1 00:00:00,200 --> 00:00:03,160 Speaker 1: Hello, and welcome back to Movie mis Movie Podcast, your 2 00:00:03,279 --> 00:00:07,040 Speaker 1: go to source for all things movies, spoiler free, movie reviews, 3 00:00:07,120 --> 00:00:11,039 Speaker 1: interviews with directors and actors, and movie topics galore. My 4 00:00:11,119 --> 00:00:13,960 Speaker 1: name is movie Mike, a k A. Mike Destro and 5 00:00:14,040 --> 00:00:17,360 Speaker 1: on this episode, I want to determine what the best 6 00:00:17,560 --> 00:00:21,040 Speaker 1: single year in movies is. Have a big old list 7 00:00:21,160 --> 00:00:23,439 Speaker 1: of movies from all different years to see if I 8 00:00:23,440 --> 00:00:26,560 Speaker 1: can find out which one really had the best movies. 9 00:00:26,840 --> 00:00:28,800 Speaker 1: And then I want to talk about whether or not 10 00:00:29,000 --> 00:00:33,080 Speaker 1: we should remake foreign films to fit American audiences. All 11 00:00:33,200 --> 00:00:36,280 Speaker 1: that on this episode. Thanks for being subscribed to the podcast, 12 00:00:36,360 --> 00:00:38,880 Speaker 1: and a special shout out to anybody listening on a Monday, 13 00:00:38,920 --> 00:00:41,400 Speaker 1: which is released ay. If you start out your week 14 00:00:41,440 --> 00:00:45,800 Speaker 1: with this podcast, this episode especially is for you. Without 15 00:00:45,880 --> 00:00:49,200 Speaker 1: any further ado, let's get started. In a world where 16 00:00:49,240 --> 00:00:53,320 Speaker 1: everyone and their mother has a podcast, one man stands 17 00:00:53,400 --> 00:00:56,880 Speaker 1: to infiltrate the ears of listeners like never before in 18 00:00:56,920 --> 00:01:01,160 Speaker 1: a movie podcast. A man with so much movie knowledge, 19 00:01:01,400 --> 00:01:06,119 Speaker 1: he's basically like a walking audience. Davie Who's Glasses from 20 00:01:06,160 --> 00:01:13,720 Speaker 1: the Nashville Podcast Network Movie Movie Podcast. What was the 21 00:01:13,760 --> 00:01:18,080 Speaker 1: greatest single year in movie history? That is what I 22 00:01:18,120 --> 00:01:20,039 Speaker 1: hope to find the answer to by the end of 23 00:01:20,040 --> 00:01:22,920 Speaker 1: this segment. And I just kind of went online and 24 00:01:23,000 --> 00:01:25,920 Speaker 1: researched a bunch of different years and what movies that 25 00:01:26,040 --> 00:01:28,959 Speaker 1: I would say people refer to the most. And sometimes 26 00:01:29,000 --> 00:01:30,920 Speaker 1: we don't even do it intentionally. We just talk about 27 00:01:30,920 --> 00:01:32,880 Speaker 1: our favorite movies. But when you kind of break down 28 00:01:32,880 --> 00:01:34,800 Speaker 1: the years of some of those, you can kind of 29 00:01:34,840 --> 00:01:37,000 Speaker 1: see some years were better than others. I would argue 30 00:01:37,040 --> 00:01:41,840 Speaker 1: the past year from movies probably not that great. And 31 00:01:41,880 --> 00:01:44,039 Speaker 1: that's coming from a guy who does a movie podcast 32 00:01:44,120 --> 00:01:46,880 Speaker 1: where I have to go on and you know, watch 33 00:01:46,920 --> 00:01:48,680 Speaker 1: all the new movies, and I think this past year 34 00:01:48,720 --> 00:01:50,440 Speaker 1: it was a little bit more of a struggle because 35 00:01:51,120 --> 00:01:53,680 Speaker 1: so many movies are just getting held onto and waiting 36 00:01:53,760 --> 00:01:56,800 Speaker 1: for a better release date that I don't think the 37 00:01:56,800 --> 00:01:59,320 Speaker 1: best stuff came out last year. So looking at some 38 00:01:59,400 --> 00:02:01,520 Speaker 1: of these years is I'll talk about some of the 39 00:02:01,520 --> 00:02:03,320 Speaker 1: biggest movies to come out of that year, and I 40 00:02:03,320 --> 00:02:05,440 Speaker 1: think I'm gonna make a case for what I consider 41 00:02:05,480 --> 00:02:08,280 Speaker 1: to be the best year in movies. Again, this is 42 00:02:08,320 --> 00:02:10,800 Speaker 1: coming from a guy who was born in the nineties, 43 00:02:10,919 --> 00:02:13,480 Speaker 1: grew up really kind of identified with a bunch of 44 00:02:13,480 --> 00:02:16,000 Speaker 1: things in the two thousands, but in the last I 45 00:02:16,040 --> 00:02:19,200 Speaker 1: would say ten years or so is really where I 46 00:02:19,320 --> 00:02:22,640 Speaker 1: kind of full on have developed my love of film 47 00:02:22,680 --> 00:02:25,679 Speaker 1: and reviewing and talking about movies. So I think the 48 00:02:25,760 --> 00:02:29,560 Speaker 1: last thirty years for me really or where I kind 49 00:02:29,600 --> 00:02:32,919 Speaker 1: of said all my movie parameters. So don't hate on 50 00:02:33,000 --> 00:02:35,600 Speaker 1: me for movies I leave out from the eighties and 51 00:02:35,720 --> 00:02:39,280 Speaker 1: seventies and even sixties, and even like the Golden Age 52 00:02:39,280 --> 00:02:41,720 Speaker 1: of Hollywood in the thirties. I know those movies. I'm 53 00:02:41,720 --> 00:02:44,399 Speaker 1: aware of those movies. I've seen the big movies from 54 00:02:44,400 --> 00:02:47,720 Speaker 1: those years. But I don't think coming on here and 55 00:02:47,760 --> 00:02:50,800 Speaker 1: talking about ninety nine Hollywood's golden year is gonna be 56 00:02:50,800 --> 00:02:53,680 Speaker 1: really reflective of me as a person or even what 57 00:02:53,760 --> 00:02:56,760 Speaker 1: I really know now. The thing I get annoyed about, 58 00:02:56,760 --> 00:02:58,520 Speaker 1: and I'll kind of ran on this before I get 59 00:02:58,560 --> 00:03:02,639 Speaker 1: to the rest of this episode. Whenever you're passionate about 60 00:03:02,680 --> 00:03:04,760 Speaker 1: something or you're growing up in a certain era, I 61 00:03:04,760 --> 00:03:06,760 Speaker 1: think you have to learn about the things that have 62 00:03:06,840 --> 00:03:08,680 Speaker 1: come before you. And I've always made it a point, 63 00:03:08,680 --> 00:03:11,440 Speaker 1: whether it be in music, especially in movies, but also 64 00:03:11,560 --> 00:03:14,840 Speaker 1: in TV. And I think just because I was born 65 00:03:14,840 --> 00:03:16,239 Speaker 1: in the nineties, that doesn't mean I'm not going to 66 00:03:16,320 --> 00:03:18,080 Speaker 1: go back to the eighties and watch the big movies 67 00:03:18,120 --> 00:03:20,839 Speaker 1: from that year or even the seventies. I think it's 68 00:03:20,880 --> 00:03:23,320 Speaker 1: always important to learn about all the movies that came 69 00:03:23,360 --> 00:03:26,600 Speaker 1: before you, because not only did those movies end up 70 00:03:26,600 --> 00:03:29,920 Speaker 1: getting remade, but you can also see some similarities, and 71 00:03:29,919 --> 00:03:32,920 Speaker 1: you've got to learn the history about movie. So I 72 00:03:32,919 --> 00:03:36,600 Speaker 1: don't think that somebody born now is shouldn't go back 73 00:03:36,600 --> 00:03:39,040 Speaker 1: and watch some of the classics. And you know that 74 00:03:39,120 --> 00:03:42,880 Speaker 1: kind of holds a little bit hesitation in me, like 75 00:03:42,960 --> 00:03:45,320 Speaker 1: to have kids some day and be like, man, I'm 76 00:03:45,360 --> 00:03:47,240 Speaker 1: gonna look back on the movies that came out in 77 00:03:47,240 --> 00:03:48,920 Speaker 1: the twenty tens, and they're gonna be like, I've never 78 00:03:48,960 --> 00:03:50,280 Speaker 1: heard of those. I don't want to watch those. I 79 00:03:50,280 --> 00:03:53,800 Speaker 1: think we owe it to ourselves to go back and learn. 80 00:03:53,840 --> 00:03:55,800 Speaker 1: So I don't think being born in a certain decade 81 00:03:56,400 --> 00:03:58,800 Speaker 1: eliminates you from having to learn about history. Is all 82 00:03:58,840 --> 00:04:01,000 Speaker 1: I'm getting at. But again, and I also know that 83 00:04:01,520 --> 00:04:04,360 Speaker 1: your formative years of when you're first watching things and 84 00:04:04,400 --> 00:04:07,400 Speaker 1: finding out your taste and what you like a lot 85 00:04:07,440 --> 00:04:08,960 Speaker 1: of the things you watch when you were younger are 86 00:04:08,960 --> 00:04:10,840 Speaker 1: going to be the things you hold closer to your heart. 87 00:04:10,880 --> 00:04:12,440 Speaker 1: So that's a lot of the reason why I like 88 00:04:12,560 --> 00:04:15,600 Speaker 1: the mid nineties stuff in the early two thousand stuff, 89 00:04:15,960 --> 00:04:18,920 Speaker 1: So that's where my kind of I guess bias would 90 00:04:19,000 --> 00:04:21,720 Speaker 1: lean to. So if that comes out by the end 91 00:04:21,720 --> 00:04:24,760 Speaker 1: of this segment, just know I am well aware of 92 00:04:24,800 --> 00:04:27,080 Speaker 1: my bias. But I've also got to talk about what 93 00:04:27,240 --> 00:04:29,440 Speaker 1: I know. But if you wanted to make a case 94 00:04:29,480 --> 00:04:32,880 Speaker 1: for nineteen thirty nine, which is dubbed the Golden Year 95 00:04:32,880 --> 00:04:34,880 Speaker 1: of Hollywood, I wouldn't really call it that. I think 96 00:04:34,920 --> 00:04:38,040 Speaker 1: we've had many golden years, but it's the year where 97 00:04:38,040 --> 00:04:40,800 Speaker 1: Gone with the Wind came out. Mr Smith goes to Washington. 98 00:04:41,160 --> 00:04:44,280 Speaker 1: A lot of these older, really just classic movies, And 99 00:04:44,320 --> 00:04:48,200 Speaker 1: while that is an important year in movie history, I 100 00:04:48,279 --> 00:04:50,800 Speaker 1: really don't think anybody goes back and calls any of 101 00:04:50,839 --> 00:04:53,039 Speaker 1: these movies their favorites. And if I went over to 102 00:04:53,080 --> 00:04:55,120 Speaker 1: somebody's house and they put on Gone with the Wind 103 00:04:55,160 --> 00:04:57,480 Speaker 1: to hang out, like I would not be friends with 104 00:04:57,520 --> 00:04:59,600 Speaker 1: that person. I would leave that party immediately, like nobody 105 00:04:59,640 --> 00:05:01,960 Speaker 1: would do that. And I still don't even think like 106 00:05:02,000 --> 00:05:04,880 Speaker 1: real movie fans would sit down and watch Gone with 107 00:05:04,920 --> 00:05:07,479 Speaker 1: the Wind or The Wizard of Oz. I think those 108 00:05:07,560 --> 00:05:11,800 Speaker 1: movies stand. It's kind of a relic in Hollywood. They're 109 00:05:11,839 --> 00:05:13,800 Speaker 1: great to kind of refer to and learn about how 110 00:05:13,839 --> 00:05:16,600 Speaker 1: they were made and just how different things were back then, 111 00:05:17,000 --> 00:05:18,680 Speaker 1: especially when it comes to The Wizard of Oz and 112 00:05:18,680 --> 00:05:21,479 Speaker 1: all the unethical things that happened during that movie. But 113 00:05:21,560 --> 00:05:23,360 Speaker 1: even when that movie came out and it wasn't really 114 00:05:23,400 --> 00:05:27,039 Speaker 1: a box office success, but what that year has kind 115 00:05:27,040 --> 00:05:30,280 Speaker 1: of stood for and what it represents, I get it, 116 00:05:31,040 --> 00:05:33,159 Speaker 1: but I don't think that makes it the greatest movie 117 00:05:33,520 --> 00:05:36,159 Speaker 1: year of all time. Another year before my time that 118 00:05:36,200 --> 00:05:39,640 Speaker 1: I would argue is two, which is what I would say. 119 00:05:39,640 --> 00:05:42,200 Speaker 1: It was really kind of the birth or at least 120 00:05:42,200 --> 00:05:45,760 Speaker 1: the best instance of the box office summer season, Like 121 00:05:45,839 --> 00:05:48,560 Speaker 1: that's my favorite season. And it's been a little bit 122 00:05:48,600 --> 00:05:51,560 Speaker 1: skewed in the past year, and I don't think it'll 123 00:05:51,600 --> 00:05:55,320 Speaker 1: be back in full effect. But this is really when, 124 00:05:55,360 --> 00:05:57,200 Speaker 1: like c G, I was kind of still in the 125 00:05:57,200 --> 00:05:59,800 Speaker 1: early development, but at that time it was really cool 126 00:06:00,040 --> 00:06:02,920 Speaker 1: movies like Tron, you got Blade Runner, You've got Fast 127 00:06:02,920 --> 00:06:06,200 Speaker 1: Times in Richmond High but most importantly you have et 128 00:06:06,880 --> 00:06:09,000 Speaker 1: So when it comes to a lot of the classics, 129 00:06:09,040 --> 00:06:11,120 Speaker 1: I think A T two has a pretty good case 130 00:06:11,200 --> 00:06:13,520 Speaker 1: for itself. And I think this is where my bias 131 00:06:13,560 --> 00:06:16,360 Speaker 1: comes in and saying that it was maybe nine ten 132 00:06:16,440 --> 00:06:19,000 Speaker 1: years before my time, and while it has a lot 133 00:06:19,040 --> 00:06:21,440 Speaker 1: of classics and was an important year, I don't think 134 00:06:21,440 --> 00:06:24,760 Speaker 1: it's quite the best. Well, fast forward now until the 135 00:06:24,760 --> 00:06:29,040 Speaker 1: next decade, into which I think delivered a lot of 136 00:06:29,080 --> 00:06:31,560 Speaker 1: modern day classics. You get movies like The Matrix, you 137 00:06:31,600 --> 00:06:34,320 Speaker 1: get Toy Story two, you get The Iron Giant, Office 138 00:06:34,320 --> 00:06:37,119 Speaker 1: Space Galaxy Quest, and then you get some horror movies 139 00:06:37,120 --> 00:06:39,640 Speaker 1: like The Blair Witch Project, The Sixth Cents, and then 140 00:06:39,680 --> 00:06:42,160 Speaker 1: also just some cold classics like Fight Club. That's It's 141 00:06:42,279 --> 00:06:45,040 Speaker 1: It's a really strong year. And what I really remember 142 00:06:45,080 --> 00:06:48,760 Speaker 1: most about about nine years old at the time, and 143 00:06:48,800 --> 00:06:51,800 Speaker 1: I think this is really when going to the movies 144 00:06:52,400 --> 00:06:55,760 Speaker 1: from my brain and in my life kind of like solidified. 145 00:06:55,839 --> 00:07:01,200 Speaker 1: It was an actual event. And when these movies came out, 146 00:07:01,800 --> 00:07:05,040 Speaker 1: I just really remember tuning into like Cisco La Nieber 147 00:07:05,160 --> 00:07:07,120 Speaker 1: and this is when I was really tuned into watching 148 00:07:07,200 --> 00:07:09,840 Speaker 1: movie reviews and learning about movies that way, Because I 149 00:07:09,880 --> 00:07:13,920 Speaker 1: was probably eight years old and I really wasn't into 150 00:07:14,040 --> 00:07:16,120 Speaker 1: going to the movies yet. My parents didn't really have 151 00:07:16,800 --> 00:07:19,640 Speaker 1: the money to take me, so I would watch things 152 00:07:19,640 --> 00:07:22,640 Speaker 1: like Ciscola neiber To kind of feel like I at 153 00:07:22,720 --> 00:07:24,760 Speaker 1: least got a little bit out of the movie, even 154 00:07:24,800 --> 00:07:26,960 Speaker 1: though I wasn't getting to watch it, I was at 155 00:07:27,000 --> 00:07:29,360 Speaker 1: least getting to know more about it than the trailer 156 00:07:29,480 --> 00:07:31,720 Speaker 1: and whether or not it was good or not, or 157 00:07:31,760 --> 00:07:33,559 Speaker 1: I was really missing out on anything. I think sometimes 158 00:07:33,600 --> 00:07:35,600 Speaker 1: I would hear the reviews and be like, all right, 159 00:07:35,600 --> 00:07:37,400 Speaker 1: I didn't really miss out on that. I don't feel 160 00:07:37,400 --> 00:07:41,000 Speaker 1: as bad. And what I also liked about nine was 161 00:07:41,040 --> 00:07:43,160 Speaker 1: that it was kind of I mean, it was the 162 00:07:43,240 --> 00:07:45,160 Speaker 1: year was important for a lot of reasons. It was 163 00:07:45,240 --> 00:07:47,480 Speaker 1: right around the turn of the millennium, and I felt 164 00:07:47,480 --> 00:07:49,280 Speaker 1: like we were all feeling like we were about to 165 00:07:49,320 --> 00:07:51,720 Speaker 1: get into the future and we were going to see 166 00:07:51,760 --> 00:07:54,480 Speaker 1: things that we saw in like nineties movies, and then 167 00:07:54,600 --> 00:07:57,440 Speaker 1: back in the eighties movies kind of become like started 168 00:07:57,480 --> 00:07:59,160 Speaker 1: to come true and we started to see like more 169 00:07:59,200 --> 00:08:03,040 Speaker 1: futuristics things. I don't think it really got that way immediately, 170 00:08:03,800 --> 00:08:07,280 Speaker 1: but I feel like was almost closing out those really 171 00:08:07,360 --> 00:08:09,960 Speaker 1: kind of like box office seasons for movies. I mean, 172 00:08:10,160 --> 00:08:12,920 Speaker 1: a couple of years before ninety seven Titanic setting the record, 173 00:08:13,480 --> 00:08:16,280 Speaker 1: I feel like this was really at least in my life, 174 00:08:16,320 --> 00:08:18,720 Speaker 1: the height of when people wanted to go to the movies, 175 00:08:19,440 --> 00:08:22,600 Speaker 1: right before the internet hit in the two thousands, so, 176 00:08:23,120 --> 00:08:25,640 Speaker 1: and also DVDs really weren't a thing yet until the 177 00:08:25,640 --> 00:08:28,680 Speaker 1: two thousands, so how we would watch new movies was 178 00:08:28,800 --> 00:08:32,079 Speaker 1: really all encompassing by going to the movies. So I 179 00:08:32,120 --> 00:08:35,360 Speaker 1: could almost make a case for but I still don't 180 00:08:35,360 --> 00:08:38,960 Speaker 1: think it was the best. The year is nineteen and 181 00:08:38,960 --> 00:08:41,559 Speaker 1: I was only three years old at the time, And 182 00:08:41,640 --> 00:08:44,280 Speaker 1: let me just start first with the top ten highest 183 00:08:44,320 --> 00:08:48,480 Speaker 1: grossing films of all time, and this will just kind 184 00:08:48,480 --> 00:08:51,560 Speaker 1: of set the stage of why it was such a 185 00:08:51,559 --> 00:08:55,839 Speaker 1: big year and why with these ten films alone really 186 00:08:55,880 --> 00:08:58,360 Speaker 1: shuts out in my opinion, any other year. At number 187 00:08:58,400 --> 00:09:01,600 Speaker 1: one you have The Lion King, and number two you 188 00:09:01,640 --> 00:09:04,360 Speaker 1: have Forrest Gump and number three True Lies, number four 189 00:09:04,480 --> 00:09:07,600 Speaker 1: The Mask, five Speed, and then rounding up the top ten, 190 00:09:07,640 --> 00:09:11,160 Speaker 1: you have six The flint Stones, seven Dumb and Dumber eight, 191 00:09:11,160 --> 00:09:14,079 Speaker 1: four Weddings in the Funeral at number nine, Interview with 192 00:09:14,120 --> 00:09:17,120 Speaker 1: the Vampire, and at number ten Clear and Present Danger 193 00:09:17,600 --> 00:09:20,760 Speaker 1: with Harrison Ford. Now that top ten alone, I feel 194 00:09:20,800 --> 00:09:24,560 Speaker 1: like a very hard year to compete with, just by 195 00:09:24,600 --> 00:09:26,800 Speaker 1: the numbers that just by the numbers, those are the 196 00:09:26,840 --> 00:09:29,719 Speaker 1: highest grossing movies not only in that year, but some 197 00:09:29,800 --> 00:09:32,280 Speaker 1: of these of would probably make the all time list. 198 00:09:32,720 --> 00:09:35,400 Speaker 1: I mean, Disney has The Lion King alone, which that's 199 00:09:35,400 --> 00:09:38,680 Speaker 1: their biggest highest grossing movie of all time. Forrest Gump 200 00:09:38,760 --> 00:09:40,840 Speaker 1: one of the not only the highest at the box office, 201 00:09:40,880 --> 00:09:42,720 Speaker 1: but just overall what that movie is made and what 202 00:09:42,720 --> 00:09:45,240 Speaker 1: that movie means, one of the biggest of all time, 203 00:09:45,320 --> 00:09:48,120 Speaker 1: and one the Oscar for Best Picture. I mean, just 204 00:09:48,160 --> 00:09:50,959 Speaker 1: looking at the best Picture category alone is Forrest Gump, 205 00:09:51,000 --> 00:09:53,640 Speaker 1: Four Weddings in the Funeral, Pulp Fiction, Quiz Show, and 206 00:09:53,720 --> 00:09:57,360 Speaker 1: Shawshank Redemption. I mean that is some tough competition. So 207 00:09:57,840 --> 00:09:59,800 Speaker 1: those are just the highest grossing and the best picture 208 00:09:59,840 --> 00:10:03,320 Speaker 1: now knees, I would say it was probably the best 209 00:10:03,440 --> 00:10:07,120 Speaker 1: year for Jim Carrey just he had the mask, Dumb 210 00:10:07,160 --> 00:10:09,680 Speaker 1: and Dumber and a spintera pet detective. Really the year 211 00:10:09,679 --> 00:10:11,480 Speaker 1: that made him a star and he was able to 212 00:10:11,520 --> 00:10:14,120 Speaker 1: charge so much more for movies. I'd say close second 213 00:10:14,160 --> 00:10:17,120 Speaker 1: would be Tom Hanks because of Forrest Gump and that 214 00:10:17,200 --> 00:10:21,040 Speaker 1: being basically the movie that has been the milestone of 215 00:10:21,120 --> 00:10:23,320 Speaker 1: his career. And then you get into other movies that 216 00:10:23,360 --> 00:10:26,760 Speaker 1: I just feel like maybe didn't have the most success 217 00:10:26,800 --> 00:10:28,960 Speaker 1: at the box office. But looking back to think that 218 00:10:29,000 --> 00:10:30,920 Speaker 1: all these other movies that I'm about a list here 219 00:10:31,000 --> 00:10:33,960 Speaker 1: all came out in this year. Going through the list, 220 00:10:34,000 --> 00:10:35,960 Speaker 1: just this page that I made from some of my 221 00:10:36,040 --> 00:10:39,280 Speaker 1: favorites from the year, you got blank check My Girl Too, 222 00:10:39,400 --> 00:10:42,880 Speaker 1: which is not as good as My Girl, but still 223 00:10:42,920 --> 00:10:45,360 Speaker 1: a solid pick eight seconds. You got D two of 224 00:10:45,360 --> 00:10:48,560 Speaker 1: the Mighty Ducks, lepre con to three Nines kicked Back. 225 00:10:48,640 --> 00:10:51,720 Speaker 1: Need I say more about three niches? And that whole 226 00:10:51,720 --> 00:10:55,439 Speaker 1: time for movies The Crow, The Flintstone, Speed, Angels on 227 00:10:55,480 --> 00:10:58,720 Speaker 1: the Outfield, The Jungle Bug, Beverly Hills, Cop Three, I mean, 228 00:10:58,760 --> 00:11:01,280 Speaker 1: we could keep going here. Just incredible, the amount of 229 00:11:01,320 --> 00:11:04,439 Speaker 1: movies here above the rim with Tupac air Heads and 230 00:11:04,559 --> 00:11:07,880 Speaker 1: underrated Adam Sandler Movie in the Army. Now you talk 231 00:11:07,960 --> 00:11:11,400 Speaker 1: about PAULI Short and how important he was to the nineties, 232 00:11:11,760 --> 00:11:14,800 Speaker 1: The Little Giants, West Craven, his New Nightmare, The Pagemaster, 233 00:11:15,000 --> 00:11:18,200 Speaker 1: and The Santa Claus all came out in So I 234 00:11:18,240 --> 00:11:22,719 Speaker 1: think critically and by the numbers, the greatest year is. 235 00:11:24,280 --> 00:11:27,280 Speaker 1: But stacking up all these movies, I just think there's 236 00:11:27,400 --> 00:11:31,320 Speaker 1: one more year that hasn't beat but I think it's 237 00:11:31,400 --> 00:11:34,640 Speaker 1: one that's a little bit more personal to me for 238 00:11:34,840 --> 00:11:37,440 Speaker 1: kind of forming really when I was deciding that, man, 239 00:11:37,559 --> 00:11:40,080 Speaker 1: like I want to watch these type of movies for 240 00:11:40,120 --> 00:11:41,679 Speaker 1: the rest of my life. And the year is two 241 00:11:41,760 --> 00:11:45,080 Speaker 1: thousand and seven, and like I was talking about in 242 00:11:45,280 --> 00:11:48,160 Speaker 1: you know, we weren't really getting into DVDs yet, and 243 00:11:48,160 --> 00:11:50,160 Speaker 1: I think it was maybe two thousand one, two thowo 244 00:11:51,080 --> 00:11:53,640 Speaker 1: when I even had my first DVD player. We got 245 00:11:53,720 --> 00:11:57,160 Speaker 1: like the second or third generation of DVD players, and 246 00:11:57,200 --> 00:12:00,360 Speaker 1: I remember it being the greatest thing ever. And I'll 247 00:12:00,360 --> 00:12:03,800 Speaker 1: explain why, and I don't think it's being unethical now 248 00:12:03,920 --> 00:12:05,880 Speaker 1: and maybe even if you're younger and listening to this, 249 00:12:05,920 --> 00:12:09,360 Speaker 1: you don't even remember this time for movies. But this 250 00:12:09,480 --> 00:12:12,640 Speaker 1: came the time where somebody could get a copy of 251 00:12:12,640 --> 00:12:17,600 Speaker 1: a movie and burn you a DVD. Now that statement 252 00:12:17,679 --> 00:12:19,440 Speaker 1: may make sense to you, but if you're in gen Z, 253 00:12:19,600 --> 00:12:22,640 Speaker 1: that makes absolutely no sense. And I'll describe it now 254 00:12:22,720 --> 00:12:25,680 Speaker 1: with the process of burning either a DVD or a CD, 255 00:12:26,040 --> 00:12:28,080 Speaker 1: which had happened a couple of ways, how people would 256 00:12:28,080 --> 00:12:31,680 Speaker 1: bootleg these DVDs. You either one went into a movie 257 00:12:31,720 --> 00:12:34,400 Speaker 1: theater with a video camera and filmed a movie and 258 00:12:34,440 --> 00:12:37,839 Speaker 1: then later went home and took that footage, used a 259 00:12:37,880 --> 00:12:40,280 Speaker 1: computer to load up the file, and then just sit 260 00:12:40,320 --> 00:12:42,880 Speaker 1: there and burn DVDs and then sell those for two 261 00:12:42,960 --> 00:12:45,400 Speaker 1: bucks or a buck, however much you wanted to spend. 262 00:12:46,240 --> 00:12:49,240 Speaker 1: Or it was going online and downloading on a a legal file, 263 00:12:49,760 --> 00:12:52,320 Speaker 1: placing that on a DVD, slapping on a label and 264 00:12:52,360 --> 00:12:56,000 Speaker 1: selling those, or it was just straight up going to 265 00:12:56,120 --> 00:12:59,040 Speaker 1: Walmart buying the DVD and just going home making a copy. 266 00:12:59,160 --> 00:13:03,800 Speaker 1: Either way, this is when it really became, I feel 267 00:13:03,840 --> 00:13:07,800 Speaker 1: like the most important way for me to afford movies. 268 00:13:08,080 --> 00:13:10,600 Speaker 1: I was in high school at the time, and I 269 00:13:10,640 --> 00:13:13,040 Speaker 1: had a friend, well, that's all you would do, and 270 00:13:13,080 --> 00:13:15,679 Speaker 1: that's how we would get movies. So my brother and 271 00:13:15,720 --> 00:13:19,320 Speaker 1: I literally had a big, old, giant case of with 272 00:13:19,360 --> 00:13:21,720 Speaker 1: those little sleeves that you would put CDs in, full 273 00:13:21,880 --> 00:13:24,599 Speaker 1: of DVDs and movies. And it just so happened to 274 00:13:24,640 --> 00:13:26,920 Speaker 1: be in two thousand seven, when all these great movies 275 00:13:26,920 --> 00:13:29,640 Speaker 1: were coming out, I was finally able to watch them 276 00:13:29,640 --> 00:13:31,520 Speaker 1: a home. Movies like No Country for Old Men, which 277 00:13:31,559 --> 00:13:34,000 Speaker 1: is still in my top ten movies of all time. 278 00:13:34,080 --> 00:13:37,600 Speaker 1: There will be Blood Juno even Spider Man three, which 279 00:13:37,600 --> 00:13:39,360 Speaker 1: is probably the worst Spider Man three, but when it 280 00:13:39,400 --> 00:13:40,720 Speaker 1: came out, we didn't know it was going to be 281 00:13:40,800 --> 00:13:45,079 Speaker 1: that bad. Into the Wild, Transformers, Harry Potter five, The 282 00:13:45,200 --> 00:13:48,679 Speaker 1: Order of the Phoenix, I Am Legend, which was probably 283 00:13:48,760 --> 00:13:51,160 Speaker 1: one of the best movies I saw in two thousand 284 00:13:51,160 --> 00:13:53,720 Speaker 1: and seven. And then you also have some really great 285 00:13:53,720 --> 00:13:56,800 Speaker 1: comedies from Knocked Up, the Super Bad, hot Rod, Reno 286 00:13:56,920 --> 00:13:59,240 Speaker 1: nine one one the Movie, and for me, the Simpsons 287 00:13:59,280 --> 00:14:01,560 Speaker 1: movie I was actually one that I paid to go 288 00:14:01,640 --> 00:14:03,839 Speaker 1: see in theater. They did not take an illegal DVD 289 00:14:03,960 --> 00:14:07,520 Speaker 1: for that, and I am a huge Simpsons fan. I 290 00:14:07,559 --> 00:14:10,920 Speaker 1: think I've based my comedies writing off of the Simpsons. 291 00:14:11,360 --> 00:14:13,880 Speaker 1: I've based a lot of my personality off the Simpsons. 292 00:14:13,880 --> 00:14:16,160 Speaker 1: If you hang out with me in the real world, 293 00:14:16,200 --> 00:14:18,880 Speaker 1: at some point I am probably dropping a Simpsons line 294 00:14:18,880 --> 00:14:20,640 Speaker 1: and you don't even know it because it's just built 295 00:14:20,640 --> 00:14:23,520 Speaker 1: into my vocabulary. And when the Simpsons movie came out 296 00:14:24,280 --> 00:14:27,040 Speaker 1: totally changed my world. Going to see that in theaters 297 00:14:27,120 --> 00:14:29,400 Speaker 1: was a magical experience for me because it was taking 298 00:14:29,400 --> 00:14:32,320 Speaker 1: a show that I had loved and watched so many 299 00:14:32,360 --> 00:14:35,760 Speaker 1: times just at home on the TV and going into 300 00:14:35,760 --> 00:14:38,320 Speaker 1: a theater and experiencing that feeling with a bunch of 301 00:14:38,320 --> 00:14:41,840 Speaker 1: people and seeing it on the big screen really changed me. 302 00:14:42,720 --> 00:14:44,960 Speaker 1: And there was also just so much great promotion around 303 00:14:45,000 --> 00:14:47,920 Speaker 1: that movie, from the seven Elevens, changing the Quickie Marks, 304 00:14:48,400 --> 00:14:50,640 Speaker 1: all the products that came out during that year. I 305 00:14:50,680 --> 00:14:53,960 Speaker 1: think that in itself makes two thousand seven one of 306 00:14:53,960 --> 00:14:56,280 Speaker 1: my favorite years in movies. Then you also have movies 307 00:14:56,320 --> 00:15:00,640 Speaker 1: like rat A Twoy Trick, The Third three hundred. In overall, 308 00:15:00,720 --> 00:15:03,560 Speaker 1: I just think this year kind of solidified my love 309 00:15:03,600 --> 00:15:06,440 Speaker 1: of movies, and since two thousand and seven, I think 310 00:15:06,480 --> 00:15:08,760 Speaker 1: that's really when I got into watching the Oscars and 311 00:15:08,840 --> 00:15:11,600 Speaker 1: paying attention to all the best picture movies, and I 312 00:15:11,640 --> 00:15:14,160 Speaker 1: think that's really where my taste now that I have 313 00:15:14,360 --> 00:15:17,040 Speaker 1: started to form. If it would not have been for 314 00:15:17,080 --> 00:15:19,520 Speaker 1: two thousand and seven, I would not be here doing 315 00:15:19,560 --> 00:15:22,360 Speaker 1: this podcast today. That is how important that year was 316 00:15:22,440 --> 00:15:25,120 Speaker 1: to me. So now it's time to make the final decision. 317 00:15:25,360 --> 00:15:27,480 Speaker 1: If I had to save one year in movies, what 318 00:15:27,560 --> 00:15:30,520 Speaker 1: I save nineteen four or what I say of two 319 00:15:30,600 --> 00:15:34,080 Speaker 1: thousand and seven. And while by the numbers and on paper, 320 00:15:34,280 --> 00:15:39,480 Speaker 1: I would argue that was more of a historical impact, 321 00:15:40,080 --> 00:15:43,360 Speaker 1: you would say, but for me, if I had to 322 00:15:43,360 --> 00:15:45,920 Speaker 1: save a year, I would save two thousand and seven. 323 00:15:46,000 --> 00:15:48,080 Speaker 1: I think that is the best year in my opinion, 324 00:15:48,120 --> 00:15:50,280 Speaker 1: for movies. If I ever get to the point where 325 00:15:50,320 --> 00:15:54,040 Speaker 1: I'm so rickety and bothered by the way things have changed, 326 00:15:54,080 --> 00:15:56,000 Speaker 1: and I say they don't make movies like they used to, 327 00:15:56,720 --> 00:15:58,920 Speaker 1: I would look back on two thousand and seven more. 328 00:15:59,080 --> 00:16:01,040 Speaker 1: If I had to save more movies, I would pick 329 00:16:01,080 --> 00:16:03,560 Speaker 1: more movies from two thousand and seven. If I go 330 00:16:03,640 --> 00:16:05,880 Speaker 1: sit down and watch a movie now and I'm just 331 00:16:05,920 --> 00:16:08,040 Speaker 1: browsing through, want to watch something that makes me feel 332 00:16:08,120 --> 00:16:10,800 Speaker 1: kind of like I'm watching something familiar, making me watch 333 00:16:10,840 --> 00:16:13,160 Speaker 1: something that I know and love, I'm probably picking something 334 00:16:13,200 --> 00:16:15,440 Speaker 1: from two thousand seven. I'm gonna sit down and watch Juno. 335 00:16:15,880 --> 00:16:18,800 Speaker 1: I'm gonna watch super Bad, or I'm gonna watch Knocked Up, 336 00:16:18,880 --> 00:16:21,040 Speaker 1: or even No Country for Old Men. Those movies just 337 00:16:21,080 --> 00:16:23,440 Speaker 1: hold such a special part in my heart and love 338 00:16:23,480 --> 00:16:25,640 Speaker 1: them or hate him. I even love the Michael Bay 339 00:16:25,680 --> 00:16:28,760 Speaker 1: Transformers movies. So what I say is the best year 340 00:16:28,800 --> 00:16:31,840 Speaker 1: for movies, I go with two thousand and seven. Make 341 00:16:31,920 --> 00:16:39,720 Speaker 1: a record of it. Let's get into now a movie review. 342 00:16:39,760 --> 00:16:41,760 Speaker 1: I want to talk about the movie, and nobody starring 343 00:16:41,760 --> 00:16:45,160 Speaker 1: Bob Odenkirk, who you probably know Saul from Better Call 344 00:16:45,240 --> 00:16:48,600 Speaker 1: Saul or Breaking Bad, really a guy that I kind 345 00:16:48,600 --> 00:16:50,680 Speaker 1: of look up to in a way, and I'll explain that. 346 00:16:50,760 --> 00:16:53,600 Speaker 1: But I feel like the trailer from this movie is 347 00:16:53,600 --> 00:16:57,920 Speaker 1: a little bit misleading. While it is an action crime movie, 348 00:16:58,000 --> 00:16:59,840 Speaker 1: I think they make it a little bit darker than 349 00:16:59,840 --> 00:17:02,000 Speaker 1: the movie was because it has some heart. So I 350 00:17:02,040 --> 00:17:04,359 Speaker 1: want to talk about all of that in this movie. 351 00:17:04,560 --> 00:17:07,040 Speaker 1: But before I get into that, here's just a little 352 00:17:07,040 --> 00:17:08,920 Speaker 1: bit of the trailer, which I think you should also 353 00:17:08,960 --> 00:17:11,360 Speaker 1: go check out before watching this movie too, to get 354 00:17:11,359 --> 00:17:13,640 Speaker 1: a better feel of the violence, because I can describe 355 00:17:13,680 --> 00:17:16,800 Speaker 1: that in a certain way, but seeing it it'll make 356 00:17:16,840 --> 00:17:19,080 Speaker 1: you realize if this is the movie for you. But 357 00:17:19,119 --> 00:17:21,240 Speaker 1: before we get into that, here we go. I worked 358 00:17:21,280 --> 00:17:25,840 Speaker 1: for some very dangerous people. I'm used to be what 359 00:17:25,960 --> 00:17:29,640 Speaker 1: they call an auditor, alask guy anyone wants to see 360 00:17:29,680 --> 00:17:34,600 Speaker 1: at their door, because it meant you didn't have long 361 00:17:34,680 --> 00:17:39,840 Speaker 1: to live. But I left it behind to start a family. 362 00:17:43,040 --> 00:17:47,399 Speaker 1: I might have overcorrected, so I'll start there because I 363 00:17:47,440 --> 00:17:50,600 Speaker 1: say that because I know some people have a different 364 00:17:50,680 --> 00:17:52,679 Speaker 1: level of how much violence they like in a movie. 365 00:17:52,960 --> 00:17:55,520 Speaker 1: I like it when they just go on full commit 366 00:17:55,640 --> 00:17:58,760 Speaker 1: to straight on intense violence if that's what they're going for. 367 00:17:58,880 --> 00:18:00,720 Speaker 1: If you're going for that high level of violence and 368 00:18:00,720 --> 00:18:02,920 Speaker 1: you want to just show that in the movie, I say, 369 00:18:03,000 --> 00:18:05,439 Speaker 1: go all in. None of that happened between stuff, and 370 00:18:05,440 --> 00:18:07,880 Speaker 1: I think that this movie goes for that. It's kind 371 00:18:07,880 --> 00:18:10,000 Speaker 1: of in the same sense of like the John Wick movies, 372 00:18:10,560 --> 00:18:14,440 Speaker 1: just senseless brutal killing um throughout pretty much the entire 373 00:18:14,440 --> 00:18:17,520 Speaker 1: movie once it gets going. So if you're into that, 374 00:18:17,840 --> 00:18:20,800 Speaker 1: I think this is probably the perfect movie for you. Now. 375 00:18:20,880 --> 00:18:23,199 Speaker 1: While I think the trailer is a little bit misleading 376 00:18:23,760 --> 00:18:26,080 Speaker 1: is it makes it seem like a very dark and 377 00:18:26,160 --> 00:18:29,400 Speaker 1: like serious crime movie. But I think at the heart 378 00:18:29,440 --> 00:18:32,639 Speaker 1: of this movie, it's really a story about a guy 379 00:18:32,680 --> 00:18:34,600 Speaker 1: trying to live a normal life when he has a 380 00:18:34,640 --> 00:18:37,679 Speaker 1: really dark pass. So the overall premise of this, and 381 00:18:37,720 --> 00:18:40,240 Speaker 1: again I always do spoiler free reviews, I don't reveal 382 00:18:40,240 --> 00:18:42,359 Speaker 1: any plot points that you wouldn't get from the trailer. 383 00:18:42,400 --> 00:18:45,120 Speaker 1: I just give overall an analysis of the movie and 384 00:18:45,200 --> 00:18:47,359 Speaker 1: just some ideas and thoughts of mine that I had 385 00:18:47,359 --> 00:18:49,240 Speaker 1: while watching it that I think would motivate you to 386 00:18:49,280 --> 00:18:51,359 Speaker 1: go see it or not. In this case, I do 387 00:18:51,440 --> 00:18:53,719 Speaker 1: think you should see this movie. It's about this guy 388 00:18:54,280 --> 00:18:57,240 Speaker 1: who had a dark past and he was working at 389 00:18:57,359 --> 00:19:00,400 Speaker 1: what he called was an auditor on all the three 390 00:19:00,480 --> 00:19:04,120 Speaker 1: letter agencies like the FBI, c I A. They hired him. 391 00:19:04,119 --> 00:19:06,000 Speaker 1: He worked for them for twelve years and he would 392 00:19:06,000 --> 00:19:08,880 Speaker 1: go and pretty much if you saw him, you knew 393 00:19:08,920 --> 00:19:10,960 Speaker 1: you were going to die. He would go after very 394 00:19:11,080 --> 00:19:14,320 Speaker 1: serious criminals in his overall a dude you do not 395 00:19:14,440 --> 00:19:16,119 Speaker 1: want to mess with. But he gets out of that 396 00:19:16,160 --> 00:19:18,520 Speaker 1: game and decides he wants to go start a family. 397 00:19:18,920 --> 00:19:22,000 Speaker 1: He's living basically a simple life, him and his wife 398 00:19:22,040 --> 00:19:24,399 Speaker 1: and his two kids living in a house, and what 399 00:19:24,640 --> 00:19:27,240 Speaker 1: is described in the movie is basically a suburban neighborhood. 400 00:19:27,520 --> 00:19:30,800 Speaker 1: And you get all that from the movie title called Nobody. 401 00:19:30,920 --> 00:19:34,119 Speaker 1: He went from being this crazy trained killer to just 402 00:19:34,200 --> 00:19:36,760 Speaker 1: being a nobody. You go through his Monday through Friday 403 00:19:36,840 --> 00:19:39,600 Speaker 1: routine over and over again. It's kind of the same day. 404 00:19:39,640 --> 00:19:41,320 Speaker 1: But he likes it that way. That's what he wanted. 405 00:19:41,960 --> 00:19:44,120 Speaker 1: But that all kind of changes when these people rob 406 00:19:44,200 --> 00:19:47,320 Speaker 1: his house, they break in, attack his son. He really 407 00:19:47,359 --> 00:19:49,359 Speaker 1: does nothing because he doesn't want to revert back to 408 00:19:49,400 --> 00:19:52,359 Speaker 1: that life, but something in the movie motivates him to 409 00:19:52,440 --> 00:19:55,560 Speaker 1: go track down these people and kind of seek revenge. 410 00:19:56,000 --> 00:19:58,119 Speaker 1: In the middle of that, he gets tied up with 411 00:19:58,160 --> 00:20:01,240 Speaker 1: another group of men and becomes the target for this 412 00:20:01,359 --> 00:20:03,919 Speaker 1: really big drug lord, and that's kind of the premise 413 00:20:03,960 --> 00:20:06,320 Speaker 1: of this movie, kind of in the wrong place at 414 00:20:06,359 --> 00:20:08,600 Speaker 1: the wrong time type of thing. And then in all 415 00:20:08,760 --> 00:20:10,840 Speaker 1: that he kind of is like, all right, I'm gonna 416 00:20:10,840 --> 00:20:12,399 Speaker 1: have to go back to this life for just a 417 00:20:12,400 --> 00:20:15,080 Speaker 1: little bit and do what I don't really want to 418 00:20:15,119 --> 00:20:17,400 Speaker 1: do but I'm now being forced to do. And I 419 00:20:17,440 --> 00:20:19,320 Speaker 1: love the way he did it, because the thing about 420 00:20:19,320 --> 00:20:22,840 Speaker 1: Bob oden Kirk is he portrays this character so well 421 00:20:22,880 --> 00:20:25,080 Speaker 1: of just being a normal guy, but it's also very 422 00:20:25,119 --> 00:20:27,719 Speaker 1: believable how intense he is and how he can just 423 00:20:27,880 --> 00:20:30,000 Speaker 1: take down these people using all of his skill to 424 00:20:30,200 --> 00:20:33,040 Speaker 1: all these weapons. And what I feel that you don't 425 00:20:33,040 --> 00:20:35,920 Speaker 1: really get in the trailer is what he is going 426 00:20:35,920 --> 00:20:38,359 Speaker 1: through internally and what is going on in his brain 427 00:20:38,400 --> 00:20:41,000 Speaker 1: while he's doing this. It's not just mindless, senseless killing. 428 00:20:41,520 --> 00:20:43,320 Speaker 1: It kind of has a little bit of heart at 429 00:20:43,359 --> 00:20:45,560 Speaker 1: the very bottom of it, which if you've been listening 430 00:20:45,560 --> 00:20:47,439 Speaker 1: to my podcast for a while now, you know I 431 00:20:47,480 --> 00:20:49,760 Speaker 1: love a good movie that has some heart in it, 432 00:20:50,000 --> 00:20:52,920 Speaker 1: especially when it has such a kind of polar opposite 433 00:20:53,000 --> 00:20:55,840 Speaker 1: of being this guy who is just has no remorse 434 00:20:55,920 --> 00:20:58,280 Speaker 1: for the things he's doing, has no sympathy for any 435 00:20:58,320 --> 00:21:01,600 Speaker 1: of his people that are getting in his way. But 436 00:21:01,640 --> 00:21:04,320 Speaker 1: he's also doing doing it for a reason. He's trying 437 00:21:04,320 --> 00:21:07,000 Speaker 1: to live a normal life and have a family and 438 00:21:07,080 --> 00:21:10,040 Speaker 1: have his kids respect him, and have his wife, you know, 439 00:21:10,160 --> 00:21:12,280 Speaker 1: want to be with him. And at the end of 440 00:21:12,320 --> 00:21:15,040 Speaker 1: the day, that's really all he is fighting for, that 441 00:21:15,119 --> 00:21:18,840 Speaker 1: kind of normal life, just being a quote unquote nobody. 442 00:21:19,080 --> 00:21:21,000 Speaker 1: And I think why I found this movie so kind 443 00:21:21,000 --> 00:21:24,119 Speaker 1: of interesting and engaging while I'm watching it, is what 444 00:21:24,160 --> 00:21:26,159 Speaker 1: if we all had that kind of moment that just 445 00:21:26,240 --> 00:21:28,840 Speaker 1: kind of, you know, something clicks in our brains and 446 00:21:28,880 --> 00:21:31,360 Speaker 1: it forces us to be in that kind of fight 447 00:21:31,440 --> 00:21:33,600 Speaker 1: or flight moment. And he does it so well and 448 00:21:33,720 --> 00:21:36,560 Speaker 1: is able to execute his plan, and it's just so 449 00:21:36,600 --> 00:21:39,240 Speaker 1: convincing throughout the entire movie. And I really credited to 450 00:21:39,280 --> 00:21:42,000 Speaker 1: Bob oden Kirk, who I haven't really seen in a 451 00:21:42,119 --> 00:21:44,520 Speaker 1: leading role like this, and he's a guy that I 452 00:21:44,600 --> 00:21:47,680 Speaker 1: really respect because I remember him mostly as a writer 453 00:21:47,760 --> 00:21:49,840 Speaker 1: back in the day on Saturday Night Live. I remember 454 00:21:49,880 --> 00:21:53,040 Speaker 1: seeing interviews with like Chris Farley talking about some of 455 00:21:53,040 --> 00:21:55,240 Speaker 1: the sketches like the Down by the River sketch, Bob 456 00:21:55,240 --> 00:21:58,960 Speaker 1: Odenkirk wrote that sketch, and he has just really has 457 00:21:59,040 --> 00:22:03,080 Speaker 1: a career that I would almost want to completely model. 458 00:22:03,280 --> 00:22:05,520 Speaker 1: While Breaking Bad and Better, call Sault had made it 459 00:22:05,640 --> 00:22:08,040 Speaker 1: more of a recognizable face, a little bit more of 460 00:22:08,080 --> 00:22:10,840 Speaker 1: a household name. You would probably know his face more 461 00:22:10,880 --> 00:22:12,680 Speaker 1: than you know his actual name, but you would see 462 00:22:12,760 --> 00:22:15,239 Speaker 1: him on the screen and you recognize him. He's just 463 00:22:15,320 --> 00:22:18,720 Speaker 1: so beloved for his writing and his comedic ability. Is 464 00:22:18,800 --> 00:22:20,880 Speaker 1: that that's the That's the kind of career I would 465 00:22:20,880 --> 00:22:22,960 Speaker 1: aspire to have, to you, And now having this success 466 00:22:22,960 --> 00:22:25,239 Speaker 1: in this movie of kind of showing what he can 467 00:22:25,280 --> 00:22:27,920 Speaker 1: do in this capacity, I was really kind of inspired 468 00:22:27,960 --> 00:22:29,879 Speaker 1: by it. So at the end of the movie, I 469 00:22:30,000 --> 00:22:32,159 Speaker 1: felt like I got everything out of this kind of 470 00:22:32,200 --> 00:22:35,040 Speaker 1: action style of drama that I wanted. And the most 471 00:22:35,040 --> 00:22:36,960 Speaker 1: beautiful thing is I was kind of looking for a 472 00:22:37,040 --> 00:22:39,840 Speaker 1: nice palate cleanser. I've been on a kick of watching 473 00:22:39,880 --> 00:22:41,800 Speaker 1: all these Oscar movies and I just wanted to watch 474 00:22:41,840 --> 00:22:44,400 Speaker 1: something to kind of not only turn my brain off 475 00:22:44,440 --> 00:22:47,280 Speaker 1: and not be completely just disengaged. While watching, but also 476 00:22:47,359 --> 00:22:51,160 Speaker 1: something that kept me and my attention throughout the entire movie, 477 00:22:51,160 --> 00:22:52,840 Speaker 1: and at an hour and a half, that's I think 478 00:22:52,880 --> 00:22:54,800 Speaker 1: when I loved the most about it. An hour and 479 00:22:54,840 --> 00:22:57,800 Speaker 1: a half. Everything you needed in this type of movie, 480 00:22:57,880 --> 00:23:00,639 Speaker 1: it executed it perfectly. Had a pretty a good cast, 481 00:23:00,800 --> 00:23:04,280 Speaker 1: some cameos in there that I won't ruin, but also 482 00:23:04,359 --> 00:23:06,480 Speaker 1: his dad in the movie is Christopher Lloyd from the 483 00:23:06,520 --> 00:23:08,280 Speaker 1: Back to the Future movies, which I thought was a 484 00:23:08,320 --> 00:23:11,399 Speaker 1: great touch. So everything from the action to the cinematic 485 00:23:11,400 --> 00:23:14,400 Speaker 1: stylings to the soundtrack in there, there's some very kind 486 00:23:14,440 --> 00:23:17,440 Speaker 1: of I feel like hand selected songs that they picked 487 00:23:17,480 --> 00:23:20,399 Speaker 1: the fittest character that I think playoff pretty well in 488 00:23:20,440 --> 00:23:23,040 Speaker 1: the movie. And I would easily give this movie four 489 00:23:23,119 --> 00:23:25,920 Speaker 1: out of five. Gunshot Wounds, Yeah, we'll go with that, 490 00:23:26,359 --> 00:23:28,960 Speaker 1: and I can I would rate it higher, but I 491 00:23:29,000 --> 00:23:32,199 Speaker 1: know it's not for everybody. Like Kelsey watched just a 492 00:23:32,240 --> 00:23:34,479 Speaker 1: little bit of this movie with me and she was like, 493 00:23:34,520 --> 00:23:37,600 Speaker 1: what are you watching? This is so brutal and violent, 494 00:23:37,680 --> 00:23:40,920 Speaker 1: Like I, I can't stand it. So I totally get that. 495 00:23:41,080 --> 00:23:43,240 Speaker 1: So that's why I give it the four out of 496 00:23:43,280 --> 00:23:45,120 Speaker 1: five rating. But if you do want to go see 497 00:23:45,119 --> 00:23:47,639 Speaker 1: this movie. It is still available in some theaters, but 498 00:23:47,680 --> 00:23:49,199 Speaker 1: if you want to watch it at home, it is 499 00:23:49,240 --> 00:23:52,480 Speaker 1: that twenty buck rental fee. I think it's worth it. 500 00:23:52,520 --> 00:23:54,560 Speaker 1: If you're watching it with somebody else, you might enjoy it. 501 00:23:54,600 --> 00:23:57,119 Speaker 1: I think it's totally worthwhile. If you like movies like 502 00:23:57,200 --> 00:23:59,640 Speaker 1: John Wick, or you love Breaking Bad or better call Saul, 503 00:23:59,840 --> 00:24:02,679 Speaker 1: you won't be disappointed by this one. So I was 504 00:24:02,720 --> 00:24:04,560 Speaker 1: just gonna bring this up in movie News, but it 505 00:24:04,680 --> 00:24:06,680 Speaker 1: decided to make a bit of a topic about it 506 00:24:06,800 --> 00:24:08,720 Speaker 1: because I thought this was interesting. Now, if you listen 507 00:24:08,760 --> 00:24:11,639 Speaker 1: to my Oscar special last week, I talked about a 508 00:24:11,680 --> 00:24:15,160 Speaker 1: movie called Another Round, which one for Best Foreign Film, 509 00:24:15,200 --> 00:24:17,199 Speaker 1: and the movie it's a Danish movie, so you have 510 00:24:17,240 --> 00:24:19,240 Speaker 1: to watch it all in subtitles, but it's available on 511 00:24:19,280 --> 00:24:21,720 Speaker 1: Hulu and it's the last movie I watched leading up 512 00:24:21,720 --> 00:24:24,320 Speaker 1: to the Oscars. I thought it was fantastic. It's basically 513 00:24:24,880 --> 00:24:28,160 Speaker 1: like the reverse coming of age movie. It's this Danish 514 00:24:28,160 --> 00:24:30,359 Speaker 1: guy who's a teacher and he's basically going through a 515 00:24:30,359 --> 00:24:33,840 Speaker 1: midlife crisis and trying to get back that you full 516 00:24:33,920 --> 00:24:37,520 Speaker 1: kind of energy he had with his friends partying and drinking, 517 00:24:38,040 --> 00:24:40,199 Speaker 1: and it just leads into utter Chaos, but it was 518 00:24:40,200 --> 00:24:43,119 Speaker 1: It's a really great movie, and I was so excited 519 00:24:43,160 --> 00:24:44,800 Speaker 1: that I had just watched the movie and then it 520 00:24:44,840 --> 00:24:46,960 Speaker 1: went on to it an Oscar and I hope now 521 00:24:47,000 --> 00:24:48,879 Speaker 1: more people go and watch it. But the story that 522 00:24:48,960 --> 00:24:51,400 Speaker 1: came out was that now is that it's going to 523 00:24:51,480 --> 00:24:55,920 Speaker 1: be remade and adapted into an American version after Leonardo 524 00:24:55,920 --> 00:25:00,119 Speaker 1: DiCaprio's production company bought the rights to the movie and 525 00:25:00,160 --> 00:25:02,240 Speaker 1: he is rumored to be starring, and it hasn't really 526 00:25:02,240 --> 00:25:04,480 Speaker 1: been announced yet, but a lot of people were kind 527 00:25:04,480 --> 00:25:06,320 Speaker 1: of upset about this, and I was trying to think 528 00:25:06,359 --> 00:25:08,520 Speaker 1: of how I landed on the subject, because why, I 529 00:25:08,520 --> 00:25:11,040 Speaker 1: don't think remakes are totally bad. I think people get 530 00:25:11,160 --> 00:25:12,920 Speaker 1: upset a lot about like, oh, why can they make 531 00:25:12,960 --> 00:25:16,200 Speaker 1: anything original? But some movies you don't even realize their remakes, 532 00:25:16,200 --> 00:25:18,480 Speaker 1: and sometimes they're done better than the original, So I 533 00:25:18,800 --> 00:25:21,520 Speaker 1: can get behind that. I think if somebody has a 534 00:25:21,560 --> 00:25:24,199 Speaker 1: stylistic approach to give life to a story that has 535 00:25:24,200 --> 00:25:26,960 Speaker 1: already been made, I'm not against the movie being remade, 536 00:25:27,040 --> 00:25:30,000 Speaker 1: especially if it was done so long ago or it 537 00:25:30,080 --> 00:25:31,800 Speaker 1: was done on a lower budget. What I get kind 538 00:25:31,800 --> 00:25:34,359 Speaker 1: of annoyed by more is them rebooting so much of 539 00:25:34,400 --> 00:25:36,520 Speaker 1: the same franchises over and over, and that gets kind 540 00:25:36,520 --> 00:25:39,040 Speaker 1: of annoying, where it feels more like they're just trying 541 00:25:39,080 --> 00:25:41,200 Speaker 1: to cash off of a name and do those movies 542 00:25:41,200 --> 00:25:43,960 Speaker 1: again and again. Those are the remakes that I really 543 00:25:44,000 --> 00:25:46,720 Speaker 1: get burnt out and bummed out by. But where I 544 00:25:46,800 --> 00:25:50,000 Speaker 1: kind of have a problem with this is kind of 545 00:25:50,040 --> 00:25:54,399 Speaker 1: americanizing these foreign films. I remember feeling this way when 546 00:25:54,440 --> 00:25:56,920 Speaker 1: I saw a Parasite that I wondered how long it 547 00:25:56,960 --> 00:25:59,560 Speaker 1: would take before they kind of made and took the 548 00:25:59,640 --> 00:26:02,199 Speaker 1: rights to this movie and gave it an American, you know, 549 00:26:02,480 --> 00:26:05,000 Speaker 1: version of it. And I think that movie is so 550 00:26:05,080 --> 00:26:08,720 Speaker 1: perfect in the way that you have to experience it 551 00:26:08,800 --> 00:26:11,439 Speaker 1: like they made that movie. You have to watch it 552 00:26:11,440 --> 00:26:14,359 Speaker 1: with the subtitles to really understand it and to really 553 00:26:14,359 --> 00:26:16,399 Speaker 1: get the full effect of it of why it is 554 00:26:16,440 --> 00:26:19,720 Speaker 1: such a cutting edge movie and something so kind of 555 00:26:19,800 --> 00:26:22,880 Speaker 1: captivating and original. It could only be done in that way. 556 00:26:22,920 --> 00:26:26,800 Speaker 1: I would not go watch an American remake of Parasite. 557 00:26:26,920 --> 00:26:29,000 Speaker 1: And I think these movies are truly just works of 558 00:26:29,119 --> 00:26:32,440 Speaker 1: art and should be appreciated in the way they were 559 00:26:32,480 --> 00:26:35,520 Speaker 1: already made. There's nothing wrong with these movies, just because 560 00:26:35,560 --> 00:26:37,840 Speaker 1: they're not in the language you're familiar with or that 561 00:26:37,960 --> 00:26:40,639 Speaker 1: you know, it doesn't mean you shouldn't go watch this 562 00:26:40,680 --> 00:26:43,320 Speaker 1: original movie and wait for the American version. What I 563 00:26:43,400 --> 00:26:46,040 Speaker 1: think should happen is these movies should really kind of 564 00:26:46,080 --> 00:26:49,040 Speaker 1: bleed into more of American culture, like movies like this. 565 00:26:49,760 --> 00:26:52,560 Speaker 1: It should be nominated for Best Picture. That is the 566 00:26:52,600 --> 00:26:54,760 Speaker 1: reason why when Parasite one last year, it was such 567 00:26:54,800 --> 00:26:57,040 Speaker 1: a big deal and never been done before. I think 568 00:26:57,040 --> 00:26:59,480 Speaker 1: we need to work more on breaking down these barriers 569 00:26:59,480 --> 00:27:02,960 Speaker 1: of just enjoying movies the way they were made already. 570 00:27:03,080 --> 00:27:06,919 Speaker 1: We don't need to fit them too different audiences. So 571 00:27:07,000 --> 00:27:09,800 Speaker 1: that brings me back to and going back to why 572 00:27:09,840 --> 00:27:13,800 Speaker 1: they would be remaking another round Wileonardo DiCaprio, I just 573 00:27:13,880 --> 00:27:16,280 Speaker 1: don't really see how that story could be told any differently, 574 00:27:16,480 --> 00:27:19,520 Speaker 1: so without ruining that movie. He has got into a 575 00:27:19,560 --> 00:27:22,400 Speaker 1: really boring part in his life. There's nothing exciting happening, 576 00:27:22,440 --> 00:27:23,959 Speaker 1: he even says to his wife, and he's like, am 577 00:27:23,960 --> 00:27:26,320 Speaker 1: I just completely boring? Now? He tries to spice things 578 00:27:26,400 --> 00:27:28,400 Speaker 1: up by hanging out with his friends, and they try 579 00:27:28,440 --> 00:27:31,760 Speaker 1: to incorporate as much alcohol into their body while still 580 00:27:31,800 --> 00:27:35,200 Speaker 1: being functional members of society and having their jobs, they 581 00:27:35,240 --> 00:27:38,119 Speaker 1: have fun, but then kind of realize that it's probably 582 00:27:38,160 --> 00:27:40,720 Speaker 1: isn't good work. And I think it's the storytelling in 583 00:27:40,760 --> 00:27:44,439 Speaker 1: this movie, combined with this cast and the fact that 584 00:27:44,520 --> 00:27:46,639 Speaker 1: you don't know the language and you're reading the subtitles 585 00:27:46,720 --> 00:27:48,879 Speaker 1: but still getting all of the emotions of the movie 586 00:27:49,359 --> 00:27:52,119 Speaker 1: is why I think it was powerful not only to 587 00:27:52,320 --> 00:27:55,600 Speaker 1: Danish audiences but also to American audiences and why it 588 00:27:55,680 --> 00:27:58,399 Speaker 1: won the Oscar. Now, you take all the things that 589 00:27:58,480 --> 00:28:01,720 Speaker 1: made this movie great in its own piece of art, 590 00:28:02,280 --> 00:28:04,240 Speaker 1: strip that out just so you can put an American 591 00:28:04,280 --> 00:28:06,760 Speaker 1: twist on it, put Leonardo DiCaprio. I don't think it's 592 00:28:06,760 --> 00:28:09,159 Speaker 1: the same movie. I think you're just kind of taking 593 00:28:09,200 --> 00:28:12,600 Speaker 1: the success in the name and the screenplay and you're 594 00:28:12,600 --> 00:28:16,280 Speaker 1: gonna make a whole entirely different movie, kind of giving 595 00:28:16,359 --> 00:28:19,800 Speaker 1: Leonardo the success story and having that American twist on it. 596 00:28:19,840 --> 00:28:22,359 Speaker 1: But I just think it's too quick, like literally, just 597 00:28:22,480 --> 00:28:24,320 Speaker 1: one the Oscar and you want to buy up the 598 00:28:24,400 --> 00:28:27,960 Speaker 1: rights and you know, begin production or start making this movie. 599 00:28:28,600 --> 00:28:31,080 Speaker 1: Maybe ten years down the line. Fifteen years down the 600 00:28:31,080 --> 00:28:33,800 Speaker 1: line is when I think that movie needs to be made. 601 00:28:34,320 --> 00:28:37,280 Speaker 1: What I'm trying to say is that I don't think 602 00:28:37,320 --> 00:28:40,360 Speaker 1: because the movie has subtitles means we all can enjoy 603 00:28:40,440 --> 00:28:43,040 Speaker 1: that movie. And if you leave from one thing of 604 00:28:43,080 --> 00:28:45,720 Speaker 1: listening to this podcast is don't be afraid to watch 605 00:28:45,720 --> 00:28:49,000 Speaker 1: a movie with subtitles. If it's a really great movie, 606 00:28:49,360 --> 00:28:53,160 Speaker 1: the subtitles won't even matter. And after you watch the movie, 607 00:28:53,240 --> 00:28:55,120 Speaker 1: I think you take so much more out of it 608 00:28:55,160 --> 00:28:58,560 Speaker 1: because you are really hyper focused and paying attention to 609 00:28:58,600 --> 00:29:01,440 Speaker 1: the movie because you're reading along and then watching the action. 610 00:29:02,120 --> 00:29:05,720 Speaker 1: But what I find so exciting about these movies is 611 00:29:05,720 --> 00:29:09,719 Speaker 1: that I take away a different level of emotion and 612 00:29:09,760 --> 00:29:12,360 Speaker 1: you feel it's so much more invested with watching a 613 00:29:12,400 --> 00:29:16,480 Speaker 1: movie this way, because if it's a good movie, none 614 00:29:16,480 --> 00:29:18,880 Speaker 1: of those emotions and none of those feelings will be lost. 615 00:29:19,040 --> 00:29:21,280 Speaker 1: And I think you even get more of the message 616 00:29:21,360 --> 00:29:23,680 Speaker 1: because it's almost like when one of your senses is down, 617 00:29:23,760 --> 00:29:26,479 Speaker 1: the other one become heightened, so you're not able to 618 00:29:27,080 --> 00:29:30,000 Speaker 1: audibly take in all the things they're saying and what 619 00:29:30,080 --> 00:29:33,479 Speaker 1: they mean, but you see it more represented on the screen, 620 00:29:33,600 --> 00:29:36,280 Speaker 1: and by reading it, it has a different effect. When 621 00:29:36,320 --> 00:29:39,040 Speaker 1: I watched Parasite like that, it affected me differently than 622 00:29:39,040 --> 00:29:41,160 Speaker 1: I thought it would, and I think the director of 623 00:29:41,200 --> 00:29:44,520 Speaker 1: Parasites said it best. Once you overcome the one it's 624 00:29:44,560 --> 00:29:48,320 Speaker 1: tall barrier of subtitles, you will be introduced to so 625 00:29:48,360 --> 00:29:52,080 Speaker 1: many more amazing films. All that to say is another 626 00:29:52,160 --> 00:29:55,160 Speaker 1: Round does not need to remake with Leonardo DiCaprio. I 627 00:29:55,240 --> 00:29:57,440 Speaker 1: love him as an actor, I love him as a producer. 628 00:29:57,720 --> 00:30:01,040 Speaker 1: Be Leo, that's not it, all right, So I think 629 00:30:01,080 --> 00:30:03,040 Speaker 1: I will leave it there. That's kind of movie news 630 00:30:03,080 --> 00:30:05,400 Speaker 1: turned into a whole rant of its own, but I 631 00:30:05,440 --> 00:30:08,080 Speaker 1: do want to encourage you guys to listen to an 632 00:30:08,080 --> 00:30:10,280 Speaker 1: episode you've may be missed at the podcast last week, 633 00:30:10,280 --> 00:30:13,040 Speaker 1: I was talking about movie crossovers. Also did a whole 634 00:30:13,080 --> 00:30:16,120 Speaker 1: bonus episode on the Oscar, So if you miss those 635 00:30:16,200 --> 00:30:17,720 Speaker 1: and want to go back and kind of learn about 636 00:30:17,760 --> 00:30:20,160 Speaker 1: those in the movies from that, I really go into 637 00:30:20,200 --> 00:30:22,120 Speaker 1: depth on those episodes. So if you want to go 638 00:30:22,160 --> 00:30:24,280 Speaker 1: back and listen to those two, they're right there for you. 639 00:30:24,400 --> 00:30:27,320 Speaker 1: Own the feed, and then also encourage you to next 640 00:30:27,360 --> 00:30:29,920 Speaker 1: week listen to the episode because I will have director 641 00:30:30,040 --> 00:30:33,600 Speaker 1: John Lee Hancock on, who just directed The Little Things, 642 00:30:33,600 --> 00:30:35,960 Speaker 1: which came out earlier this year, but he also directed 643 00:30:35,960 --> 00:30:39,719 Speaker 1: The blind Side, Saving Mr Banks, The Alamo, and the rookies. 644 00:30:39,760 --> 00:30:41,800 Speaker 1: So I'm excited to talk to him not only about 645 00:30:41,960 --> 00:30:45,560 Speaker 1: what it was like directing Jared Leto, Denzel Washington and 646 00:30:45,680 --> 00:30:49,280 Speaker 1: Rommy Malick, but also just what exactly a director does, 647 00:30:49,440 --> 00:30:51,880 Speaker 1: like like one day in the life of a director. 648 00:30:51,920 --> 00:30:53,640 Speaker 1: I think that's what I want to talk to him about, 649 00:30:53,800 --> 00:30:56,239 Speaker 1: and also about the blind Side. I want to know 650 00:30:56,360 --> 00:30:59,200 Speaker 1: just like how much you take from the real story 651 00:30:59,240 --> 00:31:01,000 Speaker 1: and how much you kind of have to quote unquote 652 00:31:01,080 --> 00:31:03,560 Speaker 1: Hollywood up. So I'll see if you'll answer those questions 653 00:31:03,600 --> 00:31:06,080 Speaker 1: for me. So wherever you're listening to this now, make 654 00:31:06,120 --> 00:31:08,360 Speaker 1: sure you're subscribed, to make sure you're following along so 655 00:31:08,440 --> 00:31:11,360 Speaker 1: you get brand new episodes every single Monday. Before I 656 00:31:11,400 --> 00:31:13,440 Speaker 1: hop out of here, I gotta give my shout out 657 00:31:13,480 --> 00:31:15,840 Speaker 1: of the week. I do this to anybody who sends 658 00:31:15,880 --> 00:31:19,120 Speaker 1: me a tweet at Mike Destro a d M on Instagram, 659 00:31:19,120 --> 00:31:21,600 Speaker 1: a comment on my Facebook page which is just Facebook 660 00:31:21,600 --> 00:31:25,840 Speaker 1: dot com slash Mike Destro, or an email over at 661 00:31:25,920 --> 00:31:28,920 Speaker 1: movie Mike d at gmail dot com. And this was 662 00:31:28,960 --> 00:31:31,800 Speaker 1: actually a tweet that made my day from Miss Danny G. 663 00:31:32,440 --> 00:31:35,240 Speaker 1: And the tweet says, I told Mr Mario underscore G, 664 00:31:35,440 --> 00:31:37,600 Speaker 1: which is her husband I want to watch the new 665 00:31:37,600 --> 00:31:40,320 Speaker 1: Mortal Kombat, and he asked, what did Mike d rate it? 666 00:31:40,440 --> 00:31:43,320 Speaker 1: Hashtag movie Mike, And I think the reason that made 667 00:31:43,360 --> 00:31:46,040 Speaker 1: my day is because I realized I come on here 668 00:31:46,080 --> 00:31:48,560 Speaker 1: every single week and rate a movie and I just 669 00:31:48,600 --> 00:31:50,600 Speaker 1: give you my opinions on the movie and whether I 670 00:31:50,640 --> 00:31:53,400 Speaker 1: think you would like it or not, based on if 671 00:31:53,400 --> 00:31:55,479 Speaker 1: you've liked other movies what you would like, and I 672 00:31:55,520 --> 00:31:58,240 Speaker 1: try to not lead you in the wrong direction. And 673 00:31:58,280 --> 00:32:00,400 Speaker 1: I just think it's awesome for everybody list sening that 674 00:32:00,440 --> 00:32:02,720 Speaker 1: you take what I say into consideration where you're going 675 00:32:02,760 --> 00:32:04,800 Speaker 1: to spend your time on and watch you later. So 676 00:32:05,480 --> 00:32:07,959 Speaker 1: that meant a lot to me, and if anybody else listening, 677 00:32:08,080 --> 00:32:10,560 Speaker 1: you know it takes my advice or my recommendations on 678 00:32:10,600 --> 00:32:13,239 Speaker 1: what to watch just no, that means a lot to me, 679 00:32:13,280 --> 00:32:14,880 Speaker 1: and I don't want to let you down and give 680 00:32:14,920 --> 00:32:17,720 Speaker 1: you a bad recommendation. So I do put a lot 681 00:32:17,760 --> 00:32:20,240 Speaker 1: of thought into these reviews, and I also try very 682 00:32:20,280 --> 00:32:23,160 Speaker 1: hard not to spoil everything, which you believe me, doing 683 00:32:23,160 --> 00:32:26,240 Speaker 1: a podcast reviewing movies gets hard. I have to sometimes 684 00:32:26,560 --> 00:32:30,000 Speaker 1: control myself on being excited about movies and not giving 685 00:32:30,040 --> 00:32:32,680 Speaker 1: things away. But hopefully I've done a good job at that. 686 00:32:33,000 --> 00:32:34,880 Speaker 1: I've been doing this podcast for over a year and 687 00:32:34,880 --> 00:32:36,760 Speaker 1: a half now, and it really means a lot to 688 00:32:36,800 --> 00:32:38,200 Speaker 1: me to be able to get on here and talk 689 00:32:38,200 --> 00:32:41,360 Speaker 1: about something I'm passionate about. I'm glad all you guys 690 00:32:41,360 --> 00:32:44,840 Speaker 1: have stuck around listening every single Monday, if you listen 691 00:32:44,880 --> 00:32:48,040 Speaker 1: on released Day or just any time you're listening. Seriously, 692 00:32:48,080 --> 00:32:50,040 Speaker 1: thank you so much. Hope you have a great rest 693 00:32:50,040 --> 00:32:53,200 Speaker 1: of your week and until next Monday when I talk 694 00:32:53,240 --> 00:32:54,680 Speaker 1: to you again. Later