1 00:00:10,160 --> 00:00:14,440 Speaker 1: Switch switch switch the musical selection to the pempin. Please 2 00:00:17,320 --> 00:00:24,440 Speaker 1: let me hear it. I knew you had some fun. 3 00:00:24,520 --> 00:00:25,880 Speaker 1: Let me, let me let that. Let me hear that 4 00:00:25,920 --> 00:00:40,680 Speaker 1: fuck out thirteen seconds again Podcast Molde. We got guests 5 00:00:40,680 --> 00:00:44,920 Speaker 1: ahead of the the day. They need to hear this ship. 6 00:00:45,600 --> 00:00:51,879 Speaker 1: What I tell you. Yeah, made that ship with a 7 00:00:51,920 --> 00:00:59,200 Speaker 1: Cassio keyboard. Oh what the speakers on? What the speakers on? 8 00:01:06,120 --> 00:01:10,160 Speaker 1: And an old laptop that ain't a laptop. It's a 9 00:01:10,200 --> 00:01:12,280 Speaker 1: big bad computer that it's there to get from its 10 00:01:12,280 --> 00:01:21,560 Speaker 1: an old job. Yeah, the screen green, ain't even color 11 00:01:21,720 --> 00:01:26,200 Speaker 1: that this screen. You don't get sounds like that. You 12 00:01:26,200 --> 00:01:30,440 Speaker 1: get them claps. You know where them claps came from. 13 00:01:30,560 --> 00:01:33,000 Speaker 1: That's program eighty six. You're not how long you gotta 14 00:01:33,040 --> 00:01:37,160 Speaker 1: sit up before you get the eighty six because it's 15 00:01:37,200 --> 00:01:39,360 Speaker 1: seven claps at every click. And then it go from 16 00:01:39,360 --> 00:01:41,880 Speaker 1: the numbers that then't jumped to the ABC d MG 17 00:01:42,680 --> 00:01:45,080 Speaker 1: didn't go back to double A. Then it't go back 18 00:01:45,080 --> 00:01:55,000 Speaker 1: to double Labba loot one. But before we get too technical, 19 00:01:55,760 --> 00:01:57,440 Speaker 1: I think it's time for me to tell them welcome 20 00:01:57,480 --> 00:02:03,000 Speaker 1: back to the eighty five sounds sooner. We voted the 21 00:02:03,160 --> 00:02:08,520 Speaker 1: number one podcast amongst black men who prefer Black women first. 22 00:02:12,800 --> 00:02:16,320 Speaker 1: We get we get a new award every week where 23 00:02:16,480 --> 00:02:21,880 Speaker 1: the taste. This is the number one podcast amongst black 24 00:02:21,960 --> 00:02:27,560 Speaker 1: women who have at least two black children. Did you 25 00:02:27,600 --> 00:02:34,240 Speaker 1: know that? Okay? But this is the official podcast of 26 00:02:34,360 --> 00:02:41,120 Speaker 1: Hot Girl Summer. Okay, Yes, because I don't know. I 27 00:02:41,120 --> 00:02:43,600 Speaker 1: don't tell y'all everything, but I've been working on some shit. 28 00:02:43,840 --> 00:02:46,360 Speaker 1: I'm trying to get Mega Stallion up in hire. But 29 00:02:46,520 --> 00:02:50,480 Speaker 1: that's neither here nor there. Because we got some extravagant 30 00:02:50,840 --> 00:02:54,560 Speaker 1: guests in here with us today. I'm gonna go head 31 00:02:54,600 --> 00:02:57,280 Speaker 1: and throw it out there early. I'm gonna go hit 32 00:02:57,320 --> 00:03:01,040 Speaker 1: and stamp on. These are already get old legends to me. 33 00:03:01,160 --> 00:03:04,880 Speaker 1: Let's go, let's go. Been there. You might have seen 34 00:03:04,919 --> 00:03:11,240 Speaker 1: them in one of those superviral classic Instagram TikTok clips. 35 00:03:12,120 --> 00:03:14,560 Speaker 1: Their voices are being used each and every day or 36 00:03:15,440 --> 00:03:21,000 Speaker 1: TikTok hundreds of thousands of millions of peoples, real country boys, 37 00:03:21,720 --> 00:03:28,240 Speaker 1: some real niggas. You already know what they're ripping North Carolina, 38 00:03:29,480 --> 00:03:38,440 Speaker 1: none other than the Hammertones. Hey, y'all, whatever mean water 39 00:03:38,560 --> 00:03:44,800 Speaker 1: to the trail? The show at home? I told you 40 00:03:44,800 --> 00:03:46,960 Speaker 1: when you came in this year Auntie House. You know 41 00:03:46,960 --> 00:03:49,200 Speaker 1: what I'm about. Let you do whatever you want to do. 42 00:03:49,560 --> 00:03:52,200 Speaker 1: She let me do whatever I want to do. This 43 00:03:52,400 --> 00:03:55,560 Speaker 1: the Traveler, This is the living room, front and center. 44 00:03:55,960 --> 00:03:59,560 Speaker 1: The whole black community is watching right now. Anything y'all 45 00:03:59,600 --> 00:04:02,440 Speaker 1: want to say to them up the river. Thank you, 46 00:04:02,520 --> 00:04:04,800 Speaker 1: Yes for all of the support. Yes, thank you for 47 00:04:04,840 --> 00:04:07,760 Speaker 1: continues to rocking with us. Thank you for always being there. 48 00:04:08,200 --> 00:04:10,160 Speaker 1: Thank you for staying lawyer through the whole process of 49 00:04:10,360 --> 00:04:13,839 Speaker 1: background sankers to the front. Three things I can say 50 00:04:13,920 --> 00:04:18,960 Speaker 1: right now, leave love you straight like that. Give yourselves 51 00:04:19,000 --> 00:04:21,920 Speaker 1: a brief introduction, and you know, individually and so these 52 00:04:21,920 --> 00:04:24,200 Speaker 1: people can know who we're talking to today. Well, I 53 00:04:24,240 --> 00:04:32,800 Speaker 1: go by the name with Jay. Yeah, I'm to you. 54 00:04:33,120 --> 00:04:44,880 Speaker 1: That's me. I'm Tony Lee Low. And we was talking 55 00:04:44,920 --> 00:04:51,960 Speaker 1: a little bit backstage, appreci about how y'all put this 56 00:04:52,000 --> 00:04:56,320 Speaker 1: whole movement together. Let's start it back over and so 57 00:04:56,400 --> 00:05:01,080 Speaker 1: the people can know. Yeah, yeah, we were three three 58 00:05:01,160 --> 00:05:04,359 Speaker 1: artist producers. It was a spot called Club of Lord 59 00:05:04,360 --> 00:05:08,839 Speaker 1: that was like the premier music spot described for them. 60 00:05:08,920 --> 00:05:13,520 Speaker 1: So imagine, imagine if you are artists or a musician 61 00:05:13,520 --> 00:05:16,039 Speaker 1: and you're really trying to get it and everybody who 62 00:05:16,120 --> 00:05:19,960 Speaker 1: is somebody is at this spot every Wednesday, you know, 63 00:05:20,360 --> 00:05:29,280 Speaker 1: on Wednesdays it's going down. Um Casey from Casey and Joe, George, Joe, tacI, Tasian. Uh. 64 00:05:29,760 --> 00:05:31,920 Speaker 1: And of course you know it like that because you 65 00:05:31,960 --> 00:05:33,960 Speaker 1: call it tastie. I can't say I know it, but 66 00:05:34,000 --> 00:05:35,520 Speaker 1: I've been around him, you know what I mean. I 67 00:05:35,560 --> 00:05:42,080 Speaker 1: gotta keep it real, um and Um Shelby j the act, 68 00:05:42,120 --> 00:05:47,200 Speaker 1: the lady, the act Lady Angela Bassett not true. Forget 69 00:05:47,279 --> 00:05:50,599 Speaker 1: Angela Basset, nag I got listening working with me brother, 70 00:05:51,760 --> 00:05:57,200 Speaker 1: Angela bass called ya like everybody, who is somebody to 71 00:05:57,320 --> 00:05:59,719 Speaker 1: this spot? Pinky I didn't know about. I didn't know 72 00:05:59,760 --> 00:06:03,279 Speaker 1: that to gonn. Let you say that. Rather she could 73 00:06:03,320 --> 00:06:05,000 Speaker 1: have changed it, like, oh know what you mean you're 74 00:06:05,000 --> 00:06:08,320 Speaker 1: talking about? No, No, it was it was c double 75 00:06:08,360 --> 00:06:10,680 Speaker 1: a time and when the Who's Who's was there that night? 76 00:06:10,960 --> 00:06:13,640 Speaker 1: Everybody who was on stage going crazy and she didn't 77 00:06:13,640 --> 00:06:19,640 Speaker 1: walk through who is Who's pinky? Yeah? Yeah, who go 78 00:06:19,839 --> 00:06:31,760 Speaker 1: back to describing anyway you're talking about? But later who 79 00:06:31,880 --> 00:06:36,159 Speaker 1: make movies for grown people? Oh yeah? So then so 80 00:06:36,279 --> 00:06:39,040 Speaker 1: and another thing on Club Lord was it was a 81 00:06:39,040 --> 00:06:41,840 Speaker 1: crazy spot for anybody who was you didn't have to 82 00:06:41,839 --> 00:06:44,680 Speaker 1: just be a musician. Comedians was there as well. So yeah, 83 00:06:44,680 --> 00:06:46,320 Speaker 1: so it was like the spot for us. That's all 84 00:06:46,360 --> 00:06:48,120 Speaker 1: we had from real We had other spots, but it 85 00:06:48,160 --> 00:06:52,080 Speaker 1: wasn't like a loud but that was Charlotte. Yeah, it's 86 00:06:52,080 --> 00:06:58,440 Speaker 1: an a restaurant name. You know what happened? You got hat? 87 00:06:58,640 --> 00:07:04,040 Speaker 1: You know? Yeah, it was this was like, yeah, it 88 00:07:04,120 --> 00:07:10,840 Speaker 1: used to be. Yeah, that's why I was. I was Yeah, 89 00:07:11,080 --> 00:07:13,560 Speaker 1: that's what we was there and we would be there. 90 00:07:14,640 --> 00:07:16,520 Speaker 1: We came in. He was already pretty much around because 91 00:07:16,520 --> 00:07:19,400 Speaker 1: he was always connected to the musicians there. Then I 92 00:07:19,440 --> 00:07:21,320 Speaker 1: think I was probably next to come in, just working 93 00:07:21,360 --> 00:07:23,960 Speaker 1: a regular job and getting off and flying down there 94 00:07:24,000 --> 00:07:26,880 Speaker 1: to get that opportunity to veto start coming around. And 95 00:07:27,240 --> 00:07:29,960 Speaker 1: long story short, one of the guys that was over 96 00:07:30,000 --> 00:07:32,400 Speaker 1: it was also the empty fan. I think Vito was 97 00:07:32,440 --> 00:07:34,760 Speaker 1: the first to go to who he was next, and 98 00:07:34,760 --> 00:07:36,880 Speaker 1: then I was the third one and I here we are, 99 00:07:37,120 --> 00:07:44,000 Speaker 1: I'm sitting now you brother. I was literally like a 100 00:07:45,160 --> 00:07:48,360 Speaker 1: well brother, y'all did, like, y'all see it from the 101 00:07:48,440 --> 00:07:51,280 Speaker 1: background to the front. That's something you want to see. 102 00:07:51,400 --> 00:07:56,080 Speaker 1: Happened a lot. Yeah, right, how y'all gonna make that 103 00:07:56,680 --> 00:08:01,160 Speaker 1: it just weren't. Fortunately, Yeah, yeah, true man, that's good. Bro. 104 00:08:01,280 --> 00:08:04,080 Speaker 1: Were then forced we we kept being who we were. 105 00:08:05,000 --> 00:08:06,840 Speaker 1: I just want to damn good job in who we were. 106 00:08:08,120 --> 00:08:13,320 Speaker 1: And because of that, you know, it just caught for 107 00:08:13,480 --> 00:08:17,640 Speaker 1: us to just do more. Um. It was just rare 108 00:08:17,720 --> 00:08:25,000 Speaker 1: to see three young niggas that kid showing up same individually. 109 00:08:25,640 --> 00:08:28,880 Speaker 1: And I think that's something like we we just kind 110 00:08:28,920 --> 00:08:32,760 Speaker 1: of held dear like we can actually sing together and 111 00:08:32,960 --> 00:08:35,400 Speaker 1: as individuals, but we would realize that we were something 112 00:08:35,440 --> 00:08:40,240 Speaker 1: greater together again. Oh no, I'm looking at I'm here, 113 00:08:40,360 --> 00:08:46,640 Speaker 1: I'm here. That's literally the story, story, study, study the story, 114 00:08:47,520 --> 00:08:53,520 Speaker 1: but who we are. And you know, it was real 115 00:08:53,600 --> 00:08:55,440 Speaker 1: coming from the front coming back to the front door 116 00:08:55,440 --> 00:08:58,199 Speaker 1: because then, like you know, we used to be the 117 00:08:58,240 --> 00:09:00,800 Speaker 1: ones that could just go on the tour bus, going 118 00:09:00,840 --> 00:09:02,959 Speaker 1: the hotel and just go to sleep and just be 119 00:09:03,000 --> 00:09:04,640 Speaker 1: out there on the road. We don't know what's going on. 120 00:09:05,280 --> 00:09:06,720 Speaker 1: So now we got to take it. We got our 121 00:09:06,760 --> 00:09:09,080 Speaker 1: own band, by the grace of the big man. Yeah, 122 00:09:09,200 --> 00:09:13,560 Speaker 1: the whole staff and everything now right, So now, for example, 123 00:09:13,600 --> 00:09:16,200 Speaker 1: we was going from Detroit to Chicago, right, you legit 124 00:09:16,320 --> 00:09:18,960 Speaker 1: drove through a flood, through a flood like legit drove 125 00:09:19,000 --> 00:09:20,839 Speaker 1: through a flood. We look in the parking lot, it's 126 00:09:20,920 --> 00:09:24,120 Speaker 1: people on top of the car. So we're driving through 127 00:09:24,120 --> 00:09:31,400 Speaker 1: a flood. Right, we get over those on the way over. Right, 128 00:09:31,880 --> 00:09:33,439 Speaker 1: we drove through the flood. We get over there to 129 00:09:33,480 --> 00:09:36,559 Speaker 1: the Chicago and the band just I'll be thinking, like 130 00:09:36,640 --> 00:09:38,439 Speaker 1: how I think not a band get to do what 131 00:09:38,520 --> 00:09:41,120 Speaker 1: we was doing. You don't know what the what the 132 00:09:41,240 --> 00:09:44,760 Speaker 1: what the what the lead person really doing? He providing 133 00:09:44,800 --> 00:09:47,079 Speaker 1: you that bus he or she providing you that bus? 134 00:09:47,440 --> 00:09:49,959 Speaker 1: He is she providing you that opportunity and you don't 135 00:09:50,000 --> 00:09:51,520 Speaker 1: see the grind that they put in. So that was 136 00:09:51,600 --> 00:09:55,839 Speaker 1: probably the hardest transition, is like now we gotta entertain more. 137 00:09:56,440 --> 00:09:58,800 Speaker 1: See back then you could lean back on in, he 138 00:09:58,880 --> 00:10:01,640 Speaker 1: could lean on us. We help to each other. It's 139 00:10:01,679 --> 00:10:05,079 Speaker 1: just us now. So if the band ain't bringing it, 140 00:10:05,280 --> 00:10:08,679 Speaker 1: we still got to come paulse something. If the band 141 00:10:11,160 --> 00:10:13,600 Speaker 1: but something that that man ain't bringing it, we still 142 00:10:13,640 --> 00:10:15,839 Speaker 1: got to go home. How about that the same thing 143 00:10:19,600 --> 00:10:22,960 Speaker 1: trying If the band ain't bringing it, we still gotta 144 00:10:23,000 --> 00:10:29,320 Speaker 1: say he will never be able to watch the basketball 145 00:10:29,520 --> 00:10:33,280 Speaker 1: game again. The band gonna be watching you hit this ship. 146 00:10:35,600 --> 00:10:39,880 Speaker 1: We've got fucking brother check this out and the band 147 00:10:39,960 --> 00:10:45,120 Speaker 1: bringing we still gotta I just had a rough So 148 00:10:45,360 --> 00:10:47,880 Speaker 1: now we're in the front and all the responsibilities on this, 149 00:10:48,160 --> 00:10:51,920 Speaker 1: all the financial is on us too. Ye that's that's 150 00:10:51,960 --> 00:10:54,760 Speaker 1: the people look at us and say, those guys got 151 00:10:54,880 --> 00:10:59,880 Speaker 1: it going on. I don't know, it's real. Life is real? 152 00:11:00,040 --> 00:11:08,040 Speaker 1: Were independent? Independent? We've been doing this, dolo don't. Yeah, yeah, yeah, 153 00:11:08,800 --> 00:11:12,960 Speaker 1: we've been doing this solo Dolome Brown was slapping people. 154 00:11:14,559 --> 00:11:17,439 Speaker 1: But that's real though, Like when when it's your money 155 00:11:18,040 --> 00:11:21,360 Speaker 1: and you you approach it totally different, like like he said, 156 00:11:21,480 --> 00:11:24,680 Speaker 1: like it ain't the same as being able to say, okay, 157 00:11:24,720 --> 00:11:27,600 Speaker 1: we get per damned our rooms. It's gonna be straight. 158 00:11:28,240 --> 00:11:31,439 Speaker 1: The transportation is gonna be straight. Now, was us getting 159 00:11:31,440 --> 00:11:33,000 Speaker 1: to the rental place where we don't we don't we 160 00:11:33,120 --> 00:11:37,480 Speaker 1: only have a kill for you and we got seven 161 00:11:37,559 --> 00:11:40,520 Speaker 1: people like stuff like that that we got to figure 162 00:11:40,520 --> 00:11:45,240 Speaker 1: out on a fly, or the budget might not really 163 00:11:45,280 --> 00:11:47,360 Speaker 1: allow for us to bring the band, and we bring 164 00:11:47,440 --> 00:11:49,480 Speaker 1: them anyway, and we come on with two hundred dollars, 165 00:11:50,360 --> 00:11:55,079 Speaker 1: Like it's real out there, it's real. I got better 166 00:11:55,160 --> 00:11:56,880 Speaker 1: for you. If you get to the hotel, you gotta 167 00:11:56,880 --> 00:11:58,839 Speaker 1: actually pull your credit card offense when you got to 168 00:11:58,880 --> 00:12:01,719 Speaker 1: do that. It's a fact we definitely used to have 169 00:12:02,000 --> 00:12:03,920 Speaker 1: when you're trying to bargain. Hey, how about you just 170 00:12:04,559 --> 00:12:10,880 Speaker 1: just take everything out a little bit you can take Yeah, 171 00:12:10,920 --> 00:12:12,760 Speaker 1: just take the mic away as soon as you take 172 00:12:12,760 --> 00:12:17,120 Speaker 1: it off that little light. Now, we salute your independence 173 00:12:17,120 --> 00:12:19,680 Speaker 1: because we know that GRAMD man. That's why we appreciate 174 00:12:19,760 --> 00:12:24,400 Speaker 1: y'all coming supporting our independent ground. Indeed, Hell yeah, shit, 175 00:12:24,520 --> 00:12:26,840 Speaker 1: we got some ship coming up though. Man, we'll definitely 176 00:12:26,920 --> 00:12:30,400 Speaker 1: hit y'all people up and got damn with it, you know, 177 00:12:30,559 --> 00:12:33,480 Speaker 1: cover their expenses and you know, get everybody to huntre 178 00:12:33,520 --> 00:12:40,440 Speaker 1: dollars pieces. That's something about right it is. That's y'a 179 00:12:40,440 --> 00:12:43,719 Speaker 1: don't know. Shout out to y'all man, that's real, man. 180 00:12:46,480 --> 00:12:49,800 Speaker 1: We see all our supporters, each and every last one 181 00:12:49,840 --> 00:12:53,440 Speaker 1: of y'all. We need all our supporters. Shout out to them. 182 00:12:53,600 --> 00:12:55,960 Speaker 1: Shout out to them, same twenty five people that come 183 00:12:56,040 --> 00:12:58,760 Speaker 1: to every video or dislike it. Y'all can't even get 184 00:12:58,800 --> 00:13:01,880 Speaker 1: one hundred motherfuckers to agree with y'all. So until y'all 185 00:13:01,920 --> 00:13:04,400 Speaker 1: get y'all weight up and y'all hat a bitch were 186 00:13:04,440 --> 00:13:08,040 Speaker 1: still on Eric, you me this is the number one 187 00:13:08,160 --> 00:13:11,120 Speaker 1: Black TV show, not on TV. Hello, you're talking about 188 00:13:11,160 --> 00:13:14,199 Speaker 1: you on Yeah, people in the real world, in the 189 00:13:14,280 --> 00:13:16,439 Speaker 1: real world. I'm talking about the people who watch this 190 00:13:16,440 --> 00:13:18,400 Speaker 1: shit that work. I'm talking about real world. When they 191 00:13:18,480 --> 00:13:22,560 Speaker 1: see the real eighty five see you, they be Yeah. 192 00:13:23,200 --> 00:13:26,520 Speaker 1: The people that give us a little extra attention, you know, 193 00:13:26,840 --> 00:13:29,520 Speaker 1: show us a little Sometimes i'd be hearing a bad day. Motherfucker, 194 00:13:29,559 --> 00:13:31,520 Speaker 1: you can't have a bad day. Would come somebody come 195 00:13:31,600 --> 00:13:33,880 Speaker 1: up and say, hey, man, fuck with what y'all doing? Man, 196 00:13:33,960 --> 00:13:38,280 Speaker 1: that's true. How are you still gonna be frown the trip? 197 00:13:38,920 --> 00:13:40,679 Speaker 1: I see nigga get out of my face saying and 198 00:13:40,720 --> 00:13:48,040 Speaker 1: I'm already see it. I know what the fuck I said, 199 00:13:50,360 --> 00:13:53,960 Speaker 1: now moved. I like the people that fuck the joke up. 200 00:13:55,040 --> 00:13:56,880 Speaker 1: They try to make it. They try to tell you 201 00:13:56,920 --> 00:13:59,360 Speaker 1: about the joke about some shit you never even see it. 202 00:13:59,400 --> 00:14:05,880 Speaker 1: And you know the ship you said genius, Yeah with 203 00:14:06,080 --> 00:14:14,800 Speaker 1: the dog right, can't ship he talking? We didn't see 204 00:14:14,840 --> 00:14:18,439 Speaker 1: me gotta holding They should keep you up at night. 205 00:14:18,960 --> 00:14:20,560 Speaker 1: But that's like when we look in the crowd and 206 00:14:20,640 --> 00:14:22,560 Speaker 1: see people who we know don't know the song, but 207 00:14:22,640 --> 00:14:24,960 Speaker 1: they the mouth still ain't gonna sing anyway. Ain't gonna 208 00:14:24,960 --> 00:14:29,520 Speaker 1: sing anyone. I'm wanting them people. It's all right, but listen, 209 00:14:30,240 --> 00:14:32,240 Speaker 1: come to you. Yeah, y'all sing a long. I got 210 00:14:32,320 --> 00:14:35,960 Speaker 1: the time, people, but I love it. I like the attempt. 211 00:14:36,560 --> 00:14:40,280 Speaker 1: I appreciate what you're going man, like justin come to me. 212 00:14:40,360 --> 00:14:49,160 Speaker 1: I need to it's all good story. No hell no, 213 00:14:49,520 --> 00:14:52,600 Speaker 1: and don't it or whatever. Hey man, this isn't the 214 00:14:52,800 --> 00:14:55,440 Speaker 1: perfect time for me to address the baby food shortage 215 00:14:56,480 --> 00:15:00,640 Speaker 1: really for me. Yes, they got plenty baby, Okay, thank you. 216 00:15:00,960 --> 00:15:03,240 Speaker 1: That's why you be here to make your own be 217 00:15:03,320 --> 00:15:05,920 Speaker 1: speaking on what don't need to go scope baby? They 218 00:15:06,000 --> 00:15:08,360 Speaker 1: get they running out of formula, So yeah, I mean 219 00:15:08,440 --> 00:15:11,160 Speaker 1: we personally, I got blinded baby. Anybody that got a 220 00:15:11,160 --> 00:15:13,360 Speaker 1: plug on the formula and say something in the comments, 221 00:15:13,440 --> 00:15:15,680 Speaker 1: I feel like that's the least we can doing something. 222 00:15:15,680 --> 00:15:18,640 Speaker 1: It's the Brest milk women, when Brest milk kid, but 223 00:15:18,840 --> 00:15:22,280 Speaker 1: I always thought that, like they got farms to get 224 00:15:22,400 --> 00:15:24,840 Speaker 1: cow milk, wouldn't it be better to just have farms 225 00:15:24,880 --> 00:15:33,160 Speaker 1: to get Don't say that, oh man, no, no, That's 226 00:15:33,200 --> 00:15:38,360 Speaker 1: why I'm blaming. He didn't mean it a yoga studio 227 00:15:38,480 --> 00:15:40,520 Speaker 1: like when he still too. She didn't mean that like 228 00:15:40,880 --> 00:15:44,760 Speaker 1: a nice place. Yeah, that women can go through good 229 00:15:45,080 --> 00:15:54,920 Speaker 1: good at creation like brich milk bank. Yo. You see hey, 230 00:15:55,160 --> 00:15:59,600 Speaker 1: you see how you mean we just said way you 231 00:15:59,640 --> 00:16:02,840 Speaker 1: get then I'm gonna make their own decisions and the 232 00:16:03,160 --> 00:16:10,680 Speaker 1: like really donated thing like a milk back help me out. 233 00:16:10,720 --> 00:16:13,320 Speaker 1: He didn't know he was calling your an. You know 234 00:16:13,520 --> 00:16:15,680 Speaker 1: you needn't be on the phone. No, No, that's not 235 00:16:15,760 --> 00:16:18,200 Speaker 1: what he was saying. No, likee office, y'all start singing 236 00:16:18,280 --> 00:16:29,280 Speaker 1: right now, the office. He chick beating y'all. He told y'all, 237 00:16:29,320 --> 00:16:34,000 Speaker 1: like be the singing this nigga show you Alright, buddy, 238 00:16:35,080 --> 00:16:38,280 Speaker 1: wet fall down, but you gotta get up again. You 239 00:16:39,440 --> 00:16:43,640 Speaker 1: gotta do that. Literally fighting of the date they're taking 240 00:16:43,720 --> 00:16:53,960 Speaker 1: that school walk person walking boy, man, I work for 241 00:16:54,000 --> 00:16:59,160 Speaker 1: the COPC Police Department too, you know what that means, 242 00:17:00,560 --> 00:17:03,320 Speaker 1: cop countess And we don't know this nick or something 243 00:17:03,440 --> 00:17:06,120 Speaker 1: that I'm rad in the car with him. No, he wrote, 244 00:17:06,119 --> 00:17:08,879 Speaker 1: he probably rolling the car. Now. You know, you come 245 00:17:08,960 --> 00:17:10,880 Speaker 1: out the wafer house and the police be bag then 246 00:17:11,000 --> 00:17:13,640 Speaker 1: facing the wafer house and they just be sitting herschel 247 00:17:13,640 --> 00:17:17,080 Speaker 1: Walker was sitting in there was I remember when you 248 00:17:18,800 --> 00:17:28,520 Speaker 1: damn took rich he can fight, you know, the same 249 00:17:29,200 --> 00:17:31,119 Speaker 1: herschel Walker get up in the hill of school here. 250 00:17:31,680 --> 00:17:35,480 Speaker 1: I'm sure he can't get the ship. I wasna herschel Walk. 251 00:17:35,840 --> 00:17:40,240 Speaker 1: But you can't put together. They teach that I don't 252 00:17:40,280 --> 00:17:42,400 Speaker 1: funk with him. I ain't. I can't fuck with nothing. 253 00:17:42,440 --> 00:17:46,080 Speaker 1: The's sakes, man, that ain't coherent as bullshit. Now they said, oh, 254 00:17:46,160 --> 00:17:48,040 Speaker 1: shout out the shoulder Mary too. He shouted me out 255 00:17:48,040 --> 00:17:49,960 Speaker 1: on the think about the shaking I said about herschel 256 00:17:50,000 --> 00:17:52,520 Speaker 1: Walker when they played when the helms was soft. Yeah, 257 00:17:52,560 --> 00:17:55,440 Speaker 1: he told the Joe wrong. But still shouting get to 258 00:17:56,800 --> 00:17:59,119 Speaker 1: that doesn't do to show you how hard this this 259 00:17:59,240 --> 00:18:01,520 Speaker 1: ship is. We'd be saying, mother fuers can't even repeat 260 00:18:01,560 --> 00:18:05,000 Speaker 1: it right, But no, shout him out? But yeah, man, man, 261 00:18:05,400 --> 00:18:07,200 Speaker 1: they said a bunch of shit about this man, but 262 00:18:07,280 --> 00:18:09,160 Speaker 1: that sentence, I know what you're talking about. He can't 263 00:18:09,440 --> 00:18:15,480 Speaker 1: ask a shop. I don't know why, motherfucker can't you? Yeah, yeah, yeah, 264 00:18:15,480 --> 00:18:18,320 Speaker 1: that's a problem. But we been I don't know. Maybe 265 00:18:18,320 --> 00:18:20,800 Speaker 1: you need to look at me and excuse me. Women 266 00:18:21,320 --> 00:18:28,080 Speaker 1: looking on the internet they say they have disappointment, but 267 00:18:29,920 --> 00:18:37,320 Speaker 1: who's the associated sociate, right, I'm telling that shit off? 268 00:18:37,480 --> 00:18:40,560 Speaker 1: My head started I didn't want to give say scowed 269 00:18:40,680 --> 00:18:43,440 Speaker 1: that that was a flazy part of the video. And 270 00:18:43,520 --> 00:18:46,200 Speaker 1: he and he was telling people, he said, I apologize 271 00:18:46,200 --> 00:18:49,080 Speaker 1: to the black community because he did father being absent, 272 00:18:49,480 --> 00:18:51,119 Speaker 1: he is one of the biggest problems. And now they 273 00:18:51,200 --> 00:18:56,480 Speaker 1: say he got a kid. Oh that's good. That's that's 274 00:18:56,480 --> 00:19:01,720 Speaker 1: what you get for going on there talking shit. If 275 00:19:01,760 --> 00:19:03,840 Speaker 1: I was if he wanted to keep the bullshit going 276 00:19:04,000 --> 00:19:06,720 Speaker 1: now he needed to come back and make another commercial 277 00:19:06,800 --> 00:19:10,440 Speaker 1: act like he's been looking for. He looked up to 278 00:19:10,600 --> 00:19:13,760 Speaker 1: my son Gerald. Hey, hey, I don't know his name. 279 00:19:13,960 --> 00:19:18,439 Speaker 1: That's fun. That's what it's your mother, VA say something now. 280 00:19:19,760 --> 00:19:29,040 Speaker 1: I don't know why you adults can't. You can't see 281 00:19:29,080 --> 00:19:40,960 Speaker 1: a child that ain't using my eyeballs. Don't understanding Gerald Walker. 282 00:19:42,600 --> 00:19:47,240 Speaker 1: He might have a sign name Gerald Walker. It might 283 00:19:47,320 --> 00:19:51,600 Speaker 1: be with an H though might be Harvey hard Walker. 284 00:19:52,240 --> 00:19:59,600 Speaker 1: H W. They stuck. That's when you know you're on 285 00:19:59,680 --> 00:20:02,600 Speaker 1: the level. Man. When you said babies come out, there's 286 00:20:02,640 --> 00:20:07,320 Speaker 1: a thirty year old man. It's a baby. It's like 287 00:20:07,400 --> 00:20:14,600 Speaker 1: a new baby. He's like gospel gospel. All heads starting 288 00:20:14,640 --> 00:20:18,200 Speaker 1: promises show the ship might not be popular enough, and 289 00:20:18,280 --> 00:20:24,520 Speaker 1: then be like whoa whoa shut the ship. Oh you're 290 00:20:24,560 --> 00:20:30,560 Speaker 1: tookling now, straight enough, straight enough, But I just said 291 00:20:30,560 --> 00:20:32,080 Speaker 1: I ain't like the nigga. I don't want to be 292 00:20:32,200 --> 00:20:35,760 Speaker 1: responsible for the downflow another black. That's what they said, though, 293 00:20:35,840 --> 00:20:38,400 Speaker 1: I don't practice that type of witch crab that's real. 294 00:20:38,640 --> 00:20:42,919 Speaker 1: You're right, yeah, but he pulls in which crabs got 295 00:20:42,960 --> 00:20:45,840 Speaker 1: damn so the shit he took. Let me see if 296 00:20:45,880 --> 00:20:48,680 Speaker 1: this ship still works. I recently got a blunt and 297 00:20:49,240 --> 00:20:53,720 Speaker 1: blunt rolling and start blunt. Bring me the blunt, just 298 00:20:53,840 --> 00:21:01,080 Speaker 1: the blood prope already that s it's so g right there. 299 00:21:01,680 --> 00:21:04,800 Speaker 1: Let me let meet one you need to. You gotta be. 300 00:21:05,200 --> 00:21:10,880 Speaker 1: I'm gonna smoke quality control like a shorter than that one. 301 00:21:12,200 --> 00:21:15,920 Speaker 1: They'll got an album out. Now, what's the name? Thee 302 00:21:16,000 --> 00:21:20,200 Speaker 1: We are the Tonge we are? Then we are the 303 00:21:20,320 --> 00:21:25,880 Speaker 1: Tones are okay, all right, we've got a little name. 304 00:21:26,440 --> 00:21:30,040 Speaker 1: You've worked up the album title. All that's okay. Everybody, 305 00:21:30,160 --> 00:21:34,680 Speaker 1: we fall down. They've about that. They don't worry about 306 00:21:34,680 --> 00:21:37,160 Speaker 1: what happened. They might sw matter of fact, we gotta 307 00:21:37,200 --> 00:21:39,280 Speaker 1: we are the Tones. You can get that one too, 308 00:21:39,400 --> 00:21:44,360 Speaker 1: But this album is we All. We all watches both 309 00:21:44,359 --> 00:21:47,240 Speaker 1: of them when you get there both. We've been migrating 310 00:21:47,280 --> 00:21:52,760 Speaker 1: to this tone thing. Watch the wee Yeah we are 311 00:21:52,960 --> 00:21:55,520 Speaker 1: talk We all the tones, right, and it's under the 312 00:21:55,800 --> 00:21:59,920 Speaker 1: t O and three three. Yeah, it's on the Apple Music. 313 00:22:00,080 --> 00:22:03,200 Speaker 1: It's it's everywhere but Apple, Yes, Apple Music. Yes we 314 00:22:03,320 --> 00:22:06,359 Speaker 1: officially all the Tones, Yes official. Were always gonna be 315 00:22:06,400 --> 00:22:09,200 Speaker 1: the Hamiltons, but we decided to make a move over 316 00:22:09,280 --> 00:22:14,040 Speaker 1: to the Tones, kind of re establish ourself and kind 317 00:22:14,080 --> 00:22:16,040 Speaker 1: of bring a new style and the new new vibe. 318 00:22:16,040 --> 00:22:18,840 Speaker 1: The Hamiltons has its own vibe, the viral moments, the 319 00:22:18,920 --> 00:22:21,919 Speaker 1: funny guys, but no disrespect. But we kind of want 320 00:22:21,960 --> 00:22:23,280 Speaker 1: to make sure the world do know that we can 321 00:22:23,320 --> 00:22:26,919 Speaker 1: actually sing too, know what I'm saying. So yeah, man, 322 00:22:27,000 --> 00:22:28,800 Speaker 1: the Tones is here, we all the toes, and they 323 00:22:28,800 --> 00:22:33,399 Speaker 1: don't really treat R and with the respect they should. 324 00:22:33,760 --> 00:22:37,720 Speaker 1: I agree, certain types of it, yea, certain types of it. 325 00:22:37,800 --> 00:22:39,680 Speaker 1: Like I feel like, you know, certain types of R 326 00:22:39,720 --> 00:22:42,960 Speaker 1: and B um is getting respect. But then like the 327 00:22:43,040 --> 00:22:44,840 Speaker 1: type of R and B that we do really I 328 00:22:44,960 --> 00:22:48,600 Speaker 1: call at of stuff. So to me more so, um, 329 00:22:48,760 --> 00:22:51,800 Speaker 1: it ain't really getting that that light, but hopefully we 330 00:22:51,880 --> 00:22:58,720 Speaker 1: can help to bring that back. So I mean, I 331 00:22:58,880 --> 00:23:01,720 Speaker 1: think it's people that love it to listen to it. 332 00:23:01,840 --> 00:23:03,440 Speaker 1: But it's like as soon as R and B making 333 00:23:03,480 --> 00:23:05,840 Speaker 1: they make it pop. Yeah you know, I was saying, 334 00:23:05,840 --> 00:23:08,600 Speaker 1: they try to put it in another category. Yeah. Yeah, 335 00:23:08,800 --> 00:23:11,280 Speaker 1: so or they suppress it and don't put it into 336 00:23:11,320 --> 00:23:16,200 Speaker 1: places that it needed to be right yea. An album 337 00:23:16,280 --> 00:23:18,560 Speaker 1: is doing good too. From what we're here, it's doing 338 00:23:18,680 --> 00:23:22,400 Speaker 1: very good. So we part of that. Look, you wish 339 00:23:22,440 --> 00:23:25,000 Speaker 1: y'all much continued success. This shit ain't gonna do them 340 00:23:25,080 --> 00:23:27,920 Speaker 1: to get bigger and bigger. That's what we hope, man. Yeah, 341 00:23:29,400 --> 00:23:32,840 Speaker 1: that's that's the plan with this album. Man, we did 342 00:23:32,920 --> 00:23:34,359 Speaker 1: the work, you know. Now he's just like we're going 343 00:23:34,480 --> 00:23:37,640 Speaker 1: cruise control. Just kind of letting it cruise control, I said, 344 00:23:37,640 --> 00:23:39,720 Speaker 1: you know, just letting it do what once again we're not, 345 00:23:39,840 --> 00:23:43,080 Speaker 1: fortunately don't doing what it is that we do and 346 00:23:43,400 --> 00:23:46,080 Speaker 1: just doing a great job at it and just taking 347 00:23:46,119 --> 00:23:48,280 Speaker 1: this ride as long as it allows to ride it. 348 00:23:48,440 --> 00:23:50,840 Speaker 1: We're on tour right now too. Yeah, we're on tour 349 00:23:50,960 --> 00:23:53,400 Speaker 1: right now. We actually just extended it. Yeah, every show 350 00:23:53,440 --> 00:23:56,240 Speaker 1: we've gone except maybe the first one has been sold out. 351 00:24:00,680 --> 00:24:04,679 Speaker 1: Shout out to y'all Tonation, y'all know, y'all City Wandering 352 00:24:04,840 --> 00:24:08,160 Speaker 1: Atlanta definitely showed out for us. Man, Yeah, to stop 353 00:24:08,240 --> 00:24:10,240 Speaker 1: bleating people. I don't want to lie. Am I telling 354 00:24:10,280 --> 00:24:12,360 Speaker 1: the truth? Day they had to stop blatting people laying. 355 00:24:12,640 --> 00:24:14,640 Speaker 1: You think we're gonna believe him? He almost let y'all 356 00:24:14,720 --> 00:24:21,159 Speaker 1: run out of gas. Credibility fucked up. That's good, that's good. No, 357 00:24:21,359 --> 00:24:24,080 Speaker 1: but he ain't. Never stole no money, so I don't sell. Yeah, 358 00:24:24,160 --> 00:24:27,040 Speaker 1: now he don't. Still trying for him to get in 359 00:24:27,119 --> 00:24:33,720 Speaker 1: his pocket. Man the lane. It's hard keeping, Oh man, 360 00:24:33,840 --> 00:24:40,040 Speaker 1: get y'all money. I got voted out the game, and 361 00:24:40,200 --> 00:24:47,159 Speaker 1: then take your pants. Don't get his money, don't I 362 00:24:47,560 --> 00:24:59,160 Speaker 1: just get your money. I got money in this buck, 363 00:24:59,359 --> 00:25:09,040 Speaker 1: honey bunch. What you mean? White must did all the money? Yeah, 364 00:25:09,720 --> 00:25:23,880 Speaker 1: y'all right, go ahead, this guy, But we do that's 365 00:25:23,920 --> 00:25:26,240 Speaker 1: what we do. We do. We do this on the road. 366 00:25:27,359 --> 00:25:34,080 Speaker 1: Who yes, who who found? I'm sorry you got off 367 00:25:34,119 --> 00:25:38,040 Speaker 1: the side of whom sir. You can't take your pants off. 368 00:25:38,280 --> 00:25:47,399 Speaker 1: I'm like, y'all ya ya ya, y'all get my mother's away. 369 00:25:47,560 --> 00:25:55,560 Speaker 1: We good on it. Yea. None of y'all shoulder now, 370 00:25:55,760 --> 00:26:00,480 Speaker 1: man may who was waiting for your mold man got 371 00:26:00,520 --> 00:26:09,280 Speaker 1: my nigger with your dad? Keep doing your things. Set 372 00:26:09,359 --> 00:26:17,200 Speaker 1: up that money. Let me get you a part of it. 373 00:26:18,560 --> 00:26:20,359 Speaker 1: You laughing that, But I've been the next dame the 374 00:26:20,440 --> 00:26:27,240 Speaker 1: NI game. Some money. You're gonna look how nobody better 375 00:26:27,280 --> 00:26:39,159 Speaker 1: not be bore, Honey, that nigga dang nigga na dan, 376 00:26:39,320 --> 00:26:42,760 Speaker 1: that's my nigga. Got to stay all the Ain't let 377 00:26:42,840 --> 00:26:45,560 Speaker 1: y'all run out of gas. I'll take that nigga da. 378 00:26:45,720 --> 00:26:49,520 Speaker 1: We didn't. We didn't happen. He started talking like we 379 00:26:49,880 --> 00:27:02,400 Speaker 1: gotta good that. He talked like Kermit the Frog. Don't 380 00:27:02,440 --> 00:27:04,480 Speaker 1: let us get excited. Man, Oh he get up there. 381 00:27:08,600 --> 00:27:11,280 Speaker 1: He looked like the twenty nine year old version of 382 00:27:11,440 --> 00:27:24,120 Speaker 1: bone crushing. We loved you, man, Let me quit talking. 383 00:27:24,200 --> 00:27:26,920 Speaker 1: This ship we love it. He get it off the 384 00:27:26,960 --> 00:27:35,399 Speaker 1: time he the lighter down. Hey man, what was it 385 00:27:35,520 --> 00:27:38,360 Speaker 1: like being around the star as big as Anthony Hamilton? 386 00:27:38,520 --> 00:27:40,720 Speaker 1: You know, as new dudes coming into the music. So 387 00:27:40,840 --> 00:27:43,160 Speaker 1: can I can I say something? Oh? Yeah, I first 388 00:27:43,200 --> 00:27:46,120 Speaker 1: came in. I was surrounded with him, right, he said, 389 00:27:46,160 --> 00:27:48,960 Speaker 1: the Chicago kid was then when nigga so cold? So 390 00:27:49,160 --> 00:27:50,800 Speaker 1: when I was I was looking at a video of 391 00:27:50,880 --> 00:27:53,520 Speaker 1: the day when I first started with anything, my first 392 00:27:54,720 --> 00:27:58,119 Speaker 1: like real Anthony Hamilton gig we start opening up a print, 393 00:27:59,200 --> 00:28:01,560 Speaker 1: so like, I was surrounded by so many people that 394 00:28:01,680 --> 00:28:04,040 Speaker 1: just went on. I came in behind a guy named 395 00:28:04,080 --> 00:28:07,639 Speaker 1: Dio who who he did some stuff with Michael Jackson, 396 00:28:07,720 --> 00:28:11,359 Speaker 1: I think, um. And then h j K who was 397 00:28:11,560 --> 00:28:15,480 Speaker 1: the og from to Me and Tooey. We kind of 398 00:28:15,480 --> 00:28:16,879 Speaker 1: saw with him for a couple of years. He went 399 00:28:16,920 --> 00:28:19,720 Speaker 1: to justin timber Lake and then but he started with 400 00:28:19,800 --> 00:28:21,639 Speaker 1: the Anzo. He started with the Angelo with Anthony, so 401 00:28:21,800 --> 00:28:26,119 Speaker 1: him and Anthony j K that got up speaking of 402 00:28:26,359 --> 00:28:29,679 Speaker 1: and Anthony Emilton he started saying background for the Angelo 403 00:28:30,160 --> 00:28:33,800 Speaker 1: on the Voodoo tour. So um, they all just had 404 00:28:33,800 --> 00:28:35,480 Speaker 1: a relationship with that. And then he came in. He 405 00:28:35,560 --> 00:28:38,280 Speaker 1: sang background with Anthony and his meet and b J 406 00:28:38,400 --> 00:28:41,360 Speaker 1: the Chicago kids. I was surrounded by a lot of greatness, 407 00:28:41,440 --> 00:28:44,200 Speaker 1: man when I first came out. But it's it's but 408 00:28:44,280 --> 00:28:47,320 Speaker 1: seeing a lot of these people, like you'd be surprised 409 00:28:47,320 --> 00:28:49,600 Speaker 1: if people like really knowing who you are, because you know, 410 00:28:49,680 --> 00:28:52,720 Speaker 1: we were humble, kay, we you saw her, we owe 411 00:28:52,800 --> 00:28:56,000 Speaker 1: coming in. We just every day niggas are just chilled 412 00:28:56,400 --> 00:28:57,880 Speaker 1: and we go to a lot of these places and 413 00:28:57,960 --> 00:29:00,200 Speaker 1: people be like so happy to see this, Oh my god. 414 00:29:01,880 --> 00:29:05,160 Speaker 1: Really you know, but it's it's you know, we just humble, 415 00:29:05,240 --> 00:29:07,160 Speaker 1: I mean, feature on the ground. We learned a lot 416 00:29:07,200 --> 00:29:09,200 Speaker 1: from Anthony though. Yeah, so a lot of times when 417 00:29:09,240 --> 00:29:12,640 Speaker 1: we go to these places and you know, people show 418 00:29:12,760 --> 00:29:14,240 Speaker 1: us the love that they do, it's not that, you know, 419 00:29:14,600 --> 00:29:16,640 Speaker 1: just like wow, I didn't even know that you really 420 00:29:16,680 --> 00:29:18,760 Speaker 1: paying attention. But it's a blessing. Hey, what's up. This 421 00:29:18,840 --> 00:29:20,720 Speaker 1: is Carlos Miller from the eighty five Selves, and I'm 422 00:29:20,760 --> 00:29:23,160 Speaker 1: excited to announce that I will be hitting the stage 423 00:29:23,200 --> 00:29:26,200 Speaker 1: for the first Black Effect Podcast Festival with some of 424 00:29:26,280 --> 00:29:29,640 Speaker 1: my funny friends from the eighty five South Network. Join 425 00:29:29,720 --> 00:29:31,960 Speaker 1: me for a live podcast along with some of the 426 00:29:32,080 --> 00:29:35,560 Speaker 1: dope shows from the Black Effect Podcast that morning. Taking 427 00:29:35,600 --> 00:29:40,320 Speaker 1: place in Atlanta, Saturday, April the twenty second, We'll be 428 00:29:40,480 --> 00:29:44,640 Speaker 1: hitting the Lave Podcast stage with big Facts, horrible Decisions, 429 00:29:45,000 --> 00:29:48,840 Speaker 1: reasonably Shady, and many more. Make sure you grab your 430 00:29:48,880 --> 00:29:52,480 Speaker 1: tickets at Black Effect dot com, especially only for the 431 00:29:52,600 --> 00:29:57,560 Speaker 1: tenkets out. That's the ultimate Comma minute. Not for you. 432 00:29:58,400 --> 00:30:01,240 Speaker 1: We're not in the same business. I know what I know. 433 00:30:01,760 --> 00:30:03,840 Speaker 1: I have a story when I was at with Joda. See, 434 00:30:03,920 --> 00:30:06,360 Speaker 1: I was fortunate enough to go on to it with 435 00:30:06,560 --> 00:30:10,320 Speaker 1: Joe to see a few damn it more than a year. 436 00:30:10,360 --> 00:30:13,560 Speaker 1: I was about a few years ago. Was but uh 437 00:30:14,000 --> 00:30:17,400 Speaker 1: and I looked up and it was a young lady grinding, 438 00:30:18,600 --> 00:30:24,680 Speaker 1: no panties, just grinding on the concrete peace and that 439 00:30:24,880 --> 00:30:27,400 Speaker 1: that blew my mind? That was that? That that blew 440 00:30:27,480 --> 00:30:31,760 Speaker 1: my mind? Yeah, some jodas, Yeah, jod to see what's 441 00:30:31,760 --> 00:30:37,240 Speaker 1: the uh what kind of pussy was that? That's the 442 00:30:37,360 --> 00:30:48,959 Speaker 1: real question? Really, Yeah, yeah, yeah. One thing, one thing 443 00:30:49,040 --> 00:30:54,480 Speaker 1: I ain't never part participated in was freak chaining. I 444 00:30:54,600 --> 00:30:57,840 Speaker 1: just let it freak be a freak Yeah, pretty much. Yeah, 445 00:30:58,680 --> 00:31:01,320 Speaker 1: can't be a freak meet now. I'm just saying she 446 00:31:01,440 --> 00:31:03,640 Speaker 1: might not mean it's not kind of free, but but 447 00:31:04,000 --> 00:31:08,959 Speaker 1: I ain't gonna stop the free from freaking right sweating. 448 00:31:09,360 --> 00:31:16,520 Speaker 1: Would put it down, put it down him, somebody, somebody 449 00:31:16,760 --> 00:31:20,440 Speaker 1: we didn't get on the wind. I don't know what 450 00:31:20,520 --> 00:31:23,640 Speaker 1: it was. Nine three dollars. You're drinking three dollars one 451 00:31:23,880 --> 00:31:27,320 Speaker 1: three ninety three, ninety three ninety three, we're drinking three 452 00:31:27,400 --> 00:31:30,840 Speaker 1: dollars wine. I'm just gonna that three dollars wine. Had 453 00:31:30,880 --> 00:31:33,000 Speaker 1: you see you be laying on stuff like that with 454 00:31:33,080 --> 00:31:36,400 Speaker 1: three dollar wine. Now, ain't you sweating? Yeah, lamonading exactly 455 00:31:37,960 --> 00:31:41,640 Speaker 1: that three dollars wine got my boy fucked up. He 456 00:31:41,680 --> 00:31:43,720 Speaker 1: would have got some, He would have got some most ship. 457 00:31:43,840 --> 00:32:01,160 Speaker 1: But there's all days, lean biggie, Ye, it's funny. He 458 00:32:01,480 --> 00:32:03,480 Speaker 1: was just getting hot and I was like, how I 459 00:32:03,520 --> 00:32:08,080 Speaker 1: got let pup you all right, brother, ain't got ane 460 00:32:08,080 --> 00:32:09,680 Speaker 1: of the big that on my on my head, you know, 461 00:32:09,760 --> 00:32:12,960 Speaker 1: the stuff to start running a little bit, Hey, berd 462 00:32:13,040 --> 00:32:14,840 Speaker 1: Man didn't get mad at you up for singing. Put 463 00:32:14,920 --> 00:32:18,000 Speaker 1: some respect on. Actually got a homie based in peace man. 464 00:32:18,240 --> 00:32:22,200 Speaker 1: Um see he was actually, um, I'm meet you a 465 00:32:22,320 --> 00:32:25,640 Speaker 1: friend of ours that was, you know, associated with man. 466 00:32:25,960 --> 00:32:27,400 Speaker 1: He would tell me all the time he didn't this 467 00:32:27,520 --> 00:32:29,560 Speaker 1: stuff was funny. We didn't even know what was gonna 468 00:32:29,560 --> 00:32:31,400 Speaker 1: do that though. Let's just kill it real like we 469 00:32:31,600 --> 00:32:34,360 Speaker 1: was just having a good time as we do. Like 470 00:32:34,400 --> 00:32:37,760 Speaker 1: we're kicking it right now, Lavan shout out to Leavan. 471 00:32:38,000 --> 00:32:41,640 Speaker 1: He was really the brains. He understood social media. Yeah 472 00:32:41,800 --> 00:32:45,160 Speaker 1: we didn't. We was just singing and we just put 473 00:32:45,240 --> 00:32:47,920 Speaker 1: it together. Hey, let's do some shit to social media. Man. 474 00:32:48,640 --> 00:32:50,600 Speaker 1: I want to get on the track with y'all. Right now, 475 00:32:53,040 --> 00:32:55,680 Speaker 1: up man, you gonna you want to do that one? 476 00:32:56,480 --> 00:32:59,520 Speaker 1: Y'all want this one? Yeah? I feel good. I feel 477 00:32:59,520 --> 00:33:01,280 Speaker 1: like I could went on anything. All right, man, let 478 00:33:01,360 --> 00:33:03,240 Speaker 1: me hear something. Then I'm just gonna sprinkle miss some 479 00:33:03,240 --> 00:33:06,960 Speaker 1: pepper in there a little bit. Um. You got the singing, 480 00:33:06,960 --> 00:33:10,320 Speaker 1: but y'all got the singing part. It's a real fucking shit. 481 00:33:11,400 --> 00:33:27,280 Speaker 1: Oh yeah, yeah, yeah, yeah, yeah. It's hot. It selling 482 00:33:27,480 --> 00:33:33,440 Speaker 1: yeah no it's not. That's a three dollars wine. But 483 00:33:33,680 --> 00:33:39,320 Speaker 1: I wish I had a bill. Yeah, um, but I'm 484 00:33:39,400 --> 00:33:43,680 Speaker 1: drinking this wine right now. Hey hey, um, it's hot. 485 00:33:43,760 --> 00:33:51,760 Speaker 1: It's helling here. Yeah yeah, yeah, yeah, I wish I 486 00:33:51,960 --> 00:33:55,719 Speaker 1: had a bill. Then I say, then I say, then 487 00:33:55,800 --> 00:34:02,360 Speaker 1: I say, we are the tune. We are the chne 488 00:34:04,920 --> 00:34:10,440 Speaker 1: we are the che you know what it is. But 489 00:34:10,960 --> 00:34:16,799 Speaker 1: you know I said, we are the che You can 490 00:34:16,960 --> 00:34:23,080 Speaker 1: get that you no, no, let us no, hein't see 491 00:34:23,200 --> 00:34:35,440 Speaker 1: how'time shin't no more he fiveime sout. We don't do 492 00:34:37,400 --> 00:34:45,680 Speaker 1: time five. Just my boy, that's what we doing. I said, 493 00:34:45,920 --> 00:34:51,000 Speaker 1: hold on, hello, ain't wait time it's the five already. 494 00:34:51,239 --> 00:34:55,080 Speaker 1: Just gonna head at the eight eighty five five show 495 00:34:55,680 --> 00:34:59,440 Speaker 1: the number one black And anything I say after that 496 00:34:59,760 --> 00:35:02,960 Speaker 1: is I live in fact, we got the hamiltone to 497 00:35:04,040 --> 00:35:07,759 Speaker 1: kicking that ship and Clayton English rolling blunts. That be 498 00:35:07,920 --> 00:35:12,879 Speaker 1: fat as a bitch came in higher than a karate kick. 499 00:35:13,160 --> 00:35:16,080 Speaker 1: I'm on some other ship may don't fly you than 500 00:35:16,200 --> 00:35:19,040 Speaker 1: your new chick. Let's take a sip. But this pamping 501 00:35:19,160 --> 00:35:23,200 Speaker 1: that I'll be bringing crazy, I'll be rapping my dog. 502 00:35:23,440 --> 00:35:27,120 Speaker 1: Then'll be saying saying, they got the chorus you roll, 503 00:35:27,239 --> 00:35:30,560 Speaker 1: they got the hook. When this ship come out, they 504 00:35:30,719 --> 00:35:38,240 Speaker 1: might put it in a black histor report. Hold, that's 505 00:35:38,360 --> 00:35:45,719 Speaker 1: what he getting A piece piece of this beef. I 506 00:35:45,960 --> 00:35:49,040 Speaker 1: rolled up the wing and I like the smoking que. 507 00:35:49,680 --> 00:35:52,320 Speaker 1: He got a little wine, so he pulled it in 508 00:35:52,600 --> 00:35:55,680 Speaker 1: this cup. My nigga, don't think too much because you 509 00:35:55,880 --> 00:36:00,600 Speaker 1: might just throw it up rolling blunt. I can smoke 510 00:36:00,680 --> 00:36:03,600 Speaker 1: big gass. And if I ain't have a lady, huh, 511 00:36:03,880 --> 00:36:09,200 Speaker 1: Michael feels some ass. I just passed, get up the way, fast, 512 00:36:09,880 --> 00:36:22,120 Speaker 1: pass the microphone, because my man Gonnamano, are the cho 513 00:36:24,480 --> 00:36:28,160 Speaker 1: on that five. I ain't got to say no, he 514 00:36:28,440 --> 00:36:32,640 Speaker 1: he he are cho? Can I get a home? I said, 515 00:36:32,719 --> 00:36:41,080 Speaker 1: Now we are the cho cho alright, alright, alright, alright, 516 00:36:41,840 --> 00:36:45,759 Speaker 1: coming down, STI sign Hey, now I did what he 517 00:36:45,840 --> 00:36:52,719 Speaker 1: did earlier. He's my god. We didn't ware ain't that 518 00:36:52,880 --> 00:37:01,480 Speaker 1: let ship? My god? Then waged by get you know 519 00:37:03,160 --> 00:37:06,080 Speaker 1: when you start still in your drink, like, hey, dude, 520 00:37:06,160 --> 00:37:09,200 Speaker 1: y'all have some paint. One town over by the slave, 521 00:37:11,160 --> 00:37:14,200 Speaker 1: he's spilling three dollar little wine. He got the shoot 522 00:37:14,400 --> 00:37:24,520 Speaker 1: on his shoes, but he didn't be mine. Y'all got 523 00:37:24,560 --> 00:37:27,560 Speaker 1: some board club shoulder. Man, you spell your lay like 524 00:37:27,680 --> 00:37:38,279 Speaker 1: freaking good media. Lord, they're gonna love this shit. That's 525 00:37:38,320 --> 00:37:40,880 Speaker 1: true up all right from now, I'm the feller before 526 00:37:42,560 --> 00:37:46,279 Speaker 1: Lord telling you something. He dropped this ship, but the 527 00:37:46,400 --> 00:37:50,920 Speaker 1: glass stood up. But all the little all the red 528 00:37:51,040 --> 00:37:53,920 Speaker 1: wine on my shoes. All right, I'm hah. Let me 529 00:37:54,000 --> 00:37:57,640 Speaker 1: say some hash shit right quick. What did not really speaking? 530 00:37:58,320 --> 00:38:00,719 Speaker 1: He would not. He wasn't gonna sit right until he 531 00:38:00,880 --> 00:38:02,879 Speaker 1: was like, man, let me let me just take care 532 00:38:02,880 --> 00:38:05,160 Speaker 1: of the shoot. I told him the price was absorbing. 533 00:38:05,719 --> 00:38:10,959 Speaker 1: I told him he shoes seventy five thous. I gotta 534 00:38:11,000 --> 00:38:14,560 Speaker 1: throw out a half theory. Maybe everybody not spilling they drink. 535 00:38:15,040 --> 00:38:22,960 Speaker 1: Maybe the floor is an alcoholic brother drank more ship 536 00:38:23,080 --> 00:38:26,800 Speaker 1: in the pirate ship. Think about all the spilled liquor 537 00:38:26,880 --> 00:38:30,520 Speaker 1: we had. Yep, come on, man, I knew he was 538 00:38:30,600 --> 00:38:32,400 Speaker 1: gonna spill it. I've seen about to happen in my 539 00:38:33,360 --> 00:38:39,239 Speaker 1: You don't spilled your liquor on the flow. I gotta 540 00:38:39,239 --> 00:38:41,080 Speaker 1: give back to the rig. What if that was just 541 00:38:41,239 --> 00:38:43,080 Speaker 1: your body this way of telling you no more three 542 00:38:43,120 --> 00:38:50,319 Speaker 1: dollar little fatbody rejected that ship. That ship was hard though, Man, 543 00:38:50,360 --> 00:38:52,080 Speaker 1: hold on one more time, one more time for that 544 00:38:52,160 --> 00:38:56,480 Speaker 1: hard as song though. Let me know. That's how you 545 00:38:56,600 --> 00:38:58,200 Speaker 1: know what ship, That's how you know what she had 546 00:38:58,320 --> 00:39:00,400 Speaker 1: the end, because when the liquor spilled, that was like 547 00:39:00,600 --> 00:39:05,719 Speaker 1: the universe wus saying, don't put the more that shit out. Yeah, 548 00:39:05,719 --> 00:39:07,360 Speaker 1: I gotta do the right way. I gotta learn this 549 00:39:07,440 --> 00:39:11,480 Speaker 1: flu the tricked up. Yeah, taught me something new with that, man, 550 00:39:12,000 --> 00:39:13,759 Speaker 1: like I don't even know it was supposed to do 551 00:39:14,160 --> 00:39:17,600 Speaker 1: with So work with you, No, man, I don't know. 552 00:39:17,719 --> 00:39:21,000 Speaker 1: Maybe I needed you just saying anybody supposed to yelled 553 00:39:21,000 --> 00:39:26,920 Speaker 1: at me right like that shit, I'm gonna just take 554 00:39:26,960 --> 00:39:28,960 Speaker 1: a moment to just put all the bloods down and just, 555 00:39:30,400 --> 00:39:34,160 Speaker 1: you know, let the universe reset and ship it would. 556 00:39:34,280 --> 00:39:38,080 Speaker 1: It had to be something, you think, it had to be, 557 00:39:38,200 --> 00:39:41,120 Speaker 1: something like the way the world was spending might have 558 00:39:41,200 --> 00:39:45,000 Speaker 1: hit a magnetic force field or some shit. We might 559 00:39:45,120 --> 00:39:48,480 Speaker 1: have a magnetic Yeah, yeah, I well, you know what 560 00:39:48,480 --> 00:39:50,799 Speaker 1: I'm saying. You know, once we all got together and sync, 561 00:39:50,880 --> 00:39:53,680 Speaker 1: we might have unlocked something. Just went two or three 562 00:39:53,760 --> 00:39:58,160 Speaker 1: or together. Yeah, we kind of right a little positivity. 563 00:39:58,880 --> 00:40:02,880 Speaker 1: Appreciate it. Yeah real, I just love the competivity strength. 564 00:40:03,360 --> 00:40:06,320 Speaker 1: You're good, bro. Let it slack, Just let it slack. 565 00:40:06,360 --> 00:40:08,480 Speaker 1: They got a whole method. They got people. That's good. 566 00:40:09,120 --> 00:40:11,279 Speaker 1: You got you could fix your shoe and it's all 567 00:40:11,280 --> 00:40:15,760 Speaker 1: the way through, so you could and nothing worth respect. 568 00:40:15,920 --> 00:40:17,920 Speaker 1: Just go to the mall to the dudes to take 569 00:40:18,000 --> 00:40:19,759 Speaker 1: the shot off your foot, to clean that shit. I'm like, 570 00:40:20,760 --> 00:40:24,000 Speaker 1: and I'm like, hey, my man, come in, come in, Yeah, 571 00:40:24,560 --> 00:40:28,000 Speaker 1: come in. And then they only do one because then 572 00:40:28,000 --> 00:40:31,560 Speaker 1: they do two. You got ten dollars, whispered to you 573 00:40:31,640 --> 00:40:36,239 Speaker 1: got ten dollars, man, Look here you go. Man, go ahead, 574 00:40:36,320 --> 00:40:38,719 Speaker 1: do the both of the man. You guys give me 575 00:40:39,640 --> 00:40:42,399 Speaker 1: the brothers start talking. Brother, you know, just I'm trying 576 00:40:42,440 --> 00:40:48,719 Speaker 1: to do good. When they hit me with that, I ain't, Hey, 577 00:40:48,800 --> 00:40:51,680 Speaker 1: my man, what are those do? Yeah? They try to 578 00:40:51,719 --> 00:40:54,320 Speaker 1: tell you what you guys. They look real nice. But 579 00:40:54,480 --> 00:41:00,200 Speaker 1: let me. See, give me ten dollars. You think that's 580 00:41:00,200 --> 00:41:05,280 Speaker 1: a fit letter, definitely real quick, give me fifteen dollars 581 00:41:07,920 --> 00:41:13,560 Speaker 1: and no, hell no, I can't fall for that ship 582 00:41:13,680 --> 00:41:21,880 Speaker 1: every time I do. Every time you got one of 583 00:41:21,960 --> 00:41:26,200 Speaker 1: them packty dollars, you gotta act like you already know 584 00:41:26,560 --> 00:41:29,160 Speaker 1: you don't remember me. Yeah, that's what I'm got it. 585 00:41:31,239 --> 00:41:33,000 Speaker 1: I better come back and you better clean him again. 586 00:41:33,040 --> 00:41:34,759 Speaker 1: But the dude don't even stop him to dude to 587 00:41:34,880 --> 00:41:38,000 Speaker 1: see the dude approaching you. He just cleaned your shoes. 588 00:41:38,600 --> 00:41:41,000 Speaker 1: He don't even stop the dude from approaching again. I'm like, 589 00:41:41,280 --> 00:41:43,759 Speaker 1: he just you just got me. Now we're gonna start 590 00:41:43,840 --> 00:41:45,719 Speaker 1: getting them back. We're gonna let him clean that one 591 00:41:45,760 --> 00:41:51,200 Speaker 1: shot and then like straight, I get what you my 592 00:41:51,280 --> 00:41:55,759 Speaker 1: boy appreciate that. I take that free shot. Come make 593 00:41:55,800 --> 00:42:02,479 Speaker 1: the market. Yeah, your boy ain't get this. I'm gonna 594 00:42:02,480 --> 00:42:04,560 Speaker 1: do this shit every day. I stayed right around the corner, 595 00:42:06,000 --> 00:42:11,759 Speaker 1: just banged me ten dollars on my way to get colosim. Oh, yeah, 596 00:42:11,760 --> 00:42:14,200 Speaker 1: that was the thing boy getting cologne sam too. I 597 00:42:14,280 --> 00:42:16,960 Speaker 1: used to tell them sample. I used to get the 598 00:42:17,000 --> 00:42:18,960 Speaker 1: ones out the magazine. Really when it came at the 599 00:42:19,000 --> 00:42:20,799 Speaker 1: back of the sea over your body. That's why they 600 00:42:20,840 --> 00:42:24,680 Speaker 1: stopped putting them in there. In middle school, used to 601 00:42:24,680 --> 00:42:27,320 Speaker 1: go to the lobby and rip them out. The magazines 602 00:42:27,320 --> 00:42:29,480 Speaker 1: and the lobby bad kids. You take literal a little 603 00:42:29,480 --> 00:42:36,719 Speaker 1: little bit. What's that you've got on cool water? We 604 00:42:37,120 --> 00:42:40,680 Speaker 1: got on lose week. We gotta put that cologne on, 605 00:42:40,880 --> 00:42:44,000 Speaker 1: ladies to be appreciating nigga. That smell good, yes, truth, 606 00:42:44,120 --> 00:42:47,879 Speaker 1: and you ain't got no money at least smell lights. Yes, yes, 607 00:42:47,960 --> 00:42:51,719 Speaker 1: So we're leaving that ship in the car because he's 608 00:42:51,719 --> 00:42:56,080 Speaker 1: just gonna smell like alcohol. You know, these are just 609 00:42:56,160 --> 00:42:59,399 Speaker 1: tangible things that people should just know. Once the sun 610 00:42:59,600 --> 00:43:04,000 Speaker 1: hit it, it's over it. Well, when it came on 611 00:43:04,080 --> 00:43:07,600 Speaker 1: it to five self and dropped wine twice, I'm trying 612 00:43:07,600 --> 00:43:14,040 Speaker 1: not to think about that sh So it really just 613 00:43:14,920 --> 00:43:21,800 Speaker 1: there And this is exactly what my thoughts were. So 614 00:43:22,000 --> 00:43:24,799 Speaker 1: we can come to the conclusion think that people who 615 00:43:24,960 --> 00:43:29,759 Speaker 1: drink drop ship. People who smoke ain't dropped ship. We 616 00:43:29,920 --> 00:43:35,520 Speaker 1: just zoned out sometimes that's about it. He was trying 617 00:43:35,520 --> 00:43:38,800 Speaker 1: to throw it out. I was I was locked in 618 00:43:38,960 --> 00:43:41,920 Speaker 1: for us because they couch therapeutic. Man. It is. This 619 00:43:42,120 --> 00:43:44,880 Speaker 1: is one of the ones where you intentionally trying to 620 00:43:44,920 --> 00:43:46,920 Speaker 1: fall asleep on when you really don't got nowhere to 621 00:43:47,000 --> 00:43:56,000 Speaker 1: go right in the club though, Facts, this couch look 622 00:43:56,080 --> 00:43:58,920 Speaker 1: like when all your sister boyfriends come to thanks Giving. 623 00:44:00,200 --> 00:44:08,399 Speaker 1: Y'all got to see that game? Damn all over the city. 624 00:44:14,200 --> 00:44:16,440 Speaker 1: Where can they find out the tour information and all 625 00:44:16,480 --> 00:44:20,040 Speaker 1: that good ship like that on Instagram? Am I instagram 626 00:44:20,800 --> 00:44:26,960 Speaker 1: at the at the hamiltones North La. Huh? Y'all all 627 00:44:27,040 --> 00:44:36,440 Speaker 1: from Charlotte? Nah? Were Greensboro? I mean Moresville, Greensboro. I 628 00:44:36,520 --> 00:44:39,000 Speaker 1: feel like Don Cornelius right there. And where are you 629 00:44:39,160 --> 00:44:46,200 Speaker 1: fromm yong man? Yeah? Yeah, yeah, big country. Where what's 630 00:44:46,200 --> 00:44:50,719 Speaker 1: the country ship you've seen in the country? Oh, y'all 631 00:44:50,760 --> 00:44:53,040 Speaker 1: girl up with cows and horses? I live I live 632 00:44:53,080 --> 00:44:55,080 Speaker 1: in Greensboro, so I don't. I don't got too much 633 00:44:55,120 --> 00:44:59,640 Speaker 1: of it. I legit, go up with y'all. I love it. 634 00:45:00,080 --> 00:45:04,520 Speaker 1: Mister Bill, your pigs in my own grandma yard. Yeah yeah. 635 00:45:04,560 --> 00:45:06,840 Speaker 1: The motherfucker's scared of hell like you. They just show up. 636 00:45:06,880 --> 00:45:11,000 Speaker 1: I don't know when the holes get out, real life 637 00:45:11,120 --> 00:45:17,520 Speaker 1: changing the experience, fucking the fucking big in the back yard, 638 00:45:17,600 --> 00:45:21,200 Speaker 1: big back now, And mister Bill pig, No, it ain't one, 639 00:45:21,280 --> 00:45:24,800 Speaker 1: it's ten, yeah, and they two, and they fucking the 640 00:45:24,960 --> 00:45:29,680 Speaker 1: yard up, tanning it up. Never never, I've been a 641 00:45:29,760 --> 00:45:32,520 Speaker 1: cousin's house in South Carolina and in the back they 642 00:45:32,640 --> 00:45:36,759 Speaker 1: got like pigs and the mule. Yeah, mister mule to 643 00:45:36,840 --> 00:45:39,640 Speaker 1: keep the the mule, keep the foxes away, coyote's away. 644 00:45:43,520 --> 00:45:48,000 Speaker 1: Then they dig it up, dig it up. They tap 645 00:45:48,080 --> 00:45:50,799 Speaker 1: on the grass and we're trying to eat reef. Ship 646 00:45:52,360 --> 00:45:57,520 Speaker 1: you smell it, yeahin't. These motherfuckers are huge. This ain't 647 00:45:57,600 --> 00:46:00,359 Speaker 1: like the pig you think like a story book pig. 648 00:46:00,760 --> 00:46:04,279 Speaker 1: These motherfucker's whole, big as wholes. Yeah, there's only five 649 00:46:04,400 --> 00:46:08,080 Speaker 1: hundred pounds and ship like they tann up ship the 650 00:46:08,200 --> 00:46:12,439 Speaker 1: whole weight. And these motherfuckers but it's like they ain't 651 00:46:12,520 --> 00:46:15,040 Speaker 1: just out. They just happen to be out because these 652 00:46:15,080 --> 00:46:18,080 Speaker 1: motherfuckers as smart as zill and they know that they out. 653 00:46:18,200 --> 00:46:20,759 Speaker 1: But they're scary brook. As soon as pigs get in 654 00:46:20,760 --> 00:46:24,600 Speaker 1: the wild, they're turning the boy, turning the boards and matter. 655 00:46:24,760 --> 00:46:27,920 Speaker 1: That's no. They get longer, they get ahead, and they 656 00:46:28,000 --> 00:46:33,200 Speaker 1: go touss crazy, turn to a straight werewolf. That's no. 657 00:46:33,400 --> 00:46:37,560 Speaker 1: Basically I watched the special on that that's real. Mothers 658 00:46:39,640 --> 00:46:44,480 Speaker 1: and they aggressive this real country ship straight up? What's 659 00:46:44,480 --> 00:46:46,480 Speaker 1: the country ship? You've seen in the country. I grew 660 00:46:46,560 --> 00:46:49,520 Speaker 1: up with it my family. They got cows and horses 661 00:46:49,560 --> 00:46:53,400 Speaker 1: and stuff. I can't everything I've seen this country. Country 662 00:46:53,520 --> 00:46:56,200 Speaker 1: is when you're going to to to a bar and 663 00:46:56,360 --> 00:46:58,960 Speaker 1: you you don't know whether you're stepping and ship or mud. 664 00:47:00,480 --> 00:47:05,000 Speaker 1: It's mud shit, Yeah, the most mud get ship in it. 665 00:47:05,520 --> 00:47:08,640 Speaker 1: Here we go and just seeing it being around the 666 00:47:08,760 --> 00:47:11,000 Speaker 1: horses getting out the gate, having to go up and 667 00:47:11,040 --> 00:47:14,279 Speaker 1: help Pop put the gate back up. Yeah, real country man, 668 00:47:14,840 --> 00:47:18,040 Speaker 1: real deal country. Look the country is for me. Has 669 00:47:18,080 --> 00:47:22,480 Speaker 1: gone to my grandparents' house and driving downtown on a tractor, 670 00:47:23,360 --> 00:47:25,960 Speaker 1: just driving through the town, going to handle Like my 671 00:47:26,080 --> 00:47:30,440 Speaker 1: grandfather was a bail bondsman, a mortician, and a sceptic 672 00:47:30,520 --> 00:47:36,320 Speaker 1: tank cleaning. Sometimes he would go get somebody bond straight 673 00:47:36,400 --> 00:47:38,759 Speaker 1: on the tractor and I'm sitting on his lap. Yeah, 674 00:47:39,960 --> 00:47:43,879 Speaker 1: real life country stuff man, and catching the ten pound 675 00:47:43,960 --> 00:47:47,320 Speaker 1: bass because I fish. That's in fact, the east bags 676 00:47:47,680 --> 00:47:55,800 Speaker 1: ends up here up here. Yeah. Man, Literally, you're literally 677 00:47:55,880 --> 00:47:58,840 Speaker 1: from two states over. I mean, I just didn't know 678 00:47:58,880 --> 00:48:01,120 Speaker 1: if you'll eat will be like, who is y'all? I'm 679 00:48:01,120 --> 00:48:07,920 Speaker 1: from Mississippi, Georgia boys, Georgia people. You reach it. I don't. 680 00:48:08,200 --> 00:48:11,520 Speaker 1: I don't. I don't eat a lot of ship though. 681 00:48:11,560 --> 00:48:15,759 Speaker 1: It's it's a long story. Yeah, my main year is 682 00:48:15,880 --> 00:48:20,360 Speaker 1: very limited. Set them up right. They're not bad, they 683 00:48:20,440 --> 00:48:23,360 Speaker 1: say all the means the best ball he loves so 684 00:48:23,600 --> 00:48:28,680 Speaker 1: foods and ship. I feel like because because I think 685 00:48:28,719 --> 00:48:32,680 Speaker 1: it's a set up. You know, I actually read a book. 686 00:48:33,040 --> 00:48:35,239 Speaker 1: I read a book called Eating the Live by a 687 00:48:35,320 --> 00:48:38,840 Speaker 1: logic behind Why the fund would I keep eating the 688 00:48:38,960 --> 00:48:41,640 Speaker 1: same ship people been eating? And they already told us 689 00:48:41,640 --> 00:48:44,719 Speaker 1: one supposed to be eating this ship. That's what he 690 00:48:44,800 --> 00:48:47,480 Speaker 1: was talking about in that book, man, And like you 691 00:48:47,560 --> 00:48:49,480 Speaker 1: want need to just keep eating this ship that didn't 692 00:48:49,560 --> 00:48:54,000 Speaker 1: kill everybody in the family. I'm gonna try different approach. True, 693 00:48:54,920 --> 00:48:56,960 Speaker 1: that's why I just eat pretty much the same ship 694 00:48:57,120 --> 00:49:03,520 Speaker 1: all the time. What what you eat? Though, I don't 695 00:49:03,560 --> 00:49:10,440 Speaker 1: want to discuss it. It ain't been like seven things, okay, 696 00:49:11,960 --> 00:49:14,200 Speaker 1: chipling's ain't bad once a year though, now I'm good. 697 00:49:15,520 --> 00:49:18,759 Speaker 1: Hans them up year. If you've been real you know, 698 00:49:18,920 --> 00:49:21,279 Speaker 1: good pretty much the whole year pretty much. You know 699 00:49:21,280 --> 00:49:24,200 Speaker 1: you're gonna have on the roll times and then Thanksgiving 700 00:49:24,239 --> 00:49:25,919 Speaker 1: come around. It's a little chillss with some hot sauce 701 00:49:25,960 --> 00:49:29,799 Speaker 1: and slot. It ain't too bad. Most shit you could 702 00:49:29,880 --> 00:49:34,640 Speaker 1: eat as a black person probably yeah, yeah, I mean, 703 00:49:34,800 --> 00:49:37,560 Speaker 1: do you that's what the intestines do to sue. But 704 00:49:37,680 --> 00:49:41,879 Speaker 1: all the fucking poisons and ship most times of food 705 00:49:41,960 --> 00:49:45,080 Speaker 1: still though, yeah, because most of that shit ain't even 706 00:49:46,080 --> 00:49:48,239 Speaker 1: that ship is made by some ship that you know 707 00:49:48,280 --> 00:49:50,359 Speaker 1: you ain't supposed to be eat. True, Yeah, I think 708 00:49:50,400 --> 00:49:55,040 Speaker 1: you might live eat you possibly might. Well, they used to, 709 00:49:55,760 --> 00:49:59,080 Speaker 1: used to, they go out. I don't think there's no 710 00:49:59,160 --> 00:50:02,400 Speaker 1: every days I want to, but you know, chills a 711 00:50:02,520 --> 00:50:06,560 Speaker 1: seasonal like. It's like the farmers, the pig farmers. I 712 00:50:07,120 --> 00:50:11,359 Speaker 1: happen to know, pig farmer. It's riplest the pin farmers said, 713 00:50:11,440 --> 00:50:15,560 Speaker 1: you get this discussion could be lower hell because you 714 00:50:15,640 --> 00:50:17,719 Speaker 1: don't get them in the hot everything you eat them 715 00:50:18,080 --> 00:50:22,759 Speaker 1: kill you eventually, He's right, that man, Okay. And and 716 00:50:22,920 --> 00:50:25,480 Speaker 1: liver pudding and scrapping. Don't do that now. I eat 717 00:50:25,560 --> 00:50:35,640 Speaker 1: some scrapple with some eggs, liver much yeah, with some grigs. Man, 718 00:50:36,239 --> 00:50:42,080 Speaker 1: see real country balls in whack fath all this ship? Yes, yeah, 719 00:50:42,160 --> 00:50:48,920 Speaker 1: I know more now, but yeah, Fried, none of this slow. Now. 720 00:50:48,960 --> 00:50:53,160 Speaker 1: I can't do no liver. I eat my daggers. But 721 00:50:53,320 --> 00:50:56,840 Speaker 1: I come from the country. You know it's not here, Greg. 722 00:51:00,320 --> 00:51:02,920 Speaker 1: That's how y'all going through the country people, the country, 723 00:51:03,200 --> 00:51:08,040 Speaker 1: the country. Kind of meat on that thing? I don't do. 724 00:51:08,160 --> 00:51:10,880 Speaker 1: I never did. My grandma would have pig brains in 725 00:51:10,920 --> 00:51:15,680 Speaker 1: the can or sausage belonging big brains in the can. 726 00:51:16,040 --> 00:51:18,360 Speaker 1: They would. And it's in milk. It's a pig brains 727 00:51:18,400 --> 00:51:26,000 Speaker 1: and milk. You want you the country? No, I never 728 00:51:26,040 --> 00:51:29,120 Speaker 1: can get that. This dude like boogers or something. I 729 00:51:29,160 --> 00:51:33,919 Speaker 1: can't do it milk and it was a brain. Yeah, 730 00:51:33,960 --> 00:51:35,959 Speaker 1: but that's what they knew. They scrambling in the eggs. 731 00:51:36,360 --> 00:51:41,839 Speaker 1: My mom, y'all. My mom ain't not after, not after 732 00:51:41,920 --> 00:51:43,840 Speaker 1: he ate that. Yeah, like it was good that you 733 00:51:43,920 --> 00:51:48,600 Speaker 1: talking about it was. Yeah, y'all have discussed. Never did that. 734 00:51:49,680 --> 00:51:52,440 Speaker 1: No fucking brains. That's where I draw the line. You 735 00:51:52,520 --> 00:51:58,520 Speaker 1: ever hot dogs anything like that stopped? I love hot dogs, 736 00:51:58,760 --> 00:52:02,680 Speaker 1: YEA like hot do too. You know it don't matter 737 00:52:02,719 --> 00:52:05,320 Speaker 1: to me. I try it all. I'm the I experiment 738 00:52:05,400 --> 00:52:11,680 Speaker 1: with food, so man, yeah, we are the Yeah, I 739 00:52:11,760 --> 00:52:13,680 Speaker 1: think the most fucked up ship that I do eat 740 00:52:13,840 --> 00:52:16,440 Speaker 1: from time to time. There was a mic rib Oh 741 00:52:16,680 --> 00:52:26,320 Speaker 1: god with no bones, man, somebody you know, no, but 742 00:52:26,480 --> 00:52:30,480 Speaker 1: that's man. We all have we all do. We're not perfect. 743 00:52:30,600 --> 00:52:35,120 Speaker 1: Mick Ribbs don't have bones, bro, I know, don't you know? 744 00:52:36,040 --> 00:52:42,400 Speaker 1: Because they Nick took him out, Mick bonus, they made it. 745 00:52:42,680 --> 00:52:48,320 Speaker 1: Yeah right, it only come out with pork. Is that 746 00:52:48,400 --> 00:52:52,000 Speaker 1: it's cheapest price. That's that's the key is bad people 747 00:52:52,080 --> 00:52:55,080 Speaker 1: celebrate it because they'd be like women. They celebrate that ship. 748 00:52:55,440 --> 00:52:57,800 Speaker 1: I think they're trying to tell you exactly what it is. 749 00:52:57,960 --> 00:53:00,120 Speaker 1: When they say to mic rib is back They me 750 00:53:00,320 --> 00:53:05,320 Speaker 1: like back meat, maybe back rib, maybe back rib. They go, 751 00:53:05,719 --> 00:53:11,759 Speaker 1: this is straight spinal colling dollars. And I don't know, man, 752 00:53:11,880 --> 00:53:13,719 Speaker 1: I think to say this fast food though it is 753 00:53:13,760 --> 00:53:20,600 Speaker 1: windows windows was the ship is still don't thank you 754 00:53:20,800 --> 00:53:32,960 Speaker 1: Bromes Burger console. This guy's a burger co the song 755 00:53:33,040 --> 00:53:37,279 Speaker 1: of the fresh all the press. We can go to 756 00:53:37,360 --> 00:53:41,160 Speaker 1: the fancy steakhouse in the world type of healing, and 757 00:53:41,239 --> 00:53:45,440 Speaker 1: the burger's gonna be burgle. It's gonna be ain't but 758 00:53:45,560 --> 00:53:47,400 Speaker 1: one way to mess up a burger that's not cooking 759 00:53:47,520 --> 00:53:52,800 Speaker 1: right right, he's smart. No best burgen best Burger steakhouse. 760 00:53:52,840 --> 00:53:54,800 Speaker 1: They're going there to take the eighty five off of 761 00:53:54,880 --> 00:54:00,880 Speaker 1: one person? Why can they said? Sta never had no 762 00:54:01,000 --> 00:54:07,279 Speaker 1: scow it was good. They never learn that scoot. You 763 00:54:07,360 --> 00:54:13,440 Speaker 1: know that ship you see to be a burglar, the 764 00:54:13,440 --> 00:54:15,320 Speaker 1: burst burgers at the steakhouse. When you come to that, 765 00:54:15,400 --> 00:54:16,880 Speaker 1: I'm take you to a cook at. Do you know 766 00:54:17,000 --> 00:54:22,640 Speaker 1: that they allow us human to get ches burglars before 767 00:54:22,680 --> 00:54:24,480 Speaker 1: they'll take it off the run? I ain't. They've been 768 00:54:24,560 --> 00:54:26,560 Speaker 1: doing this shit this long. Guess what I'm gonna say. 769 00:54:26,800 --> 00:54:28,920 Speaker 1: Put it in there. I'm saying, what's wrong with you? 770 00:54:29,560 --> 00:54:32,040 Speaker 1: I didn't say nothing was wrong with ChIL. I just 771 00:54:32,160 --> 00:54:35,239 Speaker 1: seen you eat it. I won't eat it. Yeah, and 772 00:54:35,400 --> 00:54:38,040 Speaker 1: shit wrong with that shit. It's just not for me. 773 00:54:38,880 --> 00:54:42,319 Speaker 1: It was a little chiler in that burg that's the burger. 774 00:54:42,760 --> 00:54:45,200 Speaker 1: That's the best way to get me. Eat that burglars 775 00:54:45,360 --> 00:54:51,600 Speaker 1: Burger burglars. But thirty ain't more because I was like 776 00:54:51,760 --> 00:54:54,640 Speaker 1: a Nuther man, a good burglar. Make it a change 777 00:54:54,640 --> 00:54:58,160 Speaker 1: the whole day. Man. Yeah, I ain't gonna lo something. Man, 778 00:54:58,280 --> 00:55:04,319 Speaker 1: Come on, man, she's safe. Burger is a safe food. 779 00:55:04,360 --> 00:55:06,760 Speaker 1: So if you go somewhere and you unsure about everything, 780 00:55:06,800 --> 00:55:09,399 Speaker 1: was me and you see burger that's the same. Chicken 781 00:55:09,480 --> 00:55:13,359 Speaker 1: tenders a safe too. But I mean you can't get 782 00:55:13,400 --> 00:55:16,600 Speaker 1: a gummy you can get it, I can't. You can't 783 00:55:21,440 --> 00:55:26,040 Speaker 1: cheese burger be great. You know what makes me uncomfortable 784 00:55:26,280 --> 00:55:29,279 Speaker 1: is when the restaurant got too many items on the me. 785 00:55:30,120 --> 00:55:33,120 Speaker 1: Ain't no way that make all this ship good? I 786 00:55:33,200 --> 00:55:39,840 Speaker 1: agree with you, Yeah, I'm saying, I say, but not 787 00:55:40,800 --> 00:55:44,080 Speaker 1: like that. No, not all the time. I love it 788 00:55:44,160 --> 00:55:46,680 Speaker 1: down all the time. A diner with a thousand ninems, 789 00:55:47,200 --> 00:55:49,040 Speaker 1: all of them smack for the most part. You go 790 00:55:49,120 --> 00:55:52,080 Speaker 1: there two days ago and not all the time, Kyla 791 00:55:52,160 --> 00:55:58,239 Speaker 1: Green Diner and get that's food. Don't go toner and 792 00:55:58,320 --> 00:56:00,439 Speaker 1: get salmon and rack. Well I would to the Dollar 793 00:56:00,560 --> 00:56:04,840 Speaker 1: got shrip but was fried. No, it was the regular. 794 00:56:04,960 --> 00:56:06,839 Speaker 1: When we was up the Dollar, I think I was here, Yeah, 795 00:56:07,040 --> 00:56:09,520 Speaker 1: it was here. The shrimp cocktail, That's what I said. 796 00:56:09,600 --> 00:56:11,680 Speaker 1: Not all the time, but that's what I'm saying. They 797 00:56:11,719 --> 00:56:17,960 Speaker 1: had out mark and some nice shrimp cocktail. That woman 798 00:56:18,040 --> 00:56:22,719 Speaker 1: named Mary made the name Mac. But the tea room, 799 00:56:23,840 --> 00:56:27,919 Speaker 1: yeah that ain't that ain't yeah, and it ain't don't 800 00:56:27,960 --> 00:56:31,600 Speaker 1: let that. No, we get it. We know that that 801 00:56:32,040 --> 00:56:35,959 Speaker 1: y'all know, that's just one we had. Yeah, we didn't 802 00:56:35,960 --> 00:56:38,320 Speaker 1: have really a lot of times we were like, but 803 00:56:38,360 --> 00:56:41,040 Speaker 1: that's where y'all went to that. Yeah, where should we go? 804 00:56:41,760 --> 00:56:43,879 Speaker 1: Go to the old Lady gang. It's kind of shit 805 00:56:44,719 --> 00:56:47,560 Speaker 1: old lady guys and they busting, they busting all that. 806 00:56:48,120 --> 00:56:51,000 Speaker 1: I want to say. I think we went. Yeah, we 807 00:56:51,040 --> 00:56:54,680 Speaker 1: went to when we came actually I said we so 808 00:56:54,800 --> 00:57:00,719 Speaker 1: that was the place Breakfast had breakfast and Barney too. Yep. 809 00:57:01,520 --> 00:57:04,440 Speaker 1: I don't know if we make breakfast because we probably yea, 810 00:57:04,520 --> 00:57:08,560 Speaker 1: but yeah, when we come back cook. Yeah, you know, 811 00:57:09,400 --> 00:57:18,560 Speaker 1: she snapping sound I got the trip. I've been the sheets. No, no, 812 00:57:18,760 --> 00:57:22,520 Speaker 1: she's on the way back to say, okay, like nothing 813 00:57:22,560 --> 00:57:27,600 Speaker 1: like that. Yeah, we got quick trip and ship dogs, 814 00:57:28,680 --> 00:57:31,440 Speaker 1: race tracks. Some holes white. You said that they don't 815 00:57:31,480 --> 00:57:34,080 Speaker 1: even be open. They went in front like quick Trip, 816 00:57:34,120 --> 00:57:36,800 Speaker 1: but you go to that bushy be closed. They made 817 00:57:36,840 --> 00:57:39,400 Speaker 1: food in there like sound tracks. Yeah, but you gotta 818 00:57:39,440 --> 00:57:42,000 Speaker 1: go that. They got like business hours they like you 819 00:57:42,080 --> 00:57:47,040 Speaker 1: know what I'm saying, hours three in the morning. I know. 820 00:57:47,880 --> 00:57:55,919 Speaker 1: The crazy part is too crazy party. If you didn't 821 00:57:56,040 --> 00:57:57,960 Speaker 1: order to sound with them, same people say he's some 822 00:57:58,120 --> 00:58:05,720 Speaker 1: gas that's crazy or a lot. Yeah, that buckie shit 823 00:58:05,880 --> 00:58:10,080 Speaker 1: is ridiculous. BUCkies just like going towards like Texas. All right, 824 00:58:11,760 --> 00:58:18,200 Speaker 1: you going, we've been It's like a big beaver. A 825 00:58:18,320 --> 00:58:20,800 Speaker 1: beaver is just like the mask, big as a Walmart. 826 00:58:20,840 --> 00:58:26,000 Speaker 1: It's stupid they got we've been there, not going places 827 00:58:26,080 --> 00:58:29,720 Speaker 1: like that. I bought strangest ship. Yeah, I'm getting a 828 00:58:29,840 --> 00:58:33,960 Speaker 1: dream catcher axe, nigga gotta. I'm gonna just get the 829 00:58:34,040 --> 00:58:36,160 Speaker 1: most random shit. No, I'm getting the big knife out 830 00:58:36,200 --> 00:58:39,960 Speaker 1: the case. I'm gonna get the alligator head, some ball, peanuts, 831 00:58:40,160 --> 00:58:45,080 Speaker 1: a bag of oranges, peaches, hell yeah, two or three jellies. 832 00:58:45,160 --> 00:58:48,720 Speaker 1: Maybe it's some organic honey, some real shit, brisket Chaco 833 00:58:49,120 --> 00:58:56,080 Speaker 1: hell right, necessity. I do all kinds of random shit. 834 00:58:57,200 --> 00:59:03,080 Speaker 1: Sometimes sometimes I just buy Dell arn hard hat, throw 835 00:59:03,160 --> 00:59:06,880 Speaker 1: that bitch up thing. Let truck driving headphones was really 836 00:59:06,920 --> 00:59:09,400 Speaker 1: worked up because I see only truck dropping. Yeah, I 837 00:59:09,760 --> 00:59:12,600 Speaker 1: get to him man with that truck driving. Yeah, I 838 00:59:12,640 --> 00:59:15,800 Speaker 1: get some man, especially when I was a little bit, 839 00:59:15,960 --> 00:59:18,000 Speaker 1: not a little the little rush you push right, you're 840 00:59:18,040 --> 00:59:22,440 Speaker 1: talking about the truck driver old water. No, no, no, 841 00:59:22,560 --> 00:59:25,960 Speaker 1: don't get job buses. Yeah, I don't get that. I'm 842 00:59:25,960 --> 00:59:31,640 Speaker 1: getting next ship or the one you getting the mouth piece. 843 00:59:32,920 --> 00:59:34,640 Speaker 1: That's what you tell the truck job too, when you 844 00:59:34,720 --> 00:59:38,160 Speaker 1: be next ship. They always got a bluetooth on. Everybody's 845 00:59:38,280 --> 00:59:41,680 Speaker 1: chilling with air pies in they got blue too, and 846 00:59:41,720 --> 00:59:47,280 Speaker 1: they talk loud. I'm a little bit why you even 847 00:59:47,320 --> 00:59:49,920 Speaker 1: getting day when I think it took place. I know 848 00:59:49,960 --> 00:59:55,760 Speaker 1: where you're talking about. I'm a little and man dropped 849 00:59:55,800 --> 00:59:58,080 Speaker 1: you on social media one more time so people can't 850 00:59:58,120 --> 01:00:02,440 Speaker 1: catch up with your choose and see North Carolina at 851 01:00:02,480 --> 01:00:05,640 Speaker 1: the hamiltones n see. You can find anything you need 852 01:00:05,720 --> 01:00:07,880 Speaker 1: that we're doing. If you want to know from music 853 01:00:07,960 --> 01:00:09,760 Speaker 1: to where we're gonna be and where you need to go, 854 01:00:10,520 --> 01:00:13,600 Speaker 1: we'll see you there soon. Hey man, I noticed y'all 855 01:00:13,680 --> 01:00:15,720 Speaker 1: first time in the trap, but don't let it be 856 01:00:15,920 --> 01:00:26,160 Speaker 1: your last hamiltones. They gotta stay right there. Let's take 857 01:00:26,200 --> 01:00:30,360 Speaker 1: a biture. Don't drop that