1 00:00:05,200 --> 00:00:06,680 Speaker 1: Hey, this is Annie and Samantha. 2 00:00:06,720 --> 00:00:09,039 Speaker 2: I'm welcome to stuff I ever told you, protection of iHeartRadio, 3 00:00:18,640 --> 00:00:23,680 Speaker 2: and welcome to another edition of our feminist movie Friday. 4 00:00:24,079 --> 00:00:27,440 Speaker 2: This is we're interrupting our religious series, but it will 5 00:00:27,440 --> 00:00:29,120 Speaker 2: be back. There's so much more to go over. We 6 00:00:29,120 --> 00:00:30,400 Speaker 2: were just talking about it. 7 00:00:30,520 --> 00:00:31,360 Speaker 1: There's so much more. 8 00:00:31,400 --> 00:00:34,680 Speaker 3: But because of the intensity, yeah, and so much research, 9 00:00:34,760 --> 00:00:37,280 Speaker 3: we just need breaks every now and again because it's. 10 00:00:37,120 --> 00:00:40,600 Speaker 2: A loss, and we imagine you listeners do too. Yes, 11 00:00:42,120 --> 00:00:44,920 Speaker 2: And that's actually in keeping with the movie that we chose, 12 00:00:45,640 --> 00:00:49,960 Speaker 2: which is Boy Meets Girl, but a brief content warning 13 00:00:50,040 --> 00:00:54,840 Speaker 2: for discussion around self harm disordered eating. I don't think 14 00:00:54,840 --> 00:00:56,760 Speaker 2: we really talk about it, but it's mentioned in the movie, 15 00:00:56,840 --> 00:01:01,000 Speaker 2: so I just put it down some problematic language. But 16 00:01:01,080 --> 00:01:05,160 Speaker 2: we are because of the continued attacks on the trans community, 17 00:01:05,200 --> 00:01:09,000 Speaker 2: we wanted to pick a movie about trans people with 18 00:01:09,080 --> 00:01:12,000 Speaker 2: trans people in it, and this one came up a 19 00:01:12,040 --> 00:01:16,160 Speaker 2: lot because, as we'll get into in the themes a 20 00:01:16,160 --> 00:01:18,760 Speaker 2: bit more, a lot of people said, you know, this 21 00:01:18,800 --> 00:01:21,240 Speaker 2: one was a nice one because it has like a 22 00:01:21,240 --> 00:01:23,640 Speaker 2: happy ending. It's not about sad things. It's just kind 23 00:01:23,640 --> 00:01:26,959 Speaker 2: of a rom com. It's got it serious moments, for sure, 24 00:01:27,840 --> 00:01:30,120 Speaker 2: But it wasn't like this super heavy thing that a 25 00:01:30,160 --> 00:01:34,720 Speaker 2: lot of movies about trans people are, so I had 26 00:01:34,760 --> 00:01:37,800 Speaker 2: never heard of it. I really enjoyed it. 27 00:01:38,200 --> 00:01:40,360 Speaker 3: Yeah, I think, yeah, it's one of those things where 28 00:01:40,440 --> 00:01:45,640 Speaker 3: you see a lot of queer movies being very sympathy porn. 29 00:01:46,200 --> 00:01:48,480 Speaker 1: It's, you know, the idea that we have to live 30 00:01:48,560 --> 00:01:49,240 Speaker 1: the horrors. 31 00:01:50,600 --> 00:01:52,440 Speaker 3: People live horror and that's the only thing we want 32 00:01:52,480 --> 00:01:55,040 Speaker 3: to know about them, and instead of that, we get 33 00:01:55,040 --> 00:01:59,240 Speaker 3: to celebrate coming of age story sort of for the 34 00:01:59,280 --> 00:01:59,880 Speaker 3: main character. 35 00:02:00,800 --> 00:02:03,840 Speaker 1: It's very quick, so the plot goes so quickly. That 36 00:02:03,920 --> 00:02:05,240 Speaker 1: was like, wait, what that was? 37 00:02:05,360 --> 00:02:05,960 Speaker 2: That was fast? 38 00:02:07,080 --> 00:02:08,919 Speaker 3: So that was one of the things that did kind 39 00:02:08,919 --> 00:02:12,120 Speaker 3: of get me that I was like two days in damn, Okay, 40 00:02:12,240 --> 00:02:14,960 Speaker 3: you know what, Maybe I just wasn't adventurous enough in life. 41 00:02:17,160 --> 00:02:20,799 Speaker 2: Maybe we will talk about that too. And I did 42 00:02:20,840 --> 00:02:24,200 Speaker 2: love because it is based in Kentucky. It's based in 43 00:02:24,240 --> 00:02:26,080 Speaker 2: the South, and it's got like a small town element, 44 00:02:26,440 --> 00:02:28,520 Speaker 2: and I know we'll talk about that a little bit later. 45 00:02:28,560 --> 00:02:30,240 Speaker 2: But I was like, yeah, I can relate to a 46 00:02:30,280 --> 00:02:37,679 Speaker 2: lot of this. Oh and also if like we're kind 47 00:02:37,680 --> 00:02:41,840 Speaker 2: of it's a bit messier throughout the plot. It's because 48 00:02:42,040 --> 00:02:44,480 Speaker 2: I couldn't find. Normally, I have like a written up 49 00:02:44,480 --> 00:02:47,400 Speaker 2: plot that I have up as I watch it, and 50 00:02:47,440 --> 00:02:49,079 Speaker 2: it helps me kind of make sure I don't miss 51 00:02:49,080 --> 00:02:51,600 Speaker 2: any threads that did. I couldn't find that for this one. 52 00:02:51,639 --> 00:02:56,240 Speaker 2: So this is like a lot of us just talk way. 53 00:02:56,280 --> 00:02:59,520 Speaker 1: I like it anyway, this is my style. Let's go. 54 00:03:00,480 --> 00:03:01,960 Speaker 3: We're just saying, I do you want to watch it? 55 00:03:01,960 --> 00:03:03,600 Speaker 3: It is on Amazon Prime right now. 56 00:03:04,080 --> 00:03:07,919 Speaker 2: It is Yes, it is okay. So Boy Meets Girl 57 00:03:08,200 --> 00:03:12,400 Speaker 2: is a twenty fourteen indie rom com drama directed by 58 00:03:12,560 --> 00:03:15,560 Speaker 2: Eric Schaeffer. When it came out, it was fairly well reviewed, 59 00:03:15,560 --> 00:03:16,880 Speaker 2: and like I said, it did come up on a 60 00:03:16,880 --> 00:03:19,440 Speaker 2: lot of list when I was looking up what movies 61 00:03:19,440 --> 00:03:22,000 Speaker 2: we should watch this month, and it came up in 62 00:03:22,080 --> 00:03:24,240 Speaker 2: terms of what I was saying, like important movies about 63 00:03:24,280 --> 00:03:28,280 Speaker 2: trans people, because there are harsh elements of it, but 64 00:03:28,320 --> 00:03:31,080 Speaker 2: it's much lighter. The main character, who is trans played 65 00:03:31,080 --> 00:03:34,240 Speaker 2: by trans woman, is very comfortable in herself and in 66 00:03:34,280 --> 00:03:37,600 Speaker 2: her body, like that's not an issue. It doesn't shy 67 00:03:37,640 --> 00:03:41,120 Speaker 2: away from transphobia, but it does call it out. Here's 68 00:03:41,160 --> 00:03:43,280 Speaker 2: a good quote describing the vibe of this movie that 69 00:03:43,360 --> 00:03:45,720 Speaker 2: I often saw when I was when I was looking 70 00:03:45,760 --> 00:03:48,600 Speaker 2: it up, and it's from Medium. The twenty fourteen film 71 00:03:48,640 --> 00:03:52,200 Speaker 2: gives trans people a romantic, happy ending that mainstream film 72 00:03:52,440 --> 00:03:57,040 Speaker 2: too often denies them. So yes, the article does go 73 00:03:57,120 --> 00:04:00,040 Speaker 2: on to point, especially in Apalachia, that this happened in 74 00:04:00,120 --> 00:04:05,520 Speaker 2: the South, like that's even more rare. Yes, it stars 75 00:04:05,800 --> 00:04:10,200 Speaker 2: transactress Michelle Henley as Ricky, a young trans woman living 76 00:04:10,200 --> 00:04:13,480 Speaker 2: in a small town Kentucky on her search for love. 77 00:04:13,920 --> 00:04:17,839 Speaker 2: Schaeffer discovered her on YouTube, which he went on to 78 00:04:17,880 --> 00:04:20,320 Speaker 2: incorporate that into the film, and sort of these YouTube 79 00:04:20,320 --> 00:04:23,560 Speaker 2: clips we see. She works as a barista, but she 80 00:04:23,600 --> 00:04:25,440 Speaker 2: has goals of moving to New York and going to 81 00:04:25,480 --> 00:04:29,159 Speaker 2: school to study fashion design, which she has a YouTube 82 00:04:29,240 --> 00:04:32,480 Speaker 2: channel about fashion design. She spends most of her free 83 00:04:32,520 --> 00:04:36,359 Speaker 2: time hanging out with her friend, mechanic Robbie Michael Welch, 84 00:04:36,360 --> 00:04:38,400 Speaker 2: which I'm told he was in Twilight. 85 00:04:38,720 --> 00:04:41,200 Speaker 1: Yes he was, Yes he was. 86 00:04:41,400 --> 00:04:44,000 Speaker 3: That's the only one I know. Think Oh that and 87 00:04:44,200 --> 00:04:48,080 Speaker 3: an episode of Criminal Minds. Those are Oh I've ever 88 00:04:48,080 --> 00:04:48,440 Speaker 3: seen them? 89 00:04:48,440 --> 00:04:49,320 Speaker 1: Then you're welcome. 90 00:04:50,680 --> 00:04:55,359 Speaker 2: Yes, he's like the most Southern boy like accent, and 91 00:04:55,480 --> 00:04:59,160 Speaker 2: he's the mechanic, like the whole thing. But the pair 92 00:04:59,200 --> 00:05:02,040 Speaker 2: have been good friends for about fifteen years, and they 93 00:05:02,080 --> 00:05:04,680 Speaker 2: spend most of their days teasing each other in the 94 00:05:04,720 --> 00:05:06,599 Speaker 2: way that good friends do. They have a lot of 95 00:05:06,600 --> 00:05:10,480 Speaker 2: conversations about sex, about all those kinds of things that 96 00:05:10,520 --> 00:05:14,120 Speaker 2: you have with your close friends. And Ricky is also 97 00:05:14,200 --> 00:05:18,200 Speaker 2: close with her father and her younger brother as well. 98 00:05:18,080 --> 00:05:22,520 Speaker 3: And in her Friendcesca played by Alexandra Turshan, who Ricky 99 00:05:22,600 --> 00:05:25,640 Speaker 3: meets at work, and from there they become good friends 100 00:05:25,839 --> 00:05:30,800 Speaker 3: very quickly, very quickly, and then from there a romantic 101 00:05:30,839 --> 00:05:34,480 Speaker 3: relationship forms. Like meeting number two, I was like, wow, wow, okay, 102 00:05:34,560 --> 00:05:37,200 Speaker 3: uh huh, I guess sometimes it could be like that. Right, 103 00:05:37,480 --> 00:05:41,680 Speaker 3: So Manchesska develops feelings for Ricky, but Robbie is suspicious, 104 00:05:41,800 --> 00:05:45,680 Speaker 3: believing her to be an untrustworthy, conservative, well off Southern 105 00:05:45,720 --> 00:05:50,599 Speaker 3: Belt type who, by the way, thinks being trans is contagious. Well, 106 00:05:50,640 --> 00:05:53,040 Speaker 3: I will say, at the beginning Robbie was like, try it, 107 00:05:53,200 --> 00:05:55,680 Speaker 3: maybe she's cool. Don't judge a book by the cover. 108 00:05:55,839 --> 00:05:57,760 Speaker 3: But then I think she said the person she was 109 00:05:57,760 --> 00:06:01,839 Speaker 3: getting engaged to, yeah, both knew, and that kind of 110 00:06:01,880 --> 00:06:06,839 Speaker 3: was like, oh no, don't like there was suspicions after that, right, However, 111 00:06:07,080 --> 00:06:09,320 Speaker 3: that doesn't stop the two of them from falling for 112 00:06:09,440 --> 00:06:13,719 Speaker 3: each other, but they there are complications and confusion. First, 113 00:06:14,080 --> 00:06:17,200 Speaker 3: neither have been with a woman, which was a fun 114 00:06:17,200 --> 00:06:21,279 Speaker 3: conversation between Ricky and Robbie, like I turned red, but 115 00:06:21,320 --> 00:06:21,680 Speaker 3: I'm like, you. 116 00:06:21,680 --> 00:06:23,560 Speaker 1: Know what, this is a legitimate I feel like this could. 117 00:06:23,440 --> 00:06:27,120 Speaker 3: Be a legitimate questions like this is There's a lot 118 00:06:27,200 --> 00:06:29,280 Speaker 3: of things that I'm like, this does feel like how 119 00:06:29,279 --> 00:06:34,440 Speaker 3: we should go. And second, Francesca is engaged to a 120 00:06:34,560 --> 00:06:41,120 Speaker 3: marine who was stationed in Afghanistan named David Uh. And apparently, yes, 121 00:06:41,200 --> 00:06:44,400 Speaker 3: they all know each other. Yeah, and Ricky, we find 122 00:06:44,400 --> 00:06:45,200 Speaker 3: out later. 123 00:06:45,720 --> 00:06:47,400 Speaker 1: Had a thing with him. 124 00:06:47,480 --> 00:06:51,560 Speaker 3: They they had sex essentially, and as we were introduced 125 00:06:51,560 --> 00:06:54,760 Speaker 3: to David before we find that out, he is obviously 126 00:06:54,960 --> 00:06:58,560 Speaker 3: playing that very southern uh. He makes a comment about 127 00:06:58,600 --> 00:07:03,480 Speaker 3: those Arabs at one point and then calls Ricky some 128 00:07:03,640 --> 00:07:06,679 Speaker 3: names that is inappropriate and rude and hateful. 129 00:07:07,360 --> 00:07:12,680 Speaker 2: Yes, yes, and keeping with our religious mini series we're doing, 130 00:07:13,640 --> 00:07:16,080 Speaker 2: he refers to her as my virgin angel. 131 00:07:16,440 --> 00:07:18,239 Speaker 1: Yeah, that will make me squirm so hard. 132 00:07:18,400 --> 00:07:22,240 Speaker 2: Oh, me too, me too, And he says one good 133 00:07:22,280 --> 00:07:27,920 Speaker 2: thing about Arabs is saving themselves for marriage. So he's 134 00:07:28,080 --> 00:07:33,800 Speaker 2: not a good guy, not cool at all. As I mentioned, 135 00:07:33,880 --> 00:07:37,120 Speaker 2: Ricky has a YouTube channel about fashion and she makes 136 00:07:37,120 --> 00:07:41,520 Speaker 2: her own clothes. So one day Francesca comes over and 137 00:07:41,600 --> 00:07:43,760 Speaker 2: Ricky kind of surprises her and brings her onto the 138 00:07:44,240 --> 00:07:49,000 Speaker 2: video and they bond over it. They talk about tampons 139 00:07:49,080 --> 00:07:55,400 Speaker 2: and bathrooms and barbies, accepting sex. Francesca says she wants 140 00:07:55,400 --> 00:07:58,640 Speaker 2: to live out loud like Ricky, a life without regrets, 141 00:07:58,840 --> 00:08:01,040 Speaker 2: which Ricky says has a pretty big price tag, but 142 00:08:01,080 --> 00:08:03,640 Speaker 2: Francesca says it's not as big of a price tag 143 00:08:03,680 --> 00:08:06,360 Speaker 2: as the alternative, and they start making out and then 144 00:08:06,440 --> 00:08:12,760 Speaker 2: Francesca sort of flees the scene please runs away very quickly. 145 00:08:13,720 --> 00:08:17,080 Speaker 3: The next day, Ricky discusses having sex with a woman 146 00:08:17,280 --> 00:08:21,760 Speaker 3: with Robbie, as we said, and Francesca asks for Ricky's 147 00:08:21,800 --> 00:08:25,320 Speaker 3: help for a dress because they Yeah, they go looking 148 00:08:25,360 --> 00:08:29,280 Speaker 3: around discussing small town living, and Ricky takes a reluctant 149 00:08:29,320 --> 00:08:32,400 Speaker 3: Francesca to Target to get materials to make a dress, 150 00:08:32,440 --> 00:08:36,520 Speaker 3: specifically a tablecloth, and yeah, they are doing this because her, uh, 151 00:08:36,800 --> 00:08:39,320 Speaker 3: Francesca's parents are doing a big it sounds like a 152 00:08:39,320 --> 00:08:44,040 Speaker 3: political yeah, like amazing event, Yeah, at their house, and 153 00:08:44,080 --> 00:08:47,760 Speaker 3: it sounds like her Francesca's father is a politician, yes, 154 00:08:47,840 --> 00:08:50,319 Speaker 3: and we ever yeah, but we don't. 155 00:08:50,160 --> 00:08:52,400 Speaker 1: Ever hear outside of him making the speech. 156 00:08:54,080 --> 00:08:56,719 Speaker 3: But anyway, there that is and yeah, they start making 157 00:08:56,760 --> 00:09:00,520 Speaker 3: out again, heart and heavy, and Ricky expresses her doubts 158 00:09:00,559 --> 00:09:03,520 Speaker 3: about the whole thing, but Francesca means she's not a 159 00:09:03,600 --> 00:09:07,400 Speaker 3: virgin and is lying to her fiance about it. Ricky 160 00:09:07,400 --> 00:09:09,560 Speaker 3: insists that they have to talk about sex, especially in 161 00:09:09,600 --> 00:09:11,960 Speaker 3: regards to having sex as a trans person, and then 162 00:09:12,000 --> 00:09:16,600 Speaker 3: also whether they're clean bill of help using production. They 163 00:09:16,640 --> 00:09:19,920 Speaker 3: have sex a Francesca skips a call from her fiance 164 00:09:20,040 --> 00:09:21,040 Speaker 3: as are just cuddling. 165 00:09:21,679 --> 00:09:26,080 Speaker 2: Yes, yes, yes, yes, And then they talk after after 166 00:09:26,080 --> 00:09:28,000 Speaker 2: they have sex about whether or not Francesca is gay, 167 00:09:28,040 --> 00:09:29,960 Speaker 2: Like Francisca's like, what does this make me? Is it 168 00:09:29,960 --> 00:09:31,920 Speaker 2: make me buy? Does it make mean? Whatever? It makes 169 00:09:31,920 --> 00:09:34,800 Speaker 2: me something? But Ricky says it just makes her human. 170 00:09:36,320 --> 00:09:39,679 Speaker 2: Then Ricky discusses this whole thing with Robbie and they 171 00:09:39,840 --> 00:09:44,040 Speaker 2: argue about straight and gay sex, about labeling sexuality, and 172 00:09:44,080 --> 00:09:46,440 Speaker 2: they're having this argument all while they're driving up to 173 00:09:46,720 --> 00:09:49,800 Speaker 2: Francesca's place to deliver the dress, the place of her 174 00:09:49,840 --> 00:09:54,560 Speaker 2: parents anyway, and the place is a mansion. It is 175 00:09:54,600 --> 00:09:57,960 Speaker 2: an absolute mansion. Francesca is so excited about the dress. 176 00:09:58,000 --> 00:10:02,360 Speaker 2: She loves it. Robbie says he loves and so Francesca 177 00:10:02,400 --> 00:10:04,640 Speaker 2: invites them both to the party. Her parents are throwing 178 00:10:04,679 --> 00:10:09,320 Speaker 2: this political fundraiser, I think, and it is a very 179 00:10:09,360 --> 00:10:13,760 Speaker 2: fancy schmancy party, very fancy smancy. And yes they are conservative. 180 00:10:14,200 --> 00:10:17,000 Speaker 2: Her parents are conservative. Pretty much everyone there, I would 181 00:10:17,040 --> 00:10:24,160 Speaker 2: guess this conservative. Francesca's bombs southern accent is quite the thing. 182 00:10:27,240 --> 00:10:29,440 Speaker 1: And a bellum with it, and I'm like, nam, I 183 00:10:29,480 --> 00:10:30,400 Speaker 1: need to calm down. 184 00:10:36,120 --> 00:10:39,760 Speaker 2: And then at the party, her dad makes this announcement 185 00:10:39,760 --> 00:10:42,400 Speaker 2: about Francesca's wedding and it turns out that they have 186 00:10:42,559 --> 00:10:47,840 Speaker 2: brought David home for the party. Everyone is shocked. Awkward 187 00:10:47,920 --> 00:10:52,440 Speaker 2: small talking sues. David confronts Francesca about missing his call. 188 00:10:52,880 --> 00:10:55,800 Speaker 2: Francesca tries to get him to respect Ricky because he 189 00:10:55,880 --> 00:11:00,600 Speaker 2: keeps purposely s gendering Ricky. David review else he saw 190 00:11:00,640 --> 00:11:03,840 Speaker 2: the YouTube video they made together, and he complains he's 191 00:11:03,920 --> 00:11:08,040 Speaker 2: the laughing stock of his group of dudes and calls 192 00:11:08,160 --> 00:11:13,319 Speaker 2: Ricky a thing, which is horridness. Francesca confronts her parents. 193 00:11:14,000 --> 00:11:16,120 Speaker 2: David makes sure that her parents know that Ricky is 194 00:11:16,160 --> 00:11:20,640 Speaker 2: a trans person. Francesca kind of reveals that she was 195 00:11:20,679 --> 00:11:23,520 Speaker 2: with Ricky, and her dad attacks David because he was 196 00:11:23,520 --> 00:11:28,000 Speaker 2: getting kind of aggressive, and Ricky and Robbie wisely fled 197 00:11:28,000 --> 00:11:32,200 Speaker 2: the scene. He had already left before this happened. Smart 198 00:11:32,640 --> 00:11:35,000 Speaker 2: Ricky's little brother finds the video that Ricky made as 199 00:11:35,000 --> 00:11:38,439 Speaker 2: a kid that the movie starts out with about self 200 00:11:38,440 --> 00:11:43,640 Speaker 2: harming and believing that their mom left died because of her. 201 00:11:44,720 --> 00:11:50,280 Speaker 2: Then it cuts to Francesca's mom cornering Ricky in a 202 00:11:50,320 --> 00:11:53,720 Speaker 2: coffee shop and she's like talking about how her daughter 203 00:11:53,800 --> 00:11:57,600 Speaker 2: is weak, she's not very strong, but meanwhile, Ricky has 204 00:11:57,600 --> 00:12:01,440 Speaker 2: had her heartbroken several times, so you'll be fine. She's 205 00:12:01,480 --> 00:12:04,520 Speaker 2: trying to convince Ricky that Ricky doesn't want Francesca and 206 00:12:04,559 --> 00:12:09,480 Speaker 2: should let her down. Also says transgender sounds so ugly 207 00:12:09,880 --> 00:12:12,280 Speaker 2: and she would be better off telling people she has 208 00:12:12,320 --> 00:12:15,080 Speaker 2: a birth effects terrible. 209 00:12:15,559 --> 00:12:21,000 Speaker 3: It was bad, And of course Ricky fires shots back. 210 00:12:21,480 --> 00:12:24,319 Speaker 3: That's what she does barely, that's how she's been surviving, 211 00:12:24,320 --> 00:12:26,280 Speaker 3: and she's able to push people. 212 00:12:26,280 --> 00:12:28,079 Speaker 1: Back with her rhetoric. 213 00:12:29,520 --> 00:12:33,520 Speaker 3: The letter Ricky has been waiting for has finally arrived, 214 00:12:33,559 --> 00:12:38,400 Speaker 3: which is an acceptance for the fashion design school. But 215 00:12:38,480 --> 00:12:41,559 Speaker 3: before she can read that, David the fiance comes out 216 00:12:41,600 --> 00:12:45,400 Speaker 3: of nowhere, no car, no nothing, just chomped these I'm 217 00:12:45,400 --> 00:12:47,120 Speaker 3: confused because I'm like, where the did. 218 00:12:46,920 --> 00:12:50,480 Speaker 1: He come come from? Like, where's his car? 219 00:12:50,520 --> 00:12:52,480 Speaker 3: It's not like he had to walk a long way 220 00:12:52,720 --> 00:12:57,000 Speaker 3: to do a surprise attack on Ricky, but whatever attacks 221 00:12:57,000 --> 00:12:59,960 Speaker 3: are out of nowhere, threatening her pretty much straddles her 222 00:13:00,400 --> 00:13:02,719 Speaker 3: and reveals that David was the first and only man 223 00:13:02,800 --> 00:13:06,160 Speaker 3: she's ever had sex with, and even says, if she 224 00:13:06,240 --> 00:13:10,480 Speaker 3: remembers correctly, David liked to be the bottom, being on 225 00:13:10,559 --> 00:13:14,280 Speaker 3: the bottom, And he's like, don't did you tell Francesca? 226 00:13:14,440 --> 00:13:15,280 Speaker 1: Don't tell her. 227 00:13:15,240 --> 00:13:18,079 Speaker 3: All these things, And of course this also makes him 228 00:13:18,120 --> 00:13:21,640 Speaker 3: back off for the moment, and Francesca arrives out of 229 00:13:21,720 --> 00:13:25,360 Speaker 3: nowhere and interrupts them, and she's trying to figure out 230 00:13:25,400 --> 00:13:28,839 Speaker 3: why David's there, but David just skulks away, and then 231 00:13:28,840 --> 00:13:32,280 Speaker 3: Francesca and Ricky talk about their relationship rick Ricky says, 232 00:13:32,440 --> 00:13:35,000 Speaker 3: I can't give you babies. Francesca says, don't tell me 233 00:13:35,080 --> 00:13:39,480 Speaker 3: what I want. They quote break up, but it's amicable, 234 00:13:39,960 --> 00:13:42,920 Speaker 3: talk about maybe that one day they'll be friends. Francesca 235 00:13:42,960 --> 00:13:46,840 Speaker 3: says she's so much better for having known Ricky. And 236 00:13:46,880 --> 00:13:51,080 Speaker 3: as all these sadness and sad things happen, we see 237 00:13:51,480 --> 00:13:53,839 Speaker 3: Ricky opening up that letter to prevail that she has 238 00:13:53,880 --> 00:13:58,079 Speaker 3: been rejected from the art school of her dreams. 239 00:13:58,760 --> 00:14:03,320 Speaker 2: Yeah, and it's all of this is happening, Robbie realizes 240 00:14:03,400 --> 00:14:06,920 Speaker 2: he has romantic feelings for Ricky. Ricky and Robbie have 241 00:14:06,960 --> 00:14:10,480 Speaker 2: this major falling out. He calls woman bitches. He says 242 00:14:10,520 --> 00:14:12,760 Speaker 2: that it's easy for them to leave. He says that 243 00:14:12,840 --> 00:14:16,320 Speaker 2: she's quote not really anything, not really a boy and 244 00:14:16,360 --> 00:14:19,760 Speaker 2: not really a girl. And then he kind of just 245 00:14:19,840 --> 00:14:24,000 Speaker 2: like we're all stumbling through, to which Ricky says, yeah, 246 00:14:24,040 --> 00:14:28,720 Speaker 2: but you have so much more to work with, and 247 00:14:28,760 --> 00:14:34,320 Speaker 2: then Ricky kind of storms out. And that's when Ricky's brother, 248 00:14:34,440 --> 00:14:37,640 Speaker 2: her little brother, shows Robbie the video about that she 249 00:14:37,640 --> 00:14:39,960 Speaker 2: had made as a kid about self harming, and so 250 00:14:40,040 --> 00:14:42,560 Speaker 2: now he's afraid that she's going to hurt herself. So 251 00:14:42,600 --> 00:14:44,400 Speaker 2: he goes to a bunch of places he thinks she 252 00:14:44,480 --> 00:14:47,040 Speaker 2: might be, but then he ends up at their favorite 253 00:14:47,560 --> 00:14:49,880 Speaker 2: spot for swimming. I almost said watering hole, but I 254 00:14:49,920 --> 00:14:52,360 Speaker 2: don't know if people actually say that, but yeah, where 255 00:14:52,400 --> 00:14:58,520 Speaker 2: they go to swim, he apologizes. He finds her swimming naked, 256 00:14:58,840 --> 00:15:01,080 Speaker 2: and he apologizes and says he was so confused and 257 00:15:01,160 --> 00:15:04,920 Speaker 2: jealous by her crush on Francesca. He says that Ricky 258 00:15:05,040 --> 00:15:08,520 Speaker 2: is the least confused person he knows. She steps out 259 00:15:08,520 --> 00:15:12,400 Speaker 2: of the water, completely comfortable in her naked body. They kiss, 260 00:15:12,440 --> 00:15:14,840 Speaker 2: and Robbie says he loves her, that he doesn't want 261 00:15:14,880 --> 00:15:18,200 Speaker 2: to ignore anything about her because she's she enters completely. 262 00:15:18,600 --> 00:15:21,240 Speaker 2: She seems completely comfortable, but she's kind of asking, like, 263 00:15:22,040 --> 00:15:25,800 Speaker 2: are you freaked out by this? Is every kay? And 264 00:15:25,880 --> 00:15:27,920 Speaker 2: he says, yes, I don't want to know anything about you. 265 00:15:28,320 --> 00:15:31,280 Speaker 2: She says she's always loved Robbie two and then they 266 00:15:31,320 --> 00:15:32,280 Speaker 2: have sex. 267 00:15:32,040 --> 00:15:34,520 Speaker 3: And in between all this, David and Francesca have a 268 00:15:34,560 --> 00:15:39,880 Speaker 3: whole conversation about their relationship. Ricky and Robbie heads to 269 00:15:40,000 --> 00:15:43,480 Speaker 3: New York after she has kind of given up on 270 00:15:43,520 --> 00:15:46,880 Speaker 3: the silly dream to be with Robbie. She's like, you know, 271 00:15:46,880 --> 00:15:50,600 Speaker 3: I'd rather be here with you again. Franceisca and David 272 00:15:50,640 --> 00:15:55,440 Speaker 3: have a conversation Ricky and finally calls Ricky her and 273 00:15:55,480 --> 00:15:57,920 Speaker 3: it admits that he really liked Ricky a lot like 274 00:15:58,000 --> 00:16:00,600 Speaker 3: everything about her. It wasn't necessarily about anything but her, 275 00:16:00,640 --> 00:16:02,000 Speaker 3: and he just wanted to be as close to her 276 00:16:02,040 --> 00:16:06,800 Speaker 3: as possible because when at one point Forenessica says, I 277 00:16:06,800 --> 00:16:07,200 Speaker 3: don't like that. 278 00:16:07,400 --> 00:16:08,520 Speaker 1: I love you, but I don't. 279 00:16:08,400 --> 00:16:12,120 Speaker 3: Like that you can hate, and then David goes on 280 00:16:12,160 --> 00:16:14,960 Speaker 3: to admit that it wasn't hate for her for Ricky, 281 00:16:14,960 --> 00:16:16,680 Speaker 3: it was a hate for himself because he had this 282 00:16:16,800 --> 00:16:19,240 Speaker 3: layer of shame, but he sounded like he was trying 283 00:16:19,240 --> 00:16:22,760 Speaker 3: to let it go, and then that they decided not 284 00:16:22,800 --> 00:16:24,880 Speaker 3: to get married at that point at least postpone the 285 00:16:24,880 --> 00:16:27,720 Speaker 3: wedding and get to know themselves, get to know each 286 00:16:27,720 --> 00:16:31,480 Speaker 3: other and themselves as they are letting down all their guards, 287 00:16:32,160 --> 00:16:35,680 Speaker 3: then all the false pretenses and it, I know, this 288 00:16:35,920 --> 00:16:36,560 Speaker 3: turns lovely. 289 00:16:36,560 --> 00:16:38,400 Speaker 1: I guess I was like, do we want that? That 290 00:16:38,720 --> 00:16:41,080 Speaker 1: was a quick resolve too. I don't like. Everything happened 291 00:16:41,160 --> 00:16:41,680 Speaker 1: very quickly. 292 00:16:43,000 --> 00:16:45,760 Speaker 3: And by the way it turns out, Uh, there was 293 00:16:45,880 --> 00:16:49,560 Speaker 3: all this male, little little character, the little mailman loving 294 00:16:50,360 --> 00:16:54,280 Speaker 3: meilman out of notice, like tell Ricky she got some letters, okay, uh, 295 00:16:54,640 --> 00:16:57,320 Speaker 3: And then that's when Robbie eyes kind of shies, like, hey, 296 00:16:57,320 --> 00:16:58,920 Speaker 3: you need to look at her letters, even though it's like, 297 00:16:58,960 --> 00:17:00,200 Speaker 3: we need to leave, we need to leave. 298 00:17:00,240 --> 00:17:01,280 Speaker 1: Oh, go check your letters. 299 00:17:01,600 --> 00:17:05,119 Speaker 3: And turns out that she had gotten a bunch of 300 00:17:05,200 --> 00:17:07,280 Speaker 3: letters with a dollar bill. And that turned out her 301 00:17:07,359 --> 00:17:10,600 Speaker 3: dress that she had made for Francesca got featured by 302 00:17:10,640 --> 00:17:14,080 Speaker 3: a big YouTube influencer, and there was a challenge to 303 00:17:14,160 --> 00:17:17,920 Speaker 3: send Ricky money to help her get to New York 304 00:17:18,160 --> 00:17:21,399 Speaker 3: because her designs were beautiful, and everybody to send one dollar. 305 00:17:22,520 --> 00:17:27,040 Speaker 3: And we noticed that Francesca and David popped back up 306 00:17:27,200 --> 00:17:30,720 Speaker 3: with again the mailman to deliver some extra letters. And 307 00:17:30,720 --> 00:17:32,639 Speaker 3: when we say extra letters, we mean like two or 308 00:17:32,680 --> 00:17:35,520 Speaker 3: three trash bags of letters with dollar bills in it. 309 00:17:36,600 --> 00:17:39,240 Speaker 3: And then we go on to see that Ricky is 310 00:17:39,280 --> 00:17:41,560 Speaker 3: packing up and she and her dad have a conversation 311 00:17:41,600 --> 00:17:43,600 Speaker 3: about her mom. And by the way, dad is very 312 00:17:43,640 --> 00:17:46,679 Speaker 3: supportive and very loving and all about her dream and 313 00:17:47,040 --> 00:17:50,720 Speaker 3: like it's just so cute, and he tells her, you know, 314 00:17:50,880 --> 00:17:52,000 Speaker 3: that's not what happened. 315 00:17:52,160 --> 00:17:53,800 Speaker 1: Get that out of your mind. You know. 316 00:17:53,880 --> 00:17:57,440 Speaker 3: Even though she said the words you're perfect, my sweet boy, 317 00:17:57,760 --> 00:18:00,359 Speaker 3: when Ricky was young, before I believe she came out, 318 00:18:00,920 --> 00:18:04,680 Speaker 3: she would have never changed that sentiment about her. Since 319 00:18:04,720 --> 00:18:06,919 Speaker 3: she thought she would always thought Ricky was perfect no 320 00:18:06,920 --> 00:18:10,920 Speaker 3: matter what. It's always very set conversation. Then she says 321 00:18:10,960 --> 00:18:14,000 Speaker 3: goodbye to her brother and off she and Robbie go 322 00:18:14,800 --> 00:18:16,880 Speaker 3: with all kinds of people all over the world. Watch 323 00:18:16,920 --> 00:18:19,680 Speaker 3: the video she made as a kid. After Sam says 324 00:18:19,760 --> 00:18:22,040 Speaker 3: let me releasa, she's like, you do your thing, and 325 00:18:22,160 --> 00:18:24,679 Speaker 3: the ending is super sweet about how she will listen 326 00:18:25,000 --> 00:18:28,280 Speaker 3: if you're going through hard times. And also I don't 327 00:18:28,320 --> 00:18:30,480 Speaker 3: know where Robbie is driving her because they go through 328 00:18:30,480 --> 00:18:32,359 Speaker 3: some woods and I'm like, why would you we in 329 00:18:32,359 --> 00:18:34,240 Speaker 3: the woods. Wouldn't you be on the interstate at this point? 330 00:18:34,440 --> 00:18:35,200 Speaker 1: Where are you calling? 331 00:18:35,280 --> 00:18:35,480 Speaker 3: Boy? 332 00:18:37,240 --> 00:18:39,600 Speaker 1: I was very confused by that ending. 333 00:18:41,680 --> 00:18:44,320 Speaker 2: I love it. You're like karanoid, like where is he taking? 334 00:18:44,800 --> 00:18:47,800 Speaker 3: Are? Like, why are you driving in the woods? That 335 00:18:47,840 --> 00:18:48,639 Speaker 3: doesn't make sense. 336 00:18:48,720 --> 00:18:50,480 Speaker 1: Maybe it's going some backways. I don't know. 337 00:18:51,359 --> 00:18:54,760 Speaker 2: I bet he knows some backways. He seems like the type. 338 00:18:56,160 --> 00:18:59,240 Speaker 3: But yes, what we know is they live happily together 339 00:18:59,440 --> 00:19:02,880 Speaker 3: because he has promised the dad that he would protect 340 00:19:02,880 --> 00:19:03,520 Speaker 3: her always. 341 00:19:04,800 --> 00:19:08,600 Speaker 2: Yes, it is a very sweeten thing. It's a very Yeah, 342 00:19:08,600 --> 00:19:11,480 Speaker 2: it's just nice. It's just nice, like it works out. 343 00:19:12,720 --> 00:19:14,600 Speaker 1: Yeah, I did have moments of like, oh no, this 344 00:19:14,640 --> 00:19:15,240 Speaker 1: is gonna be bad. 345 00:19:15,240 --> 00:19:17,360 Speaker 3: I will say, like the shock of like I thought 346 00:19:17,440 --> 00:19:20,720 Speaker 3: David was coming to beat yeah her up and finding 347 00:19:20,720 --> 00:19:22,640 Speaker 3: out he was actually in love with her for a minute, 348 00:19:22,800 --> 00:19:26,000 Speaker 3: and I'll oh, I saw that going. 349 00:19:26,800 --> 00:19:41,399 Speaker 4: Yeah. 350 00:19:41,800 --> 00:19:45,119 Speaker 2: Let us talk about some themes. One of the biggest 351 00:19:45,119 --> 00:19:49,560 Speaker 2: one is being your true self, being true to yourself. 352 00:19:50,359 --> 00:19:52,760 Speaker 2: And we see that, you know, most especially with Ricky, 353 00:19:53,359 --> 00:19:55,879 Speaker 2: but we also see it. You know, Francesca kind of 354 00:19:55,920 --> 00:19:58,800 Speaker 2: has that. She's grappling with it. They even rob you 355 00:19:58,880 --> 00:20:04,520 Speaker 2: on some levels, is grappling with it, David. But yeah, 356 00:20:04,640 --> 00:20:10,600 Speaker 2: especially for like trans experience, being your true self. And 357 00:20:10,640 --> 00:20:12,359 Speaker 2: that was something a lot of people pointed out when 358 00:20:12,359 --> 00:20:15,560 Speaker 2: I was reading about this, was, you know, Ricky mentions 359 00:20:15,880 --> 00:20:19,560 Speaker 2: self harming behavior, drugs, this sort of eating, cutting, kind 360 00:20:19,600 --> 00:20:24,919 Speaker 2: of suicidal ideation perhaps and that being unfortunately so something 361 00:20:24,960 --> 00:20:28,359 Speaker 2: a lot of trans people know and have experienced, and 362 00:20:28,400 --> 00:20:31,840 Speaker 2: that kind of guilt and shame and all of this 363 00:20:32,720 --> 00:20:35,720 Speaker 2: self harming around your body. But then to see Ricky 364 00:20:35,840 --> 00:20:40,399 Speaker 2: so as an adult just so sure of herself in 365 00:20:40,440 --> 00:20:42,120 Speaker 2: a lot of ways, like a lot of times when 366 00:20:42,160 --> 00:20:44,520 Speaker 2: you see her, it's not that she doesn't have these 367 00:20:44,600 --> 00:20:47,400 Speaker 2: moments of vulnerability at all. But it's just she knows 368 00:20:47,400 --> 00:20:54,200 Speaker 2: who she is, right, and that being so powerful. Right. Yeah, 369 00:20:54,320 --> 00:20:56,960 Speaker 2: here's a quote from that medium article that I mentioned 370 00:20:57,040 --> 00:21:01,320 Speaker 2: from doctor Thomas J. West. The third quote from the 371 00:21:01,359 --> 00:21:03,840 Speaker 2: moment I saw, I found myself falling under its spell. 372 00:21:04,119 --> 00:21:07,440 Speaker 2: There's an earnestness and genuineness to it that I immediately 373 00:21:07,480 --> 00:21:10,920 Speaker 2: found appealing. And given that I'm from West Virginia, it's 374 00:21:10,960 --> 00:21:15,000 Speaker 2: Appalachian setting called to something inside of me. From the outset, 375 00:21:15,040 --> 00:21:18,040 Speaker 2: it's clear that despite the reputation that Appalachia has for 376 00:21:18,119 --> 00:21:21,119 Speaker 2: being a place of intolerance and bigotry, that's not the 377 00:21:21,200 --> 00:21:24,280 Speaker 2: kind of place this film was interested in portraying. Indeed, 378 00:21:24,320 --> 00:21:26,919 Speaker 2: what's remarkable about so many of the denizens of this 379 00:21:27,080 --> 00:21:30,359 Speaker 2: area is that they take Ricky's transidentity for granted and 380 00:21:30,440 --> 00:21:33,040 Speaker 2: don't seem to think much of it. Ricky's family is 381 00:21:33,040 --> 00:21:35,720 Speaker 2: particularly supportive of her, though it's almost made clear that 382 00:21:35,760 --> 00:21:38,200 Speaker 2: her mother left the family, and it's further hinted that 383 00:21:38,320 --> 00:21:41,160 Speaker 2: Ricky's transidentity was a reason for her departure. 384 00:21:41,920 --> 00:21:43,880 Speaker 3: Yeah, I was trying to figure that part out. Did 385 00:21:43,920 --> 00:21:49,440 Speaker 3: she die or did she leave? I died really seems 386 00:21:49,480 --> 00:21:52,920 Speaker 3: to answer that question. Because there was like she died 387 00:21:52,920 --> 00:21:54,600 Speaker 3: and he's like, I thought so too, and then that's 388 00:21:54,680 --> 00:21:56,400 Speaker 3: kind of how it ends. So I'm like, wait, did 389 00:21:56,440 --> 00:21:56,679 Speaker 3: she not? 390 00:21:57,080 --> 00:21:57,680 Speaker 1: Did she leave? 391 00:21:58,560 --> 00:22:03,160 Speaker 2: Yeah? I think she died. I'm pretty sure. But you're 392 00:22:03,160 --> 00:22:04,919 Speaker 2: not the only one who's confused about it, because I 393 00:22:04,960 --> 00:22:07,880 Speaker 2: did see multiple kind of takes on it. The last 394 00:22:07,880 --> 00:22:11,480 Speaker 2: conversation the father had with her with Ricky, I felt 395 00:22:11,560 --> 00:22:15,440 Speaker 2: like made it pretty clear she died, or like. 396 00:22:15,520 --> 00:22:17,840 Speaker 1: He might have been like, she left not because of you. 397 00:22:19,040 --> 00:22:20,720 Speaker 2: Oh, that's true, that's true. 398 00:22:21,480 --> 00:22:22,159 Speaker 1: That's what I mean. 399 00:22:22,280 --> 00:22:24,280 Speaker 3: Like either way, I was very confused either way because 400 00:22:24,480 --> 00:22:28,240 Speaker 3: like a she I don't she a life. I will 401 00:22:28,240 --> 00:22:31,080 Speaker 3: say I think I did find it interesting the way 402 00:22:31,200 --> 00:22:34,359 Speaker 3: they did set it up in Kentucky, as if people 403 00:22:34,440 --> 00:22:36,320 Speaker 3: it was such a small town, they knew who she 404 00:22:36,520 --> 00:22:38,840 Speaker 3: was and they weren't messing with her, But it sounded 405 00:22:38,840 --> 00:22:41,040 Speaker 3: like they built it on based on she didn't take 406 00:22:41,040 --> 00:22:44,560 Speaker 3: any crap so that they stopped messing with her, essentially 407 00:22:44,600 --> 00:22:46,800 Speaker 3: because they knew that they would have a fight, kind 408 00:22:46,800 --> 00:22:50,560 Speaker 3: of like the dude who flashed them, so she flashed 409 00:22:50,560 --> 00:22:55,520 Speaker 3: them back. Yeah, and like just like I'm done with you, 410 00:22:55,600 --> 00:22:56,399 Speaker 3: I'm not playing with you. 411 00:22:56,440 --> 00:22:57,280 Speaker 1: This is what's gonna happen. 412 00:22:57,280 --> 00:23:00,479 Speaker 3: Okay, here we go type of conversation, as well as 413 00:23:00,520 --> 00:23:03,240 Speaker 3: the fact when the boys I'll talk crap about her 414 00:23:03,760 --> 00:23:06,800 Speaker 3: and they're like, oh, she got boobs. Cool, We're cool now, 415 00:23:06,960 --> 00:23:09,359 Speaker 3: like that, that's what it was doing. So I'm like, 416 00:23:10,040 --> 00:23:11,119 Speaker 3: that's an interesting take to this. 417 00:23:11,920 --> 00:23:16,080 Speaker 2: It was. It was because I did read some a 418 00:23:16,160 --> 00:23:19,440 Speaker 2: lot of personal accounts of this, of this movie, and 419 00:23:19,640 --> 00:23:23,159 Speaker 2: a lot of people wrote that this rang true to them. 420 00:23:23,240 --> 00:23:25,200 Speaker 2: And this is still problematic, but it rang true to 421 00:23:25,280 --> 00:23:27,560 Speaker 2: them because a lot of people in those small towns, 422 00:23:27,640 --> 00:23:31,840 Speaker 2: like maybe they aren't allies and they're support a lot 423 00:23:31,840 --> 00:23:34,920 Speaker 2: of queerphobic things, but they if you know, if they 424 00:23:35,000 --> 00:23:37,800 Speaker 2: know someone who is queer, then that person they like 425 00:23:37,840 --> 00:23:39,240 Speaker 2: and will protect, right. 426 00:23:39,320 --> 00:23:42,000 Speaker 3: I mean, yeah, that is actually very true, especially like 427 00:23:42,200 --> 00:23:45,639 Speaker 3: racial things. They talk a conglomerate of people, but then 428 00:23:45,680 --> 00:23:48,320 Speaker 3: when they meet someone, they love them. I've talked about 429 00:23:48,320 --> 00:23:51,920 Speaker 3: that with my own people, Like they talk racist trash, 430 00:23:52,040 --> 00:23:54,680 Speaker 3: but then they meet people of marginalized people, They're like. 431 00:23:54,600 --> 00:23:58,600 Speaker 1: Oh, hey, honey, come on in right, that's my southern 432 00:23:58,640 --> 00:23:58,840 Speaker 1: for you. 433 00:24:00,320 --> 00:24:00,960 Speaker 2: Very good. 434 00:24:03,320 --> 00:24:04,399 Speaker 4: You're already pretty. 435 00:24:04,640 --> 00:24:08,280 Speaker 1: I'm already pretty southern. So add on a little bit thicker. 436 00:24:08,359 --> 00:24:13,560 Speaker 2: I got this, yes, but I did appreciate that it 437 00:24:13,600 --> 00:24:16,119 Speaker 2: was set in kind of a small town in the South, 438 00:24:16,160 --> 00:24:19,400 Speaker 2: and that we did see we did see a lot 439 00:24:19,400 --> 00:24:25,040 Speaker 2: of transphobic people and especially her transphobic comments, but that 440 00:24:25,080 --> 00:24:26,240 Speaker 2: there was so much support. 441 00:24:26,320 --> 00:24:28,320 Speaker 3: I think she makes a good point about her surrounding 442 00:24:28,359 --> 00:24:31,119 Speaker 3: the people that support her on purpose so that you 443 00:24:31,200 --> 00:24:32,000 Speaker 3: don't see that. 444 00:24:32,800 --> 00:24:35,439 Speaker 2: Mm hmmm. Another thing I noticed as part of this 445 00:24:35,560 --> 00:24:38,440 Speaker 2: was a lot of conversations about being a woman, especially 446 00:24:38,480 --> 00:24:41,680 Speaker 2: like between Rickey and Robbie when they're having that conversation 447 00:24:41,760 --> 00:24:44,600 Speaker 2: about like gay sex, straight sex and sexuality and all 448 00:24:44,600 --> 00:24:47,720 Speaker 2: that stuff. There is a lot about that. There was 449 00:24:47,720 --> 00:24:51,480 Speaker 2: a scene I found particularly moving where her Ricky's little 450 00:24:51,480 --> 00:24:54,159 Speaker 2: brother asked her like, does that mean something's wrong with 451 00:24:54,200 --> 00:24:56,240 Speaker 2: me that I like to play with like army men 452 00:24:56,359 --> 00:24:58,680 Speaker 2: and not barbies like you do? And it's just night 453 00:24:58,760 --> 00:25:02,600 Speaker 2: Like they have a nice little bonding moment where she's like, no, 454 00:25:02,640 --> 00:25:07,560 Speaker 2: You're perfect the way you are. It's nice. And then, 455 00:25:07,600 --> 00:25:10,919 Speaker 2: as you mentioned, there is that layer of internalized homophobia 456 00:25:10,920 --> 00:25:14,440 Speaker 2: that we see, particularly with David, but I mean even 457 00:25:14,480 --> 00:25:17,760 Speaker 2: in David and Francesca's relationship, that whole like lying about virginity, 458 00:25:19,240 --> 00:25:22,159 Speaker 2: that purity culture thing we've been talking about. It is 459 00:25:22,280 --> 00:25:24,600 Speaker 2: like over the top, you guys. 460 00:25:25,119 --> 00:25:29,560 Speaker 3: Yeah, But to be fair, so this is twenty fourteen release, 461 00:25:29,680 --> 00:25:31,240 Speaker 3: so this was filmed in twenty twelve. 462 00:25:31,760 --> 00:25:34,159 Speaker 1: Pretty prevalent. Still, it's prevalent today. 463 00:25:34,400 --> 00:25:37,040 Speaker 3: So if you're in a small town boarding school with 464 00:25:37,240 --> 00:25:40,960 Speaker 3: a very white conservative family, probably still an important thing. 465 00:25:42,200 --> 00:25:46,560 Speaker 2: Oh yeah, no, no, no, I didn't feel I think 466 00:25:46,600 --> 00:25:48,639 Speaker 2: it just kind of struck me because we are talking 467 00:25:48,640 --> 00:25:52,880 Speaker 2: about it right now. I was like, whoa, here it is. 468 00:25:53,400 --> 00:25:56,840 Speaker 3: Yeah, I will say I was also very surprised about 469 00:25:56,840 --> 00:25:58,760 Speaker 3: the father reacting that way, and I was like, again, 470 00:25:58,840 --> 00:26:01,640 Speaker 3: the year is twenty fourteen, twenty twelve, so it wasn't 471 00:26:01,720 --> 00:26:05,919 Speaker 3: quite Trump era, so people were not the extremists that 472 00:26:05,960 --> 00:26:09,440 Speaker 3: we see today or out loud anyway, right. 473 00:26:09,640 --> 00:26:13,960 Speaker 2: Right, Yeah, I mean it was especially watching it now, 474 00:26:14,000 --> 00:26:16,000 Speaker 2: I did have a lot of moments where I was like, oh, oh, 475 00:26:16,080 --> 00:26:17,359 Speaker 2: I thought it was gonna go way worse. 476 00:26:17,880 --> 00:26:21,520 Speaker 3: Right, Well, this is Mitch McConnell's territory, so we know 477 00:26:21,680 --> 00:26:24,800 Speaker 3: what he stands for and how he's leaning, So it 478 00:26:24,880 --> 00:26:28,560 Speaker 3: doesn't feel genuine to be based in Kentucky. But I 479 00:26:28,600 --> 00:26:31,040 Speaker 3: know that this also was the same time as Paul 480 00:26:31,160 --> 00:26:34,680 Speaker 3: Ryan was and he was compared to today, so it 481 00:26:34,840 --> 00:26:36,600 Speaker 3: sort of a moderate So I think that's why they 482 00:26:36,640 --> 00:26:37,119 Speaker 3: were leaning. 483 00:26:38,320 --> 00:26:39,880 Speaker 1: At the very least. 484 00:26:40,200 --> 00:26:42,200 Speaker 3: I wonder what he what that, what that movie would 485 00:26:42,200 --> 00:26:45,440 Speaker 3: look like today. I'm sure it would not be as cute. 486 00:26:46,040 --> 00:26:49,600 Speaker 3: Well anyway, back to the not so sadness, but yeah, 487 00:26:49,720 --> 00:26:52,280 Speaker 3: it's interesting to see that this was based in Kentucky 488 00:26:52,440 --> 00:26:55,080 Speaker 3: with a politician like that, and then like they didn't 489 00:26:55,200 --> 00:27:01,200 Speaker 3: negate her womanhood until the mother came back round. Even still, 490 00:27:01,280 --> 00:27:04,399 Speaker 3: she didn't even she said the word transgender was ugly, 491 00:27:05,000 --> 00:27:10,040 Speaker 3: but she really didn't misgender her at any point. 492 00:27:10,560 --> 00:27:14,800 Speaker 2: Yeah, well yeah, no, which she didn't. She said some 493 00:27:14,920 --> 00:27:18,120 Speaker 2: terrible things, but she didn't get her because I think 494 00:27:18,160 --> 00:27:20,639 Speaker 2: she was saying, like transgenders so ugly and women are 495 00:27:20,640 --> 00:27:27,640 Speaker 2: supposed to be pretty. Yeah yeah, yeah, but they had 496 00:27:27,720 --> 00:27:30,240 Speaker 2: met her not knowing she was transgender, and they were like, 497 00:27:30,280 --> 00:27:32,720 Speaker 2: oh no, we love her, we love her, and then 498 00:27:32,840 --> 00:27:40,600 Speaker 2: David's like, oh no, I don't know. It was a mess, 499 00:27:42,040 --> 00:27:43,960 Speaker 2: But I did want to include this quote David did 500 00:27:44,000 --> 00:27:47,439 Speaker 2: say about Ricky, But really I just liked her and 501 00:27:47,480 --> 00:27:49,560 Speaker 2: I wanted to be as close with her as possible, 502 00:27:49,560 --> 00:27:53,600 Speaker 2: So that kind of goes back to his internal internalized homophobia. 503 00:27:53,960 --> 00:27:57,920 Speaker 2: Francesca kind of expresses something similar like I just really 504 00:27:58,000 --> 00:27:58,560 Speaker 2: like her. 505 00:27:58,880 --> 00:28:02,600 Speaker 3: Right, Okay, I feel like this is bordering onto the 506 00:28:02,640 --> 00:28:07,560 Speaker 3: whole non binary to queerness, just being on a spectrum 507 00:28:07,600 --> 00:28:13,159 Speaker 3: and loving the person right, and finding Ricky lovable and 508 00:28:13,200 --> 00:28:15,600 Speaker 3: mesmerizing and something to someone that people just wanted to 509 00:28:15,600 --> 00:28:18,520 Speaker 3: be close to. Not not to say that it can't 510 00:28:18,520 --> 00:28:20,159 Speaker 3: be they can't be queer, that's not a thing, but 511 00:28:20,320 --> 00:28:23,720 Speaker 3: they never really say it outside of Francisca questioning it. 512 00:28:23,720 --> 00:28:26,159 Speaker 3: It's just more of who they wanted to be with. 513 00:28:26,280 --> 00:28:27,720 Speaker 3: And that's kind of the idea of like love is 514 00:28:27,760 --> 00:28:29,919 Speaker 3: love in general, So if you fall in love or 515 00:28:30,000 --> 00:28:33,080 Speaker 3: be fall in love or fall in like with these people, 516 00:28:33,480 --> 00:28:36,800 Speaker 3: why is it wrong? And then coming back to internalize 517 00:28:37,520 --> 00:28:39,800 Speaker 3: homophobia of like I was with a man, or I 518 00:28:39,840 --> 00:28:41,080 Speaker 3: was with a woman, or I was with you know, 519 00:28:41,120 --> 00:28:44,720 Speaker 3: like that real gender or whatever whatnot. Well, that's interesting, 520 00:28:44,920 --> 00:28:48,360 Speaker 3: it was it was framed differently. They would They didn't 521 00:28:48,440 --> 00:28:51,240 Speaker 3: label it as hard as you typically seen movies. 522 00:28:52,080 --> 00:28:54,160 Speaker 2: Yeah, no, they didn't do that, and that was purposeful. 523 00:28:54,160 --> 00:28:56,240 Speaker 2: I think I found some quotes about that too, which 524 00:28:56,280 --> 00:29:10,560 Speaker 2: we'll get into you. I did want to talk about 525 00:29:10,800 --> 00:29:13,240 Speaker 2: a lot of people wrote about how move they were 526 00:29:13,280 --> 00:29:15,040 Speaker 2: about the scene where Ricky comes out of the lake 527 00:29:15,800 --> 00:29:19,400 Speaker 2: and it's naked. So here's another quote from that Medium article. 528 00:29:20,200 --> 00:29:23,160 Speaker 2: We aren't invited to fetishize Ricky's trans body. It simply 529 00:29:23,280 --> 00:29:26,800 Speaker 2: exists there is I would argue something subtly radical about 530 00:29:26,800 --> 00:29:29,480 Speaker 2: this choice, since it normalizes Ricky and allows us to 531 00:29:29,480 --> 00:29:32,040 Speaker 2: see her as a person rather than an other body. 532 00:29:32,320 --> 00:29:34,960 Speaker 2: It's also significant that Robbie doesn't see her as other 533 00:29:35,080 --> 00:29:38,080 Speaker 2: and that in fact, he loves her for who she is. 534 00:29:38,960 --> 00:29:42,360 Speaker 3: Right, And here's Henley's words about the scene. I am 535 00:29:42,440 --> 00:29:45,160 Speaker 3: so so happy that the nude scenes have been received 536 00:29:45,280 --> 00:29:48,920 Speaker 3: so well and not some gratuitous shock value sleeve shot. 537 00:29:49,200 --> 00:29:51,360 Speaker 3: Eric let me know about the scene very early on, 538 00:29:51,760 --> 00:29:54,360 Speaker 3: and maybe within the first couple of email exchanges, not 539 00:29:54,520 --> 00:29:56,800 Speaker 3: a thing about it, and I was all for it 540 00:29:56,800 --> 00:29:58,600 Speaker 3: from the get go. I think there's a lot of 541 00:29:58,640 --> 00:30:01,840 Speaker 3: mystery associated with the train bodies. The general public does 542 00:30:01,880 --> 00:30:04,280 Speaker 3: not understand what it is to be a transgender person, 543 00:30:04,600 --> 00:30:07,520 Speaker 3: and our bodies are often fetishized as something taboo and 544 00:30:07,560 --> 00:30:10,960 Speaker 3: strictly sexual. It was important to treat the scene delicately, 545 00:30:11,160 --> 00:30:13,520 Speaker 3: and I want audiences to see a trans body for 546 00:30:13,600 --> 00:30:16,719 Speaker 3: what it is. It's not monstrous, it's not threatening anyone. 547 00:30:16,800 --> 00:30:20,320 Speaker 3: It's just there in its mind and it's beautiful. Yeah, 548 00:30:20,360 --> 00:30:21,520 Speaker 3: that's a really great quote. 549 00:30:22,160 --> 00:30:25,440 Speaker 2: Yeah it is. It is, And I think so much 550 00:30:25,480 --> 00:30:28,959 Speaker 2: of that. It was a really powerful scene. And I 551 00:30:29,000 --> 00:30:33,800 Speaker 2: think all of these words are so impactful. And that 552 00:30:34,000 --> 00:30:41,880 Speaker 2: is something that really upsets me about current, especially hard 553 00:30:41,960 --> 00:30:45,640 Speaker 2: conservative conversation around trans people, queer people at large, trans 554 00:30:45,680 --> 00:30:49,960 Speaker 2: people in specific, is that they're always sexualized, and often 555 00:30:50,040 --> 00:30:52,480 Speaker 2: not in a way, often in like a really horriful way. 556 00:30:53,800 --> 00:30:55,840 Speaker 2: So I think that's really really important. And I do 557 00:30:55,960 --> 00:30:58,720 Speaker 2: love the part about you know it's mine and it's beautiful, 558 00:30:58,960 --> 00:31:01,360 Speaker 2: and that whole idea of not hating your body, not 559 00:31:01,440 --> 00:31:04,680 Speaker 2: keeping it a secret, because that comes up pretty early 560 00:31:04,720 --> 00:31:07,760 Speaker 2: on where Ricky is just kind of like, no, I 561 00:31:07,760 --> 00:31:12,920 Speaker 2: don't keep a secret. If people ask, I tell it. Yeah. 562 00:31:13,040 --> 00:31:14,960 Speaker 2: Another thing I saw come up a lot when people 563 00:31:14,960 --> 00:31:18,640 Speaker 2: were writing about this movie was sex positivity. That they 564 00:31:18,720 --> 00:31:20,640 Speaker 2: felt it was a very sex positive movie, and there 565 00:31:20,680 --> 00:31:23,440 Speaker 2: are a lot of conversations about sex in it. There's 566 00:31:23,600 --> 00:31:26,520 Speaker 2: like conversations about the messiness of sex just kind of 567 00:31:26,520 --> 00:31:30,000 Speaker 2: how it works, what sex looks like for Ricky who 568 00:31:30,120 --> 00:31:36,440 Speaker 2: is transitioning. There's like conversation about commitment versus dick. 569 00:31:38,480 --> 00:31:41,600 Speaker 1: Pointing, conversations about dick and fingers. 570 00:31:41,280 --> 00:31:48,360 Speaker 2: Yes, yes, moisture, which bad segue, but also like sexuality 571 00:31:48,440 --> 00:31:51,320 Speaker 2: is fluid. That's something in there, and we've already talked 572 00:31:51,320 --> 00:31:52,640 Speaker 2: about it a lot, but I did want to include 573 00:31:52,840 --> 00:31:56,720 Speaker 2: the quote. So this is after Francesca and Ricky have 574 00:31:56,800 --> 00:32:00,160 Speaker 2: had sex, and Francesca says, what does this make me 575 00:32:00,200 --> 00:32:04,560 Speaker 2: a lesbian? By curious and then Ricky says human just 576 00:32:04,640 --> 00:32:08,520 Speaker 2: kind of shrugs it off. And then just to wrap 577 00:32:08,560 --> 00:32:12,240 Speaker 2: this up, I wanted to include friendship. It was a 578 00:32:12,240 --> 00:32:17,280 Speaker 2: big theme throughout Robbie and Ricky's friendship. They kind of 579 00:32:17,280 --> 00:32:20,680 Speaker 2: have a conversation how they just hit it off so 580 00:32:20,920 --> 00:32:22,440 Speaker 2: well when they're so young, and he felt like he 581 00:32:22,480 --> 00:32:24,360 Speaker 2: had to protect her, and he says, but you never 582 00:32:24,400 --> 00:32:27,840 Speaker 2: really needed me to protect you. And one of his 583 00:32:27,960 --> 00:32:29,800 Speaker 2: quotes is, how could I regret being in love with 584 00:32:29,840 --> 00:32:32,240 Speaker 2: the hottest girl in town who just happens to be 585 00:32:32,320 --> 00:32:36,680 Speaker 2: my best friend. So they have a really good we 586 00:32:36,800 --> 00:32:39,280 Speaker 2: have a good friendship. He says, some good old boys stuff. 587 00:32:39,280 --> 00:32:42,920 Speaker 2: I was like, oh, dear, but they had a really 588 00:32:42,960 --> 00:32:47,080 Speaker 2: good friendship. And then also, as we said, the small 589 00:32:47,120 --> 00:32:49,320 Speaker 2: town part of it, I really appreciate it because they 590 00:32:49,360 --> 00:32:52,040 Speaker 2: do talk about it a lot. There's a part where 591 00:32:52,920 --> 00:32:55,840 Speaker 2: Francesca's kind of saying, like, h small town's so cute. 592 00:32:55,880 --> 00:32:58,920 Speaker 2: It makes me feel this way, and Ricky says, makes 593 00:32:58,920 --> 00:33:03,600 Speaker 2: me feel claustrophone. Yeah, And then I love this quote. 594 00:33:03,680 --> 00:33:06,880 Speaker 2: So there's at that fancy party they were at there 595 00:33:07,040 --> 00:33:09,200 Speaker 2: there are these two women who are kind of like 596 00:33:09,280 --> 00:33:11,600 Speaker 2: joking about going to high school in a small town. 597 00:33:12,040 --> 00:33:14,200 Speaker 2: One of them says, high school, who can survive it? 598 00:33:14,320 --> 00:33:17,120 Speaker 2: Another says I was fat, I had terrible acnees as 599 00:33:17,160 --> 00:33:20,640 Speaker 2: another one he says, and I was a boy, so 600 00:33:20,720 --> 00:33:21,320 Speaker 2: that sucks. 601 00:33:22,640 --> 00:33:24,640 Speaker 3: I love that they didn't listen at first and laughed 602 00:33:24,680 --> 00:33:27,040 Speaker 3: and then like they kind of filter all the like 603 00:33:27,080 --> 00:33:32,280 Speaker 3: wait what and they just walk away. 604 00:33:34,520 --> 00:33:39,320 Speaker 2: God. I love it. I really recommend it. It was 605 00:33:39,360 --> 00:33:42,880 Speaker 2: really fun. It moves quickly, like you said, but it 606 00:33:42,920 --> 00:33:43,360 Speaker 2: was nice. 607 00:33:43,760 --> 00:33:46,480 Speaker 1: Was it was very sweet? Yeah, it's a very sweet movie. 608 00:33:46,840 --> 00:33:47,680 Speaker 1: No big shocks. 609 00:33:47,880 --> 00:33:49,760 Speaker 3: There's a few moments of like, of course you are 610 00:33:49,840 --> 00:33:54,880 Speaker 3: heartbroken for someone feeling like they have to justify themselves 611 00:33:54,920 --> 00:33:57,440 Speaker 3: in any way, she has a lot of support systems. 612 00:33:58,000 --> 00:34:01,960 Speaker 3: I will say Michael Welch did a great job like 613 00:34:02,040 --> 00:34:05,720 Speaker 3: he he was like. The best thing was him trying 614 00:34:05,720 --> 00:34:08,759 Speaker 3: to describe sex with a woman like I. That was 615 00:34:08,760 --> 00:34:11,280 Speaker 3: probably one of my favorite scenes because him being flustered 616 00:34:11,400 --> 00:34:12,320 Speaker 3: was so legitimate. 617 00:34:13,080 --> 00:34:17,839 Speaker 2: Yeah I was cute. Yeah it was. It was so 618 00:34:18,600 --> 00:34:20,600 Speaker 2: we recommend it. Go check it out if you haven't 619 00:34:20,600 --> 00:34:22,400 Speaker 2: seen it already. If you have any thoughts on it, 620 00:34:22,760 --> 00:34:24,120 Speaker 2: we would love to hear them, and if you have 621 00:34:24,120 --> 00:34:27,759 Speaker 2: any other suggestions for the segment. As always, you can 622 00:34:27,800 --> 00:34:30,600 Speaker 2: email us at Stephandia Mom Stuff at iHeartMedia dot com. 623 00:34:30,800 --> 00:34:33,279 Speaker 2: You can find us on Twitter at Mom'stuff Podcast, or 624 00:34:33,360 --> 00:34:35,879 Speaker 2: on Instagram and TikTok at stuff We' Never Told You. 625 00:34:36,440 --> 00:34:38,279 Speaker 2: We're also on YouTube and we have a book. You 626 00:34:38,280 --> 00:34:40,400 Speaker 2: can pre order it at stuff you Should Read Books 627 00:34:40,400 --> 00:34:44,400 Speaker 2: dot com. Thanks as always to our super producer Christina, 628 00:34:44,440 --> 00:34:48,440 Speaker 2: our executive producer Maya, and our contributor Joey. Thank you all, 629 00:34:48,680 --> 00:34:50,839 Speaker 2: and thanks to you for listening Stuff I Never Told 630 00:34:50,840 --> 00:34:53,120 Speaker 2: You protection of iHeartRadio. For more podcast from my Heart Radio, 631 00:34:53,120 --> 00:34:55,040 Speaker 2: you can check out the iHeartRadio app, Apple Podcasts or 632 00:34:55,040 --> 00:35:03,200 Speaker 2: wherever you listen to your favorite shows Y