WEBVTT - "Can't Stop, Won't Stop"

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<v Speaker 1>Hold up, hold up, alert this alert show call alert

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<v Speaker 1>ball alert Ballerler Whether to the Battler Show podcast agather

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<v Speaker 1>everywhere you get your podcasts. I go by the name

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<v Speaker 1>of Ferrari Simmons. Hey, your world's your best friends? To Solo.

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<v Speaker 1>That's three for counting anymore. That's all we were waiting for.

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<v Speaker 1>How's everybody doing? How was your weekend? To Solo? Weekend

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<v Speaker 1>as good? I'm excited. Every season is about to be

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<v Speaker 1>in full effect. And y'all know we don't play about

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<v Speaker 1>every season. Shout out to all my pics. How sad

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<v Speaker 1>she'd be out of town for a birthday? Now, you

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<v Speaker 1>don't know that I may actually be here. First of all,

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<v Speaker 1>I'm going to be in Atlanta on Thursday. I'm only

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<v Speaker 1>going to be gone Wednesday, the day of my plan

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<v Speaker 1>to be back, and I just may very well be available.

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<v Speaker 1>So we're so don't try to count me out yet.

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<v Speaker 1>I don't understand why you're mad. It's okay for me

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<v Speaker 1>to leave. I will be back. I'm going to Charlotte.

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<v Speaker 1>I'm out there doing NBA activation with Moa Hennessey. It's

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<v Speaker 1>gonna be a good time, seeming Hennessey's gonna go out

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<v Speaker 1>and take over Charlotte. So we're really excited about that.

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<v Speaker 1>But I'll be right back though I've been right. It's

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<v Speaker 1>gonna be a great time. Whatever the BT was up, Man,

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<v Speaker 1>you're welcome. You guys are inviting you guys want to

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<v Speaker 1>come to Charlotte. We got the NBA's week all right. Well,

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<v Speaker 1>how was your weekend, sir? My weekend was cool, just

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<v Speaker 1>just a work weekend for me, nothing special. Why were

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<v Speaker 1>you not about his birthday party? Well? Because yo, yo,

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<v Speaker 1>you listen. Man, I was trying something to DJ, so

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<v Speaker 1>you had to be there and you're supposed to be Listen. Man,

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<v Speaker 1>I see Nellie last night and he was like, man,

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<v Speaker 1>why wasn't you at the part? I was like, Man,

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<v Speaker 1>I was tired. Sometimes you know, I'm getting older. Man,

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<v Speaker 1>I gotta take my ass to sleep. Sometimes you gotta

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<v Speaker 1>get your rest, you feel Listen. Our careers are very

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<v Speaker 1>demanding and sometimes you just can't make every sense. You

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<v Speaker 1>can't make everything good. He really, but you see how

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<v Speaker 1>he did? You? Man? Straight shots? Damn, I'll see how

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<v Speaker 1>was your weekend? Keep asking this week? My week it

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<v Speaker 1>was decent outside outside, not inside outside. Where what did

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<v Speaker 1>you do? Did you see anything? Special to anybody. Get

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<v Speaker 1>any fights and he shootouts bang bang what he happened?

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<v Speaker 1>I stayed away from all that stuff. Future music is

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<v Speaker 1>still is on the way. Definitely music on the way.

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<v Speaker 1>Some toxic music is on the way. I was outside

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<v Speaker 1>Boogaloo with you on Friday, Republic on Saturday, Buckhead Saloon

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<v Speaker 1>Sunday bt uh and then yeah, we're ready to get

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<v Speaker 1>into the show. Let's get into you. And I just

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<v Speaker 1>say Strength of Whole Woman tour in Atlanta. I don't

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<v Speaker 1>know who this is, but somebody from that page followed

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<v Speaker 1>me on the Instagram and I appreciate you'all. So if

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<v Speaker 1>y'all need me to host the something, just you know,

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<v Speaker 1>just click the email button on my cage and I

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<v Speaker 1>got you, like, don't just follow me and I speak

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<v Speaker 1>France speak Strength of a Woman festival. How at your girl? Okay,

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<v Speaker 1>we can move on. Let's get oh speaking up. Mary

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<v Speaker 1>J Blige. Did you'll ever realized that Mary J. Blige

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<v Speaker 1>has no kids? I've never I've never noticed that. I

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<v Speaker 1>thought of it. I think I know that because she's

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<v Speaker 1>never been bregnant. You know, they was documented that if

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<v Speaker 1>Mary J. Blige got pregnant, that would have been documented,

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<v Speaker 1>like she could have got bregned before she was famous.

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<v Speaker 1>Though she was always famous, she wasn't born famous. I

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<v Speaker 1>wasn't born by the time she wasn't she about had

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<v Speaker 1>kids before you knew about her. It's the point that

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<v Speaker 1>we would have knew, we would have known them kids.

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<v Speaker 1>I'm just saying I never thought about it, but O

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<v Speaker 1>c t you actually consciously, it's like it's stuck out

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<v Speaker 1>like she never had children. It's kind of like Vivica Fox,

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<v Speaker 1>like their careers came first, and I never noticed that

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<v Speaker 1>I knew Vivica didn't have kids, but Mary, I just

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<v Speaker 1>I don't know. I mean, I'm into like documentary, so

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<v Speaker 1>when I watched, you know, she didn't have about toils

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<v Speaker 1>by now, you know, throughout her career and she's never

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<v Speaker 1>brought up kids, and she's always struggled with herself and

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<v Speaker 1>she's been so focused on that. It kind of let

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<v Speaker 1>me know why she didn't want kids. You know, it's

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<v Speaker 1>a lot of pressure listening. I got a lot of

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<v Speaker 1>nieces and nephews to have a lot of friends with kids,

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<v Speaker 1>and sometimes y'all stress carries on to me and I

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<v Speaker 1>just be feeling, like, why would I want children? Right now.

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<v Speaker 1>I mean, but she's had a hard life because you know,

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<v Speaker 1>you've been in the documentary she's always saying how much

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<v Speaker 1>she doesn't like herself, she has low self esteem or

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<v Speaker 1>you know. So my thing is very honest. Yeah, my

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<v Speaker 1>thing is she would want to focus on herself. You know.

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<v Speaker 1>I think also too, it's hard like when you are

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<v Speaker 1>someone who has certain traumas, childhood traumas, you are concerned

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<v Speaker 1>about whether you can keep your children safe from experiencing

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<v Speaker 1>those traumas too. So it's a lot. But nonetheless, y'all

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<v Speaker 1>decide pressure on women have babies. Some women don't want

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<v Speaker 1>babies at all, let alone at a certain age. So

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<v Speaker 1>just relax. But we're don't let Mary tell So I'm good. Listen,

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<v Speaker 1>I have nieces and nephews forever, and I'm always watching

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<v Speaker 1>how people or scramp, you know, scrambling around for babies. Said,

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<v Speaker 1>I don't want to go. I don't want to go

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<v Speaker 1>through that. I like my freedom. I like being able

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<v Speaker 1>to get up and go and move and do what

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<v Speaker 1>I want to do. I don't want to attend to

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<v Speaker 1>someone all the time, you know, right now, you know,

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<v Speaker 1>but I don't think it's gonna happen. You ain't wrong

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<v Speaker 1>with being a rich auntie. Ain't nothing wrong nieces and nephews.

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<v Speaker 1>It ain't nothing wrong with being around. I wish I

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<v Speaker 1>had one. What time for d He's my rich uncle

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<v Speaker 1>to my kids whatever they want. So I get it.

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<v Speaker 1>She said what she said, but it's what she said

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<v Speaker 1>right now. So if Mary ever changes her mind, she

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<v Speaker 1>just she just needs to adopt kids. At this point.

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<v Speaker 1>I mean, I think, and I'm one of those people

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<v Speaker 1>who probably like to have the kids and then get

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<v Speaker 1>them back. And that's that's good, Auntie, that's so great,

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<v Speaker 1>So it is time to go. I definitely understand that

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<v Speaker 1>I enjoyed my freedom. People definitely to stop pressuring women

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<v Speaker 1>about having babies, but that's for all. How do you

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<v Speaker 1>feel about motherhood? I don't have any children, and it's

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<v Speaker 1>not the fact that I don't want them. It's just

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<v Speaker 1>the fact that I feel like they don't want me.

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<v Speaker 1>And I'm fine with that. But I hate how other

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<v Speaker 1>people always want to place their views on you, like

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<v Speaker 1>you gotta be broken just because you don't have kids.

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<v Speaker 1>Just like I agree with that, nobody's running behind me

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<v Speaker 1>like I have. I'm thirty, I haven't had kids. Yet

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<v Speaker 1>and now I've gotten so effect where I don't care

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<v Speaker 1>for the damn kids. Some kids. Hey, that's friend. Do

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<v Speaker 1>you feel any pressure to have kids? Okay, yes, I'm

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<v Speaker 1>gonna rire I skid have a family like I have

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<v Speaker 1>pressure where I get my family and my friends and

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<v Speaker 1>everybody to come ask me like, where are you gonna

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<v Speaker 1>have kids? Like I want of those people, I don't

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<v Speaker 1>have kids, but I have t you're not ready and

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<v Speaker 1>that's okay. When I talked to I'd be a little selfish.

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<v Speaker 1>I'd be like, damn, so I'm gonna be an old

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<v Speaker 1>ass uncle. I don't want to be the old ass

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<v Speaker 1>with Sue such a really good aunt towards my kids.

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<v Speaker 1>I'm over here, like, man, you would be a great mom. Okay,

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<v Speaker 1>one day I will be. So is it be something fun?

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<v Speaker 1>Speaking of children, Kiki Whytt just said as she was singing,

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<v Speaker 1>that her unborn out has leukemia, her unborn eleventh child.

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<v Speaker 1>So a lot of people feel like, you know, damn,

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<v Speaker 1>she doesn't have kids. Ten times before this, it should

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<v Speaker 1>be easy, smooth selling. She knows what to do. It's

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<v Speaker 1>not true. Every pregnancy is different, but she said that

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<v Speaker 1>all she could say was hallelujah. She is putting her

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<v Speaker 1>faith in the Lord, and that's the type of strength

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<v Speaker 1>that I can only admire to have Lord. Yeah, she

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<v Speaker 1>was very strong, and uh, you know sometimes in moments

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<v Speaker 1>like that, you know, we we surprise ourselves with how

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<v Speaker 1>we are. Um. You know, humans were very strong individuals

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<v Speaker 1>when put to the test. So um, definitely, prayers and

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<v Speaker 1>strength sent her way. That's to sen send her some love.

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<v Speaker 1>Since we're send in love. Can we talk about Michael Beasley? Yes, definitely.

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<v Speaker 1>Did you guys catch some of the pivot? Yeah? That

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<v Speaker 1>was that was a dope interview. Mental health is real.

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<v Speaker 1>Mental health is serious, and I think a lot of

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<v Speaker 1>young black men, um, and I think they're starting to

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<v Speaker 1>do it now since two thoy. I believe um, sorry,

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<v Speaker 1>don't quote me on that, but I believe now a

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<v Speaker 1>lot of young African American men before they get drafted,

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<v Speaker 1>or actually after they get drafted, they go through this

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<v Speaker 1>mental awareness where, um, you're speaking to professionals to teach

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<v Speaker 1>you how to uh deal with family budgeting, because as

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<v Speaker 1>soon as you get that money, when you're in the NBA,

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<v Speaker 1>everybody calls your phone, Hey I need this, mommy, Hey

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<v Speaker 1>I need that Dad. Hey, you got your cousins. Hey,

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<v Speaker 1>I need that. I know you got it, because that's

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<v Speaker 1>a very stressful thing. Like it was in the news

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<v Speaker 1>that the players from the Super Bowl were stressed out

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<v Speaker 1>before the game. Before the Super Bowl game because they

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<v Speaker 1>were trying to, uh make sure that their family was

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<v Speaker 1>taken care of. Everybody was asking sales all that that's

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<v Speaker 1>a big deal and a lot of people don't talk

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<v Speaker 1>about that, and he realized, man, ain't got it like that,

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<v Speaker 1>Like look at that dance documentary and how it came out.

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<v Speaker 1>Scott Pippens deal was terrible, and my a Jordan had

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<v Speaker 1>an awesome deal. And you know, the crazy thing about

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<v Speaker 1>a lot of people don't understand is, you know, I

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<v Speaker 1>got a lot of NBA friends, and you know, these

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<v Speaker 1>guys family members are are very very demanded, and you

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<v Speaker 1>gotta understand. It's like when you're growing up with somebody

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<v Speaker 1>and then you ended up becoming you know, the the

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<v Speaker 1>you know, the Golden Google or whatever per se. You know,

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<v Speaker 1>a lot of people expect like you know, and these

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<v Speaker 1>players they feel bad too, because they're like, man, this

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<v Speaker 1>is my family, Like I should be taking care of

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<v Speaker 1>them and I should be helping them. But you gotta

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<v Speaker 1>draw that line in the center. You know, still have

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<v Speaker 1>your own life, and you gotta prepare for after you're

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<v Speaker 1>not basketball. Yes, and I think a lot of athletes,

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<v Speaker 1>especially young black African American athletes, do not prepare And

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<v Speaker 1>I don't think we're taught that either. Hell no, it's

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<v Speaker 1>difficult and mental and it will affect your play or

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<v Speaker 1>faking mental health. And easily spoke on that and it

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<v Speaker 1>was deep. It was a wealth thought interview. No secret

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<v Speaker 1>that he is a really good athlete, like everyone knows,

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<v Speaker 1>he was amazing in his NBA career, but he did

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<v Speaker 1>suffer from several substance related to incidents, substance abuse, and

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<v Speaker 1>he just feels like he was asking for help and

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<v Speaker 1>nobody was giving him the help that he needed. You know.

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<v Speaker 1>He just felt like he made a really good point.

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<v Speaker 1>He said that when black men cry out, people laugh,

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<v Speaker 1>you know, like literally a black man could cry and

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<v Speaker 1>people will literally laugh at him, but you're not asking

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<v Speaker 1>why is he crying? Like what's wrong? Like can we

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<v Speaker 1>give him any more support? And Michael did a really

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<v Speaker 1>good job communicating that on this podcast. Sake right now,

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<v Speaker 1>it's like mother's only kid. When you when when it's

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<v Speaker 1>time for somebody to die, and the cameras to show

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<v Speaker 1>it is like, bro, mother is out here showing every

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<v Speaker 1>day that they need help. It's in the music and

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<v Speaker 1>we only listen to it. To this it's like, bro,

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<v Speaker 1>everybody out here need in help, and everybody will walking

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<v Speaker 1>around his mother like they got it all together. Everybody

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<v Speaker 1>everybody walking. And then the second time, like like like bro,

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<v Speaker 1>the white Howard cried on TV right, they called them

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<v Speaker 1>saw what he was going through on the side he

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<v Speaker 1>had to hold on to where he cried in front

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<v Speaker 1>of twenty million people. How about somebody asked that questions,

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<v Speaker 1>this is really sad. Honestly, I think we need to

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<v Speaker 1>do a better job at creating a safe community for

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<v Speaker 1>our talented black people to come invent. Like you, It's

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<v Speaker 1>okay for you to say you need help, and you

0:11:33.800 --> 0:11:35.720
<v Speaker 1>should get the help that you need. One time for

0:11:35.880 --> 0:11:38.600
<v Speaker 1>Ryan Clark too, I watched him on ESPN first Take

0:11:38.640 --> 0:11:40.880
<v Speaker 1>a Lot, and he's on ESPN as well. He's a

0:11:40.920 --> 0:11:44.520
<v Speaker 1>great announcer on television and he said a lot of

0:11:44.920 --> 0:11:48.200
<v Speaker 1>great points, especially when he was talking about African American

0:11:48.200 --> 0:11:50.600
<v Speaker 1>man having to deal with the burdens and the stresses

0:11:50.640 --> 0:11:54.200
<v Speaker 1>of coming into money very fast and things move so fast,

0:11:54.240 --> 0:11:57.360
<v Speaker 1>and then how it affects your your African American queen.

0:11:57.600 --> 0:12:01.160
<v Speaker 1>As black men, we are asked because of talent to

0:12:01.320 --> 0:12:04.839
<v Speaker 1>carry everybody. We are not made to carry everybody. Black

0:12:04.880 --> 0:12:07.720
<v Speaker 1>women are asked to carry everybody. They are not made

0:12:07.800 --> 0:12:10.959
<v Speaker 1>to carry everybody. So it takes a village. And at

0:12:11.040 --> 0:12:14.079
<v Speaker 1>some point you gotta have somebody who don't need from you,

0:12:14.240 --> 0:12:17.200
<v Speaker 1>who don't want from you, who want to see you win. Man,

0:12:17.720 --> 0:12:21.240
<v Speaker 1>like we don't. We don't do this for us. Yeah,

0:12:21.320 --> 0:12:23.160
<v Speaker 1>like like if you want to build these things, But

0:12:23.240 --> 0:12:26.760
<v Speaker 1>it's about these conversations, it's about bringing people on here

0:12:26.920 --> 0:12:29.559
<v Speaker 1>and letting them tell their story. When Freddie said, man,

0:12:29.600 --> 0:12:32.320
<v Speaker 1>you could tell your narrative. Tell that and I'll preach

0:12:32.360 --> 0:12:35.679
<v Speaker 1>it too. What we're saying is, man, don't give up,

0:12:35.679 --> 0:12:38.560
<v Speaker 1>and we won't give up. Kudos to these guys. And

0:12:38.600 --> 0:12:40.840
<v Speaker 1>it was a well thought out, um and in depth interview.

0:12:42.240 --> 0:12:43.920
<v Speaker 1>But I do want to get a little hood though.

0:12:44.280 --> 0:12:49.959
<v Speaker 1>Murder Mace is back er, so just for my for

0:12:50.080 --> 0:12:53.600
<v Speaker 1>my nineties and two thousands babies. He started off as

0:12:53.679 --> 0:12:57.719
<v Speaker 1>Murder Mace, then he went to Mace, then he went

0:12:57.760 --> 0:13:01.679
<v Speaker 1>to Pastor Mace right then he went back to murder Mas.

0:13:01.920 --> 0:13:04.920
<v Speaker 1>Then he just stopped doing music completely. That he's back

0:13:05.000 --> 0:13:08.880
<v Speaker 1>is murder Mas. And he going that did he loaded

0:13:09.160 --> 0:13:20.800
<v Speaker 1>another another option? You really worked? Yeah, like that, that's

0:13:22.800 --> 0:13:27.080
<v Speaker 1>a tune that's new. He don't need he don't need

0:13:27.120 --> 0:13:29.199
<v Speaker 1>to use that normal guys. Maybe it's just not master.

0:13:29.480 --> 0:13:40.160
<v Speaker 1>I think he said, did he glorifies celebrating artists after

0:13:40.240 --> 0:13:43.600
<v Speaker 1>they die. And then he said, you ain't. You ain't

0:13:43.600 --> 0:13:47.640
<v Speaker 1>give his mama what your man's work. She said, you

0:13:47.800 --> 0:13:50.680
<v Speaker 1>from Mount Vernon, nigga, go and wrap your own hood.

0:13:50.840 --> 0:13:53.200
<v Speaker 1>You not know architect. You just the nigga that know

0:13:53.280 --> 0:13:56.000
<v Speaker 1>how to market death. Go pay his mother what he

0:13:56.120 --> 0:13:59.640
<v Speaker 1>really works. Nigga. That's what he said. Damn, that's what

0:14:00.000 --> 0:14:02.000
<v Speaker 1>along the way, But that would have been harder on

0:14:02.040 --> 0:14:14.400
<v Speaker 1>a better beat though, the beat and the yeah, it's

0:14:14.640 --> 0:14:19.040
<v Speaker 1>very distracting, not the lyrics, but but yeah, yeah, I

0:14:19.040 --> 0:14:22.200
<v Speaker 1>don't think I've never heard unless Diddy was involved, I've

0:14:22.240 --> 0:14:25.640
<v Speaker 1>never heard Mace or did he because I meant this

0:14:25.720 --> 0:14:28.040
<v Speaker 1>song was crazy. I never heard really makes really have

0:14:28.320 --> 0:14:31.240
<v Speaker 1>a good beat selection. Some already suck at that. You

0:14:31.320 --> 0:14:34.680
<v Speaker 1>gotta stop stop. We're victims shaming now allegedly. Okay, Mace,

0:14:34.920 --> 0:14:39.200
<v Speaker 1>it feels like Mae is trying to tell us that

0:14:39.240 --> 0:14:42.560
<v Speaker 1>he is a victim. You guys, we're gonna pray for you, Mace,

0:14:42.680 --> 0:14:48.440
<v Speaker 1>or can you pray for yourself? Okay now? And people

0:14:48.440 --> 0:14:50.600
<v Speaker 1>have been talking about Diddy had been a little shady

0:14:50.600 --> 0:14:52.400
<v Speaker 1>for a long time. I don't know. I've never met him.

0:14:52.560 --> 0:14:55.040
<v Speaker 1>I'd never work with him. But some people feel like

0:14:55.120 --> 0:14:57.240
<v Speaker 1>makes need to just let it go. They feel like

0:14:57.240 --> 0:15:01.760
<v Speaker 1>he's been coming at Diddy for a long time. Hey, hey, hey,

0:15:01.840 --> 0:15:03.760
<v Speaker 1>you keep the same age you said the songs whack.

0:15:03.880 --> 0:15:05.800
<v Speaker 1>I mean, I'm not you got to get better songs.

0:15:05.840 --> 0:15:09.720
<v Speaker 1>But keep you get what you negotiate. Thank you, you

0:15:10.120 --> 0:15:12.440
<v Speaker 1>signed the contract. Let's move on to the next topic.

0:15:13.200 --> 0:15:17.280
<v Speaker 1>Keep signed the paperwords. There are other conversations and promises

0:15:17.320 --> 0:15:20.640
<v Speaker 1>made that we don't know the promises contract. It's another

0:15:20.720 --> 0:15:23.840
<v Speaker 1>example of there's another example of you coming from the

0:15:23.840 --> 0:15:27.200
<v Speaker 1>bottom and you broke and here comes a situation you

0:15:27.200 --> 0:15:30.240
<v Speaker 1>can start making immediate money. Read it all the way through.

0:15:30.280 --> 0:15:32.040
<v Speaker 1>It's crazy how he's coming with this. And then you

0:15:32.080 --> 0:15:34.320
<v Speaker 1>know Freddy from the band he had something to say

0:15:34.320 --> 0:15:36.720
<v Speaker 1>about Diddy too. You ain't never had a talent in

0:15:36.760 --> 0:15:39.160
<v Speaker 1>your life. Man, somebody gave you an opportunity to open

0:15:39.160 --> 0:15:42.720
<v Speaker 1>and doing fine talent, fine talent. His recipe to me

0:15:43.800 --> 0:15:47.800
<v Speaker 1>as being signed it cold people with a story. If

0:15:47.840 --> 0:15:50.280
<v Speaker 1>you look over the history of all the arts he

0:15:50.440 --> 0:15:52.720
<v Speaker 1>just signed, could people with a story and get paid

0:15:52.720 --> 0:15:56.080
<v Speaker 1>off people's stories because you're not from that, You're not

0:15:56.200 --> 0:15:58.880
<v Speaker 1>from the hood. You can't tell these story. You didn't

0:15:58.920 --> 0:16:01.280
<v Speaker 1>come up like we came. You ain't even ever had

0:16:01.280 --> 0:16:04.520
<v Speaker 1>no talent. You've got nine hundred million dollars from standing

0:16:04.520 --> 0:16:06.920
<v Speaker 1>on people back in the sporting people. Look how Black

0:16:07.000 --> 0:16:09.200
<v Speaker 1>Rob died, g depth of Dell done, how to go

0:16:09.240 --> 0:16:11.560
<v Speaker 1>out of town, look amaze. His whole recipe is this

0:16:12.560 --> 0:16:14.760
<v Speaker 1>sign people with the story. I'm gonna get paid off

0:16:14.800 --> 0:16:16.960
<v Speaker 1>on him and send them back to the hood and

0:16:17.040 --> 0:16:19.000
<v Speaker 1>find the next one. So when I see your son

0:16:19.080 --> 0:16:21.400
<v Speaker 1>buying cards and all this ship and all this laughing

0:16:21.440 --> 0:16:25.240
<v Speaker 1>boofy ship, I'm offended. I'm offended he's spending my money

0:16:25.280 --> 0:16:27.800
<v Speaker 1>somewhere enough and your niggas is walking past me. I

0:16:27.840 --> 0:16:30.080
<v Speaker 1>will care you because about my son. I don't play

0:16:30.160 --> 0:16:33.120
<v Speaker 1>like that. We went through more hazing than anybody. We've

0:16:33.160 --> 0:16:35.200
<v Speaker 1>done everything we're supposed to do, and we did it

0:16:35.280 --> 0:16:37.920
<v Speaker 1>the right way. My whole group mouth quiet. They they

0:16:37.960 --> 0:16:40.320
<v Speaker 1>know they've been getting fun. They know they they know it.

0:16:41.400 --> 0:16:44.280
<v Speaker 1>They noticed they ain't ship. But everybody keep a mouth

0:16:44.320 --> 0:16:46.600
<v Speaker 1>quirt out of your spend. Why why you care about

0:16:46.600 --> 0:16:48.200
<v Speaker 1>somebody who donna give a funk about you. It's been

0:16:48.240 --> 0:16:50.120
<v Speaker 1>twenty years man showing me he don't care about me

0:16:50.120 --> 0:16:52.520
<v Speaker 1>on my kids? Man, why should I care about this movie?

0:16:52.720 --> 0:16:54.640
<v Speaker 1>You get what I'm saying that I'm already did what

0:16:54.640 --> 0:16:56.240
<v Speaker 1>you're gonna do to me. I'm in a straight bro.

0:16:56.600 --> 0:16:58.920
<v Speaker 1>You made me hate like so much that when you

0:16:58.920 --> 0:17:01.280
<v Speaker 1>get to a point where you don't, you're But did

0:17:01.320 --> 0:17:03.240
<v Speaker 1>he don't care? He got all the publishing solves. Yes.

0:17:04.840 --> 0:17:08.080
<v Speaker 1>When he was on TV on making the band, nobody

0:17:08.160 --> 0:17:11.800
<v Speaker 1>was complaining then because they thought that they had a

0:17:11.880 --> 0:17:15.720
<v Speaker 1>solid thing. They thought they were that brother, Love Love

0:17:16.240 --> 0:17:19.000
<v Speaker 1>You noticed this is becoming a cycle artist. Get on.

0:17:19.400 --> 0:17:21.359
<v Speaker 1>They started making a lot of money. They all on TV.

0:17:21.560 --> 0:17:25.480
<v Speaker 1>It's smart, they learned, They educate themselves, and then they say, damn,

0:17:25.640 --> 0:17:27.960
<v Speaker 1>I was fucked. At the end of the day, man,

0:17:28.080 --> 0:17:31.040
<v Speaker 1>y'all read you actually trying because a lot of them

0:17:31.080 --> 0:17:36.840
<v Speaker 1>don't know. They learned and then they say, oh, I

0:17:36.880 --> 0:17:41.679
<v Speaker 1>was supposed to get away, but that's what got it,

0:17:42.200 --> 0:17:43.800
<v Speaker 1>did you. A lot of these artists say they don't

0:17:43.800 --> 0:17:45.600
<v Speaker 1>even read the contract. You see a lot of artists

0:17:45.640 --> 0:17:54.400
<v Speaker 1>that they educate themselves after the facts. Education. Read that contract,

0:17:54.440 --> 0:17:57.600
<v Speaker 1>get a lawyer, read that contract before you sign it,

0:17:57.640 --> 0:18:00.800
<v Speaker 1>Like you gotta understand that people do shady business or

0:18:00.920 --> 0:18:02.520
<v Speaker 1>they do what they can get away with. And if

0:18:02.560 --> 0:18:05.720
<v Speaker 1>you sign without reading ship Speaking of that, everybody, I

0:18:05.800 --> 0:18:09.040
<v Speaker 1>encouraged to go watch the Steve Harvey interview with Earn

0:18:09.040 --> 0:18:12.760
<v Speaker 1>your Legions to watch. He talks about, you know, his

0:18:12.880 --> 0:18:16.000
<v Speaker 1>trials and errors to become who he is right now,

0:18:16.040 --> 0:18:18.360
<v Speaker 1>and he's not who he wants to be, but he's

0:18:18.400 --> 0:18:21.399
<v Speaker 1>on his way there. And he talks about him not

0:18:21.720 --> 0:18:25.400
<v Speaker 1>um owning his ip early on. Hollywood is the land

0:18:25.400 --> 0:18:30.639
<v Speaker 1>of illusion. Most of us man are not making what

0:18:30.800 --> 0:18:34.960
<v Speaker 1>y'all think we're making. We're just not man because we're

0:18:34.960 --> 0:18:37.879
<v Speaker 1>in that system. See I didn't get I wasn't a

0:18:37.880 --> 0:18:40.400
<v Speaker 1>business man when Steve Harvey show was ot just happy

0:18:40.400 --> 0:18:42.480
<v Speaker 1>to be on TV. You know, I just took my

0:18:42.600 --> 0:18:44.560
<v Speaker 1>check and went out and said I on twelve percent

0:18:44.640 --> 0:18:47.200
<v Speaker 1>of the show back in but I learned real quick.

0:18:47.200 --> 0:18:50.000
<v Speaker 1>In Hollywood, you never see back in. They got a

0:18:50.000 --> 0:18:54.040
<v Speaker 1>different type of rhythmetic. It's like the music industry. The

0:18:54.119 --> 0:18:56.240
<v Speaker 1>only people that you make true back in with his

0:18:56.320 --> 0:19:00.119
<v Speaker 1>book people. Book people are the most honest people I've

0:19:00.160 --> 0:19:05.439
<v Speaker 1>ever done business with. Books. They're honest. Music and TV.

0:19:06.160 --> 0:19:10.120
<v Speaker 1>You're not gonna get no back in partner, how man,

0:19:10.160 --> 0:19:12.520
<v Speaker 1>by the time they get through doing their arithmetic. I

0:19:12.520 --> 0:19:14.800
<v Speaker 1>ain't made back in on none of my shows ever.

0:19:15.960 --> 0:19:19.520
<v Speaker 1>I just it's just crazy, man. So I started figuring

0:19:19.520 --> 0:19:23.000
<v Speaker 1>that out. I went, Okay, you know, my business with

0:19:23.080 --> 0:19:25.200
<v Speaker 1>freemant On, which is one of the best companies I've

0:19:25.200 --> 0:19:27.679
<v Speaker 1>ever dealt with. They're very honest and forth right. But

0:19:27.760 --> 0:19:31.240
<v Speaker 1>when I signed a deal to do Family Feud, you know, look, man,

0:19:31.280 --> 0:19:34.760
<v Speaker 1>Family Feud was a twenty year franchise and they had

0:19:34.880 --> 0:19:37.800
<v Speaker 1>ownership and they couldn't get you know, I was going

0:19:37.840 --> 0:19:40.520
<v Speaker 1>through tax problems back there. I just wanted to check,

0:19:40.880 --> 0:19:44.760
<v Speaker 1>so I took the check. Over the years, I still

0:19:44.800 --> 0:19:47.440
<v Speaker 1>couldn't get ownership. But since I can't get ownership, I'll

0:19:47.440 --> 0:19:50.000
<v Speaker 1>tell you what, though, I'll tell you what. I might

0:19:50.040 --> 0:19:52.320
<v Speaker 1>not have ownership, but you're gonna feel like I'm born

0:19:52.920 --> 0:19:56.480
<v Speaker 1>and so we've we've negotiated really nicely with them, I mean,

0:19:56.520 --> 0:19:59.720
<v Speaker 1>the longest running hosts and he's real the show and

0:20:00.000 --> 0:20:04.080
<v Speaker 1>it's the number one syndicated show on Earth. So like that,

0:20:04.800 --> 0:20:07.040
<v Speaker 1>I think, you know, just to Art's point, it's kind

0:20:07.040 --> 0:20:09.480
<v Speaker 1>of like, you know, learn, but then go harder to

0:20:10.280 --> 0:20:14.439
<v Speaker 1>make it better. Yeah, it's a very bad, uh space

0:20:14.480 --> 0:20:16.439
<v Speaker 1>to be in when you realize you was funed. But

0:20:16.560 --> 0:20:20.880
<v Speaker 1>is it an unfair expectation that somebody would do good

0:20:20.920 --> 0:20:23.080
<v Speaker 1>business with you? Like? Is that unfair? There's no such

0:20:23.119 --> 0:20:25.840
<v Speaker 1>thing as good business when you entertainment business. I believe

0:20:25.880 --> 0:20:28.600
<v Speaker 1>you get what you negotiate. I believe that, But I

0:20:28.680 --> 0:20:32.479
<v Speaker 1>also understand. I understand how it's easy to get a

0:20:32.560 --> 0:20:38.160
<v Speaker 1>young artist into signing anything because they're impressionable, they're young.

0:20:38.320 --> 0:20:40.880
<v Speaker 1>What you noticed, artists only complain when they're not hot,

0:20:40.960 --> 0:20:43.520
<v Speaker 1>No more, that's not all the way true. I think

0:20:43.600 --> 0:20:46.320
<v Speaker 1>artists complain when the money slows down. That's when they

0:20:46.359 --> 0:20:49.879
<v Speaker 1>ain't hot. And then they start saying that's when they

0:20:49.880 --> 0:20:53.080
<v Speaker 1>ain't They're like, okay, that's where they go. Look at

0:20:53.080 --> 0:20:57.680
<v Speaker 1>the contract too. They also say there we go. They

0:20:57.680 --> 0:20:59.760
<v Speaker 1>started saying, wait a minute, and then guess what they

0:20:59.800 --> 0:21:01.399
<v Speaker 1>do what they should have did in the first place.

0:21:01.520 --> 0:21:07.200
<v Speaker 1>They read the country. You are in position to sign people, right.

0:21:07.640 --> 0:21:09.639
<v Speaker 1>Are you one of those people who's like, you know what,

0:21:09.760 --> 0:21:11.840
<v Speaker 1>I'm gonna do shady business just because I can't, just

0:21:11.880 --> 0:21:14.080
<v Speaker 1>because I know these niggas not gonna real nothing. I'm

0:21:14.119 --> 0:21:16.359
<v Speaker 1>just asking you and sometimes not even shady. It's just

0:21:16.600 --> 0:21:19.000
<v Speaker 1>business in your best interest. No, I'm not. I don't

0:21:19.000 --> 0:21:21.440
<v Speaker 1>do that. I don't and I actually I managed six

0:21:21.440 --> 0:21:24.760
<v Speaker 1>producers and I have open contracts. If I don't deliver

0:21:24.960 --> 0:21:27.320
<v Speaker 1>and you want to leave, I don't want nothing from me.

0:21:27.640 --> 0:21:30.560
<v Speaker 1>You'll be right back with more of the Bailer Alert Show.

0:21:32.720 --> 0:21:35.200
<v Speaker 1>Still listening to a special edition of The Bailler Alert,

0:21:35.920 --> 0:21:39.119
<v Speaker 1>a special cloth Alert. Hey best friends, it's your favorite

0:21:39.119 --> 0:21:41.400
<v Speaker 1>best in your original The Biggest I think a lot

0:21:41.440 --> 0:21:45.840
<v Speaker 1>of you people know her as a fashionista, a social light,

0:21:46.280 --> 0:21:48.800
<v Speaker 1>someone who just does what she does. But I'm a

0:21:48.800 --> 0:21:50.560
<v Speaker 1>little confused because I don't know if I should call

0:21:50.600 --> 0:21:55.560
<v Speaker 1>Eugerika or Carla. I don't know it's Carla. Is this

0:21:55.640 --> 0:22:01.400
<v Speaker 1>the artist name? Is this you stepping into the artist persona? Now,

0:22:01.440 --> 0:22:03.199
<v Speaker 1>before we get into it, can you please tell us

0:22:03.240 --> 0:22:06.480
<v Speaker 1>what is the biggest misconception of miss Carl. I would

0:22:06.480 --> 0:22:09.639
<v Speaker 1>say that I didn't have my own platform and brand

0:22:09.800 --> 0:22:14.040
<v Speaker 1>before my viral relationship that a lot of people knew.

0:22:14.480 --> 0:22:18.480
<v Speaker 1>Definitely was a businesswoman way before UM working hard to

0:22:18.560 --> 0:22:22.159
<v Speaker 1>branding master for several companies. UM. I went to school

0:22:22.160 --> 0:22:24.800
<v Speaker 1>for fashion marketing for a little bit. Um I had

0:22:24.800 --> 0:22:27.840
<v Speaker 1>an internship with PR just different things. I really got

0:22:27.840 --> 0:22:30.800
<v Speaker 1>my feet with, you know, and like way before I

0:22:30.880 --> 0:22:33.600
<v Speaker 1>was like get my own bread and you know, hustlings

0:22:33.720 --> 0:22:37.720
<v Speaker 1>like I've been making moves. Now for those of them

0:22:37.760 --> 0:22:40.800
<v Speaker 1>who don't know, she's talking about young though, Okay, if

0:22:40.840 --> 0:22:42.760
<v Speaker 1>you don't know, you don't know. But the reality is,

0:22:42.920 --> 0:22:45.879
<v Speaker 1>it's unfortunate that a lot of women who date celebrity

0:22:45.880 --> 0:22:49.280
<v Speaker 1>men or men with status tend to kind of be

0:22:49.320 --> 0:22:51.920
<v Speaker 1>looked at like they don't have nothing, they're not driven,

0:22:51.960 --> 0:22:54.600
<v Speaker 1>they're not motivated. But here you are just dropping all

0:22:54.680 --> 0:22:56.960
<v Speaker 1>the facts of everything that you do and we'll continue

0:22:56.960 --> 0:22:59.560
<v Speaker 1>to do. Now, let's talk about this music. Did it

0:22:59.640 --> 0:23:01.359
<v Speaker 1>come Let feel where did it come from? Where you

0:23:01.400 --> 0:23:06.040
<v Speaker 1>inspired because of your previous relationship where you already into music. Yes, so, UM,

0:23:06.160 --> 0:23:08.399
<v Speaker 1>music kind of was like in my history with my

0:23:08.480 --> 0:23:11.560
<v Speaker 1>family and stuff, my mom was in the entertainment UM business,

0:23:12.400 --> 0:23:15.080
<v Speaker 1>and I kind of like was always around it. They

0:23:15.080 --> 0:23:17.639
<v Speaker 1>did like party promotions and stuff. So I was always

0:23:17.680 --> 0:23:20.720
<v Speaker 1>like around different artists, but more so coming up amongst

0:23:20.920 --> 0:23:23.640
<v Speaker 1>you know, the label on with Wire. Still I kind

0:23:23.640 --> 0:23:26.000
<v Speaker 1>of feel like I just like watched them a lot.

0:23:26.040 --> 0:23:27.879
<v Speaker 1>I didn't even know I was like really retaining so

0:23:28.000 --> 0:23:31.960
<v Speaker 1>much like about like knowledge about doing music. But I

0:23:32.000 --> 0:23:34.159
<v Speaker 1>was the whole time. So but I was writing like

0:23:34.200 --> 0:23:36.560
<v Speaker 1>poetry and stuff. I was just like always writing my phone.

0:23:36.640 --> 0:23:39.119
<v Speaker 1>I noticed like UM poems. I really didn't know how

0:23:39.119 --> 0:23:41.520
<v Speaker 1>to like put a song together. And I went in

0:23:41.560 --> 0:23:45.160
<v Speaker 1>the studio on some like I was like, I want

0:23:45.160 --> 0:23:48.119
<v Speaker 1>to make a girl version to UM this song that

0:23:48.200 --> 0:23:51.080
<v Speaker 1>the boys made it was Relationships with the Future, but

0:23:51.119 --> 0:23:52.439
<v Speaker 1>I was like, I just want to making me and

0:23:52.480 --> 0:23:53.919
<v Speaker 1>my girls, like I want to make a song for

0:23:54.080 --> 0:23:57.439
<v Speaker 1>you know, the lady. And from there everybody was like,

0:23:57.440 --> 0:24:00.760
<v Speaker 1>you actually sound good, and I up going with it

0:24:01.359 --> 0:24:02.920
<v Speaker 1>and like I feel like it. I don't know it

0:24:03.000 --> 0:24:04.680
<v Speaker 1>bruing like a different beast out of me. I love

0:24:04.720 --> 0:24:06.840
<v Speaker 1>being an artist. I didn't even know like this would

0:24:06.880 --> 0:24:09.800
<v Speaker 1>be my I would ever take it serious, but I

0:24:09.840 --> 0:24:12.240
<v Speaker 1>love it so much I could give me a space

0:24:12.280 --> 0:24:15.040
<v Speaker 1>to you know, just really like talk about what I'm

0:24:15.080 --> 0:24:18.440
<v Speaker 1>going through, to just put on like my diva persona.

0:24:18.640 --> 0:24:20.680
<v Speaker 1>I love it. So did you use poetry as like

0:24:20.720 --> 0:24:23.000
<v Speaker 1>an outlet for your feelings growing up? How did you

0:24:23.040 --> 0:24:26.040
<v Speaker 1>get into writing poetry? So I just would honestly, I

0:24:26.080 --> 0:24:28.040
<v Speaker 1>can't like I used it just to write like how

0:24:28.080 --> 0:24:31.720
<v Speaker 1>I feel or like if I'm popping my issue you

0:24:32.040 --> 0:24:35.080
<v Speaker 1>break up or whatever? You right, how about how you

0:24:35.080 --> 0:24:37.280
<v Speaker 1>feel about your boots stuff like that. You know, I

0:24:37.280 --> 0:24:39.960
<v Speaker 1>don't think a lot of people expected for you to

0:24:40.119 --> 0:24:42.480
<v Speaker 1>take your crap so seriously, and I even think that

0:24:42.520 --> 0:24:45.560
<v Speaker 1>there are still more people that don't know anything about

0:24:45.600 --> 0:24:48.200
<v Speaker 1>your music side. So how do we get them to

0:24:48.800 --> 0:24:54.800
<v Speaker 1>refocus on you rebranding? Um, I would say tap into

0:24:54.840 --> 0:24:58.520
<v Speaker 1>my socials for one. On Instagram is at okay Carl

0:24:58.800 --> 0:25:02.439
<v Speaker 1>okay a y k A r l A e UM

0:25:02.480 --> 0:25:04.879
<v Speaker 1>the same handle on Twitter. I'll be on their like

0:25:05.040 --> 0:25:08.920
<v Speaker 1>to have a little debate about stuff, and you know,

0:25:09.119 --> 0:25:12.480
<v Speaker 1>pop my age and don't come in just assuming that

0:25:12.560 --> 0:25:15.080
<v Speaker 1>she's going to sound a certain way because of the

0:25:15.080 --> 0:25:17.480
<v Speaker 1>people she may have been around that might not necessarily

0:25:17.520 --> 0:25:20.359
<v Speaker 1>be your style. So just come in with an open

0:25:20.359 --> 0:25:23.040
<v Speaker 1>mind and give Carlis a fair chance. So you've worked

0:25:23.080 --> 0:25:26.960
<v Speaker 1>with cor Lore, Bad Bad Baby, Gonna Rich the Kid,

0:25:27.680 --> 0:25:30.800
<v Speaker 1>who else, Um, Young Scooter and lot of we did

0:25:30.800 --> 0:25:35.359
<v Speaker 1>a song altogether, big lot of Um who Else? Of course,

0:25:35.440 --> 0:25:38.640
<v Speaker 1>the of course stuck. So you guys are still very cordial.

0:25:38.840 --> 0:25:41.399
<v Speaker 1>Yeah it's healthy. Yeah, no, like, yeah, we have a

0:25:41.440 --> 0:25:45.120
<v Speaker 1>great relationship. Actually we were talking to the interns earlier

0:25:45.200 --> 0:25:47.639
<v Speaker 1>and a couple of them are not in a space

0:25:47.680 --> 0:25:49.520
<v Speaker 1>where you are where you could be friends with your

0:25:49.520 --> 0:25:51.800
<v Speaker 1>egg or you could be okay with some with maybe

0:25:51.800 --> 0:25:55.199
<v Speaker 1>your current person being cool with their eggs. Does that

0:25:55.240 --> 0:25:58.639
<v Speaker 1>take a certain level of security trust? I think it

0:25:58.720 --> 0:26:00.920
<v Speaker 1>takes a certain level of secure already and just kind

0:26:00.920 --> 0:26:04.879
<v Speaker 1>of like um maturity and then also just like confidence

0:26:04.920 --> 0:26:07.439
<v Speaker 1>because I feel like, I mean, I know, like my

0:26:07.520 --> 0:26:10.159
<v Speaker 1>impact and I feel like me and thug like for

0:26:10.240 --> 0:26:13.160
<v Speaker 1>ours like the music culture. I feel like we we

0:26:13.240 --> 0:26:15.720
<v Speaker 1>had a big imprint on it, Like our relationship was

0:26:16.400 --> 0:26:18.600
<v Speaker 1>I see people all the time like we do the

0:26:18.640 --> 0:26:22.280
<v Speaker 1>same photos of people like bro y'all was that that couple.

0:26:22.359 --> 0:26:24.439
<v Speaker 1>So I felt like it would just be kind of

0:26:24.480 --> 0:26:26.920
<v Speaker 1>crazy just to you know, be at os and stuff.

0:26:26.960 --> 0:26:28.520
<v Speaker 1>But first we go through what we go through. We

0:26:28.640 --> 0:26:30.280
<v Speaker 1>was in the public out for a long time because

0:26:30.280 --> 0:26:32.919
<v Speaker 1>we was like so young in the relationship. That was

0:26:33.000 --> 0:26:35.080
<v Speaker 1>kind of like, I want to say that downside of things.

0:26:35.119 --> 0:26:37.119
<v Speaker 1>But you know, so we might have like been ups

0:26:37.160 --> 0:26:40.360
<v Speaker 1>and downs, but like I feel like we've grown now. Yeah,

0:26:40.600 --> 0:26:42.960
<v Speaker 1>young and in the public eye. I mean, that's not normal,

0:26:43.040 --> 0:26:44.440
<v Speaker 1>you know what I mean. So I don't think anybody

0:26:44.480 --> 0:26:46.680
<v Speaker 1>could really just nobody knows how to deal with that

0:26:46.800 --> 0:26:48.840
<v Speaker 1>even when you're in it. So and that's just what

0:26:48.880 --> 0:26:51.560
<v Speaker 1>it is. Friends, Please tell everybody to get the album.

0:26:51.840 --> 0:26:53.720
<v Speaker 1>Let them know to listen to the project after the

0:26:53.840 --> 0:26:57.120
<v Speaker 1>video dropped today. My video dropped today as well. Log

0:26:57.200 --> 0:27:00.920
<v Speaker 1>onto my youthtube. Okay, Carl okay, y k A r

0:27:01.320 --> 0:27:04.679
<v Speaker 1>A E all my socials check it out blind featuring

0:27:04.720 --> 0:27:09.239
<v Speaker 1>little Yatis, Queen Carlin checking out, dreaming up. Okay, thank you,

0:27:09.280 --> 0:27:12.520
<v Speaker 1>s thank you. We'll be right back. Stay tuned with

0:27:12.600 --> 0:27:19.679
<v Speaker 1>more of the Baller Alert Shaw. It is time for

0:27:19.840 --> 0:27:27.639
<v Speaker 1>baller now. This one's good, y'all. Dear ball Alert, Dear Rory.

0:27:28.119 --> 0:27:30.199
<v Speaker 1>My daughter hates when I pick her up from school.

0:27:30.960 --> 0:27:33.280
<v Speaker 1>She says, the boys pick on her at school, saying

0:27:33.320 --> 0:27:37.040
<v Speaker 1>your mama find it and it's literally a crowding on

0:27:37.160 --> 0:27:40.480
<v Speaker 1>boys waiting every day for me to pick her up. Now,

0:27:40.520 --> 0:27:43.399
<v Speaker 1>I told my daughter how would she get home? She

0:27:43.480 --> 0:27:45.919
<v Speaker 1>says she's willing to catch the bus on so that

0:27:45.960 --> 0:27:48.679
<v Speaker 1>people will stop talking about me at her school. I

0:27:48.680 --> 0:27:51.919
<v Speaker 1>can't believe my child stopped would stop getting picked up

0:27:51.960 --> 0:27:54.360
<v Speaker 1>and ride the damn bus just so she won't get

0:27:54.359 --> 0:27:56.920
<v Speaker 1>picked on anymore. It's not like they're saying I'm ugly.

0:27:57.040 --> 0:28:03.840
<v Speaker 1>I mean, come on, now, what should I do? UM?

0:28:04.080 --> 0:28:07.440
<v Speaker 1>I mean, your mama fine, you can't help your mama

0:28:07.480 --> 0:28:11.080
<v Speaker 1>being fine. That's that's all I'm gonna say. So you

0:28:11.200 --> 0:28:14.600
<v Speaker 1>gotta do better than that. BC don't, okay, mama, Mama,

0:28:15.080 --> 0:28:17.199
<v Speaker 1>I don't have children, so please do not take this

0:28:17.240 --> 0:28:18.640
<v Speaker 1>as me telling you what to do with your child.

0:28:18.920 --> 0:28:20.720
<v Speaker 1>But I do think that you're gonna have to talk

0:28:20.720 --> 0:28:24.719
<v Speaker 1>to your child a lot and let her know that Listen,

0:28:25.200 --> 0:28:27.760
<v Speaker 1>it is not your fault or her fault that you're fine,

0:28:28.160 --> 0:28:29.840
<v Speaker 1>and it's not your fault or her fault that the

0:28:29.880 --> 0:28:32.800
<v Speaker 1>little boys don't know how to act. You continue to

0:28:32.800 --> 0:28:35.000
<v Speaker 1>be the beautiful goddess that you are and continue to

0:28:35.080 --> 0:28:40.360
<v Speaker 1>raise a beautiful goddess. I don't know what you're wearing, mama,

0:28:41.320 --> 0:28:43.560
<v Speaker 1>But you know, I hope you're wearing something you know

0:28:43.720 --> 0:28:47.600
<v Speaker 1>that is school work. Come on, now, you know she

0:28:47.600 --> 0:28:50.880
<v Speaker 1>ain't just sitting in that car. There them kids lined

0:28:50.960 --> 0:28:52.960
<v Speaker 1>up to see mama. She ain't just sitting in the car,

0:28:54.480 --> 0:28:57.440
<v Speaker 1>I miss Parker, Um. But yeah, I hope that you know,

0:28:57.520 --> 0:28:59.160
<v Speaker 1>you might just need to dress down, just wear some

0:28:59.160 --> 0:29:02.200
<v Speaker 1>sweats or something. That's so messed up, y'all. Boys don't

0:29:02.200 --> 0:29:05.480
<v Speaker 1>be knowing how to afkter. Y'all tell us now, I

0:29:05.480 --> 0:29:08.880
<v Speaker 1>don't forget that. Where would you want to wear? I'm sorry,

0:29:08.960 --> 0:29:11.000
<v Speaker 1>y'all tell the women to modify this, to modify that,

0:29:11.000 --> 0:29:13.600
<v Speaker 1>because you don't know how to damn act. No, put

0:29:13.640 --> 0:29:18.560
<v Speaker 1>some usher instrumentals on right now. No, apparently more mama

0:29:18.600 --> 0:29:20.080
<v Speaker 1>come to pick you up. She get out and walk

0:29:20.160 --> 0:29:22.040
<v Speaker 1>around the side to the car and just saying that's

0:29:22.040 --> 0:29:24.240
<v Speaker 1>what your name, and then you probably walk over there

0:29:24.800 --> 0:29:26.640
<v Speaker 1>and get you know them little boys. Is now I'm

0:29:26.640 --> 0:29:29.480
<v Speaker 1>gonna tell your story. It was this girl. Her name

0:29:29.520 --> 0:29:32.520
<v Speaker 1>was Carla Stanley. Her mama will find him too, and

0:29:32.880 --> 0:29:35.080
<v Speaker 1>me and the football players used to wait all the

0:29:35.160 --> 0:29:38.320
<v Speaker 1>time for her mama to come and pick her up

0:29:38.320 --> 0:29:41.760
<v Speaker 1>from school. So I actually understand, and I will always

0:29:41.760 --> 0:29:44.640
<v Speaker 1>say to Carla, your mama find this hell, what time

0:29:44.720 --> 0:29:47.480
<v Speaker 1>is she coming? Never mind? Already know? So I'm just

0:29:47.520 --> 0:29:51.040
<v Speaker 1>letting you know. This ain't gonna stop, Mama unless you stop.

0:29:51.520 --> 0:29:55.320
<v Speaker 1>So you either gonna stop picking up from school and saying, daddy,

0:29:55.320 --> 0:29:58.040
<v Speaker 1>what the hell daddy that, let's daddy pick up from school?

0:29:58.080 --> 0:29:59.920
<v Speaker 1>I bet you the boys ain't gonna be waiting outside.

0:30:00.160 --> 0:30:02.560
<v Speaker 1>Did you did what I'm saying? So since you want

0:30:02.560 --> 0:30:04.720
<v Speaker 1>to bring your fine at up to the school and

0:30:04.800 --> 0:30:07.640
<v Speaker 1>probably put on your little tighter tight tight tights, probably

0:30:07.680 --> 0:30:09.800
<v Speaker 1>got a little short showing your little cab muscle. You

0:30:09.840 --> 0:30:11.400
<v Speaker 1>know what I'm saying. You probably got your hair. Did

0:30:11.440 --> 0:30:13.000
<v Speaker 1>I know you ain't going in there with a bonnet on?

0:30:13.720 --> 0:30:16.040
<v Speaker 1>You a dressed it all the way up like none

0:30:16.080 --> 0:30:21.840
<v Speaker 1>of those things. You ain't looking like? That is she

0:30:21.880 --> 0:30:24.920
<v Speaker 1>wants to wear back? Come back? She could wear what

0:30:24.960 --> 0:30:27.200
<v Speaker 1>she wanted to wear. But yeah, I bet you, I

0:30:27.240 --> 0:30:28.880
<v Speaker 1>bet you got a big old But don't get that.

0:30:29.000 --> 0:30:30.320
<v Speaker 1>Then you get out on the side of the car,

0:30:30.360 --> 0:30:32.400
<v Speaker 1>put your little hip a little body on the back

0:30:32.440 --> 0:30:34.479
<v Speaker 1>bump or of the car. So right what you tell

0:30:34.520 --> 0:30:36.920
<v Speaker 1>her she needs to tone it? It ain't gonna stop.

0:30:36.960 --> 0:30:39.520
<v Speaker 1>So tell your daughter listen, I can't I can't help you.

0:30:39.600 --> 0:30:42.680
<v Speaker 1>You want to catch the box, Ain't nothing you can do.

0:30:44.800 --> 0:30:46.520
<v Speaker 1>And I think you like it too. I think you

0:30:46.600 --> 0:30:50.240
<v Speaker 1>like that little at the school. You find it fine.

0:30:50.680 --> 0:30:52.760
<v Speaker 1>And if you felt some type of where the hell

0:30:52.840 --> 0:30:56.040
<v Speaker 1>is dada at? Where that at? Where the little boy daddy?

0:30:56.560 --> 0:30:59.440
<v Speaker 1>Somehow to respect women, little boys and just saying, hey,

0:31:00.000 --> 0:31:04.600
<v Speaker 1>they're alert US fans. They're fans, they're probably fold on Instagram.

0:31:04.720 --> 0:31:08.000
<v Speaker 1>Mm hm hmmm mmmm. This's damn shame. This ain't gonna stop.

0:31:08.800 --> 0:31:12.600
<v Speaker 1>And that's it. Taking enough of baller Alert. Follow us

0:31:12.600 --> 0:31:15.760
<v Speaker 1>on all social media platforms at baller alert a lot

0:31:15.880 --> 0:31:17.760
<v Speaker 1>on to baller alert dot com