1 00:00:12,440 --> 00:00:14,640 Speaker 1: Travis Kelsey's dad called me a troll. 2 00:00:15,280 --> 00:00:21,560 Speaker 2: So I do actually understand and admire a parent coming 3 00:00:21,600 --> 00:00:24,320 Speaker 2: to their child's defense, particularly when asked about it. 4 00:00:24,360 --> 00:00:25,759 Speaker 1: I'm sure he was asked about it. I'm sure he 5 00:00:25,800 --> 00:00:26,640 Speaker 1: didn't just come out. 6 00:00:26,480 --> 00:00:29,880 Speaker 2: Of the gate, and I just wish he would have 7 00:00:30,760 --> 00:00:35,520 Speaker 2: expressed an opinion versus just a verbal insult, because I think, 8 00:00:36,120 --> 00:00:39,559 Speaker 2: you know, as we teach our kids, it's better to 9 00:00:39,680 --> 00:00:46,360 Speaker 2: express yourself than to just criticize. And usually when I 10 00:00:46,479 --> 00:00:52,480 Speaker 2: say something about someone or someone's actions or behavior, I'm 11 00:00:52,520 --> 00:00:57,000 Speaker 2: explaining something that I don't agree with. But it's very rare. 12 00:00:57,240 --> 00:00:59,760 Speaker 2: I think back on Housewives was the last time and 13 00:01:00,080 --> 00:01:03,160 Speaker 2: maybe the only time, that I would actually just say 14 00:01:03,200 --> 00:01:07,600 Speaker 2: something that's a verbal insult. So I'm a Mama bear, 15 00:01:07,640 --> 00:01:10,360 Speaker 2: and I get that, but calling me a troll, which 16 00:01:10,400 --> 00:01:14,560 Speaker 2: of course is amazing clickbit and yay for Travis Kelsey's dad, 17 00:01:15,160 --> 00:01:15,679 Speaker 2: but it. 18 00:01:15,720 --> 00:01:16,319 Speaker 1: Seems like. 19 00:01:18,480 --> 00:01:24,080 Speaker 2: He's, you know, defending his son and his son I 20 00:01:24,200 --> 00:01:27,440 Speaker 2: referred to as a peacock. I wasn't even criticizing their relationship. 21 00:01:27,440 --> 00:01:29,959 Speaker 2: I was saying, usually there's only one peacock in a relationship, 22 00:01:29,959 --> 00:01:32,800 Speaker 2: and I dated a guy like that. That was very 23 00:01:32,840 --> 00:01:37,400 Speaker 2: over the top and very you know, just like loud 24 00:01:37,520 --> 00:01:40,440 Speaker 2: and gregarious and like needed to be the center of attention. 25 00:01:40,520 --> 00:01:42,840 Speaker 2: And I stand by that. I think that's who Travis is. 26 00:01:42,880 --> 00:01:46,160 Speaker 2: I did not mention him pushing his coach, which is 27 00:01:46,840 --> 00:01:52,480 Speaker 2: a physical expression versus using your words and having a conversation, 28 00:01:52,640 --> 00:01:53,960 Speaker 2: which is kind of like what. 29 00:01:53,960 --> 00:01:54,600 Speaker 1: His dad did. 30 00:01:54,960 --> 00:01:59,600 Speaker 2: He used an insult instead of using his intellect. So 31 00:02:00,040 --> 00:02:05,160 Speaker 2: the swifties can come for me. But I'm going to 32 00:02:05,160 --> 00:02:07,840 Speaker 2: defend myself when I have said that they were in 33 00:02:07,960 --> 00:02:09,919 Speaker 2: my mount rushmore of couples, the two of them. 34 00:02:10,280 --> 00:02:11,440 Speaker 1: I mean, they're on top of the world. 35 00:02:11,440 --> 00:02:14,640 Speaker 2: They're both very successful. I've said that I literally think 36 00:02:14,680 --> 00:02:18,160 Speaker 2: he's a peacock, and there are two peacocks in this relationship, 37 00:02:18,400 --> 00:02:20,880 Speaker 2: and it usually doesn't work. I'm allowed to think that 38 00:02:21,600 --> 00:02:25,280 Speaker 2: I'm a grown ass adult and I don't have to 39 00:02:25,320 --> 00:02:27,440 Speaker 2: think they're getting married and spending the rest of their 40 00:02:27,440 --> 00:02:30,480 Speaker 2: lives together. And I hope that they do, if that's 41 00:02:30,520 --> 00:02:33,280 Speaker 2: what they both want, and they'll live happily ever after. 42 00:02:34,320 --> 00:02:37,320 Speaker 2: But also for his dad to kind of get into 43 00:02:37,360 --> 00:02:40,040 Speaker 2: it is also just funny. It's sort of like the 44 00:02:40,120 --> 00:02:44,240 Speaker 2: kids getting into the drama on the Housewives or the husbands. 45 00:02:44,400 --> 00:02:46,880 Speaker 2: It's kind of like when p K gets into a 46 00:02:46,880 --> 00:02:50,240 Speaker 2: Housewives argument that Travis Kelsey's dad is now involved, should 47 00:02:50,240 --> 00:02:53,680 Speaker 2: I get brit involved? Now it's just a little absurd, 48 00:02:55,240 --> 00:03:05,520 Speaker 2: but it's making headlines, so sorry, not sorry. So I 49 00:03:05,680 --> 00:03:10,000 Speaker 2: was just that mom, I am cringe. I am embarrassing. 50 00:03:10,360 --> 00:03:13,240 Speaker 2: I am embarrassed. I was in the lobby of my 51 00:03:13,320 --> 00:03:19,720 Speaker 2: hotel in Vancouver and I saw Justin Hartley. So some background, 52 00:03:19,760 --> 00:03:23,320 Speaker 2: Brennan and I watched This Is Us during the pandemic, 53 00:03:23,560 --> 00:03:25,480 Speaker 2: finished it after the pandemic. 54 00:03:25,680 --> 00:03:28,320 Speaker 1: But she really loved him. 55 00:03:28,440 --> 00:03:31,480 Speaker 2: She just thought he was so sweet and cute and 56 00:03:31,560 --> 00:03:36,120 Speaker 2: loved his character and laughed at him in Bad Mom's 57 00:03:36,200 --> 00:03:37,560 Speaker 2: Christmas and. 58 00:03:39,360 --> 00:03:40,760 Speaker 1: He's the number one. 59 00:03:40,640 --> 00:03:42,360 Speaker 2: To her, and she sees him just like he's the 60 00:03:42,400 --> 00:03:45,120 Speaker 2: most handsome of all of them, you know, not in 61 00:03:45,120 --> 00:03:49,200 Speaker 2: a creepy way, but just a person who recognizes another 62 00:03:49,240 --> 00:03:55,560 Speaker 2: person that's a handsome, cute specimen. So either way, I'm 63 00:03:55,600 --> 00:03:58,360 Speaker 2: sitting in the lobby of a hotel just eating some 64 00:03:58,480 --> 00:04:01,360 Speaker 2: roasted potatoes, believe it or not, because I had a 65 00:04:01,400 --> 00:04:02,880 Speaker 2: to go box and I was waiting for my car 66 00:04:02,920 --> 00:04:05,720 Speaker 2: to pick me up, and I see Justin Hartley. 67 00:04:05,800 --> 00:04:07,920 Speaker 1: My hair is up in a clip. I look horrendous. 68 00:04:07,960 --> 00:04:12,800 Speaker 2: I just like someone's therapist, and I mean just really 69 00:04:12,880 --> 00:04:15,200 Speaker 2: like I just had to rethink the look. 70 00:04:14,960 --> 00:04:15,640 Speaker 1: I had going. 71 00:04:16,160 --> 00:04:18,840 Speaker 2: I think someone on social media saw me posting a 72 00:04:18,920 --> 00:04:20,800 Speaker 2: video and said, I like Ruth Bader Ginsberg. 73 00:04:20,880 --> 00:04:22,000 Speaker 1: It just all wasn't working. 74 00:04:22,040 --> 00:04:25,680 Speaker 2: And I'm just getting a little into my like bohem 75 00:04:25,760 --> 00:04:28,039 Speaker 2: street fair of a phase and it's not good, but 76 00:04:28,080 --> 00:04:30,719 Speaker 2: I like it and it's comfortable and it's a disaster. 77 00:04:31,240 --> 00:04:36,000 Speaker 2: So anyway, I see him and I go up to 78 00:04:36,160 --> 00:04:37,760 Speaker 2: I'm like, here, I am. Now, I'm all the people 79 00:04:37,760 --> 00:04:39,960 Speaker 2: that come up to me that like, don't do it 80 00:04:39,960 --> 00:04:43,960 Speaker 2: seamlessly meaning to come up. You're just like, hey, you're awesome. 81 00:04:43,960 --> 00:04:46,800 Speaker 2: Can I get a picture? You know, like fast in 82 00:04:46,839 --> 00:04:49,640 Speaker 2: and out. You don't give any excuses. You don't say 83 00:04:49,640 --> 00:04:51,000 Speaker 2: I never do this because you're doing it. You don't 84 00:04:51,040 --> 00:04:53,159 Speaker 2: say I'm not a fan but my wife is, because 85 00:04:53,240 --> 00:04:55,080 Speaker 2: then you're not a fan. You don't know what to do, 86 00:04:55,760 --> 00:04:59,960 Speaker 2: and you get in and out real fast. So now 87 00:05:00,080 --> 00:05:03,719 Speaker 2: on that jackass and I walk over and it's the worst. 88 00:05:03,920 --> 00:05:07,480 Speaker 2: He's with a pretty woman and they're walking into the barn, 89 00:05:07,440 --> 00:05:09,640 Speaker 2: and I'm like excuse me. I've heard this before where 90 00:05:09,640 --> 00:05:11,440 Speaker 2: someone says your name behind You're like, oh, do I 91 00:05:11,440 --> 00:05:13,240 Speaker 2: have to deal with this right now? I'm going into 92 00:05:13,279 --> 00:05:15,599 Speaker 2: the bathroom. So I said, excuse me, I said, sir, 93 00:05:16,640 --> 00:05:18,280 Speaker 2: are you okay? What was I supposed to say? 94 00:05:18,520 --> 00:05:21,000 Speaker 1: Justin? I think I then did say justin, this is 95 00:05:21,040 --> 00:05:22,680 Speaker 1: what being a mom is. It's the worst. 96 00:05:23,000 --> 00:05:25,200 Speaker 2: It's like when I did it with Adam saying they're horrendous. 97 00:05:25,760 --> 00:05:27,320 Speaker 2: So he turns out and he's like hi, and you know, 98 00:05:27,360 --> 00:05:28,760 Speaker 2: he's like so nice and he has to be nice. 99 00:05:28,800 --> 00:05:31,240 Speaker 2: He was trained on ABC, like Eric stone Street, like 100 00:05:31,279 --> 00:05:33,560 Speaker 2: you just you're gonna be nice, and he could be 101 00:05:33,800 --> 00:05:37,360 Speaker 2: very nice, but like you're trained on ABC and you're 102 00:05:37,400 --> 00:05:40,719 Speaker 2: on network television and you just you gotta be because 103 00:05:40,760 --> 00:05:43,680 Speaker 2: not being nice we could ruin everything. But inside you're like, oh, 104 00:05:43,760 --> 00:05:46,160 Speaker 2: please with this woman, and I'm going to the bathroom, douse, 105 00:05:46,200 --> 00:05:48,120 Speaker 2: you have no respect. I mean, he wasn't like by 106 00:05:48,160 --> 00:05:52,560 Speaker 2: a urinal. He was in the lobby, but towards the restroom, 107 00:05:53,200 --> 00:05:55,840 Speaker 2: and I think what I went with was I'm really sorry, 108 00:05:55,880 --> 00:05:58,320 Speaker 2: this is annoying. My daughter's a huge fan, and I 109 00:05:58,440 --> 00:06:00,359 Speaker 2: just that was it. Like, and he's like no, no, 110 00:06:00,600 --> 00:06:03,040 Speaker 2: you know, and then the camera was doing some weird 111 00:06:03,040 --> 00:06:04,400 Speaker 2: thing where it was like time laps, and it did 112 00:06:04,440 --> 00:06:04,920 Speaker 2: it like two times. 113 00:06:04,920 --> 00:06:05,479 Speaker 1: I'm sorry. 114 00:06:05,520 --> 00:06:07,400 Speaker 2: I've seen this before where someone's fumbling with their camera 115 00:06:07,440 --> 00:06:08,520 Speaker 2: and I'm like, Hi, do you know how to use 116 00:06:08,560 --> 00:06:11,360 Speaker 2: your own damn camera? Like get in and get out. 117 00:06:11,839 --> 00:06:13,880 Speaker 2: So I was that asshole, and I was like, I'm 118 00:06:13,880 --> 00:06:15,800 Speaker 2: like so, like, it's like you should get a one. 119 00:06:15,880 --> 00:06:18,039 Speaker 2: Try two tries, like two time laps. 120 00:06:18,040 --> 00:06:20,440 Speaker 1: Try. Sorry, ma'am, you're out. 121 00:06:21,240 --> 00:06:23,520 Speaker 2: And I do believe that I might have said, oh 122 00:06:23,560 --> 00:06:25,760 Speaker 2: my god, I might have said in the middle of 123 00:06:25,760 --> 00:06:29,599 Speaker 2: this interaction, I might have said I'm on TV too 124 00:06:29,680 --> 00:06:31,120 Speaker 2: or something. And by the way, it's a lie. I'm 125 00:06:31,120 --> 00:06:33,839 Speaker 2: not on TV. I've been on TV. Who cares? 126 00:06:34,240 --> 00:06:36,240 Speaker 1: What a loser? Why would I don't know. I meant 127 00:06:36,240 --> 00:06:37,640 Speaker 1: to be like, we're the same. We're not the same. 128 00:06:37,880 --> 00:06:41,560 Speaker 2: You're dressed in art lay, I do tiktoks with seafood 129 00:06:41,600 --> 00:06:44,200 Speaker 2: and rooms with plastic bags over my hands. We're not 130 00:06:44,400 --> 00:06:46,680 Speaker 2: the same and we're not in the same club. And 131 00:06:46,720 --> 00:06:49,000 Speaker 2: if I told him that I was here in Vancouver 132 00:06:49,360 --> 00:06:52,000 Speaker 2: shooting the thing that I'm shooting, I don't know, like 133 00:06:52,080 --> 00:06:54,120 Speaker 2: I it just there was nowhere to go. And he 134 00:06:54,240 --> 00:06:57,880 Speaker 2: was totally gracious and totally nice and tall and fit 135 00:06:58,640 --> 00:07:03,000 Speaker 2: and was dressed in heckable and he had nice glasses sunglasses, 136 00:07:03,000 --> 00:07:05,520 Speaker 2: and he was handsome, and he was kind and he 137 00:07:05,640 --> 00:07:07,880 Speaker 2: was patient and he was chill. It wasn't going over 138 00:07:07,880 --> 00:07:09,680 Speaker 2: the topic let's call your daughter a video hear or 139 00:07:09,720 --> 00:07:14,679 Speaker 2: anything like that, but like totally if I were greeting 140 00:07:14,800 --> 00:07:18,040 Speaker 2: the interaction from a celebrity on the way into the restroom, 141 00:07:18,120 --> 00:07:23,320 Speaker 2: I'd give him an an A minus, like easily, you know, 142 00:07:24,120 --> 00:07:26,160 Speaker 2: an a minus. If I was just a teacher that 143 00:07:26,320 --> 00:07:30,080 Speaker 2: wasn't like in a very generous mood that day. If 144 00:07:30,080 --> 00:07:31,520 Speaker 2: I had to do a number, I'd give him a 145 00:07:31,600 --> 00:07:33,680 Speaker 2: ninety two. I think that is an A minus. I 146 00:07:33,680 --> 00:07:35,880 Speaker 2: think it's the high of an A minus. I think 147 00:07:35,880 --> 00:07:40,640 Speaker 2: an eighty eight is also an A minus. So then 148 00:07:40,680 --> 00:07:44,200 Speaker 2: I got the picture and I look like I should 149 00:07:44,240 --> 00:07:47,160 Speaker 2: be in a sewer. So there's that too. That was 150 00:07:47,400 --> 00:07:49,080 Speaker 2: That's like to add for the rest of my life. 151 00:07:49,280 --> 00:07:51,080 Speaker 2: I got a sewer picture just to send it to 152 00:07:51,120 --> 00:07:52,840 Speaker 2: my daughter. But don't worry, I can never post it 153 00:07:53,840 --> 00:07:58,600 Speaker 2: like we need Picasso or like van God like taking 154 00:07:58,640 --> 00:08:00,840 Speaker 2: my ear off would be an improvement considering what I 155 00:08:00,840 --> 00:08:01,720 Speaker 2: look like in this picture. 156 00:08:01,760 --> 00:08:02,720 Speaker 1: It was just like an. 157 00:08:02,600 --> 00:08:05,960 Speaker 2: Ougre slash Shrek and you know what, like yesterday I 158 00:08:06,000 --> 00:08:07,560 Speaker 2: had my hair blown out. I looked hot, like I 159 00:08:07,560 --> 00:08:09,920 Speaker 2: would have liked to see him like that, just even 160 00:08:09,960 --> 00:08:11,800 Speaker 2: though he's with the hot girl going inside, like just 161 00:08:11,840 --> 00:08:13,640 Speaker 2: to be like, oh, I'm a person. There was that 162 00:08:14,000 --> 00:08:17,320 Speaker 2: somewhat attractive woman. I ran into that's gonna be ranting 163 00:08:17,320 --> 00:08:19,080 Speaker 2: on me on my podcast and someone will tell me 164 00:08:19,120 --> 00:08:22,760 Speaker 2: about it. Someone tell him about it. So anyway, he 165 00:08:22,800 --> 00:08:25,480 Speaker 2: was lovely and it also had me thinking I know, oh, 166 00:08:25,520 --> 00:08:28,560 Speaker 2: but I had oh sorry. My closing argument was excellent 167 00:08:28,600 --> 00:08:32,440 Speaker 2: because I did say, oh, you here shooting something or 168 00:08:32,440 --> 00:08:34,559 Speaker 2: something like, which is like lingo here like everyone's saying that, 169 00:08:34,640 --> 00:08:37,240 Speaker 2: and it's like, no shit, no, I'm here, you know, 170 00:08:37,320 --> 00:08:40,920 Speaker 2: antiquing thrifting. I don't know, but John Senna or John 171 00:08:40,960 --> 00:08:44,080 Speaker 2: Cena lives here, so like he could live here, justin Artley. 172 00:08:44,080 --> 00:08:46,240 Speaker 2: I don't stalk him, but he's feeling la to me 173 00:08:46,559 --> 00:08:47,920 Speaker 2: because he was married to one of the girls from 174 00:08:47,960 --> 00:08:50,280 Speaker 2: Selling Sunset and he's on these ABC shows and I 175 00:08:50,320 --> 00:08:52,880 Speaker 2: don't know where they film because I'm not his stalker yet, 176 00:08:53,480 --> 00:08:57,400 Speaker 2: but I feel like he's la So he's here shooting something. 177 00:08:57,400 --> 00:08:59,079 Speaker 2: So I said, he's shooting something. And then I said, 178 00:08:59,200 --> 00:09:01,480 Speaker 2: is it that new show? And he said Tracker, And 179 00:09:01,520 --> 00:09:04,560 Speaker 2: then I said, and I'm not gonna say it's thank 180 00:09:04,559 --> 00:09:06,240 Speaker 2: you to Tailor Swift because it's really not because of 181 00:09:06,240 --> 00:09:08,640 Speaker 2: Taylor Swift. I'm watching the super Bowl, but it could 182 00:09:08,679 --> 00:09:11,160 Speaker 2: be because like everybody was watching it more where you 183 00:09:11,200 --> 00:09:13,840 Speaker 2: were an absolute loser if you weren't watching it, and 184 00:09:13,880 --> 00:09:16,120 Speaker 2: I wasn't really watching it. I watched part of it, 185 00:09:16,200 --> 00:09:18,600 Speaker 2: but I watched enough to know the ending of the movie, 186 00:09:18,880 --> 00:09:21,640 Speaker 2: so I was knowledgeable. And I guess I watched enough 187 00:09:21,640 --> 00:09:24,120 Speaker 2: to see the commercial for Tracker, the show that Justin 188 00:09:24,160 --> 00:09:26,360 Speaker 2: Hartley was in, and I liked it, and I thought like, oh, 189 00:09:26,400 --> 00:09:28,040 Speaker 2: that's gonna be a good show, and it's gonna be 190 00:09:28,080 --> 00:09:30,560 Speaker 2: my type of show, like in the vein of like 191 00:09:31,080 --> 00:09:35,640 Speaker 2: twenty four or maybe The Bodyguard, or there's some other shows. 192 00:09:35,679 --> 00:09:38,000 Speaker 2: Of course I can't think right now, but that are 193 00:09:38,080 --> 00:09:40,360 Speaker 2: good network shows that I like that are like actioning, 194 00:09:40,840 --> 00:09:43,400 Speaker 2: And in thinking about that now, I was also thinking 195 00:09:43,440 --> 00:09:46,240 Speaker 2: that I think Justin Hartley should be an action star, 196 00:09:46,400 --> 00:09:49,160 Speaker 2: like he should be in movies like The Born Identity, 197 00:09:49,200 --> 00:09:51,520 Speaker 2: Like I'm ready for him to take that next step 198 00:09:51,520 --> 00:09:54,640 Speaker 2: in his career, like Keanu used to have that role. 199 00:09:55,200 --> 00:09:57,959 Speaker 2: I just think it's time. I think Justin Hartley looking 200 00:09:58,000 --> 00:09:59,760 Speaker 2: at him, seeing him just for all you guys, I 201 00:09:59,760 --> 00:10:02,439 Speaker 2: did the homework. I saw him live and direct upfront. 202 00:10:03,120 --> 00:10:05,720 Speaker 2: He was kind and so he deserves to success. And 203 00:10:06,800 --> 00:10:09,600 Speaker 2: he's sheepish enough, like but tough enough, you know, like 204 00:10:09,640 --> 00:10:13,319 Speaker 2: he could be in shape enough, looks strong enough, look 205 00:10:13,400 --> 00:10:15,880 Speaker 2: protective enough. I think Justin Hartley should be the new 206 00:10:16,360 --> 00:10:20,000 Speaker 2: Jason Bourne. So he's probably gonna be really glad he 207 00:10:20,080 --> 00:10:24,480 Speaker 2: ran into me because now I'm the publicist that is 208 00:10:24,520 --> 00:10:27,160 Speaker 2: pushing this in his career. But somebody must have been 209 00:10:27,160 --> 00:10:29,400 Speaker 2: pushing something because he is in Tracker, which is kind 210 00:10:29,440 --> 00:10:31,320 Speaker 2: of like that. But I'd like to see him in 211 00:10:31,360 --> 00:10:33,720 Speaker 2: like feature films that are playing at the Iepick and 212 00:10:33,760 --> 00:10:35,280 Speaker 2: become the new Jason Bourne. 213 00:10:35,480 --> 00:10:40,880 Speaker 1: So that's a rant. 214 00:10:49,960 --> 00:10:54,719 Speaker 2: This Wendy Williams thing is frankly unacceptable. And this is 215 00:10:54,760 --> 00:10:57,400 Speaker 2: a woman who has said so many nasty things about me, 216 00:10:57,400 --> 00:11:02,440 Speaker 2: which is entirely irrelevant because she has health issues, she's 217 00:11:02,480 --> 00:11:03,360 Speaker 2: been exploited. 218 00:11:03,440 --> 00:11:08,199 Speaker 1: She is a human being. And it's terrible. 219 00:11:07,880 --> 00:11:11,520 Speaker 2: That there's a documentary about this that yes, she's executive producing, 220 00:11:11,600 --> 00:11:16,040 Speaker 2: but history has shown that she's taken advantage of And 221 00:11:16,120 --> 00:11:18,920 Speaker 2: I know because I know from being on that set. 222 00:11:19,000 --> 00:11:23,240 Speaker 2: And the same syndication group produced my talk show as 223 00:11:23,880 --> 00:11:26,840 Speaker 2: produced hers. It was like a Fox owned station group. 224 00:11:27,160 --> 00:11:28,800 Speaker 2: I don't even remember, but I know it was the 225 00:11:28,840 --> 00:11:34,680 Speaker 2: same group that Green led hers. And I can't believe 226 00:11:36,320 --> 00:11:42,080 Speaker 2: the degradation of this, but I remember being on her 227 00:11:42,240 --> 00:11:46,640 Speaker 2: show several times, and I just remember the whisperings, as 228 00:11:46,640 --> 00:11:50,400 Speaker 2: I've said before, the rumblings of her husband taking a 229 00:11:50,400 --> 00:11:51,440 Speaker 2: lot of advantage of her. 230 00:11:51,480 --> 00:11:53,520 Speaker 1: But we don't know. I wasn't there. We can't know. 231 00:11:53,559 --> 00:11:56,280 Speaker 2: I just know what everyone said. People on the show 232 00:11:57,160 --> 00:11:59,719 Speaker 2: seem to feel that he ran the show in a 233 00:11:59,760 --> 00:12:01,040 Speaker 2: crazy way, but who knows what. 234 00:12:01,440 --> 00:12:02,120 Speaker 1: I don't know him. 235 00:12:02,160 --> 00:12:03,199 Speaker 2: I don't know anything about him. 236 00:12:03,200 --> 00:12:05,360 Speaker 1: I don't know what he was dealing with. This sounds insane. 237 00:12:05,800 --> 00:12:12,400 Speaker 2: But she now has degeneration, mental degeneration. I think it's 238 00:12:12,400 --> 00:12:17,839 Speaker 2: not called that, but that's what it is on set, dementia. 239 00:12:19,120 --> 00:12:22,600 Speaker 2: So they're doing a reality show and Wells Fargo had 240 00:12:22,640 --> 00:12:25,800 Speaker 2: to get involved at some point, saying that her family 241 00:12:26,360 --> 00:12:31,040 Speaker 2: was financially irresponsible and sort of exploiting her, and her 242 00:12:31,080 --> 00:12:34,240 Speaker 2: niece was on with Deborah Roberts saying that she doesn't 243 00:12:34,240 --> 00:12:36,880 Speaker 2: know of anyone exploiting her financially, which of course she's 244 00:12:36,920 --> 00:12:40,520 Speaker 2: not going to say, and then another woman was interviewed saying, well, 245 00:12:40,800 --> 00:12:42,640 Speaker 2: we're her family were trying to take care of her. 246 00:12:42,640 --> 00:12:47,800 Speaker 2: The money's over there, and that's scary because someone paid 247 00:12:47,800 --> 00:12:51,040 Speaker 2: for a documentary. Where does the money go? As Deborah 248 00:12:51,120 --> 00:12:55,280 Speaker 2: Roberts asked, And to be honest, when I saw the 249 00:12:55,320 --> 00:12:58,679 Speaker 2: ads for the documentary, I didn't even think about the exploitation. 250 00:12:58,840 --> 00:13:01,600 Speaker 2: Like just watching the clip of Deborah Roberts talking about it, 251 00:13:01,600 --> 00:13:04,760 Speaker 2: I was like, wait, that's so true, Like, what the hell? 252 00:13:04,760 --> 00:13:08,240 Speaker 2: How do we have a documentary about Wendy Williams who's. 253 00:13:07,720 --> 00:13:10,679 Speaker 1: Not right and her eyes don't look right. 254 00:13:10,840 --> 00:13:13,439 Speaker 2: And they say she's had issues with alcohol. And as 255 00:13:13,440 --> 00:13:15,640 Speaker 2: I've said before, the pressure of that talk show, a 256 00:13:15,800 --> 00:13:18,319 Speaker 2: talk show is psychotic, Like it's another one of those 257 00:13:18,320 --> 00:13:20,760 Speaker 2: things that you just watch and you're entertained, but you 258 00:13:20,760 --> 00:13:22,480 Speaker 2: don't realize what goes on behind the scenes. 259 00:13:22,640 --> 00:13:24,480 Speaker 1: It is a machine that. 260 00:13:24,520 --> 00:13:28,360 Speaker 2: Grinds and cranks with two hundred people there every day 261 00:13:28,880 --> 00:13:32,320 Speaker 2: that once the train leaves the station, you can't pull 262 00:13:32,360 --> 00:13:39,439 Speaker 2: it back. And it's just all day, every day, pressure, wardrobe, makeup, segments, mistakes, cancelations. 263 00:13:39,480 --> 00:13:42,240 Speaker 2: Always gotta be happy. So she's got that. She had 264 00:13:42,280 --> 00:13:46,440 Speaker 2: a drinking issue, she had issues with her husband and 265 00:13:46,520 --> 00:13:52,000 Speaker 2: a divorce. She's on TV trashing people every day. That 266 00:13:52,040 --> 00:13:54,679 Speaker 2: became her most successful segment. Maybe she didn't want to 267 00:13:54,679 --> 00:13:59,079 Speaker 2: be trashing people every day. Who even knows, but always 268 00:13:59,120 --> 00:14:02,800 Speaker 2: in a battle with someone, and then her money is 269 00:14:02,880 --> 00:14:06,520 Speaker 2: taken and then her mind is taken, and then she's 270 00:14:06,559 --> 00:14:09,840 Speaker 2: doing a documentary that she's producing. But like maybe she 271 00:14:09,920 --> 00:14:13,280 Speaker 2: has moments of being lucid, but like, I don't know, 272 00:14:13,320 --> 00:14:18,920 Speaker 2: it sounds yeah, it sounds like reckless and irresponsible, and 273 00:14:19,160 --> 00:14:21,680 Speaker 2: it sounds like when Amanda Binds wasn't well, Like should 274 00:14:21,680 --> 00:14:25,240 Speaker 2: we have done a documentary on her? It's terribly tragic, 275 00:14:25,280 --> 00:14:27,840 Speaker 2: and Deborah Roberts is brilliant and asked all the right 276 00:14:27,920 --> 00:14:31,720 Speaker 2: questions in you know, a seemingly compassionate way, but it 277 00:14:31,760 --> 00:14:36,440 Speaker 2: wasn't a good look and it's super sad, and it's 278 00:14:36,440 --> 00:14:38,240 Speaker 2: said all she wants to do is be back on TV. 279 00:14:39,280 --> 00:14:40,680 Speaker 1: You know what a I mean? 280 00:14:41,400 --> 00:14:44,680 Speaker 2: It's life is so precious, like rise and fall is serious, 281 00:14:44,760 --> 00:14:48,640 Speaker 2: like someone's like on top of the world, and then 282 00:14:50,080 --> 00:14:53,800 Speaker 2: you know, and the mind is wild, like do people 283 00:14:53,960 --> 00:14:56,280 Speaker 2: snap or it just like one day, I don't know, 284 00:14:56,280 --> 00:15:00,200 Speaker 2: because I knew a man, a very successful man in 285 00:15:00,280 --> 00:15:06,600 Speaker 2: real estate, good looking, charming, rich, you know, just great 286 00:15:06,640 --> 00:15:08,160 Speaker 2: golf player, et cetera. 287 00:15:08,840 --> 00:15:10,560 Speaker 1: And I had. 288 00:15:10,480 --> 00:15:13,400 Speaker 2: Heard some things about him, and then one night I 289 00:15:13,520 --> 00:15:17,560 Speaker 2: saw him in the Hamptons and the way that he 290 00:15:17,720 --> 00:15:22,600 Speaker 2: acted so incredibly irrationally, Like I've seen that happen where 291 00:15:22,640 --> 00:15:27,480 Speaker 2: someone can can kind of go off the deep end 292 00:15:27,640 --> 00:15:30,120 Speaker 2: and they're not the same person, could be a million things, 293 00:15:30,160 --> 00:15:32,840 Speaker 2: but like when it happens, you're shocked because you don't 294 00:15:32,840 --> 00:15:34,800 Speaker 2: recognize the person from before. So we have to really 295 00:15:34,800 --> 00:15:37,760 Speaker 2: be so grateful to have a mind and to have 296 00:15:38,360 --> 00:15:41,280 Speaker 2: our wits about us, because it could go, you know, 297 00:15:42,000 --> 00:15:45,400 Speaker 2: in an instant, and it's I'm scared, Like it's really sad. 298 00:15:45,560 --> 00:15:47,000 Speaker 1: I just feel terrible. 299 00:15:47,080 --> 00:15:49,400 Speaker 2: Like I've met Wendy many times and it's just like 300 00:15:49,440 --> 00:15:58,720 Speaker 2: she was certainly lucid, insane and together, really tragic. Really 301 00:15:59,280 --> 00:16:02,280 Speaker 2: really try and not saying a single bad thing about 302 00:16:02,280 --> 00:16:04,400 Speaker 2: her because she's going through a terrible time. I just 303 00:16:04,440 --> 00:16:06,240 Speaker 2: started with saying, this is a woman that said a 304 00:16:06,280 --> 00:16:08,440 Speaker 2: lot of bad things about me, because it's true. I 305 00:16:08,480 --> 00:16:11,840 Speaker 2: would cringe many times. But like when a human being 306 00:16:11,880 --> 00:16:14,280 Speaker 2: is suffering, like there's nothing else to say, you know, 307 00:16:14,560 --> 00:16:15,720 Speaker 2: it's just a human being. 308 00:16:16,200 --> 00:16:16,480 Speaker 1: Wow. 309 00:16:16,600 --> 00:16:19,320 Speaker 2: I feel terrible for her, and I hope someone's taking 310 00:16:19,360 --> 00:16:19,840 Speaker 2: care of her