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Speaker 1: So I'm like, excuse me, Casey A Fleck. I like you.

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Speaker 2: You're welcome to.

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Speaker 1: Crash on my couch for another week or so, but

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Speaker 1: I don't like you that much. Get out of my shower.

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Speaker 1: He just walked in and shine.

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Speaker 3: He's nuts.

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Speaker 1: He's a maniac, funny guy. What up?

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Speaker 3: What up?

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Speaker 4: What up?

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Speaker 5: Welcome back to Hollywood Handbook and Insiders Guide to Kicking

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Speaker 5: button dropping names in the Red carpet lineback hallwise of

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Speaker 5: this industry.

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Speaker 2: We call show biz.

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Speaker 5: We got a really exciting show today, I think, really

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Speaker 5: informative show.

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Speaker 1: Donald Glover he's here with a really big announcement.

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Speaker 5: Huge announcement. You know him from Mystery Boys, Communion, the

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Speaker 5: to do list, the to do list.

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Speaker 2: This is not about any of that.

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Speaker 1: No, I'll just say right now, totally separate, arena tuned.

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Speaker 2: If you like that stuff. But this is this is

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Speaker 2: a new thing that he's doing.

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Speaker 5: That's pretty exciting. Awards season coming up. We should probably

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Speaker 5: talk about. The ballots are starting to show up in

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Speaker 5: my mailbox. Yeah, flood in my mailbox. Can we just

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Speaker 5: get one ballot for all of them? Right?

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Speaker 2: Wouldn't that make the most one, one huge ballot?

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Speaker 1: I talked to Rick about it. He said, they'll never

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Speaker 1: do it.

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Speaker 5: And we've seen at this point pretty much all the

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Speaker 5: Awards season movies.

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Speaker 1: Yeah, everything worth seeing.

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Speaker 5: Yeah, and there's some but I think deserved buzz circling

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Speaker 5: a specific actress in the movie her. This is a

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Speaker 5: Spike Jones directed movie with Joaquin Phoenix, also Amy Adams,

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Speaker 5: Rouney Mara. But it's none of them. We're not talking

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Speaker 5: about them.

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Speaker 1: They know those actors and actors you've seen all them

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Speaker 1: before this.

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Speaker 2: They're trash.

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Speaker 1: Yeah, I mean you you can wipe your keyster with

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Speaker 1: those ones.

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Speaker 2: There's someone else in this movie. Her name is Scarlett Johnson.

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Speaker 5: And she plays a disembodied robotic voice.

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Speaker 2: Is that how you would describe it?

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Speaker 1: Yeah, those are the exact words I'd use. Disembodied robotic voice.

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Speaker 1: That's her character. And so just imagine getting a script

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Speaker 1: with that.

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Speaker 2: Yeah.

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Speaker 5: I'm just gonna play a clip from the movie so

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Speaker 5: you see what we're what we're talking about.

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Speaker 3: It's like to be alive in that room right now.

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Speaker 3: You can touch you? How would you touch me?

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Speaker 1: And I should not. Joaquin Phoenix is still munching on

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Speaker 1: the HOGI from the Master. You know when he speaks, uh,

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Speaker 1: it's sort of an old acting trick. You take a big,

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Speaker 1: huge fucking bite out of a HOGI right before you talk,

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Speaker 1: and it sort of gives you that nice sound that

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Speaker 1: he gets.

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Speaker 2: Or he goes.

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Speaker 5: And he's got his Hogi that he uses for this,

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Speaker 5: and it's the best HOGI I think in the business.

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Speaker 5: It's like a super you know, like a super Bowl

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Speaker 5: party HOGI.

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Speaker 1: Yeah, it's number one. And he just never runs out

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Speaker 1: and he won't use Crafty's hogies. I've heard he has

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Speaker 1: to bring his own because he's like, this is the

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Speaker 1: HOGI my character would eat, and that's how committed he is.

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Speaker 1: But he takes a big old gobble out of it

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Speaker 1: and he goes.

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Speaker 2: But he's garb.

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Speaker 5: We don't want to actually talk about him, not about him.

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Speaker 5: Scarlet Johnson her voice in this movie. We're listening to

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Speaker 5: her voice. Sean and I are looking at each other

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Speaker 5: and we give each other that look that says, this

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Speaker 5: girl should get an oscar for this.

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Speaker 1: Yeah, you know the look. We've given it to each

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Speaker 1: other a few times before.

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Speaker 5: And then I'm reading a marine HuffPo news site and

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Speaker 5: there's an article that says Scarlet Johnson's her role might

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Speaker 5: make history at Oscars.

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Speaker 1: Now, I don't know if the author of this article

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Speaker 1: saw the look we gave each other.

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Speaker 2: Were they in the screening, because.

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Speaker 5: When they say like, there's a lot of buzz circling this,

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Speaker 5: I mean, I wonder if that's the look that they're.

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Speaker 1: Like, Oh, I wonder if it was buzzing. Well, Hayes

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Speaker 1: and I are pretty much the only ones who've seen

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Speaker 1: the movie, and.

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Speaker 5: Then Scott found us from a Variety wrote about the movie,

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Speaker 5: it's Johnson who pulls off the trickiest feet. She creates

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Speaker 5: a complex, full bodied character without anybody at all detached

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Speaker 5: from her lethally curvaceous figure. The actress's breathy contralto is

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Speaker 5: no less seductive, but it also alights with tenderness and wonder.

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Speaker 5: I mean, that's very stupid. But do you think it's

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Speaker 5: stupid because you pronounce breathy briethy That's how it's written,

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Speaker 5: it's b r ee.

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Speaker 2: T h y.

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Speaker 1: Well, then I'm the stupid How stupid is that? That

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Speaker 1: is stupid?

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Speaker 5: Her performance in this movie. Up until this point, I

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Speaker 5: had sort of thought, and the pantheon of great movie performances,

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Speaker 5: who's in there?

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Speaker 1: The well, the times we've given each other that look before.

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Speaker 5: Yeah, is Andy Serkis as Gollum, Yeah, yep, Zoe Saldana

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Speaker 5: as as Avatar, Andy Serkis as the Darky in Planet

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Speaker 5: of the Apes.

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Speaker 1: Yes, twice, we've done it with him.

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Speaker 2: Andy Serkis is Mighty Joe Young.

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Speaker 1: Three times. We've done it with Circus Saldana for Avatar,

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Speaker 1: and I believe during the Herbie the love Bug remake,

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Speaker 1: we were like, whoever's doing Herbie, dust off your mantle

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Speaker 1: because you're you're going home with a little gentleman, a

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Speaker 1: short gentleman who's in pretty good shape.

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Speaker 5: But this movie, Scarlet Johnson, in this movie, she blows

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Speaker 5: all those other guys.

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Speaker 2: What was it? You said?

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Speaker 5: After as we were walking out, you said it really loud? Yeah, yeah,

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Speaker 5: as loud as I could. I turned and faced the

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Speaker 5: whole crowd, and I sort of tapped my glass. I

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Speaker 5: was drinking champagne.

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Speaker 1: I tapped my glass with a four to get people's attention,

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Speaker 1: and I said, uh, Scarlett Johnson just took a big, old, fat,

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Speaker 1: fucking stinky shit all over Andy Cirkis. And that guy's

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Speaker 1: done in this town because he used to be the

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Speaker 1: guy who you liked his voice acting. Yeah, and he

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Speaker 1: detached himself from his lethally curvaceous figure in order to

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Speaker 1: get oscars. And she just fucking took a real hot,

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Speaker 1: steamy one on Circus and his stuff. And now she's

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Speaker 1: living the high life. She's gonna be going home with

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Speaker 1: a short to gentleman who uh, he looks like he

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Speaker 1: works out. Let's say that.

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Speaker 5: My problem with Circus now, I realize he's in those

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Speaker 5: movies too much. He's got you know, when they make

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Speaker 5: those he wears, like the ping pong ball.

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Speaker 1: Suit, they're basing it on his physical movie.

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Speaker 5: Capture his motion, which I think is like, just remove

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Speaker 5: that element and maybe you've got a good performance. Because

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Speaker 5: with Scarlet Johnson, they just have the one ping pong

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Speaker 5: ball that's on her mouth to capture her voice.

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Speaker 1: And acting with just your voice is kind of a

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Speaker 1: new concept. We haven't really seen that before, Like that's

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Speaker 1: you know, the first movies were just people's mouths, close

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Speaker 1: ups on mouths. Yeah, and using your face and mouth

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Speaker 1: is such a trick in acting, and.

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Speaker 2: It's such a sheet. It's a crutch.

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Speaker 1: It's a crutch, and I feel like so many actors

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Speaker 1: use it.

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Speaker 5: And I find myself now, especially during a ward season,

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Speaker 5: when I'm evaluating these movies, watching the movie with my

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Speaker 5: eyes closer, with my sleeping mask on. Partially because the

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Speaker 5: movies are so scary. If I open your eyes, I'll

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Speaker 5: just be way too scared, but also because I think

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Speaker 5: that's the best way to watch movies.

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Speaker 1: And my trick that I do is I get a

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Speaker 1: compilation of Garfield comics and I will just hold them

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Speaker 1: up in front of my face, and I will just

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Speaker 1: flip through the pages, and I'll stop a little longer

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Speaker 1: if it's one with Odie or Normal or one of

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Speaker 1: my characters I really love, but I.

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Speaker 5: Will sort of look at those. You're not a Garfield guy, No,

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Speaker 5: I do not want to get used. He is a

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Speaker 5: nasty cat. That is not nice.

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Speaker 1: The way he talks to John and some of the

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Speaker 1: other of my favorite characters. I'm sorry, unacceptable. I will

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Speaker 1: flip through those and sort of be looking at that

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Speaker 1: while I'm watching the movie. And it's such a better

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Speaker 1: film experience, and you really get a sense of the performances,

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Speaker 1: most of which are trash and garbage, and almost no

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Speaker 1: one can act, and only Scarlet Johnson can act.

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Speaker 2: So let's make it official.

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Speaker 1: Let's make it official, Hayes and I are officially casting

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Speaker 1: our Oscar ballot vote right now.

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Speaker 2: That's it.

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Speaker 1: But think, okay, it's floated and it's in.

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Speaker 2: It's in the system. That's right.

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Speaker 1: So you're welcome, Scarlett Johnson and uh we look forward

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Speaker 1: to hearing more from you in the future.

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Speaker 2: We're gonna be right back on Hollywood Handbook.

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Speaker 5: Hollywood hand Book. So I thought in the song, I

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Speaker 5: thought they were saying I crashed my car into the Bridge.

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Speaker 2: I don't care, That's why I always heard. But they're

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Speaker 2: saying I love the TV show The Bridge.

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Speaker 1: Okay, that's your relatable for me.

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Speaker 2: I get that too, because I do love that show well,

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Speaker 2: and I have voted.

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Speaker 1: Those Google cards.

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Speaker 3: Comes Haze and Sean.

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Speaker 1: Hollywood hamp Hey.

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Speaker 2: Hey, what up.

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Speaker 5: Welcome back to the Hollywood Handbook and Insider's Guide to

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Speaker 5: kicking button dropping names in the red carpet lineback hallways

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Speaker 5: of this industry we call showbiz. We've got a very

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Speaker 5: exciting guest today. You know him from The Mystery Boys

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Speaker 5: Communion the Do Do List. Donald Glow is here.

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Speaker 3: Hey, how's it going, guys?

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Speaker 1: And Donald really wanted to be on the show because

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Speaker 1: more than just having Donald Glover. Here we have a

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Speaker 1: pretty heavy announcement, pretty exciting announcement.

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Speaker 3: Yeah, I wanted, I didn't. I wasn't sure if you

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Speaker 3: guys wanted me to do this at the beginning or

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Speaker 3: at the end, or like should I guess now? I yeah, no,

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Speaker 3: I just.

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Speaker 1: I'd say, let's get it all out there.

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Speaker 3: Yeah, sure, I I just been I didn't know really

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Speaker 3: the right forum or place to say this, but I

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Speaker 3: felt like this was a good place, since you.

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Speaker 1: Know, it's where most people get their news.

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Speaker 3: Those people get their news. I'm I'm Childish Gambino.

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Speaker 5: So the rapper Childish Cambino. It's been performing under under

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Speaker 5: a trader Joe's bag.

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Speaker 3: Yeah for for I guess, I guess ten years.

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Speaker 2: Yeah.

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Speaker 1: People have been speculating all over for a while. People

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Speaker 1: thought it was really kid rock and yeah, some people

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Speaker 1: thought it was River Phoenix. They thought that he I never.

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Speaker 3: Dot he had just been doing it, which I thought

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Speaker 3: that was like the most plausible if you're connected the dots.

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Speaker 1: Yeah, that's what you were trying to I was trying to.

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Speaker 2: Hold time, but it was you.

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Speaker 3: It was me.

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Speaker 2: Why keep it a secret all this time?

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Speaker 3: I was just afraid if I messed up that people

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Speaker 3: would know is me. Like if I like messed up

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Speaker 3: on a word or something, people would be like, oh,

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Speaker 3: I'll never see this guy again.

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Speaker 1: Like right, that's pretty scary.

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Speaker 3: This is a scary thing.

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Speaker 1: So I just didn't Well, there's so many words in

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Speaker 1: some of those songs.

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Speaker 3: Yeah, there's a lot of words in them, and you're

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Speaker 3: the possibility of you messing up is really high, especially

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Speaker 3: when you do it like a bunch.

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Speaker 2: It's safer under that back.

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Speaker 3: It's safer under the back, like because I have messed

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Speaker 3: up a couple of times, and I know people have

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Speaker 3: been like, I want to know who that is who

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Speaker 3: messed up?

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Speaker 1: So it's it must be a big relief to just

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Speaker 1: get it out there and get that weight off your chest.

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Speaker 1: You're the real childish Gambino. We can put all the

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Speaker 1: rumors to rest. But at the same time, there's a

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Speaker 1: freedom and not having people know that it's you. I mean,

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Speaker 1: I know when I was doing my banksy stuff, speak

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Speaker 1: of I.

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Speaker 3: When did you announce that? When did you? When did that?

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Speaker 3: Just that was was that it?

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Speaker 4: Oh?

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Speaker 1: Yeah, I've been doing banksy stuff for a while, so

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Speaker 1: but when I was doing my banksy stuff, especially when

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Speaker 1: like Exit Gift Shop came out. I call it gift

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Speaker 1: shop just because like that gif. Yeah, but anyway, Exit

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Speaker 1: Through the Gift Shop was out and people were talking

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Speaker 1: about it, and I was so scared that are they not

255
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Speaker 1: gonna like my drawings or do they not think it's

256
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Speaker 1: funny that I'm bending the phone booth and that stuff?

257
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Speaker 1: And so I was scared. But also then when they

258
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Speaker 1: really liked something, and I've made a lot of shit

259
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Speaker 1: that people really fucking like and think is really awesome,

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Speaker 1: I would go, oh, well, when someone's saying that they

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Speaker 1: really like this banksy thing, I'm like, yeah, no kidding

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Speaker 1: you dope, Yeah I made it. You're already a fan

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Speaker 1: of that stuff.

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Speaker 3: That's exactly how I feel. Daft punk feels all the time.

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Speaker 3: Yeah right, just like sitting there being like yeah I

266
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Speaker 3: made that. Yeah, but like of course it's me, Yes,

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Speaker 3: I'm awesome.

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Speaker 5: I can speak the same thing. Like when I was

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Speaker 5: performing as the whole Jabbawakes. For me, it was an

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Speaker 5: issue of labels. I was worried that I would be

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Speaker 5: labeled as a dancer rather than as a writer actor,

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Speaker 5: you know, right, Like like the media feels like they

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Speaker 5: have to make this choice, they have to slap this

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Speaker 5: label on you.

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Speaker 1: Well, and Donald has a funny saying about that where

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Speaker 1: he likes say, he likes to go. And I don't

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Speaker 1: know if you remember saying this.

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Speaker 2: You go.

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Speaker 1: Labels are pretty useful in a grocery store, not so

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Speaker 1: useful when you're talking about artists.

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Speaker 2: Yeah, what do you mean by that?

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Speaker 3: I don't remember saying that.

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Speaker 1: Well, it had a big packed on me.

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Speaker 3: Well, I don't. I don't think I said that. I'm

285
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Speaker 3: trying to think maybe there was someone else like this youse.

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Speaker 1: You mean maybe it was childish gambine.

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Speaker 3: No, No, I mean I definitely didn't say that. I

288
00:14:13,800 --> 00:14:15,959
Speaker 3: don't remember saying that at any point.

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Speaker 1: Well, I'll tell you what I thought it meant. I

290
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Speaker 1: thought it meant that some people look at the label

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Speaker 1: on a food package in a grocery store and they

292
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Speaker 1: sort of comparison shop and they look at the ingredients

293
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Speaker 1: and it helps them to be very specific.

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Speaker 3: And I thought you might be allergic to something I don't.

295
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Speaker 1: Yeah, maybe, and that maybe you don't want to be

296
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Speaker 1: so specific when you're looking at an artist. And I

297
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Speaker 1: don't even love that word artist.

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Speaker 2: Well, would you? That's that's another kind of label.

299
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Speaker 3: Yeah, I've been having a lot of trouble with that too,

300
00:14:53,040 --> 00:14:55,360
Speaker 3: because I don't know, like you know, artists, No one

301
00:14:55,440 --> 00:14:58,280
Speaker 3: wants to use that term. Everybody hates it, but it

302
00:14:58,360 --> 00:15:00,640
Speaker 3: but we have to. But we have to because we

303
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Speaker 3: haven't really.

304
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Speaker 1: What was that for the same reason I say table,

305
00:15:05,560 --> 00:15:07,920
Speaker 1: Yeah you talking about When I say table, you have

306
00:15:07,960 --> 00:15:09,480
Speaker 1: a picture in your head, but you're not picturing the

307
00:15:09,480 --> 00:15:13,360
Speaker 1: same table. I am, right, So then there's a disconnect.

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Speaker 1: My business card currently says artists slash two question marks.

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Speaker 2: Okay.

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Speaker 5: In my case, I call people who are creating something,

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Speaker 5: putting something out into the world. I call them human

312
00:15:26,080 --> 00:15:31,080
Speaker 5: human beings, okay, right, and I refuse to acknowledge like

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Speaker 5: everyone else who's not doing that because they I feel

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Speaker 5: like they aren't a part of this world and the

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Speaker 5: same like ecosystem, in the same they're not contributing anything.

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Speaker 3: Yes, right, yes, right.

317
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Speaker 5: Let's talk about your I guess your experiences in.

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Speaker 2: Rap in in hip hop?

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Speaker 3: Uh?

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Speaker 1: Yeah, I mean you know, now that it's out there,

321
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Speaker 1: is there a story you always wanted to tell?

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Speaker 3: I mean there there's no story you mean other than

323
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Speaker 3: just like the wild ride that is rap music? Yes,

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00:16:02,040 --> 00:16:05,000
Speaker 3: other than that like it's just you know, just rap music,

325
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Speaker 3: just loving rap music. Yeah, and being a rapster, being

326
00:16:08,160 --> 00:16:11,840
Speaker 3: a rapster. That that I think that's the most fun thing.

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Speaker 3: I mean, like I guess you know that there's just

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Speaker 3: a bunch of love like lovely lovable characters that yeah,

329
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Speaker 3: that isn't the rap world. Yeah, people don't know this,

330
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Speaker 3: but like fifty cent is like one of the funniest,

331
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Speaker 3: Like I guess i'd call him a prankster. Wow, he's

332
00:16:28,080 --> 00:16:28,960
Speaker 3: like puck you know.

333
00:16:29,360 --> 00:16:34,400
Speaker 1: Really yeah, bitches, he seems sort of low energy, but

334
00:16:34,440 --> 00:16:35,760
Speaker 1: you're telling me he's almost like.

335
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Speaker 3: A Dax Shepherd almost. He's peep. And it's crazy because

336
00:16:41,080 --> 00:16:44,520
Speaker 3: who said that. I think Snoop said that to me once.

337
00:16:44,560 --> 00:16:47,280
Speaker 3: He was like, fifty cent is the Dak Shepherd of

338
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Speaker 3: the rap world. And and that was before I met

339
00:16:49,520 --> 00:16:51,800
Speaker 3: fifty that was before you know, you're thinking, no way,

340
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Speaker 3: I call him Kurt because his name is Curtis. But

341
00:16:54,720 --> 00:16:56,600
Speaker 3: that was but I don't say that to him. I

342
00:16:56,640 --> 00:16:59,840
Speaker 3: don't say when he's not around, right, I call him Kurt.

343
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Speaker 3: But he he I was told, he's like, oh, that

344
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Speaker 3: guy is going to be the Dax Shepherd of wrap. Yeah,

345
00:17:06,800 --> 00:17:09,320
Speaker 3: Like there's no way. You know, there's no way. But

346
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Speaker 3: he really did it. He really did it.

347
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Speaker 2: Yeah.

348
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Speaker 5: You you've had some experience with uh, with Phiddy's pranks.

349
00:17:16,600 --> 00:17:19,800
Speaker 3: Yeah, I mean, you know, he comes to set because

350
00:17:19,800 --> 00:17:22,159
Speaker 3: he likes to vibe. Yeah, he likes the vibes of

351
00:17:22,240 --> 00:17:23,680
Speaker 3: a lot of sets. You know, he'll come to say

352
00:17:23,720 --> 00:17:24,840
Speaker 3: you know, action.

353
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Speaker 2: Like people communicating, he does.

354
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Speaker 3: He misses it. Like when he was working at the

355
00:17:29,160 --> 00:17:32,600
Speaker 3: Vitamin Water factory, it was just very busy. And now

356
00:17:32,640 --> 00:17:34,760
Speaker 3: that he sold it, you know, he's just rich and

357
00:17:34,800 --> 00:17:37,240
Speaker 3: he just doesn't get to be around that energy anymore.

358
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Speaker 1: Yeah, that's got to be a real crash. It's got

359
00:17:39,880 --> 00:17:42,399
Speaker 1: to be one day you're in charge of all the

360
00:17:42,960 --> 00:17:47,400
Speaker 1: shipping of the vitamin water factory, and then the next day.

361
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Speaker 3: Just somebody, everybody's like, here's five hundred dollars million or

362
00:17:53,040 --> 00:17:55,920
Speaker 3: was it five hundred or five hundred million, I can't remember.

363
00:17:56,040 --> 00:17:57,680
Speaker 3: It was a lot. It was an enough amount of

364
00:17:57,720 --> 00:17:59,240
Speaker 3: money where he's like, you know, you guys, I don't

365
00:17:59,280 --> 00:18:02,320
Speaker 3: need to do this anym more. But he still craved

366
00:18:02,400 --> 00:18:03,520
Speaker 3: that kind of energy.

367
00:18:03,760 --> 00:18:06,080
Speaker 5: I think that's why he came up with Street Kings,

368
00:18:06,440 --> 00:18:10,000
Speaker 5: was to try and to create that energy in a drink.

369
00:18:10,359 --> 00:18:12,400
Speaker 3: He goes about, you know, to come up with new

370
00:18:12,400 --> 00:18:16,679
Speaker 3: ideas for energy drinks that you know affect you. And

371
00:18:16,720 --> 00:18:19,520
Speaker 3: the thing is because because he wants that energy around,

372
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Speaker 3: he will do that. He will do that on set.

373
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Speaker 3: I remember I was filming something with Olivia Wild and

374
00:18:28,000 --> 00:18:32,560
Speaker 3: he came to set and he he kind of like

375
00:18:32,640 --> 00:18:38,800
Speaker 3: pushed this intern and it was the funniest, like just

376
00:18:37,880 --> 00:18:44,719
Speaker 3: so funny, just like just to not break and just

377
00:18:45,800 --> 00:18:51,240
Speaker 3: stay mean shove. Yeah, just so And you know we

378
00:18:51,280 --> 00:18:53,160
Speaker 3: still talk about it, but like it is funny because

379
00:18:53,160 --> 00:18:56,240
Speaker 3: he still has an apologies, like he kept that he's

380
00:18:56,320 --> 00:18:58,560
Speaker 3: keeping he's keeping the bit going that I talked to

381
00:18:58,640 --> 00:19:02,000
Speaker 3: the day. I said, oh, how do you this bit

382
00:19:02,119 --> 00:19:04,720
Speaker 3: still go? You're like, yeah, you know, it's it's fun.

383
00:19:04,800 --> 00:19:06,840
Speaker 2: It's just fun. Charles Groden.

384
00:19:07,359 --> 00:19:10,160
Speaker 1: Yeah, you know that level of commitment.

385
00:19:10,280 --> 00:19:13,080
Speaker 3: Yeah, just not letting it go. But you know that

386
00:19:13,240 --> 00:19:15,000
Speaker 3: is so cool. That's what makes him him.

387
00:19:15,240 --> 00:19:18,320
Speaker 1: Man, what a great window in And now, speaking of

388
00:19:23,960 --> 00:19:26,960
Speaker 1: speaking of rapping in rapsters, if I could talk frankly

389
00:19:27,040 --> 00:19:32,159
Speaker 1: about some of your music. Now, I'm a fan, you know,

390
00:19:32,240 --> 00:19:36,359
Speaker 1: I'm a fan. I like the childish Cambino stuff and

391
00:19:36,400 --> 00:19:39,080
Speaker 1: the one criticism I have is some of your lyrics

392
00:19:39,119 --> 00:19:44,639
Speaker 1: can get pretty scary, yeah, you know, And so is

393
00:19:44,680 --> 00:19:48,320
Speaker 1: that a power thing, like a control thing where you're like, Okay,

394
00:19:48,440 --> 00:19:50,159
Speaker 1: I'm doing comedy over here, I know I have the

395
00:19:50,200 --> 00:19:52,800
Speaker 1: power to make them bust up laughing, and then over

396
00:19:52,840 --> 00:19:55,359
Speaker 1: here I'm doing maybe something that makes people really think.

397
00:19:56,040 --> 00:19:58,199
Speaker 1: And then you want to also have the power to,

398
00:19:58,480 --> 00:20:01,040
Speaker 1: in my case, at least make people really hurt their

399
00:20:01,080 --> 00:20:03,720
Speaker 1: ears pulling their earbuds out because they get so scared

400
00:20:04,280 --> 00:20:05,160
Speaker 1: by the lyrics.

401
00:20:05,680 --> 00:20:09,879
Speaker 3: Right, you know, I've heard that a lot. You know,

402
00:20:10,000 --> 00:20:13,119
Speaker 3: I've heard that a lot. That's been a concern for like,

403
00:20:13,640 --> 00:20:15,639
Speaker 3: I guess the past years. But I didn't have to

404
00:20:15,680 --> 00:20:18,720
Speaker 3: worry about that because no one knew who I was

405
00:20:19,160 --> 00:20:22,080
Speaker 3: because of the bag. Sure, and it wasn't a problem.

406
00:20:22,119 --> 00:20:24,320
Speaker 3: And the thing was, like I was very young, so

407
00:20:24,440 --> 00:20:26,320
Speaker 3: of course I was thinking, you know, who cares like

408
00:20:26,640 --> 00:20:31,359
Speaker 3: say a couple of monsters or yeah, anything like monsters,

409
00:20:31,480 --> 00:20:35,080
Speaker 3: or like, oh I sometimes I download music for free,

410
00:20:35,440 --> 00:20:38,480
Speaker 3: you know, or like I don't like that kind of

411
00:20:38,480 --> 00:20:40,920
Speaker 3: stuff where people like, hey, this guy's not on the

412
00:20:41,000 --> 00:20:41,439
Speaker 3: up and up.

413
00:20:41,600 --> 00:20:45,439
Speaker 1: And was it also maybe that because your identity was secret,

414
00:20:45,560 --> 00:20:48,760
Speaker 1: you were trying to disguise your voice, and maybe sometimes

415
00:20:50,520 --> 00:20:52,960
Speaker 1: your voice would get very low, almost like a.

416
00:20:52,920 --> 00:20:58,200
Speaker 3: Frankenstein, almost almost like a Frankenstein. And I'd make it spooky.

417
00:20:59,080 --> 00:21:01,880
Speaker 3: I'd make it spooky. I'm and you know, and that's

418
00:21:01,960 --> 00:21:04,800
Speaker 3: but that's my favorite. All my favorite stuff is spooky.

419
00:21:05,200 --> 00:21:08,240
Speaker 3: Like name one thing that's good that's not a little spooky.

420
00:21:09,440 --> 00:21:11,160
Speaker 3: Name one thing ghost?

421
00:21:11,359 --> 00:21:13,240
Speaker 1: Get me on the spot that.

422
00:21:15,320 --> 00:21:16,359
Speaker 3: It's spooky? Is it not?

423
00:21:17,200 --> 00:21:17,400
Speaker 1: Name?

424
00:21:17,600 --> 00:21:21,600
Speaker 3: Uh? I'm trying to think of just like the best things.

425
00:21:21,800 --> 00:21:23,200
Speaker 3: Have you guys seen Kangaroo Jack?

426
00:21:24,240 --> 00:21:24,359
Speaker 5: Uh?

427
00:21:24,880 --> 00:21:26,720
Speaker 3: Yes, I actually.

428
00:21:26,280 --> 00:21:29,360
Speaker 2: Had to leave because I was a little spooked out.

429
00:21:29,440 --> 00:21:30,480
Speaker 3: Are you were a little spooked out?

430
00:21:30,560 --> 00:21:30,919
Speaker 2: I was?

431
00:21:31,080 --> 00:21:32,720
Speaker 3: But it's a good it's good.

432
00:21:32,560 --> 00:21:35,240
Speaker 1: Yea, yeah, that gets good for and I had to

433
00:21:35,280 --> 00:21:36,760
Speaker 1: split Dracula.

434
00:21:37,040 --> 00:21:38,680
Speaker 2: Dracula is actually a little bit scary.

435
00:21:38,720 --> 00:21:39,520
Speaker 3: It's a little spooky.

436
00:21:40,880 --> 00:21:43,639
Speaker 1: Yeah, that's a really excellent Bridesmaids.

437
00:21:44,320 --> 00:21:45,240
Speaker 2: Yeah, that was great.

438
00:21:45,720 --> 00:21:46,320
Speaker 3: That was great.

439
00:21:46,400 --> 00:21:47,040
Speaker 1: Did you see that.

440
00:21:48,440 --> 00:21:51,439
Speaker 3: I haven't really seen a movie in a while. I

441
00:21:51,520 --> 00:21:54,840
Speaker 3: have to be honest, you've been wearing the bag. It's

442
00:21:54,480 --> 00:21:57,560
Speaker 3: I mean, I've taken I mean I don't have to anymore.

443
00:21:58,119 --> 00:22:01,000
Speaker 3: Did I wear the bag in here? I don't think

444
00:22:01,040 --> 00:22:01,360
Speaker 3: I did.

445
00:22:01,440 --> 00:22:01,680
Speaker 2: Wow.

446
00:22:01,760 --> 00:22:02,600
Speaker 3: Okay, So I.

447
00:22:02,520 --> 00:22:04,600
Speaker 1: Think Engineer Brett folded it up and put it under

448
00:22:04,640 --> 00:22:06,320
Speaker 1: the table for you. Thanks for you want it when

449
00:22:06,320 --> 00:22:06,680
Speaker 1: you leave.

450
00:22:07,080 --> 00:22:12,680
Speaker 3: I really appreciate that. Okay, cool, that's it's right under there.

451
00:22:12,920 --> 00:22:15,560
Speaker 5: If I can speak as a fan for a second.

452
00:22:15,600 --> 00:22:17,280
Speaker 5: I always hate to do this because we're supposed to

453
00:22:17,280 --> 00:22:24,040
Speaker 5: be having I I just really want to know what

454
00:22:25,200 --> 00:22:26,480
Speaker 5: Maclmore is like.

455
00:22:28,160 --> 00:22:34,840
Speaker 3: Macklemore. Uh, and I'm gonna I don't want to ruin

456
00:22:34,920 --> 00:22:37,160
Speaker 3: him for you, Okay, I don't want to ruin.

457
00:22:37,200 --> 00:22:42,280
Speaker 5: Okay, but you you can't, but I welcome you to try.

458
00:22:42,359 --> 00:22:53,399
Speaker 3: Okay. Macklemore isn't really a person. He has two puppeteers. Yeah,

459
00:22:53,600 --> 00:22:58,560
Speaker 3: the two black men who sing his hooks huh one

460
00:22:58,760 --> 00:23:03,959
Speaker 3: are Yeah, they are. You know, we call them black Nomore's.

461
00:23:04,600 --> 00:23:08,160
Speaker 3: They don't know that we do that, uh huh.

462
00:23:08,880 --> 00:23:11,640
Speaker 1: But uh a lot of behind the back nicknames.

463
00:23:11,800 --> 00:23:14,240
Speaker 3: Yeah.

464
00:23:14,320 --> 00:23:16,320
Speaker 1: I mean, I didn't know how common that was.

465
00:23:16,359 --> 00:23:19,400
Speaker 3: It's it's super common in the rap community. Wow. Yeah.

466
00:23:19,400 --> 00:23:23,320
Speaker 1: But so they're they're operating some sort of highly advanced

467
00:23:23,840 --> 00:23:28,359
Speaker 1: synthetic puppet character is what we know as as Macklemore.

468
00:23:28,440 --> 00:23:31,320
Speaker 3: And he makes great music and you know, we're all

469
00:23:31,359 --> 00:23:34,920
Speaker 3: happy we're all enjoy but like, well, Ryan Lewis must

470
00:23:34,960 --> 00:23:39,760
Speaker 3: be uh a person and well he's not. I mean,

471
00:23:39,800 --> 00:23:43,800
Speaker 3: have you ever seen Ryan Lewis speak? No, but I've

472
00:23:43,840 --> 00:23:46,639
Speaker 3: heard he's heard his music. I mean that could have

473
00:23:46,680 --> 00:23:49,520
Speaker 3: come from anyone. It's just you know, we we all

474
00:23:49,960 --> 00:23:53,400
Speaker 3: it's it's all make believes. But nobody wants to see

475
00:23:53,400 --> 00:23:55,560
Speaker 3: how the hot dogs are made. No one wants to.

476
00:23:55,760 --> 00:23:59,000
Speaker 3: People just want to. I mean, people, you you enjoyed, Hey,

477
00:23:59,040 --> 00:24:00,680
Speaker 3: you like that rip the trailer?

478
00:24:00,760 --> 00:24:00,960
Speaker 1: Right?

479
00:24:01,200 --> 00:24:01,760
Speaker 2: Yeah?

480
00:24:01,800 --> 00:24:04,240
Speaker 3: Because the music was, so why are we upset?

481
00:24:04,560 --> 00:24:04,840
Speaker 2: Right?

482
00:24:05,080 --> 00:24:07,080
Speaker 1: That's true. I should take it at face value and

483
00:24:07,080 --> 00:24:09,560
Speaker 1: just enjoy the good parts of it and not think

484
00:24:09,560 --> 00:24:11,240
Speaker 1: about some of the negative stuff.

485
00:24:12,040 --> 00:24:14,879
Speaker 3: I wouldn't even say it's negative. I wouldn't I feel

486
00:24:14,880 --> 00:24:16,960
Speaker 3: like that. I mean, that's just where music's going.

487
00:24:17,320 --> 00:24:18,240
Speaker 2: That's just the industry.

488
00:24:18,320 --> 00:24:18,520
Speaker 6: Man.

489
00:24:18,520 --> 00:24:20,399
Speaker 1: That's a trailer though. Huh.

490
00:24:20,440 --> 00:24:20,800
Speaker 2: Teaser.

491
00:24:20,840 --> 00:24:23,679
Speaker 5: I'm sorry we're using industry jargon that people know.

492
00:24:23,760 --> 00:24:27,160
Speaker 1: Oh yeah, yeah, yes, people try to use teasers.

493
00:24:27,160 --> 00:24:28,800
Speaker 2: You can know. That's what people sort of know.

494
00:24:28,880 --> 00:24:31,199
Speaker 1: The mess for anyone just catching up this is your

495
00:24:31,240 --> 00:24:34,359
Speaker 1: first episode. Teaser is when they show little pieces of

496
00:24:34,480 --> 00:24:39,120
Speaker 1: movies before the movies. So some people use this podcast

497
00:24:39,160 --> 00:24:42,080
Speaker 1: to kind of learn more about oh about stuff, the

498
00:24:42,160 --> 00:24:44,200
Speaker 1: industry and stuff sort of going.

499
00:24:44,040 --> 00:24:46,200
Speaker 3: Yeah, where it's going and stuff yeah.

500
00:24:46,000 --> 00:24:48,720
Speaker 1: Yeah yeah, where yeah, where is entertainment headed?

501
00:24:50,920 --> 00:24:53,959
Speaker 3: Everything's gonna be on a cloud eventually. I think it's

502
00:24:54,080 --> 00:24:55,879
Speaker 3: just gonna be a subscription. Like if you want to

503
00:24:56,320 --> 00:24:58,480
Speaker 3: update your cloud, update your cloud, if you want to

504
00:24:58,480 --> 00:25:01,520
Speaker 3: see a stevens bil, You're gonna have to just pay

505
00:25:01,720 --> 00:25:04,080
Speaker 3: the subscription for the Steven Spielberg cloud.

506
00:25:04,320 --> 00:25:04,600
Speaker 2: Sure.

507
00:25:04,680 --> 00:25:07,440
Speaker 3: I think that's where everything's going, honestly, and.

508
00:25:07,440 --> 00:25:08,560
Speaker 1: A little microchip.

509
00:25:08,840 --> 00:25:11,159
Speaker 3: Yeah, in a cloud. It'll be in our heads. Like

510
00:25:11,240 --> 00:25:13,520
Speaker 3: I'd say, by the end of the year, I'm gonna

511
00:25:13,560 --> 00:25:19,240
Speaker 3: be watching stuff on our phones. Yeh, phones, iPads, computers,

512
00:25:19,400 --> 00:25:23,880
Speaker 3: viral internet. These are all the future.

513
00:25:24,200 --> 00:25:27,840
Speaker 2: Would you like to watch dog Town and z Boys tonight?

514
00:25:28,119 --> 00:25:29,280
Speaker 2: That's what your phone is going to be?

515
00:25:29,320 --> 00:25:31,240
Speaker 3: Said? Yeah, or my robot wife.

516
00:25:31,400 --> 00:25:34,320
Speaker 1: I'll tell you. I'm looking forward to the next the

517
00:25:34,359 --> 00:25:36,960
Speaker 1: next version of the iPhone. I hear this one you

518
00:25:37,000 --> 00:25:38,280
Speaker 1: can make calls with.

519
00:25:41,240 --> 00:25:44,639
Speaker 2: Now we don't. Can we do that? Can we do

520
00:25:44,720 --> 00:25:46,240
Speaker 2: something like that? Brett on this show?

521
00:25:47,840 --> 00:25:48,040
Speaker 1: Sure?

522
00:25:48,240 --> 00:25:48,399
Speaker 2: Is that?

523
00:25:48,480 --> 00:25:51,040
Speaker 3: Okay, okay, don't believe it's just a joke.

524
00:25:52,119 --> 00:25:54,640
Speaker 2: Honestly, we know you can. It's just a fun.

525
00:25:55,240 --> 00:25:56,280
Speaker 1: In fact, I'm getting one.

526
00:25:56,440 --> 00:25:59,359
Speaker 2: Who is that? Oh? Is it Jamie?

527
00:26:00,400 --> 00:26:02,520
Speaker 1: It's Jamie King.

528
00:26:03,080 --> 00:26:05,040
Speaker 3: Do you have that bag? It's that bag on her?

529
00:26:06,720 --> 00:26:07,600
Speaker 2: You want to put the bag on?

530
00:26:08,359 --> 00:26:10,160
Speaker 3: No, I just want to make sure it's there. It's

531
00:26:10,200 --> 00:26:10,480
Speaker 3: one of.

532
00:26:10,400 --> 00:26:17,040
Speaker 1: Those Yeah, yeah, James. No, No, I'm recording a podcast.

533
00:26:18,000 --> 00:26:22,840
Speaker 1: Yeah it's no, it's fine. They don't care. Uh huh.

534
00:26:23,320 --> 00:26:27,080
Speaker 1: And then what did he? Okay, but you were being exed.

535
00:26:27,240 --> 00:26:32,080
Speaker 1: She's with Jamie Kennedy and you were being exed. Okay,

536
00:26:32,800 --> 00:26:36,160
Speaker 1: that must have been embarrassing. All right, we'll talk about

537
00:26:36,160 --> 00:26:41,600
Speaker 1: it later. Jamie says, hi too, Brett, Okay, do we

538
00:26:41,640 --> 00:26:43,080
Speaker 1: want to do engineering my career?

539
00:26:43,440 --> 00:26:47,760
Speaker 5: Let's since we have Brett here, there's a segment we

540
00:26:47,800 --> 00:26:48,480
Speaker 5: really like to do.

541
00:26:49,080 --> 00:26:49,199
Speaker 2: Uh.

542
00:26:49,560 --> 00:26:50,600
Speaker 1: The fans love on the show.

543
00:26:50,640 --> 00:26:54,400
Speaker 5: The fans love where our engineer. Every week they get

544
00:26:54,400 --> 00:26:57,040
Speaker 5: to draw straws for who gets to do this show? Uh,

545
00:26:57,200 --> 00:26:59,400
Speaker 5: And then they get to ask one question of us

546
00:26:59,400 --> 00:27:01,280
Speaker 5: and our guests about.

547
00:27:01,000 --> 00:27:02,040
Speaker 2: How to help their career.

548
00:27:02,080 --> 00:27:05,000
Speaker 5: They're all struggling on a one on one coaching session

549
00:27:05,400 --> 00:27:08,000
Speaker 5: in Hollywood, and they get one question and a quick

550
00:27:08,080 --> 00:27:10,919
Speaker 5: hit answer for what the next step for them should be.

551
00:27:10,960 --> 00:27:14,920
Speaker 2: So Engineer Brett, do you do you have a question

552
00:27:15,000 --> 00:27:15,280
Speaker 2: for us?

553
00:27:15,440 --> 00:27:18,760
Speaker 1: I didn't know we only got one. Okay, well, if

554
00:27:18,760 --> 00:27:20,200
Speaker 1: you have more than one, see if you can mash

555
00:27:20,240 --> 00:27:20,720
Speaker 1: them together.

556
00:27:22,040 --> 00:27:31,320
Speaker 6: Okay, I guess I'm here recording Hollywood Handbook. I'm like,

557
00:27:31,400 --> 00:27:33,400
Speaker 6: if you asked me a couple of years ago, would

558
00:27:33,400 --> 00:27:38,439
Speaker 6: I be doing this? There's no way I would believe that.

559
00:27:38,520 --> 00:27:40,600
Speaker 6: I'm just wondering what the next what should I be?

560
00:27:41,280 --> 00:27:44,399
Speaker 6: What's the next step for someone like me? Okay, okay,

561
00:27:44,600 --> 00:27:49,840
Speaker 6: I'm like a musician, but also you know, engineer, producer.

562
00:27:50,800 --> 00:27:52,960
Speaker 6: I'm just I can't see what the what the future

563
00:27:53,040 --> 00:27:53,480
Speaker 6: is right now?

564
00:27:53,520 --> 00:27:55,840
Speaker 1: Okay, I'm gonna take the reins from you a little

565
00:27:55,840 --> 00:28:00,840
Speaker 1: bit because you're kind of rambling. Yes, the for engineering

566
00:28:00,840 --> 00:28:09,560
Speaker 1: my career is. I love recording Hollywood Handbook. I can't

567
00:28:09,600 --> 00:28:10,680
Speaker 1: believe what a dream come true?

568
00:28:10,720 --> 00:28:11,120
Speaker 2: This is.

569
00:28:12,840 --> 00:28:16,320
Speaker 1: Am I even awake right now. And I would say

570
00:28:17,720 --> 00:28:22,879
Speaker 1: be thankful because they actually did a study recently on happiness,

571
00:28:23,480 --> 00:28:26,919
Speaker 1: and yes, be gratitude and feeling grateful is one of

572
00:28:26,960 --> 00:28:29,560
Speaker 1: the number one things.

573
00:28:29,800 --> 00:28:31,200
Speaker 2: Yes, that's uh.

574
00:28:31,280 --> 00:28:35,639
Speaker 5: There's this guy, this writer that I love, Malcolm Bagwell. Oh,

575
00:28:35,680 --> 00:28:38,840
Speaker 5: I love him very very smart.

576
00:28:38,520 --> 00:28:39,760
Speaker 3: Very I don't smart.

577
00:28:39,840 --> 00:28:41,640
Speaker 1: I don't get some of his stuff because he's some

578
00:28:41,720 --> 00:28:42,960
Speaker 1: kind of brain scientific.

579
00:28:43,680 --> 00:28:46,480
Speaker 3: He covers like just an apple with an orange inside,

580
00:28:46,560 --> 00:28:49,680
Speaker 3: like yes, more like a hot dog with like it's

581
00:28:49,720 --> 00:28:51,200
Speaker 3: just like where's your brain?

582
00:28:51,800 --> 00:28:51,960
Speaker 2: Right?

583
00:28:51,960 --> 00:28:52,080
Speaker 4: Who?

584
00:28:52,520 --> 00:28:52,880
Speaker 3: Yeah?

585
00:28:52,920 --> 00:28:55,520
Speaker 5: You know, he has a lot of interesting stuff to say,

586
00:28:55,560 --> 00:28:57,400
Speaker 5: and the most important one I think is it's not

587
00:28:57,560 --> 00:29:00,600
Speaker 5: about money. It's not about money at the end of

588
00:29:00,640 --> 00:29:02,280
Speaker 5: the day, it's not how much money you have.

589
00:29:02,640 --> 00:29:06,160
Speaker 1: Put your phone down, yeah, go outside.

590
00:29:06,520 --> 00:29:08,800
Speaker 5: Yes, that was a really interesting thing to hear that.

591
00:29:08,960 --> 00:29:11,640
Speaker 5: I I don't think that message is out there enough.

592
00:29:12,200 --> 00:29:15,080
Speaker 3: It is is that's just not it's not out the people,

593
00:29:15,160 --> 00:29:18,320
Speaker 3: the kids. Reality television, Yeah, just.

594
00:29:19,920 --> 00:29:21,920
Speaker 2: Reality television. And like let's just.

595
00:29:21,840 --> 00:29:27,680
Speaker 3: Remember like remember remember, yeah, Yeah, we're back when we

596
00:29:27,560 --> 00:29:29,360
Speaker 3: were back where before?

597
00:29:30,000 --> 00:29:34,880
Speaker 5: Yeah, before all the yeah and the and video games

598
00:29:35,280 --> 00:29:37,920
Speaker 5: and all this stuff, when people talked to each other,

599
00:29:38,720 --> 00:29:40,640
Speaker 5: you know what I mean, when we would actually have

600
00:29:40,680 --> 00:29:46,000
Speaker 5: a conversation instead of texting. Absolutely, should we take a

601
00:29:46,080 --> 00:29:47,960
Speaker 5: quick dig into the popcorn gallery.

602
00:29:48,120 --> 00:29:50,320
Speaker 1: Yeah, let's jump into the popcorn gallery real quick.

603
00:29:52,800 --> 00:29:53,040
Speaker 3: Yeah.

604
00:29:54,040 --> 00:29:58,120
Speaker 1: The popcorn Gallery is one of people's favorite segments and

605
00:29:59,080 --> 00:30:01,520
Speaker 1: a lot of the the general public and sort of

606
00:30:01,520 --> 00:30:07,480
Speaker 1: the flyover states don't have access to industry heavyweights, so

607
00:30:07,520 --> 00:30:09,840
Speaker 1: they will ask questions that they're curious about that no

608
00:30:09,880 --> 00:30:11,520
Speaker 1: one in their life can answer.

609
00:30:11,880 --> 00:30:15,120
Speaker 5: Okay, all right, and this is a question from a

610
00:30:15,320 --> 00:30:17,640
Speaker 5: show show bro one of our listeners.

611
00:30:18,400 --> 00:30:19,200
Speaker 2: You've done.

612
00:30:20,560 --> 00:30:26,560
Speaker 5: Improv improvisation comedy in the past. This listener is trying

613
00:30:26,600 --> 00:30:29,640
Speaker 5: to get into themselves, and they ask, when an improv

614
00:30:29,720 --> 00:30:32,760
Speaker 5: bit is tanking, what are three things you can do

615
00:30:32,840 --> 00:30:35,960
Speaker 5: to turn it around and blow some wind in the sails?

616
00:30:37,000 --> 00:30:40,120
Speaker 3: Okay, I can't tell I can't tell you how many

617
00:30:40,160 --> 00:30:45,040
Speaker 3: times I've heard this, sure, but I guess two of

618
00:30:45,040 --> 00:30:47,120
Speaker 3: them I know for sure. One of them, I'm not sure. Okay,

619
00:30:47,720 --> 00:30:51,800
Speaker 3: some sort of baby, yes, some sort of baby. It

620
00:30:51,800 --> 00:30:57,160
Speaker 3: doesn't a sick baby, a tired one cent you can

621
00:30:57,160 --> 00:30:59,040
Speaker 3: pretend to be it or just put it in the scene.

622
00:30:59,160 --> 00:31:02,720
Speaker 3: Oh really mean like a foul mouth baby who's saying

623
00:31:02,800 --> 00:31:07,360
Speaker 3: things that a baby normally wouldn't say. Those are always stowey.

624
00:31:08,840 --> 00:31:12,240
Speaker 3: I well, I mean that's industry jargon. Again, you'd be like,

625
00:31:12,360 --> 00:31:16,400
Speaker 3: throw a stewie in it. But we any sort of

626
00:31:16,400 --> 00:31:22,360
Speaker 3: baby number two? Uh, make forcing something to be a catchphrase?

627
00:31:24,320 --> 00:31:28,280
Speaker 3: Something just just anything like if it feels if you're

628
00:31:28,400 --> 00:31:32,360
Speaker 3: if you're tanking and every no one's laughing, say something

629
00:31:32,680 --> 00:31:34,200
Speaker 3: like it's a catchphrase.

630
00:31:33,840 --> 00:31:36,200
Speaker 1: Until it is. Can can we get just six or

631
00:31:36,200 --> 00:31:40,800
Speaker 1: seven quick examples of like, you know what could be

632
00:31:40,840 --> 00:31:41,880
Speaker 1: forced to be a catchphrase?

633
00:31:42,040 --> 00:31:48,680
Speaker 3: Sure, sucks to your backbone? Uh, you left them high

634
00:31:48,720 --> 00:31:52,200
Speaker 3: and high. That one's play off a high and dry.

635
00:31:52,280 --> 00:31:54,440
Speaker 3: But you just say high again so people feel like

636
00:31:54,480 --> 00:31:59,040
Speaker 3: you're saying something. Yeah, comedy is about you know, you

637
00:31:59,080 --> 00:32:03,959
Speaker 3: took you took the D out of D lightful I oh,

638
00:32:04,240 --> 00:32:11,120
Speaker 3: uh fifty cents once said this shut up. Those are

639
00:32:11,200 --> 00:32:13,800
Speaker 3: just some of some like the ones that they're not

640
00:32:13,880 --> 00:32:16,120
Speaker 3: the best, but they're definitely like ones that like.

641
00:32:16,120 --> 00:32:18,280
Speaker 2: Yeah, don't use those because those are Donald.

642
00:32:18,400 --> 00:32:20,920
Speaker 3: Yeah those are mine Donald, but they're not the best,

643
00:32:20,960 --> 00:32:23,120
Speaker 3: but they're definitely they work for me.

644
00:32:23,480 --> 00:32:24,880
Speaker 1: Yeah. A lot of those ones are the way that

645
00:32:25,120 --> 00:32:27,640
Speaker 1: you say them and so yeah, that's what makes it.

646
00:32:27,640 --> 00:32:30,120
Speaker 1: These guys they might not, yeah, be great.

647
00:32:30,480 --> 00:32:32,600
Speaker 3: And I guess the last one would be, you know,

648
00:32:33,240 --> 00:32:38,240
Speaker 3: tell the truth, you know, just be truth. Just be truth.

649
00:32:38,960 --> 00:32:43,400
Speaker 3: M you know, just like if if the audience sucks,

650
00:32:43,640 --> 00:32:46,640
Speaker 3: just tell them they suck. And I assure you they'll

651
00:32:46,640 --> 00:32:47,280
Speaker 3: start laughing.

652
00:32:47,480 --> 00:32:49,560
Speaker 1: Yeah. I've seen a number of shows where you talk

653
00:32:49,640 --> 00:32:52,320
Speaker 1: to the audience and you say you're not getting this.

654
00:32:53,040 --> 00:32:55,080
Speaker 3: Yeah, I'm just like you guys are the reason this

655
00:32:55,120 --> 00:32:59,520
Speaker 3: isn't funny, right, because it's not you. No, it's oh,

656
00:32:59,560 --> 00:33:02,560
Speaker 3: it's it's it's never you. That's one thing I should

657
00:33:02,680 --> 00:33:07,160
Speaker 3: always that people should know. It's you're performing. You're the performing.

658
00:33:07,600 --> 00:33:10,880
Speaker 3: I'm doing my job. Your job is to find what's

659
00:33:10,920 --> 00:33:12,040
Speaker 3: funny in what I'm doing.

660
00:33:12,880 --> 00:33:15,360
Speaker 1: That's great. I've even seen not this podcast, but I've

661
00:33:15,360 --> 00:33:18,120
Speaker 1: seen podcasts run into that where people are going, this

662
00:33:18,240 --> 00:33:20,960
Speaker 1: isn't funny right, And a lot of times I'm going,

663
00:33:21,680 --> 00:33:25,480
Speaker 1: that's your fault. You're either not listening right, or it's

664
00:33:25,520 --> 00:33:26,520
Speaker 1: just explicitly not.

665
00:33:26,560 --> 00:33:28,479
Speaker 2: For your phone is messed up or whatever.

666
00:33:29,000 --> 00:33:32,080
Speaker 1: Yeah, it might be that your phone which put it

667
00:33:32,160 --> 00:33:33,640
Speaker 1: down is messed up.

668
00:33:34,520 --> 00:33:39,240
Speaker 5: I think that's a really nice note to go out on. Sure, Donald,

669
00:33:39,240 --> 00:33:41,880
Speaker 5: thank you so much for joining us. We know you're

670
00:33:41,920 --> 00:33:45,920
Speaker 5: really busy. Thanks for listening. Rate us on iTunes. Subscribe

671
00:33:45,960 --> 00:33:50,960
Speaker 5: to the pro version. We have a couple things, uh, a.

672
00:33:50,880 --> 00:33:53,320
Speaker 1: Couple exciting, a couple prizes developments.

673
00:33:53,360 --> 00:33:55,240
Speaker 2: Subscribing for the pro Version.

674
00:33:54,960 --> 00:33:59,520
Speaker 5: This week T shirts podcast used T shirts yeah, not

675
00:33:59,720 --> 00:34:00,680
Speaker 5: my podcast.

676
00:34:00,720 --> 00:34:01,360
Speaker 3: T shirts.

677
00:34:01,600 --> 00:34:04,440
Speaker 1: Yeah, we've got some that say not my podcast. And

678
00:34:04,480 --> 00:34:09,880
Speaker 1: then we've got some novelty sunglasses that look like big sunflowers.

679
00:34:10,040 --> 00:34:10,320
Speaker 2: Yep.

680
00:34:11,280 --> 00:34:13,640
Speaker 1: So those are available if you go ahead and download

681
00:34:13,680 --> 00:34:17,880
Speaker 1: the pro version, and it's really reasonably priced. Phone cases,

682
00:34:18,600 --> 00:34:22,000
Speaker 1: phone cases, Yeah, phone cases that look like bulldogs and

683
00:34:22,040 --> 00:34:24,000
Speaker 1: the bulldogs kind of sneezing on the case.

684
00:34:24,080 --> 00:34:24,919
Speaker 2: Do you have those there?

685
00:34:25,040 --> 00:34:27,399
Speaker 1: I mean here, Yeah, Yeah, you've got a whole cred

686
00:34:27,440 --> 00:34:28,160
Speaker 1: of them in the back. O.

687
00:34:28,200 --> 00:34:29,359
Speaker 3: Great, I love I'd love one.

688
00:34:29,400 --> 00:34:31,320
Speaker 2: Well, okay, subscribe to the Proverbsion.

689
00:34:31,520 --> 00:34:32,120
Speaker 1: It's yours.

690
00:34:32,239 --> 00:34:34,279
Speaker 3: I can't get it for free because I was just

691
00:34:34,320 --> 00:34:35,320
Speaker 3: on the podcast.

692
00:34:36,760 --> 00:34:39,000
Speaker 1: Yeah, you were on the regular version of the podcast

693
00:34:39,120 --> 00:34:40,480
Speaker 1: used to be the pro version.

694
00:34:40,560 --> 00:34:41,080
Speaker 2: You may have heard.

695
00:34:41,120 --> 00:34:42,840
Speaker 5: It used to be that it would come with a

696
00:34:42,880 --> 00:34:45,719
Speaker 5: subscription of the pro version being on the podcast. We

697
00:34:45,800 --> 00:34:50,000
Speaker 5: couldn't sustain that. It doesn't really work for the model.

698
00:34:50,040 --> 00:34:51,760
Speaker 3: But you just told me that you have a case

699
00:34:51,800 --> 00:34:55,319
Speaker 3: of them in the back, and and I just did

700
00:34:55,360 --> 00:34:58,080
Speaker 3: the podcast, so I can't just have one in the case.

701
00:34:58,080 --> 00:35:01,280
Speaker 2: Well, then someone who subscribes to the proversion doesn't get one.

702
00:35:01,320 --> 00:35:03,279
Speaker 1: You know, and then why don't they get that because

703
00:35:03,280 --> 00:35:05,799
Speaker 1: they're thinking, oh, he got to be on the which

704
00:35:05,840 --> 00:35:07,239
Speaker 1: I wanted and he got my case.

705
00:35:07,239 --> 00:35:07,880
Speaker 3: Well they wouldn't.

706
00:35:08,040 --> 00:35:10,279
Speaker 5: Then we have to put them on the podcast for

707
00:35:10,320 --> 00:35:13,520
Speaker 5: them to get their thing. And you see how it

708
00:35:13,560 --> 00:35:16,439
Speaker 5: doesn't work. It's like a vision a third goal. Yeah,

709
00:35:16,480 --> 00:35:18,200
Speaker 5: I can break it down to where it. I mean,

710
00:35:18,560 --> 00:35:21,640
Speaker 5: you wouldn't. You wouldn't have to get He just wouldn't know.

711
00:35:21,680 --> 00:35:24,600
Speaker 5: He wouldn't be like, oh, Donald took my thing. He'd

712
00:35:24,640 --> 00:35:26,400
Speaker 5: just be like, oh I didn't get one. Well, then

713
00:35:26,440 --> 00:35:30,160
Speaker 5: it's not really a podcast anymore, is it, you know?

714
00:35:30,800 --> 00:35:33,799
Speaker 5: And now it's something else you know we're doing. We're

715
00:35:33,840 --> 00:35:36,080
Speaker 5: trying to do a podcast here, right.

716
00:35:36,640 --> 00:35:41,560
Speaker 1: Yeah, we thought this was a podcast. You get it

717
00:35:42,040 --> 00:35:45,560
Speaker 1: and real quick? Rate us on iTunes. Oh and a

718
00:35:45,560 --> 00:35:47,600
Speaker 1: lot of people, let's actually clarify this. We've just been

719
00:35:47,600 --> 00:35:49,279
Speaker 1: saying rate us on iTunes. A lot of people have

720
00:35:49,360 --> 00:35:51,960
Speaker 1: been taking that to mean grate us a one.

721
00:35:52,719 --> 00:35:55,960
Speaker 5: Uh. We we actually mean to rate us a five,

722
00:35:56,160 --> 00:35:57,040
Speaker 5: the highest rate.

723
00:35:57,160 --> 00:36:00,200
Speaker 1: And yes, sorry for not clarify this podcast. This is

724
00:36:00,280 --> 00:36:02,359
Speaker 1: number one. I'll give it a one. And I think

725
00:36:02,640 --> 00:36:06,160
Speaker 1: a lot of people have been under that impression. Yeah,

726
00:36:06,160 --> 00:36:08,120
Speaker 1: because I know it's been very good, but I also

727
00:36:08,160 --> 00:36:11,120
Speaker 1: know people have been clicking the one yes. So go ahead,

728
00:36:11,600 --> 00:36:14,200
Speaker 1: jump over to the five. You're not saying we're number five.

729
00:36:14,239 --> 00:36:16,000
Speaker 1: You're saying we're five out of five stars. That's the

730
00:36:16,080 --> 00:36:18,919
Speaker 1: positive thing, So do that.

731
00:36:19,840 --> 00:36:23,920
Speaker 3: Bye.

732
00:36:27,120 --> 00:36:30,080
Speaker 4: This has been an Earwolf Media production. Executive producers Jeff

733
00:36:30,120 --> 00:36:42,680
Speaker 4: Ulrick and Scott Ackerman. For more information, visit earwolf dot com.

734
00:36:37,840 --> 00:36:40,480
Speaker 2: Ear warf Radio, Boom dot

735
00:36:40,640 --> 00:36:48,479
Speaker 3: Com, The worlf Dead