1 00:00:01,880 --> 00:00:04,519 Speaker 1: And That's what You Really Missed with Jenna. 2 00:00:04,600 --> 00:00:07,240 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,240 --> 00:00:11,240 Speaker 1: Welcome to one That's what You Really miss podcast. 4 00:00:11,400 --> 00:00:19,360 Speaker 2: I'm Jenna, I'm Kevin, and today we're discussing grilled cheesus Praise. 5 00:00:19,160 --> 00:00:22,480 Speaker 1: Him, Season two, Episode three. 6 00:00:22,640 --> 00:00:26,360 Speaker 2: My lactose intolerance could not handle this, Kevin. 7 00:00:26,120 --> 00:00:29,360 Speaker 1: It's funny. Do you remember last night? What were we 8 00:00:29,440 --> 00:00:31,680 Speaker 1: talking about? And You're like, oh, no, I want a 9 00:00:31,720 --> 00:00:35,600 Speaker 1: grilled cheese this? Oh really, yeah, I was going to 10 00:00:35,640 --> 00:00:37,599 Speaker 1: watch this. I was like, it just makes me want 11 00:00:37,600 --> 00:00:40,600 Speaker 1: to eat a grilled cheese real bad. I grilled cheese, 12 00:00:40,640 --> 00:00:44,559 Speaker 1: real bad the whole time watching this episode. This episode 13 00:00:44,600 --> 00:00:48,520 Speaker 1: is a fascinating episode to me for many reasons. 14 00:00:48,960 --> 00:00:56,120 Speaker 2: Yes, and I remember it for so many reasons too, 15 00:00:56,160 --> 00:01:00,880 Speaker 2: because Alfonso go Home directed it and did some new 16 00:01:01,000 --> 00:01:04,000 Speaker 2: sort of creative shots like you always would with this episode, 17 00:01:04,200 --> 00:01:04,800 Speaker 2: and we were. 18 00:01:04,720 --> 00:01:08,720 Speaker 1: All a little shell shocked at the times. 19 00:01:08,680 --> 00:01:10,240 Speaker 2: And then you watch it, you're like, oh, it's beautiful, 20 00:01:10,280 --> 00:01:10,920 Speaker 2: beautiful work. 21 00:01:11,200 --> 00:01:13,760 Speaker 1: That's the thing about Phonsie. We call him Phonsie and 22 00:01:13,800 --> 00:01:17,480 Speaker 1: you'll you'll learn the term he He came in and 23 00:01:17,520 --> 00:01:20,160 Speaker 1: he was very like I think he was a DP 24 00:01:20,280 --> 00:01:23,679 Speaker 1: at one point right like he was the director of photography. 25 00:01:23,959 --> 00:01:28,360 Speaker 1: It's very much that. So it's very cinematic and a 26 00:01:28,360 --> 00:01:29,760 Speaker 1: lot of us were like, we just want to hit 27 00:01:29,760 --> 00:01:32,440 Speaker 1: our days, get you know, do our job and go home. 28 00:01:32,600 --> 00:01:36,679 Speaker 1: And Phonsie would really like take care and time to 29 00:01:36,760 --> 00:01:40,640 Speaker 1: do these new shots and these different things and and 30 00:01:40,880 --> 00:01:44,120 Speaker 1: and in retrospect you watch them and you go, oh, 31 00:01:44,400 --> 00:01:48,320 Speaker 1: I get it. They're beautiful. They're so beautifully shot and 32 00:01:48,560 --> 00:01:51,480 Speaker 1: well thought out. And we really grew to love Phonsie 33 00:01:51,520 --> 00:01:53,320 Speaker 1: once we understood what the who was. But it was 34 00:01:53,360 --> 00:01:58,280 Speaker 1: a very shocking moment to be in this episode. 35 00:01:58,640 --> 00:02:00,840 Speaker 2: I'm excited to get into this because yes, it's very 36 00:02:00,840 --> 00:02:03,720 Speaker 2: different from anything we've done. But okay, So this episode 37 00:02:03,720 --> 00:02:06,040 Speaker 2: originally aired October fifth, twenty ten. 38 00:02:07,280 --> 00:02:11,120 Speaker 1: Crazy oh wow, and what was going on in the world. 39 00:02:11,160 --> 00:02:14,240 Speaker 1: So Just the Way You Are by Bruno Marge was 40 00:02:14,520 --> 00:02:18,880 Speaker 1: number one song and the number one movie was The 41 00:02:18,919 --> 00:02:23,799 Speaker 1: Other Guys, which didn't see. 42 00:02:23,840 --> 00:02:28,600 Speaker 2: And on October ninth ten, so shortly after this episode aired, 43 00:02:28,800 --> 00:02:30,640 Speaker 2: we did an event. Jenna, do you remember this. 44 00:02:30,840 --> 00:02:33,280 Speaker 1: I do remember this this very clearly. 45 00:02:33,440 --> 00:02:37,320 Speaker 2: Adam Shankman got us together and we performed at Models 46 00:02:37,320 --> 00:02:41,600 Speaker 2: of Pride in LGBTQ Youth Conference in LA at the 47 00:02:41,800 --> 00:02:45,079 Speaker 2: LGBT Center, and it's where we I think we met 48 00:02:45,120 --> 00:02:49,200 Speaker 2: Dusin Lance Black, the correct Oscar winning screenwriter of Milk 49 00:02:49,760 --> 00:02:54,040 Speaker 2: and many other things. Now it been friends ever since. 50 00:02:54,320 --> 00:02:56,040 Speaker 1: Yeah, So it was really cool, and I think that 51 00:02:56,120 --> 00:02:58,720 Speaker 1: was like the beginning of our friendship with Adam Shankman, 52 00:02:58,880 --> 00:03:00,919 Speaker 1: like outside of Glee as well, all kind of doing 53 00:03:01,919 --> 00:03:05,600 Speaker 1: Trevor Project and Glad thing, like all these different things 54 00:03:05,639 --> 00:03:07,160 Speaker 1: together for these great nonprofits. 55 00:03:07,320 --> 00:03:09,919 Speaker 2: Yeah. I don't think people also realize someone that's as 56 00:03:09,919 --> 00:03:15,519 Speaker 2: successful and busy as Adam Shankman is. He constantly volunteers 57 00:03:15,560 --> 00:03:21,960 Speaker 2: this time and directing abilities to these incredible, usually LGBT 58 00:03:22,160 --> 00:03:25,960 Speaker 2: focused organizations, and correct would always get us involved and 59 00:03:26,240 --> 00:03:27,959 Speaker 2: very very grateful and appreciative of that. 60 00:03:28,160 --> 00:03:30,760 Speaker 1: He's a good human. He is a good human. 61 00:03:32,800 --> 00:03:33,080 Speaker 2: Okay. 62 00:03:33,080 --> 00:03:36,160 Speaker 1: So this episode was directed by Alfonso Gomez ro Jane, 63 00:03:36,200 --> 00:03:41,840 Speaker 1: who will direct multiple episodes in future episodes obviously written 64 00:03:41,840 --> 00:03:45,400 Speaker 1: by the Holy Trinity and tell me about the musical 65 00:03:45,480 --> 00:03:46,760 Speaker 1: numbers there are. 66 00:03:46,920 --> 00:03:49,240 Speaker 2: So I didn't realize there were that many songs, you know, 67 00:03:49,280 --> 00:03:52,440 Speaker 2: looking at it written out, it's like, yeah, yeah, obviously happened. 68 00:03:52,480 --> 00:03:55,080 Speaker 2: But I feel like how they were integrated into the episode. 69 00:03:55,640 --> 00:03:58,040 Speaker 2: It doesn't feel like there are seven musical numbers. 70 00:03:58,360 --> 00:04:00,520 Speaker 1: It didn't. And in one of the reviews I actually 71 00:04:00,600 --> 00:04:04,240 Speaker 1: read there was they said that the music kind of 72 00:04:04,240 --> 00:04:08,560 Speaker 1: overshadowed the show, and I have to disagree. I have 73 00:04:08,600 --> 00:04:10,160 Speaker 1: to disagree. 74 00:04:10,480 --> 00:04:12,840 Speaker 2: Yeah, I don't, because none of it really felt like 75 00:04:12,880 --> 00:04:15,880 Speaker 2: it was shoehorned in. It all sort of felt well, maybe, Papa, 76 00:04:15,960 --> 00:04:17,240 Speaker 2: can you hear me? 77 00:04:16,560 --> 00:04:21,280 Speaker 1: But I also was like, okay, two amber songs, great, 78 00:04:21,400 --> 00:04:22,000 Speaker 1: give them to me. 79 00:04:22,320 --> 00:04:24,960 Speaker 2: Yeah, here we go, so we have only the good 80 00:04:25,000 --> 00:04:27,760 Speaker 2: die young. I look to you, Papa, can you hear me? 81 00:04:28,480 --> 00:04:31,279 Speaker 2: Hold your hand? I want to hold your hand? Losing 82 00:04:31,279 --> 00:04:35,880 Speaker 2: my religion, Bridge over Troubled Water and one of us. Wow, 83 00:04:35,960 --> 00:04:38,120 Speaker 2: that's a lot of songs, a lot of songs. 84 00:04:38,440 --> 00:04:40,400 Speaker 1: This is the beginning of that where the first page 85 00:04:40,400 --> 00:04:42,240 Speaker 1: of the of the script you see the music and 86 00:04:42,279 --> 00:04:43,360 Speaker 1: it goes down to the end. 87 00:04:43,760 --> 00:04:45,360 Speaker 2: Yeah a lot. 88 00:04:45,760 --> 00:04:48,480 Speaker 1: All right, So let me give you a little overview 89 00:04:48,680 --> 00:04:51,960 Speaker 1: before we get into it. Thing believes he sees the 90 00:04:52,000 --> 00:04:56,640 Speaker 1: face of Jesus in a grilled cheese sandwich, and random 91 00:04:56,640 --> 00:05:00,240 Speaker 1: events have the members of the glee club questioning religion 92 00:05:00,120 --> 00:05:10,120 Speaker 1: and God, including a medical emergency with Kurtz dad Bert. Yeah, okay, okay, 93 00:05:10,520 --> 00:05:13,080 Speaker 1: we have to remember this as a satire. So Jesus 94 00:05:13,120 --> 00:05:16,800 Speaker 1: in the grilled cheese, that's well, that's what we're talking 95 00:05:16,800 --> 00:05:22,400 Speaker 1: about here at Jesus. Fun fact, I did find there 96 00:05:22,480 --> 00:05:28,080 Speaker 1: is a couple who, after seeing this episode, created the 97 00:05:28,240 --> 00:05:37,400 Speaker 1: Jesus Sandwich Maker where it imprints the Jesus into your bread. 98 00:05:38,600 --> 00:05:42,000 Speaker 2: Oh no, wait, that's real article. 99 00:05:42,400 --> 00:05:46,400 Speaker 1: The article at the top that I'm under, that's it. 100 00:05:46,920 --> 00:05:48,520 Speaker 2: Oh no, and it looks beautiful. 101 00:05:49,080 --> 00:05:50,760 Speaker 1: It was inspired by. 102 00:05:51,800 --> 00:05:54,919 Speaker 2: But twelve. It came out and there is Jesus with 103 00:05:55,800 --> 00:05:56,239 Speaker 2: in toast. 104 00:05:56,839 --> 00:05:57,159 Speaker 1: Yeah. 105 00:05:57,480 --> 00:06:03,919 Speaker 2: Wow, well here, okay, all right. I think you know, 106 00:06:04,000 --> 00:06:05,960 Speaker 2: after all the things we've covered on the show so far, 107 00:06:06,480 --> 00:06:11,320 Speaker 2: handling religion, I honestly, I think it's probably the most 108 00:06:11,400 --> 00:06:15,760 Speaker 2: controversial thing the show had done so far. And I 109 00:06:15,800 --> 00:06:18,360 Speaker 2: do have to say I thought it was pretty well 110 00:06:19,480 --> 00:06:22,559 Speaker 2: informed and surprising, and you got a lot of different 111 00:06:22,600 --> 00:06:26,240 Speaker 2: sides of well that's just it, the arguments of different perspectives. 112 00:06:26,279 --> 00:06:29,839 Speaker 2: And it's a little nerve wracking anytime you bring up religion, 113 00:06:30,520 --> 00:06:34,560 Speaker 2: especially in a network television show that is with kids 114 00:06:34,600 --> 00:06:39,919 Speaker 2: who can say God knows what, no pun intended. Yeah, 115 00:06:40,080 --> 00:06:41,880 Speaker 2: I was. I was surprised they tackled this. 116 00:06:42,360 --> 00:06:44,919 Speaker 1: I was surprised too, But I don't know if you remember, Kevin, 117 00:06:45,400 --> 00:06:49,520 Speaker 1: there were recent episodes that or there were previous episodes 118 00:06:50,760 --> 00:06:53,719 Speaker 1: that had a lot of Christian groups coming out and 119 00:06:53,720 --> 00:06:54,800 Speaker 1: speaking out against the show. 120 00:06:54,920 --> 00:06:56,960 Speaker 2: Oh, I remember it was something like a thousand Moms 121 00:06:57,000 --> 00:06:59,480 Speaker 2: or whatever that organization was. Yeah, that was. 122 00:07:01,040 --> 00:07:04,479 Speaker 1: But I remember that, And so to do this was 123 00:07:04,560 --> 00:07:06,880 Speaker 1: very interesting. And I did read when I was kind 124 00:07:06,880 --> 00:07:12,680 Speaker 1: of looking into this episode and researching for this podcast, Ryan, 125 00:07:12,920 --> 00:07:16,120 Speaker 1: I mean, it was very minimal, but let's be real. 126 00:07:19,520 --> 00:07:23,320 Speaker 1: Ryan had said the show is about inclusiveness, and if 127 00:07:23,360 --> 00:07:25,520 Speaker 1: we're going to include everybody, we have to include everybody. 128 00:07:26,560 --> 00:07:32,840 Speaker 1: So so we're including everybody, and this is part of it. 129 00:07:32,880 --> 00:07:39,200 Speaker 1: And so I do think it was really interesting to 130 00:07:39,360 --> 00:07:43,040 Speaker 1: watch this episode, and I think it was really important 131 00:07:43,080 --> 00:07:49,080 Speaker 1: for us to talk about this because everybody has their 132 00:07:49,320 --> 00:07:55,000 Speaker 1: own opinions and viewpoints and beliefs, and Ryan always pushed 133 00:07:55,040 --> 00:07:57,600 Speaker 1: the envelope. He always kind of pushed the envelope in 134 00:07:57,600 --> 00:08:00,440 Speaker 1: a way that but he did it tastefully, and I 135 00:08:00,480 --> 00:08:04,240 Speaker 1: think this was a beautiful representation of that, truly, I do. 136 00:08:04,720 --> 00:08:09,800 Speaker 2: It's also interesting to watch currently in this time when 137 00:08:10,160 --> 00:08:13,320 Speaker 2: you have a lot of things happening like in Texas 138 00:08:13,360 --> 00:08:15,760 Speaker 2: for example, where they're trying to put a lot of 139 00:08:15,800 --> 00:08:22,080 Speaker 2: religion into school, right, and being able to have this again. 140 00:08:22,120 --> 00:08:23,920 Speaker 2: I think this happens time and time again with the show, 141 00:08:24,600 --> 00:08:29,120 Speaker 2: where it's like these issues are still issues or even 142 00:08:29,160 --> 00:08:33,280 Speaker 2: more now today than they were then. Right, And as 143 00:08:33,320 --> 00:08:35,960 Speaker 2: much as I knock you know, mister Shue for not 144 00:08:36,000 --> 00:08:39,640 Speaker 2: being a great teacher, I think this episode was one 145 00:08:39,679 --> 00:08:41,920 Speaker 2: of those things where like if you just let kids 146 00:08:43,360 --> 00:08:47,679 Speaker 2: be kids, like they're not necessarily worried about that, they 147 00:08:47,679 --> 00:08:51,200 Speaker 2: don't necessarily want religion in school every day, but you know, 148 00:08:51,480 --> 00:08:53,320 Speaker 2: this was something there's a traumatic time going on, and 149 00:08:53,320 --> 00:08:55,280 Speaker 2: this was something that comforted them, and so he allowed 150 00:08:55,280 --> 00:08:58,280 Speaker 2: them to have this moment, and I thought that was 151 00:08:58,320 --> 00:09:02,760 Speaker 2: a really good lesson. And also it gave an opportunity 152 00:09:02,800 --> 00:09:07,120 Speaker 2: for Sue Sash Jane to show us more depths of 153 00:09:07,640 --> 00:09:10,600 Speaker 2: her character and her outside of school life, and so 154 00:09:11,520 --> 00:09:13,839 Speaker 2: it really did present a lot of thought provoking, I 155 00:09:13,880 --> 00:09:17,640 Speaker 2: think questions, and good for them for doing this on 156 00:09:18,320 --> 00:09:21,040 Speaker 2: Fox and Right. 157 00:09:21,800 --> 00:09:24,280 Speaker 1: And I do feel like as a Glee club or 158 00:09:24,559 --> 00:09:27,880 Speaker 1: as a cast behind the scenes we all had different 159 00:09:27,920 --> 00:09:29,679 Speaker 1: beliefs and different. 160 00:09:30,360 --> 00:09:33,480 Speaker 2: Oh, I mean some of these conversations happened in real life. 161 00:09:33,280 --> 00:09:35,840 Speaker 1: With us, yes, and also like in tandem with these 162 00:09:35,880 --> 00:09:39,040 Speaker 1: episodes too, I think, and we talked about them even 163 00:09:39,080 --> 00:09:41,120 Speaker 1: in the fireroom, like while I. 164 00:09:41,160 --> 00:09:43,599 Speaker 2: Was thinking of when I was watching this, like, I 165 00:09:43,640 --> 00:09:48,080 Speaker 2: have had almost verbatim these conversations with people, and I 166 00:09:48,080 --> 00:09:52,000 Speaker 2: think I mean by people, I mean other cast members, right, 167 00:09:52,120 --> 00:09:57,840 Speaker 2: And I think that's why this show sometimes nic group, 168 00:09:59,080 --> 00:10:02,040 Speaker 2: and we all respected each other for varying different viewpoints. 169 00:10:02,080 --> 00:10:07,400 Speaker 2: And I think really that is displayed to the Kurt 170 00:10:07,679 --> 00:10:12,000 Speaker 2: and Mercedes relationship in this episode, right, right. You know, 171 00:10:12,120 --> 00:10:17,320 Speaker 2: someone being able to express that they are worried about 172 00:10:17,320 --> 00:10:18,959 Speaker 2: you and care about you and are thinking about you 173 00:10:18,960 --> 00:10:21,480 Speaker 2: may look different than the way you necessarily feel like 174 00:10:22,080 --> 00:10:26,480 Speaker 2: you want to receive that, And so that was really 175 00:10:26,679 --> 00:10:28,880 Speaker 2: to me meaningful that they put those things in there. 176 00:10:28,880 --> 00:10:31,080 Speaker 2: And also Chris got nominated for an Emmy for this episode, 177 00:10:31,120 --> 00:10:32,360 Speaker 2: so like, well done. 178 00:10:32,800 --> 00:10:36,200 Speaker 1: I mean, yeah, this that makes sense. And Corey's performance 179 00:10:36,240 --> 00:10:41,280 Speaker 1: in this episode is like, so, my man, there's a lot. 180 00:10:50,559 --> 00:10:55,640 Speaker 2: So what happens is Finn makes himself a grilled cheese 181 00:10:55,679 --> 00:10:58,920 Speaker 2: on his George romancgrill. I mean, who didn't love a 182 00:10:58,960 --> 00:11:03,000 Speaker 2: George ormangrill. And when he opens the lid, he finds 183 00:11:04,040 --> 00:11:08,200 Speaker 2: Jesus burned into it, and he all of a sudden 184 00:11:08,240 --> 00:11:11,520 Speaker 2: finds religion and decides to pray to it. And what 185 00:11:11,559 --> 00:11:13,880 Speaker 2: does he do, as like a sixteen year old kid, 186 00:11:14,400 --> 00:11:16,319 Speaker 2: he prays that he wants to win a football game 187 00:11:16,360 --> 00:11:23,760 Speaker 2: because God owes it to Artie and then it comes true. 188 00:11:23,960 --> 00:11:28,679 Speaker 2: So therefore it's verifying to him that, you know, it's 189 00:11:28,760 --> 00:11:31,200 Speaker 2: reinforcing that his belief in God, all of a sudden 190 00:11:32,000 --> 00:11:34,840 Speaker 2: is it's real and it's working. So then he goes 191 00:11:34,880 --> 00:11:37,880 Speaker 2: into class amped up and it is like, guys, I've 192 00:11:37,920 --> 00:11:40,560 Speaker 2: welcomed the man into my life and it's Jesus that 193 00:11:40,640 --> 00:11:43,320 Speaker 2: I want to pay tribute to him. And this sets 194 00:11:43,320 --> 00:11:47,000 Speaker 2: off everything because there's three real things happening in this episode, right, 195 00:11:47,320 --> 00:11:50,440 Speaker 2: It's Finn and the grilled cheese, it's the burt of 196 00:11:50,480 --> 00:11:52,959 Speaker 2: it all, and then it's the glee club taking up 197 00:11:53,280 --> 00:11:58,280 Speaker 2: religion as a cause and Sue having feelings about that. 198 00:11:59,280 --> 00:12:02,760 Speaker 2: So once Finn approaches this with the glee club, all 199 00:12:02,840 --> 00:12:05,280 Speaker 2: hell breaks loose because everyone's got a different opinion and 200 00:12:05,320 --> 00:12:07,160 Speaker 2: they all feel very strongly about. 201 00:12:06,960 --> 00:12:10,640 Speaker 1: It, which would be true in if we were sitting 202 00:12:10,679 --> 00:12:13,480 Speaker 1: in the choir room in between takes doing this and 203 00:12:13,520 --> 00:12:16,000 Speaker 1: somebody brought that up, like if Corey brought it up 204 00:12:16,120 --> 00:12:20,200 Speaker 1: and was like, I believe in God, like this is 205 00:12:20,240 --> 00:12:26,360 Speaker 1: the way we would have responded totally. I was like, oh, okay, 206 00:12:26,880 --> 00:12:28,960 Speaker 1: I see us now, Yes, totally. 207 00:12:29,120 --> 00:12:30,280 Speaker 2: And this is one of those things too where I 208 00:12:30,320 --> 00:12:33,960 Speaker 2: don't think this didn't happen because they heard us talking 209 00:12:33,960 --> 00:12:35,920 Speaker 2: about it either or a lot of times the season 210 00:12:35,960 --> 00:12:37,400 Speaker 2: that will be the case. This was not one of 211 00:12:37,440 --> 00:12:40,920 Speaker 2: those times. They just I think it's having that sort 212 00:12:40,960 --> 00:12:43,800 Speaker 2: of debate, right that you want to have, and they 213 00:12:44,160 --> 00:12:44,960 Speaker 2: put it to paper. 214 00:12:45,480 --> 00:12:52,160 Speaker 1: So Kurt it does not like Jesus. He doesn't go 215 00:12:52,200 --> 00:12:56,839 Speaker 1: to church because obviously you know he's gay, and he 216 00:12:57,240 --> 00:12:59,559 Speaker 1: believes that the church doesn't believe in gay people or 217 00:12:59,640 --> 00:13:04,920 Speaker 1: women or science. And Mercedes says that she doesn't see 218 00:13:04,960 --> 00:13:08,160 Speaker 1: anything wrong with getting a little church up in here, 219 00:13:08,360 --> 00:13:12,640 Speaker 1: which okay, and then Quinn agrees that she had turned 220 00:13:12,640 --> 00:13:14,520 Speaker 1: to God a lot over the last nine months with 221 00:13:14,640 --> 00:13:19,960 Speaker 1: the baby, and then Santana says, out of context, this 222 00:13:20,080 --> 00:13:22,920 Speaker 1: line really is very funny. Thanks for what that It 223 00:13:22,960 --> 00:13:27,800 Speaker 1: didn't come out of a lizard be I don't know, 224 00:13:28,000 --> 00:13:29,839 Speaker 1: I don't know. And then Brittany says whenever I pray 225 00:13:29,880 --> 00:13:33,080 Speaker 1: of all sleep, which you know, gotta have some Brittany 226 00:13:33,080 --> 00:13:36,920 Speaker 1: in there. And then Puck, Puck says that he doesn't mind, 227 00:13:37,320 --> 00:13:41,520 Speaker 1: and he says that spirituality is enjoying the life you've 228 00:13:41,520 --> 00:13:43,480 Speaker 1: been given, which is very shocking to come out of 229 00:13:43,520 --> 00:13:45,800 Speaker 1: his mouth. And I don't know where this came from. 230 00:13:45,840 --> 00:13:47,720 Speaker 2: So odd, and I was like, oh, it's also nice 231 00:13:47,760 --> 00:13:49,160 Speaker 2: there bringing up spirituality. 232 00:13:49,200 --> 00:13:54,280 Speaker 1: But Puck, I know, I know, but he's he's going 233 00:13:54,640 --> 00:13:59,559 Speaker 1: he's doing songs by only Jewish singers and composers, and 234 00:13:59,720 --> 00:14:02,680 Speaker 1: so does only the Good Die Young, which I remember 235 00:14:02,720 --> 00:14:06,040 Speaker 1: shooting this and being like, this is an interesting choice 236 00:14:06,080 --> 00:14:10,320 Speaker 1: of a number to do. Yeah, but I do love Billy, 237 00:14:10,559 --> 00:14:12,560 Speaker 1: so I was good with it. 238 00:14:12,679 --> 00:14:13,840 Speaker 2: I think it's a good version of it. 239 00:14:14,120 --> 00:14:17,280 Speaker 1: No, definitely, yeah. It just was like, okay, this is 240 00:14:17,320 --> 00:14:19,720 Speaker 1: how we're kicking it off, but we definitely take a 241 00:14:19,760 --> 00:14:21,360 Speaker 1: turn one of. 242 00:14:21,360 --> 00:14:25,160 Speaker 2: These good moments where the band's ready. It's Puck was 243 00:14:25,240 --> 00:14:29,080 Speaker 2: ready lady in the tramp style, Yes, like just absolutely 244 00:14:29,760 --> 00:14:32,120 Speaker 2: going for it, and so then Finn is like, okay, 245 00:14:32,120 --> 00:14:35,800 Speaker 2: what else can I pray for? He prays that Rachel 246 00:14:35,800 --> 00:14:40,560 Speaker 2: gets bigger boobs, and then later she lets him touch 247 00:14:41,040 --> 00:14:44,280 Speaker 2: her boob, so get vulnerable and open, and he touches. 248 00:14:44,520 --> 00:14:46,880 Speaker 2: He touches her side boob, which he did the mailman 249 00:14:46,960 --> 00:14:50,160 Speaker 2: facing it, and so he's like, oh my god, it's 250 00:14:50,200 --> 00:14:55,040 Speaker 2: working again. And then he decides, okay, well, let's see 251 00:14:55,040 --> 00:14:56,760 Speaker 2: if we can make it a three for three and then 252 00:14:56,880 --> 00:15:00,240 Speaker 2: praise to become the quarterback again, even though and I 253 00:15:00,280 --> 00:15:03,960 Speaker 2: was wondering, like, where's Sam. Sam's been mi a, Now. 254 00:15:03,920 --> 00:15:05,120 Speaker 1: We got him, we saw him. 255 00:15:05,440 --> 00:15:12,000 Speaker 2: Yeah, Chord comes back and because of grilled Jesus, Chord 256 00:15:12,040 --> 00:15:15,240 Speaker 2: gets injured. He gets staying out his quarterback and Finn 257 00:15:15,920 --> 00:15:17,640 Speaker 2: gets made quarterback again. 258 00:15:17,960 --> 00:15:18,600 Speaker 1: At what cost? 259 00:15:19,080 --> 00:15:20,200 Speaker 2: At what cost Jenna? 260 00:15:20,680 --> 00:15:26,440 Speaker 1: At what cost? At Sam's Sam's injury? And so Finn 261 00:15:26,600 --> 00:15:33,840 Speaker 1: is feeling confused. He's feeling confused that he became the 262 00:15:33,920 --> 00:15:36,920 Speaker 1: quarterback and feels guilty that it's at the cost of Sam. 263 00:15:37,320 --> 00:15:43,360 Speaker 1: He's at Emma's office and Emma is curious and she's 264 00:15:43,440 --> 00:15:45,960 Speaker 1: having a good counselor moment. She walks the fine line 265 00:15:46,000 --> 00:15:49,360 Speaker 1: of being like, Okay, well, here are the reasons why 266 00:15:49,400 --> 00:15:53,080 Speaker 1: those things happened, and here's why they don't necessarily have 267 00:15:53,120 --> 00:15:58,800 Speaker 1: to be attributed to you praying to grilled Jesus. And basically, yes, exactly, 268 00:15:59,160 --> 00:16:04,240 Speaker 1: and and so Finn is disappointed that he's losing faith 269 00:16:04,440 --> 00:16:08,360 Speaker 1: in the Jesus in the half sandwich, in the half sandwich. 270 00:16:09,360 --> 00:16:11,960 Speaker 1: And I don't know about you, but when I think 271 00:16:11,960 --> 00:16:14,880 Speaker 1: of Corey, I think of two songs. I think of 272 00:16:15,120 --> 00:16:18,520 Speaker 1: Jesse's Girl and I think of this song losing my religion. 273 00:16:18,680 --> 00:16:19,760 Speaker 2: Yeah, I thought of you doing this. 274 00:16:21,040 --> 00:16:22,680 Speaker 1: Do you not feel the same way or is this 275 00:16:22,840 --> 00:16:23,080 Speaker 1: just me? 276 00:16:24,720 --> 00:16:27,480 Speaker 2: I don't think of this song. I don't interesting. 277 00:16:27,560 --> 00:16:29,760 Speaker 1: So whenever the song comes on the radio, not a 278 00:16:29,840 --> 00:16:34,520 Speaker 1: Corey's version, this Corey comes up, and I don't know 279 00:16:34,560 --> 00:16:37,400 Speaker 1: what it is, but this set number really struck me. 280 00:16:37,880 --> 00:16:40,200 Speaker 1: I remember him shooting it in the choir room, the 281 00:16:40,560 --> 00:16:42,400 Speaker 1: piece where he's in the choir room at the end, 282 00:16:42,400 --> 00:16:44,640 Speaker 1: and I don't know. I just think it's such a 283 00:16:44,680 --> 00:16:49,360 Speaker 1: great number and very much encompasses, like Corey's ability to 284 00:16:51,080 --> 00:16:52,080 Speaker 1: I don't know play Finn. 285 00:16:52,720 --> 00:16:54,760 Speaker 2: I also think we had talked about it at the time. 286 00:16:54,920 --> 00:17:00,560 Speaker 2: I think that they had never seen I did better. 287 00:17:01,080 --> 00:17:04,080 Speaker 2: He sounded this fit his voice really really well. 288 00:17:04,480 --> 00:17:06,399 Speaker 1: And I think these are the numbers he wanted to 289 00:17:06,400 --> 00:17:08,399 Speaker 1: sing as well. Yeah, this is the kind of this 290 00:17:08,560 --> 00:17:10,800 Speaker 1: was like he was a fan and so I think 291 00:17:10,880 --> 00:17:13,080 Speaker 1: this was the kind of genre that he was like, 292 00:17:13,280 --> 00:17:13,880 Speaker 1: this is what I. 293 00:17:14,000 --> 00:17:15,919 Speaker 2: Wanted to see. Yes, and him getting to sing a 294 00:17:15,960 --> 00:17:19,359 Speaker 2: song like this right, like the subject matter and I 295 00:17:19,440 --> 00:17:20,760 Speaker 2: think that was important to him. 296 00:17:20,960 --> 00:17:24,399 Speaker 1: Man, what a number. But yeah, it got me, He. 297 00:17:24,440 --> 00:17:25,640 Speaker 2: Got me understandable. 298 00:17:25,760 --> 00:17:28,880 Speaker 1: So that that's pretty that's the big that's the overview 299 00:17:29,000 --> 00:17:32,440 Speaker 1: of the satire of the show. And then we get 300 00:17:32,480 --> 00:17:36,560 Speaker 1: into like the drama of Kurt and Bert and the 301 00:17:36,640 --> 00:17:38,400 Speaker 1: really like a lot of the emotion. 302 00:17:39,800 --> 00:17:43,160 Speaker 2: Emotion. So Bert really wants Kurt to come to family 303 00:17:43,160 --> 00:17:45,800 Speaker 2: dinner with Carol and Finn. It was really important to 304 00:17:45,840 --> 00:17:49,840 Speaker 2: the family. That's what Kurt and Bert's Kurt's mom had 305 00:17:49,840 --> 00:17:53,439 Speaker 2: started back in the day. But Kurt's like, no, like, 306 00:17:53,560 --> 00:17:55,119 Speaker 2: last week, I missed it because I had to be 307 00:17:55,160 --> 00:17:56,760 Speaker 2: first in line for the Grades Now to Me DVD, 308 00:17:57,280 --> 00:17:59,680 Speaker 2: And this week it's something else, and he's like really 309 00:17:59,720 --> 00:18:03,880 Speaker 2: blowing it off. And Bert is really disappointed, and it's 310 00:18:04,240 --> 00:18:06,920 Speaker 2: because Bert is the best. It's hard to see him 311 00:18:06,920 --> 00:18:07,320 Speaker 2: feel that. 312 00:18:07,280 --> 00:18:10,960 Speaker 1: Way, and it's always the worst when they say they're disappointed, 313 00:18:10,960 --> 00:18:11,920 Speaker 1: and he's not angry. 314 00:18:14,440 --> 00:18:19,840 Speaker 2: And then Bert has a heart attack and goes into 315 00:18:19,840 --> 00:18:24,680 Speaker 2: a coma, and Kurt's at school, and there's this whole 316 00:18:24,720 --> 00:18:30,080 Speaker 2: little like terrifying montage of you know, the teachers finding 317 00:18:30,119 --> 00:18:33,120 Speaker 2: out and then pulling Kurt out of class to tell him. 318 00:18:33,520 --> 00:18:38,960 Speaker 2: And he's obviously devastated, and Will and Emma are in 319 00:18:39,000 --> 00:18:42,120 Speaker 2: the hospital with him. You know, he's already lost one 320 00:18:42,160 --> 00:18:45,280 Speaker 2: parent and here another parent is in a coma and 321 00:18:45,320 --> 00:18:49,000 Speaker 2: will be in the coma spoiler alert the entire episode 322 00:18:49,840 --> 00:18:55,480 Speaker 2: and dream wrong, I mean, Michael Maley even just laying 323 00:18:55,520 --> 00:19:03,600 Speaker 2: in a coma is exactly it was. Obviously, he's Kurt's 324 00:19:03,680 --> 00:19:06,480 Speaker 2: riddled with guilt and he's there holding his dad's hand 325 00:19:06,520 --> 00:19:08,920 Speaker 2: and it's like, if you can hear me, squeeze my hand, 326 00:19:08,920 --> 00:19:11,600 Speaker 2: and he doesn't. And so this launches a whole thing 327 00:19:13,119 --> 00:19:17,960 Speaker 2: into the glee club because the religious glee clubbers want 328 00:19:18,000 --> 00:19:20,879 Speaker 2: to pray for him, they want to do things for 329 00:19:20,960 --> 00:19:24,359 Speaker 2: him that he and then you know, in that emotional state, 330 00:19:24,440 --> 00:19:29,919 Speaker 2: he's adamant about no religion, rejecting it, and that starts 331 00:19:29,960 --> 00:19:35,080 Speaker 2: a lot of those more fiery debates about religion and God, 332 00:19:35,160 --> 00:19:42,680 Speaker 2: and especially having that in class and Kurt. It's also 333 00:19:42,720 --> 00:19:45,440 Speaker 2: when Finn comes in because he's sort of the last 334 00:19:45,440 --> 00:19:46,800 Speaker 2: to know, and it is really upset about it, and 335 00:19:46,880 --> 00:19:49,760 Speaker 2: it's like, I feel like we were, you know, sort 336 00:19:49,800 --> 00:19:51,480 Speaker 2: of a family and he's the closest thing I'll ever 337 00:19:51,520 --> 00:19:54,280 Speaker 2: have to a father, and he's mad at Kurt for 338 00:19:54,400 --> 00:19:56,600 Speaker 2: not telling him, but it's kurse very much. This is 339 00:19:56,640 --> 00:20:01,600 Speaker 2: my dad, not yours. And I really feel like mercedes 340 00:20:01,720 --> 00:20:07,159 Speaker 2: approach to this is beautiful because you know, she's like, 341 00:20:07,240 --> 00:20:10,600 Speaker 2: I don't know how or what to say to Kurt, 342 00:20:11,080 --> 00:20:17,040 Speaker 2: her best friend, and then qu Amber singing when Houston's 343 00:20:17,080 --> 00:20:20,080 Speaker 2: I look to you and. 344 00:20:21,800 --> 00:20:26,320 Speaker 1: Like yes, yes all the things, yes, yes, yes, yes, 345 00:20:26,400 --> 00:20:28,200 Speaker 1: yes are you kidding me? Yes? 346 00:20:28,320 --> 00:20:34,359 Speaker 2: Yes, yes, And it's a really beautiful moment and you know, 347 00:20:34,440 --> 00:20:37,040 Speaker 2: sets up the really nice thing for them later on 348 00:20:37,080 --> 00:20:38,320 Speaker 2: in the episode. 349 00:20:38,080 --> 00:20:40,959 Speaker 1: Right, well exactly, and they have to go somewhere. Right, 350 00:20:41,000 --> 00:20:43,840 Speaker 1: So Kurt basically says that he says thank you to Mercedes. 351 00:20:43,840 --> 00:20:46,399 Speaker 1: He's grateful, but he doesn't believe in God and he 352 00:20:46,480 --> 00:20:48,439 Speaker 1: thinks God is kind of jerk, like why would he 353 00:20:48,480 --> 00:20:51,639 Speaker 1: make him gay and get taunted every day? And then also, 354 00:20:52,800 --> 00:20:54,639 Speaker 1: you know, put his dad in this position. 355 00:20:54,760 --> 00:20:57,200 Speaker 2: I believe I was shocked that this was the dialogue, 356 00:20:57,280 --> 00:20:59,680 Speaker 2: Like I did not remember it, and I was like, ooh, 357 00:21:00,119 --> 00:21:03,840 Speaker 2: so interesting, really going for it. But that's the thing 358 00:21:03,880 --> 00:21:06,040 Speaker 2: when you have a cast this big, you can have 359 00:21:06,680 --> 00:21:08,520 Speaker 2: all these different voices. 360 00:21:08,480 --> 00:21:10,920 Speaker 1: Right exactly. And I think the the idea was that 361 00:21:11,520 --> 00:21:13,320 Speaker 1: Kurt was able to voice his opinion and then we 362 00:21:13,320 --> 00:21:15,480 Speaker 1: could do the other side, right, We could definitely play 363 00:21:15,480 --> 00:21:17,879 Speaker 1: Devil's advocate and play the other side of it. And 364 00:21:17,880 --> 00:21:24,159 Speaker 1: that's why. So meanwhile along these lines, right is that 365 00:21:24,200 --> 00:21:26,520 Speaker 1: where is this where we're going? So Sue is going 366 00:21:26,560 --> 00:21:31,639 Speaker 1: to tell Figgins that they're doing religion, and Sue asks 367 00:21:31,960 --> 00:21:38,120 Speaker 1: uh Kurt to file a complaint about Shoe teaching religion. 368 00:21:38,560 --> 00:21:40,880 Speaker 2: Yeah, using Kurt as the vessel to you know. 369 00:21:40,840 --> 00:21:45,439 Speaker 1: Basically, which right, yeah, and it's but it's not exactly 370 00:21:45,480 --> 00:21:50,600 Speaker 1: why you would think. So Emma's you know, confronts you 371 00:21:50,720 --> 00:21:53,520 Speaker 1: about the whole religion thing. And this is where we 372 00:21:53,560 --> 00:21:57,320 Speaker 1: get more of Jane Lynch. Lynch's acting chops, and we 373 00:21:57,359 --> 00:22:00,000 Speaker 1: get to see another layer of Sue, which we always like, 374 00:22:00,240 --> 00:22:03,760 Speaker 1: it's like not just the villain, but telling the story 375 00:22:03,800 --> 00:22:06,760 Speaker 1: about her sister, her older sister and how she was 376 00:22:06,800 --> 00:22:10,040 Speaker 1: her hero and praying every night for her to get better. 377 00:22:10,240 --> 00:22:15,240 Speaker 1: And you know she she basically calls believing in God 378 00:22:15,240 --> 00:22:23,159 Speaker 1: what she called like a fantasy. And so Glee Club is, 379 00:22:24,119 --> 00:22:27,360 Speaker 1: you know, makes sense principles like no, you can't. And 380 00:22:27,440 --> 00:22:32,119 Speaker 1: so the Glee Club cancing about spirituality or their you know, 381 00:22:32,240 --> 00:22:35,760 Speaker 1: religion anymore, is lying here? What is it? What do 382 00:22:35,840 --> 00:22:39,320 Speaker 1: we say, Oh, last week we were too sexy, this 383 00:22:39,320 --> 00:22:46,400 Speaker 1: week we're true religious. We can't win. And then Brittany says, 384 00:22:46,440 --> 00:22:48,719 Speaker 1: we're like, now I know what Miley feels like. 385 00:22:49,359 --> 00:22:53,919 Speaker 2: Yeah, that was definitely the voice of sort of I 386 00:22:53,960 --> 00:22:56,400 Speaker 2: feel like the writers at this time. You know, it's 387 00:22:56,440 --> 00:23:00,119 Speaker 2: like giving all the feedback and all the comments a 388 00:23:00,160 --> 00:23:03,159 Speaker 2: little nod like we hear you right, it's never going 389 00:23:03,240 --> 00:23:03,640 Speaker 2: to be right. 390 00:23:04,320 --> 00:23:06,359 Speaker 1: So then we see the Glee Club kind of and 391 00:23:06,520 --> 00:23:11,359 Speaker 1: inserting their their support to Kurt in different ways, and 392 00:23:12,200 --> 00:23:16,119 Speaker 1: Kurt not really reacting so well to the help that 393 00:23:16,280 --> 00:23:20,760 Speaker 1: in the help that they are offering, and so Rachel sings, Papa, 394 00:23:20,760 --> 00:23:23,200 Speaker 1: can you hear me? And I remember them shooting this. 395 00:23:23,600 --> 00:23:25,200 Speaker 1: Do you remember did we go to this? 396 00:23:25,680 --> 00:23:28,920 Speaker 2: No? But I remember because I think we were shooting 397 00:23:29,119 --> 00:23:31,360 Speaker 2: before that, and they had to do a night shoot, right, 398 00:23:31,400 --> 00:23:35,280 Speaker 2: But I think I remember Leah like telling us about it. 399 00:23:35,200 --> 00:23:39,600 Speaker 1: Afterwards, and they were shooting at the Hollywood Forever Cemetery. 400 00:23:39,760 --> 00:23:42,399 Speaker 1: That's where the shot, which I feel like I saw 401 00:23:42,440 --> 00:23:46,880 Speaker 1: them shoot this really because. 402 00:23:46,840 --> 00:23:49,800 Speaker 2: This is where we started to learn of the tricks 403 00:23:49,840 --> 00:23:54,400 Speaker 2: and things of Alfonso. Maybe that's Leah was like, so 404 00:23:54,440 --> 00:23:56,560 Speaker 2: she's sort of getting us the lowdown on what happened. 405 00:23:57,080 --> 00:23:59,240 Speaker 1: Oh that's right. Maybe that's why I felt like I 406 00:23:59,359 --> 00:24:00,000 Speaker 1: was there. 407 00:24:00,200 --> 00:24:04,800 Speaker 2: Mm hmm. And it looks are you joking? 408 00:24:05,720 --> 00:24:08,480 Speaker 1: But yes, they shot that at the Hollywood Forever Cemetery 409 00:24:08,960 --> 00:24:12,520 Speaker 1: next to Paramount, and she sings, Papa, can you hear me? 410 00:24:12,600 --> 00:24:15,000 Speaker 1: And then we cut to her singing, singing and praying 411 00:24:15,119 --> 00:24:21,480 Speaker 1: over Bert and Kurt comes in with an acupuncturist and 412 00:24:21,800 --> 00:24:24,560 Speaker 1: is believing in the science behind in the medicine of 413 00:24:24,600 --> 00:24:28,399 Speaker 1: it all, and is very upset and and you know, 414 00:24:28,680 --> 00:24:32,359 Speaker 1: obviously Romey, who's there, is like the voice of reason saying, 415 00:24:32,480 --> 00:24:35,480 Speaker 1: you know, people are going to show up even if 416 00:24:35,480 --> 00:24:38,359 Speaker 1: you don't ask, because they want to be there. And 417 00:24:38,400 --> 00:24:43,359 Speaker 1: he asks everybody to leave, and and then. 418 00:24:45,040 --> 00:24:49,480 Speaker 2: Kurt sings, Okay, this is yes, this is the one 419 00:24:49,760 --> 00:24:54,520 Speaker 2: this Kurt. This is the moment we've been waiting for because. 420 00:24:54,520 --> 00:24:57,000 Speaker 1: So k Kurt sings I want to hold her hand, 421 00:24:57,040 --> 00:25:01,280 Speaker 1: and and because Chris sings a song this on tour 422 00:25:02,040 --> 00:25:04,919 Speaker 1: and some and it's kind of saying this like there 423 00:25:04,920 --> 00:25:07,679 Speaker 1: were a lot of memories behind this number, and I 424 00:25:07,760 --> 00:25:11,240 Speaker 1: remember him doing this number and. 425 00:25:11,560 --> 00:25:12,520 Speaker 2: I hate him so much. 426 00:25:12,760 --> 00:25:16,360 Speaker 1: Now I'm watching this though, Kevin, I'm watching this last night, 427 00:25:17,440 --> 00:25:21,639 Speaker 1: and I'm like, this is emotionally like so beautiful. This 428 00:25:21,800 --> 00:25:24,480 Speaker 1: montage like got choked up. 429 00:25:24,600 --> 00:25:27,040 Speaker 2: I was little Kurt bubble. 430 00:25:26,720 --> 00:25:30,840 Speaker 1: In my throat, very good casting. And I remember being like, 431 00:25:31,520 --> 00:25:36,400 Speaker 1: I don't remember, I don't. I don't associate this emotion 432 00:25:37,000 --> 00:25:38,040 Speaker 1: with this number. 433 00:25:38,200 --> 00:25:39,280 Speaker 2: Absolutely not. 434 00:25:39,359 --> 00:25:41,280 Speaker 1: Why is that, Kevin? Why why is that? 435 00:25:41,359 --> 00:25:44,439 Speaker 2: Because we've we've sort of alluded to this before, but 436 00:25:44,520 --> 00:25:48,600 Speaker 2: this is the number where we go through phases where 437 00:25:48,600 --> 00:25:53,720 Speaker 2: we play different games, sometimes usually off camera. This game 438 00:25:54,000 --> 00:25:58,399 Speaker 2: happened on camera where if Chris made eye contact with 439 00:25:58,440 --> 00:26:01,639 Speaker 2: you, you had to then tend to be dead, which you know, 440 00:26:01,880 --> 00:26:06,639 Speaker 2: close your eyes and put your head down and then. 441 00:26:08,640 --> 00:26:12,000 Speaker 1: And then he would get us really at really bad 442 00:26:12,080 --> 00:26:15,600 Speaker 1: times as well, because the camera Andrew Mitchell would be 443 00:26:15,720 --> 00:26:20,080 Speaker 1: kind of moving very slowly overwhelmed all of us getting reactions. 444 00:26:20,160 --> 00:26:22,399 Speaker 2: He was mostly going like around in a circle. So 445 00:26:22,440 --> 00:26:26,000 Speaker 2: if Chris is the center, he would go. 446 00:26:25,960 --> 00:26:28,200 Speaker 1: Behind Chris's head and he would be on the glee 447 00:26:28,240 --> 00:26:30,400 Speaker 1: club and on the camera would be on our faces. 448 00:26:30,640 --> 00:26:32,960 Speaker 1: And that's when Chris was able to wink. So when 449 00:26:33,000 --> 00:26:34,639 Speaker 1: the camera was on the back of Chris's head, he 450 00:26:34,680 --> 00:26:36,320 Speaker 1: would wink, and the camera would be on us and 451 00:26:36,359 --> 00:26:39,920 Speaker 1: we'd have to very subtly die. 452 00:26:40,520 --> 00:26:43,159 Speaker 2: Yeah, And I have to say, unlike there's other times 453 00:26:43,200 --> 00:26:45,639 Speaker 2: where like during Fixie where we were laughing and stuff, 454 00:26:45,680 --> 00:26:49,800 Speaker 2: we held it together for this one because their faces. 455 00:26:49,920 --> 00:26:52,720 Speaker 1: Also because I couldn't, like I remember Amber dying at 456 00:26:52,720 --> 00:26:56,840 Speaker 1: one point, and I remember not looking because I just 457 00:26:56,960 --> 00:26:59,960 Speaker 1: remember Chris winging an ammer and I was like, can't 458 00:27:00,200 --> 00:27:01,960 Speaker 1: I kid well. 459 00:27:02,240 --> 00:27:07,160 Speaker 2: I remember. So Chris also like crying beautiful. As soon 460 00:27:07,160 --> 00:27:09,840 Speaker 2: as Andrew would go around him, he would stop crying. 461 00:27:10,040 --> 00:27:12,719 Speaker 2: He would look up and search the crowd, and then 462 00:27:12,760 --> 00:27:16,119 Speaker 2: he looked at Diana winked, and then Diana on camera. 463 00:27:16,240 --> 00:27:20,320 Speaker 2: Now because the camera's behind Chris, she just very slowly 464 00:27:20,400 --> 00:27:26,400 Speaker 2: and gently like she's contemplating, you know, this very serious song. 465 00:27:26,480 --> 00:27:29,320 Speaker 2: And I look over at the corner of my eye, 466 00:27:29,800 --> 00:27:33,639 Speaker 2: and I was I was so close to losing, but 467 00:27:33,720 --> 00:27:38,400 Speaker 2: I was so impressed by how seamlessly she did that 468 00:27:38,400 --> 00:27:40,280 Speaker 2: that I was more in awe than anything. 469 00:27:41,520 --> 00:27:43,439 Speaker 1: That's not the last time we'd play that game, but 470 00:27:43,480 --> 00:27:46,240 Speaker 1: that one was the one. 471 00:27:46,160 --> 00:27:48,440 Speaker 2: And it was you know, Chris, Chris had to cry 472 00:27:48,480 --> 00:27:50,159 Speaker 2: a lot, and there were times when he would like 473 00:27:50,240 --> 00:27:52,760 Speaker 2: need a second right before we'd do a take, and 474 00:27:52,840 --> 00:27:53,960 Speaker 2: for some reason. 475 00:27:54,119 --> 00:27:54,720 Speaker 1: He was down. 476 00:27:55,280 --> 00:27:58,159 Speaker 2: No, he was so in he did not care that 477 00:27:58,200 --> 00:27:59,960 Speaker 2: it was that heavy. And let me tell you, it 478 00:28:00,160 --> 00:28:03,760 Speaker 2: worked like it didn't come off like we were playing 479 00:28:03,760 --> 00:28:06,280 Speaker 2: a game during that scene. 480 00:28:07,720 --> 00:28:12,600 Speaker 1: So funny. There's a game that you play on stage, 481 00:28:14,040 --> 00:28:17,320 Speaker 1: like on Broadway that people play where you pass the 482 00:28:17,359 --> 00:28:21,960 Speaker 1: sticker or pass the figurine on stage, and it's very similar. 483 00:28:22,000 --> 00:28:24,200 Speaker 1: But we played it when I was in the wedding 484 00:28:24,200 --> 00:28:28,879 Speaker 1: Singer in Pittsburgh, and there would be this little tiny 485 00:28:28,920 --> 00:28:32,240 Speaker 1: care bear and you'd pass it around and it would 486 00:28:32,240 --> 00:28:35,120 Speaker 1: make its way on the stage and like in somebody's 487 00:28:35,160 --> 00:28:37,840 Speaker 1: hand and they have to do their whole stuff with 488 00:28:38,520 --> 00:28:39,160 Speaker 1: the care bear. 489 00:28:39,360 --> 00:28:40,360 Speaker 2: Was so good. 490 00:28:40,560 --> 00:28:41,360 Speaker 1: It's really good. 491 00:28:41,480 --> 00:28:42,440 Speaker 2: That is so good. 492 00:28:43,040 --> 00:28:47,680 Speaker 1: My co star on that one, who played Glenn Gulia 493 00:28:47,880 --> 00:28:50,720 Speaker 1: or whatever. He he would have to propose to me 494 00:28:50,760 --> 00:28:54,120 Speaker 1: every night and his back was to the audience and 495 00:28:54,160 --> 00:28:56,360 Speaker 1: he'd open the box with the ring in it and 496 00:28:56,400 --> 00:29:00,320 Speaker 1: it would be something different. And I think care Bera 497 00:29:00,440 --> 00:29:02,040 Speaker 1: made it in one night, a ring Pop made it 498 00:29:02,040 --> 00:29:03,120 Speaker 1: in another night. It was great. 499 00:29:03,160 --> 00:29:14,720 Speaker 2: It's really delicious. So this, I think we're like two 500 00:29:14,720 --> 00:29:18,920 Speaker 2: of my favorite scenes. Mercedes is like Kurt, you're pushing 501 00:29:18,920 --> 00:29:22,720 Speaker 2: your friends away, like, can you just come to church 502 00:29:22,760 --> 00:29:24,760 Speaker 2: with me? It's fine, you get to wear a fabulous 503 00:29:24,800 --> 00:29:27,320 Speaker 2: hat and the service is going to be dedicated to 504 00:29:27,360 --> 00:29:31,720 Speaker 2: your dad, and he's like, okay, you had me at 505 00:29:32,280 --> 00:29:37,360 Speaker 2: you know, fabulous. And then Amber, it's a really sweet moment. 506 00:29:39,320 --> 00:29:43,000 Speaker 2: Amber even says like it's okay, you don't believe in God, 507 00:29:43,600 --> 00:29:45,760 Speaker 2: but we're gonna do this. We're gonna pray for your dad, 508 00:29:46,520 --> 00:29:51,960 Speaker 2: and obviously does the most insane cover of Aretha's cover. 509 00:29:52,800 --> 00:29:54,720 Speaker 1: And I think that's also been a lot to Amber, 510 00:29:54,840 --> 00:29:59,200 Speaker 1: to be honest, if I'm correct, because Amber is religious 511 00:29:59,200 --> 00:30:01,520 Speaker 1: and so I I think to her this was this 512 00:30:01,600 --> 00:30:05,200 Speaker 1: felt very this is very important to her, so it 513 00:30:05,280 --> 00:30:09,880 Speaker 1: was really beautiful to see and this numbers oh. 514 00:30:10,800 --> 00:30:16,640 Speaker 2: Yeah, And also like showing different ways people are religious. 515 00:30:16,880 --> 00:30:21,560 Speaker 2: I think was really really beautiful about this. Then the 516 00:30:21,560 --> 00:30:25,560 Speaker 2: flip side, you see, I mean, Sue with her sister 517 00:30:25,720 --> 00:30:29,880 Speaker 2: is always just the best. And have I have goosebumps 518 00:30:29,920 --> 00:30:32,560 Speaker 2: not talking about it because we're so used to seeing 519 00:30:32,720 --> 00:30:38,000 Speaker 2: you know, Jane play you know this hard and saying 520 00:30:38,680 --> 00:30:45,040 Speaker 2: funny character right and you really and that's hard to do. 521 00:30:45,160 --> 00:30:50,200 Speaker 2: She's obviously an incredible actor like that is insane, but 522 00:30:50,360 --> 00:30:53,600 Speaker 2: the depth of her ability I think is really displayed 523 00:30:53,640 --> 00:30:56,480 Speaker 2: when she can then switch and do an episode like 524 00:30:56,560 --> 00:31:01,280 Speaker 2: this where she and Jeanie have this conversation about God 525 00:31:01,960 --> 00:31:05,880 Speaker 2: and Genie says, you know that she prays for Sue 526 00:31:06,480 --> 00:31:08,920 Speaker 2: and that God never makes mistakes, and they go back 527 00:31:08,960 --> 00:31:12,200 Speaker 2: to their you know, checkers game that they're playing, and 528 00:31:12,240 --> 00:31:21,480 Speaker 2: it's this really beautiful, quiet, tender, quiet moment and I was, yeah, 529 00:31:21,520 --> 00:31:23,400 Speaker 2: I was just in awe. And you know in the 530 00:31:23,720 --> 00:31:26,560 Speaker 2: afterwards too, when the Glee club sings one of us, 531 00:31:26,640 --> 00:31:30,440 Speaker 2: when Sue is sitting behind Will and he's like, you know, 532 00:31:30,960 --> 00:31:33,040 Speaker 2: the kids wanted to do it. I couldn't say no, 533 00:31:33,200 --> 00:31:35,360 Speaker 2: and she's and he's say, hope you don't say anything. 534 00:31:35,400 --> 00:31:39,400 Speaker 2: She's like, I won't. It was just really beautiful. You know, 535 00:31:39,440 --> 00:31:44,200 Speaker 2: when you have per usual, you have an episode that 536 00:31:44,240 --> 00:31:48,000 Speaker 2: has something as insane as a grilled Jesus and Finn 537 00:31:48,400 --> 00:31:51,400 Speaker 2: praying for his girlfriend to have bigger boobs, and then 538 00:31:51,480 --> 00:31:56,360 Speaker 2: you have, you know, someone that's possibly going to lose 539 00:31:56,440 --> 00:32:00,800 Speaker 2: a parent, someone that is defending what they defending their 540 00:32:01,400 --> 00:32:06,240 Speaker 2: sister and is conflicted about how they feel about religion. 541 00:32:09,480 --> 00:32:11,640 Speaker 2: I thought this was one of those episodes that really 542 00:32:11,720 --> 00:32:15,320 Speaker 2: balanced that beautifully and was just written so. 543 00:32:15,120 --> 00:32:19,480 Speaker 1: So well, and Alfonso executed beautifully as well. 544 00:32:20,200 --> 00:32:22,000 Speaker 2: Yeah, I mean. And then so we go back to 545 00:32:22,040 --> 00:32:24,280 Speaker 2: the hospital and Kurt's, you know, talking about their Friday 546 00:32:24,360 --> 00:32:28,800 Speaker 2: night dinners with Mom, and he's apologizing to Bert and 547 00:32:30,880 --> 00:32:32,880 Speaker 2: he says like, I don't believe in God, Dad, but 548 00:32:32,960 --> 00:32:34,640 Speaker 2: I believe in you, and I believe in us, You 549 00:32:34,720 --> 00:32:36,920 Speaker 2: and me. That's what's sacred to me. And I'm so 550 00:32:36,960 --> 00:32:40,680 Speaker 2: sorry I never got to tell you that. Oh goosebumps. 551 00:32:41,560 --> 00:32:45,760 Speaker 2: And then Bert starts to squeeze his hand and he 552 00:32:45,840 --> 00:32:51,520 Speaker 2: calls for Nurse Nancy and his Nurse Nancy's moment, and. 553 00:32:51,480 --> 00:32:54,600 Speaker 1: Then we go into the United Callers of Benaton Ad 554 00:32:54,840 --> 00:32:57,959 Speaker 1: or like a gap ad. It's like whenever we're in 555 00:32:57,960 --> 00:33:02,760 Speaker 1: like numbers like that, like saying or one like this one, 556 00:33:02,960 --> 00:33:05,280 Speaker 1: or there's a couple of other ones we do like that, 557 00:33:05,520 --> 00:33:07,560 Speaker 1: And I always laugh because like we look like a 558 00:33:07,800 --> 00:33:09,320 Speaker 1: United Colors with Benatana. 559 00:33:08,960 --> 00:33:12,200 Speaker 2: D absolutely and also like talk about, yeah, we've gone 560 00:33:12,240 --> 00:33:15,600 Speaker 2: too long on the the songs. This edit was just 561 00:33:15,640 --> 00:33:20,120 Speaker 2: simply like a verse and then the last hook like 562 00:33:20,200 --> 00:33:24,600 Speaker 2: our TV edit's like you know, ninety too, like one 563 00:33:24,680 --> 00:33:28,200 Speaker 2: hundred and twenty seconds. This one must have been sixty seconds. 564 00:33:27,960 --> 00:33:30,360 Speaker 1: Like it was really gotta cut this one down. 565 00:33:30,720 --> 00:33:34,239 Speaker 2: Yeah, just immediately to Amber and Leah just wailing at 566 00:33:34,280 --> 00:33:36,040 Speaker 2: the end of the song like okay, yeah, you know, 567 00:33:36,200 --> 00:33:37,080 Speaker 2: let's just keep. 568 00:33:36,880 --> 00:33:42,239 Speaker 1: It moving, Pike straight to the point, and that's the 569 00:33:42,880 --> 00:33:48,000 Speaker 1: that's the episode. And then Finn eats the sandwich. Goodbye, yeah, goodbye. 570 00:33:48,840 --> 00:33:51,400 Speaker 2: That's it. I don't think I spoke in this episode. 571 00:33:52,120 --> 00:33:53,240 Speaker 1: Oh I don't think you did either. 572 00:33:53,360 --> 00:33:54,480 Speaker 2: I don't think I had a line. 573 00:33:54,600 --> 00:33:55,400 Speaker 1: This is the first one. 574 00:33:56,080 --> 00:33:57,920 Speaker 2: Expensive, I was very expensive. 575 00:33:57,920 --> 00:34:01,440 Speaker 1: Extra, okay, tartikit, let's do some tiety. 576 00:34:01,480 --> 00:34:08,080 Speaker 2: Takes a moment. I think I would say Finn references 577 00:34:08,120 --> 00:34:12,880 Speaker 2: that God owes Artie because he screwed him in the 578 00:34:12,960 --> 00:34:18,439 Speaker 2: leg department, you know, Yeah, he's a kid, so we'll 579 00:34:18,480 --> 00:34:18,799 Speaker 2: wow it. 580 00:34:19,280 --> 00:34:23,640 Speaker 1: And I think Finn I vote for this, Finn mistaking 581 00:34:23,719 --> 00:34:28,080 Speaker 1: the acupuncturist for Kurt wanting to pray and Muslim I 582 00:34:28,160 --> 00:34:31,120 Speaker 1: didn't have to pray, and I was like, Okay. 583 00:34:31,800 --> 00:34:33,680 Speaker 2: Yeah, I think maybe that actually wins. 584 00:34:33,920 --> 00:34:38,439 Speaker 1: Okay, orst dance move, well I don't have. We don't 585 00:34:38,520 --> 00:34:40,520 Speaker 1: really dance in this number, but I have the worst 586 00:34:40,640 --> 00:34:45,200 Speaker 1: background vocals. That's Tina and Quinn in our look to 587 00:34:45,239 --> 00:34:48,680 Speaker 1: you because we're not even using our our mouths are 588 00:34:48,719 --> 00:34:51,640 Speaker 1: not even matching the valves, by which that was definitely 589 00:34:51,640 --> 00:34:54,000 Speaker 1: not our voices. We definitely didn't sing the background on that. 590 00:34:54,440 --> 00:34:58,040 Speaker 1: It doesn't sound like us at all, and we're not 591 00:34:58,120 --> 00:35:00,120 Speaker 1: even using the same valves in that very moment, and 592 00:35:00,200 --> 00:35:02,920 Speaker 1: I love shocked. I looked at and they cut to us, 593 00:35:02,920 --> 00:35:05,440 Speaker 1: and I went, you both. 594 00:35:05,239 --> 00:35:07,959 Speaker 2: Look shocked in then you both look like. 595 00:35:07,880 --> 00:35:11,879 Speaker 1: Well, I think they put us up there very very quickly, abruptly. 596 00:35:11,960 --> 00:35:15,160 Speaker 1: I think they said, oh, we need background vocals on this, So. 597 00:35:15,120 --> 00:35:19,759 Speaker 2: That's absolutely where are my background singers? Yes, that's absolutely 598 00:35:19,760 --> 00:35:26,080 Speaker 2: what happened. Best song, Oh my god, I have mine? 599 00:35:26,920 --> 00:35:27,480 Speaker 2: What's yours? 600 00:35:27,560 --> 00:35:32,200 Speaker 1: Well, what's yours? I think I know yours. 601 00:35:33,640 --> 00:35:34,799 Speaker 2: A bridge over troubled water. 602 00:35:35,040 --> 00:35:41,960 Speaker 1: Yeah exactly, Okay, Yeah, performance by a prop the obviously 603 00:35:42,040 --> 00:35:46,040 Speaker 1: grilled Jesus, like there's there's nothing better? Okay? 604 00:35:46,360 --> 00:35:51,840 Speaker 2: Did Corey actually eat that? Like the episode Finns eats 605 00:35:51,960 --> 00:35:57,719 Speaker 2: this like old. 606 00:35:54,000 --> 00:35:57,960 Speaker 1: Bite Discuss would eat it? 607 00:35:58,200 --> 00:35:59,600 Speaker 2: He absolutely would, He wouldn't care. 608 00:36:00,320 --> 00:36:01,520 Speaker 1: What's your best line, Kevin? 609 00:36:04,520 --> 00:36:08,400 Speaker 2: I I like yours? You know the one last week 610 00:36:08,640 --> 00:36:10,719 Speaker 2: we were too sexy, Now we're too religious, we can't win. 611 00:36:10,760 --> 00:36:12,680 Speaker 2: And Brittany follows it up by now I know how 612 00:36:12,680 --> 00:36:15,920 Speaker 2: Miley feels, you know, I think that's what's yours. 613 00:36:16,120 --> 00:36:19,120 Speaker 1: I'm going with Heather's delivery on this one was very good? 614 00:36:19,280 --> 00:36:23,960 Speaker 1: Is God an evil dwarf? I'm going with that one. Fair? 615 00:36:25,239 --> 00:36:29,319 Speaker 1: Tell me? Okay, tell me what's up? What's on the tic? 616 00:36:30,040 --> 00:36:38,080 Speaker 2: Okay? On the tick today? So there's a video of 617 00:36:38,200 --> 00:36:43,000 Speaker 2: Miley Cyrus back in the day oh out of contact s. 618 00:36:43,000 --> 00:36:46,360 Speaker 2: Hannah Montana posted this on TikTok okay and she's talking 619 00:36:46,360 --> 00:36:52,439 Speaker 2: to Ryan Seacrest shout out to iHeartRadio Ryan Seacrest, and 620 00:36:52,480 --> 00:36:53,880 Speaker 2: she was saying someone the other day asked her if 621 00:36:53,880 --> 00:36:56,480 Speaker 2: she was a gleek, and she's like, what the heck 622 00:36:56,600 --> 00:37:00,120 Speaker 2: is a gleak. That's not something I want to be No, 623 00:37:00,600 --> 00:37:02,920 Speaker 2: And so they have this whole conversation about her having 624 00:37:02,960 --> 00:37:07,880 Speaker 2: never seen Glee and it's quite hilarious. 625 00:37:07,920 --> 00:37:10,719 Speaker 1: She's still yeah, it's really good. 626 00:37:11,200 --> 00:37:15,520 Speaker 2: Wow, which I thought was an appropriate TikTok, because you know, 627 00:37:15,560 --> 00:37:20,279 Speaker 2: we reference Miley in this episode with Brittany, So yeah, 628 00:37:20,320 --> 00:37:23,040 Speaker 2: that's right, we might have been referencing Miley. Miley was 629 00:37:23,080 --> 00:37:28,600 Speaker 2: not in fact referencing us. Ever, she didn't know. Did 630 00:37:28,719 --> 00:37:29,440 Speaker 2: have you ever met her? 631 00:37:29,760 --> 00:37:30,080 Speaker 1: Miley? 632 00:37:30,360 --> 00:37:30,600 Speaker 2: Yeah? 633 00:37:30,640 --> 00:37:32,440 Speaker 1: I think we met her at the teen choice word ones, 634 00:37:32,520 --> 00:37:33,400 Speaker 1: but not not like that. 635 00:37:33,600 --> 00:37:37,200 Speaker 2: No, yeah, yeah, she wasn't like in one of the 636 00:37:37,239 --> 00:37:38,399 Speaker 2: circles of one of us. 637 00:37:38,560 --> 00:37:39,319 Speaker 1: No, not at all. 638 00:37:39,840 --> 00:37:43,719 Speaker 2: No, Hannah, I wish. I love Miley big fan. So 639 00:37:44,000 --> 00:37:48,920 Speaker 2: if you were Miley Cyrus fans, Okay, that's our that's 640 00:37:48,960 --> 00:37:49,800 Speaker 2: our show, folks. 641 00:37:50,640 --> 00:37:54,360 Speaker 1: There you have it. Well, I hope you enjoyed this 642 00:37:54,480 --> 00:37:58,080 Speaker 1: recap of Jesus. Come back next week for our next recap, 643 00:37:58,200 --> 00:38:04,560 Speaker 1: and that's really what you missed. You really missed, are you? 644 00:38:04,680 --> 00:38:07,759 Speaker 2: Yeah? I love Duets. I think I remember liking it. 645 00:38:07,840 --> 00:38:09,600 Speaker 1: For its all that long. I got to I can't 646 00:38:09,600 --> 00:38:10,680 Speaker 1: wait to watch it. 647 00:38:10,680 --> 00:38:12,200 Speaker 2: It's because I had a storyline in it, and this 648 00:38:12,239 --> 00:38:13,600 Speaker 2: episode didn't speak, so you know. 649 00:38:13,560 --> 00:38:16,160 Speaker 1: I think I had stuff in the next one too, So. 650 00:38:19,200 --> 00:38:24,960 Speaker 2: Well, see you next time. I was to say love you, you. 651 00:38:24,920 --> 00:38:25,680 Speaker 1: Know what, Let's say it. 652 00:38:25,760 --> 00:38:28,600 Speaker 2: Love you guys, Love you guys. Thanks for being here. 653 00:38:29,000 --> 00:38:32,719 Speaker 2: We we love it. Thanks for letting me hang out 654 00:38:32,719 --> 00:38:38,759 Speaker 2: with you. It feels right, do a little uncomfortable, but 655 00:38:39,400 --> 00:38:44,560 Speaker 2: I'm okay. Love you bye. Thanks for listening and follow 656 00:38:44,640 --> 00:38:47,480 Speaker 2: us on Instagram at and that's what you really miss pod. 657 00:38:47,760 --> 00:38:49,600 Speaker 2: Make sure to write us a review and leave us 658 00:38:49,640 --> 00:38:51,120 Speaker 2: five stars. See you next time.