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Speaker 1: Yeah, a cupcake. It's a muffin. It's a muffin. It's

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Speaker 1: a muffin. I got a muffin. Look at that. The

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Speaker 1: wife made blueberry muffins for breakin. Yeah, she made him.

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Speaker 1: I missed you. You look so cuddly and huggable. You

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Speaker 1: look so spelt and chiseled. What you doing eating carrots? Yeah?

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Speaker 1: Do you remember that story? Have ever told her in

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Speaker 1: the podcast about Arnod Schwartzeninger telling me to eat carrots? No? No,

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Speaker 1: what I was I was training for something and I

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Speaker 1: was working out in the gym with my trainer, and

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Speaker 1: Arnold Schwartzener walked into the gym, and it was when

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Speaker 1: he was governor, like he had he had like secret service,

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Speaker 1: state level whatever they are, state trooper guys with him

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Speaker 1: and everything. And he's walking around and I didn't know

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Speaker 1: if he was like there just because he knew the

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Speaker 1: owner of the gym, or if he was like, I

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Speaker 1: am governor, I am doing a total of silude. And

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Speaker 1: then he walks right over to me, and I don't again,

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Speaker 1: I have no idea if he recognized me as an

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Speaker 1: actor or if he was just like hello, fellow citizens.

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Speaker 1: But he walks over to me, and he goes, what

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Speaker 1: are your goals with your workout? And I was like,

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Speaker 1: I was, I was in such shock. I just said, well,

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Speaker 1: I guess the simplest way is to put it is

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Speaker 1: I like to look like Brad Pitt in Fight Club.

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Speaker 1: And he has a little pause and he goes, you

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Speaker 1: have to eat a lot of carrots. Okay, man noted

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Speaker 1: so for like, for like months, I was just pounding.

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Speaker 1: Did it work? To this day, yeah, I got a

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Speaker 1: good shape because basically wasn't even an't even carriage. But

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Speaker 1: to this day, I don't know if he meant like

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Speaker 1: like like vegetables or like specifically carrots hilarious. I don't know,

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Speaker 1: but I bet you had a nice little orange glow

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Speaker 1: to you. You have to eat a lot of carrots.

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Speaker 1: That's he walked away. Okay, here's the question, rock cart

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Speaker 1: rock carrots or cooked carrots. I don't know, but I

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Speaker 1: love baby carrots, like when you get so little bag

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Speaker 1: of baby carrots and something snack. We have so much

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Speaker 1: to talk about. I don't even know where to begin

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Speaker 1: with you, all right. I don't know where to begin

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Speaker 1: with you guys either, because so much has happened, yep,

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Speaker 1: so many things. It's been a minute. The fans have

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Speaker 1: been clamoring. The fans have been Some of y'all are dicks.

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Speaker 1: I'm gonna be honest with you. Some of yall are

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Speaker 1: not a great way to start a show for the fans.

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Speaker 1: But ahead, but I'm gonna just keep it one hundred

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Speaker 1: with you. Don't coming for them. Don't come at me

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Speaker 1: with I'm lazy, or come at me with you know, uh,

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Speaker 1: you know, I don't deserve to have my time to

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Speaker 1: myself or anything like that because I feel like I do.

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Speaker 1: I feel like I work hard. I mean, I might

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Speaker 1: not work as hard as some of you out there.

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Speaker 1: I get that a lot of you work way harder

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Speaker 1: than I do, and I appreciate how hard you work.

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Speaker 1: But to come at me and say that I'm lazy

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Speaker 1: because we haven't put out a show in a couple

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Speaker 1: of weeks, you can eat a dick dog. That's a hundred.

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Speaker 1: That's one hundred. Now I'm gonna do a slightly a

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Speaker 1: kinder interpretation of that and also do some how keeping

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Speaker 1: overall for the fans. We're sorry we didn't put out

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Speaker 1: show for a bit. I'm prepping to act in a movie,

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Speaker 1: so it is one hundred percent my fault, and in fact,

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Speaker 1: we're gonna take a little break. We're what we're gonna

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Speaker 1: do housekeeping and Joel correct me if I'm wrong. We're

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Speaker 1: gonna finish season six, and then we're gonna put out

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Speaker 1: a really unique first episode of season seven, and then

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Speaker 1: we truly are going to go on a hiatus because

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Speaker 1: I'm acting in a movie and it is pretty hard

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Speaker 1: to do this well for you guys while I'm acting

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Speaker 1: in a movie. I just can't do it. So we're

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Speaker 1: gonna take a little break. But season we're gonna finish

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Speaker 1: Season six. We're gonna do today and then the next

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Speaker 1: one and then the season seven opener is a really

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Speaker 1: unique episode we did where for the first and probably

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Speaker 1: only time, we watched the episode live at a drive in,

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Speaker 1: So if you want to plan ahead, plan to watch

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Speaker 1: that episode, like instead of just when you're driving, some

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Speaker 1: of you just watch what you're driving. It might be

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Speaker 1: a little bit weird to listen to you because we're

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Speaker 1: watching the show and talking about at the same time,

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Speaker 1: but anyway, the ideal way for you to listen to

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Speaker 1: it would be to like sync up watching the show

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Speaker 1: with our podcast and pause it when we pause it

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Speaker 1: so you can enjoy it the best way. I'm gonna

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Speaker 1: We're gonna take a little break. Go ahead, I'm gonna

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Speaker 1: keep it one hundred with you, guys. It is a

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Speaker 1: very different version of the show right there. Will there

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Speaker 1: there might be silence at times, especially if we're gonna

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Speaker 1: do through. Will cut some out, but but then then

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Speaker 1: they won't be in sync with what You can't cut

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Speaker 1: too much out. I was thinking about that, but that

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Speaker 1: I think it makes it the most optimal experience where

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Speaker 1: you get to hear us laugh. It's like we're all

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Speaker 1: laughing at the same Some of you will love it

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Speaker 1: and some of you will hate it, but just no,

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Speaker 1: either way, it's the only time we're gonna do it

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Speaker 1: like that. There will be a small brief break between

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Speaker 1: the conclusion of season six and the premiere of episode seven,

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Speaker 1: but it's coming and it will be fabulous and you'll

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Speaker 1: really enjoy it. I think we're gonna drop that September thirteenth.

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Speaker 1: All right, there you go. There's your housekeeping, and we

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Speaker 1: love you. And hey, you don't want us to go

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Speaker 1: too fast because we're running out of episodes. I know.

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Speaker 1: I told y'all you could eat a dick. For give

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Speaker 1: it us for trying to pressure. You didn't mean it,

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Speaker 1: they didn't mean it. I want to take someone. I

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Speaker 1: want to take some of them back now. I want

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Speaker 1: to Can we can we rewind? Can we time travel? No? No,

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Speaker 1: I don't think you can take it back. But you pass.

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Speaker 1: It's out there. It's out there. Huh, it's already out there.

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Speaker 1: I and I appreciate the fans that have stuck with

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Speaker 1: us and decided to not unfollow me. But for those

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Speaker 1: of y'all who didst people are passionate about the show.

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Speaker 1: I get it, and so passionate that they're willing to

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Speaker 1: turn their backs on us. I didn't turn my background

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Speaker 1: and you I took a freak on to freaking take

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Speaker 1: a look. That's like. That's like if somebody you're having

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Speaker 1: a conversation with somebody and they go all right, hold

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Speaker 1: that thought. I have to go to the bathroom. I'll

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Speaker 1: be right back, and when they get back, you're like,

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Speaker 1: you're a fucking dick man, and you're like, what I talk.

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Speaker 1: I had to run in the restaurroom to go to

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Speaker 1: take a break. I did to take a break and

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Speaker 1: they're like and they're like, no, you fucking tan your

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Speaker 1: back on me too late? Already follow you on Twitter? Right,

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Speaker 1: That's what it is, man and miss me. They never

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Speaker 1: liked me in the first place. They've been waiting to

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Speaker 1: do it. You've been waiting to do it. I've noticed.

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Speaker 1: I noticed. I noticed my numbers have stalled on Instagram.

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Speaker 1: I've noticed. I'm noticed because you don't post of it.

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Speaker 1: I don't post them either. I post animation. I post

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Speaker 1: that motion animation. I give you what you want, fans?

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Speaker 1: Is that not what you want? Is not what you're getting?

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Speaker 1: Really good, dude, noticeable in your post class definitely took

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Speaker 1: an ardument class and they you know, Okay, So there's

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Speaker 1: a lot of things we have to talk about. One

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Speaker 1: of the things is uh lighten magic. Uh we need

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Speaker 1: to we need to discuss that. I don't care what

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Speaker 1: anybody says, but there's a saying enlightened magic that George

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Speaker 1: Lucas says. You know, when people are like, I can't

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Speaker 1: do this, I don't think I can get through it.

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Speaker 1: I don't know how how are we going to do this?

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Speaker 1: And you know, he says, well, why don't you think

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Speaker 1: about it? You know? And you know and uh and

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Speaker 1: then within you know twenty minutes people have already come

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Speaker 1: up with the idea right of how they're gonna how

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Speaker 1: they're going to solve this problem said problem. Um, that's

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Speaker 1: what Ardmin Academy UH made me do. It made me

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Speaker 1: really think about what I wanted to do through lectures

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Speaker 1: and master classes and stuff like that. It really made

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Speaker 1: me think about it. I've taken two classes now. Both

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Speaker 1: of them are made were amazing. UM. I took Stupid

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Speaker 1: Buddy Studios Animation class first and that was amazing. Alex

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Speaker 1: uh Camer was the teacher there. And then I took

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Speaker 1: the Ardmin uh Academy course and that was taught by

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Speaker 1: so many people, but the main guy was the Stute

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Speaker 1: Stewart UH. And what's great is that you're working with

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Speaker 1: people who are in uh stop motion animation and actually

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Speaker 1: are professionals, and you can actually see their work, whether

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Speaker 1: it be from Stupid Buddies to Robot Chicken and you

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Speaker 1: know Super Mansion to Ardmin Academies. You know Wallace and

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Speaker 1: Grommet and and uh you know uh Shawn the Sheep.

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Speaker 1: It's just so many, there's so many of them on

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Speaker 1: the artaman side, you know what I mean. But just

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Speaker 1: to be able to find the Chicken runs. They did

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Speaker 1: do Chicken Run and they're doing is amazing. They're doing

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Speaker 1: two two's coming out soon. Oh they wonder. I wonder

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Speaker 1: what took them so long? That was such a good movie.

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Speaker 1: That sounds awesome. Well for those of you fans who

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Speaker 1: are interested in stop motion, obviously, Donald, you're an amazing spokesperson.

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Speaker 1: What's that? Even? Ardmin? How do you spell ar d

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Speaker 1: A A r d M A n ardman? Uh? Look

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Speaker 1: them up? Look up Ardmin Academy. Also look up Stupid

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Speaker 1: Buddy Studios. They have a class that comes if you're

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Speaker 1: in the States and stupid. I think it's spelled stop right,

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Speaker 1: Yeah I do, Yeah, stupids called that way. All right?

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Speaker 1: Can we talk about another that's awesome and I'm proud

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Speaker 1: of you. You're killing it. Can we talk about Bad

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Speaker 1: Girl being canceled? Insanity? Joel, you're the expert on these things.

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Speaker 1: Um well, I'm not as allowed to say a lot

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Speaker 1: of fun. I'll take it from my friends marketing and

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Speaker 1: pr perspective of it. It's an interesting decision. It sounds

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Speaker 1: variety thinks it's taxes, which seems to be probable if

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Speaker 1: you don't follow entertainment news. Here's what you need to know.

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Speaker 1: Discovery and HBO merged into one conglomerate basically Warner Brothers. Yeah,

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Speaker 1: the Warner Brothers, which is HBO's overhead. So they've become

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Speaker 1: one entity. So now the new heads there are trying

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Speaker 1: to file down and organize. You know, what does this

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Speaker 1: new company look like and what are we gonna do

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Speaker 1: going forward? Um And one of the directives of that

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Speaker 1: is they want to move away from releasing on streaming,

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Speaker 1: which is, of course is the big thing HBO did.

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Speaker 1: And initially that you know, it caused a lot of

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Speaker 1: concern and you know, actors get paid more and producers

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Speaker 1: and directors you know, based off of box office, so

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Speaker 1: you don't want to skip the box office. So it

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Speaker 1: was challenging and a confusing time. But it was COVID

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Speaker 1: and they had material to release, so they released on

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Speaker 1: HBO and it became pretty successful. HBO blew up. They

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Speaker 1: I think I'm pretty sure they had the fast show.

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Speaker 1: You're talking about HBO Max, the streaming services where you're

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Speaker 1: talking about, let's be so HBO Max had this moment

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Speaker 1: where they were able to create a cartoon that was

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Speaker 1: so popular. It was able to reverse and go off

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Speaker 1: of streaming and onto television. That was the Harley Quinn cartoon.

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Speaker 1: So they were having all of these huge wins and successes.

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Speaker 1: But the new company doesn't want to do that anymore.

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Speaker 1: That Girl apparently was meant to be streaming as for

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Speaker 1: HBO Max. They tested it for audiences. Heard a lot

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Speaker 1: of mixed things about what happened at that testing. Wow,

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Speaker 1: you didn't hear mixed things about it being tastic? Well, no,

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Speaker 1: one's no, no one's rumors or that it tested well,

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Speaker 1: that's it's not true. A lot of like I mean, yeah,

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Speaker 1: so oh, there's a lot of critical thought of like

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Speaker 1: it's not good, But that DC has had a lot

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Speaker 1: of critical failures that have been huge box office successes.

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Speaker 1: So there is a fandom that enjoying didn't didn't your

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Speaker 1: ocams raise your brain? Go to There's no way they're

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Speaker 1: dumping one hundred million dollars movie that tests well, No,

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Speaker 1: because they still want to drop a flash and I

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Speaker 1: heard nothing good about that and it's main star is

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Speaker 1: a hot mess. I know that Ezra has a lot

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Speaker 1: going on right now. Um, and uh, it'll be interesting

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Speaker 1: to see what they do. I just assume by the

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Speaker 1: same principle that must be testing amazing. This one didn't

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Speaker 1: test well, and they're like, first of all, it's if

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Speaker 1: ninety million dollars is the is the budget it's going

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Speaker 1: to cost, I'm pulling a number out of my ass

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Speaker 1: fifty to advertise and release it. So they're cutting bait

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Speaker 1: because it didn't test well. That's my that was my assumption.

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Speaker 1: It's very possible. I mean, like, like you said, like,

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Speaker 1: we don't have confirmation. But what I do you know

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Speaker 1: is the people that directed the background movie just came

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Speaker 1: off of having Marvel's highest successful show with Miss Marvel,

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Speaker 1: which has gotten a lot of success and a lot

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Speaker 1: of praise. I think it was their number one stream show.

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Speaker 1: So I don't know. I don't know what happened, but

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Speaker 1: they made the choice and we'll see where it goes.

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Speaker 1: I was reading the other day a critic who was saying,

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Speaker 1: you know, typically you have to give these mergers like

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Speaker 1: eighteen months to get an idea of like what is

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Speaker 1: the new direction, how is it gonna work. I think

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Speaker 1: on some level, I'm excited. I love the DC properties.

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Speaker 1: I think that what's your hot take on because I

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Speaker 1: saw gossip that even though Flash is testing well. Because

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Speaker 1: of Ezra's issues, they may dump the Flash, which apparently

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Speaker 1: costs two hundred night. Yeah, I think they should do that.

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Speaker 1: Ezra's on a wild path that's hurt a lot of people,

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Speaker 1: and I don't think that the DCU needs this version

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Speaker 1: of The Flash or this movie to continue. They're launching

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Speaker 1: a new sort of direction with Black Adam. I'm starring

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Speaker 1: the Rock. He describes himself as a franchise Viagra, which

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Speaker 1: is true. Yeah, the Rocks direct quote, He's franchised Viagra,

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Speaker 1: and it's true. And I really like only someone like

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Speaker 1: him could have that kind of confidence because like proof

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Speaker 1: is in The Pudding Man. Yeah, he does it, so

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Speaker 1: that is pretty true. He once injected into the blood stream,

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Speaker 1: he gets the franchise, No pun intended, Rock intended. So

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Speaker 1: I hope they go in that direction and keep you know,

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Speaker 1: Jason Momoa seems to be in it for the long haul.

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Speaker 1: I think they were going to have to do something

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Speaker 1: with Wonder Woman because that last movie, by I think

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Speaker 1: a lot of people's own admissions not hot. So we'll

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Speaker 1: see that last movie was hot. Hot. Garbbage, you know

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Speaker 1: I have my brain is as someone in the production

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Speaker 1: industry just goes to think about all the fucking hard

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Speaker 1: work on both movies and the innumerable hours of blood,

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Speaker 1: sweat and tears by every from the PA to the producer.

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Speaker 1: To make a two hundred million or a ninety million

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Speaker 1: or a fucking one million dollar movie and to have

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Speaker 1: it scrap is just it's just so sad. I just

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Speaker 1: feel I feel for everyone involved because the idea of

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Speaker 1: working so hard on a movie and then no one

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Speaker 1: ever seeing it. It's not like, oh, you know the

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Speaker 1: old days, as we all remember the old days. If

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Speaker 1: if you if you made a theatrical movie and it bombs,

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Speaker 1: you dumped into videos. Straight to video is a quote unquote,

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Speaker 1: it was like it was like, oh it didn't work

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Speaker 1: out straight to video. Now we're talking about movies that

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Speaker 1: are have been put this much effort in love and

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Speaker 1: hard working to them and like no one will will

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Speaker 1: ever see them. I hate to tell you this, Zack,

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Speaker 1: but this is a format that's been going on in

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Speaker 1: Hollywood for the longest. In this quoted pilot season and

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Speaker 1: shooting pilots and then no one ever seeing the pilots,

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Speaker 1: YouTube been in and beings you're right, them being scrapped.

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Speaker 1: I haven't heard. I haven't thought about like that. That's true.

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Speaker 1: But uh, but that being said, I've never been on

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Speaker 1: a ninety million dollar pilot in life. No, but I mean,

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Speaker 1: I don't even mean. I mean, obviously it's in the

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Speaker 1: extreme examples. That's why these movies are so headline breaking

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Speaker 1: is because a movie with a ninety million dollars production

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Speaker 1: budget has never been scrapped. That's nuts. That doesn't bode

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Speaker 1: well for Hollywood either. Like if you're on the outside

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Speaker 1: looking in, like you know, there are certain bro I'm

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Speaker 1: not gonna say, there are certain uh senators and congress

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Speaker 1: people out there that are like this Hollywood. I told

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Speaker 1: you they just throw money away. They just throw the

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Speaker 1: money away and they give it to their friends. That's

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Speaker 1: what you know what I mean. I'm looking at looking

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Speaker 1: at this, I'd be like, ninety million dollars, throw throw

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Speaker 1: them ship to me, you know what I mean? Look

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Speaker 1: at what I can do with that shit? Like god

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Speaker 1: Man's speaking of speaking of this topic, I love and

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Speaker 1: I highly recommend to all of you thirteen lives. Now.

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Speaker 1: This was an MGM movie that was supposed to come

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Speaker 1: out theatrically and really really deserve to be seen theatrically

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Speaker 1: if you have the chance, don't do what I did

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Speaker 1: and watch it on your laptop, because it's a shame

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Speaker 1: Amazon bought MGM and they decided to just take it

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Speaker 1: straight to streaming. This is I think Ron Howard's best

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Speaker 1: movie ever. It's about the thirteen sorry twelve tie boys

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Speaker 1: and their coach who were trapped in a cave and rescued.

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Speaker 1: It's Viege Mortensen, Colin Farrell, Joel Edgerton. Is that how

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Speaker 1: you hit Edgerton? And it's fantastic. I'm telling you to

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Speaker 1: see it. I'm excited about it. But it's what it's.

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Speaker 1: It's kind of the reverse story where you're like, this

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Speaker 1: is I mean, I think it could win Best Picture.

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Speaker 1: It's it's it's it's it's so good and I and

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Speaker 1: I can't believe that they went Amazon chose to go

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Speaker 1: straight to streaming with it. How are they're doing any

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Speaker 1: theatrical releases over there. I mean, I'm sure they'll do

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Speaker 1: the qualifying may If you look at what Disney Plus

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Speaker 1: is doing with streaming, I am imagine that everybody's trying,

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Speaker 1: like why not try and create that type of format

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Speaker 1: like they put out movies in theaters. And they put

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Speaker 1: movies out on streaming and it seems to work both

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Speaker 1: ways for them or am I tripping? I just think

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Speaker 1: that if you you know, I'm still of this. Maybe

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Speaker 1: this is old school, but I'm in the school of like,

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Speaker 1: if it's if it was shot to be a movie

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Speaker 1: that potentially was made for theatrical leagues, like give it

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Speaker 1: as shot, give it as give it yeah, absolutely absolutely,

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Speaker 1: and like and like if it's not performing okay, then

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Speaker 1: then you and you have a lot of money on it,

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Speaker 1: then yeah, then go to your streaming platform. But like

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Speaker 1: you know, I was gonna say, they had a lot. Uh,

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Speaker 1: DC has had a lot of misses with their movies,

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Speaker 1: and they put these some of these movies out and

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Speaker 1: they've been so bad that they've been considered like the

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Speaker 1: worst movies of the year and stuff like that, not once,

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Speaker 1: but multiple times, you know what I mean? Uh, And

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Speaker 1: so I I you know, when when it smells like shit,

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Speaker 1: eventually you want to freaking wash that thing, you know

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Speaker 1: what I mean? Like, can I put that on? Can

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Speaker 1: I get that on my step for my soundboard? Nown? Yes,

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Speaker 1: it smells like shit, Eventually you want to wash it,

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Speaker 1: you know what I mean? Or throw it out or

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Speaker 1: you know what I mean, I don't know. But look,

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Speaker 1: that's and so I think that's where they are with

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Speaker 1: with everything. They're like what we're doing with I think

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Speaker 1: I think the company itself is stepping and saying what

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Speaker 1: we're doing isn't working. I don't think there's a band

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Speaker 1: aid that can fix it. Let's just switch everything around

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Speaker 1: and barely they're looking for one. Oh interesting, See that's

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Speaker 1: hard to I know. I mean, he's sort of won

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Speaker 1: a a zillion. But don't you think well, I mean,

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Speaker 1: I mean, if I was to stars, it's took Star

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Speaker 1: Wars a really long time to find and they it

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Speaker 1: seems they found it with uh, with Fav and Feloni.

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Speaker 1: But uh and and and Figgy. You know, Figy has

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Speaker 1: been around since the beginning of mar though it doesn't miss.

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Speaker 1: He doesn't miss. Yeah, he does. Some of those movies

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Speaker 1: of trash man, Come on, now, let's keep it one

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Speaker 1: hundred man. You want to watch them all, you watch

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Speaker 1: them all. I don't watch them all. To be look,

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Speaker 1: let's be honest, some of those as much as I

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Speaker 1: want to be in all of the all of the

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Speaker 1: problems of the right, all of the properties that we're

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Speaker 1: talking about even Batgirl, I would freaking throw my life

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Speaker 1: on the line to freaking be able to do all

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Speaker 1: of the stunts and action shit that they probably did

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Speaker 1: in that Bad Boy and Kicking ass Man. I would

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Speaker 1: be so freaking excited to be a part of that,

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Speaker 1: even if at the end of it they said it's

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Speaker 1: never gonna come out. But maybe that's because I'm used

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Speaker 1: to that, you know what I mean. I'm used to

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Speaker 1: doing projects. I'm used to pilot season of spitting. I'm

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Speaker 1: so passionate about it, good things right, Thank goodness. I'm

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Speaker 1: used to pilot season. I'm used to all of these things.

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Speaker 1: I'm used to feeling like this is it, this is

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Speaker 1: my big shot, and then it's not happening, you know

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Speaker 1: what I mean, And then like, are the show that

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Speaker 1: we're all talk gonna talk about in a couple of

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Speaker 1: minutes scrubs? Sometimes it does happen. It's the it's the

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Speaker 1: roll of the dice, and Warner Brothers is willing to

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Speaker 1: take that role right now. It's willing to roll of

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Speaker 1: dice right now and say, look, everything that we have

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Speaker 1: is not working, and we know this, and all of

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Speaker 1: us know this too. You could say what you want.

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Speaker 1: There are certain things that are working. There are little

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Speaker 1: pockets here and there that are working. But let's be honest, man,

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Speaker 1: you're not excited for it like you're excited for Disney Plus.

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Speaker 1: When Disney Plus shows up, you're like, Yo, let's go

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Speaker 1: fucking like the Mandalorian freaking all of these Marvel things

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Speaker 1: like you get excited for that. And Warner Brothers wants

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Speaker 1: that too, and they have the properties to do that,

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Speaker 1: So why not say, you know, what we're doing right

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Speaker 1: now isn't working. Let's let's figure something out. I agree

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Speaker 1: with I agree with it. I think it sucks. As

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Speaker 1: an actor, or as a producer, or as a company

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Speaker 1: who has invested a lot of their energy into the

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Speaker 1: DC brands, all of the humans that have been involved

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Speaker 1: in that, I know it sucks that this is happening. Uh.

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Speaker 1: And I'm so happy, you know, like a part of

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Speaker 1: me was a part of this, you know what I mean.

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Speaker 1: The reason why Legends of Tomorrow didn't come back was

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Speaker 1: because they were like, we're not going to bring back

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Speaker 1: all of these shows, you know what I mean. There's

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Speaker 1: there's petitions to save these you know, Legends of Tomorrow.

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Speaker 1: It's probably not gonna happen. But it's because they're doing

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Speaker 1: this and they're trying to reverse or not reverse or

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Speaker 1: course correct where DC's going, and all of you out

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Speaker 1: there can say what you want to say and be

414
00:21:30,200 --> 00:21:33,360
Speaker 1: like Donald, you're fucking tripping. But as a whole right now,

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Speaker 1: it ain't working. Let's keep it one. It'd be really

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Speaker 1: interesting to see. I think it's the only thing really

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Speaker 1: left to see is if is if they release the

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Speaker 1: flash or not. That's that's really fascinating thing to think about.

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Speaker 1: I mean, there'd be no doubt they'd release it, but

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Speaker 1: it sounds like they're considering it. If it's good. Listen,

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Speaker 1: how about this. If it's good, I would suggest putting

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Speaker 1: it out. You know what I mean, I'm gonna keep

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Speaker 1: it one hundred Aquaman. I like my rumors, My my rumors,

424
00:22:05,040 --> 00:22:07,440
Speaker 1: my rumors, my rumor my what do you call my?

425
00:22:07,560 --> 00:22:10,000
Speaker 1: My whisperers? Tell me your rumor mill, your rumor mill.

426
00:22:10,480 --> 00:22:14,720
Speaker 1: Remember in gamey Thrones, that guy who's like the whisper Yeah, yeah, varius, yeah,

427
00:22:14,800 --> 00:22:25,000
Speaker 1: vers my varisses. Tell me it's good for one thing.

428
00:22:25,040 --> 00:22:27,960
Speaker 1: Do you listen that song? I just saying me, Yeah,

429
00:22:27,960 --> 00:22:30,360
Speaker 1: I said, I texted you saw her song. I don't

430
00:22:30,359 --> 00:22:32,720
Speaker 1: really know her. Oh I love her? How do you

431
00:22:32,800 --> 00:22:35,320
Speaker 1: not know her? Dude, dude, this song you guys, I

432
00:22:36,040 --> 00:22:39,760
Speaker 1: don't have my rig to to play it, but um, Joel,

433
00:22:40,040 --> 00:22:44,080
Speaker 1: it's happening. Well next next thing, you know, Zach's gonna

434
00:22:44,080 --> 00:22:46,680
Speaker 1: be into neo soul and everything. That would be amazing.

435
00:22:47,160 --> 00:22:51,760
Speaker 1: I really like it. Every Joe well, you know this

436
00:22:51,880 --> 00:22:54,879
Speaker 1: song her hard Place by her? Yeah, are you kidding me?

437
00:22:55,320 --> 00:22:58,720
Speaker 1: Are you kidding me? Are you kidding me? You know this?

438
00:22:58,800 --> 00:23:01,679
Speaker 1: Are you kidding me? I'm in Jim, it's so all right.

439
00:23:01,720 --> 00:23:06,640
Speaker 1: So I grew up with no because she probably heard

440
00:23:06,680 --> 00:23:12,440
Speaker 1: because I shut something thought there's nothing left, say assistant.

441
00:23:12,480 --> 00:23:14,240
Speaker 1: I was driving my assistant and he put this so

442
00:23:14,480 --> 00:23:20,600
Speaker 1: caught up place. All of a sudden, I'm like, what

443
00:23:20,880 --> 00:23:24,720
Speaker 1: is this? And I got my shazam out. You know

444
00:23:24,920 --> 00:23:29,000
Speaker 1: all that. I don't know, but it's amazing. Yeast like

445
00:23:29,080 --> 00:23:31,680
Speaker 1: four hundred times today. Yeah, I'm Jim. That's so. That's

446
00:23:31,720 --> 00:23:33,480
Speaker 1: what dude. You and I should have been married. We

447
00:23:33,480 --> 00:23:35,639
Speaker 1: should have gotten married. We should have just freaked because

448
00:23:35,640 --> 00:23:37,520
Speaker 1: I couldn't want to listen to Drake. I don't want

449
00:23:37,520 --> 00:23:39,479
Speaker 1: to listen to Drake. You would have been listening to her.

450
00:23:39,520 --> 00:23:41,040
Speaker 1: I'm telling you you would have been listening to that.

451
00:23:41,119 --> 00:23:43,560
Speaker 1: We listened to the same ship. We should have gotten

452
00:23:43,600 --> 00:23:45,960
Speaker 1: married and then had an open relationship where we could,

453
00:23:46,119 --> 00:23:49,280
Speaker 1: you know, call the kind of rap is it trapp

454
00:23:49,600 --> 00:23:51,840
Speaker 1: we where it's kind of like trap music that's trying

455
00:23:52,640 --> 00:23:55,960
Speaker 1: the monotony trap. I'm not into the trap, but I

456
00:23:56,080 --> 00:23:58,600
Speaker 1: really like her. Let's all right, our last thing and

457
00:23:58,640 --> 00:24:00,879
Speaker 1: then we'll get into the shows that we called scrubs. Well,

458
00:24:02,520 --> 00:24:04,800
Speaker 1: I was, I was listening to I hadn't heard this song,

459
00:24:04,920 --> 00:24:06,119
Speaker 1: and I was like, oh, it's a trap song. Let

460
00:24:06,160 --> 00:24:08,680
Speaker 1: of those sens say this is a trap? No no, no, no, no,

461
00:24:08,760 --> 00:24:11,680
Speaker 1: no no, you're conflating two different things. Oh okay, that

462
00:24:11,920 --> 00:24:14,120
Speaker 1: song is fire and it's my new favorite song I'm

463
00:24:14,119 --> 00:24:16,240
Speaker 1: gonna listen to and I love her voice. I don't

464
00:24:16,240 --> 00:24:18,320
Speaker 1: know her song that was a trap. So I grew up.

465
00:24:18,359 --> 00:24:20,879
Speaker 1: So I grew up with this young lady named Misha Headman, right,

466
00:24:21,280 --> 00:24:25,359
Speaker 1: and she is she works with her. She originally worked

467
00:24:25,359 --> 00:24:28,200
Speaker 1: with Alicia Keys and actually works with her. Alicia Keys

468
00:24:28,280 --> 00:24:32,879
Speaker 1: I grew up with also. Uh anyway, so I've been

469
00:24:32,960 --> 00:24:35,159
Speaker 1: up on her for a really long time. Misha used

470
00:24:35,160 --> 00:24:38,800
Speaker 1: to put out like on her Instagram like promotions of

471
00:24:38,960 --> 00:24:42,320
Speaker 1: where her would be at the equivalent of hotel, cafe,

472
00:24:42,480 --> 00:24:44,960
Speaker 1: small little venues where not a lot of people would

473
00:24:45,000 --> 00:24:47,480
Speaker 1: be there and stuff. She's been around for a while.

474
00:24:47,600 --> 00:24:50,000
Speaker 1: She can play to gain She's a musician. She could

475
00:24:50,000 --> 00:24:52,880
Speaker 1: play pretty much every instrument. And she's got to dyne

476
00:24:52,920 --> 00:24:55,119
Speaker 1: in my voice. I think I get what's key for

477
00:24:55,240 --> 00:24:58,639
Speaker 1: a lot of young women in this industry. If you

478
00:24:58,760 --> 00:25:01,639
Speaker 1: have a baritone voice and you can sing from your chest,

479
00:25:02,280 --> 00:25:06,440
Speaker 1: it really does work. Because Lauren Hill her you know

480
00:25:06,520 --> 00:25:08,760
Speaker 1: what I mean, It's all kind of like the same sound,

481
00:25:08,840 --> 00:25:13,120
Speaker 1: and it's all very she does. She reminded low Register Hill.

482
00:25:13,160 --> 00:25:17,080
Speaker 1: But yeah, that could be on the Miseducation of Lauren Hill.

483
00:25:17,200 --> 00:25:22,320
Speaker 1: It's no doubt, no doubt. The show was no because

484
00:25:22,320 --> 00:25:24,840
Speaker 1: I got to talk about light magic. Oh yeah, let's

485
00:25:24,840 --> 00:25:27,080
Speaker 1: do a short thing. There's a Donald's yelling about the

486
00:25:27,119 --> 00:25:30,800
Speaker 1: amazing documentary about industrial Lton magic that's on Disney Plus.

487
00:25:31,040 --> 00:25:33,200
Speaker 1: I like to bet it in the sequels. It made

488
00:25:33,200 --> 00:25:35,560
Speaker 1: me want to watch the prequels, which I don't get

489
00:25:35,640 --> 00:25:39,840
Speaker 1: mad I've never seen um, but the movies. The documentary

490
00:25:39,960 --> 00:25:42,719
Speaker 1: is so interesting that it makes you want to watch them.

491
00:25:43,600 --> 00:25:46,200
Speaker 1: I think, first of all, Phil Tippet, you're my hero.

492
00:25:46,520 --> 00:25:48,280
Speaker 1: I've said it to you before, I'll say it to

493
00:25:48,359 --> 00:25:50,880
Speaker 1: you again. I've never met him in person, never said

494
00:25:50,880 --> 00:25:52,480
Speaker 1: it to his face, never met him in person. But

495
00:25:52,520 --> 00:25:54,400
Speaker 1: he is my hero. He's the reason why it's gonna

496
00:25:54,400 --> 00:25:57,520
Speaker 1: be your your fiftieth birthday present is I'm gonna I'm

497
00:25:57,520 --> 00:25:59,520
Speaker 1: gonna find out how much it is for to fly

498
00:25:59,720 --> 00:26:02,000
Speaker 1: Phil Tippet to your house and have him hang out

499
00:26:02,040 --> 00:26:04,120
Speaker 1: with you for an afternoon and we just do stop

500
00:26:04,240 --> 00:26:06,200
Speaker 1: motion animational. Yeah, and he used animates with you for

501
00:26:06,280 --> 00:26:08,800
Speaker 1: like an hour an hour. I need more than that.

502
00:26:08,960 --> 00:26:12,000
Speaker 1: I need more than that. I'll pay the extra. I'll

503
00:26:12,040 --> 00:26:14,280
Speaker 1: pay the extra if he's into it. I'm gonna find

504
00:26:14,280 --> 00:26:17,040
Speaker 1: out what Phil tippets hourly is. It's probably hash. I

505
00:26:17,119 --> 00:26:19,560
Speaker 1: don't care. Whatever you get it, whatever you get it,

506
00:26:19,600 --> 00:26:23,840
Speaker 1: whatever I l M pays you daily. I think Zach

507
00:26:23,880 --> 00:26:28,520
Speaker 1: can match it. That's her fiftieth birthday present. I just

508
00:26:28,600 --> 00:26:31,080
Speaker 1: figured it out, all right, count of sand baby, we

509
00:26:31,160 --> 00:26:33,359
Speaker 1: gotta start this fucking shop. I know it's been like

510
00:26:33,400 --> 00:26:37,800
Speaker 1: a half an hour, six seven eight stories about show

511
00:26:38,040 --> 00:26:44,600
Speaker 1: we made about a bunch of doctor nurses, and I said,

512
00:26:44,640 --> 00:26:52,280
Speaker 1: he's a stories never so get around you here, yeah,

513
00:26:52,560 --> 00:27:01,359
Speaker 1: around here. M this episode it is bizarre, but I

514
00:27:01,480 --> 00:27:04,200
Speaker 1: laughed a lot. I did laugh a lot. Also, it

515
00:27:04,400 --> 00:27:08,760
Speaker 1: was very It's a very straightforward message though, you know

516
00:27:08,800 --> 00:27:12,680
Speaker 1: what I mean, like say no when you don't want it,

517
00:27:12,920 --> 00:27:18,040
Speaker 1: or guess what you're doing, you're settling. That's the whole episode, dude, Yeah,

518
00:27:18,359 --> 00:27:23,640
Speaker 1: that's and also the other main messages. How parenthood changes you? Well, yeah,

519
00:27:23,720 --> 00:27:25,680
Speaker 1: parent who changes how you look, how you look at everything.

520
00:27:25,880 --> 00:27:30,959
Speaker 1: Your perspective definitely changes when you realize there's more at

521
00:27:31,000 --> 00:27:34,720
Speaker 1: stake other than just yourself. Then absolutely, our best friend

522
00:27:34,800 --> 00:27:38,040
Speaker 1: Carrie Brothers, we should announce just had a beautiful, beautiful

523
00:27:38,080 --> 00:27:42,760
Speaker 1: little boy. Oh, congratulations. He and Jess, Yes, he and Jess.

524
00:27:43,480 --> 00:27:47,879
Speaker 1: Jess had the baby. Jess wiss. Yes, our composer, composer,

525
00:27:48,040 --> 00:27:51,719
Speaker 1: a fancy composer wife. She had, she had, she had

526
00:27:51,800 --> 00:27:55,520
Speaker 1: the baby. Carrie has she has the vagina. Yeah, but

527
00:27:55,800 --> 00:27:59,080
Speaker 1: Carrie did plant his seat. Yeah, Carrie shot shot shot.

528
00:27:59,200 --> 00:28:07,560
Speaker 1: He shot a shot shot shot shot shots fired. Ba's exciting.

529
00:28:07,640 --> 00:28:10,680
Speaker 1: Our our beste has, our best ease have a beautiful

530
00:28:10,720 --> 00:28:14,440
Speaker 1: little baby boy. So welcome to the club, Welcome to

531
00:28:14,800 --> 00:28:19,960
Speaker 1: no Sleep, Welcome to all of it. Enjoy it's so

532
00:28:20,080 --> 00:28:23,280
Speaker 1: much fun. Yeah. Donald always says all the horrible things

533
00:28:23,280 --> 00:28:24,720
Speaker 1: about it, but then he's like, it's so much fun.

534
00:28:25,640 --> 00:28:29,159
Speaker 1: How a lot of parents feel. Yeah, yeah, it's the

535
00:28:29,280 --> 00:28:31,080
Speaker 1: worst thing ever, but it's so much fun and I

536
00:28:31,119 --> 00:28:37,280
Speaker 1: wouldn't try. Well, okay, we are, we are? This is

537
00:28:37,440 --> 00:28:43,320
Speaker 1: episode what number? Joel? Six twenty one, six twenty one? Everybody?

538
00:28:43,920 --> 00:28:47,400
Speaker 1: This is the penultimate meaning which is one of my

539
00:28:47,440 --> 00:28:52,920
Speaker 1: favorite SAT words, meaning second to last episode of sixth

540
00:28:52,960 --> 00:28:56,440
Speaker 1: seasons pen Ultimate. I used to think I used to

541
00:28:56,520 --> 00:29:01,640
Speaker 1: think it meant last, but pen ultimate means second to last, ultimate,

542
00:29:01,720 --> 00:29:05,080
Speaker 1: pen ultimate. Yeah, this is the pen This is your

543
00:29:05,160 --> 00:29:09,840
Speaker 1: pen ultimate chance here, yeah right, this is your penultimate.

544
00:29:12,160 --> 00:29:16,200
Speaker 1: Your kids, when you're mad at your ultimate pen ultimate chance,

545
00:29:18,160 --> 00:29:21,760
Speaker 1: this is your pen ultimate chance. What the heck are

546
00:29:21,800 --> 00:29:23,760
Speaker 1: you talking about? There's your second to lasting, me second

547
00:29:23,760 --> 00:29:25,720
Speaker 1: to last and me second the last. Remember that penultimate

548
00:29:25,800 --> 00:29:31,440
Speaker 1: penultimate SAT? I saw bullet Train too? Wait did you

549
00:29:31,520 --> 00:29:34,440
Speaker 1: see did you see tal gun? Maverick? No, I'm gonna go.

550
00:29:34,480 --> 00:29:36,480
Speaker 1: I'm gonna go soon. Now are you kidding me? Man?

551
00:29:36,600 --> 00:29:38,320
Speaker 1: Don't yell at me. I'm gonna go out still the theaters.

552
00:29:38,680 --> 00:29:40,760
Speaker 1: You went and saw a bullet train before you saw

553
00:29:40,800 --> 00:29:42,560
Speaker 1: a top gun mater. I'm gonna go see it. I'm

554
00:29:42,560 --> 00:29:44,200
Speaker 1: gonna say one thing, though, Can I say one thing

555
00:29:44,240 --> 00:29:49,400
Speaker 1: off topic? You never do to my fellow directors and

556
00:29:49,520 --> 00:29:51,880
Speaker 1: sound mixers who might listen to this movie. It used

557
00:29:51,880 --> 00:29:53,520
Speaker 1: to be the problem that the prince of the film

558
00:29:53,520 --> 00:29:55,840
Speaker 1: when you're actually projecting film would always be different. And

559
00:29:56,280 --> 00:29:57,960
Speaker 1: the joke with directors is, oh my god, you're never

560
00:29:57,960 --> 00:29:59,160
Speaker 1: gonna see it as good as it looks in the

561
00:29:59,240 --> 00:30:01,440
Speaker 1: lab again, because always look like shit and the projectors

562
00:30:01,480 --> 00:30:04,160
Speaker 1: are all shit. Now it's all digital, and I'm told

563
00:30:04,160 --> 00:30:07,360
Speaker 1: the only variable really, because it's binary code, is that

564
00:30:07,600 --> 00:30:10,480
Speaker 1: some theaters turn down their bulb to save the lifetime

565
00:30:10,520 --> 00:30:13,200
Speaker 1: of the bulb to save money. But other than that,

566
00:30:13,480 --> 00:30:17,360
Speaker 1: it's still a digital projection. But the sound mix must

567
00:30:17,400 --> 00:30:19,960
Speaker 1: be always different, because I've seen two action movies in

568
00:30:20,040 --> 00:30:22,200
Speaker 1: a row now and I can't fucking hear the dialogue.

569
00:30:22,600 --> 00:30:25,520
Speaker 1: There's like twenty percent of the dialogue missing, because I'm

570
00:30:25,560 --> 00:30:29,320
Speaker 1: sure it sounds amazing in your perfect mixed studio, but

571
00:30:29,560 --> 00:30:33,840
Speaker 1: in the movie theater so much with all these actions sounds,

572
00:30:34,200 --> 00:30:37,280
Speaker 1: I can't fucking hear the dialogue. Maybe I'm just well,

573
00:30:37,320 --> 00:30:39,640
Speaker 1: it might be that. It might be also the theater

574
00:30:39,800 --> 00:30:43,480
Speaker 1: that you're in. Also, some theaters are definitely made so

575
00:30:43,800 --> 00:30:48,360
Speaker 1: that you feel like you're still in the studio where

576
00:30:48,440 --> 00:30:51,040
Speaker 1: the mixer. One of them was Man's Chinese, which would

577
00:30:51,040 --> 00:30:53,960
Speaker 1: imagine is probably the best sounding theater in the world. Oh,

578
00:30:54,080 --> 00:30:56,520
Speaker 1: I don't know. We might need to beat that because

579
00:30:56,520 --> 00:30:58,920
Speaker 1: I don't want Man's Chinese coming after Zach when he

580
00:30:58,960 --> 00:31:02,280
Speaker 1: premiers this movie. There. No, I'm okay with it. I

581
00:31:02,720 --> 00:31:05,440
Speaker 1: love Man's Chinese. Remember when you said, Zack, remember when

582
00:31:05,440 --> 00:31:12,360
Speaker 1: you said out there to suck the sound? You want

583
00:31:12,400 --> 00:31:14,040
Speaker 1: to Joe, you want to put your hands in the

584
00:31:14,160 --> 00:31:17,840
Speaker 1: freaking cement, didn't you, Zach? I love Man. I love

585
00:31:17,920 --> 00:31:20,560
Speaker 1: Man's Chinese so much that when I'm excited to see

586
00:31:20,600 --> 00:31:22,880
Speaker 1: a movie, I go, I'm gonna go see it at Man's,

587
00:31:22,920 --> 00:31:24,760
Speaker 1: Like this is like the place to see a movie.

588
00:31:25,200 --> 00:31:27,680
Speaker 1: But I went to Man's and then I also went

589
00:31:27,800 --> 00:31:31,120
Speaker 1: to another giant chain place and it's two action movies

590
00:31:31,160 --> 00:31:33,600
Speaker 1: in a row where I'm like, I'm missing twenty percent

591
00:31:33,640 --> 00:31:36,280
Speaker 1: of dialogue. Now, I'm sure that it sounds great in

592
00:31:36,360 --> 00:31:39,920
Speaker 1: the final mix stage, but like I'm saying, the variable

593
00:31:39,960 --> 00:31:43,600
Speaker 1: of picture is kind of gone these days, other than

594
00:31:43,760 --> 00:31:45,920
Speaker 1: somebody turning down their bulb to make it to save

595
00:31:46,040 --> 00:31:48,520
Speaker 1: life of their bulb with their projector. But the variable

596
00:31:48,600 --> 00:31:52,040
Speaker 1: of sound difference is there more than ever because maybe

597
00:31:52,080 --> 00:31:54,240
Speaker 1: you're right, some people crank the base for their theater,

598
00:31:54,360 --> 00:31:56,479
Speaker 1: or they cranked this or that, and they're fucking up

599
00:31:56,520 --> 00:31:58,840
Speaker 1: the mix. So you you're missing like twenty five percent

600
00:31:58,880 --> 00:32:03,000
Speaker 1: of dialogue, right, Red, that's my ret I couldn't hear

601
00:32:03,040 --> 00:32:06,520
Speaker 1: some of Bullet Train. I totally understand where you're coming from.

602
00:32:06,920 --> 00:32:10,240
Speaker 1: I feel like a lot of these movies aren't necessarily

603
00:32:13,160 --> 00:32:14,720
Speaker 1: I don't know, I think a lot of these I

604
00:32:14,800 --> 00:32:19,160
Speaker 1: think a lot of these movies are missing. It all

605
00:32:19,200 --> 00:32:21,120
Speaker 1: goes back to light and magic man. I think a

606
00:32:21,160 --> 00:32:23,280
Speaker 1: lot of these movies are missing the mark when it

607
00:32:23,400 --> 00:32:27,080
Speaker 1: comes to the things that they can do. So it's like,

608
00:32:27,160 --> 00:32:29,600
Speaker 1: all right, you can, we can do anything now, but

609
00:32:30,080 --> 00:32:33,040
Speaker 1: the one thing that's lacking is good story. So now

610
00:32:33,160 --> 00:32:38,000
Speaker 1: people are, you know, still focusing on we need to

611
00:32:38,080 --> 00:32:40,800
Speaker 1: have the best action sequence, or we need to have

612
00:32:41,000 --> 00:32:44,160
Speaker 1: the best explosion sequence, or we need to have the

613
00:32:44,240 --> 00:32:49,400
Speaker 1: best flying sequence, and they're missing story now and so

614
00:32:51,040 --> 00:32:54,120
Speaker 1: you know, did it matter if you miss twenty minutes

615
00:32:54,400 --> 00:32:58,320
Speaker 1: of the conversation. I think it does, and I don't

616
00:32:58,360 --> 00:33:01,080
Speaker 1: mean and I'm sure the filmmakers and the sound mentres

617
00:33:01,160 --> 00:33:04,560
Speaker 1: would would would hate to hear this. You struggle because

618
00:33:04,560 --> 00:33:06,840
Speaker 1: I've got it myself on so many times to get

619
00:33:06,920 --> 00:33:10,320
Speaker 1: everything perfect. You're literally like, can you turn the fucking

620
00:33:10,600 --> 00:33:13,640
Speaker 1: lighter sound down one decibel? Let me hear it like that.

621
00:33:13,880 --> 00:33:16,080
Speaker 1: I mean, that's how anal you are to get it perfect.

622
00:33:16,560 --> 00:33:18,440
Speaker 1: And then you don't want you don't want the audience

623
00:33:18,520 --> 00:33:21,680
Speaker 1: missing dialogue. I mean, it's all supposed to be perfectly balanced,

624
00:33:21,960 --> 00:33:26,360
Speaker 1: you know what I mean? Right? I understand that, But

625
00:33:26,600 --> 00:33:30,280
Speaker 1: was that the was the movie about the dialogue? It

626
00:33:30,360 --> 00:33:31,880
Speaker 1: doesn't matter if the movie is about it could be

627
00:33:32,320 --> 00:33:35,920
Speaker 1: one was Nope, and one was Bulletrain. They're amazing directors

628
00:33:36,000 --> 00:33:38,440
Speaker 1: who were telling giant stories. They don't want they don't

629
00:33:38,480 --> 00:33:42,120
Speaker 1: want their words missed. I totally hear it. I saw

630
00:33:42,240 --> 00:33:44,640
Speaker 1: Top Gun Maverick. There's not a lot of talking in it.

631
00:33:45,000 --> 00:33:47,160
Speaker 1: There is talking, and I was able, I was able

632
00:33:47,160 --> 00:33:49,120
Speaker 1: to understand everything they said. You know what I mean,

633
00:33:49,320 --> 00:33:50,880
Speaker 1: I'm gonna keep it one hundred. I don't know if

634
00:33:50,880 --> 00:33:52,400
Speaker 1: it's the I don't know if it's the theater that

635
00:33:52,480 --> 00:33:53,720
Speaker 1: you went to, and I don't know if it's the

636
00:33:53,800 --> 00:33:56,400
Speaker 1: creators of it. But I'll tell you one thing. The

637
00:33:56,520 --> 00:33:59,520
Speaker 1: special effects meant nothing to me. In Top Gun Maverick.

638
00:34:00,000 --> 00:34:02,480
Speaker 1: There's no effects. They really were in the planes. It's real.

639
00:34:02,640 --> 00:34:05,720
Speaker 1: But all of that shit wasn't. That didn't mean anything.

640
00:34:05,760 --> 00:34:08,640
Speaker 1: Even that meant nothing to me. The story is what

641
00:34:08,840 --> 00:34:11,720
Speaker 1: saves that movie. Man, That's what's really great about that movie.

642
00:34:12,200 --> 00:34:14,640
Speaker 1: And I think that's I think that's what missing is.

643
00:34:14,760 --> 00:34:17,320
Speaker 1: That's what's missing in some of these movies. Now, I

644
00:34:17,320 --> 00:34:22,120
Speaker 1: haven't you're saying separate thing. I was saying a diatribe

645
00:34:22,160 --> 00:34:24,640
Speaker 1: on sound mixing, and you're saying stories missing. I think

646
00:34:24,680 --> 00:34:27,040
Speaker 1: a lot of action movies. I agree. I think that's

647
00:34:27,160 --> 00:34:28,839
Speaker 1: I think that's part of it. I think I think

648
00:34:28,880 --> 00:34:31,279
Speaker 1: the reason why you missed out on so much is

649
00:34:31,360 --> 00:34:33,760
Speaker 1: because they're trying to get the sound so fucking dope

650
00:34:34,000 --> 00:34:36,359
Speaker 1: to make it so that the audience is having an

651
00:34:36,440 --> 00:34:39,320
Speaker 1: experience from with the sound. And I don't think I

652
00:34:39,400 --> 00:34:41,880
Speaker 1: think that's missing the mark. Fuck that shit. Tell a

653
00:34:41,960 --> 00:34:44,560
Speaker 1: good story and to sit will all it'll all fall

654
00:34:44,640 --> 00:34:48,239
Speaker 1: into place. You know what I mean. I think that's Fences,

655
00:34:49,920 --> 00:34:52,560
Speaker 1: the fight choreographer, whoever did the fight and bullet train

656
00:34:52,920 --> 00:34:54,600
Speaker 1: it was. It was sort of the biggest standout. I

657
00:34:54,680 --> 00:34:58,360
Speaker 1: think it was amazing fight sequences. I think that's the story.

658
00:34:58,400 --> 00:35:00,200
Speaker 1: I think that's the story of the movie, though, you

659
00:35:00,239 --> 00:35:02,279
Speaker 1: know what I mean, I think the story of them, Like,

660
00:35:02,440 --> 00:35:04,359
Speaker 1: I think the story of the movie is check out

661
00:35:04,440 --> 00:35:08,480
Speaker 1: the fight that we can, that we can we can do.

662
00:35:09,280 --> 00:35:11,480
Speaker 1: Look at our Joey King all grown up and starring

663
00:35:11,520 --> 00:35:14,879
Speaker 1: in a movie with Brad Pitt. She's a movie star. Man,

664
00:35:15,200 --> 00:35:18,240
Speaker 1: Remember when when you did when you did our scene,

665
00:35:18,280 --> 00:35:20,000
Speaker 1: when you did your scene with her, we knew she

666
00:35:20,080 --> 00:35:21,920
Speaker 1: was a movie star back then. No, man, she's a

667
00:35:22,000 --> 00:35:25,120
Speaker 1: movie star. Though. Man, she's like she's got like she

668
00:35:25,320 --> 00:35:28,120
Speaker 1: looked at this all right, the Joey King moment. She's

669
00:35:28,120 --> 00:35:32,279
Speaker 1: a god. She's got like. She's so beautiful first of all,

670
00:35:33,760 --> 00:35:38,680
Speaker 1: but so talented. She's wish I was here but her

671
00:35:39,160 --> 00:35:41,840
Speaker 1: acting and wish I was here. Right, she's so talented.

672
00:35:42,400 --> 00:35:46,960
Speaker 1: But she's also quirky and funny, which is so right,

673
00:35:47,080 --> 00:35:52,680
Speaker 1: which is so important for an actor, or however how

674
00:35:52,760 --> 00:35:55,040
Speaker 1: much an actor. We're still correct way to say it Joel.

675
00:35:55,400 --> 00:35:58,680
Speaker 1: Actor is fine actor, but for an actor, and I

676
00:35:58,719 --> 00:36:01,560
Speaker 1: don't want to get in trouble. You out, Oh you good? Yeah.

677
00:36:02,200 --> 00:36:04,440
Speaker 1: I have always know what I mean for actresses as

678
00:36:04,440 --> 00:36:07,040
Speaker 1: actors too, but I don't want to say wrong either, Duelle.

679
00:36:07,440 --> 00:36:10,359
Speaker 1: If I'm wrong, I like actor. It's all encompassing. Yeah,

680
00:36:11,000 --> 00:36:14,440
Speaker 1: but I think right on. I think it's so important

681
00:36:14,480 --> 00:36:18,279
Speaker 1: for actors to have a really good sense of humor,

682
00:36:18,560 --> 00:36:20,800
Speaker 1: and she has an amazing sense of humor. And so

683
00:36:20,960 --> 00:36:24,399
Speaker 1: she will not only be able to do drama, which

684
00:36:24,440 --> 00:36:26,080
Speaker 1: she did and Wish I was here, which she did

685
00:36:26,160 --> 00:36:28,840
Speaker 1: fabulously and wish I was here, but she can also

686
00:36:28,960 --> 00:36:33,719
Speaker 1: do comedy. She can also do romance. She can also

687
00:36:33,840 --> 00:36:36,880
Speaker 1: do actions what we're seeing right now, because she's so

688
00:36:37,040 --> 00:36:40,200
Speaker 1: athletic as well. I really do believe she's a movie star. Man.

689
00:36:40,440 --> 00:36:44,399
Speaker 1: I'm really proud of her. You said at a Princess movie.

690
00:36:44,560 --> 00:36:46,279
Speaker 1: That Princess movie kicked ass. I don't know if you

691
00:36:46,280 --> 00:36:48,279
Speaker 1: guys saw it yet. That's where she's like, that's where

692
00:36:48,280 --> 00:36:51,319
Speaker 1: she's like a fighter and stuff like that, A fighting princess. Yeah.

693
00:36:51,760 --> 00:36:53,440
Speaker 1: The princess is being forced to marry off and she

694
00:36:53,480 --> 00:36:58,239
Speaker 1: has to basically like get down the tower through all

695
00:36:58,280 --> 00:37:00,919
Speaker 1: of these like an army of people, and so she's

696
00:37:00,920 --> 00:37:04,440
Speaker 1: like sneaking around and stabbing him. She's such a badass

697
00:37:04,520 --> 00:37:06,960
Speaker 1: in it. Look, I'm just saying, man, we but we

698
00:37:07,080 --> 00:37:08,600
Speaker 1: knew this when she was a kid. When she was

699
00:37:08,640 --> 00:37:10,719
Speaker 1: a kid, you know what I mean. We knew this

700
00:37:10,880 --> 00:37:13,479
Speaker 1: when I wish I was here, when we were working

701
00:37:13,520 --> 00:37:15,440
Speaker 1: on wish I was here. We knew that she was this,

702
00:37:15,680 --> 00:37:17,759
Speaker 1: and so you know, it's really good to see it

703
00:37:17,840 --> 00:37:20,200
Speaker 1: come to fruition. I'm proud of her. I gotta stay

704
00:37:20,239 --> 00:37:23,479
Speaker 1: watching her kick ass with Brad Pitt. I felt proud

705
00:37:23,560 --> 00:37:25,400
Speaker 1: of our joy king. All Right, why don't we take

706
00:37:25,440 --> 00:37:27,960
Speaker 1: a break, and we promise you audience, we will. We

707
00:37:28,040 --> 00:37:31,200
Speaker 1: will finally talk about scrubs and television. Okay, We'll be

708
00:37:31,320 --> 00:37:41,520
Speaker 1: right back after these words. And ha ha ha ha

709
00:37:41,840 --> 00:37:44,920
Speaker 1: ha ha. I sound like I have a cold this

710
00:37:45,040 --> 00:37:48,520
Speaker 1: whole episode. Did you notice that I didn't? You did

711
00:37:48,640 --> 00:37:51,759
Speaker 1: notice it? I did not. I do notice those guns.

712
00:37:51,840 --> 00:37:55,440
Speaker 1: So I do notice those guns, ladies and gentlemen. Days

713
00:37:55,719 --> 00:38:04,319
Speaker 1: thems watch this, well, there are ads abdominals as they say,

714
00:38:04,960 --> 00:38:09,040
Speaker 1: he insuded that this boy has been putting the work

715
00:38:09,200 --> 00:38:13,120
Speaker 1: in at the work, but He's also been putting the

716
00:38:13,200 --> 00:38:17,560
Speaker 1: work in at the refrigerator and he is eating chicken

717
00:38:17,719 --> 00:38:20,120
Speaker 1: and broccoli. It looks like, no, no, do you have

718
00:38:20,200 --> 00:38:22,200
Speaker 1: to do you have to be Oh sorry, do you

719
00:38:22,239 --> 00:38:24,040
Speaker 1: have to be nude for this movie that you're about

720
00:38:24,080 --> 00:38:26,880
Speaker 1: to do? Um? Not nude. I'm like in bed with

721
00:38:27,080 --> 00:38:32,040
Speaker 1: my um with my girlfriend shirtless, so I didn't want

722
00:38:32,080 --> 00:38:35,120
Speaker 1: to not look my best. All right, let's talk about

723
00:38:35,120 --> 00:38:37,439
Speaker 1: the choke scrubs. Um, I do so a have a cold?

724
00:38:37,480 --> 00:38:40,840
Speaker 1: In the voiceover, and uh and on, I just noticed

725
00:38:40,840 --> 00:38:44,600
Speaker 1: that little trivia. Um, Elliott is questioning whether she just

726
00:38:44,680 --> 00:38:47,279
Speaker 1: to remind everyone where we are, Elliott's questioning whether she

727
00:38:47,320 --> 00:38:52,040
Speaker 1: should marry Keith. She's having second thoughts. Um. Kim has

728
00:38:52,080 --> 00:38:55,400
Speaker 1: just returned from the conference where we discovered she's pregnant,

729
00:38:55,600 --> 00:38:57,640
Speaker 1: and I was lying to me and all of my

730
00:38:57,760 --> 00:39:02,960
Speaker 1: friends about lose the baby, and she's actually very, very pregnant.

731
00:39:03,480 --> 00:39:05,960
Speaker 1: That was a very formulate funny moment. That's two funny moments.

732
00:39:06,000 --> 00:39:10,240
Speaker 1: One where Carlos senses in the force that Elliot's obsessing

733
00:39:10,360 --> 00:39:13,520
Speaker 1: and she runs and grabs her. The other one. The

734
00:39:13,680 --> 00:39:18,200
Speaker 1: other one is when Kim keeps trying to link with

735
00:39:18,400 --> 00:39:24,560
Speaker 1: j D and j D keeps ditching her, keeps he

736
00:39:24,719 --> 00:39:27,719
Speaker 1: keeps totally dissing her everywhere and the creative ways. In

737
00:39:27,760 --> 00:39:29,960
Speaker 1: the final one, he's literally trying to climb out the

738
00:39:30,080 --> 00:39:33,920
Speaker 1: window and she catches him. He doesn't want to talk

739
00:39:33,920 --> 00:39:36,440
Speaker 1: about it. He's not ready, but I totally understand. Man.

740
00:39:36,560 --> 00:39:41,440
Speaker 1: She totally lied. She said that the baby didn't exist. Yeah,

741
00:39:41,440 --> 00:39:44,040
Speaker 1: and she really wants forgiveness pretty rapidly. I mean it's

742
00:39:44,120 --> 00:39:47,040
Speaker 1: it's a little like, please give me some time, you know.

743
00:39:47,320 --> 00:39:52,399
Speaker 1: She's very aggressive, like we literally just left a conference. Yeah,

744
00:39:52,680 --> 00:39:54,759
Speaker 1: let's do your lie just got found out, and she's like,

745
00:39:54,840 --> 00:39:58,279
Speaker 1: can you forgive me? Likew be my friend again? Yeah?

746
00:39:59,680 --> 00:40:05,320
Speaker 1: And and you guys didn't really ever do it. Oh wait, no,

747
00:40:05,480 --> 00:40:06,879
Speaker 1: you do do it. Well, you do do it after

748
00:40:06,960 --> 00:40:09,440
Speaker 1: they after the baby's created, because you've got there's that

749
00:40:09,760 --> 00:40:14,839
Speaker 1: moment where you try to work it out. So you're

750
00:40:14,880 --> 00:40:17,920
Speaker 1: definitely banging. You're definitely banging in that profess I don't

751
00:40:17,960 --> 00:40:21,760
Speaker 1: remember by can I say bang? Joel is banging at

752
00:40:23,280 --> 00:40:29,319
Speaker 1: everybody says banging. Everybody says banging? Right, you bang? Fine? Um?

753
00:40:29,560 --> 00:40:32,439
Speaker 1: When did banging not being come? Okay? Um? I don't

754
00:40:32,440 --> 00:40:34,160
Speaker 1: I just don't want to be inappropriate, you know what

755
00:40:34,200 --> 00:40:35,960
Speaker 1: I mean. I don't want people to be like this, dude.

756
00:40:36,080 --> 00:40:40,000
Speaker 1: So Joel will tell you if you've said anything that's

757
00:40:40,080 --> 00:40:43,840
Speaker 1: not correct. Um uh so we I just want to

758
00:40:43,880 --> 00:40:47,840
Speaker 1: point out that Beard Fisa is definitively the pharmacist. Is

759
00:40:49,920 --> 00:40:54,160
Speaker 1: this the sixth episode? Investigation into is Beard Fisa the

760
00:40:54,160 --> 00:40:57,439
Speaker 1: pharmacist or not is concluded in this episode because he's

761
00:40:57,600 --> 00:41:01,040
Speaker 1: clearly standing in the window talking to someone in the

762
00:41:01,239 --> 00:41:05,520
Speaker 1: in the in the lobby, Yes, as he's been before.

763
00:41:06,160 --> 00:41:10,399
Speaker 1: Jad's conscience is a giant rabbit in a track suit.

764
00:41:12,000 --> 00:41:15,160
Speaker 1: The track suit is because of mister Fortelly, his mean

765
00:41:15,320 --> 00:41:19,399
Speaker 1: fizzed teacher, and the rabbit head is because his uncle

766
00:41:19,560 --> 00:41:22,520
Speaker 1: once ate a rabbit and got belly. Murms all right,

767
00:41:22,640 --> 00:41:26,600
Speaker 1: without saying anything, Zach, Yeah, Joel, do you know who

768
00:41:26,640 --> 00:41:31,239
Speaker 1: the Fatelles are? No, Daniel? Do you know who the

769
00:41:31,280 --> 00:41:41,279
Speaker 1: Fates are? The Patellis? But last name isn't okays he's

770
00:41:41,320 --> 00:41:43,640
Speaker 1: giving a trivia question. Okay, No, I don't know, audience.

771
00:41:43,719 --> 00:41:46,520
Speaker 1: Do you know who the Fells are? No? Do you

772
00:41:46,560 --> 00:41:48,960
Speaker 1: ever see a little movie called Goonies? Yeah? Just a

773
00:41:49,000 --> 00:41:52,120
Speaker 1: little masterpiece called Goonies Classic? Do you know what the

774
00:41:52,160 --> 00:41:57,359
Speaker 1: bad guy's last names were for Telly good Yes, yes,

775
00:42:00,000 --> 00:42:02,680
Speaker 1: I mean good job, good job, good job. Now, Donald,

776
00:42:02,719 --> 00:42:07,399
Speaker 1: do you remember who played the rabbit Franklin got better? Yes?

777
00:42:09,160 --> 00:42:13,920
Speaker 1: I think he was our second. He was out of

778
00:42:13,960 --> 00:42:15,960
Speaker 1: the second eighty or the first eight I forgot, but

779
00:42:16,200 --> 00:42:18,759
Speaker 1: he was a second who got promoted to first. Him

780
00:42:18,840 --> 00:42:23,800
Speaker 1: and Scott. I have no idea who the voices do you? No? Okay,

781
00:42:23,880 --> 00:42:26,239
Speaker 1: I looked on even on the Scrubs Wiki didn't have

782
00:42:26,320 --> 00:42:31,680
Speaker 1: it everything. Trevor Ran got the answers. Zach Um Turk

783
00:42:32,160 --> 00:42:35,200
Speaker 1: is so excited about having his baby after he's just

784
00:42:35,760 --> 00:42:38,360
Speaker 1: said that women can be cuckoo. We then cuts to

785
00:42:38,520 --> 00:42:42,040
Speaker 1: him asking JD to hold his baby over a small

786
00:42:42,160 --> 00:42:46,360
Speaker 1: net so that Turk can photoshop his baby. Duncan that

787
00:42:46,440 --> 00:42:50,960
Speaker 1: sounds like something you'd really do. Yes, I would do that.

788
00:42:51,520 --> 00:42:54,800
Speaker 1: I mean, it's just because I'm into special effects. Like

789
00:42:54,920 --> 00:42:56,880
Speaker 1: we talked about light and magic and how much I

790
00:42:56,960 --> 00:43:01,400
Speaker 1: liked it more than the sequels. Yeah, just to circle

791
00:43:01,480 --> 00:43:04,560
Speaker 1: back to that, reiterate, Yeah, just just to reiterate that,

792
00:43:05,040 --> 00:43:08,719
Speaker 1: I too feel like I would take certain situations in

793
00:43:08,960 --> 00:43:13,719
Speaker 1: my life and try and do by the way, photoshop

794
00:43:13,800 --> 00:43:17,640
Speaker 1: you know where that came from, right, Industrial Industrial Light

795
00:43:17,719 --> 00:43:20,200
Speaker 1: and magic Baby just put it out there. It was

796
00:43:20,280 --> 00:43:22,839
Speaker 1: one of the guys like little side projects, right, yeah,

797
00:43:22,880 --> 00:43:25,560
Speaker 1: it was. Yeah, it was one of the Yeah, it's exactly.

798
00:43:25,719 --> 00:43:27,680
Speaker 1: So I'm just I hope he's rich as hell. I

799
00:43:27,719 --> 00:43:31,279
Speaker 1: hope no one fucked up his his his winnings. I don't.

800
00:43:31,320 --> 00:43:33,719
Speaker 1: I don't think anybody has fucked up their winnings in

801
00:43:33,880 --> 00:43:36,000
Speaker 1: that area. No, I'm saying. And the way it is

802
00:43:36,120 --> 00:43:38,560
Speaker 1: portrayed in the documentary is that it was like his

803
00:43:38,680 --> 00:43:41,839
Speaker 1: little side project and then he invented photoshop, and then

804
00:43:41,880 --> 00:43:45,400
Speaker 1: I just hope that he Uh, there was only one

805
00:43:47,120 --> 00:43:50,320
Speaker 1: there's only one mistake I LM made. There's only one mistake,

806
00:43:50,640 --> 00:43:53,560
Speaker 1: and that was selling Pixar. They're like, I don't believe

807
00:43:53,600 --> 00:43:57,560
Speaker 1: in his cartoon ship. Yeah you take it here, jobs,

808
00:43:57,760 --> 00:44:02,359
Speaker 1: it's yours. That's true. By the way, I mean, Turk

809
00:44:02,480 --> 00:44:04,320
Speaker 1: is holding a point and shoot camera and I just

810
00:44:04,520 --> 00:44:07,799
Speaker 1: I just I just was reading and it goes without

811
00:44:07,880 --> 00:44:09,920
Speaker 1: saying that the point and shoot camera is pretty much

812
00:44:10,239 --> 00:44:13,360
Speaker 1: dead because of the iPhone or because of cell phones,

813
00:44:13,880 --> 00:44:16,000
Speaker 1: and and you know, if you want to higher end

814
00:44:16,080 --> 00:44:18,399
Speaker 1: pro camera, you go and buy that. But the point

815
00:44:18,480 --> 00:44:21,719
Speaker 1: and shoot itself. I just stumbled across an article that

816
00:44:21,840 --> 00:44:24,640
Speaker 1: was saying it is pretty much dead because your your

817
00:44:25,400 --> 00:44:29,279
Speaker 1: your phone is just as good. Yeah, I wonder if

818
00:44:29,360 --> 00:44:32,640
Speaker 1: this was what if people saw this, you know what

819
00:44:32,719 --> 00:44:35,880
Speaker 1: I mean? Like you always say, from film, the digital

820
00:44:36,040 --> 00:44:38,080
Speaker 1: was a big big is a big big thing, right,

821
00:44:38,320 --> 00:44:41,960
Speaker 1: It changed, the revolutionized the industry and everything it all

822
00:44:42,000 --> 00:44:44,280
Speaker 1: goes back to It all goes back to light magic.

823
00:44:44,320 --> 00:44:48,360
Speaker 1: But anyway, it changed the It changed the industry. So

824
00:44:48,719 --> 00:44:52,160
Speaker 1: when it went from film to digital, were they like,

825
00:44:52,280 --> 00:44:54,480
Speaker 1: pretty soon, we're not gonna need the camera guys, that's

826
00:44:54,520 --> 00:44:56,600
Speaker 1: what this means. We're not gonna need this. We're not

827
00:44:56,640 --> 00:44:59,400
Speaker 1: gonna need the point and shoot anymore. Pretty soon, pretty

828
00:44:59,440 --> 00:45:01,160
Speaker 1: soon we're gonna be able to use it on our phone.

829
00:45:01,360 --> 00:45:03,680
Speaker 1: Pretty Soon it'll be in our eyes. We'll be able

830
00:45:03,680 --> 00:45:05,919
Speaker 1: to act, you know what I mean? Like, yeah, well,

831
00:45:06,520 --> 00:45:09,080
Speaker 1: could you see the progression of could you see the

832
00:45:09,160 --> 00:45:12,200
Speaker 1: progression of how this is all gonna go all go

833
00:45:12,320 --> 00:45:18,479
Speaker 1: away eventually? Like well of course started starting ahead ahead,

834
00:45:18,520 --> 00:45:20,960
Speaker 1: you go ahead, you go ahead. The special thing is

835
00:45:22,280 --> 00:45:25,600
Speaker 1: it's really the glass of a lens, of a magical

836
00:45:25,840 --> 00:45:29,920
Speaker 1: lens um. I think so your camera phone is never

837
00:45:30,000 --> 00:45:32,400
Speaker 1: gonna well, I mean, obviously one day it could, but

838
00:45:32,560 --> 00:45:38,520
Speaker 1: currently doesn't have a magical, beautiful you know, from from

839
00:45:38,640 --> 00:45:42,560
Speaker 1: one to one hundred thousand dollars and everything in between

840
00:45:42,800 --> 00:45:46,040
Speaker 1: level piece of glass, I should say, to priceless because

841
00:45:46,040 --> 00:45:48,320
Speaker 1: a panavision lens you came and buy, you can only reenter.

842
00:45:48,960 --> 00:45:51,840
Speaker 1: So it'll be interesting to see if if but what

843
00:45:51,920 --> 00:45:53,480
Speaker 1: do I know, but if if the idea of a

844
00:45:53,600 --> 00:45:57,120
Speaker 1: pro camera will ever go away. It's hard to imagine

845
00:45:57,160 --> 00:45:58,840
Speaker 1: that tech. It's sort of a waste to put that

846
00:45:58,920 --> 00:46:03,000
Speaker 1: technology in a phone. Um But but anyway, the market

847
00:46:03,280 --> 00:46:06,440
Speaker 1: that was that was holding h like, like obviously a

848
00:46:06,520 --> 00:46:08,520
Speaker 1: point shoot camera like a dad taking a picture of

849
00:46:08,560 --> 00:46:11,200
Speaker 1: his kid, is now on the cell phone because not

850
00:46:11,280 --> 00:46:13,680
Speaker 1: only is the camera quality insane, but you can also

851
00:46:13,800 --> 00:46:16,200
Speaker 1: instantly then send it to your your friends and your

852
00:46:16,239 --> 00:46:19,920
Speaker 1: wife and your family right away. Man Like, it changed everything,

853
00:46:20,120 --> 00:46:23,040
Speaker 1: it really And I like film, man Like, I like

854
00:46:23,200 --> 00:46:25,239
Speaker 1: looking at old pictures from when I was a kid

855
00:46:25,320 --> 00:46:27,200
Speaker 1: and stuff like that. I like the way that looked

856
00:46:27,480 --> 00:46:33,359
Speaker 1: and stuff. Yeah, and it's it's really interesting you look

857
00:46:33,360 --> 00:46:35,279
Speaker 1: at the only time you get to see pictures of

858
00:46:35,520 --> 00:46:37,680
Speaker 1: people like that, or when they've passed away though, you

859
00:46:37,719 --> 00:46:39,440
Speaker 1: know what I mean, because it's been that long since

860
00:46:40,760 --> 00:46:46,280
Speaker 1: cameras have since film cameras have been pretty much obsolete

861
00:46:46,600 --> 00:46:51,200
Speaker 1: in the in the picture game, you know, yeah, any

862
00:46:51,200 --> 00:46:54,200
Speaker 1: of printing pictures even I want to give a shout out. Actually,

863
00:46:54,280 --> 00:46:55,880
Speaker 1: I don't even think they're as sponsor of ours. I

864
00:46:56,080 --> 00:46:58,200
Speaker 1: doubt there. I wish they would be. Joel make them

865
00:46:58,239 --> 00:47:01,759
Speaker 1: as sponsored ours. But frame Bridge, um, I don't you

866
00:47:01,760 --> 00:47:04,840
Speaker 1: guys have used this yet. They're really cool. Uh, listeners,

867
00:47:04,880 --> 00:47:06,680
Speaker 1: this is not an ad. I'm telling you. If you

868
00:47:06,840 --> 00:47:11,480
Speaker 1: just use them, you you literally send them. I think

869
00:47:11,480 --> 00:47:12,719
Speaker 1: it's an app. I don't know if it's an app

870
00:47:12,800 --> 00:47:14,320
Speaker 1: or it's probably an app end the website. But you

871
00:47:14,400 --> 00:47:17,120
Speaker 1: just you upload your picture, you pick a frame, you

872
00:47:17,239 --> 00:47:19,200
Speaker 1: pick a matt you can't even choose a little plaque,

873
00:47:20,120 --> 00:47:21,640
Speaker 1: and it comes and they sent it here and you

874
00:47:22,000 --> 00:47:23,520
Speaker 1: pick the size obviously, and they send it to your

875
00:47:23,520 --> 00:47:26,880
Speaker 1: house in like a week. It's INCREDI I just used it,

876
00:47:27,000 --> 00:47:29,520
Speaker 1: and it was I used it for a present for somebody.

877
00:47:30,040 --> 00:47:33,200
Speaker 1: Image back there. That's frame Bridge. So that magical thing

878
00:47:33,280 --> 00:47:34,800
Speaker 1: of like, oh it's annoying to print a picture and

879
00:47:34,840 --> 00:47:36,279
Speaker 1: then I gotta get a frame and all that, Like

880
00:47:36,840 --> 00:47:40,000
Speaker 1: I'm endorsing. This is my personal non ad endorsement of

881
00:47:40,080 --> 00:47:43,919
Speaker 1: Frame Bridge. All right, let's move on. Um Cox says

882
00:47:43,960 --> 00:47:51,440
Speaker 1: that pregnant women are allowed to be crazy. Donald your thoughts, Yeah, man, yeah, man,

883
00:47:52,920 --> 00:47:56,799
Speaker 1: I mean I don't know how you can when I've

884
00:47:56,880 --> 00:48:01,359
Speaker 1: never had my hormone shift so rapidly before. Yeah, you know, Um,

885
00:48:01,600 --> 00:48:03,840
Speaker 1: I don't go through a lot of the things that

886
00:48:04,080 --> 00:48:09,320
Speaker 1: women go through, from obulating to you know, all of

887
00:48:09,360 --> 00:48:15,520
Speaker 1: these things change your pH balance is what I you, Well,

888
00:48:15,520 --> 00:48:21,160
Speaker 1: it changes that to the changes, it changes that too,

889
00:48:21,520 --> 00:48:23,640
Speaker 1: you know what I mean. pH balance changes. I get

890
00:48:23,680 --> 00:48:26,440
Speaker 1: all fucked up, right, but it but it changes your

891
00:48:26,440 --> 00:48:29,319
Speaker 1: harm one balance and it changes like it changes your

892
00:48:29,520 --> 00:48:32,000
Speaker 1: equal like it it messages with you, you know what

893
00:48:32,040 --> 00:48:35,759
Speaker 1: I mean. And it's easy to be dismissive and call

894
00:48:35,960 --> 00:48:40,440
Speaker 1: someone crazy, but I think you're allowed to. I think

895
00:48:40,560 --> 00:48:45,200
Speaker 1: you're especially if you're pregnant. And that's forcing all of

896
00:48:45,280 --> 00:48:48,360
Speaker 1: these changes to happen. And you can't go on medication

897
00:48:48,480 --> 00:48:51,360
Speaker 1: to control these changes because it will harm the baby.

898
00:48:51,840 --> 00:48:54,960
Speaker 1: You have to let this process happen. So I don't

899
00:48:55,000 --> 00:48:57,840
Speaker 1: know if it's called being crazy. I think it's more like,

900
00:48:58,120 --> 00:49:03,520
Speaker 1: you know, the baby is running its course through the

901
00:49:03,680 --> 00:49:06,800
Speaker 1: mother and you, and the mother is more than allowed

902
00:49:06,840 --> 00:49:10,200
Speaker 1: to go through these problems. Yeah, all right, so wait,

903
00:49:10,239 --> 00:49:13,600
Speaker 1: let's move on. Jad says that Kim can stay at

904
00:49:13,640 --> 00:49:16,360
Speaker 1: his house, which is very nice. Um. He does assume

905
00:49:16,440 --> 00:49:19,480
Speaker 1: that she's gonna take the couch, which is which is

906
00:49:19,560 --> 00:49:22,479
Speaker 1: funny because like she is pregnant, she's not gonna likely

907
00:49:22,600 --> 00:49:24,880
Speaker 1: stay on the couch. But the rabbit is the one

908
00:49:24,960 --> 00:49:30,319
Speaker 1: who tells him to give her the bed. But here's

909
00:49:30,320 --> 00:49:33,080
Speaker 1: what I understand. The second I mean, Kim is not

910
00:49:33,160 --> 00:49:36,480
Speaker 1: even out of the room. Kim isn't barely out of

911
00:49:36,480 --> 00:49:40,759
Speaker 1: the room, and Jady puts on a porn Uh. Can

912
00:49:40,880 --> 00:49:43,000
Speaker 1: hear the noise. I couldn't believe this was on scrubs.

913
00:49:43,320 --> 00:49:45,959
Speaker 1: You can hear like fake porno noises off the TV

914
00:49:47,120 --> 00:49:49,960
Speaker 1: and the rabbit. The rabbit is totally cool that the

915
00:49:50,080 --> 00:49:52,680
Speaker 1: rabbits like downs like, don't worry, I gotta and he says,

916
00:49:52,760 --> 00:49:55,680
Speaker 1: I got, oh, I gotta carry for her. Jad and

917
00:49:55,719 --> 00:49:58,719
Speaker 1: the rabbit are watching porn together. Kim hasn't even like

918
00:49:58,840 --> 00:50:01,080
Speaker 1: closed the bedroom. She's like pulling her suitcase in the

919
00:50:01,120 --> 00:50:06,799
Speaker 1: other room. She ain't coming back out, by the way,

920
00:50:06,840 --> 00:50:08,200
Speaker 1: it's you know back in the day when it was

921
00:50:08,200 --> 00:50:10,520
Speaker 1: obviously there's it's not on his phone. So he's like

922
00:50:10,680 --> 00:50:12,680
Speaker 1: he's watching a movie, like he puts on like a

923
00:50:12,760 --> 00:50:15,640
Speaker 1: pornographic film. Do you think he rented it from the

924
00:50:15,800 --> 00:50:20,680
Speaker 1: VHS store? You remember when they had like the beaded

925
00:50:20,760 --> 00:50:25,440
Speaker 1: area that, Yeah, I never, I never. I don't think

926
00:50:25,440 --> 00:50:27,799
Speaker 1: I was ever made it to the age or all

927
00:50:27,840 --> 00:50:32,560
Speaker 1: they were alive where I could go to the beaded area. Okay,

928
00:50:32,680 --> 00:50:35,680
Speaker 1: so everybody is mad at came at the hospital. All

929
00:50:35,719 --> 00:50:38,719
Speaker 1: my friends are coming to my defense. They're rallying around me,

930
00:50:39,600 --> 00:50:42,359
Speaker 1: as they should. They you give her the evil eye.

931
00:50:42,640 --> 00:50:45,399
Speaker 1: Uh but wait a second, this is where we're having

932
00:50:45,440 --> 00:50:49,120
Speaker 1: a She was also a colleague though. Yeah, so a

933
00:50:49,239 --> 00:50:53,040
Speaker 1: lot of these people are being very unprofessional. Well they're friend,

934
00:50:53,080 --> 00:50:55,960
Speaker 1: I'm I'm I'm like Ferris Bueller of the hospital. And

935
00:50:56,120 --> 00:50:58,279
Speaker 1: she was there. She was there the whole time that

936
00:50:58,400 --> 00:51:01,520
Speaker 1: we were there. That Turk and d with their Kim

937
00:51:01,719 --> 00:51:04,320
Speaker 1: was there, the whole doesn't matter. Every everyone the gossip

938
00:51:04,360 --> 00:51:07,319
Speaker 1: has spread that she's done something horrible and they're all

939
00:51:07,360 --> 00:51:10,640
Speaker 1: giving her the cold shoulder, and it's funny. Uh that

940
00:51:11,239 --> 00:51:15,680
Speaker 1: is it's robbed. Uh Ted and Lloyd are together and

941
00:51:15,760 --> 00:51:19,000
Speaker 1: they go hussy liar, and then Lloyd goes jerk, and

942
00:51:19,080 --> 00:51:24,880
Speaker 1: then he goes, who is that. Church stares at a

943
00:51:24,960 --> 00:51:29,239
Speaker 1: blank clipboard just to he's so cocky, Patience, he likes,

944
00:51:30,760 --> 00:51:33,600
Speaker 1: he's so we were. Bill is reminding the audience the

945
00:51:33,840 --> 00:51:38,840
Speaker 1: stereotype that surgeons are so cocky. Well, they they have

946
00:51:39,040 --> 00:51:44,120
Speaker 1: one goal in life, and that's to do surgery's they

947
00:51:44,200 --> 00:51:45,920
Speaker 1: want to. And so he didn't even need to look

948
00:51:45,920 --> 00:51:47,680
Speaker 1: at the clipboard. He knows he wanted to cut him open.

949
00:51:47,920 --> 00:51:49,680
Speaker 1: I already know what I want to do. I'm gonna

950
00:51:49,680 --> 00:51:53,839
Speaker 1: cut this guy open. M h. I mean to look

951
00:51:53,840 --> 00:51:57,080
Speaker 1: at the paperwork, right and then and then j D

952
00:51:57,320 --> 00:52:00,920
Speaker 1: informs Church, look, dude, this is a very dangerous surgery.

953
00:52:01,000 --> 00:52:05,839
Speaker 1: It's risky, you know, especially the situation that this guy

954
00:52:06,000 --> 00:52:07,880
Speaker 1: is in right now that he's put himself in to

955
00:52:08,080 --> 00:52:11,440
Speaker 1: do that could cause this guy's life. And Turk doesn't

956
00:52:11,440 --> 00:52:15,719
Speaker 1: give a shit, which is, you know, well I doesn't

957
00:52:15,719 --> 00:52:18,799
Speaker 1: give a shit. He's he's being cavalier again, like he's

958
00:52:18,840 --> 00:52:21,719
Speaker 1: being a typical stereotypical surgeon who just wants to do

959
00:52:21,800 --> 00:52:25,560
Speaker 1: surgery on a guy. And he's being here, I mean

960
00:52:25,719 --> 00:52:28,359
Speaker 1: that was my interpretation. It's not it's not like the guy.

961
00:52:28,520 --> 00:52:32,400
Speaker 1: The guy would benefit from the surgery, but Turk's not fully.

962
00:52:33,320 --> 00:52:36,160
Speaker 1: Turk's being cocky about his ability to pull it off

963
00:52:36,480 --> 00:52:41,520
Speaker 1: on an older man without any harm, right, without consequences. Right,

964
00:52:42,520 --> 00:52:46,200
Speaker 1: then we have a Lloyd and Charisse making out Charis.

965
00:52:46,960 --> 00:52:50,680
Speaker 1: That's Angela Thistle right, that was Angela. Yes, Angela is

966
00:52:50,719 --> 00:52:53,640
Speaker 1: one of our amazing writers on the show. She's she's

967
00:52:54,520 --> 00:52:58,120
Speaker 1: I believe was last working for Mixed dish Um. It's

968
00:52:58,200 --> 00:53:00,919
Speaker 1: really really good talented writer. She's the one that bought

969
00:53:00,960 --> 00:53:02,360
Speaker 1: all of that. She's the one that brought all of

970
00:53:02,400 --> 00:53:04,600
Speaker 1: the hip hop flavor to Scrubs, keeping in one hundred

971
00:53:04,680 --> 00:53:08,239
Speaker 1: with everybody out there, like you know common, all these

972
00:53:08,280 --> 00:53:11,600
Speaker 1: people being on Scrubs, that's all Angela. That was Angela's work,

973
00:53:12,480 --> 00:53:14,640
Speaker 1: and so she deserves a huge shout out. She brought

974
00:53:14,640 --> 00:53:20,719
Speaker 1: a lot of She brought a lot of relevance as

975
00:53:20,760 --> 00:53:24,759
Speaker 1: far as like she spoke forth from the hip hop community.

976
00:53:25,200 --> 00:53:29,399
Speaker 1: And so when Scrubs had all of that on there,

977
00:53:29,440 --> 00:53:32,239
Speaker 1: it was actually genuine because it came from somebody who

978
00:53:32,360 --> 00:53:34,479
Speaker 1: was about that, who was about that. She was super cool.

979
00:53:34,600 --> 00:53:37,440
Speaker 1: And now this is I believe her only cameo licking

980
00:53:37,640 --> 00:53:43,000
Speaker 1: Lloyd's face. Yes, that was a sexy moment. I'm not

981
00:53:43,040 --> 00:53:47,120
Speaker 1: gonna lie. Yeah, it didn't look bad. It didn't look

982
00:53:47,120 --> 00:53:51,200
Speaker 1: like Lloyd looks like he's doing well. Angela's beautiful. Lloyd

983
00:53:51,239 --> 00:53:55,839
Speaker 1: looked like he enjoyed it. I hope she likes speed metal.

984
00:53:57,239 --> 00:54:02,319
Speaker 1: That's a good mixture. And then the worst thing that's

985
00:54:02,360 --> 00:54:07,080
Speaker 1: ever happened to Scrubs comes out. Are you talking about travelocity?

986
00:54:07,280 --> 00:54:09,200
Speaker 1: I am talking about Wait before we get there, let

987
00:54:09,239 --> 00:54:12,560
Speaker 1: me just I wrote a couple more things down. That's

988
00:54:12,600 --> 00:54:15,640
Speaker 1: the very next thing someone knows. Someone says, how did

989
00:54:15,680 --> 00:54:17,480
Speaker 1: you get so good at being mean? And then someone

990
00:54:17,560 --> 00:54:19,840
Speaker 1: else says it gets much easier when you're married. I

991
00:54:19,920 --> 00:54:25,400
Speaker 1: thought was something relevant to discuss. And then carl is

992
00:54:25,440 --> 00:54:29,160
Speaker 1: trying to throw the a big bachelor party just to

993
00:54:29,360 --> 00:54:34,959
Speaker 1: establish the story points, and Elliot's being very controlling. She's

994
00:54:34,960 --> 00:54:38,759
Speaker 1: a control control, she takes over dude, she takes over,

995
00:54:39,320 --> 00:54:41,800
Speaker 1: she takes over a bachelor party. Carlo is furious is

996
00:54:42,080 --> 00:54:45,799
Speaker 1: she's and she says, she says something funny. I laughed at. Um,

997
00:54:47,200 --> 00:54:50,040
Speaker 1: My grandma still thinks I'm a virgin despite what was

998
00:54:50,120 --> 00:54:59,759
Speaker 1: painted on our town's water tower. Elliot's Elliot's. Elliot's like

999
00:55:00,040 --> 00:55:03,839
Speaker 1: the Arnold Drummond of Scrubs. Man, everything has happened to her.

1000
00:55:04,320 --> 00:55:08,439
Speaker 1: Everything has happened to her. She's Arnold and Dudley. Yeah,

1001
00:55:08,680 --> 00:55:10,600
Speaker 1: that's a different Strokes reference. For those of you who

1002
00:55:10,640 --> 00:55:12,920
Speaker 1: are too young, all right, Donald, you discussed it. I

1003
00:55:13,000 --> 00:55:14,879
Speaker 1: believe this is the only time we did this. It's

1004
00:55:14,920 --> 00:55:17,200
Speaker 1: so cringe. It made me even this many years later,

1005
00:55:17,280 --> 00:55:20,759
Speaker 1: made my stomach turn. But go ahead. We did a

1006
00:55:20,800 --> 00:55:23,400
Speaker 1: Travelocity commercial in the middle of Scrubs so we can

1007
00:55:23,520 --> 00:55:26,880
Speaker 1: make someone, so we can make some Now, we that

1008
00:55:27,040 --> 00:55:31,360
Speaker 1: so the show could make some funny Yeah, I imagine budget.

1009
00:55:33,400 --> 00:55:36,080
Speaker 1: What year was season said? What did we go to

1010
00:55:36,200 --> 00:55:40,239
Speaker 1: the rep? Was it? This is the final season on? Uh?

1011
00:55:43,239 --> 00:55:47,600
Speaker 1: Is this the Vegas rat Party? I don't know. I

1012
00:55:47,640 --> 00:55:49,279
Speaker 1: don't know. I don't think that's a good question. I

1013
00:55:49,320 --> 00:55:51,840
Speaker 1: wonder when the Vegas Rap Party was. All I know

1014
00:55:52,080 --> 00:55:53,440
Speaker 1: is that we never did this. I don't think we

1015
00:55:53,520 --> 00:55:55,480
Speaker 1: ever did it again. But this was right around the time,

1016
00:55:55,640 --> 00:55:59,279
Speaker 1: just for those of you who don't know, No, I

1017
00:55:59,360 --> 00:56:01,879
Speaker 1: was gonna say right around the time when this sort

1018
00:56:01,920 --> 00:56:03,960
Speaker 1: of thing started to happen where people were like where

1019
00:56:04,000 --> 00:56:06,960
Speaker 1: brands were coming into TV shows and saying, hey, if

1020
00:56:06,960 --> 00:56:09,680
Speaker 1: you can slip our brand in the show, we'll give

1021
00:56:09,719 --> 00:56:11,960
Speaker 1: you a whole lot more money for your budget or

1022
00:56:12,400 --> 00:56:14,560
Speaker 1: you know, usually for your budget. Right, that's real, that's

1023
00:56:14,600 --> 00:56:16,920
Speaker 1: what it was for. Yeah, So everybody and Bill was

1024
00:56:16,960 --> 00:56:18,839
Speaker 1: saying no, no, no, left and right, left right, other

1025
00:56:18,880 --> 00:56:21,960
Speaker 1: shows were doing it, and finally Bill caved and said,

1026
00:56:21,960 --> 00:56:24,960
Speaker 1: all right, we'll try it. And this is so cringing

1027
00:56:25,000 --> 00:56:28,920
Speaker 1: and bad, but this is a Travelocity ad that we

1028
00:56:29,120 --> 00:56:31,440
Speaker 1: say in the middle of the show. We even try

1029
00:56:31,480 --> 00:56:33,000
Speaker 1: to make fun of it. But being like, see, wouldn't

1030
00:56:33,000 --> 00:56:36,480
Speaker 1: I be a great spokesperson, dude, I'm just saying, man,

1031
00:56:37,320 --> 00:56:39,799
Speaker 1: look I get it. And I had a We had

1032
00:56:39,880 --> 00:56:43,320
Speaker 1: some really fun things happen during that season, but this

1033
00:56:43,520 --> 00:56:46,600
Speaker 1: was a moment where you look at it you're like, yeah,

1034
00:56:46,680 --> 00:56:49,879
Speaker 1: it's super crazy. Is this where it jumped We jumped

1035
00:56:49,920 --> 00:56:52,319
Speaker 1: the shark? Is this the shark jump right here? That's

1036
00:56:52,560 --> 00:56:54,239
Speaker 1: if we kept If we kept doing it, it would

1037
00:56:54,239 --> 00:56:55,879
Speaker 1: have been But I think this is literally the only

1038
00:56:55,960 --> 00:57:00,080
Speaker 1: time we ever did. I think Bill probably said I

1039
00:57:00,120 --> 00:57:02,600
Speaker 1: imagine Bill probably had a lot of pressure and then

1040
00:57:02,880 --> 00:57:06,080
Speaker 1: finally tried it. Hated it and never did it again.

1041
00:57:06,320 --> 00:57:08,719
Speaker 1: By the way, Elliott hits three keys, this is such

1042
00:57:08,760 --> 00:57:11,640
Speaker 1: a so bad. She goes like she literally hits three keys,

1043
00:57:11,680 --> 00:57:18,120
Speaker 1: and she goes, my whole trip's booked. It's like, Wow,

1044
00:57:18,240 --> 00:57:21,440
Speaker 1: travel l City really is easy. You just hit three

1045
00:57:21,520 --> 00:57:23,840
Speaker 1: keys and you're entirely everything you wanted to have happened

1046
00:57:23,840 --> 00:57:27,760
Speaker 1: on your honeymoon is done. That's fucking hilarious. You don't

1047
00:57:27,760 --> 00:57:30,360
Speaker 1: you need to put your credit carded? No, you haven't

1048
00:57:30,400 --> 00:57:32,360
Speaker 1: put anything down. You don't even to pay for anything.

1049
00:57:33,320 --> 00:57:36,800
Speaker 1: It was so cringe. But I mean a little tribute

1050
00:57:36,800 --> 00:57:42,080
Speaker 1: I learned on Scrubs Wiki. Someone says that there's no

1051
00:57:42,240 --> 00:57:48,000
Speaker 1: place truly named Kokomo. What apparently Apparently there are many

1052
00:57:48,120 --> 00:57:52,680
Speaker 1: places named Kokomo in the United States, including Hawaii. Where's

1053
00:57:52,680 --> 00:57:57,000
Speaker 1: the real Copa Cabana at That's the question. Cocoa Cabana

1054
00:57:57,120 --> 00:58:00,080
Speaker 1: was a club, hottest spot north of Havana, Havannah. What

1055
00:58:00,920 --> 00:58:04,240
Speaker 1: wasn't that New York? Was Cocabana was New York? Was it?

1056
00:58:04,480 --> 00:58:06,360
Speaker 1: It was like the place to go in New York,

1057
00:58:06,480 --> 00:58:15,240
Speaker 1: the Copa at the Copa or Miami Coba Cabanat spot

1058
00:58:15,440 --> 00:58:17,960
Speaker 1: north of so the hottest spot north of Havana if

1059
00:58:18,240 --> 00:58:22,680
Speaker 1: Cuba is. If Cuba is south, is the southernest spot.

1060
00:58:23,360 --> 00:58:29,760
Speaker 1: Havana is in Cuba, the hottest spot north. That's everything up. Yeah, yeah,

1061
00:58:30,160 --> 00:58:32,960
Speaker 1: thanks thanks for that Google. Yes, Cuba Cubana is a

1062
00:58:33,000 --> 00:58:37,360
Speaker 1: New York night club that existed in several locations throughout

1063
00:58:37,400 --> 00:58:42,200
Speaker 1: New York. What years? Uh? He opened in February fifth,

1064
00:58:42,600 --> 00:58:46,400
Speaker 1: opened originally November tenth, nineteen forty and apparently one just

1065
00:58:46,520 --> 00:58:49,760
Speaker 1: reopened in February fifth, twenty twenty two at the cob

1066
00:58:53,320 --> 00:59:00,720
Speaker 1: Na The hottest spot north of hot I know is back.

1067
00:59:00,840 --> 00:59:03,560
Speaker 1: I don't want Does your wife have a hot guy? No,

1068
00:59:03,720 --> 00:59:06,600
Speaker 1: I don't want hot guy. I think I bet you

1069
00:59:07,000 --> 00:59:09,320
Speaker 1: he would like to think he's a hot man, but

1070
00:59:13,120 --> 00:59:16,360
Speaker 1: he is fine when he's not your He definitely sees

1071
00:59:16,480 --> 00:59:26,240
Speaker 1: a lot of vagina. Anyway, hot guys back and um,

1072
00:59:26,480 --> 00:59:31,520
Speaker 1: he's he's he's our ob gyn And it's a boy.

1073
00:59:32,240 --> 00:59:34,720
Speaker 1: And it was moving When JD found out he was

1074
00:59:34,760 --> 00:59:37,600
Speaker 1: a boy. I thought I got goosebumps. It was funny.

1075
00:59:37,640 --> 00:59:40,280
Speaker 1: There's a line where I go, it's I go, it's

1076
00:59:40,280 --> 00:59:47,040
Speaker 1: a boy. What's his name? Yeah, he didn't say that

1077
00:59:47,160 --> 00:59:51,280
Speaker 1: was cute. Sam Perry Gilligan Dorian is the name. Now,

1078
00:59:51,320 --> 00:59:55,000
Speaker 1: why did you say Gilligan again? Well, I think it's

1079
00:59:55,280 --> 01:00:00,480
Speaker 1: implied for for the audience that JD's a big Gilligan's

1080
01:00:00,480 --> 01:00:03,480
Speaker 1: Island fan. I think I say I wanted you and

1081
01:00:03,560 --> 01:00:06,080
Speaker 1: I had battled over it, and you got Chewbacca and

1082
01:00:06,160 --> 01:00:09,000
Speaker 1: I got Gilligan for our kid's names, which is what

1083
01:00:09,000 --> 01:00:11,400
Speaker 1: we should probably be accurate, because if I had to

1084
01:00:11,520 --> 01:00:15,640
Speaker 1: choose a pop culture name, I would choose Gilligan over Chewbacca. Well,

1085
01:00:16,480 --> 01:00:19,439
Speaker 1: you don't want to call your kids chewey. That is cute,

1086
01:00:19,520 --> 01:00:25,640
Speaker 1: but maybe he's his nickname, not his should take an

1087
01:00:25,640 --> 01:00:27,120
Speaker 1: ad break soon, by the way, because we're not having it.

1088
01:00:28,240 --> 01:00:32,360
Speaker 1: We're gonna we'll be right back after these very funny words,

1089
01:00:38,320 --> 01:00:45,600
Speaker 1: and we're bad. Okay. Um So now Turk, Turk all

1090
01:00:45,600 --> 01:00:49,200
Speaker 1: of a sudden realizes that the patient has a kid

1091
01:00:49,560 --> 01:00:53,360
Speaker 1: and has a grandchild. No, he thinks it's a grandchild.

1092
01:00:53,480 --> 01:00:56,240
Speaker 1: Turns out that it's a guy's daughter. Oh, that's ship.

1093
01:00:57,000 --> 01:01:00,720
Speaker 1: And then Turk realizes, oh, now I have to look

1094
01:01:00,720 --> 01:01:03,080
Speaker 1: at this in a new light because Turk is a

1095
01:01:03,160 --> 01:01:05,680
Speaker 1: new father and he sees the guy as a new father.

1096
01:01:06,320 --> 01:01:10,160
Speaker 1: And now he reassesses all of his cockiness, right, and yeah,

1097
01:01:10,200 --> 01:01:11,920
Speaker 1: because all of this can be fixed, you know what

1098
01:01:11,960 --> 01:01:14,680
Speaker 1: I mean. The guy puts the work in, puts the exercise,

1099
01:01:14,760 --> 01:01:17,160
Speaker 1: and all of these things that are going on with

1100
01:01:17,320 --> 01:01:20,280
Speaker 1: him can be fixed. And so he wants to give

1101
01:01:20,320 --> 01:01:23,320
Speaker 1: that guy the option before he decides to cut him

1102
01:01:23,360 --> 01:01:26,560
Speaker 1: open um. But that's that's at least Turk the way

1103
01:01:26,640 --> 01:01:31,120
Speaker 1: Turk sees it. Uh. JD for some reason sees it

1104
01:01:31,320 --> 01:01:35,560
Speaker 1: as Church coppying out and being a bit of a

1105
01:01:37,080 --> 01:01:41,560
Speaker 1: h what's the word a coward? And well, I think

1106
01:01:41,640 --> 01:01:44,880
Speaker 1: JD is like, wait a minute, JD doesn't understand, and

1107
01:01:44,960 --> 01:01:47,720
Speaker 1: we're gonna learn that that Church schools him on and

1108
01:01:47,920 --> 01:01:50,400
Speaker 1: and Cox school him on. You don't understand. Way you

1109
01:01:50,440 --> 01:01:54,520
Speaker 1: have a kid, everything changes. So JD doesn't understand. That's

1110
01:01:54,560 --> 01:01:58,360
Speaker 1: what Bill's setting up here is is what are you doing? Why?

1111
01:01:58,440 --> 01:02:01,400
Speaker 1: Why you you what? What changed? You said? He was

1112
01:02:01,440 --> 01:02:04,240
Speaker 1: a good candidate, You felt confident, you could, your skills

1113
01:02:04,280 --> 01:02:06,080
Speaker 1: were up to par, and it didn't matter that he

1114
01:02:06,200 --> 01:02:09,360
Speaker 1: was older in age and what the fuck? And you're like,

1115
01:02:09,680 --> 01:02:11,560
Speaker 1: I don't know how to tell you this other than

1116
01:02:11,880 --> 01:02:13,840
Speaker 1: when you realize when you're a parent, you see things

1117
01:02:13,920 --> 01:02:15,600
Speaker 1: totally differently. I didn't know he was the father of

1118
01:02:15,640 --> 01:02:17,560
Speaker 1: a young kid. Like, now I see it totally differently.

1119
01:02:17,680 --> 01:02:21,360
Speaker 1: Now I don't want to take the risk. Yeah, And

1120
01:02:21,520 --> 01:02:25,080
Speaker 1: which sets up the word no, which I underlined heavily.

1121
01:02:25,520 --> 01:02:30,560
Speaker 1: You know, Yeah, because this is a moment where you

1122
01:02:30,640 --> 01:02:33,600
Speaker 1: know that no is probably the heart, one of the heart.

1123
01:02:33,720 --> 01:02:36,400
Speaker 1: You don't have a very difficult time saying that, Zach.

1124
01:02:36,480 --> 01:02:39,960
Speaker 1: I've noticed, like, and I know you do have a

1125
01:02:40,040 --> 01:02:44,240
Speaker 1: difficult time saying it, but you're still able to say no,

1126
01:02:44,680 --> 01:02:48,560
Speaker 1: even when your body and everything is going against you

1127
01:02:48,720 --> 01:02:52,640
Speaker 1: and saying just say yes, dude, You're still capable. You're

1128
01:02:52,680 --> 01:02:55,760
Speaker 1: still able to say no. That's a very good quality

1129
01:02:55,840 --> 01:02:58,680
Speaker 1: to have. As much as people might think no is

1130
01:02:58,680 --> 01:03:03,160
Speaker 1: a bad thing. To the ability to say no, it's

1131
01:03:03,280 --> 01:03:08,880
Speaker 1: such a freaking great power, you know. And uh, and

1132
01:03:09,040 --> 01:03:12,320
Speaker 1: that's what we explore in this moment in Scrubs and

1133
01:03:12,440 --> 01:03:15,320
Speaker 1: how in so many different ways it can affect people.

1134
01:03:15,360 --> 01:03:17,400
Speaker 1: It con affect people in a positive way, and it

1135
01:03:17,440 --> 01:03:21,880
Speaker 1: can affect people in a negative way. And uh, it's

1136
01:03:21,920 --> 01:03:26,320
Speaker 1: just you know, I for some reason, I took that moment,

1137
01:03:26,480 --> 01:03:28,480
Speaker 1: this this moment in the whole show. I was like,

1138
01:03:28,560 --> 01:03:31,200
Speaker 1: this is a great life lesson for anyone out there.

1139
01:03:31,400 --> 01:03:34,040
Speaker 1: You know, um, we say yes to so many things

1140
01:03:34,120 --> 01:03:35,840
Speaker 1: because we don't want to let anyone down, or we

1141
01:03:35,960 --> 01:03:39,720
Speaker 1: want to feel like we're pleasing people, or you know, uh,

1142
01:03:39,840 --> 01:03:43,200
Speaker 1: we're we're scared that how we're gonna be perceived if we,

1143
01:03:43,840 --> 01:03:47,800
Speaker 1: uh don't go with the crowd. Sometimes saying no. Most

1144
01:03:47,840 --> 01:03:51,080
Speaker 1: of the times I find saying no it's very rewarding

1145
01:03:51,360 --> 01:03:53,320
Speaker 1: and it and it keeps you out of a lot

1146
01:03:53,360 --> 01:03:55,200
Speaker 1: of the shit that you don't want to be involved in.

1147
01:03:55,760 --> 01:03:59,720
Speaker 1: You know, um uh it might take you to be

1148
01:04:00,000 --> 01:04:03,480
Speaker 1: you're late forties to realize that. So we're we're we're

1149
01:04:03,560 --> 01:04:07,640
Speaker 1: teaching you younger folks now learn now. Well, I've been listen.

1150
01:04:08,360 --> 01:04:10,440
Speaker 1: I've been watching you do it for the longest. Like

1151
01:04:10,560 --> 01:04:12,360
Speaker 1: I've seen things where people would be like, yo, you

1152
01:04:12,440 --> 01:04:15,040
Speaker 1: want this, and it would be something that's it's not

1153
01:04:15,200 --> 01:04:17,840
Speaker 1: maybe the coolest thing in the world, but you could

1154
01:04:17,880 --> 01:04:22,200
Speaker 1: tell that, you know, it's it's something that somebody offered.

1155
01:04:22,480 --> 01:04:24,360
Speaker 1: But when you when they give it to you, what

1156
01:04:24,480 --> 01:04:26,320
Speaker 1: are you gonna do with it? I'm gonna I can't,

1157
01:04:26,440 --> 01:04:28,080
Speaker 1: I can't do anything with it right now? Where am

1158
01:04:28,120 --> 01:04:29,840
Speaker 1: I gonna hold it? Where? Where am I gonna put it?

1159
01:04:29,840 --> 01:04:32,520
Speaker 1: Where can I do? And you're very capable of saying

1160
01:04:33,040 --> 01:04:36,400
Speaker 1: no in a in a nice way, of course. Absolutely,

1161
01:04:36,840 --> 01:04:38,760
Speaker 1: I'm the guy that would be like, yeah, sure, and

1162
01:04:38,840 --> 01:04:40,600
Speaker 1: then when the dude turns his back, try to figure

1163
01:04:40,640 --> 01:04:41,960
Speaker 1: out what the fuck am I gonna do with this thing?

1164
01:04:42,120 --> 01:04:43,520
Speaker 1: What am I gonna do with this thing? You know

1165
01:04:43,560 --> 01:04:46,640
Speaker 1: what I mean? When the way that I don't and

1166
01:04:46,840 --> 01:04:49,720
Speaker 1: and and don't let him see me do whatever it

1167
01:04:49,840 --> 01:04:51,240
Speaker 1: is that I do with this thing, you know what

1168
01:04:51,280 --> 01:04:54,520
Speaker 1: I mean? When the better choice would have been to

1169
01:04:54,680 --> 01:04:59,400
Speaker 1: just be like no, sorry, man. Well, I never read

1170
01:04:59,440 --> 01:05:03,640
Speaker 1: the books The Four Agreements. No, either of you, Jowell

1171
01:05:03,720 --> 01:05:06,040
Speaker 1: or Daniel, I have not know. I highly recommend this

1172
01:05:06,080 --> 01:05:11,760
Speaker 1: book to everybody. Um, it's short, you'll read it very quickly.

1173
01:05:13,480 --> 01:05:16,200
Speaker 1: But one of the main tenets of it I just

1174
01:05:16,320 --> 01:05:17,920
Speaker 1: googled it to make sure I didn't fuck it up.

1175
01:05:17,960 --> 01:05:22,360
Speaker 1: But it's um to be impeccable with your word. Speak

1176
01:05:22,440 --> 01:05:27,040
Speaker 1: with integrity, say only what you mean, Avoid using the

1177
01:05:27,120 --> 01:05:30,200
Speaker 1: word to speak against yourself or to gossip about others.

1178
01:05:30,560 --> 01:05:32,800
Speaker 1: Use the power of your word in the direction of

1179
01:05:32,880 --> 01:05:35,560
Speaker 1: truth and love. Now, that is a way more articulate

1180
01:05:35,640 --> 01:05:39,960
Speaker 1: way of just u of saying, be truly honest and

1181
01:05:40,280 --> 01:05:42,400
Speaker 1: and and you'll get yourself out of so many problems

1182
01:05:42,480 --> 01:05:47,120
Speaker 1: if you're you're straight and direct and so yeah, I

1183
01:05:47,200 --> 01:05:49,760
Speaker 1: think that if you're if you're feeling no in your

1184
01:05:49,800 --> 01:05:53,880
Speaker 1: brain and no is true for you, you need to

1185
01:05:53,960 --> 01:05:58,720
Speaker 1: say no in a in a kind, friendly manner. Okay,

1186
01:05:58,760 --> 01:06:01,200
Speaker 1: So I know this is going to skip a lot

1187
01:06:01,280 --> 01:06:04,160
Speaker 1: of things. But then at the end of this show

1188
01:06:04,320 --> 01:06:10,160
Speaker 1: we go completely against this lesson and j D says,

1189
01:06:10,240 --> 01:06:14,640
Speaker 1: you know what, bucket, let's try and do this. But

1190
01:06:14,840 --> 01:06:16,880
Speaker 1: we know what we know. We have the we have

1191
01:06:16,960 --> 01:06:19,240
Speaker 1: the vantage point of knowing how that works out for him.

1192
01:06:19,680 --> 01:06:22,080
Speaker 1: The audience, the audience at the time doesn't. But now

1193
01:06:22,440 --> 01:06:25,680
Speaker 1: those have seen the whole series know how going against

1194
01:06:25,840 --> 01:06:29,040
Speaker 1: what he felt, going against his integrity, how that worked out.

1195
01:06:29,320 --> 01:06:37,520
Speaker 1: It didn't work out. Well, um, skip, you skipped one

1196
01:06:37,560 --> 01:06:40,000
Speaker 1: thing I want to talk about. Well, first of all,

1197
01:06:40,360 --> 01:06:45,480
Speaker 1: Turk ran into ugly Betty at Cosco. I thought it

1198
01:06:45,560 --> 01:06:49,960
Speaker 1: was a photoshop, but you didn't run into um. And

1199
01:06:50,120 --> 01:06:52,520
Speaker 1: then the funny thing in the in the in the cafeteria.

1200
01:06:52,600 --> 01:06:54,800
Speaker 1: All right, So I felt saw this on The first

1201
01:06:54,840 --> 01:06:56,840
Speaker 1: thing I saw was on Scrubs Wiki, was that when

1202
01:06:56,880 --> 01:07:00,000
Speaker 1: the janitor confronts JD because he's happy that everyone's turn

1203
01:07:00,280 --> 01:07:02,640
Speaker 1: roman there matting janitor barely has any storyline in the

1204
01:07:02,680 --> 01:07:10,600
Speaker 1: whole Yeah, it was, you know, it's a two part episode, uh, basically,

1205
01:07:10,880 --> 01:07:13,520
Speaker 1: And and there was no room for for Neil in

1206
01:07:13,560 --> 01:07:16,600
Speaker 1: this episode, I guess, but he has two sentences. But anyway,

1207
01:07:16,600 --> 01:07:18,960
Speaker 1: when he comes back in the cafeteria and it's said

1208
01:07:19,000 --> 01:07:24,760
Speaker 1: on scrubs WICKI um that on the lunchboard behind him

1209
01:07:24,840 --> 01:07:27,640
Speaker 1: that dessert was spelled wrong. It was spelled as desert.

1210
01:07:28,360 --> 01:07:30,320
Speaker 1: So I thought that was kind of interesting, and I

1211
01:07:30,800 --> 01:07:33,080
Speaker 1: paused on it, and then I noticed something that's not

1212
01:07:33,200 --> 01:07:36,160
Speaker 1: on scrubs Wicky, but it should be, is that under

1213
01:07:36,280 --> 01:07:48,080
Speaker 1: drinks the only thing it says under drinks is hot carls. Now,

1214
01:07:48,480 --> 01:07:51,960
Speaker 1: for those of who don't know Daniel, can you google

1215
01:07:52,040 --> 01:07:55,320
Speaker 1: what a hot Carl is? Oh no, Daniel, don't do that.

1216
01:07:55,920 --> 01:07:59,200
Speaker 1: Your search engine will be fucked up forever. Oh it's

1217
01:07:59,280 --> 01:08:01,600
Speaker 1: it's too late, my search it be fucked up forever.

1218
01:08:01,760 --> 01:08:05,520
Speaker 1: But yeah, it's a It's not good. Is it pooping

1219
01:08:05,600 --> 01:08:12,480
Speaker 1: on someone's chest while while having sex? That's well's I mean,

1220
01:08:12,840 --> 01:08:15,360
Speaker 1: for whatever reason, I'm not quite sure why this is

1221
01:08:15,400 --> 01:08:20,280
Speaker 1: an addition to the defication, but it's someone who is

1222
01:08:20,479 --> 01:08:27,200
Speaker 1: usually covered in plastic wrap. Wait, the pooper or the

1223
01:08:27,280 --> 01:08:30,760
Speaker 1: poop the poop bee is covered in plastic wrap and

1224
01:08:30,920 --> 01:08:36,120
Speaker 1: then defecated upon. Oh sounds so sexy. You can't feel

1225
01:08:36,200 --> 01:08:44,480
Speaker 1: it at all. You can feeling it all over people,

1226
01:08:45,360 --> 01:08:47,840
Speaker 1: all right, So anyway, you should pause audience if you're

1227
01:08:47,880 --> 01:08:50,160
Speaker 1: ever watching these episodes on the janitor shot in the

1228
01:08:50,240 --> 01:08:54,080
Speaker 1: cafeteria because dessert is spelled wrong and the only thing

1229
01:08:54,120 --> 01:09:01,920
Speaker 1: they offered to drink is a hot Carl Buddy Patrick Bolton,

1230
01:09:02,680 --> 01:09:10,360
Speaker 1: Uh fucked up? Or he nailed it. He nailed it.

1231
01:09:12,040 --> 01:09:17,800
Speaker 1: Somebody at Disney right now. It's like this mother, we

1232
01:09:18,760 --> 01:09:21,120
Speaker 1: got a problem, Like whoever did that? Like we gotta

1233
01:09:21,240 --> 01:09:23,800
Speaker 1: we gotta, we gotta fix this. Cox has seen the

1234
01:09:23,840 --> 01:09:28,519
Speaker 1: Wiggles live in concert twice. Yeah, that's the thing I

1235
01:09:28,680 --> 01:09:31,560
Speaker 1: find myself doing a lot. You know the soundtrack that

1236
01:09:31,600 --> 01:09:35,439
Speaker 1: I'm listening to in my Ionic five right now that

1237
01:09:35,560 --> 01:09:42,000
Speaker 1: I'm driving around Lovely Hyundai Ionic Car, beautiful Car, beautiful Car,

1238
01:09:42,080 --> 01:09:49,760
Speaker 1: wonderful Car, Um the Zombies three soundtrack, And I'm gonna

1239
01:09:49,800 --> 01:09:53,880
Speaker 1: be honest with you, Shit's fire. Do you listen to it?

1240
01:09:53,920 --> 01:09:56,000
Speaker 1: When your kids aren't in the car. When they're not

1241
01:09:56,120 --> 01:09:59,599
Speaker 1: in the car, I find myself come on out, come,

1242
01:10:00,200 --> 01:10:05,320
Speaker 1: come on out now in the park in the wild, Hey,

1243
01:10:05,520 --> 01:10:09,519
Speaker 1: come on out now. Listen the fire. Did you see

1244
01:10:09,520 --> 01:10:11,200
Speaker 1: that viral video? I think I probably said it to

1245
01:10:11,280 --> 01:10:14,280
Speaker 1: you of the dad jamming ounce of the like Kids

1246
01:10:14,320 --> 01:10:17,840
Speaker 1: Show song. He was like, dude, they're fires, They're fired.

1247
01:10:17,960 --> 01:10:20,559
Speaker 1: I listened to the Zombie's three soundtrack like it's freaking

1248
01:10:20,680 --> 01:10:24,040
Speaker 1: religious tapes and it's Sunday, and I got the kids

1249
01:10:24,080 --> 01:10:26,200
Speaker 1: in the car and we missed church and we're on

1250
01:10:26,240 --> 01:10:28,040
Speaker 1: our way to Disneyland, Like you know what I mean.

1251
01:10:28,120 --> 01:10:29,400
Speaker 1: I listened to it. I love it. I love that

1252
01:10:29,439 --> 01:10:30,840
Speaker 1: you listen to it without the kids of the car.

1253
01:10:30,920 --> 01:10:34,839
Speaker 1: That's my favorite part. It's it's you. You probably wouldn't

1254
01:10:34,840 --> 01:10:37,160
Speaker 1: put on the Wiggles Red Car though, No, no, no,

1255
01:10:37,280 --> 01:10:41,840
Speaker 1: no no, But like Zombies three soundtrack, high School Musical

1256
01:10:41,920 --> 01:10:45,200
Speaker 1: sound the High School Musical, the Musical series or whatever. No,

1257
01:10:45,360 --> 01:10:48,360
Speaker 1: I don't. We watched that too. Olivia Rodrigo be killing it,

1258
01:10:48,680 --> 01:10:51,400
Speaker 1: that all of them be killing it, like for real, man,

1259
01:10:51,600 --> 01:10:54,320
Speaker 1: we kids. I didn't have this when I was I

1260
01:10:54,439 --> 01:10:56,240
Speaker 1: take it back. There was one show back in the day.

1261
01:10:56,280 --> 01:10:58,920
Speaker 1: Two shows back in the day that did give you

1262
01:10:59,000 --> 01:11:01,200
Speaker 1: to good music, and they were slept on heavily, and

1263
01:11:01,280 --> 01:11:05,720
Speaker 1: one didn't last long. There was two one Jam is

1264
01:11:06,000 --> 01:11:10,600
Speaker 1: truly outray He just truly, truly truly outray. He just

1265
01:11:11,200 --> 01:11:16,360
Speaker 1: whoa jam jam? That show was. The music on that

1266
01:11:16,439 --> 01:11:22,880
Speaker 1: show was bomb that one. And then everybody slept on

1267
01:11:23,120 --> 01:11:25,320
Speaker 1: this show back in the day. But Rags to Riches

1268
01:11:25,439 --> 01:11:28,679
Speaker 1: Man had. What they did was they took like old

1269
01:11:28,800 --> 01:11:32,439
Speaker 1: school music and then remixed it, and so it would

1270
01:11:32,479 --> 01:11:35,200
Speaker 1: be like, so you know how I love him, I

1271
01:11:35,400 --> 01:11:39,120
Speaker 1: love him, I love him, and where he goes, I follow,

1272
01:11:39,560 --> 01:11:42,960
Speaker 1: I follow, I follow. They did a remake of it

1273
01:11:43,479 --> 01:11:45,680
Speaker 1: and this girl singing it about this boy that she

1274
01:11:45,840 --> 01:11:49,200
Speaker 1: likes who plays basketball, and back in the day that

1275
01:11:49,680 --> 01:11:52,640
Speaker 1: that one, and what was the other one that came out.

1276
01:11:52,680 --> 01:11:54,200
Speaker 1: We were in high school when this came out, and

1277
01:11:54,280 --> 01:11:56,920
Speaker 1: all of our peers were in it too, like high

1278
01:11:56,960 --> 01:11:59,200
Speaker 1: school high or something like that, and it was like

1279
01:11:59,360 --> 01:12:02,880
Speaker 1: it only it happens, but somebody out there knows what

1280
01:12:02,920 --> 01:12:08,200
Speaker 1: I'm talking about. Once and a live time, right, Carl

1281
01:12:08,280 --> 01:12:12,080
Speaker 1: Payne was in it. You only get a chance like

1282
01:12:12,600 --> 01:12:19,439
Speaker 1: this once in a live time. Mark Blucas was in it.

1283
01:12:19,560 --> 01:12:22,080
Speaker 1: I think I know no Mark Blue when I went

1284
01:12:22,160 --> 01:12:24,560
Speaker 1: to high school with it was in it. Also is

1285
01:12:24,560 --> 01:12:27,040
Speaker 1: a TV show or a movie a TV show And

1286
01:12:27,120 --> 01:12:30,240
Speaker 1: it didn't last long. Musicals never last long. Cop Rock

1287
01:12:30,479 --> 01:12:34,519
Speaker 1: doesn't didn't work cop Rock, cop Rock. That was a

1288
01:12:34,600 --> 01:12:37,280
Speaker 1: big swing. What was the other one? The law? The

1289
01:12:37,479 --> 01:12:39,840
Speaker 1: the LA law? What was the one where it was

1290
01:12:39,880 --> 01:12:43,240
Speaker 1: the musical and it was a law show too? Musical

1291
01:12:43,400 --> 01:12:51,000
Speaker 1: law show? No, but you have not. It was really bizarre.

1292
01:12:51,040 --> 01:12:53,000
Speaker 1: It didn't last long, but it was like NYPD Blue,

1293
01:12:53,000 --> 01:12:56,240
Speaker 1: but they would break into song. No musical television show

1294
01:12:56,360 --> 01:13:01,320
Speaker 1: lasts long like that. Yeah, man, dude, that show didn't

1295
01:13:01,640 --> 01:13:07,920
Speaker 1: come on man. It was a syndicated show though. Bro.

1296
01:13:08,320 --> 01:13:10,000
Speaker 1: It was like trying to think of an example. Why

1297
01:13:10,000 --> 01:13:12,160
Speaker 1: are you qualifying it. I'm just thinking an example of them.

1298
01:13:12,280 --> 01:13:14,280
Speaker 1: I'm just saying it wasn't like that ship came on

1299
01:13:14,439 --> 01:13:18,000
Speaker 1: ABC or CBS or NBA. Also wasn't it also wasn't

1300
01:13:18,080 --> 01:13:21,000
Speaker 1: like a show that where they broke into song like

1301
01:13:21,080 --> 01:13:25,240
Speaker 1: a musical. The music was like like in context of

1302
01:13:25,439 --> 01:13:27,680
Speaker 1: they were singing because they were in a school where

1303
01:13:27,720 --> 01:13:30,800
Speaker 1: they saw right, no in fame, they would be walking

1304
01:13:30,840 --> 01:13:34,080
Speaker 1: down you freaking de Lancey Street and all of a

1305
01:13:34,080 --> 01:13:38,160
Speaker 1: sudden breakout to come. Oh, it was like glee like that,

1306
01:13:38,520 --> 01:13:42,280
Speaker 1: because I know the wind that bought us didn't mean

1307
01:13:42,760 --> 01:13:46,000
Speaker 1: let's finish this girl. There are a lot of people

1308
01:13:46,040 --> 01:13:49,240
Speaker 1: out there that know what I'm talking about. Carla plans

1309
01:13:49,640 --> 01:13:53,280
Speaker 1: a mega choose your own adventure Batchel the rep party.

1310
01:13:53,360 --> 01:13:57,800
Speaker 1: I mean, she really comes through. But that's that's what

1311
01:13:58,120 --> 01:14:01,600
Speaker 1: she would do for anyone. You know, that's like the

1312
01:14:02,479 --> 01:14:05,280
Speaker 1: so we talk about how Carl is the heart of

1313
01:14:05,320 --> 01:14:09,200
Speaker 1: the show and this episode needs that big moment because

1314
01:14:09,240 --> 01:14:12,880
Speaker 1: there's so much disappointment. You know, JD goes against what

1315
01:14:13,360 --> 01:14:19,600
Speaker 1: he should do, and and the other storyline is, you know,

1316
01:14:20,640 --> 01:14:26,120
Speaker 1: Elliott taking over this moment for even though it's her wedding.

1317
01:14:26,400 --> 01:14:30,439
Speaker 1: Her taking over the moment of bachelorette party or planning

1318
01:14:30,520 --> 01:14:34,200
Speaker 1: the wedding plant Starry, planning the festivities that the maid

1319
01:14:34,280 --> 01:14:37,799
Speaker 1: of honor has, she took She's taking that away from Carla.

1320
01:14:38,520 --> 01:14:40,200
Speaker 1: But she did it. You know what was so genius

1321
01:14:40,200 --> 01:14:42,720
Speaker 1: about what Carla did was she she did it the

1322
01:14:42,800 --> 01:14:46,439
Speaker 1: ultimate Elliot way. Yeah, she did, like I choose your adventure,

1323
01:14:46,920 --> 01:14:50,200
Speaker 1: So like I booked this, I booked four versions of that.

1324
01:14:50,479 --> 01:14:52,479
Speaker 1: I've got three versions of that. If you want to

1325
01:14:52,520 --> 01:14:54,680
Speaker 1: pick up so and so she's on the corner, if

1326
01:14:54,800 --> 01:14:58,320
Speaker 1: not duck, which was such a disc of that woman.

1327
01:14:58,360 --> 01:15:03,679
Speaker 1: But anyway, but it was fun. Casey was like, that's

1328
01:15:03,760 --> 01:15:06,479
Speaker 1: kind of fucked up. It is, but I was. And

1329
01:15:06,760 --> 01:15:09,280
Speaker 1: then I said to Casey but she didn't know what happened,

1330
01:15:09,360 --> 01:15:11,599
Speaker 1: so who cares? Yeah, but they told her, like, wear

1331
01:15:11,640 --> 01:15:14,080
Speaker 1: a nice dress and wait on the corner. Something might

1332
01:15:14,160 --> 01:15:16,360
Speaker 1: happen to you. I gets so fucked up. Well it

1333
01:15:16,800 --> 01:15:21,800
Speaker 1: didn't though. Sorry, that character got all dolled up and

1334
01:15:21,920 --> 01:15:25,360
Speaker 1: still on the corners and they got dissed. Well, She's like,

1335
01:15:25,400 --> 01:15:27,640
Speaker 1: I guess I'll go get dinner. I don't know what

1336
01:15:27,760 --> 01:15:31,760
Speaker 1: that was about, Carla, what's that about? Anyway? I thought

1337
01:15:31,760 --> 01:15:33,840
Speaker 1: that was a very sweet ending. And then JD, you're right.

1338
01:15:33,880 --> 01:15:38,080
Speaker 1: He decides Uh to settle Kim. Kim wants him to to.

1339
01:15:38,360 --> 01:15:41,200
Speaker 1: He says, you know, there's a one in a million

1340
01:15:41,320 --> 01:15:45,479
Speaker 1: chance that I'm gonna forgive her. I'm gonna try. That's

1341
01:15:45,640 --> 01:15:48,519
Speaker 1: he settles, man like, and that's I don't think that's

1342
01:15:48,520 --> 01:15:50,720
Speaker 1: a good and we know how it ends. But at

1343
01:15:50,760 --> 01:15:53,880
Speaker 1: the in that moment, in that point in time. I

1344
01:15:53,920 --> 01:15:57,320
Speaker 1: don't think that's a good message for j D too. Yes,

1345
01:15:57,439 --> 01:16:00,479
Speaker 1: but it's very good, uh series screenwriting to make you

1346
01:16:00,600 --> 01:16:05,720
Speaker 1: want to tune in next week. Absolutely all thanks to

1347
01:16:05,840 --> 01:16:08,599
Speaker 1: over our over lord, William Van Duser, Lawrence the Third

1348
01:16:08,680 --> 01:16:11,480
Speaker 1: I think, or the fourth. But that's kind. It's a controversial.

1349
01:16:11,760 --> 01:16:15,680
Speaker 1: It's a controversial thing, uh, if anything, you know, Yeah,

1350
01:16:15,720 --> 01:16:18,799
Speaker 1: but it's relatable. I think lots of people can relate.

1351
01:16:19,320 --> 01:16:21,920
Speaker 1: But it's so. But if a TV show makes you go,

1352
01:16:22,000 --> 01:16:24,160
Speaker 1: oh my god, I've made that fucking mistake, I'm so

1353
01:16:24,280 --> 01:16:26,160
Speaker 1: glad it's not me. I can't wait till next week

1354
01:16:26,200 --> 01:16:32,439
Speaker 1: when I can watch him fuck up. Yeah, all right,

1355
01:16:32,680 --> 01:16:35,800
Speaker 1: that's it. We did it, everybody. We love you. We

1356
01:16:35,960 --> 01:16:38,880
Speaker 1: told you the plan. We got one more. Then we're

1357
01:16:38,880 --> 01:16:41,519
Speaker 1: gonna take a little break. Then we're gonna do seven

1358
01:16:41,560 --> 01:16:43,360
Speaker 1: and one, and then we're gonna take like a two

1359
01:16:43,400 --> 01:16:46,080
Speaker 1: month break, right Joel while I make a movie. Yeah,

1360
01:16:47,240 --> 01:16:49,280
Speaker 1: but we love you all very very much. Anything you

1361
01:16:49,280 --> 01:16:53,200
Speaker 1: want to say, Donald Phazon listen. I don't know why

1362
01:16:53,280 --> 01:16:55,920
Speaker 1: I say that. And I get so mad at actors

1363
01:16:55,960 --> 01:16:59,479
Speaker 1: when I'm watching movies and they start with a sentence

1364
01:16:59,560 --> 01:17:04,840
Speaker 1: by going listen or look. Does that piss you off? Ever? No? Okay,

1365
01:17:05,320 --> 01:17:08,160
Speaker 1: when you're watching movies and the actor is in a scene,

1366
01:17:08,960 --> 01:17:10,519
Speaker 1: this is the one thing I want you to look

1367
01:17:10,560 --> 01:17:11,960
Speaker 1: for it. I look for it all the time. These

1368
01:17:12,000 --> 01:17:15,679
Speaker 1: are the two words that you hear. Always listen and look,

1369
01:17:16,640 --> 01:17:24,120
Speaker 1: sometimes without Sometimes it's every fucking line. Look, look, Look.

1370
01:17:24,640 --> 01:17:28,720
Speaker 1: Every line starts with look or listen. Listen, listen every

1371
01:17:28,800 --> 01:17:31,200
Speaker 1: line anyway. You know what pointed me off when they

1372
01:17:31,240 --> 01:17:33,920
Speaker 1: remove the rear view mirror because to get a better

1373
01:17:34,000 --> 01:17:36,920
Speaker 1: shot of the person. I can't stand that shit in there, dude,

1374
01:17:37,800 --> 01:17:42,640
Speaker 1: what the look? I am up? Hey, young filmmakers, old filmmakers,

1375
01:17:43,000 --> 01:17:45,880
Speaker 1: don't fucking remove the rear view mirror. I am of

1376
01:17:46,160 --> 01:17:48,280
Speaker 1: the I am of the If you can't do it

1377
01:17:48,439 --> 01:17:51,200
Speaker 1: in real life, don't do it on CG. You know

1378
01:17:51,240 --> 01:17:53,160
Speaker 1: what I mean. I don't want to do his headrest.

1379
01:17:53,240 --> 01:17:56,960
Speaker 1: I've seen some headrest missing now too, the headrest, BacT.

1380
01:17:57,080 --> 01:17:58,960
Speaker 1: What the fuck are you doing? If I got to

1381
01:17:59,000 --> 01:18:03,080
Speaker 1: wear a seat belt? Do you remember when we remember

1382
01:18:03,120 --> 01:18:04,400
Speaker 1: when you didn't have to wear the seat belts in

1383
01:18:04,439 --> 01:18:05,880
Speaker 1: the movies? I know now they won't let you shoot

1384
01:18:05,920 --> 01:18:09,799
Speaker 1: anything out a seatbelts in the front seat. No, period.

1385
01:18:12,200 --> 01:18:14,080
Speaker 1: I think you a adults can be in the back

1386
01:18:14,120 --> 01:18:17,240
Speaker 1: seat without a seatbelt on. There's no it depends on

1387
01:18:17,320 --> 01:18:19,719
Speaker 1: the company. I think it depends on the company anyway.

1388
01:18:20,400 --> 01:18:23,960
Speaker 1: But anyway, don't take off the rear view mirror. My

1389
01:18:24,080 --> 01:18:27,840
Speaker 1: point is I would saying I started my sentence with, listen. Uh.

1390
01:18:28,400 --> 01:18:34,880
Speaker 1: I am really excited to have this moment of you know,

1391
01:18:36,320 --> 01:18:40,120
Speaker 1: just getting my ship back together. Uh, because this whole

1392
01:18:40,640 --> 01:18:43,559
Speaker 1: summer vacation, I'm looking at it as a summer vacation.

1393
01:18:43,960 --> 01:18:45,920
Speaker 1: I've been hanging out with my children, which has been

1394
01:18:46,040 --> 01:18:49,280
Speaker 1: such a great blessing and such a great thing. But

1395
01:18:49,520 --> 01:18:57,120
Speaker 1: it's taken me away from uh my weed. Not my weed,

1396
01:18:57,600 --> 01:18:59,880
Speaker 1: I still smoke that shit, but it's taken me away

1397
01:18:59,880 --> 01:19:03,839
Speaker 1: from what. It's taken me away from, you know, my craft,

1398
01:19:03,920 --> 01:19:07,479
Speaker 1: my passion and stuff like that. And so I'm really

1399
01:19:07,600 --> 01:19:09,560
Speaker 1: eager for them to go back to school so I

1400
01:19:09,640 --> 01:19:12,080
Speaker 1: can figure out, you know, what the next step is,

1401
01:19:12,280 --> 01:19:15,920
Speaker 1: because as of right now, I am enjoying watching them grow.

1402
01:19:16,080 --> 01:19:18,040
Speaker 1: That's really all I want to do. I wake up

1403
01:19:18,080 --> 01:19:20,280
Speaker 1: in the morning and I'm like, what's on the calendar.

1404
01:19:20,600 --> 01:19:22,960
Speaker 1: I got a couple of work things, and other than that,

1405
01:19:23,200 --> 01:19:27,200
Speaker 1: watching the kids grow, you know. And I am really

1406
01:19:27,280 --> 01:19:31,160
Speaker 1: looking forward to these next two months where I don't

1407
01:19:31,200 --> 01:19:33,879
Speaker 1: have to as much as I love doing the podcast

1408
01:19:33,920 --> 01:19:35,720
Speaker 1: and everything like that, before we do it, it's a

1409
01:19:35,760 --> 01:19:38,000
Speaker 1: big stress. It's a big stress, you know what I mean,

1410
01:19:38,400 --> 01:19:42,280
Speaker 1: Like getting getting it's almost like fantasy football, getting the

1411
01:19:42,439 --> 01:19:45,160
Speaker 1: freaking uh, making sure I get my notes in, making

1412
01:19:45,200 --> 01:19:47,040
Speaker 1: sure I get all of that stuff. Well, I think

1413
01:19:47,080 --> 01:19:48,960
Speaker 1: what you're saying is so that we all we always

1414
01:19:49,160 --> 01:19:51,680
Speaker 1: you know, we don't phone this in. We really we

1415
01:19:51,880 --> 01:19:54,200
Speaker 1: want to put on an entertaining show for y'all, and

1416
01:19:54,720 --> 01:19:57,400
Speaker 1: and Donald and I do our homework and we want

1417
01:19:57,439 --> 01:20:01,640
Speaker 1: to I still this many episode it's in um like beforehand,

1418
01:20:01,680 --> 01:20:04,639
Speaker 1: I'm like, oh gosh, I hope you're entertaining today, Zach,

1419
01:20:04,760 --> 01:20:08,320
Speaker 1: come on, you got thee. So I always stress out

1420
01:20:08,360 --> 01:20:10,160
Speaker 1: about I don't want to be I don't want to

1421
01:20:10,200 --> 01:20:13,120
Speaker 1: have to be like Daniel. Cut that. Please cut that, Daniel,

1422
01:20:13,280 --> 01:20:15,479
Speaker 1: please cut that when we do our notes and stuff

1423
01:20:15,560 --> 01:20:17,800
Speaker 1: like that. So I am gonna miss you guys. I

1424
01:20:17,880 --> 01:20:21,120
Speaker 1: am gonna miss you know. I got one more I

1425
01:20:21,200 --> 01:20:23,120
Speaker 1: know we got one more episode, and I am gonna

1426
01:20:23,160 --> 01:20:26,120
Speaker 1: miss you guys. But I'm very excited to have a

1427
01:20:26,240 --> 01:20:30,479
Speaker 1: moment to you know, decompress and and I'm excited to

1428
01:20:30,520 --> 01:20:34,120
Speaker 1: listen to your favorite song over and over again. If

1429
01:20:34,160 --> 01:20:37,720
Speaker 1: it's nothing, if it will change. I'm caught up in

1430
01:20:37,920 --> 01:20:44,479
Speaker 1: y'alla and a hard place. But if nothing, Dad to say,

1431
01:20:45,920 --> 01:20:51,320
Speaker 1: but I'm caught up in yalla and a hard place.

1432
01:20:52,040 --> 01:20:57,120
Speaker 1: All right. We love you all. Five six sor about shore.

1433
01:20:57,360 --> 01:21:03,360
Speaker 1: We made a job Dotson nurses Jan Janitor, who loved him.

1434
01:21:03,439 --> 01:21:07,120
Speaker 1: I said, here's the stories. Netural should not