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Speaker 1: Hello, and welcome to Is This Good? The show where

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Speaker 1: we boldly, conclusively and scientifically decide what things in this

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Speaker 1: big wide world are good. My name's Matt, and with

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Speaker 1: me are three amazing panelists from No Dunks, Trey Kirby,

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Speaker 1: Lee Ellis, and Jason Doyle. Welcome to Is This Good.

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Speaker 2: Hey, I don't know if we're just to go for

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Speaker 2: our normal introductions here. I'm not sure if I'm supposed

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Speaker 2: to ignore the fact that Lee is actually right here

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Speaker 2: to my right and we're all in the same room

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Speaker 2: here together. But I'm very happy to be talking to you, Matt,

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Speaker 2: There's no doubt about that.

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Speaker 1: Yeah, Jad, go to the camera that shows I'm just

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Speaker 1: in the same room as you.

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Speaker 2: There he is?

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Speaker 1: Didn't he wasn't he with thinking of that? So just

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Speaker 1: a reminder of you topics for a future show, please

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Speaker 1: share them on Twitter at starters Matt, or email us

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Speaker 1: as This Good Pod at gmail dot com. Is This

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Speaker 1: Good Pod at gmail dot com? Once again, guys, the

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Speaker 1: premise of the show is very simple. I'm going to

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Speaker 1: give you a topic and you tell me if it's

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Speaker 1: good and stream team play along today because we'll have

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Speaker 1: a poll for each question up and we're four panelists today,

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Speaker 1: so you could break a tie for the first time

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Speaker 1: in is this Good History? And also also for the

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Speaker 1: first time in is this good History? We have some

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Speaker 1: follow up, which I didn't expect to be doing so.

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Speaker 1: Last week, if you remember, we discussed whether wearing flip

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Speaker 1: flops to a non beach restaurant was good and that

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Speaker 1: led us to figuring which places or events wearing flip

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Speaker 1: flops was acceptable, And two days later Matt Berman sent

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Speaker 1: us this gem on Twitter. What you're looking at now is,

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Speaker 1: if you're not watching on YouTube, Republican Senator Richard Burr

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Speaker 1: of North Carolina walking into the US Capitol wearing a jacket,

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Speaker 1: shorts and flip flops. Now, the important thing is obviously

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Speaker 1: that Burr was rushing in to vote no on a

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Speaker 1: thirty five dollars insulin cap for private insurance companies.

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Speaker 2: But for our.

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Speaker 1: Purposes and the freaks at wiki feet, let's focus on

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Speaker 1: those hootsies.

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Speaker 2: Okay, His toe is like pointing at the camera as

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Speaker 2: if to say, notice me, notice me down here. I

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Speaker 2: don't think you should ever wear flip flops in the

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Speaker 2: halls of the Capitol. Personally, it's a respects thing.

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Speaker 1: Okay, Trey, we know where you stand.

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Speaker 3: Lee.

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Speaker 1: You were the most pro flip flop. What do you

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Speaker 1: think of this? Look? Would you wear flip flops to

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Speaker 1: the US Capitol if you were a senator?

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Speaker 3: No? No, I wouldn't. No, no, not if I'm going

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Speaker 3: there to conduct business anyway. I mean, if it's a

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Speaker 3: Sunday afternoon and no one's around, I'm taking the family, perhaps,

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Speaker 3: but no, not like a cool capital with the family.

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Speaker 2: Yeah, yeah, let's go legislate together.

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Speaker 3: Look, this is a great photo. A little surprised we

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Speaker 3: didn't get a photoshop of JD as Fred Flintstone because

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Speaker 3: he drives around without any shoes on. Sergio, where are

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Speaker 3: you man? I thought you would have been right on

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Speaker 3: top of that.

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Speaker 2: Yeah.

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Speaker 1: Where are our meme accounts?

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Speaker 2: You need one for?

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Speaker 1: Is this good?

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Speaker 3: Yeah?

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Speaker 4: Yeah?

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Speaker 1: What's the what's the Australian leg equivalent of the US.

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Speaker 3: Capital Parliament House?

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Speaker 1: Yeah, it's harder there. Would you wear one if you were?

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Speaker 3: Well? I went there on a school excursion, school trip.

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Speaker 3: We went up there. Flip flap flops weren't in courage. Actually,

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Speaker 3: so there was also August, so you know what, it

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Speaker 3: was almost thirty years probably to the day because it

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Speaker 3: was August nineteen ninety two. I was in year eleven.

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Speaker 3: We went up there and so yeah, but yeah, August

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Speaker 3: in Australia, generally in Melbourne is quite cold as well,

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Speaker 3: so you're not wearing flip flaps, no embarrassed, no, no

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Speaker 3: thombs as we'd like to call them as well. Of course.

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Speaker 1: All right, well here we go once again, very simple.

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Speaker 1: I'm going to give you a topic. You tell me

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Speaker 1: if it's good. Our first topic was submitted my listener

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Speaker 1: Nora Artinian. Wow, nor Tinian. You guys know her get

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Speaker 1: away of one g ski its future no breaks guest. Okay,

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Speaker 1: so here we go. First topic, staying with friends while

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Speaker 1: traveling instead of a hotel or an airbnb. Is this good?

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Speaker 3: Ah? Yes, absolutely absolutely? Why wouldn't you do that? I mean,

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Speaker 3: for me, especially with the family of four, I usually

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Speaker 3: budget around three hundred dollars a night where I'm staying away.

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Speaker 3: If I can stay in someone's house for ten nights

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Speaker 3: of a trip more or you know, not nights ten

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Speaker 3: nights of a trip, not necessarily in the same house,

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Speaker 3: then I think you're saving I think you're saving big,

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Speaker 3: big bucks. So I often try to incorporate a stay

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Speaker 3: at somebody's house. Now you take them out for dinner,

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Speaker 3: you maybe leave a house like a little gift behind

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Speaker 3: or something like that, a couple of botles of wine

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Speaker 3: or something like that. I say, you're paying something, but I

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Speaker 3: think absolut letely travel. When you're traveling, accommodation is one

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Speaker 3: of the expenses you can almost never avoid in some part.

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Speaker 3: So if you can get a couple of nights at

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Speaker 3: someone else's house and they're welcome, and the comminator they're like, yeah,

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Speaker 3: come and stay with us, take them up on it.

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Speaker 2: For sure. Sure, I mean, let's do it for money.

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Speaker 2: It's good for saving money. But what an imposition ten days,

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Speaker 2: ten nights, that's crazy. With the family of four.

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Speaker 3: Again again, like once for again.

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Speaker 4: He travels for three months at a time, so absolutely

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Speaker 4: it's ten days out of the three day.

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Speaker 3: If you've got if you've got kids and they've got kids,

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Speaker 3: it's perfect as well, because then the kids can be

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Speaker 3: playing with each other. Sure, they're having a great time.

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Speaker 3: They love it, You love it. And again, when you've got.

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Speaker 4: What about your hosts?

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Speaker 3: And again, I'm not going to say to someone, hey,

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Speaker 3: we're staying with you for this long but most of

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Speaker 3: the time when you're going somewhere, people are like, oh,

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Speaker 3: you must come and stay with us. So I don't

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Speaker 3: know why you would turn.

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Speaker 1: That, do they do? They mean it sincerely though well,

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Speaker 1: and as we continue, I want to take cast out

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Speaker 1: of it, because that's that's the least interesting part. We

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Speaker 1: know you're going to save money by staying, yeah, at

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Speaker 1: someone's house, But I want to know, do you is

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Speaker 1: it good? Do you like it? Do you like being

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Speaker 1: in someone else's space? Do you like living by their rules,

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Speaker 1: their schedules, their whims. Do you like creeping around in

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Speaker 1: the morning because maybe they're not up. Do you like

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Speaker 1: it when you're trying to sleep and maybe someone's baby's crying,

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Speaker 1: maybe someone's leaving early for work and slamming the door.

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Speaker 1: You hear that garage arte going up. These are the

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Speaker 1: things I want to examine.

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Speaker 3: I mean again, like I have always traveling with my kids,

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Speaker 3: I'm like, it's never going to be you never can

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Speaker 3: be like, well, hang on, our kids are sleeping, go

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Speaker 3: easy in the morning. You're like, you're living by their rules.

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Speaker 3: So if someone gets up early, you're not going to

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Speaker 3: say can you keep it down?

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Speaker 2: You're gonna be like, what's a vacation.

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Speaker 1: This is a vacation. This is This is where getting

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Speaker 1: too the crux of it, though. Do you feel relaxed

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Speaker 1: and vacated when you're staying in someone else's way?

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Speaker 3: Well, listen, my house is always open to people. And

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Speaker 3: I genuinely and sincerely mean I say come and stay

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Speaker 3: with us. I'm never gonna then come here and say Ranna, listen,

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Speaker 3: these are the rules. You must do this. You must

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Speaker 3: follow these instructions. You must be home at this time.

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Speaker 3: Come and you stay at my house. You'll welcome, come

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Speaker 3: and go as you please, because we have the you know,

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Speaker 3: we have the ability to be able to you know,

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Speaker 3: have them in a room as well. You're not having

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Speaker 3: people come and stay in your bedroom, you know, or.

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Speaker 1: Look, yeah we assumed that was assumed.

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Speaker 3: But no, but I'm saying now as a family, as

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Speaker 3: when you're when you're younger, in your twenties and stuff, like,

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Speaker 3: you'd stay wherever there's a couch, you know, that's right. Yeah,

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Speaker 3: I've stayed on the floor before.

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Speaker 1: Well, Lee, I think I think you're hitting on a

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Speaker 1: key point. This is this is what I came to

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Speaker 1: is that the people that are the least put upon

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Speaker 1: when people stay with them. Are the people that are

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Speaker 1: most okay staying in someone else's house when they go

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Speaker 1: on vacation. So for me, I'm somewhat put on put

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Speaker 1: upon when someone stays at my house, especially because I

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Speaker 1: live in a small apartment. So therefore, I think I'm

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Speaker 1: less inclined to stay at someone else's house because I

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Speaker 1: just assume that they're going to feel put out. But

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Speaker 1: I understand this is not always the case. Some people

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Speaker 1: would love you to come stay at their house.

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Speaker 3: Oh they do. I mean again, maybe people welcome when

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Speaker 3: you say you're going somewhere, people like, come and stay

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Speaker 3: with us. And then you in your head, you're like,

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Speaker 3: have they got the place I know I can feel

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Speaker 3: comfortable or are they going to be like all right,

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Speaker 3: you're gonna have to squeeze a few bedroom you know,

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Speaker 3: bed in here, or someone in there, someone's staying in

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Speaker 3: the kitchen or the living room or something like that.

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Speaker 3: Is that comfortable for a couple of nights? And I'm like, yep,

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Speaker 3: we can do it, boom done, or we can be

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Speaker 3: like not sure, I'm not sure they've got the room

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Speaker 3: for all of us.

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Speaker 2: Yeah, I mean, space is obviously a huge concern as

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Speaker 2: is level and longevity of friendship. I would say, if

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Speaker 2: you're a two plus decades, I think, how about that

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Speaker 2: for every decade you've been friends, you can stay one

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Speaker 2: night at a person's eyes. Friends for twenty years, you

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Speaker 2: can stay two nights at their house, no problem, So

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Speaker 2: we friends off whatever.

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Speaker 1: Lee's been friends with people for one hundred years. Now.

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Speaker 3: I disagree with Trey on that. I think you can

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Speaker 3: get more. I think you can squeeze more than one

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Speaker 3: night out of it. I think you can do a

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Speaker 3: five nights day, a five night er. Yeah, I think so.

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Speaker 1: Yeah, with two kids, that's all.

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Speaker 2: Well again, if there depends, it all depends on the amenities.

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Speaker 2: By amenities, I mean, does the other people you're staying

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Speaker 2: with have kids too? Because if they do, you're like cool,

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Speaker 2: you get to be buddies.

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Speaker 3: Yeah for five streams for example. Now, I mean, I

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Speaker 3: don't know if this changes anything friends. Family, But like,

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Speaker 3: for example, we stayed with my family down in Tasmania.

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Speaker 3: They've got three kids, only one bathroom, but a massive

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Speaker 3: farm they live on with animals and all.

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Speaker 4: They don't think family doesn't count. Family is different.

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Speaker 3: I think, yeah, Well, anyway, I'm just saying more the

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Speaker 3: amenities than we had nine people sharing one bathroom. But

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Speaker 3: it was like they were like, you are not staying

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Speaker 3: in a hotel if you come down to Tasmania. I'm

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Speaker 3: like fine, you know. And again, so you make a

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Speaker 3: work and the kids, that's the think first thing in

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Speaker 3: the morning, new toys, new activities. They're not sleeping in there.

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Speaker 3: They're up until as soon as they can, playing away,

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Speaker 3: going crazy in the living room. So that's amaze.

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Speaker 2: Thing about having another set of kids stay at your

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Speaker 2: house is like you're all of your toys get a

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Speaker 2: new life because the kids pull out something your kids

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Speaker 2: are never interested and it brings it back. Yeah, so

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Speaker 2: that's nice. Family stand with family. I'm also one hundred

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Speaker 2: percent in on that as long as you got the

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Speaker 2: space for it as well, you know.

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Speaker 1: Yeah, yeah, yeah, okay, JD, where are you on this one?

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Speaker 4: I'm one hundred percent out. Oh not too good, not

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Speaker 4: good good, because first of all, if somebody is insisting

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Speaker 4: that they stay, I never believe them of the time.

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Speaker 4: I'm like, you're not seat, you don't want me there.

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Speaker 4: You think you want me there until my first dump

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Speaker 4: or you know, uh what, like you never know what

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Speaker 4: you're what you're infringing on, you know what I'm saying.

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Speaker 4: Like people in their own homes, they have their habits,

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Speaker 4: and they're like, I can't believe you went from you know,

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Speaker 4: the bedroom to the bathroom and his underwear in the

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Speaker 4: middle of it. Now, can you believe that he did that?

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Speaker 4: Like that kind of thing? And I would absolutely do that.

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Speaker 4: I would. I'm always conscious of stepping on people's toes.

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Speaker 4: And if we're taking money out of it, like I

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Speaker 4: get that, yes, it's a huge savings. But let's pretend

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Speaker 4: that the money is no object. Then one hundred percent

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Speaker 4: of the time I'm staying in a hotel or elsewhere

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Speaker 4: in my own space because I just can't handle it.

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Speaker 4: I can't. I can't handle the stress of being in

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Speaker 4: somebody's space, you know.

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Speaker 3: But play with you?

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Speaker 4: What's that?

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Speaker 3: Oh?

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Speaker 4: Absolutely? And of course everyone is always welcome.

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Speaker 3: At my house.

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Speaker 4: But I don't care, like I don't like I am

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Speaker 4: not easily offended. I'm not easily you know. Things don't

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Speaker 4: bother me the way they bother other people. I think.

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Speaker 2: Cool.

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Speaker 1: That was just I don't know if you heard that

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Speaker 1: was my grandmother face timing me. She's probably asking if

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Speaker 1: if she could stay at my house. So to wrap

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Speaker 1: this up, am I clear that we have JD and

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Speaker 1: I not good and Leean Trey good?

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Speaker 3: Correct?

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Speaker 2: Yeah, you can throw me in a good here. You

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Speaker 2: can throw me in a good biggest anxiety for me

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Speaker 2: staying at a friend's house though, is when to wake

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Speaker 2: up in the morning, because, like on vacation, I don't

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Speaker 2: really want to see nine o'clock am. But staying at

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Speaker 2: somebody's house, like you know, they're going to work, they're

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Speaker 2: getting up at six thirty. Should you be there to

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Speaker 2: support them, tell them to have a great day. Maybe

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Speaker 2: you should nonetheless mark me down for a it's good your.

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Speaker 1: Well. So, first of all, Traders brought up another great point.

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Speaker 1: You're on vacation. The people you're staying with are not

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Speaker 1: on vacation. There's immediately an imbalance there. So it's like

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Speaker 1: we're talking about the cost of a hotel or an airbnb.

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Speaker 1: What we're not talking about is the cost of your

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Speaker 1: good time, the cost of your sanity, the cost of

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Speaker 1: your relaxation. Okay, there are other non fiscal considerations here,

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Speaker 1: but I'm I'm excited because we're deadlocked at too too.

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Speaker 1: That means for the first time, and is this good history?

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Speaker 1: The stream team can vote in this poll and break

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Speaker 1: this tie. I think they're gonna say good, But Lee,

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Speaker 1: what are they saying?

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Speaker 2: Yeah?

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Speaker 3: Pretty convincing. Sixty people saying good? So yeah, okay, right.

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Speaker 4: I love that they love their friends and they have

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Speaker 4: the confidence, you know, to impose. The imposition is a lot.

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Speaker 2: It might be overstepping my bounds here, but I'm willing

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Speaker 2: to say that any member of the stream team can

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Speaker 2: stay at another member at the Stream Team's house, free

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Speaker 2: of charge for as long as they want, as long

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Speaker 2: as you watch no dunks the next day in the morning.

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Speaker 1: Okay, what a community? All right? Next topic, very simple,

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Speaker 1: Red Hot Chili Peppers. Are they good? And on this one,

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Speaker 1: let me just say I can be convinced on this one.

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Speaker 1: I've been going back and forth all morning on this.

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Speaker 2: Ultimately, I'm I'm going big time good here. Uh. You know,

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Speaker 2: I was doing a little mes and plus today chopping

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Speaker 2: my vegetables, just bumping the Red Hot Chili Peppers Essentials

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Speaker 2: playlist on Apple and at least ten bangers ten that

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Speaker 2: I'm like running back, happy to hear through multiple eras

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Speaker 2: you've got, you know, the early era of John for

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Speaker 2: Chante after he replaced Hellll Slovak. You've got the Dave

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Speaker 2: Navarro era that surprisingly has great songs. You've got the

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Speaker 2: next John for Chante era. There may be even a

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Speaker 2: little underrated. At this point, they're almost the eighties and

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Speaker 2: nineties version of the Rolling Stones. You're like, Wow, they're

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Speaker 2: still around making music together. Somehow. They have a cool

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Speaker 2: lead singer who's not the coolest guy in their band. Also,

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Speaker 2: like the Rolling Stones, I think that gives them extra points.

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Speaker 2: The lyrics are literally insane. You just make up some

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Speaker 2: nonsense words and say a few states, and you've written

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Speaker 2: yourself a Red Hot Chili Peppers song. But I like it.

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Speaker 2: I'm definitely a good guy here, can you be?

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Speaker 1: Can you be underrated? If you? If you, I'm just

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Speaker 1: guessing here, can't name a song from their last three

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Speaker 1: studio albums?

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Speaker 2: I'm yes, yeah, Because I mean, who cares about the

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Speaker 2: later albums in a band's career? You know?

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Speaker 1: Yeah?

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Speaker 2: Fair enough? Yeah, that's true. Who cares? A lot of

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Speaker 2: bands keep making music that nobody wants to hear. But

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Speaker 2: you go to a Red Hot Chili Pepper's concert, you're

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Speaker 2: gonna hear one song, maybe two that they're working on,

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Speaker 2: and then a lot that you love. So I don't

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Speaker 2: really care about that kind of stuff.

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Speaker 1: Lee, you're obviously the authority on all things. I couldn't

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Speaker 1: even know. I couldn't even get that out of this face.

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Speaker 3: YEA, A good one. I've got him Dan is good.

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Speaker 3: I mean, can't Stop is my favorite song of theirs.

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Speaker 3: Probably top twenty five all time.

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Speaker 4: For me, So I'm sorry. What's probably top camp five

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Speaker 4: camp of all time.

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Speaker 1: Probably start probably start to the shin dig.

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Speaker 3: Yeah, it's just great. It's just it's a great way.

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Speaker 3: I saw him in Hyde Park in London two thousand

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Speaker 3: and four, and that's a brilliant song to start with

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Speaker 3: because it gets a crowd going. You know, it's got

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Speaker 3: the lead the lead in no no no, no, no

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Speaker 3: no no, and then it just hit you with it

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Speaker 3: like that.

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Speaker 2: It's a great song.

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Speaker 4: And you just said the money.

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Speaker 1: Yeah, it was going to say, how do you know

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Speaker 1: when it? When it started?

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Speaker 2: You just know?

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Speaker 1: How did you know it was that song and not

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Speaker 1: any of their others? Well?

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Speaker 3: Yeah, so yeah, I've got them, I've got them in

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Speaker 3: the good. But I said when I saw them in

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Speaker 3: Highe Park, I actually didn't think their music was great,

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Speaker 3: but I didn't think their crowd involvement interaction was all

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Speaker 3: that good. So they lose points for that, but you

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Speaker 3: got to respect them. They've been around forever. Trey's met

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Speaker 3: flea Off met Anthony Ketis. Anthony Ketas snubbed me.

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Speaker 2: Did you meet him or not? Yeah?

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Speaker 3: Remember was at the basketball finals. I had to get

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Speaker 3: a photo with a celebrity. Yes, And I said to him,

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Speaker 3: I said I need a photo with a celebrity and

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Speaker 3: he said, I'm not your man, I'm your man. Yeah,

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Speaker 3: and he walked off.

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Speaker 2: So sorry, can't stop.

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Speaker 3: Well exactly. Yeah, And he lived up to that reputation

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Speaker 3: not being involved with the fans, So you know, I

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Speaker 3: thought I sort of respected the fact that he kept

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Speaker 3: it going outside of the concert. So yeah, good. But

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Speaker 3: I mean, for me, you know, middle of the road

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Speaker 3: in terms of favorite musical performances.

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Speaker 1: Yeah, yeah, okay, so we got two goods. J D.

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Speaker 4: Yeah, I'm not like you. I could be convinced either way.

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Speaker 4: I loved the Dhart Chili Peppers from eighty till eighty

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Speaker 4: five to ninety three. Ish Blood Trigger Sax Magic is

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Speaker 4: one of my Now that is an album that's in

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Speaker 4: my top twenty five we go. The entire album is awesome,

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Speaker 4: and there's a great music documentary called Funky Monks about

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Speaker 4: the making of it, And I watched like ten minutes

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Speaker 4: of it last night just to see if it was

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Speaker 4: as good as I thought it was. It was even better,

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Speaker 4: Like it's insane. These guys were kids, just horny kids

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Speaker 4: making lightning in a bottle in Harry Houdini's old house.

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Speaker 4: That's real. They all lived in it, except for Chad.

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Speaker 4: He was too scared, apparently because they thought it was

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Speaker 4: hosted or haunted. Anyways, it's a great dog. It's a

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Speaker 4: great album, one of my favorite of all time. Can't

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Speaker 4: Stop around here, My kids are just getting into the music,

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Speaker 4: music stuff. They're in bands and stuff. Jackson's now learning

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Speaker 4: the bass. Can't Stop is dunked on constantly around here

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Speaker 4: as one of the worst songs ever, Like they roast it,

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Speaker 4: and they're fourteen and sixteen, and I have to agree

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Speaker 4: with them, Like, and as you say, who cares about

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Speaker 4: their later stuff? Right? I mean, honestly, but there is

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Speaker 4: a stunning lack of growth after Blood Sugar, Sex Magic,

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Speaker 4: you know what I mean.

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Speaker 2: Totally disagree totally disagree. They sound totally different. When John

387
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Speaker 2: Furchante comes back to the band, what are you talking about?

388
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Speaker 2: He just like starts singing and there's way more melodic

389
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Speaker 2: music and way less you know, funk geared stuff.

390
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Speaker 4: Would I mean, let's and let's talk about Anthony Keats

391
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Speaker 4: is singing. Who for the first fifteen years of the

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Speaker 4: band he could barely He was barely in tune on

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Speaker 4: Blood Sugar, Sex Magic. He's barely in tune. He can't

394
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Speaker 4: carry it to okay, So maybe his his volca range

395
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Speaker 4: has improved. I assume he had lessons. But you know,

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Speaker 4: but but that's besides the point, Matt. You you said

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Speaker 4: like I cannot think of a I can't name a

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Speaker 4: single Red Hot Chili Peppers song in the last three albums. Uh,

399
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Speaker 4: and you know, but again, who cares? Ultimately all this

400
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Speaker 4: to say, I am definitely falling on the good side.

401
00:19:00,320 --> 00:19:03,880
Speaker 4: I'm I'm good. They're good. You cannot deny that they're good.

402
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Speaker 4: But you got my dander out by saying, can't stop

403
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Speaker 4: top twenty five.

404
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Speaker 3: It's okay if it's not in yours.

405
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Speaker 4: That list is leve on on the top, Well, then

406
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Speaker 4: you don't know what you're talking.

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Speaker 3: Okay, but your opinion doesn't have to equal mine. Okay,

408
00:19:20,240 --> 00:19:22,320
Speaker 3: all right, so I have it in my top twenty five.

409
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Speaker 3: You don't have to. That's fine, Okay, we can move

410
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Speaker 3: on from it. Okay. I don't actually agree with a

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Speaker 3: lot of forteen year olds either, and their music will.

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Speaker 3: I'm forty six. We're probably not going to have the

413
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Speaker 3: same sort of alignment. Just so it's out there, Okay.

414
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Speaker 1: Okay, this guy Jill Watters, I mean all I all

415
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Speaker 1: I can think of is Danny California. And I mean,

416
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Speaker 1: obviously they have worse songs, but for a song that's

417
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Speaker 1: a hit, it's awful. And there's this guy Pat Finnerty

418
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Speaker 1: that has a YouTube channel where he goes through why

419
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Speaker 1: certain songs are bad, and so, first of all, I

420
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Speaker 1: think most people know that Danny California is just a

421
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Speaker 1: straight rip off of Mary Jane's Last Dance, like same

422
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Speaker 1: chord progression. And one thing he pointed out that I

423
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Speaker 1: never had thought of is so he's Keta's knows he's

424
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Speaker 1: stealing Mary Jane's Last dance. Mary Jane's Last Dance starts

425
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Speaker 1: she grew up in an Indiana town. Keta starts Okay.

426
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Speaker 1: He's like, well, I want to say where Danny California

427
00:20:18,359 --> 00:20:21,359
Speaker 1: was born, but I can't say she grew up. So

428
00:20:21,440 --> 00:20:25,320
Speaker 1: he says getting born in the state of Mississippi. Not

429
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Speaker 1: not a phrase, not a phrase than now. At the

430
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Speaker 1: same time, I agree, Blood Sugar Sex Magic is a classic.

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Speaker 1: I think it's ninety one.

432
00:20:35,760 --> 00:20:37,960
Speaker 4: I think it's y one.

433
00:20:38,200 --> 00:20:40,160
Speaker 1: Okay, so I'm just twenty two.

434
00:20:40,200 --> 00:20:44,680
Speaker 3: I thought it was ninety two because one per Wikiver, I'm.

435
00:20:44,520 --> 00:20:47,160
Speaker 1: Like around ten under the Bridge. I'm just like obsessed

436
00:20:47,200 --> 00:20:49,639
Speaker 1: with and I love the more ballady stuff like breaking

437
00:20:49,640 --> 00:20:52,479
Speaker 1: the breaking the girls on that album.

438
00:20:52,640 --> 00:20:59,800
Speaker 3: So suck suck my one, suck my kiss.

439
00:21:01,960 --> 00:21:06,360
Speaker 1: It is it is. I don't know. I can't self

440
00:21:06,440 --> 00:21:09,240
Speaker 1: think about things like Danny California though, things like around

441
00:21:09,240 --> 00:21:12,359
Speaker 1: the world where he goes. I know, I know for sure.

442
00:21:12,440 --> 00:21:14,120
Speaker 1: Ding Ding ding ding ding ding ding Dong.

443
00:21:14,920 --> 00:21:18,360
Speaker 2: Yeah, there's a lot of nonsense lyrics, but Squeeze has

444
00:21:18,400 --> 00:21:20,959
Speaker 2: some great nonsense lyrics and it's one of their best songs.

445
00:21:21,400 --> 00:21:21,920
Speaker 1: That's true.

446
00:21:22,000 --> 00:21:24,560
Speaker 2: Yeah, I gotta. I mean, that's what you have to

447
00:21:24,600 --> 00:21:27,000
Speaker 2: take h with a grain of salt. With regards to

448
00:21:27,040 --> 00:21:28,760
Speaker 2: the Red Hot Chili Peppers, there are just gonna be

449
00:21:28,800 --> 00:21:31,520
Speaker 2: times when Anthony Keatus has the melody and doesn't have

450
00:21:31,560 --> 00:21:34,280
Speaker 2: the words. He's like, I ain't writing the words, I'm

451
00:21:34,320 --> 00:21:37,119
Speaker 2: just making noises for this part. Sometimes it works and

452
00:21:37,160 --> 00:21:38,960
Speaker 2: sometimes it sounds ridiculous.

453
00:21:39,000 --> 00:21:40,800
Speaker 3: I sort of think they did that for this Simpson's

454
00:21:40,880 --> 00:21:44,400
Speaker 3: cameo where he was just like just saying sounds it

455
00:21:44,440 --> 00:21:45,160
Speaker 3: really woods.

456
00:21:45,240 --> 00:21:48,920
Speaker 4: Yeah, I mean it's interesting that that's how good Blood

457
00:21:48,960 --> 00:21:52,120
Speaker 4: Sugar Sex Magic is because Solda Squeeze is an outtake,

458
00:21:52,359 --> 00:21:54,000
Speaker 4: right yeah, from that's.

459
00:21:53,720 --> 00:21:58,399
Speaker 1: On the cone Heads soundtrack. I think, wow, crazy before

460
00:21:58,440 --> 00:22:01,000
Speaker 1: we so, I'm gonna go knock just to zag on this.

461
00:22:01,040 --> 00:22:05,719
Speaker 1: We got three goods before we check out the poll. JG. Weirdly,

462
00:22:05,760 --> 00:22:07,080
Speaker 1: I feel like I know the answer is, have you

463
00:22:07,080 --> 00:22:08,520
Speaker 1: ever put your penis in a sock?

464
00:22:11,040 --> 00:22:15,000
Speaker 4: Actually I don't think I have? Oh really, yeah.

465
00:22:14,600 --> 00:22:16,320
Speaker 1: I feel like when you were in Greece, that's one

466
00:22:16,320 --> 00:22:17,360
Speaker 1: of the hygiens.

467
00:22:17,760 --> 00:22:20,640
Speaker 4: God, I put it in many things in Greece, never

468
00:22:20,720 --> 00:22:21,120
Speaker 4: a sock.

469
00:22:22,680 --> 00:22:24,920
Speaker 1: You put your penis in your own butt cheeks. I've

470
00:22:24,920 --> 00:22:25,639
Speaker 1: seen that picture.

471
00:22:25,680 --> 00:22:29,840
Speaker 4: I absolutely have many, many times.

472
00:22:28,720 --> 00:22:33,720
Speaker 1: Dick in a sock anyone else, of course many, okay, okay,

473
00:22:34,000 --> 00:22:35,360
Speaker 1: for many reasons.

474
00:22:36,720 --> 00:22:42,639
Speaker 2: Sometimes for style of jokes. Okay, mmm, I've got a

475
00:22:42,720 --> 00:22:44,760
Speaker 2: sold squeeze.

476
00:22:44,640 --> 00:22:46,760
Speaker 1: Yeah, Lee, what are the people saying? I think they're

477
00:22:46,760 --> 00:22:47,360
Speaker 1: going to say, good?

478
00:22:47,400 --> 00:22:49,879
Speaker 3: Seventy four percent. Seventy five just went up to seventy

479
00:22:49,880 --> 00:22:53,400
Speaker 3: five percent there, Yeah, so not a surprise, only eighty

480
00:22:53,440 --> 00:22:56,040
Speaker 3: four votes. But yeah, I mean, most people know the

481
00:22:56,040 --> 00:22:58,040
Speaker 3: Peppers have one or two of their favorite songs, but

482
00:22:58,240 --> 00:22:59,800
Speaker 3: I wouldn't think many people would have them as there

483
00:23:00,200 --> 00:23:01,360
Speaker 3: one favorite band though.

484
00:23:02,080 --> 00:23:05,120
Speaker 1: Okay, well, well three quarters of the stream king streaming

485
00:23:05,119 --> 00:23:06,040
Speaker 1: team can suck my.

486
00:23:08,720 --> 00:23:08,880
Speaker 3: Oh.

487
00:23:08,960 --> 00:23:10,840
Speaker 1: Also, just before we move on to the next topic,

488
00:23:10,880 --> 00:23:15,680
Speaker 1: I should say, Skeets and your buddy Grish. We're at

489
00:23:15,720 --> 00:23:19,240
Speaker 1: a Red Hot Chili Peppers concert last night in Atlanta,

490
00:23:19,840 --> 00:23:21,960
Speaker 1: So I believe Skeets is coming on next week. He

491
00:23:22,040 --> 00:23:25,560
Speaker 1: can he can give us a little rejoinder about the concert,

492
00:23:26,320 --> 00:23:29,760
Speaker 1: but for now we're gonna move on to our next topic. Oh,

493
00:23:29,800 --> 00:23:30,360
Speaker 1: there they are.

494
00:23:30,600 --> 00:23:34,800
Speaker 2: You know what is the guy behind Grish's head here

495
00:23:34,880 --> 00:23:37,639
Speaker 2: wearing a hat that says Red Hot Chili Peppers. But

496
00:23:37,680 --> 00:23:40,240
Speaker 2: it's made like a nineteen ninety sports hat. That was

497
00:23:40,280 --> 00:23:42,600
Speaker 2: an instant zoom for me, so that hat is good

498
00:23:43,080 --> 00:23:43,760
Speaker 2: as Okay.

499
00:23:44,280 --> 00:23:49,360
Speaker 1: Sub question wearing the band T shirt to the There's

500
00:23:49,400 --> 00:23:50,360
Speaker 1: a lot of it going.

501
00:23:50,640 --> 00:23:52,959
Speaker 2: There's a lot in this photo, no doubt about it.

502
00:23:52,960 --> 00:23:55,440
Speaker 1: All right. So if you're not watching, my buddy Grish

503
00:23:55,600 --> 00:23:58,320
Speaker 1: is wearing a Red Hot Chili Peppers. It's a new

504
00:23:58,359 --> 00:24:00,240
Speaker 1: T shirt by the way, that's their Newish love go

505
00:24:00,760 --> 00:24:02,960
Speaker 1: to the Red Hot Chili Peppers concert. Which is I

506
00:24:03,240 --> 00:24:05,600
Speaker 1: guess I'm okay with that. Some people are not.

507
00:24:06,240 --> 00:24:06,879
Speaker 4: I'm time with it.

508
00:24:07,000 --> 00:24:09,320
Speaker 3: Yeah, I am too. Yeah, I mean, why not.

509
00:24:09,560 --> 00:24:12,120
Speaker 4: Got to represent It's like that. It's like the home team,

510
00:24:12,160 --> 00:24:19,200
Speaker 4: you know, Yeah, yeah.

511
00:24:14,600 --> 00:24:14,919
Speaker 2: Well.

512
00:24:16,560 --> 00:24:18,439
Speaker 1: I got to sport the team, all right. Next topic,

513
00:24:19,280 --> 00:24:24,119
Speaker 1: This one's a little complicated, calling chef's chef when you

514
00:24:24,200 --> 00:24:26,800
Speaker 1: don't work for them. Is this good? I'm gonna start

515
00:24:26,840 --> 00:24:28,639
Speaker 1: off with this one because maybe you're confused about what

516
00:24:28,680 --> 00:24:31,879
Speaker 1: I'm saying. Here's what I'm not saying. Obviously, like the

517
00:24:31,920 --> 00:24:34,440
Speaker 1: TV show The Bear is quite popular now, everyone's calling

518
00:24:34,480 --> 00:24:36,680
Speaker 1: each other chef, chef and that big but they're working

519
00:24:36,760 --> 00:24:40,080
Speaker 1: together in the kitchen, the old school French brigade system.

520
00:24:40,680 --> 00:24:42,840
Speaker 1: I don't have a problem with that. What I'm talking

521
00:24:42,880 --> 00:24:48,119
Speaker 1: about is how suddenly we are all calling chef's chef,

522
00:24:48,640 --> 00:24:51,639
Speaker 1: so It's like if you hear a chef interviewed on

523
00:24:51,680 --> 00:24:54,399
Speaker 1: a podcast, it's like, oh, chef, this chef that when like,

524
00:24:54,520 --> 00:24:58,480
Speaker 1: you know, let's say David Chang hosts something on Instagram,

525
00:24:58,520 --> 00:25:01,960
Speaker 1: all the comments like the chef, how long were you

526
00:25:02,359 --> 00:25:04,840
Speaker 1: basting that chef? When I put this in the microwave?

527
00:25:04,880 --> 00:25:08,240
Speaker 1: How do I do a chef? I don't think there's

528
00:25:08,280 --> 00:25:12,760
Speaker 1: too many professions where we're calling the person the name

529
00:25:12,800 --> 00:25:16,560
Speaker 1: of the profession. Like I'll just I'll just continue here

530
00:25:16,760 --> 00:25:19,200
Speaker 1: and say I thought about it for five minutes. Here's

531
00:25:19,240 --> 00:25:21,479
Speaker 1: here's some professions where we call the person the name

532
00:25:21,520 --> 00:25:22,040
Speaker 1: of the profession.

533
00:25:22,280 --> 00:25:25,680
Speaker 2: Chef, coach, yeah, coach for sure.

534
00:25:26,400 --> 00:25:31,639
Speaker 4: Colonel yeah, colonel.

535
00:25:33,040 --> 00:25:38,760
Speaker 2: I don't know, colonel, you're just out about colonel, what

536
00:25:38,840 --> 00:25:41,400
Speaker 2: was your thoughts on flanking the battalion?

537
00:25:43,040 --> 00:25:47,000
Speaker 1: Somehow? I was also realizing you call colonel's colonel more

538
00:25:47,000 --> 00:25:50,119
Speaker 1: than you call generals general. I feel it's weirdly like

539
00:25:50,320 --> 00:25:55,800
Speaker 1: a general, you know, where is the tu, but it's

540
00:25:56,200 --> 00:25:59,280
Speaker 1: it's more likely you see a colonel. You're just like colonel.

541
00:25:59,560 --> 00:26:02,560
Speaker 1: I don't know. That's just a theory I'm working on. Okay, doctor,

542
00:26:02,720 --> 00:26:05,320
Speaker 1: you call doctors doctor? Oh yeah, you don't call a

543
00:26:05,400 --> 00:26:07,919
Speaker 1: nurse nurse when you're seeing a nurse out and about.

544
00:26:08,359 --> 00:26:11,280
Speaker 1: You don't call a pharmacist a pharmacist. They all have degrees,

545
00:26:11,320 --> 00:26:14,400
Speaker 1: they all went to school. A priest, I think you're

546
00:26:14,400 --> 00:26:16,960
Speaker 1: calling a father. You're saying a father. You know, if

547
00:26:17,000 --> 00:26:18,720
Speaker 1: the priest comes over to your house for dinner, saying, father,

548
00:26:18,800 --> 00:26:23,199
Speaker 1: can you pass me the potatoes? Professor? I'm sort of

549
00:26:23,200 --> 00:26:24,560
Speaker 1: on the border with this one.

550
00:26:24,600 --> 00:26:27,080
Speaker 4: I think you do. Professor is something you would you

551
00:26:27,119 --> 00:26:30,760
Speaker 4: would say somebody in the wild. You would say, oh, professor,

552
00:26:30,880 --> 00:26:32,840
Speaker 4: let's say Kislinko, it's nice to see you again.

553
00:26:33,000 --> 00:26:35,840
Speaker 1: That kind of oh, Professor Kislenko. Yes, But if Professor

554
00:26:35,920 --> 00:26:38,320
Speaker 1: Kislinko came to your husband dinner, would you say, professor,

555
00:26:38,359 --> 00:26:39,359
Speaker 1: could you pass the salt?

556
00:26:39,359 --> 00:26:39,520
Speaker 3: Now?

557
00:26:39,920 --> 00:26:42,440
Speaker 4: The welcome arn? You can stay for as long as

558
00:26:42,440 --> 00:26:44,959
Speaker 4: you like. I can't four days, five days?

559
00:26:46,640 --> 00:26:46,920
Speaker 2: Okay?

560
00:26:46,960 --> 00:26:49,320
Speaker 1: Well I just named I just named six professions. But

561
00:26:49,359 --> 00:26:51,840
Speaker 1: you know which professions we don't call by the profession?

562
00:26:52,080 --> 00:26:56,120
Speaker 1: I would say, it's literally every other one, right, Architects, engineers.

563
00:26:57,400 --> 00:26:59,119
Speaker 1: You don't call a cobbler cobby.

564
00:27:00,440 --> 00:27:04,800
Speaker 2: What about like referees or umpires? You call him? Come on, blue,

565
00:27:05,480 --> 00:27:09,159
Speaker 2: call him blue call him streams more of an insult

566
00:27:10,000 --> 00:27:13,960
Speaker 2: when it comes up profession based insult. I think people

567
00:27:14,040 --> 00:27:16,720
Speaker 2: just like jargon, you know. So that's why we like

568
00:27:16,800 --> 00:27:19,280
Speaker 2: to call chef's chef. We like to call each other chef.

569
00:27:19,320 --> 00:27:21,440
Speaker 2: Like if you're in a kitchen, just your kitchen and

570
00:27:21,480 --> 00:27:24,320
Speaker 2: somebody else is they're cooking with, you call that person chef.

571
00:27:24,359 --> 00:27:26,720
Speaker 2: Maybe we should have more professions where we're using the

572
00:27:26,760 --> 00:27:29,040
Speaker 2: name of the profession. Because I know you were gonna

573
00:27:29,040 --> 00:27:30,840
Speaker 2: be down on this one, because I knew your thoughts

574
00:27:31,320 --> 00:27:33,800
Speaker 2: on calling Kevin McHale coach when he was walking around

575
00:27:33,880 --> 00:27:37,560
Speaker 2: the NBA TV. He was never a coach, but he

576
00:27:37,680 --> 00:27:39,840
Speaker 2: was a coach, you know. So it's just fun to say.

577
00:27:39,960 --> 00:27:41,240
Speaker 2: It feels like you're part of the crew.

578
00:27:42,880 --> 00:27:46,760
Speaker 1: Yeah, anyone else, so you're good on it. Anyone else, Yeah.

579
00:27:46,800 --> 00:27:48,679
Speaker 3: I mean, I'm just trying to think of anyone I

580
00:27:48,720 --> 00:27:52,760
Speaker 3: know from those professions I would call coach to like

581
00:27:52,840 --> 00:27:55,879
Speaker 3: my kids coaches. I would say, hey, coach, but partly

582
00:27:55,880 --> 00:28:00,520
Speaker 3: because I don't always know their names. I don't. I mean,

583
00:28:00,560 --> 00:28:02,440
Speaker 3: I would never just call the doctor his name hey.

584
00:28:02,520 --> 00:28:04,600
Speaker 3: I would never just hey, doctor. I would say doctor

585
00:28:04,720 --> 00:28:06,840
Speaker 3: so and so. If I knew him, I wouldn't just

586
00:28:06,880 --> 00:28:10,960
Speaker 3: call him doctor. I'm trying to think if I called

587
00:28:11,000 --> 00:28:13,240
Speaker 3: anyone coach around the NBA TV off, because I know

588
00:28:13,280 --> 00:28:16,200
Speaker 3: Shaq used to call Isaiah Thomas coach, which was kind

589
00:28:16,200 --> 00:28:18,680
Speaker 3: of weird because he never coached Isaiah. That's why that's

590
00:28:18,680 --> 00:28:22,520
Speaker 3: a little bit weird. But yeah, other than that, I mean, no,

591
00:28:22,600 --> 00:28:27,000
Speaker 3: I'm I'm probably I'm just using I'm using a formal name,

592
00:28:27,080 --> 00:28:29,840
Speaker 3: mister or missus if it's someone of respect, but not

593
00:28:29,920 --> 00:28:32,679
Speaker 3: really the profession as such, you know what I mean.

594
00:28:32,880 --> 00:28:35,600
Speaker 1: Weird that we don't even call the president, Like if

595
00:28:35,880 --> 00:28:38,720
Speaker 1: you if the president's watten by, you don't just go president,

596
00:28:39,720 --> 00:28:43,320
Speaker 1: you say mister president, so right, if.

597
00:28:43,240 --> 00:28:49,520
Speaker 2: They wants so, lily chef, mister chef.

598
00:28:49,640 --> 00:28:51,479
Speaker 3: But should you still call the president if he's not

599
00:28:51,560 --> 00:28:53,880
Speaker 3: like if you see Obama, is he still mister president

600
00:28:54,000 --> 00:28:54,960
Speaker 3: or or you know.

601
00:28:55,040 --> 00:28:58,240
Speaker 4: He's still he's referred to as President Obama right still

602
00:28:58,320 --> 00:28:59,080
Speaker 4: right now that he's not.

603
00:28:59,480 --> 00:29:00,520
Speaker 3: Yeah, but not just.

604
00:29:00,720 --> 00:29:03,160
Speaker 4: President, no, mister president.

605
00:29:02,880 --> 00:29:07,600
Speaker 3: Because I think it's more the current president is president, right,

606
00:29:07,840 --> 00:29:10,120
Speaker 3: rather than you know, President Obama.

607
00:29:10,600 --> 00:29:10,880
Speaker 4: Right.

608
00:29:11,960 --> 00:29:16,160
Speaker 1: I think I would just I would just call him Barry.

609
00:29:16,760 --> 00:29:18,880
Speaker 4: But you're right, But Matt, you're you are fine with

610
00:29:18,960 --> 00:29:21,400
Speaker 4: calling a chef chef if you're in their restaurant.

611
00:29:22,840 --> 00:29:25,840
Speaker 1: Yeah, Like I often say, like, how do you want

612
00:29:25,880 --> 00:29:29,440
Speaker 1: how do you want this thing cooked? As chef recommends?

613
00:29:29,560 --> 00:29:30,960
Speaker 4: Right right exactly.

614
00:29:31,280 --> 00:29:33,960
Speaker 1: I'm not happy about it, but I do say that so.

615
00:29:35,680 --> 00:29:38,560
Speaker 4: Good on this I think I'm out. I'm not good.

616
00:29:39,800 --> 00:29:41,840
Speaker 4: It is fun to say chef, though. I think that's

617
00:29:41,840 --> 00:29:45,719
Speaker 4: why people say it, Hey, chef, you know, I love it.

618
00:29:45,840 --> 00:29:48,920
Speaker 3: Chefs love it when they get that. Just in a restaurant,

619
00:29:48,920 --> 00:29:50,560
Speaker 3: the chef loved it. He didn't want his name Cole.

620
00:29:50,640 --> 00:29:52,440
Speaker 3: He's like, chef, just call me chef, all right.

621
00:29:53,120 --> 00:29:56,680
Speaker 4: I mean, listen, in my experience in the restaurant industry,

622
00:29:56,840 --> 00:30:00,360
Speaker 4: I mean, there's a few that are really, you know,

623
00:30:00,440 --> 00:30:03,160
Speaker 4: quite nice, but there's a lot of dick chefs out there.

624
00:30:03,640 --> 00:30:07,960
Speaker 4: I don't really feel like giving my respect to shout

625
00:30:07,960 --> 00:30:11,000
Speaker 4: out to Chef Todd who had us over to his

626
00:30:11,120 --> 00:30:14,720
Speaker 4: restaurant in uh in uh Las, Vegas and that was

627
00:30:14,760 --> 00:30:17,360
Speaker 4: great And I called him chef but he was cooking.

628
00:30:17,440 --> 00:30:20,040
Speaker 3: Yeah he's working then, yeah, yeah.

629
00:30:20,600 --> 00:30:21,960
Speaker 1: Oh we were literally in his kitchen.

630
00:30:22,040 --> 00:30:22,240
Speaker 2: Yeah.

631
00:30:22,280 --> 00:30:24,800
Speaker 1: I also do you also think that because chef is

632
00:30:26,000 --> 00:30:28,680
Speaker 1: like obviously, coach, colonel, doctor. These are all English words.

633
00:30:28,720 --> 00:30:30,440
Speaker 1: Chef is a French word. Yeah, I think that has

634
00:30:30,480 --> 00:30:33,000
Speaker 1: something to do with it, because chef just means chief

635
00:30:33,040 --> 00:30:36,360
Speaker 1: in English. So I think that we should start calling

636
00:30:36,440 --> 00:30:39,240
Speaker 1: chef's chief, which is like the most sarcastic thing you

637
00:30:39,280 --> 00:30:46,760
Speaker 1: could call, so much chief. Hey, chief. So I'm I'm

638
00:30:46,760 --> 00:30:48,920
Speaker 1: a not good JD's a not good. Trey sounds like

639
00:30:48,960 --> 00:30:53,720
Speaker 1: a good lee. I didn't catch week. I mean, you

640
00:30:53,760 --> 00:30:54,600
Speaker 1: couldn't give a chef.

641
00:30:56,440 --> 00:30:58,120
Speaker 3: I don't know any I want to know a colonel

642
00:30:58,160 --> 00:30:59,720
Speaker 3: to know how I would address him. Oh, I just

643
00:30:59,760 --> 00:31:03,360
Speaker 3: loved the salute kernel, you know, but con I know anyone.

644
00:31:03,440 --> 00:31:05,280
Speaker 3: So I'm going to say, now I'm out, no good,

645
00:31:05,360 --> 00:31:05,800
Speaker 3: not good?

646
00:31:06,160 --> 00:31:08,600
Speaker 1: Okay, So that's three. So what are the people say?

647
00:31:08,800 --> 00:31:10,360
Speaker 3: Sixty? Not good?

648
00:31:11,040 --> 00:31:15,320
Speaker 1: Okay, okay, tough? I think is that our first? That's

649
00:31:15,320 --> 00:31:16,280
Speaker 1: our first not good?

650
00:31:16,800 --> 00:31:18,680
Speaker 3: I think that's right. Yes, I believe that.

651
00:31:18,840 --> 00:31:22,920
Speaker 1: Okay, wow, Well we are going to go to break,

652
00:31:22,960 --> 00:31:24,800
Speaker 1: but you're gonna want to stick around because when we

653
00:31:24,840 --> 00:31:29,560
Speaker 1: come back, we're going to talk about something so mysterious,

654
00:31:30,200 --> 00:31:32,920
Speaker 1: so mysterious I can't I cannot say what it is.

655
00:31:32,960 --> 00:31:36,480
Speaker 1: But you're gonna want to stick around. Welcome back to

656
00:31:36,520 --> 00:31:39,000
Speaker 1: Is This Good again? If you are just listening to

657
00:31:39,040 --> 00:31:41,479
Speaker 1: this as a podcast, I want you to know that

658
00:31:41,520 --> 00:31:44,960
Speaker 1: there were ads there. If if you just hear me,

659
00:31:45,000 --> 00:31:46,400
Speaker 1: throw it to the brake and then come right back

660
00:31:46,400 --> 00:31:48,840
Speaker 1: when you're listening to the podcast. It's not my fault

661
00:31:49,160 --> 00:31:52,400
Speaker 1: there were ads there when we were recording this. It's

662
00:31:52,480 --> 00:31:55,320
Speaker 1: just very important for me that you know that. Okay,

663
00:31:55,440 --> 00:32:01,400
Speaker 1: moving on our next topic. I'm excited for this. M

664
00:32:01,520 --> 00:32:08,880
Speaker 1: Night Shamalan, the original shams. M Night Shamalan. Is he good?

665
00:32:09,240 --> 00:32:09,760
Speaker 1: Here we go.

666
00:32:11,680 --> 00:32:14,480
Speaker 2: Well, I'll get us started, Matt, because when you talk

667
00:32:14,480 --> 00:32:17,680
Speaker 2: about M. Night Shamalan, you're really talking about twist endings.

668
00:32:17,720 --> 00:32:21,280
Speaker 2: As everybody knows, the guy is famous first twist ending.

669
00:32:21,360 --> 00:32:23,960
Speaker 2: So you messaged me yesterday, I said, you think you

670
00:32:23,960 --> 00:32:26,960
Speaker 2: can do like a top five M Night Shamalan twists.

671
00:32:27,160 --> 00:32:28,800
Speaker 2: So I had to go to his Wikipedia page and

672
00:32:29,040 --> 00:32:32,440
Speaker 2: ensure that I've seen five M. Night Shamalan movies, and

673
00:32:32,520 --> 00:32:34,840
Speaker 2: it turns out I've seen exactly five. Wow, So these

674
00:32:34,840 --> 00:32:38,000
Speaker 2: are perfect the five. I don't know if they're the

675
00:32:38,040 --> 00:32:41,760
Speaker 2: best or worst twists. I'm gonna go from best twist

676
00:32:41,880 --> 00:32:46,920
Speaker 2: to worst. Number one twist obviously sixth cents. Yeah, an

677
00:32:47,120 --> 00:32:51,000
Speaker 2: iconic twist. You know, the movie that made us remember

678
00:32:51,280 --> 00:32:52,959
Speaker 2: twist endings. I don't know if it's been done as

679
00:32:53,000 --> 00:32:56,320
Speaker 2: well since or before. What was like the big twist

680
00:32:56,440 --> 00:32:59,840
Speaker 2: ending movie prior to Sixth Sense, like Psycho?

681
00:33:00,400 --> 00:33:03,080
Speaker 3: Well, like for me, I found it similar to Show

682
00:33:03,120 --> 00:33:05,680
Speaker 3: Shank in that you were like, where's this going and

683
00:33:05,720 --> 00:33:08,360
Speaker 3: then all of a sudden, bang, it just hitch it dead. Yeah,

684
00:33:08,560 --> 00:33:10,160
Speaker 3: is that a twist ending? I'm not sure if it

685
00:33:10,160 --> 00:33:12,280
Speaker 3: counts as a twistending and Showshank, but it was like

686
00:33:12,640 --> 00:33:16,040
Speaker 3: an iconic it was a great end, great ends, brilliant ending.

687
00:33:16,120 --> 00:33:17,880
Speaker 2: So if that's necessarily a twist.

688
00:33:17,640 --> 00:33:21,440
Speaker 4: Now it's a big reveal. Yeah, yeah, yeah, I wouldn't

689
00:33:21,440 --> 00:33:23,400
Speaker 4: I wouldn't claify not twist necessarily.

690
00:33:23,480 --> 00:33:27,560
Speaker 2: But yeah, anyways, you know, Sixth Sense was like the

691
00:33:27,600 --> 00:33:29,720
Speaker 2: movie that people actually did a great job of being

692
00:33:29,760 --> 00:33:31,400
Speaker 2: like there's a great twist at the end, but wouldn't

693
00:33:31,400 --> 00:33:33,440
Speaker 2: actually tell you the twist at the end. The twist

694
00:33:33,520 --> 00:33:35,520
Speaker 2: probably holds up. I don't know, it's been a while

695
00:33:35,520 --> 00:33:37,120
Speaker 2: since I saw it, but watching it the first time

696
00:33:37,200 --> 00:33:39,400
Speaker 2: it's awesome. The second time you're like, you get to

697
00:33:39,440 --> 00:33:41,440
Speaker 2: watch it and see what you missed that would have

698
00:33:41,440 --> 00:33:44,640
Speaker 2: given away the twist after that. Your mileage may vary,

699
00:33:44,640 --> 00:33:47,680
Speaker 2: but obviously his best twist the twisted on the M

700
00:33:47,760 --> 00:33:48,240
Speaker 2: Night Map.

701
00:33:48,720 --> 00:33:50,440
Speaker 1: So you know what, you just reminded me of the

702
00:33:50,480 --> 00:33:52,360
Speaker 1: movie before that that I think of when when it's like,

703
00:33:52,400 --> 00:33:53,800
Speaker 1: there's a twist at the end of this movie, but

704
00:33:54,480 --> 00:33:56,480
Speaker 1: don't tell anyone where's crying game?

705
00:33:57,200 --> 00:34:00,160
Speaker 2: Okay, crying game is not bad. I see people are

706
00:34:00,320 --> 00:34:05,840
Speaker 2: saying Fight Club, which was probably probably right before sixth Sense?

707
00:34:05,880 --> 00:34:06,240
Speaker 3: Is that right?

708
00:34:06,240 --> 00:34:12,640
Speaker 2: That usual suspects? People are saying, that's another good twist

709
00:34:12,719 --> 00:34:16,120
Speaker 2: spending as well. Memento came out a year after also

710
00:34:16,160 --> 00:34:18,560
Speaker 2: had a good twist ending. So I guess maybe we

711
00:34:18,600 --> 00:34:23,239
Speaker 2: were living in the time halcyon days of twist endies,

712
00:34:23,760 --> 00:34:26,080
Speaker 2: late nineties to early two thousands. It's all about switch

713
00:34:26,120 --> 00:34:26,880
Speaker 2: ups there at the end.

714
00:34:27,080 --> 00:34:27,319
Speaker 4: Yeah.

715
00:34:27,520 --> 00:34:32,160
Speaker 2: Number two best twists from M Night Unbreakable? Do you

716
00:34:32,200 --> 00:34:33,480
Speaker 2: know the twist? And Unbreakable?

717
00:34:33,920 --> 00:34:35,400
Speaker 3: I don't. I don't know that one.

718
00:34:35,600 --> 00:34:39,800
Speaker 2: Not only is Bruce Willis a superhero, Samuel L. Jackson

719
00:34:40,040 --> 00:34:43,600
Speaker 2: is a super villain who engineered all of this trauma

720
00:34:43,840 --> 00:34:45,960
Speaker 2: in Bruce Willis's life to see if he was a

721
00:34:45,960 --> 00:34:47,360
Speaker 2: superhero pretty cool stuff.

722
00:34:47,800 --> 00:34:49,840
Speaker 3: Bruce Willison, Samuel Jackson back together.

723
00:34:50,440 --> 00:34:52,080
Speaker 2: Wow. I wonder if that was the first time after

724
00:34:52,200 --> 00:34:55,680
Speaker 2: pulled fiction. Probably yeah, I think it was. Actually, yeah,

725
00:34:55,719 --> 00:34:59,680
Speaker 2: this Unbreakable eventually kind of like spawned a universe for M.

726
00:34:59,719 --> 00:35:03,319
Speaker 2: Knight Amalan. He did Split with Patrick mack or James

727
00:35:03,440 --> 00:35:07,120
Speaker 2: McAvoy a little bit later. I'm still unsure if I've

728
00:35:07,160 --> 00:35:09,760
Speaker 2: seen this movie or if I just watched Identity starring

729
00:35:09,840 --> 00:35:12,319
Speaker 2: John Cusack in two thousand and three, which is a

730
00:35:12,320 --> 00:35:14,200
Speaker 2: great twist ending, and I think it's pretty much the

731
00:35:14,239 --> 00:35:16,719
Speaker 2: exact same movie as Split. And then I think there

732
00:35:16,800 --> 00:35:19,160
Speaker 2: is a Samuel Jackson movie as well called Glass, which

733
00:35:19,200 --> 00:35:20,320
Speaker 2: I know I haven't seen.

734
00:35:20,440 --> 00:35:23,960
Speaker 4: And it brings uh, brings them all together.

735
00:35:23,200 --> 00:35:26,480
Speaker 2: Brings them all three three superhero movies from M. Night.

736
00:35:26,560 --> 00:35:29,319
Speaker 2: But I think Unbreakable as cool. I actually forgot that

737
00:35:29,320 --> 00:35:30,920
Speaker 2: it was an M Night Shamalan movie until I went

738
00:35:30,920 --> 00:35:32,399
Speaker 2: back and looked at this. I was like, oh, right,

739
00:35:32,520 --> 00:35:35,480
Speaker 2: I liked Unbreakable. I don't know, but I liked it

740
00:35:35,520 --> 00:35:39,000
Speaker 2: at the time. All Right, this is when we get

741
00:35:39,040 --> 00:35:41,719
Speaker 2: into the bad twists. Yeah, give the number three. It's

742
00:35:41,719 --> 00:35:46,280
Speaker 2: a bad twist. The Village anybody see the village, guess

743
00:35:46,280 --> 00:35:48,120
Speaker 2: what they're living in modern day. It was the most

744
00:35:48,160 --> 00:35:53,239
Speaker 2: obvious twist, possibly possibly imaginable. The monsters aren't real, they're

745
00:35:53,239 --> 00:35:55,120
Speaker 2: just people dressed up and they're living in a forest

746
00:35:55,480 --> 00:35:58,880
Speaker 2: like that was just a ridiculously obvious twist that I

747
00:35:58,920 --> 00:36:01,520
Speaker 2: think was even revealed by m Night Shyamalan in the movie,

748
00:36:01,600 --> 00:36:04,000
Speaker 2: like doesn't he play like the toll booth worker or something?

749
00:36:05,280 --> 00:36:08,920
Speaker 2: Who Bryce Dallas Howard escapes the village and finds him,

750
00:36:08,960 --> 00:36:10,960
Speaker 2: but she's blind, so she can't really put it all together.

751
00:36:11,920 --> 00:36:13,960
Speaker 2: Spoiler alert if you care about seeing any of these

752
00:36:13,960 --> 00:36:16,239
Speaker 2: fifteen year old movies. But I'm just revealing it, but

753
00:36:16,280 --> 00:36:18,360
Speaker 2: I think it's very funny that it was a dumb

754
00:36:18,360 --> 00:36:21,640
Speaker 2: twist revealed by the director in the movie Crazy Stuff

755
00:36:23,000 --> 00:36:26,200
Speaker 2: number four. Pretty bad twist because I'm not sure what

756
00:36:26,239 --> 00:36:30,839
Speaker 2: the twist is signs. I think the twist was first off,

757
00:36:30,840 --> 00:36:33,120
Speaker 2: that the aliens were real, which was a bit of

758
00:36:33,160 --> 00:36:35,800
Speaker 2: a twist because you're like, did these aliens actually exist?

759
00:36:36,120 --> 00:36:38,480
Speaker 2: But then the bigger twist was that the aliens are

760
00:36:38,520 --> 00:36:42,800
Speaker 2: allergic to water. What a dumb way for these aliens

761
00:36:42,800 --> 00:36:45,840
Speaker 2: to die. We're coming to a planet that is completely

762
00:36:45,880 --> 00:36:49,719
Speaker 2: sustained by water covered in water, and as it turns out,

763
00:36:49,719 --> 00:36:52,680
Speaker 2: liquid water is the one thing, the one thing that

764
00:36:52,760 --> 00:36:55,360
Speaker 2: can get rid of these aliens pretty bad twists.

765
00:36:56,280 --> 00:36:58,200
Speaker 3: Was that gremlins they were allergic to water?

766
00:37:00,239 --> 00:37:01,399
Speaker 1: No, that made them grow?

767
00:37:01,640 --> 00:37:05,120
Speaker 2: Yeah, yeah, gremlins can handle the water. Aliens not so much.

768
00:37:05,440 --> 00:37:07,440
Speaker 4: That that's War of the World's the original War of

769
00:37:07,440 --> 00:37:09,280
Speaker 4: the World's. It's not water, but it's germs.

770
00:37:09,320 --> 00:37:10,000
Speaker 2: Yeah, germs.

771
00:37:10,200 --> 00:37:12,120
Speaker 4: The environment kills them.

772
00:37:12,160 --> 00:37:14,560
Speaker 1: Well, isn't wait, isn't that Independence state too? Don't they

773
00:37:14,560 --> 00:37:15,280
Speaker 1: give them a cold?

774
00:37:15,440 --> 00:37:17,400
Speaker 2: Well they no, Well, they have their computer.

775
00:37:17,719 --> 00:37:21,040
Speaker 3: Yeah, they give they give the computer a virus.

776
00:37:22,680 --> 00:37:28,439
Speaker 2: There's this uh, technologically advanced society comes and invades Earth,

777
00:37:28,480 --> 00:37:31,320
Speaker 2: but as it turns out, our nineteen ninety six computers

778
00:37:31,360 --> 00:37:33,560
Speaker 2: get back into their main frames and send them back

779
00:37:33,600 --> 00:37:34,320
Speaker 2: into outer space.

780
00:37:35,280 --> 00:37:36,799
Speaker 1: That's what I was just thinking. Does that mean that

781
00:37:36,840 --> 00:37:39,799
Speaker 1: on the aliens from Independence day planet, they have like

782
00:37:40,239 --> 00:37:42,359
Speaker 1: a super famous guy that always dressed in a black

783
00:37:42,400 --> 00:37:43,279
Speaker 1: turtleneck and.

784
00:37:44,880 --> 00:37:47,000
Speaker 2: They're ruled by a guy named Norton who will not

785
00:37:47,080 --> 00:37:50,440
Speaker 2: let them get viruses on any of their computers. All right,

786
00:37:50,520 --> 00:37:53,200
Speaker 2: So that's a that's four. That's too bad. Twists too

787
00:37:53,200 --> 00:37:57,239
Speaker 2: good twists. The fifth, the worst twist, the worst movie

788
00:37:57,280 --> 00:38:00,239
Speaker 2: I've ever seen in the theater. Wow, but one of

789
00:38:00,280 --> 00:38:05,239
Speaker 2: the most fun movie watching experiences. The Happening starring Mark Wahlberg.

790
00:38:06,600 --> 00:38:10,120
Speaker 2: People are just committing suicide worldwide. Nobody can figure out why.

791
00:38:10,160 --> 00:38:16,240
Speaker 2: As it turns out, trees are attacking people. We've lost

792
00:38:16,560 --> 00:38:20,239
Speaker 2: too many bees the toxins at Bay. So the toxins

793
00:38:20,760 --> 00:38:25,120
Speaker 2: influenced people to commit suicide. And then they spend the

794
00:38:25,200 --> 00:38:26,759
Speaker 2: night at an old lady's house. Wake up the next

795
00:38:26,800 --> 00:38:29,200
Speaker 2: morning and the trees have just stopped. The trees got

796
00:38:29,239 --> 00:38:31,239
Speaker 2: as far as they needed, and as it turns out,

797
00:38:31,239 --> 00:38:33,920
Speaker 2: it was the property line at that woman's house. So

798
00:38:34,000 --> 00:38:36,520
Speaker 2: Mark Wahlberg, you're good to go from here on out.

799
00:38:37,719 --> 00:38:40,600
Speaker 2: The dumbest twist because it was basically no twist, and

800
00:38:40,640 --> 00:38:44,440
Speaker 2: then the twist got twisted into nothingness just ten minutes later.

801
00:38:45,200 --> 00:38:47,279
Speaker 2: But like I said, an awesome movie to watch, cause

802
00:38:47,400 --> 00:38:50,040
Speaker 2: this looked like it was going to be a disaster

803
00:38:50,160 --> 00:38:52,160
Speaker 2: of a movie, and everybody that was in the theater

804
00:38:52,239 --> 00:38:54,240
Speaker 2: with me, it was a sold out theater really seemed

805
00:38:54,239 --> 00:38:55,719
Speaker 2: to be thinking the same thing, like this is going

806
00:38:55,760 --> 00:38:57,719
Speaker 2: to be terrible. Let's just go and watch it and

807
00:38:57,800 --> 00:38:59,759
Speaker 2: laugh and we had a great time.

808
00:39:00,200 --> 00:39:01,480
Speaker 3: What a hear was this?

809
00:39:01,680 --> 00:39:04,000
Speaker 2: Like? This is probably eight right?

810
00:39:04,080 --> 00:39:06,080
Speaker 3: Yeah, yeah, so he's still living a bit off the

811
00:39:06,120 --> 00:39:08,040
Speaker 3: sixth sense by then, where you like you're go and

812
00:39:08,120 --> 00:39:08,680
Speaker 3: watch him.

813
00:39:09,040 --> 00:39:10,719
Speaker 2: Yeah, that was That was the end for me. So

814
00:39:10,840 --> 00:39:14,600
Speaker 2: sixth cents ninety nine, Unbreakable, two thousand Signs, two thousand

815
00:39:14,600 --> 00:39:16,799
Speaker 2: and two, two thousand and four of the Village I

816
00:39:16,840 --> 00:39:19,560
Speaker 2: was a big n had this point. Apparently Lady in

817
00:39:19,600 --> 00:39:22,080
Speaker 2: the Water dropped no thank you, no thank you on

818
00:39:22,120 --> 00:39:23,880
Speaker 2: that one, but I had to see the happening. It

819
00:39:23,920 --> 00:39:26,600
Speaker 2: was as bad as imagined, and after that I haven't

820
00:39:26,600 --> 00:39:28,880
Speaker 2: been able to take myself to see another night shamal on.

821
00:39:29,040 --> 00:39:31,719
Speaker 3: Yeah, I mean, look what, well it's a been like not.

822
00:39:31,680 --> 00:39:33,800
Speaker 1: Good based on that, I can't tell I'm not good.

823
00:39:33,960 --> 00:39:34,520
Speaker 1: I'm not good.

824
00:39:34,840 --> 00:39:35,439
Speaker 2: I'm not good.

825
00:39:35,880 --> 00:39:38,200
Speaker 4: So interesting, but you're good on the red Hot Chili

826
00:39:38,200 --> 00:39:44,200
Speaker 4: Peppers who have been garbage for the last twelve Wow.

827
00:39:44,800 --> 00:39:46,799
Speaker 2: You make a good point. You do make a good point.

828
00:39:46,920 --> 00:39:48,400
Speaker 2: I see where well, I don't know. I feel like

829
00:39:48,440 --> 00:39:52,719
Speaker 2: there's more, there's more of an impetus to make good

830
00:39:52,800 --> 00:39:55,640
Speaker 2: content as a video maker, as a movie maker than

831
00:39:55,640 --> 00:39:58,839
Speaker 2: there is for a musician as time goes on.

832
00:39:59,160 --> 00:40:01,360
Speaker 4: As Lee said, I need not to circle back to

833
00:40:01,400 --> 00:40:03,759
Speaker 4: the Chili Peppers, But all they have to do is

834
00:40:03,800 --> 00:40:05,560
Speaker 4: show up, play one of their new songs, and then

835
00:40:05,560 --> 00:40:08,440
Speaker 4: they're playing all the hits from way back. When m

836
00:40:08,520 --> 00:40:11,880
Speaker 4: Night doesn't have that luxury, he has to come up

837
00:40:11,920 --> 00:40:15,640
Speaker 4: with and he's the twist guy. That's a lot of pressure.

838
00:40:15,880 --> 00:40:17,040
Speaker 4: That's a lot of pressure.

839
00:40:17,040 --> 00:40:19,000
Speaker 3: But that's the thing when you start off with I

840
00:40:19,080 --> 00:40:20,680
Speaker 3: know it wasn't his first one, the sixcent, but that

841
00:40:20,760 --> 00:40:23,560
Speaker 3: was the one that put him on the map. Trying

842
00:40:23,560 --> 00:40:26,120
Speaker 3: to replicate that is tough. The standard is so high,

843
00:40:26,440 --> 00:40:31,640
Speaker 3: you know, likes to maintain that level. People like you're saying,

844
00:40:31,760 --> 00:40:34,359
Speaker 3: people go to the cinema to see, well, I hope

845
00:40:34,360 --> 00:40:36,360
Speaker 3: I have the same six cent. Yeah, and then you

846
00:40:36,480 --> 00:40:37,800
Speaker 3: got trees, and then you got.

847
00:40:37,640 --> 00:40:42,360
Speaker 4: Trees, but the trees was later. I mean, Unbreakable was

848
00:40:42,960 --> 00:40:46,400
Speaker 4: a good movie. I enjoyed Unbreakable. I enjoyed the village

849
00:40:46,480 --> 00:40:48,680
Speaker 4: until the twist. I mean, I thought it was very

850
00:40:48,719 --> 00:40:50,919
Speaker 4: well crafted. I was on the edge of my seat.

851
00:40:51,000 --> 00:40:54,040
Speaker 4: I kind of look at his movies like a Norm

852
00:40:54,080 --> 00:40:57,760
Speaker 4: MacDonald joke. The punchline, who cares like it's the journey

853
00:40:57,800 --> 00:41:00,000
Speaker 4: to get there. You're laughing all the way to the punchline,

854
00:41:00,040 --> 00:41:04,319
Speaker 4: and it's like, oh, okay, wah wah. But I'm saying

855
00:41:04,360 --> 00:41:06,880
Speaker 4: he's good. I'm on, I'm good, I'm m Night Channel,

856
00:41:07,480 --> 00:41:10,800
Speaker 4: I'm team Channalot. And he was the executive producer on

857
00:41:10,880 --> 00:41:13,840
Speaker 4: Wayward Pines, which was a I don't know that. I

858
00:41:13,840 --> 00:41:16,520
Speaker 4: think they had twenty episodes or something, and there's a

859
00:41:16,840 --> 00:41:21,200
Speaker 4: big twist in that that's revealed five episodes in, which

860
00:41:21,320 --> 00:41:25,040
Speaker 4: was a mistake probably, but yeah, too early, but it

861
00:41:25,160 --> 00:41:27,960
Speaker 4: was decent though those five episodes leading up to the twist.

862
00:41:28,040 --> 00:41:31,319
Speaker 4: I was all in on it, and uh yeah, sure

863
00:41:31,360 --> 00:41:34,320
Speaker 4: there's been some stinkers, but uh, you know who hasn't

864
00:41:34,320 --> 00:41:37,759
Speaker 4: had some stinkers. So I'm I'm gonna say he's good.

865
00:41:38,080 --> 00:41:39,920
Speaker 2: You're pulling me back to you pulled me back to

866
00:41:40,640 --> 00:41:43,560
Speaker 2: I'm thinking about seeing Split, I'm thinking about seeing Glass.

867
00:41:43,920 --> 00:41:44,120
Speaker 1: Matt.

868
00:41:44,160 --> 00:41:45,480
Speaker 2: You said, did I see Old?

869
00:41:45,719 --> 00:41:45,759
Speaker 1: No?

870
00:41:46,120 --> 00:41:48,240
Speaker 2: But the previews were interesting, Yeah.

871
00:41:48,800 --> 00:41:51,640
Speaker 4: Like honestly like the happening. I watched that and I

872
00:41:51,800 --> 00:41:56,799
Speaker 4: was furious with him, and I've actually I've never went

873
00:41:57,000 --> 00:41:59,239
Speaker 4: to see another one of his movies. I'm I'm not

874
00:41:59,280 --> 00:42:03,360
Speaker 4: seeing Split. I've not seen Glass, and I liked him Unbreakable.

875
00:42:03,480 --> 00:42:06,359
Speaker 4: I just haven't. I just haven't brought myself to come

876
00:42:06,400 --> 00:42:09,120
Speaker 4: around and see it. But but I think Split is

877
00:42:09,800 --> 00:42:13,480
Speaker 4: quite well reviewed. Actually I don't know what Rotten Tomatoes says,

878
00:42:13,520 --> 00:42:18,399
Speaker 4: but who cares. I bet it's not bad. So JD.

879
00:42:18,480 --> 00:42:20,400
Speaker 1: It's funny that it's interesting that you mentioned like a

880
00:42:20,480 --> 00:42:22,640
Speaker 1: Norm McDonald joke. You're laughing all the way through, because

881
00:42:22,960 --> 00:42:25,560
Speaker 1: I watched Old last night and I was laughing all

882
00:42:25,560 --> 00:42:30,560
Speaker 1: the way through. This movie is so bad and so dumb.

883
00:42:30,680 --> 00:42:32,160
Speaker 1: I mean, there's a six year old you know the

884
00:42:32,160 --> 00:42:33,680
Speaker 1: premise they get they go to a beach where they

885
00:42:33,719 --> 00:42:36,120
Speaker 1: get old very they age very rapidly. There's like a

886
00:42:36,120 --> 00:42:39,319
Speaker 1: six year old girl and then she ages like to

887
00:42:39,440 --> 00:42:42,480
Speaker 1: I don't know, doubles or whatever. And then she has

888
00:42:42,560 --> 00:42:46,240
Speaker 1: sex with another boy that's there because now they're horny,

889
00:42:46,560 --> 00:42:49,520
Speaker 1: and then she's like, two minutes later, she's pregnant. Oh

890
00:42:49,560 --> 00:42:54,640
Speaker 1: my badly, what's happening? Okay, but there there is a

891
00:42:54,760 --> 00:42:57,080
Speaker 1: rapper in the movie, like not a real like a

892
00:42:57,160 --> 00:43:00,440
Speaker 1: someone's playing a rapper in the movie. He's already on

893
00:43:00,440 --> 00:43:02,920
Speaker 1: the beach and explained it makes no sense, But I

894
00:43:03,000 --> 00:43:05,160
Speaker 1: just want to ask you. I know none of you

895
00:43:05,280 --> 00:43:07,880
Speaker 1: see this movie, so I know you're not going to

896
00:43:07,960 --> 00:43:10,560
Speaker 1: know the answers. What is the name of the rapper

897
00:43:10,560 --> 00:43:14,080
Speaker 1: in this movie? And I'll just tell you it's the

898
00:43:14,120 --> 00:43:16,880
Speaker 1: most insane name. The name of the rapper in this

899
00:43:16,960 --> 00:43:27,239
Speaker 1: movie is mid Size Sedan and his single is more

900
00:43:27,360 --> 00:43:28,400
Speaker 1: Dough for the cooking.

901
00:43:30,520 --> 00:43:32,480
Speaker 4: I don't mind. I don't mind. The song name I

902
00:43:32,480 --> 00:43:33,200
Speaker 4: don't mind.

903
00:43:34,719 --> 00:43:35,880
Speaker 2: Is good. If you can come up with that.

904
00:43:36,560 --> 00:43:40,160
Speaker 4: It's like a placeholder red hot chili peppers.

905
00:43:44,200 --> 00:43:52,520
Speaker 1: Sweet Mendana, mid size Sadan. Okay, So I mean I'm

906
00:43:52,520 --> 00:43:55,040
Speaker 1: a definite not good. I mean that like what I

907
00:43:55,040 --> 00:43:57,600
Speaker 1: started doing five minutes of research on I found that

908
00:43:57,640 --> 00:44:01,080
Speaker 1: this guy's fasting. First of all, he he ghost wrote

909
00:44:01,200 --> 00:44:02,200
Speaker 1: She's all that. Did you know?

910
00:44:02,320 --> 00:44:04,280
Speaker 4: Yeah?

911
00:44:02,560 --> 00:44:06,000
Speaker 1: That he did well? He said, I ghost through it,

912
00:44:06,000 --> 00:44:08,680
Speaker 1: She's all that, and that apparently the screenwriter She's all

913
00:44:08,680 --> 00:44:14,640
Speaker 1: that tweeted only in his head. But of his twelve movies,

914
00:44:14,680 --> 00:44:16,479
Speaker 1: I think he had one movie before the sixth cents,

915
00:44:16,520 --> 00:44:18,800
Speaker 1: but from six cents on, I think it's twelve movies.

916
00:44:19,280 --> 00:44:21,880
Speaker 1: Seven of the twelve movies are below fifty percent on

917
00:44:21,960 --> 00:44:25,600
Speaker 1: Rotten Tomatoes three of them are below twenty percent, and

918
00:44:27,160 --> 00:44:29,840
Speaker 1: After Earth is twelve percent and the Last Airbender is

919
00:44:29,880 --> 00:44:31,960
Speaker 1: five percent. I mean, that's that's almost impressive. But I mean,

920
00:44:32,000 --> 00:44:35,439
Speaker 1: obviously these movies are making money because otherwise, certainly they're

921
00:44:35,480 --> 00:44:38,120
Speaker 1: not critical darlings. I'm a not good lee. I am

922
00:44:38,160 --> 00:44:39,200
Speaker 1: assuming you're not good.

923
00:44:39,360 --> 00:44:42,200
Speaker 3: Yeah, I am, just because I don't have a huge

924
00:44:42,600 --> 00:44:45,920
Speaker 3: catalog of his films. I've seen obviously the sixth thens

925
00:44:46,239 --> 00:44:49,839
Speaker 3: Usual Suspects, that was him too. No people saying that in.

926
00:44:49,840 --> 00:44:52,240
Speaker 4: Here, they're talking about Twist.

927
00:44:52,480 --> 00:44:57,120
Speaker 3: Oh okay, yeah, so yeah, I'm saying not good. You

928
00:44:57,200 --> 00:44:59,040
Speaker 3: want the people's vote here, you want the.

929
00:44:59,280 --> 00:44:59,880
Speaker 1: Poul give it to.

930
00:45:00,360 --> 00:45:03,560
Speaker 3: It's fifty three percent not good. So there are some

931
00:45:03,680 --> 00:45:04,279
Speaker 3: fans out there.

932
00:45:04,680 --> 00:45:06,719
Speaker 1: Fifty three percent. The score of every movie of.

933
00:45:06,640 --> 00:45:08,799
Speaker 3: His Potatoes just dropped to fifty two.

934
00:45:08,960 --> 00:45:13,239
Speaker 2: So okay, by the time we got right at the

935
00:45:13,320 --> 00:45:15,080
Speaker 2: end of the movie, at the end of the podcast,

936
00:45:15,160 --> 00:45:16,720
Speaker 2: is gonna completely switch.

937
00:45:16,840 --> 00:45:19,759
Speaker 3: Look, I think he's had the most votes though so far,

938
00:45:19,840 --> 00:45:22,480
Speaker 3: so one of those ones who gets the people out

939
00:45:22,480 --> 00:45:23,359
Speaker 3: there voting.

940
00:45:23,680 --> 00:45:25,879
Speaker 1: Gets people talking, just like gets people going to see

941
00:45:25,880 --> 00:45:28,520
Speaker 1: his movies. Yeah, all right, this last one, let's just

942
00:45:28,520 --> 00:45:31,040
Speaker 1: do rapid fire because it was on the docket last week.

943
00:45:32,040 --> 00:45:35,640
Speaker 1: Let's just burn this topic online. Grocery shopping? Is this

944
00:45:35,760 --> 00:45:38,920
Speaker 1: good rapidfire? Tell me? Do you like the convenience or

945
00:45:38,960 --> 00:45:41,400
Speaker 1: are you a guy that needs to touch the produce?

946
00:45:42,200 --> 00:45:46,680
Speaker 3: Oh? I forgot how you don't like people eating fruits

947
00:45:46,680 --> 00:45:48,840
Speaker 3: and vegetables around you? Is that that still true?

948
00:45:48,880 --> 00:45:49,280
Speaker 2: Mate?

949
00:45:49,640 --> 00:45:51,840
Speaker 1: I don't. I don't like open fruit.

950
00:45:52,920 --> 00:45:54,960
Speaker 3: So if someone was to eat a raw carrot in

951
00:45:55,040 --> 00:45:56,480
Speaker 3: front of you, where would you be offended by that?

952
00:45:56,600 --> 00:45:58,160
Speaker 3: Was it more the juice of like hair on?

953
00:45:58,280 --> 00:46:00,200
Speaker 1: The answer to this? You would sit next to me

954
00:46:00,239 --> 00:46:02,880
Speaker 1: in the office and slurp A pair.

955
00:46:05,040 --> 00:46:06,840
Speaker 2: Like you didn't make him extra slot?

956
00:46:07,080 --> 00:46:09,759
Speaker 3: Well, for mat I did once I realized that he

957
00:46:09,800 --> 00:46:12,200
Speaker 3: didn't like them. But a butler pair, you know, the

958
00:46:12,280 --> 00:46:14,319
Speaker 3: right rightness tends to be a little bit juicy. You

959
00:46:14,320 --> 00:46:16,520
Speaker 3: need to sort of bite and slurp as you're doing it.

960
00:46:16,960 --> 00:46:19,560
Speaker 3: But I never encroached in your space. I never. I

961
00:46:19,600 --> 00:46:21,480
Speaker 3: never was like, Okay, I'm going to just go and

962
00:46:21,520 --> 00:46:23,840
Speaker 3: slop this around you and spill it all over you.

963
00:46:23,920 --> 00:46:26,960
Speaker 3: I mean, I kept it to myself. It's just I

964
00:46:27,040 --> 00:46:28,920
Speaker 3: enjoy I enjoy a good pair. Who doesn't love a

965
00:46:28,920 --> 00:46:29,319
Speaker 3: good pair.

966
00:46:32,719 --> 00:46:35,360
Speaker 1: It just felt to me like you were doing weird

967
00:46:35,680 --> 00:46:38,600
Speaker 1: weird four play to me, and it was just it

968
00:46:38,640 --> 00:46:40,200
Speaker 1: was like you're eating an ice cream on a hot

969
00:46:40,280 --> 00:46:48,399
Speaker 1: day looking your Never save that for roxy, Oh no,

970
00:46:48,440 --> 00:46:49,000
Speaker 1: never in bed.

971
00:46:49,000 --> 00:46:52,359
Speaker 3: It's too sloppy, to too much spillage of a pair.

972
00:46:52,719 --> 00:46:54,799
Speaker 1: Well, you didn't understand what I was saying. Moving on,

973
00:46:58,160 --> 00:46:59,680
Speaker 1: touched the produc or you're convenience.

974
00:46:59,719 --> 00:47:01,520
Speaker 3: Yeah, I mean that's it when it comes down to

975
00:47:01,680 --> 00:47:04,120
Speaker 3: it is the it's the fresh fruit and vegetables, because

976
00:47:04,160 --> 00:47:06,200
Speaker 3: you do get to look and pick and you know,

977
00:47:06,280 --> 00:47:07,960
Speaker 3: if you see something with a big bruise on it,

978
00:47:07,960 --> 00:47:10,440
Speaker 3: you're obviously gonna leave that on the shelf there if

979
00:47:10,440 --> 00:47:12,719
Speaker 3: you're shopping yourself. But when people do the shopping for you,

980
00:47:12,760 --> 00:47:15,360
Speaker 3: I think they just it's it's it's the getting it

981
00:47:15,400 --> 00:47:17,600
Speaker 3: out as quick as they can, getting it to your house.

982
00:47:17,920 --> 00:47:20,319
Speaker 3: They don't really care about the sort of condition the

983
00:47:20,360 --> 00:47:22,520
Speaker 3: bananas are in, or the pears or the apples or whatever.

984
00:47:22,800 --> 00:47:24,880
Speaker 3: They're just getting them to you. So I have to

985
00:47:24,920 --> 00:47:28,359
Speaker 3: say during COVID, though, I mean during lockdown, it was

986
00:47:28,400 --> 00:47:30,560
Speaker 3: there was no real option. I mean, you had to

987
00:47:30,560 --> 00:47:32,360
Speaker 3: do it, so you had to sort of just accept

988
00:47:32,360 --> 00:47:33,080
Speaker 3: the way it came.

989
00:47:33,239 --> 00:47:36,200
Speaker 4: I think you did not have to do it.

990
00:47:36,400 --> 00:47:40,960
Speaker 1: Well, I do, but I mean, look, but that's interestingly

991
00:47:41,000 --> 00:47:43,719
Speaker 1: because I never did it before the pandemic, and now

992
00:47:43,760 --> 00:47:46,520
Speaker 1: I can't go back to grocery shopping. I'm just addicted

993
00:47:46,560 --> 00:47:49,000
Speaker 1: to the convenience, and I find they do a fine

994
00:47:49,080 --> 00:47:51,520
Speaker 1: job of giving me non bruised vegetables. So I'm interested

995
00:47:51,520 --> 00:47:53,560
Speaker 1: that you had the convenience and then went back to

996
00:47:54,920 --> 00:47:55,880
Speaker 1: in person shopping.

997
00:47:56,200 --> 00:47:57,880
Speaker 3: Yeah, I just I just like it. I just like

998
00:47:57,960 --> 00:48:00,840
Speaker 3: being there to be able to select my uh, you know,

999
00:48:00,920 --> 00:48:03,520
Speaker 3: particular fruits or vegetables. That's that's why.

1000
00:48:04,520 --> 00:48:06,280
Speaker 1: You're probably a creeper too. I don't know, you're probably

1001
00:48:06,320 --> 00:48:08,879
Speaker 1: touching those cant.

1002
00:48:08,400 --> 00:48:12,400
Speaker 3: Actually that's no, I'm not a creeper.

1003
00:48:14,080 --> 00:48:16,000
Speaker 4: He's fondling his parents.

1004
00:48:17,360 --> 00:48:20,080
Speaker 1: I don't think he's getting two watermelons putting them up

1005
00:48:20,080 --> 00:48:20,520
Speaker 1: here and going.

1006
00:48:22,400 --> 00:48:24,279
Speaker 3: I don't know if it's a COVID thing or not,

1007
00:48:24,440 --> 00:48:28,040
Speaker 3: but but I look, and I'm you know, very visual

1008
00:48:28,080 --> 00:48:30,560
Speaker 3: with it first and if I pick one up, basically,

1009
00:48:30,600 --> 00:48:31,880
Speaker 3: and I say the same thing to the boys when

1010
00:48:31,880 --> 00:48:33,839
Speaker 3: I'm shopping, if you pick it up with taking it

1011
00:48:33,920 --> 00:48:35,759
Speaker 3: because I don't want to see other people be picking

1012
00:48:35,800 --> 00:48:37,399
Speaker 3: it up, feeling it and then putting it down.

1013
00:48:37,480 --> 00:48:39,120
Speaker 1: How do you know how soft it is before you've

1014
00:48:39,120 --> 00:48:39,560
Speaker 1: picked it up?

1015
00:48:39,920 --> 00:48:42,800
Speaker 3: You can, So that's why the visual inspection is so important.

1016
00:48:42,880 --> 00:48:45,080
Speaker 3: I mean, you're you know, you might.

1017
00:48:44,920 --> 00:48:46,040
Speaker 1: As well just get it delivered.

1018
00:48:46,200 --> 00:48:46,480
Speaker 3: You thick.

1019
00:48:46,960 --> 00:48:49,560
Speaker 1: You can't tell if an avocado soft. I mean, I

1020
00:48:49,560 --> 00:48:52,920
Speaker 1: guess by color. But still you got to touch.

1021
00:48:52,719 --> 00:48:55,120
Speaker 3: A look, you can poke it, you know, and then

1022
00:48:55,280 --> 00:48:57,239
Speaker 3: then you're like, you can poke it and you don't

1023
00:48:57,239 --> 00:49:01,799
Speaker 3: have to, But it's yeah, I mean, look, I'm just

1024
00:49:01,800 --> 00:49:02,920
Speaker 3: not molesting the fruit.

1025
00:49:02,960 --> 00:49:04,880
Speaker 1: I you know, I think you are. I've seen the

1026
00:49:04,880 --> 00:49:07,560
Speaker 1: way you eat a pair. You are no key molesting

1027
00:49:07,560 --> 00:49:10,799
Speaker 1: the fruit, okay, JD You're a You're a not good

1028
00:49:11,000 --> 00:49:12,320
Speaker 1: on online groceries.

1029
00:49:12,640 --> 00:49:14,799
Speaker 4: To be honest, I I don't think I've ever done

1030
00:49:14,840 --> 00:49:18,080
Speaker 4: it other than when Grocery Gateway first came out, like

1031
00:49:18,400 --> 00:49:22,520
Speaker 4: way back, like before apps before, you know, when we

1032
00:49:22,560 --> 00:49:25,239
Speaker 4: would you would select it and I would, and I

1033
00:49:25,280 --> 00:49:26,759
Speaker 4: thought it was more of a pain in the ass,

1034
00:49:26,760 --> 00:49:29,880
Speaker 4: to be honest, because you would have a window of

1035
00:49:30,040 --> 00:49:33,719
Speaker 4: people bring in your groceries and uh, you know, and

1036
00:49:34,000 --> 00:49:37,879
Speaker 4: the produce thing is a thing, for sure, But yeah,

1037
00:49:37,960 --> 00:49:40,640
Speaker 4: I mean I don't know, and it's also way more expensive.

1038
00:49:41,040 --> 00:49:42,960
Speaker 4: Is money a factor in this scenario?

1039
00:49:43,200 --> 00:49:47,919
Speaker 1: Or or no, yeah, you can factor. I mean because

1040
00:49:47,920 --> 00:49:51,640
Speaker 1: you're paying a tip and you're paying delivery delivery charge

1041
00:49:51,680 --> 00:49:53,120
Speaker 1: or some some places are free delivery.

1042
00:49:53,760 --> 00:49:57,560
Speaker 4: But but is the is the actual items sometimes inflated

1043
00:49:57,600 --> 00:49:59,640
Speaker 4: as well? On like Instacart and things like that.

1044
00:50:00,120 --> 00:50:02,960
Speaker 1: No, I mean, my cat, I'm good, but on this one.

1045
00:50:02,960 --> 00:50:06,080
Speaker 1: But my caveat is you can't use instacart. Instacart is garbage.

1046
00:50:06,960 --> 00:50:09,200
Speaker 1: You're just sending a random person into a store that

1047
00:50:09,239 --> 00:50:11,200
Speaker 1: they don't know to buy your stuff. It has to

1048
00:50:11,200 --> 00:50:13,920
Speaker 1: be someone that is an employee of the store picking

1049
00:50:14,040 --> 00:50:14,760
Speaker 1: the goods.

1050
00:50:14,760 --> 00:50:15,360
Speaker 4: So interesting.

1051
00:50:15,440 --> 00:50:18,319
Speaker 3: What about when we went shopping in Whole Foods in Vegas? There, Matt,

1052
00:50:18,360 --> 00:50:20,359
Speaker 3: you were you were picking things out that you want

1053
00:50:20,400 --> 00:50:20,960
Speaker 3: to remember?

1054
00:50:22,520 --> 00:50:23,319
Speaker 1: Well, yeah, I was there.

1055
00:50:23,320 --> 00:50:26,719
Speaker 2: I wouldn't you try to act like you've never been

1056
00:50:26,760 --> 00:50:27,520
Speaker 2: in a grocery store?

1057
00:50:27,920 --> 00:50:28,120
Speaker 4: Yeah?

1058
00:50:29,160 --> 00:50:29,359
Speaker 2: Yeah.

1059
00:50:29,480 --> 00:50:31,080
Speaker 3: The one thing you didn't pick it out was your wallet.

1060
00:50:31,120 --> 00:50:32,960
Speaker 3: You just throw it all into my cap paper.

1061
00:50:35,840 --> 00:50:39,440
Speaker 1: That's for all the sloppy, sloppy carrting Trey. Where are

1062
00:50:39,440 --> 00:50:40,040
Speaker 1: you on this one?

1063
00:50:40,719 --> 00:50:44,360
Speaker 2: I think it's good in a pinch, you know, I

1064
00:50:44,400 --> 00:50:47,280
Speaker 2: think there if you need a specialty ingredient, that certainly

1065
00:50:47,280 --> 00:50:50,000
Speaker 2: comes in handy. I've been looking for saffron for three

1066
00:50:50,040 --> 00:50:52,720
Speaker 2: straight days. Nowhere in Atlanta. Yeah, there's nowhere in Atlanta

1067
00:50:52,800 --> 00:50:55,520
Speaker 2: that has saffron. So I got to order it. But

1068
00:50:55,840 --> 00:50:57,960
Speaker 2: you might not be getting the best quality with the

1069
00:50:58,080 --> 00:51:00,960
Speaker 2: regards to your produce, and there's always a chance that

1070
00:51:01,000 --> 00:51:03,160
Speaker 2: something's gonna go wrong. Like I saw a tweet recently

1071
00:51:03,400 --> 00:51:06,640
Speaker 2: somebody ordered a sixteen ounce package of feta and instead

1072
00:51:06,680 --> 00:51:09,520
Speaker 2: got sixteen packages effeta. That kind of thing can happen

1073
00:51:09,560 --> 00:51:10,880
Speaker 2: where like you know, you don't put it in the

1074
00:51:10,920 --> 00:51:15,640
Speaker 2: exact sort of thing you need, which leaves the choice

1075
00:51:15,680 --> 00:51:17,319
Speaker 2: to be made, and maybe the wrong choice is made.

1076
00:51:17,360 --> 00:51:19,120
Speaker 2: Suddenly you got to go back to the store anyways,

1077
00:51:19,400 --> 00:51:24,839
Speaker 2: Plus you're losing like the spontaneity sun Kissed.

1078
00:51:24,640 --> 00:51:28,920
Speaker 1: Zero sugar for those listening, I definitely did not order this,

1079
00:51:29,080 --> 00:51:30,319
Speaker 1: but it was delivered to me.

1080
00:51:30,480 --> 00:51:31,239
Speaker 2: Yeah, there we go.

1081
00:51:31,480 --> 00:51:35,040
Speaker 1: Yeah, this is a sunkissed orange, a twelve pack of

1082
00:51:35,080 --> 00:51:39,560
Speaker 1: sun Kissed zero sugar soda. Can wow, did not order it.

1083
00:51:39,600 --> 00:51:42,000
Speaker 1: I tasted one. It's vile, Yeah, not good.

1084
00:51:42,280 --> 00:51:44,000
Speaker 2: So that kind of thing can happen, which I think

1085
00:51:44,400 --> 00:51:46,920
Speaker 2: is a problem, but there are certainly times when it

1086
00:51:46,960 --> 00:51:51,680
Speaker 2: comes in handy, you know, there are times. Yeah, but

1087
00:51:52,120 --> 00:51:55,279
Speaker 2: I would ultimately say I'm like five out of ten

1088
00:51:55,320 --> 00:51:57,000
Speaker 2: on this one. It's good when you need it. It's

1089
00:51:57,239 --> 00:51:59,799
Speaker 2: probably better to actually go to the grocery store. So

1090
00:52:00,320 --> 00:52:02,120
Speaker 2: mark me down for a not good even if I'm

1091
00:52:02,160 --> 00:52:04,880
Speaker 2: not totally devoted to that side. Okay.

1092
00:52:04,920 --> 00:52:08,120
Speaker 4: I also like to bring up the shame my food shame.

1093
00:52:08,080 --> 00:52:09,560
Speaker 1: Like, okay, good point.

1094
00:52:09,640 --> 00:52:11,560
Speaker 4: This guy eats a lot of cocoa puffs, you know,

1095
00:52:11,600 --> 00:52:14,000
Speaker 4: like I don't need that. The somebody out there knowing

1096
00:52:14,320 --> 00:52:18,920
Speaker 4: what about the cashier, Yeah, I mean, you're right, but

1097
00:52:19,880 --> 00:52:22,920
Speaker 4: there's the cash here and the person bringing me the food,

1098
00:52:23,080 --> 00:52:27,080
Speaker 4: you know, like or self check Oh if I'm if

1099
00:52:27,120 --> 00:52:29,279
Speaker 4: I'm buying coca puffs or something. I went to the

1100
00:52:29,400 --> 00:52:32,040
Speaker 4: grocery store and I bought like eight things of ice

1101
00:52:32,080 --> 00:52:35,400
Speaker 4: cream and a thing of whipped cream and like brand

1102
00:52:35,400 --> 00:52:38,640
Speaker 4: buds and that was my whole order. I definitely went

1103
00:52:38,680 --> 00:52:41,359
Speaker 4: through the self checkout for that. But there was a

1104
00:52:41,360 --> 00:52:43,719
Speaker 4: hanger in for ice cream around here, so you know,

1105
00:52:44,040 --> 00:52:44,600
Speaker 4: cream it up.

1106
00:52:45,040 --> 00:52:46,880
Speaker 1: Do you have put in the correct amount of bags

1107
00:52:46,880 --> 00:52:49,800
Speaker 1: when you're using self checkup? You pay for the bags.

1108
00:52:49,840 --> 00:52:52,200
Speaker 4: I usually bring my own, to be honest, but that's good.

1109
00:52:52,440 --> 00:52:56,319
Speaker 4: I uh, yeah, do we have to put bags.

1110
00:52:56,000 --> 00:52:58,000
Speaker 1: In maybe in Georgia there.

1111
00:52:58,080 --> 00:53:02,080
Speaker 3: Yeah, They're like, I'm not sure. We always have our own,

1112
00:53:02,120 --> 00:53:03,960
Speaker 3: so yeah.

1113
00:53:03,640 --> 00:53:05,680
Speaker 1: Yeah, okay, Lee, what are the people saying?

1114
00:53:05,920 --> 00:53:07,600
Speaker 3: Well, I thought when you said rapid far, I thought

1115
00:53:07,600 --> 00:53:09,080
Speaker 3: we're gonna get through a quick as I didn't put

1116
00:53:09,080 --> 00:53:11,120
Speaker 3: the pall up. I'll just say most people are going

1117
00:53:11,200 --> 00:53:13,239
Speaker 3: to say that it's good because in a pinch when

1118
00:53:13,239 --> 00:53:14,000
Speaker 3: you need it.

1119
00:53:15,800 --> 00:53:16,200
Speaker 4: One job.

1120
00:53:16,520 --> 00:53:19,080
Speaker 2: Well, he said rapid, and it's fine.

1121
00:53:19,120 --> 00:53:19,839
Speaker 1: You know what, I don't care.

1122
00:53:19,920 --> 00:53:20,439
Speaker 4: I don't care.

1123
00:53:20,480 --> 00:53:22,640
Speaker 1: I'm not committed. Well, it looks like it's going to

1124
00:53:22,680 --> 00:53:27,800
Speaker 1: be a not good on on online grocery shopping. Okay, well,

1125
00:53:28,440 --> 00:53:30,399
Speaker 1: we have one more thing to do, but we're gonna

1126
00:53:30,400 --> 00:53:32,759
Speaker 1: go to a break. But coming up, we have subjective

1127
00:53:32,800 --> 00:53:36,840
Speaker 1: trivia where I'm gonna channel my inner M Night Shyamalan

1128
00:53:37,239 --> 00:53:44,120
Speaker 1: because there is a twist. So stay tuned, welcome back

1129
00:53:44,200 --> 00:53:47,120
Speaker 1: to is this good? Before we get to subjective trivia.

1130
00:53:47,960 --> 00:53:51,360
Speaker 1: One error I made. I forgot to say that the

1131
00:53:51,520 --> 00:53:55,600
Speaker 1: M Night Shamalan topic was suggested by Ethan Spencer via email,

1132
00:53:55,680 --> 00:53:57,279
Speaker 1: and you can do that too. You can send us

1133
00:53:57,280 --> 00:53:59,840
Speaker 1: an email is this good pod at gmail dot com

1134
00:54:00,320 --> 00:54:03,480
Speaker 1: or at starters Man on Twitter, and you can. It's

1135
00:54:03,560 --> 00:54:05,520
Speaker 1: just your own topics and we'll do them on the show.

1136
00:54:05,600 --> 00:54:09,080
Speaker 1: It's crazy, all right. Let's get to subjective one more quick.

1137
00:54:09,920 --> 00:54:13,000
Speaker 2: Put up a poll during the break online grocery shopping

1138
00:54:13,040 --> 00:54:18,759
Speaker 2: isn't good or bad? Not good, not good. So it's

1139
00:54:18,760 --> 00:54:21,000
Speaker 2: a close, close one and a short vote.

1140
00:54:21,239 --> 00:54:23,359
Speaker 1: And Lee doesn't lead, doesn't know what he's talking about.

1141
00:54:23,360 --> 00:54:25,000
Speaker 1: Then he doesn't understand the people.

1142
00:54:25,000 --> 00:54:28,680
Speaker 3: It's it's fifty four, it's coming back, It's coming back.

1143
00:54:30,800 --> 00:54:42,280
Speaker 1: Okay, let's get to subjective trivia. Okay, it's subjective trivia,

1144
00:54:42,320 --> 00:54:45,400
Speaker 1: which is just like regular trivia, except only I know

1145
00:54:45,800 --> 00:54:49,520
Speaker 1: the answer. Okay, So earlier we were talking about m

1146
00:54:49,640 --> 00:54:52,080
Speaker 1: Night Shyamalan. But by the way, the only good thing

1147
00:54:52,080 --> 00:54:54,360
Speaker 1: about about M Night shama Is is when you're studying

1148
00:54:54,360 --> 00:54:57,800
Speaker 1: to talk about him, you finally learn how to spell Shamalan.

1149
00:54:59,400 --> 00:55:02,400
Speaker 1: So talking about Shamalan had me thinking about The sixth Cents,

1150
00:55:02,480 --> 00:55:05,840
Speaker 1: which got me thinking about Bruce Willis. So if I

1151
00:55:05,920 --> 00:55:10,920
Speaker 1: asked you what is Bruce Willis's best movie, I'm going

1152
00:55:11,000 --> 00:55:13,279
Speaker 1: to assume that some of you are going to say

1153
00:55:13,320 --> 00:55:15,720
Speaker 1: Diehard and some of you are going to say pulp fiction.

1154
00:55:16,080 --> 00:55:19,080
Speaker 1: So somewhere those are one and two, depending how you

1155
00:55:19,480 --> 00:55:23,520
Speaker 1: rank them. So today's subjective trivia question is what is

1156
00:55:23,600 --> 00:55:29,200
Speaker 1: Bruce Willis's third best movie? Now, because there's not like

1157
00:55:29,320 --> 00:55:32,000
Speaker 1: that many options, I'd like you guys to talk it

1158
00:55:32,040 --> 00:55:34,680
Speaker 1: out out loud, confer, and then bring me an answer.

1159
00:55:35,200 --> 00:55:37,520
Speaker 4: Okay, start naming some movies, guys.

1160
00:55:39,080 --> 00:55:41,239
Speaker 3: There was one where You're saving the Earth.

1161
00:55:43,800 --> 00:55:44,040
Speaker 4: Again.

1162
00:55:45,320 --> 00:55:48,480
Speaker 3: Yeah, that was I'm guessing that was probably one of

1163
00:55:48,520 --> 00:55:52,080
Speaker 3: these highest grossing ones I think we're looking for. I'm

1164
00:55:52,120 --> 00:55:54,879
Speaker 3: just I'm trying to talk it out here. I'm death

1165
00:55:54,920 --> 00:55:55,719
Speaker 3: dancing a little bit.

1166
00:55:56,560 --> 00:55:58,640
Speaker 1: And remember I have it. I have the answer written

1167
00:55:58,680 --> 00:55:59,200
Speaker 1: on this card.

1168
00:55:59,600 --> 00:56:00,600
Speaker 2: Twelve monkeys.

1169
00:56:00,840 --> 00:56:01,960
Speaker 4: Oh, good one.

1170
00:56:02,040 --> 00:56:05,600
Speaker 2: That's Brad Pitt's Monkeys as well. I remember liking that

1171
00:56:05,640 --> 00:56:06,960
Speaker 2: at the time. I don't know if that's held up

1172
00:56:06,960 --> 00:56:10,760
Speaker 2: as a uh element.

1173
00:56:11,760 --> 00:56:14,600
Speaker 4: Now, is this his starring vehicle, like it's he's the

1174
00:56:14,719 --> 00:56:16,400
Speaker 4: leading person? Okay?

1175
00:56:16,560 --> 00:56:20,759
Speaker 1: Correct? Yeah, yeah, yeah. For instance, I believe he's in

1176
00:56:20,800 --> 00:56:22,759
Speaker 1: the player, but I think he's it's like.

1177
00:56:22,800 --> 00:56:25,520
Speaker 2: Just a sure, I mean sixth senses in the mix

1178
00:56:25,600 --> 00:56:29,600
Speaker 2: for sure. Whole nine yards. That's that's a Chandler from Friends.

1179
00:56:29,640 --> 00:56:29,799
Speaker 4: Yeah.

1180
00:56:29,880 --> 00:56:33,400
Speaker 2: Yeah, he's like he's a hitman hitting next door or

1181
00:56:33,400 --> 00:56:33,960
Speaker 2: something like that.

1182
00:56:34,960 --> 00:56:38,880
Speaker 4: Of liking that Since City, Oh, I'd like Sin City.

1183
00:56:39,040 --> 00:56:42,120
Speaker 2: It's a DVD. I own Bandits. Bandits was a funny

1184
00:56:42,120 --> 00:56:44,200
Speaker 2: movie with Billy Bob Thornton. I don't think. I don't

1185
00:56:44,239 --> 00:56:52,279
Speaker 2: think that's off there. But ten Yards Alpha Dog.

1186
00:56:52,680 --> 00:56:54,239
Speaker 3: Oh yeah, yeah, he was.

1187
00:56:54,320 --> 00:56:55,080
Speaker 2: Recently he was.

1188
00:56:55,040 --> 00:57:00,239
Speaker 3: The father of of the that one James Hollywood God.

1189
00:57:00,360 --> 00:57:05,040
Speaker 4: Yeah, the Jet the remake of The Jackal. You must

1190
00:57:05,120 --> 00:57:08,120
Speaker 4: see that. That's yeah, it's not gonna be that Moonrise

1191
00:57:08,239 --> 00:57:09,400
Speaker 4: Kingdom he was in.

1192
00:57:09,760 --> 00:57:15,960
Speaker 2: Was he in another Coen Brothers movie, Wes Anderson. Wes

1193
00:57:15,960 --> 00:57:17,360
Speaker 2: Anderson Sorry, yeah, yeah.

1194
00:57:18,760 --> 00:57:23,280
Speaker 1: I will say you have not yet said.

1195
00:57:22,240 --> 00:57:23,480
Speaker 3: Movie Last Boy Scout.

1196
00:57:24,280 --> 00:57:26,800
Speaker 2: Oh, Last Boy Scout was good. Yeah, Last Boy Scout

1197
00:57:26,880 --> 00:57:32,160
Speaker 2: was good. Death Wish Steven No, Death Wish was a

1198
00:57:32,240 --> 00:57:33,400
Speaker 2: Quentin Tarantino movie.

1199
00:57:33,440 --> 00:57:35,800
Speaker 1: Right, No, I do you need a hint? I feel

1200
00:57:36,200 --> 00:57:36,520
Speaker 1: give us.

1201
00:57:37,960 --> 00:57:42,680
Speaker 4: Okay, what about the Fifth Element? No?

1202
00:57:42,680 --> 00:57:47,320
Speaker 1: No, okay. The hint is it's the movie hasn't been said,

1203
00:57:47,320 --> 00:57:53,360
Speaker 1: but it's sort of been said, hmm, meaning.

1204
00:57:52,560 --> 00:57:56,200
Speaker 4: Okay, so maybe it's one of the Diehard sequels like

1205
00:57:56,280 --> 00:58:00,440
Speaker 4: Diehard Too, Diehard with a Vengeance, Matt Loves an action movie,

1206
00:58:00,840 --> 00:58:07,560
Speaker 4: Gloves one. Okay, okay, it really does getting warm, Last

1207
00:58:07,720 --> 00:58:14,320
Speaker 4: Man Standing, Last Boy Scout, Bonfire of the Vanities.

1208
00:58:15,960 --> 00:58:17,200
Speaker 1: No, JD was really close.

1209
00:58:17,600 --> 00:58:19,880
Speaker 4: Okay, I'm gonna say, let's pick a Diehard.

1210
00:58:19,960 --> 00:58:20,880
Speaker 2: I'm Diehard too.

1211
00:58:21,040 --> 00:58:23,440
Speaker 4: I'm going to say Diehard three, Diehard with a Vengeance.

1212
00:58:24,720 --> 00:58:28,080
Speaker 1: The correct answer is nineteen ninety fives die Hard with

1213
00:58:28,120 --> 00:58:31,680
Speaker 1: a Vengeance. That's Bruce Willis's third best Yes movie.

1214
00:58:31,760 --> 00:58:35,160
Speaker 4: Okay, so that would have been the the reunion between

1215
00:58:35,320 --> 00:58:37,560
Speaker 4: Samuel Jackson, and that's.

1216
00:58:37,400 --> 00:58:40,000
Speaker 1: Why I was about to say that. But the JD. Know,

1217
00:58:40,160 --> 00:58:41,960
Speaker 1: you know what, for next week, we need a sting

1218
00:58:42,040 --> 00:58:43,960
Speaker 1: for when someone gets the right answer. Felt felt a

1219
00:58:44,000 --> 00:58:44,720
Speaker 1: little flat.

1220
00:58:44,840 --> 00:58:48,160
Speaker 4: Yeah, okay, I got one here. Does it work?

1221
00:58:48,360 --> 00:58:50,200
Speaker 1: Okay, So you want to say say the answer again?

1222
00:58:51,040 --> 00:58:54,560
Speaker 4: Okay, I'm going to say death with not Death with

1223
00:58:55,200 --> 00:58:58,200
Speaker 4: Diehard three Diehard with a Vengeance.

1224
00:58:58,800 --> 00:59:04,520
Speaker 1: That's correct, ninety five die Hard with a Vengeance. I

1225
00:59:04,560 --> 00:59:05,200
Speaker 1: can't hear it here.

1226
00:59:06,400 --> 00:59:08,000
Speaker 2: You're going to assume something appropriate.

1227
00:59:08,120 --> 00:59:08,520
Speaker 4: It was good?

1228
00:59:08,680 --> 00:59:12,000
Speaker 1: Yeah, so yeah, Last Boy Scout's great. These are ones

1229
00:59:12,040 --> 00:59:15,640
Speaker 1: I considered since City yeah, twelve Monkeys, Looper, which no

1230
00:59:15,640 --> 00:59:16,040
Speaker 1: one meant.

1231
00:59:16,160 --> 00:59:17,360
Speaker 4: Oh, that's a great movie.

1232
00:59:17,400 --> 00:59:18,880
Speaker 2: Looper's good, Looper's good.

1233
00:59:19,320 --> 00:59:23,600
Speaker 1: I just love I love Uh, I love the Riddles

1234
00:59:23,600 --> 00:59:26,480
Speaker 1: and die Hard with a vengeance. I love Jeremy Irons,

1235
00:59:26,920 --> 00:59:28,800
Speaker 1: rats and mice have had that chance, That's what I

1236
00:59:28,840 --> 00:59:32,160
Speaker 1: have mine. I love the scene when Bruce Willis shoots

1237
00:59:32,160 --> 00:59:34,280
Speaker 1: a bunch of guys in an elevator because the security

1238
00:59:34,280 --> 00:59:36,800
Speaker 1: guard says to him, oh, you know, it's really been

1239
00:59:36,880 --> 00:59:39,479
Speaker 1: raining dogs and cats, and Bruce Willis is like dogs

1240
00:59:39,480 --> 00:59:41,320
Speaker 1: and cats, dogs and cats. That's not the expressions cats

1241
00:59:41,320 --> 00:59:42,920
Speaker 1: and dogs cats. This guy's an impostor.

1242
00:59:44,000 --> 00:59:46,840
Speaker 4: Well he did confirm it with the lottery numbers though, right.

1243
00:59:47,240 --> 00:59:52,400
Speaker 1: Yeah, he's got the thing on his on his badge number. Yeah,

1244
00:59:53,280 --> 00:59:56,360
Speaker 1: that's Bruce Willis's third best movie. And that's subjective trivia.

1245
00:59:57,240 --> 00:59:59,960
Speaker 1: I'll say once again, if you do topics, tweet them

1246
01:00:00,040 --> 01:00:01,920
Speaker 1: to me at starters Matt email us at is this

1247
01:00:02,000 --> 01:00:03,960
Speaker 1: good pot at gmail dot com. I'll ask you, guys,

1248
01:00:04,000 --> 01:00:06,280
Speaker 1: do you have anything to promote?

1249
01:00:07,200 --> 01:00:13,840
Speaker 2: Uh, podcasts, we got podcasts coming out next week. What

1250
01:00:13,880 --> 01:00:16,200
Speaker 2: do we got next week? We're watching Driven?

1251
01:00:16,640 --> 01:00:19,400
Speaker 3: Yeah, right, it.

1252
01:00:19,320 --> 01:00:23,120
Speaker 2: Would be interesting to hear Matt your third favorite, Sylvester Stilon,

1253
01:00:24,280 --> 01:00:25,960
Speaker 2: don't think it's going to be driven. We got a

1254
01:00:26,000 --> 01:00:28,040
Speaker 2: no bunch next week, and we're hoping one of these

1255
01:00:28,080 --> 01:00:29,240
Speaker 2: guys gets traded so.

1256
01:00:29,200 --> 01:00:32,920
Speaker 3: We can talk about basketball. Man going no basketball?

1257
01:00:32,920 --> 01:00:33,320
Speaker 1: What's that?

1258
01:00:33,400 --> 01:00:36,400
Speaker 2: Yeah? I remember basketball? What's the what's.

1259
01:00:36,160 --> 01:00:37,240
Speaker 3: The Omress.

1260
01:00:38,520 --> 01:00:38,720
Speaker 1: Top?

1261
01:00:38,840 --> 01:00:39,880
Speaker 4: Over the top.

1262
01:00:42,360 --> 01:00:44,600
Speaker 3: Man making a movie out of Amress? And that was

1263
01:00:44,640 --> 01:00:46,680
Speaker 3: nineteen ninety seven as well, was it? Yeah?

1264
01:00:46,840 --> 01:00:47,439
Speaker 2: Good old days?

1265
01:00:47,480 --> 01:00:48,360
Speaker 3: Yeah good.

1266
01:00:48,120 --> 01:00:51,240
Speaker 4: I just listened to the the the nineteen eighty seven

1267
01:00:51,320 --> 01:00:55,320
Speaker 4: movie draft Over on the Ringer with Quentin Tarantino and

1268
01:00:55,400 --> 01:00:59,000
Speaker 4: Roger Avery are there and uh, it's two and a

1269
01:00:59,040 --> 01:01:01,000
Speaker 4: half hours long, and it's into the whole thing and

1270
01:01:01,320 --> 01:01:05,040
Speaker 4: right off the top. Quentin Tarantino, Yeah, that was that

1271
01:01:05,080 --> 01:01:08,760
Speaker 4: was drafted. Quentin Tarantino was saying, it's a terrible year

1272
01:01:08,800 --> 01:01:12,720
Speaker 4: for movie, but then banger after banger after banger. I

1273
01:01:12,720 --> 01:01:15,280
Speaker 4: think it was a great year for movies. So yeah,

1274
01:01:15,360 --> 01:01:17,240
Speaker 4: there you go, over the Top, not pick.

1275
01:01:17,040 --> 01:01:18,000
Speaker 2: It, not picked.

1276
01:01:18,440 --> 01:01:21,280
Speaker 1: If m Night Shamalan did Over the Top the twist,

1277
01:01:21,400 --> 01:01:23,000
Speaker 1: what would the twist the twist would be? I think

1278
01:01:23,040 --> 01:01:26,520
Speaker 1: the movie you find out it's really their legs. I'm

1279
01:01:26,600 --> 01:01:30,800
Speaker 1: not there they've been wrestling, but that.

1280
01:01:30,840 --> 01:01:34,080
Speaker 4: Would be just glowers to beneath the table and their

1281
01:01:34,160 --> 01:01:36,480
Speaker 4: leg locked. That'd be great. Oh.

1282
01:01:36,560 --> 01:01:39,200
Speaker 1: Interesting, interesting. I thought it was a world at which

1283
01:01:39,240 --> 01:01:46,080
Speaker 1: people had arms, but the arms were legs. It's there's

1284
01:01:46,080 --> 01:01:48,360
Speaker 1: a lot of different ways to play it, guys. Thanks

1285
01:01:48,400 --> 01:01:52,120
Speaker 1: for joining me on. Is this good? Thanks for listening

1286
01:01:52,160 --> 01:01:56,880
Speaker 1: for everyone. I'm at Austin and this was good. We'll

1287
01:01:56,880 --> 01:02:05,000
Speaker 1: see you next week.

1288
01:02:05,120 --> 01:02:10,760
Speaker 4: Up to