WEBVTT - Dan Clancy

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<v Speaker 1>Welcome, Welcome, Welcome back to Bob Website's podcast. My guest

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<v Speaker 1>today is Dan Plants Ceio with Twitch. Dan, what is Twitch?

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<v Speaker 2>Well, first of all, Bob, thanks for having me. What

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<v Speaker 2>is Twitch? So? Twitch is a live streaming service. I

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<v Speaker 2>expect a lot of people have heard of it that

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<v Speaker 2>are listening. But it's kind of like you two. But

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<v Speaker 2>we focus completely on live content, so we have tons

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<v Speaker 2>of user generated content where creators go there every day

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<v Speaker 2>to create content and live stream to their audience.

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<v Speaker 1>And how about archiving? Do you archive anything?

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<v Speaker 2>We have a brief period of archive, different policies, but

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<v Speaker 2>our focus is not on archive. In general, people use

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<v Speaker 2>other platforms this. Our focus is for the live, the

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<v Speaker 2>live experience, and the archive is really just uses catch up,

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<v Speaker 2>not as a long term archive.

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<v Speaker 1>Okay, let's say someone is a total newbie, how do

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<v Speaker 1>they get started with Twitch?

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<v Speaker 2>So, Bob, you know what I was saying. As opposed

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<v Speaker 2>to a newbie how to get started with Twitch? I

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<v Speaker 2>think it might be useful to start with a newbie,

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<v Speaker 2>what do the viewers get from Twitch? Because if somebody

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<v Speaker 2>doesn't understand Twitch, I always find it's best to start

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<v Speaker 2>with what the audience cares about. And then talk about

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<v Speaker 2>how somebody starts creating with Twitch. Does that make sense?

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<v Speaker 1>Absolutely, go for it.

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<v Speaker 2>Okay, Okay, So let me describe where Twitch fits in

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<v Speaker 2>the law of the broader space of social media and

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<v Speaker 2>all that. And it's in this very unique spaces. It's

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<v Speaker 2>between it's long form content. In fact, one thing that

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<v Speaker 2>I think we'll talk about, Bob, I want to talk

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<v Speaker 2>some about long form content and music, which is the album,

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<v Speaker 2>which is long form content, and Twitch is long form content.

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<v Speaker 2>But it's also social. So in some ways it's an

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<v Speaker 2>alternative to sitting watching Netflix or Prime Video or something

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<v Speaker 2>like that, because people tend to sit and watch for

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<v Speaker 2>thirty an hour, two hours something like that, but you

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<v Speaker 2>do it with other people, which is a community. Okay.

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<v Speaker 2>And the magic what I've always said about Twitch is

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<v Speaker 2>you have some creator that you care about, that you're

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<v Speaker 2>interested in. If you're a musician, of course, musicians you're

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<v Speaker 2>interested in. And your audience of fans become a community

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<v Speaker 2>because they spend time watching you and they're just sort

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<v Speaker 2>of hanging out with you, and over time they get

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<v Speaker 2>to know each other. So an analogy that you will

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<v Speaker 2>appreciate because we're in a similar age demographic. What I say,

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<v Speaker 2>it's kind of like cheers, a place where everybody knows

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<v Speaker 2>your name, that you show up and everyone says hey,

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<v Speaker 2>nor as soon as you show up the Twitch, And

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<v Speaker 2>that's what happens on Twitch, and the way I describe

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<v Speaker 2>it is I think today in some ways social media

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<v Speaker 2>is now antisocial, whereas what happens with Twitch is you

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<v Speaker 2>really form a community bond from people that spend time

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<v Speaker 2>watching somebody they care about together while they're a.

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<v Speaker 1>Live Okay, that's the concept. Let's go back to my

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<v Speaker 1>earlier question. Let's say I'm a newbie. How do I

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<v Speaker 1>get started?

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<v Speaker 2>Okay, it's pretty simple. You just go to Twitch and

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<v Speaker 2>you create an account and you start streaming.

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<v Speaker 1>Okay, let's buy for Katie here. Let's say you know,

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<v Speaker 1>I want to view other streams. How do I find out?

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<v Speaker 1>What is there?

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<v Speaker 2>Yeah? So when you come to Twitch, you come we

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<v Speaker 2>allow you to search for creators. This is one thing

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<v Speaker 2>that's different, not different, but the way you should think

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<v Speaker 2>about Twitch. Most people they don't just come to twitch

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<v Speaker 2>without anyone that they want to see. Okay. That Usually

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<v Speaker 2>when you come to twitch, it's because you've already been

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<v Speaker 2>exposed to somebody that you know that you have an

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<v Speaker 2>affinity with. If you come to Twitch and you don't

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<v Speaker 2>know anything about anyone, to be honest, it's kind of

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<v Speaker 2>hard to get deep into something. Okay. The way I

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<v Speaker 2>describe it is suppose you're watching a movie or something

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<v Speaker 2>on Netflix and there's a TV series and you don't

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<v Speaker 2>know any of the actors, and none of your friends

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<v Speaker 2>told you it was good, so you have no reason

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<v Speaker 2>to think this is entertaining. It's kind of tough to

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<v Speaker 2>just watch a TV series, right or a movie. And

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<v Speaker 2>with Twitch, usually when you come to Twitch, there's a

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<v Speaker 2>Twitch streamer that you've heard about, that you've seen on

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<v Speaker 2>social media, a musician somebody, and you're coming to watch.

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<v Speaker 2>Then you're not coming to Twitch, you're coming for the creator, Okay.

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<v Speaker 1>In terms of the content, Twitch is famous for live

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<v Speaker 1>video gaming. What percentage of watching is video games?

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<v Speaker 2>Yeah? So now video games, it's about sixty five to

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<v Speaker 2>seventy percent of hours watched overall.

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<v Speaker 1>And what are the other thirty thirty five percent?

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<v Speaker 2>The other thirty thirty five percent is kind of what

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<v Speaker 2>ever you can think of. But I'll talk about where

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<v Speaker 2>the main stuff is. A big category is what's called

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<v Speaker 2>just chatting we're basically someone is just hanging out chatting

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<v Speaker 2>with their community, okay, talking to them, answering questions. But

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<v Speaker 2>then that quickly then pivots into they might be cooking,

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<v Speaker 2>they might be in music. There are a lot of

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<v Speaker 2>folks now and we'll talk more about this that might

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<v Speaker 2>be mixing music or creating music. Okay. A big thing

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<v Speaker 2>is what's called IRL or in real life stream, where

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<v Speaker 2>people go out into the real world with a camera

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<v Speaker 2>and they're doing something at an event somewhere and interacting

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<v Speaker 2>with people, but it goes all the way. There's a

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<v Speaker 2>pizza Princess g runs a pizza shop in Rochester, New York,

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<v Speaker 2>where basically there's a camera on there and she's running

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<v Speaker 2>her pizza shop talking to chat all the time. There's

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<v Speaker 2>a family in Spain that runs a restaurant on Twitch.

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<v Speaker 2>So people run their businesses on Twitch. People knit, people paint, birds,

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<v Speaker 2>people fish, So kind of anything you can think of,

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<v Speaker 2>there's probably somebody doing it live on Twitch.

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<v Speaker 1>Okay, let's use one of those restaurants as an example

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<v Speaker 1>how many people might be watching simultaneously.

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<v Speaker 2>Yeah, So I will take the specific ones. There are

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<v Speaker 2>two specific ones I'll talk about. One is piece of

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<v Speaker 2>Princess g Another one is Royas del Gracias, which is

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<v Speaker 2>a family run restaurant about forty five minutes outside of Barcelona.

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<v Speaker 2>That is this wonderful mom and pop whose son got

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<v Speaker 2>it going and they run a very much of a

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<v Speaker 2>family Spanish restaurant. Both those channels they average about a

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<v Speaker 2>thousand what's called average concurrent viewers, which means at any

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<v Speaker 2>point in time, there might be a thousand people watching them,

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<v Speaker 2>and then over the course of a stream, if that

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<v Speaker 2>streams like you know, four or five hours, you probably

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<v Speaker 2>end up getting twenty or thirty thousand people will have

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<v Speaker 2>come by during that four or five hours and have

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<v Speaker 2>watched them.

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<v Speaker 1>Okay, obviously this is a let's use the restaurants as example.

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<v Speaker 1>These are established enterprises. How did they get started?

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<v Speaker 2>So often they just started to do it. In fact,

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<v Speaker 2>so many like what they just do is usually they

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<v Speaker 2>have some type of I'll take the destrasias. Their son

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<v Speaker 2>was someone who was kind of into social media and

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<v Speaker 2>thinking about social media, and they hit their son came

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<v Speaker 2>up with the idea. Okay. Oftentimes they combine this with

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<v Speaker 2>other forms of social media, so they'll be creating short

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<v Speaker 2>form content on YouTuber TikTok or Instagram and then they

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<v Speaker 2>also are streaming on Twitch and it's usually the combination

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<v Speaker 2>with helps grows them an audience.

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<v Speaker 1>Let's say I tune into this pizza parlor. What am

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<v Speaker 1>I gonna see?

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<v Speaker 2>Yeah, what you'll see is she's sitting there making pizza,

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<v Speaker 2>but she's reading Chat and she's interacting with Chat. Okay,

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<v Speaker 2>I'll have people come on that she'll interact with Okay,

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<v Speaker 2>So a lot of times she's talking to Chat while

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<v Speaker 2>she's sitting there making pizza. And sometimes she'll a lot

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<v Speaker 2>of times they'll do fun stuff with Chat, Like sometimes

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<v Speaker 2>they'll do something where somebody comes in and they have

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<v Speaker 2>Chat choose the what what they're going to put on

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<v Speaker 2>a pizza? Right, they do something fun like that, so

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<v Speaker 2>the person gets that Chat creates a pizza. But the

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<v Speaker 2>biggest thing is you just see her and the other

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<v Speaker 2>folks in her workforce just living their life, but then

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<v Speaker 2>engaging with their audience while they're doing it.

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<v Speaker 1>What is the monetization for the restaurant.

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<v Speaker 2>Yeah, so we monetize by two ways. We monetize by ads,

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<v Speaker 2>but then we also monetize from money directly from the

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<v Speaker 2>audience and to put it in a context. About seventy

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<v Speaker 2>five percent of the money a creator will make is

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<v Speaker 2>going to come directly from their audience, okay, and that

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<v Speaker 2>comes primarily in two ways. One way is what's called

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<v Speaker 2>to subscription. So when I get a subscription to a channel,

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<v Speaker 2>it's not a subscription to access content as you normally

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<v Speaker 2>think of a subscription, because the content is free. The

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<v Speaker 2>subscription is a form of patronage. And when I subscribe

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<v Speaker 2>to a channel, first of all, I get no ads,

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<v Speaker 2>so it's ads free when I'm on the channel. But

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<v Speaker 2>then I also get status in the community because I

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<v Speaker 2>am supporting this creator, right, and then you also get access.

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<v Speaker 2>Creators all create what are emotes. These are really emoji

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<v Speaker 2>cons which they create a language for their community, and

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<v Speaker 2>they'll create one for happy, for sad, for cry, for whatever,

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<v Speaker 2>and when you subscribe, now you get to speak that language.

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<v Speaker 2>But the big reason for subscribing is really to support

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<v Speaker 2>the creator. And then I forget exactly how many years

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<v Speaker 2>ago we added this concept of a gift subscription, okay,

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<v Speaker 2>which was really important for Twitch. Over half of our

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<v Speaker 2>revenue from subscriptions come from gift subscriptions, and that's where

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<v Speaker 2>suppose I'm paying six months a month to subscribe to

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<v Speaker 2>you right now. But right now, I'll only give you

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<v Speaker 2>fifty bucks. Okay. What I do is that buy ten

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<v Speaker 2>gift subscriptions, and these are subscriptions to go out to

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<v Speaker 2>other members of the community. Okay, but really I'm the

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<v Speaker 2>money all goes to you, okay, but psychologically, I'm giving

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<v Speaker 2>the money to the community. And so the way I

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<v Speaker 2>kind of describe it is, suppose you're watching someone busk

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<v Speaker 2>and you go and drop five dollars in their hat,

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<v Speaker 2>and now everyone who's watching gets some candy or something. Right,

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<v Speaker 2>what happens is everyone in the community goes, oh, thanks

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<v Speaker 2>for the subscriptions, and they celebrate them. Okay, the creator

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<v Speaker 2>celebrates them. So it's this form of patronage and acknowledgment

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<v Speaker 2>which generates a meaningful amount of money for these people

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<v Speaker 2>that are creating content.

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<v Speaker 1>Okay. On a more granular level, something like, since we've

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<v Speaker 1>been talking about something like the restaurant, how many of

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<v Speaker 1>the people watching are subscribers?

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<v Speaker 2>It will probably be It varies a lot for different

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<v Speaker 2>sized channels, Okay, but I would probably say at any

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<v Speaker 2>given time, think of it as five to ten percent

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<v Speaker 2>or something like that. Ten percent maybe.

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<v Speaker 1>Let's say I am the creator.

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<v Speaker 3>A.

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<v Speaker 1>How do I establish the price point? B? Is it

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<v Speaker 1>like Patreon where you can have multiple price points or

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<v Speaker 1>you know something like that. How do I do that?

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<v Speaker 2>Yeah, so we go ahead and canonicalize the price points. Okay.

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<v Speaker 2>There's been a lot of discussion of whether or not

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<v Speaker 2>for different folks we should change that. But right now,

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<v Speaker 2>we actually have three levels of subscription. Tier one, which

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<v Speaker 2>is the default that most people get, Tier two, and

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<v Speaker 2>Tier three, and it's in US it's six dollars. I

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<v Speaker 2>think it's twelve dollars. I forget Tier two, and then

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<v Speaker 2>twenty five dollars okay, and then you get some additional

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<v Speaker 2>status and benefits if you have a Tier two or

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<v Speaker 2>Tier three subscription. Okay, but most of the people are

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<v Speaker 2>Tier one subscriptions, and we made the decision to make

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<v Speaker 2>it consistent across the site that everything has the same price,

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<v Speaker 2>as opposed to having lots of price variability.

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<v Speaker 1>Okay, to what degree does the creator have to say, hey,

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<v Speaker 1>come on subscribe, come on subscribe, or is it in

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<v Speaker 1>the window? How does that work?

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<v Speaker 2>Well, it sort of happens naturally, meaning people that are

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<v Speaker 2>watching Twitch kind of do it. So I'll use an

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<v Speaker 2>example for myself, I stream not as much as I

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<v Speaker 2>would like, okay, but I try to swim at least

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<v Speaker 2>once a week. Now, any of Now, I don't need

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<v Speaker 2>my audience to give me money, right and so, in fact,

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<v Speaker 2>by the way, any of the money that I get

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<v Speaker 2>from twitch, I go ahead and donate to charity. But

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<v Speaker 2>people still subscribe to me all the time, and I

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<v Speaker 2>don't do anything to try and encourage them. Now, most

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<v Speaker 2>of our creators do things to encourage people to subscribe, okay,

0:13:08.960 --> 0:13:12.679
<v Speaker 2>to get the ball rolling. So I'll just go through

0:13:12.720 --> 0:13:14.480
<v Speaker 2>a few examples. First of all, one thing that we

0:13:14.520 --> 0:13:16.920
<v Speaker 2>do is we have this thing called a hype train,

0:13:16.960 --> 0:13:22.360
<v Speaker 2>which has been very successful, which once people start subscribing

0:13:22.559 --> 0:13:24.960
<v Speaker 2>at the same time like a subscription or a gift,

0:13:25.320 --> 0:13:28.120
<v Speaker 2>and you cross a threshold, then a hype train starts.

0:13:28.120 --> 0:13:30.520
<v Speaker 2>And hype trains go to different levels, and I think

0:13:30.559 --> 0:13:33.080
<v Speaker 2>the record is like level one hundred and ten, and

0:13:33.120 --> 0:13:36.199
<v Speaker 2>as they get higher, we give out these emodes to

0:13:36.240 --> 0:13:39.240
<v Speaker 2>the community. So the community gets excited and says, let's

0:13:39.240 --> 0:13:43.600
<v Speaker 2>get level five, let's get level six, let's get level seven, right,

0:13:43.840 --> 0:13:47.200
<v Speaker 2>and of course the streamer is all excited. It's like, oh,

0:13:47.400 --> 0:13:49.920
<v Speaker 2>I'm getting I'm on a level five hype train. Come on, guys,

0:13:50.000 --> 0:13:53.640
<v Speaker 2>let's go to level six. Okay. So that's something that

0:13:53.679 --> 0:13:58.120
<v Speaker 2>we do that creates this kind of moment okay, that

0:13:58.200 --> 0:14:01.160
<v Speaker 2>gets lots of people saying, ooh, I want to be

0:14:01.200 --> 0:14:05.840
<v Speaker 2>part of this okay. But then streamers will do a

0:14:05.880 --> 0:14:08.240
<v Speaker 2>ton of stuff on their own okay. So for example,

0:14:08.240 --> 0:14:13.040
<v Speaker 2>one thing that's very common twitch is people do like subathons,

0:14:13.080 --> 0:14:16.360
<v Speaker 2>where they agree that if they reach so many subs,

0:14:16.400 --> 0:14:20.400
<v Speaker 2>they'll do certain things. Okay. The other thing they do

0:14:20.480 --> 0:14:24.920
<v Speaker 2>is sometimes they even stream for two weeks, three weeks,

0:14:25.080 --> 0:14:30.240
<v Speaker 2>thirty days. Whereas people keep giving money, it extends how

0:14:30.280 --> 0:14:33.680
<v Speaker 2>long they have to stream, okay. So they're kind of saying,

0:14:33.800 --> 0:14:37.920
<v Speaker 2>I will stream so much time for every dollar I receive,

0:14:38.120 --> 0:14:41.280
<v Speaker 2>and it has a counter so as people give money

0:14:41.320 --> 0:14:45.120
<v Speaker 2>and they keep the stream going even while they're sleeping, okay.

0:14:45.640 --> 0:14:49.520
<v Speaker 2>And so that creates this sort of communal experience and

0:14:49.560 --> 0:14:53.720
<v Speaker 2>excitement that gets everyone sort of contributing. So creators usually

0:14:53.800 --> 0:14:55.400
<v Speaker 2>do a fair amount, but they don't have to.

0:14:56.160 --> 0:14:59.160
<v Speaker 1>Are you familiar with this book? Just watch me by

0:14:59.240 --> 0:15:00.280
<v Speaker 1>leor Tour?

0:15:01.040 --> 0:15:03.000
<v Speaker 2>I am not. It sounds like one I need to read.

0:15:04.320 --> 0:15:06.440
<v Speaker 1>You have to read it because it's exactly what you're

0:15:06.440 --> 0:15:10.160
<v Speaker 1>talking about. It's a new book and it's about someone

0:15:10.160 --> 0:15:13.840
<v Speaker 1>who live streams and is raising money, and it deals

0:15:13.880 --> 0:15:17.720
<v Speaker 1>with all the concepts you're talking about. So you know,

0:15:17.880 --> 0:15:22.280
<v Speaker 1>ultimately we can talk about the themes, which would be

0:15:22.400 --> 0:15:26.680
<v Speaker 1>something different, but the mechanics are exactly what we're talking about.

0:15:27.120 --> 0:15:29.400
<v Speaker 1>Just watch me Lee or l I O R, I

0:15:29.480 --> 0:15:29.920
<v Speaker 1>see it, R.

0:15:30.320 --> 0:15:32.880
<v Speaker 2>I'll get it. I just searched on my computer and

0:15:32.920 --> 0:15:35.920
<v Speaker 2>it's sitting right here for me to start reading. And

0:15:36.120 --> 0:15:38.080
<v Speaker 2>by the way, one thing you mentioned, which is a

0:15:38.200 --> 0:15:41.400
<v Speaker 2>really important thing to note. I mean a huge thing

0:15:41.440 --> 0:15:45.120
<v Speaker 2>on Twitch is fundraising, and which is not surprising if

0:15:45.160 --> 0:15:47.720
<v Speaker 2>you go back in fundraising and you think of Jerry

0:15:47.800 --> 0:15:51.800
<v Speaker 2>Lewis telethon right, which was kind of the foundation of

0:15:51.840 --> 0:15:56.000
<v Speaker 2>fundraising Saint Jude's. I think they've raised over sixty million

0:15:56.120 --> 0:16:00.000
<v Speaker 2>on Twitch from creators that actively do things on stream

0:16:00.200 --> 0:16:03.120
<v Speaker 2>to raise money. And every year there are millions and

0:16:03.160 --> 0:16:07.120
<v Speaker 2>millions of dollars raised by creators who decide that's a

0:16:07.120 --> 0:16:09.200
<v Speaker 2>big part of what they want to do. And so

0:16:09.320 --> 0:16:12.640
<v Speaker 2>as opposed to you know, they will do these things,

0:16:12.680 --> 0:16:15.320
<v Speaker 2>but they do these things for contributions to a charity

0:16:15.360 --> 0:16:16.640
<v Speaker 2>that they care deeply about.

0:16:17.120 --> 0:16:20.640
<v Speaker 1>Let's say I'm part of the audience and I subscribe.

0:16:22.040 --> 0:16:25.040
<v Speaker 1>You know, when you're fundraising, their people say I pledge

0:16:25.040 --> 0:16:28.560
<v Speaker 1>one hundred dollars and then frequently they don't come through.

0:16:29.800 --> 0:16:33.200
<v Speaker 1>So if I say I subscribe, what are the mechanics

0:16:33.200 --> 0:16:34.320
<v Speaker 1>of collecting the money?

0:16:34.800 --> 0:16:36.680
<v Speaker 2>We take care of all that. When you pay you,

0:16:36.880 --> 0:16:38.840
<v Speaker 2>we get it right. You have a we have a

0:16:38.840 --> 0:16:41.800
<v Speaker 2>credit card with you, we charge it. It's charged right away.

0:16:42.120 --> 0:16:46.480
<v Speaker 1>Okay, So I'm there and I click subscribe, My credit

0:16:46.480 --> 0:16:47.480
<v Speaker 1>card gets charged.

0:16:47.480 --> 0:16:50.120
<v Speaker 2>Their credit card gets charged, and just like anything, there's

0:16:50.120 --> 0:16:53.640
<v Speaker 2>always challenges with some charge back because you're a credit card.

0:16:53.720 --> 0:16:55.200
<v Speaker 2>But yes, your credit card gets charged.

0:16:55.600 --> 0:16:58.840
<v Speaker 1>Okay. Let's say I am the streamer. When do I

0:16:58.920 --> 0:16:59.480
<v Speaker 1>get paid?

0:17:01.040 --> 0:17:03.240
<v Speaker 2>So right now, let me get the exact about we

0:17:03.360 --> 0:17:09.120
<v Speaker 2>pay out every I'm forgetting if it's every fifteen days

0:17:09.160 --> 0:17:11.480
<v Speaker 2>or every thirty days, I should know exactly. We've changed

0:17:11.480 --> 0:17:15.640
<v Speaker 2>it recently, but basically think of it every I'm pretty

0:17:15.640 --> 0:17:18.760
<v Speaker 2>sure it's every fifteen days, maybe every thirty days. That

0:17:18.800 --> 0:17:21.720
<v Speaker 2>we basically on cycle payout. Right, we have a we

0:17:21.920 --> 0:17:25.640
<v Speaker 2>have a cycle payout, and that we do need some

0:17:25.760 --> 0:17:28.440
<v Speaker 2>buffer in terms of charge backs and other things, because

0:17:28.480 --> 0:17:31.800
<v Speaker 2>once we pay you, we don't pull anything back, so

0:17:32.240 --> 0:17:34.080
<v Speaker 2>you know it's not too long.

0:17:34.560 --> 0:17:38.000
<v Speaker 1>So let me understand, I have no AD and I'm

0:17:38.040 --> 0:17:41.600
<v Speaker 1>a streamer. People are subscribing. I get one hundred cents

0:17:41.600 --> 0:17:42.480
<v Speaker 1>on the dollar to me.

0:17:43.200 --> 0:17:44.920
<v Speaker 2>No, that's a REP share. It's a rep share.

0:17:45.359 --> 0:17:46.600
<v Speaker 1>So what is the REV share?

0:17:47.040 --> 0:17:50.439
<v Speaker 2>The rev share? It depends upon. We have different levels. Okay,

0:17:50.480 --> 0:17:54.439
<v Speaker 2>for an average for you know, a regular smaller streamer,

0:17:54.440 --> 0:17:58.520
<v Speaker 2>it's fifty to fifty. We have what's called our our

0:17:58.560 --> 0:18:03.080
<v Speaker 2>Plus program for most of our established streamers, they get

0:18:03.119 --> 0:18:05.440
<v Speaker 2>either sixty forty or seventy thirty, and most of them

0:18:05.440 --> 0:18:08.440
<v Speaker 2>get seventy thirty. Okay, seventy percent of the revenue goes

0:18:08.480 --> 0:18:12.119
<v Speaker 2>to them. And the way we kind of the reason

0:18:12.119 --> 0:18:14.520
<v Speaker 2>we have the different levels, as we thought about it,

0:18:14.560 --> 0:18:20.520
<v Speaker 2>is for those people we're streaming is a core part

0:18:20.640 --> 0:18:23.960
<v Speaker 2>of how they fund their life. Okay, this is how

0:18:23.960 --> 0:18:26.199
<v Speaker 2>they pay their bills. We tried to make it so

0:18:26.240 --> 0:18:28.480
<v Speaker 2>that we could get most of them to seventy thirty.

0:18:28.760 --> 0:18:31.200
<v Speaker 2>So that's why we have these thresholds based upon the

0:18:31.280 --> 0:18:33.680
<v Speaker 2>number of subscribers you have, and we kind of set

0:18:33.680 --> 0:18:38.280
<v Speaker 2>it so that those people that are in general depending

0:18:38.359 --> 0:18:41.000
<v Speaker 2>upon this for their livelihood, and whereas there are a

0:18:41.000 --> 0:18:43.400
<v Speaker 2>lot of people that do it pick myself for example.

0:18:43.560 --> 0:18:45.720
<v Speaker 2>They do it out of passion and they may get

0:18:45.760 --> 0:18:48.959
<v Speaker 2>some additional money, but you know, then they'll be at

0:18:48.960 --> 0:18:49.600
<v Speaker 2>fifty to fifty.

0:18:50.800 --> 0:18:55.280
<v Speaker 1>Let's just say I'm a household name musician and I

0:18:55.359 --> 0:18:58.520
<v Speaker 1>have a lot of subscribers. I'm not living on the

0:18:58.520 --> 0:19:01.480
<v Speaker 1>money I'm making from Twitch, but am I going to

0:19:01.560 --> 0:19:03.479
<v Speaker 1>get fifty to fifty or seventy thirty?

0:19:04.240 --> 0:19:06.040
<v Speaker 2>You don't have to, meaning if you have other stuff,

0:19:06.080 --> 0:19:08.879
<v Speaker 2>as long as you have a certain amount of subscriptions

0:19:08.880 --> 0:19:10.280
<v Speaker 2>to you, it'd end up getting seventy thirty.

0:19:11.040 --> 0:19:14.359
<v Speaker 1>So really it's got less to do with whether the

0:19:14.440 --> 0:19:16.680
<v Speaker 1>person is living solely on Twitch money.

0:19:16.720 --> 0:19:20.159
<v Speaker 2>No, no, no, it's all about we have objective thresholds

0:19:20.200 --> 0:19:22.760
<v Speaker 2>about how many we have subscriber points. I won't go

0:19:22.800 --> 0:19:25.800
<v Speaker 2>into the details right because it's very inside baseball, but

0:19:25.920 --> 0:19:28.720
<v Speaker 2>it's basically how many subscribers you have. It's a little

0:19:28.800 --> 0:19:30.760
<v Speaker 2>more complicated because of our tears, but it's how many

0:19:30.800 --> 0:19:35.040
<v Speaker 2>subscribers you have that determines it, and it doesn't matter.

0:19:35.119 --> 0:19:39.720
<v Speaker 2>We just set the threshold to try and approximate. Here's

0:19:39.760 --> 0:19:43.320
<v Speaker 2>a threshold where if like, if this was your only

0:19:43.400 --> 0:19:45.959
<v Speaker 2>source of income it is, you know, you would be

0:19:46.320 --> 0:19:54.160
<v Speaker 2>depending upon this. But that's just how we set the threshold.

0:19:57.040 --> 0:20:01.160
<v Speaker 1>Okay, we know, mister beast in other clouds forms, what

0:20:01.240 --> 0:20:04.040
<v Speaker 1>is the most anybody is making from Twitch?

0:20:04.640 --> 0:20:09.760
<v Speaker 2>Ah? So let me This is what I'll talk about

0:20:09.800 --> 0:20:12.080
<v Speaker 2>for a second because it's important as you think about

0:20:12.080 --> 0:20:15.399
<v Speaker 2>our bigger streamers, and this is true in general in

0:20:15.440 --> 0:20:19.000
<v Speaker 2>the influencer marketplace. There is how much money they're making

0:20:19.040 --> 0:20:21.920
<v Speaker 2>from Twitch, but then how much money they're making off

0:20:21.920 --> 0:20:25.840
<v Speaker 2>of Twitch through direct sponsorship deals. And as you grow

0:20:26.560 --> 0:20:29.359
<v Speaker 2>basically when you first start out, you primarily make your

0:20:29.359 --> 0:20:33.320
<v Speaker 2>money from subscriptions. Okay, I've talked about. Then as you

0:20:33.359 --> 0:20:36.080
<v Speaker 2>get bigger, you also get ads because we have ads

0:20:36.080 --> 0:20:38.400
<v Speaker 2>as an important partner. As you get bigger, ads becomes

0:20:38.640 --> 0:20:40.639
<v Speaker 2>a more important part of your revenue stream.

0:20:40.800 --> 0:20:44.840
<v Speaker 1>Wait wait, time time out. These are the ads that Twitch.

0:20:44.600 --> 0:20:46.840
<v Speaker 2>Provides, Yes, that Twitch provides I know, and I'm going

0:20:46.920 --> 0:20:49.359
<v Speaker 2>to get so Twitch will run ads, right, So you

0:20:49.440 --> 0:20:53.200
<v Speaker 2>have your subscriptions, okay, then you have ads that we

0:20:53.280 --> 0:20:57.320
<v Speaker 2>run on the channel Okay that are also a revshare.

0:20:57.000 --> 0:20:59.040
<v Speaker 1>Okay, and what is the revshare on that?

0:20:59.119 --> 0:21:02.000
<v Speaker 2>The same is fifty five to forty five to you,

0:21:02.040 --> 0:21:05.359
<v Speaker 2>forty five to us okay. And then you have any

0:21:05.359 --> 0:21:10.400
<v Speaker 2>direct sponsorship money that you bring in okay, Okay, Meaning

0:21:10.440 --> 0:21:14.560
<v Speaker 2>a creator can get sponsored directly from a brand to

0:21:14.640 --> 0:21:17.800
<v Speaker 2>do something or twitch or to post on other social

0:21:17.840 --> 0:21:19.760
<v Speaker 2>media as part of their Twitch following because they have

0:21:19.800 --> 0:21:23.600
<v Speaker 2>an audience. Okay. As you get bigger, it may be

0:21:23.720 --> 0:21:27.119
<v Speaker 2>that fifty percent of your revenue comes off Twitch. You're

0:21:27.160 --> 0:21:29.880
<v Speaker 2>still getting it because of Twitch and your Twitch following,

0:21:30.800 --> 0:21:33.680
<v Speaker 2>but fifty percent of your revenue doesn't come through Twitch,

0:21:33.680 --> 0:21:37.159
<v Speaker 2>and we don't get any cut of that, okay. So

0:21:37.280 --> 0:21:40.040
<v Speaker 2>that is quite common. And you know, if you're creating

0:21:40.080 --> 0:21:43.520
<v Speaker 2>content on Instagram, often all of your revenue comes from

0:21:43.560 --> 0:21:47.000
<v Speaker 2>off Instagram. You get almost nothing from Instagram, right And

0:21:47.119 --> 0:21:50.560
<v Speaker 2>same thing with TikTok So how much does? I don't

0:21:50.560 --> 0:21:53.639
<v Speaker 2>want to quote any numbers because it's like twitch streamers

0:21:53.720 --> 0:21:57.480
<v Speaker 2>makes in the top. Twitch streamers makes in the millions

0:21:57.480 --> 0:21:59.920
<v Speaker 2>and millions of dollars, right, and so I don't want

0:21:59.920 --> 0:22:01.800
<v Speaker 2>to say any numbers, especially.

0:22:01.400 --> 0:22:05.600
<v Speaker 1>Where we'll be very specific. Are there people making seven

0:22:05.720 --> 0:22:09.840
<v Speaker 1>figures solely from twitch? I'm sure they're making sponsorship money

0:22:10.040 --> 0:22:10.760
<v Speaker 1>in addition to.

0:22:10.800 --> 0:22:13.159
<v Speaker 2>People making seven figures solely from Twitch.

0:22:13.640 --> 0:22:20.359
<v Speaker 1>Yes, okay, conventional YouTube influencers where it starts, they've migrated

0:22:20.359 --> 0:22:27.280
<v Speaker 1>to other platforms. A there is a real focus on frequency.

0:22:27.840 --> 0:22:32.920
<v Speaker 1>Unless you're posting at a certain level, you can't gain traction.

0:22:33.480 --> 0:22:35.600
<v Speaker 1>And then a lot of them are so busy posting

0:22:35.680 --> 0:22:39.480
<v Speaker 1>that they burn out. Jena Marbles, all these original influencers,

0:22:40.119 --> 0:22:42.920
<v Speaker 1>they're doing it and then they can't do it anywhere emotion.

0:22:45.800 --> 0:22:47.600
<v Speaker 2>So let's see. First of all, let me describe for

0:22:47.680 --> 0:22:49.920
<v Speaker 2>a second how twitch works to begin with, and then

0:22:49.960 --> 0:22:55.560
<v Speaker 2>what it takes to sustain. Okay, the foundation of Twitch

0:22:55.760 --> 0:22:58.360
<v Speaker 2>is the community you build and the fact that there

0:22:58.400 --> 0:23:02.480
<v Speaker 2>is a connection between people watching you and it is

0:23:02.520 --> 0:23:04.879
<v Speaker 2>the fact to get a sense of community. It takes

0:23:04.880 --> 0:23:08.240
<v Speaker 2>a certain amount of streaming for those people to build

0:23:08.320 --> 0:23:11.640
<v Speaker 2>that what I call a horizontal connection. For those people listening,

0:23:11.640 --> 0:23:13.679
<v Speaker 2>they won't see my hands going together, but I call

0:23:13.760 --> 0:23:18.159
<v Speaker 2>it a horizontal because you recognize each other in chat. Okay,

0:23:18.280 --> 0:23:21.480
<v Speaker 2>I'm going to do a quick divergence here to tell you,

0:23:21.480 --> 0:23:23.960
<v Speaker 2>you know, a story about that that'll kind of put

0:23:23.960 --> 0:23:26.840
<v Speaker 2>it to life. I was actually in the Middle East

0:23:26.840 --> 0:23:30.240
<v Speaker 2>and I talked. I was talking to a streamer from

0:23:32.080 --> 0:23:35.600
<v Speaker 2>the Arabic World and she was talking about how she

0:23:35.640 --> 0:23:38.840
<v Speaker 2>went on stream and one of her audience members wasn't

0:23:38.880 --> 0:23:41.560
<v Speaker 2>there and she is used to that audience member being

0:23:41.600 --> 0:23:44.600
<v Speaker 2>there regular She's like, what's happening and she asked everyone

0:23:44.640 --> 0:23:46.359
<v Speaker 2>in chat, and everyone in Chat was like, yeah, I

0:23:46.359 --> 0:23:47.919
<v Speaker 2>haven't seen him either. I haven't seen her on this

0:23:47.960 --> 0:23:50.560
<v Speaker 2>other channel, because they all knew who this person was.

0:23:51.040 --> 0:23:54.280
<v Speaker 2>So she started trying to figure out if he was okay, okay,

0:23:54.320 --> 0:23:56.480
<v Speaker 2>and did whatever information and she couldn't figure out. He

0:23:56.520 --> 0:23:58.120
<v Speaker 2>came back a week later and she was like, Oh,

0:23:58.119 --> 0:24:00.159
<v Speaker 2>we're so glad you're here. We're worried. In all of

0:24:00.240 --> 0:24:02.760
<v Speaker 2>Chat was saying this too, because all of Chat knew

0:24:02.760 --> 0:24:05.680
<v Speaker 2>who this person was and was connected to this person. Right.

0:24:06.080 --> 0:24:11.440
<v Speaker 2>It turns out he did have a modestly serious injury. Okay.

0:24:11.800 --> 0:24:14.679
<v Speaker 2>He was really touched that they noticed that he was gone.

0:24:15.359 --> 0:24:18.280
<v Speaker 2>The interesting part of the story is his immediate family,

0:24:18.320 --> 0:24:21.800
<v Speaker 2>who he doesn't live with, did not know he was

0:24:21.840 --> 0:24:25.439
<v Speaker 2>ever sick because he doesn't talk to them regularly, so

0:24:25.720 --> 0:24:28.639
<v Speaker 2>they didn't notice that he was like in the hospital.

0:24:28.920 --> 0:24:31.480
<v Speaker 2>He didn't contact them. They didn't notice, but his Twitch

0:24:31.520 --> 0:24:34.800
<v Speaker 2>community knew the day that something happened on him. And

0:24:34.840 --> 0:24:38.040
<v Speaker 2>it wasn't just the streamers of the community. So countless

0:24:38.080 --> 0:24:41.280
<v Speaker 2>stories I've heard of people meeting their mate just by

0:24:41.359 --> 0:24:44.679
<v Speaker 2>building the connections on Twitch. So I say that because

0:24:44.720 --> 0:24:47.240
<v Speaker 2>an important part of Twitch for the viewer isn't just

0:24:47.640 --> 0:24:51.639
<v Speaker 2>watching the content. It's feeling connected to the other people

0:24:51.960 --> 0:24:54.480
<v Speaker 2>and talking to them and getting to know them. So

0:24:55.040 --> 0:24:57.960
<v Speaker 2>going back to your question, when you get going, you

0:24:58.040 --> 0:25:02.480
<v Speaker 2>have to stream on some regularity to form that, Bob. Okay,

0:25:03.280 --> 0:25:07.679
<v Speaker 2>if you already have some notoriety, I often tell people, oh,

0:25:07.720 --> 0:25:10.840
<v Speaker 2>if you stream two to three times a week, two

0:25:10.920 --> 0:25:14.560
<v Speaker 2>to three hours a stream, you can build a sense

0:25:14.560 --> 0:25:17.760
<v Speaker 2>of community. Now there are exceptions to that. I'll think

0:25:17.800 --> 0:25:20.359
<v Speaker 2>myself as an example, Bob, you would be someone that

0:25:20.440 --> 0:25:22.680
<v Speaker 2>might be an exception. I only stream once a week.

0:25:22.960 --> 0:25:25.760
<v Speaker 2>But I'm notable in that I was CEO, and even

0:25:25.800 --> 0:25:27.639
<v Speaker 2>though I only stream once a week, I still have

0:25:27.720 --> 0:25:30.160
<v Speaker 2>that sense of community from the folks who watch them.

0:25:30.480 --> 0:25:35.000
<v Speaker 1>Okay, when you stream, how do people know when you're

0:25:35.040 --> 0:25:35.800
<v Speaker 1>gonna stream?

0:25:35.920 --> 0:25:41.600
<v Speaker 2>Yeah, so I might post something on social media it says, oh,

0:25:41.640 --> 0:25:46.399
<v Speaker 2>I'm going live. But in general, for most people that stream,

0:25:46.400 --> 0:25:49.959
<v Speaker 2>I tell them maintain a schedule. Okay, say I'm going

0:25:50.000 --> 0:25:54.119
<v Speaker 2>to stream every Monday and Thursday from seven to ten. Okay,

0:25:54.200 --> 0:25:57.120
<v Speaker 2>because you're going to find those members of your audience

0:25:57.119 --> 0:26:00.720
<v Speaker 2>that have that that are just free in that time period. Okay.

0:26:00.720 --> 0:26:03.640
<v Speaker 2>So usually it's good to have some schedule. You can

0:26:03.640 --> 0:26:06.080
<v Speaker 2>stream off schedule, but try to have some schedule to

0:26:06.080 --> 0:26:10.439
<v Speaker 2>build that community. Okay. Twitch sends notifications out whenever you

0:26:10.480 --> 0:26:14.040
<v Speaker 2>go live, So basically, once people are watching Twitch and

0:26:14.080 --> 0:26:18.639
<v Speaker 2>they follow you, then whenever I go live, the folks

0:26:18.680 --> 0:26:21.000
<v Speaker 2>that and I am not good at maintaining a schedule

0:26:21.000 --> 0:26:24.479
<v Speaker 2>as an example, Bob, because my schedule is very erratic,

0:26:24.760 --> 0:26:27.160
<v Speaker 2>but they all get notifications as soon as I go live.

0:26:27.200 --> 0:26:29.400
<v Speaker 2>It says dan is live, Dan is live, Dan is live,

0:26:29.560 --> 0:26:31.119
<v Speaker 2>and so a lot of times they just start showing

0:26:31.160 --> 0:26:33.560
<v Speaker 2>up because they get the notification that I'm live, and

0:26:33.600 --> 0:26:36.119
<v Speaker 2>they're like, oh cool, I want to drop in. Okay.

0:26:36.160 --> 0:26:39.200
<v Speaker 2>If I want to tell people in advance, then usually

0:26:39.400 --> 0:26:42.000
<v Speaker 2>we do have ways within Twitch, but most people use

0:26:42.040 --> 0:26:45.200
<v Speaker 2>social media to say go on live tomorrow at ten,

0:26:45.359 --> 0:26:48.560
<v Speaker 2>because that's where people spend a lot of their time

0:26:48.760 --> 0:26:51.080
<v Speaker 2>is on Instagram or TikTok and so they post something

0:26:51.080 --> 0:26:53.960
<v Speaker 2>on there okay.

0:26:54.119 --> 0:26:59.120
<v Speaker 1>Twitch provided ads are those of break in the stream

0:26:59.440 --> 0:27:02.040
<v Speaker 1>or is it a bug that sits on the screen?

0:27:02.760 --> 0:27:04.520
<v Speaker 1>How does that look like? Doesn't work?

0:27:05.560 --> 0:27:10.120
<v Speaker 2>The answer is both Okay. Basically I would broadly characterize

0:27:10.160 --> 0:27:14.520
<v Speaker 2>three types of ads. We do have pre roll media

0:27:14.560 --> 0:27:18.600
<v Speaker 2>ads that might occur when someone shows up at a channel. Okay,

0:27:19.640 --> 0:27:23.880
<v Speaker 2>most of the video ads will be a mid roll

0:27:24.200 --> 0:27:28.159
<v Speaker 2>where the streamer marks they control. Every streamer controls what

0:27:28.240 --> 0:27:31.480
<v Speaker 2>the AIRD load is on their channel. Okay, So they

0:27:31.480 --> 0:27:33.280
<v Speaker 2>can run three minutes of ads, they can run six

0:27:33.320 --> 0:27:38.000
<v Speaker 2>minutes of ads. They decide how many ads okay, they

0:27:38.040 --> 0:27:41.600
<v Speaker 2>define when the breaks are okay. Now, it's important to

0:27:41.640 --> 0:27:45.400
<v Speaker 2>note the subscribers aren't getting ads, So just because it's

0:27:45.400 --> 0:27:48.280
<v Speaker 2>an AD break, it doesn't mean that the streamer goes away.

0:27:48.520 --> 0:27:50.840
<v Speaker 2>Don't think if the guy gets up and leaves, usually

0:27:50.840 --> 0:27:53.280
<v Speaker 2>he's still doing something, but he takes into account and

0:27:53.440 --> 0:27:58.040
<v Speaker 2>AD break. And then we also have non interruptive ads okay,

0:27:58.040 --> 0:28:00.679
<v Speaker 2>because obviously that's something we want to get more for

0:28:00.800 --> 0:28:03.959
<v Speaker 2>the creators, it's better to minimize the interruptive ads. So

0:28:04.000 --> 0:28:06.439
<v Speaker 2>we do have some placements that are non interrupted that

0:28:06.480 --> 0:28:08.040
<v Speaker 2>you can see while you're watching the stream.

0:28:09.040 --> 0:28:15.679
<v Speaker 1>Okay, going back to sponsorships, you know you have a

0:28:15.720 --> 0:28:20.560
<v Speaker 1>lot of people in general influencers or hawking products and

0:28:20.600 --> 0:28:24.840
<v Speaker 1>it undercuts their credibility. How would you advise someone who's

0:28:24.880 --> 0:28:28.320
<v Speaker 1>doing that on Twitch, someone who has external sponsors.

0:28:28.760 --> 0:28:31.959
<v Speaker 2>Yeah, what I often say is you want to make

0:28:32.000 --> 0:28:36.960
<v Speaker 2>sure there's an authenticity to when you are doing a sponsorship.

0:28:38.280 --> 0:28:40.240
<v Speaker 2>When you look at the amount of money that somebody

0:28:40.280 --> 0:28:44.040
<v Speaker 2>makes directly from their audience, which again is different. You know,

0:28:44.080 --> 0:28:47.880
<v Speaker 2>if you look at the short form, people are making

0:28:47.960 --> 0:28:50.760
<v Speaker 2>a lot of money directly from their audience. On Twitch,

0:28:50.840 --> 0:28:53.360
<v Speaker 2>they are making a lot of money directly from their audience.

0:28:53.800 --> 0:28:57.360
<v Speaker 2>So if you go on and show for a product

0:28:57.400 --> 0:29:00.200
<v Speaker 2>you don't believe in to these people that are paying

0:29:00.240 --> 0:29:04.600
<v Speaker 2>to support you in general, like, that's not a great idea,

0:29:05.080 --> 0:29:06.640
<v Speaker 2>right if you don't believe in the other And so

0:29:07.160 --> 0:29:09.960
<v Speaker 2>the magic that works, and this is what I often

0:29:10.000 --> 0:29:13.240
<v Speaker 2>talk when I when I talk to brands is I

0:29:13.280 --> 0:29:16.840
<v Speaker 2>talk about the fact that to three quarters of the

0:29:16.880 --> 0:29:19.280
<v Speaker 2>money we make doesn't come from add It comes directly

0:29:19.360 --> 0:29:24.160
<v Speaker 2>from viewers pockets. And that means those viewers are emotionally

0:29:24.200 --> 0:29:28.040
<v Speaker 2>engaged with the content Okay. So it's actually because what

0:29:28.040 --> 0:29:31.320
<v Speaker 2>you're trying to do with an AD is create emotional transference,

0:29:31.400 --> 0:29:34.760
<v Speaker 2>right that I have a positive feeling towards you. You

0:29:34.840 --> 0:29:37.360
<v Speaker 2>have an association with this brand. So now I have

0:29:37.400 --> 0:29:41.640
<v Speaker 2>a positive association with filling the Brank brand. Okay. And

0:29:41.680 --> 0:29:45.840
<v Speaker 2>so I often tell streamers, I say, look, you should

0:29:45.840 --> 0:29:50.000
<v Speaker 2>make sure that you like to some degree believe in

0:29:50.040 --> 0:29:54.520
<v Speaker 2>this brand. And it's not just you, you know, being

0:29:54.560 --> 0:29:58.760
<v Speaker 2>a shrill show for whatever they say, because you know

0:29:59.000 --> 0:30:00.480
<v Speaker 2>that matters to your community.

0:30:01.160 --> 0:30:08.040
<v Speaker 1>Okay, I follow X and do I have the same

0:30:08.200 --> 0:30:11.960
<v Speaker 1>ability to chat as someone who subscribes?

0:30:14.040 --> 0:30:16.800
<v Speaker 2>Absolutely? You know. Now, well let me add it on.

0:30:16.920 --> 0:30:21.760
<v Speaker 2>Let me add one caveat the streamer can control who

0:30:21.800 --> 0:30:25.440
<v Speaker 2>can chat in their chat. So the streamer has a

0:30:25.480 --> 0:30:29.120
<v Speaker 2>lot of control. Okay. So for example, they can put

0:30:29.160 --> 0:30:31.880
<v Speaker 2>their chat in subscribe or only chat if they so choose.

0:30:32.400 --> 0:30:34.720
<v Speaker 2>So if they put their chat in subscribe or only chat,

0:30:34.720 --> 0:30:37.560
<v Speaker 2>and sometimes a larger streamer might do that or might

0:30:37.640 --> 0:30:40.640
<v Speaker 2>do that for a certain portion of his stream to

0:30:40.760 --> 0:30:44.760
<v Speaker 2>reward those people that are subscribers. Okay, you can put

0:30:44.760 --> 0:30:47.880
<v Speaker 2>it and follower only chat. Okay, sometimes you might do

0:30:48.000 --> 0:30:50.400
<v Speaker 2>that to avoid just a lot of noise from the

0:30:50.400 --> 0:30:55.000
<v Speaker 2>people that don't. Okay, So the creator decides who can

0:30:55.040 --> 0:30:59.280
<v Speaker 2>participate in chat. I'd say most creators don't restrict it

0:30:59.320 --> 0:31:02.120
<v Speaker 2>to subscribe only chat as a general rule. I think

0:31:02.160 --> 0:31:05.400
<v Speaker 2>that's more the exception that somebody will limit it to

0:31:05.520 --> 0:31:06.720
<v Speaker 2>subscribeer only chat.

0:31:07.240 --> 0:31:10.400
<v Speaker 1>And to what degree is it important for the streamer

0:31:10.880 --> 0:31:14.520
<v Speaker 1>to chat with the audience as opposed to the audience

0:31:14.640 --> 0:31:15.880
<v Speaker 1>chatting amongst itself.

0:31:16.400 --> 0:31:19.920
<v Speaker 2>Yeah, so I'm gonna say it doesn't matter for the

0:31:19.960 --> 0:31:23.440
<v Speaker 2>streamer to type into chat, right, okay, because they're talking.

0:31:23.480 --> 0:31:26.240
<v Speaker 2>The real question is to what degree is it important

0:31:26.280 --> 0:31:31.200
<v Speaker 2>for the streamer to interact with chat? Okay? And in general? Now,

0:31:31.240 --> 0:31:33.600
<v Speaker 2>sometimes you may be doing streams or you don't do it,

0:31:33.640 --> 0:31:37.240
<v Speaker 2>and that's okay, But in general it's pretty important, okay,

0:31:37.440 --> 0:31:41.680
<v Speaker 2>because the thing that like, everyone wants to be heard, okay,

0:31:42.080 --> 0:31:45.320
<v Speaker 2>And when I'm watching and you just say hey Kevin

0:31:45.400 --> 0:31:48.160
<v Speaker 2>verse seven, you know, yeah, let me answer your question

0:31:48.440 --> 0:31:51.040
<v Speaker 2>or thanks for being here. Like when I start streaming,

0:31:51.480 --> 0:31:53.440
<v Speaker 2>the first thing I do is for the first people

0:31:53.440 --> 0:31:55.120
<v Speaker 2>that show up in chat, because I turn it on

0:31:55.320 --> 0:31:57.560
<v Speaker 2>and then people say, hey Dan, what's happening? Hey, I

0:31:57.600 --> 0:32:00.000
<v Speaker 2>go yo, Kevin verse seven, glad to see you again,

0:32:00.080 --> 0:32:03.040
<v Speaker 2>and oh, Vix and Bena, glad you're here. Oh. And

0:32:03.080 --> 0:32:06.480
<v Speaker 2>I'm sitting there calling out all these people, right, and

0:32:06.520 --> 0:32:09.560
<v Speaker 2>so that is part of building the sense of belonging

0:32:10.040 --> 0:32:13.720
<v Speaker 2>because I'm showing that I hear them. Okay, and so

0:32:14.000 --> 0:32:18.280
<v Speaker 2>most of our streamers spend some amount of time paying

0:32:18.320 --> 0:32:20.280
<v Speaker 2>attention to chatt to show that they care.

0:32:21.480 --> 0:32:25.760
<v Speaker 1>Okay, this goes with the territory, and I have to

0:32:25.840 --> 0:32:30.760
<v Speaker 1>ask these people become somewhat public, to what degree are

0:32:30.760 --> 0:32:35.800
<v Speaker 1>their issues of stalking and other infringing upon someone's privacy

0:32:35.960 --> 0:32:36.480
<v Speaker 1>or space.

0:32:37.360 --> 0:32:42.360
<v Speaker 2>Yeah, so everyone needs you know, the reality is in

0:32:42.360 --> 0:32:46.320
<v Speaker 2>today's world, notable people need to be cognizant of this.

0:32:46.480 --> 0:32:50.160
<v Speaker 2>We have very strict rules around boxing and boxing off

0:32:50.240 --> 0:32:52.880
<v Speaker 2>platform as well as on platform. So in fact, if

0:32:52.920 --> 0:32:56.120
<v Speaker 2>ever someone is doing that which is sharing private information,

0:32:56.400 --> 0:32:59.080
<v Speaker 2>we take that seriously. We ban them from Twitch. So

0:32:59.200 --> 0:33:02.880
<v Speaker 2>in general, that's not something that that happens a lot.

0:33:03.200 --> 0:33:05.719
<v Speaker 2>But of course as you get bigger, and it varies

0:33:05.760 --> 0:33:09.200
<v Speaker 2>depending upon the creator, you have to be very cognizant

0:33:09.240 --> 0:33:12.560
<v Speaker 2>because you're becoming a public figure in today's world. Okay,

0:33:13.920 --> 0:33:16.200
<v Speaker 2>one of the factors, there's one issue about what i'll

0:33:16.240 --> 0:33:19.280
<v Speaker 2>call your personal safety, okay, in terms of where you're at,

0:33:19.320 --> 0:33:21.840
<v Speaker 2>and as you get bigger, you have to be cognizant

0:33:21.840 --> 0:33:25.200
<v Speaker 2>of that. Which is unfortunate that that's the case, right,

0:33:25.200 --> 0:33:28.560
<v Speaker 2>but that is the world we live in. One thing

0:33:28.560 --> 0:33:33.040
<v Speaker 2>that's really interesting about when you're on Twitch, though, is

0:33:33.800 --> 0:33:36.760
<v Speaker 2>you can control and you can ban people from your chat.

0:33:37.760 --> 0:33:40.520
<v Speaker 2>So one of the problems in today's social media world

0:33:41.040 --> 0:33:44.120
<v Speaker 2>is you post something and you have all the trolls

0:33:44.160 --> 0:33:47.080
<v Speaker 2>that are there responding, whether it's on X or Instagram

0:33:47.120 --> 0:33:49.280
<v Speaker 2>and commenting or whatever. Right, So if you say something

0:33:49.320 --> 0:33:51.880
<v Speaker 2>on X, you have all these people that will attack you.

0:33:52.040 --> 0:33:54.440
<v Speaker 2>And if there's anyone you're a fan of, any musician

0:33:54.480 --> 0:33:56.400
<v Speaker 2>you love they post something, they're going to be people

0:33:56.440 --> 0:33:58.720
<v Speaker 2>that are going to be, oh, I can't believe you

0:33:58.720 --> 0:34:01.880
<v Speaker 2>did this, you sold out or whatever. Right, And when

0:34:01.920 --> 0:34:03.840
<v Speaker 2>you read all that stuff, it just makes you feel

0:34:03.880 --> 0:34:07.040
<v Speaker 2>like shit, right because you know, let's say you're a

0:34:07.120 --> 0:34:09.359
<v Speaker 2>musician and you're creating stuff and then these people are

0:34:09.360 --> 0:34:14.200
<v Speaker 2>attacking you. Okay, on Twitch, if somebody attacks you in chat,

0:34:15.000 --> 0:34:17.359
<v Speaker 2>we have moderators, we have lots of tools you ban them,

0:34:17.560 --> 0:34:20.360
<v Speaker 2>and what ends up happening it's kind of different in

0:34:20.440 --> 0:34:23.440
<v Speaker 2>other social media and other social media, sometimes fifty percent

0:34:23.440 --> 0:34:28.240
<v Speaker 2>in your comments can be trolls. On Twitch, people tend

0:34:28.239 --> 0:34:30.040
<v Speaker 2>not to just sit there if they don't like you.

0:34:30.080 --> 0:34:33.279
<v Speaker 2>They don't sit there and watch you for two hours. Right,

0:34:33.440 --> 0:34:35.879
<v Speaker 2>They're not going to do that. They might come in

0:34:35.920 --> 0:34:38.359
<v Speaker 2>and say something then you ban them. So the reality is,

0:34:38.400 --> 0:34:40.920
<v Speaker 2>in terms of the abuse you get in chat, I'm

0:34:40.920 --> 0:34:42.919
<v Speaker 2>not saying it's not an issue. It's something we think about.

0:34:43.239 --> 0:34:47.800
<v Speaker 2>It tends to be far less than in other social

0:34:47.840 --> 0:34:52.400
<v Speaker 2>media platforms because you can control who can be engaged

0:34:52.440 --> 0:34:53.080
<v Speaker 2>in your chat.

0:34:53.800 --> 0:34:57.160
<v Speaker 1>Okay, do you block at the user level name or

0:34:57.160 --> 0:34:58.760
<v Speaker 1>the IP address name.

0:34:59.680 --> 0:35:04.280
<v Speaker 2>When somebody bans this account, Okay, it is the person

0:35:04.320 --> 0:35:06.799
<v Speaker 2>who is getting banned. Now, we do a lot of

0:35:06.840 --> 0:35:10.080
<v Speaker 2>work to try and determine when people have duplicate accounts,

0:35:10.640 --> 0:35:13.600
<v Speaker 2>and there are two types of banning. If you violate

0:35:13.600 --> 0:35:17.120
<v Speaker 2>our community guidelines, we may ban you from Twitch. But

0:35:17.360 --> 0:35:20.120
<v Speaker 2>you also can set different standards on your chat that

0:35:20.160 --> 0:35:23.799
<v Speaker 2>are different than Twitches. Okay, so you can say this

0:35:23.960 --> 0:35:28.080
<v Speaker 2>is family friendly. I don't want anyone cursing. Someone curses,

0:35:28.120 --> 0:35:31.480
<v Speaker 2>you can ban them from your chat. Okay, you're banning

0:35:31.520 --> 0:35:34.799
<v Speaker 2>that person. We have various different ways to determine when

0:35:34.800 --> 0:35:37.520
<v Speaker 2>this person is associated with different accounts, and IP is

0:35:37.560 --> 0:35:41.319
<v Speaker 2>one of them. Okay, But so we work to make

0:35:41.400 --> 0:35:45.759
<v Speaker 2>sure that somebody can't do ban evasion. Of course, it's

0:35:45.840 --> 0:35:48.360
<v Speaker 2>always a cat and mouse game because there's no perfect

0:35:48.400 --> 0:35:51.839
<v Speaker 2>formula for that. But conceptually, what it is is we're

0:35:51.880 --> 0:35:53.680
<v Speaker 2>banning the person, not the account.

0:35:54.440 --> 0:35:58.239
<v Speaker 1>Okay. Other than video gaming, which is a world up

0:35:58.320 --> 0:36:02.480
<v Speaker 1>to itself and Twitch really owns, can you name someone

0:36:02.520 --> 0:36:07.920
<v Speaker 1>else who has primarily built their career, reputation, monetary reward

0:36:08.360 --> 0:36:09.080
<v Speaker 1>via Twitch.

0:36:10.480 --> 0:36:14.920
<v Speaker 2>Yeah, well, I mean I'll take our top streamer who,

0:36:14.960 --> 0:36:17.279
<v Speaker 2>while he gains a little bit, that's not why he's known,

0:36:17.320 --> 0:36:21.520
<v Speaker 2>Miss Kaisano. Okay, our top streamer who was on the

0:36:21.560 --> 0:36:26.280
<v Speaker 2>cover of Time magazine for the Creator of the Year. Okay,

0:36:26.560 --> 0:36:31.600
<v Speaker 2>He's primarily known for the antics that he does, if

0:36:31.640 --> 0:36:34.520
<v Speaker 2>you will, for all the funny stuff that he does

0:36:35.080 --> 0:36:38.960
<v Speaker 2>where he has people over you know, in his you know,

0:36:39.400 --> 0:36:43.640
<v Speaker 2>in his you know house, just doing funny and goofy stuff.

0:36:43.680 --> 0:36:45.720
<v Speaker 2>He has a great clip where he did a stream

0:36:45.760 --> 0:36:50.400
<v Speaker 2>with Kevin Hart where they did a sleepover. Okay, but

0:36:50.800 --> 0:36:54.359
<v Speaker 2>I would start with with Kai, who's you know at

0:36:54.360 --> 0:36:57.759
<v Speaker 2>the you know, at the top of the heap right now.

0:36:57.800 --> 0:37:01.920
<v Speaker 1>On twitch, Okay, I'm a creator, you know these some

0:37:01.960 --> 0:37:09.080
<v Speaker 1>of these terms influencer. There are multiple platforms, There's YouTube, Instagram, TikTok, Twitch,

0:37:11.320 --> 0:37:15.080
<v Speaker 1>What would you say, would you say be on all

0:37:15.160 --> 0:37:19.040
<v Speaker 1>of them? Or really you should be on Twitch and

0:37:19.080 --> 0:37:20.400
<v Speaker 1>dedicate your type of Twitch.

0:37:21.280 --> 0:37:24.360
<v Speaker 2>So, first of all, as opposed to talking about platforms,

0:37:25.040 --> 0:37:28.440
<v Speaker 2>I'm going to talk about content types and then get

0:37:28.480 --> 0:37:32.000
<v Speaker 2>to platforms, okay, and broadly, I think now you should

0:37:32.040 --> 0:37:37.719
<v Speaker 2>think of three types of content live. Okay. What I

0:37:37.800 --> 0:37:40.640
<v Speaker 2>will call is I'm going to use the term long

0:37:40.760 --> 0:37:44.320
<v Speaker 2>form BODVOD for video on demand, and I'm going to

0:37:44.480 --> 0:37:48.800
<v Speaker 2>use the term short form VOD. Okay. Now, the reality

0:37:48.880 --> 0:37:52.000
<v Speaker 2>is the length of the VOD is a continuum, doesn't binorize.

0:37:52.200 --> 0:37:54.560
<v Speaker 2>But in your mind, as we think short form BOD,

0:37:55.040 --> 0:37:59.080
<v Speaker 2>be thinking of thirty seconds to one to two minutes,

0:37:59.120 --> 0:38:02.360
<v Speaker 2>in other words, based the type of experience that YouTube, shorts,

0:38:02.400 --> 0:38:06.359
<v Speaker 2>TikTok and Instagram reels is optimized for. So that's what

0:38:06.400 --> 0:38:09.479
<v Speaker 2>I'm going to call short form. When I think long

0:38:09.560 --> 0:38:12.360
<v Speaker 2>form for now, think of twenty minute videos on YouTube

0:38:12.719 --> 0:38:15.200
<v Speaker 2>or longer. Okay, now, yes, I know there's a gap

0:38:15.200 --> 0:38:17.120
<v Speaker 2>between two to three minutes and twenty minutes. You have

0:38:17.160 --> 0:38:22.680
<v Speaker 2>ten minutes, but just and then live. Okay. So the

0:38:22.760 --> 0:38:27.040
<v Speaker 2>first thing you have to ask, the question is your

0:38:27.080 --> 0:38:29.920
<v Speaker 2>creative expression? What are you trying to create? What are

0:38:29.960 --> 0:38:35.120
<v Speaker 2>you trying to communicate? Okay? And that sometimes dictates the artifact. Okay.

0:38:35.640 --> 0:38:40.640
<v Speaker 2>Short form content is the best content for discovery. The

0:38:40.719 --> 0:38:43.319
<v Speaker 2>reason for that is someone can watch a lot and

0:38:43.360 --> 0:38:46.680
<v Speaker 2>it's very easy for something to go viral. Okay. So

0:38:47.160 --> 0:38:53.000
<v Speaker 2>to use a you know, comparison, someone on TikTok might

0:38:53.080 --> 0:38:56.680
<v Speaker 2>see two thousand creators in a week, okay with this star,

0:38:56.760 --> 0:39:00.439
<v Speaker 2>or three thousand or four thousand someone on twitch watch

0:39:00.480 --> 0:39:05.160
<v Speaker 2>five to ten. I believe someone on YouTube is probably

0:39:05.200 --> 0:39:09.440
<v Speaker 2>in the middle, three hundred or four hundred. Okay. I

0:39:09.520 --> 0:39:11.680
<v Speaker 2>think one thing, and especially later on we might start

0:39:11.680 --> 0:39:15.680
<v Speaker 2>talking about music. There's this thing about emotional attachment between

0:39:15.719 --> 0:39:19.840
<v Speaker 2>the creator, okay, and short form is a great way

0:39:19.880 --> 0:39:23.520
<v Speaker 2>to get discovered, but it isn't a great way to

0:39:23.640 --> 0:39:28.640
<v Speaker 2>form an emotional attachment between the artist, the creator and

0:39:28.719 --> 0:39:32.400
<v Speaker 2>the viewer because you're just one of two to three thousand. Okay.

0:39:32.920 --> 0:39:36.640
<v Speaker 2>If somebody stops creating content, on TikTok you don't even

0:39:36.719 --> 0:39:40.440
<v Speaker 2>know it right because your attachment is to the platform.

0:39:40.800 --> 0:39:44.120
<v Speaker 2>If someone stops streaming on Twitch, then I know it

0:39:44.280 --> 0:39:46.799
<v Speaker 2>within days that they're not streaming right now. That's because

0:39:46.840 --> 0:39:49.600
<v Speaker 2>I'm more emotionally attached. So the way I describe it

0:39:49.680 --> 0:39:53.640
<v Speaker 2>is personally, I think if you want to be discovered,

0:39:53.719 --> 0:39:56.239
<v Speaker 2>that's what you're trying to do. I think short form

0:39:56.239 --> 0:40:00.439
<v Speaker 2>content is the best channel for discovery. Okay, you want

0:40:00.440 --> 0:40:03.479
<v Speaker 2>to build deep connection with your audience, I think live

0:40:04.480 --> 0:40:06.360
<v Speaker 2>is the best way to do that, and it's also

0:40:06.400 --> 0:40:10.960
<v Speaker 2>the best way to turn affinity and affection into dollars directly,

0:40:11.239 --> 0:40:14.760
<v Speaker 2>where they're supporting you directly. Okay. Now, the one caveat

0:40:14.800 --> 0:40:20.600
<v Speaker 2>I will say is live isn't for everyone. Some people

0:40:20.640 --> 0:40:24.560
<v Speaker 2>aren't comfortable live. Some people aren't comfortable being exposed to,

0:40:25.840 --> 0:40:29.480
<v Speaker 2>you know, all the sundrys and everything that they you know,

0:40:30.200 --> 0:40:33.279
<v Speaker 2>might deal with. They're better And that's particularly true from

0:40:33.280 --> 0:40:35.799
<v Speaker 2>a musician's perspective the way I think of it. And

0:40:36.000 --> 0:40:40.680
<v Speaker 2>you know, some musicians finally craft their words and you

0:40:40.719 --> 0:40:43.200
<v Speaker 2>can see them on stage. There's sometimes a little uncomfortable

0:40:43.239 --> 0:40:45.440
<v Speaker 2>in stage because they have this artifact, which is the

0:40:45.520 --> 0:40:48.719
<v Speaker 2>song which is a finely crafted song and that's what

0:40:48.760 --> 0:40:52.160
<v Speaker 2>they're presenting, and they don't want to be answering questions

0:40:52.160 --> 0:40:54.920
<v Speaker 2>and improvising and doing all sorts of stuff. So for

0:40:55.080 --> 0:40:59.200
<v Speaker 2>some people, Live isn't the right thing for them. Okay,

0:41:00.200 --> 0:41:02.360
<v Speaker 2>to enjoy live is you're going to do it because

0:41:02.400 --> 0:41:04.479
<v Speaker 2>it's gonna take time. So the way I would say

0:41:04.480 --> 0:41:08.239
<v Speaker 2>it is everyone as they're thinking about discovery should be

0:41:08.239 --> 0:41:12.080
<v Speaker 2>thinking about using the short form content platforms if you're

0:41:12.080 --> 0:41:15.320
<v Speaker 2>looking for discovery, because it's just the best for discovery,

0:41:15.360 --> 0:41:17.839
<v Speaker 2>that's just the nature of it. Then as you think

0:41:17.840 --> 0:41:20.480
<v Speaker 2>about building a stronger connection, I think that's when you

0:41:20.480 --> 0:41:22.359
<v Speaker 2>want to think about longer form, and I think Live

0:41:22.480 --> 0:41:25.160
<v Speaker 2>is a great form of longer form. I also think

0:41:25.360 --> 0:41:35.319
<v Speaker 2>YouTube can be useful for longer form.

0:41:35.440 --> 0:41:38.760
<v Speaker 1>What about nudity slash pornography?

0:41:38.920 --> 0:41:43.200
<v Speaker 2>Yeah, so we don't allow nudity and pornographa on Twitch.

0:41:43.280 --> 0:41:46.719
<v Speaker 2>So that's pretty straightforward not on Twitch, So I won't

0:41:46.760 --> 0:41:50.560
<v Speaker 2>hypothesize if that's what your product is, which platforms to use.

0:41:51.080 --> 0:41:53.800
<v Speaker 2>So we don't allow nudity and pronoraphy itch, we decided

0:41:53.800 --> 0:41:56.040
<v Speaker 2>that's not appropriate for our platform.

0:41:55.600 --> 0:41:57.640
<v Speaker 1>As a practical matter. How do you believe that.

0:41:58.480 --> 0:42:01.960
<v Speaker 2>Oh, it's fairly. We have policies, we have automated techniques

0:42:02.719 --> 0:42:05.960
<v Speaker 2>that detected, but then we also have user reporting in

0:42:05.960 --> 0:42:08.840
<v Speaker 2>case the automated techniques don't work. But in general the

0:42:08.880 --> 0:42:12.239
<v Speaker 2>automated techniques worked pretty well. But we also have a

0:42:12.280 --> 0:42:15.080
<v Speaker 2>fairly rapid where we have a bunch of operators, we

0:42:15.160 --> 0:42:17.399
<v Speaker 2>have useder reporting and within a matter of minutes, if

0:42:17.400 --> 0:42:20.359
<v Speaker 2>something is in violation of our community guidelines, then we're

0:42:20.400 --> 0:42:21.520
<v Speaker 2>able to act and take it down.

0:42:22.000 --> 0:42:25.400
<v Speaker 1>Okay, pulling the lens back in terms of number of

0:42:25.560 --> 0:42:30.439
<v Speaker 1>users in hours. Watch if we graph it, what's going

0:42:30.480 --> 0:42:31.640
<v Speaker 1>on with Twitch.

0:42:33.200 --> 0:42:38.240
<v Speaker 2>Meaning over time? Yes, okay, over time. What you'll see

0:42:38.360 --> 0:42:42.640
<v Speaker 2>is there have been these certain exogatius events that drove

0:42:42.719 --> 0:42:47.560
<v Speaker 2>a lot of growth. Okay, so the first well, you

0:42:47.600 --> 0:42:49.880
<v Speaker 2>could go back and StarCraft was a big thing that

0:42:49.960 --> 0:42:56.560
<v Speaker 2>first drove Twitch. But then as you fast forward you

0:42:56.600 --> 0:42:59.160
<v Speaker 2>get to when Fortnite came out and Twitch had this

0:42:59.360 --> 0:43:03.640
<v Speaker 2>huge resear I'll growth during Fortnite praize. Okay. Part of

0:43:03.640 --> 0:43:05.200
<v Speaker 2>that is because a lot of the folks that were

0:43:05.239 --> 0:43:08.279
<v Speaker 2>creating Fortnite content started streaming, and so there was this

0:43:08.440 --> 0:43:13.160
<v Speaker 2>natural feedback cycle with Fortnite COVID caused another big bump

0:43:13.800 --> 0:43:17.920
<v Speaker 2>okay after COVID then, But like many platforms, because basically

0:43:17.960 --> 0:43:19.920
<v Speaker 2>there are a lot of people at home looking for community,

0:43:19.920 --> 0:43:22.600
<v Speaker 2>looking for connection in Twitch was a great platform and

0:43:22.640 --> 0:43:24.719
<v Speaker 2>also a lot of creators, a lot of musicians to

0:43:24.960 --> 0:43:26.520
<v Speaker 2>come up to me and say, wow, Twitch was a

0:43:26.520 --> 0:43:28.880
<v Speaker 2>lifesaver for me, Like I turned to Twitch because I

0:43:28.880 --> 0:43:33.279
<v Speaker 2>couldn't do shows. Okay. As COVID passed, there was a

0:43:34.120 --> 0:43:36.799
<v Speaker 2>softening of the market, which was this kind of like

0:43:36.880 --> 0:43:42.480
<v Speaker 2>many platforms, if you look over the last year or so, overall,

0:43:42.520 --> 0:43:45.000
<v Speaker 2>it's been you know what, I'll just call you know,

0:43:45.400 --> 0:43:50.640
<v Speaker 2>roughly flat. Okay. Now, I think what has been happening,

0:43:50.719 --> 0:43:56.040
<v Speaker 2>interestingly is Twitch streamers actually have been having a bigger

0:43:56.080 --> 0:43:59.439
<v Speaker 2>impact than ever in terms of their reach and their

0:43:59.440 --> 0:44:03.719
<v Speaker 2>impact on a society. What's happening is there's a more

0:44:04.040 --> 0:44:08.200
<v Speaker 2>seismic shift towards more short form content. Okay. And so

0:44:08.280 --> 0:44:10.399
<v Speaker 2>if I had a metric, which I don't have, by

0:44:10.440 --> 0:44:14.439
<v Speaker 2>the way of viewership of Twitch content on third party

0:44:14.520 --> 0:44:17.919
<v Speaker 2>social media platforms, I'm quite confident it's been up into

0:44:17.960 --> 0:44:20.839
<v Speaker 2>the right the last two years that the impact that

0:44:20.880 --> 0:44:24.400
<v Speaker 2>Twitch creators are having on culture is larger than ever. Okay.

0:44:25.760 --> 0:44:28.440
<v Speaker 2>The end result, by the way, this matters to our creators.

0:44:28.440 --> 0:44:30.760
<v Speaker 2>A big part that's important for Twitch as a business

0:44:30.920 --> 0:44:33.839
<v Speaker 2>is are we creating a platform where our creators can

0:44:33.920 --> 0:44:38.080
<v Speaker 2>sustain a living and you know, reach their audience. And

0:44:38.120 --> 0:44:40.560
<v Speaker 2>the answer is, our creators are bigger than ever in

0:44:40.640 --> 0:44:46.120
<v Speaker 2>terms of the audience they're we are reaching, and so

0:44:46.200 --> 0:44:48.000
<v Speaker 2>I feel very good about that aspect of it.

0:44:48.640 --> 0:44:52.120
<v Speaker 1>Okay, if we look at history, Second Life was going

0:44:52.200 --> 0:44:56.600
<v Speaker 1>to be the future that didn't happen. Snapjack came along.

0:44:56.640 --> 0:44:59.520
<v Speaker 1>Of course, it was initially disappearing videos. We all know

0:44:59.560 --> 0:45:02.680
<v Speaker 1>you can ca after those, et cetera. But it ended

0:45:02.760 --> 0:45:11.920
<v Speaker 1>up being a you've dominated service that did not grow. Okay, Instagram,

0:45:12.920 --> 0:45:16.080
<v Speaker 1>which was purchased by Facebook is generating a lot of

0:45:16.120 --> 0:45:22.800
<v Speaker 1>money as a result of ads, etc. Hey is Twitch

0:45:22.920 --> 0:45:26.600
<v Speaker 1>really the land of young people? Or are old people

0:45:26.719 --> 0:45:28.080
<v Speaker 1>watching Twitchell?

0:45:28.280 --> 0:45:34.400
<v Speaker 2>Two old people are watching Twitch. Interestingly, Our largest demographic

0:45:34.400 --> 0:45:37.800
<v Speaker 2>now is twenty five to thirty four. Okay, and I

0:45:37.840 --> 0:45:41.120
<v Speaker 2>should have gotten I meant to check to see what

0:45:41.280 --> 0:45:43.840
<v Speaker 2>percentage or our viewership is fifty plus and I forgot

0:45:43.880 --> 0:45:47.800
<v Speaker 2>to do that. But it's surprising when I see what percentage.

0:45:48.040 --> 0:45:51.880
<v Speaker 2>I don't know if it's five to seven percent. In fact, actually,

0:45:51.880 --> 0:45:53.879
<v Speaker 2>while we're sitting here, maybe I'll ping someone on that.

0:45:54.960 --> 0:45:57.520
<v Speaker 2>So here's the way I would describe it. I don't

0:45:57.560 --> 0:46:00.360
<v Speaker 2>think there are a ton of old people linked to

0:46:00.400 --> 0:46:06.160
<v Speaker 2>twitch having never watched twitch. Okay, uh and now for

0:46:06.239 --> 0:46:08.719
<v Speaker 2>the first time they're watching Twitch at sixty and the

0:46:09.280 --> 0:46:12.120
<v Speaker 2>certainly that happens, but I wouldn't say that's the prime demographic.

0:46:12.440 --> 0:46:16.120
<v Speaker 2>What's happening is people are aging up. Okay, so you

0:46:16.120 --> 0:46:18.879
<v Speaker 2>know gaming has been around for a while now, so

0:46:19.480 --> 0:46:22.960
<v Speaker 2>and as people as opposed to aging out of Twitch,

0:46:22.960 --> 0:46:25.080
<v Speaker 2>you don't age out of Twitch. Is maybe the simplest

0:46:25.080 --> 0:46:27.720
<v Speaker 2>way to say it. Okay, it may be with snap

0:46:27.760 --> 0:46:29.520
<v Speaker 2>after you get to a certain age, you age out.

0:46:29.840 --> 0:46:32.759
<v Speaker 2>With Twitch, what we see is, you know, we get

0:46:32.760 --> 0:46:34.920
<v Speaker 2>a lot of usage from still people in their thirties

0:46:34.920 --> 0:46:37.719
<v Speaker 2>and upper thirties and now they may have been using

0:46:37.760 --> 0:46:39.120
<v Speaker 2>it for five or ten years.

0:46:40.000 --> 0:46:43.520
<v Speaker 1>Let's use someone you may be familiar with and you

0:46:43.560 --> 0:46:46.680
<v Speaker 1>can translate it to other people. But it's music. There's

0:46:46.719 --> 0:46:49.200
<v Speaker 1>this guy, Rick Biado. You know who that is.

0:46:50.320 --> 0:46:52.680
<v Speaker 2>I know the name. Let me check, well, Rick.

0:46:52.600 --> 0:46:56.640
<v Speaker 1>Biato has a presence on you too.

0:46:56.719 --> 0:46:58.400
<v Speaker 2>I recognize the face. Yeah, I know that, I know

0:46:58.480 --> 0:46:58.960
<v Speaker 2>Rick Beata.

0:46:59.120 --> 0:47:03.040
<v Speaker 1>Now it has It was first just him analyzing music

0:47:03.120 --> 0:47:07.440
<v Speaker 1>saying thing. Now it is interviews with more famous musicians

0:47:07.560 --> 0:47:10.520
<v Speaker 1>about their music how they're literally making.

0:47:10.239 --> 0:47:11.280
<v Speaker 2>It yep, yep.

0:47:11.360 --> 0:47:19.759
<v Speaker 1>He is making multiple seven figures from YouTube and his

0:47:20.200 --> 0:47:26.400
<v Speaker 1>videos are not brief. Could he make as much money?

0:47:26.440 --> 0:47:28.719
<v Speaker 1>What would be the advantage of going to twitch for

0:47:28.840 --> 0:47:29.720
<v Speaker 1>someone like him?

0:47:30.080 --> 0:47:32.400
<v Speaker 2>Yeah, here's the way. If I were talking to him,

0:47:32.440 --> 0:47:36.600
<v Speaker 2>I'd say, don't think of it it's either or okay,

0:47:36.640 --> 0:47:39.920
<v Speaker 2>think of it as d It's absolutely the case that

0:47:40.080 --> 0:47:43.040
<v Speaker 2>VOD allows you to reach a broader audience because when

0:47:43.080 --> 0:47:45.560
<v Speaker 2>you go live, not everybody can show up whenever you

0:47:45.600 --> 0:47:48.520
<v Speaker 2>are live, okay, And so you're just going to reach

0:47:48.560 --> 0:47:55.799
<v Speaker 2>more people when you create BOD content. The advantage of

0:47:55.840 --> 0:48:00.759
<v Speaker 2>doing it live is if you like the idea including

0:48:01.040 --> 0:48:04.640
<v Speaker 2>your audience and community while you're creating content. So I'll

0:48:04.760 --> 0:48:09.440
<v Speaker 2>use as an example what we are doing right now, Bob. Okay,

0:48:10.280 --> 0:48:13.720
<v Speaker 2>how would it be different if we were doing this live? Okay?

0:48:13.920 --> 0:48:15.799
<v Speaker 2>The way it'd be different and'd be doing it live

0:48:15.920 --> 0:48:17.879
<v Speaker 2>is chat would be going and you might be keeping

0:48:17.960 --> 0:48:20.840
<v Speaker 2>an eye on chat, right and then at some point

0:48:21.239 --> 0:48:23.680
<v Speaker 2>I will say something that you aren't an expert in.

0:48:23.760 --> 0:48:26.200
<v Speaker 2>So when I say something, you don't know about something,

0:48:26.200 --> 0:48:29.279
<v Speaker 2>and someone in chat would say something and you say, oh, Dan,

0:48:29.400 --> 0:48:31.480
<v Speaker 2>chat said what about so and so?

0:48:32.480 --> 0:48:32.719
<v Speaker 1>Right?

0:48:33.000 --> 0:48:35.239
<v Speaker 2>And then I'd say, oh, what about so and so right?

0:48:35.480 --> 0:48:38.480
<v Speaker 2>And so if you take someone like Rick, okay, if

0:48:38.520 --> 0:48:40.360
<v Speaker 2>there and by the way, again, live may not be

0:48:40.400 --> 0:48:44.320
<v Speaker 2>for everyone, but Rick is a perfect example. Okay. Lots

0:48:44.320 --> 0:48:51.000
<v Speaker 2>of his audience has lots of opinions okay about whatever artists,

0:48:51.000 --> 0:48:52.719
<v Speaker 2>and they have passionate about their artists, and they have

0:48:52.800 --> 0:48:56.360
<v Speaker 2>questions for the artists, and they have ideas okay, and

0:48:56.800 --> 0:49:00.759
<v Speaker 2>views on music that they want to feel part of it. Right.

0:49:01.160 --> 0:49:03.960
<v Speaker 2>If I were Rick, I would think about saying, Okay,

0:49:04.040 --> 0:49:07.360
<v Speaker 2>I'm going to do these these recordings. I'm going to

0:49:07.440 --> 0:49:09.799
<v Speaker 2>do them live. I'm gonna do you know how we

0:49:09.840 --> 0:49:13.600
<v Speaker 2>said you can do subscriber only chat. If I was Rick,

0:49:13.640 --> 0:49:16.480
<v Speaker 2>I'd probably do subscriber only chat because he's a bigger name,

0:49:17.000 --> 0:49:20.920
<v Speaker 2>a little more prominent. Okay, So then he's gonna say, oh,

0:49:21.000 --> 0:49:23.439
<v Speaker 2>you want to go ahead and chat during this, okay,

0:49:23.520 --> 0:49:26.680
<v Speaker 2>and ask me questions and have me Okay, here's how

0:49:26.719 --> 0:49:30.280
<v Speaker 2>you can do it, okay. There's also features where sometimes

0:49:30.280 --> 0:49:33.920
<v Speaker 2>people say, oh, I can only I can make it

0:49:33.960 --> 0:49:36.359
<v Speaker 2>so that anyone can chat, but I only look at

0:49:36.360 --> 0:49:39.240
<v Speaker 2>the subscriber's chat, if you will, so me as a creator,

0:49:39.280 --> 0:49:41.400
<v Speaker 2>so you can chat with each other, but I the creator,

0:49:41.480 --> 0:49:45.840
<v Speaker 2>only see the subscriber chat, so the subscribers know. And

0:49:45.880 --> 0:49:49.520
<v Speaker 2>then so in addition to the money he makes from YouTube, okay,

0:49:49.920 --> 0:49:55.080
<v Speaker 2>now he's also making money from Twitch, which is you know, additive.

0:49:55.800 --> 0:49:59.280
<v Speaker 2>And the biggest thing is he's getting a closer connection,

0:50:00.040 --> 0:50:02.560
<v Speaker 2>which is fan base that in fact, there's a little

0:50:02.600 --> 0:50:06.520
<v Speaker 2>more intimacy with those people that like him because they

0:50:06.520 --> 0:50:08.880
<v Speaker 2>feel a little more connected with them. And if I

0:50:08.920 --> 0:50:10.680
<v Speaker 2>were him, I would even say, okay, look and at

0:50:10.719 --> 0:50:14.960
<v Speaker 2>the end of the end of what I am doing

0:50:16.200 --> 0:50:18.000
<v Speaker 2>for the vod that I'm going to put out and

0:50:18.040 --> 0:50:21.440
<v Speaker 2>distribute to all these people, I'm going to send fifteen minutes.

0:50:21.480 --> 0:50:24.680
<v Speaker 2>Where so, for example, I recently started doing a podcast,

0:50:24.800 --> 0:50:27.680
<v Speaker 2>a live podcast where basically I do it on stream.

0:50:27.960 --> 0:50:29.960
<v Speaker 2>At the end of the podcast, I interview someone, then

0:50:30.000 --> 0:50:33.120
<v Speaker 2>I turn it off the podcast and now I just

0:50:33.560 --> 0:50:36.520
<v Speaker 2>talk with chat for a little while right about what

0:50:36.640 --> 0:50:39.160
<v Speaker 2>we talked about, any issues and these are this is

0:50:39.160 --> 0:50:43.359
<v Speaker 2>in a very off the cup fashion, Okay, and then

0:50:43.400 --> 0:50:47.040
<v Speaker 2>that creates this connection with your fan base, right, and

0:50:47.080 --> 0:50:49.840
<v Speaker 2>a lot of times it's a source of short form content.

0:50:50.160 --> 0:50:53.880
<v Speaker 1>Okay, there are people once they gather fans, they have

0:50:53.880 --> 0:50:57.439
<v Speaker 1>a fan base, they want to monetize that, live performances, etc.

0:50:58.239 --> 0:51:02.840
<v Speaker 1>Forgetting that, if you have someone who is making seven

0:51:02.960 --> 0:51:07.279
<v Speaker 1>figures from video only on YouTube, and I know we're

0:51:07.280 --> 0:51:11.880
<v Speaker 1>talking completely in the abstract, they might be building community

0:51:11.960 --> 0:51:16.200
<v Speaker 1>on Twitch, but can they make anywhere near that kind

0:51:16.239 --> 0:51:16.720
<v Speaker 1>of money?

0:51:17.520 --> 0:51:20.799
<v Speaker 2>Well, first of all, let's since it's not substitutional as

0:51:20.800 --> 0:51:23.080
<v Speaker 2>opposed to saying can they make anywhere near that type?

0:51:23.280 --> 0:51:25.399
<v Speaker 2>First of all, the answer is yes, they can make

0:51:25.440 --> 0:51:28.240
<v Speaker 2>that near type of money. But the right the simple

0:51:28.239 --> 0:51:32.719
<v Speaker 2>answer is yes, sympatically yes, Okay, But the real question is,

0:51:32.800 --> 0:51:35.960
<v Speaker 2>let's assume they're making seven figures, can they make an

0:51:36.000 --> 0:51:41.440
<v Speaker 2>additional fifty from Twitch? Well, in additional, if you if

0:51:41.480 --> 0:51:44.080
<v Speaker 2>you got a fifty percent raise prop you're pretty excited.

0:51:44.080 --> 0:51:50.120
<v Speaker 2>If it's not half again as much work, okay, so

0:51:50.120 --> 0:51:53.839
<v Speaker 2>so absolutely. And then also the other factor is it

0:51:53.880 --> 0:51:59.000
<v Speaker 2>can create this loyalty in your fan base. I'm going

0:51:59.000 --> 0:52:02.279
<v Speaker 2>to make an analogy to music that I'd love to

0:52:02.320 --> 0:52:06.360
<v Speaker 2>go into it at some point with you. This this

0:52:06.480 --> 0:52:09.680
<v Speaker 2>emotional connection between a creator and an artist, and of

0:52:09.719 --> 0:52:14.040
<v Speaker 2>course a musician is a creator okay, and their audience Okay,

0:52:14.600 --> 0:52:18.400
<v Speaker 2>And how much in music now the connection is a

0:52:18.440 --> 0:52:22.319
<v Speaker 2>little more with the platform rather than the artist. And

0:52:22.360 --> 0:52:25.279
<v Speaker 2>in part the interesting analogy is I think music has

0:52:25.320 --> 0:52:29.000
<v Speaker 2>gone more towards short form content because the single on

0:52:29.120 --> 0:52:33.640
<v Speaker 2>Spotify is basically short form content. The album was long

0:52:33.680 --> 0:52:37.280
<v Speaker 2>form content. And I'm sure you love listening to albums,

0:52:37.880 --> 0:52:40.160
<v Speaker 2>and the more I listen or even if you again,

0:52:40.160 --> 0:52:42.840
<v Speaker 2>whether you listen to the physical album or the artifact,

0:52:43.920 --> 0:52:46.160
<v Speaker 2>when you listen to a piece of work from a

0:52:46.200 --> 0:52:49.520
<v Speaker 2>creator which is a long form content, you create a

0:52:49.560 --> 0:52:54.760
<v Speaker 2>stronger emotional bond with that creator. And that's a huge

0:52:54.760 --> 0:52:56.440
<v Speaker 2>part of music, and that's a huge part in the

0:52:56.480 --> 0:52:57.839
<v Speaker 2>creator ecosystem as well.

0:52:58.120 --> 0:53:04.520
<v Speaker 1>Okay, at this point in time, how many I'm gonna

0:53:04.560 --> 0:53:08.640
<v Speaker 1>have a dividing line and people get pissed off of this.

0:53:09.160 --> 0:53:13.320
<v Speaker 1>Their people who are cottage industry, Okay, they put songs

0:53:13.360 --> 0:53:17.880
<v Speaker 1>on Spotify, they do a few house concers, God bless them, okay.

0:53:18.280 --> 0:53:21.560
<v Speaker 1>And the other extreme, we have people who either have

0:53:21.680 --> 0:53:24.959
<v Speaker 1>a I'll give three criteria. They could have a major

0:53:25.040 --> 0:53:28.400
<v Speaker 1>labeled deal, they could be in the Spotify top fifty,

0:53:28.960 --> 0:53:32.120
<v Speaker 1>and they could sell five thousand tickets in most markets

0:53:32.200 --> 0:53:36.080
<v Speaker 1>forty markets. How many of those acts are on Twitch?

0:53:38.960 --> 0:53:42.480
<v Speaker 2>This is i'd say, for those acts on Twitch, I

0:53:42.480 --> 0:53:46.799
<v Speaker 2>can't give you an exact number, but I wouldn't say gobs. Okay,

0:53:46.800 --> 0:53:49.360
<v Speaker 2>I wouldn't say gobs of those now in rap and

0:53:49.440 --> 0:53:53.839
<v Speaker 2>hip hop, it's probably larger than any other music venue

0:53:53.840 --> 0:53:55.920
<v Speaker 2>because in rap and hip hop, more and more folks

0:53:55.920 --> 0:53:59.120
<v Speaker 2>have been saying, oh, I need to be using Twitch, okay.

0:53:59.239 --> 0:54:02.520
<v Speaker 2>And so now streams all the time. Ti Dollar Sign

0:54:02.880 --> 0:54:05.960
<v Speaker 2>streams regularly like they'll stream thirty hours a week. Actually

0:54:06.000 --> 0:54:10.120
<v Speaker 2>Snoop Dogg streams regularly now too. But so in rap

0:54:10.120 --> 0:54:13.839
<v Speaker 2>and hip hop, it's becoming more commonplace. Outside and rap

0:54:13.840 --> 0:54:16.359
<v Speaker 2>and hip hop, I think most of them, I'd say,

0:54:16.520 --> 0:54:21.680
<v Speaker 2>don't use Twitch as a primary channel as a musician, Okay.

0:54:21.880 --> 0:54:27.120
<v Speaker 1>In the music business, we see these amazing numbers historically

0:54:27.760 --> 0:54:29.960
<v Speaker 1>for concerts on Twitch.

0:54:31.080 --> 0:54:31.480
<v Speaker 2>Massive.

0:54:31.560 --> 0:54:32.399
<v Speaker 1>Tell us about that.

0:54:32.880 --> 0:54:34.879
<v Speaker 2>Yeah, So the way I describe that is you get

0:54:34.880 --> 0:54:37.560
<v Speaker 2>these massive numbers for concert. Amazon Music does a number,

0:54:39.800 --> 0:54:43.160
<v Speaker 2>Bad Bunny did a massive concert on Amazon Music. Okay,

0:54:44.320 --> 0:54:47.760
<v Speaker 2>and so that is absolutely a thing, right, big concert

0:54:47.800 --> 0:54:51.479
<v Speaker 2>on Twitch, And there are lots of folks that Again

0:54:51.520 --> 0:54:53.560
<v Speaker 2>Amazon Music is the most notable, but a lot of

0:54:54.080 --> 0:54:56.160
<v Speaker 2>you know, folks that are putting on concerts use Twitch

0:54:56.200 --> 0:54:59.439
<v Speaker 2>to reach a big audience. And of course that's something

0:54:59.520 --> 0:55:03.920
<v Speaker 2>I'm I love, I'm excited about. I like as I

0:55:04.040 --> 0:55:06.279
<v Speaker 2>talk to musicians as they think about what they're doing.

0:55:06.640 --> 0:55:09.560
<v Speaker 2>I think of the one of the things that is

0:55:09.600 --> 0:55:17.200
<v Speaker 2>evolving is just putting a concert on Twitch when you're live.

0:55:17.760 --> 0:55:22.000
<v Speaker 2>It is nice, but it's not so it's certainly not

0:55:22.040 --> 0:55:25.399
<v Speaker 2>as good as being at the physical event, and it's

0:55:25.440 --> 0:55:27.920
<v Speaker 2>not so much better than watching the same thing on

0:55:28.040 --> 0:55:32.200
<v Speaker 2>bod a day later on YouTube. Right, you have to

0:55:32.280 --> 0:55:35.919
<v Speaker 2>create this experience of why does it matter being live?

0:55:35.960 --> 0:55:39.440
<v Speaker 2>And it's not to criticize those things, okay, but I

0:55:39.520 --> 0:55:42.280
<v Speaker 2>don't think that is the way to think about live

0:55:42.480 --> 0:55:45.839
<v Speaker 2>if you're a musician, Okay, as the prime In fact,

0:55:45.880 --> 0:55:52.200
<v Speaker 2>that's what happened at during COVID. Of course you couldn't perform,

0:55:52.360 --> 0:55:55.000
<v Speaker 2>and so there's a lot I'm gonna go live, right,

0:55:55.280 --> 0:55:57.880
<v Speaker 2>And all it was doing was taking the same artifact

0:55:57.920 --> 0:56:01.760
<v Speaker 2>that you create in a live concert and bringing to Twitch. Okay.

0:56:02.080 --> 0:56:06.200
<v Speaker 2>And what is more interesting now is as you start

0:56:06.239 --> 0:56:11.960
<v Speaker 2>thinking of adapting what you're creating for the for the

0:56:12.000 --> 0:56:15.799
<v Speaker 2>live experience, and I think that is engaging with the

0:56:15.840 --> 0:56:19.319
<v Speaker 2>audience more as opposed to just putting a concert up

0:56:19.320 --> 0:56:19.720
<v Speaker 2>on Twitch.

0:56:20.120 --> 0:56:24.279
<v Speaker 1>Okay. Twitch made investments in music, trying to grow its

0:56:24.400 --> 0:56:27.440
<v Speaker 1>music footprint, and then is pulled back from that. Can

0:56:27.480 --> 0:56:29.080
<v Speaker 1>you tell us about that experience?

0:56:29.600 --> 0:56:31.879
<v Speaker 2>Yeah? In fact, that's at the time what they did

0:56:32.280 --> 0:56:38.399
<v Speaker 2>was basically pay folks to often put their music on Twitch, right,

0:56:38.440 --> 0:56:40.440
<v Speaker 2>if you will. The thing that I'm saying what they

0:56:40.440 --> 0:56:42.239
<v Speaker 2>were doing was investing in that.

0:56:42.320 --> 0:56:45.920
<v Speaker 1>Well wait, wait, so we're basically saying they your predecessor,

0:56:46.000 --> 0:56:48.600
<v Speaker 1>not you. Who do you mean by they?

0:56:48.680 --> 0:56:50.840
<v Speaker 2>Yeah? Yeah, they they We? I should say we, but

0:56:50.920 --> 0:56:52.560
<v Speaker 2>it was I was not in charge. I was not

0:56:52.600 --> 0:56:54.680
<v Speaker 2>the same at the time, but it's still we. I

0:56:54.719 --> 0:56:56.360
<v Speaker 2>was still here at the time, so I should say we.

0:56:56.880 --> 0:57:00.279
<v Speaker 2>That's fair. That was that was a mistake we and

0:57:00.320 --> 0:57:05.560
<v Speaker 2>what we learned was that was not Sometimes what we

0:57:05.560 --> 0:57:07.920
<v Speaker 2>were doing was saying, if you will, you have this

0:57:08.040 --> 0:57:10.920
<v Speaker 2>idea of a loss leader, pay for something where you

0:57:10.960 --> 0:57:15.200
<v Speaker 2>lose money. But that's okay. It's going to grow the service, okay,

0:57:15.880 --> 0:57:19.360
<v Speaker 2>So we would pay, but it didn't end up growing

0:57:19.360 --> 0:57:22.400
<v Speaker 2>the service because if you were coming just to watch

0:57:22.440 --> 0:57:26.439
<v Speaker 2>this concert, that didn't mean you'd come back the next

0:57:26.520 --> 0:57:30.320
<v Speaker 2>day for everything else, okay. And what we realized was

0:57:30.840 --> 0:57:33.840
<v Speaker 2>we needed more organic growth than music and this has

0:57:33.920 --> 0:57:37.000
<v Speaker 2>been this actually has been working. Again what I've been

0:57:37.000 --> 0:57:41.600
<v Speaker 2>saying recently, there was a Rolling Stones article saying, you know,

0:57:42.200 --> 0:57:44.760
<v Speaker 2>if you're looking to break into song and rap and

0:57:44.840 --> 0:57:47.960
<v Speaker 2>hip hop, you're thinking about how to use Twitch, Okay,

0:57:48.320 --> 0:57:52.600
<v Speaker 2>And that's because that's grown much more organically than us

0:57:52.680 --> 0:57:54.040
<v Speaker 2>just going and recruiting people.

0:57:55.000 --> 0:57:59.160
<v Speaker 1>You're talking to me, But to what degree are you

0:57:59.600 --> 0:58:04.200
<v Speaker 1>or the company evangelizing amongst artists and record companies?

0:58:04.600 --> 0:58:06.640
<v Speaker 2>Yeah, a big deal. So one reason I was excited

0:58:06.640 --> 0:58:10.480
<v Speaker 2>to come on is we started We've had deals with

0:58:10.840 --> 0:58:13.360
<v Speaker 2>all the major music labels now for a while and

0:58:13.400 --> 0:58:16.400
<v Speaker 2>also the indies, although it's over the last two years

0:58:16.480 --> 0:58:18.360
<v Speaker 2>year and a half that they've really been leaning in

0:58:18.400 --> 0:58:22.920
<v Speaker 2>because they are starting to see the potential of using

0:58:22.960 --> 0:58:26.080
<v Speaker 2>Twitch as part of what they were doing. And I

0:58:26.080 --> 0:58:30.040
<v Speaker 2>think the biggest thing that they and we needed to realize.

0:58:30.960 --> 0:58:33.760
<v Speaker 2>Initially they looked at Twitch because of course, the labels

0:58:33.800 --> 0:58:36.960
<v Speaker 2>are all looking for discovery, and they look for Twitch

0:58:37.040 --> 0:58:40.200
<v Speaker 2>for discovery. And the reality is short form is better

0:58:40.240 --> 0:58:45.000
<v Speaker 2>for discovery, okay. And what they've realized is really Twitch

0:58:45.080 --> 0:58:49.480
<v Speaker 2>is much better for maintaining your community and your audience

0:58:49.520 --> 0:58:52.800
<v Speaker 2>once you build it. So the comparison, I'll make the

0:58:52.880 --> 0:58:57.760
<v Speaker 2>old model used to be, write an album, record it,

0:58:58.960 --> 0:59:01.960
<v Speaker 2>release the album on tour, and then disappear for a

0:59:02.000 --> 0:59:05.640
<v Speaker 2>year and a half while you create your next album. Okay.

0:59:05.800 --> 0:59:07.720
<v Speaker 2>In today's world, you can't disappear for a year and

0:59:07.760 --> 0:59:11.080
<v Speaker 2>a half. Okay. You need to stay top of mind.

0:59:11.120 --> 0:59:13.840
<v Speaker 2>That's why many people now are just constantly releasing songs.

0:59:13.880 --> 0:59:16.960
<v Speaker 2>The album is an artifact, is dissipated because of the

0:59:17.040 --> 0:59:19.440
<v Speaker 2>nature of these streaming services. Okay, because you have to

0:59:19.480 --> 0:59:21.720
<v Speaker 2>stay top of mind. So how do you stay top

0:59:21.760 --> 0:59:23.880
<v Speaker 2>of mind? Well, one thing is everyone's telling you to

0:59:23.880 --> 0:59:27.120
<v Speaker 2>create short form content. If you're a musician, it's like,

0:59:27.160 --> 0:59:29.120
<v Speaker 2>oh god, I don't want to create short form content.

0:59:29.160 --> 0:59:31.479
<v Speaker 2>That's another thing I have to do. What I often

0:59:31.480 --> 0:59:34.400
<v Speaker 2>tell him is go ahead and stream. Do something you

0:59:34.520 --> 0:59:39.800
<v Speaker 2>enjoy doing. Kane Brown he gains when he streams because

0:59:39.800 --> 0:59:43.200
<v Speaker 2>he likes to gain that's what he does when he streams. Okay,

0:59:43.760 --> 0:59:46.280
<v Speaker 2>Bieber was streaming recently, spending a lot of time and

0:59:46.320 --> 0:59:48.960
<v Speaker 2>he was playing basketball and doing all sorts of things. Okay.

0:59:50.000 --> 0:59:52.040
<v Speaker 2>What I and as I said, a lot of musicians,

0:59:52.040 --> 0:59:54.600
<v Speaker 2>Tee Paint has been streaming since twenty sixteen and he'll

0:59:54.640 --> 0:59:57.920
<v Speaker 2>mix his next album on twitch. Okay. So what I

0:59:57.960 --> 1:00:02.160
<v Speaker 2>say is find something you like doing, okay, And this

1:00:02.240 --> 1:00:05.479
<v Speaker 2>is to engage your core audience. And if you're doing

1:00:05.520 --> 1:00:08.240
<v Speaker 2>something you enjoy doing that connects you with your community,

1:00:08.640 --> 1:00:11.760
<v Speaker 2>then from that you can create short form social media.

1:00:11.840 --> 1:00:14.040
<v Speaker 2>So it's not just about what you do on Twitch.

1:00:14.600 --> 1:00:17.680
<v Speaker 2>It's also about how whatever you do on Twitch can

1:00:17.720 --> 1:00:20.520
<v Speaker 2>become short forms so you maintain stop of mind and

1:00:20.560 --> 1:00:23.800
<v Speaker 2>you don't disappear for that year and a half, which

1:00:23.800 --> 1:00:26.360
<v Speaker 2>you just can't do anymore. And the labels realize that's

1:00:26.400 --> 1:00:29.040
<v Speaker 2>important for them for building an audience. So there's a

1:00:29.040 --> 1:00:31.440
<v Speaker 2>lot more interest to what degree are re evangelizing. I'd

1:00:31.440 --> 1:00:33.800
<v Speaker 2>say a fair amount. That's you know why I was

1:00:34.760 --> 1:00:37.920
<v Speaker 2>down in LA when we met each other, because I

1:00:38.000 --> 1:00:41.080
<v Speaker 2>was down talking to you know, labels and artists, and

1:00:41.480 --> 1:00:43.439
<v Speaker 2>you know, I'm going to Nashville and April I'm gonna

1:00:43.440 --> 1:00:45.800
<v Speaker 2>be talking to some folks and we others. We have

1:00:45.800 --> 1:00:48.920
<v Speaker 2>a team that's designed to bring people to onboard them.

1:00:49.040 --> 1:00:53.040
<v Speaker 2>So that way, if you are, if you are a influencer, creator,

1:00:53.160 --> 1:00:57.680
<v Speaker 2>musician that already has some type of a following, we

1:00:57.760 --> 1:00:59.760
<v Speaker 2>have a team that helps you get started on Twitch,

1:01:00.400 --> 1:01:03.720
<v Speaker 2>accelerates you to the rev share that we talked about earlier,

1:01:03.720 --> 1:01:05.720
<v Speaker 2>so that way you can get going, and then also

1:01:05.800 --> 1:01:08.400
<v Speaker 2>connects you with other creators so that way we can

1:01:08.480 --> 1:01:12.120
<v Speaker 2>help to encourage this usage.

1:01:19.040 --> 1:01:24.280
<v Speaker 1>Okay, Originally every act needed a website, Then they needed

1:01:24.320 --> 1:01:27.520
<v Speaker 1>to be on Wikipedia, then they needed to be on

1:01:27.600 --> 1:01:33.600
<v Speaker 1>Facebook than Twitter. Now, of course X and people talk

1:01:33.640 --> 1:01:39.200
<v Speaker 1>about TikTok. Why doesn't every musician have an account and

1:01:39.360 --> 1:01:42.000
<v Speaker 1>stream some at Twitch.

1:01:46.600 --> 1:01:48.640
<v Speaker 2>I think it would be good for every musician to

1:01:48.680 --> 1:01:51.560
<v Speaker 2>do it. I will tell you the ones that are

1:01:51.600 --> 1:01:53.560
<v Speaker 2>more naturally doing it tends to be a little more

1:01:53.560 --> 1:01:55.440
<v Speaker 2>of the young ones because if you grew up in

1:01:55.480 --> 1:01:58.200
<v Speaker 2>a given model of the music scene. But let me

1:01:58.240 --> 1:02:02.240
<v Speaker 2>tell you why some shouldn't. First second, Okay, as opposed

1:02:02.240 --> 1:02:03.960
<v Speaker 2>to arguing that everyone should, let me tell you why

1:02:03.960 --> 1:02:10.320
<v Speaker 2>some shouldn't. For some artists, you create a mystique, you

1:02:10.440 --> 1:02:12.920
<v Speaker 2>create a character. So I'll pick one as an example,

1:02:12.960 --> 1:02:17.760
<v Speaker 2>Lady Gotgat, Right, Lady gog Got is this amazing character

1:02:18.440 --> 1:02:21.439
<v Speaker 2>right that she's created, And I don't know if it's

1:02:21.480 --> 1:02:25.560
<v Speaker 2>the right thing to lift the veil on that character.

1:02:26.680 --> 1:02:31.479
<v Speaker 2>Okay that sometimes that's actually a great thing. Okay, other

1:02:31.680 --> 1:02:36.160
<v Speaker 2>artists are not as such. Right. For example, it's absolutely

1:02:36.200 --> 1:02:38.080
<v Speaker 2>the case that rap and hip hop there's much more

1:02:38.080 --> 1:02:41.320
<v Speaker 2>of an intimacy and immediacy, but the same in country music,

1:02:41.360 --> 1:02:43.800
<v Speaker 2>the same in lots of music, where there's more of

1:02:43.840 --> 1:02:47.480
<v Speaker 2>this kind of authenticity, this connection all that. So I

1:02:47.560 --> 1:02:51.760
<v Speaker 2>don't think every artist wants to lower the veil and

1:02:52.200 --> 1:02:55.040
<v Speaker 2>like just kind of have the rawness that happens in line,

1:02:55.560 --> 1:02:57.800
<v Speaker 2>but I think for many artists. So one reason is

1:02:57.800 --> 1:03:00.440
<v Speaker 2>for some artists, if I say this to a label, like,

1:03:00.960 --> 1:03:02.920
<v Speaker 2>if you're an artist and you like them more as

1:03:02.960 --> 1:03:05.040
<v Speaker 2>you get to know them more, they're a great person

1:03:05.080 --> 1:03:07.480
<v Speaker 2>for twitch because their audience are going to like them

1:03:07.520 --> 1:03:10.040
<v Speaker 2>more as they get to know them more. Okay, because

1:03:10.040 --> 1:03:14.320
<v Speaker 2>you can't hide yourself when you're live, you can't you know,

1:03:14.520 --> 1:03:16.760
<v Speaker 2>create We all know that part of what happens is

1:03:16.760 --> 1:03:20.080
<v Speaker 2>we create these images that is not exactly who we are,

1:03:20.480 --> 1:03:22.760
<v Speaker 2>and you can't keep that up when you're when you're live.

1:03:23.160 --> 1:03:26.400
<v Speaker 2>So I think for those artists where they're kind of

1:03:26.480 --> 1:03:29.960
<v Speaker 2>authentic and intimacy and they want that authenticity with their

1:03:30.080 --> 1:03:32.240
<v Speaker 2>with their audience as long as they enjoy it, they

1:03:32.240 --> 1:03:34.640
<v Speaker 2>should absolutely be live stream.

1:03:34.760 --> 1:03:38.720
<v Speaker 1>Well, going back to your Lady Gaga example, mystery is

1:03:38.760 --> 1:03:42.120
<v Speaker 1>pretty much history in the music business because you can

1:03:42.160 --> 1:03:46.800
<v Speaker 1>find out anything about everybody, et cetera. There is hang

1:03:46.960 --> 1:03:50.959
<v Speaker 1>over in the music business. People don't like the remuneration

1:03:51.160 --> 1:03:54.800
<v Speaker 1>for recorded music has changed formula. People say, oh, in

1:03:54.880 --> 1:03:58.320
<v Speaker 1>physical product era, et cetera, we're not going back to that.

1:03:58.800 --> 1:04:02.560
<v Speaker 2>Okay, doesn't matter what album Sturgel Simpson releases.

1:04:03.720 --> 1:04:07.880
<v Speaker 1>The other thing is, especially today now more than ever,

1:04:09.000 --> 1:04:13.600
<v Speaker 1>the artists are very money focused and they want to

1:04:13.640 --> 1:04:17.960
<v Speaker 1>sell board tickets. Needless to say, someone like Kim Kardashian

1:04:18.040 --> 1:04:22.600
<v Speaker 1>is making more money than other than maybe Taylor Swift. Okay,

1:04:23.680 --> 1:04:27.720
<v Speaker 1>so I don't get the disc This is just my opinion.

1:04:28.240 --> 1:04:33.640
<v Speaker 1>Twitch still has a exoticism to it. It's still an

1:04:33.760 --> 1:04:39.760
<v Speaker 1>island offshore. When you know, you get a lot of musicians,

1:04:40.160 --> 1:04:43.040
<v Speaker 1>you know, they think they have to create something snappy

1:04:43.840 --> 1:04:47.480
<v Speaker 1>for short form video content, and then most of them,

1:04:47.520 --> 1:04:49.960
<v Speaker 1>which is just horrible. They let some team do it,

1:04:50.000 --> 1:04:55.640
<v Speaker 1>which is worthless, right, Okay, I just don't understand why

1:04:55.720 --> 1:04:59.000
<v Speaker 1>everybody isn't on Twitch. There's a communication.

1:04:59.400 --> 1:05:03.520
<v Speaker 2>Look, I don't disagree, I think Look, I completely agree.

1:05:03.640 --> 1:05:09.160
<v Speaker 2>I do think that with short form content, we've been

1:05:09.280 --> 1:05:12.200
<v Speaker 2>used to this radical change in the industry, right because

1:05:12.240 --> 1:05:17.000
<v Speaker 2>TikTok and just bam it explodes, right, Okay, I don't

1:05:17.080 --> 1:05:19.680
<v Speaker 2>think the world changes as quick when it comes to

1:05:20.000 --> 1:05:23.560
<v Speaker 2>longer form, more intimate connection, because it's not like just

1:05:23.600 --> 1:05:27.320
<v Speaker 2>show up and suddenly you get success. Okay, So I've

1:05:27.360 --> 1:05:31.720
<v Speaker 2>seen a massive I will use a comparison. Okay, if

1:05:31.800 --> 1:05:34.640
<v Speaker 2>I was at if I went to the different parties

1:05:34.640 --> 1:05:39.360
<v Speaker 2>the week before the Grammys, uh two years ago, and

1:05:39.440 --> 1:05:42.200
<v Speaker 2>I got introduced, I bet you if you and I

1:05:42.240 --> 1:05:45.920
<v Speaker 2>we you know David masseyas if two years ago we

1:05:45.920 --> 1:05:48.720
<v Speaker 2>were at the same event and David introduced me, you

1:05:48.720 --> 1:05:51.960
<v Speaker 2>wouldn't have been like, oh actually.

1:05:51.600 --> 1:05:55.280
<v Speaker 1>I would have. But I understand the concept.

1:05:57.840 --> 1:06:01.040
<v Speaker 2>May you may have you may have end Okay, But

1:06:01.280 --> 1:06:03.200
<v Speaker 2>and I will tell you the number of times that

1:06:03.240 --> 1:06:05.920
<v Speaker 2>I'm out there and someone here is I'm the CEO

1:06:05.920 --> 1:06:10.960
<v Speaker 2>of Twitch they're like, oh, I need to talk to

1:06:11.000 --> 1:06:15.040
<v Speaker 2>you now, okay, And that is markedly different than two

1:06:15.120 --> 1:06:17.880
<v Speaker 2>years ago or even one year ago. Literally almost I

1:06:17.920 --> 1:06:20.240
<v Speaker 2>would say, it's like eighty percent of the people that

1:06:20.400 --> 1:06:23.440
<v Speaker 2>someone introduced me to somebody, to an artist, to an agent,

1:06:23.480 --> 1:06:26.280
<v Speaker 2>to someone down there. And the same thing was true

1:06:26.320 --> 1:06:28.520
<v Speaker 2>when I was at the Super Bowl. Eighty percent of

1:06:28.560 --> 1:06:32.160
<v Speaker 2>the times I met someone would say oh, like they

1:06:32.200 --> 1:06:34.200
<v Speaker 2>would peer cup and says, oh, I need to talk

1:06:34.240 --> 1:06:37.920
<v Speaker 2>to you okay, because I need to understand. So this

1:06:38.120 --> 1:06:42.440
<v Speaker 2>is happening now. But the reality is it just takes time.

1:06:43.160 --> 1:06:46.200
<v Speaker 2>It just takes time. And every you know, every two months.

1:06:46.480 --> 1:06:49.320
<v Speaker 2>You know, this year at the grammyspread again in Septa

1:06:49.360 --> 1:06:51.840
<v Speaker 2>and blackwa Max were nominated for Grammy first song they

1:06:51.880 --> 1:06:55.760
<v Speaker 2>wrote on Twitch, Right, that creates more attention, more attension

1:06:55.760 --> 1:06:58.080
<v Speaker 2>builds more attention. But it just takes time.

1:06:59.600 --> 1:07:04.000
<v Speaker 1>Okay. The NBA was the first league to go to Twitter.

1:07:04.080 --> 1:07:07.440
<v Speaker 1>It lived on Twitter. And as you say, the lifestyle

1:07:07.640 --> 1:07:11.560
<v Speaker 1>and lives of hip hop artists, that is one of

1:07:11.680 --> 1:07:14.720
<v Speaker 1>the way you promote the so called air quote brand

1:07:15.880 --> 1:07:19.919
<v Speaker 1>other artists they're not used to this. Is it a

1:07:19.960 --> 1:07:24.000
<v Speaker 1>matter of getting Okay, Well, we talk about software. We

1:07:24.040 --> 1:07:27.600
<v Speaker 1>talk about, Oh, we're talking about killer rap for a platform.

1:07:28.040 --> 1:07:31.680
<v Speaker 1>Is it a matter of Twitch, of getting some specific

1:07:31.840 --> 1:07:34.960
<v Speaker 1>artist who is not in that vertical of hip hop

1:07:35.240 --> 1:07:38.080
<v Speaker 1>or pop to come have a presence on Twitch?

1:07:38.240 --> 1:07:41.840
<v Speaker 2>Is that what's gonna take? I think what is what happens?

1:07:41.920 --> 1:07:44.600
<v Speaker 2>Is it sort of it sort of builds. But yes,

1:07:44.840 --> 1:07:47.440
<v Speaker 2>I think it is somebody starting to do it. I mean,

1:07:47.880 --> 1:07:50.520
<v Speaker 2>like Bieber did it, and now a lot of folks

1:07:50.600 --> 1:07:52.680
<v Speaker 2>because Bieber did a lot, more people like, oh maybe

1:07:52.680 --> 1:07:55.240
<v Speaker 2>I just should do that. Maybe and Bieber really, you know.

1:07:55.520 --> 1:07:59.000
<v Speaker 1>I'm gonna stop. I'm gonna stop your second Okay. Unlike

1:07:59.080 --> 1:08:03.000
<v Speaker 1>when I was growning up, everything is niche. Even Taylor

1:08:03.040 --> 1:08:07.960
<v Speaker 1>Swift is niche. Bieber very big artist, but the vast

1:08:07.960 --> 1:08:11.440
<v Speaker 1>majority of the public could give a shit, Okay, So

1:08:11.600 --> 1:08:18.719
<v Speaker 1>therefore Jason is Bell, Chris Stapleton. Yeah, their fans tend

1:08:18.720 --> 1:08:20.400
<v Speaker 1>not to be Bieber fians. I'm not gonna go through

1:08:20.400 --> 1:08:22.680
<v Speaker 1>each one. I don't think Don Henley will do.

1:08:22.720 --> 1:08:26.240
<v Speaker 2>It, but I agree, I agree. This is what i'd say.

1:08:26.400 --> 1:08:29.599
<v Speaker 2>And let's focus in the And I don't know about

1:08:30.160 --> 1:08:33.080
<v Speaker 2>your views on the Americana label, so I'll say the

1:08:33.120 --> 1:08:35.479
<v Speaker 2>Americana and country label. I don't know your views on

1:08:35.520 --> 1:08:39.200
<v Speaker 2>that right that label, which I'm sure they're strong. I

1:08:39.240 --> 1:08:41.519
<v Speaker 2>actually think that's In fact, it's one reason why I'm

1:08:41.560 --> 1:08:44.200
<v Speaker 2>going to Nashville and April. I think it's an extremely

1:08:44.320 --> 1:08:50.920
<v Speaker 2>well suited genre. Okay. I do think it's gonna need one, two, three,

1:08:51.040 --> 1:08:54.400
<v Speaker 2>four that start doing it to kind of show people

1:08:54.439 --> 1:08:57.519
<v Speaker 2>what what you do on there. Okay. And I don't

1:08:57.560 --> 1:09:00.800
<v Speaker 2>think in that genre it's quite, but it's gonna be.

1:09:01.000 --> 1:09:03.200
<v Speaker 2>You know, a few people start doing it and then

1:09:03.240 --> 1:09:06.280
<v Speaker 2>it's like, oh wow, this is great. Now, I will

1:09:06.320 --> 1:09:09.120
<v Speaker 2>say this in terms of who is the right person. Okay,

1:09:09.439 --> 1:09:12.640
<v Speaker 2>this is going to make my point that not everyone

1:09:13.880 --> 1:09:17.240
<v Speaker 2>is live the right format for them. I'll use an

1:09:17.280 --> 1:09:21.840
<v Speaker 2>example of someone that of probably my favorite group out

1:09:21.840 --> 1:09:26.880
<v Speaker 2>there is Turnpike Troubadors. Okay. Having met Evan Falker once,

1:09:26.960 --> 1:09:29.200
<v Speaker 2>I'm not sure he would enjoy going live. I think

1:09:29.240 --> 1:09:33.200
<v Speaker 2>it would be work for him. Okay. And so if

1:09:33.240 --> 1:09:35.320
<v Speaker 2>it's worked for you to be there in front of

1:09:35.320 --> 1:09:39.800
<v Speaker 2>the camera like off the cuff, then life may not

1:09:39.840 --> 1:09:41.320
<v Speaker 2>be this. So it's not universal.

1:09:41.680 --> 1:09:45.479
<v Speaker 1>It's I understand your point, you know, I've come actually

1:09:45.520 --> 1:09:50.200
<v Speaker 1>coming more to your defense the music world has changed.

1:09:51.320 --> 1:09:54.840
<v Speaker 1>It's as simple as people. You know, people were songwriters.

1:09:56.120 --> 1:09:57.760
<v Speaker 1>If they had a song on an album, they made

1:09:57.800 --> 1:09:59.760
<v Speaker 1>as much money as they made on the hit other

1:09:59.840 --> 1:10:03.840
<v Speaker 1>than and for radio airplay, etc. Yes, people want to

1:10:03.840 --> 1:10:06.919
<v Speaker 1>go back to that era. It's never come exactly. Okay,

1:10:07.439 --> 1:10:11.320
<v Speaker 1>I don't agree more okay. So we have these artists

1:10:11.680 --> 1:10:16.840
<v Speaker 1>who say I am a songwriter a musician, only most

1:10:16.840 --> 1:10:19.720
<v Speaker 1>of them tend to be older or tend to be

1:10:19.800 --> 1:10:21.639
<v Speaker 1>in genres that don't generate.

1:10:21.840 --> 1:10:24.760
<v Speaker 2>Also, by the way, tend to be established, because you

1:10:24.840 --> 1:10:28.720
<v Speaker 2>can be that when you are established as a songwriter.

1:10:29.200 --> 1:10:31.920
<v Speaker 1>You know, listen, I hear from these people all day long.

1:10:32.479 --> 1:10:37.080
<v Speaker 1>If you're selling out arenas, there's basically no issue. The

1:10:37.120 --> 1:10:40.760
<v Speaker 1>next step above that is stadiums. It's people who had

1:10:40.800 --> 1:10:42.479
<v Speaker 1>success in the old era.

1:10:42.640 --> 1:10:45.880
<v Speaker 2>Oh that's fair, or they and they're not anymore now.

1:10:45.880 --> 1:10:48.160
<v Speaker 2>They're maybe on an old tour like a right it

1:10:48.200 --> 1:10:49.439
<v Speaker 2>can start going tour.

1:10:49.920 --> 1:10:55.120
<v Speaker 1>Their deals were keeping them alive even though the sales

1:10:55.200 --> 1:10:57.639
<v Speaker 1>were not as high or the airplay was not as high.

1:10:57.840 --> 1:11:01.960
<v Speaker 1>So I would pause it that what a musical artist

1:11:02.000 --> 1:11:06.559
<v Speaker 1>today is not what it was before. Your identity and

1:11:06.720 --> 1:11:09.920
<v Speaker 1>expressing yourself is part of the whole hate urbina using

1:11:09.920 --> 1:11:12.280
<v Speaker 1>a holistic view of who you are.

1:11:12.920 --> 1:11:15.960
<v Speaker 2>I completely agree. I'll take somebody who's past the point

1:11:16.000 --> 1:11:19.080
<v Speaker 2>of doing it. But let's assume he were fifteen years

1:11:19.120 --> 1:11:22.599
<v Speaker 2>younger or something like that. Okay, someone like Neil Diamond.

1:11:23.640 --> 1:11:26.920
<v Speaker 2>To take someone you can imagine someone like him like

1:11:27.479 --> 1:11:31.040
<v Speaker 2>really building a big audience, and you know, again he's

1:11:31.120 --> 1:11:33.439
<v Speaker 2>the point now that he can't tour around. But I

1:11:33.479 --> 1:11:34.840
<v Speaker 2>actually completely agree with you.

1:11:34.920 --> 1:11:37.120
<v Speaker 1>Well, you know there are some people, some byn like

1:11:37.160 --> 1:11:40.160
<v Speaker 1>Paul Anka who was on Yeah Bill Maher the other night.

1:11:40.520 --> 1:11:43.879
<v Speaker 1>He's got a lot of personality, et cetera, Garth Brooks,

1:11:44.120 --> 1:11:46.360
<v Speaker 1>As I say, is it a matter of getting with you?

1:11:46.640 --> 1:11:48.680
<v Speaker 1>Is a matter of getting one of those people on.

1:11:48.960 --> 1:11:52.679
<v Speaker 1>Let's just go sideways for a second. What I'm going

1:11:52.760 --> 1:11:55.679
<v Speaker 1>to start streaming, not literally, but I'm gonna start streaming

1:11:55.720 --> 1:11:58.720
<v Speaker 1>on twitch. What are the music rights issue? Can I

1:11:58.760 --> 1:11:59.880
<v Speaker 1>play any music I watch?

1:12:00.320 --> 1:12:03.559
<v Speaker 2>Let me go through. That's a great, that's great. So

1:12:04.640 --> 1:12:08.800
<v Speaker 2>with music rights, first of all, let's go to you

1:12:09.000 --> 1:12:13.439
<v Speaker 2>playing music, not recorded music. Okay. So we have the

1:12:13.479 --> 1:12:18.639
<v Speaker 2>publishing rights for live for the live performance of the music. Okay,

1:12:18.800 --> 1:12:21.559
<v Speaker 2>So when I stream, I do cover songs. We have

1:12:21.600 --> 1:12:28.080
<v Speaker 2>all those rights, no issue. Okay, if you're playing recorded music. Okay.

1:12:28.200 --> 1:12:33.519
<v Speaker 2>If you're playing recorded music, okay. So we have an

1:12:33.560 --> 1:12:36.000
<v Speaker 2>agreement with the labels that is opposed to having to

1:12:36.040 --> 1:12:40.479
<v Speaker 2>issue a DMCA. They notify us if somebody is playing

1:12:40.520 --> 1:12:42.680
<v Speaker 2>recorded music that they have a concern with, So that

1:12:42.680 --> 1:12:44.600
<v Speaker 2>way we can notify them and it doesn't have to

1:12:44.600 --> 1:12:47.920
<v Speaker 2>go through the DMCA. Okay. In general, right now, the

1:12:48.000 --> 1:12:51.040
<v Speaker 2>labels aren't so concerned. Now, let me go through a

1:12:51.080 --> 1:12:54.360
<v Speaker 2>category where we have do full rights for if you're

1:12:54.400 --> 1:12:58.599
<v Speaker 2>a DJ, or let's assume for a second somebody wanted

1:12:58.640 --> 1:13:02.320
<v Speaker 2>to do a radio show. Okay, we do have the

1:13:02.360 --> 1:13:05.639
<v Speaker 2>ability for you to get full rights for the catalog

1:13:05.720 --> 1:13:10.120
<v Speaker 2>to play them while you're streaming. Okay, it's under particular

1:13:10.160 --> 1:13:12.320
<v Speaker 2>deal that we have that the labels. Now, a portion

1:13:12.439 --> 1:13:15.200
<v Speaker 2>of your revenue get shared with the labels. Okay. So

1:13:15.280 --> 1:13:16.920
<v Speaker 2>if what you want to do is sit on and

1:13:16.960 --> 1:13:21.240
<v Speaker 2>play recorded music and that's what your creative expression is, okay,

1:13:21.360 --> 1:13:23.200
<v Speaker 2>you can do that. You just have to sign up.

1:13:23.240 --> 1:13:24.800
<v Speaker 2>It's a DJ deal. But you don't have to be

1:13:24.800 --> 1:13:27.080
<v Speaker 2>doing dance music for the DJ deal. Right If I

1:13:27.080 --> 1:13:28.080
<v Speaker 2>want to play all.

1:13:28.640 --> 1:13:31.559
<v Speaker 1>So if I'm saying I was driving down the street

1:13:31.560 --> 1:13:34.479
<v Speaker 1>and I heard this amazing record I'm playing for you. Now,

1:13:35.880 --> 1:13:38.400
<v Speaker 1>there's not really a deal for that. The label could

1:13:38.400 --> 1:13:40.160
<v Speaker 1>come and say, hey, you know, can't do.

1:13:40.200 --> 1:13:43.120
<v Speaker 2>That, right, but the labels as long as you're not

1:13:43.400 --> 1:13:45.400
<v Speaker 2>abusing and like you know and others trying.

1:13:45.200 --> 1:13:49.160
<v Speaker 1>To wait, let's not talk reality because there are many

1:13:49.200 --> 1:13:52.439
<v Speaker 1>people see this promotional and then there are certain artists

1:13:52.479 --> 1:13:53.840
<v Speaker 1>who clamp down no matter.

1:13:54.720 --> 1:13:57.080
<v Speaker 2>Yeah, yeah, okay, we did not, but we we have.

1:13:57.320 --> 1:13:59.479
<v Speaker 2>We have an agreement where as opposed to need to

1:13:59.560 --> 1:14:01.920
<v Speaker 2>do DM. The labels can come and work with us.

1:14:02.080 --> 1:14:05.240
<v Speaker 1>So why don't you have an overall agreement for the recordings.

1:14:07.920 --> 1:14:11.000
<v Speaker 2>Let's talk about the primary way that people end up

1:14:11.000 --> 1:14:14.320
<v Speaker 2>with music on their stream. Okay, the primary mean isn't

1:14:14.400 --> 1:14:17.000
<v Speaker 2>is what you kind of said, where music is just

1:14:17.080 --> 1:14:20.320
<v Speaker 2>sort of in the background. They're gaming and there's some

1:14:20.439 --> 1:14:24.439
<v Speaker 2>music playing in the background. Okay, it is not a

1:14:24.560 --> 1:14:30.559
<v Speaker 2>significant portion of their creative expression, which is different from

1:14:30.680 --> 1:14:33.600
<v Speaker 2>actually a DJ. A DJ to music is a significant

1:14:33.640 --> 1:14:38.960
<v Speaker 2>portion of their creative expression. And so getting the right

1:14:39.040 --> 1:14:42.240
<v Speaker 2>deal where in terms of what the REV share split

1:14:42.320 --> 1:14:45.040
<v Speaker 2>would be when it's not a significant portion, it's just

1:14:45.160 --> 1:14:48.479
<v Speaker 2>complicated and hasn't been very simple because in general, the

1:14:48.520 --> 1:14:52.640
<v Speaker 2>labels are used to dealing where the music is a

1:14:52.680 --> 1:14:56.479
<v Speaker 2>significant portion of the creative expression, which is exactly why

1:14:56.520 --> 1:14:59.160
<v Speaker 2>we did the DJ deal. Okay, but if it's in

1:14:59.200 --> 1:15:01.160
<v Speaker 2>the background, that's we have an agreement that this is

1:15:01.160 --> 1:15:04.040
<v Speaker 2>an issue. They notify us and so we don't encourage it.

1:15:04.479 --> 1:15:09.839
<v Speaker 2>But it would be difficult to get the right revenue

1:15:09.840 --> 1:15:11.439
<v Speaker 2>share split for something like that.

1:15:12.439 --> 1:15:15.080
<v Speaker 1>Okay, how did you end up as the CEO of Twitch?

1:15:17.160 --> 1:15:21.960
<v Speaker 2>It's an interesting route. I will go back. Actually, when

1:15:21.960 --> 1:15:26.400
<v Speaker 2>I was in undergrad I was actually a computer science

1:15:26.400 --> 1:15:27.160
<v Speaker 2>and theater major.

1:15:27.840 --> 1:15:31.280
<v Speaker 1>And so if we're going back to the beginning, where

1:15:31.280 --> 1:15:32.000
<v Speaker 1>did you grow up?

1:15:32.720 --> 1:15:34.200
<v Speaker 2>I grew up in New Orleans.

1:15:34.720 --> 1:15:36.360
<v Speaker 1>And what did your parents do for a living?

1:15:37.360 --> 1:15:41.479
<v Speaker 2>My dad was sort of in consulting type of stuff.

1:15:41.479 --> 1:15:43.639
<v Speaker 2>He had been an engineer and then he did some consulting.

1:15:43.760 --> 1:15:46.639
<v Speaker 2>And my mom raised seven kids and also was heavily

1:15:46.680 --> 1:15:48.920
<v Speaker 2>involved in politics too.

1:15:49.760 --> 1:15:51.640
<v Speaker 1>Except where are you in the hierarchy?

1:15:52.080 --> 1:15:55.160
<v Speaker 2>I'm the well, I'm the second oldest, but my dad

1:15:55.200 --> 1:15:58.920
<v Speaker 2>died before I was born. Actually, my dad was flying

1:15:58.960 --> 1:16:02.920
<v Speaker 2>home to see my mom on Father's Day, and you know,

1:16:03.160 --> 1:16:07.040
<v Speaker 2>you plane that he was flying assessminent type thing, any crash.

1:16:07.360 --> 1:16:09.280
<v Speaker 2>And then my mom remarried and I have five younger

1:16:09.320 --> 1:16:13.920
<v Speaker 2>brothers and sisters, and so yeah, I'm one of the

1:16:13.960 --> 1:16:14.559
<v Speaker 2>older ones.

1:16:14.760 --> 1:16:18.639
<v Speaker 1>Okay, you are as I say, I'm self editing, because

1:16:18.680 --> 1:16:22.360
<v Speaker 1>people have such reactions to these terms, like successful, you

1:16:23.160 --> 1:16:25.439
<v Speaker 1>are very successful. What happened to the other six?

1:16:28.120 --> 1:16:30.439
<v Speaker 2>Ally? My brother, Well, that actually is one of the

1:16:30.439 --> 1:16:32.320
<v Speaker 2>stories I was gonna tell, because there's a whole different

1:16:32.320 --> 1:16:35.360
<v Speaker 2>world where I became a creative So my brother. I

1:16:35.400 --> 1:16:37.400
<v Speaker 2>have one brother who runs a theater in New York

1:16:37.560 --> 1:16:41.400
<v Speaker 2>called The Drilling Company, and he's been an actor and

1:16:41.640 --> 1:16:43.920
<v Speaker 2>you know, trying to make ends meet as an actor

1:16:43.960 --> 1:16:46.559
<v Speaker 2>his whole life. He's one year older than me. I

1:16:46.560 --> 1:16:48.519
<v Speaker 2>have a sister who still does a lot of acting

1:16:48.680 --> 1:16:52.200
<v Speaker 2>and performance. I have another brother different last name than me.

1:16:52.280 --> 1:16:54.800
<v Speaker 2>By the way, my younger siblings have different last names.

1:16:55.120 --> 1:16:59.200
<v Speaker 2>Who's the CEO of the Fred Rogers Company, which is

1:16:59.320 --> 1:17:01.840
<v Speaker 2>very much a you know, part of that creative bank, right,

1:17:03.160 --> 1:17:05.360
<v Speaker 2>so you know, in different things. And his sister lives

1:17:05.400 --> 1:17:10.880
<v Speaker 2>in North Carolina. Another sister who's a lawyer that lives

1:17:10.880 --> 1:17:17.519
<v Speaker 2>in Colorado, so sort of across the board mishmash your father.

1:17:17.880 --> 1:17:22.439
<v Speaker 1>You literally not knowing your father to what degree? Is

1:17:22.479 --> 1:17:25.160
<v Speaker 1>there an emotional hangover there and you have to work

1:17:25.240 --> 1:17:25.759
<v Speaker 1>that through.

1:17:26.840 --> 1:17:29.920
<v Speaker 2>Yeah. The interesting thing was since I grew up in

1:17:29.960 --> 1:17:33.559
<v Speaker 2>my mind having a father, right because when I went

1:17:33.640 --> 1:17:36.240
<v Speaker 2>my mom was remarried by the time I was two

1:17:36.320 --> 1:17:40.360
<v Speaker 2>and a half, right, Okay, So in my mind I

1:17:40.400 --> 1:17:42.679
<v Speaker 2>have had a father and he's been a wonderful father.

1:17:42.800 --> 1:17:46.000
<v Speaker 2>He's cared for me everything, So I don't have this

1:17:46.160 --> 1:17:49.680
<v Speaker 2>hangover from when I was young, if you will. The

1:17:49.800 --> 1:17:53.960
<v Speaker 2>interesting part is you I have had to find out

1:17:53.960 --> 1:17:57.439
<v Speaker 2>more about who I am because biologically I'm very different

1:17:57.640 --> 1:18:04.599
<v Speaker 2>than the father who raised me. Okay, my birth father,

1:18:06.240 --> 1:18:08.720
<v Speaker 2>he's Irish. He has a brother that lives in New

1:18:08.800 --> 1:18:11.320
<v Speaker 2>York who's a sculptor, who's the only member of his

1:18:11.360 --> 1:18:14.240
<v Speaker 2>family that I've had a connection to. There's a lot

1:18:14.280 --> 1:18:16.960
<v Speaker 2>of similarities from talking to my uncle about me and

1:18:17.000 --> 1:18:21.680
<v Speaker 2>my birth father. My mom actually didn't talk about my

1:18:21.760 --> 1:18:24.160
<v Speaker 2>birth father almost at all when I was growing up

1:18:24.880 --> 1:18:28.920
<v Speaker 2>because the emotional trauma of losing him when she had,

1:18:29.280 --> 1:18:31.320
<v Speaker 2>you know, one baby and another one on the way,

1:18:31.360 --> 1:18:33.240
<v Speaker 2>and she was only like a month pregnant with me

1:18:33.439 --> 1:18:36.160
<v Speaker 2>when he died, and so nobody knew that she was

1:18:36.200 --> 1:18:39.200
<v Speaker 2>pregnant when she got the news that he had passed away.

1:18:40.840 --> 1:18:43.200
<v Speaker 2>That so she just couldn't deal with it, so she

1:18:43.240 --> 1:18:45.160
<v Speaker 2>wouldn't talk about my dad at all. So it's only

1:18:45.200 --> 1:18:49.120
<v Speaker 2>as I've gotten older that I've gotten to know my

1:18:49.280 --> 1:18:51.800
<v Speaker 2>father by talking to my uncle, by doing all sorts

1:18:51.840 --> 1:18:54.920
<v Speaker 2>of things. So it's more and then I find out

1:18:54.920 --> 1:18:59.320
<v Speaker 2>things about myself that I realize, huh, that's probably that's

1:18:59.479 --> 1:19:02.040
<v Speaker 2>you know, that's part of my father that is still

1:19:02.080 --> 1:19:05.320
<v Speaker 2>in me somewhere. But it's not that I have like

1:19:06.720 --> 1:19:13.479
<v Speaker 2>any baggage from not having a father. It's more this

1:19:13.680 --> 1:19:18.160
<v Speaker 2>interesting exploration of finding out who this person was.

1:19:18.880 --> 1:19:20.759
<v Speaker 1>Do you go to public school or private school?

1:19:21.760 --> 1:19:24.400
<v Speaker 2>I went to public school until fifth grade, and then

1:19:24.439 --> 1:19:26.680
<v Speaker 2>I went to in New Orleans, most people go to

1:19:26.760 --> 1:19:29.200
<v Speaker 2>all boys or all female Catholic schools. So I went

1:19:29.240 --> 1:19:32.080
<v Speaker 2>to an all male Catholic school through fifth through eighth

1:19:32.080 --> 1:19:33.280
<v Speaker 2>grade and then in high school.

1:19:34.320 --> 1:19:37.840
<v Speaker 1>To what degree? Did that indoctrination fuck you up?

1:19:42.360 --> 1:19:46.080
<v Speaker 2>So? New Orleans is like seventy percent Catholic, okay, And

1:19:47.280 --> 1:19:50.479
<v Speaker 2>you know, I'd like to think it didn't. I've been

1:19:50.520 --> 1:19:52.559
<v Speaker 2>able to handle it well I have a very healthy

1:19:52.680 --> 1:19:56.559
<v Speaker 2>attitude towards all that. It is funny, I've been thinking

1:19:56.560 --> 1:19:59.600
<v Speaker 2>about that lately. Where I am. I do not practice

1:20:00.800 --> 1:20:04.160
<v Speaker 2>catholow Simmary religion. And I always think, you know, if

1:20:04.200 --> 1:20:07.800
<v Speaker 2>somebody is sharing the words of Jesus Christ, there's a

1:20:07.840 --> 1:20:09.720
<v Speaker 2>lot to be learned there. Then there's a lot to

1:20:09.720 --> 1:20:13.800
<v Speaker 2>be shared there. If they're preaching the Old Testament, I

1:20:13.800 --> 1:20:16.640
<v Speaker 2>don't know, that's a different story. But so I have

1:20:16.680 --> 1:20:19.360
<v Speaker 2>a very healthy attitude. I kind of went through this

1:20:19.880 --> 1:20:22.720
<v Speaker 2>path or I have a very healthy attitude towards all

1:20:22.760 --> 1:20:25.200
<v Speaker 2>the good things, even though there are lots of challenges too.

1:20:26.000 --> 1:20:27.839
<v Speaker 1>So were you the smartest kid in the class?

1:20:30.040 --> 1:20:31.800
<v Speaker 2>I did pretty well. But I will tell you one

1:20:31.800 --> 1:20:34.759
<v Speaker 2>of those stories I love to tell. Interestingly, this relates

1:20:34.760 --> 1:20:38.439
<v Speaker 2>to streaming. So one thing that I realized about a

1:20:38.479 --> 1:20:41.720
<v Speaker 2>year ago. And my kids always told me they all

1:20:41.760 --> 1:20:46.760
<v Speaker 2>identify as having ADHD. Okay, And they said, oh, Dad,

1:20:46.760 --> 1:20:48.800
<v Speaker 2>we think you have ADHDM. It's like, what do you mean,

1:20:48.920 --> 1:20:52.200
<v Speaker 2>I have a PhD in Ai. I went to Duke like,

1:20:52.280 --> 1:20:55.160
<v Speaker 2>I did really well, I don't have ADHD. Like, okay,

1:20:55.200 --> 1:20:56.760
<v Speaker 2>do you have ADHD? I said no, I don't. And

1:20:56.760 --> 1:20:59.200
<v Speaker 2>then I read more about Adhd and then I realized,

1:20:59.360 --> 1:21:02.120
<v Speaker 2>and I look back to my childhood and I realized,

1:21:02.160 --> 1:21:06.080
<v Speaker 2>I'm a poster child Adhd. Okay on the spectrum, and

1:21:06.120 --> 1:21:08.040
<v Speaker 2>in fact, this is one thing we can get back

1:21:08.080 --> 1:21:10.880
<v Speaker 2>to this. Most streamers you find are because they have

1:21:10.920 --> 1:21:14.080
<v Speaker 2>this superpower of their mind being able to process multiple

1:21:14.160 --> 1:21:17.920
<v Speaker 2>things at once. But I tell this story because in

1:21:18.000 --> 1:21:21.719
<v Speaker 2>fourth grade I was having trouble. I wasn't doing well

1:21:21.760 --> 1:21:24.760
<v Speaker 2>in school. And then I went to fifth grade at

1:21:24.760 --> 1:21:27.360
<v Speaker 2>this Christian Brothers all boys school and my parents had

1:21:27.400 --> 1:21:30.720
<v Speaker 2>to talk my way in because I wasn't doing very

1:21:30.720 --> 1:21:33.120
<v Speaker 2>well in fourth grade. My brother was already there and

1:21:33.160 --> 1:21:35.120
<v Speaker 2>they had to push me to get into what was

1:21:35.160 --> 1:21:38.960
<v Speaker 2>the better of the three classes with this guy, brother Gregory,

1:21:39.360 --> 1:21:41.599
<v Speaker 2>and this teacher. The way he taught was he had

1:21:41.680 --> 1:21:44.559
<v Speaker 2>something that he called good Marks where he gave out

1:21:44.600 --> 1:21:48.000
<v Speaker 2>what basically were credits okay, And at the end of

1:21:48.000 --> 1:21:50.640
<v Speaker 2>every week he had a Jeopardy game to learn the

1:21:50.680 --> 1:21:52.479
<v Speaker 2>stuff you were supposed to learn that week, and you

1:21:52.479 --> 1:21:54.439
<v Speaker 2>were quizzed on this stuff for that week, and if

1:21:54.439 --> 1:21:56.919
<v Speaker 2>you won Jeopardy, you got ice cream to play football.

1:21:56.960 --> 1:21:59.080
<v Speaker 2>Then you got good Marks, and at the end of

1:21:59.080 --> 1:22:02.599
<v Speaker 2>the semester, you could spend the good marks on this

1:22:02.600 --> 1:22:05.640
<v Speaker 2>this like, uh, everybody brought in their old toys and

1:22:05.680 --> 1:22:09.439
<v Speaker 2>they bought you know, an exchange. Anyway, he gained a

1:22:09.479 --> 1:22:13.360
<v Speaker 2>fied learning for me, and I went from being barely

1:22:13.439 --> 1:22:15.040
<v Speaker 2>in there to be one of the top two or

1:22:15.040 --> 1:22:18.719
<v Speaker 2>three kids in the class because he basically turned learning

1:22:18.760 --> 1:22:22.240
<v Speaker 2>into a game, which was like a poster child of

1:22:22.280 --> 1:22:24.960
<v Speaker 2>what you need to do for someone with ADHD. And

1:22:25.000 --> 1:22:27.679
<v Speaker 2>then once I had the confidence that I was smart,

1:22:27.800 --> 1:22:31.479
<v Speaker 2>because then I thought of myself as smart. So then

1:22:31.520 --> 1:22:35.240
<v Speaker 2>I kept performing. But I needed to think of myself

1:22:35.280 --> 1:22:38.679
<v Speaker 2>as smart. And the only way I thought of myself

1:22:38.680 --> 1:22:41.040
<v Speaker 2>as smart is because I just happened to have this

1:22:41.160 --> 1:22:44.120
<v Speaker 2>teacher at the perfect time that taught in a non

1:22:44.160 --> 1:22:46.920
<v Speaker 2>traditional way. So yes, I was one of the top

1:22:47.000 --> 1:22:50.320
<v Speaker 2>kids in the class, but it wasn't it was by

1:22:50.439 --> 1:22:52.240
<v Speaker 2>chance that everything worked out for me.

1:23:00.080 --> 1:23:03.360
<v Speaker 1>And where does the theater angle come from.

1:23:03.520 --> 1:23:06.120
<v Speaker 2>My brother was into theater. I got into theater. And

1:23:06.160 --> 1:23:08.040
<v Speaker 2>the only reason I mention it is because it's this

1:23:08.240 --> 1:23:12.080
<v Speaker 2>interesting twist with twitch because when you ask about how

1:23:12.120 --> 1:23:15.160
<v Speaker 2>did I get here, right, I've spent most of my career,

1:23:15.400 --> 1:23:19.320
<v Speaker 2>all of my career in the technical space. After a duke,

1:23:19.400 --> 1:23:21.880
<v Speaker 2>I worked in a technical capacity. Then I got a

1:23:21.880 --> 1:23:26.360
<v Speaker 2>PhD in AI. Then I worked at NASA leading their

1:23:26.360 --> 1:23:29.640
<v Speaker 2>autonomy and robotics group in AI. And then I was

1:23:29.680 --> 1:23:31.799
<v Speaker 2>at Google and YouTube, and I was at a startup

1:23:31.840 --> 1:23:33.880
<v Speaker 2>next door. So basically I've spent my whole life in

1:23:33.920 --> 1:23:39.240
<v Speaker 2>a technical product and engineering role. Okay, but am I root?

1:23:39.640 --> 1:23:42.519
<v Speaker 2>I'm really a creative and in a different world. If

1:23:42.520 --> 1:23:44.680
<v Speaker 2>I were coming out today as opposed to using my

1:23:44.760 --> 1:23:48.599
<v Speaker 2>mask skills, I could every much found myself being a creative.

1:23:48.680 --> 1:23:50.680
<v Speaker 2>And I've also always been a music fan. I had

1:23:50.680 --> 1:23:53.759
<v Speaker 2>a thousand albums. I taught myself to play the piano.

1:23:55.040 --> 1:23:58.400
<v Speaker 2>So there's a different life where I didn't go technical

1:23:58.520 --> 1:24:02.320
<v Speaker 2>and I did something in news are in creative expression.

1:24:02.760 --> 1:24:04.880
<v Speaker 2>And the thing I love about Twitch is it is

1:24:04.960 --> 1:24:07.920
<v Speaker 2>this perfect bringing together of these two sides of my

1:24:08.000 --> 1:24:10.839
<v Speaker 2>life that I did not I could not have predicted.

1:24:10.920 --> 1:24:14.439
<v Speaker 2>It brings together my sort of business product technical skills

1:24:15.080 --> 1:24:19.920
<v Speaker 2>with my creative uh you know, DNA. That has always

1:24:19.920 --> 1:24:21.600
<v Speaker 2>been a big part of who I am.

1:24:22.120 --> 1:24:27.160
<v Speaker 1>Okay, AI is the buzz term of today, isn't it.

1:24:27.280 --> 1:24:30.200
<v Speaker 1>What What was AI like when you were getting your degree?

1:24:32.320 --> 1:24:34.719
<v Speaker 2>So interesting. A lot of what has become the foundation

1:24:34.800 --> 1:24:38.040
<v Speaker 2>of AI was part of AI back then. Okay. The

1:24:38.120 --> 1:24:41.160
<v Speaker 2>interesting thing that there is this battle back then between

1:24:41.160 --> 1:24:45.559
<v Speaker 2>two approaches to AI. One was the symbolic AI that

1:24:45.680 --> 1:24:48.679
<v Speaker 2>tried to represent things in the way we think about

1:24:48.680 --> 1:24:52.040
<v Speaker 2>how we think, Okay, so they tried to explicitly represent

1:24:52.680 --> 1:24:56.439
<v Speaker 2>information and all that. And then the other was statistical AI,

1:24:57.000 --> 1:24:59.439
<v Speaker 2>where they just had all sorts of data and they

1:24:59.600 --> 1:25:02.439
<v Speaker 2>learned these complex models, which a neural net is the

1:25:02.439 --> 1:25:05.160
<v Speaker 2>foundation of. And back then there was this battle of

1:25:05.200 --> 1:25:09.120
<v Speaker 2>which type of AI would win. By the time I graduated,

1:25:09.120 --> 1:25:11.519
<v Speaker 2>it was clear who was going to win. Statistical AI

1:25:11.680 --> 1:25:14.800
<v Speaker 2>was going to win, okay, and statistical AI has been

1:25:14.840 --> 1:25:18.280
<v Speaker 2>the thing that has dominated Okay. But the interesting thing

1:25:18.400 --> 1:25:22.479
<v Speaker 2>is a lot of what people talked about then we

1:25:22.479 --> 1:25:25.160
<v Speaker 2>were talking about the world that now exists, but we

1:25:25.200 --> 1:25:29.000
<v Speaker 2>could never deliver on that, and only now because of

1:25:29.000 --> 1:25:32.800
<v Speaker 2>some algorithmic improvements, but also because of a massive amount

1:25:32.840 --> 1:25:38.000
<v Speaker 2>of data combined with computing. If another way to say this,

1:25:38.080 --> 1:25:41.200
<v Speaker 2>if the World Wide Web never occurred, we wouldn't be

1:25:41.240 --> 1:25:43.680
<v Speaker 2>where we're at with AI. One of the reasons we're

1:25:43.720 --> 1:25:46.400
<v Speaker 2>at with the AI is because this thing occurred, carled

1:25:46.400 --> 1:25:50.120
<v Speaker 2>the World Wide Web, which creative these massive data sets,

1:25:50.560 --> 1:25:53.439
<v Speaker 2>and these massive data sets then allowed the algorithms to

1:25:53.479 --> 1:25:55.160
<v Speaker 2>work in ways that previously they could.

1:25:55.920 --> 1:26:01.200
<v Speaker 1>Okay, did you literally have a PhD? There certain experts

1:26:01.240 --> 1:26:04.280
<v Speaker 1>who say this is a dead end the way we're

1:26:04.320 --> 1:26:08.200
<v Speaker 1>doing it. If it's gonna start talking about thinking like

1:26:08.320 --> 1:26:10.920
<v Speaker 1>people were at least thirty years off, what's your take

1:26:10.960 --> 1:26:11.320
<v Speaker 1>on that?

1:26:15.400 --> 1:26:17.680
<v Speaker 2>So this, I mean, I'm gonna try to be shorten this.

1:26:18.240 --> 1:26:18.639
<v Speaker 1>Okay.

1:26:20.600 --> 1:26:26.000
<v Speaker 2>We think that people think very logically and rationally. Okay,

1:26:26.200 --> 1:26:28.439
<v Speaker 2>but they don't. But they don't. I don't know. Have

1:26:28.479 --> 1:26:30.280
<v Speaker 2>you ever read about the system one brain and the

1:26:30.320 --> 1:26:31.120
<v Speaker 2>system to brain?

1:26:31.640 --> 1:26:31.760
<v Speaker 1>No?

1:26:32.439 --> 1:26:35.240
<v Speaker 2>Okay, So all the research are your system one brain

1:26:35.360 --> 1:26:38.960
<v Speaker 2>is your gut, your instincts, your intuition, all of that. Okay.

1:26:39.080 --> 1:26:42.639
<v Speaker 2>Your system to brain is your reasoning and logic. Okay.

1:26:43.400 --> 1:26:46.479
<v Speaker 2>All the evidence suggests that the primary usage of our

1:26:46.520 --> 1:26:49.720
<v Speaker 2>system to brain are reasoning and logic is to come

1:26:49.800 --> 1:26:53.879
<v Speaker 2>up with a plausible justification of the answer that pops

1:26:53.880 --> 1:26:55.880
<v Speaker 2>into our head with our system one brain. As soon

1:26:55.920 --> 1:27:00.240
<v Speaker 2>as you ask the question, okay, so what do you

1:27:00.240 --> 1:27:03.200
<v Speaker 2>think about Sturgil Simpson releasing just an album and not

1:27:03.400 --> 1:27:06.080
<v Speaker 2>an answer pops into your head. I think it's stupid.

1:27:06.120 --> 1:27:09.080
<v Speaker 2>I think it's a great idea. Okay, then your system

1:27:09.120 --> 1:27:12.360
<v Speaker 2>two brains explains that, and we think the reason we

1:27:12.439 --> 1:27:15.160
<v Speaker 2>believe this is for all these good reasons, it's bullshit

1:27:15.640 --> 1:27:17.800
<v Speaker 2>ninety five percent of the time. Which is one reason

1:27:17.840 --> 1:27:19.439
<v Speaker 2>why we have the divide in the country we have

1:27:20.160 --> 1:27:23.120
<v Speaker 2>is because you watch the same video to people's system,

1:27:23.160 --> 1:27:25.360
<v Speaker 2>one brain tells them two different things, and then they

1:27:25.400 --> 1:27:30.280
<v Speaker 2>try to justify. So the way humans think is through

1:27:30.400 --> 1:27:35.320
<v Speaker 2>all this compiled thing, and so interestingly, that is the

1:27:35.320 --> 1:27:38.360
<v Speaker 2>way AI is working now. So I actually think this

1:27:38.479 --> 1:27:40.920
<v Speaker 2>idea that AI doesn't work the way humans brains thinks.

1:27:40.960 --> 1:27:44.080
<v Speaker 2>I think it does work the way human brains thinks. Okay,

1:27:44.439 --> 1:27:48.040
<v Speaker 2>I still think we are a long way. I think

1:27:48.080 --> 1:27:52.280
<v Speaker 2>there is a vast misunderstanding of the complexity of human intelligence.

1:27:54.040 --> 1:27:56.720
<v Speaker 2>I think that we think of the primary form of

1:27:56.800 --> 1:28:01.400
<v Speaker 2>human intelligence as doing really hard math problems. Okay, But

1:28:01.760 --> 1:28:05.120
<v Speaker 2>the really unique part about human intelligence is our ability

1:28:05.200 --> 1:28:09.519
<v Speaker 2>to coordinate, cooperate, think about each other, you know, interact

1:28:09.560 --> 1:28:12.559
<v Speaker 2>with each other. Okay, And that allows us to function

1:28:12.680 --> 1:28:15.439
<v Speaker 2>as a unit. And I don't think AI has any

1:28:15.560 --> 1:28:18.800
<v Speaker 2>data on that. So I believe that we keep projecting

1:28:18.840 --> 1:28:22.400
<v Speaker 2>the advances in AI to continue like this, it's gonna

1:28:23.320 --> 1:28:27.760
<v Speaker 2>asymptote okay. And I think this idea that AI will

1:28:27.800 --> 1:28:29.800
<v Speaker 2>replace human beings, I think we still have a long

1:28:29.840 --> 1:28:32.200
<v Speaker 2>way to go. And the people that like to tell

1:28:32.240 --> 1:28:34.240
<v Speaker 2>you that are the ones that are trying to get

1:28:34.320 --> 1:28:37.559
<v Speaker 2>lots of funding in AI. And also usually they're the

1:28:37.600 --> 1:28:41.480
<v Speaker 2>math folks that tend to think the pinnacle of intelligence

1:28:41.520 --> 1:28:44.679
<v Speaker 2>is doing hard maath, which I don't think the pinnacle

1:28:44.680 --> 1:28:46.920
<v Speaker 2>of human intelligence is doing hard math. I think the

1:28:46.960 --> 1:28:50.960
<v Speaker 2>pinnacle of human intelligence is all the complex interactions of

1:28:51.040 --> 1:28:53.479
<v Speaker 2>humans doing all sorts of stuff with other humans.

1:28:55.080 --> 1:28:59.640
<v Speaker 1>This is a really subsidiary point to your excellent delineation

1:28:59.800 --> 1:29:07.240
<v Speaker 1>of the landscape. But math is one thing the present

1:29:07.320 --> 1:29:12.200
<v Speaker 1>models hallucinate such that you know, I find mistakes all

1:29:12.240 --> 1:29:15.439
<v Speaker 1>the time. Is that something that you feel can be

1:29:15.520 --> 1:29:16.680
<v Speaker 1>conquered in the short.

1:29:16.479 --> 1:29:27.280
<v Speaker 2>Term, the degree that it happens will be improved, Okay,

1:29:28.600 --> 1:29:34.280
<v Speaker 2>But the short answer is so the egregious examples, yes,

1:29:35.640 --> 1:29:40.320
<v Speaker 2>the non egregious examples are non And the problem comes

1:29:40.360 --> 1:29:44.599
<v Speaker 2>in is AI is like that trend of yours who

1:29:44.640 --> 1:29:49.519
<v Speaker 2>thinks they're an expert in everything okay, and they speak

1:29:49.560 --> 1:29:53.280
<v Speaker 2>with such great authority that you actually think they are right.

1:29:54.280 --> 1:29:58.479
<v Speaker 2>Oh yay, because they speak with such great authority that

1:29:58.560 --> 1:30:01.280
<v Speaker 2>you think they know everything, and the reality is they're

1:30:01.280 --> 1:30:05.920
<v Speaker 2>bullshitting you and they don't, and really you're being wrong.

1:30:06.000 --> 1:30:09.160
<v Speaker 2>So like, I'm trying to fix this Watt bike I

1:30:09.280 --> 1:30:12.080
<v Speaker 2>have that's like this exercise bike and it's not working.

1:30:12.120 --> 1:30:14.920
<v Speaker 2>And I use AI and it talks with so much

1:30:14.960 --> 1:30:18.160
<v Speaker 2>authority that I think that it knows exactly the problem,

1:30:18.240 --> 1:30:21.599
<v Speaker 2>and actually it's taking me down dead end trail.

1:30:22.080 --> 1:30:25.240
<v Speaker 3>Okay, but it is so confident, and I know that

1:30:25.400 --> 1:30:28.479
<v Speaker 3>sometimes because I'll ask questions and then like sometimes I

1:30:28.600 --> 1:30:31.599
<v Speaker 3>use ai'd ask questions about twitch stuff and they'll tell

1:30:31.640 --> 1:30:33.320
<v Speaker 3>me an answer with absolute confidence.

1:30:33.360 --> 1:30:36.760
<v Speaker 2>I'm like, they completely got this wrong, okay, but they

1:30:36.800 --> 1:30:40.880
<v Speaker 2>misunderstood it. So I guess that it's the ones that

1:30:41.120 --> 1:30:44.800
<v Speaker 2>are great fodder to put on a headline. I think

1:30:44.840 --> 1:30:47.840
<v Speaker 2>we can solve that. The ones that we won't solve

1:30:48.240 --> 1:30:51.559
<v Speaker 2>are these ones that you only know if you know

1:30:51.680 --> 1:30:54.479
<v Speaker 2>something about the area and you know that it is

1:30:55.080 --> 1:30:55.720
<v Speaker 2>bullshitting you.

1:30:56.960 --> 1:31:01.880
<v Speaker 1>Okay. Even in the Washington Post today, certain financial people

1:31:01.960 --> 1:31:07.360
<v Speaker 1>believe that the market is up. There's investment in AI companies,

1:31:07.840 --> 1:31:13.719
<v Speaker 1>but in realay productivity has not increased whatsoever. Okay. In addition,

1:31:14.000 --> 1:31:18.960
<v Speaker 1>having lived for a while, it's been constant reports to

1:31:19.040 --> 1:31:22.280
<v Speaker 1>the paper, maybe the market's going to crash. Is this

1:31:22.360 --> 1:31:25.280
<v Speaker 1>a winner take all business? There's so much investment in

1:31:25.360 --> 1:31:28.320
<v Speaker 1>open AI that they could never make their money back.

1:31:28.960 --> 1:31:29.960
<v Speaker 1>What's your take here?

1:31:33.960 --> 1:31:39.599
<v Speaker 2>So two things can be true at once. AI can

1:31:39.720 --> 1:31:43.040
<v Speaker 2>have a massive impact on the world we live in

1:31:43.040 --> 1:31:46.639
<v Speaker 2>in the future, and it can be overhyped. Right now,

1:31:48.280 --> 1:31:53.240
<v Speaker 2>I'd say both are almost certainly true. And in fact,

1:31:53.280 --> 1:31:55.479
<v Speaker 2>anything that is going to have a massive impact on

1:31:55.520 --> 1:32:00.280
<v Speaker 2>the world will almost certainly be overhyped because that is

1:32:00.280 --> 1:32:03.280
<v Speaker 2>the very nature of the world we live in. Okay.

1:32:03.520 --> 1:32:06.360
<v Speaker 2>So I guess this is what I'll say about this

1:32:06.439 --> 1:32:11.760
<v Speaker 2>question of crash and all that. Right, If if what

1:32:11.800 --> 1:32:14.880
<v Speaker 2>you're selling is a bill of goods where there's no

1:32:15.040 --> 1:32:18.639
<v Speaker 2>there there, then you have to worry about a crash

1:32:18.640 --> 1:32:22.320
<v Speaker 2>because you have a crash and now it's all vapor

1:32:22.320 --> 1:32:27.120
<v Speaker 2>where it's gone, okay, as opposed to thinking of a crash.

1:32:27.560 --> 1:32:32.200
<v Speaker 2>Our market always has corrections, that's the nature of the markets.

1:32:33.000 --> 1:32:38.439
<v Speaker 2>So will there be corrections, Well, almost certainly, because people

1:32:38.439 --> 1:32:40.400
<v Speaker 2>are making a lot of bets on a lot of things,

1:32:40.479 --> 1:32:42.880
<v Speaker 2>and some of those bets, if some of those bets

1:32:42.920 --> 1:32:45.920
<v Speaker 2>didn't work out, then people are being stupid in their

1:32:45.960 --> 1:32:47.400
<v Speaker 2>investment because you're not going to be able to get

1:32:47.439 --> 1:32:50.320
<v Speaker 2>all your bets right right, So there are gonna be

1:32:50.320 --> 1:32:53.120
<v Speaker 2>some bets that don't work out where it's overhyped, and

1:32:53.160 --> 1:32:55.439
<v Speaker 2>then there're gonna be some bets that actually end up,

1:32:55.600 --> 1:33:01.519
<v Speaker 2>you know, being you know, hugely consequential. And I always say,

1:33:01.520 --> 1:33:03.880
<v Speaker 2>anyone that tells you that they know which bets are

1:33:03.880 --> 1:33:06.720
<v Speaker 2>going to pay out and which ones aren't, Okay, if

1:33:06.720 --> 1:33:08.519
<v Speaker 2>they are so good, then they should stop what they're

1:33:08.520 --> 1:33:10.680
<v Speaker 2>doing and just invest in the market and they'll be

1:33:10.720 --> 1:33:15.639
<v Speaker 2>a gazillionaire because I'm sorry, nobody knows exactly which ones

1:33:15.680 --> 1:33:17.120
<v Speaker 2>are going to work and which ones aren't. It just

1:33:17.160 --> 1:33:18.200
<v Speaker 2>everyone likes to talk.

1:33:18.560 --> 1:33:22.639
<v Speaker 1>And what about the issue of regulation and fear with AI?

1:33:22.960 --> 1:33:23.880
<v Speaker 1>What's your take on that?

1:33:24.960 --> 1:33:29.000
<v Speaker 2>So let me take one part of the fear off

1:33:29.080 --> 1:33:33.920
<v Speaker 2>the table. There are those people worried about the AI

1:33:34.120 --> 1:33:38.639
<v Speaker 2>taking over. Okay, I don't think you have to worry

1:33:38.680 --> 1:33:40.960
<v Speaker 2>about the AI. You have to worry about the people

1:33:41.000 --> 1:33:45.920
<v Speaker 2>controlling the AI. That's a universal truth about new technology

1:33:46.040 --> 1:33:48.920
<v Speaker 2>that any new technology that is powerful in what it

1:33:49.000 --> 1:33:52.080
<v Speaker 2>can do in a positive fashion is powerful, and what

1:33:52.120 --> 1:33:53.800
<v Speaker 2>it can do in a negative fashion. All you have

1:33:53.800 --> 1:33:56.080
<v Speaker 2>to do is go back to gunpowder and all that.

1:33:56.200 --> 1:33:58.000
<v Speaker 2>Lots of positive things it can do, and lots of

1:33:58.000 --> 1:33:59.840
<v Speaker 2>negative things can do. And what you have to worry

1:33:59.840 --> 1:34:03.080
<v Speaker 2>about as who's holding the gun right And that's a

1:34:03.360 --> 1:34:05.000
<v Speaker 2>you know, a part of your concern or whatever the

1:34:05.040 --> 1:34:07.280
<v Speaker 2>weapon is that that came out of that. But a

1:34:07.280 --> 1:34:09.000
<v Speaker 2>lot of that allowed us to do all sorts of

1:34:09.000 --> 1:34:14.120
<v Speaker 2>things as well. Okay, so I don't believe this idea

1:34:14.160 --> 1:34:16.760
<v Speaker 2>of AI taking over the world. I think that's just

1:34:17.040 --> 1:34:24.560
<v Speaker 2>science fiction. Will negative things happen from AI? Almost certainly.

1:34:26.000 --> 1:34:29.559
<v Speaker 2>That's the very nature of tech innovation. And in every

1:34:29.600 --> 1:34:32.880
<v Speaker 2>tech innovation, you know, there have been bad things that

1:34:32.920 --> 1:34:38.439
<v Speaker 2>have come from it. I do think you need to

1:34:38.439 --> 1:34:41.600
<v Speaker 2>think about what some of those things are. My apprehension

1:34:41.800 --> 1:34:48.920
<v Speaker 2>is figuring out an intervention that can fix a hypothetical threat.

1:34:52.200 --> 1:34:55.400
<v Speaker 2>I will use a couple examples. Suppose back in the

1:34:55.479 --> 1:34:59.200
<v Speaker 2>nineteen twenties someone explained to you global warming and what

1:34:59.280 --> 1:35:02.919
<v Speaker 2>we're going to happen, and from the industrialization of the globe,

1:35:03.360 --> 1:35:05.840
<v Speaker 2>what policies should they have put in place in the

1:35:05.920 --> 1:35:08.960
<v Speaker 2>nineteen twenties to avoid global warming? Well, we can't even

1:35:08.960 --> 1:35:11.439
<v Speaker 2>agree on a policy to deal with global warming today

1:35:11.880 --> 1:35:14.280
<v Speaker 2>and we have all the science explaining it. So this

1:35:14.400 --> 1:35:16.720
<v Speaker 2>idea in the twenties they could have figured out the

1:35:16.760 --> 1:35:19.679
<v Speaker 2>policies to put in place to prevent global warming. Let's

1:35:19.680 --> 1:35:22.639
<v Speaker 2>talk about social networking. Lots of great things with social networking.

1:35:22.680 --> 1:35:24.960
<v Speaker 2>A lot of people have concerns about different things in

1:35:25.040 --> 1:35:27.639
<v Speaker 2>terms of the division and all that. In two thousand

1:35:27.640 --> 1:35:30.519
<v Speaker 2>and eight, could anyone have figured out interventions to prevent

1:35:30.720 --> 1:35:33.599
<v Speaker 2>whatever you think are the negative impacts of social network

1:35:33.960 --> 1:35:36.200
<v Speaker 2>The answer is no, nobody could have figured it out

1:35:36.200 --> 1:35:38.880
<v Speaker 2>in two thousand and eight. And so the problem is

1:35:38.920 --> 1:35:41.680
<v Speaker 2>the answer is and if you overconstrain it, all you're

1:35:41.680 --> 1:35:44.720
<v Speaker 2>going to do is ensure that some other country wins

1:35:44.960 --> 1:35:48.679
<v Speaker 2>because you can constrain it here, But that doesn't stop

1:35:48.720 --> 1:35:51.519
<v Speaker 2>what's happening in that country or that country or that country.

1:35:51.920 --> 1:35:54.800
<v Speaker 2>So I'm for me. I do think there needs to

1:35:54.840 --> 1:35:58.240
<v Speaker 2>be awareness and regulation and consciousness. I think you have

1:35:58.280 --> 1:36:02.799
<v Speaker 2>to be very careful of forecasting too far in the future. Instead,

1:36:02.840 --> 1:36:05.000
<v Speaker 2>you have to be identifying where the issues are and

1:36:05.040 --> 1:36:05.960
<v Speaker 2>being responsible.

1:36:06.680 --> 1:36:11.680
<v Speaker 1>Okay, drilling down on something you just said. You essentially

1:36:12.960 --> 1:36:17.519
<v Speaker 1>control a social network that is a virtual world. The

1:36:17.560 --> 1:36:20.000
<v Speaker 1>internet is the best thing that ever happened to me.

1:36:20.720 --> 1:36:22.720
<v Speaker 1>If you read the New York Times, which is the

1:36:22.720 --> 1:36:27.640
<v Speaker 1>best we've got. They have reporters everywhere, but imperfect. You

1:36:27.760 --> 1:36:31.200
<v Speaker 1>get a lot of self satisfied baby boomers. Put the

1:36:31.360 --> 1:36:35.479
<v Speaker 1>phone down. I'm getting a flip phone. We have the

1:36:35.560 --> 1:36:39.799
<v Speaker 1>Australia with the regulation where a certain age cannot be

1:36:40.040 --> 1:36:43.800
<v Speaker 1>on the Internet now, not beyond social networks. There's been

1:36:43.840 --> 1:36:48.160
<v Speaker 1>no study that's proven a deleterious effect. But this is

1:36:48.240 --> 1:36:50.800
<v Speaker 1>literally your business. So what's your take?

1:36:53.560 --> 1:36:59.760
<v Speaker 2>So lots of thoughts here. Let me talk about my

1:37:00.120 --> 1:37:05.160
<v Speaker 2>personal belief. Okay, my personal belief. As you're growing up,

1:37:09.120 --> 1:37:11.719
<v Speaker 2>the phone can be a challenging object when you're eleven, twelve,

1:37:11.760 --> 1:37:15.639
<v Speaker 2>and thirteen. I avoided my kids having phones at that age. Okay,

1:37:16.840 --> 1:37:20.120
<v Speaker 2>I picked my phone up more than I'd like. Okay,

1:37:20.439 --> 1:37:23.640
<v Speaker 2>I'm an adult. I know that I do think there

1:37:23.680 --> 1:37:26.680
<v Speaker 2>are a lot of challenges in high school and all that,

1:37:27.120 --> 1:37:31.599
<v Speaker 2>and so with my kids, I wanted them to be

1:37:31.640 --> 1:37:34.519
<v Speaker 2>doing more interacting. So like my daughter's first phone, was

1:37:34.520 --> 1:37:36.920
<v Speaker 2>a flip phone because I felt like that was the

1:37:37.000 --> 1:37:39.000
<v Speaker 2>right thing. And I still feel like that is the

1:37:39.040 --> 1:37:41.080
<v Speaker 2>right thing, because I do believe a lot's happening when

1:37:41.080 --> 1:37:45.360
<v Speaker 2>you're thirteen, fourteen, and fifteen just going to school in

1:37:45.400 --> 1:37:48.479
<v Speaker 2>a thousand person setting. That's not the way we evolved.

1:37:48.880 --> 1:37:51.639
<v Speaker 2>When you think of our evolution biologically, were the same

1:37:51.680 --> 1:37:54.080
<v Speaker 2>as the people ten thousand years ago, right, In terms

1:37:54.080 --> 1:37:56.880
<v Speaker 2>of our genetics, we're not that different. Nobody grew up

1:37:56.920 --> 1:38:01.320
<v Speaker 2>with one thousand classmates ten thousand years ago, right. They

1:38:01.439 --> 1:38:04.559
<v Speaker 2>use mixed age, they were right, because it's in some

1:38:04.640 --> 1:38:07.559
<v Speaker 2>type of tribe or clothes or whatever, and you're exposed

1:38:07.600 --> 1:38:09.519
<v Speaker 2>to all sorts of things. So I think we already

1:38:09.600 --> 1:38:13.599
<v Speaker 2>have this artificial environment where you pack all these kids

1:38:13.600 --> 1:38:16.920
<v Speaker 2>of the same age together because it's efficient to teach,

1:38:17.479 --> 1:38:20.320
<v Speaker 2>and then you throw in a phone. So now there's

1:38:20.360 --> 1:38:22.920
<v Speaker 2>this kind of thing that you're always turning to and

1:38:22.960 --> 1:38:25.360
<v Speaker 2>always putting in your hand, and that there's all sorts

1:38:25.360 --> 1:38:27.200
<v Speaker 2>of stuff. So this isn't just about the phone, this

1:38:27.280 --> 1:38:29.800
<v Speaker 2>is about other things. In terms of that, I think

1:38:29.840 --> 1:38:34.559
<v Speaker 2>it's not optimal. So personally, I am a supporter of

1:38:34.800 --> 1:38:37.120
<v Speaker 2>having control, but I also am a big believer in

1:38:37.160 --> 1:38:39.439
<v Speaker 2>parents having choice. You know, I'm telling you my own

1:38:39.479 --> 1:38:43.120
<v Speaker 2>personal my own personal choice as a parent. Okay, So

1:38:43.160 --> 1:38:45.880
<v Speaker 2>I think there are some truths in the concerns that

1:38:46.240 --> 1:38:48.360
<v Speaker 2>people are voicing there, But as you said, I can't

1:38:48.439 --> 1:38:51.120
<v Speaker 2>tell you emphatically. I know that for sure it's a

1:38:51.120 --> 1:38:55.280
<v Speaker 2>difficult question, but I make that personal choice. I do

1:38:55.360 --> 1:39:01.439
<v Speaker 2>think that sometimes part of what's happening is there is

1:39:04.240 --> 1:39:10.520
<v Speaker 2>there is this I will call demonization of different businesses.

1:39:11.120 --> 1:39:13.240
<v Speaker 2>Big tech is doing this, Big tech is doing this,

1:39:14.240 --> 1:39:19.160
<v Speaker 2>and really it's a vacuum where unfortunately we haven't created

1:39:19.600 --> 1:39:24.360
<v Speaker 2>regulations and guidelines that we think are appropriate to in

1:39:24.720 --> 1:39:28.320
<v Speaker 2>the world that we live in. Because in general, the

1:39:28.439 --> 1:39:31.640
<v Speaker 2>very nature of capitalism is if this party doesn't do it,

1:39:31.680 --> 1:39:33.880
<v Speaker 2>then this party will do it, right, That is the nature.

1:39:33.960 --> 1:39:38.160
<v Speaker 2>So suppose, you know, Facebook decided Instagram wasn't a good

1:39:38.200 --> 1:39:42.120
<v Speaker 2>thing for the world for whatever reason, Well, then someone

1:39:42.160 --> 1:39:43.839
<v Speaker 2>would have invented TikTok even sooner.

1:39:44.360 --> 1:39:44.479
<v Speaker 1>Right.

1:39:44.520 --> 1:39:46.800
<v Speaker 2>And then suppose TikTok decided it was, well, someone else

1:39:46.800 --> 1:39:50.759
<v Speaker 2>would invent something right that would take its place. Okay,

1:39:51.000 --> 1:39:53.320
<v Speaker 2>So whatever the challenges are, of which I think there

1:39:53.320 --> 1:39:56.599
<v Speaker 2>are challenges, I think there's lots of challenges in how

1:39:56.680 --> 1:39:58.719
<v Speaker 2>social media. You know, how we talked about the system

1:39:58.760 --> 1:40:00.960
<v Speaker 2>one and system two brain. Okay, I think there are

1:40:00.960 --> 1:40:04.240
<v Speaker 2>lots of challenges where it creates these micro thought groups

1:40:04.640 --> 1:40:07.960
<v Speaker 2>where in general this one part I didn't say one

1:40:07.960 --> 1:40:10.880
<v Speaker 2>with the system one is system to brain. How does

1:40:10.920 --> 1:40:13.040
<v Speaker 2>your system one brain come up with the answer it

1:40:13.080 --> 1:40:19.960
<v Speaker 2>gives you. Usually it's what other people they know and

1:40:20.080 --> 1:40:24.439
<v Speaker 2>trust believe. That's how the system one brain comes up

1:40:24.479 --> 1:40:26.719
<v Speaker 2>with the answer. So if you go back in time,

1:40:27.479 --> 1:40:29.559
<v Speaker 2>if you hear a rustling in the in the in

1:40:29.600 --> 1:40:34.439
<v Speaker 2>the in the bushes, and your brain says, you know, run,

1:40:34.479 --> 1:40:39.280
<v Speaker 2>that could be a tiger. Okay, it's a it's a reaction, right,

1:40:39.320 --> 1:40:41.280
<v Speaker 2>And why do you believe that? That's because the people

1:40:41.320 --> 1:40:43.519
<v Speaker 2>that you live with says, oh, there's a rustling, move

1:40:43.560 --> 1:40:45.920
<v Speaker 2>there's a tiger. You believe it because the people you

1:40:45.960 --> 1:40:49.320
<v Speaker 2>spend time with believe it. And that's how we're evolved

1:40:49.320 --> 1:40:51.800
<v Speaker 2>as social animals is we believe things because the people

1:40:51.840 --> 1:40:53.759
<v Speaker 2>we spend time believe things, and that's how we program

1:40:53.800 --> 1:40:56.240
<v Speaker 2>our system one brain. Well, of course, if all you're

1:40:56.280 --> 1:40:58.280
<v Speaker 2>talking to are people with the same views, then it

1:40:58.360 --> 1:41:02.920
<v Speaker 2>programs are system one to think homogeneously about it. Okay,

1:41:03.080 --> 1:41:05.040
<v Speaker 2>So I think there are all these challenges that we have,

1:41:06.720 --> 1:41:10.240
<v Speaker 2>but that doesn't mean the tech companies are to blame

1:41:10.280 --> 1:41:13.200
<v Speaker 2>for it, algorithms to blame for it. All. An algorithm

1:41:13.240 --> 1:41:15.320
<v Speaker 2>is trying to find you something that doesn't bore you

1:41:16.439 --> 1:41:18.080
<v Speaker 2>to They send we have problems. We have to deal

1:41:18.120 --> 1:41:20.360
<v Speaker 2>with those problems and figure out how to handle those problems,

1:41:20.439 --> 1:41:22.800
<v Speaker 2>not blame it on the tech companies.

1:41:23.880 --> 1:41:27.439
<v Speaker 1>Just because you went there twice. Now we live in

1:41:27.479 --> 1:41:32.360
<v Speaker 1>a divided country. Everyone gets news from their own source.

1:41:34.439 --> 1:41:37.880
<v Speaker 1>Is there any hope? And the hope would come in

1:41:37.920 --> 1:41:40.360
<v Speaker 1>a number of levels that we could agree on certain

1:41:40.520 --> 1:41:43.519
<v Speaker 1>facts that we can move forward or is it just

1:41:43.640 --> 1:41:46.200
<v Speaker 1>going to become a tower of Babel society.

1:41:46.840 --> 1:41:49.559
<v Speaker 2>I can't tell you what the answer is, but I'm

1:41:49.640 --> 1:41:58.960
<v Speaker 2>actually a deep believer in the unending path towards greater

1:41:59.040 --> 1:42:04.920
<v Speaker 2>compassion and you know, awareness and enlightenment, and so do

1:42:05.040 --> 1:42:08.559
<v Speaker 2>I have hope. There's a great song. Don't are you

1:42:08.560 --> 1:42:12.760
<v Speaker 2>familiar with Emily Scott Robinson? Okay, you she check her out.

1:42:12.800 --> 1:42:17.800
<v Speaker 2>She's on Oh Boy Records. But but she has a song,

1:42:18.400 --> 1:42:20.920
<v Speaker 2>a Time of Flowers, and she just came out of

1:42:20.920 --> 1:42:24.879
<v Speaker 2>a new album that she just recorded, and she actually

1:42:24.920 --> 1:42:30.919
<v Speaker 2>wrote it during COVID, But it's particularly appropriate now because

1:42:31.600 --> 1:42:34.439
<v Speaker 2>it talks about, you know, even in hard times, there

1:42:34.479 --> 1:42:38.080
<v Speaker 2>comes a time for flowers, okay, and that the flowers

1:42:38.080 --> 1:42:41.800
<v Speaker 2>will bloom. And so I guess I am at my

1:42:42.000 --> 1:42:46.320
<v Speaker 2>very base even as people always like to disparage about

1:42:46.320 --> 1:42:49.240
<v Speaker 2>where the world is and say it's hopeless, And as

1:42:49.240 --> 1:42:52.560
<v Speaker 2>you go back in time, I'm sure people were disparaged

1:42:52.600 --> 1:42:54.479
<v Speaker 2>about the world and the way it was during World

1:42:54.520 --> 1:42:57.480
<v Speaker 2>War Two and during all sorts of during the Great Depression,

1:42:57.640 --> 1:43:01.559
<v Speaker 2>during all sorts of things, right, And so I'm a

1:43:01.600 --> 1:43:06.200
<v Speaker 2>big believer that, yeah, we'll work through it.

1:43:14.320 --> 1:43:17.519
<v Speaker 1>What did we do? Politics have a presence on Twitch.

1:43:20.680 --> 1:43:25.280
<v Speaker 2>Uh, So it is. It is part of Twitch, Okay,

1:43:26.080 --> 1:43:29.200
<v Speaker 2>I wouldn't say it is. And there are a number

1:43:29.240 --> 1:43:32.840
<v Speaker 2>of creators that are you know, noteworthy in terms of

1:43:32.840 --> 1:43:37.160
<v Speaker 2>politics and talking about it. It's not you know, a

1:43:37.240 --> 1:43:39.799
<v Speaker 2>huge percentage of Twitch. I do think it'll be interesting

1:43:39.880 --> 1:43:44.040
<v Speaker 2>as the elections come up about when more politicians are

1:43:44.080 --> 1:43:46.880
<v Speaker 2>gonna be leaning into using Twitch to sort of get

1:43:46.920 --> 1:43:50.360
<v Speaker 2>their message out and engage. So it's a part, but

1:43:50.400 --> 1:43:55.200
<v Speaker 2>I wouldn't say it's you know, a dominant portion of twitch.

1:43:55.600 --> 1:43:59.320
<v Speaker 1>Okay, let's talk about this career. You went to work

1:43:59.360 --> 1:44:02.840
<v Speaker 1>for NASA. Why nasaid? How was that experience?

1:44:04.520 --> 1:44:07.040
<v Speaker 2>The way I describe it is, I've been one of

1:44:07.040 --> 1:44:09.000
<v Speaker 2>the I'm a big believer that so many people and

1:44:09.040 --> 1:44:11.360
<v Speaker 2>I'm one of them they just we stare at our

1:44:11.400 --> 1:44:13.880
<v Speaker 2>feet and take two steps forward with no idea where

1:44:13.880 --> 1:44:16.760
<v Speaker 2>we're going. Okay, And I very much have lived my

1:44:16.840 --> 1:44:19.200
<v Speaker 2>life making choices about things I want to do. So

1:44:19.920 --> 1:44:21.680
<v Speaker 2>I got out of getting my PhD. And when I

1:44:21.680 --> 1:44:27.040
<v Speaker 2>was getting my PhD, everyone told me, oh, you should

1:44:27.040 --> 1:44:29.880
<v Speaker 2>be a researcher, because of course all my professors were researchers.

1:44:30.040 --> 1:44:31.800
<v Speaker 2>And I knew I didn't want to go to academia.

1:44:31.840 --> 1:44:33.439
<v Speaker 2>So I said, oh, but I want to be a researcher.

1:44:33.520 --> 1:44:38.400
<v Speaker 2>So I looked at going to Microsoft, NASA, ISI, SRI

1:44:38.960 --> 1:44:42.880
<v Speaker 2>Bell Labs. Those were the you know, research things at

1:44:42.880 --> 1:44:45.280
<v Speaker 2>that time. I ended up choosing NASA. At the time,

1:44:45.320 --> 1:44:47.639
<v Speaker 2>it was one of the better places to go for AI.

1:44:48.920 --> 1:44:50.519
<v Speaker 2>When I got there and I was thinking, oh, I

1:44:50.560 --> 1:44:53.800
<v Speaker 2>want to be a researcher. Within about four months I

1:44:53.840 --> 1:44:56.280
<v Speaker 2>realized a big part of being a researcher is publishing

1:44:56.320 --> 1:44:59.280
<v Speaker 2>papers and I realized I don't care about publishing papers.

1:44:59.320 --> 1:45:02.519
<v Speaker 2>I liked SA problems. So I had to unlearn all

1:45:02.520 --> 1:45:04.800
<v Speaker 2>this stuff that I learned in school and realized, no,

1:45:04.880 --> 1:45:07.320
<v Speaker 2>I'm really a problem solved. And then I started managing.

1:45:07.360 --> 1:45:10.559
<v Speaker 2>Within literally six months of getting to NASA. I went

1:45:10.600 --> 1:45:13.639
<v Speaker 2>from kind of being an IC and I was leading

1:45:13.640 --> 1:45:16.719
<v Speaker 2>a group of like two hundred and seventy people within

1:45:16.800 --> 1:45:18.800
<v Speaker 2>three years of having shown up at the door at

1:45:18.880 --> 1:45:22.439
<v Speaker 2>NASA after my PhD. And so it's a great time

1:45:22.439 --> 1:45:25.720
<v Speaker 2>for me. I loved working at NASA. Really, what it

1:45:25.800 --> 1:45:27.600
<v Speaker 2>was is I found out more about who I was

1:45:27.640 --> 1:45:30.639
<v Speaker 2>and how much I liked to solve problems, more so

1:45:30.760 --> 1:45:33.040
<v Speaker 2>than just getting rooted in the technology.

1:45:33.200 --> 1:45:35.000
<v Speaker 1>So how get up switching to Google?

1:45:36.920 --> 1:45:41.839
<v Speaker 2>So NASA AMES is in a Silicon valley. It's actually

1:45:42.040 --> 1:45:46.200
<v Speaker 2>just across a canal from Google, and it was at

1:45:46.240 --> 1:45:48.880
<v Speaker 2>a time when Google was growing. The guy who's one

1:45:48.920 --> 1:45:51.559
<v Speaker 2>of the positions I took two ago, I got that

1:45:51.600 --> 1:45:53.639
<v Speaker 2>one position, I went up another level. He had gone

1:45:53.640 --> 1:45:56.760
<v Speaker 2>over to Google. And so like three years before I left,

1:45:56.800 --> 1:45:58.960
<v Speaker 2>I thought about going to Google, and I knew I

1:45:59.000 --> 1:46:01.360
<v Speaker 2>wanted to move on from now. I loved NASA, but

1:46:01.760 --> 1:46:04.720
<v Speaker 2>I didn't grow up a space, you know, like a

1:46:04.800 --> 1:46:06.840
<v Speaker 2>guy dream about space. As a computer science I was

1:46:06.880 --> 1:46:09.960
<v Speaker 2>in Silicon Valley, so I was like, Okay, I've done

1:46:10.000 --> 1:46:12.400
<v Speaker 2>a lot at NASA. I want to go into Silicon Valley.

1:46:12.439 --> 1:46:16.840
<v Speaker 2>And Google was sort of a very natural choice. It

1:46:16.880 --> 1:46:19.160
<v Speaker 2>took a while to make sure I got the position

1:46:19.280 --> 1:46:23.280
<v Speaker 2>and all that, but then it was great going over

1:46:23.280 --> 1:46:23.719
<v Speaker 2>to Google.

1:46:24.040 --> 1:46:25.479
<v Speaker 1>And so why'd you leave Google?

1:46:27.400 --> 1:46:30.080
<v Speaker 2>After I've been there about nine years? A lot of

1:46:30.080 --> 1:46:32.240
<v Speaker 2>people stay at Google and they just stay there forever.

1:46:32.880 --> 1:46:36.800
<v Speaker 2>And Google's very generous and how they compensate you and

1:46:36.840 --> 1:46:39.880
<v Speaker 2>all that, and I reflected, and part of it is

1:46:39.920 --> 1:46:44.120
<v Speaker 2>the way I've described it was, I have I've got

1:46:44.160 --> 1:46:46.400
<v Speaker 2>to live in Rome during the Renaissance when you think

1:46:46.439 --> 1:46:49.880
<v Speaker 2>of Silicon Valley in this time period. But there was

1:46:49.920 --> 1:46:53.920
<v Speaker 2>a lot besides the Sistine Chapel during the Renaissance, and

1:46:54.080 --> 1:46:56.040
<v Speaker 2>I see all this going on, and I felt like,

1:46:56.120 --> 1:46:58.639
<v Speaker 2>if I ended my career having spent my whole career

1:46:58.680 --> 1:47:01.640
<v Speaker 2>at Google, how would I feel about it? And I

1:47:01.640 --> 1:47:03.519
<v Speaker 2>do think a lot of people get comfortable at Google.

1:47:04.320 --> 1:47:08.160
<v Speaker 2>And I felt like and I was compensated well, and

1:47:08.200 --> 1:47:11.519
<v Speaker 2>I felt like, no, but I can do other things.

1:47:11.560 --> 1:47:13.800
<v Speaker 2>I don't need to stay at Google, and so I

1:47:14.040 --> 1:47:15.760
<v Speaker 2>just felt that, but a lot of people don't make

1:47:15.800 --> 1:47:17.920
<v Speaker 2>that choice, and I was like, I just don't want

1:47:17.960 --> 1:47:19.479
<v Speaker 2>to spend my whole career at Google. So I went

1:47:19.479 --> 1:47:23.360
<v Speaker 2>to a startup. The startup, next Door, ended up doing okay,

1:47:23.520 --> 1:47:25.800
<v Speaker 2>but not like great. A lot of some people know it,

1:47:27.000 --> 1:47:29.879
<v Speaker 2>and then I'll jump Interestingly, when I came to Twitch,

1:47:30.320 --> 1:47:33.200
<v Speaker 2>I had left next Doors taking some time off. They

1:47:33.240 --> 1:47:36.280
<v Speaker 2>interviewed me and they offered me the job, and I

1:47:36.320 --> 1:47:40.599
<v Speaker 2>turned it down because I said, oh Twitch. I hadn't

1:47:40.640 --> 1:47:42.559
<v Speaker 2>used Twitch a lot. I said, oh, Twitch is a

1:47:42.560 --> 1:47:45.400
<v Speaker 2>gaming platform. I'm not a gamer. I don't think that's

1:47:45.439 --> 1:47:48.240
<v Speaker 2>right for me. And then they came back four months

1:47:48.320 --> 1:47:50.000
<v Speaker 2>later and said, no, Dan, we really think you're the

1:47:50.080 --> 1:47:53.559
<v Speaker 2>right person for the job. And so I thought about

1:47:53.600 --> 1:47:55.840
<v Speaker 2>it and I realized where I've been happiest in life

1:47:56.600 --> 1:48:01.040
<v Speaker 2>is when I work with people I like, and I

1:48:01.160 --> 1:48:02.560
<v Speaker 2>liked the people I was going to work with, so

1:48:02.600 --> 1:48:05.479
<v Speaker 2>I said yes. And then it's only afterwards that I

1:48:05.560 --> 1:48:07.880
<v Speaker 2>really realized that Twitch was a perfect fit. It was

1:48:08.000 --> 1:48:11.320
<v Speaker 2>just happenstance that even though I wasn't a gamer, I

1:48:11.360 --> 1:48:14.000
<v Speaker 2>only after being there realized, oh, Twitch is really about

1:48:14.000 --> 1:48:17.960
<v Speaker 2>community and about creatives, and I was a creative and

1:48:18.000 --> 1:48:19.840
<v Speaker 2>I'd done a lot in community, so it ended up

1:48:19.880 --> 1:48:21.800
<v Speaker 2>being this sort of match made in heaven.

1:48:22.280 --> 1:48:28.000
<v Speaker 1>Okay. Silicon Valley is the story of founders. There were

1:48:28.280 --> 1:48:35.440
<v Speaker 1>you know, dropouts like Bill Gates. There are people completely uneducated,

1:48:35.520 --> 1:48:38.880
<v Speaker 1>really liked Steve jobs. But they're all these and then

1:48:38.920 --> 1:48:43.679
<v Speaker 1>you have the Google twins at Stanford, you were working

1:48:43.800 --> 1:48:48.200
<v Speaker 1>for people. Did you ever say, wait a second, all

1:48:48.240 --> 1:48:50.479
<v Speaker 1>these other people starting companies, I want to start a

1:48:50.520 --> 1:48:51.160
<v Speaker 1>company too.

1:48:52.280 --> 1:48:56.160
<v Speaker 2>Yeah, at times I'd have that thought, right, And then

1:48:57.240 --> 1:49:02.439
<v Speaker 2>what I realized is so some of those people have

1:49:02.560 --> 1:49:06.640
<v Speaker 2>demonstrated an ability to do it multiple times. Not many,

1:49:06.800 --> 1:49:11.080
<v Speaker 2>not many, even the good ones. A huge part is

1:49:11.120 --> 1:49:13.960
<v Speaker 2>being in the right place at the right time. Okay,

1:49:15.720 --> 1:49:20.400
<v Speaker 2>And I think I realized, well, I love the idea

1:49:20.439 --> 1:49:22.200
<v Speaker 2>of starting something, and maybe I will be in the

1:49:22.240 --> 1:49:25.760
<v Speaker 2>right place at the right time. I also was really good.

1:49:25.800 --> 1:49:29.040
<v Speaker 2>It's taking something that already had some scale and coming

1:49:29.080 --> 1:49:32.080
<v Speaker 2>in and approaching it with the same zeal and passion

1:49:32.080 --> 1:49:34.400
<v Speaker 2>that a founder has. And to be honest, some of

1:49:34.400 --> 1:49:36.360
<v Speaker 2>those people I don't think would have been good at it.

1:49:37.560 --> 1:49:39.519
<v Speaker 2>In other words, they many of the people you talked

1:49:39.560 --> 1:49:42.240
<v Speaker 2>about you couldn't have brought into Twitch when I was

1:49:42.240 --> 1:49:45.839
<v Speaker 2>brought into Twitch, where they could have had the impact

1:49:45.840 --> 1:49:48.000
<v Speaker 2>that I had at that point of Twitch, like either

1:49:48.040 --> 1:49:50.600
<v Speaker 2>they had to found something or they weren't going to

1:49:50.640 --> 1:49:53.160
<v Speaker 2>be able to do it. I realized that, Look, no,

1:49:53.320 --> 1:49:56.200
<v Speaker 2>I was really good at kind of taking something that

1:49:56.280 --> 1:49:59.560
<v Speaker 2>already had some traction and working to scale it and

1:49:59.600 --> 1:50:01.800
<v Speaker 2>make it better. So I certainly reflected on it. But

1:50:01.840 --> 1:50:04.840
<v Speaker 2>whenever I was faced with that decision, I always kind

1:50:04.840 --> 1:50:06.519
<v Speaker 2>of said, where can I have the biggest impact That

1:50:06.640 --> 1:50:08.840
<v Speaker 2>I often went to something that already had some traction.

1:50:09.520 --> 1:50:13.200
<v Speaker 1>Okay, you're working for NASA, you're working for the Space program.

1:50:13.200 --> 1:50:16.759
<v Speaker 1>You can only make so much money. The people at Google,

1:50:16.960 --> 1:50:19.240
<v Speaker 1>depending on when they got in, whether that job they

1:50:19.280 --> 1:50:23.479
<v Speaker 1>made a shit ton of money. Whatever's going on at Twitch.

1:50:23.520 --> 1:50:26.880
<v Speaker 1>It's owned by Amazon, the upside is only so high.

1:50:27.320 --> 1:50:29.839
<v Speaker 1>How have you done financially over your career?

1:50:30.840 --> 1:50:33.479
<v Speaker 2>Yeah? The way it's funny, a lot of people they say, oh,

1:50:33.520 --> 1:50:35.560
<v Speaker 2>he's the owner of Twitch. Like I go around and

1:50:35.600 --> 1:50:38.080
<v Speaker 2>people recognize me and they're oh, he's the owner of Twitch,

1:50:38.520 --> 1:50:41.120
<v Speaker 2>and so they think I'm a gazillionaire now I'm doing fine.

1:50:41.160 --> 1:50:44.679
<v Speaker 2>I'm quite comfortable, Okay, But I'm not the owner of Twitch.

1:50:44.720 --> 1:50:48.120
<v Speaker 2>I didn't found Twitch. I wasn't at Google, you know,

1:50:48.200 --> 1:50:52.040
<v Speaker 2>pre IPI. Okay. But the way I describe it is,

1:50:52.080 --> 1:50:57.320
<v Speaker 2>I think the tech industry people, we all, well all

1:50:57.360 --> 1:51:00.200
<v Speaker 2>of us in the tech industry, get paid more than

1:51:00.280 --> 1:51:03.080
<v Speaker 2>we deserve. We think we deserve so much more because

1:51:03.080 --> 1:51:05.120
<v Speaker 2>we see somebody who is in the right place at

1:51:05.120 --> 1:51:08.760
<v Speaker 2>the right time. And what I often say is this

1:51:08.800 --> 1:51:10.519
<v Speaker 2>is a challenge. When you live in the area like

1:51:10.560 --> 1:51:13.559
<v Speaker 2>the Bay Area, you think of your intellect and ability,

1:51:13.800 --> 1:51:16.439
<v Speaker 2>and then you see other people there and you see

1:51:16.439 --> 1:51:18.080
<v Speaker 2>ones that you look at and you say, well, wait,

1:51:18.160 --> 1:51:21.120
<v Speaker 2>I'm better than them, and they happen to be somewhere,

1:51:21.160 --> 1:51:24.120
<v Speaker 2>and so they're a gazillionaire, right, and so you feel

1:51:24.120 --> 1:51:26.960
<v Speaker 2>like I deserve more. And so for the way I

1:51:27.000 --> 1:51:29.360
<v Speaker 2>say it is for everyone that you see above you

1:51:29.479 --> 1:51:32.320
<v Speaker 2>in terms of how much they've benefited, that you think

1:51:32.360 --> 1:51:34.840
<v Speaker 2>you're just as good as there are probably ten people

1:51:34.840 --> 1:51:37.320
<v Speaker 2>below you that are every bit as good as you,

1:51:37.439 --> 1:51:39.599
<v Speaker 2>that did not benefit as much as you did. You

1:51:39.680 --> 1:51:42.879
<v Speaker 2>just don't see those ten people and how good they are. Okay,

1:51:43.439 --> 1:51:47.880
<v Speaker 2>So I've been incredibly blessed, right, And I am you know,

1:51:47.960 --> 1:51:51.960
<v Speaker 2>I'm comfortable, my kids, you know, benefited, you know in

1:51:52.000 --> 1:51:55.000
<v Speaker 2>terms of college and all that. I'm not a gazillionaire,

1:51:55.000 --> 1:51:57.839
<v Speaker 2>but I don't care about being a gazillionaire. I'm still

1:51:58.000 --> 1:52:01.439
<v Speaker 2>doing quite well and I have more than what I

1:52:01.560 --> 1:52:04.559
<v Speaker 2>deserve in this world, as I think most folks that

1:52:04.680 --> 1:52:07.320
<v Speaker 2>have realized some success in the tech industry end up having.

1:52:07.760 --> 1:52:15.600
<v Speaker 1>Okay, Twitch is owned by Amazon. Amazon's culture historically is

1:52:16.080 --> 1:52:20.840
<v Speaker 1>very lean financially. The layoffs you had to lay off

1:52:20.880 --> 1:52:25.200
<v Speaker 1>some people. That does happen at big corporations. What are

1:52:25.200 --> 1:52:28.240
<v Speaker 1>the advantages and disadvantages being owned by Amazon?

1:52:30.640 --> 1:52:37.120
<v Speaker 2>So I think Amazon has been great for ensuring Twitch

1:52:37.200 --> 1:52:40.080
<v Speaker 2>got to where we are. It took a fair amount

1:52:40.080 --> 1:52:43.000
<v Speaker 2>of investment, not just from once they bought us, but

1:52:43.080 --> 1:52:46.519
<v Speaker 2>to help Twitch grow Okay, and Amazon has been an

1:52:46.600 --> 1:52:52.719
<v Speaker 2>extremely patient and supportive owner that allowed us to continue

1:52:52.720 --> 1:52:56.200
<v Speaker 2>to invest and keep growing. Okay. So I don't know

1:52:57.560 --> 1:53:02.040
<v Speaker 2>if Twitch could have gotten to where we are without

1:53:02.200 --> 1:53:07.840
<v Speaker 2>someone like Amazon having been there. Okay. It is the fact.

1:53:07.960 --> 1:53:15.559
<v Speaker 2>My view is so far in terms of Amazon pushing

1:53:15.680 --> 1:53:18.160
<v Speaker 2>us in terms of how we run the business. I'm

1:53:18.160 --> 1:53:20.200
<v Speaker 2>supportive of it because the way I describe it is

1:53:20.880 --> 1:53:23.240
<v Speaker 2>I have a responsibility to make sure Twitch is here

1:53:23.280 --> 1:53:25.360
<v Speaker 2>twenty years from now, thirty years from now, forty years

1:53:25.400 --> 1:53:29.200
<v Speaker 2>from now, when somebody makes streaming their life. Twitch is

1:53:29.240 --> 1:53:31.320
<v Speaker 2>different than all the other platforms. If we went away,

1:53:31.760 --> 1:53:34.160
<v Speaker 2>these folks wouldn't necessarily just go to the other platforms

1:53:34.200 --> 1:53:36.120
<v Speaker 2>and have the same life they lived lead today. It's

1:53:36.200 --> 1:53:40.439
<v Speaker 2>very unique. And you know, they've been streaming now for

1:53:40.479 --> 1:53:43.240
<v Speaker 2>five ten years, they have two kids. If they had

1:53:43.240 --> 1:53:45.320
<v Speaker 2>to go get another job, the resume is like, what

1:53:45.360 --> 1:53:47.240
<v Speaker 2>do you mean you've been streaming for seven years? Why

1:53:47.280 --> 1:53:50.120
<v Speaker 2>would I hire you? Okay, So I have an obligation

1:53:50.280 --> 1:53:53.360
<v Speaker 2>to make sure they like we're still here twenty thirty,

1:53:53.360 --> 1:53:55.559
<v Speaker 2>forty years from now, which means I need to run

1:53:55.600 --> 1:54:00.760
<v Speaker 2>this business so that it's sustainable. And Amazon's been very supportive,

1:54:01.160 --> 1:54:03.479
<v Speaker 2>and so sometimes you have to make tough decisions. You know,

1:54:03.479 --> 1:54:06.880
<v Speaker 2>when we had to make layoffs, we'd gotten bigger than

1:54:06.920 --> 1:54:09.639
<v Speaker 2>we needed to be, And I do think that's happened

1:54:09.640 --> 1:54:11.920
<v Speaker 2>in a lot of tech industry where people just think,

1:54:12.760 --> 1:54:15.600
<v Speaker 2>you know, get bigger, get bigger, get bigger, and you

1:54:15.640 --> 1:54:17.920
<v Speaker 2>don't need to be bigger. So I feel really good

1:54:17.960 --> 1:54:20.599
<v Speaker 2>about where we are today. I feel we've shown that

1:54:20.680 --> 1:54:24.000
<v Speaker 2>it's a sustainable business if you will, that our business works,

1:54:24.640 --> 1:54:27.120
<v Speaker 2>and so I feel very good about, you know, the

1:54:27.160 --> 1:54:30.320
<v Speaker 2>support we've had from Amazon, and I don't think there

1:54:30.360 --> 1:54:33.600
<v Speaker 2>are a lot of you know, these downsides that we've had.

1:54:34.120 --> 1:54:36.400
<v Speaker 1>Are you still married to the mother of your children?

1:54:37.160 --> 1:54:39.959
<v Speaker 2>I am. I am still with her and everything.

1:54:40.120 --> 1:54:43.160
<v Speaker 1>This is a business that usually requires very long hours.

1:54:43.200 --> 1:54:44.800
<v Speaker 1>How do you sustain a marriage.

1:54:46.440 --> 1:54:51.840
<v Speaker 2>Well, Luckily, I'm someone who aside from my and it's

1:54:51.880 --> 1:54:53.160
<v Speaker 2>not just the marriage kids. So I have a kid

1:54:53.200 --> 1:54:55.840
<v Speaker 2>who's twenty seven and one who's twenty four. My twenty

1:54:55.840 --> 1:54:59.640
<v Speaker 2>seven year old has a has a daughter. So I'm

1:54:59.640 --> 1:55:02.600
<v Speaker 2>a grandm father. I just spent the weekend. I took

1:55:02.640 --> 1:55:05.920
<v Speaker 2>care of my grand daughter from ten to five on Saturday,

1:55:05.960 --> 1:55:09.280
<v Speaker 2>and then from you know, nine to twelve. So I'm

1:55:09.320 --> 1:55:11.160
<v Speaker 2>someone who spent a lot of time with my kids.

1:55:11.200 --> 1:55:16.360
<v Speaker 2>They both live near me now, and so I'd say

1:55:16.360 --> 1:55:19.720
<v Speaker 2>the biggest thing is I don't push to create all

1:55:19.760 --> 1:55:22.560
<v Speaker 2>this time that's just for me. I don't have like

1:55:22.920 --> 1:55:26.560
<v Speaker 2>boys weekends. I don't go off golfing all day Saturday

1:55:26.600 --> 1:55:29.880
<v Speaker 2>and Sunday or something like that. You know when in

1:55:30.000 --> 1:55:33.200
<v Speaker 2>terms of I work hard, I exercise, and I spend

1:55:33.240 --> 1:55:36.040
<v Speaker 2>time with my family. Those are basically the three things

1:55:36.040 --> 1:55:38.160
<v Speaker 2>that I do, and there's enough time in the day

1:55:38.160 --> 1:55:41.400
<v Speaker 2>for all three. There's probably enough, not enough time in

1:55:41.440 --> 1:55:43.560
<v Speaker 2>the day if I wanted to do all these other things,

1:55:43.960 --> 1:55:45.040
<v Speaker 2>you know, just for myself.

1:55:45.360 --> 1:55:50.800
<v Speaker 1>Okay, when you're in the tech bubble and you're talking

1:55:50.880 --> 1:55:55.720
<v Speaker 1>about things, people will be able to understand what you say, cogitate,

1:55:55.800 --> 1:56:00.200
<v Speaker 1>agree or disagree. But if you're at a pt A

1:56:00.440 --> 1:56:06.880
<v Speaker 1>meeting or something, do you feel you're obviously intelligent, educated

1:56:07.880 --> 1:56:10.440
<v Speaker 1>and aware of what's going on? I mean, do you

1:56:10.600 --> 1:56:15.280
<v Speaker 1>find that it's hard to have satisfying conversations?

1:56:15.320 --> 1:56:22.560
<v Speaker 2>Not at all, like literally not at all interesting. I

1:56:22.640 --> 1:56:28.440
<v Speaker 2>think it comes to this issue of empathy. I was

1:56:28.480 --> 1:56:32.160
<v Speaker 2>actually at a dinner last night with the friend of

1:56:32.240 --> 1:56:36.080
<v Speaker 2>my daughters who had a reveal. And I live in

1:56:36.120 --> 1:56:38.600
<v Speaker 2>White Salmon, Washington, which is a small town. It's an

1:56:38.600 --> 1:56:42.240
<v Speaker 2>hour east of Portland. You know, the way I describe

1:56:42.280 --> 1:56:47.000
<v Speaker 2>White Salmon as both talking about the population. It's a

1:56:47.120 --> 1:56:52.000
<v Speaker 2>no safe way, no Starbucks, no McDonald's town. Okay, but

1:56:52.320 --> 1:56:55.880
<v Speaker 2>one grocery store town in you know, seven restaurants Okay.

1:56:55.920 --> 1:56:58.320
<v Speaker 2>So like when I describe it that way, you get

1:56:58.320 --> 1:57:00.480
<v Speaker 2>a sense of or across the river from Hoodry, which

1:57:00.520 --> 1:57:04.280
<v Speaker 2>is a to McDonald's town and a one Safeway town.

1:57:04.320 --> 1:57:06.240
<v Speaker 2>And I use that because I think when now and

1:57:06.320 --> 1:57:08.240
<v Speaker 2>one Walmart town, where I describe it like that, you

1:57:08.320 --> 1:57:09.960
<v Speaker 2>kind of get a sense for the size of the town.

1:57:10.320 --> 1:57:12.280
<v Speaker 2>And so these are folks doing all sorts of things

1:57:12.280 --> 1:57:16.240
<v Speaker 2>in this region, right, and I like great conversations. Some

1:57:16.280 --> 1:57:18.560
<v Speaker 2>of them are musicians. Interestingly, a number of one of

1:57:18.600 --> 1:57:20.160
<v Speaker 2>them is someone who tried to be a musician for

1:57:20.160 --> 1:57:24.200
<v Speaker 2>a while still writes music and records. My daughter's a

1:57:24.240 --> 1:57:29.840
<v Speaker 2>singer songwriter. And so I just think that the reason

1:57:29.880 --> 1:57:32.640
<v Speaker 2>people get stuck in that is because they're not very

1:57:32.640 --> 1:57:35.760
<v Speaker 2>empathetic of different ways of living their life, and they

1:57:35.800 --> 1:57:40.000
<v Speaker 2>think everything is living in this tech bubble, which is

1:57:40.000 --> 1:57:40.920
<v Speaker 2>not what life's about.

1:57:42.000 --> 1:57:44.520
<v Speaker 1>You mentioned Hood River. Are you a windsurfer?

1:57:45.880 --> 1:57:48.560
<v Speaker 2>I'm a kayaker, Okay, So for those for your listeners

1:57:48.600 --> 1:57:51.840
<v Speaker 2>that don't know, the beauty of this area is Hood

1:57:51.920 --> 1:57:54.200
<v Speaker 2>River and the Columbia River which is between Hood River

1:57:54.240 --> 1:57:58.120
<v Speaker 2>and White Salmon. In the nineties, all the windsurfers and

1:57:58.240 --> 1:58:01.480
<v Speaker 2>kite borders came in the two thousand, all the kayakers

1:58:01.480 --> 1:58:05.839
<v Speaker 2>came Okay, and I came here because I enjoyed whitewater kayaking.

1:58:05.880 --> 1:58:09.080
<v Speaker 2>My son's are really good white water kayaking. And I

1:58:09.120 --> 1:58:12.800
<v Speaker 2>love the area because it has both, like the all

1:58:12.840 --> 1:58:16.440
<v Speaker 2>these kind of athletic folks came through, but it also

1:58:16.720 --> 1:58:19.320
<v Speaker 2>there's a town close to Trout Lake where the hippies

1:58:19.360 --> 1:58:22.280
<v Speaker 2>came in the sixties, and then you have the logging,

1:58:22.360 --> 1:58:25.240
<v Speaker 2>and so it's really this blend. It's reasonably progressive, but

1:58:25.320 --> 1:58:29.879
<v Speaker 2>not overly progressive. So I kind of like the blend.

1:58:30.880 --> 1:58:33.160
<v Speaker 1>And why do you live there? And how long have

1:58:33.240 --> 1:58:33.880
<v Speaker 1>you lived there?

1:58:35.160 --> 1:58:38.280
<v Speaker 2>I lived there about three years. And the story is

1:58:39.360 --> 1:58:41.720
<v Speaker 2>raised the kids in the Bay Area lived in Los Altos.

1:58:42.960 --> 1:58:44.600
<v Speaker 2>That's where I was, That's where I first started working.

1:58:44.960 --> 1:58:48.240
<v Speaker 2>When COVID hit. I realized the kids were never going

1:58:48.320 --> 1:58:49.880
<v Speaker 2>to move back to the Bay Area because they're not

1:58:49.960 --> 1:58:53.600
<v Speaker 2>into tech. They're both very much into outdoors and that

1:58:53.640 --> 1:58:55.760
<v Speaker 2>sort of thing, and so I had this idea of

1:58:55.760 --> 1:58:59.720
<v Speaker 2>buying land with enough property, with enough land that maybe

1:58:59.760 --> 1:59:02.360
<v Speaker 2>one day they could build the are hopefully encouraged they

1:59:02.360 --> 1:59:03.960
<v Speaker 2>would both have a son and daughter. I wanted them

1:59:04.000 --> 1:59:05.680
<v Speaker 2>both to live in the same area. So that way

1:59:05.920 --> 1:59:08.720
<v Speaker 2>their kids would be friends. Very first place we were

1:59:08.760 --> 1:59:11.000
<v Speaker 2>looking at we were up here kayaking. We went to

1:59:11.000 --> 1:59:12.520
<v Speaker 2>look at a place I thought it would take me

1:59:12.560 --> 1:59:16.120
<v Speaker 2>two years to find something that. It was a great house.

1:59:16.160 --> 1:59:17.960
<v Speaker 2>It was perfect. It was right on this river, the

1:59:17.960 --> 1:59:21.800
<v Speaker 2>White Salmon River, twelve acres. So I decided to move

1:59:21.880 --> 1:59:24.400
<v Speaker 2>up here. Both the kids live up here now, so

1:59:24.640 --> 1:59:28.480
<v Speaker 2>if you will, it worked. They both moved the area.

1:59:29.000 --> 1:59:32.560
<v Speaker 2>It's an hour from the Portland airport, so I could

1:59:32.600 --> 1:59:36.200
<v Speaker 2>basically get most anywhere without having to I was an

1:59:36.240 --> 1:59:38.040
<v Speaker 2>hour from the airport in the Bay Area, so I

1:59:38.080 --> 1:59:40.400
<v Speaker 2>travel Fairmount for work. I'm down in LA. I'm down

1:59:40.400 --> 1:59:42.600
<v Speaker 2>in the Bay Area about you know, two weeks of

1:59:42.600 --> 1:59:46.600
<v Speaker 2>the year, I'm somewhere traveling. And I like a lot

1:59:46.600 --> 1:59:49.040
<v Speaker 2>of outdoor stuff in terms of hiking and all that stuff,

1:59:49.680 --> 1:59:52.880
<v Speaker 2>biking and running, and so it's ended up being you know,

1:59:53.160 --> 1:59:54.120
<v Speaker 2>it's end up being perfect.

1:59:54.600 --> 1:59:56.720
<v Speaker 1>Okay, Dan, I think we've come to the end of

1:59:56.760 --> 1:59:59.760
<v Speaker 1>the feeling we've known. I want to thank you for

2:00:00.000 --> 2:00:02.160
<v Speaker 1>making all this time with my audience. You've been a

2:00:02.200 --> 2:00:05.280
<v Speaker 1>great guest, fascinating and hopefully people will listen to this

2:00:05.640 --> 2:00:06.800
<v Speaker 1>and be hip to twitch.

2:00:07.600 --> 2:00:10.280
<v Speaker 2>All right, well, I appreciate you taking time, Bob, and

2:00:10.520 --> 2:00:13.520
<v Speaker 2>it was lots of fun and for I guess for

2:00:13.560 --> 2:00:16.760
<v Speaker 2>those people that are listening. If there are any musicians

2:00:16.760 --> 2:00:20.240
<v Speaker 2>that are listening right, feel free to reach out to

2:00:20.280 --> 2:00:22.720
<v Speaker 2>me on social media or something like that. If you're

2:00:22.760 --> 2:00:24.280
<v Speaker 2>a musician and you want to get we have a

2:00:24.320 --> 2:00:27.520
<v Speaker 2>team to help you and you can find me on

2:00:27.600 --> 2:00:31.400
<v Speaker 2>various different social media. I shall say it's DJ Clancy's

2:00:31.480 --> 2:00:34.040
<v Speaker 2>very confusing, but reach out to me and I'll try

2:00:34.040 --> 2:00:36.960
<v Speaker 2>to connect you with the right people on our.

2:00:38.240 --> 2:00:41.520
<v Speaker 1>Well that's quite an offer, so thanks Dan. Till next time.

2:00:42.040 --> 2:00:43.240
<v Speaker 1>This is bob Lefs