WEBVTT - Chris Thile

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<v Speaker 1>Hey, I'm Norah Jones and today I'm playing along with

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<v Speaker 1>Chris Thiely.

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<v Speaker 2>I'm just playing alone with I'm just playing alone with.

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<v Speaker 1>Hey, Welcome to the show. I'm Norah and with me

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<v Speaker 1>as always is Oda. Hello, Sarah, Oda am today's show,

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<v Speaker 1>we have Chris Thely.

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<v Speaker 3>He is I think he's a genius. I was gonna

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<v Speaker 3>say he's a bit of a whiz. He is amazing.

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<v Speaker 1>He's an old friend and brilliant mandolin player, musician.

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<v Speaker 4>And he's been playing music since he was just a

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<v Speaker 4>wee wee child.

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<v Speaker 3>Yeah. Five.

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<v Speaker 5>Yeah.

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<v Speaker 1>He came on the scene a long time ago with

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<v Speaker 1>his band Nickel Creek, which sort of took the bluegrass

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<v Speaker 1>scene by storm. But and he's had this incredible solo career.

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<v Speaker 1>He took over for Garrison Keeler's Prayer Companion. They renamed

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<v Speaker 1>it Live from Here, and it was a brilliant takeover

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<v Speaker 1>of a show and he really found his own way

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<v Speaker 1>with it. He has played with every brilliant musician I

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<v Speaker 1>can think of.

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<v Speaker 4>Yeah, I feel like he's known as just one of

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<v Speaker 4>the great greatest bluegrass players out there.

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<v Speaker 3>But he's also so versatile. He can play, he can

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<v Speaker 3>do so much more. Yeah, so much more. I don't

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<v Speaker 3>like genreing people. Really. I mean, I'm just gonna say it.

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<v Speaker 4>He's a genre buster.

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<v Speaker 3>It's not genre.

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<v Speaker 1>Him, sorry, but I feel like he really floats through everything.

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<v Speaker 4>He definitely does. He's a mold breaker. Yeah, he's incredible.

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<v Speaker 4>And he's also, like what.

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<v Speaker 3>A nice guy?

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<v Speaker 4>Yeah, and a smooth speaker. I feel like he's just

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<v Speaker 4>very well spoken. Yeah, he told some great stories.

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<v Speaker 1>We had so much fun talking and I could have

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<v Speaker 1>just talked to him for hours and played music with him.

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<v Speaker 1>The fun thing about this show today is all these

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<v Speaker 1>shows are different. Everyone has their own level of suggested

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<v Speaker 1>songs from me, and then they throw songs back at

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<v Speaker 1>me and suggest other songs. I usually try to stick

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<v Speaker 1>to their catalog, but Chris suggested all these random covers

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<v Speaker 1>that we do. So this is a kind of a

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<v Speaker 1>fun one where we're just sort of jumping into songs

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<v Speaker 1>together for the first time and wild cards. Yeah, and

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<v Speaker 1>also we do some songs from his catalog as well though,

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<v Speaker 1>And so we're going to drop in on the Chris

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<v Speaker 1>Theely episode. I hope you enjoy it. We're gonna start

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<v Speaker 1>this episode with a song from his solo album called

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<v Speaker 1>Lay songs. This is a Hazel Dickens song. Please enjoy

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<v Speaker 1>Chris Thiely.

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<v Speaker 6>I feel shodos ah upon me.

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<v Speaker 3>And the juice back and to me.

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<v Speaker 6>Before gold de sisters and brothers.

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<v Speaker 3>Won't she come and sing for me?

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<v Speaker 7>Sing we sang together in that plain little church with

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<v Speaker 7>the bench.

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<v Speaker 8>She all one?

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<v Speaker 5>How did to my heart?

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<v Speaker 6>How precious the moments we stood shake in hands.

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<v Speaker 5>And sing in a song that birding is heavy? My

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<v Speaker 5>way has gone, baby, I must travelorld that is long, and.

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<v Speaker 9>What one sold hard? My dear brother, did you call

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<v Speaker 9>and sing me on song?

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<v Speaker 7>Say those same sweet said together in that.

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<v Speaker 10>Plain little church where at the bend she's all boy.

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<v Speaker 11>Helping to my.

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<v Speaker 6>Heart? Bursious the moments we stood shaking hands and sing

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<v Speaker 6>in a song.

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<v Speaker 12>My home beyond that dark river, yours sweet faces, no

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<v Speaker 12>more I will see.

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<v Speaker 5>Unto winy weather. There's no more sad parting.

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<v Speaker 13>Wants you come and sing for me? Sing those hymns we.

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<v Speaker 14>Sad together in that plain little church with the benches

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<v Speaker 14>all one. How dear to my heart, how precious the

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<v Speaker 14>moment we stood and.

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<v Speaker 5>Same song?

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<v Speaker 1>I love that song? That was so fun We didn't

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<v Speaker 1>even try it first. It's so funny. I'm like, I'm

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<v Speaker 1>so excited to sing with you and to do this.

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<v Speaker 1>But as soon as it was so naked, you know,

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<v Speaker 1>in the beginning, and as soon as time for me

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<v Speaker 1>to come in, I was like.

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<v Speaker 3>I don't know how to say.

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<v Speaker 15>There's actually there's a weird amount of space when it's

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<v Speaker 15>just mandolin and voice.

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<v Speaker 3>Yeah, I love it.

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<v Speaker 15>A lot of space so that any choice you make

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<v Speaker 15>feels like a big choice.

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<v Speaker 3>Yeah. I love how naked it is.

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<v Speaker 1>And this album is this song is from the album

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<v Speaker 1>you made in a church, right.

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<v Speaker 15>Yeah, in Hudson during during the pandemia the great what

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<v Speaker 15>have you persists.

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<v Speaker 1>So upstate you were in this church, yeah, with an engineer.

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<v Speaker 15>Yeah, just just just the engineer and me and we

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<v Speaker 15>would you know, we would test and and then go

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<v Speaker 15>into the go into this church and and play that

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<v Speaker 15>that kind of thing.

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<v Speaker 3>I was.

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<v Speaker 15>I was, uh, you know, staying up late thinking about

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<v Speaker 15>all this kind of stuff, especially during the early stages

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<v Speaker 15>of all of this, you know, kind of deprived of

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<v Speaker 15>my my church, which is playing shows, and you know,

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<v Speaker 15>playing music with me like what we just did that

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<v Speaker 15>feels feels really spiritual to me. Yeah, ual, And and

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<v Speaker 15>again like an opportunity to kind of sort of hold

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<v Speaker 15>your heart out and and say here's some stuff I'm feeling,

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<v Speaker 15>and how do you how are you feeling? How do

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<v Speaker 15>we feel about it together? Not getting to do that

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<v Speaker 15>for the first time since I started making music, you know,

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<v Speaker 15>it was crazy. It was felt crazy. And but I'm

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<v Speaker 15>assuming for you too.

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<v Speaker 3>Yeah.

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<v Speaker 1>Yeah, but as you know, with young kids, it was

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<v Speaker 1>it was a nice distraction, even though it was not

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<v Speaker 1>easy having them, it was it was it wasn't just

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<v Speaker 1>sitting there without anyone, you know.

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<v Speaker 5>Right right.

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<v Speaker 15>Yeah, And I feel like call and I probably got

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<v Speaker 15>to forge something that we might not have naturally gotten

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<v Speaker 15>to forge otherwise, like my life the way.

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<v Speaker 3>It normally is.

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<v Speaker 1>Yeah, because you're gone a lot, gone a lot. But

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<v Speaker 1>they were a good age. I think our kids to

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<v Speaker 1>be home with us, you know, as good as you

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<v Speaker 1>can be.

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<v Speaker 3>I don't know totally.

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<v Speaker 1>It was hard for everyone, but I feel like that

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<v Speaker 1>was that's a nice age to.

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<v Speaker 3>Have that experience with him. Probably. So back to the church.

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<v Speaker 1>Back to the church, I'm pretty fascinated by people who

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<v Speaker 1>grew up in church also, and there's many different types

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<v Speaker 1>of that. And so in your church growing up the

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<v Speaker 1>fire home and Brimstone. Yes, yes, So did you play

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<v Speaker 1>in church? Was there a lot of music in the church.

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<v Speaker 15>Yeah, yeah, there was, and and ours though that that

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<v Speaker 15>church was very much the Christian contemporary thing. It was

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<v Speaker 15>basically pop music with with Jesus lyrics.

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<v Speaker 1>Okay, so not not not what you came to do.

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<v Speaker 15>No, not what not not what we just did or

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<v Speaker 15>or and also not the thing that really lights me

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<v Speaker 15>up like these old you know when you when when

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<v Speaker 15>I was going to that Episcopal church at the top

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<v Speaker 15>of nob Hill in San Francisco, Like the music is good,

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<v Speaker 15>really really good, like some of the best that human

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<v Speaker 15>beings have ever made. You know, you you you sing

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<v Speaker 15>Corrals the box.

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<v Speaker 1>Set, you know that's so beautiful.

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<v Speaker 15>Yeah, with a with an incredible organ and a beautiful

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<v Speaker 15>choir and and then everyone singing along and you know,

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<v Speaker 15>you've got the hymnal.

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<v Speaker 3>That has the parts.

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<v Speaker 1>Yea, the hymnals with all the parts that used to

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<v Speaker 1>fascinate me as.

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<v Speaker 3>Some people grabbing.

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<v Speaker 15>And actually the first church when my parents so my

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<v Speaker 15>parents were actually not religious at all and then converted

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<v Speaker 15>when I was eight.

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<v Speaker 1>Wow, so you didn't grow up until you were eight

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<v Speaker 1>in church?

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<v Speaker 3>Yeah, and then it went.

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<v Speaker 15>Intense, and then they went, Yeah, so they were you

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<v Speaker 15>know the yeah, hell have no fury like the like

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<v Speaker 15>they're recently converted.

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<v Speaker 3>That's pretty intense.

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<v Speaker 15>Yeah, they were to go from zero to one hundred,

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<v Speaker 15>zero to one hundred, and so they Yeah, they kind

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<v Speaker 15>of just kept graduating to more and more intense versions

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<v Speaker 15>of Christianity. Wow, until and I think it actually played

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<v Speaker 15>a part in us leaving southern California and moving to

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<v Speaker 15>a Murray, Kentucky. I think that getting into sort of

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<v Speaker 15>the heart of the Bible Belt was part of I mean,

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<v Speaker 15>they also anticipated that I would move to Nashville when

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<v Speaker 15>I left the home. They didn't want the family nucleus.

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<v Speaker 1>To oh, so they moved there later when you were

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<v Speaker 1>already I was fourteen, You were.

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<v Speaker 3>Already okay, wait, you were already to then, right, playing

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<v Speaker 3>shows during the summer, usually with Nickel Creek. Yeah, exactly.

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<v Speaker 15>Nickel Creek started when I was eight, okay, actually the

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<v Speaker 15>same time conversion.

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<v Speaker 3>Okay, but this is so confusing to me.

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<v Speaker 1>Wait a second, So you converted to church, you started,

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<v Speaker 1>but when did you start playing mandolin? I was five, Okay,

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<v Speaker 1>so that that really had nothing to do with church.

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<v Speaker 3>No, for you Okay, I know.

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<v Speaker 15>Yeah, the the that was just this pizza place in

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<v Speaker 15>southern California called that Pizza place had live blue grass

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<v Speaker 15>every Saturday night.

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<v Speaker 3>How random? So random?

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<v Speaker 15>And although bluegrass and pizza places that that's like pizza

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<v Speaker 15>places having a blue grass night is kind of a thing.

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<v Speaker 3>It is. I guess it's more Irish bar.

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<v Speaker 15>Did you ever go to the uh the village had

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<v Speaker 15>that great bluegrass night forever the bagging in.

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<v Speaker 3>Yeah, presided over by sheriff Uncle Bob. I never went,

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<v Speaker 3>but I heard about it.

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<v Speaker 15>Oh my god, it was so good. I wonder if

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<v Speaker 15>you still doing it. I haven't, I haven't been for

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<v Speaker 15>a long time. But that was a great bluegrass night,

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<v Speaker 15>not at a pizza place. Sadly, maybe the only thing

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<v Speaker 15>preventing it from.

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<v Speaker 1>So you started playing mandolin, from going to the bluegrass

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<v Speaker 1>at the pizza place.

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<v Speaker 15>Yeah, and then and yeah, and then mom and dad

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<v Speaker 15>got I think they just got really scared about having

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<v Speaker 15>kids and not having answers about things. They were raised

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<v Speaker 15>more or less without organized religion.

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<v Speaker 3>I feel like.

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<v Speaker 1>That's rare for the past generations.

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<v Speaker 3>Yeah, yeah, I think there was so On dad's side,

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<v Speaker 3>there was. His dad was.

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<v Speaker 15>A total atheist. And then his mom was sort of

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<v Speaker 15>new a new ager, like an early new Ager, and

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<v Speaker 15>she was a metaphysical therapist, and yeah, she was amazing everywhere.

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<v Speaker 15>I wish everyone could meet my grand Barbara makes you

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<v Speaker 15>rest in peace. But then on my mom's side, I

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<v Speaker 15>think just kind of not really atheists, but just sort

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<v Speaker 15>of not practicing anything, and then got into a little

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<v Speaker 15>new agey ness later on her dad's side.

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<v Speaker 1>Wow.

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<v Speaker 15>And so I think they had us and got really

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<v Speaker 15>really scared. I think they felt that they had been

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<v Speaker 15>as I mean, we all are messed up by our

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<v Speaker 15>parents in various ways, and also you know, kind of

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<v Speaker 15>saved from the world by our parents in various ways.

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<v Speaker 15>Like there, it's just a it's a cocktail all the time,

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<v Speaker 15>I feel like, of positive and negative impact. But I

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<v Speaker 15>think they just got so scared that they didn't have

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<v Speaker 15>any kind of answers, and fundamentalist Christianity provided a bunch

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<v Speaker 15>of answers like you could do this, here's what you do,

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<v Speaker 15>and here's what you don't do, and as long as

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<v Speaker 15>you do those things, everything's gonna be fine.

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<v Speaker 1>I would have never thought of that as being a

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<v Speaker 1>recent a turn to religion, but totally is It makes

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<v Speaker 1>a lot of sense.

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<v Speaker 15>I certainly, having you know, a kid myself now can

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<v Speaker 15>see the appeal in a way that I maybe went

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<v Speaker 15>through a long period of my mid twenties and thirties

0:15:10.800 --> 0:15:12.359
<v Speaker 15>not really seeing the appeeling.

0:15:12.000 --> 0:15:13.720
<v Speaker 3>Trying without it. Yeah, I know what you mean.

0:15:13.760 --> 0:15:17.240
<v Speaker 1>I feel like the sense of community, like in socialization,

0:15:17.440 --> 0:15:21.000
<v Speaker 1>is something I would enjoy now having kids, whereas in

0:15:21.040 --> 0:15:23.920
<v Speaker 1>my late twenties and thirties, I just wanted to go

0:15:23.960 --> 0:15:28.200
<v Speaker 1>and have blinders on and just anonymously and yeah, now

0:15:28.240 --> 0:15:31.040
<v Speaker 1>I have to meet everybody in the congregation, you know.

0:15:31.360 --> 0:15:33.040
<v Speaker 3>Yeah. And for me, I was more.

0:15:34.800 --> 0:15:38.920
<v Speaker 15>Self absorbed to not really looking for a disavowal of self,

0:15:38.960 --> 0:15:42.840
<v Speaker 15>you know, looking more for the affirmation of self at

0:15:42.880 --> 0:15:43.480
<v Speaker 15>that time.

0:15:45.160 --> 0:15:49.560
<v Speaker 3>You know, for worse and for worse. It's all a journey.

0:15:49.680 --> 0:15:51.680
<v Speaker 1>It's just a journey. It's all good.

0:15:51.680 --> 0:15:53.200
<v Speaker 3>And here we are, Here we are.

0:15:53.480 --> 0:15:56.720
<v Speaker 1>Wait, so when did you start touring with Nickel Creek.

0:15:56.800 --> 0:15:59.920
<v Speaker 3>Then we started, well, we started really touring.

0:16:01.680 --> 0:16:07.600
<v Speaker 15>When I was eighteen, but we were like summer festival warriors.

0:16:07.240 --> 0:16:10.000
<v Speaker 1>Yeah, for like throughout high school.

0:16:10.080 --> 0:16:12.760
<v Speaker 15>Yeah, yeah, lots of lots of summer festivals and things.

0:16:12.800 --> 0:16:16.040
<v Speaker 15>And dad Dad played bass, with Nickel Creek. Then okay,

0:16:16.200 --> 0:16:17.760
<v Speaker 15>so Sean and Sarah, but brother and sister.

0:16:17.880 --> 0:16:18.560
<v Speaker 3>That's amazing.

0:16:18.600 --> 0:16:21.960
<v Speaker 15>And then it was my me and my dad and

0:16:22.600 --> 0:16:24.800
<v Speaker 15>that must have been fun. Oh, it was, It was great.

0:16:24.840 --> 0:16:25.320
<v Speaker 3>It was great.

0:16:25.320 --> 0:16:28.360
<v Speaker 15>And also I think actually that dynamic prevented me from

0:16:28.560 --> 0:16:32.480
<v Speaker 15>from ever really rebelling from the fundamentals Christianity.

0:16:33.520 --> 0:16:35.000
<v Speaker 3>That and by the way, now mom and.

0:16:35.000 --> 0:16:40.200
<v Speaker 15>Dad are super moderate on all that stuff, and like

0:16:40.240 --> 0:16:45.040
<v Speaker 15>actually very very they're they're good lefties.

0:16:45.080 --> 0:16:47.560
<v Speaker 3>They're like the most liberal people in all of Kentucky,

0:16:47.600 --> 0:16:47.920
<v Speaker 3>I think.

0:16:48.160 --> 0:16:49.080
<v Speaker 1>And they're still in Kentucky.

0:16:49.120 --> 0:16:52.880
<v Speaker 15>They're still in Kentucky church now, they still go to church,

0:16:52.920 --> 0:16:55.680
<v Speaker 15>but now it's a very different vibe.

0:16:55.880 --> 0:16:58.200
<v Speaker 1>They go to a different church than they moved to Kentucky.

0:16:58.280 --> 0:16:58.600
<v Speaker 8>Yeah.

0:16:58.840 --> 0:17:03.240
<v Speaker 15>Yeah, well the that the hell Fire and Brimstone Church

0:17:03.440 --> 0:17:04.879
<v Speaker 15>was in Kentucky, but then they moved.

0:17:04.880 --> 0:17:09.320
<v Speaker 3>They they I think so much credit to them.

0:17:09.359 --> 0:17:12.040
<v Speaker 15>They kept their ears open the whole time, like even

0:17:12.080 --> 0:17:14.320
<v Speaker 15>as fascinating that.

0:17:14.160 --> 0:17:16.480
<v Speaker 3>They are amazing, they're amazing people.

0:17:16.560 --> 0:17:19.280
<v Speaker 1>Do you talk about religion with them now? About like

0:17:19.680 --> 0:17:22.760
<v Speaker 1>where you guys, you talk about the past? Yeah, every

0:17:22.960 --> 0:17:25.080
<v Speaker 1>where they took you and everything.

0:17:24.720 --> 0:17:27.840
<v Speaker 15>And there was there was this there was this period

0:17:27.840 --> 0:17:31.280
<v Speaker 15>I feel like in my mid twenties, as my middle

0:17:31.280 --> 0:17:33.200
<v Speaker 15>brother and I kind of went off into the world

0:17:33.280 --> 0:17:39.320
<v Speaker 15>and would come back for holidays, you know, with sort

0:17:39.359 --> 0:17:42.600
<v Speaker 15>of news news from the wide wide world. And I

0:17:42.640 --> 0:17:47.320
<v Speaker 15>remember coming back home, I had I had my barber

0:17:47.359 --> 0:17:49.639
<v Speaker 15>across the street from my apartment in the East Village

0:17:50.680 --> 0:17:55.639
<v Speaker 15>at will from Whistle who is gay and has a

0:17:55.720 --> 0:18:00.160
<v Speaker 15>kid with his with his husband, and I remember were

0:18:00.200 --> 0:18:03.960
<v Speaker 15>sitting there in the barber chair like hearing this, hearing

0:18:04.080 --> 0:18:07.800
<v Speaker 15>him talk about his little boy and his husband and

0:18:07.800 --> 0:18:11.320
<v Speaker 15>and just bouncing that against everything that I had been

0:18:11.400 --> 0:18:13.520
<v Speaker 15>raised with, going like there's nothing.

0:18:13.600 --> 0:18:15.360
<v Speaker 3>Why is this a problem?

0:18:15.600 --> 0:18:19.320
<v Speaker 15>Yeah, Like this seems he loves this kid that hurt,

0:18:19.480 --> 0:18:21.960
<v Speaker 15>and he loves his husband, and he and his husband

0:18:22.000 --> 0:18:23.240
<v Speaker 15>seem like great parents.

0:18:23.240 --> 0:18:24.400
<v Speaker 3>Like he's showing me the pictures.

0:18:24.400 --> 0:18:27.800
<v Speaker 15>It's all just like all the family units I was

0:18:27.880 --> 0:18:29.720
<v Speaker 15>raised there at Like it's the same.

0:18:30.680 --> 0:18:35.560
<v Speaker 3>So why why does my religion condemn this man to hell?

0:18:35.880 --> 0:18:37.920
<v Speaker 1>The wheels were like really turning.

0:18:38.160 --> 0:18:41.199
<v Speaker 15>Yeah, they were really just sitting there talking to people

0:18:42.400 --> 0:18:45.639
<v Speaker 15>about their their lives. And that's the friction. That kind

0:18:45.680 --> 0:18:48.800
<v Speaker 15>of friction is what I feel like I'm missing in

0:18:48.880 --> 0:18:54.760
<v Speaker 15>my in my current life like that everyone, So that

0:18:54.760 --> 0:18:58.679
<v Speaker 15>that friction like with me sort of teetering on the

0:18:59.720 --> 0:19:05.159
<v Speaker 15>you know, still carrying some fundamentalist Christian baggage with me,

0:19:05.800 --> 0:19:07.320
<v Speaker 15>but kind of teetering on the edge. I was in

0:19:07.359 --> 0:19:09.560
<v Speaker 15>all of these conversations with people who felt different ways

0:19:09.600 --> 0:19:13.360
<v Speaker 15>about things than I at least had felt, and that

0:19:13.480 --> 0:19:14.480
<v Speaker 15>kind of friction.

0:19:16.359 --> 0:19:17.879
<v Speaker 3>Helped me grow so much.

0:19:18.400 --> 0:19:22.000
<v Speaker 15>And like, could I take that kind of friction now,

0:19:23.040 --> 0:19:25.920
<v Speaker 15>you know, like with people who don't feel the same

0:19:25.960 --> 0:19:29.600
<v Speaker 15>way about about various things, but I might be able

0:19:29.640 --> 0:19:30.720
<v Speaker 15>to learn from well.

0:19:30.720 --> 0:19:33.080
<v Speaker 1>But I think that's part of why things are so

0:19:33.200 --> 0:19:37.480
<v Speaker 1>bad right now with the polarization, is that people can't

0:19:37.560 --> 0:19:41.639
<v Speaker 1>just have conversations like that right now because whatever it

0:19:41.760 --> 0:19:44.480
<v Speaker 1>is in the air and the media and the social media,

0:19:44.680 --> 0:19:48.600
<v Speaker 1>there's just so much anger or they're not having those

0:19:48.680 --> 0:19:53.080
<v Speaker 1>kinds of healthy debates. They're just getting angry, right And.

0:19:53.040 --> 0:19:55.920
<v Speaker 15>Do we just feel like anything that's not an agreement

0:19:57.160 --> 0:20:00.480
<v Speaker 15>or that's not actively agreeing with you a threat?

0:20:00.680 --> 0:20:03.200
<v Speaker 1>Is that what we I think that's how people are acting.

0:20:03.400 --> 0:20:06.399
<v Speaker 1>And I don't think I think that if everybody could

0:20:06.400 --> 0:20:08.760
<v Speaker 1>take a step back and have those kinds of a

0:20:08.800 --> 0:20:15.159
<v Speaker 1>healthy debate maybe we'd be in a better place, you know, globally, right, oh.

0:20:15.119 --> 0:20:15.760
<v Speaker 3>God, nasally.

0:20:15.960 --> 0:20:16.359
<v Speaker 8>I don't know.

0:20:23.880 --> 0:20:29.080
<v Speaker 1>When you guys hit like really big, How old were you? Well,

0:20:29.800 --> 0:20:33.000
<v Speaker 1>you know, I really not really big. But when you

0:20:33.040 --> 0:20:36.239
<v Speaker 1>guys were huge, No, but I mean when you when

0:20:36.280 --> 0:20:37.360
<v Speaker 1>it started getting really.

0:20:37.200 --> 0:20:41.120
<v Speaker 3>Big, like got big, Yeah, bigger, bigger at least. Yeah,

0:20:41.240 --> 0:20:43.760
<v Speaker 3>that was we I was like.

0:20:45.480 --> 0:20:48.480
<v Speaker 15>Nineteen twenty, I think is when is when that first

0:20:48.520 --> 0:20:53.280
<v Speaker 15>record that we made for for Sugar Hell, which I

0:20:53.280 --> 0:20:56.040
<v Speaker 15>mean they thought was going to do like a bluegrassy thing,

0:20:56.119 --> 0:20:59.720
<v Speaker 15>like seven thousand copies would have been the contract was

0:20:59.760 --> 0:21:01.919
<v Speaker 15>sort of old for selling seven thousand copies, and then

0:21:01.960 --> 0:21:04.480
<v Speaker 15>the record company could make sure that they made enough

0:21:04.520 --> 0:21:06.639
<v Speaker 15>money to pay for it from selling you the record

0:21:06.720 --> 0:21:10.280
<v Speaker 15>to sell at festivals. Yes, that was a significant part

0:21:10.680 --> 0:21:14.800
<v Speaker 15>of the potential income for a bluegrass record label. Yeah,

0:21:14.800 --> 0:21:19.040
<v Speaker 15>and then and then, I don't know, Alison agreeing to

0:21:19.080 --> 0:21:20.160
<v Speaker 15>produce was a big deal.

0:21:20.520 --> 0:21:21.160
<v Speaker 3>Alison Kraus.

0:21:21.240 --> 0:21:27.960
<v Speaker 15>Alison Krause, And oh, she's incredible and such a great producer.

0:21:27.960 --> 0:21:30.720
<v Speaker 3>That she's made so many records, so.

0:21:30.720 --> 0:21:34.880
<v Speaker 15>Many records, and she has such she has such a perspective,

0:21:34.920 --> 0:21:37.200
<v Speaker 15>she has such a sound in her head that she's

0:21:37.240 --> 0:21:39.560
<v Speaker 15>always chasing for whatever she's part of.

0:21:39.680 --> 0:21:40.680
<v Speaker 3>She knows what she wants.

0:21:40.760 --> 0:21:43.880
<v Speaker 15>She knows what she wants, she really she deeply does,

0:21:43.960 --> 0:21:46.840
<v Speaker 15>and and anything that's not that is like nails on

0:21:46.840 --> 0:21:50.400
<v Speaker 15>a trackboard to her, which was really helpful, I think

0:21:50.440 --> 0:21:54.960
<v Speaker 15>for us as kind of headstrong, you know, cocky musicians

0:21:54.960 --> 0:21:59.080
<v Speaker 15>who have been fairly coddled by the bluegrass community up

0:21:59.080 --> 0:22:03.160
<v Speaker 15>to that point. And I had a really strong I've

0:22:03.160 --> 0:22:05.600
<v Speaker 15>always had a sound in my head too, so to

0:22:05.880 --> 0:22:09.639
<v Speaker 15>run up against someone like Alison, who's the sound that

0:22:09.680 --> 0:22:11.639
<v Speaker 15>she heard in her head was maybe a little louder

0:22:11.680 --> 0:22:12.800
<v Speaker 15>than I heard at.

0:22:12.640 --> 0:22:15.159
<v Speaker 3>That point in my life, you know, was amazing.

0:22:17.160 --> 0:22:19.119
<v Speaker 15>And that was another source of those conversations, kind of

0:22:19.119 --> 0:22:22.480
<v Speaker 15>mind expanding conversations, which is talking to Alison about the

0:22:22.520 --> 0:22:26.080
<v Speaker 15>world music first and foremost, but then also just about

0:22:26.240 --> 0:22:29.320
<v Speaker 15>being alive. But I think then the old Brother where

0:22:29.400 --> 0:22:34.399
<v Speaker 15>Art Thao thing happened and we were we rode that

0:22:34.440 --> 0:22:37.560
<v Speaker 15>way that if you had one record, if you had

0:22:37.560 --> 0:22:39.280
<v Speaker 15>one blue mass record, you had O Brother where Art

0:22:39.280 --> 0:22:40.440
<v Speaker 15>Thou and you're like.

0:22:40.359 --> 0:22:44.119
<v Speaker 3>Man of constant sorrow. And if you had two you

0:22:44.200 --> 0:22:47.440
<v Speaker 3>had that and something of Alison's. And if you had three.

0:22:47.520 --> 0:22:49.800
<v Speaker 1>Then you all said nicol Creek's amazing.

0:22:49.560 --> 0:22:53.040
<v Speaker 15>Because we were young, and I think sugar Hill they

0:22:53.160 --> 0:22:56.320
<v Speaker 15>like re. They redid the cover of the record so

0:22:56.320 --> 0:22:57.919
<v Speaker 15>that we looked a little bit more fashionable.

0:22:58.240 --> 0:23:01.320
<v Speaker 1>I was looking at the cover recently and when I

0:23:01.359 --> 0:23:03.199
<v Speaker 1>was trying to, you know, figure out what songs we

0:23:03.200 --> 0:23:08.040
<v Speaker 1>were doing, and you look quite dashing your teenagers. The

0:23:08.160 --> 0:23:12.320
<v Speaker 1>frost tip was that like a slight justin Timberlake frost

0:23:12.440 --> 0:23:17.320
<v Speaker 1>tip situation. Holy, they were, Yeah, it was gorgeous.

0:23:17.880 --> 0:23:21.480
<v Speaker 3>It looked amazing. Everyone in Nashville had frosted tips. Really, yeah,

0:23:21.480 --> 0:23:22.639
<v Speaker 3>oh my god, yeah.

0:23:22.400 --> 0:23:24.720
<v Speaker 15>Because I mean I think it was Nashville would have

0:23:24.760 --> 0:23:27.400
<v Speaker 15>always been. It felt like we were one step behind

0:23:28.200 --> 0:23:30.240
<v Speaker 15>living in Nashals like being one step by So the

0:23:30.280 --> 0:23:33.120
<v Speaker 15>in sync would have been those would have been Yeah,

0:23:33.240 --> 0:23:34.600
<v Speaker 15>that's fashionable.

0:23:34.960 --> 0:23:42.359
<v Speaker 3>Yeah, that's what that's what you do. Let's do always judging,

0:23:42.640 --> 0:23:43.639
<v Speaker 3>Oh my god.

0:23:45.200 --> 0:23:50.320
<v Speaker 1>Always judging. Okay, So I haven't thought about this song

0:23:50.880 --> 0:23:52.720
<v Speaker 1>since I wrote it.

0:23:53.720 --> 0:23:56.160
<v Speaker 3>Did you write it for the movies?

0:23:56.280 --> 0:23:56.480
<v Speaker 15>Yeah?

0:23:56.520 --> 0:23:58.840
<v Speaker 1>I got a new manager, John Silva, and he's like, well,

0:23:59.640 --> 0:24:01.520
<v Speaker 1>you ever want to get into soundtrack stuff? And I

0:24:01.560 --> 0:24:05.800
<v Speaker 1>was like, well, I've never thought about it. Well, Jed

0:24:05.800 --> 0:24:08.199
<v Speaker 1>Appatow's got this movie and he's looking to like do

0:24:08.240 --> 0:24:11.920
<v Speaker 1>stuff with people. So I started corresponding with Jed Appatoo

0:24:12.000 --> 0:24:14.720
<v Speaker 1>about writing some stuff for the movie. And he was

0:24:14.760 --> 0:24:19.359
<v Speaker 1>explaining the movie this is forty. Meanwhile, I'm like thirty

0:24:19.480 --> 0:24:23.080
<v Speaker 1>at the time, no kids, no husband, I was recently single,

0:24:23.119 --> 0:24:26.080
<v Speaker 1>I think even, and he's like, yeah, marit it's about like,

0:24:26.200 --> 0:24:29.119
<v Speaker 1>you know, being in your forties and being married with

0:24:29.280 --> 0:24:31.919
<v Speaker 1>kids and just like and then he just wrote me

0:24:32.040 --> 0:24:36.399
<v Speaker 1>like stream of consciousness emails of lyric ideas and it

0:24:36.480 --> 0:24:39.800
<v Speaker 1>was like always Judging. It was something like that. And

0:24:39.840 --> 0:24:43.160
<v Speaker 1>so I wrote this song from that from his email.

0:24:45.600 --> 0:24:47.879
<v Speaker 1>And you played on it together.

0:24:48.359 --> 0:24:51.560
<v Speaker 15>That's that's right, we got we. I in essence played

0:24:51.560 --> 0:24:53.520
<v Speaker 15>on it with you, but not actually with you.

0:24:53.800 --> 0:24:55.960
<v Speaker 3>And John Brian produced it. John Brian produced it. The

0:24:56.160 --> 0:24:57.800
<v Speaker 3>great mad scientist of music out there.

0:24:57.840 --> 0:25:00.639
<v Speaker 1>And you know who else is on it is Lindsay

0:25:00.720 --> 0:25:03.960
<v Speaker 1>bucking He's the one doing this, He's doing Always Judges.

0:25:04.080 --> 0:25:06.439
<v Speaker 1>He's on the and I've never met I mean, I

0:25:06.480 --> 0:25:09.840
<v Speaker 1>grew up obsessed with Fleetwood Mac, but I've never met

0:25:09.880 --> 0:25:11.320
<v Speaker 1>Lindsay Buckingham in my life.

0:25:11.400 --> 0:25:14.000
<v Speaker 3>I've never crossed cross on the five.

0:25:14.480 --> 0:25:17.680
<v Speaker 1>He's like fingerpicking on it and singing on it. I

0:25:17.720 --> 0:25:20.440
<v Speaker 1>feel like nobody ever heard the song. But it wasn't

0:25:20.440 --> 0:25:22.040
<v Speaker 1>even actually in the movie in the end, it was

0:25:22.080 --> 0:25:23.119
<v Speaker 1>just on the soundtrack.

0:25:23.280 --> 0:25:25.440
<v Speaker 3>So, oh my gosh, so here it.

0:25:25.359 --> 0:26:45.120
<v Speaker 16>Is always jretching, always judging, never loving, always dredging.

0:26:44.920 --> 0:26:46.719
<v Speaker 17>Always dredging, never looking.

0:26:46.880 --> 0:26:48.760
<v Speaker 16>Woe's wedding bed is swimming?

0:26:48.880 --> 0:26:58.359
<v Speaker 18>Ball ways judge the one you love to her she

0:26:58.520 --> 0:27:01.160
<v Speaker 18>lay now she's.

0:27:01.000 --> 0:27:04.919
<v Speaker 5>Good, never loving, always judging.

0:27:05.160 --> 0:27:13.960
<v Speaker 2>You don't pretend that it's you're blood.

0:27:14.680 --> 0:27:21.159
<v Speaker 13>Thing you not die, never hugging, always judging.

0:27:21.359 --> 0:27:29.560
<v Speaker 2>When you say you don't need me, I do.

0:27:31.080 --> 0:27:40.320
<v Speaker 3>BALLI blood is when the cat is spinning, you say.

0:27:41.640 --> 0:27:42.399
<v Speaker 15>That it's.

0:27:45.720 --> 0:27:51.000
<v Speaker 5>Brow fay you now for dry.

0:27:54.400 --> 0:27:59.440
<v Speaker 17>As juching, always judging, never loving, always judging, love's judging,

0:27:59.560 --> 0:28:00.439
<v Speaker 17>never fucking.

0:28:00.560 --> 0:28:02.600
<v Speaker 5>Who is winning at the same.

0:28:17.880 --> 0:28:30.640
<v Speaker 8>Chilling?

0:28:34.080 --> 0:29:13.880
<v Speaker 16>Who's your check? Always judging, always judging, Neva laughing, always judging,

0:29:14.000 --> 0:29:18.920
<v Speaker 16>always judging, Neva hugging, always spinning, mad is spending.

0:29:23.160 --> 0:29:26.640
<v Speaker 3>Crap? I bet you who is my head is spinning?

0:29:26.760 --> 0:29:27.760
<v Speaker 19>Who is winning?

0:29:29.320 --> 0:29:33.760
<v Speaker 3>There we go? That was so fun. Oh my god.

0:29:33.800 --> 0:29:35.760
<v Speaker 1>I never thought I would ever play that song anyo,

0:29:36.560 --> 0:29:38.880
<v Speaker 1>did I nor did I that was fun.

0:29:39.160 --> 0:29:40.040
<v Speaker 3>Oh my gosh.

0:29:40.120 --> 0:29:42.600
<v Speaker 1>And now we're in our forties and married with kids.

0:29:42.600 --> 0:29:46.040
<v Speaker 3>And now it really rings. It resonates, I get it.

0:29:46.040 --> 0:29:48.240
<v Speaker 3>It resonates, good guess.

0:30:00.680 --> 0:30:05.239
<v Speaker 1>So so, okay, Live from Here, Holy crap. I mean I

0:30:05.280 --> 0:30:07.680
<v Speaker 1>grew up listening to Prairie Home Companion.

0:30:08.520 --> 0:30:10.440
<v Speaker 3>Did you you too? Yes? Oh? Absolutely, it was.

0:30:10.600 --> 0:30:12.560
<v Speaker 1>I mean I think a lot of any NPR kid

0:30:12.600 --> 0:30:17.200
<v Speaker 1>did pretty much. He was a huge part of my life.

0:30:17.240 --> 0:30:20.520
<v Speaker 1>My mom is a lifelong m PR radio on. I

0:30:20.520 --> 0:30:22.560
<v Speaker 1>think it's come from a lot of just the two

0:30:22.640 --> 0:30:25.560
<v Speaker 1>of us. Lose like company, you know, and so Prayer

0:30:25.560 --> 0:30:28.720
<v Speaker 1>Own Companion. We would listen to it, and then we

0:30:28.760 --> 0:30:30.800
<v Speaker 1>would listen to the rerun every weekend.

0:30:30.680 --> 0:30:34.240
<v Speaker 3>You know, the boat Like a lot of times.

0:30:34.280 --> 0:30:36.440
<v Speaker 15>What would happen is we'd get half of it during

0:30:36.440 --> 0:30:38.960
<v Speaker 15>a drive on Saturday and then the other half on Sunday,

0:30:39.280 --> 0:30:41.160
<v Speaker 15>like intentionally, Okay, what half did we not get?

0:30:41.200 --> 0:30:42.760
<v Speaker 3>Then we're going to listen to that. Yeah.

0:30:42.800 --> 0:30:46.720
<v Speaker 1>I have so many memories of people on it. So

0:30:46.800 --> 0:30:50.200
<v Speaker 1>you took over the show and then and then they

0:30:50.280 --> 0:30:52.680
<v Speaker 1>changed the name to Live from Here, and which I

0:30:52.680 --> 0:30:56.080
<v Speaker 1>think is a great name for it. Thank you, because

0:30:56.120 --> 0:30:58.400
<v Speaker 1>you moved around. You did this, You hosted the show

0:30:58.440 --> 0:31:02.240
<v Speaker 1>from different places. You took it on the road basically, Yeah.

0:31:01.720 --> 0:31:05.320
<v Speaker 15>And Garrison did. Garrison would always he would tour it too.

0:31:05.360 --> 0:31:08.720
<v Speaker 15>But of course it was very much centered in and

0:31:08.840 --> 0:31:14.040
<v Speaker 15>Saint Paul and I got I remember driving in. I

0:31:14.080 --> 0:31:17.280
<v Speaker 15>was in southern California, and I remember hearing you do

0:31:17.400 --> 0:31:19.480
<v Speaker 15>an episode.

0:31:20.080 --> 0:31:21.360
<v Speaker 3>I forget what record.

0:31:21.080 --> 0:31:23.320
<v Speaker 15>You were touring behind, but you He had you on

0:31:23.360 --> 0:31:25.600
<v Speaker 15>a sketch where you were a call waiting.

0:31:25.680 --> 0:31:27.680
<v Speaker 1>Yes, that's right, sketch.

0:31:27.680 --> 0:31:31.680
<v Speaker 15>It was good, and you were you were like a Yeah,

0:31:31.680 --> 0:31:32.960
<v Speaker 15>you were the voice of call waiting.

0:31:33.680 --> 0:31:36.400
<v Speaker 3>That was fun, singing, singing, you're on hold, You're on.

0:31:36.400 --> 0:31:39.680
<v Speaker 1>Hold, You're on I hadn't thought about that since then.

0:31:40.440 --> 0:31:42.160
<v Speaker 1>My brain doesn't remember things anymore.

0:31:42.200 --> 0:31:43.720
<v Speaker 3>That's crazy. I forgot about driving.

0:31:43.760 --> 0:31:47.640
<v Speaker 15>I mean, but I feel like when you're when you're driving,

0:31:47.680 --> 0:31:48.680
<v Speaker 15>that was what that show.

0:31:49.800 --> 0:31:51.040
<v Speaker 3>That was the most magical.

0:31:51.160 --> 0:31:53.360
<v Speaker 15>It's like if you're you're just you're going from point

0:31:53.400 --> 0:31:56.520
<v Speaker 15>A to point B and that show is on. It

0:31:56.560 --> 0:32:00.000
<v Speaker 15>was just it was so transportive and talk about commune

0:32:00.480 --> 0:32:01.960
<v Speaker 15>a church like experience.

0:32:01.960 --> 0:32:03.840
<v Speaker 3>I feel like that show was church like.

0:32:04.320 --> 0:32:08.640
<v Speaker 1>Yeah, and he talked about religion without being religious or

0:32:08.760 --> 0:32:11.360
<v Speaker 1>pitchy about it, you could still listen to life.

0:32:11.600 --> 0:32:14.120
<v Speaker 3>Yeah, it was the human aspect of religion.

0:32:14.280 --> 0:32:17.440
<v Speaker 15>It was beautiful and I feel like all the various routines,

0:32:17.480 --> 0:32:19.760
<v Speaker 15>like it's going to start with this song and eventually

0:32:19.800 --> 0:32:23.160
<v Speaker 15>you're going to get a guy noir sketch and eventually, yeah,

0:32:23.280 --> 0:32:24.880
<v Speaker 15>you're going to get the like Wobgone story.

0:32:25.400 --> 0:32:27.360
<v Speaker 1>Oh yeah, it's like we'll get you.

0:32:27.680 --> 0:32:30.360
<v Speaker 15>And Rich Rich Dwarski and the Guys All Star Shoe

0:32:30.360 --> 0:32:34.440
<v Speaker 15>Band like doing that. The crazy sort of jaloppy sound

0:32:34.520 --> 0:32:37.760
<v Speaker 15>of that band was always so infectious. So yeah, when

0:32:37.800 --> 0:32:40.320
<v Speaker 15>he he asked me to do it, which came out

0:32:40.320 --> 0:32:41.800
<v Speaker 15>of the clear blue sph.

0:32:41.560 --> 0:32:43.480
<v Speaker 1>I didn't realize it came from him. He asked you

0:32:43.520 --> 0:32:44.040
<v Speaker 1>to take over.

0:32:44.280 --> 0:32:46.000
<v Speaker 3>Yeah, yeah, I wanted to retire.

0:32:46.200 --> 0:32:48.120
<v Speaker 15>Yeah, he was like, I think, I think I'm bringing

0:32:48.160 --> 0:32:51.200
<v Speaker 15>it in for landing and was wondering if you'd be

0:32:51.240 --> 0:32:52.440
<v Speaker 15>interested in hosting.

0:32:52.160 --> 0:32:54.720
<v Speaker 3>It, which I mean I hadn't been groomed for it. Yeah.

0:32:54.800 --> 0:32:57.960
<v Speaker 15>I'd even felt like at times that I would do

0:32:58.000 --> 0:32:59.800
<v Speaker 15>something on the show when I would be on a

0:32:59.800 --> 0:33:01.680
<v Speaker 15>fair frequently, but okay.

0:33:01.680 --> 0:33:02.560
<v Speaker 1>Like the perfect guess.

0:33:02.720 --> 0:33:05.640
<v Speaker 15>I loved you know, I loved sitting in with people

0:33:05.760 --> 0:33:08.400
<v Speaker 15>and and he would sometimes give me a I remember

0:33:08.400 --> 0:33:10.760
<v Speaker 15>he gave me a slot one time for a for

0:33:10.840 --> 0:33:14.600
<v Speaker 15>a song, and I did. I did a solo version

0:33:14.640 --> 0:33:16.640
<v Speaker 15>of the White Stripe song that Leaves in the Dirty Ground,

0:33:17.160 --> 0:33:19.719
<v Speaker 15>which had some yodling and and it got it got

0:33:19.760 --> 0:33:20.280
<v Speaker 15>a big reaction.

0:33:20.360 --> 0:33:20.920
<v Speaker 3>Was at town hall.

0:33:21.000 --> 0:33:23.360
<v Speaker 15>It got a big reaction, and afterwards he was like,

0:33:24.080 --> 0:33:25.280
<v Speaker 15>don't do that again.

0:33:29.280 --> 0:33:31.720
<v Speaker 3>I couldn't tell if he was joking or oh, you couldn't.

0:33:31.880 --> 0:33:34.200
<v Speaker 15>I couldn't tell. I don't think he was joking though.

0:33:34.280 --> 0:33:37.360
<v Speaker 15>I think it was like that that. I think maybe

0:33:37.440 --> 0:33:39.960
<v Speaker 15>that broke the spell of the show for him. Crazy,

0:33:40.000 --> 0:33:41.360
<v Speaker 15>you know that it was like that wasn't in the

0:33:41.400 --> 0:33:45.680
<v Speaker 15>spirit of things wow, Which was a big lesson to learn,

0:33:46.120 --> 0:33:49.040
<v Speaker 15>like to not the show has a vibe and just

0:33:49.120 --> 0:33:53.280
<v Speaker 15>any any anything that you're doing has a vibe and

0:33:53.360 --> 0:33:56.840
<v Speaker 15>you can actually so don't always go for the jugular, yeah,

0:33:57.120 --> 0:33:58.320
<v Speaker 15>you know, don't always like.

0:33:58.480 --> 0:34:03.280
<v Speaker 1>Don't force something into a the wrong Sorry I had

0:34:03.280 --> 0:34:06.440
<v Speaker 1>to say, I don't know, but like, yeah, yeah.

0:34:06.400 --> 0:34:10.000
<v Speaker 3>Don't force the wrong thing. Yeah, sometimes like this seem

0:34:10.040 --> 0:34:13.719
<v Speaker 3>wrong to me. No, you know, I did, I think

0:34:13.719 --> 0:34:14.640
<v Speaker 3>it was. I think it was a.

0:34:14.600 --> 0:34:18.000
<v Speaker 15>Good I think it was a nice moment, but I

0:34:18.000 --> 0:34:22.120
<v Speaker 15>also think his reaction to it was a really amazing

0:34:22.200 --> 0:34:27.800
<v Speaker 15>lesson to learn about the like the power of radically

0:34:27.840 --> 0:34:31.719
<v Speaker 15>strong taste that like if he's he's presiding over this

0:34:32.080 --> 0:34:37.719
<v Speaker 15>world and you know he's he's he's micro creating, he's

0:34:37.760 --> 0:34:40.520
<v Speaker 15>like he's he has this world and the world has rules,

0:34:40.560 --> 0:34:43.640
<v Speaker 15>like the world there's gravity, and there's oxygen and there's

0:34:43.840 --> 0:34:46.600
<v Speaker 15>you know what I mean. Yeah, And so I always

0:34:46.640 --> 0:34:49.719
<v Speaker 15>thought about that moment when I when I when he

0:34:49.760 --> 0:34:54.239
<v Speaker 15>asked me to take it, to take the show of

0:34:54.280 --> 0:34:59.880
<v Speaker 15>like how how can I? Obviously I can't continue facilitating

0:35:00.160 --> 0:35:02.160
<v Speaker 15>same world. I have to, like you have to make

0:35:02.160 --> 0:35:04.239
<v Speaker 15>your I have to make a new world for it.

0:35:04.600 --> 0:35:07.680
<v Speaker 15>But also I have to like transition it slowly. So

0:35:07.719 --> 0:35:11.000
<v Speaker 15>then all of us who who count on that world weekend,

0:35:11.040 --> 0:35:13.080
<v Speaker 15>week out, we still have some of the stuff. So

0:35:13.120 --> 0:35:16.400
<v Speaker 15>it was it was interesting. It was a really amazing

0:35:17.320 --> 0:35:21.840
<v Speaker 15>learning experience, that whole show. And then it got COVID canceled.

0:35:22.080 --> 0:35:24.799
<v Speaker 3>I know, so how long did you do it with

0:35:25.000 --> 0:35:26.480
<v Speaker 3>the year where he was kind.

0:35:26.280 --> 0:35:30.040
<v Speaker 1>Of was he still involved when he passed it on? Yes,

0:35:30.239 --> 0:35:31.440
<v Speaker 1>so he still helped, like.

0:35:31.960 --> 0:35:35.000
<v Speaker 15>He helped, Yeah, he helped with the first especially the

0:35:35.040 --> 0:35:38.439
<v Speaker 15>first season. He and I were in pretty close touch

0:35:38.480 --> 0:35:40.560
<v Speaker 15>about about it. I don't think he was listening though.

0:35:40.560 --> 0:35:43.880
<v Speaker 15>I don't think he would ever listen to the show Interesting.

0:35:43.920 --> 0:35:46.680
<v Speaker 15>He never listened to it when he did it either. Okay,

0:35:46.840 --> 0:35:48.719
<v Speaker 15>he would never listen to Interesting that he.

0:35:48.680 --> 0:35:51.080
<v Speaker 1>Wouldn't listen after he handed it over. Probably it would

0:35:51.080 --> 0:35:53.040
<v Speaker 1>have been too hard for him to not try to, Like.

0:35:53.600 --> 0:35:56.360
<v Speaker 15>That's what he said. He said, there's no way. That's

0:35:56.480 --> 0:35:58.400
<v Speaker 15>just not going to be helpful for either of us.

0:35:58.520 --> 0:36:00.759
<v Speaker 3>Yeah, me listening is that's really funny.

0:36:01.920 --> 0:36:05.920
<v Speaker 15>But I I but he was so generous with with

0:36:07.280 --> 0:36:09.399
<v Speaker 15>you know, help kind of anytime I had a question

0:36:09.440 --> 0:36:12.760
<v Speaker 15>about any aspect of it or you know, wondering about

0:36:12.840 --> 0:36:13.680
<v Speaker 15>this seems.

0:36:13.400 --> 0:36:15.879
<v Speaker 3>Like a you know, you don't need to do that thing.

0:36:15.920 --> 0:36:17.680
<v Speaker 3>I would do that. Here's why I would do it.

0:36:17.840 --> 0:36:20.560
<v Speaker 3>You don't need to do that. Yeah, those kind of

0:36:20.600 --> 0:36:23.879
<v Speaker 3>conversation the news from like oh god, yeah that wasn't Yeah,

0:36:23.920 --> 0:36:25.040
<v Speaker 3>that was never going to happen.

0:36:25.920 --> 0:36:28.759
<v Speaker 15>But but like, you know, the sketches, we started doing

0:36:28.760 --> 0:36:31.160
<v Speaker 15>different stuff with the sketches, and then and and the

0:36:31.200 --> 0:36:33.920
<v Speaker 15>whole thing became. He really encouraged me to make it

0:36:34.239 --> 0:36:35.040
<v Speaker 15>far more music.

0:36:35.280 --> 0:36:37.920
<v Speaker 3>That's great, but that's perfect, which it was.

0:36:38.040 --> 0:36:40.279
<v Speaker 15>I mean he was always kind of threatening to make

0:36:40.320 --> 0:36:43.239
<v Speaker 15>it more music oriented himself, like that's what he loved

0:36:43.239 --> 0:36:43.440
<v Speaker 15>to do.

0:36:43.560 --> 0:36:46.040
<v Speaker 1>Well, I mean he's saying on it, but it wasn't ever.

0:36:46.280 --> 0:36:50.200
<v Speaker 1>I liked his voice. Actually it sounds like home. Yeah,

0:36:50.320 --> 0:36:53.560
<v Speaker 1>it was like sounds like I mean his singing voice

0:36:54.360 --> 0:36:57.360
<v Speaker 1>as well as a speaking voice. But you just have

0:36:57.520 --> 0:36:59.880
<v Speaker 1>so many more options with what you know and what

0:37:00.120 --> 0:37:04.160
<v Speaker 1>you can do and how you can adapt to other musicians.

0:37:03.719 --> 0:37:07.200
<v Speaker 15>His one condition, it was like you, I want you

0:37:07.239 --> 0:37:09.440
<v Speaker 15>to host the show on one condition, which is that

0:37:09.800 --> 0:37:11.600
<v Speaker 15>you keep singing.

0:37:11.360 --> 0:37:13.399
<v Speaker 3>Duets on the show.

0:37:13.760 --> 0:37:16.160
<v Speaker 1>But that's that's like the best part of it. That's

0:37:16.280 --> 0:37:18.720
<v Speaker 1>and that's like your bread and butter. When I asked

0:37:18.760 --> 0:37:20.680
<v Speaker 1>you about what songs you wanted to do for this,

0:37:20.840 --> 0:37:22.799
<v Speaker 1>you kept throwing out songs that neither of us have

0:37:22.840 --> 0:37:23.319
<v Speaker 1>ever done.

0:37:23.840 --> 0:37:25.040
<v Speaker 3>And that's what I'm.

0:37:25.040 --> 0:37:27.400
<v Speaker 1>It's so exciting, you know, it's so fun to like

0:37:27.960 --> 0:37:30.359
<v Speaker 1>interact with people that way. I saw you do a

0:37:30.360 --> 0:37:33.080
<v Speaker 1>thing with tank from a tank in the Bengas. Oh god,

0:37:33.120 --> 0:37:39.560
<v Speaker 1>she whoa well, she's insanely amazing poetry.

0:37:39.719 --> 0:37:40.960
<v Speaker 3>Yeah, her poetry is beautiful.

0:37:41.040 --> 0:37:42.520
<v Speaker 15>Oh my god, I mean, I love them. I knew

0:37:42.520 --> 0:37:44.440
<v Speaker 15>about the music, but I didn't know about her poets.

0:37:44.480 --> 0:37:46.279
<v Speaker 1>I know me neither till later, but her brain just

0:37:46.320 --> 0:37:47.719
<v Speaker 1>goes so many different places.

0:37:47.800 --> 0:37:50.640
<v Speaker 15>I didn't know about her poetry until, like Thomas Bartlett

0:37:50.680 --> 0:37:53.560
<v Speaker 15>played me her doing poetry to you play.

0:37:53.719 --> 0:37:57.120
<v Speaker 1>Yeah, we were improvising and it was fun. She that

0:37:57.239 --> 0:38:00.239
<v Speaker 1>was fun when we did the recordings with Thomas. Yeah,

0:38:00.280 --> 0:38:03.280
<v Speaker 1>Thomas loved her. Oh god, she's amazing.

0:38:03.440 --> 0:38:05.080
<v Speaker 3>She's amazing. Yeah.

0:38:05.120 --> 0:38:08.200
<v Speaker 1>But did you feel like were there any limitations on

0:38:08.360 --> 0:38:11.040
<v Speaker 1>who could be on the show musically or was it

0:38:11.040 --> 0:38:14.720
<v Speaker 1>pretty open? Did it gear more towards acoustic.

0:38:14.760 --> 0:38:19.960
<v Speaker 15>Early early on, I was really careful about trying to

0:38:20.200 --> 0:38:24.080
<v Speaker 15>kind of lead basically just trying to drop breadcrumbs the

0:38:24.120 --> 0:38:26.319
<v Speaker 15>whole way so that people could follow. I feel like

0:38:26.320 --> 0:38:33.680
<v Speaker 15>that's really important as as a host of something that's

0:38:33.719 --> 0:38:37.120
<v Speaker 15>different than than being an artist. I feel like as

0:38:37.120 --> 0:38:39.600
<v Speaker 15>an artist, part of our job is to just surprise people,

0:38:39.800 --> 0:38:41.000
<v Speaker 15>you know, to kind of.

0:38:41.520 --> 0:38:44.839
<v Speaker 1>I don't know if they think that, though, I think

0:38:44.840 --> 0:38:47.239
<v Speaker 1>that's more fun for us. Sometimes they like it, and

0:38:47.280 --> 0:38:49.319
<v Speaker 1>sometimes they're like, I don't know if I like that.

0:38:49.520 --> 0:38:53.759
<v Speaker 15>Right, you know, But I also feel like, well, I

0:38:53.760 --> 0:38:55.759
<v Speaker 15>mean that is that's the great balancing act that we're

0:38:55.760 --> 0:38:59.960
<v Speaker 15>all playing. But but I ultimately, you know how they

0:39:00.080 --> 0:39:01.440
<v Speaker 15>they say you have to be true to your audience

0:39:01.440 --> 0:39:04.879
<v Speaker 15>of one. It's true, right, you know, And if if

0:39:05.280 --> 0:39:12.480
<v Speaker 15>I crave, I crave being sort of uncomfortable in the art,

0:39:12.600 --> 0:39:15.520
<v Speaker 15>like I want I want, I want to be challenged

0:39:16.320 --> 0:39:20.040
<v Speaker 15>by a by a piece of art. And what I

0:39:20.080 --> 0:39:23.239
<v Speaker 15>realized as the host of that show is that that

0:39:23.440 --> 0:39:26.760
<v Speaker 15>instinct was only gonna serve me to a certain extent,

0:39:27.200 --> 0:39:29.120
<v Speaker 15>and that I needed to I needed to make sure

0:39:29.160 --> 0:39:32.839
<v Speaker 15>that people felt safe so that they could enjoy when

0:39:32.880 --> 0:39:36.040
<v Speaker 15>they were challenged. And if I if I it was

0:39:36.080 --> 0:39:38.120
<v Speaker 15>basically the opposite of being true to your audience of one.

0:39:38.160 --> 0:39:44.400
<v Speaker 15>Although although I found within myself someone well and I

0:39:44.760 --> 0:39:47.799
<v Speaker 15>thought of my relationship with the show and how it

0:39:47.880 --> 0:39:50.200
<v Speaker 15>was a source of comfort and like a like a

0:39:50.239 --> 0:39:53.759
<v Speaker 15>true north or like calibrating my week. You know, It's

0:39:53.800 --> 0:39:56.520
<v Speaker 15>like here's Garrison and here's that song that the you

0:39:56.560 --> 0:39:59.680
<v Speaker 15>know here that will piano from Downey Avenue. It's like

0:40:00.239 --> 0:40:02.439
<v Speaker 15>it's not that I'm a massive fan of that song,

0:40:02.480 --> 0:40:04.200
<v Speaker 15>but that song put me in.

0:40:05.800 --> 0:40:06.759
<v Speaker 3>A spot, you know.

0:40:06.800 --> 0:40:10.480
<v Speaker 1>Yeah, I would, it becomes a nostalgic, it's a touchstone

0:40:10.600 --> 0:40:11.120
<v Speaker 1>for people.

0:40:11.600 --> 0:40:15.479
<v Speaker 15>And so then when I would hear, I was trying

0:40:15.520 --> 0:40:18.239
<v Speaker 15>to imagine, what are the things that I can do

0:40:18.360 --> 0:40:21.880
<v Speaker 15>to put people in a place where they'll where they'll

0:40:22.040 --> 0:40:27.080
<v Speaker 15>relish those tense moments of being challenged by a piece

0:40:27.080 --> 0:40:32.160
<v Speaker 15>of music or by an aesthetic that they're not familiar with.

0:40:32.200 --> 0:40:34.759
<v Speaker 15>So if they're kind of familiar with a routsy sort

0:40:34.760 --> 0:40:41.960
<v Speaker 15>of Americana aesthetic, then you know, the show absolutely was.

0:40:42.239 --> 0:40:44.600
<v Speaker 15>In the first season of me hosting was very grounded

0:40:44.640 --> 0:40:49.000
<v Speaker 15>in that and with occasional little adventures. But by the

0:40:49.080 --> 0:40:50.800
<v Speaker 15>last season, you know, Got All the Way to Common

0:40:50.880 --> 0:40:55.279
<v Speaker 15>was on show, and I mean, god, Tank Tank, just

0:40:55.320 --> 0:40:56.600
<v Speaker 15>like did.

0:40:56.400 --> 0:40:59.320
<v Speaker 3>She have a whole band on the show? Yes, they're incredible.

0:40:58.920 --> 0:41:00.840
<v Speaker 15>Oh my god, And it was was amazing. They were

0:41:00.880 --> 0:41:04.120
<v Speaker 15>on when we had the show in Durham.

0:41:03.840 --> 0:41:06.600
<v Speaker 3>North Carolina, not New Orleans.

0:41:07.200 --> 0:41:10.200
<v Speaker 15>No, I wish that New Orleans show was made. That

0:41:10.239 --> 0:41:13.879
<v Speaker 15>was we did the Preservation Hall Jazz Band, so fun

0:41:13.960 --> 0:41:16.480
<v Speaker 15>and sylvan Es was on that same show, so it

0:41:16.560 --> 0:41:18.880
<v Speaker 15>was like the Press Hall Jazz Band was like very

0:41:18.960 --> 0:41:21.120
<v Speaker 15>much in the wheelhouse for our audience. And then Silvan

0:41:21.239 --> 0:41:25.359
<v Speaker 15>ESSO was going to be adventurous for them, you know, yeah,

0:41:25.760 --> 0:41:29.239
<v Speaker 15>kind of E dmy It's like laptop and and Amlia,

0:41:29.280 --> 0:41:34.080
<v Speaker 15>you know, amazing and and so that that was something

0:41:34.080 --> 0:41:35.520
<v Speaker 15>I was always trying to keep in mind.

0:41:35.560 --> 0:41:37.719
<v Speaker 3>So if I was going to do, stretch them in

0:41:37.800 --> 0:41:38.799
<v Speaker 3>one spot, have.

0:41:38.760 --> 0:41:40.320
<v Speaker 1>A something familiar.

0:41:40.520 --> 0:41:43.200
<v Speaker 15>Yeah, so here's we're gonna have an adventure over here

0:41:43.680 --> 0:41:46.920
<v Speaker 15>and we're gonna have like we're gonna have a spa over.

0:41:46.760 --> 0:41:52.880
<v Speaker 1>Here, part party spa over here exactly. Well, you picked

0:41:52.880 --> 0:41:55.440
<v Speaker 1>a song for us to try, which I'm excited about

0:41:55.560 --> 0:41:58.879
<v Speaker 1>and is different for me, and I feel like it's

0:41:59.160 --> 0:42:00.000
<v Speaker 1>going to be a challenge.

0:42:00.080 --> 0:42:03.880
<v Speaker 3>And even though it's a simple song, which which are

0:42:03.920 --> 0:42:04.399
<v Speaker 3>you talking about?

0:42:04.480 --> 0:42:08.400
<v Speaker 1>I'm talking about the radio Have you done it before?

0:42:08.960 --> 0:42:12.520
<v Speaker 3>Okay? No? I actually, oh god, talking about the radio show.

0:42:12.560 --> 0:42:17.959
<v Speaker 15>Though I did a I played it, not sag it

0:42:18.440 --> 0:42:20.040
<v Speaker 15>behind a piece of poetry.

0:42:19.760 --> 0:42:23.160
<v Speaker 1>Once the music part, because it's so haunting.

0:42:24.080 --> 0:42:28.240
<v Speaker 15>I feel like that world, the whole idea of creating

0:42:28.440 --> 0:42:31.320
<v Speaker 15>a world, I feel like they're so they're so.

0:42:31.120 --> 0:42:31.680
<v Speaker 3>Good at that.

0:42:32.400 --> 0:42:34.319
<v Speaker 1>I remember that when I was listening. I mean I

0:42:34.360 --> 0:42:36.520
<v Speaker 1>remember this from when it came out. I knew the song,

0:42:36.600 --> 0:42:39.080
<v Speaker 1>but when I was listening to it for this. I thought, oh, yeah,

0:42:39.120 --> 0:42:41.960
<v Speaker 1>it's it's got a lot of weird chords.

0:42:41.960 --> 0:42:42.799
<v Speaker 3>What are those weird chords?

0:42:42.840 --> 0:42:44.840
<v Speaker 1>And then I'm like, oh, it literally has two notes

0:42:44.880 --> 0:42:48.640
<v Speaker 1>that repeat and it's but it creates weird chords, but

0:42:48.920 --> 0:42:53.320
<v Speaker 1>not really, but it's the illusion of it's so beautiful

0:42:53.640 --> 0:42:57.240
<v Speaker 1>and it's so visual, right, and it's circular, and it's

0:42:57.320 --> 0:43:03.360
<v Speaker 1>yeah that he takes it and then yeah, and that's.

0:43:03.200 --> 0:43:03.960
<v Speaker 3>All he's doing.

0:43:04.320 --> 0:43:08.360
<v Speaker 15>And then at the very end he brings this Yeah,

0:43:08.719 --> 0:43:11.440
<v Speaker 15>but that's it. Those are that's that's the material. And

0:43:11.480 --> 0:43:16.800
<v Speaker 15>he spins quite a web with with very few notes.

0:43:16.920 --> 0:43:22.280
<v Speaker 3>I know, shall we try it? You're gonna sing it right? Sure?

0:43:22.520 --> 0:43:23.160
<v Speaker 5>Yeah, yeah.

0:43:42.520 --> 0:43:53.080
<v Speaker 17>When Ama the pearly gates, this will be my verty

0:44:00.360 --> 0:44:08.839
<v Speaker 17>when Memphis Pleas is just beneath and he's reaching up

0:44:10.280 --> 0:44:10.840
<v Speaker 17>to God.

0:44:20.560 --> 0:44:26.239
<v Speaker 14>This is one for the God all days and I

0:44:26.440 --> 0:44:30.520
<v Speaker 14>have it all here in red.

0:44:30.520 --> 0:44:44.760
<v Speaker 5>Blue green and red bloom green. You are my center

0:44:45.480 --> 0:44:48.520
<v Speaker 5>where I spin away.

0:44:49.719 --> 0:44:59.160
<v Speaker 9>Out of control on vidy tape boom videtage bomb B.

0:45:00.640 --> 0:45:03.120
<v Speaker 7>Saying no.

0:45:34.400 --> 0:45:44.920
<v Speaker 20>Psis my one, saying goodbye, Kazack.

0:45:44.800 --> 0:45:45.799
<v Speaker 8>Can do.

0:45:47.280 --> 0:45:51.840
<v Speaker 5>Face two face talking.

0:45:51.360 --> 0:45:58.640
<v Speaker 17>To you before no matter what, and now.

0:46:00.360 --> 0:46:02.279
<v Speaker 5>You shouldn't be a fake.

0:46:03.880 --> 0:46:13.040
<v Speaker 6>Because I know two A day has spent the most perfect.

0:46:11.760 --> 0:47:02.640
<v Speaker 3>Day at ever. Sime woh song. That song is crazy.

0:47:03.200 --> 0:47:05.160
<v Speaker 1>When you told when you texted me like I think

0:47:05.200 --> 0:47:06.719
<v Speaker 1>I hear a rhythmic thing I can do?

0:47:06.800 --> 0:47:09.560
<v Speaker 3>I was like, yeah, I know you do, and boy

0:47:09.640 --> 0:47:09.960
<v Speaker 3>you did.

0:47:10.760 --> 0:47:13.919
<v Speaker 15>That's one of the craziest moments of sound, Like yeah,

0:47:14.080 --> 0:47:17.040
<v Speaker 15>that when they start messing with that in that track,

0:47:17.920 --> 0:47:22.680
<v Speaker 15>the kind of like washing machine, yeah thing, what even is?

0:47:22.880 --> 0:47:23.640
<v Speaker 3>What are they doing?

0:47:24.840 --> 0:47:31.040
<v Speaker 1>But it's weird, but it's rhythmic. It makes sense within.

0:47:32.880 --> 0:47:33.640
<v Speaker 3>I loved that.

0:47:34.360 --> 0:47:38.319
<v Speaker 15>I was trying to get on that kind of at

0:47:38.400 --> 0:47:39.120
<v Speaker 15>that pulse.

0:47:39.680 --> 0:47:41.600
<v Speaker 3>I always hear in my head.

0:47:41.719 --> 0:47:44.200
<v Speaker 15>Do you know Matt Chamberlain, the great Oh yeah, great

0:47:44.320 --> 0:47:46.959
<v Speaker 15>La based drummer. I mean I used to be Seattle based,

0:47:46.960 --> 0:47:50.200
<v Speaker 15>I guess, but now he's in l A. I always have.

0:47:50.080 --> 0:47:56.799
<v Speaker 3>Like a w W Chamberlain, like what, yeah, what would

0:47:56.800 --> 0:48:01.560
<v Speaker 3>Matt play? And he's got that? Yeah, I love that.

0:48:03.920 --> 0:48:10.560
<v Speaker 15>Oh yeah, I didn't get the rhythm of the right.

0:48:11.800 --> 0:48:35.879
<v Speaker 21>Oh oh, and then there's them.

0:48:32.800 --> 0:48:37.840
<v Speaker 3>Oh yeah, it just kind of falls off. Oh god, yeah,

0:48:37.960 --> 0:48:39.000
<v Speaker 3>did you hear he did?

0:48:39.160 --> 0:48:43.120
<v Speaker 15>He did a I always have to I always hesitant

0:48:43.200 --> 0:48:46.319
<v Speaker 15>to suggest that we do a Radiohead song together because

0:48:46.400 --> 0:48:49.160
<v Speaker 15>I just always it's like a covering tick of mine.

0:48:49.320 --> 0:48:51.480
<v Speaker 3>Oh yeah, just I always.

0:48:52.440 --> 0:48:54.120
<v Speaker 15>That's one of the things I think about their world

0:48:54.120 --> 0:48:58.239
<v Speaker 15>building that is so appealing to me is if they

0:48:58.280 --> 0:49:00.839
<v Speaker 15>feel like video games to me, like where you can

0:49:00.920 --> 0:49:03.600
<v Speaker 15>just but kind of open ended video games where you've

0:49:03.640 --> 0:49:05.640
<v Speaker 15>got a character and you just get to walk around

0:49:06.280 --> 0:49:07.479
<v Speaker 15>in these songs And.

0:49:07.440 --> 0:49:11.160
<v Speaker 1>What a way to describe it, look under That's kind

0:49:11.160 --> 0:49:11.960
<v Speaker 1>of incredible.

0:49:12.840 --> 0:49:16.160
<v Speaker 15>So I feel like when I when I've read that song,

0:49:16.440 --> 0:49:18.200
<v Speaker 15>it feels like that to me, where I'm just like

0:49:18.280 --> 0:49:19.880
<v Speaker 15>I'm in a video game and I get to I

0:49:19.880 --> 0:49:21.560
<v Speaker 15>get to like look under a rock and see what's there.

0:49:21.680 --> 0:49:24.080
<v Speaker 1>You get to choose your own world within their world.

0:49:24.280 --> 0:49:29.120
<v Speaker 15>Yeah, they don't spell things out all the way almost ever.

0:49:29.280 --> 0:49:30.520
<v Speaker 3>They always leave.

0:49:31.560 --> 0:49:34.719
<v Speaker 15>I feel like they always smear some stuff so that

0:49:34.800 --> 0:49:36.400
<v Speaker 15>you can finish it.

0:49:36.480 --> 0:49:40.520
<v Speaker 1>Yeah, Like that's a crazy way to think of it.

0:49:40.520 --> 0:49:43.040
<v Speaker 3>And like they're not that there's this feels unfinished to me,

0:49:43.080 --> 0:49:44.160
<v Speaker 3>but just that.

0:49:44.360 --> 0:49:46.920
<v Speaker 1>There's nothing unfinished about it, but it's it's it's like

0:49:46.960 --> 0:49:51.000
<v Speaker 1>an abstract painting where you can kind of fill in.

0:49:50.960 --> 0:49:56.560
<v Speaker 15>The cracks, Yes, where your participation is actually necessary. It's

0:49:56.560 --> 0:49:59.719
<v Speaker 15>not just desired, it's like necessary to finish the art.

0:49:59.719 --> 0:50:01.240
<v Speaker 3>Every but he will hear it differently.

0:50:01.480 --> 0:50:04.719
<v Speaker 15>Yeah, and I feel like that's and I think he

0:50:04.760 --> 0:50:06.160
<v Speaker 15>does that lyrically as well.

0:50:06.360 --> 0:50:09.000
<v Speaker 1>Oh these lyrics are deep, right, they're really heavy.

0:50:09.160 --> 0:50:12.160
<v Speaker 3>Oh my god, I'm so into it. They're beautiful.

0:50:12.840 --> 0:50:20.080
<v Speaker 1>Also, Mephistopheles must be a Greek Yeah, Gospheles.

0:50:20.239 --> 0:50:21.520
<v Speaker 3>Isn't that one name for the devil?

0:50:21.719 --> 0:50:23.919
<v Speaker 1>Well, you know, all I could think about was mister

0:50:24.000 --> 0:50:27.799
<v Speaker 1>Mustopheles from Cats, So I don't I don't know. I

0:50:27.800 --> 0:50:29.839
<v Speaker 1>guess that shows what I learned growing up.

0:50:33.520 --> 0:50:37.440
<v Speaker 15>But also also the scanchion that he's sound. That you

0:50:37.600 --> 0:50:41.600
<v Speaker 15>found a way to sing Mephistopheles. Yes, it's dual natural.

0:50:41.640 --> 0:50:43.040
<v Speaker 1>Well that's why I didn't want to sing it because

0:50:43.080 --> 0:50:45.120
<v Speaker 1>I was like, how am I going to sing Mephistopheles?

0:50:45.440 --> 0:50:49.200
<v Speaker 1>Because I want Chris to say it? But the lyrics

0:50:49.200 --> 0:50:56.160
<v Speaker 1>are beautiful. You did it well just beneath. Yeah, it's

0:50:56.160 --> 0:51:00.279
<v Speaker 1>a killer song. Oh my god, have you ever met

0:51:00.360 --> 0:51:00.920
<v Speaker 1>any of them?

0:51:01.160 --> 0:51:06.359
<v Speaker 15>I met the drummer, Oh cool, yes, Phil, he's the

0:51:06.520 --> 0:51:11.280
<v Speaker 15>sweetest dude. I met him at at an award show

0:51:11.440 --> 0:51:16.000
<v Speaker 15>in London. He was at the same table that I

0:51:16.040 --> 0:51:18.759
<v Speaker 15>was sitting at. Yeah, and uh, that's fun.

0:51:19.080 --> 0:51:21.160
<v Speaker 3>Oh and I got to I mean I ged him

0:51:21.160 --> 0:51:25.839
<v Speaker 3>so hard, him so hard. Yeah. What is that is?

0:51:25.880 --> 0:51:29.279
<v Speaker 15>When you you go up to someone that that who's

0:51:29.360 --> 0:51:31.359
<v Speaker 15>work you love and I love your work? Yeah?

0:51:31.360 --> 0:51:33.000
<v Speaker 3>But what does it come from the word germ?

0:51:33.120 --> 0:51:35.120
<v Speaker 1>I don't know, you get your germs on him?

0:51:35.600 --> 0:51:39.200
<v Speaker 3>Maybe so I don't know. I knew what you meant,

0:51:39.200 --> 0:51:40.840
<v Speaker 3>but I just didn't know where it came from. I

0:51:40.840 --> 0:51:42.319
<v Speaker 3>don't you know what. I don't even know where I

0:51:42.360 --> 0:51:44.680
<v Speaker 3>heard that the first time? Am I making a word?

0:51:44.960 --> 0:51:45.080
<v Speaker 8>No?

0:51:45.080 --> 0:51:47.920
<v Speaker 15>No, I'm sure it's a thing I just to someone

0:51:50.000 --> 0:51:51.600
<v Speaker 15>and it was and I did it and he was

0:51:51.760 --> 0:51:59.719
<v Speaker 15>very gracious. I was talking about specific grooves. Do you

0:51:59.719 --> 0:52:02.080
<v Speaker 15>remember that one time when you're I was very I

0:52:02.160 --> 0:52:03.640
<v Speaker 15>was very Chris Farley about it.

0:52:03.920 --> 0:52:05.919
<v Speaker 3>Oh, I love that. I remember that one song where

0:52:05.960 --> 0:52:08.200
<v Speaker 3>you play this awesome that.

0:52:08.280 --> 0:52:10.279
<v Speaker 1>The Chris Farley's guess is the best thing in the

0:52:10.320 --> 0:52:14.800
<v Speaker 1>world ever with Paul McCartney.

0:52:16.600 --> 0:52:18.640
<v Speaker 3>Is it true? What was it that that the Love

0:52:18.680 --> 0:52:20.839
<v Speaker 3>You Magazine to the Love You Take? Is that true?

0:52:21.040 --> 0:52:44.919
<v Speaker 3>Is that true? Is that true? Can we do two more?

0:52:44.960 --> 0:52:46.799
<v Speaker 3>Would that be too much to do it.

0:52:46.840 --> 0:52:48.719
<v Speaker 1>Okay, oh wait, we've got yeah, we gotta do that

0:52:48.800 --> 0:52:51.200
<v Speaker 1>wet about them. I want to do the Tom Paxton

0:52:51.239 --> 0:52:53.920
<v Speaker 1>song because it's so special. And so you have a

0:52:53.960 --> 0:52:58.400
<v Speaker 1>new Punch Brother Brothers record where you did the whole record,

0:52:58.920 --> 0:53:00.640
<v Speaker 1>the whole Tony Ice record.

0:53:00.840 --> 0:53:04.000
<v Speaker 3>Yes, yes, Tony Rice. Who tell me about him?

0:53:04.080 --> 0:53:09.359
<v Speaker 15>So Tony, it's so it's so interesting the I mean, what, like,

0:53:09.440 --> 0:53:13.720
<v Speaker 15>what a legend he is in the bluegrass community and

0:53:13.960 --> 0:53:18.439
<v Speaker 15>kind of a relative unknown outside of it, although there's

0:53:18.520 --> 0:53:23.800
<v Speaker 15>there's certainly, you know, pockets of musicians who who you know,

0:53:23.840 --> 0:53:26.760
<v Speaker 15>are very influenced by him outside of the bluegrass community,

0:53:26.760 --> 0:53:28.240
<v Speaker 15>but in you know, within the bluegrass community.

0:53:28.280 --> 0:53:34.359
<v Speaker 3>He's he's on Mount Rush, you know, and was one

0:53:34.400 --> 0:53:35.400
<v Speaker 3>of the first people to.

0:53:36.960 --> 0:53:38.440
<v Speaker 15>You know, the first thing people think of when they

0:53:38.480 --> 0:53:40.399
<v Speaker 15>think about Tony Rice, if they think about Tony Rice,

0:53:40.520 --> 0:53:43.520
<v Speaker 15>is is his guitar playing. He really changed the game

0:53:44.480 --> 0:53:47.480
<v Speaker 15>in terms of flat pick guitar and and non bluegrass

0:53:47.680 --> 0:53:53.320
<v Speaker 15>flat pick acoustic guitar players would almost certainly have studied

0:53:53.400 --> 0:53:55.799
<v Speaker 15>up on what Tony did with with an acoustic guitar

0:53:55.840 --> 0:53:56.399
<v Speaker 15>and a flat pick.

0:53:57.040 --> 0:53:59.239
<v Speaker 1>I'm sorry, Oh I'm done. What is the flat pick.

0:53:59.520 --> 0:54:01.399
<v Speaker 15>So a flat pick as opposed to like playing guitar

0:54:01.440 --> 0:54:05.480
<v Speaker 15>with your fingers. So fingerpicks just picks that mold to

0:54:05.520 --> 0:54:07.840
<v Speaker 15>your fingers, you know, like like like what a banjo

0:54:07.880 --> 0:54:11.279
<v Speaker 15>player uses or you know certain guitar players, whereas a

0:54:11.320 --> 0:54:14.320
<v Speaker 15>flat pick is just an actual it's a flat pick.

0:54:14.440 --> 0:54:19.120
<v Speaker 15>But he's playing and you're going back and forth. So

0:54:19.200 --> 0:54:23.359
<v Speaker 15>I flat picked the mandolin as opposed to like fingerpicking.

0:54:24.000 --> 0:54:26.200
<v Speaker 3>Yeah, where you can do all at once. It's kind

0:54:26.200 --> 0:54:29.040
<v Speaker 3>of yes, yes, okay, So he was a flat He.

0:54:29.040 --> 0:54:31.920
<v Speaker 15>Was a flat picker and kind of yeah, a total

0:54:31.960 --> 0:54:35.880
<v Speaker 15>master of the flat pick guitar and solo. He he

0:54:35.880 --> 0:54:39.680
<v Speaker 15>he was one of the early players to really make

0:54:39.760 --> 0:54:43.480
<v Speaker 15>guitar a soloing instrument in a bluegrass band. Previous to him,

0:54:43.480 --> 0:54:47.439
<v Speaker 15>it was it was not the rhythm, the support, Yeah,

0:54:47.480 --> 0:54:52.520
<v Speaker 15>predominantly support. And I wish Chris Elders from Punch Brothers

0:54:52.520 --> 0:54:55.520
<v Speaker 15>were here to give you the real, the real straight

0:54:56.920 --> 0:55:00.839
<v Speaker 15>Yeah that's right and now, but it's so him and

0:55:01.160 --> 0:55:05.560
<v Speaker 15>this guy Clarence White and Doc Watson was another another earlier,

0:55:05.880 --> 0:55:09.560
<v Speaker 15>but people think about that part of his Doc Watson,

0:55:12.200 --> 0:55:17.560
<v Speaker 15>but he he was also a tremendous singer. Uh, and

0:55:18.719 --> 0:55:21.680
<v Speaker 15>song curator is I. I feel like one of the

0:55:21.680 --> 0:55:26.440
<v Speaker 15>things that goes a little under heralded about him is

0:55:26.480 --> 0:55:30.279
<v Speaker 15>his ability to find a song's best best self, like

0:55:30.360 --> 0:55:35.120
<v Speaker 15>find the best songs and then find that song's best self. Yeah,

0:55:35.400 --> 0:55:40.160
<v Speaker 15>just that that whatever he would cover, to my ear,

0:55:40.239 --> 0:55:43.799
<v Speaker 15>became the definitive version of that of that song. And

0:55:43.840 --> 0:55:47.320
<v Speaker 15>he would get in there and and fundamentally change these things.

0:55:47.400 --> 0:55:52.000
<v Speaker 15>So he wasn't just here's my thing, here's me doing

0:55:52.040 --> 0:55:55.920
<v Speaker 15>this song. It was like here's here's this song, and they.

0:55:55.760 --> 0:55:59.239
<v Speaker 3>Became the best ever. Here's yeah, here's.

0:55:59.080 --> 0:56:02.360
<v Speaker 15>Just he would bounce himself or he would Yeah, he

0:56:02.360 --> 0:56:04.440
<v Speaker 15>would bounce his ears off of these songs and they

0:56:04.440 --> 0:56:07.120
<v Speaker 15>would be forever changed. So listening to Church Street Blues,

0:56:07.160 --> 0:56:09.080
<v Speaker 15>that's what the record is called Church Reet Blues. That

0:56:09.080 --> 0:56:12.080
<v Speaker 15>that's been lasting. Yeah, the Tony Rice record and Punch

0:56:12.120 --> 0:56:16.360
<v Speaker 15>Brothers decided to cover the whole record. There was like

0:56:16.400 --> 0:56:19.080
<v Speaker 15>a in the pandemic. We wanted to do something together.

0:56:19.040 --> 0:56:22.200
<v Speaker 1>So you take it together. Okay, so you just decided

0:56:22.200 --> 0:56:24.200
<v Speaker 1>to cover this whole record, to be creative and.

0:56:24.280 --> 0:56:28.919
<v Speaker 15>Cover the whole record and then try and emulate rather

0:56:28.960 --> 0:56:30.920
<v Speaker 15>than again do the thing that Tony Rice would have

0:56:30.920 --> 0:56:32.640
<v Speaker 15>never done, which is like, okay, well yeah, we'll just

0:56:32.640 --> 0:56:35.000
<v Speaker 15>do a band version of Church Street Blues.

0:56:35.080 --> 0:56:36.920
<v Speaker 1>It's completely different from the Tony right.

0:56:36.960 --> 0:56:40.840
<v Speaker 15>We would we we wanted to, you know, be like Tony, like,

0:56:40.960 --> 0:56:45.680
<v Speaker 15>let's let's bounce ourselves off of his record and see

0:56:45.680 --> 0:56:47.319
<v Speaker 15>what happens, see what results, like.

0:56:47.360 --> 0:56:48.399
<v Speaker 3>Our our inner ears.

0:56:48.440 --> 0:56:50.319
<v Speaker 15>We've been listening, all five of us have been listening

0:56:50.320 --> 0:56:52.240
<v Speaker 15>to this record since we were little.

0:56:52.440 --> 0:56:55.239
<v Speaker 3>It's made such an impact on the musicians that we are.

0:56:55.520 --> 0:56:58.600
<v Speaker 3>Did you guys know Tony? Yeah him.

0:56:58.640 --> 0:57:01.319
<v Speaker 15>I knew him really pretty pretty well. Critter new Critter

0:57:01.400 --> 0:57:02.120
<v Speaker 15>new him the best.

0:57:02.160 --> 0:57:02.560
<v Speaker 3>Probably.

0:57:02.560 --> 0:57:06.400
<v Speaker 15>He actually apprenticed himself to Tony for spent spent I

0:57:06.440 --> 0:57:08.799
<v Speaker 15>think a week or two at Tony's place. But I

0:57:08.800 --> 0:57:10.719
<v Speaker 15>would run into him at these festivals that we were

0:57:10.760 --> 0:57:14.759
<v Speaker 15>talking about, and he he really he was. He was

0:57:14.880 --> 0:57:18.360
<v Speaker 15>always a fairly he was a private fellow, kind of

0:57:18.440 --> 0:57:23.600
<v Speaker 15>kind of reclusive, but really generous with with musicians that

0:57:23.600 --> 0:57:25.880
<v Speaker 15>that he thought were promising. And he kind of took

0:57:25.880 --> 0:57:26.480
<v Speaker 15>me under his wing.

0:57:26.680 --> 0:57:30.880
<v Speaker 1>Helay, he really loved to play and.

0:57:32.320 --> 0:57:34.640
<v Speaker 15>He yeah, so he would he would have me sit

0:57:34.680 --> 0:57:38.280
<v Speaker 15>in with him sometimes and you were you were just bulletproof,

0:57:38.320 --> 0:57:40.960
<v Speaker 15>when you're like foundations of the Earth, kind of the

0:57:41.040 --> 0:57:42.880
<v Speaker 15>feeling like you could build, you could build a city.

0:57:42.920 --> 0:57:44.600
<v Speaker 3>On top of his rhythm guitar playing you know.

0:57:46.240 --> 0:57:50.600
<v Speaker 15>So, so yeah, so this this, well, whatever we're about

0:57:50.600 --> 0:57:52.360
<v Speaker 15>to do, I guess it's sort of basically.

0:57:54.200 --> 0:57:55.360
<v Speaker 3>Exactly bounced off of.

0:57:55.360 --> 0:58:00.240
<v Speaker 15>The Punch Brothers reimagining of Tony's reimagining of Tom Paxton's

0:58:00.640 --> 0:58:01.520
<v Speaker 15>lasting on my mind.

0:58:25.680 --> 0:58:32.240
<v Speaker 6>It's a lesson too late for learning.

0:58:32.400 --> 0:58:41.800
<v Speaker 5>Made of sand, made of sand, in the way of

0:58:42.000 --> 0:58:42.520
<v Speaker 5>a night.

0:58:42.800 --> 0:58:45.520
<v Speaker 3>My soul is turning.

0:58:46.680 --> 0:58:52.040
<v Speaker 5>In your hands, in your hand.

0:59:01.480 --> 0:59:06.000
<v Speaker 6>You've got reasons a plany.

0:59:05.200 --> 0:59:06.560
<v Speaker 3>For going.

0:59:08.200 --> 0:59:13.080
<v Speaker 10>This sign no, this sigh, no.

0:59:15.600 --> 0:59:23.920
<v Speaker 6>For the weeds have been staidly going. Please don't go,

0:59:26.160 --> 0:59:27.960
<v Speaker 6>Please don't go?

0:59:30.200 --> 0:59:32.840
<v Speaker 5>Are you going in no way?

0:59:33.800 --> 0:59:39.640
<v Speaker 22>With no word of farewell? Will there be not a

0:59:40.040 --> 0:59:42.160
<v Speaker 22>chase left behind?

0:59:44.880 --> 0:59:49.960
<v Speaker 23>I could have loved you better. I didn't mean to

0:59:50.160 --> 0:59:56.000
<v Speaker 23>be unkind. You know that was the last thing on

0:59:56.040 --> 0:59:56.760
<v Speaker 23>my mind.

1:00:10.280 --> 1:00:16.560
<v Speaker 6>As we walk along, My thoughts a tumbling.

1:00:17.480 --> 1:00:19.080
<v Speaker 3>Round and round.

1:00:20.920 --> 1:00:23.200
<v Speaker 5>Round down round.

1:00:25.040 --> 1:00:37.760
<v Speaker 6>Underneath our feet, subways rumbling underground, under ground.

1:00:40.160 --> 1:00:42.840
<v Speaker 7>Are we gone with away?

1:00:43.760 --> 1:00:46.560
<v Speaker 3>With no word of farawell?

1:00:47.520 --> 1:00:55.200
<v Speaker 22>Will there be not a chase left behind? I?

1:00:55.760 --> 1:00:58.000
<v Speaker 5>Could have loved you better.

1:00:58.680 --> 1:01:01.640
<v Speaker 3>I didn't mean to be unkind.

1:01:02.920 --> 1:01:23.680
<v Speaker 6>You knew that was the last thing on my mind.

1:01:35.760 --> 1:01:41.440
<v Speaker 6>As I lie in my bed in the morning.

1:01:42.880 --> 1:01:54.720
<v Speaker 10>Without you, without you, every song in my head dies

1:01:55.360 --> 1:02:14.080
<v Speaker 10>apport it without you, without you, without you, without you,

1:02:16.320 --> 1:02:34.600
<v Speaker 10>with that you, I love it.

1:02:34.720 --> 1:02:38.919
<v Speaker 3>That was all. I love it. That was in seven.

1:02:40.840 --> 1:02:42.680
<v Speaker 1>I have a hard time with seven, but I also

1:02:42.760 --> 1:02:43.520
<v Speaker 1>love it.

1:02:43.520 --> 1:02:48.520
<v Speaker 15>It's it's it's weird to me that at this point

1:02:48.560 --> 1:02:52.800
<v Speaker 15>five feels almost like a three or four level of

1:02:52.880 --> 1:02:54.920
<v Speaker 15>naturalness to me, like there's something you.

1:02:54.880 --> 1:02:56.480
<v Speaker 3>Do a lot of it. I do a lot of five.

1:02:56.960 --> 1:03:00.080
<v Speaker 3>Seven is funny, it's got.

1:03:00.200 --> 1:03:01.040
<v Speaker 1>It's got a rhythm.

1:03:01.080 --> 1:03:03.840
<v Speaker 3>Though, Oh, I feel like I love this so hard.

1:03:04.520 --> 1:03:08.120
<v Speaker 15>When you when you just I think, come to terms

1:03:08.120 --> 1:03:11.720
<v Speaker 15>with not not like letting it go as a normal thing.

1:03:11.840 --> 1:03:14.960
<v Speaker 1>Well, when you're not counting and it falls in naturally,

1:03:15.040 --> 1:03:17.240
<v Speaker 1>it's yes, I wasn't counting, but I still had a

1:03:17.240 --> 1:03:20.120
<v Speaker 1>hard time falling him. But I still maintain that you

1:03:20.120 --> 1:03:22.360
<v Speaker 1>should play with my sister and Nushka.

1:03:23.120 --> 1:03:26.440
<v Speaker 3>We need to do something together because she.

1:03:26.720 --> 1:03:29.520
<v Speaker 1>I mean, she plays in seven a lot's star player.

1:03:29.560 --> 1:03:32.080
<v Speaker 1>But also I just feel like you guys would have

1:03:32.120 --> 1:03:35.480
<v Speaker 1>a nice meeting of the musical time signatures.

1:03:36.440 --> 1:03:40.480
<v Speaker 3>I would love. But also, yeah, just melody play. Yeah,

1:03:40.520 --> 1:03:40.960
<v Speaker 3>you guys.

1:03:40.840 --> 1:03:44.520
<v Speaker 1>Would play well together. I think also mandolin and sitar makes.

1:03:44.360 --> 1:03:46.160
<v Speaker 3>A lot of sense, right, I never played with.

1:03:46.080 --> 1:03:48.760
<v Speaker 1>A star player both a high timber, but I think

1:03:48.960 --> 1:03:51.120
<v Speaker 1>would gel and I think you would both.

1:03:51.320 --> 1:03:52.240
<v Speaker 3>You know, make it gel.

1:03:52.800 --> 1:03:55.960
<v Speaker 15>I think the the plucked aspect of it makes it, yeah,

1:03:56.080 --> 1:03:57.400
<v Speaker 15>makes it like a kind.

1:03:57.240 --> 1:04:01.320
<v Speaker 3>Of a natural. But do you bend notes? You barely don't.

1:04:01.640 --> 1:04:04.160
<v Speaker 3>I don't know, because you go out of tune. Exactly.

1:04:04.200 --> 1:04:07.760
<v Speaker 15>Mandolin tension, mandeline string tension is so high that the

1:04:08.160 --> 1:04:10.360
<v Speaker 15>force that requires to actually get a bend.

1:04:10.360 --> 1:04:16.280
<v Speaker 1>Yeah, and then you're out. It stayed stayed well, So

1:04:16.320 --> 1:04:19.040
<v Speaker 1>she'll take care of the Bendy's.

1:04:19.280 --> 1:04:20.919
<v Speaker 3>I told you to put the Bendy's in there.

1:04:21.080 --> 1:04:23.160
<v Speaker 15>I think you guys should play it against one of

1:04:23.160 --> 1:04:25.000
<v Speaker 15>my favorite TENACIOUSD moments.

1:04:25.280 --> 1:04:28.640
<v Speaker 3>Oh the Bendy's. But he says, he says. I think

1:04:28.680 --> 1:04:33.280
<v Speaker 3>he is arguing with Kyle.

1:04:33.840 --> 1:04:39.360
<v Speaker 15>Kyle. Yes, he's exactly should have done a song, my god,

1:04:39.360 --> 1:04:40.400
<v Speaker 15>which one is your favorite?

1:04:40.600 --> 1:04:42.200
<v Speaker 3>I just know, finish your story?

1:04:42.240 --> 1:04:42.720
<v Speaker 5>What does he do?

1:04:43.000 --> 1:04:45.920
<v Speaker 15>Oh no, no, it's just I think they're writing a

1:04:45.960 --> 1:04:48.760
<v Speaker 15>song quote unquote together, but basically KG is doing it

1:04:48.800 --> 1:04:51.680
<v Speaker 15>and then and then Jack takes credit for it because

1:04:51.680 --> 1:04:52.800
<v Speaker 15>he told him to put the Bendy's.

1:04:53.040 --> 1:04:54.640
<v Speaker 3>I told you to put the bend You to put

1:04:54.640 --> 1:04:55.400
<v Speaker 3>the Bendy's in there.

1:04:55.720 --> 1:04:58.320
<v Speaker 1>I played greatest. I played tribute for my kids the

1:04:58.320 --> 1:05:01.040
<v Speaker 1>other day because we just watched School of Rock, which

1:05:01.120 --> 1:05:03.640
<v Speaker 1>holds up by the way I saw it to I

1:05:03.680 --> 1:05:06.240
<v Speaker 1>almost got emotional, probably because I haven't been to a

1:05:06.240 --> 1:05:09.480
<v Speaker 1>live show since the pandemic, but when they did the

1:05:09.520 --> 1:05:12.560
<v Speaker 1>live show, the Battle of the Bands and the audience,

1:05:12.720 --> 1:05:13.760
<v Speaker 1>I got emotional.

1:05:13.920 --> 1:05:17.680
<v Speaker 3>It's a good movie. It's a great movie. Oh my god.

1:05:17.760 --> 1:05:19.200
<v Speaker 3>I hadn't seen it since it came out.

1:05:19.240 --> 1:05:22.160
<v Speaker 1>I was obsessed with Jack Black during that whole era

1:05:22.400 --> 1:05:23.960
<v Speaker 1>of tenaciousity.

1:05:24.200 --> 1:05:27.120
<v Speaker 3>I mean, it was the best. He is amazing.

1:05:27.240 --> 1:05:29.720
<v Speaker 1>He's so good in that movie. He's so earnest. He

1:05:29.800 --> 1:05:34.040
<v Speaker 1>reminds me of like when Will Ferrell and Elf. The

1:05:34.120 --> 1:05:38.040
<v Speaker 1>earnestness of the character. It's just it's just so earnest,

1:05:38.080 --> 1:05:40.840
<v Speaker 1>and he's just got the funniest It's just so funny.

1:05:40.920 --> 1:05:42.200
<v Speaker 3>That's why it works, right.

1:05:42.520 --> 1:05:44.840
<v Speaker 15>Yeah, he believes it's a large part of him that

1:05:44.920 --> 1:05:49.160
<v Speaker 15>actually just wants this to be real and like a

1:05:49.200 --> 1:05:53.240
<v Speaker 15>thing I've never met. I've never I met him very

1:05:53.240 --> 1:05:56.320
<v Speaker 15>briefly backstage at Largo once Nicol Creek did like a

1:05:56.320 --> 1:06:00.800
<v Speaker 15>little thing at this is early on and Sean I

1:06:00.840 --> 1:06:02.680
<v Speaker 15>think I left to go do something, but Sean was

1:06:02.680 --> 1:06:05.360
<v Speaker 15>still there and Jack Jack was back there and he's like, man.

1:06:05.280 --> 1:06:06.560
<v Speaker 3>Good show, good show.

1:06:06.600 --> 1:06:10.320
<v Speaker 15>I until you're working on your arms, your harms, And

1:06:10.360 --> 1:06:12.600
<v Speaker 15>Sean was like, all right, sorry, come again.

1:06:13.240 --> 1:06:18.000
<v Speaker 3>Your harms. Man harmony vocals. That's so funny. He's amazing.

1:06:18.440 --> 1:06:23.200
<v Speaker 1>Just anyway, that dude, Jack Black, Please, if you're listening,

1:06:23.320 --> 1:06:24.200
<v Speaker 1>let's start a band.

1:06:24.800 --> 1:06:25.800
<v Speaker 3>He should do the podcast.

1:06:26.120 --> 1:06:28.360
<v Speaker 1>That would be fun. That would be my dream come true.

1:06:28.840 --> 1:06:30.800
<v Speaker 1>You're all my dream come true. Every guest is a

1:06:30.840 --> 1:06:35.280
<v Speaker 1>dream come true. Ah, thank you for doing this. Can

1:06:35.280 --> 1:06:39.480
<v Speaker 1>we do our last song? Which he's another one. You

1:06:39.520 --> 1:06:42.240
<v Speaker 1>suggested that you've never played this song. No, I have

1:06:42.320 --> 1:06:43.080
<v Speaker 1>never played this song.

1:06:43.240 --> 1:06:45.480
<v Speaker 3>Just yeah, long time listener, first time call her.

1:06:45.640 --> 1:06:49.680
<v Speaker 1>Yeah, I feel like I have heard the song. When

1:06:49.720 --> 1:06:51.360
<v Speaker 1>you suggested it, I played it. I was like, oh,

1:06:51.400 --> 1:06:53.920
<v Speaker 1>I think I know that song, but I didn't really

1:06:53.960 --> 1:06:54.520
<v Speaker 1>know it.

1:06:54.520 --> 1:06:56.640
<v Speaker 15>It Also, even even what I was pretty sure I

1:06:56.680 --> 1:07:00.160
<v Speaker 15>have it has that era about it as a song

1:07:00.160 --> 1:07:05.400
<v Speaker 15>that has always existed somehow. Like sometimes sometimes people it's

1:07:05.440 --> 1:07:07.600
<v Speaker 15>almost like when you when you're writing a song, you're

1:07:07.680 --> 1:07:09.720
<v Speaker 15>kind of excavating songs.

1:07:09.800 --> 1:07:13.560
<v Speaker 3>It's not necessarily like you're you don't. I don't know

1:07:13.600 --> 1:07:15.240
<v Speaker 3>if you ever feel that way sometimes.

1:07:15.520 --> 1:07:17.040
<v Speaker 15>I guess that's the way I like to feel, is

1:07:17.080 --> 1:07:19.160
<v Speaker 15>when I feel like I found something as opposed to.

1:07:19.320 --> 1:07:22.240
<v Speaker 3>Like I wrote it. You know, that's the best song.

1:07:22.360 --> 1:07:26.960
<v Speaker 15>But this, yeah, this, this feels to me like one

1:07:26.960 --> 1:07:29.640
<v Speaker 15>of those songs. It was in the earth and Judy

1:07:29.920 --> 1:07:30.760
<v Speaker 15>Still found it.

1:07:30.920 --> 1:07:33.280
<v Speaker 1>I didn't know much about Judy Still, and so I

1:07:33.360 --> 1:07:35.680
<v Speaker 1>was googling, and it just I almost don't want to

1:07:35.680 --> 1:07:37.200
<v Speaker 1>say too much before we play the song.

1:07:37.360 --> 1:07:38.080
<v Speaker 3>Yeah, let's just.

1:07:39.480 --> 1:07:42.640
<v Speaker 15>I might start crying, right, Yeah, play the song and

1:07:43.120 --> 1:07:46.120
<v Speaker 15>she she's a pretty magical person.

1:07:47.320 --> 1:07:52.400
<v Speaker 1>Yeah, her story is very intense. Judy Still, it's j

1:07:52.600 --> 1:07:56.760
<v Speaker 1>U d ee. Yeah, in case anyone listening has not.

1:07:56.720 --> 1:07:58.600
<v Speaker 3>Heard her, and then Still like windowsill.

1:07:58.800 --> 1:08:01.960
<v Speaker 1>Yeah, so do you want to sing this? Do you

1:08:01.960 --> 1:08:03.560
<v Speaker 1>want me to sing? What are we doing?

1:08:04.520 --> 1:08:08.200
<v Speaker 3>Let's try with you, Unison. It's double check, right, it's

1:08:08.240 --> 1:08:08.880
<v Speaker 3>double check.

1:08:09.080 --> 1:08:11.960
<v Speaker 1>Her Her vocals always sound kind of like weird and

1:08:12.720 --> 1:08:15.440
<v Speaker 1>digital because she's doubled all of her volts.

1:08:15.600 --> 1:08:18.280
<v Speaker 15>Yeah, even sometimes I wonder if she tripled them. Yeah,

1:08:18.720 --> 1:08:20.879
<v Speaker 15>sometimes it gets it's really interesting.

1:08:21.080 --> 1:08:23.040
<v Speaker 1>I don't know if we can. Can we pull that?

1:08:23.040 --> 1:08:24.360
<v Speaker 3>That would be hard right without?

1:08:24.680 --> 1:08:26.760
<v Speaker 15>I mean we could, Why don't we get to that point?

1:08:29.040 --> 1:08:31.799
<v Speaker 15>I'm like, so, I would love to hear you sing.

1:08:31.560 --> 1:08:34.599
<v Speaker 3>It if you're a practicing it. In case, I would

1:08:34.680 --> 1:08:36.479
<v Speaker 3>love to hear you sing it. And then I'll but

1:08:36.520 --> 1:08:37.840
<v Speaker 3>I'll get in there. I'll get in there.

1:08:48.760 --> 1:08:53.800
<v Speaker 1>Love rising from the maids.

1:08:56.560 --> 1:08:57.920
<v Speaker 5>Promise made.

1:09:00.240 --> 1:09:01.000
<v Speaker 8>This sound.

1:09:01.120 --> 1:09:16.639
<v Speaker 24>Only this, only wrath touching me, Lie awain sound, sweet

1:09:16.800 --> 1:09:20.920
<v Speaker 24>communion of the kids.

1:09:23.760 --> 1:09:28.839
<v Speaker 5>Side, safety through the grave.

1:09:32.400 --> 1:09:45.439
<v Speaker 24>Enter reached me with a ray, silently swooping down, just

1:09:45.920 --> 1:09:47.960
<v Speaker 24>to show me.

1:09:52.240 --> 1:09:57.520
<v Speaker 1>How to give my heart away toward.

1:10:00.200 --> 1:10:07.280
<v Speaker 25>So Crystal cry while I'm sleeping and call my name.

1:10:08.160 --> 1:10:18.519
<v Speaker 25>And when he came down, saying die Eastern, then a

1:10:18.640 --> 1:10:21.160
<v Speaker 25>new song was so.

1:10:22.920 --> 1:10:27.240
<v Speaker 3>Until some word we breathe.

1:10:29.520 --> 1:10:32.600
<v Speaker 19>One and still.

1:10:34.080 --> 1:10:45.919
<v Speaker 11>Wispoke sos bursting in the sky, here the sun.

1:10:48.360 --> 1:10:50.760
<v Speaker 1>Novasting cry.

1:10:52.120 --> 1:11:01.120
<v Speaker 24>Shammy memory, Come and hold me.

1:11:03.920 --> 1:11:07.960
<v Speaker 19>While you show me how to fly.

1:11:12.160 --> 1:11:25.919
<v Speaker 26>Sound sifting through the glade. Entering reached me with a ray.

1:11:27.600 --> 1:11:37.200
<v Speaker 24>Silently swooping down, just to show.

1:11:35.680 --> 1:11:48.000
<v Speaker 19>Me how to give my heart away, my.

1:11:48.240 --> 1:11:51.480
<v Speaker 3>Lea sparkling holes, con feel.

1:11:51.439 --> 1:11:55.280
<v Speaker 24>My dreams to sending on the fiery beams.

1:11:56.080 --> 1:11:58.680
<v Speaker 5>I've seen them coming down.

1:11:59.280 --> 1:12:03.640
<v Speaker 1>Quick, lad, where Abby is?

1:12:04.120 --> 1:12:14.840
<v Speaker 3>La solus gently and say gone on, my pal yourt.

1:12:17.280 --> 1:12:26.680
<v Speaker 19>Way and still lie the whistler, lie.

1:12:28.400 --> 1:12:34.760
<v Speaker 24>Rising from the mast, promise me.

1:12:37.720 --> 1:12:39.519
<v Speaker 8>This and only this.

1:12:41.720 --> 1:12:45.000
<v Speaker 27>Holy breath touching me.

1:12:47.320 --> 1:12:49.320
<v Speaker 8>Lie Quin.

1:12:50.760 --> 1:13:00.240
<v Speaker 19>Song, Sweet Communion of lookis.

1:13:11.000 --> 1:13:14.719
<v Speaker 3>And that was our episode with Chris Deely. Oh wow,

1:13:16.120 --> 1:13:20.280
<v Speaker 3>Sweet Communion of a Kiss. It's a song just about

1:13:20.280 --> 1:13:23.400
<v Speaker 3>a kiss. Oh my god, that song slays me. Hell

1:13:26.120 --> 1:13:29.360
<v Speaker 3>So that was a fun episode. That was great. I

1:13:29.439 --> 1:13:31.320
<v Speaker 3>love playing music with him so much.

1:13:31.640 --> 1:13:33.600
<v Speaker 19>He's amazing.

1:13:34.000 --> 1:13:36.000
<v Speaker 1>Yeah, hopefully we can do it again. Thank you so

1:13:36.160 --> 1:13:39.599
<v Speaker 1>much Chris for being on the show. Thanks for listening everyone.

1:13:40.840 --> 1:13:43.960
<v Speaker 1>I'm trying to talk really slow because the last song

1:13:44.240 --> 1:13:46.320
<v Speaker 1>was so mellow, and I'm.

1:13:46.160 --> 1:13:48.200
<v Speaker 3>Trying to not scare you with my voice.

1:13:48.600 --> 1:13:51.559
<v Speaker 4>Enjoy the rest of your day, have a wonderful day

1:13:51.880 --> 1:13:52.320
<v Speaker 4>or night.

1:13:53.120 --> 1:13:53.600
<v Speaker 3>We love you.

1:13:55.160 --> 1:14:00.200
<v Speaker 27>Thanks for tuning in. Our show was produced by me

1:14:00.479 --> 1:14:06.000
<v Speaker 27>and Sarah Oda. It was recorded by Matt Marinelli and

1:14:06.200 --> 1:14:13.400
<v Speaker 27>mixed by James Landry. Additional engineering by Greg Tobler, artwork

1:14:13.520 --> 1:14:17.280
<v Speaker 27>by Eliza Fry, and photography by Shervin linez

1:14:18.800 --> 1:14:20.439
<v Speaker 3>All Right Yo Sea