WEBVTT - 107: Grant: For the People w/ Kerry Washington

0:00:00.080 --> 0:00:03.279
<v Speaker 1>Unpacking the toolboxes of production of Schondoland Audio in partnership

0:00:03.279 --> 0:00:39.600
<v Speaker 1>with iHeartRadio. Katie Hi Ja Hi Katie Hioka, Curly cook

0:00:39.760 --> 0:00:43.760
<v Speaker 1>curly curly. My second grade teacher used to always missus kaylish.

0:00:44.520 --> 0:00:48.919
<v Speaker 1>She was so mean, but she would always sing cooka Cokatie,

0:00:49.120 --> 0:00:53.239
<v Speaker 1>My beautiful Katie. There's some fucking song, remember I know?

0:00:53.440 --> 0:00:55.480
<v Speaker 1>To you? She would sing it to you to me

0:00:55.520 --> 0:00:58.240
<v Speaker 1>when I entered the classroom game is there any childhood

0:00:58.320 --> 0:01:04.520
<v Speaker 1>song where Guillermo is a name? Hell no, remember romper Room.

0:01:04.520 --> 0:01:06.280
<v Speaker 1>I mean you're suit You're much younger than I am.

0:01:06.280 --> 0:01:08.280
<v Speaker 1>But there was no show called Romper Room. And the

0:01:08.680 --> 0:01:12.000
<v Speaker 1>host in the beginning would look into this magical mirror

0:01:12.000 --> 0:01:14.800
<v Speaker 1>and be like, I see you Tommy and Katie and

0:01:14.959 --> 0:01:22.120
<v Speaker 1>John and Barbara and Ted, and like, how about in

0:01:22.160 --> 0:01:25.120
<v Speaker 1>New York when you go into the trinket stores and

0:01:25.160 --> 0:01:28.040
<v Speaker 1>it's like you can get a little license played or

0:01:28.080 --> 0:01:31.840
<v Speaker 1>a little pencil with like Katie's always on there. Yeah,

0:01:31.920 --> 0:01:35.440
<v Speaker 1>and it's always in a variation of spellings. Yeah, I

0:01:35.520 --> 0:01:37.800
<v Speaker 1>might get Katie, which is how I spell it. There

0:01:37.880 --> 0:01:40.920
<v Speaker 1>might be kat why whatever, But you are just straight

0:01:41.000 --> 0:01:42.880
<v Speaker 1>up fun. No. They would be like, well, get a,

0:01:42.920 --> 0:01:46.640
<v Speaker 1>William William is garm I'm like, is William gear Well?

0:01:46.680 --> 0:01:50.640
<v Speaker 1>William is like the English version of Guillermo. So my friends,

0:01:50.720 --> 0:01:54.600
<v Speaker 1>you know, teachers and um my, my friends I couldn't

0:01:54.600 --> 0:01:57.200
<v Speaker 1>pronounce Giarmo would call me Willie like Willie was my

0:01:57.320 --> 0:02:01.920
<v Speaker 1>name in school, like for you wi l e Willie.

0:02:02.440 --> 0:02:08.000
<v Speaker 1>Oh God, not Willie call you that from now? Please?

0:02:08.680 --> 0:02:10.639
<v Speaker 1>I like it. I actually like it. I'm gonna get

0:02:10.639 --> 0:02:12.760
<v Speaker 1>Willie tatted on me. I don't know if you can

0:02:12.840 --> 0:02:18.680
<v Speaker 1>tell Willie Willie Willie William that. Um, I have a

0:02:18.680 --> 0:02:21.400
<v Speaker 1>lot of extra kick and pep in my step today,

0:02:21.680 --> 0:02:26.679
<v Speaker 1>do you why? Well, because we have the most exciting

0:02:26.840 --> 0:02:32.760
<v Speaker 1>guest for our listeners today. I mean we're obsessed with her.

0:02:32.880 --> 0:02:35.280
<v Speaker 1>We're obsessed with her and obsessed with us. Yeah, I

0:02:35.280 --> 0:02:41.040
<v Speaker 1>mean clearly. I mean, and there is no scandal without

0:02:41.080 --> 0:02:46.799
<v Speaker 1>this person about this person's performance. Yea. And honestly, she

0:02:47.040 --> 0:02:52.600
<v Speaker 1>changed my life in like every way, because well, that's

0:02:52.639 --> 0:02:54.680
<v Speaker 1>just because that's the person she is. I don't think

0:02:54.720 --> 0:02:57.880
<v Speaker 1>anyone who has been lucky enough to spend time with

0:02:57.919 --> 0:03:01.200
<v Speaker 1>the one and only Number one of Scandal could say

0:03:01.240 --> 0:03:04.320
<v Speaker 1>that she hadn't changed their life, because that's just the

0:03:04.400 --> 0:03:09.440
<v Speaker 1>magnitude of human that she is. Yes, she's fucking hilarious. Ye,

0:03:09.600 --> 0:03:13.239
<v Speaker 1>that's the other thing, Like, Okay, she's an activist, she's

0:03:13.280 --> 0:03:16.280
<v Speaker 1>the best actress ever. She's a director, she's a producer.

0:03:16.440 --> 0:03:19.760
<v Speaker 1>She's been on Broadway, she's been in movies. She's led

0:03:19.880 --> 0:03:25.240
<v Speaker 1>the Democratic National Convention. She's ridiculously the accolades and the

0:03:25.600 --> 0:03:28.360
<v Speaker 1>respect and all of that, but girl is fucking hill.

0:03:28.960 --> 0:03:31.800
<v Speaker 1>That's one of my favorite things about Carrie is remember

0:03:31.919 --> 0:03:34.760
<v Speaker 1>laughing with her on set, Like laughing with her was

0:03:34.920 --> 0:03:37.440
<v Speaker 1>so much fun, so so much fun. And look, I

0:03:37.440 --> 0:03:41.520
<v Speaker 1>wear my shirt that says Queen, because Carrie is the queen.

0:03:42.040 --> 0:03:45.440
<v Speaker 1>She's our queen, and she's our queen of Scandal. And

0:03:45.560 --> 0:03:52.800
<v Speaker 1>she also was the best number one. Yes, I honestly

0:03:52.880 --> 0:03:57.000
<v Speaker 1>think this business has ever seen. She's spoiled. Ye spoiled

0:03:57.040 --> 0:04:00.000
<v Speaker 1>all of other TV shows that I was a regular

0:04:00.080 --> 0:04:03.200
<v Speaker 1>la on, which was like two others, But she spoiled

0:04:03.200 --> 0:04:06.720
<v Speaker 1>that for because the amount of you know, class and

0:04:07.560 --> 0:04:12.080
<v Speaker 1>h just a positiveness and respect that I expected from

0:04:12.080 --> 0:04:17.520
<v Speaker 1>my number one after Scandal was like anything that I

0:04:17.560 --> 0:04:21.160
<v Speaker 1>ever got. Yeah. Yeah, it was like you're no Kerry Washington. No,

0:04:21.360 --> 0:04:24.840
<v Speaker 1>I mean she was and also how I behaved on set,

0:04:24.920 --> 0:04:27.880
<v Speaker 1>Like I truly think there was like speeches made. You know,

0:04:27.920 --> 0:04:29.960
<v Speaker 1>obviously you guys have heard on the podcast that well,

0:04:30.839 --> 0:04:33.560
<v Speaker 1>we knew that the end was coming our last season,

0:04:33.600 --> 0:04:36.600
<v Speaker 1>so there were so many goodbyes. But they kept saying

0:04:36.600 --> 0:04:38.840
<v Speaker 1>over and over again that everyone who was lucky enough

0:04:38.880 --> 0:04:41.000
<v Speaker 1>to be on this set could go off into their

0:04:41.000 --> 0:04:44.280
<v Speaker 1>other sets, of their other jobs, knowing that this type

0:04:44.279 --> 0:04:47.320
<v Speaker 1>of family feel and behavior was even possible, and that

0:04:47.400 --> 0:04:49.839
<v Speaker 1>you could strive for that and like exist, you should

0:04:49.960 --> 0:04:53.800
<v Speaker 1>try to have your cast and crew feel like this.

0:04:54.080 --> 0:04:57.520
<v Speaker 1>But my god, this woman, I mean, she didn't. Every

0:04:57.560 --> 0:05:00.320
<v Speaker 1>time she got nominated for an award, which was all lot,

0:05:01.040 --> 0:05:04.159
<v Speaker 1>she would gather the entire crew do you remember this shit?

0:05:05.360 --> 0:05:09.640
<v Speaker 1>Rather gather the entire crew and cast and just like

0:05:09.800 --> 0:05:14.120
<v Speaker 1>make the most beautiful speech about that. It was about

0:05:14.279 --> 0:05:15.560
<v Speaker 1>she did at all the time, but how it was

0:05:16.200 --> 0:05:20.080
<v Speaker 1>everyone like that she was nothing without the rest of us,

0:05:20.160 --> 0:05:22.839
<v Speaker 1>like the and the crew and the grip. She knew

0:05:22.880 --> 0:05:27.000
<v Speaker 1>everyone's names, everyone significant others names, who was expecting children,

0:05:27.000 --> 0:05:30.760
<v Speaker 1>who was purchasing homes, who needed help? Like it was yeah,

0:05:30.800 --> 0:05:32.919
<v Speaker 1>and she would also, Katie, do you remember she would

0:05:33.279 --> 0:05:36.200
<v Speaker 1>when we had background on set. Whenever we had background,

0:05:36.200 --> 0:05:39.159
<v Speaker 1>she would take a moment, either before we started shooting

0:05:39.240 --> 0:05:41.320
<v Speaker 1>or after, to say, Hey, I just want to take

0:05:41.320 --> 0:05:44.400
<v Speaker 1>a minute to say thank you to you guys. Without you, guys,

0:05:44.440 --> 0:05:48.000
<v Speaker 1>we cannot have you know, made scandal, So thank you

0:05:48.080 --> 0:05:51.760
<v Speaker 1>background actors, you oh the world. She always did that,

0:05:52.120 --> 0:05:53.680
<v Speaker 1>and that's the first time I ever saw that on

0:05:53.720 --> 0:05:56.520
<v Speaker 1>set on I've never seen that either. Remember the lawn

0:05:56.640 --> 0:06:01.360
<v Speaker 1>Chair episode with UM. With UM the first one that

0:06:01.560 --> 0:06:05.159
<v Speaker 1>Courtney b Vance, the background actors have to be screaming

0:06:05.560 --> 0:06:10.280
<v Speaker 1>horrific racial slurs because it's about us shooting all this

0:06:10.480 --> 0:06:14.280
<v Speaker 1>and and Carrie is like saying, like, thank you so

0:06:14.360 --> 0:06:17.120
<v Speaker 1>much for your performance. Like I know this is not easy.

0:06:17.200 --> 0:06:19.360
<v Speaker 1>I know this is hard. This is taking so much

0:06:19.440 --> 0:06:22.440
<v Speaker 1>energy and it's hard, ugly things to say. And like

0:06:23.720 --> 0:06:26.240
<v Speaker 1>the girl is a leader. I mean, she's not going

0:06:26.279 --> 0:06:28.560
<v Speaker 1>to run for president, but my good god, if I

0:06:28.600 --> 0:06:31.039
<v Speaker 1>wish she would. We would be so lucky because it's

0:06:31.080 --> 0:06:32.960
<v Speaker 1>not only you can't do yeah, And not only do

0:06:33.000 --> 0:06:35.960
<v Speaker 1>we have Carrie Washington on this episode, we have a

0:06:36.000 --> 0:06:39.359
<v Speaker 1>plethora of other amazing guest actors. One of my favorites

0:06:39.400 --> 0:06:42.040
<v Speaker 1>is Matt Lesher, who plays Jimmy Chambers. Of course, George

0:06:42.120 --> 0:06:45.760
<v Speaker 1>Newberne is in this episode who plays Charlie Freaking Kate

0:06:45.839 --> 0:06:51.520
<v Speaker 1>Burton d oh Brendan Hines as Gideon Wallace, although in

0:06:51.520 --> 0:06:57.080
<v Speaker 1>this episode he Doys did in this episode. Yo Bellamy

0:06:57.200 --> 0:06:59.440
<v Speaker 1>Young is listed as a guest star in this episode

0:06:59.440 --> 0:07:01.880
<v Speaker 1>because she's not a regular yet on the show. Bellamy

0:07:01.960 --> 0:07:06.200
<v Speaker 1>did not become a regular until we got picked up

0:07:06.240 --> 0:07:08.039
<v Speaker 1>for a second season. And by the way, we're talking

0:07:08.040 --> 0:07:11.160
<v Speaker 1>today about episode one oh seven called Grant for the People,

0:07:12.080 --> 0:07:14.560
<v Speaker 1>which aired on May seventeenth and twenty twelve. It was

0:07:14.600 --> 0:07:19.760
<v Speaker 1>written by Shanda Rhymes, our other queen. There were two

0:07:19.800 --> 0:07:22.360
<v Speaker 1>queens to make Scandal, Shawn Carry and it was directed

0:07:22.360 --> 0:07:25.040
<v Speaker 1>by Roxanne Dawson. But at the time that we shot

0:07:25.040 --> 0:07:27.920
<v Speaker 1>this episode, we didn't know we were going to get

0:07:27.920 --> 0:07:33.480
<v Speaker 1>a second No, we had never aired an episode like yeah,

0:07:33.520 --> 0:07:35.640
<v Speaker 1>we shot it and no one had seen it. So

0:07:35.640 --> 0:07:37.640
<v Speaker 1>we were still in this like perfect little bubble where

0:07:37.640 --> 0:07:39.560
<v Speaker 1>we have no clue how the show was going to

0:07:39.600 --> 0:07:42.840
<v Speaker 1>be received. Listen, what I love about our show and

0:07:42.880 --> 0:07:46.160
<v Speaker 1>about our cast is not not one year of our

0:07:46.280 --> 0:07:49.160
<v Speaker 1>seven seasons did I ever or any of us ever

0:07:49.240 --> 0:07:51.560
<v Speaker 1>feel like, ah cool, I'll see you guys next year.

0:07:51.600 --> 0:07:54.760
<v Speaker 1>We were picked up. It was ever after every single

0:07:54.800 --> 0:07:57.720
<v Speaker 1>season we were like, oh please God, I hope we

0:07:57.720 --> 0:08:00.800
<v Speaker 1>were fortunate enough to get picked up. We never got

0:08:00.840 --> 0:08:03.600
<v Speaker 1>cocky about this stuff. Never. We didn't take it for granted,

0:08:03.680 --> 0:08:07.800
<v Speaker 1>no pun intended grant for the people. The name of

0:08:07.840 --> 0:08:12.480
<v Speaker 1>this episode grant taken for granted for the people. But yeah,

0:08:12.520 --> 0:08:16.320
<v Speaker 1>we were always just super humble and just like so great.

0:08:16.400 --> 0:08:21.800
<v Speaker 1>That's because shit rolls down hill and carry. Yeah. Never, yes,

0:08:22.320 --> 0:08:25.400
<v Speaker 1>never took the show, the job, or characters, the writing

0:08:25.440 --> 0:08:31.120
<v Speaker 1>for granted. Before she comes on, which we're obviously tickled. Tickled,

0:08:31.520 --> 0:08:33.240
<v Speaker 1>let me just tell you fill in the rest, which

0:08:33.320 --> 0:08:35.559
<v Speaker 1>is we we said Brendan Hines is on this episode,

0:08:35.559 --> 0:08:38.520
<v Speaker 1>but this be it because he died. We have Bryan

0:08:38.640 --> 0:08:42.360
<v Speaker 1>Lesser is Tom Troy Winbush's Morris Elcott, love him so much.

0:08:42.520 --> 0:08:45.880
<v Speaker 1>Shannon Cochrane is the Attorney General Sawyer. Mark Harrelick is

0:08:45.920 --> 0:08:50.040
<v Speaker 1>the Press secretary. Marvin Colgate, You're fired, Marvin. That's my

0:08:50.080 --> 0:08:54.120
<v Speaker 1>favorite by Aaron. Marvin. Get the fuck out. The synopsis

0:08:54.200 --> 0:08:56.600
<v Speaker 1>is Olivia and the team rally after Quinn finds Gideon

0:08:56.600 --> 0:08:59.760
<v Speaker 1>Wallace dying in his apartment. Cyrus turns to Olivia with

0:08:59.800 --> 0:09:03.559
<v Speaker 1>an anouncement that affects fits his presidency. And that's all

0:09:03.600 --> 0:09:07.040
<v Speaker 1>we're giving you. It's a very short synopsis. What did

0:09:07.120 --> 0:09:09.600
<v Speaker 1>you think of my acting in this episode? Katie? I

0:09:09.640 --> 0:09:15.080
<v Speaker 1>love your act Katie, Katie, listen, can you look my

0:09:15.080 --> 0:09:19.240
<v Speaker 1>my first page of notes, says Katie's performance in the

0:09:19.240 --> 0:09:21.920
<v Speaker 1>scene where she walks in a Gideon and with the

0:09:21.920 --> 0:09:28.400
<v Speaker 1>team is electric. It's guttural and raw. It's mesmerizing, literally

0:09:28.400 --> 0:09:31.280
<v Speaker 1>the stuff that. Really, what are you doing to me? Willie? Willie?

0:09:34.760 --> 0:09:38.280
<v Speaker 1>Oh my god, I love that. I told you. My

0:09:38.480 --> 0:09:42.320
<v Speaker 1>friends called me Willie like for eighteen years of my

0:09:42.400 --> 0:09:48.840
<v Speaker 1>life about you were so so good in this episode, Katie,

0:09:48.840 --> 0:09:52.160
<v Speaker 1>Like truly, I think so. I think you thrive on.

0:09:52.280 --> 0:09:54.559
<v Speaker 1>I think I'm the same too. It was such a

0:09:54.640 --> 0:09:59.600
<v Speaker 1>you had to play all this raw like tragedy like death,

0:09:59.640 --> 0:10:02.400
<v Speaker 1>and I think you you thrive and you just oh,

0:10:02.440 --> 0:10:05.400
<v Speaker 1>you were just so real. Love a high steak moment, people,

0:10:05.559 --> 0:10:08.600
<v Speaker 1>I love a high steak moment. And the shivering you

0:10:08.640 --> 0:10:11.600
<v Speaker 1>were shivering through your lines. Oh my god. If you

0:10:11.640 --> 0:10:14.200
<v Speaker 1>guys have not seen this episode, you gotta watch it.

0:10:14.200 --> 0:10:17.480
<v Speaker 1>It's not just for finale episode of the first season

0:10:17.640 --> 0:10:21.400
<v Speaker 1>and Quinn walks in and sees that giddy She's like, oh,

0:10:21.600 --> 0:10:24.000
<v Speaker 1>great bagel place down thing and like I got your

0:10:24.000 --> 0:10:26.320
<v Speaker 1>coffee and we fucked last night and like woo whoo.

0:10:26.440 --> 0:10:29.600
<v Speaker 1>And then it's like oh no, and the coffee falls

0:10:29.600 --> 0:10:31.360
<v Speaker 1>on the ground, which I remember being on a Friday

0:10:31.440 --> 0:10:33.360
<v Speaker 1>night and they said, you can only do this once.

0:10:34.200 --> 0:10:36.599
<v Speaker 1>I had to nail that coffee drop slip out of

0:10:36.600 --> 0:10:39.000
<v Speaker 1>my hand that spoils everywhere one time. I love it.

0:10:39.360 --> 0:10:44.400
<v Speaker 1>And then I see Giddyon just wow, scissors scissors in

0:10:44.440 --> 0:10:46.640
<v Speaker 1>his neck that Billy Chambers put in there because he

0:10:46.679 --> 0:10:48.720
<v Speaker 1>was really close. So a couple of things I remember

0:10:48.840 --> 0:10:51.240
<v Speaker 1>is A that I had to nail that coffee drop

0:10:51.320 --> 0:10:56.280
<v Speaker 1>once and b I had to reshoot pulling the scissors

0:10:56.280 --> 0:10:59.200
<v Speaker 1>out of his neck. No, why do you remember? No,

0:10:59.520 --> 0:11:02.439
<v Speaker 1>we shot the first season and I get a call

0:11:03.000 --> 0:11:05.720
<v Speaker 1>like months later saying you have to come in, And

0:11:05.960 --> 0:11:08.920
<v Speaker 1>first of all, I was like, I'm fired always every

0:11:08.960 --> 0:11:12.960
<v Speaker 1>time we got that call, I'm fired. After not getting fired,

0:11:12.960 --> 0:11:14.439
<v Speaker 1>they were like, you have to come back in and

0:11:14.600 --> 0:11:19.200
<v Speaker 1>shoot reshoot the Billy Chamber death scene, and I was like,

0:11:19.320 --> 0:11:21.160
<v Speaker 1>are you kidding? That was like the hardest thing I've

0:11:21.200 --> 0:11:24.480
<v Speaker 1>ever done in my entire life, like pulling the scissors out, screaming, crying,

0:11:24.520 --> 0:11:26.839
<v Speaker 1>like trying to reach the phone and realizing he's dead

0:11:28.840 --> 0:11:32.679
<v Speaker 1>because the first angle that they should the way they

0:11:32.720 --> 0:11:35.440
<v Speaker 1>shot it the first time around, it looked like I

0:11:35.600 --> 0:11:40.439
<v Speaker 1>killed him. Oh are you serious? This is my remembering

0:11:40.440 --> 0:11:49.080
<v Speaker 1>of it. We will be back with more after the break, Okay, guys,

0:11:49.160 --> 0:11:54.480
<v Speaker 1>without further a duty, Without further a duty, we would

0:11:54.520 --> 0:12:00.640
<v Speaker 1>like to present We're the stupidest. We would like to

0:12:00.679 --> 0:12:04.880
<v Speaker 1>present the one, the only, the Queen, the the i'm a,

0:12:05.080 --> 0:12:09.240
<v Speaker 1>i'm a I'm getting top drawer. She's top drawer, She's

0:12:09.280 --> 0:12:12.800
<v Speaker 1>tops of everything. She is our friend, she is one

0:12:12.800 --> 0:12:15.800
<v Speaker 1>of the loves of our lives. She is our colleague.

0:12:16.600 --> 0:12:20.079
<v Speaker 1>She is well we would just for real go over

0:12:20.120 --> 0:12:23.640
<v Speaker 1>a cliff for this person. Yes, and also the biggest

0:12:23.720 --> 0:12:28.240
<v Speaker 1>goofball just like us. Yes, here she is the one

0:12:28.280 --> 0:12:38.160
<v Speaker 1>and only. Yeah, hello, you look so beautiful. We're so high.

0:12:38.240 --> 0:12:41.439
<v Speaker 1>Tried to put on some concealer for you, guys. So

0:12:43.480 --> 0:12:48.080
<v Speaker 1>I mean, I mean, I prefer the five am, four

0:12:48.280 --> 0:12:52.640
<v Speaker 1>thirty am Monday morning in makeup trailer of Kerry Washington,

0:12:52.880 --> 0:12:55.360
<v Speaker 1>that I miss some rings. I do wake up, and

0:12:55.400 --> 0:13:02.120
<v Speaker 1>I'm like, those were pretty special insane times. Yeah. I

0:13:02.120 --> 0:13:04.200
<v Speaker 1>saw on social media you posted about being in hair

0:13:04.240 --> 0:13:06.360
<v Speaker 1>and makeup with Garma by your side when you guys

0:13:06.360 --> 0:13:09.200
<v Speaker 1>were doing some press, and it's true. It's just like

0:13:10.040 --> 0:13:12.520
<v Speaker 1>you know what I was worried. I was worried that

0:13:12.559 --> 0:13:15.840
<v Speaker 1>when we didn't have the hair and Makeup trailer, that

0:13:15.920 --> 0:13:19.080
<v Speaker 1>we wouldn't all still be obsessed with each other and

0:13:19.120 --> 0:13:20.439
<v Speaker 1>in love with each other, you know, because you have

0:13:20.559 --> 0:13:22.960
<v Speaker 1>like we could just take for granted our friendships because

0:13:22.960 --> 0:13:27.120
<v Speaker 1>they were scheduled, but the fact that we're all still

0:13:27.240 --> 0:13:32.800
<v Speaker 1>so madly in love with each other, it's everything. Yeah.

0:13:32.840 --> 0:13:34.840
<v Speaker 1>But we were just saying before you came on that

0:13:35.000 --> 0:13:40.360
<v Speaker 1>that comes from you, And I mean, look, we're all

0:13:40.480 --> 0:13:46.200
<v Speaker 1>very special, yes, but you were How did you know

0:13:46.880 --> 0:13:50.120
<v Speaker 1>how to be a number one like that? Like for real?

0:13:50.160 --> 0:13:52.280
<v Speaker 1>Would you think it was like you had worked on

0:13:52.400 --> 0:13:55.040
<v Speaker 1>so many things and had sort of always taken note

0:13:55.080 --> 0:13:57.720
<v Speaker 1>of how to be a leader or it's just innately

0:13:57.800 --> 0:14:00.440
<v Speaker 1>in you. So I'm having a little bit of weird

0:14:00.640 --> 0:14:05.320
<v Speaker 1>Like I feel it's like a proud mommy because I

0:14:05.360 --> 0:14:08.120
<v Speaker 1>feel like when I met you, Katie Lows, you were

0:14:08.200 --> 0:14:11.480
<v Speaker 1>always asking me questions like this, But it wasn't for

0:14:11.520 --> 0:14:14.920
<v Speaker 1>like a national podcast. It wasn't for like right, it

0:14:15.200 --> 0:14:18.000
<v Speaker 1>was for the press. Wasn't you ever have people questions

0:14:18.280 --> 0:14:20.800
<v Speaker 1>not a little bit less like Barbara Walters to it

0:14:20.880 --> 0:14:26.200
<v Speaker 1>and more just like I need to know one. Oh yeah,

0:14:26.240 --> 0:14:28.880
<v Speaker 1>but you're so it's so sweet because it's still the

0:14:29.120 --> 0:14:31.360
<v Speaker 1>essence of you, Like you have figured out a way

0:14:31.440 --> 0:14:36.720
<v Speaker 1>to you know, stay, like you are just a naturally curious, yes,

0:14:36.920 --> 0:14:42.080
<v Speaker 1>very you know, inquisitive, adventurous, ambitious person. So you have

0:14:42.640 --> 0:14:45.200
<v Speaker 1>it's like, but it's no longer that five am version

0:14:45.240 --> 0:14:48.680
<v Speaker 1>of like you this, it's like now this very formal

0:14:48.800 --> 0:14:57.360
<v Speaker 1>presentational version, which I love, Thanks Carrie. I have I

0:14:57.360 --> 0:15:01.480
<v Speaker 1>think the number one, number one in the whole history

0:15:01.480 --> 0:15:04.280
<v Speaker 1>of number ones in the business. And do people know

0:15:04.360 --> 0:15:05.360
<v Speaker 1>what it means to be a number one on the

0:15:05.400 --> 0:15:07.520
<v Speaker 1>call sheet? Like do we have to explain that? Let's

0:15:07.560 --> 0:15:12.400
<v Speaker 1>explain it. So every character is assigned a number on

0:15:12.440 --> 0:15:15.200
<v Speaker 1>the call sheet based on how important that character is

0:15:15.240 --> 0:15:17.440
<v Speaker 1>perceived to be on the show, and sometimes relative to

0:15:17.440 --> 0:15:19.520
<v Speaker 1>the status of the actor playing them. And so if

0:15:19.520 --> 0:15:21.000
<v Speaker 1>you're number one on the call sheet, you're like the

0:15:21.040 --> 0:15:24.000
<v Speaker 1>most important character according to the writers. And the producers.

0:15:24.840 --> 0:15:27.480
<v Speaker 1>So I learned how to be a number one. I've

0:15:27.520 --> 0:15:29.520
<v Speaker 1>had incredible number ones I've worked with through the years.

0:15:29.600 --> 0:15:32.880
<v Speaker 1>Julia Stiles is an amazing number one. Force Whittakers an

0:15:32.880 --> 0:15:36.240
<v Speaker 1>incredible number one, But hands down, the award for number

0:15:36.240 --> 0:15:40.560
<v Speaker 1>one number one goes to Jamie Fox. He's a beast

0:15:40.800 --> 0:15:45.000
<v Speaker 1>he is. He not only like does his homework, is

0:15:45.000 --> 0:15:48.360
<v Speaker 1>fully prepared, is always happy to be there, really passionate,

0:15:48.480 --> 0:15:53.200
<v Speaker 1>knows everybody's name, he takes care of the background. He's grateful,

0:15:53.320 --> 0:15:57.120
<v Speaker 1>he's humble, he works really hard. He's all of those things.

0:15:57.160 --> 0:15:58.920
<v Speaker 1>And you know, I worked with him on Ray and

0:15:58.960 --> 0:16:00.560
<v Speaker 1>then ten years later on Jay Go, and so I

0:16:00.600 --> 0:16:03.160
<v Speaker 1>got his seed. Like it really is who he is.

0:16:03.240 --> 0:16:05.960
<v Speaker 1>He's just like Wow, he's a leader. He's a true

0:16:06.040 --> 0:16:08.840
<v Speaker 1>leader and a generous leader. And he loves his job

0:16:08.880 --> 0:16:11.600
<v Speaker 1>like he really he loves He gets that we're lucky

0:16:11.640 --> 0:16:13.400
<v Speaker 1>to do what we do, and he never let a

0:16:13.480 --> 0:16:16.520
<v Speaker 1>day go by without us all feeling that. And so

0:16:16.560 --> 0:16:19.240
<v Speaker 1>I think, really, I just spent all those seasons on

0:16:19.280 --> 0:16:21.760
<v Speaker 1>Scandal pretending to be Jamie FOXX. Hey, we love it.

0:16:21.800 --> 0:16:25.520
<v Speaker 1>We were talking earlier carry about how you either before

0:16:25.560 --> 0:16:27.840
<v Speaker 1>we shot a scene or after you would take a

0:16:27.880 --> 0:16:31.520
<v Speaker 1>moment to address the background actors and just be like,

0:16:31.640 --> 0:16:33.560
<v Speaker 1>thank you guys so much for being here. We could

0:16:33.600 --> 0:16:36.440
<v Speaker 1>not have done this scene without you, guys, just the

0:16:36.600 --> 0:16:40.040
<v Speaker 1>respect you showed background actors. And for someone who started

0:16:40.040 --> 0:16:43.040
<v Speaker 1>in background work, I did a ton of background work before.

0:16:43.040 --> 0:16:44.960
<v Speaker 1>Oh my god, I didn't know that I was in

0:16:45.160 --> 0:16:48.520
<v Speaker 1>Green Card, I was in I did background work on

0:16:48.600 --> 0:16:53.880
<v Speaker 1>student films even yeah, and then a little by Little Butt.

0:16:54.120 --> 0:16:56.240
<v Speaker 1>But you know, it's rare that the lead actor or

0:16:56.240 --> 0:17:01.040
<v Speaker 1>even producers or directors, you know, unfortunately, treat background actors

0:17:01.080 --> 0:17:03.960
<v Speaker 1>with any sort of you know, I mean, you know,

0:17:04.040 --> 0:17:07.760
<v Speaker 1>the sure like yes, yes, but you are the first,

0:17:07.760 --> 0:17:11.000
<v Speaker 1>so important to scenes. Oh my gosh, can you imagine

0:17:11.200 --> 0:17:13.280
<v Speaker 1>if we didn't have those background actors in the White House,

0:17:13.280 --> 0:17:15.600
<v Speaker 1>we're just like a bunch of idiots and hallways like yeah,

0:17:15.640 --> 0:17:19.240
<v Speaker 1>it's like so dumb. It's like you're making s ten yes.

0:17:19.280 --> 0:17:21.639
<v Speaker 1>And how many times have you watched something where the

0:17:21.680 --> 0:17:25.920
<v Speaker 1>background totally ruins the scene. I don't believe any of

0:17:25.960 --> 0:17:28.240
<v Speaker 1>those people are at a party. I don't believe any

0:17:28.240 --> 0:17:31.640
<v Speaker 1>of those people are, you know, walking like background, looking

0:17:31.680 --> 0:17:37.280
<v Speaker 1>at the camera. Background. They're so vital to the very similitar. Yes,

0:17:37.600 --> 0:17:39.680
<v Speaker 1>and you could tell on our show, you can tell

0:17:40.880 --> 0:17:44.719
<v Speaker 1>invested in what they're doing today. Just to jog your

0:17:44.760 --> 0:17:46.879
<v Speaker 1>memory is about episode one oh seven, which is like,

0:17:46.880 --> 0:17:49.399
<v Speaker 1>who is Quinn Perkins? Quinn pulls the night scissors out

0:17:49.400 --> 0:17:52.680
<v Speaker 1>of Gideon's throat. Yeah, and I there's the scene where

0:17:52.960 --> 0:17:56.080
<v Speaker 1>everyone is deciding, yeah, I'll jog your memory. I'll jog

0:17:56.119 --> 0:17:59.320
<v Speaker 1>your memory. Everyone's like, do we don't they clean it up?

0:17:59.359 --> 0:18:02.120
<v Speaker 1>Do we don't? Right? And you're like, we clean it up.

0:18:02.359 --> 0:18:04.560
<v Speaker 1>But it was the example of an opa. It wasn't

0:18:04.560 --> 0:18:07.359
<v Speaker 1>so much about character development. Maybe it was for other people,

0:18:07.400 --> 0:18:09.440
<v Speaker 1>but not for me as much as it was like

0:18:09.520 --> 0:18:13.159
<v Speaker 1>an ensemble theater piece of like do not drop your line,

0:18:13.359 --> 0:18:17.080
<v Speaker 1>especially this is pace. Yes, this is like everyone has

0:18:17.160 --> 0:18:20.480
<v Speaker 1>got one line, two lines, like, and it was keeping

0:18:20.480 --> 0:18:22.800
<v Speaker 1>a ball or we got together on the weekend to

0:18:22.960 --> 0:18:28.600
<v Speaker 1>rehearse yes, yes, yes, about because because it was a

0:18:28.720 --> 0:18:31.280
<v Speaker 1>play play, we all thought it was a act play.

0:18:31.520 --> 0:18:34.680
<v Speaker 1>And I remember Betsy Beers being like, you guys, did

0:18:34.760 --> 0:18:38.200
<v Speaker 1>what our producer bring, Like, yeah, we've never heard of that,

0:18:38.200 --> 0:18:40.960
<v Speaker 1>that's bananas, But we just it was a play. It

0:18:41.000 --> 0:18:42.720
<v Speaker 1>was a one act play, and we were a bunch

0:18:42.760 --> 0:18:45.280
<v Speaker 1>of theater kids who had been lucky enough to find

0:18:45.280 --> 0:18:48.520
<v Speaker 1>ourselves on some screens, and so we got up together

0:18:48.600 --> 0:18:51.840
<v Speaker 1>on our own to rehearse. I think back to that

0:18:51.920 --> 0:18:55.239
<v Speaker 1>and just think we were so lucky that none of

0:18:55.320 --> 0:19:00.320
<v Speaker 1>us had done a ton of prime time at work

0:19:00.359 --> 0:19:03.800
<v Speaker 1>television show to know that we weren't supposed to do that.

0:19:05.280 --> 0:19:08.560
<v Speaker 1>We're so lucky what we didn't know because and I think,

0:19:08.840 --> 0:19:12.359
<v Speaker 1>but before Scandal, the job I'd had before Scandal, it

0:19:12.440 --> 0:19:14.320
<v Speaker 1>was a movie, but the but right before I just

0:19:14.480 --> 0:19:17.280
<v Speaker 1>it was a movie, but right before that they start

0:19:17.280 --> 0:19:19.200
<v Speaker 1>before Scandal. I wanted to ask you that why TV.

0:19:19.520 --> 0:19:23.199
<v Speaker 1>I originated a role in David Mammitt's play Race, and

0:19:23.240 --> 0:19:26.520
<v Speaker 1>to this day, I feel like one of the reasons

0:19:26.600 --> 0:19:30.800
<v Speaker 1>why God put me in that play was to figure

0:19:30.840 --> 0:19:33.800
<v Speaker 1>out how to do that mammt thing, like how to

0:19:33.800 --> 0:19:36.119
<v Speaker 1>affor them, how to say the word has written no

0:19:36.119 --> 0:19:38.159
<v Speaker 1>matter what, how to get out of the way of

0:19:38.160 --> 0:19:41.720
<v Speaker 1>the language. Because I felt like I brought so much

0:19:41.720 --> 0:19:44.720
<v Speaker 1>of that with me to Scandal. The work ethic that

0:19:44.760 --> 0:19:47.800
<v Speaker 1>you had on Scandal was to me, and I'm not one,

0:19:47.840 --> 0:19:50.679
<v Speaker 1>but was like like being an Olympic athlete, which is

0:19:50.720 --> 0:19:52.760
<v Speaker 1>what you are when you do Broadway, like, yeah, you

0:19:52.840 --> 0:19:55.080
<v Speaker 1>do a race or you do a scandal, and you're

0:19:55.119 --> 0:19:58.240
<v Speaker 1>a number one, like you are a machine. You can't

0:19:58.280 --> 0:20:00.600
<v Speaker 1>get sick, you can't not know your life lines like

0:20:01.000 --> 0:20:07.760
<v Speaker 1>it's so everyone is. It's like you're yeah, there's Me

0:20:07.800 --> 0:20:10.160
<v Speaker 1>and Katie were talking about earlier and in other episodes

0:20:10.160 --> 0:20:12.280
<v Speaker 1>that we've done, how you know we'd see you in

0:20:12.320 --> 0:20:14.240
<v Speaker 1>the hair makeup trailer. You'd be on set, but you

0:20:14.280 --> 0:20:17.560
<v Speaker 1>were always running lines. And Katie brought up you were

0:20:17.640 --> 0:20:22.160
<v Speaker 1>running lines sometimes for the next scene. Oh yeah, yeah, next.

0:20:22.240 --> 0:20:25.040
<v Speaker 1>They were like monologues. You'd be like, let's go to

0:20:25.080 --> 0:20:27.080
<v Speaker 1>the next scene, Let's go to tomorrow's scene. Like it

0:20:27.160 --> 0:20:29.640
<v Speaker 1>was like you had to do that shit non stop.

0:20:29.800 --> 0:20:32.960
<v Speaker 1>I know every since Scandal, when somebody come up comes

0:20:33.040 --> 0:20:34.359
<v Speaker 1>up to me on the set and says like, I'm

0:20:34.400 --> 0:20:36.399
<v Speaker 1>really sorry, I know it's a lot today, I laughed

0:20:36.840 --> 0:20:43.320
<v Speaker 1>like this is nothing. Yeah, oh my gosh. When you

0:20:43.440 --> 0:20:47.359
<v Speaker 1>got the Scandal script, why television, why this script, why

0:20:47.440 --> 0:20:50.440
<v Speaker 1>this part? And how did you get it? So everybody

0:20:50.520 --> 0:20:52.920
<v Speaker 1>knew about this script, Like every black woman in Hollywood

0:20:52.920 --> 0:20:59.520
<v Speaker 1>between the ages of like nine to ninety nine, everybody

0:20:59.520 --> 0:21:02.480
<v Speaker 1>wanted it we knew it was like a historic, once

0:21:02.520 --> 0:21:05.639
<v Speaker 1>in a lifetime kind of opportunity. I heard about it

0:21:05.680 --> 0:21:08.399
<v Speaker 1>through the grape vine. My manager, who both know Caty,

0:21:08.440 --> 0:21:10.560
<v Speaker 1>called me and she was like, there's this new Shanda

0:21:10.640 --> 0:21:13.720
<v Speaker 1>Rhyme show. It starts a black woman. We feel like

0:21:13.760 --> 0:21:17.760
<v Speaker 1>you're really right for it. But Shanda, I think Shanda

0:21:17.880 --> 0:21:19.800
<v Speaker 1>said I was too young because the character was written

0:21:19.840 --> 0:21:22.480
<v Speaker 1>to be in their forties, which I'm in my forties now,

0:21:22.960 --> 0:21:25.320
<v Speaker 1>so at the time it was like I might be

0:21:25.320 --> 0:21:28.000
<v Speaker 1>too young for it. But it felt when I read it,

0:21:28.480 --> 0:21:31.639
<v Speaker 1>I literally did that thing which sounds so cliche, but

0:21:31.640 --> 0:21:33.679
<v Speaker 1>I did that thing where I threw it across the

0:21:33.720 --> 0:21:36.119
<v Speaker 1>room at some point because I was like this, like

0:21:36.200 --> 0:21:38.960
<v Speaker 1>this was written for me, Like nobody asked to be

0:21:39.000 --> 0:21:42.280
<v Speaker 1>playing this role. But and but I also knew that

0:21:42.320 --> 0:21:45.119
<v Speaker 1>like there were forty other actresses who felt exactly the

0:21:45.200 --> 0:21:49.880
<v Speaker 1>same and like really amazing actresses who I admire and love,

0:21:49.920 --> 0:21:51.479
<v Speaker 1>and peers of mind and people I looked up too,

0:21:51.560 --> 0:21:54.040
<v Speaker 1>and we all just read. We all just you know, read.

0:21:54.119 --> 0:21:56.520
<v Speaker 1>And at first I met with Shanda actually because I

0:21:56.560 --> 0:21:58.840
<v Speaker 1>was I had done a bunch of movies and so

0:21:59.200 --> 0:22:03.760
<v Speaker 1>my team had negotiated a meeting first. So I went

0:22:03.800 --> 0:22:05.960
<v Speaker 1>in and I remember getting off the elevator and seeing

0:22:05.960 --> 0:22:10.200
<v Speaker 1>this huge sign that said Shonda Land and I was like, Oh,

0:22:10.240 --> 0:22:13.200
<v Speaker 1>I don't know how this is gonna go. Like this

0:22:13.280 --> 0:22:17.080
<v Speaker 1>seems a lot. Yeah. I was like, I like give

0:22:17.160 --> 0:22:21.760
<v Speaker 1>up my citizenship and moved to somebody's land. And I

0:22:21.920 --> 0:22:24.080
<v Speaker 1>was nervous. I was like, gosh, I don't know. I

0:22:24.119 --> 0:22:27.200
<v Speaker 1>had done a couple arcs on television, but I'd obviously

0:22:27.240 --> 0:22:29.240
<v Speaker 1>never been in a series. I'd done two other pilots

0:22:29.240 --> 0:22:32.960
<v Speaker 1>that I got fired from. Really, yes, but so I

0:22:33.000 --> 0:22:36.240
<v Speaker 1>met with Shanda for all the actors listening, My god,

0:22:36.400 --> 0:22:39.359
<v Speaker 1>is that like a hopeful Yeah. The two other pilots

0:22:39.359 --> 0:22:42.000
<v Speaker 1>I did before Scandal I was fired and both showed

0:22:42.040 --> 0:22:44.280
<v Speaker 1>why because you were two talents that are too beautiful. No,

0:22:44.560 --> 0:22:49.120
<v Speaker 1>both shows wet, but they replaced me. You know why,

0:22:49.560 --> 0:22:52.080
<v Speaker 1>probably because they knew you were a star and you

0:22:52.119 --> 0:22:55.199
<v Speaker 1>were stealing it from the rest. No, it was a

0:22:55.240 --> 0:22:57.800
<v Speaker 1>little bit and Gamo, I know will identify with this.

0:22:58.320 --> 0:23:01.359
<v Speaker 1>One of them was like they they wanted it to

0:23:01.480 --> 0:23:04.280
<v Speaker 1>be a more like Girl from the Hood version of

0:23:04.320 --> 0:23:06.360
<v Speaker 1>the character, and I was like, I just don't see

0:23:06.440 --> 0:23:08.240
<v Speaker 1>it that way. And they were like, well, then you

0:23:08.280 --> 0:23:12.640
<v Speaker 1>don't ask me. Yeah exactly. But the other one, I'm

0:23:12.640 --> 0:23:15.000
<v Speaker 1>not really sure what happened, but yeah, so I so

0:23:15.040 --> 0:23:17.480
<v Speaker 1>I met with Shawanda. I sat down and I loved

0:23:17.480 --> 0:23:21.800
<v Speaker 1>her immediately. I just loved her immediately. I was like, oh,

0:23:21.800 --> 0:23:25.080
<v Speaker 1>she's so lovely, and Betsy was so lovely, and she

0:23:25.160 --> 0:23:27.760
<v Speaker 1>said to me, you know, if this goes well, this

0:23:27.800 --> 0:23:30.800
<v Speaker 1>could be like a seven year commitment. And I was like, yeah, sure,

0:23:30.920 --> 0:23:35.720
<v Speaker 1>what happened? I just thought that's going to happen. Yeah,

0:23:36.240 --> 0:23:39.320
<v Speaker 1>this shows barely getting out the air one as a lead, like,

0:23:39.840 --> 0:23:43.679
<v Speaker 1>let's let's take it one day. Yeah exactly. But I

0:23:43.680 --> 0:23:45.199
<v Speaker 1>fell in love with her, and then of course I

0:23:45.359 --> 0:23:47.199
<v Speaker 1>was like, i'll read. I'll read one hundred times if

0:23:47.200 --> 0:23:48.680
<v Speaker 1>you want me to. And then I did read about

0:23:48.680 --> 0:23:52.480
<v Speaker 1>a hundred times. My friend Colleen Bassis was my acting

0:23:52.520 --> 0:23:56.920
<v Speaker 1>coach for the audition. She best. She's still an acting coach,

0:23:56.960 --> 0:23:59.280
<v Speaker 1>so people seek her out if you're looking. And so

0:23:59.320 --> 0:24:00.960
<v Speaker 1>I got to the fine screen tests. I think it

0:24:00.960 --> 0:24:02.919
<v Speaker 1>was down to me and two other actresses, two or

0:24:02.960 --> 0:24:07.280
<v Speaker 1>three other actresses, but I remember like the intensity around

0:24:07.320 --> 0:24:09.399
<v Speaker 1>it because we all knew these opportunities were few and

0:24:09.440 --> 0:24:13.280
<v Speaker 1>far between and when I got the call that it

0:24:13.400 --> 0:24:18.080
<v Speaker 1>was mine, I just was I was just being I couldn't.

0:24:18.119 --> 0:24:20.760
<v Speaker 1>I felt like the luckiest human being on the planet,

0:24:20.800 --> 0:24:24.359
<v Speaker 1>just so blasted I was, you know, I felt so lucky.

0:24:24.520 --> 0:24:26.040
<v Speaker 1>You know, when I knew it was gonna be well,

0:24:26.119 --> 0:24:27.600
<v Speaker 1>I never knew. I didn't know it was going to

0:24:27.640 --> 0:24:29.360
<v Speaker 1>be a hit until the middle of second season when

0:24:29.440 --> 0:24:31.000
<v Speaker 1>we were out in public and all of a sudden,

0:24:31.080 --> 0:24:32.960
<v Speaker 1>women were throwing themselves at Tony Goldwyn and I was like,

0:24:33.000 --> 0:24:36.960
<v Speaker 1>what the fuck is happening. But before that, your dad,

0:24:37.359 --> 0:24:43.600
<v Speaker 1>Earl said something like I know when I'm making this

0:24:43.680 --> 0:24:46.120
<v Speaker 1>up in my head, but it was something like I said, say,

0:24:46.160 --> 0:24:48.080
<v Speaker 1>the Last Dance was going to be the biggest thing ever,

0:24:48.119 --> 0:24:50.520
<v Speaker 1>and I'm saying it right here, right now, Scandal is

0:24:50.520 --> 0:24:55.320
<v Speaker 1>going to be huge, almost like Earls got the crystal ball.

0:24:55.760 --> 0:24:57.880
<v Speaker 1>He knows. And by the way, like, you know, my dad.

0:24:57.920 --> 0:25:00.720
<v Speaker 1>It's so funny because my dad is such a a dreamer.

0:25:01.320 --> 0:25:06.480
<v Speaker 1>He's like he really sees beyond the possibilities of what's

0:25:06.520 --> 0:25:10.080
<v Speaker 1>real and so like that, you know, he gave me

0:25:10.160 --> 0:25:12.440
<v Speaker 1>permission to dream big in my life. You know, I

0:25:12.440 --> 0:25:14.199
<v Speaker 1>always feel like my mother's the one who taught me

0:25:14.240 --> 0:25:18.560
<v Speaker 1>how to be practical and work ethic, But my dad

0:25:18.760 --> 0:25:21.639
<v Speaker 1>gave me that ability to be the big dreamer. And

0:25:21.960 --> 0:25:24.880
<v Speaker 1>he really he saw the potential of this show from

0:25:24.920 --> 0:25:27.280
<v Speaker 1>the beginning, which I'm so great, but he and he

0:25:27.320 --> 0:25:30.360
<v Speaker 1>would whenever we would encounter your parents. They were the

0:25:30.400 --> 0:25:33.480
<v Speaker 1>biggest fans of the show. They were the biggest I mean,

0:25:33.680 --> 0:25:36.240
<v Speaker 1>I'll stay right here with you guys. Your dad was

0:25:36.280 --> 0:25:41.320
<v Speaker 1>like and your mom were like, we love Hook, yes,

0:25:41.480 --> 0:25:44.040
<v Speaker 1>and give me so much love. And I was like,

0:25:44.480 --> 0:25:47.080
<v Speaker 1>oh my god. But he was sincere and honest. It

0:25:47.200 --> 0:25:49.760
<v Speaker 1>wasn't like, you know, like, oh, it's Carrie's parents saying, yeah,

0:25:49.840 --> 0:25:51.840
<v Speaker 1>we love the show, you were great on it. They

0:25:51.840 --> 0:25:54.960
<v Speaker 1>were truly like, no, sit down for a second with me,

0:25:55.000 --> 0:25:59.920
<v Speaker 1>and let's talk about Hook because he's special around. There's

0:26:00.080 --> 0:26:05.359
<v Speaker 1>scandal like raincoats. Yes, they they're set jackets. They still

0:26:05.440 --> 0:26:07.600
<v Speaker 1>wear them. You know. My dad has a bit of

0:26:07.640 --> 0:26:09.960
<v Speaker 1>an obsession with Scott Foley. I think I told you

0:26:10.560 --> 0:26:12.680
<v Speaker 1>he's in he's in love. My father's in love. One

0:26:12.760 --> 0:26:15.160
<v Speaker 1>day we were in the car, my parents were visiting

0:26:15.160 --> 0:26:18.440
<v Speaker 1>set as always, and um and I was driving them

0:26:18.520 --> 0:26:21.159
<v Speaker 1>home from set, and my little green Prius and I

0:26:21.560 --> 0:26:25.760
<v Speaker 1>remember and my dad super quiet on the ride, and

0:26:25.800 --> 0:26:28.560
<v Speaker 1>all of a sudden he says, you know what, I

0:26:28.600 --> 0:26:33.080
<v Speaker 1>think that it was Scott Foley's nose that Michael Jackson

0:26:33.200 --> 0:26:42.240
<v Speaker 1>was going for random. I love it, Dad thinks about that. Yeah,

0:26:42.320 --> 0:26:44.879
<v Speaker 1>like the heat that, like Scott Folly has the epitome

0:26:45.000 --> 0:26:52.159
<v Speaker 1>of like a gorgeous Anglican male. If the richest, you know,

0:26:52.320 --> 0:26:54.720
<v Speaker 1>talented pop star in the world was like I could

0:26:54.720 --> 0:26:56.639
<v Speaker 1>pick any nose in the world, it would be Scott foleys.

0:26:56.640 --> 0:26:58.959
<v Speaker 1>And I was like, Dad, you're obsessing about Scott Folly's

0:26:59.000 --> 0:27:08.320
<v Speaker 1>nose on the way home. So funny. We'll be right back, guys. Wait.

0:27:08.920 --> 0:27:12.200
<v Speaker 1>In one oh seven is the episode where Carrie found

0:27:12.240 --> 0:27:19.200
<v Speaker 1>out that Gearmo Diaz liked boys. Yeah, this episode, I'll

0:27:19.240 --> 0:27:21.840
<v Speaker 1>never forget it because she went the whole first season

0:27:22.680 --> 0:27:25.200
<v Speaker 1>not knowing. I hate that. I hate that because I

0:27:25.240 --> 0:27:27.399
<v Speaker 1>don't want you to have one moment of feeling like, well,

0:27:27.440 --> 0:27:30.000
<v Speaker 1>why don't you tell me? You know? No, I'm just

0:27:30.080 --> 0:27:31.879
<v Speaker 1>such you know what it is, because I you know,

0:27:32.000 --> 0:27:33.800
<v Speaker 1>I put my head in the sand with the work.

0:27:33.840 --> 0:27:36.040
<v Speaker 1>I'm just like so in the work, and I wasn't

0:27:36.080 --> 0:27:38.080
<v Speaker 1>as into the gossip, which I also was a little

0:27:38.080 --> 0:27:39.480
<v Speaker 1>strategic because I was like, I don't want to be

0:27:39.480 --> 0:27:41.360
<v Speaker 1>in the gossip. I kind of want to be Switzerland

0:27:41.400 --> 0:27:43.960
<v Speaker 1>when it comes to the castle. Ye. So, but I

0:27:44.080 --> 0:27:46.960
<v Speaker 1>remember turning to you and saying like, so, Gearmo, do

0:27:47.000 --> 0:27:51.320
<v Speaker 1>you have a girlfriend. And I was like, kind of,

0:27:54.040 --> 0:27:57.359
<v Speaker 1>I don't remember. He's so sexy and he's so funny

0:27:57.359 --> 0:28:00.920
<v Speaker 1>and he's so smart and I'm taken, but boy, like

0:28:01.040 --> 0:28:04.480
<v Speaker 1>I set him up if he's out with somebody's so hot.

0:28:06.480 --> 0:28:10.639
<v Speaker 1>You also, you were you were more quiet for season.

0:28:10.680 --> 0:28:13.479
<v Speaker 1>I mean it's not only like Carrie was not. You know,

0:28:14.520 --> 0:28:17.080
<v Speaker 1>that was a great player, but Garmo also wasn't. Like

0:28:17.119 --> 0:28:18.720
<v Speaker 1>the only reason I knew was because I was like,

0:28:18.720 --> 0:28:20.399
<v Speaker 1>where do you live? And he was like close to

0:28:20.440 --> 0:28:23.320
<v Speaker 1>the parade, and I was like, what parade are you?

0:28:23.320 --> 0:28:28.040
<v Speaker 1>You're talking about Saint Patrick? And I was game, Oh,

0:28:28.080 --> 0:28:30.920
<v Speaker 1>I'll never forget. It was that seeky way of coming out.

0:28:31.000 --> 0:28:34.680
<v Speaker 1>Do you think, well, Santa Monica, like you know, it's great,

0:28:34.760 --> 0:28:37.960
<v Speaker 1>Like that's like he either said him right by the paraders.

0:28:37.960 --> 0:28:39.720
<v Speaker 1>So I go to the parade and I was like,

0:28:39.920 --> 0:28:42.600
<v Speaker 1>what parade are we told? But also you guys got

0:28:42.720 --> 0:28:44.880
<v Speaker 1>to remember I was born in the eighties like I was,

0:28:45.200 --> 0:28:47.480
<v Speaker 1>you know, a teenager, and in my twenties during a

0:28:47.560 --> 0:28:50.360
<v Speaker 1>time where this ship wasn't like people were like, all great,

0:28:50.520 --> 0:28:52.280
<v Speaker 1>last time you and your boyfriend over, or like I

0:28:52.360 --> 0:28:55.120
<v Speaker 1>was still very like guarded and like I don't know

0:28:55.160 --> 0:29:01.160
<v Speaker 1>if this is gonna change. Play all the roles people know, yes, yes, yes,

0:29:02.480 --> 0:29:07.960
<v Speaker 1>such a trailblazer, and such a trailblazer, like being out

0:29:08.520 --> 0:29:12.160
<v Speaker 1>letting people not and also like just saying, actually, now

0:29:12.160 --> 0:29:14.480
<v Speaker 1>that I think about it, I think that you were

0:29:14.520 --> 0:29:17.080
<v Speaker 1>really inspiring for me in terms of like when I

0:29:17.120 --> 0:29:18.880
<v Speaker 1>got to a place where I was like, Okay, I'm

0:29:18.920 --> 0:29:20.960
<v Speaker 1>not going to deny my personal life, but I also

0:29:21.000 --> 0:29:23.360
<v Speaker 1>don't need to plaster it everywhere like you were. Just

0:29:23.680 --> 0:29:25.680
<v Speaker 1>I'm living my life for me. I'm in my truth

0:29:25.720 --> 0:29:27.480
<v Speaker 1>for me. I'm not going to hide who I am,

0:29:28.040 --> 0:29:30.040
<v Speaker 1>and I'm still going to play all the roles like

0:29:30.080 --> 0:29:31.800
<v Speaker 1>I'm gonna I'm gonna be with women, I'm gonna be

0:29:31.880 --> 0:29:33.600
<v Speaker 1>with men. I'm gonna be all of who I am

0:29:34.040 --> 0:29:36.880
<v Speaker 1>and as an artist and also be in my truth

0:29:36.920 --> 0:29:41.400
<v Speaker 1>as a human. So that means, oh, garmo is I

0:29:41.520 --> 0:29:44.719
<v Speaker 1>remember running home and being like, oh is he out publicly,

0:29:44.920 --> 0:29:49.680
<v Speaker 1>because even at the beginning of Scandal, I feel like actors,

0:29:50.240 --> 0:29:52.280
<v Speaker 1>I think even a lot has changed in the last

0:29:52.320 --> 0:29:55.520
<v Speaker 1>ten years, and I hope it continues to do so.

0:29:55.680 --> 0:29:57.600
<v Speaker 1>But I can remember in the beginning of Scandal me

0:29:57.640 --> 0:29:59.480
<v Speaker 1>being like, I don't know if he's like out publicly,

0:29:59.480 --> 0:30:01.600
<v Speaker 1>because I think that that's like a choice that actors

0:30:01.680 --> 0:30:03.320
<v Speaker 1>make and whether or not they are do you talk

0:30:03.360 --> 0:30:05.480
<v Speaker 1>about it or don't, And it's like a whole fucking thing.

0:30:05.680 --> 0:30:07.600
<v Speaker 1>And I remember going home and being like, oh no,

0:30:07.760 --> 0:30:10.080
<v Speaker 1>he's like really like out publicly. He's been in like

0:30:10.200 --> 0:30:12.280
<v Speaker 1>gay magazines and like all this time. I remember the

0:30:12.320 --> 0:30:14.200
<v Speaker 1>time I had done a movie called Stonewall about the

0:30:14.200 --> 0:30:16.400
<v Speaker 1>Stone all riots nine and I was the lead. I

0:30:16.480 --> 0:30:18.719
<v Speaker 1>was a drag queen in it, and I remember my

0:30:18.760 --> 0:30:22.960
<v Speaker 1>managers saying, you have to make a choice. Are you

0:30:22.960 --> 0:30:24.360
<v Speaker 1>you're gonna be doing a lot of press. Are you

0:30:24.400 --> 0:30:27.640
<v Speaker 1>gonna say you're gay? We think you shouldn't say you're gay,

0:30:27.760 --> 0:30:30.400
<v Speaker 1>or are you gonna say you're you're straight? You know

0:30:30.440 --> 0:30:31.640
<v Speaker 1>what I mean? And I had to make it, and

0:30:31.720 --> 0:30:33.760
<v Speaker 1>I was like, there's no way I'm freaking lying. And

0:30:33.800 --> 0:30:36.040
<v Speaker 1>from that point on, I was like I don't care, like,

0:30:36.080 --> 0:30:37.480
<v Speaker 1>this is who I am. If people don't want to

0:30:37.520 --> 0:30:39.240
<v Speaker 1>work with me, then fine, then I don't want to

0:30:39.240 --> 0:30:41.400
<v Speaker 1>work with them either. But I was like, I cannot

0:30:41.440 --> 0:30:44.800
<v Speaker 1>be that person who's like, oh, there's no way, I'm

0:30:44.840 --> 0:30:47.720
<v Speaker 1>too anxious for that ship. I was like, oh my gosh,

0:30:47.720 --> 0:30:50.280
<v Speaker 1>when I'm going back and watching these episodes, which honestly

0:30:50.360 --> 0:30:53.160
<v Speaker 1>carry you like not being my friend in one of

0:30:53.200 --> 0:30:57.000
<v Speaker 1>the great loves of my life, I cannot believe the

0:30:57.080 --> 0:31:01.880
<v Speaker 1>acting you did in this part. You remember, like before

0:31:01.920 --> 0:31:04.760
<v Speaker 1>the pilot, building all these things like her walk and

0:31:04.840 --> 0:31:09.320
<v Speaker 1>her like neck tilt of like, and I just can't

0:31:09.400 --> 0:31:13.560
<v Speaker 1>believe the person you built in your preparation for her.

0:31:14.040 --> 0:31:16.600
<v Speaker 1>Did you coach with someone build her from the outside in?

0:31:16.720 --> 0:31:19.160
<v Speaker 1>Was it you're fitting with Lynn Paolo? Like? How? Or

0:31:19.240 --> 0:31:21.800
<v Speaker 1>did she? Was it a slow burn? Like I like,

0:31:21.880 --> 0:31:24.480
<v Speaker 1>how did she come to be? No? It was actually

0:31:24.560 --> 0:31:27.520
<v Speaker 1>really interesting. I remember I remember working with Colleen on

0:31:27.560 --> 0:31:29.680
<v Speaker 1>the audition, and I felt like, you know a lot

0:31:29.720 --> 0:31:33.240
<v Speaker 1>of times when you are just meeting material. For me,

0:31:33.520 --> 0:31:38.239
<v Speaker 1>the first work for that first hour was like what

0:31:38.280 --> 0:31:40.479
<v Speaker 1>do I know about this? Where do I connect with her?

0:31:40.520 --> 0:31:43.640
<v Speaker 1>How do I reveal myself in this? Right? Like? How

0:31:43.640 --> 0:31:45.600
<v Speaker 1>do I find the places where she and I meet

0:31:45.640 --> 0:31:47.760
<v Speaker 1>and then let the rest of it kind of fall away.

0:31:48.080 --> 0:31:49.880
<v Speaker 1>So it was a lot of bringing myself to it.

0:31:49.920 --> 0:31:52.440
<v Speaker 1>But also that point in my career I had developed

0:31:52.480 --> 0:31:56.240
<v Speaker 1>sort of Red Carpet Carrie who was a version of me.

0:31:56.400 --> 0:31:57.880
<v Speaker 1>But it was like the version of me that I

0:31:57.920 --> 0:32:02.120
<v Speaker 1>was learning to cultivate that wore fancy outfits and could

0:32:02.200 --> 0:32:04.040
<v Speaker 1>go to all these premiers of all these movies I

0:32:04.080 --> 0:32:06.280
<v Speaker 1>was in, and so she was like a larger than

0:32:06.320 --> 0:32:08.920
<v Speaker 1>life version of me who stood differently and walked differently,

0:32:08.920 --> 0:32:10.760
<v Speaker 1>and in a lot of ways, Olivia Pope was like

0:32:10.880 --> 0:32:12.960
<v Speaker 1>her presentation of self in the world was a little

0:32:12.960 --> 0:32:15.719
<v Speaker 1>bit Red Carpet Carrie, and then her her inner messy

0:32:15.800 --> 0:32:19.640
<v Speaker 1>emotional life was more my inner, messy emotional life. So

0:32:19.760 --> 0:32:21.640
<v Speaker 1>that was kind of the job in the pilot. But

0:32:21.680 --> 0:32:24.840
<v Speaker 1>then I remember meeting with Susan Batson again. I trained

0:32:24.840 --> 0:32:28.120
<v Speaker 1>with Susan Batson and with Colleen Barry. Barry at the

0:32:28.160 --> 0:32:30.880
<v Speaker 1>time maybe no basis to her Mary name is basis,

0:32:30.960 --> 0:32:33.560
<v Speaker 1>but training with both of them for the audition, and

0:32:33.600 --> 0:32:36.960
<v Speaker 1>I remember saying to Susan after I got it, how

0:32:36.960 --> 0:32:39.600
<v Speaker 1>do I do this for all these episodes? Now because

0:32:39.640 --> 0:32:41.880
<v Speaker 1>I don't want to just be myself on TV, like

0:32:41.920 --> 0:32:46.400
<v Speaker 1>I have to figure out how to be specific about

0:32:46.440 --> 0:32:48.440
<v Speaker 1>where she ends and I begin. I felt like I

0:32:48.520 --> 0:32:50.240
<v Speaker 1>didn't have to be that specific in the pilot. I

0:32:50.280 --> 0:32:52.280
<v Speaker 1>was willing to be really messy about that. But I

0:32:52.320 --> 0:32:54.520
<v Speaker 1>was like, if I don't start to have some delineation

0:32:55.080 --> 0:32:59.360
<v Speaker 1>about where she and ten months of the year, like,

0:32:59.560 --> 0:33:02.239
<v Speaker 1>that's now I go back to myself. You know, how

0:33:02.280 --> 0:33:05.280
<v Speaker 1>do I return to who I am? So the clothes

0:33:05.320 --> 0:33:07.000
<v Speaker 1>helped a lot. The shoes, like, I don't know if

0:33:07.000 --> 0:33:09.160
<v Speaker 1>you guys remember, but I would roll up up set

0:33:09.200 --> 0:33:11.560
<v Speaker 1>at crew call and be in sweatpants, but I always

0:33:11.560 --> 0:33:14.280
<v Speaker 1>had to have my foot on your heel. Yeah, yeah,

0:33:14.320 --> 0:33:18.120
<v Speaker 1>I remember you never ever ever, First of all, opposite

0:33:18.160 --> 0:33:23.240
<v Speaker 1>I'm a hack. I didn't wear my shoes as long

0:33:23.360 --> 0:33:25.880
<v Speaker 1>as humanly possible, which actually, you know what, no fuck that,

0:33:25.960 --> 0:33:28.040
<v Speaker 1>I'm not a hack. I've heard that Viola Davis does

0:33:28.080 --> 0:33:30.680
<v Speaker 1>all of her Bessie and barefoot or an ugs because

0:33:30.680 --> 0:33:36.959
<v Speaker 1>there either Harry and Olivia. Pope was like, I've never

0:33:37.040 --> 0:33:39.320
<v Speaker 1>I never saw you in rehearsal without your shoes on. No,

0:33:39.440 --> 0:33:41.920
<v Speaker 1>I felt like they were really important for how to

0:33:42.120 --> 0:33:45.160
<v Speaker 1>stand and how to walk, and then I figured out

0:33:45.200 --> 0:33:48.239
<v Speaker 1>how to be her barefoot in my apartment. But but

0:33:48.280 --> 0:33:50.560
<v Speaker 1>I always had to come if if I was going

0:33:50.600 --> 0:33:52.360
<v Speaker 1>to be in shoes in the scene, I had to

0:33:52.440 --> 0:33:54.920
<v Speaker 1>be in her shoes otherwise I wouldn't know where in

0:33:54.960 --> 0:33:56.840
<v Speaker 1>the room I would be. I just w that was

0:33:56.840 --> 0:33:59.560
<v Speaker 1>sort of a real way into her, and all the

0:33:59.680 --> 0:34:01.560
<v Speaker 1>cost seems were a huge part of it, Lynn Pawlow,

0:34:01.600 --> 0:34:03.800
<v Speaker 1>because I felt like that was her armor the way

0:34:04.200 --> 0:34:07.880
<v Speaker 1>you know her her expertise was storytelling and narrative and

0:34:07.960 --> 0:34:10.080
<v Speaker 1>how people present in the world. So I knew that

0:34:10.160 --> 0:34:13.120
<v Speaker 1>how she presented in the world had to be really specific,

0:34:13.200 --> 0:34:18.680
<v Speaker 1>really on point, elegant, smart. So yeah, all that stuff

0:34:18.719 --> 0:34:21.880
<v Speaker 1>really really really really helped. And then giving over to

0:34:21.920 --> 0:34:24.120
<v Speaker 1>the language, you know, in that like David mahmit way

0:34:24.120 --> 0:34:26.040
<v Speaker 1>and that Shana Ram's way, like just giving over to

0:34:26.080 --> 0:34:29.000
<v Speaker 1>the language. She she was there, she was in the world.

0:34:29.120 --> 0:34:32.719
<v Speaker 1>I don't speak like that, but she's in the words. Yeah.

0:34:32.960 --> 0:34:35.600
<v Speaker 1>And when when something is written really well, it's it

0:34:35.800 --> 0:34:39.080
<v Speaker 1>flows out of your mouth so easily, it's so satisfying,

0:34:39.120 --> 0:34:42.680
<v Speaker 1>it's like delicious to say the words. Right. This chemistry

0:34:42.760 --> 0:34:46.080
<v Speaker 1>between you and Tony Goldwin is the stupidest shit I've

0:34:46.120 --> 0:34:49.319
<v Speaker 1>ever seen in my life. Like, I'm so wildly uncomfortable.

0:34:49.400 --> 0:34:51.520
<v Speaker 1>I can't believe how good it is. I can't believe

0:34:51.520 --> 0:34:53.680
<v Speaker 1>how steamy it is. I love you both as people

0:34:53.680 --> 0:34:56.439
<v Speaker 1>and individuals. I can't even believe what was happening. Yeah,

0:34:56.480 --> 0:35:00.600
<v Speaker 1>and I'm curious, Like in the pilot, you guys make

0:35:00.640 --> 0:35:03.879
<v Speaker 1>out in the corner beneath like a curtain, and then

0:35:03.880 --> 0:35:05.680
<v Speaker 1>in to get away from the cameras, and then in

0:35:05.719 --> 0:35:09.440
<v Speaker 1>this episode the finale, again you look up and you

0:35:09.520 --> 0:35:12.200
<v Speaker 1>have a kiss, and he says to jog your memory, Like,

0:35:12.440 --> 0:35:15.840
<v Speaker 1>if I resign or if I get arrested, you know whatever,

0:35:15.960 --> 0:35:18.719
<v Speaker 1>for sleeping with Amanda Tan or whatever, at least I

0:35:18.719 --> 0:35:20.319
<v Speaker 1>can be a normal person. I can be with you

0:35:21.320 --> 0:35:24.680
<v Speaker 1>and you like my kiss. But oh, we've also in

0:35:24.719 --> 0:35:26.960
<v Speaker 1>season two, which Gamon and I are were ahead, you know,

0:35:26.960 --> 0:35:30.880
<v Speaker 1>because we're such prepared people and learning number one. We

0:35:31.120 --> 0:35:33.480
<v Speaker 1>just watched the episode. I also just watched the episode

0:35:33.480 --> 0:35:35.440
<v Speaker 1>where you and he were like screwing in the break

0:35:35.520 --> 0:35:43.799
<v Speaker 1>room that has all the cool green Yes, Christening, it

0:35:43.840 --> 0:35:46.640
<v Speaker 1>was your prisoning outfit. It was sort of like nineteen sixties.

0:35:46.920 --> 0:35:52.000
<v Speaker 1>It was a very beautiful Jackie. Oh exactly what killed

0:35:52.040 --> 0:35:54.960
<v Speaker 1>me about this chemistry thing? Tell me about you and Tony.

0:35:55.000 --> 0:35:56.799
<v Speaker 1>Did you ever talk about it or were you just

0:35:56.840 --> 0:35:58.960
<v Speaker 1>like it's bigger than both of us and thank god

0:35:59.000 --> 0:36:04.279
<v Speaker 1>because it made everyone want to watch the show. Um,

0:36:05.360 --> 0:36:07.960
<v Speaker 1>it's such a good question. I don't think we talked

0:36:08.000 --> 0:36:11.600
<v Speaker 1>about it because I don't think we knew until audiences

0:36:11.640 --> 0:36:14.359
<v Speaker 1>were watching it. We were just like two actors doing

0:36:14.400 --> 0:36:18.040
<v Speaker 1>our job. It wasn't like the first time, no, you

0:36:18.080 --> 0:36:20.279
<v Speaker 1>know what the maybe I need to be honest. That

0:36:20.360 --> 0:36:23.040
<v Speaker 1>is how we felt on set. But when we camera tested,

0:36:23.520 --> 0:36:25.319
<v Speaker 1>when we did hair and makeup tests for the show,

0:36:26.360 --> 0:36:32.359
<v Speaker 1>we did had yeah, weber that. I remember like doing

0:36:32.400 --> 0:36:34.240
<v Speaker 1>the thing you walk on camera, you're in the clothes

0:36:34.280 --> 0:36:36.600
<v Speaker 1>and with the hair, and then Tony comes in and

0:36:36.640 --> 0:36:39.800
<v Speaker 1>we're walking together, and I remember Shanda and Betsy freaking

0:36:39.880 --> 0:36:43.400
<v Speaker 1>out at the monitors and I was like, what's happening

0:36:43.440 --> 0:36:45.919
<v Speaker 1>And they were like, you guys are just magic together

0:36:45.960 --> 0:36:48.760
<v Speaker 1>and we were like, okay, so we have this sense,

0:36:49.320 --> 0:36:52.680
<v Speaker 1>but I knew Tony. So Tony and I had both

0:36:52.680 --> 0:36:54.440
<v Speaker 1>done a lot of work with this organization called the

0:36:54.480 --> 0:36:58.960
<v Speaker 1>Creative Coalition, which is a political advocacy organization ironically, and

0:36:59.040 --> 0:37:02.160
<v Speaker 1>he was co president at the time, and so my

0:37:02.400 --> 0:37:04.360
<v Speaker 1>I had never worked with Tony as an actor, but

0:37:04.400 --> 0:37:07.480
<v Speaker 1>our interactions as human beings had been walking up and

0:37:07.480 --> 0:37:09.840
<v Speaker 1>down the halls of Congress and at the White House

0:37:10.239 --> 0:37:15.560
<v Speaker 1>talking to people about arts funding and arts for the

0:37:15.600 --> 0:37:18.600
<v Speaker 1>humanity and funding for the humanities, and so I had

0:37:18.640 --> 0:37:21.840
<v Speaker 1>we had this like weirdly DC context for each other,

0:37:21.920 --> 0:37:23.879
<v Speaker 1>and we had a great deal of respect for each

0:37:23.880 --> 0:37:29.080
<v Speaker 1>other as like thinking human beings and as politically minded individuals,

0:37:29.520 --> 0:37:31.480
<v Speaker 1>and so you know, I remember saying to Saanda, like,

0:37:31.480 --> 0:37:33.000
<v Speaker 1>who's going to be the president on the show? Like,

0:37:33.000 --> 0:37:34.879
<v Speaker 1>who's going to be the president? And I learned at

0:37:34.960 --> 0:37:38.879
<v Speaker 1>some like CIA. It was either at their Oscar party

0:37:38.960 --> 0:37:42.400
<v Speaker 1>or their Emmy party, and Tony's manager was there and

0:37:42.440 --> 0:37:43.720
<v Speaker 1>he came up to me and he was like, Tony's

0:37:43.760 --> 0:37:46.400
<v Speaker 1>doing it, and I was like, yes, just because I

0:37:46.480 --> 0:37:49.760
<v Speaker 1>knew how smart he was and he felt and Shonda

0:37:49.920 --> 0:37:51.319
<v Speaker 1>said to me she felt like he was the right

0:37:51.320 --> 0:37:55.359
<v Speaker 1>person because he had directed at Gray's early on, and

0:37:55.440 --> 0:37:57.280
<v Speaker 1>she knew that whoever was going to play the president

0:37:57.320 --> 0:38:00.839
<v Speaker 1>was somebody who had to have executive like somebody who

0:38:00.840 --> 0:38:02.840
<v Speaker 1>felt like they could tell people what to do, like

0:38:02.840 --> 0:38:05.120
<v Speaker 1>they could boss people around and have like, you know,

0:38:05.160 --> 0:38:07.840
<v Speaker 1>real intelligence and leadership. And she had seen that in

0:38:07.920 --> 0:38:11.120
<v Speaker 1>him as a director, so I had a lot of

0:38:11.160 --> 0:38:13.120
<v Speaker 1>respect for him. I loved him already as a person,

0:38:13.760 --> 0:38:16.480
<v Speaker 1>and we just hoped it worked. We just we hoped

0:38:16.520 --> 0:38:19.640
<v Speaker 1>it worked. And you can't really plan that stuff, right,

0:38:19.760 --> 0:38:22.640
<v Speaker 1>I mean, you can't plan that your chemistry is going

0:38:22.680 --> 0:38:26.279
<v Speaker 1>to work on camera? Really, no, right, I will say

0:38:26.360 --> 0:38:29.400
<v Speaker 1>for me, I and this is I'm a little bit

0:38:29.400 --> 0:38:35.480
<v Speaker 1>of a chemistry slut, like I am. I do. I

0:38:35.520 --> 0:38:37.359
<v Speaker 1>don't want to say it, but you're good at it.

0:38:37.520 --> 0:38:40.200
<v Speaker 1>I never worry about having chemistry. Was the only time

0:38:40.280 --> 0:38:42.880
<v Speaker 1>I can't have chemistry with an actor is if that

0:38:42.920 --> 0:38:45.720
<v Speaker 1>actor has decided that they don't want to have chemistry

0:38:45.760 --> 0:38:48.040
<v Speaker 1>with me. And I've been in those situations like walking

0:38:48.040 --> 0:38:49.680
<v Speaker 1>into an audition where it's like down to me and

0:38:49.800 --> 0:38:52.000
<v Speaker 1>one other girl and the lead actor has clearly wants

0:38:52.040 --> 0:38:56.120
<v Speaker 1>the other girl, and I'm like, well, yeah, yeah, here's what.

0:38:56.320 --> 0:38:58.799
<v Speaker 1>I don't have chemistry if they if I don't like

0:38:58.960 --> 0:39:04.920
<v Speaker 1>their smell, Like I'm just such a pheromone person, and

0:39:05.719 --> 0:39:08.319
<v Speaker 1>I have been teamed up. I've been like I've had

0:39:08.360 --> 0:39:11.080
<v Speaker 1>so many love interests on different things, and sometimes I

0:39:11.200 --> 0:39:14.319
<v Speaker 1>was like, oh, like, I don't know this so like

0:39:14.400 --> 0:39:19.120
<v Speaker 1>and I am acting and I'm just like acting so

0:39:19.200 --> 0:39:21.359
<v Speaker 1>much because I have what I call the ick for

0:39:21.480 --> 0:39:24.080
<v Speaker 1>like the person, like I just like have this, like

0:39:24.160 --> 0:39:26.040
<v Speaker 1>I don't want to. But then I'm like, okay, it's

0:39:26.040 --> 0:39:28.080
<v Speaker 1>a paycheck, it's pyech like, let's do this. Yeah, um,

0:39:28.480 --> 0:39:30.920
<v Speaker 1>that's so there. Here's the other thing that and you

0:39:30.960 --> 0:39:33.000
<v Speaker 1>we would have to im sorry you say chemistry slunt,

0:39:33.040 --> 0:39:35.000
<v Speaker 1>what does that mean? It means like that when it

0:39:35.000 --> 0:39:38.759
<v Speaker 1>comes to finding ways to love a character. For for

0:39:38.800 --> 0:39:41.160
<v Speaker 1>me to feel like my character really loves or likes

0:39:41.160 --> 0:39:43.920
<v Speaker 1>another character, I don't find that hard. And I don't

0:39:43.960 --> 0:39:45.640
<v Speaker 1>know if that's the aquarious in me that like, I

0:39:45.640 --> 0:39:47.880
<v Speaker 1>just really like people and I see the good in

0:39:48.000 --> 0:39:50.560
<v Speaker 1>people and I like it. I like a lot of

0:39:50.560 --> 0:39:54.320
<v Speaker 1>different kinds of people, and so I don't I don't

0:39:54.440 --> 0:39:56.640
<v Speaker 1>usually have a hard time. In the history of Schaele,

0:39:56.680 --> 0:39:59.640
<v Speaker 1>There's maybe been one actor where I was like, oh shit,

0:40:00.440 --> 0:40:06.839
<v Speaker 1>let's not I guess. I guesses most of the love

0:40:06.880 --> 0:40:08.799
<v Speaker 1>interests are like, you know, there are guys that I

0:40:08.800 --> 0:40:11.240
<v Speaker 1>get along with, and so you're like I can figure

0:40:11.280 --> 0:40:14.000
<v Speaker 1>this out, Like, yeah, it's sort of this idea of

0:40:14.000 --> 0:40:17.359
<v Speaker 1>like there's somebody for everybody. Everybody's lovable in some way.

0:40:17.480 --> 0:40:19.880
<v Speaker 1>Can you look for the thing that's like that person's

0:40:19.880 --> 0:40:21.839
<v Speaker 1>not for me, right, like, not everybody's for me, am

0:40:21.840 --> 0:40:23.880
<v Speaker 1>I really, but for their character you can fall in

0:40:23.880 --> 0:40:26.680
<v Speaker 1>love with something in them that you can get you.

0:40:26.960 --> 0:40:30.439
<v Speaker 1>And also your chemistry was not only great with love

0:40:30.480 --> 0:40:32.840
<v Speaker 1>interest people, but it was also great with like Quinn

0:40:32.840 --> 0:40:39.360
<v Speaker 1>and with oh my god, Abby this friendship. Yeah yeah,

0:40:39.520 --> 0:40:42.920
<v Speaker 1>and also Scott Foley right like that, and it was sod,

0:40:43.440 --> 0:40:47.840
<v Speaker 1>are you team fits or you know like that, Yeah,

0:40:47.840 --> 0:40:50.879
<v Speaker 1>that's very I think that that also both of those guys,

0:40:50.880 --> 0:40:53.680
<v Speaker 1>by the way, are I'm so lucky to have been

0:40:53.719 --> 0:40:56.680
<v Speaker 1>able to have those two guys because they're the best, dude.

0:40:56.680 --> 0:40:59.560
<v Speaker 1>But that's such a great example, right, because they're also

0:40:59.640 --> 0:41:02.879
<v Speaker 1>so different, like Scott Foley and Tony Goldwin. You could

0:41:02.880 --> 0:41:06.200
<v Speaker 1>not find completely different different. But I was like, I'll

0:41:06.239 --> 0:41:09.520
<v Speaker 1>figure this out with these guys and their characters, I

0:41:09.560 --> 0:41:11.879
<v Speaker 1>will say, and we should ask Tony's permission before we

0:41:12.360 --> 0:41:15.120
<v Speaker 1>whether this should stay in or not. But one of

0:41:15.160 --> 0:41:17.799
<v Speaker 1>the amazing things that happened though, was I think it

0:41:17.840 --> 0:41:21.799
<v Speaker 1>was during season two. Tony said something. We were in

0:41:21.800 --> 0:41:25.359
<v Speaker 1>like one of our canoodling bedroom scenes in Olivia Polpe's bed,

0:41:26.120 --> 0:41:28.600
<v Speaker 1>and he said something we were talking about like life

0:41:28.680 --> 0:41:32.080
<v Speaker 1>and love and marriage, just like talking and he said

0:41:32.160 --> 0:41:35.040
<v Speaker 1>something that I said, Oh, that's so interesting, because my

0:41:35.239 --> 0:41:38.359
<v Speaker 1>therapist said something like that to me last week. And

0:41:38.400 --> 0:41:40.799
<v Speaker 1>he looked at me and he said, who's your therapist.

0:41:41.440 --> 0:41:48.759
<v Speaker 1>We found out that we had the same tree. Oh

0:41:47.080 --> 0:41:51.640
<v Speaker 1>my god, oh god, the odds of that. He wasn't

0:41:51.640 --> 0:41:56.319
<v Speaker 1>currently seeing this person but I still was, and you

0:41:56.400 --> 0:41:59.560
<v Speaker 1>mention it to the therapist. My therapist was like, yeah,

0:41:59.600 --> 0:42:01.400
<v Speaker 1>I know. Like he was like, there's not a surprise

0:42:01.480 --> 0:42:08.160
<v Speaker 1>to me, but of course he couldn't have told me. Yeah, yeah,

0:42:08.200 --> 0:42:11.560
<v Speaker 1>but isn't that great? And it also helped so much

0:42:11.600 --> 0:42:14.719
<v Speaker 1>because I had I felt like, you know, Tony and

0:42:14.760 --> 0:42:17.839
<v Speaker 1>I had such great boundaries, boundaries with each other, like

0:42:17.880 --> 0:42:21.280
<v Speaker 1>we were able to be in this like incredibly romantic space,

0:42:21.520 --> 0:42:24.560
<v Speaker 1>but our boundaries as adult, as like responsible human beings

0:42:24.560 --> 0:42:26.920
<v Speaker 1>were very clear. The ultimate respect for his wife, He

0:42:26.960 --> 0:42:29.560
<v Speaker 1>is the ultimate respect for my husband. Like we there

0:42:29.640 --> 0:42:33.399
<v Speaker 1>was never any despite the tabloids, there was never any

0:42:33.520 --> 0:42:37.879
<v Speaker 1>messy between he and I. We were like really responsible,

0:42:38.000 --> 0:42:41.400
<v Speaker 1>accountable grown ups, you know, respectful of each other in

0:42:41.400 --> 0:42:45.560
<v Speaker 1>each other's lives while still like taking those deep risks

0:42:45.719 --> 0:42:48.080
<v Speaker 1>as actors. And also what a scary thing to be

0:42:48.120 --> 0:42:50.080
<v Speaker 1>Like most people, if you get paired up as a

0:42:50.120 --> 0:42:52.000
<v Speaker 1>love interest in a movie or something like the thing

0:42:52.080 --> 0:42:54.520
<v Speaker 1>is over in three months or whatever. But for you

0:42:54.600 --> 0:42:58.480
<v Speaker 1>to have a love interest that's seven years long, Yeah,

0:42:58.520 --> 0:43:02.240
<v Speaker 1>that's insane. After like, that's like in stat or my husband,

0:43:02.320 --> 0:43:04.040
<v Speaker 1>Tony Goldwin is the person in my life who I've

0:43:04.040 --> 0:43:09.000
<v Speaker 1>made out the longest because the boyfriend I was with

0:43:09.080 --> 0:43:13.400
<v Speaker 1>but seven years, four or five years. Yeah, Tony after

0:43:14.200 --> 0:43:17.400
<v Speaker 1>Godwin's the guy that I, you know, kiss the weird

0:43:17.960 --> 0:43:22.040
<v Speaker 1>so so weird while weird so weird. This is the

0:43:22.120 --> 0:43:25.120
<v Speaker 1>last episode in this season and the last episode, I

0:43:25.160 --> 0:43:29.120
<v Speaker 1>guess of season one of Unpacking the Toolbox. This podcast

0:43:29.760 --> 0:43:33.440
<v Speaker 1>Unpacking the Toolbox so cute because of you guys and

0:43:33.520 --> 0:43:39.960
<v Speaker 1>your toolbox. Yeah, so there's this, like I think the

0:43:39.960 --> 0:43:44.360
<v Speaker 1>winning scene of this episode is so we had mentioned

0:43:44.400 --> 0:43:46.640
<v Speaker 1>you and fits sort of kiss and you're like you

0:43:46.680 --> 0:43:48.600
<v Speaker 1>look up and you're like cameras and he's like I

0:43:48.600 --> 0:43:51.560
<v Speaker 1>don't give a shit, and you guys kiss anyway, because

0:43:51.600 --> 0:43:55.120
<v Speaker 1>guess what if I go to jail or I resign,

0:43:55.320 --> 0:43:56.920
<v Speaker 1>I can be whoever I want to be and I

0:43:56.920 --> 0:43:59.040
<v Speaker 1>can marry you. And then you see Olivia sort of

0:43:59.040 --> 0:44:01.319
<v Speaker 1>make the decision like, oh, hell no, this isn't going

0:44:01.360 --> 0:44:04.000
<v Speaker 1>to happen. So you go to Melly and you two

0:44:04.080 --> 0:44:06.640
<v Speaker 1>have Bellamy's like first big scene. At this time, Bellamy

0:44:06.760 --> 0:44:11.160
<v Speaker 1>is not a serious and the scene is like, you

0:44:11.239 --> 0:44:14.239
<v Speaker 1>didn't do your job. You let that girl get in

0:44:14.600 --> 0:44:17.480
<v Speaker 1>you let that girl, Amanda tan Or get in his pants.

0:44:17.680 --> 0:44:20.239
<v Speaker 1>I'm doing I'm working my fucking ass off as the

0:44:20.320 --> 0:44:22.200
<v Speaker 1>face and the wife and this that and the other thing.

0:44:22.239 --> 0:44:26.040
<v Speaker 1>And you've fucked up. You stopped being his mistress and

0:44:26.200 --> 0:44:28.279
<v Speaker 1>you let him get away, and this is all your

0:44:28.320 --> 0:44:31.560
<v Speaker 1>fault that he wants to resign. And this is really

0:44:31.560 --> 0:44:34.759
<v Speaker 1>where we see Bellamy step into Melly, and from that

0:44:34.840 --> 0:44:40.880
<v Speaker 1>scene you go and arrange a with with fits not

0:44:40.960 --> 0:44:44.719
<v Speaker 1>even having a say in it. You arrange a interview

0:44:44.960 --> 0:44:48.400
<v Speaker 1>on national television where she says that was me on

0:44:48.440 --> 0:44:53.799
<v Speaker 1>the sext right clothes, and so I'm so embarrassed. This

0:44:53.840 --> 0:44:57.520
<v Speaker 1>is how Olivia and her planned together, working together to

0:44:57.520 --> 0:44:59.799
<v Speaker 1>spin it, which is we're seeing the beginning of how

0:44:59.800 --> 0:45:04.040
<v Speaker 1>we ended the series with Melie together, that you're doing this.

0:45:04.120 --> 0:45:07.279
<v Speaker 1>It's crazy. So you two start working together and be

0:45:07.360 --> 0:45:10.960
<v Speaker 1>this political animal where you decide that Fitz is not resigning.

0:45:11.120 --> 0:45:13.120
<v Speaker 1>It was you on the sex tape, but we're gonna

0:45:13.120 --> 0:45:15.279
<v Speaker 1>lie and say it was Mellie, and then she's going

0:45:15.320 --> 0:45:18.040
<v Speaker 1>to fake being pregnant. So by the end of this series,

0:45:18.080 --> 0:45:19.560
<v Speaker 1>the two of them have to go off quickly and

0:45:19.560 --> 0:45:22.080
<v Speaker 1>like have sex and have and make a baby. But

0:45:22.800 --> 0:45:27.600
<v Speaker 1>it's the beginning of the Mellie Olivia like when they

0:45:27.640 --> 0:45:30.319
<v Speaker 1>work together, it's like, holy shit, And we learned that

0:45:30.360 --> 0:45:32.800
<v Speaker 1>Olivia's like, oh, hell no, I don't want to settle

0:45:32.800 --> 0:45:35.560
<v Speaker 1>down and be normal. I mean, one of your memorable

0:45:35.560 --> 0:45:39.640
<v Speaker 1>lines is being normal is overrated. In this episode, it's

0:45:39.640 --> 0:45:42.080
<v Speaker 1>the first time you see Olivia and you're like, oh wow,

0:45:42.400 --> 0:45:44.879
<v Speaker 1>she And another memorable line in this episode is when

0:45:44.880 --> 0:45:47.319
<v Speaker 1>Cyrus says, some men aren't meant to be happy, They're

0:45:47.320 --> 0:45:50.680
<v Speaker 1>meant to be great. And I think that sort of

0:45:50.760 --> 0:45:53.120
<v Speaker 1>connected to Olivia as well, because I think she felt

0:45:53.120 --> 0:45:54.839
<v Speaker 1>that way too, you know what I mean, Yeah, yeah,

0:45:54.880 --> 0:45:57.520
<v Speaker 1>she says, don't go be the man. I voted for yes,

0:45:58.080 --> 0:45:59.520
<v Speaker 1>but all of us are like, you mean the man

0:45:59.600 --> 0:46:03.480
<v Speaker 1>that you the election for me? Okay, okay, well I voted.

0:46:07.160 --> 0:46:09.279
<v Speaker 1>But the fact that you that you chose not to

0:46:09.320 --> 0:46:12.120
<v Speaker 1>settle down with Fits, that Olivia chose not to go

0:46:12.239 --> 0:46:15.200
<v Speaker 1>that route. I mean, he speaks volumes to who. Olivia

0:46:15.400 --> 0:46:18.400
<v Speaker 1>was right, she knew her life was beyond that, Like

0:46:18.440 --> 0:46:20.239
<v Speaker 1>she didn't want that. She was like, oh wait a minute,

0:46:20.239 --> 0:46:21.920
<v Speaker 1>wait wait, no, no no, no, no, I'm good. I'm good

0:46:21.960 --> 0:46:25.239
<v Speaker 1>being the most powerful woman in DC right now. Yeah,

0:46:25.440 --> 0:46:29.400
<v Speaker 1>so good, so wild. The show figured out what it

0:46:29.480 --> 0:46:32.520
<v Speaker 1>was while it was happening, Like, it wasn't predestined that

0:46:32.960 --> 0:46:36.719
<v Speaker 1>Mellie would be Melly, you know. So can you talk

0:46:36.760 --> 0:46:41.759
<v Speaker 1>to us quickly about like when you realize that so

0:46:41.880 --> 0:46:44.360
<v Speaker 1>much of this show was going to be relationships between

0:46:44.400 --> 0:46:47.279
<v Speaker 1>you and Jake and Fits, and that Melly was going

0:46:47.320 --> 0:46:49.600
<v Speaker 1>to be like a very big part of that. Yeah,

0:46:49.640 --> 0:46:52.160
<v Speaker 1>I don't, it's so hard. I don't remember having a

0:46:52.160 --> 0:46:54.919
<v Speaker 1>lot of perspective about what the show is about while

0:46:54.960 --> 0:46:58.040
<v Speaker 1>we were doing it. It was so la. It was

0:46:58.080 --> 0:47:01.200
<v Speaker 1>a scene moment to moment like we were just on

0:47:01.200 --> 0:47:03.799
<v Speaker 1>this I mean, we were on this rocket ship. I

0:47:03.840 --> 0:47:08.680
<v Speaker 1>remember Josh Melina seeing the second episode during lunch, the

0:47:08.719 --> 0:47:11.280
<v Speaker 1>second or third episode during lunch while we were filming,

0:47:11.320 --> 0:47:13.200
<v Speaker 1>and that like room. We would sometimes get upstairs where

0:47:13.200 --> 0:47:15.080
<v Speaker 1>we had table reads. And he turned to me and

0:47:15.080 --> 0:47:18.120
<v Speaker 1>he was like, you can carry a show. And like

0:47:18.239 --> 0:47:20.680
<v Speaker 1>coming from Josh Maline Out who was like I watched

0:47:20.719 --> 0:47:24.800
<v Speaker 1>all through college on West Wing, was like obsessed, Like

0:47:24.920 --> 0:47:28.480
<v Speaker 1>you're so pitical that show. Yes, it was the show

0:47:28.560 --> 0:47:30.560
<v Speaker 1>I had. Both Colleen and our friend Jody. We used

0:47:30.560 --> 0:47:33.280
<v Speaker 1>to get together and cook recipes from the Moosewood Cookbook

0:47:33.280 --> 0:47:35.839
<v Speaker 1>and watch West Wing every week. Um, but we like

0:47:36.000 --> 0:47:37.400
<v Speaker 1>so when he said that, I was like, I just

0:47:37.440 --> 0:47:38.960
<v Speaker 1>remember being like, oh my god, oh my god, oh

0:47:38.960 --> 0:47:41.600
<v Speaker 1>my god. I hope he's right. And then I remember

0:47:41.880 --> 0:47:44.560
<v Speaker 1>you also because I didn't know I had mostly done movies,

0:47:44.560 --> 0:47:46.760
<v Speaker 1>but I remember sitting in the hair makeup trail and Katie.

0:47:46.760 --> 0:47:49.880
<v Speaker 1>You were like episode three and I was like what

0:47:50.080 --> 0:47:52.279
<v Speaker 1>about it? And you were like the script is really

0:47:52.320 --> 0:47:54.879
<v Speaker 1>good and I was like okay. You're like, well that's

0:47:54.880 --> 0:47:56.480
<v Speaker 1>when you know if you have a show or not.

0:47:56.600 --> 0:47:59.880
<v Speaker 1>And I was like, oh really, oh god, try Katie out, yea,

0:48:00.280 --> 0:48:03.239
<v Speaker 1>check you out, Katie. Well it's easy to make two.

0:48:03.400 --> 0:48:07.960
<v Speaker 1>You were like things fall Aparted episode three. Yeah, you're like,

0:48:08.000 --> 0:48:10.000
<v Speaker 1>episode three is when you really have to know whether

0:48:10.040 --> 0:48:12.200
<v Speaker 1>you can make a show. And I was like, oh,

0:48:12.280 --> 0:48:14.200
<v Speaker 1>that's exciting because I think this episode is pretty good.

0:48:14.239 --> 0:48:16.480
<v Speaker 1>I just was so green, you guys, I didn't know anything.

0:48:16.560 --> 0:48:20.000
<v Speaker 1>I didn't know anything. You're calling us to do backstories, like,

0:48:20.200 --> 0:48:23.759
<v Speaker 1>I don't think anyone does that, but what I mean

0:48:23.800 --> 0:48:27.160
<v Speaker 1>they do in movies. Business of it, the business of it,

0:48:27.239 --> 0:48:30.120
<v Speaker 1>I was so green about, and like the the TV

0:48:30.320 --> 0:48:32.160
<v Speaker 1>of it, I was so green about. So I wasn't

0:48:32.160 --> 0:48:34.480
<v Speaker 1>green as an as an actor, Like as an actor,

0:48:34.520 --> 0:48:38.000
<v Speaker 1>I was so invested and felt like I was just like,

0:48:38.520 --> 0:48:41.439
<v Speaker 1>you know, the hog and mud like. So it doing

0:48:41.480 --> 0:48:43.520
<v Speaker 1>everything I wanted to be doing. But I didn't know

0:48:43.520 --> 0:48:45.600
<v Speaker 1>what it meant. I didn't know what the marketing men

0:48:45.719 --> 0:48:49.239
<v Speaker 1>I didn't. I didn't. I just you know, yeah, I

0:48:49.320 --> 0:48:53.560
<v Speaker 1>just moment to moment, I just wanted yeah, and it speaks.

0:48:53.680 --> 0:48:55.760
<v Speaker 1>It's it's like, it's about the work. Right. It sounds

0:48:55.760 --> 0:48:58.680
<v Speaker 1>like sort of corny and cliche, but it's it's about

0:48:58.680 --> 0:49:00.960
<v Speaker 1>the work. If the work is good and everything else

0:49:00.960 --> 0:49:03.319
<v Speaker 1>that we have no control over, right, that that'll either

0:49:03.360 --> 0:49:08.879
<v Speaker 1>fall into blaze or it won't and it and yes, yes, yes,

0:49:09.200 --> 0:49:12.719
<v Speaker 1>And what I what I'm really proud of sitting here

0:49:12.840 --> 0:49:15.840
<v Speaker 1>right now in this moment is also that it was

0:49:15.880 --> 0:49:21.960
<v Speaker 1>about the process and the people. Because I remember so

0:49:22.040 --> 0:49:26.280
<v Speaker 1>much more about your first house that you bought, Katie.

0:49:26.640 --> 0:49:29.480
<v Speaker 1>I remember so much more about game or your conversations

0:49:29.480 --> 0:49:31.680
<v Speaker 1>about going back home in New York and what that

0:49:31.760 --> 0:49:34.680
<v Speaker 1>was like, and like are the reveal of the clothing

0:49:34.680 --> 0:49:37.000
<v Speaker 1>in the sacks windows and your parents waving at us

0:49:37.040 --> 0:49:41.280
<v Speaker 1>through the window. Forget it. I'll never forget that. These

0:49:41.360 --> 0:49:45.360
<v Speaker 1>little details I remember more than any episode of the

0:49:45.400 --> 0:49:48.600
<v Speaker 1>show we ever shot, because I was so invested in

0:49:49.480 --> 0:49:53.040
<v Speaker 1>you as people. I was invested in our like we

0:49:53.040 --> 0:49:55.759
<v Speaker 1>were on this rocket ship and we couldn't control like

0:49:56.160 --> 0:49:59.040
<v Speaker 1>Mars and the comets and the stars, and like we didn't,

0:49:59.080 --> 0:50:02.760
<v Speaker 1>but on ship, we had each other. And I'm really

0:50:02.800 --> 0:50:05.520
<v Speaker 1>proud of how we did that. It really all stems

0:50:05.560 --> 0:50:08.880
<v Speaker 1>from you, Kerry, I'm serious. And the other thing about

0:50:08.880 --> 0:50:11.240
<v Speaker 1>all of this pressure and everything about being the first

0:50:11.960 --> 0:50:14.040
<v Speaker 1>black woman in forty years to be on a show,

0:50:14.239 --> 0:50:16.600
<v Speaker 1>I remember, for one second, like I don't know if

0:50:16.600 --> 0:50:18.239
<v Speaker 1>you ever felt this, or maybe I put this in

0:50:18.239 --> 0:50:19.600
<v Speaker 1>my head that you said this in or I remember

0:50:19.640 --> 0:50:21.759
<v Speaker 1>you being like, this has to succeed, Like what would

0:50:21.760 --> 0:50:24.560
<v Speaker 1>have happened had it not? Yeah, I knew, I knew

0:50:24.800 --> 0:50:28.320
<v Speaker 1>we failed. It would be another forty years. But instead,

0:50:28.600 --> 0:50:30.880
<v Speaker 1>because we didn't fail, we got to have How to

0:50:30.920 --> 0:50:33.520
<v Speaker 1>get Away, and we got to have Brianka Chopra and

0:50:33.600 --> 0:50:35.360
<v Speaker 1>her show. We got to have all these women of

0:50:35.400 --> 0:50:39.960
<v Speaker 1>color leading network shows Station nineteen, Like, we got to

0:50:40.600 --> 0:50:43.040
<v Speaker 1>have this world where women of color were number ones

0:50:43.040 --> 0:50:44.440
<v Speaker 1>on the call sheet and it was no longer a

0:50:44.440 --> 0:50:51.560
<v Speaker 1>big quote unquote risks. Anyway, I love you guys so much.

0:50:54.400 --> 0:50:58.719
<v Speaker 1>I can't tell you how fun this first season of

0:50:58.800 --> 0:51:04.680
<v Speaker 1>Unpacking the Toolboxes such a freaking blast. It's been such

0:51:04.719 --> 0:51:07.360
<v Speaker 1>a blast. I hope I hope we get to do

0:51:07.560 --> 0:51:10.239
<v Speaker 1>like listen, like every single season. I hope we do

0:51:10.320 --> 0:51:14.920
<v Speaker 1>all seven seasons. And that's to you all listening too. Yeah, Like, yeah,

0:51:15.040 --> 0:51:17.799
<v Speaker 1>you guys like it, Tell your friends and we'll give

0:51:17.840 --> 0:51:21.240
<v Speaker 1>you more life. We'll bring you more behind the scenes

0:51:21.360 --> 0:51:23.400
<v Speaker 1>hot goss from Yeah, We're going to bring all the

0:51:23.440 --> 0:51:27.920
<v Speaker 1>guests more superstars. That's right, peace. Hopefully the next episode

0:51:27.960 --> 0:51:31.200
<v Speaker 1>up is two h one White Hats Off, Yeah, premier

0:51:31.239 --> 0:51:33.080
<v Speaker 1>of the second season but come on, you guys, give

0:51:33.080 --> 0:51:34.759
<v Speaker 1>me a fucking break. The first season, we brought to

0:51:34.760 --> 0:51:36.640
<v Speaker 1>you Shan Rhymes, we brought to you Tony Golden, we

0:51:36.680 --> 0:51:42.280
<v Speaker 1>brought to you Lives a Wheel. We brought you Cary Washington.

0:51:42.400 --> 0:51:46.319
<v Speaker 1>So stick with us. Please tell your friends this is

0:51:46.520 --> 0:51:49.319
<v Speaker 1>and also because as per usual, I just want to

0:51:49.320 --> 0:51:51.879
<v Speaker 1>hang out. We just want to Willy Willie Diaz all,

0:51:55.000 --> 0:51:58.400
<v Speaker 1>Oh my god, I love you so much. Hi, everyone,

0:51:58.480 --> 0:52:04.840
<v Speaker 1>this is Willie Dias sign off. Goodbye, Gladiatory Gladiators on

0:52:04.920 --> 0:52:09.440
<v Speaker 1>the app piece. Thank you guys for joining us on

0:52:09.640 --> 0:52:13.400
<v Speaker 1>Unpacking the Toolbox. If you enjoyed the show, please subscribe,

0:52:13.440 --> 0:52:16.240
<v Speaker 1>share with your friends, rate, or leave us a review.

0:52:16.400 --> 0:52:20.320
<v Speaker 1>Scandal is executive produced by Sandy Bailey, alex Alcha, Lauren Hohman,

0:52:20.640 --> 0:52:24.400
<v Speaker 1>Tyler Klang, and Gabrielle Collins. Our producer and editor is

0:52:24.480 --> 0:52:28.040
<v Speaker 1>Vince de Johnny, with music by Chad Fisher. Scandal is

0:52:28.040 --> 0:52:31.000
<v Speaker 1>a production of ABC Signature, and you can follow along

0:52:31.040 --> 0:52:34.000
<v Speaker 1>by rewatching Scandal on Hulu. Unpacking the Toolbox is a

0:52:34.000 --> 0:52:37.480
<v Speaker 1>production of Shondaland Audio in partnership with iHeartRadio. For more

0:52:37.520 --> 0:52:41.200
<v Speaker 1>podcasts from Shondaland Audio, visit the iHeartRadio app or anywhere

0:52:41.200 --> 0:52:42.840
<v Speaker 1>you subscribe to your favorite shows.