1 00:00:00,160 --> 00:00:10,160 Speaker 1: The Laundronauts is a production of I Heart Radio. This 2 00:00:10,320 --> 00:00:12,639 Speaker 1: is what we remember and remember, this is what it 3 00:00:12,800 --> 00:00:17,919 Speaker 1: sounded like. What we couldn't hear, we made up. The 4 00:00:18,000 --> 00:00:37,519 Speaker 1: rest of it is true. Hello, mother's appear taking to 5 00:00:37,800 --> 00:00:48,080 Speaker 1: you and yours. I'm all well at the homestead. I hope. 6 00:00:51,880 --> 00:00:57,000 Speaker 1: Who's the broguish vanche friend of the family. He's no friends, sir, 7 00:00:57,400 --> 00:01:00,440 Speaker 1: She's a vice principal at our school. You can't say 8 00:01:00,480 --> 00:01:06,280 Speaker 1: that about a nun. Yes, well, Losa, And where is 9 00:01:06,600 --> 00:01:11,360 Speaker 1: her father? He's on a business trip. He's been gone 10 00:01:11,360 --> 00:01:15,960 Speaker 1: two weeks, sir, must be a very important business trip. 11 00:01:16,080 --> 00:01:22,000 Speaker 1: Then sister aunt has been visiting, sir. Oh the monkett. 12 00:01:22,760 --> 00:01:26,400 Speaker 1: I'm sure she's a great help with spells, curses and 13 00:01:26,560 --> 00:01:30,840 Speaker 1: crucibles in the love How how did we fair in 14 00:01:30,920 --> 00:01:36,000 Speaker 1: our ongoing London odd chillers children? I failed, sir, Nothing 15 00:01:36,040 --> 00:01:42,160 Speaker 1: mud sleepy forgetful nights, my dear Well, Yes, I heard 16 00:01:42,160 --> 00:01:47,920 Speaker 1: a song, a song. I was walking along and I 17 00:01:48,000 --> 00:01:51,520 Speaker 1: noticed one of the houses in our neighborhood looked very tasty. 18 00:01:51,680 --> 00:01:53,960 Speaker 1: So I took a bite out of it. It was 19 00:01:54,160 --> 00:01:58,240 Speaker 1: very taste. Then I remembered houses aren't normally very tasty, 20 00:01:58,400 --> 00:02:01,720 Speaker 1: and I said, wait a second, here, everything up brighter 21 00:02:02,000 --> 00:02:05,200 Speaker 1: and sharper. I heard music from inside the house, so 22 00:02:05,240 --> 00:02:08,760 Speaker 1: I went in. I searched all over. Every time I 23 00:02:08,800 --> 00:02:10,840 Speaker 1: thought I found the music in a closet or just 24 00:02:10,880 --> 00:02:14,280 Speaker 1: around the corner, it was gone. So I stopped, took 25 00:02:14,280 --> 00:02:19,240 Speaker 1: a breath, and listened hard. I heard words, sing them, 26 00:02:20,680 --> 00:02:23,840 Speaker 1: sing the words you heard. Please, sir, you don't want 27 00:02:23,840 --> 00:02:27,080 Speaker 1: to hear that. Hey, I've heard to sing at church. 28 00:02:27,440 --> 00:02:30,360 Speaker 1: It's not a pleasant experience, sir. I've heard you tune 29 00:02:30,400 --> 00:02:33,680 Speaker 1: at church. That's not so pleasant either. No, no, no, 30 00:02:34,960 --> 00:02:39,000 Speaker 1: beauty is in the ear of the Eda fire. Please, 31 00:02:39,080 --> 00:02:44,760 Speaker 1: my dear, the Foremarca is all yours. No, But why 32 00:02:45,680 --> 00:02:48,440 Speaker 1: I won't be able to do it? Right, my dear, 33 00:02:48,680 --> 00:02:51,360 Speaker 1: you learn nothing else from me in our time together. 34 00:02:51,720 --> 00:02:55,640 Speaker 1: Learn this. There is no right, there's no wrong. There's 35 00:02:55,680 --> 00:03:01,560 Speaker 1: only the songs. Professor, Yes, why do you stare at me? 36 00:03:01,880 --> 00:03:08,040 Speaker 1: So those were the words in my dream. Interesting, remember 37 00:03:08,400 --> 00:03:14,160 Speaker 1: Jonaica's words. Breathe about to them. Now let their music 38 00:03:14,240 --> 00:03:26,040 Speaker 1: come through you sing. There is no right, there is wrong, 39 00:03:27,040 --> 00:03:38,800 Speaker 1: There is allly the song. There is no light before 40 00:03:39,000 --> 00:03:48,560 Speaker 1: the there is no night that nat too long. There 41 00:03:48,880 --> 00:03:57,880 Speaker 1: is all right. There is no wrong. There is aly 42 00:03:58,840 --> 00:04:10,080 Speaker 1: the song Thank you well Uni. Indeed, my lady, I 43 00:04:10,200 --> 00:04:17,599 Speaker 1: pronounce your first Londoner challenge accepted in some mountain. What 44 00:04:17,800 --> 00:04:24,039 Speaker 1: about you, squire? You don't earn achievement by mirror association. 45 00:04:24,640 --> 00:04:29,159 Speaker 1: He was put in the work, back to the dreaming board. Yes, sir, 46 00:04:29,920 --> 00:04:32,960 Speaker 1: I don't mean to be harsh, but these are not 47 00:04:33,080 --> 00:04:37,400 Speaker 1: trivial matters. Children are. Obstacle is not your enemy. It 48 00:04:37,560 --> 00:04:41,120 Speaker 1: is an ally, such as the case with Jonica. As 49 00:04:41,160 --> 00:04:44,680 Speaker 1: you may recall, when last we left our story, she 50 00:04:44,800 --> 00:04:49,599 Speaker 1: had failed to appear at the washer Tiium. Midnight approached. 51 00:04:53,960 --> 00:04:57,159 Speaker 1: As Jonica was weaving her way through the back allies 52 00:04:57,240 --> 00:04:59,880 Speaker 1: of the Tenderlin, a man stepped out of the far 53 00:05:00,160 --> 00:05:04,080 Speaker 1: and cut off her path. In the murky lights, she 54 00:05:04,160 --> 00:05:07,480 Speaker 1: could see he was tall and seen and see that 55 00:05:07,600 --> 00:05:11,240 Speaker 1: he wearing a long, thick cake. Jonica struck a fighter 56 00:05:11,279 --> 00:05:14,400 Speaker 1: suppose and shouted the battle cry she had learned from 57 00:05:14,400 --> 00:05:18,760 Speaker 1: a great granny. Manny you mayes and a handbasket, mr. 58 00:05:19,080 --> 00:05:21,120 Speaker 1: But I'm going to take something if yours with me. 59 00:05:22,320 --> 00:05:26,880 Speaker 1: The man chuckled, or rather hawked up something resembling a 60 00:05:27,040 --> 00:05:31,560 Speaker 1: chuckle more of a chocoal and stepped into the lamplight. 61 00:05:32,400 --> 00:05:38,040 Speaker 1: He wasn't wearing a cap at all, but a double 62 00:05:38,080 --> 00:05:42,200 Speaker 1: smelling old man for the washingari. His face contorted inward 63 00:05:42,320 --> 00:05:47,920 Speaker 1: behind his filthy whiskers. Well observed, my dear. He nonchillantly 64 00:05:48,040 --> 00:05:56,240 Speaker 1: flipped the blankets over his shoulders. Somehow they were still wept. 65 00:05:57,040 --> 00:06:00,280 Speaker 1: You don't go anywhere without splotch and splurt. There, it's 66 00:06:00,279 --> 00:06:04,880 Speaker 1: splotch and split the fate, I hear by w sibling 67 00:06:04,960 --> 00:06:10,279 Speaker 1: splotch and split. Magnificent. You are quite the word spirit, 68 00:06:10,520 --> 00:06:13,880 Speaker 1: my dear, Why are you falling? I need your help? 69 00:06:14,440 --> 00:06:17,719 Speaker 1: Sorry only She tried to slip pass him, but again 70 00:06:17,760 --> 00:06:21,120 Speaker 1: he cut her off. Late for a midnight ROUNDE. How 71 00:06:21,200 --> 00:06:24,040 Speaker 1: do you know that you really are the north Star, 72 00:06:24,200 --> 00:06:28,599 Speaker 1: aren't you? Mona? Maybe the brains, but you are the heart, 73 00:06:28,720 --> 00:06:32,680 Speaker 1: my dear, you are the true leader, Jonica felt. Strange. 74 00:06:32,800 --> 00:06:38,840 Speaker 1: Waves of armies crash against two rips. Leader, But it 75 00:06:38,920 --> 00:06:42,919 Speaker 1: is you I wish to enlist. I'm dizzy again. She 76 00:06:43,040 --> 00:06:45,560 Speaker 1: tried to slip past him. Again he blocked her path. 77 00:06:46,160 --> 00:06:50,760 Speaker 1: You wish to help, j d yes, maybe, so let's 78 00:06:50,800 --> 00:06:54,240 Speaker 1: make it to you. What kind of deal you go 79 00:06:54,440 --> 00:06:57,880 Speaker 1: next into Absentia. If you do, I will help you 80 00:06:58,000 --> 00:07:02,800 Speaker 1: retrieve j D. Yes going next. We voted, and yet 81 00:07:02,839 --> 00:07:06,440 Speaker 1: it wasn't your choice. That's the way the cookie cumbles. Yes, 82 00:07:06,680 --> 00:07:09,000 Speaker 1: and if Benny goes next, he will be the cookie 83 00:07:09,000 --> 00:07:13,480 Speaker 1: that crambles. How do you know that? Because Sludge wants 84 00:07:13,480 --> 00:07:16,720 Speaker 1: Benny to go next, My dear, he has designs on 85 00:07:16,800 --> 00:07:27,400 Speaker 1: the boy, asked Barry. He chuckled, whore, his hand vanished 86 00:07:27,680 --> 00:07:32,080 Speaker 1: into the tumble weed of his face. Let's just say 87 00:07:32,120 --> 00:07:36,520 Speaker 1: I've been tangled and I'd like to become an entangled 88 00:07:37,120 --> 00:07:39,520 Speaker 1: What does they have to do with me? All I 89 00:07:39,520 --> 00:07:42,240 Speaker 1: can say is that it will resolve all of our problems, 90 00:07:42,680 --> 00:07:49,800 Speaker 1: yours mine, j D s, the laundronknots, but most importantly, absentious. 91 00:07:50,000 --> 00:07:52,840 Speaker 1: What do you care about, Absentia? She is my home. 92 00:07:53,200 --> 00:07:57,280 Speaker 1: The waves of unees crashed. You are trying to hurt 93 00:07:57,400 --> 00:08:05,600 Speaker 1: me hard wink hood wink, hood wink, glorious hood wink perfect. 94 00:08:05,840 --> 00:08:08,200 Speaker 1: As you know, any villain with his weight means an 95 00:08:08,240 --> 00:08:12,400 Speaker 1: appropriately menacing monica perfect. Why are you crying in front 96 00:08:12,400 --> 00:08:15,480 Speaker 1: of Harry's Hardware store? Where? Why did you come to 97 00:08:15,520 --> 00:08:19,040 Speaker 1: my aid? I was paying and your first impulse was 98 00:08:19,080 --> 00:08:23,040 Speaker 1: to help. It's not hard to be decent. His whiskers parted, 99 00:08:23,440 --> 00:08:28,960 Speaker 1: revealing a grinning gate of green glashes. But it's very 100 00:08:29,040 --> 00:08:35,120 Speaker 1: difficult to be indecent, my dear, especially when indecency is required. 101 00:08:35,960 --> 00:08:40,200 Speaker 1: On decency, it's never run along midnight approaches. But don't 102 00:08:40,240 --> 00:08:43,439 Speaker 1: forget to bring the carrot. You'll need it in ABSENTI 103 00:08:44,120 --> 00:08:47,040 Speaker 1: I told you, I know you vanished into the fault. 104 00:08:48,120 --> 00:09:01,480 Speaker 1: Joannaka pulled up a collar and ran. She arrived at 105 00:09:01,480 --> 00:09:05,800 Speaker 1: exactly eleven fifty nine PM. We were already in mid prep. 106 00:09:06,280 --> 00:09:09,920 Speaker 1: I call it the diamond formation. It was my idea, Yes, 107 00:09:10,000 --> 00:09:13,480 Speaker 1: it was Nick's idea. It's like a baseball diamond. Benny 108 00:09:13,720 --> 00:09:16,480 Speaker 1: your catcher. You stand here and grab whatever comes out 109 00:09:16,480 --> 00:09:18,920 Speaker 1: of the machine. I'm pitcher and we'll leave from the center. 110 00:09:19,040 --> 00:09:22,880 Speaker 1: Nick as shortstop, roams the infield, picks up grounders. Perry 111 00:09:22,880 --> 00:09:26,920 Speaker 1: and I took our field duties, pop flies being a responsibility. 112 00:09:27,320 --> 00:09:33,319 Speaker 1: Jonico was designated taking a position atop the JumboTron. Charlie's 113 00:09:33,440 --> 00:09:39,319 Speaker 1: role in the TDF was more problematic. Grads, crew, your 114 00:09:39,400 --> 00:09:42,319 Speaker 1: job is to protect the integrity of the environment. Charlie 115 00:09:42,400 --> 00:09:47,120 Speaker 1: got it. I guess we're quickly locked into positions. Our 116 00:09:47,160 --> 00:09:53,560 Speaker 1: watchers stuck from midnight. We taste nothing happened. I'm going 117 00:09:53,600 --> 00:09:57,880 Speaker 1: to open the machine. Mona stood forward and opened the door. 118 00:09:58,400 --> 00:10:01,440 Speaker 1: When she did, it was as if the machine had 119 00:10:01,520 --> 00:10:06,280 Speaker 1: finally eaten one too many socks and just needed to vomit. 120 00:10:07,800 --> 00:10:11,520 Speaker 1: Mona took the first hitch and patuy and went keistra 121 00:10:11,720 --> 00:10:15,199 Speaker 1: over kissing. Benny took the next wave and the chops 122 00:10:15,480 --> 00:10:21,600 Speaker 1: and spun like a top pulled. Positions were locked back 123 00:10:21,640 --> 00:10:28,760 Speaker 1: into formation. No new enemy appeared, just sucks, wave after wave. 124 00:10:28,960 --> 00:10:36,560 Speaker 1: After Joannica turned Perry was right washer Cherian was already 125 00:10:36,760 --> 00:10:43,040 Speaker 1: four ft deep with socks and rising. Perry hopped on 126 00:10:43,240 --> 00:10:46,840 Speaker 1: Benny's shoulder. They pushed towards the front door, but the 127 00:10:46,960 --> 00:10:50,840 Speaker 1: current of socks was relentless, piling up in the corners, 128 00:10:51,040 --> 00:10:54,640 Speaker 1: blocking all the exits. Benny Funny had to stop the 129 00:10:55,679 --> 00:10:59,599 Speaker 1: Benny hoisted Harry up onto the s Perry tugged on 130 00:10:59,640 --> 00:11:02,640 Speaker 1: the la but the window wouldn't butch. The rest of 131 00:11:02,720 --> 00:11:08,920 Speaker 1: us scrabbled for the higher ground. J Johonica could get 132 00:11:08,920 --> 00:11:12,280 Speaker 1: near the door was almost pulled off by the curtains. 133 00:11:12,720 --> 00:11:16,480 Speaker 1: She managed to dragged herself back to the top, arms 134 00:11:16,640 --> 00:11:21,640 Speaker 1: thrubbing lungs, bursting socks piling up over her feet. She 135 00:11:21,840 --> 00:11:28,440 Speaker 1: cut her hands to her mouth and screamed. The room 136 00:11:28,480 --> 00:11:33,440 Speaker 1: exploded with orange light as the pen came soaring out 137 00:11:33,440 --> 00:11:38,120 Speaker 1: of the swamp. Johnicle leap caught the pen and vanished 138 00:11:38,200 --> 00:11:42,079 Speaker 1: under the torrent of socks. The pressure sucked her down, 139 00:11:42,240 --> 00:11:45,040 Speaker 1: but she fought to stay afloat, got her head above 140 00:11:45,040 --> 00:11:48,680 Speaker 1: the surface, gulped in some air, jump back under, and 141 00:11:48,920 --> 00:11:52,280 Speaker 1: swam like trying to dig through a bowl of day 142 00:11:52,280 --> 00:11:57,960 Speaker 1: olver oatfield. Her hand touched Steve To stabbed the carrots 143 00:11:58,280 --> 00:12:04,040 Speaker 1: into the machine during its metal skime. She squeezed, but 144 00:12:04,200 --> 00:12:09,040 Speaker 1: washed her weeds, coughed and died to suck her and 145 00:12:09,240 --> 00:12:12,920 Speaker 1: cut out. Jonaka broke the surface. The air hit her 146 00:12:12,960 --> 00:12:17,280 Speaker 1: like loved and chocolate. She gulped in big helping and 147 00:12:17,440 --> 00:12:21,600 Speaker 1: searched for her friends. Nick was hanging from a pipe. 148 00:12:21,600 --> 00:12:24,760 Speaker 1: In the series, Perry was still crouched on the windows. 149 00:12:25,480 --> 00:12:28,080 Speaker 1: Mona and I had found resued at the top of 150 00:12:28,120 --> 00:12:34,200 Speaker 1: two machines. Bernie was still submerged and sucked. Hoodwin's words 151 00:12:34,360 --> 00:12:37,920 Speaker 1: echoed in Jonaka's hand, don't forget to bring the carriage 152 00:12:38,320 --> 00:12:42,480 Speaker 1: you'll need it. In absentition, Jonica stared at the pin 153 00:12:42,600 --> 00:12:45,520 Speaker 1: in her hand. I have to tell you guys something 154 00:12:45,800 --> 00:12:52,440 Speaker 1: on Cuba Vomitron, formerly the JumboTron, became in the halotron. 155 00:12:54,160 --> 00:12:57,800 Speaker 1: Jonaker was gone in an instant, sucked back into the 156 00:12:57,840 --> 00:13:02,760 Speaker 1: machine for a sudden for city of the Socker curage. 157 00:13:03,920 --> 00:13:07,840 Speaker 1: Within minutes, the room was again utterly devoid of sucks 158 00:13:07,880 --> 00:13:17,839 Speaker 1: and minus one Landernois. Jonica remembered only tumbling chaos, then darkness. 159 00:13:18,720 --> 00:13:21,000 Speaker 1: When she awoke, she was looking up at the sunder 160 00:13:21,080 --> 00:13:26,079 Speaker 1: substantious sky through a circle of giant socks peering down 161 00:13:26,120 --> 00:13:31,400 Speaker 1: at her. Jonica shrieked. The socks leaped back, and for 162 00:13:31,480 --> 00:13:36,520 Speaker 1: a moment Jonica could see all of the sky, suck Mountain, 163 00:13:36,840 --> 00:13:41,880 Speaker 1: the keyhole, the socks tumbling out. Then the sucklings bent 164 00:13:42,000 --> 00:13:46,480 Speaker 1: over her again and her window was shut. The smallest 165 00:13:46,520 --> 00:13:50,120 Speaker 1: of the bunch kicked her, not hard, more like someone 166 00:13:50,240 --> 00:13:53,760 Speaker 1: poking the dead dog lying in the gutter. It was 167 00:13:53,920 --> 00:13:58,840 Speaker 1: enough to trigger the puma inside. Jonica sprang to her 168 00:13:58,920 --> 00:14:03,319 Speaker 1: feet with a yeah, vanishing the carrot like a sword. 169 00:14:03,480 --> 00:14:09,120 Speaker 1: The sucklings leaped back, but maintained their perimeter. Jonica turned 170 00:14:09,240 --> 00:14:15,320 Speaker 1: in a slow circle. One of the giants, Chuckling, the 171 00:14:15,400 --> 00:14:21,080 Speaker 1: largest of the bunch, reached out and slapped the chuckler sharply. Hi, 172 00:14:21,600 --> 00:14:24,920 Speaker 1: I'm Jonica. I'm a luntiner. We're here to help you. 173 00:14:25,320 --> 00:14:30,960 Speaker 1: The sucklings searched everywhere for the other laundronots. Well, i'm 174 00:14:31,000 --> 00:14:35,200 Speaker 1: here to help you. Please take me to Slutch whatever 175 00:14:35,240 --> 00:14:38,960 Speaker 1: you call him. It's okay, we're friends. Sucklings took a 176 00:14:39,040 --> 00:14:44,080 Speaker 1: menacing step towards her. Jonica returned the character her knapsack 177 00:14:44,440 --> 00:14:48,920 Speaker 1: and offered her empty palms out of them no harm. 178 00:14:49,120 --> 00:14:56,280 Speaker 1: The sucklings relaxed. The sucklings leaped into the air. Jonica 179 00:14:56,320 --> 00:15:00,880 Speaker 1: always had gifts, usually candies or snacks, always a pouch 180 00:15:00,960 --> 00:15:05,200 Speaker 1: of cinnamon sticks her favorite of all the spaces. She 181 00:15:05,280 --> 00:15:07,800 Speaker 1: laid the items on the ground as it, presenting the 182 00:15:08,000 --> 00:15:12,880 Speaker 1: rarest of gems and the softest of silks. None of 183 00:15:12,920 --> 00:15:17,160 Speaker 1: these caught the suckling's attention. There was a collective shudder 184 00:15:17,280 --> 00:15:21,520 Speaker 1: amongst them, and they bent towards something else that had 185 00:15:21,560 --> 00:15:28,960 Speaker 1: spilled from the knapsack. Jonica was instantly bumped aside and forgotten. Miffed, 186 00:15:29,240 --> 00:15:34,160 Speaker 1: she muscled her way back through and saw a piece 187 00:15:34,200 --> 00:15:37,400 Speaker 1: of drinking I rescued from the Washtaria. It was growing 188 00:15:37,880 --> 00:15:44,160 Speaker 1: like a lizarding boy from the untouched hip, said a sockling. 189 00:15:42,720 --> 00:15:49,480 Speaker 1: There shivered, stretched tatan and shot straight under the air 190 00:15:49,560 --> 00:15:53,120 Speaker 1: like a Champagne cork. This in turn caused the other 191 00:15:53,200 --> 00:15:59,760 Speaker 1: socklings to leap ecstatically. The landing almost killed her. Gift 192 00:16:00,080 --> 00:16:04,560 Speaker 1: was squashed. The ground shook jonicas stumbled. The little suckling 193 00:16:04,720 --> 00:16:10,240 Speaker 1: glided beneath her, caught her, held her, gazed into her eyes. 194 00:16:11,080 --> 00:16:16,440 Speaker 1: You're split or splirt. I don't know, but you're definitely 195 00:16:16,480 --> 00:16:18,520 Speaker 1: one of the blankets from the wash. It harrium. The 196 00:16:18,600 --> 00:16:22,360 Speaker 1: little suckling nodded and hugged her, But before they could 197 00:16:22,400 --> 00:16:25,960 Speaker 1: revel any further, they were snatched up by the other 198 00:16:26,080 --> 00:16:29,760 Speaker 1: sucklings and wished the way in a stampede of roll 199 00:16:29,800 --> 00:16:38,440 Speaker 1: again ferocity and unbridledling. Sir put it. Pancakes were flocking 200 00:16:38,520 --> 00:16:46,080 Speaker 1: for what could that possibly mean? Would oh my apologies, captain. 201 00:16:46,600 --> 00:16:49,640 Speaker 1: One of the many indignities of becoming ancient is the 202 00:16:49,760 --> 00:16:55,560 Speaker 1: deterioration of one's natural capacity of sound. Exactly how old 203 00:16:55,600 --> 00:17:02,040 Speaker 1: are you? You were saying, captain, suckling, Sir apparently so 204 00:17:02,040 --> 00:17:05,240 Speaker 1: so they were like earth worms. Have you caught a keef? 205 00:17:05,960 --> 00:17:10,280 Speaker 1: We grow an apt comparison, may become blankets in their 206 00:17:10,320 --> 00:17:13,440 Speaker 1: own world. The suckling, by a chemistry, is in need 207 00:17:13,440 --> 00:17:19,000 Speaker 1: a wonder system keptain all things, ah, the nature of 208 00:17:19,119 --> 00:17:22,600 Speaker 1: old things. We will get to that soon enough, counselor. 209 00:17:22,920 --> 00:17:26,000 Speaker 1: But first we must rejoined them and she and her 210 00:17:26,040 --> 00:17:31,320 Speaker 1: new phone suckling companions splotch. We're still whisking their way 211 00:17:31,400 --> 00:17:34,560 Speaker 1: to parts as yet unknown atopt the shoulders of their 212 00:17:34,640 --> 00:17:48,359 Speaker 1: giant escorts. Jonica jumped at the sketch up sensious landmarks. 213 00:17:48,359 --> 00:17:53,199 Speaker 1: She Splotch pumped along. She had decided Splots would be 214 00:17:53,280 --> 00:17:56,280 Speaker 1: her new friend's name and sworth and for them are 215 00:17:56,680 --> 00:18:01,280 Speaker 1: a decision. The suckling seemed perfectly fined with. Jonica checked 216 00:18:01,280 --> 00:18:05,960 Speaker 1: her sketchings against Perry's map for accuracy and scale, but 217 00:18:06,080 --> 00:18:08,880 Speaker 1: it was like trying to play pinochle on a roller coaster. 218 00:18:09,480 --> 00:18:12,840 Speaker 1: After pumping along for what appeared to be ours, air 219 00:18:12,960 --> 00:18:16,680 Speaker 1: sports began to descend into a valley, a valley that 220 00:18:16,800 --> 00:18:21,159 Speaker 1: grew steeper and deeper and thicker for the cold, biting fog, 221 00:18:21,520 --> 00:18:24,359 Speaker 1: Although they finally burst out of the vary edge of 222 00:18:24,400 --> 00:18:29,159 Speaker 1: a steep precipice. Below them was a vast green valley 223 00:18:29,320 --> 00:18:36,199 Speaker 1: floor filled with thousands of giant, colorful fluffy bunny butts. 224 00:18:35,960 --> 00:18:41,720 Speaker 1: A city of the City of what the wasn't a 225 00:18:41,840 --> 00:18:44,920 Speaker 1: city per se was simply the first sounds came out 226 00:18:44,960 --> 00:18:48,040 Speaker 1: of Jonica when she saw the place. The giant, colorful 227 00:18:48,040 --> 00:18:54,880 Speaker 1: fluffy bunny butts, or clumps, as Jonica henceforth proclaimed them, 228 00:18:55,119 --> 00:18:59,280 Speaker 1: with a suckling home. Each clump consisted of clumps of 229 00:18:59,400 --> 00:19:03,679 Speaker 1: suckling who were chosen to accumulatively clump for whatever reason. 230 00:19:03,840 --> 00:19:09,480 Speaker 1: Suckling's club shared affection, fear of rejection, a base for insurrection. 231 00:19:09,720 --> 00:19:14,359 Speaker 1: Whatever the case, the suckling's clumped and in clumping formed 232 00:19:14,480 --> 00:19:19,240 Speaker 1: the infra clumps structure of the city of what the itself. 233 00:19:19,720 --> 00:19:24,000 Speaker 1: I want clump slots peter to the bound straight as 234 00:19:24,040 --> 00:19:26,760 Speaker 1: an arrow into a currel a twist. I have been 235 00:19:27,080 --> 00:19:30,880 Speaker 1: several front flips, transitioning into a full fledged gravity defying 236 00:19:31,080 --> 00:19:35,359 Speaker 1: spread eagle upon non existent winds, before dive bombing into 237 00:19:35,400 --> 00:19:42,719 Speaker 1: a colorful fluffy bunny but with a mighty The enchantment 238 00:19:42,760 --> 00:19:47,639 Speaker 1: of absentia had overtaken her. Forgotten was her mission forgotten 239 00:19:47,720 --> 00:19:51,640 Speaker 1: were her friends. She just wanted to fly. She climbed 240 00:19:51,640 --> 00:19:55,320 Speaker 1: out on the rock, cracked her knuckles, stretched her legs, 241 00:19:55,640 --> 00:19:59,640 Speaker 1: spit over her shoulder, and was rudely snatched from her 242 00:19:59,760 --> 00:20:04,119 Speaker 1: her by the suckling leader and bowled down into the 243 00:20:04,240 --> 00:20:07,959 Speaker 1: valley like a bag of brand muffins. She hit a clump, 244 00:20:08,240 --> 00:20:11,840 Speaker 1: leaped to her feet and shot the suckling her best 245 00:20:12,040 --> 00:20:16,199 Speaker 1: tenderloin glare. No need for the rough stuff. He was 246 00:20:16,240 --> 00:20:20,560 Speaker 1: already ignoring her and leading the other sucklings onto the 247 00:20:20,680 --> 00:20:27,879 Speaker 1: vast valley floor. Janica followed, growling from ground level. The 248 00:20:27,960 --> 00:20:31,040 Speaker 1: city of what the was like a towering forest of 249 00:20:31,200 --> 00:20:36,200 Speaker 1: cotton ball. She noticed other sucklings detaching from their respective 250 00:20:36,320 --> 00:20:42,199 Speaker 1: clumps and joining their caravan. Why suckling leader bumped her 251 00:20:42,320 --> 00:20:47,400 Speaker 1: roughly forward. Rickie signs for the beast, bumped her forward again. 252 00:20:47,800 --> 00:20:51,720 Speaker 1: Jonica stumped ahead of the pack. I decline, you need 253 00:20:51,720 --> 00:20:55,639 Speaker 1: to be such because you like such my nicks. She 254 00:20:55,760 --> 00:21:00,520 Speaker 1: noticed more sucklings joining their caravan, leading to where she 255 00:21:00,600 --> 00:21:03,960 Speaker 1: had no idea, and yet they were following her. Never 256 00:21:04,080 --> 00:21:07,879 Speaker 1: before he Jonica let a mighty army or anyone the 257 00:21:08,080 --> 00:21:11,840 Speaker 1: enchantment of the absentia had again overtaken her. She began 258 00:21:11,920 --> 00:21:15,680 Speaker 1: to sing her silly rhyme, as E were a battling home, 259 00:21:15,800 --> 00:21:21,760 Speaker 1: gone moon jone, blown zones of tone, telephone bones and 260 00:21:21,880 --> 00:21:25,960 Speaker 1: tones and their moons alone. In response, the ground began 261 00:21:26,040 --> 00:21:46,960 Speaker 1: to shake, became a beat, became melody, harmony song. What's 262 00:21:46,960 --> 00:21:52,000 Speaker 1: her little girl? Pre say? What's the place in love? 263 00:21:53,960 --> 00:22:19,240 Speaker 1: When shuldar event spicy he saw that twice facist Jonaica 264 00:22:19,440 --> 00:22:23,480 Speaker 1: was brusquely halted by start and a song cut out? 265 00:22:24,520 --> 00:22:30,399 Speaker 1: Why did he do that? What was that music? That voice? 266 00:22:31,800 --> 00:22:36,120 Speaker 1: Where is g? D? Starts was already ignoring her, gazing 267 00:22:36,200 --> 00:22:39,080 Speaker 1: up into the sky. They were standing in what appeared 268 00:22:39,080 --> 00:22:42,800 Speaker 1: to be the center of everywhere, gone with the clumps, 269 00:22:42,800 --> 00:22:47,160 Speaker 1: nothing but three hundred and sixty degrees of open green space, 270 00:22:47,600 --> 00:22:51,320 Speaker 1: space that was filling up with the thousands of sucklings 271 00:22:51,480 --> 00:22:55,240 Speaker 1: that had joined their caravans. Within minutes, Jonaka and her 272 00:22:55,400 --> 00:22:59,760 Speaker 1: escorts were surrounded by notion of fluculent footwear of every 273 00:23:00,000 --> 00:23:06,640 Speaker 1: save size and stitch pettern. How Starts continued to igdore her. 274 00:23:06,960 --> 00:23:10,160 Speaker 1: She looked at the surrounding throne. All the supplings were 275 00:23:10,240 --> 00:23:13,000 Speaker 1: gazing up into the sky, there was no sign of 276 00:23:13,160 --> 00:23:17,480 Speaker 1: splots anywhere. Jonaka turned back to start, but he was gone, 277 00:23:17,840 --> 00:23:20,800 Speaker 1: only sky. It took a moment of her to realize 278 00:23:21,119 --> 00:23:26,320 Speaker 1: she was skyrocketing upwards on a tiny saucer of green earth. 279 00:23:26,920 --> 00:23:32,000 Speaker 1: She crouched into a ball. The wind roared, the sky darkened, 280 00:23:32,240 --> 00:23:37,399 Speaker 1: a mist gathered. The earth elevator came to a sudden halt, 281 00:23:37,560 --> 00:23:41,240 Speaker 1: catapulting her into the air for a second before she 282 00:23:41,359 --> 00:23:44,400 Speaker 1: landed on her feet like a puma. She whipped out 283 00:23:44,440 --> 00:23:51,600 Speaker 1: the carrot. No one, no moon, no stars, no light, 284 00:23:52,000 --> 00:23:54,919 Speaker 1: nothing except the glow of earth at her feet. She 285 00:23:55,040 --> 00:23:58,560 Speaker 1: knelt and peered over the edge. Her green saucer was 286 00:23:58,640 --> 00:24:05,760 Speaker 1: hovering in the air miles above the ground. She dialed 287 00:24:05,800 --> 00:24:14,439 Speaker 1: it down a notch. How another notch. Her name was 288 00:24:14,520 --> 00:24:20,159 Speaker 1: the flame to the fuse. Thousands of green sauces skyrocketed 289 00:24:20,280 --> 00:24:27,080 Speaker 1: into the sky, surrounding Jonica below. Above beside her, a 290 00:24:27,240 --> 00:24:34,280 Speaker 1: suckling a stride each emerald star riders becoming sucking skying. 291 00:24:38,080 --> 00:24:43,640 Speaker 1: The sucklings began flinging themselves across the sky, stretching out 292 00:24:43,840 --> 00:24:50,200 Speaker 1: and latching onto nearby saucer, forming an our gummy bridge 293 00:24:50,240 --> 00:24:54,840 Speaker 1: in the sky leading directly to Jonica. She couldn't help 294 00:24:54,920 --> 00:24:58,960 Speaker 1: but giggle as a final suckling stretched out and latched 295 00:24:59,040 --> 00:25:07,200 Speaker 1: under her so whether resounding, she followed the heavenly highway back. 296 00:25:07,600 --> 00:25:12,359 Speaker 1: It vanished in the misty sky ahead of her. Who 297 00:25:13,040 --> 00:25:16,360 Speaker 1: here goose everything? She stepped down onto the suckling bridge. 298 00:25:19,240 --> 00:25:23,040 Speaker 1: It was solid. It's sponges. My mother would love you guys. 299 00:25:23,440 --> 00:25:33,240 Speaker 1: You're so multiple and stretchy. Jonica froze, Hello, Is that 300 00:25:33,400 --> 00:25:37,560 Speaker 1: you no answer? Because I would never dream of turning 301 00:25:37,600 --> 00:25:41,240 Speaker 1: these creatures into a lush pair of mens. Jonica quickened 302 00:25:41,280 --> 00:25:44,680 Speaker 1: her pace, huffing a saucer to saucer, maybe a soldier 303 00:25:44,720 --> 00:25:50,119 Speaker 1: of roots. Quiet about? Why are you yelling at me? 304 00:25:50,560 --> 00:25:55,080 Speaker 1: I told you to be quiet. I didn't say anything, Jonica. 305 00:25:56,280 --> 00:25:59,480 Speaker 1: I'm not Jonica, I know that. What do you what? 306 00:26:00,080 --> 00:26:03,360 Speaker 1: Are you all right? Yes? I thought I'm all right. Captain? 307 00:26:03,960 --> 00:26:07,359 Speaker 1: Why do you ask? I think you just lost your 308 00:26:07,359 --> 00:26:09,440 Speaker 1: way A little bit in the story, sir, lost my 309 00:26:09,520 --> 00:26:19,119 Speaker 1: way bogger dash somewhat enhanced suddenly, yeah, tad customized perhaps, 310 00:26:19,480 --> 00:26:23,040 Speaker 1: but these are the exact words of John cavaronical a 311 00:26:23,160 --> 00:26:28,560 Speaker 1: fleet unvarnished, unused, and underminished. I would never try to 312 00:26:28,720 --> 00:26:35,080 Speaker 1: embellish such finally spun gold mine is a much more 313 00:26:35,600 --> 00:26:42,400 Speaker 1: leathery tale yours. Why my Londern article? Of course, when 314 00:26:42,440 --> 00:26:45,439 Speaker 1: do we get to your batcher in his own time 315 00:26:45,600 --> 00:26:49,800 Speaker 1: and propara ordered? Captain? I am laying these out as 316 00:26:49,880 --> 00:26:52,119 Speaker 1: their currens, who as not to incur the rancor of 317 00:26:52,240 --> 00:26:57,040 Speaker 1: the canker. Would we cannot afford to miss a thing 318 00:26:57,800 --> 00:27:02,440 Speaker 1: what happened? It would be like a boat in the mist, dear, 319 00:27:02,920 --> 00:27:07,680 Speaker 1: once the causes alter never corrected. I don't understand Jonica 320 00:27:07,800 --> 00:27:15,320 Speaker 1: was being infiltrator, dear, infiltrat? Yes? Who was indeed? And 321 00:27:15,480 --> 00:27:19,280 Speaker 1: why I was home doing the infiltrating? And went? Was 322 00:27:19,560 --> 00:27:24,520 Speaker 1: whose infiltration emanating? And was it actually an infiltration at all? 323 00:27:25,280 --> 00:27:28,640 Speaker 1: These are the questions shouldn't and the Andrews can only 324 00:27:28,680 --> 00:27:31,240 Speaker 1: be going back at the watcher, cheer him, just after 325 00:27:31,359 --> 00:27:36,880 Speaker 1: Jonaka was rudely inhaled by the machine, leaving the rest 326 00:27:36,960 --> 00:27:44,040 Speaker 1: of us a gape and a gasping Why didn't she 327 00:27:44,200 --> 00:27:48,160 Speaker 1: look after her? We were busy janning and facts was here? 328 00:27:48,200 --> 00:27:52,000 Speaker 1: Excuse chuckles, I was stuck in the boiler room. What 329 00:27:52,080 --> 00:27:55,600 Speaker 1: do we do? I asked frantically. She has both carrots. 330 00:27:55,880 --> 00:27:58,440 Speaker 1: Does she need one on this side to get back? 331 00:27:58,840 --> 00:28:02,760 Speaker 1: I'll go get her. Charlie whipped off his chucket. Too dangerous, Charlie, 332 00:28:03,119 --> 00:28:06,720 Speaker 1: I don't care. I should go? Why should you go? 333 00:28:07,320 --> 00:28:11,119 Speaker 1: Pit squeak. Perry stepped up defiantly, and we all noticed. 334 00:28:11,160 --> 00:28:13,760 Speaker 1: Though he still wasn't quite as tall as Charlie, he 335 00:28:13,880 --> 00:28:18,800 Speaker 1: had definitely gained some girth on the older boy, because 336 00:28:18,920 --> 00:28:23,480 Speaker 1: I've been there, rockhead. Nick pulled them apart, which is 337 00:28:23,520 --> 00:28:27,240 Speaker 1: exactly why you shouldn't go, Perry or Hugh, Charlie. Look, guys, 338 00:28:27,359 --> 00:28:30,320 Speaker 1: Jonica is no girl scout. Actually she is, Nick. I 339 00:28:30,400 --> 00:28:33,480 Speaker 1: buy cookie strom her every year. Whatever. The point is 340 00:28:33,560 --> 00:28:36,080 Speaker 1: that Puma knows how to handle herself. Is that her 341 00:28:36,160 --> 00:28:39,440 Speaker 1: code name? I don't think we've officially it doesn't matter. 342 00:28:39,640 --> 00:28:41,880 Speaker 1: The thing is, I wasn't supposed to go. Next. I 343 00:28:42,240 --> 00:28:46,960 Speaker 1: was am Curson playing Ready Ready, placed her hand on 344 00:28:47,200 --> 00:28:50,520 Speaker 1: Benny's arm. We're all upset. Then he pulled away from 345 00:28:50,560 --> 00:28:56,960 Speaker 1: her and kicked the JumboTron angrily. Perry Sludge told you 346 00:28:57,080 --> 00:29:00,360 Speaker 1: he could hear us in his dreams, right, yeah so, 347 00:29:00,960 --> 00:29:02,760 Speaker 1: And that he was looking for another way in and 348 00:29:02,840 --> 00:29:07,720 Speaker 1: out of absentia. Yeah so, Mona pointed to Charlie's head. 349 00:29:08,440 --> 00:29:12,200 Speaker 1: What if there's one in there? We all turned to Charlie. 350 00:29:12,600 --> 00:29:14,960 Speaker 1: It was the first time I had ever looked him 351 00:29:15,080 --> 00:29:19,560 Speaker 1: squarely in the face. He had two different colored eyes. 352 00:29:20,440 --> 00:29:24,120 Speaker 1: I'd always thought his eyes were basically fully blue. Was 353 00:29:24,240 --> 00:29:28,760 Speaker 1: seen squirreling. His right eye was definitely gully blue, but 354 00:29:28,920 --> 00:29:33,960 Speaker 1: the left was decidedly gang gonness screen. You mean in 355 00:29:34,080 --> 00:29:38,320 Speaker 1: my head they switched color, his left wind blue and 356 00:29:38,440 --> 00:29:42,440 Speaker 1: the right wind green. Did everyone just see that? I asked, 357 00:29:42,520 --> 00:29:46,600 Speaker 1: in disbelief. Everyone nodded, and we all pushed him closer 358 00:29:46,680 --> 00:29:52,120 Speaker 1: to Charlie. Easy, that's funny, looking utterly into continental. We 359 00:29:52,280 --> 00:29:55,080 Speaker 1: could happen again. Charlie is because he bring his half 360 00:29:55,120 --> 00:30:01,280 Speaker 1: empty Charlie, everybody back up. We oba, first of all, 361 00:30:02,000 --> 00:30:07,000 Speaker 1: what's absential? That's where j D is? Second, who sludge? 362 00:30:07,440 --> 00:30:11,680 Speaker 1: Who do you think? Huh? So the sludge is visiting 363 00:30:11,720 --> 00:30:14,520 Speaker 1: me in my dreams? That means you can get from 364 00:30:14,680 --> 00:30:18,440 Speaker 1: there to here somehow? Yes, so I have a door 365 00:30:18,560 --> 00:30:21,320 Speaker 1: in my head. If it was a door, sludge would 366 00:30:21,320 --> 00:30:24,200 Speaker 1: have found a way through by now. Maybe he doesn't 367 00:30:24,240 --> 00:30:28,120 Speaker 1: want to come all the way through yet. Maybe he can't. Okay, 368 00:30:28,640 --> 00:30:31,959 Speaker 1: let's say it's a window. Maybe we can contact Jonica 369 00:30:32,040 --> 00:30:35,520 Speaker 1: through it. Okay, how do we do that? We all 370 00:30:35,640 --> 00:30:41,200 Speaker 1: looked at Charlie. What town for nine night jackals? Let's go? 371 00:30:41,760 --> 00:30:45,080 Speaker 1: Mona was out the door before Charlie could protest any further. 372 00:30:45,520 --> 00:30:49,240 Speaker 1: I was the last to leave the washing cheeriot, feeling 373 00:30:49,480 --> 00:30:53,800 Speaker 1: throughly dazed and confused. Apparently we were going on an 374 00:30:53,840 --> 00:30:59,600 Speaker 1: expedition to rescue Jessica from absentia and Charlie Evans head 375 00:31:03,640 --> 00:31:09,480 Speaker 1: The Laundronauts, a potentially untrue tale based on actual events, conceived, 376 00:31:09,640 --> 00:31:14,120 Speaker 1: written and directed by Colin mackenzie Mitchell, original music, sound 377 00:31:14,160 --> 00:31:18,600 Speaker 1: design and editing by Dave McKeever, Produced by Monica Michless 378 00:31:18,680 --> 00:31:23,640 Speaker 1: and Dave McKeever. Script supervision and editorial assistants by Christina Bryan. 379 00:31:24,360 --> 00:31:29,240 Speaker 1: Casting by Mary Claire Sweeters. Executive producers John Cameron Mitchell, 380 00:31:29,600 --> 00:31:34,480 Speaker 1: ed Asner and Colin Mackenzie Mitchell, starring in order of appearance, 381 00:31:35,040 --> 00:31:40,280 Speaker 1: Isaac Robinson Smith as the Man, Alison Frazier as the Woman, 382 00:31:40,840 --> 00:31:46,320 Speaker 1: and Great Granny Nanny ed Asner as the narrator. Evan 383 00:31:46,440 --> 00:31:52,160 Speaker 1: Took as the sister, Max Mitchell as the brother, Blue 384 00:31:52,200 --> 00:31:59,000 Speaker 1: Bill Sarasina as Jonica, Stephen Kieran as Hoodwin, Lilly Resto 385 00:31:59,160 --> 00:32:04,200 Speaker 1: as Mona, Nirvon Paul as Nick, Noah Bentley as Johnny, 386 00:32:04,680 --> 00:32:10,320 Speaker 1: Trevor Bernardino as Perry London Johnson as Ben John, Cameron 387 00:32:10,400 --> 00:32:15,640 Speaker 1: Mitchell as Absentia, Corey Kruger as Jane Do. The Laundronauts 388 00:32:15,720 --> 00:32:18,680 Speaker 1: is a collaboration between I Heart Media and Little brother 389 00:32:18,800 --> 00:32:32,080 Speaker 1: Sam Productions. For more podcasts from I heart Radio, visit 390 00:32:32,160 --> 00:32:35,760 Speaker 1: the i heart Radio app, Apple Podcasts, or wherever you 391 00:32:35,920 --> 00:32:39,720 Speaker 1: get your podcasts. The Laundronauts is a production of I 392 00:32:39,960 --> 00:32:40,680 Speaker 1: Heart Radio