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Speaker 1: Heard around the world on the I Heart Radio app

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Speaker 1: Apple Podcast over wherever you get your podcast, It's Cannabis

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Speaker 1: Talk one on one with Blue and Jill Brand. Hello,

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Speaker 1: you can'das Talk one on one, the world's number one

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Speaker 1: source for everything cannabis. My days grew along side me

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Speaker 1: is the world famous child. Thank you, Christopher, right, So

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Speaker 1: it's good to be here on the show with everybody

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Speaker 1: hanging out with you guys. Thank you for the super

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Speaker 1: podcast Cannabis Start one on one all around the world.

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Speaker 1: To make sure you guys check out our website Canada

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Speaker 1: Start one on one dot com and we are the

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Speaker 1: world's number one source for everything cannabis with so many

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Speaker 1: great articles and blogs on our website. Call us up anytime.

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Speaker 1: This sounds a group here right now, money be there

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Speaker 1: coming after you or I check it out. They're trying

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Speaker 1: to go on stage with you right there. They were

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Speaker 1: so on point right there, and check out our I

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Speaker 1: g pages at Cannabis star Boy. Oh one, what was

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Speaker 1: at the number one, Christopher Rice, I am at Joe

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Speaker 1: Grande Pitty two whom I have to get a group

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Speaker 1: going because me fly watch out for it and you

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Speaker 1: all know what time it isn't here right time. That's right,

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Speaker 1: I think higher with Dime Industries. Find him in California,

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Speaker 1: Arizona and Oklahoma. Check out the website Dime Industries dot com.

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Speaker 1: Are on Instagram Dime dot Industries our guests today. It's

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Speaker 1: so funny Blue because he walks in and he looks

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Speaker 1: at me like he doesn't even know me. I don't

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Speaker 1: I don't know that guy, right, And it was like, Hey,

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Speaker 1: how you doing? Money Be of Digital Underground Hunh Bay

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Speaker 1: area hip hop pioneer m C and host of that

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Speaker 1: new show. He's doing the Going Way Back Show and

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Speaker 1: he don't know me because why I go way back

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Speaker 1: with his motherfucker right here right And I was like, Okay,

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Speaker 1: let me put on a couple hundred pounds and then

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Speaker 1: maybe he would recognize me. But that being said, let

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Speaker 1: me give you your dues right here. Money Be as

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Speaker 1: a founding member of the multi platinum Grammy nominated iconic

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Speaker 1: group Digital Underground Folks, the legendary group which sparked the

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Speaker 1: foundation of the late great Tupac Corp. He has noted

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Speaker 1: as having one of the most recognizable voices in hip hop,

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Speaker 1: with his career spanning over three decades. He's all in

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Speaker 1: the duo raw Fusion, which consists of DJ Fusion, the

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Speaker 1: real DJ Fusion, as he points out, not the one

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Speaker 1: in l A that I had a mixed player DJ Fuse.

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Speaker 1: Excuse me, as we pointed that out earlier in one

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Speaker 1: of the mixes that I remixed, and he goes, oh, Joe,

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Speaker 1: you got a d J fuse mix. That's not the

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Speaker 1: original one my DJ fuses, And no doubt he is

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Speaker 1: funny that that came up today earlier in random conversation,

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Speaker 1: which you money Be as the MC money Bees music

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Speaker 1: catalog though and entertainment collaborations stretches across various genres, working

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Speaker 1: with of course you heard me mentioned him already, the

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Speaker 1: late Great two Pox the Corps, but George Clinton, Dr Dre,

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Speaker 1: DJ Quick, Dave Hollis Tern, Dwyane Wiggins, Tony Tony Tony,

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Speaker 1: and I'll say it again and have a rans in

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Speaker 1: Southern California, and so much more. Money Be also took

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Speaker 1: his talents to Hollywood to contribute, edit scripts, and do

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Speaker 1: so much more on the big screen, acted as himself,

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Speaker 1: notably in that two thousand seventeen bio pick of Twupox

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Speaker 1: of Core all liyes on me. If you didn't watch it,

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Speaker 1: I don't know what rock you've been living under. But

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Speaker 1: without further ado, please give it up from my dude

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Speaker 1: money motherfucking maze in the building. Thank Frank, you guys,

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Speaker 1: haven't John you forgot about the the adult industry. I

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Speaker 1: was gonna go there too, because but I wanted to

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Speaker 1: just talk about it, right because and then just start

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Speaker 1: off on that, you know, I mean, let's start on there,

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Speaker 1: because as as you're right, I did, and it's funny.

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Speaker 1: Has no, No No, I didn't do our pose because you

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Speaker 1: were one of the I want to say this right

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Speaker 1: because in my opinion, as this intro continues, you were

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Speaker 1: one of the first because you got like two live

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Speaker 1: crew who went hard. But you're that same era dog,

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Speaker 1: know what I'm saying. So it's like you those started

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Speaker 1: taking it to the next level of coming to Hollywood

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Speaker 1: and fucking producing in the valley porn adult films. That's right, well,

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Speaker 1: you know, and you you're very familiar with freaks and industry.

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Speaker 1: Of course some of the music that we did. So

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Speaker 1: we had some friends, well before they were friends. We

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Speaker 1: got booked to perform at the Players Ball, which was

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Speaker 1: part of the Um in Vegas in Vegas Awards for

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Speaker 1: the adults, and you know, my guy, since I think

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Speaker 1: it was, he was like, bro, you're meant for this,

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Speaker 1: but I kind of pushed it off for a minute.

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Speaker 1: But right around two thousand, two thousand one, we're like,

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Speaker 1: we are meant for this, you know what I mean.

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Speaker 1: So we came down and we produced a video series

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Speaker 1: called Sex in the Studio, which fused hip hop and

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Speaker 1: porn basically. So you know, if you're reading like Playboy magazine,

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Speaker 1: you have the articles and you have the pictures correct.

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Speaker 1: So what we did was we had the interviews with

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Speaker 1: the artists such as like Ludicrous, Bone Crusher, DJ Premier, Coolio,

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Speaker 1: rest in Peace, Talk Today, and in between these interviews

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Speaker 1: we would have full on adult porn c in our videos.

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Speaker 1: And when we released it, it was it was like

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Speaker 1: the top grossing remember that ship at the time, and

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Speaker 1: so much noise. The one thing that I still hear

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Speaker 1: people talking about because in the first one we had

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Speaker 1: a party and we had the Sex Olympics. So if

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Speaker 1: you go back and watch Sex in the Studio Part one,

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Speaker 1: I can't fully explain it if you weren't there, but

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Speaker 1: you just gotta you can only imagine what the sex

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Speaker 1: Olympics was and how many job contests. It wasn't one

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Speaker 1: of those like how fast can you get him to

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Speaker 1: shoot his Yeah? Yeah, so you know they had Yeah,

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Speaker 1: they was working hard. Let me let me ask you,

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Speaker 1: we should do crazy like that in the dog house,

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Speaker 1: have some fun stuff. And we got some of the

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Speaker 1: ideas from you, and did you I'm sure you guys

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Speaker 1: really did we. We didn't do the blowing the candles

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Speaker 1: out to ask though, hold on as we said that.

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Speaker 1: The funny thing is, you guys blew and Goldie like

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Speaker 1: money be and I go back to doing shows on

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Speaker 1: stages together at the sound Factory, dog like when he

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Speaker 1: was real young, starting like money. The folks don't know

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Speaker 1: the US listen to the show. We go back like that,

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Speaker 1: like I got a picture hot nine seven seven that

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Speaker 1: we took Tupac might not even been in that picture.

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Speaker 1: He might have took the picture like some real ship

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Speaker 1: like that picture that I showed you today. Park might

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Speaker 1: have took in that picture because he was with us,

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Speaker 1: and that I remember him coming in that day. As

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Speaker 1: I tell the story, when I met Pac, I swear

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Speaker 1: to God you ready for this. You'll believe this knows.

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Speaker 1: I repeat, I met him when he was a digital

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Speaker 1: underground That's what I always say. So I always say that,

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Speaker 1: and I was with you guys what people don't know?

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Speaker 1: And they and he'll probably never say it, but Joe's

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Speaker 1: a Bay Area legend. Yes, you know, I know you'll

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Speaker 1: call him Joe grand Day, I know, Big Joe from

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Speaker 1: the House. Yeah, yeah, well he does say it, actually

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Speaker 1: he says no. But but the funny thing is, though,

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Speaker 1: when I say that, because you know, Tupac comes up

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Speaker 1: here all the time, high five who you want to

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Speaker 1: get high with Tupac? And then it comes up out

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Speaker 1: of my mouth all the time, and I swear to God,

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Speaker 1: I can't believe that I'm saying this to you, going

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Speaker 1: I always go back to saying I met him with

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Speaker 1: digital undergrounding. The crazy part is dog As just today

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Speaker 1: we looked at that picture together. I swear to God,

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Speaker 1: I think he took that picture. He could, yeah, probably

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Speaker 1: because it wasn't popular, like that was relevant at the moment,

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Speaker 1: you know what I mean. He was still building itself up. Earl.

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Speaker 1: Did you ever actually, you know, come out in the

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Speaker 1: ponds yourself or you just did the production set I

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Speaker 1: have one scene. Okay, don't let you guys behind the curtain, right. Yeah.

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Speaker 1: People always like and everybody knows, um, my wife tom Tez,

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Speaker 1: who is you know, was the co host on Going

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Speaker 1: Away Back Show, right, So you know there's one scene

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Speaker 1: where it opens up. Mr Marcus is in the scene

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Speaker 1: but at the very beginning, like I'm getting the blowjob

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Speaker 1: in his couch, but you know you see it from

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Speaker 1: the a or whatever, and people was like, bro, how

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Speaker 1: did you do that? I'm like, Tanya was standing right

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Speaker 1: behind me. It was nothing. Yeah, yeah, yeah, it was

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Speaker 1: like not squint. Yeah, man, yeah, we were good at

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Speaker 1: smoking mirrors. I'm in a scene, but I'm but I

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Speaker 1: wasn't in the scene. Yeah. And it's funny because you

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Speaker 1: jumped so heavy in the game, excuse me in the game.

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Speaker 1: So with the wife being in it, she was just

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Speaker 1: cool with it. Let's ride to an accident, you know

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Speaker 1: what I mean? Like I said, I was the I

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Speaker 1: was the host of it. So I used to do

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Speaker 1: the interviews with the artists and shout out to Cleidi Smack,

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Speaker 1: my cousin also a member of Digneral on the Ground,

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Speaker 1: who was in that picture. A right, that's right, and

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Speaker 1: you know, we produced it. He directed it, and for

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Speaker 1: the most part he would do most of the interacting

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Speaker 1: with the girls just because yeah, unless you're you're married,

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Speaker 1: it was business. And yeah, for me it was a business.

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Speaker 1: It's a business. It was honestly money. Let me tell

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Speaker 1: you right now. I swear to guy too, and I

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Speaker 1: remember you getting into the game. Hey, we've always kicked it,

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Speaker 1: did many shows, many things, hung out. It was when

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Speaker 1: I party too, So I've been a mess in front

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Speaker 1: of you when I seen you get into game because

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Speaker 1: you've always kept your show player. You never you never

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Speaker 1: out of pocket anywhere, right, So it's like dude's always

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Speaker 1: on point. Good, Right, he's getting a porn game. My

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Speaker 1: point is, I thought all this going, Oh, that's a

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Speaker 1: straight business movie. He's a player with this. This is boss.

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Speaker 1: I love it because it goes hand in hand with

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Speaker 1: everything you guys are doing that you're the freaks of

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Speaker 1: the industry and act. And to recap what it was

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Speaker 1: is basically, it would be a record that you guys

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Speaker 1: had from Digital Underground, and then in that record, part

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Speaker 1: of the video would be a section of porn that

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Speaker 1: you guys would also produce out is right, Well, what

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Speaker 1: was also amazing about that series was we actually did soundtracks,

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Speaker 1: so the so the DVD came with a soundtrack, so

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Speaker 1: we did new music for it and everything right, and

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Speaker 1: the music was featured. And you guys never did anything

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Speaker 1: when you did the Playboy Mansion soundtrack. I didn't. I've

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Speaker 1: never working. I've met him a few times out and

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Speaker 1: about just slap hands um, but you know I was.

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Speaker 1: I did the Playboy mentioned soundtrack, which is referring to

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Speaker 1: a mansion. Yeah, it's a great place. It was fun. Yeah,

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Speaker 1: it was Who's Underground? And when you when you think

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Speaker 1: about that crazy life and this and that and you're

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Speaker 1: still out banging Digital undergrounds doing it is it's still

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Speaker 1: now there's the little brother. There's a looking like or something.

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Speaker 1: What is this I've been hearing where we do performing

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Speaker 1: to our as Digital Underground. But the group, the recording group,

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Speaker 1: that part of it. It's money being young Hump you

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Speaker 1: hump Yes is actually he was actually hand picked by

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Speaker 1: Shot to play that character. And when people always come

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Speaker 1: up to me and they're like, well that's not humpty,

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Speaker 1: Hump is a character that Shot created just like Batman

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Speaker 1: or James Bond, Sean Connery play James Bond, uh, I

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Speaker 1: mean James Bond and how many Batman's were there. Humpty

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Speaker 1: Hump is a fictational character that Shot created to be

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Speaker 1: played because even coming up his brother when we were toured.

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Speaker 1: That's how we kept the side of it being two

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Speaker 1: people so long, because Shock always had his brother who

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Speaker 1: looked just like him. He would play Humpty Hump on

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Speaker 1: some tours that we did. Um he had uh Webby

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Speaker 1: who would who could look like Shot while he played

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Speaker 1: Humpty Hupp. Well, it was Shot the one that put

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Speaker 1: the satin on the prae. So you know, he talked

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Speaker 1: to himself in third language too, I mean in the

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Speaker 1: you know, in another would say Humpy's doing this and that.

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Speaker 1: But you know, Shot Shot pick young Hump to play

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Speaker 1: the part. Because here's the thing. Shock was a musician

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Speaker 1: musician first, and he created that baseline for the Humpty

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Speaker 1: Hump right up. One thing that he told me, he

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Speaker 1: said he never got to perform that baseline live on

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Speaker 1: stage because he always had to play the character. It

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Speaker 1: was easy to find people that looked like Humpty Hump.

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Speaker 1: You know, you put the nose on the right height.

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Speaker 1: He finally found young Hump is actually an MC a

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Speaker 1: dope MC dope performer. He's an actor. He played He

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Speaker 1: played Shock in the movie in the All Lives On

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Speaker 1: the movie, which was crazy because we both auditioned for

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Speaker 1: it and the producers of the film didn't know we

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Speaker 1: were already performing together. We both got the part and

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Speaker 1: we had to do the performance on stage. It was like,

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Speaker 1: pance we do and you guys are doing it now?

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Speaker 1: Does it feel just I mean at first was it weird?

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Speaker 1: Does it still hit you sometimes? Like this is uh

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Speaker 1: a take back field moment, especially him looking so young. Well,

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Speaker 1: like I tell everyone, we've been We've been performing as

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Speaker 1: money being young hump digital underground since right, so we're

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Speaker 1: seven years in it and you know, and Shock wanted

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Speaker 1: us to go out and do it. He had took it,

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Speaker 1: taking a hiatus, and the the plan was for us

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Speaker 1: to all come back because this running ground is deep.

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Speaker 1: And you know the one thing I hate, not hate

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Speaker 1: people always go like, didn't Tupac used to be in

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Speaker 1: your group or Sofia used to be in your group,

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Speaker 1: or Mystic used to be We never kicked anybody out.

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Speaker 1: Everybody The plan was or raw fusion, which was myself

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Speaker 1: to DJ Hughes. The plan was to come in were

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Speaker 1: digital on the ground was a huge production team, and

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Speaker 1: Shop would say, come help us do this, and I'll

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Speaker 1: do everything that I can to make sure that you're

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Speaker 1: solo career. Yeah. So anybody that was in digital already

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Speaker 1: had you couldn't be in our group unless you had

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Speaker 1: aspirations to do your thing, to write your own souls. Yeah,

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Speaker 1: and we never kicked anything offspring. It's kind of like

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Speaker 1: it's kind of like an incubator. Really come in, you

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Speaker 1: start getting your name a little knowing, and then boom,

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Speaker 1: tell people we were ultang before, right, And yeah, I'm

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Speaker 1: saying this to say that Shot had the vision of

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Speaker 1: you guys go out young Humpy mastered this position. And

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Speaker 1: then we're gonna do a huge reunion. Boom, we bring

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Speaker 1: everybody back because they're all still part of the one again.

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Speaker 1: You know. When we come back, I want to ask

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Speaker 1: you personally about when you started getting into the industry

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Speaker 1: and a little bit about your background on the music industry.

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Speaker 1: Cannabis Talk one on one will be right back after

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Speaker 1: pay Hey, we'll be right back with Cannabis Talk one

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Speaker 1: oh one. Welcome back to Cannabis Talk one oh one.

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00:14:20,120 --> 00:14:22,040
Speaker 1: If you're looking for a trusted cannabis seed at a

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00:14:22,080 --> 00:14:24,160
Speaker 1: fair price, folks need to hit the Rocket seeds dot

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00:14:24,200 --> 00:14:27,480
Speaker 1: com or on Instagram at rocket Underscore Seeds money be

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Speaker 1: It's so cool to have you just sitting here talking

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Speaker 1: like this with you, to think of the history that

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Speaker 1: was there and never like sat and talked like this.

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Speaker 1: But actually, as we're older and grown now, because we

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Speaker 1: were young and fucking crazy and as Blue exactly, I

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Speaker 1: mean as as Blue menches got seven more years. You

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Speaker 1: tell your story of where you're from and your music

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Speaker 1: career and how it starts, because I'm thinking it's from Oakland,

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Speaker 1: but i don't even know for sure. Actually I'm so curious.

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Speaker 1: Well it is, that's where he got it got started. Say,

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Speaker 1: but you know a lot of people don't know that

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Speaker 1: I'm actually from Philadelphia and a Niner fans batteries. You

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Speaker 1: want to hear that story, I'll tell you that. But

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Speaker 1: but here's why this is important. You know, I grew up,

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Speaker 1: um my father moved to Oakland when I was like three.

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Speaker 1: He was he was a member of the Black Grandpa

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Speaker 1: And I actually went to the school, the Oakland Community School,

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Speaker 1: which was um, you know, the Black Black Party school.

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Speaker 1: So here we pe actually gave me my when I

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Speaker 1: when I graduated from the school, No chairman uh Hampton,

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Speaker 1: Fred Hampton, Fred Hampton Jr. From So you know that's

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Speaker 1: where random, that's where I came up, right, But so

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Speaker 1: you're part of the movement movement. Oh your life and

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Speaker 1: the same thing with my dad, like they I used

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Speaker 1: to be in. I'm still in the black Yeah, my neighbors.

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Speaker 1: Mr Kirby was there. It was my dad. Is that

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00:16:01,280 --> 00:16:05,720
Speaker 1: guy shout out anyway? Um? So what my parents would

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00:16:05,760 --> 00:16:09,600
Speaker 1: always send me back home to Philly every summer. So

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Speaker 1: when I would go, as I got older, my older

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Speaker 1: cousins would take me to these block parties and I

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Speaker 1: would see DJ's in the park and get this full

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Speaker 1: hip hop experience. And then you know, right around I

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Speaker 1: guess was it seventy nine when Sho Gang came out

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Speaker 1: the hip hip hobby? You don't stop the rockets to

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Speaker 1: the bank Bank book and so you know, you'll hear

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Speaker 1: a lot of cats out of New York where the

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Speaker 1: birthplace say that that's not where it started. But for

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Speaker 1: a lot of us, that's the first time. Now, I mean,

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Speaker 1: that's what I feel like to Unfortunatelyfortunately, I feel like

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Speaker 1: Kevy came from from Stanford Radio brought that ship to day.

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Speaker 1: I was like, what is that? So I'm not I'm

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Speaker 1: not gonna shy away from that. I heard that and

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Speaker 1: I was, that's so funny that that's the first song

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Speaker 1: too that I used to use his hip hop. I

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Speaker 1: was six years old when I say that. After that,

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Speaker 1: when I would go back to Philly in the summertime,

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Speaker 1: that I learned Spooney g Treachers, three Crash Crew Feelers

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Speaker 1: for just all of it. I was just absorbing it,

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Speaker 1: absorbing it, and you know, and as I got into it,

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Speaker 1: I always thought that you had to be from the

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Speaker 1: East Coast to put a record out. And it wasn't

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Speaker 1: until I've seen the twelve inches he said too short

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Speaker 1: on it and it was a girl on one side

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Speaker 1: and I think it was a short wrap on the

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Speaker 1: other side. And I was like, ah, you feel me,

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Speaker 1: And that's when I feel like we can do it.

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Speaker 1: And I always tell short when I see him, you know,

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Speaker 1: like it was too short. That sort of let me

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00:17:43,560 --> 00:17:46,240
Speaker 1: know that I could do it too. Sprinkled you with

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Speaker 1: this is what I see. I got a real product

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00:17:49,040 --> 00:17:50,960
Speaker 1: of somebody that you know, I'd be riding the bus

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Speaker 1: and I see him stand in front of the mall

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00:17:52,440 --> 00:17:55,399
Speaker 1: when too short that on his teeth was sucked up.

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00:17:56,800 --> 00:17:59,680
Speaker 1: I bought a tape off him at the barrier is

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00:17:59,720 --> 00:18:05,040
Speaker 1: before his new team, you know, cut you up. I

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00:18:05,080 --> 00:18:06,679
Speaker 1: remember seeing I told him we had him on here

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00:18:06,680 --> 00:18:08,120
Speaker 1: and I told him I remember seeing him on raps.

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Speaker 1: Didn't remember that Bay Area show that Devaunted the Young

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00:18:11,480 --> 00:18:13,800
Speaker 1: Lady used to do. She used to do a hip

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Speaker 1: hop Saturday morning show. And I was like, dude, I

346
00:18:15,600 --> 00:18:18,040
Speaker 1: remember seeing one of your first interviews that you ever did,

347
00:18:18,840 --> 00:18:21,160
Speaker 1: just young and silly like that back then you could

348
00:18:21,240 --> 00:18:26,480
Speaker 1: use for recycling. Can't open chop him up. Make sure

349
00:18:26,480 --> 00:18:31,440
Speaker 1: you tell him art is like put that as a clip.

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00:18:32,000 --> 00:18:35,920
Speaker 1: That the clip but anyway, No, but for real though,

351
00:18:36,160 --> 00:18:40,080
Speaker 1: like when when I saw that and experienced that, you know,

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00:18:40,119 --> 00:18:43,480
Speaker 1: because we've been listening to short tapes since like three

353
00:18:43,600 --> 00:18:46,159
Speaker 1: oh yeah, so I grew up on that. But then

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00:18:46,160 --> 00:18:48,320
Speaker 1: when he actually put a record out, and I remember

355
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Speaker 1: that record came out and eight six that was the

356
00:18:51,080 --> 00:18:53,840
Speaker 1: same year as run Dy m C. Yeah you know

357
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Speaker 1: what I mean. I think it was raising hell put

358
00:18:56,040 --> 00:18:58,800
Speaker 1: that hold that album? Yeah, so then that's how long

359
00:18:58,880 --> 00:19:01,199
Speaker 1: ago that a MTV. He was just popping and they

360
00:19:01,240 --> 00:19:04,040
Speaker 1: started popping with that Ship and Beasties come after that too,

361
00:19:04,119 --> 00:19:06,720
Speaker 1: but Run was off. That album was epic too, That

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00:19:06,800 --> 00:19:08,560
Speaker 1: Run the MC album. Still till this day, if I

363
00:19:08,640 --> 00:19:11,200
Speaker 1: hear that, that put the battery in my back, you know,

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00:19:11,400 --> 00:19:13,959
Speaker 1: and me and you know, my guy macmone would make

365
00:19:14,000 --> 00:19:17,600
Speaker 1: tapes locally, you know. And the reason that I actually

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00:19:17,600 --> 00:19:21,000
Speaker 1: started putting wraps on tape is because I used to

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00:19:21,000 --> 00:19:23,760
Speaker 1: go to Berkeley High, right, and it was this dude,

368
00:19:24,760 --> 00:19:25,920
Speaker 1: you could say it was a bullet. He used to

369
00:19:25,960 --> 00:19:31,119
Speaker 1: talk about everybody and cap on you and he was

370
00:19:31,480 --> 00:19:34,399
Speaker 1: talking about me, right, But I was you know, I

371
00:19:34,520 --> 00:19:38,520
Speaker 1: was probably this tall inventh grade. So I couldn't do Ship.

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Speaker 1: So the only thing I could do I went and

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00:19:39,920 --> 00:19:42,119
Speaker 1: made a rap about him, and I bought it to school,

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Speaker 1: and then Ship started circulating and it was like when

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Speaker 1: you're gonna make another another tape? And I was like, oh, Ship,

376
00:19:47,880 --> 00:19:52,320
Speaker 1: they like it. You started this rapping. Okay, I'm clowning you, motherfucker.

377
00:19:52,880 --> 00:19:54,840
Speaker 1: But then I had to like duck and hide at

378
00:19:54,880 --> 00:19:57,600
Speaker 1: school for like a week. Yeah, you're like looking for me,

379
00:19:58,760 --> 00:20:01,720
Speaker 1: that's the words. And then had the trash. Can you

380
00:20:01,760 --> 00:20:07,800
Speaker 1: make me another disc? Exactly that funny on some bully

381
00:20:07,880 --> 00:20:10,560
Speaker 1: Ship gets into the game. Time of that. You know,

382
00:20:10,920 --> 00:20:15,240
Speaker 1: um hooked up with Fuse. I'm truncating it something. Yeah,

383
00:20:15,600 --> 00:20:19,399
Speaker 1: hooked up with Fuse. We started performing locally talent shows

384
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Speaker 1: and you know, shout out to UM. There was a

385
00:20:22,640 --> 00:20:24,159
Speaker 1: group that we used to do talent shows called the

386
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Speaker 1: Flyamic Force, which we all know was Swaying Tech. Yeah,

387
00:20:28,320 --> 00:20:30,800
Speaker 1: Swaying King Tech, King Tech. They was. They was rocking

388
00:20:31,240 --> 00:20:35,800
Speaker 1: love Jonathan Cloud and Melomar and all of these cats

389
00:20:35,840 --> 00:20:40,480
Speaker 1: that we were just on the circuit. And then do

390
00:20:40,600 --> 00:20:42,800
Speaker 1: a show in this group called Digital Underground. They got

391
00:20:42,840 --> 00:20:46,399
Speaker 1: the song called Underwater Romes. They're rocket right, But they

392
00:20:46,440 --> 00:20:51,080
Speaker 1: needed a DJ. So when Child Master j he knew

393
00:20:51,119 --> 00:20:53,840
Speaker 1: somebody that knew DJ, Fuse hooked up a meeting and

394
00:20:53,880 --> 00:20:57,560
Speaker 1: they wanted Fuse to build a DJ and basically Fuse

395
00:20:57,680 --> 00:21:00,200
Speaker 1: was like, well, we're a group, so I'll DJ for

396
00:21:00,240 --> 00:21:03,240
Speaker 1: you guys, but money be my guy has to be

397
00:21:03,359 --> 00:21:08,440
Speaker 1: part of it. And that's where it started. Nuts had

398
00:21:08,520 --> 00:21:12,680
Speaker 1: no idea of this elaborate story like that back then.

399
00:21:12,840 --> 00:21:15,040
Speaker 1: You know, Shot is originally from the East Coast. You know,

400
00:21:15,480 --> 00:21:20,600
Speaker 1: Tampa by way of right, So he really wasn't fond

401
00:21:20,680 --> 00:21:25,720
Speaker 1: of West Coast sounding rappers, right, But you know, I

402
00:21:25,800 --> 00:21:28,359
Speaker 1: had a conversation to always just say Shot didn't like me,

403
00:21:28,400 --> 00:21:30,119
Speaker 1: you didn't want me, But he was just saying that

404
00:21:30,400 --> 00:21:33,040
Speaker 1: he wasn't fond of that style. But if he didn't

405
00:21:33,720 --> 00:21:36,280
Speaker 1: like me, he wouldn't let me in the group. Because

406
00:21:36,320 --> 00:21:39,040
Speaker 1: of a DJE period, yeah, yeah, if he didn't have

407
00:21:39,080 --> 00:21:41,159
Speaker 1: the flood, like, yeah, I'll get another DJ. If he

408
00:21:41,200 --> 00:21:43,240
Speaker 1: thought I was white, I'll get another d J period

409
00:21:43,240 --> 00:21:44,639
Speaker 1: of DJ. But he was like all right, And then

410
00:21:45,359 --> 00:21:50,520
Speaker 1: from eight that's going it started. What was your first

411
00:21:50,640 --> 00:21:53,119
Speaker 1: record that you feel like? You know, there was the

412
00:21:55,240 --> 00:21:59,040
Speaker 1: like before the Humpty song, right, I mean obviously if

413
00:21:59,119 --> 00:22:02,120
Speaker 1: that song right hit so freaking hard that everybody knew

414
00:22:02,160 --> 00:22:05,480
Speaker 1: Digital underground overnight. But prior to that, what was the

415
00:22:05,520 --> 00:22:07,200
Speaker 1: big record that was on the streets that you guys

416
00:22:07,240 --> 00:22:09,640
Speaker 1: were bumping that maybe like was on the B side

417
00:22:09,680 --> 00:22:11,320
Speaker 1: that people really didn't know about, you know what I mean?

418
00:22:11,400 --> 00:22:14,400
Speaker 1: That was? Yeah, Well, the first record that I recorded

419
00:22:14,760 --> 00:22:17,639
Speaker 1: with do You was do what you Like? Do what

420
00:22:17,840 --> 00:22:20,480
Speaker 1: you Like? That made it in the movie, didn't It

421
00:22:20,840 --> 00:22:23,200
Speaker 1: wasn't that in the movie. You guys made some movie

422
00:22:23,240 --> 00:22:29,639
Speaker 1: ones in the gyard. Yeah, Halloween Show. It was the

423
00:22:29,680 --> 00:22:38,200
Speaker 1: same song. I love it. That song was number one

424
00:22:38,240 --> 00:22:41,760
Speaker 1: in Europe when it came out. So we actually toured

425
00:22:41,840 --> 00:22:44,399
Speaker 1: Europe for like two months before anybody even in the

426
00:22:44,520 --> 00:22:47,040
Speaker 1: US even heard of you know, do what you Like?

427
00:22:47,200 --> 00:22:49,960
Speaker 1: Did well in l A and a few spots, but

428
00:22:51,000 --> 00:22:54,320
Speaker 1: we got to Europe and that ship was huge, right,

429
00:22:58,400 --> 00:23:00,440
Speaker 1: But it's like, how did it hit Europe before it

430
00:23:00,520 --> 00:23:02,800
Speaker 1: hit you know? No, I know, but it's just like,

431
00:23:03,040 --> 00:23:05,159
Speaker 1: you know, we didn't have the internet like that. So

432
00:23:05,280 --> 00:23:07,760
Speaker 1: when you think you threw an album over there, actually

433
00:23:07,840 --> 00:23:09,600
Speaker 1: and this is what really happens. And then they produced

434
00:23:09,640 --> 00:23:11,680
Speaker 1: that album over there, they literally took that album or

435
00:23:11,720 --> 00:23:14,800
Speaker 1: the actually better yet they literally took the plates to

436
00:23:14,880 --> 00:23:16,560
Speaker 1: get them over there. They probably had to take the

437
00:23:16,640 --> 00:23:20,160
Speaker 1: fucking plates. Well. No, we had a distributor, DCM Records

438
00:23:20,240 --> 00:23:24,160
Speaker 1: was our distributor to Europe Germany, And like I said,

439
00:23:24,240 --> 00:23:27,320
Speaker 1: we were huge. We didn't even know we got there,

440
00:23:27,359 --> 00:23:29,719
Speaker 1: didn't know how big we were. But we toured Europe

441
00:23:29,800 --> 00:23:33,760
Speaker 1: for two months and we were sucking superstars. We come

442
00:23:33,840 --> 00:23:36,560
Speaker 1: back home, I go to my job, had a job. Yeah,

443
00:23:37,119 --> 00:23:38,600
Speaker 1: I told my boss. I was like, bro, I gotta

444
00:23:38,600 --> 00:23:39,960
Speaker 1: go to Europe a little bit. It's cool if I

445
00:23:40,000 --> 00:23:42,560
Speaker 1: get my job back. I came back and just went

446
00:23:42,720 --> 00:23:44,440
Speaker 1: right back to work because I'm like, oh, yeah, that

447
00:23:44,520 --> 00:23:47,240
Speaker 1: was Europe. We come back and I'm sitting at work

448
00:23:47,840 --> 00:23:51,800
Speaker 1: and we had a cassette where I used to where

449
00:23:51,880 --> 00:23:56,359
Speaker 1: you could play you know, yeah, and you know we

450
00:23:56,440 --> 00:23:59,560
Speaker 1: used to play all demo tapes and let the people hears.

451
00:24:00,200 --> 00:24:02,399
Speaker 1: And one day I'm sitting at work and then my

452
00:24:02,480 --> 00:24:05,720
Speaker 1: guy goes, hey, Ron, isn't that your song on the

453
00:24:05,800 --> 00:24:07,920
Speaker 1: right yo? It was the Humpty Dance right, Because I'm

454
00:24:07,960 --> 00:24:10,880
Speaker 1: just thinking somebody's playing my tape. And then I was like, oh,

455
00:24:10,960 --> 00:24:17,480
Speaker 1: ship yeah, hell yeah. After that I quit. I didn't quit,

456
00:24:17,640 --> 00:24:20,600
Speaker 1: but it took a little while. Where we were set

457
00:24:20,680 --> 00:24:22,680
Speaker 1: to go on our first US tour, which is the

458
00:24:22,720 --> 00:24:25,280
Speaker 1: first tour that two podcame with us, I asked my

459
00:24:25,400 --> 00:24:26,840
Speaker 1: boss again. I was like, hey, bro, I gotta go.

460
00:24:27,840 --> 00:24:30,640
Speaker 1: Where were you working at? It was a company called Solographics.

461
00:24:30,720 --> 00:24:34,040
Speaker 1: They did educational toys. It's a warehouse was in the

462
00:24:34,760 --> 00:24:40,600
Speaker 1: packing them and whatever was Heyward? Where is that? Heyward?

463
00:24:40,640 --> 00:24:44,520
Speaker 1: And Berkeley down down? Um? What did you quit when

464
00:24:44,560 --> 00:24:50,440
Speaker 1: it was it like y'all know the company now let me.

465
00:24:51,200 --> 00:24:53,840
Speaker 1: I never quit. I left for the tour and then

466
00:24:53,880 --> 00:24:55,880
Speaker 1: when we got back, we had to go on another tour.

467
00:24:55,960 --> 00:24:57,600
Speaker 1: And then so what I did. I just asked my

468
00:24:57,760 --> 00:25:01,440
Speaker 1: boss if my younger could work there and my friend

469
00:25:01,480 --> 00:25:05,399
Speaker 1: back home. He got them jobs. So that kind of

470
00:25:05,440 --> 00:25:06,880
Speaker 1: worked out. Do you still if you're to go back.

471
00:25:06,920 --> 00:25:08,400
Speaker 1: I might go back with it. I might go back

472
00:25:09,320 --> 00:25:12,280
Speaker 1: and working there and it's still working there. That is

473
00:25:12,359 --> 00:25:14,760
Speaker 1: so fucking cool dog to think of all those random

474
00:25:14,800 --> 00:25:16,399
Speaker 1: things that you've done like that, and then we just

475
00:25:16,600 --> 00:25:19,800
Speaker 1: have a passing of somebody that's great that just passed

476
00:25:19,840 --> 00:25:22,000
Speaker 1: away in hip hop. And when we think about this

477
00:25:22,160 --> 00:25:25,920
Speaker 1: and look at that, I go, Coolio, it's the same

478
00:25:26,160 --> 00:25:29,080
Speaker 1: era of yourself. I'm sure you've done many tours with them,

479
00:25:29,160 --> 00:25:32,040
Speaker 1: You've been on stages with them. I feel like we've

480
00:25:32,080 --> 00:25:34,639
Speaker 1: done something back to back at the sound factory together

481
00:25:35,000 --> 00:25:37,720
Speaker 1: with you and him back in those days as well,

482
00:25:37,800 --> 00:25:40,399
Speaker 1: because we did so many shows like that. So how

483
00:25:40,440 --> 00:25:43,720
Speaker 1: did you and your relationship with Coolio starts? Because I'm

484
00:25:43,760 --> 00:25:45,760
Speaker 1: sure you have a story as we cut it off

485
00:25:45,760 --> 00:25:47,640
Speaker 1: earlier and we didn't talk about it at all. Yeah,

486
00:25:47,800 --> 00:25:52,000
Speaker 1: me and Coolio's relationship goes back to the Mad Circle.

487
00:25:52,720 --> 00:25:57,400
Speaker 1: I remember that of course, So we developed that friendship

488
00:25:57,440 --> 00:26:01,080
Speaker 1: and even so been so when we did Sex in

489
00:26:01,119 --> 00:26:03,600
Speaker 1: the Studio, Coulio was actually one of the artists that

490
00:26:03,720 --> 00:26:06,200
Speaker 1: came and did an interview. He did a great interview,

491
00:26:06,280 --> 00:26:08,720
Speaker 1: but we we tore it a lot, and and Kulio

492
00:26:08,840 --> 00:26:12,720
Speaker 1: had the most amazing stories because he just he's done everything,

493
00:26:12,800 --> 00:26:15,080
Speaker 1: and he's been everywhere, you know, been on some big

494
00:26:15,160 --> 00:26:17,200
Speaker 1: tours and some major people. And when he won that

495
00:26:17,320 --> 00:26:19,760
Speaker 1: Grammy too, it just took him to that next level.

496
00:26:19,880 --> 00:26:23,800
Speaker 1: And he's got playing that song, is playing with this

497
00:26:23,880 --> 00:26:25,760
Speaker 1: white girl as a face of that song, though, dog,

498
00:26:25,800 --> 00:26:27,960
Speaker 1: it just took that hip hop and the ghetto showing that,

499
00:26:28,040 --> 00:26:29,920
Speaker 1: you know, the main actress of that movie is a

500
00:26:29,960 --> 00:26:33,640
Speaker 1: white and it's just it's it's powerful power. Dangerous minds. Yeah,

501
00:26:33,760 --> 00:26:37,280
Speaker 1: Dangerous Minds. That's the movie. Thank you, Dangerous Minds Paradise.

502
00:26:37,440 --> 00:26:39,080
Speaker 1: He was the type of person that if you called

503
00:26:39,119 --> 00:26:41,280
Speaker 1: him and asked for something, he tried to figure out

504
00:26:41,320 --> 00:26:44,000
Speaker 1: the way to do it for you. Who was that guy?

505
00:26:44,560 --> 00:26:46,680
Speaker 1: You know what's crazy is is like you know, I said,

506
00:26:47,119 --> 00:26:49,600
Speaker 1: you know several several moments with him. You know. In fact,

507
00:26:50,119 --> 00:26:53,840
Speaker 1: my uh my mom you know at that time, was

508
00:26:54,119 --> 00:26:58,879
Speaker 1: the manager or the operations manager for Giovanni Wheels and

509
00:26:58,920 --> 00:27:01,359
Speaker 1: they were doing a big thing Dub magazine and they

510
00:27:01,440 --> 00:27:05,080
Speaker 1: ended up giving uh, Julio Shack and Mini Me wheels,

511
00:27:05,640 --> 00:27:07,080
Speaker 1: you know, and at the time I was rapping, So

512
00:27:07,160 --> 00:27:09,280
Speaker 1: I'm like, you know, I want to meet Julio and

513
00:27:09,480 --> 00:27:13,200
Speaker 1: and you know shack yeah all day, yeah, yeah, yeah, yeah, yeah,

514
00:27:13,280 --> 00:27:22,040
Speaker 1: yeah yeah, we're hooking all the yeah. Yeah, so we were.

515
00:27:22,400 --> 00:27:24,159
Speaker 1: My mom was the one that was putting them all

516
00:27:24,200 --> 00:27:27,000
Speaker 1: on everybody's you know, um with cars and stuff like that,

517
00:27:27,119 --> 00:27:30,840
Speaker 1: and and and sponsoring different artists. Like my mom's company

518
00:27:30,960 --> 00:27:33,800
Speaker 1: was pretty much the pioneers of really making that pop.

519
00:27:33,960 --> 00:27:36,639
Speaker 1: And so I would agree Julio, Yeah, Kulio was one

520
00:27:36,680 --> 00:27:40,080
Speaker 1: of the uh the the the cats that ended up

521
00:27:40,119 --> 00:27:41,960
Speaker 1: with wheels. So I ended up meeting Kolio at the

522
00:27:42,040 --> 00:27:44,320
Speaker 1: spot and then we hung out that whole day. Of course,

523
00:27:44,359 --> 00:27:45,600
Speaker 1: he gave me a lot of love. My mom just

524
00:27:45,640 --> 00:27:47,639
Speaker 1: hooked him up with like four sets of wheels for

525
00:27:47,840 --> 00:27:50,240
Speaker 1: you know, two of his cars and to whoever's were there.

526
00:27:51,240 --> 00:27:53,520
Speaker 1: But he loves you, so that yeah. So then so

527
00:27:53,640 --> 00:27:56,119
Speaker 1: then you know, uh, I went over to Chain was

528
00:27:56,200 --> 00:27:58,959
Speaker 1: having a uh, you know, an event. I think it was, uh,

529
00:28:00,040 --> 00:28:01,520
Speaker 1: you know, rock the Bells or something, you know what

530
00:28:01,560 --> 00:28:03,440
Speaker 1: I mean. And and and I'm walking and ship and

531
00:28:03,440 --> 00:28:05,159
Speaker 1: then all of a sudden, I hear blue. When I

532
00:28:05,240 --> 00:28:07,640
Speaker 1: look at it's Coolio. And I wasn't even backstage really,

533
00:28:07,680 --> 00:28:09,280
Speaker 1: I was still kind of just on the outside. I

534
00:28:09,320 --> 00:28:10,720
Speaker 1: had a little camera guy with me and I was

535
00:28:10,760 --> 00:28:13,520
Speaker 1: doing some interviews. But we end up, you know, he

536
00:28:14,160 --> 00:28:15,800
Speaker 1: what are you doing over there? Come on? Takes me

537
00:28:15,880 --> 00:28:18,080
Speaker 1: backstage with him, you know, we're hanging out. And then

538
00:28:18,200 --> 00:28:20,159
Speaker 1: and then after that, him and I started, you know,

539
00:28:20,280 --> 00:28:22,399
Speaker 1: just randomly talking. Like you said, we jump on you know,

540
00:28:22,480 --> 00:28:24,960
Speaker 1: phone calls where we show up a little places and bullshit.

541
00:28:25,400 --> 00:28:27,800
Speaker 1: Just a great dude, man, And it's it's it's for

542
00:28:28,119 --> 00:28:31,720
Speaker 1: for hip hop and rap and and our culture of

543
00:28:32,160 --> 00:28:34,879
Speaker 1: the music industry. We lost a real one, you know,

544
00:28:35,080 --> 00:28:37,879
Speaker 1: I mean, sincerely, we're hearing both of your personal stories.

545
00:28:37,960 --> 00:28:39,720
Speaker 1: I don't I don't have a personal for him. So

546
00:28:39,800 --> 00:28:42,440
Speaker 1: that's a great, great story about about Coolio. Right. So,

547
00:28:42,720 --> 00:28:46,680
Speaker 1: when Fuse and I we got our deals with Hollywood Records,

548
00:28:46,880 --> 00:28:50,560
Speaker 1: Hollywood Basis with a Phonking Climb, but it was on

549
00:28:51,160 --> 00:28:54,360
Speaker 1: Hollywood Records. Was owned by Disney, right, and so it

550
00:28:54,480 --> 00:28:57,200
Speaker 1: was on the Disney lot. And my brother, Casualty that

551
00:28:57,360 --> 00:28:59,160
Speaker 1: used to work there, and so you know, we see

552
00:28:59,200 --> 00:29:01,040
Speaker 1: Coolio and my brother just always say like, yo, man,

553
00:29:01,040 --> 00:29:03,720
Speaker 1: anytime you take us to Disneyland, I got you, I

554
00:29:03,840 --> 00:29:07,400
Speaker 1: got you. Right. So my brother was living in Pasadena.

555
00:29:07,600 --> 00:29:09,200
Speaker 1: I was out of here. I don't know what year was,

556
00:29:10,080 --> 00:29:13,000
Speaker 1: and I'm at his house. We're on the porch and

557
00:29:13,640 --> 00:29:17,040
Speaker 1: you can see somebody walking up and Coolio was walking

558
00:29:18,160 --> 00:29:20,920
Speaker 1: with like you ever see like a school of ducks,

559
00:29:21,040 --> 00:29:23,880
Speaker 1: like the ducks and then all the kids. Right, He's

560
00:29:23,920 --> 00:29:27,280
Speaker 1: walking up with like five kids. He's like, yo, man,

561
00:29:27,360 --> 00:29:36,040
Speaker 1: you said you can give me a Disneyland. Shut up kid?

562
00:29:36,120 --> 00:29:38,720
Speaker 1: We go today? Yeah, like today? And that there were

563
00:29:38,800 --> 00:29:46,000
Speaker 1: no cell phones back. There was no different. I'm beginning up,

564
00:29:46,040 --> 00:29:50,240
Speaker 1: but it was just funny seeing Coulio walking. Oh my god, yo, bro,

565
00:29:50,320 --> 00:29:55,280
Speaker 1: he said, Disney cell phones. They were a little the

566
00:29:55,400 --> 00:29:57,840
Speaker 1: star tack flip phones. Bro. We all had them, come on,

567
00:29:57,920 --> 00:30:00,480
Speaker 1: they just didn't work. The day is this is back

568
00:30:00,520 --> 00:30:07,840
Speaker 1: when he was just the hype man before the big better.

569
00:30:09,880 --> 00:30:11,320
Speaker 1: Just that's the ship we used to have to go

570
00:30:11,480 --> 00:30:13,280
Speaker 1: through and dear man, it's Cannabis Talk one on one.

571
00:30:13,360 --> 00:30:15,080
Speaker 1: Money Bees in the build. They're gonna come back with

572
00:30:15,200 --> 00:30:17,680
Speaker 1: more with him, more stories and of course the High five.

573
00:30:17,720 --> 00:30:19,680
Speaker 1: It's Cannabis Talk one on one. We'll be right back

574
00:30:19,680 --> 00:30:22,880
Speaker 1: after this break though, We'll be right back with Cannabis

575
00:30:22,960 --> 00:30:37,000
Speaker 1: Talk one oh one. Welcome back to Cannabis Talk one

576
00:30:37,040 --> 00:30:39,120
Speaker 1: oh one. Advanced new Treats. You guys, I got a

577
00:30:39,160 --> 00:30:42,720
Speaker 1: complete growing system for cannabis and optimizes all phases and cycles.

578
00:30:42,760 --> 00:30:44,840
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579
00:30:44,880 --> 00:30:47,680
Speaker 1: true potential. Discover more at Advanced new Treats dot com.

580
00:30:47,960 --> 00:30:49,960
Speaker 1: I want to thank everybody here that makes us all happen.

581
00:30:50,160 --> 00:30:52,120
Speaker 1: Money Be thank you for being here with us today.

582
00:30:52,200 --> 00:30:56,360
Speaker 1: But Daniel cow Christian A Christians, Danny, Pete, Bunk, Connor Sager,

583
00:30:56,520 --> 00:31:02,160
Speaker 1: Jessica Cash, cam Isaiah Dallas, Eric Elgin, Alexa Sarah Jack, Jasminet,

584
00:31:02,320 --> 00:31:06,400
Speaker 1: Maddie Planets, I love that named Jessica, Peep and Pianchi,

585
00:31:06,880 --> 00:31:12,240
Speaker 1: Solar Ali Cousin, Ray Goldie Pitt, Mark Karnes, Chris Frankino,

586
00:31:12,360 --> 00:31:15,040
Speaker 1: Jennifer Erica, Elvis, thank you so much, so much. We

587
00:31:15,080 --> 00:31:17,720
Speaker 1: appreciate it, you guys, and that money be. It's really

588
00:31:17,800 --> 00:31:20,240
Speaker 1: great to sit here with you and talk. I want

589
00:31:20,280 --> 00:31:22,800
Speaker 1: to go to a story that you kind of shared outside,

590
00:31:22,800 --> 00:31:24,280
Speaker 1: but I really want you to share it on the air,

591
00:31:24,360 --> 00:31:28,000
Speaker 1: because it's just funny to think your sports fans story

592
00:31:28,280 --> 00:31:30,760
Speaker 1: of being such a die hard Niner fan. As we

593
00:31:30,880 --> 00:31:34,960
Speaker 1: touched on this earlier, but your realization of when you

594
00:31:35,120 --> 00:31:39,080
Speaker 1: realize what sports were where the story that you told

595
00:31:39,120 --> 00:31:41,200
Speaker 1: me at the Sound Factory, which is a nightclub that

596
00:31:41,240 --> 00:31:42,760
Speaker 1: we used to hang out all the time. Which is

597
00:31:42,800 --> 00:31:45,880
Speaker 1: funny because when we're coming up in the Bay Area

598
00:31:45,920 --> 00:31:48,880
Speaker 1: at that time after certain football games, tell the story

599
00:31:48,880 --> 00:31:51,080
Speaker 1: of what happened and how piste off you were? All right,

600
00:31:51,120 --> 00:31:53,320
Speaker 1: So before we get to that story, right, you know

601
00:31:53,360 --> 00:31:55,920
Speaker 1: because people I'm from Oakland and people always ask me,

602
00:31:59,280 --> 00:32:06,360
Speaker 1: so you can't I don't understand. I'm Giants and jet Like,

603
00:32:06,480 --> 00:32:08,880
Speaker 1: what if you can't be a Raiders fan in the

604
00:32:08,960 --> 00:32:11,400
Speaker 1: Niners fans? Just how did it even happen? Yet? So

605
00:32:11,480 --> 00:32:14,400
Speaker 1: how it happened was my dad used to work at

606
00:32:14,440 --> 00:32:17,320
Speaker 1: Candle Stick Park back in the day, like this is

607
00:32:17,560 --> 00:32:23,200
Speaker 1: seventy nine through he worked for the old Candle Stick

608
00:32:24,280 --> 00:32:27,160
Speaker 1: There was only one. He worked at Candle Stick Park

609
00:32:27,200 --> 00:32:30,560
Speaker 1: and he worked for the Niners games and Giants game

610
00:32:30,760 --> 00:32:32,640
Speaker 1: even when they moved to a T T T T.

611
00:32:33,240 --> 00:32:36,840
Speaker 1: He worked there. So when I was younger, you know,

612
00:32:36,880 --> 00:32:39,400
Speaker 1: because he was a server right in the in the

613
00:32:39,520 --> 00:32:43,680
Speaker 1: luxury buses and ship. So when the Niners would win,

614
00:32:43,960 --> 00:32:46,400
Speaker 1: he would get more tips, which we mean I would

615
00:32:46,400 --> 00:32:50,960
Speaker 1: get bigger allowances, and you know, so I was like hell, yeah.

616
00:32:51,080 --> 00:32:54,120
Speaker 1: So I remember going to the games when Steve the

617
00:32:54,160 --> 00:32:57,120
Speaker 1: Berg was our quarterback who weren't winning ship, Like I

618
00:32:57,160 --> 00:32:59,640
Speaker 1: don't remember it, but my dad said, I was at

619
00:32:59,720 --> 00:33:02,560
Speaker 1: the game the preseason game with the Bird got knocked

620
00:33:02,600 --> 00:33:04,240
Speaker 1: out and they put Joe Montana and for the first

621
00:33:05,320 --> 00:33:06,960
Speaker 1: So I go back to when we used to go

622
00:33:07,120 --> 00:33:10,920
Speaker 1: see Niner games for the for the other players, ribs

623
00:33:10,960 --> 00:33:13,920
Speaker 1: and yeah, all of that ship. So it ain't like

624
00:33:14,000 --> 00:33:16,600
Speaker 1: no fair weather ship. So the story he's talking about,

625
00:33:16,920 --> 00:33:19,640
Speaker 1: I became a die hard Niner fan where it used

626
00:33:19,640 --> 00:33:22,800
Speaker 1: to upset me when we would lose again knocked out

627
00:33:22,960 --> 00:33:26,840
Speaker 1: the playoffs, Like I remember being on an audition for

628
00:33:27,120 --> 00:33:30,480
Speaker 1: a play right in the in the Niners lost to

629
00:33:30,520 --> 00:33:32,200
Speaker 1: the Packers the year they get Super Bowl, and I

630
00:33:32,200 --> 00:33:36,600
Speaker 1: couldn't even do my lines. I was sucked up. Damn man.

631
00:33:37,920 --> 00:33:41,080
Speaker 1: I used to be like that, you have recovery, driver recovery.

632
00:33:41,520 --> 00:33:44,640
Speaker 1: I remember being at the sound Factory used to kick

633
00:33:44,680 --> 00:33:47,280
Speaker 1: it and they had like this v I people where

634
00:33:47,360 --> 00:33:49,880
Speaker 1: you can look behind the glass. So you're in the

635
00:33:50,000 --> 00:33:52,440
Speaker 1: v I people, but this glass and you're inside it.

636
00:33:52,880 --> 00:33:55,280
Speaker 1: And I just remember being there. I'm drinking and kicking.

637
00:33:55,360 --> 00:33:58,360
Speaker 1: I look up and I see Michael Irvin, who was

638
00:33:58,400 --> 00:34:01,160
Speaker 1: a wide receiver for the Niners, right, and Jerry Rice

639
00:34:01,720 --> 00:34:06,240
Speaker 1: and like six I mean the Cowboys and Yeah together

640
00:34:07,160 --> 00:34:08,799
Speaker 1: they hanging out. And I was like, why the funk

641
00:34:08,800 --> 00:34:11,800
Speaker 1: am I getting? Yeah, upset about that they're kicking it.

642
00:34:13,360 --> 00:34:16,200
Speaker 1: And it's funny because I think I think if they

643
00:34:16,280 --> 00:34:18,600
Speaker 1: showed that more often, I think people would kind of,

644
00:34:19,239 --> 00:34:21,880
Speaker 1: you know, not fighting the fans all the time. I

645
00:34:22,040 --> 00:34:24,080
Speaker 1: said that it made perfect sense. It's like, you know,

646
00:34:24,640 --> 00:34:26,800
Speaker 1: I mean, you you see you know someone like Ronnie

647
00:34:26,880 --> 00:34:28,799
Speaker 1: Lott with you know someone else, and you're like, man,

648
00:34:29,040 --> 00:34:31,080
Speaker 1: they play on opposite teams, but they're hanging out there.

649
00:34:31,680 --> 00:34:33,200
Speaker 1: Ways to kick it. They should come to the clubs

650
00:34:33,239 --> 00:34:35,040
Speaker 1: that we used to hang out all the time. It

651
00:34:35,080 --> 00:34:37,040
Speaker 1: would be popping After I saw that, I was like,

652
00:34:37,080 --> 00:34:41,359
Speaker 1: you know what I was like? And people are die

653
00:34:41,480 --> 00:34:44,279
Speaker 1: hard man, Oh my god, especially niners. You know back

654
00:34:44,320 --> 00:34:46,719
Speaker 1: in the day, how to put something in his drink? Yeah,

655
00:34:49,800 --> 00:34:52,839
Speaker 1: now you know. And let's get in this cannabis space

656
00:34:52,960 --> 00:34:55,040
Speaker 1: right here, as you say, putting in something to somebody's drink.

657
00:34:55,520 --> 00:34:58,919
Speaker 1: Your cannabis love, your cannabistry. You've been looking, you've been doing,

658
00:34:59,000 --> 00:35:00,920
Speaker 1: You've been in part of this ain't for so long

659
00:35:01,040 --> 00:35:02,960
Speaker 1: too so not only having you with the culture and

660
00:35:03,040 --> 00:35:05,680
Speaker 1: everything else, but where did your love from cannabis come from?

661
00:35:06,440 --> 00:35:08,640
Speaker 1: It comes. I gotta shout out my cousin Cleetus Mac,

662
00:35:09,040 --> 00:35:11,920
Speaker 1: you know. And remember I talked about sex in the studio.

663
00:35:13,120 --> 00:35:17,080
Speaker 1: The seed money came from cannabis to start that. Yeah,

664
00:35:17,440 --> 00:35:19,880
Speaker 1: and this is before it was legal. You know what

665
00:35:19,880 --> 00:35:24,200
Speaker 1: I mean. Legacy ship baby do you started the videos

666
00:35:24,880 --> 00:35:29,120
Speaker 1: and really more so the the healing properties of it,

667
00:35:29,160 --> 00:35:32,520
Speaker 1: because coming from the Bay, the weed was always so great.

668
00:35:32,600 --> 00:35:35,560
Speaker 1: I had to stop because a pen or joint would

669
00:35:35,560 --> 00:35:37,920
Speaker 1: get me super high, and I was like, oh, let

670
00:35:37,960 --> 00:35:40,719
Speaker 1: me slow down, right. If I was smoking, you would

671
00:35:40,719 --> 00:35:44,560
Speaker 1: have a terrible interview. There's some people like that blood knee.

672
00:35:46,160 --> 00:35:50,720
Speaker 1: I don't smoke at all four years. But that being said,

673
00:35:50,880 --> 00:35:53,400
Speaker 1: like the business side of it, you know, we've been

674
00:35:53,480 --> 00:35:57,400
Speaker 1: involved everything, you know, so we've had like, um, a

675
00:35:57,480 --> 00:35:59,680
Speaker 1: few different ventures. I'm not gonna say any names because

676
00:35:59,680 --> 00:36:02,000
Speaker 1: I don't work with them anymore. Yeah. Yeah, but that's

677
00:36:02,000 --> 00:36:03,560
Speaker 1: what I'm saying. I've seen you, guys have seen you

678
00:36:03,600 --> 00:36:05,120
Speaker 1: in the business. Yeah, we've been in the space for

679
00:36:05,200 --> 00:36:07,880
Speaker 1: a while. Yeah. Um, anything you got working on right

680
00:36:07,920 --> 00:36:10,040
Speaker 1: now that you're looking at producing or putting out or

681
00:36:11,719 --> 00:36:14,040
Speaker 1: we deal with. But nothing that I not yet, nothing

682
00:36:14,080 --> 00:36:16,120
Speaker 1: that you can speak on that that we'll get you

683
00:36:16,160 --> 00:36:18,520
Speaker 1: back when. Yeah, but let's just say, are you talking

684
00:36:18,520 --> 00:36:22,480
Speaker 1: about in aspects of you know, the vape. You know,

685
00:36:22,520 --> 00:36:25,560
Speaker 1: we vape oils, vapins. Um, we did a little bit

686
00:36:25,600 --> 00:36:28,239
Speaker 1: of um, we had some some flower for a while.

687
00:36:28,320 --> 00:36:30,320
Speaker 1: But you know, I want to shout out everybody in

688
00:36:30,360 --> 00:36:32,080
Speaker 1: the hip hop community that's doing it and doing a

689
00:36:32,160 --> 00:36:37,400
Speaker 1: dig and doing strong especial exhibit short. Um. You know,

690
00:36:37,680 --> 00:36:40,520
Speaker 1: it's funny that you said something that I'm gonna elaborate

691
00:36:40,600 --> 00:36:45,080
Speaker 1: on because I'm gonna make a hypothesis guests and say,

692
00:36:45,880 --> 00:36:49,520
Speaker 1: just like you gave props right now for cannabis funding,

693
00:36:50,040 --> 00:36:53,160
Speaker 1: that video that was the first video ever by a

694
00:36:53,239 --> 00:36:55,120
Speaker 1: hip hop artist to do some porn on our hip

695
00:36:55,160 --> 00:36:58,560
Speaker 1: hop track right there, right first, Cannabis funded that. I

696
00:36:58,680 --> 00:37:03,040
Speaker 1: cannot I can imagine that there's so many other major

697
00:37:03,239 --> 00:37:11,600
Speaker 1: hip hop artists that Cannabis funded their first set video. Dog.

698
00:37:11,920 --> 00:37:14,160
Speaker 1: That's my point to that, that point that you made

699
00:37:14,239 --> 00:37:17,040
Speaker 1: is like another side thing if we just elaborated on

700
00:37:17,160 --> 00:37:19,560
Speaker 1: that a little bit and talk to more artists, because

701
00:37:19,600 --> 00:37:22,759
Speaker 1: look at that dog, like realistically think because early on

702
00:37:22,960 --> 00:37:25,640
Speaker 1: when d you starting everything else, he came from somewhere.

703
00:37:26,080 --> 00:37:27,840
Speaker 1: Y'all had to put money together to get it all together.

704
00:37:29,640 --> 00:37:32,520
Speaker 1: A lot of things like people don't know so um

705
00:37:33,040 --> 00:37:35,279
Speaker 1: me and Cleuely we all also used to do a

706
00:37:35,560 --> 00:37:39,600
Speaker 1: streaming segment um for this network. We were doing the

707
00:37:39,640 --> 00:37:42,200
Speaker 1: one way back show called herb is the Word. So

708
00:37:42,320 --> 00:37:45,400
Speaker 1: we were just researched history on cannabis, right and I

709
00:37:45,480 --> 00:37:48,400
Speaker 1: didn't know. In fact, we found out that you know,

710
00:37:49,120 --> 00:37:52,399
Speaker 1: George Washington had slaves, right and you have the first crop.

711
00:37:52,560 --> 00:37:55,920
Speaker 1: But what we found out is back then and it's

712
00:37:55,960 --> 00:37:58,560
Speaker 1: not mentioned that in order that sometimes in order to

713
00:37:58,640 --> 00:38:02,080
Speaker 1: have planned ations, you had to grow a specific amount

714
00:38:02,120 --> 00:38:05,040
Speaker 1: of help on your plantation and able to be eligible

715
00:38:05,080 --> 00:38:08,879
Speaker 1: to have slaves. So it was being grown back then.

716
00:38:09,320 --> 00:38:12,240
Speaker 1: So they were using the hemp probably to keep everybody

717
00:38:12,360 --> 00:38:14,719
Speaker 1: strong and healthy. You know what I mean, what he's

718
00:38:14,719 --> 00:38:17,440
Speaker 1: saying is is going to in order to if I'm

719
00:38:17,440 --> 00:38:20,360
Speaker 1: not mistaken, in order to have slaves, you had to

720
00:38:20,400 --> 00:38:24,440
Speaker 1: have a certain crop size so and and they were

721
00:38:24,520 --> 00:38:27,080
Speaker 1: using hamp as that size to be you have to

722
00:38:27,120 --> 00:38:30,920
Speaker 1: have hamp slaves. Correct what you're saying. You had to

723
00:38:31,080 --> 00:38:35,640
Speaker 1: have a certain amount of HIMP to run your plantation

724
00:38:36,520 --> 00:38:40,400
Speaker 1: in order just having that slaves was the one that's

725
00:38:41,120 --> 00:38:42,680
Speaker 1: I mean, there is the u part about it, but

726
00:38:42,760 --> 00:38:44,879
Speaker 1: I mean the up part about it is at least

727
00:38:44,920 --> 00:38:47,839
Speaker 1: they had some cannabis there. I mean, I mean, I mean,

728
00:38:48,360 --> 00:38:56,200
Speaker 1: we can't any and I think let's make it illegal

729
00:38:56,320 --> 00:38:58,880
Speaker 1: because the profits in it. Because when you think about it,

730
00:38:59,280 --> 00:39:02,880
Speaker 1: if every plantation had to have HIMP in order to

731
00:39:02,960 --> 00:39:06,160
Speaker 1: be functioned, and I wonder why they had, what was

732
00:39:06,239 --> 00:39:08,400
Speaker 1: the had to for like things that had you for

733
00:39:08,520 --> 00:39:11,160
Speaker 1: medical use, for what use? Like what the what they

734
00:39:11,200 --> 00:39:16,120
Speaker 1: had they had to um vilify marijuana and HIMP is

735
00:39:16,200 --> 00:39:20,320
Speaker 1: back you know even before prohibition, liquor was was what

736
00:39:20,640 --> 00:39:23,520
Speaker 1: they were making the money on. Right. And then after prohibition,

737
00:39:23,560 --> 00:39:25,680
Speaker 1: now all the money was being made off liquor, but

738
00:39:25,760 --> 00:39:29,120
Speaker 1: they had to you know, because people were smoking and drinking.

739
00:39:29,520 --> 00:39:33,160
Speaker 1: But in order to to maximize the profits of the liquor,

740
00:39:33,400 --> 00:39:36,040
Speaker 1: they vilified it. That's why what's that first movie where

741
00:39:36,040 --> 00:39:39,439
Speaker 1: they showed people smoking? Whatever that was? It was made

742
00:39:40,600 --> 00:39:43,560
Speaker 1: and like you said, they didn't have um. The government's

743
00:39:43,560 --> 00:39:49,560
Speaker 1: couldn't um what do you call it? Uh? You know

744
00:39:49,560 --> 00:39:54,040
Speaker 1: what I mean. They couldn't control it. So if they

745
00:39:54,040 --> 00:39:56,239
Speaker 1: couldn't control it, then then they had no use for

746
00:39:56,320 --> 00:40:00,239
Speaker 1: it making illegal right. You know, it's funny because you know,

747
00:40:00,320 --> 00:40:03,120
Speaker 1: a lot of people they go back and they think, oh,

748
00:40:03,440 --> 00:40:05,640
Speaker 1: you know, cannabis is so bad. It's only been illegal

749
00:40:05,719 --> 00:40:08,160
Speaker 1: for about you know, four thousand years or four hundred

750
00:40:08,200 --> 00:40:10,040
Speaker 1: years or something like that. It hasn't been that long, right,

751
00:40:10,040 --> 00:40:12,719
Speaker 1: it's like four hundred years and or our thirty years,

752
00:40:12,760 --> 00:40:14,319
Speaker 1: and so it's a thirty or fifty years. I think

753
00:40:14,360 --> 00:40:21,799
Speaker 1: thirty not found and no, no, no, I almost had

754
00:40:21,840 --> 00:40:27,840
Speaker 1: four thousand sold Let me hit this either one or

755
00:40:27,920 --> 00:40:32,800
Speaker 1: three thousands, like like thirty years. I will fact check that,

756
00:40:32,920 --> 00:40:35,920
Speaker 1: like pull it up for us. It's like thirty years.

757
00:40:35,960 --> 00:40:39,840
Speaker 1: I think it's four from thirty to forty to four thousand,

758
00:40:41,920 --> 00:40:44,160
Speaker 1: like thirty years, right, and so and so the narrative

759
00:40:44,239 --> 00:40:47,080
Speaker 1: hasn't been Um, you know, for us, it's it seems

760
00:40:47,120 --> 00:40:49,480
Speaker 1: like a lifetime because you know, you know, thirty and

761
00:40:49,520 --> 00:40:52,880
Speaker 1: fifty years old, you're young whatever. But it just became illegal,

762
00:40:53,560 --> 00:40:56,200
Speaker 1: you know, in the whole movement to for like you know,

763
00:40:56,360 --> 00:40:59,680
Speaker 1: so many of us minorities going under for the same

764
00:41:00,000 --> 00:41:02,560
Speaker 1: it that everybody else is doing, and we see how

765
00:41:02,600 --> 00:41:06,799
Speaker 1: we're getting treated differently over it in prison for it, right,

766
00:41:06,840 --> 00:41:09,160
Speaker 1: I mean that hang to that part, you know what

767
00:41:09,200 --> 00:41:11,400
Speaker 1: I mean that that's a big part, Like you know,

768
00:41:11,480 --> 00:41:16,560
Speaker 1: it's it's one of those parts that people don't nineteen

769
00:41:16,640 --> 00:41:23,440
Speaker 1: seventy it became illegal two years I was on the

770
00:41:23,520 --> 00:41:26,960
Speaker 1: four it was. It was kind of it was kind

771
00:41:27,000 --> 00:41:31,160
Speaker 1: of four years. But fifty years ain't that long, you

772
00:41:31,239 --> 00:41:32,600
Speaker 1: know what I mean, if you think about it, I mean,

773
00:41:32,640 --> 00:41:35,360
Speaker 1: it's it's our lifetime. So now it's gonna be hopefully

774
00:41:35,480 --> 00:41:37,920
Speaker 1: reverted back to being completely legal. As we know, the

775
00:41:37,960 --> 00:41:41,480
Speaker 1: plant isn't really and they could get everybody out of

776
00:41:41,560 --> 00:41:44,000
Speaker 1: prison that's still in prison for for non violent I

777
00:41:44,040 --> 00:41:47,600
Speaker 1: guess you know, Um, cannabis, you know, crimes, because there's

778
00:41:47,600 --> 00:41:50,160
Speaker 1: still people in jail right now in these little cities

779
00:41:50,200 --> 00:41:52,160
Speaker 1: and these little towns that we don't even hear about

780
00:41:52,560 --> 00:41:55,160
Speaker 1: that are getting you know, uh, twenty five to life

781
00:41:55,239 --> 00:41:57,759
Speaker 1: for plans. I would just think to money Bech, so

782
00:41:57,880 --> 00:42:00,640
Speaker 1: how many times and how much we would be on

783
00:42:00,719 --> 00:42:03,719
Speaker 1: the tours? I mean because even Blue say only the

784
00:42:03,760 --> 00:42:05,840
Speaker 1: tours that he'd go on and just the weed. Everybody

785
00:42:05,920 --> 00:42:07,799
Speaker 1: just it's just part of the culture, part of the life,

786
00:42:08,360 --> 00:42:12,040
Speaker 1: part of what It is just funny to think tour

787
00:42:12,600 --> 00:42:15,919
Speaker 1: with with with weed to get into you're the guy.

788
00:42:16,080 --> 00:42:18,400
Speaker 1: You're the guy to follow I was, you know, and

789
00:42:18,480 --> 00:42:20,560
Speaker 1: sneak onto some what I mean, you just hear about

790
00:42:21,520 --> 00:42:24,440
Speaker 1: and I've been. I mean there's there's stories that I

791
00:42:24,520 --> 00:42:27,839
Speaker 1: think every you know hip hop artist, uh probably has

792
00:42:28,000 --> 00:42:30,520
Speaker 1: encounters with it. Was a it's a second love, it's

793
00:42:30,560 --> 00:42:32,360
Speaker 1: a second nature. It's something that you know, you just

794
00:42:32,520 --> 00:42:35,440
Speaker 1: related with. Everybody had weed on the tours, you know,

795
00:42:35,520 --> 00:42:37,759
Speaker 1: and you touched down into town. Even if you didn't

796
00:42:37,800 --> 00:42:39,799
Speaker 1: have it, someone would be like, I'll be right back

797
00:42:39,840 --> 00:42:41,640
Speaker 1: and come up with announce or a quarter pound or

798
00:42:41,680 --> 00:42:45,200
Speaker 1: whatever you need it. That's just how And then it

799
00:42:45,280 --> 00:42:48,400
Speaker 1: was like you need something, Yeah, let's let's work. One

800
00:42:48,440 --> 00:42:50,920
Speaker 1: of the most memorable tours that you were ever on.

801
00:42:51,239 --> 00:42:53,080
Speaker 1: What would it be if you're like funk? That one

802
00:42:53,239 --> 00:42:56,320
Speaker 1: was just the most stand out, like, because there's always

803
00:42:56,360 --> 00:42:59,360
Speaker 1: something that stands out in life. It probably was the

804
00:42:59,400 --> 00:43:02,400
Speaker 1: Public Enemy tour with Heavy d And I just remember

805
00:43:02,480 --> 00:43:07,920
Speaker 1: we did like thirties something to forty Cities and every

806
00:43:08,000 --> 00:43:12,400
Speaker 1: night me, Tupac and Trutch from Naughty by Nature, we

807
00:43:12,480 --> 00:43:14,440
Speaker 1: would go on to the audience and watch that The

808
00:43:14,520 --> 00:43:17,120
Speaker 1: Public Enemy show every night like it was brand new.

809
00:43:17,560 --> 00:43:21,400
Speaker 1: The show was so dope. I love Chuck and the

810
00:43:21,480 --> 00:43:24,160
Speaker 1: best we can make side bets of his flavor. Flavor

811
00:43:24,160 --> 00:43:28,440
Speaker 1: was gonna show up or not. Sometimes he wouldn't or

812
00:43:29,120 --> 00:43:30,840
Speaker 1: or he get on stage. I remember one time we

813
00:43:30,880 --> 00:43:33,920
Speaker 1: were in like, uh, let's just say we were in

814
00:43:34,080 --> 00:43:39,560
Speaker 1: like Memphis and Flame gets on Greenville, North Carolina. What's up?

815
00:43:44,120 --> 00:43:47,560
Speaker 1: They literally made that Geico commercial after him. Probably somebody

816
00:43:47,640 --> 00:43:51,360
Speaker 1: watched that reminded me of that. It was that exactly right, like,

817
00:43:51,560 --> 00:43:53,719
Speaker 1: oh my god, when they did that, I thought of

818
00:43:53,840 --> 00:43:56,160
Speaker 1: so many artists on stage, how many people do this?

819
00:43:56,360 --> 00:43:59,520
Speaker 1: He really did that, man. But I always try to

820
00:43:59,600 --> 00:44:02,560
Speaker 1: hit just broadened or like California, don't hit the city,

821
00:44:02,640 --> 00:44:03,800
Speaker 1: you know what I mean, Like you start going to

822
00:44:03,840 --> 00:44:05,880
Speaker 1: the city, we all of a sudden, people like, boom,

823
00:44:06,120 --> 00:44:11,000
Speaker 1: you're the wrong area. You know that. I didn't say

824
00:44:11,040 --> 00:44:14,359
Speaker 1: the wrong city. I just pronounced the initials wrong. Yeah,

825
00:44:14,480 --> 00:44:16,919
Speaker 1: And everybody's looking at me like you had a counter

826
00:44:17,360 --> 00:44:19,440
Speaker 1: waiting for the screams and there's no screams. I was like,

827
00:44:19,719 --> 00:44:22,759
Speaker 1: what was it? It was in um we were in

828
00:44:22,840 --> 00:44:27,840
Speaker 1: Texas and it's like south of Corpus Christie where it

829
00:44:27,920 --> 00:44:30,080
Speaker 1: is like the bottom of Texas. Like you know how

830
00:44:30,160 --> 00:44:32,839
Speaker 1: Texas has that tip. It's a city, but it's it's

831
00:44:32,920 --> 00:44:37,040
Speaker 1: like a almost like a tri city area, but they

832
00:44:37,080 --> 00:44:40,120
Speaker 1: have a name for it. That's something something Valley and

833
00:44:40,200 --> 00:44:42,120
Speaker 1: I just funked up the initials when I said because

834
00:44:42,160 --> 00:44:43,680
Speaker 1: it was like either supposed to be like r n

835
00:44:43,960 --> 00:44:47,879
Speaker 1: L or whatever it happens, you know what I'm saying.

836
00:44:47,880 --> 00:44:49,960
Speaker 1: No matter what it does happen, you know, it's part

837
00:44:49,960 --> 00:44:51,120
Speaker 1: of the things, part of the gigs, part of the

838
00:44:51,440 --> 00:44:55,600
Speaker 1: then we did and then it was everybody had a

839
00:44:55,640 --> 00:44:57,560
Speaker 1: good real quick are you guys what are you guys

840
00:44:57,640 --> 00:44:59,480
Speaker 1: doing now? You guys got any you know, shows and

841
00:44:59,719 --> 00:45:02,560
Speaker 1: stuff going on. Yeah, we're we're on the road, like

842
00:45:02,880 --> 00:45:09,360
Speaker 1: we're booked. How those shows just online? You can go

843
00:45:09,600 --> 00:45:12,239
Speaker 1: to follow me on Instagram at money B sixty nine

844
00:45:12,560 --> 00:45:14,560
Speaker 1: on Twitter or go to the Digital on the Ground

845
00:45:14,600 --> 00:45:17,840
Speaker 1: facebook page on Facebook. And we're always posting about what

846
00:45:18,000 --> 00:45:22,040
Speaker 1: we're doing. Um, but we're um, we're doing shows. We

847
00:45:22,120 --> 00:45:24,839
Speaker 1: actually have new music that will be releasing first. As

848
00:45:24,880 --> 00:45:27,440
Speaker 1: an n f T, I'm heavy into the So in

849
00:45:27,560 --> 00:45:30,040
Speaker 1: n f T space, we have a Digital on the

850
00:45:30,120 --> 00:45:33,839
Speaker 1: Ground headquarters partial in voxels. Go to boxes dot com

851
00:45:33,920 --> 00:45:36,600
Speaker 1: if you're in the gaming, Um, the Going Way Back show,

852
00:45:36,680 --> 00:45:40,399
Speaker 1: we'll be coming back probably on Twitch and um, there's

853
00:45:40,400 --> 00:45:42,520
Speaker 1: a new streaming network. I can't think of it off

854
00:45:42,520 --> 00:45:44,400
Speaker 1: the top of my head, but I'm you know it's

855
00:45:44,440 --> 00:45:49,080
Speaker 1: gonna it's um, it's crypto monetize herble, Okay, you know

856
00:45:49,080 --> 00:45:53,239
Speaker 1: what I mean. So we're like I told that we're

857
00:45:53,280 --> 00:45:56,120
Speaker 1: moving and shaking. Good man. If you mentioned something else,

858
00:45:56,280 --> 00:45:59,000
Speaker 1: oh yeah, we're doing that too. Yeah that's good. Well,

859
00:45:59,000 --> 00:46:00,440
Speaker 1: now what we want to do with you, money be

860
00:46:00,600 --> 00:46:02,279
Speaker 1: is the high five that we like to ask every

861
00:46:02,320 --> 00:46:04,879
Speaker 1: guest that come in here. Nice simple fun questions. Question

862
00:46:05,000 --> 00:46:07,200
Speaker 1: Number one, how old you the first time you smoke

863
00:46:07,280 --> 00:46:11,560
Speaker 1: cannabis and where'd you get it from? I was fourteen

864
00:46:12,640 --> 00:46:16,400
Speaker 1: and I was at and at Berkeley High standing in

865
00:46:16,520 --> 00:46:20,840
Speaker 1: the underneath them the like the there used to be

866
00:46:20,960 --> 00:46:23,440
Speaker 1: this thing where you could eat lunch, had like this

867
00:46:23,560 --> 00:46:25,920
Speaker 1: building and I was standing underneath it. It's like, bro,

868
00:46:26,040 --> 00:46:28,520
Speaker 1: you want to try this. I was like trying to

869
00:46:28,560 --> 00:46:31,200
Speaker 1: be cool and ship. I was like, yeah, yeah, did

870
00:46:31,239 --> 00:46:37,560
Speaker 1: you get high? Yeah? You got really high. Yeah that's

871
00:46:37,560 --> 00:46:39,799
Speaker 1: a good time. Question number two of the High five,

872
00:46:39,880 --> 00:46:43,480
Speaker 1: what is your favorite way to use or smoke cannabis? Um?

873
00:46:44,840 --> 00:46:50,080
Speaker 1: It would probably be only because we had, you know,

874
00:46:50,160 --> 00:46:51,800
Speaker 1: we had our vape pins. I used to smoke it

875
00:46:51,880 --> 00:46:54,320
Speaker 1: out of you know, vapor a lot. But if I

876
00:46:54,400 --> 00:46:58,440
Speaker 1: really had to think about it, um, my worst experience

877
00:46:58,560 --> 00:47:06,000
Speaker 1: has been with edible. You don't know how much. Yeah

878
00:47:06,480 --> 00:47:08,920
Speaker 1: that ship and then woke up the next morning still yeah,

879
00:47:09,000 --> 00:47:14,319
Speaker 1: still ripped, smelling like everything's bad. Yeah. I've done it too.

880
00:47:14,440 --> 00:47:17,200
Speaker 1: I've done it too. Yeah that is so funny. I

881
00:47:17,280 --> 00:47:22,800
Speaker 1: just can imagine, just bet, I gotta I gotta a

882
00:47:22,960 --> 00:47:25,399
Speaker 1: soda in my fridge. It's just been sitting there because

883
00:47:25,400 --> 00:47:28,080
Speaker 1: you're like, I'm not hitting it. Yeah, just low doughs. Man,

884
00:47:28,080 --> 00:47:29,959
Speaker 1: when you do it really low, it's it's really cool.

885
00:47:30,320 --> 00:47:32,600
Speaker 1: But like if you don't know your your doughs or

886
00:47:32,680 --> 00:47:34,400
Speaker 1: what you're getting, like you get it from a store

887
00:47:34,800 --> 00:47:37,200
Speaker 1: and then and really use the milligrams counting. I do

888
00:47:37,400 --> 00:47:40,359
Speaker 1: like three or five milligrams. I'm cool. I got into

889
00:47:40,520 --> 00:47:44,000
Speaker 1: you know, thirty milligrams. I'm over here, like yeah, because

890
00:47:44,040 --> 00:47:45,960
Speaker 1: right before that, you know, I mean, you know, or

891
00:47:46,000 --> 00:47:49,759
Speaker 1: I'm laughing uncontrollably or whatever I'm got laugh Some people don't.

892
00:47:50,160 --> 00:47:54,960
Speaker 1: Some people eat. We did, you know, we should do

893
00:47:55,040 --> 00:47:56,840
Speaker 1: the sessions and stuff when we were selling our you know,

894
00:47:57,000 --> 00:47:59,160
Speaker 1: we had a little pop ups whatnot. So we had

895
00:47:59,200 --> 00:48:01,359
Speaker 1: the thing and I was like, I'm angry. Roll brings

896
00:48:01,400 --> 00:48:04,279
Speaker 1: me some tacos, eat them ships and I was like,

897
00:48:04,440 --> 00:48:05,879
Speaker 1: then he tells me, oh yeah, you know those things.

898
00:48:06,560 --> 00:48:11,120
Speaker 1: I was like, and I was like, give me some water,

899
00:48:11,200 --> 00:48:14,080
Speaker 1: so calm down, and I get the water I'm drinking

900
00:48:14,120 --> 00:48:18,520
Speaker 1: and I was like, oh yeah, that's just went in.

901
00:48:19,440 --> 00:48:22,919
Speaker 1: You were like to go hang out. They told me afterwards. Yeah,

902
00:48:23,000 --> 00:48:26,800
Speaker 1: you're like, dude, oh man. Question number three of the

903
00:48:26,920 --> 00:48:30,640
Speaker 1: High five craziest place you ever used or smoked cannabis

904
00:48:30,719 --> 00:48:33,440
Speaker 1: because that place right there, eating friend of that. That's crazy,

905
00:48:33,480 --> 00:48:40,640
Speaker 1: but maybe the used or the craziest place. Different countries

906
00:48:42,120 --> 00:48:46,000
Speaker 1: can I include crazy could be crazy? Yeah whatever whatever.

907
00:48:47,160 --> 00:48:50,719
Speaker 1: When we heroin ship, remember we toward I told you

908
00:48:50,800 --> 00:48:52,640
Speaker 1: we toward Europe, right, so I think we were in

909
00:48:52,840 --> 00:48:58,920
Speaker 1: fucking Germany or something. Who was in some Netherlands or

910
00:48:59,080 --> 00:49:02,160
Speaker 1: somewhere whatever we were, and I just remember that she

911
00:49:02,320 --> 00:49:03,840
Speaker 1: was like, you wanna do some hash? And she's like

912
00:49:04,040 --> 00:49:08,560
Speaker 1: she did all that ship something like hit that ship?

913
00:49:08,840 --> 00:49:11,120
Speaker 1: No I did. I was like sucking, you know. I

914
00:49:11,160 --> 00:49:14,560
Speaker 1: thought it was gonna go down to it nice. I

915
00:49:14,719 --> 00:49:17,640
Speaker 1: got the hash and no ask damn it. I was

916
00:49:17,680 --> 00:49:19,120
Speaker 1: trying to help it out. But we were in one

917
00:49:19,120 --> 00:49:22,279
Speaker 1: of those crazy foreign countries and I was like, she's

918
00:49:22,320 --> 00:49:25,920
Speaker 1: just crazy because they didn't have weed. And then they

919
00:49:26,120 --> 00:49:27,440
Speaker 1: you know, they make the bats and they put the

920
00:49:27,480 --> 00:49:32,719
Speaker 1: tobacco on and and you know, and they sprinkled a

921
00:49:32,920 --> 00:49:34,680
Speaker 1: little hash and in there. They also put a little

922
00:49:34,680 --> 00:49:39,719
Speaker 1: bit of tobacco in it. Yeah, ye put the hash

923
00:49:39,960 --> 00:49:45,520
Speaker 1: in that. And no, but it was whatever whatever country

924
00:49:45,640 --> 00:49:48,080
Speaker 1: we were in, it was illegal. So it was like

925
00:49:48,160 --> 00:49:51,919
Speaker 1: if you got caught, yeah bad. I was like, yeah,

926
00:49:51,960 --> 00:49:54,200
Speaker 1: that makes it craziest fun. Oh yeah, that was a

927
00:49:54,239 --> 00:49:56,600
Speaker 1: big deal. Question number four the High five What is

928
00:49:56,640 --> 00:50:03,640
Speaker 1: your go to munchie after you get high? Um? Usually

929
00:50:03,800 --> 00:50:07,080
Speaker 1: is there's some pizza hanging out. You've got some pizza

930
00:50:07,120 --> 00:50:09,759
Speaker 1: here for you might have to hit a pin. There's

931
00:50:09,760 --> 00:50:12,600
Speaker 1: some pizza somewhere. This might be off the wall. But

932
00:50:12,960 --> 00:50:18,520
Speaker 1: some cereal? What kind of cereal? Uh ship lucky charms?

933
00:50:18,600 --> 00:50:22,399
Speaker 1: You're like, well, you want to talk about Back then

934
00:50:22,480 --> 00:50:26,600
Speaker 1: it would have been some sweet cereal now, don't you know? Now? Yeah,

935
00:50:28,160 --> 00:50:32,680
Speaker 1: takes it easier. Peanut butter balls. I can bust it

936
00:50:32,719 --> 00:50:36,959
Speaker 1: out exactly. Question number four of the High five Money

937
00:50:37,040 --> 00:50:43,359
Speaker 1: be number five, Question number four point to let's start

938
00:50:43,440 --> 00:50:46,279
Speaker 1: this over. Question number five in the High five Money Be,

939
00:50:46,360 --> 00:50:49,760
Speaker 1: if you can smoke cannabis with anyone dead or alive,

940
00:50:50,360 --> 00:50:56,960
Speaker 1: who would it be and why? Anyone? You know what?

941
00:50:57,360 --> 00:51:02,640
Speaker 1: It will probably be Willie Nelson because I'm interested. I know,

942
00:51:02,719 --> 00:51:04,960
Speaker 1: because he got his products and everything ladies and gentlemen.

943
00:51:10,400 --> 00:51:13,839
Speaker 1: But he's looking around like it. I was like, who

944
00:51:13,920 --> 00:51:21,759
Speaker 1: looks like Willie? Knows there looking like it? I was like,

945
00:51:22,000 --> 00:51:25,719
Speaker 1: is this guy that looks like Willie? Now? Because here's

946
00:51:25,719 --> 00:51:29,920
Speaker 1: what I tell people like reggae and country is the

947
00:51:29,960 --> 00:51:35,120
Speaker 1: only soul music left. It's music that you know outside

948
00:51:35,120 --> 00:51:38,040
Speaker 1: of hip hop, where usually these songs are a lot

949
00:51:38,080 --> 00:51:40,239
Speaker 1: of times written by the artists and they just talk

950
00:51:40,280 --> 00:51:43,560
Speaker 1: about their experiences. You know what this country everybody shot

951
00:51:43,600 --> 00:51:48,520
Speaker 1: they dog and wife left losy ship so far And

952
00:51:48,560 --> 00:51:51,359
Speaker 1: I like what you're saying. It hit me as soon

953
00:51:51,440 --> 00:51:55,040
Speaker 1: as you said that, I understood it. It wasn't because

954
00:51:55,080 --> 00:51:57,759
Speaker 1: soul music is from the soul about your experience, and

955
00:51:57,920 --> 00:52:00,239
Speaker 1: even if you didn't write it, it's it's it's it's

956
00:52:00,280 --> 00:52:02,960
Speaker 1: so soul music. Yeah, honestly, I never thought of it

957
00:52:03,040 --> 00:52:05,479
Speaker 1: like that. And so you know, if I was, I'd

958
00:52:05,520 --> 00:52:09,560
Speaker 1: like to just rowing and ask him about the same ship.

959
00:52:09,960 --> 00:52:15,319
Speaker 1: Is Willie here? Would ask him just learning the history

960
00:52:15,400 --> 00:52:17,160
Speaker 1: of it, like where did it come from? Where? Yeah,

961
00:52:17,200 --> 00:52:18,800
Speaker 1: Willie would be one of those guys that you just

962
00:52:18,880 --> 00:52:22,439
Speaker 1: want to sit back with. Banged Martha Stewart or something. Yeah,

963
00:52:23,400 --> 00:52:26,600
Speaker 1: you don't know twice because you know he's had a

964
00:52:26,719 --> 00:52:30,279
Speaker 1: crazy life and he and he and he was able

965
00:52:30,320 --> 00:52:34,160
Speaker 1: to cross everyone Like you say this as a young

966
00:52:34,320 --> 00:52:38,520
Speaker 1: black man going this old white man Willie Nelson, you know,

967
00:52:38,640 --> 00:52:41,320
Speaker 1: he crosses over and they all love him. Yeah, and

968
00:52:41,400 --> 00:52:45,080
Speaker 1: just imagine who he smoked with that. That's what I'm saying,

969
00:52:45,960 --> 00:52:48,359
Speaker 1: his stories, that's what I'm saying. I smoked with Martin

970
00:52:48,440 --> 00:52:52,200
Speaker 1: Luther King one time. You remember everybody he crosses over

971
00:52:52,400 --> 00:52:55,239
Speaker 1: everything he was around money. Is there anything else that

972
00:52:55,560 --> 00:52:56,920
Speaker 1: you know you want to say before we get you

973
00:52:56,960 --> 00:53:00,680
Speaker 1: all out of here? Man? Um? Yeah, So you mentioned

974
00:53:00,719 --> 00:53:03,120
Speaker 1: the going way back show to actually do a tagline

975
00:53:03,160 --> 00:53:05,239
Speaker 1: was classic hip out roll on uncut. Of course I'm

976
00:53:05,280 --> 00:53:07,480
Speaker 1: bringing that back, but this time I'm bringing it back

977
00:53:07,520 --> 00:53:10,840
Speaker 1: into the um, the n f T and crypto space.

978
00:53:11,280 --> 00:53:15,360
Speaker 1: So we're gonna be broadcasting from from our partial d

979
00:53:15,440 --> 00:53:19,120
Speaker 1: u h Q inbox les right through Twitch and probably

980
00:53:19,160 --> 00:53:22,279
Speaker 1: through another streaming network that you can monetize. I forget

981
00:53:22,320 --> 00:53:25,800
Speaker 1: what the coin is so um, but just tune into that.

982
00:53:26,239 --> 00:53:28,399
Speaker 1: And when I say that, I'll be you know, because

983
00:53:28,400 --> 00:53:31,719
Speaker 1: I have interviews with like five Dog and and just

984
00:53:32,840 --> 00:53:37,000
Speaker 1: Coolio and all these great artists that their information is

985
00:53:37,080 --> 00:53:40,520
Speaker 1: just timeless, right because it's their story that I can

986
00:53:40,560 --> 00:53:43,479
Speaker 1: just bring back. And so it's I haven't done the show,

987
00:53:44,160 --> 00:53:47,120
Speaker 1: you know. When shot passed, it kind of sucked me up,

988
00:53:47,160 --> 00:53:49,759
Speaker 1: so I just stopped doing it, right, But I feel okay,

989
00:53:49,800 --> 00:53:51,279
Speaker 1: there's enough time. I'm ready to bring it back. But

990
00:53:51,360 --> 00:53:53,320
Speaker 1: this time I'm gonna bring it back into the metaverse.

991
00:53:54,040 --> 00:53:57,280
Speaker 1: You understand what um You know Snoop's got a huge,

992
00:53:57,400 --> 00:53:59,839
Speaker 1: you know, metaverse set up where he has his whole,

993
00:54:00,400 --> 00:54:02,360
Speaker 1: his house and his neighborhood that he lives in, and

994
00:54:02,440 --> 00:54:04,839
Speaker 1: there's a whole metaverse that they're all involved in. Yeah,

995
00:54:05,120 --> 00:54:07,680
Speaker 1: they have clubs in it and smoke out session. And

996
00:54:07,760 --> 00:54:10,480
Speaker 1: if you've seen that and you're into that, wait till

997
00:54:10,480 --> 00:54:12,560
Speaker 1: you see d u h Q. Come to d u

998
00:54:12,719 --> 00:54:17,359
Speaker 1: h Q in box Court Street in cryptoboxes. I love

999
00:54:17,440 --> 00:54:23,160
Speaker 1: it address. Yeah see me? Yeah, I want to buy

1000
00:54:23,200 --> 00:54:29,560
Speaker 1: a house next door? Is there some property available? I

1001
00:54:29,600 --> 00:54:32,520
Speaker 1: don't know that. We're gonna find out. You know, I

1002
00:54:32,600 --> 00:54:35,040
Speaker 1: bought in early, so yeah, you know, I got the

1003
00:54:35,120 --> 00:54:38,560
Speaker 1: thing going. It's so dope, man. People just go online.

1004
00:54:38,600 --> 00:54:40,759
Speaker 1: They can search it. You gotta wear I don't even

1005
00:54:40,760 --> 00:54:44,640
Speaker 1: know how that should works. Well, it's it's it's on

1006
00:54:44,880 --> 00:54:49,920
Speaker 1: the Polygon blockchain with the side chain of Ethereum, so

1007
00:54:50,000 --> 00:54:52,600
Speaker 1: you have to own that. You get an avatar and

1008
00:54:52,800 --> 00:54:54,839
Speaker 1: you dressed. The thing about is when you're in these

1009
00:54:55,400 --> 00:54:58,080
Speaker 1: um metaverses, you want to dress your avatar up. So,

1010
00:54:58,200 --> 00:55:00,719
Speaker 1: like I said, I have wearable so um oh the

1011
00:55:00,800 --> 00:55:03,359
Speaker 1: digital in the ground merchandise do you merch dot com

1012
00:55:03,840 --> 00:55:07,759
Speaker 1: is where you can only get official digitalund underground merchandise

1013
00:55:08,040 --> 00:55:10,080
Speaker 1: at du merch dot com. But I also have the

1014
00:55:10,120 --> 00:55:15,040
Speaker 1: wearables for your avatar and crypto boxes. So and then

1015
00:55:15,239 --> 00:55:17,600
Speaker 1: you know I'll do I'll do like air drops or

1016
00:55:18,080 --> 00:55:20,400
Speaker 1: say if you have this, I'll give you the the

1017
00:55:20,719 --> 00:55:23,839
Speaker 1: um the digital twin that save you by a shirt,

1018
00:55:23,880 --> 00:55:26,360
Speaker 1: you can get the digital which makes it more for

1019
00:55:26,480 --> 00:55:28,320
Speaker 1: your avatar, which makes it more valuable. So when you

1020
00:55:28,440 --> 00:55:30,680
Speaker 1: dress it up and you have your unique avatar, that's

1021
00:55:30,680 --> 00:55:34,839
Speaker 1: what makes you. It gives your your your personality within

1022
00:55:34,920 --> 00:55:36,759
Speaker 1: the space. And that's what a lot of people like

1023
00:55:36,880 --> 00:55:39,960
Speaker 1: to do. That's sick, man. We appreciate you man, So

1024
00:55:40,200 --> 00:55:42,080
Speaker 1: that that that's the that's the that's the big new

1025
00:55:42,120 --> 00:55:47,040
Speaker 1: get out. You got anything else? I don't know, no

1026
00:55:47,719 --> 00:55:51,799
Speaker 1: checking Hey man, It's been a pleasure, honest and whatever

1027
00:55:51,840 --> 00:55:54,360
Speaker 1: we can do together do we go way back. So

1028
00:55:54,520 --> 00:55:57,239
Speaker 1: much that we've been doing, it's just crazy. I know

1029
00:55:57,320 --> 00:55:59,000
Speaker 1: what's coming on the horizon as the release of the

1030
00:55:59,040 --> 00:56:02,120
Speaker 1: money being Young Hump single effort up which you know

1031
00:56:02,160 --> 00:56:04,160
Speaker 1: it's gonna be dropped as an n F T and

1032
00:56:04,560 --> 00:56:11,200
Speaker 1: we actually have fifty versions of the song. So if

1033
00:56:11,239 --> 00:56:13,480
Speaker 1: you're a holder of it, some of the unlockables is

1034
00:56:13,920 --> 00:56:16,480
Speaker 1: access to did you run the ground shows for a

1035
00:56:16,600 --> 00:56:20,560
Speaker 1: limited amount of time? Um, you get you get the

1036
00:56:21,280 --> 00:56:23,640
Speaker 1: pack of stems where you can do your own remixes.

1037
00:56:24,680 --> 00:56:27,920
Speaker 1: It's a lot said if you're if you're a gamer,

1038
00:56:28,480 --> 00:56:33,920
Speaker 1: you know we gamified our single. Wow, that's right, and

1039
00:56:34,080 --> 00:56:39,359
Speaker 1: and and and exactly next level right and and there's

1040
00:56:39,400 --> 00:56:42,680
Speaker 1: generative art along with it, so you buy it every

1041
00:56:42,800 --> 00:56:43,920
Speaker 1: and when you get the art with it, it's a

1042
00:56:44,040 --> 00:56:47,120
Speaker 1: unique piece. You know, you own it as an NF two.

1043
00:56:47,320 --> 00:56:49,959
Speaker 1: On the stems, you get on something I mean, owning

1044
00:56:50,000 --> 00:56:53,160
Speaker 1: the stamps and being able to create your own that

1045
00:56:53,640 --> 00:56:57,000
Speaker 1: right there is next level almost like you guys, you

1046
00:56:57,080 --> 00:56:59,160
Speaker 1: know the freaks of the industry, you know, coming out

1047
00:56:59,239 --> 00:57:01,239
Speaker 1: like that, that's very Yes, something I haven't heard yet,

1048
00:57:01,320 --> 00:57:03,319
Speaker 1: so yeah, this is all new. Kudos to that, man.

1049
00:57:03,760 --> 00:57:06,360
Speaker 1: I'm glad I was able to pull it out before

1050
00:57:06,440 --> 00:57:09,200
Speaker 1: we're thinking that. Yeah, there it is man. We appreciate

1051
00:57:09,280 --> 00:57:10,759
Speaker 1: you on the show and check this out, guys, it's

1052
00:57:10,800 --> 00:57:13,080
Speaker 1: cannabis Talk one on one and remember this. If no

1053
00:57:13,160 --> 00:57:19,080
Speaker 1: one else loves you, we do. Damny dude. Thank you

1054
00:57:19,280 --> 00:57:21,280
Speaker 1: for listening to Cannabis Talk one on one on the

1055
00:57:21,360 --> 00:57:24,720
Speaker 1: I Heart Radio app, Apple podcast, or wherever you get

1056
00:57:24,760 --> 00:57:25,560
Speaker 1: your podcasts.