WEBVTT - Hidden Figures with Nina Daniels

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<v Speaker 1>On the Dog Cast, the questions asked if movies have

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<v Speaker 1>women in them, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism the patriarchy? Zef in best

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<v Speaker 1>start changing it with the Bell Cast. Hi, and welcome

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<v Speaker 1>to the backdel Cast. I'm Caitlin, I'm Jamie, and we're

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<v Speaker 1>here to talk about movies and how they portray women.

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<v Speaker 1>That was great. Yeah, that was like the most distinct

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<v Speaker 1>I've ever done it. I know. I used to take

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<v Speaker 1>us five minutes. Man, we are growing. How's your day?

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<v Speaker 1>My day has been okay. Oh. So I went out

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<v Speaker 1>for a jog. I jogg and I saw I ran

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<v Speaker 1>past a guy who was chugging a box of Frenzya

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<v Speaker 1>on the sidewalk, and I was like, that's unusual. And

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<v Speaker 1>then I ran between him in a car and there

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<v Speaker 1>was someone in the car filming him. So I was like,

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<v Speaker 1>that makes more sense. He's doing it for like a bit,

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<v Speaker 1>someone's filming him. I get it. But like first split second,

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<v Speaker 1>I was like, why is this guy just chugging a

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<v Speaker 1>box of Franzia on the sidewalk? It was real, like

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<v Speaker 1>a real Franzia. I think it would be more work yeah,

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<v Speaker 1>I mean, you'd have to empty out the bag, fill

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<v Speaker 1>it with water. Why do that? Why not just chug Franah.

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<v Speaker 1>I burned myself out on that, and I did that

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<v Speaker 1>a couple of times in college, and now I disassociate

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<v Speaker 1>it with the smell of the basement apartment I used

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<v Speaker 1>to live in. Can't do it anymore. Yeah, not that

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<v Speaker 1>it's great wine to begin with. No, my day was bad.

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<v Speaker 1>I'm sorry to hear that. That's okay, let's start that episode. Okay,

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<v Speaker 1>let's do that. We are here with a wonderful guest.

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<v Speaker 1>She is a comedian. She is a cellist. True story.

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<v Speaker 1>She also has a show here at nerd Melt in

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<v Speaker 1>Los Angeles, California. Nina Daniels, thank you for having me, guys,

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<v Speaker 1>thanks for being here. You're welcome. And that's the end

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<v Speaker 1>of the episode. But we did it. We uh. We're

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<v Speaker 1>talking about a movie called Hidden Figures. Talk to us

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<v Speaker 1>about when did you see this movie? I mean it

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<v Speaker 1>came out, you know, not long ago, a few months ago. Actually, No,

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<v Speaker 1>I saw it through SAG Awards in my living room

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<v Speaker 1>on my laptop. How fancy. Yeah, because when you're in

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<v Speaker 1>SAG they give you screeners. Nice so that was one

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<v Speaker 1>of the screeners that I am watched and completely fell

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<v Speaker 1>in love with. This movie so good. Yeah, I saw

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<v Speaker 1>it in the theater by myself. I wish I had

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<v Speaker 1>seen it in the theater. Yeah, it was great. I

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<v Speaker 1>so I go to the movies by myself often and

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<v Speaker 1>who knows why. Well, I'll talk to about with my therapist. No,

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<v Speaker 1>it's very it's very therapeutic for me to go to

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<v Speaker 1>the movies by myself. Um. But here's the thing. I

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<v Speaker 1>don't let myself get emotional in public like I And

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<v Speaker 1>it's another thing I need to talk to my therapy.

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<v Speaker 1>It's about do I even have a therapist? Now, I

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<v Speaker 1>don't should make an appointment, but I have a really

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<v Speaker 1>hard time, like I can't let people see me cry.

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<v Speaker 1>And this movie made me so emotional. I was like

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<v Speaker 1>on the verge of tears the entire time because I'm

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<v Speaker 1>just like, oh, these women are being mistreated and all

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<v Speaker 1>this injustice. They're uplifting each other and and I was

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<v Speaker 1>like just nearly crying the entire time. And I was like,

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<v Speaker 1>I can't but I can't let anyone see me cry.

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<v Speaker 1>I couldn't be you Literally a commercial makes me cry. Oh, yeah,

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<v Speaker 1>I'll be like, because I love you like this sweet

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<v Speaker 1>I cry. Oh, everybody laughs at me a movie because

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<v Speaker 1>they just they see something and everybody just looks at

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<v Speaker 1>me to see if tears are coming down. Yeah no,

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<v Speaker 1>I'm I'm very I repress my emotions and it's not healthy,

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<v Speaker 1>but I don't. But that's good. Yeah, I should repress

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<v Speaker 1>my maybe a little bit more. It interferes with your life. Really,

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<v Speaker 1>it's well, I mean sometimes it's like, man, I gotta

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<v Speaker 1>take a I gotta take a walk. Sometimes I was

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<v Speaker 1>just to like walk off my emotions and then returned

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<v Speaker 1>to I don't know. Today my therapist was like, I

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<v Speaker 1>think you should spend the weekend inside and where bata

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<v Speaker 1>block or sunglasses? Anyways, let's talk about the movie. See.

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<v Speaker 1>I saw that the other first time. I really loved it.

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<v Speaker 1>I thought it was great. Jimmy, when did you see it?

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<v Speaker 1>I saw it last week and I really really liked it.

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<v Speaker 1>It was one of the movies that I wanted to

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<v Speaker 1>see over the holidays, and uh, I wasn't able to

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<v Speaker 1>because my mom wanted to see the Jackie Oh movie,

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<v Speaker 1>which was so great. I passed on that good call.

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<v Speaker 1>It was not It was a stinker, but still still

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<v Speaker 1>still feel ill from me right, It's just it was.

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<v Speaker 1>It was a drag. But that's the Kennedy assassination for you.

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<v Speaker 1>And this this movie made me feel so good and

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<v Speaker 1>like was the sort of movie that I felt good

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<v Speaker 1>about days after watching it, not as good as it

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<v Speaker 1>made me feel. Oh yeah, talk about that. I mean, well,

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<v Speaker 1>first of all, I did want to see it in

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<v Speaker 1>the movie theater, but I was so excited about it

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<v Speaker 1>that I couldn't even wait because I had to screener.

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<v Speaker 1>I'm like, I have to see this like right now

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<v Speaker 1>for many reasons. One which a lot of people probably

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<v Speaker 1>wouldn't know, but all three women are or were UM

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<v Speaker 1>some of the past members of the same sorority that

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<v Speaker 1>I met. The office ality incorporated all three, so that

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<v Speaker 1>was like really enlightening. It was like, oh my goodness,

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<v Speaker 1>because quick at three lesson. But you know, in a

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<v Speaker 1>African American sorority, we don't just pledge or participate in undergrad.

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<v Speaker 1>It's like that movie The Firm. Once you get in

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<v Speaker 1>you can't get out, like literally you're and you become

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<v Speaker 1>more active once you get to UM, once you graduate.

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<v Speaker 1>Enjoy was called grad chapter yeah or you're inactive like

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<v Speaker 1>me and should be doing in grad chapter just pay

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<v Speaker 1>your due and you're just like a general member. But yeah,

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<v Speaker 1>so it was like I was really proud, really proud

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<v Speaker 1>sister of Alpha Cappa Alpha watching them, like of course

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<v Speaker 1>they were all sorears. It made me very proud. That's awesome.

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<v Speaker 1>A little cocky now, you know. That made me excited

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<v Speaker 1>and also made me excited, as you know, an African

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<v Speaker 1>American woman to see three brilliant women and I thought

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<v Speaker 1>and directed to such a great job of showing their

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<v Speaker 1>brilliance and also showing what they had to deal with,

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<v Speaker 1>but not like dumbing them down or not making it

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<v Speaker 1>some SAPPI like woe is Me stories a lot of times,

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<v Speaker 1>you know, some of these movies are like oh, the

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<v Speaker 1>whole black person hand to struggle through. It was like

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<v Speaker 1>this women were so confident and so like in the

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<v Speaker 1>car the car scene when the car broke down and

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<v Speaker 1>they were like, well you could walk or sit in

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<v Speaker 1>the back of the bus and they were like, no,

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<v Speaker 1>I don't think so. I was like, that's me right there,

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<v Speaker 1>I don't think. So that was like a prime also

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<v Speaker 1>to show the pride and the almost part of the

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<v Speaker 1>arrogance of like, now we're not doing that, and during

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<v Speaker 1>that ninety one nineteen sixty one that was very impressed.

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<v Speaker 1>That scene ends with them fixing the car and then

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<v Speaker 1>the or the cop pulls up and you're like, fuck

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<v Speaker 1>this fucking cop. What's he gonna do in advance? And

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<v Speaker 1>then um, right, yeah, but then they talked to him.

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<v Speaker 1>They have to convince him that they're like, yes, we

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<v Speaker 1>work at NASA, we do important things like we're not

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<v Speaker 1>and he's just like, I didn't know there were women. Yeah, yeah,

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<v Speaker 1>you knew That's not what he was gonna say. Was brilliant. Um.

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<v Speaker 1>But then he offers to escort them the rest of

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<v Speaker 1>the way, and that I wrote down what um what

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<v Speaker 1>Mary says, yeah, because she's like three negro women are

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<v Speaker 1>chasing the white police officer are down in highway in Hampton, Virginia,

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<v Speaker 1>nineteen sixty one, that these this is a god or

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<v Speaker 1>dama a miracles. That I wrote that down as well, Kaitlin,

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<v Speaker 1>do you want to do the recap? The recap? Oh Man.

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<v Speaker 1>The story is about three black women, Katherine Gobel who

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<v Speaker 1>becomes Katherine Johnson, Dorothy Vaughan and Mary Jackson. Stories based

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<v Speaker 1>on real life events. These were real women. They were

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<v Speaker 1>all employed by NASA. This is a movie set in

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<v Speaker 1>ne where in the middle of the space race with

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<v Speaker 1>the Russians. You know, the US is trying to pull ahead.

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<v Speaker 1>The Russians get a man in space first. Everyone's freaking out.

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<v Speaker 1>Katherine Gobel did a lot of the analytic geometry to

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<v Speaker 1>calculate the trajectories and the landing and takeoff for the rockets. Meanwhile,

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<v Speaker 1>Mary Jackson is she wants to be an engineer, but

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<v Speaker 1>she can't because she doesn't have quite the right qualifications,

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<v Speaker 1>or she has the qualifications, but they're like finding ways

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<v Speaker 1>to suppress her ability to actually be an engineer because

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<v Speaker 1>he's a woman. So she has to like petition and

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<v Speaker 1>get a court age and all the stuff and so

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<v Speaker 1>that she can take classes to get the qualifications. Long

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<v Speaker 1>story short, she finally gets there. Yeah, she becomes an engineer. UM,

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<v Speaker 1>but she's working in like this engineering department. UM. They're

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<v Speaker 1>trying to figure out how to make it so that

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<v Speaker 1>the space craft that they're trying to launch into space

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<v Speaker 1>is ready for the astronauts to actually be there, and

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<v Speaker 1>that it's safe so they don't all die in space.

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<v Speaker 1>And then the third main character, Dorothy Vonne. She's essentially

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<v Speaker 1>a supervisor, but they won't give her the title or

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<v Speaker 1>the pay. And she's supervising a group of like twenty

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<v Speaker 1>other black women who are all computers and and doing

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<v Speaker 1>other you know, important math and analytics and stuff like

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<v Speaker 1>that for NASA. UM. And it's basically just it takes

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<v Speaker 1>place over of course of a few months, and they're

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<v Speaker 1>all just trying to do the work that needs to

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<v Speaker 1>be done to get people in space. The end. I

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<v Speaker 1>think it's pull to point out that, you know, they

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<v Speaker 1>were called computers because there were there were no computers

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<v Speaker 1>yet IBM. They were just waiting to get their IBM. Yeah.

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<v Speaker 1>Other characters who are important, um, Katherine's boss played by

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<v Speaker 1>Kevin Costner. This is the first time I have not

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<v Speaker 1>hated him in a movie. So yeah, like Kevin Klein,

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<v Speaker 1>Yeah kind of clin has always been great. Yeah please Ken,

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<v Speaker 1>So he's her boss. Then there's Jim Parsons. I forget

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<v Speaker 1>his characters. Love his characters is Paul Paul Staff And

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<v Speaker 1>I think, yeah, I love Jim Parsons. He looks a

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<v Speaker 1>little alien all the time. This a little alien looking guy.

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<v Speaker 1>His character though, so despicable. Yes, he was so good

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<v Speaker 1>at this movie. Yeah, he's alien. Kristen Dunnes plays a

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<v Speaker 1>woman I don't entirely know what her job, Mrs Mrs Mitchell.

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<v Speaker 1>She's a coordinator Achill. So it's the castle, same characters. Yeah, alright.

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<v Speaker 1>The first thing I want to say about this movie

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<v Speaker 1>is it it caused attention to the fact that, like

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<v Speaker 1>one of the most significant historic and scientific feats of

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<v Speaker 1>the twentieth century, and also, like I don't know all

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<v Speaker 1>of history, which was putting a man into space, was

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<v Speaker 1>made possible by a group of black women who you've

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<v Speaker 1>probably never heard about until now, because I didn't learn

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<v Speaker 1>this stuff in history class. And that's why. I mean,

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<v Speaker 1>obviously the title of the movie suggests that these are

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<v Speaker 1>hidden figures because we don't, like they don't teach us this,

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<v Speaker 1>but I didn't learn about this. I didn't. I think

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<v Speaker 1>that it kind of like that extends to the movie

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<v Speaker 1>universe too, because I think about how many fucking space

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<v Speaker 1>movies there are, and every time you catch at the

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<v Speaker 1>control room, there's a white guy in there, there's you know,

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<v Speaker 1>like there's barely any women at all, not to mention

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<v Speaker 1>a person of color, and so it's like I don't know.

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<v Speaker 1>I was thinking a lot about that during the movie too,

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<v Speaker 1>just like you know, like Armageddon and Paul eleven and

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<v Speaker 1>one of the characters I thirst and start to man

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<v Speaker 1>um but who Katherine is later involved with, and like

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<v Speaker 1>you would never see that reflected. I knew about Katherine Johnson. Yeah,

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<v Speaker 1>And as a matter of fact, I had had actually forgotten.

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<v Speaker 1>My dad was like, you wrote a paper on her.

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<v Speaker 1>I was like, oh good, you know, but I was

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<v Speaker 1>really young. But I definitely think seeing the movie definitely

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<v Speaker 1>gave me brought awareness to a very different way. I mean,

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<v Speaker 1>my parents were great because we learned about a lot

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<v Speaker 1>of um African American people who were outstanding and amazing

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<v Speaker 1>and change history. That we're not just Martluther King. I

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<v Speaker 1>love him, but you know, or I would say Benjamin

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<v Speaker 1>Bannon early and if anybody knows who he like, um,

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<v Speaker 1>Paul Robeson, and I mean there's a lot of people

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<v Speaker 1>that when I was a kid, my parents we would

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<v Speaker 1>get a list of names to write a paper. And

0:12:58.559 --> 0:13:02.520
<v Speaker 1>I did not go to school with the many other

0:13:02.600 --> 0:13:05.520
<v Speaker 1>African Americans, especially teachers, so it be like me in

0:13:05.600 --> 0:13:08.880
<v Speaker 1>the class and it would be only historical figures, but

0:13:09.000 --> 0:13:11.800
<v Speaker 1>none of them would be black, and my parents would

0:13:11.800 --> 0:13:14.360
<v Speaker 1>be like, they cross it out. Maybe you're doing a

0:13:14.520 --> 0:13:18.400
<v Speaker 1>paper on this person. I would bring it back to them,

0:13:18.480 --> 0:13:20.959
<v Speaker 1>this is what I'm doing it on, and the teacher.

0:13:21.200 --> 0:13:23.679
<v Speaker 1>You could tell the teacher, look like, I did not

0:13:23.760 --> 0:13:25.880
<v Speaker 1>assign that to you. But I'm definitely not going to

0:13:26.000 --> 0:13:30.760
<v Speaker 1>challenge you on this because good luck challenging my mother.

0:13:31.000 --> 0:13:34.840
<v Speaker 1>Good luck with that. You would lose that battle of hardcore. Yeah,

0:13:34.840 --> 0:13:38.199
<v Speaker 1>I mean, I grew up in rural western Pennsylvania. I

0:13:38.280 --> 0:13:43.040
<v Speaker 1>grew up in rural Long Island. Yeah. Man, that's the thing,

0:13:43.120 --> 0:13:45.000
<v Speaker 1>like I like, I mean, I didn't have parents to

0:13:45.040 --> 0:13:47.640
<v Speaker 1>be like, you're gonna do this paper on an American

0:13:47.679 --> 0:13:50.199
<v Speaker 1>person and stead like I don't think we talked about

0:13:50.320 --> 0:13:53.840
<v Speaker 1>in history class, like any notable figures in history who

0:13:53.920 --> 0:13:59.480
<v Speaker 1>were black except maybe, uh, I mean, and not many

0:13:59.520 --> 0:14:02.160
<v Speaker 1>women there. I mean, like I knew about Betsy Ross

0:14:02.160 --> 0:14:04.160
<v Speaker 1>because she made a flag or something, but like, other

0:14:04.240 --> 0:14:06.520
<v Speaker 1>than that, it was just a bunch of white dudes.

0:14:06.920 --> 0:14:10.240
<v Speaker 1>My favorite woman growing up was um Surely Chisholm. She

0:14:10.320 --> 0:14:13.160
<v Speaker 1>went for president first black women, like she's part of

0:14:13.200 --> 0:14:15.599
<v Speaker 1>the women's suffers movement, Like she's no joke. Man, she

0:14:15.800 --> 0:14:18.120
<v Speaker 1>was like I remember being a kid and be like

0:14:18.160 --> 0:14:21.400
<v Speaker 1>I want to be like her. She was. So that's

0:14:21.440 --> 0:14:23.200
<v Speaker 1>what I mean, Like we were lucky. We were very fortunate.

0:14:23.320 --> 0:14:27.120
<v Speaker 1>We're exposed to so many people. Yeah, it was really

0:14:27.160 --> 0:14:29.800
<v Speaker 1>interesting to um see. And I mean, I think what

0:14:29.880 --> 0:14:32.480
<v Speaker 1>I love most about Hidden Figures as well is that

0:14:33.000 --> 0:14:37.400
<v Speaker 1>it also showed the softness of African American women, meaning

0:14:37.480 --> 0:14:40.320
<v Speaker 1>like they weren't like and and and I say, it's

0:14:40.360 --> 0:14:44.440
<v Speaker 1>like I love being strong and and in the the

0:14:44.520 --> 0:14:48.240
<v Speaker 1>portrayal of strong African and Black women. But like, these

0:14:48.280 --> 0:14:51.520
<v Speaker 1>women were known for their brains and they didn't have

0:14:51.560 --> 0:14:53.600
<v Speaker 1>to put anything on it. They were just being who

0:14:53.680 --> 0:14:57.000
<v Speaker 1>they are and that's what made them up as their intelligence.

0:14:57.080 --> 0:14:58.960
<v Speaker 1>And I felt like they led by their intelligence, and

0:14:59.000 --> 0:15:02.280
<v Speaker 1>that to me was like that, you're refreshing thing to see. Yeah,

0:15:02.360 --> 0:15:05.000
<v Speaker 1>I love that. I loved that. One of the other

0:15:05.080 --> 0:15:06.760
<v Speaker 1>thing the main things this movie does is that it

0:15:07.120 --> 0:15:09.840
<v Speaker 1>just shows how many hurdles these women had to jump

0:15:09.920 --> 0:15:14.920
<v Speaker 1>over in like every part of their job and outside

0:15:15.200 --> 0:15:18.080
<v Speaker 1>of their job, just to like prove that they're capable

0:15:18.160 --> 0:15:20.800
<v Speaker 1>and like, yeah, we are, we can do this, and

0:15:20.880 --> 0:15:25.040
<v Speaker 1>then exactly and everyone's just like I don't know about that,

0:15:25.400 --> 0:15:27.920
<v Speaker 1>but it's also proved yourself. It's also a testament to

0:15:28.360 --> 0:15:32.600
<v Speaker 1>when someone says cream always rises to the top. Literally

0:15:32.640 --> 0:15:34.800
<v Speaker 1>they needed them because no one could do it. Yeah,

0:15:34.880 --> 0:15:37.360
<v Speaker 1>like no one else could do it, you know. So

0:15:37.800 --> 0:15:41.800
<v Speaker 1>it's almost like if you can make yourself so useful

0:15:41.840 --> 0:15:44.320
<v Speaker 1>that nobody else could do it. And it was interesting,

0:15:44.360 --> 0:15:47.840
<v Speaker 1>like also to about the engineering with Mary and that

0:15:48.080 --> 0:15:51.200
<v Speaker 1>character even you know, saying, you know, I'm Jewish and

0:15:51.280 --> 0:15:53.320
<v Speaker 1>I came here from but the thing is like you're

0:15:53.320 --> 0:15:55.760
<v Speaker 1>still a man, you know, and you're still a white

0:15:55.800 --> 0:15:59.840
<v Speaker 1>man in America. Like, so it was really interesting this

0:16:00.000 --> 0:16:02.280
<v Speaker 1>see him have that because her obscle wasn't just being

0:16:02.320 --> 0:16:05.120
<v Speaker 1>a woman where she needed to take the courses they

0:16:05.120 --> 0:16:08.720
<v Speaker 1>didn't allow African Americans, so that was really I mean

0:16:08.920 --> 0:16:11.120
<v Speaker 1>being a woman was part of it, but second layer

0:16:11.200 --> 0:16:13.520
<v Speaker 1>of it is it didn't allow a woman of color.

0:16:14.200 --> 0:16:18.360
<v Speaker 1>Yeah what people of color? For that intersectionality. She had

0:16:18.400 --> 0:16:21.920
<v Speaker 1>to go to court to take a class like I

0:16:21.960 --> 0:16:23.200
<v Speaker 1>think it was like a high school. She had to

0:16:23.240 --> 0:16:26.040
<v Speaker 1>go take it at a night class, which was which

0:16:26.080 --> 0:16:28.880
<v Speaker 1>was like wow, Yeah, there's so many steps she had

0:16:28.920 --> 0:16:30.400
<v Speaker 1>to go through just to be able to get the

0:16:30.440 --> 0:16:32.400
<v Speaker 1>credentials she needed to do the job that she was

0:16:32.400 --> 0:16:34.800
<v Speaker 1>already qualified to do. My mom would have totally done

0:16:34.840 --> 0:16:37.640
<v Speaker 1>that for real. My mom would have been excuse me,

0:16:38.400 --> 0:16:42.920
<v Speaker 1>here we go. Uh. And and it was it was

0:16:43.040 --> 0:16:45.120
<v Speaker 1>nice to see I mean, it wasn't like a main

0:16:45.240 --> 0:16:47.000
<v Speaker 1>focal point, but it was nice to see their their

0:16:47.040 --> 0:16:50.840
<v Speaker 1>home lives as well, um and that the other roles,

0:16:50.880 --> 0:16:52.200
<v Speaker 1>because I feel like it would have been easy to

0:16:52.480 --> 0:16:54.120
<v Speaker 1>just keep this in the workplace, and it would have

0:16:54.160 --> 0:16:56.560
<v Speaker 1>still been powerful if it was just in the workplace.

0:16:56.560 --> 0:16:58.840
<v Speaker 1>But it was nice to see um, not just the

0:16:58.920 --> 0:17:01.960
<v Speaker 1>professional hurles, but it um trying to maintain a life

0:17:01.960 --> 0:17:03.600
<v Speaker 1>for their kids and all this stuff because they still

0:17:03.600 --> 0:17:07.040
<v Speaker 1>love all the pressures associated with mother right. Yeah, all

0:17:07.119 --> 0:17:11.440
<v Speaker 1>three of those women had young children, and um, Catherine

0:17:11.520 --> 0:17:13.479
<v Speaker 1>was a single mother at like she started out that way.

0:17:13.600 --> 0:17:17.880
<v Speaker 1>She ends up marrying Jim Johnson. But I love that relationship. Yeah,

0:17:18.200 --> 0:17:21.000
<v Speaker 1>I love like you know, they showed such a respectful

0:17:21.480 --> 0:17:24.480
<v Speaker 1>like black love, which I loved. I was like, oh,

0:17:24.920 --> 0:17:27.280
<v Speaker 1>this is so sweet. When he apologized to her for

0:17:27.400 --> 0:17:33.880
<v Speaker 1>doubting her when they first met, I was like, all right, yeah, yeah,

0:17:33.880 --> 0:17:36.119
<v Speaker 1>because what is the first thing he said? Because he's like, oh,

0:17:36.160 --> 0:17:38.040
<v Speaker 1>I understand you work at NASA, and she's like, yeah,

0:17:38.040 --> 0:17:41.040
<v Speaker 1>we do all the you know, the calculations, and he's

0:17:41.040 --> 0:17:44.200
<v Speaker 1>just like, oh, they let women. And then he stops talking.

0:17:44.240 --> 0:17:47.159
<v Speaker 1>He's like, oh, man, I funked up real bad. She's like,

0:17:47.280 --> 0:17:51.440
<v Speaker 1>I'm gonna walk away and you should shut up. And

0:17:51.520 --> 0:17:54.040
<v Speaker 1>then the next time he's like, I owe you an apology.

0:17:54.119 --> 0:17:56.920
<v Speaker 1>She's like, yeah, I'm waiting for it. It also showed

0:17:56.920 --> 0:18:00.560
<v Speaker 1>the complications in Mary's marriage right, which I loved as well,

0:18:01.320 --> 0:18:05.240
<v Speaker 1>the juxtaposition of that relationship versus that and also married

0:18:05.359 --> 0:18:08.000
<v Speaker 1>not like she didn't play down and come down for

0:18:08.080 --> 0:18:09.800
<v Speaker 1>her husband even though he had all the use like

0:18:10.040 --> 0:18:12.640
<v Speaker 1>issuesn't concerned and she was just like, yeah, no, I'm

0:18:12.800 --> 0:18:16.440
<v Speaker 1>I'm gangster. I'm doing it like you shouldn't believe you

0:18:16.480 --> 0:18:18.960
<v Speaker 1>should not you know, which is I'm such an optimist.

0:18:18.960 --> 0:18:21.119
<v Speaker 1>It's so hard for me to like, look at the

0:18:21.760 --> 0:18:24.440
<v Speaker 1>glasses never half compt to me. It's always have full.

0:18:24.600 --> 0:18:27.880
<v Speaker 1>So I was like, go, Mary, you can do this. Well. Yeah.

0:18:28.040 --> 0:18:30.840
<v Speaker 1>Just like just seeing these three main characters who pretty

0:18:30.920 --> 0:18:33.400
<v Speaker 1>much at almost every point in the movie just refused

0:18:33.480 --> 0:18:37.440
<v Speaker 1>to be bulldozed by literally the entire world that's trying

0:18:37.520 --> 0:18:41.400
<v Speaker 1>to bud and and uh you know, like you're saying

0:18:41.440 --> 0:18:45.040
<v Speaker 1>it just like making themselves so like incredibly intelligent and

0:18:45.280 --> 0:18:48.800
<v Speaker 1>useful that you can't I didn't like they couldn't have

0:18:48.840 --> 0:18:52.520
<v Speaker 1>done it without them. Also, the intelligence wasn't um, it

0:18:52.680 --> 0:18:56.800
<v Speaker 1>wasn't forced. It was like quiet intelligent. That's what I love. Yeah,

0:18:56.960 --> 0:18:59.760
<v Speaker 1>just like came across very organganically, which is how we

0:19:01.880 --> 0:19:05.240
<v Speaker 1>they're doing the job. They're just I wanted to talk

0:19:05.240 --> 0:19:07.040
<v Speaker 1>a little bit more about that scene. It's one of

0:19:07.080 --> 0:19:10.480
<v Speaker 1>the opening scenes where they're broke down on the side

0:19:10.480 --> 0:19:13.360
<v Speaker 1>of the road and Dorothy is like fixing the car.

0:19:13.480 --> 0:19:15.920
<v Speaker 1>And I mentioned in an earlier episode of this podcast

0:19:16.240 --> 0:19:18.800
<v Speaker 1>where I'm like, I hate that trope or like to

0:19:18.880 --> 0:19:21.399
<v Speaker 1>show a woman to show that she's not just like

0:19:21.600 --> 0:19:24.960
<v Speaker 1>any other woman, she's good at fixing cars, and like

0:19:25.359 --> 0:19:27.520
<v Speaker 1>it's an annoying trope, but like that's what happened in

0:19:27.600 --> 0:19:30.480
<v Speaker 1>this movie, like they broke down. I believe that that

0:19:30.600 --> 0:19:35.520
<v Speaker 1>character knew how to fix and thens something like in Transformers,

0:19:35.840 --> 0:19:38.119
<v Speaker 1>like you see Megan Fox leaning over the hood of

0:19:38.160 --> 0:19:41.440
<v Speaker 1>a car basically like having sex with a car. Male

0:19:41.520 --> 0:19:46.440
<v Speaker 1>gaze all over the place, like lingering up and down. Yeah,

0:19:46.520 --> 0:19:48.879
<v Speaker 1>but like she was I thought I thought she was

0:19:49.800 --> 0:19:52.000
<v Speaker 1>literally I thought it was like I didn't even realize

0:19:52.000 --> 0:19:56.040
<v Speaker 1>that she was actually supposed to be fixing that Wait. Yeah,

0:19:56.040 --> 0:19:57.960
<v Speaker 1>I was like, what's she doing next to that car?

0:19:58.200 --> 0:19:59.720
<v Speaker 1>I was like, this is the part in the movie

0:19:59.760 --> 0:20:02.520
<v Speaker 1>when want some like the one to sell sex. Yeah, exactly,

0:20:02.880 --> 0:20:05.560
<v Speaker 1>And then in this movie like Dorothy's like splayed out

0:20:05.720 --> 0:20:08.520
<v Speaker 1>lying on the ground like under the car. Actually you

0:20:08.600 --> 0:20:12.000
<v Speaker 1>actually think, yeah, it wasn't sexy. It was just like, yeah,

0:20:12.160 --> 0:20:14.399
<v Speaker 1>she just is trying to figure out what the problem is,

0:20:14.560 --> 0:20:18.000
<v Speaker 1>and any context of the movie like that made total sense.

0:20:18.280 --> 0:20:20.879
<v Speaker 1>It didn't feel trophy at all. No, no, actually, and

0:20:20.960 --> 0:20:23.199
<v Speaker 1>you're saying it didn't. It didn't even any even think

0:20:23.240 --> 0:20:25.280
<v Speaker 1>about it until right now, you know, you're bringing up

0:20:25.359 --> 0:20:27.399
<v Speaker 1>It was just like a normal thing that happened. You're like, yep,

0:20:27.560 --> 0:20:30.440
<v Speaker 1>this checks out, Yeah, and that was that wasn't I

0:20:30.480 --> 0:20:32.440
<v Speaker 1>feel like the reason people usually do that trope is

0:20:32.600 --> 0:20:36.280
<v Speaker 1>because the like whatever whoever the female character is is

0:20:36.560 --> 0:20:41.000
<v Speaker 1>like portrayed as like so unrealistically that they're like, but wait,

0:20:41.560 --> 0:20:46.639
<v Speaker 1>she's grounded, and these women are portrayed realistically for the

0:20:46.920 --> 0:20:48.840
<v Speaker 1>duration of the movie so it's like cool, Yeah, they

0:20:48.880 --> 0:20:53.560
<v Speaker 1>can fix cars. There's so much cooler than me. Part

0:20:53.640 --> 0:20:56.240
<v Speaker 1>of what made me love this movie even more it

0:20:56.359 --> 0:20:59.920
<v Speaker 1>was there was a few um campaigns around the time

0:21:00.160 --> 0:21:02.600
<v Speaker 1>when it was actually in theaters, UM where a lot

0:21:02.600 --> 0:21:06.199
<v Speaker 1>of people were donating to send uh classes of kids

0:21:06.560 --> 0:21:09.800
<v Speaker 1>to go see this movie. And it's amazing that as

0:21:09.840 --> 0:21:12.680
<v Speaker 1>many classes as as did got to see it in

0:21:12.720 --> 0:21:15.640
<v Speaker 1>the theater. But just thinking about like years down the line,

0:21:15.720 --> 0:21:20.080
<v Speaker 1>this will be like watched in history classes and there's

0:21:20.440 --> 0:21:24.200
<v Speaker 1>not a lot of movies like it, and it's that

0:21:24.720 --> 0:21:27.760
<v Speaker 1>to me was like so exciting of like imagine being

0:21:28.359 --> 0:21:31.480
<v Speaker 1>whenever seven or eight years old and and seeing this movie.

0:21:31.600 --> 0:21:34.680
<v Speaker 1>It would be I think I think a couple of

0:21:34.760 --> 0:21:36.679
<v Speaker 1>the actors was like I think Tonti Pinson I think

0:21:36.680 --> 0:21:39.760
<v Speaker 1>also made Octavie I spent some like bought out theaters.

0:21:40.400 --> 0:21:43.680
<v Speaker 1>Oh yeah, I believe they brought out theaters so that

0:21:43.800 --> 0:21:48.560
<v Speaker 1>people and go in and see it. Oh man, that's yeah.

0:21:48.640 --> 0:21:50.440
<v Speaker 1>So like this movie, I don't know, there's not a

0:21:50.480 --> 0:21:52.520
<v Speaker 1>lot of movies you see where you're like, oh, this

0:21:52.680 --> 0:21:56.120
<v Speaker 1>is going to have a serious legacy and impact far

0:21:56.280 --> 0:21:59.840
<v Speaker 1>beyond the time it's actually in theaters. Um, and they're

0:21:59.840 --> 0:22:02.960
<v Speaker 1>like the UM. I felt like the accurate portrayal of

0:22:03.520 --> 0:22:08.520
<v Speaker 1>Paul and Katherine and Paul's Jim Parson's character. I like

0:22:08.680 --> 0:22:12.560
<v Speaker 1>the fact that he just stayed in his character the whole,

0:22:12.720 --> 0:22:15.880
<v Speaker 1>like to the end. He was not going to give

0:22:16.000 --> 0:22:19.000
<v Speaker 1>up being an asshole at all. And I loved it.

0:22:19.080 --> 0:22:22.120
<v Speaker 1>I'm like, was it like a romantic ending with that dude? Yeah,

0:22:22.359 --> 0:22:25.280
<v Speaker 1>it was like, great, that's great. You're racist and you

0:22:25.359 --> 0:22:29.520
<v Speaker 1>hate women and you're gonna stay that way, right because

0:22:29.800 --> 0:22:34.920
<v Speaker 1>in n that would have been what happened. But also

0:22:35.000 --> 0:22:37.800
<v Speaker 1>so you know what, you know what's so funny This

0:22:38.040 --> 0:22:40.320
<v Speaker 1>movie was a great example of nobody wanting to be

0:22:40.400 --> 0:22:42.359
<v Speaker 1>at the bottom. And what I mean by that is like,

0:22:42.480 --> 0:22:44.600
<v Speaker 1>so the men treated the women bad like Mrs Mitchell

0:22:45.440 --> 0:22:47.879
<v Speaker 1>and she treated the black women bad because somebody had

0:22:47.920 --> 0:22:50.560
<v Speaker 1>to just like trickled down, like they're gonna treat me poorly?

0:22:50.720 --> 0:22:52.680
<v Speaker 1>Do I want to treat like nobody wants to be

0:22:52.760 --> 0:22:56.120
<v Speaker 1>the bottom? And she was another one who was just terrible.

0:22:56.440 --> 0:22:59.520
<v Speaker 1>And even when she I guess did a good thing,

0:23:00.080 --> 0:23:03.080
<v Speaker 1>it wasn't even good. She was she was just like yeah, no,

0:23:03.320 --> 0:23:06.000
<v Speaker 1>she like there's that scene where she's in the bathroom

0:23:06.000 --> 0:23:09.560
<v Speaker 1>and change her idea about at all. Yeah, there's that

0:23:09.600 --> 0:23:12.240
<v Speaker 1>scene and she's like in the restroom with um Dorothy,

0:23:12.520 --> 0:23:17.720
<v Speaker 1>and after they had like desegregated the bathroom, um, when

0:23:18.320 --> 0:23:20.480
<v Speaker 1>Mrs Mitchell's like, you know, just by the way, you

0:23:20.560 --> 0:23:23.880
<v Speaker 1>think I don't have anything against you, and she's like, yeah,

0:23:23.880 --> 0:23:27.879
<v Speaker 1>I'm sure you believe that that's what you think. And

0:23:27.920 --> 0:23:31.320
<v Speaker 1>it's so funny because when when the real Catherine said

0:23:31.359 --> 0:23:33.720
<v Speaker 1>that never happened, she was like, he don't know, I

0:23:33.760 --> 0:23:38.000
<v Speaker 1>went to the bathroom right there. They certainly had to

0:23:38.119 --> 0:23:40.280
<v Speaker 1>like amp up the drama to make it like a

0:23:40.359 --> 0:23:43.320
<v Speaker 1>cinematic experience. I'm sure, Like, I'm sure. Also, she doesn't

0:23:43.400 --> 0:23:45.600
<v Speaker 1>didn't need to be like called in at the last

0:23:45.720 --> 0:23:48.160
<v Speaker 1>moment because he's about to launch into space. And then

0:23:48.240 --> 0:23:50.960
<v Speaker 1>they didn't. She wasn't allowed in the room. Oh really, no,

0:23:51.400 --> 0:23:54.320
<v Speaker 1>she was not actually allowed in the room. That's upsetting. Yeah,

0:23:54.640 --> 0:23:56.600
<v Speaker 1>so that was also made up. Yeah, they got to

0:23:56.640 --> 0:23:59.240
<v Speaker 1>embellish stuff for she wasn't allowed in the room. But

0:23:59.359 --> 0:24:03.240
<v Speaker 1>she did the man, great good friend got the job done. Yeah,

0:24:03.400 --> 0:24:06.400
<v Speaker 1>Mrs Mitchell, I know she's not as bad as Paul,

0:24:06.440 --> 0:24:08.800
<v Speaker 1>but she kissed me off. She was she was a

0:24:08.840 --> 0:24:12.560
<v Speaker 1>woman makes it worse. Yeah, I mean, it's just every

0:24:12.600 --> 0:24:15.280
<v Speaker 1>scene she's in and maybe no, I mean, like I

0:24:15.560 --> 0:24:20.800
<v Speaker 1>guess Kris and Duns did a good job because whole yeah,

0:24:20.840 --> 0:24:22.800
<v Speaker 1>this whole movie. Every time she was on screen, I

0:24:22.920 --> 0:24:25.239
<v Speaker 1>was just like, like, what is she going to do now?

0:24:25.280 --> 0:24:28.919
<v Speaker 1>Because it's like it's where Jim Parson's character is outright,

0:24:29.520 --> 0:24:32.119
<v Speaker 1>like very straightforward, I don't respect you. I didn't like

0:24:33.240 --> 0:24:36.280
<v Speaker 1>just the way that Mrs Mitchell would get those underhanded

0:24:36.359 --> 0:24:41.320
<v Speaker 1>passive so great that they didn't make it like they

0:24:41.320 --> 0:24:43.520
<v Speaker 1>didn't do they didn't do what every other movie does,

0:24:43.920 --> 0:24:46.719
<v Speaker 1>make it this obvious racism, because it's not really how

0:24:46.800 --> 0:24:48.600
<v Speaker 1>a lot of racism is. A lot of it is

0:24:48.720 --> 0:24:52.560
<v Speaker 1>just how she played it. It's like so layered and

0:24:52.720 --> 0:24:57.000
<v Speaker 1>intertwined it was. I mean, it was her belief system,

0:24:57.840 --> 0:24:59.520
<v Speaker 1>you know what I mean, her belief system, and when

0:24:59.560 --> 0:25:01.400
<v Speaker 1>it's your leaf system, you don't really have to put

0:25:01.440 --> 0:25:05.040
<v Speaker 1>anything on it. And that was a very complicated I thought,

0:25:05.280 --> 0:25:07.840
<v Speaker 1>um role. I thought she did a really amazing job

0:25:07.920 --> 0:25:13.560
<v Speaker 1>with she had that character the other white woman too,

0:25:13.920 --> 0:25:17.400
<v Speaker 1>who is working in like the space task group, who

0:25:17.760 --> 0:25:20.200
<v Speaker 1>is like just as bad. She didn't get as much

0:25:20.359 --> 0:25:24.360
<v Speaker 1>a screen time. But she was so dismissive of Catherine.

0:25:24.480 --> 0:25:27.359
<v Speaker 1>She's like, she was but do you remember when he

0:25:27.440 --> 0:25:30.400
<v Speaker 1>said with a computer what happened? She said, Oh, she's

0:25:30.400 --> 0:25:36.600
<v Speaker 1>standing right behind you. Yea that yeah, that wasn't okay moment.

0:25:36.640 --> 0:25:38.399
<v Speaker 1>But then later on when Catherine has to go to

0:25:38.440 --> 0:25:40.920
<v Speaker 1>the restroom for the first time and she's excuse me,

0:25:41.200 --> 0:25:43.520
<v Speaker 1>where's the restroom and the woman goes, I have no

0:25:43.600 --> 0:25:45.480
<v Speaker 1>idea where your bathroom is, and then like returns to

0:25:45.560 --> 0:25:48.480
<v Speaker 1>her phone call, just like very dismissive. And I thought

0:25:48.560 --> 0:25:50.679
<v Speaker 1>it was so. But I also think it's a product

0:25:50.800 --> 0:25:53.080
<v Speaker 1>of do you think she was treated well there? Oh no,

0:25:53.359 --> 0:25:56.560
<v Speaker 1>absolutely so. I think it's also like, I think it's

0:25:56.560 --> 0:25:58.800
<v Speaker 1>also that thing of like you had the opportunity to

0:25:58.800 --> 0:26:01.400
<v Speaker 1>be somebody else's boss. I mean, I think a lot

0:26:01.480 --> 0:26:04.480
<v Speaker 1>of you know, women are feeling that, you know, and

0:26:04.680 --> 0:26:06.480
<v Speaker 1>she probably had a lot of people, you know. I

0:26:06.600 --> 0:26:09.119
<v Speaker 1>feel like it was more of a wrote thing for

0:26:09.200 --> 0:26:11.320
<v Speaker 1>her because how many black women actually ever walked in

0:26:11.359 --> 0:26:14.840
<v Speaker 1>the room. I'm gonna say none, well even let's say none.

0:26:15.600 --> 0:26:17.400
<v Speaker 1>Mrs Mitchell says that she's like, this is the first,

0:26:17.440 --> 0:26:19.920
<v Speaker 1>You're the first, because when Katherine walked into that room.

0:26:20.240 --> 0:26:23.240
<v Speaker 1>Everybody was he gave her the garbage can, right because

0:26:23.280 --> 0:26:26.000
<v Speaker 1>she thought that he thought she was a custodian. Yeah, yeah,

0:26:26.040 --> 0:26:28.960
<v Speaker 1>he gave her the garbage can. And then and you

0:26:29.000 --> 0:26:32.359
<v Speaker 1>could tell Jim Parson's character already minute his mind that

0:26:32.480 --> 0:26:35.640
<v Speaker 1>he was not going to respect her totally. And when

0:26:35.640 --> 0:26:38.320
<v Speaker 1>he told him, Kevin told him, oh, you gotta do

0:26:38.440 --> 0:26:42.560
<v Speaker 1>her do his math too. What a blow to that.

0:26:42.680 --> 0:26:45.960
<v Speaker 1>Maybe laughed so hard you could like see his dick

0:26:46.080 --> 0:26:50.920
<v Speaker 1>wilt receed into his body. It was, it was, it was,

0:26:52.280 --> 0:26:55.840
<v Speaker 1>it just fell out, like leaked out of his pants

0:26:55.840 --> 0:27:00.800
<v Speaker 1>like that was such a and that happens so many times,

0:27:01.160 --> 0:27:04.679
<v Speaker 1>and he's like he sucks he does. Yeah. I wonder um,

0:27:05.440 --> 0:27:09.000
<v Speaker 1>because I feel like anytime there's a movie based on

0:27:09.080 --> 0:27:12.840
<v Speaker 1>true events, um, the family of whoever the villain has retaliates.

0:27:12.840 --> 0:27:15.119
<v Speaker 1>I wonder if there was any of that and this kid,

0:27:15.800 --> 0:27:18.399
<v Speaker 1>I don't know research on it, because people love to

0:27:18.480 --> 0:27:21.240
<v Speaker 1>get money by being like he wasn't that bad. It's

0:27:21.280 --> 0:27:25.240
<v Speaker 1>like he was. He was probably worse. And they said

0:27:25.280 --> 0:27:28.880
<v Speaker 1>it was worse. Actually they sent their treatment in this um.

0:27:29.440 --> 0:27:32.280
<v Speaker 1>They said the treatment was actually worse than what was betrayed. Well, yeah,

0:27:32.520 --> 0:27:35.000
<v Speaker 1>I feel like if they did it accurately, they probably

0:27:35.040 --> 0:27:38.240
<v Speaker 1>wouldn't get to keep the PG rating. Like I'm sure

0:27:38.359 --> 0:27:43.119
<v Speaker 1>like kids were thrown at them. I can imagine what happened.

0:27:45.280 --> 0:27:48.200
<v Speaker 1>One of the points I wanted to make is why

0:27:48.280 --> 0:27:51.640
<v Speaker 1>did it take until two thousand sixteen for this movie

0:27:51.680 --> 0:27:55.679
<v Speaker 1>to be made about these people from the sixties? I mean,

0:27:55.760 --> 0:27:59.080
<v Speaker 1>when when was the book published? The book was published

0:27:59.560 --> 0:28:04.119
<v Speaker 1>in two thousand and sixty. It was just clemed. But

0:28:04.160 --> 0:28:05.440
<v Speaker 1>I tried to read the book but it wasn't out

0:28:05.480 --> 0:28:08.280
<v Speaker 1>yet because I actually I was told that I was

0:28:08.280 --> 0:28:11.240
<v Speaker 1>going to have an audition for this movie. Really, yes,

0:28:11.359 --> 0:28:13.399
<v Speaker 1>I had a general at Fox and they told me

0:28:13.400 --> 0:28:17.240
<v Speaker 1>about this movie, oh and another like little nice inside tidbit.

0:28:18.200 --> 0:28:22.280
<v Speaker 1>I had just done Hotels dot com commercial that Ted

0:28:22.400 --> 0:28:25.920
<v Speaker 1>Melfy directed, who was a director of Hidden Figures. So

0:28:26.000 --> 0:28:29.440
<v Speaker 1>it was right after that they were like, oh, you're

0:28:29.480 --> 0:28:31.720
<v Speaker 1>gonna have a you know, general at Fox. And I

0:28:31.760 --> 0:28:33.480
<v Speaker 1>mean know, I saw it was cast. I was like,

0:28:33.840 --> 0:28:37.560
<v Speaker 1>I was at a joke, like you's know, like hello,

0:28:38.120 --> 0:28:40.360
<v Speaker 1>that cast was amazing. I'm like, yeah, that was cute.

0:28:40.400 --> 0:28:42.120
<v Speaker 1>But I was trying to get my hand on the

0:28:42.160 --> 0:28:44.400
<v Speaker 1>book and trying to get as much information as I

0:28:44.440 --> 0:28:48.000
<v Speaker 1>could on the project so that I could I really

0:28:48.120 --> 0:28:50.760
<v Speaker 1>wanted to audition for it, but I never did. Well,

0:28:50.800 --> 0:28:53.840
<v Speaker 1>that's another thing we could talk about, is that another

0:28:53.960 --> 0:28:58.600
<v Speaker 1>movie directed they're written by a white guy. Yeah, and

0:28:58.920 --> 0:29:01.880
<v Speaker 1>probably why did to take this long? So I didn't

0:29:02.120 --> 0:29:04.240
<v Speaker 1>didn't have to be in directed by a white guy.

0:29:04.800 --> 0:29:07.000
<v Speaker 1>That wasn't like that was a big thing. That was

0:29:07.040 --> 0:29:10.840
<v Speaker 1>the thing. You have this movie about these three African

0:29:10.880 --> 0:29:14.760
<v Speaker 1>American women and it didn't go to uh like Abra

0:29:14.840 --> 0:29:18.120
<v Speaker 1>du Renett or you know, I mean the up and

0:29:18.200 --> 0:29:22.600
<v Speaker 1>coming African American director, which is a very interesting story.

0:29:23.320 --> 0:29:26.160
<v Speaker 1>And for me, I was hugely conflicted because I had

0:29:26.920 --> 0:29:31.440
<v Speaker 1>I loved Ted Melfy from St. Vincent. Yeah, that was

0:29:31.520 --> 0:29:33.880
<v Speaker 1>a huge And I think the reason why I booked

0:29:33.920 --> 0:29:37.320
<v Speaker 1>that Hotel dot Com commercial was because in my callback

0:29:37.960 --> 0:29:39.880
<v Speaker 1>when I went in, I was like, what are you

0:29:39.960 --> 0:29:43.600
<v Speaker 1>doing here? Because I couldn't believe the director from St.

0:29:43.680 --> 0:29:46.840
<v Speaker 1>Vincent was the director of my commercial and I was

0:29:46.960 --> 0:29:49.920
<v Speaker 1>and I didn't have the wherewithal to be like see

0:29:50.000 --> 0:29:51.720
<v Speaker 1>him in this, you know, be like hmm, okay, I

0:29:51.800 --> 0:29:53.280
<v Speaker 1>think I know who that is and just be quiet.

0:29:53.480 --> 0:29:55.360
<v Speaker 1>I was like Oh my god, what are you doing here?

0:29:56.160 --> 0:29:59.760
<v Speaker 1>This is awesome, like literally didn't even care. And one

0:29:59.840 --> 0:30:03.560
<v Speaker 1>of it but again that one commercial pay for stag

0:30:03.640 --> 0:30:07.200
<v Speaker 1>for my health insurance, remember one commer. But he was

0:30:07.600 --> 0:30:10.080
<v Speaker 1>such a great guy, and I remember thinking, oh, but

0:30:10.200 --> 0:30:16.120
<v Speaker 1>he's like really, he's really good. Yeah, it's it's always

0:30:16.160 --> 0:30:18.440
<v Speaker 1>tree because he did I mean, he had his hand

0:30:18.480 --> 0:30:22.040
<v Speaker 1>in pretty much every part of the movies got the direction,

0:30:22.160 --> 0:30:24.560
<v Speaker 1>producing and writing credit. The first draft of the movie

0:30:24.800 --> 0:30:30.040
<v Speaker 1>was written by a woman and then and it was

0:30:30.440 --> 0:30:32.640
<v Speaker 1>a woman with a lot of experience with NASA to

0:30:32.960 --> 0:30:36.960
<v Speaker 1>who her name is Allison Schroeder. Yeah, yeah, or she

0:30:37.040 --> 0:30:38.880
<v Speaker 1>had like interned at NASA. I grew up near Cape

0:30:38.920 --> 0:30:42.320
<v Speaker 1>Canever the whole bit, um so you know, Ted Milfie

0:30:42.400 --> 0:30:46.080
<v Speaker 1>didn't write the whole thing. But it would have been

0:30:46.200 --> 0:30:49.200
<v Speaker 1>nice though it would. It would have been nice too.

0:30:50.720 --> 0:30:53.320
<v Speaker 1>I would have even like maybe Aba du Verney or

0:30:53.520 --> 0:31:00.600
<v Speaker 1>de Rees who did Bessie and um Pariah. I would

0:31:00.600 --> 0:31:03.320
<v Speaker 1>have loved to see one of them do it. Would

0:31:03.320 --> 0:31:05.160
<v Speaker 1>actually like d do It would have been great to

0:31:05.280 --> 0:31:07.880
<v Speaker 1>see her do it. Yeah, because I mean, and Ted

0:31:07.960 --> 0:31:10.680
<v Speaker 1>Melfy does a good job in the movie turned out amazing,

0:31:10.720 --> 0:31:14.920
<v Speaker 1>but it's like not history, it's not his story. But

0:31:14.960 --> 0:31:17.200
<v Speaker 1>I also wonder, you know, how would they have been

0:31:17.240 --> 0:31:19.480
<v Speaker 1>able to get that PG rating because d is hardcore.

0:31:20.080 --> 0:31:23.680
<v Speaker 1>Maybe maybe it depends. I mean she had to. I'm

0:31:23.680 --> 0:31:27.200
<v Speaker 1>sure she could. Yeah, And and the PG rating I

0:31:27.240 --> 0:31:29.840
<v Speaker 1>think is so important for how long this movie will

0:31:29.840 --> 0:31:32.200
<v Speaker 1>be remembered to, like if it just makes it more

0:31:32.240 --> 0:31:35.200
<v Speaker 1>accessible to too young like you said, like it can

0:31:35.240 --> 0:31:38.440
<v Speaker 1>be screened in schools now for like elementary kids. Yeah,

0:31:38.480 --> 0:31:40.400
<v Speaker 1>my mom already got a copy of the DVD. She

0:31:40.480 --> 0:31:45.040
<v Speaker 1>teaches second grade. How adorable are they sending it to schools.

0:31:45.560 --> 0:31:47.400
<v Speaker 1>I think she paid for it out of pocket. And

0:31:47.640 --> 0:31:50.720
<v Speaker 1>that's what teachers doing now. Yeah, even though our head

0:31:50.720 --> 0:31:53.120
<v Speaker 1>of education doesn't know that, but you know that they

0:31:53.120 --> 0:31:56.080
<v Speaker 1>paid their own pencils. But you know, yeah, their own God,

0:31:56.160 --> 0:31:57.960
<v Speaker 1>that's a whole other thing that I could like flip

0:31:58.040 --> 0:32:00.280
<v Speaker 1>a table over. But my my mom and her her

0:32:00.320 --> 0:32:03.160
<v Speaker 1>teacher friends, they all have like a a little group

0:32:03.240 --> 0:32:07.200
<v Speaker 1>and they take turns buying movies and stuff and help

0:32:07.240 --> 0:32:10.240
<v Speaker 1>each other out. But anyways, teachers are treating you know,

0:32:10.320 --> 0:32:13.400
<v Speaker 1>it's amazing too. It's amazing to be your mom teacher

0:32:13.480 --> 0:32:17.240
<v Speaker 1>second grade, right, I mean in second grade, you see

0:32:17.680 --> 0:32:24.360
<v Speaker 1>a movie about three African American mathematicians, Like not just

0:32:24.760 --> 0:32:27.720
<v Speaker 1>black kids, I mean all kids see this. It's like,

0:32:28.240 --> 0:32:30.120
<v Speaker 1>can me do you? I mean that's like there are

0:32:30.240 --> 0:32:32.920
<v Speaker 1>kids their first president was black. It's what they know.

0:32:33.960 --> 0:32:37.680
<v Speaker 1>That's wild. I mean, it's so it's so cool, Like

0:32:37.840 --> 0:32:40.800
<v Speaker 1>I don't know. That makes me feel good because this

0:32:40.920 --> 0:32:43.440
<v Speaker 1>movie can have like such a role in like normalizing

0:32:43.520 --> 0:32:46.360
<v Speaker 1>that two kids early on to the point where it

0:32:46.400 --> 0:32:50.200
<v Speaker 1>wouldn't seem unusual at all and totally. I mean in

0:32:50.360 --> 0:32:53.120
<v Speaker 1>my family, my family, especially my mom's side and mostly

0:32:53.280 --> 0:32:57.080
<v Speaker 1>um pH d s men and women. Um So I

0:32:57.160 --> 0:33:01.040
<v Speaker 1>was raised around extraordinary, extraordinary after Americans, So it was

0:33:01.040 --> 0:33:02.840
<v Speaker 1>always like weird to me that people didn't know that,

0:33:02.960 --> 0:33:06.080
<v Speaker 1>Like that's like everybody I was raised around. What are

0:33:06.120 --> 0:33:08.560
<v Speaker 1>you talking about? Like a single parent house. I'm like,

0:33:08.680 --> 0:33:11.640
<v Speaker 1>what's that like? Because I had three generations to deal

0:33:11.680 --> 0:33:15.480
<v Speaker 1>with great grandparents, grandparents, and my parents get in trouble

0:33:15.480 --> 0:33:17.080
<v Speaker 1>at one house, you got in trouble two more time

0:33:17.160 --> 0:33:19.880
<v Speaker 1>to two other houses. That was not nice. Well, I

0:33:19.920 --> 0:33:22.840
<v Speaker 1>mean a part of that might be that the way

0:33:23.000 --> 0:33:28.000
<v Speaker 1>black people are portrayed in mainstream media usually not that great, right,

0:33:28.120 --> 0:33:31.320
<v Speaker 1>But but it's also interesting to me because most of

0:33:31.480 --> 0:33:35.640
<v Speaker 1>my life was built around I'm watching mainstream media probably

0:33:35.720 --> 0:33:38.240
<v Speaker 1>like y'all, like I'm learning this with you, Like what

0:33:38.360 --> 0:33:40.480
<v Speaker 1>the hell are they talking about? Who are they talking about?

0:33:40.720 --> 0:33:43.680
<v Speaker 1>I remember like growing up, especially when the Internet became

0:33:43.720 --> 0:33:46.240
<v Speaker 1>a big thing. Yeah, I had read things. I knew

0:33:46.280 --> 0:33:48.280
<v Speaker 1>things were going on where I definitely was not ignorant,

0:33:48.360 --> 0:33:51.880
<v Speaker 1>not with my parents. But on the flip side, I'm like,

0:33:52.120 --> 0:33:56.520
<v Speaker 1>my experience was around people who were educated, highly educated.

0:33:56.800 --> 0:33:58.120
<v Speaker 1>A matter of fact, you didn't have a doctorate. They

0:33:58.160 --> 0:34:00.280
<v Speaker 1>used to look at you like like, what's with you?

0:34:00.480 --> 0:34:03.960
<v Speaker 1>He's gonna stop there, you under achiever? Going to stop

0:34:04.040 --> 0:34:07.120
<v Speaker 1>at a bachelor's degree? You disgusted, you know. Yeah, it

0:34:07.240 --> 0:34:10.440
<v Speaker 1>was like they were like, oh gosh, you know my

0:34:10.960 --> 0:34:13.640
<v Speaker 1>mom's first cousins, all of their children went to Ivy

0:34:13.719 --> 0:34:16.080
<v Speaker 1>League schools, like they all went to even before that.

0:34:16.400 --> 0:34:17.960
<v Speaker 1>My aunt was one of the first. I think she

0:34:18.040 --> 0:34:20.200
<v Speaker 1>was one the first black women and to Harvard Law School,

0:34:20.200 --> 0:34:23.360
<v Speaker 1>I believe. And she spoke fluent Chinese, which is and

0:34:23.600 --> 0:34:25.640
<v Speaker 1>I went to study abroad. I speak Japanese, but it's

0:34:25.640 --> 0:34:27.880
<v Speaker 1>because she studied Chinese, which is why I wanted to

0:34:27.920 --> 0:34:32.560
<v Speaker 1>take Japanese. So these were influences that I took for

0:34:32.640 --> 0:34:35.680
<v Speaker 1>granted almost because I figured that everybody, you know, had

0:34:35.760 --> 0:34:39.640
<v Speaker 1>that experience, that everybody knew that about the African American experience,

0:34:39.760 --> 0:34:42.719
<v Speaker 1>that was that was my norm, and not that I

0:34:42.800 --> 0:34:44.680
<v Speaker 1>hadn't seen or experienced. My dad's side of the family

0:34:44.760 --> 0:34:46.719
<v Speaker 1>is very different from my mom's, and not that I

0:34:46.760 --> 0:34:50.560
<v Speaker 1>haven't seen or experienced that as well. But the thing

0:34:50.640 --> 0:34:54.160
<v Speaker 1>that influenced me the most was um my dad's side.

0:34:54.200 --> 0:34:58.120
<v Speaker 1>Remember being like, gosh, man, these women they have like

0:34:58.320 --> 0:35:01.920
<v Speaker 1>you know, the standard was like high. Yeah, well that's

0:35:01.960 --> 0:35:04.240
<v Speaker 1>I mean, what's great about this movie is it normally

0:35:04.360 --> 0:35:08.680
<v Speaker 1>it normalizes a portrayal that you don't often see the

0:35:09.120 --> 0:35:13.160
<v Speaker 1>Black community, which were black women especially, you know. I

0:35:13.200 --> 0:35:17.600
<v Speaker 1>mean you feel like black women are portrayed as caretakers.

0:35:18.280 --> 0:35:22.439
<v Speaker 1>They're strong and struggling in a single mom and they're

0:35:22.600 --> 0:35:26.160
<v Speaker 1>all these like you guys, like literally fight the world

0:35:26.840 --> 0:35:31.560
<v Speaker 1>to achieve anything. You're down trodden, you know. So it's

0:35:31.600 --> 0:35:36.640
<v Speaker 1>really yeah, it's it's it's refreshing because all I see

0:35:36.680 --> 0:35:38.520
<v Speaker 1>is people like people like me. I'm like, oh, well

0:35:38.560 --> 0:35:41.200
<v Speaker 1>do yeah, I understand that that these are women that

0:35:41.320 --> 0:35:44.200
<v Speaker 1>I relate to I wish I was brought up around

0:35:44.760 --> 0:35:50.200
<v Speaker 1>smart people, really great or anyone besides white people. I

0:35:50.360 --> 0:35:53.239
<v Speaker 1>grew up in a town where my I went to

0:35:53.320 --> 0:35:56.400
<v Speaker 1>high school. There were three black people in my high school,

0:35:57.280 --> 0:36:01.920
<v Speaker 1>and two of them were opted by white families. So

0:36:02.080 --> 0:36:05.000
<v Speaker 1>they're just there was no diversity. There's no, There's just none.

0:36:05.360 --> 0:36:07.360
<v Speaker 1>I was lucky to grow up in a very diverse

0:36:07.880 --> 0:36:10.719
<v Speaker 1>city and be exposed to a lot of stuff that

0:36:11.440 --> 0:36:14.239
<v Speaker 1>I feel like, people don't look at a frail white

0:36:14.280 --> 0:36:18.480
<v Speaker 1>girl and be like, oh, she would know that, I mean,

0:36:18.719 --> 0:36:23.040
<v Speaker 1>and I'm so grateful for that because even I remember,

0:36:23.120 --> 0:36:27.120
<v Speaker 1>like when I was transitioning from moving home to college,

0:36:27.440 --> 0:36:31.520
<v Speaker 1>like you just some people have no fucking clue and

0:36:31.600 --> 0:36:34.160
<v Speaker 1>it's such a wake up call to Yeah, but you know,

0:36:34.320 --> 0:36:39.840
<v Speaker 1>I'm from the suburbs too, and my town was actually

0:36:40.120 --> 0:36:43.320
<v Speaker 1>I wanted to say a large percentage of Latino really,

0:36:43.960 --> 0:36:45.880
<v Speaker 1>but it was so segregated because I didn't go to

0:36:45.880 --> 0:36:49.480
<v Speaker 1>school with one Latino maybe one, oh yeah, two, and

0:36:49.520 --> 0:36:52.359
<v Speaker 1>I remember their names, Um say them right now now.

0:36:52.360 --> 0:36:56.560
<v Speaker 1>I'm kidding, shout at but I mean, although my school

0:36:56.600 --> 0:36:58.520
<v Speaker 1>is a public school, and although my school was a

0:36:58.600 --> 0:37:01.320
<v Speaker 1>very large public school, I was an honest program, and

0:37:01.760 --> 0:37:04.600
<v Speaker 1>there were two of us to African American, and I

0:37:04.600 --> 0:37:06.400
<v Speaker 1>remember the other one as well. She was the Georgetown

0:37:06.880 --> 0:37:10.200
<v Speaker 1>we were in that program, and then one Latino and

0:37:10.280 --> 0:37:13.719
<v Speaker 1>that in in one Asian grould, so literally everybody. It

0:37:13.800 --> 0:37:18.080
<v Speaker 1>felt like I was in a utopia with in a society.

0:37:18.600 --> 0:37:22.000
<v Speaker 1>Everybody else was running around intermingling, and I'm in a

0:37:22.160 --> 0:37:26.239
<v Speaker 1>world completely separate from everybody else. They even put us

0:37:26.280 --> 0:37:28.120
<v Speaker 1>in a different wing, you know how where the computers

0:37:28.160 --> 0:37:30.600
<v Speaker 1>were in that movie. That reminded me of where we

0:37:30.640 --> 0:37:33.239
<v Speaker 1>were put as honor students in a different place, away

0:37:33.280 --> 0:37:36.400
<v Speaker 1>from everybody else, but in a different part of campus almost.

0:37:36.640 --> 0:37:39.000
<v Speaker 1>And that was like a really weird experience for me

0:37:39.840 --> 0:37:43.880
<v Speaker 1>because my day, the majority of it was spent in

0:37:43.920 --> 0:37:47.600
<v Speaker 1>the majority white environment. And then the only time I

0:37:47.719 --> 0:37:50.560
<v Speaker 1>saw I saw anyone of color was at track practice.

0:37:50.960 --> 0:37:52.719
<v Speaker 1>And I also played the cello, so that's the whole

0:37:52.719 --> 0:37:57.120
<v Speaker 1>another life. Yeah, So it was really interesting experience for

0:37:57.239 --> 0:37:59.759
<v Speaker 1>me to be the one person I felt like that

0:38:00.040 --> 0:38:02.440
<v Speaker 1>knew So I knew so much about my culture, but

0:38:02.520 --> 0:38:06.160
<v Speaker 1>I realized a lot of people didn't, and I did

0:38:06.200 --> 0:38:08.640
<v Speaker 1>not feel like I wasn't really fighting really, but my

0:38:08.760 --> 0:38:11.200
<v Speaker 1>mom was, and I didn't even realize that until I'm

0:38:11.239 --> 0:38:14.520
<v Speaker 1>like an adult now. My mom was the one who

0:38:14.560 --> 0:38:16.680
<v Speaker 1>would be like no when my parents, both of them,

0:38:16.680 --> 0:38:18.400
<v Speaker 1>my dad and my mom would be like, no, you're

0:38:18.440 --> 0:38:21.720
<v Speaker 1>gonna do a report on this person. And it cannot

0:38:21.760 --> 0:38:24.560
<v Speaker 1>be like people that everybody knows, you're gonna do something

0:38:24.640 --> 0:38:27.200
<v Speaker 1>on you know, this person. So it was really interesting

0:38:27.280 --> 0:38:29.360
<v Speaker 1>that they had to wear with all to say no,

0:38:29.880 --> 0:38:32.759
<v Speaker 1>you're not gonna do that. You're gonna you're my job

0:38:32.880 --> 0:38:34.839
<v Speaker 1>is to be the teacher, and I know a lot

0:38:34.840 --> 0:38:36.440
<v Speaker 1>of black peoplen't want to be the teacher, but for

0:38:36.560 --> 0:38:39.120
<v Speaker 1>my parents are like, that's your job. You're going to

0:38:39.200 --> 0:38:43.640
<v Speaker 1>go in and because of what you're doing that inevitably

0:38:43.719 --> 0:38:48.080
<v Speaker 1>will open other people's minds. So yes, that was like awesome,

0:38:48.440 --> 0:38:50.919
<v Speaker 1>that is great. I'm trying to think if there's anything

0:38:50.960 --> 0:38:53.600
<v Speaker 1>else about the movie I wanted to say, and maybe

0:38:53.719 --> 0:38:59.560
<v Speaker 1>worried the book because I mean, watching it as you know,

0:38:59.680 --> 0:39:02.000
<v Speaker 1>as as an adult, it makes me want to you know,

0:39:02.120 --> 0:39:05.440
<v Speaker 1>you can tell that there's probably a lot of moments

0:39:05.480 --> 0:39:07.080
<v Speaker 1>that are left out of the movie so I can

0:39:07.120 --> 0:39:09.360
<v Speaker 1>reach a larger audience. But I want to. But I

0:39:09.400 --> 0:39:11.200
<v Speaker 1>also think a lot of women. I mean, couldn't women

0:39:11.239 --> 0:39:14.239
<v Speaker 1>relate to And he told her if you were a man,

0:39:14.560 --> 0:39:16.200
<v Speaker 1>would you want to be an engineer? She'd be like,

0:39:16.239 --> 0:39:18.360
<v Speaker 1>I wouldn't really be one. Yeah, she's I wouldn't have

0:39:18.440 --> 0:39:19.960
<v Speaker 1>to wish I would be one. I would be like

0:39:20.160 --> 0:39:21.560
<v Speaker 1>you know what I mean, like I would be one.

0:39:22.400 --> 0:39:26.520
<v Speaker 1>And it's not that's not over. Um, that's not over. Hello.

0:39:27.719 --> 0:39:31.200
<v Speaker 1>The thing this movie has, like it's the ending, is

0:39:31.280 --> 0:39:33.080
<v Speaker 1>very uplifting because it's like they went on to do

0:39:33.200 --> 0:39:35.400
<v Speaker 1>these things and they were regarded as the most brilliant

0:39:35.440 --> 0:39:38.000
<v Speaker 1>minds in NASA, and and you're like, yeah, good for them,

0:39:38.040 --> 0:39:40.839
<v Speaker 1>And then you're like, wait a minute, it's fifty years later,

0:39:41.040 --> 0:39:44.800
<v Speaker 1>over fifty years later, and they're still rampant racism and

0:39:44.920 --> 0:39:49.120
<v Speaker 1>misogyny all around us. Also to like, how do you

0:39:49.160 --> 0:39:51.640
<v Speaker 1>think that I feel even with what I do. I

0:39:51.760 --> 0:39:56.800
<v Speaker 1>play the cello. Even now, this is twenty seventeen, no

0:39:56.920 --> 0:39:59.920
<v Speaker 1>one can name like a black cellist, not even meal

0:40:00.000 --> 0:40:03.320
<v Speaker 1>a female like, no one because at the time I

0:40:03.480 --> 0:40:05.800
<v Speaker 1>was during research, there were no black cellist and the

0:40:05.880 --> 0:40:11.880
<v Speaker 1>Philharmonic in the country. So those first are still happening.

0:40:12.960 --> 0:40:17.480
<v Speaker 1>Misty Copley, like those first are still happening. I mean,

0:40:18.000 --> 0:40:20.719
<v Speaker 1>the reason why I haven't act as a comedian is

0:40:20.760 --> 0:40:26.120
<v Speaker 1>because there are no black cellist's fresh I didn't make

0:40:26.160 --> 0:40:28.439
<v Speaker 1>songs like the most famous black cellis, you know, because

0:40:28.480 --> 0:40:31.200
<v Speaker 1>I'm the only one you probably know, probably only cellist,

0:40:31.200 --> 0:40:34.880
<v Speaker 1>do you know, yo, people know I know, yeah exactly,

0:40:34.960 --> 0:40:39.160
<v Speaker 1>but you know, so it's it's it's so like I'm

0:40:39.239 --> 0:40:42.839
<v Speaker 1>waiting for the movie of you know, the first Black

0:40:42.880 --> 0:40:46.960
<v Speaker 1>ballaweena're like Misty Copeland or the first Black cellist. Like,

0:40:47.440 --> 0:40:50.759
<v Speaker 1>you know, there's still more work to be done, and

0:40:50.840 --> 0:40:53.359
<v Speaker 1>I'm so excited because then in like give me something

0:40:53.360 --> 0:40:55.560
<v Speaker 1>to look forward to. I want to be a first.

0:40:55.560 --> 0:40:58.239
<v Speaker 1>I want to achieve some stuff over here. So yeah,

0:40:58.480 --> 0:41:02.480
<v Speaker 1>you know, there's still areas of life that are still untapped.

0:41:05.320 --> 0:41:08.279
<v Speaker 1>We lift each other so we can we can get there.

0:41:08.480 --> 0:41:10.720
<v Speaker 1>And as women, I mean, I think women in general

0:41:10.800 --> 0:41:13.200
<v Speaker 1>should have been able to relate to you know, not

0:41:13.320 --> 0:41:15.960
<v Speaker 1>just African American women, but like if you look at

0:41:16.000 --> 0:41:19.040
<v Speaker 1>the white women in that movie, they was so like oppressed.

0:41:19.920 --> 0:41:23.320
<v Speaker 1>You can tell they were just suffering, suffering, Like because

0:41:23.440 --> 0:41:27.200
<v Speaker 1>even for Mrs Mitchell, for her, that's probably like a

0:41:27.280 --> 0:41:29.080
<v Speaker 1>kind of a big job, you know, because she's she's

0:41:29.080 --> 0:41:31.600
<v Speaker 1>the kind of the boss. She's a coordinator. But even

0:41:31.680 --> 0:41:34.560
<v Speaker 1>with that, who knows what her her background when she

0:41:34.640 --> 0:41:39.239
<v Speaker 1>wanted to really do who knows, Like, who knows, I

0:41:39.320 --> 0:41:42.680
<v Speaker 1>think she could have handled her, I don't know, choices

0:41:43.480 --> 0:41:45.479
<v Speaker 1>a lot better. Oh yeah, But it's not even about

0:41:45.560 --> 0:41:47.600
<v Speaker 1>like I'm not saying that her character. I mean, we

0:41:47.640 --> 0:41:50.759
<v Speaker 1>already know what her character is. But you look at

0:41:50.840 --> 0:41:55.120
<v Speaker 1>the dynamics between men and women in between. You you're

0:41:55.160 --> 0:41:59.080
<v Speaker 1>dealing with multiple layers men, women, um, African American, white,

0:41:59.520 --> 0:42:02.680
<v Speaker 1>and you're just like layering all this stuff on there.

0:42:02.960 --> 0:42:05.640
<v Speaker 1>And I think you know, you see the secretary in

0:42:06.360 --> 0:42:09.680
<v Speaker 1>the you know, in the task group. Yeah, you see

0:42:09.719 --> 0:42:12.319
<v Speaker 1>like the secretary. It's almost like she kind of really

0:42:12.360 --> 0:42:14.200
<v Speaker 1>knows it's not gonna work. You know, she kind of

0:42:14.200 --> 0:42:17.600
<v Speaker 1>already wrote it off, like, yeah, this is not gonna work.

0:42:18.000 --> 0:42:19.799
<v Speaker 1>I can't tell you how many people see me get

0:42:19.880 --> 0:42:21.799
<v Speaker 1>on stage with that show and be like, Okay, what happened? Man?

0:42:22.120 --> 0:42:23.520
<v Speaker 1>And then they'll come back to the show and be like, oh,

0:42:23.640 --> 0:42:26.400
<v Speaker 1>it was really good. Actually, because she says to her,

0:42:26.520 --> 0:42:28.839
<v Speaker 1>she says, I'm like, don't expect Mr Harrison to warm

0:42:28.920 --> 0:42:32.560
<v Speaker 1>up to you, like and then, um, because maybe you

0:42:32.560 --> 0:42:34.440
<v Speaker 1>didn't want up to her. Yeah, you know what I mean,

0:42:34.520 --> 0:42:38.640
<v Speaker 1>maybe he never warmed up to her. Yeah, it's very possible. Yeah.

0:42:38.680 --> 0:42:41.799
<v Speaker 1>And then the character of Mrs Mitchell, as much as

0:42:41.800 --> 0:42:46.440
<v Speaker 1>I can't stand here like the the like very tightly

0:42:46.600 --> 0:42:50.480
<v Speaker 1>repressed energy because she's sort of like in the middle

0:42:51.160 --> 0:42:55.239
<v Speaker 1>of she is not kind to black women because she

0:42:55.360 --> 0:42:58.359
<v Speaker 1>needs to feel important, and then she's constantly taking ship

0:42:58.840 --> 0:43:01.840
<v Speaker 1>from the white men and it just kind of results

0:43:01.880 --> 0:43:05.440
<v Speaker 1>in this weird little ball of fury like you just

0:43:06.040 --> 0:43:09.160
<v Speaker 1>and and it's uncomfortable because she plans to how to

0:43:09.200 --> 0:43:11.839
<v Speaker 1>go home and cook and touch somebody's toes and rub

0:43:11.920 --> 0:43:13.600
<v Speaker 1>his back. She worked the whole damn Jay, you may

0:43:13.719 --> 0:43:16.239
<v Speaker 1>forget that. She's like, man, I listened to Jim tell

0:43:16.280 --> 0:43:22.719
<v Speaker 1>me what to do and in a Sheldon from Big

0:43:22.760 --> 0:43:27.399
<v Speaker 1>Bang theory, but she says things like, you know, you're

0:43:27.440 --> 0:43:31.480
<v Speaker 1>the first black woman in this group. Don't embarrass me,

0:43:31.760 --> 0:43:35.040
<v Speaker 1>And it's like you, yeah, but so did so did

0:43:35.120 --> 0:43:38.360
<v Speaker 1>the other character too. Don't embarrass us, you know. But

0:43:38.560 --> 0:43:41.400
<v Speaker 1>it's also but it's also like, what's funny about that

0:43:41.560 --> 0:43:44.799
<v Speaker 1>is she thinks that that woman is going to embarrass her.

0:43:45.320 --> 0:43:47.640
<v Speaker 1>That's the funny part, Like, really, I'm like, do you

0:43:47.800 --> 0:43:51.279
<v Speaker 1>clearly don't know like the level of she was so

0:43:51.440 --> 0:43:55.320
<v Speaker 1>unaware of how talented they were. All she knows is

0:43:56.080 --> 0:43:57.960
<v Speaker 1>I can't believe I had to come down here to

0:43:58.080 --> 0:44:02.840
<v Speaker 1>get one of you. Basically, you're so unaware how freaking

0:44:02.920 --> 0:44:06.600
<v Speaker 1>phenomenal they are. It makes me laugh. All I can

0:44:06.640 --> 0:44:09.520
<v Speaker 1>think about is that there's a poem by my Angelo

0:44:09.719 --> 0:44:12.600
<v Speaker 1>called Phenomenal Women, No phenomenal Woman, And I'm like, and

0:44:12.760 --> 0:44:16.319
<v Speaker 1>our sorority is always like quote this poem, And all

0:44:16.360 --> 0:44:18.520
<v Speaker 1>I can think about is you have no anything. How

0:44:18.800 --> 0:44:22.880
<v Speaker 1>fearce these women are, these women are, there'reen circles around

0:44:22.960 --> 0:44:25.719
<v Speaker 1>you and all you know. But that's how her job is.

0:44:26.320 --> 0:44:28.680
<v Speaker 1>I gotta get down here, get this thing. All she

0:44:28.840 --> 0:44:30.640
<v Speaker 1>knows I gotta fill this, fill this, fill this field

0:44:30.640 --> 0:44:32.960
<v Speaker 1>is I don't want to deal with your issues with

0:44:33.120 --> 0:44:37.000
<v Speaker 1>wanting a raised chicken. You're lucky in her mind, you're

0:44:37.080 --> 0:44:39.960
<v Speaker 1>lucky or even here she says that too, Yeah, you're

0:44:40.000 --> 0:44:44.000
<v Speaker 1>lucky and have a job. Yes, and really it really

0:44:44.080 --> 0:44:46.800
<v Speaker 1>is a reverse. You're looking you have a job because

0:44:46.840 --> 0:44:50.920
<v Speaker 1>they're all so much smarter than you. Yeah, she for real,

0:44:51.120 --> 0:44:53.520
<v Speaker 1>she would have rocked Dorothy would have rocked her job

0:44:53.680 --> 0:44:56.440
<v Speaker 1>so hard that woman would be unemployed. She's back in

0:44:56.480 --> 0:45:02.279
<v Speaker 1>the kitchen having more babies by Jim Roast, Jim can

0:45:02.480 --> 0:45:05.640
<v Speaker 1>fuck off. I found out a little bit more about

0:45:05.760 --> 0:45:09.960
<v Speaker 1>the charity screenings UM where quite a few of them

0:45:10.160 --> 0:45:12.759
<v Speaker 1>were sponsored by the actors, and there was also a

0:45:13.000 --> 0:45:15.760
<v Speaker 1>girl Scout initiative to get a bunch of girl Scouts

0:45:16.160 --> 0:45:17.880
<v Speaker 1>uh to be able to go. And then there were

0:45:17.960 --> 0:45:21.960
<v Speaker 1>different ones sponsored by uh, you know, Octavia Spencer, Genel

0:45:22.000 --> 0:45:26.240
<v Speaker 1>Money uh and and Tag p Henson also Jim Persons,

0:45:26.320 --> 0:45:29.000
<v Speaker 1>also Ted Malfie, and so I think that there was

0:45:29.040 --> 0:45:32.359
<v Speaker 1>like fifteen different cities that ended up getting a ton

0:45:32.440 --> 0:45:36.399
<v Speaker 1>of young people that see the movie. Girl Scouts still around. Huh,

0:45:36.760 --> 0:45:39.640
<v Speaker 1>they're still I know you a girl scope. So was I?

0:45:39.880 --> 0:45:42.160
<v Speaker 1>So was? I always get the most patches because my

0:45:42.239 --> 0:45:43.920
<v Speaker 1>dad worked out of college and he make everybody come

0:45:43.920 --> 0:45:47.200
<v Speaker 1>into his UM office and buy girls cut cookies. So

0:45:47.280 --> 0:45:50.680
<v Speaker 1>I would win every time the whole college. My parents

0:45:50.719 --> 0:45:54.000
<v Speaker 1>were not motivated in regards to my girls, and I'm

0:45:54.040 --> 0:45:56.480
<v Speaker 1>not a salesman, so yeah, I would only ever get

0:45:56.520 --> 0:45:58.640
<v Speaker 1>like my grandma and my uncle to buy a box.

0:45:58.760 --> 0:46:00.800
<v Speaker 1>And I'd be like I've sold toy boxes and like,

0:46:01.400 --> 0:46:03.840
<v Speaker 1>shut up, Caitlin, get out of here. No, no, we

0:46:03.920 --> 0:46:06.920
<v Speaker 1>were rocking it. Yeah. I love girl Scouts until they

0:46:07.000 --> 0:46:09.239
<v Speaker 1>told us to go camping. Yeah, as we just say,

0:46:09.239 --> 0:46:13.480
<v Speaker 1>the wilderness brutal. I'm like, I know, I have no desire.

0:46:13.600 --> 0:46:15.719
<v Speaker 1>If I had a choice, I would never go outside. No.

0:46:15.840 --> 0:46:17.719
<v Speaker 1>My mom and I were like, Okay, we're at the

0:46:17.760 --> 0:46:21.480
<v Speaker 1>closest hotel, like we are not. Um, he invented uh

0:46:21.640 --> 0:46:24.920
<v Speaker 1>in or plumbing for a reason. I'm not gonna I

0:46:24.960 --> 0:46:28.000
<v Speaker 1>will say that my parents for it as a certain lifestyle,

0:46:28.040 --> 0:46:30.320
<v Speaker 1>and I'm grateful for I was like, no, we do.

0:46:30.560 --> 0:46:33.799
<v Speaker 1>We do not like camping. Maybe I wish they had.

0:46:33.840 --> 0:46:36.240
<v Speaker 1>Was it called glamping now? Is that what it's called? Yeah,

0:46:36.480 --> 0:46:39.319
<v Speaker 1>I want a Lambers camping. Yeah, I would. We would

0:46:39.360 --> 0:46:41.560
<v Speaker 1>totally sign up for that. But my mom and I

0:46:41.640 --> 0:46:43.879
<v Speaker 1>were like, oh my god. My mother like, where your

0:46:43.960 --> 0:46:46.359
<v Speaker 1>slippers in that shower? I don't know what's in there.

0:46:46.440 --> 0:46:48.319
<v Speaker 1>We were terrible. We were just like this is gross.

0:46:49.120 --> 0:46:51.160
<v Speaker 1>I felt like we would have been horrible in the wilderness. Man,

0:46:51.200 --> 0:46:53.759
<v Speaker 1>we would have been horrible. Oh And my dad was like,

0:46:53.880 --> 0:46:55.600
<v Speaker 1>I mean he's a professor, so my dad would be

0:46:56.840 --> 0:46:59.600
<v Speaker 1>my dad to take the tour guy's job. The tour

0:46:59.680 --> 0:47:01.880
<v Speaker 1>guy be like saying something, and my dad was My

0:47:01.960 --> 0:47:05.320
<v Speaker 1>dad's so smart. I think he is a computer. My

0:47:05.560 --> 0:47:08.000
<v Speaker 1>dad would literally be like just to add to that,

0:47:09.880 --> 0:47:12.320
<v Speaker 1>I mean, my dad knows everything about everything, but he

0:47:12.400 --> 0:47:21.239
<v Speaker 1>just retains everything because I watch him. No way I'll

0:47:21.280 --> 0:47:24.120
<v Speaker 1>keep the keepers. Yeah. I had an intense p t

0:47:24.239 --> 0:47:25.799
<v Speaker 1>A mom when I was younger with my mom one

0:47:25.840 --> 0:47:29.080
<v Speaker 1>of those Yeah, my mom didn't My mom didn't go

0:47:29.160 --> 0:47:32.440
<v Speaker 1>back to work until I was eleven. She used to

0:47:32.480 --> 0:47:35.919
<v Speaker 1>be a banker before I was born and then ended

0:47:35.960 --> 0:47:38.640
<v Speaker 1>up staying home with me an all tend of my cousins, uh,

0:47:39.239 --> 0:47:43.640
<v Speaker 1>from when before I was born until I Yes, it

0:47:43.719 --> 0:47:46.000
<v Speaker 1>would be ten kids at my house every day, sugar.

0:47:46.239 --> 0:47:48.640
<v Speaker 1>And then she went back and she was a p

0:47:48.800 --> 0:47:51.960
<v Speaker 1>t A mom when when she wasn't working and was

0:47:52.080 --> 0:47:57.600
<v Speaker 1>just taking care of like this brood of children. Um.

0:47:57.960 --> 0:48:00.200
<v Speaker 1>And then now she works at that school that she

0:48:00.280 --> 0:48:02.560
<v Speaker 1>used to be at, the PTA and she like went

0:48:02.600 --> 0:48:05.719
<v Speaker 1>back and got her masters and now she teaches because

0:48:06.239 --> 0:48:09.600
<v Speaker 1>I think that she just really wore the principle down

0:48:09.800 --> 0:48:13.200
<v Speaker 1>by being around for like ten consecutive years. Yeah, I

0:48:13.280 --> 0:48:15.759
<v Speaker 1>mean my mom probably had to deal with so in

0:48:15.800 --> 0:48:18.520
<v Speaker 1>the honest program, she had to deal with like certain

0:48:18.600 --> 0:48:21.520
<v Speaker 1>things in terms of teachers, not only just being a

0:48:22.160 --> 0:48:25.040
<v Speaker 1>black female. There was one honors program I got, like,

0:48:25.400 --> 0:48:26.880
<v Speaker 1>we had a Regents exams in New York. I got

0:48:26.880 --> 0:48:29.440
<v Speaker 1>like a nineties seven on the Regents exam and they

0:48:29.440 --> 0:48:31.960
<v Speaker 1>didn't put me in Honors English the following year. But

0:48:32.040 --> 0:48:35.040
<v Speaker 1>they didn't put any women in Honors English the following year,

0:48:35.120 --> 0:48:38.440
<v Speaker 1>hardly any and my mom like noticed it. My mom

0:48:38.560 --> 0:48:41.480
<v Speaker 1>was like, uh no, they had to go and fight

0:48:41.719 --> 0:48:43.759
<v Speaker 1>to get us in on his English. I didn't know that.

0:48:44.080 --> 0:48:46.520
<v Speaker 1>Mom was like, you guys are racist and sexist, and

0:48:46.600 --> 0:48:48.720
<v Speaker 1>these women and these kids need to get into this class.

0:48:48.880 --> 0:48:51.160
<v Speaker 1>She got a nineties seven on the beings. Are you crazy?

0:48:52.040 --> 0:48:55.520
<v Speaker 1>That's my mom terrific. Are there any final thoughts anyone

0:48:55.560 --> 0:48:58.640
<v Speaker 1>has about the movie? I loved it. I want more

0:48:58.719 --> 0:49:01.640
<v Speaker 1>kids to see it. Like I said before, it was

0:49:01.680 --> 0:49:06.360
<v Speaker 1>just nice. It was just nice to see let's we're ready, sisters,

0:49:08.200 --> 0:49:10.839
<v Speaker 1>because like that that pride is like what we were

0:49:10.880 --> 0:49:13.440
<v Speaker 1>raised around. So it's just like, yeah, I get this,

0:49:14.040 --> 0:49:16.960
<v Speaker 1>and it's just great to see that. Obviously this passes

0:49:17.000 --> 0:49:22.080
<v Speaker 1>the back. Yes, we should usually Yeah. Like there it's

0:49:22.160 --> 0:49:25.560
<v Speaker 1>like almost a comical passing of the test. Yeah, it happens,

0:49:25.680 --> 0:49:29.040
<v Speaker 1>And I mean I only wrote down like the scenes

0:49:29.120 --> 0:49:31.080
<v Speaker 1>that happened in the first half hour, and there are

0:49:31.200 --> 0:49:33.759
<v Speaker 1>like six of them where it passes. Like in the

0:49:34.120 --> 0:49:36.520
<v Speaker 1>first scene where the three women are together fixing the car,

0:49:36.880 --> 0:49:39.600
<v Speaker 1>they're talking about the car, they're talking about their jobs

0:49:39.640 --> 0:49:43.759
<v Speaker 1>at NASA. Then there's a room full of women, the

0:49:43.960 --> 0:49:46.840
<v Speaker 1>one that like Dorothy's handing out assignments too. They're all

0:49:46.880 --> 0:49:50.000
<v Speaker 1>talking each other there. Mrs Mitchell comes in and is like, hey,

0:49:50.160 --> 0:49:54.439
<v Speaker 1>who can handle analytic geometry here? Most of their conversations

0:49:54.880 --> 0:49:57.560
<v Speaker 1>whenever there are two women talking to each other, are

0:49:57.880 --> 0:50:02.680
<v Speaker 1>not about a man. It's usually about their job, space, travel, math,

0:50:03.560 --> 0:50:06.399
<v Speaker 1>you know, any number of things. There's a ton, there's

0:50:06.400 --> 0:50:08.719
<v Speaker 1>a ton of scenes where it passes the test, no

0:50:08.960 --> 0:50:11.920
<v Speaker 1>question about it. It reminds me of my first job.

0:50:11.960 --> 0:50:15.080
<v Speaker 1>I had. On first job, the MODS Investor Service, there's

0:50:15.120 --> 0:50:18.920
<v Speaker 1>a rating agency companies, fortunately a hundred companies, and my

0:50:19.080 --> 0:50:21.759
<v Speaker 1>job in the summer was to use a genie coal

0:50:21.840 --> 0:50:25.040
<v Speaker 1>efficient to figure out the average income of homes in

0:50:25.120 --> 0:50:28.640
<v Speaker 1>certain areas. And I remember it was really statistics and

0:50:28.680 --> 0:50:30.400
<v Speaker 1>I remember like sitting there like telling people is why

0:50:30.440 --> 0:50:33.120
<v Speaker 1>I do for summer. I'm like seventeen, eighteen years old

0:50:33.719 --> 0:50:35.920
<v Speaker 1>and people could be like, no, man, we don't even

0:50:35.960 --> 0:50:39.759
<v Speaker 1>know what you're talking about. And I remember like thinking

0:50:39.800 --> 0:50:42.440
<v Speaker 1>about that first job and and granted, I mean I

0:50:42.520 --> 0:50:44.239
<v Speaker 1>love math and I'm great at it, but not the

0:50:44.280 --> 0:50:46.279
<v Speaker 1>way these women are. But it made me feel really

0:50:46.320 --> 0:50:49.040
<v Speaker 1>good that I was like throwing out stuff. But you know,

0:50:49.120 --> 0:50:50.800
<v Speaker 1>I was like yeah, and people are like, what the

0:50:50.840 --> 0:50:54.560
<v Speaker 1>hell she's talking about. It reminds me of my job

0:50:54.600 --> 0:50:59.160
<v Speaker 1>as a Hooters delivery driver man bringing a bag. No, actually,

0:50:59.280 --> 0:51:02.880
<v Speaker 1>like I I was. I was, yeah, that was a

0:51:02.920 --> 0:51:08.279
<v Speaker 1>real thing for Hooters. You were you were uber um

0:51:09.040 --> 0:51:14.919
<v Speaker 1>like um, but no, actually I was the only woman

0:51:14.960 --> 0:51:17.160
<v Speaker 1>they hired to be a delivery driver and mostly other

0:51:17.200 --> 0:51:20.000
<v Speaker 1>guys got fired. So I was like one. I was like,

0:51:20.880 --> 0:51:22.879
<v Speaker 1>you're the last one. Here's the last one. I kind

0:51:22.880 --> 0:51:27.480
<v Speaker 1>of your story must be told. It must call Melfie.

0:51:30.000 --> 0:51:31.960
<v Speaker 1>I had. I had a math job once. I wouldn't

0:51:31.960 --> 0:51:35.400
<v Speaker 1>say excelled at it, but I worked at the comptroller's

0:51:35.440 --> 0:51:39.440
<v Speaker 1>office for all the summers in college. Uh still couldn't

0:51:39.600 --> 0:51:42.920
<v Speaker 1>exactly tell you what a comptroller does, but I didn't

0:51:43.320 --> 0:51:46.440
<v Speaker 1>crush crush a lot of numbers in that very cold

0:51:47.200 --> 0:51:50.319
<v Speaker 1>office for the people who did not really know how

0:51:50.360 --> 0:51:52.239
<v Speaker 1>to use computers. That was mostly what I did was

0:51:52.320 --> 0:51:55.680
<v Speaker 1>walk around and tell almost retirees how to you know,

0:51:56.080 --> 0:51:59.080
<v Speaker 1>use Microsoft work. You were like the Dorothy you like

0:51:59.520 --> 0:52:03.440
<v Speaker 1>I would. Yeah. Yeah, we didn't talk a lot about her,

0:52:03.560 --> 0:52:06.360
<v Speaker 1>but like, um, I mean she was great and she

0:52:06.520 --> 0:52:09.280
<v Speaker 1>like had the foresight to know, like to learn the computer.

0:52:09.840 --> 0:52:12.960
<v Speaker 1>She forgot about that. Yeah, she's snuck in there to

0:52:13.040 --> 0:52:15.520
<v Speaker 1>learn about the machine. And then she stole a book

0:52:15.520 --> 0:52:17.640
<v Speaker 1>from the library. And I love that speech. She's like,

0:52:17.719 --> 0:52:21.680
<v Speaker 1>I pay taxes. Everything in this library was paid by taxes. Mind.

0:52:22.120 --> 0:52:26.160
<v Speaker 1>But but do you realize the impact of not being

0:52:26.200 --> 0:52:30.040
<v Speaker 1>able to get the knowledge? Yeah, knowledge being withheld from you.

0:52:30.480 --> 0:52:33.080
<v Speaker 1>I can't even wrap my mind around that. I did

0:52:33.160 --> 0:52:36.239
<v Speaker 1>not realize until this movie that libraries were segregated like that,

0:52:36.360 --> 0:52:39.719
<v Speaker 1>that there was I did not know that. Yeah, I mean,

0:52:40.640 --> 0:52:42.640
<v Speaker 1>if you even think forget about just like in this

0:52:42.760 --> 0:52:45.279
<v Speaker 1>movie before, what was the one thing the slave math

0:52:45.480 --> 0:52:47.920
<v Speaker 1>not want that slaves to know. They don't want them reading.

0:52:48.520 --> 0:52:50.760
<v Speaker 1>You could not read. Theyn't want literate people because literally

0:52:50.800 --> 0:52:53.000
<v Speaker 1>people know how to fight back and how to fight that.

0:52:53.000 --> 0:52:54.640
<v Speaker 1>They didn't want them to have the tools. So what

0:52:54.719 --> 0:52:56.120
<v Speaker 1>do you do if you want to keep someone down,

0:52:56.200 --> 0:53:00.520
<v Speaker 1>You take their educ withhold you withhold knowledge, right, And

0:53:00.640 --> 0:53:02.640
<v Speaker 1>that goes back to having to go to court to

0:53:02.680 --> 0:53:06.360
<v Speaker 1>take a night class, like the exactly limiting access to

0:53:06.560 --> 0:53:14.120
<v Speaker 1>education exactly exactly and basically like humiliating people, yeah for

0:53:14.360 --> 0:53:16.520
<v Speaker 1>for needing to jump through all those hoops to even

0:53:16.640 --> 0:53:19.680
<v Speaker 1>have access. It's like, it's it's just And then when

0:53:19.760 --> 0:53:23.400
<v Speaker 1>she walks into that class and like when she finally

0:53:23.520 --> 0:53:26.360
<v Speaker 1>gets like, she petitions, she does all the things she

0:53:26.440 --> 0:53:28.520
<v Speaker 1>needs to do, and she finally has granted access to

0:53:28.600 --> 0:53:30.520
<v Speaker 1>this class she needs to take, and she walks in

0:53:30.600 --> 0:53:32.400
<v Speaker 1>and it's a bunch of white dudes. It's a white teacher,

0:53:32.480 --> 0:53:36.440
<v Speaker 1>and they're just like, what do we do? This curriculum

0:53:36.520 --> 0:53:41.439
<v Speaker 1>isn't designed for women, And she's like, I think it'll

0:53:41.480 --> 0:53:43.640
<v Speaker 1>be fine. It's another that's a good point to the

0:53:43.719 --> 0:53:47.640
<v Speaker 1>fact that it should needs to be easier for women. Yeah,

0:53:47.880 --> 0:53:51.920
<v Speaker 1>that's unfathomable to me because the women in my family

0:53:52.040 --> 0:53:56.480
<v Speaker 1>was so intelligent. I feel like it was I mean,

0:53:56.520 --> 0:53:59.600
<v Speaker 1>the yeah, the attitude was like, oh, your woman, you're small,

0:54:00.120 --> 0:54:03.719
<v Speaker 1>in brain? How could you ever possibly handle this information? Man?

0:54:03.800 --> 0:54:05.120
<v Speaker 1>It just reminds me of that. Wasn't there like a

0:54:05.200 --> 0:54:07.440
<v Speaker 1>Barbie where you like pulled the string and it was

0:54:07.520 --> 0:54:11.120
<v Speaker 1>like math is hard? But what do you think that's

0:54:11.120 --> 0:54:15.520
<v Speaker 1>a portrayal for white women? What that like? Like that frail?

0:54:15.719 --> 0:54:17.400
<v Speaker 1>Like you like you don't know as much. I mean

0:54:17.680 --> 0:54:20.359
<v Speaker 1>obviously this movie was like you know, it was an

0:54:20.480 --> 0:54:23.040
<v Speaker 1>African American woman, but I mean I feel like I'm like,

0:54:23.440 --> 0:54:25.960
<v Speaker 1>what is this Like I don't know that this woman

0:54:26.040 --> 0:54:29.120
<v Speaker 1>maybe she's not as smart really, But then it maybe

0:54:29.160 --> 0:54:31.960
<v Speaker 1>when I got older it made more sense that, oh

0:54:32.640 --> 0:54:35.480
<v Speaker 1>men really think this that was I was so blinded

0:54:35.520 --> 0:54:39.160
<v Speaker 1>by that, so blinded because as a as a woman,

0:54:39.360 --> 0:54:42.239
<v Speaker 1>as a girl in my class, I was with the

0:54:42.320 --> 0:54:44.600
<v Speaker 1>nose dudes asked. So I didn't even really think about

0:54:44.680 --> 0:54:48.239
<v Speaker 1>Like I didn't think about gender, Like Jenna didn't even

0:54:48.280 --> 0:54:50.759
<v Speaker 1>come into my brain like that. Yeah, I don't know.

0:54:50.880 --> 0:54:54.560
<v Speaker 1>It didn't occur to me until maybe high school, but

0:54:54.680 --> 0:54:59.400
<v Speaker 1>probably later because I mean, like I love everyone in

0:54:59.440 --> 0:55:02.640
<v Speaker 1>my family. The males in my family are present betas,

0:55:03.239 --> 0:55:08.680
<v Speaker 1>Like every major male figure in my life. Uh was

0:55:08.760 --> 0:55:13.000
<v Speaker 1>a beta is a beta to this day and so

0:55:13.280 --> 0:55:15.600
<v Speaker 1>like and even down to like me and my cousins

0:55:15.760 --> 0:55:18.800
<v Speaker 1>and and uh, I don't know exactly what the split

0:55:18.840 --> 0:55:21.360
<v Speaker 1>between girls and boys about have and half, but the

0:55:22.160 --> 0:55:24.960
<v Speaker 1>girls that I grew up with, we were you know,

0:55:25.040 --> 0:55:27.640
<v Speaker 1>we were whipping their assets stuff at school, and that

0:55:27.880 --> 0:55:30.960
<v Speaker 1>was just sort of what what what it was and

0:55:31.320 --> 0:55:34.160
<v Speaker 1>what it always know what I think about it actually too,

0:55:34.360 --> 0:55:35.880
<v Speaker 1>that's actually true, it is. I don't think it's a

0:55:36.520 --> 0:55:38.200
<v Speaker 1>raised thing. I think, but men just really think they're

0:55:38.200 --> 0:55:40.560
<v Speaker 1>smart than women. Yeah, I think, I think. I think

0:55:40.600 --> 0:55:43.560
<v Speaker 1>it's I don't think maybe women of color experienced it

0:55:43.640 --> 0:55:47.040
<v Speaker 1>to a greater degree where you know, people assume, oh

0:55:47.120 --> 0:55:48.560
<v Speaker 1>you're not going to be as smart, you're not going

0:55:48.600 --> 0:55:52.359
<v Speaker 1>to know as much, etcetera. But white women, Yeah, that's

0:55:52.400 --> 0:55:54.799
<v Speaker 1>so interesting. Like I just think it's an interesting thing

0:55:54.920 --> 0:55:57.960
<v Speaker 1>to sit there and feel you're right and you sit

0:55:58.000 --> 0:55:59.920
<v Speaker 1>there and you want But that's something I don't understand,

0:56:00.320 --> 0:56:05.040
<v Speaker 1>Like I understand it intellectually, but in reality, in experience,

0:56:05.280 --> 0:56:09.680
<v Speaker 1>I'm like, no, this is not true. It just like

0:56:09.760 --> 0:56:11.520
<v Speaker 1>takes you a really long time to realize that that

0:56:11.680 --> 0:56:15.000
<v Speaker 1>is actually what's happening. Like this was very like specific

0:56:15.120 --> 0:56:18.160
<v Speaker 1>memory in college of like I was starting to do

0:56:18.480 --> 0:56:20.560
<v Speaker 1>comedy stuff and it was like taking an interest in it.

0:56:20.960 --> 0:56:24.320
<v Speaker 1>And I had been like feeling weird for a while

0:56:24.440 --> 0:56:25.960
<v Speaker 1>and then she just hit me. I'm like, oh, you

0:56:26.160 --> 0:56:30.160
<v Speaker 1>just don't think that I can do this, like and

0:56:30.280 --> 0:56:33.440
<v Speaker 1>it was. It hadn't occurred to me until college. I

0:56:33.520 --> 0:56:36.920
<v Speaker 1>think I think college it hit me that people also too,

0:56:37.520 --> 0:56:40.200
<v Speaker 1>I'm being in I'm a decent master, that I'm a

0:56:40.280 --> 0:56:43.000
<v Speaker 1>really good like micro econ and statistics like that was

0:56:43.040 --> 0:56:45.840
<v Speaker 1>like my thing in my micro econ class, which like

0:56:45.880 --> 0:56:48.879
<v Speaker 1>everybody always fail. So you know, gray on the curve

0:56:49.600 --> 0:56:52.360
<v Speaker 1>and I remember they were like, well, somebody destroyed the

0:56:52.400 --> 0:56:55.839
<v Speaker 1>curve because she got it was me up the curve.

0:56:56.400 --> 0:57:00.399
<v Speaker 1>And I realized now he never said who destroyed the curve,

0:57:00.520 --> 0:57:02.560
<v Speaker 1>but he did when I did. It did not hit

0:57:02.680 --> 0:57:06.799
<v Speaker 1>me until much later. I was like, I wonder if

0:57:06.840 --> 0:57:09.440
<v Speaker 1>he'd said that because I was a black woman in

0:57:09.560 --> 0:57:12.000
<v Speaker 1>this class of mostly white dude, do you think he

0:57:12.120 --> 0:57:13.959
<v Speaker 1>was trying to he was calling attention to it because

0:57:14.040 --> 0:57:16.800
<v Speaker 1>he wanted you to be He wanted the other students

0:57:16.840 --> 0:57:19.640
<v Speaker 1>to be mad at you. Well, I think they were mad.

0:57:19.680 --> 0:57:21.600
<v Speaker 1>I don't think that was his intention. I think he

0:57:21.680 --> 0:57:25.080
<v Speaker 1>wanted them to acknowledge that I had done this. Yeah,

0:57:25.800 --> 0:57:31.560
<v Speaker 1>but they were mad, pissed. You know. I was like, whatever, man,

0:57:35.720 --> 0:57:39.680
<v Speaker 1>curve destroyer. That's a brutal position to be in. Loved

0:57:39.720 --> 0:57:44.360
<v Speaker 1>it and I tried to achieve it every time. No mercy. Yeah,

0:57:46.600 --> 0:57:50.520
<v Speaker 1>so let's write the movie on our nipple scale. Nipples,

0:57:50.920 --> 0:57:53.480
<v Speaker 1>nipples scale. This is another movie that I'm going to

0:57:53.600 --> 0:57:57.400
<v Speaker 1>give a very high nipple rating. Two, maybe even a five,

0:57:58.560 --> 0:58:00.600
<v Speaker 1>like a four point five or five. I'm gonna commit.

0:58:00.600 --> 0:58:03.360
<v Speaker 1>I'm gonna give it a five. Um. I love the

0:58:03.400 --> 0:58:08.080
<v Speaker 1>way the three main women are portrayed. Um, they're just

0:58:08.600 --> 0:58:12.680
<v Speaker 1>they're they're constantly like uplifting each other. I just love

0:58:12.760 --> 0:58:15.560
<v Speaker 1>them that the movie shows women in a way we

0:58:15.600 --> 0:58:20.240
<v Speaker 1>haven't seen before, typically three black women who are aerospace

0:58:20.680 --> 0:58:24.520
<v Speaker 1>engineered geniuses. That was a really cool thing to see

0:58:24.560 --> 0:58:28.920
<v Speaker 1>on screen. And I just really enjoy this movie. And

0:58:29.000 --> 0:58:30.720
<v Speaker 1>it makes me feel a lot of feelings that I

0:58:31.080 --> 0:58:33.600
<v Speaker 1>don't like to admit that I have because feelings are dumb.

0:58:33.800 --> 0:58:40.160
<v Speaker 1>They're in there, they're I know, I forget that I'm trying.

0:58:40.760 --> 0:58:43.040
<v Speaker 1>But um, so I want to do is talk about

0:58:43.080 --> 0:58:46.320
<v Speaker 1>my favorites all day. Every day. I pay someone a lot,

0:58:46.320 --> 0:58:50.320
<v Speaker 1>have money to listen to my feelings. That's smart. I'm

0:58:50.520 --> 0:58:51.920
<v Speaker 1>debt how to do that because i love to talk

0:58:51.920 --> 0:58:55.800
<v Speaker 1>about my feelings so much. And I'm getting to give

0:58:55.840 --> 0:58:58.400
<v Speaker 1>it five out of five for sure. Yeah, I mean

0:58:58.480 --> 0:59:01.000
<v Speaker 1>for all the reasons that you said. Also, just every

0:59:01.120 --> 0:59:04.440
<v Speaker 1>character in this movie is portrayed with nuance that I

0:59:04.600 --> 0:59:08.800
<v Speaker 1>think that if the attention to detail hadn't been so strong,

0:59:08.880 --> 0:59:11.640
<v Speaker 1>it would have been very easy to paint every character

0:59:11.720 --> 0:59:14.840
<v Speaker 1>in this movie with far broader strokes, and it wouldn't

0:59:14.840 --> 0:59:18.320
<v Speaker 1>have been as effective. Um, I'm so happy this movie

0:59:18.720 --> 0:59:21.160
<v Speaker 1>exists and that people will be able to watch it.

0:59:21.480 --> 0:59:25.920
<v Speaker 1>I like want to show my kids this movie. Yeah, hardcore.

0:59:26.040 --> 0:59:29.680
<v Speaker 1>Five nipples, Yeah, hardcore. Each about three African American women

0:59:30.160 --> 0:59:36.960
<v Speaker 1>mathematicians who will portrayed layer multidimensional characters. Hell yeah, five nipples.

0:59:37.560 --> 0:59:40.720
<v Speaker 1>We did. This is the second movie that's gotten out

0:59:40.760 --> 0:59:44.240
<v Speaker 1>of like whatever we've done that they've gotten the five

0:59:44.240 --> 0:59:48.720
<v Speaker 1>out of five treatment. The first one was MO, wanna Nina?

0:59:48.960 --> 0:59:50.840
<v Speaker 1>Do you have anything you want to plug? Or where

0:59:50.880 --> 0:59:53.320
<v Speaker 1>can people find you online? I have a website meaning

0:59:53.400 --> 0:59:56.760
<v Speaker 1>Daniel dot com. I'm huge into snapchat, Instagram, so on

0:59:56.800 --> 0:59:59.800
<v Speaker 1>Instagram mean that Daniel is a dot official and snapchat

1:00:00.040 --> 1:00:03.240
<v Speaker 1>on um Nina's Playground, And I have a monthly show,

1:00:03.320 --> 1:00:06.120
<v Speaker 1>like you said earlier here at the Nerk Mount most

1:00:06.160 --> 1:00:08.680
<v Speaker 1>of the last Tuesday of the month. Anything Else presents

1:00:08.720 --> 1:00:11.160
<v Speaker 1>the playground and it's awesome and a lot of fun. Yeah,

1:00:11.440 --> 1:00:14.280
<v Speaker 1>anything you want to plug Jamie. Um, yes, this is

1:00:14.520 --> 1:00:16.040
<v Speaker 1>this episode is going to come out in the future,

1:00:16.480 --> 1:00:19.760
<v Speaker 1>but right now. I made a bunch of pinatas today.

1:00:20.040 --> 1:00:22.280
<v Speaker 1>Do you know a live stream at jash tomorrow that

1:00:22.360 --> 1:00:24.600
<v Speaker 1>you'll be able to watch by the time this episode

1:00:24.640 --> 1:00:27.640
<v Speaker 1>comes out, And it's entirety. It's called Swan Lake Live

1:00:27.720 --> 1:00:31.120
<v Speaker 1>from a Locked Basement. I'm gonna do ballet, Y're gonna

1:00:31.160 --> 1:00:33.520
<v Speaker 1>I made a bunch of new cartoons for it. Uh,

1:00:33.640 --> 1:00:36.600
<v Speaker 1>and I've got to go finish making the pinatas for it.

1:00:36.720 --> 1:00:39.240
<v Speaker 1>It takes place on the day of Round Reagan's assassination,

1:00:39.680 --> 1:00:42.120
<v Speaker 1>and I've got a big pinata of Jodi Foster's head

1:00:42.120 --> 1:00:45.200
<v Speaker 1>and gotta smash it. I love everything about that. I

1:00:45.320 --> 1:00:50.280
<v Speaker 1>was going to satto to it, so watch that and

1:00:50.680 --> 1:00:53.640
<v Speaker 1>uh and at Hamburger Fun. Yeah. I don't have any

1:00:53.680 --> 1:00:57.560
<v Speaker 1>cool um Swan Lake projects or anything like that, but

1:00:57.680 --> 1:01:00.200
<v Speaker 1>you can follow me at Caitlin Toronto on what Are.

1:01:00.280 --> 1:01:03.120
<v Speaker 1>You can follow the podcast on Twitter too, at Bechtel Cast.

1:01:03.480 --> 1:01:05.520
<v Speaker 1>You can email us. I haven't we haven't talked about

1:01:05.520 --> 1:01:07.360
<v Speaker 1>the email. I don't even know if we've gotten any

1:01:07.400 --> 1:01:10.800
<v Speaker 1>I should check it, but anyway, we just email us.

1:01:10.920 --> 1:01:13.680
<v Speaker 1>We don't, we just check it. Maybe i'll ' sit

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<v Speaker 1>that part out. We'll see. We well, we we answer face.

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<v Speaker 1>It says on our Facebook page that we answer messages

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<v Speaker 1>very quickly. I was like, hell, yeah, go very awesome,

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<v Speaker 1>but yeah, find us on Facebook, find us on Twitter.

1:01:24.120 --> 1:01:27.240
<v Speaker 1>You can email us at the Bechtel Cast at gmail

1:01:27.280 --> 1:01:29.800
<v Speaker 1>dot com and rate and review us on iTunes and

1:01:29.880 --> 1:01:35.120
<v Speaker 1>we're on SoundCloud. Shout out to Aristotle or on Baby.

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<v Speaker 1>Thank you so much Nina for being here. Thank you,

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<v Speaker 1>thank you so much. It was awesome and um, reach

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<v Speaker 1>for the stars. Guys. It's a it's a hidden figures. Uh.

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<v Speaker 1>I was like, are you are even a monologue right now?

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<v Speaker 1>This is the famous Land soliloquy our yeah, yeah, just

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<v Speaker 1>a moment his end to end. Yeah, okay, um alright

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<v Speaker 1>yeah bye by Yang Toodles