WEBVTT - David McLay Kidd

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<v Speaker 1>All right, we're back for the first Frida Egg podcast

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<v Speaker 1>of twenty seventeen, and we're excited to have our esteemed guests,

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<v Speaker 1>David McLay Kid. David is one of the most sought

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<v Speaker 1>after modern day architects and the man behind masterpieces such

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<v Speaker 1>as Bandon Dune's Nannia Golf Club and Gamble Sands. David,

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<v Speaker 1>thanks for coming on my pleasure. So, I think with

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<v Speaker 1>New Year's in order, I'm kind of curious, do you

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<v Speaker 1>have any resolutions for twenty seventeen?

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<v Speaker 2>Hi? Going, that's a good one, And I think my

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<v Speaker 2>resolution for the last pushing ten years now has been

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<v Speaker 2>to get golf to be fun again and not to

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<v Speaker 2>get sucked in by a desire to chease rankings or

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<v Speaker 2>difficulty or any other particular fad or idiosyncrasy that can

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<v Speaker 2>be to the detriment of golf and golfers and fun,

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<v Speaker 2>which is the reason we all do it. So I'm

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<v Speaker 2>going to keep going on that one and try and

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<v Speaker 2>build golf courses that are ridiculously good fun for everyone.

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<v Speaker 1>You know, It's funny. I wrote a lengthy article about

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<v Speaker 1>golf digest Rate ranking system and how like the criteria

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<v Speaker 1>is so flawed.

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<v Speaker 2>And I read it. I had to break through that,

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<v Speaker 2>and I've just the second Golf Diject down with their

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<v Speaker 2>ranking stuff, and I was just emailing Roan Whitten. So

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<v Speaker 2>funny that you should mention.

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<v Speaker 1>That, yeah, is the one defense to par Is. Kind

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<v Speaker 1>of that one just gets me because like, why should

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<v Speaker 1>a golf course get discounted, like, you know, get downgraded

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<v Speaker 1>because it's really fun to play and not necessarily.

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<v Speaker 3>Hard, you know, you know, I get where Golf Diject

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<v Speaker 3>and Roman are going with the defense of a you know, I'd.

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<v Speaker 2>Like to think of it more as the defense a birdie.

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<v Speaker 2>You know, I'd probably argue that as a golf course designer,

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<v Speaker 2>I should be putting up my best defenses against your

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<v Speaker 2>best attack. And your best attack ends up with birdie.

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<v Speaker 2>Right for most golfers, And even if you're a lousy golfer,

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<v Speaker 2>you're getting a net birdie because you've got strokes. So

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<v Speaker 2>I'm going to put up my best defense. If we

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<v Speaker 2>take Gamble Sands as my best example today, I defy

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<v Speaker 2>you to easily make birdie on every whole. I will

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<v Speaker 2>contend that gamble Sands put up puts up a very

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<v Speaker 2>healthy defense against birdie. You've got to thread the driver

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<v Speaker 2>exactly in the right place. You've got to put that

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<v Speaker 2>ball in the green so that it rolls out to

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<v Speaker 2>a makeable putt. What would we say a makeable putt

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<v Speaker 2>is six feet eight feet ten feet and then you've

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<v Speaker 2>got a hole on an average part four. I've put

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<v Speaker 2>up more than a good defense as that par. Now

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<v Speaker 2>I'm just asking you to put it in the middle, get

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<v Speaker 2>it somewhere around or on the green, and tupa So

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<v Speaker 2>I'm not trying that hard to defend par. I think

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<v Speaker 2>that a golfer's own inability to perform defends against par,

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<v Speaker 2>and certainly when it switches to bogie and double bogie,

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<v Speaker 2>I reverse gears completely. And now I'm trying to be

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<v Speaker 2>your friend. I'm trying to make sure you can make

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<v Speaker 2>those scores not end up with snowmen. So I see

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<v Speaker 2>where Golf Digest tries to go with the defensive par,

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<v Speaker 2>but I'd rather see it as defensive birdie. And the

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<v Speaker 2>whole resistance to scoring. You know that again sends a

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<v Speaker 2>message to their ranking panel that a higher score is better.

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<v Speaker 2>And I've had my debates on Twitter with a couple

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<v Speaker 2>of guys in the media in this. You know the

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<v Speaker 2>message that's being sent out one way or another is

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<v Speaker 2>that harder is better, and it's still continuing to perpetuate

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<v Speaker 2>that harder is better. That golf digest you're talking about

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<v Speaker 2>has Pine Valley Ranks is number one. That's a really

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<v Speaker 2>really hard golf course.

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<v Speaker 1>Yeah yeah, I mean it's uh got incredible architecture lineage,

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<v Speaker 1>but it is one of the hardest golf courses in

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<v Speaker 1>the world, you know. And I think with when it

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<v Speaker 1>comes to, you know, kind of fun and the mass public, like,

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<v Speaker 1>you know, a scratch player can play any golf course

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<v Speaker 1>from any t and have fun. But it's the fifteen

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<v Speaker 1>that gets hurt by hard golf courses continuing to get

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<v Speaker 1>built over and over and over again, you know. And

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<v Speaker 1>if it's not savage, yeah, and if it's not fun

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<v Speaker 1>to play, why why would you play the sport?

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<v Speaker 2>I think that all too often. You know. That's where

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<v Speaker 2>golf course is full down. Is there are lots of

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<v Speaker 2>golf courses that the average golfer is invited to, wants

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<v Speaker 2>to play because he sees them the magazines. He goes,

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<v Speaker 2>he plays for whatever reason, and somewhere on the front nine,

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<v Speaker 2>when he's lost a few balls and his buddies are

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<v Speaker 2>helping him hunt his third ball in the rough. He

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<v Speaker 2>thinks to himself, too much for me, I'm really not

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<v Speaker 2>having that much fun. I wish these holes would run

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<v Speaker 2>out quicker because I feel embarrassed. And this reminds me

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<v Speaker 2>why I don't really love this game. And so he

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<v Speaker 2>finishes his round out and decides not to play again

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<v Speaker 2>for a while. And I think that that happens all

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<v Speaker 2>too often. The number of courses where that same guy

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<v Speaker 2>goes out and he's told you're on the twelfth hole

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<v Speaker 2>or the fourteenth hole, and he says to himself, oh, hell,

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<v Speaker 2>the holes are running out already. I'm having so much fun.

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<v Speaker 2>I want to do this again. That happens far left

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<v Speaker 2>than the opposite. And my job, my peers job, is

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<v Speaker 2>to create golf courses where that average golfer wants to

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<v Speaker 2>go and do it again, is upset that the holes

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<v Speaker 2>are running out. And that's what Bandon Jun's, all of

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<v Speaker 2>the courses of Bandon Jun's do so well, is the

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<v Speaker 2>average golfer has an absolute black and wants to play

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<v Speaker 2>over and over and over.

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<v Speaker 1>So you know, outside of Bandon Dunes, in your travels,

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<v Speaker 1>what would you say are some of yours and other

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<v Speaker 1>architects best examples of you know, that fun golf course

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<v Speaker 1>where they want to just keep playing.

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<v Speaker 2>I'm not sure I understand outside of.

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<v Speaker 1>What outside of outside of Bandon Dunes, you know what

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<v Speaker 1>would be some other examples across the States and also

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<v Speaker 1>abroad of courses that kind of fit that description.

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<v Speaker 2>You know, weirdly enough, I want to be contrary, you know,

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<v Speaker 2>in my my business, I would like to be as

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<v Speaker 2>best I can be some kind of a disruptor. And

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<v Speaker 2>so in order to be just those two things, I'll

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<v Speaker 2>throw Oakmont at you as an example. Oakmon is the

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<v Speaker 2>perfect a example of why I would argue that playability

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<v Speaker 2>and challenge are not two sides of a scale of justice.

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<v Speaker 2>They're not linked. Oakmont is incredibly difficult, but yet incredibly playable.

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<v Speaker 2>The average golfer can go out and shoot one hundred,

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<v Speaker 2>but you'll do it with the same golfer. The course

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<v Speaker 2>is wide and playable. The target zones to chase burghers

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<v Speaker 2>or even pars are very tight. The course is really long,

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<v Speaker 2>so to a good golfer it is a hell of

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<v Speaker 2>a stiff challenge. But to an average golfer they could

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<v Speaker 2>still have a whole lot of fun. Pine Valley, on

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<v Speaker 2>the other hand, which I've had the privilege of playing

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<v Speaker 2>a number of times, really good for a good golfer.

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<v Speaker 2>I'm a sick handicap, so reasonably good, I can have

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<v Speaker 2>great fun. I can aim at the spots you're supposed

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<v Speaker 2>to aim at. I can hit it to roughly where

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<v Speaker 2>I was supposed to. One mistake on any given hole,

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<v Speaker 2>and hear me, it can double triple snowmane. I mean,

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<v Speaker 2>it gets ugly, really really fast. There's little chance of

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<v Speaker 2>recovery because of the severity of the rocks. The severity

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<v Speaker 2>right in the greens, there's there's it's very severe. The

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<v Speaker 2>the playability is low and the challenge is very high.

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<v Speaker 2>Where Oakland the playability is pretty high and the challenge

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<v Speaker 2>is also pretty high.

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<v Speaker 1>It's it's interesting. I was just writing a review today

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<v Speaker 1>about a course here in Chicago that I thought, you know,

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<v Speaker 1>it's very easy to make bogies at, but making pars

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<v Speaker 1>and birdies is really difficult. Similar to the way you

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<v Speaker 1>describe Oakmont, which is, you know, you know, it might

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<v Speaker 1>be the only person that's ever described Oakmont as being

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<v Speaker 1>very playable, but it makes complete sense.

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<v Speaker 2>I didn't play it before all the trees came out,

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<v Speaker 2>so with the with it covered in trees, it may

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<v Speaker 2>have been a completely different story. But I played it

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<v Speaker 2>post the tree removal and thought to myself, this is great.

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<v Speaker 2>I want to play again, you know, I think I

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<v Speaker 2>can do better. And of course next time I went

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<v Speaker 2>out to see if I could do better, I did worse.

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<v Speaker 2>But I had great fun. And I don't think I

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<v Speaker 2>lost the ball because you can't it's open.

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<v Speaker 1>Yeah. So with that, you know you touched on with

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<v Speaker 1>as one of the reasons Oakman is playable. What are

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<v Speaker 1>some other strategies that you employ and use that kind

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<v Speaker 1>of create that playability while still challenging the scoring and

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<v Speaker 1>the birdies.

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<v Speaker 2>Well, here's a stat for you. The average player misses

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<v Speaker 2>the green more than half the time, right, They just

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<v Speaker 2>don't hit the putting surface with their approach shots. And

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<v Speaker 2>yet golf course designers rarely spend as much time thinking

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<v Speaker 2>about the surrounds to the green as they do with

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<v Speaker 2>the green itself. And yet more than half the shots

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<v Speaker 2>are played from around the greens. So as a golf

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<v Speaker 2>course designer, it behooves us to make sure that those

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<v Speaker 2>golfers that miss the green, which is every golfer, you know,

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<v Speaker 2>it's just a question of percentages. Doesn't get put in

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<v Speaker 2>jail because they missed the green by a few yards

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<v Speaker 2>and our you know, the kind of rule of thumb

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<v Speaker 2>that I come up with now is if you're doing

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<v Speaker 2>an irrogated golf course, those heads are space sixty feet apart,

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<v Speaker 2>and anything inside that you're actually spending more money to irrigate.

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<v Speaker 2>So if you have the space on the site, you

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<v Speaker 2>may as well leave. You know, somewhere you're in the

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<v Speaker 2>up to sixty feet around the green for someone to recover.

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<v Speaker 2>So take that step further. When they're recovering, are they

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<v Speaker 2>recovering to make Birdie? No, no, of course not. Are

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<v Speaker 2>they recovering to make par well? They'd like to. So

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<v Speaker 2>I'll go back to my argument that defense of birdie

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<v Speaker 2>is what I'm about, not defense of par. If I

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<v Speaker 2>can let someone miss the green, not put them in jail,

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<v Speaker 2>and give them a you know, maybe a fifty to

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<v Speaker 2>fifty chance so they could still get up and down,

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<v Speaker 2>is that not going to lead to more fun? You

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<v Speaker 2>missed the green take Plain Valley. You miss the green

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<v Speaker 2>at Plain Valley? How many times would you actually lose

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<v Speaker 2>the ball if you missed the green at Plaine Valley

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<v Speaker 2>a bunch mm hmm. I mean you could actually lose

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<v Speaker 2>the ball. Yeah, you'd lose stroke and distance. Now you're

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<v Speaker 2>scrabbling for double.

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<v Speaker 1>Yeah. It's the places that are overly penal around the greens,

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<v Speaker 1>and I think that's where the good players are infinitely

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<v Speaker 1>better than the average and the bad players is around

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<v Speaker 1>the greens with their recovery capabilities and shots. So the

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<v Speaker 1>tougher it is around the greens, the wider the separation

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<v Speaker 1>you would get.

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<v Speaker 2>Correct, that would be a reasonable analysis to make. Yeah, so.

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<v Speaker 1>To change gears a little bit, I think I think

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<v Speaker 1>I'd love to hear about how you got into golf

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<v Speaker 1>course architecture in the first place. So was it growing

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<v Speaker 1>up or you know what, guy you into?

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<v Speaker 2>Okay, growing up? My father was a greenkeeper in Scotland.

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<v Speaker 2>So my father as a young man worked at ran

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<v Speaker 2>Furley Castle Golf Club on the west side of Glasgow

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<v Speaker 2>and then from there went to Glasgow Golf Club, which

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<v Speaker 2>is the sixth or seventh, maybe the fifth that somewhere

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<v Speaker 2>in there, oldest golf course in the world seventeen to

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<v Speaker 2>ninety odd and he was the hey greenkeeper there for

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<v Speaker 2>twelve years, so that was most of my young childhood

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<v Speaker 2>through elementary school that's where he was the head greenkeeper.

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<v Speaker 2>And then in the early eighties he went to glen

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<v Speaker 2>Eagles which had just been sold by the railway company

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<v Speaker 2>who had kind of run it into the ground, and

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<v Speaker 2>a new private equity company bought it and they wanted

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<v Speaker 2>to bring it back to its former glory in the

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<v Speaker 2>twenties and thirties, and so my father was instrumental and

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<v Speaker 2>renovating the James Braid courses at Gleneagle's back to their

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<v Speaker 2>former glories, and then working with Nicholas to build the

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<v Speaker 2>PGA course which hosted the Ryder Cup the last time

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<v Speaker 2>it was in Europe. So that was my background, my

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<v Speaker 2>childhood in and around golf, the son of one of

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<v Speaker 2>the most influential golf course superintendents, certainly in Scotland, possibly

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<v Speaker 2>in Europe, and if I could be so bold, you know,

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<v Speaker 2>maybe across the world. He did a lot for his peers.

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<v Speaker 2>He brought a professionalism to it that didn't exist in

0:13:53.920 --> 0:13:57.800
<v Speaker 2>the sixties and seventies, and you know, I was raised

0:13:57.840 --> 0:14:01.120
<v Speaker 2>with that as a model. I loved everything about golf

0:14:01.160 --> 0:14:06.400
<v Speaker 2>courses and when I got to decide my own path.

0:14:07.160 --> 0:14:10.280
<v Speaker 2>I worked for a golf construction company and came to

0:14:11.400 --> 0:14:14.960
<v Speaker 2>really love the creative part of golf, the creation of

0:14:15.120 --> 0:14:19.560
<v Speaker 2>new golf courses and the adjustment of existing golf courses.

0:14:19.880 --> 0:14:23.600
<v Speaker 2>So I took another step on from what my father

0:14:23.640 --> 0:14:26.000
<v Speaker 2>had done at Glen Eagles with the Braid courses and

0:14:26.040 --> 0:14:29.200
<v Speaker 2>the new Nicholas course, and I've been doing that ever since.

0:14:30.560 --> 0:14:37.280
<v Speaker 2>That's a very quick pricie on how my career has

0:14:38.040 --> 0:14:40.120
<v Speaker 2>moved from early childhood to today.

0:14:41.800 --> 0:14:46.120
<v Speaker 1>So you got the Bandon Dunes project at was it

0:14:46.240 --> 0:14:49.520
<v Speaker 1>age twenty eight? Correct?

0:14:49.560 --> 0:14:53.720
<v Speaker 2>Twenty six? I think I was nineteen ninety four was

0:14:53.760 --> 0:14:57.360
<v Speaker 2>when I first saw the site and met Mike, and

0:14:57.360 --> 0:15:02.360
<v Speaker 2>then ninety seven we started building it. In ninety nine

0:15:02.440 --> 0:15:07.280
<v Speaker 2>it opened, So I was thirty just over thirty when

0:15:07.280 --> 0:15:07.840
<v Speaker 2>we finished it.

0:15:08.160 --> 0:15:15.200
<v Speaker 1>Huh. So it was it was your first solo design, correct, not.

0:15:15.280 --> 0:15:18.360
<v Speaker 2>Quite close close enough so it was not to matter.

0:15:19.080 --> 0:15:22.720
<v Speaker 1>So did you have kind of a feeling of you know,

0:15:23.200 --> 0:15:25.920
<v Speaker 1>what you were onto there, like you know where you

0:15:25.920 --> 0:15:29.920
<v Speaker 1>were kind of where the first course to revolutionize what

0:15:30.320 --> 0:15:33.240
<v Speaker 1>now is becoming what resort golf is all about and

0:15:33.360 --> 0:15:37.120
<v Speaker 1>destination golf is about, and you know kind of did

0:15:37.200 --> 0:15:39.600
<v Speaker 1>you feel that magnitude when you were you know, in

0:15:39.600 --> 0:15:42.840
<v Speaker 1>those early stages, No, no, at all.

0:15:43.680 --> 0:15:46.400
<v Speaker 2>It didn't have a name, you know, no one knew

0:15:46.440 --> 0:15:48.880
<v Speaker 2>what it was going to be called. For a while.

0:15:49.000 --> 0:15:53.480
<v Speaker 2>I tried to convince Mike call it McKenzie National or

0:15:53.600 --> 0:15:57.200
<v Speaker 2>Whiskey Run or something else, a few other names that

0:15:57.240 --> 0:16:01.880
<v Speaker 2>we kicked around. Mike KUIs there was you know, some

0:16:02.960 --> 0:16:07.440
<v Speaker 2>you know, relatively successful businessman from Chicago with no pedigree

0:16:08.040 --> 0:16:11.360
<v Speaker 2>in golf. It's not like Mike's a ex pro golfer

0:16:11.480 --> 0:16:15.280
<v Speaker 2>or a developer of notes. You know, he did recycled

0:16:15.280 --> 0:16:18.800
<v Speaker 2>paper for his entire career and made some money at it,

0:16:18.840 --> 0:16:22.200
<v Speaker 2>and he enjoyed playing golf as an average golfer. So

0:16:22.720 --> 0:16:26.080
<v Speaker 2>and he's hiring a young Scottish guy who's got exactly

0:16:26.240 --> 0:16:30.200
<v Speaker 2>zero pedigree. Well that's not quite true. I had the

0:16:30.240 --> 0:16:33.000
<v Speaker 2>pedigree of my father and that's really what Mike was hiring.

0:16:35.000 --> 0:16:39.880
<v Speaker 2>So there was no expectation. We thought that the tiny

0:16:39.920 --> 0:16:42.600
<v Speaker 2>little group that was part of it, we thought that

0:16:42.680 --> 0:16:46.160
<v Speaker 2>we could build something really really cool, something off the hook.

0:16:46.840 --> 0:16:50.520
<v Speaker 2>But lots of people think that everyone you know, there's

0:16:50.760 --> 0:16:53.080
<v Speaker 2>I don't know anyone in that in my business that

0:16:53.200 --> 0:16:56.400
<v Speaker 2>doesn't think that what they're currently building isn't going to

0:16:56.480 --> 0:17:00.160
<v Speaker 2>be great, just the same way any musician or our

0:17:00.400 --> 0:17:03.000
<v Speaker 2>film director doesn't think what they're working on isn't going

0:17:03.040 --> 0:17:06.800
<v Speaker 2>to be the next Uscar winner. So I'm not sure

0:17:06.840 --> 0:17:10.439
<v Speaker 2>that we really truly believed in our hearts that it

0:17:10.480 --> 0:17:12.520
<v Speaker 2>was going to be what it ended up being. No

0:17:12.920 --> 0:17:15.000
<v Speaker 2>one did. I mean, we thought we're going to build

0:17:15.000 --> 0:17:18.080
<v Speaker 2>something cool on the Oregon coast that a few people

0:17:18.160 --> 0:17:22.200
<v Speaker 2>might see and think was cool as well. But we

0:17:22.280 --> 0:17:27.960
<v Speaker 2>lived in a time where golf courses were lush, green lakes,

0:17:28.240 --> 0:17:35.320
<v Speaker 2>car paths, perfect service. You know, Ben and June's back

0:17:35.359 --> 0:17:38.520
<v Speaker 2>in the mid to late nineties when it was conceived

0:17:38.560 --> 0:17:43.439
<v Speaker 2>and created, was the polar opposite to what golf was.

0:17:44.160 --> 0:17:48.560
<v Speaker 2>Everyone watched Augusta and everybody was pushing towards that economy

0:17:48.680 --> 0:17:54.919
<v Speaker 2>was bringing. And this unheard of guy from Chicago hiring

0:17:54.920 --> 0:17:58.000
<v Speaker 2>an unheard of Scotsman is going to build a golf

0:17:58.040 --> 0:18:01.240
<v Speaker 2>course and an unheard of place in America. Where do

0:18:01.280 --> 0:18:03.800
<v Speaker 2>you see your recipe for success in that description?

0:18:05.240 --> 0:18:08.879
<v Speaker 1>It's it's interesting. You know a lot of people in

0:18:09.000 --> 0:18:12.840
<v Speaker 1>tech say that the greatest ideas are the ones that

0:18:13.040 --> 0:18:16.440
<v Speaker 1>people think are the craziest. I mean, take Uber for example.

0:18:16.920 --> 0:18:19.200
<v Speaker 1>Who would have thought ten years ago we'd be getting

0:18:19.200 --> 0:18:23.000
<v Speaker 1>in random people's cars, you know, and not taxicabs.

0:18:25.480 --> 0:18:29.600
<v Speaker 2>Yeah, and I'll give you another one that you know.

0:18:30.160 --> 0:18:36.800
<v Speaker 2>Mike's genius is his ruthless simplicity. He is ruthlessly simple.

0:18:37.040 --> 0:18:39.959
<v Speaker 2>If you come up with an idea to Mike Kaiser

0:18:40.000 --> 0:18:43.560
<v Speaker 2>I'm talking about that is the best idea on planet Earth,

0:18:43.560 --> 0:18:46.560
<v Speaker 2>and you can absolutely prove it to be true, but

0:18:46.720 --> 0:18:50.679
<v Speaker 2>it has came moving parts. I don't think he'd be

0:18:50.720 --> 0:18:54.679
<v Speaker 2>interested you come up with an idea that's got no

0:18:54.840 --> 0:19:00.800
<v Speaker 2>moving parts, He's going to pick that One's uh an analogy,

0:19:00.840 --> 0:19:04.440
<v Speaker 2>of course. But simplicity is what he's good at. And

0:19:04.720 --> 0:19:08.560
<v Speaker 2>I've had the pleasure of working for Mike twenty years

0:19:08.600 --> 0:19:11.440
<v Speaker 2>ago and today and in the twenty years proof that

0:19:11.600 --> 0:19:16.000
<v Speaker 2>in between. I've worked for so many incredibly smart people

0:19:16.720 --> 0:19:19.480
<v Speaker 2>around the world, some of the richest, some of the smartest,

0:19:19.600 --> 0:19:24.560
<v Speaker 2>some of the most celebrated, and none of them have

0:19:24.800 --> 0:19:30.120
<v Speaker 2>the raw simplicity of thought that Mike has. And that's

0:19:31.040 --> 0:19:33.760
<v Speaker 2>where I think his true genius is. It is just

0:19:33.880 --> 0:19:38.520
<v Speaker 2>really really he simplifies everything, and the simplicity of that

0:19:39.640 --> 0:19:44.560
<v Speaker 2>he how do I want to say, he forcibly. He

0:19:44.800 --> 0:19:47.359
<v Speaker 2>enforces it on those that work with them and for them,

0:19:49.160 --> 0:19:53.080
<v Speaker 2>and he brings out the very best in those people

0:19:53.119 --> 0:19:57.040
<v Speaker 2>because he forces them to come up with the easiest,

0:19:57.320 --> 0:20:03.879
<v Speaker 2>simplest solutions to every problem.

0:20:01.920 --> 0:20:05.200
<v Speaker 1>That makes a lot of sense. So you're currently working

0:20:05.480 --> 0:20:10.720
<v Speaker 1>on another Mike Kaiser project, sand Valley up in Wisconsin,

0:20:11.359 --> 0:20:16.520
<v Speaker 1>A you know, another kind of crazy unknown site. Sand

0:20:16.640 --> 0:20:19.960
<v Speaker 1>hills abound over this great piece of land in the

0:20:20.000 --> 0:20:22.639
<v Speaker 1>middle of nowhere, Wisconsin. Why don't you tell us a

0:20:22.720 --> 0:20:27.359
<v Speaker 1>little bit about what we can expect when the David

0:20:27.440 --> 0:20:29.000
<v Speaker 1>Kid course opens up there.

0:20:30.800 --> 0:20:33.399
<v Speaker 2>Well, the first thing is, you know, I said a

0:20:33.400 --> 0:20:36.120
<v Speaker 2>few times now that an Engines was the edge of nowhere,

0:20:36.520 --> 0:20:41.720
<v Speaker 2>and now Mike found the middle of nowhere in Rome, Wisconsin. Uh.

0:20:41.760 --> 0:20:45.159
<v Speaker 2>And it is shocking for those that visit for the

0:20:45.200 --> 0:20:51.719
<v Speaker 2>first time. You're driving through rural Wisconsin with flat dairy

0:20:51.840 --> 0:20:55.520
<v Speaker 2>lands on both sides and then maybe some timber and

0:20:55.560 --> 0:20:58.640
<v Speaker 2>in the middle of the state there's a few thousand

0:20:58.680 --> 0:21:02.480
<v Speaker 2>acres all san juans and they're not even elbows, they're

0:21:02.560 --> 0:21:06.440
<v Speaker 2>they're dunes. They're steep, they're sharp on one side, they're

0:21:06.520 --> 0:21:08.480
<v Speaker 2>soft on the other. Side. They look likely to be

0:21:08.560 --> 0:21:13.919
<v Speaker 2>on the Irish coast. That it's very, very surreal. And

0:21:14.000 --> 0:21:19.000
<v Speaker 2>the sand that's on them is white sugar sand. It's

0:21:19.080 --> 0:21:21.960
<v Speaker 2>the most unusual thing. It's not the same sand that

0:21:22.080 --> 0:21:27.560
<v Speaker 2>exists through the sand Velvet Nebraska that's very fine, gray

0:21:27.680 --> 0:21:33.119
<v Speaker 2>brown sand. This is white sugar sand. And then the

0:21:33.240 --> 0:21:38.240
<v Speaker 2>vegetation that grows there these think whispy sedge grasses and

0:21:39.359 --> 0:21:44.640
<v Speaker 2>prairie oaks and pines. I mean, it's it's amazing that

0:21:44.680 --> 0:21:47.760
<v Speaker 2>this exists at all, and I'm amazing yet that no

0:21:47.840 --> 0:21:52.200
<v Speaker 2>one built a doll course on it. As a student

0:21:52.280 --> 0:21:56.239
<v Speaker 2>of golf and golf course development over the last one

0:21:56.320 --> 0:21:58.760
<v Speaker 2>hundred and fifty years, we all look at the Augusta

0:21:58.880 --> 0:22:02.080
<v Speaker 2>Nationals or the Pine and we think, oh, wouldn't it

0:22:02.119 --> 0:22:04.199
<v Speaker 2>be great to find a site like that, But of

0:22:04.200 --> 0:22:06.359
<v Speaker 2>course they don't exist because these were all built on

0:22:06.359 --> 0:22:08.520
<v Speaker 2>one hundred years ago. That's why they don't exist. They're

0:22:08.520 --> 0:22:11.359
<v Speaker 2>aren't built on. And yet here we are, one hundred

0:22:11.400 --> 0:22:16.840
<v Speaker 2>and twenty years later about Mike Kayder stumbles right into

0:22:16.840 --> 0:22:19.119
<v Speaker 2>a few thousand acres in the middle of Wisconsin that

0:22:20.119 --> 0:22:22.520
<v Speaker 2>could have been built by Crump one hundred years ago.

0:22:24.840 --> 0:22:28.960
<v Speaker 1>So that course is going to be open for preview

0:22:29.000 --> 0:22:29.840
<v Speaker 1>play next year.

0:22:31.600 --> 0:22:35.800
<v Speaker 2>We have six holes on our course that are grafted,

0:22:36.440 --> 0:22:39.680
<v Speaker 2>the first and the second, and then the fifteenth, sixteen,

0:22:39.760 --> 0:22:42.760
<v Speaker 2>seventeen to eighteenth, So the very beginning and the very

0:22:42.880 --> 0:22:48.080
<v Speaker 2>end of the golf course is completely done grassed. People

0:22:48.119 --> 0:22:50.520
<v Speaker 2>were hitting golf balls around them at the end of

0:22:50.600 --> 0:22:55.400
<v Speaker 2>last year, and by this coming summer the Kaiders intend

0:22:55.440 --> 0:22:58.040
<v Speaker 2>to open those six holes for preview play the same

0:22:58.080 --> 0:23:01.919
<v Speaker 2>as they did with the cre Crenshaw course, and incrementally

0:23:02.000 --> 0:23:05.080
<v Speaker 2>through the summer six holes will lightly turn into nine

0:23:05.160 --> 0:23:07.680
<v Speaker 2>and name twelve, and by the end of the summer

0:23:09.240 --> 0:23:12.040
<v Speaker 2>maybe a few people mic and a few frames might

0:23:12.080 --> 0:23:15.119
<v Speaker 2>get to hit a ball around all eighteen, although it

0:23:15.119 --> 0:23:20.240
<v Speaker 2>will be extremely young at that point. The final fudels,

0:23:20.280 --> 0:23:24.119
<v Speaker 2>which are likely to be around pan eleven, twelve that

0:23:24.200 --> 0:23:29.199
<v Speaker 2>sort of area, and then twenty eighteen the start of

0:23:29.240 --> 0:23:32.640
<v Speaker 2>that season, the course WILLI open up to everyone.

0:23:33.680 --> 0:23:36.840
<v Speaker 1>So with a site like with a site like or

0:23:36.920 --> 0:23:39.960
<v Speaker 1>with a site like banded dunes or sand valley where

0:23:40.000 --> 0:23:44.359
<v Speaker 1>you have kind of an expansive landscape, what are the

0:23:44.520 --> 0:23:49.040
<v Speaker 1>challenges with a big, you know, land site versus where

0:23:49.040 --> 0:23:51.879
<v Speaker 1>you're kind of constricted and you may might have to

0:23:52.160 --> 0:23:55.320
<v Speaker 1>route around housing developments. How do those two different types

0:23:55.359 --> 0:23:58.520
<v Speaker 1>of projects like, what are some of the tough things

0:23:58.520 --> 0:23:59.320
<v Speaker 1>about each of those?

0:24:02.280 --> 0:24:06.439
<v Speaker 2>You know, Funnily enough, when you're giving no constraint, it

0:24:06.520 --> 0:24:09.000
<v Speaker 2>can have its own struggles. When when you're giving a

0:24:09.000 --> 0:24:13.160
<v Speaker 2>piece of land that's got no boundaries. You know, Michael Kaiser,

0:24:13.480 --> 0:24:16.920
<v Speaker 2>Mike's sun is the one that we that my team

0:24:16.960 --> 0:24:19.320
<v Speaker 2>deal with on a day to day basis, and and

0:24:19.440 --> 0:24:22.080
<v Speaker 2>he's really been the driving force of this project on

0:24:22.119 --> 0:24:26.040
<v Speaker 2>the ground, him and his brother Chris. You know, they

0:24:26.160 --> 0:24:28.840
<v Speaker 2>told us right from the beginning, you know, well, pick

0:24:28.920 --> 0:24:31.520
<v Speaker 2>any piece of land you want. You know, it's somewhere

0:24:31.680 --> 0:24:34.960
<v Speaker 2>proximate to the core crunch of course, any side you want, Well,

0:24:34.960 --> 0:24:37.080
<v Speaker 2>where are the boundaries? Well, we've got kind of a

0:24:37.119 --> 0:24:39.640
<v Speaker 2>deal with the existing landowner that you know, we can

0:24:39.680 --> 0:24:42.120
<v Speaker 2>buy up whatever we want. We've got options on it,

0:24:42.720 --> 0:24:47.320
<v Speaker 2>so that with no limitations. It becomes a real struggle

0:24:47.320 --> 0:24:50.480
<v Speaker 2>because you're spoilt with choices, You're you're not quite sure

0:24:50.520 --> 0:24:54.200
<v Speaker 2>where to go. And believe it or not, that can

0:24:55.240 --> 0:24:57.200
<v Speaker 2>you can end up like a deer in headlights where

0:24:57.240 --> 0:25:00.520
<v Speaker 2>you just don't know where to go. So what we

0:25:00.560 --> 0:25:04.480
<v Speaker 2>did is we knuckled down and we used a little

0:25:04.480 --> 0:25:08.639
<v Speaker 2>bit of technology to help us. Because the land mass

0:25:08.720 --> 0:25:13.920
<v Speaker 2>was so large, we looked at it on a much

0:25:14.040 --> 0:25:16.600
<v Speaker 2>larger scale, much larger than you could ever do on

0:25:16.640 --> 0:25:19.399
<v Speaker 2>the ground with your feet, and we looked at Google

0:25:19.440 --> 0:25:23.080
<v Speaker 2>Earth and aerial mapping, and we figured out where the

0:25:23.160 --> 0:25:28.480
<v Speaker 2>major landforms were. And we saw from the satellite photography

0:25:28.520 --> 0:25:32.760
<v Speaker 2>that there was a giant ridge slightly to the northeast

0:25:32.880 --> 0:25:36.080
<v Speaker 2>of the core Crenshaw Course. And this ridge V shaped

0:25:36.160 --> 0:25:40.720
<v Speaker 2>ridge that points effectively due east with the open end

0:25:40.720 --> 0:25:44.320
<v Speaker 2>of the due west, was pretty big. Each part of

0:25:44.320 --> 0:25:47.119
<v Speaker 2>the V about a mile long, ranging up to about

0:25:47.160 --> 0:25:52.560
<v Speaker 2>eighty feet high. You couldn't see it walking the ground.

0:25:52.440 --> 0:25:56.119
<v Speaker 2>You'd see a hill, but you wouldn't understand that this

0:25:56.320 --> 0:25:59.960
<v Speaker 2>was actually part of this giant landform. So we decided

0:26:00.040 --> 0:26:03.920
<v Speaker 2>that we would take this giant, imposing landform and see

0:26:03.920 --> 0:26:06.760
<v Speaker 2>if we could figure out how to root an eighteen

0:26:06.800 --> 0:26:08.800
<v Speaker 2>hole golf course around it. And that's when we got

0:26:08.800 --> 0:26:11.560
<v Speaker 2>out on the ground and we really started to hike,

0:26:12.400 --> 0:26:15.800
<v Speaker 2>and over a few weeks we hiked and hiked and

0:26:15.840 --> 0:26:18.679
<v Speaker 2>hiked and figured out how to get a golf course

0:26:18.720 --> 0:26:22.800
<v Speaker 2>around it and threw it and over it, and we

0:26:22.920 --> 0:26:25.240
<v Speaker 2>had the clubhouse at the head of the V, the

0:26:25.560 --> 0:26:28.520
<v Speaker 2>eastern end at the sharp point if you like, looking

0:26:28.600 --> 0:26:33.000
<v Speaker 2>back out the wide end of the V. And when

0:26:33.040 --> 0:26:36.800
<v Speaker 2>all was said and done and we won the bakeoff

0:26:36.880 --> 0:26:40.840
<v Speaker 2>that Mike ran between ourselves and Tom Doak and a

0:26:40.880 --> 0:26:43.720
<v Speaker 2>couple of others, he said, yeah, I like the plan.

0:26:43.800 --> 0:26:45.480
<v Speaker 2>I love all the holes. It's all great. That could

0:26:45.480 --> 0:26:47.479
<v Speaker 2>you flip the clubhouse to the other end of the

0:26:47.520 --> 0:26:49.760
<v Speaker 2>site and keep all the holes just the way they are?

0:26:50.560 --> 0:26:52.680
<v Speaker 2>And that's the kind of thing that Mike will do.

0:26:53.440 --> 0:26:53.639
<v Speaker 1>You know.

0:26:53.720 --> 0:26:58.960
<v Speaker 2>He changed the fundamental pore of our design by flipping

0:26:59.000 --> 0:27:01.480
<v Speaker 2>the clubhouse and then said, I don't want you to

0:27:01.480 --> 0:27:05.600
<v Speaker 2>redesign it. Figure out how to make it work. That

0:27:05.760 --> 0:27:06.960
<v Speaker 2>is no easy challenge.

0:27:07.040 --> 0:27:07.240
<v Speaker 1>You know.

0:27:07.280 --> 0:27:10.199
<v Speaker 2>I really like the car you designed. I really like

0:27:10.320 --> 0:27:12.800
<v Speaker 2>only to have three wheels. I want everything you gave me.

0:27:13.320 --> 0:27:16.800
<v Speaker 2>I want the sixteenth steering wheel on the same spot

0:27:16.880 --> 0:27:19.040
<v Speaker 2>everything you've given me. I'll just rather it only had

0:27:19.040 --> 0:27:24.320
<v Speaker 2>three wheels. That level of difficulty. But you know what,

0:27:24.600 --> 0:27:27.040
<v Speaker 2>he figures that we're smart people and we'll figure it out.

0:27:27.960 --> 0:27:31.120
<v Speaker 2>Sure enough, we figured it out. The holes are all

0:27:31.160 --> 0:27:34.200
<v Speaker 2>pretty much exactly where they were on the original plan.

0:27:35.000 --> 0:27:39.080
<v Speaker 2>The only thing that we really changed were the numbers.

0:27:38.760 --> 0:27:43.680
<v Speaker 1>So now and it's current routing. It goes out up

0:27:43.720 --> 0:27:48.280
<v Speaker 1>the landform, down the landform and back kind of that's correct.

0:27:48.880 --> 0:27:52.080
<v Speaker 2>Yeah. Now the clubhouse, which will actually be the main

0:27:52.119 --> 0:27:55.560
<v Speaker 2>clubhouse for the whole development, is on the western end

0:27:55.760 --> 0:27:58.720
<v Speaker 2>of this giant V, at the open end of the V,

0:28:00.040 --> 0:28:03.600
<v Speaker 2>basically at the I haven't thought of this before, but

0:28:03.640 --> 0:28:07.919
<v Speaker 2>the clubhouse is really at the the stock end of

0:28:07.920 --> 0:28:11.920
<v Speaker 2>the arrow and you're looking down the arrow.

0:28:13.480 --> 0:28:17.879
<v Speaker 1>That's cool. So that's that's I mean, it's got to

0:28:17.920 --> 0:28:20.840
<v Speaker 1>be kind of a crazy thing to have all that

0:28:20.960 --> 0:28:23.280
<v Speaker 1>land and just have to figure it out, do you

0:28:23.680 --> 0:28:26.000
<v Speaker 1>So when you found that landform, is it? Then? Do

0:28:26.040 --> 0:28:28.840
<v Speaker 1>you work from the greens back? Or how did you know?

0:28:28.880 --> 0:28:32.159
<v Speaker 1>I've I've read, you know, different architects route holes and

0:28:32.280 --> 0:28:36.000
<v Speaker 1>courses different ways. How how did you kind of go

0:28:36.119 --> 0:28:38.120
<v Speaker 1>about laying out the holes?

0:28:40.200 --> 0:28:45.280
<v Speaker 2>You know? For me, it's more about laying out the circulation.

0:28:45.480 --> 0:28:48.240
<v Speaker 2>The rooting, if you will. You know, people think about

0:28:48.360 --> 0:28:51.560
<v Speaker 2>rooting and they immediately think about par three, Par four,

0:28:51.600 --> 0:28:55.160
<v Speaker 2>Part five. I would prefer to think about rooting as

0:28:55.240 --> 0:29:00.120
<v Speaker 2>just a thrade, a pathway, if you will, through a landscape.

0:29:00.680 --> 0:29:02.960
<v Speaker 2>You know, how are we going to circulate our way

0:29:03.000 --> 0:29:07.360
<v Speaker 2>around this in a pleasing fashion? And we know that

0:29:07.440 --> 0:29:11.200
<v Speaker 2>along the route of this wonderful walk there are some

0:29:11.440 --> 0:29:14.280
<v Speaker 2>very obvious green and tea sites. But the first thing

0:29:14.320 --> 0:29:19.760
<v Speaker 2>to do is to get this flowing path, if you like,

0:29:20.000 --> 0:29:23.600
<v Speaker 2>around the piece of land. And because without that we

0:29:23.720 --> 0:29:26.680
<v Speaker 2>might fall in love with half a dozen green sites

0:29:26.720 --> 0:29:29.560
<v Speaker 2>but not be able to connect them together. So you

0:29:29.640 --> 0:29:31.880
<v Speaker 2>really need to be able to come up with a

0:29:32.080 --> 0:29:36.240
<v Speaker 2>thread through the site. And then from there, you know, well,

0:29:36.320 --> 0:29:38.000
<v Speaker 2>you know, I know I've got that green or this

0:29:38.120 --> 0:29:41.040
<v Speaker 2>set sees that I really want to get included. That's

0:29:41.080 --> 0:29:44.080
<v Speaker 2>why the thread goes the way it does. But is

0:29:44.120 --> 0:29:47.280
<v Speaker 2>that green site apart three or a part five? You know,

0:29:47.480 --> 0:29:50.520
<v Speaker 2>that's going to figure itself out as you start to

0:29:50.600 --> 0:29:55.360
<v Speaker 2>add flesh onto that skeleton other routing, and so that's

0:29:55.360 --> 0:29:57.959
<v Speaker 2>what we end up doing. And to be honest, working

0:29:57.960 --> 0:30:01.040
<v Speaker 2>with Mike, he's so in tune with that process that

0:30:01.680 --> 0:30:05.600
<v Speaker 2>even now after having built six holes in shaped another six,

0:30:06.680 --> 0:30:10.680
<v Speaker 2>there are individual holes on that thread of a layout

0:30:11.040 --> 0:30:13.560
<v Speaker 2>that we still don't fully know are going to be

0:30:14.280 --> 0:30:16.720
<v Speaker 2>what we initially thought there are par fours that might

0:30:16.960 --> 0:30:20.000
<v Speaker 2>might end up with par five and vice versa, because

0:30:20.040 --> 0:30:23.840
<v Speaker 2>we still haven't quite decided what the best sequence will

0:30:23.880 --> 0:30:26.959
<v Speaker 2>be where we're still making those little adjustments. And I

0:30:26.960 --> 0:30:30.480
<v Speaker 2>can I know for a fact that that's exactly the

0:30:30.480 --> 0:30:33.680
<v Speaker 2>way that core cren Shall work, and I'm sure Tom

0:30:33.720 --> 0:30:36.000
<v Speaker 2>don't work the same way, and a few others that

0:30:36.120 --> 0:30:40.240
<v Speaker 2>they're constantly looking for improvement in their design all the

0:30:40.320 --> 0:30:44.360
<v Speaker 2>way until the design is truly built. They're willing to

0:30:44.480 --> 0:30:47.520
<v Speaker 2>change things right up to the last minute. And I

0:30:47.560 --> 0:30:51.640
<v Speaker 2>guess that's where the core crux of change comes. When

0:30:51.640 --> 0:30:55.240
<v Speaker 2>you're working on projects that are more defined, when you're

0:30:55.280 --> 0:30:59.160
<v Speaker 2>doing mass engineering projects and housing developments, you know that

0:30:59.280 --> 0:31:03.760
<v Speaker 2>your ability to work on the fly gets reduced and reduced.

0:31:03.760 --> 0:31:07.760
<v Speaker 2>I mean, we try hard to maintain as much flexibility

0:31:07.800 --> 0:31:11.560
<v Speaker 2>as we can, but as the projects get more complex,

0:31:12.280 --> 0:31:17.080
<v Speaker 2>engineering wise, cost wise, your ability to do things on

0:31:17.120 --> 0:31:18.200
<v Speaker 2>the fly reduces.

0:31:18.520 --> 0:31:21.640
<v Speaker 1>So with the design process, what are some of your

0:31:21.720 --> 0:31:24.120
<v Speaker 1>favorite and least favorite aspects of it?

0:31:27.680 --> 0:31:31.960
<v Speaker 2>The most fun part of it is the shaping. You know,

0:31:32.000 --> 0:31:36.920
<v Speaker 2>when you're taking the bones of whatever drawings were done

0:31:36.920 --> 0:31:39.680
<v Speaker 2>and you're actually putting them down in the dirt for

0:31:39.720 --> 0:31:44.760
<v Speaker 2>the first time in their rawest form, there's no drainage irrigation,

0:31:44.800 --> 0:31:48.280
<v Speaker 2>and yet there's all you've really done is clearance and

0:31:48.320 --> 0:31:52.000
<v Speaker 2>you're roughing it in with big dozers. That's probably the

0:31:52.040 --> 0:31:57.360
<v Speaker 2>most fun because it's highly creative and there's no such

0:31:57.440 --> 0:32:01.240
<v Speaker 2>thing as as as wrong. There's there's a lot of

0:32:02.840 --> 0:32:04.960
<v Speaker 2>things that you might want to do differently, or things

0:32:04.960 --> 0:32:06.920
<v Speaker 2>that you might want to add in that are challenging,

0:32:07.000 --> 0:32:09.600
<v Speaker 2>but there's nothing wrong at that point. Where when it

0:32:09.640 --> 0:32:12.320
<v Speaker 2>gets down to draine and irrigation and graph and things

0:32:12.320 --> 0:32:16.080
<v Speaker 2>that you know becomes more technical and again you're less

0:32:16.120 --> 0:32:20.760
<v Speaker 2>able to change at those points. The mass shaping operation

0:32:20.920 --> 0:32:25.480
<v Speaker 2>is where the most creativity and the most changes can happen.

0:32:26.680 --> 0:32:30.360
<v Speaker 1>That that shaping area is kind of where you know

0:32:30.440 --> 0:32:33.440
<v Speaker 1>this you can make it look natural with that with

0:32:33.520 --> 0:32:36.560
<v Speaker 1>it being man made or correct with the right kind

0:32:36.600 --> 0:32:40.080
<v Speaker 1>of ter All right, yeah, you.

0:32:40.080 --> 0:32:43.280
<v Speaker 2>Can, and you can. You can do all. There are

0:32:43.400 --> 0:32:48.800
<v Speaker 2>so many tricks to that that are very difficult that

0:32:48.800 --> 0:32:54.440
<v Speaker 2>that's where the real skill lays is that a relationship

0:32:54.480 --> 0:32:58.480
<v Speaker 2>between the design guys, the shaping guys, even down into

0:32:58.520 --> 0:33:04.880
<v Speaker 2>the maintenance guys to make that shaping speak to the player,

0:33:05.480 --> 0:33:08.240
<v Speaker 2>so that they feel something, so that they get that

0:33:08.440 --> 0:33:13.880
<v Speaker 2>sense of whatever it is you're after, excitement, trepidation, thrill,

0:33:14.880 --> 0:33:19.440
<v Speaker 2>hopefully all of it, memorability. It all comes at that.

0:33:19.440 --> 0:33:23.200
<v Speaker 2>That's the core stage right there, that nothing else before

0:33:23.320 --> 0:33:25.560
<v Speaker 2>or after can make such a massive difference.

0:33:27.160 --> 0:33:31.960
<v Speaker 1>So, and what's the aspect of your job that you'd

0:33:31.960 --> 0:33:34.520
<v Speaker 1>be happy if you never had to do again? Not

0:33:34.560 --> 0:33:35.800
<v Speaker 1>saying you dislike it, but.

0:33:40.600 --> 0:33:45.160
<v Speaker 2>That's challenging. I love all of it? Which part do

0:33:45.200 --> 0:33:52.080
<v Speaker 2>I like the least? The administration part is not that

0:33:52.160 --> 0:33:55.560
<v Speaker 2>much fun. I try and have people really really good

0:33:55.560 --> 0:33:57.280
<v Speaker 2>at doing that stuff so I don't have to do

0:33:57.320 --> 0:34:02.680
<v Speaker 2>a whole lot of it because that stuff is challenging.

0:34:03.120 --> 0:34:07.280
<v Speaker 2>And in the world we live in there's lots of bureaucracy, yes,

0:34:08.239 --> 0:34:14.920
<v Speaker 2>twip requirements, USHA requirements, contractor licensed requirements, insurance requirements, on

0:34:15.120 --> 0:34:16.440
<v Speaker 2>and on and on and on.

0:34:19.200 --> 0:34:23.440
<v Speaker 1>So with you being kind of of the minimalist school

0:34:23.480 --> 0:34:28.040
<v Speaker 1>of design and natural you know design, how do you

0:34:28.200 --> 0:34:34.160
<v Speaker 1>view a place like Shadow Creek in Nevada, where everything

0:34:34.280 --> 0:34:36.840
<v Speaker 1>is manufactured and you know it gets a claim for

0:34:37.040 --> 0:34:40.520
<v Speaker 1>how much earth they moved, and the incredibleness of how

0:34:40.680 --> 0:34:43.760
<v Speaker 1>lush it is, how do you view courses like that

0:34:44.000 --> 0:34:48.120
<v Speaker 1>when you compare them to say, Bandon Dunes, I.

0:34:49.880 --> 0:34:53.680
<v Speaker 2>There are two different things, you know, they're different. Genres No.

0:34:54.600 --> 0:34:59.160
<v Speaker 2>When you say minimalist, you know, I think sometimes that

0:34:59.239 --> 0:35:02.799
<v Speaker 2>does at service to what we're really doing. I mean,

0:35:04.520 --> 0:35:07.920
<v Speaker 2>how much minimalism is there. Sometimes there's probably less than

0:35:07.960 --> 0:35:11.919
<v Speaker 2>you think. But when we're done those that you would

0:35:11.960 --> 0:35:14.879
<v Speaker 2>put in that camp, you would think that we did

0:35:15.000 --> 0:35:18.400
<v Speaker 2>almost nothing. Where it's very difficult for Tom Fazio to

0:35:18.520 --> 0:35:20.680
<v Speaker 2>try and make you think he did very little. When

0:35:20.719 --> 0:35:22.839
<v Speaker 2>you drive in the gates at Shadow Creek and you're

0:35:22.880 --> 0:35:25.560
<v Speaker 2>out in the flat Navada desert and then you find

0:35:25.600 --> 0:35:29.240
<v Speaker 2>yourselves in yourself in the foothill put over the rockies.

0:35:31.280 --> 0:35:34.719
<v Speaker 2>I've played Shadow Creek and I thought it was absolutely incredible.

0:35:34.760 --> 0:35:39.680
<v Speaker 2>I mean, an absolutely incredible example of the skill set

0:35:39.840 --> 0:35:45.239
<v Speaker 2>that exists in the golf business. I mean, it's unbelievable.

0:35:46.680 --> 0:35:50.520
<v Speaker 2>You can get into all sorts of debates about whether

0:35:50.560 --> 0:35:52.719
<v Speaker 2>that whether someone likes it or not, or whether it's

0:35:52.760 --> 0:35:59.520
<v Speaker 2>sustainable or not. But I don't think any golfer would

0:35:59.560 --> 0:36:02.439
<v Speaker 2>ever play Shadow Creek and say, well, I just thought

0:36:02.440 --> 0:36:04.920
<v Speaker 2>that was crap, you know, I thought it was terrible.

0:36:04.960 --> 0:36:07.160
<v Speaker 2>I think they don't play it and say that was

0:36:07.400 --> 0:36:10.359
<v Speaker 2>that's incredible. It's not for me. I want to play

0:36:10.360 --> 0:36:15.480
<v Speaker 2>something that's real like that. But I played it and

0:36:15.520 --> 0:36:18.520
<v Speaker 2>thought it was wonderful, and I'd play again tomorrow, especially

0:36:18.560 --> 0:36:19.279
<v Speaker 2>it's snowing here.

0:36:21.239 --> 0:36:26.560
<v Speaker 1>Yeah. So you know, in terms of your influences, who

0:36:26.600 --> 0:36:30.560
<v Speaker 1>are some architects of you know, the Golden Age and

0:36:30.760 --> 0:36:34.560
<v Speaker 1>past and even present that you really look to kind

0:36:34.560 --> 0:36:36.880
<v Speaker 1>of as some of your influences.

0:36:38.520 --> 0:36:41.960
<v Speaker 4>Well, I get tired of reading how my peers are

0:36:41.960 --> 0:36:48.359
<v Speaker 4>influenced by the Golden Age architects, because the Golden Age

0:36:48.480 --> 0:36:49.880
<v Speaker 4>architects were.

0:36:49.719 --> 0:36:54.640
<v Speaker 2>The guys that came after the architects that influenced me.

0:36:55.160 --> 0:36:57.399
<v Speaker 2>Because none of those guys, or very few of them,

0:36:57.400 --> 0:37:00.960
<v Speaker 2>ever worked in the United Kingdom. So my childhood was

0:37:01.000 --> 0:37:04.360
<v Speaker 2>spent around courses done by old Tom Morris and James

0:37:04.360 --> 0:37:09.000
<v Speaker 2>Braid and Colt Varden and Taylor and you know all

0:37:09.000 --> 0:37:12.600
<v Speaker 2>that kind of stuff. You know, it wasn't McKenzie or McDonald.

0:37:13.880 --> 0:37:19.720
<v Speaker 2>So those courses have obviously influenced me in my early

0:37:20.040 --> 0:37:22.920
<v Speaker 2>or middle career if you like, now that I live

0:37:22.920 --> 0:37:26.160
<v Speaker 2>in the US, But my early influences were not those

0:37:26.239 --> 0:37:30.160
<v Speaker 2>They were you know, mostly Old Tom Morris and James Braid.

0:37:30.200 --> 0:37:32.360
<v Speaker 2>Those were the courses I hung out on on Eagles

0:37:32.880 --> 0:37:35.920
<v Speaker 2>and the old Macrahanish course on the west coast of

0:37:35.920 --> 0:37:41.680
<v Speaker 2>Scotland turn Braid Braid again, those are the courses I

0:37:41.760 --> 0:37:44.080
<v Speaker 2>hung out on, and they fit in the model of

0:37:44.120 --> 0:37:48.600
<v Speaker 2>what came after very well. They didn't move much dirt,

0:37:48.640 --> 0:37:52.040
<v Speaker 2>they worked on great sites and they put a premium

0:37:52.120 --> 0:37:54.920
<v Speaker 2>on golf course architecture strategy.

0:37:56.920 --> 0:37:59.719
<v Speaker 1>Well, it's interesting because you know, a lot of the

0:37:59.760 --> 0:38:03.200
<v Speaker 1>great you know, the Mackenzie's and the you know, Donald

0:38:03.239 --> 0:38:08.960
<v Speaker 1>Ross's and the cb McDonald's, learned from old Tom Morris.

0:38:09.320 --> 0:38:12.600
<v Speaker 1>So you growing up and playing brave courses and old

0:38:12.600 --> 0:38:14.919
<v Speaker 1>Tom Morris is kind of like going through the same

0:38:15.040 --> 0:38:17.000
<v Speaker 1>education they did back in their day.

0:38:18.040 --> 0:38:20.880
<v Speaker 2>I would like to think. So that would be good. So,

0:38:21.200 --> 0:38:27.160
<v Speaker 2>and currently we live in an absolutely fantastic time. I

0:38:27.200 --> 0:38:31.879
<v Speaker 2>wonder if you know, the past generation of designers could

0:38:31.880 --> 0:38:34.800
<v Speaker 2>truly have said the same thing in the eighties and

0:38:34.880 --> 0:38:37.600
<v Speaker 2>nineties compared to what we live in today. You know,

0:38:37.760 --> 0:38:42.480
<v Speaker 2>since the mid nineties, you know, we live in a

0:38:42.560 --> 0:38:46.920
<v Speaker 2>time where golf courses have become golf courses again, a

0:38:47.000 --> 0:38:59.040
<v Speaker 2>premium on walkability, naturalism, shop making strategy, raw beauty, simplicity

0:38:59.120 --> 0:39:04.239
<v Speaker 2>in the grassing, sustainability. You know, these things all exist today.

0:39:04.239 --> 0:39:08.480
<v Speaker 2>It didn't exist in the late eighties, early nineties. They

0:39:08.520 --> 0:39:12.359
<v Speaker 2>were trumped up gardens. You know, it was all waterfalls

0:39:12.400 --> 0:39:17.200
<v Speaker 2>and bluegrass and you know, there were things that looked

0:39:17.200 --> 0:39:21.719
<v Speaker 2>pretty on a plan to sail real estate by the billions. Now,

0:39:22.080 --> 0:39:25.479
<v Speaker 2>so many golf courses have been built for golf's sake,

0:39:27.320 --> 0:39:31.240
<v Speaker 2>and that's a great thing. You know that my peers,

0:39:31.360 --> 0:39:36.720
<v Speaker 2>my competitors today are the strongest group, I would argue

0:39:37.160 --> 0:39:39.960
<v Speaker 2>since the Golden Age.

0:39:40.320 --> 0:39:44.000
<v Speaker 1>So if you were building a course and you couldn't

0:39:44.280 --> 0:39:48.560
<v Speaker 1>pick yourself to do the project, who would you pick?

0:39:49.640 --> 0:39:53.880
<v Speaker 1>And then who? And then also name one you know,

0:39:54.160 --> 0:39:57.520
<v Speaker 1>kind of up and coming young architect that nobody, you know,

0:39:57.600 --> 0:39:58.719
<v Speaker 1>we may never have heard of.

0:40:02.560 --> 0:40:07.640
<v Speaker 2>Well, that's a tough one. If I couldn't pick me,

0:40:09.719 --> 0:40:12.040
<v Speaker 2>I think a lot of it is. You know, you'd

0:40:12.080 --> 0:40:15.080
<v Speaker 2>have to see the reaction of that particular designer. You know,

0:40:15.120 --> 0:40:17.680
<v Speaker 2>you'd bring them out to your site and you'd see

0:40:18.239 --> 0:40:20.400
<v Speaker 2>how they reacted, you know, and that's going to be

0:40:20.440 --> 0:40:25.239
<v Speaker 2>a product of their experience and their current position in

0:40:25.800 --> 0:40:29.880
<v Speaker 2>the world, in their career. You know, if they're super

0:40:29.880 --> 0:40:32.359
<v Speaker 2>hot and super busy and there is a site that

0:40:32.400 --> 0:40:35.520
<v Speaker 2>they like but don't love, that that vibe is going

0:40:35.600 --> 0:40:39.040
<v Speaker 2>to come off. And yet the opposite would be true.

0:40:39.360 --> 0:40:42.760
<v Speaker 2>You know, they're full of passion and not that busy

0:40:42.800 --> 0:40:46.400
<v Speaker 2>and desperate to pour every ounce of their heart and

0:40:46.440 --> 0:40:49.399
<v Speaker 2>soul into something. You know that ViBe's going to come off.

0:40:50.520 --> 0:40:53.600
<v Speaker 2>Who would I pick if I couldn't pick me, Well,

0:40:54.560 --> 0:40:57.080
<v Speaker 2>I hate to be further biased. I'd pick one of

0:40:57.080 --> 0:40:59.160
<v Speaker 2>the two guys that has been working with me for

0:40:59.200 --> 0:41:02.319
<v Speaker 2>the last ten years, because one day they will be

0:41:02.719 --> 0:41:06.560
<v Speaker 2>the guys out there doing it and I'll be sitting

0:41:06.560 --> 0:41:09.680
<v Speaker 2>in my armchair and at fifty later this year, that

0:41:09.800 --> 0:41:12.960
<v Speaker 2>might not be you know, that's not forever. That's ten

0:41:13.040 --> 0:41:17.880
<v Speaker 2>years away, twenty years away, and that probably exists for

0:41:17.880 --> 0:41:20.520
<v Speaker 2>a few of those guys. You know, whether it's Tom

0:41:20.600 --> 0:41:25.600
<v Speaker 2>Doak's collaborators over the last twenty years or Bill Kurr's collaborators.

0:41:25.360 --> 0:41:30.160
<v Speaker 2>The next crop of enthusiastic young designers is right there.

0:41:30.200 --> 0:41:31.399
<v Speaker 2>You just don't know their names yet.

0:41:32.719 --> 0:41:36.080
<v Speaker 1>Yeah, definitely, one of your guys, Casey has been helping

0:41:36.160 --> 0:41:40.000
<v Speaker 1>us out with our ass that ask an architect series

0:41:40.080 --> 0:41:42.399
<v Speaker 1>and just seems like a really bright guy.

0:41:44.280 --> 0:41:47.480
<v Speaker 2>Yeah. Well, Nick Sean, who's also been with me for

0:41:47.520 --> 0:41:49.560
<v Speaker 2>ten years, he did he and I did all the

0:41:49.640 --> 0:41:52.680
<v Speaker 2>rooting work at Sand Valley, And it was Nick and

0:41:52.719 --> 0:41:55.719
<v Speaker 2>I that were the two guys that did all the

0:41:55.760 --> 0:41:58.040
<v Speaker 2>work to get to that bake off that Mike ran,

0:41:58.560 --> 0:42:01.400
<v Speaker 2>and then once we got to instruction, Casey has been

0:42:01.440 --> 0:42:04.319
<v Speaker 2>the guy on the ground taking that initial vision and

0:42:04.360 --> 0:42:09.360
<v Speaker 2>making it a reality. So it's a team effort. Although

0:42:09.400 --> 0:42:13.040
<v Speaker 2>I get to play the band leader, I'm certainly not

0:42:13.080 --> 0:42:14.560
<v Speaker 2>playing all the instruments on my own.

0:42:15.600 --> 0:42:18.879
<v Speaker 1>So we talked with Keith reb who does a lot

0:42:18.920 --> 0:42:22.759
<v Speaker 1>of shaping for Core and Crenshaw, and he he said that,

0:42:22.960 --> 0:42:25.440
<v Speaker 1>you know, those guys have a pretty hands off approach

0:42:25.600 --> 0:42:28.359
<v Speaker 1>when it comes to their associates, where you know, if

0:42:28.400 --> 0:42:31.279
<v Speaker 1>he sees something at the site and he's on the

0:42:31.320 --> 0:42:34.239
<v Speaker 1>dozer shaping it, they let him kind of just rip

0:42:34.320 --> 0:42:37.359
<v Speaker 1>and say, you know, have your freedoms. Are you kind

0:42:37.360 --> 0:42:39.440
<v Speaker 1>of that same way with a little bit of hands

0:42:39.440 --> 0:42:41.440
<v Speaker 1>off and you know, trusting your people.

0:42:44.719 --> 0:42:48.279
<v Speaker 2>I don't think so. I think we're more hands on.

0:42:48.840 --> 0:42:52.719
<v Speaker 2>You know, I think that from a shaping perspective, we

0:42:52.840 --> 0:42:57.359
<v Speaker 2>certainly want shapers that are willing to collaborate with us

0:42:57.600 --> 0:43:03.840
<v Speaker 2>and be involved in the process. But I don't think

0:43:04.080 --> 0:43:07.920
<v Speaker 2>very often we're saying to our shaping guys, just go

0:43:07.960 --> 0:43:10.960
<v Speaker 2>ahead and give me something, where that's not usually how

0:43:11.000 --> 0:43:16.960
<v Speaker 2>it's working. We're usually giving them some kind of speer

0:43:18.360 --> 0:43:21.880
<v Speaker 2>on where to start, and then we're manipulating that process

0:43:21.920 --> 0:43:25.440
<v Speaker 2>all the way through to the end. You know, A

0:43:25.480 --> 0:43:29.239
<v Speaker 2>big difference would be when Bill and Ben, you know,

0:43:30.080 --> 0:43:33.719
<v Speaker 2>their shapers are really a key core part of their

0:43:33.719 --> 0:43:41.120
<v Speaker 2>design staff. They effectively have their design staff driving the dosers.

0:43:44.719 --> 0:43:50.160
<v Speaker 2>Slightly differently, our design staff are in the field managing

0:43:50.200 --> 0:43:54.680
<v Speaker 2>those dozers, and those shapers are I don't want to

0:43:55.239 --> 0:43:59.480
<v Speaker 2>downplay that they're into it. It's huge, but we're not

0:43:59.680 --> 0:44:04.080
<v Speaker 2>that saying Okay, you know, go ahead and build me

0:44:04.160 --> 0:44:06.360
<v Speaker 2>something you think is cool and I'll be back next week.

0:44:06.719 --> 0:44:09.879
<v Speaker 2>We're usually saying, you know, cut that down and push

0:44:09.960 --> 0:44:11.959
<v Speaker 2>that over there. I'll be back in an hour or two.

0:44:13.520 --> 0:44:18.799
<v Speaker 1>So something I'm curious about with the architecture industry is,

0:44:19.000 --> 0:44:21.440
<v Speaker 1>you know, so I think you probably can speak to

0:44:21.480 --> 0:44:24.400
<v Speaker 1>this as you're young and you're hungry and you finally

0:44:24.440 --> 0:44:27.279
<v Speaker 1>get that first job and say yours was, you know,

0:44:27.320 --> 0:44:29.920
<v Speaker 1>your big job was banned in dunes, and then all

0:44:29.920 --> 0:44:32.160
<v Speaker 1>of a sudden, you're, you know, the hottest name in

0:44:32.320 --> 0:44:35.239
<v Speaker 1>architecture and you've got more jobs flying at you than

0:44:35.320 --> 0:44:37.840
<v Speaker 1>you can handle it. Like, how tough is that to

0:44:37.960 --> 0:44:38.560
<v Speaker 1>adjust to?

0:44:40.640 --> 0:44:44.000
<v Speaker 2>Very very tough, very tough. I look back at, you know,

0:44:44.120 --> 0:44:48.839
<v Speaker 2>my early thirties and realize, you know, how tough that

0:44:48.920 --> 0:44:51.040
<v Speaker 2>really was, although I didn't see it at the time.

0:44:51.440 --> 0:44:54.280
<v Speaker 2>You know, in any other industry, I would have had

0:44:54.400 --> 0:44:57.640
<v Speaker 2>a support network to help work through that, to make

0:44:57.680 --> 0:45:00.879
<v Speaker 2>the best choices, to be surrounded by the best, most

0:45:00.920 --> 0:45:05.120
<v Speaker 2>supportive people. But because it's not really an industry, because

0:45:05.120 --> 0:45:09.719
<v Speaker 2>it's you know, like a hobby gone mad. When that happens,

0:45:09.960 --> 0:45:11.480
<v Speaker 2>you know, you're kind of on your own. At least

0:45:11.520 --> 0:45:14.400
<v Speaker 2>I was, you know, I was an immigrant into the

0:45:14.480 --> 0:45:20.400
<v Speaker 2>US with no you know, support group, and suddenly, you know,

0:45:20.440 --> 0:45:22.600
<v Speaker 2>I have this success on my hands and I'm being

0:45:22.640 --> 0:45:27.200
<v Speaker 2>offered projects and you you don't. Really it was a

0:45:27.280 --> 0:45:30.200
<v Speaker 2>difficult thing to looking back at. It was one of

0:45:30.200 --> 0:45:34.680
<v Speaker 2>those certainly a first world problem, but you know, what

0:45:34.960 --> 0:45:37.480
<v Speaker 2>to do? What would be the best choices be? Who

0:45:37.520 --> 0:45:40.200
<v Speaker 2>am I talking to? Are these people good or bad?

0:45:40.400 --> 0:45:44.360
<v Speaker 2>You know, and I don't think I'd changed much, but

0:45:44.400 --> 0:45:46.960
<v Speaker 2>I've changed a few things.

0:45:47.560 --> 0:45:49.520
<v Speaker 1>What it would be a couple of things that you've

0:45:49.600 --> 0:45:51.879
<v Speaker 1>changed would have changed.

0:45:53.880 --> 0:46:00.440
<v Speaker 2>I you know, the the quantity of work is regularly

0:46:00.520 --> 0:46:04.160
<v Speaker 2>related to the quality. And when you're when you're too busy,

0:46:04.719 --> 0:46:07.759
<v Speaker 2>you know, you spread yourself too thin, and that has

0:46:07.800 --> 0:46:13.560
<v Speaker 2>its obvious drawbacks. And at times, through my twenty years

0:46:13.600 --> 0:46:16.560
<v Speaker 2>since bending GM's, you know, there are times when you're

0:46:16.640 --> 0:46:19.800
<v Speaker 2>just too thin on the ground. And in hindsight, it

0:46:19.840 --> 0:46:21.879
<v Speaker 2>would have been it would be easy to say, well,

0:46:21.920 --> 0:46:25.480
<v Speaker 2>I'll do this and this and not that that. And

0:46:26.160 --> 0:46:29.319
<v Speaker 2>you know, I'm hopeful that with twenty years of experience,

0:46:29.800 --> 0:46:32.880
<v Speaker 2>hopefully at the very highest level, I can give that

0:46:33.000 --> 0:46:38.200
<v Speaker 2>experience to my small crew and past that experience and

0:46:38.320 --> 0:46:41.560
<v Speaker 2>knowledge on so that they're vector equipped as they move

0:46:41.640 --> 0:46:44.240
<v Speaker 2>forward in their careers.

0:46:44.040 --> 0:46:46.880
<v Speaker 1>It's it's interesting. I think a lot of what you

0:46:46.920 --> 0:46:50.040
<v Speaker 1>said goes to like writing. I see, where when I'm

0:46:50.080 --> 0:46:52.759
<v Speaker 1>trying to write a ton of content, you know, it

0:46:53.320 --> 0:46:57.560
<v Speaker 1>doesn't get as good. You know, if I take my

0:46:57.680 --> 0:47:00.000
<v Speaker 1>time and really put you know, a lot of time

0:47:00.080 --> 0:47:02.399
<v Speaker 1>I'm into a piece, it's always going to turn out

0:47:02.440 --> 0:47:04.919
<v Speaker 1>better than when I'm trying to write three things at once.

0:47:05.520 --> 0:47:08.440
<v Speaker 1>And I think it's true with almost anything in life.

0:47:10.560 --> 0:47:13.239
<v Speaker 2>It is, and the only way you can deal with

0:47:13.280 --> 0:47:18.279
<v Speaker 2>it is some sort of self limiting mechanisms. And if

0:47:18.320 --> 0:47:21.800
<v Speaker 2>you can put some self limiting mechanisms in, then things

0:47:21.840 --> 0:47:25.600
<v Speaker 2>get easier better. You know. I at one point I

0:47:25.600 --> 0:47:27.600
<v Speaker 2>had two offices, one in the US and one in

0:47:27.680 --> 0:47:31.040
<v Speaker 2>the UP. That was not a self limiting mechanism. That

0:47:31.320 --> 0:47:37.600
<v Speaker 2>just made for more and you know, I deemed success

0:47:37.760 --> 0:47:42.759
<v Speaker 2>as quantity, not quality, and so I did that for

0:47:42.760 --> 0:47:45.040
<v Speaker 2>a few years and then closed the office that we

0:47:45.120 --> 0:47:48.440
<v Speaker 2>had in London, and that made life a lot easier.

0:47:48.560 --> 0:47:52.040
<v Speaker 2>And when I was doing less, spending more time on things.

0:47:55.560 --> 0:47:58.680
<v Speaker 2>I have a daughter, and I when she was young,

0:47:58.760 --> 0:48:00.960
<v Speaker 2>I made a commitment to to be home as much

0:48:01.000 --> 0:48:04.239
<v Speaker 2>as I could, certainly on a sort of every other

0:48:04.280 --> 0:48:06.319
<v Speaker 2>week end basis, at least I would be at all.

0:48:06.840 --> 0:48:09.920
<v Speaker 2>So that sort of limited my ability to go chase

0:48:10.000 --> 0:48:13.960
<v Speaker 2>jobs in China or you know, far flung places in

0:48:13.960 --> 0:48:18.160
<v Speaker 2>the world. So that became a self limiting mechanism. So

0:48:18.680 --> 0:48:21.440
<v Speaker 2>by putting a few of these in my own way,

0:48:22.600 --> 0:48:25.319
<v Speaker 2>they started to hone down the number of things that

0:48:25.360 --> 0:48:27.799
<v Speaker 2>I could take on and so by doing so, the

0:48:27.880 --> 0:48:28.840
<v Speaker 2>quality increases.

0:48:29.760 --> 0:48:32.480
<v Speaker 1>Yeah, what would you say, is you know, I'm curious

0:48:32.520 --> 0:48:35.600
<v Speaker 1>that is the ideal number of projects that you'd have

0:48:36.120 --> 0:48:36.919
<v Speaker 1>in a given year.

0:48:38.440 --> 0:48:40.319
<v Speaker 2>Well, my answer to that question is always the same,

0:48:40.360 --> 0:48:44.760
<v Speaker 2>that you need at least one, otherwise it gets really hungry.

0:48:45.040 --> 0:48:49.319
<v Speaker 2>So you need one. I would say probably three. You know,

0:48:49.520 --> 0:48:52.359
<v Speaker 2>if you've got three projects all at the same time,

0:48:53.000 --> 0:48:55.840
<v Speaker 2>chances are one of them is just starting, one of

0:48:55.880 --> 0:48:58.160
<v Speaker 2>them's midway through, one of them is coming to an end,

0:48:58.200 --> 0:49:00.880
<v Speaker 2>and you've got your eyeball on the next one to

0:49:00.960 --> 0:49:04.200
<v Speaker 2>add to the chain. So I would say of three

0:49:04.360 --> 0:49:07.479
<v Speaker 2>is the maximum capacity that at least my firm could

0:49:07.520 --> 0:49:12.160
<v Speaker 2>cope with that are active in construction at any one time.

0:49:12.239 --> 0:49:15.120
<v Speaker 2>We could be working on a dozen that are on

0:49:15.200 --> 0:49:18.280
<v Speaker 2>the drawing boards because half of them will never happen anyway.

0:49:19.200 --> 0:49:22.000
<v Speaker 2>But actually in construction, I would say three is the

0:49:22.560 --> 0:49:25.520
<v Speaker 2>is the perfect number that you could get to, you

0:49:25.560 --> 0:49:28.399
<v Speaker 2>could work on, and you could deal with. Right now,

0:49:28.440 --> 0:49:31.279
<v Speaker 2>we have two major projects in construction at the same

0:49:31.320 --> 0:49:34.680
<v Speaker 2>time and a third that only opened last September. So

0:49:35.160 --> 0:49:38.000
<v Speaker 2>for most of twenty sixteen we had three projects in

0:49:38.080 --> 0:49:40.920
<v Speaker 2>construction all at the same time, and for me to

0:49:41.000 --> 0:49:45.680
<v Speaker 2>spend significant time on all three. You can imagine you're

0:49:45.719 --> 0:49:47.480
<v Speaker 2>not home as much as you'd like to be. You're

0:49:47.520 --> 0:49:50.319
<v Speaker 2>on the road a lot, and so you add another

0:49:50.360 --> 0:49:53.040
<v Speaker 2>one in you're never at home at another one on

0:49:53.080 --> 0:49:55.160
<v Speaker 2>top of that, now you're never at the fourth job.

0:49:56.800 --> 0:49:59.680
<v Speaker 1>Yeah, I can imagine if you took some international ones,

0:49:59.680 --> 0:50:02.160
<v Speaker 1>then you god the travel problems too. I mean that's

0:50:02.160 --> 0:50:04.160
<v Speaker 1>almost like a job and a half in itself.

0:50:05.560 --> 0:50:10.759
<v Speaker 2>Absolutely, So you know that that is those other and

0:50:10.920 --> 0:50:13.439
<v Speaker 2>maybe that's an answer to an earlier question that you had.

0:50:13.480 --> 0:50:15.200
<v Speaker 2>You know, what's the thing that you like the least,

0:50:15.200 --> 0:50:17.720
<v Speaker 2>and I said administration. You know, maybe it's the travel.

0:50:18.320 --> 0:50:20.880
<v Speaker 2>The travel is a is a bear that can be

0:50:20.960 --> 0:50:24.640
<v Speaker 2>really really hard. You're away from your family and the

0:50:24.680 --> 0:50:27.360
<v Speaker 2>ones you love, and you're you're on the road. You know,

0:50:27.400 --> 0:50:31.080
<v Speaker 2>I when I have done a lot of international travel,

0:50:31.120 --> 0:50:34.080
<v Speaker 2>you know, my friends in town and say yeah, yeah, yeah,

0:50:34.120 --> 0:50:36.520
<v Speaker 2>but it's okay for you. You know, you're crying, you know,

0:50:36.640 --> 0:50:39.920
<v Speaker 2>business class on a flatbed. And I'll remind them that

0:50:41.000 --> 0:50:43.680
<v Speaker 2>the very next night when I'm climbing into United to

0:50:43.840 --> 0:50:47.239
<v Speaker 2>see you know three a next to a stranger on

0:50:47.320 --> 0:50:51.080
<v Speaker 2>a hard bed that's eighteen inches wide. They'll be getting

0:50:51.080 --> 0:50:53.799
<v Speaker 2>into their super king with their fluffy down.

0:50:54.600 --> 0:51:00.319
<v Speaker 1>Yeah, that's very, very true. So you touched on one

0:51:00.360 --> 0:51:05.160
<v Speaker 1>of your other projects, Rolling Hills in LA, which just

0:51:05.200 --> 0:51:08.279
<v Speaker 1>got some big news with USC announcing they're going to

0:51:08.360 --> 0:51:12.760
<v Speaker 1>host the PAC twelve Championships there next year. I'm curious

0:51:12.800 --> 0:51:16.000
<v Speaker 1>to hear a little bit about that project. You know,

0:51:16.080 --> 0:51:20.080
<v Speaker 1>it's a pretty unknown course when you're talking big names

0:51:20.120 --> 0:51:22.200
<v Speaker 1>in LA and and kind of what you saw with

0:51:22.239 --> 0:51:22.920
<v Speaker 1>that project.

0:51:25.280 --> 0:51:30.960
<v Speaker 2>It's my sleeper that Rolling Hills Country Club was first

0:51:31.719 --> 0:51:35.400
<v Speaker 2>created in the the sixties, I believe, and it was

0:51:35.440 --> 0:51:37.759
<v Speaker 2>a small parcel of land that they built like a

0:51:37.840 --> 0:51:41.200
<v Speaker 2>nine hole pitching put on, and then the local members

0:51:41.840 --> 0:51:44.239
<v Speaker 2>built another piece of land and another piece, and over

0:51:44.239 --> 0:51:46.600
<v Speaker 2>the course of thirty or forty years, they took a

0:51:46.760 --> 0:51:49.600
<v Speaker 2>very small site, less than one hundred acres, and they

0:51:49.680 --> 0:51:54.200
<v Speaker 2>inked eighteen holes out of it, but only just narrow fairways,

0:51:54.640 --> 0:51:58.960
<v Speaker 2>peep terrain, no real design to speak of, you know,

0:51:59.480 --> 0:52:05.400
<v Speaker 2>cobalt together over thirty years and a very affluent and

0:52:05.719 --> 0:52:09.520
<v Speaker 2>enthusiastic membership in pallasburd He's one of the wealthiest parts

0:52:09.560 --> 0:52:12.880
<v Speaker 2>of LA. But they really didn't have they had a

0:52:12.920 --> 0:52:15.880
<v Speaker 2>golf club, but not a golf course, if you know

0:52:15.880 --> 0:52:19.840
<v Speaker 2>what I mean. What happened was some of the land

0:52:19.880 --> 0:52:25.040
<v Speaker 2>that they had acquired, they really had leased, was from

0:52:25.480 --> 0:52:29.920
<v Speaker 2>a bounding sand quarry to their north, the Chandler Sandpit,

0:52:30.520 --> 0:52:33.839
<v Speaker 2>and the Chandler Sandpit is known throughout la as one

0:52:33.880 --> 0:52:37.400
<v Speaker 2>of the best sources of sand to build golf greens.

0:52:38.120 --> 0:52:41.480
<v Speaker 2>So they mined out the Chandler sand Quarry for eighty

0:52:41.480 --> 0:52:45.240
<v Speaker 2>odd years, and they filled it up with rubble, and

0:52:45.280 --> 0:52:47.520
<v Speaker 2>then they crushed the concrete and sold that, and then

0:52:47.560 --> 0:52:49.360
<v Speaker 2>he dug some more sand, and this went on for

0:52:49.440 --> 0:52:54.239
<v Speaker 2>eighty odd years until they excavated all of the commercially

0:52:54.360 --> 0:52:57.480
<v Speaker 2>viable sand out of it, and the Chandler's family were

0:52:57.719 --> 0:53:00.120
<v Speaker 2>left scratching their heads wondering what to do with this

0:53:00.239 --> 0:53:03.840
<v Speaker 2>big hole in the ground in Palacebury's. And over the

0:53:03.880 --> 0:53:07.960
<v Speaker 2>last twenty years, believe it or not, they've collaborated with

0:53:08.120 --> 0:53:11.080
<v Speaker 2>the club and they came to an agreement where the

0:53:11.120 --> 0:53:13.719
<v Speaker 2>club would put in all the land they owned, the

0:53:13.840 --> 0:53:16.560
<v Speaker 2>quarry would put in all the land they owned, and

0:53:16.840 --> 0:53:22.160
<v Speaker 2>a developer would be sought to develop the combined land parcel,

0:53:22.239 --> 0:53:26.080
<v Speaker 2>which is three hundred and fifty odd acres, and so

0:53:26.160 --> 0:53:28.520
<v Speaker 2>to pay for the development of a new golf course,

0:53:29.640 --> 0:53:32.800
<v Speaker 2>one hundred and ten home sites were ear marked within

0:53:32.880 --> 0:53:36.840
<v Speaker 2>that three hundred and fifty acres in one core, pretty

0:53:36.880 --> 0:53:40.320
<v Speaker 2>much in one big block. And the new golf course

0:53:41.800 --> 0:53:46.920
<v Speaker 2>pretty well starts within the old quarry and wanders out

0:53:47.040 --> 0:53:49.880
<v Speaker 2>through where the original golf course was and then finishes

0:53:50.000 --> 0:53:55.200
<v Speaker 2>back into where the quarry is today. And the quarry

0:53:55.280 --> 0:53:57.920
<v Speaker 2>is still a sand pit, so all of the sand

0:53:58.480 --> 0:54:03.279
<v Speaker 2>that was remnants of the boring operation we harvested and

0:54:03.480 --> 0:54:06.040
<v Speaker 2>used to build a golf course. So many of the

0:54:06.080 --> 0:54:09.040
<v Speaker 2>holes are sitting on top of sand anyway, because they're

0:54:09.080 --> 0:54:11.200
<v Speaker 2>in the quarry and the rest of the golf course.

0:54:11.239 --> 0:54:14.680
<v Speaker 2>We dug out hundreds of thousands of tons of sand

0:54:14.760 --> 0:54:17.560
<v Speaker 2>and we cake the whole place in sand before we

0:54:17.680 --> 0:54:21.400
<v Speaker 2>finish the shaping. So by Hooker by Crook we have

0:54:21.440 --> 0:54:26.880
<v Speaker 2>a sand golf course with acres of open sand areas

0:54:26.920 --> 0:54:30.680
<v Speaker 2>and dried arroyos and our barancas as they would be

0:54:30.760 --> 0:54:37.080
<v Speaker 2>down there, all with bermuda grass fairways and giant grass

0:54:37.160 --> 0:54:40.200
<v Speaker 2>greens and green complexes that are all in band graphs.

0:54:40.560 --> 0:54:44.920
<v Speaker 2>So the courses acres and acres of grass very wide

0:54:45.400 --> 0:54:48.719
<v Speaker 2>hopefully very strategic, not overly long. I mean, I think

0:54:48.719 --> 0:54:50.799
<v Speaker 2>we're going to be north of seven thousand, but not

0:54:50.800 --> 0:54:56.799
<v Speaker 2>by much, but a lot of green light holes that

0:54:56.920 --> 0:55:01.560
<v Speaker 2>these young buck college players can go bowman after knowing

0:55:01.600 --> 0:55:03.919
<v Speaker 2>that they can make birdies and eagles all day long,

0:55:04.760 --> 0:55:09.319
<v Speaker 2>or maybe they'll make they'll trip themselves up. We'll see

0:55:09.360 --> 0:55:10.760
<v Speaker 2>what I can leave in their path.

0:55:12.000 --> 0:55:15.400
<v Speaker 1>So with that, you know, how is it with dealing

0:55:15.440 --> 0:55:18.000
<v Speaker 1>with the kind of changing game and the ball that

0:55:18.080 --> 0:55:20.919
<v Speaker 1>keeps going further? I mean I play competitively, and these

0:55:20.960 --> 0:55:24.680
<v Speaker 1>college kids hit it just I mean seemingly forever. I

0:55:24.719 --> 0:55:26.719
<v Speaker 1>played with a fourteen year old that hit it over

0:55:26.760 --> 0:55:28.120
<v Speaker 1>three hundred yards the other day.

0:55:30.200 --> 0:55:34.680
<v Speaker 2>Yeah, the ball is certainly the limiting factor at the

0:55:35.880 --> 0:55:40.480
<v Speaker 2>at that elite level. The ball is an issue for

0:55:40.520 --> 0:55:44.239
<v Speaker 2>the average golfer, not really an issue. And when I

0:55:44.400 --> 0:55:46.759
<v Speaker 2>have these conversations with people in the golf media and

0:55:46.800 --> 0:55:49.239
<v Speaker 2>they're going about the golf ball and the equipment's making

0:55:49.239 --> 0:55:51.640
<v Speaker 2>the game too easy, you know, you have to kind

0:55:51.640 --> 0:55:54.279
<v Speaker 2>of remind them that the average golfer isn't any better

0:55:54.320 --> 0:55:56.600
<v Speaker 2>than the average golfer was ten years or twenty years

0:55:56.640 --> 0:55:59.520
<v Speaker 2>or thirty years ago. And so anything we can do

0:55:59.600 --> 0:56:02.800
<v Speaker 2>to make the average golfer have more fun through equipment

0:56:02.880 --> 0:56:05.800
<v Speaker 2>or ball, I'm all for as far as the average

0:56:05.840 --> 0:56:09.000
<v Speaker 2>golfer is concerned. I'm all about what they did in

0:56:09.040 --> 0:56:12.160
<v Speaker 2>tennis or what they did for skiing, Whether you can

0:56:12.239 --> 0:56:15.400
<v Speaker 2>do so that the average golfer has more fun playing

0:56:15.440 --> 0:56:19.040
<v Speaker 2>the sport we all love, I'm totally for it. That's

0:56:19.080 --> 0:56:21.880
<v Speaker 2>a totally different question to what do you do at

0:56:21.880 --> 0:56:25.040
<v Speaker 2>the other end of the scale with the professional golfers

0:56:25.040 --> 0:56:27.680
<v Speaker 2>and elite college golfers, where they can hit the ball

0:56:27.840 --> 0:56:31.600
<v Speaker 2>so far that the strategy strategy of the golf course

0:56:31.719 --> 0:56:37.480
<v Speaker 2>is nullified. I mean, surely that is completely contrary to

0:56:37.560 --> 0:56:40.400
<v Speaker 2>what the game's about. If the college player can hit

0:56:40.440 --> 0:56:43.799
<v Speaker 2>it that far and now the golf course has no

0:56:44.000 --> 0:56:46.760
<v Speaker 2>natural defense, you know, if there's nothing left and he's

0:56:47.160 --> 0:56:50.800
<v Speaker 2>putting it to eighty yards on every hole and gap

0:56:50.840 --> 0:56:55.040
<v Speaker 2>wedging it in. But what was the point Now it

0:56:55.080 --> 0:56:56.800
<v Speaker 2>truly is just a plucking contest.

0:57:00.320 --> 0:57:03.560
<v Speaker 1>I think that's a great point. I mean, I go

0:57:03.719 --> 0:57:07.080
<v Speaker 1>both ways, because there's still you know, as inn say

0:57:07.080 --> 0:57:10.440
<v Speaker 1>you're an amateur, a high level amateur player, but not

0:57:10.760 --> 0:57:13.759
<v Speaker 1>a professional. It's just there's just a it's a It's

0:57:13.760 --> 0:57:16.800
<v Speaker 1>a very difficult topic because you know, at what point

0:57:16.880 --> 0:57:19.440
<v Speaker 1>do you start playing with the professional ball? At what

0:57:19.480 --> 0:57:21.480
<v Speaker 1>point do you play with the regular ball? You know,

0:57:21.600 --> 0:57:22.960
<v Speaker 1>that's the tricky part of it.

0:57:25.480 --> 0:57:29.800
<v Speaker 2>Yeah, I mean it's tricky, but there's lots of tricky things.

0:57:29.840 --> 0:57:32.640
<v Speaker 2>What do you do? I mean, how do you handle it? Eventually?

0:57:32.680 --> 0:57:36.600
<v Speaker 2>You have to do something? Yeah, so doing nothing, I

0:57:36.600 --> 0:57:39.360
<v Speaker 2>don't think if we can agree that doing nothing is

0:57:39.400 --> 0:57:41.680
<v Speaker 2>not an option. Now you just have to figure out

0:57:41.800 --> 0:57:44.400
<v Speaker 2>the something, however tricky it might be. There has to

0:57:44.440 --> 0:57:45.040
<v Speaker 2>be a something.

0:57:45.760 --> 0:57:48.080
<v Speaker 1>I agree with that something needs I don't.

0:57:47.960 --> 0:57:50.440
<v Speaker 2>Know what the something is. You know. My thought has

0:57:50.480 --> 0:57:53.040
<v Speaker 2>always been that Augusta would be a This would be

0:57:53.080 --> 0:57:57.480
<v Speaker 2>a wonderful leading point by the Committee of Augusta National

0:57:57.840 --> 0:58:01.880
<v Speaker 2>That the Arnie and the USGA don't have the money

0:58:01.920 --> 0:58:07.000
<v Speaker 2>to defend themselves against a ruling against the ball. But

0:58:08.080 --> 0:58:11.960
<v Speaker 2>Augusta don't have to answer to anyone invitation only tournament.

0:58:11.960 --> 0:58:13.560
<v Speaker 2>If you want to come and play, this is the

0:58:13.600 --> 0:58:15.240
<v Speaker 2>ball we'll be playing. If you don't want to come

0:58:15.280 --> 0:58:18.520
<v Speaker 2>and play, or highly welcome to turn down the invite,

0:58:18.920 --> 0:58:20.400
<v Speaker 2>don't expect again next year.

0:58:21.360 --> 0:58:26.200
<v Speaker 1>That's that would be one organization that can do it

0:58:26.280 --> 0:58:29.800
<v Speaker 1>and definitely would enforce it and people I think would

0:58:29.800 --> 0:58:33.760
<v Speaker 1>fall in line for with us. Butting up here close

0:58:33.800 --> 0:58:35.600
<v Speaker 1>to an hour, I wanted to get to some of

0:58:35.640 --> 0:58:41.840
<v Speaker 1>our Twitter questions. Our first one comes from Simon and

0:58:41.920 --> 0:58:45.800
<v Speaker 1>he would like to know what you'd do differently if

0:58:45.840 --> 0:58:48.480
<v Speaker 1>you had your time again at the Castle Course in

0:58:48.520 --> 0:58:53.520
<v Speaker 1>St Andrews.

0:58:54.600 --> 0:58:57.040
<v Speaker 2>You know, I would came for douting the putting surfaces.

0:58:57.120 --> 0:59:00.120
<v Speaker 2>You know, the putting surfaces were just too reject to

0:59:00.160 --> 0:59:03.200
<v Speaker 2>have too many slopes on the greens that pushed a

0:59:03.240 --> 0:59:07.960
<v Speaker 2>ball away rather than allowed it to stay or even gathered.

0:59:08.800 --> 0:59:14.320
<v Speaker 2>So certainly dialing back the greens you know by twenty

0:59:14.360 --> 0:59:19.720
<v Speaker 2>five percent, wouldn't have hurt my feelings. And then the

0:59:19.800 --> 0:59:22.840
<v Speaker 2>area around the greens, the ability to miss with your

0:59:22.840 --> 0:59:27.320
<v Speaker 2>approach shot pin high and still have a recovery shot

0:59:28.920 --> 0:59:31.560
<v Speaker 2>was something that wasn't as in the forefront of my

0:59:31.680 --> 0:59:36.760
<v Speaker 2>mind as it is today. Those two things alone would

0:59:36.800 --> 0:59:39.840
<v Speaker 2>in r because the greens are being mellowed, make a

0:59:39.920 --> 0:59:43.600
<v Speaker 2>huge difference. What I think is lost is that there

0:59:43.640 --> 0:59:45.560
<v Speaker 2>were so many things that I think my team and

0:59:45.600 --> 0:59:48.480
<v Speaker 2>I got right. I mean, that site was a potato field.

0:59:49.600 --> 0:59:53.320
<v Speaker 2>There was devoid of any interest whatsoever other than the

0:59:53.360 --> 0:59:55.800
<v Speaker 2>fact that it had a cool view back into Saint Andrew's.

0:59:56.480 --> 1:00:00.400
<v Speaker 2>And I think that over time, the you know, I

1:00:00.600 --> 1:00:04.720
<v Speaker 2>pushed the edge of the envelope to the edge and

1:00:04.800 --> 1:00:09.200
<v Speaker 2>beyond with the Castle course, knowing that history would allow

1:00:09.240 --> 1:00:16.280
<v Speaker 2>the course to be adjusted over generations to achieve its

1:00:16.320 --> 1:00:23.240
<v Speaker 2>final potential. Whereas if I built something that was mundane,

1:00:23.800 --> 1:00:28.880
<v Speaker 2>mediocrity could never be increased. Nobody would ever take mediocrity

1:00:28.920 --> 1:00:31.200
<v Speaker 2>and improve it. Where they could take something that I

1:00:31.320 --> 1:00:35.640
<v Speaker 2>made where the volume was too high and they could

1:00:35.760 --> 1:00:38.840
<v Speaker 2>dial it back, they couldn't dial it up. So you know,

1:00:38.880 --> 1:00:44.920
<v Speaker 2>I've spent many many hours musing that very question, and

1:00:44.960 --> 1:00:49.320
<v Speaker 2>I'll say that I'll go to bed, my final resting place,

1:00:49.360 --> 1:00:53.920
<v Speaker 2>happy knowing that I pushed harder than I might have done,

1:00:54.280 --> 1:00:56.840
<v Speaker 2>but the end result, long after my passing, will be

1:00:56.840 --> 1:00:58.600
<v Speaker 2>the better for it. Yeah.

1:00:58.680 --> 1:01:00.800
<v Speaker 1>I think that's a great point. When you look at

1:01:00.800 --> 1:01:03.880
<v Speaker 1>a lot of the great designs of you know, the

1:01:03.960 --> 1:01:07.760
<v Speaker 1>Golden Age, they were the boldest courses of that era.

1:01:08.200 --> 1:01:11.240
<v Speaker 1>I mean, you look at when McDonald started to use

1:01:11.280 --> 1:01:15.400
<v Speaker 1>the Britz design they called it, you know, his folly.

1:01:16.320 --> 1:01:20.040
<v Speaker 1>You look at Mackenzie's design of Cyprus, he was scared

1:01:20.080 --> 1:01:22.320
<v Speaker 1>that it was going to be too difficult, too bold,

1:01:22.720 --> 1:01:25.360
<v Speaker 1>but the natural beauty is what saved it.

1:01:28.000 --> 1:01:31.640
<v Speaker 2>I don't think that I you know, yeah, I agree

1:01:31.640 --> 1:01:35.320
<v Speaker 2>with you. You know, the boldest of designs, over time

1:01:36.560 --> 1:01:40.800
<v Speaker 2>have won out and nobody's going to be talking about mediocrity.

1:01:40.880 --> 1:01:45.000
<v Speaker 2>And I knew going into Scenandrews that you know, you're

1:01:45.200 --> 1:01:49.000
<v Speaker 2>you're going into you know, the Lion's Day, and everyone

1:01:49.040 --> 1:01:51.760
<v Speaker 2>has an opinion. It didn't matter what I did. If

1:01:51.760 --> 1:01:54.560
<v Speaker 2>I did something that appeased to most people, they'd say,

1:01:54.880 --> 1:01:58.280
<v Speaker 2>you know, such a waste of a great site. It

1:01:58.320 --> 1:02:01.040
<v Speaker 2>could have been so much more. And if I pushed

1:02:01.080 --> 1:02:04.240
<v Speaker 2>too hard, i'd get what I get now. You know, well,

1:02:04.280 --> 1:02:06.280
<v Speaker 2>you know you just used every toy in the box,

1:02:06.320 --> 1:02:08.919
<v Speaker 2>and you know, push too hard and build something it's

1:02:08.960 --> 1:02:11.720
<v Speaker 2>just too much. I'd rather history painted it that way

1:02:11.760 --> 1:02:15.400
<v Speaker 2>than the opposite. I hate, hate, hate to be called

1:02:15.440 --> 1:02:17.240
<v Speaker 2>media over Yeah.

1:02:17.440 --> 1:02:21.520
<v Speaker 1>I mean everybody's in your business too. Everybody's a second

1:02:21.560 --> 1:02:23.960
<v Speaker 1>guessing critic, like none of them were out there and

1:02:24.560 --> 1:02:28.800
<v Speaker 1>you know, spending the hours on site. So I completely

1:02:28.880 --> 1:02:32.960
<v Speaker 1>understand what you're saying. And I think bold designs, you know,

1:02:33.080 --> 1:02:36.640
<v Speaker 1>over time, will you know prove to be better than

1:02:36.800 --> 1:02:40.440
<v Speaker 1>what they originally were thought of. So let's move on.

1:02:40.680 --> 1:02:43.600
<v Speaker 1>Robbie wants to know when when you're building a course,

1:02:43.640 --> 1:02:47.280
<v Speaker 1>what's the hardest part of the course to manufacture and

1:02:47.360 --> 1:02:51.280
<v Speaker 1>have look natural, whether it's bunkers or mounds.

1:02:50.440 --> 1:02:58.200
<v Speaker 2>That's easy. Pease, tease peace. Who wants to hit off

1:02:58.200 --> 1:02:58.560
<v Speaker 2>a sport?

1:02:58.600 --> 1:03:01.240
<v Speaker 1>It's not flat, that's true.

1:03:02.640 --> 1:03:07.360
<v Speaker 2>So how do I build something that's very minimalist and natural?

1:03:07.520 --> 1:03:11.160
<v Speaker 2>And oh, by the way, it has to be flat. So,

1:03:11.440 --> 1:03:14.680
<v Speaker 2>by far the ease the hardest thing to shape and

1:03:14.800 --> 1:03:17.120
<v Speaker 2>make look good on any golf course or the tees.

1:03:17.960 --> 1:03:21.240
<v Speaker 2>It's a good question and an easy answer. Bring more

1:03:21.240 --> 1:03:21.600
<v Speaker 2>of those on.

1:03:22.120 --> 1:03:31.560
<v Speaker 1>Yeah. So, comparison of experience at Bandon versus Sand Valley, that's.

1:03:31.360 --> 1:03:36.160
<v Speaker 2>Another good one. Another question that I've thought about myself.

1:03:36.920 --> 1:03:41.920
<v Speaker 2>When I did band It in my twenties, I knew

1:03:42.040 --> 1:03:44.800
<v Speaker 2>what I knew through instinct. I didn't know why I

1:03:44.840 --> 1:03:48.800
<v Speaker 2>knew it. I just knew that golf courses needed to

1:03:48.840 --> 1:03:52.840
<v Speaker 2>be white because it's windy. I knew that bunkers needed

1:03:52.880 --> 1:03:55.920
<v Speaker 2>to be deep because the wind blows the sand out

1:03:55.920 --> 1:03:58.480
<v Speaker 2>of them. This was all born out of our childhood

1:03:58.520 --> 1:04:03.560
<v Speaker 2>in Scotland that I just took what I knew and

1:04:03.840 --> 1:04:06.480
<v Speaker 2>replicated it on a different site. But I didn't really

1:04:06.520 --> 1:04:08.680
<v Speaker 2>know why I was doing it. I didn't. I couldn't

1:04:09.280 --> 1:04:12.680
<v Speaker 2>intellectualize it. I couldn't deconstruct it and explain it to you.

1:04:12.840 --> 1:04:18.360
<v Speaker 2>It was all raw instinct and feel. You fast forward

1:04:18.360 --> 1:04:21.400
<v Speaker 2>twenty years, with twenty years of doing this and to

1:04:21.520 --> 1:04:25.640
<v Speaker 2>some extent experimenting and trying out different things. Now at

1:04:25.680 --> 1:04:29.800
<v Speaker 2>San Valley, I think I know I'm twice the age

1:04:29.800 --> 1:04:32.040
<v Speaker 2>I was when I was building band, and now I

1:04:32.080 --> 1:04:34.480
<v Speaker 2>have a good idea of why things have to be

1:04:34.520 --> 1:04:37.960
<v Speaker 2>the way they are. What you know leads to a

1:04:38.000 --> 1:04:41.760
<v Speaker 2>good end result of what doesn't. So there's I guess

1:04:41.760 --> 1:04:46.840
<v Speaker 2>experience is the final answer, but the explanations more long winded.

1:04:47.400 --> 1:04:51.440
<v Speaker 1>Yeah, so one question before we let you get out

1:04:51.440 --> 1:04:53.000
<v Speaker 1>of here. We don't want to take up too much

1:04:53.040 --> 1:04:56.360
<v Speaker 1>of your time. If you were going to play five

1:04:56.480 --> 1:05:00.240
<v Speaker 1>courses the rest of your life, what five courses would

1:05:00.240 --> 1:05:00.480
<v Speaker 1>they be?

1:05:02.960 --> 1:05:08.200
<v Speaker 2>And none of them, mind, because that'll make it easier. Okay, Well,

1:05:08.240 --> 1:05:09.720
<v Speaker 2>the old course at S and Andrews does have to

1:05:09.760 --> 1:05:13.840
<v Speaker 2>be right up there, because that's just a great course

1:05:13.880 --> 1:05:16.040
<v Speaker 2>to play. And if I could play with a different

1:05:16.080 --> 1:05:18.520
<v Speaker 2>group every single day. That would make it even better

1:05:18.640 --> 1:05:21.520
<v Speaker 2>because the whole world comes to the Old Course at

1:05:21.520 --> 1:05:24.160
<v Speaker 2>some point, so I would get to meet the entire

1:05:24.240 --> 1:05:27.440
<v Speaker 2>world and play on a great golf course if I

1:05:27.520 --> 1:05:29.360
<v Speaker 2>only ever played the Old Course for the rest of

1:05:29.400 --> 1:05:31.520
<v Speaker 2>the time. But that would be one of my five.

1:05:34.880 --> 1:05:37.600
<v Speaker 2>I guess Macrahannish where I spent my childhood with my

1:05:37.680 --> 1:05:40.640
<v Speaker 2>father and my grandfather, and I'm still a member and

1:05:40.720 --> 1:05:44.040
<v Speaker 2>my family have been members there for seventy odd years,

1:05:44.400 --> 1:05:47.760
<v Speaker 2>so half its history. So I'd definitely take the Old

1:05:47.800 --> 1:05:50.240
<v Speaker 2>Course at Macrahannish and put it on my list. So

1:05:50.280 --> 1:05:55.040
<v Speaker 2>that would be two. If I jumped down to England,

1:05:56.240 --> 1:05:59.160
<v Speaker 2>it'd probably have to be sun and Dale Old or

1:05:59.200 --> 1:06:01.520
<v Speaker 2>Saint George's Hit Which one of those two would have pick.

1:06:01.920 --> 1:06:05.320
<v Speaker 2>That's tricky, you know. I might even pick Some George's

1:06:05.360 --> 1:06:10.240
<v Speaker 2>Hill over Sunningdale, just because it's even quirkier than Sunningdale.

1:06:11.240 --> 1:06:13.520
<v Speaker 2>And then if I jump across to the East coast

1:06:13.520 --> 1:06:17.080
<v Speaker 2>to the US, I'd have to be National because that's

1:06:17.120 --> 1:06:20.920
<v Speaker 2>another quirky one that's full of whimsy and probably everybody

1:06:20.920 --> 1:06:23.000
<v Speaker 2>gets to it eventually. It might take a little longer

1:06:23.040 --> 1:06:25.080
<v Speaker 2>than the old Course, but whoever I missed it, the

1:06:25.080 --> 1:06:27.240
<v Speaker 2>old course would be playing at the National, so I'd

1:06:27.280 --> 1:06:31.240
<v Speaker 2>go there, and then coming to the West Coast, well,

1:06:31.240 --> 1:06:33.880
<v Speaker 2>i'd have to be Cyprus Points. It's easy. That's that

1:06:33.880 --> 1:06:36.920
<v Speaker 2>would be my five get me tea times at all,

1:06:36.960 --> 1:06:38.800
<v Speaker 2>five of those for twenty seventeen.

1:06:40.440 --> 1:06:42.920
<v Speaker 1>I'm gonna try and get mine first, and then i'll

1:06:43.000 --> 1:06:44.600
<v Speaker 1>let you know. I can bring us second.

1:06:44.640 --> 1:06:46.200
<v Speaker 2>I could get you. I could get you on about

1:06:46.200 --> 1:06:46.760
<v Speaker 2>half of those.

1:06:48.080 --> 1:06:51.880
<v Speaker 1>Yeah, it's I think those are high on every golfer's

1:06:51.920 --> 1:06:54.720
<v Speaker 1>bucket list, so you know, and then then it's the

1:06:54.760 --> 1:06:55.880
<v Speaker 1>means of getting.

1:06:55.560 --> 1:06:57.840
<v Speaker 2>There, yeah, and getting on.

1:06:59.000 --> 1:07:02.320
<v Speaker 1>So hey, David, I really appreciate you coming on and

1:07:02.360 --> 1:07:06.560
<v Speaker 1>spending over an hour with us, and we're my pleasure

1:07:06.840 --> 1:07:10.480
<v Speaker 1>excited to you know, keep tabs on the progress of

1:07:10.520 --> 1:07:12.920
<v Speaker 1>your new projects, and I'm excited to get out and

1:07:12.960 --> 1:07:15.440
<v Speaker 1>see some of your existing ones this summer.

1:07:16.560 --> 1:07:19.640
<v Speaker 2>All right, I'll see you at Sand Valley sometime this summer,

1:07:19.720 --> 1:07:21.720
<v Speaker 2>and you better make it to the West Coast and

1:07:21.760 --> 1:07:24.520
<v Speaker 2>see band engines and gamble sands at some point.

1:07:24.760 --> 1:07:27.440
<v Speaker 1>Yeah, yeah, they're all on my radar, So let me

1:07:27.480 --> 1:07:29.960
<v Speaker 1>know when you're up at Sand Valley. You know it's

1:07:30.040 --> 1:07:33.200
<v Speaker 1>four hours from me, so it's not that bad of

1:07:33.200 --> 1:07:34.880
<v Speaker 1>a drive. Would love to meet sometime.

1:07:36.000 --> 1:07:38.320
<v Speaker 2>I'm guessing this summer the chances are there.

1:07:38.760 --> 1:07:42.000
<v Speaker 1>Yeah yeah, all right, well, thanks so much David, and

1:07:42.080 --> 1:07:43.400
<v Speaker 1>I appreciate it again.

1:07:44.600 --> 1:07:47.560
<v Speaker 2>No problem, to see you later. Go back bine.