1 00:00:05,240 --> 00:00:09,360 Speaker 1: From iHeartRadio and Doghouse Pictures. This is Fight Night. I'm 2 00:00:09,520 --> 00:00:10,600 Speaker 1: Jeff Keating. 3 00:00:10,680 --> 00:00:15,240 Speaker 2: And I and the co executive producers. I cannot leave. 4 00:00:26,480 --> 00:00:31,120 Speaker 2: Speaking of executive producer and co executive producer, do you 5 00:00:31,200 --> 00:00:36,160 Speaker 2: remember the first night you got your executive producer chair? 6 00:00:37,240 --> 00:00:40,040 Speaker 1: Talk to me that that that I got a little 7 00:00:40,120 --> 00:00:41,760 Speaker 1: vocal with that as well too. 8 00:00:42,080 --> 00:00:44,680 Speaker 2: I really did. Look can I say mine first? Okay? Great? Thanks? 9 00:00:45,760 --> 00:00:48,800 Speaker 2: I literally Bro came on said, now, mind you, we're 10 00:00:48,840 --> 00:00:53,760 Speaker 2: a Chicken Man's House, the original house, and you and 11 00:00:53,800 --> 00:00:57,000 Speaker 2: I had did some picture taking and scouting prior to 12 00:00:57,840 --> 00:01:02,120 Speaker 2: but later that evening, you're sitting in your chair and 13 00:01:02,160 --> 00:01:05,760 Speaker 2: I walk up behind you and I see your name 14 00:01:05,920 --> 00:01:07,679 Speaker 2: on the chair, and I'm not gonna lie. You know 15 00:01:07,720 --> 00:01:10,680 Speaker 2: how I feel about you. You know, there's no ankst, 16 00:01:10,720 --> 00:01:14,000 Speaker 2: no whatever as far as anything. And I just got 17 00:01:14,040 --> 00:01:17,080 Speaker 2: so emotional like for you. I was like, Bro, you 18 00:01:17,200 --> 00:01:20,200 Speaker 2: got your fucking chair like you were like can't he no? 19 00:01:20,400 --> 00:01:23,399 Speaker 2: Like too, And they surprised me. How was that? 20 00:01:23,720 --> 00:01:27,160 Speaker 1: I mean again, it was just so you see your name, 21 00:01:27,400 --> 00:01:29,679 Speaker 1: you see the title, You're on the show. It's got 22 00:01:29,720 --> 00:01:31,880 Speaker 1: Fight Night on in front of Chicken Man's House front 23 00:01:31,880 --> 00:01:34,360 Speaker 1: of chicken Man's house. It's a lot man. Let me say, 24 00:01:34,640 --> 00:01:38,319 Speaker 1: we haven't used this line. Reality has exceeded my dreams. 25 00:01:38,440 --> 00:01:41,840 Speaker 1: Come on, Reality has exceeded my dreams. Not only is 26 00:01:42,680 --> 00:01:46,559 Speaker 1: not only is the dream real, but reality has exceeded 27 00:01:46,800 --> 00:01:50,800 Speaker 1: everything that I imagined, everything that I pictured, all the worlds 28 00:01:50,800 --> 00:01:54,040 Speaker 1: and things that I thought could develop, everything has exceeded 29 00:01:54,040 --> 00:01:56,400 Speaker 1: at it's just getting and it's in front of and 30 00:01:56,440 --> 00:02:00,960 Speaker 1: now I'm sitting and everybody's calling and text me when 31 00:02:01,000 --> 00:02:02,840 Speaker 1: I send a picture, make sure you take that or 32 00:02:02,880 --> 00:02:04,840 Speaker 1: steal out and don't let that get away from you. 33 00:02:04,880 --> 00:02:07,280 Speaker 2: And I remember, Bro, I think you know it was 34 00:02:08,000 --> 00:02:10,040 Speaker 2: we were off to the side and I think I 35 00:02:10,080 --> 00:02:11,920 Speaker 2: saw Kevin and and walking up the street. So I 36 00:02:11,960 --> 00:02:14,240 Speaker 2: had turned around after you know, I was giving you 37 00:02:14,280 --> 00:02:16,959 Speaker 2: all the love and saw your chair. And then I 38 00:02:17,000 --> 00:02:20,160 Speaker 2: had came back into the tent and they gave me 39 00:02:20,280 --> 00:02:21,240 Speaker 2: my fucking chair. 40 00:02:21,680 --> 00:02:22,880 Speaker 1: I was like, oh my god. 41 00:02:23,480 --> 00:02:25,520 Speaker 2: And I literally I was like, I'm going to say something. 42 00:02:25,560 --> 00:02:28,080 Speaker 2: I want to ask for my chair, like where's my chair? 43 00:02:28,160 --> 00:02:29,800 Speaker 2: And then I got my chair, bro, and I was 44 00:02:29,880 --> 00:02:32,919 Speaker 2: just like, thank you, Bro. And it was to your point. 45 00:02:32,960 --> 00:02:35,959 Speaker 2: It was a testament of the work and the journey 46 00:02:36,000 --> 00:02:37,840 Speaker 2: because seeing that as small as it is, right, and 47 00:02:37,840 --> 00:02:39,440 Speaker 2: you don't get the chair, by the way, ladies, gymen, 48 00:02:39,440 --> 00:02:41,799 Speaker 2: you get the little sliff the sleeve, while I ordered 49 00:02:41,800 --> 00:02:45,079 Speaker 2: one on Amazon so I can put that chair. Absolutely, chair. 50 00:02:45,200 --> 00:02:47,560 Speaker 2: I'll buy you a s Tiffany, buy him a chair. 51 00:02:48,040 --> 00:02:51,720 Speaker 2: But listen, I literally I was, I was, you know, 52 00:02:51,960 --> 00:02:54,959 Speaker 2: And again we're in front of Chicken Man's house, and 53 00:02:55,320 --> 00:02:58,400 Speaker 2: I want to just give props to the family, you know, 54 00:02:59,560 --> 00:03:02,320 Speaker 2: the family. He still lives in the house, you know. 55 00:03:02,680 --> 00:03:04,720 Speaker 2: And I remember saying to you, how the fuck did 56 00:03:04,760 --> 00:03:06,880 Speaker 2: all these people get in this little ass basement? 57 00:03:07,800 --> 00:03:10,680 Speaker 1: You remember that, you know absolutely, because I'm like, I'm 58 00:03:10,680 --> 00:03:11,360 Speaker 1: looking at the house. 59 00:03:11,360 --> 00:03:13,960 Speaker 2: I'm like, and I'm assuming back in the day, that 60 00:03:14,080 --> 00:03:16,040 Speaker 2: was a nice size house. It was, right, it was 61 00:03:16,120 --> 00:03:18,040 Speaker 2: a nice house. But ladies and gentle when I tell you, 62 00:03:18,080 --> 00:03:20,440 Speaker 2: it was twenty five hundred square feet all of it, 63 00:03:20,919 --> 00:03:24,240 Speaker 2: the upstairs, downstairs, back rooms. And I was like, wait, 64 00:03:24,280 --> 00:03:26,600 Speaker 2: they had a whole casino, VI and ladies and Germany. 65 00:03:26,880 --> 00:03:30,760 Speaker 2: When you see this, you know, come to life on 66 00:03:30,840 --> 00:03:34,720 Speaker 2: Peacock September fifth, go binge, watch it when it's available. 67 00:03:34,720 --> 00:03:36,920 Speaker 2: If you're just hearing this for the first time get 68 00:03:36,920 --> 00:03:40,160 Speaker 2: immersed into the world. You can literally drive by the house. 69 00:03:40,200 --> 00:03:42,680 Speaker 2: That was the thing that I guess like through me 70 00:03:43,000 --> 00:03:46,680 Speaker 2: the most, Like, wow, fifty something years later and the 71 00:03:46,720 --> 00:03:49,880 Speaker 2: family still lives there. How did they feel when you know, 72 00:03:49,920 --> 00:03:52,520 Speaker 2: you ended up talking to them and like this is 73 00:03:52,560 --> 00:03:55,280 Speaker 2: happening and we're at the house, like I know, they 74 00:03:55,320 --> 00:03:56,520 Speaker 2: were freaking out, like whoa. 75 00:03:56,800 --> 00:03:59,400 Speaker 1: Well, even during the making of the podcast, James, who 76 00:03:59,480 --> 00:04:02,760 Speaker 1: was living in the house, he even said, it's weird 77 00:04:02,880 --> 00:04:05,080 Speaker 1: just to go back in time and just got because 78 00:04:05,120 --> 00:04:07,000 Speaker 1: you know, again he's I think a leave a little 79 00:04:07,040 --> 00:04:10,040 Speaker 1: younger than I am, so he'd heard stories, right, you know, so. 80 00:04:10,160 --> 00:04:12,400 Speaker 2: It probably wasn't as enthralled as you, to be honest, 81 00:04:12,560 --> 00:04:14,600 Speaker 2: not as much. But he started obsessed. 82 00:04:14,720 --> 00:04:17,120 Speaker 1: But he's absolutely and he started to be And let's 83 00:04:17,160 --> 00:04:19,760 Speaker 1: but let's use this word obsessed. Wasn't because everybody asked 84 00:04:19,800 --> 00:04:21,240 Speaker 1: me that, so I want to I want to properly 85 00:04:21,279 --> 00:04:24,280 Speaker 1: define this. So obsessed wasn't the right word. I'll tell 86 00:04:24,320 --> 00:04:27,560 Speaker 1: you why, because it wasn't like, like it's something Kenny 87 00:04:27,640 --> 00:04:30,960 Speaker 1: that at some point I could even put down like 88 00:04:31,000 --> 00:04:33,599 Speaker 1: I'm saying the project in general, and it always just 89 00:04:33,640 --> 00:04:35,400 Speaker 1: came back to me like I want to. 90 00:04:35,480 --> 00:04:38,480 Speaker 2: I want to I am a witness of that. Actually, yeah, I. 91 00:04:38,480 --> 00:04:40,760 Speaker 1: Just want to say, like this project, I mean again, 92 00:04:41,120 --> 00:04:43,440 Speaker 1: you say whatever. I feel like it chose me in 93 00:04:43,480 --> 00:04:46,240 Speaker 1: some capacity to be a part of this in some capacity. 94 00:04:46,279 --> 00:04:49,320 Speaker 1: But whenever anybody had to, it just came knocking on. 95 00:04:49,440 --> 00:04:52,120 Speaker 2: Justuse we've actually thought it was over a few times. Yeah, together, 96 00:04:52,200 --> 00:04:52,839 Speaker 2: we would taught it. 97 00:04:52,839 --> 00:04:56,400 Speaker 1: Would always something would come. I'm saying a little hint 98 00:04:56,800 --> 00:04:59,000 Speaker 1: or a re an article back and it just so 99 00:04:59,080 --> 00:05:01,920 Speaker 1: I'm just saying as much I was passionate, passionate, passion, 100 00:05:02,160 --> 00:05:04,040 Speaker 1: but never obsessed. And it's always just. 101 00:05:04,720 --> 00:05:05,680 Speaker 2: Guess what I'm obsessed with. 102 00:05:06,480 --> 00:05:06,880 Speaker 1: We are. 103 00:05:08,640 --> 00:05:11,560 Speaker 2: For get us some obsession, Colonne, exactly, We're gonna start 104 00:05:11,560 --> 00:05:15,719 Speaker 2: wearing obsession. Colone. I just feel that you're right. You 105 00:05:15,760 --> 00:05:21,839 Speaker 2: know when we got into the scenes, right and then 106 00:05:22,000 --> 00:05:23,320 Speaker 2: you know, obviously I got a character and we're going 107 00:05:23,360 --> 00:05:26,440 Speaker 2: to talk about that momentarily. But you know, this was 108 00:05:27,200 --> 00:05:30,839 Speaker 2: the house that the robbery happened. Downstairs. People got shot, 109 00:05:31,320 --> 00:05:34,160 Speaker 2: you know, people got tied up, you know, you know, 110 00:05:34,200 --> 00:05:36,520 Speaker 2: they were in their underwear, like and these people live 111 00:05:36,520 --> 00:05:38,080 Speaker 2: in this house and I'm outside the house and you're 112 00:05:38,120 --> 00:05:40,839 Speaker 2: outside the house. We're not exactly chairs, like it's a 113 00:05:40,920 --> 00:05:44,360 Speaker 2: whole mind fuck, to be honest with you. And then 114 00:05:44,400 --> 00:05:48,240 Speaker 2: I remember a few days later, I go to assembly 115 00:05:48,440 --> 00:05:53,080 Speaker 2: to you know, get my wig and cat Daddy's coming 116 00:05:53,120 --> 00:05:55,440 Speaker 2: to life, and the first scene was in the basement 117 00:05:55,640 --> 00:05:57,680 Speaker 2: and we weren't in the original house anymore. We were 118 00:05:57,720 --> 00:06:00,920 Speaker 2: on set at the assembly, but they made it look 119 00:06:01,040 --> 00:06:03,600 Speaker 2: like a basement from the seventies. You guys who are 120 00:06:03,640 --> 00:06:07,800 Speaker 2: seventies babies and eighties babies. You remember that bean that's 121 00:06:07,880 --> 00:06:10,800 Speaker 2: downstairs in that old house you had and used to 122 00:06:10,800 --> 00:06:12,839 Speaker 2: do pull ups on it, used to do all types 123 00:06:12,839 --> 00:06:15,440 Speaker 2: of stuff on. You had those poles. It looks it 124 00:06:15,480 --> 00:06:16,760 Speaker 2: looked like the basement. 125 00:06:17,120 --> 00:06:18,800 Speaker 1: And then the way they built it up with the 126 00:06:18,839 --> 00:06:22,760 Speaker 1: casinos and the craps tables unbelievable. It brought you right 127 00:06:22,800 --> 00:06:25,600 Speaker 1: into that party again, like you were there. 128 00:06:25,839 --> 00:06:27,720 Speaker 2: You were there, And I remember this, y'all, And and 129 00:06:27,800 --> 00:06:29,480 Speaker 2: ladies and germen, I was in my draws. That's right, 130 00:06:29,560 --> 00:06:32,240 Speaker 2: episode three. I don't know if it's episode three or four, 131 00:06:32,600 --> 00:06:35,159 Speaker 2: but I'm in my draws. So ladies, get ready, I'm married. 132 00:06:35,400 --> 00:06:37,800 Speaker 2: I don't need any DMS, yes, you know, but the case, 133 00:06:37,880 --> 00:06:40,880 Speaker 2: the shit is I'm mad at Kevin. You wont to 134 00:06:40,880 --> 00:06:42,960 Speaker 2: know why I'm mad at Kevin for them fucking long. 135 00:06:42,800 --> 00:06:45,840 Speaker 1: Jacobs are long that giants not his? 136 00:06:46,279 --> 00:06:48,680 Speaker 2: No, but I'm like, I can't believe he actually wore 137 00:06:48,720 --> 00:06:51,000 Speaker 2: the long johns. It's part of the story. No, I 138 00:06:51,200 --> 00:06:52,839 Speaker 2: tell the story though, because I had to bring that 139 00:06:52,920 --> 00:06:55,360 Speaker 2: up because everybody was in their draws. Oh yeah, in 140 00:06:55,800 --> 00:06:59,200 Speaker 2: slips and brawls and pannies, and then Chicken Man had 141 00:06:59,200 --> 00:07:00,960 Speaker 2: on long jaws. Please tell that story. 142 00:07:01,360 --> 00:07:03,680 Speaker 1: Well, first of all, shayak Vana shout out to our 143 00:07:03,720 --> 00:07:06,080 Speaker 1: show runner. Yes, he got to come into the basement 144 00:07:06,120 --> 00:07:07,800 Speaker 1: of the real house as well. So now you can 145 00:07:07,800 --> 00:07:10,440 Speaker 1: see as he's riding the way that he can envision. 146 00:07:11,240 --> 00:07:12,920 Speaker 1: So that was cool just to watch that go y. 147 00:07:13,160 --> 00:07:15,120 Speaker 1: So then yeah, part of again you'll see it. But 148 00:07:15,240 --> 00:07:17,960 Speaker 1: Chicken Man is wearing his long johns for a reason, 149 00:07:18,080 --> 00:07:19,920 Speaker 1: and it's part of the storyline, which you'll see. 150 00:07:20,040 --> 00:07:22,520 Speaker 2: But it's you can tell that part. You're not telling 151 00:07:22,560 --> 00:07:25,400 Speaker 2: the whole story. Talk about the long johns, well. 152 00:07:25,280 --> 00:07:28,760 Speaker 1: I think again, it was part of the weather at 153 00:07:28,800 --> 00:07:31,640 Speaker 1: that time that Chicken Man, you know, was wearing as 154 00:07:31,680 --> 00:07:34,120 Speaker 1: you know, yeah, you're long giants. It's underneath you're going 155 00:07:34,160 --> 00:07:36,880 Speaker 1: out in the cold in October, you know, blah blah blah. 156 00:07:37,120 --> 00:07:40,400 Speaker 1: But it becomes again something where people are eyeing and. 157 00:07:40,320 --> 00:07:43,240 Speaker 2: It's like, why, yeah, how do you go on? Yeah? Yeah? 158 00:07:44,200 --> 00:07:44,680 Speaker 2: Yeah yeah. 159 00:07:44,880 --> 00:07:47,200 Speaker 1: And what's funny is you're thinking the same thing when 160 00:07:47,200 --> 00:07:50,000 Speaker 1: you're forget about this movie itself, You're like, what are 161 00:07:50,080 --> 00:07:51,000 Speaker 1: we exactly? 162 00:07:51,320 --> 00:07:53,240 Speaker 2: But that's and that's I wanted to share that because 163 00:07:53,240 --> 00:07:56,520 Speaker 2: people haven't follow in the podcast and are listening late 164 00:07:56,560 --> 00:07:59,560 Speaker 2: and haven't saw the episodes yet. You know, it's it's 165 00:07:59,560 --> 00:08:03,560 Speaker 2: something that Frank Molten was wondering too, Like you little motherfucker. 166 00:08:03,600 --> 00:08:07,720 Speaker 2: You You just why you got on Long John's Yeah, 167 00:08:07,960 --> 00:08:11,720 Speaker 2: and why didn't they give me silk draws? Like Frank 168 00:08:11,760 --> 00:08:14,320 Speaker 2: mot you had the wave, daddy, I had a whole 169 00:08:14,320 --> 00:08:17,040 Speaker 2: Fruit of the Loon situation going on. I wanted some 170 00:08:17,040 --> 00:08:30,280 Speaker 2: silk draw and I remember a funny little story about 171 00:08:30,280 --> 00:08:32,360 Speaker 2: the basement. I didn't share this ship. So you know, 172 00:08:32,559 --> 00:08:35,560 Speaker 2: although you and I you eventually got more comfortable. You 173 00:08:35,600 --> 00:08:38,040 Speaker 2: moved around set like you should as an executive producer. 174 00:08:38,160 --> 00:08:40,440 Speaker 2: I was doing it from day one. Yes, okay, but 175 00:08:40,720 --> 00:08:43,000 Speaker 2: I'm in there. But I don't go to the cast 176 00:08:43,160 --> 00:08:45,679 Speaker 2: and say Hey, I'm the executive producer. I came in 177 00:08:45,760 --> 00:08:49,440 Speaker 2: like talent, and I hadn't been in the basement yet, right, 178 00:08:49,760 --> 00:08:52,480 Speaker 2: And I wish I knew this young brother's name. But 179 00:08:52,559 --> 00:08:55,199 Speaker 2: we're in there, and you know, extras are always fighting 180 00:08:55,520 --> 00:08:58,240 Speaker 2: for the camera, that's true, right, And I mean literally 181 00:08:58,679 --> 00:09:01,640 Speaker 2: they're moving. When somebody moves, they slip in. And so 182 00:09:01,640 --> 00:09:05,280 Speaker 2: I'm literally in there. And again I'm not saying I'm 183 00:09:05,480 --> 00:09:07,920 Speaker 2: Kenny Brown's exactly producer. A lot of people don't know me. 184 00:09:08,160 --> 00:09:12,040 Speaker 2: You're younger. Yeah, I'm cat daddy, right, And so Atkins 185 00:09:12,080 --> 00:09:14,480 Speaker 2: and I had this position. I saw it, right, and 186 00:09:14,520 --> 00:09:18,079 Speaker 2: what's the AD's name? Let the woman? What's the woman's 187 00:09:18,120 --> 00:09:22,320 Speaker 2: saying that I can't? Yes, I love her so much, 188 00:09:23,040 --> 00:09:25,559 Speaker 2: and you know she was, you know, saying you should 189 00:09:25,559 --> 00:09:29,000 Speaker 2: be here. Atkins's going to be here, Kevin's here, you know, 190 00:09:29,120 --> 00:09:31,960 Speaker 2: Terrence is here. And I'm hearing this lineup and she's 191 00:09:31,960 --> 00:09:33,880 Speaker 2: saying that I'm gonna be in this shot with these 192 00:09:33,920 --> 00:09:36,880 Speaker 2: amazed So I'm drifting. I'm in a dream sequence. I'm 193 00:09:36,880 --> 00:09:38,880 Speaker 2: not you know what I'm saying. I'm there, but I'm 194 00:09:38,920 --> 00:09:41,240 Speaker 2: not there. I'm trying to get character, but I'm trying 195 00:09:41,280 --> 00:09:42,680 Speaker 2: not to fan out, you know what I mean, because 196 00:09:42,840 --> 00:09:44,800 Speaker 2: although these are my people and I know them in 197 00:09:44,840 --> 00:09:47,480 Speaker 2: real life, I'm about to be in a limited TV 198 00:09:47,600 --> 00:09:48,800 Speaker 2: series film Kevin. 199 00:09:49,200 --> 00:09:51,719 Speaker 1: Here, you're right here, you film Sam Jackson's back here. 200 00:09:52,320 --> 00:09:54,760 Speaker 1: I'm watching it again. I'm in the village watching you 201 00:09:54,800 --> 00:09:56,880 Speaker 1: film me. By the way you're making me, You're like, Jeff, 202 00:09:57,040 --> 00:09:59,760 Speaker 1: make sure you feel the minor So it's a double 203 00:09:59,800 --> 00:10:02,040 Speaker 1: fa It's like, I'm into this, into this. I got 204 00:10:02,080 --> 00:10:03,080 Speaker 1: the double thing going on. 205 00:10:03,240 --> 00:10:05,000 Speaker 2: And so we had this part where we had to 206 00:10:05,040 --> 00:10:07,480 Speaker 2: stand up, you know, move and people had to get up, 207 00:10:07,520 --> 00:10:09,880 Speaker 2: and so of course people moved. And then you know 208 00:10:10,080 --> 00:10:13,880 Speaker 2: that first time we shot it it was no problems. 209 00:10:14,040 --> 00:10:16,240 Speaker 2: The extras were in pocket. But you know, we had 210 00:10:16,280 --> 00:10:19,320 Speaker 2: to do a reshoot. And when we did the reshoot, 211 00:10:19,559 --> 00:10:22,520 Speaker 2: it was this one kid man and he was so 212 00:10:22,840 --> 00:10:26,200 Speaker 2: pressed and I'm like, if in my mind, if you're 213 00:10:26,200 --> 00:10:28,280 Speaker 2: sitting behind me, you're gonna be in the shop. So 214 00:10:28,360 --> 00:10:30,760 Speaker 2: and I guess he doesn't know who I am in 215 00:10:30,800 --> 00:10:33,240 Speaker 2: the scene or what I mean to the scene, and 216 00:10:33,320 --> 00:10:34,920 Speaker 2: so it got one point where he kind of like, 217 00:10:35,480 --> 00:10:38,280 Speaker 2: you know, excuse me, Like, no, excuse you, this is 218 00:10:38,360 --> 00:10:40,959 Speaker 2: like your seventeenth time doing this. I just want you 219 00:10:41,040 --> 00:10:44,080 Speaker 2: to move back and just be calm. Okay, you're going 220 00:10:44,160 --> 00:10:46,880 Speaker 2: to have your spot, right. So everybody else who knew 221 00:10:46,920 --> 00:10:49,320 Speaker 2: me were kind of like, yo, dude, is good because 222 00:10:49,360 --> 00:10:51,280 Speaker 2: people who know me I will kirk out. Not kirk out, 223 00:10:51,320 --> 00:10:54,360 Speaker 2: but like, yo, get the fuck back there, please, Like, 224 00:10:54,440 --> 00:10:58,120 Speaker 2: don't play yourself. You cannot be in the scene. Yes, 225 00:10:58,720 --> 00:11:01,360 Speaker 2: And it was just a weird we're kind of juxtaposition 226 00:11:01,400 --> 00:11:03,400 Speaker 2: because after he came like you I didn't know, I said, well, 227 00:11:03,400 --> 00:11:06,400 Speaker 2: you should always treat people you know like I treated you. 228 00:11:06,840 --> 00:11:09,680 Speaker 1: Absolutely, I could have been in position myself. Don't position 229 00:11:09,800 --> 00:11:10,920 Speaker 1: me exactly. 230 00:11:11,000 --> 00:11:15,200 Speaker 2: I like that. Okay, Jeff, But that was one of 231 00:11:15,240 --> 00:11:18,240 Speaker 2: my favorite moments because it was a teachable moment for him. 232 00:11:18,800 --> 00:11:22,440 Speaker 2: It was a moment where I actually got a chance 233 00:11:22,559 --> 00:11:28,080 Speaker 2: to act with some peers and superheroes. And that wasn't 234 00:11:28,080 --> 00:11:29,800 Speaker 2: even my lines. That was just me kind of in 235 00:11:29,880 --> 00:11:35,040 Speaker 2: that same Yeah. And then we the second shoot, we 236 00:11:35,080 --> 00:11:37,680 Speaker 2: got into a little bit more because you know, that 237 00:11:37,800 --> 00:11:39,440 Speaker 2: was the scene that Kevin had made a play for 238 00:11:39,480 --> 00:11:42,240 Speaker 2: the gun. Me and Silky got up and we were like, 239 00:11:42,280 --> 00:11:44,000 Speaker 2: and I'm in the background of that too now, So 240 00:11:44,040 --> 00:11:46,400 Speaker 2: that's a little extra scene. Thank you, Craig. You came 241 00:11:46,480 --> 00:11:49,600 Speaker 2: back on and put me back in another. Yeah scene. 242 00:11:49,600 --> 00:11:52,320 Speaker 1: But Kitty got a trailer, as cat Daddy. Tell him 243 00:11:52,360 --> 00:11:54,480 Speaker 1: what your trailers like, though, give them the real world. 244 00:11:54,920 --> 00:11:58,520 Speaker 2: My trailer wasn't ship Okay, I got a bathroom. No, no, no, 245 00:11:58,520 --> 00:12:01,520 Speaker 2: I didn't get a damn sprint her. What did Kevin 246 00:12:01,520 --> 00:12:05,840 Speaker 2: have it? Kevin had three fucking campers. I had a bathroom. 247 00:12:06,240 --> 00:12:08,560 Speaker 2: But I was thankful. Flour was wet. 248 00:12:08,920 --> 00:12:10,520 Speaker 1: I came up and knocked that first time I come up. 249 00:12:10,559 --> 00:12:12,280 Speaker 1: The stress you open up, so you got the afro, 250 00:12:12,640 --> 00:12:15,480 Speaker 1: you got the fruit, you got shorts on your bare 251 00:12:15,520 --> 00:12:17,959 Speaker 1: white little skitty whatever. And then your what kind of 252 00:12:18,040 --> 00:12:18,240 Speaker 1: was it? 253 00:12:18,280 --> 00:12:22,880 Speaker 2: Boots say roelopisode? Yeah, but it was beautiful, man, But 254 00:12:23,040 --> 00:12:27,079 Speaker 2: I want to really the lines, you know my lines. 255 00:12:28,080 --> 00:12:31,520 Speaker 2: I don't think people understand the hurry up and wait 256 00:12:31,600 --> 00:12:34,760 Speaker 2: process of filming. You know, we were supposed to film 257 00:12:34,920 --> 00:12:37,640 Speaker 2: at ten PM. I didn't get the film to two 258 00:12:37,760 --> 00:12:41,079 Speaker 2: a m. And it was the last shot at least right, 259 00:12:41,400 --> 00:12:44,760 Speaker 2: and it was the last shot keating, you know what 260 00:12:44,800 --> 00:12:45,840 Speaker 2: I mean. And I'm like, you. 261 00:12:45,880 --> 00:12:49,920 Speaker 1: Got a budget, they got a time, they got a time. Starting, yes, 262 00:12:50,559 --> 00:12:53,199 Speaker 1: starting to rain. I got the umbrella, the little things. 263 00:12:53,240 --> 00:12:54,200 Speaker 1: I'm with you, So. 264 00:12:54,320 --> 00:12:56,920 Speaker 2: Starting to rain. You know, it's like not pouring, but 265 00:12:56,960 --> 00:12:59,160 Speaker 2: it's starting like that little misty. 266 00:12:58,960 --> 00:13:00,000 Speaker 1: Car sliding down. 267 00:13:00,160 --> 00:13:02,440 Speaker 2: Remember they killed it, That's what I want to say. 268 00:13:02,520 --> 00:13:06,760 Speaker 2: So then they got us driving these old vehicles right, 269 00:13:07,320 --> 00:13:12,000 Speaker 2: and y'all you're not gonna notice it in the TV series. 270 00:13:12,400 --> 00:13:16,760 Speaker 2: But we had two takes of the cars, and I 271 00:13:16,840 --> 00:13:21,000 Speaker 2: only had two takes of my lines. Now, mind you, 272 00:13:21,440 --> 00:13:25,480 Speaker 2: this is a very intricate scene. Melvin greg is on 273 00:13:25,640 --> 00:13:29,800 Speaker 2: the car, he's leaned up playing. Lookout right, I'm driving 274 00:13:29,880 --> 00:13:33,000 Speaker 2: up with some foxy ladies. I'm about to ask where 275 00:13:33,000 --> 00:13:37,440 Speaker 2: the party is. Right. Then Silke comes up parallel to 276 00:13:37,640 --> 00:13:39,920 Speaker 2: Now mind just three cars in a row. We got 277 00:13:39,920 --> 00:13:43,360 Speaker 2: to get this right lined up perfectly, you know what 278 00:13:43,400 --> 00:13:45,720 Speaker 2: I mean, to execute the scene, and we did it 279 00:13:45,720 --> 00:13:47,880 Speaker 2: in two takes. Yeah, so I was at. 280 00:13:47,800 --> 00:13:50,480 Speaker 1: The wet surface where they had to get sliding and 281 00:13:50,520 --> 00:13:51,280 Speaker 1: they get to pull back. 282 00:13:51,520 --> 00:13:55,560 Speaker 2: Yes, and the car of Atkins car ak Silke, the 283 00:13:55,640 --> 00:13:59,600 Speaker 2: character Silke, he literally his car stopped. You remember that 284 00:13:59,640 --> 00:14:02,640 Speaker 2: they have to fix it real quick, you back it up. So, yeah, 285 00:14:02,679 --> 00:14:06,680 Speaker 2: it was an amazing feat. But my lines were, you know, 286 00:14:06,800 --> 00:14:11,200 Speaker 2: I want to want to wait it started with safe Player. 287 00:14:11,320 --> 00:14:13,360 Speaker 2: I'm gonna leave it there, Okay, like that, all right, 288 00:14:13,440 --> 00:14:16,920 Speaker 2: ravaplus for me. But I you know, it's a testament 289 00:14:17,000 --> 00:14:18,960 Speaker 2: man to like even what you're saying about how you 290 00:14:18,960 --> 00:14:21,680 Speaker 2: felt about the chair, how you felt first day on set, 291 00:14:21,880 --> 00:14:24,760 Speaker 2: how you felt meeting Don Cheto. Han't had him in 292 00:14:24,760 --> 00:14:26,320 Speaker 2: the back of your mind as a player in the 293 00:14:26,360 --> 00:14:30,000 Speaker 2: game or player in this particular. You know, a series, 294 00:14:30,280 --> 00:14:33,880 Speaker 2: and you know we're getting to this point, you know, 295 00:14:34,000 --> 00:14:36,800 Speaker 2: in the process, and this is a five month almost 296 00:14:36,800 --> 00:14:40,480 Speaker 2: six month process, right, it's five months, right, and we're 297 00:14:40,520 --> 00:14:44,800 Speaker 2: literally like wow every time we show up the set, 298 00:14:44,840 --> 00:14:49,160 Speaker 2: by the performances, the stage design, the on location I mean, 299 00:14:49,360 --> 00:14:51,440 Speaker 2: and by the way we went to all the landmarks 300 00:14:51,480 --> 00:14:53,800 Speaker 2: in Atlanta. We were at the Beautiful we did the 301 00:14:53,840 --> 00:14:57,280 Speaker 2: Claremont Lounge, We had so many important we were at 302 00:14:57,280 --> 00:15:00,760 Speaker 2: the plais Region. Yeah. Hi, that was a cool night. 303 00:15:01,280 --> 00:15:02,360 Speaker 2: And let's get to it now. 304 00:15:02,240 --> 00:15:05,080 Speaker 1: Okay, Well before just real quickly, so that basement scene, 305 00:15:05,120 --> 00:15:07,000 Speaker 1: I just want to kind of give you a little 306 00:15:07,040 --> 00:15:09,880 Speaker 1: bit more how this how the family has merged with 307 00:15:09,880 --> 00:15:12,720 Speaker 1: this project. So James, who owns the house, where the 308 00:15:12,760 --> 00:15:16,160 Speaker 1: heights took place. Now obviously not that then, So without 309 00:15:16,280 --> 00:15:19,120 Speaker 1: even telling me, so he I guess he either wants 310 00:15:19,160 --> 00:15:21,040 Speaker 1: to be an extra, get into acting, whatever it is. 311 00:15:21,080 --> 00:15:23,040 Speaker 1: I'll have to find out the story. But somehow no. 312 00:15:23,120 --> 00:15:25,160 Speaker 1: But but what I'm saying is he doesn't call. He 313 00:15:25,240 --> 00:15:27,800 Speaker 1: knows me I'm an executive producer, he'd get me. He 314 00:15:27,920 --> 00:15:30,120 Speaker 1: does this on his own. He calls the company, he 315 00:15:30,200 --> 00:15:34,000 Speaker 1: auditions whatever. He shows up that day, and I'm just like, 316 00:15:34,000 --> 00:15:36,640 Speaker 1: what you do, like James, And he's he's got the boat, 317 00:15:36,800 --> 00:15:39,280 Speaker 1: by the way, He's in several scenes now, so he's 318 00:15:39,280 --> 00:15:40,960 Speaker 1: in there with But I'm just like James. He's like, 319 00:15:41,000 --> 00:15:43,040 Speaker 1: but I did so just how cool that he just 320 00:15:43,080 --> 00:15:45,280 Speaker 1: wants to do this on his own and he could 321 00:15:45,280 --> 00:15:46,720 Speaker 1: position himself in a way. 322 00:15:46,800 --> 00:15:47,680 Speaker 2: But he's just so. 323 00:15:47,840 --> 00:15:50,480 Speaker 1: But I reverse it, and I was like, I tell everybody. 324 00:15:50,480 --> 00:15:51,920 Speaker 1: I was like, you got to you know this is 325 00:15:51,960 --> 00:15:52,560 Speaker 1: the family? 326 00:15:52,720 --> 00:15:55,000 Speaker 2: Yes, yeah, and the family came to set. 327 00:15:55,120 --> 00:15:57,400 Speaker 1: Family comes to set. They show him around, they get 328 00:15:57,440 --> 00:15:59,640 Speaker 1: to see everybody acting, they get to see the real 329 00:15:59,680 --> 00:16:00,920 Speaker 1: home where their family. 330 00:16:00,680 --> 00:16:01,240 Speaker 2: Used to live. 331 00:16:01,560 --> 00:16:04,880 Speaker 1: It's the emotional scene of them showing up and being 332 00:16:04,880 --> 00:16:07,800 Speaker 1: guided around, getting meet the stars, talk to Willpacker everybody. 333 00:16:07,880 --> 00:16:10,880 Speaker 2: So it's very cool. It's amazing, man, because as you said, 334 00:16:10,920 --> 00:16:13,560 Speaker 2: you kept being drawn back to this project to make 335 00:16:13,600 --> 00:16:15,600 Speaker 2: it happen. And then and then what we went through 336 00:16:15,600 --> 00:16:17,120 Speaker 2: with the life rights with the family and how much 337 00:16:17,160 --> 00:16:19,240 Speaker 2: money they thought was on the table versus what it 338 00:16:19,360 --> 00:16:21,840 Speaker 2: was though, just all the things and what to be done. 339 00:16:22,000 --> 00:16:23,640 Speaker 2: And that's why, like I was wanting to bring up 340 00:16:23,680 --> 00:16:26,200 Speaker 2: the higher regency. You know, the Polaris is a main 341 00:16:26,400 --> 00:16:29,440 Speaker 2: staple in this and it still exists in Atlanta today. Yeah, right, 342 00:16:29,480 --> 00:16:31,200 Speaker 2: And so when we were in that lobby and we 343 00:16:31,240 --> 00:16:34,000 Speaker 2: talked about it briefly on the other episode. But like 344 00:16:34,120 --> 00:16:36,720 Speaker 2: I'm looking up in the air and I'm. 345 00:16:36,560 --> 00:16:38,880 Speaker 1: Watching a trium you remember that was on May first 346 00:16:38,880 --> 00:16:40,880 Speaker 1: a Triums back in the days what I'm saying, And 347 00:16:40,960 --> 00:16:43,000 Speaker 1: it's still the same elevator. It's still the same that 348 00:16:43,080 --> 00:16:45,440 Speaker 1: the glass elevator, you know. So you could see everybody, 349 00:16:45,440 --> 00:16:47,480 Speaker 1: people in their full thing, going up and down. 350 00:16:47,680 --> 00:16:50,520 Speaker 2: And I remember I remember Lori Harvey scene and she 351 00:16:50,640 --> 00:16:52,920 Speaker 2: kept going up and down the and I'm just like 352 00:16:53,520 --> 00:16:55,760 Speaker 2: where am I right now? Like I know, I'm being 353 00:16:55,800 --> 00:16:59,280 Speaker 2: teleported every time I come to set to nineteen seventy 354 00:16:59,320 --> 00:17:01,960 Speaker 2: but like, you know, it's such movie magic. You know, 355 00:17:02,000 --> 00:17:04,919 Speaker 2: you hear that term, you know, like movie magic or 356 00:17:04,960 --> 00:17:07,480 Speaker 2: things fall into place or a line and and and 357 00:17:08,400 --> 00:17:10,639 Speaker 2: Kevin might be a part of the illuminati. I just 358 00:17:10,640 --> 00:17:14,359 Speaker 2: want to say it might be a part of them. 359 00:17:14,640 --> 00:17:15,480 Speaker 1: Was already pushing that. 360 00:17:15,600 --> 00:17:19,520 Speaker 2: Now, listen to what I'm saying. Every single time he 361 00:17:19,560 --> 00:17:21,600 Speaker 2: and I had a moment, you know, when you have moments, 362 00:17:22,040 --> 00:17:24,120 Speaker 2: you're like, bro, look at this, he's like I told you, 363 00:17:24,400 --> 00:17:27,359 Speaker 2: he said, watch what happens every single time, and I 364 00:17:27,359 --> 00:17:29,119 Speaker 2: would tell you some of the times, like you know, 365 00:17:29,160 --> 00:17:30,879 Speaker 2: he said, this is going to be a da da da, 366 00:17:31,680 --> 00:17:34,440 Speaker 2: And it's like, how do you know this? I need 367 00:17:34,440 --> 00:17:37,200 Speaker 2: to know how you know this? But it's dope because 368 00:17:37,240 --> 00:17:39,320 Speaker 2: that's the belief he has in the film. He's not 369 00:17:39,320 --> 00:17:41,719 Speaker 2: a clearly nother part of the but it's like the 370 00:17:41,840 --> 00:17:46,680 Speaker 2: confidence his air, you know. And I don't mean to 371 00:17:46,800 --> 00:17:49,000 Speaker 2: be talking about him this nicely this much like I mean, 372 00:17:49,040 --> 00:17:51,120 Speaker 2: it's you know, I don't know if he's he's ever 373 00:17:51,160 --> 00:17:53,800 Speaker 2: had this many compliments for me, but it's like he 374 00:17:54,000 --> 00:17:57,720 Speaker 2: just had he had an air the entire time Sam 375 00:17:57,840 --> 00:18:01,520 Speaker 2: Jackson had an air, Taraji had air about her in 376 00:18:01,600 --> 00:18:04,000 Speaker 2: her performance and how in control she was and how 377 00:18:04,040 --> 00:18:07,000 Speaker 2: good she smelled every day on set. Jesus Christ. Look 378 00:18:07,080 --> 00:18:09,560 Speaker 2: but it looked. Yeah, but it was like everybody had 379 00:18:09,600 --> 00:18:13,600 Speaker 2: a seriousness. It was almost like a mission, you know 380 00:18:13,640 --> 00:18:15,399 Speaker 2: what I mean, to like do the very best in 381 00:18:15,440 --> 00:18:16,360 Speaker 2: their individuals. 382 00:18:16,520 --> 00:18:19,720 Speaker 1: You know, you know Kevin, you know. So I don't 383 00:18:19,760 --> 00:18:24,240 Speaker 1: obviously I know the persona. I've grown up as the comedian. 384 00:18:24,480 --> 00:18:26,600 Speaker 1: So I'm just letting everybody know as a guy that 385 00:18:26,720 --> 00:18:29,040 Speaker 1: was there for four or five months while this guy 386 00:18:29,119 --> 00:18:31,920 Speaker 1: was all business. I'm just listening to a comedian that 387 00:18:32,119 --> 00:18:34,520 Speaker 1: was not cracking up on set. I mean, you find 388 00:18:34,560 --> 00:18:36,959 Speaker 1: he's joke whatever. This guy is business. And and let 389 00:18:37,040 --> 00:18:39,440 Speaker 1: me also say this, He's on set four or five days, 390 00:18:39,560 --> 00:18:42,160 Speaker 1: He's getting in a plane, he's flying to god. 391 00:18:42,000 --> 00:18:43,760 Speaker 2: Knows where, he was doing a couple. 392 00:18:43,440 --> 00:18:46,480 Speaker 1: Of shows, a couple of shows, coming back back to work, 393 00:18:46,840 --> 00:18:50,280 Speaker 1: going to do the honors at the DC with the 394 00:18:50,320 --> 00:18:53,200 Speaker 1: Mark Twain, just like nonsense. And he's showing up every 395 00:18:53,280 --> 00:18:55,840 Speaker 1: day on set doing his business. And and so I'm 396 00:18:55,880 --> 00:18:56,520 Speaker 1: just saying. 397 00:18:56,760 --> 00:18:59,199 Speaker 2: This sleep on set then waking up and doing his 398 00:18:59,240 --> 00:19:01,080 Speaker 2: lines noble like pop. 399 00:19:03,560 --> 00:19:04,240 Speaker 1: Fing work. 400 00:19:04,359 --> 00:19:07,720 Speaker 2: Yeah, I've never actually you know seen anybody work as 401 00:19:07,760 --> 00:19:10,399 Speaker 2: hard as like, I've never artist. Yeah, so big shot 402 00:19:10,440 --> 00:19:20,800 Speaker 2: to Kevin art Man. You really brought his home. You know, 403 00:19:20,800 --> 00:19:22,600 Speaker 2: we're getting close to the end of the front where 404 00:19:22,840 --> 00:19:26,760 Speaker 2: so Fight Night, these bonus episodes were a brilliant idea 405 00:19:26,840 --> 00:19:30,479 Speaker 2: because we never got to sit down together. So seeing 406 00:19:30,560 --> 00:19:33,800 Speaker 2: how it actually begin in all the trials and tribulations 407 00:19:33,800 --> 00:19:38,239 Speaker 2: to get to this masterpiece of a TV series. You know, 408 00:19:39,320 --> 00:19:43,240 Speaker 2: how do you see Fight Night in the future? Right, Like, 409 00:19:43,280 --> 00:19:45,119 Speaker 2: and then we're talking about fandom. It doesn't have to 410 00:19:45,119 --> 00:19:47,280 Speaker 2: be a show, but how do you see fighting Because 411 00:19:47,320 --> 00:19:51,399 Speaker 2: we have these shows in our history right that have 412 00:19:51,840 --> 00:19:54,680 Speaker 2: you know, resonated with us in such a way where 413 00:19:54,760 --> 00:19:57,600 Speaker 2: you watch them fifty years from now. So if we're 414 00:19:57,640 --> 00:20:00,800 Speaker 2: celebrating fifty years plus year is the actual and fifty 415 00:20:00,840 --> 00:20:03,840 Speaker 2: plus y if somebody's gonna be watching this limited TV series, 416 00:20:03,880 --> 00:20:06,760 Speaker 2: how does that feel to you? Right? And then there's 417 00:20:06,840 --> 00:20:10,480 Speaker 2: possibilities for other things. But right now you know that 418 00:20:10,600 --> 00:20:16,240 Speaker 2: these eight episodes will live forever. Twenty years ago you 419 00:20:16,320 --> 00:20:20,400 Speaker 2: had no idea that this will become a real thing. 420 00:20:21,000 --> 00:20:25,040 Speaker 2: And now for the rest of eternity, as long as 421 00:20:25,080 --> 00:20:30,000 Speaker 2: this small planet exists, somebody can watch Fight Night and 422 00:20:30,040 --> 00:20:34,320 Speaker 2: see Jeff Keating and Kenny Burns and Will Packer and 423 00:20:34,400 --> 00:20:37,399 Speaker 2: Kevin Harden say at the end of these credits, at 424 00:20:37,440 --> 00:20:40,840 Speaker 2: the beginning and end of these credits, how does that feel? 425 00:20:41,359 --> 00:20:44,080 Speaker 2: I just fucking had a moment. Yeah, it's fucking crazy. 426 00:20:44,119 --> 00:20:48,640 Speaker 1: And Will and you had always kind of in your 427 00:20:48,800 --> 00:20:51,480 Speaker 1: minds thought of this not as just a project of 428 00:20:51,520 --> 00:20:53,359 Speaker 1: a series, but in an event, you know what I mean, 429 00:20:54,359 --> 00:20:58,760 Speaker 1: saying well, I'm serious. And even on set it felt 430 00:20:58,840 --> 00:21:00,879 Speaker 1: so it's like, Okay, you're come, you're a family, you're 431 00:21:00,920 --> 00:21:02,920 Speaker 1: working whatever. But it feels like every time you remember, 432 00:21:02,960 --> 00:21:05,720 Speaker 1: you're just like it's an event, Like we're walking on things, 433 00:21:05,720 --> 00:21:08,320 Speaker 1: this is this is a place in time, you're stamping this. 434 00:21:08,520 --> 00:21:11,120 Speaker 1: We're looking back, but we're also looking forward and we're 435 00:21:11,160 --> 00:21:14,800 Speaker 1: gonna like have this forever. And so I started to 436 00:21:15,040 --> 00:21:17,560 Speaker 1: reframe like the way I was thinking, we're man, this 437 00:21:17,560 --> 00:21:19,639 Speaker 1: this thing isn't the project. It's like it's got to 438 00:21:19,840 --> 00:21:21,439 Speaker 1: And Will said this often it's. 439 00:21:21,320 --> 00:21:23,600 Speaker 2: Got a life of its own, Like, no, it's got 440 00:21:23,600 --> 00:21:29,280 Speaker 2: it's so to your point though, when when so many disciples, 441 00:21:29,800 --> 00:21:31,800 Speaker 2: i mean, you talked about it, you talked about the 442 00:21:32,200 --> 00:21:34,840 Speaker 2: you know, the wardrobe. You talked about the you know, 443 00:21:34,960 --> 00:21:38,840 Speaker 2: construction people, the set design all night. You know how 444 00:21:38,840 --> 00:21:40,840 Speaker 2: many people who are a part of this. I'm talking 445 00:21:40,840 --> 00:21:45,480 Speaker 2: about actually putting it together. That's also the evangelist, right. 446 00:21:45,560 --> 00:21:48,920 Speaker 2: But then now it's available to watch. 447 00:21:48,880 --> 00:21:50,920 Speaker 1: On first of all, promos on the Olympus. 448 00:21:51,119 --> 00:21:53,480 Speaker 2: Come on, bro, I'm watching the Olympics and it comes 449 00:21:53,520 --> 00:21:55,680 Speaker 2: on TV. I'm like, what's going on? 450 00:21:56,000 --> 00:21:59,000 Speaker 1: This is right? And then the Blast the opening night 451 00:21:59,040 --> 00:22:01,720 Speaker 1: of NFL. It's like, and that's where we're gonna release, 452 00:22:01,760 --> 00:22:03,119 Speaker 1: and you got the premiere. 453 00:22:03,119 --> 00:22:06,600 Speaker 2: It's you could have not scripted this better. No, it's crazy, 454 00:22:06,680 --> 00:22:08,600 Speaker 2: you know. And and I'm gonna say it right here, 455 00:22:08,960 --> 00:22:13,119 Speaker 2: right now on the Fight Night Million Dollar Heights podcast. 456 00:22:13,600 --> 00:22:18,160 Speaker 2: This is your first project, my first project of this magnitude, 457 00:22:18,400 --> 00:22:20,520 Speaker 2: and we're about to win some awards and I'm just 458 00:22:20,520 --> 00:22:25,080 Speaker 2: going listen. It is no way that this type of 459 00:22:25,160 --> 00:22:29,640 Speaker 2: lineup doesn't get the acclaim. It's just it's no way 460 00:22:30,119 --> 00:22:32,840 Speaker 2: because the dynamic, and we talked about it, its entire 461 00:22:33,280 --> 00:22:35,880 Speaker 2: you know, these entire episodes, all these episodes were telling 462 00:22:35,920 --> 00:22:39,320 Speaker 2: you how dynamic Taraji and Kevin were. You never knew 463 00:22:39,359 --> 00:22:43,160 Speaker 2: you needed Terrence and saying on the screen. Jd ak 464 00:22:43,480 --> 00:22:47,199 Speaker 2: Don Cheato comes to life in a way that you 465 00:22:47,240 --> 00:22:53,000 Speaker 2: probably haven't seen him. I'm talking about on films. And 466 00:22:53,119 --> 00:22:55,280 Speaker 2: so when you get magic like that, and then you 467 00:22:55,359 --> 00:22:59,920 Speaker 2: have a whole new cluster of superheroes like the Melvin Gray, 468 00:23:00,240 --> 00:23:03,680 Speaker 2: the Miles Bulloks to you know, the Chloe Bailey's, the 469 00:23:03,720 --> 00:23:07,560 Speaker 2: sin Kwa Walls, the Lori Harvey, like these people did 470 00:23:07,720 --> 00:23:09,400 Speaker 2: amazing jobs. 471 00:23:10,560 --> 00:23:13,320 Speaker 1: You know, I get nervous, right so when I started 472 00:23:13,359 --> 00:23:20,520 Speaker 1: to keep those nerves. But on set when I'm talking 473 00:23:20,600 --> 00:23:23,480 Speaker 1: to Kev's and I got one story about the arage 474 00:23:23,800 --> 00:23:25,360 Speaker 1: but his entourage and and. 475 00:23:25,560 --> 00:23:28,600 Speaker 2: Yeah, big shot to Kevin Kwan, I love you man. 476 00:23:28,640 --> 00:23:32,359 Speaker 2: He got the photo of me, Kevin Terrence and Sam 477 00:23:32,480 --> 00:23:36,600 Speaker 2: Jackson the first day at that house or the first 478 00:23:36,640 --> 00:23:38,840 Speaker 2: day at that house. And when I tell you my 479 00:23:39,000 --> 00:23:41,520 Speaker 2: great great great great great great great great, they're gonna 480 00:23:41,760 --> 00:23:43,400 Speaker 2: that's gonna be in the fact like that is. It's 481 00:23:43,480 --> 00:23:46,200 Speaker 2: one of those types of framable Yeah. Yeah, so I 482 00:23:46,480 --> 00:23:50,720 Speaker 2: feel you wholeheartedly. I don't know where we go from here, Jeff. 483 00:23:50,760 --> 00:23:53,400 Speaker 2: I know we have other projects. Now I'm not even 484 00:23:53,400 --> 00:23:57,119 Speaker 2: talking about fighting because we're coming to a close. Because 485 00:23:57,119 --> 00:23:58,719 Speaker 2: we were talking about a bunch of projects we want 486 00:23:58,760 --> 00:24:01,119 Speaker 2: to do together and that we are going to do together. 487 00:24:02,480 --> 00:24:05,760 Speaker 2: But it's you know, a testimony man of of seeing 488 00:24:05,800 --> 00:24:07,399 Speaker 2: it to the finish line. And we are at the 489 00:24:07,400 --> 00:24:10,080 Speaker 2: finish line, Jeff, So as we get up out of here, man, like, 490 00:24:10,119 --> 00:24:14,119 Speaker 2: how does it feel to be at the finish line? 491 00:24:14,359 --> 00:24:17,800 Speaker 2: Getting ready for September fifth and Fight Nights going to 492 00:24:17,840 --> 00:24:19,240 Speaker 2: premiere on Peacock. 493 00:24:19,480 --> 00:24:24,040 Speaker 1: Well, listen, yeah, I was offered and again shout out 494 00:24:24,040 --> 00:24:27,679 Speaker 1: to everybody you know to watch Dally. You know, so 495 00:24:28,359 --> 00:24:30,639 Speaker 1: I turn you know, I turned everything down. I didn't 496 00:24:30,640 --> 00:24:33,560 Speaker 1: read the scripts, I didn't watch the day so everybody's 497 00:24:33,640 --> 00:24:36,720 Speaker 1: he did not want to see anything I know, so 498 00:24:36,840 --> 00:24:40,200 Speaker 1: I have not except for the trailer honestly, so you 499 00:24:41,000 --> 00:24:43,280 Speaker 1: ca'm now it's everywhere. But I'm just saying, like for me, 500 00:24:43,560 --> 00:24:46,800 Speaker 1: I'm glad I was so because I want to see 501 00:24:46,840 --> 00:24:48,080 Speaker 1: it on the bit, you know what I mean, Like 502 00:24:48,119 --> 00:24:49,919 Speaker 1: I just the first time I want to see it 503 00:24:49,920 --> 00:24:52,440 Speaker 1: all I listen, I've watched scenes. I know you know 504 00:24:52,480 --> 00:24:55,240 Speaker 1: this little story but I'm talking about and by the way, 505 00:24:55,520 --> 00:24:57,679 Speaker 1: shout out to who's composing this music. 506 00:24:57,920 --> 00:25:01,120 Speaker 2: And it's important that people know right now before they 507 00:25:01,119 --> 00:25:04,520 Speaker 2: go watch this amazing presentation. Yeah, Top Live, You're going 508 00:25:04,560 --> 00:25:07,480 Speaker 2: to feel different. Yes, it's great. I mean I'm talking 509 00:25:07,480 --> 00:25:10,520 Speaker 2: about from the soundtrack, to the actors, to the help. 510 00:25:10,600 --> 00:25:13,760 Speaker 2: This was an amazing experience and I'm so proud and 511 00:25:13,800 --> 00:25:15,919 Speaker 2: honor that we got to do it together. Brother, I 512 00:25:15,960 --> 00:25:16,480 Speaker 2: really am. 513 00:25:17,119 --> 00:25:20,119 Speaker 1: I'll close with this, there's only one other person in 514 00:25:20,160 --> 00:25:23,280 Speaker 1: the world that loves this project more than I do, 515 00:25:23,440 --> 00:25:25,199 Speaker 1: and he's sitting across from me now. So to be 516 00:25:25,480 --> 00:25:30,640 Speaker 1: on set with Kenny's energy, with his passion, with his excitement, 517 00:25:30,800 --> 00:25:35,960 Speaker 1: with his boyish enthusiasm with them in all of that stuff, 518 00:25:36,080 --> 00:25:38,720 Speaker 1: and to watch the way that you move like throughout 519 00:25:38,760 --> 00:25:41,040 Speaker 1: everything and allow me to kind of, you know, follow, 520 00:25:41,840 --> 00:25:44,399 Speaker 1: But just to be there together on all the days 521 00:25:44,400 --> 00:25:46,359 Speaker 1: that we got to do that was just a real 522 00:25:46,560 --> 00:25:49,560 Speaker 1: honor and a privilege. And sitting across from you now, 523 00:25:49,600 --> 00:25:51,200 Speaker 1: I've been waiting to do this. I hope We've got 524 00:25:51,280 --> 00:25:55,240 Speaker 1: many more opportunities. But Kenny, Kenny's my rock everybody, and 525 00:25:55,320 --> 00:25:57,560 Speaker 1: he's a big part of the reason this got done, 526 00:25:57,880 --> 00:26:00,040 Speaker 1: and we're going to enjoy this ride together. 527 00:26:00,000 --> 00:26:03,480 Speaker 2: Of you tube brother. Alright, Buddy, the dream is real. 528 00:26:10,440 --> 00:26:14,120 Speaker 1: From iHeart Radio and Doghouse Pictures this is fight night,