WEBVTT - Guy Ritchie

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<v Speaker 1>You're listening to Ruthie's Table four in partnership with Montclair.

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<v Speaker 1>Around forty years ago, when a Rogers my stepson was twelve,

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<v Speaker 1>he asked of a school friend his best friend could

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<v Speaker 1>join us for lunch. I know you're going to love him.

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<v Speaker 1>And three hours later we were in the company of

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<v Speaker 1>one of the greatest kids ever, cheeky, funny, bright.

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<v Speaker 2>Hi. My name's Guy Richie. I am a chef and

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<v Speaker 2>that's my day job, and my second job is a

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<v Speaker 2>film director. And here we are. We've been cooking outside

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<v Speaker 2>on the Gentleman's table, the Wild table, a rather thick

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<v Speaker 2>realvi steak.

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<v Speaker 1>Now, when you ask Guy Richie to do a podcast,

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<v Speaker 1>you don't just get Guy Today. He's been in the

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<v Speaker 1>garden at the River Cafe with the chefs, setting up

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<v Speaker 1>his wild kitchen to cook a ribby steak for us

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<v Speaker 1>all to try.

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<v Speaker 2>We just bring us with you.

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<v Speaker 1>Yeah, one does exactly go.

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<v Speaker 2>Around to this is great. It's fabulous. Now if you want,

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<v Speaker 2>you're gonna have the whole thing like that. But I

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<v Speaker 2>would I would just let that nibble away a bit

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<v Speaker 2>at its center. Now, the next time it comes off,

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<v Speaker 2>I think you'll be done.

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<v Speaker 1>I've been in contact over the years, with Guy in

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<v Speaker 1>and out, eating in his pub The Lord of the Land,

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<v Speaker 1>drinking the beer from his brewery, the Gritchy Company, having

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<v Speaker 1>him and Jackie, his children and his friends and his

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<v Speaker 1>family in the River Cafe, and most of all, watching

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<v Speaker 1>his movies from lock Stock to Smoking Barrels and his

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<v Speaker 1>most recent The Covenant with two friends and actually guests

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<v Speaker 1>of the podcast, Jake Chill and All and Josh Bruger.

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<v Speaker 2>Now you've already got se it on. But because it's

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<v Speaker 2>such a thick piece of me, right, we got hack

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<v Speaker 2>through that. You hack through it because I've got to

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<v Speaker 2>get on with its beautiful. It's got to go. It's

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<v Speaker 2>got to go. We got the rest of it to go.

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<v Speaker 2>Here we go, here comes.

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<v Speaker 1>So, Guy, do you want to talk about before we

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<v Speaker 1>go into your movies and food and food and life?

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<v Speaker 1>Do you want to talk about grilling a steak? What

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<v Speaker 1>do you like about a ribby?

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<v Speaker 2>I like the fat and I like the crispiness of

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<v Speaker 2>the fat. It seems to be the right ratio of

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<v Speaker 2>fat and meat for me. But that's that's usually what

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<v Speaker 2>I eat is a ribbi five or six days a week.

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<v Speaker 2>And I'll play with other things. But in the end,

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<v Speaker 2>it's it's easy for me to cook, and I don't

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<v Speaker 2>really want anything on it other than salt and recently pepper,

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<v Speaker 2>But I have a feeling pepper's a crush and it

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<v Speaker 2>won't last for very long and I'll just creep back

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<v Speaker 2>into salt.

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<v Speaker 1>And you and I like it the same way, which

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<v Speaker 1>I I hate going to a restaurant and telling the

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<v Speaker 1>way to how I like something cooked, and so I

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<v Speaker 1>rarely do that. But when I have a steak, or

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<v Speaker 1>if I have a piece of the only other thing

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<v Speaker 1>is salmon, is I like a really dark crust and

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<v Speaker 1>then a quite medium rare inside rare.

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<v Speaker 2>Yeah, well, I'm with you on that. To me, everything's

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<v Speaker 2>about the patina of the meat. So and you can

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<v Speaker 2>only really get that patina if you've got the fat.

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<v Speaker 2>That's I think you and I are probably an agreement

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<v Speaker 2>on this. I want the combination of that fat just

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<v Speaker 2>before it's become completely incinerated, but I want it to

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<v Speaker 2>be crispy and then I'm in heaven and it never

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<v Speaker 2>gets never gets boring.

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<v Speaker 1>Okay, So going from the beginning, at the beginning, we

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<v Speaker 1>would talk about growing up in the Richie house before

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<v Speaker 1>you went to boarding school. Well you at home was

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<v Speaker 1>your your parents. Your father was a friend of a

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<v Speaker 1>friend of mine, John somerl And they said he loved

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<v Speaker 1>food and wine.

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<v Speaker 2>Yeah, yeah, yeah, yeah, my father liked wine more than

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<v Speaker 2>you like food. But yes, he was a good friend.

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<v Speaker 2>And John Summer used to live on the same street,

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<v Speaker 2>so he was about five dolls now, but they were Yeah,

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<v Speaker 2>he was a big foodie. We were like the only

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<v Speaker 2>middle class family and apart from John in the streets.

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<v Speaker 2>So when we moved in, it was an old fashioned

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<v Speaker 2>in theory. It wasn't a sort of Cottney community, but

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<v Speaker 2>it was an old fashioned English community there. So this

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<v Speaker 2>is in sixty They bought that house in sixty in

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<v Speaker 2>Fulham and they were like foodies and boozies then, which

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<v Speaker 2>is quite early doors and that house then in sixty

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<v Speaker 2>nine was eight pounds.

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<v Speaker 1>Yeah, there you go. So you grew up in the

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<v Speaker 1>house that loved food.

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<v Speaker 2>And then my mum was very go cook.

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<v Speaker 1>Where did she cook?

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<v Speaker 2>My favorite was watercress soup. Really it was quite exotic,

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<v Speaker 2>so Rabert carriers an idea, but she was a very

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<v Speaker 2>good cook. I used to like baked eggs and watercrest

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<v Speaker 2>soup and.

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<v Speaker 1>Would you sit down to dinner like most nights as

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<v Speaker 1>a fam Who's in your family, your.

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<v Speaker 2>Brothers and one sister, a sister and a.

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<v Speaker 1>Mother, and so would you sit down to me with

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<v Speaker 1>the kind of family supper.

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<v Speaker 2>I heard something earlier on that I'm not can't remember

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<v Speaker 2>which generation we are, but we are still the sort

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<v Speaker 2>of the I suppose maybe the last generation that lived

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<v Speaker 2>more outdoors than we did indoors. So I knew all

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<v Speaker 2>the other kids in the street, so you were never indoors.

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<v Speaker 2>You were always out with your mates. And we were

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<v Speaker 2>on bicycles. I remember used to cycle to quite far

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<v Speaker 2>Afield and we were on biscles when we were six.

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<v Speaker 1>So I went to local school.

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<v Speaker 2>Local, I went to thirteen school. I went thirteen thirteen.

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<v Speaker 1>Okay, yeah, local school or no school could cope with

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<v Speaker 1>no educating.

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<v Speaker 2>Cool school could cope. And I sort of picked up

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<v Speaker 2>the reputation that it was because I was naughty, and

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<v Speaker 2>it wasn't because I was naughty. It was it was

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<v Speaker 2>just I was remarkably slow in understanding what they were

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<v Speaker 2>trying to translate, and I had no ability to translate it.

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<v Speaker 2>So very probiscuous for schools. And I went to about

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<v Speaker 2>five local schools and then gradually, I mean even the

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<v Speaker 2>one I went to school with Abe that was which

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<v Speaker 2>is subsequently shut down. Most of the schools I went

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<v Speaker 2>to subsequently shut there because they were all learning disability schools,

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<v Speaker 2>and they did well. They sort of fumbled around as

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<v Speaker 2>best they could, and I'm sort of grateful for their efforts.

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<v Speaker 2>But there was only one person I met that was

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<v Speaker 2>more dyslexic than me, and that was Abe.

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<v Speaker 1>I've been to my kids' schools, you know, there was

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<v Speaker 1>Abe or it was you know, my children, And I

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<v Speaker 1>remember saying the only I don't care if they learned

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<v Speaker 1>to read when they're eight or six or ten or

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<v Speaker 1>twelve or fourteen. What you do never want your child

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<v Speaker 1>to do is to feel stupid, you know, because I said,

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<v Speaker 1>those are the people that come into the River Cafe,

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<v Speaker 1>and they was coming and they say, I don't want

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<v Speaker 1>to sit here. I don't want that, I don't want this,

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<v Speaker 1>And I almost want to say, did you have a

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<v Speaker 1>hard time in school? You know, because it's.

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<v Speaker 2>I'm going to challenge you lenge. I'm going to challenge

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<v Speaker 2>you that I from the best roses, come from the

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<v Speaker 2>worst menure. So I think a certain amount of adversity

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<v Speaker 2>is rather essential, and I don't think it did me

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<v Speaker 2>much harm being told. You never told you were stupid,

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<v Speaker 2>it was implicit. Well, you were clear, it was clear

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<v Speaker 2>that you couldn't follow right, and you were clear that

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<v Speaker 2>kids that weren't that quick were following quicker than you

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<v Speaker 2>could follow. So you knew there was an issue, but

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<v Speaker 2>no one was actually cruel enough to explicitly say you're stupid.

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<v Speaker 2>But you found after you were on school ten that

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<v Speaker 2>there was an issue. And then you kept meeting experts

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<v Speaker 2>that would sort of have men in white coats that

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<v Speaker 2>would give you sort of blocks to play with and

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<v Speaker 2>boxes to tick. And then it quickly, you see their

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<v Speaker 2>eyes eyebrows were raised by the time you'd finished, and

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<v Speaker 2>you could quickly rejuice that you were not firing on

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<v Speaker 2>the cylinders that they want you to fire. But fair

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<v Speaker 2>play to everyone. They never actually called me stupid. It

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<v Speaker 2>was just implicit. And then but I would argue though,

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<v Speaker 2>that that gave me a sort of a myriad of

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<v Speaker 2>skills that otherwise I would never have developed. And feeling

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<v Speaker 2>like you're an outside of some description, and feeling diminished

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<v Speaker 2>at some point in the end, I just don't think

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<v Speaker 2>that did me any harm?

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<v Speaker 1>You and A became and Richard, my husband, became stronger

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<v Speaker 1>because of it. But there might be a lot of

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<v Speaker 1>people around gave up, you know, who didn't fight back.

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<v Speaker 1>They just made me. It's about I agree with you

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<v Speaker 1>about a lot of that. I mean, I agree with

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<v Speaker 1>self esteem. I used to think self esteem was the

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<v Speaker 1>most important thing. Now I think maybe not. It was

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<v Speaker 1>a paradox that, Yeah, that's a paradix. Okay, Well, going

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<v Speaker 1>back then thirteen schools, do you remember any of those

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<v Speaker 1>thirteen schools having good food?

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<v Speaker 2>Yeah, you'll be surprised what kind of food I can enjoy? Yeah,

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<v Speaker 2>tell me everything. My mum wasn't fussy, and I've never

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<v Speaker 2>been fussy. The only thing I couldn't eat was rhubarb,

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<v Speaker 2>and even that I can eat now, and I was.

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<v Speaker 2>I'm quite interested and enjoy industrial quantities of food that's

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<v Speaker 2>not necessarily to consume, but there's a sort of it

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<v Speaker 2>takes on certain qualities they used to do, like school, Lasanya,

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<v Speaker 2>when you're cooking for a few hundred kids, it takes

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<v Speaker 2>on complex characteristics that are impossible to derive if you're

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<v Speaker 2>if you're using quality product. So, yeah, I liked school food.

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<v Speaker 1>Out of thirteen schools, which one did you? Did you

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<v Speaker 1>do something like graduating from school or did you just

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<v Speaker 1>leave school?

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<v Speaker 2>It just left fifteen and it was anticlimactic sort of.

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<v Speaker 2>I left and then they said, don't bother coming back.

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<v Speaker 1>That was at Stanbridge.

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<v Speaker 2>That was at stanbridg Yeah.

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<v Speaker 1>Nice. Yeah. And did your parents were they Were they

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<v Speaker 1>worried about you? Yes?

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<v Speaker 2>Yeah, yes, because I I had no qualifications at all.

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<v Speaker 2>I could barely spell my name, but I was. I mean,

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<v Speaker 2>I was working by the time I was fifteen, not

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<v Speaker 2>far from here. Actually it some Peter Square in amismthre Yeah.

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<v Speaker 2>I worked in the island records, which I don't know

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<v Speaker 2>if it's still there, but I worked as a two

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<v Speaker 2>boy in records.

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<v Speaker 1>Were you living at home? Did your mom still cook

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<v Speaker 1>for you? Who?

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<v Speaker 2>No? I left home early door. So I was from

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<v Speaker 2>fifteen onwards. I was in and out.

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<v Speaker 1>And what were you changed? You remember?

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<v Speaker 2>No? There's the answer that no, because then it was

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<v Speaker 2>it was all work from fifteen to now. It's really

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<v Speaker 2>all been work, although it has been sort of messy

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<v Speaker 2>periods along that way. I've been working pretty much since

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<v Speaker 2>I was fifteen.

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<v Speaker 1>We talked about your mother, but what about your father.

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<v Speaker 1>He was he more into wine? As you said, did

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<v Speaker 1>he teach you about wine?

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<v Speaker 2>I didn't like why until I was forty forty?

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<v Speaker 1>How old are you now?

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<v Speaker 2>I am fifty four?

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<v Speaker 1>Okay? And what changed all that?

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<v Speaker 2>Lot?

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<v Speaker 1>What didn't you like about wine?

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<v Speaker 2>It just meant nothing to me. And you could see

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<v Speaker 2>the price disparity, and that had no impact on me.

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<v Speaker 2>I was what, you know, I was happy on two

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<v Speaker 2>pound fifty as other people were on two hundred and fifty,

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<v Speaker 2>and I couldn't I did. The nuance was wasted on me.

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<v Speaker 2>And then at forty a light bulb went off off.

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<v Speaker 1>Do you remember where you were?

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<v Speaker 2>You know, you think it's your friend Josh Berger had

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<v Speaker 2>something to do, and I think it was like a

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<v Speaker 2>weekend away somewhere and someone brought out the big guns

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<v Speaker 2>and like on the third bottle where I was sort

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<v Speaker 2>of taking the mick, and then all of a sudden

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<v Speaker 2>something happened. And once it happened, then I lost a

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<v Speaker 2>decade to enjoying file mines. And then I did the

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<v Speaker 2>wine tours.

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<v Speaker 1>Where did you go?

0:11:46.240 --> 0:11:50.120
<v Speaker 2>Well, I'm a Bordeaux man that's recently recently drifted into Burgundy.

0:11:51.840 --> 0:11:56.880
<v Speaker 2>I'm on terra firma with the Bordeaus. So the classic

0:11:56.960 --> 0:12:03.080
<v Speaker 2>obvious ones, which it's boring because they're cliches, but Latour

0:12:03.280 --> 0:12:06.120
<v Speaker 2>will be my go to if I was going to

0:12:06.160 --> 0:12:11.600
<v Speaker 2>go for an event of some description. So I'll go

0:12:11.679 --> 0:12:20.040
<v Speaker 2>over all the obvious, the Moutons, Lafitte, Margo, Lynch Bash,

0:12:20.080 --> 0:12:21.719
<v Speaker 2>you know, all the well known ones and what about it,

0:12:23.440 --> 0:12:26.240
<v Speaker 2>super touscans, manisetto and so on.

0:12:26.440 --> 0:12:29.080
<v Speaker 1>But do you like them? Do I do? Do you

0:12:29.080 --> 0:12:29.880
<v Speaker 1>have a wine cellar?

0:12:29.920 --> 0:12:30.800
<v Speaker 2>Then I do?

0:12:31.160 --> 0:12:32.880
<v Speaker 1>And you go, Do you go down and say that

0:12:32.960 --> 0:12:34.280
<v Speaker 1>tonight we're going to have this?

0:12:35.080 --> 0:12:40.280
<v Speaker 2>Yeah? I mean I'm essentially French, right, So I am

0:12:40.280 --> 0:12:44.840
<v Speaker 2>prejudiced towards the French in the sense that I think

0:12:45.000 --> 0:12:49.719
<v Speaker 2>both food wise and wine wise, they're the layers of

0:12:49.800 --> 0:12:55.080
<v Speaker 2>sophistication that the French developed over however long. I my

0:12:55.200 --> 0:12:59.360
<v Speaker 2>first love of real food was French, and I was

0:12:59.480 --> 0:13:02.160
<v Speaker 2>tremendous slee impressed by the layering.

0:13:03.960 --> 0:13:05.960
<v Speaker 1>You call layering, you mean the way.

0:13:05.840 --> 0:13:09.719
<v Speaker 2>That I felt as though there was every nuance was investigated.

0:13:09.880 --> 0:13:11.920
<v Speaker 2>There was a place on Pimlico Road that was run

0:13:11.960 --> 0:13:14.840
<v Speaker 2>by those brothers. Yeah, it was next to the Blipot.

0:13:14.960 --> 0:13:17.320
<v Speaker 1>Yeah, but that's when I was there.

0:13:17.200 --> 0:13:19.280
<v Speaker 2>Was a little supermarket. There was next door a little

0:13:19.320 --> 0:13:22.160
<v Speaker 2>shop and a little French shop, not much bigger than

0:13:22.200 --> 0:13:26.000
<v Speaker 2>this room. And when I was a van driver, I

0:13:26.080 --> 0:13:30.119
<v Speaker 2>used to go in there and it was absurdly expensive,

0:13:30.880 --> 0:13:35.080
<v Speaker 2>but the quality was mind blowing. You've run a career

0:13:35.120 --> 0:13:40.240
<v Speaker 2>off the quality of your ingredients, though, Avenue.

0:13:39.080 --> 0:13:41.319
<v Speaker 1>I would say that about French food and Italian food.

0:13:41.360 --> 0:13:43.640
<v Speaker 1>You know that I saw nothing I love more than

0:13:43.679 --> 0:13:46.640
<v Speaker 1>a piece of fish, both blanc and spinach on the bottom,

0:13:46.679 --> 0:13:49.400
<v Speaker 1>as you say, almost layering the way. But there's something

0:13:49.440 --> 0:13:51.480
<v Speaker 1>also when you go to Italy and then you have

0:13:52.120 --> 0:13:55.280
<v Speaker 1>a piece of sea bass and nothing, you know, you

0:13:55.400 --> 0:13:57.400
<v Speaker 1>just get this bass and maybe, if you're lucky, a

0:13:57.400 --> 0:13:59.760
<v Speaker 1>bit of sALS of earlier lemon. And so if you're

0:13:59.760 --> 0:14:02.160
<v Speaker 1>going to have only two ingredients, a lemon and a

0:14:02.240 --> 0:14:05.120
<v Speaker 1>sea bass, or sea bass and a bit of wilderegona,

0:14:05.200 --> 0:14:07.720
<v Speaker 1>the wild diregona has to be wild and the sea

0:14:07.720 --> 0:14:10.080
<v Speaker 1>bass has to be incredibly fit, you know, fresh, because

0:14:10.080 --> 0:14:12.640
<v Speaker 1>there's no masking of it. You're not looking at the

0:14:12.679 --> 0:14:15.480
<v Speaker 1>Hollandais or the Burnet's or the other stuff, you know.

0:14:15.559 --> 0:14:18.120
<v Speaker 1>So I think we are the River Cafe definitely is

0:14:18.280 --> 0:14:20.400
<v Speaker 1>very ingredient based. Yeah, we are.

0:14:21.760 --> 0:14:23.960
<v Speaker 2>I went fishing for sea bass this week actually as

0:14:24.000 --> 0:14:29.240
<v Speaker 2>you were Portland anyway. So I caught four very healthy baths.

0:14:29.280 --> 0:14:32.880
<v Speaker 2>We're actually called fourteen. We returned ten of them. Wet

0:14:32.880 --> 0:14:37.400
<v Speaker 2>fishing with my ten year old is obsessed and English bass.

0:14:38.440 --> 0:14:41.960
<v Speaker 1>We get it is we get all our fish off

0:14:41.960 --> 0:14:44.440
<v Speaker 1>the coast. We don't bring any two now or anything in.

0:14:47.320 --> 0:14:50.280
<v Speaker 1>We once had one of my was we had the

0:14:50.680 --> 0:14:52.600
<v Speaker 1>we you know, we call it the end of service,

0:14:52.640 --> 0:14:55.160
<v Speaker 1>So at eleven o'clock at night, we know how much

0:14:55.200 --> 0:14:58.120
<v Speaker 1>bass we've sold, how much you know, turbot we've sold,

0:14:58.160 --> 0:14:59.760
<v Speaker 1>and we know that the next day we're going to

0:14:59.840 --> 0:15:01.800
<v Speaker 1>change to the menu. So we never have the menu.

0:15:02.320 --> 0:15:04.160
<v Speaker 1>It just depends what there is in the fridge and

0:15:04.200 --> 0:15:06.080
<v Speaker 1>what there is in the sea. And then we got

0:15:06.120 --> 0:15:09.040
<v Speaker 1>a call from the boat and he said, I'm just

0:15:09.120 --> 0:15:12.120
<v Speaker 1>reeled in a turbot and it's so big that either

0:15:12.160 --> 0:15:14.680
<v Speaker 1>the river cafe takes it or we put it back

0:15:14.680 --> 0:15:15.160
<v Speaker 1>in the sea.

0:15:15.920 --> 0:15:18.280
<v Speaker 2>What do you want? And we took it. How big

0:15:18.400 --> 0:15:18.600
<v Speaker 2>was it?

0:15:18.720 --> 0:15:21.720
<v Speaker 1>I can't remember, maybe I having no eight kill.

0:15:23.640 --> 0:15:26.560
<v Speaker 2>And I came back. I came past here one evening

0:15:26.600 --> 0:15:28.960
<v Speaker 2>with Josh and I had your turbot.

0:15:29.080 --> 0:15:31.880
<v Speaker 1>Ye, did you like it?

0:15:31.960 --> 0:15:32.160
<v Speaker 2>Yeah?

0:15:33.080 --> 0:15:34.800
<v Speaker 1>We do it on the trunch, so you have this

0:15:34.920 --> 0:15:37.440
<v Speaker 1>thick bone and then you have the thick turbot, and

0:15:37.440 --> 0:15:39.520
<v Speaker 1>so we put you know, it depends what the chef

0:15:39.560 --> 0:15:41.120
<v Speaker 1>wants to do. I think last night we did it

0:15:41.120 --> 0:15:44.040
<v Speaker 1>with zucchuini and zucchini flowers, and today we might do

0:15:44.080 --> 0:15:47.280
<v Speaker 1>with capers and you know, black olives.

0:15:47.560 --> 0:15:49.040
<v Speaker 2>It was a real winner. It was a real winner.

0:15:49.080 --> 0:15:53.360
<v Speaker 2>Would you buy your nature go sea vass or turbot?

0:15:53.920 --> 0:15:58.600
<v Speaker 1>Oh? It depends probably pass. I love pass. But if

0:15:58.600 --> 0:16:00.200
<v Speaker 1>I have the turbot in the wood oven, it's a

0:16:00.280 --> 0:16:05.920
<v Speaker 1>very rich fish. It's I love. Yeah. The thing about

0:16:06.280 --> 0:16:08.240
<v Speaker 1>fish for me is I love it on the bone.

0:16:08.600 --> 0:16:08.840
<v Speaker 2>You know.

0:16:08.880 --> 0:16:11.440
<v Speaker 1>I always think I know that you don't, you know,

0:16:11.560 --> 0:16:14.320
<v Speaker 1>And so it's really nice to have a whole agreed.

0:16:14.360 --> 0:16:16.040
<v Speaker 1>So what happened to the fish that you reeled in?

0:16:16.160 --> 0:16:17.200
<v Speaker 1>Where are those best? Now?

0:16:17.440 --> 0:16:19.800
<v Speaker 2>I et them, all of them? Ye? Yeah. My son's

0:16:19.880 --> 0:16:22.040
<v Speaker 2>very insistent on eating them as quickly as possible. You've

0:16:22.040 --> 0:16:23.520
<v Speaker 2>got to wait we find it. We have to wait

0:16:23.520 --> 0:16:25.800
<v Speaker 2>twenty four hours because you get over the rigging mortis. Yeah.

0:16:26.000 --> 0:16:28.120
<v Speaker 2>The idea that you can eat fish that she doesn't work.

0:16:29.000 --> 0:16:31.640
<v Speaker 1>I know, I know they just that her, but it's

0:16:31.640 --> 0:16:33.840
<v Speaker 1>the same thing, even dover sold it. I mean so

0:16:34.560 --> 0:16:38.239
<v Speaker 1>and I kind of what you would think, but the idea.

0:16:38.080 --> 0:16:41.920
<v Speaker 2>Took so last forever too. I'll show you passed me that.

0:16:42.480 --> 0:16:44.880
<v Speaker 2>I'll show you this because my son is now obsessed

0:16:44.880 --> 0:16:49.520
<v Speaker 2>with fishing, and that means I'm now get all well,

0:16:49.560 --> 0:16:50.440
<v Speaker 2>this is all on the shore.

0:16:50.680 --> 0:16:52.520
<v Speaker 1>Oh, I see you're not on a boat's.

0:16:52.560 --> 0:16:55.720
<v Speaker 2>So I don't have the picture of the bass. But

0:16:55.760 --> 0:16:57.760
<v Speaker 2>I'll tell you. Look at the signs of this brown

0:16:57.800 --> 0:16:58.560
<v Speaker 2>trout that you caught.

0:16:59.720 --> 0:17:01.320
<v Speaker 1>Wow, Wow, look at that.

0:17:02.560 --> 0:17:06.520
<v Speaker 2>Wow is amazing. I mean, that's how much of that

0:17:06.520 --> 0:17:09.920
<v Speaker 2>thing when six and a half pounds? But that will lie.

0:17:10.000 --> 0:17:12.880
<v Speaker 2>That will feed you know you don't feed feed ten.

0:17:13.920 --> 0:17:17.040
<v Speaker 2>But most of the photographs they are fish. That's rafa.

0:17:19.440 --> 0:17:31.919
<v Speaker 1>That's great. Did you know The River Cafe has a shop.

0:17:32.359 --> 0:17:35.960
<v Speaker 1>It's full of our favorite foods and designs. We have cookbooks,

0:17:36.080 --> 0:17:40.320
<v Speaker 1>linen napkins, kitchen were toad bags with our signatures, glasses

0:17:40.320 --> 0:17:43.760
<v Speaker 1>from Venice, chocolates from Turin. You can find us right

0:17:43.760 --> 0:17:46.919
<v Speaker 1>next door to the River Cafe in London or online

0:17:47.040 --> 0:17:50.120
<v Speaker 1>at shop Therivercafe dot co dot UK.

0:17:54.320 --> 0:17:55.200
<v Speaker 2>I'm always in the kitchen.

0:17:55.240 --> 0:17:56.600
<v Speaker 1>You always in the kah.

0:17:56.920 --> 0:17:58.880
<v Speaker 2>Well, actually I'm not in the kitchen. I mean I'm

0:17:58.920 --> 0:18:02.399
<v Speaker 2>outside in the kitchen, but the internal kitchen is. I

0:18:02.440 --> 0:18:05.960
<v Speaker 2>was just explaining to your chefs. I've become increasingly frustrated

0:18:06.000 --> 0:18:08.560
<v Speaker 2>with because I've got quite nice knives, and people have

0:18:08.600 --> 0:18:11.280
<v Speaker 2>bought me good knives, and subsequently no one wants to

0:18:11.280 --> 0:18:13.840
<v Speaker 2>sharpen them because they're frighting of sharpening and they don't

0:18:13.840 --> 0:18:15.960
<v Speaker 2>want to mess them up. And what I quite like

0:18:16.080 --> 0:18:19.959
<v Speaker 2>is a cheap knife with a brutal sharpener, and I

0:18:20.000 --> 0:18:23.800
<v Speaker 2>want it accessible. So I'll you buy a Knight good

0:18:23.880 --> 0:18:29.680
<v Speaker 2>knife for a fine knife for twelve quid sharpen every couple.

0:18:30.920 --> 0:18:33.560
<v Speaker 2>I have a brutal sharp what is it? I buy

0:18:33.560 --> 0:18:35.720
<v Speaker 2>my sharpness for two quid two and a half euros

0:18:36.200 --> 0:18:41.440
<v Speaker 2>and I drag them through that nasty thing and I

0:18:41.720 --> 0:18:44.199
<v Speaker 2>do that. That's too posh. I find that you do

0:18:44.280 --> 0:18:50.000
<v Speaker 2>the brutal one and it shaves off quite a capacious

0:18:50.040 --> 0:18:54.600
<v Speaker 2>amount of steel, and your knife done off but a year,

0:18:54.640 --> 0:18:55.560
<v Speaker 2>and it costs twelve quid.

0:18:55.600 --> 0:18:57.639
<v Speaker 1>We had we had, I remember we used to have

0:18:57.720 --> 0:19:01.320
<v Speaker 1>somebody just to come and sharpen the knives. We had

0:19:01.480 --> 0:19:03.399
<v Speaker 1>bel sized grove when it was growing up. So that

0:19:03.440 --> 0:19:05.360
<v Speaker 1>must have been when I first came to London. Can

0:19:05.359 --> 0:19:08.000
<v Speaker 1>you imagine this American girl. I didn't know what anything

0:19:08.200 --> 0:19:12.240
<v Speaker 1>was and they delivered bottles of milk and you didn't

0:19:12.240 --> 0:19:14.000
<v Speaker 1>lock your door and they and the man came to

0:19:14.040 --> 0:19:16.160
<v Speaker 1>sharpen the knives and sell onions. They used to sell

0:19:16.200 --> 0:19:18.640
<v Speaker 1>onions like on the back of their bicycle. This must

0:19:18.640 --> 0:19:19.560
<v Speaker 1>have been in the seventies.

0:19:19.600 --> 0:19:21.080
<v Speaker 2>Well, yeah, it was the seventies. Used to get We

0:19:21.119 --> 0:19:23.280
<v Speaker 2>used to have a rag and bone man, any old

0:19:23.320 --> 0:19:25.520
<v Speaker 2>iron they used to see as they were. By then

0:19:25.560 --> 0:19:26.440
<v Speaker 2>you had the knife man.

0:19:26.520 --> 0:19:28.879
<v Speaker 1>The knife man, I definitely remember by the.

0:19:28.880 --> 0:19:30.159
<v Speaker 2>Way it's consist of the knife man.

0:19:30.200 --> 0:19:31.680
<v Speaker 1>Actually, I know, why do we still and I remember

0:19:31.720 --> 0:19:33.679
<v Speaker 1>to bring back knife many knife.

0:19:33.400 --> 0:19:38.560
<v Speaker 2>Man worked and you had the milk.

0:19:38.640 --> 0:19:41.680
<v Speaker 1>The milk definitely, you didn't have that like creamy stuff

0:19:41.680 --> 0:19:42.080
<v Speaker 1>at the top.

0:19:42.119 --> 0:19:44.600
<v Speaker 2>You could have like a when you used to sell everything. Yeah,

0:19:44.640 --> 0:19:45.879
<v Speaker 2>you used to have everything on there and then he

0:19:46.040 --> 0:19:48.560
<v Speaker 2>just went from selling everything to not existing.

0:19:48.880 --> 0:19:52.680
<v Speaker 1>Yeah. So when we're going to talk about work and food,

0:19:52.760 --> 0:19:55.280
<v Speaker 1>so when you go to is a set in Spain

0:19:55.520 --> 0:19:58.520
<v Speaker 1>with you and Jake and Josh and all your people.

0:19:58.920 --> 0:20:00.320
<v Speaker 1>Do you worry about what they're eating?

0:20:00.440 --> 0:20:03.440
<v Speaker 2>Not really, No, no, because everyone's If no one complains,

0:20:03.840 --> 0:20:05.919
<v Speaker 2>then I don't stick my nose into it. And they

0:20:05.960 --> 0:20:08.920
<v Speaker 2>don't really complain, so they're sort of happy. You'll find

0:20:08.920 --> 0:20:11.080
<v Speaker 2>out at some point or another of the caterers aren't winning,

0:20:11.080 --> 0:20:14.520
<v Speaker 2>but recently doesn't need to be too much complaints. I

0:20:14.640 --> 0:20:17.359
<v Speaker 2>barbecue every day. I've got I've got a sort of

0:20:17.400 --> 0:20:20.639
<v Speaker 2>old wooden trailer that we reside in and where we

0:20:20.680 --> 0:20:25.000
<v Speaker 2>have communal meals. I play mother and I usually do

0:20:25.080 --> 0:20:27.360
<v Speaker 2>a We've got a stove in there, and I cook

0:20:27.400 --> 0:20:29.919
<v Speaker 2>in there, and we'll cook in a very similar fashion

0:20:29.920 --> 0:20:31.640
<v Speaker 2>to just how we cook in there. I'll donok abbit,

0:20:31.680 --> 0:20:34.360
<v Speaker 2>I'll put it in, take slices off the side, put

0:20:34.400 --> 0:20:36.880
<v Speaker 2>it back in again, and we'll do that five days

0:20:36.920 --> 0:20:37.240
<v Speaker 2>a week.

0:20:37.320 --> 0:20:39.440
<v Speaker 1>Yeah, you just invite various people.

0:20:39.720 --> 0:20:42.120
<v Speaker 2>There's usually usually ten people in there.

0:20:42.280 --> 0:20:43.840
<v Speaker 1>Yeah. Jake's a good eater, isn't he.

0:20:44.200 --> 0:20:44.720
<v Speaker 2>Yeah?

0:20:44.800 --> 0:20:46.280
<v Speaker 1>He really cares.

0:20:46.040 --> 0:20:49.640
<v Speaker 2>About and carries no weight, carries no weight, doesn't drink much,

0:20:49.960 --> 0:20:52.080
<v Speaker 2>so he's in good nick. He really cares, but he

0:20:52.119 --> 0:20:54.520
<v Speaker 2>cares about his food, and he rather sadly sends me

0:20:54.600 --> 0:20:56.199
<v Speaker 2>pictures and I send him pictures of that.

0:20:56.600 --> 0:20:58.359
<v Speaker 1>But what about other actors you've worked with?

0:20:59.440 --> 0:21:02.960
<v Speaker 2>Had to come acros someone that's not interested in Almost

0:21:02.960 --> 0:21:05.679
<v Speaker 2>no one I know is not interested in food. But

0:21:05.720 --> 0:21:07.919
<v Speaker 2>in order sometimes you have to switch off and see,

0:21:07.920 --> 0:21:09.960
<v Speaker 2>food is fuel, and as soon as food is fuel,

0:21:10.280 --> 0:21:11.200
<v Speaker 2>you tend to lose weight.

0:21:11.400 --> 0:21:13.600
<v Speaker 1>And when you go to is a set like you

0:21:13.600 --> 0:21:17.439
<v Speaker 1>were in Spain for the Covertant being Afghanistan, do you

0:21:17.520 --> 0:21:19.920
<v Speaker 1>think about where you're going and the food they're having

0:21:20.000 --> 0:21:22.120
<v Speaker 1>and what that will be like or do you think

0:21:22.160 --> 0:21:24.320
<v Speaker 1>wherever you are you're kind of eating what.

0:21:24.520 --> 0:21:27.879
<v Speaker 2>You Yeah, I mean, I'll go local. We spent we

0:21:27.960 --> 0:21:29.920
<v Speaker 2>spent quite a lot of time last two movies I've done,

0:21:30.440 --> 0:21:33.439
<v Speaker 2>or outside of The Covenant, which is in Spain, we

0:21:33.480 --> 0:21:34.160
<v Speaker 2>did in Turkey.

0:21:34.440 --> 0:21:35.560
<v Speaker 1>I remember that, what was that?

0:21:35.640 --> 0:21:36.280
<v Speaker 2>I like Turkey?

0:21:36.359 --> 0:21:36.920
<v Speaker 1>What did you like?

0:21:38.400 --> 0:21:41.560
<v Speaker 2>I like the Turks? And I can't believe that's the

0:21:41.600 --> 0:21:47.119
<v Speaker 2>country as large as that that people don't talk about much.

0:21:48.400 --> 0:21:50.520
<v Speaker 2>And we were just very impressed with it. We love

0:21:50.560 --> 0:21:51.960
<v Speaker 2>the people and we love the food.

0:21:52.000 --> 0:21:55.320
<v Speaker 1>And I was in this temple three weeks ago and

0:21:55.400 --> 0:21:58.040
<v Speaker 1>I hadn't been there before, and I was blown away

0:21:59.080 --> 0:22:01.880
<v Speaker 1>for us sitting there. And then the food. We went

0:22:01.920 --> 0:22:04.880
<v Speaker 1>to all these different restaurants once, some on the pass,

0:22:04.960 --> 0:22:07.840
<v Speaker 1>for some in the little town, some in the I

0:22:07.880 --> 0:22:09.840
<v Speaker 1>thought it was a fantastic food culture.

0:22:10.200 --> 0:22:12.760
<v Speaker 2>It is, but everything in that part of the world

0:22:12.840 --> 0:22:16.040
<v Speaker 2>is do you think I do? I mean, you're still

0:22:16.160 --> 0:22:20.480
<v Speaker 2>sort of you. You're tethered to the med so I

0:22:20.520 --> 0:22:22.359
<v Speaker 2>don't know. If you've done tel Aviv, You've done tele Aviv.

0:22:23.160 --> 0:22:26.560
<v Speaker 2>The food culture in Israel is insane. We spent quite

0:22:26.560 --> 0:22:28.159
<v Speaker 2>a lot of time in the Middle East. We like

0:22:28.200 --> 0:22:33.000
<v Speaker 2>the Middle We got mates in Bahrain, so we go

0:22:33.080 --> 0:22:36.600
<v Speaker 2>over a year for the race, a little bit in Saudi,

0:22:37.280 --> 0:22:38.639
<v Speaker 2>quite a lot in Israel.

0:22:39.600 --> 0:22:41.760
<v Speaker 1>And the food wise, do you have one place that

0:22:41.800 --> 0:22:43.560
<v Speaker 1>you're actually in the Middle Eastern food?

0:22:43.800 --> 0:22:47.159
<v Speaker 2>Well, it's Israel's sort of nicking it at the moment.

0:22:47.280 --> 0:22:48.679
<v Speaker 2>But then Dubai. I don't know if you spend any

0:22:48.720 --> 0:22:53.879
<v Speaker 2>time by the Dubai, I mean, it's it's a cliche,

0:22:53.960 --> 0:22:56.000
<v Speaker 2>and it is for a reason, because it's pretty brilliant.

0:22:57.600 --> 0:22:59.440
<v Speaker 1>A lot of of our you know, I've been asked

0:22:59.480 --> 0:23:01.639
<v Speaker 1>top restaurant in Park. I think there must be. I

0:23:01.640 --> 0:23:03.119
<v Speaker 1>think there's no, But there are quite a lot of

0:23:03.160 --> 0:23:04.199
<v Speaker 1>Western restaurants here.

0:23:04.440 --> 0:23:07.560
<v Speaker 2>I've been with lots of people that have been talking

0:23:07.560 --> 0:23:12.080
<v Speaker 2>to you about opening places over the years, and you

0:23:12.240 --> 0:23:13.840
<v Speaker 2>never seen anywhere else.

0:23:13.920 --> 0:23:15.520
<v Speaker 1>So I went to look at a site the other

0:23:15.600 --> 0:23:18.960
<v Speaker 1>day with our friend who does all the architecture for us,

0:23:18.960 --> 0:23:20.760
<v Speaker 1>you know, and he said, I was sitting in this

0:23:20.840 --> 0:23:22.920
<v Speaker 1>place near Grove the Square, and I heard this guy

0:23:22.960 --> 0:23:25.159
<v Speaker 1>going and with you, you know, look at the space.

0:23:25.200 --> 0:23:26.800
<v Speaker 1>You can have your kitchen here, and you could do this,

0:23:26.880 --> 0:23:28.680
<v Speaker 1>and you could do that. And he said, I want

0:23:28.720 --> 0:23:33.200
<v Speaker 1>to say, listen, you know she's not going to do it,

0:23:33.320 --> 0:23:36.199
<v Speaker 1>but that's not true. I go, I would do it.

0:23:35.200 --> 0:23:38.320
<v Speaker 1>I don't know. It's interesting. I think we just haven't

0:23:38.359 --> 0:23:39.240
<v Speaker 1>found the right site.

0:23:39.400 --> 0:23:40.479
<v Speaker 2>You spent spent some time.

0:23:41.040 --> 0:23:43.520
<v Speaker 1>Yeah, we went to La But the fact is that

0:23:44.640 --> 0:23:47.240
<v Speaker 1>it's it's a long answer to a short question. Why

0:23:47.280 --> 0:23:49.280
<v Speaker 1>don't I do it? I think I still would do it.

0:23:49.680 --> 0:23:51.920
<v Speaker 1>We could just do another restaurant in London. We don't

0:23:51.920 --> 0:23:52.639
<v Speaker 1>have to go abroad.

0:23:52.880 --> 0:23:55.359
<v Speaker 2>Although you know what will be quite interesting is it

0:23:55.359 --> 0:23:59.680
<v Speaker 2>would break or break a cliche. You'll I know you're

0:23:59.720 --> 0:24:01.720
<v Speaker 2>not gonna go to Dubai, which I would quite like

0:24:01.800 --> 0:24:05.280
<v Speaker 2>you to do, just because it's unpredictable, and I think

0:24:05.280 --> 0:24:07.879
<v Speaker 2>it's important to be unpredictable, and I think it's important

0:24:07.880 --> 0:24:13.720
<v Speaker 2>to prove yourself wrong. I'm constantly I'm constantly doing things

0:24:14.640 --> 0:24:20.359
<v Speaker 2>which against my better judgment, I do because I have

0:24:20.440 --> 0:24:22.680
<v Speaker 2>to or unforced into a corner or whatever. And then

0:24:22.760 --> 0:24:25.840
<v Speaker 2>subsequently I'm very grateful that I did, and thought, wold on,

0:24:26.400 --> 0:24:28.400
<v Speaker 2>I probably should have started doing this a long time ago.

0:24:28.920 --> 0:24:33.640
<v Speaker 2>Just do things that are really that's not on your tuitive.

0:24:34.000 --> 0:24:36.199
<v Speaker 2>It's counter intuitive, it's not on yours.

0:24:36.200 --> 0:24:39.200
<v Speaker 1>Also, somebody said they were suggesting I, you know, I

0:24:39.240 --> 0:24:42.560
<v Speaker 1>had this idea for doing sort of fast food kind

0:24:42.560 --> 0:24:45.040
<v Speaker 1>of thing, and then he said, you know, but I

0:24:45.040 --> 0:24:46.240
<v Speaker 1>said that I don't think I want to do it

0:24:46.240 --> 0:24:49.200
<v Speaker 1>because it could fail. And they said, really, everybody's failing

0:24:49.240 --> 0:24:51.480
<v Speaker 1>these days. This is what you do in silicon value.

0:24:51.480 --> 0:24:54.200
<v Speaker 1>You start a startup, you start a business, and it fails.

0:24:54.200 --> 0:24:54.920
<v Speaker 1>It's not a big deal.

0:24:55.080 --> 0:24:55.240
<v Speaker 2>You know.

0:24:55.280 --> 0:24:57.679
<v Speaker 1>I always think failure is like a big deal, but

0:24:57.720 --> 0:24:59.000
<v Speaker 1>apparently it's not the biggest.

0:24:59.080 --> 0:25:01.560
<v Speaker 2>It's not what it was. Failures not well, this is

0:25:01.600 --> 0:25:02.280
<v Speaker 2>the upside.

0:25:02.480 --> 0:25:04.399
<v Speaker 1>It's the new success.

0:25:04.400 --> 0:25:08.560
<v Speaker 2>Well, and people don't seem to notice like they used to. Yeah, yeah,

0:25:08.680 --> 0:25:10.960
<v Speaker 2>you know, and subsequently go, well, I mean that didn't

0:25:10.960 --> 0:25:13.080
<v Speaker 2>work very well. But guess what no one's talking about.

0:25:13.240 --> 0:25:14.320
<v Speaker 1>You had a movie that failed.

0:25:14.640 --> 0:25:17.240
<v Speaker 2>Now, oh yeah, I've had movies that have not works.

0:25:17.440 --> 0:25:22.520
<v Speaker 2>Let's put it. Let's put it that way. And it's

0:25:22.600 --> 0:25:27.800
<v Speaker 2>not the same anymore. And you go. Because the thing is,

0:25:27.880 --> 0:25:30.560
<v Speaker 2>it's hard to calibrate success. It used to be very easy.

0:25:30.640 --> 0:25:33.040
<v Speaker 2>Used to open up on a by on a Thursday

0:25:33.080 --> 0:25:35.359
<v Speaker 2>evening that used to know whether you're it was going

0:25:35.440 --> 0:25:38.240
<v Speaker 2>to work right within two or three hours, they can

0:25:38.240 --> 0:25:40.119
<v Speaker 2>pretty much predict what your box office will be at

0:25:40.119 --> 0:25:44.400
<v Speaker 2>the end of the weekend. And you're it's a roulette wheel, right,

0:25:44.640 --> 0:25:47.919
<v Speaker 2>so you you know, you're you're you're playing with hundreds

0:25:47.920 --> 0:25:52.679
<v Speaker 2>of millions of dollars and you let that bead go

0:25:52.840 --> 0:25:56.000
<v Speaker 2>around the roulette table and you're waiting for that phone

0:25:56.040 --> 0:25:58.560
<v Speaker 2>call on a Thursday night and is it going to

0:25:58.640 --> 0:26:01.840
<v Speaker 2>be and you'll be able to predict whether your movie

0:26:01.960 --> 0:26:03.959
<v Speaker 2>is more or less going to make a billion dollars

0:26:04.480 --> 0:26:06.359
<v Speaker 2>or it's going to make fifty million dollars or it's

0:26:06.359 --> 0:26:11.119
<v Speaker 2>going to make less. Right now, that's a big bead, right,

0:26:11.160 --> 0:26:14.520
<v Speaker 2>And I'm not sure what other what other trades do that.

0:26:15.359 --> 0:26:19.480
<v Speaker 2>It's that bigger swing, right, and and you find that

0:26:19.600 --> 0:26:23.920
<v Speaker 2>all out in two three hours fortunately those days and.

0:26:23.880 --> 0:26:26.240
<v Speaker 1>At lasts, so they can tell that. So well.

0:26:26.240 --> 0:26:28.480
<v Speaker 2>Now it's complicated because now is.

0:26:28.440 --> 0:26:30.600
<v Speaker 1>A movie that you find, you know, do you have

0:26:30.640 --> 0:26:31.200
<v Speaker 1>one or does it?

0:26:31.600 --> 0:26:33.000
<v Speaker 2>How were going to calibrate success?

0:26:33.080 --> 0:26:34.439
<v Speaker 1>Yeah, that's what I'm going to say, the one that

0:26:34.480 --> 0:26:34.760
<v Speaker 1>you like.

0:26:35.400 --> 0:26:40.960
<v Speaker 2>No, I like all of them equally, but you know it's.

0:26:40.480 --> 0:26:43.800
<v Speaker 1>It doesn't This is something question saying which is your favorite?

0:26:43.840 --> 0:26:45.600
<v Speaker 1>It is? Will always say to me, you know, what

0:26:45.680 --> 0:26:47.359
<v Speaker 1>do you like best to cook? Or what do you

0:26:47.480 --> 0:26:50.080
<v Speaker 1>like the wind? And you know it depends on the day,

0:26:50.200 --> 0:26:50.600
<v Speaker 1>the weather.

0:26:51.280 --> 0:26:52.320
<v Speaker 2>I forget about my work.

0:26:52.480 --> 0:26:55.200
<v Speaker 1>Yeah. Richard uced to say, you know that when you

0:26:55.280 --> 0:26:57.840
<v Speaker 1>finished the building, it was kind of done, and you're

0:26:57.880 --> 0:27:00.280
<v Speaker 1>you know, you're now it's done and it's there and you.

0:27:00.760 --> 0:27:04.359
<v Speaker 2>And then you kind of oddly discover you rediscover your

0:27:04.400 --> 0:27:06.119
<v Speaker 2>films because you go to someone's house to know watching

0:27:06.160 --> 0:27:08.640
<v Speaker 2>it and you sit down and halfway through and then

0:27:08.720 --> 0:27:10.800
<v Speaker 2>you sort of drift in and drift out your hold

0:27:10.800 --> 0:27:15.760
<v Speaker 2>on and it feels oddly reminiscent. But you can't remember

0:27:15.800 --> 0:27:19.199
<v Speaker 2>going through the process, although you were so intimate with

0:27:19.240 --> 0:27:21.919
<v Speaker 2>the process, you's just forgotten and you go through the process,

0:27:21.960 --> 0:27:24.560
<v Speaker 2>and I just become the viewer and I'm sitting there

0:27:24.560 --> 0:27:26.960
<v Speaker 2>and go, oh, that's fun or that's not fun, And

0:27:27.000 --> 0:27:29.000
<v Speaker 2>why did he make that decision? Why didn't I? And

0:27:29.040 --> 0:27:31.720
<v Speaker 2>I'm completely surprised. I completely forget the plot although I've

0:27:31.720 --> 0:27:35.040
<v Speaker 2>written them all, and I become a complete voyeur in

0:27:35.080 --> 0:27:35.560
<v Speaker 2>the equation.

0:27:35.640 --> 0:27:38.360
<v Speaker 1>Yeah, there's a lot SI. But Crystal the artist did

0:27:38.400 --> 0:27:42.320
<v Speaker 1>a fence through southern California. He wanted to get the

0:27:43.400 --> 0:27:45.920
<v Speaker 1>people of the town to permit it, and they didn't

0:27:45.920 --> 0:27:48.119
<v Speaker 1>want to do it because they didn't think it was

0:27:48.280 --> 0:27:51.280
<v Speaker 1>art because it was temporary. You know, Crystal, everything he

0:27:51.359 --> 0:27:53.280
<v Speaker 1>did just lasted a little while, whether it was a

0:27:53.359 --> 0:27:56.720
<v Speaker 1>fence or whether it was sheets or umbrellas in central part.

0:27:56.960 --> 0:27:59.480
<v Speaker 1>And so the argument was, it's not art because it's temporary.

0:27:59.480 --> 0:28:01.640
<v Speaker 1>And in fact, I realized that, you know, I make

0:28:01.640 --> 0:28:04.320
<v Speaker 1>a cake and that's temporary, or I grill a piece

0:28:04.359 --> 0:28:06.320
<v Speaker 1>of beef for this temporary, isn't it. You just get

0:28:06.400 --> 0:28:09.439
<v Speaker 1>eaten right away. Your movies last forever, buildings last forever,

0:28:09.480 --> 0:28:12.120
<v Speaker 1>but food sort of you eat it and then you're

0:28:12.200 --> 0:28:14.919
<v Speaker 1>criticized for it's either well to cooked or undercooked.

0:28:15.320 --> 0:28:17.960
<v Speaker 2>I'm a big fan of things that are ephemeral. I

0:28:17.960 --> 0:28:20.040
<v Speaker 2>spent a lot of time thinking about what is creativity

0:28:20.040 --> 0:28:23.720
<v Speaker 2>and what is art, and it being ephemeral is neither

0:28:23.760 --> 0:28:28.440
<v Speaker 2>here nor there. Art seems about the expression of that

0:28:28.520 --> 0:28:35.000
<v Speaker 2>which is concealed finds an interesting conduit to become revealed.

0:28:35.920 --> 0:28:39.400
<v Speaker 2>It's kind of irrelevant what the format is as long

0:28:39.440 --> 0:28:42.240
<v Speaker 2>as you can see that that which is revealed is

0:28:42.840 --> 0:28:46.880
<v Speaker 2>secondary and subservient to that which is concealed. You know,

0:28:46.960 --> 0:28:49.760
<v Speaker 2>the number of the conversation, or the nub of any

0:28:49.800 --> 0:28:54.480
<v Speaker 2>interesting conversation is just is understanding essence and concealed essence

0:28:54.520 --> 0:28:58.320
<v Speaker 2>and the unseen engine that drives creativity and all the

0:28:58.360 --> 0:29:02.680
<v Speaker 2>different conduits and man festations of creativity. I find that

0:29:02.800 --> 0:29:05.920
<v Speaker 2>in itself the most inspiring of conversations.

0:29:13.400 --> 0:29:16.640
<v Speaker 1>If you like listening to Ruthie's Table for would you

0:29:16.800 --> 0:29:20.760
<v Speaker 1>please make sure to rate and review the podcast on

0:29:20.880 --> 0:29:25.840
<v Speaker 1>the iHeartRadio app, Apple Podcasts, Spotify, or wherever you get

0:29:25.880 --> 0:29:41.040
<v Speaker 1>your podcasts. Thank you. So, when you're working, somebody you

0:29:41.080 --> 0:29:42.400
<v Speaker 1>wake up in the morning and what do you have

0:29:42.440 --> 0:29:43.040
<v Speaker 1>for breakfast?

0:29:43.480 --> 0:29:44.640
<v Speaker 2>I'm not a breakfast man, so.

0:29:44.600 --> 0:29:46.680
<v Speaker 1>You're not a breakfast man, not a lunchment. What do

0:29:46.720 --> 0:29:47.200
<v Speaker 1>you okay?

0:29:47.200 --> 0:29:50.040
<v Speaker 2>So try and I've lost a stone, which I'll quite

0:29:50.200 --> 0:29:54.200
<v Speaker 2>smug about. I've done quite well in the last six weeks.

0:29:54.760 --> 0:29:55.360
<v Speaker 1>I'm that drug.

0:29:55.520 --> 0:29:57.800
<v Speaker 2>You No, I'm not in the drug. So what's your

0:29:58.600 --> 0:30:02.080
<v Speaker 2>It's because I late. So I'll have lunch. I'll get

0:30:02.080 --> 0:30:05.080
<v Speaker 2>a bit pinchy, quite like coffee. So I'll go on

0:30:05.280 --> 0:30:10.360
<v Speaker 2>Ice Americanos at about one and then I'll have a

0:30:10.360 --> 0:30:15.680
<v Speaker 2>little nibble of something and then they do these like

0:30:15.720 --> 0:30:19.120
<v Speaker 2>sort of healthy bars, which they they do on the front.

0:30:19.160 --> 0:30:22.880
<v Speaker 2>It's like dates, cashew nuts and something else. But anyway,

0:30:22.720 --> 0:30:26.520
<v Speaker 2>they've got just enough naughtiness in them to keep you entertained,

0:30:27.040 --> 0:30:29.480
<v Speaker 2>but not enough to get you in trouble. So I'll

0:30:29.480 --> 0:30:30.840
<v Speaker 2>get and there are a couple of hundred canaries, so

0:30:30.840 --> 0:30:33.800
<v Speaker 2>they keep me ticking over. I mean, I'm on contracting

0:30:33.800 --> 0:30:36.520
<v Speaker 2>mode at the moment rather than expanding mode. Right. I

0:30:36.560 --> 0:30:39.200
<v Speaker 2>spent most of my life expanding, So every now and

0:30:39.280 --> 0:30:41.160
<v Speaker 2>then when I'm in contraction, I'm trying. And this is

0:30:41.160 --> 0:30:43.000
<v Speaker 2>the first bed I've had in a while. Actually, you've

0:30:43.000 --> 0:30:43.560
<v Speaker 2>corrupted me.

0:30:43.760 --> 0:30:46.440
<v Speaker 1>There is a little round hill, so we're going to

0:30:46.440 --> 0:30:47.200
<v Speaker 1>be in expanding.

0:30:47.320 --> 0:30:50.040
<v Speaker 2>Now, well, I'm going to be quite good at this,

0:30:50.080 --> 0:30:51.960
<v Speaker 2>but I've got quite a lunch coming up tomorrows. How

0:30:51.960 --> 0:30:54.200
<v Speaker 2>I can tell someone's birthday tomorrows, I can tell I

0:30:54.240 --> 0:30:59.960
<v Speaker 2>might as well warm. Yeah, so yeah, so I eat late,

0:31:00.520 --> 0:31:00.920
<v Speaker 2>that's right.

0:31:00.960 --> 0:31:03.440
<v Speaker 1>You know in Mexico we used to when I lived

0:31:03.480 --> 0:31:06.960
<v Speaker 1>in Mexico City when Richard was not well. The ideas

0:31:06.960 --> 0:31:10.960
<v Speaker 1>that Mexicans have a good breakfast at about eleven and

0:31:11.000 --> 0:31:12.240
<v Speaker 1>then ten.

0:31:13.160 --> 0:31:14.720
<v Speaker 2>Eleven's good. I think eleven's good.

0:31:14.800 --> 0:31:19.560
<v Speaker 1>Then they eat lunch about five four, but you have

0:31:19.680 --> 0:31:21.680
<v Speaker 1>like a two hour lunch and then that's it.

0:31:22.640 --> 0:31:23.040
<v Speaker 2>On there.

0:31:23.200 --> 0:31:23.920
<v Speaker 1>I love that.

0:31:24.680 --> 0:31:26.920
<v Speaker 2>Eleven o'clocks for me is quite a good time and

0:31:26.960 --> 0:31:28.960
<v Speaker 2>you have a little something just to keep you going.

0:31:29.320 --> 0:31:31.000
<v Speaker 2>And then if you can press on through and you

0:31:31.040 --> 0:31:36.480
<v Speaker 2>get a bit pinched, and then three four five if

0:31:36.480 --> 0:31:38.760
<v Speaker 2>you get stuck in, and then that's your life.

0:31:38.920 --> 0:31:43.600
<v Speaker 1>You've lost weight. That's since when actually.

0:31:43.360 --> 0:31:46.120
<v Speaker 2>I've rather proudly got the photograph on there, so about

0:31:46.120 --> 0:31:46.640
<v Speaker 2>six weeks.

0:31:46.760 --> 0:31:47.280
<v Speaker 1>That's good.

0:31:47.360 --> 0:31:50.640
<v Speaker 2>Yeah. And by the way, struggling, it's not being a struggle.

0:31:51.440 --> 0:31:54.520
<v Speaker 1>And I with your kids, do you have would you

0:31:54.560 --> 0:31:57.040
<v Speaker 1>sit down for dinner with your kids? So yeah, they're

0:31:57.040 --> 0:31:59.000
<v Speaker 1>all quite quite early with you.

0:31:59.080 --> 0:32:01.880
<v Speaker 2>Yeah, yeah, and you're watching out eating the kids, as

0:32:01.920 --> 0:32:04.600
<v Speaker 2>everyone knows, because you soon fall into a bowl of

0:32:04.640 --> 0:32:06.880
<v Speaker 2>spaghetti and it's hard to get out of it, and

0:32:06.920 --> 0:32:10.080
<v Speaker 2>they fish fingers. You forget how good they are until

0:32:10.200 --> 0:32:12.080
<v Speaker 2>I mean, that's a problem with kids food. Kids food's good,

0:32:13.000 --> 0:32:15.360
<v Speaker 2>and you just don't want to go near the gravitational

0:32:15.360 --> 0:32:17.440
<v Speaker 2>puol of kids food because once you do, it's hard

0:32:17.480 --> 0:32:19.640
<v Speaker 2>to get out of it. So we try not sit

0:32:19.680 --> 0:32:24.080
<v Speaker 2>with the kids for that reason, and then I'll end

0:32:24.160 --> 0:32:25.000
<v Speaker 2>up eating their food.

0:32:25.080 --> 0:32:27.400
<v Speaker 1>Yeah, of course you do. And when but they're going

0:32:27.440 --> 0:32:29.400
<v Speaker 1>back because when I thought when you were in Spain,

0:32:29.560 --> 0:32:31.760
<v Speaker 1>you did did you eat cookies?

0:32:31.840 --> 0:32:36.520
<v Speaker 2>We were very good to begin with and then yeah,

0:32:36.560 --> 0:32:38.600
<v Speaker 2>we were on about a thousand calories and we were

0:32:38.680 --> 0:32:40.440
<v Speaker 2>very good. And then Josh took me to a Spanish

0:32:40.520 --> 0:32:46.760
<v Speaker 2>gaff where we fell off a cliff and we spectacular.

0:32:47.080 --> 0:32:48.200
<v Speaker 1>What did you have? Do you remember?

0:32:49.080 --> 0:32:51.640
<v Speaker 2>I actuallygot the pictures. I'm one of those people that

0:32:51.720 --> 0:32:54.040
<v Speaker 2>rather sadly takes pictures of interesting meals.

0:32:55.240 --> 0:32:57.280
<v Speaker 1>Then was just in where you're making.

0:32:57.080 --> 0:32:59.480
<v Speaker 2>The movie, it was it was like hole in the wall.

0:33:01.560 --> 0:33:02.560
<v Speaker 1>What city were you're near?

0:33:02.640 --> 0:33:07.840
<v Speaker 2>You were near we were near Alicante, now I'm sure anyway, whatever,

0:33:08.600 --> 0:33:10.640
<v Speaker 2>then we fell off a cliff because then we ended

0:33:10.720 --> 0:33:14.760
<v Speaker 2>up in the Spanish wine world, and I remember sobbing

0:33:15.160 --> 0:33:17.800
<v Speaker 2>by the time we came to the second meal because

0:33:18.160 --> 0:33:23.120
<v Speaker 2>of the impact of not having drunk or eaten too

0:33:23.200 --> 0:33:26.280
<v Speaker 2>much in six weeks. I think we're being very good girls.

0:33:26.800 --> 0:33:29.480
<v Speaker 2>And then that was it, and then we were very

0:33:29.560 --> 0:33:33.480
<v Speaker 2>naughty for the remainder of the for the shoot everything

0:33:33.520 --> 0:33:37.160
<v Speaker 2>I'd lost in the first half and then quickly found

0:33:38.360 --> 0:33:42.200
<v Speaker 2>for the remainder. But it was just brilliant. And I'm

0:33:42.240 --> 0:33:44.600
<v Speaker 2>perfectly happy to go up and down in wait, yeah

0:33:44.720 --> 0:33:47.000
<v Speaker 2>you are, Yeah, I can't see your.

0:33:46.880 --> 0:33:49.600
<v Speaker 1>Cot say contract and expand and.

0:33:49.560 --> 0:33:52.720
<v Speaker 2>I'm happy with that. My biggest challenge in life is

0:33:52.760 --> 0:33:56.280
<v Speaker 2>not eating too much, and I will become I will

0:33:56.760 --> 0:34:00.520
<v Speaker 2>expand to the point of danger if I let my

0:34:01.800 --> 0:34:06.360
<v Speaker 2>nature loose. So really it's the battle that I suppose

0:34:06.440 --> 0:34:10.360
<v Speaker 2>everyone has. You've done very well to remain the whippet

0:34:10.440 --> 0:34:10.680
<v Speaker 2>that you.

0:34:10.800 --> 0:34:13.080
<v Speaker 1>Oh I am not kidding, No, you're a whippit.

0:34:14.120 --> 0:34:17.279
<v Speaker 2>Now, how hard is it for everyone? I'm shocked that

0:34:17.680 --> 0:34:21.640
<v Speaker 2>anyone north of forty is not four hundred pounds because

0:34:21.719 --> 0:34:25.440
<v Speaker 2>the amount of resistance that you need, a restriction, you

0:34:25.520 --> 0:34:29.399
<v Speaker 2>need in order not to endlessly expand is really kind

0:34:29.400 --> 0:34:30.120
<v Speaker 2>of admirable.

0:34:30.120 --> 0:34:33.120
<v Speaker 1>And it's so delicious, isn't it. So it's such a pleasure.

0:34:33.360 --> 0:34:36.240
<v Speaker 2>It's such a pleasure. It's a dilemma. It's a dilemma

0:34:36.280 --> 0:34:38.799
<v Speaker 2>that we all face it two or three times a day,

0:34:38.840 --> 0:34:41.920
<v Speaker 2>and everyone does so in proportion to the blessing, as

0:34:41.960 --> 0:34:45.200
<v Speaker 2>they say, is in proportion to the curse. So food

0:34:45.360 --> 0:34:48.760
<v Speaker 2>is that thing, right, So as much pleasure it gives

0:34:48.760 --> 0:34:51.520
<v Speaker 2>you is as much trouble as it can give you.

0:34:52.040 --> 0:34:54.520
<v Speaker 2>And so I live in this world of desperately trying

0:34:54.560 --> 0:34:57.319
<v Speaker 2>to create and sometimes I win and sometimes I lose,

0:34:57.480 --> 0:34:59.800
<v Speaker 2>trying to find balance with food and booz.

0:35:00.000 --> 0:35:03.040
<v Speaker 1>Actually, also when you hold back on food, have you

0:35:03.160 --> 0:35:05.040
<v Speaker 1>been to when you know that? And I know that

0:35:05.080 --> 0:35:07.080
<v Speaker 1>because I've had it, is that when you sort of

0:35:07.120 --> 0:35:08.840
<v Speaker 1>sit down and then you know I'm not going to

0:35:08.920 --> 0:35:12.200
<v Speaker 1>have you know, something fattening or something too much or

0:35:12.320 --> 0:35:14.680
<v Speaker 1>you know, sugar, you kind of hold back in every

0:35:14.680 --> 0:35:15.440
<v Speaker 1>way do.

0:35:15.400 --> 0:35:18.719
<v Speaker 2>You think you do? But subsequently I can't like it?

0:35:18.880 --> 0:35:21.839
<v Speaker 2>Subsequently at the time I don't, and then subsequently, yeah,

0:35:22.360 --> 0:35:22.960
<v Speaker 2>I think.

0:35:23.880 --> 0:35:26.799
<v Speaker 1>When we talk about food and this is always you know.

0:35:27.280 --> 0:35:30.680
<v Speaker 1>My last question, is there food that you would turn.

0:35:30.560 --> 0:35:35.719
<v Speaker 2>To for comfort comfort food? It will be either marmite

0:35:36.239 --> 0:35:40.000
<v Speaker 2>on toast. And I'm actually quite snotty about my toast,

0:35:40.120 --> 0:35:41.440
<v Speaker 2>so I do like a good sowdough.

0:35:42.560 --> 0:35:47.160
<v Speaker 1>Do you have butter or just moremy but also quite

0:35:47.200 --> 0:35:49.759
<v Speaker 1>like posh buttter too. I like posh.

0:35:49.480 --> 0:35:56.319
<v Speaker 2>Bread and posh butter. That's anything that the closer it

0:35:56.360 --> 0:35:58.440
<v Speaker 2>came from a cow, the poshare it is, as far

0:35:58.480 --> 0:36:00.560
<v Speaker 2>as I'm concerned. And I went to place called the

0:36:00.600 --> 0:36:01.960
<v Speaker 2>New in Somerset the other day.

0:36:02.520 --> 0:36:04.000
<v Speaker 1>Do you know I haven't been there, but.

0:36:04.200 --> 0:36:07.680
<v Speaker 2>Well, anyway did They did a sour though there and

0:36:07.719 --> 0:36:11.360
<v Speaker 2>a big wedge of local butter, and it's just no

0:36:11.440 --> 0:36:14.799
<v Speaker 2>point in anything else. So it will probably be I do

0:36:14.920 --> 0:36:18.160
<v Speaker 2>like Marmie. I do like marmalade. By the way, I

0:36:18.200 --> 0:36:20.759
<v Speaker 2>can talk about marmalade for sometime now. I'm not going

0:36:20.800 --> 0:36:25.800
<v Speaker 2>to fall down into the that's episode two. So although

0:36:25.880 --> 0:36:31.080
<v Speaker 2>my nature is not bread driven, arm I when I

0:36:31.160 --> 0:36:34.880
<v Speaker 2>do taste good bread and good butter hard to trumpet

0:36:35.080 --> 0:36:39.720
<v Speaker 2>and like anchovies on toast to anchovies on toast. But actually,

0:36:39.760 --> 0:36:42.120
<v Speaker 2>if you get enough of the olive oil in the anchovies.

0:36:42.320 --> 0:36:43.719
<v Speaker 2>Then I don't find I don't need the butter.

0:36:43.800 --> 0:36:46.239
<v Speaker 1>But is really nice with anchivies. You know, even Italians

0:36:46.280 --> 0:36:49.359
<v Speaker 1>have butter and anchovies. Is there something about as salted.

0:36:49.120 --> 0:36:51.880
<v Speaker 2>ANCHI yeah, you do a lot of anchovies. You're very well,

0:36:51.920 --> 0:36:55.640
<v Speaker 2>you're big on anchovies. But hold on, I'm feeling as though,

0:36:56.000 --> 0:36:59.960
<v Speaker 2>and then I do they're all going to be It's

0:37:00.040 --> 0:37:00.799
<v Speaker 2>it's okay. Bread.

0:37:01.120 --> 0:37:01.960
<v Speaker 1>Bread is comforting.

0:37:03.280 --> 0:37:07.680
<v Speaker 2>The question was about what's comforting, so yeah, so it

0:37:07.760 --> 0:37:12.480
<v Speaker 2>will They're all bread related. I do like pigeon, I know, yeah, yeah,

0:37:12.480 --> 0:37:16.040
<v Speaker 2>I love pigeon. I'm giving you lots of answers.

0:37:16.080 --> 0:37:17.640
<v Speaker 1>So I'll be like it. This is well, there's a

0:37:17.640 --> 0:37:21.560
<v Speaker 1>difference between liking and something you might turn to when

0:37:21.600 --> 0:37:23.040
<v Speaker 1>you really thought, you know.

0:37:23.000 --> 0:37:26.840
<v Speaker 2>What, where'd your cheddar? Where did you che branson pickle?

0:37:27.160 --> 0:37:27.520
<v Speaker 1>Okay?

0:37:27.800 --> 0:37:28.400
<v Speaker 2>Own bread?

0:37:28.680 --> 0:37:29.239
<v Speaker 1>Yeah?

0:37:29.320 --> 0:37:30.239
<v Speaker 2>Yeah, big on that.

0:37:30.920 --> 0:37:34.839
<v Speaker 1>So we've had comfort, we've had creativity, we've had and

0:37:34.880 --> 0:37:37.480
<v Speaker 1>we've had a great piece of meat, didn't we That

0:37:37.640 --> 0:37:40.560
<v Speaker 1>was a rebby to remember. That was delicious. So yeah,

0:37:40.760 --> 0:37:43.359
<v Speaker 1>there's not very many people that you interview who bring

0:37:43.400 --> 0:37:45.719
<v Speaker 1>their own who bring their own grills. So we have

0:37:45.760 --> 0:37:49.279
<v Speaker 1>a lot more to do more talking, more, cooking, more

0:37:49.280 --> 0:37:50.000
<v Speaker 1>eating together.

0:37:50.680 --> 0:37:51.560
<v Speaker 2>Yeah, fabulous.

0:37:51.680 --> 0:37:53.560
<v Speaker 1>That was the little boy that I met when he

0:37:53.640 --> 0:37:57.359
<v Speaker 1>was twelve years old. You've come a long way. Thank you,

0:37:57.480 --> 0:38:04.000
<v Speaker 1>thank you, thank you for listening to Ruthie's Table four

0:38:04.480 --> 0:38:06.040
<v Speaker 1>in partnership with Montclair.

0:38:15.560 --> 0:38:19.240
<v Speaker 2>Ruthie's Table four is produced by Atamei Studios for iHeartRadio.

0:38:19.600 --> 0:38:23.000
<v Speaker 2>It's hosted by Ruthie Rogers and it's produced by William Lensky.

0:38:23.760 --> 0:38:26.839
<v Speaker 2>This episode was edited by Julia Johnson and mixed by

0:38:26.960 --> 0:38:32.000
<v Speaker 2>Nigel Appleton. Our executive producers are Fay Stewart and Zad Rogers.

0:38:32.560 --> 0:38:36.040
<v Speaker 2>Our production manager is Caitlin Paramore, and our production coordinator

0:38:36.120 --> 0:38:40.240
<v Speaker 2>is Bella Selini. This episode had additional contributions by Sean

0:38:40.440 --> 0:38:43.520
<v Speaker 2>Wynn Owen. Thank you to everyone at The River Cafe

0:38:43.800 --> 0:38:49.240
<v Speaker 2>for your help in making this episode.