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Speaker 1: Well, come back to another episode of Alchemist's This is

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Speaker 1: your COVID Night Team edition. Yes, that well, I would

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Speaker 1: appreciate these things or emails as well. When I love

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Speaker 1: I said last week, I hope the rest, but I digress.

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Speaker 1: Let's mean our alchemists, no particular orders. Say hello to

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Speaker 1: Chris Alvarado. Hello Chris Alvarado, Chris Cock in the walk? Um,

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Speaker 1: what else are you binging? Well, my lovely girlfriend and I,

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Speaker 1: Jessica Lowe, are watching a show called Outlander. Yes, that's

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Speaker 1: one of the most popular shows in the world right now.

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Speaker 1: It's the number one was at all the comic cons

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Speaker 1: which are no more, which may be one of the

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Speaker 1: interesting aspects of this particular virus. We can stop gathering

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Speaker 1: in the hundreds of thousands. I know there was some

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Speaker 1: money to be made there for a lot of people,

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Speaker 1: but oh Jesus, but that's it. Ellen, Outlander, you thumbs up,

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Speaker 1: you'd recommend thumbs up. I mean it's interesting. I'll tell

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Speaker 1: you what, But I will say one quick thing, Season one,

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Speaker 1: episode fifteen is one of the most goryoust and I

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Speaker 1: mean gory graphic in brutal man on man rape scenes

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Speaker 1: I've ever seen in my entire life. Wait a minute,

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Speaker 1: just writing this down, you said, Season one, episode sixty

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Speaker 1: man on man rape. Okay, dory rape, gory rape. Yeah,

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Speaker 1: thank you for that. That that mentioned. That's an astric.

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Speaker 1: I know that. Um, we'll be watching something and I'll

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Speaker 1: go hub boy and Jamie goes, you just don't like

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Speaker 1: the man on man stuff. Huh, I said, Wow, you

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Speaker 1: know listen, she actually was one of the first people

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Speaker 1: I've heard say I believe in equal rights for all

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Speaker 1: human beings. Just don't do it on my front lawn. Um,

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Speaker 1: and I think that's true of heterosexuals as well. Do

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Speaker 1: not fuck on my front launch. Yeah. For for the record, man,

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Speaker 1: I just didn't like gory rape, is all I'm trying

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Speaker 1: to say. Yet. Fun, Let's let all the raking stuff go. Um,

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Speaker 1: Let's go to Mr James Heenie next, Jimmy Jangle June June. Um,

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Speaker 1: tell me a little bit about what you have planned

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Speaker 1: for the rest of your day. Oh, this is an

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Speaker 1: exciting day. Uh. Tonight at seven pm, Bear Supply is

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Speaker 1: gonna be live on the West side of Many Theater

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Speaker 1: Twitch channel. Sorry, I'm joking. I'm so excited son to

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Speaker 1: come into just type in West Side Comedy and you'll

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Speaker 1: find you could if you search West Side Comedy Theater.

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Speaker 1: I'm sure it'll show up. You'll find it. But beforehand,

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Speaker 1: we've got this thing called uh stream avatars where we

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Speaker 1: put these little characters on the screen, so anybody in

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Speaker 1: the chat becomes those characters and they can fart and

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Speaker 1: kick each other, so that while we stream tonight, there's

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Speaker 1: gonna be an additional added interactivity with the audience. And

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Speaker 1: uh So, once we're done with this recording, I'm going

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Speaker 1: to do a regular stream on my personal channel, the

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Speaker 1: Real James. You need Twitch whatever you know, you can

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Speaker 1: find it, uh and I'm going to test that out.

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Speaker 1: So I'm looking forward to testing the stream avatars. Alrighty then,

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Speaker 1: Craig Atkowski, how is the rest of your day shaping up?

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Speaker 1: Pretty open, dude, pretty open. I could record ten more

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Speaker 1: alchemy this is and I'm gonna call you up on

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Speaker 1: Zoom Greg and we're gonna do a wonderfully strange podcast.

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Speaker 1: I guess the plural would be alchemy these alchemy. I

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Speaker 1: was wondering, That's what I was gonna ask, Thank you, Craig.

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Speaker 1: What I was thinking was alchemy this season? No nice, no,

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Speaker 1: Jessica low Hi, how are you? Thank you so much

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Speaker 1: for being with us? Than is this like a break

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Speaker 1: from the dog or do you miss puppy? So ter

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Speaker 1: I'm worried about him every second of a goddamn day.

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Speaker 1: What's going to happen? What are we worried? I mean

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Speaker 1: right now he's sleeping in his home, so worady might

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Speaker 1: have a bad dream. Yeah, well, he has bad dreams

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Speaker 1: all the time. And he also dreams about sucking his

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Speaker 1: mother's teeth. Wait for it, now when he has the

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Speaker 1: bad dream, is one of his feet shaking? How do

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Speaker 1: we know? He's sort of just like a wolf, like

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Speaker 1: a repeated wolf and um, yeah, he moves his little

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Speaker 1: pause they're perfect pause. We're almost positive he's half border terrier,

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Speaker 1: which is very exciting. He's a pug terrier or he's

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Speaker 1: a peri a hey or tug. Sorry, tug is pretty gross,

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Speaker 1: but I like it. He's a peria tug. Sure, so

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Speaker 1: am I And last, but to hell with you and

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Speaker 1: a poop shoot if if you don't, please welcome Joey,

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Speaker 1: Greg Joey. Yes, that's great, man, that's terrific. So that's

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Speaker 1: kind of delight. Chris, you were talking about that might

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Speaker 1: just be mental. There was a pause. I thought you

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Speaker 1: were building for something. Yeah, I usually do, but for

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Speaker 1: some reason I didn't transcribe the second show. I worked

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Speaker 1: too hard on filling in all the scenes, and I

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Speaker 1: thought I had done the pre show preamble. Um, Uh,

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Speaker 1: let me ask you, uh, a personal question, if that's okay.

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Speaker 1: I know a lot of our listeners will email questions

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Speaker 1: about you, and so I'd like to sort of push

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Speaker 1: them all together, meld them all together, to put forward

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Speaker 1: this question that seems to come up a lot. You ready,

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Speaker 1: and this is this is real and the question tends

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Speaker 1: to be what the funk? So, however, you want to

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Speaker 1: reply to that? Yeah, I mean I'll simply uh, yeah,

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Speaker 1: I get it. Okay, thank you. I'll be sure to

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Speaker 1: let them all know that yeah, he gets it. I mean,

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Speaker 1: just do like a mass reply yeah and to yeah right, Uh,

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Speaker 1: no need to shout our It's time to do the show.

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Speaker 1: All of our scenes today are coming to you from

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Speaker 1: either our patron v I P s or our listener emails.

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Speaker 1: If you'd like to check out the Patreon page and

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Speaker 1: all the extra goodies there, just go to patreon dot com.

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Speaker 1: Slash Alchemy this. It's that simple. Uh, if you'd like

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Speaker 1: to send in a listener's email right to us, right

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Speaker 1: to the podcast. By the way, take a damn second

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Speaker 1: and write a review. You, if I may be so presumptuous,

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Speaker 1: you might have a little little extra time on your

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Speaker 1: hands right now these days. Think what you can pitch

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Speaker 1: in and write a review. Don't break a nail on

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Speaker 1: my account. Uh, and write to us at your name

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Speaker 1: here dolcom to this dot com. By the way. It

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Speaker 1: could be a bad review. We don't care. We just

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Speaker 1: need more reviews. Well, well, I'm wrong about that, James.

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Speaker 1: I would say, you know, if you really think I'm

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Speaker 1: not telling people not to give the truth, but it

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Speaker 1: feels like that's what you're tending to do, is to

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Speaker 1: shut down the truth. Uh, enjoy your communist lack of

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Speaker 1: of COVID victims. However, that is properly said. All right,

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Speaker 1: let's let's get to our scenes. Let's for the one

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Speaker 1: comes from patroon VMP Kevin. Now is it Prado Craig, Well,

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Speaker 1: the museum in Madrid is the product? Is the product?

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Speaker 1: But I mention it that way. Well do you remember

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Speaker 1: that he said? You were right? Okay? A cast hag.

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Speaker 1: He did point out that that you were, in fact

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Speaker 1: Kevin Prodom, who wrote James, I love you, but please

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Speaker 1: look away. I'm about to talk to Kevin about you. Hey, Kevin,

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Speaker 1: have you ever noticed how weird James is a kid?

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Speaker 1: A kid. I'm a really medium sized fan of the

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Speaker 1: show and have listened to every All Caps episode at

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Speaker 1: least twenty times, and I've noticed a pattern. The first

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Speaker 1: word of each and every scene, when unscrambled, tells a

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Speaker 1: story of some really fucked up ship. But we'll save

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Speaker 1: that for another time. Honestly, though, the one pattern I've

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Speaker 1: noticed is that you all are bad at remembering the

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Speaker 1: names of your characters, and it's fucking hilarious. So I

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Speaker 1: recently discovered Kevin Pollock's Shot show and I really enjoyed it,

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Speaker 1: and I recently listened to the episode with James Heeney. James,

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Speaker 1: remember that I do remember that I didn't. I didn't,

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Speaker 1: and I was little taken aback that I had had

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Speaker 1: you on the chat show when I read this in

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Speaker 1: the email from the fan. Oh, I don't know what

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Speaker 1: it was. I poured my heart out to you on

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Speaker 1: that chat show. No, it was beautiful, and I do

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Speaker 1: remember it fondly, and but still couldn't quite remember how

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Speaker 1: that had happened. I go on with Kevin's note, um,

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Speaker 1: my scene suggestion comes from that episode. Can you guys

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Speaker 1: please recreate the story of James getting mugged in Chicago?

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Speaker 1: A couple of notes from the mugging. Uh. The assailant

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Speaker 1: rides up on a bike power slides in front of

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Speaker 1: James and his friend. The assailant says he has a gun,

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Speaker 1: but does not show it. James can only spare a

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Speaker 1: few bucks because he needs some money for the train

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Speaker 1: in the morning to get to classes. That sound about right. Ye,

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Speaker 1: that's upsolutely. I mean it's missing a couple of details,

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Speaker 1: but the things that were said are absolutely true. We'll

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Speaker 1: leave us something to make up. Absolutely. The assailant rides

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Speaker 1: off into the night. You're all great, You're all my favorite.

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Speaker 1: Kevin Prado from San Antonio, Texas. Oh man, we just

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Speaker 1: need one more guy to uh to stop and rob

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Speaker 1: and I think we're good for the night. I think

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Speaker 1: we need someone a week week, week week, so not

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Speaker 1: stop targeting the strong looking people. You think? So okay?

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Speaker 1: All right? Am I bad? I mean I'm new at this.

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Speaker 1: I think here Honestly, I think you're doing a good job.

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Speaker 1: You've got the do you do. Put your fucking hands up.

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Speaker 1: Put your fucking hands not see this coming, buddy. We're

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Speaker 1: in the same business as you were here to rob

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Speaker 1: Oh are you because of my business? It's robbing you right?

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Speaker 1: So we just started. We just punched in. We don't

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Speaker 1: have anything because we haven't robbed anyone yet. But your

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Speaker 1: hands up to buddy, what do you reaching for in

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Speaker 1: your pockets? Both you guys, hands up? It out? Okay,

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Speaker 1: Oh he's good. I like I like this, like attitude.

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Speaker 1: He's got you three dipshits. I'm all hashed up on

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Speaker 1: Loumel noddies and I'm gonna take everything I got deep

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Speaker 1: dish from whoop shoot to mouth hole. What do you want?

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Speaker 1: What do you want? And I'm gona take all your money. Okay,

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Speaker 1: I'm gonna I'm gonna take it up the purple line

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Speaker 1: up to Evanston and I'm gonna buy one of those

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Speaker 1: goddamn mansions on the lake. Can I ask a question,

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Speaker 1: miss Yeah, do you find it more helpful to be

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Speaker 1: specific like like you are doing? Because we're new at this,

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Speaker 1: we're robberts too much. I mean, I'm giving you too

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Speaker 1: much information because you can come so, you know, maybe

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Speaker 1: I'll take the blue line the red line. I don't know,

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Speaker 1: but I'll tell you confusing. It is confusing, and it

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Speaker 1: puts me on d sense, which I'm assuming is good

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Speaker 1: for you. You calling me out. I have the fucking

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Speaker 1: gun here, mayor, mayor like, the crime report is through

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Speaker 1: the roof, and I gotta get those numbers down, That's

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Speaker 1: what I'm saying. And I just don't know. People are

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Speaker 1: robbing each other left and right here right I I

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Speaker 1: just this ain't good for your real lifetion. It seems

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Speaker 1: like a sicklal thing where robbers are robbing robbers. I mean,

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Speaker 1: do we really have to count all that? Do you

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Speaker 1: think that? Of course you do. It's a crime that's

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Speaker 1: being committed here, all right, But who's who's reporting it?

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Speaker 1: The robbers who just got rab okay? All right? I mean,

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Speaker 1: is this happened north side, south side? All over time?

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Speaker 1: People are taking purple line, brown line, you name, any

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Speaker 1: of the kind of colored minds are taking them, and

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Speaker 1: they're going all over to the pacha shop spending the

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Speaker 1: money there. So I mean, it's helping the economy here

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Speaker 1: but I mean at the same time people are scared sandwich.

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Speaker 1: Uh hi, Hi, you're you're you're you're a cop. I

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Speaker 1: I assume I could see by your uniform. Yeah, great,

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Speaker 1: um standing, Um. I was. I was standing on the

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Speaker 1: corner of North and Wells sixteen sixteen North Wells. Oh,

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Speaker 1: I know it. Oh, I know that. Yeah, Yeah, I was.

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Speaker 1: I was. I'm gonna be honest. I was trying to

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Speaker 1: rob somebody. Um no, but there kidding boy. Uh and

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Speaker 1: then I got robbed. Um And I like to file

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Speaker 1: file a report against that person. All right, Well, let's

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Speaker 1: take you to the mayor's office, because this is where

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Speaker 1: we're doing all this stuff here. He just doesn't believe it,

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Speaker 1: so I gotta kind of bring you in person to

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Speaker 1: the guy. Hey, do you ever you ever have been

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Speaker 1: into that building right there? The CHRISTI yeah, let's let's go.

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Speaker 1: All right, is that what you're talking about? Our what? Okay? Okay,

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Speaker 1: bring him in, bring him in. Yeah, you're right here.

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Speaker 1: Now tell him what you told me. Hold on, Mayor,

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Speaker 1: how do you do, your highness? It's really nice to

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Speaker 1: meet you. Thank you addressing me properly. I kissed the ring.

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Speaker 1: I kissed the ring there you go. Now, hold on

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Speaker 1: a second, Mayor, look at that building? Is it the

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Speaker 1: Chrysler building? The Christlier building is in New York City,

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Speaker 1: That's what I'm saying. No, I know that, and that

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Speaker 1: serious tower is there, but I'm saying, okay, it's not

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Speaker 1: the serious that it's the Willis Tower. Now, yeah, and

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Speaker 1: now it is right now it is okay, But seriously,

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Speaker 1: is a goddamn it's in my heart. It's not gonna change,

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Speaker 1: you know what I mean? Yeah, Hey, h Roger, can

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Speaker 1: I talk to you about working for the mayor for

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Speaker 1: just a second. Um, I don't know. It seems like

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Speaker 1: you're not as informed as a lot of his assistance

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Speaker 1: have been in the are you talking about? What do

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Speaker 1: I mean? How long? How long have you lived? Let's

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Speaker 1: just got to the whole life. I've never left. I've

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Speaker 1: never gone outside city limits. Right, So then the confusion

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Speaker 1: about certain aspects of the city is what the what

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Speaker 1: the Mayor's office has contacted me. Look, let me tell

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Speaker 1: you this. Okay, you're an immigrant, all right, your accent

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Speaker 1: is different. You're not a Chic right right, I'm not

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Speaker 1: from here, but I'm meaning that's right, not from Chicago.

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Speaker 1: So you don't know what it's like. You've got a

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Speaker 1: weird accent, right right. But I studied the information that

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Speaker 1: the mayor needs, so so, Mr Mayor, what I'm saying is,

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Speaker 1: I love this city. I love this city too, Chico.

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Speaker 1: I just want to go bearts, go bearts. I just

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Speaker 1: want to live in a place where I can do

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Speaker 1: honest to goodness robbing without getting robbed myself. I mean

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Speaker 1: you hear that, Roger. That's a yeah, yeah, I heard

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Speaker 1: what he said. That's a request from a real Chicago

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Speaker 1: wan who just wants to do his business the way

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Speaker 1: he wants to conduct it. Okay, that's all I'm trying

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Speaker 1: to do here too now, But you gotta admit the

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Speaker 1: Chrysler building, if you look at it, it's that there.

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Speaker 1: You're talking about sixteen sixteen North Wales. That's that's the

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Speaker 1: second city. Okay, maybe I know that, I know a

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Speaker 1: little bit of you would see reference. But what I'm

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Speaker 1: trying to see is if you look at that building

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Speaker 1: and you get on top of the roof, right and

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Speaker 1: you look out, what do you see? You can see

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Speaker 1: the Chrysler building if you look hard enough, the Chryser

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Speaker 1: building is if I if I may I I feel

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Speaker 1: like this Roger guy here isn't good for you. I mean, listen,

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Speaker 1: my my veins run with Neon Green relish, just like

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Speaker 1: everyone else here in the city. Ye see. But Roger

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Speaker 1: just says yeah. But I don't. I don't. I don't

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Speaker 1: believe him. Okay, Roger, let me ask you. You get

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Speaker 1: a hot dog, what do you put on it? Oh?

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Speaker 1: Whatever the hell I want. No, there's one very important

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Speaker 1: thing that other people think you put it on a

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Speaker 1: hot bag that you clearly do not put it on

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Speaker 1: a hot dog. What I call those little green things?

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Speaker 1: Said there? Who are you? Roger? Whoa miss? He miss?

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Speaker 1: You robbed me? You robbed me a couple of days ago.

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Speaker 1: He's in the middle of what Sure, Yeah, I remember,

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Speaker 1: we'll see. The thing is is I was kind of

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Speaker 1: using some of the robb I was robbing those two guys,

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Speaker 1: and honestly, I kind of needed some of that money.

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Speaker 1: I got to pay my electric bill and they're breathing

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Speaker 1: down my neck, and I was wondering if maybe you

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Speaker 1: would I could go split these on that robbery. Oh

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Speaker 1: my god, why the funk would I do that? I

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Speaker 1: bought the home alone house. Okay, it's mortgage payment. I

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Speaker 1: can't be giving you none of my cash. Okay, Well,

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Speaker 1: well how about this, What if what if I was

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Speaker 1: to move in with you? You got next to the the room.

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Speaker 1: It's a huge house, and maybe we can start a

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Speaker 1: crime family of some sorts. I love that idea, do

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Speaker 1: you Okay? Then we're going to start the tour. Then,

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Speaker 1: Miss mcconagrell, if you don't mind of the folks who

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Speaker 1: wanted to come see the home alone house, will you

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Speaker 1: be in the kitchen area Mostly, I just want to

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Speaker 1: try to give you your space during the tour. Now

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Speaker 1: I'm gonna go up to the basement. They're still a

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Speaker 1: zip line. I'm in a zip line for whatever. How

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Speaker 1: long I need up in the basement. Yeah, the zip

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Speaker 1: line to the treehouse. Uh now, Mr Mayor, I appreciate

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Speaker 1: you coming out with me here on the streets like

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Speaker 1: a real chicagoan. Uh. I just want to see how

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Speaker 1: you do it. Okay, good, Okay. So look at that

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Speaker 1: guy over there. He seems real weak, right uh huh, yeah,

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Speaker 1: it looks like an improviser. Yeah, exactly. Hey, buddy boy,

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Speaker 1: put your hands up. Hey, what's what's put your hands up? Pal,

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Speaker 1: they're up? What kind of ship do you want? They're

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Speaker 1: all the way up? All right, give us everything you

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Speaker 1: got in your pockets? Can I put my hands down?

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Speaker 1: I got reach into the pockets, sucker, put your hands up. Yeah, yeah,

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Speaker 1: I'm not putting my hands up for no one. Hell

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Speaker 1: the thanks. You're tough to wrap me? What the hell

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Speaker 1: am I'm robbing you? Guys? There? Look, I got fired

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Speaker 1: from y'all just moments of going. I didn't know what

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Speaker 1: else to do with our resort of this. All right,

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Speaker 1: So hello, Hello, you've sunk. So we talked about you

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Speaker 1: trying to steal from the mayor and a few of

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Speaker 1: the side I'll do this court ordered therapy. But let

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Speaker 1: me tell you something I'm not gonna do. All right,

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Speaker 1: I'm not going to disrespect Chicago. Okay, Ever, can I

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Speaker 1: read a letter from Chicago to you that's been sent

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Speaker 1: to my desk? Here? This is from Chicago to you.

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Speaker 1: What the hell the city? I mean, it's pretty amazing,

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Speaker 1: right the city wrote to you, Roger, Seriously, what the

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Speaker 1: fund is your problem? Let it go? You're a jerk,

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Speaker 1: Signed sincerely the City. Wow, I just love it. I

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Speaker 1: can't get no one love. What else you want for?

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Speaker 1: Let let me see that letter that the city wrote you, Roger,

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Speaker 1: right there, look at that a therapist. I don't think

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Speaker 1: this is from Chicago. If it was from Chicago, come on,

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Speaker 1: that might be. This might be from Milwaukee or Rockford.

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Speaker 1: I don't know. This is some other some other city

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Speaker 1: wrote you this letter. You know what, that's my bad.

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Speaker 1: I'm from the North and I filled in jerk clearly.

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Speaker 1: It says there's you can see in the letter here Jacko, No,

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Speaker 1: this is right. He uh. Roger, Hey, Hey, how's it going?

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Speaker 1: Roger talking to the mayor's assistant? You, Roger? I gotta

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Speaker 1: I gotta be honest. I think Roger's falling asleep. He uh.

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Speaker 1: And I don't want to startle you. I saw him

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Speaker 1: when I walked in. He was and all of a

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Speaker 1: sudden his eyes rolled back, and I've just been watching

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Speaker 1: over him to see what happens. Lizabeth, Well, I don't

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Speaker 1: know if you could tell by my accent, but I'm

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Speaker 1: from New York, okay, and Rogers from New York. So

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Speaker 1: I sent him to Chicago to go undercover, deep undercover.

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Speaker 1: Oh no, I bet you. What happened is somebody poison

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Speaker 1: this hot dog when he ordered catch up like he

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Speaker 1: should have warned him that he wasn't from Chicago. He

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Speaker 1: was posing like he was a Chicago with Now, hey,

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Speaker 1: you still got that in with that, with that Luma

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Speaker 1: naughties chick, right, I mean I am not supposed to

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Speaker 1: I'm living with her now situation. Okay, you know I'm not. Honestly,

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Speaker 1: she let me. She's letting me crash in her basement upstairs,

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00:20:36,720 --> 00:20:39,560
Speaker 1: which is weird. It's it definitely got weird because she

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Speaker 1: mugged me, because the bats upstairs, this ladies upstairs basement.

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Speaker 1: But she's cool. What do you want with all I'm

355
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Speaker 1: trying to say, I'm trying to figure out who who

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Speaker 1: the best goddamn robbers are in this country? Okay, now obviously,

357
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Speaker 1: well my my New York accident is slipping in and out,

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Speaker 1: just like just like the way I feel about this

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Speaker 1: whole fucking thing. Okay, uh huh. So who's got the

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Speaker 1: best robbers? Well, I mean I think that the best robbers.

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Speaker 1: But the problem, the problem is if you get a

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Speaker 1: Chicago robber to go anywhere else in the world, it's

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Speaker 1: gonna be that we're gonna be the best. But uh,

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Speaker 1: but here in Chicago, many of us were so good.

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Speaker 1: It seems it's not really woking so good yet. M

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Speaker 1: m m m m m m m m. All right,

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Speaker 1: well I'm gonna get going then. Sorry to interrupt you

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Speaker 1: to I've got a letter, another letter here from Chicago,

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Speaker 1: and it's uh, it's too Roger. It's it's a follow up.

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Speaker 1: He's the guy in the couch over he's uh, I

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Speaker 1: think he might be dead. No, it says, um, dear Roger,

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Speaker 1: we understand you lost your internet and that you'll come

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Speaker 1: back to the city as soon as you can. It's

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Speaker 1: from it's from Chicago, the city. It seems very thoughtful.

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Speaker 1: Uh huh. And it also says that's C number one.

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00:22:02,080 --> 00:22:03,919
Speaker 1: That's so weird that that was in the letter. But

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Speaker 1: it is the end of C number one, and Enjoy

378
00:22:06,560 --> 00:22:08,920
Speaker 1: will rejoin us as soon as he gets his internet back.

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00:22:09,200 --> 00:22:11,480
Speaker 1: He just didn't pay enough, Craig, Did you call my

380
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Speaker 1: reference a cutie reference? No, the mayor of Chicago did.

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Speaker 1: Technically speaking, I mean, you didn't choose that address accidentally.

382
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Speaker 1: That there's no way. It was totally cute. It was

383
00:22:26,880 --> 00:22:35,720
Speaker 1: totally cute. Number two from Alex Rod. I've been a

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Speaker 1: fan of the pod since you want to have truly

385
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Speaker 1: blessed to have your guys comedy in my life. It's

386
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Speaker 1: made my long commutes to work much much easier. As

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Speaker 1: a fellow improviser, we've heard that before, so we'll see.

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Speaker 1: I know that sometimes the less detail given as a

389
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Speaker 1: prompt the better. Oh that's also been pointed out in

390
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Speaker 1: the past. Thank you for catching on my seat suggestion,

391
00:22:56,960 --> 00:22:59,920
Speaker 1: and hopefully this is the new part the alchemy is

392
00:23:00,240 --> 00:23:02,960
Speaker 1: crash on an island, only to discover that James has

393
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Speaker 1: been there for years already, having created a small kingdom

394
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Speaker 1: for himself. Does that sound familiar, James, I mean up

395
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Speaker 1: until then, sure, but not the kingdom part. Yeah. I

396
00:23:17,160 --> 00:23:21,240
Speaker 1: hope you like and perform this suggestion works for you.

397
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Speaker 1: Piece in love from Scranton, p A or Scranton the

398
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Speaker 1: Electric City signed out. Uh So, all you guys we

399
00:23:32,840 --> 00:23:35,800
Speaker 1: gotta do is find James. You're saying, this is why

400
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Speaker 1: we're on the island. I'm confused. Could anybody feel in

401
00:23:38,520 --> 00:23:43,840
Speaker 1: smalls here for me? I think, Bobby Camp Bobby, you

402
00:23:43,960 --> 00:23:45,399
Speaker 1: seem to you seem to be the one with all

403
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Speaker 1: the answers. Bobby, Yeah, yeah, yeah, yeah, yeah. Number one.

404
00:23:51,520 --> 00:23:54,760
Speaker 1: Let's she let's see. Okay, we gotta cut somebody's stomach open,

405
00:23:54,800 --> 00:23:59,800
Speaker 1: because somebody's got the food. There's stump see. Okay, so

406
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Speaker 1: the first thing we're doing is cutting somebody's Look, we

407
00:24:02,560 --> 00:24:05,600
Speaker 1: gotta cut some stomach. One's gotta eat. Don't eat? Oh,

408
00:24:05,720 --> 00:24:08,760
Speaker 1: so we can eat. We've only been on the island

409
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Speaker 1: an hour. Yeah, I guess what it's gonna come to

410
00:24:10,920 --> 00:24:12,639
Speaker 1: two hours and it's gonna turn to the months. So

411
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Speaker 1: Bobby knows, Bobby knows Bobbies Bobby is that he's the

412
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Speaker 1: goddamn oracle here. He knows, he's got all the answers.

413
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Speaker 1: So how do we How do we choose my bad

414
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Speaker 1: all due respect, Steve, Bobby, How do we choose whose

415
00:24:24,920 --> 00:24:27,520
Speaker 1: stomach gets ripped up? We look at everyone's fingers, and

416
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Speaker 1: the most like a sausage finger that's who we go for,

417
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Speaker 1: because that means that the food inside of the body. Oh,

418
00:24:32,119 --> 00:24:34,720
Speaker 1: I think we can decide who has the most sausage

419
00:24:34,760 --> 00:24:42,520
Speaker 1: like fingers. Yeah, Pamela, porky, Pamela. Guys, come on, come on,

420
00:24:44,359 --> 00:24:47,920
Speaker 1: don't feel right picking on a goil. Well, I'm an

421
00:24:47,960 --> 00:24:50,760
Speaker 1: equal opportunity. I mean, if I'm the one who's supposed

422
00:24:50,800 --> 00:24:53,440
Speaker 1: to be, you know, eating, I just don't think within

423
00:24:53,480 --> 00:24:56,639
Speaker 1: the first sixty minutes of being on this island, I

424
00:24:56,680 --> 00:25:01,560
Speaker 1: should be you know, corritered and roast dead and then braised.

425
00:25:01,800 --> 00:25:04,399
Speaker 1: Maybe well, when you put it that way, it's starting

426
00:25:04,400 --> 00:25:08,880
Speaker 1: to sound pretty good. Maybe with some vegetables, maybe enough

427
00:25:09,000 --> 00:25:19,400
Speaker 1: friendly local local. He's cord you coming, peace, Hey, get back,

428
00:25:19,440 --> 00:25:25,240
Speaker 1: get back, get back, get back. My name is Stinky. Okay,

429
00:25:25,480 --> 00:25:31,399
Speaker 1: my name is James Heeney. Thank you. Hold on, hold on,

430
00:25:32,240 --> 00:25:37,320
Speaker 1: Where the hell are you guys coming from? James? It's us, Stinky,

431
00:25:38,000 --> 00:25:43,680
Speaker 1: Stink Pamela. You guys are listen. As far as I know,

432
00:25:43,840 --> 00:25:46,040
Speaker 1: I've been the only person on this island with the

433
00:25:46,080 --> 00:25:49,960
Speaker 1: indigenous people, and I don't think they speak my language.

434
00:25:50,000 --> 00:25:53,000
Speaker 1: I don't honestly know. But how long have you been?

435
00:25:54,359 --> 00:25:56,639
Speaker 1: How long have you been here? Well, I come and

436
00:25:56,680 --> 00:25:58,720
Speaker 1: go like I've got you know what, I'm not going

437
00:25:58,760 --> 00:26:01,919
Speaker 1: to answer your questions on my alright, Jake, come and go,

438
00:26:02,119 --> 00:26:04,000
Speaker 1: so you have a way off the island. You know

439
00:26:04,040 --> 00:26:06,280
Speaker 1: what I've said too much. I want you guys to leave,

440
00:26:06,400 --> 00:26:10,320
Speaker 1: get out of your whatever. Maybe maybe I can clarify

441
00:26:10,400 --> 00:26:17,240
Speaker 1: some things. All right, So I'm Steve. That's Bobby and

442
00:26:17,320 --> 00:26:21,080
Speaker 1: Stinky Okay, now we've been sent here to rescue you.

443
00:26:21,840 --> 00:26:24,400
Speaker 1: But a couple of Yeah, but a couple of things

444
00:26:24,400 --> 00:26:27,760
Speaker 1: just happened. One, you have gorgeous, gorgeous men working for you.

445
00:26:27,840 --> 00:26:30,439
Speaker 1: I'm bowing down to you, which is very surprising, and

446
00:26:30,480 --> 00:26:32,160
Speaker 1: too it sounds like you can come and go as

447
00:26:32,160 --> 00:26:35,600
Speaker 1: you please, so maybe you don't need us. I certainly

448
00:26:35,760 --> 00:26:39,080
Speaker 1: do not need you. In fact, I want you to go. Okay, well,

449
00:26:39,200 --> 00:26:41,280
Speaker 1: I guess we will. You're kind of cramping my style.

450
00:26:42,800 --> 00:26:48,200
Speaker 1: Get out of here. Then hold on, James, blink twice

451
00:26:48,240 --> 00:26:50,200
Speaker 1: if if you really want us to help you, blink twice.

452
00:26:50,520 --> 00:26:54,000
Speaker 1: I mean, okay, I can't not blink. It's what is one?

453
00:26:54,400 --> 00:26:56,440
Speaker 1: I don't know. I accidentally blinked the first time, but

454
00:26:56,720 --> 00:27:00,560
Speaker 1: it was just one prolonged blink. I know, well I

455
00:27:00,640 --> 00:27:02,600
Speaker 1: didn't once I was in the middle of blinking. I

456
00:27:02,600 --> 00:27:05,880
Speaker 1: didn't want to stop. Okay, Uh, you want our help

457
00:27:06,000 --> 00:27:08,080
Speaker 1: or not. I don't want your help. I think you're

458
00:27:08,080 --> 00:27:11,440
Speaker 1: going to ruin this. They think I'm all right. Then

459
00:27:11,560 --> 00:27:13,920
Speaker 1: show us how you leave? Yeah, how do we get

460
00:27:13,920 --> 00:27:16,399
Speaker 1: out of it? Listen? If I show you guys my

461
00:27:16,440 --> 00:27:19,240
Speaker 1: way off the island. Look, we're stuck. And then I

462
00:27:19,280 --> 00:27:22,000
Speaker 1: won't have it. Got dumb dumb Bobby landed the plane

463
00:27:22,000 --> 00:27:29,159
Speaker 1: into the water, crashed. Now she's just quite fine now

464
00:27:29,560 --> 00:27:36,800
Speaker 1: that that's not my name. No, they got one name, right, Okay, okay, okay, fine,

465
00:27:36,920 --> 00:27:38,320
Speaker 1: dumb dumb look man, we want to get the funk

466
00:27:38,359 --> 00:27:40,119
Speaker 1: off this island. Okay, all right? Can I make a

467
00:27:40,160 --> 00:27:45,480
Speaker 1: request of the indigenous people please please, since they're since

468
00:27:45,480 --> 00:27:48,399
Speaker 1: they've already taken a liking to dumb dumb Bobby, to

469
00:27:48,560 --> 00:27:54,560
Speaker 1: help us all out. Uh, sir, please, if there's anything

470
00:27:54,680 --> 00:28:00,000
Speaker 1: that you could gather, gather and shove up Bobby's rectum?

471
00:28:00,000 --> 00:28:07,399
Speaker 1: What the are you doing thinking? Okay, guys, guy, I

472
00:28:07,440 --> 00:28:11,399
Speaker 1: speak the language. Oh I can talk to him? What please?

473
00:28:13,520 --> 00:28:29,520
Speaker 1: Pooh data usa a a gon no shop dollar? This

474
00:28:29,760 --> 00:28:33,800
Speaker 1: turning anyone else on? I mean he's just gorgeous, so

475
00:28:33,800 --> 00:28:37,439
Speaker 1: whatever the hell? It's not all right? He said. He

476
00:28:37,600 --> 00:28:41,640
Speaker 1: said something about they have writings in a wall in

477
00:28:41,720 --> 00:28:49,120
Speaker 1: a cave that prophesies the the curly haired Christ James

478
00:28:49,160 --> 00:28:55,120
Speaker 1: Heeney said specifically, it said James Heeney would be their

479
00:28:55,160 --> 00:28:59,920
Speaker 1: new god. James Heney and jar Jar Binks who looks

480
00:29:00,120 --> 00:29:03,280
Speaker 1: James Heeney. Yeah, I guess I see that man. When

481
00:29:03,320 --> 00:29:05,600
Speaker 1: we got this goddamn job, I was like, fine, easy,

482
00:29:05,640 --> 00:29:07,960
Speaker 1: Bacy lemon squeeze, will pop the guy now. But like, look,

483
00:29:08,000 --> 00:29:09,520
Speaker 1: he doesn't want to be He's gotta way out. I said,

484
00:29:09,520 --> 00:29:10,840
Speaker 1: we just get the funk out of here, all right,

485
00:29:11,880 --> 00:29:17,520
Speaker 1: Bubby dumb, dumb, Bubby lemon squeezy. That's how you think

486
00:29:17,560 --> 00:29:23,640
Speaker 1: about this mission. Yeah, he's a beasy lemon squeezy. The

487
00:29:24,320 --> 00:29:26,920
Speaker 1: I hate dinner up, but I am famished. Can we

488
00:29:27,320 --> 00:29:31,240
Speaker 1: eat something? Because I are just wasting away here? Something

489
00:29:31,400 --> 00:29:35,320
Speaker 1: or somebody, James, do you guys have any food here? Listen,

490
00:29:35,360 --> 00:29:36,960
Speaker 1: we don't have food for you guys. I want you

491
00:29:37,040 --> 00:29:39,920
Speaker 1: guys to leave my island. Show us how to get

492
00:29:39,960 --> 00:29:43,120
Speaker 1: out of here, show us how to like I got

493
00:29:43,200 --> 00:29:45,960
Speaker 1: one helicopter, and if you guys take this helicopter to leave,

494
00:29:46,040 --> 00:29:48,560
Speaker 1: then I will be stuck here. Okay, And there's not

495
00:29:48,880 --> 00:29:50,520
Speaker 1: there's a lot of food, but there's this is not

496
00:29:50,640 --> 00:29:53,520
Speaker 1: the only indigenous people here. There's a whole family that

497
00:29:53,600 --> 00:29:56,440
Speaker 1: I have over there, a village. If we start sharing

498
00:29:56,480 --> 00:30:05,800
Speaker 1: food with you four especially, I'm sorry you don't say it, don't, Admiral.

499
00:30:05,880 --> 00:30:08,320
Speaker 1: I'm getting a blip. It seems like there is an

500
00:30:08,400 --> 00:30:14,560
Speaker 1: uncharted island northeast of our location. Well that's worth looking into,

501
00:30:16,600 --> 00:30:19,840
Speaker 1: I think so course, I thought all islands had been

502
00:30:19,920 --> 00:30:25,760
Speaker 1: charted as well, sir. Since that's exciting because we get

503
00:30:25,800 --> 00:30:28,120
Speaker 1: the name it whatever we want. Yeah, let's let's set,

504
00:30:28,160 --> 00:30:31,120
Speaker 1: of course, what you want to name it. I guess, uh,

505
00:30:31,400 --> 00:30:34,880
Speaker 1: whoever discovered it should name it. But you know that's right. Well,

506
00:30:34,920 --> 00:30:37,800
Speaker 1: I guess I've discovered it, so well, well we'll call

507
00:30:37,840 --> 00:30:46,760
Speaker 1: it Rick. Name it after me, Admiral Rick Sutcliffe. Yes, sir,

508
00:30:46,960 --> 00:30:49,960
Speaker 1: I just I mean I was on who brought the

509
00:30:50,240 --> 00:30:51,800
Speaker 1: attention on the island to you. I thought that maybe

510
00:30:51,800 --> 00:30:53,719
Speaker 1: I would be able to name it. I have a name.

511
00:30:53,720 --> 00:30:55,920
Speaker 1: I've been wing to us from a time. It's a family. Really,

512
00:30:55,920 --> 00:30:58,880
Speaker 1: you have a good name for an island, Yes, sir,

513
00:30:58,960 --> 00:31:00,240
Speaker 1: I think I do. I think I have a very

514
00:31:00,280 --> 00:31:05,600
Speaker 1: good name. Pronouncer. Okay, well okay, well now it's I

515
00:31:05,640 --> 00:31:08,680
Speaker 1: feel you don't have a name. I have a name. Okay,

516
00:31:08,880 --> 00:31:10,520
Speaker 1: it sounds like I had one teat up ready to go.

517
00:31:11,120 --> 00:31:15,840
Speaker 1: It's the Chrysler Island. Okay, great Soul island. But yeah,

518
00:31:16,040 --> 00:31:20,520
Speaker 1: what are we in Chicago, Sarah, We're not. It's just

519
00:31:20,640 --> 00:31:25,360
Speaker 1: to remind me of home. Uh huh. All right, I

520
00:31:25,760 --> 00:31:28,360
Speaker 1: think the Chrysler Corporation probably has something to say about

521
00:31:28,440 --> 00:31:31,440
Speaker 1: naming an island after after them, right, Oh, I think

522
00:31:31,480 --> 00:31:34,480
Speaker 1: they'd be very proud, sir. And as an American Navy,

523
00:31:34,480 --> 00:31:36,000
Speaker 1: I think the best thing we can do is represent

524
00:31:36,080 --> 00:31:39,680
Speaker 1: our corporations problem. All right, Well, do you have a point?

525
00:31:39,800 --> 00:31:45,520
Speaker 1: I think Rick is a great name for an island. Wow, James,

526
00:31:45,600 --> 00:31:49,120
Speaker 1: this is a nice, nice tp you got here. Thanks.

527
00:31:50,440 --> 00:31:52,280
Speaker 1: I really didn't want you guys to come over to

528
00:31:52,360 --> 00:31:54,960
Speaker 1: the base area. I wish that you guys could just

529
00:31:55,040 --> 00:31:57,200
Speaker 1: you know, And that's and that's why I'm glad that

530
00:31:57,240 --> 00:31:59,680
Speaker 1: you and I have in this meeting. What do you want? Man?

531
00:32:00,040 --> 00:32:02,920
Speaker 1: Do you want? Well, it's just that this is kind

532
00:32:02,960 --> 00:32:05,920
Speaker 1: of my escape, Like everybody's looking for their escape this island.

533
00:32:06,040 --> 00:32:08,040
Speaker 1: Is that? Okay? So then why won't you let us

534
00:32:08,120 --> 00:32:11,720
Speaker 1: leave with your helicopter? Because if I let you leave,

535
00:32:11,800 --> 00:32:15,000
Speaker 1: that's my one way off I have. Right now, it's

536
00:32:15,240 --> 00:32:17,760
Speaker 1: my vacation home, but you take my helicopter, it becomes

537
00:32:17,840 --> 00:32:21,280
Speaker 1: my prison. Does that make sense? Yeah? What are you

538
00:32:21,360 --> 00:32:24,120
Speaker 1: doing in my tent? I'm sorry? I was getting really

539
00:32:24,280 --> 00:32:28,200
Speaker 1: sunburned out. There. I just had to come inside. All right,

540
00:32:28,240 --> 00:32:30,600
Speaker 1: Well just there's not I guess you can come in.

541
00:32:30,720 --> 00:32:33,680
Speaker 1: I really want you guys to leave, but you don't

542
00:32:33,720 --> 00:32:36,560
Speaker 1: have like a boater, you can't make James, James, I

543
00:32:36,680 --> 00:32:40,040
Speaker 1: think I think slaughter is your answer here. I'm not

544
00:32:40,120 --> 00:32:42,160
Speaker 1: going to kill you guys. I'm a better guy. I meant,

545
00:32:42,240 --> 00:32:46,560
Speaker 1: I meant the I meant the indigenous people here. Really. Yeah,

546
00:32:47,400 --> 00:32:49,600
Speaker 1: it's a very American way to handle things. I hadn't

547
00:32:49,640 --> 00:32:52,160
Speaker 1: really considered it. I mean, then you have your beach home,

548
00:32:52,200 --> 00:32:54,320
Speaker 1: you have your cake, you eat it too, you know

549
00:32:54,360 --> 00:32:56,960
Speaker 1: what I mean. But they're actually, believe it or not,

550
00:32:57,200 --> 00:33:01,360
Speaker 1: they're fun. We played charades a lot of We've just

551
00:33:01,560 --> 00:33:03,240
Speaker 1: like it would be lonely here. But I guess if

552
00:33:03,320 --> 00:33:06,240
Speaker 1: you guys stayed and we got rid of them, James

553
00:33:06,280 --> 00:33:15,760
Speaker 1: c Pamela. Pamela, No, don't give her any more food.

554
00:33:15,800 --> 00:33:19,720
Speaker 1: We've got a limited suppli it's too late. She's already

555
00:33:19,760 --> 00:33:23,920
Speaker 1: eating all the food and the prophecy what but we've

556
00:33:23,960 --> 00:33:32,480
Speaker 1: been sustaining this food for so long, but it's just gone. Gentlemen, gentlemen, okay,

557
00:33:32,480 --> 00:33:39,800
Speaker 1: and put this guys on Brandon down. Now is the

558
00:33:39,840 --> 00:33:43,440
Speaker 1: board of just Jeer Christler Company and all subsidiary companies.

559
00:33:43,600 --> 00:33:47,720
Speaker 1: We had to make a decision for our future. That

560
00:33:49,000 --> 00:33:52,560
Speaker 1: chic Chicago. Now. But it seems that the U. S.

561
00:33:52,640 --> 00:33:55,920
Speaker 1: Navy has on an island northeast of a ship somewhere

562
00:33:56,000 --> 00:34:03,880
Speaker 1: out in the Pacific and now unnamed, unfound. Do we

563
00:34:03,960 --> 00:34:07,920
Speaker 1: still have a mold in the navy? Now? I want

564
00:34:08,040 --> 00:34:13,400
Speaker 1: to Uh, I don't know what I read. Do we

565
00:34:13,560 --> 00:34:17,120
Speaker 1: have a naval mall? Yes, you still have a mole

566
00:34:17,719 --> 00:34:22,399
Speaker 1: in the navy? Yes, a naval sir? Do you still

567
00:34:22,440 --> 00:34:28,040
Speaker 1: have a mole in your navel? That's what I was asking, Yes, yes, yes,

568
00:34:29,280 --> 00:34:35,040
Speaker 1: Come on, Conrad, just show everyone the mall. Look at this.

569
00:34:35,239 --> 00:34:39,160
Speaker 1: Look at this? Are you sure that's not just an

570
00:34:39,200 --> 00:34:42,279
Speaker 1: auty belly button? No, it's next to it. It's like

571
00:34:42,360 --> 00:34:46,399
Speaker 1: a sun with a little moon. It's great. Alright, alright, alright,

572
00:34:46,719 --> 00:34:48,880
Speaker 1: listen to now. We have an opportunity to name an

573
00:34:48,920 --> 00:34:54,359
Speaker 1: island after us. All right, an opportunity. Your rectal mall also,

574
00:34:55,160 --> 00:34:57,520
Speaker 1: don't have one without the other. Hell's going on here?

575
00:34:57,560 --> 00:35:00,520
Speaker 1: It's going to come on moons over Miami. Let's let's

576
00:35:00,520 --> 00:35:04,279
Speaker 1: take a gander my butt. Hold fine, here it is.

577
00:35:04,320 --> 00:35:08,839
Speaker 1: Look at this. It's pretty good. It's not just an

578
00:35:08,880 --> 00:35:13,320
Speaker 1: audirect them the hell that's wrong with you? Alright? Sorry, sorry,

579
00:35:14,000 --> 00:35:18,279
Speaker 1: god damn it. We have to vote. We take this

580
00:35:18,440 --> 00:35:20,440
Speaker 1: island or do we let it loose and give it

581
00:35:20,520 --> 00:35:26,320
Speaker 1: a Ford Let it loose? Yes, do we not claim

582
00:35:26,360 --> 00:35:30,680
Speaker 1: that's if that's a vote for letting it lose. Hold on,

583
00:35:35,719 --> 00:35:38,759
Speaker 1: that's whatever these voting on everyone's vote sounds like a question. Okay,

584
00:35:38,760 --> 00:35:40,120
Speaker 1: it doesn't sound like you're saying that. It sounds like

585
00:35:40,160 --> 00:35:42,600
Speaker 1: you're asking a question. So let's just be clear. Let

586
00:35:42,680 --> 00:35:45,920
Speaker 1: it loose, all right, hold on, hold on. In favor

587
00:35:46,200 --> 00:35:48,759
Speaker 1: of keeping the island, say let's keep the island. I

588
00:35:48,840 --> 00:35:55,279
Speaker 1: like it. I like it. Let's keep right, and all

589
00:35:55,360 --> 00:35:58,720
Speaker 1: in favor of letting it loose, say let it loose,

590
00:35:59,600 --> 00:36:06,360
Speaker 1: let it lose. Don't repeat me. Listen, we need to

591
00:36:07,400 --> 00:36:13,120
Speaker 1: Ford Motor Company. Gather round, gather. I have some very

592
00:36:13,200 --> 00:36:18,200
Speaker 1: surprising news. I got a fact from those assholes over

593
00:36:18,239 --> 00:36:22,840
Speaker 1: at Chrysler. Yeah, yeah, yeah, you know Conrad. He doesn't

594
00:36:22,920 --> 00:36:28,640
Speaker 1: like using the digital stuff, so he facts over. Get

595
00:36:28,800 --> 00:36:34,640
Speaker 1: down right, Uh, I hold a deed here. We now

596
00:36:34,800 --> 00:36:38,799
Speaker 1: own an island and unnamed unfound island. As a matter

597
00:36:38,840 --> 00:36:43,480
Speaker 1: of let's name Okay, so let's take a vote. If

598
00:36:43,520 --> 00:36:45,120
Speaker 1: you want to name it the f one fifty, say

599
00:36:45,520 --> 00:36:47,359
Speaker 1: f one fifty. If you want to let it loose

600
00:36:50,719 --> 00:36:56,759
Speaker 1: at one fifty, let it loose. I vote one. Let

601
00:36:56,840 --> 00:36:58,640
Speaker 1: it loose. Okay, it looks like we'll be sending it.

602
00:36:59,600 --> 00:37:03,840
Speaker 1: Uh seamen, who are you talking to? I'm talking to

603
00:37:04,040 --> 00:37:07,239
Speaker 1: a friend of mine. The friend of mine. Get your

604
00:37:07,280 --> 00:37:09,759
Speaker 1: head in the game. We just landed on the island, Yes,

605
00:37:09,800 --> 00:37:12,279
Speaker 1: sir Chrysler. I want you to know. We just landed

606
00:37:12,320 --> 00:37:14,400
Speaker 1: on the island. I'm going to be walking around the

607
00:37:14,440 --> 00:37:20,440
Speaker 1: island over and out. I wanta goodbye. Alright, Rick the island.

608
00:37:20,560 --> 00:37:28,080
Speaker 1: Let's see you unleash your beauty. Who are you guys?

609
00:37:28,160 --> 00:37:33,680
Speaker 1: Whoa whoa, whoa whoa whoa wall SMaL Rick Sutcliffe, Admiral

610
00:37:33,760 --> 00:37:37,520
Speaker 1: Rick Sutcliffe, U. S. Navy, James Heeney, King of this world.

611
00:37:38,239 --> 00:37:43,000
Speaker 1: Oh yeah, so you can get on your ships and

612
00:37:43,239 --> 00:37:46,719
Speaker 1: and float back away. Well, we're only on one ship,

613
00:37:47,880 --> 00:37:50,839
Speaker 1: but one ship brought all you guys here. That's right.

614
00:37:51,760 --> 00:37:54,960
Speaker 1: Oh it's a big ship like I I think the U. S.

615
00:37:55,080 --> 00:38:00,640
Speaker 1: Navy is probably capable of taking you James Heeney down, Well,

616
00:38:00,800 --> 00:38:02,680
Speaker 1: I don't want to spoil it, but I've got a

617
00:38:02,760 --> 00:38:06,600
Speaker 1: lot of you know, friends, and there's I'm not alone

618
00:38:06,680 --> 00:38:08,480
Speaker 1: on this island, and I would hate to show my

619
00:38:08,680 --> 00:38:11,319
Speaker 1: force and flex my muscle. So you should just get

620
00:38:11,360 --> 00:38:14,520
Speaker 1: on your ship and get out of here. You're not alone, sir.

621
00:38:15,440 --> 00:38:18,319
Speaker 1: That seems to be a declaration of war. That's right, Oh,

622
00:38:18,520 --> 00:38:20,839
Speaker 1: I I don't think the war is exactly where we've

623
00:38:20,880 --> 00:38:24,320
Speaker 1: gone here. I mean, this is just really a barrier,

624
00:38:24,360 --> 00:38:28,120
Speaker 1: a border. You're threatened us, we threatened you. You're on

625
00:38:28,320 --> 00:38:32,040
Speaker 1: rick Rick the island. Oh that can't be. This is

626
00:38:32,200 --> 00:38:37,640
Speaker 1: this is I've I've named this Henland ned. That doesn't

627
00:38:37,640 --> 00:38:41,000
Speaker 1: exactly roll up the tongue, does it. It took a

628
00:38:41,040 --> 00:38:42,840
Speaker 1: long time for me to be able to even say it.

629
00:38:42,880 --> 00:38:47,200
Speaker 1: But you it'll grow and you get off of heland land.

630
00:38:47,400 --> 00:38:50,400
Speaker 1: You are trying to say, he need land. No, No,

631
00:38:50,520 --> 00:38:53,040
Speaker 1: it's supposed to be like island and Heny but heland.

632
00:38:53,840 --> 00:38:56,720
Speaker 1: It doesn't matter. Get on your ship and go. Notice

633
00:38:56,760 --> 00:38:59,440
Speaker 1: the amount of time it takes to pronounce the isle

634
00:39:00,000 --> 00:39:04,800
Speaker 1: problem right before land island. And then you've created this

635
00:39:05,520 --> 00:39:09,600
Speaker 1: whole other universe. Alright, guys, I got the keys to

636
00:39:09,640 --> 00:39:13,719
Speaker 1: the helicopter. Let's just bounce. What do you say? Oh yeah, Oh,

637
00:39:14,000 --> 00:39:16,520
Speaker 1: look at this little notice right here. It's there's a

638
00:39:16,600 --> 00:39:21,160
Speaker 1: weight limit up to eight hundred pounds. Okay, well I

639
00:39:21,280 --> 00:39:28,440
Speaker 1: wait to forty Pamela. I hate to be rude, but

640
00:39:28,560 --> 00:39:32,800
Speaker 1: we gotta ask the lady. Last time I checked, it

641
00:39:32,960 --> 00:39:37,160
Speaker 1: was two fifty deuce and a half deuce and a half.

642
00:39:38,760 --> 00:39:42,160
Speaker 1: But I don't know. I just had a severe case

643
00:39:42,239 --> 00:39:44,400
Speaker 1: of diarrhea after eating all the food on the island.

644
00:39:47,920 --> 00:39:50,359
Speaker 1: Hold on, hold on, I mean translate this guy saying here,

645
00:39:52,080 --> 00:39:59,239
Speaker 1: James Cney. Suh. He's saying something like he wants to

646
00:39:59,280 --> 00:40:02,000
Speaker 1: go with us. He thinks he has a good start

647
00:40:02,040 --> 00:40:09,359
Speaker 1: up idea for the big city. So Bobby, Bobby, Yeah, okay,

648
00:40:09,400 --> 00:40:11,359
Speaker 1: So you're saying you've got a new app idea. Here

649
00:40:11,880 --> 00:40:25,640
Speaker 1: a picture to us so hot when it's shut the adonna.

650
00:40:26,840 --> 00:40:30,279
Speaker 1: So it's a nap, you're talking about a nap. Yeah,

651
00:40:30,280 --> 00:40:33,520
Speaker 1: it's a nap. Okay. Yeah. So so what you're doing

652
00:40:33,560 --> 00:40:35,560
Speaker 1: is you're gonna be able to tell people exactly what

653
00:40:35,640 --> 00:40:36,960
Speaker 1: they want to eat when they want to eat it.

654
00:40:38,560 --> 00:40:41,520
Speaker 1: All right, Yeah that sounds fantastic. Yeah, I'll definitely go

655
00:40:41,640 --> 00:40:46,120
Speaker 1: with that. Yeah, you can add that coffee at first,

656
00:40:46,719 --> 00:40:49,560
Speaker 1: so uh all right, yeah great, all right, you know what,

657
00:40:49,800 --> 00:40:53,320
Speaker 1: Let's stick in this room until we name the app.

658
00:40:55,680 --> 00:40:57,759
Speaker 1: All right, My god, I just wanted to show him

659
00:40:57,760 --> 00:40:59,960
Speaker 1: the crystable. Does that look like the Chrysler build christ

660
00:41:00,040 --> 00:41:04,960
Speaker 1: Low Building? Yeah yeah, yeah yeah, oh Chrysler Yeah yeah

661
00:41:05,000 --> 00:41:12,480
Speaker 1: yeah it looks Chrysler. Yeah yeah yeah, look like you

662
00:41:12,600 --> 00:41:15,440
Speaker 1: sold another Chrysler. Can we name the fucking app already? Yeah?

663
00:41:15,520 --> 00:41:17,239
Speaker 1: Fine me, but whatever the hell you want? All right.

664
00:41:17,960 --> 00:41:20,040
Speaker 1: It tells people what they're gonna eat when it's time

665
00:41:20,080 --> 00:41:25,160
Speaker 1: to eat, and we called the eat time huh Like, Hey, Pam,

666
00:41:26,040 --> 00:41:29,760
Speaker 1: I looked at your app. I saw it at eat time. Yeah,

667
00:41:31,160 --> 00:41:34,520
Speaker 1: so I was hoping maybe I I heard the notification

668
00:41:34,600 --> 00:41:36,920
Speaker 1: go off. I'm very familiar with the eat time app.

669
00:41:37,000 --> 00:41:43,240
Speaker 1: I also use it. Uh point, Mama needs a burger?

670
00:41:43,880 --> 00:41:49,360
Speaker 1: Yeah yeah, and so it is, Daddy me I do,

671
00:41:49,840 --> 00:41:51,680
Speaker 1: Steve does. I was wondering, maybe you want to go

672
00:41:51,800 --> 00:41:55,839
Speaker 1: get a burger together, Steve. I would love to her.

673
00:41:56,920 --> 00:42:00,440
Speaker 1: Are you my daddy? Are you pregnant with child that's

674
00:42:00,440 --> 00:42:05,120
Speaker 1: speaking inside of your belly? Yeah, it's very advanced. Hello,

675
00:42:05,920 --> 00:42:14,320
Speaker 1: let me baby, he's talking to you. Let me seriously, No,

676
00:42:14,640 --> 00:42:17,719
Speaker 1: you're you're seven months baked. You got two more months. Kids.

677
00:42:18,239 --> 00:42:20,759
Speaker 1: I'll run out the back door if necessary. Just give

678
00:42:20,800 --> 00:42:26,040
Speaker 1: me at Pamela. I like you a lot, and I'm

679
00:42:26,160 --> 00:42:28,520
Speaker 1: having to raise this child as my own. But maybe

680
00:42:28,600 --> 00:42:32,839
Speaker 1: you gotta figure out what's going on here, all right.

681
00:42:32,880 --> 00:42:40,040
Speaker 1: I'm just a hungran gets the fucking bergs. It's a

682
00:42:40,160 --> 00:42:43,040
Speaker 1: it's funny about we met on we met on hitting

683
00:42:43,120 --> 00:42:47,319
Speaker 1: lend Oh, hey, hey, how you so good to see you. Yes,

684
00:42:47,480 --> 00:42:52,040
Speaker 1: I'm I'm working on a startup now. Wow, yes, yes,

685
00:42:52,080 --> 00:42:57,680
Speaker 1: developing apps. I hope you been still still grotesque? Yes,

686
00:42:57,920 --> 00:43:01,960
Speaker 1: just roll in places whenever I can. Okay, but it

687
00:43:02,000 --> 00:43:06,160
Speaker 1: looks like you're pregnant as well. Yes, well it we

688
00:43:06,520 --> 00:43:08,960
Speaker 1: the doctors thought it was a pregnancy. If it turns

689
00:43:09,000 --> 00:43:14,120
Speaker 1: out it was just speaking hunger pain. So yeah, have

690
00:43:14,200 --> 00:43:16,040
Speaker 1: you talked to Have you talked to James Ceney lately?

691
00:43:17,280 --> 00:43:20,520
Speaker 1: I haven't. Actually, no, we've lost touch ever since I

692
00:43:20,800 --> 00:43:22,880
Speaker 1: you know, I left the islands. You know, you and

693
00:43:22,920 --> 00:43:26,040
Speaker 1: your friends were advocating genocide. Glad that didn't happen. Yeah,

694
00:43:26,719 --> 00:43:30,080
Speaker 1: I mean you look you look completely different. What can

695
00:43:30,120 --> 00:43:34,279
Speaker 1: I say? Because before Yeah, yeah, you're gorgeous. I mean

696
00:43:35,640 --> 00:43:39,640
Speaker 1: you learned English, you're wearing clothes now, I'm a quick study. Yeah.

697
00:43:40,880 --> 00:43:47,880
Speaker 1: Well it's burger time. I've been using ye. I don't know.

698
00:43:47,920 --> 00:43:50,000
Speaker 1: If you're hungry, I'd love to go get a burger.

699
00:43:50,400 --> 00:43:53,479
Speaker 1: I could get a burger. Yeah, I'll do it without

700
00:43:53,480 --> 00:43:55,680
Speaker 1: a bun though, you know, just trying to trying to

701
00:43:55,760 --> 00:43:58,640
Speaker 1: lose a few, you know, adjusting from island life to

702
00:43:58,800 --> 00:44:03,600
Speaker 1: American life. So many galleries here, Yeah, tell me about it.

703
00:44:03,719 --> 00:44:08,440
Speaker 1: Ha ha ha. So I guess you're just gonna take

704
00:44:08,480 --> 00:44:12,239
Speaker 1: off with him, then, Pamela, I get it. He was

705
00:44:12,280 --> 00:44:18,680
Speaker 1: like Jason Momoa. I mean they got gorgeous, gorgeous. Yeah, okay,

706
00:44:19,520 --> 00:44:24,880
Speaker 1: maybe you can find uh stinky around Yeah yeah, mayb

707
00:44:24,920 --> 00:44:27,759
Speaker 1: we'll go look for stinky. Best to luck to you too.

708
00:44:28,080 --> 00:44:30,640
Speaker 1: Oh yeah, how is stinky and dumb dumb Bobby? Dumb

709
00:44:30,719 --> 00:44:34,719
Speaker 1: dumb Bobby. Oh, don't call him that anymore. Dumb dumb

710
00:44:34,719 --> 00:44:38,600
Speaker 1: Bobby actually became the president of Chrysler. Oh really, yeah,

711
00:44:41,200 --> 00:44:47,759
Speaker 1: so that's that too. Seen two ladies and Jews. We're

712
00:44:47,800 --> 00:44:58,160
Speaker 1: gonna make scene three a short one three word on

713
00:44:58,239 --> 00:45:00,960
Speaker 1: the street, as you can't meet up a more Saints

714
00:45:01,160 --> 00:45:04,880
Speaker 1: of my stroke, just use zoom. Well we are Nicholas,

715
00:45:04,960 --> 00:45:08,719
Speaker 1: so back off, man. Here's my scene suggestion. Improv has

716
00:45:08,760 --> 00:45:13,240
Speaker 1: been made illegal across the world. Yeah, just a tiny

717
00:45:13,360 --> 00:45:17,520
Speaker 1: rebel team of improvisers are the vanguard of the rebellion.

718
00:45:18,160 --> 00:45:22,160
Speaker 1: We meet them in Sewers, Nicholas from Munich. Don't bail

719
00:45:22,239 --> 00:45:26,000
Speaker 1: on us now, we won't, Nickolace, We take you to

720
00:45:26,120 --> 00:45:36,839
Speaker 1: the sewers. Zap stop zo Okay, it's um it's zip

721
00:45:37,000 --> 00:45:43,479
Speaker 1: zap stop. There's no zoop in there. Look, this isn't

722
00:45:44,520 --> 00:45:47,839
Speaker 1: this isn't doing it for me anymore. Guys, O, man,

723
00:45:48,760 --> 00:45:52,040
Speaker 1: it's just us down here. What are you gonna do?

724
00:45:52,280 --> 00:45:55,000
Speaker 1: I know I used to have your backs. I don't

725
00:45:55,040 --> 00:45:56,960
Speaker 1: know if I have your backs anymore. I gotta be honest.

726
00:45:58,320 --> 00:46:02,920
Speaker 1: I got your back, I got you better. Yeah. Three

727
00:46:02,960 --> 00:46:06,520
Speaker 1: person shows are tough. Look, I know the government has

728
00:46:06,520 --> 00:46:10,440
Speaker 1: been cracking down, you know, but you know we we've

729
00:46:10,480 --> 00:46:12,800
Speaker 1: got a system for letting people know about our secret shows.

730
00:46:13,239 --> 00:46:16,960
Speaker 1: You know, last time we had seven people. I mean,

731
00:46:17,080 --> 00:46:19,759
Speaker 1: they come on, it's gonna grow. We started with none.

732
00:46:20,400 --> 00:46:23,560
Speaker 1: Seven honestly was more people than I performed in front of,

733
00:46:23,640 --> 00:46:28,239
Speaker 1: even when we weren't underground. Oh rat rat, rat rat

734
00:46:28,360 --> 00:46:33,560
Speaker 1: rat rat. Okay, okay, now I'll guess I'll do a

735
00:46:33,640 --> 00:46:37,439
Speaker 1: monologue based on rat. Okay, rat. There I was. I'm

736
00:46:37,520 --> 00:46:40,879
Speaker 1: my feeling it. Guys, Hi, hi, Hi, They're coming, They're coming,

737
00:46:40,880 --> 00:46:45,920
Speaker 1: They're coming. Who are you were for? Hey? Is there

738
00:46:46,719 --> 00:46:49,480
Speaker 1: is there improv going on in this sewer here? No? No, no,

739
00:46:49,640 --> 00:46:53,160
Speaker 1: no improv there, no improv? Just I could have swore

740
00:46:53,239 --> 00:46:56,400
Speaker 1: I heard an improvised monologue. I'm coming down. No, sir, no,

741
00:46:56,520 --> 00:46:59,839
Speaker 1: say that was a scripted, scripted monologue. Okay, okay, right,

742
00:47:00,000 --> 00:47:02,680
Speaker 1: everybody pullut your scripts for mam, mam. Script script. Let's

743
00:47:02,680 --> 00:47:04,960
Speaker 1: see the script about the rat. I need the rat. Script.

744
00:47:05,239 --> 00:47:07,400
Speaker 1: You see this rat that I'm talking about? Don't you

745
00:47:07,600 --> 00:47:09,799
Speaker 1: that rat? That rat we're both looking at right now.

746
00:47:09,920 --> 00:47:11,920
Speaker 1: That's the rat I'm speaking of. Do you hear me

747
00:47:12,000 --> 00:47:15,200
Speaker 1: when I say this to you? My mistake? I am

748
00:47:15,320 --> 00:47:20,040
Speaker 1: so sorry for interrupting your scripted monologue practices. Um, sorry,

749
00:47:20,200 --> 00:47:24,400
Speaker 1: my my mistake. I'm gonna be leaving the sewers stinky

750
00:47:24,480 --> 00:47:29,640
Speaker 1: down here, so maybe get an air freshener and incense stick. Thanks,

751
00:47:29,719 --> 00:47:35,480
Speaker 1: flat foot. I heard that, Yeah, what about it? Don't

752
00:47:35,520 --> 00:47:40,360
Speaker 1: call me that by That was a close. One that

753
00:47:40,520 --> 00:47:45,160
Speaker 1: was close. That was close. Good cover, quieter conduct, come

754
00:47:45,200 --> 00:47:52,480
Speaker 1: into my office, yeah, quieter, yes, the hunter. Yes, how

755
00:47:52,560 --> 00:47:57,520
Speaker 1: are you. It's okay, it's okay. I just I'm surprised

756
00:47:57,560 --> 00:47:59,960
Speaker 1: you want to see me. Yeah, of course I want

757
00:47:59,960 --> 00:48:02,200
Speaker 1: to see you. Listen, the reports coming in are weak.

758
00:48:03,200 --> 00:48:05,879
Speaker 1: I know there's improv happening in the city streets because

759
00:48:05,880 --> 00:48:08,560
Speaker 1: I hear people talking about suggestions, and that needs to

760
00:48:08,640 --> 00:48:11,360
Speaker 1: be stopped now. But you know, maybe it's a different

761
00:48:11,400 --> 00:48:14,640
Speaker 1: type of suggestion. Maybe it's like how a business can

762
00:48:14,719 --> 00:48:19,560
Speaker 1: improve something like that. Yeah, maybe you're right. Maybe that's

763
00:48:19,600 --> 00:48:24,920
Speaker 1: exactly what I'm thinking. Wrong, You're wrong. I know it's improved,

764
00:48:24,960 --> 00:48:32,680
Speaker 1: and I need those improvisers dead dead dead dead. But okay,

765
00:48:34,040 --> 00:48:37,239
Speaker 1: I'm sorry. Why do you seem to have some kind

766
00:48:37,239 --> 00:48:40,759
Speaker 1: of affinity for improvisers? Is their loyalty to me or

767
00:48:40,880 --> 00:48:44,759
Speaker 1: to the art to you? Sir? As you always say no,

768
00:48:45,160 --> 00:48:50,040
Speaker 1: but no, but no, But now I put this in

769
00:48:50,120 --> 00:48:55,040
Speaker 1: your hands personally. I want this to be dealt with today. Yes, sir,

770
00:48:56,040 --> 00:48:59,399
Speaker 1: I'll go out there and murder any of those motherfucker's

771
00:48:59,440 --> 00:49:03,520
Speaker 1: that I find. What do you Hey, thanks for meeting

772
00:49:03,560 --> 00:49:04,920
Speaker 1: me here at our secret spot. What do you mean

773
00:49:05,000 --> 00:49:07,440
Speaker 1: you're being sent to murder us? You're one of us.

774
00:49:07,920 --> 00:49:13,040
Speaker 1: You're a great improviser. I agree, and I I've always

775
00:49:13,120 --> 00:49:15,960
Speaker 1: loved you, and I've loved performing with you. And acting

776
00:49:16,120 --> 00:49:18,880
Speaker 1: is reacting and blah blah blah. Here's the thing. If

777
00:49:18,920 --> 00:49:24,799
Speaker 1: I don't murder at least to three improvisers, I'm done.

778
00:49:25,880 --> 00:49:28,440
Speaker 1: He'll kill me. And then what you're going to join

779
00:49:28,480 --> 00:49:34,080
Speaker 1: the stand ups? I would never, I would never those

780
00:49:34,440 --> 00:49:40,359
Speaker 1: those sad Hey, what's going on in here? Who's this guy?

781
00:49:41,800 --> 00:49:46,200
Speaker 1: Who's this guy? Hey? You you ever? You ever fly?

782
00:49:47,280 --> 00:49:52,279
Speaker 1: I'm all like, no, thanks, all right? Yeah you want

783
00:49:52,280 --> 00:49:54,920
Speaker 1: to share your Type five real quick? Yeah? I mean

784
00:49:55,040 --> 00:49:57,640
Speaker 1: that's but hold on, I'd like to see your script

785
00:49:57,719 --> 00:50:02,000
Speaker 1: before you get into it. It's somewhere, it's it's on

786
00:50:02,080 --> 00:50:07,600
Speaker 1: my phone. Um no you so you were? You were?

787
00:50:09,000 --> 00:50:12,680
Speaker 1: Your script is out of your phone? Okay? Yeah, Hey,

788
00:50:12,840 --> 00:50:16,120
Speaker 1: welcome to Tommy Shoit. Hold everybody. Your next act that

789
00:50:16,280 --> 00:50:20,040
Speaker 1: had a great album out a few years back called

790
00:50:20,560 --> 00:50:22,800
Speaker 1: good Night I think it was, or good on You

791
00:50:23,320 --> 00:50:25,120
Speaker 1: something like that. Maybe he can tell you about it

792
00:50:25,760 --> 00:50:32,520
Speaker 1: here he is Mr Joe. All right, how are you? Hey? Everybody? Everybody? So, uh,

793
00:50:32,840 --> 00:50:35,000
Speaker 1: what's up with the weather. Huh, it's too hot. And

794
00:50:35,120 --> 00:50:38,520
Speaker 1: my right, it's too hot the weather. So it it

795
00:50:38,600 --> 00:50:41,480
Speaker 1: makes me think of what the heck is hell? I

796
00:50:41,640 --> 00:50:44,799
Speaker 1: was gonna so, you know, a couple of days ago,

797
00:50:44,920 --> 00:50:47,719
Speaker 1: take us there, now, a couple of days ago, I

798
00:50:47,800 --> 00:50:49,439
Speaker 1: went over to the bread line and I was looking

799
00:50:49,480 --> 00:50:51,160
Speaker 1: at the bread, and I thought to myself, with this bread,

800
00:50:51,480 --> 00:50:53,400
Speaker 1: if this is the best bread that the state can

801
00:50:53,440 --> 00:50:56,799
Speaker 1: give us, then keep it. I'd rather eat the goddamn rocks.

802
00:50:58,080 --> 00:51:00,200
Speaker 1: I'd rather eat the guddamn rocks on the street. Don't

803
00:51:00,200 --> 00:51:03,360
Speaker 1: need that bread. You know. That's something that's going on,

804
00:51:03,800 --> 00:51:11,239
Speaker 1: something that's going up, that's going up in prices. Uh. Alright, improvisers,

805
00:51:12,440 --> 00:51:14,520
Speaker 1: I was up there for a while and it's getting bad.

806
00:51:15,520 --> 00:51:18,839
Speaker 1: I'm talking stand up everywhere, and I mean like most

807
00:51:18,880 --> 00:51:25,319
Speaker 1: stand up mediocre. Wow, that is dystopian. Well, we gotta

808
00:51:25,360 --> 00:51:27,800
Speaker 1: do something. We gotta do something, and I mean we

809
00:51:27,880 --> 00:51:32,720
Speaker 1: gotta go out. Listen. I'd rather die lead us, Okay,

810
00:51:33,080 --> 00:51:37,560
Speaker 1: be the new leader. I'm thinking. I'm thinking we could

811
00:51:38,320 --> 00:51:40,800
Speaker 1: we get out of this sewer. We go to the

812
00:51:40,840 --> 00:51:43,880
Speaker 1: first popular area. Maybe Starbucks. Sorry, sorry, sorry, I want

813
00:51:43,920 --> 00:51:48,480
Speaker 1: to write this down Starbucks. What about Starbucks. Maybe we

814
00:51:48,680 --> 00:51:53,200
Speaker 1: enter a Starbucks and we just do a motherfucking mono scene.

815
00:51:54,280 --> 00:51:55,719
Speaker 1: It'll take him a while for them to catch on,

816
00:51:57,000 --> 00:51:59,600
Speaker 1: so we'll be fine for a moment or two. After

817
00:51:59,600 --> 00:52:01,359
Speaker 1: a while going to realize this is all being made

818
00:52:01,400 --> 00:52:04,520
Speaker 1: up on the spot, and then well, then the trouble

819
00:52:04,560 --> 00:52:08,640
Speaker 1: will come. We'll go with it. We'll improvise, gotcha. I

820
00:52:08,680 --> 00:52:10,920
Speaker 1: wish you weren't in this group. Got your back? Got

821
00:52:11,000 --> 00:52:21,680
Speaker 1: your back? Uh? Hi, we'd like three coffees please, three coffees? Okay? Yeah? Uh?

822
00:52:22,840 --> 00:52:25,480
Speaker 1: Would you mind getting the would you mind getting the order?

823
00:52:25,520 --> 00:52:27,000
Speaker 1: I'll get the coffee, So, damon, can I talk to

824
00:52:27,000 --> 00:52:33,319
Speaker 1: you for a second? Me? Oh, are you sure? Because

825
00:52:33,360 --> 00:52:35,880
Speaker 1: there was an Can I talk to you for a second?

826
00:52:36,960 --> 00:52:42,640
Speaker 1: Am I getting ridden up? Okay? I what do you do?

827
00:52:42,880 --> 00:52:44,719
Speaker 1: You know what, Damion? The thing you're not doing is

828
00:52:44,760 --> 00:52:48,560
Speaker 1: being compliant. You're not You're not a team player. I'm trying.

829
00:52:48,640 --> 00:52:52,120
Speaker 1: I said, you've finished the order. Yeah, you just start something.

830
00:52:52,160 --> 00:52:56,880
Speaker 1: You walk away, Damion. You know, you sound a lot

831
00:52:56,960 --> 00:52:59,680
Speaker 1: like an improvin And i'd behave if i'd be so,

832
00:53:00,000 --> 00:53:01,200
Speaker 1: and if I told the state that I had an

833
00:53:01,239 --> 00:53:05,520
Speaker 1: improviser working force. So yeah, I'll take three coffees, three

834
00:53:05,840 --> 00:53:10,719
Speaker 1: ventake coffees please? And can I get a Can I

835
00:53:10,760 --> 00:53:12,440
Speaker 1: get a suggestion of a location that would fit in

836
00:53:12,480 --> 00:53:17,000
Speaker 1: the space? A diner? Not you, you're in the group,

837
00:53:18,320 --> 00:53:25,640
Speaker 1: Jesus Christ talking to the barista here, just tryings. You

838
00:53:25,719 --> 00:53:28,399
Speaker 1: keep trying to get that in Chad. What are you doing? Yeah?

839
00:53:28,880 --> 00:53:31,600
Speaker 1: What's your fascination with that? Do you have something written

840
00:53:31,680 --> 00:53:39,400
Speaker 1: for that? No? No, you can and you will. We're

841
00:53:39,440 --> 00:53:43,000
Speaker 1: gonna do a goddamn mono scene right now. Miss miss.

842
00:53:43,200 --> 00:53:45,640
Speaker 1: I know, I know you don't want to do this,

843
00:53:46,080 --> 00:53:48,400
Speaker 1: but it's important. Please give us a suggestion of a

844
00:53:48,400 --> 00:53:51,080
Speaker 1: location that would fit in the space, Sirry is not

845
00:53:51,160 --> 00:53:57,400
Speaker 1: a dugging your life, I'm sorry. Um a plant nursery,

846
00:53:58,400 --> 00:54:04,680
Speaker 1: plant nurseank you andank you, thank you, thank you, thank you? Yes, Hi,

847
00:54:04,760 --> 00:54:08,800
Speaker 1: are any of these plants for saying all all of

848
00:54:08,880 --> 00:54:14,520
Speaker 1: these plants are babies because it's a it's a plant nursery. Yes, yes,

849
00:54:15,400 --> 00:54:19,200
Speaker 1: and um you uh yeah, you can give me money

850
00:54:19,239 --> 00:54:21,520
Speaker 1: and I will give you one of these plant babies. Yeah.

851
00:54:21,560 --> 00:54:25,000
Speaker 1: There was a sign that said Jimmy's plant Nursery. That's right,

852
00:54:25,080 --> 00:54:30,120
Speaker 1: I'm Jimmy. Yes, you're Jimmy. And yes, and yes, and

853
00:54:30,719 --> 00:54:33,759
Speaker 1: can you sell me a plant? Keep going? It's going great,

854
00:54:33,800 --> 00:54:37,160
Speaker 1: it's going great. I can't sell you we're in a

855
00:54:37,239 --> 00:54:40,880
Speaker 1: transaction scene. Well, I guess I'll just take my stuff

856
00:54:40,920 --> 00:54:43,759
Speaker 1: and I'll leave if I'm fired. This is sucky. I'm

857
00:54:43,800 --> 00:54:48,960
Speaker 1: not an improvis You're going to have to squisitors about that. Yeah,

858
00:54:49,600 --> 00:54:51,799
Speaker 1: you shouldn't do that to me. I mean you might

859
00:54:51,880 --> 00:54:53,840
Speaker 1: find out that it points a lot of fingers, and

860
00:54:53,920 --> 00:54:57,040
Speaker 1: then all of a sudden you've got an improv scene

861
00:54:57,080 --> 00:54:59,799
Speaker 1: in your own Is that a sane you're talking about?

862
00:54:59,800 --> 00:55:03,759
Speaker 1: It's you point one finger. What I'm saying that a

863
00:55:03,840 --> 00:55:06,759
Speaker 1: lot of Yeah, that's what I'm saying. I'm just saying

864
00:55:06,800 --> 00:55:08,560
Speaker 1: that there you might find out that you're the one

865
00:55:08,600 --> 00:55:10,800
Speaker 1: that's a bad guy, and then you're gonna wish the

866
00:55:10,880 --> 00:55:13,600
Speaker 1: it didn't fire day. Damian, you have been eating the

867
00:55:13,719 --> 00:55:16,440
Speaker 1: sugar packets in the break room. I see you do that.

868
00:55:16,760 --> 00:55:19,359
Speaker 1: There's splendor and it's not bad. Okay, it's not even

869
00:55:19,480 --> 00:55:23,480
Speaker 1: it's not bad for me. Okay, I'm leaving, Damian. Approach

870
00:55:23,560 --> 00:55:30,920
Speaker 1: the tribunal. You have been accused, sir, of improvisation. How

871
00:55:30,960 --> 00:55:35,439
Speaker 1: do you plead? I plead completely innocent off with his head.

872
00:55:38,680 --> 00:55:41,840
Speaker 1: Wait wait, wait, I'm pretty sure that when I was

873
00:55:41,960 --> 00:55:44,640
Speaker 1: being fired there was improv going on all around me,

874
00:55:45,040 --> 00:55:49,120
Speaker 1: but no one investigated that. Stop this, stop this. Excuse me,

875
00:55:50,040 --> 00:55:52,960
Speaker 1: there's a there's a mono scene going on right now

876
00:55:53,000 --> 00:56:01,360
Speaker 1: at the Starbucks on everybody. Everybody's watching, Follow me, follow me, following? Alright, tribunal,

877
00:56:01,520 --> 00:56:11,759
Speaker 1: let's bo let's go my heavy room. He stairs a well, Uh,

878
00:56:12,120 --> 00:56:15,560
Speaker 1: this plant is three dollars, but this one over here

879
00:56:15,920 --> 00:56:19,080
Speaker 1: is four dollars. I'll take the four dollar one. The

880
00:56:19,200 --> 00:56:25,279
Speaker 1: four dollar one. Okay, is such an art form. Let's see.

881
00:56:25,400 --> 00:56:30,480
Speaker 1: I don't I can only take cash. I have cash.

882
00:56:30,960 --> 00:56:34,279
Speaker 1: Oh wait, I meant I only What is this the

883
00:56:34,360 --> 00:56:36,799
Speaker 1: transaction happening with no real money, no plans that they

884
00:56:36,800 --> 00:56:43,440
Speaker 1: speak of. This must be improv that's improv everybody, they're improvising, scatter?

885
00:56:43,640 --> 00:56:47,440
Speaker 1: Are they doing object work? Seems excuse me? How much

886
00:56:47,480 --> 00:56:50,600
Speaker 1: for this bag of coffee beans that I'm here to purchase?

887
00:56:51,800 --> 00:56:54,200
Speaker 1: I don't know. I'm part of the tribunal. I uh,

888
00:56:55,680 --> 00:56:57,799
Speaker 1: I don't know a tribunal. I'm matter Starbucks and I'm

889
00:56:57,840 --> 00:57:03,200
Speaker 1: trying to bud he's improvising with me. I think six, Damien,

890
00:57:03,280 --> 00:57:07,440
Speaker 1: come up your Damien. Look at your pants? Are there

891
00:57:07,560 --> 00:57:10,680
Speaker 1: is inside my pants? How is this switch scraps happening?

892
00:57:11,040 --> 00:57:14,320
Speaker 1: Careful he's making you. Yes, and him, he's doing improper

893
00:57:15,320 --> 00:57:18,680
Speaker 1: It's an incredible dark art. It's a very killing me.

894
00:57:18,840 --> 00:57:22,080
Speaker 1: I didn't know I was improvising. He made me the

895
00:57:22,160 --> 00:57:26,360
Speaker 1: bathroom coders two four, three six go. I could see

896
00:57:26,440 --> 00:57:30,520
Speaker 1: that bag of beans he's holding. It's incredible object. Well,

897
00:57:30,520 --> 00:57:31,960
Speaker 1: I think that really is a pack of beans. This

898
00:57:32,080 --> 00:57:35,720
Speaker 1: is no rough, No, this is where I was from

899
00:57:35,720 --> 00:57:38,080
Speaker 1: when I was not Damien. You must be murdered for

900
00:57:38,160 --> 00:57:50,880
Speaker 1: the sake of the odd Yes, this is real. Yes, yes, yes, yes, yes,

901
00:57:51,520 --> 00:57:56,040
Speaker 1: And and that's our show. We have been the three

902
00:57:56,320 --> 00:57:59,520
Speaker 1: penny Opera and we just performed a mono scene for

903
00:57:59,560 --> 00:58:04,040
Speaker 1: you ladies, gentlemen, kill us if you must um freedom?

904
00:58:05,840 --> 00:58:13,520
Speaker 1: Am I still in trouble there? Just admitted to do it. Look,

905
00:58:13,760 --> 00:58:15,640
Speaker 1: I know that this Tribune will only cut the last

906
00:58:15,720 --> 00:58:22,040
Speaker 1: three minutes of this presumably long imbrov set, but contextually

907
00:58:22,200 --> 00:58:25,720
Speaker 1: it made perfect sense. And it was some of the

908
00:58:25,800 --> 00:58:29,600
Speaker 1: most fantastic theater and comedy I've ever seen. Thank you.

909
00:58:31,560 --> 00:58:36,160
Speaker 1: We're still going to execute execute Damien. I wasn't even

910
00:58:36,200 --> 00:58:38,919
Speaker 1: improvising before you leave, sir in the trube dounal, would

911
00:58:38,920 --> 00:58:43,560
Speaker 1: you mind writing a review that says all of that. Sure,

912
00:58:43,960 --> 00:58:46,600
Speaker 1: I review on iTunes for Live and bro. All right,

913
00:58:48,280 --> 00:58:51,520
Speaker 1: and that's our show for today. Thank you all so

914
00:58:51,680 --> 00:58:53,760
Speaker 1: much for joining us, and thank you all from listening,

915
00:58:54,240 --> 00:58:56,080
Speaker 1: for listening right to us and let us know what

916
00:58:56,160 --> 00:58:58,920
Speaker 1: your life is like these days. We'd love to hear

917
00:58:58,960 --> 00:59:00,960
Speaker 1: from you. Stay in touch. Your name here at algemy

918
00:59:01,000 --> 00:59:05,280
Speaker 1: this dot com. I've so enjoyed reading your emails. We're

919
00:59:05,520 --> 00:59:09,840
Speaker 1: clearly all in this together and sharing, um what what

920
00:59:10,000 --> 00:59:13,000
Speaker 1: this podcast might be doing for you, but also what's

921
00:59:13,040 --> 00:59:14,920
Speaker 1: going on in your lives. We want to stay in

922
00:59:15,000 --> 00:59:17,480
Speaker 1: touch and we appreciate your involvement as much as possible,

923
00:59:17,520 --> 00:59:21,520
Speaker 1: and stay safe and follow the damn rules. Please. Thank

924
00:59:21,600 --> 00:59:24,520
Speaker 1: you to Jessica Low, thank you for joining us again.

925
00:59:26,400 --> 00:59:28,560
Speaker 1: You must be excited to get back to puppy Land.

926
00:59:30,400 --> 00:59:33,480
Speaker 1: Yeah fantastic. Donny is a good boy on Instagram? Who

927
00:59:34,280 --> 00:59:38,920
Speaker 1: Sonny is a good boy on Instagram? Right on, James Heeny,

928
00:59:38,960 --> 00:59:44,280
Speaker 1: thank you, sir, Thank you for thanking me. Check out

929
00:59:44,680 --> 00:59:49,880
Speaker 1: the Twitch dot tv Forward Slash West Side Comedy Theater

930
00:59:50,640 --> 00:59:54,000
Speaker 1: there's live shows there. I think every single day at

931
00:59:54,000 --> 00:59:58,320
Speaker 1: seven pm Pacific standard time. So you mean every night, Well,

932
00:59:58,400 --> 01:00:00,520
Speaker 1: it depends on if you're in the UK, it's specific

933
01:00:00,600 --> 01:00:05,360
Speaker 1: standard time seven Yes, yes, yes at night yes, yes

934
01:00:05,520 --> 01:00:10,840
Speaker 1: and yes yes. And Craig Atkowski, thank you so much, buddy,

935
01:00:10,960 --> 01:00:14,320
Speaker 1: My pleasure at Kakowski on Twitter or Orange text Improv

936
01:00:14,440 --> 01:00:16,720
Speaker 1: on Twitter to find out about streaming shows that my

937
01:00:16,800 --> 01:00:19,840
Speaker 1: wife Carlin and I might be doing. Oh fantastic. Please

938
01:00:19,880 --> 01:00:24,080
Speaker 1: give her our best. We love her so Verado, Thank

939
01:00:24,120 --> 01:00:25,600
Speaker 1: you very much. I love you all. I love all

940
01:00:25,640 --> 01:00:28,240
Speaker 1: the listeners at Chris Alvarado on Instagram. Check me out

941
01:00:28,320 --> 01:00:32,160
Speaker 1: for a really boring time. Oh fantastic, And Sonny is

942
01:00:32,160 --> 01:00:35,800
Speaker 1: a good bow. Joey Grere, thank you and your pant

943
01:00:35,960 --> 01:00:38,040
Speaker 1: load of pool. Thank you for giving that to me

944
01:00:38,200 --> 01:00:40,600
Speaker 1: and I carry with with me as a point of pride.

945
01:00:40,920 --> 01:00:44,280
Speaker 1: Check out Jemmy Greenbrun Instagram's Roles Alchemy this on Instagram.

946
01:00:44,320 --> 01:00:47,880
Speaker 1: We're gonna be doing live g lives and just keeping

947
01:00:47,920 --> 01:00:52,880
Speaker 1: you all entertained. Is we spiral into madness and much

948
01:00:52,960 --> 01:00:56,560
Speaker 1: love to our engineer and executive producer, Mr Douglas. Babe,

949
01:00:58,920 --> 01:01:03,640
Speaker 1: fine folks that I heart meeting. Yes, thank you all

950
01:01:03,760 --> 01:01:05,320
Speaker 1: very much for hanging in there with us. Were hoped

951
01:01:05,480 --> 01:01:07,400
Speaker 1: we can put any sort of smile on your face.

952
01:01:07,520 --> 01:01:10,920
Speaker 1: You sure delight us, uh knowing that you're there. So

953
01:01:11,160 --> 01:01:14,920
Speaker 1: let's uh let's keep our our our community alive and

954
01:01:15,160 --> 01:01:18,200
Speaker 1: well with your help. I look forward to bringing you

955
01:01:18,280 --> 01:01:22,040
Speaker 1: many more shows and thanks for your support. Much appreciate it.

956
01:01:22,080 --> 01:01:23,520
Speaker 1: I'm Kevin Polic. Until next time,