pains?

1512
01:05:16,280 --> 01:05:17,720
Speaker 2: I'm glad you asked, cause I forgot to tell the

1513
01:05:17,760 --> 01:05:22,360
Speaker 2: story to anybody. So the lady who's putting the dye

1514
01:05:22,440 --> 01:05:26,000
Speaker 2: in me goes, this is going to feel weird. I

1515
01:05:26,040 --> 01:05:27,920
Speaker 2: don't like needles, so I think that's going to be

1516
01:05:27,920 --> 01:05:29,800
Speaker 2: the feeling of it, like a needle, like a poke,

1517
01:05:30,440 --> 01:05:33,440
Speaker 2: And so she puts it in the blue dye. It

1518
01:05:33,520 --> 01:05:37,560
Speaker 2: feels like I'm peeing my pants. I go, oh my god,

1519
01:05:37,720 --> 01:05:40,200
Speaker 2: I think I'm paying my pants. She goes, no, no, no,

1520
01:05:40,680 --> 01:05:42,800
Speaker 2: that's the feeling. I said, No, I think I'm I

1521
01:05:42,800 --> 01:05:45,520
Speaker 2: think I'm peeing my pants because it's warm and it

1522
01:05:45,560 --> 01:05:49,440
Speaker 2: feels like you're urinating. And she goes, I promise you

1523
01:05:49,440 --> 01:05:52,360
Speaker 2: you're not, And I was. Then I started to want

1524
01:05:52,360 --> 01:05:54,200
Speaker 2: to people of pants to prove wrong. That's just like

1525
01:05:54,240 --> 01:05:56,720
Speaker 2: the person in me that wants to but I didn't.

1526
01:05:56,880 --> 01:05:58,680
Speaker 2: But that blue dye made me feel like I was

1527
01:05:58,800 --> 01:06:00,800
Speaker 2: just letting it go like that. That's crazy.

1528
01:06:00,880 --> 01:06:01,280
Speaker 3: Yeah.

1529
01:06:01,320 --> 01:06:04,760
Speaker 2: So but that's why the last time you guys came

1530
01:06:04,800 --> 01:06:06,439
Speaker 2: we were gonna do this, I had torn my freaking

1531
01:06:06,480 --> 01:06:11,600
Speaker 2: stomach lining and I'm back. I'm like, yeah, a lot

1532
01:06:11,640 --> 01:06:12,400
Speaker 2: of the body does.

1533
01:06:12,520 --> 01:06:15,960
Speaker 4: Yeah, do you put like like an antibiotic or something

1534
01:06:15,960 --> 01:06:16,120
Speaker 4: like that.

1535
01:06:16,160 --> 01:06:18,200
Speaker 2: I took an antibiotic okay, yeah yeah, but I couldn't

1536
01:06:18,200 --> 01:06:21,000
Speaker 2: really get to it to like yeah, rub anything.

1537
01:06:20,960 --> 01:06:22,720
Speaker 1: I mean, how did you do?

1538
01:06:22,840 --> 01:06:23,120
Speaker 4: You know?

1539
01:06:24,280 --> 01:06:25,360
Speaker 2: I don't know where do you go?

1540
01:06:25,720 --> 01:06:26,200
Speaker 4: Tell me that?

1541
01:06:26,880 --> 01:06:28,480
Speaker 2: I mean, I went to Vanderbilt for the blue injection,

1542
01:06:28,560 --> 01:06:32,000
Speaker 2: but I have like a doctor that like my own

1543
01:06:32,080 --> 01:06:34,120
Speaker 2: doctor but I go to a different specialist for crab

1544
01:06:34,360 --> 01:06:38,400
Speaker 2: yeah like literally crad yeah like literally yeah. But they

1545
01:06:38,440 --> 01:06:40,840
Speaker 2: keep coming back with like, nothing's wrong, it's stress, you

1546
01:06:40,960 --> 01:06:43,200
Speaker 2: have ibs, it's stressed. But I think now we're learning

1547
01:06:43,240 --> 01:06:47,120
Speaker 2: it's the scar tissue. That's my new my new theory.

1548
01:06:47,280 --> 01:06:48,960
Speaker 2: But then I start to worry, like is it cancer?

1549
01:06:49,560 --> 01:06:51,960
Speaker 2: And then all these screens, Well I just did all

1550
01:06:51,960 --> 01:06:54,760
Speaker 2: these screenings like you're good, but I think it's probably

1551
01:06:54,800 --> 01:06:56,720
Speaker 2: all the above. Other than that, I see to move

1552
01:06:56,760 --> 01:06:58,840
Speaker 2: with Tampa. You know what I'm saying, But it sounds

1553
01:06:58,840 --> 01:06:59,840
Speaker 2: like you got mess up last night.

1554
01:06:59,840 --> 01:07:03,120
Speaker 3: That help I did. I ate something wrong? I should

1555
01:07:03,200 --> 01:07:03,640
Speaker 3: have done it.

1556
01:07:03,840 --> 01:07:06,520
Speaker 2: Okay, So you guys, uh, low Cash on the Road,

1557
01:07:06,640 --> 01:07:08,360
Speaker 2: got a ton of dates. You guys go to low

1558
01:07:08,400 --> 01:07:11,040
Speaker 2: cash dot com or at low cash Preston Chris, good

1559
01:07:11,040 --> 01:07:15,480
Speaker 2: to see you guys. Congratulations on what has happened. But

1560
01:07:15,520 --> 01:07:17,040
Speaker 2: I'm really excited for what's to come.

1561
01:07:17,240 --> 01:07:20,160
Speaker 5: Thank you, thank you, good to see Thanks for listening

1562
01:07:20,280 --> 01:07:21,760
Speaker 5: to a Bobby Cast production