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Speaker 1: The nick A Gliser Podcast Glaser Tears Nikki.

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Speaker 2: Hello here I am. It's Nicky Glaizer Podcast. Welcome to it.

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Speaker 2: It's the first podcast of the week for us.

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Speaker 1: My mom is here.

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Speaker 2: Hello everyone, Backed by popular demand, What happen?

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Speaker 1: Don't like it? I'm sure?

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Speaker 2: Yeah, I gotta say. I wouldn't want to hear someone

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Speaker 2: if I was like a fan of someone's, I wouldn't

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Speaker 2: want to hear their mom on the podcast unless they

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Speaker 2: were the same around their mom as they are not

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Speaker 2: around them, Right, that's like you think they're going to

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Speaker 2: be kind of like.

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Speaker 1: Just there.

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Speaker 2: I just don't like when people change. And I definitely

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Speaker 2: am different around you. I can be like a worse

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Speaker 2: version of myself because I could be mean, because I

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Speaker 2: revert back to being a brady teenager. But I don't

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Speaker 2: think I'm different in the terms of like what I share.

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Speaker 1: No, I think you're very loving lately.

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Speaker 2: Lately, Okay, letting it go, you guys, I'm reading the

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Speaker 2: book letting Go and letting go. Yeah, well, you know

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Speaker 2: you're not gonna be around forever.

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Speaker 1: And yeah, or like being a brat exactly. It's there's

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Speaker 1: just no.

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Speaker 3: Point loaded off, let it go, loaded off, loaded off, No,

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Speaker 3: loaded on the kinds.

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Speaker 2: The kindness like loaded onto you. Yeah, okay, I love it.

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Speaker 2: I can tell you the same, can me give me

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Speaker 2: I'm giving it loaded I'm going to give it.

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Speaker 4: Brian Fraani's here related to anybody here?

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Speaker 2: Loaded on, Brian, Brian, We're going to see your your family.

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Speaker 4: Though.

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Speaker 2: I invited Brian to come open for me in Florida

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Speaker 2: next week Fort Pierce and Dayton and next weekend, so

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Speaker 2: if you're around. But Brian was like, these are the

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Speaker 2: most advantageous dates you could ask me to do. Because

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Speaker 2: my mother lives in Fort Pierce. Oh my god, I

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Speaker 2: never even heard of that.

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Speaker 5: Saint Lucie, uh, which is like five minutes from there,

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Speaker 5: but it's very close to.

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Speaker 2: Her house, which is where Andrew's parents lives. Weird, I

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Speaker 2: only get podcasts.

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Speaker 1: Because of Andrews.

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Speaker 5: She wanted to go live near Andrew's parents, and.

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Speaker 3: Who wouldn't honestly, But no, she she already she don't

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Speaker 3: even know where any of those.

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Speaker 5: An hour or so or an hour and a half

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Speaker 5: north of Miami. It's on the Atlantic coast of Florida,

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Speaker 5: in the middle of but it's become a retirement hot spot.

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Speaker 5: There's quite a lot of boomers that live there in

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Speaker 5: certain communities. It's where mar A Lago is, it's around

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Speaker 5: where there is.

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Speaker 2: Oh that's right, Andrew's dad got married at mar Alone.

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Speaker 1: Oh god, I forgot that.

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Speaker 2: Yeah, it is not such weird trivia.

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Speaker 1: I know it's so, but it's important.

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Speaker 2: It's important to know.

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Speaker 4: My mom is super excited.

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Speaker 5: She is so proud of me, and she has she

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Speaker 5: already has a fourteen friends coming.

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Speaker 2: Yeah, whoa you know, I can comp you a great

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Speaker 2: deal of tickets. I don't have a ton of family

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Speaker 2: and friends in Fort Pierce, and I get several comps.

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Speaker 2: So well, you didn't even know your mom doesn't need to.

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Speaker 2: If they can afford tickets, okay, buy them. But if

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Speaker 2: they're like if anyone's pension pennies at.

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Speaker 1: All retired on fixing com yeah, do not.

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Speaker 2: I don't want them to pay to see me. I

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Speaker 2: can't have everyone listening. But it's just if you know

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Speaker 2: there's sort listen. If you're really hard up and you

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Speaker 2: have no money and like you'd love to see me,

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Speaker 2: if you write me on Instagram, you know, if I

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Speaker 2: see it and I have comps, I'll give you one.

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Speaker 2: But you better be a nice person that's not lying

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Speaker 2: about being down and out and like you better and

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Speaker 2: as long as you better need gracious and grateful and

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Speaker 2: and you're I'm not gonna be like here you go,

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Speaker 2: you poor person, like I get it, like you can't go.

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Speaker 2: I'm not gonna make you feel bad about asking, and

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Speaker 2: I'm not gonna question. I'm not gonna make you prove

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Speaker 2: it by giving me bank statements or something. But listen,

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Speaker 2: if I can, and if you don't get through all

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Speaker 2: my dms, it's because I you know again, I either

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Speaker 2: didn't see it or sometimes they don't get through. It's

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Speaker 2: very strange who gets through for me and who doesn't.

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Speaker 2: So I apologize if you don't get through. But if

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Speaker 2: I do see it, and you're just like, I really

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Speaker 2: want to see you, and I don't have the money.

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Speaker 1: I got you. You're so generous.

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Speaker 2: I wish I could give away all free tickets. I know,

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Speaker 2: you know, Mommy's got to make money. Mom's got to

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Speaker 2: make mom has venmos too, for pill there's a lot

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Speaker 2: of Veno requests.

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Speaker 1: I bet you this is.

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Speaker 2: The new thing on Venmo. They will just write you

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Speaker 2: because people can just guess what your venmo name is

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Speaker 2: by guessing like variations of your name with underscores or

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Speaker 2: whatever it is, you know, and they will just write

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Speaker 2: like pizza and tickets, and they'll make you think that

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Speaker 2: maybe you money do owe them for this thing. And

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Speaker 2: then some people just and I think they just do

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Speaker 2: this to celebrities, and it's gotta work sometimes because sometimes

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Speaker 2: it's like I just need groceries, like that'll be the venmo,

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Speaker 2: and it's like asking for twenty bucks, and if I'm

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Speaker 2: in a kind spirit, I might just go all right,

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Speaker 2: I think I've one time fulfilled it. Please don't send

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Speaker 2: me tons of them, because you're going to go, oh,

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Speaker 2: this guy wrote asked for three hundred dollars, listen to

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Speaker 2: this airbnb and candles. If I was not a discerning person,

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Speaker 2: I might just go, yeah, I guess I owe that

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Speaker 2: person for an Airbnb and candles. Or if I had

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Speaker 2: my assistant, maybe fulfilling my venmos instead of me personally.

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Speaker 2: This is like when they tell people to send a

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Speaker 2: wedding invitation to billionaires, because they usually have assistance going

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Speaker 2: through all the invitations, they'll turn it down, but they'll

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Speaker 2: send you a gift.

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Speaker 1: Wait, did you get that invitation? What for a wedding.

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Speaker 2: I don't get my mail.

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Speaker 3: Really, no, we sent a picture of it. Someone sent

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Speaker 3: one from Saint Louis to you.

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Speaker 1: Oh really did you?

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Speaker 2: Maybe maybe it's women my phone was dead or that's.

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Speaker 1: What I'll say. Yeah, I think it's when your phone

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Speaker 1: is Yeah, my.

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Speaker 2: Phone did dive. I was without a phone for like

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Speaker 2: fifteen hours, maybe thirty hours, wow, fifteen to thirty hours,

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Speaker 2: and so much stuff got lost or Nikki and an

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Speaker 2: he knew was I was waiting to hear back on.

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Speaker 2: I was like it must have been sent during that time.

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Speaker 2: I'm not gonna be upset with that person. Yeah, and

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Speaker 2: anything it was. It's nice, yeah, so nice when you

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Speaker 2: can't be on your phone. Except I will say I

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Speaker 2: was going through a stressful moment, like I lost my

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Speaker 2: phone screen died, and I was going through an emotionally

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Speaker 2: stressful kind of couple hours when it happened, okay, and

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Speaker 2: I started binging food because I couldn't be at my

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Speaker 2: phone was the thing that was going to distract me

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Speaker 2: out of this. I had to reach for a drug

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Speaker 2: like I ate so much in that period where I

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Speaker 2: was trying to call my nervous system because I was

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Speaker 2: going through like I just needed to cry, probably, but

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Speaker 2: I usually would have just scrolled on my phone or

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Speaker 2: just like not even scrolled. Let's talk about like reached

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Speaker 2: out to my girl's chat, reached out to my friends

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Speaker 2: via text, like reached out to something to soothe me.

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Speaker 2: But I had no communication with outside world, so it

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Speaker 2: was just skinny pop, which you know that name is

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Speaker 2: ironic when you eat four bags, four party sized bags.

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Speaker 1: I like the idea.

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Speaker 2: I've said this before, but just the idea of a

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Speaker 2: girl just shoveling skinny pop in her face and being like,

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Speaker 2: why is that working? What geniuses? Marketing genius is putting.

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Speaker 3: The Bethany skinny girl, cocked girl cocktails.

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Speaker 2: Amazing marketing. Yeah, it's this will make you skinny.

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Speaker 4: Remember smart things.

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Speaker 5: When I was growing up, there was a cookies called

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Speaker 5: smart There was a lot of things back then that

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Speaker 5: were trying to trick you into thinking if they were healthy,

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Speaker 5: but they're not.

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Speaker 1: Yeah.

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Speaker 2: Yeah, green packaging equals good for the planet.

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Speaker 1: Good for your heart. Oh my god, anything with.

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Speaker 5: Thin single candy bar that I can think of, we

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Speaker 5: have a green package, except for maybe not a chocolate bar.

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Speaker 5: There's skittles, there's sour Skittles.

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Speaker 2: Actually, yeah, but that's not even that like earthy kind

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Speaker 2: of forest green, forest of green, kelly green. That that

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Speaker 2: Andy's mint health Maybe yeah, okay.

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Speaker 1: Ben mint, but it's not really I can't.

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Speaker 2: But Andie's mints also feel like are like when you

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Speaker 2: eat my dark chocolate. I'm like, I could, I could.

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Speaker 4: I love them. I really.

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Speaker 2: With the binge eating disorder, they could bringe. I could

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Speaker 2: binge baby carrots. It's crazy if you get but that's

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Speaker 2: not binging, because yeah, it is if you get sick

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Speaker 2: from baby carrots. Speaking of baby carrots, I used to

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Speaker 2: binge baby carrots when I was like more anioxic days

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Speaker 2: of my life and it turns your skin or us,

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Speaker 2: which I like because that's my go to.

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Speaker 1: I got a spray.

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Speaker 2: Tand for the Emmys, it's Creative Arts ummies that I presented.

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Speaker 2: See I told it's so orange. He went bananas. He

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Speaker 2: did it, by the way, did you hear me say?

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Speaker 1: Oh?

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Speaker 2: He went orange? He went Aprica went oranges. He yes,

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Speaker 2: I called the place because I used go to this

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Speaker 2: place in La for the versus spot, which is what

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Speaker 2: I recommend every girl. If you want to try a

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Speaker 2: spray tan. It ups your hotnss by so much. Just

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Speaker 2: do the booths. Just walk in, get sprayed down, do

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Speaker 2: the highest level. You're not going to look too orange.

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Speaker 2: The highest level will not make you look like Ross

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Speaker 2: from Friends in that one episode. It will not be

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Speaker 2: crazy looking. If you want like soup goat, I have

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Speaker 2: to sometimes go to these booths twice in a row.

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Speaker 1: To get the shade I want.

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Speaker 2: So I went to this guy or I called up

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Speaker 2: and I go, do you guys do airbrush? Which is

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Speaker 2: when they do it manually right, because I'm like, this

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Speaker 2: is the Emmys. I gotta not do versus what's different?

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Speaker 2: And this place doesn't even get me tan enough the

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Speaker 2: versus spots. You stand there and a machine does it.

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Speaker 2: Would you wanted a machine? Han hand done is going

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Speaker 2: to be just a better job. And you can tell

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Speaker 2: them what you want, like, oh, my legs do not

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Speaker 2: absorb color. My face absorbs it so much, so I

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Speaker 2: want one pass on my face, and I want like

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Speaker 2: fourteen passes on my legs. My like my lower leg

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Speaker 2: shin area for some reason does not collect tan. So

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Speaker 2: you could just be specific and you get to have

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Speaker 2: your labia in someone's face as they get right between

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Speaker 2: your legs and tell you to relax. So that's also

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Speaker 2: a plus thing.

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Speaker 1: And it's a guy.

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Speaker 2: I don't like a machine just to look at me nude.

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Speaker 2: I want to see, yes, a man. So I called

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Speaker 2: and I go hey, And whenever I'm there, it's always

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Speaker 2: like a gay man working very gay man, well that

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Speaker 2: feels better, or a woman. And so I just called

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Speaker 2: up and was like, do you guys do airbrush? And

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Speaker 2: I assume they'd have a woman airbrush or like a

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Speaker 2: very very gay man just maybe even that. I'm sorry,

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Speaker 2: like it was any of it was like this. The

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Speaker 2: guy answered, and he goes, what do you need this

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Speaker 2: for it? I go, I usually come to you guys,

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Speaker 2: and I get the versus bud. He's like, no, no, no,

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Speaker 2: you let's do airbrush for you. And I was like,

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Speaker 2: let's like, is this you and the company like I

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Speaker 2: got a girl who will do that? Or is this

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Speaker 2: lets you? But I can't really ask that, and by

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Speaker 2: the time I'm off the phone, I'm like, I think

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Speaker 2: I hung up and I'm with Chris. He's getting fitted

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Speaker 2: for his tucks and I'm with my friend Stacy, who's

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Speaker 2: fitting him, and I'm like, you, guys, I think I

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Speaker 2: just agreed to have a man spray tand me and

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Speaker 2: I get nude, nude nude, like I have a nude

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Speaker 2: thong on, but that's just but everything else this person

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Speaker 2: gets to just get up in and so I got there.

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Speaker 1: And that was right.

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Speaker 2: He was just a guy. He was totally asexual to me,

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Speaker 2: and probably I was to him right, but it was

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Speaker 2: a man and that was a little weird. And he

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Speaker 2: kept telling me to relax. I was but naked, and

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Speaker 2: my fingers would be a little too like Barbie like

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Speaker 2: and they need to be.

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Speaker 1: It's and when I take photos too, when I'm doing

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Speaker 1: photo sessions.

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Speaker 2: I always like my hand will be like clamped or

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Speaker 2: like your your fingers are supposed to be loose, and

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Speaker 2: it's so hard to remember to do that. It's so

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Speaker 2: hard modeling.

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Speaker 3: But he comes to your hands if you got no

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Speaker 3: underneath nothing, okay?

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Speaker 1: Good?

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Speaker 5: No?

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Speaker 2: He whted me clean like he's a fishing And then

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Speaker 2: he came in and was rolling out the areas and

258
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Speaker 2: like just getting right up next to my nipple like

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Speaker 2: doesn't but wasn't looking at me sexually. Was leaving the

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Speaker 2: door open a lot of times to leave, and I'm like,

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Speaker 2: there's people walking by, like, Oh my Luckily, I'm a

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Speaker 2: person who doesn't care about baked. I really I don't.

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Speaker 2: I don't see myself sexually when I'm when I'm not

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Speaker 2: in the mood to be seen sexually. I don't think

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Speaker 2: anyone else can sexualize me, and I honestly don't care

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Speaker 2: if someone does. Really it's when I I really don't care.

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Speaker 2: The only thing I care about is if it makes

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Speaker 2: other people uncomfortable. Like I like Brian would be in

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Speaker 2: my room all the time during f Boy Island and

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Speaker 2: we'd be writing stuff, and then I would be I

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Speaker 2: would be still talking about a scene while I'm like

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Speaker 2: changing behind a curtain, and sometimes I'd look in the

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Speaker 2: miror and I'd be like, oh my god, Brian could

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Speaker 2: just like see me naked. And then I'd be like,

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Speaker 2: I don't care if he does, because I look at

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Speaker 2: him like a brother, and not that I want to

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Speaker 2: see my brother naked, but I don't want him to.

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Speaker 2: I don't ever want people to people. Sometimes I think

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Speaker 2: think that I like when people have to like fit,

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Speaker 2: you have to deal with my sexuality, and like I'm

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Speaker 2: just gonna rub it in your face like that. But

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Speaker 2: I don't like.

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Speaker 1: That Brian for f yi, she's telling you.

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Speaker 2: Why Yeah, if you ever see me nack naked, it's

285
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Speaker 2: not because I'm like I can't wait for Brian to

286
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Speaker 2: catch a glimpse. Like it's never intentional, it's and I

287
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Speaker 2: see my You still just don't care. I know it's

288
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Speaker 2: not that I don't care. I care about other people's experience,

289
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Speaker 2: but I personally, you don't care if anybody sees you.

290
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Speaker 2: If someone tells me they jerked off to me or

291
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Speaker 2: they were turned on by me, it does not matter.

292
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Speaker 2: It doesn't impact me. I wish I had that feeling

293
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Speaker 2: about wait, wait, he don't want to when people don't

294
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Speaker 2: want to fuck me, That's what I'm.

295
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Speaker 1: Okay, what do you feel when people say I did that?

296
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Speaker 2: I just kind of go like, I mean, people don't

297
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Speaker 2: say that, but when someone makes a gross comment. I

298
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Speaker 2: was just telling Chris this the other day because he

299
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Speaker 2: was watching a meet and greet and there was this

300
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Speaker 2: disgusting guy at the meet and greet that just got

301
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Speaker 2: too close and put his hand on my waist too

302
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Speaker 2: hard and like kind of pulled me too tight. And

303
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Speaker 2: of course that man's phone wasn't working. I swear to God,

304
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Speaker 2: nine out of ten times that a phone doesn't work.

305
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Speaker 2: It's a phone that belongs to a stinky sweat, Like

306
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Speaker 2: not even stinky. You can stink and be near me.

307
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Speaker 2: I won't care. Just like a really lecherous person is

308
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Speaker 2: touching me, no, like they just he want was to

309
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Speaker 2: like show that he owns me, and and they're it's

310
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Speaker 2: not even like if they were just to say, like

311
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Speaker 2: I'm a track to do your beautiful girl, like I

312
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Speaker 2: want you to know that I think you're hot. That's

313
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Speaker 2: okay to me. It's when they think when they're trying

314
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Speaker 2: to fuck me.

315
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Speaker 4: That's when it's gross.

316
00:14:10,280 --> 00:14:13,400
Speaker 2: When they think like it's like I think you're beautiful

317
00:14:13,400 --> 00:14:14,839
Speaker 2: and I never stayned a chance, and you just need

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Speaker 2: to know that, Like that's so nice. I don't care

319
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Speaker 2: if it's a straight man that says that to me,

320
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Speaker 2: I will always be like thank you. You know. It's

321
00:14:21,240 --> 00:14:24,400
Speaker 2: when they try to this guy holding me is trying

322
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Speaker 2: to let me know with body language, like it's just

323
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Speaker 2: our little secret that this guy's into me. If he

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Speaker 2: just says it out right, Matt can hear a Matt's

325
00:14:32,560 --> 00:14:35,040
Speaker 2: taking pictures, Chris is there, he can hear it. Then

326
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Speaker 2: people are accountable. Whereas if they're just doing a little

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Speaker 2: grab or something where it's like if you want it,

328
00:14:40,400 --> 00:14:42,080
Speaker 2: you can get it, like that kind of thing. That's

329
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Speaker 2: disgust me. And then they do the thing where they

330
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Speaker 2: just grat but that that also doesn't it's gross, and

331
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Speaker 2: it happens still we go to and then I like,

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Speaker 2: get the hell out of my face drops. I want

333
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Speaker 2: everyone in line to see that I hate that guy.

334
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Speaker 2: I don't say anyth to him because it's not working.

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Speaker 5: There's an interesting human compulsion to point out when someone

336
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Speaker 5: when they when you think someone's hot, like you ever

337
00:15:09,400 --> 00:15:11,560
Speaker 5: just like watching a television show when someone's hot, and

338
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Speaker 5: then you have to say it like.

339
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Speaker 4: This, why is that? Why do you happen?

340
00:15:16,040 --> 00:15:17,800
Speaker 5: But it happens all the time, happens to me, or

341
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Speaker 5: it's just like I feel like I have to say.

342
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Speaker 2: Does Ali care? Or do you say it about girls

343
00:15:22,320 --> 00:15:24,400
Speaker 2: and guys? Does Ali care if you say it about

344
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Speaker 2: a girl?

345
00:15:24,880 --> 00:15:27,520
Speaker 5: Like what I feel like? Sometimes she can tell when

346
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Speaker 5: I think someone's hot on TV and we're watching it,

347
00:15:31,640 --> 00:15:32,440
Speaker 5: and then she'll point it out.

348
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Speaker 2: Yes, because the pillow on your lap raises.

349
00:15:34,680 --> 00:15:36,680
Speaker 4: Yeah, it just starts going up.

350
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Speaker 3: Oh my god, NICKI or last night your dad said

351
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Speaker 3: something about Vanna White on Wheel of Fortune. I was like,

352
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Speaker 3: are you serious, He's going, boy, she still looks good.

353
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Speaker 2: I'm like, oh, that's a rude thing to say, because

354
00:15:52,960 --> 00:15:54,480
Speaker 2: that is like something you could achieve.

355
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Speaker 3: Well, I'm just like, well, yeah, she's very wealthy and

356
00:15:58,880 --> 00:16:00,520
Speaker 3: all she does is work.

357
00:16:00,200 --> 00:16:03,440
Speaker 2: On letters and the rest of the day she can

358
00:16:03,440 --> 00:16:05,400
Speaker 2: do pilates. I'm like, you've got to go to the bins.

359
00:16:06,040 --> 00:16:08,240
Speaker 2: You gotta go, you gotta jump. What do you do

360
00:16:08,360 --> 00:16:13,840
Speaker 2: about you as hell? No, you are, I agree, And

361
00:16:14,000 --> 00:16:16,680
Speaker 2: her job is to look hot. Your job is not job.

362
00:16:16,920 --> 00:16:18,080
Speaker 1: She makes a lot of money.

363
00:16:18,480 --> 00:16:21,280
Speaker 2: Look you inspired my joke that I have where when

364
00:16:21,400 --> 00:16:25,200
Speaker 2: guys say someone's hot, that's just clearly hot. Like I

365
00:16:25,240 --> 00:16:29,040
Speaker 2: remember Tim Convey, Chris's brother, one time years ago. This

366
00:16:29,120 --> 00:16:30,520
Speaker 2: is long before he was married, and I'm sure he

367
00:16:30,560 --> 00:16:32,280
Speaker 2: does not feel this way about this woman anymore now

368
00:16:32,320 --> 00:16:35,320
Speaker 2: that he's married. But I remember him being like, man,

369
00:16:35,360 --> 00:16:41,280
Speaker 2: I'm a j lo guy, and I was like interesting,

370
00:16:41,560 --> 00:16:43,160
Speaker 2: And I remember it's the first time I kind of

371
00:16:43,200 --> 00:16:46,040
Speaker 2: like made fun of him to his face, like just

372
00:16:46,160 --> 00:16:48,760
Speaker 2: I was just really not having it, And I remember

373
00:16:48,800 --> 00:16:51,160
Speaker 2: he was laughing so hard about it because I was

374
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Speaker 2: like it's not interesting, Tim, That's like I got it

375
00:16:54,520 --> 00:16:58,320
Speaker 2: from you though, Like cool Jay cool, Yeah, oh yeah,

376
00:16:58,440 --> 00:16:59,920
Speaker 2: Katie Couric, you're really into her.

377
00:17:00,400 --> 00:17:01,960
Speaker 1: She gotta make a yeah.

378
00:17:02,080 --> 00:17:04,639
Speaker 2: But you're right, Brian. People need to say when people

379
00:17:04,680 --> 00:17:08,159
Speaker 2: are tall, when people are extremely good looking, because I

380
00:17:08,240 --> 00:17:10,919
Speaker 2: realized that when I was partners with Club Subchenko on

381
00:17:11,040 --> 00:17:13,879
Speaker 2: Dancing the Stars. He's so hot, you have to say something,

382
00:17:14,320 --> 00:17:17,440
Speaker 2: and also to him or just yeah, people just say

383
00:17:17,440 --> 00:17:19,520
Speaker 2: it to him. They just go god, damn it, Like

384
00:17:19,560 --> 00:17:20,640
Speaker 2: it's just want to.

385
00:17:20,600 --> 00:17:24,080
Speaker 5: Know the psychology behind that? Why do you feel like

386
00:17:24,160 --> 00:17:24,800
Speaker 5: you have to?

387
00:17:25,040 --> 00:17:25,159
Speaker 4: Like?

388
00:17:25,320 --> 00:17:28,080
Speaker 5: Its just sometimes you see someone who's really hot, like

389
00:17:28,119 --> 00:17:30,280
Speaker 5: if you have a waiter or something who's super hot,

390
00:17:30,680 --> 00:17:33,119
Speaker 5: like and you're just getting served, Like there's this you

391
00:17:33,119 --> 00:17:36,199
Speaker 5: have to like resist the temptation to point out the

392
00:17:36,280 --> 00:17:37,600
Speaker 5: fact that they're hot.

393
00:17:37,760 --> 00:17:43,119
Speaker 2: Why I think we're we're resisting that urge with bad

394
00:17:43,160 --> 00:17:45,600
Speaker 2: things too, but we know bad things. No one wants

395
00:17:45,640 --> 00:17:47,480
Speaker 2: to hear that to their face, so I think oftentimes

396
00:17:47,480 --> 00:17:51,480
Speaker 2: we let the good things out more like no one's

397
00:17:51,520 --> 00:17:55,000
Speaker 2: gonna go Jesus, you're ugly, you know. I think it's

398
00:17:55,040 --> 00:17:57,080
Speaker 2: being pretty is a nice thing to say to people,

399
00:17:57,080 --> 00:17:59,639
Speaker 2: So I think we We probably verbalize it more, but

400
00:17:59,680 --> 00:18:01,240
Speaker 2: we think both extremes.

401
00:18:01,359 --> 00:18:04,600
Speaker 3: Maybe I think people think I have really good taste,

402
00:18:05,040 --> 00:18:08,800
Speaker 3: Like I'm saying he's hot and that's my taste.

403
00:18:09,480 --> 00:18:11,040
Speaker 1: Like don't I have good taste?

404
00:18:11,520 --> 00:18:15,239
Speaker 2: Right? Like some it has something they're attractive to, they

405
00:18:15,240 --> 00:18:20,320
Speaker 2: can set it. Well, this gets us onto Actually it

406
00:18:20,400 --> 00:18:22,040
Speaker 2: kind of sets us up perfectly for what I want

407
00:18:22,080 --> 00:18:23,840
Speaker 2: to talk about, which is the Joekoy monologue at the

408
00:18:23,960 --> 00:18:28,680
Speaker 2: book blow Oh yeah, and it's about taste. It's we're

409
00:18:28,720 --> 00:18:31,000
Speaker 2: gonna get to it. But taste is a big factor.

410
00:18:31,240 --> 00:18:34,320
Speaker 2: And what I think went wrong with that monologue. Okay,

411
00:18:34,400 --> 00:18:37,320
Speaker 2: and I think that you can pride yourself on good taste.

412
00:18:37,359 --> 00:18:39,400
Speaker 2: Some people do have good taste. And when I point

413
00:18:39,400 --> 00:18:42,000
Speaker 2: out if someone's good looking, I do want them to

414
00:18:42,040 --> 00:18:44,840
Speaker 2: be like, oh, well, she's not just saying like I

415
00:18:44,880 --> 00:18:47,760
Speaker 2: do have. I have an ego about my level of taste,

416
00:18:47,760 --> 00:18:51,520
Speaker 2: which is not correct. It's just my dumb ego saying that.

417
00:18:52,119 --> 00:18:54,080
Speaker 2: Which I am reading this book letting Go, and I

418
00:18:54,119 --> 00:18:57,359
Speaker 2: just got to a chapter about pride, and pride apparently

419
00:18:57,440 --> 00:18:59,359
Speaker 2: is one of the easiest things to let go of.

420
00:18:59,640 --> 00:19:02,320
Speaker 2: But you should not have pride in anything, is what

421
00:19:02,400 --> 00:19:05,119
Speaker 2: this guy argues, pride is the number one way to

422
00:19:05,160 --> 00:19:07,880
Speaker 2: think you're better than someone, to think you deserve more,

423
00:19:08,280 --> 00:19:10,119
Speaker 2: and it's the number one way to be let down

424
00:19:10,440 --> 00:19:13,200
Speaker 2: and to have an ego about things. If you just are,

425
00:19:13,320 --> 00:19:17,280
Speaker 2: if you just are like I'm grateful that my family

426
00:19:17,400 --> 00:19:19,959
Speaker 2: as well to do, instead of like I'm proud of

427
00:19:20,040 --> 00:19:24,600
Speaker 2: my lineage, it's doesn't It doesn't mean you did anything right.

428
00:19:24,680 --> 00:19:27,040
Speaker 2: This guy pretty much is the same Sam harrisy like,

429
00:19:27,640 --> 00:19:30,160
Speaker 2: you didn't do anything being born into this family. Your

430
00:19:30,160 --> 00:19:33,000
Speaker 2: brain was not your choice. You got lucky. You don't

431
00:19:33,000 --> 00:19:35,000
Speaker 2: get to be proud of your brain. You can be

432
00:19:35,160 --> 00:19:38,119
Speaker 2: grateful for your intelligence, you don't get to be proud

433
00:19:38,119 --> 00:19:41,080
Speaker 2: of it like you did something, because that's actually a

434
00:19:41,119 --> 00:19:44,280
Speaker 2: really selfish thing to be. But then we all seek

435
00:19:44,520 --> 00:19:46,280
Speaker 2: people like all I want to you know, you hear

436
00:19:46,400 --> 00:19:47,959
Speaker 2: celebrities all the time. I just want to make my

437
00:19:48,080 --> 00:19:50,840
Speaker 2: parents proud, like all I want. If you guys suddenly

438
00:19:50,840 --> 00:19:52,639
Speaker 2: weren't proud of me and we're just like, I'm just

439
00:19:52,720 --> 00:19:55,080
Speaker 2: grateful she's talented. I don't know how i'd stomach that,

440
00:19:55,200 --> 00:20:00,240
Speaker 2: but we'll unpack it later. Right after this, All right,

441
00:20:00,359 --> 00:20:04,040
Speaker 2: let's talk about the golden globes.

442
00:20:04,160 --> 00:20:05,199
Speaker 1: Joekoi did you watch it?

443
00:20:05,240 --> 00:20:05,440
Speaker 2: Mom?

444
00:20:05,560 --> 00:20:06,119
Speaker 1: Yeah?

445
00:20:06,160 --> 00:20:10,000
Speaker 2: And Brian you watched it? Noah, you watched it. This

446
00:20:10,200 --> 00:20:12,960
Speaker 2: we're giving a late take because it's now Wednesday, right,

447
00:20:13,119 --> 00:20:16,200
Speaker 2: He's already been seen and about not giving a shit.

448
00:20:18,080 --> 00:20:20,760
Speaker 2: Good for him, Yeah, I guess I'll start with that.

449
00:20:20,920 --> 00:20:24,240
Speaker 2: I liked his response to it of saying like, yeah,

450
00:20:24,240 --> 00:20:24,879
Speaker 2: I'm not gonna lie.

451
00:20:24,920 --> 00:20:25,959
Speaker 1: It really hurts.

452
00:20:26,160 --> 00:20:29,520
Speaker 2: I will say that, Mike, I have endless questions for

453
00:20:29,600 --> 00:20:30,760
Speaker 2: the behind the scenes of how.

454
00:20:30,640 --> 00:20:32,720
Speaker 1: This all went down and who is writing for him

455
00:20:32,880 --> 00:20:33,680
Speaker 1: or what well.

456
00:20:33,720 --> 00:20:35,720
Speaker 2: I have some answers in that way that I'm not

457
00:20:35,720 --> 00:20:38,919
Speaker 2: going to exactly share, but what I will share is

458
00:20:38,920 --> 00:20:41,639
Speaker 2: that I desperately want to know. Did he go to

459
00:20:41,680 --> 00:20:45,639
Speaker 2: the after party? What was it like backstage after the monologue?

460
00:20:45,640 --> 00:20:47,920
Speaker 2: Throughout the show after he threw the writers under the

461
00:20:47,920 --> 00:20:50,200
Speaker 2: bus whiz there? Did the writers come up to him

462
00:20:50,240 --> 00:20:52,919
Speaker 2: like they probably did, because writers are professional and they

463
00:20:52,960 --> 00:20:54,800
Speaker 2: have to, Like as soon as you came on stage,

464
00:20:54,840 --> 00:20:56,480
Speaker 2: they flank you and go, Okay, here's the next bit

465
00:20:56,520 --> 00:20:58,639
Speaker 2: what we're gonna do, and they go over everything after

466
00:20:58,680 --> 00:21:01,080
Speaker 2: he's just on them under the bus. I think that

467
00:21:01,119 --> 00:21:03,879
Speaker 2: would be an amazing thing to hear about. And I

468
00:21:03,960 --> 00:21:06,000
Speaker 2: also want to know if he was able to sleep

469
00:21:06,040 --> 00:21:09,880
Speaker 2: that night and if he got any sleep, how much

470
00:21:10,000 --> 00:21:11,520
Speaker 2: was it when he woke up in the morning and

471
00:21:11,560 --> 00:21:14,600
Speaker 2: woke up and opened his eyes. Was did he cry?

472
00:21:15,200 --> 00:21:16,800
Speaker 2: Was there anyone there to support him emotionally?

473
00:21:16,800 --> 00:21:16,879
Speaker 5: Like?

474
00:21:16,960 --> 00:21:23,040
Speaker 2: What was his self care in being bludgeoned by at

475
00:21:23,080 --> 00:21:26,920
Speaker 2: every angle for literally everything he said? Yeah, there was

476
00:21:27,080 --> 00:21:29,439
Speaker 2: no There was no even point of like, I mean,

477
00:21:29,480 --> 00:21:31,240
Speaker 2: there was a little bit of like, well he just

478
00:21:31,280 --> 00:21:34,800
Speaker 2: got this gig and this is a stuffy room. Some

479
00:21:34,800 --> 00:21:36,440
Speaker 2: people came to his defense, but I think by and

480
00:21:36,520 --> 00:21:40,000
Speaker 2: large it was a onslaught of negativity that I don't

481
00:21:40,040 --> 00:21:42,040
Speaker 2: know that I would have been able to handle Brian

482
00:21:42,200 --> 00:21:43,919
Speaker 2: anything to say about those points.

483
00:21:44,000 --> 00:21:46,879
Speaker 5: That's sucking it. I mean, I you don't get credit.

484
00:21:46,960 --> 00:21:49,520
Speaker 5: It sucks that you don't get credit for the effort

485
00:21:49,680 --> 00:21:51,560
Speaker 5: or the amount of time that you had to put

486
00:21:51,560 --> 00:21:54,360
Speaker 5: in any effort to do something. No, people just look

487
00:21:54,400 --> 00:21:56,919
Speaker 5: at the final product and they judge it regardless of

488
00:21:56,920 --> 00:21:58,560
Speaker 5: whether it took you one day to do or it

489
00:21:58,560 --> 00:22:00,119
Speaker 5: took you one year to do. It's like what I

490
00:22:00,160 --> 00:22:02,840
Speaker 5: write a script. If I submit a script to somebody,

491
00:22:03,040 --> 00:22:05,040
Speaker 5: sometimes it takes me two weeks to write a script.

492
00:22:05,080 --> 00:22:07,159
Speaker 5: Sometimes I'm working on a script for six to eight months.

493
00:22:07,400 --> 00:22:10,680
Speaker 5: The person reading the script doesn't know or care about

494
00:22:10,720 --> 00:22:12,680
Speaker 5: how They're just reading a script and they're going to

495
00:22:12,760 --> 00:22:14,880
Speaker 5: judge it next to another script that maybe someone worked

496
00:22:14,880 --> 00:22:17,720
Speaker 5: ten years on. And so it's the same with a monologue.

497
00:22:17,760 --> 00:22:20,439
Speaker 5: It's like it doesn't matter how long it took. It

498
00:22:20,640 --> 00:22:22,800
Speaker 5: just is what it is and it's being presented. And

499
00:22:22,880 --> 00:22:28,199
Speaker 5: I feel bad as a comedian for Joe Coy because

500
00:22:28,320 --> 00:22:32,280
Speaker 5: I think the audience was not fair to him, just

501
00:22:32,400 --> 00:22:36,680
Speaker 5: as fellow performers. The audience was filled, yes, with fellow

502
00:22:36,880 --> 00:22:40,240
Speaker 5: performers who were watching this guy try his best and

503
00:22:40,280 --> 00:22:44,080
Speaker 5: didn't give him fucking anything. Just give this guy a break.

504
00:22:44,880 --> 00:22:48,120
Speaker 5: They seemed so uptight, better than.

505
00:22:48,160 --> 00:22:50,520
Speaker 4: They wanted to be. They wanted to judge him and

506
00:22:50,840 --> 00:22:51,359
Speaker 4: look down.

507
00:22:51,280 --> 00:22:53,719
Speaker 2: On it because they all think they're better than him.

508
00:22:53,760 --> 00:22:56,600
Speaker 2: Michael Chase said it's so great, perfectly, he said, no

509
00:22:56,680 --> 00:22:59,960
Speaker 2: one in Hollywood respects comedians. They haven't been up for Oscars,

510
00:23:00,000 --> 00:23:03,320
Speaker 2: there's no Oscar for Best Comedy. That like, Hollywood doesn't

511
00:23:03,320 --> 00:23:06,240
Speaker 2: respect comedians. They looked at him as listens. And by

512
00:23:06,240 --> 00:23:09,199
Speaker 2: the way, here's the other problem. Is not only that

513
00:23:09,400 --> 00:23:11,920
Speaker 2: are these smug people who are all so self important

514
00:23:12,000 --> 00:23:14,000
Speaker 2: and have been told for you know, and it's now

515
00:23:14,040 --> 00:23:16,320
Speaker 2: awards season. They're all nominated. They think they're the most

516
00:23:16,359 --> 00:23:19,280
Speaker 2: important people on the planet. They're a gift to society

517
00:23:19,320 --> 00:23:21,760
Speaker 2: that they have done some role that they didn't right,

518
00:23:21,920 --> 00:23:24,359
Speaker 2: that they just were good at because they haven't.

519
00:23:24,440 --> 00:23:25,000
Speaker 1: They look.

520
00:23:26,440 --> 00:23:31,240
Speaker 2: Like I'm sorry, but Kieran Kiernan Colkin amazing as Roman

521
00:23:31,320 --> 00:23:34,639
Speaker 2: as my favorite character, one of my favorite characters on

522
00:23:34,720 --> 00:23:37,879
Speaker 2: my favorite TV show of all time, Succession. He is Roman.

523
00:23:38,560 --> 00:23:41,520
Speaker 2: There's no acting. He gets up and gives a look

524
00:23:41,640 --> 00:23:45,240
Speaker 2: and it is Roman. It's there's obviously talent and what

525
00:23:45,280 --> 00:23:47,320
Speaker 2: he does like he brings other things to that character,

526
00:23:47,400 --> 00:23:50,520
Speaker 2: but it's not I've been saying this for ever. Acting

527
00:23:50,680 --> 00:23:52,320
Speaker 2: is not that big of a deal. I don't think

528
00:23:52,359 --> 00:23:53,760
Speaker 2: any of that. I don't even think being a comic

529
00:23:53,840 --> 00:23:57,119
Speaker 2: is that big of a deal. It's all, we're not

530
00:23:58,160 --> 00:24:01,920
Speaker 2: saving the world, but these these events make it seem

531
00:24:02,200 --> 00:24:05,920
Speaker 2: as though we are. So it's all just we all

532
00:24:05,960 --> 00:24:06,239
Speaker 2: know this.

533
00:24:06,280 --> 00:24:07,119
Speaker 1: It's just pomp.

534
00:24:07,119 --> 00:24:10,560
Speaker 5: And really you get an insight into how someone is

535
00:24:10,560 --> 00:24:13,119
Speaker 5: treated on the red carpet too, because you see, like

536
00:24:13,200 --> 00:24:15,359
Speaker 5: I was watching an interview with Timothy Shalomey who was

537
00:24:15,440 --> 00:24:18,400
Speaker 5: coming out, and the interviewer was just sucking his dick

538
00:24:18,520 --> 00:24:20,880
Speaker 5: for five minutes, just saying, like, you have the best fashion.

539
00:24:21,200 --> 00:24:22,280
Speaker 4: What are you wearing right now?

540
00:24:22,320 --> 00:24:23,400
Speaker 2: Did you get Kylie's? Yeah?

541
00:24:23,400 --> 00:24:27,439
Speaker 5: And then Kylie came out and said, excuse me, but

542
00:24:27,640 --> 00:24:30,280
Speaker 5: you can. Can you just imagine twenty four to seven,

543
00:24:30,400 --> 00:24:33,800
Speaker 5: your entire life, you're just getting your dick sucked left

544
00:24:33,800 --> 00:24:36,800
Speaker 5: and right by every single person that comes from the

545
00:24:36,920 --> 00:24:39,439
Speaker 5: valet to your friends, to your family.

546
00:24:39,640 --> 00:24:43,560
Speaker 2: Just you could not be a normal person. These people

547
00:24:43,600 --> 00:24:46,639
Speaker 2: should not be normal. They should be smug assholes like

548
00:24:46,680 --> 00:24:48,679
Speaker 2: they are. There is no other way in which they

549
00:24:48,680 --> 00:24:50,359
Speaker 2: would turn out. We would all be this way. I

550
00:24:50,359 --> 00:24:54,280
Speaker 2: think there's varying degrees. I mean, I don't know that

551
00:24:54,480 --> 00:24:57,239
Speaker 2: if I would have been just Actors are already so

552
00:24:57,240 --> 00:25:01,720
Speaker 2: self important because they're not usually that creative of people.

553
00:25:01,760 --> 00:25:04,280
Speaker 2: They are within what they work, you know, for what

554
00:25:04,320 --> 00:25:06,800
Speaker 2: they do, their creative, but they're not writing stuff. They're

555
00:25:06,840 --> 00:25:09,119
Speaker 2: just kind of dull, Like I just want an interview

556
00:25:09,119 --> 00:25:12,360
Speaker 2: with this actor who everyone is just fucking jizzing over.

557
00:25:12,720 --> 00:25:15,800
Speaker 2: Not going to say who it was, but he's so

558
00:25:16,359 --> 00:25:20,600
Speaker 2: not interesting the interviewer was carrying the whole interview. It

559
00:25:20,720 --> 00:25:23,000
Speaker 2: was like, could you say one funny thing, one thing

560
00:25:23,040 --> 00:25:28,399
Speaker 2: that makes you have any riz? Right? I heard and

561
00:25:28,440 --> 00:25:30,520
Speaker 2: it was like, no, he's just hot and he's good

562
00:25:30,520 --> 00:25:32,080
Speaker 2: in this role. We like his character.

563
00:25:33,119 --> 00:25:35,320
Speaker 5: What I say though, you know how you know how

564
00:25:35,560 --> 00:25:39,200
Speaker 5: uh boring think about the hottest person in your school

565
00:25:39,240 --> 00:25:39,960
Speaker 5: or the hottest person.

566
00:25:40,000 --> 00:25:41,680
Speaker 4: You know, how boring are they?

567
00:25:42,040 --> 00:25:45,080
Speaker 5: And now you take that hot person and you make

568
00:25:45,119 --> 00:25:48,160
Speaker 5: them a movie star. That's constantly like those people are

569
00:25:48,640 --> 00:25:50,760
Speaker 5: those hot people that you thought were boring from your

570
00:25:50,840 --> 00:25:51,680
Speaker 5: high school.

571
00:25:52,480 --> 00:25:53,560
Speaker 4: They're the same hot.

572
00:25:54,080 --> 00:25:58,640
Speaker 2: Yes, it's it's it's so the only person I mean,

573
00:25:58,960 --> 00:26:01,560
Speaker 2: Jennifer Lawrence I think stole the show. I would love

574
00:26:01,600 --> 00:26:04,000
Speaker 2: her to host next year. Did you see when the

575
00:26:04,240 --> 00:26:06,560
Speaker 2: camera shots on her. So they were announcing, you know,

576
00:26:06,600 --> 00:26:08,880
Speaker 2: they're like up for best Actress for a comedy movie

577
00:26:08,960 --> 00:26:11,240
Speaker 2: or whatever, and they're you know, Jennifer Lawrence for No

578
00:26:11,280 --> 00:26:13,320
Speaker 2: Hard Feelings, and the camera goes to her and she

579
00:26:13,440 --> 00:26:15,800
Speaker 2: just mouths, she mouths it. We don't see her saying.

580
00:26:15,880 --> 00:26:18,680
Speaker 2: She goes, If I don't win, I'm leaving, and it's

581
00:26:18,760 --> 00:26:22,600
Speaker 2: just this perfect delivery. I mean, she's hilarious already, She's

582
00:26:22,600 --> 00:26:25,120
Speaker 2: had so many moments got on camera where she's just candidly,

583
00:26:25,200 --> 00:26:27,480
Speaker 2: so funny, And this was obviously a planned moment with

584
00:26:27,840 --> 00:26:30,960
Speaker 2: her personally, not within the show, but that was the

585
00:26:31,000 --> 00:26:34,639
Speaker 2: greatest comedy moment of the show. I didn't see the

586
00:26:34,720 --> 00:26:37,040
Speaker 2: whole show, but I want to say that you're right

587
00:26:37,080 --> 00:26:39,520
Speaker 2: about no one in the room respected him. It was

588
00:26:39,640 --> 00:26:41,479
Speaker 2: so it was dog shit what they did to him.

589
00:26:41,480 --> 00:26:43,080
Speaker 2: They gave him nothing. As soon as as soon as

590
00:26:43,119 --> 00:26:45,280
Speaker 2: they all looked at Taylor Swift and she wasn't laughing along,

591
00:26:45,520 --> 00:26:46,879
Speaker 2: no one was going to laugh. As soon as they

592
00:26:46,880 --> 00:26:49,760
Speaker 2: see one person offended, everyone's offended. It's like when you

593
00:26:49,760 --> 00:26:51,239
Speaker 2: make a joke at a comedy club and you make

594
00:26:51,280 --> 00:26:52,840
Speaker 2: a joke about black people and everyone looks at the

595
00:26:52,880 --> 00:26:54,879
Speaker 2: table of black people. Are they laughing? And you know,

596
00:26:54,920 --> 00:26:56,800
Speaker 2: and then the comedian says, everyone's looking at the table

597
00:26:56,800 --> 00:26:59,159
Speaker 2: of black people. It's like that happened. But it's like

598
00:26:59,520 --> 00:27:01,399
Speaker 2: I would say, the lit miss for that room was

599
00:27:01,440 --> 00:27:04,119
Speaker 2: probably Taylor Swift. Everyone was kind of yea, what is

600
00:27:04,160 --> 00:27:06,320
Speaker 2: she gonna laugh at? And that dictates what we can

601
00:27:06,400 --> 00:27:09,320
Speaker 2: laugh at. But what Joekoy did not do, which I

602
00:27:09,359 --> 00:27:11,520
Speaker 2: think Mike Lawrence had this point in a tweet I

603
00:27:11,560 --> 00:27:14,120
Speaker 2: posted or in an Instagram post I posted yesterday. Mike

604
00:27:14,160 --> 00:27:17,919
Speaker 2: Lawrence is a writer, and he actually wrote one of

605
00:27:17,960 --> 00:27:20,280
Speaker 2: the best jokes I ever did for the roast, which

606
00:27:20,359 --> 00:27:25,040
Speaker 2: I he last minute came into my trailer and was like,

607
00:27:25,119 --> 00:27:27,240
Speaker 2: no one will do this joke. And it was the

608
00:27:27,280 --> 00:27:33,560
Speaker 2: one with Ann Colter about where I said the the

609
00:27:33,560 --> 00:27:38,120
Speaker 2: the only man who will be happy is the Mexican

610
00:27:38,160 --> 00:27:42,320
Speaker 2: who digs your something about I forget what it.

611
00:27:42,240 --> 00:27:42,840
Speaker 1: Was, but I didn't.

612
00:27:42,880 --> 00:27:44,720
Speaker 2: I didn't like the joke because it did Why did

613
00:27:44,720 --> 00:27:46,520
Speaker 2: it have to be a Mexican digging her grave? I

614
00:27:46,560 --> 00:27:49,080
Speaker 2: just thought that was inherently racist. But it's one of

615
00:27:49,080 --> 00:27:50,480
Speaker 2: the jokes that's quoted back to me the most. And

616
00:27:50,560 --> 00:27:52,640
Speaker 2: Mike Lawrence wrote that joke, and it's a great joke,

617
00:27:52,720 --> 00:27:58,520
Speaker 2: but he said uh yesterday on Instagram and I'm paraphrasing,

618
00:27:58,560 --> 00:28:00,639
Speaker 2: but it was something of like the he gave no

619
00:28:01,119 --> 00:28:05,840
Speaker 2: DJOKOI gave no context for the situation. He didn't He

620
00:28:05,880 --> 00:28:09,119
Speaker 2: didn't let us know who he was. He didn't let

621
00:28:09,200 --> 00:28:09,680
Speaker 2: us know what.

622
00:28:09,760 --> 00:28:11,719
Speaker 1: He was doing. Yeah, who knew who it was?

623
00:28:11,840 --> 00:28:15,000
Speaker 2: Just all no one did. But here's here's what I

624
00:28:15,000 --> 00:28:17,040
Speaker 2: will say. I had a similar thing happened to me

625
00:28:17,080 --> 00:28:20,639
Speaker 2: this weekend. I was presenting at the Creative Arts. I means,

626
00:28:20,920 --> 00:28:23,880
Speaker 2: and when you get booked on the gig, you get

627
00:28:23,880 --> 00:28:26,400
Speaker 2: a sense of confidence in yourself, almost like what we're

628
00:28:26,400 --> 00:28:29,119
Speaker 2: talking about, where you think, because these people have booked me,

629
00:28:29,200 --> 00:28:31,800
Speaker 2: clearly I'm well known, you know, like you almost get

630
00:28:31,800 --> 00:28:34,679
Speaker 2: a sense that like everyone must know. And I obviously

631
00:28:34,720 --> 00:28:37,280
Speaker 2: don't think that way. I think my listeners know. I

632
00:28:37,320 --> 00:28:40,080
Speaker 2: don't think I'm hot shit, But there's little moments where

633
00:28:40,120 --> 00:28:43,680
Speaker 2: you just you just don't be worth I didn't even think.

634
00:28:43,720 --> 00:28:46,280
Speaker 2: It wasn't like I was thinking I was or wasn't.

635
00:28:46,320 --> 00:28:49,080
Speaker 2: I just went with what I assumed, which is like

636
00:28:49,320 --> 00:28:52,040
Speaker 2: I got the gig, therefore people will know who Nicki

637
00:28:52,080 --> 00:28:52,600
Speaker 2: Glazer is.

638
00:28:52,640 --> 00:28:54,240
Speaker 1: This is an industry function.

639
00:28:55,000 --> 00:28:58,600
Speaker 2: And I went out and I didn't contextualize my position

640
00:28:58,640 --> 00:29:01,400
Speaker 2: in the show what I would have done differently in hindsight,

641
00:29:01,480 --> 00:29:03,920
Speaker 2: which Brian and I talked about this joke prior, and

642
00:29:04,320 --> 00:29:06,240
Speaker 2: we just didn't nail it. So I kind of had

643
00:29:06,240 --> 00:29:08,040
Speaker 2: my own little bomb moment this week.

644
00:29:08,160 --> 00:29:09,040
Speaker 1: I wouldn't say it was a.

645
00:29:09,000 --> 00:29:11,560
Speaker 2: Bomb, but it was like no one would be like, wow,

646
00:29:11,600 --> 00:29:13,840
Speaker 2: she killed it, but I'm so grateful it happened on

647
00:29:13,840 --> 00:29:16,520
Speaker 2: a smaller screen because I learned my lesson. I will

648
00:29:16,560 --> 00:29:19,800
Speaker 2: never ever do what I did this week and again,

649
00:29:20,000 --> 00:29:22,520
Speaker 2: which is not giving myself enough time to work on it.

650
00:29:22,880 --> 00:29:25,960
Speaker 2: And I also learned that no matter what how big

651
00:29:26,000 --> 00:29:27,880
Speaker 2: you think you are or how much you think everyone knows,

652
00:29:27,880 --> 00:29:32,320
Speaker 2: you always contextualize. So jokes need context What award am

653
00:29:32,320 --> 00:29:34,880
Speaker 2: I presenting? Don't don't think the audience is gonna remember?

654
00:29:34,960 --> 00:29:39,160
Speaker 2: And next up for Outstanding Comedy Special, here's podcaster Nicki Glazer.

655
00:29:39,200 --> 00:29:41,360
Speaker 2: First of all, don't introduce me as a podcaster. No

656
00:29:41,360 --> 00:29:45,280
Speaker 2: one knows. That doesn't say comedians, anyone. You need to contextualize.

657
00:29:45,280 --> 00:29:47,440
Speaker 4: She's gonna be anybody because I'm talking for.

658
00:29:47,560 --> 00:29:50,640
Speaker 2: Just in this beautiful dress. Yes it doesn't mean funny.

659
00:29:51,160 --> 00:29:54,360
Speaker 4: Podcast, so you know, just like yeah it.

660
00:29:55,360 --> 00:29:57,239
Speaker 2: Well, let me tell you how that happened, because they

661
00:29:57,280 --> 00:29:59,760
Speaker 2: asked me. My manager wrote me and said, do you

662
00:29:59,760 --> 00:30:04,960
Speaker 2: want them to how do you want to be? Not introduced?

663
00:30:05,000 --> 00:30:07,959
Speaker 2: It was like, uh, maybe he said introduced, but how

664
00:30:08,000 --> 00:30:10,080
Speaker 2: I took it was like what my Chiron would say.

665
00:30:10,120 --> 00:30:11,920
Speaker 2: And I was like, oh, put Nicky Glazer podcast, Let's

666
00:30:11,920 --> 00:30:16,760
Speaker 2: get it. On the Chiron. Yeah, I mean sure, but

667
00:30:16,960 --> 00:30:18,840
Speaker 2: I would not have chosen to be introduced to this

668
00:30:18,880 --> 00:30:21,160
Speaker 2: whole crowd as the host of the Nicki Glazer podcast.

669
00:30:21,240 --> 00:30:23,720
Speaker 2: That means literally nothing to them in terms of context.

670
00:30:24,080 --> 00:30:26,160
Speaker 2: It should have been comedian Nikki Glazer.

671
00:30:26,200 --> 00:30:26,560
Speaker 4: That's it.

672
00:30:26,680 --> 00:30:28,480
Speaker 1: So I walk out. That's pretty fun.

673
00:30:28,760 --> 00:30:33,760
Speaker 2: There's a huge long ramp to walk down. In my heels,

674
00:30:33,800 --> 00:30:35,880
Speaker 2: I can't walk. So from the time they say the

675
00:30:35,880 --> 00:30:38,760
Speaker 2: category and my name, there's another seven seconds, which is

676
00:30:38,960 --> 00:30:41,560
Speaker 2: eternity and TV of clapping for me to get to

677
00:30:41,600 --> 00:30:44,520
Speaker 2: the microphone, and I just started without any context. I

678
00:30:44,520 --> 00:30:45,720
Speaker 2: didn't say the name of the award.

679
00:30:45,800 --> 00:30:46,040
Speaker 3: Again.

680
00:30:46,320 --> 00:30:49,080
Speaker 2: I didn't say I'm I didn't say something like it

681
00:30:49,120 --> 00:30:51,120
Speaker 2: feels good to present this word because I'm a comedian,

682
00:30:51,200 --> 00:30:53,640
Speaker 2: like something to be like, Hi, I know you don't

683
00:30:53,640 --> 00:30:55,280
Speaker 2: know who I am, and if you do, great, but

684
00:30:55,400 --> 00:30:58,040
Speaker 2: let's assume you don't. So that stuff I learned, but

685
00:30:59,040 --> 00:31:01,640
Speaker 2: I really was able to recover from at first. It's

686
00:31:01,640 --> 00:31:03,360
Speaker 2: stung to not do as great as you want to do,

687
00:31:03,480 --> 00:31:05,240
Speaker 2: but I'm kind of used to doing these ORG shows

688
00:31:05,280 --> 00:31:07,760
Speaker 2: and the audiences are just never good and I don't care.

689
00:31:07,880 --> 00:31:09,840
Speaker 1: It's it's I mean, I'm I'm.

690
00:31:09,760 --> 00:31:11,400
Speaker 2: Used to things working on TV at home, but I

691
00:31:11,400 --> 00:31:13,320
Speaker 2: don't even know that this would work at home is

692
00:31:13,360 --> 00:31:16,000
Speaker 2: my problem. But in the room, it just didn't. I

693
00:31:16,040 --> 00:31:19,200
Speaker 2: didn't kill it, and it felt awful. When I walked

694
00:31:19,240 --> 00:31:20,440
Speaker 2: up stage, I was like, I just want to leave.

695
00:31:20,480 --> 00:31:21,680
Speaker 2: I don't want to go to the after party. Like

696
00:31:21,680 --> 00:31:24,040
Speaker 2: I had all those thoughts that I'm thinking about for DJOKOI,

697
00:31:24,280 --> 00:31:28,400
Speaker 2: but it wasn't live on TV with everyone tweeting this

698
00:31:28,440 --> 00:31:30,840
Speaker 2: is gonna be on FXX this Saturday at like eleven

699
00:31:30,840 --> 00:31:32,640
Speaker 2: o'clock at night, Like no one's gonna see it, and

700
00:31:32,680 --> 00:31:34,760
Speaker 2: if they do, please tweet that I bombed. I don't

701
00:31:34,800 --> 00:31:38,560
Speaker 2: care because I learned my lesson. Like I stayed in

702
00:31:38,560 --> 00:31:41,640
Speaker 2: this zone of like why did I do that?

703
00:31:41,840 --> 00:31:42,560
Speaker 1: Why did oh?

704
00:31:42,600 --> 00:31:45,080
Speaker 2: I could have worked harder. I had the script before

705
00:31:45,160 --> 00:31:46,400
Speaker 2: I decided to start working out.

706
00:31:46,400 --> 00:31:46,880
Speaker 1: Why did it?

707
00:31:46,920 --> 00:31:49,400
Speaker 2: Like I could have gone all these regrets, but instead

708
00:31:49,400 --> 00:31:51,440
Speaker 2: I was just like, there was no world in which

709
00:31:51,480 --> 00:31:54,080
Speaker 2: I was gonna do any of that. I didn't do it.

710
00:31:54,080 --> 00:31:57,239
Speaker 2: It didn't happen. Next time, I'll kill it, and the

711
00:31:57,240 --> 00:31:59,040
Speaker 2: next time I would have fucked up too had I

712
00:31:59,080 --> 00:32:02,320
Speaker 2: not had this happen. I'm glad that I learned a lesson.

713
00:32:02,760 --> 00:32:05,720
Speaker 2: This is you just got to learn lessons and that's okay,

714
00:32:05,720 --> 00:32:07,280
Speaker 2: And I should have learned this one. I wish I

715
00:32:07,280 --> 00:32:10,560
Speaker 2: would have thought more, but like you can't. You can't

716
00:32:10,600 --> 00:32:13,200
Speaker 2: help you yourself if you don't think of something. Oh God,

717
00:32:13,240 --> 00:32:14,920
Speaker 2: you know when you go I totally didn't even think

718
00:32:14,920 --> 00:32:16,920
Speaker 2: of that. Like sometimes Dad gets mad at you because

719
00:32:16,960 --> 00:32:18,080
Speaker 2: you can't remember something.

720
00:32:18,480 --> 00:32:20,000
Speaker 1: Julie, we went.

721
00:32:19,840 --> 00:32:21,720
Speaker 2: There last week and I go, why are you mad

722
00:32:21,760 --> 00:32:24,040
Speaker 2: at her for? Do you think she chose to forget that?

723
00:32:24,080 --> 00:32:26,000
Speaker 2: I don't even know how you do that. I don't

724
00:32:26,000 --> 00:32:28,880
Speaker 2: even know how that's possible. She doesn't mean to forget it.

725
00:32:29,160 --> 00:32:31,280
Speaker 2: Will you ease up? But it's like, it's weird to

726
00:32:31,280 --> 00:32:34,040
Speaker 2: be mad at yourself about something that you couldn't have changed.

727
00:32:34,640 --> 00:32:36,680
Speaker 2: And literally you can't change anything because there's no free will.

728
00:32:36,720 --> 00:32:40,920
Speaker 2: But I think that Jokoy should have contextualize it. I'm

729
00:32:40,920 --> 00:32:42,240
Speaker 2: not gonna let him off the hook, though.

730
00:32:42,480 --> 00:32:45,200
Speaker 4: Is my get a cardinal sin? Also?

731
00:32:45,680 --> 00:32:49,560
Speaker 5: I mean, as bad as your bombing, you can't start

732
00:32:50,080 --> 00:32:51,480
Speaker 5: telling the audience you're bombing.

733
00:32:51,560 --> 00:32:52,360
Speaker 4: Don't ever do that.

734
00:32:52,880 --> 00:32:57,280
Speaker 5: Don't be like I'm bombing everybody, And then obviously don't

735
00:32:57,320 --> 00:32:59,040
Speaker 5: throw your writers under the bus.

736
00:33:00,440 --> 00:33:02,920
Speaker 1: And he does that too.

737
00:33:03,520 --> 00:33:06,800
Speaker 3: You know, all the late night talk shows like Seth

738
00:33:06,840 --> 00:33:09,680
Speaker 3: Myers will say well, I didn't write that joke, or

739
00:33:09,960 --> 00:33:11,160
Speaker 3: he'll throw that out.

740
00:33:11,400 --> 00:33:13,520
Speaker 2: I don't think they'll say I didn't write that joke.

741
00:33:13,600 --> 00:33:16,520
Speaker 2: They'll go, well, that one's a clunker and it's inferred

742
00:33:16,560 --> 00:33:17,040
Speaker 2: that mes.

743
00:33:16,960 --> 00:33:19,320
Speaker 1: No, he'll say so and so wrote that.

744
00:33:19,800 --> 00:33:22,640
Speaker 2: Here's the difference. The context of a late night show

745
00:33:23,000 --> 00:33:26,440
Speaker 2: is that there are writers, and those writers are constantly

746
00:33:26,480 --> 00:33:29,440
Speaker 2: churning out stuff. There is not a Most people think

747
00:33:29,520 --> 00:33:32,040
Speaker 2: Joe Coy wrote this himself and that is the way

748
00:33:32,080 --> 00:33:33,920
Speaker 2: it's supposed to be presented, and you're not supposed to

749
00:33:33,920 --> 00:33:37,400
Speaker 2: break that fourth wall. You can, but and I understand

750
00:33:37,480 --> 00:33:40,120
Speaker 2: what made him do it. I get it. I don't

751
00:33:40,160 --> 00:33:42,400
Speaker 2: know that I would have done differently in his position.

752
00:33:42,520 --> 00:33:44,440
Speaker 2: I wouldn't have because Joe Cooy is Jokoy, and if

753
00:33:44,440 --> 00:33:46,479
Speaker 2: I were Joekoi would have done the same thing. But

754
00:33:46,520 --> 00:33:50,600
Speaker 2: my point is I saw that as not as extreme

755
00:33:50,840 --> 00:33:54,440
Speaker 2: but a Kramer type moment of your bombing. You don't

756
00:33:54,480 --> 00:33:57,120
Speaker 2: know what to do. There is a surge of anger

757
00:33:57,200 --> 00:33:59,400
Speaker 2: when you are bombing, and also when you're bombing and

758
00:33:59,400 --> 00:34:02,040
Speaker 2: you're like fuck you guys like he had to fuck

759
00:34:02,120 --> 00:34:05,160
Speaker 2: you in him because they were they wore pieces of ship,

760
00:34:05,280 --> 00:34:08,800
Speaker 2: not giving because when he the first joke that bombed,

761
00:34:10,400 --> 00:34:12,080
Speaker 2: they could have been nicer. It wasn't like he was

762
00:34:12,080 --> 00:34:15,839
Speaker 2: doing really bad. Yeah, you know, my t's falling out

763
00:34:15,840 --> 00:34:18,399
Speaker 2: all my thanks mom. You could just say, I'm just mom.

764
00:34:18,480 --> 00:34:20,160
Speaker 2: I just want you to see my troop and I

765
00:34:20,200 --> 00:34:25,080
Speaker 2: as long as your check out the YouTube, guys, go

766
00:34:25,120 --> 00:34:30,560
Speaker 2: to the YouTube. But I I could see myself when

767
00:34:30,560 --> 00:34:34,120
Speaker 2: I'm bombing, Like, there's this I can't describe it. You've

768
00:34:34,160 --> 00:34:35,600
Speaker 2: had it before, you know, when you just get like

769
00:34:35,640 --> 00:34:39,560
Speaker 2: a rage, like just in every rate. No, it's like

770
00:34:39,800 --> 00:34:42,400
Speaker 2: it's almost it's like the Dane Cook joke where you

771
00:34:42,480 --> 00:34:44,520
Speaker 2: trip on something and you get.

772
00:34:44,360 --> 00:34:46,120
Speaker 4: Mad and still left that thing out.

773
00:34:46,160 --> 00:34:49,240
Speaker 1: But it's like you're just in laying desperate.

774
00:34:49,440 --> 00:34:53,359
Speaker 2: So he had a range to the audience and you

775
00:34:53,400 --> 00:34:59,720
Speaker 2: are absolutely to blame, anything else to blame. And Dad

776
00:34:59,840 --> 00:35:03,040
Speaker 2: is really good at this and I have I've almost

777
00:35:03,080 --> 00:35:05,479
Speaker 2: I get it from down no no, no dead.

778
00:35:05,680 --> 00:35:07,000
Speaker 1: He said, what are you guys going to talk about?

779
00:35:07,040 --> 00:35:07,799
Speaker 1: He said, probably you.

780
00:35:07,960 --> 00:35:08,200
Speaker 2: I know.

781
00:35:08,239 --> 00:35:10,160
Speaker 1: I love When you said that, I was like, whoa,

782
00:35:10,239 --> 00:35:13,280
Speaker 1: she's not holding back. Just don't listen.

783
00:35:13,360 --> 00:35:16,799
Speaker 2: Yeah, just don't listen. Yeah, just kidding, but no, I

784
00:35:16,800 --> 00:35:18,759
Speaker 2: mean in our family, we're quick to go like, well

785
00:35:18,800 --> 00:35:20,279
Speaker 2: I would have done that, but you didn't do this.

786
00:35:21,360 --> 00:35:22,080
Speaker 1: But you didn't do this.

787
00:35:22,200 --> 00:35:25,120
Speaker 2: But like it's always worth it's not my fault. Why

788
00:35:25,120 --> 00:35:26,960
Speaker 2: could I have done better if something else would have

789
00:35:26,960 --> 00:35:29,399
Speaker 2: been growing, which is true a lot of times. I mean,

790
00:35:29,680 --> 00:35:30,880
Speaker 2: he could blame his writers.

791
00:35:31,040 --> 00:35:33,160
Speaker 1: He didn't have to leave his big shoes laying there.

792
00:35:33,520 --> 00:35:38,240
Speaker 2: Yes, in my pathway, yes, but it's it isn't their fault,

793
00:35:38,640 --> 00:35:41,080
Speaker 2: the writers. I don't care how bad these writers were.

794
00:35:41,080 --> 00:35:42,920
Speaker 2: If they were bad, I don't think they were. But

795
00:35:43,000 --> 00:35:46,520
Speaker 2: if they were, I think what I think happened is

796
00:35:46,560 --> 00:35:48,280
Speaker 2: that he chose bad jokes.

797
00:35:48,560 --> 00:35:51,000
Speaker 1: Well, I listened to it today. I didn't think it

798
00:35:51,040 --> 00:35:53,160
Speaker 1: was that bad. The Booby's joke.

799
00:35:53,440 --> 00:35:56,560
Speaker 3: That was bad, the one of the worst jokes. It

800
00:35:56,680 --> 00:36:00,360
Speaker 3: was really bad life. So it bombed. But I know

801
00:36:00,400 --> 00:36:03,400
Speaker 3: where that joke came from. I don't think it was

802
00:36:03,440 --> 00:36:05,359
Speaker 3: I think a woman could have even written that joke.

803
00:36:05,400 --> 00:36:07,719
Speaker 3: I don't think that was It was a sexist joke.

804
00:36:08,080 --> 00:36:10,959
Speaker 2: It was dumb, but it wasn't Like I'm not mad

805
00:36:11,000 --> 00:36:14,440
Speaker 2: about it, like why would they say Oppenheimer's based on

806
00:36:14,440 --> 00:36:17,320
Speaker 2: this novel and Barbie's just based on a doll with boobies.

807
00:36:17,880 --> 00:36:20,240
Speaker 2: I'm mad that it's bad. You know, it's not about

808
00:36:20,360 --> 00:36:23,160
Speaker 2: you know, it's when Jerry Seinfeldt says, I'm not mad

809
00:36:23,200 --> 00:36:25,799
Speaker 2: about that he's pretending he's Jewish. I'm not offended as

810
00:36:25,800 --> 00:36:28,400
Speaker 2: a Jewish person. I'm offended as a comedian. I'm offended

811
00:36:28,440 --> 00:36:30,480
Speaker 2: as a comedian that that joke got through because it's

812
00:36:30,560 --> 00:36:33,640
Speaker 2: bad and boobies is the worst word. And I get

813
00:36:33,880 --> 00:36:36,480
Speaker 2: I think boobies was originally written in the joke to

814
00:36:36,600 --> 00:36:40,239
Speaker 2: be funny, to be like boobies, like it's it's it

815
00:36:40,320 --> 00:36:42,680
Speaker 2: is being used, not because that was just the word

816
00:36:42,880 --> 00:36:45,840
Speaker 2: that they wanted for breast. It's being used comedically. It

817
00:36:45,880 --> 00:36:48,839
Speaker 2: was supposed to infantilize that portion of the joke, like

818
00:36:49,000 --> 00:36:51,480
Speaker 2: this is about oppenheimer four hundred and seventy one page book,

819
00:36:51,600 --> 00:36:53,680
Speaker 2: and this is about a doll with boobies. But he

820
00:36:53,719 --> 00:36:57,120
Speaker 2: didn't deliver it right right to be like as silly

821
00:36:57,160 --> 00:36:58,720
Speaker 2: as it was supposed to be. Do you agree, Brian

822
00:36:58,800 --> 00:37:00,799
Speaker 2: that boobies was even though it's the worst word I've

823
00:37:00,800 --> 00:37:02,600
Speaker 2: ever heard use it a joke. It was used as

824
00:37:02,600 --> 00:37:03,840
Speaker 2: a community word.

825
00:37:03,640 --> 00:37:05,840
Speaker 5: They chose that, well, yeah, I think they chose it

826
00:37:05,880 --> 00:37:07,600
Speaker 5: because they thought that would be the funniest word to

827
00:37:07,640 --> 00:37:12,040
Speaker 5: say there. But in terms of just like picking the

828
00:37:12,080 --> 00:37:15,759
Speaker 5: wrong jokes or it all doesn't matter. I think if

829
00:37:15,800 --> 00:37:19,840
Speaker 5: you just went up there, recognized internally that he was bombing,

830
00:37:20,200 --> 00:37:23,160
Speaker 5: and then just delivered his jokes with a smile on

831
00:37:23,200 --> 00:37:26,719
Speaker 5: his face and walked off the stage, probably no one

832
00:37:26,719 --> 00:37:29,680
Speaker 5: will be talking about this except for the Taylor Swift moment. No,

833
00:37:30,480 --> 00:37:32,959
Speaker 5: it would just be the Taylor Swift because everyone talks

834
00:37:32,960 --> 00:37:36,120
Speaker 5: about whenever you reference Taylor Swift, even if she's not there,

835
00:37:36,400 --> 00:37:39,319
Speaker 5: there's going to be articles about it. But besides that joke,

836
00:37:39,480 --> 00:37:43,480
Speaker 5: if he just this happens in LA constantly when you're

837
00:37:43,760 --> 00:37:46,920
Speaker 5: for me anyway, For if you're not a famous comedian

838
00:37:47,719 --> 00:37:49,680
Speaker 5: where everybody knows who you are, if you're just doing

839
00:37:49,800 --> 00:37:53,839
Speaker 5: shows in LA where there's industry in the audience, it

840
00:37:53,920 --> 00:37:56,640
Speaker 5: happens constantly where you just go up there and do

841
00:37:56,760 --> 00:38:01,480
Speaker 5: your material to silence and I early on and moving

842
00:38:01,480 --> 00:38:04,360
Speaker 5: to LA. When that happens, you can't do what you

843
00:38:04,440 --> 00:38:06,319
Speaker 5: used to do in New York and yell at the

844
00:38:06,360 --> 00:38:09,000
Speaker 5: audience and be like, what the folk's happening you guys.

845
00:38:08,960 --> 00:38:10,520
Speaker 4: In New York? That works in New York.

846
00:38:10,560 --> 00:38:12,319
Speaker 5: If you yell at the audience and try to get

847
00:38:12,360 --> 00:38:14,800
Speaker 5: in on, they'll start laughing. They'll be like, oh, okay,

848
00:38:14,880 --> 00:38:18,480
Speaker 5: this guy coroll with us. In LA it's the exact opposite.

849
00:38:18,520 --> 00:38:20,600
Speaker 5: The more you yell at them, the quieter they get.

850
00:38:20,640 --> 00:38:23,400
Speaker 5: They get so quiet, it's like quieter than before they

851
00:38:23,400 --> 00:38:25,759
Speaker 5: were even in the room. That's how quiet they get.

852
00:38:26,000 --> 00:38:27,759
Speaker 2: Wow, it's like John Criss, Yes, direct.

853
00:38:27,800 --> 00:38:30,040
Speaker 5: So you just stand up there and you deliver your

854
00:38:30,120 --> 00:38:33,640
Speaker 5: act like you're on camera on television and they don't exist,

855
00:38:34,400 --> 00:38:36,800
Speaker 5: and you get off stage, and then what happens is

856
00:38:36,840 --> 00:38:39,560
Speaker 5: the craziest thing. You get off stage and someone will

857
00:38:39,600 --> 00:38:42,080
Speaker 5: come up to you and go, that was fucking awesome.

858
00:38:42,080 --> 00:38:44,320
Speaker 5: You were really funny, And I was like, you didn't

859
00:38:44,400 --> 00:38:46,760
Speaker 5: laugh one time the entire show.

860
00:38:48,480 --> 00:38:52,759
Speaker 2: Yeah, Well, here's the deal. You are what you tell

861
00:38:52,840 --> 00:38:56,640
Speaker 2: people you are. Hollywood's such bullshit. If you act as

862
00:38:56,719 --> 00:39:01,080
Speaker 2: if they fall for it, it's as soon as he's man,

863
00:39:01,560 --> 00:39:03,520
Speaker 2: these jokes are going. As soon as he acknowledged that

864
00:39:03,560 --> 00:39:06,400
Speaker 2: he was not doing well, it was over because people

865
00:39:06,440 --> 00:39:09,600
Speaker 2: then knew. Then they knew. I'm even nervous about saying

866
00:39:09,600 --> 00:39:10,920
Speaker 2: that I didn't do well with the spread of art

867
00:39:10,920 --> 00:39:12,880
Speaker 2: Semans because I don't think you wouldn't. I don't think

868
00:39:12,880 --> 00:39:14,560
Speaker 2: you would fucking notice if I didn't say that. But

869
00:39:14,600 --> 00:39:16,160
Speaker 2: now you're gonna watch it with this lens. This is

870
00:39:16,200 --> 00:39:18,200
Speaker 2: what I talk about with with when you watch YouTube

871
00:39:18,280 --> 00:39:20,200
Speaker 2: videos and the comment pops up telling you how to

872
00:39:20,239 --> 00:39:23,680
Speaker 2: feel about it, it does change how you perceive things. Yeah,

873
00:39:23,719 --> 00:39:26,160
Speaker 2: so if he wouldn't have commented on it, we wouldn't know.

874
00:39:26,480 --> 00:39:28,960
Speaker 2: But I would know. Oh my god, I would know

875
00:39:29,000 --> 00:39:31,040
Speaker 2: because I'm a comedian. But I don't think most people

876
00:39:31,040 --> 00:39:33,040
Speaker 2: would have this reaction. I do want to talk about

877
00:39:33,080 --> 00:39:33,919
Speaker 2: the Taylor Swift joke.

878
00:39:34,320 --> 00:39:35,480
Speaker 1: I didn't even hear that one.

879
00:39:35,560 --> 00:39:36,440
Speaker 2: I'll tell you about it.

880
00:39:36,520 --> 00:39:38,919
Speaker 1: Okay, Yeah, we'll talk about that when we get back.

881
00:39:39,320 --> 00:39:43,200
Speaker 2: Oh yeah, that's great. All right, we're back.

882
00:39:43,320 --> 00:39:45,799
Speaker 1: Okay, can you queue up the Taylor Swift joke?

883
00:39:45,960 --> 00:39:50,879
Speaker 2: So mom, jokoys, he's already done the monologue, and then, oh,

884
00:39:50,920 --> 00:39:52,319
Speaker 2: I just want to say one thing while she's kueing

885
00:39:52,360 --> 00:39:54,920
Speaker 2: this up. One of my favorite parts of the Golden

886
00:39:54,960 --> 00:39:57,080
Speaker 2: Globes was at the very end. I just like these

887
00:39:57,160 --> 00:40:01,719
Speaker 2: human moments where people's like the real thing shows through.

888
00:40:02,120 --> 00:40:04,800
Speaker 2: Joko is saying good night and he's like, good night everyone,

889
00:40:04,920 --> 00:40:10,720
Speaker 2: get home safe whatever, and then and then the camera

890
00:40:10,800 --> 00:40:13,759
Speaker 2: just stays on him too long and he just just

891
00:40:14,000 --> 00:40:16,200
Speaker 2: drop his face drops, you know, like you're getting off

892
00:40:16,200 --> 00:40:16,880
Speaker 2: a zoom.

893
00:40:16,600 --> 00:40:18,840
Speaker 1: Call before are you press you think you're off?

894
00:40:19,040 --> 00:40:21,360
Speaker 2: Yes, And you can just see him walk off stage

895
00:40:21,440 --> 00:40:24,440
Speaker 2: like with a face. There was a moment of that,

896
00:40:24,840 --> 00:40:27,919
Speaker 2: and I really felt for him because we've I had

897
00:40:27,920 --> 00:40:29,839
Speaker 2: the same thing happened to me the other night when

898
00:40:29,880 --> 00:40:31,719
Speaker 2: I was not my first joke didn't do well, my

899
00:40:31,719 --> 00:40:36,680
Speaker 2: second joke didn't do well, and Brian my spirit left

900
00:40:36,719 --> 00:40:39,120
Speaker 2: my body. It was hovering above me. It was in

901
00:40:39,120 --> 00:40:41,279
Speaker 2: the room and it was like I was just reading

902
00:40:41,320 --> 00:40:43,440
Speaker 2: the prompter at that point because I'm like, you are

903
00:40:43,719 --> 00:40:45,680
Speaker 2: bombing in front of John Mulaney, who you're about to

904
00:40:45,719 --> 00:40:48,320
Speaker 2: present an award to, like he is your favorite comedian,

905
00:40:48,440 --> 00:40:51,240
Speaker 2: he's also like a peer, like this is Olivia Munn

906
00:40:51,280 --> 00:40:55,480
Speaker 2: sitting there. It's a room of like every crew person

907
00:40:55,520 --> 00:40:57,720
Speaker 2: I've ever worked on any show with in my life.

908
00:40:57,960 --> 00:40:59,840
Speaker 1: But after the show, I will say everyone was.

909
00:40:59,840 --> 00:41:03,680
Speaker 4: Like, you were horried. I think if you just backed that.

910
00:41:03,680 --> 00:41:05,920
Speaker 1: Up because.

911
00:41:08,040 --> 00:41:09,560
Speaker 2: Well, John said I was funny, and I go to

912
00:41:09,719 --> 00:41:12,040
Speaker 2: then like we got off stage, she was like, you

913
00:41:12,040 --> 00:41:14,839
Speaker 2: were great. I go, that was horrible. I was like,

914
00:41:14,880 --> 00:41:18,840
Speaker 2: that was not what I was like. But you he

915
00:41:18,880 --> 00:41:21,440
Speaker 2: didn't say anything. It was fine, You're not really not

916
00:41:21,440 --> 00:41:24,400
Speaker 2: gonn nose And there the jokes are funny. The audience

917
00:41:24,480 --> 00:41:27,280
Speaker 2: just didn't like them. And then I think I lost,

918
00:41:27,560 --> 00:41:30,160
Speaker 2: like even I just had like you have that moment

919
00:41:30,160 --> 00:41:32,960
Speaker 2: of like, oh no, I'm bombing.

920
00:41:33,640 --> 00:41:35,960
Speaker 5: It's so bad on TV. People are going to watch that.

921
00:41:36,080 --> 00:41:38,080
Speaker 5: It's going to be sweetened. No one would notice if

922
00:41:38,080 --> 00:41:40,040
Speaker 5: you didn't mention it, no one would even remember it.

923
00:41:40,280 --> 00:41:43,480
Speaker 5: But here's the secret in the room. Just remember this.

924
00:41:44,160 --> 00:41:48,880
Speaker 5: You were, by definition, in a room full of narcissists

925
00:41:49,200 --> 00:41:52,719
Speaker 5: who do not give a ship about anyone else and

926
00:41:52,800 --> 00:41:57,160
Speaker 5: what anyone's doing except themselves. So it's like doubly true

927
00:41:57,200 --> 00:41:59,360
Speaker 5: as a regular audience to them that they do not

928
00:41:59,480 --> 00:42:00,200
Speaker 5: give a ship.

929
00:42:00,480 --> 00:42:01,040
Speaker 6: It was.

930
00:42:02,800 --> 00:42:04,560
Speaker 2: I will say that the creative arts, I means it's

931
00:42:04,560 --> 00:42:08,440
Speaker 2: mostly like behind the scenes people. It's editors, it's sound technicians,

932
00:42:08,480 --> 00:42:12,560
Speaker 2: it's producers, it's directors, it's and it was unscripted. So

933
00:42:12,680 --> 00:42:15,040
Speaker 2: I was asking because I was thinking maybe of referencing

934
00:42:15,080 --> 00:42:17,120
Speaker 2: some big names in the room during my thing, so

935
00:42:17,160 --> 00:42:20,320
Speaker 2: I go I wrote to the woman who was my writer.

936
00:42:20,440 --> 00:42:24,160
Speaker 2: I said, uh, who are some big names that are

937
00:42:24,160 --> 00:42:25,759
Speaker 2: going to be there? And she was like, well, cast

938
00:42:25,760 --> 00:42:30,239
Speaker 2: off selling Sunset, vander Pomp, everyone from vander Pomp. And

939
00:42:30,280 --> 00:42:33,040
Speaker 2: she goes and don't tell anyone.

940
00:42:32,880 --> 00:42:34,480
Speaker 1: This but Jeff Brost.

941
00:42:34,880 --> 00:42:37,000
Speaker 2: But he's leaving before you even go up, so I

942
00:42:37,040 --> 00:42:38,480
Speaker 2: don't think you're gonna get a chance to see him.

943
00:42:38,520 --> 00:42:43,200
Speaker 2: I was like, what are we Jeff thru Jeff Ropes

944
00:42:43,239 --> 00:42:45,120
Speaker 2: did open the show. He's of a smaller man than

945
00:42:45,160 --> 00:42:47,360
Speaker 2: I thought he would be. He was looked like he

946
00:42:47,400 --> 00:42:50,279
Speaker 2: was on top of a wedding cake. He was tiny man.

947
00:42:51,440 --> 00:42:53,239
Speaker 2: Christy and I were both like what we were front

948
00:42:53,320 --> 00:42:56,160
Speaker 2: row and we were like, he is little, little and

949
00:42:56,680 --> 00:42:58,919
Speaker 2: he's the size of it. These those teky churches must

950
00:42:58,920 --> 00:43:01,960
Speaker 2: be very tiny. He must have a tinier version because

951
00:43:01,960 --> 00:43:04,439
Speaker 2: he doesn't look it would be towering. Regular one would

952
00:43:04,440 --> 00:43:05,160
Speaker 2: be towering.

953
00:43:04,840 --> 00:43:08,440
Speaker 1: Over this man. You know that the creative team made

954
00:43:08,480 --> 00:43:10,359
Speaker 1: those small yes for him. Well there's one.

955
00:43:10,400 --> 00:43:13,040
Speaker 2: There's one part of my favorite movie, pop Star where

956
00:43:13,239 --> 00:43:15,080
Speaker 2: we watched this the other night. Remember they're going through

957
00:43:15,120 --> 00:43:17,640
Speaker 2: his list of people working for him, and he has

958
00:43:17,640 --> 00:43:19,839
Speaker 2: a perspective man, and they're like, what's that? And that's

959
00:43:19,880 --> 00:43:21,600
Speaker 2: like that's a man that's stands that shorter guy that

960
00:43:21,680 --> 00:43:23,719
Speaker 2: stands next to him in photos so that he looks

961
00:43:24,920 --> 00:43:28,680
Speaker 2: a perspective shifter or something like that. Okay, so the

962
00:43:28,680 --> 00:43:33,160
Speaker 2: Taylor Swift moment, Joe cooy, I can't. I haven't watched

963
00:43:33,160 --> 00:43:34,640
Speaker 2: this yet. I haven't heard it or seene and I've

964
00:43:34,640 --> 00:43:35,320
Speaker 2: just seen pictures.

965
00:43:35,360 --> 00:43:35,760
Speaker 1: I can't.

966
00:43:35,880 --> 00:43:39,160
Speaker 5: I can't this clip that he can't help. But I

967
00:43:39,200 --> 00:43:40,920
Speaker 5: think it's the funniest moment.

968
00:43:41,360 --> 00:43:42,759
Speaker 1: Oh, it's the best part. Brian.

969
00:43:42,880 --> 00:43:44,799
Speaker 2: I actually did hear it, and I laughed so hard.

970
00:43:44,800 --> 00:43:45,880
Speaker 1: Okay, let's listen to everyone.

971
00:43:46,640 --> 00:43:49,680
Speaker 6: As you know, we came on after a football doubleheader.

972
00:43:50,320 --> 00:43:53,080
Speaker 6: The big difference between the Golden Globes and the NFL.

973
00:43:53,560 --> 00:43:56,840
Speaker 6: On the Golden Globes, we have fewer camera shots of

974
00:43:56,920 --> 00:43:59,319
Speaker 6: Taylor Swift. I swear, it's just.

975
00:43:59,480 --> 00:44:04,360
Speaker 4: Where to go. Take me no laugh and takes this Okay.

976
00:44:04,280 --> 00:44:05,640
Speaker 1: I had to close my eyes. I had to close

977
00:44:05,680 --> 00:44:06,160
Speaker 1: my eyes.

978
00:44:06,719 --> 00:44:08,960
Speaker 3: Why why do you close your eyes? I don't like

979
00:44:09,000 --> 00:44:11,040
Speaker 3: her reaction now, why did.

980
00:44:10,920 --> 00:44:11,880
Speaker 1: She even react to that?

981
00:44:11,880 --> 00:44:16,640
Speaker 2: That's not that terrible, agreed, But the time that he's

982
00:44:16,680 --> 00:44:19,680
Speaker 2: a calm like I've done that before, because you're reading

983
00:44:19,680 --> 00:44:21,400
Speaker 2: a prompter and you don't know it's next, and so

984
00:44:21,440 --> 00:44:23,040
Speaker 2: you think it's a different word, and so you're like

985
00:44:23,320 --> 00:44:27,640
Speaker 2: camaraderie and you're like calm rah. And so that's what happened.

986
00:44:27,880 --> 00:44:31,240
Speaker 2: That's what made the joke bomb. If he would deliver

987
00:44:31,440 --> 00:44:33,399
Speaker 2: joke's not good to begin with. That is no shade.

988
00:44:33,400 --> 00:44:36,839
Speaker 2: I've written one thousand horrible jokes in my life, even

989
00:44:36,880 --> 00:44:39,080
Speaker 2: when I'm trying my best. It's no shade. I really

990
00:44:39,120 --> 00:44:41,359
Speaker 2: don't mean anything by that. It's not a good joke.

991
00:44:41,960 --> 00:44:43,560
Speaker 2: But I will say it is a good joke for

992
00:44:43,600 --> 00:44:46,279
Speaker 2: Taylor Swift because there it is victimless. It is not

993
00:44:46,400 --> 00:44:48,920
Speaker 2: mean to her. It is not saying anything mean about her,

994
00:44:49,000 --> 00:44:52,000
Speaker 2: even slightly. So the idea that she could be offended

995
00:44:52,000 --> 00:44:53,400
Speaker 2: by this offends me.

996
00:44:53,600 --> 00:44:55,560
Speaker 3: Oh, I see as a Swiftie, So you don't want

997
00:44:55,560 --> 00:44:56,640
Speaker 3: to look at here.

998
00:44:57,360 --> 00:44:58,400
Speaker 1: She didn't really react.

999
00:44:58,440 --> 00:45:01,440
Speaker 2: She just god I believe, and I choose to believe

1000
00:45:01,840 --> 00:45:05,560
Speaker 2: that Taylor Swift just didn't know it was about her

1001
00:45:06,160 --> 00:45:09,360
Speaker 2: or heard her name, didn't understand, maybe just assumed it

1002
00:45:09,400 --> 00:45:12,080
Speaker 2: was offensive when it wasn't. But there is no way

1003
00:45:12,200 --> 00:45:14,360
Speaker 2: she was actually offended by that, and if she was,

1004
00:45:14,920 --> 00:45:16,520
Speaker 2: we have a problem.

1005
00:45:16,920 --> 00:45:19,360
Speaker 1: I don't think she even reacted. She just took a

1006
00:45:19,440 --> 00:45:20,160
Speaker 1: drink of her drink.

1007
00:45:20,239 --> 00:45:22,000
Speaker 2: Here's what Chris thinks, and I think it's a good idea.

1008
00:45:22,360 --> 00:45:24,960
Speaker 2: Chris thinks that she had planned. She's Taylor Swift and

1009
00:45:25,000 --> 00:45:26,680
Speaker 2: she's at the Golden Globes. There's a camera in her face.

1010
00:45:26,760 --> 00:45:28,560
Speaker 2: She knows there's going to be a joke made about her.

1011
00:45:28,840 --> 00:45:30,759
Speaker 2: She probably thought it would be a better joke, a

1012
00:45:30,760 --> 00:45:33,120
Speaker 2: little more scathing of a joke, and she had planned

1013
00:45:33,120 --> 00:45:35,440
Speaker 2: to have this perfect sip response, because that is a

1014
00:45:35,440 --> 00:45:38,080
Speaker 2: great response to a shitty joke about you, to a

1015
00:45:38,120 --> 00:45:39,759
Speaker 2: joke that's making fun of all the men you've dated,

1016
00:45:39,800 --> 00:45:43,320
Speaker 2: making fun of the fact that you're what could what

1017
00:45:43,400 --> 00:45:43,880
Speaker 2: else could.

1018
00:45:43,719 --> 00:45:44,160
Speaker 1: You make fun of?

1019
00:45:44,200 --> 00:45:45,920
Speaker 2: I don't even know. They usually just come after her first.

1020
00:45:45,960 --> 00:45:48,600
Speaker 2: She writes songs about her ex's, so that's a perfect

1021
00:45:48,680 --> 00:45:51,560
Speaker 2: sip of like mm hm. So I think Chris thinks

1022
00:45:51,560 --> 00:45:53,440
Speaker 2: she just planned to do that, no matter what, that

1023
00:45:53,520 --> 00:45:54,799
Speaker 2: was going to be her move when a joke was

1024
00:45:54,800 --> 00:45:59,279
Speaker 2: made about her. Yeah, but I think that she was

1025
00:45:59,360 --> 00:46:01,520
Speaker 2: I definitely don't think she was offended. And if she

1026
00:46:01,640 --> 00:46:05,600
Speaker 2: is acting offended, someone needs to tell someone in her

1027
00:46:05,640 --> 00:46:06,840
Speaker 2: campan needs to have a conversation.

1028
00:46:06,840 --> 00:46:09,759
Speaker 3: I don't think she's gonna be you don't think so. No,

1029
00:46:10,280 --> 00:46:13,839
Speaker 3: I think she was just taking just like Chris said,

1030
00:46:14,320 --> 00:46:15,880
Speaker 3: she was going to do that regardless.

1031
00:46:15,880 --> 00:46:18,520
Speaker 2: Because if you're Taylor Swift, though, and you accidentally made

1032
00:46:18,560 --> 00:46:20,920
Speaker 2: it look like you're offended, do you double down and go, hey,

1033
00:46:20,960 --> 00:46:22,600
Speaker 2: I want to say I wasn't offended. I just planned

1034
00:46:22,600 --> 00:46:24,000
Speaker 2: a sip and the sip was at the wrong place.

1035
00:46:24,080 --> 00:46:26,040
Speaker 2: Or do you double down and just act like you're

1036
00:46:26,080 --> 00:46:30,759
Speaker 2: offended so that you don't look like you did. Yeah,

1037
00:46:30,800 --> 00:46:34,360
Speaker 2: Like he's getting he's getting so much heat for this,

1038
00:46:34,360 --> 00:46:41,920
Speaker 2: this this jab So why would if I were Taylor Swift,

1039
00:46:41,920 --> 00:46:43,880
Speaker 2: which I'm not. And also she's way busy and probably

1040
00:46:43,880 --> 00:46:46,040
Speaker 2: just give a fuck. I am just looking for her

1041
00:46:46,080 --> 00:46:49,359
Speaker 2: to say, Joe Koid's all good, Like I didn't even

1042
00:46:49,440 --> 00:46:51,800
Speaker 2: understand that it was a miscommunication.

1043
00:46:53,440 --> 00:46:54,920
Speaker 1: She's one hundred percent aware.

1044
00:46:55,080 --> 00:46:58,719
Speaker 2: Oh this is huge, this is really Yes, she knows

1045
00:46:58,880 --> 00:47:02,719
Speaker 2: she I think I think she knows. I hope to

1046
00:47:02,800 --> 00:47:06,000
Speaker 2: god she's not offended by that joke, because as much

1047
00:47:06,040 --> 00:47:07,640
Speaker 2: as I love her and as much as I never

1048
00:47:07,680 --> 00:47:11,040
Speaker 2: want anything mean to be said about her. You you,

1049
00:47:11,080 --> 00:47:13,640
Speaker 2: there's no one who's exempt from having a joke written

1050
00:47:13,640 --> 00:47:16,480
Speaker 2: about them. You aren't Mohammed who people can't draw or whatever,

1051
00:47:16,600 --> 00:47:19,840
Speaker 2: like this isn't like you aren't, do you know what

1052
00:47:19,920 --> 00:47:21,600
Speaker 2: I'm saying? Like, that's the only thing that I can

1053
00:47:21,640 --> 00:47:24,440
Speaker 2: think of, like we don't make jokes because we're all

1054
00:47:24,440 --> 00:47:28,760
Speaker 2: scared or yeah, is fodder.

1055
00:47:28,920 --> 00:47:32,920
Speaker 5: I think that My theory is that she didn't even

1056
00:47:33,239 --> 00:47:36,759
Speaker 5: hear the joke, and because her name's not mentioned until

1057
00:47:36,800 --> 00:47:40,040
Speaker 5: the last word, she probably wasn't even listening to Joe,

1058
00:47:40,280 --> 00:47:41,799
Speaker 5: just like the rest of the audience wasn't.

1059
00:47:41,920 --> 00:47:42,640
Speaker 4: Why would she be.

1060
00:47:43,120 --> 00:47:46,080
Speaker 5: She's sitting there chatting with Selena Gomez or whoever was

1061
00:47:46,120 --> 00:47:49,880
Speaker 5: next to her, and then she just hurs Taylor Swift

1062
00:47:50,280 --> 00:47:51,880
Speaker 5: and she takes a sip. I bet you she was

1063
00:47:51,920 --> 00:47:53,960
Speaker 5: expecting a joke to come after that.

1064
00:47:55,760 --> 00:48:01,560
Speaker 2: Yeah, honestly, because.

1065
00:48:01,320 --> 00:48:03,120
Speaker 4: Taylor Swift.

1066
00:48:04,400 --> 00:48:08,800
Speaker 2: She's like, oh, I have said jokes. I have butchered

1067
00:48:08,880 --> 00:48:10,799
Speaker 2: jokes because I'm reading them from a prompter and I

1068
00:48:10,840 --> 00:48:13,080
Speaker 2: forget what they are and I forget the inflection, and

1069
00:48:13,080 --> 00:48:14,640
Speaker 2: you're just kind of reading the next word.

1070
00:48:14,600 --> 00:48:15,640
Speaker 1: A million times.

1071
00:48:15,760 --> 00:48:18,239
Speaker 2: Yeah, but that joke he it was not already good

1072
00:48:18,239 --> 00:48:22,040
Speaker 2: and it was completely butchered. The audience didn't. You're supposed

1073
00:48:22,080 --> 00:48:24,960
Speaker 2: to talk and joke like that joke is like, well,

1074
00:48:24,960 --> 00:48:26,840
Speaker 2: this is a little bit different than the NFL because

1075
00:48:26,880 --> 00:48:30,000
Speaker 2: the NFL has less or the NFL has more camera

1076
00:48:30,000 --> 00:48:32,720
Speaker 2: shots or the only difference between us in the NFL

1077
00:48:33,120 --> 00:48:35,360
Speaker 2: is that the Golden Globes have less camera shots of

1078
00:48:35,360 --> 00:48:37,840
Speaker 2: Taylor Swift. That's how you deliver that joke. It's like,

1079
00:48:38,200 --> 00:48:40,719
Speaker 2: but he was like, but the less camera shots of

1080
00:48:40,719 --> 00:48:43,680
Speaker 2: Tailor Swift, he blew.

1081
00:48:43,680 --> 00:48:46,840
Speaker 1: It didn't have a rhythm joke anyway.

1082
00:48:47,440 --> 00:48:49,520
Speaker 2: I've done it a million times, especially on live TV,

1083
00:48:49,600 --> 00:48:53,480
Speaker 2: when you when you're already like having to you know,

1084
00:48:54,080 --> 00:48:57,520
Speaker 2: blot off your flop sweat from the monologue you just did.

1085
00:48:57,560 --> 00:48:59,680
Speaker 2: Like this is mid show. He's doing this joke, so

1086
00:48:59,719 --> 00:49:05,080
Speaker 2: he is like probably filled with anxiety at this moment

1087
00:49:05,680 --> 00:49:08,960
Speaker 2: and not even thinking about what he's saying. And yeah,

1088
00:49:09,000 --> 00:49:09,720
Speaker 2: but it's.

1089
00:49:09,760 --> 00:49:13,399
Speaker 5: It's is a very successful comedian, so it's punching up.

1090
00:49:14,080 --> 00:49:16,560
Speaker 5: I I have bombed much worse than him, and I'm

1091
00:49:16,560 --> 00:49:19,239
Speaker 5: not successful and have no fans at all, So I

1092
00:49:19,640 --> 00:49:22,120
Speaker 5: feel like making fun of Joe Coy. They're saying camera

1093
00:49:22,280 --> 00:49:26,480
Speaker 5: is in my wheelhouse because he'll recover. He's fine, it's

1094
00:49:26,520 --> 00:49:27,279
Speaker 5: gonna take a month.

1095
00:49:27,760 --> 00:49:32,080
Speaker 1: Yes, he'll say that all the time. He'll use that reference.

1096
00:49:32,280 --> 00:49:34,400
Speaker 2: I don't think he will because no one's talking about this.

1097
00:49:36,120 --> 00:49:36,920
Speaker 2: You're the only one.

1098
00:49:37,000 --> 00:49:37,440
Speaker 1: I want to go.

1099
00:49:38,800 --> 00:49:42,640
Speaker 2: Let's listen one more time. Yeah, everyone listened for car.

1100
00:49:46,400 --> 00:49:49,520
Speaker 6: As you know, we came on after a football double header.

1101
00:49:50,080 --> 00:49:52,840
Speaker 6: The big difference between the Golden Globes and the NFL.

1102
00:49:53,360 --> 00:49:56,600
Speaker 6: On the Golden Globes, we have fewer camera shots of

1103
00:49:56,680 --> 00:49:57,360
Speaker 6: Taylor's swip.

1104
00:49:59,200 --> 00:50:00,000
Speaker 4: Can you keep playing?

1105
00:50:00,160 --> 00:50:02,400
Speaker 5: I want to tell what the audience's reaction was before

1106
00:50:02,480 --> 00:50:03,240
Speaker 5: Taylor reacted.

1107
00:50:03,520 --> 00:50:06,840
Speaker 4: We have fewer camera shots of Taylor swift. I swear

1108
00:50:07,640 --> 00:50:08,439
Speaker 4: the laugh.

1109
00:50:08,640 --> 00:50:12,319
Speaker 5: I mean even the AI itself actually did laugh at

1110
00:50:12,320 --> 00:50:15,000
Speaker 5: the joke normal and then they saw Taylor and then

1111
00:50:15,000 --> 00:50:16,600
Speaker 5: they're like, oh, we gotta shut up now.

1112
00:50:18,440 --> 00:50:21,520
Speaker 3: Ye And she probably didn't even know she was thinking

1113
00:50:21,560 --> 00:50:26,760
Speaker 3: about my salad.

1114
00:50:26,760 --> 00:50:27,840
Speaker 4: There's no like tomatoes.

1115
00:50:27,960 --> 00:50:30,520
Speaker 2: They were just coming right, they were just coming right

1116
00:50:30,560 --> 00:50:32,680
Speaker 2: back from commercial. They probably didn't even know it was

1117
00:50:32,719 --> 00:50:37,280
Speaker 2: live again, like it's.

1118
00:50:35,840 --> 00:50:36,800
Speaker 4: In an award show.

1119
00:50:37,040 --> 00:50:39,839
Speaker 5: Especially the creative Arts Emmys or like you know how

1120
00:50:39,920 --> 00:50:42,760
Speaker 5: the uh, what's the other one where everyone gets drunk

1121
00:50:42,760 --> 00:50:43,760
Speaker 5: at what's that one.

1122
00:50:43,600 --> 00:50:46,840
Speaker 4: Called Golden the Golden Globes, that's the one.

1123
00:50:47,040 --> 00:50:50,120
Speaker 5: It's not like everyone's sitting there as a perfect audience

1124
00:50:50,120 --> 00:50:53,279
Speaker 5: member waiting for the comedian to do their monologue. It's

1125
00:50:53,360 --> 00:50:57,160
Speaker 5: like kind of like undersold and confusing, and the whole

1126
00:50:57,200 --> 00:51:00,560
Speaker 5: thing takes four fucking hours and most of the time

1127
00:51:00,600 --> 00:51:03,280
Speaker 5: you're just hoping to talk to the person at your table.

1128
00:51:04,080 --> 00:51:07,160
Speaker 5: The person on stage is like not even of consequence.

1129
00:51:09,239 --> 00:51:12,880
Speaker 2: No, no, one's listening. No, No, it's really it becomes

1130
00:51:12,960 --> 00:51:13,640
Speaker 2: very tedious.

1131
00:51:13,680 --> 00:51:14,840
Speaker 1: It wears off very quickly.

1132
00:51:14,880 --> 00:51:17,120
Speaker 2: But yeah, everyone's just trying to get a selfie where

1133
00:51:17,160 --> 00:51:19,640
Speaker 2: they're they're trying to take selfies with the person next

1134
00:51:19,640 --> 00:51:20,920
Speaker 2: to them, but they're trying to get tailor shifts in

1135
00:51:20,960 --> 00:51:22,879
Speaker 2: the background of it. That's what I think is main

1136
00:51:23,080 --> 00:51:23,719
Speaker 2: the main goal.

1137
00:51:24,040 --> 00:51:27,040
Speaker 1: Talk about care in that room camera.

1138
00:51:26,719 --> 00:51:36,960
Speaker 2: Co final thought, big announcement, Noah is pregnant. Yes, Can's

1139
00:51:37,000 --> 00:51:39,800
Speaker 2: out of the man. I hope you. I hope everyone's

1140
00:51:39,800 --> 00:51:42,800
Speaker 2: stayed for the final thought. Noah has been pregnant. We've

1141
00:51:42,800 --> 00:51:45,200
Speaker 2: been hiding it. How pregnant are.

1142
00:51:45,080 --> 00:51:47,919
Speaker 1: We been hiding it. Yeah, I'm doing a great job

1143
00:51:47,960 --> 00:51:48,719
Speaker 1: of hiding it.

1144
00:51:50,200 --> 00:51:54,160
Speaker 2: I at this point, I'm twenty four weeks out of forty.

1145
00:51:54,360 --> 00:51:57,480
Speaker 2: What does that because they don't Okay, it's like five months,

1146
00:51:57,520 --> 00:52:00,560
Speaker 2: four and a half months. I'm in my fifth I'm

1147
00:52:00,600 --> 00:52:01,480
Speaker 2: in my fifth era.

1148
00:52:01,840 --> 00:52:05,520
Speaker 1: So you're in your fifth.

1149
00:52:04,280 --> 00:52:08,320
Speaker 2: Era, yes, the fifth month era? What is it?

1150
00:52:08,560 --> 00:52:08,719
Speaker 6: Ok?

1151
00:52:09,640 --> 00:52:15,920
Speaker 2: So your do when end of April? That's the mother

1152
00:52:16,160 --> 00:52:16,799
Speaker 2: that is right away?

1153
00:52:16,840 --> 00:52:17,480
Speaker 1: So soon?

1154
00:52:18,000 --> 00:52:21,720
Speaker 2: Yeah? What is what is your feeling?

1155
00:52:21,920 --> 00:52:22,080
Speaker 1: Like?

1156
00:52:22,280 --> 00:52:23,759
Speaker 2: Do you Oh, this is the thing I wanted to

1157
00:52:23,760 --> 00:52:25,960
Speaker 2: ask you about because you mentioned it on girls Chat.

1158
00:52:26,440 --> 00:52:29,600
Speaker 2: When you tell men you're pregnant, they get like horny.

1159
00:52:29,400 --> 00:52:32,319
Speaker 2: They they just buckle at the knees. I love it.

1160
00:52:33,080 --> 00:52:34,640
Speaker 2: I don't know what it is.

1161
00:52:34,680 --> 00:52:35,239
Speaker 1: They love it.

1162
00:52:35,320 --> 00:52:38,879
Speaker 2: Like where have you experienced this? Like who finds out

1163
00:52:38,920 --> 00:52:41,200
Speaker 2: and like has had this kind of response?

1164
00:52:41,280 --> 00:52:41,719
Speaker 1: I want to know.

1165
00:52:41,760 --> 00:52:44,600
Speaker 2: Ever, so women are also very supportive and like everyone's

1166
00:52:44,640 --> 00:52:46,799
Speaker 2: like super excited and happy to hear about it. And

1167
00:52:46,800 --> 00:52:49,120
Speaker 2: I guess like most of my social interactions of the

1168
00:52:49,160 --> 00:52:49,840
Speaker 2: day are at.

1169
00:52:49,680 --> 00:52:51,360
Speaker 1: My jiu jitsu school.

1170
00:52:51,920 --> 00:52:55,359
Speaker 2: And when you tell men that you're pregnant, I don't

1171
00:52:55,400 --> 00:52:57,640
Speaker 2: know what takes over them, but something happens. They just

1172
00:52:57,680 --> 00:53:00,400
Speaker 2: get like weak in the knees and they're so excited

1173
00:53:00,400 --> 00:53:03,040
Speaker 2: and happy and start asking you all these questions and

1174
00:53:03,080 --> 00:53:06,400
Speaker 2: I'm just like, whoa wait. Is there a horniness to it?

1175
00:53:06,480 --> 00:53:06,719
Speaker 5: Though?

1176
00:53:07,080 --> 00:53:08,880
Speaker 2: I think that's what I think. I think it's like

1177
00:53:09,320 --> 00:53:12,000
Speaker 2: it's innocent. I don't know what it is about it,

1178
00:53:12,040 --> 00:53:14,160
Speaker 2: but it's like, Wow, they're taking such an interest in me,

1179
00:53:14,320 --> 00:53:17,040
Speaker 2: and it's and I don't feel is it because they

1180
00:53:17,160 --> 00:53:19,560
Speaker 2: know that you've had sex and they're thinking about sex

1181
00:53:19,640 --> 00:53:22,560
Speaker 2: kind of and they're thinking of like a man coming

1182
00:53:22,560 --> 00:53:24,239
Speaker 2: in you, and they're just like kind of fired up.

1183
00:53:24,320 --> 00:53:25,840
Speaker 1: I get. I think that's subconscious.

1184
00:53:25,840 --> 00:53:27,720
Speaker 2: I always want to run away when I start feeling

1185
00:53:27,760 --> 00:53:30,279
Speaker 2: that my dude is like sexually attracted to me. I

1186
00:53:30,280 --> 00:53:32,759
Speaker 2: think I really relate to you in that way. But

1187
00:53:32,840 --> 00:53:34,839
Speaker 2: I didn't feel any of that. It was just kind

1188
00:53:34,840 --> 00:53:42,439
Speaker 2: of like, Wow, they're so like impressed with me. And

1189
00:53:42,480 --> 00:53:44,800
Speaker 2: then and then when I tell them that I'm forty,

1190
00:53:45,320 --> 00:53:50,640
Speaker 2: then it's like, oh that love you know who loves that?

1191
00:53:50,960 --> 00:53:54,040
Speaker 1: Women? Yeah? Women, they want to hear all we do.

1192
00:53:54,239 --> 00:53:56,799
Speaker 2: Yes, our whole girls chat is just sharing old women

1193
00:53:56,840 --> 00:53:58,680
Speaker 2: who are probably well now that you're old. Like, but

1194
00:53:58,760 --> 00:54:01,359
Speaker 2: women like we just love it. Everyone loves a woman

1195
00:54:01,400 --> 00:54:03,759
Speaker 2: over here. You know who doesn't love it though it

1196
00:54:03,800 --> 00:54:07,720
Speaker 2: gives us to doesn't love it? Doc medical industry because

1197
00:54:08,200 --> 00:54:10,719
Speaker 2: I wish I had a brain to write comedy, because

1198
00:54:10,719 --> 00:54:14,960
Speaker 2: there's so much comedy in what I've gone through the process. Like,

1199
00:54:15,200 --> 00:54:17,920
Speaker 2: first of all, just because I'm forty, I'm high risk.

1200
00:54:18,200 --> 00:54:22,560
Speaker 2: There's like all this like language, like a negative language around.

1201
00:54:22,239 --> 00:54:25,239
Speaker 1: It, anxiety inducing, cheriatric.

1202
00:54:26,680 --> 00:54:28,680
Speaker 2: Okay, so I took I think they changed.

1203
00:54:28,719 --> 00:54:30,120
Speaker 1: No, I had so.

1204
00:54:30,719 --> 00:54:33,120
Speaker 2: At a certain point, you draw blood to take a

1205
00:54:33,160 --> 00:54:36,439
Speaker 2: genetics test, and in the form that I filled out,

1206
00:54:36,920 --> 00:54:39,520
Speaker 2: I had to check off the boxes that said, uh,

1207
00:54:39,800 --> 00:54:44,399
Speaker 2: first trimester geriatric pregnancy. Yeah, And I told the nurse,

1208
00:54:44,440 --> 00:54:49,480
Speaker 2: I was like, geriatric. Really, yeah, that's that's what they

1209
00:54:49,520 --> 00:54:52,440
Speaker 2: call it changing. I think over like thirty seven or

1210
00:54:52,480 --> 00:54:56,839
Speaker 2: something that they are changing. Yeah, oh bitch. And then

1211
00:54:56,920 --> 00:54:59,960
Speaker 2: if you want to take maternity leave and they're changing

1212
00:55:00,440 --> 00:55:03,400
Speaker 2: and you go through that whole process, it's not called

1213
00:55:03,760 --> 00:55:06,920
Speaker 2: well you just got out.

1214
00:55:07,440 --> 00:55:10,560
Speaker 1: No, we can't hear you. I can't hear You're gone.

1215
00:55:11,120 --> 00:55:14,680
Speaker 5: Nope, I can hear you. I can't hear Noah, though, man,

1216
00:55:14,719 --> 00:55:17,960
Speaker 5: this is her time to shine. This was Noahs big moment.

1217
00:55:18,000 --> 00:55:19,560
Speaker 5: This is the pregnancy announcement.

1218
00:55:19,760 --> 00:55:20,319
Speaker 1: This is what we do.

1219
00:55:21,560 --> 00:55:26,520
Speaker 2: I'm sorry, going to start for the medical community.

1220
00:55:26,560 --> 00:55:29,240
Speaker 5: She was about to talk about the medical community. It's

1221
00:55:29,800 --> 00:55:30,800
Speaker 5: they shut her down.

1222
00:55:31,120 --> 00:55:32,719
Speaker 1: Yeah, who's stepping in?

1223
00:55:32,920 --> 00:55:37,399
Speaker 2: Yeah, someone should get research this. There's something going on here. Yeah,

1224
00:55:37,440 --> 00:55:40,439
Speaker 2: she was about So what I can infer is that.

1225
00:55:40,719 --> 00:55:42,200
Speaker 2: I mean, I guess we'll just have to hear about

1226
00:55:42,200 --> 00:55:44,759
Speaker 2: it on the next episode. But I'm very excited for

1227
00:55:45,080 --> 00:55:48,839
Speaker 2: my pres so exciting. I just want to know, though

1228
00:55:49,200 --> 00:55:50,480
Speaker 2: you were we really can't hear you.

1229
00:55:50,560 --> 00:55:52,800
Speaker 1: I want to know more Arizona baby coming.

1230
00:55:53,239 --> 00:55:56,280
Speaker 2: I don't know we're I don't know why not working,

1231
00:55:56,320 --> 00:56:01,200
Speaker 2: but yeah, yeah, I will just say, because Noah can't

1232
00:56:01,200 --> 00:56:04,120
Speaker 2: speak from my perspective, if I was five months pregnant,

1233
00:56:04,160 --> 00:56:06,920
Speaker 2: this is when I would start going like I have

1234
00:56:07,000 --> 00:56:08,759
Speaker 2: to push this thing out, Like I.

1235
00:56:08,480 --> 00:56:11,759
Speaker 3: Can't even believe I even talk about that, but it

1236
00:56:11,800 --> 00:56:12,520
Speaker 3: has to happen.

1237
00:56:12,640 --> 00:56:13,920
Speaker 2: I know that it's worth, not worth.

1238
00:56:13,960 --> 00:56:15,600
Speaker 1: I don't think about that, you do.

1239
00:56:15,800 --> 00:56:17,680
Speaker 2: I know That's what I've learned from pregnant women. I'm

1240
00:56:17,719 --> 00:56:19,680
Speaker 2: just like, yeah, wait, have you started thinking about like

1241
00:56:19,760 --> 00:56:22,879
Speaker 2: your vagina hole opening that much? And they're just like no,

1242
00:56:23,080 --> 00:56:26,719
Speaker 2: like Lauren never even gives it much thought, but I

1243
00:56:26,800 --> 00:56:29,240
Speaker 2: would be. I would just be scared of the pain

1244
00:56:30,239 --> 00:56:31,160
Speaker 2: all that stuff.

1245
00:56:31,640 --> 00:56:33,520
Speaker 1: I would know as much strong.

1246
00:56:33,560 --> 00:56:35,520
Speaker 2: I would also look around to me, like, every single

1247
00:56:35,520 --> 00:56:38,279
Speaker 2: person that's ever been born has had a woman on

1248
00:56:38,320 --> 00:56:39,839
Speaker 2: the other side of this that has done this. So

1249
00:56:40,040 --> 00:56:43,359
Speaker 2: for every person, there's a person that's been pregnant. Yeah,

1250
00:56:43,400 --> 00:56:45,160
Speaker 2: but that's painful in its own way too, because you

1251
00:56:45,160 --> 00:56:46,560
Speaker 2: don't get to say you pushed it out, and women

1252
00:56:46,600 --> 00:56:48,279
Speaker 2: don't respect you as much or something. I think that's

1253
00:56:48,320 --> 00:56:50,279
Speaker 2: just what I've gleaned is that when people say I

1254
00:56:50,320 --> 00:56:53,319
Speaker 2: had to see section women natural birth, go like, oh,

1255
00:56:53,600 --> 00:56:54,440
Speaker 2: not as good as me.

1256
00:56:54,840 --> 00:56:56,120
Speaker 1: Recovery is tough.

1257
00:56:56,200 --> 00:56:58,440
Speaker 2: Oh yeah, you're you've just been like cut open and

1258
00:56:58,440 --> 00:57:01,040
Speaker 2: then now you have a newborn also and you're just

1259
00:57:01,520 --> 00:57:04,320
Speaker 2: back out in the streets right away.

1260
00:57:05,120 --> 00:57:07,160
Speaker 1: Just it's not a good way to go.

1261
00:57:10,239 --> 00:57:15,400
Speaker 5: You were cursed with painful childbirth because you betrayed Adams.

1262
00:57:15,440 --> 00:57:20,919
Speaker 4: In the garden of Eden, what really wonder The women

1263
00:57:21,560 --> 00:57:23,080
Speaker 4: saw an apple.

1264
00:57:23,680 --> 00:57:26,120
Speaker 5: This is an apple thing. Actually, I realized the woman

1265
00:57:26,240 --> 00:57:28,760
Speaker 5: saw an apple. The snake said you gotta take the

1266
00:57:28,800 --> 00:57:31,960
Speaker 5: fruit from the tree. And the woman went and Adam said,

1267
00:57:31,960 --> 00:57:35,200
Speaker 5: I'm not going to take it. I'm a smart, respectable man.

1268
00:57:35,640 --> 00:57:38,640
Speaker 5: And then Eden or Eve was like, well, I'm a

1269
00:57:38,800 --> 00:57:41,840
Speaker 5: dumb woman, I guess, and then she grabbed the apple.

1270
00:57:42,280 --> 00:57:46,280
Speaker 5: And then God said, I curse you with painful childbirth.

1271
00:57:46,280 --> 00:57:47,880
Speaker 4: That's what it says in the Bible.

1272
00:57:49,120 --> 00:57:52,800
Speaker 1: Oh my god, I'm going to get I guess it's

1273
00:57:52,800 --> 00:57:57,040
Speaker 1: all true. Then, Oh my god, because it's true.

1274
00:57:57,200 --> 00:58:00,160
Speaker 2: I can't, speaking of Jesus, I can't get an an

1275
00:58:00,240 --> 00:58:02,640
Speaker 2: uber in this town without being prostolytized.

1276
00:58:02,640 --> 00:58:04,040
Speaker 4: Oh yeah, it's happening.

1277
00:58:04,120 --> 00:58:08,080
Speaker 2: Every single person. That What is it with Uber drivers

1278
00:58:08,600 --> 00:58:11,400
Speaker 2: and being a Christian and wanting to listen to Christian radio?

1279
00:58:11,440 --> 00:58:16,080
Speaker 2: Which I can understand maybe being a Christian, maybe I

1280
00:58:16,120 --> 00:58:19,920
Speaker 2: cannot understand thinking that music is what you should be

1281
00:58:19,960 --> 00:58:22,960
Speaker 2: listening to. Yeah, Joy ninety seven or whatever it is.

1282
00:58:23,000 --> 00:58:25,120
Speaker 1: I mean, do we have to listen to that? I

1283
00:58:25,280 --> 00:58:26,520
Speaker 1: hired you as an uber?

1284
00:58:27,000 --> 00:58:27,520
Speaker 4: Do I have?

1285
00:58:28,960 --> 00:58:30,720
Speaker 2: I say yes, because.

1286
00:58:30,920 --> 00:58:32,680
Speaker 5: You can request to turn off for music or to

1287
00:58:32,760 --> 00:58:34,520
Speaker 5: change it. But man, I'm sorry.

1288
00:58:34,520 --> 00:58:37,080
Speaker 2: Man. The other day I couldn't hold back. This guy

1289
00:58:37,160 --> 00:58:39,000
Speaker 2: picked us up in an Uber. I was driving us home,

1290
00:58:39,080 --> 00:58:41,480
Speaker 2: me and Chris, and he was talking about.

1291
00:58:42,800 --> 00:58:43,440
Speaker 4: How oh.

1292
00:58:43,440 --> 00:58:45,040
Speaker 2: I was talking about the name of my tour and

1293
00:58:45,040 --> 00:58:46,680
Speaker 2: how I wanted to call it the Depression Eras and

1294
00:58:46,720 --> 00:58:48,600
Speaker 2: he's like, well, we're about to hit another depression, so

1295
00:58:48,640 --> 00:58:50,720
Speaker 2: that'll be perfect. And I go, oh really, and he

1296
00:58:50,840 --> 00:58:53,160
Speaker 2: was like, yeah, you got Like if I could, if

1297
00:58:53,160 --> 00:58:55,280
Speaker 2: I were you, I'd put all your money in this

1298
00:58:55,400 --> 00:58:58,000
Speaker 2: kind of bitcoin and whatever. It is. Like he was

1299
00:58:58,040 --> 00:59:00,920
Speaker 2: telling us about not your theoryum, but other things, and

1300
00:59:00,920 --> 00:59:03,000
Speaker 2: he's like, it's gonna crash. Did you listen to this

1301
00:59:03,040 --> 00:59:04,360
Speaker 2: podcast yet? Did you listen to this?

1302
00:59:04,600 --> 00:59:05,240
Speaker 1: And we couldn't.

1303
00:59:05,280 --> 00:59:07,680
Speaker 2: Both Chris and I could not glean what side of

1304
00:59:07,720 --> 00:59:10,200
Speaker 2: things he was on because he said, the banks want

1305
00:59:10,200 --> 00:59:13,680
Speaker 2: the big, the big, mean orange man out. We need

1306
00:59:13,680 --> 00:59:15,360
Speaker 2: to get the big the banks want.

1307
00:59:15,160 --> 00:59:16,240
Speaker 4: The orange man out.

1308
00:59:17,200 --> 00:59:20,120
Speaker 2: And I go and that's.

1309
00:59:19,800 --> 00:59:21,000
Speaker 4: I did not know that.

1310
00:59:21,840 --> 00:59:23,680
Speaker 2: I didn't know that. So I was like, Okay, well,

1311
00:59:23,720 --> 00:59:25,840
Speaker 2: this guy is kind of a cuckoo, but like, at

1312
00:59:25,880 --> 00:59:27,920
Speaker 2: least he's on maybe the right side of things. I

1313
00:59:27,960 --> 00:59:30,440
Speaker 2: can't really tell. But then he said something to the

1314
00:59:30,480 --> 00:59:34,280
Speaker 2: effect of what did he say that gave it away?

1315
00:59:34,400 --> 00:59:36,640
Speaker 2: And he goes, oh, that's you know. He just eventually said,

1316
00:59:36,680 --> 00:59:38,440
Speaker 2: that's why we gotta get we gotta get Trump in

1317
00:59:38,960 --> 00:59:41,960
Speaker 2: and I go, yeah, I go, I just want to

1318
00:59:42,000 --> 00:59:44,760
Speaker 2: be able to get an abortion though, oh no, sh

1319
00:59:45,720 --> 00:59:49,560
Speaker 2: Chris just look at me like are you really doing this?

1320
00:59:50,160 --> 00:59:52,520
Speaker 1: And I go, yeah, what did he?

1321
00:59:52,520 --> 00:59:54,840
Speaker 2: He said, Listen, you don't need to get an abortion

1322
00:59:54,920 --> 00:59:57,919
Speaker 2: because there's the there's the the pill that you could

1323
00:59:57,960 --> 01:00:01,120
Speaker 2: the morning after pill, and no Christians should have any

1324
01:00:01,160 --> 01:00:03,200
Speaker 2: problem with the morning after pill. And I go, well,

1325
01:00:03,560 --> 01:00:06,000
Speaker 2: how are we're driving through a bad neighborhood. I go,

1326
01:00:06,160 --> 01:00:08,360
Speaker 2: how are women in this neighborhood supposed to afford the

1327
01:00:08,360 --> 01:00:10,920
Speaker 2: morning after pill on the chance they might get pregnant

1328
01:00:11,200 --> 01:00:13,840
Speaker 2: by the guy that they maybe raped by last night

1329
01:00:13,880 --> 01:00:16,120
Speaker 2: when they don't have fifty dollars to spare? Where is that?

1330
01:00:16,160 --> 01:00:17,680
Speaker 2: And he's like, well, we need to subsidize it. We

1331
01:00:17,760 --> 01:00:19,160
Speaker 2: need to have the morning after pill at schools. And

1332
01:00:19,160 --> 01:00:21,600
Speaker 2: I go, do you think that's gonna happen at any point?

1333
01:00:22,080 --> 01:00:22,520
Speaker 1: Do you think?

1334
01:00:22,600 --> 01:00:22,880
Speaker 3: I go?

1335
01:00:24,280 --> 01:00:26,760
Speaker 2: And then that's when that's when I lost the thread.

1336
01:00:26,800 --> 01:00:28,680
Speaker 2: I couldn't really This guy was actually kind of smarter

1337
01:00:28,760 --> 01:00:31,240
Speaker 2: than me. He was Cucko's smart. He was like, you know,

1338
01:00:31,360 --> 01:00:33,600
Speaker 2: he's just he was. He was a smart guy. But

1339
01:00:33,720 --> 01:00:35,720
Speaker 2: like you know, there's lots of smart guys that want

1340
01:00:35,720 --> 01:00:37,680
Speaker 2: to vote for Trump for some reason. But he was

1341
01:00:37,680 --> 01:00:40,560
Speaker 2: talking to me in a way I couldn't understand. But

1342
01:00:40,560 --> 01:00:43,560
Speaker 2: then that's when Chris, because he reads up on the stuff,

1343
01:00:44,480 --> 01:00:47,440
Speaker 2: and he schooled this guy on I can't even remember,

1344
01:00:47,480 --> 01:00:50,560
Speaker 2: but I was like so horny for it because he

1345
01:00:50,640 --> 01:00:53,200
Speaker 2: really went to bat for women with this guy and

1346
01:00:53,240 --> 01:00:55,800
Speaker 2: why that doesn't work, Why the morning after pill isn't

1347
01:00:55,800 --> 01:00:58,280
Speaker 2: going to be the right option, Why teaching abstinence and

1348
01:00:58,280 --> 01:01:00,360
Speaker 2: schools and everything. And I can speak to these things,

1349
01:01:00,360 --> 01:01:03,880
Speaker 2: but he really he when we got out of the Uber,

1350
01:01:03,920 --> 01:01:06,760
Speaker 2: I was like, this guy thinks that and he Oh.

1351
01:01:06,840 --> 01:01:10,120
Speaker 2: He also called himself a best selling author, and he

1352
01:01:10,240 --> 01:01:12,320
Speaker 2: pointed out a book that was about driving Uber and

1353
01:01:12,800 --> 01:01:13,840
Speaker 2: obviously Prostolytiz.

1354
01:01:13,920 --> 01:01:17,400
Speaker 5: Every Uber driver as a secret billionaire. That's that's what

1355
01:01:17,440 --> 01:01:20,680
Speaker 5: I've learned. Every Uber driver owns ten businesses. He's like, yeah,

1356
01:01:20,680 --> 01:01:23,520
Speaker 5: I just do this to meet people. That's every Uber

1357
01:01:23,600 --> 01:01:25,720
Speaker 5: driver says that.

1358
01:01:25,720 --> 01:01:28,760
Speaker 2: That is it's it's it's in Saint Louis. Though it's

1359
01:01:28,800 --> 01:01:31,600
Speaker 2: really bad. I can't I don't, I can't avoid it.

1360
01:01:31,600 --> 01:01:33,360
Speaker 2: It's almost Chris is like, you should just get a

1361
01:01:33,400 --> 01:01:35,760
Speaker 2: driver because this is too much like we we get

1362
01:01:35,800 --> 01:01:37,960
Speaker 2: talked to about Jesus every time. But when we got out,

1363
01:01:37,960 --> 01:01:40,120
Speaker 2: the Uber driver was like, I didn't hate the guy.

1364
01:01:40,160 --> 01:01:43,680
Speaker 2: He was really a nice person. And I could just

1365
01:01:43,720 --> 01:01:48,280
Speaker 2: tell he thought I wasn't gonna tip him. Well, but you, yeah,

1366
01:01:48,800 --> 01:01:51,280
Speaker 2: twenty five percent whatever, the most was thirty twenty five.

1367
01:01:51,640 --> 01:01:53,600
Speaker 2: I just I did it, and I you got to

1368
01:01:53,640 --> 01:01:58,680
Speaker 2: check what he rated you. I don't know that I

1369
01:01:58,720 --> 01:02:02,880
Speaker 2: can can you, well, you can check you. I don't

1370
01:02:02,920 --> 01:02:05,040
Speaker 2: like to look at that. It's not good and I

1371
01:02:05,080 --> 01:02:07,560
Speaker 2: don't know why it's not good. I am always i'd

1372
01:02:07,560 --> 01:02:10,160
Speaker 2: always tipped. Well, I've never once not tipped. Well, I

1373
01:02:10,200 --> 01:02:12,320
Speaker 2: think maybe once I didn't give a tip, but I

1374
01:02:12,320 --> 01:02:15,760
Speaker 2: didn't because I was I felt my life was threatened.

1375
01:02:15,800 --> 01:02:20,120
Speaker 2: But that was I've never once tipped. Uh, so I

1376
01:02:20,120 --> 01:02:23,200
Speaker 2: should and if I The other day I spilled coffee

1377
01:02:23,200 --> 01:02:25,240
Speaker 2: in a guy's car, like just on the plastic part,

1378
01:02:25,560 --> 01:02:27,560
Speaker 2: and I told him about it. I said, I'm so sorry.

1379
01:02:27,600 --> 01:02:28,920
Speaker 2: I can go get some napkins. He was like, don't

1380
01:02:28,920 --> 01:02:30,760
Speaker 2: worry about it. So I always let someone know if

1381
01:02:30,760 --> 01:02:33,680
Speaker 2: I've stained something. If I eat food, I brush it off.

1382
01:02:33,720 --> 01:02:35,600
Speaker 2: When I get out, I leave the car as immaculate

1383
01:02:35,640 --> 01:02:37,520
Speaker 2: as I left. Not because of my score, but because

1384
01:02:37,520 --> 01:02:38,920
Speaker 2: I respect the person. So I don't want to look

1385
01:02:38,960 --> 01:02:40,280
Speaker 2: at my score. It has nothing to do with how

1386
01:02:40,320 --> 01:02:41,600
Speaker 2: I know I behave in ubers.

1387
01:02:42,120 --> 01:02:43,760
Speaker 1: So she doesn't want to look at her score.

1388
01:02:43,800 --> 01:02:45,040
Speaker 2: I don't want to look at that thing. The last

1389
01:02:45,080 --> 01:02:46,160
Speaker 2: time I looked it wasn't good.

1390
01:02:46,320 --> 01:02:47,680
Speaker 1: Oh. People go what and.

1391
01:02:47,680 --> 01:02:50,000
Speaker 2: I go, I take thousands of ubers? You take five

1392
01:02:50,080 --> 01:02:51,280
Speaker 2: and you've been you know, like.

1393
01:02:51,360 --> 01:02:52,640
Speaker 1: You've been good? All five?

1394
01:02:52,760 --> 01:02:55,120
Speaker 2: Yes, all right, we gotta wrap. We'll be back tomorrow

1395
01:02:55,200 --> 01:02:57,960
Speaker 2: for a more show with my mom right after this,

1396
01:02:58,040 --> 01:03:00,400
Speaker 2: and don't be cut and come see me in Florida

1397
01:03:00,480 --> 01:03:03,680
Speaker 2: comes to Brian and Florida next weekend. The I think

1398
01:03:03,720 --> 01:03:09,160
Speaker 2: eighteenth and nineteenth, nineteenth and Troy nineteenth and twentieth, nineteenth

1399
01:03:09,200 --> 01:03:13,840
Speaker 2: and twentieth. Okay, thank you, Dobika and Dijit Dijits. Listen

1400
01:03:13,920 --> 01:03:14,920
Speaker 2: to the tomorrow jows.

1401
01:03:15,000 --> 01:03:18,000
Speaker 1: It'll be just us in five minutes and we report

1402
01:03:18,040 --> 01:03:18,120
Speaker 1: it